Yamaha HTR-5280 Manual de usuario

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.

YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA

YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY

YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE

YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND

YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN

YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Printed in Malaysia ID

V624950

OWNER’S MANUAL

HTR-5280

Natural Sound AV Receiver

U A

0100HTR5280(UA)-cv1/4 8/1/0, 11:55 AM1

SAFETY INSTRUCTIONS

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION

• Explanation of Graphical Symbols

The lightning flash with arrowhead symbol,

within an equilateral triangle, is intended to alert

you to the presence of uninsulated “dangerous

voltage” within the product’s enclosure that may

be of sufficient magnitude to constitute a risk of

electric shock to persons.

The exclamation point within an equilateral

triangle is intended to alert you to the presence of

important operating and maintenance (servicing)

instructions in the literature accompanying the

appliance.

1 Read Instructions – All the safety and operating instructions

should be read before the unit is operated.

2 Retain Instructions – The safety and operating instructions

should be retained for future reference.

3 Heed Warnings – All warnings on the unit and in the operating

instructions should be adhered to.

4 Follow Instructions – All operating and other instructions

should be followed.

5 Water and Moisture – The unit should not be used near

water – for example, near a bathtub, washbowl, kitchen

sink, laundry tub, in a wet basement, or near a swimming

pool, etc.

6 Carts and Stands – The unit should be used only with a cart

or stand that is recommended by the manufacturer.

6A A unit and cart combination should be

moved with care. Quick stops, excessive

force, and uneven surfaces may cause the

unit and cart combination to overturn.

7 Wall or Ceiling Mounting – The unit

should be mounted to a wall or ceiling only as

recommended by the manufacturer.

8 Ventilation – The unit should be situated so that its location

or position does not interfere with its proper ventilation. For

example, the unit should not be situated on a bed, sofa, rug,

or similar surface, that may block the ventilation openings; or

placed in a built-in installation, such as a bookcase or cabinet

that may impede the flow of air through the ventilation

openings.

9 Heat – The unit should be situated away from heat sources

such as radiators, stoves, or other appliances that produce

heat.

10 Power Sources – The unit should be connected to a power

supply only of the type described in the operating instructions or

as marked on the unit.

11 Power-Cord Protection – Power-supply cords should be

routed so that they are not likely to be walked on or pinched

by items placed upon or against them, paying particular

attention to cords at plugs, convenience receptacles, and the

point where they exit from the unit.

12 Cleaning – The unit should be cleaned only as

recommended by the manufacturer.

13 Nonuse Periods – The power cord of the unit should be

unplugged from the outlet when left unused for a long

period of time.

14 Object and Liquid Entry – Care should be taken so that

objects do not fall into and liquids are not spilled into the

inside of the unit.

15 Damage Requiring Service – The unit should be serviced by

qualified service personnel when:

A. The power-supply cord or the plug has been damaged;

B. Objects have fallen, or liquid has been spilled into the

unit; or

C. The unit has been exposed to rain; or

D. The unit does not appear to operate normally or

exhibits a marked change in performance; or

E. The unit has been dropped, or the cabinet damaged.

16 Servicing – The user should not attempt to service the unit

beyond those means described in the operating instructions.

All other servicing should be referred to qualified service

personnel.

17 Power Lines – An outdoor antenna should be located away

from power lines.

18 Grounding or Polarization – Precautions should be taken so

that the grounding or polarization is not defeated.

WARNING

TO REDUCE THE RISK OF FIRE OR

ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO

RAIN OR MOISTURE.

I CAUTION

III

English

INTRODUCTION PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

III

SAFETY INSTRUCTIONSSAFETY INSTRUCTIONS

1. IMPORTANT NOTICE : DO NOT MODIFY THIS

UNIT!

This product, when installed as indicated in the

instructions contained in this manual, meets FCC

requirements. Modifications not expressly approved

by Yamaha may void your authority, granted by the

FCC, to use the product.

2. IMPORTANT : When connecting this product to

accessories and/or another product use only high

quality shielded cables. Cable/s supplied with this

product MUST be used. Follow all installation

instructions. Failure to follow instructions could void

your FCC authorization to use this product in the USA.

3. NOTE : This product has been tested and found to

comply with the requirements listed in FCC

Regulations, Part 15 for Class “B” digital devices.

Compliance with these requirements provides a

reasonable level of assurance that your use of this

product in a residential environment will not result in

harmful interference with other electronic devices.

This equipment generates/uses radio frequencies and,

if not installed and used according to the instructions

found in the users manual, may cause interference

harmful to the operation of other electronic devices.

Compliance with FCC regulations does not guarantee

that interference will not occur in all installations. If

this product is found to be the source of interference,

which can be determined by turning the unit “OFF” and

“ON”, please try to eliminate the problem by using one

of the following measures:

Relocate either this product or the device that is being

affected by the interference.

Utilize power outlets that are on different branch (circuit

breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient

the antenna. If the antenna lead-in is 300 ohm ribbon

lead, change the lead-in to coaxial type cable.

If these corrective measures do not produce satisfactory

results, please contact the local retailer authorized to

distribute this type of product. If you can not locate the

appropriate retailer, please contact Yamaha Electronics

Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA

90620.

The above statements apply ONLY to those products

distributed by Yamaha Corporation of America or its

subsidiaries.

We Want You Listening For A Lifetime

YAMAHA and the Electronic Industries Association’s Consumer

Electronics Group want you to get the most out of your equipment

by playing it at a safe level. One that lets the sound come through

loud and clear without annoying blaring or distortion – and, most

importantly, without affecting your sensitive hearing.

19 For US customers only:

Outdoor Antenna Grounding – If an outside antenna is

connected to this unit, be sure the antenna system is

grounded so as to provide some protection against voltage

surges and built-up static charges. Article 810 of the

National Electrical Code, ANSI/NFPA 70, provides

information with regard to proper grounding of the mast

and supporting structure, grounding of the lead-in wire to

an antenna discharge unit, size of grounding conductors,

location of antenna discharge unit, connection to grounding

electrodes, and requirements for the grounding electrode.

EXAMPLE OF ANTENNA GROUNDING

MAST

GROUND

CLAMP

ANTENNA

LEAD IN

WIRE

ANTENNA

DISCHARGE UNIT

(NEC SECTION 810–20)

GROUNDING CONDUCTORS

(NEC SECTION 810–21)

GROUND CLAMPS

POWER SERVICE GROUNDING

ELECTRODE SYSTEM

(NEC ART 250. PART H)

ELECTRIC

SERVICE

EQUIPMENT

NEC

– NATIONAL ELECTRICAL CODE

FCC INFORMATION (for US customers only)

Since hearing damage from loud sounds is often

undetectable until it is too late, YAMAHA and the

Electronic Industries Association’s Consumer

Electronics Group recommend you to avoid

prolonged exposure from excessive volume levels.

Note to CATV system installer:

This reminder is provided to call the CATV system

installer’s attention to Article 820-40 of the NEC that

provides guidelines for proper grounding and, in

particular, specifies that the cable ground shall be

connected to the grounding system of the building, as

close to the point of cable entry as practical.

CAUTION II

1 To assure the finest performance, please read this

manual carefully. Keep it in a safe place for future

reference.

2 Install this unit in a well ventilated, cool, dry, clean

place with at least 30 cm on the top, 20 cm on the

right and left, and 10 cm at the back of this unit

— away from direct sunlight, heat sources,

vibration, dust, moisture, and/or cold.

3 Locate this unit away from other electrical

appliances, motors, or transformers to avoid

humming sounds. To prevent fire or electrical

shock, do not place this unit where it may get

exposed to rain, water, and/or any type of liquid.

4 Do not expose this unit to sudden temperature

changes from cold to hot, and do not locate this

unit in a environment with high humidity (i.e. a room

with a humidifier) to prevent condensation inside

this unit, which may cause an electrical shock, fire,

damage to this unit, and/or personal injury.

5 On the top of this unit, do not place:

– Other components, as they may cause damage

and/or discoloration on the surface of this unit.

– Buring objects (i.e. candles), as they may cause

fire, damage to this unit, and/or personal injury.

– Containers with liquid in them, as they may cause

electrical shock to the user and/or damage to this

unit.

6 Do not cover this unit with a newspaper, tablecloth,

curtain, etc. in order not to obstruct heat radiation.

If the temperature inside this unit rises, it may

cause fire, damage to this unit, and/or personal

injury.

7 Do not plug in this unit to a wall outlet until all

connections are complete.

8 Do not operate this unit upside-down. It may

overheat, possibly causing damage.

9 Do not use force on switches, knobs and/or cords.

10 When disconnecting the power cord from the wall

outlet, grasp the plug; do not pull the cord.

11 Do not clean this unit with chemical solvents; this

might damage the finish. Use a clean, dry cloth.

12 Only voltage specified on this unit must be used.

Using this unit with a higher voltage than specified

is dangerous and may cause fire, damage to this

unit, and/or personal injury. YAMAHA will not be

held responsible for any damage resulting from use

of this unit with a voltage other than specified.

13 To prevent damage by lightning, disconnect the

power cord from the wall outlet during an electrical

storm.

14 Take care of this unit so that no foreign objects and/

or liquid drops inside this unit.

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.

15 Do not attempt to modify or fix this unit. Contact

qualified YAMAHA service personnel when any

service is needed. The cabinet should never be

opened for any reasons.

16 When not planning to use this unit for long periods

of time (i.e. vacation), disconnect the AC power plug

from the wall outlet.

17 Be sure to read the “TROUBLESHOOTING” section

on common operating errors before concluding that

this unit is faulty.

18 Before moving this unit, press STANDBY/ON to set

this unit in the standby mode, and disconnect the

AC power plug from the wall outlet.

19 VOLTAGE SELECTOR (China and general models

only)

The VOLTAGE SELECTOR on the rear panel of this

unit must be set for your local main voltage

BEFORE plugging into the AC main supply.

Voltages are 110/120/220/240 V AC, 50/60 Hz.

This unit is not disconnected from the AC power

source as long as it is connected to the wall outlet,

even if this unit itself is turned off. This state is called

the standby mode. In this state, this unit is designed to

consume a very small quantity of power.

FREQUENCY STEP switch

(China and general models only)

Because the interstation frequency spacing differs in

different areas, set the FREQUENCY STEP switch

(locating at the rear) according to the frequency

spacing in your area.

North, Central and South America: 100 kHz/10 kHz

Other area: 50 kHz/9 kHz

Before setting this switch, disconnect the AC power

plug of this unit from the AC outlet.

IMPORTANT

Please record the serial number of this unit in the

space below.

MODEL:

Serial No.:

The serial number is located on the rear of the unit.

Retain this Owner’s Manual in a safe place for future

reference.

FOR CANADIAN CUSTOMERS

To prevent electric shock, match wide blade of plug to

wide slot and fully insert.

This Class B digital apparatus complies with Canadian

ICES-003.

III CAUTION

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONTENTS

INTRODUCTION

CONTENTS ........................................................... 1

FEATURES ............................................................ 2

GETTING STARTED ........................................... 3

Checking the Package Contents ............................... 3

Installing Batteries in the Remote Control ............... 3

CONTROLS AND FUNCTIONS ........................ 4

Front Panel ............................................................... 4

Remote Control ........................................................ 6

Description of the Numeric Buttons......................... 7

Using the Remote Control ........................................ 8

Front Panel Display .................................................. 9

Rear Panel .............................................................. 10

PREPARATION

SPEAKER SETUP .............................................. 11

Speakers to Be Used ............................................... 11

Speaker Placement ................................................. 11

CONNECTIONS ................................................. 12

Before Connecting Components ............................ 12

Connecting Audio Components ............................. 12

Connecting Video Components .............................. 14

Connecting the Speakers ........................................ 16

Connecting to an External Amplifier ..................... 18

Connecting an External Decoder ............................ 18

IMPEDANCE SELECTOR Switch ....................... 19

Connecting the Power Supply Cords ...................... 19

ON-SCREEN DISPLAY (OSD) ......................... 20

OSD Modes ............................................................ 20

Selecting the OSD Mode ........................................ 20

SPEAKER MODE SETTINGS ......................... 21

Summary of SPEAKER SET Items

1A through 1E .................................................... 21

ADJUSTING THE SPEAKER

OUTPUT LEVELS ......................................... 22

Before You Begin ................................................... 22

Using the Test Tone (TEST DOLBY SUR.) .......... 22

BASIC OPERATION

BASIC PLAYBACK ............................................ 24

Input Modes and Indications .................................. 26

Selecting a Sound Field Program ........................... 28

Normal Stereo Reproduction .................................. 29

TUNING ............................................................... 30

Connecting the Antennas ........................................ 30

Automatic (or Manual) Tuning .............................. 31

Presetting Stations .................................................. 32

Tuning in to a Preset Station .................................. 33

Exchanging Preset Stations .................................... 34

BASIC RECORDING ......................................... 35

ADVANCED OPERATION

SET MENU .......................................................... 36

Adjusting the Items on the SET MENU................. 36

1 SPEAKER SET (speaker mode settings) ........... 37

2 LOW FRQ TEST ............................................... 39

3 L/R BALANCE (balance of

the left and right main speakers) ........................ 40

4 HP TONE CTRL (headphone tone control) ....... 40

5 CENTER GEQ (center graphic equalizer) ......... 40

6 INPUT RENAME .............................................. 41

7 I/O ASSIGNMENT ............................................ 41

8 INPUT MODE (initial input mode) ................... 41

9 PARAM. INI (parameter initialization) ............. 41

10 DOLBY D. SET (Dolby Digital set) ................ 42

11 DTS LFE LEVEL ............................................. 42

12 6.1/ES AUTO .................................................... 42

13 SP DELAY TIME ............................................. 43

14 DISPLAY SET .................................................. 43

15 MEMORY GUARD ......................................... 43

ADJUSTING THE LEVEL OF

THE EFFECT SPEAKERS ........................... 44

SLEEP TIMER .................................................... 45

Setting the Sleep Timer .......................................... 45

Canceling the Sleep Timer ..................................... 45

REMOTE CONTROL FEATURES .................. 46

Selector Dial ........................................................... 46

Commonly Used Buttons in Any Position of

the Selector Dial ................................................. 47

Controlling the Components

Connected to This Unit ...................................... 47

Button Names and Functions in Each Position ...... 48

Setting the Manufacturer Code .............................. 51

Programming a New Remote Control Function

(Learn Feature) ................................................... 52

Returning to the Factory Setting ............................ 53

ZONE 2 (U.S.A., Canada and

Australia models only) .................................... 54

Zone 2 Connections ................................................ 54

ADDITIONAL INFORMATION

SOUND FIELD PROGRAM ............................. 55

Hi-Fi DSP Programs ............................................... 55

CINEMA DSP Programs ....................................... 56

MOVIE THEATER Programs ................................ 59

SOUND FIELD PROGRAM PARAMETER

EDITING ......................................................... 60

What is a sound field? ............................................ 60

Sound Field Program Parameters ........................... 60

Changing Parameter Settings ................................. 61

Resetting a Parameter to the Factory-set Value ...... 61

Digital Sound Field Parameter Descriptions .......... 62

APPENDIX

TROUBLESHOOTING ...................................... 66

SPECIFICATIONS ............................................. 71

Thank you for selecting this YAMAHA AV receiver.

FEATURES

Other Features

◆ 96-kHz/24-bit D/A Converter

◆ “SET MENU” which Provides You with 15 Items

for Optimizing This Unit for Your Audio/Video

System

◆ Test Tone Generator for Easier Speaker Balance

Adjustment

◆ 6-Channel External Decoder Input for Other

Future Formats

◆ BASS EXTENSION Button for Reinforcing

Bass Response

◆ On Screen Display Function Helpful in

Controlling This Unit

◆ S Video Signal Input/Output Capability

◆ Component Video Input/Output Capability

◆ Optical and Coaxial Digital Audio Signal Jacks

◆ Sleep Timer

◆ Remote Control with Preset Manufacturer Codes

and “Learning” Capability

◆ Custom Installation Facility (U.S.A., Canada and

Australia models only)

• y indicates a tip for your operation.

• Some operations can be performed by using either the buttons on the main unit or on the remote control. In cases when the button

names differ between the main unit and the remote control, the button name on the remote control is given in parentheses in this

manual.

Built-in 5-Channel Power Amplifier

◆ Minimum RMS Output Power

(0.04% THD, 20 Hz – 20 kHz)

Main: 100 W + 100 W (8 Ω)

Center: 100 W (8 Ω)

Rear: 100 W + 100 W (8 Ω)

◆ Maximum Power (EIAJ)

(10% THD, 1 kHz)

[China and general models]

Main: 140 W + 140 W (8 Ω)

Center: 140 W (8 Ω)

Rear: 140 W + 140 W (8 Ω)

Multi-Mode Digital Sound Field

Processing

◆ Digital Sound Field Processor (DSP)

◆ Dolby Pro Logic Decoder

◆ Dolby Digital/Dolby Digital Matrix 6.1 Decoder

◆ DTS/DTS ES Decoder

◆ CINEMA DSP: Combination of YAMAHA DSP

Technology and Dolby Pro Logic, Dolby Digital

or DTS

◆ Virtual CINEMA DSP

◆ SILENT CINEMA DSP

Sophisticated AM/FM Tuner

◆ 40-Station Random Access Preset Tuning

◆ Automatic Preset Tuning

◆ Preset Station Shifting Capability (Preset

Editing)

Manufactured under license from Dolby Laboratories.

“Dolby”, “AC-3”, “Pro Logic”, “Surround EX” and the double-D

symbol are trademarks of Dolby Laboratories.

Manufactured under license from Digital Theater Systems, Inc.

US Pat. No. 5,451,942 and other world-wide patents issued and

pending. “DTS”, “DTS Digital Surround” and “DTS ES” are

English

INTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

Remote control

Installing Batteries in the Remote

Control

Insert the batteries in the correct direction by aligning the

+ and – marks on the batteries with the polarity markings

(+ and –) inside the battery compartment.

■ Notes on batteries

• Change the batteries periodically.

• Do not use old batteries together with new ones.

• Do not use different types of batteries (such as alkaline

and manganese batteries) together. Read the packaging

carefully as these different types of batteries may have

the same shape and color.

GETTING STARTED

Checking the Package Contents

Check your package to make sure it has the following items.

Manganese batteries (4)

(AAA, R03, UM-4)

Indoor FM antenna

(U.S.A., Canada, China and

general models)

AM loop antenna

Quick Reference Card

■ Changing batteries

As the batteries lose power, the operating range of the

remote control decreases and the indicator does not flash

or its light becomes dim. When you notice any of these

conditions, change all of the batteries.

If the remote control is without batteries for more than

2 minutes, or if exhausted batteries remain in the

remote control, the contents of the memory may be

cleared. When the memory is cleared, insert new

batteries, set up the manufacturer code and program

any acquired functions that may have been cleared.

Note

• If the batteries have leaked, dispose of them immediately.

Avoid touching the leaked material or letting it come into

contact with clothing, etc. Clean the battery compartment

thoroughly before installing new batteries.

A/B/C/D/E

Quick Reference Card

(Australia and

Singapore models)

CONTROLS AND FUNCTIONS

Front Panel

1 STANDBY/ON

Turns on and sets this unit in the standby mode. When

you turn on this unit, you will hear a click and there will

be a 4 to 5-second delay before this unit can reproduce

sound.

Standby mode

In this mode, this unit consumes a small amount of

power to receive infrared-signals from the remote

control.

2 Remote control sensor

Receives signals from the remote control.

3 Front panel display

Shows information about the operational status of this

unit (see page 9).

4 INPUT MODE

Selects the mode of input for sources that send two or

more types of signals to this unit (see page 26).

You cannot control the input mode when you select 6CH

INPUT as the input source.

5 INPUT l / h

Selects the input source (DVD, D-TV/LD, CBL/SAT,

VCR 1, VCR 2/DVR, V-AUX, PHONO, CD, TUNER,

CD-R, MD/TAPE) you want to listen to or watch.

6 VOLUME

Controls the output level of all audio channels.

This does not affect the REC OUT level.

7 6CH INPUT

Selects the source connected to the 6CH INPUT jacks.

The source selected by pressing 6CH INPUT takes

priority over the source selected with INPUT l / h (or

the input selector buttons).

8 SPEAKERS A/B

Turn on or off the set of main speakers connected to the A

and/or B terminals on the rear panel.

9 BASS EXTENSION ON/OFF

When pushed in (ON), this feature boosts the bass

frequency of the left and right main channels by +6 dB

(60 Hz) while maintaining overall tonal balance. This

boost is useful if you do not use a subwoofer.

However, this boost may not be noticeable if “1B MAIN

SP” on the SET MENU is set to SMALL and “1D LFE/

BASS OUT” is set to SWFR.

0 PROCESSOR DIRECT ON/OFF

When pushed in (ON), BASS, TREBLE, and BASS

EXTENSION are bypassed, eliminating any alteration of

the original signal.

TUNER

A/B/C/D/E

SPEAKERS

STANDBY

/ON

BASS

EXTENSION

PROCESSOR

DIRECT

PRESET/

TUNING

BASS

6CH INPUT

VOLUME

INPUT

INPUT MODE

–

TREBLE

–

PRESET

/TUNING

EDIT

MEMORY

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

PHONES S VIDEO VIDEO

L AUDIO R OPTICAL

SILENT

VIDEO AUX

EFFECT

PROGRAM

ON OFF

SURROUND

DIGITAL

DSP

90 q

PRESET

/TUNING

EDIT

MEMORY

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

English

INTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONTROLS AND FUNCTIONS

q EFFECT

Switches the effect speakers (center and rear) on and off.

If you turn off the output of these speakers by using

EFFECT, all Dolby Digital and DTS audio signals except

for the LFE channel are directed to the main left and right

channels.

When Dolby Digital or DTS signals are mixed, the left

and right main channel signal levels may not match.

w A/B/C/D/E

Selects one of the 5 preset station groups (A to E).

e PROGRAM l / h

Selects the DSP program (see page 28).

r PRESET/TUNING l / h

Selects preset station number 1 to 8 when the colon (:)

appears next to the band indication on the front panel

display, and selects the tuning frequency when the colon

(:) does not appear.

t PHONES jack

Outputs audio signals for private listening with

headphones. When you connect headphones, no signals

are output to the OUTPUT jacks or to the speakers.

y VIDEO AUX jacks

Inputs audio and video signals from a portable external

source such as a game console. To reproduce source

signals from these jacks, select V-AUX as the input

source.

u PRESET/TUNING (EDIT)

Switches the function of PRESET/TUNING l / h (the

colon (:) turns on or off) between selecting a preset

station number and tuning.

This button is also used to exchange the assignment of

two preset stations with each other.

i FM/AM

Switches the reception band between FM and AM.

o MEMORY (MAN’L/AUTO FM)

Stores a station in the memory. Hold down this button for

more than 3 seconds to start automatic preset tuning.

To open, press gently on the lower part of the panel.

p TUNING MODE (AUTO/MAN’L MONO)

Switches the tuning mode between automatic and manual.

To select the automatic tuning mode, press this button so

that the “AUTO” indicator lights up on the front panel

display. To select the manual tuning mode, press this

button so that the “AUTO” indicator does not light up.

a BASS

Adjusts the low-frequency response for the left and right

main channels.

Turn the control to the right to increase or to the left to

decrease the low-frequency response.

s TREBLE

Adjusts the high-frequency response for the left and right

main channels.

Turn the control to the right to increase or to the left to

decrease the high-frequency response.

Note

• If you increase or decrease the high-frequency or the low-

frequency sound to an extreme level, the tonal quality from the

center and rear speakers may not match that of the left and

right main speakers.

■ Opening and closing the front

panel door

When you are not operating the controls behind the front

panel door, close the door.

CONTROLS AND FUNCTIONS

Remote Control

This section describes the basic operation of this unit with

the remote control. First, set the selector dial to the AMP/

TUN position. See “REMOTE CONTROL FEATURES”

on pages 46 to 53 for full details.

3 Numeric buttons (Input selector buttons)

These buttons select the input source.

See pages 7 and 8 for the numeric buttons.

4 TEST

Outputs the test tone.

5 ON SCREEN

Selects the on-screen display (OSD) mode for your video

monitor.

6 j / i

Adjust DSP program parameters and SET MENU items.

7 LEVEL

Selects the effect speaker channel (center, rear and

subwoofer) so you can adjust their output level

independently.

8 SLEEP

Sets the sleep timer.

9 INPUT

Switches the function of the numeric buttons to the input

selector (see page 7).

0 Indicator

Flashes while the remote control is sending signals.

q Selector dial

Turn this dial to select the position for the component to

be controlled. (The proper code must be set up for your

component. See “Setting the Manufacture Codes” on

page 51.) When the position is selected, the remote

control is set to that component operation mode.

w A/B/C/D/E, PRESET–/+

These buttons are used to select a preset station.

A/B/C/D/E: To select one of 5 preset station groups (A

to E)

PRESET –/+: To select a preset station number (1 to 8)

e u/d

Select DSP program parameters and SET MENU items.

r SET MENU

Enters the SET MENU.

t POWER

Turns on the power of this unit.

y STANDBY

Sets this unit in the standby mode.

Select the

AMP/TUN

position.

See

page 7.

A/B/C/D/E

TV INPUT

TV VOLUME

TV POWER

EFFECT

1 DSP

Switches the function of the numeric buttons to the DSP

program selector (see page 7).

2 Indicator window

Shows the name of components which can be controlled.

English

INTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONTROLS AND FUNCTIONS

A B

u VOLUME +/–

Increases or decreases the volume level.

i MUTE

Mutes the sound. Press again to restore the audio output

to the previous volume level.

EFFECT

Switches the effect speakers (center and rear) on and off

in the following cases:

• When the selector dial is set to the DSP/TUN position.

• While the indicator is lit for about 3 seconds after

pressing DSP.

Description of the Numeric

Buttons

The numeric buttons function in various ways depending

on the position of the selector dial or the combination of

other instructions.

1 Press DSP regardless of the position of the

selector dial.

The indicator lights up for about 3 seconds.

2 You can select a DSP program with the

numeric buttons, turn on or off the effect

speakers (center and rear) by pressing

EFFECT and turn on or off the Dolby Digital

Matrix 6.1 or DTS ES decoder by pressing

6.1/ES while the indicator is lit.

1 Set the selector dial to the DSP/TUN

position.

2 You can select a DSP program directly with

the numeric buttons, turn on or off the effect

speakers (center and rear) by pressing

EFFECT and turn on or off the Dolby Digital

Matrix 6.1 or DTS ES decoder by pressing

6.1/ES.

■ When selecting a DSP program

and turning on or off the effect

speakers (center and rear)

Input selector

buttons

■ When selecting an input source

1 Press INPUT regardless of the position of

the selector dial.

The indicator lights up for about 3 seconds.

2 You can select an input source with the

numeric buttons while the indicator is lit.

DSP program

group buttons

CONTROLS AND FUNCTIONS

■ When selecting a preset station

number

1 Set code number “0023” in the AMP/TUN (or

DSP/TUN) position.

See page 51 for setting the code.

2 Set the selector dial to the AMP/TUN (or

DSP/TUN) position.

3 You can select a preset station number

directly with the numeric buttons (1 to 8).

See page 34.

STANDBY

/ON

–

30° 30°

SURROUND

DIGITAL

The remote control transmits a directional infrared beam.

Be sure to aim the remote control directly at the remote

control sensor on the main unit during operation.

■ Handling the remote control

• Do not spill water or other liquids on the remote

control.

• Do not drop the remote control.

• Do not leave or store the remote control in the

following types of conditions:

– high humidity or temperature such as near a heater,

stove or bath;

– dusty places; or

– in places subject to extremely low temperatures.

Approximately 6 m (20 feet)

Using the Remote Control

English

INTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONTROLS AND FUNCTIONS

Front Panel Display

1 t indicator

Lights up when the built-in DTS decoder is on.

2 VIRTUAL indicator

Lights up when using Virtual CINEMA DSP (see

page 29).

3 g and o indicators

Light up according to the type of Dolby signals this unit

is reproducing. “ g ” lights up when the built-

in Dolby Digital decoder is on. “ o ” lights up

when the built-in Dolby Pro Logic decoder is on.

4 x indicator

Lights up when you select a DSP program.

5 DSP program indicators

The name of the selected DSP program lights up when

the ENTERTAINMENT, MOVIE THEATER 1, MOVIE

THEATER 2 or V/DTS SURROUND DSP program is

selected.

6 STEREO indicator

Lights up when the unit is receiving a strong signal for an

FM stereo broadcast while the “AUTO” indicator is lit.

7 AUTO indicator

Shows that this unit is in the automatic tuning mode.

8 VOLUME level indicator

Indicates the volume level.

9 Input source indicator

Shows the current input source with the arrow-shaped

cursor.

0 c indicator

Lights up when the built-in Dolby Digital Matrix 6.1 or

DTS ES decoder is on.

q v indicator

Lights up when this unit is reproducing PCM (pulse code

modulation) digital audio signals.

w SP A/B indicator

Lights up according to which set of main speakers is

selected. Both indicators light up when both sets of

speakers are selected.

e Headphones indicator

Lights up when headphones are connected.

r Multi-information display

Shows the current DSP program name and other

information when adjusting or changing settings.

t MEMORY indicator

Flashes to show a station can be stored.

y TUNED indicator

Lights up when this unit tunes in to a station.

u SLEEP indicator

Lights up while the sleep timer is on.

DIGITAL

DTS MOVIE THEATER 1

DOLBY DIGITAL

PRO LOGIC ENTERTAINMENT

DSP

6.1/ES

PCM

PRO LOGIC

D-TV/LD

CBL/SAT

VCR 1

VCR2/DVR

V-AUX

DVD

MD/TAPE

CD-R

TUNER

PHONO

VIRTUAL

PTY

HOLD

EON

NEWS INFO AFFAIRS SPORT

MEMORY TUNED

VOLUME

SLEEP

STEREO

AUTO

CONTROLS AND FUNCTIONS

Rear Panel

1 DIGITAL INPUT jacks

2 DIGITAL OUTPUT jacks

3 Antenna input terminals

See page 30 for connection information.

4 Audio component jacks

See pages 12 and 13 for connection information.

5 Video component jacks

See pages 14 and 15 for connection information.

6 Speaker terminals

See pages 16 and 17 for connection information.

7 OUTPUT jacks

See page 18 for connection information.

8 AC power cord

Connect to a power outlet.

9 AC OUTLET(S)

Use these outlets to supply power to your other A/V

components (see page 19).

0 REMOTE CONTROL IN/OUT jacks (U.S.A.,

Canada and Australia models only)

See page 54 for details.

q 6CH INPUT jacks

See pages 13 and 18 for connection information.

w ZONE 2 OUT jacks (U.S.A., Canada and

Australia models only)

See page 54 for details.

e IMPEDANCE SELECTOR switch

Use this switch to match the amplifier output to your

speaker impedance. Set this unit in the standby mode

before you change the setting of this switch (see page 19).

China and general models only

FREQUENCY STEP switch

See page 30.

VOLTAGE SELECTOR

See page 19.

*1 As this terminal is used for an examination in the factory, do not

connect any equipment to this terminal.

DIGITAL OUTPUT AUDIO AUDIO VIDEO

SPEAKERS OUTPUT

MAIN

CENTER

REAR

(SURROUND)

TUNER

DIGITAL INPUT

REMOTE CONTROL

6CH INPUT

MD/

TAPE

CD-R

DVD

ANT

GND

UNBAL.

D-TV

/LD

OPTICAL

COAXIAL

(PLAY)

DVD

S VIDEO VIDEO COMPONENT

DVD

PR/

S VIDEO VIDEO

D-TV

/LD

CBL

/SAT

VCR 1

OUT

VCR 2

/DVR

OUT

ZONE 2 OUT

MONITOR

OUT

MD/TAPE

CBL

/SAT

OUT

(REC)

PHONO

MAIN

CENTER

SUB

WOOFER

SURROUND

(PLAY)

CD-R

OUT

(REC)

L R L

MAIN

CENTER

SUB

WOOFER

R L

+ –

R L

D-TV/LD

PR/

MONITOR

OUT

PR/

+ –

– +

+ – – +

REAR

(SURROUND)

MAIN A OR B: 4

MIN. /SPEAKER

B: 8

MIN. /SPEAKER

CENTER

: 6

MIN. /SPEAKER

REAR

: 6

MIN. /SPEAKER

MAIN A OR B: 8

MIN. /SPEAKER

CENTER

: 8

MIN. /SPEAKER

REAR

: 8

MIN. /SPEAKER

IMPEDANCE SELECTOR

SET BEFORE POWER ON

SWITCHED

120V 60Hz

100W MAX. TOTAL

AC OUTLETS

(U.S.A. model)

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SPEAKER SETUP

Speakers to Be Used

This unit has been designed to provide the best sound-

field quality with a 5-speaker system, using left and right

main speakers, left and right rear speakers, and a center

speaker. If you use different brands of speakers (with

different tonal qualities) in your system, the tone of a

moving human voice and other types of sound may not

shift smoothly. We recommend that you use speakers

from the same manufacturer or speakers with the same

tonal quality.

The main speakers are used for the main source sound

plus the effect sounds. They will probably be the speakers

from your present stereo system. The rear speakers are

used for the effect and surround sounds, and the center

speaker is for the center sounds (dialog, vocals, etc.). If

for some reason it is not practical to use a center speaker,

you can do without it. Best results, however, are obtained

with the full system.

The main speakers should be high-performance models

and have enough power-handling capacity to accept the

maximum output of your audio system. The other

speakers do not have to be equal to the main speakers. For

precise sound localization, however, it is ideal to use

high-performance models that can reproduce sounds over

the full range for the center speaker and the rear speakers.

■ Use of a subwoofer expands your

sound field

It is also possible to further expand your system with the

addition of a subwoofer. The use of a subwoofer is

effective not only for reinforcing bass frequencies from

any or all channels, but also for reproducing the LFE

(low-frequency effect) channel with high fidelity when

the Dolby Digital signal or the DTS signal is played back.

The YAMAHA Active Servo Processing Subwoofer

System is ideal for natural and lively bass reproduction.

Speaker Placement

Refer to the following diagram when you place the

speakers.

Main

speaker (L)

Center speaker

Main speaker (R)

Rear speaker (R)

Rear speaker (L)

1.8 m

■ Main speakers

Place the left and right main speakers an equal distance

from the ideal listening position. The distance of each

speaker from each side of the video monitor should be the

same.

■ Rear speakers

Place these speakers behind your listening position,

facing slightly inwards, nearly 1.8 m (approx. 6 feet)

above the floor.

■ Center speaker

Align the front face of the center speaker with the front

face of your video monitor. Place the speaker as close to

the monitor as possible, such as directly over or under the

monitor and centrally between the main speakers.

Note

• If the center speaker is not used, the center channel sound will

be heard from the left and right main speakers. In this case,

“1A CENTER SP” on the SET MENU is set to NONE (see

page 38 for details).

■ Subwoofer

The position of the subwoofer is not so critical, because

low bass sounds are not highly directional. But it is better

to place the subwoofer near the main speakers. Turn it

slightly toward the center of the room to reduce the wall

reflections.

CAUTION

Some types of speakers interfere with a video monitor.

If this problem occurs, move the speakers away from

the monitor. If you cannot avoid installing the center

speaker or subwoofer near the video monitor, use a

magnetically shielded speaker.

PREPARATION

Subwoofer

CONNECTIONS

Before Connecting Components

CAUTION

Never connect this unit and other components to mains power until all connections between components have been

completed.

• Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some

components require different connection methods and have different jack names. Refer to the operation instructions

for each component to be connected to this unit.

• When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or

changer), connect them to the jack with the same number labels as !, #, $ etc. YAMAHA applies this labeling

system to all its products.

• After you have completed all connections, check them again to make sure they are correct.

Connecting Audio Components

■ Connecting to digital jacks

This unit has digital jacks for direct transmission of

digital signals through either coaxial or fiber optic cables.

You can use the digital jacks to input PCM, Dolby Digital

and DTS bitstreams. When you connect components to

both the COAXIAL and OPTICAL jacks, priority is given

to the input signals from the COAXIAL jack. All digital

input jacks are acceptable for 96-kHz sampling digital

signals (see page 25 for details).

• You can designate the input for each digital jacks according to

your component by using “7 I/O ASSIGNMENT” on the SET

MENU (see page 41 for details).

About the dust protection cap

Pull out the cap from the optical jack

before you connect the fiber optic cable.

Do not discard the cap. When you are not

using the optical jack, be sure to put the

cap back in place. This cap protects the

jack from dust.

Note

• The OPTICAL jacks on this unit conform to the EIA standard.

If you use a fiber optic cable that does not conform to this

standard, this unit may not function properly.

■ Connecting a turntable

PHONO jacks are for connecting a turntable with an MM

or high-output MC cartridge. If you have a turntable with

a low-output MC cartridge, use an inline boosting

transformer or MC-head amplifier when connecting to

these jacks.

• The GND terminal does not electrically ground the turntable. It

simply reduces noise in the signal. In some cases, you may

hear less noise if you do not connect to the GND terminal.

■ Connecting a CD player

• The COAXIAL CD and OPTICAL CD jacks are available for a

CD player which has coaxial or optical digital output jacks.

• When you connect a CD player to both the COAXIAL CD and

OPTICAL CD jacks, priority is given to the input signals from

the COAXIAL CD jack.

■ Connecting an MD recorder, tape

deck or CD recorder

• Only digital signals input from a source such as a CD or DVD

are output from the DIGITAL OUTPUT jacks.

• When you connect your recording component to both the

analog and digital input and output jacks, the priority is given

to the digital signal.

• You can connect an MD recorder to any digital input jack by

using “7 I/O ASSIGNMENT” on the SET MENU (see

page 41).

Notes

• When you connect a recording component to this unit, keep its

power on while using this unit. If the power is off, this unit may

distort the sound from other components.

• When you record from a source component connected to this

unit while this unit is set in the standby mode, the recorded

sound may be distorted. To avoid this problem, turn on this

unit.

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONNECTIONS

DIGITAL OUTPUT AUDIO AUDIO VIDEO

TUNER

DIGITAL INPUT

REMOTE CONTROL

6CH INPUT

MD/

TAPE

CD-R

DVD

ANT

GND

UNBAL.

D-TV

/LD

OPTICAL

COAXIAL

(PLAY)

DVD

S VIDEO VIDEO COMPONENT

DVD

S VIDEO VIDEO

D-TV

/LD

CBL

/SAT

VCR 1

OUT

VCR 2

/DVR

OUT

ZONE 2 OUT

MONITOR

OUT

MD/TAPE

CBL

/SAT

OUT

(REC)

PHONO

MAIN

CENTER

SUB

WOOFER

SURROUND

(PLAY)

CD-R

OUT

(REC)

L R L

D-TV/LD

MONITOR

OUT

OUTPUT

GND

L R

INPUT OUTPUT INPUTOUTPUT

OUTPUT

COAXIAL

OUTPUT

OPTICAL

OUTPUT

OPTICAL

INPUT

OPTICAL

INPUT

OPTICAL

OUTPUT

SUBWOOFER

OUTPUT

CENTER OUTPUT

MAIN

OUTPUT

SURROUND

OUTPUT

L R

MD recorder or

tape deck

indicates signal direction

indicates coaxial cables

CD recorder

CD player

Turntable

External decoder

See page 18.

indicates left analog cables

indicates right analog cables

indicates optical cables

(U.S.A. model)

CONNECTIONS

PR/

Connecting Video Components

■ About the video jacks

There are three types of video jacks. Video signals input through the VIDEO jacks are the conventional composit video

signals. Video signals input through the S VIDEO jacks are separated into luminance (Y) and color (C) video signals.

The S-video signals achieve high-quality color reproduction. Video signals input through the COMPONENT VIDEO

jacks are separated into luminance (Y) and color difference (P

, P

) video signals. The jacks are also separated

into three for each signal. The description of the component video jacks may be different depending on the component

(e.g. Y, C

, C

/Y, P

, P

/Y, B-Y, R-Y etc.). Component video signals provide the best quality in picture reproduction.

If your video component has an S-video output or component video output, you can connect it to this unit. Connect the

S-video signal output jack on your video component to the S VIDEO jack or connect the component signal output jacks

on your video component to the COMPONENT VIDEO jacks.

VIDEO jack

(composite)

S VIDEO jack COMPONENT VIDEO

jacks

• Each type of video jack works independently. Signals input

through the composite video, S-video and component jacks are

output through the corresponding composite video, S-video,

and component jacks, respectively.

• If you make S-video connections to this unit, it is not necessary

to make composite video connections. If both types of

connections are made, this unit gives priority to the S-video

signal.

• You can designate the input for the COMPONENT VIDEO A

and B jacks according to your component by using “7 I/O

ASSIGNMENT” on the SET MENU (see page 41 for details).

Notes

• Use a commercially available S-video cable when connecting to the S VIDEO jack, and commercially available video cables when

connecting to the COMPONENT VIDEO jacks.

• When you are using the COMPONENT VIDEO jacks, check the details in the owner’s manual that came with the component being

connected.

■ VIDEO AUX jacks (on the front panel)

These jacks are used to connect any video input source

such as a game console to this unit.

S VIDEO VIDEO

L AUDIO R OPTICAL

VIDEO AUX

AUDIO OUT R

AUDIO OUT L

VIDEO OUT

OPTICAL OUT

S VIDEO OUT

Game console

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONNECTIONS

DIGITAL OUTPUT AUDIO AUDIO VIDEO

TUNER

DIGITAL INPUT

REMOTE CONTROL

6CH INPUT

MD/

TAPE

CD-R

DVD

ANT

GND

UNBAL.

D-TV

/LD

OPTICAL

COAXIAL

(PLAY)

DVD

S VIDEO VIDEO COMPONENT

DVD

S VIDEO VIDEO

D-TV

/LD

CBL

/SAT

VCR 1

OUT

VCR 2

/DVR

OUT

ZONE 2 OUT

MONITOR

OUT

MD/TAPE

CBL

/SAT

OUT

(REC)

PHONO

MAIN

CENTER

SUB

WOOFER

SURROUND

(PLAY)

CD-R

OUT

(REC)

L R L

D-TV/LD

MONITOR

OUT

S VIDEO

OUTPUT

S VIDEO

OUTPUT

S VIDEO

OUTPUT

S VIDEO

INPUT

VIDEO

INPUT

S VIDEO

OUTPUT

AUDIO

OUTPUT

AUDIO

OUTPUT

AUDIO INPUT

AUDIO OUTPUT

COAXIAL

OUTPUT

OPTICAL

OUTPUT

OPTICAL

OUTPUT

VIDEO

OUTPUT

VIDEO

OUTPUT

AUDIO

OUTPUT

VIDEO

OUTPUT

S VIDEO

INPUT

VIDEO

OUTPUT

VIDEO

INPUT

COMPONENT

INPUT

COMPONENT

OUTPUT

COMPONENT

OUTPUT

S S

Note

• If your LD player has an Dolby Digital RF signal output jack, connect it to this unit

through an RF demodulator (separately purchased).

indicates signal direction

indicates left analog cables

indicates right analog cables

indicates S-video cables

TV/digital TV or

LD player

DVD player

Cable TV or

Satellite tuner

VCR 1 or VCR 2/

DVR (digital

video recorder)

Video monitor

indicates optical cables

indicates coaxial cables

indicates video cables

(U.S.A. model)

LD player

demodulator

*1 You can connect the Dolby

Digital RF signal output of

your LD player to the

COAXIAL jack by using

“7 I/O ASSIGNMENT” on

the SET MENU (see

page 41).

CONNECTIONS

Connecting the Speakers

Be sure to connect the left channel (L), right channel (R), “+” (red) and “–” (black) properly. If the connections are

faulty, no sound will be heard from the speakers, and if the polarity of the speaker connections is incorrect, the sound

will be unnatural and lack bass.

CAUTION

• Use speakers with the specified impedance shown on the rear panel of this unit.

• Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could

damage the unit and/or speakers.

If necessary, use the SET MENU to change the speaker mode settings according to the number and size of the speakers

in your configuration after you finish connecting your speakers.

■ Speaker cables

A speaker cord is actually a pair of insulated cables

running side by side. One of the cables is colored or

shaped differently, perhaps with a stripe, groove or ridge.

1 Remove approx. 10 mm (3/8”) of insulation

from each of the speaker cables.

2 Twist the exposed wires of the cable

together to prevent short circuits.

■ Connecting to the SPEAKERS terminals

1 Unscrew the knob.

2 Insert one bare wire into the hole in the side

of each terminal.

3 Tighten the knob to secure the wire.

(U.S.A., Canada, Australia, China and general models only)

• Banana plug connections are also possible. First, tighten the

knob and then insert the banana plug connector into the end of

the corresponding terminal.

Red: positive (+)

Black: negative (–)

■ MAIN SPEAKERS terminals

One or two speaker systems can be connected to these terminals. If you use only one speaker system, connect it to either

of the MAIN A or B terminals.

■ REAR SPEAKERS terminals

A rear speaker system can be connected to these terminals.

■ CENTER SPEAKER terminals

A center speaker can be connected to these terminals.

10 mm (3/8”)

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONNECTIONS

SPEAKERS OUTPUT

MAIN

CENTER

REAR

(SURROUND)

MAIN

CENTER

SUB

WOOFER

R L

–

R L

–

– –

REAR

(SURROUND)

MAIN A OR B: 4

MIN. /SPEAKER

B: 8

MIN. /SPEAKER

CENTER

: 6

MIN. /SPEAKER

REAR

: 6

MIN. /SPEAKER

MAIN A OR B: 8

MIN. /SPEAKER

CENTER

: 8

MIN. /SPEAKER

REAR

: 8

MIN. /SPEAKER

IMPEDANCE SELECTOR

SET BEFORE POWER ON

SWITCHED

120V 60Hz

100W MAX. TOTAL

AC OUTLETS

Main speakers A

Right Left

Main speakers B

Right Left

(U.S.A. model)

Center speaker

Rear speakers

Right Left

Subwoofer

system

Subwoofer connection

See “SUBWOOFER jack” on page 18.

CONNECTIONS

Connecting to an External

Amplifier

If you want to increase the power output to the speakers,

or want to use another amplifier, connect an external

amplifier to the OUTPUT jacks as follows.

Note

• When RCA pin plugs are connected to the OUTPUT jacks for

output to an external amplifier, it is not necessary to use the

corresponding SPEAKERS terminals.

1 MAIN jacks

Main channel line output jacks.

Note

• The signals output through these jacks are affected by the

BASS, TREBLE and BASS EXTENSION settings.

2 SUBWOOFER jack

When using a subwoofer with built-in amplifier, including

the YAMAHA Active Servo Processing Subwoofer

System, connect the input jack of the subwoofer system

to this jack. Low bass signals distributed from the main,

center and/or rear channels are directed to this jack. (The

cut-off frequency of this jack is 90 Hz.) The LFE (low-

frequency effect) signals generated when Dolby Digital or

DTS is decoded are also directed if they are assigned to

this jack.

Notes

• Adjust the volume level of the subwoofer with the control on

the subwoofer. The subwoofer volume cannot be adjusted from

this unit.

• Depending on the settings of “1 SPEAKER SET”, “10A LFE

LEVEL” and “11 DTS LFE LEVEL” on the SET MENU,

some signals may not be output from the SUBWOOFER jack.

3 CENTER jack

Center channel line output jack.

4 REAR (SURROUND) jacks

Rear channel line output jacks.

OUTPUT

MAIN

CENTER

SUB

WOOFER

R L

REAR

(SURROUND)

Connecting an External Decoder

This unit is equipped with 6 additional input jacks (left

and right MAIN, CENTER, left and right SURROUND

and SUBWOOFER) for discrete multi-channel input from

an external decoder, sound processor or pre-amplifier.

Connect the output jacks on your external decoder to the

6CH INPUT jacks. Be sure to match the left and right

outputs to the left and right input jacks for the main and

surround channels.

Notes

• When you select 6CH INPUT as the input source, this unit

automatically turns off the digital sound field processor, and

you cannot listen to DSP programs.

• When you select 6CH INPUT as the input source, changing

items 1A to 1E on the SET MENU is not affected.

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONNECTIONS

MAIN A OR B: 4 MIN. /SPEAKER

B: 8 MIN. /SPEAKER

CENTER

: 6 MIN. /SPEAKER

REAR : 6 MIN. /SPEAKER

MAIN A OR B: 8 MIN. /SPEAKER

MIN. /SPEAKER

CENTER

: 8 MIN. /SPEAKER

REAR : 8 MIN. /SPEAKER

IMPEDANCE SELECTOR

SET BEFORE POWER ON

SWITCHED

100W MAX. TOTAL

AC OUTLETS

VOLTAGE SELECTOR

IMPEDANCE SELECTOR Switch

WARNING

Do not change the IMPEDANCE SELECTOR switch setting while the power of this unit is on, otherwise the unit

may be damaged.

If this unit fails to turn on when STANDBY/ON (or POWER) is pressed, the IMPEDANCE SELECTOR switch may

not be fully slid to either position. If so, slide the switch to either position fully when this unit is in the standby mode.

Select the left and right position according to the impedance of the speakers in your system. Be sure to move this switch

only when this unit is in the standby mode.

Switch

position

Speaker Impedance level

Main

If you use one set of main speakers, the impedance of

each speaker must be 4 Ω or higher.

If you use two sets of main speakers, the impedance of

each speaker must be 8 Ω or higher.

Center

The impedance must be 6 Ω or higher.

Rear The impedance of each speaker must be 6 Ω or higher.

Right

Main

If you use one set of main speakers, the impedance of

each speaker must be 8 Ω or higher.

If you use two sets of main speakers, the impedance of

each speaker must be 16 Ω or higher.

[Canada model only]

The impedance of each speaker must be 8 Ω or higher.

Center The impedance must be 8 Ω or higher.

Rear The impedance of each speaker must be 8 Ω or higher.

Left

Connecting the Power Supply Cords

After completing all connections, connect the AC power cord to an AC power outlet. Disconnect the AC power cord if

you will not use this unit for a long period of time.

■ AC OUTLET(S) (SWITCHED)

U.S.A., Canada, Singapore, China and

general models ............................................. 2 OUTLETS

Australia model .............................................. 1 OUTLET

Use these outlets to connect the power cords from your

components to this unit. The power to the AC

OUTLET(S) is controlled by this unit’s STANDBY/ON

(or POWER and STANDBY). These outlets will supply

power to any connected component whenever this unit is

turned on. The maximum power (total power

consumption of components) that can be connected to the

AC OUTLET(S) is 100 W.

MAIN A OR B: 4 MIN. /SPEAKER

B: 8 MIN. /SPEAKER

CENTER

: 6 MIN. /SPEAKER

REAR : 6 MIN. /SPEAKER

MAIN A OR B: 8 MIN. /SPEAKER

MIN. /SPEAKER

CENTER

: 8 MIN. /SPEAKER

REAR : 8 MIN. /SPEAKER

IMPEDANCE SELECTOR

SET BEFORE POWER ON

SWITCHED

120V 60Hz

100W MAX. TOTAL

AC OUTLETS

SWITCHED

(U.S.A. model)

(General model)

IMPEDANCE SELECTOR

To AC outlet

■ VOLTAGE SELECTOR (China and general models only)

The VOLTAGE SELECTOR on the rear panel of this unit must be set for your local main voltage BEFORE plugging

into the AC main supply. Voltages are 110/120/220/240 V AC, 50/60 Hz.

VOLTAGE SELECTOR

ON-SCREEN DISPLAY (OSD)

Full display Short display

You can display the operation information for this unit on

a video monitor. If you display the SET MENU and DSP

program parameter settings on a monitor, it is much easier

to see the available options and parameters than it is by

reading this information on the front panel display.

• If a video source is being reproduced, the OSD is

superimposed over the image.

• The OSD signal is not output to the REC OUT jack, and will

not be recorded with any video signal.

• You can set the OSD to turn on (blue background) or off when

a video source is not being reproduced (or the source

component is turned off) by using “14 DISPLAY SET” on the

SET MENU (see page 43).

OSD Modes

You can change the amount of information the OSD

shows.

Full display

This mode always shows the DSP program parameter

settings on the video monitor (see page 61).

Short display

This mode briefly shows the same contents as the front

panel display at the bottom of the screen and then

disappears.

Display off

This mode briefly shows the “DISPLAY OFF” message at

the bottom of the screen and then disappears. Afterwards,

no changes to operations appear on the monitor except

those of the ON SCREEN button.

P01 CONCERT HALL

INIT. DLY

45ms

ROOM SIZE 1.0

LIVENESS

P01 CONCERT HALL

• When you choose the full display mode, INPUT l / h,

VOLUME and some other types of operation information are

displayed at the bottom of the screen in the same format as that

for the front panel display.

• The SET MENU and test tone display appear regardless of the

OSD mode.

Selecting the OSD Mode

1 When you turn on the power, the video

monitor and front panel display show the

level of the main volume for a few seconds

and then switch to show the current DSP

program.

2 Press ON SCREEN on the remote control

repeatedly to change the display mode.

The OSD mode changes in the following order: full

display, short display, and display off.

Notes

• If you choose a video input source that has a component

connected to both the S VIDEO IN and composite VIDEO IN

jacks, and both the S VIDEO OUT and composite VIDEO

OUT jacks are connected to a video monitor, the video signal is

output to both the S VIDEO OUT and VIDEO OUT jacks.

However, the OSD is carried only on the S-video signal. If no

video signal is input, the OSD is carried on both the S-video

and composite video signals.

• If your video monitor is connected only to the COMPONENT

VIDEO jacks of this unit, the OSD is not shown. Make sure to

connect your video monitor to the COMPONENT VIDEO

jacks and either VIDEO or S VIDEO jacks if you want to see

the OSD.

• Playing back video software that has an anti-copy signal or

video signals with a lot of noise may produce unstable images.

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SPEAKER MODE SETTINGS

This unit has 5 SPEAKER SET items on the SET MENU that you must set according to the number of speakers in your

configuration and their size. The following table summarizes these SPEAKER SET items, and shows the initial settings

as well as other possible settings. If the initial settings are not appropriate for your speaker configuration, change the

settings on the SET MENU (see page 36).

Summary of SPEAKER SET Items 1A through 1E

Item Description Initial setting

1A CENTER SP Selects the center channel output mode according to the size of the center speaker.

The possible settings are LRG (large), SML (small) and NONE.

LRG

1B MAIN SP Selects the main channel output mode according to the size of the main speakers.

The possible settings are LARGE and SMALL.

LARGE

1C REAR L/R SP Selects the rear channel output mode according to the size of the rear speakers.

The possible settings are LRG (large), SML (small) and NONE.

LRG

1D LFE/BASS OUT Selects a speaker for the LFE signal output and low bass signal.

The possible settings are SWFR (subwoofer), MAIN, and BOTH.

BOTH

1E MAIN LEVEL Selects the output level for the main channel signal.

The possible settings are Normal and –10 dB.

Normal

ADJUSTING THE SPEAKER OUTPUT LEVELS

This section explains how to adjust the speaker output

levels by using the test tone generator. When this

adjustment is made, the output level heard at the listening

position will be the same from each speaker. This is

important for the best performance of the digital sound

field processor, the Dolby Pro Logic decoder, Dolby

Digital decoder and DTS decoder.

Note

• Since this unit cannot enter the test mode while headphones are

connected to this unit, be sure to unplug the headphones from

the PHONES jack when using the test tone.

Before You Begin

1 Press STANDBY/ON to

turn on the power. Turn on

the video monitor.

2 Press SPEAKERS A or B

to select the main

speakers to be used.

If you are using two sets of the

main speakers, press both A

and B.

3 Set BASS and TREBLE on the front panel to

the center position and set BASS

EXTENSION to OFF.

Using the Test Tone (TEST DOLBY

SUR.)

Use the test tone to balance the output levels of the 5

speakers required for a surround sound system. The

adjustment of each speaker output level should be made at

your listening position with the remote control. After

completing the adjustments, use VOLUME +/– at your

listening position to check if the adjustments are

satisfactory.

1 Set the selector dial to the

AMP/TUN (or DSP/TUN)

position.

2 Press TEST to output the test tone.

3 Adjust the volume so you can hear the test

tone.

The test tone is heard from the left main speaker,

center speaker, right main speaker, right rear speaker

and left rear speaker in order. The tone is produced

for 2.5 seconds each time.

BASS

–

TREBLE

–

LEFT SURROUND

(TEST L SUR.)

RIGHT SURROUND

(TEST R SUR.)

CENTER

(TEST CENTER)

RIGHT

(TEST RIGHT)

LEFT

(TEST LEFT)

TUNER

A/B/C/D/E

SPEAKERS

STANDBY

/ON

BASS

EXTENSION

PROCESSOR

DIRECT

PRESET/

TUNING

BASS

6CH INPUT

VOLUME

INPUT

INPUT MODE

–

TREBLE

–

PRESET

/TUNING

EDIT

MEMORY

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

PHONES S VIDEO VIDEO

L AUDIO R OPTICAL

SILENT

VIDEO AUX

EFFECT

PROGRAM

ON OFF

SURROUND

DIGITAL

DSP

2,6

BASS

EXTENSION

PROCESSOR

DIRECT

ON OFF

Set to OFF.

STANDBY

/ON

SPEAKERS

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONNECTIONSADJUSTING THE SPEAKER OUTPUT LEVELS

The state of the test tone output is also shown on the

monitor by an image of the audio listening room.

This is convenient for adjusting each speaker level.

• If “1A CENTER SP” on the SET MENU is set to NONE, the

center channel sound is automatically output from the left and

right main speakers.

Note

• If the test tone cannot be heard, turn down the volume, set the

unit in the standby mode and check the speaker connections.

4 Press LEVEL repeatedly

to select the speaker to be

adjusted.

• Once you press LEVEL, you can also select the speaker to be

adjusted by pressing d. (Pressing u changes the selection in

the reverse order.)

5 Press j / i repeatedly to

adjust the output level of

the effect speakers so that

the output level coming

from each speaker is the

same.

While adjusting, the test tone is heard from the

selected speaker.

6 When the adjustment is complete, press

TEST.

The test tone stops and the

current DSP program appears

on the front panel display and

on the video monitor.

• The tonal quality of the center speaker can be adjusted by using

“5 CENTER GEQ” on the SET MENU (see page 40).

• You can increase the output levels of the effect speakers

(center, left rear and right rear) to +10 dB. If the output level of

these speakers is lower than that of the main speakers even

after you have increased the output level of these speakers up to

+10 dB, set “1E MAIN LEVEL” on the SET MENU to –10 dB

(see page 39). This setting decreases the main speaker output

level to about one-third of the normal level. After you have set

“1E MAIN LEVEL” on the SET MENU to –10 dB, adjust the

levels for the center and rear speakers again.

TEST DOLBY SUR.

LEFT

BASIC PLAYBACK

3 Press INPUT l / h repeatedly (or press one

of the input selector buttons) to select the

input source.

• The current input source is indicated on the front

panel display with an arrow.

• The current input source name and input mode

appear on the front panel display and on the video

monitor for a few seconds.

Front panel

Remote control

Selected input source

BASIC OPERATION

When using the remote control, set the selector dial to

the AMP/TUN position.

2 Press SPEAKERS A or B

to select the main

speakers to be used.

If you are using two sets of

main speakers, press both A

and B.

1 Press STANDBY/ON (or POWER) to turn on

the power. Turn on the video monitor.

The front panel display and the video monitor show

the level of the main volume for a few seconds and

then switch to show the current DSP program.

Select this: To reproduce the signal from

this component

DVD: DVD player

D-TV/LD: TV or digital TV/LD player

CBL/SAT: Cable TV/satellite tuner

VCR 1: Video cassette deck 1

VCR 2/DVR: Video cassette deck 2/digital

video recorder

V-AUX: Another A/V component

(connected to the VIDEO AUX

jacks on the front panel)

PHONO: Turntable

CD: CD player

TUNER: AM/FM tuner

CD-R: CD recorder

MD/TAPE: MD recorder/tape deck

INPUT

DIGITAL

DTS MOVIE THEATER 1

DTS

MOVIE

THEATER

DOLBY DIGITAL

DOLBY

DIGITAL

PRO LOGIC ENTERTAINMENT

PRO

LOGIC

ENTERTAINMENT

DSP

6.1/ES

PCM

PRO LOGIC

D-TV/LD

CBL/SAT

VCR 1

VCR2/DVR

V-AUX

DVD

MD/TAPE

CD-R

TUNER

PHONO

VIRTUAL

PTY

HOLD

EON

STEREO

AUTO

NEWS INFO AFFAIRS SPORT

MEMORY TUNED

ZONE 2

VOLUME

SLEEP

TUNER

A/B/C/D/E

SPEAKERS

STANDBY

/ON

BASS

EXTENSION

PROCESSOR

DIRECT

PRESET/

TUNING

BASS

6CH INPUT

VOLUME

INPUT

INPUT MODE

–

TREBLE

–

PRESET

/TUNING

EDIT

MEMORY

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

PHONES S VIDEO VIDEO

L AUDIO R OPTICAL

SILENT

VIDEO AUX

EFFECT

PROGRAM

ON OFF

SURROUND

DIGITAL

DSP

353

Front panel

Remote controlFront panel

STANDBY

/ON

SPEAKERS

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

BASIC PLAYBACK

6CH INPUT

PROGRAM

DIGITAL

DTS MOVIE THEATER 1

DOLBY DIGITAL

PRO LOGIC ENTERTAINMENT

DSP

6.1/ES

PCM

PRO LOGIC

D-TV/LD

CBL/SAT

VCR 1

VCR2/DVR

V-AUX

DVD

MD/TAPE

CD-R

TUNER

PHONO

VIRTUAL

PTY

HOLD

EON

STEREO

AUTO

NEWS INFO AFFAIRS SPORT

MEMORY TUNED

ZONE 2

VOLUME

SLEEP

To select a source connected to the 6CH INPUT

jacks

Press 6CH INPUT until “6CH INPUT” appears on the

front panel display and on the video monitor.

Front panel

Remote control

Notes

• If “6CH INPUT” is shown on the front panel display and on

the video monitor, no other source can be played. To select

another input source with INPUT l / h (or the input selector

buttons), press 6CH INPUT to turn off “6CH INPUT” from the

front panel display and the video monitor.

• If you want to enjoy an audio source connected to the 6CH

INPUT jacks together with a video source, first select the video

source and then press 6CH INPUT.

4 Start playback (or select a broadcast station)

on the source component.

Refer to the operation instructions for the

component.

5 Adjust the volume to the desired output

level.

If desired, use BASS, TREBLE and BASS

EXTENSION etc. These controls are only effective

for sound from the main speakers.

Front panel

Note

• If the component connected to the VCR 1 OUT, VCR 2/DVR

OUT, CD-R OUT and MD/TAPE OUT jacks is turned off, the

reproduced sound may be distorted or the volume may be

lowered. In these cases, turn on the component.

6 Use the digital sound field processor.

See page 28.

Front panel

Remote control

■ To mute the sound

Press MUTE on the

remote control.

To restore the audio output to

the previous volume level,

press MUTE again.

• You can also cancel mute to press any operation buttons such as

VOLUME +/–.

• During muting, “MUTE ON” appears on the front panel

display and on the video monitor.

■ When you have finished using

this unit

Press STANDBY/ON (or STANDBY) to set

this unit in the standby mode.

■ Notes on the digital signal

The digital input jacks of this unit can also handle

96-kHz sampling digital signals. (To utilize this, use a

source that supports 96-kHz sampling digital signals and

set the player for digital output. Refer to the operation

instructions for the player.) Note the following when a 96-

kHz sampling digital signal is input to this unit:

1. The following indication will appear on the front panel

display.

2. DSP programs cannot be selected. Sound will be

output as normal 2-channel stereo sound from only the

left and right main speakers.

Note

• If “1B MAIN SP” on the SET MENU is set to SMALL or “1D

LFE/BASS OUT” is set to BOTH, the sound is also output

from the subwoofer.

3. Adjustment of the speaker output level described on

page 44 cannot be made.

VOLUME

BASS

–

TREBLE

–

BASS

EXTENSION

PROCESSOR

DIRECT

ON OFF

Front panel Remote control

BASIC PLAYBACK

INPUT MODE

■ BGV (background video) function

The BGV function allows you to combine a video image

from a video source with a sound from an audio source.

(For example, you can listen to classical music while you

are watching a video.)

Select a source from the video group and then select a

source from the audio group with the input selector

buttons on the remote control. The BGV function does

not work if you select the sources with INPUT l / h on

the front panel.

Input Modes and Indications

This unit comes with various input jacks. If your

component is connected to more than one type of input

jack, you can set the priority of the input signal.

When you turn on the power of this unit, the input mode

is set according to “8 INPUT MODE” on the SET MENU

(see page 41 for details).

Press INPUT MODE (or the input selector

button that you have pressed to select the

input source on the remote control)

repeatedly until the desired input mode is

shown on the front panel display and on the

video monitor.

Front panel

Remote control

Input mode

AUTO: In this mode, the input signal is

automatically selected in the following

order:

1) Dolby Digital or DTS signal

2) Digital (PCM) signal

3) Analog signal

DTS: In this mode, only the digital input signal

encoded with DTS is selected even if

another signal is input at the same time.

ANALOG: In this mode, only the analog input signal is

selected even if a digital signal is input at

the same time.

Notes

• If digital signals are input from both the COAXIAL and

OPTICAL jacks, the digital signal from the COAXIAL jack is

selected.

• When AUTO is selected, this unit automatically determines the

type of signal. If this unit detects a Dolby Digital or DTS

signal, the decoder automatically switches to the appropriate

setting and reproduces 5.1 channel source.

• The sound output may be interrupted for some LD and DVD

players in the following situation: The input mode is set to

AUTO. A search is performed while playing the disc encoded

with Dolby Digital or DTS, and then disc playing is restored.

The sound output is interrupted for a moment because the

digital signal was selected again.

DIGITAL

DTS MOVIE THEATER 1

DTS

MOVIE

THEATER

DOLBY DIGITAL

DOLBY

DIGITAL

PRO LOGIC ENTERTAINMENT

PRO

LOGIC

ENTERTAINMENT

DSP

6.1/ES

PCM

PRO LOGIC

D-TV/LD

CBL/SAT

VCR 1

VCR2/DVR

V-AUX

DVD

MD/TAPE

CD-R

TUNER

PHONO

VIRTUAL

PTY

HOLD

EON

STEREO

AUTO

NEWS INFO AFFAIRS SPORT

MEMORY TUNED

ZONE 2

VOLUME

SLEEP

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

BASIC PLAYBACK

■ Notes on playing a source

encoded with a DTS signal

• If the digital output data of the player has been

processed in any way, you may not be able to

perform DTS decoding even if you make a digital

connection between this unit and the player.

• If you play a source encoded with a DTS signal and

set the input mode to ANALOG, this unit reproduces

the noise of an unprocessed DTS signal. When you

want to play a DTS source, be sure to connect the

source to a digital input jack and set the input mode

to AUTO or DTS.

• If you switch the input mode to ANALOG while

playing a source encoded with a DTS signal, this unit

reproduces no sound.

• If you play a source encoded with a DTS signal and

set the input mode to AUTO, there will be a moment

of noise while the unit recognizes the DTS signal and

turns on the DTS decoder. This is not a malfunction.

You can avoid this by setting the input mode to DTS

beforehand.

• If you continue to play a source encoded with a DTS

signal with the input mode setting left to AUTO, this

unit automatically switches to the “DTS-decoding”

mode to prevent noise from being generated during

subsequent operation. (The “t” indicator lights

up on the front panel display.) The “t” indicator

will flash immediately after playback of a source

encoded with a DTS signal has finished. Only a

source encoded with a DTS signal can be played

back while this indicator is flashing. If you want to

play a normal PCM source soon, set the input mode

back to AUTO.

• The “t” indicator will flash when the input mode

is set to AUTO and a search or skip operation is

performed while playing back a source encoded with

a DTS signal. If this status continues for 30 or more

seconds, the unit will automatically switch from the

“DTS-decoding” mode to PCM digital signal input

mode and the “t” indicator will go out.

■ Notes on playing an LD source

• For LD software that does not contain a digital

soundtrack, connect the LD player to the analog jacks

and set the input mode to AUTO or ANALOG.

• If the LD player is transmitting a signal by a non-

standard method, this unit cannot detect the Dolby

Digital or DTS signal. In this case, the decoder

automatically switches to PCM or analog.

• Some A/V components such as LD players output

different audio signals through their analog and digital

jacks. Change the input mode as necessary.

• While you are operating the LD player and playing a

disc encoded with a Dolby Digital signal, if you

switch from the pause or chapter forwarding function

to normal playback, you may hear the PCM or analog

sound an instant before the Dolby Digital signal is

played.

BASIC PLAYBACK

DIGITAL

DTS MOVIE THEATER 1

DSP

6.1/ES

PCM

PRO LOGIC

D-TV/LD

CBL/SAT

VCR 1

VCR2/DVR

V-AUX

DVD

MD/TAPE

CD-R

TUNER

PHONO

VIRTUAL

PTY

HOLD

EON

STEREO

AUTO

NEWS INFO AFFAIRS SPORT

MEMORY TUNED

ZONE 2

VOLUME

SLEEP

Selecting a Sound Field Program

You can enhance your listening experience by selecting a

DSP program. For details about each program, see pages

55 to 58.

1 Press DSP on the remote

control.

The indicator lights up for

about 3 seconds.

Remote control

• If the selector dial is set to the DSP/TUN position, skip this

step.

2 Use the numeric buttons to select the

desired program before the indicator goes

off (or press PROGRAM l / h repeatedly on

the front panel).

• For example, to select the sub-program

“Spectacle”, press MOVIE THEATER 1

repeatedly.

• The name of the selected program appears on the

front panel display and on the video monitor.

PROGRAM

Front panel

Remote control

Program group

Program name (sub-program)

Notes

• Choose a DSP program based on your listening preference, and

not on the name of the program. The acoustics of your listening

room affect the DSP program. Minimize the sound reflections

in your room to maximize the effect created by the program.

• When you select an input source, this unit automatically selects

the last DSP program used with that source.

• When you set this unit in the standby mode, the current source

and DSP program are memorized and are automatically

selected when you turn on the power again.

• If a Dolby Digital or DTS signal is input when the input mode

is set to AUTO, the DSP program automatically switches to the

appropriate decoding program.

• When a monaural source is being played with PRO LOGIC/

Normal or PRO LOGIC/ENHANCED, no sound will be heard

from the main speakers and the rear speakers. Sound can only

be heard from the center speaker. However, if “1A CENTER

SP” on the SET MENU is set to NONE, the center channel

sound is output from the main speakers.

• When a source connected to the 6CH INPUT jacks of this unit

is selected, the digital sound field processor cannot be used.

• When 96-kHz sampling digital signals are input to this unit, the

DSP program cannot be selected. In this case, the sound is

reproduced as normal 2-channel stereo.

TUNER

A/B/C/D/E

SPEAKERS

STANDBY

/ON

BASS

EXTENSION

PROCESSOR

DIRECT

PRESET/

TUNING

BASS

6CH INPUT

VOLUME

INPUT

INPUT MODE

–

TREBLE

–

PRESET

/TUNING

EDIT

MEMORY

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

PHONES S VIDEO VIDEO

L AUDIO R OPTICAL

SILENT

VIDEO AUX

EFFECT

PROGRAM

ON OFF

SURROUND

DIGITAL

DSP

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

BASIC PLAYBACK

EFFECT

■ Dolby Digital Matrix 6.1 or DTS

ES decoder

If you want to use the Dolby Digital Surround EX or DTS

ES software, press 6.1/ES to turn on the Dolby Digital

Matrix 6.1 or DTS ES decoder (see “12 6.1/ES AUTO”

on page 42 and 58 for details).

Remote control

■ Virtual CINEMA DSP and SILENT

CINEMA DSP

You can experience the virtual CINEMA DSP sound field

by setting “1C REAR L/R SP” on the SET MENU to

NONE. The sound field processing is changed to the

Virtual CINEMA DSP mode according to the selected

DSP program. Virtual CINEMA DSP is performed by

using the main speakers. You can also listen to SILENT

CINEMA DSP by connecting your headphones to the

PHONES jack while the digital sound field processor is

on.

Note

• This unit is not set in the virtual CINEMA DSP mode even if

“1C REAR L/R SP” is set to NONE in the following cases:

– when the 5ch Stereo, DOLBY DIGITAL/Normal or DTS/

Normal program is selected;

– when the sound effect is turned off;

– when 6CH INPUT is selected as the input source;

– when 96-kHz sampling digital signals are input to this unit;

– when the Dolby Digital KARAOKE source is played;

– when using the test tone; or

– when connecting the headphones.

Front panel

Remote control

• If the selector dial is set to a position other than the DSP/TUN

position, first press DSP and then EFFECT on the remote

control.

Notes

• If you turn off the sound effect, no sound is output from the

center and rear speakers.

• If you turn off the sound effect while a Dolby Digital or DTS

signal is being output, the dynamic range of the signal is

automatically compressed and the sounds of the center and rear

speaker channels are mixed and output from the main speakers.

• The volume may be greatly reduced when you turn off the

sound effect or if you set “10B D-RANGE” on the SET MENU

to MIN. In this case turn on the sound effect.

Normal Stereo Reproduction

Press EFFECT to turn off the sound effect

for normal stereo reproduction.

Press EFFECT again to turn the sound effect back

on.

DIGITAL

DTS MOVIE THEATER 1

DSP

6.1/ES

PCM

PRO LOGIC

D-TV/LD

CBL/SAT

VCR 1

VCR2/DVR

V-AUX

DVD

MD/TAPE

CD-R

TUNER

PHONO

VIRTUAL

PTY

HOLD

EON

STEREO

AUTO

NEWS INFO AFFAIRS SPORT

MEMORY TUNED

ZONE 2

VOLUME

SLEEP

The “ c ” indicator lights up.

TUNING

Connecting the Antennas

Both AM and FM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal

strength.

Connect each antenna correctly to the designated terminals.

Indoor FM

antenna

(included)

AM loop antenna

(included)

Ground (GND terminal)

For maximum safety and minimum

interference, connect the antenna GND

terminal to a good earth ground. A

good earth ground is a metal stake

driven into moist earth.

■ Connecting the indoor FM

antenna

Connect the included indoor FM antenna to the 75Ω

UNBAL. FM ANT terminal.

Note

• Do not connect an outdoor FM antenna and the indoor FM

antenna at the same time.

DIGITAL OUTPUT

TUNER

DIGITAL INPUT

REMOTE CONTROL

MD/

TAPE

CD-R

DVD

ANT

GND

UNBAL.

D-TV

/LD

OPTICAL

COAXIAL

CBL

/SAT

OUT

Antenna stand

■ Connecting the AM loop antenna

1 Press and hold the tab to unlock the terminal

hole.

2 Insert the AM loop antenna lead wires into

the AM ANT and GND terminals.

3 Release the tab to lock the lead wires.

Lightly pull the lead wires to confirm a good

connection.

4 Attach the loop antenna to the antenna

stand.

5 Orient the AM loop antenna so that the best

reception is obtained.

• The AM loop antenna can be removed from the stand and

attached to a wall, etc.

Notes

• The AM loop antenna should be placed away from this unit.

• The AM loop antenna should always be connected, even if an

outdoor AM antenna is connected to this unit.

A properly installed outdoor antenna provides clearer

reception than an indoor one. If you experience poor

reception quality, an outdoor antenna may improve the

quality. Consult the nearest authorized YAMAHA

dealer or service center about the outdoor antennas.

FREQUENCY STEP switch (China and general

models only)

Because the interstation frequency spacing

differs in different areas, set the

FREQUENCY STEP switch (locating at

the rear) according to the frequency

spacing in your area.

North, Central and South America:

100 kHz/10 kHz

Other area: 50 kHz/9 kHz

Before setting this switch, disconnect the

AC power plug of this unit from the AC

outlet.

100 kHz/10 kHz

50 kHz/ 9 kHz

FREQUENCY

STEP

FM AM

(U.S.A. model)

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

TUNING

• Use the manual tuning method if the tuning search does not

stop at the desired station because the signal is weak.

• When tuned in to a station, the “TUNED” indicator lights up

and the frequency of the received station is shown on the front

panel display.

If the signal from the station you want to select is weak,

you must tune in to it manually.

3 Press TUNING MODE (AUTO/MAN’L MONO)

so that the “AUTO” indicator goes off from

the front panel display.

If the colon (:) appears on the front panel display

next to the band indication, press PRESET/TUNING

(EDIT) to turn it off.

3 Press TUNING MODE (AUTO/MAN’L MONO)

so that the “AUTO” indicator lights up on the

front panel display.

If the colon (:) appears on the front panel display

next to the band indication, press PRESET/TUNING

(EDIT) to turn it off.

4 Press PRESET/TUNING l / h to tune in to

the desired station manually.

Hold down the button to

continue the tuning search.

Note

• Manually tuning in to an FM station will automatically change

the reception mode to monaural to increase the signal quality.

INPUT

4 Press PRESET/TUNING l or h once to

begin automatic tuning.

Press h to tune in to a higher

frequency, or press l to tune

in to a lower frequency. Press

the same button again if the

tuning search does not stop at

the desired station.

PRESET/

TUNING

MODE

AUTO/MAN'L MONO

AUTO

Goes off

PRESET

/TUNING

EDIT

DIGITAL

DTS MOVIE THEATER 1

DTS

MOVIE

THEATER

DOLBY DIGITAL

DOLBY

DIGITAL

PRO LOGIC ENTERTAIN

MPRO

LOGIC

ENTERTAINMENT

DSP

6.1/ES

PCM

PRO LOGIC

VIRTUAL

PTY

HOLD

EON

STEREO

AUTO

NEWS INFO AFFAIRS SPORT

MEMORY TUNED

ZONE 2

SLEEP

Turn this indicator off.

PRESET/

TUNING

TUNER

A/B/C/D/E

SPEAKERS

STANDBY

/ON

BASS

EXTENSION

PROCESSOR

DIRECT

PRESET/

TUNING

BASS

6CH INPUT

VOLUME

INPUT

INPUT MODE

–

TREBLE

–

PRESET

/TUNING

EDIT

MEMORY

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

PHONES S VIDEO VIDEO

L AUDIO R OPTICAL

SILENT

VIDEO AUX

EFFECT

PROGRAM

ON OFF

SURROUND

DIGITAL

DSP

Automatic (or Manual) Tuning

Automatic tuning is effective when station signals are

strong and there is no interference.

1 Press INPUT l / h to

select TUNER as the input

source.

2 Press FM/AM to select the reception band.

“FM” or “AM” appears on the front panel display.

FM/AM

TUNING

MODE

AUTO/MAN'L MONO

AUTO

Lights up

PRESET

/TUNING

EDIT

DIGITAL

DTS MOVIE THEATER 1

DTS

MOVIE

THEATER

DOLBY DIGITAL

DOLBY

DIGITAL

PRO LOGIC ENTERTAIN

MPRO

LOGIC

ENTERTAINMENT

DSP

6.1/ES

PCM

PRO LOGIC

VIRTUAL

PTY

HOLD

EON

STEREO

AUTO

NEWS INFO AFFAIRS SPORT

MEMORY TUNED

ZONE 2

SLEEP

Turn this indicator off.

TUNING

3 Press and hold MEMORY (MAN’L/AUTO FM)

for more than 3 seconds.

The preset number, the “MEMORY” and “AUTO”

indicators flash. Then, after about 5 seconds,

automatic preset tuning begins from the frequency

currently displayed toward the higher frequencies.

When automatic preset tuning is completed, the front

panel display shows the frequency of the last preset

station.

TUNING

MODE

AUTO/MAN'L MONO

MEMORY

MAN'L/AUTO FM

AUTO

FM/AM

Presetting Stations

■ Automatically presetting stations

(for FM stations)

You can use the automatic preset tuning feature to store

FM stations. This function enables the unit to

automatically tune in to FM stations with strong signals,

and to store up to 40 (8 stations x 5 groups) of those

stations in order. This feature enables you to easily tune in

to any preset station by selecting the preset station

number (see page 33).

1 Press FM/AM to select the FM band.

2 Press TUNING MODE (AUTO/MAN’L MONO)

so that the “AUTO” indicator lights up on the

front panel display

Notes

• Any stored station data existing under a preset number is

cleared when you store a new station under that preset

number.

• You can manually replace a preset station with another FM or

AM station by simply following the procedure in the section

“Manually presetting stations” on page 33.

• If the number of the received stations does not reach E8,

automatic preset tuning has automatically stopped after

searching all stations.

• Only FM stations with sufficient signal strength are stored

automatically by automatic preset tuning. If the station you

want to store is weak in signal strength, tune in to it manually

in the monaural mode, and store it by following the procedure

in “Manually presetting stations” on page 33.

Automatic preset tuning options

You can select the preset number from which the unit

will store FM stations and/or begin tuning toward lower

frequencies. Before automatic preset tuning begins

(after pressing MEMORY in step 3):

1. Press A/B/C/D/E and PRESET/TUNING l / h to

select the preset number under which the first station

will be stored. Automatic preset tuning will stop

when stations have all been stored up to E8.

2. Press PRESET/TUNING (EDIT) to turn off the

colon (:) and then press PRESET/TUNING l to

begin tuning toward lower frequencies.

Memory back-up

The memory back-up circuit prevents the stored data

from being lost even if this unit is set in the standby

mode, the power cord is disconnected from the AC

outlet, or the power supply is temporarily cut due to

power failure. However, if the power is cut for more

than one week, the preset stations may be cleared. If

so, store the stations again by using the presetting

station methods.

Lights up

DIGITAL

DTS MOVIE THEATER 1

DTS

MOVIE

THEATER

DOLBY DIGITAL

DOLBY

DIGITAL

PRO LOGIC ENTERTAINMENT

PRO

LOGIC

ENTERTAINMENT

DSP

6.1/ES

PCM

PRO LOGIC

VIRTUAL

PTY

HOLD

EON

STEREO

AUTO

NEWS INFO AFFAIRS SPORT

MEMORY TUNED

ZONE 2

ESLEEP

TUNER

A/B/C/D/E

SPEAKERS

STANDBY

/ON

BASS

EXTENSION

PROCESSOR

DIRECT

PRESET/

TUNING

BASS

6CH INPUT

VOLUME

INPUT

INPUT MODE

–

TREBLE

–

PRESET

/TUNING

EDIT

MEMORY

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

PHONES S VIDEO VIDEO

L AUDIO R OPTICAL

SILENT

VIDEO AUX

EFFECT

PROGRAM

ON OFF

SURROUND

DIGITAL

DSP

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

TUNING

■ Manually presetting stations

You can also store up to 40 stations (8 stations x 5

groups) manually.

1 Tune in to a station.

See page 31 for tuning instructions.

2 Press MEMORY (MAN’L/AUTO FM).

The “MEMORY” indicator flashes for about

5 seconds.

Flashes

3 Press A/B/C/D/E repeatedly to select a preset

station group (A to E) while the “MEMORY”

indicator is flashing.

The group letter appears and make sure that the

colon (:) appears on the front panel display next to

the band indication.

4 Press PRESET/TUNING l / h to select a

preset station number (1 to 8) while the

“MEMORY” indicator is flashing.

Press h to select a higher

preset station number. Press l

to select a lower preset station

number.

5 Press MEMORY (MAN’L/AUTO FM) while the

“MEMORY” indicator is flashing.

The station band and

frequency appear on the front

panel display with the preset

group and number you have

selected.

6 Repeat steps 1 to 5 to store other stations.

Notes

• Any stored station data existing under a preset number is

cleared when you store a new station under that preset number.

• The reception mode (stereo or monaural) is stored along with

the station frequency.

Tuning in to a Preset Station

You can tune any desired station simply by selecting the

preset station number under which it was stored.

You can also tune a preset station with the remote control.

Set the selector dial to the AMP/TUN position and press

TUNER to select TUNER as the input source.

MEMORY

MAN'L/AUTO FM

MEMORY

A/B/C/D/E

DIGITAL

DTS MOVIE THEATER 1

DTS

MOVIE

THEATER

DOLBY DIGITAL

DOLBY

DIGITAL

PRO LOGIC ENTERTAIN

MPRO

LOGIC

ENTERTAINMENT

DSP

6.1/ES

PCM

PRO LOGIC

VIRTUAL

PTY

HOLD

EON

STEREO

AUTO

NEWS INFO AFFAIRS SPORT

MEMORY TUNED

ZONE 2

SLEEP

PRESET/

TUNING

MEMORY

MAN'L/AUTO FM

DIGITAL

DTS MOVIE THEATER 1

DTS

MOVIE

THEATER

DOLBY DIGITAL

DOLBY

DIGITAL

PRO LOGIC ENTERTAINMENT

PRO

LOGIC

ENTERTAINMENT

DSP

6.1/ES

PCM

PRO LOGIC

D-TV/LD

CBL/SAT

VCR 1

VCR2/DVR

V-AUX

DVD

MD/TAPE

CD-R

TUNER

PHONO

VIRTUAL

PTY

HOLD

EON

STEREO

AUTO

NEWS INFO AFFAIRS SPORT

MEMORY

TUNED

ZONE 2

VOLUME

SLEEP

Shows the displayed station has been stored as A1.

TUNER

A/B/C/D/E

SPEAKERS

STANDBY

/ON

BASS

EXTENSION

PROCESSOR

DIRECT

PRESET/

TUNING

BASS

6CH INPUT

VOLUME

INPUT

INPUT MODE

–

TREBLE

–

PRESET

/TUNING

EDIT

MEMORY

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

PHONES S VIDEO VIDEO

L AUDIO R OPTICAL

SILENT

VIDEO AUX

EFFECT

PROGRAM

ON OFF

SURROUND

DIGITAL

DSP

2,5

TUNER

A/B/C/D/E

SPEAKERS

STANDBY

/ON

BASS

EXTENSION

PROCESSOR

DIRECT

PRESET/

TUNING

BASS

6CH INPUT

VOLUME

INPUT

INPUT MODE

–

TREBLE

–

PRESET

/TUNING

EDIT

MEMORY

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

PHONES S VIDEO VIDEO

L AUDIO R OPTICAL

SILENT

VIDEO AUX

EFFECT

PROGRAM

ON OFF

SURROUND

DIGITAL

DSP

TUNING

2 Press PRESET/TUNING l / h (or

PRESET –/+) to select a preset station

number (1 to 8).

The preset group and number appear on the front

panel display along with the station band, frequency

and the “TUNED” indicator lights up.

Front panel

Remote control

Exchanging Preset Stations

You can exchange the assignment of two preset stations

with each other. The example below describes the

procedure for exchanging preset station “E1” with “A5”.

1 Tune in to preset station “E1”.

See “Tuning in to a Preset Station” on page 33.

2 Press and hold PRESET/TUNING (EDIT) for

more than 3 seconds.

“E1” and the “MEMORY” indicator flash on the

front panel display.

3 Tune in to preset station “A5” by using the

buttons on the front panel.

“A5” and the “MEMORY” indicator flash on the

front panel display.

4 Press PRESET/TUNING (EDIT) again.

The stations stored at the two preset assignments are

exchanged.

PRESET

/TUNING

EDIT

PRESET

/TUNING

EDIT

PRESET/

TUNING

A/B/C/D/E

Front panel

Remote control

1 Press A/B/C/D/E to select the preset station

group.

The preset group letter appears on the front panel

display and changes each time you press A/B/C/D/E.

• You can select the preset station number with the numeric

buttons (1 to 8) on the remote control if code number “0023”

has been set up in the AMP/TUN (or DSP/TUN) position.

DIGITAL

DTS MOVIE THEATER 1

DTS

MOVIE

THEATER

DOLBY DIGITAL

DOLBY

DIGITAL

PRO LOGIC ENTERTAINMENT

PRO

LOGIC

ENTERTAINMENT

DSP

6.1/ES

PCM

PRO LOGIC

D-TV/LD

CBL/SAT

VCR 1

VCR2/DVR

V-AUX

DVD

MD/TAPE

CD-R

TUNER

PHONO

VIRTUAL

PTY

HOLD

EON

STEREO

AUTO

NEWS INFO AFFAIRS SPORT

MEMORY

TUNED

ZONE 2

VOLUME

SLEEP

DIGITAL

DTS MOVIE THEATER 1

DTS

MOVIE

THEATER

DOLBY DIGITAL

DOLBY

DIGITAL

PRO LOGIC ENTERTAINMENT

PRO

LOGIC

ENTERTAINMENT

DSP

6.1/ES

PCM

PRO LOGIC

VIRTUAL

YPTY

PTY

HOLD

NEON

NEWS INFO AF

FNEWS INFO AFFAIRS SPORT

MEMORY

ZONE 2

SLEEP

PTY

HOLD

EON

STEREO

AUTO

NEWS INFO AFFAIRS SPORT

MEMORY TUNED

DTS

MOVIE

THEATER

DOLBY

DIGITAL

PRO

LOGIC

ENTERTAINMENT

DIGITAL

DSP

6.1/ES

PCM

PRO LOGIC

VIRTUAL

ZONE 2

SLEEP

DIGITAL

DTS MOVIE THEATER 1

DTS

MOVIE

THEATER

DOLBY DIGITAL

DOLBY

DIGITAL

PRO LOGIC ENTERTAINMENT

PRO

LOGIC

ENTERTAINMENT

DSP

6.1/ES

PCM

PRO LOGIC

VIRTUAL

PTY

HOLD

EON

STEREO

AUTO

NEWS INFO AFFAIRS SPORT

MEMORY TUNED

NZONE 2

ESLEEP

Shows the exchange of stations

has been completed.

TUNER

A/B/C/D/E

SPEAKERS

STANDBY

/ON

BASS

EXTENSION

PROCESSOR

DIRECT

PRESET/

TUNING

BASS

6CH INPUT

VOLUME

INPUT

INPUT MODE

–

TREBLE

–

PRESET

/TUNING

EDIT

MEMORY

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

PHONES S VIDEO VIDEO

L AUDIO R OPTICAL

SILENT

VIDEO AUX

EFFECT

PROGRAM

ON OFF

SURROUND

DIGITAL

DSP

2,4

English

INTRODUCTION

PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

BASIC RECORDING

Recording adjustments and other operations are

performed from the recording components. Refer to the

operation instructions for these components.

1 Turn on the power to the unit and all

connected component.

2 Select the source component you want to

record from.

Front panel

Remote control

3 Start playback (or select a broadcast station)

on the source component.

4 Start recording on the recording component.

Notes

• Do a test recording before you start an actual recording.

• When this unit is set in the standby mode, you cannot record

between other components connected to this unit.

• The setting of BASS, TREBLE, BASS EXTENSION,

VOLUME, “3 L/R BALANCE” on the SET MENU and DSP

programs does not affect the recorded material.

• A source connected to the 6CH INPUT jacks of this unit cannot

be recorded.

• S-video and composite video signals pass independently

through this unit’s video circuits. Therefore, when recording or

dubbing video signals, if your video source component is

connected to provide only an S-video (or only a composite

video) signal, you can record only an S-video (or only a

composite video) signal by your VCR.

• A given input source is not output on the same REC OUT

channel. (For example, the signal input from VCR 1 IN is not

output on VCR 1 OUT.)

• Check the copyright laws in your country to record from

records, CDs, radio, etc. Recording of copyrighted material

may infringe copyright laws.

If you playback a video source that uses scrambled or

encoded signals to prevent it from being dubbed, the

picture itself may be disturbed due to those signals.

■ Special considerations when

recording DTS software

The DTS signal is a digital bitstream. Attempting to

digitally record the DTS bitstream will result in noise

being recorded. Therefore, if you want to use this unit to

record sources that have DTS signals recorded on them,

the following considerations and adjustments need to be

made.

For LDs, DVDs and CDs encoded with DTS

Only 2-channel analog audio signals may be recorded as

follows:

• LDs

Set your LD player’s left and right outputs to the

analog soundtrack.

• DVDs

Use the disc menu to set the DVD player’s mixed 2-

channel left and right audio outputs to the PCM or

Dolby Digital soundtrack.

• CDs

The DTS signal recorded on CDs can only be output

as a digital bitstream, and therefore cannot be

recorded.

INPUT

TUNER

A/B/C/D/E

SPEAKERS

STANDBY

/ON

BASS

EXTENSION

PROCESSOR

DIRECT

PRESET/

TUNING

BASS

6CH INPUT

VOLUME

INPUT

INPUT MODE

–

TREBLE

–

PRESET

/TUNING

EDIT

MEMORY

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

PHONES S VIDEO VIDEO

L AUDIO R OPTICAL

SILENT

VIDEO AUX

EFFECT

PROGRAM

ON OFF

SURROUND

DIGITAL

DSP

Adjusting the Items on the SET

Adjustment should be made with the remote control.

Note

• Some items require extra steps to change to the desired setting.

1 Set the selector dial to the

AMP/TUN (or DSP/TUN)

position.

2 Press SET MENU to enter the SET MENU.

3 Press u/d repeatedly to select the item (1 to

15) you want to adjust.

• By pressing SET MENU repeatedly, you can select items in the

same order as when pressing d.

4 Press j or i once to enter the setup mode of

the selected item.

The last setting you adjusted appears on the video

monitor or on the front panel display.

SET MENU

ADVANCED OPERATION

3,6

4,5

The SET MENU consists of 15 items including the

speaker mode setting, center graphic equalizer and

parameter initialization features. Choose the appropriate

item and adjust or select the values as necessary.

• You can adjust the items on the SET MENU while playing a

source.

• We recommend that you adjust the items on the SET MENU

while using a video monitor. It is easier to see the video

monitor than it is to see the front panel display on this unit

while adjusting the items.

Note

• The indication on the front panel display is the abbreviation of

the OSD.

1 SPEAKER SET

1A CENTER SP

1B MAIN SP

1C REAR L/R SP

1D LFE/BASS OUT

1E MAIN LEVEL

2 LOW FRQ TEST

3 L/R BALANCE

4 HP TONE CTRL

5 CENTER GEQ

6 INPUT RENAME

7 I/O ASSIGNMENT

8 INPUT MODE

9 PARAM. INI

10 DOLBY D. SET

10A LFE LEVEL

10B D-RANGE

11 DTS LFE LEVEL

12 6.1/ES AUTO

13 SP DELAY TIME

14 DISPLAY SET

15 MEMORY GUARD

SET MENU 1/4

1 SPEAKER SET

2 LOW FRQ TEST

3 L/R BALANCE

4 HP TONE CTRL

:Up/Down

–/+ Enter

SET MENU 1/4

1 SPEAKER SET

2 LOW FRQ TEST

3 L/R BALANCE

4 HP TONE CTRL

:Up/Down

–/+ Enter

2 LOW FRQ TEST

TEST TONE • • • • • OFF

OUTPUT • • • MAIN L/R

FRQ • • • • • • • • • • 88Hz

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SET MENU

2 LOW FRQ TEST

TEST TONE • • • • • OFF

OUTPUT • • • MAIN L/R

FRQ • • • • • • • • • 88Hz

Depending on the item, press u/d to select a sub

item.

5 Press j / i repeatedly to change the setting

of the item.

6 Press u/d repeatedly until the current DSP

program appears or simply press one of the

DSP program group button to exit from the

SET MENU.

2 LOW FRQ TEST

TEST TONE • • • • • •ON

OUTPUT • • • MAIN L/R

FRQ • • • • • • • • • 88Hz

1 SPEAKER SET (speaker mode

settings)

Use this feature to select suitable output modes for your

speaker configuration. You must set the output mode

when you use a subwoofer.

Notes

• When 96-kHz sampling digital signals are input to this unit,

level adjustments in items 1B and 1D are possible, but those in

items 1A,1C and 1E are not affected.

• When 6CH INPUT is selected as the input source, level

adjustments in items 1A through 1E are not affected.

■ 1A CENTER SP (center speaker

mode)

By adding a center speaker to your speaker configuration,

the unit can provide good dialog localization for many

listeners and superior synchronization of sound and

images. The OSD shows a large, small or no center

speaker depending on how you set this item.

Choices: LRG (large), SML (small), NONE

Initial setting: LRG

LRG

Select this if you have a large center speaker. The entire

range of the center channel signal is directed to the center

speaker.

SML

Select this if you have a small center speaker. The low-

frequency signals (90 Hz and below) of the center channel

are directed to the speakers selected with “1D LFE/BASS

OUT”.

1A CENTER SP

LRG

SML

NONE

1A CENTER SP

LRG

SML

NONE

Memory back-up

The memory back-up circuit prevents the stored data

from being lost even if this unit is set in the standby

mode, the power cord is disconnected from the AC

outlet, or the power supply is temporarily cut due to

power failure. However, if the power is cut for more

than one week, the settings of the SET MENU you

adjusted will return to the factory settings. If so, adjust

the items again.

SET MENU

■ 1C REAR L/R SP (rear speaker

mode)

The OSD shows large, small or no rear speakers

depending on how you set this item.

Choices: LRG (large), SML (small), NONE

Initial setting: LRG

LRG

Select this if you have large left and right rear speakers or

if a rear subwoofer is connected to the rear speakers. The

entire range of the rear channel signal is directed to the

left and right rear speakers.

SML

Select this if you have small left and right rear speakers.

The low-frequency signals (90 Hz and below) of the rear

channel are directed to the speakers selected with “1D

LFE/BASS OUT”.

NONE

Select this if you do not have rear speakers.

• This unit is set in the virtual CINEMA DSP mode by selecting

NONE for “1C REAR L/R SP”.

NONE

Select this if you do not have a center speaker. All of the

center channel signal are directed to the left and right

main speakers.

■ 1B MAIN SP (main speaker mode)

The OSD shows large or small main speakers depending

on how you set this item.

Choices: LARGE, SMALL

Initial setting: LARGE

LARGE

Select this if you have large main speakers. The entire

range of the left and right main channel signal is directed

to the left and right main speakers.

SMALL

Select this if you have small main speakers. The low-

frequency signals (90 Hz and below) of the main channel

are directed to the speakers selected with “1D LFE/BASS

OUT”.

Note

• When you select MAIN for “1D LFE/BASS OUT”, the low-

frequency signals (90 Hz and below) of the main channel are

directed to the main speakers even if you select SMALL for the

main speaker mode.

1A CENTER SP

LRG

SML

NONE

1B MAIN SP

LARGE

SMALL

1C REAR L/R SP

LRG

SML

NONE

1C REAR L/R SP

LRG

SML

NONE

1C REAR L/R SP

LRG

SML

NONE

1B MAIN SP

LARGE

SMALL

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SET MENU

■ 1D LFE/BASS OUT (bass out

mode)

LFE signals carry low-frequency effects when this unit

decodes a Dolby Digital or DTS signal. Low-frequency

signals are defined as 90 Hz and below.

Choices: SWFR (subwoofer), MAIN, BOTH

Initial setting: BOTH

SWFR

Select this if you use a subwoofer. The LFE signals are

directed to the subwoofer.

MAIN

Select this if you do not use a subwoofer. The LFE signals

are directed to the main speakers.

BOTH

Select this if you use a subwoofer and you want to mix

the main channel low-frequency signals with the LFE

signals.

Note

• The low-frequency signals (90 Hz and below) from all main,

center and rear channels are directed to the LFE channel when

you select the small speaker setting in items 1A, 1B and 1C.

1D LFE/BASS OUT

SWFR

MAIN

BOTH

1D LFE/BASS OUT

SWFR

MAIN

BOTH

1D LFE/BASS OUT

SWFR

MAIN

BOTH

■ 1E MAIN LEVEL (main level

mode)

Change this setting if you cannot match the output level

of the center and rear speakers with the main speakers

because of the unusually high-efficiency performance of

the main speakers.

Choices: Normal, –10 dB

Initial setting: Normal

Normal

Select this if you can match the output level of your effect

speakers with that of your main speakers when using the

test tone.

–10 dB

Select this if you cannot match the output level of your

effect speakers with that of your main speakers when

using the test tone.

2 LOW FRQ TEST

Use this feature to adjust the output level of the

subwoofer so it matches that of the other speakers in your

configuration. Change the setting with the remote control

while sitting in the listening position.

1 Press j / i to set “TEST TONE” to ON, and

adjust the volume with VOLUME +/– so you

can hear the tone.

Notes

• Do not turn up the volume too high.

• If no test tone is heard, turn down the volume, set this unit in

the standby mode and make sure all the necessary connections

are correct.

1E MAIN LEVEL

Normal

–10dB

1E MAIN LEVEL

Normal

–10dB

SET MENU

2 Press d to go to “OUTPUT” and press j / i

to select the speaker you want to compare

with the subwoofer.

If SWFR is selected, the test tone above 90 Hz will

not be output from the subwoofer. The test tone will

not necessarily be output from the selected speakers.

The output mode of the test tone depends on the

settings of “1 SPEAKER SET” on the SET MENU.

3 Press d to go to “FRQ” and press j / i to

select the frequency you want to use.

4 Adjust the volume of the subwoofer with the

controls on the subwoofer so it matches that

of the speaker you are comparing it to.

■ About the test tone

The test tone is produced by the tone generator.

The tone generator produces a narrow-band noise

centered on a specified frequency by the band pass filter.

You can change this center frequency from 35 Hz through

250 Hz in one-sixth octave steps.

You can use the test tone not only for adjusting the

subwoofer level, but also for checking the low-frequency

characteristics of your listening room. Low-frequency

sounds are especially affected by the listener’s position,

speaker placement, subwoofer polarity and other

conditions.

3 L/R BALANCE (balance of the

left and right main speakers)

Use this feature to adjust the balance of the output level

from the left and right main speakers.

Control range: 10 steps for L/R

Initial setting: 0

Press i to decrease the output level for the

left main speaker. Press j for the right main

speaker.

4 HP TONE CTRL (headphone tone

control)

Use this feature to adjust the level of the bass and treble

when you use your headphones.

Control range (dB): –6 to +3

Initial setting: 0 dB for both BASS and TRBL (treble)

5 CENTER GEQ (center graphic

equalizer)

Use this feature to adjust the built-in 5-band graphic

equalizer so that the center speaker tonal quality matches

that of the left and right main speakers. You can select the

100 Hz, 300 Hz, 1 kHz, 3 kHz, or 10 kHz frequencies.

Control range (dB): –6 to +6

Initial setting: 0 dB for 5-band

1 Press d to select a higher frequency and u

to select a lower frequency.

2 Press j / i to adjust the level of that

frequency.

• You can monitor the center speaker sound while adjusting this

item by using the test tone. Press TEST before starting the

foregoing procedure. “TEST DOLBY SUR.” appears on the

video monitor, and the test tone starts alternating among the

speakers. Once you begin this procedure, the test tone remains

at the center speaker and you can hear how the sound changes

as you adjust the various frequency levels. To stop the test tone,

press TEST (see pages 22 and 23).

Digital generator

(wide band noise produced)

Noise

Freq.

Center freq. 35 Hz – 250 Hz

Band pass filter

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SET MENU

6 INPUT RENAME

Use this feature to change the name of the input which

appears on the OSD or the front panel display.

1 Press an input selector button (or use INPUT

l / h) to select the input you want to

change the name of.

2 Press j / i to place the _ (under-bar) under

the space or the character you want to edit.

3 Press u/d to select the character you want

to use and j / i to move to the next one.

• Press d to change the character in the following

order, or press u to go in the reverse order.

A to Z, a space, 0 to 9, a space, a to z, a space, #,

*, +, and so on.

• Follow the foregoing procedure to rename other

inputs.

Note

• You can use up to 8 characters to rename the inputs.

4 Press i repeatedly to exit from INPUT

RENAME.

7 I/O ASSIGNMENT

Use this feature to designate the input for the

COMPONENT jacks (A and B) and the DIGITAL

INPUT/OUTPUT jacks (1 to 8) to any sources you

want.

■ 7A [A] [B] (for the COMPONENT

VIDEO jacks)

Initial settings: [A] DVD

[B] D-TV/LD

■ 7B (1) (2) (for the OPTICAL

OUTPUT jacks)

Initial settings: (1) MD/TAPE

(2) CD-R

■ 7C (3) to (6) (for the OPTICAL

INPUT jacks)

Initial settings: (3) CD

(4) CD-R

(5) DVD

(6) D-TV/LD

■ 7D (7) (8) (for the COAXIAL INPUT

jacks)

Initial settings: (7) CD

(8) CBL/SAT

Note

• You cannot select an item more than once for the same type of

jack.

8 INPUT MODE (initial input

mode)

Use this feature to designate the input mode for sources

connected to the DIGITAL INPUT jacks when you turn

on this unit (see page 26 for details about the input

mode).

Choices: AUTO, LAST

Initial setting: AUTO

AUTO

Select this to allow this unit to automatically detect the

type of input signal and select the appropriate input mode.

LAST

Select this to set this unit to automatically select the last

input mode used for that source.

9 PARAM. INI (parameter

initialization)

Use this feature to initialize the parameters for each DSP

program within a DSP program group. When you

initialize a DSP program group, all of the parameter

values within that group revert to their initial settings.

1 Press DSP.

2 Press the numeric button (DSP program

group button) on the remote control for the

DSP program you want to initialize.

All of the DSP programs within the selected program

group are initialized.

• The asterisk mark (*) next to a DSP program group number

indicates that you have changed the parameter values in one or

more DSP programs within that group.

Notes

• You cannot initialize the individual DSP programs within a

group separately.

• The parameter values of the DSP programs do not change if

you initialize a program group that does not have the asterisk

mark (*).

• When “15 MEMORY GUARD” is set to ON (see page 43),

you cannot initialize any program groups.

• Once you initialize a DSP program group, you cannot

automatically revert to the previous parameter settings.

SET MENU

10 DOLBY D. SET (Dolby Digital

set)

This setting is effective only when this unit decodes

Dolby Digital signals.

■ 10A LFE LEVEL

Use this feature to adjust the output level of the LFE

(low-frequency effect) channel when playing back a

Dolby Digital signal. The LFE signal carries the low-

frequency special effect sound which is only added to

certain scenes.

Control value (dB): –20 to 0

Initial setting: 0 dB for both SPEAKER and

HEADPHONE

Note

• Adjust the LFE level according to the capacity of your

subwoofer or headphones.

■ 10B D-RANGE (dynamic range)

Use this feature to adjust the dynamic range.

Choices: MAX, STD (standard), MIN

Initial setting: MAX for both SP (speaker) and HP

(headphones)

• Select MAX for feature films.

• Select STD for general use.

• Select MIN for listening to sources at an extremely

low volume level.

L-LEVEL BST

H-LEVEL CUT

0.0

1.0

MAX

11 DTS LFE LEVEL

This setting is effective only when this unit decodes DTS

signals.

Use this feature to adjust the output level of the LFE

(low-frequency effect) channel when playing back a DTS

signal. The LFE signal carries the low-frequency special

effect sound which is only added to certain scenes.

Control range (dB): –10 to +10

Initial setting: 0 dB for both SPEAKER and

HEADPHONE

Note

• Adjust the LFE level according to the capacity of your

subwoofer or headphones.

12 6.1/ES AUTO

Use this feature to switch the auto mode of the Dolby

Digital Matrix 6.1 or DTS ES decoder on or off.

Choices: ON, OFF

Initial setting: ON

Select this to allow this unit to automatically turn on the

Dolby Digital Matrix 6.1 or DTS ES decoder when a

signal with the appropriate identification is detected.

OFF

Select this if you want to turn on or off the Dolby Digital

Matrix 6.1 or DTS ES decoder manually by pressing 6.1/

ES on the remote control.

Dialog

level

Input level

Output level

STD

Dialog

level

Input level

Output level

MIN

Dialog

level

Input level

Output level

Note

• When you select MIN, the sound output may be faint because

some Dolby Digital signals are not compatible with the

minimum-level dynamic range. In this case, select MAX or

STD.

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SET MENU

13 SP DELAY TIME

Use this feature to adjust the delay of the center channel

sound. This feature works when this unit decodes a Dolby

Digital or DTS signal. Ideally, the center speaker should

be the same distance from the listening position as the left

and right main speakers. However, in most home

situations, the center speaker is placed in line with the

main speakers. By delaying the sound from the center

speaker, the apparent distance from the center speaker to

the listening position can be adjusted to make it seem the

same as the distance between the left and right main

speakers to the listening position. Adjusting the delay

time for the center speaker is especially important for

giving depth to the dialog.

Control range (ms): 0 to 5

14 DISPLAY SET

■ BLUE BACK > AUTO/OFF

You can set the OSD background to blue if the video

source is not being reproduced (or the power of fhe

source component is off).

■ OSD SHIFT (OSD off-set position)

This setting is used to adjust the vertical position of the

OSD.

■ DIMMER

You can adjust the brightness of the front panel display.

15 MEMORY GUARD

Use this feature to prevent accidental changes to DSP

program parameter values and other settings on this unit.

Choices: ON, OFF

Initial setting: OFF

Select ON to protect the following features:

• DSP program parameters

• All SET MENU items

• Center, rear speakers and subwoofer levels

• The on-screen display (OSD) mode

Notes

• When “15 MEMORY GUARD” is set to ON, you cannot use

the test tone.

• When “15 MEMORY GUARD” is set to ON, you cannot select

any other SET MENU items.

Center speaker image

• Increasing the delay by 1 ms simulates moving the speakers

about 30 cm (one foot) farther away from the listening position.

ADJUSTING THE LEVEL OF THE EFFECT SPEAKERS

Center speaker output

level

Right rear speaker output

level

Left rear speaker output

level

Subwoofer output level

• Once you press LEVEL, you can also select the speaker(s) to

be adjusted by pressing d. (Pressing u changes the selection

in the reverse order.)

3 Press j / i to adjust the speaker output level.

• The control range for the center or left and right

rear speakers is from +10 dB to –10 dB.

• The control range for the subwoofer is from 0 dB

to –20 dB.

Notes

• If the speaker output mode is set to NONE, the output level of

that speaker cannot be adjusted.

• When you adjust the output level with LEVEL, the settings you

made with the test tone will be changed.

Memory back-up

The memory back-up circuit prevents the stored data

from being lost even if this unit is set in the standby

mode, the power cord is disconnected from the AC

outlet, or the power supply is temporarily cut due to

power failure. However, if the power is cut for more

than one week, the output level of the effect speakers

you adjusted will return to the factory settings. If so,

adjust the output level again.

You can adjust the output level of each effect speaker

(center, left and right rear and subwoofer) while listening

to a music source.

Adjustment should be made with the remote control.

1 Set the selector dial to the

AMP/TUN (or DSP/TUN)

position.

2 Press LEVEL repeatedly to select the

speaker(s) you want to adjust.

Each time you press LEVEL, the selected speaker

changes and appears on the front panel display and

on the video monitor as follows: center, right rear,

left rear and subwoofer.

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SLEEP TIMER

DTS MOVIE THEATER 1

DTS

MOVIE

THEATER

DOLBY DIGITAL

DOLBY

DIGITAL

PRO LOGIC ENTERTAINMENT

PRO

LOGIC

ENTERTAINMENT

DSP

6.1/ES

PCM

PRO LOGIC

D-TV/LD

CBL/SAT

VCR 1

VCR2/DVR

V-AUX

DVD

MD/TAPE

CD-R

TUNER

PHONO

VIRTUAL

PTY

HOLD

EON

STEREO

AUTO

NEWS INFO AFFAIRS SPORT

MEMORY

TUNED

ZONE 2

VOLUME

SLEEP

DIGITAL

4 The “SLEEP” indicator soon lights up on the

front panel display after the sleep timer has

been set.

The display then returns to the previous indication.

Canceling the Sleep Timer

Press SLEEP repeatedly until “SLEEP OFF”

appears on the front panel display.

After a few seconds, “SLEEP OFF” disappears, the

“SLEEP” indicator goes off and the display returns

to the previous indication.

• The sleep timer setting can also be canceled by setting this unit

in the standby mode by using STANDBY on the remote control

(or STANDBY/ON on the front panel) or by disconnecting the

AC power cord from the AC outlet.

DTS MOVIE THEATER 1

DTS

MOVIE

THEATER

DOLBY DIGITAL

DOLBY

DIGITAL

PRO LOGIC ENTERTAINMENT

PRO

LOGIC

ENTERTAINMENT

DSP

6.1/ES

PCM

PRO LOGIC

D-TV/LD

CBL/SAT

VCR 1

VCR2/DVR

V-AUX

DVD

MD/TAPE

CD-R

TUNER

PHONO

VIRTUAL

PTY

HOLD

EON

STEREO

AUTO

NEWS INFO AFFAIRS SPORT

MEMORY

TUNED

ZONE 2

VOLUME

SLEEP

DIGITAL

Use this feature to automatically set this unit in the

standby mode after the amount of time you have set. The

sleep timer is useful when you are going to sleep while

this unit is playing or recording a source. The sleep timer

also automatically turns off the external components

connected to AC OUTLET(S).

The sleep timer can only be set with the remote control.

• By connecting a commercially available timer to this unit, you

can also set a wake-up timer. Refer to the operation instructions

of the timer.

Setting the Sleep Timer

1 Select a source and start playback on the

source component.

2 Set the selector dial to a

position other than the TV

position.

3 Press SLEEP repeatedly

to set the amount of time

before this unit

automatically turns off.

Each time you press SLEEP, the front panel display

changes as shown below.

REMOTE CONTROL FEATURES

The remote control can operate this unit as well as other YAMAHA A/V components. To control the components from

other manufacturers (or some from YAMAHA), you must set up the remote control with the manufacturer codes.

This remote control also has a sophisticated feature: Learn. The Learn feature allows it to acquire functions from the

remote controls of other components in your system (or other household appliances) equipped with a infrared remote

control receiver. This feature makes it possible for you to reduce the number of remote control in your entertainment

room.

Notes

• For the operating distance of the remote contorol and notes about batteries, see pages 3 and 8.

• For the name and function of each part and button, see pages 6 to 8.

• If the memory on the remote control becomes full, no further learning is possible, even if there are still some programmable buttons

available (see page 52).

Selector Dial

There are 9 positions that you can select to control connected components with this remote control. For example, if the

CD position is selected, the remote control is set in the CD operation mode, allowing the CD player to be controlled by

the buttons on the remote control. When turning the selector dial, the position changes as follows:

Selector

dial

AMP/TUN

You can perform the basic operations of

this unit. See pages 6 and 7.

The code for a YAMAHA CD

player is factory-set.

CBL/SAT

A cable TV or satellite tuner can be controlled.

VCR

A VCR can be controlled.

A TV can be controlled.

TAPE/MD

The code for a YAMAHA tape deck is factory-

set. Be sure to set the proper code when

operating an MD recorder or CD recorder.

DVD/LD & DVD MENU

An LD player can be controlled in

the DVD/LD position. A DVD player

can be controlled in the DVD/LD and

DVD MENU positions. The code for

a YAMAHA DVD player is factory-

set. If the remote control does not

operate your YAMAHA DVD player,

you need to set the code number

“0048”.

DSP/TUN

This unit can be controlled and DSP

programs can be selected directly.

Note

• The general operational buttons on the remote control differ depending on the position of the selector dial. See the following pages

for details.

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

REMOTE CONTROL FEATURES

Commonly Used Buttons in Any

Position of the Selector Dial

Regardless of the position of the selector dial, you can

control this unit and your TV with the following buttons.

Note

• You have to set up the code for your TV in the TV position

before you can control the TV.

■ Controlling this unit

See pages 6 and 7.

1 STANDBY

2 POWER

3 VOLUME +/–

4 SLEEP

Note

• If you have set up the code for your TV and set the selector dial

to the TV position, this button is used to set the sleep timer for

the TV.

5 MUTE

Note

• If you have set up the code for your TV and set the selector dial

to the TV position, this button is used to mute the TV sound.

■ Controlling your TV

! TV POWER

@ TV INPUT

# TV VOLUME +/–

Controlling the Components

Connected to This Unit

The example below describes the procedure for

controlling a YAMAHA CD player.

1 Set the selector dial to the

CD position.

2 Turn on the power.

3 Press INPUT.

The indicator lights up for

about 3 second.

4 Press CD while the

indicator is lit.

5 Press p.

See page 48 for the CD player

operation buttons.

6 Adjust the volume.

If you set the remote control with the manufacturer

codes listed from page i at the end of this

manual, you can control other brands of components.

See “Setting the Manufacturer Codes” on page 51 for

details.

REMOTE CONTROL FEATURES

A/B/C/D/E

Button Names and Functions in Each Position

■ TAPE/MD position (tape deck, MD recorder or CD recorder)

Select the TAPE/MD position.

r Rec/Pause (tape/MD)

p Play

b DIR A (tape)

This button selects the playing direction of deck A.

Skip – (MD/CD-R)

w Rewind (tape)

Search (MD/CD-R)

Numeric buttons (MD/CD-R)

INDEX (CD-R)

+10 (MD/CD-R)

Deck A/B (tape)

This button selects deck A or B on a double-cassette

tape deck.

DISPLAY (MD/CD-R)

e Pause (MD/CD-R)

a DIR B (tape)

This button selects the playing direction of deck B.

Skip + (MD/CD-R)

AV POWER

(Tape) This button turns on the tape deck that has a remote control with a power button if you have set up the code for another manufacturer.

(MD) This button turns on the MD recorder that has a remote control with a power button if you have set up the code for another manufacturer.

(CD-R) This button turns on the CD recorder that has a remote control with a power button if you have set up the code for another manufacturer.

■ CD position

Select the CD position.

DISC SKIP –/+

(for a CD player with CD changer)

p Play

b Skip –

w Search

Numeric buttons

INDEX

+10

DISPLAY

e Pause

YAMAHA CD player (factory settings): Pause/Stop

a Skip +

s Stop

YAMAHA CD player (factory settings): Pause/Stop

f Search

AV POWER

This button turns on the CD player that has a remote

control with a power button if you have set up the

code for another manufacturer.

y Pause/Stop function

• Press the button once to give

a pause in operation and press

once more to stop operation.

Notes

• The dark-shaded buttons do not function even if you have set up the manufacturer code.

• Some of them may not function depending on the component you have. Refer to the operation instructions for your component.

You can program a remote control function to all buttons except DSP and INPUT. See “Programming a New Remote

Control Function” on page 52.

s Stop

f Fast forward (tape)

Search (MD/CD-R)

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

REMOTE CONTROL FEATURES

A/B/C/D/E

■ DVD/LD position

Select the DVD/LD position.

DISC SKIP –/+ (DVD)

p Play

b Skip – (DVD)

Skip/Chapter – (LD)

w Search

Numeric buttons

INDEX/Time (DVD)

Chapter/Time (LD)

+10

DISPLAY

e Pause

a Skip + (DVD)

Skip/Chapter + (LD)

s Stop

f Search

AV POWER

(DVD) This button turns on the YAMAHA DVD player if you have set up the code number “0048”. Also this button turns on the DVD player

that has a remote control with a power button if you have set up the code for another manufacturer.

(LD) This button turns on the LD player that has a remote control with a power button if you have set up the code for another manufacturer.

■ DVD MENU position

Note

• DVD MENU operations cannot be performed for some DVD players.

Select the DVD MENU position.

DISC SKIP –/+

Return

Menu select

Menu left

TITLE

Numeric buttons

INDEX

+10

DISPLAY

Menu up

Menu right

Menu down

AV POWER

This button turns on the YAMAHA DVD player if you have set up the code number “0048”. Also this

button turns on the DVD player that has a remote control with a power button if you have set up the

code for another manufacturer.

Notes

• The dark-shaded buttons do not function even if you have set up the manufacturer code.

• Some of them may not function depending on the component you have. Refer to the operation instructions for your component.

You can program a remote control function to all buttons except DSP and INPUT. See “Programming a New Remote

Control Function” on page 52.

REMOTE CONTROL FEATURES

A/B/C/D/E

■ VCR position

Select the VCR

position.

VCR REC

Press this button twice

to start recording.

p Play

w Rewind

Numeric

buttons

Ch enter/Recall

_/_ _

CH –/+

DISPLAY

e Pause

s Stop

Fast forward

AV POWER

This button turns on a VCR that has a remote control with a power

button if you have set up the code for your VCR.

■ CBL/SAT position

Select the CBL/SAT

position.

CH –/+

Menu select

Menu left

Recall

Numeric buttons

Ch enter

_/_ _

DISPLAY/

Guide (SAT)

Menu up

Menu right

Menu down

AV POWER

This button turns on a cable TV/satellite tuner that has a remote

control with a power button if you have set up the code for your cable

TV/satellite tuner.

■ TV position

Note

• You can control your VCR if you have set up the code for it in

the VCR position.

Select the TV

position.

VCR REC

Press this button twice.

p VCR play

w VCR rewind

TV POWER

This button turns on a TV that

has a remote control with a

power button if you have set up

the code for your TV.

TV VOL +/–

TV INPUT

Numeric buttons

Ch enter/Recall

_/_ _

CH –/+

DISPLAY

e VCR pause

s VCR stop

VCR fast forward

VCR power

TV SLEEP

TV MUTE

Notes

• The dark-shaded buttons do not function even if you have set up the manufacturer code.

• Some of them may not function depending on the component you have. Refer to the operation instructions for your component.

You can program a remote control function to all buttons except DSP and INPUT. See “Programming a New Remote

Control Function” on page 52.

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

REMOTE CONTROL FEATURES

Setting the Manufacturer Code

You can set up the code for the manufacturer of your

component in each position of the selector dial.

1 Turn on your component to be used.

2 Set the selector dial to the

desired position for the

component (TAPE/MD,

CD, DVD/LD, etc.).

3 Press j / i at the same time for about

4 seconds.

The indicator flashes twice.

4 Use the numeric buttons

to enter the four-digit

manufacturer code for the

component to be used.

Make sure that the

indicator flashes twice.

If the indicator does not flash

or flashes rapidly several

times, repeat step 3 and re-

enter the code.

5 Press AV POWER (or any other button) to

check if you have set up the code correctly.

If your component cannot be

controlled with the remote

control, try setting another

code for the same

manufacturer.

Notes

• You can set up only one code for one position.

• In the DVD/LD and DVD MENU positions:

Be sure to set the selector dial to the DVD/LD position before

entering the code for the DVD/LD player. The code set up in

the DVD/LD position is also simultaneously set up in the DVD

MENU position. You cannot set up the code for a DVD player

when the selector dial is set to the DVD MENU position.

• If your component does not respond to any of the codes listed

for the manufacturer, you can program functions from the other

remote control’s functions (see page 52 for details).

• If you have already programmed a remote control function to a

button, the function by programming (see page 52) takes

priority over the set up manufacturer code’s function.

■ To use a second (and third) VCR

You can control a second (and third) VCR in the CBL/

SAT and DVD MENU positions if a cable TV/satellite

tuner or DVD player is not being used.

Note

• If you want to control a second (and third) VCR in the DVD

MENU position, you must set up the code for an LD player in

the DVD/LD position.

1 Turn on the VCR to be used.

2 Set the selector dial to the

CBL/SAT or DVD MENU

position.

3 Press j / i at the same time for about

4 seconds.

The indicator flashes twice.

4 Use the numeric buttons

to enter the four-digit

code for the second (and

third) VCR. Make sure that

the indicator flashes

twice.

If the indicator does not flash

or flashes rapidly several

times, repeat step 3 and re-

enter the code.

5 Press AV POWER (or any other button) to

check if you have set up the code correctly.

If the VCR cannot be

controlled with the remote

control, try setting another

code for the same

manufacturer.

REMOTE CONTROL FEATURES

Programming a New Remote

Control Function (Learn Feature)

If you want to program functions not included in the basic

operations covered by the manufacturer code, or a

manufacturer code is not available, the following

procedure needs to be performed. You can program

functions to all buttons except DSP and INPUT in all

positions of the selector dial other than AMP/TUN and

DSP/TUN, so the buttons are programmable

independently for each position of the selector dial.

• You can program about 60 buttons.

Note

• This remote control transmits infrared rays. If the other remote

control also uses infrared rays, this remote control can learn

most of the other remote control’s functions. However, you

may not be able to program some special signals or extremely

long transmissions. (Refer to the operation instructions for the

other remote control.)

1 Set the selector dial to the

desired position for the

component to be

programmed.

2 Place this remote control and the other

remote control about 10 to 40 mm (3/8” to

1-1/2”) apart on a flat surface so that their

infrared transmitters are aimed at each other

10 to 40 mm (3/8” to 1-1/2”)

3 Press and hold e and p at the same time

for about 4 seconds.

The indicator flashes twice.

Note

• If you do not press any button within 30 seconds during steps 4

and 5, the indicator flashes twice and the learning process is

canceled. If this happens, start over from step 3.

4 Press the button for which you want to

program the new function.

The indicator lights up.

Lights up

5 Press and hold the button on the other

remote control that has the function you

want to program into this remote control

until the indicator goes off.

Goes off

Notes

• If this remote control cannot receive the signals from other

remote control, the indicator flashes rapidly.

• When the memory is full, the indicator flashes twice and this

remote control cannot acquire any more functions. Clear

unnecessary programmed functions to allow this remote

control to acquire new functions.

• If you do not press any button within 30 seconds after step 5,

the indicator flashes twice. This indicates that the learning

process is complete and the remote control has exited from the

learning mode.

6 Repeat steps 4 and 5 to program additional

functions.

7 Press DSP or INPUT, or turn the selector dial

to exit from the learning mode.

The indicator flashes twice.

Notes

• Even if the batteries in the other remote control have enough

power to transmit signals for operation, they may not have

enough power to transmit signals to this remote control.

• When the remote controls are either too close together or too

far apart, you may not be able to program this remote control.

• Direct sunlight interferes with infrared rays.

Memory back-up

If the remote control is without batteries for more than

2 minutes, or if exhausted batteries remain in the

remote control, the contents of the memory may be

cleared. When the memory is cleared, insert new

batteries, set up the manufacturer code and program

any acquired functions that may have been cleared.

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

REMOTE CONTROL FEATURES

Returning to the Factory Setting

■ To return to the factory-set codes

and to clear the learned functions

in all positions

1 Press j / i at the same time for about

4 seconds.

The indicator flashes twice.

2 Enter the code number “9990”.

Make sure that the indicator flashes twice.

■ To return to the factory-set codes

and to clear the learned functions

in each position

1 Set the selector dial to the

position for the

component to be returned

to the factory setting.

2 Press j / i at the same time for about

4 seconds.

The indicator flashes twice.

3 Enter the code number “0000”.

Make sure that the indicator flashes twice.

The following codes are factory set.

Selector dial

position

Component

Code

TV TV 0101

CBL/SAT Satellite tuner 0006

VCR VCR 0002

DVD/LD DVD player

0008 (YAMAHA DVD

player)

CD CD player

0005 (YAMAHA CD

player)

TAPE/MD Tape deck

0004 (YAMAHA Tape

deck)

AMP/TUN this unit 0003

DSP/TUN this unit 0013

We recommend that you write all the code numbers you

have set on the “Quick Reference Card”.

REMOTE CONTROL OUT REMOTE CONTROL IN

ZONE 2 AUDIO OUT

OUT

REMOTE

CONTROL OUT

ZONE 2 (U.S.A., Canada and Australia models only)

You can make up a multi-room audio system with this unit. You can enjoy an audio source selected with INPUT l / h

(or input selector buttons) in the second room (Zone 2).

Only analog signals are sent to the second room. For any source you want to listen to in the second room, you must

connect the analog output jack from the source to the corresponding analog input jack on this unit.

Zone 2 Connections

To use the multi-room functions of this unit, you need the following additional equipment:

• An infrared signal receiver in the second room

• An infrared emitter in the main room

This emitter transmits the infrared signals from the remote control in the second room to the main room

(for example, to a CD player).

• An amplifier and speakers for the second room

• Since there are so many ways to connect and use this unit in a

multi-room installation, we recommend that you consult with

the nearest authorized YAMAHA dealer or service center for

the zone 2 connections which will best meet your requirements.

• Some YAMAHA models are able to connect directly to the

REMOTE CONTROL OUT jack of this unit. If you own these

products, you may not need to use an infrared emitter.

This unit

■ Example of a system configuration and connections

Main room

CD player

(or other component)

This unit

Infrared emitter

Second room

Amplifier

Remote control

Infrared signal

receiver

Notes

• When not using the main room, turn down the volume of this unit in the main room. Adjust the Zone 2 volume with the control on

the amplifier in the second room.

• DO NOT USE the Zone 2 feature for CDs encoded with DTS.

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SOUND FIELD PROGRAM

This unit incorporates a sophisticated, multi-program digital sound field processor (DSP). This processor allows you to

electronically expand and change the shape of the audio sound field from both audio and video sources, creating a

theater-like experience in your listening room. You can create outstanding audio sound field by selecting a suitable DSP

program (this will, of course, depend on what you are listening to) and making desired adjustments.

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in

mind that most of these are precise digital recreations of actual acoustic environments.

Note

• Select the DSP program that you feel sounds best regardless of the name and description given for it below.

Hi-Fi DSP Programs

■ For audio sources: Nos. 1 to 5

ADDITIONAL INFORMATION

No. Program (group) Sub-program Features

1 CONCERT HALL —

A large round concert hall with a rich surround effect. Pronounced reflections

from all directions emphasize the extension of sounds. The sound field has a great

deal of presence, and your virtual seat is near the center, close to the stage.

2 CHURCH — This program recreates the acoustic environment of a big church with a high

dome and columns along each side. The reverberation delay is very long while

the early reflections are smaller than with other sound field programs.

3 JAZZ CLUB —

This is the sound field at stage front in “The Bottom Line”, a famous New York

jazz club. The floor can seat 300 people to the left and right in a sound field

offering a real and vibrant sound.

4 ROCK CONCERT —

The ideal program for lively, dynamic rock music. The data for this program was

recorded at LA’s “hottest” rock club. The listener’s virtual seat is at the center-left

of the hall.

5 ENTERTAINMENT Disco This program recreates the acoustic environment of a lively disco in the heart of a

big city. The sound is dense and highly concentrated. It is also characterized by a

high-energy, “immediate” sound.

5ch Stereo

Note

• If “1A CENTER SP” on the SET MENU is set to NONE, no sound is output from the center speaker.

Using this program increases the listening position range. This is a sound field

suitable for background music at parties.

SOUND FIELD PROGRAM

No.

MOVIE

THEATER 1

Analog,

PCM, Dolby

Digital in

2-channel

DGTL Spectacle *

Spectacle 6.1 *

DTS Spectacle *

Spectacle ES *

This program creates the extremely wide sound

field of a 70-mm movie theater. It precisely

reproduces the source sound in detail, making

both the video and the sound field incredibly real.

This is ideal for any kind of video source encoded

with Dolby Surround, Dolby Digital or DTS

(especially large-scale movie productions).

Sci-Fi 70 mm Sci-Fi

Analog,

PCM, Dolby

Digital in

2-channel

DGTL Sci-Fi *

Sci-Fi 6.1 *

DTS Sci-Fi *

Sci-Fi ES *

This program clearly reproduces dialog and sound

effects in the latest sound form of science fiction

films, thus creating a broad and expansive

cinematic space amid the silence. You can enjoy

science fiction films in a virtual-space sound field

that includes Dolby Surround, Dolby Digital and

DTS-encoded software employing the most

advanced techniques.

Program

(group)

Sub-program

Input source Features

Spectacle 70 mm Spectacle

Dolby

Digital

DTS

Dolby

Digital

DTS

CINEMA DSP Programs

■ For audio-video sources: Nos. 5 to 7

■ For movie programs: Nos. 8 to 10

No. Program (group) Sub-program Features

5 ENTERTAINMENT Game

This program adds a deep and spatial feeling to video game sounds.

7 MONO MOVIE —

This program is provided for reproducing monaural video sources (such as old

movies). The program produces the optimum reverberation to create sound depth

by using only the presence sound field.

6 TV SPORTS — Although the presence sound field is relatively narrow, the surround sound field

employs the sound environment of a large concert hall. With this program, you

can enjoy watching various TV programs such as news, variety shows, music

programs or sports programs. In a stereo broadcast of a sports game, the

commentator is oriented at the center position, and the shouts and the

atmosphere in the stadium spread on the surround side, while their spread to the

rear is properly restrained.

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SOUND FIELD PROGRAM

9 MOVIE

THEATER 2

Analog,

PCM, Dolby

Digital in

2-channel

DGTL Adventure *

Adventure 6.1 *

DTS Adventure *

Adventure ES *

This program is ideal for precisely reproducing

the sound design of the newest 70-mm and

multichannel soundtrack films. The sound field

is made to be similar to that of the newest movie

theaters, so the reverberations of the sound field

itself are restrained as much as possible.

General 70 mm General Analog,

PCM, Dolby

Digital in

2-channel

DGTL General *

General 6.1 *

DTS General *

General ES *

This program is for reproducing sounds from

70-mm and multichannel soundtrack films, and

is characterized by a soft and extensive sound

field. The presence sound field is relatively

narrow. It spatially spreads all around and

toward the screen, restraining the echo effect of

conversations without losing clarity. For the

surround sound field, the harmony of music or

chorus sounds beautifully in a wide space at the

rear of the sound field.

Adventure 70 mm Adventure

Dolby

Digital

DTS

Dolby

Digital

DTS

No.

Program

(group)

Sub-program

Input source

Features

SOUND FIELD PROGRAM

No.

q/DTS

SURROUND

Normal/

Matrix

6.1/ES

Analog, PCM,

Dolby Digital

in 2-channel

*1 The Dolby Digital Matrix 6.1 or DTS ES decoder is off.

*2 The Dolby Digital Matrix 6.1 or DTS ES decoder is on. The “ c ” indicator lights up on the front panel display.

• If a Dolby Digital signal or DTS signal is input when the input mode is set to AUTO, the DSP program will be automatically

switched to the Dolby Digital playback sound field or DTS playback sound field.

• If Dolby Digital Surround EX software or DTS ES software is played when “12 6.1/ES AUTO” on the SET MENU is set to ON, the

Dolby Digital Matrix 6.1 or DTS ES decoder will automatically turn on and the corresponding DSP program will be selected.

• 6.1/ES on the remote control can be used to turn the Dolby Digital Matrix 6.1 or DTS ES decoder on or off during Dolby Digital 5.1-

channel source or DTS 5.1-channel source playback.

Notes

• The “ x ” indicator does not light up when selecting the sub-program “Normal” of the q/DTS SURROUND program.

• If “1A CENTER SP” on the SET MENU is set to NONE, no sound is output from the center speaker.

• The effect sound is output from the main speakers when a monaural source is played with CINEMA DSP program groups 5 (Game)

and 6 to 9.

Program

(group)

10 PRO LOGIC/Normal

DOLBY DIGITAL/

Normal *

DOLBY DIGITAL/

Matrix 6.1 *

DTS DIGITAL SUR./

Normal *

DTS DIGITAL SUR./

ES *

The built-in decoder precisely reproduces sounds

and sound effects from sources.

The highly efficient decoding process improves

crosstalk and channel separation, and makes sound

positioning smoother and more precise.

In this program, the digital sound field processor is

not turned on.

Enhanced PRO LOGIC/Enhanced Analog, PCM,

Dolby Digital

in 2-channel

DOLBY DIGITAL/

Enhanced *

DOLBY DIGITAL/

Enhanced 6.1 *

DTS DIGITAL SUR./

Enhanced *

DTS DIGITAL SUR./

Enhanced ES *

This program ideally simulates the multi-surround

speaker systems of the 35-mm film theaters. Dolby

Pro Logic decoding, Dolby Digital decoding or

DTS decoding and digital sound field processing

create precise effects without altering the original

sound orientation.

The surround effects produced by this sound field

wrap around the viewer naturally from the back to

the left and right, and toward the screen.

Sub-program

Input source Features

Dolby Digital

DTS

Dolby Digital

DTS

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SOUND FIELD PROGRAM

MOVIE THEATER Programs

Most movie software has 4-channel (left, center, right and surround) sound information encoded by Dolby Surround

matrix processing and stored on the left and right tracks. These signals are processed by the Dolby Pro Logic decoder.

The MOVIE THEATER programs are designed to recreate the spaciousness and delicate nuances of sound that tend to

be lost in the encoding and decoding processes.

The 6-channel soundtracks found on 70-mm film produce precise sound field localization and rich, deep sound without

using matrix processing. This unit’s MOVIE THEATER 70 mm programs provide the same quality of sound and sound

localization that 6-channel soundtracks do. The built-in Dolby Digital or DTS decoder brings the professional-quality

sound designed for movie theaters into your home. With the unit’s MOVIE THEATER programs, you can recreate a

dynamic sound that gives you the feeling of being at a public theater in your listening room by using Dolby Digital or

DTS technology.

■ Dolby Pro Logic + DSP sound field effect

These programs express an immense sound field and a

large surround effect. They also give depth to the sound

from the main speakers to recreate the realistic sound of a

Dolby Stereo theater.

Presence DSP

sound field

Right surround DSP

sound field

Left surround DSP

sound field

Presence DSP

sound field

Surround DSP

sound field

■ Dolby Digital/DTS + DSP sound field effect

These programs use YAMAHA’s tri-field DSP processing

on each of the Dolby Digital or DTS signals for the front,

left surround and right surround channels. This

processing enables this unit to reproduce the immense

sound field and surround expression of a Dolby Digital-

or DTS-equipped movie theater without sacrificing the

clear separation of all channels.

SOUND FIELD PROGRAM PARAMETER EDITING

What is a sound field?

What really creates the rich, full tones of a live instrument

are the multiple reflections from the walls of the room. In

addition to making the sound “live”, these reflections

enable us to tell where the player is situated, and the size

and shape of the room in which we are sitting.

■ Elements of a sound field

In any environment, in addition to the direct sound

coming straight to our ears from the player’s instrument,

there are two distinct types of sound reflections that

combine to make up the sound field:

Early reflections

Reflected sounds reach our ears extremely rapidly

(50 ms – 100 ms after the direct sound), after reflecting

from one surface only — for example, from the ceiling or

a wall. These reflections fall into specific patterns as

shown in the diagram on page 62 for any particular

environment, and provide vital information to our ears.

Early reflections actually add clarity to the direct sound.

Reverberations

These are caused by reflections from more than one

surface — walls, ceiling, the back of the room — so

numerous that they merge together to form a continuous

sonic “afterglow”. They are non-directional, and lessen

the clarity of the direct sound.

Direct sound, early reflections and subsequent

reverberation taken together help us to determine the

subjective size and shape of the room, and it is this

information that the digital sound field processor

reproduces in order to create sound fields.

If you could create the appropriate early reflections and

subsequent reverberations in your listening room, you

would be able to create your own listening environment.

The acoustics in your room could be changed to those of

a concert hall, a dance floor, or virtually any size room at

all. This ability to create sound fields at will is exactly

what YAMAHA has done with the digital sound field

processor.

Sound Field Program Parameters

DSP programs consist of some parameters to determine

the apparent room size, reverberation time, distance from

you to the performer, etc. In each program, these

parameters are set with values precisely calculated by

YAMAHA to create a sound field unique to the program.

It is recommended to use DSP programs without

changing the values of parameters; however, this unit also

allows you to create your own sound fields. Starting with

one of the built-in programs, you can adjust those

parameters.

Each DSP program has a set of parameters that allow you

to change the characteristics of the acoustic environment

to precisely create the effect you want. These parameters

correspond to the many natural acoustic factors that create

the sound field you experience in an actual concert hall or

other listening environment. The size of the room, for

example, affects the length of time between the early

reflections. The “ROOM SIZE” parameter provided in

many of the DSP programs alters the timing between

these reflections, thus changing the shape of the “room”

you are listening. In addition to room size, the shape of

the room and the characteristics of its surfaces have a

significant effect on the final sound. Surfaces that absorb

sound, for example, cause the reflections and

reverberations to die out more quickly, while highly

reflective surfaces allow the reflections to carry on for a

longer period of time. The digital sound field parameters

allow you to control these and many other factors that

contribute to your personal sound field, allowing you to

essentially “redesign” the concert halls, theaters, etc.

provided to create custom-tailored listening environments

that ideally match your mood and music.

See “Digital Sound Field Parameter Descriptions” on

pages 62 to 65.

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SOUND FIELD PROGRAM PARAMETER EDITING

Changing Parameter Settings

You can enjoy good quality sound with the factory-set

parameters. Although you do not have to change the

initial settings, you can change some of the parameters to

better suit the input source or your listening room.

Adjustments should be made with the remote control.

• We recommend that you edit the parameter while using a video

monitor. It is easier to see the video monitor than it is to see the

front panel display.

1 Set the selector dial to the DSP/TUN (or

AMP/TUN) position.

2 Turn on the video monitor

and press ON SCREEN

repeatedly to select the

full display mode.

3 Select a DSP program you want to adjust.

Program No. Program name (group)

Cursor

Parameters

Example of the ROCK CONCERT

4 Press u/d to select the

parameter.

5 Press j / i to change the

parameter value.

• When you set the parameter to a value other than the factory-

set value, an asterisk mark (*) appears by the parameter name

on the video monitor

6 Repeat steps 3 to 5 above as necessary to

change other program parameters.

Memory back-up

The memory back-up circuit prevents the stored data

from being lost even if this unit is set in the standby

mode, the power cord is disconnected from the AC

outlet, or the power supply is temporarily cut due to

power failure. However, if the power is cut for more

than one week, the parameter value you edited will

return to the factory setting. If so, edit the parameter

value again.

Resetting a Parameter to the

Factory-set Value

■ To reset some of the parameters

to the factory-set values

Select the parameter you want to reset. Then press and

hold j or i until the value temporarily stops at the

factory-set value. The asterisk mark (*) by the parameter

name disappears on the video monitor.

■ To reset all of the parameters to

the factory-set values

Use “9 PARAM. INI” on the SET MENU to reset all of

the parameter values of all DSP programs within the

selected group to the factory-set values (see page 41).

This operation resets all of the parameter values of all

DSP programs within that group to the factory-set values.

Notes

• The available parameters may be displayed on more than one

OSD page for some of the programs. To scroll through pages,

press u/d.

• You cannot change parameter values when “15 MEMORY

GUARD” on the SET MENU is set to ON. If you want to

change the parameter values, set “15 MEMORY GUARD” to

OFF (see page 43).

P04 ROCK CONCERT

INIT.DLY

15ms

REV.TIME

LIVENESS

REV.DELAY

REV.LEVEL

100ms

1.6s

SOUND FIELD PROGRAM PARAMETER EDITING

Digital Sound Field Parameter Descriptions

You can adjust the values of certain digital sound field parameters so the sound fields are recreated accurately in your

listening room.

Note

• Not all of the following parameters can be found in every program.

■ INIT.DLY (initial delay)

(P.INIT.DLY — for the presence sound field)

Function: This parameter changes the apparent distance from the sound source by adjusting the delay between the

direct sound and the first reflection heard by the listener.

Control range: 1 – 99 msec

Description: The smaller the value, the closer the sound source seems to the listener. The larger the value, the farther

the apparent distance seems. For a small room, this parameter would be set to a small value, for a large

room, set it to a large value.

INT. DLY INT. DLY INT. DLY

Level

Time

Level

Sound source

Early

reflections

Time

Level

Time

Sound source

Reflection surface

Small value = 1 ms

Large value = 99 ms

■ ROOM SIZE

(P.ROOM SIZE — for the presence sound field)

Function: This parameter adjusts the apparent size of the surround sound field. The larger the value, the larger the

surround sound field becomes.

Control range: 0.1 – 2.0

Description: As the sound is repeatedly reflected around a room, the larger the hall is, the longer the time between

the original reflected sound and the subsequent reflections. By controlling the time between the

reflected sounds, you can change the apparent size of the virtual venue. Changing this parameter from

one to two, doubles the apparent length of the room.

Level

Time

Level

Time

Sound source

Early reflections

Level

Time

Sound source

First reflection

Small value = 0.1

Large value = 2.0

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SOUND FIELD PROGRAM PARAMETER EDITINGSOUND FIELD PROGRAM PARAMETER EDITING

■ LIVENESS

Function: This parameter adjusts the reflectivity of the virtual walls in the hall by changing the rate at which the

early reflections decay.

Control range: 0 – 10

Description: The early reflections of a sound source decay much faster in a room with acoustically absorbent wall

surfaces than in one which has highly reflective surfaces. A room with acoustically absorbent surfaces

is referred to as “dead,” while a room with highly reflective surfaces is referred to as “live.” The

“LIVENESS” parameter lets you adjust the early reflection decay rate, and thus the “liveness” of the

room.

Level

Time

Dead

Level

Sound source

Time

Level

Time

Live

Sound source

Small reflected sound

Small value = 0

Large reflected sound

Large value = 10

■ S.DELAY (surround delay)

Function: This parameter adjusts the delay between the direct sound and the first reflection in the surround sound

field.

Control range: 0 – 49 msec (The range depends on the signal format.)

■ S.INIT.DLY (surround initial delay)

Function: This parameter adjusts the delay between the direct sound and the first reflection on the surround side

of the sound field. You can only adjust this parameter when at least two front channels and two rear

channels are used.

Control range: 1 – 49 msec

■ S.ROOM SIZE (surround room size)

Function: This parameter adjusts the apparent size of the surround sound field.

Control range: 0.1 – 2.0

■ S.LIVENESS (surround liveness)

Function: This parameter adjusts the apparent reflectivity of the virtual walls in the surround sound field.

Control range: 0 – 10

SOUND FIELD PROGRAM PARAMETER EDITING

■ RC.INIT.DLY (rear center initial delay)

Function: This parameter adjusts the delay between the direct sound and the first reflection in the rear center

sound field.

Control range: 1 – 49 msec

■ RC.ROOM SIZE (rear center room size)

Function: This parameter adjusts the apparent size of the rear center sound field.

Control range: 0.1 – 2.0

■ RC.LIVENESS (rear center liveness)

Function: This parameter adjusts the apparent reflectivity of the virtual wall in the rear center sound field.

Control range: 0 – 10

■ REV.TIME (reverberation time)

Function: This parameter adjusts the amount of time it takes for the dense, subsequent reverberation sound to

decay by 60 dB (at 1 kHz). This changes the apparent size of the acoustic environment over an

extremely wide range.

Control range: 1.0 – 5.0 sec

Description: Set a longer reverberation time for “dead” sources and listening room environments and a shorter time

for “live” sources and listening room environments.

60 dB

REV. TIME REV. TIME REV. TIME

60 dB 60 dB

Level

Time

Level

Time

Sound source

Early reflections

Level

Time

Short reverberations

Long reverberations

Small value = 1.0 s

Large value = 5.0 s

Reverberations

Sound source

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SOUND FIELD PROGRAM PARAMETER EDITINGSOUND FIELD PROGRAM PARAMETER EDITING

■ REV.DELAY (reverberation delay)

Function: This parameter adjusts the time difference between the beginning of the direct sound and the beginning

of the reverberation sound.

Control range: 0 – 250 msec

Description: The larger the value, the later the reverberation sound begins. A later reverberation sound makes you

feel like you are in the larger acoustic environment.

REV. LEVEL

60 dB

(dB)

REV.

DELAY

REV TIME

Level

Sound source

Reverberation

Time

■ REV.LEVEL (reverberation level)

Function: This parameter adjusts the volume of the reverberation sound.

Control range: 0 – 100%

Description: The larger the value, the stronger the reverberation becomes.

Level

Sound source

Time

■ CT.DELAY (center delay)

■ LS.DELAY (left surround delay)

■ RS.DELAY (right surround delay)

Function: These parameters adjust the sound delay for each channel in 5 channel stereo mode.

Control range: 0 – 50 msec

TROUBLESHOOTING

Refer to the chart below when the unit does not function properly. If the problem you are experiencing is not listed

below or if the instruction below does not help, set this unit in the standby mode, disconnect the power cord and contact

the nearest authorized YAMAHA dealer or service center.

■ General

Problem Cause Remedy

Refer to

page

The unit fails to turn

on when STANDBY/ON

(or POWER) is

pressed, or enters in

the standby mode

soon after the power

has been turned on.

The power cord is not connected or the plug

is not completely inserted.

Firmly connect the power cord.

The IMPEDANCE SELECTOR switch on

the rear panel is not fully set to the left or

right position.

Set the switch fully to the left or right position

when the unit is in the standby mode.

The protection circuitry has been

activated.

Make sure all speaker wire connections on

this unit and on all speakers are secure and

that the wire for each connection does not

touch anything other than its respective

connection.

No sound and/or no

picture.

Incorrect input or output cable connections. Connect the cables properly. If the problem

persists, the cables may be defective.

An appropriate input source has not been

selected.

Select an appropriate input source with

INPUT l / h or 6CH INPUT (or the input

selector buttons).

The speaker connections are not secure. Secure the connections.

The main speakers to be used have not

been selected properly.

Select the main speakers with SPEAKERS A

and/or B.

The volume is turned down. Turn up the volume.

The sound is muted. Press MUTE or any operation buttons of this

unit to cancel a mute and adjust the volume.

No picture. There is no S-video connection between this

unit and the video monitor, although S-

video signals are being input to this unit.

Connect the monitor’s S-video input jack to

this unit’s S VIDEO MONITOR OUT jack.

The sound suddenly

goes off.

The protection circuit has been activated

because of a short circuit, etc.

Check the IMPEDANCE SELECTOR switch

is set to the appropriate position and then turn

the unit back on.

Only the speaker on

one side can be heard.

Connect the cables properly. If the problem

persists, the cables may be defective.

Incorrect setting of “3 L/R BALANCE”

on the SET MENU.

Adjust it to the appropriate position.

16, 17

12 – 15

16, 17

APPENDIX

The sleep timer has functioned. Turn on the power, and play the source again.

Incorrect cable connections.

Check the speaker wires are not touching

each other and then turn the unit back on.

—

14, 15

16, 17

12 – 17

The sound is muted. Press MUTE or any operation buttons of this

unit to cancel a mute and adjust the volume.

Digital signals other than PCM audio,

Dolby Digital or DTS signal which this

unit cannot reproduce are being input to

this unit by playing a CD-ROM, etc.

Play a source whose signals this unit can

reproduce.

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

TROUBLESHOOTING

Problem Cause Remedy

Refer to

page

No sound from the

effect speakers.

The sound effect is off.

Press EFFECT to turn it on.

A Dolby Surround, Dolby Digital or DTS

decoding DSP program is being used with

material not encoded with Dolby Surround,

Dolby Digital or DTS.

Select another DSP program.

A 96-kHz sampling digital signal is being

input to this unit.

No sound from the

center speaker.

The output level of the center speaker is set

to minimum.

Raise the level of the center speaker.

“1A CENTER SP” on the SET MENU is

set to NONE.

Select the appropriate mode for your center

speaker.

One of the Hi-Fi DSP programs (1 to 5)

has been selected.

Select another DSP program.

The source encoded with a Dolby Digital

or DTS signal does not have a center

channel signal.

No sound from the

rear speakers.

The output level of the rear speakers is set

to minimum.

Raise the output level of the rear speakers.

A monaural source is being played with the

program 10.

Select another DSP program.

No sound from the

subwoofer.

“1D LFE/BASS OUT” on the SET MENU

is set to SWFR or MAIN when a 2-channel

source is being played.

Select BOTH.

The source does not contain low bass

signals (90 Hz and below).

“1D LFE/BASS OUT” on the SET MENU

is set to MAIN when a Dolby Digital or

DTS signal is being played.

Select SWFR or BOTH.

Poor bass

reproduction.

“1D LFE/BASS OUT” on the SET MENU

is set to SWFR or BOTH and your system

does not include a subwoofer.

Select MAIN.

The output mode for each speaker (main,

center or rear) on the SET MENU does not

match your speaker configuration.

Select the appropriate output mode for each

speaker based on the size of the speakers in

your configuration.

55 – 58

—

55 – 58

—

37, 38

12 – 15

12, 13

A “humming” sound

can be heard.

Incorrect cable connections.

Firmly connect the audio plugs. If the

problem persists, the cables may be

defective.

No connection from the turntable to the

GND terminal.

Connect the grounding cord of your

turntable to the GND terminal of this unit.

The volume level is

low while playing a

record.

The record is being played on a

turntable with an MC cartridge.

The turntable should be connected to the unit

through an MC-head amplifier.

TROUBLESHOOTING

Problem Cause Remedy

Refer to

page

The volume level

cannot be increased,

or the sound is

distorted.

The component connected to the REC OUT

jacks of this unit is turned off.

Turn on the power to the component.

The sound effect

cannot be recorded.

It is not possible to record the sound effect by

a recording component.

“CHECK SP WIRES”

appears on the front

panel display.

The sound is degraded

when listening with

headphones

connected to a tape

deck or CD player that

is connected to this

unit.

There is noise

interference from

digital or high-

frequency equipment,

or the unit.

The unit is too close to the digital or high-

frequency equipment.

Move the unit further away from such

equipment.

This unit does not

operate properly.

The internal microcomputer has been frozen

by an external electric shock (such as

lightning or excessive static electricity) or by

a power supply with low voltage.

Disconnect the AC power cord from the

outlet and then plug it in again after about

30 seconds.

A source cannot be

recorded by a digital

recording component

connected to the

DIGITAL OUTPUT jack

of this unit.

A source component is only connected to the

analog input jacks of this unit.

Connect the source component to the digital

input jacks of this unit.

The sound field

parameters and some

other settings on this

unit cannot be

changed.

“15 MEMORY GUARD” on the SET MENU

is set to ON.

Select OFF.

Speaker cables are short circuited. Make sure all speaker cables are connected

correctly.

This unit is in the standby mode. Turn on the power of the unit.

12 – 15

—

16, 17

—

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

TROUBLESHOOTING

■ Tuner

Problem Cause Remedy

Refer to

page

FM stereo

reception is noisy.

The characteristics of FM stereo broadcasts

may cause this problem when the

transmitter is too far away or the antenna

input is poor.

Check the antenna connections.

Try using a high-quality directional FM

antenna.

Use the manual tuning method.

There is distortion,

and clear reception

cannot be obtained

even with a good

FM antenna.

There is multipath interference.

Adjust the antenna position to eliminate

multipath interference.

The desired station

cannot be tuned in

with the automatic

tuning method.

The station is too weak. Use the manual tuning method.

Use a high-quality directional FM antenna.

Previously preset

stations can no

longer be tuned in.

The unit has been disconnected for a long

period.

Re-store the stations.

The desired station

cannot be tuned in

with the automatic

tuning method.

The signal is weak or the antenna

connections are loose.

Tighten the AM loop antenna connections and

orient it for best reception.

Use the manual tuning method.

There are

continuous

crackling and

hissing noises.

Noises result from lightning, fluorescent

lamps, motors, thermostats and other

electrical equipment.

Use an outdoor antenna and a ground wire.

This will help somewhat, but it is difficult to

eliminate all noise.

There are buzzing

and whining noises

(especially in the

evening).

A TV set is being used nearby. Move this unit away from the TV.

30, 31

—

TROUBLESHOOTING

■ Remote control

Problem Cause Remedy

Refer to

page

The remote control

does not work nor

function properly.

Wrong distance or angle.

The remote control will function within a

maximum range of 6 m (20 feet) and no more

than 30 degrees off-axis from the front panel.

Direct sunlight or lighting (from an

inverter type of fluorescent lamp, etc.) is

striking the remote control sensor of this

unit.

Reposition the unit.

The batteries are weak. Replace all batteries with new ones.

The unit or other

component cannot be

controlled.

The component to be controlled has not been

selected.

Set the selector dial to the appropriate position,

corresponding to the component to be

controlled.

The remote control cannot control system

components.

The manufacturer code has not been set up

properly.

Enter the code again.

Try setting another code for the same

manufacturer.

Depending on the manufacturer or the

model, some components cannot be

controlled with this unit’s remote control

even though the code has been set up

properly.

Program functions from the other remote

control’s function into this remote control.

The remote control

does not “learn” new

functions.

The batteries of this remote control and/or

the other remote control are too weak.

Replace the batteries.

The distance between the two remote

controls is too much or too little.

Place the remote controls at the proper

distance.

The signal coding or modulation of the

other remote control is not compatible with

this remote control.

Learning is not possible.

Memory capacity is full. Further learning is not possible without

deleting unnecessary functions.

—

After this unit has been exposed to a strong external electric shock (such as lightning and strong static electricity) or if

you mishandle the operation of this unit, it may not function properly. In these cases, set this unit in the standby mode,

disconnect the power cord, plug it back in after 30 seconds, and start operating.

English

INTRODUCTION

PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SPECIFICATIONS

AUDIO SECTION

• Minimum RMS Output Power for Main, Center, Rear

20 Hz to 20 kHz, 0.04% THD, 8 ohms ............................... 100 W

1 kHz, 0.04% THD, 8 ohms ................................................ 105 W

• Maximum Power (EIAJ)

[China and general models]

1 kHz, 10% THD, 8 ohms ................................................... 140 W

• Dynamic Power (IHF)

8/6/4/2 ohms ................................................... 125/160/195/230 W

[U.S.A. model] 135/170/205/245 W

• Damping Factor

20 Hz to 20 kHz, 8 ohms .............................................. 80 or more

• Frequency Response

CD to Main L/R ...................................... 10 Hz to 100 kHz, –3 dB

• Total Harmonic Distortion

20 Hz to 20 kHz, 50 W, 8 ohms, Main L/R .......................... 0.04%

• Signal to Noise Ratio (IHF-A Network)

PHONO MM to REC OUT (5 mV, shorted)

[U.S.A., Canada, China and general models] .................... 86 dB

[Australia and Singapore models] ..................................... 81 dB

CD (250 mV, shorted) to Main L/R, Effect Off ................. 100 dB

• Residual Noise (IHF-A Network)

Main L/R ................................................................ 150 µV or less

• Channel Separation (1 kHz/10 kHz)

CD (5.1 kohms terminated) to Main L/R .................. 60 dB/45 dB

• Tone Control (Main L/R)

BASS Boost/Cut ...................................................... ±10 dB/50 Hz

TREBLE Boost/Cut ............................................... ±10 dB/20 kHz

BASS EXTENSION ................................................. +6 dB/60 Hz

• Phones Output ..................................................... 150 mV/100 ohms

• Input Sensitivity

CD, etc .............................................................. 150 mV/47 kohms

PHONO ............................................................. 2.5 mV/47 kohms

6CH INPUT .............................................. 150 mV/40 – 47 kohms

• Output Level

REC OUT ........................................................ 150 mV/0.9 kohms

PRE OUT ............................................................ 2.6 V/1.2 kohms

SUBWOOFER .................................................... 4.0 V/1.2 kohms

VIDEO SECTION

• Video Signal Type ...................................................... NTSC or PAL

• Composite Video Signal Level ................................ 1 Vp-p/75 ohms

• S-Video Signal Level

Y ........................................................................... 1 Vp-p/75 ohms

C .................................................................... 0.286 Vp-p/75 ohms

• Component Video Signal Level

Y ........................................................................... 1 Vp-p/75 ohms

, P

....................................................... 0.7 Vp-p/75 ohms

• Signal to Noise Ratio ............................................................... 50 dB

• Frequency Response (MONITOR OUT)

Composite, S-Video ................................. 5 Hz to 10 MHz, –3 dB

Component ................................................. DC to 30 MHz, –3 dB

FM SECTION

• Tuning Range

[U.S.A. and Canada models] ............................ 87.5 to 107.9 MHz

[Others] ......................................................... 87.50 to 108.00 MHz

• 50 dB Quieting Sensitivity (IHF, 100% mod.)

Mono/Stereo ........................ 2.0 µV (17.3 dBf) /25 µV (39.2 dBf)

• Selectivity (400 kHz) ............................................................... 70 dB

• Signal to Noise Ratio (IHF)

Mono/Stereo .............................................................. 76 dB/70 dB

• Harmonic Distortion (1 kHz)

Mono/Stereo ................................................................. 0.2%/0.3%

• Stereo Separation (1 kHz) ....................................................... 45 dB

• Frequency Response ........................... 20 Hz to 15 kHz +0.5, –2 dB

AM SECTION

• Tuning Range ......................................... 530/531 to 1710/1611 kHz

• Usable Sensitivity ............................................................. 300 µV/m

GENERAL

• Power Supply

[U.S.A. and Canada models] ............................... AC 120 V/60 Hz

[Australia model] ................................................. AC 240 V/50 Hz

[Singapore model] ............................................... AC 230 V/50 Hz

[China model] ...................................................... AC 220 V/50 Hz

[General model] ........................ AC 110/120/220/240 V, 50/60 Hz

• Power Consumption ..................................... approx. 300 W/360 VA

Standby Mode ......................................................... approx. 1.5 W

• AC Outlets (Total 100 W/1A maximum) ................ 2 (SWITCHED)

[Australia model] .................................................. 1 (SWITCHED)

• Dimension (W x H x D)

............................ 435 x 171 x 432 mm (17-1/8” x 6-3/4” x 17”)

• Weight ......................................................................... 15 kg (33 lbs)

• Accessories .............................................................. Remote Control

....................................................................................... Batteries

......................................................................... AM loop antenna

...................................................................... Indoor FM antenna

................................................................. Quick Reference Card

*Specifications are subject to change without notice.

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.

YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA

YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY

YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE

YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND

YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN

YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Printed in Malaysia ID

V624950-2

OWNER’S MANUAL

HTR-5280

Natural Sound AV Receiver

U A

0100HTR5280(UA)-cv1/4 10/3/0, 9:15 AM1

u/d

Numeric buttons (MD/CD-R)

Quick Reference Card

TAPE/MD (CD-R)

AMP/TUN

DSP/TUN

INPUT

p Play

r Rec/Pause

(tape/MD)

DSP

b DIR A (tape)

Skip – (MD/CD-R)

w Rewind (tape)

Search (MD/CD-R)

Numeric buttons

p Play

DISC SKIP –/+

DSP

b Skip –

w Search

INDEX

INPUT

+10

DISPLAY

e Pause

a Skip +

s Stop

f Search

AV POWER

PRESET –/+

DSP

A/B/C/D/E

j / i

Input

selector

buttons

DSP

program

group

buttons

EFFECT

INPUT

DSP

program

group

buttons

EFFECT

6.1/ES

INPUT

SET MENU

STANDBY

TEST

Input

selector

buttons

LEVEL

ON SCREEN

TV POWER

TV VOLUME

TV INPUT

POWER

VOLUME +/–

SLEEP

MUTE

V624990-1

+10 (MD/CD-R)

Deck A/B (tape)

DISPLAY (MD/CD-R)

e Pause (MD/CD-R)

a DIR B (tape)

Skip + (MD/CD-R)

s Stop

f Fast

forward (tape)

Search (MD/CD-R)

AV POWER

INDEX (CD-R)



A/B/C/D/E

Quick Reference Card

Press this button twice to start recording.

Appuyer deux fois sur cette touche pour commencer l’enregistrement.

Drücken Sie diese Taste zweimal, um die Aufnahme zu starten.

Tryck två gånger på den här knappen för att börja spela in.

V624990-1

*1 Premere due volte questo tasto per iniziare la registrazione.

Presione dos veces este botón para empezar a grabar.

Druk tweemaal op deze toets om met opnemen te beginnen.

DISC SKIP –/+ (DVD)

DSP

DVD/LD DVD MENU

CBL/SAT

VCR

INDEX/Time (DVD)

Chapter/Time (LD)

INPUT

Numeric buttons

Numeric

buttons

Numeric

buttons

+10

DISPLAY

e Pause

a Skip + (DVD)

Skip/Chapter + (LD)

s Stop

f Search

AV POWER

Numeric

buttons

AV POWER

Numeric buttons

AV POWER

p Play

b Skip – (DVD)

Skip/Chapter – (LD)

w Search

DISC SKIP –/+

Return

DSP

INDEX

+10

INPUT

DISPLAY

Menu up

Menu right

Menu down

Menu select

Menu left

TITLE

Ch enter/

Recall

INPUT

DISPLAY

_/_ _

e Pause

s Stop

f Fast

forward

p Play

w Rewind

TV INPUT

TV VOL +/–

POWER

CH –/+

DSP

Ch enter/

Recall

_/_ _

INPUT

DISPLAY

VCR pause

VCR stop

VCR fast

forward

VCR power

TV SLEEP

TV MUTE

VCR play

VCR REC

VCR rewind

CH –/+

DSP

VCR REC

CH –/+

DSP

Ch enter

INPUT

_/_ _

DISPLAY/

Guide

(SAT)

Menu up

right

down

select

Menu left

Recall

A/B/C/D/E

Yamaha HTR-5280, HTR-5280 - AV Receiver - 5.1 Channel Manual de usuario

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