Yamaha HTR-5460 Manual de usuario

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.

YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA

YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY

YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE

YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND

YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN

YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Printed in Malaysia ID

V722760

RX-V620

Natural Sound AV Receiver

Ampli-tuner audio-vidéo

U C A

OWNER’S MANUAL

MODE D’EMPLOI

0100V620(UCA)-cv1/4 1/16/1, 11:06 AM1

SAFETY INSTRUCTIONS

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION

• Explanation of Graphical Symbols

The lightning flash with arrowhead symbol,

within an equilateral triangle, is intended to alert

you to the presence of uninsulated “dangerous

voltage” within the product’s enclosure that may

be of sufficient magnitude to constitute a risk of

electric shock to persons.

The exclamation point within an equilateral

triangle is intended to alert you to the presence of

important operating and maintenance (servicing)

instructions in the literature accompanying the

appliance.

1 Read Instructions – All the safety and operating instructions

should be read before the unit is operated.

2 Retain Instructions – The safety and operating instructions

should be retained for future reference.

3 Heed Warnings – All warnings on the unit and in the operating

instructions should be adhered to.

4 Follow Instructions – All operating and other instructions

should be followed.

5 Water and Moisture – The unit should not be used near

water – for example, near a bathtub, washbowl, kitchen

sink, laundry tub, in a wet basement, or near a swimming

pool, etc.

6 Carts and Stands – The unit should be used only with a cart

or stand that is recommended by the manufacturer.

6A A unit and cart combination should be

moved with care. Quick stops, excessive

force, and uneven surfaces may cause the

unit and cart combination to overturn.

7 Wall or Ceiling Mounting – The unit

should be mounted to a wall or ceiling only as

recommended by the manufacturer.

8 Ventilation – The unit should be situated so that its location

or position does not interfere with its proper ventilation. For

example, the unit should not be situated on a bed, sofa, rug,

or similar surface, that may block the ventilation openings; or

placed in a built-in installation, such as a bookcase or cabinet

that may impede the flow of air through the ventilation

openings.

9 Heat – The unit should be situated away from heat sources

such as radiators, stoves, or other appliances that produce

heat.

10 Power Sources – The unit should be connected to a power

supply only of the type described in the operating instructions or

as marked on the unit.

11 Power-Cord Protection – Power-supply cords should be

routed so that they are not likely to be walked on or pinched

by items placed upon or against them, paying particular

attention to cords at plugs, convenience receptacles, and the

point where they exit from the unit.

12 Cleaning – The unit should be cleaned only as

recommended by the manufacturer.

13 Nonuse Periods – The power cord of the unit should be

unplugged from the outlet when left unused for a long

period of time.

14 Object and Liquid Entry – Care should be taken so that

objects do not fall into and liquids are not spilled into the

inside of the unit.

15 Damage Requiring Service – The unit should be serviced by

qualified service personnel when:

A. The power-supply cord or the plug has been damaged;

B. Objects have fallen, or liquid has been spilled into the

unit; or

C. The unit has been exposed to rain; or

D. The unit does not appear to operate normally or

exhibits a marked change in performance; or

E. The unit has been dropped, or the cabinet damaged.

16 Servicing – The user should not attempt to service the unit

beyond those means described in the operating instructions.

All other servicing should be referred to qualified service

personnel.

17 Power Lines – An outdoor antenna should be located away

from power lines.

18 Grounding or Polarization – Precautions should be taken so

that the grounding or polarization is not defeated.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.

I CAUTION

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III

EnglishINTRODUCTION PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

III

SAFETY INSTRUCTIONS

1. IMPORTANT NOTICE : DO NOT MODIFY THIS

UNIT!

This product, when installed as indicated in the

instructions contained in this manual, meets FCC

requirements. Modifications not expressly approved

by Yamaha may void your authority, granted by the

FCC, to use the product.

2. IMPORTANT : When connecting this product to

accessories and/or another product use only high

quality shielded cables. Cable/s supplied with this

product MUST be used. Follow all installation

instructions. Failure to follow instructions could void

your FCC authorization to use this product in the USA.

3. NOTE : This product has been tested and found to

comply with the requirements listed in FCC

Regulations, Part 15 for Class “B” digital devices.

Compliance with these requirements provides a

reasonable level of assurance that your use of this

product in a residential environment will not result in

harmful interference with other electronic devices.

This equipment generates/uses radio frequencies and,

if not installed and used according to the instructions

found in the users manual, may cause interference

harmful to the operation of other electronic devices.

Compliance with FCC regulations does not guarantee

that interference will not occur in all installations. If

this product is found to be the source of interference,

which can be determined by turning the unit “OFF” and

“ON”, please try to eliminate the problem by using one

of the following measures:

Relocate either this product or the device that is being

affected by the interference.

Utilize power outlets that are on different branch (circuit

breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient

the antenna. If the antenna lead-in is 300 ohm ribbon

lead, change the lead-in to coaxial type cable.

If these corrective measures do not produce satisfactory

results, please contact the local retailer authorized to

distribute this type of product. If you can not locate the

appropriate retailer, please contact Yamaha Electronics

Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA

90620.

The above statements apply ONLY to those products

distributed by Yamaha Corporation of America or its

subsidiaries.

We Want You Listening For A Lifetime

YAMAHA and the Electronic Industries Association’s Consumer

Electronics Group want you to get the most out of your equipment

by playing it at a safe level. One that lets the sound come through

loud and clear without annoying blaring or distortion – and, most

importantly, without affecting your sensitive hearing.

19 For US customers only:

Outdoor Antenna Grounding – If an outside antenna is

connected to this unit, be sure the antenna system is

grounded so as to provide some protection against voltage

surges and built-up static charges. Article 810 of the

National Electrical Code, ANSI/NFPA 70, provides

information with regard to proper grounding of the mast

and supporting structure, grounding of the lead-in wire to

an antenna discharge unit, size of grounding conductors,

location of antenna discharge unit, connection to grounding

electrodes, and requirements for the grounding electrode.

EXAMPLE OF ANTENNA GROUNDING

MAST

GROUND

CLAMP

ANTENNA

LEAD IN

WIRE

ANTENNA

DISCHARGE UNIT

(NEC SECTION 810–20)

GROUNDING CONDUCTORS

(NEC SECTION 810–21)

GROUND CLAMPS

POWER SERVICE GROUNDING

ELECTRODE SYSTEM

(NEC ART 250. PART H)

ELECTRIC

SERVICE

EQUIPMENT

NEC

– NATIONAL ELECTRICAL CODE

FCC INFORMATION (for US customers only)

Since hearing damage from loud sounds is often

undetectable until it is too late, YAMAHA and the

Electronic Industries Association’s Consumer

Electronics Group recommend you to avoid

prolonged exposure from excessive volume levels.

Note to CATV system installer:

This reminder is provided to call the CATV system

installer’s attention to Article 820-40 of the NEC that

provides guidelines for proper grounding and, in

particular, specifies that the cable ground shall be

connected to the grounding system of the building, as

close to the point of cable entry as practical.

CAUTION II

0101V620(UCA)_Cau_EN 1/16/1, 10:07 AM3

1 To assure the finest performance, please read this

manual carefully. Keep it in a safe place for future

reference.

2 Install this unit in a well ventilated, cool, dry, clean

place with at least 30 cm on the top, 20 cm on the

right and left, and 10 cm at the back of this unit for

ventilation space — away from direct sunlight, heat

sources, vibration, dust, moisture, and/or cold.

3 Locate this unit away from other electrical

appliances, motors, or transformers to avoid

humming sounds. To prevent fire or electrical

shock, do not place this unit where it may get

exposed to rain, water, and/or any type of liquid.

4 Do not expose this unit to sudden temperature

changes from cold to hot, and do not locate this

unit in a environment with high humidity (i.e. a room

with a humidifier) to prevent condensation inside

this unit, which may cause an electrical shock, fire,

damage to this unit, and/or personal injury.

5 On the top of this unit, do not place:

– Other components, as they may cause damage

and/or discoloration on the surface of this unit.

– Burning objects (i.e. candles), as they may cause

fire, damage to this unit, and/or personal injury.

– Containers with liquid in them, as they may

cause electrical shock to the user and/or damage

to this unit.

6 Do not cover this unit with a newspaper, tablecloth,

curtain, etc. in order not to obstruct heat radiation.

If the temperature inside this unit rises, it may

cause fire, damage to this unit, and/or personal

injury.

7 Do not plug in this unit to a wall outlet until all

connections are complete.

8 Do not operate this unit upside-down. It may

overheat, possibly causing damage.

9 Do not use force on switches, knobs and/or cords.

10 When disconnecting the power cord from the wall

outlet, grasp the plug; do not pull the cord.

11 Do not clean this unit with chemical solvents; this

might damage the finish. Use a clean, dry cloth.

12 Only voltage specified on this unit must be used.

Using this unit with a higher voltage than specified

is dangerous and may cause fire, damage to this

unit, and/or personal injury. YAMAHA will not be

held responsible for any damage resulting from use

of this unit with a voltage other than specified.

13 To prevent damage by lightning, disconnect the

power cord from the wall outlet during an electrical

storm.

14 Take care of this unit so that no foreign objects and/

or liquid drops inside this unit.

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.

15 Do not attempt to modify or fix this unit. Contact

qualified YAMAHA service personnel when any

service is needed. The cabinet should never be

opened for any reasons.

16 When not planning to use this unit for long periods

of time (i.e. vacation), disconnect the AC power plug

from the wall outlet.

17 Be sure to read the “TROUBLESHOOTING” section

on common operating errors before concluding that

this unit is faulty.

18 Before moving this unit, press STANDBY/ON to set

this unit in the standby mode, and disconnect the

AC power plug from the wall outlet.

19 VOLTAGE SELECTOR (China and General models

only)

The VOLTAGE SELECTOR on the rear panel of this

unit must be set for your local main voltage

BEFORE plugging into the AC main supply.

Voltages are 110/120/220/240 V AC, 50/60 Hz.

This unit is not disconnected from the AC power

source as long as it is connected to the wall outlet,

even if this unit itself is turned off. This state is called

the standby mode. In this state, this unit is designed to

consume a very small quantity of power.

FREQUENCY STEP switch

(China and General models only)

Because the interstation frequency spacing differs in

different areas, set the FREQUENCY STEP switch

(locating at the rear) according to the frequency

spacing in your area.

North, Central and South America: 100 kHz/10 kHz

Other area: 50 kHz/9 kHz

Before setting this switch, disconnect the AC power

plug of this unit from the AC outlet.

IMPORTANT

Please record the serial number of this unit in the

space below.

MODEL:

Serial No.:

The serial number is located on the rear of the unit.

Retain this Owner’s Manual in a safe place for future

reference.

FOR CANADIAN CUSTOMERS

To prevent electric shock, match wide blade of plug to

wide slot and fully insert.

This Class B digital apparatus complies with Canadian

ICES-003.

III CAUTION

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EnglishINTRODUCTION PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

INTRODUCTION

CONTENTS

INTRODUCTION

FEATURES............................................................ 2

GETTING STARTED........................................... 3

Checking the Package Contents ............................... 3

Installing Batteries in the Remote Control ............... 3

CONTROLS AND FUNCTIONS ........................ 4

Front Panel ............................................................... 4

Remote Control ........................................................ 6

Description of the Numeric Buttons ........................ 7

Using the Remote Control........................................ 8

Front Panel Display .................................................. 9

Rear Panel .............................................................. 10

PREPARATION

SPEAKER SETUP .............................................. 11

Speakers to Be Used............................................... 11

Speaker Placement ................................................. 11

CONNECTIONS ................................................. 12

Before Connecting Components ............................ 12

Connecting Audio Components ............................. 12

Connecting an External Decoder ........................... 13

Connecting Video Components .............................. 14

Connecting the Speakers ........................................ 16

IMPEDANCE SELECTOR Switch ....................... 18

Connecting the Power Supply Cords ..................... 18

ON-SCREEN DISPLAY (OSD) ......................... 19

OSD Modes ............................................................ 19

Selecting the OSD Mode........................................ 19

SPEAKER MODE SETTINGS ......................... 20

Summary of SPEAKER SET Items

1A through 1E .................................................... 20

ADJUSTING THE SPEAKER OUTPUT

LEVELS ........................................................... 21

Before You Begin ................................................... 21

Using the Test Tone (TEST DOLBY SUR.) .......... 21

BASIC OPERATION

BASIC PLAYBACK ........................................... 23

Input Modes and Indications .................................. 25

Selecting a Sound Field Program ........................... 27

Normal Stereo Reproduction.................................. 28

TUNING............................................................... 29

Connecting the Antennas........................................ 29

Automatic (or Manual) Tuning .............................. 30

Presetting Stations .................................................. 31

Tuning in to a Preset Station .................................. 32

Exchanging Preset Stations .................................... 33

BASIC RECORDING......................................... 34

ADVANCED OPERATION

SET MENU .......................................................... 35

Adjusting the Items on the SET MENU................. 35

1 SPEAKER SET (speaker mode settings)........... 36

2 L/R BALANCE (balance of the left and right

main speakers) ................................................... 38

3 HP TONE CTRL (headphone tone control) ....... 39

4 I/O ASSIGNMENT ............................................ 39

5 INPUT MODE (initial input mode) ................... 39

6 DOLBY D. SET (Dolby Digital set) .................. 40

7 DTS SET (DTS LFE level) ................................ 40

8 SP DELAY TIME............................................... 41

9 DISPLAY SET ................................................... 41

10MEMORY GUARD ........................................... 41

ADJUSTING THE LEVEL OF THE EFFECT

SPEAKERS...................................................... 42

SLEEP TIMER.................................................... 43

Setting the Sleep Timer .......................................... 43

Canceling the Sleep Timer ..................................... 43

REMOTE CONTROL FEATURES .................. 44

Selector Dial ........................................................... 44

Commonly Used Buttons in Any Position of the

Selector Dial....................................................... 45

Controlling the Components Connected

to This Unit ........................................................ 45

Button Names and Functions in Each Position ...... 46

Setting the Manufacturer Code .............................. 49

Returning to the Factory Setting ............................ 50

ADDITIONAL INFORMATION

SOUND FIELD PROGRAM ............................. 51

Hi-Fi DSP Programs............................................... 51

CINEMA DSP Programs ........................................ 51

SOUND FIELD PROGRAM PARAMETER

EDITING ......................................................... 54

What is a sound field? ............................................ 54

Sound Field Program Parameters ........................... 54

Changing Parameter Settings ................................. 55

Resetting a Parameter to the Factory-set Value ...... 55

Sound Field Parameter Descriptions ...................... 56

APPENDIX

TROUBLESHOOTING ..................................... 59

SPECIFICATIONS ............................................. 64

GLOSSARY ......................................................... 65

INDEX .................................................................. 67

0102V620(UCA)_1-10_EN 1/16/1, 11:19 AM1

FEATURES

Sophisticated AM/FM Tuner

◆ 40-Station Random Access Preset Tuning

◆ Automatic Preset Tuning

◆ Preset Station Shifting Capability (Preset

Editing)

Other Features

◆ 96-kHz/24-bit D/A Converter

◆ “SET MENU” which Provides You with

10 Items for Optimizing This Unit for Your

Audio/Video System

◆ Test Tone Generator for Easier Speaker Balance

Adjustment

◆ 6-Channel External Decoder Input for Other

Future Formats

◆ BASS EXTENSION Button for Reinforcing

Bass Response

◆ On Screen Display Function Helpful in

Controlling This Unit

◆ S Video Signal Input/Output Capability

◆ Component Video Input/Output Capability

◆ Optical and Coaxial Digital Audio Signal Jacks

◆ Sleep Timer

◆ Remote Control with Preset Manufacturer Codes

• y indicates a tip for your operation.

• Some operations can be performed by using either the buttons on the main unit or on the remote control. In cases

when the button names differ between the main unit and the remote control, the button name on the remote control

is given in parentheses in this manual.

Built-in 5-Channel Power Amplifier

◆ Minimum RMS Output Power

(0.06% THD, 20 Hz – 20 kHz)

[U.S.A. and Canada models]

Main: 100 W + 100 W (8 Ω)

Center: 100 W (8 Ω)

Rear: 100 W + 100 W (8 Ω)

[Australia, Singapore, China and General

models]

Main: 90 W + 90 W (8 Ω)

Center: 90 W (8 Ω)

Rear: 90 W + 90 W (8 Ω)

◆ Maximum Power (EIAJ)

(10% THD, 1 kHz)

[China and General models]

Main: 115 W + 115 W (8 Ω)

Center: 115 W (8 Ω)

Rear: 115 W + 115 W (8 Ω)

Multi-Mode Digital Sound Field

Processing

◆ DTS Decoder

◆ Dolby Pro Logic Decoder

◆ Dolby Digital Decoder

◆ Hi-Fi DSP

◆ CINEMA DSP: Combination of YAMAHA DSP

Technology and Dolby Pro Logic, Dolby Digital

or DTS

◆ Virtual CINEMA DSP

◆ SILENT CINEMA

Manufactured under license from Dolby Laboratories.

“Dolby”, “AC-3”, “Pro Logic” and the double-D symbol are

trademarks of Dolby Laboratories.

Manufactured under license from Digital Theater Systems, Inc.

US Pat. No. 5,451,942 and other world-wide patents issued and

pending. “DTS” and “DTS Digital Surround” are trademarks of

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EnglishINTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

Remote control

Installing Batteries in the Remote

Control

Insert the batteries in the correct direction by aligning the

+ and – marks on the batteries with the polarity markings

(+ and –) inside the battery compartment.

■ Notes on batteries

• Change the batteries periodically.

• Do not use old batteries together with new ones.

• Do not use different types of batteries (such as alkaline

and manganese batteries) together. Read the packaging

carefully as these different types of batteries may have

the same shape and color.

GETTING STARTED

Checking the Package Contents

Check your package to make sure it has the following items.

Batteries (4)

(AAA, R03, UM-4)

Indoor FM antenna

(U.S.A., Canada, China and

General models)

AM loop antenna

Quick Reference Card

■ Changing batteries

As the batteries lose power, the operating range of the

remote control decreases and the indicator does not flash

or its light becomes dim. When you notice any of these

conditions, change all of the batteries.

If the remote control is without batteries for more than

2 minutes, or if exhausted batteries remain in the

remote control, the contents of the memory may be

cleared. When the memory is cleared, insert new

batteries, set up the manufacturer code that may have

been cleared.

Note

• If the batteries have leaked, dispose of them immediately.

Avoid touching the leaked material or letting it come into

contact with clothing, etc. Clean the battery compartment

thoroughly before installing new batteries.

A/B/C/D/E

Quick Reference Card

(Australia and

Singapore models)

Connection guide

0102V620(UCA)_1-10_EN 1/16/1, 1:41 PM3

CONTROLS AND FUNCTIONS

Front Panel

1 STANDBY/ON

Turns on or sets this unit in the standby mode. When you

turn on this unit, you will hear a click and there will be a

4 to 5-second delay before this unit can reproduce sound.

Standby mode

In this mode, this unit consumes a small amount of

power to receive infrared-signals from the remote

control.

2 Remote control sensor

Receives signals from the remote control.

3 Front panel display

Shows information about the operational status of this

unit.

4 INPUT MODE

Selects the mode of input for sources that send two or

more types of signals to this unit (see page 25 for details).

You cannot control the input mode when you select 6CH

INPUT as the input source.

5 VOLUME

Controls the output level of all audio channels.

This does not affect the REC OUT level.

6 6CH INPUT

Selects the source connected to the 6CH INPUT jacks.

The source selected by pressing 6CH INPUT takes

priority over the source selected with INPUT l / h (or

the input selector buttons on the remote control).

7 BASS EXTENSION ON/OFF

When pushed in (ON), this feature boosts the bass

frequency of the left and right main speakers by +6 dB

(60 Hz) while maintaining overall tonal balance. This

boost is useful if you do not use a subwoofer.

However, this boost may not be noticeable if “1B MAIN

SP” on the SET MENU is set to SMALL and “1D LFE/

BASS OUT” is set to SWFR.

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

PRESET

/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

OFFONOFFON

STANDBY

/ON

DIGITAL

BASS

EXTENSION

–

SURROUND

DIGITAL

1 2

7 8

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BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONTROLS AND FUNCTIONS

8 BASS

Adjusts the low-frequency response for the left and right

main speakers.

Turn the control to the right to increase or to the left to

decrease the low-frequency response.

9 TREBLE

Adjusts the high-frequency response for the left and right

main speakers.

Turn the control to the right to increase or to the left to

decrease the high-frequency response.

Note

• If you increase or decrease the high-frequency or the low-

frequency sound to an extreme level, the tonal quality from the

center and rear speakers may not match that of the left and

right main speakers.

0 SPEAKERS A/B

When pushed in (ON), these buttons turn on the set of

main speakers connected to the A and/or B terminals on

the rear panel.

q EFFECT

Switches the effect speakers (center and rear) on and off.

If you turn off the output of these speakers by using

EFFECT, all Dolby Digital and DTS audio signals except

for the LFE channel are directed to the main left and right

channels.

When Dolby Digital or DTS signals are mixed, the left

and right main channel signal levels may not match.

w DSP PROGRAM

Switches the function of the multi jog knob for selecting

DSP program.

e PHONES jack

Outputs audio signals for private listening with

headphones. When you connect headphones, no signals

are output to the speakers.

r Multi jog knob

Selects the tuning frequency in the tuning mode.

Selects the preset station after pressing PRESET/

TUNING (EDIT) to display “ z ” in the tuning mode.

Selects the DSP program after pressing DSP PROGRAM.

t VIDEO AUX jacks

Inputs audio and video signals from a portable external

source such as a game console. To reproduce source

signals from these jacks, select V-AUX as the input

source.

y PRESET/TUNING (EDIT)

Switches the function of the multi jog knob between

selecting a preset station number and tuning.

This button is also used to exchange the assignment of

two preset stations with each other.

u FM/AM

Switches the reception band between FM and AM.

i MEMORY (MAN’L/AUTO FM)

Stores a station in the memory. Hold down this button for

more than 3 seconds to start automatic preset tuning (for

FM stations only).

o TUNING MODE (AUTO/MAN’L MONO)

Switches the tuning mode between automatic and manual.

To select the automatic tuning mode, press this button so

that the “AUTO” indicator lights up on the front panel

display again. To select the manual tuning mode, press

this button so that the “AUTO” indicator does not light

up.

p INPUT l / h

Selects the input source (CD, TUNER, MD/CD-R, DVD,

D-TV/CBL, VCR 1, PHONO, V-AUX, VCR 2/DVR) you

want to listen to or watch.

0102V620(UCA)_1-10_EN 1/16/1, 11:19 AM5

CONTROLS AND FUNCTIONS

A/B/C/D/E

TV INPUT

TV VOLUME

TV POWER

EFFECT

Remote Control

This section describes the basic operation of this unit with

the remote control. First, set the selector dial to the AMP/

TUN position. See “REMOTE CONTROL FEATURES”

for full details.

Select the

AMP/TUN

position.

1 DSP

Switches the function of the numeric buttons to the DSP

program selector.

2 Indicator window

Shows the name of components which can be controlled.

3 Numeric buttons (Input selector buttons)

These buttons select the input source.

See “Description of the Numeric Buttons” for the

numeric buttons.

4 6CH INPUT

Selects the source connected to the 6CH INPUT jacks.

5 TEST

Outputs the test tone.

6 ON SCREEN

Selects the on-screen display (OSD) mode for your video

monitor.

7 j / i (–/+)

Adjust DSP program parameters and SET MENU items.

–/+ is displayed on the on-screen display.

8 LEVEL

Selects the effect speaker channel (center, rear and

subwoofer) so you can adjust their output level

independently.

9 SLEEP

Sets the sleep timer.

0 INPUT

Switches the function of the numeric buttons to the input

selector.

q Indicator

Flashes while the remote control is sending signals.

w Selector dial

Turn this dial to select the position for the component to

be controlled. (The proper code must be set up for your

component. See “Setting the Manufacture Codes”.) When

a position is selected, the remote control is set to that

component operation mode.

e A/B/C/D/E, PRESET –/+

These buttons are used to select a preset station.

A/B/C/D/E: To select one of 5 preset station groups (A

to E)

PRESET –/+: To select a preset station number (1 to 8)

r u/d

Select DSP program parameters and SET MENU items.

t SET MENU

Enters the SET MENU.

y POWER

Turns on the power of this unit.

u STANDBY

Sets this unit in the standby mode.

0102V620(UCA)_1-10_EN 1/16/1, 11:19 AM6

EnglishINTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONTROLS AND FUNCTIONS

i VOLUME +/–

Increases or decreases the volume level.

o MUTE

Mutes the sound. Press again to restore the audio output

to the previous volume level.

EFFECT

Switches the effect speakers (center and rear) on and off

in the following cases:

• When the selector dial is set to the DSP/TUN position.

• While the indicator is lit for about 3 seconds after

pressing DSP.

Description of the Numeric

Buttons

The numeric buttons function in various ways depending

on the position of the selector dial or the combination of

other instructions.

■ When selecting an input source

Input selector

buttons

1 Press INPUT regardless of the position of

the selector dial.

The indicator lights up for about 3 seconds.

2 You can select an input source with the

numeric buttons and 6CH INPUT while the

indicator is lit.

■ When selecting a DSP program

and turning on or off the effect

speakers (center and rear)

DSP program

group buttons

1 Press DSP regardless of the position of the

selector dial.

The indicator lights up for about 3 seconds.

2 You can select a DSP program with the

numeric buttons and turn on or off the effect

speakers (center and rear) by pressing

EFFECT while the indicator is lit.

1 Set the selector dial to the DSP/TUN

position.

2 You can select a DSP program directly with

the numeric buttons and turn on or off the

effect speakers (center and rear) by pressing

EFFECT.

6CH INPUT

EFFECT

0102V620(UCA)_1-10_EN 1/16/1, 11:19 AM7

CONTROLS AND FUNCTIONS

■ When selecting a preset station

number

1 Set code number “0023” in the AMP/TUN (or

DSP/TUN) position.

See “Setting the Manufacturer Code” for setting the

code.

2 Set the selector dial to the AMP/TUN (or

DSP/TUN) position.

3 You can select a preset station number

directly with the numeric buttons (1 to 8).

See “Tuning in to a Preset Station”.

Using the Remote Control

The remote control transmits a directional infrared beam.

Be sure to aim the remote control directly at the remote

control sensor on the main unit during operation.

■ Handling the remote control

• Do not spill water or other liquids on the remote

control.

• Do not drop the remote control.

• Do not leave or store the remote control in the

following types of conditions:

–high humidity or temperature such as near a heater,

stove or bath;

–dusty places; or

–in places subject to extremely low temperatures.

DIGITAL

–

SURROUND

DIGITAL

30° 30°

Approximately 6 m (20 feet)

0102V620(UCA)_1-10_EN 1/16/1, 11:19 AM8

EnglishINTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONTROLS AND FUNCTIONS

Front Panel Display

1 t indicator

Lights up when the built-in DTS decoder is on.

2 VIRTUAL indicator

Lights up when using Virtual CINEMA DSP.

3 g and o indicators

Light up according to the type of Dolby signals this unit

is reproducing. “ g ” lights up when the built-

in Dolby Digital decoder is on. “ o ” lights up

when the built-in Dolby Pro Logic decoder is on.

4 Input source indicator

Shows the current input source with a cursor.

5 TUNED indicator

Lights up when this unit tunes in to a station.

6 STEREO indicator

Lights up when the unit is receiving a strong signal for an

FM stereo broadcast while the “AUTO” indicator is lit.

7 AUTO indicator

Shows that this unit is in the automatic tuning mode.

8 MEMORY indicator

Flashes to show a station can be stored.

9 x indicator

Lights up when you select a DSP program.

0 v indicator

Lights up when this unit is reproducing PCM (pulse code

modulation) digital audio signals.

q Headphones indicator

Lights up when headphones are connected.

w DSP program indicators

The name of the selected DSP program lights up when the

ENTERTAINMENT, MOVIE THEATER 1, MOVIE

THEATER 2 or q/DTS SURROUND DSP program is

selected.

e Multi-information display

Shows the current DSP program name and other

information when adjusting or changing settings.

r VOLUME level indicator

Indicates the volume level.

t SLEEP indicator

Lights up while the sleep timer is on.

PCM

DSP

DIGITAL

PRO LOGIC

VIRTUAL

DOLBY DIGITAL

PRO LOGIC DTS

MOVIE THEATER 1

ENTERTAINMENT

TUNED

STEREO AUTO

MEMORY

SLEEP

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

1 2

5 6

0 q

r t

0102V620(UCA)_1-10_EN 1/16/1, 11:19 AM9

CONTROLS AND FUNCTIONS

Rear Panel

1 DIGITAL OUTPUT jacks

2 DIGITAL INPUT jacks

3 GND terminal

See page 12 for connection information.

4 6CH INPUT jacks

See page 13 for connection information.

5 Antenna input terminals

See page 29 for connection information.

6 Video component jacks

See pages 14 and 15 for connection information.

7 Speaker terminals

See pages 16 and 17 for connection information.

8 AC power cord

Connect to a power outlet.

9 AC OUTLET(S)

Use these outlets to supply power to your other audio/

video components (see page 18).

0 Audio component jacks

See pages 12 and 13 for connection information.

q SUBWOOFER jack

See page 17 for connection information.

w IMPEDANCE SELECTOR switch

Use this switch to match the amplifier output to your

speaker impedance. Set this unit in the standby mode

before you change the setting of this switch (see page 18).

China and General models only

FREQUENCY STEP switch

See page 29.

VOLTAGE SELECTOR

See page 18.

4 5

6 7

8 9

q w

SWITCHED

100W MAX.

TOTAL

SPEAKERS

MAIN

+ –

R L

– +

CENTER

+ –

REAR

(SURROUND)

+ ––+

DVD

MONITOR

OUT

D-TV/CBL

YPB/CB PR/CR COMPONENT VIDEO

S VIDEO

VIDEO

MONITOR OUT

DVD

D-TV/CBL

VCR 1

OUT IN

VCR 2

/DVR

OUT

VIDEO SIGNAL

AUDIO SIGNAL

SUB

WOOFER

OUTPUT

VCR 1

OUT IN

VCR 2/DVR

OUT

OUT(REC)

IN(PLAY)

PHONO

MD/CD-R

DIGITAL

OUTPUT

OPTICAL

COAXIAL

AM ANT GND

FM ANT

UNBAL.

TUNER

GND

MAIN

CENTER

SUB WOOFER

SURROUND

DIGITAL

INPUT

6CH INPUT

AC OUTLETS

IMPEDANCE SELECTOR

SET BEFORE POWER ON

MAIN A OR B: 4

MIN. /SPEAKER

B: 8

MIN. /SPEAKER

CENTER

: 6

MIN. /SPEAKER

REAR

: 6

MIN. /SPEAKER

MAIN A OR B: 8

MIN. /SPEAKER

CENTER

: 8

MIN. /SPEAKER

REAR

: 8

MIN. /SPEAKER

(U.S.A. model)

0102V620(UCA)_1-10_EN 1/16/1, 11:19 AM10

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SPEAKER SETUP

Speakers to Be Used

This unit has been designed to provide the best sound-

field quality with a 5-speaker system, using left and right

main speakers, left and right rear speakers, and a center

speaker. If you use different brands of speakers (with

different tonal qualities) in your system, the tone of a

moving human voice and other types of sound may not

shift smoothly. We recommend that you use speakers

from the same manufacturer to ensure even tonal quality.

The main speakers are used for the main source sound

plus the effect sounds. They will probably be the speakers

from your present stereo system. The rear speakers are

used for the effect and surround sounds, and the center

speaker is for the center sounds (dialog, vocals, etc.). If

for some reason it is not practical to use a center speaker,

you can do without it. Best results, however, are obtained

with the full system.

The main speakers should be high-performance models

and have enough power-handling capacity to accept the

maximum output of your audio system. The other

speakers do not have to be equal to the main speakers.

For precise sound localization, however, it is ideal to use

high-performance models that can reproduce sounds over

the full range for the center speaker and the rear speakers.

■ Use of a subwoofer expands your

sound field

It is also possible to further expand your system with the

addition of a subwoofer. The use of a subwoofer is

effective not only for reinforcing bass frequencies from

any or all channels, but also for reproducing the LFE

(low-frequency effect) channel with high fidelity when

the Dolby Digital signal or the DTS signal is played back.

The YAMAHA Active Servo Processing Subwoofer

System is ideal for natural and lively bass reproduction.

Speaker Placement

Refer to the following diagram when you place the

speakers.

Main

speaker (L)

Center speaker

Main speaker (R)

Rear speaker (R)

Rear speaker (L)

1.8 m

■ Main speakers

Place the left and right main speakers an equal distance

from the ideal listening position. The distance of each

speaker from each side of the video monitor should be the

same.

■ Rear speakers

Place these speakers behind your listening position,

facing slightly inwards, nearly 1.8 m (approx. 6 feet)

above the floor.

■ Center speaker

Align the front face of the center speaker with the front

face of your video monitor. Place the speaker as close to

the monitor as possible, such as directly over or under the

monitor and centrally between the main speakers.

Note

• If the center speaker is not used, the center channel sound will

be heard from the left and right main speakers. In this case,

“1A CENTER SP” on the SET MENU is set to NONE.

■ Subwoofer

The position of the subwoofer is not so critical, because

low bass sounds are not highly directional. But it is better

to place the subwoofer near the main speakers. Turn it

slightly toward the center of the room to reduce the wall

reflections.

CAUTION

Please use magnetically shielded speakers. Sometimes

a video monitor may be adversely affected even when

magnetically shielded speakers are used. Separate the

speakers from the monitor if this happens.

PREPARATION

Subwoofer

0103V620(UCA)_11-17_EN 1/16/1, 11:19 AM11

CONNECTIONS

Before Connecting Components

CAUTION

Never connect this unit and other components to mains power until all connections between components have been

completed.

• Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some

components require different connection methods and have different jack names. Refer to the operation instructions

for each component to be connected to this unit.

• When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or

changer), connect them to the jack with the same number labels as !, #, $ etc.

• After you have completed all connections, check them again to make sure they are correct.

Connecting Audio Components

■ Connecting to digital jacks

This unit has digital jacks for direct transmission of

digital signals through either coaxial or fiber optic cables.

You can use the digital jacks to input PCM, Dolby Digital

and DTS bitstreams. When you connect components to

both the COAXIAL and OPTICAL jacks, priority is given

to the input signals from the COAXIAL jack. All digital

input jacks are acceptable for 96-kHz sampling digital

signals.

• You can designate the input for each digital jack according to

your component by using “4 I/O ASSIGNMENT” on the SET

MENU.

About the dust protection cap

Pull out the cap from the optical jack

before you connect the fiber optic cable.

Do not discard the cap. When you are not

using the optical jack, be sure to put the

cap back in place. This cap protects the

jack from dust.

Note

• The OPTICAL jacks on this unit conform to the EIA standard.

If you use a fiber optic cable that does not conform to this

standard, this unit may not function properly.

■ Connecting a turntable

PHONO jacks are for connecting a turntable with an MM

or high-output MC cartridge. If you have a turntable with

a low-output MC cartridge, use an inline boosting

transformer or MC-head amplifier when connecting to

these jacks.

• The GND terminal does not electrically ground the turntable. It

simply reduces noise in the signal. In some cases, you may

hear less noise if you do not connect to the GND terminal.

■ Connecting a CD player

• The COAXIAL jack is available for a CD player which has a

coaxial digital output jack.

• When you connect a CD player to both the analog and digital

jacks, priority is given to the input signals from the digital jack.

■ Connecting an MD recorder, CD

recorder or tape deck

• When you connect your recording component to both the

analog and digital input and output jacks, the priority is given

to the digital signal.

Notes

• When you connect a recording component to this unit, keep its

power on while using this unit. If the power is off, this unit

may distort the sound from other components.

• Since digital output and analog output (REC OUT) are

independent of each other, the analog signal is output only to

the analog jack, while the digital signal is output only to the

digital jack.

0103V620(UCA)_11-17_EN 1/16/1, 11:19 AM12

EnglishINTRODUCTION PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONNECTIONS

DVD

MONITOR

OUT

D-TV/CBL

COMPONENT VIDEO

S VIDEO

VIDEO

MONITOR OUT

DVD

D-TV/CBL

VCR 1

OUT IN

VCR 2

/DVR

OUT

VIDEO SIGNAL

AUDIO SIGNAL

SUB

WOOFER

OUTPUT

VCR 1

OUT IN

VCR 2/DVR

OUT

OUT(REC)

IN(PLAY)

PHONO

MD/CD-R

DIGITAL

OUTPUT

OPTICAL

COAXIAL

AM ANT GND

FM ANT

UNBAL.

TUNER

GND

MAIN

CENTER

SUB WOOFER

SURROUND

DIGITAL

INPUT

6CH INPUT

L R

OUTPUT

GND

OUTPUT

COAXIAL

OUTPUT

SUBWOOFER

OUTPUT

CENTER

OUTPUT

MAIN

OUTPUT

SURROUND

OUTPUT

INPUT OUTPUT

OPTICAL

OUTPUT

OPTICAL

INPUT

MD recorder

or CD recorder

indicates signal direction

indicates coaxial cables

CD player

Turntable

External decoder

indicates left analog cables

indicates right analog cables

indicates optical cables

(U.S.A. model)

Connecting an External Decoder

This unit is equipped with 6 additional input jacks (left

and right MAIN, CENTER, left and right SURROUND

and SUBWOOFER) for discrete multi-channel input from

an external decoder, sound processor or pre-amplifier.

Connect the output jacks on your external decoder to the

6CH INPUT jacks. Be sure to match the left and right

outputs to the left and right input jacks for the main and

surround channels.

Notes

• When you select 6CH INPUT as the input source, this unit

automatically turns off the digital sound field processor, and

you cannot listen to DSP programs.

• When you select 6CH INPUT as the input source, changing

items 1A to 1E on the SET MENU is not affected.

0103V620(UCA)_11-17_EN 1/16/1, 11:19 AM13

CONNECTIONS

YPB/CB PR/CR

Connecting Video Components

■ About the video jacks

There are three types of video jacks. Video signals input through the VIDEO jacks are the conventional composit video

signals. Video signals input through the S VIDEO jacks are separated into luminance (Y) and color (C) video signals.

The S-video signals achieve high-quality color reproduction. Video signals input through the COMPONENT VIDEO

jacks are separated into luminance (Y) and color difference (P

, P

) video signals. The jacks are also separated

into three for each signal. The description of the component video jacks may be different depending on the component

(e.g. Y, C

, C

/Y, P

, P

/Y, B-Y, R-Y etc.). Component video signals provide the best quality in picture reproduction.

If your video component has an S-video output or component video output, you can connect it to this unit. Connect the

S-video signal output jack on your video component to the S VIDEO jack or connect the component signal output jacks

on your video component to the COMPONENT VIDEO jacks.

VIDEO jack (composite)

S VIDEO jack

COMPONENT VIDEO jacks

• Each type of video jack works independently. Signals input

through the composite video, S-video and component jacks are

output through the corresponding composite video, S-video,

and component jacks, respectively.

• If you make S-video connections to this unit, it is not necessary

to make composite video connections. If both types of

connections are made, this unit gives priority to the S-video

signal.

• You can designate the input for the COMPONENT VIDEO A

and B jacks according to your component by using “4 I/O

ASSIGNMENT” on the SET MENU.

Notes

• Use a commercially available S-video cable when connecting to the S VIDEO jack, and commercially available video cables when

connecting to the COMPONENT VIDEO jacks.

• When you are using the COMPONENT VIDEO jacks, check the details in the owner’s manual that came with the component being

connected.

■ VIDEO AUX jacks (on the front panel)

These jacks are used to connect any video input source

such as a game console to this unit.

AUDIO OUT R

AUDIO OUT L

VIDEO OUT

OPTICAL OUT

S VIDEO OUT

VIDEO AUX

S VIDEO VIDEO L AUDIO R OPTICAL

Game console

0103V620(UCA)_11-17_EN 1/16/1, 11:19 AM14

EnglishINTRODUCTION PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONNECTIONS

DVD

MONITOR

OUT

D-TV/CBL

YPB/CB PR/CR COMPONENT VIDEO

S VIDEO

VIDEO

MONITOR OUT

DVD

D-TV/CBL

VCR 1

OUT IN

VCR 2

/DVR

OUT

VIDEO SIGNAL

AUDIO SIGNAL

SUB

WOOFER

OUTPUT

VCR 1

OUT IN

VCR 2/DVR

OUT

OUT(REC)

IN(PLAY)

PHONO

MD/CD-R

DIGITAL

OUTPUT

OPTICAL

COAXIAL

AM ANT GND

FM ANT

UNBAL.

TUNER

GND

MAIN

CENTER

SUB WOOFER

SURROUND

DIGITAL

INPUT

6CH INPUT

S VIDEO

INPUT

S VIDEO

OUTPUT

OPTICAL

OUTPUT

VIDEO

OUTPUT

COMPONENT

OUTPUT

AUDIO OUTPUTAUDIO OUTPUT VIDEO INPUT

VIDEO

OUTPUT

AUDIO

INPUT

OPTICAL

OUTPUT

S VIDEO

OUTPUT

AUDIO

OUTPUT

VIDEO

OUTPUT

COMPONENT

OUTPUT

S VIDEO

INPUT

VIDEO

INPUT

COMPONENT

INPUT

S VIDEO

OUTPUT

DVD player

TV/digital TV or

cable TV/satellite

tuner

VCR 1 or VCR 2/

DVR (digital video

recorder)

(U.S.A. model)

indicates signal direction

indicates left analog cables

indicates right analog cables

indicates optical cables

indicates video cables

indicates S-video cables

Monitor

When using an LD player

Connect the LD player output to the DVD jack.

If the LD player has an OPTICAL digital output jack, connect it to this unit’s OPTICAL DVD jack. If it has analog

jacks, connect it to the analog DVD jacks. If it has an “RF OUTPUT jack” to output a Dolby Digital RF signal (AC-3),

use a commercially available RF demoduclator and connect it to the OPTICAL DVD jack.

If connecting a DVD player and an LD player, connect the LD player to the digital input jack (ex. D-TV/CBL) or the

analog input jack (D-TV/CBL, VCR 1 or VCR 2/DVR). For details on connections and operations, refer to the

instruction manual for the LD player.

Note that this unit’s remote control can be used to operate the LD player by setting the corresponding manufacturer

code for the DVD/LD position.

0103V620(UCA)_11-17_EN 1/17/1, 4:38 PM15

CONNECTIONS

Connecting the Speakers

Be sure to connect the left channel (L), right channel (R), “+” (red) and “–” (black) properly. If the connections are

faulty, no sound will be heard from the speakers, and if the polarity of the speaker connections is incorrect, the sound

will be unnatural and lack bass.

CAUTION

• Use speakers with the specified impedance shown on the rear panel of this unit.

• Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could

damage the unit and/or speakers.

If necessary, use the SET MENU to change the speaker mode settings according to the number and size of the speakers

in your configuration after you finish connecting your speakers.

■ Speaker cables

A speaker cord is actually a pair of insulated cables

running side by side. One of the cables is colored or

shaped differently, perhaps with a stripe, groove or ridge.

1 Remove approx. 10 mm (3/8”) of insulation

from each of the speaker cables.

2 Twist the exposed wires of the cable

together to prevent short circuits.

■ Connecting to the SPEAKERS terminals

1 Unscrew the knob.

2 Insert one bare wire into the hole in the side

of each terminal.

3 Tighten the knob to secure the wire.

Red: positive (+)

Black: negative (–)

■ MAIN SPEAKERS terminals

One or two speaker systems can be connected to these terminals. If you use only one speaker system, connect it to either

of the MAIN A or B terminals.

■ REAR SPEAKERS terminals

A rear speaker system can be connected to these terminals.

■ CENTER SPEAKER terminals

A center speaker can be connected to these terminals.

10 mm (3/8”)

(U.S.A., Canada, Australia, China and General models only)

• Banana plug connections are also possible. First, tighten the

knob and then insert the banana plug connector into the end of

the corresponding terminal.

Banana plug

0103V620(UCA)_11-17_EN 1/16/1, 11:19 AM16

EnglishINTRODUCTION PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

CONNECTIONS

SWITCHED

100W MAX.

TOTAL

SPEAKERS

MAIN

–

R L

–

CENTER

–

REAR

(SURROUND)

––

ITOR

/CBL

OMPONENT VIDEO

S VIDEO

VIDEO

MONITOR OUT

SUB

WOOFER

OUTPUT

AC OUTLETS

IMPEDANCE SELECTOR

SET BEFORE POWER ON

MAIN A OR B: 4

MIN. /SPEAKER

B: 8

MIN. /SPEAKER

CENTER

: 6

MIN. /SPEAKER

REAR

: 6

MIN. /SPEAKER

MAIN A OR B: 8

MIN. /SPEAKER

CENTER

: 8

MIN. /SPEAKER

REAR

: 8

MIN. /SPEAKER

Main speakers A

Right Left

Main speakers B

Right

Left

(U.S.A. model)

Center speaker Rear speakers

Right Left

Subwoofer

system

■ SUBWOOFER jack

When using a subwoofer with built-in amplifier,

including the YAMAHA Active Servo Processing

Subwoofer System, connect the input jack of the

subwoofer system to this jack. Low bass signals

distributed from the main, center and/or rear channels are

directed to this jack. (The cut-off frequency of this jack is

90 Hz.) The LFE (low-frequency effect) signals generated

when Dolby Digital or DTS is decoded are also directed

if they are assigned to this jack.

Notes

• Adjust the subwoofer volume according to the operating

instructions for the subwoofer. (Fine adjustment is possible

using this unit’s output level control of the effect speakers.)

• Depending on the settings of “1 SPEAKER SET”, “6 DOLBY

D. SET” and “7 DTS SET” on the SET MENU, some signals

may not be output from the SUBWOOFER jack.

0103V620(UCA)_11-17_EN 1/16/1, 11:19 AM17

CONNECTIONS

IMPEDANCE SELECTOR

SET BEFORE POWER ON

MAIN A OR B: 4

MIN. /SPEAKER

B: 8

MIN. /SPEAKER

CENTER

: 6

MIN. /SPEAKER

REAR

: 6

MIN. /SPEAKER

MAIN A OR B: 8

MIN. /SPEAKER

CENTER

: 8

MIN. /SPEAKER

REAR

: 8

MIN. /SPEAKER

SWITCHED

100W MAX.

TOTAL

AC OUTLETS

VOLTAGE SELECTOR

IMPEDANCE SELECTOR Switch

WARNING

Do not change the IMPEDANCE SELECTOR switch setting while the power of this unit is on, otherwise the unit

may be damaged.

If this unit fails to turn on when STANDBY/ON (or POWER) is pressed, the IMPEDANCE SELECTOR switch may

not be fully slid to either position. If so, slide the switch to either position fully when this unit is in the standby

mode.

Select the left or right position according to the impedance of the speakers in your system. Be sure to move this switch

only when this unit is in the standby mode.

■ VOLTAGE SELECTOR (China and General models only)

The VOLTAGE SELECTOR on the rear panel of this unit must be set for your local main voltage BEFORE plugging

into the AC main supply. Voltages are 110/120/220/240 V AC, 50/60 Hz.

SWITCHED

100W MAX.

TOTAL

MAINS

AC OUTLETS

IMPEDANCE SELECTOR

SET BEFORE POWER ON

MAIN A OR B: 4

MIN. /SPEAKER

B: 8

MIN. /SPEAKER

CENTER

: 6

MIN. /SPEAKER

REAR

: 6

MIN. /SPEAKER

MAIN A OR B: 8

MIN. /SPEAKER

CENTER

: 8

MIN. /SPEAKER

REAR

: 8

MIN. /SPEAKER

(U.S.A. model)

(General model)

IMPEDANCE SELECTOR

To AC outlet

Connecting the Power Supply Cords

After completing all connections, connect the AC power cord to an AC power outlet. Disconnect the AC power cord if

you will not use this unit for a long period of time.

■ AC OUTLET(S) (SWITCHED)

U.S.A., Canada, Singapore, China and

General models ............................................2 OUTLETS

Australia model .............................................. 1 OUTLET

Use these outlets to connect the power cords only from

your audio/video components to this unit. The power to

the AC OUTLET(S) is controlled by this unit’s

STANDBY/ON (or POWER and STANDBY). These

outlets will supply power to any connected component

whenever this unit is turned on. The maximum power

(total power consumption of components) that can be

connected to the AC OUTLET(S) is 100 W.

The impedance of each speaker must be 8 Ω or higher.

SWITCHED

Switch

position

Speaker Impedance level

Main

If you use one set of main speakers, the impedance of

each speaker must be 4 Ω or higher.

If you use two sets of main speakers, the impedance of

each speaker must be 8 W or higher.

Center

The impedance must be 6 Ω or higher.

Rear

The impedance of each speaker must be 6 Ω or higher.

Right

Main

If you use one set of main speakers, the impedance of

each speaker must be 8 Ω or higher.

If you use two sets of main speakers, the impedance of

each speaker must be 16 W or higher.

[Canada model only]

The impedance of each speaker must be 8 W or higher.

Left

Center

The impedance must be 8 Ω or higher.

Rear

VOLTAGE SELECTOR

0104V620(UCA)_18-22_EN 1/16/1, 11:20 AM18

EnglishINTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

ON-SCREEN DISPLAY (OSD)

Full display Short display

You can display the operation information for this unit on

a video monitor. If you display the SET MENU and DSP

program parameter settings on a monitor, it is much easier

to see the available options and parameters than it is by

reading this information on the front panel display.

• If a video source is being reproduced, the OSD is

superimposed over the image.

• The OSD signal is not output to the REC OUT jack, and will

not be recorded with any video signal.

• You can set the OSD to turn on (blue background) or off when

a video source is not being reproduced (or the source

component is turned off) by using “9 DISPLAY SET” on the

SET MENU.

OSD Modes

You can change the amount of information the OSD

shows.

Full display

This mode always shows the DSP program parameter

settings on the video monitor.

Short display

This mode briefly shows the same contents as the front

panel display at the bottom of the screen and then

disappears.

Display off

This mode briefly shows the “DISPLAY OFF” message

at the bottom of the screen and then disappears.

Afterwards, no changes to operations appear on the

monitor except those of the ON SCREEN button.

P01 CONCERT HALL

INIT. DLY

45ms

ROOM SIZE 1.0

LIVENESS

P01 CONCERT HALL

• When you choose the full display mode, INPUT l / h,

VOLUME and some other types of operation information are

displayed at the bottom of the screen in the same format as that

for the front panel display.

• The SET MENU and test tone display appear regardless of the

OSD mode.

Selecting the OSD Mode

1 When you turn on the power, the video

monitor and front panel display show the

level of the main volume for a few seconds

and then switch to show the current DSP

program.

2 Press ON SCREEN on the remote control

repeatedly to change the display mode.

The OSD mode changes in the following order: full

display, short display, and display off.

Notes

• If you choose a video input source that has a component

connected to both the S VIDEO IN and composite VIDEO IN

jacks, and both the S VIDEO OUT and composite VIDEO

OUT jacks are connected to a video monitor, the video signal is

output to both the S VIDEO OUT and VIDEO OUT jacks.

However, the OSD is carried only on the S-video signal. If no

video signal is input, the OSD is carried on both the S-video

and composite video signals.

• If your video monitor is connected only to the COMPONENT

VIDEO jacks of this unit, the OSD is not shown. Make sure to

connect your video monitor to the COMPONENT VIDEO

jacks and either VIDEO or S VIDEO jacks if you want to see

the OSD.

• Playing back video software that has an anti-copy signal or

video signals with a lot of noise may produce unstable images.

0104V620(UCA)_18-22_EN 1/16/1, 11:20 AM19

SPEAKER MODE SETTINGS

This unit is equipped with a main amplifier capable of handling 5.1 channel. Although up to 6 speakers can be

connected, it is possible to select the speaker mode that gives the best sound field effect according to the number and

size of speakers being used.

Before use, please set the speaker mode setting using “1 SPEAKER SET” on the SET MENU described on page 36.

Summary of SPEAKER SET Items 1A through 1E

1A CENTER SP Selects the output mode according to whether or not a center speaker is

being used and its performance.

LRG/SML/NONE

1B MAIN SP

Item Description

Control value (default

setting indicated in bold)

Selects the output mode according to the performance of the main

speakers.

LARGE/SMALL

1C REAR L/R SP Selects the output mode according to whether or not rear L/R speakers

are being used and their performance.

LRG/SML/NONE

1D LFE/BASS OUT

Selects the speaker according to use for LFE signal output and low bass

signal.

SWFR/MAIN/BOTH

1E MAIN LEVEL

Selects the main speaker level.

Normal/–10 dB

0104V620(UCA)_18-22_EN 1/16/1, 11:20 AM20

EnglishINTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

ADJUSTING THE SPEAKER OUTPUT LEVELS

This section explains how to adjust the speaker output

levels by using the test tone generator. When this

adjustment is made, the output level heard at the listening

position will be the same from each speaker. This is

important for the best performance of the digital sound

field processor, the Dolby Pro Logic decoder, Dolby

Digital decoder and DTS decoder.

Note

• Since this unit cannot enter the test mode while headphones are

connected to this unit, be sure to unplug the headphones from

the PHONES jack when using the test tone.

Before You Begin

1 Press STANDBY/ON to

turn on the power. Turn on

the video monitor.

2 Press SPEAKERS A or B

to select the main

speakers to be used.

If you are using two sets of the

main speakers, press both A

and B.

3 Set BASS and TREBLE on the front panel to

the center position and set BASS

EXTENSION to OFF.

Using the Test Tone (TEST DOLBY

SUR.)

The adjustment of each speaker output level should be

made at your listening position with the remote control.

1 Set the selector dial to the

AMP/TUN (or DSP/TUN)

position.

2 Press TEST to output the test tone.

3 Adjust the volume so you can hear the test

tone.

The test tone is heard from the left main speaker,

center speaker, right main speaker, right rear speaker

and left rear speaker in order. The tone is produced

for 2.5 seconds each time.

BASS TREBLE

– + – +

LEFT SURROUND

(TEST L SUR.)

RIGHT SURROUND

(TEST R SUR.)

CENTER

(TEST CENTER)

RIGHT

(TEST RIGHT)

LEFT

(TEST LEFT)

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

PRESET

/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

OFF

ONOFFON

STANDBY

/ON

DIGITAL

BASS

EXTENSION

–

SURROUND

DIGITAL

A/B/C/D/E

2,6

OFFON

BASS

EXTENSION

Set to OFF.

STANDBY

/ON

SPEAKERS

OFF

0104V620(UCA)_18-22_EN 1/16/1, 11:20 AM21

ADJUSTING THE SPEAKER OUTPUT LEVELS

The state of the test tone output is also shown on the

monitor by an image of the audio listening room.

This is convenient for adjusting each speaker level.

• If “1A CENTER SP” on the SET MENU is set to NONE, the

center channel sound is automatically output from the left and

right main speakers.

Note

• If the test tone cannot be heard, turn down the volume, set the

unit in the standby mode and check the speaker connections.

4 Press LEVEL repeatedly

to select the speaker to be

adjusted.

• Once you press LEVEL, you can also select the speaker to be

adjusted by pressing d. (Pressing u changes the selection in

the reverse order.)

5 Press j / i repeatedly to

adjust the output level of

the currently selected

speaker so that it

becomes almost the same

as that of the main

speaker.

• While adjusting, the test tone is heard from the

selected speaker.

• Repeat steps 4 and 5 to adjust the output levels of

the center, left rear and right rear speakers.

6 When the adjustment is complete, press

TEST.

The test tone stops and the

current DSP program appears

on the front panel display and

on the video monitor.

Notes

• For details on adjusting the subwoofer speaker, see the effect

speaker level adjustment described on page 42.

• After adjusting with the test tone, it is possible to adjust the

speaker level to taste while listening to the playback of an

actual source when using the effect speaker level adjustment

described on page 42.

• You can increase the output levels of the effect speakers

(center, left rear and right rear) to +10 dB. If the output level of

these speakers is lower than that of the main speakers even

after you have increased the output level of these speakers up

to +10 dB, set “1E MAIN LEVEL” on the SET MENU to

–10 dB. This setting decreases the main speaker output level to

about one-third of the normal level. After you have set “1E

MAIN LEVEL” on the SET MENU to –10 dB, adjust the

levels for the center and rear speakers again.

TEST DOLBY SUR.

LEFT

0104V620(UCA)_18-22_EN 1/16/1, 11:20 AM22

EnglishINTRODUCTION PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

BASIC PLAYBACK

3 Press INPUT l / h repeatedly (or press one

of the input selector buttons) to select the

input source.

• The current input source is indicated on the front

panel display with a cursor.

• The current input source name and input mode

appear on the front panel display and on the video

monitor for a few seconds.

Front panel

Remote control

Selected input source

BASIC OPERATION

When using the remote control, set the selector dial to

the AMP/TUN position.

2 Press SPEAKERS A or B

to select the main

speakers to be used.

If you are using two sets of

main speakers, press both A

and B.

1 Press STANDBY/ON (or POWER) to turn on

the power. Turn on the video monitor.

The front panel display and the video monitor show

the level of the main volume for a few seconds and

then switch to show the current DSP program.

Select this: To reproduce the signal from

this component

INPUT

A/B/C/D/E

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

PRESET

/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

OFF

ONOFFON

DIGITAL

BASS

EXTENSION

– + – +

SURROUND

DIGITAL

STANDBY

/ON

Front panel

Remote controlFront panel

STANDBY

/ON

SPEAKERS

OFF

PHONO: Turntable

CD: CD player

TUNER: AM/FM tuner

MD/CD-R: MD recorder/CD recorder/tape deck

DVD: DVD player

D-TV/CBL: TV/digital TV or cable TV/satellite

tuner

VCR 1: Video cassette deck 1

VCR 2/DVR: Video cassette deck 2/digital

video recorder

V-AUX: Another audio/video component

(connected to the VIDEO AUX

jacks on the front panel)

0105V620(UCA)_23-28_EN 1/16/1, 11:14 AM23

BASIC PLAYBACK

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

PCM

To select a source connected to the 6CH INPUT

jacks

Press 6CH INPUT until “6CH INPUT” appears on the

front panel display and on the video monitor.

Notes

• If “6CH INPUT” is shown on the front panel display and on

the video monitor, no other source can be played. To select

another input source with INPUT l / h (or the input selector

buttons), press 6CH INPUT to turn off “6CH INPUT” from the

front panel display and the video monitor.

• If you want to enjoy an audio source connected to the 6CH

INPUT jacks together with a video source, first select the video

source and then press 6CH INPUT.

4 Start playback (or select a broadcast station)

on the source component.

Refer to the operation instructions for the

component.

5 Adjust the volume to the desired output

level.

Front panel

Note

• If the component connected to the VCR 1 OUT, VCR 2/DVR

OUT and MD/CD-R OUT jacks is turned off, the reproduced

sound may be distorted or the volume may be lowered. In these

cases, turn on the component.

6 Use the digital sound field processor.

See “Selecting a Sound Field Program”.

Front panel

Remote control

■ To mute the sound

Use this when you want to temporarily mute audio

output.

Press MUTE on the

remote control.

To restore the audio output to

the previous volume level,

press MUTE again.

• You can also cancel mute to press any operation buttons such as

VOLUME +/–.

• During muting, “MUTE ON” appears on the front panel

display and on the video monitor.

■ When you have finished using

this unit

Press STANDBY/ON (or STANDBY) to set

this unit in the standby mode.

■ Notes on the digital signal

The digital input jacks of this unit can also handle

96-kHz sampling digital signals. (To utilize this, use a

source that supports 96-kHz sampling digital signals and

set the player for digital output. Refer to the operation

instructions for the player.) Note the following when a

96-kHz sampling digital signal is input to this unit:

1. The following indication will appear on the front panel

display.

2. DSP programs cannot be selected. Sound will be

output as normal 2-channel stereo sound from only the

left and right main speakers.

Note

• If “1B MAIN SP” on the SET MENU is set to SMALL and

“1D LFE/BASS OUT” is set to SWFR, or “1D LFE/BASS

OUT” is set to BOTH, the sound is also output from the

subwoofer.

3. Adjustment of the speaker output level described on

page 42 cannot be made.

VOLUME

BASS TREBLE

– + – +

OFFON

BASS

EXTENSION

Front panel Remote control

DSP

PROGRAM

6CH INPUT

Front Panel

Remote control

If desired, use BASS, TREBLE and BASS

EXTENSION etc. These controls are only effective

for sound from the main speakers.

0105V620(UCA)_23-28_EN 1/16/1, 11:14 AM24

EnglishINTRODUCTION PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

BASIC PLAYBACK

INPUT MODE

■ BGV (background video) function

The BGV function allows you to combine a video image

from a video source with a sound from an audio source.

(For example, you can listen to classical music while you

are watching a video.)

Select a source from the video group and then select a

source from the audio group with the input selector

buttons on the remote control. The BGV function does

not work if you select the sources with INPUT l / h on

the front panel.

Input Modes and Indications

When using the remote control, set the selector dial to

the AMP/TUN position.

This unit comes with various input jacks. If your

component is connected to more than one type of input

jack, you can set the priority of the input signal.

Press INPUT MODE (or the input selector

button that you have pressed to select the

input source on the remote control)

repeatedly until the desired input mode is

shown on the front panel display and on the

video monitor.

Front panel

Remote control

Input mode

AUTO: In this mode, the input signal is

automatically selected in the

following order:

1) Dolby Digital or DTS signal

2) Digital (PCM) signal

3) Analog signal

DTS: In this mode, only the digital input

signal encoded with DTS is

selected even if another signal is

input at the same time.

ANLG (ANALOG): In this mode, only the analog input

signal is selected even if a digital

signal is input at the same time.

Notes

• If digital signals are input from both the COAXIAL and

OPTICAL jacks, the digital signal from the COAXIAL jack is

selected.

• When AUTO is selected, this unit automatically determines the

type of signal. If this unit detects a Dolby Digital or DTS

signal, the decoder automatically switches to the appropriate

setting and reproduces 5.1 channel source.

• The sound output may be interrupted for some LD players and

DVD players in the following situation:

When the input mode has been set to AUTO and a search is

performed while playing the source encoded with a Dolby

Digital or DTS signal, the sound may delay for a moment when

playback is resumed.

• Depending on the LD player, playback may not be made when

playing an LD that is not digitally recorded with the input

mode set to AUTO. If this happens, set the input mode to

ANALOG.

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

0105V620(UCA)_23-28_EN 1/16/1, 11:14 AM25

BASIC PLAYBACK

■ Notes on playing a source

encoded with a DTS signal

• If the digital output data of the player has been

processed in any way, you may not be able to

perform DTS decoding even if you make a digital

connection between this unit and the player.

• If you play a source encoded with a DTS signal and

set the input mode to ANALOG, this unit reproduces

the noise of an unprocessed DTS signal. When you

want to play a DTS source, be sure to connect the

source to a digital input jack and set the input mode

to AUTO or DTS.

• If you switch the input mode to ANALOG while

playing a source encoded with a DTS signal, this unit

reproduces no sound.

• The following phenomena may occur if the input

mode is set to AUTO when playing back source

encoded with a DTS.

– If you continue to play a source encoded with a DTS

signal this unit automatically switches to the “DTS-

decoding” mode to prevent noise from being

generated during subsequent operation. (The “t”

indicator lights up on the front panel display.) The

“t” indicator may flash immediately after

playback of a source encoded with a DTS signal has

finished. Only a source encoded with a DTS signal

can be played back while this indicator is flashing.

(The indicator will flash for less than a minute.) If

you want to play a normal PCM source soon, set the

input mode back to AUTO.

– The “t” indicator may flash when a search or

skip operation is performed. If this status continues

for a certain length of time, the unit will

automatically switch from the “DTS-decoding”

mode to PCM digital signal input mode and the

“t” indicator will go out.

0105V620(UCA)_23-28_EN 1/16/1, 11:14 AM26

EnglishINTRODUCTION PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

BASIC PLAYBACK

Selecting a Sound Field Program

You can enhance your listening experience by selecting a

DSP program. For details about each program, see

“SOUND FIELD PROGRAM”.

■ On the remote control

1 Press DSP.

The indicator lights up for

about 3 seconds.

A/B/C/D/E

• If the selector dial is set to the DSP/TUN position, skip this

step.

2 Use the numeric buttons to select the

desired program before the indicator goes

off.

• For example, to select the sub-program

“SPECTACLE”, press MOVIE THEATER 1

repeatedly.

• The name of the selected program appears on the

front panel display and on the video monitor.

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

PRESET

/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

OFF

ONOFFON

STANDBY

/ON

DIGITAL

BASS

EXTENSION

–

SURROUND

DIGITAL

DSP

DIGITAL

MOVIE THEATER 1

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

Program group

Program name (sub-program)

■ On the front panel

1 Press DSP PROGRAM.

2 Turn the multi jog knob to

select the program.

The name of the selected

program appears on the front

panel display and on the video

monitor.

Notes

• Choose a DSP program based on your listening preference, and

not on the name of the program. The acoustics of your listening

room affect the DSP program. Minimize the sound reflections

in your room to maximize the effect created by the program.

• When you select an input source, this unit automatically selects

the last DSP program used with that source.

• When you set this unit in the standby mode, the current source

and DSP program are memorized and are automatically

selected when you turn on the power again.

• If a Dolby Digital or DTS signal is input when the input mode

is set to AUTO, the DSP program automatically switches to the

appropriate decoding program.

• When a monaural source is being played with PRO LOGIC/

NORMAL or PRO LOGIC/ENHANCED, no sound will be

heard from the main speakers and the rear speakers. Sound can

only be heard from the center speaker. However, if “1A

CENTER SP” on the SET MENU is set to NONE, the center

channel sound is output from the main speakers.

• When a source connected to the 6CH INPUT jacks of this unit

is selected, the digital sound field processor cannot be used.

• When 96-kHz sampling digital signals are input to this unit, the

DSP program cannot be selected. In this case, the sound is

reproduced as normal 2-channel stereo.

DSP

PROGRAM

0105V620(UCA)_23-28_EN 1/16/1, 11:14 AM27

BASIC PLAYBACK

EFFECT

■ Virtual CINEMA DSP and SILENT

CINEMA

Virtual CINEMA DSP

Virtual CINEMA DSP allows you to enjoy the sound field

effects of the DSP program without rear speakers. Using

YAMAHA original technology, natural surround

reproduction is possible through the generation of a

virtual speaker.

The sound field processing is changed to the Virtual

CINEMA DSP mode by setting “1C REAR L/R SP” on

the SET MENU to NONE. Virtual CINEMA DSP is

performed by using the main speakers.

Note

• This unit is not set in the Virtual CINEMA DSP mode even if

“1C REAR L/R SP” is set to NONE in the following cases:

– when the 5CH STEREO, PRO LOGIC/NORMAL, DOLBY

DIGITAL/NORMAL or DTS/NORMAL program is selected;

– when the sound effect is turned off;

– when 6CH INPUT is selected as the input source;

– when 96-kHz sampling digital signals are input to this unit;

– when the Dolby Digital KARAOKE source is played;

– when using the test tone; or

– when connecting the headphones (you will hear SILENT

CINEMA).

SILENT CINEMA

SILENT CINEMA allows you to enjoy the realistic feel

of the DSP program while using headphones. This feature

delivers powerful surround reproduction just as if

listening through the speakers.

You can listen to SILENT CINEMA by connecting your

headphones to the PHONES jack while the effect

speakers are on.

Front panel

Remote control

• If the selector dial is set to a position other than the DSP/TUN

position, first press DSP and then EFFECT on the remote

control.

Notes

• If you turn off the sound effect, no sound is output from the

center and rear speakers.

• If you turn off the sound effect while a Dolby Digital or DTS

signal is being output, the dynamic range of the signal is

automatically compressed and the sounds of the center and rear

speaker channels are mixed and output from the main speakers.

• The volume may be greatly reduced when you turn off the

sound effect or if you set “6 D-RANGE” on the SET MENU to

MIN. In this case turn on the sound effect.

Normal Stereo Reproduction

Press EFFECT to turn off the sound effect

for normal stereo reproduction.

Press EFFECT again to turn the sound effect back

on.

0105V620(UCA)_23-28_EN 1/16/1, 11:14 AM28

EnglishINTRODUCTION PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

TUNING

Connecting the Antennas

Both AM and FM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal

strength.

Connect each antenna correctly to the designated terminals.

■ Connecting the indoor FM

antenna

Connect the included indoor FM antenna to the FM ANT

75Ω UNBAL. terminal.

Note

• Do not connect an outdoor FM antenna and the indoor FM

antenna at the same time.

Antenna stand

Indoor FM

antenna

(included)

AM loop

antenna

(included)

Ground (GND terminal)

For maximum safety and

minimum interference, connect

the antenna GND terminal to a

good earth ground. A good earth

ground is a metal stake driven

into moist earth.

AM ANT GND

FM ANT

UNBAL.

TUNER

FREQUENCY STEP switch (China and General

models only)

Because the interstation frequency spacing

differs in different areas, set the

FREQUENCY STEP switch (locating at

the rear) according to the frequency

spacing in your area.

North, Central and South America:

100 kHz/10 kHz

Other area: 50 kHz/9 kHz

Before setting this switch, disconnect the

AC power plug of this unit from the AC

outlet.

100

/10

FM/AM

FREQUENCY

STEP

■ Connecting the AM loop antenna

1 Press and hold the tab to unlock the terminal

hole.

2 Insert the AM loop antenna lead wires into

the AM ANT and GND terminals.

3 Release the tab to lock the lead wires.

Lightly pull the lead wires to confirm a good

connection.

4 Attach the loop antenna to the antenna

stand.

5 Orient the AM loop antenna so that the best

reception is obtained.

• The AM loop antenna can be removed from the stand and

attached to a wall, etc.

Notes

• The AM loop antenna should be placed away from this unit.

• The AM loop antenna should always be connected, even if an

outdoor AM antenna is connected to this unit.

A properly installed outdoor antenna provides clearer

reception than an indoor one. If you experience poor

reception quality, an outdoor antenna may improve the

quality. Consult the nearest authorized YAMAHA

dealer or service center about the outdoor antennas.

(U.S.A. model)

0106V620(UCA)_29-33_EN 1/16/1, 11:14 AM29

TUNING

• Use the manual tuning method if the tuning search does not

stop at the desired station because the signal is weak.

• When tuned in to a station, the “TUNED” indicator lights up

and the frequency of the received station is shown on the front

panel display.

If the signal from the station you want to select is weak,

you must tune in to it manually.

1 Press INPUT l / h to

select TUNER as the input

source.

2 Press FM/AM to select the reception band.

“FM” or “AM” appears on the front panel display.

3 Press TUNING MODE (AUTO/MAN’L MONO)

so that the “AUTO” indicator lights up on the

front panel display.

If “ z ” appears on the front panel display next to the

band indication, press PRESET/TUNING (EDIT) to

turn it off.

INPUT

4 Turn the multi jog knob to the right or left to

begin automatic tuning.

Turn the multi jog knob to the

right for tuning in to a higher

frequency, or to the left for

tuning in to a lower frequency.

Turn the knob again if the

tuning search does not stop at

the desired station.

TUNING

MODE

AUTO/MAN'L MONO

AUTO

Goes off

PRESET

/TUNING

EDIT

Turn “ z ” off.

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

PRESET

/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

OFF

ONOFFON

STANDBY

/ON

DIGITAL

BASS

EXTENSION

–

SURROUND

DIGITAL

Automatic (or Manual) Tuning

Automatic tuning is effective when station signals are

strong and there is no interference.

1 Press INPUT l / h to

select TUNER as the input

source.

2 Press FM/AM to select the reception band.

“FM” or “AM” appears on the front panel display.

FM/AM

TUNING

MODE

AUTO/MAN'L MONO

AUTO

Lights up

PRESET

/TUNING

EDIT

Turn “ z ” off.

INPUT

3 Press TUNING MODE (AUTO/MAN’L MONO)

so that the “AUTO” indicator goes off from

the front panel display.

If “ z ” appears on the front panel display next to the

band indication, press PRESET/TUNING (EDIT) to

turn it off.

FM/AM

4 Turn the multi jog knob to

the right or left to tune in

to the desired sration

manually.

Note

• Manually tuning in to an FM station will automatically change

the reception mode to monaural to increase the signal quality.

0106V620(UCA)_29-33_EN 1/16/1, 11:15 AM30

EnglishINTRODUCTION PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

TUNING

3 Press and hold MEMORY (MAN’L/AUTO FM)

for more than 3 seconds.

The preset number, the “MEMORY” and “AUTO”

indicators flash. Then, after about 5 seconds,

automatic preset tuning begins from the frequency

currently displayed toward the higher frequencies.

When automatic preset tuning is completed, the front

panel display shows the frequency of the last preset

station.

TUNING

MODE

AUTO/MAN'L MONO

MEMORY

MAN'L/AUTO FM

AUTO

FM/AM

Presetting Stations

■ Automatically presetting stations

(for FM stations)

You can use the automatic preset tuning feature to store

FM stations. This function enables the unit to

automatically tune in to FM stations with strong signals,

and to store up to 40 (8 stations x 5 groups) of those

stations in order. This feature enables you to easily tune in

to any preset station by selecting the preset station

number (see “Tuning in to a Preset Station”).

1 Press FM/AM to select the FM band.

2 Press TUNING MODE (AUTO/MAN’L MONO)

so that the “AUTO” indicator lights up on the

front panel display.

Notes

• Any stored station data existing under a preset number is

cleared when you store a new station under that preset number.

• The reception mode is stored along with the station frequency.

• You can manually replace a preset station with another FM or

AM station by simply following the procedure in the section

“Manually presetting stations”.

• If the number of the received stations does not reach E8,

automatic preset tuning has automatically stopped after

searching all stations.

• Only FM stations with sufficient signal strength are stored

automatically by automatic preset tuning. If the station you

want to store is weak in signal strength, tune in to it manually

in the monaural mode, and store it by following the procedure

in “Manually presetting stations”.

Automatic preset tuning options

You can select the preset number from which the unit will

store FM stations and/or begin tuning toward lower

frequencies. Before automatic preset tuning begins (after

pressing MEMORY in step 3):

1. Turn the multi jog knob to select the preset number

under which the first station will be stored. Automatic

preset tuning will stop when stations have all been

stored up to E8.

2. Press PRESET/TUNING (EDIT) to turn off “ z ” and

then turn the multi jog knob to the left to begin tuning

toward lower frequencies.

Memory back-up

The memory back-up circuit prevents the stored data

from being lost even if this unit is set in the standby

mode, the power cord is disconnected from the AC

outlet, or the power supply is temporarily cut due to

power failure. However, if the power is cut for more

than one week, the preset stations may be cleared. If

so, store the stations again by using the presetting

station methods.

Lights up

MEMORY

VOLUME

TUNER

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

AUTO

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

PRESET

/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

OFF

ONOFFON

STANDBY

/ON

DIGITAL

BASS

EXTENSION

–

SURROUND

DIGITAL

0106V620(UCA)_29-33_EN 1/16/1, 11:15 AM31

TUNING

A/B/C/D/E

■ Manually presetting stations

You can also store up to 40 stations (8 stations x 5

groups) manually.

1 Tune in to a station.

See “Automatic (or Manual) Tuning” for tuning

instructions.

2 Press MEMORY (MAN’L/AUTO FM).

The “MEMORY” indicator flashes for about

5 seconds.

Flashes

3 Turn the multi jog knob to select a preset

station number while the “MEMORY”

indicator is flashing.

Turn the multi jog knob to the

right to select a higher preset

station number, and to the left

to select a lower preset station

number.

4 Press MEMORY (MAN’L/AUTO FM) while the

“MEMORY” indicator is flashing.

The station band and

frequency appear on the front

panel display with the preset

group and number you have

selected.

Shows the displayed station has been stored as A1.

5 Repeat steps 1 to 4 to store other stations.

Notes

• Any stored station data existing under a preset number is

cleared when you store a new station under that preset number.

• The reception mode is stored along with the station frequency.

MEMORY

MAN'L/AUTO FM

MEMORY

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

PRESET

/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

OFF

ONOFFON

STANDBY

/ON

DIGITAL

BASS

EXTENSION

–

SURROUND

DIGITAL

2,4

A/B/C/D/E

MEMORY

MAN'L/AUTO FM

Tuning in to a Preset Station

You can tune any desired station simply by selecting the

preset station number under which it was stored.

■ On the remote control

1 Set the selector dial to the AMP/TUN

position and press TUNER to select TUNER

as the input source.

2 Press A/B/C/D/E to select the preset station

group.

The preset group letter appears on the front panel

display and changes each time you press A/B/C/D/E.

3 Press PRESET –/+ to select a preset station

number (1 to 8).

The preset group and number appear on the front

panel display along with the station band, frequency

and the “TUNED” indicator lights up.

• You can select the preset station number with the numeric

buttons (1 to 8) if code number “0023” has been set up in the

AMP/TUN (or DSP/TUN) position.

TUNED

STEREO

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

AUTO

TUNED

STEREO

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

AUTO

0106V620(UCA)_29-33_EN 1/16/1, 11:15 AM32

EnglishINTRODUCTION PREPARATION

BASIC

OPERATION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

TUNING

Exchanging Preset Stations

You can exchange the assignment of two preset stations

with each other. The example below describes the

procedure for exchanging preset station “E1” with “A5”.

1 Tune in to preset station “E1”.

See “Tuning in to a Preset Station”.

2 Press and hold PRESET/TUNING (EDIT) for

more than 3 seconds.

“E1” and the “MEMORY” indicator flash on the

front panel display.

3 Tune in to preset station “A5” by using the

buttons on the front panel.

“A5” and the “MEMORY” indicator flash on the

front panel display.

4 Press PRESET/TUNING (EDIT) again.

The stations stored at the two preset assignments are

exchanged.

PRESET

/TUNING

EDIT

PRESET

/TUNING

EDIT

MEMORY

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

MEMORY

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

MEMORY

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

Shows the exchange of stations

has been completed.

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

PRESET

/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

OFF

ONOFFON

STANDBY

/ON

DIGITAL

BASS

EXTENSION

– + – +

SURROUND

DIGITAL

2,4

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

PRESET

/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

OFF

ONOFFON

STANDBY

/ON

DIGITAL

BASS

EXTENSION

– + – +

SURROUND

DIGITAL

PRESET

/TUNING

EDIT

TUNED

STEREO

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

AUTO

■ On the front panel

1 Press PRESET/TUNING

(EDIT) so that “ z ” next to

the band indicator

appears.

2 Turn the multi jog knob to

select tne desired preset

station number.

The preset group and number

appear on the front panel

display along with the station

band, frequency, and the

“TUNED” indicator lights up.

0106V620(UCA)_29-33_EN 1/16/1, 11:15 AM33

BASIC RECORDING

Recording adjustments and other operations are

performed from the recording components. Refer to the

operation instructions for these components.

1 Turn on the power to the unit and all

connected component.

2 Select the source component you want to

record from.

Front panel

Remote control

3 Start playback (or select a broadcast station)

on the source component.

4 Start recording on the recording component.

Notes

• Do a test recording before you start an actual recording.

• When this unit is set in the standby mode, you cannot record

between other components connected to this unit.

• The setting of BASS, TREBLE, BASS EXTENSION,

VOLUME, “2 L/R BALANCE” on the SET MENU and DSP

programs does not affect the recorded material.

• A source connected to the 6CH INPUT jacks of this unit cannot

be recorded.

• S-video and composite video signals pass independently

through this unit’s video circuits. Therefore, when recording or

dubbing video signals, if your video source component is

connected to provide only an S-video (or only a composite

video) signal, you can record only an S-video (or only a

composite video) signal by your VCR.

• A given input source is not output on the same REC OUT

channel. (For example, the signal input from VCR 1 IN is not

output on VCR 1 OUT.)

• Check the copyright laws in your country to record from

records, CDs, radio, etc. Recording of copyrighted material

may infringe copyright laws.

If you playback a video source that uses scrambled or

encoded signals to prevent it from being dubbed, the

picture itself may be disturbed due to those signals.

■ Special considerations when

recording DTS software

The DTS signal is a digital bitstream. Attempting to

digitally record the DTS bitstream will result in noise

being recorded. Therefore, if you want to use this unit to

record sources that have DTS signals recorded on them,

the following considerations and adjustments need to be

made.

For DVDs and CDs encoded with DTS

Only 2-channel analog audio signals may be recorded.

Set the DVD player (or CD player) as described in the

player’s operation instructions so that the audio signals

are output from the player’s analog outputs.

INPUT

A/B/C/D/E

SILENT VIDEO AUX

PHONES S VIDEO VIDEO L AUDIO R OPTICAL

6CH INPUTINPUT MODE

INPUT

VOLUME

PRESET

/TUNING

EDIT

MEMORYEFFECT

MAN'L/AUTO FM

TUNING

MODE

AUTO/MAN'L MONO

FM/AM

DSP

PROGRAM

BASS TREBLE SPEAKERS

OFF

ONOFFON

STANDBY

/ON

DIGITAL

BASS

EXTENSION

–

SURROUND

DIGITAL

0107V620(UCA)_34_EN 1/16/1, 11:15 AM34

EnglishINTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

Adjusting the Items on the SET

Adjustment should be made with the remote control.

Note

• Some items require extra steps to change to the desired setting.

1 Set the selector dial to the

AMP/TUN (or DSP/TUN)

position.

2 Press SET MENU to enter the SET MENU.

3 Press u/d repeatedly to select the item (1 to

10) you want to adjust.

• By pressing SET MENU repeatedly, you can select items in the

same order as when pressing d.

4 Press j or i once to enter the setup mode of

the selected item.

The last setting you adjusted appears on the video

monitor or on the front panel display.

SET MENU

ADVANCED OPERATION

A/B/C/D/E

3,6

4,5

The SET MENU consists of 10 items including the

speaker mode setting features. Use the SET MENU to

enjoy the optimum audio/video playback for your system.

• You can adjust the items on the SET MENU while playing a

source.

• We recommend that you adjust the items on the SET MENU

while using a video monitor. It is easier to see the video

monitor than it is to see the front panel display on this unit

while adjusting the items.

Note

• The indication on the front panel display is the abbreviation of

the OSD.

1 SPEAKER SET

1A CENTER SP

1B MAIN SP

1C REAR L/R SP

1D LFE/BASS OUT

1E MAIN LEVEL

2 L/R BALANCE

3 HP TONE CTRL

4 I/O ASSIGNMENT

4A CMPNT-V INPUT

4B OPTICAL OUT

4C OPTICAL IN

4D COAXIAL IN

5 INPUT MODE

6 DOLBY D. SET

LFE LEVEL

D-RANGE

7 DTS SET

8 SP DELAY TIME

9 DISPLAY SET

BLUE BACK

OSD SHIFT

DIMMER

10 MEMORY GUARD

SET MENU 1/3

1 SPEAKER SET

2 L/R BALANCE

3 HP TONE CTRL

4 I/O ASSIGNMENT

: Up/Down/

–/+ : Enter

SET MENU 1/3

1 SPEAKER SET

2 L/R BALANCE

3 HP TONE CTRL

4 I/O ASSIGNMENT

: Up/Down/

–/+ : Enter

4A CMPNT-V INPUT

[B] • • • • • D-TV/CBL

[A] • • • • • DVD

0108V620(UCA)_35-43_EN 1/16/1, 11:11 AM35

SET MENU

Depending on the item, press u/d to select a sub

item.

5 Press j / i repeatedly to change the setting

of the item.

6 Press u/d repeatedly until the current DSP

program appears or simply press one of the

DSP program group button to exit from the

SET MENU.

1 SPEAKER SET (speaker mode

settings)

Use this feature to select suitable output modes for your

speaker configuration.

Notes

• When 96-kHz sampling digital signals are input to this unit,

level adjustments in items 1B and 1D are possible, but those in

items 1A,1C and 1E are not affected.

• When 6CH INPUT is selected as the input source, level

adjustments in items 1A through 1E are not affected.

■ 1A CENTER SP (center speaker

mode)

By adding a center speaker to your speaker configuration,

the unit can provide good dialog localization for many

listeners and superior synchronization of sound and

images. The OSD shows a large, small or no center

speaker depending on how you set this item.

Choices: LRG (large), SML (small), NONE

Initial setting: LRG

LRG

Select this if you have a large center speaker. The entire

range of the center channel signal is directed to the center

speaker.

SML

Select this if you have a small center speaker. The low-

frequency signals (90 Hz and below) of the center channel

are directed to the speakers selected with “1D LFE/BASS

OUT”.

1A CENTER SP

LRG

SML

NONE

1A CENTER SP

LRG

SML

NONE

Memory back-up

The memory back-up circuit prevents the stored data

from being lost even if this unit is set in the standby

mode, the power cord is disconnected from the AC

outlet, or the power supply is temporarily cut due to

power failure. However, if the power is cut for more

than one week, the settings of the SET MENU you

adjusted will return to the factory settings. If so, adjust

the items again.

4B OPTICAL OUT

(1) • • • • • MD/CD-R

4A CMPNT-V INPUT

[B] • • • • • D-TV/CBL

[A] • • • • • VCR 1

0108V620(UCA)_35-43_EN 1/16/1, 11:11 AM36

EnglishINTRODUCTION PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SET MENU

■ 1C REAR L/R SP (rear speaker

mode)

The OSD shows large, small or no rear speakers

depending on how you set this item.

Choices: LRG (large), SML (small), NONE

Initial setting: LRG

LRG

Select this if you have large left and right rear speakers or

if a rear subwoofer is connected to the rear speakers. The

entire range of the rear channel signal is directed to the

left and right rear speakers.

SML

Select this if you have small left and right rear speakers.

The low-frequency signals (90 Hz and below) of the rear

channel are directed to the speakers selected with “1D

LFE/BASS OUT”.

NONE

Select this if you do not have rear speakers.

• This unit is set in the Virtual CINEMA DSP mode by selecting

NONE for “1C REAR L/R SP”.

NONE

Select this if you do not have a center speaker. All of the

center channel signals are directed to the left and right

main speakers.

■ 1B MAIN SP (main speaker mode)

The OSD shows large or small main speakers depending

on how you set this item.

Choices: LARGE, SMALL

Initial setting: LARGE

LARGE

Select this if you have large main speakers. The entire

range of the left and right main channel signal is directed

to the left and right main speakers.

SMALL

Select this if you have small main speakers. The low-

frequency signals (90 Hz and below) of the main channel

are directed to the speakers selected with “1D LFE/BASS

OUT”.

Note

• When you select MAIN for “1D LFE/BASS OUT”, the low-

frequency signals (90 Hz and below) of the main channel are

directed to the main speakers even if you select SMALL for the

main speaker mode.

1A CENTER SP

LRG

SML

NONE

1B MAIN SP

LARGE

SMALL

1C REAR L/R SP

LRG

SML

NONE

1C REAR L/R SP

LRG

SML

NONE

1C REAR L/R SP

LRG

SML

NONE

1B MAIN SP

LARGE

SMALL

0108V620(UCA)_35-43_EN 1/16/1, 11:11 AM37

SET MENU

■ 1D LFE/BASS OUT (bass out

mode)

LFE signals carry low-frequency effects when this unit

decodes a Dolby Digital or DTS signal. Low-frequency

signals are defined as 90 Hz and below.

Choices: SWFR (subwoofer), MAIN, BOTH

Initial setting: BOTH

SWFR

Select this if you use a subwoofer. The LFE signals are

directed to the subwoofer.

MAIN

Select this if you do not use a subwoofer. The LFE

signals are directed to the main speakers.

BOTH

Select this if you use a subwoofer and you want to mix

the main channel low-frequency signals with the LFE

signals.

Notes

• When playing a 2-channel source (CD, MD, tape, video

cassette etc.), select the BOTH position to direct low bass

signals (below 90 Hz) to the SUBWOOFER jack.

• When you select SMALL (SML) for items 1A, 1B and 1C, the

low-frequency signals (90 Hz and below) from those channels

are added to the LFE and output to the subwoofer.

1D LFE/BASS OUT

SWFR

MAIN BOTH

1D LFE/BASS OUT

SWFR

MAIN BOTH

■ 1E MAIN LEVEL (main level

mode)

Change this setting if you cannot match the output level

of the center and rear speakers with the main speakers

because of the unusually high-efficiency performance of

the main speakers.

Choices: Normal, –10 dB

Initial setting: Normal

Normal

Normally select this setting.

–10 dB

Select this if you cannot match the output level of your

effect speakers with that of your main speakers when

using the test tone. This setting decreases the main

speaker output level to about one-third of the normal

level.

2 L/R BALANCE (balance of the

left and right main speakers)

Use this feature to adjust the balance of the output level

from the left and right main speakers.

Control range: 10 for L/R

Initial setting: 0

Press i to decrease the output level for the

left main speaker. Press j for the right main

speaker.

Note

• The L/R BALANCE setting also applies to when headphones

are being used.

1E MAIN LEVEL

Normal

–10dB

1E MAIN LEVEL

Normal

–10dB

1D LFE/BASS OUT

SWFR

MAIN BOTH

2 L/R BALANCE

• • • • • • • • • •

: Exit/

–/+ : Adjust

0108V620(UCA)_35-43_EN 1/16/1, 11:11 AM38

EnglishINTRODUCTION PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SET MENU

3 HP TONE CTRL (headphone

tone control)

Use this feature to adjust the level of the bass and treble

when you use your headphones.

Control range (dB): –6 to +3

Initial setting: 0 dB for both BASS and TRBL (treble)

4 I/O ASSIGNMENT

It is possible to assign jacks according to the component

to be used if this unit’s COMPONENT VIDEO input jack

or DIGITAL INPUT/OUTPUT jack settings (component

names for jacks) differ from that component. This makes

it possible to change the jack assignment and effectively

connect more component.

Once you assign, you can select that component with

INPUT l / h (or the input selector buttons).

■ 4A CMPNT-V INPUT (for the

COMPONENT VIDEO jacks)

Initial settings: [A] DVD

[B] D-TV/CBL

■ 4B OPTICAL OUT (for the

OPTICAL OUTPUT jack)

Initial setting: (1) MD/CD-R

■ 4C OPTICAL IN (for the OPTICAL

INPUT jacks)

Initial settings: (2) MD/CD-R

(3) DVD

(4) D-TV/CBL

■ 4D COAXIAL IN (for the COAXIAL

INPUT jack)

Initial setting: (5) CD

Note

• You cannot select an item more than once for the same type of

jack.

5 INPUT MODE (initial input

mode)

Use this feature to designate the input mode when turning

on the power with the source component connected to

more than one type of the input jacks.

Choices: AUTO, LAST

Initial setting: AUTO

AUTO

Select this to allow this unit to automatically detect the

type of input signal and select the appropriate input mode.

LAST

Select this to set this unit to automatically select the last

input mode used for that source.

3 HP TONE CTRL

BASS

TRBL

–

0dB

4A CMPNT-V INPUT

[B] • • • • • D-TV/CBL

[A] • • • • • DVD

4B OPTICAL OUT

(1) • • • • • MD/CD-R

4C OPTICAL IN

(2) • • • • • MD/CD-R

(4) • • • • • D-TV/CBL

(3) • • • • • DVD

4D COAXIAL IN

(5) • • • • • CD

5 INPUT MODE

AUTO LAST

: Exit

–/+ : Select

0108V620(UCA)_35-43_EN 1/16/1, 11:11 AM39

SET MENU

6 DOLBY D. SET (Dolby Digital

set)

This setting is effective only when this unit decodes

Dolby Digital signals.

■ LFE LEVEL

Use this feature to adjust the output level of the LFE

(low-frequency effect) channel when playing back a

Dolby Digital signal. The LFE signal carries the low-

frequency special effect sound which is only added to

certain scenes.

Control value (dB): –20 to 0

Initial setting: 0 dB

Notes

• Adjust the LFE level according to the capacity of your

subwoofer.

• Normally, around –6 dB to –8 dB is most suitable for listening

at home.

■ D-RANGE (dynamic range)

Use this feature to adjust the dynamic range (the

difference between the maximum level and the minimum

level of sounds).

Choices: MAX, STD (standard), MIN

Initial setting: MAX

• Select MAX for feature films.

• Select STD for general use.

• Select MIN for listening to sources at an extremely

low volume level.

L-LEVEL BST

H-LEVEL CUT

0.0

1.0

MAX

Dialog

level

Input level

Output level

STD

Dialog

level

Input level

Output level

MIN

Dialog

level

Input level

Output level

Note

• When you select MIN, the sound output may be faint because

some Dolby Digital signals are not compatible with the

minimum-level dynamic range. In this case, select MAX or

STD.

7 DTS SET (DTS LFE level)

This setting is effective only when this unit decodes DTS

signals.

Use this feature to adjust the output level of the LFE

(low-frequency effect) channel when playing back a DTS

signal. The LFE signal carries the low-frequency special

effect sound which is only added to certain scenes.

Control range (dB): –10 to +10

Initial setting: 0 dB

Note

• Adjust the LFE level according to the capacity of your

subwoofer.

7 DTS SET

LFE LEVEL • • • • 0dB

: Exit/

–/+ : Adjust

6 DOLBY D. SET

: Select/

–/+ : Adjust

LFE LEVEL

• • • • 0dB

D-RANGE

• • •

MAX

STD

MIN

0108V620(UCA)_35-43_EN 1/16/1, 11:11 AM40

EnglishINTRODUCTION PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SET MENU

8 SP DELAY TIME

Use this feature to adjust the delay of the center channel

sound. This feature works when this unit decodes a Dolby

Digital or DTS signal. Ideally, the center speaker should

be the same distance from the listening position as the left

and right main speakers. However, in most home

situations, the center speaker is placed in line with the

main speakers. By delaying the sound from the center

speaker, the apparent distance from the center speaker to

the listening position can be adjusted to make it seem the

same as the distance between the left and right main

speakers to the listening position. Adjusting the delay

time for the center speaker is especially important for

giving depth to the dialog.

Control range (ms): 0 to 5

Initial setting: 0 ms

Center speaker image

• Increasing the delay by 1 ms simulates moving the speaker

about 30 cm (one foot) farther away from the actual position of

the center speaker.

8 SP DELAY TIME

: Exit/

–/+ : Adjust

CENTER • • • • • • 0ms

9 DISPLAY SET

■ BLUE BACK

Selecting AUTO for the on-screen display setting displays

a blue background when there’s no video signal input.

Nothing is displayed on the screen including the on-

screen display.

Initial setting: AUTO

■ OSD SHIFT (OSD off-set position)

This setting is used to adjust the vertical position of the

OSD.

Control range: +5 (downward) to –5 (upward)

Initial setting: 0

Press i to lower the position of the OSD.

Press j to raise the position of the OSD.

■ DIMMER

You can adjust the brightness of the front panel display.

Control range: –4 to 0

Initial setting: 0

10 MEMORY GUARD

Use this feature to prevent accidental changes to DSP

program parameter values and other settings on this unit.

Choices: ON, OFF

Initial setting: OFF

Select ON to protect the following features:

• DSP program parameters

• All SET MENU items

• Center, rear speakers and subwoofer levels

• The on-screen display (OSD) mode

Notes

• When “10 MEMORY GUARD” is set to ON, you cannot use

the test tone.

• When “10 MEMORY GUARD” is set to ON, you cannot select

any other SET MENU items.

9 DISPLAY SET

BLUE BACK

• • • AUTO

DIMMER • • • • • • • • • • 0

OSD SHIFT • • • • • • 0

10 MEMORY GUARD

OFF ON

: Exit

–/+ : Select

0108V620(UCA)_35-43_EN 1/16/1, 11:11 AM41

A/B/C/D/E

ADJUSTING THE LEVEL OF THE EFFECT SPEAKERS

You can adjust the output level of each effect speaker

(center, left and right rear and subwoofer) while listening

to a music source.

Adjustment should be made with the remote control.

1 Set the selector dial to the

AMP/TUN (or DSP/TUN)

position.

2 Press LEVEL repeatedly to select the

speaker(s) you want to adjust.

Each time you press LEVEL, the selected speaker

changes and appears on the front panel display and

on the video monitor as follows: center, right rear,

left rear and subwoofer.

CENTER

R SUR.

L SUR.

SWFR

Center speaker output level

Right rear speaker output

level

Left rear speaker output

level

Subwoofer output level

• Once you press LEVEL, you can also select the speaker(s) to

be adjusted by pressing d. (Pressing u changes the selection

in the reverse order.)

3 Press j / i to adjust the speaker output level.

• The control range for the center or left and right

rear speakers is from +10 dB to –10 dB.

• The control range for the subwoofer is from 0 dB

to –20 dB.

Notes

• If the speaker output mode is set to NONE, the output level of

that speaker cannot be adjusted.

• When you adjust the output level with LEVEL, the settings you

made with the test tone will be changed.

• For details on adjusting speakers other than the subwoofer, the

adjusting procedure using the test tone on page 21 is

recommended.

Memory back-up

The memory back-up circuit prevents the stored data

from being lost even if this unit is set in the standby

mode, the power cord is disconnected from the AC

outlet, or the power supply is temporarily cut due to

power failure. However, if the power is cut for more

than one week, the output level of the effect speakers

you adjusted will return to the factory settings. If so,

adjust the output level again.

0108V620(UCA)_35-43_EN 1/16/1, 11:11 AM42

EnglishINTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

A/B/C/D/E

SLEEP TIMER

Use this feature to automatically set this unit in the

standby mode after the amount of time you have set. The

sleep timer is useful when you are going to sleep while

this unit is playing or recording a source. The sleep timer

also automatically turns off the external components

connected to AC OUTLET(S).

The sleep timer can only be set with the remote control.

Setting the Sleep Timer

1 Select a source and start playback on the

source component.

2 Set the selector dial to a

position other than the TV

position.

3 Press SLEEP repeatedly

to set the amount of time

before this unit

automatically turns off.

Each time you press SLEEP, the front panel display

changes as shown below.

4 The “SLEEP” indicator soon lights up on the

front panel display after the sleep timer has

been set.

The display then returns to the previous indication.

Canceling the Sleep Timer

Press SLEEP repeatedly until “SLEEP OFF”

appears on the front panel display.

After a few seconds, “SLEEP OFF” disappears, the

“SLEEP” indicator goes off and the display returns

to the previous indication.

• The sleep timer setting can also be canceled by setting this unit

in the standby mode by using STANDBY on the remote control

(or STANDBY/ON on the front panel) or by disconnecting the

AC power cord from the AC outlet.

DSP

DIGITAL

SLEEP

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

120 90 60 30

The SLEEP timer is off

(SLEEP OFF).

(This is the state before

SLEEP is pressed.)

DSP

DIGITAL

SLEEP

VOLUME

CDTUNER PHONO

MD/CD-R

DVD

D-TV/CBL

VCR 1

VCR2/DVR

V-AUX

0108V620(UCA)_35-43_EN 1/16/1, 11:11 AM43

REMOTE CONTROL FEATURES

It is possible to control this unit and other YAMAHA A/V components using the remote control supplied with this unit.

It is also possible to control components from other manufacturers (or some YAMAHA components) by setting the

proper manufacturer code (a signal assigned to each manufacturer and component).

Note

• For the notes on batteries, operating distance and names and functions of the remote control, refer each description in this manual.

Selector Dial

Select the component (position) controlled by the remote control. For example, if the CD position is selected, the

remote control is set in the CD operation mode, allowing the CD player to be controlled. When turning the selector dial,

the position changes as follows:

Notes

• The general operational buttons on the remote control differ depending on the position of the selector dial. See the following pages

for details.

• When shipped from the factory, the YAMAHA manufacturer codes listed on page 50 are set for each dial position. If unable to

operate your YAMAHA A/V component, please try using another YAMAHA code.

Selector

dial

AMP/TUN

You can perform the basic operations

of this unit.

The code for a YAMAHA CD

player is factory-set.

CBL/SAT

A cable TV or satellite tuner can be controlled.

VCR

A VCR can be controlled.

A TV can be controlled.

TAPE/MD

The code for a YAMAHA MD recorder is

factory-set. Be sure to set the proper code when

operating a CD recorder or tape deck.

DVD/LD & DVD MENU

An LD player can be controlled in

the DVD/LD position. A DVD player

can be controlled in the DVD/LD

and DVD MENU positions. The

code for a YAMAHA DVD player is

factory-set.

DSP/TUN

This unit can be controlled and DSP

programs can be selected directly.

0109V620(UCA)_44-50_EN 1/16/1, 11:11 AM44

English

INTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

REMOTE CONTROL FEATURES

A/B/C/D/E

Commonly Used Buttons in Any

Position of the Selector Dial

Regardless of the position of the selector dial, you can

control this unit and your TV with the following buttons.

Note

• You have to set up the code for your TV in the TV position

before you can control the TV.

■ Controlling this unit

See “Remote Control”.

1 STANDBY

2 POWER

3 VOLUME +/–

4 SLEEP

Note

• If you have set up the code for your TV and set the selector dial

to the TV position, this button is used to set the sleep timer for

the TV.

5 MUTE

Note

• If you have set up the code for your TV and set the selector dial

to the TV position, this button is used to mute the TV sound.

■ Controlling your TV

! TV POWER

@ TV INPUT

# TV VOLUME +/–

Controlling the Components

Connected to This Unit

The example below describes the procedure for

controlling a YAMAHA CD player.

1 Set the selector dial to the

CD position.

2 Turn on the power.

3 Press INPUT.

The indicator lights up for

about 3 seconds.

4 Press CD while the

indicator is lit.

5 Press p.

See “Button Names and

Functions in Eash Position”

for the CD player operation

buttons.

6 Adjust the volume.

If you set the remote control with the manufacturer

codes listed from page i at the end of this

manual, you can control other brands of components.

See “Setting the Manufacturer Codes” for details.

0109V620(UCA)_44-50_EN 1/16/1, 11:12 AM45

REMOTE CONTROL FEATURES

A/B/C/D/E

Button Names and Functions in Each Position

■ TAPE/MD position (tape deck, MD recorder or CD recorder)

Select the TAPE/MD position.

r Rec/Pause (tape/MD)

e Pause (MD/CD-R)

p Play

b DIR A (tape)

This button selects the playing direction of deck A.

Skip – (MD/CD-R)

w Rewind (tape)

Search (MD/CD-R)

Numeric buttons (MD/CD-R)

INDEX (CD-R)

+10 (MD/CD-R)

Deck A/B (tape)

This button selects deck A or B on a double-cassette

tape deck.

DISPLAY (MD/CD-R)

a DIR B (tape)

This button selects the playing direction of

deck B.

Skip + (MD/CD-R)

s Stop

f Fast forward (tape)

Search (MD/CD-R)

AV POWER

This button turns on the tape deck, MD recorder or CD recorder that has a remote control with a power button if you have set up the code for

another manufacturer.

■ CD position

Select the CD position.

DISC SKIP –/+

(for a CD player with CD changer)

p Play

b Skip –

w Search

Numeric buttons

INDEX

+10

DISPLAY

e Pause

YAMAHA CD player (factory settings): Pause/Stop

a Skip +

s Stop

YAMAHA CD player (factory settings): Pause/Stop

f Search

AV POWER

This button turns on the CD player that has a remote

control with a power button if you have set up the

code for another manufacturer.

y Pause/Stop function

• Press the button once to give a

pause in operation and press

once more to stop operation.

• The dark-shaded buttons do not function even if you have set up the manufacturer code.

• Some of them may not function depending on the component you have. In this case, use the original remote

control supplied with your component.

0109V620(UCA)_44-50_EN 1/16/1, 11:12 AM46

English

INTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

REMOTE CONTROL FEATURES

A/B/C/D/E

■ DVD/LD position

Select the DVD/LD position.

DISC SKIP –/+ (DVD)

p Play

b Skip – (DVD)

Skip/Chapter – (LD)

w Search

Numeric buttons

INDEX/Time (DVD)

Chapter/Time (LD)

+10

DISPLAY

e Pause

a Skip + (DVD)

Skip/Chapter + (LD)

s Stop

f Search

AV POWER

(DVD) This button turns on the DVD player that has a remote control with a power button if you have set up the code for another manufacturer.

(LD) This button turns on the LD player that has a remote control with a power button if you have set up the code for another manufacturer.

■ DVD MENU position

Note

• DVD MENU operations cannot be performed for some DVD players.

Select the DVD MENU position.

DISC SKIP –/+

Return

Menu select

Menu left

TITLE

Numeric buttons

INDEX

+10

DISPLAY

Menu up

Menu right

Menu down

AV POWER

This button turns on the DVD player that has a remote control with a power button if you have set up

the code for another manufacturer.

• The dark-shaded buttons do not function even if you have set up the manufacturer code.

• Some of them may not function depending on the component you have. In this case, use the original remote

control supplied with your component.

0109V620(UCA)_44-50_EN 1/16/1, 11:12 AM47

REMOTE CONTROL FEATURES

A/B/C/D/E

■ VCR position

Select the VCR

position.

VCR REC

Press this button

twice to start

recording.

p Play

w Rewind

Numeric

buttons

Ch enter/Recall

_/_ _

CH –/+

DISPLAY

e Pause

s Stop

Fast forward

AV POWER

This button turns on a VCR that has a remote control with a power

button if you have set up the code for your VCR.

■ CBL/SAT position

Select the CBL/SAT

position.

CH –/+

Menu select

Menu left

Recall

Numeric buttons

Ch enter

_/_ _

DISPLAY/

Guide (SAT)

Menu up

Menu right

Menu down

AV POWER

This button turns on a cable TV/satellite tuner that has a remote

control with a power button if you have set up the code for your cable

TV/satellite tuner.

■ TV position

Note

• You can control your VCR if you have set up the code for it in the VCR position.

• The dark-shaded buttons do not function even if you have set up the manufacturer code.

• Some of them may not function depending on the component you have. In this case, use the original remote

control supplied with your component.

A/B/C/D/E

Select the TV

position.

VCR REC

Press this button twice.

p VCR play

w VCR rewind

TV POWER

This button turns on a TV that has a

remote control with a power button if

you have set up the code for your TV.

TV VOL +/–

TV INPUT

Numeric buttons

Ch enter/Recall

_/_ _

CH –/+

DISPLAY

e VCR pause

s VCR stop

VCR fast forward

VCR power

TV SLEEP

TV MUTE

0109V620(UCA)_44-50_EN 1/16/1, 11:12 AM48

English

INTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

REMOTE CONTROL FEATURES

Setting the Manufacturer Code

You can set up the code for the manufacturer of your

component in each position of the selector dial.

1 Turn on your component to be used.

2 Set the selector dial to the

desired position for the

component (TAPE/MD, CD,

DVD/LD, etc.).

3 Press j / i at the same time for about

4 seconds.

The indicator flashes twice.

4 Use the numeric buttons

to enter the four-digit

manufacturer code for the

component to be used.

Make sure that the

indicator flashes twice.

If the indicator does not flash

or flashes rapidly several

times, repeat step 3 and re-

enter the code.

5 Press AV POWER (or any other button) to

check if you have set up the code correctly.

If your component cannot be

controlled with the remote

control, try setting another

code for the same

manufacturer.

Notes

• You can set up only one code for one position.

• In the DVD/LD and DVD MENU positions:

Be sure to set the selector dial to the DVD/LD position before

entering the code for the DVD/LD player. You cannot set up

the code for a DVD player when the selector dial is set to the

DVD MENU position. The code set up in the DVD/LD

position is also simultaneously set up in the DVD MENU

position.

• If your component does not respond to any of the codes listed

for the manufacturer, use the original remote control supplied

with your component.

■ To use a second (and third) VCR

You can control a second (and third) VCR in the CBL/

SAT and DVD MENU positions if a cable TV/satellite

tuner or DVD player is not being used.

Note

• In order to set a second (and third) VCR in the DVD MENU

position, it is necessary to first set up the code for an LD player

in the DVD/LD position.

1 Turn on the VCR to be used.

2 Set the selector dial to the

CBL/SAT or DVD MENU

position.

3 Press j / i at the same time for about

4 seconds.

The indicator flashes twice.

4 Use the numeric buttons

to enter the four-digit

code for the second (and

third) VCR. Make sure that

the indicator flashes

twice.

If the indicator does not flash

or flashes rapidly several

times, repeat step 3 and re-

enter the code.

5 Press AV POWER (or any other button) to

check if you have set up the code correctly.

If the VCR cannot be

controlled with the remote

control, try setting another

code for the same

manufacturer.

0109V620(UCA)_44-50_EN 1/16/1, 11:12 AM49

REMOTE CONTROL FEATURES

Returning to the Factory Setting

■ To return to the factory-set codes

in all positions

1 Press j / i at the same time for about

4 seconds.

The indicator flashes twice.

2 Enter the code number “9990”.

Make sure that the indicator flashes twice.

■ To return to the factory-set codes

in each position

1 Set the selector dial to the

position for the

component to be returned

to the factory setting.

2 Press j / i at the same time for about

4 seconds.

The indicator flashes twice.

3 Enter the code number “0000”.

Make sure that the indicator flashes twice.

Selector dial position Component Code

The following codes are factory set.

Set component

Set code

TV TV 0101

CBL/SAT Cable TV 0006

VCR VCR 0002

DVD/LD DVD player 0008 (YAMAHA DVD player)

CD CD player 0005 (YAMAHA CD player)

TAPE/MD MD recorder 0024 (YAMAHA MD recorder)

We recommend that you write all the code numbers you have set on the table above.

0109V620(UCA)_44-50_EN 1/16/1, 11:12 AM50

EnglishINTRODUCTION PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SOUND FIELD PROGRAM

A digital sound field processor (DSP) based on the latest YAMAHA technology is built into this unit. It is possible to

play back various sound fields for the source you are listening to.

Note

• Regardless of the program name and features listed in the table below, select the sound field program that sounds best to you.

Hi-Fi DSP Programs

■ For audio sources: Nos. 1 to 4

ADDITIONAL INFORMATION

Note

• Reverberations (sound effects) for realizing the sound field and unprocessed stereo from the left and right main speakers is output.

The sound is not output from the center speaker. (The sound is output when one of these programs is selected while playing a source

encoded with a Dolby Digital or DTS signal. If 5CH STEREO is selected, the sound is output from all speakers regardless of the

input source.)

CINEMA DSP Programs

■ For audio-video sources: Nos. 4 to 6

No. Program (group) Sub-program Features

1 CONCERT HALL —

A large round concert hall with a rich surround effect. Pronounced reflections

from all directions emphasize the extension of sounds. The sound field has a great

deal of presence, and your virtual seat is near the center, close to the stage.

2 JAZZ CLUB — This is the sound field at stage front in “The Bottom Line”, a famous New York

jazz club. The floor can seat 300 people to the left and right in a sound field

offering a real and vibrant sound.

3 ROCK CONCERT —

The ideal program for lively, dynamic rock music. The data for this program was

recorded at LA’s “hottest” rock club. The listener’s virtual seat is at the center-left

of the hall.

4 ENTERTAINMENT DISCO

This program recreates the acoustic environment of a lively disco in the heart of a

big city. The sound is dense and highly concentrated. It is also characterized by a

high-energy, “immediate” sound.

5CH STEREO

Using this program increases the listening position range. This is a sound field

suitable for background music at parties.

This program is provided for reproducing monaural video sources (such as old

movies). The program produces the optimum reverberation to create sound depth

by using only the presence sound field.

Although the presence sound field is relatively narrow, the surround sound field

employs the sound environment of a large concert hall. With this program, you

can enjoy watching various TV programs such as news, variety shows, music

programs or sports programs. In a stereo broadcast of a sports game, the

commentator is oriented at the center position, and the shouts and the

atmosphere in the stadium spread on the surround side, while their spread to the

rear is properly restrained.

No. Program (group) Sub-program Features

4 ENTERTAINMENT GAME

This program adds a deep and spatial feeling to video game sounds.

6 MONO MOVIE —

5 TV SPORTS —

0110V620(UCA)_51-53_EN 1/16/1, 11:12 AM51

SOUND FIELD PROGRAM

■ For movie programs: Nos. 7 to 9

Notes

• The “ x ” indicator does not light up when selecting the sub-program “NORMAL” of the q/DTS SURROUND program.

• If “1A CENTER SP” on the SET MENU is set to NONE, no sound is output from the center speaker.

• The effect sound is output from the main speakers when a monaural source is played with CINEMA DSP program groups 4 (GAME)

and 5 to 8.

No.

Program

(group)

Sub-program

Input source

Features

7 MOVIE

THEATER 1

SPECTACLE

70 mm

SPECTACLE

Analog, PCM,

Dolby Digital in

2-channel

DGTL

SPECTACLE

Dolby Digital

(5.1-channel)

DTS

SPECTACLE

DTS

This program creates the extremely wide sound

field of a 70-mm movie theater. It precisely

reproduces the source sound in detail, making

both the video and the sound field incredibly real.

This is ideal for any kind of video source encoded

with Dolby Surround, Dolby Digital or DTS

(especially large-scale movie productions).

SCI-FI 70 mm SCI-FI

Analog, PCM,

Dolby Digital in

2-channel

DGTL SCI-FI

Dolby Digital

(5.1-channel)

DTS SCI-FI

DTS

This program clearly reproduces dialog and sound

effects in the latest sound form of science fiction

films, thus creating a broad and expansive

cinematic space amid the silence. You can enjoy

science fiction films in a virtual-space sound field

that includes Dolby Surround, Dolby Digital and

DTS-encoded software employing the most

advanced techniques.

MOVIE

THEATER 2

70 mm

ADVENTURE

Analog, PCM,

Dolby Digital in

2-channel

DGTL

ADVENTURE

Dolby Digital

(5.1-channel)

DTS ADVENTURE

DTS

This program is ideal for precisely reproducing

the sound design of the newest 70-mm and

multichannel soundtrack films. The sound field is

made to be similar to that of the newest movie

theaters, so the reverberations of the sound field

itself are restrained as much as possible.

GENERAL 70 mm GENERAL

Analog, PCM,

Dolby Digital in

2-channel

DGTL GENERAL

Dolby Digital

(5.1-channel)

DTS GENERAL

DTS

This program is for reproducing sounds from

70-mm and multichannel soundtrack films, and is

characterized by a soft and extensive sound field.

The presence sound field is relatively narrow. It

spatially spreads all around and toward the

screen, restraining the echo effect of

conversations without losing clarity. For the

surround sound field, the harmony of music or

chorus sounds beautifully in a wide space at the

rear of the sound field.

9 q/DTS

SURROUND

NORMAL

PRO LOGIC/

NORMAL

Analog, PCM,

Dolby Digital in

2-channel

DOLBY DIGITAL/

NORMAL

Dolby Digital

(5.1-channel)

DTS DIGITAL

SUR./NORMAL

DTS

The built-in decoder precisely reproduces sounds

and sound effects from sources.

The highly efficient decoding process improves

crosstalk and channel separation, and makes

sound positioning smoother and more precise.

In this program, the digital sound field processor

is not turned on.

ENHANCED PRO LOGIC/

ENHANCED

Analog, PCM,

Dolby Digital in

2-channel

DOLBY DIGITAL/

ENHANCED

Dolby Digital

(5.1-channel)

DTS DIGITAL

SUR./ENHANCED

DTS

This program ideally simulates the multi-

surround speaker systems of the 35-mm film

theaters. Dolby Pro Logic decoding, Dolby

Digital decoding or DTS decoding and digital

sound field processing create precise effects

without altering the original sound orientation.

The surround effects produced by this sound field

wrap around the viewer naturally from the back to

the left and right, and toward the screen.

ADVENTURE

0110V620(UCA)_51-53_EN 1/16/1, 11:12 AM52

English

INTRODUCTION

PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SOUND FIELD PROGRAM

■ MOVIE THEATER 1 and 2

Most commercially available movie software has 4-channel (left, center, right and surround) sound information encoded

by Dolby Surround matrix processing and stored on the left and right tracks. These signals are processed by the Dolby

Pro Logic decoder. The MOVIE THEATER programs are designed to recreate the spaciousness and delicate nuances of

sound that tend to be lost in the encoding and decoding processes.

The 6-channel soundtracks found on 70-mm film produce precise sound field localization and rich, deep sound without

using matrix processing. This unit’s MOVIE THEATER 70 mm programs provide the same quality of sound and sound

localization that 6-channel soundtracks do.

When the input source is analog, PCM or encoded with Dolby Digital in 2-channel

These programs express an immense sound field and a

large surround effect. They also give depth to the sound

from the main speakers to recreate the realistic sound of a

Dolby Stereo theater.

70 mm SPECTACLE

70 mm SCI-FI

70 mm ADVENTURE

70 mm GENERAL

The built-in Dolby Digital or DTS decoder brings the professional-quality sound designed for movie theaters into your

home. With the unit’s MOVIE THEATER programs, you can recreate a dynamic sound that gives you the feeling of

being at a public theater in your listening room by using Dolby Digital or DTS technology.

When the input source is encoded with Dolby Digital (5.1-channel) or DTS (Tri-Field CINEMA DSP)

These programs use YAMAHA’s tri-field DSP processing

on each of the Dolby Digital or DTS signals for the front,

left surround and right surround channels. This

processing enables this unit to reproduce the immense

sound field and surround expression of a Dolby Digital-

or DTS-equipped movie theater without sacrificing the

clear separation of all channels.

DGTL SPECTACLE

DTS SPECTACLE

DGTL SCI-FI

DTS SCI-FI

DGTL ADVENTURE

DTS ADVENTURE

DGTL GENERAL

DTS GENERAL

Presence DSP

sound field

Surround DSP

sound field

Presence DSP

sound field

Right surround DSP

sound field

Left surround DSP

sound field

• If a Dolby Digital signal or DTS signal is input when the input mode is set to AUTO, the DSP program will be automatically

switched to the Dolby Digital playback sound field or DTS playback sound field.

0110V620(UCA)_51-53_EN 1/16/1, 11:12 AM53

SOUND FIELD PROGRAM PARAMETER EDITING

What is a sound field?

What really creates the rich, full tones of a live instrument

are the multiple reflections from the walls of the room. In

addition to making the sound “live”, these reflections

enable us to tell where the player is situated, and the size

and shape of the room in which we are sitting.

■ Elements of a sound field

In any environment, in addition to the direct sound

coming straight to our ears from the player’s instrument,

there are two distinct types of sound reflections that

combine to make up the sound field:

Early reflections

Reflected sounds reach our ears extremely rapidly

(50 ms – 100 ms after the direct sound), after reflecting

from one surface only — for example, from the ceiling or

a wall. These reflections fall into specific patterns for any

particular environment, and provide vital information to

our ears. Early reflections actually add clarity to the direct

sound.

Reverberations

These are caused by reflections from more than one

surface — walls, ceiling, the back of the room — so

numerous that they merge together to form a continuous

sonic “afterglow”. They are non-directional, and lessen

the clarity of the direct sound.

Direct sound, early reflections and subsequent

reverberation taken together help us to determine the

subjective size and shape of the room, and it is this

information that the digital sound field processor

reproduces in order to create sound fields.

If you could create the appropriate early reflections and

subsequent reverberations in your listening room, you

would be able to create your own listening environment.

The acoustics in your room could be changed to those of

a concert hall, a dance floor, or virtually any size room at

all. This ability to create sound fields at will is exactly

what YAMAHA has done with the digital sound field

processor.

Sound Field Program Parameters

DSP programs consist of some parameters to determine

the apparent room size, reverberation time, distance from

you to the performer, etc. In each program, these

parameters are set with values precisely calculated by

YAMAHA to create a sound field unique to the program.

It is recommended to use DSP programs without

changing the values of parameters; however, this unit also

allows you to create your own sound fields. Starting with

one of the built-in programs, you can adjust those

parameters.

Each DSP program has a set of parameters that allow you

to change the characteristics of the acoustic environment

to precisely create the effect you want. These parameters

correspond to the many natural acoustic factors that

create the sound field you experience in an actual concert

hall or other listening environment. The size of the room,

for example, affects the length of time between the early

reflections. The “ROOM SIZE” parameter provided in

many of the DSP programs alters the timing between

these reflections, thus changing the shape of the “room”

you are listening. In addition to room size, the shape of

the room and the characteristics of its surfaces have a

significant effect on the final sound. Surfaces that absorb

sound, for example, cause the reflections and

reverberations to die out more quickly, while highly

reflective surfaces allow the reflections to carry on for a

longer period of time. The digital sound field parameters

allow you to control these and many other factors that

contribute to your personal sound field, allowing you to

essentially “redesign” the concert halls, theaters, etc.

provided to create custom-tailored listening environments

that ideally match your mood and music.

See “Sound Field Parameter Descriptions”.

0111V620(UCA)_54-58_EN 1/16/1, 11:44 AM54

EnglishINTRODUCTION PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SOUND FIELD PROGRAM PARAMETER EDITINGSOUND FIELD PROGRAM PARAMETER EDITING

Changing Parameter Settings

Although it is possible to enjoy playback on your system

without changing default setting parameters for the sound

field program, it is also possible to enjoy specifically

tailor the sound field program to the characteristics of the

source and the acoustics of the listening room.

1 Set the selector dial to the DSP/TUN (or

AMP/TUN) position.

2 Turn on the video monitor

and press ON SCREEN

repeatedly to select the

full display mode.

3 Select a DSP program you want to adjust.

A/B/C/D/E

Program No. Program name (group)

Cursor

Parameters

Example of the MOVIE THEATER 1

4 Press u/d to select the

parameter.

5 Press j / i to change the

parameter value.

• When you set the parameter to a value other than the factory-

set value, an asterisk mark (*) appears by the parameter name

on the video monitor.

6 Repeat steps 3 to 5 above as necessary to

change other program parameters.

Memory back-up

The memory back-up circuit prevents the stored data

from being lost even if this unit is set in the standby

mode, the power cord is disconnected from the AC

outlet, or the power supply is temporarily cut due to

power failure. However, if the power is cut for more

than one week, the parameter value you edited will

return to the factory setting. If so, edit the parameter

value again.

Resetting a Parameter to the

Factory-set Value

Select the parameter you want to reset. Then press and

hold j or i until the value temporarily stops at the

factory-set value. The asterisk mark (*) by the parameter

name disappears on the video monitor.

Notes

• The available parameters may be displayed on more than one

OSD page for some of the programs. To scroll through pages,

press u/d.

• You cannot change parameter values when “10 MEMORY

GUARD” on the SET MENU is set to ON. If you want to

change the parameter values, set “10 MEMORY GUARD” to

OFF.

P07 MOVIE THEATER 1

P. INIT. DLY

• • 13ms

70mm Spectacle

S. DELAY

• • • • • 23ms

P. ROOM SIZE • • 1.0

S. ROOM SIZE • • 1.0

0111V620(UCA)_54-58_EN 1/16/1, 11:45 AM55

SOUND FIELD PROGRAM PARAMETER EDITING

Sound Field Parameter Descriptions

You can adjust the values of certain sound field parameters so the sound fields are recreated accurately in your listening

room.

Note

• Not all of the following parameters can be found in every program.

■ INIT.DLY (initial delay)

(P.INIT.DLY — for the presence sound field)

Function: This parameter changes the apparent distance from the sound source by adjusting the delay between the

direct sound and the first reflection heard by the listener.

Control range: 1 – 99 msec

Description: The smaller the value, the closer the sound source seems to the listener. The larger the value, the farther

the apparent distance seems. For a small room, this parameter would be set to a small value, for a large

room, set it to a large value.

INIT. DLY INIT. DLY INIT. DLY

Level

Time

Level

Sound source

Early

reflections

Time

Level

Time

Sound source

Reflection surface

Small value = 1 ms

Large value = 99 ms

■ ROOM SIZE

(P.ROOM SIZE — for the presence sound field)

Function: This parameter adjusts the apparent size of the surround sound field. The larger the value, the larger the

surround sound field becomes.

Control range: 0.1 – 2.0

Description: As the sound is repeatedly reflected around a room, the larger the hall is, the longer the time between

the original reflected sound and the subsequent reflections. By controlling the time between the

reflected sounds, you can change the apparent size of the virtual venue. Changing this parameter from

one to two, doubles the apparent length of the room.

Level

Time

Level

Time

Sound source

Early reflections

Level

Time

Sound source

First reflection

Small value = 0.1

Large value = 2.0

0111V620(UCA)_54-58_EN 1/16/1, 11:45 AM56

EnglishINTRODUCTION PREPARATION

BASIC OPERA-

TION

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

SOUND FIELD PROGRAM PARAMETER EDITINGSOUND FIELD PROGRAM PARAMETER EDITING

■ LIVENESS

Function: This parameter adjusts the reflectivity of the virtual walls in the hall by changing the rate at which the

early reflections decay.

Control range: 0 – 10

Description: The early reflections of a sound source decay much faster in a room with acoustically absorbent wall

surfaces than in one which has highly reflective surfaces. A room with acoustically absorbent surfaces

is referred to as “dead,” while a room with highly reflective surfaces is referred to as “live”. The

“LIVENESS” parameter lets you adjust the early reflection decay rate, and thus the “liveness” of the

room.

Level

Time

Dead

Level

Sound source

Time

Level

Time

Live

Sound source

Small reflected sound

Small value = 0

Large reflected sound

Large value = 10

■ S.DELAY (surround delay)

Function: This parameter adjusts the delay between the direct sound and the first reflection in the surround sound

field.

Control range: 0 – 49 msec (The range depends on the signal format.)

■ S.INIT.DLY (surround initial delay)

Function: This parameter adjusts the delay between the direct sound and the first reflection on the surround side

of the sound field. You can only adjust this parameter when at least two front channels and two rear

channels are used.

Control range: 1 – 49 msec

0111V620(UCA)_54-58_EN 1/16/1, 11:45 AM57

SOUND FIELD PROGRAM PARAMETER EDITING

■ S.ROOM SIZE (surround room size)

Function: This parameter adjusts the apparent size of the surround sound field.

Control range: 0.1 – 2.0

■ S.LIVENESS (surround liveness)

Function: This parameter adjusts the apparent reflectivity of the virtual walls in the surround sound field.

Control range: 0 – 10

■ CT.DELAY (center delay)

Function: These parameters adjust the sound delay for each channel in 5 channel stereo mode.

Control range: 0 – 50 msec

■ LS.DELAY (left surround delay)

Function: These parameters adjust the sound delay for each channel in 5 channel stereo mode.

Control range: 0 – 50 msec

■ RS.DELAY (right surround delay)

Function: These parameters adjust the sound delay for each channel in 5 channel stereo mode.

Control range: 0 – 50 msec

0111V620(UCA)_54-58_EN 1/16/1, 11:45 AM58

EnglishINTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

TROUBLESHOOTING

Refer to the chart below when the unit does not function properly. If the problem you are experiencing is not listed

below or if the instruction below does not help, set this unit in the standby mode, disconnect the power cord and contact

the nearest authorized YAMAHA dealer or service center.

■ General

Problem Cause Remedy

Refer to

page

The unit fails to turn

on when STANDBY/ON

(or POWER) is

pressed, or enters in

the standby mode

soon after the power

has been turned on.

The power cord is not connected or the plug

is not completely inserted.

Firmly connect the power cord.

The IMPEDANCE SELECTOR switch on

the rear panel is not fully set to the left or

right position.

Set the switch fully to the left or right position

when the unit is in the standby mode.

The protection circuitry has been

activated.

Make sure all speaker wire connections on

this unit and on all speakers are secure and

that the wire for each connection does not

touch anything other than its respective

connection.

No sound and/or no

picture.

Incorrect input or output cable connections. Connect the cables properly. If the problem

persists, the cables may be defective.

An appropriate input source has not been

selected.

Select an appropriate input source with

INPUT l / h or 6CH INPUT (or the input

selector buttons).

The speaker connections are not secure. Secure the connections.

The main speakers to be used have not

been selected properly.

Select the main speakers with SPEAKERS A

and/or B.

The volume is turned down. Turn up the volume.

The sound is muted. Press MUTE or any operation buttons to

cancel a mute and adjust the volume.

The picture does not

appear.

The output and input for the picture are

connected to different types of video jacks.

Make connections using the same type of jack

(between composites, S-VIDEOs, or

components) for both the input and output.

The sound suddenly

goes off.

The protection circuit has been activated

because of a short circuit, etc.

Check the IMPEDANCE SELECTOR switch

is set to the appropriate position and then turn

the unit back on.

Only the speaker on

one side can be heard.

Connect the cables properly. If the problem

persists, the cables may be defective.

16, 17

12 – 15

16, 17

APPENDIX

The sleep timer has functioned. Turn on the power, and play the source again.

Incorrect cable connections.

Check the speaker wires are not touching

each other and then turn the unit back on.

—

14, 15

16, 17

12 – 17

The sound is muted. Press MUTE or any operation buttons to

cancel a mute and adjust the volume.

Digital signals other than PCM audio,

Dolby Digital or DTS signal which this

unit cannot reproduce are being input to

this unit by playing a CD-ROM, etc.

Play a source whose signals this unit can

reproduce.

On-screen display

does not appear.

The setting for the on-screen display is set to

“DISPLAY OFF”.

Select the full display or short display mode. 20

The BLUE BACK setting under “9

DISPLAY SET” on the SET MENU is set

to OFF, and no video signal is input to this

unit.

Set BLUE BACK to AUTO to always show

the OSD.

0112V620(UCA)_59-67_EN 1/16/1, 1:21 PM59

TROUBLESHOOTING

Problem Cause Remedy

Refer to

page

No sound from the

effect speakers.

The sound effect is off.

Press EFFECT to turn it on.

A Dolby Surround, Dolby Digital or DTS

decoding DSP program is being used with

material not encoded with Dolby Surround,

Dolby Digital or DTS.

Select another DSP program.

A 96-kHz sampling digital signal is being

input to this unit.

No sound from the

center speaker.

The output level of the center speaker is set

to minimum.

Raise the level of the center speaker.

“1A CENTER SP” on the SET MENU is

set to NONE.

Select the appropriate mode for your center

speaker.

One of the Hi-Fi DSP programs (1 to 4)

has been selected.

Select another DSP program.

The source encoded with a Dolby Digital

or DTS signal does not have a center

channel signal.

No sound from the

rear speakers.

The output level of the rear speakers is set

to minimum.

Raise the output level of the rear speakers.

A monaural source is being played with the

program 9.

Select another DSP program.

No sound from the

subwoofer.

“1D LFE/BASS OUT” on the SET MENU

is set to SWFR or MAIN when a 2-channel

source is being played.

Select BOTH.

The source does not contain low bass

signals (90 Hz and below).

“1D LFE/BASS OUT” on the SET MENU

is set to MAIN when a Dolby Digital or

DTS signal is being played.

Select SWFR or BOTH.

Poor bass

reproduction.

“1D LFE/BASS OUT” on the SET MENU

is set to SWFR or BOTH and your system

does not include a subwoofer.

Select MAIN.

The output mode for each speaker (main,

center or rear) on the SET MENU does not

match your speaker configuration.

Select the appropriate output mode for each

speaker based on the size of the speakers in

your configuration.

51, 52

—

51, 52

—

36, 37

12 – 15

A “humming” sound

can be heard.

Incorrect cable connections.

Firmly connect the audio plugs. If the

problem persists, the cables may be

defective.

No connection from the turntable to the

GND terminal.

Connect the grounding cord of your

turntable to the GND terminal of this unit.

The volume level is

low while playing a

record.

The record is being played on a

turntable with an MC cartridge.

The turntable should be connected to the unit

through an MC-head amplifier.

12, 13

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EnglishINTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

TROUBLESHOOTING

Problem Cause Remedy

Refer to

page

The volume level

cannot be increased,

or the sound is

distorted.

The component connected to the REC OUT

jacks of this unit is turned off.

Turn on the power to the component.

The effect and

surround sounds

cannot be recorded.

It is not possible to record the effect and

surround sounds by a recording component.

This unit does not

operate properly.

The sound is degraded

when listening with

headphones

connected to a tape

deck or CD player that

is connected to this

unit.

There is noise

interference from

digital or high-

frequency equipment,

or the unit.

The unit is too close to the digital or high-

frequency equipment.

Move the unit further away from such

equipment.

When TUNER is

selected, the DSP

program name shown

on the display

immediately changes

to the frequency.

The OSD mode is set to short display or

display off.

If you want the DSP program name display

to be shown constantly, set the OSD mode to

full display.

A source cannot be

recorded by a digital

recording component

connected to the

DIGITAL OUTPUT jack

of this unit.

A source component is only connected to the

analog input jacks of this unit.

Connect the source component to the digital

input jacks of this unit.

The sound field

parameters and some

other settings on this

unit cannot be

changed.

“10 MEMORY GUARD” on the SET MENU

is set to ON.

Select OFF.

The internal microcomputer has been frozen

by an external electric shock (such as

lightning or excessive static electricity) or by

a power supply with low voltage.

Disconnect the AC power cord from the

outlet and then plug it in again after about

30 seconds.

This unit is in the standby mode. Turn on the power of the unit.

12 – 15

—

0112V620(UCA)_59-67_EN 1/16/1, 1:21 PM61

TROUBLESHOOTING

■ Tuner

Problem Cause Remedy

Refer to

page

FM stereo

reception is noisy.

The characteristics of FM stereo broadcasts

may cause this problem when the

transmitter is too far away or the antenna

input is poor.

Check the antenna connections.

Try using a high-quality directional FM

antenna.

Use the manual tuning method.

There is distortion,

and clear reception

cannot be obtained

even with a good

FM antenna.

There is multipath interference.

Adjust the antenna position to eliminate

multipath interference.

The desired station

cannot be tuned in

with the automatic

tuning method.

The station is too weak. Use the manual tuning method.

Use a high-quality directional FM antenna.

Previously preset

stations can no

longer be tuned in.

The unit has been disconnected for a long

period.

Re-store the stations.

The desired station

cannot be tuned in

with the automatic

tuning method.

The signal is weak or the antenna

connections are loose.

Tighten the AM loop antenna connections and

orient it for best reception.

Use the manual tuning method.

There are

continuous

crackling and

hissing noises.

Noises result from lightning, fluorescent

lamps, motors, thermostats and other

electrical equipment.

Use an outdoor antenna and a ground wire.

This will help somewhat, but it is difficult to

eliminate all noise.

There are buzzing

and whining noises

(especially in the

evening).

A TV set is being used nearby. Move this unit away from the TV.

29, 30

—

0112V620(UCA)_59-67_EN 1/16/1, 1:21 PM62

EnglishINTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

TROUBLESHOOTING

■ Remote control

Problem Cause Remedy

Refer to

page

The remote control

does not work nor

function properly.

Wrong distance or angle.

The remote control will function within a

maximum range of 6 m (20 feet) and no more

than 30 degrees off-axis from the front panel.

Direct sunlight or lighting (from an

inverter type of fluorescent lamp, etc.) is

striking the remote control sensor of this

unit.

Reposition the unit.

The batteries are weak. Replace all batteries with new ones.

The unit or other

component cannot be

controlled.

The component to be controlled has not been

selected.

Set the selector dial to the appropriate position,

corresponding to the component to be

controlled.

The remote control cannot control system

components.

The manufacturer code has not been set up

properly.

Enter the code again.

Try setting another code for the same

manufacturer.

Depending on the manufacturer or the

model, some components cannot be

controlled with this unit’s remote control

even though the code has been set up

properly.

Use the original remote control supplied with

your component.

—

After this unit has been exposed to a strong external electric shock (such as lightning and strong static electricity) or if

you mishandle the operation of this unit, it may not function properly. In these cases, set this unit in the standby mode,

disconnect the power cord, plug it back in after 30 seconds, and start operating.

0112V620(UCA)_59-67_EN 1/16/1, 1:21 PM63

SPECIFICATIONS

AUDIO SECTION

• Minimum RMS Output Power for Main, Center, Rear

20 Hz to 20 kHz, 0.06% THD, 8 ohms

[U.S.A. and Canada models] ............................................ 100 W

[Australia, Singapore, China and General models] ............ 90 W

1 kHz, 0.09% THD, 8 ohms

[U.S.A. and Canada models] ............................................ 110 W

1 kHz, 0.06% THD, 8 ohms

[Australia, Singapore, China and General models] .......... 100 W

• Maximum Power (EIAJ)

[China and General models]

1 kHz, 10% THD, 8 ohms ................................................... 115 W

• Dynamic Power (IHF)

8/6/4/2 ohms

[U.S.A. and Canada models] ....................... 130/150/190/240 W

[Australia, Singapore, China and General models]

..................................................................... 120/140/175/210 W

• Damping Factor

20 Hz to 20 kHz, 8 ohms .............................................. 80 or more

• Frequency Response

CD to Main L/R...................................... 10 Hz to 100 kHz, –3 dB

• RIAA Equalization Deviation

PHONO (MM) .................................................................. ±0.5 dB

• Total Harmonic Distortion

PHONO MM (20 Hz to 20 kHz, 1 V, REC OUT) .... 0.02% or less

CD, etc. (20 Hz to 20 kHz, 45 W, 8 ohms, Main L/R)

............................................................................... 0.06% or less

• Signal to Noise Ratio (IHF-A Network)

PHONO MM to REC OUT (5 mV, shorted)

[U.S.A., Canada, China and General models] ...... 86 dB or more

[Australia and Singapore models] ........................ 81 dB or more

CD (250 mV, shorted) to Main L/R, Effect Off .... 100 dB or more

• Residual Noise (IHF-A Network)

Main L/R ................................................................ 150 µV or less

• Channel Separation (1 kHz/10 kHz)

CD (5.1 kohms terminated) to Main L/R .................. 60 dB/45 dB

• Tone Control (Main L/R)

BASS Boost/Cut ...................................................... ±10 dB/50 Hz

TREBLE Boost/Cut............................................... ±10 dB/20 kHz

BASS EXTENSION ................................................. +6 dB/60 Hz

• Phones Output ..................................................... 400 mV/560 ohms

• Input Sensitivity

CD, etc .............................................................. 150 mV/47 kohms

PHONO ............................................................. 2.5 mV/47 kohms

6CH INPUT...................................................... 150 mV/47 kohms

• Maximum Input Signal

PHONO MM (1 kHz, 0.1% THD) ...................... 100 mV or more

CD, etc. (1 kHz, 0.5% THD) ....................................2.2 V or more

• Output Level

REC OUT ........................................................ 150 mV/1.2 kohms

SUBWOOFER .................................................... 4.0 V/1.2 kohms

VIDEO SECTION

• Video Signal Type

[U.S.A., Canada, China and General models] ...................... NTSC

[Australia and Singapore models] ........................................... PAL

• Composite Video Signal Level ................................ 1 Vp-p/75 ohms

• S-Video Signal Level

Y ........................................................................... 1 Vp-p/75 ohms

C .................................................................... 0.286 Vp-p/75 ohms

• Component Video Signal Level

Y ........................................................................... 1 Vp-p/75 ohms

, P

....................................................... 0.7 Vp-p/75 ohms

• Signal to Noise Ratio .................................................. 50 dB or more

• Frequency Response (MONITOR OUT)

Composite, S-Video ................................. 5 Hz to 10 MHz, –3 dB

Component ................................................. DC to 30 MHz, –3 dB

FM SECTION

• Tuning Range

[U.S.A. and Canada models] ............................87.5 to 107.9 MHz

[Australia, Singapore, China and General models]

...................................................................87.50 to 108.00 MHz

• 50 dB Quieting Sensitivity (IHF, 100% mod.)

Mono/Stereo ........................ 1.6 µV (15.3 dBf) /23 µV (38.5 dBf)

• Alternate Channel Selectivity (400 kHz) ................................ 75 dB

• Signal to Noise Ratio (IHF)

Mono/Stereo .............................................................. 81 dB/75 dB

• Harmonic Distortion (1 kHz)

Mono/Stereo ................................................................. 0.1%/0.2%

• Stereo Separation (1 kHz) ....................................................... 48 dB

• Frequency Response (20 Hz to 15 kHz) .................................. ±1 dB

AM SECTION

• Tuning Range

[U.S.A. and Canada models] ............................... 530 to 1710 kHz

[Australia and Singapore models] ....................... 531 to 1611 kHz

[China and General models]

10 kHz step ....................................................... 530 to 1710 kHz

9 kHz step ......................................................... 531 to 1611 kHz

• Usable Sensitivity ............................................................. 300 µV/m

• Signal to Noise Ratio ............................................................... 52 dB

GENERAL

• Power Supply

[U.S.A. and Canada models] ...............................AC 120 V/60 Hz

[Australia model]................................................. AC 240 V/50 Hz

[Singapore model] ............................................... AC 230 V/50 Hz

[China model] ...................................................... AC 220 V/50 Hz

[General model]........................ AC 110/120/220/240 V, 50/60 Hz

• Power Consumption

[U.S.A., Australia, Singapore, China and General models]

.......................................................................................... 260 W

[Canada model] ...................................................... 260 W/330 VA

Standby Mode

[U.S.A. and Canada models] ............................................. 0.8 W

[Australia and Singapore models] ..................................... 0.9 W

• Maximum Power Consumption

[General model only]

5-ch, 10% THD ................................................................... 610 W

• AC Outlets (Total 100 W maximum)

[U.S.A., Canada, Singapore, China and General models]

...........................................................................2 (SWITCHED)

[Australia model]..................................................1 (SWITCHED)

• Dimension (W x H x D) ...................................435 x 151 x 390 mm

• Weight ................................................................................... 10.5 kg

• Accessories .............................................................. Remote Control

.......................................................................................Batteries

......................................................................... AM loop antenna

...................................................................... Indoor FM antenna

................................................................. Quick Reference Card

........................................................................Connection Guide

* Specifications are subject to change without notice.

0112V620(UCA)_59-67_EN 1/16/1, 1:21 PM64

EnglishINTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

GLOSSARY

■ Dolby Surround

Dolby Surround uses a four analog channel recording

system to reproduce realistic and dynamic sound effects:

two left and right main channels (stereo), a center channel

for dialog (monaural), and a rear channel for special

sound effects (monaural). The rear channel reproduces

sound within a narrow frequency range.

Dolby Surround is widely used with nearly all video tapes

and laser discs, and in many TV and cable broadcasts as

well. The Dolby Pro Logic decoder built into this unit

employs a digital signal processing system that

automatically stabilizes the volume on each channel to

enhance moving sound effects and directionality.

■ Dolby Digital

Dolby Digital is a digital surround sound system that

gives you completely independent multi-channel audio.

With three front channels (left, center and right), and two

rear stereo channels, Dolby Digital provides five full-

range audio channels. With an additional channel

especially for bass effects, called LFE (low frequency

effect), the system has a total of 5.1 channels (LFE is

counted as 0.1 channel).

Using two-channel stereo for the rear speakers, more

accurate moving sound effects and surround sound

environment are possible than with Dolby Surround. The

wide dynamic range (from maximum to minimum

volume) reproduced by the five full-range channels and

the precise sound orientation generated using digital

sound processing provide listeners with previously

unheard of excitement and realism.

With this unit, any sound environment from monaural up

to a 5.1-channel configuration can be freely selected for

your enjoyment.

■ DTS (Digital Theater Systems)

Digital Surround

DTS digital surround was developed to replace the analog

soundtracks of movies with a six-channel digital sound

track, and is now rapidly gaining popularity in movie

theaters around the world. Digital Theater Systems Inc.

has developed a home theater system so that you can

enjoy the depth of sound and natural spatial

representation of DTS digital surround in your home.

This system is practically distortion-free, clear 6-channel

sound (technically, a left, right and center channels, two

rear channels, plus an LFE 0.1 channel as a subwoofer,

for a total of 5.1 channels).

■ LFE 0.1 channel

This channel is for the reproduction of low bass signals.

The frequency range for this channel is 20 Hz to 120 Hz.

This channel is counted as 0.1 because it only enforces a

low frequency range compared to the full-range

reproduced by the other 5 channels in a Dolby Digital or

DTS 5.1 channel systems.

■ CINEMA DSP

DIGITAL

Since the Dolby Surround and DTS systems were

originally designed for use in movie theaters, their effect

is best felt in a theater having many speakers and

designed for acoustic effects. Since home conditions,

such as room size, wall material, number of speakers, and

so on, can differ so widely, it’s inevitable that there are

differences in the sound heard as well. Based on a wealth

of actually measured data, YAMAHA CINEMA DSP uses

YAMAHA original sound field technology to combine

Dolby Pro Logic, Dolby Digital and DTS systems to

provide the visual and audio experience of movie theater

in the listening room of your own home.

■ SILENT CINEMA

YAMAHA has developed a natural, realistic sound effect

DSP algorithm for headphones.

Parameters for headphones have been set for each sound

field so that accurate representations of all the sound field

programs can be enjoyed on headphones.

■ Virtual CINEMA DSP

YAMAHA has developed a virtual CINEMA DSP

algorithm that allows you to enjoy DSP sound field

surround effects even without any rear speakers by using

virtual rear speakers.

It is even possible to enjoy virtual CINEMA DSP in a

minimum two-speaker system that does not include a

center speaker.

0112V620(UCA)_59-67_EN 1/16/1, 1:21 PM65

GLOSSARY

■ S VIDEO signal

With S VIDEO signal system, the video signal normally

transmitted using a pin cable is separated and transmitted

as the Y signal for the luminance and the C signal for the

chrominance through the S VIDEO cable. Using the S

VIDEO jack eliminates video signal transmission loss and

allows recording and playback of even more beautiful

images.

■ Component video signal

With the component video signal system, the video signal

is separated into the Y signal for the luminance and the

and P

signals for the chrominance. Color can

be reproduced more faithfully with this system because

each of these signals is independent. The component

signal is also called the “color difference signal” because

the luminance signal is subtracted from the color signal.

A monitor with component input jacks is required in order

to use the component signal for output.

■ PCM (Linear PCM)

Linear PCM is a signal format under which an analog

audio signal is digitized, recorded and transmitted without

using any compression. This is used as a method of

recording CDs and DVD audio. The PCM system uses a

technique for sampling the size of the analog signal per

very small unit of time. Standing for “pulse code

modulation”, the analog signal is encoded as pulses and

then modulated for recording.

■ Sampling frequency and number

of quantized bits

When digitizing an analog audio signal, the number of

times the signal is sampled per second is called the

sampling frequency, while the degree of fineness when

converting the sound level into a numeric value is called

the number of quantized bits.

The range of rates that can be played back is determined

based on the sampling rate, while the dynamic range

representing the sound level difference is determined by

the number of quantized bits. In principle, the higher the

sampling frequency, the wider the range of frequencies

that can be played back, and the higher the number of

quantized bits, the more finely the sound level can be

reproduced.

■ I/O assignment (SET MENU)

Although component is normally connected according to

jack names shown on the rear panel, this unit includes a

function that assigns jacks according to the component

being connected. If the component being used differs

from the component name shown for this unit’s

component video input jacks or digital input/output jacks,

it is possible to assign jacks according to the component

being connected. This makes it possible to change the

jack assignment and effectively connect more component.

0112V620(UCA)_59-67_EN 1/16/1, 1:21 PM66

EnglishINTRODUCTION PREPARATION

BASIC

OPERAIONT

ADVANCED

OPERATION

ADDITIONAL

INFORMATION

APPENDIX

INDEX

Accesories ................................................................................... 3

AC outlets .................................................................................. 18

Antennas .................................................................................... 29

Balance (L/R BALANCE) (SET MENU) ................................. 38

BGV function ............................................................................ 25

CBL/SAT position ..................................................................... 48

CD position................................................................................ 46

CINEMA DSP ..................................................................... 52, 65

Component video ...................................................................... 66

Connections

Antennas ............................................................................. 29

Audio components (MD recorder, CD recorder,

CD player and turntable) .................................................... 12

External decoder ................................................................. 13

Power supply cords ............................................................ 18

Speakers ............................................................................. 16

Video components (DVD player, VCR and

TV/digital TV or cable TV/satellite tuner) ......................... 14

Delay time ................................................................................. 41

DISPLAY SET (SET MENU)

BLUE BACK ..................................................................... 41

DIMMER ........................................................................... 41

OSD SHIFT ........................................................................ 41

DOLBY D. SET (SET MENU)

D-RANGE .......................................................................... 40

LFE LEVEL ....................................................................... 40

Dolby Digital ............................................................................. 65

Dolby Surround (Dolby Pro Logic)........................................... 65

DSP program

CINEMA DSP program...................................................... 51

Hi-Fi DSP program............................................................. 51

DTS ........................................................................................... 65

DTS SET (SET MENU) ............................................................ 40

Dust protection cap.................................................................... 12

DVD/LD position ...................................................................... 47

DVD MENU position................................................................ 47

External decoder ........................................................................ 13

Front panel................................................................................... 4

Front panel display ...................................................................... 9

HP TONE CTRL (SET MENU) ................................................ 39

IMPEDANCE SELECTOR switch ........................................... 18

INPUT MODE (SET MENU) ................................................... 39

Input modes ............................................................................... 25

I/O ASSIGNMENT (SET MENU)...................................... 39, 66

LFE ...................................................................................... 40, 65

Manufacturer codes ................................................................ 49, i

Memory back-up ..................................................... 31, 36, 42, 55

MEMORY GUARD (SET MENU)........................................... 41

Muting ....................................................................................... 24

PCM........................................................................................... 66

PHONO jacks ............................................................................ 12

Playing ....................................................................................... 23

Power supply cords ................................................................... 18

Preset stations

Exchanging preset station................................................... 33

Tuning in to a preset station ............................................... 32

Presetting stations

Automatic presetting .......................................................... 31

Manulal presetting .............................................................. 32

Rear panel .................................................................................. 10

Recording .................................................................................. 34

Remote control

Basic operation ..................................................................... 6

Batteries................................................................................ 3

Operation range .................................................................... 8

Setup codes ......................................................................... 49

Sampling frequency............................................................. 24, 66

Selector dial ........................................................................... 6, 44

SET MENU ............................................................................... 35

SILENT CINEMA............................................................... 28, 65

Sleep timer................................................................................. 43

Sound field ................................................................................ 54

SP DELAY TIME (SET MENU) .............................................. 41

Speaker

Output levels (LEVEL mode) ............................................ 36

Output mode (SET MENU) ............................................... 20

Placement ........................................................................... 11

Output balance (test tone) .................................................. 21

SPEAKER SET (SET MENU)

CENTER SP ....................................................................... 36

LFE/BASS OUT ................................................................ 38

MAIN LEVEL.................................................................... 38

MAIN SP ............................................................................ 37

REAR L/R SP..................................................................... 37

Stereo reproduction ................................................................... 28

Subwoofer ................................................................................. 17

S VIDEO ................................................................................... 66

TAPE/MD position .................................................................... 46

Test tone (TEST DOLBY SUR.) ............................................... 21

TV position ................................................................................ 48

Tuning

Automatic tuning ................................................................ 30

Manual tuning .................................................................... 30

VCR position ............................................................................. 48

Video jacks ................................................................................ 14

Virtual CINEMA DSP ......................................................... 28, 65

0112V620(UCA)_59-67_EN 1/16/1, 1:21 PM67

LIST OF MANUFACTURER CODES

LISTES DES CODES FABRICANT

A-MARK 1161

A TANDY 0941

ABEX 1151

ADMIRA 1141

ADVENTURA 1131

AIKO 1121

AIWA 1481

AKAI 0331, 1101, 1111

ALBA 0431

ALLERON 1091

AMBASSADOR 1081

AMSTRAD 0481, 1081

ANAM 0251, 1041, 1051,

1061, 1071

ANAM NATIONAL 1041

AOC 0361, 1021, 1031,

1111, 1161

ARCHER 1161

AUDIOSONIC 1001

AUDIOVOX 1051, 1161

BAUER 0441

BAUR 1001

BEIJING 1511, 1551, 1561

BELCOR 1031

BELL & HOWELL 0981, 0991

BEON 1001

BRADFORD 1051

BROCKWOOD 1031

BROKSONIC 1161

BUSH 1001

CANDLE 0351, 0361, 0961,

0971, 1111, 1131

CAPEHART 1021

CARVER 0101

CATHAY 1001

CELEBRITY 0951

CENTURION 0411

CHANGHONG 1541, 1551, 1561,

1621

CITIZEN 0351, 0361, 0921,

0931, 0941, 0961,

0971, 1111, 1121,

1131

CLAIRTONE 1011

CLARIVOX 1001

CONCERTO 0351, 0971

CONROWA 1751

CONTEC 0901, 0911, 1011,

1051

CORANDO 0941

CRAIG 0251, 1051

CROWN 0941, 1051

CURTIS MATHES 0161, 0361,

0931, 0941,

0981, 1111

CXC 1051

DAEWOO 0291, 0301, 0331,

0721, 0941, 1001,

1031, 1121, 1191,

1531, 1581, 1591,

1601

DANSAI 1001

DAYTRON 0941, 1031

DECCA 0271, 1001

DIXI 0331, 1001, 1071

DUMONT 0891, 1031

DYNATECH 0881

ELECTROBAND 0951, 1011

ELECTROHOME 0941

ELECTRON 0941

ELIN 1001

ELTA 0331

EMERSON 0001, 0021, 0061,

0071, 0081, 0091,

0111, 0811, 0821,

0831, 0841, 0851,

0861, 0871, 0901,

0921, 0941, 0981,

1011, 1031, 1051,

1081, 1091

ENVISION 0361, 1111

ERRES 1001

ETRON 0331

FERGUSON 1001

FINLUX 1001

FISHER 0171, 0801, 0981

FORMENTI 0441

FORMONTI 1001

FORTRESS 1141

FUJITSU 1091

FUNAI 1051, 1091, 1501,

1521

FUTURETECH 1051

GE 0131, 0161, 0201,

0751, 0761, 0771,

0781, 0791, 0811,

0861, 1041

GEC 0271, 1001

GEMINI 0391

GENEXXA 0431

GIBRALTER 0891, 1031, 1111

GOLDSTAR 0031, 0121, 0351,

0411, 0731, 0741,

0861, 0941, 0971,

1001, 1031, 1111,

1151

GOODMANS/TASHIKO

0271, 0661, 1001

GRANADA 1001

GRUNDIG 1781, 1791, 1801,

1811, 1821, 1831,

1841, 1851, 1861,

1871, 1881

GUNPY 1051, 1091

H/K 0721

HALLMARK 0861

HANSEATIC 1001

HARVARD 1051, 1061

HINARI 1001, 1091

HITACHI 0181, 0351, 0671,

0681, 0691, 0701,

0711, 0871, 0941,

0971, 1351

HYPSON 1001

IMA 1051

INDIANA 1001

INFINITY REFERENCE

0101

INTERFUNK 1001

ITT 0611

JANEIL 1131

JBL 0101

JCB 0951

JENSEN 0311

JINXING 1531, 1541, 1551,

1561, 1571, 1621,

1631, 1641, 1651,

1691, 1731

JVC (VICTOR) 0261, 0281, 0641,

0651, 0661, 0841,

1201, 1211, 1221

KAWASHO 0901

KAYPANI 1021

KENWOOD 0361, 1031, 1111

KLOSS 0631, 0721, 1131

KTV 0921, 0941, 1011,

1051, 1111

LEYCO 1001

LIESENK & TTER 1001

LLOYTRON 0941

LOEWE 1001

LOGIK 0991, 1771

LUXMAN 0351, 0971

LXI 0101, 0621, 0761,

0861, 0981

MAGNAVOX 0101, 0341, 0391,

0401, 0411, 0421,

0581, 0591, 0601,

0611, 0631, 0661,

0961, 1111

MAJESTIC 0991

MARANTZ 0101, 0221, 0361,

1001, 1111

MARK 1001

MATSUI 0271, 0331, 1001

MEDIATOR 1001

MEGATRON 0691, 0861, 1161

MEI 1011

M-ELECTRONIC 1001

MEMOREX 0331, 0571, 0861,

0971, 0981, 0991,

1771

METZ 1791, 1831, 1891,

1901, 1911, 1921,

1931, 1941

MGA 0361, 0561, 0571,

0861, 1031, 1111

MIDLAND 0751, 0761, 0891,

0941, 1151

MITSUBISHI 0221, 0321, 0561,

0571, 0661, 0861,

1031, 1101, 1381

MONTGOMERY 1091

MOTOROLA 1041, 1141

MTC 0351, 0361, 0881,

0931, 0971, 1011,

1031, 1111

MULTITECH 0881, 1051

NAD 0551, 0621, 0861

NEC 0241, 0351, 0361,

0661, 0971, 1031,

1111, 1321, 1711

NECKERMANN 1001

NEI 1001

NIKKAI 0271, 0431, 1001,

1151

NIKKO 0861, 1111, 1121

NOVABEAM 0721

NTC 1121

ONWA 1051

OPTIMUS 0551

OPTONICA 0541, 1141

ORION 0831, 1001

OSAKI 0271, 1151

OTTO VERSAND 1001

PANASONIC 0101, 0191, 0251,

0751, 1041, 1311,

1371, 1431

PANDA 1541, 1721

PENNY 0161, 0361, 0521,

0531, 0621, 0731,

0751, 0761, 0781,

0791, 0861, 0931,

0941, 1031, 1041,

1111, 1151, 1161

PEONY 1561, 1621

PHILCO 0361, 0581, 0591,

0601, 0611, 0631,

0961, 1031, 1111

PHILIPS 0101, 0401, 1001

PHONOLA 1001

PILOT 0941, 1031, 1111

PIONEER 0511, 0551, 0871

PORTLAND 0941, 1031, 1121

PRICECLUB 0931

PRISM 0751

PROSCAN 0761

PROTECH 1001

PROTON 0501, 0861, 0941,

1021, 1161

PULSAR 0891

PULSER 1031

QUASAR 0251, 0751, 1041

QUELLE 1001

RADIO SHACK 0541, 0941,

1031, 1051,

1151

RADIOLA 1001

RCA 0051, 0141, 0151,

0181, 0411, 0491,

0531, 0761, 0771,

0871, 1031

REALISTIC 0541, 0861, 0941,

0971, 0981, 1031,

1051, 1111, 1151

RHAPSODY 1011

R-LINE 1001

RUNCO 0891, 1111

SAISHO 0331, 1081

SAMPO 0361, 0941, 1021,

1111, 1151

SAMSUNG 0331, 0341, 0351,

0361, 0861, 0931,

0941, 0971, 1001,

1031, 1111, 1151

SAMSUX 0941

SANYO 0171, 0231, 0271,

0661, 0801, 0911,

0981, 1231, 1251,

1261

SBR 1001

SCHEIDER 1001

SCIMITSU 1031

SCOTCH 0861

SCOTT 0831, 0861, 0941,

1031, 1051, 1091

SEARS 0101, 0161, 0171,

0351, 0481, 0521,

0621, 0761, 0801,

0861, 0971, 0981,

1091

SHANGHAI 1561, 1681

SHARP 0461, 0471, 0541,

0661, 0911, 0941,

1141, 1241, 1271

SHOGUN 1031

SIGNATURE 0991, 1771

SIMPSON 0581, 0961

SOLAVOX 1151

SONOKO 1001

03V620_code(US/UCA) 1/16/1, 1:25 PM2

SONTEC 1001

SONY 0371, 0451, 0661,

0841, 0951, 1281,

1441

SOUNDESIGN 0861, 0961, 1051,

1091

SOUNDWAVE 1001

SPECTRICON 1161

SQUAREVIEW 0481

SSS 1031, 1051

STAR-LITE 1051

SUPREM 0951

SUPRE-MACY 1131

SURPA 0351, 0971

SYLVANIA 0101, 0361, 0441,

0581, 0591, 0601,

0611, 0631, 0961,

1111

SYMPHONIC 0481

SYSLINE 1001

TANDY 0271, 0431, 1141

TATUNG 0271, 0881, 1001,

1041, 1161

TCL 1561, 1631, 1701

TECHNICS 0751

TECHWOOD 0351, 0751, 0971

TEKNIKA 0101, 0351, 0571,

0931, 0941, 0961,

0971, 0991, 1031,

1051, 1091, 1121,

1131, 1771

TELETECH 0331

TERA 0501

THAKRAL 1671

THORM 1001

TMK 0351, 0861, 0971,

1081

TOSHIBA 0381, 0521, 0621,

0661, 0931, 0981,

1301

TOSONIC 1011

TOTEVISION 0941

TRICAL 0911

UNIVERSAL 0781, 0791

UNIVERSUM 1001

VECTOR RESEARCH 0361,

1111

VESTEL 1001

VIDEO CONCEPT 1101

VIDIKRON 0101, 0211

VIDTECH 0861, 1031

VIKING 1131

WARDS 0101, 0361, 0451,

0541, 0581, 0591,

0601, 0611, 0771,

0781, 0791, 0861,

0971, 0991, 1031,

1091, 1111, 1771

WATSON 1001

XOGEGO 1611, 1621, 1661,

1741, 1761

YAMAHA 0361, 1031, 1111

YOKO 1001

ZENITH 0011, 0041, 0891,

0991, 1771

ZONDA 1161

CABLE TV

ABC 0256, 0376

ANTRONIX 0136

ARCHER 0136, 0286

BBT 0076

CABLETIME 0166

CABLEVISION 0196

COLOUR VOICE 0306, 0346

COMTRONICS 0216, 0276

EAGLE COMTRONICS

0276

EASTERN 0066

ELECTRICORD 0206

ELECTUS 0266

GE 0116, 0126

GEC CABLE SYSTEM

0196

HAMLIN H5 0676

HAMLIN H6 0666

HAMLIN H6S 0656

HAMLIN H8 0646

HAMLIN H9 0636

JERROLD 0256

JERROLD 400L 0626

JERROLD 450L 0616

JERROLD 550 0606

JERROLD OSD CATV

0596

JERROLD SPRUCER

0436

MAGNAVOX/PHILIPS

0416, 0426

MAMM 0296

MEMOREX 0386

MOVIE TIME 0146, 0206

NORTHCOAST 0016

NSC 0146

OAK 0106

OAK SIGMA 450 0546

OAK SIGMA 550 0536

PANASONIC TZ 120/130

0476

PANASONIC TZ 170/180

0446

PANASONIC TZ140 0466

PANASONIC TZ150/160

0456

PARAGON 0386

PHILIPS 0036, 0216, 0306,

0316, 0326, 0336,

0346

PIONEER 0006, 0086

PIONEER BR50 0846

PIONEER BR60/70/80/81/82

0696

PIONEER BR90 0556

PULSAR 0386

RCA DIGITAL SATELLITE

SYSTEM 0396, 0406

REALISTIC 0136

REGENCY/EASTERN 0686

RUNCO 0386

SAMSUNG 0276

SCIENTIFIC ATLANTA 175/475

0576

SCIENTIFIC ATLANTA 75

0366, 0586

SCIENTIFIC ATLANTA 8650

0566

SIGNAL 0276

SL MARX 0276

SPECTAVISION 0236

STANDARD COMPONENTS

0186

STARCOM V 0256

STARGATE 0276

SYLVANIA/TEXSCAN

0376, 0496

TEKNIKA 0176

TELESERVICE 0056

TELEVIEW 0276

TEXSCAN 0186, 0376

TFC 0026

TOCOM 0226, 0356

TOCOM 5503A 0526

TOCOM 5503VIP/5507 0516

TOCOM TC56 0506

TOSHIBA 0386

TUDI 0046

UNIKA 0136

UNIVERSAL 0136, 0156, 0206,

0286

VIDEOWAY 0096

VIEWSTAR 0216

ZENITH 0246, 0386, 0486

SATELLITE TUNER

ALPHA STAR 0826

CHAPARRAL 0756

ECHOSTAR 0836

GENERAL INSTRUMENT

0776, 0876

HTS 0836

HUGHES NETWORK SYSTEMS

0816

JERROLD 0776, 0786

PANASONIC 0806

PRIMESTAR 0776, 0786

RCA 0766

SONY 0796

(DSS)

HITACHI 0856

MAGNAVOX 0886

MEMOREX 0886

PHILIPS 0886

STAR CHOICE 0876

TOSHIBA 0866

UNIDEN 0886

VCR

A TANDY 0902

ADVENTURA 0992

AIKO 0982

AIWA 0992

AKAI 0262, 0942, 0952,

0962, 0972

AMERICAN HIGH 0932

AMSTRAD 0992

ASA 0002, 0912

ASHA 0922

AUDIO DYNAMICS 0202

AUDIOVOX 0912

BEAUMARK 0922

BELL & HOWELL 0902

BLAUPUNKT 0412

BROKSONIC 0872, 0882, 0892

BUSH 0852

CALIX 0912

CANON 0862, 0932

CCE 0852, 0982

CITIZEN 0912, 0982

COLT 0852

CRAIG 0832, 0842, 0852,

0912, 0922

CURTIS MATHES 0662, 0822,

0932

CYBERNEX 0922

DAEWOO 0802, 0812, 0982

DBX 0202

DYNATECH 0472, 0992

ELECTROHOME 0912

ELECTROPHONIC 0912

EMEREX 0792

EMERSON 0072, 0132, 0142,

0152, 0162, 0172,

0182, 0192, 0212,

0702, 0712, 0722,

0732, 0742, 0752,

0762, 0772, 0782,

0872, 0882, 0892,

0912, 0952, 0992,

1072

FINLUX 0002, 0992

FISHER 0682, 0692, 0842,

0902

FUJI 0672, 0932

FUNAI 0992

GARRARD 0992

GE 0662, 0822, 0932

GO VIDEO 0642, 0652

GOLDSTAR 0082, 0632, 0912

GOODMANS 0402

GRADIENTE 0992

GRANDA 0612, 0902

GRUNDIG 0002

H/K 1082

HARLEY DAVIDSON

0992

HARMAN/KARDON

0632,1082

HARWOOD 0752, 0852

HEADQUARTER 0612

HI-Q 0842

HINARI 0852

HITACHI 0102, 0562, 0572,

0582, 0592, 0602,

0992

ITT 0942

JVC (VICTOR) 0202, 0522, 0532,

0542, 0552

KENWOOD 0202, 0542, 0612,

0632, 0902

KLH 0852

KODAK 0912, 0932

LLOYD 0992

LOGIK 0852

LUXOR 0942

LXI 0022, 0912

MAGNAVOX 0002, 0482, 0492,

0502, 0512, 0932

MAGNIN 0922

MARANTZ 0002, 0202, 0402,

0632, 0932

MARTA 0912

MATSUSHITA 0932

MATSUI 0722

MEI 0222, 0932

MEMOREX 0232, 0242, 0472,

0512, 0612, 0842,

0902, 0912, 0922,

0932, 0992

MGA 0762, 0952

MGA TECHNOLOGY

0922

MINOLTA 0592, 0602

MITSUBISHI 0452, 0462, 0542,

0762, 0952, 1082

MOTOROLA 0472, 0932

MTC 0922, 0992

MULTITECH 0852, 0992

NAD 0442

03V620_code(US/UCA) 1/16/1, 1:25 PM3

iii

NEC 0122, 0202, 0292,

0422, 0432, 0542,

0632

NIKKO 0912

NOBLEX 0922

OLYMPUS 0412, 0932

OPTIMUS 0442, 0472, 0912

OPTONICA 0402

ORION 0212, 0722, 0742,

0772

OSAKI 0912

PANASONIC 0012, 0052, 0092,

0222, 0372, 0382,

0392, 0412, 0932

PENNY 0202, 0432, 0602,

0632, 0692, 0912,

0922, 0932

PENTAX 0592, 0602

PERDIO 0992

PHILCO 0002, 0932

PHILIPS 0002, 0282, 0402,

0492, 0932

PILOT 0912

PIONEER 0442, 0542

PROSCAN 1002, 1012, 1022,

1032, 1042, 1052,

1062

PULSAR 0512

QUARTER 0612

QUARTZ 0272, 0612

QUASAR 0382, 0392, 0932

RADIO SHACK 0912, 0992

RADIX 0912

RANDEX 0912

RCA 0112, 0382, 0392,

0482, 0592, 0602,

0662, 0822, 0942

REALISTIC 0402, 0472, 0612,

0682, 0842, 0902,

0912, 0922, 0932,

0992

RICOH 0352, 0362

SAISHO 0212, 0582, 0722,

0732, 0742, 0772

SALORA 0612, 0762

SAMSUNG 0212, 0312, 0922,

0962

SANKY 0472, 0512

SANSUI 0292, 0542, 0832

SANYO 0242, 0612, 0842,

0902, 0922

SBR 0002, 0282

SCHEIDER 0852

SCOTT 0342, 0712, 0762,

0872, 0882, 0892

SEARS 0302, 0592, 0602,

0612, 0682, 0692,

0842, 0902, 0912,

0932

SHARP 0402, 0472

SHINTOM 0852

SHOGUN 0922

SINGER 0852

SONY 0032, 0332, 0352,

0362, 0672, 0792,

0932

STS 0602

SUNPAK 0352

SYLVANIA 0002, 0492, 0502,

0762, 0932, 0992

SYMPHONIC 0992

TANDY 0992

TASHIKO 0712, 0992

TEAC 0992

TECHNICS 0932

TEKNIKA 0322, 0912, 0932,

0992

TELEFUNKEN 0252

TMK 0212, 0732, 0772,

0922

TOSHIBA 0062, 0302, 0342,

0622, 0682, 0712,

0762

TOTEVISION 0912, 0922

UNITECH 0922

VECTOR RESEARCH

0202, 0432, 0632

VIDEO CONCEPTS

0202, 0432, 0632,

0952

WARDS 0322, 0402, 0472,

0482, 0602, 0712,

0842, 0852, 0922,

0932, 0992

YAMAHA 0202, 0632

ZENITH 0042, 0362, 0512,

0672

DVD PLAYER

AKAI 0108

DENON 0368

HITACHI 0388

JVC 0168, 0348

KENWOOD 0288

MAGNAVOX 0248

MITSUBISHI 0268

ONKYO 0128, 0248

PANASONIC 0048

PHILIPS 0188, 0248

PIONEER 0208, 0228

PROSCAN 0308

RCA 0308

SAMSUNG 0148

SHARP 0068

SONY 0028

TECHNICS 0048

THOMSON 0328

TOSHIBA 0088, 0248

YAMAHA 0008, 0048, 0188,

0248

ZENITH 0248

LD PLAYER

AIWA 0157

DENON 0147

DISCO VISION 0017

FUNAI 0157

HITACHI (E) 0017

KENWOOD 0087, 0107

MAGNAVOX 0027

MARANTZ 0027

MITSUBISHI 0137

NAD 0137

PANASONIC 0077, 0177

PHILIPS 0027

PIONEER 0017, 0037, 0137

RCA 0167

REALISTIC 0157

SHARP 0127

SONY 0047, 0057, 0117

VICTOR 0097

YAMAHA 0007, 0067

CD PLAYER

ACOUSTIC RESEARCH

1295

ADC 0025, 0065

ADCOM 0205, 0255, 1015

ADS 0265

AIWA 0295, 0945, 1035,

1055

AKAI 0175, 0485, 0535

ALPINE 1215, 1305

AUDIO-TECHNICA 0545

BSR 0245, 0655, 0775

CALIFORNIA AUDIO LAB

0055

CAPETRONIC 1205

CARRERA 0245

CARVER 0285, 1135

CASIO 0345

CROWN 0185

CURTIS MATHS 0345

DENON 0275, 0875, 0885

DEUAL (E) 0505

DYNAMIC BASS (H)

0555

EMERSON 0205, 0325, 1105

EROICA 1275

FISHER 0095, 0555, 0925,

1005

GARRARD 0365

GENEXXA 0305, 0325, 1105

GOLDSTAR 1135, 1225, 1265,

1335

H/K 0105, 0175, 0465,

0995

HITACHI 0195, 0205, 0505,

0815

INKEL 0115, 0395

JVC (VICTOR) 0315

KENWOOD 0045, 0095, 0405,

0585, 0725, 0735,

0745, 0755, 0895

KYOCERA 0025

LUXMAN 0075, 0425, 0675,

0705, 0715, 0985

MAGNAVOX 0165, 0215, 0645,

0955

MARANTZ 0215, 0235, 0375,

0785, 1345

MCINTOSH 0355, 1085

MCS 0905, 1315

MEMOREX 0205, 0225, 0235,

0305, 0325, 1105

MGA 0135

MISSION 0215

MITSUBISHI 0135, 0445

MTC 1255

NAD 0035, 0615, 0685,

0695

NAKAMICHI 0125, 0435, 0515

NEC 0255, 0905, 0965

NIKKO 0545, 1005

ONKYO 0155, 0455, 0495,

0805, 1155

OPTIMUS 0225, 0245, 0555,

0595, 0845, 0855,

0865, 0895, 0935

PANASONIC 0055, 0825, 1095,

1125

PENNY 0905

PHILIPS 0165, 0215

PIONEER 0305, 0935, 1045

PROTON 0215, 1185

QUASAR 0055

RCA 0205, 0915, 1115

REALISTIC 0205, 0225, 0235,

0325, 0555, 0845

REVOX 1175

ROTEL 0215

SABA TELECOMMANDER (E)

0505

SAE 0215

SAMSUNG 1285

SANSUI 0215, 0625, 0975,

1025, 1105

SANYO 0145, 0555, 0635,

0765

SCOTT 0325, 1105

SEARS 0345

SHARP 0235, 0665, 0895,

1065, 1075

SHERWOOD 0115, 0235, 0395,

0475

SIEMENTS GARRARD

1245

SIGNATURE 0175

SONTEC 1165

SONY 0065, 0565, 0865,

1145

STARON 1235

STS 0025

SYLVANIA 0215

SYMPHONIC 0335

TANDY 0305

TANGBERG 1195

TEAC 0235, 0335, 0385,

0525, 0795, 0835,

1355

TECHNICS 0055, 0605, 1095

TECHWOOD 1325

TELEFUNKEN (E) 0505

THOMSON (E) 0505

TOSHIBA 0035, 0685

VECTOR RESEARCH

0065, 1135

WARDS 0175

YAMAHA 0005, 0015, 0085,

0415, 0545, 0575,

1065

CD RECORDER/CD-

HITACHI 0474

JVC 0504

MARANTZ 0484, 0494

PHILIPS 0444

PIONEER 0454, 0464

YAMAHA 0414

MD RECORDER

KENWOOD 0384

PIONEER 0424

SHARP 0434

SONY 0394

YAMAHA 0024, 0394, 0404

03V620_code(US/UCA) 1/16/1, 2:46 PM4

TAPE DECK

AIWA 0094, 0214, 0224

AKAI 0184

CARVER 0094

DENON 0304

FISHER 0144

GARRARD 0194, 0204

JVC (VICTOR) 0274, 0284, 0294

KENWOOD 0124, 0134, 0154,

0234, 0244, 0264

MAGNAVOX 0094

MARANTZ 0094, 0344

MITSUBISHI 0184

OPTIMUS 0034, 0064, 0204,

0334

ONKYO 0364, 0374

PHILIPS 0094

PIONEER 0034, 0044, 0064

REVOX 0354

SANSUI 0094, 0344

SHARP 0264

SHERWOOD 0334

SONY 0054, 0084, 0324

TEAC 0194, 0254

TECHNICS 0074, 0314

WARDS 0034

YAMAHA 0004, 0014, 0104,

0114, 0164, 0174,

0264

03V620_code(US/UCA) 1/16/1, 1:25 PM5

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.

YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA

YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY

YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE

YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND

YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN

YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Printed in Malaysia ID

V722760

RX-V620

Natural Sound AV Receiver

Ampli-tuner audio-vidéo

U C A

OWNER’S MANUAL

MODE D’EMPLOI

0100V620(UCA)-cv1/4 1/16/1, 11:06 AM1

OUTPUT

MAIN

REAR

(SURROUND)

CENTER

SPEAKERS

MAIN

+ —

R L

— +

CENTER

+ —

REAR

(SURROUND)

+ ——+

DVD

MONITOR

OUT

D-TV/CBL

YPB/CB PR/CR COMPONENT VIDEO

S VIDEO

VIDEO

MONITOR OUT

DVD

D-TV/CBL

VCR 1

OUT IN

VCR 2

/DVR

OUT

VIDEO SIGNAL

AUDIO SIGNAL

SUB

WOOFER

OUTPUT

VCR 1

OUT IN

VCR 2/DVR

OUT

OUT(REC)

IN(PLAY)

PHONO

MD/CD-R

DIGITAL

OUTPUT

OPTICAL

COAXIAL

AM ANT GND

FM ANT

UNBAL.

TUNER

GND

MAIN

CENTER

SUB WOOFER

SURROUND

DIGITAL

INPUT

6CH INPUT

AUDIO OUT S VIDEO

OUT

VIDEO

OUT

OPTICAL

COMPONENT

VIDEO OUT

AUDIO

OUT

S VIDEO IN

VIDEO IN

S VIDEO

OUT

VIDEO

OUT

OPTICAL

OUT

RLRL

DVD player

Main speakers A Main speakers B

Rear speakers

Video signal

Optical signal

Signal flow

Center speaker

Subwoofer

system

Video Monitor

Connection Guide (when listening to a digital 5.1-channel source)

Analog signal

(Europe model)

S Video signal

L R

COMPONENT VIDEO IN

COMPONENT

VIDEO OUT

RX-V620RDS only

V728180 RX-V620/RDS, HTR-5460 (ML)

C-guide RX-V620(ML) 1/16/1, 11:23 AM2

A/B/C/D/E

u/d

Numeric buttons (MD/CD-R)

Quick Reference Card

TAPE/MD (CD-R)

AMP/TUN

DSP/TUN

INPUT

p Play

r Rec/Pause

(tape/MD)

DSP

b DIR A (tape)

Skip – (MD/CD-R)

w Rewind (tape)

Search (MD/CD-R)

Numeric buttons

p Play

DISC SKIP –/+

DSP

b Skip –

w Search

INDEX

INPUT

+10

DISPLAY

e Pause

a Skip +

s Stop

f Search

AV POWER

PRESET –/+

DSP

A/B/C/D/E

6CH INPUT

j / i

Input

selector

buttons

DSP

program

group

buttons

EFFECT

INPUT

DSP

program

group

buttons

EFFECT

INPUT

SET MENU

STANDBY

TEST

Input

selector

buttons

LEVEL

ON SCREEN

TV POWER

TV VOLUME

TV INPUT

POWER

VOLUME +/–

SLEEP

MUTE

V728090

+10 (MD/CD-R)

Deck A/B (tape)

DISPLAY (MD/CD-R)

e Pause (MD/CD-R)

a DIR B (tape)

Skip + (MD/CD-R)

s Stop

f Fast

forward (tape)

Search (MD/CD-R)

AV POWER

INDEX (CD-R)



V620(Q)_Quick 1/16/1, 11:25 AM1

A/B/C/D/E

Quick Reference Card

Press this button twice to start recording.

Appuyer deux fois sur cette touche pour commencer l’enregistrement.

Drücken Sie diese Taste zweimal, um die Aufnahme zu starten.

Tryck två gånger på den här knappen för att börja spela in.

V728090

*1 Premere due volte questo tasto per iniziare la registrazione.

Presione dos veces este botón para empezar a grabar.

Druk tweemaal op deze toets om met opnemen te beginnen.

DISC SKIP –/+ (DVD)

DSP

DVD/LD DVD MENU

CBL/SAT

VCR

INDEX/Time (DVD)

Chapter/Time (LD)

INPUT

Numeric buttons

Numeric

buttons

Numeric

buttons

+10

DISPLAY

e Pause

a Skip + (DVD)

Skip/Chapter + (LD)

s Stop

f Search

AV POWER

Numeric

buttons

AV POWER

Numeric buttons

AV POWER

p Play

b Skip – (DVD)

Skip/Chapter – (LD)

w Search

DISC SKIP –/+

Return

DSP

INDEX

+10

INPUT

DISPLAY

Menu up

Menu right

Menu down

Menu select

Menu left

TITLE

Ch enter/

Recall

INPUT

DISPLAY

_/_ _

e Pause

s Stop

f Fast

forward

p Play

w Rewind

TV INPUT

TV VOL +/–

POWER

CH –/+

DSP

Ch enter/

Recall

_/_ _

INPUT

DISPLAY

VCR pause

VCR stop

VCR fast

forward

VCR power

TV SLEEP

TV MUTE

VCR play

VCR REC

VCR rewind

CH –/+

DSP

VCR REC

CH –/+

DSP

Ch enter

INPUT

_/_ _

DISPLAY/

Guide

(SAT)

Menu up

right

down

select

Menu left

Recall

V620(Q)_Quick 1/16/1, 11:25 AM2

Yamaha HTR-5460, RX-V620 Manual de usuario

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