Yamaha HTR-5130 Manual de usuario
- Categoría
- Reproductores de casete
- Tipo
- Manual de usuario
Este manual también es adecuado para
HTR-5130
HTR-5130RDS
NATURAL SOUND AV RECEIVER
AMPLI-TUNER AUDIO-VIDEO
OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
BG
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
V339080Printed in Malaysia
HTR-5130/HTR-5130RDS
2
SUPPLIED ACCESSORIES ● After unpacking, check that the following parts are included.
ACCESSORIES FOURNIS ● Après le déballage, vérifier que les pièces suivantes sont incluses.
MITGELIEFERTE ZUBEHÖRTEILE ● Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.
MEDFÖLJANDE TILLBEHÖR ● Kontrollera efter det apparaten packats upp att följande delar finns med.
ACCESSORI IN DOTAZAIONE ● Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.
ACCESORIOS INCLUIDOS ● Desembalar el aparato y verificar que los siguientes accesorios están en la caja.
BIJGELEVERDE ACCESSOIRES ● Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.
● Indoor FM Antenna
● Antenne FM intérieure
● UKW-Innenantenne
● FM inomhusantenn
● Antenna FM interna
● Antena FM interior
● FM Binnenantenne
● AM Loop Antenna
● Cadre-antenne AM
● MW-Rahmenantenne
● AM ramantenn
● Antenna AM ad anello
● Antena de cuadro de AM
● AM Lusantenne
● 75-ohm/300-ohm antenna adapter <U.K. model only>
● Adaptateur d’antenne 75 ohms/300 ohms <Modèle pour le
Royaume-Uni seulement>
● 75 Ohm/300 Ohm Antennenstecker <nur Großbritannien-
Modell>
● 75 ohm/300 ohm antennadapter <Endast modell för
brittisk>
● Adattatore per antenna da 75 e 300 ohm <Solo modello
per la Gran Bretagna>
● Adaptador de antena de 75 ohmios/300 ohmios <Modelo
para Reino Unido sólo>
● 75 ohm/300 ohm antenne-adapter <Alleen modellen voor
Groot-Brittannië>
REC/PAUSE
DIR BDIR A
PLAY
DISC
POWER /I
VOLUME
PLAY
PRESET
A/B/C/D/E
–+
TIME/
LEVEL
TEST
EFFECT
PROGRAM
PROLOGIC
ENHANCED
–+
SLEEP
TAPE
A/B
ON/OFF
2CH
/6CH
TUNER
CD
PHONO
DELAY/CENTER
/REAR/SWFR
DVD/LD
VCR
TV/DBS
● Remote Control Transmitter
● Emetteur de télécommande
● Fernbedienung
● Fjärrkontroll
● Telecomando
● Transmisor de control remoto
● Afstandbediening
● Batteries (size AA, R6, UM-3)
● Piles (taille AA, R6, UM-3)
● Batterien (Größe AA, R6, UM-3)
● Batterier (storlek AA, R6, UM-3)
● Batterie (dimensioni AA, R6, UM-3)
● Pilas (tamaño AA, R6, UM-3)
● Batterijen (maat AA, R6, UM-3)
3
English
● 5 Speaker Configuration
(Power Amp. Section)
Main: 60W + 60W (8Ω) RMS Output
Power, 0.04% THD, 20–20,000 Hz
Center: 60W (8Ω) RMS Output Power,
0.04% THD, 20–20,000 Hz
Rear: 60W + 60W (8Ω) RMS Output
Power, 0.04% THD, 20–20,000 Hz
● Digital Sound Field Processor
● Dolby Pro Logic Surround Decoder
● Theater-like Sound Experience by the
Combination of Dolby Pro Logic and
YAMAHA DSP Technology (CINEMA DSP)
● Automatic Input Balance Control for
Dolby Pro Logic Surround
● Test Tone Generator for Easier Speaker
Balance Adjustment
Thank you for selecting this YAMAHA AV receiver.
SUPPLIED ACCESSORIES............................2
FEATURES .....................................................3
CAUTION ........................................................4
NOTES ABOUT THE REMOTE CONTROL
TRANSMITTER...............................................5
PROFILE OF THIS UNIT ................................6
SPEAKER SETUP ..........................................7
CONNECTIONS..............................................8
CONTROLS AND THEIR FUNCTIONS ........14
SPEAKER BALANCE ADJUSTMENT ..........19
FEATURES
CONTENTS
Illustrations in this manual show the HTR-5130RDS model. Functions and parts
applicable only to the HTR-5130RDS are clearly specified.
● 3 Center Channel Modes
(NORMAL/WIDE/PHANTOM)
● Multi-Functions for RDS Broadcast
Reception HTR-5130RDS only
● 40-Station Random Access Preset Tuning
● Automatic Preset Tuning
● Preset Station Shifting Capability (Preset
Editing)
● IF Count Direct PLL Synthesizer Tuning
System
● 6-Channel External Decoder Input for
Dolby Digital, DTS, and Other Future
Formats
● Video Signal Input/Output Capability
● SLEEP Timer
● Remote Control Capability
BASIC OPERATIONS ...................................22
TUNING OPERATIONS ................................26
PRESET TUNING .........................................27
RECEIVING RDS STATIONS .......................30
USING DIGITAL SOUND FIELD
PROCESSOR (DSP) ....................................35
SETTING THE SLEEP TIMER......................39
TROUBLESHOOTING ..................................40
SPECIFICATIONS ........................................41
4
1. To assure the finest performance, please read this manual
carefully. Keep it in a safe place for future reference.
2. Install this unit in a cool, dry, clean place – away from
windows, heat sources, sources of excessive vibration,
dust, moisture and cold. Avoid sources of humming
(transformers, motors). To prevent fire or electrical shock,
do not expose the unit to rain or water.
3. Never open the cabinet. If something drops into the set,
contact your dealer.
4. Do not use force on switches, controls or connection wires.
When moving the unit, first disconnect the power plug and
the wires connected to other equipment. Never pull the
wires themselves.
5. The openings on the unit cover assure proper ventilation of
the unit. If these openings are obstructed, the temperature
inside the unit will rise rapidly. Therefore, avoid placing
objects against these openings, and install the unit in a
well-ventilated area to prevent fire and damage.
<China, U.K. and Europe models only>
Be sure to allow a space of at least 20 cm behind, 20 cm
on the both sides and 30 cm above the top panel of the
unit to prevent fire and damage.
6. Always set the VOLUME control to “– ∞” before starting
the audio source play. Increase the volume gradually to an
appropriate level after playback has been started.
7. Do not attempt to clean the unit with chemical solvents;
this might damage the finish. Use a clean, dry cloth.
8. Be sure to read the “TROUBLESHOOTING” section
regarding common operating errors before concluding that
the unit is faulty.
9. When not planning to use this unit for long periods of time
(i.e., vacation, etc.), disconnect the AC power plug from
the wall outlet.
10.To prevent lightning damage, disconnect the AC power
plug and antenna cable when there is an electrical storm.
11.Grounding or polarization – Precautions should be taken
so that the grounding or polarization of an appliance is not
defeated.
12.Do not connect audio equipment to the AC outlet on the
rear panel if the equipment requires more power than the
outlet is rated to provide.
13.Voltage Selector <China and General models only>
The voltage selector on the rear panel of this unit must
be set for your local main voltage BEFORE plugging
into the AC power supply.
Voltages are 110/120/220/240 V AC, 50/60 Hz.
CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.
IMPORTANT
Please record the serial number of this unit in the space
below.
Model:
Serial No.:
The serial number is located on the rear of the unit.
Retain this Owner’s Manual in a safe place for future
reference.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
This unit is not disconnected from the AC power source as
long as it is connected to the wall outlet, even if this unit
itself is turned off. This state is called the standby mode.
In this state, this unit is designed to consume a very small
quantity of power.
FREQUENCY STEP switch <China and General models
only>
Because the interstation frequency spacing differs in
different areas, set the FREQUENCY STEP switch (located
on the rear panel) according to the frequency spacing in
your area.
Before setting this switch, disconnect the AC power plug of
this unit from the AC outlet.
For Canadian Customers
To prevent electric shock, match wide blade of plug to wide
slot and fully insert.
This Class B digital apparatus complies with CANADIAN
ICES-003
5
English
NOTES ABOUT THE REMOTE CONTROL TRANSMITTER
Battery installation
Battery replacement
When you notice a decrease in the operating range of the
remote control transmitter, the batteries are weak. Replace
both batteries with new ones.
Notes
● Use only AA, R6, UM-3 batteries for replacement.
● Be sure the polarities are correct. (See the illustration inside
the battery compartment.)
● Remove the batteries if the remote control transmitter will
not be used for an extended period of time.
● If batteries leak, dispose of them immediately. Avoid
touching the leaked material or letting it come in contact with
clothing, etc. Clean the battery compartment thoroughly
before installing new batteries.
1
3
2
LR
–dB
30°
30°
Remote control transmitter operation range
Notes
● There should be no large obstacles between the remote
control transmitter and the main unit.
● If the remote control sensor is directly illuminated by strong
lighting (especially an inverter type of fluorescent lamp,
etc.), it might cause the remote control transmitter not to
work correctly. In this case, reposition the main unit to avoid
direct lighting.
Remote control
sensor
Within approximately
6 m (19.7 feet)
For U.K. customers
If the socket outlets in the home are not suitable for the plug
supplied with this appliance, it should be cut off and an
appropriate 3 pin plug fitted. For details, refer to the
instructions described on the right.
Note: The plug severed from the mains lead must be
destroyed, as a plug with bared flexible cord is hazardous if
engaged in a live socket outlet.
Special Instructions for U.K. Model
IMPORTANT
THE WIRES IN MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
Blue: NEUTRAL
Brown: LIVE
As the colours of the wires in the mains lead of this
apparatus may not correspond with the coloured markings
identifying the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the
terminal which is marked with the letter N or coloured
BLACK. The wire which is coloured BROWN must be
connected to the terminal which is marked with the letter L
or coloured RED. Making sure that neither core is
connected to the earth terminal of the three pin plug.
6
PROFILE OF THIS UNIT
You are the proud owner of a Yamaha stereo receiver – an extremely sophisticated audio component. The Digital Sound Field
Processor (DSP) built into this unit takes advantage of Yamaha’s undisputed leadership in the field of digital audio processing to
bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system,
and this unit will sonically transform your room into a wide range of listening environments – movie theater, concert hall, and so on.
In addition, you get incredible realism from sources encoded with Dolby Surround using the built-in Dolby Pro Logic Surround
decoder.
Please read this owner’s manual carefully and store it in a safe place for later reference.
Digital Sound Field Processing
What is it that makes live music so good? Today’s advanced
sound reproduction technology lets you get extremely close to
the sound of a live performance, but chances are you’ll still
notice something missing: the acoustic environment of the live
concert hall. Extensive research into the exact nature of the
sonic reflections that create the ambience of a large hall has
made it possible for Yamaha engineers to bring you this same
sound in your own listening room, so you’ll feel all the sound of
a live concert.
Dolby Pro Logic Surround
This unit employs a Dolby Pro Logic Surround decoder similar
to professional Dolby Stereo decoders used in many movie
theaters. By using the Dolby Pro Logic Surround decoder, you
can experience the dramatic realism and impact of Dolby
Surround movie theater sound in your own home. Dolby Pro
Logic employs a four channel five speaker system. The Pro
Logic Surround system divides the input signal into four levels:
the left and right main channels, the center channel (used for
dialog), and the rear surround sound channel (used for sound
effects, background noise, and other ambient noises). The
center channel allows listeners seated in even less-than-ideal
positions to hear the dialog originating from the action on the
screen while experiencing good stereo imaging.
Dolby Surround is encoded on the sound track of pre-recorded
video tapes, laser discs, and some TV/cable broadcasts. When
you play a source encoded with Dolby Surround on this unit,
the Dolby Pro Logic Surround decoder decodes the signal and
distributes the surround-sound effects.
Dolby Pro Logic Surround + DSP
A Dolby Surround sound system shows its full ability in a large
movie theater, because movie sounds are originally designed
to be reproduced in a large movie theater using many
speakers. It is difficult to create a sound environment similar to
that of a movie theater in your listening room, because the
room size, materials of inside walls, the number of speakers,
etc. of your listening room is much different from those of a
movie theater.
Yamaha DSP technology made it possible to present you with
nearly the same sound experience as that of a large movie
theater in your listening room by compensating for lack of
presence and dynamics in your listening room with its original
digital sound fields combined with Dolby Surround sound field.
Furthermore, our technicians, armed with sophisticated
measuring equipment, have even made it possible to capture
the acoustics of a variety of venues such as an actual concert
hall, theater, etc. to allow you to accurately recreate one of
several actual live performance environments, all in your own
home.
This Dolby Pro Logic Surround Decoder employs a digital
signal processing system. This system improves the stability of
sound at each channel and minimizes crosstalk between
channels, so that positioning of sounds around the room is
more accurate compared with conventional analog signal
processing systems.
In addition, this unit features a built-in automatic input balance
control. This always assures you the best performance without
manual adjustment.
Manufactured under license from Dolby Laboratories. “Dolby”,
“AC-3”, “Pro Logic” and the double-D symbol are trademarks of
Dolby Laboratories.
The combination of Dolby Pro Logic Surround and DSP is used
on the sound field program “
PRO LOGIC ENHANCED”.
CINEMA DSP
The YAMAHA “CINEMA DSP” logo indicates these programs
are created by the combination of Dolby Pro Logic and
YAMAHA DSP technology.
7
English
SPEAKER SETUP
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The most effective speakers to use with
this unit are main speakers, rear speakers and a center speaker. You may omit the center speaker. (Refer to the “4-Speaker
Configuration” shown below.)
The main speakers are used for the majority of the sound output as well as effect sounds. The rear speakers are used for the effect
and surround sounds, and the center speaker is for the center sounds (dialog, etc.) within programs encoded with Dolby Surround.
The center speaker needs to be equal in power to the main speakers, though the rear speakers should be slightly lower in power.
However, all the speakers should have high enough power handling to accept the maximum output of this unit.
5-Speaker Configuration
This configuration is the most effective and recommended one.
In this configuration, the center speaker is necessary as well as
the rear speakers. If the program DOLBY PRO LOGIC or
DOLBY PRO LOGIC ENHANCED is selected, conversations
will be output from the center speaker and the ambience will be
excellent.
● Set the center channel mode to the “NORMAL” or “WIDE”
position. (For details, refer to page 20.)
Main L
Main R Main L
Main R
SPEAKER PLACEMENT
The recommended 5-speaker configuration requires a pair of main speakers, a center speaker, and a pair of rear speakers
(sometimes referred to as surround speakers). When arranging your speakers, refer to the illustration and information below.
Main: Position the main speakers at equal distances away
from the listening position and at equal distances on
either side of the center speaker.
Rear: Position rear speakers directly behind the listening
position at a height of approximately 1.8m (6 feet) up
from the floor, facing slightly inward. If the speakers
cannot be placed behind the listening position, they
may also be placed at the side of the listening
position, facing toward the listening position.
Center: Position the center speaker directly in front of the
listening position between the main speakers. (When
placing on or near a television, use a magnetically
shielded speaker to avoid unwanted interference.)
4-Speaker Configuration
The center speaker is not used in this configuration. If the
program DOLBY PRO LOGIC or DOLBY PRO LOGIC
ENHANCED is selected, the center sound is output from the
left and the right main speakers. However, the sound effect of
other programs can be the same as that of the 5-speaker
configuration.
● Be sure to set the center channel mode to the “PHANTOM”
position. (For details, refer to page 20.)
SPEAKER CONFIGURATION
Center
Dialogue
Surround sound
Rear L
Rear R
Rear L
Rear R
Dialogue
Surround sound
Main R
Center
Main L
Rear L
Rear R
TV set
8
FM
ANT
AM
ANT
GND
75ΩUNBAL.
GND
MONITOR
OUT
DVD/LD
TV/DBS
IN
OUT
VCR
IN
OUT
VCR
PHONO
CD
DVD/LD TV/DBS
1
3
4
A OR B
: 4
Ω
MIN. /SPEAKER
A B
: 8
Ω
MIN. /SPEAKER
:
6
Ω
MIN. /SPEAKER
:
6
Ω
MIN. /SPEAKER
A OR B
: 8
Ω
MIN. /SPEAKER
A B
:
16
Ω
MIN. /SPEAKER
:
8
Ω
MIN. /SPEAKER
:
8
Ω
MIN. /SPEAKER
MAIN
R
L
SURROUND
R
L
CENTER
SUB
WOOFER
6CH DISCRETE INPUT
VIDEO SIGNAL
TAPE/MD
AUDIO SIGNAL
AC OUTLETS
MAIN
CENTER
REAR
MAIN
CENTER
REAR
I00W MAX. TOTAL
SWITCHED
IN OUT
(REC)(PLAY)
R
REAR
(SURROUND)
FREQUENCY
STEP
100kHz
/10kHz
FM / AM
SET BEFORE POWER ON
IMPEDANCE SELECTOR
A
B
VOLTAGE SELECTOR
50kHz
/ 9kHz
GND
OUTPUT
AUDIO IN
VIDEO IN
AUDIO OUT
VIDEO OUT
VIDEO IN
AUDIO OUT
VIDEO OUT
LINE OUT
LINE IN
OUTPUT
VIDEO OUT
AUDIO OUT
MAIN
LEVEL
-10dB 0dB
CONNECTIONS
CONNECTIONS WITH OTHER COMPONENTS
Never plug in this unit and other components until all connections are completed.
When making connections between this unit and other components, be sure all connections are made correctly; that is to say L (left)
to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.
* If you have YAMAHA components numbered as 1, 3, 4, etc. on the rear panel, connections can be made easily by connecting
the output (or input) terminals of each component to the same-numbered terminals on this unit.
Turntable
Monitor TV TV/Satellite tuner Video cassette recorder
<General model>
To AC outlet
LD player,
DVD player, etc.
Tape deck,
MD recorder, etc.
CD player
*4 AC OUTLETS (SWITCHED)
<Europe, Canada, U.S.A., China and General models>
.....................................................2 SWITCHED OUTLETS
<U.K. and Australia models> .......... 1 SWITCHED OUTLET
Use these to connect the power cords from your
components to this unit.
The power to the SWITCHED AC OUTLETS is controlled
by this unit’s STANDBY/ON switch or the provided remote
control transmitter’s POWER
/I key. These outlets will
supply power to any component whenever this unit is
turned on.
The maximum power (total power consumption of
components) that can be connected to the SWITCHED AC
OUTLETS is 100 watts.
*1
*2
*3
*4
HTR-5130RDS
only
*1 Ground (GND) terminal (For turntable use)
Connecting the ground wire of the turntable to the GND
terminal will normally minimize hum, but in some cases
better results may be obtained with the ground wire
disconnected.
*2 Voltage Selector <China and General models only>
The voltage selector on the rear panel of this unit must be
set for your local main voltage BEFORE plugging into the
AC power supply.
Voltages are 110/120/220/240 V AC, 50/60 Hz.
*3 MAIN LEVEL Switch HTR-5130RDS only
Normally set to “0 dB”. If desired, you can decrease the
output level of the MAIN SPEAKERS terminals by 10 dB by
setting this switch to “–10 dB”.
9
English
Connecting an external decoder for Dolby Digital, DTS and other future formats
or a DVD player, etc.
If you have a separate Dolby Digital, DTS or other format decoder, or if you have a DVD player or other component which
incorporates a Dolby Digital, DTS, or other format decoder, its 6 channel discrete outputs can be connected to the 6CH DISCRETE
INPUT terminals of this unit.
FM
ANT
AM
ANT
GND
75ΩUNBAL.
GND
IN
OUT
VCR
PHONO
CD
DVD/LD TV/DBS
1
3
4
MAIN
R
L
SURROUND
R
L
CENTER
SUB
WOOFER
6CH DISCRETE INPUT
TAPE/MD
AUDIO SIGNAL
IN OUT
(REC)(PLAY)
MONITOR
OUT
DVD/LD
TV/DBS
IN
OUT
VCR
VIDEO SIGNAL
FREQUENCY
STEP
100kHz
/10kHz
FM / AM
50kHz
/ 9kHz
DOLBY DIGITAL
RF (AC-3 RF) OUT
DOLBY DIGITAL
RF (AC-3 RF) IN
DIGITAL
IN
DIGITAL
OUT
VIDEO OUT
AUDIO OUT
6CH DISCRETE OUTPUT
SUB
WOOFER
CENTER SURROUNDMAIN
(Example)
Dolby Digital decoder
RF Demodulator
Laserdisc player or other unit with
Dolby Digital RF (AC-3 RF) output
Notes
● The laserdisc player (or other unit) must be also connected
to the DVD/LD (or TV/DBS) AUDIO SIGNAL input terminals
of this unit to play a source encoded with Dolby Pro Logic
Surround or in normal stereo (or monaural).
● The discrete signals input to this unit cannot be recorded by
a tape deck, MD recorder or VCR. To record a source
played on the laserdisc player (or another unit), it must be
connected to the DVD/LD (or TV/DBS) AUDIO/VIDEO
SIGNAL input terminals of this unit.
● If you made no connection to the SUB WOOFER input
terminal of this unit or you will not use a subwoofer, you
should be able to make a setting on the decoder to
distribute SUB WOOFER channel signals to the right and
left MAIN output terminals.
For details, refer to the owner’s manual supplied with the
decoder.
<General model>
10
CONNECTING SPEAKERS
MAIN
OUTPUT
SUB
WOOFER
SPEAKERS
R
CENTER
REAR
(SURROUND)
A OR B
: 4
Ω
MIN. /SPEAKER
A B
: 8
Ω
MIN. /SPEAKER
:
6
Ω
MIN. /SPEAKER
:
6
Ω
MIN. /SPEAKER
A OR B
: 8
Ω
MIN. /SPEAKER
A B
:
16
Ω
MIN. /SPEAKER
:
8
Ω
MIN. /SPEAKER
:
8
Ω
MIN. /SPEAKER
MAIN
CENTER
REAR
MAIN
CENTER
REAR
SET BEFORE POWER ON
IMPEDANCE SELECTOR
CAUTION
SEE INSTRUCTION MANUAL FOR CORRECT SETTING.
A
B
Main speakers A
Right Left
Subwoofer system
Main speakers B
Left
Right
Right Left
Rear speakers
Center speaker
Note
Use speakers with the specified impedance shown on the
rear of this unit.
Note on main speaker connections:
One or two speaker systems can be connected to this unit. If
you use only one speaker system, connect it to either the
SPEAKERS A or B terminals.
Note on subwoofer connection:
You may wish to add a subwoofer to reinforce low frequencies
or to output low bass sound from the subwoofer channel when
reproducing discrete signals.
Connect the SUBWOOFER OUTPUT terminal of this unit to
the input terminal of the subwoofer amplifier, and connect the
speaker terminals of the subwoofer amplifier to the subwoofer.
With some subwoofers, including the Yamaha Active Servo
Processing Subwoofer System, the amplifier and subwoofer
are in the same unit.
<General model>
11
English
How to Connect:
Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are
faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –
markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.
Caution
Do not let the bare speaker wires touch each other or any metal part of this unit. This could damage this unit and/or
speakers.
To connect to the MAIN SPEAKERS terminals
Red: positive (+)
Black: negative (–)
1 Unscrew the knob.
2 Insert the bare wire.
[Remove approx. 5mm
(1/4”) insulation from
the speaker wires.]
3 Tighten the knob and
secure the wire.
1
2
3
2
3
1
To connect to the REAR and CENTER SPEAKERS
terminals
Red: positive (+)
Black: negative (–)
1 Press the tab.
2 Insert the bare wire.
[Remove approx. 5mm
(1/4”) insulation from
the speaker wires.]
3 Release the tab and
secure the wire.
<U.S.A., Canada, Australia, China and General models
only>
Banana Plug connections are also possible. Simply insert the
Banana Plug connector into the corresponding terminal.
12
SUBWOOFER OUTPUT terminal
OUTPUT
SUB
WOOFER
This terminal is for connecting to the input terminal of an
amplifier driving a subwoofer.
This terminal outputs low frequencies from the main and center
channels. (The cut-off frequency of signals output from this
terminal is 150 Hz.)
When 6 channel discrete signals are input to this unit and are
selected as the input source, this terminal outputs signals from
the subwoofer channel.
IMPEDANCE SELECTOR switch
Be sure to switch this only when the power to this unit is not
on.
Select the position whose requirements your speaker system
meets.
WARNING
Do not change the IMPEDANCE SELECTOR switch
setting while the power to this unit is on, otherwise this
unit may be damaged.
IF THIS UNIT FAILS TO TURN ON WHEN THE STANDBY/
ON SWITCH IS PRESSED, the IMPEDANCE SELECTOR
switch may not be set to either end closely. If so, set the
switch to either end closely.
A OR B
: 4
Ω
MIN. /SPEAKER
A B
: 8
Ω
MIN. /SPEAKER
:
6
Ω
MIN. /SPEAKER
:
6
Ω
MIN. /SPEAKER
A OR B
: 8
Ω
MIN. /SPEAKER
A B
:
16
Ω
MIN. /SPEAKER
:
8
Ω
MIN. /SPEAKER
:
8
Ω
MIN. /SPEAKER
AC OUTLETS
MAIN
CENTER
REAR
MAIN
CENTER
REAR
I00W MAX. TOTAL
SWITCHED
SET BEFORE POWER ON
IMPEDANCE SELECTOR
VOLTAGE SELECTOR
(Left position)
Main: If you use one pair of main speakers, the impedance
of each speaker must be 4Ω or higher.
If you use two pairs of main speakers, the impedance
of each speaker must be 8Ω or higher.
Center: The impedance of the speaker must be 6Ω or higher.
Rear: The impedance of each speaker must be 6Ω or
higher.
(Right position)
Main: <Except for Canada model>
If you use one pair of main speakers, the impedance
of each speaker must be 8Ω or higher.
If you use two pairs of main speakers, the impedance
of each speaker must be 16Ω or higher.
<Canada model only>
The impedance of each speaker must be 8Ω or
higher.
Center: The impedance of the speaker must be 8Ω or higher.
Rear: The impedance of each speaker must be 8Ω or
higher.
<General model>
IMPEDANCE SELECTOR
13
English
ANTENNA CONNECTIONS
● Each antenna should be connected to the designated terminals correctly, referring to the following diagram.
● Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal
strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor
reception quality, an outdoor antenna may result in improvement.
FM
ANT
AM
ANT
GND
75Ω
UNBAL.
Outdoor FM antenna
75-ohm/300-ohm
antenna adapter
75-ohm coaxial cable
75-ohm/300-ohm
antenna adapter
300-ohm feeder
Ground
Indoor FM
antenna
(included)
Outdoor AM antenna
AM loop
antenna
(included)
Connecting the AM loop antenna
12 3
* The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall.
* The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.
Orient so that the best
reception is obtained.
GND terminal
For maximum safety and minimum interference, connect the
GND terminal to a good earth ground. A good earth ground is a
metal stake driven into moist earth.
Notes
● When connecting the indoor FM
antenna, insert its connector into
the FM ANT terminal firmly.
● If you need an outdoor
FM antenna to improve
FM reception quality, either
300-ohm feeder or coaxial cable
may be used. In locations
troubled by electrical interference, coaxial cable is
preferable.
14
CONTROLS AND THEIR FUNCTIONS
BASS TREBLE BALANCE
55
4
3
2
l
0
l
2
3
4
55
4
3
2
l
0
l
2
3
4
LR55
4
3
2
l
0
l
2
3
4
VOLUME
l6
20
28
40
60
l2
8
4
2
0
–dB
SPEAKERS
PHONES
A
ON
B
OFF
A
/
B
/
C
/
D
/
E
1
2
3
4
567
8
STANDBY/ON
PRO LOGIC
ENHANCED
CONCERT
VIDEO
MONO MOVIE
CENTER MODE
DISCO
PTY SEEK
CONCERT
HALL
ROCK
CONCERT
EFFECT
TV SPORTS
EON
RDS MODE/
FREQ
DELAY/CENTER/
REAR/SWFR
TIME
/
LEVEL
FM
/
AM
MAN'L
/
AUTO FM
TUNING
MODE
AUTO/MAN'L MONO
START
MODE
MEMORY
EDIT
VCR
TV
/
DBS
TAPE/MD
MONITOR
2CH/6CH
TUNER
CD
PHONO
2CH/6CH
DVD/LD
NATURAL SOUND AV RECEIVER
TUNING
UPDOWN
~
›
%
fi
^
fl
·
‚
Ÿ
_
$
—)
&
‹
@¤
#
(*
‡
°
⁄
!
FRONT PANEL
~ STANDBY/ON switch
Press this switch to turn the power to this unit on. Press it again
to put this unit in the standby mode.
In STANDBY, this unit consumes a very small quantity of
power to receive infrared signals from the remote control
transmitter.
Ÿ Remote control sensor
Receives signals from the remote control transmitter.
! Display panel
Shows various information. (Refer to page 16.)
⁄ MEMORY (MAN’L/AUTO FM) button
Press this button to preset AM and FM radio frequencies
manually. (Refer to page 27.)
When this button is pressed and held for more than 3 seconds,
automatic preset tuning begins. (Refer to page 28.)
@ EDIT button
This button is used to exchange the places of two preset
stations with each other. (Refer to page 29.)
¤ TUNING MODE (AUTO/MAN’L MONO) button
Press this button to switch the tuning mode to automatic or
manual. To select the automatic tuning mode, press this button
so that the AUTO indicator lights up on the display. To select
the manual tuning mode, press this button so that the AUTO
indicator goes off.
# FM/AM button
Press this button to switch the reception band to FM or AM.
‹ Input selector buttons
Select a program source to listen to or watch. When a button is
pressed, the name of selected source appears on the display.
When either the TV/DBS or DVD/LD input source is selected,
pressing the same selector button repeatedly switches the
input signals between 2 channel stereo signals and 6 channel
discrete signals. When switched to “6ch”, discrete signals from
the unit connected to the 6CH DISCRETE INPUT terminals of
this unit are selected as the input signals.
$ VOLUME control
Use to raise or lower the volume level.
15
English
PHONES
› PHONES jack
To listen with headphones, connect the headphones to the
PHONES jack. The sound output from the PHONES jack is the
same as that from the main speakers.
When listening with headphones privately, set both the
SPEAKERS A and B switches to the OFF position and switch
off the digital sound field processor (so that no DSP program
indicator is lit in the display) by pressing the EFFECT button.
% SPEAKERS switches
Set the switch A or B (or both A and B) for the main speaker
system (connected to this unit) you will use to the ON position.
Set the switch for the main speaker system you will not use to
the OFF position. (Refer to page 25.)
fi A/B/C/D/E button
Press this button to select a desired group (A–E) of preset
stations. (Refer to page 27.)
^ Preset station number selector buttons
Press to select a preset station number (1 to 8). (Refer to page
27.)
fl Tone controls
These controls are effective only for the sound from the main
speakers. (Refer to page 25.)
BASS
Used to increase or decrease the low frequency response.
The 0 position produces flat response.
TREBLE
Used to increase or decrease the high frequency response.
The 0 position produces flat response.
& BALANCE control
This control is effective only for the sound from the main
speakers.
Adjusts the balance of the output volume to the left and right
speakers to compensate for sound imbalance caused by
speaker location or listening room conditions. (Refer to page
25.)
‡ RDS MODE/FREQ button HTR-5130RDS only
When an RDS station is received, pressing this button
repeatedly changes the display to the PS mode, PTY mode,
RT mode, CT mode (RDS services subject to availability), and
station frequency in turn. (Refer to page 32.)
* PTY SEEK MODE button HTR-5130RDS only
When this button is pressed, the unit turns into the PTY SEEK
mode. (Refer to page 33.)
° PTY SEEK START button HTR-5130RDS only
Press this button to begin searching for a station after the
desired program type is selected in the PTY SEEK mode.
(Refer to page 33.)
( EON button HTR-5130RDS only
Press this button to select a specified program type (NEWS,
INFO, AFFAIRS, SPORT) when you want to locate a radio
program of that type automatically. (Refer to page 34.)
· TUNING DOWN/UP button
Use for tuning radio stations. Press the UP side to tune in to
higher frequencies, and press the DOWN side to tune in to
lower frequencies.
HTR-5130RDS only When this unit is in the PTY SEEK mode,
press either side of this button to change the currently selected
program type.
) DSP program selector buttons
Select a DSP program. When a button is pressed, the name of
selected program lights up on the display. (Refer to page 35.)
‚ EFFECT button
Switches the digital sound field processor on and off (including
the Dolby Pro Logic Surround decoder). (Refer to page 36.)
_ CENTER MODE button
Selects a center channel output mode (NORMAL, WIDE or
PHANTOM). (Refer to page 20.)
— DELAY/CENTER/REAR/SWFR and TIME/LEVEL +/–
buttons
Adjust the delay time (DELAY), the center channel output level
(CENTER), the rear channel output level (REAR) and the
output level to the SUBWOOFER OUTPUT terminal (SWFR).
Select the item which you want to adjust by pressing the
DELAY/CENTER/REAR/SWFR button and adjust its time or
level by pressing the TIME/LEVEL +/– button. (Refer to pages
25, 37, and 38.)
16
DISPLAY PANEL
PRESET
kHz
MHz
MEMORY
AUTO PTY HOLD
SLEEP
TAPE MON
STEREO
0
20
l00
ms dB
PRO LOGIC
ENHANCED
CONCERT
VIDEO
MONO
MOVIE
TV SPORTS
DISCO
ROCK CONCERT
CONCERT HALL
NORM
WIDE
PHANTOM
EFFECT OFF
PS
EON
AFFAIRS SPORT
NEWS INFO
RT CTPTY
~Ÿ
@¤
^
fl
%fi›$#
‹
⁄
!
~
Multi-information display
Displays various information, for example station frequency,
preset station number and name of selected input source.
Ÿ STEREO indicator
Lights up when an FM stereo broadcast with sufficient signal
strength is received.
! Signal-level meter
Indicates the signal level of the received station.
If multipath interference is detected, the indication decreases.
⁄ SLEEP indicator
Lights up while the built-in SLEEP timer is functioning.
@ Center channel mode indicators
The name of a selected center channel mode lights up only
when a program which uses Dolby Pro Logic Surround is
selected.
¤ EFFECT OFF indicator
Lights up if neither the digital sound field processor nor the
Dolby Pro Logic Surround decoder is on. In this state, sound
output is 2-channel stereo.
# AUTO indicator
Lights up when this unit is in the automatic tuning mode.
‹ MEMORY indicator
When the MEMORY button is pressed, this indicator flashes for
about 5 seconds. During this period, the displayed station can
be programmed to the memory by using the A/B/C/D/E button
and the preset station number selector buttons.
$ RDS mode indicators HTR-5130RDS only
The name(s) of RDS mode(s) employed by the currently
received RDS station light(s) up. Illumination of the indicator on
the head of a name shows that the corresponding RDS mode
is now selected.
› PTY HOLD indicator HTR-5130RDS only
Lights up while the search is performed in the PTY SEEK
mode.
% EON indicator HTR-5130RDS only
Lights up when an RDS station that employs the EON data
service is received.
fi Program type name indicators HTR-5130RDS only
The name selected in the EON mode lights up.
^ TAPE MON indicator
Lights up when the tape deck (or MD recorder, etc.) is selected
as the input source by pressing the TAPE/MD MONITOR
button.
fl DSP program indicators
The name of a selected DSP program lights up when the built-
in digital sound field processor or the Dolby Pro Logic Surround
decoder is on.
17
English
REMOTE CONTROL TRANSMITTER
The remote control transmitter provided with this unit is designed to control all the most commonly used functions of this unit. If the
CD player and tape deck connected to this unit are YAMAHA components designed for remote control compatibility, then this remote
control transmitter will also control various functions of each component.
REC/PAUSE
DIR BDIR A
PLAY
DISC
POWER /I
VOLUME
PLAY
PRESET
A/B/C/D/E
–+
TIME/
LEVEL
TEST
EFFECT
PROGRAM
PROLOGIC
ENHANCED
–+
SLEEP
TAPE
A/B
ON/OFF
2CH
/6CH
TUNER
CD
PHONO
DELAY/CENTER
/REAR/SWFR
DVD/LD
VCR
TV/DBS
!
⁄
2
‹
$
¤
#
@
Ÿ
1
~
18
For Control of This Unit
~ DELAY/CENTER/REAR/SWFR and TIME/LEVEL +/–
keys
Adjust the delay time (DELAY), the center channel output level
(CENTER), the rear channel output level (REAR) and the
output level to the SUBWOOFER OUTPUT terminal (SWFR).
Select the item which you want to adjust by pressing the
DELAY/CENTER/REAR/SWFR key and adjust the time or
level by pressing the TIME/LEVEL +/– key. (Refer to pages 25,
37 and 38.)
Ÿ Tuner keys
Use to tune stations or to select a preset station.
PRESET +: Selects higher preset station number.
PRESET –: Selects lower preset station number.
A/B/C/D/E: Selects the group (A-E) of preset station numbers.
! SLEEP timer key
Use to turn the built-in SLEEP timer on and off, and to set the
SLEEP time. (Refer to page 39.)
⁄ POWER /I key
Turns the power to this unit on and puts this unit into the
standby mode alternately.
@ VOLUME +/– keys
Turn the volume level up and down.
¤ Input selector keys
Use to select the input source.
When the TV/DBS or DVD/LD input source is selected,
pressing the same key (TV/DBS or DVD/LD) switches the input
signals between 2 channel stereo signals and 6 channel
discrete signals. When switched to “6ch”, discrete signals from
the unit connected to the 6CH DISCRETE INPUT terminals of
this unit are selected as the input signals.
# Program selector keys
PROGRAM:
When the built-in digital sound field processor (including the
Dolby Pro Logic Surround decoder) is on, this key changes the
currently selected DSP program whenever the right or left side
of this key is pressed.
PROLOGIC:
Directly selects the PRO LOGIC program.
ENHANCED:
Directly selects the
PRO LOGIC ENHANCED program.
‹ EFFECT ON/OFF key
Switches the digital sound field processor on and off (including
the Dolby Pro Logic Surround decoder). (Refer to page 36.)
$ TEST key
Used for speaker balance adjustment. (Refer to pages 19–21.)
For Other Component Control
Identify the remote control transmitter keys with your
component’s keys. If these keys are identical, their functions
will be the same. For each key function, refer to the instruction
manual supplied with the appropriate component.
1 Tape deck keys
Use to control a cassette deck.
* DIR A, B and A/B are applicable only to double
cassette tape deck.
* For a single cassette deck with automatic reverse
function, pressing DIR A will reverse the direction of
tape running.
2 CD player keys
Use to control a compact disc player.
* DISC is applicable only to a compact disc changer.
19
English
SPEAKER BALANCE ADJUSTMENT
This procedure lets you adjust the sound output level balance between the main, center, and rear speakers using the built-in test
tone generator. When this adjustment is performed, the level heard at the listening position should sound the same from each
speaker. This is important for the best performance of the digital sound field processor and the Dolby Pro Logic Surround decoder.
LR
2
1
3
4
REC/PAUSE
DIR BDIR A
PLAY
DISC
POWER /I
VOLUME
PLAY
PRESET
A/B/C/D/E
–+
TIME/
LEVEL
TEST
EFFECT
PROGRAM
PROLOGIC
ENHANCED
–+
SLEEP
TAPE
A/B
ON/OFF
2CH
/6CH
TUNER
CD
PHONO
DELAY/CENTER
/REAR/SWFR
DVD/LD
VCR
TV/DBS
5
1
Set VOLUME to the minimum level (– ∞ dB).
2 Turn the power on.
4
VOLUME
l6
20
28
40
60
l2
8
4
2
0
–dB
STANDBY/ON
SPEAKERS
A
ON
OFF
B
BASS TREBLE BALANCE
55
4
3
2
l
0
l
2
3
4
55
4
3
2
l
0
l
2
3
4
LR55
4
3
2
l
0
l
2
3
4
TEST
3 Select the main speakers to be used.
* If you use two main speaker systems, press both the A
and B switches.
4
Set BASS, TREBLE and BALANCE to the “0” position.
5
20
LR
867
REC/PAUSE
DIR BDIR A
PLAY
DISC
POWER /I
VOLUME
PLAY
PRESET
A/B/C/D/E
–+
TIME/
LEVEL
TEST
EFFECT
PROGRAM
PROLOGIC
ENHANCED
–+
SLEEP
TAPE
A/B
ON/OFF
2CH
/6CH
TUNER
CD
PHONO
DELAY/CENTER
/REAR/SWFR
DVD/LD
VCR
TV/DBS
7
9
10
6 Select the center channel output mode suitable for your
speaker configuration.
(Refer to “SPEAKER CONFIGURATION” on page 7.)
On the feature of each mode, refer to the “Note” shown
below.
Note
In step 6, when you select a center channel output mode, note
the following.
For 5 speaker configuration
NORMAL: Select this mode when you use a center speaker
that is smaller than the main speakers. In this
mode, the bass tone will be output from the main
speakers.
WIDE: Select this mode when you use a center speaker
approximately the same size as the main
speakers.
For 4 speaker configuration
PHANTOM: Select this mode when you do not use the center
speaker. The center speaker sound will be output
from the left and right main speakers.
CENTER MODE
NORMAL
WIDE
PHANTOM
4
VOLUME
l6
20
28
40
60
l2
8
4
2
0
–dB
BALANCE
55
4
3
2
l
0
l
2
3
4
LR
7Turn up the volume.
You will hear a test tone (like pink noise) in order from the
left main speaker, the center speaker, the right main
speaker, and then the rear speakers for about two seconds
each. The display changes as shown below.
* The test tone from the left rear speaker and the right rear
speaker will be heard at the same time.
8 Adjust the BALANCE control so that the sound output
level of the left main speaker and the right main
speaker are the same.
Main (L) Center
Rear (L and R) Main (R)
21
English
9 Adjust the sound output levels of the center speaker
and the rear speakers so that they sound as similar as
possible to the level of the main speakers.
Make the adjustment of each speaker output level at your
listening position with the remote control transmitter.
a) Press once or more so that “CENTER” or “REAR”
appears on the display.
* Select “CENTER” to adjust the output level of the
center speaker, and select “REAR” to adjust the
output level of the rear speakers.
b) Adjust the level.
* Pressing the + side raises the level and the – side
lowers the level.
10 Cancel the test tone.
Notes
● Once you have completed these adjustments, you can
adjust the overall sound level of your audio system by using
the VOLUME control (or the VOLUME keys on the remote
control transmitter) only.
● If you use external power amplifiers, you may also use their
volume controls to achieve proper balance.
● In step 9, if the center channel mode is in the “PHANTOM”
position, the sound output level of the center speaker cannot
be adjusted, because the center sound is automatically
output from the left and right main speakers.
DELAY/CENTER
/REAR/SWFR
TIME/
LEVEL
–+
TEST
Disappears.
MAIN
LEVEL
-10dB 0dB
MAIN LEVEL switch HTR-5130RDS only
If the main speakers are distinctly louder than the rear
speakers even after making balance adjustments, it is
possible to decrease the output level of the MAIN SPEAKERS
terminals by 10 dB by setting this switch to “–10 dB”.
Otherwise, keep this switch set to “0 dB”.
22
From page 22 to 38, this manual describes how to operate this unit mainly by using the front panel control parts.
To operate this unit on the remote control transmitter, use the corresponding keys on the remote control transmitter.
BASIC OPERATIONS
TO PLAY A SOURCE
LR
2
4
7
3
1, 6
1
Set VOLUME to the minimum level (– ∞ dB).
2 Turn the power on.
3 Select the desired input source by using the input
selector buttons.
(For video sources, turn the TV/monitor ON.)
* The name of the selected input source will appear on
the display.
4 Select the main speakers to be used.
* If you use two main speaker systems, press both the
A and B switches.
4
VOLUME
l6
20
28
40
60
l2
8
4
2
0
–dB
STANDBY/ON
TAPE/MD
MONITOR
TUNER
CD
PHONO
SPEAKERS
A
ON
OFF
B
4
VOLUME
l6
20
28
40
60
l2
8
4
2
0
–dB
5 Play the source. (For detailed information on tuning
operations, refer to page 26.)
6
Adjust to the desired output level.
7 If desired, adjust BASS, TREBLE and BALANCE (refer
to page 25), and/or use the digital sound field
processor. (Refer to page 36.)
Notes on using the input selector buttons
● Note that pressing each input selector button selects the
source which is connected to the corresponding input
terminals on the rear panel.
● The selection of TAPE/MD MONITOR cannot be canceled
by pressing another input selector button. To cancel it, press
TAPE/MD MONITOR again so that the TAPE MON indicator
disappears from the display.
When you select a button other than TAPE/MD
MONITOR, make sure that the TAPE MON indicator is not
illuminated on the display.
● If you select the input selector button for a video source
without canceling the selection of TAPE/MD MONITOR, the
playback result will be the video image from the video
source and the sound from the audio tape (or MD, etc.).
● Once you play a video source, its video image will not be
interrupted even if the input selector button for an audio
source is selected.
When you finish using this unit
Press the STANDBY/ON switch on the front panel again or the
POWER
/I key on the remote control transmitter to put this
unit in the standby mode.
23
English
To listen to a source with Dolby Digital, DTS or other future format by reproducing the
decoded signals input at the 6CH DISCRETE INPUT terminals of this unit.
In step 3 on page 22, press either the DVD/LD or TV/DBS
button once or more so that “6ch” appears in the display.
Discrete signals from the component connected to the 6CH
DISCRETE INPUT terminals of this unit are selected as the
input signals.
TV
/
DBS
TAPE/MD
MONITOR
2CH/6CH
CD
PHONO
2CH/6CH
DVD/LD
VCR
TV
/
DBS
T
A
M
O
2CH
/
U
NER
CD
PHONO
2CH/6CH
DV
D
or
To stop listening to a decoded source with Dolby
Digital, DTS, or other future format
Press the DVD/LD or TV/DBS button again to switch the input
from six channel input to two channel input or select another
input source. When two channel input is selected, the 6CH
DISCRETE INPUT terminals are not used.
Notes on reproducing discrete signals with Dolby Digital,
DTS, or other future format:
1. Your speaker system must include a center speaker.
2. Your speaker system should include a subwoofer.
* Connect a subwoofer which has a built-in amplifier
directly to the SUBWOOFER OUTPUT terminal of this
unit. For more details on hooking up a subwoofer to this
unit, refer to pages 10 and 12.
* If you do not have a subwoofer in your system, it may be
possible to make a setting on the Dolby Digital, DTS, or
other future format decoder to distribute LFE channel
signals to the right and left MAIN output terminals.
For details, refer to the owner’s manual supplied with
your decoder.
Notes
● When you switch to the “6ch” mode, the built-in digital sound
field processor (DSP) will not work and adjustments to delay
time settings cannot be made.
● Switching this unit to the “6ch” mode will input no signal to
this unit if there is no connection made to the 6CH
DISCRETE INPUT terminals of this unit.
24
TO RECORD A SOURCE TO TAPE OR MD
LR
1
42
1Select the source to be recorded.
2 Play the source and then turn the VOLUME control up
to confirm the input source. (For detailed information
on tuning operations, refer to the page 26.)
TAPE/MD
MONITOR
TUNER
CD
PHONO
4
VOLUME
l6
20
28
40
60
l2
8
4
2
0
–dB
TV
/
DBS
TAPE/MD
MONITOR
2CH/6CH
CD
P
HONO
2CH/6CH
DVD/LD
3 Begin recording on the tape deck (or MD recorder, etc.)
or VCR connected to this unit.
4 If the tape deck (or MD recorder, etc.) is used for
recording, you can monitor the sounds being recorded
by pressing TAPE/MD MONITOR so that the “TAPE
MON” indicator lights up on the display.
Notes
● The settings of DSP and the VOLUME, BASS, TREBLE and
BALANCE controls have no effect on the material being
recorded.
● In step 1, do not make an input source selection so that
“6ch” appears on the display. Signals input to this unit’s 6CH
DISCRETE INPUT terminals cannot be recorded by a tape
deck, MD recorder or VCR.
25
English
English
Selecting the SPEAKER system
Because one or two speaker systems (as main speakers) can
be connected to this unit, the SPEAKERS switches allow you
to select speaker system A or B, or both at once.
Adjusting the BALANCE control
Adjust the balance of the output volume to the left and right
speakers to compensate for sound imbalance caused by
speaker location or listening room conditions.
Note
This control is effective only for the sound from the main
speakers.
SPEAKERS
A
ON
OFF
B
BALANCE
55
4
3
2
l
0
l
2
3
4
LR
BASS TREBLE
55
4
3
2
l
0
l
2
3
4
55
4
3
2
l
0
l
2
3
4
Adjusting the subwoofer output level
If your audio system includes a subwoofer, and an amplifier driving the subwoofer (or a subwoofer system including an amplifier) is
connected to the SUBWOOFER OUTPUT terminal on the rear of this unit, you can adjust the subwoofer output level on this unit.
1 Press once or more so that “SWFR” appears on the display.
2 By continuously pressing the “+” or “–” side of the TIME/
LEVEL button, the level value changes continuously.
If you feel that bass tone is insufficient, increase the level,
and if you feel that bass tone is overly emphasized,
decrease the level.
Control range: MIN, –20 to 0 dB
DELAY/CENTER/
REAR/SWFR
TIME
/
LEVEL
Adjustable
Adjusting the BASS and TREBLE
controls
BASS : Turn this clockwise to increase (or counterclockwise
to decrease) the low frequency response.
TREBLE : Turn this clockwise to increase (or counterclockwise
to decrease) the high frequency response.
Note
These controls are effective only for the sound from the main
speakers.
26
TUNING OPERATIONS
Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is
possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING).
LR
1
32
4
AUTOMATIC TUNING
1 Select “TUNER” as the input source.
2 Select the reception band (FM or AM) confirming it in
the display.
3
4 To tune to a higher frequency, press the right side once.
To tune to a lower frequency, press the left side once.
* If the station where tuning search stops is not the desired
one, press again.
* If the tuning search does not stop at the desired station
(because the signals of the station are weak), change to
the MANUAL TUNING method.
TAPE/MD
MONITOR
TUNER
CD
PHONO
FM
/
AM
or
TUNING
MODE
AUTO
/
MAN'L MONO
AUTO
DOWN UP
TUNING
MANUAL TUNING
TAPE/MD
MONITOR
TUNER
CD
PHONO
FM
/
AM
or
TUNING
MODE
AUTO
/
MAN'L MONO
Turn the “AUTO”
indicator off.
DOWN UP
TUNING
1 Select “TUNER” as the input source.
2 Select the reception band (FM or AM) confirming it in
the display.
3
4 Tune to a desired station manually.
* For a continuous tuning search, press and hold the
button.
Notes
● If you tune to an FM station manually, it is received in
monaural mode automatically to increase the signal quality.
● HTR-5130RDS only When tuned to a station, the
frequency of the received station is shown on the display. If
an RDS station that employs PS data service is received,
the frequency is then replaced by the station name. Refer to
page 32 for details.
27
English
English
PRESET TUNING
MANUAL PRESET TUNING
This unit can store station frequencies selected by tuning operation. With this function, you can recall any desired station by
selecting the preset station number where it is stored. Up to 40 stations (5 groups of 8 stations) can be stored.
LR
2 , 11 4 , 22
3
To store stations
1 Tune to a desired station.
(Refer to the previous page for tuning procedure.)
2 Select a desired group (A – E) of preset stations
confirming it in the display.
3
4 Select a preset station number where you want to
program the station while the “MEMORY” indicator
appears in the display.
* In the same way, program other stations to A2, A3 ... A8.
* You can program more stations to preset station numbers
on other groups in the same way by selecting other
groups in step 2.
A/B/C/D/E
PRESET
MAN'L
/
AUTO FM
MEMORY
MEMORY
1
2
3
4
567
8
PRESET
MHz
AUTO
STEREO
0
20
l00
CONCERT HALL
Shows the displayed station has been
programmed to A1.
To recall a preset station
A/B/C/D/E
1
2
3
4
567
8
Flashes on and off for
about 5 seconds.
11 Select the group of preset stations.
22 Select the preset station number.
Notes
● A new setting can be programmed to replace a former
setting.
● For presets, the setting of the reception mode (stereo or
monaural) is stored along with the station frequency.
Memory back-up
The memory back-up circuit prevents the programmed data
from being lost even if this unit is put in the standby mode, the
power plug is disconnected from the AC outlet, or the power is
cut due to temporary power failure. If, however, the power is
cut for more than one week, the memory may be erased. If so,
it can be re-programmed by simply following the PRESET
TUNING steps.
28
AUTOMATIC PRESET TUNING
You can also make use of an automatic preset tuning function for FM stations only. With this function, this unit performs automatic
tuning and stores stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the
manual preset tuning method on page 27.
HTR-5130RDS only Automatic preset tuning stores only RDS stations. Refer to pages 30 to 34 for details on RDS stations.
To store stations
LR
13
1
2
3
To tune to higher frequencies, press right side once.
To tune to lower frequencies, press left side once.
* If the TUNING button is not pressed for a while, automatic
preset tuning begins automatically toward higher
frequencies.
Automatic preset tuning begins from the frequency currently
displayed. Received stations are programmed to A1, A2 ...
A8 sequentially.
* If more than 8 stations are received, they are programmed
to the preset station numbers in other groups in
alphabetical order.
If you want to store the first station received by the
automatic preset tuning to a desired preset station
number.
If, for example, you want to store the first received station to
C5, select “C5” by using the A/B/C/D/E button and the preset
station number selector buttons after pressing the MEMORY
button in step 2. Then press the TUNING button. The first
received station is stored to C5, and next stations to C6, C7 ...
sequentially.
If stations are stored up to E8, the automatic preset tuning is
automatically concluded.
FM
/
AM
Press and hold for
more than 3 seconds.
MAN'L
/
AUTO FM
MEMORY
PRESET
MEMORY
AUTO
Flashes.
DOWN UP
TUNING
When the automatic preset tuning concludes
The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by
following the procedure of the section “To recall a preset
station” on page 27.
To recall a preset station
Follow the procedure in the section “To recall a preset station”
on page 27.
* HTR-5130RDS only A recalled station is shown by the
frequency or station name in the display.
* HTR-5130 only A recalled station is shown by the
frequency in the display.
Notes
● You can replace a preset station with another FM or AM
station manually by following the procedure in the section
“To store stations” on page 27.
● If the number of received stations is not enough to be stored
up to E8, the search is finished automatically after searching
all frequencies.
● With this function, only stations with sufficient signal strength
are stored automatically. If the station you want to program
is weak in signal strength, tune to it in monaural manually
and program it by following the procedure in the section “To
store stations” on page 27.
HTR-5130RDS only There may be a case that this
function cannot receive a station which could be received
by the automatic tuning method. This is because this
function receives a large volume of PI (Program
Identification) data along with the station.
2
29
English
English
EXCHANGING PRESET STATIONS
You can exchange the places of two preset stations with each other as shown below.
Example)
If you want to shift the preset station on E1 to A5, and vice
versa.
LR
2, 4
1 Recall the preset station on E1 (by following the
method in “To recall a preset station” on page 27).
2
3 Next, recall the preset station on A5 by following the
same method as step 1.
EDIT
MEMORY
PRESET
Flashes.
MEMORY
PRESET
Flashes.
EDIT
Shows the exchange of stations is completed.
4
30
In areas where RDS broadcasts cannot be received, the RDS broadcast functions do not operate. (The procedures from page 30 to
page 34 are not necessary.)
RECEIVING RDS STATIONS (HTR-5130RDS only)
RDS (Radio Data System) is a data transmission system gradually being introduced by FM stations in many countries. Stations
using this system transmit an inaudible stream of data in addition to the normal radio signal.
RDS data contains various information, such as PI (Program Identification), PS (Program Service name), PTY (Program Type), RT
(Radio Text), CT (Clock Time), EON (Enhanced Other Networks), etc.
RDS function is carried out among the network stations.
* This unit utilizes PI, PS, PTY, RT, CT and EON to receive RDS broadcast stations.
Displaying RDS data
PRESET
kHz
MHz
MEMORY
AUTO PTY HOLD
SLEEP
TAPE MON
STEREO
0
20
l00
ms dB
PRO LOGIC
ENHANCED
CONCERT
VIDEO
MONO
MOVIE
STADIUM
DISCO
ROCK CONCERT
CONCERT HALL
NORM
WIDE
PHANTOM
EFFECT OFF
PS
EON
AFFAIRS SPORT
NEWS INFO
RT CTPTY
This unit can be turned into the following five modes to display
RDS data.
PS (Program Service name) mode:
Displays the name of the RDS station currently being received
instead of the frequency.
PTY (Program Type) mode:
Displays the type of the program on the RDS station currently
being received. There are 15 program types to classify RDS
stations. Refer to the next page for details.
RT (Radio Text) mode:
Displays information about the program (such as title of the
song, name of the singer, etc.) on the RDS station currently
being received.
CT (Clock Time) mode:
Displays current time. This signal comes from the RDS station
currently being received.
EON (Enhanced Other Networks)
mode:
Automatically receives a program of the designated program
type when its broadcast starts in place of the program currently
being received. When the broadcast of the called program
ends, the previously received program (or another program on
the same station) is recalled.
31
English
English
Program types in the PTY mode
NEWS
AFFAIRS
INFO
SPORT
EDUCATE
DRAMA
CULTURE
SCIENCE
News:
Short accounts of facts, events and publicly
expressed views, reportage and actuality.
Current affairs:
Topical program expanding or enlarging
upon the news, generally in different
presentation style or concept, including
documentary debate, or analysis.
Information:
Program whose purpose is to impart advice
in the widest sense, including
meteorological reports and forecasts,
consumer affairs, medical help, etc.
Sport:
Program concerned with any aspect of
sport.
Education:
Program intended primarily to educate, of
which the formal element is fundamental.
Drama:
All radio plays and serials.
Culture:
Programs concerned with any aspect of
national or regional culture, including
religious affairs, philosophy, social science,
language, theatre, etc.
Science:
Programs about the natural sciences and
technology.
VARIED
POP M
ROCK M
M.O.R. M
LIGHT M
CLASSICS
OTHER M
Varied:
Used for mainly speech-based programs
usually of light-entertainment nature, not
covered by above categories. Examples
are: quizzes, panel games, personality
interviews, comedy and satire.
Pop:
Commercial music, which would generally
be considered to be of current popular
appeal, often featuring in current or recent
record sales charts.
Rock:
Contemporary modern music, usually
written and performed by young musicians.
M.O.R.:
(Middle of the Road Music). Common term
to describe music considered to be “easy-
listening”, as opposed to Pop, Rock or
Classical. Music in this category is often but
not always, vocal, and usually of short
duration (<5 min.).
Light classics:
Classical Musical for general, rather than
specialist appreciation. Examples of music
in this category are instrumental music, and
vocal or choral works.
Serious classics:
Performances of major orchestral works,
symphonies, chamber music, etc., including
Grand Opera.
Other music:
Musical styles not fitting into any of the
above categories. Particularly used for
specialist music, of which Jazz, Rhythm &
Blues, Folk, Country, and Reggae are
examples.
32
Changing the RDS modes
When an RDS station is received, “PS”, “PTY”, “RT” and/or “CT” that correspond to the RDS data services employed by the station
light up in the display. By pressing the RDS MODE/FREQ button once or more, you can change the display mode among the RDS
modes employed by the received station in the order shown below. (The RDS mode not employed by the station cannot be
selected.) Illumination of the indicator at the head of a name of an RDS mode shows that the corresponding RDS mode is selected.
* When an RDS station is received, do not press the RDS MODE/FREQ button until one or more RDS mode names light up in the
display. If the button is pressed before one or more names light up in the display, the mode cannot be changed because the unit
has not received all of the RDS data on the station yet.
* If no RDS mode name lights up in the display, the mode cannot be changed.
PS mode The name of the station being received is displayed.
If the station does not employ the PS data service, this mode cannot be
selected.
PTY mode The type of the program on the station being received is displayed. If
the station does not employ the PTY data service, this mode cannot be
selected.
(You can make this unit search for a station which is broadcasting a
program of your desired program type. For details, refer to the next
page.)
RT mode Information about the program on the station being received is
displayed. Information is displayed by a maximum of 64 Roman
Alphabets including umlaut sign. If other characters are used on the RT
data, they are displayed with under-bars.
If the station does not employ the RT data service, this mode cannot be
selected.
CT mode Current time is displayed in the following form. The CT data from the
station being received changes every minute.
If the data is accidentally cut off, “CT WAIT” may light up. If the station
does not employ the CT data service, this mode cannot be selected.
Frequency The frequency of the station being received is displayed.
display mode
RDS MODE/
FREQ
➤
➤ ➤
➤
➤
Hour
Minute
Notes
● RDS data service cannot be utilized by this unit if the received signal is not strong enough. The RT (Radio Text) in particular
transmits a great deal of data and needs strong signal reception to be successfully transmitted, so it may occur that RT mode
cannot be displayed even if other RDS modes (PS, PTY, etc.) are displayed.
● There may be a case that RDS data reception is not possible due to poor reception conditions. If so, press the TUNING MODE
button so that the “AUTO” indicator goes off from the display. Though the reception mode is changed to monaural by this
operation, when you change the display to an RDS mode, RDS data may be displayed.
● If the signal strength becomes weakened by external interference during RDS station reception, the RDS data service may be cut
off suddenly and “...WAIT” will be displayed.
33
English
Calling a program of your desired program type
from among preset RDS stations (PTY SEEK) (HTR-5130RDS only)
By designating a program type, the unit automatically searches all preset stations for an RDS station which broadcasts a program of
that program type.
* There are 15 program types to classify RDS stations. For details, refer to page 31.
LR
13
2
1Put the unit in the PTY SEEK mode.
* The program type of the station now being received or
“NEWS” flashes in the display.
2 Select the desired program type.
MODE
START
PTY SEEK
Flashes.
DOWN UP
TUNING
MODE
START
PTY SEEK
AUTO PTY HOLD
PS RT CTPTY
Flashes.
3 Begin searching all preset RDS stations.
* The PTY HOLD indicator lights up in the display.
● If a station which broadcasts a program of the program
type is found, the unit stops at the station and the station
name (Program Service name) lights in the display.
● If a station found is not one you want, press the PTY
SEEK START button once more. The unit begins
searching for another station which brodcasts a program
of the same program type.
● To stop the search, press the PTY SEEK START button
once more.
To cancel this mode
If the PTY SEEK MODE button is pressed once more, the PTY
SEEK mode is canceled.
34
Setting this unit to automatically tune a specified program type
when its broadcast starts (HTR-5130RDS only)
This function uses the EON (Enhanced Other Networks) data service on the RDS station network.
By selecting a desired program type (NEWS, INFO, AFFAIRS or SPORT), this unit automatically searches all preset RDS stations
for a station that broadcasts that type of program in the background of tuner operations. If found, the desired program type is
received when its broadcast starts in place of the program which was being received.
* This function can be used only when an RDS station that employs the EON data service is received. (When such a station is
received, the “EON” indicator lights up in the display.)
LR
2
kHz
MHz
MEMORY
AUTO PTY HOLD
SLEEP
TAPE MON
STEREO
0
20
l00
ms dB
PRO LOGIC
ENHANCED
CONCERT
VIDEO
MONO
MOVIE
STADIUM
DISCO
ROCK CONCERT
CONCERT HALL
NORM
WIDE
PHANTOM
EFFECT OFF
PS
EON
NEWS INFO
RT CTPTY
1 Make sure that the “EON” indicator is illuminated in the
display.
* If the “EON” indicator is not illuminated in the display,
receive an (or another) RDS station so that the “EON”
indicator lights up in the display.
2 Select a desired program type, NEWS, INFO, AFFAIRS
or SPORT.
The search is performed among all preset RDS stations in
the background. If a program is found, the program is
automatically received when its broadcast starts.
EON
kHz
MHz
MEMORY
AUTO PTY HOLD
TAPE MON
STERE
O
E
O
0
20
ms dB
PRO LOGIC
ENHANCED
CONCER
T
VIDEO
PS
EON
NEWS
RT CTPTY
Press once
or more.
Lights up.
kHz
MHz
MEMORY
AUTO PTY HOLD
SLEEP
TAPE MON
STEREO
0
20
l00
ms dB
PRO LOGIC
ENHANCED
CONCERT
VIDEO
MONO
MOVIE
STADIUM
DISCO
ROCK CONCERT
CONCERT HALL
NORM
WIDE
PHANTOM
EFFECT OFF
PS
EON
AFFAIRS SPORT
NEWS INFO
RT CTPTY
Flashes.
kHz
MHz
MEMORY
AUTO PTY HOLD
SLEEP
TAPE MON
STEREO
0
20
l00
ms dB
PRO LOGIC
ENHANCED
CONCERT
VIDEO
MONO
MOVIE
STADIUM
DISCO
ROCK CONCERT
CONCERT HALL
NORM
WIDE
PHANTOM
EFFECT OFF
PS
EON
NEWS INFO
RT CTPTY
3 When the broadcast of the program ends, the
previously received program (or another program on
the same station) is recalled.
To cancel this function
Press the EON button once or more, so that no program type
name lights up in the display.
35
English
USING DIGITAL SOUND FIELD PROCESSOR (DSP)
This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand
and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your
listening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course, depend
on what you will be listening to), and adding desired adjustments.
In addition, this unit incorporates a Dolby Pro Logic Surround decoder for multi-channel sound reproduction of sources encoded with
Dolby Surround. The operation of the Dolby Pro Logic Surround decoder can be controlled by selecting a corresponding DSP
program including a combined operation of Yamaha DSP and Dolby Pro Logic Surround.
Brief Overview of Digital Sound Field Programs
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of
these are precise digital recreations of actual acoustic environments. The data for these sound fields was recorded at actual
locations using sophisticated sound field measurement equipment.
Note
The channel level balance between the left and right rear effect speakers may vary depending on the sound field you are
listening to. This is due to the fact that most of these sound field recreations are actual acoustic environments.
FEATURE
This program is used for playback of sources encoded with Dolby Surround.
The application of a sophisticated digital signal processing system reduces crosstalk and directs or steers
the sound source more smoothly and precisely, as compared to conventional types.
This program is also used for playback of sources encoded with Dolby Surround.
Enhancing the “Normal” Dolby Pro Logic, the DSP technology simulates the multi-surround speaker
systems of a 35 mm movie theater. This effect creates a wide surround sound field, and expands the
sound stage with an improved presence image. This program is used for musical based movies, as well
as drama and comedy based movies.
This program is effective for music videos and gives excellent depth and clarity for vocals. For opera, the
orchestra and stage are ideally recreated, letting you feel as if you were in an actual concert hall.
This program is designed specifically to enhance mono source programs. Compared to a strictly mono
setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an
immediacy to the overall sound. It is particularly effective when used with old mono movies, news
broadcasts and dialog.
This program is furnished with a tight sound field in which the sound will not spread excessively on the
front side, but the rear surround side produces a dynamic sound expansion. This program is the most
suitable for sports programs.
This program recreates the acoustic environment of a lively disco in the heart of a very lively city. The
sound is dense and highly concentrated. It is also characterized by a high-energy, “immediate” sound.
This program is ideally suited for rock music. You will experience a very dynamic or lively sound field.
In this program, the center will appear to be deep behind the main speakers, creating an expansive large
hall ambience. Orchestra and opera music are suited for this sound field.
PROGRAM
PRO LOGIC
PRO LOGIC
ENHANCED
CONCERT VIDEO
MONO MOVIE
TV SPORTS
DISCO
ROCK CONCERT
CONCERT HALL
36
Applying a digital sound field processor (DSP) effect to an audio source
l6
20
28
40
60
l2
8
4
2
0
–dB
2
REC/PAUSE
DIR BDIR A
PLAY
DISC
POWER /I
VOLUME
PLAY
PRESET
A/B/C/D/E
–+
TIME/
LEVEL
TEST
EFFECT
PROGRAM
PROLOGIC
ENHANCED
–+
SLEEP
TAPE
A/B
ON/OFF
2CH
/6CH
TUNER
CD
PHONO
DELAY/CENTER
/REAR/SWFR
DVD/LD
VCR
TV/DBS
2
1 Follow steps 1 to 6 of the procedure shown in “TO
PLAY A SOURCE” on page 22.
2 Select a program that is suitable for the source.
The selected mode indicator lights in the display.
3 If desired, adjust the delay time and the output level of
each speaker. (For details, refer to the descriptions on
pages 37 and 38.)
PRO LOGIC
ENHANCED
PRO LOGIC
EFFECT
ON/OFF
PROGRAM
PROLOGIC
ENHANCED
Notes
● Program selection can be made to individual input sources.
Once you select a program, it is linked with the input source
selected at that time. So, the next time you select the input
source, the same program is automatically recalled.
● If you prefer to cancel the DSP, press the EFFECT button.
The sound will be the normal 2-channel stereo without
surround sound effect.
● When CONCERT VIDEO, MONO MOVIE, TV SPORTS,
DISCO, ROCK CONCERT or CONCERT HALL is selected,
no sound is heard from the center speaker.
● When a monaural sound source is played with DOLBY PRO
LOGIC or DOLBY PRO LOGIC ENHANCED, no sound is
heard from the rear speakers.
● When this unit’s Dolby Pro Logic Surround decoder is used,
if the main-source sound is considerably altered by
overadjustment of the BASS or TREBLE control, the
relationship between the center and rear channels may
produce an unnatural effect.
● To select a DSP program on the remote control transmitter,
first turn the DSP on so that a program name lights up on
the display by pressing the EFFECT key. Next, select a
desired DSP program by pressing the or side of
PROGRAM key.
* Pressing the PROLOGIC or ENHANCED key turns the
DSP on and selects the corresponding program directly.
37
English
Adjustment of the CENTER LEVEL
If desired, you can adjust the sound output level of the center
speaker even if the output level is already set in “SPEAKER
BALANCE ADJUSTMENT” on page 19.
1 Press repeatedly until “CENTER” appears on the display.
2 Pressing and holding the “+” or “–” side of the TIME/LEVEL
button continuously changes the level value.
The value stops changing momentarily at the preset point
(0 dB).
Control range: MIN, –20 to +10 dB
DELAY/CENTER/
REAR/SWFR
TIME
/
LEVEL
Adjustment of the REAR LEVEL
If desired, you can adjust the sound output level of the rear
speakers even if the output level is already set in “SPEAKER
BALANCE ADJUSTMENT” on page 19.
1 Press repeatedly until “REAR” appears on the display.
2 Pressing and holding the “+” or “–” side of the TIME/LEVEL
button continuously changes the level value.
The value stops changing momentarily at the preset point
(0 dB).
Control range: MIN, –20 to +10 dB
DELAY/CENTER/
REAR/SWFR
TIME
/
LEVEL
Adjustable
Adjustable
Notes
● This adjustment can be made only when the digital sound
field program DOLBY PRO LOGIC or DOLBY PRO LOGIC
ENHANCED is selected.
● Once the output level is adjusted, the level value will be the
same in all the digital sound field programs mentioned
above.
Notes
● This adjustment can be made only when the built-in digital
sound field processor is on.
● Once the output level is adjusted, the level value will be the
same in all the digital sound field programs.
38
You can adjust the time difference between the beginning of
the sound from the main speakers and the beginning of the
effect sound from the rear speakers.
The larger the value, the later the effect sound is generated.
This adjustment can be made to all programs individually.
PRO LOGIC : from 15 to 30 milliseconds
(Preset value: 20 milliseconds)
PRO LOGIC : from 15 to 30 milliseconds
ENHANCED (Preset value: 20 milliseconds)
CONCERT VIDEO: from 1 to 100 milliseconds
(Preset value: 28 milliseconds)
MONO MOVIE : from 1 to 100 milliseconds
(Preset value: 20 milliseconds)
TV SPORTS : from 1 to 50 milliseconds
(Preset value: 45 milliseconds)
DISCO : from 1 to 100 milliseconds
(Preset value: 14 milliseconds)
ROCK CONCERT : from 1 to 100 milliseconds
(Preset value: 17 milliseconds)
CONCERT HALL : from 1 to 100 milliseconds
(Preset value: 30 milliseconds)
Adjustment of DELAY TIME
DELAY/CENTER/
REAR/SWFR
ms
TIME
/
LEVEL
ms
Adjustable
Note
The values of the delay time, center level, rear level and
subwoofer output level you set will remain memorized even
when this unit is in the standby mode.
However, if the power cord is kept disconnected for more than
one week, these values will be automatically changed back to
the original factory settings.
1 Press repeatedly until “DELAY” appears on the display.
2 Pressing and holding the “+” or “–” side of the TIME/LEVEL
button continuously changes the value.
The value stops changing momentarily at the preset point.
Notes
● When the TIME/LEVEL button is pressed, sound is
momentarily interrupted.
● Adding too much delay will cause an unnatural effect with
some sources.
39
English
SETTING THE SLEEP TIMER
If you use the SLEEP timer of this unit, you can have this unit automatically put in the standby mode after a set period of time.
When you want to go to sleep while enjoying a broadcast or other desired input source, this timer function is helpful.
Notes
● The SLEEP timer can be controlled only with the remote control transmitter.
● The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear
panel of this unit.
To set the SLEEP time
1
Whenever the SLEEP key is pressed, the SLEEP time
will change as follows.
After a while, the display returns to the indication
displayed before the SLEEP timer was set.
2 The unit will be turned into the standby mode
automatically at the selected SLEEP time.
SLEEP
Press repeatedly to select the desired
SLEEP time.
SLEEP
CONCERT HALL
Indicates the SLEEP time.
Lights up.
120 90 60 30
(Minutes)
The SLEEP timer is off (OFF).
(The state before the SLEEP
key is pressed.)
To cancel the selected SLEEP time
Press repeatedly until “SLEEP OFF” appears in the display. (It
will soon disappear and the “SLEEP” indicator will go off from
the display.)
Note
The SLEEP timer setting can also be canceled by putting this
unit into the standby mode with the STANDBY/ON switch on
the front panel (or the POWER
/I key on the remote control
transmitter) or disconnecting the power plug of this unit from
the AC outlet.
SLEEP
40
TROUBLESHOOTING
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and
contact your authorized YAMAHA dealer or service center for help.
SYMPTOM
The unit fails to turn on when the
STANDBY/ON switch is pressed, or
turns into the standby mode suddenly
soon after the power is turned on.
It happens that this unit does not work
normally.
No sound or no picture.
The sound suddenly goes off.
Only one side speaker outputs the
sound.
Sound “hums”.
The volume level is low while playing a
record.
The volume level cannot be increased,
or sound is distorted.
No sound from the rear speakers.
No sound from the center speaker.
FM stereo reception is noisy.
There is distortion and clear reception
cannot be obtained even with a good
FM antenna.
A desired station cannot be tuned in
with the automatic tuning method.
Previously preset stations can no
longer be tuned in.
A desired station cannot be tuned in
with the automatic tuning method.
There are continuous crackling and
hissing noises.
There are buzzing and whining noises
(especially in the evening).
The remote control transmitter does not
work.
The sound is degraded when listening
with the headphones connected to the
compact disc player or cassette deck
that are connected with this unit.
REMEDY
Firmly plug in the power cord.
Set the switch to the right or the left end firmly.
Turn this unit into the standby mode and disconnect the
AC power cord from the AC outlet. After about 30
seconds, connect the power and operate this unit again.
Connect the cords properly. If the problem persists, the
cords may be defective.
Select an appropriate input source with the input
selector buttons.
Set the SPEAKERS switch which corresponds to the
speakers to be used to the ON position.
Secure the connections.
Turn this unit into the standby mode, and then turn on
to reset the protection circuit.
Cancel the SLEEP timer function.
Adjust it to the appropriate position.
Connect the cords properly. If the problem persists, the
cords may be defective.
Firmly connect the audio plugs. If the problem persists,
the cords may be defective.
Make the GND connection between the turntable and
this unit.
The player should be connected to the unit through the
MC head amplifier.
Turn the power to the component on.
Raise the sound output level to the rear speakers.
Select another program suitable for the monaural sound
source.
Raise the sound output level to the center speaker.
Select NORMAL or WIDE.
Select the appropriate program.
Check the antenna connections.
Try using a high quality directional FM antenna.
Set the TUNING MODE button to the manual tuning
mode.
Adjust antenna placement to eliminate multipath
interference.
Use the manual tuning method.
Use a high quality directional FM antenna.
Repeat the presetting procedure.
Tighten the AM loop antenna connections and rotate it
for best reception.
Use the manual tuning method.
Use an outdoor antenna and a ground wire. This will
help somewhat but it is difficult to eliminate all noise.
Relocate this unit away from the TV.
Change the position of the main unit.
Replace the batteries with new ones.
Turn the power to this unit on.
CAUSE
Power cord is not plugged in or is not completely
inserted.
The IMPEDANCE SELECTOR switch on the rear
panel is not set to the right or the left end firmly.
There is an influence of strong external noise
(lightning, excessive static electricity, etc.) or a
misoperation on this unit while using this unit.
Incorrect output cord connections.
Appropriate input source is not selected.
The SPEAKERS switches are not set properly.
Speaker connections are not secure.
The protection circuit has been activated because of
short circuit etc.
The SLEEP timer has functioned.
Incorrect setting of the BALANCE control.
Incorrect cord connections.
Incorrect cord connections.
No connection from the turntable to the GND terminal.
The record is being played on a turntable with an MC
cartridge.
The component connected to the REC OUT terminals
of this unit is turned off.
The sound output level to the rear speakers is set to
minimum.
The monaural sound source is played in DOLBY PRO
LOGIC or DOLBY PRO LOGIC ENHANCED mode.
The sound output level to the center speaker is set to
minimum.
The center channel mode is in PHANTOM mode.
Incorrect sound field program selection.
Because of the characteristics of FM stereo
broadcasts, this is limited to cases where the
transmitter is too far away or the antenna input is poor.
There is multipath interference.
The station is too weak.
This unit has been unplugged for a long period.
Weak signal or loose antenna connections.
Noises will result from lightning, fluorescent lamps,
motors, thermostats and other electrical equipment.
A television set is being used nearby.
Direct sunlight or lighting (of an inverter type of
fluorescent lamp etc.) is striking the remote control
sensor of the main unit.
The batteries of this remote control transmitter are too
weak.
This unit is in the standby mode.
Amplifier
FM
AM
Remote control
transmitter
Others
41
English
SPECIFICATIONS
Input Sensitivity/Impedance
PHONO (MM) ......................................................2.5 mV/47 k-ohms
CD/TAPE·MD/DVD·LD/TV·DBS/VCR .................150 mV/47 k-ohms
6CH DISCRETE INPUT (EXTERNAL DECODER)
MAIN L/R.........................................................150 mV/47 k-ohms
CENTER .........................................................150 mV/40 k-ohms
REAR L/R........................................................150 mV/40 k-ohms
SUBWOOFER.................................................150 mV/40 k-ohms
Maximum Input Signal
PHONO (MM)
1 kHz, 0.1% THD ................................................ 100 mV or more
CD/TAPE·MD/DVD·LD/TV·DBS/VCR (EFFECT ON)
1 kHz, 0.5% THD .................................................... 2.2 V or more
Output Level/Impedance
REC OUT...........................................................150 mV/2.7 k-ohms
SUBWOOFER (EFFECT OFF) .................................5 V/1.2 k-ohms
Headphone Jack Rated Output Level/Impedance
(1 kHz, 8 ohms, 150 mV) .....................................0.43 V/ 330 ohms
Frequency Response (20 Hz to 20 kHz)
CD/TAPE·MD/DVD·LD/TV·DBS/VCR ...............................0 ± 0.5 dB
RIAA Equalization Deviation
PHONO (MM) ...................................................................0 ± 0.5 dB
Total Harmonic Distortion (20 Hz to 20 kHz)
PHONO (MM) to REC OUT
1 V........................................................................... 0.02% or less
CD/TAPE·MD/DVD·LD/TV·DBS/VCR (EFFECT OFF) to SP OUT
30 W/8 ohms ......................................................... 0.025% or less
Signal-to-Noise Ratio (IHF-A Network)
PHONO (MM) to REC OUT (5 mV Input Shorted)
[U.S.A., Canada, China, and General models] ...... 86 dB or more
[Australia, U.K., and Europe models] ..................... 81 dB or more
CD/TAPE·MD/DVD·LD/TV·DBS/VCR to MAIN SP OUT
(150 mV Input Shorted, EFFECT OFF).................. 96 dB or more
Residual Noise (IHF-A Network)
MAIN L/R to SP OUT .................................................150 µV or less
Channel Separation (Vol. –30 dB, EFFECT OFF)
PHONO
(Input Shorted, 1 kHz/10 kHz)........ 60 dB or more/55 dB or more
CD/TAPE·MD/DVD·LD/TV·DBS/VCR
(Input 5.1 k-ohms shorted, 1 kHz/10 kHz)
....................................................... 60 dB or more/45 dB or more
Tone Control Characteristics
BASS: Boost/cut ................................................... ±10 dB, 50 Hz
Turnover Frequency ..............................................350 Hz
TREBLE: Boost/cut ................................................. ±10 dB, 20 kHz
Turnover Frequency .............................................3.5 kHz
Filter Characteristics
Subwoofer (L.P.F.).........................................fc = 150 kHz, 6 dB/oct.
AUDIO SECTION
Minimum RMS Output Power per Channel (Power Amp. Section)
(When both channels are driven)
Main L, R
8 ohms, 20 Hz to 20 kHz, 0.04% THD ......................... 60 W + 60 W
Center
8 ohms, 20 Hz to 20 kHz, 0.04% THD ......................................60 W
Rear L, R
8 ohms, 20 Hz to 20 kHz, 0.04% THD ......................... 60 W + 60 W
Minimum RMS Output Power per Channel (Power Amp. Section)
(When both channels are driven)
Main L, R
8 ohms, 1 kHz, 0.07% THD ......................................... 70 W + 70 W
Center
8 ohms, 1 kHz, 0.07% THD ......................................................70 W
Rear L, R
8 ohms, 1 kHz, 0.07% THD ......................................... 70 W + 70 W
Maximum Power (EIAJ) [China and General models only]
(When both channels are driven)
Main L, R
8 ohms, 1 kHz, 10% THD ............................................ 95 W + 95 W
Center
8 ohms, 1 kHz, 10% THD .........................................................95 W
Rear L, R
8 ohms, 1 kHz, 10% THD ............................................ 95 W + 95 W
Dynamic Power per Channel
(by IHF Dynamic Headroom measuring method)
Main L, R
8 ohms ......................................................................... 80 W + 80 W
6 ohms ..................................................................... 100 W + 100 W
4 ohms ..................................................................... 120 W + 120 W
2 ohms .................................................................... 145 W + 145 W
DIN Standard Output Power per Channel [Europe model only]
Main L, R
4 ohms, 1 kHz, 0.7% THD ....................................... 100 W + 100 W
Center
4 ohms, 1 kHz, 0.7% THD ......................................................100 W
Rear L, R
4 ohms, 1 kHz, 0.7% THD ....................................... 100 W + 100 W
Dynamic Headroom [U.S.A. and Canada models only]
8 ohms ..................................................................................1.55 dB
IEC Power [Europe model only]
Main L, R
8 ohms, 1 kHz, 0.04% THD ......................................... 65 W + 65 W
Power Band Width
Main L, R
8 ohms, 30 W, 0.1% THD ....................................... 10 Hz to 50 kHz
Damping Factor (SPEAKERS A)
Main L, R
8 ohms, 20 Hz to 20 kHz..................................................60 or more
42
AM SECTION
Tuning Range
[U.S.A. and Canada models] .......................................530 to 1710 kHz
[China and General models]
(frequency step 10 kHz)..........................................530 to 1710 kHz
(frequency step 9 kHz)............................................ 531 to 1611 kHz
[Australia, U.K., and Europe models] ........................... 531 to 1611 kHz
Usable Sensitivity................................................................... 300 µV/m
Output Level
(30% mod., 1 kHz) ................................................................150 mV
Signal-to-Noise Ratio ....................................................................52 dB
Antenna Input................................................................... Loop antenna
GENERAL
Power Supply
[U.K. and Europe models] ........................................... AC 230 V, 50 Hz
[U.S.A. and Canada models] ...................................... AC 120 V, 60 Hz
[Australia model] ......................................................... AC 240 V, 50 Hz
[China model] .............................................................. AC 220 V, 50 Hz
[General model] .................................AC 110/120/220/240 V, 50/60 Hz
Power Consumption
[U.K., Europe, China, Australia and General models]..................260 W
[U.S.A. model] ..............................................................................240 W
[Canada model]............................................................... 260 W/340 VA
Maximum Power Consumption (10% THD,
When 5 channels are driven)
[General model only] ....................................................................630 W
AC Outlets
2 SWITCHED OUTLETS
[Europe, Canada, U.S.A., China and General models]
............................................................................... 100 W max. total
1 SWITCHED OUTLET
[U.K. and Australia models].................................... 100 W max. total
Dimensions (W x H x D)........................................ 435 x 151 x 391 mm
(17-1/8” x 5-15/16” x 15-3/8”)
Weight ................................................................. 10.5 kg (23 lbs. 2 oz.)
Accessories.................................................................AM loop antenna
Indoor FM antenna
75-ohm/300-ohm antenna adapter [U.K. model only]
Antenna adapter [U.S.A. and Canada models only]
Remote control transmitter
Batteries
Specifications are subject to change without notice.
VIDEO SECTION
Video Signal Level ........................................................1 Vp-p/75 ohms
Maximum Input Level .................................................. 1.5 Vp-p or more
Signal-to-Noise Ratio ...................................................... 50 dB or more
Monitor Output Frequency Response ................5 Hz to 10 MHz, –3 dB
FM SECTION
Tuning Range
[U.S.A. and Canada models] ....................................87.5 to 107.9 MHz
[China and General models]
(frequency step 100 kHz).....................................87.5 to 108.0 MHz
(frequency step 50 kHz)...................................87.50 to 108.00 MHz
[Australia, U.K., and Europe models] ................... 87.50 to 108.00 MHz
50 dB Quieting Sensitivity (S/N 50 dB, 1 kHz, 100% Mod.)
[U.S.A., Canada, China and General models only]
IHF, Mono............................................................................... 1.6 µV
IHF, Stereo .............................................................................. 23 µV
Usable Sensitivity (75 ohms)
[Australia, U.K., and Europe models only]
DIN, Mono (S/N 26 dB) .......................................................... 0.9 µV
DIN, Stereo (S/N 46 dB) ......................................................... 28 µV
Alternate Channel Selectivity (±400 kHz)
[U.S.A., Canada, China and General models only].......................75 dB
Selectivity (two signals, 40 kHz Dev. ±300 kHz)
[Australia, U.K., and Europe models only] ....................................55 dB
Signal-to-Noise Ratio (DIN-Weighted, 40 kHz Dev.)
[Australia, U.K., and Europe models only]
Mono/Stereo ................................................................. 75 dB/69 dB
Signal-to-Noise Ratio (IHF)
[U.S.A., Canada, China and General models only]
Mono/Stereo ................................................................. 81 dB/75 dB
Harmonic Distortion
Mono/Stereo (1 kHz)....................................................... 0.1%/0.2%
Stereo Separation (1 kHz) ............................................................48 dB
Frequency Response
(20 Hz to 15 kHz) ..................................................................0 ±1 dB
Output Level
[Australia, U.K., and Europe models]
(40 kHz Dev., 1 kHz) .............................................................550 mV
[U.S.A., Canada, China and General models]
(100% mod., 1 kHz) ..............................................................550 mV
Antenna Input........................................................75 ohms unbalanced
-
1
-
2
-
3
-
4
-
5
-
6
-
7
-
8
-
9
-
10
-
11
-
12
-
13
-
14
-
15
-
16
-
17
-
18
-
19
-
20
-
21
-
22
-
23
-
24
-
25
-
26
-
27
-
28
-
29
-
30
-
31
-
32
-
33
-
34
-
35
-
36
-
37
-
38
-
39
-
40
-
41
-
42
Yamaha HTR-5130 Manual de usuario
- Categoría
- Reproductores de casete
- Tipo
- Manual de usuario
- Este manual también es adecuado para
en otros idiomas
- français: Yamaha HTR-5130 Manuel utilisateur
- italiano: Yamaha HTR-5130 Manuale utente
- English: Yamaha HTR-5130 User manual
- Deutsch: Yamaha HTR-5130 Benutzerhandbuch
- русский: Yamaha HTR-5130 Руководство пользователя
- Nederlands: Yamaha HTR-5130 Handleiding
- português: Yamaha HTR-5130 Manual do usuário
- dansk: Yamaha HTR-5130 Brugermanual
- polski: Yamaha HTR-5130 Instrukcja obsługi
- čeština: Yamaha HTR-5130 Uživatelský manuál
- svenska: Yamaha HTR-5130 Användarmanual
- Türkçe: Yamaha HTR-5130 Kullanım kılavuzu
- suomi: Yamaha HTR-5130 Ohjekirja
- română: Yamaha HTR-5130 Manual de utilizare
Artículos relacionados
-
Yamaha RX-V395 El manual del propietario
-
-
-
-
-
-
-
-
-