Lego 21023 Building Instruction

Tipo
Building Instruction

Este manual también es adecuado para

FlatironBuilding
New York City, NY, USA
LeFlatironBuilding
New York, NY, États-Unis
Edifi cioFlatiron
Ciudad de Nueva York,
Nueva York (EE. UU.)
Booklet available in English on
Livret disponible en français sur
Folleto disponible en español en
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2
Flatiron Building
Sitting on the intersection where Fifth Avenue and Broadway cross, the
Flatiron Building (originally named the Fuller Building) remains one of
New York City’s most popular and memorable structures. Today it is
difficult to imagine the controversy this architectural landmark created
on its completion in 1902.
Ifoundmyselfagapeadmiringasky-scraper
ploughing up through the traffic of Broadway
andFifthAvenueintheafternoonlight
H. G. Wells, 1906
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3
Flatiron Building
Sitting on the intersection where Fifth Avenue and Broadway cross, the
Flatiron Building (originally named the Fuller Building) remains one of
New York City’s most popular and memorable structures. Today it is
difficult to imagine the controversy this architectural landmark created
on its completion in 1902.
Ifoundmyselfagapeadmiringasky-scraper
ploughing up through the traffic of Broadway
andFifthAvenueintheafternoonlight
H. G. Wells, 1906
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4
History
As the city of New York expanded northward during the second half of
the 19th century, small plots of land in between or on the edge of new
buildings remained undeveloped. One of the most well known of these
was the narrow triangular site at 23rd Street, between Fifth Avenue and
Broadway. The “Flat Iron,” as it quickly became known, changed owners
many times, but wouldn’t be developed until the Chicago-based Fuller
Company bought the site in 1901.
The Fuller Company, a major Chicago-based contracting firm
specializing in the construction of skyscrapers, planned to build a
new showcase headquarter on the site. The founder of the company,
George A. Fuller, had died the year before, and the new building would
be named the Fuller Building in his honor.
The Fuller Company engaged Chicago architect Daniel H. Burnham to
design the building and, utilizing the Fuller Company’s expertise with
steel frame construction, he proposed a 20-story structure that would
reach a height of 285 ft. (86.9 m). A penthouse would be added in 1905,
increasing the building’s height to 307 ft. (93 m). The building’s Broadway
front would be 190 ft. (60 m) wide, the
Fifth Avenue front 173 ft. (52.7 m) wide,
and the 22nd Street side just short of
87 ft. (26.5 m) wide. At the “point” of
the triangle the building would only
be 6.5 ft. (2 m) wide and would form
a 25-degree acute angle.
Burnham saw the building as a
vertical Renaissance palazzo with
Beaux-Arts, or neoclassical, styling.
Visually the building would be divided
into three distinct sections. It would
consist of a richly decorated, three-
story limestone façade at the bottom
and a broad, repetitive midsection in
a light tan monochrome terra cotta.
The structure would then be topped
off with a crowning cornice that would
run the entire length of the building.
With its steel skeleton structure, the construction of the building was
carried out rapidly and without major incident. While other New York
skyscrapers at the time were often thin towers rising from pedestal-like
blocks, the Flatiron was a single massive structure. This radical design,
combined with its great height and unusual shape, created a great deal
of debate as the building neared completion in 1902.
Many New Yorkers believed the structure would be unstable and would
fall over at the first gust of wind. The building had even been nicknamed
“Burnham’s Folly” and bets were placed on how far the debris would
reach when it blew over. Strong winds came and went, and the Flatiron
Building withstood them—as it continues to do today, over a century
later. It is proof that the structure was not only a strong architectural
idea, but a groundbreaking engineering marvel as well.
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5
History
As the city of New York expanded northward during the second half of
the 19th century, small plots of land in between or on the edge of new
buildings remained undeveloped. One of the most well known of these
was the narrow triangular site at 23rd Street, between Fifth Avenue and
Broadway. The “Flat Iron,” as it quickly became known, changed owners
many times, but wouldn’t be developed until the Chicago-based Fuller
Company bought the site in 1901.
The Fuller Company, a major Chicago-based contracting firm
specializing in the construction of skyscrapers, planned to build a
new showcase headquarter on the site. The founder of the company,
George A. Fuller, had died the year before, and the new building would
be named the Fuller Building in his honor.
The Fuller Company engaged Chicago architect Daniel H. Burnham to
design the building and, utilizing the Fuller Company’s expertise with
steel frame construction, he proposed a 20-story structure that would
reach a height of 285 ft. (86.9 m). A penthouse would be added in 1905,
increasing the building’s height to 307 ft. (93 m). The building’s Broadway
front would be 190 ft. (60 m) wide, the
Fifth Avenue front 173 ft. (52.7 m) wide,
and the 22nd Street side just short of
87 ft. (26.5 m) wide. At the “point” of
the triangle the building would only
be 6.5 ft. (2 m) wide and would form
a 25-degree acute angle.
Burnham saw the building as a
vertical Renaissance palazzo with
Beaux-Arts, or neoclassical, styling.
Visually the building would be divided
into three distinct sections. It would
consist of a richly decorated, three-
story limestone façade at the bottom
and a broad, repetitive midsection in
a light tan monochrome terra cotta.
The structure would then be topped
off with a crowning cornice that would
run the entire length of the building.
With its steel skeleton structure, the construction of the building was
carried out rapidly and without major incident. While other New York
skyscrapers at the time were often thin towers rising from pedestal-like
blocks, the Flatiron was a single massive structure. This radical design,
combined with its great height and unusual shape, created a great deal
of debate as the building neared completion in 1902.
Many New Yorkers believed the structure would be unstable and would
fall over at the first gust of wind. The building had even been nicknamed
“Burnham’s Folly” and bets were placed on how far the debris would
reach when it blew over. Strong winds came and went, and the Flatiron
Building withstood them—as it continues to do today, over a century
later. It is proof that the structure was not only a strong architectural
idea, but a groundbreaking engineering marvel as well.
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6
The Architect
Born in New York and raised in Chicago, Daniel H. Burnham would
become one of the founding fathers of the first Chicago School of
architects. Together with his then-partner John W. Root, Burnham built
one of the first American skyscrapers, the 21-story Masonic Temple
Building in Chicago in 1892, and planned the architectural layout of the
largest World Fair ever held at that time in 1893.
Burnham’s architecture mixed elements of Modernism with a more
neoclassical style. Many of his buildings, including the Flatiron Building,
followed the convention of the classical column: three distinct parts
made up of a base, a middle section, and an ornate cornice at the top.
Burnham’s early sketches for the
Flatiron Building included a clock
face and a far more elaborate
crown at the top of the building,
but he was persuaded to remove
both by his former partner John W.
Root. Although Burnham retained
overall control of the project,
he engaged the architect F. P.
Dinkelberg (1859–1935) to carry
out most of the supervising work
during the actual construction.
After the Flatiron Building, Burnham
would continue to work on a
series of impressive architectural
projects, including a number of
major planning tasks for the cities of San Francisco, Washington, D.C.,
and Manila in the Philippines. At the time of his death in 1912, his D. H.
Burnham & Co. architectural firm was the largest in the world.
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7
The Architect
Born in New York and raised in Chicago, Daniel H. Burnham would
become one of the founding fathers of the first Chicago School of
architects. Together with his then-partner John W. Root, Burnham built
one of the first American skyscrapers, the 21-story Masonic Temple
Building in Chicago in 1892, and planned the architectural layout of the
largest World Fair ever held at that time in 1893.
Burnham’s architecture mixed elements of Modernism with a more
neoclassical style. Many of his buildings, including the Flatiron Building,
followed the convention of the classical column: three distinct parts
made up of a base, a middle section, and an ornate cornice at the top.
Burnham’s early sketches for the
Flatiron Building included a clock
face and a far more elaborate
crown at the top of the building,
but he was persuaded to remove
both by his former partner John W.
Root. Although Burnham retained
overall control of the project,
he engaged the architect F. P.
Dinkelberg (1859–1935) to carry
out most of the supervising work
during the actual construction.
After the Flatiron Building, Burnham
would continue to work on a
series of impressive architectural
projects, including a number of
major planning tasks for the cities of San Francisco, Washington, D.C.,
and Manila in the Philippines. At the time of his death in 1912, his D. H.
Burnham & Co. architectural firm was the largest in the world.
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8
The Building Today
Although never the tallest building in New York, or even the first building
in the country with a triangular ground plan, the Flatiron Building
remains an iconic symbol of the city of New York. Its enduring popularity
with tourists, artists, and photographers also makes it one of the most
photographed buildings in the world.
The famous building has appeared in countless movies, TV series, and
comics. It was home to Peter Parker’s Daily Bugle in the Spiderman
movies, and was even accidently destroyed by the U.S. Army in the
1998 film Godzilla.
The building was designated a New York City Landmark in 1966, added
to the National Register of Historic Places in 1979, and became a National
Historic Landmark in 1989. Valued today at $190 million, the Flatiron
Building continues to function as a popular retail and office space,
and is home to a large number of U.S. and international companies. In
2009, Sorgente Group of America acquired the majority stake of the
Flatiron Building. Sorgente Group of America is the American Holding
of Sorgente Group, an Italian real estate investment company.
appearedtobemovingtowardmelikethe
bowofamonsteroceansteamer—apicture
ofanewAmericastillinthemaking
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9
The Building Today
Although never the tallest building in New York, or even the first building
in the country with a triangular ground plan, the Flatiron Building
remains an iconic symbol of the city of New York. Its enduring popularity
with tourists, artists, and photographers also makes it one of the most
photographed buildings in the world.
The famous building has appeared in countless movies, TV series, and
comics. It was home to Peter Parker’s Daily Bugle in the Spiderman
movies, and was even accidently destroyed by the U.S. Army in the
1998 film Godzilla.
The building was designated a New York City Landmark in 1966, added
to the National Register of Historic Places in 1979, and became a National
Historic Landmark in 1989. Valued today at $190 million, the Flatiron
Building continues to function as a popular retail and office space,
and is home to a large number of U.S. and international companies. In
2009, Sorgente Group of America acquired the majority stake of the
Flatiron Building. Sorgente Group of America is the American Holding
of Sorgente Group, an Italian real estate investment company.
appearedtobemovingtowardmelikethe
bowofamonsteroceansteamer—apicture
ofanewAmericastillinthemaking
PhotographerAlfredStieglitz
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10
Facts about Flatiron Building
Location: ........................................ New York City, USA
Architect: ...................................... D. H. Burnham & Co: Daniel H. Burnham
Style: .............................................. Renaissance Revival with Beaux-Arts styling
Materials: .................................... Steel frame structure, façade of limestone and
terra-cotta
Height: .......................................... 1902: 285 ft. (86.9 m). Today: 307 ft. (93 m).
Weight: ......................................... 3,680 tons (3,338.5 metric tons)
Opened: ...................................... 1902
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11
Facts about Flatiron Building
Location: ........................................ New York City, USA
Architect: ...................................... D. H. Burnham & Co: Daniel H. Burnham
Style: .............................................. Renaissance Revival with Beaux-Arts styling
Materials: .................................... Steel frame structure, façade of limestone and
terra-cotta
Height: .......................................... 1902: 285 ft. (86.9 m). Today: 307 ft. (93 m).
Weight: ......................................... 3,680 tons (3,338.5 metric tons)
Opened: ...................................... 1902
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12
Le Flatiron Building
Situé à l'intersection de la Cinquième avenue et de Broadway, le Flatiron
Building (appelé à l'origine Fuller Building) reste l'une des structures les
plus populaires et les plus mémorables de New York. Il est aujourd'hui
difficile d'imaginer la controverse que ce monument architectural
suscita lorsque sa construction prit fin en 1902.
 Je me trouvais stupéfait à admirer un
gratte-ciel en avançant dans la circulation
deBroadwayetdelaCinquièmeavenuedans
lalumièredel'après-midi
H. G. Wells, 1906
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13
Le Flatiron Building
Situé à l'intersection de la Cinquième avenue et de Broadway, le Flatiron
Building (appelé à l'origine Fuller Building) reste l'une des structures les
plus populaires et les plus mémorables de New York. Il est aujourd'hui
difficile d'imaginer la controverse que ce monument architectural
suscita lorsque sa construction prit fin en 1902.
 Je me trouvais stupéfait à admirer un
gratte-ciel en avançant dans la circulation
deBroadwayetdelaCinquièmeavenuedans
lalumièredel'après-midi
H. G. Wells, 1906
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14
Histoire
Alors que la ville de New York s'étendait vers le nord pendant la
deuxième moitié du 19
e
siècle, de petites parcelles de terrain entre les
nouveaux bâtiments ou alentour restaient non construites. L'une des
plus célèbres était un étroit terrain triangulaire situé au carrefour de la
23
e
rue, la Cinquième avenue et Broadway. Le « Flat Iron », comme il
fut rapidement connu, changea de propriétaires de nombreuses fois,
mais rien n'y fut construit jusqu'à ce que la société Fuller de Chicago
achète le terrain en 1901.
La société Fuller, une grande entreprise de Chicago spécialisée dans la
construction de gratte-ciels, prévoyait de construire un nouveau siège
social spectaculaire sur ce site. Le fondateur de l'entreprise, George A.
Fuller, était décédé l'année précédente, et le nouveau bâtiment serait
nommé Fuller Building en son honneur.
La société Fuller engagea l'architecte de Chicago Daniel H. Burnham
pour concevoir le bâtiment. S'inspirant de l'expertise de la société Fuller
en matière de construction à charpente d'acier, Burnham proposa
une structure de 20 étages qui atteindrait une hauteur de 86,9 m. Un
penthouse allait être ajouté en 1905, augmentant la hauteur du bâtiment
à 93 m. La façade du bâtiment sur Broadway devait mesurer 60 m
de large, la façade sur la Cinquième
avenue 52,7 m de large et le côté sur
la 22
e
rue seulement un peu moins
de 26,5 m de large. À la «pointe» du
triangle, le bâtiment ne mesurerait
que 2 m de large et formerait un
angle aigu de 25 degrés.
Burnham voyait le bâtiment
comme un palazzo vertical de la
Renaissance avec un style Beaux-
Arts ou néoclassique. Le bâtiment
serait séparé visuellement en trois
sections distinctes. Il serait composé
d'une façade en pierre calcaire
richement décorée pour les trois
étages du bas, et d'une section
intermédiaire large et répétitive en
terre cuite monochrome beige clair.
La structure serait ensuite couronnée
d'une corniche sur toute la longueur
du bâtiment.
Grâce à la charpente en acier, la construction du bâtiment fut effectuée
rapidement et sans incident majeur. Alors que d'autres gratte-ciels de
New York à l'époque étaient souvent de fines tours s'élevant à partir
de blocs ressemblant à des piédestaux, le Flatiron était une structure
massive unique. Ce design radical, combiné avec sa grande hauteur
et sa forme inhabituelle, suscita beaucoup de débats lorsque la
construction du bâtiment prit fin en 1902.
De nombreux New-yorkais pensaient que la structure allait être instable
et tomberait au premier coup de vent. Le bâtiment avait même été
surnommé la «folie de Burnham», et des paris furent placés sur la
distance qu'atteindraient les débris lorsqu'il s'écroulerait. Des vents
forts allaient et venaient, et le bâtiment Flatiron leur résistait, comme il
continue de le faire aujourd'hui, plus d'un siècle plus tard. Ceci est une
preuve que la structure était non seulement une idée architecturale
forte, mais aussi une merveille d'ingénierie.
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8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
15
Histoire
Alors que la ville de New York s'étendait vers le nord pendant la
deuxième moitié du 19
e
siècle, de petites parcelles de terrain entre les
nouveaux bâtiments ou alentour restaient non construites. L'une des
plus célèbres était un étroit terrain triangulaire situé au carrefour de la
23
e
rue, la Cinquième avenue et Broadway. Le « Flat Iron », comme il
fut rapidement connu, changea de propriétaires de nombreuses fois,
mais rien n'y fut construit jusqu'à ce que la société Fuller de Chicago
achète le terrain en 1901.
La société Fuller, une grande entreprise de Chicago spécialisée dans la
construction de gratte-ciels, prévoyait de construire un nouveau siège
social spectaculaire sur ce site. Le fondateur de l'entreprise, George A.
Fuller, était décédé l'année précédente, et le nouveau bâtiment serait
nommé Fuller Building en son honneur.
La société Fuller engagea l'architecte de Chicago Daniel H. Burnham
pour concevoir le bâtiment. S'inspirant de l'expertise de la société Fuller
en matière de construction à charpente d'acier, Burnham proposa
une structure de 20 étages qui atteindrait une hauteur de 86,9 m. Un
penthouse allait être ajouté en 1905, augmentant la hauteur du bâtiment
à 93 m. La façade du bâtiment sur Broadway devait mesurer 60 m
de large, la façade sur la Cinquième
avenue 52,7 m de large et le côté sur
la 22
e
rue seulement un peu moins
de 26,5 m de large. À la «pointe» du
triangle, le bâtiment ne mesurerait
que 2 m de large et formerait un
angle aigu de 25 degrés.
Burnham voyait le bâtiment
comme un palazzo vertical de la
Renaissance avec un style Beaux-
Arts ou néoclassique. Le bâtiment
serait séparé visuellement en trois
sections distinctes. Il serait composé
d'une façade en pierre calcaire
richement décorée pour les trois
étages du bas, et d'une section
intermédiaire large et répétitive en
terre cuite monochrome beige clair.
La structure serait ensuite couronnée
d'une corniche sur toute la longueur
du bâtiment.
Grâce à la charpente en acier, la construction du bâtiment fut effectuée
rapidement et sans incident majeur. Alors que d'autres gratte-ciels de
New York à l'époque étaient souvent de fines tours s'élevant à partir
de blocs ressemblant à des piédestaux, le Flatiron était une structure
massive unique. Ce design radical, combiné avec sa grande hauteur
et sa forme inhabituelle, suscita beaucoup de débats lorsque la
construction du bâtiment prit fin en 1902.
De nombreux New-yorkais pensaient que la structure allait être instable
et tomberait au premier coup de vent. Le bâtiment avait même été
surnommé la «folie de Burnham», et des paris furent placés sur la
distance qu'atteindraient les débris lorsqu'il s'écroulerait. Des vents
forts allaient et venaient, et le bâtiment Flatiron leur résistait, comme il
continue de le faire aujourd'hui, plus d'un siècle plus tard. Ceci est une
preuve que la structure était non seulement une idée architecturale
forte, mais aussi une merveille d'ingénierie.
21023_BI_NA_Special.indd 15
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16
L’architecte
à New York et élevé à Chicago, Daniel H. Burnham allait devenir
l'un des pères fondateurs de l'École d'architecture de Chicago. Avec
son partenaire de l'époque, John W. Root, Burnham construisit en 1892
l'un des premiers gratte-ciels américains, le bâtiment de 21 étages du
temple maçonnique de Chicago, et créa en 1893 le plan architectural
de la plus grande foire mondiale jamais organisée à l'époque.
L'architecture de Burnham mélangeait des éléments du Modernisme
avec un style plus néoclassique. Beaucoup de ses bâtiments, y compris
le Flatiron, suivaient les conventions de la colonne classique : trois
parties distinctes, avec une base, une section intermédiaire et une
corniche ornementée en haut.
Les premières esquisses
de Burnham pour le Flatiron
incluaient une horloge en façade
et une couronne beaucoup plus
élaborée en haut du bâtiment,
mais il fut convaincu de supprimer
ces deux éléments par son ancien
partenaire John W. Root. Burnham
conserva le contrôle général du
projet, mais il engagea l'architecte
F. P. Dinkelberg (1859–1935)
pour effectuer la majorité du
travail de supervision pendant la
construction.
Après le Flatiron Building, Burnham
continua à travailler sur une série
de projets architecturaux impressionnants, notamment plusieurs grands
travaux de planification pour les villes de San Francisco, Washington,
D.C., et Manille aux Philippines. Au moment de sa mort en 1912, son
cabinet d'architecture, D. H. Burnham & Co., était le plus grand du
monde.
21023_BI_NA_Special.indd 16
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17
L’architecte
à New York et élevé à Chicago, Daniel H. Burnham allait devenir
l'un des pères fondateurs de l'École d'architecture de Chicago. Avec
son partenaire de l'époque, John W. Root, Burnham construisit en 1892
l'un des premiers gratte-ciels américains, le bâtiment de 21 étages du
temple maçonnique de Chicago, et créa en 1893 le plan architectural
de la plus grande foire mondiale jamais organisée à l'époque.
L'architecture de Burnham mélangeait des éléments du Modernisme
avec un style plus néoclassique. Beaucoup de ses bâtiments, y compris
le Flatiron, suivaient les conventions de la colonne classique : trois
parties distinctes, avec une base, une section intermédiaire et une
corniche ornementée en haut.
Les premières esquisses
de Burnham pour le Flatiron
incluaient une horloge en façade
et une couronne beaucoup plus
élaborée en haut du bâtiment,
mais il fut convaincu de supprimer
ces deux éléments par son ancien
partenaire John W. Root. Burnham
conserva le contrôle général du
projet, mais il engagea l'architecte
F. P. Dinkelberg (1859–1935)
pour effectuer la majorité du
travail de supervision pendant la
construction.
Après le Flatiron Building, Burnham
continua à travailler sur une série
de projets architecturaux impressionnants, notamment plusieurs grands
travaux de planification pour les villes de San Francisco, Washington,
D.C., et Manille aux Philippines. Au moment de sa mort en 1912, son
cabinet d'architecture, D. H. Burnham & Co., était le plus grand du
monde.
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18
Le bâtiment aujourdhui
Le Flatiron n'a jamais été le plus haut bâtiment de New York, ni même
le premier immeuble du pays avec un plan triangulaire, mais il reste
cependant un symbole célèbre de New York. Sa popularité auprès
des touristes, des artistes et des photographes en fait aussi l'un des
bâtiments les plus photographiés au monde.
Ce célèbre bâtiment est apparu dans d'innombrables films, séries télé
et bandes dessinées. Il abritait le journal Daily Bugle de Peter Parker
dans les films de Spiderman et fut même accidentellement détruit par
l'armée américaine dans le film Godzilla de 1998.
Le bâtiment devint un bâtiment historique de la ville de New York en
1966, fut ajouté au registre national des lieux historiques en 1979, et
devint un monument historique national en 1989. Évalué aujourd'hui à
190 millions de dollars, le Flatiron Building continue de servir d'espace
populaire de bureaux et de magasins, et abrite de nombreuses sociétés
américaines et internationales. En 2009, le Sorgente Group of America
acquit une participation majoritaire dans le Flatiron Building. Sorgente
Group of America est la société de portefeuille américaine du Sorgente
Group, une entreprise italienne d'investissement immobilier.
 semblaitavancerversm oicommela proue
dunénormetransatlantiqueuneimagedune
nouvelleAmériqueenconstruction
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19
Le bâtiment aujourdhui
Le Flatiron n'a jamais été le plus haut bâtiment de New York, ni même
le premier immeuble du pays avec un plan triangulaire, mais il reste
cependant un symbole célèbre de New York. Sa popularité auprès
des touristes, des artistes et des photographes en fait aussi l'un des
bâtiments les plus photographiés au monde.
Ce célèbre bâtiment est apparu dans d'innombrables films, séries télé
et bandes dessinées. Il abritait le journal Daily Bugle de Peter Parker
dans les films de Spiderman et fut même accidentellement détruit par
l'armée américaine dans le film Godzilla de 1998.
Le bâtiment devint un bâtiment historique de la ville de New York en
1966, fut ajouté au registre national des lieux historiques en 1979, et
devint un monument historique national en 1989. Évalué aujourd'hui à
190 millions de dollars, le Flatiron Building continue de servir d'espace
populaire de bureaux et de magasins, et abrite de nombreuses sociétés
américaines et internationales. En 2009, le Sorgente Group of America
acquit une participation majoritaire dans le Flatiron Building. Sorgente
Group of America est la société de portefeuille américaine du Sorgente
Group, une entreprise italienne d'investissement immobilier.
 semblaitavancerversm oicommela proue
dunénormetransatlantiqueuneimagedune
nouvelleAmériqueenconstruction
AlfredStieglitzphotographe
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20
Informations sur le Flatiron Building
Lieu: .................................................. New York, États-Unis
Architecte: .................................. D. H. Burnham & Co : Daniel H. Burnham
Style: ............................................. Néo-Renaissance avec style Beaux-Arts
Matériaux: ................................. Charpente en acier, façade en pierre calcaire
et terre cuite
Hauteur: ..................................... 1902 : 86,9 m. Aujourd’hui : 93 m.
Poids : ........................................... 3338,5 tonnes
Inauguration : ........................... 1902
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21
Informations sur le Flatiron Building
Lieu: .................................................. New York, États-Unis
Architecte: .................................. D. H. Burnham & Co : Daniel H. Burnham
Style: ............................................. Néo-Renaissance avec style Beaux-Arts
Matériaux: ................................. Charpente en acier, façade en pierre calcaire
et terre cuite
Hauteur: ..................................... 1902 : 86,9 m. Aujourd’hui : 93 m.
Poids : ........................................... 3338,5 tonnes
Inauguration : ........................... 1902
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22
Edificio Flatiron
Situado en el cruce entre la Quinta Avenida y Broadway, el Edificio
Flatiron (bautizado como «Edificio Fuller») continúa siendo una de las
estructuras más populares y emblemáticas de la ciudad de Nueva
York. Hoy es difícil imaginar la controversia que generó este hito
arquitectónico cuando se inauguró en 1902.
 Me encontré a mí mismo boquiabierto
admirandounrascacielosabriéndomepaso
a través del tráfico de Broadway y la Quinta
Avenidabajolaluzdelatarde H.G. Wells, 1906
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23
Edificio Flatiron
Situado en el cruce entre la Quinta Avenida y Broadway, el Edificio
Flatiron (bautizado como «Edificio Fuller») continúa siendo una de las
estructuras más populares y emblemáticas de la ciudad de Nueva
York. Hoy es difícil imaginar la controversia que generó este hito
arquitectónico cuando se inauguró en 1902.
 Me encontré a mí mismo boquiabierto
admirandounrascacielosabriéndomepaso
a través del tráfico de Broadway y la Quinta
Avenidabajolaluzdelatarde H.G. Wells, 1906
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24
Historia
La expansión hacia el Norte que experimentó la ciudad de Nueva York
durante la segunda mitad del siglo XIX dio lugar a la aparición de
pequeños espacios sin construir entre los nuevos edificios o junto a
ellos. Uno de los más populares era el estrecho terreno triangular de
la Calle 23, entre la Quinta Avenida y Broadway. El «Flat Iron», como
comenzó a conocerse poco después, cambió de propietario varias
veces, pero ninguno de ellos se decidió a construir en él hasta que
Fuller Company, una compañía con sede en Chicago, adquirió el sitio
en 1901.
Fuller Company, una importante firma contratista con sede en Chicago
especializada en la construcción de rascacielos, planeaba construir
una nueva sucursal que le sirviese de escaparate. El fundador de la
compañía, George A. Fuller, había muerto un año antes, y el nuevo
edificio se bautizaría como «Edificio Fuller» en su honor.
Fuller Company encargó el diseño del edificio a Daniel H. Burnham
(un arquitecto de Chicago), quien, aprovechando la experiencia de
Fuller Company en la construcción de estructuras de acero, propuso
un edificio de 20 plantas que alcanzaría una altura de 86,9 m. En 1905
se construiría un ático que elevaría la altura del edificio hasta los 93 m.
La fachada del edificio orientada hacia Broadway poseería 60 m de
anchura; la orientada hacia la Quinta
Avenida, 52,7 m; y la orientada hacia
la Calle 22, tan sólo 26,5 m. En la
«punta» del triángulo, el edificio
mediría sólo 2 m de ancho y formaría
un ángulo agudo de 25 grados.
Burnham concibió el edificio
como un palazzo renacentista de
estilo «Beaux-Arts» o neoclásico.
Visualmente, el edificio se dividiría
en tres secciones diferentes. De
este modo, se compondría de una
fachada de tres plantas en piedra
caliza generosamente decorada en
la parte inferior, y una amplia sección
central iterativa en terracota marrón
claro. Finalmente, la estructura
quedaría coronada por una cornisa
que recorrería la totalidad del
perímetro del edificio.
Gracias a su estructura de acero, la construcción del edificio tuvo
lugar rápidamente y sin mayores inconvenientes. Mientras que otros
rascacielos neoyorquinos de la época eran a menudo comparables
a una delgada torre construida con bloques a modo de pedestal,
el Edificio Flatiron era una única y enorme estructura. Este radical
diseño, sumado a su gran altura e inusual forma, dio lugar a intensas
discusiones cuando la construcción se acercaba a su final en 1902.
Muchos neoyorquinos creían que la estructura sería inestable y se
derrumbaría con la primera ráfaga de viento. Algunos incluso apodaron
el edificio como «la locura de Burnham» y apostaron a la distancia
que alcanzarían los escombros cuando fuese derribado. Fuertes
vientos fueron y vinieron, y el Edificio Flatiron los soportó… y continúa
soportándolos hoy, más de un siglo después. Es una prueba de que
la estructura no sólo era una sólida idea arquitectónica, sino también
una revolucionaria maravilla de la ingeniería.
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25
Historia
La expansión hacia el Norte que experimentó la ciudad de Nueva York
durante la segunda mitad del siglo XIX dio lugar a la aparición de
pequeños espacios sin construir entre los nuevos edificios o junto a
ellos. Uno de los más populares era el estrecho terreno triangular de
la Calle 23, entre la Quinta Avenida y Broadway. El «Flat Iron», como
comenzó a conocerse poco después, cambió de propietario varias
veces, pero ninguno de ellos se decidió a construir en él hasta que
Fuller Company, una compañía con sede en Chicago, adquirió el sitio
en 1901.
Fuller Company, una importante firma contratista con sede en Chicago
especializada en la construcción de rascacielos, planeaba construir
una nueva sucursal que le sirviese de escaparate. El fundador de la
compañía, George A. Fuller, había muerto un año antes, y el nuevo
edificio se bautizaría como «Edificio Fuller» en su honor.
Fuller Company encargó el diseño del edificio a Daniel H. Burnham
(un arquitecto de Chicago), quien, aprovechando la experiencia de
Fuller Company en la construcción de estructuras de acero, propuso
un edificio de 20 plantas que alcanzaría una altura de 86,9 m. En 1905
se construiría un ático que elevaría la altura del edificio hasta los 93 m.
La fachada del edificio orientada hacia Broadway poseería 60 m
de
anchura; la orientada hacia la Quinta
Avenida, 52,7 m; y la orientada hacia
la Calle 22, tan sólo 26,5 m. En la
«punta» del triángulo, el edificio
mediría sólo 2 m de ancho y formaría
un ángulo agudo de 25 grados.
Burnham concibió el edificio
como un palazzo renacentista de
estilo «Beaux-Arts» o neoclásico.
Visualmente, el edificio se dividiría
en tres secciones diferentes. De
este modo, se compondría de una
fachada de tres plantas en piedra
caliza generosamente decorada en
la parte inferior, y una amplia sección
central iterativa en terracota marrón
claro. Finalmente, la estructura
quedaría coronada por una cornisa
que recorrería la totalidad del
perímetro del edificio.
Gracias a su estructura de acero, la construcción del edificio tuvo
lugar rápidamente y sin mayores inconvenientes. Mientras que otros
rascacielos neoyorquinos de la época eran a menudo comparables
a una delgada torre construida con bloques a modo de pedestal,
el Edificio Flatiron era una única y enorme estructura. Este radical
diseño, sumado a su gran altura e inusual forma, dio lugar a intensas
discusiones cuando la construcción se acercaba a su final en 1902.
Muchos neoyorquinos creían que la estructura sería inestable y se
derrumbaría con la primera ráfaga de viento. Algunos incluso apodaron
el edificio como «la locura de Burnham» y apostaron a la distancia
que alcanzarían los escombros cuando fuese derribado. Fuertes
vientos fueron y vinieron, y el Edificio Flatiron los soportó… y continúa
soportándolos hoy, más de un siglo después. Es una prueba de que
la estructura no sólo era una sólida idea arquitectónica, sino también
una revolucionaria maravilla de la ingeniería.
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26
El arquitecto
Nacido en Nueva York y criado en Chicago, Daniel H. Burnham se
convertiría en uno de los padres fundadores de la primera Escuela de
Chicago de arquitectura. Junto con su entonces socio, John W. Root,
Burnham construyó uno de los primeros rascacielos de América (el
edificio del Templo Masónico de Chicago, de 21 plantas, en 1892) y
planificó el diseño arquitectónico de la feria mundial más grande jamás
celebrada en 1893.
La arquitectura de Burnham mezclaba elementos de modernismo con
otros más neoclásicos. Muchos de sus edificios, incluido el Flatiron,
respetaron la convención de la columna clásica, compuesta por
tres partes diferentes: una base, una sección central y una cornisa
ornamental en la parte superior.
Los primeros esquemas del
Edificio Flatiron bosquejados por
Burnham incluían un reloj y una
cornisa más elaborada, pero su
antiguo socio (John W. Root), lo
convenció para que eliminase
ambas cosas. Aunque Burnham
mantuvo el control del proyecto
en general, contrató al arquitecto
F. P. Dinkelberg (1859–1935) para
que llevase a cabo la mayor parte
del trabajo de supervisión durante
la construcción.
Después de trabajar en el Edificio
Flatiron, Burnham continuó trabajando en una serie de impresionantes
proyectos arquitectónicos, entre ellos el planeamiento urbanístico de
ciudades como San Francisco, Washington, D.C. y Manila (Filipinas).
Cuando murió en 1912, su estudio de arquitectos (D. H. Burnham & Co.)
era el más grande del mundo.
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27
El arquitecto
Nacido en Nueva York y criado en Chicago, Daniel H. Burnham se
convertiría en uno de los padres fundadores de la primera Escuela de
Chicago de arquitectura. Junto con su entonces socio, John W. Root,
Burnham construyó uno de los primeros rascacielos de América (el
edificio del Templo Masónico de Chicago, de 21 plantas, en 1892) y
planificó el diseño arquitectónico de la feria mundial más grande jamás
celebrada en 1893.
La arquitectura de Burnham mezclaba elementos de modernismo con
otros más neoclásicos. Muchos de sus edificios, incluido el Flatiron,
respetaron la convención de la columna clásica, compuesta por
tres partes diferentes: una base, una sección central y una cornisa
ornamental en la parte superior.
Los primeros esquemas del
Edificio Flatiron bosquejados por
Burnham incluían un reloj y una
cornisa más elaborada, pero su
antiguo socio (John W. Root), lo
convenció para que eliminase
ambas cosas. Aunque Burnham
mantuvo el control del proyecto
en general, contrató al arquitecto
F. P. Dinkelberg (1859–1935) para
que llevase a cabo la mayor parte
del trabajo de supervisión durante
la construcción.
Después de trabajar en el Edificio
Flatiron, Burnham continuó trabajando en una serie de impresionantes
proyectos arquitectónicos, entre ellos el planeamiento urbanístico de
ciudades como San Francisco, Washington, D.C. y Manila (Filipinas).
Cuando murió en 1912, su estudio de arquitectos (D. H. Burnham & Co.)
era el más grande del mundo.
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28
El edificio en la actualidad
Incluso sin haber sido nunca el edificio más alto de Nueva York (ni
siquiera el primer edificio del país de planta triangular), el Edificio
Flatiron continúa siendo un emblema de la ciudad de Nueva York.
Su permanente popularidad entre turistas, artistas y fotógrafos lo ha
convertido, además, en uno de los edificios más fotografiados del
mundo.
El popular edificio ha aparecido en innumerables películas, series
para televisión y cómics. En él se encuentra la supuesta sede del Daily
Bugle, el periódico en el que trabaja Peter Parker en las películas de
Spiderman, e incluso fue accidentalmente destruido por el ejército de
los EE. UU. en Godzilla (1998).
El edificio fue declarado patrimonio de la ciudad de Nueva York
en 1966 e inscrito en el Registro Nacional de Lugares Históricos en
1979, y se convirtió en Monumento Histórico Nacional de EE. UU. en
1989. Valorado en 190 millones de dólares, el Edificio Flatiron sigue
albergando comercios y oficinas, y es la sede de un gran número
de compañías estadounidenses e internacionales. En 2009, Sorgente
Group of America adquirió la mayor parte del Edificio Flatiron. Sorgente
Group of America es el brazo americano de Sorgente Group, una
compañía italiana de inversión inmobiliaria.
parecíaavanzarhaciamicomolaproade
unmonstruosotransatlánticounaimagende
unanuevaAméricaaúnenconstrucción
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29
El edificio en la actualidad
Incluso sin haber sido nunca el edificio más alto de Nueva York (ni
siquiera el primer edificio del país de planta triangular), el Edificio
Flatiron continúa siendo un emblema de la ciudad de Nueva York.
Su permanente popularidad entre turistas, artistas y fotógrafos lo ha
convertido, además, en uno de los edificios más fotografiados del
mundo.
El popular edificio ha aparecido en innumerables películas, series
para televisión y cómics. En él se encuentra la supuesta sede del Daily
Bugle, el periódico en el que trabaja Peter Parker en las películas de
Spiderman, e incluso fue accidentalmente destruido por el ejército de
los EE. UU. en Godzilla (1998).
El edificio fue declarado patrimonio de la ciudad de Nueva York
en 1966 e inscrito en el Registro Nacional de Lugares Históricos en
1979, y se convirtió en Monumento Histórico Nacional de EE. UU. en
1989. Valorado en 190 millones de dólares, el Edificio Flatiron sigue
albergando comercios y oficinas, y es la sede de un gran número
de compañías estadounidenses e internacionales. En 2009, Sorgente
Group of America adquirió la mayor parte del Edificio Flatiron. Sorgente
Group of America es el brazo americano de Sorgente Group, una
compañía italiana de inversión inmobiliaria.
parecíaavanzarhaciamicomolaproade
unmonstruosotransatlánticounaimagende
unanuevaAméricaaúnenconstrucción
AlfredStieglitzfotógrafo
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30
Ficha de características del
Edificio Flatiron
Situación: ....................................... Ciudad de Nueva York (EE. UU.)
Arquitecto: ................................... D. H. Burnham & Co: Daniel H. Burnham
Estilo: ............................................. Neorrenacentista con elementos «Beaux-Arts»
Materiales: ................................. Estructura de acero, fachada de piedra caliza
y terracota
Altura: ............................................ 1902: 86,9 m; hoy: 93 m
Peso: .............................................. 3.338,5 toneladas métricas
Inauguración: ........................... 1902
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31
Situación: ....................................... Ciudad de Nueva York (EE. UU.)
Arquitecto: ................................... D. H. Burnham & Co: Daniel H. Burnham
Estilo: ............................................. Neorrenacentista con elementos «Beaux-Arts»
Materiales: ................................. Estructura de acero, fachada de piedra caliza
y terracota
Altura: ............................................ 1902: 86,9 m; hoy: 93 m
Peso: .............................................. 3.338,5 toneladas métricas
Inauguración: ........................... 1902
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32
WhattheParthenonwastoAthens
theFlatironBuildingistoNewYork
PhotographerAlfredStieglitz
CequeleParthénonétaitàAthènes
leFlatironestàNewYork
AlfredStieglitzphotographe
LoqueelPartenónfueparaAtenas
elEdificioFlatironloesparaNuevaYork
AlfredStieglitzfotógrafo
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33
WhattheParthenonwastoAthens
theFlatironBuildingistoNewYork
PhotographerAlfredStieglitz
CequeleParthénonétaitàAthènes
leFlatironestàNewYork
AlfredStieglitzphotographe
LoqueelPartenónfueparaAtenas
elEdificioFlatironloesparaNuevaYork
AlfredStieglitzfotógrafo
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21023_BI_NA_Special.indd 48
21023_BI_NA_Special.indd 48
21023_BI_NA_Special.indd 48
21023_BI_NA_Special.indd 48
21023_BI_NA_Special.indd 48
21023_BI_NA_Special.indd 48
21023_BI_NA_Special.indd 48
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21023_BI_NA_Special.indd 48
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21023_BI_NA_Special.indd 48
21023_BI_NA_Special.indd 48
21023_BI_NA_Special.indd 48
21023_BI_NA_Special.indd 48
21023_BI_NA_Special.indd 48
21023_BI_NA_Special.indd 48
21023_BI_NA_Special.indd 48
21023_BI_NA_Special.indd 48
21023_BI_NA_Special.indd 48
21023_BI_NA_Special.indd 48
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
49
1
2
3
4
5
3x
4x
2x
2x
2x
2x
1x
2x
23
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
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21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
21023_BI_NA_Special.indd 49
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
50
6
7
8
9
21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
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21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
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21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
21023_BI_NA_Special.indd 50
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
51
21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
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21023_BI_NA_Special.indd 51
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21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
21023_BI_NA_Special.indd 51
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
52
1x
1x
1x
24
1x
25
2x
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
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21023_BI_NA_Special.indd 52
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21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
21023_BI_NA_Special.indd 52
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
53
1x
1x
1x
25
1x
2x
21023_BI_NA_Special.indd 53
21023_BI_NA_Special.indd 53
21023_BI_NA_Special.indd 53
21023_BI_NA_Special.indd 53
21023_BI_NA_Special.indd 53
21023_BI_NA_Special.indd 53
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21023_BI_NA_Special.indd 53
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21023_BI_NA_Special.indd 53
21023_BI_NA_Special.indd 53
21023_BI_NA_Special.indd 53
21023_BI_NA_Special.indd 53
21023_BI_NA_Special.indd 53
21023_BI_NA_Special.indd 53
21023_BI_NA_Special.indd 53
21023_BI_NA_Special.indd 53
21023_BI_NA_Special.indd 53
21023_BI_NA_Special.indd 53
21023_BI_NA_Special.indd 53
21023_BI_NA_Special.indd 53
21023_BI_NA_Special.indd 53
21023_BI_NA_Special.indd 53
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
54
1x
1x
26
1x
27
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
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21023_BI_NA_Special.indd 54
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21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
21023_BI_NA_Special.indd 54
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
55
1x
1x
1x
27
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
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21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
21023_BI_NA_Special.indd 55
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
56
2x
1x
28
1x
29
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
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21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
21023_BI_NA_Special.indd 56
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
57
1x
1x
29
1x
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
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21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
21023_BI_NA_Special.indd 57
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
58
2x
1x
30
1x
2x
31
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
21023_BI_NA_Special.indd 58
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
59
1
2
3
1x
1x
1x
1x
1x
2x
31
4
5
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
21023_BI_NA_Special.indd 59
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
60
32
1x
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
21023_BI_NA_Special.indd 60
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
61
1x
1x
32
1x
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
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21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
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21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
21023_BI_NA_Special.indd 61
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
62
1x
1x
33
1x
34
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
21023_BI_NA_Special.indd 62
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
63
1x
1x
1x
34
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
21023_BI_NA_Special.indd 63
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
64
1x
1x
35
1x
36
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
21023_BI_NA_Special.indd 64
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
65
1x
1x
36
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
21023_BI_NA_Special.indd 65
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
66
1x
1x
37 38
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
21023_BI_NA_Special.indd 66
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
67
2x
38
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
21023_BI_NA_Special.indd 67
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
68
1x
1
3x
4x
1x
2
7x
2x
1x
3
1x
2x
2x
4
1x
1x
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
21023_BI_NA_Special.indd 68
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
69
2x
39
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
21023_BI_NA_Special.indd 69
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
70
1x
1
2x
2x
2
3
4
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
21023_BI_NA_Special.indd 70
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
71
1x
3
6x
2x
4
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
21023_BI_NA_Special.indd 71
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
72
6x
3x
6
12 x
5
3x
7
8
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
21023_BI_NA_Special.indd 72
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
73
4x
7
6x
2x
2x
8
2x
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
21023_BI_NA_Special.indd 73
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
74
40
2x
1
3x
2
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
21023_BI_NA_Special.indd 74
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
75
2x
1x
1x
1
3x
4x
1x
2
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
21023_BI_NA_Special.indd 75
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
76
3x
4x
1x
4
1x
2x
3
4x
3x
5
6
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
21023_BI_NA_Special.indd 76
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
77
4x
2x
1x
3x
5
1x
1x
1x
6
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
21023_BI_NA_Special.indd 77
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
78
41
1
2x
2
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
21023_BI_NA_Special.indd 78
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
79
1x
1
2x
2x
2x
2x
4x
2
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
21023_BI_NA_Special.indd 79
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
80
2x
2x
3
2x
4x
4x
4
4x
5
6
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
21023_BI_NA_Special.indd 80
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
81
2x
4x
1x
5
6
2x
2x
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
21023_BI_NA_Special.indd 81
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
82
42
1
1x
2
2x
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
21023_BI_NA_Special.indd 82
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
83
1x
1
1x
1x
2x
4x
2
2x
2x
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
21023_BI_NA_Special.indd 83
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
84
2x
2x
4
2x
2x
2x
4x
3 5
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
21023_BI_NA_Special.indd 84
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
85
2x
4x
4x
5
4x
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
21023_BI_NA_Special.indd 85
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
86
43
4x
1
2
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
21023_BI_NA_Special.indd 86
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
87
4x
1x
4x
1
1x
2
2x
8x
3
1x
3x
1x
4
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
21023_BI_NA_Special.indd 87
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
88
3x
1
1x
2
1x
3
1x
1x
1x
4
5
5
6
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
21023_BI_NA_Special.indd 88
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
89
1x
6
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
21023_BI_NA_Special.indd 89
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
90
44
1
2
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
21023_BI_NA_Special.indd 90
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
91
1x
1
2x
2x
2
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
21023_BI_NA_Special.indd 91
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
92
1x
3
2x
2x
4
5
6
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
21023_BI_NA_Special.indd 92
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
93
6x
3x
5
15x
6
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
21023_BI_NA_Special.indd 93
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
94
6x
8
3x
1
2
3
9
2x
8x
7
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
21023_BI_NA_Special.indd 94
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
95
3x
2x
1
1x
2
3x
3
4
9
3x
2x
5
6
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
21023_BI_NA_Special.indd 95
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
96
2x
10
45
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
21023_BI_NA_Special.indd 96
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
97
45
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
21023_BI_NA_Special.indd 97
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
98
1x
1
1x
1
1x
1x
2
4x
1x
1x
3
4x
1x
2x
4x
4
5
6
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
21023_BI_NA_Special.indd 98
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
99
4x
4x
1x
5
4x
4x
6
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
21023_BI_NA_Special.indd 99
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
100
1x
3x
1
1x
2
7
1x
1x
1x
3
4
5
8
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
21023_BI_NA_Special.indd 100
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
101
1x
8
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
21023_BI_NA_Special.indd 101
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
102
46
1
2
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
21023_BI_NA_Special.indd 102
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
103
1x
1x
1
2x
2
1x
2x
3
1x
1x
4
1x
5
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
21023_BI_NA_Special.indd 103
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
104
1x
6
7
1x
8
2x
1x
9
10
11
1x
1x
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
21023_BI_NA_Special.indd 104
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
8/8/18 1:17 PM
105
1x
1x
10
1x
11
21023_BI_NA_Special.indd 105
21023_BI_NA_Special.indd 105
21023_BI_NA_Special.indd 105
21023_BI_NA_Special.indd 105
21023_BI_NA_Special.indd 105
21023_BI_NA_Special.indd 105
21023_BI_NA_Special.indd 105
21023_BI_NA_Special.indd 105
21023_BI_NA_Special.indd 105
21023_BI_NA_Special.indd 105
21023_BI_NA_Special.indd 105
21023_BI_NA_Special.indd 105
21023_BI_NA_Special.indd 105
21023_BI_NA_Special.indd 105
21023_BI_NA_Special.indd 105
21023_BI_NA_Special.indd 105
21023_BI_NA_Special.indd 105
21023_BI_NA_Special.indd 105
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47
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108
LEGO
®
Architecture
–ThenandNow
There has always been a natural connection between the LEGO
®
brick and the world of architecture. Fans who build with LEGO
elements instinctively develop an interest in the form and function
of the structures they create. At the same time, many architects
have discovered that LEGO bricks are the perfect way of physically
expressing their creative ideas.
This connection was confirmed in the early 1960s with the launch of
the LEGO “Scale Model” line. It matched the spirit of the age where
modern architects were redefining how houses look and people
were taking an active interest in the design of their new homes.
These sets were designed to be different from the normal, brightly
colored LEGO boxes; they also included a book on architecture as
a source of inspiration.
Decades later, architect and LEGO fan Adam Reed Tucker revived
the idea of expressing architecture using LEGO bricks and in
partnership with the LEGO Group, launched the LEGO Architecture
line that we know today. His first models, and the original sets in
the current LEGO Architecture series, were interpretations of
famous skyscrapers from his hometown of Chicago. Since then
LEGO Architecture has developed and evolved, first with well-known
buildings from other cities in the United States, and now with iconic
structures from Europe, the Middle East, and Asia.
The introduction of our LEGO Architecture Studio set echoes the
ambitions of the earlier LEGO “Scale Model” line and widens the
potential of the LEGO Architecture series. Now you can enjoy
building and learning about specific landmark buildings, or create
exciting architectural models from your own fantasy. An inspiring
270-page book, featuring a number of renowned architects from
around the world, guides you through the principles of architecture
and encourages you in your own creative building.
21050
LEGO Architecture Studio
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109
LEGO
®
Architecture
–ThenandNow
There has always been a natural connection between the LEGO
®
brick and the world of architecture. Fans who build with LEGO
elements instinctively develop an interest in the form and function
of the structures they create. At the same time, many architects
have discovered that LEGO bricks are the perfect way of physically
expressing their creative ideas.
This connection was confirmed in the early 1960s with the launch of
the LEGO “Scale Model” line. It matched the spirit of the age where
modern architects were redefining how houses look and people
were taking an active interest in the design of their new homes.
These sets were designed to be different from the normal, brightly
colored LEGO boxes; they also included a book on architecture as
a source of inspiration.
Decades later, architect and LEGO fan Adam Reed Tucker revived
the idea of expressing architecture using LEGO bricks and in
partnership with the LEGO Group, launched the LEGO Architecture
line that we know today. His first models, and the original sets in
the current LEGO Architecture series, were interpretations of
famous skyscrapers from his hometown of Chicago. Since then
LEGO Architecture has developed and evolved, first with well-known
buildings from other cities in the United States, and now with iconic
structures from Europe, the Middle East, and Asia.
The introduction of our LEGO Architecture Studio set echoes the
ambitions of the earlier LEGO “Scale Model” line and widens the
potential of the LEGO Architecture series. Now you can enjoy
building and learning about specific landmark buildings, or create
exciting architectural models from your own fantasy. An inspiring
270-page book, featuring a number of renowned architects from
around the world, guides you through the principles of architecture
and encourages you in your own creative building.
21023_BI_NA_Special.indd 109
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110
LEGO
®
Architecture
entoncesyahora
Siempre ha existido una conexión natural entre el brick LEGO
®
y el
mundo de la arquitectura. Los fans que construyen con elementos
LEGO desarrollan instintivamente un interés por la forma y las
funciones de las estructuras que crean. Al mismo tiempo, muchos
arquitectos han descubierto que los bricks LEGO son una forma
perfecta de expresar físicamente sus ideas creativas.
Esta relación se confirmó a principios de la década de 1960, con el
lanzamiento de la línea «Scale Model» de LEGO. Encajaba bien con
el espíritu de la época: un tiempo en el que los arquitectos modernos
redefinían el aspecto de las casas y la gente se interesaba cada vez
más por el diseño de su nuevo hogar. Los sets se diseñaron para
que se diferenciasen de los normales, que se comercializaban en
cajas de brillantes colores, e incluían un libro sobre la arquitectura
que proporcionaba inspiración a sus usuarios.
cadas más tarde, el arquitecto y fan de LEGO Adam Reed Tucker
reavivó la idea de expresar la arquitectura usando bricks LEGO y, en
colaboración con The LEGO Group, lanzó la línea LEGO Architecture
que hoy conocemos. Sus primeros modelos, y los sets originales
de la actual serie LEGO Architecture, eran interpretaciones de
los rascacielos más famosos de su ciudad natal, Chicago. Desde
entonces, LEGO Architecture se ha desarrollado y ha evolucionado,
primero incorporando edificios célebres de otras ciudades de
Estados Unidos y, ahora, estructuras emblemáticas de Europa,
Oriente Próximo y Asia.
La introducción del set LEGO Architecture Studio recupera las
ambiciones de la antigua línea «Scale Model» de LEGO y amplía
el potencial de la serie LEGO Architecture. Hoy puedes disfrutar
mientras construyes y aprendes sobre edificios célebres, o crear
tus propios modelos arquitectónicos a partir de tu imaginación.
Un instructivo libro de 270 páginas con materiales creados por
arquitectos internacionales de gran reputación te guiará a través
de los principios de la arquitectura y te animará a dar tus primeros
pasos en el mundo de la construcción creativa.
LEGO
®
Architecture
–Hieretaujourdhui
Il y a toujours eu une connexion naturelle entre la brique LEGO
®
et le monde de larchitecture. Les fans qui construisent avec des
éléments LEGO développent instinctivement un intérêt pour la forme
et la fonction des structures qu’ils créent. De nombreux architectes
ont quant à eux découvert que les briques LEGO sont la façon idéale
d’exprimer physiquement leurs idées de création.
Cette connexion a été confirmée au but des années 1960 avec
le lancement de la gamme « Maquettes à l’échelle » LEGO. Elle
correspondait à lesprit de lépoque, alors que les architectes
modernes redéfinissaient les maisons, et que les gens s’intéressaient
activement à la conception de la maison de leurs rêves. Ces
ensembles originaux étaient conçus pour être différents des boîtes
LEGO habituelles aux couleurs vives, et incluaient aussi « un livret
d’architecture » comme source d’inspiration.
Des décennies plus tard, l’architecte et fan LEGO Adam Reed
Tucker a fait revivre l’idée dexprimer larchitecture en utilisant des
briques LEGO. En partenariat avec le Groupe LEGO, il lança la
gamme LEGO Architecture que nous connaissons aujourd’hui. Ses
premiers modèles, et les modèles originaux dans la gamme LEGO
Architecture actuelle, étaient des interprétations de célèbres gratte-
ciel de sa ville natale de Chicago. La gamme LEGO Architecture a
depuis évolué et s’est transformée, tout d’abord avec des bâtiments
célèbres d’autres villes des États-Unis et maintenant avec de
célèbres structures d’Europe, du Moyen-Orient et d’Asie.
L’introduction de notre ensemble LEGO Architecture Studio fait écho
aux ambitions de la précédente gamme « Maquettes à léchelle »
LEGO et élargit le potentiel de la gamme LEGO Architecture.
Vous pouvez maintenant apprécier et découvrir des bâtiments
historiques ou créer de passionnants modèles architecturaux nés
de votre imagination. Un livre d’inspiration de 270 pages, présentant
plusieurs architectes célèbres du monde entier, vous guide parmi
les principes de l’architecture et vous encourage dans votre propre
construction créatrice.
21023_BI_NA_Special.indd 110
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8/8/18 1:17 PM
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111
LEGO
®
Architecture
entoncesyahora
Siempre ha existido una conexión natural entre el brick LEGO
®
y el
mundo de la arquitectura. Los fans que construyen con elementos
LEGO desarrollan instintivamente un interés por la forma y las
funciones de las estructuras que crean. Al mismo tiempo, muchos
arquitectos han descubierto que los bricks LEGO son una forma
perfecta de expresar físicamente sus ideas creativas.
Esta relación se confirmó a principios de la década de 1960, con el
lanzamiento de la línea «Scale Model» de LEGO. Encajaba bien con
el espíritu de la época: un tiempo en el que los arquitectos modernos
redefinían el aspecto de las casas y la gente se interesaba cada vez
más por el diseño de su nuevo hogar. Los sets se diseñaron para
que se diferenciasen de los normales, que se comercializaban en
cajas de brillantes colores, e incluían un libro sobre la arquitectura
que proporcionaba inspiración a sus usuarios.
cadas más tarde, el arquitecto y fan de LEGO Adam Reed Tucker
reavivó la idea de expresar la arquitectura usando bricks LEGO y, en
colaboración con The LEGO Group, lanzó la línea LEGO Architecture
que hoy conocemos. Sus primeros modelos, y los sets originales
de la actual serie LEGO Architecture, eran interpretaciones de
los rascacielos más famosos de su ciudad natal, Chicago. Desde
entonces, LEGO Architecture se ha desarrollado y ha evolucionado,
primero incorporando edificios célebres de otras ciudades de
Estados Unidos y, ahora, estructuras emblemáticas de Europa,
Oriente Próximo y Asia.
La introducción del set LEGO Architecture Studio recupera las
ambiciones de la antigua línea «Scale Model» de LEGO y amplía
el potencial de la serie LEGO Architecture. Hoy puedes disfrutar
mientras construyes y aprendes sobre edificios célebres, o crear
tus propios modelos arquitectónicos a partir de tu imaginación.
Un instructivo libro de 270 páginas con materiales creados por
arquitectos internacionales de gran reputación te guiará a través
de los principios de la arquitectura y te animará a dar tus primeros
pasos en el mundo de la construcción creativa.
LEGO
®
Architecture
–Hieretaujourdhui
Il y a toujours eu une connexion naturelle entre la brique LEGO
®
et le monde de larchitecture. Les fans qui construisent avec des
éléments LEGO développent instinctivement un intérêt pour la forme
et la fonction des structures qu’ils créent. De nombreux architectes
ont quant à eux découvert que les briques LEGO sont la façon idéale
d’exprimer physiquement leurs idées de création.
Cette connexion a été confirmée au but des années 1960 avec
le lancement de la gamme « Maquettes à l’échelle » LEGO. Elle
correspondait à lesprit de lépoque, alors que les architectes
modernes redéfinissaient les maisons, et que les gens s’intéressaient
activement à la conception de la maison de leurs rêves. Ces
ensembles originaux étaient conçus pour être différents des boîtes
LEGO habituelles aux couleurs vives, et incluaient aussi « un livret
d’architecture » comme source d’inspiration.
Des décennies plus tard, l’architecte et fan LEGO Adam Reed
Tucker a fait revivre l’idée dexprimer larchitecture en utilisant des
briques LEGO. En partenariat avec le Groupe LEGO, il lança la
gamme LEGO Architecture que nous connaissons aujourd’hui. Ses
premiers modèles, et les modèles originaux dans la gamme LEGO
Architecture actuelle, étaient des interprétations de célèbres gratte-
ciel de sa ville natale de Chicago. La gamme LEGO Architecture a
depuis évolué et s’est transformée, tout d’abord avec des bâtiments
célèbres d’autres villes des États-Unis et maintenant avec de
célèbres structures d’Europe, du Moyen-Orient et d’Asie.
L’introduction de notre ensemble LEGO Architecture Studio fait écho
aux ambitions de la précédente gamme « Maquettes à léchelle »
LEGO et élargit le potentiel de la gamme LEGO Architecture.
Vous pouvez maintenant apprécier et découvrir des bâtiments
historiques ou créer de passionnants modèles architecturaux nés
de votre imagination. Un livre d’inspiration de 270 pages, présentant
plusieurs architectes célèbres du monde entier, vous guide parmi
les principes de l’architecture et vous encourage dans votre propre
construction créatrice.
21023_BI_NA_Special.indd 111
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112
Celebratetheworldofarchitecture
Célébrezlemondedel’architecture
Celebraelmundodelaarquitectura
andcollectallthemodels
etcollectionneztouslesmodèles
ycoleccionatodoslosmodelos
21014
Villa Savoye
21013
Big Ben
21022
Lincoln Memorial
Le monument de Lincoln
Monumento a Lincoln
21017
Imperial Hotel
Hôtel Imperial
21006
The White House
La Maison-Blanche
21011
Brandenburg Gate
La porte de Brandebourg
21015
The Leaning Tower of Pisa
La tour penchée de Pise
21018
United Nations Headquarters
Le siège des Nations Unies
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Celebratetheworldofarchitecture
Célébrezlemondedel’architecture
Celebraelmundodelaarquitectura
andcollectallthemodels
etcollectionneztouslesmodèles
ycoleccionatodoslosmodelos
21003
Seattle
Space Needle
21013
Big Ben
21022
Lincoln Memorial
Le monument de Lincoln
Monumento a Lincoln
21011
Brandenburg Gate
La porte de Brandebourg
21020
Trevi Fountain
La fontaine de Trevi
Fontana de Trevi
21015
The Leaning Tower of Pisa
La tour penchée de Pise
21019
The Eiffel Tower
La tour Eiffel
La torre Eiffel
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18x
4109995
8x
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12x
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20x
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3x
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21x
4125253
45x
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21x
4113917
References
Références
Referencias
Text credits:
The Flatiron Building: The New York Landmark and the Incomparable City That Arose with It,
Alice Sparberg Alexiou, Thomas Dunne Books, 2010.
Crédits textes:
The Flatiron Building: The New York Landmark and the Incomparable City That Arose with It,
Alice Sparberg Alexiou, Thomas Dunne Books, 2010.
Redacción:
The Flatiron Building: The New York Landmark and the Incomparable City That Arose with It,
Alice Sparberg Alexiou, Thomas Dunne Books, 2010.
Customer Service
Kundenservice
Service Consommateurs
Servicio Al Consumidor
LEGO.com/service or dial
00800 5346 5555 :
1-800-422-5346 :
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115
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18x
4109995
8x
4124455
6x
4162465
4x
4112982
4x
6024495
9x
4516055
12x
6046922
20x
6046924
3x
4159553
21x
4125253
45x
4124456
21x
4113917
20x
4114026
10x
4121921
4x
4113233
3x
4124067
2x
4161734
2x
663626
1x
610102 0
3x
416226
4x
383226
18x
6038458
27x
4529685
9x
6001197
16x
6101254
12x
6055172
26x
4549436
10x
4528604
27x
4496699
18x
4626904
5x
4211389
1x
4211388
7x
4558953
2x
4211476
4x
4515374
2x
4211399
1x
4211415
2x
4565393
4x
4211429
9x
4211445
3x
4211425
10x
4211407
2x
4211408
12x
6014615
1x
6011459
1x
4211461
4x
4211055
2x
4568734
8x
4560184
2x
6102769
1x
4654448
Text credits:
The Flatiron Building: The New York Landmark and the Incomparable City That Arose with It,
Alice Sparberg Alexiou, Thomas Dunne Books, 2010.
Photo credits:
Shutterstock.com
Wikipedia.org
Veronica Mainetti, Sorgente Group of America
Per Tropp-Christiansen
Gettyimages.com
Crédits textes:
The Flatiron Building: The New York Landmark and the Incomparable City That Arose with It,
Alice Sparberg Alexiou, Thomas Dunne Books, 2010.
Crédits photos:
Shutterstock.com
Wikipedia.org
Veronica Mainetti, Sorgente Group of America
Per Tropp-Christiansen
Gettyimages.com
Redacción:
The Flatiron Building: The New York Landmark and the Incomparable City That Arose with It,
Alice Sparberg Alexiou, Thomas Dunne Books, 2010.
Fotografías:
Shutterstock.com
Wikipedia.org
Veronica Mainetti, Sorgente Group of America
Per Tropp-Christiansen
Gettyimages.com
Customer Service
Kundenservice
Service Consommateurs
Servicio Al Consumidor
LEGO.com/service or dial
00800 5346 5555 :
1-800-422-5346 :
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LEGO and the LEGO logo are trademarks of the/sont des marques de
commerce du/son marcas registradas de LEGO Group.
©2015 The LEGO Group.
6138981
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Lego 21023 Building Instruction

Tipo
Building Instruction
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