Yamaha F02 El manual del propietario

Marca: Yamaha

Modelo: F02

Categoría: Instrumentos musicales

Tipo: El manual del propietario

Owner’s Manual

IMPORTANT

— Check your power supply —

Make sure that your local AC mains voltage matches the voltage speciﬁed on the name plate on the bottom

panel. In some areas a voltage selector may be provided on the rear panel of the main keyboard unit near

the power cord. Make sure that the voltage selector is set for the voltage in your area. The voltage selector is

set at 240V when the unit is initially shipped. To change the setting use a “minus” screwdriver to rotate the

selector dial so that the correct voltage appears next to the pointer on the panel.

For information on assembling the instrument, refer to the instructions at the end of this manual.

F02 Owner’s Manual

The model number, serial number, power requirements, etc., may be

found on or near the name plate, which is at the bottom of the unit.

You should note this serial number in the space provided below and

retain this manual as a permanent record of your purchase to aid

identification in the event of theft.

Model No.

Serial No.

(bottom_en_01)

Le numéro de modèle, le numéro de série, l’alimentation requise, etc.,

se trouvent sur ou près de la plaque signalétique du produit, située

dans la partie inférieure de l’unité. Notez le numéro de série dans

l’espace fourni ci-dessous et conservez ce manuel en tant que preuve

permanente de votre achat afin de faciliter l’identification du produit en

cas de vol.

N° de modèle

N° de série

(bottom_fr_01)

El número de modelo, el número de serie, los requisitos de alimentación,

etc. pueden encontrarse en la placa de identificación o cerca de ella.

Esta placa se encuentra en la parte inferior de la unidad. Debe anotar

dicho número en el espacio proporcionado a continuación y conservar

este manual como comprobante permanente de su compra para facilitar

la identificación en caso de robo.

Nº de modelo

Nº de serie

(bottom_es_01)

Die Nummer des Modells, die Seriennummer, der Leistungsbedarf

usw. sind auf dem Typenschild, das sich auf der Unterseite des

Geräts befindet, oder in der Nähe davon angegeben. Sie sollten diese

Seriennummer an der unten vorgesehenen Stelle eintragen und

dieses Handbuch als dauerhaften Beleg für Ihren Kauf aufbewahren,

um im Fall eines Diebstahls die Identifikation zu erleichtern.

Modell Nr.

Seriennr.

(bottom_de_01)

The name plate is located on the bottom of the unit.

La plaque signalétique de ce produit se trouve dans

le bas de l’unité.

La placa del nombre se encuentra en la parte inferior

de la unidad.

Das Namensschild befindet sich an der Unterseite

des Produkts.

F02 Owner’s Manual

Information for Users on Collection and Disposal of Old Equipment

This symbol on the products, packaging, and/or accompanying documents means that used electrical and electronic products should

not be mixed with general household waste.

For proper treatment, recovery and recycling of old products, please take them to applicable collection points, in accordance with your

national legislation and the Directives 2002/96/EC.

By disposing of these products correctly, you will help to save valuable resources and prevent any potential negative effects on human

health and the environment which could otherwise arise from inappropriate waste handling.

For more information about collection and recycling of old products, please contact your local municipality, your waste disposal service

or the point of sale where you purchased the items.

[For business users in the European Union]

If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information.

[Information on Disposal in other Countries outside the European Union]

This symbol is only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer and ask for the correct

method of disposal.

(weee_eu_en_01)

Information concernant la Collecte et le Traitement des déchets d’équipements électriques et électroniques.

Le symbole sur les produits, l’emballage et/ou les documents joints signifie que les produits électriques ou électroniques usagés ne doivent pas être

mélangés avec les déchets domestiques habituels.

Pour un traitement, une récupération et un recyclage appropriés des déchets d’équipements électriques et électroniques, veuillez les déposer aux

points de collecte prévus à cet effet, conformément à la réglementation nationale et aux Directives 2002/96/EC.

En vous débarrassant correctement des déchets d’équipements électriques et électroniques, vous contribuerez à la sauvegarde de précieuses

ressources et à la prévention de potentiels effets négatifs sur la santé humaine qui pourraient advenir lors d’un traitement inapproprié des déchets.

Pour plus d’informations à propos de la collecte et du recyclage des déchets d’équipements électriques et électroniques, veuillez contacter votre

municipalité, votre service de traitement des déchets ou le point de vente où vous avez acheté les produits.

[Pour les professionnels dans l’Union Européenne]

Si vous souhaitez vous débarrasser des déchets d’équipements électriques et électroniques veuillez contacter votre vendeur ou fournisseur pour plus d’informations.

[Information sur le traitement dans d’autres pays en dehors de l’Union Européenne]

Ce symbole est seulement valable dans l’Union Européenne. Si vous souhaitez vous débarrasser de déchets d’équipements électriques et électroniques, veuillez

contacter les autorités locales ou votre fournisseur et demander la méthode de traitement appropriée.

(weee_eu_fr_01)

Información para Usuarios sobre Recolección y Disposición de Equipamiento Viejo

Este símbolo en los productos, embalaje, y/o documentación que se acompañe significa que los productos electrónicos y eléctricos

usados no deben ser mezclados con desechos hogareños corrientes.

Para el tratamiento, recuperación y reciclado apropiado de los productos viejos, por favor llévelos a puntos de recolección aplicables,

de acuerdo a su legislación nacional y las directivas 2002/96/EC.

Al disponer de estos productos correctamente, ayudará a ahorrar recursos valiosos y a prevenir cualquier potencial efecto negativo

sobre la salud humana y el medio ambiente, el cual podría surgir de un inapropiado manejo de los desechos.

Para mayor información sobre recolección y reciclado de productos viejos, por favor contacte a su municipio local, su servicio de

gestión de residuos o el punto de venta en el cual usted adquirió los artículos.

[Para usuarios de negocios en la Unión Europea]

Si usted desea deshacerse de equipamiento eléctrico y electrónico, por favor contacte a su vendedor o proveedor para mayor información.

[Información sobre la Disposición en otros países fuera de la Unión Europea]

Este símbolo sólo es válido en la Unión Europea. Si desea deshacerse de estos artículos, por favor contacte a sus autoridades locales y pregunte por el

método correcto de disposición.

(weee_eu_es_01)

Verbraucherinformation zur Sammlung und Entsorgung alter Elektrogeräte

Befindet sich dieses Symbol auf den Produkten, der Verpackung und/oder beiliegenden Unterlagen, so sollten benutzte elektrische Geräte

nicht mit dem normalen Haushaltsabfall entsorgt werden.

In Übereinstimmung mit Ihren nationalen Bestimmungen und den Richtlinien 2002/96/EC bringen Sie alte Geräte bitte zur fachgerechten

Entsorgung, Wiederaufbereitung und Wiederverwendung zu den entsprechenden Sammelstellen.

Durch die fachgerechte Entsorgung der Elektrogeräte helfen Sie, wertvolle Ressourcen zu schützen, und verhindern mögliche negative

Auswirkungen auf die menschliche Gesundheit und die Umwelt, die andernfalls durch unsachgerechte Müllentsorgung auftreten könnten.

Für weitere Informationen zum Sammeln und Wiederaufbereiten alter Elektrogeräte kontaktieren Sie bitte Ihre örtliche Stadt- oder

Gemeindeverwaltung, Ihren Abfallentsorgungsdienst oder die Verkaufsstelle der Artikel.

[Information für geschäftliche Anwender in der Europäischen Unio]

Wenn Sie Elektrogeräte ausrangieren möchten, kontaktieren Sie bitte Ihren Händler oder Zulieferer für weitere Informationen.

[Entsorgungsinformation für Länder außerhalb der Europäischen Union]

Dieses Symbol gilt nur innerhalb der Europäischen Union. Wenn Sie solche Artikel ausrangieren möchten, kontaktieren Sie bitte Ihre örtlichen Behörden oder

Ihren Händler und fragen Sie nach der sachgerechten Entsorgungsmethode.

(weee_eu_de_01)

F02 Owner’s Manual

Thank you for choosing the Yamaha Digital Piano.

In order to make the most of the performance potential and features of the instrument, please read the

manuals thoroughly, and keep them in a handy place for later reference.

About the Manuals

This instrument has the following manuals.

Included Manuals

Owner’s Manual (this book)

Explains how to use the instrument.

Online Manuals (PDF)

Computer-related Operations

Includes instructions on connecting this instrument to a computer.

MIDI Reference

Contains the MIDI Data Format and MIDI Implementation chart.

MIDI Basics

Contains basic explanations about MIDI.

To obtain these manuals, access the Yamaha Downloads website, select your country, enter “F02” in the Model Name box,

then click [SEARCH].

Included Accessories

•Owner’s Manual (this book)

•AC Power cord

•Bench

• Online Member Product Registration

*1 You will need the PRODUCT ID on the sheet in order to fill out the User Registration form.

Yamaha Downloads

http://download.yamaha.com/

F02 Owner’s Manual

Contents

About the Manuals.......................................................4

Included Accessories....................................................4

PRECAUTIONS ...........................................................6

Main Features 9

Panel Controls and Terminals 10

Setting Up 12

Key Cover and Music Rest ........................................12

Turning the Power On...............................................13

Using Headphones .....................................................13

Playing the Piano 14

Setting the Volume.....................................................14

Intelligent Acoustic Control (IAC)..........................14

Using the Pedals..........................................................15

Using the Metronome................................................16

Changing the Keyboard Touch Sensitivity .............17

Playing Various Musical Instrument

Sounds (Voices) 18

Selecting a Voice.........................................................18

Listening to the Voice Demo Songs.........................18

Enhancing the Sound with Reverb...........................19

String Resonance ........................................................19

Transposing the Pitch in Semitones ........................20

Fine-tuning the Pitch .................................................20

Layering Two Voices (Dual Mode)..........................21

Splitting the Keyboard Range and Playing Two

Different Voices (Split Mode)...................................22

Playing Back Songs (BGM) 23

Songs Compatible with this Instrument..................23

Playing Back Songs.....................................................24

Playing Back Songs in USB Flash Memory.............25

Recording Your Performance 26

Recording.....................................................................26

Deleting Recorded Performance Data.....................27

Using a USB Flash Memory 28

Handling a USB Flash Memory ............................... 28

Copying a User Song in the Instrument to a USB

Flash Memory............................................................. 30

Converting a User Song in the Instrument to an

Audio Song ................................................................. 31

Connections 32

Using an External Powered Speaker for Playback

(AUX OUT [L/L+R] [R] Jacks)................................ 32

Playing External Equipment with this Instrument’s

Speakers (AUX IN [L/L+R] [R] Jacks).................... 32

Connecting to a Computer ([USB TO HOST]

Terminal) .................................................................... 33

Connecting External MIDI Devices (MIDI [IN]

[OUT] Terminals) ..................................................... 33

Data Backup and Initialization 36

Backup Data Maintained When Power is Turned Off

...................................................................................... 36

Saving the Backup Data to a USB Flash Memory 36

Initializing the Settings ............................................. 36

Appendix 37

Message List................................................................ 37

Troubleshooting......................................................... 38

50 Piano Preset Songs (Classic & Jazz) List............ 39

Voice Demo Song List............................................... 40

Preset Voice List......................................................... 41

Assembly ..................................................................... 42

Specifications.............................................................. 44

Index............................................................................ 45

Quick Operation Guide ............................................ 49

F02 Owner’s Manual

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

Please keep this manual in a safe and handy place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from

electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited

to, the following:

• Do not place the power cord near heat sources such as heaters

or radiators. Also, do not excessively bend or otherwise damage

the cord, or place heavy objects on it.

• Only use the voltage specified as correct for the instrument. The

required voltage is printed on the name plate of the instrument.

• Use only the supplied power cord/plug.

• Check the electric plug periodically and remove any dirt or dust

which may have accumulated on it.

• This instrument contains no user-serviceable parts. Do not

open the instrument or attempt to disassemble or modify the

internal components in any way. If it should appear to be

malfunctioning, discontinue use immediately and have it

inspected by qualified Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in

damp or wet conditions, place on it any containers (such as

vases, bottles or glasses) containing liquids which might spill

into any openings. If any liquid such as water seeps into the

instrument, turn off the power immediately and unplug the

power cord from the AC outlet. Then have the instrument

inspected by qualified Yamaha service personnel.

• Never insert or remove an electric plug with wet hands.

• Do not put burning items, such as candles, on the unit.

A burning item may fall over and cause a fire.

• When one of the following problems occur, immediately turn off

the power switch and disconnect the electric plug from the

outlet. Then have the device inspected by Yamaha service

personnel.

- The power cord or plug becomes frayed or damaged.

- It emits unusual smells or smoke.

- Some object has been dropped into the instrument.

- There is a sudden loss of sound during use of the instrument.

Power supply/Power cord

Do not open

Water warning

Fire warning

If you notice any abnormality

DMI-5 1/2

F02 Owner’s Manual

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or

damage to the instrument or other property. These precautions include, but are not limited to, the following:

• Do not connect the instrument to an electrical outlet using a

multiple-connector. Doing so can result in lower sound quality,

or possibly cause overheating in the outlet.

• When removing the electric plug from the instrument or an

outlet, always hold the plug itself and not the cord. Pulling by

the cord can damage it.

• Remove the electric plug from the outlet when the instrument is

not to be used for extended periods of time, or during electrical

storms.

• Read carefully the attached documentation explaining the

assembly process. Failure to assemble the instrument in the

proper sequence might result in damage to the instrument or

even injury.

• Do not place the instrument in an unstable position where it

might accidentally fall over.

• When transporting or moving the instrument, always use two or

more people. Attempting to lift the instrument by yourself may

damage your back, result in other injury, or cause damage to the

instrument itself.

• Before moving the instrument, remove all connected cables, to

prevent damage to the cables or injury to anyone who might trip

over them.

• When setting up the product, make sure that the AC outlet you

are using is easily accessible. If some trouble or malfunction

occurs, immediately turn off the power switch and disconnect

the plug from the outlet. Even when the power switch is turned

off, electricity is still flowing to the product at the minimum

level. When you are not using the product for a long time, make

sure to unplug the power cord from the wall AC outlet.

• Before connecting the instrument to other electronic

components, turn off the power for all components. Before

turning the power on or off for all components, set all volume

levels to minimum.

• Be sure to set the volumes of all components at their minimum

levels and gradually raise the volume controls while playing the

instrument to set the desired listening level.

• Do not insert a finger or hand in any gaps on the key cover or

instrument. Also take care that the key cover does not pinch

your finger.

• Never insert or drop paper, metallic, or other objects into the

gaps on the key cover, panel or keyboard. This could cause

physical injury to you or others, damage to the instrument or

other property, or operational failure.

• Do not rest your weight on, or place heavy objects on the

instrument, and do not use excessive force on the buttons,

switches or connectors.

• Do not use the instrument/device or headphones for a long

period of time at a high or uncomfortable volume level, since

this can cause permanent hearing loss. If you experience any

hearing loss or ringing in the ears, consult a physician.

• Do not place the bench in an unstable position where it might

accidentally fall over.

• Do not play carelessly with or stand on the bench. Using it as a

tool or stepladder or for any other purpose might result in

accident or injury.

• Only one person should sit on the bench at a time, in order to

prevent the possibility of accident or injury.

• If the bench screws become loose due to extensive long-term

use, tighten them periodically using the included tool.

• Keep special watch over any small children so that they don’t

fall off the rear of the bench. Since the bench does not have a

backrest, unsupervised use may result in accident or injury.

Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or

destroyed.

Always turn the power off when the instrument is not in use.

Power supply/Power cord

Assembly

Location

Connections

Handling caution

Using the bench (If included)

DMI-5 2/2

F02 Owner’s Manual

NOTICE

To avoid the possibility of malfunction/ damage to the

product, damage to data, or damage to other property,

follow the notices below.

 Handling

• Do not use the instrument in the vicinity of a TV, radio,

stereo equipment, mobile phone, or other electric

devices. Otherwise, the instrument, TV, or radio may

generate noise. When you use the instrument along

with the application on your iPhone/iPad, we

recommend that you set “Airplane Mode” to “ON” on

your iPhone/iPad in order to avoid noise caused by

communication.

• Do not expose the instrument to excessive dust or

vibrations, or extreme cold or heat (such as in direct

sunlight, near a heater, or in a car during the day) to

prevent the possibility of panel disfiguration, damage to

the internal components or unstable operation.

(Verified operating temperature range: 5° – 40°C, or 41°

– 104°F.)

• Do not place vinyl, plastic or rubber objects on the

instrument, since this might discolor the panel or

keyboard.

• Bumping the surface of the instrument with metal,

porcelain, or other hard objects can cause the finish to

crack or peel. Use caution.

 Instrument / Bench Maintenance

To keep your digital piano in optimum condition, we

recommend that you periodically follow the maintenance

points below.

• When cleaning the instrument or bench, use a soft, dry

or slightly damp cloth. Do not use paint thinners,

solvents, cleaning fluids, or chemical-impregnated

wiping cloths. Otherwise, it may become discolored or

degraded.

• Gently remove dust and dirt with a soft cloth. Do not

wipe too hard since small particles of dirt can scratch

the instrument’s finish. To keep the surface polished,

apply commercially available piano polisher to a soft

cloth and wipe the instrument’s surface with it. Then,

polish it with a separate cloth. Before using any piano

polisher, make sure to read the instructions for proper

usage.

• During extreme changes in temperature or humidity,

condensation may occur and water may collect on the

surface of the instrument. If water is left, the wooden

parts may absorb the water and be damaged. Make sure

to wipe any water off immediately with a soft cloth.

• As with an acoustic piano, pedals may become

tarnished across the ages. When this occurs, polish the

pedal with a compound designed for piano pedals.

Before using the compound, make sure to read the

instructions for proper usage.

 Saving data

• Saved data may be lost due to malfunction or incorrect

operation. Save important data to a USB flash memory

(page 36).

• To further protect against data loss through the USB

flash memory damage, we recommend that you save

your important data onto two USB flash memories.

Information

 About copyrights

• Copying of the commercially available musical data

including but not limited to MIDI data and/or audio

data is strictly prohibited except for your personal use.

• This product incorporates and bundles computer

programs and contents in which Yamaha owns

copyrights or with respect to which it has license to use

others’ copyrights. Such copyrighted materials include,

without limitation, all computer software, style files,

MIDI files, WAVE data, musical scores and sound

recordings. Any unauthorized use of such programs

and contents outside of personal use is not permitted

under relevant laws. Any violation of copyright has

legal consequences. DON’T MAKE, DISTRIBUTE OR

USE ILLEGAL COPIES.

 About functions/data bundled with the

instrument

• Some of the preset songs have been edited for length or

arrangement, and may not be exactly the same as the

original.

 About this manual

• The illustrations and displays as shown in this manual

are for instructional purposes only, and may appear

somewhat different from those on your instrument.

• The company names and product names in this manual

are the trademarks or registered trademarks of their

respective companies.

 Tuning

• Unlike an acoustic piano, this instrument does not need

to be tuned by an expert (although the pitch can be

user-adjusted to match other instruments). This is

because the pitch of digital instruments is always

maintained perfectly.

 Transporting

• If you move to another location, you can transport the

instrument along with other belongings. You can move

the unit as it is (assembled) or you can disassemble the

unit down to the condition it was in when you first took

it out of the box. Transport the keyboard horizontally.

Do not lean it up against a wall or stand it up on its side.

Do not subject the instrument to excessive vibration or

shock. When transporting the assembled instrument,

make sure all screws are properly tightened and have

not been loosened by moving the instrument.

Main Features

F02 Owner’s Manual

Main Features

Stylish and sophisticated digital piano

The instrument combines true piano sound in a modern, attractive cabinet that evokes the beauty of a real

acoustic grand piano — adding sophistication and musical expressiveness to your living space.

Real Grand Expression (RGE) sound engine

This new sound engine gives you the full playing response and expressive capability of a concert grand piano.

In addition to providing smooth tonal changes that respond to your playing touch, it also features a Smooth

Release function which clearly articulates staccato notes and produces the sound of lingering resonance

when gently lifting your fingers from the keys — just like the soft damping action of real dampers. These

effects capture the true essence of an acoustic grand piano to help you create and perform with authentic

piano-like expression.

NW (Natural Wood) keyboard with synthetic ivory keytops

and Linear Graded Hammer action

The instrument’s keyboard has the luxurious feel of real ivory. The key surface is soft and slightly porous,

giving the keys added grip and a natural friction that lets you play easily. The special Natural Wood keyboard

uses real-wood white keys just as an actual grand piano. Moreover, Linear Graded Hammer provides an

authentic action in which the lower keys are heavy in touch and the higher keys are light, with all the natural

gradations in between. All in all, this gives you the performance functions and expressive power found only

on grand pianos, including having repeated plays of the same note perfectly articulated, even when playing at

high speed or with partial key release.

50 Classic & Jazz Piano Preset Songs

The instrument features 50 built-in piano preset songs, including both classic pieces and jazz standards. The

preset songs are divided into scene categories, which correspond to a variety of favorite listening preferences

and let you select your favorite songs according to the appropriate description.

For even wider song selection, simply connect a USB flash memory device to the instrument — and your

favorite songs in MIDI format are ready to be played in random or sequence.

Audio Playback from USB Flash Memory

Audio files (.wav) saved to a USB flash memory can be played back on the instrument.

Moreover, since you can save your performance as audio data to a USB flash memory device, it is possible to

listen to your performance on portable music players, transferring the data by computer.

Panel Controls and Terminals

F02 Owner’s Manual

Panel Controls and Terminals

Display

Check the operation on the display of the top panel as you use the instrument. The display is normally hidden

beneath the surface to maintain the elegant appearance of the instrument, and is visible only when a button is

pressed or an operation is executed.

Various other messages and prompts are indicated with the three characters in the display. For details, refer to

page 37.

Right

(higher-

key

side)

Left

(lower-

key

side)

Rear

Right

(higher-key side)

Left

(lower-key side)

Rear

Right

(higher-key side)

Left

(lower-key side)

Rear

Rear panelShows the jacks as seen when viewed from below the instrument.

Tempo Song number (page 23) Parameter value

Panel Controls and Terminals

F02 Owner’s Manual

[ ] Power switch ............................ page 13

For turning the power on/off.

[VOLUME] slider ............................ page 14

For adjusting the volume level using this slider.

Display............................................. page 10

NOTICE

Do not turn off the power to the instrument while flashing

dashes appear in the display (indicating the operation is

in process). Doing so may damage the data.

[PRESET 1]/[PRESET 2] lamp........ page 23

When this is lit, you can listen to the 50 Piano Preset

Songs (Classic & Jazz).

[USB] lamp ...................................... page 23

When this is lit, you can listen to songs contained in

USB flash memory.

[USB] access lamp ....................pages 23, 28

Flashes in red while loading data from USB flash

memory.

[BGM] button...........................pages 23, 24

Switches the BGM mode on and off for [PRESET 1]/

[PRESET 2]/[USB].

[–/NO]/[+/YES] button

For setting values or performing file operations.

Voice buttons................................... page 18

For selecting Voices.

[VARIATION] button .....................page 18

Lets you call up an alternate version of the selected

Voice, with a different sound.

[PLAY/STOP] button...................... page 24

For starting/stopping song playback of the 50 Piano

Preset Songs (Classic & Jazz), your recorded songs, or

songs in USB flash memory.

[REC] button ................................... page 26

For recording your keyboard performance.

[METRONOME] button ................. page 16

For using the metronome.

[SPLIT] button ................................ page 22

For playing different Voices on the left- and right-

hand sections of the keyboard.

[PHONES] jacks ..............................page 13

For connecting a set of standard stereo headphones.

AUX IN [L/L+R][R] jacks................page 32

The stereo outputs from another instrument can be

connected to these jacks, allowing the sound of an

external instrument to be reproduced via this

instrument’s speakers.

AUX OUT [L/L+R][R] jacks............page 32

These jacks let you connect this instrument to

external powered speaker systems, for playing in

larger venues at higher volumes.

MIDI [IN][OUT] terminals ............page 33

For connecting to a MIDI device, allowing you to take

advantage of various MIDI functions.

[USB TO HOST] terminal...............page 33

For connecting to a computer. For details, refer to

“Computer-related Operations” (page 4).

NOTICE

Use an AB type USB cable of less than 3 meters. USB 3.0

cables cannot be used.

[USB TO DEVICE] terminal...........page 28

For connecting to a USB flash memory device,

allowing you to save your own recorded songs and to

play back songs contained on the device.

[AC IN] connector...........................page 13

For connecting the Power cord.

Pedals...............................................page 15

For controlling expression and sustain, just as on an

acoustic piano.

Setting Up

F02 Owner’s Manual

Setting Up

CAUTION

• Hold the cover with both hands when opening or closing

it. Do not release it until it is fully opened or closed. Be

careful to avoid catching fingers (yours or others,

especially children’s) between the cover and the unit.

• Do not place objects such as a piece of metal or paper on

top of the key cover. Small objects placed on the key cover

may fall inside the unit when the cover is opened and may

be nearly impossible to remove. This could cause electric

shock, short circuit, fire or other serious damage to the

instrument.

To open the key cover:

1. Hold the front edge of the key cover top with

both hands, then lift the key cover gently and

fold it back.

2. Raise the folded cover and lean it against the

front panel.

3. Unfold the music rest.

To close the key cover:

1. If the music rest is unfolded, fold it back.

2. Pull the cover down and toward yourself

slowly.

3. Unfold the cover and gently lower its front half.

Key Cover and Music Rest

Be careful to avoid catching your fingers

when opening or closing the cover.

Be careful to avoid catching your fingers

when opening or closing the cover.

Be careful to avoid catching your fingers

when opening or closing the cover.

Be careful to avoid catching your fingers

when opening or closing the cover.

Setting Up

F02 Owner’s Manual

1. Connect the Power cord.

First insert the plug of the power cable into the AC

connector on the instrument, then plug the other

end of the cable into the proper AC outlet on the

wall. In some areas a plug adaptor may be provided

to match the pin configuration of the AC wall

outlets in your area. For more information on

connecting the power cord, refer to the assembly

instructions on page 43.

WARNING

• Make sure your instrument is rated for the AC voltage

supplied in the area in which it is to be used (voltage rating

appears on the name plate on the bottom panel). In some

areas, a voltage selector may be provided on the rear panel

of the main keyboard unit near the AC IN. Make sure that

the voltage selector is set for the voltage in your area.

Connecting the unit to the wrong AC supply can cause

serious damage to the internal circuitry and may even pose

a shock hazard!

• Use only the AC power cord supplied with your instrument.

If the supplied cord is lost or damaged and needs to be

replaced, contact your Yamaha dealer. The use of an

inappropriate replacement can pose a fire and shock

hazard!

• The type of AC power cord provided with your instrument

may be different depending on the country in which it is

purchased. (In some areas a plug adaptor may be provided

to match the pin configuration of the AC wall outlets in your

area.) Do NOT modify the plug provided with your

instrument. If the plug will not fit the outlet, have a proper

outlet installed by a qualified electrician.

2. Turn the power on.

Press the [ ] Power switch located on the right of

the keyboard to turn the power on.

The Power indicator located below the left end of

the keyboard lights up.

Power indicator

If you close the key cover without turning the power

off, the Power indicator remains lit, indicating that

the power is still on.

When you’re ready to turn off the power, press the Power

switch again.

The Power indicator turns off.

CAUTION

Even when the instrument is turned off, electricity is still

flowing to the instrument at the minimum level. When you

are not using the instrument for a long time or during

electrical storms, make sure you unplug the AC power plug

from the wall AC outlet.

Connect a pair of headphones (option) to one of the

[PHONES] jacks. Two [PHONES] jacks are provided. You

can connect two sets of standard stereo headphones. If

you are using only one pair of headphones, you can plug

them into either of these jacks.

CAUTION

Do not use headphones at a high volume for an extended

period of time. Doing so may cause hearing loss.

Turning the Power On

1-1

1-2

The shape of the plug and outlet

differ depending on locale.

Using Headphones

Power

indicator

Power switch

Standard

stereo

phone

plug

Bottom

surface

Playing the Piano

F02 Owner’s Manual

Playing the Piano

To adjust the volume, use the [VOLUME] slider located at the left of the panel. Play the keyboard to actually produce

sound while you adjust the volume.

Adjusting the [VOLUME] slider also affects the output level of the [PHONES] jacks and

the output level of the AUX OUT jack.

With this function, the sound quality of this instrument is automatically adjusted and controlled according to the overall

volume. Even when the volume is low, this lets you hear both low sounds and high sounds clearly.

 To turn on IAC:

While holding down [METRONOME],

press the F6 key.

 To turn off IAC:

While holding down [METRONOME],

press the F♯6 key.

 To adjust IAC Depth:

While holding down [METRONOME],

press one of the A5 – D♯6 keys.

The higher the value, the more clear the

sound of low and high ranges for softer

volume levels.

Setting the Volume

VOLUME:

The volume level of the entire

keyboard sound.

CAUTION

Do not use this instrument at

a high volume level for a long

period of time, or your

hearing may be damaged.

Increases the level.Decreases the level.

Intelligent Acoustic Control (IAC)

Default setting:

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Highest key

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Setting range:

-3 (A5) – +3 (D♯6)

Default setting:

0 (C6)

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'ᅊ

+1 +3

0+2

-2

-3 -1

depth 0

Standard setting

depth -3

depth +3

Playing the Piano

F02 Owner’s Manual

This instrument has three foot pedals: damper pedal (right), sostenuto pedal

(center), and soft pedal (left) that produce a range of expressive effects similar to

those produced by the pedals on an acoustic piano.

Damper (Right) Pedal

When this pedal is pressed, the sound is sustained, even

when the keys are released. When this is used with one of

the Grand Piano Voices, a special Damper Resonance

effect (with Depth control; see below) is added, which

effectively reproduces the rich, resonant sound of the

soundboard, frame and cabinet of a real acoustic piano.

 To set the Damper Resonance Depth

While holding down [VARIATION], press one of the C5 – A♯5 keys.

(Refer to the Quick Operation Guide on page 49.)

Sostenuto (Center) Pedal

If you play a note or chord on the keyboard and press the

sostenuto pedal while holding the note(s), the notes will

sustain as long as the pedal is held. Organ and string

Voices will continue to sound for as long as the sostenuto

pedal is depressed. All subsequent notes will not sustain.

Soft (Left) Pedal

The soft pedal reduces the volume and slightly changes the timbre of notes

played while the pedal is pressed. The soft pedal will not affect notes that are already

playing or sustaining when it is pressed. Press the pedal immediately before you play the

target notes.

Using the Pedals

When you press the damper

pedal here, the notes you play

before you release the pedal

have a longer sustain.

Setting range:

0 (C5) – 10 (A♯5)

Default setting:

Different for each Voice

Half-pedal function

This instrument also has a Half-pedal function which allows you to use half-damper

techniques, in which the damper is pressed somewhere between all the way down

and all the way up. In this half-damper state (on a real piano), the damper felts only

partially mute the strings. The Half-pedal function on this instrument lets you

delicately and expressively control the damper muting, and create subtle nuances in

your performance. It also lets you finely control the point at which pressure on the

pedal affects the damper muting.

GP Responsive Damper Pedal

The damper pedal of this instrument is a special GP Responsive Damper Pedal,

which has been designed to provide enhanced tactile response. When pressed, it is

much closer in feel to the pedal of an actual grand piano. It makes it easier to

physically experience the half-pedal point and more easily apply the half-pedal

effect than other pedals. Since the pressing sensation may vary depending on the

situation, including the location where the instrument is installed, you should adjust

the half-pedal point to the desired setting.

• To set the Half-pedal Point

While holding down [METRONOME], press one of the A♯3 – E4 keys.

(Refer to the Quick Operation Guide on page 49.)

NOTE

The pedals are covered with

vinyl covers when shipped

from the factory. For optimum

use of the GP Responsive

Damper Pedal, we

recommend that you remove

the cover from the damper

pedal.

Setting range:

-2 (effective at shallow

position) – 0 – 4 (effective at

deep position)

Default setting:

0 (C4)

When you press the sostenuto

pedal here while holding the

note, the note will sustain as

long as you hold the pedal.

Playing the Piano

F02 Owner’s Manual

The metronome feature is convenient for practicing with an accurate tempo.

1. Press [METRONOME] to start the Metronome.

2. Press [METRONOME] to stop the Metronome.

 To adjust the Tempo

Press [BGM] so that the [PRESET 1]/[PRESET 2]/[USB] lamp is turned off.

The Metronome tempo can be set by pressing [-/NO] or[+/YES].

The default setting can be recalled by pressing both [-/NO] and [+/YES] simultaneously.

 To select a Beat

While holding down [METRONOME], press one of the C1 – F1

keys. The current setting appears on the display while both

controls are held.

You can set the beat to 0, 2, 3, 4, 5 or 6. The first beat is accented

with a bell sound and the rest with clicks. When the beat is set to

“0,” clicks sound on all beats.

 To adjust the Volume

While holding down [METRONOME], press one of the keys between A-1 and F♯0 to set

the volume of the metronome. Pressing a higher key results in higher volume, while

pressing a lower key results in lower volume.

Using the Metronome

The beat indicator flashes

at the current tempo.

Setting range:

5 to 500 beats per minute

Default setting:

120

NOTE

The default settings of tempo

and beat for MIDI Songs differ

depending on the selected

Song.

When you play back a MIDI

Song, the setting here will be

canceled and the original

tempo and the beat for that

Song is called up.

Setting range:

0 (C1), 2 (C♯1) – 6 (F1)

Default setting:

0 (C1)

Beat

Setting range:

1 (A-1) – 10 (F♯0)

Default setting:

8 (E0)

257

13 946

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0356

Adjusting the

Metronome Volume

Selecting

a Beat

Playing the Piano

F02 Owner’s Manual

You can select four different Touch Sensitivity types (how the sound responds to the way you play the keys). Select one to

match different playing styles and preferences.

While holding down [METRONOME], press C2 or one of the D2 – E2 keys.

Changing the Keyboard Touch Sensitivity

NOTE

The Touch Sensitivity type is

applied commonly to all

Voices. However, the Touch

Sensitivity settings may have

little or no effect with certain

Voices that are not normally

responsive to keyboard

dynamics. (Refer to “Preset

Voice List” on page 41.)

Default setting

Medium (D♯2)

Key Display

Tou c h

Sensitivity

Description

C2 OFF Fixed The volume level does not change at all regardless of

whether you play the keyboard soft or hard.

D2 1 Soft The volume level does not change much when you play

the keyboard soft or hard. This lets you play relatively

loudly, even with a soft touch.

D♯2 2 Medium This is the standard piano touch response.

E2 3 Hard The volume level changes very widely from pianissimo

to fortissimo to facilitate dynamic and dramatic

expression. You have to hit the keys hard to produce a

loud sound. It also gives you finer expressive control of

soft sounds.

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& ' (

Lowest key

Playing Various Musical Instrument Sounds (Voices)

F02 Owner’s Manual

Playing Various Musical Instrument Sounds (Voices)

In addition to the wonderfully realistic piano sounds, you can select and play other authentic musical instrument sounds

(Voices), such as organ or stringed instruments.

1. Select the desired Voice by pressing one of the Voice buttons.

2. Try playing the keyboard and listening to the sound.

[VARIATION]

Lets you call up an alternate version of the selected Voice. Pressing this button or the

selected Voice button toggles the variation on and off. The lamp lights when

[VARIATION] is enabled.

To familiarize yourself with the characteristics of the Voices, listen to the Demo Songs for

each Voice. For a list of the Voice Demo Songs, refer to page 40.

1. While holding down [BGM], press one of the Voice buttons to start

playback.

The Demo Song for the current Voice starts.

Starting with the selected Song, playback of the Demo Songs will continue. After

the last Demo Song, the sequence then returns to the first one and repeats until you

stop it.

2. Press [BGM] or [PLAY/STOP] to stop playback.

Voice buttons

[VARIATION]

button

Selecting a Voice

NOTE

Refer to “Preset Voice List” on

page 41 for more information

on the characteristics of each

Voice.

NOTE

The Demo mode cannot be

called up during Song

recording (page 26).

NOTE

MIDI reception is not possible

in the Demo mode. Demo Song

data is not transmitted via the

MIDI terminals.

NOTE

The tempo of Demo Songs

cannot be adjusted. The

default tempo of the selected

Demo Song is automatically set

and fixed during playback.

Listening to the Voice Demo Songs

Playing Various Musical Instrument Sounds (Voices)

F02 Owner’s Manual

This instrument features several Reverb Types that add extra depth and expression to the sound to create a realistic

acoustic ambience. The appropriate Reverb Type and Depth are called up automatically when you select each of the

Voices and Songs. This is why the Reverb Type need not be selected; however, you can change it if desired.

To s el ec t a Re ver b Typ e:

While holding down [VARIATION], press one of the C2 – E2 keys. The current Reverb

Type setting appears on the display while both controls are held.

Reverb Type List

To adjust Reverb Depth:

While holding down [VARIATION], press one of the C3 – G♯4 keys. The Depth value

increases as you press higher keys.

While holding down [VARIATION], press the A4 key to set the Reverb Depth to the most

suitable value for the current Voice. The current Reverb Depth setting appears on the

display while both controls are held.

The String Resonance effect simulates the sympathetic vibration that occurs between the strings of an acoustic piano.

For information on which Voices have the String Resonance effect applied, refer to “Preset Voice List” on page 41.

To set the String Resonance Depth

While holding down [VARIATION], press one of the C6 – A♯6 keys. (Refer to the Quick

Operation Guide on page 49.)

Enhancing the Sound with Reverb

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024

75 9 11 121416 1719

6 8 10 13 15 18 20

Selecting a

Reverb Type

Adjusting Reverb Depth

depth 20

Lowest key Highest key

The depth value increases as you press higher keys.

depth 0 Default setting

Default setting:

The default reverb type

(including Off) and depth

settings are different for each

Voice.

Key Display

Reverb

Type

Descriptions

C2 OFF Off No effect is applied.

C♯2 1 Room Adds a continuous reverb effect to the sound, similar to the

acoustic reverberation you would hear in a room.

D2 2 Hall1

For a larger reverb sound, use the Hall1 setting. This effect

simulates the natural reverberation of a small-size concert hall.

D♯2 3 Hall2

For a truly spacious reverb sound, use the Hall2 setting. This

effect simulates the natural reverberation of a large concert hall.

E2 4 Stage Simulates the reverb of a stage environment.

Reverb Depth range:

0 (no effect) – 20 (maximum

depth)

String Resonance

Setting range:

0 (no effect) – 10 (maximum

depth)

Default setting:

Playing Various Musical Instrument Sounds (Voices)

F02 Owner’s Manual

You can shift the pitch of the entire keyboard up or down in semitones in order to facilitate playing in difficult key

signatures, or to easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if “+5”

is selected, playing key C produces pitch F, letting you play a song of F major as though it were in C major.

 To transpose the pitch down:

While holding down [METRONOME], press a key between F♯2 (-6) and B2 (-1).

 To transpose the pitch up:

While holding down [METRONOME], press a key between C♯3 (+1) and F♯3 (+6).

 To restore the normal pitch:

While holding down [METRONOME], press the C3 key.

You can fine-tune the pitch of the entire instrument in about 0.2 Hz steps. This lets you finely adjust the keyboard pitch to

precisely match that of other instruments or CD music.

 To tune up (in about 0.2 Hz steps):

Press and hold down the [BGM] and [METRONOME] simultaneously, and press [+/YES].

 To tune down (in about 0.2 Hz steps):

Press and hold down the [BGM] and [METRONOME] simultaneously, and press [-/NO].

 To restore default pitch:

Press and hold down the [BGM] and [METRONOME] simultaneously, and press [+/YES]

and [-/NO] simultaneously.

The current pitch setting appears on the display while the key combination is held.

Transposing the Pitch in Semitones

-5 -3 -1 0 +2+4+5

-6 -4 -2 +1+3 +6

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&

)ᅊ

Normal pitch

Lowest key Highest key

Transpose down Transpose up

Fine-tuning the Pitch

Hz (Hertz):

This unit of measurement refers

to the frequency of a sound

and represents the number of

times a sound wave vibrates in

a second.

Setting range:

414.8 – 466.8 Hz

Default setting:

440.0 Hz

Example: 440.2Hz

Playing Various Musical Instrument Sounds (Voices)

F02 Owner’s Manual

You can layer two Voices and play them simultaneously to create a more richly textured sound.

1. Call up the Dual mode.

Press two Voice buttons at the same time. The Voice indicators of both selected

Voices will light when the Dual mode is active.

Try playing the keyboard and listen to the resulting sound.

Voice 1/ Voice 2

According to the Voice numbering priority shown below, the lower value Voice

number is designated as Voice 1, and the other Voice as Voice 2.

Voice numbering priority

You can make the following settings for Voices 1 and 2 in Dual:

Shifting the Octave for each Voice (Octave Shift):

You can shift the pitch up and down in octave steps for Voice 1 and Voice 2

independently. Depending on which Voices you combine in Dual mode, the

combination may sound better if one of the Voices is shifted up or down an octave.

While holding down [VARIATION], press one of the A-1 – D0 keys.

Adjusting the Balance between two Voices:

You can finely adjust the balance between the two Voices, layering the two so that

one Voice serves as the main sound and the other provides a subtle accent or a

textured after-sound.

While holding down [VARIATION], press one of the F♯0 – F♯1 keys.

A setting of “0” produces an equal balance between two Voices. Settings below “0”

increase the volume of Voice 2 while settings above “0” increase the volume of

Voice1, in relation to the other.

2. Exit from the Dual mode.

To return to the normal single-Voice play mode, press any single Voice button.

Layering Two Voices (Dual Mode)

NOTE

The Dual and Split (page 22)

modes cannot be active at the

same time.

[VARIATION] in Dual Mode

The [VARIATION] button’s

indicator lights if the variation is

engaged for either or both of

the Dual mode Voices. While

Dual mode is called up,

[VARIATION] can be used to

turn the variation for both

Voices on or off. To turn the

variation on or off for only one

of the Voices, hold the Voice

button for the other Voice and

press the button of the Voice for

which you want to change the

variation.

1 2 3 4 5

678910

[REVERB] in Dual Mode

An optimum reverb type for the

combination of Voices is

assigned automatically.

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-5 -3 -1 0-1+1 -1+1 +2+4+5

-60 0 -4 -2 +1+3 +6

Shifting the

octave

Adjusting the

Volume Balance

Voice 1 Voice 2

Default setting of Octave

and Balance:

Different for each Voice

combination.

Playing Various Musical Instrument Sounds (Voices)

F02 Owner’s Manual

Split mode enables you to play two different Voices on the keyboard — one with the left hand and another with the right

hand. For example, you can play a bass part using the Bass Voice with the left hand, and a melody with the right hand.

1. Call up the Split mode.

Press [SPLIT] so that its indicator lights. The default setting (BASS)

will be selected for the left-hand Voice at first.

Specify the split point (the border between the right-and left-hand range).

While simultaneously holding down [SPLIT] , press the key to which you want to

assign the split point. Alternately, while simultaneously holding down [SPLIT],

press [-NO]/[+/YES] the necessary number of times to change the split point.

The name of the current split-point key appears on the display while [SPLIT] is held.

3. Select a Voice for the right hand.

Press a Voice button.

To turn the variation on or off for the right-hand split Voice, press [VARIATION]

or the currently selected Voice button.

4. Select a Voice for the left hand.

Press the corresponding Voice button while holding [SPLIT].

(The indicator of the Left Voice button will light while [SPLIT] is pressed.)

To turn the variation on or off for the left-hand split Voice, hold [SPLIT] and press

[VARIATION] or the currently selected Voice button.

Try playing the keyboard and listen to the resulting sound.

You can make the following settings for right-and left-hand split Voice in Split:

Shifting the Octave for each Voice (Octave Shift):

You can shift the pitch up and down in octave steps for the right-hand split Voice

and the left-hand split Voice independently.

While holding down [VARIATION], press one of the A-1– D0 keys. (Refer to the

Quick Operation Guide on page 49.)

Adjusting the Balance between two Voices:

While holding down [VARIATION], press one of the F♯0 - F♯1 keys. (Refer to the

Quick Operation Guide on page 49.)

Settings below “0” increase the volume of the left-hand split Voice while settings

above “0” increase the volume of the right-hand split Voice, in relation to the other.

Damper Pedal Range

The Damper Pedal Range function determines whether the damper pedal affects

the right Voice, the left Voice, or both the left and right Voices in Split mode.

While holding down [METRONOME], press one of the G4, G♯4, or A4 keys. (Refer

to the Quick Operation Guide on page 49.)

5. Exit from the Split mode.

Press [SPLIT] again so that its indicator goes out.

Splitting the Keyboard Range and Playing Two Different Voices

(Split Mode)

NOTE

The Split and Dual (page 21)

modes cannot be active at the

same time.

NOTE

The left-hand Voice goes up to

and includes the split-point key.

The right-hand Voice sounds

for keys above the split point.

Default setting of split-point

key:

F♯2

NOTE

The default split point can be

recalled by simultaneously

holding down [SPLIT] and

pressing both [-/NO] and

[+/YES] together.

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)ᅊ (ᅈ

Example of split-point key display

High bar indicates

sharp note

Low bar indicates

flat note

[VARIATION] in Split Mode

Normally, the Voice indicator of

the right Voice lights in Split

mode. [VARIATION] can be

used to turn the variation for the

right Voice on or off as

required.

While [SPLIT] is held, however,

the Voice indicator of the left

Voice lights. In this state

[VARIATION] turns the variation

for the left Voice on or off.

[REVERB] in Split Mode

An optimum reverb type for the

split Voices is assigned

automatically.

Setting range:

ALL (for both Voices)

1 (for the right Voice)

2 (for the left Voice)

Default setting:

1 (for the right Voice)

Playing Back Songs (BGM)

F02 Owner’s Manual

Playing Back Songs (BGM)

The BGM (background music) functions on this instrument lets you play back Songs contained in internal memory or

USB memory connected to the [USB TO DEVICE] terminal. Songs for playback can be either MIDI or audio.

* When data does not exist, the song number is not displayed.

 BGM OFF

Pressing [BGM] turns off the [PRESET 1]/[PRESET 2]/[USB] lamps.

Press [PLAY/STOP] when all lamps are off, MIDI Song which has been recorded to the

instrument is play back.

NOTE

For a general overview of MIDI

and how you can effectively

use it, refer to “MIDI Basics”

(downloadable from the

Yamaha website).

About MIDI Songs and Audio Songs

A MIDI Song is comprised of your keyboard performance information and is not a

recording of the actual sound itself. The performance information refers to which

keys are played, at what timing, and at what strength — just as in a musical score.

Based on the recorded performance information, the tone generator of the

instrument outputs the corresponding sound. A MIDI Song uses a small amount of

data capacity in comparison to an audio Song, and allows you to easily change the

event like a Voice.

An Audio Song is a recording of the performed sound itself. This data is recorded in

the same way as that used in recording cassette tapes, or with voice recorders, etc.

This data can be played with a portable music player, etc., allowing you to easily let

other people hear your performance.

Songs Compatible with this Instrument

User Songs and External

Songs

Songs recorded on this

instrument are referred to as

“User Songs” while Songs

created in other ways or on

other instruments are called

“External Songs.” In USB flash

memory, Songs in the USER

FILES folder are handled as

User Songs while Songs in a

location other than the USER

FILES folder are handled as

External Songs. When you

record a Song to USB flash

memory, a USER FILES folder

is created automatically and

the resulting User Song will be

saved in this folder.

BGM lamp

Song

number

Descriptions

PRESET 1 001 – 030

Piano Preset Songs (Classic)

Piano Preset Songs (Classic) in the instrument. Refer to page 39

for the Song titles.

PRESET 2 001 – 020

Piano Preset Songs (Jazz)

Piano Preset Songs (Jazz) in the instrument. Refer to page 40 for

the Song titles.

USB A.00 – A.99*

User Songs in the USB flash memory (Audio)

These are audio Songs saved to the USB flash memory by

converting them from MIDI data (page 31). Up to 100 Songs

(A.00 – A.99) can be played back.

U.00 – U.99*

User Songs in the USB flash memory (MIDI)

MIDI Songs which have been recorded and stored to a USB flash

memory by using the Record function (page 26). Up to 100 Songs

(U.00 – U.99) can be played back.

001 – 400*

External Songs in the USB flash memory (MIDI/Audio)

Commercially available MIDI/Audio Songs or MIDI Songs which

have been edited on a computer, etc. and saved to the USB flash

memory. Up to 400 Songs (001 – 400) can be played back.

OFF

User Song in the instrument (MIDI)

A MIDI Song which has been recorded to the instrument by using

the Record function (page 26). One Song can be saved.

Playing Back Songs (BGM)

F02 Owner’s Manual

Song data formats that can be played

• SMF (Standard MIDI File) Formats 0 and 1

The SMF format is one of the most common and widely compatible MIDI formats used

for storing sequence data. There are two variations: Format 0 and Format 1. A large

number of MIDI devices are compatible with SMF Format 0, and most commercially

available MIDI sequence data is provided in SMF Format 0. MIDI Songs recorded in this

instrument are saved as SMF Format 0.

•WAV format (.wav)

This is an audio file format commonly used by computers. This instrument can play

44.1kHz/16bit stereo WAV files. Audio Songs recorded on this instrument are saved in

this format. The maximum amount of time for playing an audio Song is 80 minutes.

1. Press [BGM] to select a Song.

Refer to the table on page 23 for details on the Songs. [USB] can be selected only

when a USB flash memory is connected.

2. Select a Song.

Press the [-/NO] and [+/YES] to select a Song number, Scene number, “rnd” or

“A L L”.

•

rnd (random) ........................Plays the Songs continuously in random order.

•

ALL ...........................................Plays all the Songs continuously in sequence.

•

S.xx (scene) (xx: numerals).....Play all Preset Songs in each scene continuously,

when the [PRESET 1] or [PRESET 2] is selected.

•

XXX (Song number) ..........Select a Song number and play only the selected

Song. About the Song number, refer to page 23.

Scene

The 50 Piano Preset Songs (Classic & Jazz) have been divided into twenty three

groups or categories, to match a variety of listening preferences and to let you select

your favorite Songs based on a scene description. For instance, if you want to listen

to some “Elegant” Songs, select scene number 4. The Songs that match that category

will play sequentially. For a list of the 50 Piano Preset Songs (Classic & Jazz), see

page 39.

NOTE

The MIDI Song can be played

on this instrument is the size of

up to about 400KB per single

Song.

Playing Back Songs

NOTE

When you want to play a Song

saved to a USB flash memory,

read the section “Handling a

USB Flash Memory” (page 28),

then connect the USB flash

memory to the [USB TO

DEVICE] terminal.

NOTE

You can play the keyboard

along with the Preset Songs.

You can also change the Voice

playing on the keyboard.

NOTE

The tempo of Piano Preset

Songs (Classic & Jazz) and

Songs in the USB flash memory

cannot be adjusted. The

default tempo is automatically

selected whenever a new Song

is selected.

NOTE

When you select a different

Song (or a different Song is

selected during chained

playback), an appropriate

Reverb Type will be selected

accordingly.

Playing Back Songs (BGM)

F02 Owner’s Manual

3. Press [PLAY/STOP] to start playback.

The Song number which is being played is shown on the display.

You can change the Song while it is playing back by pressing [-/NO]/[+/YES].

4. Press [PLAY/STOP] to stop playback.

Adjusting the volume (only for Audio Songs)

The volume level of this instrument may be markedly different from that of a

commercially available Audio Song or one recorded on another device. To adjust the

volume of the Audio Song, hold down [BGM] and press one of the C0 – G1 keys (Refer to

the Quick Operation Guide on page 49).

MIDI Song Playback Channel

When playing back MIDI Songs containing Voices that are incompatible with this

instrument (such as XG or GM Songs), the Voices may not sound as intended on the

original. If such a case occurs, set the Song Play Channel to “1&2.” By muting channels 3

to 16 via this setting, you may hear the original sound of the Song, as long as the piano

sound is assigned to channels 1 and 2.

 Play back only 1 and 2 (1&2)

While holding down [BGM], press the A♯-1 key (refer to the Quick Operation Guide on

page 49).

 Play back all the channels (ALL)

While holding down [BGM], press the A-1 key (refer to the Quick Operation Guide on

page 49).

Playing Back Songs in USB Flash Memory

Setting range:

1 (C0) – 20 (G1)

Default setting:

16 (D♯1)

Default setting:

ALL

Recording Your Performance

F02 Owner’s Manual

Recording Your Performance

This instrument allows you to record one User Song (MIDI) to the instrument.

1. Press [BGM], repeatedly if necessary, to make sure the [PRESET 1]/

[PRESET 2]/[USB] lamps are turned off.

2. Select the desired Voice and other parameters, such as beat, for

recording.

Select a Voice by pressing one of the Voice buttons. If necessary, set other

parameters, such as beat and reverb, in this step.

Turn on the metronome here, if desired, to keep proper time while recording.

3. Press [REC] to call up the Record mode.

The [REC] lamp lights, and the [PLAY/STOP] lamp flashes according to the current

tempo.

To cancel the recording, press [REC] again.

4. Play a note on the keyboard, or press [PLAY/STOP] to start recording.

While recording, the current measure number is shown on the display.

5. Press either [PLAY/STOP] or [REC] to stop recording.

When recording is stopped, dashes appear on the display in succession to indicate

that the recorded data is being saved to the instrument as MIDI Song. After the data

is saved, “End” will appear on the display for three seconds.

6. Press [PLAY/STOP] to play back the recorded performance.

The measure number which is being played is shown on the display.

When playback is finished, the instrument automatically stops and locates the top

of the Song. To stop playback in the middle of a Song, press the [PLAY/STOP]

button.

NOTE

MIDI Songs can be recorded,

but audio Songs can only be

created by converting from

MIDI and saving them to USB

flash memory.

Recording

556 34

NOTE

Record mode cannot be called

up in the following situations.

• Demo Song mode (page 18)

• During Song playback

(page 23)

• During File operations

(page 28)

NOTE

You can use the metronome

while recording, although the

metronome sound will not be

recorded.

NOTICE

Recording new data will

erase the existing data.

NOTE

The User Song cannot be

saved to directly to a USB flash

memory. After recording in the

internal memory, save a User

Song as MIDI Song or Audio

Song to a USB Flash Memory

(pages 30, 31).

Measure number

Recording Your Performance

F02 Owner’s Manual

1. Press [REC] to call up the Record mode.

2. Press [PLAY/STOP] to start recording.

3. Press [PLAY/STOP] without playing the keyboard.

The data previously recorded will be deleted.

Deleting Recorded Performance Data

Using a USB Flash Memory

F02 Owner’s Manual

Using a USB Flash Memory

This instrument features several functions which handle the Song files, as listed below.

• Playing Back Songs in USB Flash Memory (page 25)

• Copying a User Song in the Instrument to a USB Flash Memory (page 30)

• Converting a User Song in the Instrument to an Audio Song (page 31)

• Backing up Data to a USB Flash Memory (page 36)

Handling a USB Flash Memory

Precautions when using the [USB TO

DEVICE] terminal

When connecting a USB device to the terminal, be

sure to handle the USB device with care. Follow the

important precautions below.

NOTE

For more information about the handling of USB devices,

refer to the owner’s manual of the USB device.

 Compatible USB devices

• USB flash memory

The instrument does not necessarily support all

commercially available USB devices. Yamaha cannot

guarantee operation of USB devices that you purchase.

Before purchasing a USB device for use with this

instrument, please visit the following web page:

http://download.yamaha.com/

NOTE

Other USB devices such as a computer keyboard or mouse

cannot be used.

 Connecting a USB device

When connecting a USB device to

the [USB TO DEVICE] terminal,

make sure that the connector on the

device is appropriate and that it is

connected in the proper direction.

NOTICE

• Avoid connecting or disconnecting the USB device

during playback/recording, file management (such

as Save and Copy operations) or when accessing

the USB device. Failure to do so may result in

“freezing” of the operation of the instrument or

corruption of the USB device and the data.

• When connecting then disconnecting the USB

device (and vice versa), make sure to wait a few

seconds between the two operations.

NOTE

When connecting a USB cable, make sure that the length is

less than 3 meters.

Using USB Flash Memory

By connecting the instrument to a USB flash memory,

you can save data you’ve created to the connected USB

flash memory, as well as read data from the connected

USB flash memory.

 Number of USB flash memories that can

be used

Only one USB flash memory device can be connected

to the [USB TO DEVICE] terminal.

 Formatting USB flash memory

When a USB flash memory is connected, a message

may appear prompting you to format the device. If so,

execute the Format operation by the computer.

NOTICE

The Format operation deletes any previously existing

data. Make sure that the USB flash memory you are

formatting does not contain important data.

 To protect your data (write-protect)

To prevent important data from being inadvertently

erased, apply the write-protect provided with each

USB flash memory. If you are saving data to the USB

flash memory, make sure to disable write-protect.

 Turning off the instrument

When turning off the instrument, make sure that the

instrument is NOT accessing the USB flash memory

by playback/recording or file management (such as

during Save and Copy operations). Failure to do so

may corrupt the USB flash memory and the data.

Using a USB Flash Memory

F02 Owner’s Manual

Song file management in a USB flash memory

Songs recorded in this instrument are called “User Songs” while Songs created outside

this instrument are called “External Songs.” In a USB flash memory, User Songs are saved

in the “USER FILES” folder. External Songs are saved outside the “USER FILES” folder.

However, User Songs are regarded as External Songs if the folder name is changed or the

files are moved to outside the “USER FILES” folder by using a computer.

If you organize the Song files in a USB flash memory by using computer, make sure to

save the External Song files to the first, second or third level folder. Songs saved in a

folder lower than the third level cannot be selected or played with this instrument.

Character Code

If the song cannot be loaded, you may need to change the character code setting.

 International

Files with western alphabetical names (including umlaut or diacritic marks) can be

loaded; however, files with names in Japanese cannot be loaded. Turn the power on while

holding the A-1 and A♯-1 keys.

 Japanese

Files with western alphabetical names and Japanese names can be loaded; however, file

names including umlauts or diacritic marks cannot be loaded. Turn the power on while

holding the A-1 and B-1 keys.

NOTE

For details on playing back

Songs in USB Flash memory,

refer to “Playing Back Songs

(BGM)” (page 23).

NOTE

Use a computer to delete

Songs in a USB flash memory.

NOTE

Up to 400 External Song files

can be played on this

instrument.

USB flash memory

Song file

USER FILES

folder

Song folder

User Song (MIDI)

USERSONGxx.MID

User Song (Audio)

USERAUDIOxx.WAV

Song file

Song folder

Song file

Song folder

Song file

Song folder

Available for selection/playback

Unavailable

for selection/

playback

First Level Second Level Third Level Fourth Level

Default setting:

International

$

$ᅊ

Power switch

$ %

Power switch

Using a USB Flash Memory

F02 Owner’s Manual

You can copy the User Song (MIDI) in the instrument (page 26) to a USB flash memory.

1. Connect a USB flash memory to the [USB TO DEVICE] terminal.

2. Press [BGM], repeatedly if necessary, to make sure the [PRESET 1]/

[PRESET 2]/[USB] lamps are turned off.

3. While holding down [BGM], press [PLAY/STOP].

A “CPy” indication briefly appears in the display, followed by the User Song

number.

4. Select a Song number as destination after copying.

Press [-/NO]/[+/YES] to select the Song number (U.00 – U.99). When you select a

Song number containing data, three dots (like “U.X.X.”) are shown in the display. To

overwrite the selected Song, go to step 5. To avoid overwriting, select another Song

number then go to step 5.

To cancel the Copy operation, press [REC].

5. Copy the Song.

Press [PLAY/STOP] to start the Copy operation. If an empty Song has been selected

in step 4, press [+/YES]. If a Song containing data is selected in step 4, press [+/

YES] twice. When the Copy operation is completed, “End” will appear in the

display.

To cancel the Copy operation, press [-/NO] in response to “n y” or “n¯y.”

The User Song is saved as SMF format to the “USER FILES” folder in the USB flash

memory, and the file is automatically named as “USERSONGxx.MID” (xx:

numerals).

Copying a User Song in the Instrument to a USB Flash Memory

NOTE

If the “E01” message appears

on the display, please check

the following.

• Connect a USB flash memory

to the [USB TO DEVICE]

terminal.

• Press [BGM] to turn off the

[PRESET 1]/[PRESET 2]/

[USB] lamps.

• Make sure that recorded data

of a User Song (MIDI) actually

exists.

NOTICE

Do not turn off the power of

the instrument or

disconnect the USB flash

memory when dashes

appear in the display in

succession. Doing so may

corrupt the data on either or

both devices.

Using a USB Flash Memory

F02 Owner’s Manual

You can convert a User Song (MIDI) in the instrument (page 26) to an Audio Song, and then save it in a USB flash

memory.

1. Connect a USB flash memory to the [USB TO DEVICE] terminal.

2. Press [BGM], repeatedly if necessary, to make sure the [PRESET 1]/

[PRESET 2]/[USB] lamps are turned off.

3. While holding down [BGM], press [REC].

An “AUd” indication briefly appears in the display, followed by the User Song

number.

4. Select a Song number as destination after conversion.

Press [-/NO]/[+/YES] to select the Song number (A.00 – A.99). When you select a

Song number containing data, three dots (like “A.X.X.”) are shown in the display. To

overwrite the selected Song, go to step 5. To avoid overwriting, select another Song

number then go to step 5.

To cancel the Conversion operation, press [REC].

Execute conversion by playing back the User Song (MIDI).

Press [PLAY/STOP] to start the Conversion operation. If an empty Song has been

selected in step 4, press [+/YES]. If a Song containing data is selected in step 4, press

[+/YES] twice.

This operation starts playback and conversion from MIDI to audio. After starting

playback (conversion), wait until playback ends. This is necessary because the

MIDI Song is re-recorded in real time during playback to an audio Song. When the

conversion is completed, “End” will appear in the display.

To cancel the Conversion operation, press [PLAY/STOP] or [REC]. “StP” will

appear in the display.

The Audio Song is saved as WAV format to the “USER FILES” folder in the USB

flash memory, and the file is automatically named as “USERAUDIOxx.WAV” (xx:

numerals).

Converting a User Song in the Instrument to an Audio Song

NOTICE

If you cancel audio

conversion, data converted

before cancelling is not

saved. Keep in mind that

existing data will be erased

when you cancel

overwriting.

NOTE

If the “E01” message appears

on the display, please check

the following.

• Connect a USB flash memory

to the [USB TO DEVICE]

terminal.

• Press [BGM] to turn off the

[PRESET 1]/[PRESET 2]/

[USB] lamps.

• Make sure that recorded data

of a User Song (MIDI) actually

exists.

NOTE

This operation allows you to

record your keyboard

performance and audio signals

via the AUIX IN jack.

NOTICE

Do not turn off the power of

the instrument or

disconnect the USB flash

memory when dashes

appear in the display in

succession. Doing so may

corrupt the data on either or

both devices.

Connections

F02 Owner’s Manual

Connections

These jacks let you connect this instrument to external powered speaker systems, for playing in larger venues at higher

volume. The instrument’s [VOLUME] setting will affect the sound that is output from the AUX OUT jacks.

NOTICE

When this instrument’s AUX OUT jacks are connected to an external device, first turn on

the power to the instrument, then to the external device. Reverse this order when you

turn the power off. Otherwise, damage to the instrument and external device may occur.

The stereo outputs from another instrument can be connected to these jacks, allowing the sound of an external

instrument to be reproduced via the this instrument’s speakers.

NOTICE

When this instrument’s AUX IN jacks are connected to an external device, first turn on

the power to the external device, then to the instrument. Reverse this order when you

turn the power off. Otherwise, damage to the instrument and external device may occur.

Using an External Powered Speaker for Playback

(AUX OUT [L/L+R] [R] Jacks)

NOTE

Use cables and plugs with no

resistance.

NOTICE

When the AUX OUT jacks

are connected to an

external device, never

connect the [AUX IN] jacks

to the output jacks of the

external device. Doing so

could result in feedback

(oscillation) that may

damage both the devices.

NOTE

For a mono mixed output of the

stereo signal, connect a cable

to the [L/L+R] jack.

Instrument

AUX OUT

Phone plug (standard)

AUX IN

Phone plug (standard)

Audio cable

Powered speaker

Playing External Equipment with this Instrument’s Speakers

(AUX IN [L/L+R] [R] Jacks)

NOTE

Reverb is not applied to and

does not affect the input signal

from the AUX IN jacks.

NOTE

Use only the AUX IN [L/L+R]

jack for connection with a mono

device.

Instrument Instrument

Phone plug (standard)

Audio cable

Phone plug (standard)

AUX IN

AUX OUT

External

Equipment

Phone plug (standard)

Audio cable

OUTPUT

AUX IN

External

Equipment

Stereo phone plug (standard)

Connections

F02 Owner’s Manual

Minimizing noise of the input sound via Noise Gate

By default, this instrument cuts unwanted noise from the input sound. However, this may

result in wanted sounds also being cut, such as the soft decay sound of an acoustic guitar

or piano. To avoid this, set the Noise Gate to off via the following operation.

Noise Gate on: While holding down [BGM], press the F6 key. (Refer to the Quick

Operation Guide on page 49.)

Noise Gate off: While holding down [BGM], press the F♯6 key. (Refer to the Quick

Operation Guide on page 49.)

By connecting a computer to the [USB TO HOST] terminal of this instrument by USB cable, you can transfer data

between the instrument and the computer via MIDI, and take advantage of sophisticated computer music software. For

details, refer to “Computer-related Operations” (downloadable from the Yamaha website).

By using the MIDI terminals and standard MIDI cables to connect external MIDI devices (keyboard, sequencer and

computer, etc.), you can control a connected MIDI device from this instrument, or control this instrument from a

connected MIDI device.

MIDI [IN] ...............Receives MIDI messages from an external MIDI device.

MIDI [OUT] ..........Transmits MIDI messages generated by this instrument to an

external MIDI device.

Default setting:

Connecting to a Computer ([USB TO HOST] Terminal)

NOTICE

Use an AB type USB cable

of less than 3 meters. USB

3.0 cables cannot be used.

Instrument

USB cable

[USB TO HOST] terminal

USB terminal Computer

Connecting External MIDI Devices (MIDI [IN] [OUT] Terminals)

NOTE

For a general overview of MIDI

and how you can effectively

use it, refer to “MIDI Basics”

(downloadable from the

Yamaha website)

NOTE

Since the MIDI data that can be

transmitted or received varies

depending on the type of MIDI

device, check the “MIDI

Implementation Chart” to find

out what MIDI data and

commands your devices can

transmit or receive. Refer to the

“MIDI Implementation Chart” in

the MIDI Reference

(downloadable from the

Yamaha website).

NOTE

All MIDI settings described

here will affect the MIDI signal

in and out of the [USB TO

HOST] terminal.

Instrument

MIDI OUT MIDI IN MIDI OUT MIDI IN

External MIDI device

MIDI reception

MIDI transmission

Connections

F02 Owner’s Manual

MIDI transmit/receive channel

In any MIDI control setup, the MIDI channels (1 – 16 channels) of the transmitting and

receiving equipment must be matched for proper data transfer.

 To set the Transmit channel

While holding down [BGM], press one of the C2 – E3 keys. (Refer to the Quick

Operation Guide on page 49.)

In Dual mode, Voice 1 data is transmitted on its specified channel. In Split mode, right

Voice data is transmitted on its specified channel. In Dual mode, Voice 2 data is

transmitted on the next greater channel number relative to the specified channel. In Split

mode, left Voice data is transmitted on the next greater channel number relative to the

specified channel. In either mode, no data is transmitted if the transmit channel is set to

OFF.

 To set the Receive Channel

While holding down [BGM], press one of the C4 – F5 keys. (Refer to the Quick

Operation Guide on page 49.)

•ALL

This allows simultaneous reception of different parts on all 16 MIDI channels, enabling

this instrument to play multi-channel song data received from a sequencer or other

external device.

•1&2

This allows simultaneous reception on channels 1 and 2 only, enabling this instrument to

play 1 and 2 channel song data received from a sequencer or other external device.

Local Control on/off

Normally, playing the keyboard will control the internal tone generator. This condition is

enabled when Local Control is on. If you want to use the keyboard only for controlling an

external MIDI instrument, turn off Local Control. With this setting, no sound of this

instrument is produced, however the appropriate MIDI information is still transmitted

via the MIDI OUT terminal when notes are played on the keyboard.

 To turn Local Control on or off

While holding down [BGM], press the C6 key. (Refer to the Quick Operation Guide on

page 49.) You can toggle Local Control on or off by pressing the C6 key.

Program Change on/off

Normally this instrument will respond to MIDI program change numbers received from

an external keyboard or other MIDI device, causing the correspondingly numbered Voice

to be selected on the corresponding channel (the keyboard Voice does not change). This

instrument will normally also send a MIDI Program Change number whenever one of its

Voices is selected, causing the correspondingly numbered Voice or program to be

selected on the external MIDI device if the device is set up to receive and respond to

MIDI Program Change numbers. This function makes it possible to cancel Program

Change number reception and transmission so that Voices can be selected on the this

instrument without affecting the external MIDI device.

 To turn Program Change on or off

While holding down [BGM], press the C♯6 key. (Refer to the Quick Operation Guide on

page 49.) You can toggle Program Change on or off by pressing the C♯6 key.

Setting range:

1–16, OFF (not transmitted)

Default setting:

NOTE

The data of Voice Demo songs

or Piano preset songs (Classics

& Jazz) is not transmitted via

MIDI.

Setting range:

ALL, 1&2 and 1–16

Default setting:

ALL

NOTE

Program change and other like

channel messages received

will not affect the instrument’s

panel settings or the notes you

play on the keyboard.

Setting range:

On, Off

Default setting:

Setting range:

On, Off

Default setting:

Connections

F02 Owner’s Manual

Control Change on/off

Normally this instrument will respond to MIDI Change data received from an external

MIDI device or keyboard, causing the Voice on the corresponding channel to be affected

by pedal and other “control” settings received from the controlling device (the keyboard

Voice is not affected only when you select 1-16 channels on this instrument). This

instrument also transmits MIDI Control Change information when the pedal or other

appropriate controls are operated. This function makes it possible to cancel Control

Change data reception and transmission so that, for example, this instrument’s pedal and

other controls can be operated without affecting an external MIDI device.

 To turn Control Change on or off

While holding down [BGM], press the D6 key. (Refer to the Quick Operation Guide on

page 49.) You can toggle Control Change on or off by pressing the D6 key.

NOTE

For information on Program

Change numbers for each of

the instrument’s Voices, refer to

the “MIDI Reference”

(downloadable from the

Yamaha website).

Setting range:

On, Off

Default setting:

Data Backup and Initialization

F02 Owner’s Manual

Data Backup and Initialization

The following settings and data are maintained even if you turn the power off.

The Backup Data (listed above) can be saved to a USB flash memory as a single Backup file (extension: .bup). Also, the

files saved in a USB flash memory can be loaded into this instrument.

Save

1. Connect a USB flash memory.

2. While holding down [REC], press [VARIATION].

The backup data (settings of this instrument and a User Song data in this

instrument) are saved to a USB flash memory and the file is automatically named as

“F02.bup.”

If the USB flash memory contains a file with the same name as the one you are

attempting to backup, the file will be overwritten.

Load

The backup data (the settings of the instrument and a User Song data in this instrument)

saved to a USB flash memory is loaded into this instrument (restored to their original

state). When the operation is complete, the instrument will be restarted automatically.

1. Connect a USB flash memory.

2. While holding down [REC], press [SPLIT].

While holding the C7 key (right-most key on the keyboard), press the Power switch to turn the power on. This operation

erases backup data in this instrument and restores the factory default settings. However, the User Song saved to this

instrument is retained.

Backup Data Maintained When Power is Turned Off

• Metronome Volume (page 16)

• Metronome Beat (page 16)

• Keyboard Touch Sensitivity (page 17)

• Tuning (page 20)

• Intelligent Acoustic Control Depth (page 14)

• Intelligent Acoustic Control On/Off (page 14)

• User Song (MIDI) data (page 26)

•Character code (page29)

• Audio Song Playback Volume (page 25)

•Half Pedal Point (page15)

• String Resonance Depth (page 19)

• AUX IN Noise Gate On/Off (page 33)

• MIDI Song Playback Channel (page 25)

• MIDI settings (pages 34, 35)

Saving the Backup Data to a USB Flash Memory

NOTE

The “bUP” message appears

on the display during saving

the backup data.

NOTICE

During backup data saving/

loading, do not turn off the

power. If you turn off the

power during these

operations, data will be

lost.

NOTE

The “rSt” message appears on

the display during loading the

backup data.

NOTICE

Do not manually change the

backup file name by using a

computer; doing so will

render the file unloadable.

Initializing the Settings

Power switch

Appendix

F02 Owner’s Manual

Appendix

Message List

Message Meaning

CLr

Initializing the instrument to the default setting.

NOTICE

Do not turn off the power of the instrument when “CLr” appears in the display. Doing so may delete all Song data

in the instrument, including external Songs (page 23).

con

Displayed when application software is started on a computer or other device connected to the instrument.

When this message appears, you cannot operate the instrument.

E01

Displayed when the character code (page 29) is not appropriate for the file name of the Song which you are

selecting. Switch the character code.

Displayed when the data format is not compatible with this instrument, or the data has some other problems.

This Song cannot be selected.

Displayed when no USB flash memory can be found, or a problem has occurred in the USB flash memory.

Disconnect and connect the device again, then execute the operation. If this message appears repeatedly even

when there aren’t any other likely problems, the USB flash memory may be damaged.

Displayed when the backup data cannot be loaded. There is no backup data which can be loaded, or the data

may be damaged.

E02

Indicates that the USB flash memory is protected.

E03

Displayed when the memory of the USB flash memory becomes full, or the number of files and folders exceeds

the system limit.

E04

Displayed when conversion to audio, Audio Song playback or recording has failed. If you are using a USB flash

memory to which data has already been stored or deleted a number of times, first make sure that the device does

not contain important data, then format it by computer and connect to the instrument again.

EEE

A malfunction has occurred in the instrument. Contact your nearest Yamaha dealer or authorized distributor.

End

Displayed when the current operation is completed.

Enp

The memory of the instrument or the USB flash memory is running out. We recommend that you remove any

unnecessary files (page 27) to ensure sufficient memory capacity.

FCL

Indicates that internal memory is being cleaned up. Panel settings and recorded Songs which have been stored

to internal memory are being cleared, because the power has been turned off before the Save, Load or Convert

operations were completed.

NOTICE

Do not turn off the power of the instrument when “FCL” appears in the display.

FUL

Since the memory of the instrument or the USB flash memory is insufficient, the operation could not be

completed. If this message appears during recording, the performance data may not be recorded properly.

n y

Confirms whether each operation is executed or not.

Reconfirms whether the overwriting or delete operation is executed or not.

Pro

Displayed when you try to write to a protected read-only file in the USB flash memory. Use a read-only file after

cancelling the read-only setting.

StP

Displayed when conversion to audio operation has been cancelled.

UnF

Displayed when an unformatted USB flash memory is connected. First make sure that the device does not

contain important data, then format it by computer.

Appendix

F02 Owner’s Manual

To turn off the message, press [-/NO].

Uoc

Communication with the USB flash memory has been shut down because of overcurrent to the USB flash

memory. Disconnect the USB flash memory from the [USB TO DEVICE] terminal, then turn on the power of

the instrument again.

UU1

Communication with the USB flash memory has failed. Remove the USB flash memory and make the

connection again. If the message appears even when the USB flash memory is connected properly, the USB flash

memory may be damaged.

UU2

This USB flash memory is not supported on this instrument, or too many USB flash memories may have been

connected. Refer to “Handling a USB Flash Memory” (page 28) for information on the USB flash memory

connection.

Troubleshooting

Problem Possible Cause and Solution

The instrument does not turn on. The instrument has not been plugged in properly. Securely insert the female

plug into the socket on the instrument, and the male plug into a proper AC

outlet (page 13).

A click or pop is heard when the power is turned on

or off.

This is normal when electrical current is being applied to the instrument.

Noise is heard from the speakers or headphones. The noise may be due to interference caused by the use of a mobile phone in

close proximity to this instrument. Turn off the mobile phone, or move it

further away from this instrument

Noise is heard from the instrument’s speakers or

headphones when using the instrument with the

application on iPhone/iPad.

When you use the instrument along with the application on your iPhone/

iPad, we recommend that you set “Airplane Mode” to “ON” on your iPhone/

iPad in order to avoid noise caused by communication.

The overall volume is low, or no sound is heard. The volume is set too low. Set it to an appropriate level using the [VOLUME]

slider (page 14).

Make sure a pair of headphones is not connected to the headphones jack

(page 13).

Make sure that Local Control is On (page 34).

The damper pedal does not function as expected. The damper pedal was pressed when the power was turned on. This is not a

malfunction; release the pedal and press it again to reset the function.

Sound input to the AUX IN jacks is interrupted. The output volume of the external device connected to this instrument is too

low, resulting in the sound being cut off via the Noise Gate after it is input to

this instrument.

• Increase the output volume of the external device. The volume level

reproduced via this instrument’s speakers can be adjusted by using the

[VOLUME] slider.

• Set the Noise Gate to off (page 33).

The USB flash memory has hung up (stopped). Refer to the Message List (page 37) in case a message is displayed. If this

happens without any messages, the USB flash memory may be damaged.

Message Meaning

Appendix

F02 Owner’s Manual

[PRESET 1] (Classic)

• The numbers below the Scene Title indicate the order of songs in each scene.

• Some of the preset songs have been edited for length or arrangement, and may not be exactly the same as the original.

50 Piano Preset Songs (Classic & Jazz) List

Scene No. 1 2 3 4 5 6 7 8 9 10 11 12 13

Song No.

1 Sonate, K.380, L.23 (D. Scarlatti) 1 1

2 Aria, Goldberg-Variationen, BWV.988 (J. S. Bach) 1 1 2

3 Sonate für Klavier Nr.5, K.283 (W. A. Mozart) 2 1 3

4 Sonate für Klavier Nr.12, K.332 (W. A. Mozart) 1 3 2 4

5 Sonate für Klavier Nr.14 “Mondschein”, op.27-2 (L. v. Beethoven) 2 1 5

6 Frühlingslied, op.62-6 (F. Mendelssohn) 3 1 6

7 Etude “Chanson de l’adieu”, op.10-3 (F. F. Chopin) 4 2 1 1

8 Etude “Aeolian Harp”, op.25-1 (F. F. Chopin) 5 3 2 2

9 Valse, op.64-2 (F. F. Chopin) 33

10 Valse, op.69-2 (F. F. Chopin) 44

11 Nocturne, op.9-1 (F. F. Chopin) 53 5

12 Nocturne, op.9-2 (F. F. Chopin) 6 2 2 4 6

13 Träumerei, op.15-7 (R. Schumann) 7 3 2 1 7

14 Consolation No.3 (F. Liszt) 45 1

15 Melody in F, op.3-1 (A. Rubinstein) 8 3 2

16 Humoresque, op.101-7 (A. Dvoák) 9 4 2 3

17 Arietta, Lyriske småstykker I, op.12-1 (E. H. Grieg) 10 5 3 3 4

18 Romance sans paroles, op.17-3 (G. Fauré) 5 1

19 Salut d’amour, op.12 (E. Elgar) 11 4 4 6 5

20 To a wild rose, Woodland sketches, op.51-1 (E. A. MacDowell) 6 4 4 6

21 Tango, España, op.165-2 (I. Albéniz) 12 5 7 7

22 La fille aux cheveux de lin (C. A. Debussy) 13 7 5 2

23 Arabesque 1 (C. A. Debussy) 14 8 3

24 Clair de lune (C. A. Debussy) 15 8 4

25 Rêverie (C. A. Debussy) 96 5

26 Gymnopédie No.1 (E. Satie) 10 7 6

27 Je te veux (E. Satie) 16 6 9 7

28 Pavane pour une infante défunte (M. Ravel) 17 11 6 8

29 Menuet, Le tombeau de Couperin (M. Ravel) 18 12 9

30 A la manière de Borodine (M. Ravel) 10 10

Scene Title

Song Name (Composer)

Home Party

Morning

Upbeat

Elegant

Nighttime

Relaxing

Melancholy

Mood Music

Fantasy

Baroque and Pre-romantic Music

Pre-romantic (Chopin)

Post-romantic

Modern French

Appendix

F02 Owner’s Manual

[PRESET 2] (Jazz)

* Performed by Shigeo Fukuda

• The numbers below the Scene Title indicate the order of songs in each scene.

• Some of the preset songs have been edited for length or arrangement, and may not be exactly the same as the original.

The demonstration Songs listed above are short rearranged excerpts of the original compositions.

Scene No. 1 2 3 4 5 6 7 8 9 10

Song No.

1 Alfie (B. Bacharach) * 1 1 1

2 Besame Mucho (C. Velazquez) * 1 1 1

3 Bewitched (R. Rodgers) 2 1 2 2

4 Emily (J. Mandel) * 2 1 3 1 2

5 Hey Jude (J. Lennon & P. McCartney) * 3 2 3

6 How Deep Is the Ocean (I. Berlin) * 2 2

7 I Didn’t Know What Time It Was (R. Rodgers) * 3 3 3

8 If I Should Lose You (L. Robin & R. Rainger) 4 4

9 It Might As Well Be Spring (R. Rodgers) * 4 4 4 5 3

10 It Never Entered My Mind (R. Rodgers) 5 2 4

11 Mona Lisa (J. Livingston & R. Evans) * 5 5 6 1 3 5 4 3

12 My Funny Valentine (R. Rodgers) * 2 4

13 Never Let Me Go (J. Livingston & R. Evans) * 3 6 5

14 Norwegian Wood (J. Lennon & P. McCartney) * 6 6 7 5

15 On Green Dolphin Street (N. Washington & B. Kaper) * 7 5 6

16 Over the Rainbow (H. Arlen) * 8 4 4 8 6

17 Smoke Gets in Your Eyes (J. Kern) * 9 7 5 5 9

18 Stella by Starlight (V. Young) * 10 6 8 6 7

19 The Nearness of You (H. Carmichael) * 11 9 7 6 10 6

20 You Are Too Beautiful (R. Rodgers) 7 10 7 7

Voice Demo Song List

Voice Name Title Composer

G. PIANO 1 Valse op.34-1 “Valse Brillante” F. F. C h opin

HARPSI. Concerto a cembalo obbligato, 2 violini, viola e continuo No.7, BWV.1058 J. S. Bach

ORGAN 1 Herr Christ, der ein’ge Gottes-Sohn, BWV.601 J. S. Bach

Song Name (Composer)

Scene Title

Home Party

Daytime

Afternoon

Evening

Midnight

Elegant

Upbeat

Ballad

Innocent

Mood Music

Appendix

F02 Owner’s Manual

: Yes

—: No

Key-Off Sampling:

Samples of the very delicate noises that are produced when keys are released.

Sustain Sampling:

Samples of the resonance of the soundboard and strings when the damper pedal is pressed.

String Resonance:

Simulated string resonance sound.

Preset Voice List

Voice Name

To u c h

Response

Stereo

Sampling

Key-Off

Sampling

Sustain

Sampling

String

Resonance

Voice description

G.PIANO 1 

This sound was sampled from a concert grand piano. It uses

different samples depending on the strength of your playing and

produces smoother tonal changes. Even the tonal changes

produced by the damper pedal and the subtle sounds of releasing

a key are reproduced. The sympathetic vibration (string

resonance) that occurs among the strings of an acoustic piano

has also been simulated. Suitable not only for classical

compositions but also for piano pieces of any style.

VA R I AT I O N — 

Mellow piano sound with gradual attack. Good for quiet and

slow music.

G.PIANO 2 ———

Spacious and clear piano with bright reverb. Good for popular

music.

VA R I AT I O N 

Bright piano sound. Good for clear expression and cutting

through the sound of other instruments in an ensemble.

E.PIANO 1  ————

An electronic piano sound created by FM synthesis. Extremely

musical response with varying timbre according to keyboard

dynamics. Good for standard popular music.

VA R I AT I O N  ————

A synth-generated type electronic piano sound often heard in

popular music. Used in the Dual mode it blends well with an

acoustic piano Voice.

E.PIANO 2  —  ——

The sound of an electric piano using hammer-struck metallic

tines. Soft tone when played lightly, and an aggressive tone when

played hard.

VA R I AT I O N  ————

A slightly different electric piano sound often heard in rock and

popular music.

HARPSI. — ——

The definitive instrument for baroque music. Since harpsichord

uses plucked strings, there is no touch response. There is,

however, a characteristic additional sound when the keys are

released.

VA R I AT I O N — — — Mixes the same Voice an octave higher for a more brilliant tone.

ORGAN 1 —  ———

This is a typical pipe organ sound (8 feet + 4 feet + 2 feet).

Good for sacred music from the Baroque period.

VA R I AT I O N —  ———

This is the organ’s full coupler sound often associated with

Bach’s “Toccata and Fugue.”

ORGAN 2 —————

The sound of a tonewheel type electric organ. Often heard in

jazz and rock music. The rotary speed of the “ROTARY SP”

effect can be switched by using the left pedal.

VARIATION—————

The sound of a tonewheel type electric organ without attacks.

Select the normal or variation Voice depending on the tunes.

The rotary speed of the “ROTARY SP” effect can be switched by

using the left pedal.

STRINGS ———

Stereo-sampled, large-scale strings ensemble with realistic

reverb. Try combining this Voice with piano in the Dual mode.

VA R I AT I O N ———

Spacious strings ensemble with a slow attack. Try combining this

Voice with a piano or electric piano in the Dual mode.

VIB./GTR.

———

Vibraphone played with relatively soft mallets. The tone

becomes more metallic the harder you play.

VA R I AT I O N  ————

Warm and natural-sounding nylon guitar. Enjoy the quiet

ambience of nylon strings.

BASS  ————

An upright bass played fingerstyle. Ideal for jazz and Latin

music.

VA R I AT I O N  ————

Electric bass for a wide range of music styles, jazz, rock, popular,

and more.

Appendix

F02 Owner’s Manual

CAUTION

• Assemble the stand on a hard and flat floor with ample space.

• Be careful not to confuse parts, and be sure to install all parts

in the correct orientation. Please assemble the unit in

accordance with the sequence given below.

• Assembly should be carried out by at least two persons.

• Be sure to use only the included screws of the specified sizes.

Do not use any other screws. Use of incorrect screws can

cause damage or malfunction of the product.

• Be sure to tighten all screws upon completing assembly of the

unit.

• To disassemble the unit, reverse the assembly sequence given

below.

Remove all parts from the package and make sure you

have all of the items. B, C, and D are in a separate packing

carton.

1. Insert part D.

Position part D so that the holes face away from the A.

Then insert the projections on the panel into the holes on

top of part A, as shown in the illustration.

CAUTION

When part D is inserted in part A, do not apply pressure to part D

from the front or rear. Doing so may break the projections

extending from part D, allowing it to fall and be damaged.

2. Install parts B and C

Attach two short screws (6 × 14

mm) to each edge of D using

your fingers so that the screw

threads project about 10 mm

from the surface. Make sure that

the screws will not loosen and

fall out of the holes.

Make sure that the screws you

finger-tightened in step have

not loosened. Then position B’s

handhold toward the rear, and

hook B’s bracket onto the projecting screws as shown in

the illustrations . When doing so, be careful that the

bracket does not scratch D.

Align the holes located under the handhold on B with the

holes on A, then tighten two long screws (6 × 45 mm) to

secure B to A.

Lightly tighten two short screws (6 × 14 mm) into the

bracket on the bottom of A to secure B to A.

Follow the same steps to install part C.

Assembly

Have a Phillips-head (+) screwdriver that will fit the screw size

ready.

Included in the packing pads.

AC power cord

Keyboard stand stabilizers (2)

6 × 45 mm long screws (4)

6 × 14 mm short screws (12)

The pedals are covered with vinyl covers when

shipped from the factory. For optimum use of the

GP Responsive Damper Pedal, we recommend that

you remove the cover from the damper pedal.

10 mm

Position the bracket to the

rear of B.

Appendix

F02 Owner’s Manual

3. Fasten B, C and D securely.

Tighten the screws securely in the order shown in the

illustration. Be careful not to permit misaligned levels on

the front surface, or a gap on the top surface of B, C and

4. Attach part E.

Align the second and fourth holes on E with the bracket

holes on the bottom of A, then secure the bracket using

two short screws (6 × 14 mm).

5. Connect the AC power cord.

Insert the AC power cord plug into the AC IN connector

on the rear of A.

For models that feature a voltage selector:

Set the voltage selector to an appropriate voltage.

Voltage Selector

Before connecting the AC power cord, check the setting of the

voltage selector which is provided in some areas. To set the

selector for 110V, 127V, 220V or 240V main voltages, use a

“minus” screwdriver to rotate the selector dial so that the correct

voltage for your region appears next to the pointer on the panel.

The voltage selector is set at 240V when the unit is initially

shipped. After the proper voltage has been selected, connect the

AC power cord to the AC IN and an AC wall outlet. A plug

adaptor may be also provided in some areas to match the pin

configuration of the AC wall outlets in your area.

WARNING

An improper voltage setting can cause serious damage to the

instrument or result in improper operation.

Edges must be flush.

Do not allow a gap.

Voltage

selector

After completing the assembly, please check the

following.

• Are there any parts left over?

→ Review the assembly procedure and correct any errors.

• Is the instrument clear of doors and other

movable fixtures?

→ Move the instrument to an appropriate location.

• Does the instrument make a rattling noise when

you shake it?

→Tighten all screws.

→ Be sure to install the fall-prevention brackets securely.

• If the main unit creaks or is otherwise unsteady

when you play on the keyboard, refer to the

assembly diagrams and retighten all screws.

CAUTION

When you move the assembled instrument, be sure to grasp

the handles and the bottom of the keyboard. Do not hold the

key cover. Improper handling can result in damage to the

instrument or personal injury.

CAUTION

If the main unit creaks or is otherwise unsteady when you

play on the keyboard, refer to the assembly diagrams and

retighten all screws.

Hold here. Do not hold here.

Key cover

Appendix

F02 Owner’s Manual

Specifications and descriptions in this Owner’s Manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at

any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.

Specifications

Size/Weight

Dimensions (W x D x H)

1427mm × 400mm × 995mm

[56-3/16" × 15-3/4" × 39-3/16"]

Dimensions with keyboard stand stabilizers (W × D × H)

1427mm × 480mm × 995mm

(56-3/16" × 18-15/16" × 39-3/16")

We ig h t

78kg (171lbs., 15oz)

Control Interface

Keyboard

Number of Keys

Keyboard Type

NW (Natural Wood) with synthetic ivory keytops

(with real-wood white keys)

88-key Linear Graded Hammers

Ye s

Touch Sensitivity

Hard/Medium/Soft/Fixed

Pedal

Number of Pedals

Half Pedal

Yes ( D a mp e r )

GP Responsive Damper Pedal

Ye s

Functions

Damper, Sostenuto, Soft

Cabinet

Key Cover Style

Folding

Music Rest

Ye s

Voices/Tone Generation

Tone Generation Piano Sound

Real Grand Expression (RGE)

Piano Tone Generation

Effects

Sustain Samples

Ye s

Key-off Samples

Ye s

String Resonance

Ye s

Smooth Release

Ye s

Damper Resonance

Ye s

Polyphony Number of Polyphony (Max.)

256

Preset Number of Voices

10×2 variations

Effects Type Reverb

Songs (MIDI)

Preset Number of Preset Songs

50 Piano Preset Songs (Classic & Jazz), 10 Voice Demo Songs

Recording

Number of Song

Number of Tracks

Data Capacity (max.)

approx. 400 KB/Song

Data Format

Recording

SMF (Format 0)

Playback

SMF (Format 0 & 1)

Songs (Audio)

Length of Playback (max.)

80 minutes/Song

Data Format

.wav (44.1 kHz sample rate, 16-bit resolution, stereo)

Functions

Dual

Ye s

Split

Ye s

Metronome

Ye s

Temp o Rang e

5 – 500

Tra nsp ose

-6 to 0, 0 to +6

Tu ni ng

414.8 – 440 – 466.8 Hz

Intelligent Acoustic Control

Ye s

Storage External Device

USB Flash Memory (optional)

Connectivity

Headphones

×2

MIDI

[IN][OUT]

AUX IN

[L/L+R][R]

AUX OUT

[L/L+R][R]

USB TO DEVICE

Ye s

USB TO HOST

Ye s

Sound System

Amplifiers

45W × 2

Speakers

16cm × 2, 5cm × 2

Acoustic Optimizer

Ye s

Accessories

Included Accessories

Owner’s Manual, Bench, AC Power cord,

Online Member Product Registration

Optional Accessories

(May not be available depending on your locale.)

• Stereo headphones (HPE-160)

• MIDI Interface for iPhone/iPod touch/iPad (i-MX1)

Appendix

F02 Owner’s Manual

Numerics

50 Piano Preset Songs (Classic & Jazz) List ....................39

Accessories ............................................................................4

Assembly ..............................................................................42

Audio Song ....................................................................23, 31

Back up ................................................................................36

Beat .......................................................................................16

BGM .....................................................................................23

BGM OFF ............................................................................23

Character Code ...................................................................29

Computer ............................................................................33

Computer-related Operations ............................................ 4

Connections ........................................................................32

Control Change ..................................................................35

Convert ................................................................................31

Copy .....................................................................................30

Damper Pedal Range .........................................................22

Damper Resonance ............................................................15

Delete (Recording data) .....................................................27

Display .................................................................................10

Dual mode ...........................................................................21

External Song ................................................................23, 29

GP Responsive ....................................................................15

Half-pedal ............................................................................15

Headphones ........................................................................13

Initialize ...............................................................................36

Intelligent Acoustic Control (IAC) ..................................14

Key cover .............................................................................12

Local Control ......................................................................34

Maintenance ..........................................................................8

Message ................................................................................37

Metronome ..........................................................................16

MIDI .....................................................................................33

MIDI Basics ........................................................................... 4

MIDI receive channel .........................................................34

MIDI Reference ....................................................................4

MIDI Song ...........................................................................23

MIDI transmit channel ......................................................34

Music rest .............................................................................12

Noise Gate ............................................................................33

Octave Shift (Dual) .............................................................21

Octave Shift (Split) .............................................................22

Pedals ....................................................................................15

Pitch ......................................................................................20

Power ....................................................................................13

Preset Song ..........................................................................23

Preset Voice List .................................................................41

Program Change .................................................................34

Quick Operation Guide .....................................................49

Recording .............................................................................26

Reverb ...................................................................................19

Scene .....................................................................................24

Song ......................................................................................23

Song Playback Channel .....................................................25

Specifications .......................................................................44

Split mode ............................................................................22

String Resonance ................................................................19

Tempo ..................................................................................16

Touch Sensitivity ................................................................17

Transpose .............................................................................20

Troubleshooting .................................................................38

Tuning ..............................................................................8, 20

USB flash memory ................................................. 23, 25, 28

User Song ..........................................................23, 26, 30, 31

[VARIATION] ....................................................................18

Voice .....................................................................................18

Voice Demo .........................................................................18

Voice Demo Song List ........................................................40

Volume .................................................................................14

Volume (Audio Song) ........................................................25

Volume (Metronome) ........................................................16

Index

Appendix

F02 Owner’s Manual

* The followings are the titles, credits and copyright notices for seventeen (17) of the 50 Piano Preset Songs (Classic & Jazz) in this instrument:

* La liste suivante répertorie les titres, auteurs et avis de droits d’auteur de dix-sept (17) morceaux parmi les 50 morceaux de piano présélectionnés

(Classic & Jazz) sur l’instrument:

* A continuación se incluyen los títulos, fichas técnicas y avisos de copyright de diecisiete (17) de las 50 melodías predefinidas para piano (clásica y jazz)

de este instrumento:

* Nachfolgend die Titel, Credits und Hinweise zum Urheberrecht für siebzehn (17) der 50 Preset-Songs für Klavier (Klassik & Jazz) in diesem

Instrument:

Alfie

Theme from the Paramount Picture ALFIE

Words by Hal David

Music by Burt Bacharach

Bésame Mucho (Kiss Me Much)

Music and Spanish Words by Consuelo Velazquez

English Words by Sunny Skylar

Copyrights Renewed

All Rights Administered by Peer International Corporation

Bewitched

from PAL JOEY

Words by Lorenz Hart

Music by Richard Rodgers

Rights for the Extended Renewal Term in the U.S. Controlled by

Williamson Music and WB Music Corp. o/b/o The Estate Of Lorenz Hart

Hey Jude

Words and Music by John Lennon and Paul McCartney

All Rights Administered by Sony/ATV Music Publishing, 8 Music Square

West, Nashville, TN 37203

How Deep Is The Ocean (How High Is The Sky)

Words and Music by Irving Berlin

I Didn’t Know What Time It Was

from TOO MANY GIRLS

Words by Lorenz Hart

Music by Richard Rodgers

Rights for the Extended Renewal Term in the U.S. Controlled by

Williamson Music and WB Music Corp. o/b/o The Estate Of Lorenz Hart

If I Should Lose You

from the Paramount Picture ROSE OF THE RANCHO

Words and Music by Leo Robin and Ralph Rainger

It Might As Well Be Spring

from STATE FAIR

Lyrics by Oscar Hammerstein II

Music by Richard Rodgers

It Never Entered My Mind

from HIGHER AND HIGHER

Words by Lorenz Hart

Music by Richard Rodgers

Rights for the Extended Renewal Term in the U.S. Controlled by

Williamson Music and WB Music Corp. o/b/o The Estate Of Lorenz Hart

Mona Lisa

from the Paramount Picture CAPTAIN CAREY, U.S.A.

Words and Music by Jay Livingston and Ray Evans

My Funny Valentine

from BABES IN ARMS

Words by Lorenz Hart

Music by Richard Rodgers

Rights for the Extended Renewal Term in the U.S. Controlled by

Williamson Music and WB Music Corp. o/b/o The Estate Of Lorenz Hart

The Nearness Of You

from the Paramount Picture ROMANCE IN THE DARK

Words by Ned Washington

Music by Hoagy Carmichael

Never Let Me Go

from the Paramount Picture THE SCARLET HOUR

Words and Music by Jay Livingston and Ray Evans

Norwegian Wood (This Bird Has Flown)

Words and Music by John Lennon and Paul McCartney

1965 Sony/ATV Songs LLC

All Rights Administered by Sony/ATV Music Publishing, 8 Music Square

West, Nashville, TN 37203

Smoke Gets In Your Eyes

from ROBERTA

Words by Otto Harbach

Music by Jerome Kern

PUBLISHING, INC.

Stella By Starlight

from the Paramount Picture THE UNINVITED

Words by Ned Washington

Music by Victor Young

You Are Too Beautiful

from HALLELUJAH, I’M A BUM

Words by Lorenz Hart

Music by Richard Rodgers

Rights for the Extended Renewal Term in the U.S. Controlled by

Williamson Music and WB Music Corp. o/b/o The Estate Of Lorenz Hart

Appendix

F02 Owner’s Manual

* The followings are the titles, credits and copyright notices for three (3) of the 50 Piano Preset Songs in this instrument:

* La liste suivante répertorie les titres, auteurs et avis de droits d’auteur de trois (3) morceaux parmi les 50 morceaux de piano présélectionnés (Classic &

Jazz) sur l’instrument :

* A continuación se incluyen los títulos, fichas técnicas y avisos de copyright de tres (3) de las 50 melodías predefinidas para piano de este instrumento:

* Nachfolgend die Titel, Credits und Hinweise zum Urheberrecht für drei (3) der 50 Preset-Songs für Klavier (Klassik & Jazz) in diesem Instrument:

Composition Title: ON GREEN DOLPHIN STREET

Composer’s Name: Bronislaw Kaper 0372642

Owner’s Name: EMI MUSIC PUBLISHING LTD

Composition Title: EMILY

Composer’s Name: Johnny Mandel 0258202

Owner’s Name: EMI MUSIC PUBLISHING LTD

Composition Title : OVER THE RAINBOW

Composer’s Name: Harold Arlen 0286708

Owner’s Name: EMI MUSIC PUBLISHING LTD

Reservados todos los derechos. Queda terminantemente prohibida toda copia, interpretación o difusión pública no autorizada.

Appendix

F02 Owner’s Manual

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in accordance with the following code:

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the termi-

nals in your plug proceed as follows:

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal of the three pin plug.

(2 wires)

Appendix

F02 Owner’s Manual

Audio Song Playback Volume

MIDI Transmit Channel

MIDI Receive Channel

Local Control

Program Change

Control Change

Noise Gate

Song

Playback

Channel

Metronome Volume

Tou ch

Sensitivity

Metronome Beat

Transpose

Half-pedal Point

Damper

Pedal

Range

IAC Depth

Octave Shift

(Dual/Split mode)

Reverb

Types

Volume Balance

(Dual/Split mode)

Reverb Depth

Damper Resonance Depth String Resonance Depth

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&K

&K

&K

&K

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Quick Operation Guide

While holding down the [BGM] /[METRONOME]/[VARIATION] button, press one of the highlighted keys shown below to set a parameter.

Yamaha Global Site

http://www.yamaha.com/

Yamaha Downloads

http://download.yamaha.com/

U.R.G., Digital Musical Instruments Division

211MWTO-A0

Printed in Japan

ZE76150

Transcripción de documentos

F02 Owner’s Manual IMPORTANT — Check your power supply — Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some areas a voltage selector may be provided on the rear panel of the main keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. The voltage selector is set at 240V when the unit is initially shipped. To change the setting use a “minus” screwdriver to rotate the selector dial so that the correct voltage appears next to the pointer on the panel. For information on assembling the instrument, refer to the instructions at the end of this manual. EN The model number, serial number, power requirements, etc., may be found on or near the name plate, which is at the bottom of the unit. You should note this serial number in the space provided below and retain this manual as a permanent record of your purchase to aid identification in the event of theft. Model No. Serial No. (bottom_en_01) The name plate is located on the bottom of the unit. La plaque signalétique de ce produit se trouve dans le bas de l’unité. Le numéro de modèle, le numéro de série, l’alimentation requise, etc., se trouvent sur ou près de la plaque signalétique du produit, située dans la partie inférieure de l’unité. Notez le numéro de série dans l’espace fourni ci-dessous et conservez ce manuel en tant que preuve permanente de votre achat afin de faciliter l’identification du produit en cas de vol. N° de modèle N° de série (bottom_fr_01) El número de modelo, el número de serie, los requisitos de alimentación, etc. pueden encontrarse en la placa de identificación o cerca de ella. Esta placa se encuentra en la parte inferior de la unidad. Debe anotar dicho número en el espacio proporcionado a continuación y conservar este manual como comprobante permanente de su compra para facilitar la identificación en caso de robo. Nº de modelo Nº de serie (bottom_es_01) Die Nummer des Modells, die Seriennummer, der Leistungsbedarf usw. sind auf dem Typenschild, das sich auf der Unterseite des Geräts befindet, oder in der Nähe davon angegeben. Sie sollten diese Seriennummer an der unten vorgesehenen Stelle eintragen und dieses Handbuch als dauerhaften Beleg für Ihren Kauf aufbewahren, um im Fall eines Diebstahls die Identifikation zu erleichtern. Modell Nr. Seriennr. (bottom_de_01) 2 F02 Owner’s Manual La placa del nombre se encuentra en la parte inferior de la unidad. Das Namensschild befindet sich an der Unterseite des Produkts. Information for Users on Collection and Disposal of Old Equipment This symbol on the products, packaging, and/or accompanying documents means that used electrical and electronic products should not be mixed with general household waste. For proper treatment, recovery and recycling of old products, please take them to applicable collection points, in accordance with your national legislation and the Directives 2002/96/EC. By disposing of these products correctly, you will help to save valuable resources and prevent any potential negative effects on human health and the environment which could otherwise arise from inappropriate waste handling. For more information about collection and recycling of old products, please contact your local municipality, your waste disposal service or the point of sale where you purchased the items. [For business users in the European Union] If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information. [Information on Disposal in other Countries outside the European Union] This symbol is only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer and ask for the correct method of disposal. (weee_eu_en_01) Information concernant la Collecte et le Traitement des déchets d’équipements électriques et électroniques. Le symbole sur les produits, l’emballage et/ou les documents joints signifie que les produits électriques ou électroniques usagés ne doivent pas être mélangés avec les déchets domestiques habituels. Pour un traitement, une récupération et un recyclage appropriés des déchets d’équipements électriques et électroniques, veuillez les déposer aux points de collecte prévus à cet effet, conformément à la réglementation nationale et aux Directives 2002/96/EC. En vous débarrassant correctement des déchets d’équipements électriques et électroniques, vous contribuerez à la sauvegarde de précieuses ressources et à la prévention de potentiels effets négatifs sur la santé humaine qui pourraient advenir lors d’un traitement inapproprié des déchets. Pour plus d’informations à propos de la collecte et du recyclage des déchets d’équipements électriques et électroniques, veuillez contacter votre municipalité, votre service de traitement des déchets ou le point de vente où vous avez acheté les produits. [Pour les professionnels dans l’Union Européenne] Si vous souhaitez vous débarrasser des déchets d’équipements électriques et électroniques veuillez contacter votre vendeur ou fournisseur pour plus d’informations. [Information sur le traitement dans d’autres pays en dehors de l’Union Européenne] Ce symbole est seulement valable dans l’Union Européenne. Si vous souhaitez vous débarrasser de déchets d’équipements électriques et électroniques, veuillez contacter les autorités locales ou votre fournisseur et demander la méthode de traitement appropriée. (weee_eu_fr_01) Información para Usuarios sobre Recolección y Disposición de Equipamiento Viejo Este símbolo en los productos, embalaje, y/o documentación que se acompañe significa que los productos electrónicos y eléctricos usados no deben ser mezclados con desechos hogareños corrientes. Para el tratamiento, recuperación y reciclado apropiado de los productos viejos, por favor llévelos a puntos de recolección aplicables, de acuerdo a su legislación nacional y las directivas 2002/96/EC. Al disponer de estos productos correctamente, ayudará a ahorrar recursos valiosos y a prevenir cualquier potencial efecto negativo sobre la salud humana y el medio ambiente, el cual podría surgir de un inapropiado manejo de los desechos. Para mayor información sobre recolección y reciclado de productos viejos, por favor contacte a su municipio local, su servicio de gestión de residuos o el punto de venta en el cual usted adquirió los artículos. [Para usuarios de negocios en la Unión Europea] Si usted desea deshacerse de equipamiento eléctrico y electrónico, por favor contacte a su vendedor o proveedor para mayor información. [Información sobre la Disposición en otros países fuera de la Unión Europea] Este símbolo sólo es válido en la Unión Europea. Si desea deshacerse de estos artículos, por favor contacte a sus autoridades locales y pregunte por el método correcto de disposición. (weee_eu_es_01) Verbraucherinformation zur Sammlung und Entsorgung alter Elektrogeräte Befindet sich dieses Symbol auf den Produkten, der Verpackung und/oder beiliegenden Unterlagen, so sollten benutzte elektrische Geräte nicht mit dem normalen Haushaltsabfall entsorgt werden. In Übereinstimmung mit Ihren nationalen Bestimmungen und den Richtlinien 2002/96/EC bringen Sie alte Geräte bitte zur fachgerechten Entsorgung, Wiederaufbereitung und Wiederverwendung zu den entsprechenden Sammelstellen. Durch die fachgerechte Entsorgung der Elektrogeräte helfen Sie, wertvolle Ressourcen zu schützen, und verhindern mögliche negative Auswirkungen auf die menschliche Gesundheit und die Umwelt, die andernfalls durch unsachgerechte Müllentsorgung auftreten könnten. Für weitere Informationen zum Sammeln und Wiederaufbereiten alter Elektrogeräte kontaktieren Sie bitte Ihre örtliche Stadt- oder Gemeindeverwaltung, Ihren Abfallentsorgungsdienst oder die Verkaufsstelle der Artikel. [Information für geschäftliche Anwender in der Europäischen Unio] Wenn Sie Elektrogeräte ausrangieren möchten, kontaktieren Sie bitte Ihren Händler oder Zulieferer für weitere Informationen. [Entsorgungsinformation für Länder außerhalb der Europäischen Union] Dieses Symbol gilt nur innerhalb der Europäischen Union. Wenn Sie solche Artikel ausrangieren möchten, kontaktieren Sie bitte Ihre örtlichen Behörden oder Ihren Händler und fragen Sie nach der sachgerechten Entsorgungsmethode. (weee_eu_de_01) F02 Owner’s Manual 3 Thank you for choosing the Yamaha Digital Piano. In order to make the most of the performance potential and features of the instrument, please read the manuals thoroughly, and keep them in a handy place for later reference. About the Manuals This instrument has the following manuals. Included Manuals Owner’s Manual (this book) Explains how to use the instrument. Online Manuals (PDF) Computer-related Operations Includes instructions on connecting this instrument to a computer. MIDI Reference Contains the MIDI Data Format and MIDI Implementation chart. MIDI Basics Contains basic explanations about MIDI. To obtain these manuals, access the Yamaha Downloads website, select your country, enter “F02” in the Model Name box, then click [SEARCH]. Yamaha Downloads http://download.yamaha.com/ Included Accessories • Owner’s Manual (this book) • AC Power cord • Bench • Online Member Product Registration*1 *1 You will need the PRODUCT ID on the sheet in order to fill out the User Registration form. 4 F02 Owner’s Manual Contents About the Manuals .......................................................4 Included Accessories....................................................4 PRECAUTIONS ...........................................................6 Main Features 9 Panel Controls and Terminals 10 Setting Up 12 Key Cover and Music Rest ........................................12 Turning the Power On...............................................13 Using Headphones .....................................................13 Playing the Piano 14 Setting the Volume.....................................................14 Intelligent Acoustic Control (IAC) ..........................14 Using the Pedals..........................................................15 Using the Metronome................................................16 Changing the Keyboard Touch Sensitivity .............17 Using a USB Flash Memory 28 Handling a USB Flash Memory ............................... 28 Copying a User Song in the Instrument to a USB Flash Memory............................................................. 30 Converting a User Song in the Instrument to an Audio Song ................................................................. 31 Connections 32 Using an External Powered Speaker for Playback (AUX OUT [L/L+R] [R] Jacks)................................ 32 Playing External Equipment with this Instrument’s Speakers (AUX IN [L/L+R] [R] Jacks).................... 32 Connecting to a Computer ([USB TO HOST] Terminal) .................................................................... 33 Connecting External MIDI Devices (MIDI [IN] [OUT] Terminals) ..................................................... 33 Data Backup and Initialization 36 Backup Data Maintained When Power is Turned Off ...................................................................................... 36 Saving the Backup Data to a USB Flash Memory 36 Initializing the Settings ............................................. 36 Playing Various Musical Instrument Sounds (Voices) 18 Appendix Selecting a Voice .........................................................18 Listening to the Voice Demo Songs.........................18 Enhancing the Sound with Reverb...........................19 String Resonance ........................................................19 Transposing the Pitch in Semitones ........................20 Fine-tuning the Pitch .................................................20 Layering Two Voices (Dual Mode)..........................21 Splitting the Keyboard Range and Playing Two Different Voices (Split Mode)...................................22 Message List................................................................ 37 Troubleshooting......................................................... 38 50 Piano Preset Songs (Classic & Jazz) List............ 39 Voice Demo Song List............................................... 40 Preset Voice List......................................................... 41 Assembly ..................................................................... 42 Specifications.............................................................. 44 Index ............................................................................ 45 Quick Operation Guide ............................................ 49 Playing Back Songs (BGM) 37 23 Songs Compatible with this Instrument..................23 Playing Back Songs.....................................................24 Playing Back Songs in USB Flash Memory.............25 Recording Your Performance 26 Recording.....................................................................26 Deleting Recorded Performance Data.....................27 F02 Owner’s Manual 5 PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING Please keep this manual in a safe and handy place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: Power supply/Power cord Water warning • Do not place the power cord near heat sources such as heaters or radiators. Also, do not excessively bend or otherwise damage the cord, or place heavy objects on it. • Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument. • Use only the supplied power cord/plug. • Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. • Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire. • This instrument contains no user-serviceable parts. Do not open the instrument or attempt to disassemble or modify the internal components in any way. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. If you notice any abnormality • When one of the following problems occur, immediately turn off the power switch and disconnect the electric plug from the outlet. Then have the device inspected by Yamaha service personnel. - The power cord or plug becomes frayed or damaged. - It emits unusual smells or smoke. - Some object has been dropped into the instrument. - There is a sudden loss of sound during use of the instrument. DMI-5 F02 Owner’s Manual • Never insert or remove an electric plug with wet hands. Fire warning Do not open 6 • Do not expose the instrument to rain, use it near water or in damp or wet conditions, place on it any containers (such as vases, bottles or glasses) containing liquids which might spill into any openings. If any liquid such as water seeps into the instrument, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel. 1/2 CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following: Power supply/Power cord Connections • Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet. • When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it. • Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms. • Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. • Be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level. Handling caution • Do not insert a finger or hand in any gaps on the key cover or instrument. Also take care that the key cover does not pinch your finger. Assembly • Read carefully the attached documentation explaining the assembly process. Failure to assemble the instrument in the proper sequence might result in damage to the instrument or even injury. • Never insert or drop paper, metallic, or other objects into the gaps on the key cover, panel or keyboard. This could cause physical injury to you or others, damage to the instrument or other property, or operational failure. • Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors. Location • Do not place the instrument in an unstable position where it might accidentally fall over. • When transporting or moving the instrument, always use two or more people. Attempting to lift the instrument by yourself may damage your back, result in other injury, or cause damage to the instrument itself. • Before moving the instrument, remove all connected cables, to prevent damage to the cables or injury to anyone who might trip over them. • When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet. • Do not use the instrument/device or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician. Using the bench (If included) • Do not place the bench in an unstable position where it might accidentally fall over. • Do not play carelessly with or stand on the bench. Using it as a tool or stepladder or for any other purpose might result in accident or injury. • Only one person should sit on the bench at a time, in order to prevent the possibility of accident or injury. • If the bench screws become loose due to extensive long-term use, tighten them periodically using the included tool. • Keep special watch over any small children so that they don’t fall off the rear of the bench. Since the bench does not have a backrest, unsupervised use may result in accident or injury. Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed. Always turn the power off when the instrument is not in use. DMI-5 2/2 F02 Owner’s Manual 7 NOTICE To avoid the possibility of malfunction/ damage to the product, damage to data, or damage to other property, follow the notices below.  Handling • Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. When you use the instrument along with the application on your iPhone/iPad, we recommend that you set “Airplane Mode” to “ON” on your iPhone/iPad in order to avoid noise caused by communication. • Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration, damage to the internal components or unstable operation. (Verified operating temperature range: 5° – 40°C, or 41° – 104°F.) • Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard. • Bumping the surface of the instrument with metal, porcelain, or other hard objects can cause the finish to crack or peel. Use caution.  Instrument / Bench Maintenance To keep your digital piano in optimum condition, we recommend that you periodically follow the maintenance points below. • When cleaning the instrument or bench, use a soft, dry or slightly damp cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths. Otherwise, it may become discolored or degraded. • Gently remove dust and dirt with a soft cloth. Do not wipe too hard since small particles of dirt can scratch the instrument’s finish. To keep the surface polished, apply commercially available piano polisher to a soft cloth and wipe the instrument’s surface with it. Then, polish it with a separate cloth. Before using any piano polisher, make sure to read the instructions for proper usage. • During extreme changes in temperature or humidity, condensation may occur and water may collect on the surface of the instrument. If water is left, the wooden parts may absorb the water and be damaged. Make sure to wipe any water off immediately with a soft cloth. • As with an acoustic piano, pedals may become tarnished across the ages. When this occurs, polish the pedal with a compound designed for piano pedals. Before using the compound, make sure to read the instructions for proper usage. 8 F02 Owner’s Manual  Saving data • Saved data may be lost due to malfunction or incorrect operation. Save important data to a USB flash memory (page 36). • To further protect against data loss through the USB flash memory damage, we recommend that you save your important data onto two USB flash memories. Information  About copyrights • Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use. • This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI files, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.  About functions/data bundled with the instrument • Some of the preset songs have been edited for length or arrangement, and may not be exactly the same as the original.  About this manual • The illustrations and displays as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your instrument. • The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.  Tuning • Unlike an acoustic piano, this instrument does not need to be tuned by an expert (although the pitch can be user-adjusted to match other instruments). This is because the pitch of digital instruments is always maintained perfectly.  Transporting • If you move to another location, you can transport the instrument along with other belongings. You can move the unit as it is (assembled) or you can disassemble the unit down to the condition it was in when you first took it out of the box. Transport the keyboard horizontally. Do not lean it up against a wall or stand it up on its side. Do not subject the instrument to excessive vibration or shock. When transporting the assembled instrument, make sure all screws are properly tightened and have not been loosened by moving the instrument. Main Features Stylish and sophisticated digital piano The instrument combines true piano sound in a modern, attractive cabinet that evokes the beauty of a real acoustic grand piano — adding sophistication and musical expressiveness to your living space. Real Grand Expression (RGE) sound engine This new sound engine gives you the full playing response and expressive capability of a concert grand piano. In addition to providing smooth tonal changes that respond to your playing touch, it also features a Smooth Release function which clearly articulates staccato notes and produces the sound of lingering resonance when gently lifting your fingers from the keys — just like the soft damping action of real dampers. These effects capture the true essence of an acoustic grand piano to help you create and perform with authentic piano-like expression. NW (Natural Wood) keyboard with synthetic ivory keytops and Linear Graded Hammer action The instrument’s keyboard has the luxurious feel of real ivory. The key surface is soft and slightly porous, giving the keys added grip and a natural friction that lets you play easily. The special Natural Wood keyboard uses real-wood white keys just as an actual grand piano. Moreover, Linear Graded Hammer provides an authentic action in which the lower keys are heavy in touch and the higher keys are light, with all the natural gradations in between. All in all, this gives you the performance functions and expressive power found only on grand pianos, including having repeated plays of the same note perfectly articulated, even when playing at high speed or with partial key release. 50 Classic & Jazz Piano Preset Songs The instrument features 50 built-in piano preset songs, including both classic pieces and jazz standards. The preset songs are divided into scene categories, which correspond to a variety of favorite listening preferences and let you select your favorite songs according to the appropriate description. For even wider song selection, simply connect a USB flash memory device to the instrument — and your favorite songs in MIDI format are ready to be played in random or sequence. Audio Playback from USB Flash Memory Audio files (.wav) saved to a USB flash memory can be played back on the instrument. Moreover, since you can save your performance as audio data to a USB flash memory device, it is possible to listen to your performance on portable music players, transferring the data by computer. Main Features F02 Owner’s Manual 9 Panel Controls and Terminals 2 3 4 56 7 ! 8 @ 9 ) # $ 1 Right (higherkey side) Left (lowerkey side) % B Rear Rear C ^ Right (higher-key side) & Left (lower-key side) Rear * Right (higher-key side) ( A Left (lower-key side) Shows the jacks as seen when viewed from below the instrument. Rear panel Display Check the operation on the display of the top panel as you use the instrument. The display is normally hidden beneath the surface to maintain the elegant appearance of the instrument, and is visible only when a button is pressed or an operation is executed. Tempo Song number (page 23) Parameter value Various other messages and prompts are indicated with the three characters in the display. For details, refer to page 37. 10 Panel Controls and Terminals F02 Owner’s Manual 1 [P] Power switch ............................ page 13 For turning the power on/off. 2 [VOLUME] slider ............................ page 14 For adjusting the volume level using this slider. 3 Display............................................. page 10 NOTICE Do not turn off the power to the instrument while flashing dashes appear in the display (indicating the operation is in process). Doing so may damage the data. 4 [PRESET 1]/[PRESET 2] lamp........ page 23 When this is lit, you can listen to the 50 Piano Preset Songs (Classic & Jazz). 5 [USB] lamp ...................................... page 23 When this is lit, you can listen to songs contained in USB flash memory. 6 [USB] access lamp ....................pages 23, 28 Flashes in red while loading data from USB flash memory. 7 [BGM] button...........................pages 23, 24 Switches the BGM mode on and off for [PRESET 1]/ [PRESET 2]/[USB]. 8 [–/NO]/[+/YES] button % [PHONES] jacks ..............................page 13 For connecting a set of standard stereo headphones. ^ AUX IN [L/L+R][R] jacks................page 32 The stereo outputs from another instrument can be connected to these jacks, allowing the sound of an external instrument to be reproduced via this instrument’s speakers. & AUX OUT [L/L+R][R] jacks............page 32 These jacks let you connect this instrument to external powered speaker systems, for playing in larger venues at higher volumes. * MIDI [IN][OUT] terminals ............page 33 For connecting to a MIDI device, allowing you to take advantage of various MIDI functions. ( [USB TO HOST] terminal...............page 33 For connecting to a computer. For details, refer to “Computer-related Operations” (page 4). NOTICE Use an AB type USB cable of less than 3 meters. USB 3.0 cables cannot be used. A [USB TO DEVICE] terminal...........page 28 For connecting to a USB flash memory device, allowing you to save your own recorded songs and to play back songs contained on the device. For setting values or performing file operations. 9 Voice buttons................................... page 18 B [AC IN] connector...........................page 13 For connecting the Power cord. For selecting Voices. ) [VARIATION] button ..................... page 18 Lets you call up an alternate version of the selected Voice, with a different sound. C Pedals...............................................page 15 For controlling expression and sustain, just as on an acoustic piano. ! [PLAY/STOP] button ...................... page 24 For starting/stopping song playback of the 50 Piano Preset Songs (Classic & Jazz), your recorded songs, or songs in USB flash memory. @ [REC] button ................................... page 26 For recording your keyboard performance. # [METRONOME] button ................. page 16 For using the metronome. $ [SPLIT] button ................................ page 22 For playing different Voices on the left- and righthand sections of the keyboard. Panel Controls and Terminals F02 Owner’s Manual 11 Setting Up Key Cover and Music Rest CAUTION To close the key cover: 1. If the music rest is unfolded, fold it back. 2. Pull the cover down and toward yourself slowly. • Hold the cover with both hands when opening or closing it. Do not release it until it is fully opened or closed. Be careful to avoid catching fingers (yours or others, especially children’s) between the cover and the unit. • Do not place objects such as a piece of metal or paper on top of the key cover. Small objects placed on the key cover may fall inside the unit when the cover is opened and may be nearly impossible to remove. This could cause electric shock, short circuit, fire or other serious damage to the instrument. To open the key cover: 1. Hold the front edge of the key cover top with both hands, then lift the key cover gently and fold it back. Be careful to avoid catching your fingers when opening or closing the cover. 3. Unfold the cover and gently lower its front half. Be careful to avoid catching your fingers when opening or closing the cover. 2. Raise the folded cover and lean it against the front panel. Be careful to avoid catching your fingers when opening or closing the cover. Be careful to avoid catching your fingers when opening or closing the cover. 3. 12 Unfold the music rest. Setting Up F02 Owner’s Manual Turning the Power On 1. Connect the Power cord. First insert the plug of the power cable into the AC connector on the instrument, then plug the other end of the cable into the proper AC outlet on the wall. In some areas a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area. For more information on connecting the power cord, refer to the assembly instructions on page 43. 2. Turn the power on. Press the [P] Power switch located on the right of the keyboard to turn the power on. The Power indicator located below the left end of the keyboard lights up. Power switch 1-1 Power indicator Power indicator If you close the key cover without turning the power off, the Power indicator remains lit, indicating that the power is still on. 1-2 The shape of the plug and outlet differ depending on locale. When you’re ready to turn off the power, press the Power switch again. The Power indicator turns off. CAUTION WARNING • Make sure your instrument is rated for the AC voltage supplied in the area in which it is to be used (voltage rating appears on the name plate on the bottom panel). In some areas, a voltage selector may be provided on the rear panel of the main keyboard unit near the AC IN. Make sure that the voltage selector is set for the voltage in your area. Connecting the unit to the wrong AC supply can cause serious damage to the internal circuitry and may even pose a shock hazard! • Use only the AC power cord supplied with your instrument. If the supplied cord is lost or damaged and needs to be replaced, contact your Yamaha dealer. The use of an inappropriate replacement can pose a fire and shock hazard! Even when the instrument is turned off, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time or during electrical storms, make sure you unplug the AC power plug from the wall AC outlet. Using Headphones Connect a pair of headphones (option) to one of the [PHONES] jacks. Two [PHONES] jacks are provided. You can connect two sets of standard stereo headphones. If you are using only one pair of headphones, you can plug them into either of these jacks. • The type of AC power cord provided with your instrument may be different depending on the country in which it is purchased. (In some areas a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area.) Do NOT modify the plug provided with your instrument. If the plug will not fit the outlet, have a proper outlet installed by a qualified electrician. Bottom surface Standard stereo phone plug CAUTION Do not use headphones at a high volume for an extended period of time. Doing so may cause hearing loss. Setting Up F02 Owner’s Manual 13 Playing the Piano Setting the Volume To adjust the volume, use the [VOLUME] slider located at the left of the panel. Play the keyboard to actually produce sound while you adjust the volume. VOLUME: The volume level of the entire keyboard sound. Decreases the level. Increases the level. CAUTION Adjusting the [VOLUME] slider also affects the output level of the [PHONES] jacks and the output level of the AUX OUT jack. Do not use this instrument at a high volume level for a long period of time, or your hearing may be damaged. Intelligent Acoustic Control (IAC) With this function, the sound quality of this instrument is automatically adjusted and controlled according to the overall volume. Even when the volume is low, this lets you hear both low sounds and high sounds clearly.  To turn on IAC: Default setting: On While holding down [METRONOME], press the F6 key. Highest key )  To turn off IAC: )ᅊ While holding down [METRONOME], press the F♯6 key.  To adjust IAC Depth: While holding down [METRONOME], press one of the A5 – D♯6 keys. 'ᅊ depth +3 -3 (A5) – +3 (D♯6) -2 +1 +3 -3 -1 0 +2 The higher the value, the more clear the sound of low and high ranges for softer volume levels. 14 Playing the Piano F02 Owner’s Manual Setting range: & depth 0 Standard setting $ depth -3 Default setting: 0 (C6) Using the Pedals This instrument has three foot pedals: damper pedal (right), sostenuto pedal (center), and soft pedal (left) that produce a range of expressive effects similar to those produced by the pedals on an acoustic piano. Damper (Right) Pedal When this pedal is pressed, the sound is sustained, even when the keys are released. When this is used with one of the Grand Piano Voices, a special Damper Resonance effect (with Depth control; see below) is added, which effectively reproduces the rich, resonant sound of the soundboard, frame and cabinet of a real acoustic piano. When you press the damper pedal here, the notes you play before you release the pedal have a longer sustain.  To set the Damper Resonance Depth Setting range: While holding down [VARIATION], press one of the C5 – A♯5 keys. (Refer to the Quick Operation Guide on page 49.) 0 (C5) – 10 (A♯5) Default setting: Different for each Voice Half-pedal function This instrument also has a Half-pedal function which allows you to use half-damper techniques, in which the damper is pressed somewhere between all the way down and all the way up. In this half-damper state (on a real piano), the damper felts only partially mute the strings. The Half-pedal function on this instrument lets you delicately and expressively control the damper muting, and create subtle nuances in your performance. It also lets you finely control the point at which pressure on the pedal affects the damper muting. GP Responsive Damper Pedal NOTE The damper pedal of this instrument is a special GP Responsive Damper Pedal, which has been designed to provide enhanced tactile response. When pressed, it is much closer in feel to the pedal of an actual grand piano. It makes it easier to physically experience the half-pedal point and more easily apply the half-pedal effect than other pedals. Since the pressing sensation may vary depending on the situation, including the location where the instrument is installed, you should adjust the half-pedal point to the desired setting. The pedals are covered with vinyl covers when shipped from the factory. For optimum use of the GP Responsive Damper Pedal, we recommend that you remove the cover from the damper pedal. • To set the Half-pedal Point Setting range: While holding down [METRONOME], press one of the A♯3 – E4 keys. (Refer to the Quick Operation Guide on page 49.) -2 (effective at shallow position) – 0 – 4 (effective at deep position) Default setting: 0 (C4) Sostenuto (Center) Pedal If you play a note or chord on the keyboard and press the sostenuto pedal while holding the note(s), the notes will sustain as long as the pedal is held. Organ and string Voices will continue to sound for as long as the sostenuto pedal is depressed. All subsequent notes will not sustain. Soft (Left) Pedal When you press the sostenuto pedal here while holding the note, the note will sustain as long as you hold the pedal. The soft pedal reduces the volume and slightly changes the timbre of notes played while the pedal is pressed. The soft pedal will not affect notes that are already playing or sustaining when it is pressed. Press the pedal immediately before you play the target notes. Playing the Piano F02 Owner’s Manual 15 Using the Metronome The metronome feature is convenient for practicing with an accurate tempo. 1. 2. Press [METRONOME] to start the Metronome. Press [METRONOME] to stop the Metronome. The beat indicator flashes at the current tempo.  To adjust the Tempo Setting range: Press [BGM] so that the [PRESET 1]/[PRESET 2]/[USB] lamp is turned off. The Metronome tempo can be set by pressing [-/NO] or[+/YES]. The default setting can be recalled by pressing both [-/NO] and [+/YES] simultaneously. 5 to 500 beats per minute Default setting: 120 NOTE The default settings of tempo and beat for MIDI Songs differ depending on the selected Song. When you play back a MIDI Song, the setting here will be canceled and the original tempo and the beat for that Song is called up.  To select a Beat While holding down [METRONOME], press one of the C1 – F1 keys. The current setting appears on the display while both controls are held. You can set the beat to 0, 2, 3, 4, 5 or 6. The first beat is accented with a bell sound and the rest with clicks. When the beat is set to “0,” clicks sound on all beats. Setting range: 0 (C1), 2 (C♯1) – 6 (F1) Default setting: Beat 0 (C1)  To adjust the Volume While holding down [METRONOME], press one of the keys between A-1 and F♯0 to set the volume of the metronome. Pressing a higher key results in higher volume, while pressing a lower key results in lower volume. Setting range: 1 (A-1) – 10 (F♯0) Default setting: 8 (E0) Adjusting the Metronome Volume )ᅊ 2 5 7 10 1 3 4 6 8 9 $ 16 Playing the Piano F02 Owner’s Manual Selecting a Beat &ᅊ 'ᅊ 2 4 0 3 5 6 & ' ( ) Changing the Keyboard Touch Sensitivity You can select four different Touch Sensitivity types (how the sound responds to the way you play the keys). Select one to match different playing styles and preferences. While holding down [METRONOME], press C2 or one of the D2 – E2 keys. 'ᅊ Lowest key Key Display C2 OFF D2 Touch Sensitivity & ' ( Description NOTE The Touch Sensitivity type is applied commonly to all Voices. However, the Touch Sensitivity settings may have little or no effect with certain Voices that are not normally responsive to keyboard dynamics. (Refer to “Preset Voice List” on page 41.) Default setting Medium (D♯2) Fixed The volume level does not change at all regardless of whether you play the keyboard soft or hard. 1 Soft The volume level does not change much when you play the keyboard soft or hard. This lets you play relatively loudly, even with a soft touch. D♯2 2 Medium This is the standard piano touch response. E2 3 Hard The volume level changes very widely from pianissimo to fortissimo to facilitate dynamic and dramatic expression. You have to hit the keys hard to produce a loud sound. It also gives you finer expressive control of soft sounds. Playing the Piano F02 Owner’s Manual 17 Playing Various Musical Instrument Sounds (Voices) In addition to the wonderfully realistic piano sounds, you can select and play other authentic musical instrument sounds (Voices), such as organ or stringed instruments. 1 2 1 Voice buttons [VARIATION] button 2 Selecting a Voice 1. 2. Select the desired Voice by pressing one of the Voice buttons. Try playing the keyboard and listening to the sound. [VARIATION] Lets you call up an alternate version of the selected Voice. Pressing this button or the selected Voice button toggles the variation on and off. The lamp lights when [VARIATION] is enabled. Listening to the Voice Demo Songs To familiarize yourself with the characteristics of the Voices, listen to the Demo Songs for each Voice. For a list of the Voice Demo Songs, refer to page 40. 1. While holding down [BGM], press one of the Voice buttons to start playback. The Demo Song for the current Voice starts. Starting with the selected Song, playback of the Demo Songs will continue. After the last Demo Song, the sequence then returns to the first one and repeats until you stop it. 2. 18 Press [BGM] or [PLAY/STOP] to stop playback. Playing Various Musical Instrument Sounds (Voices) F02 Owner’s Manual NOTE Refer to “Preset Voice List” on page 41 for more information on the characteristics of each Voice. NOTE The Demo mode cannot be called up during Song recording (page 26). NOTE MIDI reception is not possible in the Demo mode. Demo Song data is not transmitted via the MIDI terminals. NOTE The tempo of Demo Songs cannot be adjusted. The default tempo of the selected Demo Song is automatically set and fixed during playback. Enhancing the Sound with Reverb This instrument features several Reverb Types that add extra depth and expression to the sound to create a realistic acoustic ambience. The appropriate Reverb Type and Depth are called up automatically when you select each of the Voices and Songs. This is why the Reverb Type need not be selected; however, you can change it if desired. Selecting a Reverb Type Adjusting Reverb Depth *ᅊ depth 20 &ᅊ 'ᅊ 1 3 1 3 0 2 4 & ' ( Lowest key 6 8 10 13 15 18 20 0 2 4 5 7 9 11121416 1719 & depth 0 $ Default setting Highest key The depth value increases as you press higher keys. To select a Reverb Type: While holding down [VARIATION], press one of the C2 – E2 keys. The current Reverb Type setting appears on the display while both controls are held. Reverb Type List Key Display Reverb Type C2 OFF Off C♯2 1 Room Adds a continuous reverb effect to the sound, similar to the acoustic reverberation you would hear in a room. D2 2 Hall1 For a larger reverb sound, use the Hall1 setting. This effect simulates the natural reverberation of a small-size concert hall. D♯2 3 Hall2 For a truly spacious reverb sound, use the Hall2 setting. This effect simulates the natural reverberation of a large concert hall. E2 4 Stage Simulates the reverb of a stage environment. Default setting: The default reverb type (including Off) and depth settings are different for each Voice. Descriptions No effect is applied. To adjust Reverb Depth: While holding down [VARIATION], press one of the C3 – G♯4 keys. The Depth value increases as you press higher keys. While holding down [VARIATION], press the A4 key to set the Reverb Depth to the most suitable value for the current Voice. The current Reverb Depth setting appears on the display while both controls are held. Reverb Depth range: 0 (no effect) – 20 (maximum depth) String Resonance The String Resonance effect simulates the sympathetic vibration that occurs between the strings of an acoustic piano. For information on which Voices have the String Resonance effect applied, refer to “Preset Voice List” on page 41. To set the String Resonance Depth Setting range: While holding down [VARIATION], press one of the C6 – A♯6 keys. (Refer to the Quick Operation Guide on page 49.) 0 (no effect) – 10 (maximum depth) Default setting: 5 Playing Various Musical Instrument Sounds (Voices) F02 Owner’s Manual 19 Transposing the Pitch in Semitones You can shift the pitch of the entire keyboard up or down in semitones in order to facilitate playing in difficult key signatures, or to easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if “+5” is selected, playing key C produces pitch F, letting you play a song of F major as though it were in C major. )ᅊ & Normal pitch )ᅊ -6 -4 -2 +1+3 +6 -5 -3 -1 0 +2+4+5 Lowest key Transpose down Highest key Transpose up  To transpose the pitch down: While holding down [METRONOME], press a key between F♯2 (-6) and B2 (-1).  To transpose the pitch up: While holding down [METRONOME], press a key between C♯3 (+1) and F♯3 (+6).  To restore the normal pitch: While holding down [METRONOME], press the C3 key. Fine-tuning the Pitch You can fine-tune the pitch of the entire instrument in about 0.2 Hz steps. This lets you finely adjust the keyboard pitch to precisely match that of other instruments or CD music.  To tune up (in about 0.2 Hz steps): Press and hold down the [BGM] and [METRONOME] simultaneously, and press [+/YES].  To tune down (in about 0.2 Hz steps): Press and hold down the [BGM] and [METRONOME] simultaneously, and press [-/NO]. 414.8 – 466.8 Hz Press and hold down the [BGM] and [METRONOME] simultaneously, and press [+/YES] and [-/NO] simultaneously. The current pitch setting appears on the display while the key combination is held. Example: 440.2Hz Playing Various Musical Instrument Sounds (Voices) F02 Owner’s Manual This unit of measurement refers to the frequency of a sound and represents the number of times a sound wave vibrates in a second. Setting range:  To restore default pitch: 20 Hz (Hertz): Default setting: 440.0 Hz Layering Two Voices (Dual Mode) You can layer two Voices and play them simultaneously to create a more richly textured sound. 1. Call up the Dual mode. Press two Voice buttons at the same time. The Voice indicators of both selected Voices will light when the Dual mode is active. Try playing the keyboard and listen to the resulting sound. NOTE The Dual and Split (page 22) modes cannot be active at the same time. [VARIATION] in Dual Mode Voice 1/ Voice 2 According to the Voice numbering priority shown below, the lower value Voice number is designated as Voice 1, and the other Voice as Voice 2. Voice numbering priority 1 2 3 4 5 6 7 8 9 10 The [VARIATION] button’s indicator lights if the variation is engaged for either or both of the Dual mode Voices. While Dual mode is called up, [VARIATION] can be used to turn the variation for both Voices on or off. To turn the variation on or off for only one of the Voices, hold the Voice button for the other Voice and press the button of the Voice for which you want to change the variation. You can make the following settings for Voices 1 and 2 in Dual: Shifting the octave $ 0 ' )ᅊ 0 -1 +1 -1 +1 [REVERB] in Dual Mode Adjusting the Volume Balance -6 -4 -2 An optimum reverb type for the combination of Voices is assigned automatically. )ᅊ +1+3 +6 -5 -3 -1 0 +2+4+5 Voice 1 Voice 2 Shifting the Octave for each Voice (Octave Shift): You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 independently. Depending on which Voices you combine in Dual mode, the combination may sound better if one of the Voices is shifted up or down an octave. While holding down [VARIATION], press one of the A-1 – D0 keys. Default setting of Octave and Balance: Different for each Voice combination. Adjusting the Balance between two Voices: You can finely adjust the balance between the two Voices, layering the two so that one Voice serves as the main sound and the other provides a subtle accent or a textured after-sound. While holding down [VARIATION], press one of the F♯0 – F♯1 keys. A setting of “0” produces an equal balance between two Voices. Settings below “0” increase the volume of Voice 2 while settings above “0” increase the volume of Voice1, in relation to the other. 2. Exit from the Dual mode. To return to the normal single-Voice play mode, press any single Voice button. Playing Various Musical Instrument Sounds (Voices) F02 Owner’s Manual 21 Splitting the Keyboard Range and Playing Two Different Voices (Split Mode) Split mode enables you to play two different Voices on the keyboard — one with the left hand and another with the right hand. For example, you can play a bass part using the Bass Voice with the left hand, and a melody with the right hand. 1. Call up the Split mode. Press [SPLIT] so that its indicator lights. The default setting (BASS) will be selected for the left-hand Voice at first. 2. Specify the split point (the border between the right-and left-hand range). While simultaneously holding down [SPLIT] , press the key to which you want to assign the split point. Alternately, while simultaneously holding down [SPLIT], press [-NO]/[+/YES] the necessary number of times to change the split point. The name of the current split-point key appears on the display while [SPLIT] is held. Example of split-point key display ) )ᅊ High bar indicates sharp note 3. (ᅈ Low bar indicates flat note Select a Voice for the right hand. Press a Voice button. To turn the variation on or off for the right-hand split Voice, press [VARIATION] or the currently selected Voice button. 4. Select a Voice for the left hand. Press the corresponding Voice button while holding [SPLIT]. (The indicator of the Left Voice button will light while [SPLIT] is pressed.) To turn the variation on or off for the left-hand split Voice, hold [SPLIT] and press [VARIATION] or the currently selected Voice button. Try playing the keyboard and listen to the resulting sound. You can make the following settings for right-and left-hand split Voice in Split: Shifting the Octave for each Voice (Octave Shift): NOTE The Split and Dual (page 21) modes cannot be active at the same time. NOTE The left-hand Voice goes up to and includes the split-point key. The right-hand Voice sounds for keys above the split point. Default setting of split-point key: F♯2 NOTE The default split point can be recalled by simultaneously holding down [SPLIT] and pressing both [-/NO] and [+/YES] together. [VARIATION] in Split Mode Normally, the Voice indicator of the right Voice lights in Split mode. [VARIATION] can be used to turn the variation for the right Voice on or off as required. While [SPLIT] is held, however, the Voice indicator of the left Voice lights. In this state [VARIATION] turns the variation for the left Voice on or off. [REVERB] in Split Mode An optimum reverb type for the split Voices is assigned automatically. You can shift the pitch up and down in octave steps for the right-hand split Voice and the left-hand split Voice independently. While holding down [VARIATION], press one of the A-1– D0 keys. (Refer to the Quick Operation Guide on page 49.) Adjusting the Balance between two Voices: While holding down [VARIATION], press one of the F♯0 - F♯1 keys. (Refer to the Quick Operation Guide on page 49.) Settings below “0” increase the volume of the left-hand split Voice while settings above “0” increase the volume of the right-hand split Voice, in relation to the other. Damper Pedal Range The Damper Pedal Range function determines whether the damper pedal affects the right Voice, the left Voice, or both the left and right Voices in Split mode. While holding down [METRONOME], press one of the G4, G♯4, or A4 keys. (Refer to the Quick Operation Guide on page 49.) 5. Exit from the Split mode. Press [SPLIT] again so that its indicator goes out. 22 Playing Various Musical Instrument Sounds (Voices) F02 Owner’s Manual Setting range: ALL (for both Voices) 1 (for the right Voice) 2 (for the left Voice) Default setting: 1 (for the right Voice) Playing Back Songs (BGM) The BGM (background music) functions on this instrument lets you play back Songs contained in internal memory or USB memory connected to the [USB TO DEVICE] terminal. Songs for playback can be either MIDI or audio. NOTE About MIDI Songs and Audio Songs A MIDI Song is comprised of your keyboard performance information and is not a recording of the actual sound itself. The performance information refers to which keys are played, at what timing, and at what strength — just as in a musical score. Based on the recorded performance information, the tone generator of the instrument outputs the corresponding sound. A MIDI Song uses a small amount of data capacity in comparison to an audio Song, and allows you to easily change the event like a Voice. An Audio Song is a recording of the performed sound itself. This data is recorded in the same way as that used in recording cassette tapes, or with voice recorders, etc. This data can be played with a portable music player, etc., allowing you to easily let other people hear your performance. For a general overview of MIDI and how you can effectively use it, refer to “MIDI Basics” (downloadable from the Yamaha website). Songs Compatible with this Instrument Song number BGM lamp PRESET 1 001 – 030 Descriptions Piano Preset Songs (Classic) Piano Preset Songs (Classic) in the instrument. Refer to page 39 for the Song titles. PRESET 2 001 – 020 Piano Preset Songs (Jazz) Piano Preset Songs (Jazz) in the instrument. Refer to page 40 for the Song titles. USB A.00 – A.99* User Songs in the USB flash memory (Audio) These are audio Songs saved to the USB flash memory by converting them from MIDI data (page 31). Up to 100 Songs (A.00 – A.99) can be played back. U.00 – U.99* User Songs in the USB flash memory (MIDI) MIDI Songs which have been recorded and stored to a USB flash memory by using the Record function (page 26). Up to 100 Songs (U.00 – U.99) can be played back. 001 – 400* User Songs and External Songs Songs recorded on this instrument are referred to as “User Songs” while Songs created in other ways or on other instruments are called “External Songs.” In USB flash memory, Songs in the USER FILES folder are handled as User Songs while Songs in a location other than the USER FILES folder are handled as External Songs. When you record a Song to USB flash memory, a USER FILES folder is created automatically and the resulting User Song will be saved in this folder. External Songs in the USB flash memory (MIDI/Audio) Commercially available MIDI/Audio Songs or MIDI Songs which have been edited on a computer, etc. and saved to the USB flash memory. Up to 400 Songs (001 – 400) can be played back. OFF User Song in the instrument (MIDI) A MIDI Song which has been recorded to the instrument by using the Record function (page 26). One Song can be saved. * When data does not exist, the song number is not displayed.  BGM OFF Pressing [BGM] turns off the [PRESET 1]/[PRESET 2]/[USB] lamps. Press [PLAY/STOP] when all lamps are off, MIDI Song which has been recorded to the instrument is play back. Playing Back Songs (BGM) F02 Owner’s Manual 23 Song data formats that can be played • SMF (Standard MIDI File) Formats 0 and 1 The SMF format is one of the most common and widely compatible MIDI formats used for storing sequence data. There are two variations: Format 0 and Format 1. A large number of MIDI devices are compatible with SMF Format 0, and most commercially available MIDI sequence data is provided in SMF Format 0. MIDI Songs recorded in this instrument are saved as SMF Format 0. NOTE The MIDI Song can be played on this instrument is the size of up to about 400KB per single Song. • WAV format (.wav) This is an audio file format commonly used by computers. This instrument can play 44.1kHz/16bit stereo WAV files. Audio Songs recorded on this instrument are saved in this format. The maximum amount of time for playing an audio Song is 80 minutes. Playing Back Songs 1 2 3 4 1. Press [BGM] to select a Song. Refer to the table on page 23 for details on the Songs. [USB] can be selected only when a USB flash memory is connected. 2. Select a Song. Press the [-/NO] and [+/YES] to select a Song number, Scene number, “rnd” or “ALL”. • rnd (random) ........................Plays the Songs continuously in random order. • ALL ...........................................Plays all the Songs continuously in sequence. • S.xx (scene) (xx: numerals).....Play all Preset Songs in each scene continuously, when the [PRESET 1] or [PRESET 2] is selected. • XXX (Song number) ..........Select a Song number and play only the selected Song. About the Song number, refer to page 23. Scene The 50 Piano Preset Songs (Classic & Jazz) have been divided into twenty three groups or categories, to match a variety of listening preferences and to let you select your favorite Songs based on a scene description. For instance, if you want to listen to some “Elegant” Songs, select scene number 4. The Songs that match that category will play sequentially. For a list of the 50 Piano Preset Songs (Classic & Jazz), see page 39. 24 Playing Back Songs (BGM) F02 Owner’s Manual NOTE When you want to play a Song saved to a USB flash memory, read the section “Handling a USB Flash Memory” (page 28), then connect the USB flash memory to the [USB TO DEVICE] terminal. NOTE You can play the keyboard along with the Preset Songs. You can also change the Voice playing on the keyboard. NOTE The tempo of Piano Preset Songs (Classic & Jazz) and Songs in the USB flash memory cannot be adjusted. The default tempo is automatically selected whenever a new Song is selected. NOTE When you select a different Song (or a different Song is selected during chained playback), an appropriate Reverb Type will be selected accordingly. 3. Press [PLAY/STOP] to start playback. The Song number which is being played is shown on the display. You can change the Song while it is playing back by pressing [-/NO]/[+/YES]. 4. Press [PLAY/STOP] to stop playback. Playing Back Songs in USB Flash Memory Adjusting the volume (only for Audio Songs) The volume level of this instrument may be markedly different from that of a commercially available Audio Song or one recorded on another device. To adjust the volume of the Audio Song, hold down [BGM] and press one of the C0 – G1 keys (Refer to the Quick Operation Guide on page 49). MIDI Song Playback Channel When playing back MIDI Songs containing Voices that are incompatible with this instrument (such as XG or GM Songs), the Voices may not sound as intended on the original. If such a case occurs, set the Song Play Channel to “1&2.” By muting channels 3 to 16 via this setting, you may hear the original sound of the Song, as long as the piano sound is assigned to channels 1 and 2. Setting range: 1 (C0) – 20 (G1) Default setting: 16 (D♯1) Default setting: ALL  Play back only 1 and 2 (1&2) While holding down [BGM], press the A♯-1 key (refer to the Quick Operation Guide on page 49).  Play back all the channels (ALL) While holding down [BGM], press the A-1 key (refer to the Quick Operation Guide on page 49). Playing Back Songs (BGM) F02 Owner’s Manual 25 Recording Your Performance NOTE This instrument allows you to record one User Song (MIDI) to the instrument. MIDI Songs can be recorded, but audio Songs can only be created by converting from MIDI and saving them to USB flash memory. Recording 1 2 4 56 3 5 1. 2. Press [BGM], repeatedly if necessary, to make sure the [PRESET 1]/ [PRESET 2]/[USB] lamps are turned off. Select the desired Voice and other parameters, such as beat, for recording. Select a Voice by pressing one of the Voice buttons. If necessary, set other parameters, such as beat and reverb, in this step. Turn on the metronome here, if desired, to keep proper time while recording. 3. Press [REC] to call up the Record mode. The [REC] lamp lights, and the [PLAY/STOP] lamp flashes according to the current tempo. To cancel the recording, press [REC] again. 4. Play a note on the keyboard, or press [PLAY/STOP] to start recording. While recording, the current measure number is shown on the display. Measure number 5. Press either [PLAY/STOP] or [REC] to stop recording. When recording is stopped, dashes appear on the display in succession to indicate that the recorded data is being saved to the instrument as MIDI Song. After the data is saved, “End” will appear on the display for three seconds. 6. Press [PLAY/STOP] to play back the recorded performance. The measure number which is being played is shown on the display. When playback is finished, the instrument automatically stops and locates the top of the Song. To stop playback in the middle of a Song, press the [PLAY/STOP] button. 26 Recording Your Performance F02 Owner’s Manual NOTE Record mode cannot be called up in the following situations. • Demo Song mode (page 18) • During Song playback (page 23) • During File operations (page 28) NOTE You can use the metronome while recording, although the metronome sound will not be recorded. NOTICE Recording new data will erase the existing data. NOTE The User Song cannot be saved to directly to a USB flash memory. After recording in the internal memory, save a User Song as MIDI Song or Audio Song to a USB Flash Memory (pages 30, 31). Deleting Recorded Performance Data 1. Press [REC] to call up the Record mode. 2. Press [PLAY/STOP] to start recording. 3. Press [PLAY/STOP] without playing the keyboard. The data previously recorded will be deleted. Recording Your Performance F02 Owner’s Manual 27 Using a USB Flash Memory This instrument features several functions which handle the Song files, as listed below. • Playing Back Songs in USB Flash Memory (page 25) • Copying a User Song in the Instrument to a USB Flash Memory (page 30) • Converting a User Song in the Instrument to an Audio Song (page 31) • Backing up Data to a USB Flash Memory (page 36) Handling a USB Flash Memory Precautions when using the [USB TO DEVICE] terminal When connecting a USB device to the terminal, be sure to handle the USB device with care. Follow the important precautions below. NOTE By connecting the instrument to a USB flash memory, you can save data you’ve created to the connected USB flash memory, as well as read data from the connected USB flash memory. For more information about the handling of USB devices, refer to the owner’s manual of the USB device.  Number of USB flash memories that can be used  Compatible USB devices Only one USB flash memory device can be connected to the [USB TO DEVICE] terminal. • USB flash memory The instrument does not necessarily support all commercially available USB devices. Yamaha cannot guarantee operation of USB devices that you purchase. Before purchasing a USB device for use with this instrument, please visit the following web page: http://download.yamaha.com/ NOTE Other USB devices such as a computer keyboard or mouse cannot be used.  Connecting a USB device When connecting a USB device to the [USB TO DEVICE] terminal, make sure that the connector on the device is appropriate and that it is connected in the proper direction. NOTICE • Avoid connecting or disconnecting the USB device during playback/recording, file management (such as Save and Copy operations) or when accessing the USB device. Failure to do so may result in “freezing” of the operation of the instrument or corruption of the USB device and the data. • When connecting then disconnecting the USB device (and vice versa), make sure to wait a few seconds between the two operations. NOTE When connecting a USB cable, make sure that the length is less than 3 meters. 28 Using USB Flash Memory Using a USB Flash Memory F02 Owner’s Manual  Formatting USB flash memory When a USB flash memory is connected, a message may appear prompting you to format the device. If so, execute the Format operation by the computer. NOTICE The Format operation deletes any previously existing data. Make sure that the USB flash memory you are formatting does not contain important data.  To protect your data (write-protect) To prevent important data from being inadvertently erased, apply the write-protect provided with each USB flash memory. If you are saving data to the USB flash memory, make sure to disable write-protect.  Turning off the instrument When turning off the instrument, make sure that the instrument is NOT accessing the USB flash memory by playback/recording or file management (such as during Save and Copy operations). Failure to do so may corrupt the USB flash memory and the data. Song file management in a USB flash memory Songs recorded in this instrument are called “User Songs” while Songs created outside this instrument are called “External Songs.” In a USB flash memory, User Songs are saved in the “USER FILES” folder. External Songs are saved outside the “USER FILES” folder. However, User Songs are regarded as External Songs if the folder name is changed or the files are moved to outside the “USER FILES” folder by using a computer. If you organize the Song files in a USB flash memory by using computer, make sure to save the External Song files to the first, second or third level folder. Songs saved in a folder lower than the third level cannot be selected or played with this instrument. NOTE For details on playing back Songs in USB Flash memory, refer to “Playing Back Songs (BGM)” (page 23). NOTE USB flash memory First Level Second Level Song file Third Level Fourth Level Available for selection/playback USER FILES folder Use a computer to delete Songs in a USB flash memory. NOTE Up to 400 External Song files can be played on this instrument. User Song (MIDI) USERSONGxx.MID User Song (Audio) USERAUDIOxx.WAV Song file Song folder Song folder Song file Unavailable for selection/ playback Song folder Song file Song folder Character Code Default setting: If the song cannot be loaded, you may need to change the character code setting. International  International Files with western alphabetical names (including umlaut or diacritic marks) can be loaded; however, files with names in Japanese cannot be loaded. Turn the power on while holding the A-1 and A♯-1 keys. $ᅊ Power switch $  Japanese Files with western alphabetical names and Japanese names can be loaded; however, file names including umlauts or diacritic marks cannot be loaded. Turn the power on while holding the A-1 and B-1 keys. Power switch $ % Using a USB Flash Memory F02 Owner’s Manual 29 Copying a User Song in the Instrument to a USB Flash Memory You can copy the User Song (MIDI) in the instrument (page 26) to a USB flash memory. 2 3 4 5 3 5 1. Connect a USB flash memory to the [USB TO DEVICE] terminal. 2. Press [BGM], repeatedly if necessary, to make sure the [PRESET 1]/ [PRESET 2]/[USB] lamps are turned off. 3. While holding down [BGM], press [PLAY/STOP]. A “CPy” indication briefly appears in the display, followed by the User Song number. 4. Select a Song number as destination after copying. Press [-/NO]/[+/YES] to select the Song number (U.00 – U.99). When you select a Song number containing data, three dots (like “U.X.X.”) are shown in the display. To overwrite the selected Song, go to step 5. To avoid overwriting, select another Song number then go to step 5. To cancel the Copy operation, press [REC]. 5. Copy the Song. Press [PLAY/STOP] to start the Copy operation. If an empty Song has been selected in step 4, press [+/YES]. If a Song containing data is selected in step 4, press [+/ YES] twice. When the Copy operation is completed, “End” will appear in the display. To cancel the Copy operation, press [-/NO] in response to “n y” or “n¯y.” The User Song is saved as SMF format to the “USER FILES” folder in the USB flash memory, and the file is automatically named as “USERSONGxx.MID” (xx: numerals). 30 Using a USB Flash Memory F02 Owner’s Manual NOTE If the “E01” message appears on the display, please check the following. • Connect a USB flash memory to the [USB TO DEVICE] terminal. • Press [BGM] to turn off the [PRESET 1]/[PRESET 2]/ [USB] lamps. • Make sure that recorded data of a User Song (MIDI) actually exists. NOTICE Do not turn off the power of the instrument or disconnect the USB flash memory when dashes appear in the display in succession. Doing so may corrupt the data on either or both devices. Converting a User Song in the Instrument to an Audio Song You can convert a User Song (MIDI) in the instrument (page 26) to an Audio Song, and then save it in a USB flash memory. 2 3 5 4 5 3 1. Connect a USB flash memory to the [USB TO DEVICE] terminal. 2. Press [BGM], repeatedly if necessary, to make sure the [PRESET 1]/ [PRESET 2]/[USB] lamps are turned off. 3. While holding down [BGM], press [REC]. An “AUd” indication briefly appears in the display, followed by the User Song number. 4. Select a Song number as destination after conversion. Press [-/NO]/[+/YES] to select the Song number (A.00 – A.99). When you select a Song number containing data, three dots (like “A.X.X.”) are shown in the display. To overwrite the selected Song, go to step 5. To avoid overwriting, select another Song number then go to step 5. To cancel the Conversion operation, press [REC]. 5. Execute conversion by playing back the User Song (MIDI). Press [PLAY/STOP] to start the Conversion operation. If an empty Song has been selected in step 4, press [+/YES]. If a Song containing data is selected in step 4, press [+/YES] twice. This operation starts playback and conversion from MIDI to audio. After starting playback (conversion), wait until playback ends. This is necessary because the MIDI Song is re-recorded in real time during playback to an audio Song. When the conversion is completed, “End” will appear in the display. To cancel the Conversion operation, press [PLAY/STOP] or [REC]. “StP” will appear in the display. The Audio Song is saved as WAV format to the “USER FILES” folder in the USB flash memory, and the file is automatically named as “USERAUDIOxx.WAV” (xx: numerals). NOTICE If you cancel audio conversion, data converted before cancelling is not saved. Keep in mind that existing data will be erased when you cancel overwriting. NOTE If the “E01” message appears on the display, please check the following. • Connect a USB flash memory to the [USB TO DEVICE] terminal. • Press [BGM] to turn off the [PRESET 1]/[PRESET 2]/ [USB] lamps. • Make sure that recorded data of a User Song (MIDI) actually exists. NOTE This operation allows you to record your keyboard performance and audio signals via the AUIX IN jack. NOTICE Do not turn off the power of the instrument or disconnect the USB flash memory when dashes appear in the display in succession. Doing so may corrupt the data on either or both devices. Using a USB Flash Memory F02 Owner’s Manual 31 Connections Using an External Powered Speaker for Playback (AUX OUT [L/L+R] [R] Jacks) These jacks let you connect this instrument to external powered speaker systems, for playing in larger venues at higher volume. The instrument’s [VOLUME] setting will affect the sound that is output from the AUX OUT jacks. Instrument NOTE Powered speaker Use cables and plugs with no resistance. NOTICE AUX OUT AUX IN Phone plug (standard) Phone plug (standard) Audio cable When the AUX OUT jacks are connected to an external device, never connect the [AUX IN] jacks to the output jacks of the external device. Doing so could result in feedback (oscillation) that may damage both the devices. NOTE NOTICE When this instrument’s AUX OUT jacks are connected to an external device, first turn on the power to the instrument, then to the external device. Reverse this order when you turn the power off. Otherwise, damage to the instrument and external device may occur. For a mono mixed output of the stereo signal, connect a cable to the [L/L+R] jack. Playing External Equipment with this Instrument’s Speakers (AUX IN [L/L+R] [R] Jacks) The stereo outputs from another instrument can be connected to these jacks, allowing the sound of an external instrument to be reproduced via the this instrument’s speakers. Instrument AUX IN Instrument Phone plug (standard) Audio cable Audio cable Stereo phone plug (standard) Phone plug (standard) AUX OUT External Equipment OUTPUT External Equipment NOTICE When this instrument’s AUX IN jacks are connected to an external device, first turn on the power to the external device, then to the instrument. Reverse this order when you turn the power off. Otherwise, damage to the instrument and external device may occur. 32 Connections F02 Owner’s Manual Reverb is not applied to and does not affect the input signal from the AUX IN jacks. NOTE AUX IN Phone plug (standard) NOTE Use only the AUX IN [L/L+R] jack for connection with a mono device. Minimizing noise of the input sound via Noise Gate By default, this instrument cuts unwanted noise from the input sound. However, this may result in wanted sounds also being cut, such as the soft decay sound of an acoustic guitar or piano. To avoid this, set the Noise Gate to off via the following operation. Default setting: On Noise Gate on: While holding down [BGM], press the F6 key. (Refer to the Quick Operation Guide on page 49.) Noise Gate off: While holding down [BGM], press the F♯6 key. (Refer to the Quick Operation Guide on page 49.) Connecting to a Computer ([USB TO HOST] Terminal) By connecting a computer to the [USB TO HOST] terminal of this instrument by USB cable, you can transfer data between the instrument and the computer via MIDI, and take advantage of sophisticated computer music software. For details, refer to “Computer-related Operations” (downloadable from the Yamaha website). NOTICE Use an AB type USB cable of less than 3 meters. USB 3.0 cables cannot be used. [USB TO HOST] terminal Instrument USB cable USB terminal Computer Connecting External MIDI Devices (MIDI [IN] [OUT] Terminals) By using the MIDI terminals and standard MIDI cables to connect external MIDI devices (keyboard, sequencer and computer, etc.), you can control a connected MIDI device from this instrument, or control this instrument from a connected MIDI device. MIDI [IN] ...............Receives MIDI messages from an external MIDI device. MIDI [OUT] ..........Transmits MIDI messages generated by this instrument to an external MIDI device. External MIDI device NOTE For a general overview of MIDI and how you can effectively use it, refer to “MIDI Basics” (downloadable from the Yamaha website) NOTE MIDI OUT Instrument MIDI IN MIDI OUT MIDI reception MIDI transmission MIDI IN Since the MIDI data that can be transmitted or received varies depending on the type of MIDI device, check the “MIDI Implementation Chart” to find out what MIDI data and commands your devices can transmit or receive. Refer to the “MIDI Implementation Chart” in the MIDI Reference (downloadable from the Yamaha website). NOTE All MIDI settings described here will affect the MIDI signal in and out of the [USB TO HOST] terminal. Connections F02 Owner’s Manual 33 MIDI transmit/receive channel In any MIDI control setup, the MIDI channels (1 – 16 channels) of the transmitting and receiving equipment must be matched for proper data transfer.  To set the Transmit channel While holding down [BGM], press one of the C2 – E3 keys. (Refer to the Quick Operation Guide on page 49.) Setting range: 1–16, OFF (not transmitted) Default setting: 1 In Dual mode, Voice 1 data is transmitted on its specified channel. In Split mode, right Voice data is transmitted on its specified channel. In Dual mode, Voice 2 data is transmitted on the next greater channel number relative to the specified channel. In Split mode, left Voice data is transmitted on the next greater channel number relative to the specified channel. In either mode, no data is transmitted if the transmit channel is set to OFF.  To set the Receive Channel NOTE The data of Voice Demo songs or Piano preset songs (Classics & Jazz) is not transmitted via MIDI. Setting range: While holding down [BGM], press one of the C4 – F5 keys. (Refer to the Quick Operation Guide on page 49.) ALL, 1&2 and 1–16 • ALL ALL This allows simultaneous reception of different parts on all 16 MIDI channels, enabling this instrument to play multi-channel song data received from a sequencer or other external device. • 1&2 Default setting: NOTE Program change and other like channel messages received will not affect the instrument’s panel settings or the notes you play on the keyboard. This allows simultaneous reception on channels 1 and 2 only, enabling this instrument to play 1 and 2 channel song data received from a sequencer or other external device. Local Control on/off Normally, playing the keyboard will control the internal tone generator. This condition is enabled when Local Control is on. If you want to use the keyboard only for controlling an external MIDI instrument, turn off Local Control. With this setting, no sound of this instrument is produced, however the appropriate MIDI information is still transmitted via the MIDI OUT terminal when notes are played on the keyboard.  To turn Local Control on or off While holding down [BGM], press the C6 key. (Refer to the Quick Operation Guide on page 49.) You can toggle Local Control on or off by pressing the C6 key. Setting range: On, Off Default setting: On Program Change on/off Normally this instrument will respond to MIDI program change numbers received from an external keyboard or other MIDI device, causing the correspondingly numbered Voice to be selected on the corresponding channel (the keyboard Voice does not change). This instrument will normally also send a MIDI Program Change number whenever one of its Voices is selected, causing the correspondingly numbered Voice or program to be selected on the external MIDI device if the device is set up to receive and respond to MIDI Program Change numbers. This function makes it possible to cancel Program Change number reception and transmission so that Voices can be selected on the this instrument without affecting the external MIDI device.  To turn Program Change on or off While holding down [BGM], press the C♯6 key. (Refer to the Quick Operation Guide on page 49.) You can toggle Program Change on or off by pressing the C♯6 key. Setting range: On, Off Default setting: On 34 Connections F02 Owner’s Manual Control Change on/off Normally this instrument will respond to MIDI Change data received from an external MIDI device or keyboard, causing the Voice on the corresponding channel to be affected by pedal and other “control” settings received from the controlling device (the keyboard Voice is not affected only when you select 1-16 channels on this instrument). This instrument also transmits MIDI Control Change information when the pedal or other appropriate controls are operated. This function makes it possible to cancel Control Change data reception and transmission so that, for example, this instrument’s pedal and other controls can be operated without affecting an external MIDI device.  To turn Control Change on or off While holding down [BGM], press the D6 key. (Refer to the Quick Operation Guide on page 49.) You can toggle Control Change on or off by pressing the D6 key. NOTE For information on Program Change numbers for each of the instrument’s Voices, refer to the “MIDI Reference” (downloadable from the Yamaha website). Setting range: On, Off Default setting: On Connections F02 Owner’s Manual 35 Data Backup and Initialization Backup Data Maintained When Power is Turned Off The following settings and data are maintained even if you turn the power off. • • • • • • • Metronome Volume (page 16) Metronome Beat (page 16) Keyboard Touch Sensitivity (page 17) Tuning (page 20) Intelligent Acoustic Control Depth (page 14) Intelligent Acoustic Control On/Off (page 14) User Song (MIDI) data (page 26) • • • • • • • Character code (page 29) Audio Song Playback Volume (page 25) Half Pedal Point (page 15) String Resonance Depth (page 19) AUX IN Noise Gate On/Off (page 33) MIDI Song Playback Channel (page 25) MIDI settings (pages 34, 35) Saving the Backup Data to a USB Flash Memory The Backup Data (listed above) can be saved to a USB flash memory as a single Backup file (extension: .bup). Also, the files saved in a USB flash memory can be loaded into this instrument. Save 1. 2. NOTE The “bUP” message appears on the display during saving the backup data. Connect a USB flash memory. While holding down [REC], press [VARIATION]. The backup data (settings of this instrument and a User Song data in this instrument) are saved to a USB flash memory and the file is automatically named as “F02.bup.” If the USB flash memory contains a file with the same name as the one you are attempting to backup, the file will be overwritten. Load During backup data saving/ loading, do not turn off the power. If you turn off the power during these operations, data will be lost. NOTE The backup data (the settings of the instrument and a User Song data in this instrument) saved to a USB flash memory is loaded into this instrument (restored to their original state). When the operation is complete, the instrument will be restarted automatically. 1. 2. NOTICE The “rSt” message appears on the display during loading the backup data. NOTICE Do not manually change the backup file name by using a computer; doing so will render the file unloadable. Connect a USB flash memory. While holding down [REC], press [SPLIT]. Initializing the Settings While holding the C7 key (right-most key on the keyboard), press the Power switch to turn the power on. This operation erases backup data in this instrument and restores the factory default settings. However, the User Song saved to this instrument is retained. C7 Power switch 36 Data Backup and Initialization F02 Owner’s Manual Appendix Message List Message Meaning Initializing the instrument to the default setting. CLr NOTICE con Displayed when application software is started on a computer or other device connected to the instrument. When this message appears, you cannot operate the instrument. Do not turn off the power of the instrument when “CLr” appears in the display. Doing so may delete all Song data in the instrument, including external Songs (page 23). Displayed when the character code (page 29) is not appropriate for the file name of the Song which you are selecting. Switch the character code. Displayed when the data format is not compatible with this instrument, or the data has some other problems. This Song cannot be selected. E01 Displayed when no USB flash memory can be found, or a problem has occurred in the USB flash memory. Disconnect and connect the device again, then execute the operation. If this message appears repeatedly even when there aren’t any other likely problems, the USB flash memory may be damaged. Displayed when the backup data cannot be loaded. There is no backup data which can be loaded, or the data may be damaged. E02 Indicates that the USB flash memory is protected. E03 Displayed when the memory of the USB flash memory becomes full, or the number of files and folders exceeds the system limit. E04 Displayed when conversion to audio, Audio Song playback or recording has failed. If you are using a USB flash memory to which data has already been stored or deleted a number of times, first make sure that the device does not contain important data, then format it by computer and connect to the instrument again. EEE A malfunction has occurred in the instrument. Contact your nearest Yamaha dealer or authorized distributor. End Displayed when the current operation is completed. Enp The memory of the instrument or the USB flash memory is running out. We recommend that you remove any unnecessary files (page 27) to ensure sufficient memory capacity. FCL Indicates that internal memory is being cleaned up. Panel settings and recorded Songs which have been stored to internal memory are being cleared, because the power has been turned off before the Save, Load or Convert operations were completed. NOTICE Do not turn off the power of the instrument when “FCL” appears in the display. FUL Since the memory of the instrument or the USB flash memory is insufficient, the operation could not be completed. If this message appears during recording, the performance data may not be recorded properly. ny Confirms whether each operation is executed or not. n -y Reconfirms whether the overwriting or delete operation is executed or not. Pro Displayed when you try to write to a protected read-only file in the USB flash memory. Use a read-only file after cancelling the read-only setting. StP Displayed when conversion to audio operation has been cancelled. UnF Displayed when an unformatted USB flash memory is connected. First make sure that the device does not contain important data, then format it by computer. Appendix F02 Owner’s Manual 37 Message Meaning Uoc Communication with the USB flash memory has been shut down because of overcurrent to the USB flash memory. Disconnect the USB flash memory from the [USB TO DEVICE] terminal, then turn on the power of the instrument again. UU1 Communication with the USB flash memory has failed. Remove the USB flash memory and make the connection again. If the message appears even when the USB flash memory is connected properly, the USB flash memory may be damaged. UU2 This USB flash memory is not supported on this instrument, or too many USB flash memories may have been connected. Refer to “Handling a USB Flash Memory” (page 28) for information on the USB flash memory connection. To turn off the message, press [-/NO]. Troubleshooting Problem Possible Cause and Solution The instrument does not turn on. The instrument has not been plugged in properly. Securely insert the female plug into the socket on the instrument, and the male plug into a proper AC outlet (page 13). A click or pop is heard when the power is turned on or off. This is normal when electrical current is being applied to the instrument. Noise is heard from the speakers or headphones. The noise may be due to interference caused by the use of a mobile phone in close proximity to this instrument. Turn off the mobile phone, or move it further away from this instrument Noise is heard from the instrument’s speakers or headphones when using the instrument with the application on iPhone/iPad. When you use the instrument along with the application on your iPhone/ iPad, we recommend that you set “Airplane Mode” to “ON” on your iPhone/ iPad in order to avoid noise caused by communication. The overall volume is low, or no sound is heard. The volume is set too low. Set it to an appropriate level using the [VOLUME] slider (page 14). Make sure a pair of headphones is not connected to the headphones jack (page 13). Make sure that Local Control is On (page 34). 38 The damper pedal does not function as expected. The damper pedal was pressed when the power was turned on. This is not a malfunction; release the pedal and press it again to reset the function. Sound input to the AUX IN jacks is interrupted. The output volume of the external device connected to this instrument is too low, resulting in the sound being cut off via the Noise Gate after it is input to this instrument. • Increase the output volume of the external device. The volume level reproduced via this instrument’s speakers can be adjusted by using the [VOLUME] slider. • Set the Noise Gate to off (page 33). The USB flash memory has hung up (stopped). Refer to the Message List (page 37) in case a message is displayed. If this happens without any messages, the USB flash memory may be damaged. Appendix F02 Owner’s Manual 50 Piano Preset Songs (Classic & Jazz) List 5 6 7 8 9 10 11 12 13 Relaxing Melancholy Mood Music Fantasy Baroque and Pre-romantic Music Pre-romantic (Chopin) Post-romantic Modern French 4 Nighttime 3 Upbeat Song Name (Composer) 2 Elegant Scene Title Song No. 1 Morning Scene No. Home Party [PRESET 1] (Classic) 1 Sonate, K.380, L.23 (D. Scarlatti) 1 1 2 Aria, Goldberg-Variationen, BWV.988 (J. S. Bach) 3 Sonate für Klavier Nr.5, K.283 (W. A. Mozart) 4 Sonate für Klavier Nr.12, K.332 (W. A. Mozart) 1 5 Sonate für Klavier Nr.14 “Mondschein”, op.27-2 (L. v. Beethoven) 2 6 Frühlingslied, op.62-6 (F. Mendelssohn) 3 7 Etude “Chanson de l’adieu”, op.10-3 (F. F. Chopin) 4 8 Etude “Aeolian Harp”, op.25-1 (F. F. Chopin) 5 9 Valse, op.64-2 (F. F. Chopin) 3 10 Valse, op.69-2 (F. F. Chopin) 4 11 Nocturne, op.9-1 (F. F. Chopin) 5 12 Nocturne, op.9-2 (F. F. Chopin) 6 13 Träumerei, op.15-7 (R. Schumann) 7 14 Consolation No.3 (F. Liszt) 15 Melody in F, op.3-1 (A. Rubinstein) 8 3 16 Humoresque, op.101-7 (A. Dvoák) 9 4 17 Arietta, Lyriske småstykker I, op.12-1 (E. H. Grieg) 10 18 Romance sans paroles, op.17-3 (G. Fauré) 19 Salut d’amour, op.12 (E. Elgar) 20 To a wild rose, Woodland sketches, op.51-1 (E. A. MacDowell) 21 Tango, España, op.165-2 (I. Albéniz) 12 22 La fille aux cheveux de lin (C. A. Debussy) 13 23 Arabesque 1 (C. A. Debussy) 14 24 Clair de lune (C. A. Debussy) 15 25 Rêverie (C. A. Debussy) 26 Gymnopédie No.1 (E. Satie) 27 Je te veux (E. Satie) 16 28 Pavane pour une infante défunte (M. Ravel) 17 11 29 Menuet, Le tombeau de Couperin (M. Ravel) 18 12 30 A la manière de Borodine (M. Ravel) 1 1 2 2 1 3 3 2 4 1 5 1 6 2 3 2 2 3 1 1 2 2 3 4 3 5 4 6 2 1 4 5 7 1 2 5 3 2 3 3 4 5 11 4 4 1 6 5 6 5 4 4 7 7 7 5 2 8 3 8 6 4 9 6 10 7 5 6 9 10 6 7 6 8 9 10 • The numbers below the Scene Title indicate the order of songs in each scene. • Some of the preset songs have been edited for length or arrangement, and may not be exactly the same as the original. Appendix F02 Owner’s Manual 39 3 4 5 6 7 8 9 10 Evening Midnight Elegant Upbeat Ballad Innocent Mood Music Song Name (Composer) 2 Afternoon Scene Title Song No. 1 Daytime Scene No. Home Party [PRESET 2] (Jazz) 1 Alfie (B. Bacharach) * 2 Besame Mucho (C. Velazquez) * 1 1 3 Bewitched (R. Rodgers) 4 Emily (J. Mandel) * 2 1 5 Hey Jude (J. Lennon & P. McCartney) * 3 2 6 How Deep Is the Ocean (I. Berlin) * 7 I Didn’t Know What Time It Was (R. Rodgers) * 8 If I Should Lose You (L. Robin & R. Rainger) 1 1 2 3 9 It Might As Well Be Spring (R. Rodgers) * It Never Entered My Mind (R. Rodgers) 4 11 Mona Lisa (J. Livingston & R. Evans) * 12 My Funny Valentine (R. Rodgers) * 13 Never Let Me Go (J. Livingston & R. Evans) * 14 Norwegian Wood (J. Lennon & P. McCartney) * 6 15 On Green Dolphin Street (N. Washington & B. Kaper) * 7 16 Over the Rainbow (H. Arlen) * 8 17 Smoke Gets in Your Eyes (J. Kern) * 9 18 Stella by Starlight (V. Young) * 10 19 The Nearness of You (H. Carmichael) * 11 20 You Are Too Beautiful (R. Rodgers) 4 2 2 1 2 2 3 3 4 4 4 2 5 5 5 1 3 3 10 1 1 5 6 1 3 2 4 3 5 4 2 3 4 3 6 6 5 5 7 5 8 6 6 6 7 4 4 7 5 5 8 6 9 7 10 9 7 6 10 6 7 7 * Performed by Shigeo Fukuda • The numbers below the Scene Title indicate the order of songs in each scene. • Some of the preset songs have been edited for length or arrangement, and may not be exactly the same as the original. Voice Demo Song List Voice Name Title G. PIANO 1 Valse op.34-1 “Valse Brillante” F. F. Chopin HARPSI. Concerto a cembalo obbligato, 2 violini, viola e continuo No.7, BWV.1058 J. S. Bach ORGAN 1 Herr Christ, der ein’ge Gottes-Sohn, BWV.601 J. S. Bach The demonstration Songs listed above are short rearranged excerpts of the original compositions. All other Songs are Yamaha originals (© 2013 Yamaha Corporation) 40 Composer Appendix F02 Owner’s Manual Preset Voice List : Yes —: No Voice Name G.PIANO 1 VARIATION G.PIANO 2 VARIATION E.PIANO 1 VARIATION E.PIANO 2 VARIATION HARPSI. VARIATION ORGAN 1 VARIATION ORGAN 2 VARIATION STRINGS VARIATION VIB./GTR. VARIATION BASS VARIATION Touch Response Stereo Sampling Key-Off Sampling Sustain Sampling String Resonance Voice description      This sound was sampled from a concert grand piano. It uses different samples depending on the strength of your playing and produces smoother tonal changes. Even the tonal changes produced by the damper pedal and the subtle sounds of releasing a key are reproduced. The sympathetic vibration (string resonance) that occurs among the strings of an acoustic piano has also been simulated. Suitable not only for classical compositions but also for piano pieces of any style.    —  Mellow piano sound with gradual attack. Good for quiet and slow music.   — — — Spacious and clear piano with bright reverb. Good for popular music.      Bright piano sound. Good for clear expression and cutting through the sound of other instruments in an ensemble.  — — — — An electronic piano sound created by FM synthesis. Extremely musical response with varying timbre according to keyboard dynamics. Good for standard popular music.  — — — — A synth-generated type electronic piano sound often heard in popular music. Used in the Dual mode it blends well with an acoustic piano Voice.  —  — — The sound of an electric piano using hammer-struck metallic tines. Soft tone when played lightly, and an aggressive tone when played hard.  — — — — A slightly different electric piano sound often heard in rock and popular music. —   — — The definitive instrument for baroque music. Since harpsichord uses plucked strings, there is no touch response. There is, however, a characteristic additional sound when the keys are released. —   — — Mixes the same Voice an octave higher for a more brilliant tone. —  — — — This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for sacred music from the Baroque period. —  — — — This is the organ’s full coupler sound often associated with Bach’s “Toccata and Fugue.” — — — — — The sound of a tonewheel type electric organ. Often heard in jazz and rock music. The rotary speed of the “ROTARY SP” effect can be switched by using the left pedal. — — — — — The sound of a tonewheel type electric organ without attacks. Select the normal or variation Voice depending on the tunes. The rotary speed of the “ROTARY SP” effect can be switched by using the left pedal.   — — — Stereo-sampled, large-scale strings ensemble with realistic reverb. Try combining this Voice with piano in the Dual mode.   — — — Spacious strings ensemble with a slow attack. Try combining this Voice with a piano or electric piano in the Dual mode.   — — — Vibraphone played with relatively soft mallets. The tone becomes more metallic the harder you play.  — — — — Warm and natural-sounding nylon guitar. Enjoy the quiet ambience of nylon strings.  — — — — An upright bass played fingerstyle. Ideal for jazz and Latin music.  — — — — Electric bass for a wide range of music styles, jazz, rock, popular, and more. Key-Off Sampling: Samples of the very delicate noises that are produced when keys are released. Sustain Sampling: Samples of the resonance of the soundboard and strings when the damper pedal is pressed. String Resonance: Simulated string resonance sound. Appendix F02 Owner’s Manual 41 Assembly 1. CAUTION Insert part D. Position part D so that the holes face away from the A. Then insert the projections on the panel into the holes on top of part A, as shown in the illustration. • Assemble the stand on a hard and flat floor with ample space. • Be careful not to confuse parts, and be sure to install all parts in the correct orientation. Please assemble the unit in accordance with the sequence given below. • Assembly should be carried out by at least two persons. • Be sure to use only the included screws of the specified sizes. Do not use any other screws. Use of incorrect screws can cause damage or malfunction of the product. • Be sure to tighten all screws upon completing assembly of the unit. • To disassemble the unit, reverse the assembly sequence given below. Have a Phillips-head (+) screwdriver that will fit the screw size ready. CAUTION When part D is inserted in part A, do not apply pressure to part D from the front or rear. Doing so may break the projections extending from part D, allowing it to fall and be damaged. Remove all parts from the package and make sure you have all of the items. B, C, and D are in a separate packing carton. 2. Install parts B and C 10 mm 1 Attach two short screws (6 × 14 mm) to each edge of D using your fingers so that the screw threads project about 10 mm from the surface. Make sure that the screws will not loosen and fall out of the holes. The pedals are covered with vinyl covers when shipped from the factory. For optimum use of the GP Responsive Damper Pedal, we recommend that you remove the cover from the damper pedal. Keyboard stand stabilizers (2) 2 Make sure that the screws you finger-tightened in step 1 have not loosened. Then position B’s handhold toward the rear, and hook B’s bracket onto the projecting screws as shown in the illustrations 2. When doing so, be careful that the bracket does not scratch D. 3 Align the holes located under the handhold on B with the holes on A, then tighten two long screws (6 × 45 mm) to secure B to A. 4 Lightly tighten two short screws (6 × 14 mm) into the bracket on the bottom of A to secure B to A. 2 Included in the packing pads. AC power cord 3 6 × 45 mm long screws (4) 4 Position the bracket to the rear of B. 6 × 14 mm short screws (12) 5 Follow the same steps to install part C. 42 Appendix F02 Owner’s Manual 3. Fasten B, C and D securely. WARNING Tighten the screws securely in the order shown in the illustration. Be careful not to permit misaligned levels on the front surface, or a gap on the top surface of B, C and D. 1 2 Edges must be flush. 1 Do not allow a gap. 4. After completing the assembly, please check the following. • Are there any parts left over? → Review the assembly procedure and correct any errors. 2 3 An improper voltage setting can cause serious damage to the instrument or result in improper operation. 3 • Is the instrument clear of doors and other movable fixtures? → Move the instrument to an appropriate location. • Does the instrument make a rattling noise when you shake it? Attach part E. → Tighten all screws. → Be sure to install the fall-prevention brackets securely. Align the second and fourth holes on E with the bracket holes on the bottom of A, then secure the bracket using two short screws (6 × 14 mm). • If the main unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws. CAUTION When you move the assembled instrument, be sure to grasp the handles and the bottom of the keyboard. Do not hold the key cover. Improper handling can result in damage to the instrument or personal injury. Key cover 5. Connect the AC power cord. Insert the AC power cord plug into the AC IN connector on the rear of A. For models that feature a voltage selector: Set the voltage selector to an appropriate voltage. Hold here. Voltage selector Do not hold here. CAUTION If the main unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws. Voltage Selector Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a “minus” screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, connect the AC power cord to the AC IN and an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area. Appendix F02 Owner’s Manual 43 Specifications 1427mm × 400mm × 995mm [56-3/16" × 15-3/4" × 39-3/16"] Dimensions (W x D x H) Size/Weight Dimensions with keyboard stand stabilizers (W × D × H) Weight Keyboard 78kg (171lbs., 15oz) Number of Keys 88 Keyboard Type NW (Natural Wood) with synthetic ivory keytops (with real-wood white keys) 88-key Linear Graded Hammers Touch Sensitivity Control Interface Number of Pedals Pedal Half Pedal GP Responsive Damper Pedal Functions Cabinet Key Cover Style Voices/Tone Generation Effects Piano Tone Generation Effects Yes Key-off Samples Yes String Resonance Yes Smooth Release Yes Yes Polyphony Number of Polyphony (Max.) 256 Preset Number of Voices Type Reverb Preset Number of Preset Songs Recording Number of Tracks Data Capacity (max.) Recording Playback Length of Playback (max.) Data Format 1 approx. 400 KB/Song SMF (Format 0) SMF (Format 0 & 1) 80 minutes/Song .wav (44.1 kHz sample rate, 16-bit resolution, stereo) Yes Tempo Range External Device Headphones Yes 5 – 500 -6 to 0, 0 to +6 414.8 – 440 – 466.8 Hz Yes USB Flash Memory (optional) ×2 MIDI [IN][OUT] AUX IN [L/L+R][R] AUX OUT [L/L+R][R] USB TO DEVICE Yes USB TO HOST Yes Amplifiers Accessories 1 Yes Intelligent Acoustic Control Sound System 4 50 Piano Preset Songs (Classic & Jazz), 10 Voice Demo Songs Split Tuning Connectivity 10×2 variations Dual Transpose Storage Real Grand Expression (RGE) Sustain Samples Metronome Functions Yes Damper, Sostenuto, Soft Damper Resonance Data Format Songs (Audio) 3 Yes (Damper) Yes Piano Sound Number of Song Songs (MIDI) Yes Hard/Medium/Soft/Fixed Folding Music Rest Tone Generation 1427mm × 480mm × 995mm (56-3/16" × 18-15/16" × 39-3/16") Speakers 45W × 2 16cm × 2, 5cm × 2 Acoustic Optimizer Yes Included Accessories Owner’s Manual, Bench, AC Power cord, Online Member Product Registration Optional Accessories (May not be available depending on your locale.) • Stereo headphones (HPE-160) • MIDI Interface for iPhone/iPod touch/iPad (i-MX1) Specifications and descriptions in this Owner’s Manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. 44 Appendix F02 Owner’s Manual Index Numerics 50 Piano Preset Songs (Classic & Jazz) List .................... 39 A Accessories ............................................................................ 4 Assembly .............................................................................. 42 Audio Song ....................................................................23, 31 MIDI receive channel .........................................................34 MIDI Reference ....................................................................4 MIDI Song ...........................................................................23 MIDI transmit channel ......................................................34 Music rest .............................................................................12 N Noise Gate ............................................................................33 B Back up ................................................................................ 36 Beat .......................................................................................16 BGM ..................................................................................... 23 BGM OFF ............................................................................ 23 O C Pedals ....................................................................................15 Pitch ......................................................................................20 Power ....................................................................................13 Preset Song ..........................................................................23 Preset Voice List .................................................................41 Program Change .................................................................34 Character Code ................................................................... 29 Computer ............................................................................ 33 Computer-related Operations ............................................ 4 Connections ........................................................................ 32 Control Change .................................................................. 35 Convert ................................................................................ 31 Copy ..................................................................................... 30 Octave Shift (Dual) .............................................................21 Octave Shift (Split) .............................................................22 P Q Quick Operation Guide .....................................................49 D Damper Pedal Range ......................................................... 22 Damper Resonance ............................................................ 15 Delete (Recording data) .....................................................27 Display ................................................................................. 10 Dual mode ........................................................................... 21 R Recording .............................................................................26 Reverb ...................................................................................19 S GP Responsive .................................................................... 15 Scene .....................................................................................24 Song ......................................................................................23 Song Playback Channel .....................................................25 Specifications .......................................................................44 Split mode ............................................................................22 String Resonance ................................................................19 H T Half-pedal ............................................................................ 15 Headphones ........................................................................ 13 Tempo ..................................................................................16 Touch Sensitivity ................................................................17 Transpose .............................................................................20 Troubleshooting .................................................................38 Tuning ..............................................................................8, 20 E External Song ................................................................23, 29 G I Initialize ............................................................................... 36 Intelligent Acoustic Control (IAC) .................................. 14 K U Key cover ............................................................................. 12 USB flash memory ................................................. 23, 25, 28 User Song .......................................................... 23, 26, 30, 31 L V Local Control ...................................................................... 34 [VARIATION] ....................................................................18 Voice .....................................................................................18 Voice Demo .........................................................................18 Voice Demo Song List ........................................................40 Volume .................................................................................14 Volume (Audio Song) ........................................................25 Volume (Metronome) ........................................................16 M Maintenance .......................................................................... 8 Message ................................................................................ 37 Metronome .......................................................................... 16 MIDI ..................................................................................... 33 MIDI Basics ........................................................................... 4 Appendix F02 Owner’s Manual 45 * The followings are the titles, credits and copyright notices for seventeen (17) of the 50 Piano Preset Songs (Classic & Jazz) in this instrument: * La liste suivante répertorie les titres, auteurs et avis de droits d’auteur de dix-sept (17) morceaux parmi les 50 morceaux de piano présélectionnés (Classic & Jazz) sur l’instrument: * A continuación se incluyen los títulos, fichas técnicas y avisos de copyright de diecisiete (17) de las 50 melodías predefinidas para piano (clásica y jazz) de este instrumento: * Nachfolgend die Titel, Credits und Hinweise zum Urheberrecht für siebzehn (17) der 50 Preset-Songs für Klavier (Klassik & Jazz) in diesem Instrument: Alfie Theme from the Paramount Picture ALFIE Words by Hal David Music by Burt Bacharach Copyright © 1966 (Renewed 1994) by Famous Music LLC International Copyright Secured All Rights Reserved Bésame Mucho (Kiss Me Much) Music and Spanish Words by Consuelo Velazquez English Words by Sunny Skylar Copyright © 1941, 1943 by Promotora Hispano Americana de Musica, S.A. Copyrights Renewed All Rights Administered by Peer International Corporation International Copyright Secured All Rights Reserved Bewitched from PAL JOEY Words by Lorenz Hart Music by Richard Rodgers Copyright © 1941 (Renewed) by Chappell & Co. Rights for the Extended Renewal Term in the U.S. Controlled by Williamson Music and WB Music Corp. o/b/o The Estate Of Lorenz Hart International Copyright Secured All Rights Reserved Hey Jude Words and Music by John Lennon and Paul McCartney Copyright © 1968 Sony/ATV Songs LLC Copyright Renewed All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved How Deep Is The Ocean (How High Is The Sky) Words and Music by Irving Berlin Copyright © 1932 by Irving Berlin Copyright Renewed International Copyright Secured All Rights Reserved I Didn’t Know What Time It Was from TOO MANY GIRLS Words by Lorenz Hart Music by Richard Rodgers Copyright © 1939 (Renewed) by Chappell & Co. Rights for the Extended Renewal Term in the U.S. Controlled by Williamson Music and WB Music Corp. o/b/o The Estate Of Lorenz Hart International Copyright Secured All Rights Reserved If I Should Lose You from the Paramount Picture ROSE OF THE RANCHO Words and Music by Leo Robin and Ralph Rainger Copyright © 1935 (Renewed 1962) by Famous Music LLC International Copyright Secured All Rights Reserved It Might As Well Be Spring from STATE FAIR Lyrics by Oscar Hammerstein II Music by Richard Rodgers Copyright © 1945 by WILLIAMSON MUSIC Copyright Renewed International Copyright Secured All Rights Reserved It Never Entered My Mind from HIGHER AND HIGHER Words by Lorenz Hart Music by Richard Rodgers 46 Appendix F02 Owner’s Manual Copyright © 1940 (Renewed) by Chappell & Co. Rights for the Extended Renewal Term in the U.S. Controlled by Williamson Music and WB Music Corp. o/b/o The Estate Of Lorenz Hart International Copyright Secured All Rights Reserved Mona Lisa from the Paramount Picture CAPTAIN CAREY, U.S.A. Words and Music by Jay Livingston and Ray Evans Copyright © 1949 (Renewed 1976) by Famous Music LLC International Copyright Secured All Rights Reserved My Funny Valentine from BABES IN ARMS Words by Lorenz Hart Music by Richard Rodgers Copyright © 1937 (Renewed) by Chappell & Co. Rights for the Extended Renewal Term in the U.S. Controlled by Williamson Music and WB Music Corp. o/b/o The Estate Of Lorenz Hart International Copyright Secured All Rights Reserved The Nearness Of You from the Paramount Picture ROMANCE IN THE DARK Words by Ned Washington Music by Hoagy Carmichael Copyright © 1937, 1940 (Renewed 1964, 1967) by Famous Music LLC International Copyright Secured All Rights Reserved Never Let Me Go from the Paramount Picture THE SCARLET HOUR Words and Music by Jay Livingston and Ray Evans Copyright © 1956 (Renewed 1984) by Famous Music LLC International Copyright Secured All Rights Reserved Norwegian Wood (This Bird Has Flown) Words and Music by John Lennon and Paul McCartney Copyright© 1965 Sony/ATV Songs LLC Copyright Renewed All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved Smoke Gets In Your Eyes from ROBERTA Words by Otto Harbach Music by Jerome Kern Copyright © 1933 UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. Copyright Renewed All Rights Reserved Used by Permission Stella By Starlight from the Paramount Picture THE UNINVITED Words by Ned Washington Music by Victor Young Copyright © 1946 (Renewed 1973, 1974) by Famous Music LLC International Copyright Secured All Rights Reserved You Are Too Beautiful from HALLELUJAH, I’M A BUM Words by Lorenz Hart Music by Richard Rodgers Copyright © 1932 (Renewed) by Chappell & Co. Rights for the Extended Renewal Term in the U.S. Controlled by Williamson Music and WB Music Corp. o/b/o The Estate Of Lorenz Hart International Copyright Secured All Rights Reserved * The followings are the titles, credits and copyright notices for three (3) of the 50 Piano Preset Songs in this instrument: * La liste suivante répertorie les titres, auteurs et avis de droits d’auteur de trois (3) morceaux parmi les 50 morceaux de piano présélectionnés (Classic & Jazz) sur l’instrument : * A continuación se incluyen los títulos, fichas técnicas y avisos de copyright de tres (3) de las 50 melodías predefinidas para piano de este instrumento: * Nachfolgend die Titel, Credits und Hinweise zum Urheberrecht für drei (3) der 50 Preset-Songs für Klavier (Klassik & Jazz) in diesem Instrument: Composition Title: ON GREEN DOLPHIN STREET Composer’s Name: Bronislaw Kaper 0372642 Owner’s Name: EMI MUSIC PUBLISHING LTD Composition Title: EMILY Composer’s Name: Johnny Mandel 0258202 Owner’s Name: EMI MUSIC PUBLISHING LTD Composition Title : OVER THE RAINBOW Composer’s Name: Harold Arlen 0286708 Owner’s Name: EMI MUSIC PUBLISHING LTD All Rights Reserved, Unauthorized copying, public performance and broadcasting are strictly prohibited. Tous droits réservés. Toute copie, performance publique ou radiodiffusion non autorisées sont strictement inter Reservados todos los derechos. Queda terminantemente prohibida toda copia, interpretación o difusión pública no autorizada. Alle Rechte vorbehalten; Unerlaubte Vervielfältigung, öffentliche Aufführung und/oder Ausstrahlung sind strengstens verboten. Appendix F02 Owner’s Manual 47 IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug. (2 wires) 48 Appendix F02 Owner’s Manual Quick Operation Guide MIDI Transmit Channel While holding down the [BGM] /[METRONOME]/[VARIATION] button, press one of the highlighted keys shown below to set a parameter. Audio Song Playback Volume &K MIDI Receive Channel Noise Gate Local Control Program Change Control Change 2II 2Q 2Q2II 2Q2II &K &K &K &K &K &K &K &K &K &K &K &K &K &K &K 2II &K &K &K &K &K &K &K &K &K &K &K &K $// 2Q2II $ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ Song Playback Channel Metronome Beat Touch Sensitivity Transpose Half-pedal Point Damper Pedal Range IAC Depth 2II 2Q $// / 0HGLXP 6RIW )L[HG +DUG 1RUPDOSLWFK 5 Volume Balance (Dual/Split mode) Reverb Types Reverb Depth Damper Resonance Depth String Resonance Depth 0RVWVXLWDEOHIRU WKHVHOHFWHGYRLFH +DOO᧮ +DOO᧭ 5RRP 2II 9RLFH5LJKW 9RLFH5LJKW 6WDJH $%&'()*$%&'()*$%&'()*$%&'()*$%&'()*$%&'()*$%&'()*$%& 9RLFH5LJKW $ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ Octave Shift (Dual/Split mode) $%&'()*$%&'()*$%&'()*$%&'()*$%&'()*$%&'()*$%&'()*$%& $ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ&ᅊ'ᅊ)ᅊ*ᅊ$ᅊ Metronome Volume $%&'()*$%&'()*$%&'()*$%&'()*$%&'()*$%&'()*$%&'()*$%& &K &K &K &K &K $// 9RLFH/HIW 9RLFH/HIW 9RLFH/HIW Appendix 49 F02 Owner’s Manual Yamaha Global Site http://www.yamaha.com/ Yamaha Downloads http://download.yamaha.com/ U.R.G., Digital Musical Instruments Division © 2012 Yamaha Corporation ZE76150 211MWTO-A0 Printed in Japan