Yamaha 15 El manual del propietario

Marca: Yamaha

Modelo: 15

Categoría: Sintetizador

Tipo: El manual del propietario

Este manual también es adecuado para

MU15

Owner’s Manual

Bedienungsanleitung

Mode d’emploi

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power

supply (adapter). DO NOT connect this product to

any power supply or adapter other than one de-

scribed in the manual, on the name plate, or spe-

cifically recommended by Yamaha.

WARNING: Do not place this product in a position

where anyone could walk on, trip over ,or roll

anything over power or connecting cords of any kind.

The use of an extension cord is not recommended!

IF you must use an extension cord, the minimum

wire size for a 25' cord (or less ) is 18 AWG. NOTE:

The smaller the AWG number ,the larger the current

handling capacity. For longer extension cords,

consult a local electrician.

This product should be used only with the compo-

nents supplied or; a cart, rack, or stand that is

recommended by Yamaha. If a cart, etc., is used,

please observe all safety markings and instructions

that accompany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is be-

lieved to be correct at the time of printing. However,

Yamaha reserves the right to change or modify any

of the specifications without notice or obligation to

update existing units.

This product, either alone or in combination with an

amplifier and headphones or speaker/s, may be

capable of producing sound levels that could cause

permanent hearing loss. DO NOT operate for long

periods of time at a high volume level or at a level

that is uncomfortable. If you experience any hear-

ing loss or ringing in the ears, you should consult

an audiologist.

IMPORTANT: The louder the sound, the shorter

the time period before damage occurs.

Some Yamaha products may have benches and / or

accessory mounting fixtures that are either supplied

with the product or as optional accessories. Some of

these items are designed to be dealer assembled or

installed. Please make sure that benches are stable

and any optional fixtures (where applicable) are well

secured BEFORE using.

Benches supplied by Yamaha are designed for

seating only. No other uses are recommended.

NOTICE:

Service charges incurred due to a lack of knowl-

edge relating to how a function or effect works

(when the unit is operating as designed) are not

covered by the manufacturer’s warranty, and are

therefore the owners responsibility. Please study

this manual carefully and consult your dealer

before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both

user safe and environmentally friendly. We sin-

cerely believe that our products and the production

methods used to produce them, meet these goals.

In keeping with both the letter and the spirit of the

law, we want you to be aware of the following:

Battery Notice:

This product MAY contain a small non-recharge-

able battery which (if applicable) is soldered in

place. The average life span of this type of battery

is approximately five years. When replacement

becomes necessary, contact a qualified service

representative to perform the replacement.

This product may also use “household” type batter-

ies. Some of these may be rechargeable. Make

sure that the battery being charged is a recharge-

able type and that the charger is intended for the

battery being charged.

When installing batteries, do not mix batteries with

new, or with batteries of a different type. Batteries

MUST be installed correctly. Mismatches or incor-

rect installation may result in overheating and

battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any

battery. Keep all batteries away from children.

Dispose of used batteries promptly and as regu-

lated by the laws in your area. Note: Check with

any retailer of household type batteries in your area

for battery disposal information.

Disposal Notice:

Should this product become damaged beyond

repair, or for some reason its useful life is consid-

ered to be at an end, please observe all local,

state, and federal regulations that relate to the

disposal of products that contain lead, batteries,

plastics, etc. If your dealer is unable to assist you,

please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the

product. The model number, serial number, power

requirements, etc., are located on this plate. You

should record the model number, serial number,

and the date of purchase in the spaces provided

below and retain this manual as a permanent

record of your purchase.

PLEASE KEEP THIS MANUAL

Model

Serial No.

Purchase Date

92-BP (bottom)

English

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep these precautions in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from

electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited

to, the following:

(4)-3

• Do not open the instrument or attempt to disassemble the

internal parts or modify them in any way. The instrument

contains no user-serviceable parts. If it should appear to be

malfunctioning, discontinue use immediately and have it

inspected by qualified Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in

damp or wet conditions, or place containers on it containing

liquids which might spill into any openings.

• If the AC adaptor cord or plug becomes frayed or damaged, or

if there is a sudden loss of sound during use of the instrument,

or if any unusual smells or smoke should appear to be caused

by it, immediately turn off the power switch, disconnect the

adaptor plug from the outlet, and have the instrument inspected

by qualified Yamaha service personnel.

• Use the specified adaptor (PA-3B or an equivalent

recommended by Yamaha) only. Using the wrong adaptor can

result in damage to the instrument or overheating.

• Before cleaning the instrument, always remove the electric

plug from the outlet. Never insert or remove an electric plug

with wet hands.

• Check the electric plug periodically and remove any dirt or dust

which may have accumulated on it.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or

damage to the instrument or other property. These precautions include, but are not limited to, the following:

• Do not place the AC adaptor cord near heat sources such as

heaters or radiators, and do not excessively bend or otherwise

damage the cord, place heavy objects on it, or place it in a

position where anyone could walk on, trip over, or roll anything

over it.

• When removing the electric plug from the instrument or an

outlet, always hold the plug itself and not the cord.

• Do not connect the instrument to an electrical outlet using a

multiple-connector. Doing so can result in lower sound quality,

or possibly cause overheating in the outlet.

• Unplug the AC power adaptor when not using the instrument,

or during electrical storms.

• Always make sure all batteries are inserted in conformity with

the +/- polarity markings. Failure to do so might result in

overheating, fire, or battery fluid leakage.

• Always replace all batteries at the same time. Do not use new

batteries together with old ones. Also, do not mix battery types,

such as alkaline batteries with manganese batteries, or

batteries from different makers, or different types of batteries

from the same maker, since this can cause overheating, fire,

or battery fluid leakage.

• Do not dispose of batteries in fire.

• Do not attempt to recharge batteries that are not intended to

be charged.

• If the instrument is not to be in use for a long time, remove the

batteries from it, in order to prevent possible fluid leakage from

the battery.

• Keep batteries away from children.

• Before connecting the instrument to other electronic

components, turn off the power for all components. Before

turning the power on or off for all components, set all volume

levels to minimum.

• Do not expose the instrument to excessive dust or vibrations,

or extreme cold or heat (such as in direct sunlight, near a heater,

or in a car during the day) to prevent the possibility of panel

disfiguration or damage to the internal components.

• Do not use the instrument near other electrical products such

as televisions, radios, or speakers, since this might cause

interference which can affect proper operation of the other

products.

• Do not place the instrument in an unstable position where it

might accidentally fall over.

• Before moving the instrument, remove all connected adaptor

and other cables.

• When cleaning the instrument, use a soft, dry cloth. Do not

use paint thinners, solvents, cleaning fluids, or chemical-

impregnated wiping cloths. Also, do not place vinyl, plastic or

rubber objects on the instrument, since this might discolor the

panel or keyboard.

• Do not rest your weight on, or place heavy objects on the

instrument, and do not use excessive force on the buttons,

switches or connectors.

• Do not operate the instrument for a long period of time at a

high or uncomfortable volume level, since this can cause

permanent hearing loss. If you experience any hearing loss or

ringing in the ears, consult a physician.

■SAVING USER DATA

• Save all data to an external device such as the Yamaha MIDI

Data Filer MDF3, in order to help prevent the loss of important

data due to a malfunction or user operating error.

Yamaha cannot be held responsible for damage caused by

improper use or modifications to the instrument, or data that is

lost or destroyed.

Always turn the power off when the instrument is not in use.

Make sure to discard used batteries according to local regulations.

Welcome to the MU15

Congratulations and thank you for purchasing the Yamaha MU15 Tone Genera-

tor!

The MU15 an advanced, yet easy-to-use tone generator providing exceptionally

high-quality Voices, built-in effects, XG format and General MIDI (GM) compat-

ibility, plus direct connection to computer — all in a highly compact and

portable package.

With the built-in host computer interface and MIDI terminals, the MU15 is ideal

for any computer music system — from connection to a simple laptop to

integration in a complete MIDI studio. It even features a two-octave keyboard

(with adjustable ten-octave range), allowing you to play the internal Voices and

enter notes to a connected sequencer. Since it’s compatible with Yamaha’s

powerful XG format, it lets you faithfully and easily playback any XG or GM

song data.

The MU15 also features 16-Part multi-timbral capacity and full 32-note poly-

phony for playback of even very sophisticated, multi-part song data. Three

independent digital effect sections give you enormous versatility in “sweeten-

ing” the sound. What’s more, the MU15 provides a host of comprehensive

editing tools for getting just the sound you need.

English

GM System Level 1

“GM System Level 1” is a standard specification that

defines the arrangement of voices in a tone generator

and its MIDI functionality, ensuring that data can be

played back with substantially the same sounds on any

GM-compatible tone generator, regardless of its manu-

facturer or model.

Tone generators and song data that meet the “GM

System Level 1” bear this GM logo.

“XG” is a tone generator format that expands the voice

arrangement of the “GM System Level 1” specification

to meet the ever-increasing demands of today’s com-

puter peripheral environment, providing richer expres-

sive power while maintaining upward compatibility of

data. “XG” greatly expands “GM System Level 1” by

defining the ways in which voices are expanded or

edited and the structure and type of effects.

When commercially available song data bearing the XG

logo is played back on a tone generator which bears the

XG logo, you will enjoy a full musical experience that

includes unlimited expansion voices and effect func-

tions.

Your MU15 package should include the items listed below. Make sure that you

have them all.

• MU15

• Owner’s Manual

How to Use This Manual .......................................................................................... 8

The MU15 — What It Is and What It Can Do ........................................................ 10

What It Is... ................................................................................................... 10

What It Can Do... .......................................................................................... 10

About General MIDI (GM) ............................................................................. 12

About XG ...................................................................................................... 12

Panel Controls and Terminals ................................................................................ 13

Guided Tour 17

Setting Up Your MU15 ............................................................................................ 17

What You’ll Need .......................................................................................... 17

Power Supply ............................................................................................... 18

Using a Power Adaptor .................................................................... 18

Using Batteries ................................................................................ 19

When to Replace the Batteries ........................................................ 19

Making the Connections ............................................................................... 20

Powering Up ................................................................................................. 21

Playing the MU15 .................................................................................................... 22

Playing the Keyboard .................................................................................... 22

Playing the Demo Song ................................................................................ 22

Selecting Voices ........................................................................................... 24

About Parts, Voices, and Banks .................................................................... 24

Selecting Parts .............................................................................................. 26

Selecting Banks ............................................................................................ 27

Playing Drum Voices ..................................................................................... 28

Changing the Octave Setting ........................................................................ 29

Editing a Part ................................................................................................ 30

Changing the Note Shift and Volume Settings ................................ 30

Soloing and Muting Parts ............................................................................. 31

Using the Effects .......................................................................................... 32

Using Reverb and Chorus ................................................................ 32

Using the Variation Effects .............................................................. 33

Using the MU15 with a Computer/Sequencer ..................................................... 36

Setting Up ..................................................................................................... 36

Playing Song Data ......................................................................................... 40

MIDI/Computer Connecting Cables .............................................................. 41

Reference 42

Function Tree ........................................................................................................... 42

Play Mode ................................................................................................................ 43

Sound Module Mode .................................................................................... 43

Edit Mode ................................................................................................................. 44

Part Controls ................................................................................................. 45

Volume ............................................................................................. 46

Pan ................................................................................................... 47

Note Shift ......................................................................................... 47

Solo .................................................................................................. 48

Mute ................................................................................................ 49

Table of Contents

English

Table of Contents

• Filter Parameters — Cutoff Frequency and Resonance ............. 50

Cutoff Frequency ............................................................................. 50

Resonance ....................................................................................... 51

• EG (Envelope Generator) Parameters — Attack Time and

Release Time .................................................................................. 52

Attack Time ...................................................................................... 53

Release Time ................................................................................... 53

• Vibrato Parameters — Rate, Depth, and Delay ........................... 54

Vibrato Rate ..................................................................................... 54

Vibrato Depth ................................................................................... 54

Vibrato Delay .................................................................................... 55

Effect Controls .............................................................................................. 56

• Reverb Parameters ........................................................................ 56

Reverb Send Level ........................................................................... 57

Reverb Type ..................................................................................... 57

• Chorus Parameters ........................................................................ 58

Chorus Type ..................................................................................... 58

Chorus Send Level ........................................................................... 59

• Variation Parameters..................................................................... 59

Variation Connection ........................................................................ 60

Variation Type ................................................................................... 60

Variation Send Level ........................................................................ 61

Dry Level .......................................................................................... 62

Utility Controls .............................................................................................. 63

Master Tune ..................................................................................... 63

Velocity ............................................................................................ 64

Local Control .................................................................................... 64

Dump Out ........................................................................................ 65

Initialize All ....................................................................................... 68

Appendix 69

Troubleshooting ...................................................................................................... 69

Error Messages ........................................................................................................ 71

Specifications .......................................................................................................... 72

Index ......................................................................................................................... 73

Sound List & MIDI Data 75

XG Normal Voice List .............................................................................................. 76

TG300B Normal Voice List ...................................................................................... 78

XG Drum Voice List (Drum Map) ........................................................................... 80

TG300B Drum Voice List (Drum Map) ................................................................... 82

Effect Type List ........................................................................................................ 84

Effect Parameter List............................................................................................... 85

Effect Data Assign Table ......................................................................................... 90

MIDI Data Format .................................................................................................... 91

MIDI Implementation Chart .................................................................................. 108

How to Use This Manual

You are probably eager to try out your new MU15 Tone Generator right away

and hear what it can do, rather than have to read through a lot of instructions

before you can even get a sound out of it. Since the MU15 is so easy to use,

you could play it right “out of the box” without even having to glance at the

manual. However, to get the most out of your MU15 and to avoid damaging it,

we strongly suggest that you take time to read the sections introduced below.

The structure of the manual is very straightforward. You can approach it in a

linear manner, reading through from beginning to end, or on an “on-demand”

basis, going directly to the information as you need it.

1) Precautions

Read this section very carefully for important information on how to

care for your new MU15, how to avoid damaging it, and how to

ensure long-term, reliable operation.

2) The MU15 — What It Is and What It Can Do

This briefly provides an overview of the functions and features of the

MU15 and offers some important hints on how you can use it

effectively.

3) Panel Controls and Terminals

This section introduces you to the panel controls and terminals of the

MU15, and where applicable provides convenient page references

for more information.

4) Guided Tour

This is perhaps the most important and valuable section of the

manual. It gets you started using your new MU15, helping you set

up the instrument, integrate it into your music system, and play it. It

also introduces you to virtually all of the important functions and

features. The hands-on experience that you gain in this section will

help you quickly master the instrument and aid you in navigating the

more detailed sections of the manual.

How to Use This Manual

English

5) Reference

Once you’re familiar with everything above, lightly go over this

comprehensive guide to all editing functions. You won’t need (or

want) to read everything at once, but it is there for you to refer to

when you need information about a certain feature or function.

6) Appendix

Use the sections in the Appendix as necessary. For example, the

Index will come in handy when you need to quickly find information

on a specific topic. Other sections, such as Troubleshooting and

Error Messages, provide additional useful information.

7) Sound List & MIDI Data

This section features lists of the Voices, drum sounds, effect types

and parameters, as well as details on all relevant MIDI messages and

data.

NOTE

• The illustrations and LCD screens as shown in this owner’s manual are

for instructional purposes only, and may appear somewhat different

from those on your instrument.

How to Use This Manual

The MU15 — What It Is and What It Can Do

The MU15 — What It Is and

What It Can Do

What It Is...

The MU15 is a compact, highly portable and easy-to-use tone

generator. It features XG compatibility with a stunning variety of 480

XG Voices (including 128 GM Voices) and 11 Drum Voices (with

Drum and SFX kits).* The MU15 has 32-Voice polyphony and is 16-

Part multi-timbral. In other words, the MU15 has 16 different Parts,

each with its own Voice, so that up to 16 different Voices can be

sounded simultaneously.

With the built-in two-octave keyboard, you can play any of the Voices

directly from the MU15 itself. Or you can play them from a con-

nected MIDI keyboard. In addition, the MU15 also has a TO HOST

terminal for easy interfacing with a computer, allowing you to play

the Voices using your favorite music software. This is where the

advanced multi-timbral capabilities come in, letting you play up to 16

different Voices at the same time.

* The MU15 has a total of 676 different Voices. A separate

TG300B mode (page 43) features 579 Voices, some of which are

diiferent than the XG set.

What It Can Do...

Here are a few ideas on how you can use the MU15. The list below

is not comprehensive, but is meant to be a general guide to the

possibilities and provide a starting point or springboard for your own

creative ideas and explorations.

Carry It With You

If you have a laptop computer (and sequencing software), simply

connect the MU15, plug in some headphones and you’ve got a

complete music making system that’s ready to go wherever you go.

English

The MU15 — What It Is and What It Can Do

Use it for composing, arranging, practicing or making/playing demos

for your band.

Perform With It

Bring it with you to a gig — as long as there’s a MIDI keyboard on

stage, you can use the high-quality sounds of MU15 in your perfor-

mance.

Multimedia

Since it’s portable and compatible with General MIDI, the MU15 is a

natural for multimedia applications. Bring it with you to a presenta-

tion — since the computer interface is built-in to the MU15, it hooks

up instantly and easily to the computer’s serial port without the need

for any other equipment.

Using With MIDI Keyboard

Use the MU15 as supplementary tone generator with your MIDI

keyboard and play the Voices of both instruments in a layer together.

Or, if your keyboard has the capability, program a “split” so that the

notes you play on the right side of the keyboard play only the Voices

of the MU15.

Using With Other MIDI Controllers

Even if you’re not a keyboard player, you can still play the MU15 with

other types of MIDI controllers. For example, use a MIDI percussion

controller to play the drum and percussion sounds of the MU15.

Guitar controllers (such as the Yamaha G50) or wind controllers (such

as the Yamaha WX5) are also available for players of those instru-

ments.

Home Studio Setup

The MU15 integrates easily into any existing setup. If you have a

MIDI keyboard, computer and sequencing software, the MU15 with

its high-quality Voices and multi-timbral capabilities can expand your

home studio system.

About General MIDI (GM)

General MIDI (GM) is a new addition to the worldwide MIDI stan-

dard. MIDI, as you know, stands for Musical Instrument Digital

Interface, and makes it possible for various electronic musical

instruments and other devices to “communicate” with each other.

For example, by connecting a sequencer to the MU15’s MIDI IN

terminal, you could play back a song on the sequencer using the

Voices of the MU15.

So, where does GM fit in all of this? One of the most important

features of General MIDI is in the standardization of Voices. This

means that a song recorded in the GM standard can be played back

on any GM-compatible tone generator and sound just as the com-

poser intended. For example, if there is an alto sax solo in the song,

it will be played by an alto sax Voice on the General MIDI tone

generator (and not by a tuba or harpsichord!). Since the MU15 is

fully GM-compatible, you can take advantage of the vast wealth of

musical material recorded in that format.

About XG

The Yamaha XG format is an extension of General MIDI, and pro-

vides a number of significant improvements and enhancements. XG-

compatible song data takes advantage of the expanded Voice set,

extensive MIDI control and built-in effects of the MU15 (as well as

other MU-series instruments).

To get the most out of XG and your MU15, we recommend using

XG-compatible instruments and software. For example, the Yamaha

CBX-K2 keyboard lets you dynamically control a variety of param-

eters in real time while you play. The XGworks sequencer software

not only lets you playback GM- or XG-compatible song data, it lets

you record your own songs — and gives you enormously powerful

and easy-to-use editing tools for adjusting detailed settings of the

MU15 that are unavailable with the panel controls.

The MU15 — What It Is and What It Can Do

English

Panel Controls and Terminals

Front Panel

GrandPno

q w e r t

y u

q Display

In the Play mode, this shows the Part number, the currently selected

program number and Voice name for the Part. It also shows the

octave setting (when set to a value other than normal) and acts as a

“level meter,” showing the volume for each Part as it is played.

When the XG BANK button is held down, it shows the currently

selected Bank number and Voice name.

In the Edit mode, this shows the relevant values and, where appli-

cable, a graphic display of the set values.

Panel Controls and Terminals

w PART buttons ( , )

For selecting the desired Part. (In some of the Edit functions, these

may not be available.) Hold down either button to rapidly advance

through the values.

e VALUE buttons ( /NO, /YES)

For changing the value of the selected function or parameter. In the

Play mode, these are used to change the Voice number (or Bank

number) at the selected Part. In the Edit mode, these are used to

change the current function’s value. Hold down either button to

rapidly advance through the values. For even faster editing, simulta-

neously hold down one button, and then press (or hold down) the

other. For example, to rapidly decrease the value, simultaneously

hold down the

/NO button and press the /YES button.

r XG BANK button

For selecting or confirming the desired Voice Bank (pages 26, 27).

To select Banks, simultaneously hold down this button and press

one of the VALUE buttons. To confirm the currently selected Bank,

simply press this button.

t PLAY/EDIT button

For switching between the Play and Edit modes, and (when held

down) for selecting the desired Edit mode parameter. (Page 30.)

y OCTAVE DOWN and OCTAVE UP buttons

For changing the octave transposition of the MU15’s keyboard.

(Page 29.)

u Keyboard

This two-octave keyboard is used to play the Voices of the MU15. It

can also be used to enter notes to a connected sequencer or

computer. (Page 22.)

The keys are also used to select Edit mode parameters (the names

of which are printed on the buttons). (Page 44.)

English

Panel Controls and Terminals

Rear Panel

q w e r t

q MIDI OUT and MIDI IN terminals

For connection to other MIDI devices, such as a MIDI keyboard, tone

generator, sequencer, or to a computer that has a MIDI interface.

(Pages 20, 39.)

w HOST SELECT switch

For selecting the type of connected device (computer or MIDI

device). (Page 37.)

e TO HOST terminal

For connection to a host computer that does not have a MIDI

interface. (Page 37.)

r DC IN jack

For connection to the AC power adaptor (PA-3B).

t ON/ STANDBY switch

For turning the power on and off.

Side Panel

q VOLUME control

For adjusting the overall level of the MU15.

w LINE OUT/PHONES jack

For connection to an amplifier/speaker system or a set of stereo

headphones.

q w

Panel Controls and Terminals

English

Guided Tour

When using your MU15 for the first time, read

through this short section of the manual. It guides you

step-by-step in using many of the basic operations: setting

the instrument up, connecting it properly to other equip-

ment, and — most importantly — playing it. It also intro-

duces you to most of the other, advanced features and

operations of the instrument — enabling you to quickly

and effectively get the most out of your new MU15.

Setting Up Your MU15

Since the MU15 has a built-in keyboard, you could use it with nothing more

than a set of batteries and a proper set of stereo headphones. It can also be

used effectively with a computer in a “desktop music” system.

In this section, however, you’ll learn how to connect the MU15 in a basic

system with a MIDI keyboard and an external amplifier/speaker system. (For

basic information on MIDI and its applications, see page 91.)

What You’ll Need

• The MU15 and a proper power supply (either an AC adaptor or

batteries).

• A MIDI keyboard, electronic piano, or any instrument that can

output MIDI data.

• An amplifier speaker system, preferably stereo. Alternately, you

can use a set of stereo headphones.

• Audio connecting cables.

• A MIDI cable.

Using a Power Adaptor

Connect one end of the power adaptor (Yamaha PA-3B) to the DC IN

jack on the rear panel, and the other end to a suitable electrical

outlet.

WARNING

• Do not attempt to use an AC adaptor other than the PA-3B. The use of

an incompatible adaptor may result in irreparable damage to the MU15,

and even pose a serious shock hazard.

CAUTION

• When connecting the AC power adaptor, first make sure that the MU15

is turned off (set to STANDBY). Next, connect one end of the power

adaptor to the DC IN jack on the MU15, and connect the other end to

an appropriate AC outlet.

• The MU15 has a convenient data backup feature that maintains any

changes you’ve made to the settings, even when the power is turned

off. However, removing the batteries or disconnecting the AC adaptor

automatically clears the data and restores the factory defaults. To save

your important data, use the Dump Out function (page 65).

Power Supply

Although the MU15 will run either from an optional AC adaptor or batteries,

Yamaha recommends use of an AC adaptor whenever possible. Moreover, an

AC adaptor is more environmentally friendly than batteries and does not

deplete resources.

CAUTION

• Before making any connections, make sure that all equipment to be connected is

turned off.

Setting Up Your MU15

English

Using Batteries

To use the MU15 on battery power, insert six 1.5V AA size (SUM-3,

R-6 or equivalent) manganese or alkaline batteries in the battery

compartment. Make sure to follow the polarity indications on the

bottom case (and as shown below).

Securely replace the battery compartment cover when done install-

ing the batteries.

When to Replace the Batteries

When the battery power runs too low to operate the MU15, the

sound may become distorted and the following display will appear:

When this happens, replace all batteries with a complete set of six

new batteries of the same type.

CAUTION

• NEVER mix old and new batteries or different types of batteries! Also,

to prevent possible damage due to battery leakage, remove the

batteries from the instrument if it is not to be used for an extended

period of time.

Setting Up Your MU15

Battery

Setting Up Your MU15

Making the Connections

CAUTION

• Before making any connections, turn all related equipment off, and make sure the

MU15’s power adaptor is not connected to an electrical outlet.

Operation

Z Connect the MIDI cable.

Connect the MIDI OUT terminal of the MIDI keyboard to the MIDI IN

terminal of the MU15 (as shown in the illustration).

X Connect the audio cables.

If you are using an external sound system, connect the LINE OUT/

PHONES jack on the side of the MU15 to the appropriate inputs of

the sound system (as shown). Use a stereo mini-plug to dual RCA

pin “Y” cable (available at many audio and musical instrument

dealers).

If you are using stereo headphones (with a stereo mini-plug), con-

nect them to the same LINE OUT/PHONES jack on the MU15.

C Set the HOST SELECT switch.

Set this rear panel to “MIDI” (as shown).

GrandPno

MIDI OUT

LINE OUT/

PHONES

MIDI IN

Amplifier/speaker system

MIDI keyboard

MIDI

English

Setting Up Your MU15

Powering Up

Admittedly, this is a simple operation, but you should be careful to follow the

instructions below to avoid possible damage to your equipment and speakers.

Operation

Z Turn on the power of your MIDI keyboard.

X Turn down all volume controls.

This includes the MU15 and any connected equipment.

C Turn on the power of the MU15.

Set the ON/STANDBY switch to “ON.”

V Turn on the amplifier/speaker system.

B Set the volume controls.

First, set the volume control on the MU15 to about midway or

higher, and then set the volume on the amplifier to a suitable level.

Powering Down

When you turn the power off, make sure to do it in the following

order, to prevent possible speaker damage:

1) Amplifier/speaker system

2) MU15

3) Any other connected equipment (MIDI keyboard, etc.)

CAUTION

• Even when the switch is in the “STANDBY” position, electricity is still

flowing to the instrument at the minimum level. When you are not

using the MU15, make sure you unplug the AC power adaptor from the

wall AC outlet and remove the batteries from the MU15.

Playing the MU15

Playing the Keyboard

If you’ve set up everything properly in the instructions above, you can now play

the MU15. Press the keys on the built-in keyboard to hear the currently

selected Voice.

Try also playing the connected MIDI keyboard. As long as the keyboard is

sending MIDI data, it doesn’t matter what the MIDI channel setting is — at

least one of the Voices on the MU15 will sound. (For more information on

MIDI, see page 91.)

Playing the Demo Song

To get a taste of what is possible with the MU15, try playing the built-in Demo

Song. This showcases the high-quality Voices and the AWM tone generation

system of the MU15.

Operation

Z Simultaneously hold down the PLAY/EDIT button and

press the VALUE

/YES button.

DemoSong

“DemoSong” and “PressYES”

alternately appear in the display.

English

Playing the MU15

X Start the song by pressing the VALUE /YES button.

The Demo Song starts playing immediately and repeats indefinitely

until stopped (in step #3 below). Playback of the individual Parts of

the song is shown graphically by the “level meter” bars in the

display.

CAUTION

• Once you play the demo song, any edits that you’ve made to the MU15

will be cleared (with the exception of the Velocity, Local Control and

Octave settings). To save your important data, use the Dump Out

function (page 65).

NOTE

• During Demo Song playback, all panel controls (except the VALUE /

NO button and the VOLUME control) cannot be used.

V To exit from the Demo Song function and return to the

Play mode, press the PLAY/EDIT button or the VALUE

/NO button.

C To stop playback of the song, press the VALUE /NO

button.

*Demo Song Credit

Programmed and Composed by Gigbag (Presto Inc.)

Playing the MU15

Selecting Voices

The MU15 has a total of 676 different instrument Voices. Here, we’ll select a

different Voice for playing.

Each Voice is numbered, and there are 128 Voices from which you can immedi-

ately select. (We’ll see how to select Voices outside of these 128 later.)

About Parts, Voices, and Banks

Before we go on to the next section, a little explanation about the organization

of the MU15 is needed. Here, you’ll learn about Parts, Voices, and Banks —

three important concepts around which the sounds of the MU15 are organized.

Operation

Use the VALUE buttons.

Pressing the VALUE /YES button steps up through Voice numbers

while pressing the VALUE

/NO button steps down through the

numbers.

Hold either button down to move rapidly through the numbers in the

selected direction. To move even more quickly through the num-

bers, simultaneously hold down one button, and then press (or hold

down) the other. For example, to rapidly decrease the value, simulta-

neously hold down the

/NO button and press the /YES button.

BritePno

Voice nameVoice number

English

Playing the MU15

Voices

As mentioned in the section “The MU15 — What It Is and What It

Can Do,” the MU15 is capable of playing sixteen different instru-

ment sounds at the same time. Each instrument sound is called a

“Voice,” and the MU15 has 676 different Normal Voices, as well as

21 Drum Voices.

Let’s say, for example, you have a song in which you want to use the

following sixteen Voices:

Parts

For these Voices to be used simultaneously, they must be assigned

to different “Parts.” These correspond exactly to the parts of a song

or the elements of a band, such as bass, guitar, and drums.

Obviously, each Part can have its own Voice setting, but it can also

have independent settings for other aspects of the sound as well, as

we’ll see later.

NOTE

• Part 10 is normally reserved for Drum Voices, although this can be

changed. (Page 28.)

Grand Piano Pick Bass Steel Guitar Rock Organ

Tenor Sax Alto Sax Trumpet Flute

Marimba Drums Violin Cello

Strings Warm Pad Sweep Pad Saw Lead

Part 1 Part 2 Part 3 Part 4

Grand Piano Pick Bass Steel Guitar Rock Organ

Part 5 Part 6 Part 7 Part 8

Tenor Sax Alto Sax Trumpet Flute

Part 9 Part 10 Part 11 Part 12

Marimba Drums Violin Cello

Part 13 Part 14 Part 15 Part 16

Strings Warm Pad Sweep Pad Saw Lead

Playing the MU15

Banks

As you learned in “Selecting Voices” above, each Voice is numbered,

and there are 128 of them from which you can select. These 128

Voices make up a Voice “Bank.” The MU15 has many Banks, each

of which contain 128 Voices. By selecting a different Bank, you can

select different Voices — any of the 676 Voices available on the

MU15.

Now, let’s go on to the next sections and see how to select different

Parts, and how to select Voices on the other Banks.

Selecting Parts

In “Selecting Voices” above, you learned how to select a Voice. Here, you’ll

see how to select a different Part and select a different Voice for that Part.

Operation

Z Select the desired Part by using the PART buttons.

Pressing the PART button steps up through the Part numbers

while pressing the PART

button steps down through the num-

bers.

Hold either button down to move rapidly through the numbers in the

selected direction.

X Select a Voice for the current Part.

Do this in the normal way, by using the VALUE buttons.

GrandPno

Part number

English

Playing the MU15

Selecting Banks

As you learned in “About Parts, Voices, and Banks” above, the MU15’s 676

Voices are organized into Banks of 128 Voices each. Here, we’ll see how to

select Voices of different Banks.

Operation

Z Select the desired Part.

Do this in the normal way, by using the PART buttons.

X Select the desired Voice.

Do this in the normal way, by using the VALUE buttons.

In general, the Voice Banks feature variations on the basic Voices —

for example, the “PercOrgn” Voice has several similar sounding

organ Voices at the same Voice number, but in different Banks.

That’s why it’s a good idea to decide which type of Voice you want,

and then call up different Banks to select a specific Voice variation.

C Simultaneously hold down the XG BANK button and

press one of the VALUE buttons.

Holding down the XG BANK button and pressing the VALUE /YES

button steps up through Bank numbers while doing the same with

the VALUE

/NO button steps down through the numbers.

Notice that the Bank numbers jump to seemingly random values.

For example, if you’ve selected Voice number 005 “E.Piano1,”

holding down the XG BANK button and pressing the VALUE

/YES

button will step through the following Banks:

GrndPnoK

Bank number. (This changes to the

Voice number as soon as the XG

BANK button is released.)

…and so on.

In this way, the MU15 skips over Banks that have the same Voices

as the basic Bank (Bank 000), and lets you automatically jump to

Banks that have unique Voices for the selected Voice number. In the

above example, Banks 002 - 017 all have the same Voice for number

005: “E.Piano1.” Bank 018 has a unique Voice, followed by another

unique Voice at Bank 032, and so on.

NOTE

• When the SFX kit (XG Bank #126) or Drum kit (XG Bank #127) is

selected , the Voice number is automatically set to 001.

Playing Drum Voices

The MU15 also features a wide selection of dynamic, realistic drum and

percussion sounds. These sounds are grouped together in Drum Voices and

each note on the keyboard plays a different drum or percussion sound.

NOTE

• For details on which drum sounds are assigned to which notes of the keyboard,

refer to the Drum Map charts on pages 80 - 83.

Operation

Z Select Part 10.

Do this in the normal way, by using the PART buttons.

NOTE

• Part 10 is assigned to a Drum Voice by default. However, any Part can

be set to a Drum Voice by selecting Bank 126 or 127 for the Part.

Playing the MU15

E.Piano1

El.Pno1K

MelloEP1

Chor.EP1

English

X Select the desired Drum Voice.

Do this in the normal way, by using the VALUE buttons.

C Play the drum sounds.

Play the sounds from the MU15’s keyboard or from a connected

MIDI keyboard.

Since the various drum/percussion sounds are spread out over

several octaves, in order to play them from the MU15, you’ll need to

change the octave setting (see next section).

Changing the Octave Setting

Although the MU15’s built-in keyboard has a two-octave range, you can

actually play it over a range of ten octaves.

Operation

Use the OCT DOWN / OCT UP buttons.

Pressing the OCT DOWN button lowers the pitch by one octave, and

pressing the OCT UP button raises it by one octave. The current

octave setting is shown in the display. (No indication appears when

the octave setting is normal.)

NOTE

• For Normal Voices (such as Piano or Strings), this changes the pitch.

For Drum Voices, this changes the drum/percussion sounds playable

from the keyboard.

You can instantly restore the normal octave setting by pressing both

OCT DOWN / OCT UP buttons simultaneously.

Playing the MU15

GrandPno

Current octave setting. (In this example,

the pitch is two octaves above normal.)

Editing a Part

The editing features of the MU15 provide various controls for changing the

Parts and setting other important operating functions. Among other things,

these let you set the Volume or Pan setting of each Part independently, change

the Velocity of the built-in keyboard, and save your edits to a connected

computer, sequencer or data storage device.

NOTE

• The Velocity and Local Control settings cannot be saved.

Editing on the MU15 is basically divided into three types of controls: Part,

Effect, and Utility. In this section, you’ll learn how to change the Note Shift

setting and the Volume setting (both Part controls). However, the instructions

given here are fundamentally the same for all editing operations. (See the

Reference section of this manual for information about the specific editing

functions.)

Changing the Note Shift and Volume Settings

The Note Shift parameter lets you change the key (pitch) of the

selected Part. This only affects the Normal Voices, and does not

change the pitch of the Drum Voices.

The Volume parameter allows you to change the level of each Part’s

Voice, letting you set a custom balance or mix of all the Parts.

Operation

Z Select the desired parameter.

For Note Shift, simultaneously hold down the PLAY/EDIT button and

press the NOTE SHFT button. Doing this enters the Edit mode and

calls up the Note Shift parameter.

Playing the MU15

NoteShft

Current Note Shift value

English

X Change the value.

Use the VALUE buttons. For Note Shift,

the value changes in semitone steps up or

down, depending on which VALUE button

you press. For Volume, the value can be

changed over a range of 0 (minimum) to

127 (maximum).

To select Volume, hold down PLAY/EDIT and press the VOL button.

Playing the MU15

Play the MU15 keyboard (or the connected MIDI keyboard) and hear

the change in the sound of the Part.

You can continue to change the selected setting with the VALUE

buttons and play the keyboard to hear the results of the changes. If

you wish, you can also easily change the setting for different Parts

by using the PART buttons to select the desired Part. To switch

between the desired parameters, repeat step #1 above.

C To return to the Play mode, press the PLAY/EDIT button

again.

Soloing and Muting Parts

The MU15 has convenient Solo and Mute functions for selectively soloing or

muting any of the sixteen Parts. These functions are especially useful when

playing back song data from a connected computer or sequencer, since they

let you isolate specific Parts in the mix and hear how they sound by them-

selves or how the rest of the song sounds without them.

For instructions on using Solo and Mute, see pages 48 and 49.

Using the Effects

The compact MU15 is packed with an enormous amount of sonic power and

flexibility. In addition to the huge amount of instrument Voices, the MU15

features a built-in multi-effect processor with three independent digital effects:

Reverb, Chorus, and Variation.

In this section, you’ll learn how to apply the effects, change the effect type,

and set how much effect is applied for each Part. (See the Reference section

of this manual for information about specific effect parameters.)

Using Reverb and Chorus

Judicious use of Reverb creates a sense of space and enhances the

realism of the Voices. The Reverb Type that you select is applied to

all Parts; however, the amount of Reverb for each Part can be

adjusted. This lets you add special textures to the mix of a song,

such as “drenching” one Part in Reverb while another Part is kept

“dry.”

The Chorus effect section features a variety of pitch modulation

effects. These let you subtly enhance or “fatten” the sound, or

completely transform the sound in wild and unique ways. As with

Reverb, only one Chorus Type can be used for all Parts; however, the

amount of Chorus for each Part can be adjusted.

Since the methods of using Reverb and Chorus are identical, both

are covered here together.

Operation

Z Select the desired Part.

Do this in the normal way, by using the PART buttons.

X Set the Send Level controls to appropriate values.

Before you actually change the Reverb or Chorus settings, you

should set the Send Level controls, in order to properly hear the

effect and the changes you make.

Playing the MU15

English

To do this, simultaneously hold down the PLAY/EDIT button and

press the REVERB SEND LVL button (for Reverb), or the CHORUS

SEND LVL button (for Chorus), and then set the value to “60” or

higher, by using the VALUE buttons.

C Select the Reverb Type (or Chorus Type) parameter.

Simultaneously hold down the PLAY/EDIT button and press the

REVERB TYPE button (for Reverb), or the CHORUS TYPE button (for

Chorus).

V Select the desired Reverb (or Chorus) Type.

Use the VALUE buttons. For a list of the available Reverb Types, see

page 57. For a list of the available Chorus Types, see page 58.

B Set the Send Level control to the desired value.

Once you’ve selected an Reverb or Chorus Type to your satisfaction,

you can re-adjust the effect level for the selected Part (and other

Parts, too). To do this, repeat steps #1 and #2 above.

Playing the MU15

RevSend

Hall1

Using the Variation Effects

The Variation effect section provides a wealth of additional effects,

with which you can enhance or radically change the sound of the

Voices.

Variation can be applied to all Parts (just as with Reverb and Chorus),

or to a single selected Part. (For more information on the Variation

effect, see page 59.)

C Set the Send Level controls to appropriate values.

Before you actually change the Variation settings, you should set the

Send Level controls, in order to properly hear the effect and the

changes you make.

To do this, simultaneously hold down the PLAY/EDIT button and

press the VARIATION SEND LVL button, and then set the value to

“60” or higher, by using the VALUE buttons.

V Select the Variation Type parameter.

Simultaneously hold down the PLAY/EDIT button and press the

VARIATION TYPE button.

Playing the MU15

SYS

VarSend

DelayLCR

Operation

Z Select the desired Part.

Do this in the normal way, by using the PART buttons.

X Set Variation Connection to “SYS” (System).

Setting the Variation Connection parameter to “SYS” allows you to

use the Variation effect for all Parts. (For instructions on using the

“INS” or Insertion setting, see the boxed section on page 35.)

To do this, simultaneously hold down the PLAY/EDIT button and

press the INS SYS button, and then set the parameter to “SYS,” by

pressing the VALUE

/YES button.

English

B Select the desired Variation Type.

Use the VALUE buttons. For a list of the available Variation Types,

see page 60.

N Set the Send Level control to the desired value.

Once you’ve selected a Variation Type to your satisfaction, you can

re-adjust the effect level for the selected Part (and other Parts, too).

To do this, repeat steps #1 and #3 above.

M Set the Dry Level control to the desired value.

This parameter gives you additional fine control over the Variation

effect balance. Setting this to a low value turns down the level of

the “dry” sound and emphasizes the Variation effect sound.

To do this, simultaneously hold down the PLAY/EDIT button and

press the DRY LVL button, and then set the value by using the

VALUE buttons.

Playing the MU15

DryLevel

Using the “INS” (Insertion) Setting

The “INS” (Insertion) setting lets you dedicate the Variation

effect to a single selected Part.

NOTE

• For the “INS” setting, the Send Level parameter can only be

turned on or off for the selected Part, and the Dry Level

parameter is unavailable.

1) Select the desired Part.

2) Set Variation Connection to “INS.” Simultaneously hold

down the PLAY/EDIT button and press the INS SYS button,

and then press the VALUE

/NO button.

3) Set the Send Level for the Part to “on.” Simultaneously

hold down the PLAY/EDIT button and press the VARIATION

SEND LVL button, and then press the VALUE

/YES button.

4) Select the desired Variation Type in the same way as

described in steps #4 and #5 in the main instructions above.

Using the MU15

with a Computer/Sequencer

By connecting the MU15 to a computer or sequencer, you have a powerful

music system for playing back songs and even creating your own songs, using

the Voices of the MU15.

First, you’ll have to make sure that the MU15 is properly connected to the

computer or sequencer, and that your music software is ready to run. (Refer to

page 37 for connection examples and instructions.) If you are using the TO

HOST terminal or if both MIDI terminals are properly connected, you should be

able to play songs from your software and enter notes to the software from

the MU15.

Using the MU15 with a MIDI Data Storage Device

You can also use the MU15 with a MIDI data storage device, such as

the Yamaha MDF3 MIDI Data Filer. This lets you save or back up

changes you’ve made in the settings of the Edit mode. Then, when

you want to recall those settings, you can transfer the appropriate

data from the storage device.

The MDF3 also allows you to play compatible song data on the

MU15 directly from the MDF3 itself, without the need of a se-

quencer.

Make sure that the MU15 is properly connected to the data storage

device (via MIDI). (Refer to page 66 for the connection example.)

Use the Dump Out function (page 65) to send data to the device.

Also refer to the owner’s manual of your data storage device for

specific operating instructions in receiving or sending data.

Setting Up

The MU15 features a built-in host computer interface, allowing you to directly

connect it to your computer — eliminating the need for installing a special

MIDI interface to your computer. This also makes it easier to use the MU15

Using the MU15 with a Computer/Sequencer

English

Using the MU15 with a Computer/Sequencer

Operation

Z Set the HOST SELECT switch (on the rear panel) to the

appropriate setting.

For connecting to a MIDI interface: MIDI

For IBM PC/AT and compatibles: PC-2

For Apple Macintosh and compatibles: Mac

X Connect the equipment as shown in the illustrations

below.

If you are connecting directly to the TO HOST terminal, make sure to

use the following standard cable types:

For IBM PC/AT and compatibles: D-SUB 9-pin to mini

DIN 8-pin (page 41)

For Apple Macintosh and compatibles: 8-pin Macintosh

peripheral cable (page

41)

with a laptop computer, giving you an exceptionally portable yet powerful

computer music system. The MU15 can be used with the following comput-

ers: Apple Macintosh and compatibles, or IBM PC/AT and compatibles.

If your computer already has a MIDI interface, you can connect the MU15 to it

by using MIDI cables instead.

Depending on the computer or interface used, you should set the HOST

SELECT switch to the appropriate setting: MIDI, PC-1, PC-2, or Mac. For

information on proper cables, see the section “MIDI/Computer Connecting

Cables” on page 41.

NOTE

• The PC-1 setting is designed only for use with computers in the Japanese domestic

market.

C Turn on the power of the computer first, and then the

MU15.

V Start up your music software, and (if necessary) set the

appropriate options on the software for operation with

the MU15. (See note on page 39.)

Using the MU15 with a Computer/Sequencer

GrandPno

MU15

MIDI

OUT

TO HOST

MIDI

RS422

RS-232C

(DB-9)

Connecting directly to an IBM PC/AT

compatible computer

Macintosh computer

IBM-PC/AT or

compatible computer

Connecting directly to a Macintosh computer

(Used as both tone generator

and MIDI interface.)

MIDI keyboard controller

PC-2

Mac

• Connecting via the TO HOST terminal

English

• Connecting via a MIDI interface

NOTE

• For Windows 95/98 users: In order to use the TO HOST connection,

you’ll need to install special MIDI driver software (YAMAHA CBX Driver

for Windows 95). You can obtain this driver from your local Yamaha

dealer, or download it via the Internet at:

http://www.yamaha.co.jp/english/xg/utility/tools.html

• If the MU15 is connected to a computer via the TO HOST terminal and

the power of the computer is turned off, an “IlglData” (Illegal Data)

error message appears, and the MU15 may not be operable. If this

happens, turn on your computer again. If this still doesn’t resolve the

problem, turn all equipment off and then back on again.

• For Macintosh computers: You should set the MIDI interface clock

setting on the music software to 1 MHz.

• If you are using the MU15 to enter notes to the computer and wish to

hear what you are playing, you should set the music software to

“echo” the MIDI IN data to the MIDI OUT (on the computer). This is

usually done with a “MIDI Thru” or “MIDI Echo” option on the music

software.

Using the MU15 with a Computer/Sequencer

GrandPno

MU15

MIDI

OUT

MIDI

MIDI interface

MIDI

OUT

MIDI

OUT

Macintosh computer

IBM-PC/AT or compatible

computer

MIDI keyboard controller

Connecting to a Macintosh computer

(with MIDI interface)

Connecting to an IBM PC/AT compatible

computer (with MIDI interface)

MIDI

Playing Song Data

Once you set up your computer or sequencer with the MU15, you’re ready to

play back song data using the Voices of the MU15. Although any GM-compat-

ible song data can be played, the MU15 will sound best when used with XG-

compatible song data.

By using Yamaha’s XGworks Music Sequencer software, you can create your

own XG song data. Since XGworks also features a special XG Editor, you can

conveniently and easily edit any of the “hidden” parameters of the MU15.

This gives you comprehensive control over the Voices and effects. (For more

information on the “hidden” parameters, see the “MIDI Data Format” section,

page 91.)

When you do any editing to the MU15 for your own songs, you should save

your settings (as System Exclusive data) to the computer with the Dump Out

function (page 65). It’s especially useful to record this data at the beginning of

a song, so that the MU15 will be set properly for the particular song. Make

sure to enter several measures of silence before the song starts to accommo-

date the System Exclusive data.

Using the MU15 with a Computer/Sequencer

English

MIDI/Computer Connecting Cables

Using the MU15 with a Computer/Sequencer

Macintosh

Apple Macintosh Peripheral cable (M0197). Maximum length 2

meters.

PC-2

8-pin MINI DIN to D-SUB 9-pin cable. Maximum length 1.8 meters.

This concludes your basic tour of the important functions of the MU15. To

find out more about how to best use your MU15, look through the

Reference section that follows and try out some of the functions and

operations that interest you.

2 (GND)2

DIN 5-PIN

2 (HSK i)1

1 (HSK 0)2

5 (RxD-)3

MINI DIN

8-PIN

4 GND4

3 (TxD-)5

8 (RxD+)6

7 (GP i)7

6 (TxD+)8

MINI DIN

8-PIN

8 (CTS)1

7 (RST)2

2 (RxD)3

4 5 (GND)

3 (TxD) 5

MINI DIN

8-PIN

D-SUB

9-PIN

MIDI

Standard MIDI cable. Maximum length 15 meters.

The Reference section of this manual covers in detail

all of the functions of the MU15. Refer to it when you

need information about a specific function, feature, or

operation.

Function Tree

Reference

Play Mode Part Select

Voice Select

Bank Select

Octave Down/Up

Demo Song

Edit Mode Part Controls Volume

Pan

Note Shift

Solo

Mute

Filter

Vibrato

Effect Controls Reverb

Chorus

Variation

Utility Controls Master Tune

Velocity

Local Control

Dump Out

Initialize All

English

Play Mode

The Play mode is the default mode of the MU15 and is automatically set when

the power is turned on. The Play mode allows you to play the Voices, either

from the MU15’s keyboard or from a MIDI device. Depending on data received

via MIDI, the MU15 operates in one of two Sound Module modes: XG or

TG300B. (XG is the default.)

The Play mode also lets you select Voices, Banks, and Parts, and change the

octave setting of the keyboard. If the Edit mode is selected, you can return to

the Play mode by pressing the PLAY/EDIT button.

For general instructions and details on various Play mode operations, refer to

the Guided Tour section.

Sound Module Mode

The MU15 plays Voices in one of two Sound Module modes: XG or TG300B.

The Sound Module mode is one of the “hidden” parameters of the MU15 and

can be changed only by incoming MIDI data. Normally this data is recorded at

the start of commercially available sequenced songs. If the song data is XG-

compatible, the XG mode will be selected, letting you take advantage of the

MU15’s full performance power. If the song data is GM-compatible but

intended for another manufacturer’s tone generator, the TG300B mode will be

selected, enabling optimum playback of the song data.

You can change this setting yourself by the use of MIDI System Exclusive

messages (page 91), either as part of sequenced song data, or received from a

device that allows you to send user-specified System Exclusive data.

NOTE

• The last selected Sound Module mode is automatically enabled when the power is

turned on. However, if both the batteries and AC adaptor are removed (or if the

PLAY/EDIT button is pressed), the XG mode is automatically enabled.

When the TG300B mode is selected, the following display appears:

Play Mode

TG300B

The XG mode features 480 Normal Voices (including 42 SFX Voices) and 11

Drum Voices (including 2 SFX drum kits). The TG300B mode features 579

Normal Voices and 10 Drum Voices.

NOTE

• In the TG300B mode, the Voices can only be selected by MIDI; they cannot be

selected from the panel of the MU15.

Edit Mode

The Edit mode allows you to change various settings and parameters of the

MU15. These controls are divided into three basic types: Part (page 45), Effect

(page 56), and Utility (page 63).

The basic method of editing is fundamentally the same for all of the param-

eters. Many of the parameters can be set independently for each Part, and as

such allow you to select the Part to be edited.

NOTE

• Keep in mind that the settings you make may automatically change when playing

back song data on a connected sequencer. If you want to save your original

settings, use the Dump Out function (page 65) before playing the song.

Operation

Z Select the desired edit parameter.

To do this, simultaneously hold down the PLAY/EDIT button and

press the appropriate button.

X Select the desired Part (if necessary).

Use the PART buttons.

English

Edit Mode

NOTE

• Selecting a Part does not apply to the Utility controls or Effect controls,

except for the Send Level parameters (pages 57, 59, 61) and Dry Level

(when Variation Connection is set to “SYS”; page 62).

Once you’ve selected a certain parameter, you can instantly return to

that parameter from the Play mode by simply pressing the PLAY/

EDIT button.

C Change the setting or value.

Use the VALUE buttons. You can rapidly increase or decrease the

value by holding down the appropriate button. For even faster

editing, simultaneously hold down one button, and then press (or

hold down) the other. For example, to rapidly decrease the value,

simultaneously hold down the

/NO button and press the /YES

button.

Part Controls

Volume ................ 46

Pan ................ 47

Note Shift ................ 47

Solo ................ 48

Mute ................ 49

Filter Cutoff ................ 50

Resonance ................ 51

EG Attack Time .......... 52, 53

Release Time .......... 52, 53

Vibrato Rate ................ 54

Depth ................ 54

Delay ................ 55

The Part controls allow you to change certain parameters for each

Part. These include Volume, Pan, Note Shift, Filter, EG (Envelope

Generator) and Vibrato. All of these parameters can be set indepen-

dently for each Part, giving you enormous and flexible control over

the sound. Also included in the Part controls are the convenient Solo

and Mute functions. The Effect Send Level parameters (pages 57,

59, 61) can also be adjusted for each Part.

Range: 0 - 127

Default: 100

This determines the Volume of the selected Part. The Volume

setting is graphically represented by bars in the display.

NOTE

• Keep in mind that when playing the MU15’s keyboard, the actual sound

level of a selected Part also depends on the Velocity parameter in the

Utility controls (page 64). If the Velocity setting is at or near the

minimum, the Part may be very low in level, no matter what the

Volume setting made here.

Volume

Selected

Part

Volume setting

Graphically shows

Volume position for

each Part.

Edit Mode

English

Pan

Range: Rnd, L 63 - C 00 - R 63

Default: C 00

This determines the stereo position of the selected Part. The Pan

position is graphically represented by bars in the display. The “Rnd”

(Random) setting randomly assigns the Voice to a pan position. This

is useful when you want to have different Voices sound from

different random positions of the stereo image.

A double bar in the middle represents the center position (C 00),

while right pan positions are indicated by bars stretching up from the

middle, and left pan positions are indicated by bars stretching down.

Note Shift

Range: -24 - +24 semitones

Default: 0

This determines the key transposition of the selected Part, over a

total range of four octaves in semitone steps. A Note Shift setting of

“0” results in normal pitch. This parameter has no effect on the

individual drum/percussion sounds of the Drum Voices.

Pan

Selected

Part

Pan setting

Graphically shows

Pan position for

each Part.

NoteShft

Selected

Part

Note Shift

setting

Shows Note Shift

setting for each

Part.

Edit Mode

Solo

While a song is playing back on your computer or sequencer, you can

selectively solo any of the 16 Parts of the MU15. Solo lets you

isolate a single Part, to hear how that Part sounds by itself.

Along with Mute (page 49), Solo is an effective tool that helps you as

you edit the Parts, since it allows you to better hear how the

changes you make affect specific Voices as well as the overall

sound.

Operation

Z Simultaneously hold down the PLAY/EDIT button and

press the SOLO button.

X Select the Part to be soloed.

Use the PART buttons.

C To solo the selected Part, press the VALUE /YES

button. To hear all Parts normally, press the VALUE

NO button.

The display indicates the Solo status of the Part. For example, when

Part 2 is being soloed (Solo is on), the following display is shown:

Solo

Selected

Part

Solo setting

Shows Solo setting

for each Part.

Edit Mode

Solo

Part 2 is soloed.

English

Mute

While a song is playing back on your computer or sequencer, you can

selectively mute any of the 16 Parts of the MU15. Mute lets you

silence one Part to hear how all of the other Parts sound without it.

Along with Solo (page 48), Mute is a convenient tool, since it allows

you to hear how the presence or absence of specific Parts affects

the overall sound.

Operation

Z Simultaneously hold down the PLAY/EDIT button and

press the MUTE button.

Mute

Selected

Part

Mute setting

Shows Mute

setting for each

Part.

X Select the Part to be muted.

Use the PART buttons.

C To mute the selected Part, press the VALUE /YES

button. To un-mute it, press the VALUE

/NO button.

The display indicates the Mute status of the Part. For example,

when Part 2 is being muted (Mute is on), the following display is

shown:

Edit Mode

Mute

Part 2 is muted.

Mute

Filter Parameters — Cutoff Frequency

and Resonance

The MU15 features digital filters for each Part that allow you to change the

timbre or tone of the Voices. The filters are affected (together with the level)

by the EG (Envelope Generator) parameters, which allow you to change the

timbre over time as well. (Page 52.)

Cutoff Frequency

Range: -64 - +63

Default: 0

This determines the cutoff frequency of the filter. The filter effec-

tively takes out frequencies higher than the cutoff point and

“passes” the lower frequencies. Lower cutoff values create a

deeper, more rounded tone, while higher values create a brighter

tone.

Cutoff

Selected

Part

Cutoff Frequency

setting

Shows Cutoff

Frequency setting

for each Part.

Edit Mode

Frequency

Level

These frequencies are

“cut” or filtered out.

These frequencies

are “passed” or let

through.

Cutoff Frequency

setting

English

Resonance

Range: -64 - +63

Default: 0

This determines the amount of filter resonance or emphasis of the

Cutoff Frequency parameter above. Higher values make the filter

effect more pronounced and stronger, creating a resonant peak

around the cutoff frequency.

Reso

Selected

Part

Resonance

setting

Shows Resonance

setting for each

Part.

Edit Mode

Frequency

Level

Resonance

Cutoff Frequency setting

EG (Envelope Generator) Parameters —

Attack Time and Release Time

The EG parameters allow you to shape the sound of a Part’s Voice — or, in

other words, set how the level and timbre of the Voice changes over time.

The relationship of the two EG parameters — Attack Time and Release Time —

are shown in the illustrations below. These parameters affect both the volume

of the Voice and its timbre (with the Filter parameters; page 50).

2) Long Attack and Release Times

Edit Mode

Time

Level

Min.

Max.

Key is pressed

Attack Time Release Time

Key is released

Time

Level

Min.

Max.

Key is pressed

Attack Time Release Time

Key is released

1) Short Attack and Release Times

Even though the key is held for the same length of time in both

examples, the sound of the second example takes a much longer

time to reach full volume and sustains longer after the key is re-

leased.

English

Attack Time

Range: -64 - +63

Default: 0

This determines the Attack Time of the EG, or how long it takes for

the sound to reach full volume when a note is played. Higher

positive values result in a longer, slower attack. For the Filter, this

determines how long it takes for the sound to be affected by the

Filter values.

Release Time

Range: -64 - +63

Default: 0

This determines the Release Time of the EG, or how long the sound

sustains after a note is released. Higher positive values result in a

longer, slower sustain. For the Filter, this determines how long the

Filter effect continues after a note is released.

RelsTime

Selected

Part

Release Time

setting

Shows Release

Time setting for

each Part.

AtckTime

Selected

Part

Attack Time

setting

Shows Attack Time

setting for each

Part.

NOTE

• Short percussive Voices (such as Marimba) whose sound decays very

quickly may not be affected by the Release Time parameter, depending

on how long the key is held. For example, if the key is held until the

sound completely dies out, there will be no sound to slowly sustain, no

matter what the Release Time setting is.

Edit Mode

Vibrato Parameters — Rate, Depth, and Delay

Vibrato produces a quavering, vibrating sound in the Part’s Voice, by regularly

modulating the pitch. You can control the speed and depth of the Vibrato, as

well as the time it takes before the Vibrato effect is applied.

Vibrato Rate

Range: -64 - +63

Default: 0

This determines the speed of the Vibrato effect. Negative values

produce a very slow Vibrato, while higher values result in a faster

Vibrato sound.

Vibrato Depth

Range: -64 - +63

Default: 0

This determines the depth of the Vibrato effect. Higher values result

in a stronger, more pronounced Vibrato sound.

VibRate

Selected

Part

Vibrato Rate

setting

Shows Vibrato Rate

setting for each

Part.

VibDepth

Selected

Part

Vibrato Depth

setting

Shows Vibrato

Depth setting for

each Part.

Edit Mode

English

Vibrato Delay

Range: -64 - +63

Default: 0

This determines the delay in the start of the Vibrato effect. Delay is

effective especially for producing a natural sound on stringed

instrument Voices. For example, violin players often use delayed

Vibrato, especially while playing long notes. The Delay parameter is

useful in recreating this effect, producing a richer, more lifelike

sound. Higher values result in a longer Delay time.

VibDelay

Selected

Part

Vibrato Delay

setting

Shows Vibrato

Delay setting for

each Part.

Edit Mode

Effect Controls

Edit Mode

The MU15 features a built-in multi-effect processor with three

independent digital effects: Reverb, Chorus, and Variation.

Reverb Parameters

Reverb recreates the sounds of various performance environments by adding

an ambient wash of delays or reflections. Several different types of Reverb

effects are available to simulate the ambience of different sized rooms.

For general information on using the Reverb effect, see page 32.

Reverb Type ................ 57

Send Level ................ 57

Chorus Type ................ 58

Send Level ................ 59

Variation Connection ................ 60

Type ................ 60

Send Level ................ 61

Dry Level ................ 62

English

Edit Mode

Reverb Type

Settings: NoEffect, Hall1 - 2, Room1 - 3, Stage1 - 2, Plate,

W-Room (White Room), Tunnel, Basement

Default: Hall1

This determines the Type of Reverb effect, or the performance

environment that is simulated. When “NoEffect” is selected, the

Reverb effect is turned off.

Reverb Send Level

Range: 0 - 127

Default: 40

This determines the level of the selected Part’s Voice that is sent to

the Reverb effect. Each Part can be set independently for different

amounts of Reverb on each Voice. A value of “0” results in a

completely “dry” Voice sound.

NOTE

• Keep in mind that Reverb Type (above) must be set to something other

than “NoEffect” for this parameter to work as intended.

RevSend

Selected

Part

Reverb Send

Level setting

Shows Reverb

Send Level setting

for each Part.

RevType

Reverb Type

setting

Hall1

The current Type setting

appears in the LCD as

soon as the TYPE

button is released.

Chorus Parameters

Chorus uses pitch modulation to create a variety of rich, spacious-sounding

effects, including Chorus, Celeste, and Flanger.

For general information on using the Chorus effect, see page 32.

Chorus Type

Settings: NoEffect, Chorus1 - 4, Celeste1 - 4, Flanger1 - 3

Default: Chorus1

This determines the Type of Chorus effect. When “NoEffect” is

selected, the Chorus effect is turned off.

Chorus and Celeste are used to subtly enhance the sound, and

generally make it richer, fatter, and warmer. Flanger uses modulation

to create an animated, swirling motion effect, and produces a

characteristic metallic sound.

Edit Mode

ChoType

Chorus Type

setting

Chorus1

The current Type setting

appears in the LCD as

soon as the TYPE

button is released.

English

Chorus Send Level

Range: 0 - 127

Default: 0

This determines the level of the selected Part’s Voice that is sent to

the Chorus effect. Each Part can be set independently for different

amounts of Chorus on each Voice. A value of “0” results in a

completely “dry” Voice sound (no Chorus effect).

NOTE

• Keep in mind that Chorus Type (page 58) must be set to something

other than “NoEffect” for this parameter to work as intended.

ChoSend

Selected

Part

Chorus Send

Level setting

Shows Chorus

Send Level setting

for each Part.

Variation Parameters

The Variation effects provide a wealth of additional tools for processing the

Voices of the MU15. It features most of the same effects found in the Reverb

and Chorus effects. This is not mere redundancy; it allows you to use two

types of Reverb or Chorus simultaneously on different Voices. For example,

you may want to have a Chorus effect on Voice and apply Flanger to another.

Variation also gives you many special effects not found in the other sections,

such as Delay, Gate Reverb, Rotary Speaker, and Wah.

Variation effects can be applied either to a single selected Part or to all Parts,

depending on the Variation Connection setting (page 60): Insertion or System.

For general information on using the Variation effect, see page 33.

Edit Mode

Variation Connection

Settings: INS (Insertion), SYS (System)

Default: INS

This determines how the Variation effect is connected in the effect

chain of the MU15. When set to “SYS” (System), Variation is

applied to all Parts, according to the amount of Variation Send Level

(page 61) set for each Part. When set to “INS” (Insertion), Variation

is applied to only the selected Part, also set in the Variation Send

Level parameter.

Variation Type

Settings: NoEffect, Hall1 - 2, Room1 - 3, Stage1 - 2, Plate,

DelayLCR, DelayLR, Echo, CrsDelay (Cross Delay),

E-Ref1 - 2 (Early Reflections), GateRev (Gate Reverb),

RvsGate (Reverse Gate), Karaoke1 - 3, Chorus1 - 4,

Celeste1 - 4, Flanger1 - 3, Symphnic (Symphonic),

Edit Mode

VarCnct

Variation Connection

setting

INS

The current Variation

Connection setting

appears in the LCD as

soon as the INS/SYS

button is released.

VarType

Variation Type

setting

DelayLCR

The Type setting

appears in the LCD as

soon as the TYPE

button is released.

English

RotarySp (Rotary Speaker), Tremolo, AutoPan,

Phaser1 - 2, Dist (Distortion), OverDrv (Overdrive),

AmpSim (Amp Simulator), 3BandEQ, 2BandEQ, AutoWah,

PitchCng (Pitch Change), Thru

Default: DelayLCR

This determines the Type of the Variation effect.

About “NoEffect” and “Thru”

When Variation Connection is set to “INS” and “NoEffect” is

selected, the sound for the Part is turned off (there is no “dry”

sound). When “Thru” is selected, you can hear the dry, unproc-

essed sound.

NOTE

• The 3BandEQ and 2BandEQ Types have little effect on the sound

unless the “hidden” parameters are changed via MIDI. (Page 91.)

Variation Send Level

Settings: off, on (when Variation Connection is set to “INS”)

0 - 127 (when Variation Connection is set to “SYS”)

Default: off (for “INS”)

0 (for “SYS”)

When the Variation Connection parameter (page 60) is set to “INS,”

this determines whether the Variation effect is applied to the se-

lected Part or not. Also, since the Variation effect cannot be used

simultaneously on several Parts (for “INS”), only the last Part for

which this parameter has been set to “on” will have the Variation

effect. A setting of “off” results in no Variation effect being applied.

VarSend

Selected

Part

Variation Send

Level setting

Shows Variation

Send Level setting

for each Part.

Edit Mode

When the Variation Connection parameter (page 60) is set to “SYS,”

this determines the level of the selected Part’s Voice that is sent to

the Variation effect. In this case, each Part can be set independently

for different amounts of Variation on each Voice. A value of “0”

results in a completely “dry” Voice sound (no Variation effect).

NOTE

• Keep in mind that Variation Type (page 60) must be set to something

other than “NoEffect” or “Thru” for this parameter to work as

intended.

• If the Variation Type is set to “NoEffect” and Variation Connection is set

to “INS,” there will be no sound for the Part. To remedy this, set the

Type to “Thru” or to one of the other effect Types. (Page 60.)

Dry Level

Range: 0 - 127

Default: 127

This determines the level or volume of the selected Part’s “dry”

sound — the sound of the Voice without the effects. Dry Level gives

you additional fine control over the effect balance. Setting this to a

low value turns down the level of the “dry” sound and emphasizes

the effect sound.

NOTE

• When Variation Connection is set to “INS,” the Dry Level parameter is

automatically set to “off” and cannot be changed.

Edit Mode

DryLevel

Selected

Part

Dry Level

setting

Shows Dry Level

setting for each

Part.

English

Utility Controls

Master Tune

Range: +/- 999 (in 0.1 cent steps)

Default: 0

This determines the overall fine tuning of the MU15’s Voices. It

does not affect the pitch of the individual drum/percussion sounds of

the Drum Voices. Master Tune is especially useful for adjusting the

pitch of the MU15 when playing with other instruments. (The actual

pitch of each Part depends also on the Note Shift parameter on page

47.)

Edit Mode

MstrTune

Tuning value

Master Tune ................ 63

Velocity ................ 64

Local Control ................ 64

Dump Out ................ 65

Initialize All ................ 68

Velocity

Range: 1 - 127

Default: 88

This determines the note on velocity of the MU15’s built-in keyboard.

All notes that you play from the panel keyboard will be at this fixed

velocity, and sound at the same level. This velocity is also transmit-

ted to connected devices via the MIDI OUT or TO HOST terminals.

However, it does not affect the incoming velocity of notes played

from a connected sequencer or external keyboard.

NOTE

• Settings of 20 or less may result in little or no sound. For normal

applications, make sure this is set to around 88 (default).

• Keep in mind that when playing the MU15’s keyboard, the actual sound

level of a selected Part also depends on the Volume parameter in the

Part controls (page 46). If the Volume setting is at or near the mini-

mum, the Part may be very low in level, no matter what the Velocity

setting made here.

Local Control

Edit Mode

Velocity

Velocity setting

LoclCtrl

Local Control

setting

English

Range: off, on

Default: on

This determines whether or not the internal tone generator responds

to the notes you play on the MU15’s keyboard. Normally, this should

be on. Setting this to “off” effectively disconnects the panel

keyboard from the internal tone generator. Even when this is set to

“off,” notes played on the keyboard are still transmitted via the TO

HOST or MIDI OUT terminals.

HINT

• A common application of Local Control is when using the MU15 to

input notes into a sequencer. If the sequencer is also set up to play

back data using the Voices of the MU15, when you play the MU15, it

will be sounding its own Voices twice — once from the keyboard, and

after a very brief delay, again from the MIDI data coming from the

sequencer. This not only decreases the available polyphony of the

MU15 by half, it also creates an undesirable flanging sound. To remedy

this, set Local Control to “off.”

• Another useful application of the “off” setting of this parameter is

when you’ve connected the MU15 to another tone generator and want

to play only that tone generator and leave the MU15 Voices silent.

Dump Out

This function allows you to save the current parameter settings of

the MU15 to a MIDI sequencer, computer or a MIDI data recorder

(such as the Yamaha MDF3 MIDI Data Filer).

Edit Mode

DumpOut

• Saving and Restoring Data via MIDI

Operation

Z Make sure that the MU15 is properly connected to the

device and that the HOST SELECT switch is properly

set.

When using the MIDI terminals, connect the MIDI OUT of the MU15

to the MIDI IN of the data recorder. (See the “Saving and Restoring

Data via MIDI” illustration above.) Also, set the HOST SELECT

switch to MIDI.

When using the TO HOST terminal, make sure that the HOST

SELECT switch is set corresponding to the device to be used. (See

the “Saving and Restoring Data via TO HOST” illustration above.)

For more information on host computer connections, see page 37.

X Set the connected device to receive MIDI System Exclu-

sive data.

Refer to the owner’s manual of the particular device or software for

instructions on receiving System Exclusive data.

• Saving and Restoring Data via TO HOST

Edit Mode

GrandPno

MIDI OUT

MU15

MIDI Data

Recorder

MIDI IN

MIDI IN MIDI OUT

Bulk Dump data can be sent and

received using the MIDI IN and

MIDI OUT connections.

GrandPno

TO HOST

MU15

COMPUTER/

MIDI Data Recorder

SERIAL PORT

Bulk Dump data can be sent and

received using the TO HOST

connection.

English

B At the “Sure?” prompt, press the VALUE /YES but-

ton.

A “Transmit” message appears in the display during the operation.

When the operation is completed, a “Complete” message briefly

appears. To cancel the operation at the “Sure?” prompt, press the

VALUE

/NO button.

To reload the data from the data recorder back to the

MU15

Make sure that the devices are properly connected (see the illustra-

tions on page 66), and execute the appropriate data transfer opera-

tion from the data recorder. (Refer to the owner’s manual of that

device or software for instructions.) The MU15 automatically

receives incoming bulk data.

NOTE

• This operation does not save settings of parameters which cannot be

controlled via MIDI (such as Velocity and Local Control).

Edit Mode

C Simultaneously hold down the PLAY/EDIT button and

press the DUMP OUT button.

DumpOut

V At the “DumpOut” message, press the VALUE /YES

button.

Sure?

Operation

Z Simultaneously hold down the PLAY/EDIT button and

press the INIT ALL button.

X At the “InitAll” message, press the VALUE

/YES

button.

Edit Mode

InitAll

Initialize All

This operation allows you to restore the original factory settings of

the MU15.

CAUTION

• Using Initialize All will erase whatever settings you’ve made on the

MU15. If you have important settings you wish to keep, store them to

a MIDI data recorder with the Dump Out function. (See page 65.)

InitAll

C At the “Sure?” prompt, press the VALUE /YES but-

ton.

An “Execute” message appears in the display during the operation.

Once started, the operation cannot be stopped. When the operation

is completed, a “Complete” message briefly appears.

Sure?

English

Appendix

Troubleshooting

Even though the MU15 is exceptionally easy to use, it may occasionally not

function as you expect it to. If that happens, check the possible problems and

solutions below before assuming that the instrument is faulty.

Possible Cause and Solution

• If you are using an AC adaptor, check that

the adaptor properly plugged into both the

AC outlet and the MU15 (Page 18.)

• If you are using batteries, check that a

fresh set of batteries properly installed in

the battery compartment. (Page 19.)

• Check that the side panel volume control

is set to an appropriate level. (Pages 16,

21.)

• Check that other volume-related param-

eters are set to appropriate levels. (See

Velocity, page 64, and Volume, page 46.)

• Check the Mute and Solo settings.

(Pages 48, 49.) If a Part is being muted,

or an empty Part is being soloed, you may

not get any sound.

• Check that Local Control is set to on.

(Page 64.) Also check the points for “No

Sound” above.

Problem

No power.

No sound.

No sound when playing the

keyboard on the MU15.

No sound when playing the

MU15 from a computer,

sequencer or external

keyboard.

• Check all MIDI connections, making sure

that the MIDI OUT of the external device

is connected to the MIDI IN of the MU15,

and that the MIDI IN of the external

device is connected to the MIDI OUT of

the MU15. (Page 39.) Or, if you are using

the TO HOST terminal with a computer,

make sure that the terminal is properly

connected to the computer and that the

HOST SELECT switch is properly set for

your particular computer. (Page 37.)

• Check the settings of the connected MIDI

device. If Expression and Master Volume

are set to low values, the MU15 may put

out little or no sound.

• Check the Mute setting. (Page 49.) If a

Part is being muted, it will not sound.

• Check the Variation effect settings. If

Variation Connection (page 60) is set to

“INS” and Variation Type is set to

“NoEffect,” the selected Part may not

sound. Also, if Variation Type is set to

“NoEffect” or “Thru” and Dry Level is set

near or at the minimum value, the

selected Part may not sound.

• The maximum polyphony of the MU15

may be exceeded. The MU15 can play no

more than 32 notes at once.

• Check that Local Control is set to “off.”

(Page 64.) Also, check the settings on

your sequencer or computer (such as

“MIDI Thru” or “MIDI Echo”).

• This is normal, if you’ve routed the MU15

to a sequencer or computer and that

device’s “MIDI Thru” or “MIDI Echo”

option is turned on.

Problem Possible Cause and Solution

No sound of a specific Part.

Notes are cut off or omitted.

When using a sequencer or

computer, an unusual “flang-

ing” sound occurs and/or not

all notes seem to sound.

Even though Local Control is

set to “off,” the MU15

continues to sound when

playing the built-in keyboard.

Troubleshooting

English

Error Messages

Errors may occur from time to time, and when they do the MU15 will display a

message to indicate the type of problem so that you can rectify it and return to

normal operation.

“Battery”

The battery voltage is too low for proper operation. Replace the old batteries

with a set of new ones. (Page 19.)

“CheckSum” (Checksum Error)

The checksum of the received System Exclusive message is incorrect. Check

the checksum of the message and try transmitting again. (The checksum

which is calculated for the received data will be displayed.)

“IlglData” (Illegal Data)

A data error resulted during reception of MIDI messages. Try transmitting the

data again, or turn the MU15 off and back on again.

Or the MU15 is connected to a computer via the TO HOST terminal and the

power of the computer is turned off. Turn on your computer again. If this still

doesn’t resolve the problem, turn all equipment off and then back on again.

“BuffFull” (MIDI Buffer Full)

Too much MIDI data is being received by the MU15 at one time. Reduce the

amount of data being sent to the MU15.

“MIDIAdrs” (System Exclusive Address Error)

The data of the received System Exclusive message is incorrect. Check the

address of the message and try transmitting again.

“MIDIData” (System Exclusive Data Error)

An error has been detected in the MIDI System Exclusive data received by the

MU15. Check the data of the message (as to whether it requires an MSB or

LSB header) and try transmitting again.

“BulkSize” (System Exclusive Size Error)

The data of the received System Exclusive message is incorrect. Check the

size of the message and try transmitting again.

Error Messages

Specifications

Tone Generation Method

Advanced Wave Memory 2 (AWM2)

Polyphony

32-note (Dynamic Voice Allocation)

Multi-timbral Capacity

16-Part

Demo Song

1 (not editable, stored in ROM)

Display

Custom LCD (54.5 mm x 29.4 mm)

Controls

PART

, ; VALUE /NO, /YES; XG BANK, PLAY/EDIT; OCT DOWN,

UP; keypad (for playing Voices or accessing Edit functions); ON/STANDBY

switch; HOST SELECT switch; VOLUME control

Jacks and Terminals

MIDI OUT and MIDI IN terminals, TO HOST terminal (8-pin mini DIN), DC IN

jack, LINE OUT/PHONES jack

Host Computer Interface and Data Baud Rate

MIDI — 31,250 bps (bits per second)

Mac — 31,250 bps

PC-1 — 31,250 bps

PC-2 — 38,400 bps

Power Supply

YAMAHA PA-3B AC Power Adaptor (sold separately).

Six “AA” size, SUM-3, R-6 or equivalent batteries (sold separately).

Dimensions (W x D x H)

188 x 104 x 33 mm (7-3/8” x 4-1/8” x 1-5/16”)

Weight

350 g (12.3 oz.) (without batteries)

* Specifications and descriptions in this owner’s manual are for information purposes only.

Yamaha Corp. reserves the right to change or modify products or specifications at any time

without prior notice. Since specifications, equipment or options may not be the same in every

locale, please check with your Yamaha dealer.

English

Index

Attack Time ............................. 52, 53

Banks ...................................... 26, 27

Banks, selecting ............................ 27

batteries, replacing ........................ 19

batteries, using.............................. 19

Chorus ..................................... 32, 58

Chorus Send Level ........................ 59

Chorus Type .................................. 58

computer, connections ............ 38, 39

computer, IBM ........................ 38, 39

computer, Macintosh .............. 38, 39

connections, audio ........................ 20

connections, computer ........... 38, 39

connections, MIDI ................... 20, 39

Cutoff ............................................ 50

Demo Song ................................... 22

Drum Voices .................................. 28

Dry Level ....................................... 62

Dump Out ..................................... 65

editing ..................................... 30, 44

Effect controls ............................... 56

EG (Envelope Generator)............... 52

Filter .............................................. 50

GM (General MIDI) .................... 5, 12

headphones............................. 16, 20

“hidden” parameters ........ 40, 43, 91

Initialize All .................................... 68

INS (Insertion) ......................... 35, 60

Local Control ................................. 64

Master Tune .................................. 63

MIDI ...................... 12, 15, 20, 36, 91

MIDI Channel ................................ 91

MIDI data storage device ........ 36, 65

Mute.............................................. 49

Note Shift ................................ 30, 47

octave setting................................ 29

Pan ................................................ 47

Part controls .................................. 45

Parts .................................. 25, 26, 30

Parts, muting ................................. 49

Parts, selecting.............................. 26

Parts, soloing................................. 48

Play mode ..................................... 43

power adaptor, using..................... 18

Release Time ........................... 52, 53

Resonance .................................... 51

Reverb ..................................... 32, 56

Reverb Send Level ........................ 57

Reverb Type .................................. 57

Solo ............................................... 48

Sound Module mode..................... 43

SYS (System) .......................... 34, 60

TG300B mode ............................... 43

Utility controls ............................... 63

Variation ................................... 33, 59

Variation Connection ............... 34, 60

Variation Send Level ................ 34, 61

Variation Type ................................ 60

Velocity .......................................... 64

Vibrato ........................................... 54

Vibrato Delay ................................. 55

Vibrato Depth ................................ 54

Vibrato Rate ................................... 54

Voices ................................ 10, 24, 25

Voices, selecting ........................... 24

Volume .......................................... 46

XG format .................................. 5, 12

XG mode ....................................... 43

Index

XG Normal Voice List.............................. 76

TG300B Normal Voice List ...................... 78

XG Drum Voice List (Drum Map) ............ 80

TG300B Drum Voice List (Drum Map) .... 82

Effect Type List ....................................... 84

Effect Parameter List .............................. 85

Effect Data Assign Table......................... 90

MIDI Data Format................................... 91

MIDI Implementation Chart ................. 108

Sound List &

MIDI Data

Sound List &

MIDI Data

XG Normal Voice List

Bank Select MSB=000, LSB=Bank Number

Instrument

Group

Program

Bank

Voice Name

Ele-

ment

Program

Voice Name

Ele-

ment

Program

Ele-

ment

Instrument

Group

Bank

Instrument

Group

Bank

Voice Name

Instrument

Group

Program

Bank

Voice Name

Ele-

ment

Piano 1 0 GrandPno 1

1 GrndPnoK 1

18 MelloGrP 1

40 PianoStr 2

41 Dream 2

2 0 BritePno 1

1 BritPnoK 1

3 0 El.Grand 2

1 ElGrPnoK 2

32 Det.CP80 2

40 LayerCP1 2

41 LayerCP2 2

4 0 HnkyTonk 2

1 HnkyTnkK 2

5 0 E.Piano1 2

1 El.Pno1K 1

18 MelloEP1 2

32 Chor.EP1 2

40 HardEl.P 2

45 VX El.P1 2

64 60sEl.P1 1

6 0 E.Piano2 2

1 El.Pno2K 1

32 Chor.EP2 2

33 DX Hard 2

34 DXLegend 2

40 DX Phase 2

41 DX+Analg 2

42 DXKotoEP 2

45 VX El.P2 2

7 0 Harpsi. 1

1 Harpsi.K 1

25 Harpsi.2 2

35 Harpsi.3 2

8 0 Clavi 2

1 Clavi K 1

27 ClaviWah 2

64 PulseClv 1

65 PierceCl 2

Chromatic 9 0 Celesta 1

Percussion 10 0 Glocken 1

11 0 MusicBox 2

64 Orgel 2

12 0 Vibes 1

1 Vibes K 1

45 HardVibe 2

13 0 Marimba 1

1 MarimbaK 1

64 SineMrmb 2

97 Balimba 2

98 Log Drum 2

14 0 Xylophon 1

15 0 TubulBel 1

96 ChrchBel 2

97 Carillon 2

16 0 Dulcimer 1

35 Dulcimr2 2

96 Cimbalom 2

97 Santur 2

Organ 17 0 DrawOrgn 1

32 DetDrwOr 2

33 60sDrOr1 2

34 60sDrOr2 2

35 70sDrOr1 2

36 DrawOrg2 2

37 60sDrOr3 2

38 Even Bar 2

40 16+2"2/3 2

64 Organ Ba 1

65 70sDrOr2 2

66 CheezOrg 2

67 DrawOrg3 2

18 0 PercOrgn 1

24 70sPcOr1 2

32 DetPrcOr 2

33 Lite Org 2

37 PercOrg2 2

19 0 RockOrgn 2

64 RotaryOr 2

65 SloRotar 2

66 FstRotar 2

20 0 ChrchOrg 2

32 ChurOrg3 2

35 ChurOrg2 2

40 NotreDam 2

64 OrgFlute 2

65 TrmOrgFl 2

21 0 ReedOrgn 1

40 Puff Org 2

22 0 Acordion 2

32 AccordIt 2

23 0 Harmnica 1

32 Harmo. 2 2

24 0 TangoAcd 2

64 TngoAcd2 2

Guitar 25 0 NylonGtr 1

16 NylonGt2 1

25 NylonGt3 2

43 VelGtHrm 2

96 Ukulele 1

26 0 SteelGtr 1

16 SteelGt2 1

35 12StrGtr 2

40 Nyln&Stl 2

41 Stl&Body 2

96 Mandolin 2

27 0 Jazz Gtr 1

18 MelloGtr 1

32 Jazz Amp 2

28 0 CleanGtr 1

32 ChorusGt 2

29 0 Mute Gtr 1

40 FunkGtr1 2

41 MuteStlG 2

43 FunkGtr2 2

45 Jazz Man 2

30 0 Ovrdrive 1

43 Gt.Pinch 2

31 0 Dist.Gtr 1

40 FeedbkGt 2

41 FeedbkG2 2

32 0 GtrHarmo 1

65 GtFeedbk 1

66 GtrHrmo2 1

Bass 33 0 Aco.Bass 1

40 JazzRthm 2

45 VXUprght 2

34 0 FngrBass 1

18 FingrDrk 2

27 FlangeBa 2

40 Ba&DstEG 2

43 FngrSlap 2

45 FngBass2 2

65 Mod.Bass 2

35 0 PickBass 1

28 MutePkBa 1

36 0 Fretless 1

32 Fretles2 2

33 Fretles3 2

34 Fretles4 2

96 SynFretl 2

97 SmthFrtl 2

37 0 SlapBas1 1

27 ResoSlap 1

32 PunchThm 2

38 0 SlapBas2 1

43 VeloSlap 2

39 0 SynBass1 1

18 SynBa1Dk 1

20 FastResB 1

24 AcidBass 1

35 Clv Bass 2

40 TechnoBa 2

64 Orbiter 2

65 Sqr.Bass 2

66 RubberBa 2

96 Hammer 2

40 0 SynBass2 2

6 MelloSBa 1

12 Seq Bass 2

18 ClkSynBa 2

19 SynBa2Dk 1

32 SmthSynB 2

40 ModulrBa 2

41 DX Bass 2

64 X WireBa 2

Strings 41 0 Violin 1

8 Slow Vln 1

42 0 Viola 1

43 0 Cello 1

44 0 Contrabs 1

45 0 Trem.Str 1

8 SlwTrStr 1

40 Susp.Str 2

46 0 Pizz.Str 1

47 0 Harp 1

40 YangChin 2

48 0 Timpani 1

Ensemble 49 0 Strings1 1

3 S.Strngs 2

8 Slow Str 1

24 Arco Str 2

35 60sStrng 2

40 Orchestr 2

41 Orchstr2 2

42 TremOrch 2

45 VeloStr 2

50 0 Strings2 1

3 S.SlwStr 2

8 LegatoSt 2

40 Warm Str 2

41 Kingdom 2

64 70s Str 1

65 Strings3 1

51 0 Syn Str1 2

27 Reso Str 2

64 Syn Str4 2

65 Syn Str5 2

52 0 Syn Str2 2

53 0 ChoirAah 1

3 S.Choir 2

16 Ch.Aahs2 2

32 MelChoir 2

40 ChoirStr 2

54 0 VoiceOoh 1

55 0 SynVoice 1

40 SyVoice2 2

41 Choral 2

64 AnaVoice 1

56 0 Orch.Hit 2

35 OrchHit2 2

64 Impact 2

Brass 57 0 Trumpet 1

16 Trumpet2 1

17 BriteTrp 2

32 Warm Trp 2

58 0 Trombone 1

18 Trmbone2 2

59 0 Tuba 1

16 Tuba 2 1

60 0 Mute Trp 1

61 0 Fr. Horn 1

6 FrHrSolo 1

32 FrHorn 2 2

37 HornOrch 2

62 0 BrssSect 1

35 Tp&TbSec 2

40 BrssSec2 2

41 Hi Brass 2

42 MelloBrs 2

63 0 SynBrss1 2

12 Quack Br 2

20 RezSynBr 2

24 PolyBrss 2

27 SynBrss3 2

32 JumpBrss 2

45 AnVelBr1 2

64 AnaBrss1 2

64 0 SynBrss2 1

18 Soft Brs 2

40 SynBrss4 2

41 ChoirBrs 2

45 AnVelBr2 2

64 AnaBrss2 2

Bank 0 : (GM)

Bank 1 : Key Scale

Panning

Bank 3 : Stereo

Bank 6 : Single

Bank 8 : Slow

Bank 12 : Fast Decay

Bank 14 : Double Attack

Bank 16 : Bright 1

Bank 17 : Bright 2

Bank 18 : Dark 1

Bank 19 : Dark 2

Bank 20 : Resonant

Bank 24 : Attack

Bank 25 : Release

Bank 27 : Reso Sweep

Bank 28 : Muted

Bank 32 : Detune 1

Bank 33 : Detune 2

Bank 34 : Detune 3

Bank 35 : Octave 1

Bank 36 : Octave 2

Bank 37 : 5th 1

Bank 38 : 5th 2

Bank 39 : Bend

Bank 40 : Tutti 1

Bank 41 : Tutti 2

Bank 42 : Tutti 3

Bank 43 : Velo-Switch

Bank 45 : Velo-Xfade

Bank 64 : Other waves 1

Bank 65 : Other waves 2

Bank 66 : Other waves 3

Bank 67 : Other waves 4

Bank 68 : Other waves 5

Bank 69 : Other waves 6

Bank 70 : Other waves 7

Bank 71 : Other waves 8

Bank 72 : Other waves 9

Bank 96 : Other Instruments 1

Bank 97 : Other Instruments 2

Bank 98 : Other Instruments 3

Bank 99 : Other Instruments 4

Bank 100 : Other Instruments 5

Bank 101 : Other Instruments 6

Program

Ele-

ment

Instrument

Group

Bank

Voice Name

Program

Ele-

ment

Instrument

Group

Bank

Voice Name

Program

Ele-

ment

Instrument

Group

Bank

Voice Name

Reed 65 0 SprnoSax 1

66 0 Alto Sax 1

40 Sax Sect 2

43 HyprAlto 2

67 0 TenorSax 1

40 BrthTnSx 2

41 SoftTenr 2

64 TnrSax 2 1

68 0 Bari.Sax 1

69 0 Oboe 2

70 0 Eng.Horn 1

71 0 Bassoon 1

72 0 Clarinet 1

Pipe 73 0 Piccolo 1

74 0 Flute 1

75 0 Recorder 1

76 0 PanFlute 1

77 0 Bottle 2

78 0 Shakhchi 2

79 0 Whistle 1

80 0 Ocarina 1

Synth Lead 81 0 SquareLd 2

6 SquarLd2 1

8 LMSquare 2

18 Hollow 1

19 Shroud 2

64 Mellow 2

65 SoloSine 2

66 SineLead 1

82 0 Saw Ld 2

6 Saw Ld 2 1

8 ThickSaw 2

18 Dyna Saw 1

19 Digi Saw 2

20 Big Lead 2

24 HeavySyn 2

25 WaspySyn 2

40 PulseSaw 2

41 Dr.Lead 2

45 VeloLead 2

96 Seq Ana. 2

83 0 CaliopLd 2

65 PureLead 2

84 0 Chiff Ld 2

64 Rubby 2

85 0 CharanLd 2

64 DistLead 2

65 WireLead 2

86 0 Voice Ld 2

24 SynthAah 2

64 Vox Lead 2

87 0 Fifth Ld 2

35 Big Five 2

88 0 Bass &Ld 2

16 Big&Low 2

64 Fat&Prky 2

65 Soft Wrl 2

Synth Pad 89 0 NewAgePd 2

64 Fantasy 2

90 0 Warm Pad 2

16 ThickPad 2

17 Soft Pad 2

18 Sine Pad 2

64 Horn Pad 2

65 RotarStr 2

91 0 PolySyPd 2

64 PolyPd80 2

65 ClickPad 2

66 Ana. Pad 2

67 SquarPad 2

Synth Pad 92 0 ChoirPad 2

64 Heaven 2

66 Itopia 2

67 CC Pad 2

93 0 BowedPad 2

64 Glacier 2

65 GlassPad 2

94 0 MetalPad 2

64 Tine Pad 2

65 Pan Pad 2

95 0 Halo Pad 2

96 0 SweepPad 2

20 Shwimmer 2

27 Converge 2

64 PolarPad 2

66 Celstial 2

Synth 97 0 Rain 2

Effects 45 ClaviPad 2

64 HrmoRain 2

65 AfrcnWnd 2

66 Carib 2

98 0 SoundTrk 2

27 Prologue 2

64 Ancestrl 2

99 0 Crystal 2

12 SynDrCmp 2

14 Popcorn 2

18 TinyBell 2

35 RndGlock 2

40 GlockChi 2

41 ClearBel 2

42 ChorBell 2

64 SynMalet 1

65 SftCryst 2

66 LoudGlok 2

67 ChrstBel 2

68 VibeBell 2

69 DigiBell 2

70 AirBells 2

71 BellHarp 2

72 Gamelmba 2

100 0 Atmosphr 2

18 WarmAtms 2

19 HollwRls 2

40 Nylon EP 2

64 NylnHarp 2

65 Harp Vox 2

66 AtmosPad 2

67 Planet 2

101 0 Bright 2

64 FantaBel 2

96 Smokey 2

102 0 Goblins 2

64 GobSynth 2

65 Creeper 2

66 Ring Pad 2

67 Ritual 2

68 ToHeaven 2

70 Night 2

71 Glisten 2

96 BelChoir 2

103 0 Echoes 2

8 Echoes 2 2

14 Echo Pan 2

64 EchoBell 2

65 Big Pan 2

66 SynPiano 2

67 Creation 2

68 StarDust 2

69 Reso&Pan 2

104 0 Sci-Fi 2

64 Starz 2

Ethnic 105 0 Sitar 1

32 DetSitar 2

35 Sitar 2 2

96 Tambra 2

97 Tamboura 2

106 0 Banjo 1

28 MuteBnjo 1

96 Rabab 2

97 Gopichnt 2

98 Oud 2

107 0 Shamisen 1

108 0 Koto 1

96 Taisho-k 2

97 Kanoon 2

109 0 Kalimba 1

110 0 Bagpipe 2

111 0 Fiddle 1

112 0 Shanai 1

64 Shanai 2 1

96 Pungi 1

97 Hichriki 2

Percussive 113 0 TnklBell 2

96 Bonang 2

97 Altair 2

98 Gamelan 2

99 S.Gamlan 2

100 Rama Cym 2

101 AsianBel 2

114 0 Agogo 2

115 0 SteelDrm 2

97 GlasPerc 2

98 ThaiBell 2

116 0 Woodblok 1

96 Castanet 1

117 0 TaikoDrm 1

96 Gr.Cassa 1

118 0 MelodTom 2

64 Mel Tom2 1

65 Real Tom 2

66 Rock Tom 2

119 0 Syn Drum 1

64 Ana Tom 1

65 ElecPerc 2

120 0 RevCymbl 1

Sound 121 0 FretNoiz 2

Effects 122 0 BrthNoiz 2

123 0 Seashore 2

124 0 Tweet 2

125 0 Telphone 1

126 0 Helicptr 1

127 0 Applause 1

128 0 Gunshot 1

Ele-

ment

Program

MSB=064

LSB=000

Ele-

ment

MSB=064

LSB=000

Program

1 CuttngNz 1

2 CttngNz2 2

4 Str Slap 1

17 Fl.KClik 1

33 Shower 2

34 Thunder 1

35 Wind 1

36 Stream 2

37 Bubble 2

38 Feed 2

49 Dog 1

50 Horse 1

51 Tweet 2 1

55 Ghost 2

56 Maou 2

65 PhonCall 1

66 DoorSqek 1

67 DoorSlam 1

68 ScratchC 1

69 ScratchS 2

70 WindChim 1

71 Telphon2 1

81 CarEIgnt 1

82 CarTSqel 1

83 Car Pass 1

84 CarCrash 1

85 Siren 2

86 Train 1

87 JetPlane 2

88 Starship 2

89 Burst 2

90 Coaster 2

91 Submarin 2

97 Laugh 1

98 Scream 1

99 Punch 1

100 Heart 1

101 FootStep 1

102

103

104

105

106

107

108

109

110

111

112

113 MchinGun 1

114 LaserGun 2

115 Xplosion 2

116 Firework 2

117

118

119

120

121

122

123

124

125

126

127

128

Bank Select

MSB=064, LSB=000

SFX voice

: No Sound

XG Normal Voice List

TG300B Normal Voice List

Program

Voice Name

Ele-

ment

Program

Ele-

ment

Instrument

Group

Bank

Instrument

Group

Bank

Voice Name

Program

Ele-

ment

Instrument

Group

Bank

Voice Name

Instrument

Group

Program

Bank

Voice Name

Ele-

ment

Piano 1 0 GrandPno 1

8 GrndPnoK 1

16 MelloGrP 1

126 A-Piano1 2

127 a.piano1 1

2 0 BritePno 1

8 BritPnoK 1

126 A-Piano2 2

127 a.piano2 1

3 0 El.Grand 2

1 LayerCP1 2

2 LayerCP2 2

8 ElGrPnoK 2

126 A-Piano3 2

127 a.piano3 1

4 0 HnkyTonk 2

8 HnkyTnkK 2

126 A-Piano4 2

127 e.piano1 1

5 0 E.Piano1 2

8 Chor.EP1 2

16 VX El.P1 2

24 60sEl.P1 1

25 HardEl.P 2

26 MelloEP1 2

32 El.Pno1K 1

126 A-Piano5 1

127 e.piano2 1

6 0 E.Piano2 2

8 Chor.EP2 2

16 VX El.P2 2

24 DX Hard 2

32 El.Pno2K 1

126 A-Piano6 1

127 e.piano3 1

7 0 Harpsi. 1

8 Harpsi.3 2

16 Harpsi.K 1

24 Harpsi.2 2

126 A-Piano7 1

127 e.piano4 1

8 0 Clavi 2

8 Clavi K 1

126 E-Piano1 2

127 hnkytnk 2

Chromatic 9 0 Celesta 1

Percussion 126 E-Piano2 2

127 e.organ1 2

10 0 Glocken 1

126 E-Piano3 2

127 e.organ2 2

11 0 MusicBox 2

126 A-Guitr1 1

127 e.organ3 1

12 0 Vibes 1

1 HardVibe 2

8 Vibes K 1

126 A-Guitr2 2

127 e.organ4 1

13 0 Marimba 1

8 MarimbaK 1

17 Balimba 2

24 Log Drum 2

126 A-Guitr3 2

127 pipeorg1 2

14 0 Xylophon 1

126 E-Guitr1 2

127 pipeorg2 2

15 0 TubulBel 1

8 ChrchBel 2

9 Carillon 2

126 E-Guitr2 1

127 pipeorg3 2

16 0 Dulcimer 1

1 Dulcimr2 2

8 Cimbalom 2

126 Slap-1 2

127 acordion 2

Organ 17 0 DrawOrgn 1

1 70sDrOr1 2

8 DetDrwOr 2

9 70sDrOr2 2

16 60sDrOr1 2

17 60sDrOr2 2

18 60sDrOr3 2

24 CheezOrg 2

32 DrawOrg2 2

33 Even Bar 2

40 Organ Ba 1

126 Slap-2 2

127 harpsi1 1

18 0 PercOrgn 1

1 70sPcOr1 2

8 DetPrcOr 2

32 PercOrg2 2

126 Slap-3 2

127 harpsi2 2

19 0 RockOrgn 2

8 RotaryOr 2

16 SloRotar 2

24 FstRotar 2

126 Slap-4 2

127 harpsi3 1

20 0 ChrchOrg 2

8 ChurOrg2 2

16 ChurOrg3 2

24 OrgFlute 2

32 TrmOrgFl 2

126 Slap-5 2

127 clavi1 1

21 0 ReedOrgn 1

126 Slap-6 2

127 clavi2 1

22 0 Acordion 2

8 AccordIt 2

126 Slap-7 2

127 clavi3 1

23 0 Harmnica 1

1 Harmo. 2 2

126 Slap-8 2

127 celesta1 1

24 0 TangoAcd 2

126 Finger-1 1

127 celesta2 1

Guitar 25 0 NylonGtr 1

8 Ukulele 1

16 NylonGt3 2

24 VelGtHrm 2

32 NylonGt2 1

40 LequintG 1

126 Finger-2 2

127 synbras1 2

26 0 SteelGtr 1

8 12StrGtr 2

9 Nyln&Stl 2

16 Mandolin 2

32 SteelGt2 1

126 Picked-1 1

127 synbras2 2

27 0 Jazz Gtr 1

1 MelloGtr 1

8 PdlSteel 1

126 Picked-2 2

127 synbras3 2

28 0 CleanGtr 1

8 ChorusGt 2

126 FretlsBs 1

127 synbras4 2

Guitar 29 0 Mute Gtr 1

8 FunkGtr1 2

16 FunkGtr2 2

126 A-Bass 2

127 synbass1 1

30 0 Ovrdrive 1

126 Choir-1 1

127 synbass2 1

31 0 Dist.Gtr 1

8 FeedbkGt 2

9 FeedbkG2 2

126 Choir-2 1

127 synbass3 2

32 0 GtrHarmo 1

8 GtFeedbk 1

126 Choir-3 2

127 synbass4 1

Bass 33 0 Aco.Bass 1

126 Choir-4 2

127 newagepd 2

34 0 FngrBass 1

1 FngBass2 2

126 Strngs-1 2

127 synharmo 2

35 0 PickBass 1

8 MutePkBa 1

126 Strngs-2 2

127 choir pd 2

36 0 Fretless 1

1 Fretles2 2

2 Fretles3 2

3 Fretles4 2

4 SynFretl 2

5 SmthFrtl 2

126 Strngs-3 2

127 bowed pd 2

37 0 SlapBas1 1

8 ResoSlap 1

126 Strngs-4 2

127 soundtrk 2

38 0 SlapBas2 1

126 E-Organ1 2

127 atmosphr 2

39 0 SynBass1 1

1 SynBa1Dk 1

8 AcidBass 1

9 FastResB 1

10 TechnoBa 2

16 ResoBass 1

126 E-Organ2 2

127 syn warm 2

40 0 SynBass2 2

1 ClkSynBa 2

2 ModulrBa 2

3 Seq Bass 2

8 DX Bass 2

9 X WireBa 2

16 RubberBa 2

17 SynBa2Dk 1

18 MelloSBa 1

19 SmthSynB 2

126 E-Organ3 2

127 synfunny 1

Strings 41 0 Violin 1

8 Slow Vln 1

126 E-Organ4 2

127 synecho1 2

42 0 Viola 1

126 E-Organ5 2

127 rain 2

43 0 Cello 1

126 E-Organ6 2

127 synoboe 2

44 0 Contrabs 1

126 E-Organ7 2

127 synecho2 2

45 0 Trem.Str 1

8 SlwTrStr 1

9 Susp.Str 2

126 E-Organ8 2

127 synsolo 2

46 0 Pizz.Str 1

126 E-Organ9 2

127 synrdorg 2

47 0 Harp 1

126 SoftTP-1 1

127 synbell 1

48 0 Timpani 1

126 SoftTP-2 1

127 squareld 2

Ensemble 49 0 Strings1 1

1 Slow Str 1

8 Orchestr 2

9 Orchstr2 2

10 TremOrch 2

11 ChoirStr 2

16 S.Strngs 2

24 Velo.Str 2

126 TP/TRB-1 1

127 strsect1 2

50 0 Strings2 1

1 70s Str 1

8 LegatoSt 2

9 Warm Str 2

10 S.SlwStr 2

126 TP/TRB-2 1

127 strsect2 2

51 0 Syn Str1 2

1 Syn Str4 2

126 TP/TRB-3 1

127 strsect3 2

52 0 Syn Str2 2

126 TP/TRB-4 1

127 pizz.str 1

53 0 ChoirAah 1

8 S.Choir 2

9 MelChoir 2

32 Ch.Aahs2 2

126 TP/TRB-5 2

127 violin 1 2

54 0 VoiceOoh 1

126 TP/TRB-6 2

127 violin 2 1

55 0 SynVoice 1

8 SyVoice2 2

126 Sax-1 1

127 cello 1 1

56 0 Orch.Hit 2

1 OrchHit2 2

8 Impact 2

16 LoFiRave 2

126 Sax-2 1

127 cello 2 1

Bank Select MSB=Bank Number, LSB=000

Program

Ele-

ment

Instrument

Group

Bank

Voice Name

Program

Ele-

ment

Instrument

Group

Bank

Voice Name

Program

Ele-

ment

Instrument

Group

Bank

Voice Name

Program

Ele-

ment

Instrument

Group

Bank

Voice Name

Brass 57 0 Trumpet 1

1 Trumpet2 1

24 BriteTrp 2

25 Warm Trp 2

126 Sax-3 1

127 contrabs 1

58 0 Trombone 1

1 Trmbone2 2

126 Sax-4 2

127 harp 1 1

59 0 Tuba 1

1 Tuba 2 1

126 Brass-1 1

127 harp 2 1

60 0 Mute Trp 1

126 Brass-2 1

127 guitar 1 1

61 0 Fr. Horn 1

1 FrHorn 2 2

8 FrHrSolo 1

16 HornOrch 2

126 Brass-3 2

127 guitar 2 1

62 0 BrssSect 1

8 BrssSec2 2

126 Brass-4 2

127 elecgtr1 2

63 0 SynBrss1 2

1 PolyBrss 2

8 SynBrss3 2

9 Quack Br 2

16 AnaBrss1 2

126 Brass-5 2

127 elecgtr2 2

64 0 SynBrss2 1

1 Soft Brs 2

8 SynBras4 2

16 AnaBrss2 2

17 VelBras2 2

126 Orch-Hit 1

127 sitar 1

Reed 65 0 SprnoSax 1

127 a.bass 1 1

66 0 Alto Sax 1

8 HyprAlto 2

127 a.bass 2 1

67 0 TnrSax 2 1

8 BrthTnSx 2

127 e.bass 1 1

68 0 Bari.Sax 1

127 e.bass 2 1

69 0 Oboe 2

127 slapbas1 1

70 0 Eng.Horn 1

127 slapbas2 1

71 0 Bassoon 1

127 fretles1 1

72 0 Clarinet 1

127 fretles2 1

Pipe 73 0 Piccolo 1

127 flute1 1

74 0 Flute 1

127 flute2 1

75 0 Recorder 1

127 piccolo1 1

76 0 PanFlute 1

127 piccolo2 2

77 0 Bottle 2

127 recorder 1

78 0 Shakhchi 2

127 panpipes 2

79 0 Whistle 1

127 sax1 2

80 0 Ocarina 1

127 sax2 1

Synth Lead 81 0 SquareLd 2

1 SquarLd2 1

2 Hollow 1

3 Mellow 2

4 SoloSine 2

5 Shroud 2

6 LMSquare 2

8 SineLead 1

127 sax3 1

82 0 Saw Ld 2

1 Saw Ld 2 1

2 PulseSaw 2

3 ThickSaw 2

4 Big Lead 2

5 VeloLead 2

6 HeavySyn 2

7 Dyna Saw 1

8 Dr.Lead 2

16 WaspySyn 2

127 sax4 1

83 0 CaliopLd 2

2 PureLead 2

127 clarint1 1

84 0 Chiff Ld 2

127 clarint2 1

85 0 CharanLd 2

8 DistLead 2

127 oboe 1

86 0 Voice Ld 2

127 eng.horn 1

87 0 Fifth Ld 2

1 Big Five 2

127 bassoon 1

88 0 Bass &Ld 2

1 Big&Low 2

2 Fat&Prky 2

127 harmnica 1

Synth Pad 89 0 NewAgePd 2

1 Fantasy 2

127 trumpet1 1

90 0 Warm Pad 2

1 ThickPad 2

2 Horn Pad 2

3 RotarStr 2

4 Soft Pad 2

127 trumpet2 1

91 0 PolySyPd 2

1 PolyPd80 2

127 trmbone1 2

92 0 ChoirPad 2

1 Heaven 2

127 trmbone2 2

93 0 BowedPad 2

127 fr.horn1 1

94 0 MetalPad 2

1 Tine Pad 2

2 Pan Pad 2

127 fr.horn2 2

95 0 Halo Pad 2

127 tuba 2

96 0 SweepPad 2

1 PolarPad 2

8 Converge 2

9 Shwimmer 2

10 Celstial 2

127 brssect1 1

Synth 97 0 Rain 2

Effects 1 HrmoRain 2

2 AfrcnWnd 2

8 ClaviPad 2

127 brssect2 2

98 0 SoundTrk 2

1 Ancestrl 2

2 Prologue 2

127 vibe1 1

99 0 Crystal 2

1 SynMalet 1

2 SftCryst 2

3 RndGlock 2

4 LoudGlok 2

5 GlockChi 2

6 ClearBel 2

7 ChrstBel 2

8 VibeBell 2

9 DigiBell 2

16 ChorBell 2

17 AirBells 2

18 BellHarp 2

19 Gamelmba 2

127 vibe2 1

100 0 Atmosphr 2

1 WarmAtms 2

2 NylnHarp 2

3 Harp Vox 2

4 HollwRls 2

5 Nylon EP 2

6 AtmosPad 2

127 symallet 1

101 0 Bright 2

127 maletwin 2

102 0 Goblins 2

1 GobSynth 2

2 Creeper 2

127 glocken 2

103 0 Echoes 2

1 EchoBell 2

2 Echo Pan 2

3 Echoes 2 2

4 Big Pan 2

6 SynPiano 2

127 tubulbel 1

104 0 Sci-Fi 2

1 Starz 2

127 xylophen 1

Ethnic 105 0 Sitar 1

1 Sitar 2 2

2 DetSitar 2

8 Tambra 2

16 Tamboura 2

127 marimba 2

106 0 Banjo 1

1 MuteBnjo 1

8 Rabab 2

16 Gopichnt 2

24 Oud 2

127 koto 1

107 0 Shamisen 1

127 sho 2

108 0 Koto 1

8 Taisho-k 2

16 Kanoon 2

127 shakhchi 2

109 0 Kalimba 1

127 whistle1 2

110 0 Bagpipe 2

127 whistle2 1

111 0 Fiddle 1

127 bottle 2

112 0 Shanai 1

1 Shanai 2 1

8 Pungi 1

16 Hichriki 2

127 breath 2

Percussive 113 0 TnklBell 2

8 Bonang 2

9 Altair 2

10 Gamelan 2

11 S.Gamlan 2

16 Rama Cym 2

127 timpani 1

114 0 Agogo 2

127 melotom 1

115 0 SteelDrm 2

127 deepsnar 1

116 0 Woodblok 1

8 Castanet 1

127 e.perc1 1

117 0 TaikoDrm 1

8 Gr.Cassa 1

127 e.perc2 1

118 0 MelodTom 2

1 Real Tom 2

8 Mel Tom2 1

9 Rock Tom 2

127 taiko 1

119 0 Syn Drum 1

8 Ana Tom 1

9 ElecPerc 2

127 taikorim 1

120 0 RevCymbl 1

127 cymbal 2

Sound 121 0 FretNoiz 2

Effects 1 CuttngNz 1

2 Str Slap 1

3 CttngNz2 2

127 castanet 1

122 0 BrthNoiz 2

1 Fl.KClik 1

127 triangle 1

123 0 Seashore 2

1 Shower 2

2 Thunder 1

3 Wind 1

4 Stream 2

5 Bubble 2

127 orchehit 1

124 0 Tweet 2

1 Dog 1

2 Horse 1

3 Tweet 2 1

127 telphone 1

125 0 Telphone 1

1 PhonCall 1

2 DoorSqek 1

3 DoorSlam 1

4 ScratchC 1

5 WindChim 1

7 ScratchS 2

127 bird 1

126 0 Helicptr 1

1 CarEIgnt 1

2 CarTSqel 1

3 Car Pass 1

4 CarCrash 1

5 Siren 2

6 Train 1

7 Jetplane 2

8 Starship 2

9 Burst 2

16 Coaster 2

127 jam 1

127 0 Applause 1

1 Laugh 1

2 Scream 1

3 Punch 1

4 Heart 1

5 FootStep 1

127 efctwatr 2

128 0 Gunshot 1

1 MchinGun 1

2 LaserGun 2

3 Xplosion 2

127 efctjngl 2

TG300B Normal Voice List

XG Drum Voice List (Drum Map)

13 C# -1 3 Surdo Mute

14 D -1 3 Surdo Open

15 D# -1 Hi Q

16 E -1 Whip Slap

17 F -1 4 Scratch H

18 F# -1 4 Scratch L

19 G -1 Finger Snap

20 G# -1 Click Noise

21 A -1 Mtrnm Click

22 A# -1 Mtrnm Bell

23 B -1 Seq Click L

24 C 0 Seq Click H

25 C# 0 Brush Tap

26 D 0 O Brush Swirl

27 D# 0 Brush Slap

28 E 0 O BrushTapSwrl ReversCymbal ReversCymbal

29 F 0 O Snare Roll Snare Roll 2

30 F# 0 Castanet Hi Q 2 Hi Q 2

31 G 0 Snare Soft Snare Soft 2 Snare Noisy SnrSnpyElctr SnareNoisy 4 Brush Slap 2

32 G# 0 Sticks

33 A 0 Kick Soft Kick Tight 2 Kick 3 Kick Tight 2 Kick Soft 2

34 A# 0 OpenRimShot RimShotHShrt

35 B 0 Kick Tight KickTghtShrt Kick 2 Kick Gate KickAnlgShrt Gran Cassa

36 C 1 Kick Kick Short Kick Gate KckGateHeavy Kick Analog Kick Jazz Kick Small GranCassa Mu CuttingNoiz Phone Call

37 C# 1 Side Stick SideStickAn CuttingNoiz Door Squeak

38 D 1 Snare Snare Short

Snare Snappy

Snare Rock SnareNoisy 2 SnareAnalog Brush Slap 3 Band Snare Door Slam

39 D# 1 Hand Clap String Slap Scratch Cut

40 E 1 Snare Tight SnareTight H SnrTightSnpy

Snare Rock Rim

SnareNoisy 3 SnareAnalog2 Brush Tap 2 Band Snare 2 Scratch H 3

41 F 1 Floor Tom L Tom Room 1 Tom Rock 1 TomElectro 1 Tom Analog 1 Tom Jazz 1 Tom Brush 1 Tom Jazz 1 Wind Chime

42 F# 1 1 Hi-HatClosed HatCloseAnlg Telephone 2

43 G 1 Floor Tom H Tom Room 2 Tom Rock 2 TomElectro 2 Tom Analog 2 Tom Jazz 2 Tom Brush 2 Tom Jazz 2

44 G# 1 1 Hi-Hat Pedal HatCloseAn 2

45 A 1 Low Tom Tom Room 3 Tom Rock 3 TomElectro 3 Tom Analog 3 Tom Jazz 3 Tom Brush 3 Tom Jazz 3

46 A# 1 1 Hi-Hat Open HatOpen Anlg

47 B 1 Mid Tom L Tom Room 4 Tom Rock 4 TomElectro 4 Tom Analog 4 Tom Jazz 4 Tom Brush 4 Tom Jazz 4

48 C 2 Mid Tom H Tom Room 5 Tom Rock 5 TomElectro 5 Tom Analog 5 Tom Jazz 5 Tom Brush 5 Tom Jazz 5

49 C# 2 CrashCymbal1 Crash Analog Hand Cymbal

50 D 2 High Tom Tom Room 6 Tom Rock 6 TomElectro 6 Tom Analog 6 Tom Jazz 6 Tom Brush 6 Tom Jazz 6

51 D# 2 RideCymbal 1 HandCymShort

52 E 2 Chinese Cym Fl.Key Click CarEngnIgnit

53 F 2 Ride Cym Cup CarTireSqeal

54 F# 2 Tambourine Car Passing

55 G 2 SplashCymbal Car Crash

Bank MSB# 127 127 127 127 127 127 127 127 127 126 126

Program # 1 2 9 17 25 26 33 41 49 1 2

Note# Note Key Alternate

off assign StandKit StndKit2 Room Kit Rock Kit ElctrKit AnalgKit Jazz Kit BrushKit SymphKit SFXKit 1 SFXKit 2

Bank Select MSB=Bank Number, LSB=000

56 G# 2 Cowbell Cowbell Anlg Siren

57 A 2 CrashCymbal2 HandCymbal 2 Train

58 A# 2 Vibraslap Jet Plane

59 B 2 RideCymbal 2 HandCym2Shrt Starship

60 C 3 Bongo H Burst

61 C# 3 Bongo L Coaster

62 D 3 Conga H Mute Conga Anlg H Submarine

63 D# 3 Conga H Open Conga Anlg M

64 E 3 Conga L Conga Anlg L

65 F 3 Timbale H

66 F# 3 Timbale L

67 G 3 Agogo H

68 G# 3 Agogo L Shower Laugh

69 A 3 Cabasa Thunder Scream

70 A# 3 Maracas Maracas 2 Wind Punch

71 B 3 O SambaWhistlH Stream Heartbeat

72 C 4 O SambaWhistlL Bubble Footsteps

73 C# 4 Guiro Short Feed

74 D 4 O Guiro Long

75 D# 4 Claves Claves 2

76 E 4 Wood Block H

77 F 4 Wood Block L

78 F# 4 Cuica Mute Scratch H 2 Scratch H 2

79 G 4 Cuica Open Scratch L 2 Scratch L 2

80 G# 4 2 TriangleMute

81 A 4 2 TriangleOpen

82 A# 4 Shaker

83 B 4 Jingle Bells

84 C 5 Bell Tree Dog Machine Gun

85 C# 5 Horse Laser Gun

86 D 5 Bird Tweet 2 Explosion

87 D# 5 FireWork

88 E 5

89 F 5

90 F# 5 Gorst

91 G 5 Maou

: Same as StandKit

: No Sound

* Drum and percussion sounds assigned to the same Alternate

Assign numbered group cannot be sounded simultaneously.

For example, the Hi-Hat Open sound (group 1) and Hi-Hat

Closed sound (also group 1) cannot be sounded at the same time.

XG Drum Voice List (Drum Map)

TG300B Drum Voice List (Drum Map)

25 C# 0 SnareRoll TG

26 D 0 FingerSnapTG

27 D# 0 Hi Q TG HatCloseOrch

28 E 0 Whip Slap TG HatPedalOrch

29 F 0 7 Scratch H TG HatOpen Orch

30 F# 0 7 Scratch L TG RideCym1Orch

31 G 0 Sticks TG

32 G# 0 ClickNoiseTG

33 A 0 MtrnmClickTG

34 A# 0 MtrnmBell TG

35 B 0 Kick Tight Kick Orch

36 C 1 Kick Kick Power Kick El TG Kick Analog Kick Jazz Kick Small GranCassa Or

37 C# 1 Side Stick SideStickAn

38 D 1 Snare Snare Power Snare El TG SnareAnalog

Brush Tap TG

BandSnare TG

39 D# 1 Hand Clap

BrushSlap TG

CastanetTG 2 Hi Q TG

40 E 1 Snare Tight SnarePower 2

BrushSwirlTG BandSnare TG

Whip Slap TG Snare El CM

41 F 1 Floor Tom L Tom Room 1 Tom Room 1 TomElectro 1 Tom Analog 1 Tom Jazz 1 Tom Jazz 1 Timpani F Scratch H TG

42 F# 1 1 Hi-HatClosed HatCloseAnlg Timpani F# Scratch L TG

43 G 1 Floor Tom H Tom Room 2 Tom Room 2 TomElectro 2 Tom Analog 2 Tom Jazz 2 Tom Jazz 2 Timpani G Sticks TG

44 G# 1 1 Hi-Hat Pedal HatCloseAn 2 Timpani G# ClickNoiseTG HatOpShrt CM

45 A 1 Low Tom Tom Room 3 Tom Room 3 TomElectro 3 Tom Analog 3 Tom Jazz 3 Tom Jazz 3 Timpani A MtrnmClickTG

46 A# 1 1 Hi-Hat Open HatOpen Anlg Timpani A# MtrnmBell TG Hat Open CM

47 B 1 Mid Tom L Tom Room 4 Tom Room 4 TomElectro 4 Tom Analog 4 Tom Jazz 4 Tom Jazz 4 Timpani B Fret Noise

48 C 2 Mid Tom H Tom Room 5 Tom Room 5 TomElectro 5 Tom Analog 5 Tom Jazz 5 Tom Jazz 5 Timpani C CuttingNoizH

49 C# 2 CrashCymbal1 Crash Analog Timpani C# CuttingNoizL

50 D 2 High Tom Tom Room 6 Tom Room 6 TomElectro 6 Tom Analog 6 Tom Jazz 6 Tom Jazz 6 Timpani D String Slap

51 D# 2 RideCymbal 1 Timpani D# Fl.Key Click

52 E 2 Chinese Cym ReversCym TG Timpani E Laugh

53 F 2 Ride Cym Cup Timpani F' Scream

54 F# 2 Tambourine Punch

55 G 2 SplashCymbal Heartbeat

56 G# 2 Cowbell Cowbell Anlg Footsteps 1

57 A 2 CrashCymbal2

HandCym H TG

Footsteps 2

58 A# 2 Vibraslap Applause

59 B 2 RideCymbal 2

HandCym L TG

Door Squeak

60 C 3 Bongo H Door Slam

61 C# 3 Bongo L Scratch Cut

62 D 3 Conga H Mute Conga Anlg H Wind Chime

63 D# 3 Conga H Open Conga Anlg M Ignition

64 E 3 Conga L Conga Anlg L Squeal

65 F 3 Timbale H Exhaust

66 F# 3 Timbale L Crash

67 G 3 Agogo H Siren

68 G# 3 Agogo L Train

69 A 3 Cabasa Jet Plane

70 A# 3 Maracas Maracas 2 Helicopter

Program # 1 9 17 25 26 33 41 49 57 128

Note# Note Alternate

assign Standard Kit Room Kit Power Kit Electro Kit Analog Kit Jazz Kit Brush Kit Orchestra Kit SFX Set C/M Kit

71 B 3 2 SmbaWhstlHTG Starship

72 C 4 2 SmbaWhstlLTG Gunshot

73 C# 4 3 GuiroShortTG Machine Gun Vibraslap CM

74 D 4 3 GuiroLong TG Laser Gun

75 D# 4 Claves Claves 2 Explosion

76 E 4 WoodBlockHTG Dog Laugh

77 F 4 WoodBlockLTG Horse Scream

78 F# 4 4 CuicaMute TG Bird Tweet Punch

79 G 4 4 CuicaOpen TG Shower Heartbeat

80 G# 4 5 TriangleMuTG Thunder Footsteps 1

81 A 4 5 TriangleOpTG Wind Footsteps 2

82 A# 4 Shaker Seashore Applause

83 B 4 Jingle Bells Stream Door Squeak

84 C 5 Bell Tree Bubble Door Slam

85 C# 5 Castanet TG Scratch Cut

86 D 5 6 SurdoMute TG Wind Chime

87 D# 5 6 SurdoOpen TG Ignition

88 E 5 Applause Squeal

89 F 5 Exhaust

90 F# 5 Crash

92 G# 5 Siren

92 G# 5 Train

93 A 5 Jet Plane

94 A# 5 Helicopter

95 B 5 Starship

96 C 6 Gunshot

97 C# 6 Machine Gun

98 D 6 Laser Gun

99 D# 6 Explosion

100 E 6 Dog

101 F 6 Horse

102 F# 6 Bird Tweet

103 G 6 Shower

104 G# 6 Thunder

105 A 6 Wind

106 A# 6 Seashore

107 B 6 Stream

108 C 7 Bubble

: Same as Standard Kit

: No Sound

* Some of the C/M Kit instruments in common with the Standard

Kit differ from those of the Standard Kit in effect send level or

pan settings etc., even though the instrument itself is the same.

TG300B Drum Voice List (Drum Map)

Effect Type List

00 00 NoEffect

01 00 Hall1

01 01 Hall2

02 00 Room1

02 01 Room2

02 02 Room3

03 00 Stage1

03 01 Stage2

04 00 Plate

10 00 W-Room

11 00 Tunnel

13 00 Basement

REVERB

00 00 NoEffect

41 00 Chorus1

41 01 Chorus2

41 02 Chorus3

41 08 Chorus4

42 00 Celeste1

42 01 Celeste2

42 02 Celeste3

42 08 Celeste4

43 00 Flanger1

43 01 Flanger2

43 08 Flanger3

CHORUS

VARIATION

Exclusive

MSB LSB

00 00 NoEffect

01 00 Hall1

01 01 Hall2

02 00 Room1

02 01 Room2

02 02 Room3

03 00 Stage1

03 01 Stage2

04 00 Plate

05 00 DelayLCR

06 00 DelayLR

07 00 Echo

08 00 CrsDelay

09 00 E-Ref1

09 01 E-Ref2

0A 00 GateRev

0B 00 RvsGate

14 00 Karaoke1

14 01 Karaoke2

14 02 Karaoke3

41 00 Chorus1

41 01 Chorus2

41 02 Chorus3

41 08 Chorus4

42 00 Celeste1

42 01 Celeste2

42 02 Celeste3

42 08 Celeste4

43 00 Flanger1

43 01 Flanger2

43 08 Flanger3

44 00 Symphnic

45 00 RotarySp

46 00 Tremolo

47 00 AutoPan

48 00 Phaser1

48 08 Phaser2

49 00 Dist

4A 00 OverDrv

4B 00 AmpSim

4C 00 3BandEQ

4D 00 2BandEQ

4E 00 AutoWah

50 00 PitchCng

40 00 Thru

Effect Type

Exclusive

MSB LSB

Effect Type

Exclusive

MSB LSB

Effect Type

Effect turned off.

Reverb simulating the resonance of a hall.

Reverb simulating the resonance of a room.

Reverb appropriate for a solo instrument.

Reverb simulating a metal plate reverb unit.

A unique short reverb with a bit of initial delay.

Simulation of a tunnel space expanding to left and right.

A bit of initial delay followed by reverb with a unique resonance.

Description

Effect turned off.

Conventional chorus program that adds natural spaciousness.

Chorus with stereo input. The pan setting specified for the Part will also apply to the effect sound.

A 3-phase LFO adds modulation and spaciousness to the sound.

Celeste with stereo input. The pan setting specified for the Part will also apply to the effect sound.

Adds a jet-airplane effect to the sound.

Description

Effect turned off.

Reverb simulating the resonance of a hall.

Reverb simulating the resonance of a room.

Reverb appropriate for a solo instrument.

Reverb simulating a metal plate reverb unit.

A program that creates three delay sounds; L, R, and C (center).

A program that creates two delay sounds; L and R. Two feedback delays are provided.

Two delays (L and R) and independent feedback delays for L and R.

A program that crosses the feedback of two delays.

An effect that produces only the early reflection component of reverb.

A simulation of gated reverb.

A program that simulates gated reverb played backwards.

A delay with feedback of the same types as used for karaoke reverb.

Conventional chorus program that adds natural spaciousness.

Chorus with stereo input.

A 3-phase LFO adds modulation and spaciousness to the sound.

Celeste with stereo input.

Adds a jet-airplane effect to the sound.

A multi-phase version of Celeste.

A simulation of a rotary speaker. You can use AC1 (assignable controller) etc. to control the speed of rotation.

An effect that cyclically modulates the volume.

A program that cyclically moves that sound image to left and right, front and back.

Cyclically changes the phase to add modulation to the sound.

Phaser with stereo input.

Adds a sharp-edged distortion to the sound.

Adds mild distortion to the sound.

A simulation of a guitar amp.

A mono EQ with adjustable LOW, MID, and HIGH equalizing.

A stereo EQ with adjustable LOW and HIGH. Ideal for drum Parts.

Cyclically modulates the center frequency of a wah filter. With an AC1 etc. this can function as a pedal wah.

This program changes the pitch of the input signal.

Bypass without applying an effect.

Description

* MSB, LSB is represented in hexadecimal. * LSB = 0 is the basic effect type.

Effect Parameter List

• Parameters marked with a ● in the “Control” column can be controlled from an AC1

(assignable controller 1) and AC2. However, this is valid only for a Variation effect (when

selected for Insertion).

• The “→Tbl ”column refers to the Effect Data Assigh Table (page 90).

• Dry/Wet is valid only for a Variation effect (when selected for Insertion).

• Abbreviations used in the effect block diagrams.

LPF=Low Pass Filter

HPF=High Pass Filter

LSF=Low Shelving Filter

HSF=High Shelving Filter

PDF=Peak Dip Filter

ER=Early Reflection

1 Reverb Time 0.3~30.0s 0-69 table#4

2 Diffusion 0~10 0-10

3 Initial Delay 0~63 0-63 table#5

4 HPF Cutoff Thru~8.0kHz 0-52 table#3

5 LPF Cutoff 1.0k~Thru 34-60 table#3

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●

11 Rev Delay 0~63 0-63 table#5

12 Density 0~3 0-3

13 Er/ Rev Balance E63> R~ E=R ~ E<R63 1-127

15 Feedback Level -63~+63 1-127

No. * Parameter Range Value → Tbl

Control

Hall1,2, Room1,2,3, Stage1,2, Plate

1 Reverb Time 0.3~30.0s 0-69 table#4

2 Diffusion 0~10 0-10

3 Initial Delay 0~63 0-63 table#5

4 HPF Cutoff Thru~8.0kHz 0-52 table#3

5 LPF Cutoff 1.0k~Thru 34-60 table#3

6 Width 0.5~10.2m 0-37 table#8

7 Height 0.5~20.2m 0-73 table#8

8 Depth 0.5~30.2m 0-104 table#8

9 Wall Vary 0~30 0-30

11 Rev Delay 0~63 0-63 table#5

12 Density 0~3 0-3

13 Er/ Rev Balance E63> R~ E=R ~ E<R63 1-127

15 Feedback Level -63~+63 1-127

No. * Parameter Range Value → Tbl

Control

W-Room, Tunnel, Basement

REV

DELAY/ER

HPF LPF

REV

dry (L)

dry (R)

DELAY/ER

HPF LPF

1 Lch Delay 0.1~715.0ms 1-7150

2 Rch Delay 0.1~715.0ms 1-7150

3 Cch Delay 0.1~715.0ms 1-7150

4 Feedback Delay 0.1~715.0ms 1-7150

5 Feedback Level -63~+63 1-127

6 Cch Level 0~127 0-127

7 High Damp 0.1~1.0 1-10

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●

13 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3

14 EQ Low Gain -12~+12dB 52-76

15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3

16 EQ High Gain -12~+12dB 52-76

No. * Parameter Range Value → Tbl

Control

DelayLCR

LSF HSF

dry (L)

dry (R)

LSF HSF

DELAY

LPF

1 Lch Delay 0.1~715.0ms 1-7150

2 Rch Delay 0.1~715.0ms 1-7150

3 Feedback Delay 1 0.1~715.0ms 1-7150

4 Feedback Delay 2 0.1~715.0ms 1-7150

5 Feedback Level -63~+63 1-127

6 High Damp 0.1~1.0 1-10

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●

13 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3

14 EQ Low Gain -12~+12dB 52-76

15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3

16 EQ High Gain -12~+12dB 52-76

No. * Parameter Range Value → Tbl

Control

DelayLR

LSF HSF

dry (L)

dry (R)

LSF HSF

DELAY

LPF

Reverb Block

Variation Block

1 Lch Delay1 0.1~355.0ms 1-3550

2 Lch Feedback Level -63~+63 1-127

3 Rch Delay1 0.1~355.0ms 1-3550

4 Rch Feedback Level -63~+63 1-127

5 High Damp 0.1~1.0 1-10

6 Lch Delay2 0.1~355.0ms 1-3550

7 Rch Delay2 0.1~355.0ms 1-3550

8 Delay2 Level 0~127 0-127

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●

13 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3

14 EQ Low Gain -12~+12dB 52-76

15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3

16 EQ High Gain -12~+12dB 52-76

No. * Parameter Range Value → Tbl

Control

Echo

LSF HSF

DELAY

dry (L)

dry (R)

LSF HSF

DELAY

LPF

1 L->R Delay 0.1~355.0ms 1-3550

2 R->L Delay 0.1~355.0ms 1-3550

3 Feedback Level -63~+63 1-127

4 Input Select L,R,L&R 0-2

5 High Damp 0.1~1.0 1-10

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●

13 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3

14 EQ Low Gain -12~+12dB 52-76

15 EQ High Frequency 500Hz~16.0kHz 28-58 table#3

16 EQ High Gain -12~+12dB 52-76

No. * Parameter Range Value → Tbl

Control

CrsDelay

LSF HSF

DELAY

dry (L)

dry (R)

LSF HSF

DELAY

LPF

1 Type S-H, L-H, Rdm, Rvs, Plt, Spr 0-5

2 Room Size 0.1~7.0 0-44 table#6

3 Diffusion 0~10 0-10

4 Initial Delay 0~63 0-63 table#5

5 Feedback Level -63~+63 1-127

6 HPF Cutoff Thru~8.0kHz 0-52 table#3

7 LPF Cutoff 1.0k~Thru 34-60 table#3

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●

11 Liveness 0~10 0-10

12 Density 0~3 0-3

13 High Damp 0.1~1.0 1-10

No. * Parameter Range Value → Tbl

Control

E-Ref1,2

1 Type TypeA,TypeB 0-1

2 Room Size 0.1~7.0 0-44 table#6

3 Diffusion 0~10 0-10

4 Initial Delay 0~63 0-63 table#5

5 Feedback Level -63~+63 1-127

6 HPF Cutoff Thru~8.0kHz 0-52 table#3

7 LPF Cutoff 1.0k~Thru 34-60 table#3

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●

11 Liveness 0~10 0-10

12 Density 0~3 0-3

13 High Damp 0.1~1.0 1-10

No. * Parameter Range Value → Tbl

Control

GateRev, RvsGate

dry (L)

dry (R)

HPF LPF

1 Delay Time 0~127 0-127 table#7

2 Feedback Level -63~+63 1-127

3 HPF Cutoff Thru~8.0kHz 0-52 table#3

4 LPF Cutoff 1.0k~Thru 34-60 table#3

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●

No. * Parameter Range Value → Tbl

Control

Karaoke1,2,3

dry (L)

dry (R)

KARAOKE

HPF LPF

Effect Parameter List

1 LFO Frequency 0.00~39.7Hz 0-127 table#1

2 LFO PM Depth 0~127 0-127

3 Feedback Level -63~+63 1-127

4 Delay Offset 0~127 0-127 table#2

6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3

7 EQ Low Gain -12~+12dB 52-76

8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3

9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●

15 Input Mode mono/stereo 0-1

No. * Parameter Range Value → Tbl

Control

Chorus1,2,3,4, Celeste1,2,3,4

CHORUS

LSF HSF

CHORUS

LSF HSF

dry (L)

dry (R)

LSF HSF

CHORUS

LSF HSF

CHORUS

dry (L)

dry (R)

LSF HSF

CHORUS

1 LFO Frequency 0.00~39.7Hz 0-127 table#1

2 LFO Depth 0~127 0-127

3 Feedback Level -63~+63 1-127

4 Delay Offset 0~63 0-63 table#2

6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3

7 EQ Low Gain -12~+12dB 52-76

8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3

9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●

14 LFO Phase Difference -180~+180deg 4-124

resolution=3deg.

No. * Parameter Range Value → Tbl

Control

Flanger1,2,3

FLANGER

LSF HSF

FLANGER

dry (L)

dry (R)

LSF HSF

FLANGER

1 LFO Frequency 0.00~39.7Hz 0-127 table#1

2 LFO Depth 0~127 0-127

3 Delay Offset 0~127 0-127 table#2

6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3

7 EQ Low Gain -12~+12dB 52-76

8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3

9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●

No. * Parameter Range Value → Tbl

Control

Symphnic

LSF HSF

dry (L)

dry (R)

LSF HSF

SYMPHONIC

Effect Parameter List

Chorus Block :

when input mode=“mono”

Chorus Block :

when input mode=“stereo”

Variation Block :

when input mode=“mono”

Variation Block :

when input mode=“stereo”

Chorus Block

Variation Block

1 LFO Frequency 0.00~39.7Hz 0-127 table#1 ●

2 LFO Depth 0~127 0-127

6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3

7 EQ Low Gain -12~+12dB 52-76

8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3

9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

No. * Parameter Range Value → Tbl

Control

RotarySp

LSF HSF

dry (L)

dry (R)

LSF HSF

ROTARY SP.

1 LFO Frequency 0.00~39.7Hz 0-127 table#1 ●

2 AM Depth 0~127 0-127

3 PM Depth 0~127 0-127

6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3

7 EQ Low Gain -12~+12dB 52-76

8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3

9 EQ High Gain -12~+12dB 52-76

14 LFO Phase Difference -180~+180deg 4-124

resolution=3deg.

15 Input Mode mono/stereo 0-1

No. * Parameter Range Value → Tbl

Control

Tremolo

LSF HSF

TREMOLO

TOREMOLO

LSF HSF

TOREMOLO

1 LFO Frequency 0.00~39.7Hz 0-127 table#1 ●

2 L/R Depth 0~127 0-127

3 F/R Depth 0~127 0-127

4 PAN Direction L<->R,L->R,L<-R,Lturn,Rturn,L/R 0-5

6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3

7 EQ Low Gain -12~+12dB 52-76

8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3

9 EQ High Gain -12~+12dB 52-76

No. * Parameter Range Value → Tbl

Control

AutoPan

LSF HSF

AUTO PAN

LSF HSF

dry (L)

dry (R)

LSF HSF

PHASER

LSF HSF

PHASER

dry (L)

dry (R)

LSF HSF

PHASER

Effect Parameter List

1 LFO Frequency 0.00~39.7Hz 0-127 table#1

2 LFO Depth 0~127 0-127

3 Phase Shift Offset 0~127 0-127

4 Feedback Level -63~+63 1-127

6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3

7 EQ Low Gain -12~+12dB 52-76

8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3

9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●

11 Stage 6~10(phaser1) / 3~5(phaser2) 3-10

LFO Phase Difference

-180~+180deg. 4-124

Phaser2 only

No. * Parameter Range Value → Tbl

Control

Phaser1,2

When input mode=“mono”

When input mode=“stereo”

Variation Block (Phaser1)

(Phaser2)

1 Drive 0~127 0-127 ●

2 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3

3 EQ Low Gain -12~+12dB 52-76

4 LPF Cutoff 1.0k~Thru 34-60 table#3

5 Output Level 0~127 0-127

7 EQ Mid Frequency 500Hz~10.0kHz 28-54 table#3

8 EQ Mid Gain -12~+12dB 52-76

9 EQ Mid Width 1.0~12.0 10-120

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Edge(Clip Curve) 0~127 0-127 mild~sharp

No. * Parameter Range Value → Tbl

Control

Dist, OverDrv

1 Drive 0~127 0-127 ●

2 AMP Type Off,Stack,Combo,Tube 0-3

3 LPF Cutoff 1.0k~Thru 34-60 table#3

4 Output Level 0~127 0-127

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

11 Edge(Clip Curve) 0~127 0-127 mild~sharp

No. * Parameter Range Value → Tbl

Control

AmpSim

dry (L)

dry (R)

DISTORTION

1 EQ Low Gain -12~+12dB 52-76

2 EQ Mid Frequency 500Hz~10.0kHz 28-54 table#3

3 EQ Mid Gain -12~+12dB 52-76

4 EQ Mid Width 1.0~12.0 10-120

5 EQ High Gain -12~+12dB 52-76

6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3

7 EQ High Frequency 500Hz~16.0kHz 28-58 table#3

No. * Parameter Range Value → Tbl

Control

3BandEQ

LSF PDF HSF

1 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3

2 EQ Low Gain -12~+12dB 52-76

3 EQ High Frequency 500Hz~16.0kHz 28-58 table#3

4 EQ High Gain -12~+12dB 52-76

No. * Parameter Range Value → Tbl

Control

2BandEQ

LSF HSF

1 LFO Frequency 0.00~39.7Hz 0-127 table#1

2 LFO Depth 0~127 0-127

3 Cutoff Frequency Offset 0~127 0-127 ●

4 Resonance 1.0~12.0 10-120

6 EQ Low Frequency 50Hz~2.0kHz 8-40 table#3

7 EQ Low Gain -12~+12dB 52-76

8 EQ High Frequency 500Hz~16.0kHz 28-58 table#3

9 EQ High Gain -12~+12dB 52-76

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127

No. * Parameter Range Value → Tbl

Control

AutoWah

LSF HSF

AUTO WAH

dry (L)

dry (R)

LSF HSF

AUTO WAH

1 Pitch -24~+24 40-88

2 Initial Delay 0~127 0-127 table#7

3 Fine -50~+50 14-114

10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 ●

No. * Parameter Range Value → Tbl

Control

PitchCng

PITCH CHANGE

dry (L)

dry (R)

Effect Parameter List

Effect Data Assign Table

Data Value

LFO Frequency (Hz)

Table#1

Data Value Data Value

0 0.00

1 0.04

2 0.08

3 0.13

4 0.17

5 0.21

6 0.25

7 0.29

8 0.34

9 0.38

10 0.42

11 0.46

12 0.51

13 0.55

14 0.59

15 0.63

16 0.67

17 0.72

18 0.76

19 0.80

20 0.84

21 0.88

22 0.93

23 0.97

24 1.01

25 1.05

26 1.09

27 1.14

28 1.18

29 1.22

30 1.26

31 1.30

32 1.35

33 1.39

34 1.43

35 1.47

36 1.51

37 1.56

38 1.60

39 1.64

40 1.68

41 1.72

42 1.77

43 1.81

44 1.85

45 1.89

46 1.94

47 1.98

48 2.02

49 2.06

50 2.10

51 2.15

52 2.19

53 2.23

54 2.27

55 2.31

56 2.36

57 2.40

58 2.44

59 2.48

60 2.52

61 2.57

62 2.61

63 2.65

64 2.69

65 2.78

66 2.86

67 2.94

68 3.03

69 3.11

70 3.20

71 3.28

72 3.37

73 3.45

74 3.53

75 3.62

76 3.70

77 3.87

78 4.04

79 4.21

80 4.37

81 4.54

82 4.71

83 4.88

84 5.05

85 5.22

86 5.38

87 5.55

88 5.72

89 6.06

90 6.39

91 6.73

92 7.07

93 7.40

94 7.74

95 8.08

96 8.41

97 8.75

98 9.08

99 9.42

100 9.76

101 10.10

102 10.80

103 11.40

104 12.10

105 12.80

106 13.50

107 14.10

108 14.80

109 15.50

110 16.20

111 16.80

112 17.50

113 18.20

114 19.50

115 20.90

116 22.20

117 23.60

118 24.90

119 26.20

120 27.60

121 28.90

122 30.30

123 31.60

124 33.00

125 34.30

126 37.00

127 39.70

Table#2

Data Value

Modulation Delay Offset (ms)

Data Value Data Value

0 0.0

1 0.1

2 0.2

3 0.3

4 0.4

5 0.5

6 0.6

7 0.7

8 0.8

9 0.9

10 1.0

11 1.1

12 1.2

13 1.3

14 1.4

15 1.5

16 1.6

17 1.7

18 1.8

19 1.9

20 2.0

21 2.1

22 2.2

23 2.3

24 2.4

25 2.5

26 2.6

27 2.7

28 2.8

29 2.9

30 3.0

31 3.1

32 3.2

33 3.3

34 3.4

35 3.5

36 3.6

37 3.7

38 3.8

39 3.9

40 4.0

41 4.1

42 4.2

43 4.3

44 4.4

45 4.5

46 4.6

47 4.7

48 4.8

49 4.9

50 5.0

51 5.1

52 5.2

53 5.3

54 5.4

55 5.5

56 5.6

57 5.7

58 5.8

59 5.9

60 6.0

61 6.1

62 6.2

63 6.3

64 6.4

65 6.5

66 6.6

67 6.7

68 6.8

69 6.9

70 7.0

71 7.1

72 7.2

73 7.3

74 7.4

75 7.5

76 7.6

77 7.7

78 7.8

79 7.9

80 8.0

81 8.1

82 8.2

83 8.3

84 8.4

85 8.5

86 8.6

87 8.7

88 8.8

89 8.9

90 9.0

91 9.1

92 9.2

93 9.3

94 9.4

95 9.5

96 9.6

97 9.7

98 9.8

99 9.9

100 10.0

101 11.1

102 12.2

103 13.3

104 14.4

105 15.5

106 17.1

107 18.6

108 20.2

109 21.8

110 23.3

111 24.9

112 26.5

113 28.0

114 29.6

115 31.2

116 32.8

117 34.3

118 35.9

119 37.5

120 39.0

121 40.6

122 42.2

123 43.7

124 45.3

125 46.9

126 48.4

127 50.0

Table#3

Data Value

EQ Frequency (Hz)

Data Value

0 THRU(20)

122

225

328

432

536

640

745

850

956

10 63

11 70

12 80

13 90

14 100

15 110

16 125

17 140

18 160

19 180

20 200

21 225

22 250

23 280

24 315

25 355

26 400

27 450

28 500

29 560

30 630

31 700

32 800

33 900

34 1.0k

35 1.1k

36 1.2k

37 1.4k

38 1.6k

39 1.8k

40 2.0k

41 2.2k

42 2.5k

43 2.8k

44 3.2k

45 3.6k

46 4.0k

47 4.5k

48 5.0k

49 5.6k

50 6.3k

51 7.0k

52 8.0k

53 9.0k

54 10.0k

55 11.0k

56 12.0k

57 14.0k

58 16.0k

59 18.0k

THRU(20.0k)

Table#4

Data Value

Reverb Time (s)

Data Value

0 0.3

1 0.4

2 0.5

3 0.6

4 0.7

5 0.8

6 0.9

7 1.0

8 1.1

9 1.2

10 1.3

11 1.4

12 1.5

13 1.6

14 1.7

15 1.8

16 1.9

17 2.0

18 2.1

19 2.2

20 2.3

21 2.4

22 2.5

23 2.6

24 2.7

25 2.8

26 2.9

27 3.0

28 3.1

29 3.2

30 3.3

31 3.4

32 3.5

33 3.6

34 3.7

35 3.8

36 3.9

37 4.0

38 4.1

39 4.2

40 4.3

41 4.4

42 4.5

43 4.6

44 4.7

45 4.8

46 4.9

47 5.0

48 5.5

49 6.0

50 6.5

51 7.0

52 7.5

53 8.0

54 8.5

55 9.0

56 9.5

57 10.0

58 11.0

59 12.0

60 13.0

61 14.0

62 15.0

63 16.0

64 17.0

65 18.0

66 19.0

67 20.0

68 25.0

69 30.0

Table#5

Data Value

Delay Time (ms)

Data Value Data Value

0 0.1

1 1.7

2 3.2

3 4.8

4 6.4

5 8.0

6 9.5

7 11.1

8 12.7

9 14.3

10 15.8

11 17.4

12 19.0

13 20.6

14 22.1

15 23.7

16 25.3

17 26.9

18 28.4

19 30.0

20 31.6

21 33.2

22 34.7

23 36.3

24 37.9

25 39.5

26 41.0

27 42.6

28 44.2

29 45.7

30 47.3

31 48.9

32 50.5

33 52.0

34 53.6

35 55.2

36 56.8

37 58.3

38 59.9

39 61.5

40 63.1

41 64.6

42 66.2

43 67.8

44 69.4

45 70.9

46 72.5

47 74.1

48 75.7

49 77.2

50 78.8

51 80.4

52 81.9

53 83.5

54 85.1

55 86.7

56 88.2

57 89.8

58 91.4

59 93.0

60 94.5

61 96.1

62 97.7

63 99.3

64 100.8

65 102.4

66 104.0

67 105.6

68 107.1

69 108.7

70 110.3

71 111.9

72 113.4

73 115.0

74 116.6

75 118.2

76 119.7

77 121.3

78 122.9

79 124.4

80 126.0

81 127.6

82 129.2

83 130.7

84 132.3

85 133.9

86 135.5

87 137.0

88 138.6

89 140.2

90 141.8

91 143.3

92 144.9

93 146.5

94 148.1

95 149.6

96 151.2

97 152.8

98 154.4

99 155.9

100 157.5

101 159.1

102 160.6

103 162.2

104 163.8

105 165.4

106 166.9

107 168.5

108 170.1

109 171.7

110 173.2

111 174.8

112 176.4

113 178.0

114 179.5

115 181.1

116 182.7

117 184.3

118 185.8

119 187.4

120 189.0

121 190.6

122 192.1

123 193.7

124 195.3

125 196.9

126 198.4

127 200.0

Table#6

Data Value

Room Size (m)

Data Value

0 0.1

1 0.3

2 0.4

3 0.6

4 0.7

5 0.9

6 1.0

7 1.2

8 1.4

9 1.5

10 1.7

11 1.8

12 2.0

13 2.1

14 2.3

15 2.5

16 2.6

17 2.8

18 2.9

19 3.1

20 3.2

21 3.4

22 3.5

23 3.7

24 3.9

25 4.0

26 4.2

27 4.3

28 4.5

29 4.6

30 4.8

31 5.0

32 5.1

33 5.3

34 5.4

35 5.6

36 5.7

37 5.9

38 6.1

39 6.2

40 6.4

41 6.5

42 6.7

43 6.8

44 7.0

Table#7

Data Value

Delay Time (ms)

Data Value Data Value

0 0.1

1 3.2

2 6.4

3 9.5

4 12.7

5 15.8

6 19.0

7 22.1

8 25.3

9 28.4

10 31.6

11 34.7

12 37.9

13 41.0

14 44.2

15 47.3

16 50.5

17 53.6

18 56.8

19 59.9

20 63.1

21 66.2

22 69.4

23 72.5

24 75.7

25 78.8

26 82.0

27 85.1

28 88.3

29 91.4

30 94.6

31 97.7

32 100.9

33 104.0

34 107.2

35 110.3

36 113.5

37 116.6

38 119.8

39 122.9

40 126.1

41 129.2

42 132.4

43 135.5

44 138.6

45 141.8

46 144.9

47 148.1

48 151.2

49 154.4

50 157.5

51 160.7

52 163.8

53 167.0

54 170.1

55 173.3

56 176.4

57 179.6

58 182.7

59 185.9

60 189.0

61 192.2

62 195.3

63 198.5

64 201.6

65 204.8

66 207.9

67 211.1

68 214.2

69 217.4

70 220.5

71 223.7

72 226.8

73 230.0

74 233.1

75 236.3

76 239.4

77 242.6

78 245.7

79 248.9

80 252.0

81 255.2

82 258.3

83 261.5

84 264.6

85 267.7

86 270.9

87 274.0

88 277.2

89 280.3

90 283.5

91 286.6

92 289.8

93 292.9

94 296.1

95 299.2

96 302.4

97 305.5

98 308.7

99 311.8

100 315.0

101 318.1

102 321.3

103 324.4

104 327.6

105 330.7

106 333.9

107 337.0

108 340.2

109 343.3

110 346.5

111 349.6

112 352.8

113 355.9

114 359.1

115 362.2

116 365.4

117 368.5

118 371.7

119 374.8

120 378.0

121 381.1

122 384.3

123 387.4

124 390.6

125 393.7

126 396.9

127 400.0

Table#8

Data Value

Reverb Width; Depth; Height (m)

Data Value Data Value

0 0.5

1 0.8

2 1.0

3 1.3

4 1.5

5 1.8

6 2.0

7 2.3

8 2.6

9 2.8

10 3.1

11 3.3

12 3.6

13 3.9

14 4.1

15 4.4

16 4.6

17 4.9

18 5.2

19 5.4

20 5.7

21 5.9

22 6.2

23 6.5

24 6.7

25 7.0

26 7.2

27 7.5

28 7.8

29 8.0

30 8.3

31 8.6

32 8.8

33 9.1

34 9.4

35 9.6

36 9.9

37 10.2

38 10.4

39 10.7

40 11.0

41 11.2

42 11.5

43 11.8

44 12.1

45 12.3

46 12.6

47 12.9

48 13.1

49 13.4

50 13.7

51 14.0

52 14.2

53 14.5

54 14.8

55 15.1

56 15.4

57 15.6

58 15.9

59 16.2

60 16.5

61 16.8

62 17.1

63 17.3

64 17.6

65 17.9

66 18.2

67 18.5

68 18.8

69 19.1

70 19.4

71 19.7

72 20.0

73 20.2

74 20.5

75 20.8

76 21.1

77 21.4

78 21.7

79 22.0

80 22.4

81 22.7

82 23.0

83 23.3

84 23.6

85 23.9

86 24.2

87 24.5

88 24.9

89 25.2

90 25.5

91 25.8

92 26.1

93 26.5

94 26.8

95 27.1

96 27.5

97 27.8

98 28.1

99 28.5

100 28.8

101 29.2

102 29.5

103 29.9

104 30.2

MIDI Data Format

■ What is MIDI?

MIDI stands for Musical Instrument Digital

Interface, a sophisticated system that allows

various electronic musical instruments and other

devices to “communicate” with each other. This

is done by sending and receiving MIDI

messages over a MIDI cable.

Since MIDI has such as a broad scope and so

many different uses, it would be impossible to

explain everything here. However, if you’re a

MIDI “novice,” the brief explanations below

will give you a good start in understanding this

powerful and flexible technology.

■ MIDI Messages

The MU15 is controlled by various types of

MIDI messages. Using them in song data on a

sequencer or from a MIDI keyboard, you can:

• Determine the Sound Module mode

• Select MIDI channels, Voices and effects

• Play the Voices

• Edit the Parts and change parameter values

• Edit the effects

● Note On/Off (Key On/Off)

These tell the MU15 which notes to play and

how long they are to be played. Velocity values

let you change the dynamics or level of the

sound, depending on how strongly you play the

keys.

● Program Change

These messages determine which Voice is

selected for each Part, and they can be inserted

at any desired location in the song. Used with

Bank Select messages, they let you access any

of the 676 Voices of the MU15.

● Control Change

These messages provide powerful, real-time

control over various aspects of the sound —

including volume, pan position, sustain,

modulation, brightness, portamento time, effect

depth, and many others. Depending on the

controllers available on your particular MIDI

instrument and their Control Change number

assignments, you can use key velocity,

aftertouch (see below) foot controllers, pedals,

sliders, performance wheels, and joysticks to

control these aspects of the sound.

● Pitch Bend

These messages let you continuously raise or

lower the pitch of the Voices as you play. They

are usually controlled with a pitch bend wheel

on a MIDI keyboard.

● Aftertouch

This is a pressure sensing function that lets you

control an assigned aspect of the sound by the

strength with which you press the keys. The

MU15 responds to both Channel (global) and

Polyphonic (individual keys) Aftertouch.

● System Exclusive

These messages let you delve even deeper into

the inner workings of the MU15, letting you

control the master volume and tuning, Sound

Module mode (XG or TG300B), Part param-

eters, effect types and parameters, and various

other settings.

One of the best and easiest ways to use System

Exclusive messages is with Yamaha’s XGworks

software. The included XG Editor window lets

you view and edit all of the MU15 parameters

from your computer. Special “Detail” buttons

on the main window give you comprehensive

control over the Parts, Drum Setups, and effects.

The changes you make are instantaneous, and

you can save all your custom settings for future

recall as System Exclusive data, either directly

to the current song or as a special XG Parameter

file.

NOTE

The XG Editor in XGworks has additional parameters (for other

XG instruments) that are not available on the MU15.

1D29

Dec Hex Dec Hex Dec Hex Dec Hex Dec Hex Dec Hex Dec Hex Dec Hex

100

101

102

103

112

113

114

115

116

117

118

105

106

107

108

109

110

111

120

121

122

123

124

126

125

127

104

119

Decimal - Hexadecimal

Conversion Chart

Many MIDI messages listed in the

MIDI Data Format section, are

expressed in hexadecimal numbers.

The chart at right lists the

corresponding decimal number for

each hexadecimal number.

(Hexadecimal numbers may include

the letter “H” as a suffix.)

MIDI Data Format

< MIDI TRANSMIT/RECEIVE FLOW >

(1)TRANSMIT FLOW

MIDI OUT [SW1] NOTE ON/OFF 9nH

XG SYSTEM F0H 43H 10H 4CH ggH mmH llH ssH...F7H

MULTI EFFECT1 F0H 43H 10H 4CH ggH mmH llH ssH...F7H

MULTI PART F0H 43H 10H 4CH ggH mmH llH ssH...F7H

DRUMS SETUP F0H 43H 10H 4CH ggH mmH llH ssH...F7H

IDENTITY REPLY

F0H 7EH 00H 06H 02H 43H 00H 41H 51H 03H 00H 00H 00H 01H F7H

XG SYSTEM

F0H 43H 00H 4CH ssH ttH ggH mmH llH vvH kkH F7H

SYSTEM INFORMATION

F0H 43H 00H 4CH ssH ttH ggH mmH llH vvH...kkH F7H

MULTI EFFECT1

F0H 43H 00H 4CH ssH ttH ggH mmH llH vvH...kkH F7H

MULTI PART

F0H 43H 00H 4CH ssH ttH ggH mmH llH vvH...kkH F7H

DRUMS SETUP

F0H 43H 00H 4CH ssH ttH ggH mmH llH vvH...kkH F7H

[SW1] MIDI Transmit Channel

MIDI Transmit Channel is selected by Part.

(2)RECEIVE FLOW

MIDI IN NOTE OFF 8nH

NOTE ON/OFF 9nH

CONTROL CHANGE

BANK SEL MSB BnH,00H

BANK SEL LSB BnH 20H

MODULATION BnH 01H

PORTAMENTO TIME BnH 05H

DATA ENTRY MSB BnH 06H

DATA ENTRY LSB BnH 26H

MAIN VOLUME BnH 07H

PANPOT BnH 0AH

EXPRESSION BnH 0BH

HOLD1 BnH 40H

PORTAMENTO BnH 41H

SOSTENUTO BnH 42H

SOFT PEDAL BnH 43H

HARMONIC CONTENT BnH 47H

RELEASE TIME BnH 48H

ATTACK TIME BnH 49H

BRIGHTNESS BnH 4AH

PORTAMENTO CONTROL BnH 54H

EFFECT1 DEPTH BnH 5BH

EFFECT3 DEPTH BnH 5DH

EFFECT4 DEPTH BnH 5EH

DATA INCREMENT BnH 60H

DATA DECREMENT BnH 61H

NRPN

VIBRATO RATE BnH 63H 01H 62H 08H 06H mmH

VIBRATO DEPTH BnH 63H 01H 62H 09H 06H mmH

VIBRATO DELAY BnH 63H 01H 62H 0AH 06H mmH

FILTER CUTOFF FREQ. BnH 63H 01H 62H 20H 06H mmH

FILTER RESONANCE BnH 63H 01H 62H 21H 06H mmH

AEG ATTACK TIME BnH 63H 01H 62H 63H 06H mmH

AEG DECAY TIME BnH 63H 01H 62H 64H 06H mmH

MIDI Data Format

AEG RELEASE TIME BnH 63H 01H 62H 66H 06H mmH

DRUM INST

FILTER CUTOFF FREQ. BnH 63H 14H 62H rrH 06H mmH

FILTER RESONANCE BnH 63H 15H 62H rrH 06H mmH

AEG ATTACK RATE BnH 63H 16H 62H rrH 06H mmH

AEG DECAY RATE BnH 63H 17H 62H rrH 06H mmH

PITCH COARSE BnH 63H 18H 62H rrH 06H mmH

PITCH FINE BnH 63H 19H 62H rrH 06H mmH

LEVEL BnH 63H 1AH 62H rrH 06H mmH

PANPOT BnH 63H 1CH 62H rrH 06H mmH

CHORUS SEND BnH 63H 1EH 62H rrH 06H mmH

VARIATION SEND BnH 63H 1FH 62H rrH 06H mmH

RPN

PITCH BEND SENS. BnH 64H 00H 65H 00H 06H mmH

FINE TUNING BnH 64H 01H 65H 00H 06H mmH 26H llH

COARSE TUNING BnH 64H 02H 65H 00H 06H mmH

RPN RESET BnH 64H 7FH 65H 7FH

PROGRAM CHANGE CnH

PITCH BEND CHANGE EnH

CHANNEL AFTER TOUCH DnH

POLYPHONIC AFTER TOUCH AnH

ALL SOUND OFF BnH 78H

RESET ALL CONTROLLERS BnH 79H

ALL NOTE OFF BnH 7BH

OMNI OFF BnH 7CH

OMNI ON BnH 7DH

MONO BnH 7EH

POLY BnH 7FH

MASTER VOLUME F0H 7FH xnH 04H 01H ssH ttH F7H

GENERAL MIDI SYSTEM ON F0H 7EH xnH 09H 01H F7H

IDENTITY REQUEST F0H 7EH mmH 06H 01H F7H

XG SYSTEM ON F0H 43H 1nH 4CH 00H 00H 7EH 00H F7H

XG SYSTEM F0H 43H 1nH 4CH ggH mmH llH ssH ... F7H

MULTI EFFECT1 F0H 43H 1nH 4CH ggH mmH llH ssH ... F7H

DISPLAY F0H 43H 1nH 4CH ggH mmH llH ssH ... F7H

MULTI PART F0H 43H 1nH 4CH ggH mmH llH ssH ... F7H

DRUMS SETUP F0H 43H 1nH 4CH ggH mmH llH ssH ... F7H

MASTER TUNING F0H 43H 1nH 27H 30H 00H 00H 0mH 0lH xxH F7H

XG SYSTEM

F0H 43H 0nH 4CH ssH ttH ggH mmH llH vvH...kkH F7H

MULTI EFFECT1

F0H 43H 0nH 4CH ssH ttH ggH mmH llH vvH...kkH F7H

MULTI PART

F0H 43H 0nH 4CH ssH ttH ggH mmH llH vvH... kkH F7H

DRUMS SETUP

F0H 43H 0nH 4CH ssH ttH ggH mmH llH vvH...kkH F7H

XG SYSTEM F0H 43H 3nH 4CH ggH mmH llH F7H

MULTI EFFECT1 F0H 43H 3nH 4CH ggH mmH llH F7H

MULTI PART F0H 43H 3nH 4CH ggH mmH llH F7H

DRUMS SETUP F0H 43H 3nH 4CH ggH mmH llH F7H

XG SYSTEM F0H 43H 2nH 4CH ggH mmH llH F7H

MULTI EFFECT1 F0H 43H 2nH 4CH ggH mmH llH F7H

MULTI PART F0H 43H 2nH 4CH ggH mmH llH F7H

DRUMS SETUP F0H 43H 2nH 4CH ggH mmH llH F7H

ACTIVE SENSING FEH

MIDI Data Format

1. Channel messages

This device transmits only NOTE ON and NOTE OFF.

1.1 Note on/note off

These messages convey keyboard performance data. Note-on

is transmitted when a note is pressed, and note-off is

transmitted when a note is released. These messages contain a

note number which indicates the key that was played, and a

“velocity” which indicates how strongly it was played. When a

note-on of velocity “0” is received, it has the same effect as a

note-off.”

Range of note numbers received = C-2...G8

Velocity range = 1...127 (Velocity is received only for note-on)

When the Multi Part parameter “Rcv NOTE MESSAGE” = OFF,

that part will not receive these messages.

For a drum part*, key-off is not received if the DrumSetup

parameter Rcv NOTE OFF = OFF.

For a drum part, key-on is not received if the DrumSetup

parameter Rcv NOTE ON = OFF.

* Drum Part indicates that the Multi Part parameter PART MODE

is “set to DRUM or DRUMS1,2.”

1.2 Control changes

These messages control volume or pan etc.

Their functions are differentiated by the control number (Ctrl#).

If the Multi Part parameter Rcv CONTROL CHANGE = OFF,

that part will not receive control changes.

1.2.1 Bank Select

This message selects the voice bank.

The voice bank is selected by the combination of two control

change messages: MSB and LSB.

Control# Parameter Data Range

0 Bank Select MSB 0, 64, 126, 127

(Normal voice,SFX voice,

SFX kit, Drum kit)

32 Bank Select LSB 0...127

In the XG mode, MSB numbers select Voice type (Normal Voice

or Drum Voice), and LSB numbers select Voice banks.

In the TG300B mode, LSB is fixed, and MSB numbers select

Voice banks.

The Bank Select data will be processed only after a Program

Change is received, and then voice bank will change at that

time. If you wish to change the voice bank as well as the voice,

you must transmit Bank Select and Program Change messages

as a set, in the order of Bank Select MSB, LSB, and Program

Change.

1.2.2 Modulation

This message is used primarily to control the depth of vibrato,

but the depth of the following 7 types of effect can be

controlled.

The effect of this message can be changed by the following

parameters.

•Multi Part Parameter

1. MW PITCH CONTROL

2. MW FILTER CONTROL

3. MW AMPLITUDE CONTROL

4. MW LFO PMOD DEPTH

5. MW LFO FMOD DEPTH

6. MW LFO AMOD DEPTH

•Effect1 Parameter

7. MW VARIATION CONTROL DEPTH

(Valid when Variation Effect is assigned to a part as

Insertion)

By default, an LFO Pitch Modulation (PMOD) effect will apply.

Control# Parameter Data Range

1 Modulation 0...127

If the Multi Part parameter Rcv MODULATION = OFF, that part

will not receive Modulation.

If the receive channel is a drum part, effects 5 and 6 will not

apply.

1.2.3 Portamento Time

This message controls the degree of Portamento (refer to

1.2.9).

Control# Parameter Data Range

5 Portamento Time 0...127

When Portamento (control number 065) is ON, this regulates

the speed of the pitch change.

A value of 0 is the shortest portamento time, and 127 is the

longest portamento time.

If the receive channel is a drum part, Portamento Time is not

received.

1.2.4 Data Entry

This message sets the value of the parameter which was

specified by RPN MSB/LSB (see 1.2.22) and NRPN MSB/LSB

(see 1.2.21).

Control# Parameter Data Range

6 Data Entry MSB 0...127

38 Data Entry LSB 0...127

1.2.5 Main Volume

This message controls the volume of each part.

This is used to adjust the volume balance between parts.

Control# Parameter Data Range

7 Main Volume 0...127

When the Multi Part parameter Rcv VOLUME = OFF, that part

will not receive Main Volume.

With a value of 0 there will be no sound, and a value of 127 will

be the maximum volume.

1.2.6 Panpot

This message controls the panning (stereo location) of each

part.

Control# Parameter Data Range

10 Pan 0...64...127

When the Multi Part parameter Rcv PAN = OFF, that part will

not receive Panpot.

0 is left, 64 is center, and 127 is right.

1.2.7 Expression

This message controls expression (dynamics within a musical

line) for each part.

It is used to create volume changes during a song.

Control# Parameter Data Range

11 Expression 0...127

If the Multi Part parameter Rcv EXPRESSION = OFF, that part

will not receive Expression.

MIDI Data Format

With a value of 0 there will be no sound, and with a value of

127 the volume will be maximum.

1.2.8 Hold1

This message controls sustain pedal on/off.

The notes that are sounding while the pedal is pressed will be

sustained.

Control# Parameter Data Range

64 Hold1 0...63,64...127

(OFF , ON)

For data of 0...63 the sustain pedal will be OFF (released), and

for data of 64...127 it will be on (pressed).

When this is ON, currently-sounding notes will continue to

sound even if note-off messages are received.

If the Multi Part parameter Rcv HOLD1 = OFF, that part will not

receive Hold1.

1.2.9 Portamento

This message controls portamento pedal on/off.

When the pedal is pressed, a portamento effect will be applied.

Control# Parameter Data Range

65 Portamento 0...63,64...127

(OFF , ON)

For data of 0...63 the portamento pedal will be OFF (released),

and for 64...127 it will be ON (pressed).

When this is ON, the pitch will change smoothly between notes.

The time over which the pitch changes is adjusted by

Portamento Time (see 1.2.3).

Also, when the Multi Part parameter MONO/POLY MODE =

MONO, the tone will also change smoothly (legato) if

Portamento = ON.

If any of the following Multi Part parameter settings apply, that

part will not receive Portamento.

•Rcv PORTAMENTO = OFF

•PART MODE=DRUM, DRUMS1,2

1.2.10 Sostenuto

This message controls sostenuto pedal on/off.

Notes which were already pressed when the pedal was pressed

will be sustained.

Control# Parameter Data Range

66 Sostenuto 0...63,64...127

(OFF , ON)

For data of 0...63, the sostenuto pedal will be OFF (released),

and for 64...127 it will be ON (pressed).

If sostenuto is turned on while a note is sounding, that note will

be sustained until sostenuto is turned OFF.

If the Multi Part parameter Rcv SOSTENUTO = OFF, that part

will not receive Sostenuto.

1.2.11 Soft Pedal

This message controls soft pedal on/off.

The sound will become more mellow while the pedal is pressed.

Control# Parameter Data Range

67 Soft Pedal 0...63,64...127

(OFF , ON)

For data of 0...63, the soft pedal is OFF (released), and for

64...127 it is ON (pressed).

If any of the following Multi Part parameter settings apply, that

part will not receive the Soft Pedal.

•Rcv SOFT PEDAL= OFF

•PART MODE=DRUM,DRUMS1,2

1.2.12 Harmonic Content

This message adjusts the resonance of the filter that is

specified for the sound.

The value of 0~127 is taken as -64~+63, and added as an

offset value to the original sound data to modify the resonance.

Control# Parameter Data Range

71 Harmonic Content 0...64...127

(-64...0...+63)

Since this is a relative change parameter, it specifies a boost or

cut relative to 64.

Higher values will produce a more distinctive sound.

For some sounds, the effective range may be less than the

possible range of settings.

1.2.13 Release Time

This message adjusts the EG release time that was specified

by the sound data.

The value of 0~127 is taken as -64~+63, and added to the

original sound data as an offset value to modify the release

time.

Control# Parameter Data Range

72 Release Time 0...64...127

(-64...0...+63)

Since this is a relative change parameter, it specifies an

increase or decrease relative to 64.

Increasing this value will lengthen the release that follows a

note-off.

1.2.14 Attack Time

This message adjusts the EG attack time that was specified by

the sound data.

The value of 0~127 is taken as -64~+63, and added to the

original sound data as an offset value to modify the attack time.

Control# Parameter Data Range

73 Attack Time 0...64...127

(-64...0...+63)

Since this a relative change parameter, it specifies an increase

or decrease relative to 64.

Increasing this value will make the attack more gradual, and

decreasing this value will make the attack sharper.

1.2.15 Brightness

This message adjusts the cutoff frequency of the low pass filter

specified by the sound data.

The value of 0~127 is taken as -64~+63, and added to the

original sound data as an offset value to modify the cutoff

frequency

Control# Parameter Data Range

74 Brightness 0...64...127

(-64...0...+63)

Since this is a relative change parameter, it specifies an

increase or decrease relative to 64.

Lower values will produce a more mellow sound.

For some sounds, the effective range may be less than the

possible range of settings.

MIDI Data Format

1.2.16 Portamento Control

This message specifies the portamento source key number (the

key number at which portamento will begin).

Data of 0...127 specifies the portamento source key.

When Portamento Control is received, the currently-sounding

pitch will change at a Portamento Time of 0 to the key of the

next-received note-on of the same channel.

Control# Parameter Data Range

84 Portamento Control 0...127

(C-2...G8)

This is received even if Rcv PORTAMENTO = OFF.

1.2.17 Effect1 Depth ( Reverb Send Level )

This message specifies the send level for the reverb effect.

Control# Parameter Data Range

91 Effect1 Depth 0...127

Increasing this value will produce a richer reverb. The effect of

the value will depend on the state of the reverb effect.

1.2.18 Effect3 Depth ( Chorus Send Level )

This message specifies the send level for the chorus effect.

Control# Parameter Data Range

93 Effect3 Depth 0...127

Raising this value will increase the modulation or spaciousness.

The effect of the value will depend on the state of the chorus

effect.

1.2.19 Effect4 Depth ( Variation Effect Send Level )

This message specifies the send level for the variation effect.

Control# Parameter Data Range

94 Effect4 Depth 0...127

However, this is not received if the Variation Effect parameter

Variation Connection = 0 (Insertion).

1.2.20 Data Increment / Decrement (for RPN)

After RPN (see 1.2.22) is used to specify a parameter such as

Pitch Bend Sensitivity, Fine Tune, or Coarse Tune, this message

is used to increase or decrease the respective parameter value

in steps of 1.

Control# Parameter Data Range

96 RPN Increment – –

97 RPN Decrement – –

The data byte is ignored.

1.2.21 NRPN (Non-registered parameter number)

This message is used to specify a sound parameter (such as

vibrato, filter, EG, drum setup etc.) as an offset value.

Use NRPN MSB and NRPN LSB to specify the parameter that

you wish to modify, and then use Data Entry (see 1.2.4) to set

the value for the specified parameter.

Control# Parameter Data Range

98 NRPN LSB 0...127

99 NRPN MSB 0...127

If the Multi Part parameter Rcv NRPN = OFF, that part will not

receive NRPN.

The following NRPN messages can be received.

NRPN

Data Entry *1

MSB LSB MSB LSB Parameter name and value range

01H 08H mm – – *2 Vibrato rate

mm : 00H - 40H - 7FH (-64...0...+63)

01H 09H mm – – Vibrato depth

mm : 00H - 40H - 7FH (-64...0...+63)

01H 0AH mm – – *3 Vibrato delay

mm : 00H - 40H - 7FH (-64...0...+63)

01H 20H mm – – Low pass filter cutoff frequency

mm : 00H - 40H - 7FH (-64...0...+63)

01H 21H mm – – Low pass filter resonance

mm : 00H - 40H - 7FH (-64...0...+63)

01H 63H mm – – EG attack time

mm : 00H - 40H - 7FH (-64...0...+63)

01H 64H mm – – EG decay time

mm : 00H - 40H - 7FH (-64...0...+63)

01H 66H mm – – EG release time

mm : 00H - 40H - 7FH (-64...0...+63)

14H rr mm – – Drum low pass filter cutoff frequency

rr : drum instrument note number

mm : 00H - 40H - 7FH (-64...0...+63)

15H rr mm – – Drum low pass filter resonance

rr : drum instrument note number

mm : 00H - 40H - 7FH (-64...0...+63)

16H rr mm – – Drum EG attack rate

rr : drum instrument note number

mm : 00H - 40H - 7FH (-64...0...+63)

17H rr mm – – Drum EG decay rate

rr : drum instrument note number

mm : 00H - 40H - 7FH (-64...0...+63)

The effect will apply both to Decay 1

and 2.

18H rr mm – – Drum instrument pitch coarse

rr : drum instrument note number

mm : 00H - 40H - 7FH (-64...0...+63)

19H rr mm – – Drum instrument pitch fine

rr : drum instrument note number

mm : 00H - 40H - 7FH (-64...0...+63)

1AH rr mm – – Drum instrument level

rr : drum instrument note number

mm : 00H - 7FH (0...maximum)

1CH rr mm – – Drum instrument panpot

rr : drum instrument note number

mm : 00H,01H-40H-7FH (RND,

L63...C...R63)

1DH rr mm – – Drum instrument reverb send level

rr : drum instrument note number

mm : 00H - 7FH (0...maximum)

1EH rr mm – – Drum instrument chorus send level

rr : drum instrument note number

mm : 00H - 7FH (0...maximum)

1FH rr mm – – Drum instrument variation send level

rr : drum instrument note number

mm : 00H - 7FH (0...maximum)

When Variation Connection = SYSTEM

mm : 00H, 01H-7FH(OFF,ON)

When Variation Connection = INSERTION

MSB 14H-1FH (for drums) is received when Multi Part

parameter PART MODE = DRUMS1,2.

*1 Refer to 1.2.4

*2 “– –” indicates that the setting value is ignored.

*3 Adjusts the time after the note is played until vibrato

begins to take effect.

The effect will begin more quickly for lower values, and

more slowly for higher values.

No effect if Bank Select MSB=127 is selected.

MIDI Data Format

1.2.22 RPN (Registered parameter number)

This message is used to specify part parameters such as Pitch

Bend Sensitivity or Tuning etc. as an offset value.

Use RPN MSB and RPN LSB to specify the parameter that you

wish to modify, and then use Data Entry (see 1.2.4) to set the

value of the specified parameter.

Control# Parameter Data Range

100 RPN LSB 0...127

101 RPN MSB 0...127

If the Multi Part parameter Rcv RPN = OFF, that part will not

receive this message.

The following RPN messages can be received.

RPN Data Entry*1

MSB LSB MSB LSB Parameter name and value range

00H 00H mm – – *2 Pitch bend sensitivity

mm:00-18H(0...+ 24 semitones)

Specify up to 2 octaves in semitone

steps

00H 01H mm ll Fine tuning

mm ll : 00H 00H -100 cents

mm ll : 40H 00H 0 cent

mm ll : 7FH 7FH+100 cents

[Note] mm ll: 00H 7FH(=-87.5)

cents is followed by 01H

00H(=-87.4) cents.

00H 02H mm – – Coarse tuning

mm:28H - 40H - 58H(-24...0...+24

semitones)

7FH 7FH – – – – RPN Null

This sets RPN and NRPN numbers

to an unset state.

Internal data is not affected.

*1 Refer to 1.2.4

*2 “– –” indicates that the setting value is ignored.

1.2.23 Assignable controller

By assigning a control change number of 0...95 to a part, the

specified effect can be controlled.

This device allows two control change numbers (AC1 and AC2)

to be specified for each part.

The following parameters specify the effect of AC1 and AC2.

•Multi Part Parameter

1. AC1,AC2 PITCH CONTROL

2. AC1,AC2 FILTER CONTROL

3. AC1,AC2 AMPLITUDE CONTROL

4. AC1,AC2 LFO PMOD DEPTH

5. AC1,AC2 LFO FMOD DEPTH

6. AC1,AC2 LFO AMOD DEPTH

•Effect1 Parameter

7. AC1,AC2 VARIATION CONTROL DEPTH

(Valid if Variation Effect is assigned to a part as

Insertion)

The AC1 control change number is specified by the Multi Part

parameter AC1 CONTROLLER NUMBER, and the AC2 control

change number is specified by the Multi Part parameter AC2

CONTROLLER NUMBER.

1.3 Channel mode messages

These messages specify the basic operation of a part.

1.3.1 All Sound Off

This message silences all currently-sounding notes on the

corresponding channel.

However, the state of channel messages such as Hold1 and

Sostenuto will be maintained.

Control# Parameter Data Range

120 All Sound Off 0

1.3.2 Reset All Controllers

This message resets the following controllers to their default

values.

Controlle Value

Pitch bend change ± 0 (center)

Channel pressure 0 (off)

Polyphonic key pressure 0 (off)

Modulation 0 (off)

Expression 127 (maximum)

Hold 0 (off)

Portamento 0 (off)

Sostenuto 0 (off)

Soft pedal 0 (off)

Portamento control Reset the portamento source note

number that was received

RPN Number unset, internal data is not

affected.

NRPN Number unset, internal data is not

affected.

The following data is not changed

Parameter values specified by program change, bank select

MSB/LSB, volume, pan, effect send levels 1, 3, 4, RPN and

NRPN.

Control# Parameter Data Range

121 Reset All Controllers 0

1.3.3 All Note Off

This message turns off all notes which are currently on for the

corresponding part.

However, if Hold 1 or Sostenuto are on, notes will continue to

sound until these are turned off.

Control# Parameter Data Range

123 All Note Off 0

1.3.4 Omni Off

Perform the same processing as when All Note Off is received.

Control# Parameter Data Range

124 Omni Off 0

1.3.5 Omni On

Perform the same processing as when All Note Off is received.

Control# Parameter Data Range

125 Omni On 0

1.3.6 Mono

Perform the same processing as when All Sound Off is

received, and if the value (mono number) is in the range of

0...16, set the corresponding channel to Mode4* (m = 1).

Control# Parameter Data Range

126 Mono 0...16

* Mode4 is a state in which only channel messages on the specified

channel will be received, and notes will be sounded individually

(monophonically).

MIDI Data Format

1.3.7 Poly

Perform the same processing as when All Sound Off is

received, and set the corresponding channel to Mode3*.

Control# Parameter Data Range

127 Poly 0

* Mode3 is a state in which only channel messages on the specified

channel will be received, and note will be sounded polyphoni-

cally.

1.4 Program change

This message reports voice selection and changes the program

number of the receiving channel.

In order to include changes to the voice bank, Program Change

and Bank Select messages must be sent as a set (see 1.2.1)

If the Multi Part parameter Rcv PROGRAM CHANGE = OFF,

that part will not receive program changes.

1.5 Pitch bend

This message conveys movements of the pitch bender.

This message is generally used to modify the pitch of a part,

but the depth of the following seven effects can be controlled.

The effect of this message can be modified by the following

parameters.

•Multi Part Parameter

1. BEND PITCH CONTROL

2. BEND FILTER CONTROL

3. BEND AMPLITUDE CONTROL

4. BEND LFO PMOD DEPTH

5. BEND LFO FMOD DEPTH

6. BEND LFO AMOD DEPTH

•Effect1 Parameter

7. BEND VARIATION CONTROL DEPTH

(Valid when Variation Effect is assigned to a part as

Insertion)

By default, the Pitch Control effect is applied.

If the receive channel is a drum part, effects 5 and 6 will not

apply.

If the Multi Part parameter Rcv PITCH BEND CHANGE = OFF,

that part will not receive pitch bend messages.

1.6 Channel aftertouch

This message conveys the pressure which is applied to the

keyboard after playing a note in order to create tonal changes

(for an entire MIDI channel).

The pressure can be controlled for each part. This message will

affect the currently-sounding notes.

The effect of this message will be determined by the settings of

the following parameters.

•Multi Part Parameter

1. CAT PITCH CONTROL

2. CAT FILTER CONTROL

3. CAT AMPLITUDE CONTROL

4. CAT LFO PMOD DEPTH

5. CAT LFO FMOD DEPTH

6. CAT LFO AMOD DEPTH

• Effect1 Parameter

7. CAT VARIATION CONTROL DEPTH

(Valid when the Variation Effect is assigned to a

part as Insertion)

By default, there will be no effect.

If the receive channel is a drum part, effects 5 and 6 will not

apply.

If the Multi Part parameter Rcv CHANNEL AFTER TOUCH =

OFF, that part will not receive Channel Aftertouch.

1.7 Polyphonic aftertouch

This message conveys the pressure that is applied to the

keyboard after playing a note (for individual note numbers).

The pressure can be controlled independently for each note.

This message will affect currently-sounding notes.

The effect of this message is determined by the following Multi

Part parameters.

1. PAT PITCH CONTROL

2. PAT FILTER CONTROL

3. PAT AMPLITUDE CONTROL

4. PAT LFO PMOD DEPTH

5. PAT LFO FMOD DEPTH

6. PAT LFO AMOD DEPTH

By default, there will be no effect.

The effect will apply to note numbers 36...97.

In the case of either of the following Multi Part parameter

settings, that part will not receive Polyphonic Aftertouch.

Rcv CHANNEL AFTER TOUCH = OFF

PART MODE = DRUM, DRUMS1,2

2. System exclusive messages

These MIDI messages are not directly “performance data,” but

are used to make settings related to the system of the MIDI

device.

For example, these messages can be used to save data

specific to this device on a MIDI data filer such as the MDF3.

By using these messages, it is possible to edit almost all

settings of the MU15 from an external MIDI device.

The device number of the MU15 is fixed to “All”. And when

sending these messages, it is fixed to “0”.

2.1 Parameter changes

This devices uses the following parameter changes.

[ UNIVERSAL REALTIME MESSAGE ]

1) Master Volume

[ UNIVERSAL NON REALTIME MESSAGE ]

1) General MIDI System On

2) Identity Request (INQUIRY MESSAGE)

3) Identity Reply (INQUIRY MESSAGE)

[ XG PARAMETER CHANGE ]

1) XG System on

2) XG System parameter change

3) Multi Effect1 parameter change

4) Display parameter change

5) Multi Part parameter change

6) Drums Setup parameter change

[ Others ]

1) Master tuning

2.1.1 Universal realtime messages

2.1.1.1 Master Volume

This system exclusive message is used to control the volume

of all channels simultaneously.

MIDI Data Format

11110000 F0H = Exclusive status

01111111 7FH = Universal Real Time

01111111 7FH = ID of target device

00000100 04H = Sub-ID #1=Device Control

Message

00000001 01H = Sub-ID #2=Master Volume

*0sssssss SSH = Volume LSB

0ttttttt TTH = Volume MSB

11110111 F7H = End of Exclusive

or,

11110000 F0H = Exclusive status

01111111 7FH = Universal Real Time

0xxxnnnn XNH = N:device Number, X:don’t

care

00000100 04H = Sub-ID #1=Device Control

Message

00000001 01H = Sub-ID #2=Master Volume

0sssssss SSH = Volume LSB

0ttttttt TTH = Volume MSB

11110111 F7H = End of Exclusive

When this is received, the Volume MSB will be reflected by

the System parameter MASTER VOLUME.

* The binary expression 0sssssss is expressed in hexadecimal as

SSH.

The same applies elsewhere.

2.1.2 Universal non-realtime messages

2.1.2.1 General MIDI System On

This system exclusive message causes the MU15 to function

as a tone generator that is compatible with GM System Level 1.

11110000 F0H = Exclusive status

01111110 7EH = Universal Non-Real Time

01111111 7FH = ID of target device

00001001 09H = Sub-ID #1=General MIDI

Message

00000001 01H =

Sub-ID #2=General MIDI On

11110111 F7H = End of Exclusive

or,

11110000 F0H = Exclusive status

01111110 7EH = Universal Non-Real Time

0xxxnnnn XNH = N:Device Number, X:don’t

care

00001001 09H = Sub-ID #1=General MIDI

Message

00000001 01H =

Sub-ID #2=General MIDI On

11110111 F7H = End of Exclusive

When this message is received, the SOUND MODULE

MODE is set to XG,

and all data except for MIDI Master Tuning will be restored to

the default value.

Since approximately 50[ms] is required in order to process

this message,

be sure to allow an appropriate interval before sending the

next message.

2.1.2.2 Identity Request

11110000 F0H = Exclusive status

01111110 7EH =

Universal Non-Real Time

0mmmmmmm MMH = Device Number

00000110 06H = Sub-ID #1=General

Information

00000001 01H = Sub-ID #2=Identity

Request

11110111 F7H = End of Exclusive

When this message is received, this device will transmit an

Identity Reply message as described in the following section

2.1.2.3.

2.1.2.3 Identity Reply

11110000 F0H = Exclusive status

01111110 7EH =

Universal Non-Real Time

0mmmmmmm MMH = Device Number

00000110 06H = Sub-ID #1=General

Information

00000010 02H = Sub-ID #2=Identity Reply

01000011 43H = YAMAHA ID

00000000 00H = Device Family Code LSB

MU15 ID #1

01000001 41H = Device Family Code MSB

MU15 ID #2

01010001 51H = Device Number Code LSB

MU15 ID #3

00000011 03H = Device Number Code MSB

MU15 ID #4

00000000 00H

00000001 01H = Tone Generator Code=XG

11110111 F7H = End of Exclusive

This device will transmit this message when it receives the

Identity Request message of 2.1.2.2.

2.1.3 XG parameter change

This message sets XG-related parameters. Each message can

set a single parameter.

The message format is as follows.

11110000 F0H Exclusive status

01000011 43H YAMAHA ID

0001nnnn 1NH N:device Number

01001100 4CH Model ID

0ggggggg GGH Address High

0mmmmmmm MMH Address Mid

0lllllll LLH Address Low

0sssssss SSH Data

11110111 F7H End of Exclusive

For parameters whose Data Size is 2 or 4, the appropriate

amount of data will be transmitted as indicated by Size.

EXAMPLE OF PARAMETER CHANGE

Changing chorus type to “Flanger1”

First, check the Effect Type List (page 84) to identify

the MSB and LSB numbers; for “Flanger1” Chorus type

numbers are MSB = 43, LSB = 0.

Next, check the Address in Table 1-4 (page 103) for the

CHORUS TYPE parameter; in this case the address is

High,Mid,Low = 02,01,20, respectively.

Apply these to the 2.1.3 XG parameter change list as

follows:

11110000 F0H Exclusive status

01000011 43H YAMAHA ID

0001nnnn 1NH N:device Number*

01001100 4CH XG Model ID

00000010 02H Address High

100

MIDI Data Format

2.1.3.1 XG System On

This system exclusive message causes the MU15 to function

as an “XG”-compatible tone generator.”

11110000 F0H Exclusive status

01000011 43H YAMAHA ID

0001nnnn 1NH N:device Number

01001100 4CH Model ID

00000000 00H Address High

00000000 00H Address Mid

01111110 7EH Address Low

00000000 00H Data

11110111 F7H End of Exclusive

When On is received, the SOUND MODULE MODE will be

set to XG, and MIDI messages defined by XG such as NRPN

or bank select etc. can be received.

Since approximately 50[ms] are required in order to execute

this message, please allow an appropriate interval before

transmitting the next message.

2.1.3.2 XG System parameter change

This message sets the XG SYSTEM block (refer to tables

<1 - 1>, <1 - 2>).

2.1.3.3 Multi Effect1 parameter change

This message sets the MULTI EFFECT1 block (refer to tables

<1 - 1>, <1 - 4>).

2.1.3.4 Display parameter change

This message sets the DISPLAY block (refer to tables

<1 - 1>, <1 - 5>).

2.1.3.5 Multi Part parameter change

This message sets the MULTI PART block (refer to tables

<1 - 1>, <1 - 6>).

2.1.3.6 Drums Setup parameter change

This message sets the DRUMS SETUP block (refer to tables

<1 - 1> , <1 - 7>).

2.1.4 Other parameter changes

2.1.4.1 Master tuning

This message simultaneously modifies the tuning of all

channels.

11110000 F0H Exclusive status

01000011 43H YAMAHA ID

0001nnnn 1NH N:device Number

00100111 27H Model ID

00110000 30H Address High

00000000 00H Address Mid

00000000 00H Address Low

0000mmmm 0MH Master Tune MSB

0000llll 0LH Master Tune LSB

0xxxxxxx XXH don’t care

11110111 F7H End of Exclusive

Normally, the XG SYSTEM message MASTER TUNE should

be used (refer to table <1 - 2>).

2.2 Bulk dump

This device uses the following bulk dump messages.

[ XG BULK DUMP ]

1) XG System bulk dump

2) System Information bulk dump

3) Multi Effect1 bulk dump

4) Multi Part bulk dump

5) Drums Setup bulk dump

2.2.1 XG bulk dump

This message sets XG-related parameters. Unlike parameter

change messages, a single message can modify multiple

parameters. The message format is as follows.

11110000 F0H Exclusive status

01000011 43H YAMAHA ID

0000nnnn 0NH N:Device Number

01001100 4CH Model ID

0sssssss SSH ByteCountMSB

0ttttttt TTH ByteCountLSB

0ggggggg GGH Address High

0mmmmmmm MMH Address Mid

0lllllll LLH Address Low

0vvvvvvv VVH Data

0kkkkkkk KKH Check-sum

11110111 F7H End of Exclusive

Address and Byte Count are given in tables 1-n.

Byte Count is indicated by the total size of the Data in tables 1-n.

Bulk dump messages are received when the beginning of the

block is specified as the “Address”.

“Block” indicates the unit of the data string that is indicated in

tables 1-n as “Total size”.

Check sum is the value that produces a lower 7 bits of 0 when

the Start Address, Byte Count, Data, and the Check-sum itself

are added.

2.2.1.1 XG System bulk dump

This message sets the XG SYSTEM block (refer to tables

<1 - 1>, <1 - 2>).

2.2.1.2 System Information bulk dump

This message indicates the contents of the SYSTEM

INFORMATION block (refer to tables <1 - 1>, <1 - 3>).

This message is transmitted in response to a Dump Request,

but this message will be ignored if it is received.

00000001 01H Address Mid

00100000 20H Address Low

01000011 43H Data(CHORUS TYPE MSB)

00000000 00H Data(CHORUS TYPE LSB)

11110111 F7H End of Exclusive

When this data is received, the MU15 will change the

Chorus effect type to “Flanger1”.

* Any number is OK, since the device number for the MU15 is

fixed to “All”.

Be sure to allow enough time for the procedure to take

place by inserting an empty measure at the top of the song

for every channel.

101

MIDI Data Format

2.2.1.3 Multi Effect1 bulk dump

This message sets the MULTI EFFECT1 block (refer to tables

<1 - 1>, <1 - 4>).

2.2.1.4 Multi Part bulk dump

This message sets the MULTI PART block (refer to tables

<1 - 1>, <1 - 6>).

2.2.1.5 Drums Setup bulk dump

This message sets the DRUMS SETUP block (refer to tables

<1 - 1>, <1 - 7>).

2.3 Parameter request

This message requests transmission of a parameter value.

The output is transmitted in the Parameter Change message

format (refer to 2.1.3).

2.3.1 XG parameter request

This message requests transmission of XG parameter settings.

Settings are transmitted in the format of an XG parameter

change (refer to 2.1.3).

11110000 F0H Exclusive status

01000011 43H YAMAHA ID

0011nnnn 3NH N:device Number

01001100 4CH Model ID

0ggggggg GGH Address High

0mmmmmmm MMH Address Mid

0lllllll LLH Address Low

11110111 F7H End of Exclusive

2.4 Dump request

This message requests transmission of a specific block of

parameter values.

The output is the same as the bulk dump format.

2.4.1 XG dump request

This message requests transmission of all parameters of the

specified block of XG parameters.

The output is the same as the format of XG bulk dump (refer to

2.2.1).

11110000 F0H Exclusive status

01000011 43H YAMAHA ID

0010nnnn 2NH N:device Number

01001100 4CH Model ID

0ggggggg GGH Address High

0mmmmmmm MMH Address Mid

0lllllll LLH Address Low

11110111 F7H End of Exclusive

Address is valid only when the beginning of the block has been

specified.

3. Realtime messages

3.1 Active sensing

This message is used to prevent problems which could occur if

a MIDI cable were to be disconnected or broken

during a performance.When this message is received, the

MU100R will begin monitoring the state of the MIDI cable.

a) Transmission

not transmitted.

b) Receive

Once FE has been received, failure to receive any

MIDI message for an interval longer than approxi-

mately 300 msec will cause processing to be

performed as if ALL SOUND OFF, ALL NOTE OFF,

and RESET ALL CONTROLLERS messages were

received, and the unit will reset to a condition in which

FE was never received.

102

MIDI Data Format

< Table 1 -1 >

Parameter Base Address

MODEL ID = 4C

Parameter Description Remarks

Address

(H) (M) (L)

XG SYSTEM 00 00 00 System

00 00 7D Drum setup Reset Receives parameter changes only

00 00 7E XG System On Receives parameter changes only

00 00 7F All Parameter Reset Receives parameter changes only

INFORMATION 01 00 00 System Information Receives dump request only

EFFECT 1 02 01 00 Effect1(Reverb,Chorus,Variation )

DISPLAY 06 00 00 Display Letter Receives parameter changes only

07 00 00 Display Bit Map Receives parameter changes only

MULTI PART 08 00 00 Multi Part 1

08 0F 00 Multi Part 16

DRUM 30 0D 00 Drum Setup 1

31 0D 00 Drum Setup 2

Address Parameter

3n 0D 00 note number 13

3n 0E 00 note number 14

3n 5B 00 note number 91

< Table 1 - 2 >

MIDI Parameter Change table ( XG SYSTEM )

Address Size Data Parameter Description Default value

(H) (H) (H) (H)

00 00 00 4 00 - 0F MASTER TUNE -102.4...0...+102.3[cent] 00 04 00 00

01 00 - 0F 1st bit3-0→bit15-12

02 00 - 0F 2nd bit3-0→bit11-8

03 00 - 0F 3rd bit3-0→bit7-4

4th bit3-0→bit3-0

04 1 00 - 7F MASTER VOLUME 0...127 7F

05 1 NOT USED – –

06 1 28 - 58 TRANSPOSE -24...0...+24[semitones] 40

7D 1 N DRUM SETUP RESET N: Drum setup number(0,1) – –

7E 1 00 XG SYSTEM ON 00=XG system ON (receive only) – –

7F 1 00 ALL PARAMETER RESET 00=ON (receive only) – –

TOTAL SIZE 07

< Table 1 - 3 >

MIDI Parameter Change table ( SYSTEM INFORMATION ) [ XG ]

Address Size Data Parameter

(H) (H) (H)

01 00 00 E 20 - 7F Model Name 1 32...127(ASCII CHARACTER)

::: :

0D 20 - 7F Model Name 14 32...127(ASCII CHARACTER)

0E 1 00 - 7F XG Level 1

0F 1 00 - 7F XG Level 2

TOTAL SIZE 10

Transmitted in response to Dump Request. Not received.

103

MIDI Data Format

< Table 1 - 4 >

MIDI Parameter Change table ( EFFECT 1)

Address Size Data Parameter Description Default value

(H) (H) (H) (H)

02 01 00 2 00 - 7F REVERB TYPE MSB refer to Effect Type List 01(=HALL1)

00 - 7F REVERB TYPE LSB refer to Effect Type List 00

02 1 00 - 7F REVERB PARAMETER 1 refer to Effect Parameter List 12(depends on reverb type)

03 1 00 - 7F REVERB PARAMETER 2 refer to Effect Parameter List 0A(depends on reverb type)

04 1 00 - 7F REVERB PARAMETER 3 refer to Effect Parameter List 08(depends on reverb type)

05 1 00 - 7F REVERB PARAMETER 4 refer to Effect Parameter List 0D(depends on reverb type)

06 1 00 - 7F REVERB PARAMETER 5 refer to Effect Parameter List 31(depends on reverb type)

07 1 00 - 7F REVERB PARAMETER 6 refer to Effect Parameter List 00(depends on reverb type)

08 1 00 - 7F REVERB PARAMETER 7 refer to Effect Parameter List 00(depends on reverb type)

09 1 00 - 7F REVERB PARAMETER 8 refer to Effect Parameter List 00(depends on reverb type)

0A 1 00 - 7F REVERB PARAMETER 9 refer to Effect Parameter List 00(depends on reverb type)

0B 1 00 - 7F REVERB PARAMETER 10 refer to Effect Parameter List 00(depends on reverb type)

0C 1 00 - 7F REVERB RETURN -∞dB...0dB...+6dB(0...96...127) 40

0D 1 01 - 7F REVERB PAN L63...C...R63 40

TOTAL SIZE 0E

02 01 10 1 00 - 7F REVERB PARAMETER 11 refer to Effect Parameter List 00(depends on reverb type)

11 1 00 - 7F REVERB PARAMETER 12 refer to Effect Parameter List 04(depends on reverb type)

12 1 00 - 7F REVERB PARAMETER 13 refer to Effect Parameter List 32(depends on reverb type)

13 1 00 - 7F REVERB PARAMETER 14 refer to Effect Parameter List 08(depends on reverb type)

14 1 00 - 7F REVERB PARAMETER 15 refer to Effect Parameter List 40(depends on reverb type)

15 1 00 - 7F REVERB PARAMETER 16 refer to Effect Parameter List 00(depends on reverb type)

TOTAL SIZE 6

02 01 20 2 00 - 7F CHORUS TYPE MSB refer to Effect Type List 41(=CHORUS1)

00 - 7F CHORUS TYPE LSB refer to Effect Type List 00

22 1 00 - 7F CHORUS PARAMETER 1 refer to Effect Parameter List 06(depends on chorus type)

23 1 00 - 7F CHORUS PARAMETER 2 refer to Effect Parameter List 36(depends on chorus type)

24 1 00 - 7F CHORUS PARAMETER 3 refer to Effect Parameter List 4D(depends on chorus type)

25 1 00 - 7F CHORUS PARAMETER 4 refer to Effect Parameter List 6A(depends on chorus type)

26 1 00 - 7F CHORUS PARAMETER 5 refer to Effect Parameter List 00(depends on chorus type)

27 1 00 - 7F CHORUS PARAMETER 6 refer to Effect Parameter List 1C(depends on chorus type)

28 1 00 - 7F CHORUS PARAMETER 7 refer to Effect Parameter List 40(depends on chorus type)

29 1 00 - 7F CHORUS PARAMETER 8 refer to Effect Parameter List 2E(depends on chorus type)

2A 1 00 - 7F CHORUS PARAMETER 9 refer to Effect Parameter List 40(depends on chorus type)

2B 1 00 - 7F CHORUS PARAMETER 10 refer to Effect Parameter List 40(depends on chorus type)

2C 1 00 - 7F CHORUS RETURN -∞dB...0dB...+6dB(0...96...127) 40

2D 1 01 - 7F CHORUS PAN L63...C...R63(1...64...127) 40

2E 1 00 - 7F SEND CHORUS TO REVERB -∞dB...0dB...+6dB(0...96...127) 00

TOTAL SIZE 0F

02 01 30 1 00 - 7F CHORUS PARAMETER 11 refer to Effect Parameter List 2E(depends on chorus type)

31 1 00 - 7F CHORUS PARAMETER 12 refer to Effect Parameter List 40(depends on chorus type)

32 1 00 - 7F CHORUS PARAMETER 13 refer to Effect Parameter List 0A(depends on chorus type)

33 1 00 - 7F CHORUS PARAMETER 14 refer to Effect Parameter List 00(depends on chorus type)

34 1 00 - 7F CHORUS PARAMETER 15 refer to Effect Parameter List 00(depends on chorus type)

35 1 00 - 7F CHORUS PARAMETER 16 refer to Effect Parameter List 00(depends on chorus type)

TOTAL SIZE 6

02 01 40 2 00 - 7F VARIATION TYPE MSB refer to Effect Type List 05(=DELAY L,C,R)

00 - 7F VARIATION TYPE LSB refer to Effect Type List 00

42 2 00 - 7F VARIATION PARAMETER 1 MSB refer to Effect Parameter List 1A(depends on variation type)

00 - 7F VARIATION PARAMETER 1 LSB refer to Effect Parameter List 05(depends on variation type)

44 2 00 - 7F VARIATION PARAMETER 2 MSB refer to Effect Parameter List 0D(depends on variation type)

00 - 7F VARIATION PARAMETER 2 LSB refer to Effect Parameter List 03(depends on variation type)

46 2 00 - 7F VARIATION PARAMETER 3 MSB refer to Effect Parameter List 27(depends on variation type)

00 - 7F VARIATION PARAMETER 3 LSB refer to Effect Parameter List 08(depends on variation type)

48 2 00 - 7F VARIATION PARAMETER 4 MSB refer to Effect Parameter List 27(depends on variation type)

00 - 7F VARIATION PARAMETER 4 LSB refer to Effect Parameter List 08(depends on variation type)

4A 2 00 - 7F VARIATION PARAMETER 5 MSB refer to Effect Parameter List 00(depends on variation type)

00 - 7F VARIATION PARAMETER 5 LSB refer to Effect Parameter List 4A(depends on variation type)

4C 2 00 - 7F VARIATION PARAMETER 6 MSB refer to Effect Parameter List 00(depends on variation type)

00 - 7F VARIATION PARAMETER 6 LSB refer to Effect Parameter List 64(depends on variation type)

4E 2 00 - 7F VARIATION PARAMETER 7 MSB refer to Effect Parameter List 00(depends on variation type)

00 - 7F VARIATION PARAMETER 7 LSB refer to Effect Parameter List 0A(depends on variation type)

50 2 00 - 7F VARIATION PARAMETER 8 MSB refer to Effect Parameter List 00(depends on variation type)

00 - 7F VARIATION PARAMETER 8 LSB refer to Effect Parameter List 00(depends on variation type)

104

52 2 00 - 7F VARIATION PARAMETER 9 MSB refer to Effect Parameter List 00(depends on variation type)

00 - 7F VARIATION PARAMETER 9 LSB refer to Effect Parameter List 00(depends on variation type)

54 2 00 - 7F VARIATION PARAMETER 10 MSB refer to Effect Parameter List 00(depends on variation type)

00 - 7F VARIATION PARAMETER 10 LSB refer to Effect Parameter List 20(depends on variation type)

56 1 00 - 7F VARIATION RETURN -∞dB...0dB...+6dB(0...96...127) 40

57 1 01 - 7F VARIATION PAN L63...C...R63(1...64...127) 40

58 1 00 - 7F SEND VARIATION TO REVERB -∞dB...0dB...+6dB(0...96...127) 00

59 1 00 - 7F SEND VARIATION TO CHORUS -∞dB...0dB...+6dB(0...96...127) 00

5A 1 00 - 01 VARIATION CONNECTION INSERTION , SYSTEM 00

5B 1 00 - 7F VARIATION PART NUMBER Part1...16(0...15) 7F

OFF(127)

5C 1 00 - 7F MW VARIATION CONTROL DEPTH -64...0...+63 40

5D 1 00 - 7F

BEND VARIATION CONTROL DEPTH

-64...0...+63 40

5E 1 00 - 7F CAT VARIATION CONTROL DEPTH -64...0...+63 40

5F 1 00 - 7F AC1 VARIATION CONTROL DEPTH -64...0...+63 40

60 1 00 - 7F AC2 VARIATION CONTROL DEPTH -64...0...+63 40

TOTAL SIZE 21

02 01 70 1 00 - 7F VARIATION PARAMETER 11 refer to Effect Parameter List 00(depends on variation type)

71 1 00 - 7F VARIATION PARAMETER 12 refer to Effect Parameter List 3C(depends on variation type)

72 1 00 - 7F VARIATION PARAMETER 13 refer to Effect Parameter List 1C(depends on variation type)

73 1 00 - 7F VARIATION PARAMETER 14 refer to Effect Parameter List 40(depends on variation type)

74 1 00 - 7F VARIATION PARAMETER 15 refer to Effect Parameter List 2E(depends on variation type)

75 1 00 - 7F VARIATION PARAMETER 16 refer to Effect Parameter List 40(depends on variation type)

TOTAL SIZE 6

< Table 1 - 5 >

MIDI Parameter Change table ( DISPLAY DATA ) [ XG ]

Address Size Data Parameter Description Default value

(H) (H) (H) (H)

06 00 00 20 20 - 7F DISPLAY LETTER Data1 32...127(ASCII CHARACTER) – –

:: : :

1F DISPLAY LETTER Data32 32...127(ASCII CHARACTER) – –

TOTAL SIZE 20

07 00 00 30 00 - 7F DISPLAY BITMAP Data1 * 0...127 – –

:: : :

2F DISPLAY BITMAP Data48 0...127 – –

TOTAL SIZE 30

* The relation between DISPLAY BITMAP data and the display screen

Seven pixels horizontally are one byte of data.

Set a bit to 1 to display the corresponding pixel, and set a bit to 0 to turn it off.

This data is mapped to the screen as follows.

b7 b6 b5 b4 b3 b2 b1 b0 b7 b6 b5 b4 b3 b2 b1 b0 b7 b6 b5 b4 b3 b2 b1 b0

(“b” stands for “bit”)

Data1 0 ******* Data17 0 * * * **** Data33 0 * * -----

Data2 0 ******* Data18 0 * * * **** Data34 0 * * -----

Data3 0 ******* Data19 0 * * * **** Data35 0 * * -----

Data4 0 ******* Data20 0 * * * **** Data36 0 * * -----

Data5 0 ******* Data21 0 * * * **** Data37 0 * * -----

Data6 0 ******* Data22 0 * * * **** Data38 0 * * -----

Data7 0 ******* Data23 0 * * * **** Data39 0 * * -----

Data8 0 ******* Data24 0 * * * **** Data40 0 * * -----

Data9 0 ******* Data25 0 * * * **** Data41 0 * * -----

Data10 0 ******* Data26 0 * * * **** Data42 0 * * -----

Data11 0 ******* Data27 0 * * * **** Data43 0 * * -----

Data12 0 ******* Data28 0 * * * **** Data44 0 * * -----

Data13 0 ******* Data29 0 * * * **** Data45 0 * * -----

Data14 0 ******* Data30 0 * * * **** Data46 0 * * -----

Data15 0 ******* Data31 0 * * * **** Data47 0 * * -----

Data16 0 ******* Data32 0 * * * **** Data48 0 * * -----

For Data33~Data48, only bit 6 and bit 5 are used.

Specific individual pixels of the bitmap data can also be received. In this case, other pixels will retain their previous state.

DISPLAY DATA parameter changes can be transmitted continuously from a specified location.

MIDI Data Format

Address Size Data Parameter Description Default value

(H) (H) (H) (H)

105

< Table 1 - 6 >

MIDI Parameter Change table ( MULTI PART )

Address Size Data Parameter Description Default value

(H) (H) (H) (H)

08 nn 00 1 00 - 20 ELEMENT RESERVE 0...32 part10 = 0

other parts =2

nn 01 1 00 - 7F BANK SELECT MSB 0...127 part10 = 7F

other parts=0

nn 02 1 00 - 7F BANK SELECT LSB 0...127 00

nn 03 1 00 - 7F PROGRAM NUMBER 1...128 00

nn 04 1 00-0F,7F Rcv CHANNEL A1...A16, OFF Part No.

nn 05 1 00 - 01 MONO/POLY MODE MONO , POLY 01

nn 06 1 00 - 02 SAME NOTE NUMBER SINGLE, MULTI, INST(for DRUM) 01

KEY ON ASSIGN

nn 07 1 00 - 02 PART MODE NORMAL, DRUM, DRUMS1...2 Part10=2

other parts=0

nn 08 1 28 - 58 NOTE SHIFT -24...0...+24[semitones] 40

nn 09 2 00 - 0F DETUNE -12.8...0...+12.7[Hz] 08 00

nn 0A 00 - 0F 1st bit3-0→bit7-4

2nd bit3-0→bit3-0

nn 0B 1 00 - 7F VOLUME 0...127 64

nn 0C 1 00 - 7F VELOCITY SENSE DEPTH 0...127 40

nn 0D 1 00 - 7F VELOCITY SENSE OFFSET 0...127 40

nn 0E 1 00 - 7F PAN RND, L63...C...R63 40

nn 0F 1 00 - 7F NOTE LIMIT LOW C-2...G8 00

nn 10 1 00 - 7F NOTE LIMIT HIGH C-2...G8 7F

nn 11 1 00 - 7F DRY LEVEL 0...127 7F

nn 12 1 00 - 7F CHORUS SEND 0...127 00

nn 13 1 00 - 7F REVERB SEND 0...127 28

nn 14 1 00 - 7F VARIATION SEND 0...127 00

nn 15 1 00 - 7F VIBRATO RATE -64...0...+63 40

nn 16 1 00 - 7F VIBRATO DEPTH -64...0...+63 40

nn 17 1 00 - 7F VIBRATO DELAY -64...0...+63 40

nn 18 1 00 - 7F

LOW PASS FILTER CUTOFF FREQUENCY

-64...0...+63 40

nn 19 1 00 - 7F LOW PASS FILTER RESONANCE -64...0...+63 40

nn 1A 1 00 - 7F EG ATTACK TIME -64...0...+63 40

nn 1B 1 00 - 7F EG DECAY TIME -64...0...+63 40

nn 1C 1 00 - 7F EG RELEASE TIME -64...0...+63 40

nn 1D 1 28 - 58 MW PITCH CONTROL -24...0...+24[semitones] 40

nn 1E 1 00 - 7F

MW LOW PASS FILTER CONTROL

-9600...0...+9450[cent] 40

nn 1F 1 00 - 7F MW AMPLITUDE CONTROL -100...0...+100[%] 40

nn 20 1 00 - 7F MW LFO PMOD DEPTH 0...127 0A

nn 21 1 00 - 7F MW LFO FMOD DEPTH 0...127 00

nn 22 1 00 - 7F MW LFO AMOD DEPTH 0...127 00

nn 23 1 28 - 58 BEND PITCH CONTROL -24...0...+24[semitones] 42

nn 24 1 00 - 7F

BEND LOW PASS FILTER CONTROL

-9600...0...+9450[cent] 40

nn 25 1 00 - 7F BEND AMPLITUDE CONTROL -100...0...+100[%] 40

nn 26 1 00 - 7F BEND LFO PMOD DEPTH 0...127 00

nn 27 1 00 - 7F BEND LFO FMOD DEPTH 0...127 00

nn 28 1 00 - 7F BEND LFO AMOD DEPTH 0...127 00

TOTAL SIZE 29

nn 30 1 00 - 01 Rcv PITCH BEND OFF, ON 01

nn 31 1 00 - 01 Rcv CH AFTER TOUCH(CAT) OFF, ON 01

nn 32 1 00 - 01 Rcv PROGRAM CHANGE OFF, ON 01

nn 33 1 00 - 01 Rcv CONTROL CHANGE OFF, ON 01

nn 34 1 00 - 01 Rcv POLY AFTER TOUCH(PAT) OFF, ON 01

nn 35 1 00 - 01 Rcv NOTE MESSAGE OFF, ON 01

nn 36 1 00 - 01 Rcv RPN OFF, ON 01

nn 37 1 00 - 01 Rcv NRPN OFF, ON XGmode=01, GMmode=00

nn 38 1 00 - 01 Rcv MODULATION OFF, ON 01

nn 39 1 00 - 01 Rcv VOLUME OFF, ON 01

nn 3A 1 00 - 01 Rcv PAN OFF, ON 01

nn 3B 1 00 - 01 Rcv EXPRESSION OFF, ON 01

nn 3C 1 00 - 01 Rcv HOLD1 OFF, ON 01

nn 3D 1 00 - 01 Rcv PORTAMENTO OFF, ON 01

nn 3E 1 00 - 01 Rcv SOSTENUTO OFF, ON 01

nn 3F 1 00 - 01 Rcv SOFT PEDAL OFF, ON 01

nn 40 1 00 - 01 Rcv BANK SELECT OFF, ON XGmode=01, GMmode=00

MIDI Data Format

106

nn 41 1 00 - 7F SCALE TUNING C -64...0...+63[cent] 40

nn 42 1 00 - 7F SCALE TUNING C# -64...0...+63[cent] 40

nn 43 1 00 - 7F SCALE TUNING D -64...0...+63[cent] 40

nn 44 1 00 - 7F SCALE TUNING D# -64...0...+63[cent] 40

nn 45 1 00 - 7F SCALE TUNING E -64...0...+63[cent] 40

nn 46 1 00 - 7F SCALE TUNING F -64...0...+63[cent] 40

nn 47 1 00 - 7F SCALE TUNING F# -64...0...+63[cent] 40

nn 48 1 00 - 7F SCALE TUNING G -64...0...+63[cent] 40

nn 49 1 00 - 7F SCALE TUNING G# -64...0...+63[cent] 40

nn 4A 1 00 - 7F SCALE TUNING A -64...0...+63[cent] 40

nn 4B 1 00 - 7F SCALE TUNING A# -64...0...+63[cent] 40

nn 4C 1 00 - 7F SCALE TUNING B -64...0...+63[cent] 40

nn 4D 1 28 - 58 CAT PITCH CONTROL -24...0...+24[semitones] 40

nn 4E 1 00 - 7F

CAT LOW PASS FILTER CONTROL

-9600...0...+9450[cent] 40

nn 4F 1 00 - 7F CAT AMPLITUDE CONTROL -100...0...+100[%] 40

nn 50 1 00 - 7F CAT LFO PMOD DEPTH 0...127 00

nn 51 1 00 - 7F CAT LFO FMOD DEPTH 0...127 00

nn 52 1 00 - 7F CAT LFO AMOD DEPTH 0...127 00

nn 53 1 28 - 58 PAT PITCH CONTROL -24...0...+24[semitones] 40

nn 54 1 00 - 7F

PAT LOW PASS FILTER CONTROL

-9600...0...+9450[cent] 40

nn 55 1 00 - 7F PAT AMPLITUDE CONTROL -100...0...+100[%] 40

nn 56 1 00 - 7F PAT LFO PMOD DEPTH 0...127 00

nn 57 1 00 - 7F PAT LFO FMOD DEPTH 0...127 00

nn 58 1 00 - 7F PAT LFO AMOD DEPTH 0...127 00

nn 59 1 00 - 5F AC1 CONTROLLER NUMBER 0...95 10

nn 5A 1 28 - 58 AC1 PITCH CONTROL -24...0...+24[semitones] 40

nn 5B 1 00 - 7F

AC1 LOW PASS FILTER CONTROL

-9600...0...+9450[cent] 40

nn 5C 1 00 - 7F AC1 AMPLITUDE CONTROL -100...0...+100[%] 40

nn 5D 1 00 - 7F AC1 LFO PMOD DEPTH 0...127 00

nn 5E 1 00 - 7F AC1 LFO FMOD DEPTH 0...127 00

nn 5F 1 00 - 7F AC1 LFO AMOD DEPTH 0...127 00

nn 60 1 00 - 5F AC2 CONTROLLER NUMBER 0...95 11

nn 61 1 28 - 58 AC2 PITCH CONTROL -24...0...+24[semitones] 40

nn 62 1 00 - 7F

AC2 LOW PASS FILTER CONTROL

-9600...0...+9450[cent] 40

nn 63 1 00 - 7F AC2 AMPLITUDE CONTROL -100...0...+100[%] 40

nn 64 1 00 - 7F AC2 LFO PMOD DEPTH 0...127 00

nn 65 1 00 - 7F AC2 LFO FMOD DEPTH 0...127 00

nn 66 1 00 - 7F AC2 LFO AMOD DEPTH 0...127 00

nn 67 1 00 - 01 PORTAMENTO SWITCH OFF, ON 00

nn 68 1 00 - 7F PORTAMENTO TIME 0...127 00

nn 69 1 00 - 7F PITCH EG INITIAL LEVEL -64...0...+63 40

nn 6A 1 00 - 7F PITCH EG ATTACK TIME -64...0...+63 40

nn 6B 1 00 - 7F PITCH EG RELEASE LEVEL -64...0...+63 40

nn 6C 1 00 - 7F PITCH EG RELEASE TIME -64...0...+63 40

nn 6D 1 01 - 7F VELOCITY LIMIT LOW 1...127 01

nn 6E 1 01 - 7F VELOCITY LIMIT HIGH 1...127 7F

TOTAL SIZE 3F

nn = PART NUMBER

In the case of a DRUM PART, the following parameters will have no effect.

•BANK SELECT LSB

•MONO/POLY MODE

•SCALE TUNING

•PORTAMENTO

•PITCH EG

•FILTER MODULATION DEPTH(FMOD DEPTH)

•AMPLITUDE MODULATION DEPTH(AMOD DEPTH)

MIDI Data Format

Address Size Data Parameter Description Default value

(H) (H) (H) (H)

107

< Table 1 - 7 >

MIDI Parameter Change table ( DRUM SETUP )

Address Size Data Parameter Description Default value

(H) (H) (H) (H)

3n rr 00 1 00 - 7F PITCH COARSE -64...0...+63 40

01 1 00 - 7F PITCH FINE -64...0...+63[cent] 40

02 1 00 - 7F LEVEL 0...127 depends on the note

03 1 00 - 7F ALTERNATE GROUP OFF,1...127 depends on the note

04 1 00 - 7F PAN RND, L63...C...R63 depends on the note

05 1 00 - 7F REVERB SEND 0...127 depends on the note

06 1 00 - 7F CHORUS SEND 0...127 depends on the note

07 1 00 - 7F VARIATION SEND 0...127 7F

08 1 00 - 01 KEY ASSIGN SINGLE , MULTI 00

09 1 00 - 01 Rcv NOTE OFF OFF , ON depends on the note

0A 1 00 - 01 Rcv NOTE ON OFF , ON 01

0B 1 00 - 7F

LOW PASS FILTER CUTOFF FREQUENCY

-64...0...63 40

0C 1 00 - 7F LOW PASS FILTER RESONANCE -64...0...63 40

0D 1 00 - 7F EG ATTACK RATE -64...0...63 40

0E 1 00 - 7F EG DECAY1 RATE -64...0...63 40

0F 1 00 - 7F EG DECAY2 RATE -64...0...63 40

TOTAL SIZE 10

n:Drum Setup Number(0 - 1)

rr:note number(0D - 5B)

In the following cases, the MU15 will initialize all Drum Setups.

XG SYSTEM ON received

GM SYSTEM ON received

DRUM SETUP RESET received (when in XG mode)

NOTE

When a part to which a Drum Setup is assigned receives a program change, the assigned Drum Setup will be initialized.

If the same Drum Setup is assigned to two or more parts, changes in Drum Setup parameters (including program changes) will apply to all

parts to which it is assigned.

MIDI Data Format

108

YAMAHA [ Tone Generator ] Date:19-OCT-1998

Model MU15 MIDI Implementation Chart Version : 1.0

Transmitted Recognized Remarks

Function ...

Basic Default 1 - 16 1 - 16

Channel Changed 1 - 16 1 - 16

Default 3 3

Mode Messages x 3, 4 (m=1) *2

Altered ************** x

Note 4 - 124 0 - 127

Number : True voice ************** 0 - 127

Velocity Note ON o 9nH,v=1-127 o 9nH,v=1-127

Note OFF x 9nH,v=0 x

After Key's x o *1

Touch Ch's x o *1

Pitch Bend x o 0-24 semi *1

0,32 x o *1 Bank Select

1,5,7,10,11 x o *1

6,38 x o *1 Data Entry

64-67 x o *1

Control 71-74 x o *1 Sound Controller

84 x o *1 Portamento Cntrl

Change 91,93,94 x o *1 Effect Depth

109

98-99 x o *1 NRPN LSB,MSB

100-101 x o *1 RPN LSB,MSB

Prog x o 0 - 127

Change : True # **************

System Exclusive o o

: Song Pos. x x

common : Song Sel. x x

: Tune x x

System :Clock x x

Real Time :Commands x x

Notes: *1 receive if switch is on.

*2 m is always treated as "1" regardless of its value.

Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No

:All Sound Off x o(120,126,127)

Aux :

Reset All Cntrls

x o(121)

:Local ON/OFF x x

Mes- :All Notes OFF x o(123-125)

sages:Active Sense x o

:Reset x x

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this

manual, meets FCC requirements. Modifications not expressly approved by

Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another prod-

uct use only high quality shielded cables. Cable/s supplied with this product MUST

be used. Follow all installation instructions. Failure to follow instructions could void

your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements

listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with

these requirements provides a reasonable level of assurance that your use of this

product in a residential environment will not result in harmful interference with

other electronic devices. This equipment generates/uses radio frequencies and, if

not installed and used according to the instructions found in the users manual,

may cause interference harmful to the operation of other electronic devices. Com-

pliance with FCC regulations does not guarantee that interference will not occur in

all installations. If this product is found to be the source of interference, which can

be determined by turning the unit “OFF” and “ON”, please try to eliminate the

problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or

install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the an-

tenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact

the local retailer authorized to distribute this type of product. If you can not locate

the appropriate retailer, please contact Yamaha Corporation of America, Electronic

Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by Yamaha Cor-

poration of America or its subsidiaries.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

(class B)

For details of products, please contact your nearest Yamaha or the

authorized distributor listed below.

Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou

au distributeur le plus proche de vous figurant dans la liste suivante.

NORTH AMERICA

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario,

M1S 3R1, Canada

Tel: 416-298-1311

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Ave., Buena Park, Calif. 90620,

U.S.A.

Tel: 714-522-9011

CENTRAL & SOUTH AMERICA

MEXICO

Yamaha de Mexico S.A. De C.V.,

Departamento de ventas

Javier Rojo Gomez No.1149, Col. Gpe Del

Moral, Deleg. Iztapalapa, 09300 Mexico, D.F.

Tel: 686-00-33

BRAZIL

Yamaha Musical do Brasil LTDA.

Av. Rebouças 2636, São Paulo, Brasil

Tel: 011-853-1377

ARGENTINA

Yamaha Music Argentina S.A.

Viamonte 1145 Piso2-B 1053,

Buenos Aires, Argentina

Tel: 1-371-7021

PANAMA AND OTHER LATIN

AMERICAN COUNTRIES/

CARIBBEAN COUNTRIES

Yamaha de Panama S.A.

Torre Banco General, Piso 7, Urbanización Marbella,

Calle 47 y Aquilino de la Guardia,

Ciudad de Panamá, Panamá

Tel: 507-269-5311

EUROPE

THE UNITED KINGDOM

Yamaha-Kemble Music (U.K.) Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes,

MK7 8BL, England

Tel: 01908-366700

IRELAND

Danfay Ltd.

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin

Tel: 01-2859177

GERMANY/SWITZERLAND

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen,

F.R. of Germany

Tel: 04101-3030

AUSTRIA

Yamaha Music Austria

Schleiergasse 20, A-1100 Wien Austria

Tel: 01-60203900

THE NETHERLANDS

Yamaha Music Nederland

Kanaalweg 18G, 3526KL, Utrecht, The Netherlands

Tel: 030-2828411

BELGIUM

Yamaha Music Belgium

Keiberg Imperiastraat 8, 1930 Zaventem, Belgium

Tel: 02-7258220

FRANCE

Yamaha Musique France,

Division Professionnelle

BP 70-77312 Marne-la-Vallée Cedex 2, France

Tel: 01-64-61-4000

AFRICA

Yamaha Corporation,

International Marketing Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-2312

MIDDLE EAST

TURKEY/CYPRUS

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen,

F.R. of Germany

Tel: 04101-3030

OTHER COUNTRIES

Yamaha Corporation,

International Marketing Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-2312

ASIA

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,

Tsimshatsui, Kowloon, Hong Kong

Tel: 2737-7688

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930, Indonesia

Tel: 21-520-2577

KOREA

Cosmos Corporation

#131-31, Neung-Dong, Sungdong-Ku, Seoul

Korea

Tel: 02-466-0021~5

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

Petaling Jaya, Selangor, Malaysia

Tel: 3-703-0900

PHILIPPINES

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,

Makati, Metro Manila, Philippines

Tel: 819-7551

SINGAPORE

Yamaha Music Asia Pte., Ltd.

Blk 202 Hougang, Street 21 #02-01,

Singapore 530202

Tel: 747-4374

TAIWAN

Yamaha KHS Music Co., Ltd.

10F, 150, Tun-Hwa Northroad,

Taipei, Taiwan, R.O.C.

Tel: 02-2713-8999

THAILAND

Siam Music Yamaha Co., Ltd.

121/60-61 RS Tower 17th Floor,

Ratchadaphisek RD., Dindaeng,

Bangkok 10320, Thailand

Tel: 02-641-2951

THE PEOPLE’S REPUBLIC OF CHINA

AND OTHER ASIAN COUNTRIES

Yamaha Corporation,

International Marketing Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-2317

OCEANIA

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

17-33 Market Street, South Melbourne, Vic. 3205,

Australia

Tel: 3-699-2388

NEW ZEALAND

Music Houses of N.Z. Ltd.

146/148 Captain Springs Road, Te Papapa,

Auckland, New Zealand

Tel: 9-634-0099

COUNTRIES AND TRUST

TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation,

International Marketing Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-2317

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Nieder-

lassung und bei Yamaha Vertragshändlern in den jeweiligen

Bestimmungsländern erhältlich.

Para detalles sobre productos, contacte su tienda Yamaha más cercana o

el distribuidor autorizado que se lista debajo.

XG1-04

HEAD OFFICE Yamaha Corporation, XG Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-2936

ITALY

Yamaha Musica Italia S.P.A.,

Combo Division

Viale Italia 88, 20020 Lainate (Milano), Italy

Tel: 02-935-771

SPAIN/PORTUGAL

Yamaha-Hazen Electronica Musical, S.A.

Jorge Juan 30, 28001, Madrid, Spain

Tel: 91-577-7270

GREECE

Philippe Nakas S.A.

Navarinou Street 13, P.Code 10680, Athens, Greece

Tel: 01-364-7111

SWEDEN

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1

Box 30053

S-400 43 Göteborg, Sweden

Tel: 031 89 34 00

DENMARK

YS Copenhagen Liaison Office

Generatorvej 8B

DK-2730 Herlev, Denmark

Tel: 44 92 49 00

FINLAND

F-Musiikki Oy

Kluuvikatu 6, P.O. Box 260,

SF-00101 Helsinki, Finland

Tel: 09 618511

NORWAY

Norsk filial av Yamaha Scandinavia AB

Grini Næringspark 1

N-1345 Østerås, Norway

Tel: 67 16 77 70

ICELAND

Skifan HF

Skeifan 17 P.O. Box 8120

IS-128 Reykjavik, Iceland

Tel: 525 5000

OTHER EUROPEAN COUNTRIES

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen, F.R. of

Germany

Tel: 04101-3030

Transcripción de documentos

Owner’s Manual Bedienungsanleitung Mode d’emploi SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over ,or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! IF you must use an extension cord, the minimum wire size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the AWG number ,the larger the current handling capacity. For longer extension cords, consult a local electrician. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. Some Yamaha products may have benches and / or accessory mounting fixtures that are either supplied with the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended. cerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: Battery Notice: This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture. Warning: Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly. NAME PLATE LOCATION: The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. NOTICE: Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. Model ENVIRONMENTAL ISSUES: Serial No. Yamaha strives to produce products that are both user safe and environmentally friendly. We sin- 2 92-BP (bottom) Purchase Date PLEASE KEEP THIS MANUAL PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep these precautions in a safe place for future reference. English WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: • Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. • Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. • If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel. • Use the specified adaptor (PA-3B or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating. • Before cleaning the instrument, always remove the electric plug from the outlet. Never insert or remove an electric plug with wet hands. • Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following: • Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it. • When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. • Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet. • Unplug the AC power adaptor when not using the instrument, or during electrical storms. • Always make sure all batteries are inserted in conformity with the +/- polarity markings. Failure to do so might result in overheating, fire, or battery fluid leakage. • Always replace all batteries at the same time. Do not use new batteries together with old ones. Also, do not mix battery types, such as alkaline batteries with manganese batteries, or batteries from different makers, or different types of batteries from the same maker, since this can cause overheating, fire, or battery fluid leakage. • Do not dispose of batteries in fire. • Do not attempt to recharge batteries that are not intended to be charged. • If the instrument is not to be in use for a long time, remove the batteries from it, in order to prevent possible fluid leakage from the battery. • Keep batteries away from children. • Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. • Do not expose the instrument to excessive dust or vibrations, (4)-3 • • • • • • or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components. Do not use the instrument near other electrical products such as televisions, radios, or speakers, since this might cause interference which can affect proper operation of the other products. Do not place the instrument in an unstable position where it might accidentally fall over. Before moving the instrument, remove all connected adaptor and other cables. When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemicalimpregnated wiping cloths. Also, do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard. Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors. Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician. ■SAVING USER DATA • Save all data to an external device such as the Yamaha MIDI Data Filer MDF3, in order to help prevent the loss of important data due to a malfunction or user operating error. Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed. Always turn the power off when the instrument is not in use. Make sure to discard used batteries according to local regulations. 3 Welcome to the MU15 Congratulations and thank you for purchasing the Yamaha MU15 Tone Generator! The MU15 an advanced, yet easy-to-use tone generator providing exceptionally high-quality Voices, built-in effects, XG format and General MIDI (GM) compatibility, plus direct connection to computer — all in a highly compact and portable package. With the built-in host computer interface and MIDI terminals, the MU15 is ideal for any computer music system — from connection to a simple laptop to integration in a complete MIDI studio. It even features a two-octave keyboard (with adjustable ten-octave range), allowing you to play the internal Voices and enter notes to a connected sequencer. Since it’s compatible with Yamaha’s powerful XG format, it lets you faithfully and easily playback any XG or GM song data. The MU15 also features 16-Part multi-timbral capacity and full 32-note polyphony for playback of even very sophisticated, multi-part song data. Three independent digital effect sections give you enormous versatility in “sweetening” the sound. What’s more, the MU15 provides a host of comprehensive editing tools for getting just the sound you need. 4 English GM System Level 1 “GM System Level 1” is a standard specification that defines the arrangement of voices in a tone generator and its MIDI functionality, ensuring that data can be played back with substantially the same sounds on any GM-compatible tone generator, regardless of its manufacturer or model. Tone generators and song data that meet the “GM System Level 1” bear this GM logo. XG “XG” is a tone generator format that expands the voice arrangement of the “GM System Level 1” specification to meet the ever-increasing demands of today’s computer peripheral environment, providing richer expressive power while maintaining upward compatibility of data. “XG” greatly expands “GM System Level 1” by defining the ways in which voices are expanded or edited and the structure and type of effects. When commercially available song data bearing the XG logo is played back on a tone generator which bears the XG logo, you will enjoy a full musical experience that includes unlimited expansion voices and effect functions. Your MU15 package should include the items listed below. Make sure that you have them all. • MU15 • Owner’s Manual 5 Table of Contents How to Use This Manual .......................................................................................... 8 The MU15 — What It Is and What It Can Do ........................................................ 10 What It Is... ................................................................................................... 10 What It Can Do... .......................................................................................... 10 About General MIDI (GM) ............................................................................. 12 About XG ...................................................................................................... 12 Panel Controls and Terminals ................................................................................ 13 Guided Tour 17 Setting Up Your MU15 ............................................................................................ 17 What You’ll Need .......................................................................................... 17 Power Supply ............................................................................................... 18 Using a Power Adaptor .................................................................... 18 Using Batteries ................................................................................ 19 When to Replace the Batteries ........................................................ 19 Making the Connections ............................................................................... 20 Powering Up ................................................................................................. 21 Playing the MU15 .................................................................................................... 22 Playing the Keyboard .................................................................................... 22 Playing the Demo Song ................................................................................ 22 Selecting Voices ........................................................................................... 24 About Parts, Voices, and Banks .................................................................... 24 Selecting Parts .............................................................................................. 26 Selecting Banks ............................................................................................ 27 Playing Drum Voices ..................................................................................... 28 Changing the Octave Setting ........................................................................ 29 Editing a Part ................................................................................................ 30 Changing the Note Shift and Volume Settings ................................ 30 Soloing and Muting Parts ............................................................................. 31 Using the Effects .......................................................................................... 32 Using Reverb and Chorus ................................................................ 32 Using the Variation Effects .............................................................. 33 Using the MU15 with a Computer/Sequencer ..................................................... 36 Setting Up ..................................................................................................... 36 Playing Song Data ......................................................................................... 40 MIDI/Computer Connecting Cables .............................................................. 41 Reference 42 Function Tree ........................................................................................................... 42 Play Mode ................................................................................................................ 43 Sound Module Mode .................................................................................... 43 Edit Mode ................................................................................................................. 44 Part Controls ................................................................................................. 45 Volume ............................................................................................. 46 Pan ................................................................................................... 47 Note Shift ......................................................................................... 47 Solo .................................................................................................. 48 Mute ................................................................................................ 49 6 Ta b l e o f C o n t e n t s Appendix 52 53 53 54 54 54 55 56 56 57 57 58 58 59 59 60 60 61 62 63 63 64 64 65 68 69 Troubleshooting ...................................................................................................... Error Messages ........................................................................................................ Specifications .......................................................................................................... Index ......................................................................................................................... Sound List & MIDI Data 50 50 51 English • Filter Parameters — Cutoff Frequency and Resonance ............. Cutoff Frequency ............................................................................. Resonance ....................................................................................... • EG (Envelope Generator) Parameters — Attack Time and Release Time .................................................................................. Attack Time ...................................................................................... Release Time ................................................................................... • Vibrato Parameters — Rate, Depth, and Delay ........................... Vibrato Rate ..................................................................................... Vibrato Depth ................................................................................... Vibrato Delay .................................................................................... Effect Controls .............................................................................................. • Reverb Parameters ........................................................................ Reverb Send Level ........................................................................... Reverb Type ..................................................................................... • Chorus Parameters ........................................................................ Chorus Type ..................................................................................... Chorus Send Level ........................................................................... • Variation Parameters ..................................................................... Variation Connection ........................................................................ Variation Type ................................................................................... Variation Send Level ........................................................................ Dry Level .......................................................................................... Utility Controls .............................................................................................. Master Tune ..................................................................................... Velocity ............................................................................................ Local Control .................................................................................... Dump Out ........................................................................................ Initialize All ....................................................................................... 69 71 72 73 75 XG Normal Voice List .............................................................................................. 76 TG300B Normal Voice List ...................................................................................... 78 XG Drum Voice List (Drum Map) ........................................................................... 80 TG300B Drum Voice List (Drum Map) ................................................................... 82 Effect Type List ........................................................................................................ 84 Effect Parameter List ............................................................................................... 85 Effect Data Assign Table ......................................................................................... 90 MIDI Data Format .................................................................................................... 91 MIDI Implementation Chart .................................................................................. 108 7 How to Use This Manual How to Use This Manual You are probably eager to try out your new MU15 Tone Generator right away and hear what it can do, rather than have to read through a lot of instructions before you can even get a sound out of it. Since the MU15 is so easy to use, you could play it right “out of the box” without even having to glance at the manual. However, to get the most out of your MU15 and to avoid damaging it, we strongly suggest that you take time to read the sections introduced below. The structure of the manual is very straightforward. You can approach it in a linear manner, reading through from beginning to end, or on an “on-demand” basis, going directly to the information as you need it. 1) Precautions Read this section very carefully for important information on how to care for your new MU15, how to avoid damaging it, and how to ensure long-term, reliable operation. 2) The MU15 — What It Is and What It Can Do This briefly provides an overview of the functions and features of the MU15 and offers some important hints on how you can use it effectively. 3) Panel Controls and Terminals This section introduces you to the panel controls and terminals of the MU15, and where applicable provides convenient page references for more information. 4) Guided Tour This is perhaps the most important and valuable section of the manual. It gets you started using your new MU15, helping you set up the instrument, integrate it into your music system, and play it. It also introduces you to virtually all of the important functions and features. The hands-on experience that you gain in this section will help you quickly master the instrument and aid you in navigating the more detailed sections of the manual. 8 How to Use This Manual 5) Reference English Once you’re familiar with everything above, lightly go over this comprehensive guide to all editing functions. You won’t need (or want) to read everything at once, but it is there for you to refer to when you need information about a certain feature or function. 6) Appendix Use the sections in the Appendix as necessary. For example, the Index will come in handy when you need to quickly find information on a specific topic. Other sections, such as Troubleshooting and Error Messages, provide additional useful information. 7) Sound List & MIDI Data This section features lists of the Voices, drum sounds, effect types and parameters, as well as details on all relevant MIDI messages and data. NOTE • The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may appear somewhat different from those on your instrument. 9 The MU15 — What It Is and What It Can Do The MU15 — What It Is and What It Can Do What It Is... The MU15 is a compact, highly portable and easy-to-use tone generator. It features XG compatibility with a stunning variety of 480 XG Voices (including 128 GM Voices) and 11 Drum Voices (with Drum and SFX kits).* The MU15 has 32-Voice polyphony and is 16Part multi-timbral. In other words, the MU15 has 16 different Parts, each with its own Voice, so that up to 16 different Voices can be sounded simultaneously. With the built-in two-octave keyboard, you can play any of the Voices directly from the MU15 itself. Or you can play them from a connected MIDI keyboard. In addition, the MU15 also has a TO HOST terminal for easy interfacing with a computer, allowing you to play the Voices using your favorite music software. This is where the advanced multi-timbral capabilities come in, letting you play up to 16 different Voices at the same time. * The MU15 has a total of 676 different Voices. A separate TG300B mode (page 43) features 579 Voices, some of which are diiferent than the XG set. What It Can Do... Here are a few ideas on how you can use the MU15. The list below is not comprehensive, but is meant to be a general guide to the possibilities and provide a starting point or springboard for your own creative ideas and explorations. Carry It With You If you have a laptop computer (and sequencing software), simply connect the MU15, plug in some headphones and you’ve got a complete music making system that’s ready to go wherever you go. 10 The MU15 — What It Is and What It Can Do English Use it for composing, arranging, practicing or making/playing demos for your band. Perform With It Bring it with you to a gig — as long as there’s a MIDI keyboard on stage, you can use the high-quality sounds of MU15 in your performance. Multimedia Since it’s portable and compatible with General MIDI, the MU15 is a natural for multimedia applications. Bring it with you to a presentation — since the computer interface is built-in to the MU15, it hooks up instantly and easily to the computer’s serial port without the need for any other equipment. Using With MIDI Keyboard Use the MU15 as supplementary tone generator with your MIDI keyboard and play the Voices of both instruments in a layer together. Or, if your keyboard has the capability, program a “split” so that the notes you play on the right side of the keyboard play only the Voices of the MU15. Using With Other MIDI Controllers Even if you’re not a keyboard player, you can still play the MU15 with other types of MIDI controllers. For example, use a MIDI percussion controller to play the drum and percussion sounds of the MU15. Guitar controllers (such as the Yamaha G50) or wind controllers (such as the Yamaha WX5) are also available for players of those instruments. Home Studio Setup The MU15 integrates easily into any existing setup. If you have a MIDI keyboard, computer and sequencing software, the MU15 with its high-quality Voices and multi-timbral capabilities can expand your home studio system. 11 The MU15 — What It Is and What It Can Do About General MIDI (GM) General MIDI (GM) is a new addition to the worldwide MIDI standard. MIDI, as you know, stands for Musical Instrument Digital Interface, and makes it possible for various electronic musical instruments and other devices to “communicate” with each other. For example, by connecting a sequencer to the MU15’s MIDI IN terminal, you could play back a song on the sequencer using the Voices of the MU15. So, where does GM fit in all of this? One of the most important features of General MIDI is in the standardization of Voices. This means that a song recorded in the GM standard can be played back on any GM-compatible tone generator and sound just as the composer intended. For example, if there is an alto sax solo in the song, it will be played by an alto sax Voice on the General MIDI tone generator (and not by a tuba or harpsichord!). Since the MU15 is fully GM-compatible, you can take advantage of the vast wealth of musical material recorded in that format. About XG The Yamaha XG format is an extension of General MIDI, and provides a number of significant improvements and enhancements. XGcompatible song data takes advantage of the expanded Voice set, extensive MIDI control and built-in effects of the MU15 (as well as other MU-series instruments). To get the most out of XG and your MU15, we recommend using XG-compatible instruments and software. For example, the Yamaha CBX-K2 keyboard lets you dynamically control a variety of parameters in real time while you play. The XGworks sequencer software not only lets you playback GM- or XG-compatible song data, it lets you record your own songs — and gives you enormously powerful and easy-to-use editing tools for adjusting detailed settings of the MU15 that are unavailable with the panel controls. 12 P a n e l C o n t r o l s a n d Te r m i n a l s English Panel Controls and Terminals Front Panel q w e r t GrandPno y u q Display In the Play mode, this shows the Part number, the currently selected program number and Voice name for the Part. It also shows the octave setting (when set to a value other than normal) and acts as a “level meter,” showing the volume for each Part as it is played. When the XG BANK button is held down, it shows the currently selected Bank number and Voice name. In the Edit mode, this shows the relevant values and, where applicable, a graphic display of the set values. 13 P a n e l C o n t r o l s a n d Te r m i n a l s w PART buttons ( , ) For selecting the desired Part. (In some of the Edit functions, these may not be available.) Hold down either button to rapidly advance through the values. e VALUE buttons ( /NO, /YES) For changing the value of the selected function or parameter. In the Play mode, these are used to change the Voice number (or Bank number) at the selected Part. In the Edit mode, these are used to change the current function’s value. Hold down either button to rapidly advance through the values. For even faster editing, simultaneously hold down one button, and then press (or hold down) the other. For example, to rapidly decrease the value, simultaneously hold down the /NO button and press the /YES button. r XG BANK button For selecting or confirming the desired Voice Bank (pages 26, 27). To select Banks, simultaneously hold down this button and press one of the VALUE buttons. To confirm the currently selected Bank, simply press this button. t PLAY/EDIT button For switching between the Play and Edit modes, and (when held down) for selecting the desired Edit mode parameter. (Page 30.) y OCTAVE DOWN and OCTAVE UP buttons For changing the octave transposition of the MU15’s keyboard. (Page 29.) u Keyboard This two-octave keyboard is used to play the Voices of the MU15. It can also be used to enter notes to a connected sequencer or computer. (Page 22.) The keys are also used to select Edit mode parameters (the names of which are printed on the buttons). (Page 44.) 14 P a n e l C o n t r o l s a n d Te r m i n a l s Rear Panel English q w e r t q MIDI OUT and MIDI IN terminals For connection to other MIDI devices, such as a MIDI keyboard, tone generator, sequencer, or to a computer that has a MIDI interface. (Pages 20, 39.) w HOST SELECT switch For selecting the type of connected device (computer or MIDI device). (Page 37.) e TO HOST terminal For connection to a host computer that does not have a MIDI interface. (Page 37.) r DC IN jack For connection to the AC power adaptor (PA-3B). t ON/ STANDBY switch For turning the power on and off. 15 P a n e l C o n t r o l s a n d Te r m i n a l s Side Panel q w q VOLUME control For adjusting the overall level of the MU15. w LINE OUT/PHONES jack For connection to an amplifier/speaker system or a set of stereo headphones. 16 English G u i d e d To u r When using your MU15 for the first time, read through this short section of the manual. It guides you step-by-step in using many of the basic operations: setting the instrument up, connecting it properly to other equipment, and — most importantly — playing it. It also introduces you to most of the other, advanced features and operations of the instrument — enabling you to quickly and effectively get the most out of your new MU15. Setting Up Your MU15 Since the MU15 has a built-in keyboard, you could use it with nothing more than a set of batteries and a proper set of stereo headphones. It can also be used effectively with a computer in a “desktop music” system. In this section, however, you’ll learn how to connect the MU15 in a basic system with a MIDI keyboard and an external amplifier/speaker system. (For basic information on MIDI and its applications, see page 91.) What You’ll Need • The MU15 and a proper power supply (either an AC adaptor or batteries). • A MIDI keyboard, electronic piano, or any instrument that can output MIDI data. • An amplifier speaker system, preferably stereo. Alternately, you can use a set of stereo headphones. • Audio connecting cables. • A MIDI cable. 17 Setting Up Your MU15 Power Supply Although the MU15 will run either from an optional AC adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. Moreover, an AC adaptor is more environmentally friendly than batteries and does not deplete resources. • CAUTION Before making any connections, make sure that all equipment to be connected is turned off. Using a Power Adaptor Connect one end of the power adaptor (Yamaha PA-3B) to the DC IN jack on the rear panel, and the other end to a suitable electrical outlet. • WARNING Do not attempt to use an AC adaptor other than the PA-3B. The use of an incompatible adaptor may result in irreparable damage to the MU15, and even pose a serious shock hazard. CAUTION When connecting the AC power adaptor, first make sure that the MU15 is turned off (set to STANDBY). Next, connect one end of the power adaptor to the DC IN jack on the MU15, and connect the other end to an appropriate AC outlet. • The MU15 has a convenient data backup feature that maintains any changes you’ve made to the settings, even when the power is turned off. However, removing the batteries or disconnecting the AC adaptor automatically clears the data and restores the factory defaults. To save your important data, use the Dump Out function (page 65). • 18 Setting Up Your MU15 Using Batteries English To use the MU15 on battery power, insert six 1.5V AA size (SUM-3, R-6 or equivalent) manganese or alkaline batteries in the battery compartment. Make sure to follow the polarity indications on the bottom case (and as shown below). Securely replace the battery compartment cover when done installing the batteries. When to Replace the Batteries When the battery power runs too low to operate the MU15, the sound may become distorted and the following display will appear: Battery When this happens, replace all batteries with a complete set of six new batteries of the same type. • CAUTION NEVER mix old and new batteries or different types of batteries! Also, to prevent possible damage due to battery leakage, remove the batteries from the instrument if it is not to be used for an extended period of time. 19 Setting Up Your MU15 Making the Connections • CAUTION Before making any connections, turn all related equipment off, and make sure the MU15’s power adaptor is not connected to an electrical outlet. Operation Z Connect the MIDI cable. Connect the MIDI OUT terminal of the MIDI keyboard to the MIDI IN terminal of the MU15 (as shown in the illustration). X Connect the audio cables. If you are using an external sound system, connect the LINE OUT/ PHONES jack on the side of the MU15 to the appropriate inputs of the sound system (as shown). Use a stereo mini-plug to dual RCA pin “Y” cable (available at many audio and musical instrument dealers). If you are using stereo headphones (with a stereo mini-plug), connect them to the same LINE OUT/PHONES jack on the MU15. C Set the HOST SELECT switch. Set this rear panel to “MIDI” (as shown). MIDI IN GrandPno LINE OUT/ PHONES MIDI MIDI OUT MIDI keyboard Amplifier/speaker system 20 Setting Up Your MU15 Powering Up English Admittedly, this is a simple operation, but you should be careful to follow the instructions below to avoid possible damage to your equipment and speakers. Operation Z Turn on the power of your MIDI keyboard. X Turn down all volume controls. This includes the MU15 and any connected equipment. C Turn on the power of the MU15. Set the ON/STANDBY switch to “ON.” V Turn on the amplifier/speaker system. B Set the volume controls. First, set the volume control on the MU15 to about midway or higher, and then set the volume on the amplifier to a suitable level. Powering Down When you turn the power off, make sure to do it in the following order, to prevent possible speaker damage: 1) Amplifier/speaker system 2) MU15 3) Any other connected equipment (MIDI keyboard, etc.) • CAUTION Even when the switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the MU15, make sure you unplug the AC power adaptor from the wall AC outlet and remove the batteries from the MU15. 21 Playing the MU15 Playing the MU15 Playing the Keyboard If you’ve set up everything properly in the instructions above, you can now play the MU15. Press the keys on the built-in keyboard to hear the currently selected Voice. Try also playing the connected MIDI keyboard. As long as the keyboard is sending MIDI data, it doesn’t matter what the MIDI channel setting is — at least one of the Voices on the MU15 will sound. (For more information on MIDI, see page 91.) Playing the Demo Song To get a taste of what is possible with the MU15, try playing the built-in Demo Song. This showcases the high-quality Voices and the AWM tone generation system of the MU15. Operation Z Simultaneously hold down the PLAY/EDIT button and press the VALUE /YES button. DemoSong “DemoSong” and “PressYES” alternately appear in the display. 22 Playing the MU15 X Start the song by pressing the VALUE /YES button. English The Demo Song starts playing immediately and repeats indefinitely until stopped (in step #3 below). Playback of the individual Parts of the song is shown graphically by the “level meter” bars in the display. • CAUTION Once you play the demo song, any edits that you’ve made to the MU15 will be cleared (with the exception of the Velocity, Local Control and Octave settings). To save your important data, use the Dump Out function (page 65). NOTE • During Demo Song playback, all panel controls (except the VALUE NO button and the VOLUME control) cannot be used. C To stop playback of the song, press the VALUE button. / /NO V To exit from the Demo Song function and return to the Play mode, press the PLAY/EDIT button or the VALUE /NO button. *Demo Song Credit Programmed and Composed by Gigbag (Presto Inc.) 23 Playing the MU15 Selecting Voices The MU15 has a total of 676 different instrument Voices. Here, we’ll select a different Voice for playing. Each Voice is numbered, and there are 128 Voices from which you can immediately select. (We’ll see how to select Voices outside of these 128 later.) Operation Use the VALUE buttons. Pressing the VALUE /YES button steps up through Voice numbers while pressing the VALUE /NO button steps down through the numbers. BritePno Voice number Voice name Hold either button down to move rapidly through the numbers in the selected direction. To move even more quickly through the numbers, simultaneously hold down one button, and then press (or hold down) the other. For example, to rapidly decrease the value, simultaneously hold down the /NO button and press the /YES button. About Parts, Voices, and Banks Before we go on to the next section, a little explanation about the organization of the MU15 is needed. Here, you’ll learn about Parts, Voices, and Banks — three important concepts around which the sounds of the MU15 are organized. 24 Playing the MU15 Voices English As mentioned in the section “The MU15 — What It Is and What It Can Do,” the MU15 is capable of playing sixteen different instrument sounds at the same time. Each instrument sound is called a “Voice,” and the MU15 has 676 different Normal Voices, as well as 21 Drum Voices. Let’s say, for example, you have a song in which you want to use the following sixteen Voices: Grand Piano Pick Bass Steel Guitar Rock Organ Tenor Sax Alto Sax Trumpet Flute Marimba Drums Violin Cello Strings Warm Pad Sweep Pad Saw Lead Parts For these Voices to be used simultaneously, they must be assigned to different “Parts.” These correspond exactly to the parts of a song or the elements of a band, such as bass, guitar, and drums. Part 1 Grand Piano Part 2 Pick Bass Part 3 Steel Guitar Part 4 Rock Organ Part 5 Tenor Sax Part 6 Alto Sax Part 7 Trumpet Part 8 Flute Part 9 Marimba Part 10 Drums Part 11 Violin Part 12 Cello Part 13 Strings Part 14 Warm Pad Part 15 Sweep Pad Part 16 Saw Lead Obviously, each Part can have its own Voice setting, but it can also have independent settings for other aspects of the sound as well, as we’ll see later. NOTE • Part 10 is normally reserved for Drum Voices, although this can be changed. (Page 28.) 25 Playing the MU15 Banks As you learned in “Selecting Voices” above, each Voice is numbered, and there are 128 of them from which you can select. These 128 Voices make up a Voice “Bank.” The MU15 has many Banks, each of which contain 128 Voices. By selecting a different Bank, you can select different Voices — any of the 676 Voices available on the MU15. Now, let’s go on to the next sections and see how to select different Parts, and how to select Voices on the other Banks. Selecting Parts In “Selecting Voices” above, you learned how to select a Voice. Here, you’ll see how to select a different Part and select a different Voice for that Part. Operation Z Select the desired Part by using the PART buttons. Pressing the PART button steps up through the Part numbers button steps down through the numwhile pressing the PART bers. GrandPno Part number Hold either button down to move rapidly through the numbers in the selected direction. X Select a Voice for the current Part. Do this in the normal way, by using the VALUE buttons. 26 Playing the MU15 Selecting Banks English As you learned in “About Parts, Voices, and Banks” above, the MU15’s 676 Voices are organized into Banks of 128 Voices each. Here, we’ll see how to select Voices of different Banks. Operation Z Select the desired Part. Do this in the normal way, by using the PART buttons. X Select the desired Voice. Do this in the normal way, by using the VALUE buttons. In general, the Voice Banks feature variations on the basic Voices — for example, the “PercOrgn” Voice has several similar sounding organ Voices at the same Voice number, but in different Banks. That’s why it’s a good idea to decide which type of Voice you want, and then call up different Banks to select a specific Voice variation. C Simultaneously hold down the XG BANK button and press one of the VALUE buttons. GrndPnoK Bank number. (This changes to the Voice number as soon as the XG BANK button is released.) Holding down the XG BANK button and pressing the VALUE /YES button steps up through Bank numbers while doing the same with the VALUE /NO button steps down through the numbers. Notice that the Bank numbers jump to seemingly random values. For example, if you’ve selected Voice number 005 “E.Piano1,” holding down the XG BANK button and pressing the VALUE /YES button will step through the following Banks: 27 Playing the MU15 E.Piano1 El.Pno1K MelloEP1 Chor.EP1 …and so on. In this way, the MU15 skips over Banks that have the same Voices as the basic Bank (Bank 000), and lets you automatically jump to Banks that have unique Voices for the selected Voice number. In the above example, Banks 002 - 017 all have the same Voice for number 005: “E.Piano1.” Bank 018 has a unique Voice, followed by another unique Voice at Bank 032, and so on. NOTE • When the SFX kit (XG Bank #126) or Drum kit (XG Bank #127) is selected , the Voice number is automatically set to 001. Playing Drum Voices The MU15 also features a wide selection of dynamic, realistic drum and percussion sounds. These sounds are grouped together in Drum Voices and each note on the keyboard plays a different drum or percussion sound. NOTE • For details on which drum sounds are assigned to which notes of the keyboard, refer to the Drum Map charts on pages 80 - 83. Operation Z Select Part 10. Do this in the normal way, by using the PART buttons. NOTE • Part 10 is assigned to a Drum Voice by default. However, any Part can be set to a Drum Voice by selecting Bank 126 or 127 for the Part. 28 Playing the MU15 X Select the desired Drum Voice. English Do this in the normal way, by using the VALUE buttons. C Play the drum sounds. Play the sounds from the MU15’s keyboard or from a connected MIDI keyboard. Since the various drum/percussion sounds are spread out over several octaves, in order to play them from the MU15, you’ll need to change the octave setting (see next section). Changing the Octave Setting Although the MU15’s built-in keyboard has a two-octave range, you can actually play it over a range of ten octaves. Operation Use the OCT DOWN / OCT UP buttons. Pressing the OCT DOWN button lowers the pitch by one octave, and pressing the OCT UP button raises it by one octave. The current octave setting is shown in the display. (No indication appears when the octave setting is normal.) GrandPno Current octave setting. (In this example, the pitch is two octaves above normal.) NOTE • For Normal Voices (such as Piano or Strings), this changes the pitch. For Drum Voices, this changes the drum/percussion sounds playable from the keyboard. You can instantly restore the normal octave setting by pressing both OCT DOWN / OCT UP buttons simultaneously. 29 Playing the MU15 Editing a Part The editing features of the MU15 provide various controls for changing the Parts and setting other important operating functions. Among other things, these let you set the Volume or Pan setting of each Part independently, change the Velocity of the built-in keyboard, and save your edits to a connected computer, sequencer or data storage device. NOTE • The Velocity and Local Control settings cannot be saved. Editing on the MU15 is basically divided into three types of controls: Part, Effect, and Utility. In this section, you’ll learn how to change the Note Shift setting and the Volume setting (both Part controls). However, the instructions given here are fundamentally the same for all editing operations. (See the Reference section of this manual for information about the specific editing functions.) Changing the Note Shift and Volume Settings The Note Shift parameter lets you change the key (pitch) of the selected Part. This only affects the Normal Voices, and does not change the pitch of the Drum Voices. The Volume parameter allows you to change the level of each Part’s Voice, letting you set a custom balance or mix of all the Parts. Operation Z Select the desired parameter. For Note Shift, simultaneously hold down the PLAY/EDIT button and press the NOTE SHFT button. Doing this enters the Edit mode and calls up the Note Shift parameter. NoteShft Current Note Shift value 30 Playing the MU15 To select Volume, hold down PLAY/EDIT and press the VOL button. English X Change the value. Use the VALUE buttons. For Note Shift, the value changes in semitone steps up or down, depending on which VALUE button you press. For Volume, the value can be changed over a range of 0 (minimum) to 127 (maximum). Play the MU15 keyboard (or the connected MIDI keyboard) and hear the change in the sound of the Part. You can continue to change the selected setting with the VALUE buttons and play the keyboard to hear the results of the changes. If you wish, you can also easily change the setting for different Parts by using the PART buttons to select the desired Part. To switch between the desired parameters, repeat step #1 above. C To return to the Play mode, press the PLAY/EDIT button again. Soloing and Muting Parts The MU15 has convenient Solo and Mute functions for selectively soloing or muting any of the sixteen Parts. These functions are especially useful when playing back song data from a connected computer or sequencer, since they let you isolate specific Parts in the mix and hear how they sound by themselves or how the rest of the song sounds without them. For instructions on using Solo and Mute, see pages 48 and 49. 31 Playing the MU15 Using the Effects The compact MU15 is packed with an enormous amount of sonic power and flexibility. In addition to the huge amount of instrument Voices, the MU15 features a built-in multi-effect processor with three independent digital effects: Reverb, Chorus, and Variation. In this section, you’ll learn how to apply the effects, change the effect type, and set how much effect is applied for each Part. (See the Reference section of this manual for information about specific effect parameters.) Using Reverb and Chorus Judicious use of Reverb creates a sense of space and enhances the realism of the Voices. The Reverb Type that you select is applied to all Parts; however, the amount of Reverb for each Part can be adjusted. This lets you add special textures to the mix of a song, such as “drenching” one Part in Reverb while another Part is kept “dry.” The Chorus effect section features a variety of pitch modulation effects. These let you subtly enhance or “fatten” the sound, or completely transform the sound in wild and unique ways. As with Reverb, only one Chorus Type can be used for all Parts; however, the amount of Chorus for each Part can be adjusted. Since the methods of using Reverb and Chorus are identical, both are covered here together. Operation Z Select the desired Part. Do this in the normal way, by using the PART buttons. X Set the Send Level controls to appropriate values. Before you actually change the Reverb or Chorus settings, you should set the Send Level controls, in order to properly hear the effect and the changes you make. 32 Playing the MU15 English To do this, simultaneously hold down the PLAY/EDIT button and press the REVERB SEND LVL button (for Reverb), or the CHORUS SEND LVL button (for Chorus), and then set the value to “60” or higher, by using the VALUE buttons. RevSend C Select the Reverb Type (or Chorus Type) parameter. Simultaneously hold down the PLAY/EDIT button and press the REVERB TYPE button (for Reverb), or the CHORUS TYPE button (for Chorus). Hall1 V Select the desired Reverb (or Chorus) Type. Use the VALUE buttons. For a list of the available Reverb Types, see page 57. For a list of the available Chorus Types, see page 58. B Set the Send Level control to the desired value. Once you’ve selected an Reverb or Chorus Type to your satisfaction, you can re-adjust the effect level for the selected Part (and other Parts, too). To do this, repeat steps #1 and #2 above. Using the Variation Effects The Variation effect section provides a wealth of additional effects, with which you can enhance or radically change the sound of the Voices. Variation can be applied to all Parts (just as with Reverb and Chorus), or to a single selected Part. (For more information on the Variation effect, see page 59.) 33 Playing the MU15 Operation Z Select the desired Part. Do this in the normal way, by using the PART buttons. X Set Variation Connection to “SYS” (System). Setting the Variation Connection parameter to “SYS” allows you to use the Variation effect for all Parts. (For instructions on using the “INS” or Insertion setting, see the boxed section on page 35.) To do this, simultaneously hold down the PLAY/EDIT button and press the INS SYS button, and then set the parameter to “SYS,” by pressing the VALUE /YES button. SYS C Set the Send Level controls to appropriate values. Before you actually change the Variation settings, you should set the Send Level controls, in order to properly hear the effect and the changes you make. To do this, simultaneously hold down the PLAY/EDIT button and press the VARIATION SEND LVL button, and then set the value to “60” or higher, by using the VALUE buttons. VarSend V Select the Variation Type parameter. Simultaneously hold down the PLAY/EDIT button and press the VARIATION TYPE button. DelayLCR 34 Playing the MU15 B Select the desired Variation Type. English Use the VALUE buttons. For a list of the available Variation Types, see page 60. N Set the Send Level control to the desired value. Once you’ve selected a Variation Type to your satisfaction, you can re-adjust the effect level for the selected Part (and other Parts, too). To do this, repeat steps #1 and #3 above. M Set the Dry Level control to the desired value. This parameter gives you additional fine control over the Variation effect balance. Setting this to a low value turns down the level of the “dry” sound and emphasizes the Variation effect sound. To do this, simultaneously hold down the PLAY/EDIT button and press the DRY LVL button, and then set the value by using the VALUE buttons. DryLevel Using the “INS” (Insertion) Setting The “INS” (Insertion) setting lets you dedicate the Variation effect to a single selected Part. NOTE • For the “INS” setting, the Send Level parameter can only be turned on or off for the selected Part, and the Dry Level parameter is unavailable. 1) Select the desired Part. 2) Set Variation Connection to “INS.” Simultaneously hold down the PLAY/EDIT button and press the INS SYS button, and then press the VALUE /NO button. 3) Set the Send Level for the Part to “on.” Simultaneously hold down the PLAY/EDIT button and press the VARIATION SEND LVL button, and then press the VALUE /YES button. 4) Select the desired Variation Type in the same way as described in steps #4 and #5 in the main instructions above. 35 Using the MU15 with a Computer/Sequencer Using the MU15 with a Computer/Sequencer By connecting the MU15 to a computer or sequencer, you have a powerful music system for playing back songs and even creating your own songs, using the Voices of the MU15. First, you’ll have to make sure that the MU15 is properly connected to the computer or sequencer, and that your music software is ready to run. (Refer to page 37 for connection examples and instructions.) If you are using the TO HOST terminal or if both MIDI terminals are properly connected, you should be able to play songs from your software and enter notes to the software from the MU15. Using the MU15 with a MIDI Data Storage Device You can also use the MU15 with a MIDI data storage device, such as the Yamaha MDF3 MIDI Data Filer. This lets you save or back up changes you’ve made in the settings of the Edit mode. Then, when you want to recall those settings, you can transfer the appropriate data from the storage device. The MDF3 also allows you to play compatible song data on the MU15 directly from the MDF3 itself, without the need of a sequencer. Make sure that the MU15 is properly connected to the data storage device (via MIDI). (Refer to page 66 for the connection example.) Use the Dump Out function (page 65) to send data to the device. Also refer to the owner’s manual of your data storage device for specific operating instructions in receiving or sending data. Setting Up The MU15 features a built-in host computer interface, allowing you to directly connect it to your computer — eliminating the need for installing a special MIDI interface to your computer. This also makes it easier to use the MU15 36 Using the MU15 with a Computer/Sequencer English with a laptop computer, giving you an exceptionally portable yet powerful computer music system. The MU15 can be used with the following computers: Apple Macintosh and compatibles, or IBM PC/AT and compatibles. If your computer already has a MIDI interface, you can connect the MU15 to it by using MIDI cables instead. Depending on the computer or interface used, you should set the HOST SELECT switch to the appropriate setting: MIDI, PC-1, PC-2, or Mac. For information on proper cables, see the section “MIDI/Computer Connecting Cables” on page 41. NOTE • The PC-1 setting is designed only for use with computers in the Japanese domestic market. Operation Z Set the HOST SELECT switch (on the rear panel) to the appropriate setting. For connecting to a MIDI interface: MIDI For IBM PC/AT and compatibles: PC-2 For Apple Macintosh and compatibles: Mac X Connect the equipment as shown in the illustrations below. If you are connecting directly to the TO HOST terminal, make sure to use the following standard cable types: For IBM PC/AT and compatibles: D-SUB 9-pin to mini DIN 8-pin (page 41) For Apple Macintosh and compatibles: 8-pin Macintosh peripheral cable (page 41) 37 Using the MU15 with a Computer/Sequencer C Turn on the power of the computer first, and then the MU15. V Start up your music software, and (if necessary) set the appropriate options on the software for operation with the MU15. (See note on page 39.) • Connecting via the TO HOST terminal Connecting directly to an IBM PC/AT compatible computer PC-2 MIDI OUT RS-232C (DB-9) MIDI IN MIDI keyboard controller IBM-PC/AT or compatible computer TO HOST GrandPno MU15 (Used as both tone generator and MIDI interface.) Connecting directly to a Macintosh computer TO HOST Mac RS422 Macintosh computer 38 Using the MU15 with a Computer/Sequencer • Connecting via a MIDI interface English Connecting to a Macintosh computer (with MIDI interface) MIDI IN MIDI interface MIDI OUT MIDI Macintosh computer MIDI OUT Connecting to an IBM PC/AT compatible computer (with MIDI interface) MIDI keyboard controller MIDI IN MIDI IN MIDI MIDI OUT GrandPno IBM-PC/AT or compatible computer MU15 NOTE • For Windows 95/98 users: In order to use the TO HOST connection, you’ll need to install special MIDI driver software (YAMAHA CBX Driver for Windows 95). You can obtain this driver from your local Yamaha dealer, or download it via the Internet at: http://www.yamaha.co.jp/english/xg/utility/tools.html • If the MU15 is connected to a computer via the TO HOST terminal and the power of the computer is turned off, an “IlglData” (Illegal Data) error message appears, and the MU15 may not be operable. If this happens, turn on your computer again. If this still doesn’t resolve the problem, turn all equipment off and then back on again. • For Macintosh computers: You should set the MIDI interface clock setting on the music software to 1 MHz. • If you are using the MU15 to enter notes to the computer and wish to hear what you are playing, you should set the music software to “echo” the MIDI IN data to the MIDI OUT (on the computer). This is usually done with a “MIDI Thru” or “MIDI Echo” option on the music software. 39 Using the MU15 with a Computer/Sequencer Playing Song Data Once you set up your computer or sequencer with the MU15, you’re ready to play back song data using the Voices of the MU15. Although any GM-compatible song data can be played, the MU15 will sound best when used with XGcompatible song data. By using Yamaha’s XGworks Music Sequencer software, you can create your own XG song data. Since XGworks also features a special XG Editor, you can conveniently and easily edit any of the “hidden” parameters of the MU15. This gives you comprehensive control over the Voices and effects. (For more information on the “hidden” parameters, see the “MIDI Data Format” section, page 91.) When you do any editing to the MU15 for your own songs, you should save your settings (as System Exclusive data) to the computer with the Dump Out function (page 65). It’s especially useful to record this data at the beginning of a song, so that the MU15 will be set properly for the particular song. Make sure to enter several measures of silence before the song starts to accommodate the System Exclusive data. 40 Using the MU15 with a Computer/Sequencer MIDI/Computer Connecting Cables English MIDI Standard MIDI cable. Maximum length 15 meters. DIN 5-PIN 4 2 5 4 2 (GND) 5 DIN 5-PIN Macintosh Apple Macintosh Peripheral cable (M0197). Maximum length 2 meters. MINI DIN 8-PIN 1 2 3 4 5 6 7 8 2 (HSK i) 1 (HSK 0) 5 (RxD-) 4 GND 3 (TxD-) 8 (RxD+) 7 (GP i) 6 (TxD+) MINI DIN 8-PIN PC-2 8-pin MINI DIN to D-SUB 9-pin cable. Maximum length 1.8 meters. MINI DIN 8-PIN 1 2 3 4 8 5 8 (CTS) 7 (RST) 2 (RxD) 5 (GND) D-SUB 9-PIN 3 (TxD) This concludes your basic tour of the important functions of the MU15. To find out more about how to best use your MU15, look through the Reference section that follows and try out some of the functions and operations that interest you. 41 Reference The Reference section of this manual covers in detail all of the functions of the MU15. Refer to it when you need information about a specific function, feature, or operation. Function Tree Play Mode Part Select Voice Select Bank Select Octave Down/Up Demo Song Edit Mode Part Controls Effect Controls Utility Controls 42 Volume Pan Note Shift Solo Mute Filter EG Vibrato Reverb Chorus Variation Master Tune Velocity Local Control Dump Out Initialize All Play Mode English Play Mode The Play mode is the default mode of the MU15 and is automatically set when the power is turned on. The Play mode allows you to play the Voices, either from the MU15’s keyboard or from a MIDI device. Depending on data received via MIDI, the MU15 operates in one of two Sound Module modes: XG or TG300B. (XG is the default.) The Play mode also lets you select Voices, Banks, and Parts, and change the octave setting of the keyboard. If the Edit mode is selected, you can return to the Play mode by pressing the PLAY/EDIT button. For general instructions and details on various Play mode operations, refer to the Guided Tour section. Sound Module Mode The MU15 plays Voices in one of two Sound Module modes: XG or TG300B. The Sound Module mode is one of the “hidden” parameters of the MU15 and can be changed only by incoming MIDI data. Normally this data is recorded at the start of commercially available sequenced songs. If the song data is XGcompatible, the XG mode will be selected, letting you take advantage of the MU15’s full performance power. If the song data is GM-compatible but intended for another manufacturer’s tone generator, the TG300B mode will be selected, enabling optimum playback of the song data. You can change this setting yourself by the use of MIDI System Exclusive messages (page 91), either as part of sequenced song data, or received from a device that allows you to send user-specified System Exclusive data. NOTE • The last selected Sound Module mode is automatically enabled when the power is turned on. However, if both the batteries and AC adaptor are removed (or if the PLAY/EDIT button is pressed), the XG mode is automatically enabled. When the TG300B mode is selected, the following display appears: *TG300B* 43 Edit Mode The XG mode features 480 Normal Voices (including 42 SFX Voices) and 11 Drum Voices (including 2 SFX drum kits). The TG300B mode features 579 Normal Voices and 10 Drum Voices. NOTE • In the TG300B mode, the Voices can only be selected by MIDI; they cannot be selected from the panel of the MU15. Edit Mode The Edit mode allows you to change various settings and parameters of the MU15. These controls are divided into three basic types: Part (page 45), Effect (page 56), and Utility (page 63). The basic method of editing is fundamentally the same for all of the parameters. Many of the parameters can be set independently for each Part, and as such allow you to select the Part to be edited. NOTE • Keep in mind that the settings you make may automatically change when playing back song data on a connected sequencer. If you want to save your original settings, use the Dump Out function (page 65) before playing the song. Operation Z Select the desired edit parameter. To do this, simultaneously hold down the PLAY/EDIT button and press the appropriate button. X Select the desired Part (if necessary). Use the PART buttons. 44 Edit Mode English NOTE • Selecting a Part does not apply to the Utility controls or Effect controls, except for the Send Level parameters (pages 57, 59, 61) and Dry Level (when Variation Connection is set to “SYS”; page 62). Once you’ve selected a certain parameter, you can instantly return to that parameter from the Play mode by simply pressing the PLAY/ EDIT button. C Change the setting or value. Use the VALUE buttons. You can rapidly increase or decrease the value by holding down the appropriate button. For even faster editing, simultaneously hold down one button, and then press (or hold down) the other. For example, to rapidly decrease the value, simultaneously hold down the /NO button and press the /YES button. Part Controls Volume ................ 46 Pan ................ 47 Note Shift ................ 47 Solo ................ 48 Mute ................ 49 Filter EG Vibrato Cutoff ................ 50 Resonance ................ 51 Attack Time .......... 52, 53 Release Time .......... 52, 53 Rate ................ 54 Depth ................ 54 Delay ................ 55 45 Edit Mode The Part controls allow you to change certain parameters for each Part. These include Volume, Pan, Note Shift, Filter, EG (Envelope Generator) and Vibrato. All of these parameters can be set independently for each Part, giving you enormous and flexible control over the sound. Also included in the Part controls are the convenient Solo and Mute functions. The Effect Send Level parameters (pages 57, 59, 61) can also be adjusted for each Part. Volume Volume setting Volume Selected Part Graphically shows Volume position for each Part. Range: 0 - 127 Default: 100 This determines the Volume of the selected Part. The Volume setting is graphically represented by bars in the display. NOTE • Keep in mind that when playing the MU15’s keyboard, the actual sound level of a selected Part also depends on the Velocity parameter in the Utility controls (page 64). If the Velocity setting is at or near the minimum, the Part may be very low in level, no matter what the Volume setting made here. 46 Edit Mode Pan English Pan setting Pan Selected Part Graphically shows Pan position for each Part. Range: Rnd, L 63 - C 00 - R 63 Default: C 00 This determines the stereo position of the selected Part. The Pan position is graphically represented by bars in the display. The “Rnd” (Random) setting randomly assigns the Voice to a pan position. This is useful when you want to have different Voices sound from different random positions of the stereo image. A double bar in the middle represents the center position (C 00), while right pan positions are indicated by bars stretching up from the middle, and left pan positions are indicated by bars stretching down. Note Shift Note Shift setting NoteShft Selected Part Shows Note Shift setting for each Part. Range: -24 - +24 semitones Default: 0 This determines the key transposition of the selected Part, over a total range of four octaves in semitone steps. A Note Shift setting of “0” results in normal pitch. This parameter has no effect on the individual drum/percussion sounds of the Drum Voices. 47 Edit Mode Solo Solo setting Solo Selected Part Shows Solo setting for each Part. While a song is playing back on your computer or sequencer, you can selectively solo any of the 16 Parts of the MU15. Solo lets you isolate a single Part, to hear how that Part sounds by itself. Along with Mute (page 49), Solo is an effective tool that helps you as you edit the Parts, since it allows you to better hear how the changes you make affect specific Voices as well as the overall sound. Operation Z Simultaneously hold down the PLAY/EDIT button and press the SOLO button. Solo X Select the Part to be soloed. Use the PART buttons. C To solo the selected Part, press the VALUE /YES button. To hear all Parts normally, press the VALUE NO button. / The display indicates the Solo status of the Part. For example, when Part 2 is being soloed (Solo is on), the following display is shown: Solo Part 2 is soloed. 48 Edit Mode Mute English Mute setting Mute Selected Part Shows Mute setting for each Part. While a song is playing back on your computer or sequencer, you can selectively mute any of the 16 Parts of the MU15. Mute lets you silence one Part to hear how all of the other Parts sound without it. Along with Solo (page 48), Mute is a convenient tool, since it allows you to hear how the presence or absence of specific Parts affects the overall sound. Operation Z Simultaneously hold down the PLAY/EDIT button and press the MUTE button. Mute X Select the Part to be muted. Use the PART buttons. C To mute the selected Part, press the VALUE /YES button. To un-mute it, press the VALUE /NO button. The display indicates the Mute status of the Part. For example, when Part 2 is being muted (Mute is on), the following display is shown: Mute Part 2 is muted. 49 Edit Mode Filter Parameters — Cutoff Frequency and Resonance The MU15 features digital filters for each Part that allow you to change the timbre or tone of the Voices. The filters are affected (together with the level) by the EG (Envelope Generator) parameters, which allow you to change the timbre over time as well. (Page 52.) Cutoff Frequency Cutoff Frequency setting Cutoff Shows Cutoff Frequency setting for each Part. Selected Part Range: -64 - +63 Default: 0 This determines the cutoff frequency of the filter. The filter effectively takes out frequencies higher than the cutoff point and “passes” the lower frequencies. Lower cutoff values create a deeper, more rounded tone, while higher values create a brighter tone. Level These frequencies are “passed” or let through. These frequencies are “cut” or filtered out. Frequency Cutoff Frequency setting 50 Edit Mode Resonance English Resonance setting Reso Shows Resonance setting for each Part. Selected Part Range: -64 - +63 Default: 0 This determines the amount of filter resonance or emphasis of the Cutoff Frequency parameter above. Higher values make the filter effect more pronounced and stronger, creating a resonant peak around the cutoff frequency. Level Resonance Frequency Cutoff Frequency setting 51 Edit Mode EG (Envelope Generator) Parameters — Attack Time and Release Time The EG parameters allow you to shape the sound of a Part’s Voice — or, in other words, set how the level and timbre of the Voice changes over time. The relationship of the two EG parameters — Attack Time and Release Time — are shown in the illustrations below. These parameters affect both the volume of the Voice and its timbre (with the Filter parameters; page 50). 1) Short Attack and Release Times Level Attack Time Release Time Max. Min. Time Key is pressed Key is released 2) Long Attack and Release Times Level Attack Time Release Time Max. Min. Key is pressed Time Key is released Even though the key is held for the same length of time in both examples, the sound of the second example takes a much longer time to reach full volume and sustains longer after the key is released. 52 Edit Mode Attack Time English Attack Time setting AtckTime Selected Part Shows Attack Time setting for each Part. Range: -64 - +63 Default: 0 This determines the Attack Time of the EG, or how long it takes for the sound to reach full volume when a note is played. Higher positive values result in a longer, slower attack. For the Filter, this determines how long it takes for the sound to be affected by the Filter values. Release Time Release Time setting RelsTime Selected Part Shows Release Time setting for each Part. Range: -64 - +63 Default: 0 This determines the Release Time of the EG, or how long the sound sustains after a note is released. Higher positive values result in a longer, slower sustain. For the Filter, this determines how long the Filter effect continues after a note is released. NOTE • Short percussive Voices (such as Marimba) whose sound decays very quickly may not be affected by the Release Time parameter, depending on how long the key is held. For example, if the key is held until the sound completely dies out, there will be no sound to slowly sustain, no matter what the Release Time setting is. 53 Edit Mode Vibrato Parameters — Rate, Depth, and Delay Vibrato produces a quavering, vibrating sound in the Part’s Voice, by regularly modulating the pitch. You can control the speed and depth of the Vibrato, as well as the time it takes before the Vibrato effect is applied. Vibrato Rate Vibrato Rate setting VibRate Selected Part Shows Vibrato Rate setting for each Part. Range: -64 - +63 Default: 0 This determines the speed of the Vibrato effect. Negative values produce a very slow Vibrato, while higher values result in a faster Vibrato sound. Vibrato Depth Vibrato Depth setting VibDepth Selected Part Shows Vibrato Depth setting for each Part. Range: -64 - +63 Default: 0 This determines the depth of the Vibrato effect. Higher values result in a stronger, more pronounced Vibrato sound. 54 Edit Mode Vibrato Delay English Vibrato Delay setting VibDelay Selected Part Shows Vibrato Delay setting for each Part. Range: -64 - +63 Default: 0 This determines the delay in the start of the Vibrato effect. Delay is effective especially for producing a natural sound on stringed instrument Voices. For example, violin players often use delayed Vibrato, especially while playing long notes. The Delay parameter is useful in recreating this effect, producing a richer, more lifelike sound. Higher values result in a longer Delay time. 55 Edit Mode Effect Controls Reverb Chorus Variation Type ................ 57 Send Level ................ 57 Type ................ 58 Send Level ................ 59 Connection ................ 60 Type ................ 60 Send Level ................ 61 Dry Level ................ 62 The MU15 features a built-in multi-effect processor with three independent digital effects: Reverb, Chorus, and Variation. Reverb Parameters Reverb recreates the sounds of various performance environments by adding an ambient wash of delays or reflections. Several different types of Reverb effects are available to simulate the ambience of different sized rooms. For general information on using the Reverb effect, see page 32. 56 Edit Mode Reverb Type English RevType The current Type setting appears in the LCD as soon as the TYPE button is released. Hall1 Reverb Type setting Settings: NoEffect, Hall1 - 2, Room1 - 3, Stage1 - 2, Plate, W-Room (White Room), Tunnel, Basement Default: Hall1 This determines the Type of Reverb effect, or the performance environment that is simulated. When “NoEffect” is selected, the Reverb effect is turned off. Reverb Send Level Reverb Send Level setting RevSend Selected Part Shows Reverb Send Level setting for each Part. Range: 0 - 127 Default: 40 This determines the level of the selected Part’s Voice that is sent to the Reverb effect. Each Part can be set independently for different amounts of Reverb on each Voice. A value of “0” results in a completely “dry” Voice sound. NOTE • Keep in mind that Reverb Type (above) must be set to something other than “NoEffect” for this parameter to work as intended. 57 Edit Mode Chorus Parameters Chorus uses pitch modulation to create a variety of rich, spacious-sounding effects, including Chorus, Celeste, and Flanger. For general information on using the Chorus effect, see page 32. Chorus Type ChoType The current Type setting appears in the LCD as soon as the TYPE button is released. Chorus1 Chorus Type setting Settings: NoEffect, Chorus1 - 4, Celeste1 - 4, Flanger1 - 3 Default: Chorus1 This determines the Type of Chorus effect. When “NoEffect” is selected, the Chorus effect is turned off. Chorus and Celeste are used to subtly enhance the sound, and generally make it richer, fatter, and warmer. Flanger uses modulation to create an animated, swirling motion effect, and produces a characteristic metallic sound. 58 Edit Mode Chorus Send Level English Chorus Send Level setting ChoSend Selected Part Shows Chorus Send Level setting for each Part. Range: 0 - 127 Default: 0 This determines the level of the selected Part’s Voice that is sent to the Chorus effect. Each Part can be set independently for different amounts of Chorus on each Voice. A value of “0” results in a completely “dry” Voice sound (no Chorus effect). NOTE • Keep in mind that Chorus Type (page 58) must be set to something other than “NoEffect” for this parameter to work as intended. Variation Parameters The Variation effects provide a wealth of additional tools for processing the Voices of the MU15. It features most of the same effects found in the Reverb and Chorus effects. This is not mere redundancy; it allows you to use two types of Reverb or Chorus simultaneously on different Voices. For example, you may want to have a Chorus effect on Voice and apply Flanger to another. Variation also gives you many special effects not found in the other sections, such as Delay, Gate Reverb, Rotary Speaker, and Wah. Variation effects can be applied either to a single selected Part or to all Parts, depending on the Variation Connection setting (page 60): Insertion or System. For general information on using the Variation effect, see page 33. 59 Edit Mode Variation Connection VarCnct INS The current Variation Connection setting appears in the LCD as soon as the INS/SYS button is released. Variation Connection setting Settings: INS (Insertion), SYS (System) Default: INS This determines how the Variation effect is connected in the effect chain of the MU15. When set to “SYS” (System), Variation is applied to all Parts, according to the amount of Variation Send Level (page 61) set for each Part. When set to “INS” (Insertion), Variation is applied to only the selected Part, also set in the Variation Send Level parameter. Variation Type VarType The Type setting appears in the LCD as soon as the TYPE button is released. DelayLCR Variation Type setting Settings: NoEffect, Hall1 - 2, Room1 - 3, Stage1 - 2, Plate, DelayLCR, DelayLR, Echo, CrsDelay (Cross Delay), E-Ref1 - 2 (Early Reflections), GateRev (Gate Reverb), RvsGate (Reverse Gate), Karaoke1 - 3, Chorus1 - 4, Celeste1 - 4, Flanger1 - 3, Symphnic (Symphonic), 60 Edit Mode English RotarySp (Rotary Speaker), Tremolo, AutoPan, Phaser1 - 2, Dist (Distortion), OverDrv (Overdrive), AmpSim (Amp Simulator), 3BandEQ, 2BandEQ, AutoWah, PitchCng (Pitch Change), Thru Default: DelayLCR This determines the Type of the Variation effect. About “NoEffect” and “Thru” When Variation Connection is set to “INS” and “NoEffect” is selected, the sound for the Part is turned off (there is no “dry” sound). When “Thru” is selected, you can hear the dry, unprocessed sound. NOTE • The 3BandEQ and 2BandEQ Types have little effect on the sound unless the “hidden” parameters are changed via MIDI. (Page 91.) Variation Send Level Variation Send Level setting VarSend Selected Part Shows Variation Send Level setting for each Part. Settings: off, on (when Variation Connection is set to “INS”) 0 - 127 (when Variation Connection is set to “SYS”) Default: off (for “INS”) 0 (for “SYS”) When the Variation Connection parameter (page 60) is set to “INS,” this determines whether the Variation effect is applied to the selected Part or not. Also, since the Variation effect cannot be used simultaneously on several Parts (for “INS”), only the last Part for which this parameter has been set to “on” will have the Variation effect. A setting of “off” results in no Variation effect being applied. 61 Edit Mode When the Variation Connection parameter (page 60) is set to “SYS,” this determines the level of the selected Part’s Voice that is sent to the Variation effect. In this case, each Part can be set independently for different amounts of Variation on each Voice. A value of “0” results in a completely “dry” Voice sound (no Variation effect). NOTE • Keep in mind that Variation Type (page 60) must be set to something other than “NoEffect” or “Thru” for this parameter to work as intended. • If the Variation Type is set to “NoEffect” and Variation Connection is set to “INS,” there will be no sound for the Part. To remedy this, set the Type to “Thru” or to one of the other effect Types. (Page 60.) Dry Level Dry Level setting DryLevel Selected Part Shows Dry Level setting for each Part. Range: 0 - 127 Default: 127 This determines the level or volume of the selected Part’s “dry” sound — the sound of the Voice without the effects. Dry Level gives you additional fine control over the effect balance. Setting this to a low value turns down the level of the “dry” sound and emphasizes the effect sound. NOTE • When Variation Connection is set to “INS,” the Dry Level parameter is automatically set to “off” and cannot be changed. 62 Edit Mode Utility Controls ................ 63 Velocity ................ 64 Local Control ................ 64 Dump Out ................ 65 Initialize All ................ 68 English Master Tune Master Tune Tuning value MstrTune Range: +/- 999 (in 0.1 cent steps) Default: 0 This determines the overall fine tuning of the MU15’s Voices. It does not affect the pitch of the individual drum/percussion sounds of the Drum Voices. Master Tune is especially useful for adjusting the pitch of the MU15 when playing with other instruments. (The actual pitch of each Part depends also on the Note Shift parameter on page 47.) 63 Edit Mode Velocity Velocity setting Velocity Range: 1 - 127 Default: 88 This determines the note on velocity of the MU15’s built-in keyboard. All notes that you play from the panel keyboard will be at this fixed velocity, and sound at the same level. This velocity is also transmitted to connected devices via the MIDI OUT or TO HOST terminals. However, it does not affect the incoming velocity of notes played from a connected sequencer or external keyboard. NOTE • Settings of 20 or less may result in little or no sound. For normal applications, make sure this is set to around 88 (default). • Keep in mind that when playing the MU15’s keyboard, the actual sound level of a selected Part also depends on the Volume parameter in the Part controls (page 46). If the Volume setting is at or near the minimum, the Part may be very low in level, no matter what the Velocity setting made here. Local Control Local Control setting LoclCtrl 64 Edit Mode English Range: off, on Default: on This determines whether or not the internal tone generator responds to the notes you play on the MU15’s keyboard. Normally, this should be on. Setting this to “off” effectively disconnects the panel keyboard from the internal tone generator. Even when this is set to “off,” notes played on the keyboard are still transmitted via the TO HOST or MIDI OUT terminals. HINT • A common application of Local Control is when using the MU15 to input notes into a sequencer. If the sequencer is also set up to play back data using the Voices of the MU15, when you play the MU15, it will be sounding its own Voices twice — once from the keyboard, and after a very brief delay, again from the MIDI data coming from the sequencer. This not only decreases the available polyphony of the MU15 by half, it also creates an undesirable flanging sound. To remedy this, set Local Control to “off.” • Another useful application of the “off” setting of this parameter is when you’ve connected the MU15 to another tone generator and want to play only that tone generator and leave the MU15 Voices silent. Dump Out DumpOut This function allows you to save the current parameter settings of the MU15 to a MIDI sequencer, computer or a MIDI data recorder (such as the Yamaha MDF3 MIDI Data Filer). 65 Edit Mode • Saving and Restoring Data via MIDI MIDI Data Recorder MU15 GrandPno MIDI OUT MIDI IN MIDI IN MIDI OUT Bulk Dump data can be sent and received using the MIDI IN and MIDI OUT connections. • Saving and Restoring Data via TO HOST COMPUTER/ MIDI Data Recorder MU15 GrandPno TO HOST SERIAL PORT Bulk Dump data can be sent and received using the TO HOST connection. Operation Z Make sure that the MU15 is properly connected to the device and that the HOST SELECT switch is properly set. When using the MIDI terminals, connect the MIDI OUT of the MU15 to the MIDI IN of the data recorder. (See the “Saving and Restoring Data via MIDI” illustration above.) Also, set the HOST SELECT switch to MIDI. When using the TO HOST terminal, make sure that the HOST SELECT switch is set corresponding to the device to be used. (See the “Saving and Restoring Data via TO HOST” illustration above.) For more information on host computer connections, see page 37. X Set the connected device to receive MIDI System Exclusive data. Refer to the owner’s manual of the particular device or software for instructions on receiving System Exclusive data. 66 Edit Mode English C Simultaneously hold down the PLAY/EDIT button and press the DUMP OUT button. DumpOut V At the “DumpOut” message, press the VALUE button. /YES Sure? B At the “Sure?” prompt, press the VALUE ton. /YES but- A “Transmit” message appears in the display during the operation. When the operation is completed, a “Complete” message briefly appears. To cancel the operation at the “Sure?” prompt, press the VALUE /NO button. To reload the data from the data recorder back to the MU15 Make sure that the devices are properly connected (see the illustrations on page 66), and execute the appropriate data transfer operation from the data recorder. (Refer to the owner’s manual of that device or software for instructions.) The MU15 automatically receives incoming bulk data. NOTE • This operation does not save settings of parameters which cannot be controlled via MIDI (such as Velocity and Local Control). 67 Edit Mode Initialize All InitAll This operation allows you to restore the original factory settings of the MU15. • CAUTION Using Initialize All will erase whatever settings you’ve made on the MU15. If you have important settings you wish to keep, store them to a MIDI data recorder with the Dump Out function. (See page 65.) Operation Z Simultaneously hold down the PLAY/EDIT button and press the INIT ALL button. InitAll X At the “InitAll” message, press the VALUE button. /YES Sure? C At the “Sure?” prompt, press the VALUE ton. /YES but- An “Execute” message appears in the display during the operation. Once started, the operation cannot be stopped. When the operation is completed, a “Complete” message briefly appears. 68 English Appendix Troubleshooting Even though the MU15 is exceptionally easy to use, it may occasionally not function as you expect it to. If that happens, check the possible problems and solutions below before assuming that the instrument is faulty. Problem Possible Cause and Solution No power. • If you are using an AC adaptor, check that the adaptor properly plugged into both the AC outlet and the MU15 (Page 18.) • If you are using batteries, check that a fresh set of batteries properly installed in the battery compartment. (Page 19.) No sound. • Check that the side panel volume control is set to an appropriate level. (Pages 16, 21.) • Check that other volume-related parameters are set to appropriate levels. (See Velocity, page 64, and Volume, page 46.) • Check the Mute and Solo settings. (Pages 48, 49.) If a Part is being muted, or an empty Part is being soloed, you may not get any sound. No sound when playing the keyboard on the MU15. • Check that Local Control is set to on. (Page 64.) Also check the points for “No Sound” above. 69 Troubleshooting Problem Possible Cause and Solution No sound when playing the MU15 from a computer, sequencer or external keyboard. • • No sound of a specific Part. • • 70 Check all MIDI connections, making sure that the MIDI OUT of the external device is connected to the MIDI IN of the MU15, and that the MIDI IN of the external device is connected to the MIDI OUT of the MU15. (Page 39.) Or, if you are using the TO HOST terminal with a computer, make sure that the terminal is properly connected to the computer and that the HOST SELECT switch is properly set for your particular computer. (Page 37.) Check the settings of the connected MIDI device. If Expression and Master Volume are set to low values, the MU15 may put out little or no sound. Check the Mute setting. (Page 49.) If a Part is being muted, it will not sound. Check the Variation effect settings. If Variation Connection (page 60) is set to “INS” and Variation Type is set to “NoEffect,” the selected Part may not sound. Also, if Variation Type is set to “NoEffect” or “Thru” and Dry Level is set near or at the minimum value, the selected Part may not sound. Notes are cut off or omitted. • The maximum polyphony of the MU15 may be exceeded. The MU15 can play no more than 32 notes at once. When using a sequencer or computer, an unusual “flanging” sound occurs and/or not all notes seem to sound. • Check that Local Control is set to “off.” (Page 64.) Also, check the settings on your sequencer or computer (such as “MIDI Thru” or “MIDI Echo”). Even though Local Control is set to “off,” the MU15 continues to sound when playing the built-in keyboard. • This is normal, if you’ve routed the MU15 to a sequencer or computer and that device’s “MIDI Thru” or “MIDI Echo” option is turned on. Error Messages English Error Messages Errors may occur from time to time, and when they do the MU15 will display a message to indicate the type of problem so that you can rectify it and return to normal operation. “Battery” The battery voltage is too low for proper operation. Replace the old batteries with a set of new ones. (Page 19.) “CheckSum” (Checksum Error) The checksum of the received System Exclusive message is incorrect. Check the checksum of the message and try transmitting again. (The checksum which is calculated for the received data will be displayed.) “IlglData” (Illegal Data) A data error resulted during reception of MIDI messages. Try transmitting the data again, or turn the MU15 off and back on again. Or the MU15 is connected to a computer via the TO HOST terminal and the power of the computer is turned off. Turn on your computer again. If this still doesn’t resolve the problem, turn all equipment off and then back on again. “BuffFull” (MIDI Buffer Full) Too much MIDI data is being received by the MU15 at one time. Reduce the amount of data being sent to the MU15. “MIDIAdrs” (System Exclusive Address Error) The data of the received System Exclusive message is incorrect. Check the address of the message and try transmitting again. “MIDIData” (System Exclusive Data Error) An error has been detected in the MIDI System Exclusive data received by the MU15. Check the data of the message (as to whether it requires an MSB or LSB header) and try transmitting again. “BulkSize” (System Exclusive Size Error) The data of the received System Exclusive message is incorrect. Check the size of the message and try transmitting again. 71 Specifications Specifications Tone Generation Method Advanced Wave Memory 2 (AWM2) Polyphony 32-note (Dynamic Voice Allocation) Multi-timbral Capacity 16-Part Demo Song 1 (not editable, stored in ROM) Display Custom LCD (54.5 mm x 29.4 mm) Controls ; VALUE /NO, /YES; XG BANK, PLAY/EDIT; OCT DOWN, PART , UP; keypad (for playing Voices or accessing Edit functions); ON/STANDBY switch; HOST SELECT switch; VOLUME control Jacks and Terminals MIDI OUT and MIDI IN terminals, TO HOST terminal (8-pin mini DIN), DC IN jack, LINE OUT/PHONES jack Host Computer Interface and Data Baud Rate MIDI — 31,250 bps (bits per second) Mac — 31,250 bps PC-1 — 31,250 bps PC-2 — 38,400 bps Power Supply YAMAHA PA-3B AC Power Adaptor (sold separately). Six “AA” size, SUM-3, R-6 or equivalent batteries (sold separately). Dimensions (W x D x H) 188 x 104 x 33 mm (7-3/8” x 4-1/8” x 1-5/16”) Weight 350 g (12.3 oz.) (without batteries) * 72 Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. Index A Attack Time ............................. 52, 53 G GM (General MIDI) .................... 5, 12 B Banks ...................................... 26, 27 Banks, selecting ............................ 27 batteries, replacing ........................ 19 batteries, using .............................. 19 H headphones............................. 16, 20 “hidden” parameters ........ 40, 43, 91 C Chorus ..................................... 32, 58 Chorus Send Level ........................ 59 Chorus Type .................................. 58 computer, connections ............ 38, 39 computer, IBM ........................ 38, 39 computer, Macintosh .............. 38, 39 connections, audio ........................ 20 connections, computer ........... 38, 39 connections, MIDI ................... 20, 39 Cutoff ............................................ 50 I Initialize All .................................... 68 INS (Insertion) ......................... 35, 60 L Local Control ................................. 64 M Master Tune .................................. 63 MIDI ...................... 12, 15, 20, 36, 91 MIDI Channel ................................ 91 MIDI data storage device ........ 36, 65 Mute.............................................. 49 D Demo Song ................................... 22 Drum Voices .................................. 28 Dry Level ....................................... 62 Dump Out ..................................... 65 N Note Shift ................................ 30, 47 E editing ..................................... 30, 44 Effect controls ............................... 56 EG (Envelope Generator) ............... 52 P Pan ................................................ 47 Part controls .................................. 45 Parts .................................. 25, 26, 30 Parts, muting ................................. 49 Parts, selecting .............................. 26 Parts, soloing ................................. 48 Play mode ..................................... 43 power adaptor, using ..................... 18 F Filter .............................................. 50 English Index O octave setting................................ 29 73 Index R Release Time ........................... 52, 53 Resonance .................................... 51 Reverb ..................................... 32, 56 Reverb Send Level ........................ 57 Reverb Type .................................. 57 S Solo ............................................... 48 Sound Module mode..................... 43 SYS (System) .......................... 34, 60 T TG300B mode ............................... 43 U Utility controls ............................... 63 V Variation ................................... 33, 59 Variation Connection ............... 34, 60 Variation Send Level ................ 34, 61 Variation Type ................................ 60 Velocity .......................................... 64 Vibrato ........................................... 54 Vibrato Delay ................................. 55 Vibrato Depth ................................ 54 Vibrato Rate ................................... 54 Voices ................................ 10, 24, 25 Voices, selecting ........................... 24 Volume .......................................... 46 X XG format .................................. 5, 12 XG mode ....................................... 43 74 Sound List & MIDI Data XG Normal Voice List .............................. 76 TG300B Normal Voice List ...................... 78 XG Drum Voice List (Drum Map) ............ 80 TG300B Drum Voice List (Drum Map) .... 82 Effect Type List ....................................... 84 Effect Parameter List .............................. 85 Effect Data Assign Table......................... 90 MIDI Data Format ................................... 91 MIDI Implementation Chart ................. 108 75 XG Normal Voice List Bank Select MSB=000, LSB=Bank Number Instrument Program Bank Group # # Piano 1 0 1 18 40 41 2 0 1 3 0 1 32 40 41 4 0 1 5 0 1 18 32 40 45 64 6 0 1 32 33 34 40 41 42 45 7 0 1 25 35 8 0 1 27 64 65 Chromatic 9 0 Percussion 10 0 11 0 64 12 0 1 45 13 0 1 64 97 98 14 0 15 0 96 97 16 0 35 96 97 EleVoice Name ment GrandPno 1 GrndPnoK 1 MelloGrP 1 PianoStr 2 Dream 2 BritePno 1 BritPnoK 1 El.Grand 2 ElGrPnoK 2 Det.CP80 2 LayerCP1 2 LayerCP2 2 HnkyTonk 2 HnkyTnkK 2 E.Piano1 2 El.Pno1K 1 MelloEP1 2 Chor.EP1 2 HardEl.P 2 VX El.P1 2 60sEl.P1 1 E.Piano2 2 El.Pno2K 1 Chor.EP2 2 DX Hard 2 DXLegend 2 DX Phase 2 DX+Analg 2 DXKotoEP 2 VX El.P2 2 Harpsi. 1 Harpsi.K 1 Harpsi.2 2 Harpsi.3 2 Clavi 2 Clavi K 1 ClaviWah 2 PulseClv 1 PierceCl 2 Celesta 1 Glocken 1 MusicBox 2 Orgel 2 Vibes 1 Vibes K 1 HardVibe 2 Marimba 1 MarimbaK 1 SineMrmb 2 Balimba 2 Log Drum 2 Xylophon 1 TubulBel 1 ChrchBel 2 Carillon 2 Dulcimer 1 Dulcimr2 2 Cimbalom 2 Santur 2 Bank 0 : (GM) Bank 1 : Key Scale Panning Bank 3 : Stereo Bank 6 : Single Bank 8 : Slow Bank 12 : Fast Decay Bank 14 : Double Attack Bank 16 : Bright 1 76 Instrument Program Bank Group # # Organ 17 0 32 33 34 35 36 37 38 40 64 65 66 67 18 0 24 32 33 37 19 0 64 65 66 20 0 32 35 40 64 65 21 0 40 22 0 32 23 0 32 24 0 64 Guitar 25 0 16 25 43 96 26 0 16 35 40 41 96 27 0 18 32 28 0 32 29 0 40 41 43 45 30 0 43 31 0 40 41 32 0 65 66 Bank 17 : Bright 2 Bank 18 : Dark 1 Bank 19 : Dark 2 Bank 20 : Resonant Bank 24 : Attack Bank 25 : Release Bank 27 : Reso Sweep Bank 28 : Muted Bank 32 : Detune 1 EleVoice Name ment DrawOrgn 1 DetDrwOr 2 60sDrOr1 2 60sDrOr2 2 70sDrOr1 2 DrawOrg2 2 60sDrOr3 2 Even Bar 2 16+2"2/3 2 Organ Ba 1 70sDrOr2 2 CheezOrg 2 DrawOrg3 2 PercOrgn 1 70sPcOr1 2 DetPrcOr 2 Lite Org 2 PercOrg2 2 RockOrgn 2 RotaryOr 2 SloRotar 2 FstRotar 2 ChrchOrg 2 ChurOrg3 2 ChurOrg2 2 NotreDam 2 OrgFlute 2 TrmOrgFl 2 ReedOrgn 1 Puff Org 2 Acordion 2 AccordIt 2 Harmnica 1 Harmo. 2 2 TangoAcd 2 TngoAcd2 2 NylonGtr 1 NylonGt2 1 NylonGt3 2 VelGtHrm 2 Ukulele 1 SteelGtr 1 SteelGt2 1 12StrGtr 2 Nyln&Stl 2 Stl&Body 2 Mandolin 2 Jazz Gtr 1 MelloGtr 1 Jazz Amp 2 CleanGtr 1 ChorusGt 2 Mute Gtr 1 FunkGtr1 2 MuteStlG 2 FunkGtr2 2 Jazz Man 2 Ovrdrive 1 Gt.Pinch 2 Dist.Gtr 1 FeedbkGt 2 FeedbkG2 2 GtrHarmo 1 GtFeedbk 1 GtrHrmo2 1 Instrument Program Bank Voice Name Group # # 33 0 Aco.Bass 40 JazzRthm 45 VXUprght 34 0 FngrBass 18 FingrDrk 27 FlangeBa 40 Ba&DstEG 43 FngrSlap 45 FngBass2 65 Mod.Bass 35 0 PickBass 28 MutePkBa 36 0 Fretless 32 Fretles2 33 Fretles3 34 Fretles4 96 SynFretl 97 SmthFrtl 37 0 SlapBas1 27 ResoSlap 32 PunchThm 38 0 SlapBas2 43 VeloSlap 39 0 SynBass1 18 SynBa1Dk 20 FastResB 24 AcidBass 35 Clv Bass 40 TechnoBa 64 Orbiter 65 Sqr.Bass 66 RubberBa 96 Hammer 40 0 SynBass2 6 MelloSBa 12 Seq Bass 18 ClkSynBa 19 SynBa2Dk 32 SmthSynB 40 ModulrBa 41 DX Bass 64 X WireBa Strings 41 0 Violin 8 Slow Vln 42 0 Viola 43 0 Cello 44 0 Contrabs 45 0 Trem.Str 8 SlwTrStr 40 Susp.Str 46 0 Pizz.Str 47 0 Harp 40 YangChin 48 0 Timpani Bass Bank 33 : Detune 2 Bank 34 : Detune 3 Bank 35 : Octave 1 Bank 36 : Octave 2 Bank 37 : 5th 1 Bank 38 : 5th 2 Bank 39 : Bend Bank 40 : Tutti 1 Bank 41 : Tutti 2 Element 1 2 2 1 2 2 2 2 2 2 1 1 1 2 2 2 2 2 1 1 2 1 2 1 1 1 1 2 2 2 2 2 2 2 1 2 2 1 2 2 2 2 1 1 1 1 1 1 1 2 1 1 2 1 Bank 42 : Tutti 3 Bank 43 : Velo-Switch Bank 45 : Velo-Xfade Bank 64 : Other waves 1 Bank 65 : Other waves 2 Bank 66 : Other waves 3 Bank 67 : Other waves 4 Bank 68 : Other waves 5 Bank 69 : Other waves 6 Instrument Program Bank Group # # Ensemble 49 0 3 8 24 35 40 41 42 45 50 0 3 8 40 41 64 65 51 0 27 64 65 52 0 53 0 3 16 32 40 54 0 55 0 40 41 64 56 0 35 64 Brass 57 0 16 17 32 58 0 18 59 0 16 60 0 61 0 6 32 37 62 0 35 40 41 42 63 0 12 20 24 27 32 45 64 64 0 18 40 41 45 64 EleVoice Name ment Strings1 1 S.Strngs 2 Slow Str 1 Arco Str 2 60sStrng 2 Orchestr 2 Orchstr2 2 TremOrch 2 VeloStr 2 Strings2 1 S.SlwStr 2 LegatoSt 2 Warm Str 2 Kingdom 2 70s Str 1 Strings3 1 Syn Str1 2 Reso Str 2 Syn Str4 2 Syn Str5 2 Syn Str2 2 ChoirAah 1 S.Choir 2 Ch.Aahs2 2 MelChoir 2 ChoirStr 2 VoiceOoh 1 SynVoice 1 SyVoice2 2 Choral 2 AnaVoice 1 Orch.Hit 2 OrchHit2 2 Impact 2 Trumpet 1 Trumpet2 1 BriteTrp 2 Warm Trp 2 Trombone 1 Trmbone2 2 Tuba 1 Tuba 2 1 Mute Trp 1 Fr. Horn 1 FrHrSolo 1 FrHorn 2 2 HornOrch 2 BrssSect 1 Tp&TbSec 2 BrssSec2 2 Hi Brass 2 MelloBrs 2 SynBrss1 2 Quack Br 2 RezSynBr 2 PolyBrss 2 SynBrss3 2 JumpBrss 2 AnVelBr1 2 AnaBrss1 2 SynBrss2 1 Soft Brs 2 SynBrss4 2 ChoirBrs 2 AnVelBr2 2 AnaBrss2 2 Bank 70 : Other waves 7 Bank 71 : Other waves 8 Bank 72 : Other waves 9 Bank 96 : Other Instruments 1 Bank 97 : Other Instruments 2 Bank 98 : Other Instruments 3 Bank 99 : Other Instruments 4 Bank 100 : Other Instruments 5 Bank 101 : Other Instruments 6 XG Normal Voice List Bank Select MSB=064, LSB=000 SFX voice Instrument Program Bank Group # # Reed 65 0 66 0 40 43 67 0 40 41 64 68 0 69 0 70 0 71 0 72 0 Pipe 73 0 74 0 75 0 76 0 77 0 78 0 79 0 80 0 Synth Lead 81 0 6 8 18 19 64 65 66 82 0 6 8 18 19 20 24 25 40 41 45 96 83 0 65 84 0 64 85 0 64 65 86 0 24 64 87 0 35 88 0 16 64 65 Synth Pad 89 0 64 90 0 16 17 18 64 65 91 0 64 65 66 67 EleVoice Name ment SprnoSax 1 Alto Sax 1 Sax Sect 2 HyprAlto 2 TenorSax 1 BrthTnSx 2 SoftTenr 2 TnrSax 2 1 Bari.Sax 1 Oboe 2 Eng.Horn 1 Bassoon 1 Clarinet 1 Piccolo 1 Flute 1 Recorder 1 PanFlute 1 Bottle 2 Shakhchi 2 Whistle 1 Ocarina 1 SquareLd 2 SquarLd2 1 LMSquare 2 Hollow 1 Shroud 2 Mellow 2 SoloSine 2 SineLead 1 Saw Ld 2 Saw Ld 2 1 ThickSaw 2 Dyna Saw 1 Digi Saw 2 Big Lead 2 HeavySyn 2 WaspySyn 2 PulseSaw 2 Dr.Lead 2 VeloLead 2 Seq Ana. 2 CaliopLd 2 PureLead 2 Chiff Ld 2 Rubby 2 CharanLd 2 DistLead 2 WireLead 2 Voice Ld 2 SynthAah 2 Vox Lead 2 Fifth Ld 2 Big Five 2 Bass &Ld 2 Big&Low 2 Fat&Prky 2 Soft Wrl 2 NewAgePd 2 Fantasy 2 Warm Pad 2 ThickPad 2 Soft Pad 2 Sine Pad 2 Horn Pad 2 RotarStr 2 PolySyPd 2 PolyPd80 2 ClickPad 2 Ana. Pad 2 SquarPad 2 Instrument Program Bank Group # # Synth Pad 92 0 64 66 67 93 0 64 65 94 0 64 65 95 0 96 0 20 27 64 66 Synth 97 0 Effects 45 64 65 66 98 0 27 64 99 0 12 14 18 35 40 41 42 64 65 66 67 68 69 70 71 72 100 0 18 19 40 64 65 66 67 101 0 64 96 102 0 64 65 66 67 68 70 71 96 103 0 8 14 64 65 66 67 68 69 104 0 64 EleVoice Name ment ChoirPad 2 Heaven 2 Itopia 2 CC Pad 2 BowedPad 2 Glacier 2 GlassPad 2 MetalPad 2 Tine Pad 2 Pan Pad 2 Halo Pad 2 SweepPad 2 Shwimmer 2 Converge 2 PolarPad 2 Celstial 2 Rain 2 ClaviPad 2 HrmoRain 2 AfrcnWnd 2 Carib 2 SoundTrk 2 Prologue 2 Ancestrl 2 Crystal 2 SynDrCmp 2 Popcorn 2 TinyBell 2 RndGlock 2 GlockChi 2 ClearBel 2 ChorBell 2 SynMalet 1 SftCryst 2 LoudGlok 2 ChrstBel 2 VibeBell 2 DigiBell 2 AirBells 2 BellHarp 2 Gamelmba 2 Atmosphr 2 WarmAtms 2 HollwRls 2 Nylon EP 2 NylnHarp 2 Harp Vox 2 AtmosPad 2 Planet 2 Bright 2 FantaBel 2 Smokey 2 Goblins 2 GobSynth 2 Creeper 2 Ring Pad 2 Ritual 2 ToHeaven 2 Night 2 Glisten 2 BelChoir 2 Echoes 2 Echoes 2 2 Echo Pan 2 EchoBell 2 Big Pan 2 SynPiano 2 Creation 2 StarDust 2 Reso&Pan 2 Sci-Fi 2 Starz 2 Instrument Program Bank Group # Voice Name # Ethnic 105 0 Sitar 32 DetSitar 35 Sitar 2 96 Tambra 97 Tamboura 106 0 Banjo 28 MuteBnjo 96 Rabab 97 Gopichnt 98 Oud 107 0 Shamisen 108 0 Koto 96 Taisho-k 97 Kanoon 109 0 Kalimba 110 0 Bagpipe 111 0 Fiddle 112 0 Shanai 64 Shanai 2 96 Pungi 97 Hichriki Percussive 113 0 TnklBell 96 Bonang 97 Altair 98 Gamelan 99 S.Gamlan 100 Rama Cym 101 AsianBel 114 0 Agogo 115 0 SteelDrm 97 GlasPerc 98 ThaiBell 116 0 Woodblok 96 Castanet 117 0 TaikoDrm 96 Gr.Cassa 118 0 MelodTom 64 Mel Tom2 65 Real Tom 66 Rock Tom 119 0 Syn Drum 64 Ana Tom 65 ElecPerc 120 0 RevCymbl Sound 121 0 FretNoiz Effects 122 0 BrthNoiz 123 0 Seashore 124 0 Tweet 125 0 Telphone 126 0 Helicptr 127 0 Applause 128 0 Gunshot Element 1 2 2 2 2 1 1 2 2 2 1 1 2 2 1 2 1 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 2 1 2 2 1 1 2 1 2 2 2 2 1 1 1 1 Program # 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 MSB=064 LSB=000 Element CuttngNz CttngNz2 1 2 Str Slap 1 Fl.KClik 1 Shower Thunder Wind Stream Bubble Feed 2 1 1 2 2 2 Dog Horse Tweet 2 1 1 1 Ghost Maou 2 2 Program # 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 MSB=064 LSB=000 Element PhonCall DoorSqek DoorSlam ScratchC ScratchS WindChim Telphon2 1 1 1 1 2 1 1 CarEIgnt CarTSqel Car Pass CarCrash Siren Train JetPlane Starship Burst Coaster Submarin 1 1 1 1 2 1 2 2 2 2 2 Laugh Scream Punch Heart FootStep 1 1 1 1 1 MchinGun LaserGun Xplosion Firework 1 2 2 2 : No Sound 77 TG300B Normal Voice List Bank Select MSB=Bank Number, LSB=000 Instrument Program Bank # # Group Piano 1 0 8 16 126 127 2 0 8 126 127 3 0 1 2 8 126 127 4 0 8 126 127 5 0 8 16 24 25 26 32 126 127 6 0 8 16 24 32 126 127 7 0 8 16 24 126 127 8 0 8 126 127 Chromatic 9 0 Percussion 126 127 10 0 126 127 11 0 126 127 12 0 1 8 126 127 13 0 8 17 24 126 127 14 0 126 127 15 0 8 9 126 127 16 0 1 8 126 127 78 EleVoice Name ment GrandPno 1 GrndPnoK 1 MelloGrP 1 A-Piano1 2 a.piano1 1 BritePno 1 BritPnoK 1 A-Piano2 2 a.piano2 1 El.Grand 2 LayerCP1 2 LayerCP2 2 ElGrPnoK 2 A-Piano3 2 a.piano3 1 HnkyTonk 2 HnkyTnkK 2 A-Piano4 2 e.piano1 1 E.Piano1 2 Chor.EP1 2 VX El.P1 2 60sEl.P1 1 HardEl.P 2 MelloEP1 2 El.Pno1K 1 A-Piano5 1 e.piano2 1 E.Piano2 2 Chor.EP2 2 VX El.P2 2 DX Hard 2 El.Pno2K 1 A-Piano6 1 e.piano3 1 Harpsi. 1 Harpsi.3 2 Harpsi.K 1 Harpsi.2 2 A-Piano7 1 e.piano4 1 Clavi 2 Clavi K 1 E-Piano1 2 hnkytnk 2 Celesta 1 E-Piano2 2 e.organ1 2 Glocken 1 E-Piano3 2 e.organ2 2 MusicBox 2 A-Guitr1 1 e.organ3 1 Vibes 1 HardVibe 2 Vibes K 1 A-Guitr2 2 e.organ4 1 Marimba 1 MarimbaK 1 Balimba 2 Log Drum 2 A-Guitr3 2 pipeorg1 2 Xylophon 1 E-Guitr1 2 pipeorg2 2 TubulBel 1 ChrchBel 2 Carillon 2 E-Guitr2 1 pipeorg3 2 Dulcimer 1 Dulcimr2 2 Cimbalom 2 Slap-1 2 acordion 2 Instrument Program Bank Group # # Organ 17 0 1 8 9 16 17 18 24 32 33 40 126 127 18 0 1 8 32 126 127 19 0 8 16 24 126 127 20 0 8 16 24 32 126 127 21 0 126 127 22 0 8 126 127 23 0 1 126 127 24 0 126 127 Guitar 25 0 8 16 24 32 40 126 127 26 0 8 9 16 32 126 127 27 0 1 8 126 127 28 0 8 126 127 EleVoice Name ment DrawOrgn 1 70sDrOr1 2 DetDrwOr 2 70sDrOr2 2 60sDrOr1 2 60sDrOr2 2 60sDrOr3 2 CheezOrg 2 DrawOrg2 2 Even Bar 2 Organ Ba 1 Slap-2 2 harpsi1 1 PercOrgn 1 70sPcOr1 2 DetPrcOr 2 PercOrg2 2 Slap-3 2 harpsi2 2 RockOrgn 2 RotaryOr 2 SloRotar 2 FstRotar 2 Slap-4 2 harpsi3 1 ChrchOrg 2 ChurOrg2 2 ChurOrg3 2 OrgFlute 2 TrmOrgFl 2 Slap-5 2 clavi1 1 ReedOrgn 1 Slap-6 2 clavi2 1 Acordion 2 AccordIt 2 Slap-7 2 clavi3 1 Harmnica 1 Harmo. 2 2 Slap-8 2 celesta1 1 TangoAcd 2 Finger-1 1 celesta2 1 NylonGtr 1 Ukulele 1 NylonGt3 2 VelGtHrm 2 NylonGt2 1 LequintG 1 Finger-2 2 synbras1 2 SteelGtr 1 12StrGtr 2 Nyln&Stl 2 Mandolin 2 SteelGt2 1 Picked-1 1 synbras2 2 Jazz Gtr 1 MelloGtr 1 PdlSteel 1 Picked-2 2 synbras3 2 CleanGtr 1 ChorusGt 2 FretlsBs 1 synbras4 2 Instrument Program Bank Group # # Guitar 29 0 8 16 126 127 30 0 126 127 31 0 8 9 126 127 32 0 8 126 127 Bass 33 0 126 127 34 0 1 126 127 35 0 8 126 127 36 0 1 2 3 4 5 126 127 37 0 8 126 127 38 0 126 127 39 0 1 8 9 10 16 126 127 40 0 1 2 3 8 9 16 17 18 19 126 127 EleVoice Name ment Mute Gtr 1 FunkGtr1 2 FunkGtr2 2 A-Bass 2 synbass1 1 Ovrdrive 1 Choir-1 1 synbass2 1 Dist.Gtr 1 FeedbkGt 2 FeedbkG2 2 Choir-2 1 synbass3 2 GtrHarmo 1 GtFeedbk 1 Choir-3 2 synbass4 1 Aco.Bass 1 Choir-4 2 newagepd 2 FngrBass 1 FngBass2 2 Strngs-1 2 synharmo 2 PickBass 1 MutePkBa 1 Strngs-2 2 choir pd 2 Fretless 1 Fretles2 2 Fretles3 2 Fretles4 2 SynFretl 2 SmthFrtl 2 Strngs-3 2 bowed pd 2 SlapBas1 1 ResoSlap 1 Strngs-4 2 soundtrk 2 SlapBas2 1 E-Organ1 2 atmosphr 2 SynBass1 1 SynBa1Dk 1 AcidBass 1 FastResB 1 TechnoBa 2 ResoBass 1 E-Organ2 2 syn warm 2 SynBass2 2 ClkSynBa 2 ModulrBa 2 Seq Bass 2 DX Bass 2 X WireBa 2 RubberBa 2 SynBa2Dk 1 MelloSBa 1 SmthSynB 2 E-Organ3 2 synfunny 1 Instrument Program Bank Group # Voice Name # Strings 41 0 Violin 8 Slow Vln 126 E-Organ4 127 synecho1 42 0 Viola 126 E-Organ5 127 rain 43 0 Cello 126 E-Organ6 127 synoboe 44 0 Contrabs 126 E-Organ7 127 synecho2 45 0 Trem.Str 8 SlwTrStr 9 Susp.Str 126 E-Organ8 127 synsolo 46 0 Pizz.Str 126 E-Organ9 127 synrdorg 47 0 Harp 126 SoftTP-1 127 synbell 48 0 Timpani 126 SoftTP-2 127 squareld Ensemble 49 0 Strings1 1 Slow Str 8 Orchestr 9 Orchstr2 10 TremOrch 11 ChoirStr 16 S.Strngs 24 Velo.Str 126 TP/TRB-1 127 strsect1 50 0 Strings2 1 70s Str 8 LegatoSt 9 Warm Str 10 S.SlwStr 126 TP/TRB-2 127 strsect2 51 0 Syn Str1 1 Syn Str4 126 TP/TRB-3 127 strsect3 52 0 Syn Str2 126 TP/TRB-4 127 pizz.str 53 0 ChoirAah 8 S.Choir 9 MelChoir 32 Ch.Aahs2 126 TP/TRB-5 127 violin 1 54 0 VoiceOoh 126 TP/TRB-6 127 violin 2 55 0 SynVoice 8 SyVoice2 126 Sax-1 127 cello 1 56 0 Orch.Hit 1 OrchHit2 8 Impact 16 LoFiRave 126 Sax-2 127 cello 2 Element 1 1 2 2 1 2 2 1 2 2 1 2 2 1 1 2 2 2 1 2 2 1 1 1 1 1 2 1 1 2 2 2 2 2 2 1 2 1 1 2 2 2 1 2 2 2 1 2 2 1 1 1 2 2 2 2 2 1 2 1 1 2 1 1 2 2 2 2 1 1 TG300B Normal Voice List Instrument Program Bank Group # # Brass 57 0 1 24 25 126 127 58 0 1 126 127 59 0 1 126 127 60 0 126 127 61 0 1 8 16 126 127 62 0 8 126 127 63 0 1 8 9 16 126 127 64 0 1 8 16 17 126 127 Reed 65 0 127 66 0 8 127 67 0 8 127 68 0 127 69 0 127 70 0 127 71 0 127 72 0 127 Pipe 73 0 127 74 0 127 75 0 127 76 0 127 77 0 127 78 0 127 79 0 127 80 0 127 EleVoice Name ment Trumpet 1 Trumpet2 1 BriteTrp 2 Warm Trp 2 Sax-3 1 contrabs 1 Trombone 1 Trmbone2 2 Sax-4 2 harp 1 1 Tuba 1 Tuba 2 1 Brass-1 1 harp 2 1 Mute Trp 1 Brass-2 1 guitar 1 1 Fr. Horn 1 FrHorn 2 2 FrHrSolo 1 HornOrch 2 Brass-3 2 guitar 2 1 BrssSect 1 BrssSec2 2 Brass-4 2 elecgtr1 2 SynBrss1 2 PolyBrss 2 SynBrss3 2 Quack Br 2 AnaBrss1 2 Brass-5 2 elecgtr2 2 SynBrss2 1 Soft Brs 2 SynBras4 2 AnaBrss2 2 VelBras2 2 Orch-Hit 1 sitar 1 SprnoSax 1 a.bass 1 1 Alto Sax 1 HyprAlto 2 a.bass 2 1 TnrSax 2 1 BrthTnSx 2 e.bass 1 1 Bari.Sax 1 e.bass 2 1 Oboe 2 slapbas1 1 Eng.Horn 1 slapbas2 1 Bassoon 1 fretles1 1 Clarinet 1 fretles2 1 Piccolo 1 flute1 1 Flute 1 flute2 1 Recorder 1 piccolo1 1 PanFlute 1 piccolo2 2 Bottle 2 recorder 1 Shakhchi 2 panpipes 2 Whistle 1 sax1 2 Ocarina 1 sax2 1 Instrument Program Bank Group # # Synth Lead 81 0 1 2 3 4 5 6 8 127 82 0 1 2 3 4 5 6 7 8 16 127 83 0 2 127 84 0 127 85 0 8 127 86 0 127 87 0 1 127 88 0 1 2 127 Synth Pad 89 0 1 127 90 0 1 2 3 4 127 91 0 1 127 92 0 1 127 93 0 127 94 0 1 2 127 95 0 127 96 0 1 8 9 10 127 EleVoice Name ment SquareLd 2 SquarLd2 1 Hollow 1 Mellow 2 SoloSine 2 Shroud 2 LMSquare 2 SineLead 1 sax3 1 Saw Ld 2 Saw Ld 2 1 PulseSaw 2 ThickSaw 2 Big Lead 2 VeloLead 2 HeavySyn 2 Dyna Saw 1 Dr.Lead 2 WaspySyn 2 sax4 1 CaliopLd 2 PureLead 2 clarint1 1 Chiff Ld 2 clarint2 1 CharanLd 2 DistLead 2 oboe 1 Voice Ld 2 eng.horn 1 Fifth Ld 2 Big Five 2 bassoon 1 Bass &Ld 2 Big&Low 2 Fat&Prky 2 harmnica 1 NewAgePd 2 Fantasy 2 trumpet1 1 Warm Pad 2 ThickPad 2 Horn Pad 2 RotarStr 2 Soft Pad 2 trumpet2 1 PolySyPd 2 PolyPd80 2 trmbone1 2 ChoirPad 2 Heaven 2 trmbone2 2 BowedPad 2 fr.horn1 1 MetalPad 2 Tine Pad 2 Pan Pad 2 fr.horn2 2 Halo Pad 2 tuba 2 SweepPad 2 PolarPad 2 Converge 2 Shwimmer 2 Celstial 2 brssect1 1 Instrument Program Bank Group # # Synth 97 0 Effects 1 2 8 127 98 0 1 2 127 99 0 1 2 3 4 5 6 7 8 9 16 17 18 19 127 100 0 1 2 3 4 5 6 127 101 0 127 102 0 1 2 127 103 0 1 2 3 4 6 127 104 0 1 127 Ethnic 105 0 1 2 8 16 127 106 0 1 8 16 24 127 107 0 127 108 0 8 16 127 109 0 127 110 0 127 111 0 127 112 0 1 8 16 127 EleVoice Name ment Rain 2 HrmoRain 2 AfrcnWnd 2 ClaviPad 2 brssect2 2 SoundTrk 2 Ancestrl 2 Prologue 2 vibe1 1 Crystal 2 SynMalet 1 SftCryst 2 RndGlock 2 LoudGlok 2 GlockChi 2 ClearBel 2 ChrstBel 2 VibeBell 2 DigiBell 2 ChorBell 2 AirBells 2 BellHarp 2 Gamelmba 2 vibe2 1 Atmosphr 2 WarmAtms 2 NylnHarp 2 Harp Vox 2 HollwRls 2 Nylon EP 2 AtmosPad 2 symallet 1 Bright 2 maletwin 2 Goblins 2 GobSynth 2 Creeper 2 glocken 2 Echoes 2 EchoBell 2 Echo Pan 2 Echoes 2 2 Big Pan 2 SynPiano 2 tubulbel 1 Sci-Fi 2 Starz 2 xylophen 1 Sitar 1 Sitar 2 2 DetSitar 2 Tambra 2 Tamboura 2 marimba 2 Banjo 1 MuteBnjo 1 Rabab 2 Gopichnt 2 Oud 2 koto 1 Shamisen 1 sho 2 Koto 1 Taisho-k 2 Kanoon 2 shakhchi 2 Kalimba 1 whistle1 2 Bagpipe 2 whistle2 1 Fiddle 1 bottle 2 Shanai 1 Shanai 2 1 Pungi 1 Hichriki 2 breath 2 Instrument Program Bank Group # # Percussive 113 0 8 9 10 11 16 127 114 0 127 115 0 127 116 0 8 127 117 0 8 127 118 0 1 8 9 127 119 0 8 9 127 120 0 127 Sound 121 0 Effects 1 2 3 127 122 0 1 127 123 0 1 2 3 4 5 127 124 0 1 2 3 127 125 0 1 2 3 4 5 7 127 126 0 1 2 3 4 5 6 7 8 9 16 127 127 0 1 2 3 4 5 127 128 0 1 2 3 127 EleVoice Name ment TnklBell 2 Bonang 2 Altair 2 Gamelan 2 S.Gamlan 2 Rama Cym 2 timpani 1 Agogo 2 melotom 1 SteelDrm 2 deepsnar 1 Woodblok 1 Castanet 1 e.perc1 1 TaikoDrm 1 Gr.Cassa 1 e.perc2 1 MelodTom 2 Real Tom 2 Mel Tom2 1 Rock Tom 2 taiko 1 Syn Drum 1 Ana Tom 1 ElecPerc 2 taikorim 1 RevCymbl 1 cymbal 2 FretNoiz 2 CuttngNz 1 Str Slap 1 CttngNz2 2 castanet 1 BrthNoiz 2 Fl.KClik 1 triangle 1 Seashore 2 Shower 2 Thunder 1 Wind 1 Stream 2 Bubble 2 orchehit 1 Tweet 2 Dog 1 Horse 1 Tweet 2 1 telphone 1 Telphone 1 PhonCall 1 DoorSqek 1 DoorSlam 1 ScratchC 1 WindChim 1 ScratchS 2 bird 1 Helicptr 1 CarEIgnt 1 CarTSqel 1 Car Pass 1 CarCrash 1 Siren 2 Train 1 Jetplane 2 Starship 2 Burst 2 Coaster 2 jam 1 Applause 1 Laugh 1 Scream 1 Punch 1 Heart 1 FootStep 1 efctwatr 2 Gunshot 1 MchinGun 1 LaserGun 2 Xplosion 2 efctjngl 2 79 80 1 C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 2 2 2 2 2 2 2 2 1 1 1 1 1 1 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 127 O O O 1 1 1 4 4 3 3 SplashCymbal Tambourine Ride Cym Cup Chinese Cym RideCymbal 1 High Tom CrashCymbal1 Mid Tom H Mid Tom L Hi-Hat Open Low Tom Hi-Hat Pedal Floor Tom H Hi-HatClosed Floor Tom L Snare Tight Hand Clap Snare Side Stick Kick Kick Tight OpenRimShot Kick Soft Sticks Snare Soft Castanet Snare Roll BrushTapSwrl Brush Slap Brush Swirl Brush Tap Seq Click H Seq Click L Mtrnm Bell Mtrnm Click Click Noise Finger Snap Scratch L Scratch H Whip Slap Hi Q Surdo Open Surdo Mute Key Alternate off assign StandKit Program # Note# Note Bank MSB# SnareTight H Snare Short Kick Short KickTghtShrt RimShotHShrt Snare Soft 2 Snare Roll 2 StndKit2 2 127 9 127 Tom Room 6 Tom Room 5 Tom Room 4 Tom Room 3 Tom Room 2 Tom Room 1 SnrTightSnpy Snare Snappy Room Kit Bank Select MSB=Bank Number, LSB=000 Tom Rock 6 Tom Rock 5 Tom Rock 4 Tom Rock 3 Tom Rock 2 Tom Rock 1 Snare Rock Rim Snare Rock Kick Gate Kick 2 Kick Tight 2 Snare Noisy Rock Kit 17 127 TomElectro 6 TomElectro 5 TomElectro 4 TomElectro 3 TomElectro 2 TomElectro 1 SnareNoisy 3 SnareNoisy 2 KckGateHeavy Kick Gate Kick 3 SnrSnpyElctr Hi Q 2 ReversCymbal ElctrKit 25 127 Tom Analog 6 Crash Analog Tom Analog 5 Tom Analog 4 HatOpen Anlg Tom Analog 3 HatCloseAn 2 Tom Analog 2 HatCloseAnlg Tom Analog 1 SnareAnalog2 SnareAnalog SideStickAn Kick Analog KickAnlgShrt Kick Tight 2 SnareNoisy 4 Hi Q 2 ReversCymbal AnalgKit 26 127 Tom Jazz 6 Tom Jazz 5 Tom Jazz 4 Tom Jazz 3 Tom Jazz 2 Tom Jazz 1 Kick Jazz Jazz Kit 33 127 Tom Brush 6 Tom Brush 5 Tom Brush 4 Tom Brush 3 Tom Brush 2 Tom Brush 1 Brush Tap 2 Brush Slap 3 Kick Small Brush Slap 2 BrushKit 41 127 HandCymShort Tom Jazz 6 Hand Cymbal Tom Jazz 5 Tom Jazz 4 Tom Jazz 3 Tom Jazz 2 Tom Jazz 1 Band Snare 2 Band Snare GranCassa Mu Gran Cassa Kick Soft 2 SymphKit 49 127 Fl.Key Click String Slap CuttingNoiz CuttingNoiz SFXKit 1 1 126 Car Crash Car Passing CarTireSqeal CarEngnIgnit Telephone 2 Wind Chime Scratch H 3 Scratch Cut Door Slam Door Squeak Phone Call SFXKit 2 2 126 XG Drum Voice List (Drum Map) A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4 4 4 4 4 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 Bell Tree Jingle Bells Shaker TriangleOpen TriangleMute Cuica Open Cuica Mute Wood Block L Wood Block H Claves Guiro Long Guiro Short SambaWhistlL SambaWhistlH Maracas Cabasa Agogo L Agogo H Timbale L Timbale H Conga L Conga H Open Conga H Mute Bongo L Bongo H RideCymbal 2 Vibraslap : Same as StandKit : No Sound O O O y CrashCymbal2 Cowbell * Drum and percussion sounds assigned to the same Alternate Assign numbered group cannot be sounded simultaneously. For example, the Hi-Hat Open sound (group 1) and Hi-Hat Closed sound (also group 1) cannot be sounded at the same time. G# 56 Scratch L 2 Scratch H 2 Scratch L 2 Scratch H 2 Claves 2 Maracas 2 Conga Anlg L Conga Anlg M Conga Anlg H Cowbell Anlg HandCym2Shrt HandCymbal 2 Thunder Shower Maou Gorst Bird Tweet 2 Horse Dog Feed Bubble Stream Wind FireWork Explosion Laser Gun Machine Gun Footsteps Heartbeat Punch Scream Laugh Submarine Coaster Burst Starship Jet Plane Train Siren X G D r u m Vo i c e L i s t ( D r u m M a p ) 81 82 F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 B C C# D D# E F F# G G# A A# 59 60 61 62 63 64 65 66 67 68 69 70 A E 28 A# D# 27 57 D 26 58 C# 25 Note# Note Program # 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 1 1 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 0 1 1 1 7 7 Alternate assign Maracas Cabasa Agogo L Agogo H Timbale L Timbale H Conga L Conga H Open Conga H Mute Bongo L Bongo H RideCymbal 2 Vibraslap CrashCymbal2 Cowbell SplashCymbal Tambourine Ride Cym Cup Chinese Cym RideCymbal 1 High Tom CrashCymbal1 Mid Tom H Mid Tom L Hi-Hat Open Low Tom Hi-Hat Pedal Floor Tom H Hi-HatClosed Floor Tom L Snare Tight Hand Clap Snare Side Stick Kick Kick Tight MtrnmBell TG MtrnmClickTG ClickNoiseTG Sticks TG Scratch L TG Scratch H TG Whip Slap TG Hi Q TG FingerSnapTG Standard Kit SnareRoll TG 1 Tom Room 6 Tom Room 5 Tom Room 4 Tom Room 3 Tom Room 2 Tom Room 1 Room Kit 9 Tom Room 6 Tom Room 5 Tom Room 4 Tom Room 3 Tom Room 2 Tom Room 1 Snare Power Kick Power Power Kit 17 ReversCym TG TomElectro 6 TomElectro 5 TomElectro 4 TomElectro 3 TomElectro 2 TomElectro 1 SnarePower 2 Snare El TG Kick El TG Electro Kit 25 Maracas 2 Conga Anlg L Conga Anlg M Conga Anlg H Cowbell Anlg Tom Analog 6 Crash Analog Tom Analog 5 Tom Analog 4 HatOpen Anlg Tom Analog 3 HatCloseAn 2 Tom Analog 2 HatCloseAnlg Tom Analog 1 SnareAnalog SideStickAn Kick Analog Analog Kit 26 Tom Jazz 6 Tom Jazz 5 Tom Jazz 4 Tom Jazz 3 Tom Jazz 2 Tom Jazz 1 Kick Jazz Jazz Kit 33 BandSnare TG Tom Jazz 6 Tom Jazz 5 Tom Jazz 4 Tom Jazz 3 Tom Jazz 2 HandCym L TG HandCym H TG Timpani F' Timpani E Timpani D# Timpani D Timpani C# Timpani C Timpani B Timpani A# Timpani A Timpani G# Timpani G Timpani F# Timpani F CastanetTG 2 BrushSwirlTG Tom Jazz 1 BandSnare TG BrushSlap TG GranCassa Or Kick Orch RideCym1Orch HatOpen Orch HatPedalOrch HatCloseOrch Orchestra Kit 49 Brush Tap TG Kick Small Brush Kit 41 Helicopter Jet Plane Train Siren Crash Exhaust Squeal Ignition Wind Chime Scratch Cut Door Slam Door Squeak Applause Footsteps 2 Footsteps 1 Heartbeat Punch Scream Laugh Fl.Key Click String Slap CuttingNoizL CuttingNoizH Fret Noise MtrnmBell TG MtrnmClickTG ClickNoiseTG Sticks TG Scratch L TG Scratch H TG Whip Slap TG Hi Q TG SFX Set 57 Hat Open CM HatOpShrt CM Snare El CM C/M Kit 128 TG300B Drum Voice List (Drum Map) C C# D D# E F F# G G# A A# B C C# D D# E F F# G# G# A A# B C C# D D# E F F# G G# A A# B C 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 92 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 3 7 6 6 6 6 6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4 4 4 4 4 6 6 5 5 4 4 3 3 2 2 : Same as Standard Kit : No Sound SurdoOpen TG SurdoMute TG Castanet TG Bell Tree Jingle Bells Shaker TriangleOpTG TriangleMuTG CuicaOpen TG CuicaMute TG WoodBlockLTG WoodBlockHTG Claves GuiroLong TG GuiroShortTG SmbaWhstlLTG SmbaWhstlHTG * Some of the C/M Kit instruments in common with the Standard Kit differ from those of the Standard Kit in effect send level or pan settings etc., even though the instrument itself is the same. B 71 Claves 2 Applause Bubble Stream Seashore Wind Thunder Shower Bird Tweet Horse Dog Explosion Laser Gun Machine Gun Gunshot Starship Bubble Stream Seashore Wind Thunder Shower Bird Tweet Horse Dog Explosion Laser Gun Machine Gun Gunshot Starship Helicopter Jet Plane Train Siren Crash Exhaust Squeal Ignition Wind Chime Scratch Cut Door Slam Door Squeak Applause Footsteps 2 Footsteps 1 Heartbeat Punch Scream Laugh Vibraslap CM T G 3 0 0 B D r u m Vo i c e L i s t ( D r u m M a p ) 83 Effect Type List REVERB Exclusive MSB LSB 00 00 01 00 01 01 02 00 02 01 02 02 03 00 03 01 04 00 10 00 11 00 13 00 Description Effect Type NoEffect Hall1 Hall2 Room1 Room2 Room3 Stage1 Stage2 Plate W-Room Tunnel Basement Effect turned off. Reverb simulating the resonance of a hall. Reverb simulating the resonance of a hall. Reverb simulating the resonance of a room. Reverb simulating the resonance of a room. Reverb simulating the resonance of a room. Reverb appropriate for a solo instrument. Reverb appropriate for a solo instrument. Reverb simulating a metal plate reverb unit. A unique short reverb with a bit of initial delay. Simulation of a tunnel space expanding to left and right. A bit of initial delay followed by reverb with a unique resonance. CHORUS Exclusive MSB LSB 00 00 41 00 41 01 41 02 41 08 42 00 42 01 42 02 42 08 43 00 43 01 43 08 Description Effect Type NoEffect Chorus1 Chorus2 Chorus3 Chorus4 Celeste1 Celeste2 Celeste3 Celeste4 Flanger1 Flanger2 Flanger3 Effect turned off. Conventional chorus program that adds natural spaciousness. Conventional chorus program that adds natural spaciousness. Conventional chorus program that adds natural spaciousness. Chorus with stereo input. The pan setting specified for the Part will also apply to the effect sound. A 3-phase LFO adds modulation and spaciousness to the sound. A 3-phase LFO adds modulation and spaciousness to the sound. A 3-phase LFO adds modulation and spaciousness to the sound. Celeste with stereo input. The pan setting specified for the Part will also apply to the effect sound. Adds a jet-airplane effect to the sound. Adds a jet-airplane effect to the sound. Adds a jet-airplane effect to the sound. VARIATION Exclusive MSB LSB 00 00 01 00 01 01 02 00 02 01 02 02 03 00 03 01 04 00 05 00 06 00 07 00 08 00 09 00 09 01 0A 00 0B 00 14 00 14 01 14 02 41 00 41 01 41 02 41 08 42 00 42 01 42 02 42 08 43 00 43 01 43 08 44 00 45 00 46 00 47 00 48 00 48 08 49 00 4A 00 4B 00 4C 00 4D 00 4E 00 50 00 40 00 84 Effect Type NoEffect Hall1 Hall2 Room1 Room2 Room3 Stage1 Stage2 Plate DelayLCR DelayLR Echo CrsDelay E-Ref1 E-Ref2 GateRev RvsGate Karaoke1 Karaoke2 Karaoke3 Chorus1 Chorus2 Chorus3 Chorus4 Celeste1 Celeste2 Celeste3 Celeste4 Flanger1 Flanger2 Flanger3 Symphnic RotarySp Tremolo AutoPan Phaser1 Phaser2 Dist OverDrv AmpSim 3BandEQ 2BandEQ AutoWah PitchCng Thru Description Effect turned off. Reverb simulating the resonance of a hall. Reverb simulating the resonance of a hall. Reverb simulating the resonance of a room. Reverb simulating the resonance of a room. Reverb simulating the resonance of a room. Reverb appropriate for a solo instrument. Reverb appropriate for a solo instrument. Reverb simulating a metal plate reverb unit. A program that creates three delay sounds; L, R, and C (center). A program that creates two delay sounds; L and R. Two feedback delays are provided. Two delays (L and R) and independent feedback delays for L and R. A program that crosses the feedback of two delays. An effect that produces only the early reflection component of reverb. An effect that produces only the early reflection component of reverb. A simulation of gated reverb. A program that simulates gated reverb played backwards. A delay with feedback of the same types as used for karaoke reverb. A delay with feedback of the same types as used for karaoke reverb. A delay with feedback of the same types as used for karaoke reverb. Conventional chorus program that adds natural spaciousness. Conventional chorus program that adds natural spaciousness. Conventional chorus program that adds natural spaciousness. Chorus with stereo input. A 3-phase LFO adds modulation and spaciousness to the sound. A 3-phase LFO adds modulation and spaciousness to the sound. A 3-phase LFO adds modulation and spaciousness to the sound. Celeste with stereo input. Adds a jet-airplane effect to the sound. Adds a jet-airplane effect to the sound. Adds a jet-airplane effect to the sound. A multi-phase version of Celeste. A simulation of a rotary speaker. You can use AC1 (assignable controller) etc. to control the speed of rotation. An effect that cyclically modulates the volume. A program that cyclically moves that sound image to left and right, front and back. Cyclically changes the phase to add modulation to the sound. Phaser with stereo input. Adds a sharp-edged distortion to the sound. Adds mild distortion to the sound. A simulation of a guitar amp. A mono EQ with adjustable LOW, MID, and HIGH equalizing. A stereo EQ with adjustable LOW and HIGH. Ideal for drum Parts. Cyclically modulates the center frequency of a wah filter. With an AC1 etc. this can function as a pedal wah. This program changes the pitch of the input signal. Bypass without applying an effect. * MSB, LSB is represented in hexadecimal. * LSB = 0 is the basic effect type. Effect Parameter List • Parameters marked with a ● in the “Control” column can be controlled from an AC1 (assignable controller 1) and AC2. However, this is valid only for a Variation effect (when selected for Insertion). • The “→Tbl ”column refers to the Effect Data Assigh Table (page 90). • Dry/Wet is valid only for a Variation effect (when selected for Insertion). • Abbreviations used in the effect block diagrams. LPF=Low Pass Filter HPF=High Pass Filter LSF=Low Shelving Filter HSF=High Shelving Filter PDF=Peak Dip Filter ER=Early Reflection DelayLCR Hall1,2, Room1,2,3, Stage1,2, Plate Range Value → Tbl Reverb Time Diffusion Initial Delay HPF Cutoff LPF Cutoff 0.3~30.0s 0~10 0~63 Thru~8.0kHz 1.0k~Thru 0-69 0-10 0-63 0-52 34-60 table#4 Dry/Wet Rev Delay Density Er/ Rev Balance D63>W ~ D=W ~ D<W63 0~63 0~3 E63> R~ E=R ~ E<R63 1-127 0-63 0-3 1-127 Feedback Level -63~+63 1-127 No. * Parameter 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Control table#5 table#3 table#3 ● table#5 No. * Parameter 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Value 0.1~715.0ms 0.1~715.0ms 0.1~715.0ms 0.1~715.0ms -63~+63 0~127 0.1~1.0 1-7150 1-7150 1-7150 1-7150 1-127 0-127 1-10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB 8-40 52-76 28-58 52-76 W-Room, Tunnel, Basement No. * Parameter 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 L Range Value Reverb Time Diffusion Initial Delay HPF Cutoff LPF Cutoff Width Height Depth Wall Vary 0.3~30.0s 0~10 0~63 Thru~8.0kHz 1.0k~Thru 0.5~10.2m 0.5~20.2m 0.5~30.2m 0~30 0-69 0-10 0-63 0-52 34-60 0-37 0-73 0-104 0-30 Rev Delay Density Er/ Rev Balance 0~63 0~3 E63> R~ E=R ~ E<R63 0-63 0-3 1-127 Feedback Level -63~+63 1-127 → Tbl table#4 DELAY/ER table#3 L DELAY L LPF C R R table#5 LSF HSF dry (R) R DelayLR No. * Parameter L + LPF ● table#3 dry (L) HSF + Reverb Block HPF LSF Control Control table#5 table#3 table#3 table#8 table#8 table#8 L + → Tbl Range Lch Delay Rch Delay Cch Delay Feedback Delay Feedback Level Cch Level High Damp REV + R R 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 → Tbl Range Value Lch Delay Rch Delay Feedback Delay 1 Feedback Delay 2 Feedback Level High Damp 0.1~715.0ms 0.1~715.0ms 0.1~715.0ms 0.1~715.0ms -63~+63 0.1~1.0 1-7150 1-7150 1-7150 1-7150 1-127 1-10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB 8-40 52-76 28-58 52-76 Control ● table#3 table#3 Variation Block dry (L) L + L L LSF dry (L) HSF + + HPF LPF DELAY/ER REV L LPF LPF + R L DELAY dry (R) R R LSF HSF R dry (R) R 85 Effect Parameter List Echo E-Ref1,2 No. * Parameter 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Lch Delay1 Lch Feedback Level Rch Delay1 Rch Feedback Level High Damp Lch Delay2 Rch Delay2 Delay2 Level Range Value 0.1~355.0ms -63~+63 0.1~355.0ms -63~+63 0.1~1.0 0.1~355.0ms 0.1~355.0ms 0~127 1-3550 1-127 1-3550 1-127 1-10 1-3550 1-3550 0-127 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB 8-40 52-76 28-58 52-76 L LSF → Tbl Control ● table#3 table#3 dry (L) HSF + + LSF 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 L->R Delay R->L Delay Feedback Level Input Select High Damp 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 DELAY HSF R dry (R) Range Value 0.1~355.0ms 0.1~355.0ms -63~+63 L,R,L&R 0.1~1.0 1-3550 1-3550 1-127 0-2 1-10 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB 8-40 52-76 28-58 52-76 L LSF dry (L) HSF + → Tbl R LSF HSF Value S-H, L-H, Rdm, Rvs, Plt, Spr 0.1~7.0 0~10 0~63 -63~+63 Thru~8.0kHz 1.0k~Thru 0-5 0-44 0-10 0-63 1-127 0-52 34-60 Dry/Wet Liveness Density High Damp D63>W ~ D=W ~ D<W63 0~10 0~3 0.1~1.0 1-127 0-10 0-3 1-10 Range Value Type Room Size Diffusion Initial Delay Feedback Level HPF Cutoff LPF Cutoff TypeA,TypeB 0.1~7.0 0~10 0~63 -63~+63 Thru~8.0kHz 1.0k~Thru 0-1 0-44 0-10 0-63 1-127 0-52 34-60 Dry/Wet Liveness Density High Damp D63>W ~ D=W ~ D<W63 0~10 0~3 0.1~1.0 1-127 0-10 0-3 1-10 + HPF table#5 table#3 table#3 ● → Tbl Control table#6 table#5 table#3 table#3 ● R ● L ER LPF dry (R) R table#3 table#3 Karaoke1,2,3 L DELAY R Range Value → Tbl Delay Time Feedback Level HPF Cutoff LPF Cutoff 0~127 -63~+63 Thru~8.0kHz 1.0k~Thru 0-127 1-127 0-52 34-60 table#7 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 No. * Parameter 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 + R HPF LPF Control table#3 table#3 ● dry (L) L 86 Control table#6 dry (L) L DELAY dry (R) → Tbl Control LPF LPF + Range Type Room Size Diffusion Initial Delay Feedback Level HPF Cutoff LPF Cutoff No. * Parameter CrsDelay No. * Parameter 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 GateRev, RvsGate L DELAY LPF LPF R No. * Parameter L KARAOKE dry (R) R Effect Parameter List Chorus1,2,3,4, Celeste1,2,3,4 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Flanger1,2,3 Range Value → Tbl LFO Frequency LFO PM Depth Feedback Level Delay Offset 0.00~39.7Hz 0~127 -63~+63 0~127 0-127 0-127 1-127 0-127 table#1 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W ~ D=W ~ D<W63 8-40 52-76 28-58 52-76 1-127 Input Mode mono/stereo 0-1 No. * Parameter Control table#2 table#3 table#3 ● 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 LSF Value → Tbl 0.00~39.7Hz 0~127 -63~+63 0~63 0-127 0-127 1-127 0-63 table#1 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W ~ D=W ~ D<W63 8-40 52-76 28-58 52-76 1-127 table#3 4-124 resolution=3deg. LFO Phase Difference -180~+180deg L LSF LSF LSF LSF HSF HSF R R Variation Block L LSF dry (L) HSF L HSF FLANGER CHORUS LSF L FLANGER CHORUS R ● FLANGER CHORUS Chorus Block : when input mode=“stereo” L table#3 FLANGER R R table#2 L HSF L HSF + Control Chorus Block Chorus Block : when input mode=“mono” L Range LFO Frequency LFO Depth Feedback Level Delay Offset No. * Parameter R HSF LSF HSF dry (R) R R Variation Block : when input mode=“mono” L LSF dry (L) HSF + R LSF Symphnic L CHORUS HSF dry (R) R Variation Block : when input mode=“stereo” L LSF dry (L) HSF L Range Value → Tbl LFO Frequency LFO Depth Delay Offset 0.00~39.7Hz 0~127 0~127 0-127 0-127 0-127 table#1 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W ~ D=W ~ D<W63 8-40 52-76 28-58 52-76 1-127 No. * Parameter 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Control table#2 table#3 table#3 ● CHORUS CHORUS L R LSF HSF dry (R) LSF dry (L) HSF L R + R LSF HSF SYMPHONIC dry (R) R 87 Effect Parameter List RotarySp AutoPan Range Value → Tbl Control LFO Frequency LFO Depth 0.00~39.7Hz 0~127 0-127 0-127 table#1 ● EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W ~ D=W ~ D<W63 8-40 52-76 28-58 52-76 1-127 table#3 No. * Parameter 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 L LSF dry (L) HSF + LSF R table#3 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 L Value → Tbl Control 0.00~39.7Hz 0~127 0~127 L<->R,L->R,L<-R,Lturn,Rturn,L/R 0-127 0-127 0-127 0-5 table#1 ● EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB 8-40 52-76 28-58 52-76 table#3 L HSF dry (R) R → Tbl Control LFO Frequency AM Depth PM Depth 0.00~39.7Hz 0~127 0~127 0-127 0-127 0-127 table#1 ● EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB 8-40 52-76 28-58 52-76 table#3 LFO Phase Difference -180~+180deg Input Mode mono/stereo HSF LSF 4-124 0-1 table#3 resolution=3deg. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Range Value → Tbl 0.00~39.7Hz 0~127 0~127 -63~+63 0-127 0-127 0-127 1-127 table#1 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Stage 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W ~ D=W ~ D<W63 6~10(phaser1) / 3~5(phaser2) 8-40 52-76 28-58 52-76 1-127 3-10 table#3 4-124 Phaser2 only LFO Phase Difference -180~+180deg. LSF L HSF HSF + R R L L LSF 88 L dry (R) R (Phaser2) LSF dry (L) HSF L PHASER TOREMOLO HSF ● PHASER HSF TOREMOLO LSF dry (L) HSF TREMOLO When input mode=“stereo” LSF LSF PHASER R R LSF HSF dry (R) Control table#3 Variation Block (Phaser1) L HSF + R R LFO Frequency LFO Depth Phase Shift Offset Feedback Level No. * Parameter When input mode=“mono” L AUTO PAN Phaser1,2 Value R LSF R table#3 L HSF + Range No. * Parameter L LSF ROTARY SP. Tremolo 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Range LFO Frequency L/R Depth F/R Depth PAN Direction No. * Parameter R Effect Parameter List Dist, OverDrv 2BandEQ No. * Parameter 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 → Tbl Range Value Drive EQ Low Frequency EQ Low Gain LPF Cutoff Output Level 0~127 50Hz~2.0kHz -12~+12dB 1.0k~Thru 0~127 0-127 8-40 52-76 34-60 0-127 EQ Mid Frequency EQ Mid Gain EQ Mid Width Dry/Wet Edge(Clip Curve) 500Hz~10.0kHz -12~+12dB 1.0~12.0 D63>W ~ D=W ~ D<W63 0~127 28-54 52-76 10-120 1-127 0-127 mild~sharp Range Value → Tbl 0~127 Off,Stack,Combo,Tube 1.0k~Thru 0~127 0-127 0-3 34-60 0-127 Control ● table#3 table#3 table#3 No. * Parameter 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain AmpSim No. * Parameter 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Drive AMP Type LPF Cutoff Output Level Dry/Wet Edge(Clip Curve) D63>W ~ D=W ~ D<W63 0~127 1-127 0-127 Range Value → Tbl 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB 8-40 52-76 28-58 52-76 table#3 L LSF HSF L R LSF HSF R Control table#3 Control ● table#3 mild~sharp AutoWah Range Value → Tbl LFO Frequency LFO Depth Cutoff Frequency Offset Resonance 0.00~39.7Hz 0~127 0~127 1.0~12.0 0-127 0-127 0-127 10-120 table#1 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W ~ D=W ~ D<W63 8-40 52-76 28-58 52-76 1-127 table#3 No. * Parameter dry (L) L + 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 L DISTORTION R dry (R) R L LSF dry (L) HSF Control ● table#3 L AUTO WAH 3BandEQ No. * Parameter 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 EQ Low Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width EQ High Gain EQ Low Frequency EQ High Frequency Range Value -12~+12dB 500Hz~10.0kHz -12~+12dB 1.0~12.0 -12~+12dB 50Hz~2.0kHz 500Hz~16.0kHz 52-76 28-54 52-76 10-120 52-76 8-40 28-58 → Tbl AUTO WAH Control R table#3 LSF HSF dry (R) R table#3 table#3 PitchCng Range Value → Tbl Pitch Initial Delay Fine -24~+24 0~127 -50~+50 40-88 0-127 14-114 table#7 Dry/Wet D63>W ~ D=W ~ D<W63 1-127 No. * Parameter L L + LSF R PDF HSF R 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 dry (L) L + R Control ● L PITCH CHANGE dry (R) R 89 Effect Data Assign Table Table#1 Data 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 Value Data 0.00 43 0.04 44 0.08 45 0.13 46 0.17 47 0.21 48 0.25 49 0.29 50 0.34 51 0.38 52 0.42 53 0.46 54 0.51 55 0.55 56 0.59 57 0.63 58 0.67 59 0.72 60 0.76 61 0.80 62 0.84 63 0.88 64 0.93 65 0.97 66 1.01 67 1.05 68 1.09 69 1.14 70 1.18 71 1.22 72 1.26 73 1.30 74 1.35 75 1.39 76 1.43 77 1.47 78 1.51 79 1.56 80 1.60 81 1.64 82 1.68 83 1.72 84 1.77 85 Modulation Delay Offset (ms) Value Data 1.81 86 1.85 87 1.89 88 1.94 89 1.98 90 2.02 91 2.06 92 2.10 93 2.15 94 2.19 95 2.23 96 2.27 97 2.31 98 2.36 99 2.40 100 2.44 101 2.48 102 2.52 103 2.57 104 2.61 105 2.65 106 2.69 107 2.78 108 2.86 109 2.94 110 3.03 111 3.11 112 3.20 113 3.28 114 3.37 115 3.45 116 3.53 117 3.62 118 3.70 119 3.87 120 4.04 121 4.21 122 4.37 123 4.54 124 4.71 125 4.88 126 5.05 127 5.22 Value 5.38 5.55 5.72 6.06 6.39 6.73 7.07 7.40 7.74 8.08 8.41 8.75 9.08 9.42 9.76 10.10 10.80 11.40 12.10 12.80 13.50 14.10 14.80 15.50 16.20 16.80 17.50 18.20 19.50 20.90 22.20 23.60 24.90 26.20 27.60 28.90 30.30 31.60 33.00 34.30 37.00 39.70 Value Data 67.8 86 69.4 87 70.9 88 72.5 89 74.1 90 75.7 91 77.2 92 78.8 93 80.4 94 81.9 95 83.5 96 85.1 97 86.7 98 88.2 99 89.8 100 91.4 101 93.0 102 94.5 103 96.1 104 97.7 105 99.3 106 100.8 107 102.4 108 104.0 109 105.6 110 107.1 111 108.7 112 110.3 113 111.9 114 113.4 115 115.0 116 116.6 117 118.2 118 119.7 119 121.3 120 122.9 121 124.4 122 126.0 123 127.6 124 129.2 125 130.7 126 132.3 127 133.9 Value 135.5 137.0 138.6 140.2 141.8 143.3 144.9 146.5 148.1 149.6 151.2 152.8 154.4 155.9 157.5 159.1 160.6 162.2 163.8 165.4 166.9 168.5 170.1 171.7 173.2 174.8 176.4 178.0 179.5 181.1 182.7 184.3 185.8 187.4 189.0 190.6 192.1 193.7 195.3 196.9 198.4 200.0 90 Value Data 0.0 43 0.1 44 0.2 45 0.3 46 0.4 47 0.5 48 0.6 49 0.7 50 0.8 51 0.9 52 1.0 53 1.1 54 1.2 55 1.3 56 1.4 57 1.5 58 1.6 59 1.7 60 1.8 61 1.9 62 2.0 63 2.1 64 2.2 65 2.3 66 2.4 67 2.5 68 2.6 69 2.7 70 2.8 71 2.9 72 3.0 73 3.1 74 3.2 75 3.3 76 3.4 77 3.5 78 3.6 79 3.7 80 3.8 81 3.9 82 4.0 83 4.1 84 4.2 85 Room Size (m) Data Value Data Value 0 0.1 43 6.8 1 0.3 44 7.0 2 0.4 3 0.6 4 0.7 5 0.9 6 1.0 7 1.2 8 1.4 9 1.5 10 1.7 11 1.8 12 2.0 13 2.1 14 2.3 15 2.5 16 2.6 17 2.8 18 2.9 19 3.1 20 3.2 21 3.4 22 3.5 23 3.7 24 3.9 25 4.0 26 4.2 27 4.3 28 4.5 29 4.6 30 4.8 31 5.0 32 5.1 33 5.3 34 5.4 35 5.6 36 5.7 37 5.9 38 6.1 39 6.2 40 6.4 41 6.5 42 6.7 Reverb Time (s) EQ Frequency (Hz) Value Data 4.3 86 4.4 87 4.5 88 4.6 89 4.7 90 4.8 91 4.9 92 5.0 93 5.1 94 5.2 95 5.3 96 5.4 97 5.5 98 5.6 99 5.7 100 5.8 101 5.9 102 6.0 103 6.1 104 6.2 105 6.3 106 6.4 107 6.5 108 6.6 109 6.7 110 6.8 111 6.9 112 7.0 113 7.1 114 7.2 115 7.3 116 7.4 117 7.5 118 7.6 119 7.7 120 7.8 121 7.9 122 8.0 123 8.1 124 8.2 125 8.3 126 8.4 127 8.5 Table#6 Table#5 Delay Time (ms) Data Value Data 0 0.1 43 1 1.7 44 2 3.2 45 3 4.8 46 4 6.4 47 5 8.0 48 6 9.5 49 7 11.1 50 8 12.7 51 9 14.3 52 10 15.8 53 11 17.4 54 12 19.0 55 13 20.6 56 14 22.1 57 15 23.7 58 16 25.3 59 17 26.9 60 18 28.4 61 19 30.0 62 20 31.6 63 21 33.2 64 22 34.7 65 23 36.3 66 24 37.9 67 25 39.5 68 26 41.0 69 27 42.6 70 28 44.2 71 29 45.7 72 30 47.3 73 31 48.9 74 32 50.5 75 33 52.0 76 34 53.6 77 35 55.2 78 36 56.8 79 37 58.3 80 38 59.9 81 39 61.5 82 40 63.1 83 41 64.6 84 42 66.2 85 Data 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 Table#4 Table#3 Table#2 LFO Frequency (Hz) Value 8.6 8.7 8.8 8.9 9.0 9.1 9.2 9.3 9.4 9.5 9.6 9.7 9.8 9.9 10.0 11.1 12.2 13.3 14.4 15.5 17.1 18.6 20.2 21.8 23.3 24.9 26.5 28.0 29.6 31.2 32.8 34.3 35.9 37.5 39.0 40.6 42.2 43.7 45.3 46.9 48.4 50.0 Data 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 Value THRU(20) 22 25 28 32 36 40 45 50 56 63 70 80 90 100 110 125 140 160 180 200 225 250 280 315 355 400 450 500 560 630 700 800 900 1.0k 1.1k 1.2k 1.4k 1.6k 1.8k 2.0k 2.2k 2.5k Data Value 43 2.8k 44 3.2k 45 3.6k 46 4.0k 47 4.5k 48 5.0k 49 5.6k 50 6.3k 51 7.0k 52 8.0k 53 9.0k 54 10.0k 55 11.0k 56 12.0k 57 14.0k 58 16.0k 59 18.0k 60 THRU(20.0k) Table#7 Table#8 Delay Time (ms) Data 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 Value Data 0.1 43 3.2 44 6.4 45 9.5 46 12.7 47 15.8 48 19.0 49 22.1 50 25.3 51 28.4 52 31.6 53 34.7 54 37.9 55 41.0 56 44.2 57 47.3 58 50.5 59 53.6 60 56.8 61 59.9 62 63.1 63 66.2 64 69.4 65 72.5 66 75.7 67 78.8 68 82.0 69 85.1 70 88.3 71 91.4 72 94.6 73 97.7 74 100.9 75 104.0 76 107.2 77 110.3 78 113.5 79 116.6 80 119.8 81 122.9 82 126.1 83 129.2 84 132.4 85 Data Value Data Value 0 0.3 43 4.6 1 0.4 44 4.7 2 0.5 45 4.8 3 0.6 46 4.9 4 0.7 47 5.0 5 0.8 48 5.5 6 0.9 49 6.0 7 1.0 50 6.5 8 1.1 51 7.0 9 1.2 52 7.5 10 1.3 53 8.0 11 1.4 54 8.5 12 1.5 55 9.0 13 1.6 56 9.5 14 1.7 57 10.0 15 1.8 58 11.0 16 1.9 59 12.0 17 2.0 60 13.0 18 2.1 61 14.0 19 2.2 62 15.0 20 2.3 63 16.0 21 2.4 64 17.0 22 2.5 65 18.0 23 2.6 66 19.0 24 2.7 67 20.0 25 2.8 68 25.0 26 2.9 69 30.0 27 3.0 28 3.1 29 3.2 30 3.3 31 3.4 32 3.5 33 3.6 34 3.7 35 3.8 36 3.9 37 4.0 38 4.1 39 4.2 40 4.3 41 4.4 42 4.5 Reverb Width; Depth; Height (m) Value Data 135.5 86 138.6 87 141.8 88 144.9 89 148.1 90 151.2 91 154.4 92 157.5 93 160.7 94 163.8 95 167.0 96 170.1 97 173.3 98 176.4 99 179.6 100 182.7 101 185.9 102 189.0 103 192.2 104 195.3 105 198.5 106 201.6 107 204.8 108 207.9 109 211.1 110 214.2 111 217.4 112 220.5 113 223.7 114 226.8 115 230.0 116 233.1 117 236.3 118 239.4 119 242.6 120 245.7 121 248.9 122 252.0 123 255.2 124 258.3 125 261.5 126 264.6 127 267.7 Value 270.9 274.0 277.2 280.3 283.5 286.6 289.8 292.9 296.1 299.2 302.4 305.5 308.7 311.8 315.0 318.1 321.3 324.4 327.6 330.7 333.9 337.0 340.2 343.3 346.5 349.6 352.8 355.9 359.1 362.2 365.4 368.5 371.7 374.8 378.0 381.1 384.3 387.4 390.6 393.7 396.9 400.0 Data Value Data Value Data Value 0 0.5 43 11.8 86 24.2 1 0.8 44 12.1 87 24.5 2 1.0 45 12.3 88 24.9 3 1.3 46 12.6 89 25.2 4 1.5 47 12.9 90 25.5 5 1.8 48 13.1 91 25.8 6 2.0 49 13.4 92 26.1 7 2.3 50 13.7 93 26.5 8 2.6 51 14.0 94 26.8 9 2.8 52 14.2 95 27.1 10 3.1 53 14.5 96 27.5 11 3.3 54 14.8 97 27.8 12 3.6 55 15.1 98 28.1 13 3.9 56 15.4 99 28.5 14 4.1 57 15.6 100 28.8 15 4.4 58 15.9 101 29.2 16 4.6 59 16.2 102 29.5 17 4.9 60 16.5 103 29.9 18 5.2 61 16.8 104 30.2 19 5.4 62 17.1 20 5.7 63 17.3 21 5.9 64 17.6 22 6.2 65 17.9 23 6.5 66 18.2 24 6.7 67 18.5 25 7.0 68 18.8 26 7.2 69 19.1 27 7.5 70 19.4 28 7.8 71 19.7 29 8.0 72 20.0 30 8.3 73 20.2 31 8.6 74 20.5 32 8.8 75 20.8 33 9.1 76 21.1 34 9.4 77 21.4 35 9.6 78 21.7 36 9.9 79 22.0 37 10.2 80 22.4 38 10.4 81 22.7 39 10.7 82 23.0 40 11.0 83 23.3 41 11.2 84 23.6 42 11.5 85 23.9 MIDI Data Format modulation, brightness, portamento time, effect depth, and many others. Depending on the controllers available on your particular MIDI instrument and their Control Change number assignments, you can use key velocity, aftertouch (see below) foot controllers, pedals, sliders, performance wheels, and joysticks to control these aspects of the sound. ■ What is MIDI? MIDI stands for Musical Instrument Digital Interface, a sophisticated system that allows various electronic musical instruments and other devices to “communicate” with each other. This is done by sending and receiving MIDI messages over a MIDI cable. Since MIDI has such as a broad scope and so many different uses, it would be impossible to explain everything here. However, if you’re a MIDI “novice,” the brief explanations below will give you a good start in understanding this powerful and flexible technology. ● Pitch Bend These messages let you continuously raise or lower the pitch of the Voices as you play. They are usually controlled with a pitch bend wheel on a MIDI keyboard. ● Aftertouch ■ MIDI Messages This is a pressure sensing function that lets you control an assigned aspect of the sound by the strength with which you press the keys. The MU15 responds to both Channel (global) and Polyphonic (individual keys) Aftertouch. The MU15 is controlled by various types of MIDI messages. Using them in song data on a sequencer or from a MIDI keyboard, you can: • • • • • Determine the Sound Module mode Select MIDI channels, Voices and effects Play the Voices Edit the Parts and change parameter values Edit the effects ● System Exclusive These messages let you delve even deeper into the inner workings of the MU15, letting you control the master volume and tuning, Sound Module mode (XG or TG300B), Part parameters, effect types and parameters, and various other settings. One of the best and easiest ways to use System Exclusive messages is with Yamaha’s XGworks software. The included XG Editor window lets you view and edit all of the MU15 parameters from your computer. Special “Detail” buttons on the main window give you comprehensive control over the Parts, Drum Setups, and effects. The changes you make are instantaneous, and you can save all your custom settings for future recall as System Exclusive data, either directly to the current song or as a special XG Parameter file. ● Note On/Off (Key On/Off) These tell the MU15 which notes to play and how long they are to be played. Velocity values let you change the dynamics or level of the sound, depending on how strongly you play the keys. ● Program Change These messages determine which Voice is selected for each Part, and they can be inserted at any desired location in the song. Used with Bank Select messages, they let you access any of the 676 Voices of the MU15. ● Control Change These messages provide powerful, real-time control over various aspects of the sound — including volume, pan position, sustain, Decimal - Hexadecimal Conversion Chart Many MIDI messages listed in the MIDI Data Format section, are expressed in hexadecimal numbers. The chart at right lists the corresponding decimal number for each hexadecimal number. (Hexadecimal numbers may include the letter “H” as a suffix.) NOTE The XG Editor in XGworks has additional parameters (for other XG instruments) that are not available on the MU15. Dec Hex Dec Hex Dec Hex Dec Hex Dec Hex Dec Hex Dec Hex Dec Hex 0 00 01 02 03 16 17 18 10 11 12 32 20 21 40 41 42 43 44 45 80 81 82 83 84 85 86 87 50 51 52 53 54 96 60 61 62 63 64 65 66 67 112 113 70 71 72 13 14 15 16 17 18 19 1A 1B 1C 1D 1E 1F 30 31 32 33 34 35 36 37 38 39 3A 64 65 19 20 21 22 23 24 25 26 27 48 49 50 51 52 53 54 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 04 05 06 07 08 09 0A 0B 0C 0D 0E 0F 28 29 30 31 33 34 35 36 37 38 39 40 41 42 43 44 45 22 23 24 25 26 27 28 29 2A 2B 2C 2D 46 47 2E 2F 55 56 57 58 59 60 61 62 63 3B 3C 3D 3E 3F 66 67 68 69 70 71 72 73 74 75 76 77 78 79 46 47 48 49 4A 4B 4C 4D 4E 4F 88 89 90 91 92 93 94 95 55 56 57 58 59 5A 5B 5C 5D 5E 5F 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 68 69 6A 6B 6C 6D 6E 6F 114 115 116 117 118 119 120 121 122 123 124 125 126 127 73 74 75 76 77 78 79 7A 7B 7C 7D 7E 7F 91 MIDI Data Format < MIDI TRANSMIT/RECEIVE FLOW > (1)TRANSMIT FLOW MIDI OUT [SW1] <CHANNEL VOICE MESSAGE> NOTE ON/OFF <SYSTEM EXCLUSIVE MESSAGE> <XG PARAMETER CHANGE> XG SYSTEM MULTI EFFECT1 MULTI PART DRUMS SETUP <UNIVERSAL NON REALTIME MESSAGE> IDENTITY REPLY <XG BULK DUMP> XG SYSTEM SYSTEM INFORMATION MULTI EFFECT1 MULTI PART DRUMS SETUP 9nH F0H F0H F0H F0H 43H 43H 43H 43H 10H 10H 10H 10H 4CH 4CH 4CH 4CH ggH ggH ggH ggH mmH mmH mmH mmH llH llH llH llH ssH...F7H ssH...F7H ssH...F7H ssH...F7H F0H 7EH 00H 06H 02H 43H 00H 41H 51H 03H 00H 00H 00H 01H F7H F0H F0H F0H F0H F0H 43H 43H 43H 43H 43H 00H 00H 00H 00H 00H 4CH 4CH 4CH 4CH 4CH ssH ssH ssH ssH ssH ttH ttH ttH ttH ttH ggH ggH ggH ggH ggH mmH mmH mmH mmH mmH [SW1] MIDI Transmit Channel MIDI Transmit Channel is selected by Par t. (2)RECEIVE FLOW MIDI IN <CHANNEL VOICE MESSAGE> NOTE OFF NOTE ON/OFF CONTROL CHANGE BANK SEL MSB BANK SEL LSB MODULATION PORTAMENTO TIME DATA ENTRY MSB DATA ENTRY LSB MAIN VOLUME PANPOT EXPRESSION HOLD1 PORTAMENTO SOSTENUTO SOFT PEDAL HARMONIC CONTENT RELEASE TIME ATTACK TIME BRIGHTNESS PORTAMENTO CONTROL EFFECT1 DEPTH EFFECT3 DEPTH EFFECT4 DEPTH DATA INCREMENT DATA DECREMENT NRPN VIBRATO RATE VIBRATO DEPTH VIBRATO DELAY FILTER CUTOFF FREQ. FILTER RESONANCE AEG ATTACK TIME AEG DECAY TIME 92 8nH 9nH BnH,00H BnH 20H BnH 01H BnH 05H BnH 06H BnH 26H BnH 07H BnH 0AH BnH 0BH BnH 40H BnH 41H BnH 42H BnH 43H BnH 47H BnH 48H BnH 49H BnH 4AH BnH 54H BnH 5BH BnH 5DH BnH 5EH BnH 60H BnH 61H BnH BnH BnH BnH BnH BnH BnH 63H 63H 63H 63H 63H 63H 63H 01H 01H 01H 01H 01H 01H 01H 62H 62H 62H 62H 62H 62H 62H 08H 06H mmH 09H 06H mmH 0AH 06H mmH 20H 06H mmH 21H 06H mmH 63H 06H mmH 64H 06H mmH llH llH llH llH llH vvH kkH F7H vvH...kkH F7H vvH...kkH F7H vvH...kkH F7H vvH...kkH F7H MIDI Data Format AEG RELEASE TIME DRUM INST FILTER CUTOFF FREQ. FILTER RESONANCE AEG ATTACK RATE AEG DECAY RATE PITCH COARSE PITCH FINE LEVEL PANPOT CHORUS SEND VARIATION SEND BnH BnH BnH BnH BnH BnH BnH BnH BnH BnH BnH 63H 01H 62H 66H 06H mmH 63H 63H 63H 63H 63H 63H 63H 63H 63H 63H 14H 62H rrH 06H mmH 15H 62H rrH 06H mmH 16H 62H rrH 06H mmH 17H 62H rrH 06H mmH 18H 62H rrH 06H mmH 19H 62H rrH 06H mmH 1AH 62H rrH 06H mmH 1CH 62H rrH 06H mmH 1EH 62H rrH 06H mmH 1FH 62H rrH 06H mmH PITCH BEND SENS. FINE TUNING COARSE TUNING RPN RESET BnH BnH BnH BnH 64H 64H 64H 64H 00H 65H 00H 06H mmH 01H 65H 00H 06H mmH 26H llH 02H 65H 00H 06H mmH 7FH 65H 7FH RPN PROGRAM CHANGE CnH PITCH BEND CHANGE EnH CHANNEL AFTER TOUCH DnH POLYPHONIC AFTER TOUCH AnH <CHANNEL MODE MESSAGE> ALL SOUND OFF RESET ALL CONTROLLERS ALL NOTE OFF OMNI OFF OMNI ON MONO POLY <SYSTEM EXCLUSIVE MESSAGE> <UNIVERSAL REALTIME MESSAGE> MASTER VOLUME <UNIVERSAL NON REALTIME MESSAGE> GENERAL MIDI SYSTEM ON IDENTITY REQUEST <XG PARAMETER CHANGE> XG SYSTEM ON XG SYSTEM MULTI EFFECT1 DISPLAY MULTI PART DRUMS SETUP <OTHER PARAMETER CHANGE> MASTER TUNING <XG BULK DUMP> XG SYSTEM MULTI EFFECT1 MULTI PART DRUMS SETUP <XG PARAMETER REQUEST> XG SYSTEM MULTI EFFECT1 MULTI PART DRUMS SETUP <XG DUMP REQUEST> XG SYSTEM MULTI EFFECT1 MULTI PART DRUMS SETUP <SYSTEM REAL TIME MESSAGE> ACTIVE SENSING BnH BnH BnH BnH BnH BnH BnH 78H 79H 7BH 7CH 7DH 7EH 7FH F0H 7FH xnH 04H 01H ssH ttH F7H F0H 7EH xnH 09H 01H F7H F0H 7EH mmH 06H 01H F7H F0H F0H F0H F0H F0H F0H 43H 43H 43H 43H 43H 43H 1nH 1nH 1nH 1nH 1nH 1nH 4CH 4CH 4CH 4CH 4CH 4CH 00H ggH ggH ggH ggH ggH 00H 7EH 00H F7H mmH llH ssH ... F7H mmH llH ssH ... F7H mmH llH ssH ... F7H mmH llH ssH ... F7H mmH llH ssH ... F7H F0H 43H 1nH 27H 30H 00H 00H 0mH 0lH xxH F7H F0H F0H F0H F0H 43H 43H 43H 43H 0nH 4CH ssH ttH ggH mmH llH vvH...kkH F7H 0nH 4CH ssH ttH ggH mmH llH vvH...kkH F7H 0nH 4CH ssH ttH ggH mmH llH vvH... kkH F7H 0nH 4CH ssH ttH ggH mmH llH vvH...kkH F7H F0H F0H F0H F0H 43H 43H 43H 43H 3nH 3nH 3nH 3nH 4CH 4CH 4CH 4CH ggH ggH ggH ggH mmH mmH mmH mmH llH llH llH llH F7H F7H F7H F7H F0H F0H F0H F0H 43H 43H 43H 43H 2nH 2nH 2nH 2nH 4CH 4CH 4CH 4CH ggH ggH ggH ggH mmH mmH mmH mmH llH llH llH llH F7H F7H F7H F7H FEH 93 MIDI Data Format 1. Channel messages This device transmits only NOTE ON and NOTE OFF. 1.1 Note on/note off These messages convey keyboard performance data. Note-on is transmitted when a note is pressed, and note-off is transmitted when a note is released. These messages contain a note number which indicates the key that was played, and a “velocity” which indicates how strongly it was played. When a note-on of velocity “0” is received, it has the same effect as a note-off.” Range of note numbers received = C-2...G8 Velocity range = 1...127 (Velocity is received only for note-on) When the Multi Part parameter “Rcv NOTE MESSAGE” = OFF, that part will not receive these messages. For a drum part*, key-off is not received if the DrumSetup parameter Rcv NOTE OFF = OFF. For a drum part, key-on is not received if the DrumSetup parameter Rcv NOTE ON = OFF. * Drum Part indicates that the Multi Part parameter PART MODE is “set to DRUM or DRUMS1,2.” 1.2 Control changes These messages control volume or pan etc. Their functions are differentiated by the control number (Ctrl#). If the Multi Par t parameter Rcv CONTROL CHANGE = OFF, that part will not receive control changes. 1.2.1 Bank Select This message selects the voice bank. The voice bank is selected by the combination of two control change messages: MSB and LSB. Control# 0 Parameter Bank Select MSB 32 Bank Select LSB Data Range 0, 64, 126, 127 (Normal voice,SFX voice, SFX kit, Drum kit) 0...127 In the XG mode, MSB numbers select Voice type (Normal Voice or Drum Voice), and LSB numbers select Voice banks. In the TG300B mode, LSB is fixed, and MSB numbers select Voice banks. The Bank Select data will be processed only after a Program Change is received, and then voice bank will change at that time. If you wish to change the voice bank as well as the voice, you must transmit Bank Select and Program Change messages as a set, in the order of Bank Select MSB, LSB, and Program Change. 1.2.2 Modulation This message is used primarily to control the depth of vibrato, but the depth of the following 7 types of effect can be controlled. The effect of this message can be changed by the following parameters. •Multi Part Parameter 1. MW PITCH CONTROL 2. MW FILTER CONTROL 3. MW AMPLITUDE CONTROL 4. MW LFO PMOD DEPTH 5. MW LFO FMOD DEPTH 6. MW LFO AMOD DEPTH 94 •Effect1 Parameter 7. MW VARIATION CONTROL DEPTH (Valid when Variation Effect is assigned to a part as Insertion) By default, an LFO Pitch Modulation (PMOD) effect will apply. Control# 1 Parameter Modulation Data Range 0...127 If the Multi Part parameter Rcv MODULATION = OFF, that part will not receive Modulation. If the receive channel is a drum part, effects 5 and 6 will not apply. 1.2.3 Portamento Time This message controls the degree of Portamento (refer to 1.2.9). Control# 5 Parameter Portamento Time Data Range 0...127 When Portamento (control number 065) is ON, this regulates the speed of the pitch change. A value of 0 is the shortest portamento time, and 127 is the longest portamento time. If the receive channel is a drum part, Portamento Time is not received. 1.2.4 Data Entry This message sets the value of the parameter which was specified by RPN MSB/LSB (see 1.2.22) and NRPN MSB/LSB (see 1.2.21). Control# 6 38 Parameter Data Entry MSB Data Entry LSB Data Range 0...127 0...127 1.2.5 Main Volume This message controls the volume of each par t. This is used to adjust the volume balance between parts. Control# 7 Parameter Main Volume Data Range 0...127 When the Multi Part parameter Rcv VOLUME = OFF, that part will not receive Main Volume. With a value of 0 there will be no sound, and a value of 127 will be the maximum volume. 1.2.6 Panpot This message controls the panning (stereo location) of each part. Control# 10 Parameter Pan Data Range 0...64...127 When the Multi Part parameter Rcv PAN = OFF, that part will not receive Panpot. 0 is left, 64 is center, and 127 is right. 1.2.7 Expression This message controls expression (dynamics within a musical line) for each part. It is used to create volume changes during a song. Control# 11 Parameter Expression Data Range 0...127 If the Multi Part parameter Rcv EXPRESSION = OFF, that part will not receive Expression. MIDI Data Format With a value of 0 there will be no sound, and with a value of 127 the volume will be maximum. •Rcv SOFT PEDAL= OFF •PART MODE=DRUM,DRUMS1,2 1.2.8 Hold1 1.2.12 Harmonic Content This message controls sustain pedal on/off. The notes that are sounding while the pedal is pressed will be sustained. This message adjusts the resonance of the filter that is specified for the sound. The value of 0~127 is taken as -64~+63, and added as an offset value to the original sound data to modify the resonance. Control# 64 Parameter Hold1 Data Range 0...63,64...127 (OFF , ON) Control# 71 Parameter Harmonic Content Data Range 0...64...127 (-64...0...+63) For data of 0...63 the sustain pedal will be OFF (released), and for data of 64...127 it will be on (pressed). When this is ON, currently-sounding notes will continue to sound even if note-off messages are received. If the Multi Par t parameter Rcv HOLD1 = OFF, that part will not receive Hold1. Since this is a relative change parameter, it specifies a boost or cut relative to 64. Higher values will produce a more distinctive sound. For some sounds, the effective range may be less than the possible range of settings. 1.2.9 Portamento 1.2.13 Release Time This message controls portamento pedal on/off. When the pedal is pressed, a portamento effect will be applied. This message adjusts the EG release time that was specified by the sound data. The value of 0~127 is taken as -64~+63, and added to the original sound data as an offset value to modify the release time. Control# 65 Parameter Por tamento Data Range 0...63,64...127 (OFF , ON) For data of 0...63 the portamento pedal will be OFF (released), and for 64...127 it will be ON (pressed). When this is ON, the pitch will change smoothly between notes. The time over which the pitch changes is adjusted by Portamento Time (see 1.2.3). Also, when the Multi Part parameter MONO/POLY MODE = MONO, the tone will also change smoothly (legato) if Portamento = ON. If any of the following Multi Par t parameter settings apply, that part will not receive Portamento. •Rcv PORTAMENTO = OFF •PART MODE=DRUM, DRUMS1,2 1.2.10 Sostenuto This message controls sostenuto pedal on/off. Notes which were already pressed when the pedal was pressed will be sustained. Control# 66 Parameter Sostenuto Data Range 0...63,64...127 (OFF , ON) For data of 0...63, the sostenuto pedal will be OFF (released), and for 64...127 it will be ON (pressed). If sostenuto is turned on while a note is sounding, that note will be sustained until sostenuto is turned OFF. If the Multi Par t parameter Rcv SOSTENUTO = OFF, that part will not receive Sostenuto. 1.2.11 Soft Pedal This message controls soft pedal on/off. The sound will become more mellow while the pedal is pressed. Control# 67 Parameter Soft Pedal Data Range 0...63,64...127 (OFF , ON) For data of 0...63, the soft pedal is OFF (released), and for 64...127 it is ON (pressed). If any of the following Multi Par t parameter settings apply, that part will not receive the Soft Pedal. Control# 72 Parameter Release Time Data Range 0...64...127 (-64...0...+63) Since this is a relative change parameter, it specifies an increase or decrease relative to 64. Increasing this value will lengthen the release that follows a note-off. 1.2.14 Attack Time This message adjusts the EG attack time that was specified by the sound data. The value of 0~127 is taken as -64~+63, and added to the original sound data as an offset value to modify the attack time. Control# 73 Parameter Attack Time Data Range 0...64...127 (-64...0...+63) Since this a relative change parameter, it specifies an increase or decrease relative to 64. Increasing this value will make the attack more gradual, and decreasing this value will make the attack sharper. 1.2.15 Brightness This message adjusts the cutoff frequency of the low pass filter specified by the sound data. The value of 0~127 is taken as -64~+63, and added to the original sound data as an offset value to modify the cutoff frequency Control# 74 Parameter Brightness Data Range 0...64...127 (-64...0...+63) Since this is a relative change parameter, it specifies an increase or decrease relative to 64. Lower values will produce a more mellow sound. For some sounds, the effective range may be less than the possible range of settings. 95 MIDI Data Format 1.2.16 Portamento Control This message specifies the portamento source key number (the key number at which portamento will begin). Data of 0...127 specifies the portamento source key. When Por tamento Control is received, the currently-sounding pitch will change at a Por tamento Time of 0 to the key of the next-received note-on of the same channel. Control# 84 Parameter Portamento Control Data Range 0...127 (C-2...G8) This is received even if Rcv PORTAMENTO = OFF. 1.2.17 Effect1 Depth ( Reverb Send Level ) This message specifies the send level for the reverb effect. Control# 91 Parameter Effect1 Depth Data Range 0...127 Increasing this value will produce a richer reverb. The effect of the value will depend on the state of the reverb effect. 1.2.18 Effect3 Depth ( Chorus Send Level ) This message specifies the send level for the chorus effect. Control# 93 Parameter Effect3 Depth Data Range 0...127 Raising this value will increase the modulation or spaciousness. The effect of the value will depend on the state of the chorus effect. 1.2.19 Effect4 Depth ( Variation Effect Send Level ) This message specifies the send level for the variation effect. Control# 94 Parameter Effect4 Depth Data Range 0...127 However, this is not received if the Variation Effect parameter Var iation Connection = 0 (Insertion). 1.2.20 Data Increment / Decrement (for RPN) After RPN (see 1.2.22) is used to specify a parameter such as Pitch Bend Sensitivity, Fine Tune, or Coarse Tune, this message is used to increase or decrease the respective parameter value in steps of 1. Control# 96 97 Parameter RPN Increment RPN Decrement Data Range –– –– The data byte is ignored. 1.2.21 NRPN (Non-registered parameter number) This message is used to specify a sound parameter (such as vibrato, filter, EG, drum setup etc.) as an offset value. Use NRPN MSB and NRPN LSB to specify the parameter that you wish to modify, and then use Data Entry (see 1.2.4) to set the value for the specified parameter. Control# 98 99 Parameter NRPN LSB NRPN MSB Data Range 0...127 0...127 If the Multi Par t parameter Rcv NRPN = OFF, that part will not receive NRPN. The following NRPN messages can be received. 96 NRPN Data Entry *1 MSB LSB MSB LSB Parameter name and value range 01H 08H mm – – *2 Vibrato rate mm : 00H - 40H - 7FH (-64...0...+63) 01H 09H mm – – Vibrato depth mm : 00H - 40H - 7FH (-64...0...+63) 01H 0AH mm – – *3 Vibrato delay mm : 00H - 40H - 7FH (-64...0...+63) 01H 20H mm – – Low pass filter cutoff frequency mm : 00H - 40H - 7FH (-64...0...+63) 01H 21H mm – – Low pass filter resonance mm : 00H - 40H - 7FH (-64...0...+63) 01H 63H mm – – EG attack time mm : 00H - 40H - 7FH (-64...0...+63) 01H 64H mm – – EG decay time mm : 00H - 40H - 7FH (-64...0...+63) 01H 66H mm – – EG release time mm : 00H - 40H - 7FH (-64...0...+63) 14H rr mm – – Drum low pass filter cutoff frequency rr : drum instrument note number mm : 00H - 40H - 7FH (-64...0...+63) 15H rr mm – – Drum low pass filter resonance rr : drum instrument note number mm : 00H - 40H - 7FH (-64...0...+63) 16H rr mm – – Drum EG attack rate rr : drum instrument note number mm : 00H - 40H - 7FH (-64...0...+63) 17H rr mm – – Drum EG decay rate rr : drum instrument note number mm : 00H - 40H - 7FH (-64...0...+63) The effect will apply both to Decay 1 and 2. 18H rr mm – – Drum instrument pitch coarse rr : drum instrument note number mm : 00H - 40H - 7FH (-64...0...+63) 19H rr mm – – Drum instrument pitch fine rr : drum instrument note number mm : 00H - 40H - 7FH (-64...0...+63) 1AH rr mm – – Drum instrument level rr : drum instrument note number mm : 00H - 7FH (0...maximum) 1CH rr mm – – Drum instrument panpot rr : drum instrument note number mm : 00H,01H-40H-7FH (RND, L63...C...R63) 1DH rr mm – – Drum instrument reverb send level rr : drum instrument note number mm : 00H - 7FH (0...maximum) 1EH rr mm – – Drum instrument chorus send level rr : drum instrument note number mm : 00H - 7FH (0...maximum) 1FH rr mm – – Drum instrument variation send level rr : drum instrument note number mm : 00H - 7FH (0...maximum) When Variation Connection = SYSTEM mm : 00H, 01H-7FH(OFF,ON) When Variation Connection = INSERTION MSB 14H-1FH (for drums) is received when Multi Par t parameter PART MODE = DRUMS1,2. *1 Refer to 1.2.4 *2 “– –” indicates that the setting value is ignored. *3 Adjusts the time after the note is played until vibrato begins to take effect. The effect will begin more quickly for lower values, and more slowly for higher values. No effect if Bank Select MSB=127 is selected. MIDI Data Format 1.2.22 RPN (Registered parameter number) 1.3.1 All Sound Off This message is used to specify part parameters such as Pitch Bend Sensitivity or Tuning etc. as an offset value. Use RPN MSB and RPN LSB to specify the parameter that you wish to modify, and then use Data Entry (see 1.2.4) to set the value of the specified parameter. This message silences all currently-sounding notes on the corresponding channel. However, the state of channel messages such as Hold1 and Sostenuto will be maintained. Control# 100 101 Parameter RPN LSB RPN MSB Data Range 0...127 0...127 If the Multi Par t parameter Rcv RPN = OFF, that part will not receive this message. The following RPN messages can be received. RPN Data Entry*1 MSB LSB MSB LSB Parameter name and value range 00H 00H mm – – *2 Pitch bend sensitivity mm:00-18H(0...+ 24 semitones) Specify up to 2 octaves in semitone steps 00H 01H mm ll Fine tuning mm ll : 00H 00H -100 cents : : mm ll : 40H 00H 0 cent : : mm ll : 7FH 7FH+100 cents [Note] mm ll: 00H 7FH(=-87.5) cents is followed by 01H 00H(=-87.4) cents. 00H 02H mm –– Coarse tuning mm:28H - 40H - 58H(-24...0...+24 semitones) 7FH 7FH – – –– RPN Null This sets RPN and NRPN numbers to an unset state. Internal data is not affected. *1 Refer to 1.2.4 *2 “– –” indicates that the setting value is ignored. Control# 120 Parameter All Sound Off Data Range 0 1.3.2 Reset All Controllers This message resets the following controllers to their default values. Controlle Pitch bend change Channel pressure Polyphonic key pressure Modulation Expression Hold Portamento Sostenuto Soft pedal Portamento control RPN NRPN Value ± 0 (center) 0 (off) 0 (off) 0 (off) 127 (maximum) 0 (off) 0 (off) 0 (off) 0 (off) Reset the portamento source note number that was received Number unset, internal data is not affected. Number unset, internal data is not affected. The following data is not changed Parameter values specified by program change, bank select MSB/LSB, volume, pan, effect send levels 1, 3, 4, RPN and NRPN. Control# 121 Parameter Data Range Reset All Controllers 0 1.3.3 All Note Off 1.2.23 Assignable controller By assigning a control change number of 0...95 to a part, the specified effect can be controlled. This device allows two control change numbers (AC1 and AC2) to be specified for each part. The following parameters specify the effect of AC1 and AC2. •Multi Par t Parameter 1. AC1,AC2 PITCH CONTROL 2. AC1,AC2 FILTER CONTROL 3. AC1,AC2 AMPLITUDE CONTROL 4. AC1,AC2 LFO PMOD DEPTH 5. AC1,AC2 LFO FMOD DEPTH 6. AC1,AC2 LFO AMOD DEPTH •Effect1 Parameter 7. AC1,AC2 VARIATION CONTROL DEPTH (Valid if Variation Effect is assigned to a part as Insertion) The AC1 control change number is specified by the Multi Part parameter AC1 CONTROLLER NUMBER, and the AC2 control change number is specified by the Multi Part parameter AC2 CONTROLLER NUMBER. 1.3 Channel mode messages These messages specify the basic operation of a par t. This message turns off all notes which are currently on for the corresponding part. However, if Hold 1 or Sostenuto are on, notes will continue to sound until these are turned off. Control# 123 Parameter All Note Off Data Range 0 1.3.4 Omni Off Perform the same processing as when All Note Off is received. Control# 124 Parameter Omni Off Data Range 0 1.3.5 Omni On Perform the same processing as when All Note Off is received. Control# 125 Parameter Omni On Data Range 0 1.3.6 Mono Perform the same processing as when All Sound Off is received, and if the value (mono number) is in the range of 0...16, set the corresponding channel to Mode4* (m = 1). Control# 126 Parameter Mono Data Range 0...16 * Mode4 is a state in which only channel messages on the specified channel will be received, and notes will be sounded individually (monophonically). 97 MIDI Data Format 1.3.7 Poly Perfor m the same processing as when All Sound Off is received, and set the corresponding channel to Mode3*. Control# 127 Parameter Poly Data Range 0 * Mode3 is a state in which only channel messages on the specified channel will be received, and note will be sounded polyphonically. 1.4 Program change This message reports voice selection and changes the program number of the receiving channel. In order to include changes to the voice bank, Program Change and Bank Select messages must be sent as a set (see 1.2.1) If the Multi Par t parameter Rcv PROGRAM CHANGE = OFF, that part will not receive program changes. 1.5 Pitch bend This message conveys movements of the pitch bender. This message is generally used to modify the pitch of a part, but the depth of the following seven effects can be controlled. The effect of this message can be modified by the following parameters. •Multi Part Parameter 1. BEND PITCH CONTROL 2. BEND FILTER CONTROL 3. BEND AMPLITUDE CONTROL 4. BEND LFO PMOD DEPTH 5. BEND LFO FMOD DEPTH 6. BEND LFO AMOD DEPTH •Effect1 Parameter 7. BEND VARIATION CONTROL DEPTH (Valid when Variation Effect is assigned to a part as Inser tion) By default, the Pitch Control effect is applied. If the receive channel is a drum part, effects 5 and 6 will not apply. If the Multi Par t parameter Rcv PITCH BEND CHANGE = OFF, that part will not receive pitch bend messages. 1.6 Channel aftertouch This message conveys the pressure which is applied to the keyboard after playing a note in order to create tonal changes (for an entire MIDI channel). The pressure can be controlled for each part. This message will affect the currently-sounding notes. The effect of this message will be determined by the settings of the following parameters. •Multi Part Parameter 1. CAT PITCH CONTROL 2. CAT FILTER CONTROL 3. CAT AMPLITUDE CONTROL 4. CAT LFO PMOD DEPTH 5. CAT LFO FMOD DEPTH 6. CAT LFO AMOD DEPTH • Effect1 Parameter 7. CAT VARIATION CONTROL DEPTH (Valid when the Variation Effect is assigned to a part as Insertion) 98 By default, there will be no effect. If the receive channel is a drum part, effects 5 and 6 will not apply. If the Multi Part parameter Rcv CHANNEL AFTER TOUCH = OFF, that part will not receive Channel Aftertouch. 1.7 Polyphonic aftertouch This message conveys the pressure that is applied to the keyboard after playing a note (for individual note numbers). The pressure can be controlled independently for each note. This message will affect currently-sounding notes. The effect of this message is determined by the following Multi Part parameters. 1. 2. 3. 4. 5. 6. PAT PAT PAT PAT PAT PAT PITCH CONTROL FILTER CONTROL AMPLITUDE CONTROL LFO PMOD DEPTH LFO FMOD DEPTH LFO AMOD DEPTH By default, there will be no effect. The effect will apply to note numbers 36...97. In the case of either of the following Multi Part parameter settings, that part will not receive Polyphonic Aftertouch. Rcv CHANNEL AFTER TOUCH = OFF PART MODE = DRUM, DRUMS1,2 2. System exclusive messages These MIDI messages are not directly “performance data,” but are used to make settings related to the system of the MIDI device. For example, these messages can be used to save data specific to this device on a MIDI data filer such as the MDF3. By using these messages, it is possible to edit almost all settings of the MU15 from an external MIDI device. The device number of the MU15 is fixed to “All”. And when sending these messages, it is fixed to “0”. 2.1 Parameter changes This devices uses the following parameter changes. [ UNIVERSAL REALTIME MESSAGE ] 1) Master Volume [ UNIVERSAL NON REALTIME MESSAGE ] 1) General MIDI System On 2) Identity Request (INQUIRY MESSAGE) 3) Identity Reply (INQUIRY MESSAGE) [ XG PARAMETER CHANGE ] 1) XG System on 2) XG System parameter change 3) Multi Effect1 parameter change 4) Display parameter change 5) Multi Part parameter change 6) Drums Setup parameter change [ Others ] 1) Master tuning 2.1.1 Universal realtime messages 2.1.1.1 Master Volume This system exclusive message is used to control the volume of all channels simultaneously. MIDI Data Format 11110000 01111111 01111111 00000100 F0H 7FH 7FH 04H = = = = Exclusive status Universal Real Time ID of target device Sub-ID #1=Device Control Message Sub-ID #2=Master Volume Volume LSB Volume MSB End of Exclusive 00000001 *0sssssss 0ttttttt 11110111 or, 11110000 01111111 0xxxnnnn 01H SSH TTH F7H = = = = F0H 7FH XNH 00000100 04H 00000001 0sssssss 0ttttttt 11110111 01H SSH TTH F7H = Exclusive status = Universal Real Time = N:device Number, X:don’t care = Sub-ID #1=Device Control Message = Sub-ID #2=Master Volume = Volume LSB = Volume MSB = End of Exclusive When this is received, the Volume MSB will be reflected by the System parameter MASTER VOLUME. * The binary expression 0sssssss is expressed in hexadecimal as SSH. The same applies elsewhere. 2.1.2 Universal non-realtime messages 2.1.2.1 General MIDI System On This system exclusive message causes the MU15 to function as a tone generator that is compatible with GM System Level 1. 11110000 01111110 01111111 00001001 F0H 7EH 7FH 09H 00000001 11110111 or, 11110000 01111110 0xxxnnnn 01H F7H 00001001 09H 00000001 11110111 F0H 7EH XNH 01H F7H = = = = Exclusive status Universal Non-Real Time ID of target device Sub-ID #1=General MIDI Message = Sub-ID #2=General MIDI On = End of Exclusive = Exclusive status = Universal Non-Real Time = N:Device Number, X:don’t care = Sub-ID #1=General MIDI Message = Sub-ID #2=General MIDI On = End of Exclusive When this message is received, the SOUND MODULE MODE is set to XG, and all data except for MIDI Master Tuning will be restored to the default value. Since approximately 50[ms] is required in order to process this message, be sure to allow an appropriate interval before sending the next message. 2.1.2.2 Identity Request 11110000 01111110 0mmmmmmm 00000110 F0H 7EH MMH 06H 00000001 01H 11110111 F7H = = = = Exclusive status Universal Non-Real Time Device Number Sub-ID #1=General Information = Sub-ID #2=Identity Request = End of Exclusive When this message is received, this device will transmit an Identity Reply message as described in the following section 2.1.2.3. 2.1.2.3 Identity Reply 11110000 01111110 0mmmmmmm 00000110 F0H 7EH MMH 06H = = = = Exclusive status Universal Non-Real Time Device Number Sub-ID #1=General Information Sub-ID #2=Identity Reply YAMAHA ID Device Family Code LSB MU15 ID #1 Device Family Code MSB MU15 ID #2 Device Number Code LSB MU15 ID #3 Device Number Code MSB MU15 ID #4 00000010 01000011 00000000 02H 43H 00H = = = 01000001 41H = 01010001 51H = 00000011 03H = 00000000 00000000 00000000 00000001 11110111 00H 00H 00H 01H F7H = Tone Generator Code=XG = End of Exclusive This device will transmit this message when it receives the Identity Request message of 2.1.2.2. 2.1.3 XG parameter change This message sets XG-related parameters. Each message can set a single parameter. The message format is as follows. 11110000 01000011 0001nnnn 01001100 0ggggggg 0mmmmmmm 0lllllll 0sssssss : 11110111 F0H 43H 1NH 4CH GGH MMH LLH SSH : F7H Exclusive status YAMAHA ID N:device Number Model ID Address High Address Mid Address Low Data End of Exclusive For parameters whose Data Size is 2 or 4, the appropriate amount of data will be transmitted as indicated by Size. EXAMPLE OF PARAMETER CHANGE Changing chorus type to “Flanger1” First, check the Effect Type List (page 84) to identify the MSB and LSB numbers; for “Flanger1” Chorus type numbers are MSB = 43, LSB = 0. Next, check the Address in Table 1-4 (page 103) for the CHORUS TYPE parameter; in this case the address is High,Mid,Low = 02,01,20, respectively. Apply these to the 2.1.3 XG parameter change list as follows: 11110000 01000011 0001nnnn 01001100 00000010 F0H 43H 1NH 4CH 02H Exclusive status YAMAHA ID N:device Number* XG Model ID Address High 99 MIDI Data Format 00000001 00100000 01000011 00000000 11110111 01H 20H 43H 00H F7H Address Mid Address Low Data(CHORUS TYPE MSB) Data(CHORUS TYPE LSB) End of Exclusive When this data is received, the MU15 will change the Chorus effect type to “Flanger1”. * Any number is OK, since the device number for the MU15 is fixed to “All”. Be sure to allow enough time for the procedure to take place by inserting an empty measure at the top of the song for every channel. 11110000 01000011 0001nnnn 00100111 00110000 00000000 00000000 0000mmmm 0000llll 0xxxxxxx 11110111 F0H 43H 1NH 27H 30H 00H 00H 0MH 0LH XXH F7H Exclusive status YAMAHA ID N:device Number Model ID Address High Address Mid Address Low Master Tune MSB Master Tune LSB don’t care End of Exclusive Normally, the XG SYSTEM message MASTER TUNE should be used (refer to table <1 - 2>). 2.2 Bulk dump This device uses the following bulk dump messages. 2.1.3.1 XG System On This system exclusive message causes the MU15 to function as an “XG”-compatible tone generator.” 11110000 01000011 0001nnnn 01001100 00000000 00000000 01111110 00000000 11110111 F0H 43H 1NH 4CH 00H 00H 7EH 00H F7H Exclusive status YAMAHA ID N:device Number Model ID Address High Address Mid Address Low Data End of Exclusive When On is received, the SOUND MODULE MODE will be set to XG, and MIDI messages defined by XG such as NRPN or bank select etc. can be received. Since approximately 50[ms] are required in order to execute this message, please allow an appropriate interval before transmitting the next message. 2.1.3.2 XG System parameter change This message sets the XG SYSTEM block (refer to tables <1 - 1>, <1 - 2>). 2.1.3.3 Multi Effect1 parameter change This message sets the MULTI EFFECT1 block (refer to tables <1 - 1>, <1 - 4>). 2.1.3.4 Display parameter change This message sets the DISPLAY block (refer to tables <1 - 1>, <1 - 5>). [ XG BULK DUMP ] 1) XG System bulk dump 2) System Infor mation bulk dump 3) Multi Effect1 bulk dump 4) Multi Part bulk dump 5) Drums Setup bulk dump 2.2.1 XG bulk dump This message sets XG-related parameters. Unlike parameter change messages, a single message can modify multiple parameters. The message format is as follows. 11110000 01000011 0000nnnn 01001100 0sssssss 0ttttttt 0ggggggg 0mmmmmmm 0lllllll 0vvvvvvv : 0kkkkkkk 11110111 F0H 43H 0NH 4CH SSH TTH GGH MMH LLH VVH : KKH F7H Exclusive status YAMAHA ID N:Device Number Model ID ByteCountMSB ByteCountLSB Address High Address Mid Address Low Data Check-sum End of Exclusive Address and Byte Count are given in tables 1-n. Byte Count is indicated by the total size of the Data in tables 1-n. Bulk dump messages are received when the beginning of the block is specified as the “Address”. “Block” indicates the unit of the data string that is indicated in tables 1-n as “Total size”. Check sum is the value that produces a lower 7 bits of 0 when the Start Address, Byte Count, Data, and the Check-sum itself are added. 2.1.3.5 Multi Part parameter change This message sets the MULTI PART block (refer to tables <1 - 1>, <1 - 6>). 2.2.1.1 XG System bulk dump This message sets the XG SYSTEM block (refer to tables <1 - 1>, <1 - 2>). 2.1.3.6 Drums Setup parameter change This message sets the DRUMS SETUP block (refer to tables <1 - 1> , <1 - 7>). 2.1.4 Other parameter changes 2.1.4.1 Master tuning This message simultaneously modifies the tuning of all channels. 100 2.2.1.2 System Information bulk dump This message indicates the contents of the SYSTEM INFORMATION block (refer to tables <1 - 1>, <1 - 3>). This message is transmitted in response to a Dump Request, but this message will be ignored if it is received. MIDI Data Format 2.2.1.3 Multi Effect1 bulk dump 3. Realtime messages This message sets the MULTI EFFECT1 block (refer to tables <1 - 1>, <1 - 4>). 3.1 Active sensing 2.2.1.4 Multi Part bulk dump This message sets the MULTI PART block (refer to tables <1 - 1>, <1 - 6>). 2.2.1.5 Drums Setup bulk dump This message sets the DRUMS SETUP block (refer to tables <1 - 1>, <1 - 7>). 2.3 Parameter request This message requests transmission of a parameter value. The output is transmitted in the Parameter Change message format (refer to 2.1.3). This message is used to prevent problems which could occur if a MIDI cable were to be disconnected or broken during a perfor mance.When this message is received, the MU100R will begin monitoring the state of the MIDI cable. a) Transmission not transmitted. b) Receive Once FE has been received, failure to receive any MIDI message for an interval longer than approximately 300 msec will cause processing to be performed as if ALL SOUND OFF, ALL NOTE OFF, and RESET ALL CONTROLLERS messages were received, and the unit will reset to a condition in which FE was never received. 2.3.1 XG parameter request This message requests transmission of XG parameter settings. Settings are transmitted in the format of an XG parameter change (refer to 2.1.3). 11110000 01000011 0011nnnn 01001100 0ggggggg 0mmmmmmm 0lllllll 11110111 F0H 43H 3NH 4CH GGH MMH LLH F7H Exclusive status YAMAHA ID N:device Number Model ID Address High Address Mid Address Low End of Exclusive 2.4 Dump request This message requests transmission of a specific block of parameter values. The output is the same as the bulk dump format. 2.4.1 XG dump request This message requests transmission of all parameters of the specified block of XG parameters. The output is the same as the format of XG bulk dump (refer to 2.2.1). 11110000 01000011 0010nnnn 01001100 0ggggggg 0mmmmmmm 0lllllll 11110111 F0H 43H 2NH 4CH GGH MMH LLH F7H Exclusive status YAMAHA ID N:device Number Model ID Address High Address Mid Address Low End of Exclusive Address is valid only when the beginning of the block has been specified. 101 MIDI Data Format < Table 1 -1 > Parameter Base Address MODEL ID = 4C Parameter Description MULTI PART (H) 00 00 00 00 01 02 06 07 08 Address (M) 00 00 00 00 00 01 00 00 00 (L) 00 7D 7E 7F 00 00 00 00 00 DRUM 08 30 0F 0D 00 00 System Drum setup Reset XG System On All Parameter Reset System Information Effect1(Reverb,Chorus,Var iation ) Display Letter Display Bit Map Multi Par t 1 : Multi Par t 16 Drum Setup 1 31 0D 00 Drum Setup 2 XG SYSTEM INFORMATION EFFECT 1 DISPLAY Remarks Receives parameter changes only Receives parameter changes only Receives parameter changes only Receives dump request only Receives parameter changes only Receives parameter changes only Address 3n 0D 00 3n 0E 00 : 3n 5B 00 < Table 1 - 2 > MIDI Parameter Change table ( XG SYSTEM ) Address (H) 00 00 00 01 02 03 Size (H) 4 Data (H) 00 - 0F 00 - 0F 00 - 0F 00 - 0F 04 05 06 7D 7E 7F TOTAL SIZE 1 1 1 1 1 1 07 00 - 7F 28 - 58 N 00 00 Parameter MASTER TUNE MASTER VOLUME NOT USED TRANSPOSE DRUM SETUP RESET XG SYSTEM ON ALL PARAMETER RESET Description -102.4...0...+102.3[cent] 1st bit3-0→bit15-12 2nd bit3-0→bit11-8 3rd bit3-0→bit7-4 4th bit3-0→bit3-0 0...127 7F –– -24...0...+24[semitones] 40 N: Drum setup number(0,1) –– 00=XG system ON (receive only) – – 00=ON (receive only) –– < Table 1 - 3 > MIDI Parameter Change table ( SYSTEM INFORMATION ) [ XG ] Address (H) 01 00 00 : 0D 0E 0F TOTAL SIZE Size (H) E 1 1 10 Data (H) 20 - 7F : 20 - 7F 00 - 7F 00 - 7F Parameter Model Name 1 : Model Name 14 XG Level 1 XG Level 2 Transmitted in response to Dump Request. Not received. 102 Default value (H) 00 04 00 00 32...127(ASCII CHARACTER) : 32...127(ASCII CHARACTER) Parameter note number 13 note number 14 : note number 91 MIDI Data Format < Table 1 - 4 > MIDI Parameter Change table ( EFFECT 1) Address (H) 02 01 00 Size (H) 2 02 03 04 05 06 07 08 09 0A 0B 0C 0D TOTAL SIZE 1 1 1 1 1 1 1 1 1 1 1 1 0E 02 01 10 11 12 13 14 15 TOTAL SIZE 02 01 20 Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 01 - 7F Parameter Description REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB REVERB TYPE MSB TYPE LSB PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER RETURN PAN 1 2 3 4 5 6 7 8 9 10 refer to Effect Type List refer to Effect Type List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List -∞dB...0dB...+6dB(0...96...127) L63...C...R63 Default value (H) 01(=HALL1) 00 12(depends on reverb type) 0A(depends on reverb type) 08(depends on reverb type) 0D(depends on reverb type) 31(depends on reverb type) 00(depends on reverb type) 00(depends on reverb type) 00(depends on reverb type) 00(depends on reverb type) 00(depends on reverb type) 40 40 1 1 1 1 1 1 6 00 00 00 00 00 00 - 7F 7F 7F 7F 7F 7F REVERB REVERB REVERB REVERB REVERB REVERB PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER 11 12 13 14 15 16 refer refer refer refer refer refer 00(depends 04(depends 32(depends 08(depends 40(depends 00(depends 2 00 00 00 00 00 00 00 00 00 00 00 00 00 01 00 - 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F CHORUS TYPE MSB CHORUS TYPE LSB CHORUS PARAMETER 1 CHORUS PARAMETER 2 CHORUS PARAMETER 3 CHORUS PARAMETER 4 CHORUS PARAMETER 5 CHORUS PARAMETER 6 CHORUS PARAMETER 7 CHORUS PARAMETER 8 CHORUS PARAMETER 9 CHORUS PARAMETER 10 CHORUS RETURN CHORUS PAN SEND CHORUS TO REVERB refer to Effect Type List refer to Effect Type List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List -∞dB...0dB...+6dB(0...96...127) L63...C...R63(1...64...127) -∞dB...0dB...+6dB(0...96...127) 41(=CHORUS1) 00 06(depends on chorus type) 36(depends on chorus type) 4D(depends on chorus type) 6A(depends on chorus type) 00(depends on chorus type) 1C(depends on chorus type) 40(depends on chorus type) 2E(depends on chorus type) 40(depends on chorus type) 40(depends on chorus type) 40 40 00 refer refer refer refer refer refer to to to to to to Effect Effect Effect Effect Effect Effect Parameter Parameter Parameter Parameter Parameter Parameter List List List List List List 2E(depends on chorus type) 40(depends on chorus type) 0A(depends on chorus type) 00(depends on chorus type) 00(depends on chorus type) 00(depends on chorus type) refer refer refer refer refer refer refer refer refer refer refer refer refer refer refer refer refer refer to to to to to to to to to to to to to to to to to to Effect Effect Effect Effect Effect Effect Effect Effect Effect Effect Effect Effect Effect Effect Effect Effect Effect Effect Type List Type List Parameter Parameter Parameter Parameter Parameter Parameter Parameter Parameter Parameter Parameter Parameter Parameter Parameter Parameter Parameter Parameter List List List List List List List List List List List List List List List List 05(=DELAY L,C,R) 00 1A(depends on variation type) 05(depends on var iation type) 0D(depends on variation type) 03(depends on var iation type) 27(depends on var iation type) 08(depends on var iation type) 27(depends on var iation type) 08(depends on var iation type) 00(depends on var iation type) 4A(depends on variation type) 00(depends on var iation type) 64(depends on var iation type) 00(depends on var iation type) 0A(depends on variation type) 00(depends on var iation type) 00(depends on var iation type) 22 23 24 25 26 27 28 29 2A 2B 2C 2D 2E TOTAL SIZE 1 1 1 1 1 1 1 1 1 1 1 1 1 0F 02 01 30 31 32 33 34 35 TOTAL SIZE 1 1 1 1 1 1 6 00 00 00 00 00 00 - 7F 7F 7F 7F 7F 7F CHORUS CHORUS CHORUS CHORUS CHORUS CHORUS 02 01 40 2 42 2 44 2 46 2 48 2 4A 2 4C 2 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 - 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F VARIATION TYPE MSB VARIATION TYPE LSB VARIATION PARAMETER VARIATION PARAMETER VARIATION PARAMETER VARIATION PARAMETER VARIATION PARAMETER VARIATION PARAMETER VARIATION PARAMETER VARIATION PARAMETER VARIATION PARAMETER VARIATION PARAMETER VARIATION PARAMETER VARIATION PARAMETER VARIATION PARAMETER VARIATION PARAMETER VARIATION PARAMETER VARIATION PARAMETER 4E 2 50 2 PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER 11 12 13 14 15 16 1 1 2 2 3 3 4 4 5 5 6 6 7 7 8 8 MSB LSB MSB LSB MSB LSB MSB LSB MSB LSB MSB LSB MSB LSB MSB LSB to to to to to to Effect Effect Effect Effect Effect Effect Parameter Parameter Parameter Parameter Parameter Parameter List List List List List List on on on on on on reverb reverb reverb reverb reverb reverb type) type) type) type) type) type) 103 MIDI Data Format Address (H) 52 Size (H) 2 54 2 56 57 58 59 5A 5B 1 1 1 1 1 1 Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 01 - 7F 00 - 7F 00 - 7F 00 - 01 00 - 7F Parameter Description VARIATION PARAMETER 9 MSB VARIATION PARAMETER 9 LSB VARIATION PARAMETER 10 MSB VARIATION PARAMETER 10 LSB VARIATION RETURN VARIATION PAN SEND VARIATION TO REVERB SEND VARIATION TO CHORUS VARIATION CONNECTION VARIATION PART NUMBER 5C 5D 5E 5F 60 TOTAL SIZE 1 1 1 1 1 21 00 00 00 00 00 - 7F 7F 7F 7F 7F MW VARIATION CONTROL DEPTH BEND VARIATION CONTROL DEPTH CAT VARIATION CONTROL DEPTH AC1 VARIATION CONTROL DEPTH AC2 VARIATION CONTROL DEPTH refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List -∞dB...0dB...+6dB(0...96...127) L63...C...R63(1...64...127) -∞dB...0dB...+6dB(0...96...127) -∞dB...0dB...+6dB(0...96...127) INSERTION , SYSTEM Part1...16(0...15) OFF(127) -64...0...+63 -64...0...+63 -64...0...+63 -64...0...+63 -64...0...+63 02 1 1 1 1 1 1 6 00 00 00 00 00 00 - 7F 7F 7F 7F 7F 7F VARIATION VARIATION VARIATION VARIATION VARIATION VARIATION refer refer refer refer refer refer 01 70 71 72 73 74 75 TOTAL SIZE PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER PARAMETER 11 12 13 14 15 16 to to to to to to Effect Effect Effect Effect Effect Effect Parameter Parameter Parameter Parameter Parameter Parameter Default value (H) 00(depends on 00(depends on 00(depends on 20(depends on 40 40 00 00 00 7F variation variation variation variation type) type) type) type) 40 40 40 40 40 List List List List List List 00(depends on variation type) 3C(depends on variation type) 1C(depends on variation type) 40(depends on variation type) 2E(depends on variation type) 40(depends on variation type) < Table 1 - 5 > MIDI Parameter Change table ( DISPLAY DATA ) [ XG ] Address (H) 06 00 00 : 1F TOTAL SIZE Size (H) 20 07 30 Data (H) 20 - 7F Parameter Description DISPLAY LETTER Data1 : DISPLAY LETTER Data32 32...127(ASCII CHARACTER) : 32...127(ASCII CHARACTER) Default value (H) –– : –– DISPLAY BITMAP Data1 * : DISPLAY BITMAP Data48 0...127 : 0...127 –– : –– 20 00 00 : 2F TOTAL SIZE 00 - 7F 30 * The relation between DISPLAY BITMAP data and the display screen Seven pixels horizontally are one byte of data. Set a bit to 1 to display the corresponding pixel, and set a bit to 0 to turn it off. This data is mapped to the screen as follows. b7 b6 b5 b4 b3 b2 b1 b0 Data1 Data2 Data3 Data4 Data5 Data6 Data7 Data8 Data9 Data10 Data11 Data12 Data13 Data14 Data15 Data16 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * b7 b6 b5 b4 b3 b2 b1 b0 Data17 Data18 Data19 Data20 Data21 Data22 Data23 Data24 Data25 Data26 Data27 Data28 Data29 Data30 Data31 Data32 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * b7 b6 b5 b4 b3 b2 b1 b0 (“b” stands for “bit”) Data33 Data34 Data35 Data36 Data37 Data38 Data39 Data40 Data41 Data42 Data43 Data44 Data45 Data46 Data47 Data48 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * - - - - - For Data33~Data48, only bit 6 and bit 5 are used. Specific individual pixels of the bitmap data can also be received. In this case, other pixels will retain their previous state. DISPLAY DATA parameter changes can be transmitted continuously from a specified location. 104 MIDI Data Format < Table 1 - 6 > MIDI Parameter Change table ( MULTI PART ) Address (H) 08 nn 00 Size (H) 1 Data (H) 00 - 20 Parameter Description Default value (H) part10 = 0 other parts =2 part10 = 7F other parts=0 00 00 Part No. ELEMENT RESERVE 0...32 nn 01 1 00 - 7F BANK SELECT MSB 0...127 nn nn nn 02 03 04 1 1 1 00 - 7F 00 - 7F 00-0F,7F BANK SELECT LSB PROGRAM NUMBER Rcv CHANNEL 0...127 1...128 A1...A16, OFF nn nn 05 06 1 1 00 - 01 00 - 02 MONO , POLY 01 SINGLE, MULTI, INST(for DRUM) 01 nn 07 1 00 - 02 MONO/POLY MODE SAME NOTE NUMBER KEY ON ASSIGN PART MODE nn nn nn 08 09 0A 1 2 28 - 58 00 - 0F 00 - 0F nn 0B nn 0C nn 0D nn 0E nn 0F nn 10 nn 11 nn 12 nn 13 nn 14 nn 15 nn 16 nn 17 nn 18 nn 19 nn 1A nn 1B nn 1C nn 1D nn 1E nn 1F nn 20 nn 21 nn 22 nn 23 nn 24 nn 25 nn 26 nn 27 nn 28 TOTAL SIZE 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 29 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 28 00 00 00 00 00 28 00 00 00 00 00 - nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 - 30 31 32 33 34 35 36 37 38 39 3A 3B 3C 3D 3E 3F 40 NORMAL, DRUM, DRUMS1...2 NOTE SHIFT DETUNE Part10=2 other parts=0 40 08 00 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 7F 58 7F 7F 7F 7F 7F 58 7F 7F 7F 7F 7F -24...0...+24[semitones] -12.8...0...+12.7[Hz] 1st bit3-0→bit7-4 2nd bit3-0→bit3-0 VOLUME 0...127 VELOCITY SENSE DEPTH 0...127 VELOCITY SENSE OFFSET 0...127 PAN RND, L63...C...R63 NOTE LIMIT LOW C-2...G8 NOTE LIMIT HIGH C-2...G8 DRY LEVEL 0...127 CHORUS SEND 0...127 REVERB SEND 0...127 VARIATION SEND 0...127 VIBRATO RATE -64...0...+63 VIBRATO DEPTH -64...0...+63 VIBRATO DELAY -64...0...+63 LOW PASS FILTER CUTOFF FREQUENCY -64...0...+63 LOW PASS FILTER RESONANCE -64...0...+63 EG ATTACK TIME -64...0...+63 EG DECAY TIME -64...0...+63 EG RELEASE TIME -64...0...+63 MW PITCH CONTROL -24...0...+24[semitones] MW LOW PASS FILTER CONTROL -9600...0...+9450[cent] MW AMPLITUDE CONTROL -100...0...+100[%] MW LFO PMOD DEPTH 0...127 MW LFO FMOD DEPTH 0...127 MW LFO AMOD DEPTH 0...127 BEND PITCH CONTROL -24...0...+24[semitones] BEND LOW PASS FILTER CONTROL -9600...0...+9450[cent] BEND AMPLITUDE CONTROL -100...0...+100[%] BEND LFO PMOD DEPTH 0...127 BEND LFO FMOD DEPTH 0...127 BEND LFO AMOD DEPTH 0...127 64 40 40 40 00 7F 7F 00 28 00 40 40 40 40 40 40 40 40 40 40 40 0A 00 00 42 40 40 00 00 00 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 01 Rcv Rcv Rcv Rcv Rcv Rcv Rcv Rcv Rcv Rcv Rcv Rcv Rcv Rcv Rcv Rcv Rcv 01 01 01 01 01 01 01 XGmode=01, GMmode=00 01 01 01 01 01 01 01 01 XGmode=01, GMmode=00 PITCH BEND CH AFTER TOUCH(CAT) PROGRAM CHANGE CONTROL CHANGE POLY AFTER TOUCH(PAT) NOTE MESSAGE RPN NRPN MODULATION VOLUME PAN EXPRESSION HOLD1 PORTAMENTO SOSTENUTO SOFT PEDAL BANK SELECT OFF, OFF, OFF, OFF, OFF, OFF, OFF, OFF, OFF, OFF, OFF, OFF, OFF, OFF, OFF, OFF, OFF, ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON 105 MIDI Data Format Address (H) nn 41 nn 42 nn 43 nn 44 nn 45 nn 46 nn 47 nn 48 nn 49 nn 4A nn 4B nn 4C nn 4D nn 4E nn 4F nn 50 nn 51 nn 52 nn 53 nn 54 nn 55 nn 56 nn 57 nn 58 nn 59 nn 5A nn 5B nn 5C nn 5D nn 5E nn 5F nn 60 nn 61 nn 62 nn 63 nn 64 nn 65 nn 66 nn 67 nn 68 nn 69 nn 6A nn 6B nn 6C nn 6D nn 6E TOTAL SIZE Size (H) 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3F Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - 58 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - 58 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 5F 28 - 58 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 5F 28 - 58 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 01 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 01 - 7F 01 - 7F Parameter Description SCALE TUNING C SCALE TUNING C# SCALE TUNING D SCALE TUNING D# SCALE TUNING E SCALE TUNING F SCALE TUNING F# SCALE TUNING G SCALE TUNING G# SCALE TUNING A SCALE TUNING A# SCALE TUNING B CAT PITCH CONTROL CAT LOW PASS FILTER CONTROL CAT AMPLITUDE CONTROL CAT LFO PMOD DEPTH CAT LFO FMOD DEPTH CAT LFO AMOD DEPTH PAT PITCH CONTROL PAT LOW PASS FILTER CONTROL PAT AMPLITUDE CONTROL PAT LFO PMOD DEPTH PAT LFO FMOD DEPTH PAT LFO AMOD DEPTH AC1 CONTROLLER NUMBER AC1 PITCH CONTROL AC1 LOW PASS FILTER CONTROL AC1 AMPLITUDE CONTROL AC1 LFO PMOD DEPTH AC1 LFO FMOD DEPTH AC1 LFO AMOD DEPTH AC2 CONTROLLER NUMBER AC2 PITCH CONTROL AC2 LOW PASS FILTER CONTROL AC2 AMPLITUDE CONTROL AC2 LFO PMOD DEPTH AC2 LFO FMOD DEPTH AC2 LFO AMOD DEPTH PORTAMENTO SWITCH PORTAMENTO TIME PITCH EG INITIAL LEVEL PITCH EG ATTACK TIME PITCH EG RELEASE LEVEL PITCH EG RELEASE TIME VELOCITY LIMIT LOW VELOCITY LIMIT HIGH -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -24...0...+24[semitones] -9600...0...+9450[cent] -100...0...+100[%] 0...127 0...127 0...127 -24...0...+24[semitones] -9600...0...+9450[cent] -100...0...+100[%] 0...127 0...127 0...127 0...95 -24...0...+24[semitones] -9600...0...+9450[cent] -100...0...+100[%] 0...127 0...127 0...127 0...95 -24...0...+24[semitones] -9600...0...+9450[cent] -100...0...+100[%] 0...127 0...127 0...127 OFF, ON 0...127 -64...0...+63 -64...0...+63 -64...0...+63 -64...0...+63 1...127 1...127 nn = PART NUMBER In the case of a DRUM PART, the following parameters will have no effect. •BANK SELECT LSB •MONO/POLY MODE •SCALE TUNING •PORTAMENTO •PITCH EG •FILTER MODULATION DEPTH(FMOD DEPTH) •AMPLITUDE MODULATION DEPTH(AMOD DEPTH) 106 Default value (H) 40 40 40 40 40 40 40 40 40 40 40 40 40 40 40 00 00 00 40 40 40 00 00 00 10 40 40 40 00 00 00 11 40 40 40 00 00 00 00 00 40 40 40 40 01 7F MIDI Data Format < Table 1 - 7 > MIDI Parameter Change table ( DRUM SETUP ) Address (H) 3n rr 00 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 0E 0F TOTAL SIZE Size (H) 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 10 Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 01 00 - 01 00 - 01 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F Parameter Description PITCH COARSE PITCH FINE LEVEL ALTERNATE GROUP PAN REVERB SEND CHORUS SEND VARIATION SEND KEY ASSIGN Rcv NOTE OFF Rcv NOTE ON LOW PASS FILTER CUTOFF FREQUENCY LOW PASS FILTER RESONANCE EG ATTACK RATE EG DECAY1 RATE EG DECAY2 RATE -64...0...+63 -64...0...+63[cent] 0...127 OFF,1...127 RND, L63...C...R63 0...127 0...127 0...127 SINGLE , MULTI OFF , ON OFF , ON -64...0...63 -64...0...63 -64...0...63 -64...0...63 -64...0...63 Default value (H) 40 40 depends on the depends on the depends on the depends on the depends on the 7F 00 depends on the 01 40 40 40 40 40 note note note note note note n:Drum Setup Number(0 - 1) rr:note number(0D - 5B) In the following cases, the MU15 will initialize all Drum Setups. XG SYSTEM ON received GM SYSTEM ON received DRUM SETUP RESET received (when in XG mode) NOTE When a part to which a Drum Setup is assigned receives a program change, the assigned Drum Setup will be initialized. If the same Drum Setup is assigned to two or more parts, changes in Drum Setup parameters (including program changes) will apply to all parts to which it is assigned. 107 108 x x After Touch 0,32 1,5,7,10,11 6,38 64-67 Control 71-74 84 Change 91,93,94 Pitch Bend x x x x x x x x o 9nH,v=1-127 x 9nH,v=0 Velocity Note ON Note OFF Key's Ch's 4 - 124 ************** 3 x ************** Default Messages Altered Mode Note Number : True voice 1 - 16 1 - 16 Default Changed Basic Channel Transmitted *2 *1 *1 o o o o o o o *1 *1 *1 *1 *1 *1 *1 o 0-24 semi *1 o o Sound Controller Portamento Cntrl Effect Depth Data Entry Bank Select Remarks Date:19-OCT-1998 Version : 1.0 o 9nH,v=1-127 x 0 - 127 0 - 127 3 3, 4 (m=1) x 1 - 16 1 - 16 Recognized [ Tone Generator ] Model MU15 MIDI Implementation Chart Function ... YAMAHA 109 o x x x x x System Exclusive : Song Pos. common : Song Sel. : Tune System :Clock Real Time :Commands x x x x x o o 0 - 127 o o *1 *1 Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO o : Yes x : No , NRPN LSB,MSB RPN LSB,MSB :All Sound Off x o(120,126,127) o(121) Aux :Reset All Cntrls x :Local ON/OFF x x Mes- :All Notes OFF x o(123-125) sages:Active Sense x o :Reset x x Notes: *1 receive if switch is on. *2 m is always treated as "1" regardless of its value. x ************** x x Prog Change : True # 98-99 100-101 FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B) For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. 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Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-371-7021 PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES Yamaha de Panama S.A. Torre Banco General, Piso 7, Urbanización Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panamá, Panamá Tel: 507-269-5311 THE UNITED KINGDOM Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700 IRELAND Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177 Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 INDONESIA PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577 KOREA Cosmos Corporation #131-31, Neung-Dong, Sungdong-Ku, Seoul Korea Tel: 02-466-0021~5 Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-400 43 Göteborg, Sweden Tel: 031 89 34 00 MALAYSIA Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-703-0900 DENMARK YS Copenhagen Liaison Office Generatorvej 8B DK-2730 Herlev, Denmark Tel: 44 92 49 00 PHILIPPINES Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551 FINLAND F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511 SINGAPORE NORWAY Norsk filial av Yamaha Scandinavia AB Grini Næringspark 1 N-1345 Østerås, Norway Tel: 67 16 77 70 Yamaha Music Asia Pte., Ltd. Blk 202 Hougang, Street 21 #02-01, Singapore 530202 Tel: 747-4374 TAIWAN Yamaha KHS Music Co., Ltd. 10F, 150, Tun-Hwa Northroad, Taipei, Taiwan, R.O.C. Tel: 02-2713-8999 ICELAND Skifan HF Skeifan 17 P.O. 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Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2317 Yamaha Musique France, Division Professionnelle BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 HEAD OFFICE XG1-04 Yamaha Corporation, XG Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2936 V328460 901POCP1.5-01A0 Printed in Japan M.D.G., EMI Division © 1999 Yamaha Corporation