Yamaha CLP-785 Manual de usuario

Categoría
Pianos digitales
Tipo
Manual de usuario
Owner’s Manual
Mode d’emploi
CLP
-
785
CLP
-
775
CLP
-
745
CLP
-
735
CLP
-
795GP
CLP
-
765GP
FR
EN
Merci d'avoir choisi ce piano numérique de Yamaha !
Cet instrument offre une qualité de son et une expressivité exceptionnelles pour votre plus grand plaisir.
Afin d'exploiter votre Clavinova au maximum de ses performances et de ses fonctions, lisez entièrement ce mode
d'emploi et conservez-le afin de pouvoir le consulter ultérieurement.
Avant d’utiliser l’instrument, lisez attentivement la section « PRÉCAUTIONS D’USAGE » aux pages 4−6.
Pour plus d'informations sur l'assemblage de l'instrument, reportez-vous aux instructions figurant à la fin de ce
manuel.
Thank you for purchasing this Yamaha Digital Piano!
This instrument provides exceptionally high-quality sound and expressive control for your playing enjoyment.
In order to make the most of your Clavinova’s performance potential and features, please read this Owner’s Manual
thoroughly, and keep it in a safe place for later reference.
Before using the instrument, be sure to read “PRECAUTIONS” on pages 4−6.
For information on assembling the instrument, refer to the instructions at the end of this manual.
EnglishFrançais
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
1. IMPORTANT NOTICE: DO NOT MODIFY
THIS UNIT!
This product, when installed as indicated in the
instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved
by Yamaha may void your authority, granted by the
FCC, to use the product.
2. IMPORTANT: When connecting this product to
accessories and/or another product use only high
quality shielded cables. Cable/s supplied with this
product MUST be used. Follow all installation
instructions. Failure to follow instructions could void
your FCC authorization to use this product in the
USA.
3. NOTE: This product has been tested and found to
comply with the requirements listed in FCC
Regulations, Part 15 for Class “B” digital devices.
Compliance with these requirements provides a
reasonable level of assurance that your use of this
product in a residential environment will not result in
harmful interference with other electronic devices.
This equipment generates/uses radio frequencies
and, if not installed and used according to the
instructions found in the users manual, may cause
interference harmful to the operation of other
electronic devices. Compliance with FCC regulations
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)
does not guarantee that interference will not occur in
all installations. If this product is found to be the
source of interference, which can be determined by
turning the unit “OFF” and “ON, please try to
eliminate the problem by using one of the following
measures:
Relocate either this product or the device that is
being affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/
reorient the antenna. If the antenna lead-in is 300
ohm ribbon lead, change the lead-in to co-axial type
cable.
If these corrective measures do not produce
satisfactory results, please contact the local retailer
authorized to distribute this type of product. If you can
not locate the appropriate retailer, please contact
Yamaha Corporation of America, Electronic Service
Division, 6600 Orangethorpe Ave, Buena Park,
CA90620
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
FCC INFORMATION (U.S.A.)
* This applies only to products distributed by Yamaha Corporation of America. (FCC SDoC)
COMPLIANCE INFORMATION STATEMENT
(Supplierʼs declaration of conformity procedure)
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620
Telephone : 714-522-9011
Type of Equipment : Digital Piano
Model Name : CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including interference that may cause undesired operation.
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Explanation of Graphical Symbols
The lightning flash with arrowhead symbol
within an equilateral triangle is intended to
alert the user to the presence of uninsulated
“dangerous voltage” within the product’s
enclosure that may be of sufficient magnitude
to constitute a risk of electric shock to
persons.
The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and
maintenance (servicing) instructions in the
literature accompanying the product.
IMPORTANT SAFETY INSTRUCTIONS
1 Read these instructions.
2 Keep these instructions.
3 Heed all warnings.
4 Follow all instructions.
5 Do not use this apparatus near water.
6 Clean only with dry cloth.
7 Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8 Do not install near any heat sources such as
radiators, heat registers, stoves, or other
apparatus (including amplifiers) that produce
heat.
9 Do not defeat the safety purpose of the polarized
or grounding-type plug. A polarized plug has two
blades with one wider than the other. A
grounding type plug has two blades and a third
grounding prong. The wide blade or the third
prong are provided for your safety. If the provided
plug does not fit into your outlet, consult an
electrician for replacement of the obsolete outlet.
10 Protect the power cord from being walked on or
pinched particularly at plugs, convenience
receptacles, and the point where they exit from
the apparatus.
11 Only use attachments/accessories specified by
the manufacturer.
12 Use only with the cart, stand,
tripod, bracket, or table specified
by the manufacturer, or sold with
the apparatus. When a cart is
used, use caution when moving
the cart/apparatus combination
to avoid injury from tip-over.
13 Unplug this apparatus during lightning storms or
when unused for long periods of time.
14 Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has
been damaged in any way, such as power-supply
cord or plug is damaged, liquid has been spilled
or objects have fallen into the apparatus, the
apparatus has been exposed to rain or moisture,
does not operate normally, or has been dropped.
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR
MOISTURE.
(UL60065_03)
For the AC adaptor
3
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
Please keep this manual in a safe and handy place for future reference.
WARNING
This AC adaptor is designed for use with only Yamaha electronic
instruments. Do not use for any other purpose.
Indoor use only. Do not use in any wet environments.
CAUTION
When setting up, make sure that the AC outlet is easily accessible. If
some trouble or malfunction occurs, immediately turn off the power
switch of the instrument and disconnect the AC adaptor from the
outlet. When the AC adaptor is connected to the AC outlet, keep in
mind that electricity is flowing at the minimum level, even if the power
switch is turned off. When you are not using the instrument for a long
time, make sure to unplug the power cord from the wall AC outlet.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Do not place the power cord near heat sources such as heaters or
radiators. Also, do not excessively bend or otherwise damage the cord,
or place heavy objects on it.
Only use the voltage specified as correct for the instrument. The
required voltage is printed on the name plate of the instrument.
Use the specified adaptor (page 136 or page 138) only. Using the
wrong adaptor can result in damage to the instrument or overheating.
Use only the supplied power cord/plug.
Check the electric plug periodically and remove any dirt or dust which
may have accumulated on it.
This instrument contains no user-serviceable parts. Do not open the
instrument or attempt to disassemble or modify the internal
components in any way. If it should appear to be malfunctioning,
discontinue use immediately and have it inspected by qualified
Yamaha service personnel.
Do not expose the instrument to rain, use it near water or in damp or
wet conditions, or place on it any containers (such as vases, bottles or
glasses) containing liquids which might spill into any openings. If any
liquid such as water seeps into the instrument, turn off the power
immediately and unplug the power cord from the AC outlet. Then have
the instrument inspected by qualified Yamaha service personnel.
Never insert or remove an electric plug with wet hands.
Do not put burning items, such as candles, on the unit. A burning item
may fall over and cause a fire.
(For information on whether Bluetooth functionality is included or not,
refer to page 142.)
Radio waves may affect electro-medical devices.
- Do not use this product near medical devices or inside areas in
which the use of radio waves is restricted.
- Do not use this product within 15cm (6 in.) of persons with a heart
pacemaker or defibrillator implant.
For the AC adaptor
For the instrument
Power supply/AC adaptor
Do not open
Water warning
Fire warning
Influences on electro-medical devices
(if Bluetooth functionality is included)
DMI-7 1/3
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Do not place the bench in an unstable position where it might
accidentally fall over.
Do not play carelessly with or stand on the bench. Using it as a tool or
stepladder or for any other purpose might result in accident or injury.
Only one person should sit on the bench at a time, in order to prevent
the possibility of accident or injury.
If the bench screws become loose due to extensive long-term use,
tighten them periodically using the specified tool in order to prevent
the possibility of accident or injury.
Keep special watch over any small children so that they don’t fall off
the rear of the bench. Since the bench does not have a backrest,
unsupervised use may result in accident or injury.
When one of the following problems occur, immediately turn off the
power switch and disconnect the electric plug from the outlet. Then
have the device inspected by Yamaha service personnel.
- The power cord or plug becomes frayed or damaged.
- It emits unusual smells or smoke.
- Some object has been dropped into the instrument.
- There is a sudden loss of sound during use of the instrument.
- If any cracks or breakages exist on the instrument.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the instrument or other property. These precautions include, but are not limited to, the following:
Do not connect the instrument to an electrical outlet using a multiple-
connector. Doing so can result in lower sound quality, or possibly
cause overheating in the outlet.
When removing the electric plug from the instrument or an outlet,
always hold the plug itself and not the cord. Pulling by the cord can
damage it.
Remove the electric plug from the outlet when the instrument is not to
be used for extended periods of time, or during electrical storms.
Assemble the instrument in the proper sequence by following the
assembly instructions in this manual. Also, make sure to tighten the
screws regularly. Failure to do so might result in damage to the
instrument or even injury.
Do not place the instrument in an unstable position where it might
accidentally fall over.
Do not go near the instrument during an earthquake. Strong shaking
during an earthquake could cause the instrument to move or tip over,
resulting in damage to the instrument or its parts, and possibly
causing injury.
(CLP-785, CLP-775, CLP-745, CLP-735) When transporting or
moving the instrument, always use two or more people. Attempting to
lift the instrument by yourself may damage your back, result in other
injury, or cause damage to the instrument itself.
• (CLP-795GP, CLP-765GP) Since this product is very heavy, make sure
that a sufficient number of people are on hand to help, so you can lift
and move it safely and easily. Attempting to lift or move the instrument
by force may damage your back, result in other injury, or cause
damage to the instrument itself.
Before moving the instrument, remove all connected cables, to prevent
damage to the cables or injury to anyone who might trip over them.
When setting up the product, make sure that the AC outlet you are
using is easily accessible. If some trouble or malfunction occurs,
immediately turn off the power switch and disconnect the plug from the
outlet. Even when the power switch is turned off, electricity is still
flowing to the product at the minimum level. When you are not using
the product for a long time, make sure to unplug the power cord from
the wall AC outlet.
Before connecting the instrument to other electronic components, turn
off the power for all components. Before turning the power on or off for
all components, set all volume levels to minimum.
Be sure to set the volumes of all components at their minimum levels
and gradually raise the volume controls while playing the instrument to
set the desired listening level.
Do not insert a finger or hand in any gaps on the key cover or
instrument. Also take care that the key cover does not pinch your
finger.
Never insert or drop paper, metallic, or other objects into the gaps on
the key cover, panel or keyboard. This could cause physical injury to
you or others, damage to the instrument or other property, or
operational failure.
(CLP-785) Do not apply excessive force when closing the key cover. A
key cover equipped with the SOFT-CLOSE™ mechanism closes the
cover slowly. Applying excessive force to the key cover when closing it
could damage the SOFT-CLOSE™ mechanism, and possibly result in
injury to your hands and fingers caught under the closing key cover.
Do not rest your weight on, or place heavy objects on the instrument,
and do not use excessive force on the buttons, switches or connectors.
Keep small parts out of the reach of infants. Your children may
accidentally swallow them.
Using the bench (If included)
If you notice any abnormality
Power supply/AC adaptor
Assembly
Location
Connections
Handling caution
DMI-7 2/3
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Do not use the instrument/device or headphones for a long period of
time at a high or uncomfortable volume level, since this can cause
permanent hearing loss. If you experience any hearing loss or ringing
in the ears, consult a physician.
For benches that can be adjusted, do not adjust the bench height while
sitting on the bench, since this can cause excessive force to be
imposed on the adjustment mechanism, possibly resulting in damage
to the mechanism or even injury.
Do not place your hand between moving parts. Otherwise, your hand
could be pinched between the parts, possibly resulting in injury.
Always turn the power off when the instrument is not in use.
Even when the [ ] (Standby/On) switch is in standby status (power lamp
is off), electricity is still flowing to the instrument at the minimum level.
When you are not using the instrument for a long time, make sure you
unplug the power cord from the wall AC outlet.
Yamaha cannot be held responsible for damage caused by improper
use or modifications to the instrument, or data that is lost or
destroyed.
Using the bench (If included)
DMI-7 3/3
(bottom_en_01)
The model number, serial number, power requirements, etc., may be found on
or near the name plate, which is at the bottom of the unit. You should note this
serial number in the space provided below and retain this manual as a
permanent record of your purchase to aid identification in the event of theft.
Model No.
Serial No.
The name plate
is located on the
bottom of the
unit.
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
NOTICE
To avoid the possibility of malfunction/ damage to the
product, damage to data, or damage to other property,
follow the notices below.
Handling
Do not connect this product to public Wi-Fi and/or Internet
directly. Only connect this product to the Internet through a
router with strong password-protections. Consult your router
manufacturer for information on security best practices.
Do not use the instrument in the vicinity of a TV, radio, stereo
equipment, mobile phone, or other electric devices.
Otherwise, the instrument, TV, or radio may generate noise.
When you use the instrument along with an application on
your smart device such as a smartphone or tablet, we
recommend that you set Wi-Fi or Bluetooth to on after setting
“Airplane Mode” to on on that device in order to avoid noise
caused by communication.
Do not expose the instrument to excessive dust or vibrations,
or extreme cold or heat (such as in direct sunlight, near a
heater, or in a car during the day) to prevent the possibility of
panel disfiguration, damage to the internal components or
unstable operation. (Verified operating temperature range:
5° – 40°C, or 41° – 104°F.)
Do not place vinyl, plastic or rubber objects on the
instrument, since this might discolor the panel or keyboard.
In the case of a model with a polished finish, bumping the
surface of the instrument with metal, porcelain, or other hard
objects can cause the finish to crack or peel. Use caution.
Maintenance
When cleaning the instrument, use a soft and dry/slightly
damp cloth. Do not use paint thinners, solvents, alcohol,
cleaning fluids, or chemical-impregnated wiping cloths.
In the case of a model with a polished finish, gently remove
dust and dirt with a soft cloth. Do not wipe too hard since
small particles of dirt can scratch the instrument’s finish.
During extreme changes in temperature or humidity,
condensation may occur and water may collect on the surface
of the instrument. If water is left, the wooden parts may
absorb the water and be damaged. Make sure to wipe any
water off immediately with a soft cloth.
Saving data
Some of the data of this instrument (page 104) and the Song
data saved to the internal memory of this instrument
(page 54) are retained when the power is turned off. However,
the saved data may be lost due to some failure, an operation
mistake, etc. Save your important data onto USB flash drive or
an external device such as a computer (page 76). Before using
a USB flash drive, make sure to refer to page 74.
To protect against data loss through USB flash drive damage,
we recommend that you save your important data onto spare
USB flash drive or an external device such as a computer as
backup data.
Information
About copyrights
Copying of the commercially available musical data including
but not limited to MIDI data and/or audio data is strictly
prohibited except for your personal use.
This product incorporates and bundles contents in which
Yamaha owns copyrights or with respect to which Yamaha has
license to use others’ copyrights. Due to copyright laws and
other relevant laws, you are NOT allowed to distribute media
in which these contents are saved or recorded and remain
virtually the same or very similar to those in the product.
* The contents described above include a computer program,
Accompaniment Style data, MIDI data, WAVE data, voice
recording data, a score, score data, etc.
* You are allowed to distribute medium in which your
performance or music production using these contents is
recorded, and the permission of Yamaha Corporation is not
required in such cases.
About functions/data bundled with the
instrument
Some of the preset songs have been edited for length or
arrangement, and may not be exactly the same as the original.
This device is capable of using various types/formats of music
data by optimizing them to the proper format music data for
use with the device in advance. As a result, this device may
not play them back precisely as their producers or composers
originally intended.
The bitmap fonts used in this instrument have been provided
by and are the property of Ricoh Co., Ltd.
About this manual
The illustrations and LCD screens as shown in this manual
are for instructional purposes only, and may appear
somewhat different from those on your instrument.
Windows is a registered trademark of Microsoft® Corporation
in the United States and other countries.
iPhone, iPad are trademarks of Apple Inc., registered in the
U.S. and other countries.
The letters at the end of the model name (such as “B,” “WA”)
indicate the color or finish of the instrument. Since they
simply indicate the appearance, these letters are omitted in
this manual.
The Bluetooth® word mark and logos are registered
trademarks owned by Bluetooth SIG, Inc. and any use of such
marks by Yamaha Corporation is under license.
The company names and product names in this manual are
the trademarks or registered trademarks of their respective
companies.
Tuning
Unlike an acoustic piano, this instrument does not need to be
tuned by an expert (although the pitch can be user-adjusted to
match other instruments). This is because the pitch of digital
instruments is always maintained perfectly.
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Included Accessories
Owner’s Manual (this book)
“50 Classical Music Masterpieces” (Music Book)
Online Member Product Registration
Power cord*, AC adaptor*
Bench*
Wa rr anty *
* May not be included depending on your area. Check
with your Yamaha dealer.
About the Manuals
This instrument has the following documents and
instructional materials.
Included Documents
Owner’s Manual (this book)
This document explains how to use the
Clavinova.
Introduction:
This section explains how to set up and start using your
Clavinova. Setup is so simple, you can start playing right
away.
•Main Operations:
This section explains various functions useful for your
practice, such as Preset Song playback and Song
recording.
Detailed Settings:
This section explains how to make detailed settings for
the Clavinova’s various functions. Refer to this section as
necessary.
Appendix:
This section introduces Message List, a description of
Preset Voices, and other reference material.
Online Materials (Downloadable from
the web)
Data List (CLP-785 and CLP-795GP only)
This document contains lists of XG Voices
and XG Drum Kit that can be selected on the
CLP-785 and CLP-795GP.
Smart Device Connection Manual
Explains how to connect the instrument to a
smart device such as smartphone or tablet, etc.
Computer-related Operations
Includes instructions on connecting this
instrument to a computer, and operations
related to transferring song data.
MIDI Reference
Contains the MIDI-related information.
To obtain these manuals, access the Yamaha
Downloads, enter the model name for searching
the desired files.
Icons on this manual
Example:
This indicates that the relevant function is only
available on certain models. These icons indicate that
the function is available on the CLP-785 but not on
the CLP-775, CLP-745, CLP-735, CLP-795GP or
CLP-765GP.
785 775 745 735 795GP 765GP
Yamaha Downloads
https://download.yamaha.com/
Smart Device App “Smart Pianist”
Enjoy easy operation by connecting your smart
device. To use this, you’ll need to install the “Smart
Pianist” app (free for download). For details, refer to
“Using a Smart Device App” on page 80.
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Table of Contents
PRECAUTIONS ....................................................4
NOTICE ......................................................................7
Information ................................................................7
Included Accessories ..................................................8
About the Manuals .....................................................8
Features .....................................................................10
Introduction 12
Panel Controls and Terminals .................................12
Getting Started — Playing the Clavinova ................15
Turning the Power On or Off .............................................15
Music Rest .............................................................................18
Lid ...........................................................................................20
Setting the Volume — [MASTER VOLUME] ..................21
Using Headphones ...............................................................21
Using the Pedals ....................................................................23
Basic Operations .......................................................24
Main Operations 26
Enjoying the Piano Performance .............................26
Selecting two Grand Piano Voices from the panel directly 26
Customizing the Sound and the Touch Response of Piano
Voices (Piano Room) ...........................................................27
Playing Various Musical Instrument Sounds (Voices) 30
Selecting Voices ....................................................................30
Listening to the Voice Demos .............................................32
Enhancing and Customizing the Sound ............................33
Playing Two Voices Simultaneously (Dual) .....................35
Splitting the Keyboard Range and Playing Two Different
Voices (Split Mode) ..............................................................36
Using Dual and Split Simultaneously ................................37
Playing Duo ...........................................................................38
Using the Metronome ..........................................................39
Playing the Keyboard along with Rhythm Playback 42
Playing Back Songs ...................................................43
Song Playback .......................................................................44
Playing a One-hand Part — Part Cancel Function
(MIDI Songs) ........................................................................48
Playing Back a Song Repeatedly .........................................49
Adjusting the Volume Balance ...........................................52
Useful Playback Functions ..................................................53
Recording Your Performance ..................................54
Recording Methods ..............................................................54
Quick MIDI Recording ........................................................55
MIDI Recording — Independent Tracks ..........................57
MIDI Recording to the USB Flash Drive ..........................59
Audio Recording to the USB Flash Drive .........................60
Other Recording Techniques ..............................................61
Handling Song Files .................................................65
Basic Song File Operation ................................................... 66
Deleting Files — Delete ....................................................... 67
Copying Files — Copy ......................................................... 68
Moving Files — Move ......................................................... 68
Convert a MIDI Song to an Audio Song during Playback —
MIDI to Audio ...................................................................... 69
Renaming Files — Rename ................................................. 70
Connections ..............................................................71
Connectors ............................................................................ 71
Connecting to an Audio Player ([AUX IN] jack) ............ 72
Using an External Speaker System for Playback
(AUX OUT [L/L+R]/[R] jacks) .......................................... 73
Connecting USB Devices (USB [TO DEVICE] Terminal)
................................................................................................. 74
Connecting External MIDI Devices (MIDI Terminals) . 75
Connecting to a Computer (USB [TO HOST] Terminal)
................................................................................................. 76
Connecting to a Smart Device ............................................ 77
Using a Smart Device App .................................................. 80
Detailed Settings (Menu Display) 86
Common Operations in the Menu Displays ............86
Voice Menu ...............................................................87
Song Menu ................................................................92
Metronome/Rhythm Menu ......................................95
Recording Menu .......................................................96
System Menu .............................................................97
Appendix 106
Preset Voice List .....................................................106
Song List .................................................................109
Rhythm List ............................................................110
Message List ............................................................111
Troubleshooting .....................................................113
Assembling the Clavinova ......................................115
Specifications ..........................................................134
Index .......................................................................140
About Bluetooth .....................................................142
For information on whether Bluetooth functionality is
included or not, refer to page 142.
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Full-scale piano performance
GrandTouch Keyboard and GrandTouch-S Keyboard
The CLP-700 series models feature a special keyboard, which remarkably reproduces the authentic touch and feel of an
actual grand piano. Its mechanism provides exceptionally expressive control from pianissimo to fortissimo. Moreover,
the keys of the GrandTouch Keyboard (CLP-785, CLP-775 and CLP-795GP) have a long pivot point distance (length
from the front side to the pivot point), for a more natural feeling, even when playing the inner part of a key.
Two world-renowned concert grand pianos page 26
All models feature piano sounds created with samples of the Yamaha CFX flagship concert grand piano and the famed
Vienna-made Bösendorfer grand piano. The sound of the Yamaha CFX is powerful, sparkling and with a rich bass
resonance. On the other hand, the Bösendorfer sound is soft and deep in the mid to bass range and beautiful for
pianissimo parts. You can select the one that best matches the music you want to play.
* Bösendorfer is a subsidiary company of Yamaha.
Piano Room feature for adjusting touch and resonance page 27
From the Piano Room displays, you can adjust various parameters such as string resonance and touch response. You
can also listen to the demo for VRM, which reproduces luxurious string and soundboard resonance, and the demo for
Grand Expression Modeling, which recreates the subtle changes in the sound that respond to your touch.
VRM effect for reproducing the distinctive reverberation of a grand piano
The VRM function on all models simulates the luscious resonance effect on acoustic pianos—where the
sound of one string causes sympathetic vibration in other strings and the soundboard. You can vary the
sound expressively by changing the timing of your pressing the keys, and the timing and depth of your
pressing the pedal.
Grand Expression Modeling for superbly expressive sound
On an actual acoustic piano, subtle changes in the sound can be produced by changing your playing touch
from when you press a key to when you release it. The Grand Expression Modeling technology recreates
these subtle changes in the sound that respond to your touch. This allows you to add accents by playing
strongly or add resonance by playing softly to produce superbly expressive sound.
Realistic feeling of being immersed in the sound
—even when using headphones page 22
When headphones are connected, the sounds of the CFX and Bösendorfer automatically switch to binaural sampling
sound—which gives the impression of being immersed in the sound, as if it was actually emanating from the piano.
When other piano Voices are selected, the Stereophonic Optimizer effect reproduces a natural sound distance.
Features
11
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Convenient performance functions
Rhythm Tracks page 42
All models feature twenty different simple rhythm patterns (drums and bass accompaniment) that are perfectly suited
to many types of music regularly performed on the piano, for even greater performance potential.
Preset Songs for effective practicing page 43
Also built into this instrument are 50 classical music masterpieces, plus 303 lesson Songs for mastering the piano. You
can simply enjoy listening to these built-in Songs, or use them for separate right-hand/left-hand practicing.* The 303
lesson Songs consist of practice pieces taken from various standard piano instruction manuals, including “The Virtuoso
Pianist.”
*The part on/off function is available only for MIDI songs that have both right- and left-hand parts.
Two recording methods page 54
The instrument lets you save your performance to internal memory or a USB flash drive (sold separately). You can
record your performance using one of two methods, MIDI or Audio recording, according to your needs. MIDI
recording is ideal for making independent tracks—for example, recording a right-hand part to Track 1 first, and then a
left-hand part to Track 2—allowing you to create pieces that would be difficult to play live with both hands together.
Audio recording on the other hand, saves recorded data in stereo, CD-quality WAV format to a USB flash drive, for
storing to computer and playing on portable music players.
Connecting to a Smart Device page 77
By connecting this instrument to a smart device such as smart phone or tablet, you can enjoy compatible smart device
apps. In addition, you can input the audio from a smart device to this instrument via Bluetooth* and hear it through the
built-in speakers of the instrument.
*The models CLP-785, CLP-775, CLP-745, CLP-795GP and CLP-765GP are equipped with Bluetooth functionality; however, even these
models may not support Bluetooth, depending on the country in which you purchased the product. For details, refer to page 142.
Fortepiano Voices—authentic classical period
piano sounds
All models feature authentic sounds created with samples of
actual fortepianos—pianos which were made in the era of Mozart,
Beethoven and Chopin. Enjoy performing with the actual sounds
used in the era that classical music masterpieces were composed.
Refer to page 30 for selecting Voices.
*The fortepiano shown in the picture is from the collection of at the
Hamamatsu Museum of Musical Instruments.
12
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Introduction
Panel Controls and Terminals
On the CLP-785/775/795GP, the control panel lights up when the power is turned on, and you can control
it by pressing the panel indications or icons. Be sure to read “Turning the Power On or Off” on page 15,
then turn on the power and check the panel.
Control Panel (page 24)
[ ] (Standby/On) switch.................... page 16
For turning the power on or setting it to standby.
[MASTER VOLUME] slider ............... page 21
For adjusting the overall volume.
[ ]/[ ]/[<]/[>] buttons, display......... page 24
For selecting an item or setting a value using the
buttons corresponding to the display indication.
You cannot operate the display directly by pressing it
with your finger.
[ ]/[FUNCTION] button ................. page 86
Pressing this button alternates the displays among
the menus: “Voice,” “Song,” “Metronome/Rhythm,
“Recording” and “System”—from which you can
make detailed settings for the related functions. With
the CLP-745 and CLP-765GP, this is also used for
connecting to a Bluetooth-equipped device such as a
smart device (page 78).
[ ]/[EXIT] button ............................ page 25
Pressing this button exits from the current display, or
returns to the Voice or Song display.
[](Bluetooth) button (
CLP-785/775/795GP
)
............................................................. page 78
Used for connecting to a Bluetooth-equipped device
such as a smart device.
A-1 B-1 C0 D0 E0 F0 G0 A0 B0
785 775 745 735
CLP-735
795GP 765GP
In this manual, the [ ] button is hereafter referred
to as the [FUNCTION] button, and the [ ] button
is referred to as the [EXIT] button.
Bluetooth capability
Depending on the country in which you purchased
the product, the instrument may not have Bluetooth
capability. If the Bluetooth logo is shown or printed
on the control panel, this means that the product is
equipped with Bluetooth functionality.
Panel Controls and Terminals
13
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
[CFX GRAND] button........................ page 26
For selecting the “CFX Grand” Voice.
[BÖSENDORFER] button.................. page 26
For selecting the “Bösendorfer” Voice.
[VOICE] button .................................. page 30
Calls up the Voice group list display.
[DUAL/SPLIT] button ........... pages 35, 36, 37
For playing two Voices simultaneously, or different
Voices on the left- and right-hand sections of the
keyboard.
[PIANO ROOM] button ..................... page 27
Calls up the Piano Room display where you can
select an optimum piano sound and adjust the touch
response.
[SONG/DEMO] button ...................... page 43
Calls up Song List for selecting a demo Song or a
Song to playback or edit.
[REC] button....................................... page 54
For recording your keyboard performance.
[PLAY/PAUSE] button........................ page 44
For alternately playing back and pausing the Preset
Songs or your recorded material.
[METRONOME] button..................... page 39
For using the metronome functions.
[RHYTHM] button............................. page 42
For using the rhythm functions.
[TEMPO] button ................................ page 39
For setting the tempo.
Each key has a note name; for example, the lowest (farthest left) key on the keyboard
corresponds to A-1, and the highest (farthest right) key to C7.
See the next page for overall views of the
instruments, and their jacks and terminals.
Panel Controls and Terminals
14
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Overall views, jacks and terminals
Key cover (page 15)
Music rest (page 18)
Pedals (page 23)
Music braces
(page 19)
Music rest (page 19)
Key cover
(page 15)
Pedals (page 23)
Terminal panel
(page 71)
Terminal panel
(page 71)
USB
[TO DEVICE]
terminal
(page 74)
USB
[TO DEVICE]
terminal
(page 74)
CLP-785
CLP-775, 745, 735
(CLP-775)
Terminal panel
(page 71)
[PHONES] jacks
(page 21)
[PHONES]
jacks
(page 21)
(CLP-745, 735)
Terminal panel
(page 71)
CLP-795GP, 765GP
Music braces
(page 19)
Key cover (page 15)
DC IN jack (page 15)
Pedals (page 23)
[PHONES] jacks
(page 21)
Lid (page 20)
Music rest
(page 19)
(CLP-765GP)
Terminal panels
(page 71)
Music braces (page 18)
DC IN jack (page 15)
(CLP-775)
DC IN jack
(page 15)
(CLP-745, 735)
DC IN jack (page 15)
(CLP-795GP)
Terminal panel (page 71)
15
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Getting Started — Playing the Clavinova
This section explains how to set up and start using your Clavinova. Setup is so simple, you can start playing
right away.
1. Connect the plugs of the AC adaptor in the order shown in
the illustration.
2. Open the key cover.
2-1. With both hands, hold the hand grip, then lift and open the
key cover.
2-2. Fold down the top of the key cover.
Turning the Power On or Off
AC
adaptor
AC outlet
DC IN jack (page 14)
Power cord
DC plug
AC plug
1-1
1-2
1-3
785 775 745 735 795GP 765GP
The shape of the plug and
outlet differ depending on
your locale.
AC
adaptor
AC outlet
DC IN jack (page 14)
Power cord
DC plug
AC plug
1-1
1-2
1-3
785 775 745 735 795GP 765GP
The shape of the plug and
outlet differ depending on
your locale.
785 775 745 735 795GP 765GP
2-2
Be careful to avoid catching your fingers
when opening or closing the cover.
CAUTION
2-1
WARNING
Use the specified adaptor
(page 136 or page 138) only.
Using the wrong AC adaptor
can result in damage to the
instrument or overheating.
CAUTION
When setting up the product,
make sure that the AC outlet
you are using is easily
accessible. If some trouble
or malfunction occurs,
immediately turn the power
off and disconnect the plug
from the outlet.
NOTE
When disconnecting the power
cord/AC adaptor, first turn off
the power, then follow this
procedure in reverse order.
CAUTION
Do not place anything
(such as metal objects or
pieces of paper) on top of
the key cover. Small
objects placed on the key
cover may fall inside the
unit when the cover is
opened and may be nearly
impossible to remove.
Once inside, they could
cause electric shock, short
circuit, fire or other serious
damage to the instrument.
Hold the cover with both
hands when opening or
closing it. Do not release it
until it is fully opened or
closed. Be careful to avoid
catching fingers (yours or
others, especially
children’s) between the
cover and the unit.
16
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Getting Started — Playing the Clavinova
Lift the cover slightly, then
push and slide it to the end.
3. Turn down the [MASTER VOLUME] slider
at the right of the keyboard to “MIN.”
4. Press the [] (Standby/On) switch at the right of the
keyboard to turn the power on.
The display located at the left of the keyboard and the power lamp on the
[](Standby/On) switch both light up.
On the CLP-785/775/795GP, the control panel lights up, and automatically
turns off if you do not press it for a while. Simply press anywhere on the control
panel to turn it on again.
5. Play the keyboard.
While playing the keyboard, adjust the volume level by using the [MASTER
VOLUME] slider. For details, refer to “Setting the volume — [MASTER
VOLUME]” on page 21.
Be careful to avoid catching your fingers
when opening or closing the cover.
CAUTION
785 775 745 735 795GP 765GP
NOTICE
Press only the [](Stand by/
On) switch when turning the
power on. Any other
operations, such as pressing
the keys, buttons or pedals may
cause the instrument to
malfunction.
The power
lamp lights up.
NOTE
(CLP-785/775/795GP) You can
change the time that elapses
until the control panel turns off,
or you can set it to remain on
indefinitely. For details, refer to
“Auto Backlight Off” on
page 101.
17
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Getting Started — Playing the Clavinova
6. After you use the instrument, press and hold the
[] (Standby/On) switch for a second to turn the power
off.
The power lamp on the [ ] (Standby/On) switch is turned off.
7. Close the key cover.
7-1. If the music rest is unfolded,
fold it back.
7-2. With both hands, open the
folded top of the key cover,
and close it gently.
The key cover is equipped with the
special SOFT-CLOSE™ mechanism
which closes the cover slowly.
Slide the cover toward you
and gently lower the cover
over the keys.
Auto Power Off function
To prevent unnecessary power consumption, this instrument features an Auto
Power Off function that automatically turns the power off if the instrument is
not operated for a specified period of time. The amount of time that elapses
before the power is automatically turned off is approximately 30 minutes by
default; however, you can change the setting (page 101).
CAUTION
Even when the [] (Standby/
On) switch is in standby
status, electricity is still
flowing to the instrument at
the minimum level. Remove
the electric plug from the
outlet when the instrument is
not to be used for extended
periods of time, or during
electrical storms.
CAUTION
(CLP-785) Do not apply
excessive force when closing
the key cover. Applying
excessive force to the key
cover when closing it could
damage the SOFT-CLOSE™
mechanism, and possibly
result in injury to your hands
and fingers caught under the
closing key cover.
Be careful to avoid catching your fingers
when opening or closing the cover.
CAUTION
785 775 745 735 795GP 765GP
Be careful to avoid catching your fingers
when opening or closing the cover.
CAUTION
785 775 745 735 795GP 765GP
NOTICE
•Any data which are not saved
will be lost if the power
automatically turns off. Make
sure to save your data before
this happens.
Depending on the instrument
status, the power may not
turn off automatically, even
after the specified period of
time elapses. Always turn off
the power manually when the
instrument is not in use.
Disabling Auto Power Off (simple method)
Turn the power on while holding down the lowest key on the keyboard. An
“Auto power off disabled” message appears briefly and Auto Power Off is
disabled.
+
The lowest key
18
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Getting Started — Playing the Clavinova
Fold down the top of the key cover (see step 2 on page 15) when using the
music rest.
Unfold the music rest:
1. Unfold the music rest, which is on the inside of the key cover.
2. Unfold the music braces, which allow you to hold the pages of music
books in place.
Fold the music rest:
1. Fold the music braces if they are unfolded.
2. Fold the music rest before closing the key cover.
Music Rest
785 775 745 735 795GP 765GP
NOTICE
Do not put anything heavy on
the music rest for a long period
of time. Doing so may damage
the music rest.
1
2
Music brace
2
1
Music brace
19
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Getting Started — Playing the Clavinova
To raise the music rest:
1.
Pull the music rest up and toward
yourself as far as it will go.
2. Flip down the two metal
supports at the left and right on
the rear of the music rest.
3. Lower the music rest so that the
metal supports latch into place.
Music braces allow you to hold the
pages of music books in place.
To lower the music rest:
Close the Music braces if they are open,
and then lower the music rest by
following the instructions below.
1. Pull the music rest toward
yourself as far as it will go.
2. Raise the two metal supports
(at the rear of the music rest).
3. Gently lower the music rest
backward until it is all the way
down.
785 775 745 735 795GP 765GP
Music braces
CAUTION
Do not try to use the music
rest in a half-raised position.
Also, when raising or
lowering the music rest, do
not release your hands from
the music rest until it is all
the way up or down.
Music braces
20
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Getting Started — Playing the Clavinova
To open the lid:
1.
Raise and hold the right side of
the lid (viewed from the
keyboard end of the instrument).
2. Raise the lid stay and carefully
lower the lid so that the end of
the stay fits into the recess in
the lid.
To close the lid:
1. Hold the lid stay and carefully
raise the lid.
2. Hold the lid in its raised
position and lower the lid stay.
3. Carefully lower the lid.
Lid
785 775 745 735 795GP 765GP
WARNING
Do not let children open or
close the lid. Also, be
careful to avoid catching
fingers (yours or others,
and especially those of
children) when raising or
lowering the lid.
(CLP-795GP) Do not use
the outer recess for the
longer stay. Doing so
makes the lid unstable and
may cause it to fall,
resulting in damage or
injury.
Make sure that the end of
the stay fits securely in the
lid recess. If the stay is not
properly seated in the
recess, the lid may fall,
causing damage or injury.
Be careful that you or
others do not bump the
stay while the lid is raised.
The stay may be dislodged
from the lid recess causing
the lid to fall.
For the longer stay, use the inner recess, and for the shorter stay, use the
outer recess to support the lid.
785 775 745 735 795GP 765GP
Longer stay
Shorter stay
21
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Getting Started — Playing the Clavinova
To adjust the volume, use the [MASTER VOLUME]
slider located at the right of the keyboard. Play the
keyboard to actually produce sound while you
adjust the volume.
Intelligent Acoustic Control (IAC)
IAC is a function which automatically adjusts and controls the sound quality
according to the overall volume of the instrument. Even when playing the
instrument with the overall volume turned down, it permits both low sounds
and high sounds to be clearly heard. IAC Control is effective only from the
sound output of the instrument speakers.
You can set the IAC setting On or Off and its depth. For details, refer to “IAC”
on page 98 and “IAC depth” on page 99. The default setting for this function is
“On.”
Connect a pair of headphones to one of the [PHONES] jacks. When the headphones are plugged into either
of the [PHONES] jacks, the internal speaker system is automatically shut off. Two [PHONES] jacks are
provided. Two sets of standard stereo headphones can be plugged in. (If you are using only one pair of
headphones, you can plug them into either of these jacks.)
CAUTION
Do not use the headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent
hearing loss.
NOTE
• If you are using an adaptor plug, be sure to remove this as well when unplugging the headphones. No sound will come out of the
instrument’s speakers if the adaptor plug is left connected.
• You can also hear sound through the speakers with the headphones plugged in. For details, refer to “Speaker” on page 100.
Setting the Volume — [MASTER VOLUME]
Decreases
the level.
Increases
the level.
Master Volume: The volume
level of the entire keyboard
sound.
Adjusting the [MASTER
VOLUME] slider also affects
the output level of the
[PHONES] jacks and the
output level of the AUX OUT
jacks.
CAUTION
Do not use the instrument for
a long period of time at a
high or uncomfortable
volume level, since this can
cause permanent hearing
loss.
Using Headphones
785 775 745 735 795GP 765GP 785 775 745 735 795GP 765GP
Standard stereo
phone plug
Standard stereo
phone plug
Underside of
keyboard
785 775 745 735 795GP 765GP
Standard stereo
phone plug
22
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Getting Started — Playing the Clavinova
You can conveniently hang the headphones on the instrument when not using
them. Install the headphone hanger by following the instruction at the end of
this manual (CLP-785: page 119, CLP-775: page 122, CLP-745/735: page 125,
CLP-795GP: page 129, CLP-765GP: page 133).
Reproducing the Natural Sensation of Sound Distance
—Binaural Sampling and Stereophonic Optimizer
This instrument features two advanced technologies that allow you to enjoy
exceptionally realistic, natural piano sound, even when listening on
headphones.
Binaural Sampling
Binaural sampling is a method that uses two special microphones set at the ear
position of a performer and records the sound from a piano as it is. Listening to
the sound with this effect through headphones gives the impression of being
immersed in the sound, as if it was actually emanating from the piano. When
“CFX Grand” or “Bösendorfer” (page 26) is selected, connecting the
headphones automatically enables binaural sampling sound.
Stereophonic Optimizer
The Stereophonic Optimizer is an effect which reproduces natural sound
distance like the sound of binaural sampling even though you hear it on
headphones. When any other Voice in the Piano group besides “CFX Grand” or
“Bösendorfer” is selected, connecting the headphones automatically enables
the Stereophonic Optimizer.
Sampling
A technology which records
the sounds of an acoustic
instrument then stores them to
the tone generator to be played
based on information received
from the keyboard.
NOTE
Voices in the Piano group are
those contained in the “Piano”
category in the Preset Voice
List (page 106). For details
about selecting Voices, refer to
page 26.
NOTE
Before connecting an external
powered speaker system, be
sure to read “Connections”
(page 71).
This function is turned on by default. Note that when the “Speaker” setting
(page 100) is On, this function will always be disabled. Since these sounds are
optimized for listening with headphones, we recommend that you set this
function to “OFF” in the following situations.
Playing the piano sound of this instrument with an external powered speaker
system, while monitoring the sound output from this instrument on
connected headphones.
Making an audio recording (page 54) while using headphones, and then
playing that recorded audio Song through speakers of this instrument. (Make
sure to turn off these functions before audio recording.)
For details on setting this On or Off, refer to “Binaural” on page 99.
NOTICE
Do not hang anything other
than the headphones on the
hanger. Otherwise, the
instrument or the hanger may
be damaged.
23
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Getting Started — Playing the Clavinova
This instrument is equipped with three foot pedals:
damper pedal (right), sostenuto pedal (center), and
soft pedal (left).
Damper pedal (right pedal)
When you press the damper pedal, the notes you play
have a longer sustain.
When you select a Voice in the Piano group, pressing
the damper pedal activates the VRM (page 28) to
accurately recreate the unique resonance of an
acoustic grand piano’s soundboard and strings.
Sostenuto pedal (center pedal)
If you play a note or chord on the keyboard and
press the sostenuto pedal while holding the note(s),
the notes will sustain as long as the pedal is held.
All subsequent notes will not sustain.
Soft pedal (left pedal)
The soft pedal reduces the volume and slightly changes the timbre of notes
played while the pedal is pressed. The soft pedal will not affect notes that are
already playing when it is pressed. In order to apply this effect, play notes after
pressing the pedal.
Keep in mind that this pedal function will be changed from the Soft pedal
depending on the selected Voice. When the “Mellow Organ” is selected,
pressing and releasing this pedal switches between “fast” and “slow” of the
Rotary Speaker speed (“Rotary Speed” on page 88). When the “Vibraphone” is
selected, this pedal switches Vibrato on and off (“VibeRotor” on page 88).
Using the Pedals
When you press the damper
pedal here, the notes you
play before you release the
pedal have a longer sustain.
NOTE
Voices in the Piano group are
those contained in the “Piano”
category in the Preset Voice
List (page 106). For details
about selecting Voices, refer to
page 26.
NOTE
You can assign other functions
to each pedal by using “Pedal
Assign” in “Voice” menu
display (page 89).
Half-pedal function
This instrument also has a Half-pedal function which allows you to use half-damper
techniques, in which the damper is pressed somewhere between all the way down and all
the way up. In this half-damper state (on a real piano), the damper felts only partially
mute the strings. The Half-pedal function on the Clavinova lets you delicately and
expressively control the damper muting, and create subtle nuances in your performance,
by finely controlling the point at which pressure on the pedal affects the damper muting.
For details on setting this, refer to “Half Pedal Point” on page 98.
GP Response Damper Pedal
The damper pedal of the CLP-785, CLP-775 and CLP-795GP is the GP Response Damper
Pedal. This special pedal has been designed to provide enhanced tactile response and,
when pressed, is much closer in feel to the pedal of an actual grand piano. It makes it
easier to physically experience the half-pedal point and more easily apply the half-pedal
effect than other pedals. Since the pressing sensation may vary depending on the
situation, including the location where the instrument is installed, you should adjust the
half-pedal point described above to the desired setting.
785 775 745 735 795GP 765GP
NOTE
The pedals are covered with
vinyl covers when shipped
from the factory. If your
instrument features the GP
Response Damper Pedal,
remove the cover from the
damper pedal for optimum use
of the pedal effect.
When you press the sostenuto
pedal here while holding the
note(s), the notes will sustain as
long as you hold the pedal.
NOTE
While the sostenuto (center)
pedal is held, a sustained (non-
decaying) type of Voice such
as strings or organ may sound
continuously without decay
after the notes have been
released.
NOTE
The center pedal or left pedal
can also be used as a [PLAY/
PAUSE] button. For details on
the settings, refer to “Play/
Pause” on page 98.
24
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Basic Operations
On the screen display, you can call up three main functions: Voice, Song and Demo. In addition, various
detailed settings can be made, for even greater playability and performance potential.
1.
1.
2.
2.
1.
785 775
745 735
745 735 765GP
785 775
EXIT
FUNCTION
795GP
765GP
795GP
When this is shown here,
you can scroll through the
display vertically.
Selecting Voices
Press the [VOICE] button
to call up the Voice group
list.
Press the [
] or [ ] button
to select a Voice group.
Selecting Songs and
Demos
When this is shown here,
you can scroll through the
display vertically.
Press the [SONG/DEMO]
button to call up the Song
category list.
Detailed Settings (Menu display)
Menu icon
Menu name
Press the [ ] or [ ] button
to select a Song category.
Press the [FUNCTION]
button repeatedly to
select the desired menu.
You can change the time that elapses until the control panel turns off, or you can set it to remain on indefinitely. You can also set the
operation sound to off. For details, refer to “Auto Backlight Off” or “Touch Panel Sound” on page 101.
NOTICE
Do not operate the control panel using a sharp item, your fingernails or other hard objects. This may damage the control panel.
NOTE
You cannot operate the control panel by pressing two or more places at once.
Changing the Control Panel Settings
The panel illustrations for CLP-735/745/765GP
here and all those following are based on the
CLP-745.
Basic Operations
25
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Voi ce : Instrument sound for playing from the keyboard. In addition to the Piano sounds, a wide variety of other musical
instrument sounds are available.
Song: A piece of music for listening enjoyment or for playing back and practicing along with.
Demo: Voice Demos let you experience the characteristics of the Voices.
3.
4.
3.
2.
3.
4.
3.
Selecting a value from a list
[ ] to select a Voice.
[ ] to return.
[] to select a Voice.
[ ] to return.
This indicates the
current position in
the Voice group.
Press the [ ] or [ ] button
to select a Voice.
Play the keyboard.
Voice display
[ ] to select a Song.
[ ] to return.
[] to select a Song.
[ ] to return.
Press the [ ] or [ ] button
to select a Song.
Use the [ ] or [ ] button to select
the previous or next bars.
Song display
[] to detailed settings.
[EXIT] to return to the
previous display.
[ ] to detailed settings.
[ ] to return.
Adjusting the value on the
slider pop-up window
Press the [ ] or [ ] button to adjust the
value, press the [EXIT] button to close
the pop-up window.
Press the [ ] or [ ] button
to select a parameter.
A checkmark is
shown at the right of
the selection.
Note that the hierarchy depth differs
depending on the selected parameter.
Press the [EXIT] button to return to the Voice
display or the Song display, depending on
which display was previously shown.
While the pop-up window is shown, pressing
the [EXIT] button returns to the previously
shown display.
Return to the Voice/Song display
Press the [ ] or [ ] button to select
the previous or next Voice.
When “Lesson” is selected,
press the [
] or [ ] button
to select a Lesson type.
Press the [PLAY/PAUSE] button to
playback the Song.
Use the [
][ ] buttons or the [ ] button
to select a setting.
Press the [ ] button to return to the previous
display.
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Main Operations
Enjoying the Piano Performance
This instrument puts the sounds of two renowned grand pianos, the Yamaha CFX and Bösendorfer
Imperial, as well as other piano sounds—each with its own distinctive appeal and sonic characteristics.
Simply select the particular piano sound desired, according to the music you intend to play or your
personal preferences.
1. Press the [CFX GRAND] button or the [BÖSENDORFER]
button to select the piano type.
A Voice is called up from the selected Voice button and its name appears
on the Voice display.
CFX Grand
Yamaha’s CFX concert grand piano sound with a wide dynamic range for
maximum expressive control. Suitable for playing in any music genre and
style.
Bösendorfer
The famed sound of the Vienna-made Bösendorfer Imperial concert
grand piano. Its spacious sound evokes the size of the instrument, and is
ideal for expressing tenderness in compositions.
2. Play the Keyboard.
Selecting two Grand Piano Voices from the panel directly
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Voice display
Voice name
NOTE
You can hear and experience
the characteristics of the
Voices by listening to the Demo
Songs for each Voice
(page 32).
Selecting Other Piano Voices
Press the [ ][ ] buttons to select other piano Voices than “CFX Grand” and
“Bösendorfer.” You can also select the other Voices by pressing the [VOICE]
button (page 30).
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Enjoying the Piano Performance
You can adjust the detailed settings of Voices in the Piano group in the Piano
Room. Try creating a custom piano sound by adjusting the various parameters
such as lid position, string resonance, damper resonance and so on.
1. Press the [PIANO ROOM] button to call up the Piano
Room display.
2. Press the [ ]/[ ] buttons to select items (page 28).
3. Press the [ ]/[ ] buttons to change the settings (page 28).
4. Press the [EXIT] button to exit from the Piano Room
display.
Customizing the Sound and the Touch Response of
Piano Voices (Piano Room)
NOTE
Voices in the Piano group are
those contained in the “Piano”
group in the Preset Voice List
on page 106.
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EXIT
NOTE
If a Voice other than one in the
Piano group is selected,
pressing the [PIANO ROOM]
button changes it to “CFX
Grand.”
NOTE
Pressing the [PIANO ROOM]
button disables the Dual/Split/
Duo functions.
Piano Room display
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Enjoying the Piano Performance
Parameters you can set in the Piano Room
Item Icon Description
Default
setting
Setting Range
Lid Position Recreates the differences in sound depending on how high
the (virtual) grand piano lid is opened.
Full Full, Half,
Closed
Brightness Adjusts the brilliance of sound. Differs
depending on
the Voice.
0 – 10
Touch Determines how the sound responds to your playing
strength. You should adjust this setting according to the
specific Voice you’re playing or the particular Song you’re
performing, as desired.
Medium Soft2, Soft1,
Medium, Hard1,
Hard2, Fixed
Reverb Determines the Reverb type which is applied to all the entire
sound including the keyboard performance, Song playback
and MIDI data input from an external MIDI device.
Differs
depending on
the Voice.
Refer to the
Reverb Type
List (page 90)
Reverb
Depth
Adjusts the Reverb depth. When “Reverb” is set to “off” or a
value of “0,” no effect is produced.
Differs
depending on
the Voice.
0 – 40
Master Tune Fine tunes the pitch of the entire instrument. This function is
useful when you play this instrument along with other
instruments or CD music.
A3 = 440.0 Hz A3 = 414.8 Hz –
466.8 Hz
(approx. 0.2 Hz
steps)
VRM Turns the VRM effect on/off. For information about the VRM
function, refer to page 29.
Listening to the VRM Demo
Press the [PLAY/PAUSE] button
while this display is open to play
back the VRM Demo Song. You
can hear the Demo Song with and
without the effect (VRM on or off).
The five parameters below can be set when “VRM” is On.
On On, Off
Damper
Resonance
Determines the depth of the string resonance effect which is
applied when the damper pedal is pressed.
50 10
Damper
Noise
Turns the Damper Noise produced by the VRM function On/
Off. For details on damper noise, refer to page 29. This
function will be disabled when “Damper Resonance” is set to
“0.”
On On, Off
String
Resonance
Determines the depth of the string resonance effect which is
applied when a note on the keyboard is pressed.
50 10
Duplex Scale
Resonance
Adjusts the sympathetic vibrations of the duplex scaling
resonance effect in VRM. For details about duplex scaling,
refer to “What is Duplex Scale?” (page 29).
50 10
Body
Resonance
Adjusts the resonance of the piano itself (the soundboard,
the sides, the frame and so on) in VRM.
50 10
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Enjoying the Piano Performance
NOTE
If you wish to keep the Piano Room settings even after turning off the power, set “Voice” and “Other” in the “Backup” setting to “On.” For
details, refer to page 104.
• The items listed above can also be set in the “Voice” menu display (page 87) or the “System” menu display (page 97). When you
change these settings in the Piano Room display, the settings in the menu displays will also be changed. Conversely, changing the
settings in the menu displays will also change the settings in the Piano Room display.
Grand Expression Selects the type of the Grand Expression Modeling effects,
which simulates the physical sound transitions of an actual
piano. When this feature is set to “Dynamic,” you can control
extremely subtle nuances in the performance and sound by
changing your playing strength or touch. When set to
“Static,” the nuances are generally fixed. For details about
Grand Expression Modeling, refer to the below.
NOTE
Grand Expression Modeling is effective only for the Voices of
“CFX Grand” and “Bösendorfer.”
Listening to the Demo
Press the [PLAY/PAUSE] button
while this display is open to play
back the Demo Song of this
function. You can listen to the
Demo song with “Dynamic” or
“Static.”
Dynamic Dynamic, Static
Half Pedal Point Specify the point to which you must depress the right pedal
before the effect of “Sustain Continuously” begins to be
applied. This setting applies only to the “Sustain
Continuously” effect (page 91) that is assigned to the right
pedal.
0 -2 (effective with
the shallowest
press) – 0 – +4
(effective with
the deepest
press)
What is VRM?
The VRM (Virtual Resonance Modeling) function uses sophisticated physical modeling to simulate the actual string resonance sound
that occurs when the damper pedal on a real piano is pressed or keys are played and held.
On an actual acoustic piano, if you press the damper pedal and play a key, not only does the string of the pressed key vibrate, it also
causes other strings and the soundboard to vibrate, each influencing the rest and creating a rich and brilliant resonance that sustains
and spreads. The VRM (Virtual Resonance Modeling) technology featured in this instrument reproduces the complicated interaction
of both string and soundboard resonance faithfully using a virtual musical instrument (physical modeling), and makes the sound more
like a real acoustic piano. Since instantaneous resonance is made at the moment according to the state of the keyboard or pedal, you
can vary the sound expressively by changing the timing of your pressing the keys, and the timing and depth of your pressing the
pedal.
What is Duplex Scale?
Duplex scaling is a stringing method for pianos that uses extra, un-struck strings in the upper octaves to enhance the tone. These
strings sympathetically vibrate with other strings in an acoustic piano, resonating with overtones, and adding richness, brilliance and
complex color to the sound. Since they do not have a damper, they will continue sounding even after you release your hands from the
keyboard.
What is Damper Noise?
Damper noise is the sound made on an acoustic piano when the damper pedal is pressed. The damper noise changes in tone and
volume depending on how quickly the damper pedal is pressed down. Pressing the damper pedal slowly will make a quieter sound
when the damper heads are released from the strings. Pressing the damper pedal with force will transmit the vibrations to the strings,
which adds a lower and louder sound.
Item Icon Description
Default
setting
Setting Range
What is Grand Expression Modeling?
On an actual acoustic piano, subtle changes in the sound can be produced by changing your playing touch from when you press a
key to when you release it. For example, when you press a key all the way to its bottom, the key hits the keybed underneath and the
noise reaches the strings, changing the sound slightly. Furthermore, the tone when the damper is lowered onto strings to mute the
sound is changed by how quickly you release the key. The Grand Expression Modeling technology recreates these subtle changes in
the sound that respond to your touch. This allows you to add accents by playing strongly or add resonance by playing softly to
produce superbly expressive sound. A crisp tone can be heard when playing staccato as well as a lingering sound produced when
releasing the keys slowly.
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Playing Various Musical Instrument Sounds
(Voices)
In addition to the wonderfully realistic piano sounds, you can select and play other musical instrument
sounds (Voices), such as organ or stringed instruments. You can also select authentic Voices of fortepianos,
which were made in 18th and 19th centuries.
The Voices of the instrument are conveniently divided into groups of
instrument types. Select a desired Voice and play the keyboard.
You can also select a Voice from the XG Voices (CLP-785 and CLP-795GP
only). For instructions, refer to page 31.
1. Press the [VOICE] button to call up the Voice group list.
Voice groups are listed in the display. The currently selected Voice group
is highlighted.
2. Use the [ ]/[ ] buttons to select the Voice group.
Highlight the Voice group name you want to use.
Selecting Voices
NOTE
To hear and experience the
characteristics of the Voices,
listen to the Demo Songs for
each Voice (page 32).
NOTE
Touch Response will not be
applied to some Voices. For
information about the Voices to
which Touch Response can be
applied, refer to the “Preset
Voice List” on page 106.
XG
XG is a major enhancement of
the GM System level 1 format
(page 43), and was developed
by Yamaha specially to
provide more Voices and
variations, as well as greater
expressive control over Voices
and effects, and to ensure
compatibility of data well into
the future.
NOTE
For information about the
Voices, refer to the “Preset
Voice List” (page 106).
785 775 745 735795GP 765GP
Voice group
Voice group list
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Playing Various Musical Instrument Sounds (Voices)
3. Press the [ ] button.
The Voices in the selected group are listed in the display.
4. Use the [ ]/[ ] buttons to scroll through the Voice list,
and then press the [ ] button to select the desired Voice.
The currently selected Voice name is shown in the display.
You can select other Voices in order using the [ ]/[ ] buttons via the
Voice display.
Press the [
] button to go back to the Voice list.
5. Play the keyboard.
NOTE
Press the [<] button to return to
the Voice List for selecting the
Voice Group.
Voice
Voice display
NOTE
You can specify the Touch
Response (how the sound
responds to the way you play
the keys). You should adjust
this setting according to the
specific Voice you’re playing or
the particular Song you’re
performing, as desired. For
details on the settings, refer to
“Touch” on page 97. You can
also adjust the Touch
Response for the Voices in the
Piano group from the Piano
Room display (page 28).
Selecting XG Voices
If you want to select a Voice from the XG voices, select “XG” in step 2.
Because the XG Voice group has an extremely large number of Voices, the group
is divided into sub-groups. Press the [
] button to call up the Voice group list,
then select the desired Voice group from the list by using the [
]/[ ] buttons.
After this, follow the procedure beginning with step 3 above.
*For details on XG Voices, refer to the “Data List” on the website (page 8).
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Scroll to the bottom of the display
by pressing the [
] button.
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Playing Various Musical Instrument Sounds (Voices)
Several Demo recordings have been specially prepared to showcase the
exceptional characteristics of the corresponding Voices. For information about
the Voices that can be heard with these Demos, refer to the “Voice Demo Song
List” on page 108.
1. Press the [SONG/DEMO] button to call up the Song list
display.
2. Use the [ ]/[ ] buttons to select “Demo,” and then press
the [ ] button to call up the next display.
3. Use the [ ]/[ ] buttons to select the desired Voice Demo,
and then press the [ ] button to call up the Demo display.
The currently selected Voice Demo name is shown in the display.
4. Press the [PLAY/PAUSE] button to start playback.
5. Press the [PLAY/PAUSE] button again to stop playback.
The Voice Demo stops automatically when Voice Demo playback reaches
the end.
Selecting Other Demos
Press the [ ] button to return to the Song list display, then repeat steps 3
– 4 of this section.
Listening to the Voice Demos
785 775 745 735795GP 765GP
Demo display
NOTE
Recording operations cannot
be used during Voice Demo
playback.
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Playing Various Musical Instrument Sounds (Voices)
Applying the following effects gives you greater and richer expressive
capabilities.
Brilliance
For adjusting the brightness of the sound or creating your own custom EQ
settings. This setting is applied commonly to all parts (keyboard Voices/Song/
MIDI).
1. Press the [FUNCTION] button repeatedly to call up the
“System” menu display, then select the highlighted item in
each display as illustrated below.
Use the [ ]/[ ] buttons to select the desired tonality in the Brilliance
display. To reset the default setting, hold down the [FUNCTION] button
on the CLP-785/775/795GP, or press the [
]/[ ] buttons simultaneously
on the CLP-745/735/765GP.
Enhancing and Customizing the Sound
785 775 745 735795GP 765GP
FUNCTION
EXIT
“System” menu display
1-1. Use the [ ]/[ ] buttons
to select “Sound.
1-2. Press the [>] button to
call up the next display.
1-3. Use the [ ]/[ ] buttons
to select “Brilliance.
1-4. Press the [>] button to
call up the next display.
1-5. Use the [ ]/[ ] buttons
to select the value.
Checkmark
Sound display Brilliance display
Default setting: Normal
NOTE
If you select Bright 1 – 3 for the
Brilliance setting, the volume
level will increase slightly. In
this condition, if you raise the
[MASTER VOLUME] slider
setting, the sound may
become distorted. If this
happens, lower the volume
accordingly.
Mellow 1 – 3
Soft and mellow tone. The sound becomes more mellow and warmer as
the number increases.
Normal
Standard tone.
Bright 1 – 3
Bright tone. The sound becomes brighter as the number increases.
User
Opens the “User” display, where you can create your own custom EQ
settings. The EQ (Equalizer) processes the sound by dividing the
frequency spectrum into multiple bands, allowing you to boost or cut
them as required to tailor the overall frequency response and provide
optimum sound when listening through the instrument’s internal speaker
or headphones, etc. Refer to page 34 for details on operation.
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Playing Various Musical Instrument Sounds (Voices)
Setting the User EQ
1. Select “User” in the “Brilliance” display (the step 1-5 on
page 33), and then press the [>] button.
A display in which you can set the gain for three frequency bands
appears.
2. Use the [<]/[>] buttons to select a band, then use [ ]/[ ]
buttons to boost or cut it.
To reset the gain for each frequency band to the default value, hold down
the [FUNCTION] button on the CLP-785/775/795GP, or press the [
]/
[
] buttons simultaneously on the CLP-745/735/765GP.
3. Press the [EXIT] button to close the “User” display.
Reverb
This control adds reverberation to the sound by simulating the natural
reverberation of a concert hall. The ideal Reverb type is automatically selected
whenever you select a Voice, but you can select any of the available Reverb types.
To select a desired Reverb type, use the “Voice” menu display: “Reverb”
(page 87). You can also select the Reverb type for Voices in the Piano group
from the Piano Room display (page 28).
This setting is applied commonly to all parts (keyboard Voices/Song/MIDI).
Chorus
This control adds warmth and spaciousness to the sound. The ideal Chorus
type is automatically selected whenever you select a Voice, but you can select
any of the available Chorus types.
To select a desired Chorus type, use the “Voice” menu display: “Chorus”
(page 87).
This setting is applied commonly to all parts (keyboard Voices/Song/MIDI).
Effects
This instrument features a wide variety of Effects, letting you apply
enhancements such as Echo or Tremolo to the selected Voice for your keyboard
performance. You can select any of the available Effect types from the “Voice
menu display: “Voice Edit” “Effect” (page 88).
Default setting: 0 dB
Setting range: -6 dB – 0 –
+6 dB
NOTE
You can adjust the Reverb
depth for the selected Voice
from the “Voice” menu display:
“Voice Edit” “Reverb Depth”
(page 88).
NOTE
You can adjust the Chorus
depth for the selected Voice
from the “Voice” menu display:
“Voice Edit” “Chorus Depth”
(page 88).
NOTE
When you want to apply the
Chorus effect to a Voice whose
Chorus type is set to off by
default, set the Chorus type to
something other than “Off,”
then set the Chorus depth
value as desired (greater than
“0”).
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Playing Various Musical Instrument Sounds (Voices)
Two Voices can be played simultaneously. You can create warm and richly
textured Voices by using Voices from different groups simultaneously in a layer,
or by using Voices in the same group.
1. Press the [DUAL/SPLIT] button once to enter the Dual
mode.
(CLP-785/775/795GP) The color of the [DUAL/SPLIT] button changes to
orange.
(CLP-745/735/765GP) The [DUAL/SPLIT] button lamp lights up.
The Voice which is displayed at top is Voice 1, and the one at bottom is
Voice 2.
2. Select the Voices for layering.
2-1. Use the [ ]/[ ] buttons to highlight (Voice 1) in the
display.
2-2. Use the [ ]/[ ] buttons or the [VOICE] button to select the
desired Voice.
If you use the [VOICE] button to call up the Voice group list, press the
[
] button to select a Voice, and then return to the previous display.
Use the [
]/[ ] buttons to highlight (Voice 2), and then select a
Voice in the same way.
3. Play the keyboard.
4. Press the [DUAL/SPLIT] button to exit from the Dual
mode.
(CLP-785/775/795GP) The color of the [DUAL/SPLIT] button returns to
white.
(CLP-745/735/765GP) The [DUAL/SPLIT] button lamp goes out.
Playing Two Voices Simultaneously (Dual)
785 775 745 735795GP 765GP
Voice 1
Voice 2
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Playing Various Musical Instrument Sounds (Voices)
Split mode enables you to play two different Voices on the keyboard—one with
your left hand and another with your right.
1. Press the [DUAL/SPLIT] button twice to enter the Split
mode.
(CLP-785/775/795GP) The color of the [DUAL/SPLIT] button changes to
orange.
(CLP-745/735/765GP) The [DUAL/SPLIT] button lamp lights up.
The Voice which is displayed at top is Voice R, and the one at bottom is
Voice L.
2. Select a Voice for the right-hand area and left-hand area.
2-1. Use the [ ]/[ ] buttons to highlight (Voice R) in the
display.
2-2. Use the [ ]/[ ] buttons or the [VOICE] button to select the
desired Voice.
If you use the [VOICE] button to call up the Voice group list, press the
[
] button to select a Voice, and then return to the previous display.
Use the [
]/[ ] buttons to highlight (Voice L), and select a Voice in
the same way.
3. Play the keyboard.
Changing the Split Point
You can change the Split Point (the border between the right- and left-
hand ranges) from the default setting “F#2” to any other key. While in the
Split mode, hold down the [DUAL/SPLIT] button, and press the key you
wish to assign as the Split Point.
Splitting the Keyboard Range and Playing Two
Different Voices (Split Mode)
785 775 745 735795GP 765GP
Voice R
Voice L
NOTE
The specified Split Point key is
included in the left-hand range.
NOTE
The Split Point can also be set
via the menu display. For
details, refer to “Split Point” on
page 98.
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Playing Various Musical Instrument Sounds (Voices)
4. Press the [DUAL/SPLIT] button to exit from the Split
mode.
(CLP-785/775/795GP) The color of the [DUAL/SPLIT] button returns to
white.
(CLP-745/735/765GP) The lamp of the [DUAL/SPLIT] button turns off.
1. Press the [DUAL/SPLIT] button three times to turn the
Dual and Split modes on.
(CLP-785/775/795GP) The color of the [DUAL/SPLIT] button changes to
orange.
(CLP-745/735/765GP) The [DUAL/SPLIT] button lamp lights up.
The Voice displayed at top is Voice R1, the one in the middle is Voice R2,
and the one at bottom is Voice L.
2. Select the Voices for layering and for the left-hand area.
2-1. Use the [ ]/[ ] buttons to highlight (Voice R1) in the
display.
2-2. Use the [<]/[>] buttons or the [VOICE] button to select the
desired Voice.
If you use the [VOICE] button to call up the Voice group list, press the
[
] button to select a Voice, and then return to the previous display.
Use the [
]/[ ] buttons to highlight (Voice R2) and (Voice L),
and select Voices in the same way.
3. Play the keyboard.
4. Press the [DUAL/SPLIT] button to exit from the Dual and
Split mode.
(CLP-785/775/795GP) The color of the [DUAL/SPLIT] button returns to
white.
(CLP-745/735/765GP) The lamp of the [DUAL/SPLIT] button turns off.
Center “C”
Using Dual and Split Simultaneously
Voice R1
Voice R2
Voice L
NOTE
• The specified Split Point key
is included in the left-hand
range.
For the information on setting
the Split Point, refer to
page 36.
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Playing Various Musical Instrument Sounds (Voices)
This function allows two different players to play the instrument, one on the
left and the other on the right. This is convenient for practicing duets over the
same octave range.
1. Press the [FUNCTION] button repeatedly to call up the
“System” menu display, and then select the highlighted
item in each display as illustrated below.
(CLP-785/775/795GP) The color of the [DUAL/SPLIT] button changes to
orange.
(CLP-745/735/765GP) The [DUAL/SPLIT] button lamp lights up.
The keyboard is divided into two sections, with the E3 key as the Split
Point.
The pedal function changes as follows.
Playing Duo
785 775 745 735795GP 765GP
EXIT
FUNCTION
“System” menu display
1-1. Use the [ ]/[ ] buttons
to select “Keyboard.
1-2. Press the [>] button to
call up the next display.
1-3. Use the [ ]/[ ] buttons
to select “Duo.
1-4. Press the [>] button to
select “On.”
Keyboard display
NOTE
• In Duo, VRM is not effective.
When the Type of Duo
(page 98) is set to
“Separated,” Reverb and
Binaural Sampling/
Stereophonic Optimizer are
not effective.
NOTE
The specified Split Point key is
included in the left-hand range.
Right Pedal Damper pedal for the right-hand range
Center Pedal Damper pedal for both the right-hand and left hand ranges
Left Pedal Damper pedal for the left-hand range
Left section
Split Point E3Equivalent to C3 (middle C) Equivalent to C3 (middle C)
Right section
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Playing Various Musical Instrument Sounds (Voices)
2. Press the [EXIT] button to exit from the menu display.
[Duo] is shown in the Voice display while Duo mode is on.
3. Play the keyboard.
The sound of left-hand range is emitted from the left, the sound of right-
hand range is emitted from the right by default.
4. Press the [DUAL/SPLIT] button to exit from the Duo
mode.
You can also exit from the Duo mode by following either of the
instructions below.
Press any of the [CFX GRAND], [BÖSENDORFER], [PIANO ROOM]
buttons.
Repeat the same procedure from step 1 to set it to “Off.”
The instrument has a built-in metronome (a device that keeps an accurate
tempo)—a convenient tool for practice.
1. Press the [METRONOME] button to start the metronome.
This calls up the Tempo display, from which you can adjust the tempo.
For details, see next section.
2. Press the [METRONOME] button to stop the metronome.
To close the Tempo display, press the [EXIT] button.
Adjusting the Tempo
NOTE
You can listen to the sounds
played by two players through
both speakers as well, with a
natural balance of sound.
Press the [FUNCTION] button
repeatedly to call up the
“System” menu display, then
change the settings in
“Keyboard” “Type”
(page 98).
Using the Metronome
NOTE
You can set the metronome
volume, BPM and so on from
the “Metronome/Rhythm” menu
display (page 95).
785 775 745 735795GP 765GP
EXIT
FUNCTION
Metronome
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Playing Various Musical Instrument Sounds (Voices)
1. Press the [TEMPO] button to call up the Tempo display.
2. Use the [<]/[>] buttons to adjust the tempo.
You can adjust the tempo value (number of beats per minute) using the
[<]/[>] buttons.
To reset tempo to the default setting
CLP-785/775/795GP: Hold down the [FUNCTION] button.
CLP-745/735/765GP: Press the [<] and [>] buttons simultaneously.
3. Press the [EXIT] button to close the Tempo display.
Setting the metronome time signature
1. Press the [FUNCTION] button repeatedly to call up the
“Metronome/Rhythm” menu display.
2. Use the [ ]/[ ] buttons to select “Time Sig.” and then
press the [ ] button.
NOTE
For information on setting the
time signature, refer to
page 40.
Tempo value
785 775 745 735
EXIT
FUNCTION
795GP 765GP
Time Signature
Time Signature display
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Playing Various Musical Instrument Sounds (Voices)
3. Use the [ ]/[ ] buttons to select the desired time
signature.
Setting range: 2/2, 1/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 7/8, 9/8, 12/8
Default setting: 4/4 (Selecting a MIDI Song will change the tempo value to
that specified in the selected MIDI Song data.)
Tempo indication and Setting range
Tempo is displayed as “note type=xxx” (For example: =120). Selecting
the Time Signature changes the available parameters as follows.
* When the tempo value of the selected MIDI Song is outside the setting range on the instrument,
the value will be changed to fit within the setting range.
* Note type will be fixed to quarter note as long as the “BPM” parameter in the “Metronome/Rhythm”
menu display is set to “Crotchet” regardless of the Time Signature you set.
4. Turn the “Bell” setting on.
For details, refer to “Bell” in the “Metronome/Rhythm” menu (page 95).
The Metronome plays back according to the selected Time Signature with
the Bell sound on the first beat of each measure.
5. Press the [EXIT] button to close the “Metronome/
Rhythm” menu display.
Note type Time Signature Setting range
2/2 3 – 250
1/4, 2/4, 3/4, 4/4, 5/4,6/4, 7/4 5 – 500
6/8, 9/8, 12/8 4 – 332 (even numbers only)
3/8, 7/8 10 – 998 (even numbers only)
and 999
Half note
Quarter note
Dotted quarter note
Eighth note
Note type
The length of one beat
Metronome detailed
settings
You can set the metronome
volume, BPM and so on from
the “Metronome/Rhythm” menu
display (page 95).
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Playing the Keyboard along with Rhythm
Playback
This instrument features various rhythm patterns, allowing you to play and perform along with dynamic
Rhythm playback. The preset Rhythms consist of drums and bass accompaniment.
1. Press the [RHYTHM] button to start Rhythm playback.
Intro playback starts followed by the Rhythm playback.
2. Use the [<]/[>] buttons to call up the desired Rhythm.
For details on the available Rhythms, refer to the Rhythm List (page 110).
3. Play the keyboard along with Rhythm playback.
The instrument will automatically create appropriate accompaniment
bass sound while you play, based on the chords you play.
The default setting of the bass sound is “On.”
If you don’t want to have the bass accompaniment sound, set it to “Off.”
Press the [FUNCTION] button repeatedly to call up the “Metronome/
Rhythm” menu display, and make the settings in “Bass.”
4. To stop Rhythm playback, press the [RHYTHM] button
again.
The Rhythm will automatically stop after an Ending is played.
5. Press the [EXIT] button to exit from the Rhythm display.
785 775 745 735795GP 765GP
EXIT
FUNCTION
About the Rhythm Tempo
The Rhythm tempo is
equivalent to that set for the
Metronome (page 39).
Even if you set the Rhythm
tempo, selecting a MIDI Song
will change the tempo value
to that specified in the
selected MIDI Song data.
Detailed Settings for the
Rhythm
From the “Metronome/Rhythm”
menu display (page 95), you
can set detailed parameters,
such as Rhythm volume and
Sync Start, letting you start
Rhythm playback by simply
pressing a key.
NOTE
The Rhythm display cannot be
called up during Song
playback or recording.
To set the Intro/Ending on
or off
“Intro” and “Ending” allow you
to vary the arrangement of the
accompaniment. You can set
“Intro” and “Ending” on/off via
“Intro” or “Ending” in the
“Metronome/Rhythm” menu
display (page 95).
NOTE
Some arrangements may not
be suitable for use with this
feature.
9th, 11th and 13th chords
cannot be recognized.
For details on how to play
chords, refer to commercially
available chord books.
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Playing Back Songs
This instrument can play Preset Songs, Songs you recorded on this instrument, or commercially available
Songs. In addition to listening to these Songs, you can play the keyboard as the Song plays back.
You can play back the following types of Songs in this instrument.
Preset Voice Demo Songs (Voice Demo).
•P
reset Songs: 50 classical Preset Songs (“50 Classical”) and 303 Lesson Songs
(“Lesson”)
Your own recorded Songs (see page 54 for instructions on recording)
Commercially available MIDI Song data: SMF (Standard MIDI File)
The maximum size for playback on this instrument is approx. 500KB per single
MIDI Song.
Commercially available Audio Song data: Wav (file extension = .wav with
44.1 kHz sample rate, 16-bit resolution, stereo, and maximum 80 minutes length)
MIDI Songs and Audio Songs
There are two kinds of Songs that can be recorded and played back on this
instrument: MIDI Songs and Audio Songs.
A MIDI Song is comprised of your keyboard performance information and is not a
recording of the actual sound itself. The performance information refers to which
keys are played, at what timing, and at what strength—just as in a musical score.
Based on the recorded performance information, the tone generator (of the
Clavinova, etc.) outputs the corresponding sound. A MIDI Song uses a small amount
of data capacity in comparison to an Audio song, and allows you to easily change
aspects of the sound, such as Voices used, etc.
An Audio Song is a recording of the performed sound itself. This data is recorded in
the same way as that used with voice recorders, etc. This data can be played with a
portable music player, etc., allowing you to easily let other people hear your
performance.
Availability of functions differs between MIDI Songs and Audio Songs. In this chapter, the
following icons indicate whether or not the explanation applies to MIDI Songs or Audio Songs
individually.
Example:
The CLP-785 and CLP-795GP are compatible with the following formats.
GM System Level 2
“GM (General MIDI)” is one of the most common Voice allocation formats. “GM System Level
2” is a standard specification that enhances the original “GM” and improves Song data
compatibility. It provides for increased polyphony, greater Voice selection, expanded Voice
parameters, and integrated effect processing.
XG
XG is a major enhancement of the GM System Level 1 format, and was developed by Yamaha
specifically to provide more Voices and variations, as well as greater expressive control over
Voices and effects, and to ensure compatibility of data well into the future.
GS
GS was developed by the Roland Corporation. In the same way as Yamaha XG, GS is a major
enhancement of the GM specifically to provide more Voices and Drum kits and their
variations, as well as greater expressive control over Voices and effects.
MIDI Audio
Indicates explanation applies
only to MIDI Songs
785 775 745 735 795GP 765GP
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Playing Back Songs
1. If you want to play back a Song in a USB flash drive,
connect the USB flash drive containing Song data to the
USB [TO DEVICE] terminal beforehand.
Audio files to be played must be on a USB flash drive.
2. Press the [SONG/DEMO] button to call up the Song List
display, then select the desired category using [ ]/[ ]
buttons.
Select the desired one from “50 Classical,” “Lesson,” “User” or “USB”
referring to the category descriptions below.
Song Playback
MIDI Audio
NOTE
The instrument can
automatically select a Song file
saved in the root directory of
the USB flash drive as soon as
the USB flash drive is
connected. For instructions,
refer to “USB Autoload” on
page 100.
785 775 745 735795GP 765GP
NOTE
Before using a USB flash drive,
be sure to read “Connecting
USB Devices (USB [TO
DEVICE] terminal)” on
page 74.
Demo
Voice Demos let you experience the characteristics of the Voices
(MIDI Song). Refer to page 32 for how to play back the Demo. For Song
names, refer to the “Voice Demo Song List” on page 108.
50 Classical
50 classical Preset Songs (MIDI Songs). For these Songs, see the music
book “50 Classical Music Masterpieces,” included with this instrument.
For details, refer to the “Song List” on page 109.
Lesson
303 Preset Songs (MIDI Songs) ideal for practice, taken from “The Virtuoso
Pianist” and others. For these Songs, refer to the Lesson Songs on page 109.
Lesson Songs are divided into several folders depending on the types.
User
MIDI Songs which have been recorded and saved to the instrument by
using the Record function (page 54), and MIDI Songs which have been
copied/moved to the instrument using File operations (page 65).
USB
MIDI/Audio Songs saved to the USB flash drive by recording them with this
instrument or Audio Songs converted from MIDI Songs (page 69), or MIDI/
Audio Songs saved to the USB flash drive.
Song category
[ ] button
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Playing Back Songs
3. Press the [>] button to display the Songs in the specified
category, and then select a desired Song using the [ ]/[ ]
buttons.
When “User” or “USB” category is selected, the icon indicating Song
types are shown to the left of the Song name.
Since the Lesson Songs are conveniently divided into specific folders,
select the desired folder, press the [>] button, and then select a Song.
To select a recorded Song saved to USB flash drive:
When you record a Song and save it to a USB flash drive, the recorded
Song will automatically be saved to the USER FILES folder on a USB flash
drive. If you want to select the Song from the USER FILES folder, select
USB in step 2, and USER FILES folder in step 3.
4. Press the [>] button to select the desired Song.
The Song display lets you to see the currently selected Song name and its
category name.
5. Press the [PLAY/PAUSE] button to start playback.
The current position of the Song playback will be shown.
You can play the keyboard along with Song playback. You can also change
the Voice for your keyboard performance. To adjust the volume balance
between your keyboard performance and MIDI Song playback, or to
adjust the Audio Volume, set the appropriate Volume parameters
individually in the “Song” menu display (page 52).
NOTE
Press the [<] button to return to
the category/folder.
Icon
Song List
Icon Data format
Folder
MIDI Songs
Audio Songs
NOTE
“NoSong” will be shown in the
display when no data exists in
that folder.
When Songs cannot be
read from a USB flash drive
If the song cannot be read, you
may need to change the
Language setting for the Song
name in the “System” menu
display (page 101).
NOTE
Press the [ ] button to return to
the Song list.
NOTE
When the Song title is too long
to be displayed, press the [
]
button to see the full title.
Song
name
Song display: MIDI Song Song display: Audio Song
Song
name
Category name Category name
Song display: MIDI Song Song display: Audio Song
Current position Current position
NOTE
If a Song has been selected,
the original tempo of the Song
is used, and the Metronome
setting (page 39) will be
ignored.
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Playing Back Songs
6. Press the [PLAY/PAUSE] button again to stop playback.
Even if you dont press the [PLAY/PAUSE] button, the Song stops
automatically when Song playback reaches the end.
Rewind/Fast forward/Returning to the top of the Song
1. Use the [<] and [>] buttons to move back or forth through
the Song (in bars or seconds), while the Song display is
shown.
Holding the corresponding button scrolls backward/forward
continuously.
Returning to the top of the Song
(CLP-785/775/795GP) Hold down the [FUNCTION] button.
(CLP-745/735/765GP) Press the [<] and [>] buttons simultaneously.
NOTE
Useful playback functions are
described on pages 48 – 53.
Song display: MIDI Song Song display: Audio Song
Measure number Elapsed time
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Playing Back Songs
Adjusting the tempo
You can adjust the playback tempo of a Song.
1. Press the [TEMPO] button to call up the Tempo display.
For a MIDI Song, press the [TEMPO] button during Song playback or
while the Song display is shown. For an Audio Song, press the [TEMPO]
button during Song playback.
2. Change the Tempo value using the [<]/[>] buttons.
To recall the original tempo (the tempo particular to the Song), hold
down the [FUNCTION] button on the CLP-785/775/795GP, or press the
[<] and [>] buttons simultaneously on the CLP-745/735/765GP.
When a MIDI Song is selected, the tempo range differs depending on the
Time Signature for a selected Song. Available setting values may only
include even numbers (multiples of 2), depending on the Time Signature.
For more information, refer to page 41.
When an Audio Song is selected, the tempo range is between 75% –
125%. 100% is the original tempo value. Higher values result in a faster
tempo.
3. Press the [EXIT] button to exit from the Tempo display.
NOTE
Changing the tempo of an
Audio Song may change its
tonal characteristics.
785 775 745 735795GP 765GP
EXIT
FUNCTION
MIDI Song Audio Song
Tempo Tempo
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Playing Back Songs
Some MIDI Songs, such as Preset Songs, are divided into right-hand and left-
hand parts. By using such Song data, you can practice the left hand by turning
on only the right-hand part, and practice the right hand by turning on only the
left-hand part—allowing you to practice parts separately for easy mastery of
difficult material.
1. Select a Song for practicing.
For instructions, refer to page 44. Song categories “50 Classical” and
“Lesson” are recommended for this.
2. Select a part you want to practice, then set the part to off.
Press the [FUNCTION] button repeatedly to call up the “Song” menu
display, then select the highlighted item in each display as illustrated
below.
In the “L/R” display, select the part (track) you want to mute for
practicing. Select “R” for practicing the right-hand part, or “L” for the left-
hand part.
3. Use the [>] button to select “Off” for the selected part.
Playing a One-hand Part — Part Cancel
Function (MIDI Songs)
MIDI Audio
785 775 745 735795GP 765GP
FUNCTION
NOTE
The parts can be turned on or
off even during playback.
NOTE
Usually, Channel 1 is assigned
to “R,” Channel 2 is assigned
to “L,” and Channels 3 – 16 are
assigned to “Extra.” However,
the assignments may differ
depending on the particular
Song. Channels assigned to
“Extra” cannot be set to on or
off individually.
NOTE
Some songs in “50 Classical”
and “Lesson” categories are
duet songs. Refer to page 109
about part assignment for the
duet songs.
NOTE
Whenever you select another
MIDI Song, both parts are
automatically turned on.
“Song” menu display
2-1. Use the [ ]/[ ] buttons
to select “L/R.
2-2. Press the [>] button to
call up the next display.
2-3. Use the [ ]/[ ] buttons
to select desired track.
L/R display
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Playing Back Songs
4. Press the [PLAY/PAUSE] button to start playback.
Play and practice the part you just muted.
5. Press the [PLAY/PAUSE] button again to stop playback.
Even if you dont press the [PLAY/PAUSE] button, the Song stops
automatically when Song playback reaches the end.
There are three Repeat items as follows. These are convenient for repeatedly
practicing difficult phrases. It is a good idea to use this function and the Part
Cancel function (above) for practicing difficult phrases, in the case of MIDI
Songs.
AB Repeat ............. Play a MIDI Song repeatedly by designating a specific
range within the Song.
Phrase Repeat...... Play a MIDI Song repeatedly by designating a phrase or
phrases within the Song.
Song Repeat.......... Play a MIDI/Audio Song repeatedly, or play all MIDI/
Audio Songs saved in a designated folder repeatedly in
order or in random order.
The explanations here apply only to AB Repeat and Song Repeat. For Phrase
Repeat, refer to page 92.
1. Select a Song to be played back.
For instructions, refer to page 44.
2. Call up the Repeat display.
Press the [FUNCTION] button repeatedly to call up the “Song” menu
display. Select “Repeat,” then press the [>] button.
Playing Back a Song Repeatedly
795GP 765GP785 775 745 735
FUNCTION
“Song” menu display Repeat display
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Playing Back Songs
3. In the Repeat display, select a desired item using the [ ]/
[ ] buttons, then press the [>] button.
If you want to set AB Repeat, select “A – B.”
If you want to set Song Repeat, select “Song.”
4. Set in the appropriate setting display.
•AB Repeat .................See below.
•Song Repeat...............See page 51.
AB Repeat setting
Specify the repeat range.
4-1. Press the [PLAY/PAUSE] button to start Song playback.
4-2. Press the [>] button at the starting point (A) of the range
to be repeated.
4-3. Press the [>] button again at the ending point (B).
After an automatic lead-in (to help guide you into the phrase), the
range from Point A to Point B is played back repeatedly.
5.
To turn off the Repeat function, press the [>] button
while “Repeat Off” is highlighted, or select another Song
.
MIDI Audio
A – B display
Specifying the top of a
Song as Point A
Specify Point A before starting
playback, then start playback
and specify Point B.
Specifying the end of a
Song as Point B
Specifying only Point A results
in repeat playback between
Point A and the Song end (as
Point B).
NOTE
You can also specify the repeat
range by the following
procedure.
1 Highlight the measure
number using the [
] button,
then fast-forward the Song to
Point A using the [<]/[>]
buttons.
2 Highlight “Set Ausing the
[
] button, then press the [>]
button.
After specifying Point A, the
display for specifying Point
B is called up.
3 Specify Point B in the same
way as Point A.
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Playing Back Songs
Song Repeat setting
4-1. Select the desired Repeat type using the [ ]/[ ] buttons
in the setting display.
4-2. Press the [PLAY/PAUSE] button to start Repeat
playback.
Icons corresponding to each Repeat setting are shown on the Song
display.
While the Repeat setting is on, (Single), (All), or
(Random) is shown in the upper right corner of the Song display.
5. To turn off the Repeat function, press the [PLAY/PAUSE]
button again to stop playback, and then select “Off” in
step 4-1.
Off
Disables repeated playback.
Single
Plays through the selected file repeatedly.
All
Continuously plays back all Songs within a designated range in order.
Random
Continuously plays back all Songs within a designated range in random
order.
MIDI Audio
Setting display
Checkmark
Icon
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Playing Back Songs
When a MIDI Song is selected, you can adjust the Volume balance between the
Song playback and the sound you are playing on the keyboard, or between the
Right and Left parts of the selected Song. When an Audio Song is selected, you
can adjust the Audio Song volume.
Select the desired Song beforehand. For instructions, refer to page 44.
1. Press the [FUNCTION] button repeatedly to call up the
“Song” menu display. Select “Volume,” and then press the
[>] button.
2. When a MIDI Song is selected, select “Song – Keyboard
or “Song L – R” using the [ ]/[ ] buttons, then press the
[>] button to call up the setting display.
When an Audio Song is selected, use the [<]/[>] buttons to
set the Audio playback volume. After setting the value, go
on to step 4.
Adjusting the Volume Balance
MIDI Audio
795GP 765GP785 775 745 735
EXIT
FUNCTION
“Song” menu display (When a MIDI Song is selected)
“Song” menu display (When an Audio Song is selected)
NOTE
Some commercially available
music data contain extremely
high volumes. When using
such data (MIDI Song), adjust
the “Song – Keyboard” setting.
Song – Keyboard
Adjust the Volume balance between the MIDI Song playback and
the sound you are playing on the keyboard.
Song L – R
Adjust the Volume balance between the Right and Left parts of the
selected MIDI Song.
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Playing Back Songs
3. Adjust the Volume balance by using the [<]/[>] buttons.
In the case of “Song – Keyboard”:
In the case of “Song L – R”:
4. Press the [EXIT] button twice to exit from the “Song”
menu display.
Whenever you select another MIDI Song, the setting for “Song L – R” is
restored to its default setting. As for “Song – Keyboard” and Audio
Volume, selecting another Song will not reset the value.
Starting/pausing playback by using a pedal
You can assign the Song Play/Pause function (the same function as the [PLAY/
PAUSE] button on the control panel) to the center or the left pedal. Press the
[FUNCTION] button repeatedly to call up the “System menu display, and then
select “Pedal” → “Play/Pause” to make the assignment. For details, refer to
page 98.
This is convenient for starting or pausing playback when you are performing
and can’t take your hands from the keyboard.
Transposing the pitch of a Song
You can shift the pitch of Song playback up or down in semitone intervals.
Press the [FUNCTION] button repeatedly to call up the “Song” menu display →
“Transpose.” For details, refer to page 92.
The Song playback volume will be lower.The volume of your playing will be lower.
R part volume will be lower. L part volume will be lower.
NOTE
The selected parameters of
“Song – Keyboard” will be
maintained (Backup Setting)
even when the power is turned
off. Make sure not to set the
volume levels to minimum.
Otherwise the sound of
keyboard or songs will not be
played. You can change the
settings to maintain the
selected parameter or not. For
details, refer to “Backup
Setting” on page 104.
Useful Playback Functions
MIDI Audio
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Recording Your Performance
This instrument allows you to record your performance in the following two methods.
MIDI Recording
With this method, recorded performances are saved to the instrument or a USB flash drive as an SMF
(format 0) MIDI file. If you want to re-record a specific section or edit parameters such as Voice, use this
method. Also you can record your performance to each Track one by one. Since a MIDI Song can be
converted to an Audio Song after recording (page 69), you may want to use MIDI recording (with
overdubbing and multiple parts) to first create a complex arrangement you would not otherwise be able to
play live, then convert it to an Audio Song. This instrument allows you to record approximately 500 KB of
data per Song.
•Audio Recording
With this method, recorded performances are saved to a USB flash drive as an Audio file. Recording is done
without designating the recorded part. Since it is saved in stereo WAV format of normal CD quality
resolution (44.1 kHz/16 bit), it can be transmitted to and played on portable music players by using a
computer. Because the audio sound input* from the external device is also recorded, you can record your
keyboard performance along with the performance sound of the connected audio device, computer, or
smart device, etc. This instrument allows you to record up to 80 minutes per single recording.
*Audio sound input (Audio input sound): Audio data sent to this instrument from the external devices such as a computer or a smart
device, etc., when connecting the instrument with the devices via [AUX IN] jack, [USB TO HOST] terminal, wireless LAN, or
Bluetooth. For connection with these devices, refer to the “Connections” section from page 71.
For details about the difference between MIDI Songs and Audio Songs, refer to page 43.
This chapter covers the following four methods. Note that the created data
format differs depending on the method, MIDI or Audio.
Quick MIDI Recording .......................................page 55
This method lets you start recording most quickly. Your performance will be
recorded and saved to the “User” category in this instrument’s internal
memory.
MIDI Recording — Independent Tracks ............ page 57
This lets you record the right, left and extra parts separately. Since you can
record the left part while playing back the right, this is useful for recording both
parts of a duet. Since you can record up to sixteen parts separately, record the
performance of each instrument part one by one and create fully orchestrated
compositions.
MIDI Recording to the USB Flash Drive ............ page 59
This method is useful when you want to overwrite the already recorded MIDI
Song in the USB flash drive or create a New MIDI Song on the USB flash drive.
Audio Recording to the USB Flash Drive ...........page 60
This method lets you record your performance as Audio data to the USB flash
drive connected to the USB [TO DEVICE] terminal.
MIDI
Audio
Recording Methods
MIDI
MIDI
MIDI
Audio
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Recording Your Performance
This is the quickest way to start recording.
1. Make the necessary settings such as Voice selection and
time signature.
Before starting the Recording operation, select a Voice (page 30) for your
keyboard performance, turn Dual/Split/Duo on or off as desired, set the
tempo and time signature of the Metronome/Rhythm (page 39), then
select a Reverb/Chorus/Effect type as desired.
2. Press the [REC] (Record) button to enter the Recording
mode.
A blank new Song for recording is automatically set.
The [PLAY/PAUSE] button will flash at the current tempo.
To exit from the Recording mode, press the [REC] (Record) button again.
3. Play the keyboard (or press [PLAY/PAUSE]) to start
recording.
When you wish to record an empty section at the start of the Song, press
the [PLAY/PAUSE] button to start recording.
Quick MIDI Recording
MIDI
785 775 745 735795GP 765GP
NOTE
If you want to record the left-
hand and right-hand parts
individually, refer to “MIDI
Recording—independent
Tracks” (page 57), since the
Recording method here
assumes that both the left and
right parts are being recorded
together.
Using the Metronome/
Rhythm
You can use the Metronome/
Rhythm while recording. While
the Metronome sound cannot
be recorded, the Rhythm
sound can. Make sure to enter
the Recording mode before
starting Rhythm playback,
since entering the Recording
mode during playback of the
Rhythm stops its playback.
NOTE
The “Song – Keyboard” Volume
Balance (page 52) will not be
recorded.
NOTE
With MIDI recording, the
performance will be recorded
to Track 1. However, in the
Dual/Split/Duo mode, the
tracks assigned for recording
and the tracks actually used for
recording are different. For
details refer to “Recording
Track Assignment” on page 57.
Mode:
A mode is a status under which
you can execute a certain
function. In Recording mode,
you can record Songs.
NOTE
Pressing and holding the [REC]
button for a second will call up
the display which lists the
Recording Target Songs. In this
case, select “New Song” then
press the [>] button referring to
the table on page 59.
To start recording as soon
as a Rhythm starts:
When a Rhythm (page 42) is
selected, press the [RHYTHM]
button to start Rhythm
playback and MIDI recording
simultaneously.
Measure number
REC display
REC display (during recording)
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4. After you finish your performance, press the [REC]
(Record) button again to stop recording.
This operation exits from the Recording mode and calls up the display for
saving the recorded performance data.
5. If you want to save the recorded performance, press the [>]
button to execute the Save operation while “Save” is
highlighted.
After the Save operation is completed, the display shows “Save
Completed” then returns to the Song display. The recorded Song will be
named “USERSONGxxx” (xxx: number) and saved in the “User”
category.
If you are not satisfied with your performance and want to record
again, highlight “Retry” then press the [>] button. Try recording again
from step 3.
If you do not want to save the recorded data, highlight “Cancel” then
press the [>] button.
6. To hear the recorded performance, press the [PLAY/
PAUSE] button.
NOTICE
The recorded MIDI Song will be
lost if you change to another
Song or you turn the power off
without executing the Save
operation.
Renaming the recorded
Song
The recorded Songs are
named automatically, but you
can rename Songs as you like
(page 70).
NOTE
Refer to page 67 for how to
delete a Song.
Data that can be recorded to MIDI Songs
Data for each Track
Note data (your keyboard performance)
•Voice selection
Pedal operations (Damper/Soft/Sostenuto)
•Reverb Depth
•Chorus Depth
•Effect Depth
Sound brightness — “Brightness”
Resonance effect setting — “HarmonicContent”
•Octave
Volume setting for each Voice — “Volume”
•Pan for each Voice
•Detune
•Touch Sensitivity
Grand Expression Modeling data
Data commonly for all
Tracks
•Scale
•Tempo
•Time Signature
Reverb Type
•Chorus Type
•Effect Type
NOTE
Parameter settings other than
Voice and Tempo, such as note
data, pedal (Damper/Soft/
Sostenuto) data, octave setting
and time signature, cannot be
changed after recording.
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With MIDI Recording, you can create a MIDI Song consisting of 16 tracks by
recording your performance to each track one by one. In recording a piano
piece, for example, you can record the right-hand part to Track 1 then record
the left-hand part to Track 2, allowing you create a complete piece which may
be difficult to play live with both hands together. To record a performance with
Rhythm playback, for example, record Rhythm playback, then record melodies
to Track 1 while listening to the already recorded Rhythm playback. In this way,
you can create an entire Song which would otherwise be difficult, or even
impossible, to play live.
1. Execute the same operations as in step 1 and step 2 on
page 55 to enter the Recording mode with a new blank
Song selected.
2. Use the [<]/[>] buttons to select a Recording Track.
When you want to record the right-hand part, highlight “R” (Track 1).
When you want to record the left-hand part, highlight “L” (Track 2).
Alternately, when you want to record your performance to Tracks 3 – 16,
call up the desired one by pressing the [<]/[>] buttons repeatedly. If the
Rhythm playback was recorded first before other tracks, it is
automatically recorded to one of the Tracks 9 – 11 (or all the three tracks).
If this is the case, select the desired track for recording from any except
for these tracks.
3. Play the keyboard to start recording.
When you want to record the Rhythm playback first, press the
[RHYTHM] button to start recording. When you want to record an
empty section at the start of the Song, press the [PLAY/PAUSE] button to
start recording.
MIDI Recording — Independent Tracks
MIDI
NOTE
If you want to record your
performance to the USB flash
drive or you want to add the
recording to the MIDI Song in
the USB flash drive, refer to
“MIDI Recording to the USB
flash drive” (page 59).
NOTE
Rhythm cannot be added to a
recorded Song. When you want
to record Rhythm, make sure to
record the Rhythm playback
first.
NOTE
Because bass accompaniment
of the Rhythm sounds only
when playing the keyboard, in
order to record the bass
accompaniment, it is
necessary to record keyboard
performance with it as well.
When you want to record a new track of an already recorded
MIDI Song:
After selecting the target MIDI Song (steps 1 – 4 on pages 44 – 45), press and hold
the [REC] (Record) button for a second to call up the display which lists the
Recording Target Songs, select the 4th item (the selected MIDI Song), press the [>]
button, then go to step 2 described on this page.
12345678910111213141516
Example:
Right-hand part
Left-hand part Rhythm
NOTE
If you record your performance
with both hands to R then to L,
both are played back at the
same time as a single Song.
Recording Track
Assignment
When recording the Rhythm,
you cannot freely select
desired tracks. The Rhythm is
recorded to Tracks 9 – 11.
When Dual/Split/Duo is on,
only the R1 Voice
performance will be recorded
to the selected Track, and the
R2 Voice performance will be
recorded to the Track number
which is 6 plus the selected
Track, and the L Voice
performance of Split/Duo will
be recorded to the Track
number which is 3 plus the
selected Track.
NOTICE
Note that recording your
performance to a Track
containing data will overwrite
the previously recorded data.
Recording Track
Track Data Status
Contains data.
Contains no data.
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4. After you finish your performance, press the [REC]
(Record) button to stop recording.
This operation exits from the Recording mode and calls up the display for
saving the recorded performance data.
5. If you want to save the recorded performance, press the [>]
button to execute the Save operation while “Save” is
highlighted.
After the Save operation is completed, the display shows “Save
Completed” then returns to the Song display. The recorded Song will be
named “USERSONGxxx” (xxx: number) and saved in the “User”
category.
If you are not satisfied with your performance and want to record
again, highlight the cursor to “Retry” then press the [>] button. Try
recording again from step 3.
If you do not want to save the recorded data, highlight “Cancel” then
press the [>] button.
6. To hear the recorded performance, press the [PLAY/
PAUSE] button.
7. To record another Track, enter the Song Recording mode
again.
7-1. Press and hold the [REC] (Record) button for a second.
The Recording Target Songs will be listed on the display.
7-2. Use the [ ] button to select existing MIDI Song (at the
bottom of the list), then press the [>] button.
You can check whether or not each Track contains recorded data by the
indication that appears at the upper right of each Track. For details on the
indication, refer to “Track Data Status” on page 57.
8. Record your performance to another track by repeating
steps 2 – 6 of this section.
In step 2, select a track which has no recorded data. In step 3, play the
keyboard while listening to the already recorded data.
NOTICE
The recorded MIDI Song will be
lost if you change to another
Song or you turn the power off
without executing the save
operation.
Renaming the recorded
Song
The recorded Songs are
named automatically, but you
can rename Songs as desired
(page 70).
NOTE
For instructions on rewinding,
fast-forwarding and returning
to the top of the Song during
Song playback, refer to
page 46.
NOTICE
Note that recording your
performance to a Track
containing data will overwrite
the previously recorded data.
NOTE
Refer to page 67 for how to
delete a Song. Refer to “Track
Delete” on page 93 for how to
delete a track.
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These instructions describe how to overwrite an already recorded MIDI Song
in the USB flash drive or how to create a New MIDI Song on the USB flash
drive.
1. Connect the USB flash drive to the USB [TO DEVICE]
terminal.
2. Select a MIDI Song as Recording target, then enter the
Recording mode.
2-1. If you want to record an additional Track to the already
recorded MIDI Song, select the desired MIDI Song in the USB
flash drive. If you want to record from scratch, skip this step.
2-2. Press and hold the [REC] (Record) button for a second to call
up the display which lists the Recording Target Songs.
2-3. From the Recording Target Songs, select “New Song (USB)”
or the MIDI Song selected in step 2-1 (4th item below) using
the [
]/[ ] buttons, then press the [>] button to enter the
Recording mode.
MIDI Recording to the USB Flash Drive
MIDI
NOTE
To connect a USB flash drive,
be sure to read the section
“Connecting USB Devices
(USB [TO DEVICE] terminal)”
on page 74.
NOTE
Before starting the Recording
operation, check the remaining
memory capacity of the USB
flash drive. “System” menu:
“Utility” “USB Properties”
(page 100).
Recording Target
Song
Description
New Song Select this when you want to record your performance to a
blank MIDI Song and save to “User” category in this
instrument’s internal memory.
New Song (USB)* Select this when you want to record your performance to a
blank MIDI Song and save to the USB flash drive.
New Audio (USB)* Select this when you want to record your performance to
blank audio data and save to the USB flash drive.
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* Can be selected only when the USB flash drive is connected to the USB [TO DEVICE]
terminal.
** Will not be shown when an already recorded MIDI Song is not selected in step 2-1 above,
or when a Preset Song is selected in step 2-1.
3. Execute the Recording operation, then save the recorded
performance.
When you want to record additionally to the currently
selected MIDI Song, or record to a specified track on a
blank MIDI Song:
Execute steps 2 – 8 in “MIDI Recording—Independent Tracks” on
page 57.
When you want to quick record to a blank MIDI Song:
Execute steps 3 – 6 in “Quick MIDI Recording” on page 55.
These instructions describe how to record your performance as audio data.
Note that an audio file to which your performance is to be recorded can be
saved only to a USB flash drive. This is why you should prepare your USB flash
drive device before starting the Recording operation.
1. Connect the USB flash drive to the USB [TO DEVICE]
terminal.
2. Press and hold the [REC] (Record) button for a second to
call up the display which lists the Recording Target Songs.
3. Use the [ ]/[ ] buttons to select “New Audio (USB)” then
press the [>] button.
4. Execute steps 3 – 6 in “Quick MIDI Recording” (page 55).
Unlike with MIDI Recording, the elapsed time is shown on the display
while Audio Recording is being executed.
xxxxx (MIDI Song
selected in step 2-1
above)**
Select this when you want to record additionally to/overwrite
the currently selected MIDI Song.
Recording Target
Song
Description
NOTICE
Note that recording your
performance to a Track
containing data will overwrite
the previously recorded data.
NOTE
The time signature and tempo
cannot be changed when
replacing the part of an
existing MIDI Song.
Audio Recording to the USB Flash Drive
Audio
NOTE
To connect a USB flash drive,
be sure to read the section
“Connecting USB Devices
(USB [TO DEVICE] terminal)”
on page 74.
NOTE
Before starting the Recording
operation, check the remaining
memory capacity of the USB
flash drive. “System” menu:
“Utility” “USB Properties”
(page 100).
NOTE
With Audio recording, distorted
sound may be produced if the
Voice Volume is set to the value
higher than the default setting.
Make sure to set the Voice
Volume to the default value or
less before recording from the
“Voice” menu display: “Voice
Edit” “Volume” (page 88).
NOTE
With Audio recording, audio
signals such as those from the
[AUX IN] jack are also
recorded.
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Re-recording a MIDI Song in parts
You can re-record a specific range of the MIDI Song.
1. Set the parameters which determine how recording starts
and stops.
1-1. Press the [FUNCTION] button repeatedly to call up the
“Recording” menu display.
1-2. Use the [ ]/[ ] buttons to select “RecStart,” then select the
value which determines how recording starts by using the [>]
button.
1-3. Use the [ ]/[ ] buttons to select “RecEnd,” then select the
value which determines how recording stops by using the [>]
button.
Other Recording Techniques
Normal
The already recorded data will be replaced with the new one as
soon as recording starts.
KeyOn
The already recorded data will be maintained until you press a
key, and actual recording starts as soon as you press a key.
Replace
The data after the point you stop recording will also be erased.
PunchOut
The data after the point you stop recording will remain.
MIDI
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2. Press the [SONG/DEMO] button to call up the Song List
display.
3. Select the desired MIDI Song.
For instructions, refer to page 44.
4. Specify the start point you wish to re-record.
Use the [<]/[>] buttons to move the playback position (measure number)
to the desired point. Alternately, press the [PLAY/PAUSE] button to start
playback, then press the [PLAY/PAUSE] button again slightly prior to the
desired point.
If necessary, select the settings (Voice and other parameters).
Select the desired settings, if you wish to change the previous ones.
5. Press and hold the [REC] (Record) button for a second to
call up the display which lists the Recording Target Songs,
then select the 4th item (Song selected in step 3), then
press the [>] button to enter the recording mode.
6. Use the [<]/[>] buttons to select a Track for re-recording.
7. Play the keyboard or press the [PLAY/PAUSE] button to
start recording.
8. Press the [REC] (Record) button to stop recording.
9. Save the recorded performance by following step 5 on
page 58.
10.To hear the recorded performance, press the [PLAY/
PAUSE] button.
NOTE
The time signature cannot be
changed when replacing the
part of an existing Song.
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Changing the tempo or the Voice of a previously
recorded MIDI Song
For MIDI Songs, you can change the tempo and Voice after recording to change
a feel or to set a more suitable tempo.
To change the tempo:
1. Select the MIDI Song you wish to change.
For instructions, refer to page 44.
2. Press the [TEMPO] button to call up the Tempo display,
then set the desired Tempo.
For instructions, refer to page 39.
3. Press the [FUNCTION] button repeatedly to call up the
“Song” menu display, then select the highlighted item in
each display as illustrated below.
4.
Apply the selected Tempo value to the current MIDI Song data.
Press the [ ] button to highlight “Execute, then press the [>] button to
apply the new Tempo value to the current MIDI Song data.
MIDI
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“Song” menu display
3-1. Use the [ ]/[ ] buttons
to select “Edit.
3-2. Press the [>] button to
call up the next display.
3-3. Use the [ ]/[ ] buttons
to select “Tempo Change.
3-4. Press the [>] button to call up
the next display.
Edit display Tempo Change display
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When this operation is completed, “Completed” is shown on the display,
and the Tempo Change display will be restored after a while.
5. Press the [EXIT] button to exit from the “Song” menu
display.
To change the Voice:
1. Select the MIDI Song you wish to change.
For instructions, refer to page 44.
2. Select the desired Voice.
For instructions, refer to page 30.
3. Press the [FUNCTION] button repeatedly to call up the
“Song” menu display, then select the highlighted item in
each display as illustrated below.
4.
Press the [>] button to call up the setting display, then select
the desired Track using the [ ]/[ ] buttons.
5. Apply the Voice selected in step 2 for the Track selected in
step 4 to the current MIDI Song data.
Press the [<] button to return to the Voice Change display. Press the [ ]
button to highlight “Execute,” then press the [>] button to apply the new
Voice to the current MIDI Song data.
When this operation is completed, “Completed” is shown on the display,
and the Voice Change display will be restored after a while.
6. Press the [EXIT] button to exit from the “Song” menu
display.
“Song” menu display
3-1. Use the [ ]/[ ] buttons
to select “Edit.
3-2. Press the [>] button to
call up the next display.
3-3. Use the [ ]/[ ] buttons
to select “Voice Change.
3-4. Press the [>] button to
call up the next display.
Edit display Voice Change display
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Handling Song Files
The “File” menu in the “Song” menu display (page 92) enables you to apply various operations to Song files
— Songs you recorded on this instrument or commercially available Songs.
To
connect a USB flash drive, be sure to read the section “Precautions when using the USB [TO DEVICE]
terminal” on page 74.
Settings marked with a “*” are effective only when a MIDI Song is selected.
Song Types and File Operation Limitations
Song types are indicated as the category name and icon in
the Song display. The following chart shows the Song type
and restrictions on File operations.
* The icon appears only when you select a Song in the “User” or “USB”
category.
: Yes, ×: No
Range of the Copy/Move operation
As for a MIDI Song in the “User” category in the instrument, you can Copy/Move it
only to the USER FILES folder on a USB flash drive. Selecting a MIDI Song from
“User” for copying/moving automatically specifies the USER FILES folder as the
destination.
As for a MIDI Song in a USB flash drive, you can Copy/Move it to the “User”
category in the instrument.
Operation File menu Page
Deleting files Delete pages 66, 67
Copying files *Copy pages 66, 68
Moving files *Move pages 66, 68
Converting a MIDI Song to an Audio Song during playback *MIDI to Audio pages 66, 69
Renaming files Rename pages 66, 70
Data Location
Song Type
Deleting
files
Renaming
files
Copying
files
Moving
files
Convert a
MIDI Song to
an Audio
Song during
playback
Category
Instrument Demo Demo (Voice Demo) ×××× ×
50 Classical
50 classical Preset Songs ×××× ×
Lesson Lesson Preset Songs ×××× ×
User
Your own recorded Songs (MIDI)

USB flash
drive device
USB
MIDI Songs

Audio Songs
 ×× ×
Song
name
Icon*
Category name
Instrument
USB flash drive
User
Can be copied/moved.
Can be copied/moved.
Root
USER FILES
folder
File
A file contains a group of data.
On this instrument, a Song file
includes Song data and a Song
name.
USER FILES folder
If the USB flash drive device
plugged into the instrument
contains no USER FILES folder,
one will be created
automatically when you format
or record a Song to that device.
The recorded Song will then be
saved in that folder.
NOTE
Please note that the copy
features are intended for your
personal use only.
NOTE
Folders cannot be copied.
Root:
The highest level of a
hierarchical structure. This
indicates an area which does
not belong to a folder.
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Handling Song Files
Basic Song File Operation
Song files can be handled via the instructions shown below.
1. Connect the appropriate USB flash drive containing the
desired files to the USB [TO DEVICE] terminal.
2. Select a Song for handling.
For information on selecting a Song, see page 44.
3. Call up the File mode.
3-1. Press the [FUNCTION] button repeatedly to call up the
Song” menu display. Use the [
]/[ ] buttons to select “File
then press the [>] button.
3-2. Select the desired operation from “Delete,” “Copy,” “Move,”
“MIDI to Audio” or “Rename.”
From here, if you wish to close the File mode, press the [EXIT] button
once or twice.
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“Song” menu display
For example: Renaming files
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4. Execute the selected operation.
For specific instructions, refer to the corresponding section.
Delete....................................page 67
Copy......................................page 68
Move .....................................page 68
MIDI to Audio...................page 69
Rename ................................page 70
During operation, messages (information, confirmation, etc.) may be
shown on the display. For explanations and details, refer to “Message List”
on page 111.
5. Press the [EXIT] button to close the File mode.
For details about Song types which can be deleted, refer to page 65.
See page 66 for information on basic operations.
The following is a detailed procedure of step 4 on that page.
4-1. While “Delete” is highlighted, press the [>] button to call
up the setting display.
4-2. Highlight “Execute” by pressing [ ] button, and then
press the [>] button.
After the Song is deleted, the display returns to the Song List display.
NOTICE
Do not disconnect the USB
flash drive during file handling
or when a USB flash drive is
mounted. Doing so may delete
all data in the USB flash drive
and the instrument.
Deleting Files — Delete
NOTE
You cannot delete multiple
Songs at the same time.
NOTICE
Do not turn off the power or
eject the USB flash drive while
“Executing” is shown in the
display.
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For details about Song types and ranges that can be copied, refer to page 65.
See page 66 for information on basic operations.
The following is a detailed procedure of step 4 on that page.
4-1. While “Copy” is highlighted, press the [>] button to call
up the setting display.
4-2. Highlight “Execute” by pressing [ ] button, then press
the [>] button.
The selected Song will be copied to the destination with the same name
as the copy source file.
For details about Song types and ranges that can be moved, refer to page 65.
See page 66 for information on basic operations.
The following is a detailed procedure of step 4 on that page.
4-1. While “Move” is highlighted, press the [>] button to call
up the setting display.
4-2. Highlight “Execute” by pressing the [ ] button, then
press the [>] button.
The selected Song will be moved to the destination and the display
returns to the Song list display.
Copying Files — Copy
File
name
Copy destination
Copy destination:
“USB” will be shown when the
copy destination is the USB
flash drive or “User” when the
instrument is the copy
destination. A file copied to the
USB flash drive is stored to the
USER FILES folder on it.
NOTE
A message appears when a
Song with the same name
already exists in the copy
destination. Select “Overwrite”
when you want to overwrite the
selected Song, or “Cancel” to
cancel by using the [
]/[ ]
buttons, and then press the [>]
button.
NOTICE
Overwrite operations erase any
existing data of the copy
destination file and overwrite
with data of the copy source
file.
NOTICE
Do not turn off the power or
eject the USB flash drive while
“Executing” is shown in the
display.
Moving Files Move
Move destination
“USB” will be shown when the
move destination is the USB
flash drive or “User” when the
instrument is the move
destination. A file moved to the
USB flash drive is stored to the
USER FILES folder on it.
NOTE
A message appears when a
Song with same name already
exists in the move destination.
Select “Overwrite” when you
want to overwrite the selected
Song, or “Cancel” to cancel by
using the [
]/[ ] buttons, then
press the [>] button.
NOTICE
Overwrite operations erase any
existing data of the move
destination file and overwrite
with data of the move source
file.
NOTICE
Do not turn off the power or
eject the USB flash drive while
“Executing” is shown in the
display.
Move destination
File
name
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Handling Song Files
A MIDI Song in the “User” memory of the instrument or on a USB flash drive
can be converted to an Audio Song then saved to the USER FILES folder on a
USB flash drive. For information about which Song types can be converted,
refer to page 65.
See page 66 for information on basic operations.
The following is a detailed procedure of step 4 on that page.
4-1. While “MIDI to Audio” is highlighted, press the [>]
button to call up the setting display.
4-2. Highlight “Execute” by pressing the [ ] button, then
press the [>] button.
This operation starts playback and conversion from MIDI to Audio.
This is basically the same as that of Audio Song Recording, which
allows you to record your keyboard performance and other audio input
sound (page 54). After you convert the Song, a message “Convert
completed” will be shown and the display returns to Song List display.
Convert a MIDI Song to an Audio Song during
Playback — MIDI to Audio
NOTE
After conversion, the MIDI
Song remains in the original
data location.
NOTICE
Do not turn off the power or
disconnect the USB flash drive
during the conversion.
Otherwise the data will be lost.
NOTE
A message appears when a
Song with same name already
exists in the copy destination.
Select “Overwrite” when you
want to overwrite the selected
Song by using the [
]/[ ]
buttons, then press the [>]
button.
NOTE
To cancel this operation, press
the [EXIT] button during the
conversion. When the
operation is canceled, the
converted Audio Song will not
be saved.
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Handling Song Files
For details about Song types which can be renamed, refer to page 65.
See page 66 for information on basic operations.
The following is a detailed procedure of step 4 on that page.
4-1. While “Rename” is highlighted, press the [>] button to
call up the setting display.
4-2. Assign a name to the Song.
Use the [<]/[>] buttons to move the cursor highlight (underline).
Use the [
]/[ ] buttons to change the character at the current cursor
position. Pressing the [REC] button will delete the character at the
current cursor position.
A Song name can contain up to 46 characters. Characters which extend
beyond the display capacity and are not visible can be viewed by
moving the highlight by using the [<]/[>] buttons.
4-3. Press the [FUNCTION] button.
After the Song is renamed, the display returns to the Song List display
where the renamed Song can be selected.
Renaming Files — Rename
Cursor
NOTE
For information about the
character types available for
the Song name, refer to
“Language” on page 101.
NOTICE
Do not turn off the power or
eject the USB flash drive while
“Executing” is shown in the
display.
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You can connect other devices to this instrument’s connectors. For information
about location of these connectors, refer to “Panel Controls and Terminals” on
page 14. You can connect this instrument to a smart device such as a
smartphone via Bluetooth (page 77) if the instrument is equipped with
Bluetooth*.
*For information on whether Bluetooth functionality is included or not, refer to page 142.
Connectors
CAUTION
Before connecting the
instrument to other
electronic components, turn
off the power of all the
components. Also, before
turning any components on
or off, make sure to set all
volume levels to minimum
(0). Otherwise, damage to the
components, electrical
shock, or even permanent
hearing loss may occur.
NOTE
Before using the Bluetooth
function, be sure to read
“About Bluetooth” on
page 142.
785 775 745 735 795GP 765GP
Terminals under the keyboard
Bottom (rear view)
785 775 745 735 795GP 765GP
Terminals under the keyboard
Bottom (rear view)
CLP-775
CLP-745/735/765GP
Right
(higher-key side)
Left
(lower-key side)
Right
(higher-key side)
Left
(lower-key side)
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USB [TO DEVICE] terminal
You can connect a USB flash drive to this terminal, or use a USB wireless LAN adaptor
UD-WL01 (sold separately) to connect with a smart device such as a smartphone. For
details, refer to “Connecting to a Computer” (page 76) or “Using a Smart Device App”
(page 80). Before using the USB [TO DEVICE] terminal, be sure to read “Precautions
when using the USB [TO DEVICE] terminal” on page 74.
USB [TO HOST] terminal
This terminal allows connection to a computer or a smart device, such as smartphone or
tablet. For details, refer to “Connecting to a Computer” (page 76) or “Connecting to a
Smart Device” (page 77).
MIDI [IN], [OUT], [THRU] terminals
These terminals are used to connect external MIDI devices, such as a synthesizer or a
sequencer. For details, refer to “Connecting External MIDI Devices” on page 75.
[AUX PEDAL] jack (CLP-785/795GP)
A separately sold FC7 foot controller or FC4A/FC5 foot switch can be connected to this
jack. By using an FC7 you can control the volume while playing to add expression to
your performance, or control various other functions. By using an FC4A/FC5, you can
switch various selected functions on/off. To select the function that will be controlled,
use the “Aux Assign” (page 98) in the “System” menu display.
[AUX IN] jack
This jack is used to connect an audio player, such as a smartphone or portable audio
player. (See below.)
AUX OUT [L/L+R] [R] jacks (CLP-785/795GP)
AUX OUT [R] [L/L+R] jacks (CLP-775/745/735/765GP)
These jacks are used to connect to external powered speaker systems (page 73).
[PEDAL] jack
This jack allows connection to the pedal cord (CLP-785: page 118, CLP-775: page 121,
CLP-745/735: page 124, CLP-795GP: page 129, CLP-765GP: page 132).
You can connect the headphone jack of an audio player, such as a smartphone
or portable audio player, to the instrument’s [AUX IN] jack. Audio playback on
the connected device is output from the built-in speakers of this instrument.
NOTE
There are two different types of
USB terminals on the
instrument: USB [TO DEVICE]
and USB [TO HOST]. Take care
not to confuse the two
terminals and the
corresponding cable
connectors. Be careful to
connect the proper plug in the
proper direction.
NOTE
Connect or disconnect the
pedal when the power of this
instrument is turned off.
Do not press the footswitch/
foot pedal while turning the
power on. Doing this
changes the recognized
polarity of the footswitch,
resulting in reversed
footswitch operation.
Connecting to an Audio Player ([AUX IN] jack)
NOTICE
When the Clavinova’s [AUX IN]
jack is connected to an external
device, first turn on the power to
the external device, then to the
Clavinova. Reverse this order
when you turn the power off.
NOTE
The instrument’s [MASTER
VOLUME] setting affects the
input signal from the [AUX IN]
jack.
NOTE
Use audio cables and adaptor
plugs having no (zero)
resistance.
Instrument
Phone plug (stereo mini) Phone plug (stereo mini)
Portable audio player
Audio cable
Headphone jack
Audio signal
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These jacks let you connect the Clavinova to external powered speaker systems,
for playing in larger venues at higher volumes.
The Clavinova’s [MASTER VOLUME] setting will affect the sound that is
output from AUX OUT jacks. When the Clavinova’s AUX OUT jacks are
connected to an external speaker and you want to turn off the speaker sound of
the Clavinova, switch the “speaker” parameter to off via the “System” menu:
“Utility” → “Speaker” (page 100).
Using an External Speaker System for Playback
(AUX OUT [L/L+R]/[R] jacks)
NOTE
Use only the [L/L+R] jack for
connection with a monaural
device.
NOTICE
•To avoid possible damage,
first turn on the power to the
instrument, then to the
external device. When turning
off the power, first turn off the
power to the external device,
then to the instrument. Since
this instrument’s power may
automatically be turned off
due to the Auto Power Off
function (page 17), turn off
the power to the external
device, or disable Auto Power
Off when you do not intend to
operate the instrument.
Do not route the output from
the AUX OUT jacks to the
[AUX IN] jack. If you make
this connection, the signal
input at the [AUX IN] jack is
output from the AUX OUT
jacks. These connections
could result in a
feedbac
k
loop that will make normal
performance impossible, and
may even damage the
equipment.
NOTE
Use audio cables and adaptor
plugs having no (zero)
resistance.
NOTE
When you are monitoring the
sound output via the AUX OUT
jacks from headphones
connected to the instrument,
we recommend that you set the
Binaural Sampling and
Stereophonic Optimizer
functions to off. For details,
refer to page 22.
785 775 745 735 795GP 765GP
Clavinova
AUX OUT Input jack
Powered speaker
Audio signal
Phone plug (standard) Phone plug (standard)
Audio cable
785 775 745 735 795GP 765GP
Clavinova
AUX OUT Input jack
Powered speaker
Audio cable
Phone plug (standard) Phone plug (standard)
Audio signal
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You can connect a USB flash drive or a USB wireless LAN adaptor UD-WL01 (sold separately) to the USB
[TO DEVICE] terminal. You can save data you’ve created on the instrument to the USB flash drive (pages 65,
104), or you can connect the instrument to a smart device such as an iPad via wireless LAN (page 81).
Connecting USB Devices (USB [TO DEVICE] Terminal)
Precautions when using the USB
[TO DEVICE] terminal
This instrument features a built-in USB [TO DEVICE]
terminal. When connecting a USB device to the
terminal, be sure to handle the USB device with care.
Follow the important precautions below.
NOTE
For more information about the handling of USB devices, refer
to the owner’s manual of the USB device.
Compatible USB devices
•USB flash drive
•USB hub
USB wireless LAN adaptor UD-WL01 (sold
separately; may not be available in some areas)
Other USB devices such as a computer keyboard or
mouse cannot be used.
The instrument does not necessarily support all
commercially available USB devices. Yamaha cannot
guarantee operation of USB devices that you purchase.
Before purchasing a USB device for use with this
instrument, please visit the following web page:
https://download.yamaha.com/
Although USB devices 2.0 to 3.0 can be used on this
instrument, the amount of time for saving to or
loading from the USB device may differ depending
on the type of data or the status of the instrument.
USB 1.1 devices cannot be used on this instrument.
NOTICE
The rating of the USB [TO DEVICE] terminal is a maximum of
5V/500mA. Do not connect USB devices having a rating above
this, since this can cause damage to the instrument itself.
Connecting a USB device
When connecting a USB device to
the USB [TO DEVICE] terminal,
make sure that the connector on
the device is appropriate and that
it is connected in the proper
direction.
NOTICE
•Avoid connecting or disconnecting the USB device during
playback/recording and file management operations (such
as Save, Copy, Delete and Format), or when accessing the
USB device. Failure to observe this may result in “freezing”
of the operation of the instrument or corruption of the USB
device and the data.
When connecting then disconnecting the USB device (and
vice versa), make sure to wait a few seconds between the
two operations.
NOTE
If you intend to connect two devices at the same time to a
terminal, you should use a bus-powered USB hub. Only one
USB hub can be used. If an error message appears while
using the USB hub, disconnect the hub from the instrument,
then turn on the power of the instrument and re-connect the
USB hub.
NOTICE
Do not use an extension cable when connecting a USB
device.
Using USB Flash Drives
By connecting the instrument to a USB flash drive,
you can save data you’ve created to the connected
device, as well as read data from the connected USB
flash drive.
Number of USB flash drives that can be
used
Only one USB flash drive can be connected to the
USB [TO DEVICE] terminal. (If necessary, use a USB
hub. The number of USB flash drives that can be used
simultaneously with musical instruments even when
a USB hub is used is only one.)
Formatting a USB flash drive
You should format the USB flash drive only with this
instrument (page 100). A USB flash drive formatted
on another device may not operate properly.
NOTICE
The format operation overwrites any previously existing data.
Make sure that the USB flash drive you are formatting does not
contain important data.
To protect your data (write-protect)
To prevent important data from being inadvertently
erased, apply the write-protect provided with each
USB flash drive. If you are saving data to the USB
flash drive, make sure to disable write-protect.
Turning off the instrument
When turning off the instrument, make sure that the
instrument is NOT accessing the USB flash drive by
playback/recording or file management (such as
during Save, Copy, Delete and Format operations).
Failure to do so may corrupt the USB flash drive and
the data.
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The sophisticated MIDI functions give you powerful tools to expand your
music performance and creation possibilities. Use the MIDI terminals and
standard MIDI cables to connect external MIDI devices (keyboard, sequencer,
etc.)
MIDI [IN].......... Receives MIDI messages from another MIDI device.
MIDI [OUT]......Transmits MIDI messages generated on this instrument to
another MIDI device.
MIDI [THRU]...Simply relays the MIDI messages received at MIDI IN.
Connecting External MIDI Devices (MIDI
Ter min als )
CAUTION
Before connecting the
instrument to other MIDI
devices, turn off the power of
all the components.
NOTE
For details about MIDI, refer to
“MIDI Basics” downloadable
from the Yamaha website
(page 8).
NOTE
• Since MIDI data that can be
transmitted or received varies
depending on the type of
MIDI device, check the MIDI
Data Format to find out what
MIDI data and commands
your devices can transmit or
receive. The MIDI Data
Format is contained in the
“MIDI Reference”
downloadable from the
Yamaha website (page 8).
When transmitting MIDI data
from this instrument to an
external MIDI device,
unexpected sounds may
occur because of data
related to the Grand
Expression Modeling.
785 775 745 735 795GP 765GP
Clavinova
MIDI IN MIDI INMIDI OUT MIDI OUT
MIDI transmit
MIDI receive
External MIDI device
785 775 745 735 795GP 765GP
Clavinova
MIDI IN MIDI INMIDI OUT MIDI OUT
MIDI receive
MIDI transmit
External MIDI device
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By connecting a computer to the [USB TO HOST] terminal via a USB cable,
you can transfer MIDI data or Audio data between the instrument and the
computer. For details on using a computer with this instrument, refer to the
“Computer-related Operations” on the website (page 8).
Transmitting/Receiving Audio Data (USB Audio
Interface function)
By connecting a computer or a smart device to the USB [TO HOST] terminal
via a USB cable, digital audio data can be transmitted/received. This USB
Audio Interface function provides the following advantages:
Playing back audio data with high sound quality
This gives you direct, clear sound in which the sound quality has less noise
and deterioration than that from the [AUX IN] jack.
Recording performance on the instrument as audio data by using a
recording software or a music production software
The recorded audio data can be played back on the computer or smart
device.
For instructions on connecting, refer to “Computer-related Operations” or the
“Smart Device Connection Manual” on the website (page 8).
Audio Loopback On/Off
This allows you to set whether audio sound input from the connected
computer or smart device is output to a computer or a smart device or not
along with the performance played on the instrument. To output the audio
input sound, set the Audio Loopback to “On.”
For example, if you want to record the audio input sound as well as the sound
played on the instrument by using the computer or the smart device, set this to
“On.” If you intend to record only the sound played on the instrument by using
the computer or the smart device, set this to “Off.” For details on the settings,
refer to “Audio Loopback” on page 101.
Connecting to a Computer (USB [TO HOST]
Terminal)
NOTICE
Use an AB type USB cable of
less than 3 meters. USB 3.0
cables cannot be used.
•If you are using a DAW
(digital audio workstation)
application with this
instrument, set the Audio
Loopback function to off (see
below). Otherwise, a loud
sound may occur, depending
on the settings of the
computer or the application
software.
NOTE
• When using a USB cable to
connect the instrument to
your computer, make the
connection directly without
passing through a USB hub.
• For information on setting up
your sequence software,
refer to the owner’s manual of
the relevant software.
• The instrument will begin
transmission a short time
after the computer or smart
device is connected.
• Unexpected sounds may
occur if you edit MIDI data
related to the Grand
Expression Modeling on a
computer.
NOTE
• When transmitting or
receiving audio signals by
using a computer running
Windows, the Yamaha
Steinberg USB Driver should
be installed to the computer.
For details, refer to the
“Computer-related
Operations” on the website.
• The volume of the audio
sound input can be adjusted
from a computer or smart
device.
NOTE
The Audio Loopback function
also affects the audio input
sound when using the
Bluetooth Audio function
(page 78) or the wireless
LAN connection (page 81).
The playback sound of an
Audio Song (page 43) is also
output to a computer or smart
device when this is set to “On,”
while the sound is not output
when this is set to “Off.”
• With Audio Recording
(page 54), the audio input
sound from the connected
computer or smart device is
recorded when this is set to
“On,” while the sound is not
recorded when this is set to
“Off.”
Computer
USB cable
USB terminal
Clavinova
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Connecting a smart device such as a smartphone or tablet allows you to enjoy
the features shown below. You can listen to audio playback from a smart device
on your instrument’s speakers, or use a compatible smart device app to make
playing this instrument easier and more fun. The method of connection varies
depending on your intended use.
Using a compatible smart device app
Connect the device to this instrument via Bluetooth* or other methods. For
details, refer to page 80.
Listening to audio played back on a smart device through the
speakers of this instrument (Bluetooth* Audio function)
Connect the device to this instrument via Bluetooth. For details, refer to
page 78.
Transmitting/receiving audio data (USB Audio Interface function)
Connect the device to this instrument’s USB [TO HOST] terminal via a USB
cable. For details, refer to page 76.
*For information on whether Bluetooth functionality is included or not, refer to page 142.
NOTICE
Use an AB type USB cable of less than 3 meters. USB 3.0 cables cannot be used.
Do not place your smart device in an unstable position. Doing so may cause the device to fall and
result in damage.
•If you are using a DAW (digital audio workstation) application with this instrument, set the Audio
Loopback function (page 76) to off. Otherwise, a loud sound may occur, depending on the settings of
the application software.
Connecting to a Smart Device
NOTE
Before using the USB [TO
DEVICE] terminal, be sure to
read “Precautions when
using the USB [TO DEVICE]
terminal” on page 74.
When you use the instrument
along with a smart device,
we recommend that you set
that device’s “Airplane
Mode” to on and then the Wi-
Fi/Bluetooth setting to on in
order to avoid noise caused
by communication.
• The instrument will begin
transmission a short time
after the computer or smart
device is connected.
When using a USB cable to
connect the instrument to
your smart device, make the
connection directly without
passing through a USB hub.
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Listening to Audio Data from a Smart Device through
this Instrument (Bluetooth Audio Function)
You can input the sound of the audio data saved in a Bluetooth-equipped
device, such as a smart phone or digital audio player, to this instrument and
listen to it through the built-in speaker of the instrument.
1. (CLP-785/775/795GP) Hold down the [ ] (Bluetooth)
button for 3 seconds.
(CLP-745/765GP) Hold down the [FUNCTION] button
for 3 seconds.
The pop-up window will appear which indicates that the instrument is
standing by for pairing.
To cancel the pairing, press the [EXIT] button.
Bluetooth capability
The models CLP-785, CLP-775, CLP-745, CLP-795GP and CLP-765GP are equipped
with Bluetooth functionality; however, even these models may not support Bluetooth,
depending on the country in which you purchased the product. If the Bluetooth logo is
shown or printed on the control panel, this means that the product is equipped with
Bluetooth functionality.
785 775 745 735 795GP 765GP
785 775 745795GP 765GP
Bluetooth
logo
Bluetooth
logo
NOTE
• In this manual, “Bluetooth-
equipped device” refers to a
device that can transmit
audio data on it to the
instrument using the
Bluetooth function, via
wireless communication. For
proper operation, the device
must be compatible with
A2DP (Advanced Audio
Distribution Profile). The
Bluetooth Audio function is
explained here by using a
smart device as an example
of such Bluetooth-equipped
devices.
• Refer to page 80 for
transmitting/receiving the
MIDI data between the
instrument and the smart
device via Bluetooth.
• Bluetooth headphones or
speakers cannot be paired.
• When the Bluetooth is set to
Off on this instrument, the
smart device cannot be
connected via Bluetooth. Set
the Bluetooth on beforehand
(page 79).
Paring
“Pairing” means to register
Bluetooth-equipped smart
devices on this instrument,
and establish the mutual
recognition for wireless
communication between the
two.
NOTE
Only one smart device can
be connected to this
instrument at a time
(although up to 8 smart
devices can be paired to this
instrument). When pairing
with the 9th smart device has
succeeded, pairing data for
the device with the oldest
connection date will be
deleted.
Make sure to complete the
settings on the smart device
within 5 minutes.
If you are required to enter a
passkey, enter the numerals
“0000.”
Before using the Bluetooth function, be sure to read “About Bluetooth” on page 142.
785 775 745
Bluetooth
EXIT
FUNCTION
795GP 765GP
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2. On the smart device, set the Bluetooth function to on and
select “CLP-xxx AUDIO” from the connection list.
For details, refer to the smart device owner’s manual.
After pairing is completed, the connection status will be shown in the
display.
3. Play back audio data on the smart device to confirm that
the built-in speakers of the instrument can output the
audio sound.
When you turn on the instrument the next time, the last-connected smart
device will be connected to this instrument automatically, if the Bluetooth
function of the smart device and the instrument is set to on. If it is not
connected automatically, select the model name of the instrument from
the connection list on the smart device.
Switching the Bluetooth Function On/Off
For information on whether Bluetooth functionality is included or not, refer to
page 142.
By default, the Bluetooth function will be on right after turning the
instrument’s power on, however you can set the function to off.
1. Press the [FUNCTION] button repeatedly to call up the
“System” menu display, then select the highlighted item in
each display as illustrated below.
2. Press the [>] button to switch on/off.
To exit from the “System” menu display, press the [EXIT] button.
Can receive audio data
NOTE
You can adjust the volume of
the sound input via Bluetooth
by the [MASTER VOLUME]
slider. To adjust the volume
balance between your
keyboard performance and
the input sound via Bluetooth,
adjust the volume on the smart
device.
Before using the Bluetooth function, be sure to read “About Bluetooth” on page 142.
785 775 745 735 795GP 765GP
“System” menu display
1-1. Confirm that “Bluetooth”
is selected.
1-2. Press the [>] button to
call up the next display.
1-3. Confirm that “Bluetooth”
is selected.
Bluetooth display
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By using a compatible smart device app, you can get more enjoyment out of this
instrument. Especially, “Smart Pianist” (available as a free download) lets you
select the Voice and make Metronome settings intuitively, and allows you to
display the notation, depending on the selected data.
Access the web page of the respective apps on the following website for
information on each app, including apps such as “Smart Pianist” that are
compatible with this instrument, as well as for information on which smart
devices are supported.
https://www.yamaha.com/kbdapps/
Connect your smart device to this instrument via Bluetooth or other methods.
Connecting via Bluetooth
For information on whether Bluetooth functionality is included or not, refer to
page 142.
Connect from the settings screen of the app you will be using. For the “Smart
Pianist” app, follow the instructions on the connection wizard (shown below).
Select “CLP-XXX (model name) MIDI” as the Bluetooth device to pair with.
The devices will be able to transmit and receive MIDI data when they are
connected. To play the audio data from your smart device on this instrument,
refer to page 78. The connection status will be shown on the instrument’s
display once the Bluetooth connection has been made.
Using other methods to connect
See the “Smart Device Connection Manual” on the website (page 8) for how to
connect using other methods. When connecting using the UD-WL01 (sold
separately), you will need to make settings on the instrument, following the
steps in the “Smart Device Connection Manual.” For details, refer to page 81.
To use the “Smart Pianist” app, connect by following the instructions on the
“Smart Pianist” connection wizard (shown below).
Using a Smart Device App
NOTICE
Activating the “Smart Pianist”
app while the instrument is
connected to the smart device
overwrites the settings on the
instrument by that of “Smart
Pianist.” Save your important
setup data as a backup file to a
USB flash drive (page 104).
NOTE
When using the “Smart Pianist”
app, you cannot use any
buttons on the instrument other
than the [EXIT] button. Control
the instrument by using “Smart
Pianist.” Pressing the [EXIT]
button on the instrument
disconnects the instrument
from the “Smart Pianist” app,
and enables you to control the
instrument by using its
buttons.
NOTE
A smart device cannot be
connected when the Bluetooth
function of this instrument is
set to off. (The default setting:
On) Refer to page 79 for how
to set On or Off.
Before using the Bluetooth function, be sure to read “About Bluetooth” on page 142.
Connection wizard of “Smart Pianist”
After downloading the “Smart Pianist” to your smart device and starting the “Smart
Pianist,” tap “ ” (Menu) located at the upper left on the “Smart Pianist” screen to
open the Menu, and then tap “Instrument” →“Start Connection Wizard” to start the
connection wizard.
785 775 745 735 795GP 765GP
Voice display
Can transmit and receive MIDI data
Can transmit and receive MIDI data,
and receive audio data
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Connecting via Wireless LAN (with the UD-WL01*)
*The USB wireless LAN adaptor UD-WL01 (sold separately) may not be available
depending on your area.
When connecting a smart device by using the USB wireless LAN adaptor, start
wireless connection according to the instructions in the “Smart Device
Connection Manual” on the website, then make sure to set up the instrument
appropriately, using the following instructions “Displaying the Wireless LAN
Networks and Connecting to a Network,” “Automatic Setup by WPS,” “Manual
Setup” or “Connecting by the Accesspoint Mode.” Refer to pages 81 – 85 in this
Owner’s Manual for the required operations on this instrument.
Displaying the Wireless LAN Networks and connecting to
a Network
Make sure to connect the USB wireless LAN adaptor (sold separately) to the
USB [TO DEVICE] terminal, otherwise the displays for setup below will not be
shown.
1. Press the [FUNCTION] button repeatedly to call up the
“System” menu display, then select the highlighted item in
each display as illustrated below.
NOTICE
Do not connect this product to
public Wi-Fi and/or Internet
directly. Only connect this
product to the Internet through
a router with strong password-
protections. Consult your router
manufacturer for information on
security best practices.
NOTE
If the menus shown in the
Wireless LAN display, are
different from those shown
here, the instrument is in the
Accesspoint mode. Set the
Wireless LAN Mode parameter
to “Infrastructure Mode” by
following the step 1 on
page 84.
785 775 745 735
FUNCTION
795GP 765GP
“System” menu display
1-1. Use the [ ]/[ ] buttons
to select “Utility.
1-2. Press the [>] button to
call up the next display.
1-3. Use the [ ]/[ ] buttons
to select “Wireless LAN.
1-4. Press the [>] button to
call up the next display.
1-5. Use the [ ]/[ ] buttons
to select “Select
Network.
Utility display Wireless LAN display
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2. Press the [>] button to call up the network list.
For a network with a lock icon , you need to enter the proper
password.
3. Connect the instrument to the Network.
3-1. Select the desired network, then press the [>] button.
The name of the selected network will be fully shown in the display,
letting you confirm this is the network you want to use.
3-2. Press the [>] button.
For a network without a lock icon:
Connecting starts.
For a network with a lock icon:
You need to enter the proper password. For details on how to enter
characters, refer to the “Renaming files” on page 70. After entering the
password, press the [FUNCTION] button to finalize the setting. This
operation starts connecting automatically.
When connection is done successfully, “Completed” is shown in the
display, and returns to the “Select Network” display.
4. Connect the smart device to the access point.
For instructions on the setup for the smart device, refer to the “Smart
Device Connection Manual” on the website (page 8).
Automatic Setup by WPS
Please make sure to connect the USB wireless LAN adaptor (sold separately) to
the USB [TO DEVICE] terminal, otherwise the displays for setup will not be
shown.
If your access point supports WPS, you can easily connect the instrument to
access point by WPS, without making settings, such as password input, etc.
Press the WPS button on the USB wireless LAN adaptor more than 3 seconds,
and press the WPS button on your access point within two minutes.
When connection is done successfully, “Completed” is shown in the display,
and the Voice display will be shown.
Finally, connect the smart device to the access point. For instructions on the
setup for the smart device, refer to the “Smart Device Connection Manual” on
the website (page 8).
NOTE
If no signal from the access
point is received, the access
point cannot be listed. Also,
closed access points cannot
be listed.
NOTE
WPS setup is not available
while the instrument is in the
following modes or conditions:
While a Song or a Demo
Song is playing back or
being paused temporarily, or
while the instrument is in the
Song Recording mode.
When Wireless LAN mode is
set to “Accesspoint Mode” in
the “System” menu.
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Manual Setup
Make sure to connect the USB wireless LAN adaptor (sold separately) to the
USB [TO DEVICE] terminal, otherwise the displays for setup will not be
shown.
1. To call up the network list, perform steps 1 – 2 in the
“Displaying the Wireless LAN Networks and connecting to
a Network” (page 81).
2. Select “Other” at the bottom of the network list, then press
the [>] button.
3. Set the SSID, Security and Password to the same as the
settings on the access point.
3-1. Select the “SSID” then press the [>] button to call up the
display for SSID input, then enter the SSID.
For details on how to enter the characters, refer to “Renaming files” on
page 70. After entering the SSID, press the [FUNCTION] button to
finalize the setting. Operation returns to the “Other” display.
3-2. Select “Security” then press the [>] button to call up the
Security list. Select the security then return to the “Other”
display by pressing the [<] button.
3-3. Select “Password,” then set the password in the same way as
SSID.
4. Select “Connect >” at the bottom of the display shown in
step 3, then press the [>] button to start connecting.
When connection is done successfully, “Completed” is shown in the
display, and returns to the “Select Network” display.
5. Connect the smart device to the access point.
For instructions on the setup for the smart device, refer to the “Smart
Device Connection Manual” on the website (page 8).
NOTE
The password cannot be set
when you select “none” for the
security setting.
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Connecting by the Accesspoint Mode
Please make sure to connect the USB wireless LAN adaptor (sold separately) to
the USB [TO DEVICE] terminal, otherwise the displays for setup will not be
shown.
1. Switch the instrument to the “Accesspoint Mode.”
Press the [FUNCTION] button repeatedly to call up the “System” menu
display, then select the highlighted item in each display as illustrated
below.
When mode change is done successfully, “Completed” is shown in the
display, operation returns to the Wireless LAN Mode display.
NOTE
This cannot be used to connect
to the internet or another
wireless LAN device.
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“System” menu display
1-1. Use the [ ]/[ ] buttons
to select “Utility.
1-2. Press the [>] button to
call up the next display.
1-3. Use the [ ]/[ ] buttons to
select “Wireless LAN Option.
1-4. Press the [>] button to call up
the next display.
1-5. Use the [ ]/[ ] buttons to
select “Wireless LAN Mode.
1-6. Press the [>] button to call
up the next display.
Utility display
Wireless LAN Option display
1-7. Use the [ ]/[ ] buttons to
select “Accesspoint Mode.
Wireless LAN Mode display
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2. Set SSID, Security, Password and Channel.
2-1. From the “System” menu display, select the highlighted item
in each display as illustrated below.
2-2. Set the SSID, Security, Password and Channel.
Select and enter each value/setting in the same way as in step 3 in
“Manual Setup.” For the setting range for each item, refer to “Wireless
LAN” (In the Accesspoint mode) on page 102.
3. Save the setting.
Select “Save >” at the bottom of the Wireless LAN display, then press the
[>] button to start saving.
When saving is done successfully, “Completed” is shown in the display,
and operation returns to the Utility display.
4. Connect the smart device to the instrument (as an access
point).
For instructions on the setup for the smart device, refer to the “Smart
Device Connection Manual” on the website (page 8).
“System” menu display Utility display Wireless LAN display
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Detailed Settings (Menu Display)
Pressing the [FUNCTION] button opens one of the five menu displays (Voice, Song, Metronome/Rhythm,
Recording and System). You can make settings for various functions from these menu displays.
Common Operations in the Menu Displays
If you want to edit items related to Voice or Song, you will need to make the necessary preparations before
opening the menu display.
If you want to edit Voice-related parameters (by calling up theVoice menu), select a Voice. If you want to edit
parameters related to the R1/R2/L Voices, such as volume balance, turn on Dual/Split/Duo, then select the
desired Voices.
If you want to set Song playback parameters, such as Repeat, select a Song.
If you want to edit your recorded MIDI Song data (by calling up Edit in the “Song” menu), select the recorded
MIDI Song.
1. Press the [FUNCTION] button several times to select the desired menu.
Pressing the [FUNCTION] button repeatedly will call up the following menu displays in order, according
to the vertical menu at the left of the display.
Voice menu (page 87)
Song menu (page 92)
Metronome/Rhythm menu (page 95)
Recording menu (page 96)
/ System menu (page 97)
2. Use the [ ]/[ ]/[<]/[>] buttons to select the desired parameter.
While referring as needed to the parameter list on each page listed in step 1, use the [ ]/[ ] buttons to
navigate through the display vertically and use the [<]/[>] buttons to navigate through display horizontally.
3. In the display called up in step 2, use the [ ]/[ ]/[<]/[>] buttons to select a value
or execute the operation.
Most displays allow you to select a value by simply using the [ ]/[ ] buttons, although some, such as Edit
in the “Song” menu and Backup in the “System” menu, let you execute an operation.
If a pop-up window is shown, set the value with the [<]/[>] buttons, then exit from the window using the
[EXIT] button.
Also, when the selected parameter provides only two options (on and off, for example), simply pressing the
[>] button will alternate the value between the two options.
4. To exit from the menu display, press the [EXIT] button.
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FUNCTION
Menu name
Menu icon
Voice Menu
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Voice Menu
This menu lets you edit or set various parameters related to keyboard performance, such as Voice
parameters. By turning on Dual/Split/Duo, you can make the settings for each Voice or each Voice
combination. While playing the keyboard and hearing the sound, change a parameter value to find your
desired sound. Note that you should turn on Dual/Split/Duo before calling up the “Voice” menu display.
NOTE
Parameters with * are shown only when Dual/Split/Duo is on.
To call up the desired parameter:
Turn on Dual, Split or Duo as necessary, select Voices as necessary, press the
[FUNCTION] button several times to select “Voice” menu, then use the [ ]/[ ]/
[<]/[>] buttons to select the desired parameter.
[>]
[<]
[>]
[<]
[>]
[<]
Description Default setting Setting range
Transpose (Pop-up
window)
Shifts the pitch of the entire keyboard up or down in
semitone intervals to facilitate playing in difficult key
signatures, and to let you easily match the pitch of the
keyboard to the range of a singer or other instruments.
For example, if you set this parameter to “5,” playing key
C produces pitch F. In this way, you can play the F major
song as if it were in C major.
NOTE
The setting here will not affect Song playback. If you want to
transpose Song playback, use the Transpose parameter in
the “Song” menu (page 92).
NOTE
Your keyboard performance data will be transmitted with the
transposed note numbers while MIDI note numbers received
from an external MIDI device or computer will not be affected
by the Transpose setting.
0 -12 (-1 octave) – 0
(normal pitch) –
+12 (+1 octave)
Piano
Setting
Lid Position (Setting
display)
Refer to the description of “Lid Position” on page 28.
VRM Refer to the description of “VRM” on page 28. Demo cannot be played in Voice Menu.
NOTE
VRM is effective only for Voices in the Piano group.
Damper
Res.
(Resonance)
(Setting
display)
Damper
Noise
String Res.
(Resonance)
(Setting
display)
Duplex
Scale Res.
(Resonance)
(Setting
display)
Body Res.
(Resonance)
(Setting
display)
Grand Exp.
(Expression)
Refer to the description of “Grand Expression” on page 29. Demo cannot be played in Voice
Menu.
NOTE
Grand Expression Modeling is effective only for the Voices of “CFX Grand” and “Bösendorfer.”
Reverb (Setting
display)
Determines the Reverb type which is applied to all the
entire sound including the keyboard performance, Song
playback and MIDI data input from an external MIDI
device.
Differs depending
on the Voice or
Voice
combination.
Refer to the
Reverb Type List
(page 90).
Chorus (Setting
display)
Determines the Chorus type which is applied to all the
entire sound including the keyboard performance, Song
playback and MIDI data input from an external MIDI
device.
Differs depending
on the Voice or
Voice
combination.
Refer to the
Chorus Type List
(page 90).
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Voice Edit (Voice names)* Octave Shifts the pitch of the keyboard up and down in octave
steps. This parameter can be set for each Voices when
Dual/Split/Duo is on.
Differs depending
on the Voice or
Voice
combination.
-2 (two octaves
lower) – 0 (no
pitch shift) – +2
(two octaves
higher)
Volume Adjusts the volume for each of the R1/R2/L Voices. This
lets you adjust the balance between the R1/R2/L Voices
when Dual/Split/Duo is on.
Differs depending
on the Voice or
Voice
combination.
0 – 127
Reverb Depth Adjusts the Reverb depth for each of the R1/R2/L Voices.
This lets you adjust the balance between the R1/R2/L
Voices when Dual/Split/Duo is on. The “0” setting will
produce no effect.
NOTE
When a VRM Voice is used for several parts simultaneously,
unexpected sounds may result since the Reverb depth for a
part which has priority will become the common setting for the
parts. During Song playback, setting for a Song part is used
(priority order: Ch. 1, Ch. 2...Ch. 16), while the setting for a
keyboard part is used when Song playback is stopped
(priority order: R1, L and R2 Voices).
Differs depending
on the Voice or
Voice
combination.
0 – 40
Chorus Depth Adjusts the Chorus depth for each of the R1/R2/L Voices.
This lets you adjust the balance between the R1/R2/L
Voices when Dual/Split/Duo is on. The “0” setting will
produce no effect.
NOTE
When a VRM Voice is used for several parts simultaneously,
unexpected sounds may result since the Chorus depth for a
part which has priority will become the common setting for the
parts. During Song playback, setting for a Song part is used
(priority order: Ch. 1, Ch. 2...Ch. 16), while the setting for a
keyboard part is used when Song playback is stopped
(priority order: R1, L and R2 Voices).
Differs depending
on the Voice or
Voice
combination.
0 – 127
Effect In addition Reverb and Chorus, another Effect can be
applied to the R1/R2/L Voices of the keyboard
independently. Note that this Effect type can be selected
for up to two Voices.
Differs depending
on the Voice or
Voice
combination.
Refer to the Effect
Type List
(page 90).
Rotary Speed Available only for the Voice of which the Effect Type is set
to “Rotary.” This parameter determines the rotation
speed of the Rotary Speaker effect.
Differs depending
on the Voice or
Voice
combination.
Fast, Slow
VibeRotor Available only for the Voice of which the Effect Type is set
to “VibeRotor.” This parameter turns on or off the
VibeRotor effect.
Differs depending
on the Voice or
Voice
combination.
On, Off
VibeRotor
Speed
Available only for the Voice of which the Effect Type is set
to “VibeRotor.” This parameter determines the speed of
the Vibraphone vibrato effect.
Differs depending
on the Voice or
Voice
combination.
1 – 10
Effect Depth Adjusts the Effect depth for each of the R1/R2/L Voices.
Note that some Effect types do not allow you to adjust the
depth.
Differs depending
on the Voice or
Voice
combination.
1 – 127
Pan Adjusts the stereo pan position for each of the R1/R2/L
Voices.
Differs depending
on the Voice or
Voice
combination.
L64 (leftmost) – C
(center) – R63
(rightmost)
To call up the desired parameter:
Turn on Dual, Split or Duo as necessary, select Voices as necessary, press the
[FUNCTION] button several times to select “Voice” menu, then use the [ ]/[ ]/
[<]/[>] buttons to select the desired parameter.
[>]
[<]
[>]
[<]
[>]
[<]
Description Default setting Setting range
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Voice Edit (Voice names)* Harmonic Cont Produces a distinctive “peaky” tone by raising the
Resonance value of the Filter. This parameter can be set
for each of the R1/R2/L Voices when Dual/Split/Duo is on.
NOTE
Harmonic content may have little audible effect or not be
applied to some Voices.
Differs depending
on the Voice or
Voice
combination.
-64 – +63
Brightness Adjusts the brightness of the R1/R2/L Voices
independently.
Differs depending
on the Voice or
Voice
combination.
-64 – +63
Touch Sens. Determines the degree to which the volume level
changes in response to your touch on the keyboard (how
hard you play). Since the volume level of some Voices
such as Harpsichord and Organ do not change
regardless of how you play the keyboard, the default
setting for these Voices is 127.
Differs depending
on the Voice or
Voice
combination.
0 (softest) – 64
(largest changes in
the level) – 127
(which produces the
loudest volume
regardless of how
you play the
keyboard)
RPedal Turns the Right pedal function on or off for each of the
R1/R2/L Voices. This parameter is useful when you want
to ensure, for example, that the pedal function affects the
right-hand performance but does not affect the left-hand
performance.
Differs depending
on the Voice or
Voice
combination.
On, Off
CPedal Turns the Center pedal function on or off for each of the
R1/R2/L Voices. This parameter is useful when you want
to ensure, for example, that the pedal function affects the
right-hand performance but does not affect the left-hand
performance.
Differs depending
on the Voice or
Voice
combination.
On, Off
LPedal Turns the Left pedal function on or off for each of the R1/
R2/L Voices. This parameter is useful when you want to
ensure, for example, that the pedal function affects the
right-hand performance but does not affect the left-hand
performance.
Differs depending
on the Voice or
Voice
combination.
On, Off
Pedal
Assign
Right (Setting
display)
Assigns one of various functions (other than the original
one) to the Right pedal.
SustainCont Refer to the Pedal
Function List
(page 91).
Center (Setting
display)
Assigns one of various functions (other than the original
one) to the Center pedal.
Sostenuto Refer to the Pedal
Function List
(page 91).
Left (Setting
display)
Assigns one of various functions (other than the original
one) to the Left pedal.
Rotary Speed
(Mellow Organ),
Vibe Rotor
(Vibraphone), Soft
(other Voices)
Refer to the Pedal
Function List
(page 91).
Balance* Volume
R2 – R1*
(Pop-up
window)
Adjusts the volume balance between R1 and R2 Voices
when Dual is on. After adjusting this with the [<]/[>]
buttons, press the [EXIT] button to exit from the pop-up
window.
Differs depending
on the Voice or
Voice
combination.
R2+10 – 0 –
R1+10
Volume L – R* (Pop-up
window)
Adjusts the volume balance between the left and right
keyboard sections when Split/Duo is on. After adjusting
via the [<]/[>] buttons, press the [EXIT] button to exit
from the pop-up window.
Differs depending
on the Voice or
Voice
combination.
L+10 – 0 – R+10
To call up the desired parameter:
Turn on Dual, Split or Duo as necessary, select Voices as necessary, press the
[FUNCTION] button several times to select “Voice” menu, then use the [ ]/[ ]/
[<]/[>] buttons to select the desired parameter.
[>]
[<]
[>]
[<]
[>]
[<]
Description Default setting Setting range
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Reverb Type List
Chorus Type List
Effect Type List
Balance*
Detune* (Pop-up
window)
Detunes the R1 Voice and R2 Voice in Dual mode to
create a thicker sound.
On the display, move the slider rightward via the [>]
button will raise the R1 Voice pitch and lower the R2
Voice pitch, and vice versa. After adjusting this, press the
[EXIT] button to exit from the pop-up window.
Differs depending
on the Voice or
Voice
combination.
R2+20 – 0 –
R1+20
Off No effect
Recital Hall Simulates clear reverberation in a mid-sized hall suitable for piano recital.
Concert Hall Simulates brilliant reverberation in a large hall for public orchestra performances.
Chamber Simulates the elegant reverberation in a small room suitable for chamber music.
Cathedral Simulates the solemn reverberation in a high-ceiling stone-made cathedral.
Club Simulates the lively reverberation in a jazz club or a small bar.
Plate Simulates the bright sound of vintage reverb equipment used in recording studios.
Off No effect
Chorus Adds a rich, spacious sound.
Celeste Adds swell and a spacious sound.
Flanger Adds swell effects similar to the sound of an ascending or descending jet plane.
Off No effect
DelayLCR Delay applied at left, center, and right positions.
DelayLR Delay applied at left and right positions.
Echo Echo-like delay
CrossDelay Left and right delays cross each other in alternation.
Symphonic Adds a rich and deep acoustic effect.
Rotary Adds the vibrato effect of a rotary speaker.
Tremolo The volume level changes in rapid cycles.
VibeRotor The vibrato effect of a vibraphone.
AutoPan The sound pans left to right and back and forth.
Phaser The phase changes periodically, swelling the sound.
AutoWah The center frequency of the wah filter changes periodically.
Distortion Distorts the sound.
To call up the desired parameter:
Turn on Dual, Split or Duo as necessary, select Voices as necessary, press the
[FUNCTION] button several times to select “Voice” menu, then use the [ ]/[ ]/
[<]/[>] buttons to select the desired parameter.
[>]
[<]
[>]
[<]
[>]
[<]
Description Default setting Setting range
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Pedal Function List
When you want to assign a function marked with * to the pedal connected to the [AUX PEDAL] jack (CLP-785/795GP), you should use a Foot
Controller (page 72). For other functions, you should use a Footswitch (page 72).
Function Description
Available pedal
(O: Can be assigned, X: Cannot)
Left
pedal
Center
pedal
Right
pedal
Pedal
connected
to the [AUX
PEDAL] jack
(CLP-785/
795GP)
Sustain (Switch) On/off switch type damper O O O O
Sustain
Continuously
Damper that sustains the sound proportionately to how deeply you press
the pedal (page 23)
XXO X
Sostenuto Sostenuto (page 23) O O O O
Soft Soft (page 23) O O O O
Expression* A function that lets you create changes in dynamics (volume) as you play X X X O
PitchBend Up* A function that smoothly raises the pitch X X O O
PitchBend Down* A function that smoothly lowers the pitch X X O O
Rotary Speed Changes the rotational speed of the MellowOrgan rotary speaker (switches
between fast and slow each time you press the pedal)
OOO O
VibeRotor Switches the vibraphone vibrato on/off (switches on/off each time you
press the pedal)
OOO O
Song Menu
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Song Menu
This menu lets you set various parameters related to Song playback and edit the Song data with a single
touch. Select a desired Song before beginning the operation.
NOTE
• The parameters marked with * will be available only when a MIDI Song is selected. These parameters are not shown when an Audio
Song is selected.
• The parameters marked with ** will be available only when an Audio Song is selected.
• When using the “Edit” menu, select a MIDI Song other than the preset Song.
• Execute is a function that edits or changes the current Song data. Note that pressing the [>] button will actually change the Song data.
• The content of the “Song” menu differs depending on the type of Song currently selected (MIDI/Audio).
To call up the desired parameter:
Select a Song as necessary, press the [FUNCTION] button several times to
select “Song” menu, then use the [ ]/[ ]/[<]/[>] buttons to select the desired
parameter.
[>]
[<]
[>]
[<]
[>]
[<]
Description Default setting Setting range
L/R* R, L, Other Turns on (Play) or off (Mute) each of the Song tracks.
For details, refer to page 48.
On On, Off
Repeat A – B* (Setting display) Lets you play back a specified range (from Point A to B)
of the current Song repeatedly. For instructions, refer to
page 49.
Off On, Off
Phrase* Phrase Mark This parameter is available only when a MIDI Song
containing the Phrase Mark. By specifying a Phrase
number here, you can play back the current Song from
the mark point, or to play back the corresponding
phrase repeatedly. If you start Song playback with a
Phrase set to “On,” the countdown starts, followed by
repeated playback of the specified phrase or phrases
until you press the [PLAY/PAUSE] button.
000 000 – the last
phrase number of
the Song
Repeat Off On (repeat
playback)/Off (no
repeat)
Song (Setting display) By setting this parameter, you can play back only a
specific Song, or specific Songs in order repeatedly or
randomly. For details, refer to page 49.
Off Off, Single, All,
Random
Volume Song –
Keyboard*
(Pop-up
window)
Adjusts the volume balance between the Song
playback sound and keyboard performance.
0 Key+64 – 0 –
Song+64
Song L – R* (Pop-up
window)
Adjusts the volume balance between the right-hand
part left-hand parts of Song playback.
0 L+64 – 0 – R+64
(Pop-up window)** Adjusts the Audio volume. 100 0 – 127
Transpose (Setting display) Shifts the pitch of Song playback up or down in
semitone intervals. For example, if you set this
parameter to “5,” a Song created in C major will be
played back in F major.
NOTE
The Transpose setting will not affect the audio signals, such
as those input from the [AUX IN] jack.
NOTE
MIDI Song playback data will be transmitted with the
transposed note numbers while MIDI note numbers
received from an external MIDI device or computer will not
be affected by the Transpose setting.
NOTE
Applying transpose to an Audio Song may change its tonal
characteristics.
0 -12 (-1 octave) – 0
(normal pitch) –
+12 (+1 octave)
File Delete Cancel Deletes a specific Song. For details about Song types
which can be deleted, refer to page 65.
––
Execute ––
Copy* Cancel Copies a specific MIDI Song then saves it to a different
location. For details about Song types which can be
copied, refer to page 65.
––
Execute ––
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NOTE
Tempo of Song playback can be set on the display called up by pressing the [TEMPO] button. For instructions, refer to page 47.
File Move* Cancel Moves a MIDI Song to a different location. For details
about Song types which can be moved, refer to
page 65.
––
Execute ––
MIDI to Audio* Cancel Converts a MIDI Song to an Audio file. For details about
Song types which can be converted, refer to page 65.
––
Execute ––
Rename (Setting display) Edits a Song name. For details about Song types which
can be renamed, refer to page 65.
––
Edit* Quantize Quantize The Quantize function allows you to align all the notes in
the current MIDI Song to the correct timing, such as 8th
note or 16th note.
1. Set the Quantize value to the smallest notes in the
MIDI Song.
2. Set the Strength value which determines how
strongly the notes will be quantized.
3. Move the highlight to “Execute” then press the
[>] button to actually change the MIDI Song data.
1/16 Refer to “Quantize
setting range.”
(page 94)
Strength 100% 0% – 100%
Refer to “Strength
setting range.”
(page 94)
Execute ––
Track Delete Track Deletes a specific track data of the current MIDI Song.
1. Select the desired track to be deleted.
2. Move the highlight to “Execute,” then press the
[>] button to actually delete the specified track data.
Track 1 Track 1 – Track 16
Execute ––
Tempo Change Cancel Changes the tempo value of the current MIDI Song as
data. Before calling up the “Song” menu display, set the
desired Tempo value for changing.
Move the highlight to “Execute,” then press the [>] button
to actually change the Tempo value as MIDI Song data.
Differs depending
on the Song
Execute ––
Voice Change Track Changes the Voice of a specific track in the current
MIDI Song to the current Voice as data.
1. Select a track of which the Voice will be changed.
2. Move the highlight to “Execute,” then press the
[>] button to actually change the Voice as MIDI Song
data.
Track 1 Track 1 – Track 16
Execute ––
Others* Quick Play This parameter enables you to specify whether a Song
that starts from the middle of a bar, or a Song with a
silence prior to the first note, should be played from the
first note or from the top of the bar (rest or blank). This
parameter is useful for a MIDI Song that starts with a
short one-or two-beat pick-up or lead-in.
On On, Off
Track Listen Track This lets you play back only the selected Track to listen
to its contents. To do this, select a Track, move the
highlight to “Start,” then press and hold the [>] button to
start playback from the first note. Playback continues
while holding the [>] button.
Track 1 Track 1 – Track 16
Start
Play Track This parameter enables you to specify the tracks for
playing back on this instrument. When “1&2” is
selected, only tracks 1 and 2 will be played back, while
tracks 3 to 16 will be transmitted via MIDI. When “All” is
selected, all tracks will be played back on this
instrument.
All All, 1&2
To call up the desired parameter:
Select a Song as necessary, press the [FUNCTION] button several times to
select “Song” menu, then use the [ ]/[ ]/[<]/[>] buttons to select the desired
parameter.
[>]
[<]
[>]
[<]
[>]
[<]
Description Default setting Setting range
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Song Menu
Quantize Supplementary
Quantize setting range
The three Quantize settings marked with asterisks (*) are exceptionally
convenient, since they allow you to quantize two different note values
at the same time. For example, when the straight eighth notes and
eighth notes triplet are contained in the same part, if you quantize by
straight eighth notes, all notes in the part are quantized to straight
eighth notes—completely eliminating any triplet feel. However, if you
use the eighth note + eighth note triplet setting, both the straight and
triplet notes will be quantized correctly.
Strength setting range
1/4................
1/8................
1/16..............
1/6................
1/12..............
1/24..............
1/8+1/12.......
1/16+1/24.....
1/32..............
1/16+1/12.....
quarter note
quarter note triplet
eighth note
eighth note triplet
sixteenth note
sixteenth note triplet
thirty-second note
eighth note + eighth note triplet*
sixteenth note + eighth note triplet*
sixteenth note + sixteenth triplet*
Original data
Quantizing strength = 100
Quantizing strength = 50
Quarter-note length
Metronome/Rhythm Menu
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Metronome/Rhythm Menu
This menu lets you set the volume and tempo indication format of the Metronome (page 39) or Rhythm
(page 42). In addition, you can set the bell sound of the Metronome to play back at the first beat and adjust
parameters related to Rhythm playback variation.
Setting the Tempo
Tempo of Metronome/Rhythm can be set on the display called up by pressing the [TEMPO] button. For
details on setting the Tempo for the Metronome or Rhythm, refer to page 39.
To call up the desired parameter:
Press the [FUNCTION] button several times to select “Metronome/Rhythm”
menu, then use the [ ]/[ ] buttons to select the desired parameter.
[>]
[<]
[>]
[<]
[>]
[<]
Description Default setting Setting range
Time Signature (Setting
display)
Determines the time signature of the metronome. When
you select or playback MIDI Songs, this will automatically
be changed to the time signature of the selected songs.
4/4 2/2, 1/4, 2/4, 3/4,
4/4, 5/4, 6/4, 7/4,
3/8, 6/8, 7/8, 9/8,
12/8
Volume (Pop-up
window)
Determines the volume of the Metronome or Rhythm. You
can adjust the volume balance between the keyboard
performance and Metronome/Rhythm playback.
82 0 – 127
BPM Determines whether the note type of the tempo indication
is affected by the Metronome Time Signature (page 40) or
not (crotchet). When “Time Sig.” is selected, the
denominator of the Time Signature is shown as the note
type of the tempo indication. (The dotted quarter note is
shown as the note type of the tempo indication only when
the Time Signature is set to “6/8,” “9/8,” or “12/8.”)
Time Sig. Time Sig.,
Crotchet
Bell Determines whether or not the bell sound is played back
at the first beat of the specified Time Signature.
Off On, Off
Intro Determines whether the Intro is played back or not before
the Rhythm pattern is started.
NOTE
During Song playback, the Intro cannot be played back even if
you start the Rhythm with this parameter set to “On.”
On On, Off
Ending Determines whether the Ending is played back or not
before the Rhythm pattern is stopped.
On On, Off
SyncStart When this is set to “On,” you can start Rhythm playback
also by pressing any note on the keyboard.
When you want to use this function, follow the instructions
below:
1. Set this function to on.
2. Press the [RHYTHM] button to enter the Synchro start
standby mode.
The [RHYTHM] button flashes.
3. Press any key to start with the rhythm.
Off On, Off
Bass Determines whether the auto bass accompaniment for
the Rhythm is on or off.
On On, Off
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Recording Menu
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Recording Menu
This menu lets you make detailed settings related to MIDI Recording (page 54).
NOTE
The settings here will not affect Audio Recording.
To call up the desired parameter:
Press the [FUNCTION] button several times to select “Recording” menu, then
use the [ ]/[ ] buttons to select the desired parameter.
[>]
[<]
[>]
[<]
[>]
[<]
Description Default setting Setting range
RecStart This parameter, which is used when you overwrite the already
recorded MIDI Song, determines when the actual MIDI
Recording starts after you execute the Recording Start
operation. When set to “Normal,” actual recording will starts
as soon as you execute the Recording Start operation. When
set to “KeyOn,” actual recording starts as soon as you press
any key after you execute the Recording Start operation.
Normal Normal, KeyOn
RecEnd This parameter, which is used when you overwrite the already
recorded MIDI Song, determines whether the existing data
after the point at which you stop recording will be erased or
not.
Replace Replace,
PunchOut
RecRhythm Determines whether or not Rhythm playback will be recorded
during MIDI Recording.
On On, Off
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System Menu
This menu lets you make the overall settings applied to the entire instrument.
Bluetooth compatibility is indicated by the following icons. (For details on Bluetooth compatibility, see
page 142.)
: models equipped with Bluetooth
: models not equipped with Bluetooth
NOTE
Parameters marked with * are available only if the instrument is equipped with Bluetooth functionality.
To call up the desired parameter:
Press the [FUNCTION] button several times to select “System” menu, then use
the [ ]/[ ]/[<]/[>] buttons to select the desired parameter.
[>]
[<]
[>]
[<]
[>]
[<]
Description Default setting Setting range
Bluetooth* Bluetooth Switches the Bluetooth function on/off (page 79). On On, Off
Pairing For registering (pairing) the Bluetooth device (page 78).
This parameter is shown only when “Bluetooth” (above) is
set to “On.”
––
Tuning Master Tune (Pop-up
window)
Fine tunes the pitch of the entire instrument. This function
is useful when you play this instrument along with other
instruments or CD music.
NOTE
These settings will not be applied to the Drum Kit Voices or
Audio Song. Also, these settings will not be recorded to a
MIDI Song.
A3 = 440.0 Hz A3 = 414.8 Hz –
466.8 Hz (approx.
0.2 Hz steps)
Scale Tune (Setting
display)
Modern acoustic pianos are tuned almost exclusively in
equal temperament, which divides one octave into twelve
equal intervals. Likewise, this digital piano employs equal
temperament, but it can be changed at the touch of a
button to play in historical temperaments used in the 16th
to 19th centuries.
Equal
Temperament
Refer to the
“Scale Tune List”
(page 103)
Base Note (Setting
display)
Determines the base note for the Scale selected above.
When the base note is changed, the pitch of the
keyboard is transposed, yet maintains the original pitch
relationship between the notes. This setting is necessary
when Scale Tune is set to something other than “Equal
Temperament.”
NOTE
When Scale Tune is set to “Equal Temperament,” “---” is
shown on the display and this parameter cannot be edited.
C C, C , D, E , E, F,
F , G, A , A, B ,
B
Keyboard Touch (Setting
display)
Determines how the sound responds to your playing
strength. This setting does not change the weight of the
keyboard.
Soft2: Produces relatively high volume even with light
playing strength. Best for players with a light touch.
Soft1: Produces high volume with moderate playing
strength.
Medium: Standard Touch Sensitivity.
Hard1: Requires moderately strong playing for high
volume.
Hard2: Requires strong playing to produce high
volume. Best for players with a heavy touch.
Fixed: No touch response. The volume level will be the
same regardless of how hard you play the keys.
NOTE
The setting here will not be recorded to a MIDI Song and not
be transmitted as MIDI messages.
Medium Soft 2, Soft 1,
Medium, Hard 1,
Hard 2, Fixed
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Keyboard Fixed Velocity (Pop-up
window)
Determines the velocity with which you play the keys
when Touch (above) is set to “Fixed.”
NOTE
The setting here will not be recorded to a MIDI Song and not
be transmitted as MIDI messages.
64 1 – 127
Duo (Setting
display)
Splits the keyboard into two ranges, allowing you to play
duets over the same octave range (page 38).
Off On, Off
Type Selects the sound balance between the left and right
speakers while Duo is on.
Separated: The sound of the left-hand range is output
from the left speaker(s), and the sound of the right-
hand range is output from the right speaker(s).
Balanced: The sounds played by two players are
output through both speakers, with a natural balance of
sound.
Separated Separated,
Balanced
Split Point (Setting
display)
Determines the Split Point (the boundary between the
right-hand and left-hand keyboard areas).
F 2 (Split),
E3 (Duo)
A-1 – C7
Pedal Half Pedal Point (Pop-up
window)
Here you can specify the point to which you must
depress the right pedal before the assigned effect
begins to be applied. This setting applies only to the
“Sustain Continuously” effect (page 91) that is assigned
to the right pedal.
0 -2 (effective with
the shallowest
press) – 0 – +4
(effective with the
deepest press)
Soft Pedal
Depth
(Pop-up
window)
Determines how deeply the Soft pedal effect is applied.
This parameter is available only for the pedal to which
“Soft” (page 91) is assigned.
51 10
Pitch Bend
Range
(Pop-up
window)
Determines the range of the pitch bend that is produced
via the pedal in semitone steps. This setting is available
only for the pedal to which “Pitch Bend Up” or “Pitch
Bend Down” (page 91) is assigned.
NOTE
For some Voices, the pitch may not be changed according to
the Pitch Bend Range value set here.
2 0 – +12 (pressing
the pedal will
raise/lower the
pitch by 12
semitones
[1 octave])
Aux Polarity
(CLP-785/
795GP)
A pedal connected to the [AUX PEDAL] jack may switch
on and off differently. For example, some pedals turn the
effects on and others turn them off when you press them.
Use this parameter to reverse this mechanism.
Make Make, Break
Aux Assign
(CLP-785/
795GP)
(Setting
display)
Assigns a function to the pedal connected to the [AUX
PEDAL] jack.
Expression Refer to the Pedal
Function List
(page 91).
Aux Area
(CLP-785/
795GP)
(Setting
display)
Determines the keyboard area to which the function of
the pedal connected to the [AUX PEDAL] jack is applied.
All All, Right, Left
Play/Pause (Setting
display)
Assigns the [PLAY/PAUSE] button’s function to one of the
Left pedal, Center pedal and pedal connected to the
[AUX PEDAL] jack (CLP-785/795GP). If a value other
than “Off” is selected here, the corresponding pedal's
function assigned in the “Voice” menu (page 89) is
disabled.
Off Off, Left, Center,
AUX (CLP-785/
795GP)
Sound Brilliance (Setting
display)
Adjusts the overall brilliance of sound for this instrument.
You can also select “User” to make your own custom EQ
settings. For details, refer to page 33.
Normal Mellow 1 – 3,
Normal,
Bright 1 – 3, User
IAC Turns the IAC effect on or off. For details about IAC, refer
to page 21.
On On, Off
To call up the desired parameter:
Press the [FUNCTION] button several times to select “System” menu, then use
the [ ]/[ ]/[<]/[>] buttons to select the desired parameter.
[>]
[<]
[>]
[<]
[>]
[<]
Description Default setting Setting range
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Sound IAC depth (Pop-up
window)
Determines the depth of the IAC. The higher the value,
the more clearly the low/high sounds at lower volume
levels.
0-3 +3
Binaural Turns the Binaural Sampling function (when headphones
are connected) on or off. When the function is on and
headphones are connected, the sound from this
instrument changes to the sound of Binaural Sampling or
the sound enhanced with the Stereophonic Optimizer,
allowing you to enjoy more realistic sound (page 22).
NOTE
When the “Speaker” setting (page 100) is on, this function will
always be disabled even when headphones are connected.
On On, Off
MIDI MIDI OUT (Setting
display)
Determines the MIDI channel on which the MIDI
messages generated via the keyboard performance will
be transmitted from the MIDI [OUT] or USB [TO HOST]
terminal. When Dual/Split/Duo is on, the MIDI channels
are assigned as follows.
Performance via the R1 Voice = n (setting value)
Performance via the R2 Voice = n+2
Performance via the L Voice = n+1
Ch1 Ch1 – Ch16, Off
(not transmitted)
MIDI IN (Setting
display)
Determines which part of the instrument will be controlled
by each channel data of the MIDI messages coming from
the MIDI [IN] and USB [TO HOST] terminal.
Song: Song part is controlled by the MIDI messages.
Keyboard: The entire keyboard is controlled regardless
of the Dual/Split/Duo setting.
R1: The keyboard performance via the R1 Voice is
controlled.
L: The keyboard performance via the L Voice is
controlled.
R2: The keyboard performance via the R2 Voice is
controlled.
Off: No part is controlled.
“Song” for each of
all MIDI channels
For each MIDI
channel:
•Song
•Keyboard
•R1
•L
•R2
•Off
Local Control “Local Control On” is a state in which this instrument
produces the sound from its tone generator when you
play the keyboard. In “Local Control Off” state, the
keyboard and the tone generator are cut off from each
other. This means that even if you play the keyboard, this
instrument will produce no sound. Instead, the keyboard
data can be transmitted via MIDI to a connected MIDI
device or computer, which can produce the sound. The
“Local Control Off” setting is useful when you wish to play
only an external sound source while playing the keys on
this instrument.
On On, Off
Receive Param. (Setting
display)
Determines which types of MIDI messages can be
received or recognized by this instrument.
MIDI message types:
Note on/off, Control Change, Program Change, Pitch
Bend, System Exclusive
On (for all the
MIDI messages)
On, Off (for each
MIDI message)
Transmit
Param.
(Setting
display)
Determines which types of MIDI messages can be
transmitted from this instrument.
MIDI message types:
Note on/off, Control Change, Program Change, Pitch
Bend, SystemRealTime, System Exclusive
On (for all the
messages)
On, Off (for each
message)
To call up the desired parameter:
Press the [FUNCTION] button several times to select “System” menu, then use
the [ ]/[ ]/[<]/[>] buttons to select the desired parameter.
[>]
[<]
[>]
[<]
[>]
[<]
Description Default setting Setting range
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MIDI Initial Setup Cancel Transmits the current panel settings such as Voice
selection to a connected MIDI device or computer.
Before you start recording your performance to a
connected MIDI device or computer, execute this
operation to record the current panel settings at the
beginning of your performance data. It causes that the
same panel settings are called up when the recorded
performance is played back.
Operation:
Move the highlight to “Execute,” then press the [>] button
to transmit the panel settings as MIDI messages.
––
Execute
Backup Backup Setting For instructions about these functions, refer to pages 104
– 105.
––
Backup
Restore
Factory Reset
Utility USB Format Cancel This lets you format or initialize the USB flash drive
connected to the USB [TO DEVICE] terminal.
NOTICE
Executing the Format operation will delete all data saved in the
USB flash drive. Save important data to a computer or another
storage device.
NOTE
When connecting the USB flash drive to the USB
[TO DEVICE] terminal, a message prompting you to execute
the Format operation may appear. If such a case occurs,
execute the Format operation.
Operation
Move the highlight to “Execute,” then press the [>] button
to start the Format operation. After Formatting is
completed, a message appears then the instrument
returns to the Utility display after a while.
NOTICE
Never turn off the power or disconnect the USB flash drive
while “Executing” is shown in the display.
––
Execute
USB Properties Shows the amount of free space and entire memory in
the USB flash drive connected to the USB [TO DEVICE]
terminal.
––
USB Autoload When this is set to “On,” the Song saved in the root
directory can be selected (shown on the display)
automatically as soon as the USB flash drive is
connected to the USB [TO DEVICE] terminal.
Off On, Off
Speaker (Setting
display)
Lets you switch the speaker on/off.
Normal: The speaker will sound only if headphones are
not connected.
On: The speaker will always sound.
Off: The speaker will not sound.
NOTE
When this setting is on, “Binaural” (page 99) will always be
disabled.
Normal Normal, On, Off
To call up the desired parameter:
Press the [FUNCTION] button several times to select “System” menu, then use
the [ ]/[ ]/[<]/[>] buttons to select the desired parameter.
[>]
[<]
[>]
[<]
[>]
[<]
Description Default setting Setting range
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Amount of
free space
Amount of
entire memory
System Menu
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Utility Contrast (Pop-up
window)
Adjusts the contrast of the display. 0 -5 – +5
Auto Power Off (Setting
display)
Lets you set the amount of time that elapses before the
power is turned off by Auto Power Off function (page 17).
To disable Auto Power Off, select “Off.”
Disabling Auto Power Off
30 (minutes) Off, 5, 10, 15, 30,
60, 120 (minutes)
Audio
Loopback
Determines whether audio input from the connected
computer or smart device is output to a computer or a
smart device or not (page 76).
On On, Off
Version Displays the model name and the firmware version of this
instrument.
––
Auto Backlight
Off
(CLP-785/775/
795GP)
(Setting
display)
Lets you set the time that elapses until the control panel
and the display turn off, or lets you set them to remain on
indefinitely (the “Off” setting).
10 (seconds) Off, 10, 20, 30, 60
(seconds)
Touch Panel
Sound
(CLP-785/775/
795GP)
Determines whether a sound is made when the control
panel is operated (the “on” setting), or whether no sound
is heard (the “off” setting).
On On, Off
Language System Determines the type of characters shown on the display
for the System (general indication other than Song name)
and Song (Song name) individually.
Character list
International Japanese,
International
Song
To call up the desired parameter:
Press the [FUNCTION] button several times to select “System” menu, then use
the [ ]/[ ]/[<]/[>] buttons to select the desired parameter.
[>]
[<]
[>]
[<]
[>]
[<]
Description Default setting Setting range
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+
Turn the power on while holding down the lowest key
on the keyboard. A message appears briefly and Auto
Power Off is disabled.
Japanese
International
System Menu
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To call up the desired parameter:
Press the [FUNCTION] button several times to select “System” menu, then use
the [ ]/[ ]/[<]/[>] buttons to select the desired parameter.
[>]
[<]
[>]
[<]
[>]
[<]
[>]
[<]
[>]
[<]
Description
Default
setting
Setting range
Utility Wireless LAN
*1
(In the
“Infrastructure”
mode)
*2
Select
Network
(Networks) Connect to an access point by
selecting the network.
––
Other SSID Set the SSID. Up to 32 characters (half
size), alphanumeric
characters, marks
Security Set the Security. None None, WEP,
WPA-PSK (TKIP),
WPA-PSK (AES),
WPA2-PSK (AES),
WPA/WPA2 mixed PSK
Password Set the Password. Up to 64 characters (half
size), alphanumeric
characters, marks
Connect Connect using the settings in
“Other” display.
––
Detail DHCP Set the wireless LAN detailed
settings. IP Address, Subnet
Mask, Gateway, DNS Server1,
DNS Server2 can be set when
DHCP is set to Off while cannot
be set when DHCP set to On.
Use the [<]/[>] buttons to select
each octet in the entry display,
then enter the value using the
[
]/[ ] buttons. To finalize the
setting, press the [FUNCTION]
button.
On On/Off
IP Address 0.0.0.0 0.0.0.0-255.255.255.255
Subnet Mask 0.0.0.0 0.0.0.0-255.255.255.255
Gateway 0.0.0.0 0.0.0.0-255.255.255.255
DNS Server1 0.0.0.0 0.0.0.0-255.255.255.255
DNS Server2 0.0.0.0 0.0.0.0-255.255.255.255
Save Save the settings in the “Detail”
display. Move the highlight to
“Save,” then press the [>] button
to execute the Saving.
––
Wireless LAN
*1
(In the
“Accesspoint”
mode)
*2
SSID Set the SSID as an access point. ap-[CLP-****]-
[xxxxxx (MAC
address lower
6 figure)]
Up to 32 characters (half
size), alphanumeric
characters, marks
Security Set the Security as an access
point.
WPA2-PSK
(AES)
None, WEP, WPA-PSK
(TKIP), WPA-PSK (AES),
WPA2-PSK (AES),
WPA/WPA2 mixed PSK
Password Set the Password as an access
point.
00000000 Up to 64 characters (half
size), alphanumeric
characters, marks
Channel Set the channel as an access
point.
11 Differs depending on the
USB wireless LAN adaptor
models.
Models for United States
and Canada: 1 – 11
Others: 1 – 13
When no USB wireless
LAN adaptor is
connected, setting range
is channels 1 – 13.
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*1 The “Wireless LAN” and “Wireless LAN option” settings are shown only when you connect the USB wireless LAN adaptor UD-WL01 (sold
separately) to the USB [TO DEVICE] terminal on this instrument.
*2 Wireless LAN menus differ in the Wireless LAN Mode parameters between the two modes: “Infrastructure” and “Accesspoint.” The default
setting for the Wireless LAN Mode is “Infrastructure.”
Scale Tune List (Temperament List)
Utility Wireless LAN
*1
(In the
“Accesspoint”
mode)
*2
DHCP Server Set the IP address related
settings.
On On, Off
IP Address 192.168.0.1 192. 168. 0-255. 1-254.
Subnet Mask 255.255.255.0 255.255.0.0,
255.255.128.0,
255.255.192.0,
255.255.224.0,
255.255.240.0,
255.255.248.0,
255.255.252.0,
255.255.254.0,
255.255.255.0
Save Save the settings you set in the
Wireless LAN display (in the
“Accesspoint” mode)
––
Wireless LAN
Option
*1
Wireless LAN
Mode
Infrastructure Mode Determines whether the access
point is used for wireless LAN
connection (Infrastructure
Mode) or not (Accesspoint
Mode).
Infrastructure
Mode
Accesspoint Mode
Initialize Cancel Initialize the settings in the
wireless LAN display. Move the
highlight to “Execute,” then
press the [>] button to execute
the initialization.
Cancel –
Execute
Detail Host Name Set the Host name. [CLP-****]-
[xxxxxx (MAC
address lower
6 figure)]
Up to 57 characters (half
size) including
alphanumeric characters,
the “_” (underscore) and
“-” (hyphen) character.
Mac Address Display the MAC address of the
USB wireless LAN adaptor.
––
Status Display the error code of
network function.
––
Equal Temperament One octave is divided into twelve equal intervals. Currently most popular piano tuning scale.
PureMajor/PureMinor Based on natural overtones, three major chords using these scales produce a beautiful, pure sound.
Pythagorean This scale was devised by Pythagoras, the famous Greek philosopher and is created from a series of perfect fifths,
which are collapsed into a single octave. The 3rd in this tuning is slightly unstable, but the 4th and 5th are beautiful and
suitable for some leads.
MeanTone This scale was created as an improvement on the Pythagorean scale, by making the major third interval more “in tune.”
It was especially popular from the 16th century to the 18th century. Handel, among others, used this scale.
Werckmeister/
Kirnberger
These scales combine Mean Tone and Pythagorean in different ways. With these scales, modulation changes the
impression and feel of the Songs. They were often used in the era of Bach and Beethoven. They are also often used now
to reproduce the music of that era on harpsichords.
To call up the desired parameter:
Press the [FUNCTION] button several times to select “System” menu, then use
the [ ]/[ ]/[<]/[>] buttons to select the desired parameter.
[>]
[<]
[>]
[<]
[>]
[<]
[>]
[<]
[>]
[<]
Description
Default
setting
Setting range
785 775
745 735
795GP
765GP
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
System Menu
This lets you set whether some settings of the Backup
Setting (below) are maintained or not when the power
is turned off. The Backup Setting consists of two
groups, “Voice” (including Voice related settings such
as Voice selection) and “Other” (including various
settings such as Song Repeat and Tuning), which can
be set individually.
*For information on whether Bluetooth functionality is
included with the instrument or not, refer to page 142.
1. Press the [FUNCTION] button several times
to select the “System” menu (page 86).
2. Use the [ ]/[ ] buttons to select “Backup,
use the [>] button to call up the next display,
then use the [
]/[ ] buttons to select
“Backup Setting.
3. Use the [>] then the [ ]/[ ] buttons to select
“Voice, then use the [>] button to select “On
or “Off.
Each “Voice” contains the following settings:
Voice selection for R1, R2 and L
All the parameters other than Transpose in the
“Voice” menu
4. Use the [ ]/[ ] buttons to select Other,
then use the [>] button to select “On” or
Off.
The “Other” contains the following settings:
In the “Song” menu: Song Repeat, Volume (Song-
Keyboard), Audio Volume, Quick Play, Play Track
In the “Metronome/Rhythm” menu: Volume, BPM,
Bell On/Off, Intro, Ending, Bass
In the “System” menu: Tuning, Keyboard (except
“Duo” and “Duo Type”), Pedal, Sound, MIDI
5. Press the [EXIT] button to exit from the
“System” menu display.
This lets you save data on internal memory to the
connected USB flash drive as a backup file (named
“clp-***.bup”). This backup file can be loaded to the
instrument via the Restore function (page 105) for
future.
NOTICE
It may take 1 – 2 minutes to complete this operation. Never turn
off the power during this operation (while “Executing” is shown).
Doing so could result in damage to the data.
If the same backup file (clp-***.bup) is already saved in the USB
flash drive, this operation will overwrite or replace this file with
new one.
1. Connect the USB flash drive to the USB [TO
DEVICE] terminal.
2. Press the [FUNCTION] button several times
to select the “System” menu (page 86).
3. Use the [ ]/[ ] buttons to select “Backup,
use the [>] button to call up the next display,
then use the [
]/[ ] buttons to select
“Backup.
4. Use the [>] button to call up the next display,
then use the [
]/[ ] buttons to select
“Execute.
5. Press the [>] button to execute the Backup
operation.
6. Press the [EXIT] button to exit from the
“System” menu display.
NOTE
When you want to restore the settings in the backup file, execute
the Restore function.
Backup Setting
(Selecting parameters maintained even when the
power is turned off)
Data and settings maintained even when the
power is turned off
User MIDI Song (saved in this instrument’s
“User” memory)
•System menu
Bluetooth* On/Off
Keyboard (Duo Type only)
Utility
•Backup Setting (explained here)
Backup
(Saving the Backup file for internal data)
System Menu
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
This lets you load the backup file (clp-***.bup) saved
via the Backup function (page 104) to the instrument
on.
NOTICE
It may take 1 – 2 minutes to complete this operation. Never turn
off the power during this operation (while “Executing” is shown).
Doing so could result in damage to the data.
If recorded Songs reside on “User” memory, make sure to move
the Songs to the USB flash drive by following the instructions
page 68 before executing this operation. If you do not, the Songs
will be deleted via this operation.
1. Connect the USB flash drive containing the
Backup file to the USB [TO DEVICE]
terminal.
2. Press the [FUNCTION] button several times
to select the “System” menu (page 86).
3. Use the [ ]/[ ] buttons to select “Backup,
use the [>] button to call up the next display,
then use the [
]/[ ] buttons to select
“Restore.
4. Use the [>] button to call up the next display,
then use the [
]/[ ] button select “Execute.
5. Press the [>] button to execute the Restore
operation.
A message indicating that the operation is
completed appears, then the instrument will restart
after a while.
This lets you reset this instrument to its factory
default settings which refers to the initial setting
preprogrammed when shipped from the factory, and
is called up when you first turn on the power to this
instrument.
Note that the following points.
This operation resets the Backup Setting (page 104) to the
default setting.
This operation will not delete the Songs saved in the User
folder.
This operation will not delete the Bluetooth* pairing
information (page 78).
*For information on whether Bluetooth functionality is included
with the instrument or not, refer to page 142.
NOTICE
Never turn off the power during this operation (while “Factory reset
executing” is shown). Doing so could result in damage to the data.
1. Press the [FUNCTION] button several times
to select the “System” menu (page 86).
2. Use the [ ]/[ ] buttons to select “Backup,
use the [>] button to call up the next display,
then use the [
]/[ ] buttons to select
“Factory Reset.
3. Use the [>] button to call up the next display,
then use the [
]/[ ] buttons to select
“Execute.
4. Press the [>] button to execute the Restore
operation.
A message indicating that the operation is
completed appears, then the instrument will restart
after a while.
Alternate method for restoring the default
settings
Press and hold down the white key on the right end
(C7) and press the [] (Standby/On) switch to turn
on the power to this instrument. This operation will
not delete the Songs in the User folder.
Restore
(Restarting the instrument with the Backup file
loaded)
Factory Reset
(Restarting the instrument with the initial
factory settings loaded)
[] Standby/On switch
C7
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Appendix
Preset Voice List
The preset Voices that are available differ among the models. The rows of the model names indicate if the model(s) have the corresponding preset Voices or
not.
Voice
Group
Voice Name
Stereo
Sampling
Touch
Sense
Key-off
Sampling
Voice description
CLP
-785/
-795GP
CLP
-775/
-745/
-735/
-765GP
Piano CFX Grand

Yamaha’s CFX concert grand piano sound with a wide dynamic range for maximum
expressive control. Suitable for playing in any music genre and style. When this Voice
is selected, connecting the headphones automatically enables binaural sampling
sound (page 22).

Bösendorfer

The famed sound of the Vienna-made Bösendorfer Imperial concert grand piano. Its
spacious sound evokes the size of the instrument, and is ideal for expressing
tenderness in compositions. When this Voice is selected, connecting the headphones
automatically enables binaural sampling sound (page 22).

Upright Piano

The sound sampled from an upright piano, the Yamaha SU7. Enjoy the unique tonal
character and a lighter, more casual feel.

Studio Grand

The sound of Yamaha’s C7 grand piano, which is often used in recording studios. Its
bright and clear sound is good for popular styles.
Bright Grand

Bright piano sound. Good for clear expression and “cutting through” other
instruments in an ensemble.

Mellow Grand

Mellow piano sound. Good for quiet and slow music.

Ballad Grand

Grand piano sound with a soft and warm tone. Good for playing ballads.
Warm Grand

Warm and soft piano sound. Good for relaxing music.

Pop Grand

A slightly brighter piano sound. Good for popular styles.

Jazz Grand

A piano sound with unique tonal character. Good for jazz styles.

Rock Grand

A bright-sounding piano. Ideal for rock styles.

HonkyTonk Pf

A honky-tonk style piano. Enjoy a tonal character that is quite different than a grand
piano.

Fortepiano Scarlatti Piano

The sound of a piano made by a musical instrument maker in Florence in the early
18th century. The maker is famous for inventing the piano. It is believed that Scarlatti
used the piano made by the maker. The sound is bright and brilliant.
Mozart Piano

The sound of a piano made by a musical instrument maker in Vienna in the late 18th
century. Mozart and Beethoven played and highly appreciated the piano made by this
manufacturer. Its sound is clear and light.

Beethoven Piano

The sound of a piano made by a piano manufacturer in London in the early 19th
century. Haydn and Beethoven composed many masterpieces inspired by the pianos
of this manufacturer. It features a rich bass, sparkling highs and energetic fortissimo.
Chopin Piano

The sound of a piano made by a piano manufacturer in Paris in the 19th century.
Chopin deeply loved the pianos of this manufacturer, which responded well to his
sensitive touch. It has a sound like a singing voice, sometimes luscious, sometimes
mournful.

E.Piano Stage E.Piano

The sound of an electric piano using hammer-struck metallic “tines.” Soft tone when
played lightly, and an aggressive tone when played hard.

DX E.Piano
An electronic piano sound produced by an FM synthesizer. The tone will change as
you vary your playing touch. Ideal for popular music.

Vintage EP

The sound of an electric piano using hammer-struck metal reeds. Widely used in rock
and popular music.

Soft EP

An electric piano with a characteristic panning effect. Good for playing quiet ballads.

Phaser EP

A distinctive phaser effect makes this ideal for fusion styles.

DX Bright
A variation of electronic piano sound produced by an FM synthesizer. Its bright and
sparkling sound character spice up the music.

Tremolo Vintage

Includes tremolo ideal for Vintage EP. Frequently used in rock music.

Organ Organ GrandJeu
––A registration sound famous for use in French organ compositions. This dramatic
sound is ideal for ending a performance.
Organ Principal
––This Voice features the combination of pipes (8'+4'+2') of a principal (brass
instrument) organ. It is suitable for Baroque church music.

Organ Tutti
––This Voice features a full coupler of a pipe organ, famous for the sound used in
Toccata and Fugue by Bach.

Jazz Organ Slow –––The sound of a “tonewheel” type electric organ. Sampled with Rotary SP effect, its
rotation speed is slow. Often heard in jazz and rock idioms.

Preset Voice List
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Key-off Sampling
Samples of the very delicate noises that are produced when keys are released.
NOTE
Grand Expression Modeling is effective only for the Voices of “CFX Grand” and “Bösendorfer.” For details about Grand Expression Modeling, refer to page 29.
VRM is effective only for Voices in the Piano group. For details about VRM, refer to page 29.
Organ Jazz Organ Fast –––A same type of electric organ sound as Jazz Organ Slow. This was sampled with the
fast rotation speed of the rotary speaker effect. Switch Voices between Jazz Organ
Slow and Jazz Organ Fast to add variations to your performance.

Mellow Organ –––A mellow electric organ sound. Pressing and releasing the left pedal switches
between “fast” and “slow” of the Rotary Speaker speed.

Organ Flute 1
––A pipe organ sound that combines flute-type (woodwind type) stops of different
pitches (8' + 4'). This is a gentle sound that is ideal for accompanying hymns.
Organ Flute 2
––A pipe organ sound that combines flute-type (woodwind type) stops of different
pitches (8' + 4' + 1-1/3'). This is brighter than Organ Flute1, and is suitable for solos.
Strings Strings

Stereo-sampled, large-scale strings ensemble with realistic reverb. Try combining
this Voice with piano in the Dual mode.

Slow Strings

The sound of a string ensemble, with a slow attack. Suitable for use in Dual mode
with piano or electric piano.

Choir
CLP-785/
795GP:
CLP-775/
745/735/
765GP: –
A big, spacious choir Voice. Perfect for creating rich harmonies in slow pieces.

Slow Choir
The sound of a choir with a slow attack. Suitable for use in Dual mode with piano or
electric piano.

Mellow Strings

A mellow string ensemble. Enjoy a tonal character that is different from a Strings.
Dark Pad
Warm and spacious synth sound. Ideal for sustained parts in the background of an
ensemble, or for use in Dual mode with piano or electric piano.
Lite Pad
Bright and spacious synth sound. Ideal for sustained parts in the background of an
ensemble, or for use in Dual mode with piano or electric piano.
Bell Pad

Synth sound with a crisp, bell-like sound. Ideal for layering in Dual mode with a piano
or electric piano sound, but also produces a bright, gorgeous sound on its own.
Synth Pad
A warm, mellow, and spacious synth sound. Ideal for sustained parts in the
background of an ensemble, or for use in Dual mode with piano or electric piano.
Bass Acoustic Bass
The sound of a finger-plucked upright bass. Frequently used in jazz and Latin music.

Bass & Cymbal
The sound of a cymbal has been layered onto the bass. Effective when used for jazz
walking-bass lines.

Electric Bass
The sound of an electric bass. Frequently used in jazz, rock, and popular music.

Fretless Bass
The sound of a fretless bass. Suitable for styles such as jazz and fusion.

Vintage Bass
A different type of electric bass with a rich sound.
Others Harpsichord 8'
The sound of the instrument frequently used in baroque music. Variations in playing
touch will not affect the volume, and a characteristic sound will be heard when you
release the key.

Harpsi. 8'+4'
A harpsichord with an added upper octave. Produces a more brilliant sound.

Harp
This sound was sampled from a grand harp. This sound, with a bright attack, is ideal
for playing gorgeous phrases.
Vibraphone

A Vibraphone sound, sampled in stereo. Its spacious and clear sound is ideal for
popular music. Pressing the left pedal switches Vibrato on and off.

Marimba

A marimba sound, sampled in stereo for spaciousness and realism.
Celesta

The sound of a celesta (a percussion instrument in which hammers strike metallic
bars to produce sound). This instrument is well-known for its appearance in “Dance
of the Sugar-plum Fairies” from Tchaikovsky’s “Nutcracker Suite.”
Nylon Guitar

Stereo-sampled, nylon-string guitar with natural reality. Suitable for any style of
musics.

Steel Guitar
A bright steel-string guitar sound. Ideal for popular music.

Scat
You can enjoy jazz “scatting” with this Voice. Depending on how hard and what note
range you play, different sounds will be produced.
XG
For details on XG Voices, refer to the “Data List” on the website (page 8).
Voice
Group
Voice Name
Stereo
Sampling
Touch
Sense
Key-off
Sampling
Voice description
CLP
-785/
-795GP
CLP
-775/
-745/
-735/
-765GP
Preset Voice List
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Voice Demo Song List
The Demo Songs excluding original Songs are short rearranged excerpts from the original compositions. The original Demo Songs are Yamaha originals
(© Yamaha Corporation).
CLP
-785/
-795GP
CLP
-775/
-745/
-735/
-765GP
Voice Name Title Composer
CFX Grand Allegro de concierto Cis dur E. Granados
Bösendorfer Widmung S.566 R.253 F. Liszt / R. Schumann
Upright Piano Sonatine F dur Anh.5(2) 1st mov. L. v. Beethoven
Studio Grand Original
Bright Grand Original
Scarlatti Piano Sonata G dur K.14 L.387 G. D. Scarlatti
Mozart Piano Sontata No.15 C dur K.545 1st mov. W. A. Mozart
Beethoven Piano Für Elise a moll L. v. Beethoven
Chopin Piano Nocturne op.27-2 Des dur F. F. Chopin
Stage E.Piano Original
DX E.Piano Original
Vintage EP Original
Organ GrandJeu Original
Organ Principal Herr Christ, der ein'ge Gottes-Sohn BWV 601 J. S. Bach
Organ Tutti Original
Jazz Organ Slow Original
Strings Original
Choir Original
Dark Pad Original
Synth Pad Original
Acoustic Bass Original
Electric Bass Original
Fretless Bass Original
Harpsichord 8' Concerto a cembalo obbligato, 2 violini, viola e continuo No.7 g moll BWV 1058 1st mov. J. S. Bach
Harp Original
Vibraphone Original
Nylon Guitar Original
XG Original
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Song List
50 Classical Lesson Songs
No. Song Title Composer
Arrangements
1 Canon D dur J. Pachelbel
2 Air On the G String J. S. Bach
3 Jesus, Joy of Man’s Desiring J. S. Bach
4 Twinkle, Twinkle, Little Star Traditional
5 Piano Sonate op.31-2 “Tempest” 3rd mov. L. v. Beethoven
6 Ode to Joy L. v. Beethoven
7 Wiegenlied op.98-2 F. P. Schubert
8 Grande Valse Brillante F. F. Chopin
9 Polonaise op.53 “Héroïque” F. F. Chopin
10 La Campanella F. Liszt
11 Salut d’amour op.12 E. Elgar
12 From the New World A. Dvořák
13 Sicilienne G. U. Fauré
14 Clair de lune C. A. Debussy
15 Jupiter (The Planets) G. Holst
Duets
16 Menuett (Eine kleine Nachtmusik K.525) W. A. Mozart
17 Menuett G dur L. v. Beethoven
18 Marcia alla Turca L. v. Beethoven
19 Piano Concerto No.1 op.11 2nd mov. F. F. Chopin
20 The Nutcracker Medley P. I. Tchaikovsky
Original Compositions
21 Prelude (Wohltemperierte Klavier I No.1) J. S. Bach
22 Menuett G dur BWV Anh.114 J. S. Bach
23 Piano Sonate No.15 K.545 1st mov. W. A. Mozart
24 Turkish March W. A. Mozart
25 Piano Sonate op.13 “Pathétique” 2nd mov. L. v. Beethoven
26 Für Elise L. v. Beethoven
27 Piano Sonate op.27-2 “Mondschein” 1st mov. L. v. Beethoven
28 Impromptu op.90-2 F. P. Schubert
29 Frühlingslied op.62-6 J. L. F.
Mendelssohn
30 Fantaisie-Impromptu F. F. Chopin
31 Etude op.10-3 “Chanson de l’adieu” F. F. Chopin
32 Etude op.10-12 “Revolutionary” F. F. Chopin
33 Valse op.64-1 “Petit chien” F. F. Chopin
34 Nocturne op.9-2 F. F. Chopin
35 Nocturne KK4a-16/BI 49 [Posth.] F. F. Chopin
36 Träumerei R. Schumann
37 Barcarolle P. I. Tchaikovsky
38 La prière d’une Vierge T. Badarzewska
39 Liebesträume No.3 F. Liszt
40 Blumenlied G. Lange
41 Humoresque A. Dvořák
42 Arietta E. H. Grieg
43 Tango (España) I. Albéniz
44 The Entertainer S. Joplin
45 Maple Leaf Rag S. Joplin
46 La Fille aux Cheveux de Lin C. A. Debussy
47 Arabesque No.1 C. A. Debussy
48 Cakewalk C. A. Debussy
49 Je te veux E. Satie
50 Gymnopédies No.1 E. Satie
Album Title No. /Song Title Composer
Vorschule im
Klavierspiel op.101
1106 F. Beyer
25 Etudes faciles et
progressives op.100
1 La candeur J. F.
Burgmüller
2 Arabesque
3Pastorale
4 Petite réunion
5 Innocence
6 Progrès
7 Courant limpide
8 La gracieuse
9 La chasse
10 Tendre fleur
11 La bergeronnette
12 Adieu
13 Consolation
14 La styrienne
15 Ballade
16 Douce plainte
17 Babillarde
18 Inquiétude
19 Ave Maria
20 Tarentelle
21 Harmonie des anges
22 Barcarolle
23 Retour
24 L'hirondelle
25 La chevaleresque
100 Übungsstücke
op.139
1100 C. Czerny
30 Etudes de
mécanisme op.849
130 C. Czerny
The Virtuoso Pianist 120
1-Variation. 122
C-L. Hanon
About Duet Songs
The songs listed below are duet songs.
• Nos.16-20 of “50 Classical”
• Nos. 1–11 of the Vorschule im Klavierspiel op.101
of “Lesson Songs” as well as 32–34, 41–44, 63–64,
and 86–87
The right-hand part is for the right hand of the first
player, the left-hand part is for the left hand of the
first player, and Extra part is for the both hands of
the second player.
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CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Rhythm List
Category No. Name
Pops&Rock 1 8Beat
2 16Beat
3 Shuffle1
4 Shuffle2
5 Shuffle3
6 Gospel
7 8BeatBallad
8 6-8SlowRock
Jazz 9 FastJazz
10 SlowJazz
11 Swing
12 JazzWaltz
Latin 13 Samba
14 BossaNova
15 Rumba
16 Salsa
Kids&Holiday 17 KidsPop
18 6-8March
19 ChristmasSwing
20 Christmas3-4
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Message List
Some message display remains open. In this case, press the [EXIT] button to close message display.
Message Meaning
Access error The operation has failed. The following causes can be considered. If the following are not responsible, the
file may be damaged.
The file operation is wrong. Follow the instructions in “Handling Song Files” (page 65) or “Backup”/
“Restore” (pages 104 – 105).
The connected USB flash drive is not compatible with this instrument. For information on compatible USB
flash drive, see page 74.
Bluetooth pairing... The instrument is standing by for Bluetooth pairing. Refer to the instructions on page 78.
Cannot be executed The operation has failed. The following causes can be considered. Solve the causes, and try again.
The file operation you attempted cannot be executed to Preset Songs or an Audio Song. For information
on the limitation of handling Song files, see page 65.
The Song file operation cannot be made to an empty Song file (page 55) or NoSong.
NoSong: This is displayed when you select a folder which does not contain any Songs.
Change to Current Tempo This message indicates that you are applying the current tempo to the selected Song.
Change to Current Voice This message indicates that you are changing the Voice of the Song with the current Voice.
Completed This message indicates that the operation is completed. Go on to the next step.
Completed
Restart now
Restore is completed. The instrument is automatically turned on again.
Convert canceled This message appears when the convert operation is canceled.
Convert completed to USB/
USERFILES/
This message appears when the convert operation to the “USER FILES” folder on a USB flash drive is
completed.
Convert to Audio This message appears during the convert operation.
Copy completed to USB/
USERFILES/
This message appears when the copy operation to the “USER FILES” folder on a USB flash drive is
completed.
Copy completed to User This message appears when the copy operation to the “User” on this instrument is completed.
Device busy The operation, such as converting to the Audio Song or Audio Song playback/recording, has failed. This
message appears when you attempt to use a USB flash drive to which recording/deleting operations are
repeated. Execute the Format operation after making sure there is no important data in the USB flash drive
(page 100), and try again.
Device removed This message appears when the USB flash drive is removed from the instrument.
Duplicate name This message indicates that an identically named file already exists. Rename the file (page 70).
Executing The instrument is executing the operation. Wait until the message disappears, then go on to the next step.
Factory reset executing
Memory Song excluded
The default settings (except the Songs in the “User”) have been restored (page 105).
This message also appears if you press and hold down the C7 key and turn on the power to the instrument.
Factory reset Completed
Restart
Factory reset is completed. The instrument is then restarted.
Incompatible device This message appears when an incompatible USB flash drive is connected. Use a device whose
compatibility has been confirmed by Yamaha (page 74).
Internal hardware error A malfunction has occurred in the instrument. Contact your nearest Yamaha dealer or authorized distributor.
Last power off invalid
Checking memory
This message appears when the power is turned on after turning off the power while handling a Song file
(page 65) or saving a backup file (page 104). The internal memory is being checked while this message
appears. If the internal settings are damaged, they will be reset to the default settings. If the Songs in the
“User” are damaged, they will be deleted.
Maximum no. of devices
exceeded
The number of devices exceed the limitation. Up to two USB devices can be connected simultaneously. For
details, see page 74.
Memory full Since the capacity and the number of files in the “User”/USB flash drive are full, the operation cannot be
completed. Delete some Songs in the “User”/USB flash drive or move Songs to another USB flash drive,
and try again.
Move completed to USB/
USERFILES/
This message appears when the move operation to the “USER FILES” folder on a USB flash drive is
completed.
Move completed to User This message appears when the move operation to “User” on the instrument is completed.
No device A USB flash drive was not connected to the instrument when you attempted to perform a device-related
operation. Connect the device, and try again.
Message List
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No response
from USB device
The instrument cannot communicate with the connected USB device. Redo the connection (page 74). If
you still see this message, the USB device may be damaged.
Please wait The instrument is processing the data. Wait until the message disappears, then go on to the next step.
Protected device This message appears when you attempt a file operation (page 65), record your performance or save the
data on a read-only USB flash drive. Cancel the read-only setting, if possible, and try again. If you still see
this message, the USB flash drive is internally protected (such as commercially available music data). You
cannot make the file operation or record your performance to such a device.
Read-only file You attempted a file operation to a read-only file. Read-only files have handling limitations (page 65), and
cannot be used for editing (page 61). Use a read-only file after overriding the read-only setting.
Remaining space
on drive is low
Since the remaining space on the “User”/USB flash drive is low, delete any unnecessary files (page 67)
before recording.
Same file name exists This message appears to prompt you to confirm if overwriting or not when executing a Copy/Move/
MIDI to Audio operation.
Song error This message appears, if a problem is found with the Song data when you select a Song or while the Song
is playing. In this case, reselect the Song, and try again to play back. If the message still appears, the Song
data may have been damaged.
Song too large The size of Song data (MIDI/Audio) exceeds the limitation. The following causes can be considered.
The Song size you attempt to play back exceeds the limitation. The limitation for playback is approx.
500KB (MIDI), 80 minutes (Audio).
The Song size exceeds the limitation during recording. The limitation for recording is approx. 500KB
(MIDI), 80 minutes (Audio). The recording will end automatically and the recorded data before the end is
saved.
The Song size exceeds the limitation during converting a MIDI Song to an Audio Song. The limitation is 80
minutes (Audio).
System limit This message appears when the number of files exceeds the system limit. The maximum number of files
and folders which can be saved in a folder is 250. Try again after deleting/moving the unnecessary file(s).
This data format is not
supported
This message appears when you attempted to load a Song of unsupported format to this instrument. Refer
to the page 43 about supported Song formats.
Unformatted device This message appears when you attempt to use an unformatted USB flash drive. Format it (page 100), and
try again.
Unsupported device This message appears when an unsupported USB flash drive is connected. Use a device whose
compatibility has been confirmed by Yamaha (page 74).
USB device
overcurrent error
Communication with the USB device has been cut off because of an abnormal power surge to the device.
Disconnect the USB device from the USB [TO DEVICE] terminal and turn the [] (Standby/On) switch of
the instrument standby and on again.
USB hub
hierarchical error
The USB hub is connected in two layers. USB hub use is limited to one layer.
USB power consumption
exceeded
A
bus-powered USB hub is usually recommended. When this message appears, however, use a self-powered
USB hub (with its own power source) and turn the power to on, or use a device whose compatibility
has been
confirmed by Yamaha (page 74).
Wrong device The file operation cannot be made to the connected USB flash drive. The following causes can be
considered.
The USB flash drive in not formatted. Format it (page 100), and try again.
The number of files exceeds the system limit. The maximum number of files and folders which can be
saved in a folder is 250. Try again after deleting/moving the unnecessary file(s).
Wrong name The Song name is not appropriate. This message appears during the “Renaming files” (page 70) operation
because of the following causes. Rename the Song correctly.
No character has been input.
You used a period or space at the beginning/ending of a Song name.
Message Meaning
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Troubleshooting
When a message is displayed, refer to the “Message List” (page 111) for troubleshooting aid.
Problem Possible Cause and Solution
The instrument does not turn
on.
The plugs are not properly connected. Make sure that the DC plug is securely inserted into the DC IN jack on the
instrument, and that the AC plug is securely inserted to the AC outlet (page 15).
A click or pop is heard when
the power is turned on or off.
This is normal when electrical current is being applied to the instrument.
The power is automatically
turned off.
This is normal and due to the Auto Power Off function. If necessary, set the parameter of the Auto Power Off
function (page 101).
The message “USB device
overcurrent error” is shown
and the USB device does not
respond.
Communication with the USB device has been shut down because of the over-current to the USB device.
Disconnect the device from the USB [TO DEVICE] terminal, then turn on the power of the instrument.
Noise is heard from the
speakers or headphones.
The noise may be due to interference caused by the use of a mobile phone in close proximity to the instrument.
Turn off the mobile phone, or use it further away from the instrument.
Noise is heard from the
instrument’s speakers or
headphones when using the
instrument with your smart
device, such as an iPhone/
iPad.
When you use the instrument along with your smart device, we recommend that you set that device’s “Airplane
Mode” to on and then the Wi-Fi/Bluetooth setting to on on your smart device, in order to avoid noise caused by
communication.
The overall volume is low, or
no sound is heard.
The Master Volume is set too low; set it to an appropriate level using the [MASTER VOLUME] slider (page 21).
The volume level for the keyboard performance is set too low. Adjust the volume balance to increase the
keyboard volume via the “Song” menu display: “Volume” “Song - Keyboard” (page 52).
Headphones or adaptor plugs are connected when the Speaker setting is “Normal” (page 100). Disconnect the
headphone plugs and the adaptor plugs.
The Speaker setting is “Off.” Set the Speaker to “Normal” via the “System” menu display: “Utility” “Speaker”
(page 100).
Local Control is “Off.” Set Local Control “On” via the “System” menu display: “MIDI” “Local Control” (page 99).
The speakers do not switch
off when a pair of
headphones is connected to
the [PHONES] jack.
The Speaker setting is “On.” Set the speaker setting to “Normal” via the “System” menu display: “Utility”
“Speaker” (page 100).
Pedals do not function. The pedal cord may not be securely connected to the [PEDAL] jack. Be sure to insert the pedal cord all the way
until the metal part of the cord plug disappears from view (pages 118, 121, 124 or 131).
(CLP-785, CLP-795GP)
The on/off setting of the pedal
connected to the AUX PEDAL
jack is reversed.
Some types of pedals may turn on and off in opposite fashion. Set to the appropriate parameter via the “System”
menu display: “Pedal” “Aux Polarity” (page 98).
The keyboard volume is
lower than the Song playback
volume.
The volume level for the keyboard performance is set too low. Adjust the volume balance to increase the
keyboard volume via the “Song” menu display: “Volume” “Song - Keyboard” (page 52).
The buttons do not respond. While you are using a function, some buttons not used for the function are disabled. If the Song is playing, stop
playback. Otherwise, press the [EXIT] button to return to the Voice or Song display, Then, perform the desired
operation.
Higher or lower notes do not
sound correctly when the
transpose or octave setting is
made.
This instrument can cover the range of C -2 – G8 when you set the transposition or octave. If notes lower than C
-2 are played, the sound is moved one octave higher. If notes higher than G8 are played, the sound is moved
one octave lower.
Performance in Dual/Split/
Duo mode is not recorded, or
part data is lost
unexpectedly.
Switching to Dual/Split/Duo mode in the middle of the Song is not recorded. Also, the recording part for the Voice
2 (Dual mode) or the left Voice (Split/Duo mode) is automatically assigned (page 57). If the assigned part
already has data, the data will be overwritten and deleted when you record.
Depending on the selected
Voice, the keyboard sound in
Duo mode may be output
from only one speaker.
This is because the default pan setting differs depending on the Voice.
Change the settings of “Duo-Type” (page 98) from “Separated” to “Balanced,” or change the “Pan” settings
(page 88).
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*For information on whether Bluetooth functionality is included or not, refer to page 142.
The Song title is not correct. The “Language” setting may be different than that is selected when you named the Song. Also, if the Song was
recorded on another instrument, the title might be displayed incorrectly. Set the “Language” parameter
(page 101) via the “System” menu display: “Utility” “Language” “Song” to change the setting. However, if
the Song was recorded on another instrument, changing the “Language” parameter setting may not resolve the
problem.
Menu display cannot be
called up.
When Song is being played back, menu display other than “Voice” menu and “Song” menu will not appear. Stop
the Song by pressing the [PLAY/PAUSE] button. Also, in the recording ready mode, only “Recording” menu
display will appear.
Rhythm does not start. SynchStart” setting is on. Set “SynchStart” off in the “Metronome/Rhythm” menu display.
Metronome, MIDI Song or
Rhythm goes out of tempo
slightly when you play the
keyboard.
This occurs infrequently when Grand Expression Modeling is set to “Dynamic.”
If this happens, set Grand Expression Modeling to “Static” (page 29).
The contents of the Wireless
LAN is not shown in the
display even though the USB
wireless LAN adaptor is
connected.
Disconnect the USB wireless LAN adaptor and connect it again.
The Bluetooth-equipped
smart device cannot be
paired with nor connected to
the instrument.
Check the Bluetooth function of the smart device is activated. To connect the smart device and the instrument
via Bluetooth, both devices need to be functional.
The smart device and the instrument need to be paired so that the instrument receives audio data from the smart
device via Bluetooth (page 78).
In case there is a device (microwave oven, wireless LAN device, etc.) that outputs signals in the 2.4 GHz
frequency band nearby, move this instrument away from the device that is emitting radio-frequency signals.
Problem Possible Cause and Solution
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Assembling the Clavinova
CAUTION
Assemble the unit on a hard and flat floor with ample space.
Be careful not to confuse parts, and be sure to install all
parts in the correct orientation. Please assemble the unit in
accordance with the sequence given below.
(CLP-785, CLP-775, CLP-745, CLP-735) Assembly should be
carried out by at least two persons.
(CLP-795GP, CLP-765GP) Assembly should be carried out
by at least four persons.
Be sure to use only the included screws of the specified
sizes. Do not use any other screws. Use of incorrect screws
can cause damage or malfunction of the product.
Be sure to tighten all screws upon completing assembly of
the unit.
To disassemble the unit, reverse the assembly sequence
given below. Failure to do so can result in damage to the
instrument or personal injury.
Assembling the Clavinova
After completing the assembly, please
check the following.
Are there any parts left over?
Review the assembly procedure and correct any errors.
Is the instrument clear of doors and other
movable fixtures?
Move the instrument to an appropriate location.
Does the instrument make a rattling noise
when you shake it?
Tighten all screws.
Does the pedal box rattle or give way when you
step on the pedals?
Turn the adjuster so that it is set firmly against the floor.
Are the pedal and power cords inserted
securely into the sockets?
Check the connection.
When Moving the Instrument
After Assembly
CAUTION
When moving the instrument after assembly, always hold
the bottom of the main unit.
Do not hold the key cover or top portion. Improper handling
can result in damage to the instrument or personal injury.
NOTICE
Rotate the adjuster under the pedal until it separates from the floor
surface. Contact with the adjuster can result in damage to the floor
surface.
Transporti ng
If you move to another location, refer to the “Transporting” on
page 133.
Assembly Precautions
Have a Phillips-head (+) screwdriver of the
appropriate size ready.
Reference page
CLP-785 page 116
CLP-775 page 120
CLP-745 page 123
CLP-735 page 123
CLP-795GP page 126
CLP-765GP page 130
CAUTION
If the unit creaks or is otherwise unsteady when you play on the
keyboard, refer to the assembly diagrams and retighten all screws.
785 775 745 735 795GP 765GP
Do not hold here.
Hold here.
Rotate the adjuster under the pedal
until it separates from the floor
surface.
785 775 745 735 795GP 765GP
Do not hold here.
Do not hold here.
Key cover
Top Position
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Remove all parts from the package and make sure
you have all of the items.
The power cord and AC adaptor may not be included, or may look different
from the illustration above, depending on your particular area. Please check
with your Yamaha dealer.
1. Attach E and F to D.
1-1. Remove the twist tie from the folded pedal
cord.
Don’t discard the twist tie, you’ll need it later in
step 6.
1-2. While pushing the lower part of E and F
from the outside, secure D using four 6 ×
20 mm round head screws.
2. Attach B.
2-1. Insert B between E and F as shown in the
illustration.
CLP-785 Assembly
A
B
C
D
FE
Foamed styrol pads
Remove foamed styrol pads from the package, position them on the
floor, then place A on top of them. Position the pads so that they will
not hide the connector panel on the bottom of A.
Connector
panel
Bundled pedal
cord inside
The pedals are covered with vinyl covers when
shipped from the factory. Before starting the
assembly, please make sure to remove the
cover from the damper pedal.
6 × 20 mm round head screws × 4
6 × 20 mm flat head screws × 6
4 × 14 mm round head screws × 10
Power cord
Cord holders × 2
4 × 10 mm thin screws × 2
Headphone hanger
AC adaptor
E
D
F
1-2
1-1
F
E
B
D
D
2-1
2-2
2-2
Proper way
to hold B
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2-2. Align and attach B to the front side of D, E
and F, then align the larger holes on
brackets of B to the screws on D.
2-3. Temporarily secure with six 4 × 14 mm
round head screws.
Insert six screws into the smaller holes on the
brackets.
3. Mount A.
Be sure to place your hands at least 15 cm away from
either end of the main unit when positioning it.
CAUTION
Be extra careful not to drop the main unit or let your fingers
be pinched by it.
Do not hold the main unit in any position other than the
position specified above.
4. Attach A.
4-1. Adjust the position of A so that the left and
right ends of A will project beyond E and F
equally (as seen from the rear).
4-2. Secure A using four 6 × 20 mm flat head
screws from the front.
4-3. Secure A using two 6 × 20 mm flat head
screws from the rear.
4-4. Firmly tighten the screws from the upper
parts you temporarily fastened in previous
step 2-3 above (assembly B).
B
2-3
A
F
E
Align the screw holes.
At least 15 cm
4-3
4-2
A
4-1
4-4
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5. Connect the speaker cord.
5-1. Remove the twist tie attaching the speaker
cord.
5-2. Insert the speaker cord plug into the
connector so that the tab extends toward
the front when viewed from the rear.
6. Connect the pedal cord and AC
adaptor.
6-1. Insert the pedal cord plug into the
[PEDAL] connector.
6-2. Attach the cord holders to the instrument,
then clip the cord into the holders. At this
time, be careful that the pedal cord isn’t
loose between the plug and cord holder.
6-3. Use a twist tie to bundle the pedal cord.
6-4. Connect one end of the power cord to the
AC adaptor.
6-5. Insert the DC plug of the AC adaptor into
the DC IN jack.
7. Attach C.
Insert the pedal cord securely
until the metal part of the
cord plug disappears from
view. Otherwise, the pedal
may not function properly.
6-3
6-2
6-1
6-5
7-1
7-1
F
E
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7-1. Attach the 4 × 14 mm round head screws to
the brackets on the upper side of E and F.
Make sure to leave a slight gap by not fully
tightening the screws.
7-2. Hook C with holes onto the screws attached
in step 7-1.
7-3. Secure the lower part of C using two 4 ×
14 mm round head screws.
7-4. Securely tighten the screws on the upper
part of C.
8. Set the adjuster.
Rotate the adjuster until it comes in firm contact
with the floor surface.
9. Attach the headphone hanger.
Use the two thin screws (4 × 10 mm) to attach the
hanger as shown in the illustration.
7-2
7-3
7-4
F
E
C
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Remove all parts from the package and make sure
you have all of the items.
The power cord and AC adaptor may not be included, or may look different
from the illustration above, depending on your particular area. Please check
with your Yamaha dealer.
1. Attach C to D and E.
1-1. Untie and straighten out the bundled pedal
cord. Do not discard the vinyl tie. You will
need it later in step 5.
1-2. Insert the protrusions into the holes on the
brackets, then attach D and E to C by
tightening the four thick screws (6 × 20 mm).
2. Attach B.
Depending on the model of digital piano you
purchased, the surface color of one side of B may
be different from the other side. If so, position B
so that the side similar in color to D and E faces
the player.
2-1.
Align the screw holes on the upper side of B
with the bracket holes on D and E, then attach
the upper corners of B to D and E by finger-
tightening two thin screws (4 × 12 mm).
CLP-775 Assembly
A
DE
B
C
Foamed styrol pads
Remove foamed styrol pads from the package, position them on the
floor, then place A on top of them. Position the pads so that they will
not block the speaker box on the bottom of A.
Bundled pedal
cord inside
The pedals are covered with vinyl covers
when shipped from the factory. Before
starting the assembly, please make sure to
remove the cover from the damper pedal.
6 × 20 mm thick screws × 10
4 × 12 mm thin screws × 2
4 × 20 mm tapping screws × 4
Power cord
Cord holders × 2
4 × 10 mm thin screws × 2
Headphone hanger
AC adaptor
1-2
1-1
D
D
E
E
C
C
1-2
1-2
2-1, 2-3
2-2
D
B
E
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2-2. Secure the bottom end of B using four
tapping screws (4 × 20 mm).
2-3. Securely tighten the screws on the top of B
that were attached in step 2-1.
3. Mount A.
Be sure to place your hands at least 15 cm away from
either end of the main unit when positioning it.
CAUTION
Be extra careful not to drop the main unit or let your fingers
be pinched by it.
Do not hold the main unit in any position other than the
position specified above.
4. Secure A.
4-1. Adjust the position of A so that the left and
right ends of A will project beyond D and E
equally (as seen from the front).
4-2. Secure A by tightening six thick screws (6 ×
20 mm) from the front.
5. Connect the pedal cord and AC
adaptor.
5-1. Insert the plug of the pedal cord into the
pedal connector.
5-2. Attach the cord holders to the rear panel as
shown, then clip the cord into the holders.
5-3. Use a vinyl tie to take up any slack in the
pedal cord.
5-4. Connect one end of the power cord to the
AC adaptor.
5-5. Insert the DC plug of the AC adaptor into
the DC IN jack.
AA
Align the screw holes.
At least 15 cm
AA
4-2
4-1
AA
Insert the pedal cord securely
until the metal part of the
cord plug disappears from
view. Otherwise, the pedal
may not function properly.
5-15-1
5-3
5-5
5-2
PEDAL
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6. Set the adjuster.
Rotate the adjuster until it comes in firm contact
with the floor surface.
7. Attach the headphone hanger.
Use the two thin screws (4 × 10 mm) to attach the
hanger as shown in the illustration.
Assembling the Clavinova
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Remove all parts from the package and make sure
you have all of the items.
The power cord and AC adaptor may not be included, or may look different
from the illustration above, depending on your particular area. Please check
with your Yamaha dealer.
1. Attach C to D and E.
1-1. Untie and straighten out the bundled pedal
cord. Do not discard the vinyl tie. You will
need it later in step 5.
1-2. Insert the protrusions into the holes on the
brackets, then attach D and E to C by
tightening the four thick screws (6 × 20 mm).
2. Attach B.
Depending on the model of digital piano you
purchased, the surface color of one side of B may
be different from the other side. If so, position B
so that the side similar in color to D and E faces
the player.
CLP-745, CLP-735 Assembly
Foamed styrol pads
Remove foamed styrol pads from the package, position them on
the floor, then place A on top of them. Position the pads so that
they will not hide the connectors on the bottom of A.
Bundled pedal cord inside
6 × 20 mm thick screws × 10
4 × 12 mm thin screws × 2
4 × 20 mm tapping screws × 4
Power cord
Cord holders × 2
4 × 10 mm thin screws × 2
Headphone hanger
AC adaptor
1-2
1-2
1-2
1-1
DD
EE
CC
2-1, 2-3
2-2
D
B
E
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2-1.
Align the screw holes on the upper side of B
with the bracket holes on D and E, then attach
the upper corners of B to D and E by finger-
tightening two thin screws (4 × 12 mm).
2-2. Secure the bottom end of B using four
tapping screws (4 × 20 mm).
2-3. Securely tighten the screws on the top of B
that were attached in step 2-1.
3. Mount A.
Be sure to place your hands at least 15 cm away from
either end of the main unit when positioning it.
CAUTION
Be extra careful not to drop the main unit or let your fingers
be pinched by it.
Do not hold the main unit in any position other than the
position specified above.
4. Secure A.
4-1. Adjust the position of A so that the left and
right ends of A will project beyond D and E
equally (as seen from the front).
4-2. Secure A by tightening six thick screws (6 ×
20 mm) from the front.
5. Connect the pedal cord and AC
adaptor.
A
At least 15 cm
Align the screw holes.
A
4-1
4-2
5-1
5-3
5-2
5-5
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5-1. Insert the plug of the pedal cord into the
pedal connector.
5-2. Attach the cord holders to the rear panel as
shown, then clip the cord into the holders.
5-3. Use a vinyl tie to take up any slack in the
pedal cord.
5-4. Connect one end of the power cord to the
AC adaptor.
5-5. Insert the DC plug of the AC adaptor
into the DC IN jack.
6. Set the adjuster.
Rotate the adjuster until it comes in firm contact
with the floor surface.
7. Attach the headphone hanger.
Use the two thin screws (4 × 10 mm) to attach the
hanger as shown in the illustration.
Insert the pedal cord
securely until the metal part
of the cord plug disappears
from view. Otherwise, the
pedal may not function properly.
PEDAL
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Remove all parts from the package and make sure
you have all of the items.
1. Lean the main unit against the wall
as shown below.
CAUTION
Be careful not to pinch your fingers.
1-1. Spread a large soft cloth, such as a blanket,
as shown to protect the floor and wall
surfaces.
1-2. Lean the main unit against the wall with
the key cover closed and the keyboard side
on the bottom.
CLP-795GP Assembly
Pedal box
Pads
Cord holder
Power cord
Main unit
To prevent damage to the connector panels located at the bottom of main
unit, make sure to place main unit on the Styrofoam pads. Also, make sure
that the pads do not touch the connector panels.
Bundled pedal cord inside.
The pedals are covered with
vinyl covers when shipped from
the factory. Remove the cover
from damper pedal for optimum
use of the GP Responsive
Damper Pedal effect.
Legs
Leg beams
Lyre braces
Headphone hanger
4 × 10 mm thin screws
(2 pcs.)
6 × 20 mm fixing screws
(4 pcs.)
6 × 40 mm fixing screws
(12 pcs.)
4 × 16 mm thin screws
(4 pcs.)
4 × 10 mm thin screws
(12 pcs.)
Connector panel Connector panel
AC adaptor
4 × 10 mm thin screws
(4 pcs.)
Adaptor holders
Incorrect
NOTICE
Do not place the main unit as shown in the illustration here.
Incorrect
Incorrect
The power cord and AC adaptor may not be included, or may look different
from the illustration above, depending on your particular area. Please check
with your Yamaha dealer.
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2. Attach the three legs and three leg
beams.
Refer to the diagram below to verify the
orientation of the legs.
2-1. Install and tighten four screws on each leg,
starting with one of the front legs.
2-2. Slide the leg beams over the legs, and attach
them to each of the legs using four thin
screws (4 × 10 mm).
Make sure that the gradually inclined side of the
leg beams faces the inside of the unit as shown.
3. Attach the lyre braces.
3-1. Attach the lyre braces using the four thin
screws (4 × 16 mm).
4. Raise the unit to the standing
position.
Use the front legs as support to raise the unit.
Rear leg
Front leg
Front leg
6 × 40 mm fixing screws
4 × 10 mm
thin screws
The gradually
inclined side
faces the inside.
3-1
4 × 16 mm
thin screws
Assembling the Clavinova
128
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
5. Install the pedal box.
5-1. Remove the twist tie and tape that affix the
pedal cord to the upper portion of the
pedal box.
5-2. Attach the front side of the pedal box to the
bottom of the unit by finger-tightening the
two fixing screws (6 × 20 mm).
5-3. Insert the lyre braces into the pedal box
recesses and make sure they fit securely.
5-4. Align the cord with the groove on the unit
and attach the backside of the pedal box
using the two fixing screws (6 × 20 mm),
and then securely tighten the two screws of
the front side of the pedal box that were
attached in step 5-2.
5-5. Loosen the four screws that were attached
in step 3, and then securely tighten the four
screws again while pushing the lyre braces
in the direction of arrows as illustrated.
Tape
Twist tie
6 × 20 mm
fixing screws
6 × 20 mm fixing screws
Assembling the Clavinova
129
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
5-6. Insert the pedal cord plug into the pedal
connector. Insert the plug so the arrow side
faces front (toward the keyboard).
If the plug will not go in easily, do not force it.
Double-check the orientation of the plug, then try
again.
5-7. Attach the cord holder to the bottom of the
main unit as shown, then clip the holder
around the cord.
6. Connect the AC adaptor.
6-1. Connect one end of the power cord to the
AC adaptor.
6-2. Insert the DC plug of the AC adaptor into
the DC IN jack.
7. Rotate the adjuster until it comes in
firm contact with the floor surface.
8. Attach the headphone hanger.
Attach the headphone hanger using two thin
screws (4 × 10 mm) as shown in the illustration.
5-6
5-7
Insert the pedal
cord securely
until the metal
part of the cord
plug disappears
from view.
Otherwise, the
pedal may not
function
properly.
4 × 10 mm thin screws
Assembling the Clavinova
130
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
9. If desired, you can attach the AC
adaptor to the bottom of the unit by
using the adaptor holders.
For specific instructions, refer to the leaflet
enclosed with the adaptor holders.
CAUTION
To disassemble the unit, reverse the assembly sequence.
Failure to do so can result in damage to the instrument or
personal injury. In particular, if you lay down the main unit
without detaching the pedal box, the pedals will break.
Remove all parts from the package and make sure
you have all of the items.
AC adaptor
4 × 10 mm
thin screws
CLP-765GP Assembly
Legs Pedal box
6 × 40 mm fixing screws × 12
Cord holder
6 × 20 mm fixing screws × 4
Power cord
Bundled pedal cord inside.
The pedals are covered with
vinyl covers when shipped from
the factory. Before starting the
assembly, please make sure to
remove the cover from the
damper pedal.
Connector panel
Main unit
To prevent damage to the connector panels located at the bottom of main
unit, make sure to place main unit on the Styrofoam pads. Also, make sure
that the pads do not touch the connector panels.
Headphone hanger
4 × 10 mm thin screws × 2
AC adaptor
4 × 10 mm thin screws × 4
Adaptor holders
Pads
The power cord and AC adaptor may not be included, or may look different
from the illustration above, depending on your particular area. Please check
with your Yamaha dealer.
Assembling the Clavinova
131
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
1. Lean the unit against the wall as
shown below.
CAUTION
Be careful not to pinch your fingers.
1-1. Spread a large soft cloth, such as a blanket,
as shown to protect the floor and wall
surfaces.
1-2. Lean the main unit against the wall with
the key cover closed and the keyboard side
on the bottom.
2. Attach two front legs and a rear leg.
Refer to the diagram below to verify the
orientation of the legs.
2-1. Install and tighten four screws on each leg,
starting with one of the front legs.
3. Install the pedal box.
3-1. Remove the twist tie that affixes the pedal
cord to the upper portion of the pedal box.
Be sure to position the
keyboard side on the bottom.
Incorrect
NOTICE
Do not place the main unit as shown in the illustration here.
Incorrect
Incorrect
Rear leg
Front leg Front leg
6 × 40 mm fixing screws
Twist tieTape
Assembling the Clavinova
132
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
3-2. Align the cord with the groove on the unit,
and attach the pedal box using four screws.
3-3. Insert the pedal cord plug into the pedal
connector. Insert the plug so the arrow side
faces front (toward the keyboard). If the
plug will not go in easily, do not force it.
Double-check the orientation of the plug,
then try again.
Insert the pedal cord securely until the metal part
of the cord plug disappears from view. Otherwise,
the pedal may not function properly.
3-4. Attach the cord holder to the bottom of the
main unit as shown, then clip the holder
around the cord.
4. Raise the unit to the standing
position.
Use the front legs as support to raise the unit.
CAUTION
Be careful not to pinch your fingers. When you raise the unit,
do not hold the key cover.
5. Connect the AC adaptor.
5-1. Connect one end of the power cord to the
AC adaptor.
5-2. Insert the DC plug of the AC adaptor into
the DC IN jack.
6 × 20 mm fixing screws
3-3
3-4
Assembling the Clavinova
133
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
6. Rotate the adjuster until it comes in
firm contact with the floor surface.
7. Attach the headphone hanger.
Attach the headphone hanger using two thin
screws (4 x10 mm) as shown in the illustration.
8. If desired, you can attach the AC
adaptor to the bottom of the unit by
using the adaptor holders.
For specific instructions, refer to the leaflet
enclosed with the adaptor holders.
4 × 10 mm thin screws
Tran sp or ting
If you move to another location, you can transport
the instrument along with other belongings. You can
move the unit as it is (assembled) or you can
disassemble the unit down to the condition it was in
when you first took it out of the box. Transport the
keyboard horizontally. Do not lean it up against a
wall or stand it up on its side. Do not subject the
instrument to excessive vibration or shock. When
transporting the assembled instrument, make sure all
screws are properly tightened and have not been
loosened by moving the instrument.
AC adaptor
4 × 10 mm
thin screws
134
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Specifications
Specifications (CLP-785, CLP-775, CLP-745, CLP-735)
Refer to page 137 for specifications of the CLP-795GP and CLP-765GP.
Items CLP-785 CLP-775 CLP-745 CLP-735
Product Name
Digital Piano
Size/Weight
Width
[For models with polished finish]
1461 mm (57-1/2")
[1467 mm (57-3/4")]
1461 mm (57-1/2")
[1466 mm (57-11/16")]
Height
[For models with
polished finish]
With music rest closed
1027 mm (40-7/16")
[1029 mm (40-1/2")]
967 mm (38-1/16")
[970 mm (38-3/16")]
927 mm (36-1/2")
[930 mm (36-5/8")]
With music rest raised
1136 mm (44-3/4")
[1137 mm (44-3/4")]
1096 mm (43-1/8")
[1097 mm (43-3/16")]
1081 mm (42-9/16")
[1082 mm (42-5/8")]
Depth
[For models with polished finish]
476 mm (18-3/4")
[477 mm (18-3/4")]
465 mm (18-5/16")
[465 mm (18-5/16")]
459 mm (18-1/16")
[459 mm (18-1/16")]
Weight
[For models with polished finish]
84 kg (185 lb, 3 oz)
[87 kg (191 lb, 13 oz)]
71 kg (156 lb, 8 oz)
[74 kg (163 lb, 2 oz)]
60 kg (132 lb, 4 oz)
[63 kg (138 lb, 14 oz)]
57 kg (125 lb, 11 oz)
[60 kg (132 lb, 4 oz)]
Control
Interface
Keyboard Number of Keys
88
Type
GrandTouch Keyboard: wooden keys (white
only), synthetic ebony and ivory key tops,
escapement
GrandTouch-S
Keyboard: wooden
keys (white only),
synthetic ebony and
ivory key tops,
escapement
GrandTouch-S
Keyboard: synthetic
ebony and ivory key
tops, escapement
88-key Linear Graded
Hammers
Yes
Counter weight
Yes
Touch Response
Hard2/Hard1/Medium/Soft1/Soft2/Fixed
Pedal Number of Pedals
3: Damper (with Half-pedal function), Sostenuto, Soft
Assignable Functions
Sustain (Switch), Sustain Continuously, Sostenuto, Soft, Pitch Bend Up, Pitch Bend Down,
Rotary Speed, Vibe Rotor, Song Play/Pause
GP Response Damper
Pedal
Yes
Display Type
Full Dots LCD
Size
128 × 64 dots
Language
English, Japanese
Panel Type
Touch sensors Buttons
Language
English
Cabinet
Key Cover Style
Folding Sliding
Music Rest
Yes
Music Braces
Yes
Voices
Tone Generation Piano Sound
Yamaha CFX, Bösendorfer Imperial
Binaural Sampling
Yes (“CFX Grand” and “Bösendorfer” only)
Piano Effects VRM
Yes
Grand Expression
Modeling
Yes
Key-off Samples
Yes
Smooth Release
Yes
Polyphony (max.)
256
Preset Number of Voices
53 Voices +
14 Drum/SFX Kits +
480 XG Voices
38 Voices
Compatibility
XG (GM), GS (for
Song playback), GM2
(for Song playback)
Effects
Types Reverb
6 types
Chorus
3 types
Brilliance
7 types + User
Effect
12 types
Specifications
135
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Effects
Types Intelligent Acoustic
Control (IAC)
Yes
Stereophonic Optimizer
Yes
Functions Dual
Yes
Split
Yes
Duo
Yes
Songs (MIDI)
Preset Number of
Preset Songs
25 Voice Demo
Songs + 50 Classics
+ 303 Lesson Songs
21 Voice Demo Songs + 50 Classics + 303 Lesson Songs
Recording Number of Songs
250
Number of Tracks
16
Data Capacity
Approx. 500 KB/Song
Playback Data Capacity
Approx. 500 KB/Song
Format Playback
SMF (Format 0, Format 1)
Recording
SMF (Format 0)
Songs (Audio)
Recording Time (max.)
80 minutes/Song
Format Playback
.wav (44.1 kHz sample rate, 16-bit resolution, stereo)
Recording
.wav (44.1 kHz sample rate, 16-bit resolution, stereo)
Functions
Rhythms Number of Rhythms
20
Overall Controls Metronome
Yes
Tempo Range
5 – 500
Transpose
-12 – 0 – +12
Tuning
414.8 – 440.0 – 466.8 Hz (approx. 0.2 Hz increments)
Scale Type
7 types
USB audio interface
44.1 kHz, 24 bit, stereo
Miscellaneous Piano Room
Yes
Bluetooth
(May not have
this functionality
depending on
the country in
which you
purchased the
product.)
Audio Supported profile
A2DP
Compatible codec
SBC
MIDI
Comply with Bluetooth Low Energy MIDI Specification
Bluetooth version
4.2
Wireless output
Bluetooth Class 2
Maximum communication distance
Approx. 10 m
Radio Frequency (Operational Frequency)
2402 – 2480 MHz
Maximum output power (EIRP)
4 dBm
Type of modulation
FHSS
Storage and
Connectivity
Storage Internal Memory
Total maximum size approx. 1.4 MB
External Drives
USB flash drive
Connectivity DC IN
24 V 16 V
Headphones
Standard stereo phone jack (× 2)
MIDI
[IN] [OUT] [THRU]
AUX IN
Stereo Mini
AUX OUT
[L/L+R] [R]
AUX PEDAL
Yes
USB TO DEVICE
Yes
USB TO HOST
Yes
Sound System
Amplifiers
(50 W + 50 W + 50 W)
× 2
(50 W + 50 W + 42 W)
× 2
(50 W + 50 W) × 2 30 W × 2
Speakers
(16 cm + 8 cm + 2.5
cm (dome) +
transducer) × 2,
Spruce Cone
Speaker
(16 cm + 8 cm + 5 cm
+ transducer) × 2
(16 cm + 8 cm) × 2 16 cm × 2
Items CLP-785 CLP-775 CLP-745 CLP-735
Specifications
136
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
*The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha website then download
the manual file. Since specifications, equipment or separately sold accessories may not be the same in every locale, please check with your Yamaha dealer.
Power Supply
AC Adaptor
PA-500 PA-300C
Power Consumption
60 W
(When using
PA-500 AC adaptor)
50 W
(When using
PA-500 AC adaptor)
40 W
(When using
PA-500 AC adaptor)
18 W
(When using
PA-300C AC adaptor)
Auto Power Off
Yes
Included Accessories
Owner’s Manual
Warranty*
“50 Classical Music Masterpieces” Music Book
Online Member Product Registration
Bench*
(CLP-785, CLP-775, CLP-745) Power cord*/AC adaptor* PA-500
(CLP-735) Power cord*/AC adaptor* PA-300C
*May not be included depending on your area. Check with your Yamaha dealer.
Separately Sold Accessories
(May not be available depending on your area.)
Headphones HPH-150, HPH-100, HPH-50
(CLP-785) Footswitches FC4A, FC5
(CLP-785) Foot controller FC7
(CLP-785, CLP-775, CLP-745) AC adaptor PA-500
(CLP-735) AC adaptor PA-300C
USB Wireless LAN Adaptor UD-WL01
Wireless MIDI Adaptor MD-BT01, UD-BT01
Items CLP-785 CLP-775 CLP-745 CLP-735
Specifications
137
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Specifications (CLP-795GP, CLP-765GP)
Refer to page 134 for specifications of the CLP-785, CLP-775, CLP-745 and CLP-735.
Items CLP-795GP CLP-765GP
Product Name
Digital Piano
Size/Weight
Width
1430 mm (56-5/16")
Height With music rest closed
932 mm (36-11/16")
With music rest raised
1103 mm (43-7/16")
Height with lid up
1577 mm (62-1/16") 1400 mm (55-1/8")
Depth
1237 mm (48-11/16") 1147 mm (45-3/16")
Weight
126 kg (277 lb, 13 oz) 106 kg (233 lb, 11 oz)
Control
Interface
Keyboard Number of Keys
88
Type
GrandTouch Keyboard: wooden keys (white
only), synthetic ebony and ivory key tops,
escapement
GrandTouch-S Keyboard: synthetic ebony
and ivory key tops, escapement
88-key Linear Graded
Hammers
Yes
Counter weight
Yes
Touch Response
Hard2/Hard1/Medium/Soft1/Soft2/Fixed
Pedal Number of Pedals
3: Damper (with Half-pedal function), Sostenuto, Soft
Assignable Functions
Sustain (Switch), Sustain Continuously, Sostenute, Soft, Pitch Bend Up, Pitch Bend Down,
Rotary Speed, Vibe Rotor, Song Play/Pause
GP Response Damper
Pedal
Yes
Display Type
Full Dots LCD
Size
128 × 64 dots
Language
English, Japanese
Panel Type
Touch sensors Buttons
Language
English
Cabinet
Key Cover Style
Sliding
Music Rest
Yes
Music Braces
Yes
Voices
Tone Generation Piano Sound
Yamaha CFX, Bösendorfer Imperial
Binaural Sampling
Yes (“CFX Grand” and “Bösendorfer” only)
Piano Effect VRM
Yes
Grand Expression
Modeling
Yes
Key-off Samples
Yes
Smooth Release
Yes
Polyphony (max.)
256
Preset Number of Voices
53 Voices + 14 Drum/SFX Kits
+ 480 XG Voices
38 Voices
Compatibility
XG (GM), GS (for Song playback),
GM2 (for Song playback)
Effects
Types Reverb
6 types
Chorus
3 types
Brilliance
7 types + User
Effect
12 types
Intelligent Acoustic
Control (IAC)
Yes
Stereophonic Optimizer
Yes
Functions Dual
Yes
Split
Yes
Duo
Yes
Specifications
138
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Songs (MIDI)
Preset Number of
Preset Songs
25 Voice Demo Songs + 50 Classics
+ 303 Lesson Songs
21 Voice Demo Songs + 50 Classics
+ 303 Lesson Songs
Recording Number of Songs
250
Number of Tracks
16
Data Capacity
Approx. 500 KB/Song
Playback Data Capacity
Approx. 500 KB/Song
Format Playback
SMF (Format 0, Format 1)
Recording
SMF (Format 0)
Songs (Audio)
Recording Time (max.)
80 minutes/Song
Format Playback
.wav (44.1 kHz sample rate, 16-bit resolution, stereo)
Recording
.wav (44.1 kHz sample rate, 16-bit resolution, stereo)
Functions
Rhythms Number of Rhythms
20
Overall Controls Metronome
Yes
Tempo Range
5 – 500
Transpose
-12 – 0 – +12
Tuning
414.8 – 440.0 – 466.8 Hz (approx. 0.2 Hz increments)
Scale Type
7 types
USB audio interface
44.1 kHz, 24 bit, stereo
Miscellaneous Piano Room
Yes
Bluetooth
(May not have
this functionality
depending on
the country in
which you
purchased the
product.)
Audio Supported profile
A2DP
Compatible codec
SBC
MIDI
Comply with Bluetooth Low Energy MIDI Specification
Bluetooth version
4.2
Wireless output
Bluetooth Class 2
Maximum communication distance
Approx. 10 m
Radio Frequency (Operational Frequency)
2402 – 2480 MHz
Maximum output power (EIRP)
4 dBm
Type of modulation
FHSS
Storage and
Connectivity
Storage Internal Memory
Total maximum size approx. 1.4 MB
External Drives
USB flash drive
Connectivity DC IN
24 V
Headphones
Standard stereo phone jack (× 2)
MIDI
[IN] [OUT] [THRU]
AUX IN
Stereo Mini
AUX OUT
[L/L+R] [R]
AUX PEDAL
Yes
USB TO DEVICE
Yes
USB TO HOST
Yes
Sound System
Amplifiers
(50 W + 50 W + 50 W) × 2 (50 W + 42 W) × 2
Speakers
(16 cm + 8 cm + 2.5 cm (dome) + transducer)
× 2, Spruce Cone Speaker
(16 cm + 5 cm) × 2
Power Supply
AC Adaptor
PA-500
Power Consumption
60 W
(When using PA-500 AC adaptor)
30 W
(When using PA-500 AC adaptor)
Auto Power Off
Yes
Included Accessories
Owner’s Manual
Warranty*
“50 Classical Music Masterpieces” Music Book
Online Member Product Registration
Bench*
Power cord*/AC adaptor* PA-500
*May not be included depending on your area. Check with your Yamaha dealer.
Items CLP-795GP CLP-765GP
Specifications
139
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
*The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha website then download
the manual file. Since specifications, equipment or separately sold accessories may not be the same in every locale, please check with your Yamaha dealer.
Separately Sold Accessories
(May not be available depending on your area.)
Headphones HPH-150, HPH-100, HPH-50
(CLP-795GP) Footswitches FC4A, FC5
(CLP-795GP) Foot controller FC7
AC adaptor PA-500
USB Wireless LAN Adaptor UD-WL01
Wireless MIDI Adaptor MD-BT01, UD-BT01
Items CLP-795GP CLP-765GP
140
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Index
Numerics
50 Classical ............................................................... 44, 109
A
AB Repeat ..........................................................................50
AC adaptor ........................................................................15
Accesspoint Mode ................................................... 84, 103
Assembly .........................................................................115
Audio Loopback ...................................................... 76, 101
Audio Recording ..............................................................54
Audio Song ........................................................................43
Auto Backlight Off .........................................................101
Auto Power Off ....................................................... 17, 101
Aux Assign ........................................................................98
B
Backup .............................................................................104
Backup Setting ................................................................104
Bass .....................................................................................95
Bell ......................................................................................95
Binaural Sampling ............................................................22
Bluetooth ......................................................78, 80, 97, 142
Body Resonance (Res.) ....................................................28
Brightness ..........................................................................28
Brilliance ............................................................................33
C
Chorus ...............................................................................34
Chorus Type List ..............................................................90
Computer ..........................................................................76
Computer-related Operations ..........................................8
Connectors ........................................................................71
Contrast ...........................................................................101
Convert ..............................................................................69
Copy ...................................................................................68
D
Damper Noise ............................................................ 28, 29
Damper pedal ...................................................................23
Damper Resonance (Res.) ...............................................28
Data List ..............................................................................8
Delete .................................................................................67
Demo .................................................................................32
Detailed Settings ...............................................................86
Dual ....................................................................................35
Dual/Split ..........................................................................37
Duo .....................................................................................38
Duplex Scale ......................................................................29
Duplex Scale Resonance (Res.) .......................................28
E
Edit (Song) ........................................................................93
Edit (Voice) .......................................................................88
Effect ..................................................................................34
Effect Depth ......................................................................88
Effect Type List .................................................................90
Ending ...............................................................................42
EQ ......................................................................................34
F
Factory Reset ...................................................................105
Fast forward ......................................................................46
File Operation ...................................................................65
Format (Song) ..................................................................43
Format (USB flash drive) ..............................................100
G
GP Response Damper Pedal ...........................................23
Grand Expression ............................................................29
Grand Expression Modeling ..........................................29
H
Half Pedal Point .........................................................29, 98
Half-pedal .........................................................................23
Headphones ......................................................................21
I
Infrastructure Mode ......................................................103
Initial Setup .....................................................................100
Intelligent Acoustic Control (IAC) ...............................21
Intro ...................................................................................42
K
Key cover .....................................................................15, 17
L
Language .........................................................................101
Lesson ....................................................................... 44, 109
Lid ......................................................................................20
Lid Position .......................................................................28
Local Control ....................................................................99
M
Master Tune ......................................................................28
MASTER VOLUME ........................................................21
Message List ....................................................................111
Metronome .......................................................................39
Metronome/Rhythm menu ............................................95
MIDI ..................................................................................99
141
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
Index
MIDI Recording ...............................................................54
MIDI Reference ..................................................................8
MIDI Song ........................................................................43
MIDI to Audio ..................................................................69
Move ..................................................................................68
Music Rest .........................................................................18
N
Network .............................................................................81
O
Octave ................................................................................88
P
Paring .................................................................................78
Part Cancel ........................................................................48
Pedal ............................................................................ 23, 98
Pedal Function List ..........................................................91
Piano Room ......................................................................27
Piano Setting .....................................................................87
Pitch Bend .........................................................................98
Playback (Rhythm) ..........................................................42
Playback (Song) ................................................................44
Power .................................................................................15
Preset Voice List .............................................................106
R
Recording ..........................................................................54
Recording menu ...............................................................96
Rename ..............................................................................70
Repeat ................................................................................49
Restore .............................................................................105
Reverb ................................................................... 28, 34, 87
Reverb Type List ...............................................................90
Rewind ...............................................................................46
Rhythm ..............................................................................42
Rhythm List .....................................................................110
S
Save (Backup file) ...........................................................104
Scale Tune .........................................................................97
Smart Device .....................................................................77
Smart Device Connection Manual ..................................8
Smart Pianist .......................................................................8
Soft pedal ...........................................................................23
Song ....................................................................................43
Song category ....................................................................44
Song List ..........................................................................109
Song menu ........................................................................92
Song Repeat .......................................................................51
Sostenuto pedal ................................................................23
Sound .................................................................................98
Speaker ............................................................................100
Split ....................................................................................36
Split Point ..........................................................................36
Stereophonic Optimizer ..................................................22
String Resonance (Res.) ..................................................28
System menu .....................................................................97
T
Tempo ................................................................................39
Tempo (Song) ...................................................................47
Time signature ..................................................................40
Touch ...........................................................................28, 97
Touch Panel Sound ........................................................101
Track ..................................................................................57
Transpose (Keyboard) .....................................................87
Transpose (Song) .............................................................92
Troubleshooting .............................................................113
Tuning ...............................................................................97
U
USB Audio Interface ........................................................76
USB Autoload .................................................................100
USB flash drive .................................................................74
USB Format ....................................................................100
USB Properties ...............................................................100
User ....................................................................................44
Utility ...............................................................................100
V
Version ............................................................................101
Voice ..................................................................................30
Voice Demo Song List ...................................................108
Voice Edit ..........................................................................88
Voice List .........................................................................106
Voice menu .......................................................................87
Volume ..............................................................................21
Volume (Audio Song) .....................................................52
Volume (Metronome) .....................................................95
Volume (MIDI Song) ......................................................52
Volume balance ................................................................52
VRM .............................................................................28, 29
W
Wireless LAN .......................................................... 81, 102
Wireless LAN Option ....................................................103
WPS ...................................................................................82
X
XG ................................................................................30, 31
142
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
About
Bluetooth
Bluetooth is a technology for wireless communication between devices within an area of about 10 meters
(33 ft.) employing the 2.4 GHz frequency band.
Handling Bluetooth communications
The 2.4 GHz band used by Bluetooth compatible devices is a radio band shared by many types of
equipment. While Bluetooth compatible devices use a technology minimizing the influence of other
components using the same radio band, such influence may reduce the speed or distance of
communications and in some cases interrupt communications.
The speed of signal transfer and the distance at which communication is possible differs according to the
distance between the communicating devices, the presence of obstacles, radio wave conditions and the
type of equipment.
Yamaha does not guarantee all wireless connections between this unit and devices compatible with
Bluetooth function.
Bluetooth capability
The models CLP-785, CLP-775, CLP-745, CLP-795GP and CLP-765GP are equipped with Bluetooth functionality;
however, even these models may not support Bluetooth, depending on the country in which you purchased the
product. If the Bluetooth logo is shown or printed on the control panel, this means that the product is equipped with
Bluetooth functionality.
785 775 745795GP 765GP
Bluetooth
logo
Bluetooth
logo
143
MEMO
CLP-785, CLP-775, CLP-745, CLP-735, CLP-795GP, CLP-765GP Owner’s Manual
144
For models equipped with Bluetooth /
Pour les modèles équipés de la fonctionnalité Bluetooth
For U.S.A.
For CANADA
This transmitter must not be co-located or operated in conjunction with any other antenna or transmitter.
This equipment complies with FCC radiation exposure limits set forth for an uncontrolled environment and meets the
FCC radio frequency (RF) Exposure Guidelines. This equipment has very low levels of RF energy that is deemed to
comply without testing of specific absorption rate (SAR).
This equipment complies with IC radiation exposure limits set forth for an uncontrolled environment and meets RSS-
102 of the IC radio frequency (RF) Exposure rules. This equipment has very low levels of RF energy that is deemed
to comply without testing of specific absorption rate (SAR).
Cet équipement est conforme aux limites d’exposition aux rayonnements énoncées pour un environnement non
contrôlé et respecte les règles d’exposition aux fréquences radioélectriques (RF) CNR-102 de l’IC. Cet équipement
émet une énergie RF très faible qui est
considérée comme conf
orme sans évaluation dubit
d’absorption spécifique (DAS).
This device complies with Industry Canada’s licence-exempt RSSs. Operation is subject to the following two
conditions:
(1) This device may not cause interference; and
(2) This device must accept any interference, including interference that may cause undesired operation of the
device.
Le présent appareil est conforme aux CNR d’Industrie Canada applicables aux appareils radio exempts de licence.
L’exploitation est autorisée aux deux conditions suivantes :
(1) l’appareil ne doit pas produire de brouillage;
(2) l’utilisateur de l’appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est susceptible
d’en compro
mettre le fonctionnement.
145
For EU countries
BG Bulgarian
ОПРОСТЕНА ЕС ДЕКЛАРАЦИЯ ЗА СЪОТВЕТСТВИЕ
С настоящото Yamaha Music Europe GmbH декларира, че този тип радиосъоръжение
[CLP-785, CLP-775, CLP-745, CLP-795GP, CLP-765GP] е в съответствие с Директива
2014/53/ЕС. Цялостният текст на ЕС декларацията за съответствие може да се
намери на следния интернет адрес:
https://europe.yamaha.com/en/support/compliance/doc.html
ES Spanish
DECLARACIÓN UE DE CONFORMIDAD SIMPLIFICADA
Por la presente, Yamaha Music Europe GmbH declara que el tipo de equipo radioeléctrico
[CLP-785, CLP-775, CLP-745, CLP-795GP, CLP-765GP] es conforme con la Directiva
2014/53/UE. El texto completo de la declaración UE de conformidad está disponible en la
dirección Internet siguiente:
https://europe.yamaha.com/en/support/compliance/doc.html
CS Czech
ZJEDNODUŠENÉ EU PROHLÁŠENÍ O SHODĚ
Tímto Yamaha Music Europe GmbH prohlašuje, že typ rádiového zařízení [CLP-
785, CLP-775, CLP-745, CLP-795GP, CLP-765GP] je v souladu se směrnicí 2014/
53/EU. Úplné znění EU prohlášení o shodě je k dispozici na této internetové adrese:
https://europe.yamaha.com/en/support/compliance/doc.html
DA Danish
FORENKLET EU-OVERENSSTEMMELSESERKLÆRING
Hermed erklærer Yamaha Music Europe GmbH, at radioudstyrstypen [CLP-785, CLP-775,
CLP-745, CLP-795GP, CLP-765GP] er i overensstemmelse med direktiv 2014/53/EU. EU-
overensstemmelseserklæringens fulde tekst kan findes på følgende internetadresse:
https://europe.yamaha.com/en/support/compliance/doc.html
DE German
VEREINFACHTE EU-KONFORMITÄTSERKLÄRUNG
Hiermit erklärt Yamaha Music Europe GmbH, dass der Funkanlagentyp [CLP-785, CLP-
775, CLP-745, CLP-795GP, CLP-765GP] der Richtlinie 2014/53/EU entspricht. Der
vollständige Text der EU-Konformitätserklärung ist unter der folgenden Internetadresse
verfügbar:
https://europe.yamaha.com/en/support/compliance/doc.html
ET Estonian
LIHTSUSTATUD ELI VASTAVUSDEKLARATSIOON
Käesolevaga deklareerib Yamaha Music Europe GmbH, et käesolev raadioseadme tüüp
[CLP-785, CLP-775, CLP-745, CLP-795GP, CLP-765GP] vastab direktiivi 2014/53/EL
nõuetele. ELi vastavusdeklaratsiooni täielik tekst on kättesaadav järgmisel internetiaad-
ressil:
https://europe.yamaha.com/en/support/compliance/doc.html
EL Greek
ΑΠΛΟΥΣΤΕΥΜΕΝΗ ΔΗΛΩΣΗ ΣΥΜΜΟΡΦΩΣΗΣ ΕΕ
Με την παρούσα ο/η Yamaha Music Europe GmbH, δηλώνει ότι ο ραδιοεξοπλισμός [CLP-
785, CLP-775, CLP-745, CLP-795GP, CLP-765GP] πληροί την οδηγία 2014/53/ΕΕ. Το
πλήρες κείμενο της δήλωσης συμμόρφωσης ΕΕ διατίθεται στην ακόλουθη ιστοσελίδα στο
διαδίκτυο:
https://europe.yamaha.com/en/support/compliance/doc.html
EN English
SIMPLIFIED EU DECLARATION OF CONFORMITY
Hereby, Yamaha Music Europe GmbH declares that the radio equipment type [CLP-785,
CLP-775, CLP-745, CLP-795GP, CLP-765GP] is in compliance with Directive 2014/53/EU.
The full text of the EU declaration of conformity is available at the following internet
address:
https://europe.yamaha.com/en/support/compliance/doc.html
FR French
DECLARATION UE DE CONFORMITE SIMPLIFIEE
Le soussigné, Yamaha Music Europe GmbH, déclare que l'équipement radioélectrique du
type [CLP-785, CLP-775, CLP-745, CLP-795GP, CLP-765GP] est conforme à la directive
2014/53/UE. Le texte complet de la déclaration UE de conformité est disponible à l'adresse
internet suivante:
https://europe.yamaha.com/en/support/compliance/doc.html
HR Croatian
POJEDNOSTAVLJENA EU IZJAVA O SUKLADNOSTI
Yamaha Music Europe GmbH ovime izjavljuje da je radijska oprema tipa [CLP-785,
CLP-775, CLP-745, CLP-795GP, CLP-765GP] u skladu s Direktivom 2014/53/EU.
Cjeloviti tekst EU izjave o sukladnosti dostupan je na sljedećoj internetskoj adresi:
https://europe.yamaha.com/en/support/compliance/doc.html
IT Italian
DICHIARAZIONE DI CONFORMITÀ UE SEMPLIFICATA
Il fabbricante, Yamaha Music Europe GmbH, dichiara che il tipo di apparecchiatura radio
[CLP-785, CLP-775, CLP-745, CLP-795GP, CLP-765GP] è conforme alla direttiva 2014/
53/UE. Il testo completo della dichiarazione di conformità UE è disponibile al seguente indi-
rizzo Internet:
https://europe.yamaha.com/en/support/compliance/doc.html
LV Latvian
VIENKĀRŠOTA ES ATBILSTĪBAS DEKLARĀCIJA
Ar šo Yamaha Music Europe GmbH deklarē, ka radioiekārta [CLP-785, CLP-775, CLP-745,
CLP-795GP, CLP-765GP] atbilst Direktīvai 2014/53/ES. Pilns ES atbilstības deklarācijas
teksts ir pieejams šādā interneta vietnē:
https://europe.yamaha.com/en/support/compliance/doc.html
LT Lithuanian
SUPAPRASTINTA ES ATITIKTIES DEKLARACIJA
Aš, Yamaha Music Europe GmbH, patvirtinu, kad radijo įrenginių tipas [CLP-785,
CLP-775, CLP-745, CLP-795GP, CLP-765GP] atitinka Direktyvą 2014/53/ES. Visas
ES atitikties deklaracijos tekstas prieinamas šiuo interneto adresu:
https://europe.yamaha.com/en/support/compliance/doc.html
HU Hungarian
EGYSZERŰSÍTETT EU-MEGFELELŐSÉGI NYILATKOZAT
Yamaha Music Europe GmbH igazolja, hogy a [CLP-785, CLP-775, CLP-745, CLP-
795GP, CLP-765GP] típusú rádióberendezés megfelel a 2014/53/EU irányelvnek. Az
EU-megfelelőségi nyilatkozat teljes szövege elérhető a következő internetes címen:
https://europe.yamaha.com/en/support/compliance/doc.html
NL Dutch
VEREENVOUDIGDE EU-CONFORMITEITSVERKLARING
Hierbij verklaar ik, Yamaha Music Europe GmbH, dat het type radioapparatuur [CLP-785,
CLP-775, CLP-745, CLP-795GP, CLP-765GP] conform is met Richtlijn 2014/53/EU. De
volledige tekst van de EU-conformiteitsverklaring kan worden geraadpleegd op het vol-
gende internetadres:
https://europe.yamaha.com/en/support/compliance/doc.html
PL Polish
UPROSZCZONA DEKLARACJA ZGODNOŚCI UE
Yamaha Music Europe GmbH niniejszym oświadcza, że typ urządzenia radiowego [CLP-
785, CLP-775, CLP-745, CLP-795GP, CLP-765GP] jest zgodny z dyrektywą 2014/53/UE.
Pełny tekst deklaracji zgodności UE jest dostępny pod następującym adresem interneto-
wym:
https://europe.yamaha.com/en/support/compliance/doc.html
PT Portuguese
DECLARAÇÃO UE DE CONFORMIDADE SIMPLIFICADA
O(a) abaixo assinado(a) Yamaha Music Europe GmbH declara que o presente tipo de
equipamento de rádio [CLP-785, CLP-775, CLP-745, CLP-795GP, CLP-765GP] está em
conformidade com a Diretiva 2014/53/UE. O texto integral da declaração de conformidade
está disponível no seguinte endereço de Internet:
https://europe.yamaha.com/en/support/compliance/doc.html
RO Romanian
DECLARAȚIA UE DE CONFORMITATE SIMPLIFICATĂ
Prin prezenta, Yamaha Music Europe GmbH declară că tipul de echipamente radio [CLP-
785, CLP-775, CLP-745, CLP-795GP, CLP-765GP] este în conformitate cu Directiva 2014/
53/UE. Textul integral al declarației UE de conformitate este disponibil la următoarea
adresă internet:
https://europe.yamaha.com/en/support/compliance/doc.html
SK Slovak
ZJEDNODUŠENÉ EÚ VYHLÁSENIE O ZHODE
Yamaha Music Europe GmbH týmto vyhlasuje, že rádiové zariadenie typu [CLP-
785, CLP-775, CLP-745, CLP-795GP, CLP-765GP] je v súlade so smernicou 2014/
53/EÚ. Úplné EÚ vyhlásenie o zhode je k dispozícii na tejto internetovej adrese:
https://europe.yamaha.com/en/support/compliance/doc.html
SL Slovenian
POENOSTAVLJENA IZJAVA EU O SKLADNOSTI
Yamaha Music Europe GmbH potrjuje, da je tip radijske opreme [CLP-785, CLP-
775, CLP-745, CLP-795GP, CLP-765GP] skladen z Direktivo 2014/53/EU. Celotno
besedilo izjave EU o skladnosti je na voljo na naslednjem spletnem naslovu:
https://europe.yamaha.com/en/support/compliance/doc.html
FI Finnish
YKSINKERTAISTETTU EU-VAATIMUSTENMUKAISUUSVAKUUTUS
Yamaha Music Europe GmbH vakuuttaa, että radiolaitetyyppi [CLP-785, CLP-775, CLP-
745, CLP-795GP, CLP-765GP] on direktiivin 2014/53/EU mukainen. EU-
vaatimustenmukaisuusvakuutuksen täysimittainen teksti on saatavilla seuraavassa
internetosoitteessa:
https://europe.yamaha.com/en/support/compliance/doc.html
SV Swedish
FÖRENKLAD EU-FÖRSÄKRAN OM ÖVERENSSTÄMMELSE
Härmed försäkrar Yamaha Music Europe GmbH att denna typ av radioutrustning [CLP-
785, CLP-775, CLP-745, CLP-795GP, CLP-765GP] överensstämmer med direktiv 2014/
53/EU. Den fullständiga texten till EU-försäkran om överensstämmelse finns på följande
webbadress:
https://europe.yamaha.com/en/support/compliance/doc.html
TR Turkey
BASİTLEŞTİRİLMİŞ AVRUPA BİRLİĞİ UYGUNLUK BİLDİRİMİ
İşbu belge ile, Yamaha Music Europe GmbH, radyo cihaz tipinin [CLP-785, CLP-775,
CLP-745, CLP-795GP, CLP-765GP], Direktif 2014/53/AB'ye uygunluğunu beyan eder.
AB uyumu beyanının tam metni aşağıdaki internet adresinden edinilebilir:
https://europe.yamaha.com/en/support/compliance/doc.html
146
(weee_eu_en_02)
(weee_eu_fr_02)
Apache License 2.0
Copyright (c) 2009-2018 Arm Limited. All rights reserved.
SPDX-License-Identifier: Apache-2.0
Licensed under the Apache License, Version 2.0 (the License); you may not use this file except in compliance with the License.
You may obtain a copy of the License at
www.apache.org/licenses/LICENSE-2.0
Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an AS IS BASIS,
WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
See the License for the specific language governing permissions and limitations under the License.
Modified BSD license
COPYRIGHT(c) 2016 STMicroelectronics
Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are
met:
1. Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
2. Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the
documentation and/or other materials provided with the distribution.
3. Neither the name of STMicroelectronics nor the names of its contributors may be used to endorse or promote products derived from this
software without specific prior written permission.
THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS "AS IS" AND ANY EXPRESS OR IMPLIED
WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A
PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT HOLDER OR CONTRIBUTORS BE LIABLE
FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT
LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS
INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR
TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF
ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.
Information for users on collection and disposal of old equipment:
This symbol on the products, packaging, and/or accompanying documents means that used electrical and electronic
products should not be mixed with general household waste.
For proper treatment, recovery and recycling of old products, please take them to applicable collection points, in
accordance with your national legislation.
By disposing of these products correctly, you will help to save valuable resources and prevent any potential negative
effects on human health and the environment which could otherwise arise from inappropriate waste handling.
For more information about collection and recycling of old products, please contact your local municipality, your
waste disposal service or the point of sale where you purchased the items.
For business users in the European Union:
If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further
information.
Information on Disposal in other Countries outside the European Union:
This symbol is only valid in the European Union. If you wish to discard these items, please contact your local
authorities or dealer and ask for the correct method of disposal.
Informations concernant la collecte et le traitement des déchets d’équipements électriques et
électroniques
Le symbole sur les produits, l'emballage et/ou les documents joints signifie que les produits électriques ou
électroniques usagés ne doivent pas être mélangés avec les déchets domestiques habituels.
Pour un traitement, une récupération et un recyclage appropriés des déchets d’équipements électriques et
électroniques, veuillez les déposer aux points de collecte prévus à cet effet, conformément à la réglementation
nationale.
En vous débarrassant correctement des déchets d’équipements électriques et électroniques, vous contribuerez à la
sauvegarde de précieuses ressources et à la prévention de potentiels effets négatifs sur la santé humaine qui
pourraient advenir lors d'un traitement inapproprié des déchets.
Pour plus d'informations à propos de la collecte et du recyclage des déchets d’équipements électriques et
électroniques, veuillez contacter votre municipalité, votre service de traitement des déchets ou le point de vente où
vous avez acheté les produits.
Pour les professionnels dans l'Union européenne :
Si vous souhaitez vous débarrasser des déchets d’équipements électriques et électroniques, veuillez contacter
votre vendeur ou fournisseur pour plus d'informations.
Informations sur la mise au rebut dans d'autres pays en dehors de l'Union européenne :
Ce symbole est seulement valable dans l'Union européenne. Si vous souhaitez vous débarrasser de déchets
d’équipements électriques et électroniques, veuillez contacter les autorités locales ou votre fournisseur et demander
la méthode de traitement appropriée.
147
Important Notice:
U.S. LIMITED WARRANTY for Customers in the United States
For detailed information about this Yamaha product and warranty service, please either
visit the following website address (printable file is available at our website) or contact
Customer Service at the address or telephone number identified below.
Website Address:
Yamaha.io/ClavinovaWarranty
Customer Service:
Yamaha Corporation of America
6600 Orangethorpe Avenue, Buena Park, CA 90620-1273
Telephone: 800-854-1569
For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante.
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Toronto, Ontario M1S 3R1,
Canada
Tel: +1-416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Avenue, Buena Park, CA 90620,
U.S.A.
Tel: +1-714-522-9011
MEXICO
Yamaha de México, S.A. de C.V.
Av. Insurgentes Sur 1647 Piso 9, Col. San José
Insurgentes, Delegación Benito Juárez, México,
D.F., C.P. 03900, México
Tel: +52-55-5804-0600
BRAZIL
Yamaha Musical do Brasil Ltda.
Rua Fidêncio Ramos, 302 – Cj 52 e 54 – Torre B –
Vila Olímpia – CEP 04551-010 – São Paulo/SP,
Brazil
Tel: +55-11-3704-1377
ARGENTINA
Yamaha Music Latin America, S.A.,
Sucursal Argentina
Olga Cossettini 1553, Piso 4 Norte,
Madero Este-C1107CEK,
Buenos Aires, Argentina
Tel: +54-11-4119-7000
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Edificio Torre Davivienda, Piso: 20
Avenida Balboa, Marbella, Corregimiento de Bella
Vista, Ciudad de Panamá, Rep. de Panamá
Tel: +507-269-5311
THE UNITED KINGDOM/IRELAND
Yamaha Music Europe GmbH (UK)
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, U.K.
Tel: +44-1908-366700
GERMANY
Yamaha Music Europe GmbH
Siemensstrasse 22-34, 25462 Rellingen, Germany
Tel: +49-4101-303-0
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Europe GmbH, Branch
Switzerland in Thalwil
Seestrasse 18a, 8800 Thalwil, Switzerland
Tel: +41-44-3878080
AUSTRIA/CROATIA/
CZECH REPUBLIC
/
HUNGARY/ROMANIA/SLOVAKIA/
SLOVENIA
Yamaha Music Europe GmbH, Branch Austria
Schleiergasse 20, 1100 Wien, Austria
Tel: +43-1-60203900
POLAND
Yamaha Music Europe GmbH
Sp.z o.o. Oddział w Polsce
ul. Wielicka 52, 02-657 Warszawa, Poland
Tel: +48-22-880-08-88
BULGARIA
Dinacord Bulgaria LTD.
Bul.Iskarsko Schose 7 Targowski Zentar Ewropa
1528 Sofia, Bulgaria
Tel: +359-2-978-20-25
MALTA
Olimpus Music Ltd.
Valletta Road, Mosta MST9010, Malta
Tel: +356-2133-2093
NETHERLANDS/BELGIUM/
LUXEMBOURG
Yamaha Music Europe, Branch Benelux
Clarissenhof 5b, 4133 AB Vianen, The Netherlands
Tel: +31-347-358040
FRANCE
Yamaha Music Europe
7 rue Ambroise Croizat, Zone d'activités de Pariest,
77183 Croissy-Beaubourg, France
Tel: +33-1-6461-4000
ITALY
Yamaha Music Europe GmbH, Branch Italy
Via Tinelli N.67/69 20855 Gerno di Lesmo (MB),
Italy
Tel: +39-039-9065-1
SPAIN/PORTUGAL
Yamaha Music Europe GmbH Ibérica, Sucursal
en España
Ctra. de la Coruña km. 17,200, 28231
Las Rozas de Madrid, Spain
Tel: +34-91-639-88-88
GREECE
Philippos Nakas S.A. The Music House
19th klm. Leof. Lavriou 190 02 Peania – Attiki,
Greece
Tel: +30-210-6686260
SWEDEN
Yamaha Music Europe GmbH Germany filial
Scandinavia
JA Wettergrensgata 1, 400 43 Göteborg, Sweden
Tel: +46-31-89-34-00
DENMARK
Yamaha Music Denmark,
Fillial of Yamaha Music Europe GmbH, Tyskland
Generatorvej 8C, ST. TH., 2860 Søborg, Denmark
Tel: +45-44-92-49-00
FINLAND
F-Musiikki Oy
Antaksentie 4
FI-01510 Vantaa, Finland
Tel: +358 (0)96185111
NORWAY
Yamaha Music Europe GmbH Germany -
Norwegian Branch
Grini Næringspark 1, 1332 Østerås, Norway
Tel: +47-6716-7800
ICELAND
Hljodfaerahusid Ehf.
Sidumula 20
IS-108 Reykjavik, Iceland
Tel: +354-525-5050
CYPRUS
Nakas Music Cyprus Ltd.
Nikis Ave 2k
1086 Nicosia
Tel: + 357-22-511080
Major Music Center
21 Ali Riza Ave. Ortakoy
P.O.Box 475 Lefkoşa, Cyprus
Tel: (392) 227 9213
RUSSIA
Yamaha Music (Russia) LLC.
Room 37, entrance 7, bld. 7, Kievskaya street,
Moscow, 121059, Russia
Tel: +7-495-626-5005
OTHER EUROPEAN COUNTRIES
Yamaha Music Europe GmbH
Siemensstrasse 22-34, 25462 Rellingen, Germany
Tel: +49-4101-303-0
Yamaha Music Gulf FZE
JAFZA-16, Office 512, P.O.Box 17328,
Jebel Ali FZE, Dubai, UAE
Tel: +971-4-801-1500
TURKEY
Yamaha Music Europe GmbH
Merkezi Almanya Türkiye İstanbul Şubesi
Mor Sumbul Sokak Varyap Meridian Business
1.Blok No:1 113-114-115
Bati Atasehir Istanbul, Turkey
Tel: +90-216-275-7960
ISRAEL
RBX International Co., Ltd.
P.O Box 10245, Petach-Tikva, 49002
Tel: (972) 3-925-6900
OTHER COUNTRIES
Yamaha Music Gulf FZE
JAFZA-16, Office 512, P.O.Box 17328,
Jebel Ali FZE, Dubai, UAE
Tel: +971-4-801-1500
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co., Ltd.
2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu,
Shanghai, China
Tel: +86-400-051-7700
HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: +852-2737-7688
INDIA
Yamaha Music India Private Limited
P-401, JMD Megapolis, Sector-48, Sohna Road,
Gurugram-122018, Haryana, India
Tel: +91-124-485-3300
INDONESIA
PT. Yamaha Musik Indonesia (Distributor)
Yamaha Music Center Bldg. Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: +62-21-520-2577
KOREA
Yamaha Music Korea Ltd.
11F, Prudential Tower, 298, Gangnam-daero,
Gangnam-gu, Seoul, 06253, Korea
Tel: +82-2-3467-3300
MALAYSIA
Yamaha Music (Malaysia) Sdn. Bhd.
No.8, Jalan Perbandaran, Kelana Jaya, 47301
Petaling Jaya, Selangor, Malaysia
Tel: +60-3-78030900
SINGAPORE
Yamaha Music (Asia) Private Limited
Block 202 Hougang Street 21, #02-00,
Singapore 530202, Singapore
Tel: +65-6740-9200
TAIWAN
Yamaha Music & Electronics Taiwan Co., Ltd.
2F., No.1, Yuandong Rd., Banqiao Dist.,
New Taipei City 22063, Taiwan (R.O.C.)
Tel: +886-2-7741-8888
THAILAND
Siam Music Yamaha Co., Ltd.
3, 4, 15, 16th Fl., Siam Motors Building,
891/1 Rama 1 Road, Wangmai,
Pathumwan, Bangkok 10330, Thailand
Tel: +66-2215-2622
VIETNAM
Yamaha Music Vietnam Company Limited
15th Floor, Nam A Bank Tower, 201-203 Cach
Mang Thang Tam St., Ward 4, Dist.3,
Ho Chi Minh City, Vietnam
Tel: +84-28-3818-1122
OTHER ASIAN COUNTRIES
https://asia-latinamerica-mea.yamaha.com/
index.html
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 80 Market Street, South Melbourne,
VIC 3205 Australia
Tel: +61-3-9693-5111
NEW ZEALAND
Music Works LTD
P.O.BOX 6246 Wellesley, Auckland 4680,
New Zealand
Tel: +64-9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
https://asia-latinamerica-mea.yamaha.com/
index.html
NORTH AMERICA
CENTRAL & SOUTH AMERICA
EUROPE
AFRICA
MIDDLE EAST
ASIA
OCEANIA
DMI27
Head Office/Manufacturer: Yamaha Corporation 10-1, Nakazawa-cho, Naka-ku, Hamamatsu, 430-8650, Japan
(For European Countries) Importer: Yamaha Music Europe GmbH Siemensstrasse 22-34, 25462 Rellingen, Germany
Yamaha Global Site
https://www.yamaha.com/
Yamaha Downloads
https://download.yamaha.com/
Manual Development Group
© 2020 Yamaha Corporation
Published 04/2021 MWMA*.*- **W-C0
VDG2300
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Yamaha CLP-785 Manual de usuario

Categoría
Pianos digitales
Tipo
Manual de usuario