Yamaha MU5 Manual de usuario

Marca: Yamaha

Modelo: MU5

Categoría: Pedal de música

Tipo: Manual de usuario

M.D.G., EMI Division © Yamaha Corporation 1994

VS67010 408PTCP25.2-01A0 Printed in Japan

FCC INFORMATION (U.S.A.)

IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual,

meets FCC requirements. Modifications not expressly approved by Yamaha may void your

authority, granted by the FCC, to use the product.

IMPORTANT:

When connecting this product to accessories and/or another product use only high quality

shielded cables. Cable/s supplied with this product MUST be used. Follow all installation

instructions. Failure to follow instructions could void your FCC authorization to use this

product in the USA.

NOTE:

This product has been tested and found to comply with the requirements listed in FCC

Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements

provides a reasonable level of assurance that your use of this product in a residential

environment will not result in harmful interference with other electronic devices. This

equipment generates/uses radio frequencies and, if not installed and used according to the

instructions found in the user’s manual, may cause interference harmful to the operation of

other electronic devices. Compliance with FCC regulations does not guarantee that

interference will not occur in all installations. If this product is found to be the source of

interference, which can be determined by turning the unit “OFF” and “ON”, please try to

eliminate the problem by using one of the following measures:

• Relocate either this product or the device that is being affected by the interference.

• Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or

install AC line filter/s.

• In the case of radio or TV interference, relocate/reorient the antenna. If the antenna

lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the local

retailer authorized to distribute this type of product. If you can not locate the appropriate,

please contact Yamaha Corporation of America, Electronic Service Division, 6600

Orangethorpe Ave, Buena Park CA, 90620

• This applies only to products distributed by Yamaha Corporation of America.

CANADA

THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS B” LIMITS FOR RADIO NOISE

EMISSIONS FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTERFERENCE

REGULATION OF THE CANADIAN DEPARTMENT OF COMMUNICATIONS.

LE PRESENT APPAREIL NUMERIQUE N’EMET PAS DE BRUITS RADIOELECTRIQUES

DEPASSANT LES LIMITES APPLICABLES AUX APPAREILS NUMERIQUES DE LA “CLASSE

B” PRESCRITES DANS LE REGLEMENT SUR LE BROUILLAGE RADIOELECTRIQUE EDICTE

PAR LE MINISTERE DES COMMUNICATIONS DU CANADA.

* This applies only to products distributed by Yamaha Canada Music LTD.

* Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Music LTD.

Entsorgung leerer

Batterien

(nur innerhalb

Deutschlands)

Leisten Sie einen Beitrag zum

Umweltschutz. Verbrauchte

Batterien oder Akkumulatoren

dürfen nicht in den Hausmüll.

Sie können bei einer

Sammelstelle für Altbatterien

bzw. Sondermüll abgegeben

werden. Informieren Sie sich

bei Ihrer Kommune.

The serial number of this

product may be found on the

bottom of the unit. You should

note this serial number in the

space provided below and

retain this manual as a

permanent record of your

purchase to aid identification

in the event of theft.

Model No. MU5

Serial No.

Dit produkt is gefabriceerd in overeenstemming met de

radiostoringsvoorschriften van de Richtlijn van de Raad

(82/499/EEG).

ΑΥΤΗ Η ΣΥΣΚΕΥΗ ΑΝΤΑΠΟΚΡΙΝΕΤΑΙ ΣΤΙΣ

ΑΠΑΙΤΗΣΕΙΣ ΤΩΝ Ο∆ΗΓΙΩΝ ΤΗΣ ΕΥΡΩΠΑΙΚΗΣ

ΟΙΚΟΝΟΜΙΚΗΣ ΚΟΙΝΟΤΗΤΑΣ 82/499/Ε.Ο.Κ.

Este produto está de acordo com o radio de interferencia

frequente requiridos do Conselho Diretivo 82/499/EEC.

Dette apparat overholder det gaeldende EF-direktiv

verdrørende radiostøj.

Cet appareil est conforme aux prescriptions de la

directive communautaire 87/308/CEE.

Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG

und/oder 87/308/EWG.

This product complies with the radio frequency

interference requirements of the Council Directive 82/

499/EEC and/or 87/308/EEC.

Questo apparecchio è conforme al D.M.13 aprile 1989

(Direttiva CEE/87/308) sulla soppressione dei

radiodisturbi.

Este producto está de acuerdo con los requisitos sobre

interferencias de radio frequencia fijados por el Consejo

Directivo 87/308/CEE.

YAMAHA CORPORATION

SPECIAL MESSAGE SECTION (U.S.A.)

This product utilizes batteries or an external

power supply (adapter). DO NOT connect

this product to any power supply or adapter

other than one described in the manual, on

the name plate, or specifically recom-

mended by Yamaha.

This product should be used only with the

components supplied or; a cart, rack, or

stand that is recommended by Yamaha. If a

cart, etc., is used, please observe all safety

markings and instructions that accompany

the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is

believed to be correct at the time of

printing. However, Yamaha reserves the

right to change or modify any of the

specifications without notice or obligation to

update existing units.

This product, either alone or in combination

with an amplifier and headphones or

speaker/s, may be capable of producing

sound levels that could cause permanent

hearing loss. DO NOT operate for long

periods of time at a high volume level or at

a level that is uncomfortable. If you

experience any hearing loss or ringing in

the ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the

shorter the time period before damage

occurs.

NOTICE:

Service charges incurred due to lack of

knowledge relating to how a function or

effect works (when the unit is operating as

designed) are not covered by the manufac-

turer’s warranty, and are therefore the

owners responsibility. Please study this

manual carefully and consult your dealer

before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that

are both user safe and environmentally

friendly. We sincerely believe that our

products and the production methods used

to produce them, meet these goals. In

keeping with both the letter and the spirit of

the law, we want you to be aware of the

following:

Battery Notice:

This product MAY contain a small non-

rechargeable battery which (if applicable) is

soldered in place. The average life span of

this type of battery is approximately five

years. When replacement becomes neces-

sary, contact a qualified service representa-

tive to perform the replacement.

This product may also use “household” type

batteries. Some of these may be recharge-

able. Make sure that the battery being

charged is a rechargeable type and that the

charger is intended for the battery being

charged.

When installing batteries, do not mix old

batteries with new, or with batteries of a

different type. Batteries MUST be installed

correctly. Mismatches or incorrect installa-

tion may result in overheating and battery

case rupture.

Warning:

Do not attempt to disassemble, or inciner-

ate any battery. Keep all batteries away

from children. Dispose of used batteries

promptly and as regulated by the laws in

your area. Note: Check with any retailer of

household type batteries in your area for

battery disposal information.

Disposal Notice:

Should this product become damaged

beyond repair, or for some reason its

useful life is considered to be at an end,

please observe all local, state, and federal

regulations that relate to the disposal of

products that contain lead, batteries,

plastics, etc. If your dealer is unable to

assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of

the product. The model number, serial

number, power requirements, etc., are

located on this plate. You should record the

model number, serial number, and the date

of purchase in the spaces provided below

and retain this manual as a permanent

record of your purchase.

PLEASE KEEP THIS MANUAL

Model MU5

Serial No.

Purchase Date

92-BP

Welcome to the MU5

Congratulations and thank you for purchasing the Yamaha MU5 Tone

Generator!

The MU5 is an advanced tone generator providing exceptionally

high-quality Voices, full General MIDI compatibility, and

flexible computer interfacing in a highly compact and portable

package.

With the built-in host computer interface and MIDI terminals,

the MU5 is ideal for any computer music system — from connec-

tion to a simple laptop to integration in a complete MIDI studio.

It even features a two-octave keyboard (with adjustable ten-

octave range), allowing you to play the internal Voices and enter

notes to a connected sequencer. And, since it runs on batteries as

well, it’s ready to make music wherever you take it.

■

Trademarks

• Apple and Macintosh are trademarks of Apple Computer, Inc.

• IBM PC and PC/AT are registered trademarks of International Business

Machines Corporation.

• PC-9800 Series is a trademark of NEC Corporation.

All other trademarks are the property of their respective holders.

Table of Contents

Welcome to the MU5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1

How to Use This Manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4

Precautions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

The Controls of the MU5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8

■

Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8

■

Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

■

Side Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

The MU5 — What It Is and What It Can Do . . . . . . . . . . . . . . . . .11

Setting Up Your MU5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

■

Power Supply . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

●

Using a Power Adaptor . . . . . . . . . . . . . . . . . . . .14

●

Using Batteries . . . . . . . . . . . . . . . . . . . . . . . . . .15

●

When to Replace the Batteries . . . . . . . . . . . . . .15

■

Audio Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

●

Using Headphones . . . . . . . . . . . . . . . . . . . . . . .16

●

Using an External Sound System . . . . . . . . . . . .16

Setting Up the MU5 in Your Music System . . . . . . . . . . . . . . . . .17

■

Connecting With a Computer . . . . . . . . . . . . . . . . . . . . .17

●

Macintosh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

●

IBM PC and Clones . . . . . . . . . . . . . . . . . . . . . . .19

●

NEC PC-9800 Series . . . . . . . . . . . . . . . . . . . . . .20

■

Connecting to Other MIDI Devices . . . . . . . . . . . . . . . .20

■

Data Flow Block Diagram . . . . . . . . . . . . . . . . . . . . . . .21

■

MIDI/Computer Connecting Cables . . . . . . . . . . . . . . . .22

Playing the Demo Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Using the MU5 — The Play Mode . . . . . . . . . . . . . . . . . . . . . . . .24

■

Playing the Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . .24

■

Changing the Octave Setting . . . . . . . . . . . . . . . . . . . . .25

■

Selecting a Part and Changing the Voice . . . . . . . . . . .26

Using the MU5 with a Computer or Sequencer . . . . . . . . . . . . . .28

Using the MU5 with a MIDI Data Storage Device . . . . . . . . . . . .28

Muting and Soloing Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29

Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

Table of Contents

Reference . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

Utility Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

●

Master Tune . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

●

Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33

●

Mute Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33

●

Velocity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34

●

Local Control . . . . . . . . . . . . . . . . . . . . . . . . . . . .35

●

Dump Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36

●

Initialize All . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38

Part Edit Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39

●

Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39

●

Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40

●

MIDI Channel . . . . . . . . . . . . . . . . . . . . . . . . . . . .40

●

Note Shift . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41

●

Part Tune . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41

●

Pitch Bend Range . . . . . . . . . . . . . . . . . . . . . . . .42

Appendix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43

Error Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45

Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47

Voice List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .add-2

MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .add-8

MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . . . . . . .add-24

How to Use This Manual

You are probably eager to try out your new MU5 Tone Generator right away

and hear what it can do, rather than have to read through a lot of instructions

before you can even get a sound out of it.

However, to get the most out of your MU5, we strongly suggest that you read

the following sections in the order given:

1) Precautions

This gives you important information on how to care for your

new MU5, how to avoid damaging, and how to ensure long-term,

reliable operation.

2) The MU5 — What It Is and What It Can Do

This briefly provides an overview of the functions and features of

the MU5 and offers some important hints on how you can use it

effectively.

3) Setting Up Your MU5; The Controls of the MU5

The first section shows you how to set up your MU5 for basic

operation, and the second introduces you to the panel controls

and connectors.

4) Playing the Demo Song; Using the MU5 — The Play Mode

These two sections get you started using the MU5. The first

guides you through the Demo Song, while the second gives you

the basic operation procedures you’ll be using when you play the

MU5.

5) Setting Up the MU5 in Your Music System; Using the MU5

with a Computer or Sequencer

These sections provide all you need to know to effectively

integrate the MU5 into your present computer music system.

How to Use This Manual

6) Muting and Soloing Parts; Editing

Mute and Solo are useful in song playback, while editing opera-

tions prepare you for digging in deeper to the advanced functions

of the MU5.

7) Reference

Once you’re familiar with everything above, lightly go over this

comprehensive guide to all editing functions. You won’t need (or

want) to read everything at once, but it is there for you to refer to

when you need information about a certain feature or function.

8) Appendix

Finally, use the sections in the Appendix as necessary. For

example, the Index will come in handy when you need to quickly

find information on a specific topic. Other sections, such as the

Voice List, Troubleshooting and Error Messages provide

additional useful information.

Precautions

Your MU5 will give you years of reliable service if you follow the simple

precautions below:

●

LOCATION

Keep the instrument away from locations where it is likely to be

exposed to high temperatures (such as direct sunlight) or humid-

ity. Also avoid locations which are subject to excessive dust

accumulation or vibration which could cause mechanical damage.

●

USE THE CORRECT POWER ADAPTOR

Use only the recommended PA-3, PA-4 or PA-40 Power Adaptor

for supplying power to the instrument. Use of another adaptor

may cause serious damage to the instrument or the adaptor itself.

(Never use the PA-3B.)

●

MAKE SURE POWER IS OFF WHEN MAKING OR

REMOVING CONNECTIONS

To prevent damage to the instrument and other connected equip-

ment, always turn off the power prior to connecting or discon-

necting cables. Also, turn the power off when the instrument is

not in use, and disconnect the power adaptor during electric

storms.

●

HANDLE THE INSTRUMENT WITH CARE

Although the instrument has been constructed to withstand the

rigors of normal use for optimum sturdiness and reliability, avoid

subjecting it to strong physical shocks (such as dropping or

hitting it). Since the MU5 is a precision-made electronic device,

also avoid applying excessive force to the various controls.

When moving the instrument, first unplug the power adaptor and

all other cables to prevent damage to cords and jacks. Always

unplug cables by gripping the plug firmly, not by pulling on the

cable.

●

CLEAN WITH A SOFT, DRY CLOTH

Never use solvents such as benzine or thinner to clean the instru-

ment, since these will damage the cabinet finish or dull the keys.

Wipe clean with a soft, dry cloth. If necessary, use a soft, clean,

slightly moistened cloth — making sure to wipe the case off

again with a dry cloth.

●

ELECTROMAGNETIC INTERFERENCE

Avoid using the unit near televisions, radios or other equipment

generating electromagnetic fields. Proximity to such equipment

may cause the unit to malfunction, and may generate interference

noise in the other appliance as well.

●

DO NOT OPEN THE CASE OR TRY REPAIRING

THE INSTRUMENT YOURSELF

The instrument contains no user-serviceable parts. Never open

the case or tamper with the internal circuitry in any way, since

doing so may result in damage to the instrument. Refer all

servicing to qualified Yamaha service personnel.

●

MIDI CABLES

When connecting the instrument to other MIDI equipment, be

sure to use only high-quality cables made especially for MIDI

data transmission. Also, avoid using cables longer than 15

meters, since long cables can result in data errors.

Yamaha is not responsible for damage caused by improper handling or

operation.

Precautions

VOICE LIST

001

–

008

009

–0

017

–0

025

–0

033

–0

041

–0

049

–0

057

–0

PART

–

1 VALUE +1 MUTE EXIT

MSTR

TUNE

TRNS

POSE

MUTE

LOCK

VELO

CITY

LOCL

CTRL

DUMP

OUT

INIT

ALL

VOL PAN

MIDI

NOTE

SHFT

PART

TUNE

BEND

RNGE

OCT

DOWN

OCT

123 45 678 90

UTILITY

PART EDIT

ENTER

SELECT

C C

PIANO

TUNED PERC.

ORGAN

GUITAR

BASS

STRINGS

ENSEMBLE

BRASS

065

–

072

073

–

080

081

–

088

089

–

096

097

–

104

105

–

112

113

–

120

121

–

128

REED

PIPE

SYNTH LEAD

SYNTH PAD

SYNTH EFFECTS

ETHNIC

PERCUSSIVE

SOUND EFFECTS

DRUM VOICE LIST

129

130

131

132

133

134

135

136

STANDARD

ROOM

ROCK

ELECTRONIC

ANALOG

JAZZ

BRUSH

CLASSIC

TONE GENERATOR

PART PGM VOICE NAME

123456789101112 16151413

GENERAL

The Controls of the MU5

■

Front Panel

q Display

In the Play mode, this shows the Part number and the currently

selected program number and Voice name for the Part. It also

shows the octave setting (when set to a value other than normal)

and acts as a “level meter,” showing the velocity values for each

Part as they are played.

In the Edit modes, this shows the relevant values and, where

applicable, a graphic display of the set values.

w ,. buttons

For selecting the desired Part. (In some of the Edit functions,

these may not be available.) Hold down either button to rapidly

advance through the values.

The Controls of the MU5

e -= buttons

For changing the value of the selected function or parameter. In

the Play mode, these are used to change the program number at

the selected Part. In the Edit modes, these are used to change the

current function’s value or turn a function on or off. Hold down

either button to rapidly advance through the values.

r m button

For using the Mute and Solo functions. (See page 29.)

t e button

For leaving the Edit modes and returning to the Play mode.

y d (OCTAVE DOWN) and

(OCTAVE UP) buttons

For changing the octave transposition of the MU5’s keyboard.

These also double as s buttons, allowing you to select the

functions of the Edit modes.

u Keyboard

This two-octave keyboard is used to play the Voices of the MU5.

It can also be used to play notes on a connected external tone

generator or enter notes to a connected sequencer or computer.

The white keys double as editing controls, while the black keys

also function as number keys. (Used with the s buttons.)

i / button

For switching between positive (+) and negative (-) values during

editing. (Used with the s buttons.)

o E button

For actually entering values during editing. (Used with the

s buttons.)

■

Rear Panel

q VOLUME control

For adjusting the overall level of the MU5.

w LINE OUT/PHONES jack

For connection to an amplifier/speaker system or a set of stereo

headphones.

MIDI INOUT

HOST SELECT

TO HOST

MIDI PC-2 PC-1 Mac

DC IN

POWER

ON OFF

q MIDI OUT and MIDI IN terminals

For connection to other MIDI devices, such as a MIDI keyboard,

tone generator, sequencer, or to a computer that has a MIDI

interface. (See page 20.)

w HOST SELECT switch

For selecting the type of connected device. (See pages 17 – 20.)

e TO HOST terminal

For connection to a host computer that does not have a MIDI

interface. (See pages 17 – 20.)

r DC IN jack

For connection to the AC power adaptor.

t POWER switch

For turning on the power to the unit.

■

Side Panel

MIN VOLUME MAX LINE OUT/

PHONES

The MU5 — What It Is and What It Can Do

■

What It Is...

The MU5 is a compact, highly portable and easy-to-use tone generator. It

features full General MIDI Level 1 compatibility with 128 General MIDI

Voices and 8 drum kits. The MU5 has 28-Voice polyphony and is 16-Part

multi-timbral. In other words, the MU5 has 16 different Parts, each with its

own Voice, so that up to 16 different Voices can be sounded simultaneously.

With the built-in two-octave keyboard, you can play any of the Voices directly

from the MU5 itself. Or you can play them from a connected MIDI keyboard.

In addition, the MU5 also has a TO HOST terminal for easy interfacing with a

computer, allowing you to play the Voices using your favorite music software.

This is where the advanced multi-timbral capabilities come in, letting you play

up to 16 different Voices at the same time.

■

About General MIDI

General MIDI is a new addition to the worldwide MIDI standard. MIDI, as

you know, stands for Musical Instrument Digital Interface, and makes it

possible for various electronic musical instruments and other devices to

“communicate” with each other. For example, by connecting a sequencer to

the MU5’s MIDI IN terminal, you could play back a song on the sequencer

using the Voices of the MU5.

So, where does General MIDI fit in all of this? One of the most important

features of General MIDI is in the standardization of Voices. This means that

a song recorded in the General MIDI format can be played back on any Gen-

eral MIDI compatible tone generator and sound just as the composer intended.

For example, if there is an alto sax solo in the song, it will be played by an alto

sax Voice on the General MIDI tone generator (and not by a tuba or harpsi-

chord!). Since the MU5 is fully compatible with General MIDI, you can take

advantage of the vast wealth of musical material recorded in that format.

The MU5 — What It Is and What It Can Do

■

What It Can Do...

Here are a few ideas on how you can use the MU5. The list below is not

comprehensive, but is meant to be a general guide to the possibilities and

provide a starting point or springboard for your own creative ideas and explo-

rations.

●

Using With MIDI Keyboard

Use the MU5 as supplementary tone generator with your MIDI

keyboard and play the Voices of both instruments in a layer

together. Or, if your keyboard has the capability, program a

“split” so that the notes you play on the right side of the keyboard

play only the Voices of the MU5.

●

Using With Other MIDI Controllers

Even if you’re not a keyboard player, you can still play the MU5

with other types of MIDI controllers. For example, you can use a

MIDI percussion controller to play the drum and percussion

sounds of the MU5.

■

When Connected to a Computer or

Sequencer

●

Home Studio Setup

The MU5 integrates easily into any existing setup. If you have a

MIDI keyboard, computer and sequencing software, the MU5

with its high-quality Voices and multi-timbral capabilities can

expand your home studio system.

●

Carry It With You

If you have a laptop computer (and sequencing software), simply

connect the MU5, plug in some headphones and you’ve got a

complete music making system that’s ready to go wherever you

go. Use it for composing, arranging, practicing or making/

playing demos for your band.

●

Perform With It

Bring it with you to a gig — as long as there’s a MIDI keyboard

on stage, you can use the high-quality sounds of MU5 in your

performance.

●

Multimedia

Since it’s portable and compatible with General MIDI, the MU5

is a natural for multimedia applications. Bring it with you to a

presentation — since the computer interface is built-in to the

MU5, it hooks up instantly and easily to the computer’s serial

port or printer port, without the need for any other equipment.

■

About the Modes of the MU5

The MU5 has three operating modes: Play, Utility and Part Edit.

(Utility and Part Edit are the two edit-related modes of the MU5.)

●

Play Mode

This is the normal mode of the MU5, the one in which you

normally play and select the internal Voices (either from the

built-in keyboard or a connected MIDI device), select Parts, and

use the Mute and Solo functions.

●

Utility Mode

The Utility mode lets you set functions related to the overall

operation of the MU5, such as Master Tune, Transpose and

Velocity settings. Included also are utility operations, such as

sending bulk data to a data storage device, and initializing of the

MU5 settings.

●

Part Edit Mode

The Part Edit mode allows you to change certain settings for each

individual Part, such as the Volume, Pan and individual tuning

settings for each Part. The internal Voices can be sounded during

editing, allowing you to hear the effects of your edits.

The MU5 — What It Is and What It Can Do

CAUTION!

■

Do not attempt to use an AC adaptor other than

the PA-3, PA-4 or PA-40. The use of an incompat-

ible adaptor may result in irreparable damage to the

MU5, and even pose a serious shock hazard.

(Never use the PA-3B.)

■

Be sure to disconnect the power adaptor from the

outlet when the MU5 is not in use.

Setting Up Your MU5

●

Using a Power Adaptor

Connect one end of the power adaptor (Yamaha PA-3, PA-4 or

PA-40) to the DC IN jack on the rear panel, and the other end to

a suitable electrical outlet.

HOST SELECT

TO HOST

MIDI PC-2 PC-1 Mac

DC IN

POWER

ON OFF

AC adaptor

■

Power Supply

Your MU5 will run either from an optional AC adaptor or batteries. Follow

the instructions below according to the power source you intend to use.

NOTE

Before making any connections, make sure that all equipment to

be connected is turned off.

●

Using Batteries

To use the MU5 on battery power, insert six 1.5V AA size

(SUM-3, R-6 or equivalent) manganese or alkaline batteries in

the battery compartment. Make sure to follow the polarity

indications on the bottom case (and as shown below).

Securely replace the battery compartment cover when done

installing the batteries.

Setting Up Your MU5

●

When to Replace the Batteries

When the battery power runs too low to operate the MU5, the

following display will appear:

PART PGM VOICE NAME

When this happens, replace all batteries with a complete set of six

new batteries of the same type.

CAUTION!

■

In order to avoid losing any important memory

settings when battery power becomes low, turn off

the MU5, then immediately connect a power

adaptor (to supply continuous power) and replace

all batteries.

■

NEVER mix old and new batteries or different

types of batteries! Also, to prevent possible dam-

age due to battery leakage, remove the batteries

from the instrument if it is not to be used for an

extended period of time.

■

Audio Connections

In order to hear your MU5, you’ll have to make certain audio connections.

You can listen to the MU5 by using a set of stereo headphones or by connect-

ing it to an amplifier/speaker system.

●

Using Headphones

Connect a set of stereo headphones (with a stereo miniature plug)

to the LINE OUT/PHONES jack.

Headphones

MIN VOLUME MAX LINE OUT/

PHONES

●

Using an External Sound System

Connect the LINE OUT/PHONES jack on the MU5 to the stereo

inputs of an amplifier/speaker system by using a “Y” cable

(stereo miniature plug to dual RCA pin plugs), available from

many audio and musical instrument dealers.

MIN VOLUME MAX LINE OUT/

PHONES

As you learned in the section The MU5 — What It Is and What It Can Do

on page 11, the MU5 can be integrated into a variety of setups. It would be

impossible to cover all connection possibilities in a short manual as this;

however, the section below will help in quickly setting up the MU5 and using

it in your system.

■

Connecting With a Computer

The MU5 features a built-in host computer interface, allowing you to directly

connect it to your computer — eliminating the need of installing a special

MIDI interface to your computer. The MU5 can be used with the following

computers: Apple Macintosh, IBM PC and the NEC PC-9800 Series.

If your computer has a MIDI interface you may want to connect the MU5 to it,

rather than using the host computer interface on the MU5. (See the section

“Connecting to Other MIDI Devices” on page 20.)

Depending on the computer or interface used, set the HOST SELECT switch

to the appropriate setting: MIDI, PC-1 (NEC computers), PC-2 (IBM and

clones), or MAC (Macintosh). For information on the types of cables that can

be used for connection, see the section “MIDI/Computer Connecting

Cables” on page 22.

Setting Up the MU5 in Your Music System

Macintosh

Follow these instructions if you have an Apple Macintosh that is

not equipped with an external MIDI interface. Connect the TO

HOST terminal on the MU5 to the Modem or Printer port on the

Macintosh.

Operation

Set the HOST SELECT switch to MAC.

Connect the MU5 to the host computer, as shown in the

illustration above. Use a standard Macintosh cable (8-pin

Mini DIN on both ends; see page 22).

Turn on the host computer, then the MU5.

Start up your music software, and set up the appropriate

options on the software for operation with the MU5.

●

The options you may have to set include:

• MIDI Interface Type ➝ Standard MIDI Interface

• MIDI Time Piece ➝ Off

• Clock ➝ 1 MHz

Other options and settings may have to be made as well. Refer to

the owner’s manual of your particular music software for more

information.

HOST SELECT

MIDI PC-2 PC-1 Mac

TO HOST

DC IN

POWER

ON OFF

IBM PC and Clones

Follow these instructions if you have an IBM PC/AT or compat-

ible computer that is not equipped with an external MIDI inter-

face. Connect the TO HOST terminal on the MU5 to one of the

computer’s serial ports, COM 1 or COM 2.

NOTE

■

Your music software must be able to recognize

the TO HOST connection. Consult your Yamaha

dealer for more details. If your software is not

compatible, you can still use the MU5 by installing a

MIDI interface (internal card or external) to the

computer.

Operation

Set the HOST SELECT switch to PC-2.

Setting Up the MU5 in Your Music System

Connect the MU5 to the host computer, as shown in the

illustration above. Use a standard computer cable (8-pin

Mini DIN to 9-pin D-SUB; see page 22).

Turn on the host computer, then the MU5.

Start up your music software, and set up the appropriate

options on the software for operation with the MU5.

Refer to the owner’s manual of your particular music software for

more information.

HOST SELECT

MIDI PC-2 PC-1 Mac

TO HOST

DC IN

POWER

ON OFF

NEC PC-9800 Series

The NEC PC-9800 Series computers are widely used in Japan.

For use with these computers, set the HOST SELECT switch on

the MU5 to PC-1. Operation is the same as for

the PC-2 setting explained above. The only

difference between PC-1 and PC-2 is the

communication baud rate. (See page 46.)

■

Connecting to Other MIDI Devices

The MU5 is equipped with MIDI IN and OUT terminals, allowing you to use it

in any MIDI system. Example uses for the built-in MIDI interface include:

• Connecting to a MIDI keyboard (for playing the sounds of the MU5

from that keyboard).

• Connecting to a MIDI tone generator (for playing the sounds of that

tone generator from the MU5).

• Connecting to a computer equipped with a MIDI interface (either

internal or external).

• Connecting to a hardware sequencer (such as the Yamaha QY20).

• Connecting to a MIDI data storage device (such as the Yamaha MDF2

MIDI Data Filer).

HOST SELECT

MIDI PC-2 PC-1 Mac

MU5

IN OUT

INOUT

MDF2

IN OUT

INOUT

MU5

IN OUT

INOUT

Operation

Set the HOST SELECT switch to MIDI.

Connect the MU5 to the appropriate MIDI device, as shown

in the illustrations above. Use a standard MIDI cable (see

page 22).

Turn on the connected device, then the MU5.

If you are using a computer, start up your music software,

and set up the appropriate options on the software for opera-

tion with the MU5.

Setting Up the MU5 in Your Music System

■

Data Flow Block Diagram

●

When HOST SELECT switch is set to MIDI:

MIDI OUT

MIDI IN

TO HOST

OUT

Keyboard

AWM

TONE GENERATOR

●

When HOST SELECT switch is set to Mac, PC-1 or PC-2:

* When Local Control is set to Off, the keyboard of the MU5

cannot be used to play the internal AWM Voices. (See page

35.)

MIDI OUT

MIDI IN

Keyboard

AWM

TONE GENERATOR

TO HOST

OUT

■

MIDI/Computer Connecting Cables

●

MIDI

Standard MIDI cable. Maximum length 15 meters.

2 (GND)2

DIN 5-PIN

●

Macintosh

Apple Macintosh Peripheral cable (M0197). Maximum length 2 meters.

2 (HSK i)1

1 (HSK 0)2

5 (RxD-)3

MINI DIN

8-PIN

4 GND4

3 (TxD-)5

8 (RxD+)6

7 (GP i)7

6 (TxD+)8

MINI DIN

8-PIN

●

PC-1

8-pin MINI DIN to D-SUB 25-pin cable. If your PC-1 type computer has a

9-pin serial port, use the PC-2 type cable. Maximum length 1.8 meters.

MINI DIN

8-PIN

D-SUB

25-PIN

5 (CTS)1

4 (RTS)2

3 (RxD)3

4 7 (GND)

2 (TxD) 5

●

PC-2

8-pin MINI DIN to D-SUB 9-pin cable. Maximum length 1.8 meters.

8 (CTS)1

7 (RST)2

2 (RxD)3

4 5 (GND)

3 (TxD) 5

MINI DIN

8-PIN

D-SUB

9-PIN

Playing the Demo Song

Now that you’ve set everything up properly, try playing the built-in Demo

Song. This showcases the high-quality Voices and the AWM tone generation

system of the MU5.

Operation

Simultaneously hold down the s buttons and press

the E button.

Playing the Demo Song

The Demo Song starts playing immediately and repeats

indefinitely until stopped (in step 4 below). Playback of the

individual Parts of the song is shown graphically by the

“level meter” bars in the display.

NOTE

■

During Demo Song playback, all panel controls

(except the e button and the VOLUME control)

cannot be used.

To stop playback of the song, press the e button.

To exit from the Demo Song function, press the e button

again.

EXIT

Simultaneously hold down the s buttons and press

the E button again to start the song.

ENTER

OCT

DOWN

OCT

SELECT

PART PGM VOICE NAME

ENTER

OCT

DOWN

OCT

SELECT

PART PGM VOICE NAME

123456789101112 16151413

Using the MU5 — The Play Mode

Now that you’ve heard the sophisticated capabilities of the MU5, try playing

with some of them yourself in the Play mode.

When you turn on the power of the MU5 or press the e button, the Play

mode is automatically called up. In this mode, you can select any of the 16

Parts for playing, and select which Voice is played in each Part.

Playing the Keyboard

The built-in two-octave keyboard allows you to play the Voices

directly from the MU5 itself, without having to use an external

keyboard. Since what you play on the keyboard is also transmit-

ted via MIDI (or the TO HOST terminals), you can also play an

external tone generator or enter notes to a sequencer.

As you play the keyboard, notice the bars that appear in the

display at the current Part. These serve as a kind of “level

meter,” like those found on a mixing console or tape recorder,

indicating the level (or velocity) of the Voice at the correspond-

ing Part.

Keyboard range: E to E

(C notes are indicated on panel)

MSTR

TUNE

TRNS

POSE

MUTE

LOCK

VELO

CITY

LOCL

CTRL

DUMP

OUT

INIT

ALL

VOL PAN

MIDI

NOTE

SHFT

PAR T

TUNE

BEND

RNGE

OCT

DOWN

OCT

123 45 678 90

UTILITY

PART EDIT

ENTER

SELECT

C C

PART PGM VOICE NAME

123456789101112 16151413

Indicates the level (or

velocity) of the Part

currently being played.

Using the MU5 — The Play Mode

The velocity of the keyboard is fixed; in other words, each note

you play sounds at a predetermined volume. You can change this

velocity setting from the Velocity parameter in the Utility mode.

(See page 34.)

Changing the Octave Setting

Though the keyboard itself is two octaves, you can actually play

the MU5 over a ten-octave range. To do this use the d

(OCTAVE DOWN) and u (OCTAVE UP) buttons. Press

the d button to lower the pitch by an octave, and press

the u button to raise it by an octave. The current octave

setting is shown in the display. (No indication appears when the

octave setting is normal.)

OCT

DOWN

OCT

SELECT

PART PGM VOICE NAME

OCT

Current octave setting. (In this example,

the pitch is one octave above normal.)

Selecting a Part and Changing the Voice

Now, let’s select a different Part and change its Voice.

Operation

Use the < buttons to select Part 2. (If Part 1 is shown in

the display, simply press the . button once.)

A total of 16 Parts are available, and each is shown in the

display.

Use the _ buttons to select program number 12,

“Vibes.” (You can also use the number keys on the keyboard

to select a Voice; see boxed section on the next page.)

NOTE

■

You can rapidly advance to the desired number

by briefly holding down the appropriate _

button.

The MU5 has a total of 128 Voices, plus 8 different drum

kits. An “OFF” setting (a value of 137, or higher) is also

available for turning off the selected Part. (See page add-2

for a list of the available Voices.)

Indicates selected program

(Voice) number.

Indicates selected Voice name.

PART

PART PGM VOICE NAME

Indicates selected Part.

–

1 VALUE +1

PART PGM VOICE NAME

Using the MU5 — The Play Mode

■

Using the Number Keys to Select a Voice

In the Play mode, you can also use the number keys to select a

Voice’s program number.

To do this, simultaneously hold down the s buttons and

press the number of the value you wish to set. For example, to

set a value of 47, simultaneously hold down the s

buttons and press 4, then 7, and finally press the

E button to actually enter the new value.

While holding this down, press

the following buttons in order:

ENTER

PART PGM VOICE NAME

OCT

DOWN

OCT

SELECT

Using the MU5 with a Computer or Sequencer

By connecting the MU5 to a computer or sequencer, you have a powerful

music system for playing back songs and even and creating your own songs,

using the Voices of the MU5.

Make sure that the MU5 is properly connected to the computer or sequencer,

and that your music software is ready to run. (Refer to pages 17 – 21 for

connection examples and instructions.) If you are using the TO HOST

terminal or if both MIDI terminals are properly connected, you should be able

to play songs from your software and enter notes to the software from the

MU5.

Using the MU5 with a MIDI Data Storage Device

You can also use the MU5 with a MIDI data storage device, such as the

Yamaha MDF2 MIDI Data Filer. This lets you save or back up whatever

changes you’ve made in the settings of the Utility and Part Edit modes. Then,

when you want to recall those settings, you can transfer the appropriate data

from the storage device.

The MDF2 also allows you to play compatible song data on the MU5 directly

from the MDF2 itself, without the need of a sequencer.

Make sure that the MU5 is properly connected to the data storage device (via

MIDI). (Refer to page 20 for the connection example.) Use the Dump Out

function (page 36) to send data to the device. Also refer to the owner’s manual

of your data storage device for specific operating instructions in receiving or

sending data.

Muting and Soloing Parts

While a song is playing back on your computer or sequencer, you can selec-

tively mute or solo any of the 16 Parts of the MU5. Mute lets you silence one

Part to hear how all of the other Parts sound without it. Solo lets you isolate a

single Part, to hear how that Part sounds by itself.

Mute and Solo are effective tools that help you as you edit the Parts, since they

allow you to better hear how the changes you make affect specific Voices as

well as the overall sound.

Operation

During playback, press the m button. Each press cycles

through the three functions: Mute, Solo and Normal opera-

tion.

Using the MU5 with a Computer or Sequencer /

Using the MU5 with a MIDI Data Storage Device / Muting and Soloing Parts

PART PGM VOICE NAME

123456789101112 16151413

The selected Part is

muted, while all other

Parts sound normally.

PART PGM VOICE NAME

123456789101112 16151413

The selected Part is

soloed, while all other

Parts are muted.

PART PGM VOICE NAME

123456789101112 16151413

All Parts sound normally.

Mute

Solo

Normal

Editing

The editing features of the MU5 provide various controls for changing the

Parts and setting other important operating functions. Among other things,

these let you set the Volume or pitch of each Part independently, change the

Velocity of the built-in keyboard, and save all of your edits to a connected

computer, sequencer or data storage device.

The MU5 has two edit modes: Utility and Part Edit. The Utility mode func-

tions are related to the overall operation of the MU5, while the Part Edit mode

provides independent controls for each Part. (See the Reference section of this

manual for information about the specific editing functions.)

Operation

Simultaneously hold down the s buttons and press

the white key on the keyboard corresponding to the function

you wish to edit.

(For Part Edit only:) Use the < buttons to select the Part

you wish to edit.

You can change the value or setting in two different ways:

●

Use the -/= buttons.

Shows currently selected parameter.

PART

PART PGM VOICE NAME

Shows currently selected Part.

Press or hold down

the appropriate

button.

–

1 VALUE +1

PART PGM VOICE NAME

Shows current

parameter value.

VOL

PART PGM VOICE NAME

OCT

DOWN

OCT

SELECT

●

Use the number keys on the keyboard.

While holding down the s buttons, press the number

of the value you wish to set. For example, to set a value of

47, simultaneously hold down the s buttons and press

4, then 7, and finally press the E button to

actually enter the new value.

This concludes our short tour of the basic setup and general operations

of the MU5. Now that you’ve learned how to operate your MU5, look

through the Reference section that follows for more detailed informa-

tion on the Utility and Part Edit modes.

Editing

NOTE

■

If you try to enter an “illegal” value — a number

outside the range of the parameter — the MU5

enters the closest value to the one you’ve typed in.

For example in the Volume parameter, the range of

the parameter is 1 - 127, and if you try to enter 356,

the MU5 automatically enters 127.

Press the e button to return to the Play mode, or repeat

the steps above to edit another function.

EXIT

ENTER

PART PGM VOICE NAME

OCT

DOWN

OCT

SELECT

While holding this down, press

the following buttons in order:

Reference

Utility Mode

The Utility mode lets you set functions related to the overall operation of the

MU5, such as Master Tune, Transpose and Velocity settings. Included also are

utility operations, such as sending bulk data to a data storage device, and

initializing of the MU5 settings.

Master Tune

Range

+/- 100 cents

Default

This determines the overall fine tuning of the MU5’s Voices. It

also affects the pitch of the individual drum/percussion sounds of

the drum kits. Master Tune is especially useful for adjusting the

pitch of the MU5 when playing with other instruments. (The

actual pitch of each Voice depends also on the other pitch related

parameters: Transpose, Note Shift and Part Tune.)

NOTE

■

At around 440 Hz, 1 Hz is approximately equal to

4 cents.

PART PGM VOICE NAME

Not available Tuning value

Utility Mode

Transpose

Range

+/- 24 semitones

Default

This determines the overall key transposition of the MU5’s

Voices, over a total range of four octaves in semitone steps. A

Transpose setting of “0” results in normal pitch. Unlike Master

Tune, it has no effect on the individual drum/percussion sounds

of the drum kits.

Mute Lock

Settings

Off, On (Use the -/= buttons to change this setting.)

Default

Off

This determines whether or not the Part Mute status of the MU5

is reset when receiving a GM Mode On message. Generally, this

message is automatically transmitted to the MU5 as part of

General MIDI song data. When Mute Lock is off, this resets the

Mute status of the Parts on the MU5. If you want to keep the

current Mute settings and disable this reset, set Mute Lock to On.

(For more information on the Mute function, see page 29.)

PART PGM VOICE NAME

Not available Mute Lock setting

PART PGM VOICE NAME

Not available Transpose value

Velocity

Range

1 – 127

Default

This determines the note on velocity of the built-in keyboard. All

notes that you play from the MU5’s keyboard will be at this fixed

velocity, and sound at the same level. This velocity is also

transmitted to connected devices via the MIDI or TO HOST

terminals. However, this does not affect the incoming velocity of

notes played from a connected sequencer or external keyboard.

NOTE

■

Keep in mind that when playing the MU5’s

keyboard, the actual sound level of a Part also

depends on the Volume setting in the Part Edit

mode. If the Volume setting is at or near the

minimum, the Part may be very low in level, no

matter what the Velocity setting made here.

PART PGM VOICE NAME

Not available Velocity setting

Utility Mode

Local Control

Settings

Off, On (Use the -/= buttons to change this setting.)

Default

This determines whether or not the internal tone generator

responds to the notes you play on the MU5’s keyboard. Setting

this to Off effectively disconnects the MU5 keyboard from the

internal tone generator. However, notes played on the keyboard

are still transmitted via the TO HOST or MIDI OUT terminals.

HINT

■

One useful application of Local Control is when

you’ve connected the MU5 to another tone genera-

tor and want to play only that tone generator and

leave the MU5 Voices silent.

■

A more common application would be when using

the MU5 keyboard to input notes to a sequencer. If

the sequencer is also set up to play back data using

the Voices of the MU5, when you play the MU5, it

will be sounding its own voices twice — once from

the keyboard, and after a very brief delay, again

from the MIDI data coming from the sequencer.

This not only decreases the available polyphony of

the MU5 by half, but also creates an undesirable

flanging sound. To remedy the problem, set Local

Control to Off.

PART PGM VOICE NAME

Not available Local Control setting

Dump Out

Settings

1 – 16, All

Default

All

This function allows you to save the current parameter settings of

the MU5 to a MIDI sequencer, computer or a MIDI data recorder

(such as the Yamaha MDF2 MIDI Data Filer).

PART PGM VOICE NAME

Not available Device number setting

(see boxed section on page 37).

MU5

MIDI DATA

RECORDER

MIDI OUT MIDI IN

MIDI OUTMIDI IN

●

Saving & Restoring Data via MIDI

MU5

TO HOST SERIAL PORT

COMPUTER/

MIDI DATA

RECORDER

●

Saving & Restoring Data via TO HOST

Bulk Dump data can be

sent and received using

the TO HOST connection.

Bulk Dump data can be

sent and received using

the MIDI IN and MIDI OUT

connections.

Utility Mode

Operation

Make sure that the MU5 is properly connected to the

device and that the HOST SELECT switch is properly set.

When using the MIDI terminals, connect the MIDI OUT of

the MU5 to the MIDI IN of the data recorder. (See the

Saving & Restoring Data via MIDI illustration above.)

Also, set the HOST SELECT switch to MIDI.

When using the TO HOST terminal, make sure that the

HOST SELECT switch is set corresponding to the device to

be used. (Refer to pages 17 – 21 for more on host computer

connections.)

Simultaneously hold down the s buttons and press

A “Sending” message appears in the display during the

operation. Once started, the operation cannot be stopped.

When the operation is completed, the MU5 returns to the

normal Play mode.

■

Setting the Device Number

The settings allow you to select the device number speci-

fied for the data dump. If you are using more than one

MU5, set a different device number (1 – 16) for each unit

before sending the data. If you have only one MU5, set this

to ALL.

■

When using the number keys to enter a value for device

number, the value “0” corresponds to “ALL.”

●

To reload the data from the data recorder back to the MU5:

Make sure that the devices are properly connected (see the

Saving & Restoring Data via MIDI illustrations above), and

execute the appropriate data transfer operation from the data

recorder. (Refer to the owner’s manual of that device for instruc-

tions.) The MU5 automatically receives incoming bulk data.

Initialize All

This operation allows you to restore the original factory settings

of the MU5.

CAUTION!

■

Using Initialize All will erase whatever settings

you’ve made on the MU5. If you have important

settings you wish to keep, store them to a MIDI

data recorder with the Dump Out function. (See

page 36.)

Operation

Simultaneously hold down the s buttons and press

When the operation is completed, a “Finished” message appears

in the display and the MU5 returns to the normal Play mode.

PART PGM VOICE NAME

123456789101112 16151413

Part Edit Mode

The Part Edit mode allows you to change certain settings for each individual

Part. Keep in mind, though, that the settings you make may automatically

change when playing songs on a connected sequencer. For example, the song

data may include different Volume, Pan and Note Shift settings for each Part.

Volume

Part Edit Mode

Range

0 – 127

Default

100

This determines the Volume of the selected Part. The Volume

setting is graphically represented by bars in the display.

NOTE

■

Keep in mind that when playing the MU5’s

keyboard, the actual sound level of a selected Part

also depends on the Velocity setting in the Utility

mode. If the Velocity setting is at or near the

minimum, the Part may be very low in level, no

matter what the Volume setting made here.

Selected Part

Volume setting

Graphically shows

Volume position for

each Part.

PART PGM VOICE NAME

123456789101112 16151413

PART PGM VOICE NAME

123456789101112 16151413

Pan

MIDI Channel

Range

1 – 16, Off

Default

Part 1 = 1, Part 2 = 2, Part 3 = 3, etc.

This determines the MIDI Receive Channel for each Part. For

example, if a Part is set to channel 1, it responds only to MIDI

data received over channel 1. For full multi-timbral operation, in

which each Part is used to play a different Voice, use the default

setting. (The “Off” setting can also be selected by using the

number key 0.)

Pan setting

Graphically shows

Pan position for

each Part.

Range

L 64 – C 00 – R 63

Default

C 00

This determines the stereo position of a selected Part. The Pan

position is graphically represented by bars in the display. A

double bar (equal sign) in the middle represents the center

position (C 00), while a bar at the top indicates full right (R 63)

and a bar at the bottom indicates full left (L 64).

MIDI Channel setting

Selected Part

Shows MIDI

Channel setting for

each Part.

PART PGM VOICE NAME

123456789101112 16151413

PART PGM VOICE NAME

123456789101112 16151413

Part Edit Mode

Note Shift

Range

-24 – +24 semitones

Default

This determines the key transposition (Note Shift) setting for

each Part. Keep in mind that the actual key transposition of the

Part also depends on the global Transpose setting in the Utility

menu (see page 33).

Part Tune

Range

+/- 100 cents

Default

This determines the fine tuning setting for each Part. It also

affects the pitch of the individual drum/percussion sounds of the

drum kits. Keep in mind that the actual pitch setting of the Part

also depends on the global Master Tune setting in the Utility

menu (see page 32).

Note Shift setting

Shows Note Shift

setting for each

Part.

Part Tune setting

Shows Part Tune

setting for each

Part.

Selected Part

Pitch Bend Range

Range

-24 – +24 semitones

Default

+02

This determines the maximum range over which the pitch of the

Part can be changed by Pitch Bend messages. Most MIDI

keyboards feature a Pitch Bend wheel, which allows you to

“bend” the pitch up or down as you play. Pitch Bend data can

also be recorded to a sequencer along with normal note data, and

then played back using the MU5.

The default setting (+02) allows you to continuously change the

pitch by a whole tone, up or down. Positive values raise the pitch

when you move the Pitch Bend wheel up, while negative values

lower the pitch when you move the wheel up.

PART PGM VOICE NAME

123456789101112 16151413

Bend Range setting

Shows Bend

Range setting for

each Part.

Selected Part

Appendix

Troubleshooting

Even though the MU5 is exceptionally easy to use, it may occasionally not

function as you expect it to. If that happens, check the possible problems and

solutions below before assuming that the instrument is faulty.

Problem Possible Cause and Solution

No power.

No sound.

• If you are using an AC adaptor, check that the

adaptor is properly plugged into both the AC

outlet and the MU5. (See page 14.)

• If you are using batteries, check that a fresh set

of batteries are properly installed in the battery

compartment. (See page 15.)

• Check that the side panel volume control is set

to an appropriate level. (See page 10.)

• Check that other volume-related parameters are

set to appropriate levels. (See Velocity, page

34, and Volume, page 39.)

• Check that the Parts being played are properly

turned on. (See page 26.)

• Check the Mute and Solo settings. (See page

29.) If a Part is being muted, or an empty Part

is being soloed, you may not get any sound.

Problem Possible Cause and Solution

• Check that Local Control is set to on. (See page

35.) Also check the points for “No Sound”

above.

• Check all MIDI connections, making sure that

the MIDI OUT of the external device is con-

nected to the MIDI IN of the MU5, and that the

MIDI IN of the external device is connected to

the MIDI OUT of the MU5. (See page 20.) Or,

if you are using the TO HOST terminal with a

computer, make sure that the terminal is prop-

erly connected to the computer and that the

HOST SELECT switch is properly set for your

particular computer. (See page 17.)

• The maximum polyphony of the MU5 may be

exceeded. The MU5 can play no more than 28

notes at once.

• Check that Local Control is set to off. (See

page 35.) Also check the settings on your

sequencer or computer (such as “MIDI Echo” or

“Echo Back”).

• This is nomal when routing the MU5 to a

sequencer (or computer) and the sequencer’s

“MIDI Echo” or “Echo Back” is set to on.

No sound when playing

the keyboard on the MU5.

No sound when playing

the MU5 from a computer,

sequencer or external

keyboard.

Notes are cut off or

omitted.

When using a sequencer

or computer, an unusual

“flanging” sound occurs

and/or not all notes seem

to sound.

Even though Local control

function is set to off, the

MU5 continues to sound

when playing the built-in

keyboard.

Error Messages

Errors may occur from time to time, and when they do the MU5 will display a

message to indicate the type of problem so that you can rectify it and return to

normal operation.

Troubleshooting / Error Messages

Too much MIDI data is being received by the

MU5 at one time. Reduce the amount of data

being sent to the MU5.

An error has been detected in the MIDI data

received by the MU5. Check all relevant

settings, then try receiving the data again.

The battery voltage is too low for proper

operation. Replace the old batteries with a

set of new ones. (See page 15.)

PART PGM VOICE NAME

Specifications

●

Tone Generation Method

Advanced Wave Memory (AWM)

●

Polyphony

28-note (Dynamic allocation)

●

Multi-timbral Capacity

16-Part

●

Demo Song

1 (not editable, stored in ROM)

●

Display

Custom LCD (54.5 mm x 29.4 mm)

●

Controls

,, ., -, =, m, e,

d, u, keypad (including number buttons,

UTILITY and PART EDIT buttons, / button and E

button); POWER switch, HOST SELECT switch, VOLUME

control

●

Jacks and Terminals

MIDI OUT and MIDI IN terminals, TO HOST terminal (8-pin

mini DIN), DC IN jack, OUTPUT/PHONES jack

●

Host Computer Interface and Data Baud Rate

MIDI — 31,250 bps (bits per second)

Mac — 31,250 bps

PC-1 — 31,250 bps

PC-2 — 38,400 bps

●

Power Supply

YAMAHA PA-3, PA-4 or PA-40 AC Adaptor (sold separately).

(Never use the PA-3B.)

Six “AA”size, SUM-3, R-6 or equivalent batteries

(sold separately)

●

Dimensions (W x D x H)

188 x 104 x 33 mm (7-3/8" x 4-1/8" x 1-1/3")

●

Weight

340g (12 oz.) (w/o batteries)

* Specifications subject to change without notice.

Index

batteries, replacing . . . . . . . . . . . .15

batteries, using . . . . . . . . . . . . . . .15

baud rate . . . . . . . . . . . . . . . . . . . .46

Bend Range . . . . . . . . . . . . . . . . .42

computer, IBM . . . . . . . . . . . . . . .19

computer, Macintosh . . . . . . . . . .18

computer, NEC . . . . . . . . . . . . . . .20

connections, audio . . . . . . . . . . . .16

connections, MIDI . . . . . . . . . . . .20

Demo Song . . . . . . . . . . . . . . . . . .23

Dump Out . . . . . . . . . . . . . . . . . . .36

editing . . . . . . . . . . . . . . . . . . . . . .30

General MIDI . . . . . . . . . . . . . . . .11

headphones . . . . . . . . . . . . . . . . . .16

Initialize All . . . . . . . . . . . . . . . . .38

Local Control . . . . . . . . . . . . . . . .35

Master Tune . . . . . . . . . . . . . . . . .32

MIDI . . . . . . . . . . . . . . . . . . . . . . .11

MIDI Channel . . . . . . . . . . . . . . . .40

MIDI data storage device . . . .20, 36

mode . . . . . . . . . . . . . . . . . . . . . . .13

Mute . . . . . . . . . . . . . . . . . . . . . . .29

Mute Lock . . . . . . . . . . . . . . . . . .33

Note Shift . . . . . . . . . . . . . . . . . . .41

octave setting . . . . . . . . . . . . . . . .25

on-off setting . . . . . . . . . . . . . .9, 26

Pan . . . . . . . . . . . . . . . . . . . . . . . .40

Part Edit mode . . . . . . . . . . . .13, 39

Part Tune . . . . . . . . . . . . . . . . . . .41

Parts, muting . . . . . . . . . . . . . . . . .29

Parts, selecting . . . . . . . . . . . . . . .26

Parts, soloing . . . . . . . . . . . . . . . .29

Play mode . . . . . . . . . . . . . . . .13, 24

power adaptor, using . . . . . . . . . .14

s buttons . . . . . . . . . . .9, 30

Solo . . . . . . . . . . . . . . . . . . . . . . . .29

Transpose . . . . . . . . . . . . . . . . . . .33

Utility mode . . . . . . . . . . . . . .13, 32

Velocity . . . . . . . . . . . . . . . . . . . .34

Voices, selecting . . . . . . . . . . . . . .26

Volume . . . . . . . . . . . . . . . . . . . . .39

Specifications / Index

Voice List

MIDI Data Format

add-

Voice List

●

Voice List

33 Bass Acoustic Bass Aco.Bass

34 Electric Bass (finger) FngrBass

35 Electric Bass (pick) PickBass

36 Fretless Bass Fretless

37 Slap Bass 1 SlapBas1

38 Slap Bass 2 SlapBas2

39 Synth Bass 1 SynBass1

40 Synth Bass 2 SynBass2

41 Strings Violin Violin

42 Viola Viola

43 Cello Cello

44 Contrabass ContraBs

45 Tremolo Strings Trem.Str

46 Pizzicato Strings Pizz.Str

47 Orchestral Harp Harp

48 Timpani Timpani

49 Ensemble String Ensemble 1 Strings1

50 String Ensemble 2 Strings2

51 Synth Strings 1 Syn.Str1

52 Synth Strings 2 Syn.Str2

53 Choir Aahs ChoirAah

54 Voice Oohs VoiceOoh

55 Synth Voice SynVoice

56 Orchestra Hit Orch.Hit

57 Brass Trumpet Trumpet

58 Trombone Trombone

59 Tuba Tuba

60 Muted Trumpet Mute.Trp

61 French Horn Fr.Horn

62 Brass Section BrasSect

63 Synth Brass 1 SynBras1

64 Synth Brass 2 SynBras2

1 Piano Acoustic Grand Piano GrandPno

2 Bright Acoustic Piano BritePno

3 Electric Grand Piano E.Grand

4 Honky-tonk Piano HnkyTonk

5 Electric Piano 1 E.Piano1

6 Electric Piano 2 E.Piano2

7 Harpsichord Harpsi.

8 Clavi Clavi.

9 Chromatic Celesta Celesta

10 Percussion Glockenspiel Glocken

11 Music Box MusicBox

12 Vibraphone Vibes

13 Marimba Marimba

14 Xylophone Xylophon

15 Tubular Bells TubulBel

16 Dulcimer Dulcimer

17 Organ Drawbar Organ DrawOrgn

18 Percussive Organ PercOrgn

19 Rock Organ RockOrgn

20 Church Organ ChrchOrg

21 Reed Organ ReedOrgn

22 Accordion Acordion

23 Harmonica Harmnica

24 Tango Accordion TangoAcd

25 Guitar Acoustic Guitar (nylon) NylonGtr

26 Acoustic Guitar (steel) SteelGtr

27 Electric Guitar (jazz) Jazz Gtr

28 Electric Guitar (clean) CleanGtr

29 Electric Guitar (muted) Mute.Gtr

30 Overdriven Guitar Ovrdrive

31 Distortion Guitar Dist.Gtr

32 Guitar Harmonics GtrHarmo

Pgm Instrument Name LCD

# Group

Pgm Instrument Name LCD

# Group

add-

65 Reed Soprano Sax SprnoSax

66 Alto Sax Alto Sax

67 Tenor Sax TenorSax

68 Baritone Sax Bari.Sax

69 Oboe Oboe

70 English Horn Eng.Horn

71 Bassoon Bassoon

72 Clarinet Clarinet

73 Pipe Piccolo Piccolo

74 Flute Flute

75 Recorder Recorder

76 Pan Flute PanFlute

77 Blown Bottle Bottle

78 Shakuhachi Shakhchi

79 Whistle Whistle

80 Ocarina Ocarina

81 Synth Lead Lead 1 (square) SquareLd

82 Lead 2 (sawtooth) Saw.Lead

83 Lead 3 (calliope) CaliopLd

84 Lead 4 (chiff) Chiff Ld

85 Lead 5 (charang) CharanLd

86 Lead 6 (voice) Voice Ld

87 Lead 7 (fifths) Fifth Ld

88 Lead 8 (bass+lead) Bass &Ld

89 Synth Pad Pad 1 (new age) NewAgePd

90 Pad 2 (warm) Warm Pad

91 Pad 3 (polysynth) PolySyPd

92 Pad 4 (choir) ChoirPad

93 Pad 5 (bowed) BowedPad

94 Pad 6 (metallic) MetalPad

95 Pad 7 (halo) Halo Pad

96 Pad 8 (sweep) SweepPad

Pgm Instrument Name LCD

# Group

Pgm Instrument Name LCD

# Group

97 Synth Effects FX 1 (rain) Rain

98 FX 2 (soundtrack) SoundTrk

99 FX 3 (crystal) Crystal

100 FX 4 (atmosphere) Atmosphr

101 FX 5 (brightness) Bright

102 FX 6 (goblins) Goblins

103 FX 7 (echoes) Echoes

104 FX 8 (sci-fi) SF

105 Ethnic Sitar Sitar

106 Banjo Banjo

107 Shamisen Shamisen

108 Koto Koto

109 Kalimba Kalimba

110 Bagpipe Bagpipe

111 Fiddle Fiddle

112 Shanai Shanai

113 Percussive Tinkle Bell TnklBell

114 Agogo Agogo

115 Steel Drums SteelDrm

116 Woodblock WoodBlok

117 Taiko Drum TaikoDrm

118 Melodic Tom MelodTom

119 Synth Drum Syn.Drum

120 Reverse Cymbal RevCymbl

121 Sound Effects Guitar Fret Noise FretNoiz

122 Breath Noise BrthNoiz

123 Seashore Seashore

124 Bird Tweet Tweet

125 Telephone Ring Telphone

126 Helicopter Helicptr

127 Applause Applause

128 Gunshot Gunshot

Voice List

add-

23 B -1 Click L

24 C 0 Click H

25 C# 0 Brush Tap

26 D 0 O Brush Swirl L

27 D# 0 Brush Slap

28 E 0 O Brush Swirl H Reverse Cymbal

29 F 0 O Snare Roll

30 F# 0 Castanet Hi Q

31 G 0 Snare L SD Power M Snare M

32 G# 0 Sticks

33 A 0 Bass Drum L Bass Drum M Bass Drum H

34 A# 0 Open Rim Shot

35 B 0 Bass Drum M Bass Drum H BD Power

36 C 1 Bass Drum H BD Power BD Gate

37 C# 1 Side Stick

38 D 1 Snare M SD Rock SD Power L

39 D# 1 Hand Clap

40 E 1 Snare H SD Power Rim SD Power H

41 F 1 Floor Tom L Room Tom 1 Power Tom 1 E Tom 1

42 F# 1 1 Closed Hi Hat

43 G 1 Floor Tom H Room Tom 2 Power Tom 2 E Tom 2

44 G# 1 1 Pedal Hi-Hat

45 A 1 Low Tom Room Tom 3 Power Tom 3 E Tom 3

46 A# 1 1 Hi-Hat Open

47 B 1 Mid Tom L Room Tom 4 Power Tom 4 E Tom 4

48 C 2 Mid Tom H Room Tom 5 Power Tom 5 E Tom 5

49 C# 2 Crash Cymbal 1

50 D 2 High Tom Room Tom 6 Power Tom 6 E Tom 6

51 D# 2 Ride Cymbal 1

52 E 2 Chinese Cymbal

53 F 2 Ride Cymbal Cup

54 F# 2 Tambourine

55 G 2 Splash Cymbal

56 G# 2 Cowbell

57 A 2 Crash Cymbal 2

58 A# 2 Vibraslap

59 B 2 Ride Cymbal 2

●

Drum Map

Pgm# 1 9 17 25

Note# Note Key Off Alternate Standard Kit Room Kit Rock Kit Electronic Kit

: Same as Standard Kit

add-

Reverse Cymbal

Hi Q

SD Power H Brush Slap L

Bass Drum M

BD Analog L

BD Analog H Gran Cassa

Analog Side Stick

Analog Snare L Brush Slap

Analog Snare H Brush Tap

Analog Tom 1 Jazz Tom 1 Brush Tom 1 Jazz Tom 1

Analog HH Closed 1

Analog Tom 2 Jazz Tom 2 Brush Tom 2 Jazz Tom 2

Analog HH Closed 2

Analog Tom 3 Jazz Tom 3 Brush Tom 3 Jazz Tom 3

Analog HH Open

Analog Tom 4 Jazz Tom 4 Brush Tom 4 Jazz Tom 4

Analog Tom 5 Jazz Tom 5 Brush Tom 5 Jazz Tom 5

Hand Cym.Open L

Analog Tom 6 Jazz Tom 6 Brush Tom 6 Jazz Tom 6

Hand Cym.Closed L

Hand Cym.Open H

Hand Cym.Closed H

26 33 41 49

Analog Kit Jazz Kit Brush Kit Classic Kit

Voice List

add-

Pgm# 1 9 17 25

Note# Note Key Off Alternate Standard Kit Room Kit Rock Kit Electronic Kit

60 C 3 Bongo H

61 C# 3 Bongo L

62 D 3 Conga H Mute

63 D# 3 Conga H Open

64 E 3 Conga L

65 F 3 Timbale H

66 F# 3 Timbale L

67 G 3 High Agogo

68 G# 3 Low Agogo

69 A 3 Cabasa

70 A# 3 Maracas

71 B 3 O Samba Whistle H

72 C 4 O Samba Whistle L

73 C# 4 Guiro Short

74 D 4 O Guiro Long

75 D# 4 Claves

76 E 4 Wood Block H

77 F 4 Wood Block L

78 F# 4 Cuica Mute Scratch Push

79 G 4 Cuica Open Scratch Pull

80 G# 4 2 Triangle Mute

81 A 4 2 Triangle Open

82 A# 4 Shaker

83 B 4 Jingle Bell

84 C 4 Bell Tree

85 C# 4 Hi Q

: Same as Standard Kit

add-

26 33 41 49

Analog Kit Jazz Kit Brush Kit Classic Kit

Analog Conga H

Analog Conga M

Analog Conga L

Scratch Push

Scratch Pull

Voice List

add-

MIDI Data Format

1. General

1.1 Application

This following MIDI information applies to the MU5.

1.2 Applicable Standards

MIDI 1.0 Standard.

2. MIDI Reception / Transmission Diagrams

2.1 Transmit Condition

HOST IN < sel > MIDI

NOTE ON $9n

BANK SELECT MSB $Bn, $00

BANK SELECT LSB $Bn, $20

MAIN VOLUME $Bn, $07

PANPOT $Bn, $0A

PITCH BEND SENSITIVITY $Bn, $64, $00, $65, $00, $06, $mm

FINE TUNING $Bn, $64, $01, $65, $00, $06, $mm, $26, $11

COARSE TUNING $Bn, $64, $02, $65, $00, $06, $mm

PROGRAM CHANGE $Cn

Parameter change (System) $F0, $43, $1n, $44, $00, $00, $00

::::

Parameter change (Multi Part) $F0, $43, $1n, $44, $02, $00, $00

::::

$F0, $43, $1n, $44, $02, $0F, $09

System informaton $F0, $43, $1n, $44, $03, $00, $00

≠ MIDI

➤

sel = Host Select

n = MIDI channel

add-

2.2 Receive Condition

MIDI $FE ACTIVE SENSING

< Rxnm > $8n NOTE OFF

< Rxnm > $9n NOTE ON

$Bn, $00 BANK SELECT MSB

$Bn, $20 BANK SELECT LSB

$Bn, $01 MODULATION

$Bn, $06 DATA ENTRY MSB

$Bn, $26 DATA ENTRY LSB

$Bn, $07 MAIN VOLUME

$Bn, $0A PANPOT

$Bn, $0B EXPRESSION

$Bn, $40 HOLD 1

$Bn, $54 PORTAMENTO CONTROL

$Bn, $64, $00, $65, $00, $06, $mm PITCH BEND SENSITIVITY

$Bn, $64, $01, $65, $00, $06, $mm, $26, $11 FINE TUNING

$Bn, $64, $02, $65, $00, $06, $mm COARSE TUNING

$Bn, $64, $7F, $65, $7F RPN RESET

$Bn, $78, $00 ALL SOUND OFF

$Bn, $79, $00 RESET ALL CONTROLLERS

$Bn, $7B, $00 ALL NOTE OFF

$Bn, $7C, $00 OMNI OFF

$Bn, $7D, $00 OMNI ON

$Cn, PROGRAM CHANGE

$Dn, CHANNEL PRESSURE

$En, PITCH BENDER

$F0, $7F, $7F(or $xv), $04, $01 MIDI MASTER VOLUME

$F0, $7E, $7F(or $xv), $09, $01, $F7 GENERAL MIDI MODE ON

$F0, $43, $1n, $27, $30, $00, $00 MIDI MASTER TUNING

$F0, $43, $1n, $44, $00, $00, $00 Parameter change (System)

:::

$02, $00, $00 Parameter change (Multi Part)

:::

$02, $0F, $09

$00, $00, $0F All Parameters Reset

$F0, $43, $3n, $44, $00, $00, $00 Dump request (System)

:::

$02, $00, $00 Dump request (Multi Part)

:::

$02, $00, $00 Dump request

(System Information)

:::

$02, $0F, $09

➤

≠ off

MIDI Data Format

n = MIDI channel

Rxnm = Receive note message

add-

3. Channel Messages

3.1 Transmission

3.1.1 Note ON/OFF

Note Range = E-2 – E8

Velocity = 0 – 127

3.1.2 Control change

The following parameters can be transmitted.

Control # Parameter Range

0 Bank select MSB 0,127

32 Bank select LSB 0

6 Data Entry MSB 0 – 127

38 Data Entry LSB 0 – 127

7 Main volume 0 – 127

10 Pan 0 – 127

100 RPN LSB 0 – 127

101 RPN MSB 0 – 127

3.1.2.1 Bank Select

Control # Parameter Range

0 Bank select MSB 0 : GM melody Voice

127 : GM rhythm Voice

32 Bank select LSB 0 : Fixed

The bank select MSB switches between melody Voices and rhythm Voices. The

bank select LSB is fixed at 0.

3.1.2.2 Data Entry

Control # Parameter Range

6 Data entry MSB 0 – 127

38 Data entry LSB 0 – 127

This is used in conjunction with the RPN parameter (see sections 3.1.2.5 and 3.1.4).

3.1.2.3 Volume

Control # Parameter Range

7 Main volume 0 – 127

3.1.2.4 Pan

Control # Parameter Range

10 Pan 0 – 127

A value of 0 corresponds to the left channel, and a value of 127 to the right.

3.1.2.5 (RPN) LSB / MSB

Control # Parameter Range

100 RPN LSB 0 – 127

101 RPN MSB 0 – 127

(Refer to section 3.1.4)

add-

3.1.3 Channel Mode Messages

Channel Mode Messages are not transmitted.

3.1.4 RPN (Registered Parameter Number)

The RPN MSB and RPN LSB must be sent first for the desired parameter setting,

followed by the data entry values.

RPN Data Entry

MSB LSB MSB LSB

$00 $00 $mm -- Pitch bend sensitivity

mm : $00 – $18 (0 – 24 semitones)

“--” : Not used

Range is two octaves, selectable in one semitone

steps. When power is turned on, this is set to two

semitones.

$00 $01 $mm $l l Master fine tuning

(mm,l l) : ($00,$00) – ($40,$00) – ($7F,$7F)

(-8192x100/8192) – 0 – (+8192x100/8192 cents)

$00 $02 $mm -- Master coarse tuning

mm : $28 – $40 – $58 (-24 – 0 – +24 semitones)

“--” : Not used

3.2 Reception

3.2.1 Note ON/OFF

Receive note range = C-2 – G8

Velocity range = 1 – 127 (Note On velocity only.)

When Receive Note Message is set to OFF, reception is disabled. When drum part

data is received, the MU5 sometimes does not respond to Note Off messages

(depending on the transmitted instrument).

3.2.2 Control Change

The following control change parameters are applicable to the MU5:

Control # Parameter Range

0 Bank select MSB 0 – 127

32 Bank select LSB 0

1 Modulation 0 – 127

6 Data entry MSB 0 – 127

38 Data entry LSB 0 – 127

7 Main volume 0 – 127

10 Pan 0 – 127

11 Expression 0 – 127

64 Hold 1 0 – 127

84 Portamento control 0 – 127

100 RPN LSB 0 – 127

101 RPN MSB 0 – 127

MIDI Data Format

add-

3.2.2.1 Bank Select

Control # Parameter Range

0 Bank select MSB 0 : Melody Voice of GM

1 – 126 : No sound

127 : Rhythm Voice of GM

32 Bank select LSB 0 : Fixed

Processing of bank select messages is paused until a program change message is

received. The bank select MSB switches between a melody Voice and rhythm

Voice. The bank select LSB is fixed at 0.

3.2.2.2 Modulation

Control # Parameter Range

1 Modulation 0 – 127

This affects the vibrato depth.

3.2.2.3 Data Entry

Control # Parameter Range

6 Data entry MSB 0 – 127

38 Data entry LSB 0 – 127

This is used in conjunction with the RPN parameter (see sections 3.2.2.9 and 3.2.6).

3.2.2.4 Main Volume

Control # Parameter Range

7 Main volume 0 – 127

3.2.2.5 Pan

Control # Parameter Range

10 Pan 0 – 127

A value of 0 corresponds to the left channel, and a value of 127 to the right.

3.2.2.6 Expression

Control # Parameter Range

11 Expression 0 – 127

3.2.2.7 Hold 1

Control # Parameter Range

64 Hold 1 0 – 127

(0 – 63: off, 64 – 127: on)

add-

3.2.2.8 Portamento

Control # Parameter Range

84 Portamento control 0 – 127

Portamento time is always set to 0.

3.2.2.9 (RPN) LSB / MSB

Control # Parameter Range

100 RPN LSB 0 – 127

101 RPN MSB 0 – 127

(Refer to section 3.2.7)

3.2.3 Program change

Refer to the Voice List on page add-2.

3.2.4 Pitch Bend

Pitch Bend resolution is 14 bit (-8192 – +8191).

3.2.5 Channel Mode Messages

The MU5 receives and responds to the following channel mode messages:

2nd byte 3rd byte

120 0 All sound off

121 0 Reset all controllers

123 0 All note off

124 0 Omni off

125 0 Omni on

126 0 – 127 Mono

127 0 Poly

3.2.5.1 All Sounds Off

This mutes all sounds of the corresponding channel. However, when the sustain

(damper) pedal is held or a note is held down on the keyboard, the sound continues.

3.2.5.2 Reset All Controllers

Controllers are set to the following values:

Controller Reset Value

Pitch bend ±0 (normal)

Modulation 0 (OFF)

Expression 127 (Max)

Hold 1 0 (OFF)

RPN (Not set. Internal data doesn’t change.)

The following values are not reset: Program change, Bank select MSB/LSB,

Volume, Pan, Pitch bend sensitivity, Fine tuning, Coarse tuning, and Local control.

MIDI Data Format

add-

3.2.5.3 All Notes Off

Note off is executed. However, if Hold 1 is on, the sound will not stop until a Hold 1

= off message is received.

3.2.5.4 Omni Off

Omni Off is executed. (Rest is the same as in “All Notes Off” above.)

3.2.5.5 Omni On

Since the MU5 has no such function, Omni On is not executed. (Rest is the same as

in “All Notes Off” above.)

3.2.5.6 Mono

Same as in “All Sounds Off” above. If the third byte is 0 – 16 (Mono value), the

allocated channels are set to Mode 4 (m = 1)*.

* See the MIDI Implementation Chart on page add-24.

3.2.5.7 Poly

Same as in “All Sounds Off” above. If the third byte is 0 – 16 (Mono value), the

allocated channels are set to Mode 3*.

* See the MIDI Implementation Chart on page add-24.

3.2.6 RPN (Registered Parameter Number)

The RPN MSB and RPN LSB must be sent first for the specific control parameter,

followed by the data entry values. The MU5 receives and responds to the following

RPN:

RPN Data Entry

MSB LSB MSB LSB

$00 $00 $mm -- Pitch bend sensitivity

mm : $00 – $18 (0 – 24 semitones)

“--” : Not used

Range is two octaves, selectable in one semitone

steps. When power is turned on, this is set to two

semitones.

$00 $01 $mm $11 Master fine tuning

(mm,11) : ($00,$00) – ($40,$00) – ($7F,$7F)

(-8192x100/8192) – 0 – (+8192x100/8192 cents)

$00 $02 $mm -- Master coarse tuning

mm : $28 – $40 – $58 (-24 – 0 – +24 semitones)

“--” : Not used

$7F $7F $-- -- RPN Null

“--” : Not used

RPN or NRPN are not set. Internal data does not

change.

The values set by using RPN are not reset, even when program change messages are

received. If the parameter has a relative value, the actual range of adjustment may

occasionally be narrower than the specified range (depending on the program

number).

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4. System Exclusive Messages

4.1 Parameter Change

The MU5 receives and responds to the following parameter change messages:

• Universal Real Time Message

Master Volume

• Universal Non Real Time Message

General MIDI Mode On

• Yamaha GM Exclusive Message

MIDI Master Tuning

• Parameter Changes Specific to MU5

System Data parameter change

Multi Part data parameter change

Reset All Parameters

System Parameter

Multi Parameter

All Parameter Reset

• Parameter Changes Specific to TG100

4.2 Universal Real Time Message

4.2.1 Master Volume

11110000 F0 = Exclusive status

01111111 7F = Universal real time

01111111 7F = ID of target device

00000100 04 = Sub-ID #1=Device control message

00000001 01 = Sub-ID #2=Master volume

0sssssss SS = Volume LSB

0t t t t t t t TT = Volume MSB

11110111 F7 = End of exclusive

11110000 F0 = Exclusive status

01111111 7F = Universal real time

0xxxnnnn XN = Device number, xxx = Not used

00000100 04 = Sub-ID #1=Device control message

00000001 01 = Sub-ID #2=Master volume

0sssssss SS = Volume LSB

0t t t t t t t TT = Volume MSB

11110111 F7 = End of exclusive

Following reception of the above parameters, the Volume MSB affects the Master

Volume of the System Parameters.

MIDI Data Format

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4.3 Universal Non Real Time Message

4.3.1 General MIDI Mode On

11110000 F0 = Exclusive status

01111110 7E = Universal non-real time

01111111 7F = ID of target device

00001001 09 = Sub-ID #1=General MIDI Message

00000001 01 = Sub-ID #2=General MIDI On

11110111 F7 = End of exclusive

11110000 F0 = Exclusive status

01111110 7E = Universal non-real time

0xxxnnnn XN = Device Number, xxx = Not used

00001001 09 = Sub-ID #1=General MIDI message

00000001 01 = Sub-ID #2=General MIDI on

11110111 F7 = End of exclusive

Following reception of the above parameters, all MU5 parameters will be initialized

(excepting Master Tuning). However, when Mute Lock of the System parameters is

set to on, Receive Note Message of the Multi Part parameters is not initialized. Since

one of these messages takes about 50 msec to process, allow a sufficient amount of

time before transmitting the next message.

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4.4 MU5 Native Parameter Change

11110000 F0 = Exclusive status

01000011 43 = YAMAHA ID

0001nnnn 1N = Device number

00101011 44 = MU5 Model ID

0aaaaaaa aaaaaaa = Start address 1st byte

0aaaaaaa aaaaaaa = Start address 2nd byte

0aaaaaaa aaaaaaa = Start address 3rd byte

0ddddddd ddddddd = Data

0ccccccc ccccccc = Checksum

11110111 F7 = End of exclusive

The sending device must send a separate header (address setting) for each individual

parameter. For example, System parameters and Multi Part parameters are not

continuous, and so they must be separated, with each header added individually. The

following parameters must be separated into individual packets:

• System

• Multi Part

• Reset All Parameters

After adding the Start Address, Data and Checksum, the checksum’s first 7 bit

values will be 0.

If the received data is outside the “legal” range (i.e., higher or lower than the

maximum and minimum set values at each address), the MU5 changes the value to

the nearest maximum or minimum setting.

4.4.1 System Data Parameter Change

Refer to charts 1-1 and 1-2 on pages add-21 and add-22.

4.4.2 Multi Part Data Parameter Change

Refer to charts 1-1 and 1-3 on pages add-21 and add-22.

4.4.3 System Information

Upon reception of a Dump Request, the MU5 transmits the relevant data, but

ignores all other incoming messages during transmission.

Refer to charts 1-1 and 1-4 on pages add-21 and add-23.

MIDI Data Format

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4.4.4 Reset All Parameters

11110000 F0 = Exclusive status

01000011 43 = YAMAHA ID

0001nnnn 1N = Device number

00101011 44 = MU5 Model ID

00000000 00 = Start address 1st byte

00000000 00 = Start address 2nd byte

01111111 7F = Start address 3rd byte

00000000 00 = Data

00000001 01 = Checksum

11110111 F7 = End of exclusive

This is used to reset all System parameters to their factory-set initial values. Since

one of these messages takes about 120 msec to process, allow a sufficient amount of

time before transmitting the next message.

4.5 TG100 Native Parameter Change

The MU5 receives and responds to the following TG100 parameter changes:

• System parameters

MASTER TUNE

TRANSPOSE

DEVICE NUMBER

MASTER VOLUME

• Multi Part parameters

VOICE BANK

PC VALUE

RX.CHANNEL

MONO/POLY MODE

DETUNE

NOTE SHIFT

VOLUME

VELOCITY SENSE

PANPOT (Not received for Voice #8)

NOTE LIMIT LOW

NOTE LIMIT HIGH

LFO SPEED

LFO DEPTH

LFO DELAY (Negative values are ignored.)

EG. ATTACK RATE

EG. RELEASE RATE

PITCH BEND RANGE

MOD LFO PITCH DEPTH

CHANNEL AFTER TOUCH PITCH CONTROL

If only Master Tune is received, the MU5 does not confirm with checksum.

The MU5 does not respond to the following parameters:

• System parameters

EXCLUSIVE RECEIVE SWITCH

PROGRAM CHANGE RECEIVE SWITCH

CONTROL CHANGE, VOLUME, EXPRESSION

SOUND MODULE MODE

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• Multi Part parameters

REVERB SEND DEPTH

• All Multi Common parameters

• All Drum Setup parameters

• Voice Memory

• Program Change Table

4.6 Dump request

The MU5 responds to dump requests for the following types of data:

• MU5 Native data

1) System data

2) Multi Part data

3) System Information

• TG100 Native data

1) System data

2) Multi Part data

3) Multi Common Parameter

4) Drum Setup Parameter

5) Voice Memory

6) Program Change Table

7) System Information

The MU5 cannot transmit a dump request.

Dump requests to the MU5 should follow format given below.

11110000 F0 = Exclusive status

01000011 43 = YAMAHA ID

0011nnnn 3n = Device number

00101011 44 = MU5 Model ID

0aaaaaaa aaaaaaa = Start address 1st byte

0aaaaaaa aaaaaaa = Start address 2nd byte

0aaaaaaa aaaaaaa = Start address 3rd byte

0sssssss sssssss = Byte count bit 20 – bit 14

0sssssss sssssss = Byte count bit 13 – bit 7

0sssssss sssssss = Byte count bit 6 – bit 0

0ccccccc ccccccc = Checksum

11110111 F7 = End of exclusive

When the receive address of the dump request corresponds to the start address and

the received dump request byte count is correct, the data is transmitted. (Refer to the

tables at the end of this section for more information about the start address and byte

count.)

The MU5 cannot send amounts of data greater than 513 bytes at a time. If a dump

request exceeding 513 bytes is received, the MU5 breaks up the data into packets of

512 bytes or less and pauses for 120 msec or more before transmitting each packet.

After adding the Start Address, Byte Count and Checksum, the checksum’s first 7

bit values will be 0.

MIDI Data Format

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The device making the dump request must include the corresponding parameter

header for each data type (listed below). For example, if only one dump request

header is used to request both System and Multi Part data, the MU5 will transmit

only the System data.

• System

• Multi Part

• Reset All Parameters

• System Information

4.6.1 System Data Parameter Change

Refer to charts 1-1 and 1-2 on pages add-21 and add-22.

4.6.2 Multi Part Data Parameter Change

Refer to charts 1-1 and 1-3 on pages add-21 and add-22.

4.6.3 System Information Parameter Change

When a dump request is received, data can be transmitted but not received.

Refer to charts 1-1 and 1-4 on pages add-21 and add-23.

4.7 Yamaha TG100 Dump Request

The MU5 responds to portions of a dump request from the TG100. If the parameter

ranges of both devices are the same, the data transmitted and received remains in its

original state. If both devices have the same function yet their parameter ranges are

different, the MU5 reformats the data before transmitting it.

• System parameters

MASTER TUNE

TRANSPOSE

DEVICE NUMBER

MASTER VOLUME

• Multi Part parameters

VOICE BANK

PC VALUE

RX.CHANNEL

MONO/POLY MODE

DETUNE

NOTE SHIFT

VOLUME

VELOCITY SENSE

PANPOT (Format is changed)

NOTE LIMIT LOW

NOTE LIMIT HIGH

LFO SPEED

LFO DEPTH

LFO DELAY (Format is changed)

EG. ATTACK RATE

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EG. RELEASE RATE

PITCH BEND RANGE

MOD LFO PITCH DEPTH

CHANNEL AFTER TOUCH PITCH CONTROL

SYSTEM INFORMATION

For the following parameters, which are unavailable on the MU5, the MU5 sends

fixed data.

• System parameters

EXCLUSIVE RECEIVE SWITCH

PROGRAM CHANGE RECEIVE SWITCH

CONTROL CHANGE, VOLUME, EXPRESSION

SOUND MODULE MODE

• Multi Part parameters

REVERB SEND DEPTH

• All Multi Common parameters

• All Drum Setup parameters

• Voice Memory

• Program Change Table

5. Active Sensing (Status FE)

a) Transmission

Not sent.

b) Reception

If after receiving an active sensing (FE) message, and no data is received within 300

msec, All Sound Off, All Note Off and Reset All Controller functions will be

executed, and will return to the condition as if no FE message had been received.

Parameter change

Start Address Description

00 00 00 System

00 00 7F All parameters reset

02 00 00 Multi Part 10

02 01 00 Multi Part 1

02 09 00 Multi Part 9

02 0A 00 Multi Part 11

02 0F 00 Multi Part 16

03 00 00 System Information

● Chart 1-1 : Parameter base map

MIDI Parameter Charts

MIDI Data Format

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● Chart 1-2 : MIDI Parameter Change table ( SYSTEM )

Address Size Data Parameter Description Default value

(H) (H) (H) (H)

00 00 00 02 1C – E4 MASTER TUNE -100 – +100 (cents) 00 80

00 00 01* 1st bit 3–0→bit 7–4 (80)

2nd bit 3–0→bit 3–0

00 00 02 01 00 – 10 DEVICE NUMBER 0 – 15, 16 : all 10

00 00 03 01 00 – 7F MASTER VOLUME 0 – 127 7F

00 00 04 01 28 – 58 TRANSPOSE -24 – +24

(semitones)

00 00 05 01 00 – 01 MUTE LOCK 0 : off 00

1 : on

00 00 06 01 00 – 01 LOCAL CONTROL 0 : off 01

1 : on

TOTAL 07

SIZE

* Cannot be used as a start address.

● Chart 1-3 : MIDI Parameter Change table ( MULTI PART )

Address Size Data Parameter Description Default value

(H) (H) (H) (H)

02 0n 00 01 00 – 7F PART MODE 0 : normal 00

(Except for Part 10)

(BANK SELECT MSB) 1 – 126 : no sound 7F

(Part 10 only)

127 : drum

02 0n 01 01 00 – 7F PROGRAM NUMBER 1 – 128 00

02 0n 02 01 00 – 10 RECEIVE CHANNEL 0 – 15 Part No.

16 : OFF

02 0n 03 01 00 – 01

RECEIVE NOTE MESSAGE

0 : OFF 01

1 : ON

02 0n 04 01 00 – 01 MONO/POLY MODE 0 : MONO 01

1 : POLY

02 0n 05 01 00 – 7F VOLUME 0 – 127 64

02 0n 06 01 00 – 7F PAN 0 : L64 40

1 : L63

64 : C (center)

127 : R63

02 0n 07 01 28 – 58 NOTE SHIFT -24 – +24

(semitones)

02 0n 08 01 00 – 7F NOTE LIMIT LOW C-2 – G8 00

02 0n 09 01 00 – 7F NOTE LIMIT HIGH C-2 – G8 7F

02 0n 0A 02 1C – E4 PART TUNE -100 – +100 (cents) 08 00

02 0n 0B* 1st bit 3–0→bit 7–4 (80)

2nd bit 3–0→bit 3–0

02 0n 0C 01 28 – 58 PITCH BEND RANGE -24 – +24

(semitones)

02 0n 0D 01 00 – 7F VELOCITY SENSE 0 – 15 08

02 0n 0E 01 39 – 47 EG ATTACK RATE -7 – +7 40

02 0n 0F 01 39 – 47 EG RELEASE RATE -7 – +7 40

02 0n 10 01 39 – 47 LFO SPEED -7 – +7 40

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Address Size Data Parameter

Description

Default value

(H) (H) (H) (H)

02 0n 11 01 31 – 4F LFO DEPTH -15 – +15 40

02 0n 12 01 00 – 7F LFO DELAY 0 – 127 00

02 0n 13 01 00 – 0F MOD LFO PITCH DEPTH 0 – 15 0F

02 0n 14 01 28 – 58

CHANNEL AFTER TOUCH PITCH CONTROL

-24 – +24 40

02 0n 15 01 00 – 18

CHANNEL AFTER TOUCH LFO PITCH DEPTH

0 – 15 00

TOTAL 16

SIZE

Note:

• n : block number( 0 - F ) Part 1 n = 1

Part 9 n = 9

Part 10 n = 0

Part 11 n = A

Part 16 n = F

* Cannot be used as a start address.

● Chart 1-4 : MIDI Parameter Change table ( SYSTEM INFORMATION)

Address Size Data Parameter Description Default value

(H) (H) (H) (H)

03 00 00 10 23 STRING ASCII '#'

03 00 01# 30 STRING ASCII '0'

03 00 02# 31 STRING ASCII '1'

03 00 03# 38 STRING ASCII '8'

03 00 04# 35 STRING ASCII '5'

03 00 05# 20 STRING ASCII ' '

03 00 06# 20 STRING ASCII ' '

03 00 07# 56 STRING ASCII 'V'

03 00 08# 45 STRING ASCII 'E'

03 00 09# 52 STRING ASCII 'R'

03 00 0A# 3D STRING ASCII '='

03 00 0B# 31 STRING ASCII '1'

03 00 0C# 2E STRING ASCII '.'

03 00 0D# 30 STRING ASCII '0'

03 00 0E# 30 STRING ASCII '0'

03 00 0F# 20 STRING ASCII ' '

TOTAL 10

SIZE

Note: 03 00 00 address can only be used as Start address.

MIDI Data Format

YAMAHA [ Tone Generator ] Date:27-JUL-1994

Model MU5 MIDI Implementation Chart Version : 1.00

+----------------------------------------------------------------------+

: : Transmitted : Recognized : Remarks :

: Function ... : : : :

:-------------------+----------------+----------------+----------------:

:Basic Default : 1 - 16 : 1 - 16 : memorized :

:Channel Changed : 1 - 16 : 1 - 16 : :

:-------------------+----------------+----------------+----------------:

: Default : x : 3 : :

:Mode Messages : x : 3,4(m = 1) *1 : :

: Altered : ************** : x : :

:-------------------+----------------+----------------+----------------:

:Note : 0 - 127 : 0 - 127 : :

:Number : True voice: ************** : 0 - 127 : :

:-------------------+----------------+----------------+----------------:

:Velocity Note ON : o 9nH,v=1-127 : o 9nH,v=1-127 : :

: Note OFF : x 9nH,v=0 : x : :

:-------------------+----------------+----------------+----------------:

:After Key's : x : x : :

:Touch Ch's : x : o : :

:-------------------+----------------+----------------+----------------:

:Pitch Bender : x : o 0-24 semi : :

:-------------------+----------------+----------------+----------------:

: 0,32: o : o MSB only :Bank Select :

: 1 : x : o :Modulation Wheel:

: 6,38: o : o :Data Entry :

: Control 7 : o : o :Volume :

: 10 : o : o :Panpot :

: Change 11 : x : o :Expression :

: 64 : x : o :Hold 1 :

: 84 : x : o :Portamento Cntrl:

: 100,101 : o : o :RPN LSB,MSB :

: 120 : x : o :All Sound Off :

: 121 : x : o :Reset All Cntrls:

: : : : :

:-------------------+----------------+----------------+----------------:

:Prog : o 0-127 : o 0-127 : :

:Change : True # : ************* : : :

:-------------------+----------------+----------------+----------------:

:System Exclusive : o : o : :

:-------------------+----------------+----------------+----------------:

:System : Song Pos. : x : x : :

: : Song Sel. : x : x : :

:Common : Tune : x : x : :

:-------------------+----------------+----------------+----------------:

:System :Clock : x : x : :

:Real Time :Commands: x : x : :

:-------------------+----------------+----------------+----------------:

:Aux :Local ON/OFF : x : x : :

: :All Notes OFF: x : o(123-127) : :

:Mes- :Active Sense : x : o : :

:sages:Reset : x : x : :

:-------------------+----------------+----------------+----------------:

:Notes: *1 ; m is always treated as "1" regardless of its value. :

: :

+----------------------------------------------------------------------+

Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No

VS67010 408PTCP25.2-01A0 Printed in Japan

Transcripción de documentos

M.D.G., EMI Division © Yamaha Corporation 1994 VS67010 408PTCP25.2-01A0 Printed in Japan FCC INFORMATION (U.S.A.) IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the user’s manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: • Relocate either this product or the device that is being affected by the interference. • Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. • In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park CA, 90620 • This applies only to products distributed by Yamaha Corporation of America. CANADA THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS B” LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTERFERENCE REGULATION OF THE CANADIAN DEPARTMENT OF COMMUNICATIONS. LE PRESENT APPAREIL NUMERIQUE N’EMET PAS DE BRUITS RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES AUX APPAREILS NUMERIQUES DE LA “CLASSE B” PRESCRITES DANS LE REGLEMENT SUR LE BROUILLAGE RADIOELECTRIQUE EDICTE PAR LE MINISTERE DES COMMUNICATIONS DU CANADA. * This applies only to products distributed by Yamaha Canada Music LTD. * Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Music LTD. Page 48 99.12.16,0:39 PM - 名称未設定 Dit produkt is gefabriceerd in overeenstemming met de radiostoringsvoorschriften van de Richtlijn van de Raad (82/499/EEG). ΑΥΤΗ Η ΣΥΣΚΕΥΗ ΑΝΤΑΠΟΚΡΙΝΕΤΑΙ ΣΤΙΣ ΑΠΑΙΤΗΣΕΙΣ ΤΩΝ Ο∆ΗΓΙΩΝ ΤΗΣ ΕΥΡΩΠΑΙΚΗΣ ΟΙΚΟΝΟΜΙΚΗΣ ΚΟΙΝΟΤΗΤΑΣ 82/499/Ε.Ο.Κ. Este produto está de acordo com o radio de interferencia frequente requiridos do Conselho Diretivo 82/499/EEC. Dette apparat overholder det gaeldende EF-direktiv verdrørende radiostøj. Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE. Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG und/oder 87/308/EWG. This product complies with the radio frequency interference requirements of the Council Directive 82/ 499/EEC and/or 87/308/EEC. Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva CEE/87/308) sulla soppressione dei radiodisturbi. Este producto está de acuerdo con los requisitos sobre interferencias de radio frequencia fijados por el Consejo Directivo 87/308/CEE. YAMAHA CORPORATION Page 49 99.12.16,0:39 PM - 名称未設定 Entsorgung leerer Batterien (nur innerhalb Deutschlands) Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien oder Akkumulatoren dürfen nicht in den Hausmüll. Sie können bei einer Sammelstelle für Altbatterien bzw. Sondermüll abgegeben werden. Informieren Sie sich bei Ihrer Kommune. The serial number of this product may be found on the bottom of the unit. You should note this serial number in the space provided below and retain this manual as a permanent record of your purchase to aid identification in the event of theft. Model No. Serial No. MU5 SPECIAL MESSAGE SECTION (U.S.A.) This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: Battery Notice: This product MAY contain a small nonrechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix old batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture. Warning: Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly. NAME PLATE LOCATION: The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. Model MU5 Serial No. Purchase Date 92-BP PLEASE KEEP THIS MANUAL Page 50 99.12.16,0:39 PM - 名称未設定 Welcome to the MU5 Congratulations and thank you for purchasing the Yamaha MU5 Tone Generator! The MU5 is an advanced tone generator providing exceptionally high-quality Voices, full General MIDI compatibility, and flexible computer interfacing in a highly compact and portable package. With the built-in host computer interface and MIDI terminals, the MU5 is ideal for any computer music system — from connection to a simple laptop to integration in a complete MIDI studio. It even features a two-octave keyboard (with adjustable tenoctave range), allowing you to play the internal Voices and enter notes to a connected sequencer. And, since it runs on batteries as well, it’s ready to make music wherever you take it. ■ Trademarks • Apple and Macintosh are trademarks of Apple Computer, Inc. • IBM PC and PC/AT are registered trademarks of International Business Machines Corporation. • PC-9800 Series is a trademark of NEC Corporation. All other trademarks are the property of their respective holders. 1 Page 1 99.12.16,0:22 PM - 名称未設定 Table of Contents Welcome to the MU5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1 How to Use This Manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Precautions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 The Controls of the MU5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 ■ Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 ■ Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 ■ Side Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 The MU5 — What It Is and What It Can Do . . . . . . . . . . . . . . . . . 11 Setting Up Your MU5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 ■ Power Supply . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 ● Using a Power Adaptor . . . . . . . . . . . . . . . . . . . . 14 ● Using Batteries . . . . . . . . . . . . . . . . . . . . . . . . . .15 ● When to Replace the Batteries . . . . . . . . . . . . . . 15 ■ Audio Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16 ● Using Headphones . . . . . . . . . . . . . . . . . . . . . . . 16 ● Using an External Sound System . . . . . . . . . . . . 16 Setting Up the MU5 in Your Music System . . . . . . . . . . . . . . . . . 17 ■ Connecting With a Computer . . . . . . . . . . . . . . . . . . . . . 17 ● Macintosh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 ● IBM PC and Clones . . . . . . . . . . . . . . . . . . . . . . . 19 ● NEC PC-9800 Series . . . . . . . . . . . . . . . . . . . . . . 20 ■ Connecting to Other MIDI Devices . . . . . . . . . . . . . . . . 20 ■ Data Flow Block Diagram . . . . . . . . . . . . . . . . . . . . . . . 21 ■ MIDI/Computer Connecting Cables . . . . . . . . . . . . . . . . 22 Playing the Demo Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Using the MU5 — The Play Mode . . . . . . . . . . . . . . . . . . . . . . . . 24 ■ Playing the Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 ■ Changing the Octave Setting . . . . . . . . . . . . . . . . . . . . . 25 ■ Selecting a Part and Changing the Voice . . . . . . . . . . . 26 Using the MU5 with a Computer or Sequencer . . . . . . . . . . . . . . 28 Using the MU5 with a MIDI Data Storage Device . . . . . . . . . . . . 28 Muting and Soloing Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29 Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 2 Page 2 99.12.16,0:22 PM - 名称未設定 Table of Contents Reference . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 Utility Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32 ● Master Tune . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32 ● Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 ● Mute Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 ● Velocity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34 ● Local Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 ● Dump Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 ● Initialize All . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Part Edit Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 ● Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 ● Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40 ● MIDI Channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 ● Note Shift . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 ● Part Tune . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 ● Pitch Bend Range . . . . . . . . . . . . . . . . . . . . . . . . 42 Appendix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43 Error Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45 Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47 Voice List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . add-2 MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . add-8 MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . . . . . . .add-24 3 Page 3 99.12.16,0:22 PM - 名称未設定 How to Use This Manual You are probably eager to try out your new MU5 Tone Generator right away and hear what it can do, rather than have to read through a lot of instructions before you can even get a sound out of it. However, to get the most out of your MU5, we strongly suggest that you read the following sections in the order given: 1) Precautions This gives you important information on how to care for your new MU5, how to avoid damaging, and how to ensure long-term, reliable operation. 2) The MU5 — What It Is and What It Can Do This briefly provides an overview of the functions and features of the MU5 and offers some important hints on how you can use it effectively. 3) Setting Up Your MU5; The Controls of the MU5 The first section shows you how to set up your MU5 for basic operation, and the second introduces you to the panel controls and connectors. 4) Playing the Demo Song; Using the MU5 — The Play Mode These two sections get you started using the MU5. The first guides you through the Demo Song, while the second gives you the basic operation procedures you’ll be using when you play the MU5. 5) Setting Up the MU5 in Your Music System; Using the MU5 with a Computer or Sequencer These sections provide all you need to know to effectively integrate the MU5 into your present computer music system. 4 Page 4 99.12.16,0:22 PM - 名称未設定 How to Use This Manual 6) Muting and Soloing Parts; Editing Mute and Solo are useful in song playback, while editing operations prepare you for digging in deeper to the advanced functions of the MU5. 7) Reference Once you’re familiar with everything above, lightly go over this comprehensive guide to all editing functions. You won’t need (or want) to read everything at once, but it is there for you to refer to when you need information about a certain feature or function. 8) Appendix Finally, use the sections in the Appendix as necessary. For example, the Index will come in handy when you need to quickly find information on a specific topic. Other sections, such as the Voice List, Troubleshooting and Error Messages provide additional useful information. 5 Page 5 99.12.16,0:22 PM - 名称未設定 Precautions Your MU5 will give you years of reliable service if you follow the simple precautions below: ● LOCATION Keep the instrument away from locations where it is likely to be exposed to high temperatures (such as direct sunlight) or humidity. Also avoid locations which are subject to excessive dust accumulation or vibration which could cause mechanical damage. ● USE THE CORRECT POWER ADAPTOR Use only the recommended PA-3, PA-4 or PA-40 Power Adaptor for supplying power to the instrument. Use of another adaptor may cause serious damage to the instrument or the adaptor itself. (Never use the PA-3B.) ● MAKE SURE POWER IS OFF WHEN MAKING OR REMOVING CONNECTIONS To prevent damage to the instrument and other connected equipment, always turn off the power prior to connecting or disconnecting cables. Also, turn the power off when the instrument is not in use, and disconnect the power adaptor during electric storms. ● HANDLE THE INSTRUMENT WITH CARE Although the instrument has been constructed to withstand the rigors of normal use for optimum sturdiness and reliability, avoid subjecting it to strong physical shocks (such as dropping or hitting it). Since the MU5 is a precision-made electronic device, also avoid applying excessive force to the various controls. When moving the instrument, first unplug the power adaptor and all other cables to prevent damage to cords and jacks. Always unplug cables by gripping the plug firmly, not by pulling on the cable. 6 Page 6 99.12.16,0:22 PM - 名称未設定 Precautions ● CLEAN WITH A SOFT, DRY CLOTH Never use solvents such as benzine or thinner to clean the instrument, since these will damage the cabinet finish or dull the keys. Wipe clean with a soft, dry cloth. If necessary, use a soft, clean, slightly moistened cloth — making sure to wipe the case off again with a dry cloth. ● ELECTROMAGNETIC INTERFERENCE Avoid using the unit near televisions, radios or other equipment generating electromagnetic fields. Proximity to such equipment may cause the unit to malfunction, and may generate interference noise in the other appliance as well. ● DO NOT OPEN THE CASE OR TRY REPAIRING THE INSTRUMENT YOURSELF The instrument contains no user-serviceable parts. Never open the case or tamper with the internal circuitry in any way, since doing so may result in damage to the instrument. Refer all servicing to qualified Yamaha service personnel. ● MIDI CABLES When connecting the instrument to other MIDI equipment, be sure to use only high-quality cables made especially for MIDI data transmission. Also, avoid using cables longer than 15 meters, since long cables can result in data errors. Yamaha is not responsible for damage caused by improper handling or operation. 7 Page 7 99.12.16,0:22 PM - 名称未設定 The Controls of the MU5 ■ Front Panel q w e t r GENERAL PART PGM # VOICE NAME TONE GENERATOR VOICE LIST 001–008 PIANO 009–016 TUNED PERC. 017–024 ORGAN 025–032 GUITAR 033–040 BASS 041–048 STRINGS 049–056 ENSEMBLE 057–064 BRASS 1 2 3 4 5 6 7 8 9 10 1112 13 14 15 16 065–072 073–080 081–088 089–096 097–104 105 –112 113 –120 121 –128 REED PIPE SYNTH LEAD SYNTH PAD SYNTH EFFECTS ETHNIC PERCUSSIVE SOUND EFFECTS –1 VALUE +1 PART DRUM VOICE LIST 1 2 9 STANDARD 1 3 0 ROOM 1 3 1 ROCK 1 3 2 ELECTRONIC 1 3 3 ANALOG 1 3 4 JAZZ 1 3 5 BRUSH 1 3 6 CLASSIC MUTE EXIT SELECT OCT DOWN OCT UP 1 2 3 4 5 6 7 8 9 C MSTR TUNE TRNS POSE MUTE LOCK VELO CITY LOCL CTRL DUMP OUT INIT ALL VOL PAN MIDI CH NOTE SHFT PART EDIT UTILITY y 0 C u PART TUNE BEND RNGE ENTER i o q Display In the Play mode, this shows the Part number and the currently selected program number and Voice name for the Part. It also shows the octave setting (when set to a value other than normal) and acts as a “level meter,” showing the velocity values for each Part as they are played. In the Edit modes, this shows the relevant values and, where applicable, a graphic display of the set values. w ,. buttons For selecting the desired Part. (In some of the Edit functions, these may not be available.) Hold down either button to rapidly advance through the values. 8 Page 8 99.12.16,0:22 PM - 名称未設定 The Controls of the MU5 e -= buttons For changing the value of the selected function or parameter. In the Play mode, these are used to change the program number at the selected Part. In the Edit modes, these are used to change the current function’s value or turn a function on or off. Hold down either button to rapidly advance through the values. r m button For using the Mute and Solo functions. (See page 29.) t e button For leaving the Edit modes and returning to the Play mode. y d (OCTAVE DOWN) and u (OCTAVE UP) buttons For changing the octave transposition of the MU5’s keyboard. These also double as s buttons, allowing you to select the functions of the Edit modes. u Keyboard This two-octave keyboard is used to play the Voices of the MU5. It can also be used to play notes on a connected external tone generator or enter notes to a connected sequencer or computer. The white keys double as editing controls, while the black keys also function as number keys. (Used with the s buttons.) i / button For switching between positive (+) and negative (-) values during editing. (Used with the s buttons.) o E button For actually entering values during editing. (Used with the s buttons.) 9 Page 9 99.12.16,0:22 PM - 名称未設定 ■ Rear Panel OUT MIDI IN HOST SELECT MIDI PC-2 PC-1 Mac TO HOST DC IN w e r q POWER ON OFF t q MIDI OUT and MIDI IN terminals For connection to other MIDI devices, such as a MIDI keyboard, tone generator, sequencer, or to a computer that has a MIDI interface. (See page 20.) w HOST SELECT switch For selecting the type of connected device. (See pages 17 – 20.) e TO HOST terminal For connection to a host computer that does not have a MIDI interface. (See pages 17 – 20.) r DC IN jack For connection to the AC power adaptor. t POWER switch For turning on the power to the unit. ■ Side Panel MIN VOLUME q MAX LINE OUT/ PHONES w q VOLUME control For adjusting the overall level of the MU5. w LINE OUT/PHONES jack For connection to an amplifier/speaker system or a set of stereo headphones. 10 Page 10 99.12.16,0:22 PM - 名称未設定 The MU5 — What It Is and What It Can Do The MU5 — What It Is and What It Can Do ■ What It Is... The MU5 is a compact, highly portable and easy-to-use tone generator. It features full General MIDI Level 1 compatibility with 128 General MIDI Voices and 8 drum kits. The MU5 has 28-Voice polyphony and is 16-Part multi-timbral. In other words, the MU5 has 16 different Parts, each with its own Voice, so that up to 16 different Voices can be sounded simultaneously. With the built-in two-octave keyboard, you can play any of the Voices directly from the MU5 itself. Or you can play them from a connected MIDI keyboard. In addition, the MU5 also has a TO HOST terminal for easy interfacing with a computer, allowing you to play the Voices using your favorite music software. This is where the advanced multi-timbral capabilities come in, letting you play up to 16 different Voices at the same time. ■ About General MIDI General MIDI is a new addition to the worldwide MIDI standard. MIDI, as you know, stands for Musical Instrument Digital Interface, and makes it possible for various electronic musical instruments and other devices to “communicate” with each other. For example, by connecting a sequencer to the MU5’s MIDI IN terminal, you could play back a song on the sequencer using the Voices of the MU5. So, where does General MIDI fit in all of this? One of the most important features of General MIDI is in the standardization of Voices. This means that a song recorded in the General MIDI format can be played back on any General MIDI compatible tone generator and sound just as the composer intended. For example, if there is an alto sax solo in the song, it will be played by an alto sax Voice on the General MIDI tone generator (and not by a tuba or harpsichord!). Since the MU5 is fully compatible with General MIDI, you can take advantage of the vast wealth of musical material recorded in that format. 11 Page 11 99.12.16,0:22 PM - 名称未設定 ■ What It Can Do... Here are a few ideas on how you can use the MU5. The list below is not comprehensive, but is meant to be a general guide to the possibilities and provide a starting point or springboard for your own creative ideas and explorations. ● Using With MIDI Keyboard Use the MU5 as supplementary tone generator with your MIDI keyboard and play the Voices of both instruments in a layer together. Or, if your keyboard has the capability, program a “split” so that the notes you play on the right side of the keyboard play only the Voices of the MU5. ● Using With Other MIDI Controllers Even if you’re not a keyboard player, you can still play the MU5 with other types of MIDI controllers. For example, you can use a MIDI percussion controller to play the drum and percussion sounds of the MU5. ■ When Connected to a Computer or Sequencer ● Home Studio Setup The MU5 integrates easily into any existing setup. If you have a MIDI keyboard, computer and sequencing software, the MU5 with its high-quality Voices and multi-timbral capabilities can expand your home studio system. ● Carry It With You If you have a laptop computer (and sequencing software), simply connect the MU5, plug in some headphones and you’ve got a complete music making system that’s ready to go wherever you go. Use it for composing, arranging, practicing or making/ playing demos for your band. 12 Page 12 99.12.16,0:22 PM - 名称未設定 The MU5 — What It Is and What It Can Do ● Perform With It Bring it with you to a gig — as long as there’s a MIDI keyboard on stage, you can use the high-quality sounds of MU5 in your performance. ● Multimedia Since it’s portable and compatible with General MIDI, the MU5 is a natural for multimedia applications. Bring it with you to a presentation — since the computer interface is built-in to the MU5, it hooks up instantly and easily to the computer’s serial port or printer port, without the need for any other equipment. ■ About the Modes of the MU5 The MU5 has three operating modes: Play, Utility and Part Edit. (Utility and Part Edit are the two edit-related modes of the MU5.) ● Play Mode This is the normal mode of the MU5, the one in which you normally play and select the internal Voices (either from the built-in keyboard or a connected MIDI device), select Parts, and use the Mute and Solo functions. ● Utility Mode The Utility mode lets you set functions related to the overall operation of the MU5, such as Master Tune, Transpose and Velocity settings. Included also are utility operations, such as sending bulk data to a data storage device, and initializing of the MU5 settings. ● Part Edit Mode The Part Edit mode allows you to change certain settings for each individual Part, such as the Volume, Pan and individual tuning settings for each Part. The internal Voices can be sounded during editing, allowing you to hear the effects of your edits. 13 Page 13 99.12.16,0:22 PM - 名称未設定 Setting Up Your MU5 ■ Power Supply Your MU5 will run either from an optional AC adaptor or batteries. Follow the instructions below according to the power source you intend to use. NOTE Before making any connections, make sure that all equipment to be connected is turned off. ● Using a Power Adaptor Connect one end of the power adaptor (Yamaha PA-3, PA-4 or PA-40) to the DC IN jack on the rear panel, and the other end to a suitable electrical outlet. HOST SELECT MIDI PC-2 PC-1 Mac TO HOST DC IN POWER ON OFF AC adaptor ■ CAUTION! 14 Page 14 99.12.16,0:22 PM - 名称未設定 Do not attempt to use an AC adaptor other than the PA-3, PA-4 or PA-40. The use of an incompatible adaptor may result in irreparable damage to the MU5, and even pose a serious shock hazard. (Never use the PA-3B.) ■ Be sure to disconnect the power adaptor from the outlet when the MU5 is not in use. Setting Up Your MU5 ● Using Batteries To use the MU5 on battery power, insert six 1.5V AA size (SUM-3, R-6 or equivalent) manganese or alkaline batteries in the battery compartment. Make sure to follow the polarity indications on the bottom case (and as shown below). Securely replace the battery compartment cover when done installing the batteries. ● When to Replace the Batteries When the battery power runs too low to operate the MU5, the following display will appear: PART PGM # VOICE NAME When this happens, replace all batteries with a complete set of six new batteries of the same type. ■ CAUTION! In order to avoid losing any important memory settings when battery power becomes low, turn off the MU5, then immediately connect a power adaptor (to supply continuous power) and replace all batteries. ■ NEVER mix old and new batteries or different types of batteries! Also, to prevent possible damage due to battery leakage, remove the batteries from the instrument if it is not to be used for an extended period of time. 15 Page 15 99.12.16,0:22 PM - 名称未設定 ■ Audio Connections In order to hear your MU5, you’ll have to make certain audio connections. You can listen to the MU5 by using a set of stereo headphones or by connecting it to an amplifier/speaker system. ● Using Headphones Connect a set of stereo headphones (with a stereo miniature plug) to the LINE OUT/PHONES jack. MIN VOLUME MAX LINE OUT/ PHONES Headphones ● Using an External Sound System Connect the LINE OUT/PHONES jack on the MU5 to the stereo inputs of an amplifier/speaker system by using a “Y” cable (stereo miniature plug to dual RCA pin plugs), available from many audio and musical instrument dealers. MIN 16 Page 16 99.12.16,0:22 PM - 名称未設定 VOLUME MAX LINE OUT/ PHONES Setting Up the MU5 in Your Music System Setting Up the MU5 in Your Music System As you learned in the section The MU5 — What It Is and What It Can Do on page 11, the MU5 can be integrated into a variety of setups. It would be impossible to cover all connection possibilities in a short manual as this; however, the section below will help in quickly setting up the MU5 and using it in your system. ■ Connecting With a Computer The MU5 features a built-in host computer interface, allowing you to directly connect it to your computer — eliminating the need of installing a special MIDI interface to your computer. The MU5 can be used with the following computers: Apple Macintosh, IBM PC and the NEC PC-9800 Series. If your computer has a MIDI interface you may want to connect the MU5 to it, rather than using the host computer interface on the MU5. (See the section “Connecting to Other MIDI Devices” on page 20.) Depending on the computer or interface used, set the HOST SELECT switch to the appropriate setting: MIDI, PC-1 (NEC computers), PC-2 (IBM and clones), or MAC (Macintosh). For information on the types of cables that can be used for connection, see the section “MIDI/Computer Connecting Cables” on page 22. 17 Page 17 99.12.16,0:22 PM - 名称未設定 Macintosh Follow these instructions if you have an Apple Macintosh that is not equipped with an external MIDI interface. Connect the TO HOST terminal on the MU5 to the Modem or Printer port on the Macintosh. TO HOST Operation 1 DC IN POWER ON OFF Set the HOST SELECT switch to MAC. HOST SELECT MIDI PC-2 PC-1 Mac 2 Connect the MU5 to the host computer, as shown in the illustration above. Use a standard Macintosh cable (8-pin Mini DIN on both ends; see page 22). 3 Turn on the host computer, then the MU5. 4 Start up your music software, and set up the appropriate options on the software for operation with the MU5. ● The options you may have to set include: • MIDI Interface Type ➝ Standard MIDI Interface • MIDI Time Piece ➝ Off • Clock ➝ 1 MHz Other options and settings may have to be made as well. Refer to the owner’s manual of your particular music software for more information. 18 Page 18 99.12.16,0:22 PM - 名称未設定 Setting Up the MU5 in Your Music System IBM PC and Clones Follow these instructions if you have an IBM PC/AT or compatible computer that is not equipped with an external MIDI interface. Connect the TO HOST terminal on the MU5 to one of the computer’s serial ports, COM 1 or COM 2. TO HOST NOTE Operation 1 DC IN POWER ON OFF ■ Your music software must be able to recognize the TO HOST connection. Consult your Yamaha dealer for more details. If your software is not compatible, you can still use the MU5 by installing a MIDI interface (internal card or external) to the computer. Set the HOST SELECT switch to PC-2. HOST SELECT MIDI PC-2 PC-1 Mac 2 Connect the MU5 to the host computer, as shown in the illustration above. Use a standard computer cable (8-pin Mini DIN to 9-pin D-SUB; see page 22). 3 Turn on the host computer, then the MU5. 4 Start up your music software, and set up the appropriate options on the software for operation with the MU5. Refer to the owner’s manual of your particular music software for more information. 19 Page 19 99.12.16,0:23 PM - 名称未設定 NEC PC-9800 Series The NEC PC-9800 Series computers are widely used in Japan. For use with these computers, set the HOST SELECT switch on the MU5 to PC-1. Operation is the same as for HOST SELECT MIDI PC-2 PC-1 Mac the PC-2 setting explained above. The only difference between PC-1 and PC-2 is the communication baud rate. (See page 46.) ■ Connecting to Other MIDI Devices The MU5 is equipped with MIDI IN and OUT terminals, allowing you to use it in any MIDI system. Example uses for the built-in MIDI interface include: • Connecting to a MIDI keyboard (for playing the sounds of the MU5 from that keyboard). • Connecting to a MIDI tone generator (for playing the sounds of that tone generator from the MU5). • Connecting to a computer equipped with a MIDI interface (either internal or external). • Connecting to a hardware sequencer (such as the Yamaha QY20). • Connecting to a MIDI data storage device (such as the Yamaha MDF2 MIDI Data Filer). MU5 IN OUT OUT IN IN OUT OUT IN IN OUT OUT IN MU5 MU5 20 Page 20 99.12.16,0:23 PM - 名称未設定 MDF2 Setting Up the MU5 in Your Music System Operation 1 Set the HOST SELECT switch to MIDI. 2 Connect the MU5 to the appropriate MIDI device, as shown in the illustrations above. Use a standard MIDI cable (see page 22). 3 Turn on the connected device, then the MU5. 4 If you are using a computer, start up your music software, and set up the appropriate options on the software for operation with the MU5. ■ Data Flow Block Diagram ● When HOST SELECT switch is set to MIDI: MIDI OUT MIDI IN TO HOST IN OUT AWM TONE GENERATOR Keyboard ● When HOST SELECT switch is set to Mac, PC-1 or PC-2: MIDI OUT MIDI IN TO HOST OUT Keyboard IN AWM TONE GENERATOR * When Local Control is set to Off, the keyboard of the MU5 cannot be used to play the internal AWM Voices. (See page 35.) 21 Page 21 99.12.16,0:23 PM - 名称未設定 ■ MIDI/Computer Connecting Cables ● MIDI Standard MIDI cable. Maximum length 15 meters. DIN 5-PIN ● Macintosh PC-1 PC-2 DIN 5-PIN 1 2 3 4 5 6 7 8 2 (HSK i) 1 (HSK 0) 5 (RxD-) 4 GND 3 (TxD-) 8 (RxD+) 7 (GP i) 6 (TxD+) MINI DIN 8-PIN 8-pin MINI DIN to D-SUB 25-pin cable. If your PC-1 type computer has a 9-pin serial port, use the PC-2 type cable. Maximum length 1.8 meters. MINI DIN 8-PIN ● 4 2 (GND) 5 Apple Macintosh Peripheral cable (M0197). Maximum length 2 meters. MINI DIN 8-PIN ● 4 2 5 1 2 3 4 8 5 5 (CTS) 4 (RTS) 3 (RxD) 7 (GND) D-SUB 25-PIN 2 (TxD) 8-pin MINI DIN to D-SUB 9-pin cable. Maximum length 1.8 meters. MINI DIN 8-PIN 22 Page 22 99.12.16,0:23 PM - 名称未設定 1 2 3 4 8 5 8 (CTS) 7 (RST) 2 (RxD) 5 (GND) 3 (TxD) D-SUB 9-PIN Playing the Demo Song Playing the Demo Song Now that you’ve set everything up properly, try playing the built-in Demo Song. This showcases the high-quality Voices and the AWM tone generation system of the MU5. Operation 1 Simultaneously hold down the s buttons and press the E button. PART SELECT OCT DOWN PGM # VOICE NAME OCT UP ENTER 2 Simultaneously hold down the s buttons and press the E button again to start the song. PART PGM # VOICE NAME SELECT OCT DOWN OCT UP ENTER 1 2 3 4 5 6 7 8 9 10 1112 13 14 15 16 3 The Demo Song starts playing immediately and repeats indefinitely until stopped (in step 4 below). Playback of the individual Parts of the song is shown graphically by the “level meter” bars in the display. NOTE 4 ■ During Demo Song playback, all panel controls (except the e button and the VOLUME control) cannot be used. To stop playback of the song, press the e button. EXIT 5 To exit from the Demo Song function, press the e button again. 23 Page 23 99.12.16,0:23 PM - 名称未設定 Using the MU5 — The Play Mode Now that you’ve heard the sophisticated capabilities of the MU5, try playing with some of them yourself in the Play mode. When you turn on the power of the MU5 or press the e button, the Play mode is automatically called up. In this mode, you can select any of the 16 Parts for playing, and select which Voice is played in each Part. Playing the Keyboard The built-in two-octave keyboard allows you to play the Voices directly from the MU5 itself, without having to use an external keyboard. Since what you play on the keyboard is also transmitted via MIDI (or the TO HOST terminals), you can also play an external tone generator or enter notes to a sequencer. SELECT OCT DOWN OCT UP 1 2 3 4 5 6 7 8 9 C MSTR TUNE TRNS POSE MUTE LOCK VELO CITY LOCL CTRL 0 C DUMP OUT INIT ALL VOL PAN MIDI CH NOTE SHFT PART TUNE BEND RNGE ENTER PART EDIT UTILITY Keyboard range: E to E (C notes are indicated on panel) As you play the keyboard, notice the bars that appear in the display at the current Part. These serve as a kind of “level meter,” like those found on a mixing console or tape recorder, indicating the level (or velocity) of the Voice at the corresponding Part. PART PGM # VOICE NAME Indicates the level (or velocity) of the Part currently being played. 1 2 3 4 5 6 7 8 9 10 1112 13 14 15 16 24 Page 24 99.12.16,0:23 PM - 名称未設定 Using the MU5 — The Play Mode The velocity of the keyboard is fixed; in other words, each note you play sounds at a predetermined volume. You can change this velocity setting from the Velocity parameter in the Utility mode. (See page 34.) Changing the Octave Setting Though the keyboard itself is two octaves, you can actually play the MU5 over a ten-octave range. To do this use the d (OCTAVE DOWN) and u (OCTAVE UP) buttons. Press the d button to lower the pitch by an octave, and press the u button to raise it by an octave. The current octave setting is shown in the display. (No indication appears when the octave setting is normal.) SELECT OCT DOWN PART PGM # OCT UP VOICE NAME OCT Current octave setting. (In this example, the pitch is one octave above normal.) 25 Page 25 99.12.16,0:23 PM - 名称未設定 Selecting a Part and Changing the Voice Now, let’s select a different Part and change its Voice. Operation 1 Use the < buttons to select Part 2. (If Part 1 is shown in the display, simply press the . button once.) PART PGM # VOICE NAME PART Indicates selected Part. A total of 16 Parts are available, and each is shown in the display. 2 Use the _ buttons to select program number 12, “Vibes.” (You can also use the number keys on the keyboard to select a Voice; see boxed section on the next page.) NOTE ■ You can rapidly advance to the desired number by briefly holding down the appropriate _ button. PART PGM # VOICE NAME –1 VALUE +1 Indicates selected Voice name. Indicates selected program (Voice) number. The MU5 has a total of 128 Voices, plus 8 different drum kits. An “OFF” setting (a value of 137, or higher) is also available for turning off the selected Part. (See page add-2 for a list of the available Voices.) 26 Page 26 99.12.16,0:23 PM - 名称未設定 Using the MU5 — The Play Mode ■ Using the Number Keys to Select a Voice In the Play mode, you can also use the number keys to select a Voice’s program number. To do this, simultaneously hold down the s buttons and press the number of the value you wish to set. For example, to set a value of 47, simultaneously hold down the s buttons and press 4, then 7, and finally press the E button to actually enter the new value. SELECT OCT DOWN OCT UP While holding this down, press the following buttons in order: 4 7 ENTER PART PGM # VOICE NAME 27 Page 27 99.12.16,0:23 PM - 名称未設定 Using the MU5 with a Computer or Sequencer By connecting the MU5 to a computer or sequencer, you have a powerful music system for playing back songs and even and creating your own songs, using the Voices of the MU5. Make sure that the MU5 is properly connected to the computer or sequencer, and that your music software is ready to run. (Refer to pages 17 – 21 for connection examples and instructions.) If you are using the TO HOST terminal or if both MIDI terminals are properly connected, you should be able to play songs from your software and enter notes to the software from the MU5. Using the MU5 with a MIDI Data Storage Device You can also use the MU5 with a MIDI data storage device, such as the Yamaha MDF2 MIDI Data Filer. This lets you save or back up whatever changes you’ve made in the settings of the Utility and Part Edit modes. Then, when you want to recall those settings, you can transfer the appropriate data from the storage device. The MDF2 also allows you to play compatible song data on the MU5 directly from the MDF2 itself, without the need of a sequencer. Make sure that the MU5 is properly connected to the data storage device (via MIDI). (Refer to page 20 for the connection example.) Use the Dump Out function (page 36) to send data to the device. Also refer to the owner’s manual of your data storage device for specific operating instructions in receiving or sending data. 28 Page 28 99.12.16,0:23 PM - 名称未設定 Using the MU5 with a Computer or Sequencer / Using the MU5 with a MIDI Data Storage Device / Muting and Soloing Parts Muting and Soloing Parts While a song is playing back on your computer or sequencer, you can selectively mute or solo any of the 16 Parts of the MU5. Mute lets you silence one Part to hear how all of the other Parts sound without it. Solo lets you isolate a single Part, to hear how that Part sounds by itself. Mute and Solo are effective tools that help you as you edit the Parts, since they allow you to better hear how the changes you make affect specific Voices as well as the overall sound. Operation During playback, press the m button. Each press cycles through the three functions: Mute, Solo and Normal operation. PART PGM # VOICE NAME Mute The selected Part is muted, while all other Parts sound normally. 1 2 3 4 5 6 7 8 9 10 1112 13 14 15 16 PART PGM # VOICE NAME Solo The selected Part is soloed, while all other Parts are muted. 1 2 3 4 5 6 7 8 9 10 1112 13 14 15 16 PART PGM # VOICE NAME Normal All Parts sound normally. 1 2 3 4 5 6 7 8 9 10 1112 13 14 15 16 29 Page 29 99.12.16,0:23 PM - 名称未設定 Editing The editing features of the MU5 provide various controls for changing the Parts and setting other important operating functions. Among other things, these let you set the Volume or pitch of each Part independently, change the Velocity of the built-in keyboard, and save all of your edits to a connected computer, sequencer or data storage device. The MU5 has two edit modes: Utility and Part Edit. The Utility mode functions are related to the overall operation of the MU5, while the Part Edit mode provides independent controls for each Part. (See the Reference section of this manual for information about the specific editing functions.) Operation 1 Simultaneously hold down the s buttons and press the white key on the keyboard corresponding to the function you wish to edit. PART SELECT OCT DOWN OCT UP PGM # VOICE NAME VOL Shows currently selected parameter. 2 (For Part Edit only:) Use the < buttons to select the Part you wish to edit. PART PGM # VOICE NAME PART Shows currently selected Part. 3 You can change the value or setting in two different ways: ● Use the -/= buttons. PART PGM # –1 VALUE +1 Press or hold down the appropriate button. 30 Page 30 99.12.16,0:24 PM - 名称未設定 Shows current parameter value. VOICE NAME Editing ● Use the number keys on the keyboard. While holding down the s buttons, press the number of the value you wish to set. For example, to set a value of 47, simultaneously hold down the s buttons and press 4, then 7, and finally press the E button to actually enter the new value. SELECT OCT DOWN OCT UP While holding this down, press the following buttons in order: 4 7 PART PGM # VOICE NAME ENTER NOTE 4 ■ If you try to enter an “illegal” value — a number outside the range of the parameter — the MU5 enters the closest value to the one you’ve typed in. For example in the Volume parameter, the range of the parameter is 1 - 127, and if you try to enter 356, the MU5 automatically enters 127. Press the e button to return to the Play mode, or repeat the steps above to edit another function. EXIT This concludes our short tour of the basic setup and general operations of the MU5. Now that you’ve learned how to operate your MU5, look through the Reference section that follows for more detailed information on the Utility and Part Edit modes. 31 Page 31 99.12.16,0:24 PM - 名称未設定 Reference Utility Mode The Utility mode lets you set functions related to the overall operation of the MU5, such as Master Tune, Transpose and Velocity settings. Included also are utility operations, such as sending bulk data to a data storage device, and initializing of the MU5 settings. Master Tune PGM # PART Not available Range +/- 100 cents Default 0 VOICE NAME Tuning value This determines the overall fine tuning of the MU5’s Voices. It also affects the pitch of the individual drum/percussion sounds of the drum kits. Master Tune is especially useful for adjusting the pitch of the MU5 when playing with other instruments. (The actual pitch of each Voice depends also on the other pitch related parameters: Transpose, Note Shift and Part Tune.) NOTE 32 Page 32 99.12.16,0:24 PM - 名称未設定 ■ At around 440 Hz, 1 Hz is approximately equal to 4 cents. Utility Mode Transpose PART PGM # Not available Range +/- 24 semitones Default 0 VOICE NAME Transpose value This determines the overall key transposition of the MU5’s Voices, over a total range of four octaves in semitone steps. A Transpose setting of “0” results in normal pitch. Unlike Master Tune, it has no effect on the individual drum/percussion sounds of the drum kits. Mute Lock PART PGM # Not available VOICE NAME Mute Lock setting Settings Off, On (Use the -/= buttons to change this setting.) Default Off This determines whether or not the Part Mute status of the MU5 is reset when receiving a GM Mode On message. Generally, this message is automatically transmitted to the MU5 as part of General MIDI song data. When Mute Lock is off, this resets the Mute status of the Parts on the MU5. If you want to keep the current Mute settings and disable this reset, set Mute Lock to On. (For more information on the Mute function, see page 29.) 33 Page 33 99.12.16,0:25 PM - 名称未設定 Velocity PGM # PART Not available Range 1 – 127 Default 88 VOICE NAME Velocity setting This determines the note on velocity of the built-in keyboard. All notes that you play from the MU5’s keyboard will be at this fixed velocity, and sound at the same level. This velocity is also transmitted to connected devices via the MIDI or TO HOST terminals. However, this does not affect the incoming velocity of notes played from a connected sequencer or external keyboard. NOTE 34 Page 34 99.12.16,0:25 PM - 名称未設定 ■ Keep in mind that when playing the MU5’s keyboard, the actual sound level of a Part also depends on the Volume setting in the Part Edit mode. If the Volume setting is at or near the minimum, the Part may be very low in level, no matter what the Velocity setting made here. Utility Mode Local Control PGM # PART Not available VOICE NAME Local Control setting Settings Off, On (Use the -/= buttons to change this setting.) Default On This determines whether or not the internal tone generator responds to the notes you play on the MU5’s keyboard. Setting this to Off effectively disconnects the MU5 keyboard from the internal tone generator. However, notes played on the keyboard are still transmitted via the TO HOST or MIDI OUT terminals. HINT ■ One useful application of Local Control is when you’ve connected the MU5 to another tone generator and want to play only that tone generator and leave the MU5 Voices silent. ■ A more common application would be when using the MU5 keyboard to input notes to a sequencer. If the sequencer is also set up to play back data using the Voices of the MU5, when you play the MU5, it will be sounding its own voices twice — once from the keyboard, and after a very brief delay, again from the MIDI data coming from the sequencer. This not only decreases the available polyphony of the MU5 by half, but also creates an undesirable flanging sound. To remedy the problem, set Local Control to Off. 35 Page 35 99.12.16,0:25 PM - 名称未設定 Dump Out PART PGM # Not available Settings 1 – 16, All Default All VOICE NAME Device number setting (see boxed section on page 37). This function allows you to save the current parameter settings of the MU5 to a MIDI sequencer, computer or a MIDI data recorder (such as the Yamaha MDF2 MIDI Data Filer). ● Saving & Restoring Data via MIDI MU5 MIDI OUT MIDI IN MIDI IN MIDI DATA RECORDER MIDI OUT Bulk Dump data can be sent and received using the MIDI IN and MIDI OUT connections. ● Saving & Restoring Data via TO HOST MU5 TO HOST SERIAL PORT Bulk Dump data can be sent and received using the TO HOST connection. 36 Page 36 99.12.16,0:25 PM - 名称未設定 COMPUTER/ MIDI DATA RECORDER Utility Mode Operation 1 Make sure that the MU5 is properly connected to the device and that the HOST SELECT switch is properly set. When using the MIDI terminals, connect the MIDI OUT of the MU5 to the MIDI IN of the data recorder. (See the Saving & Restoring Data via MIDI illustration above.) Also, set the HOST SELECT switch to MIDI. When using the TO HOST terminal, make sure that the HOST SELECT switch is set corresponding to the device to be used. (Refer to pages 17 – 21 for more on host computer connections.) 2 Simultaneously hold down the s buttons and press E. A “Sending” message appears in the display during the operation. Once started, the operation cannot be stopped. When the operation is completed, the MU5 returns to the normal Play mode. ■ Setting the Device Number The settings allow you to select the device number specified for the data dump. If you are using more than one MU5, set a different device number (1 – 16) for each unit before sending the data. If you have only one MU5, set this to ALL. ■ When using the number keys to enter a value for device number, the value “0” corresponds to “ALL.” ● To reload the data from the data recorder back to the MU5: Make sure that the devices are properly connected (see the Saving & Restoring Data via MIDI illustrations above), and execute the appropriate data transfer operation from the data recorder. (Refer to the owner’s manual of that device for instructions.) The MU5 automatically receives incoming bulk data. 37 Page 37 99.12.16,0:25 PM - 名称未設定 Initialize All PGM # PART VOICE NAME This operation allows you to restore the original factory settings of the MU5. ■ CAUTION! Operation Using Initialize All will erase whatever settings you’ve made on the MU5. If you have important settings you wish to keep, store them to a MIDI data recorder with the Dump Out function. (See page 36.) Simultaneously hold down the s buttons and press E. When the operation is completed, a “Finished” message appears in the display and the MU5 returns to the normal Play mode. 38 Page 38 99.12.16,0:25 PM - 名称未設定 Part Edit Mode Part Edit Mode The Part Edit mode allows you to change certain settings for each individual Part. Keep in mind, though, that the settings you make may automatically change when playing songs on a connected sequencer. For example, the song data may include different Volume, Pan and Note Shift settings for each Part. Volume Volume setting PART PGM # VOICE NAME Graphically shows Volume position for each Part. Selected Part 1 2 3 4 5 6 7 8 9 10 1112 13 14 15 16 Range 0 – 127 Default 100 This determines the Volume of the selected Part. The Volume setting is graphically represented by bars in the display. NOTE ■ Keep in mind that when playing the MU5’s keyboard, the actual sound level of a selected Part also depends on the Velocity setting in the Utility mode. If the Velocity setting is at or near the minimum, the Part may be very low in level, no matter what the Volume setting made here. 39 Page 39 99.12.16,0:25 PM - 名称未設定 Pan Pan setting PART PGM # VOICE NAME Graphically shows Pan position for each Part. Selected Part 1 2 3 4 5 6 7 8 9 10 1112 13 14 15 16 Range L 64 – C 00 – R 63 Default C 00 This determines the stereo position of a selected Part. The Pan position is graphically represented by bars in the display. A double bar (equal sign) in the middle represents the center position (C 00), while a bar at the top indicates full right (R 63) and a bar at the bottom indicates full left (L 64). MIDI Channel MIDI Channel setting PART PGM # VOICE NAME Selected Part Shows MIDI Channel setting for each Part. 1 2 3 4 5 6 7 8 9 10 1112 13 14 15 16 Range 1 – 16, Off Default Part 1 = 1, Part 2 = 2, Part 3 = 3, etc. This determines the MIDI Receive Channel for each Part. For example, if a Part is set to channel 1, it responds only to MIDI data received over channel 1. For full multi-timbral operation, in which each Part is used to play a different Voice, use the default setting. (The “Off” setting can also be selected by using the number key 0.) 40 Page 40 99.12.16,0:26 PM - 名称未設定 Part Edit Mode Note Shift Note Shift setting PART PGM # VOICE NAME Shows Note Shift setting for each Part. Selected Part 1 2 3 4 5 6 7 8 9 10 1112 13 14 15 16 Range -24 – +24 semitones Default 00 This determines the key transposition (Note Shift) setting for each Part. Keep in mind that the actual key transposition of the Part also depends on the global Transpose setting in the Utility menu (see page 33). Part Tune Part Tune setting PART PGM # VOICE NAME Shows Part Tune setting for each Part. Selected Part 1 2 3 4 5 6 7 8 9 10 1112 13 14 15 16 Range +/- 100 cents Default 0 This determines the fine tuning setting for each Part. It also affects the pitch of the individual drum/percussion sounds of the drum kits. Keep in mind that the actual pitch setting of the Part also depends on the global Master Tune setting in the Utility menu (see page 32). 41 Page 41 99.12.16,0:26 PM - 名称未設定 Pitch Bend Range Bend Range setting PART PGM # VOICE NAME Shows Bend Range setting for each Part. Selected Part 1 2 3 4 5 6 7 8 9 10 1112 13 14 15 16 Range -24 – +24 semitones Default +02 This determines the maximum range over which the pitch of the Part can be changed by Pitch Bend messages. Most MIDI keyboards feature a Pitch Bend wheel, which allows you to “bend” the pitch up or down as you play. Pitch Bend data can also be recorded to a sequencer along with normal note data, and then played back using the MU5. The default setting (+02) allows you to continuously change the pitch by a whole tone, up or down. Positive values raise the pitch when you move the Pitch Bend wheel up, while negative values lower the pitch when you move the wheel up. 42 Page 42 99.12.16,0:26 PM - 名称未設定 Appendix Troubleshooting Even though the MU5 is exceptionally easy to use, it may occasionally not function as you expect it to. If that happens, check the possible problems and solutions below before assuming that the instrument is faulty. Problem Possible Cause and Solution No power. • If you are using an AC adaptor, check that the adaptor is properly plugged into both the AC outlet and the MU5. (See page 14.) • If you are using batteries, check that a fresh set of batteries are properly installed in the battery compartment. (See page 15.) No sound. • Check that the side panel volume control is set to an appropriate level. (See page 10.) • Check that other volume-related parameters are set to appropriate levels. (See Velocity, page 34, and Volume, page 39.) • Check that the Parts being played are properly turned on. (See page 26.) • Check the Mute and Solo settings. (See page 29.) If a Part is being muted, or an empty Part is being soloed, you may not get any sound. 43 Page 43 99.12.16,0:26 PM - 名称未設定 Problem No sound when playing the keyboard on the MU5. Possible Cause and Solution • Check that Local Control is set to on. (See page 35.) Also check the points for “No Sound” above. • Check all MIDI connections, making sure that No sound when playing the MIDI OUT of the external device is conthe MU5 from a computer, nected to the MIDI IN of the MU5, and that the sequencer or external MIDI IN of the external device is connected to keyboard. the MIDI OUT of the MU5. (See page 20.) Or, if you are using the TO HOST terminal with a computer, make sure that the terminal is properly connected to the computer and that the HOST SELECT switch is properly set for your particular computer. (See page 17.) Notes are cut off or omitted. • The maximum polyphony of the MU5 may be exceeded. The MU5 can play no more than 28 notes at once. When using a sequencer or computer, an unusual “flanging” sound occurs and/or not all notes seem to sound. • Check that Local Control is set to off. (See page 35.) Also check the settings on your sequencer or computer (such as “MIDI Echo” or “Echo Back”). Even though Local control • This is nomal when routing the MU5 to a sequencer (or computer) and the sequencer’s function is set to off, the “MIDI Echo” or “Echo Back” is set to on. MU5 continues to sound when playing the built-in keyboard. 44 Page 44 99.12.16,0:26 PM - 名称未設定 Troubleshooting / Error Messages Error Messages Errors may occur from time to time, and when they do the MU5 will display a message to indicate the type of problem so that you can rectify it and return to normal operation. PART PGM # VOICE NAME Too much MIDI data is being received by the MU5 at one time. Reduce the amount of data being sent to the MU5. PART PGM # VOICE NAME An error has been detected in the MIDI data received by the MU5. Check all relevant settings, then try receiving the data again. PART PGM # VOICE NAME The battery voltage is too low for proper operation. Replace the old batteries with a set of new ones. (See page 15.) 45 Page 45 99.12.16,0:27 PM - 名称未設定 Specifications ● Tone Generation Method Advanced Wave Memory (AWM) ● Polyphony 28-note (Dynamic allocation) ● Multi-timbral Capacity 16-Part ● Demo Song 1 (not editable, stored in ROM) ● Display Custom LCD (54.5 mm x 29.4 mm) ● Controls ,, ., -, =, m, e, d, u, keypad (including number buttons, UTILITY and PART EDIT buttons, / button and E button); POWER switch, HOST SELECT switch, VOLUME control ● Jacks and Terminals MIDI OUT and MIDI IN terminals, TO HOST terminal (8-pin mini DIN), DC IN jack, OUTPUT/PHONES jack ● Host Computer Interface and Data Baud Rate MIDI — 31,250 bps (bits per second) Mac — 31,250 bps PC-1 — 31,250 bps PC-2 — 38,400 bps ● Power Supply YAMAHA PA-3, PA-4 or PA-40 AC Adaptor (sold separately). (Never use the PA-3B.) Six “AA”size, SUM-3, R-6 or equivalent batteries (sold separately) ● Dimensions (W x D x H) 188 x 104 x 33 mm (7-3/8" x 4-1/8" x 1-1/3") ● Weight 340g (12 oz.) (w/o batteries) * Specifications subject to change without notice. 46 Page 46 99.12.16,0:27 PM - 名称未設定 Specifications / Index Index B batteries, replacing . . . . . . . . . . . . 15 batteries, using . . . . . . . . . . . . . . .15 baud rate . . . . . . . . . . . . . . . . . . . .46 Bend Range . . . . . . . . . . . . . . . . . 42 C computer, IBM . . . . . . . . . . . . . . .19 computer, Macintosh . . . . . . . . . . 18 computer, NEC . . . . . . . . . . . . . . .20 connections, audio . . . . . . . . . . . . 16 connections, MIDI . . . . . . . . . . . . 20 D Demo Song . . . . . . . . . . . . . . . . . . 23 Dump Out . . . . . . . . . . . . . . . . . . . 36 E editing . . . . . . . . . . . . . . . . . . . . . . 30 G General MIDI . . . . . . . . . . . . . . . . 11 H headphones . . . . . . . . . . . . . . . . . . 16 I Initialize All . . . . . . . . . . . . . . . . . 38 L Local Control . . . . . . . . . . . . . . . . 35 M Master Tune . . . . . . . . . . . . . . . . . 32 MIDI . . . . . . . . . . . . . . . . . . . . . . . 11 MIDI Channel . . . . . . . . . . . . . . . . 40 MIDI data storage device . . . . 20, 36 mode . . . . . . . . . . . . . . . . . . . . . . . 13 Mute . . . . . . . . . . . . . . . . . . . . . . . 29 Mute Lock . . . . . . . . . . . . . . . . . . 33 Page 47 99.12.16,0:27 PM - 名称未設定 N Note Shift . . . . . . . . . . . . . . . . . . . 41 O octave setting . . . . . . . . . . . . . . . . 25 on-off setting . . . . . . . . . . . . . .9, 26 P Pan . . . . . . . . . . . . . . . . . . . . . . . . 40 Part Edit mode . . . . . . . . . . . . 13, 39 Part Tune . . . . . . . . . . . . . . . . . . . 41 Parts, muting . . . . . . . . . . . . . . . . . 29 Parts, selecting . . . . . . . . . . . . . . .26 Parts, soloing . . . . . . . . . . . . . . . . 29 Play mode . . . . . . . . . . . . . . . . 13, 24 power adaptor, using . . . . . . . . . . 14 S s buttons . . . . . . . . . . . 9, 30 Solo . . . . . . . . . . . . . . . . . . . . . . . . 29 T Transpose . . . . . . . . . . . . . . . . . . . 33 U Utility mode . . . . . . . . . . . . . .13, 32 V Velocity . . . . . . . . . . . . . . . . . . . .34 Voices, selecting . . . . . . . . . . . . . .26 Volume . . . . . . . . . . . . . . . . . . . . .39 47 Voice List & MIDI Data Format Page 1 99.12.16,0:44 PM - 名称未設定 Voice List ● Voice List Pgm # Instrument Group Name LCD Pgm # Instrument Group LCD Acoustic Grand Piano GrandPno 33 Acoustic Bass Aco.Bass Bright Acoustic Piano BritePno 34 Electric Bass (finger) FngrBass 3 Electric Grand Piano E.Grand 35 Electric Bass (pick) PickBass 4 Honky-tonk Piano HnkyTonk 36 Fretless Bass Fretless 5 Electric Piano 1 E.Piano1 37 Slap Bass 1 SlapBas1 6 Electric Piano 2 E.Piano2 38 Slap Bass 2 SlapBas2 7 Harpsichord Harpsi. 39 Synth Bass 1 SynBass1 Synth Bass 2 SynBass2 Violin Violin Viola 1 Piano 2 Clavi Clavi. 40 9 Chromatic Celesta Celesta 41 10 Percussion 8 Bass Name Strings Glockenspiel Glocken 42 Viola 11 Music Box MusicBox 43 Cello Cello 12 Vibraphone Vibes 44 Contrabass ContraBs 13 Marimba Marimba 45 Tremolo Strings Trem.Str 14 Xylophone Xylophon 46 Pizzicato Strings Pizz.Str 15 Tubular Bells TubulBel 47 Orchestral Harp Harp 16 Dulcimer Dulcimer 48 Timpani Timpani Drawbar Organ DrawOrgn 49 String Ensemble 1 Strings1 17 Organ Ensemble 18 Percussive Organ PercOrgn 50 String Ensemble 2 Strings2 19 Rock Organ RockOrgn 51 Synth Strings 1 Syn.Str1 20 Church Organ ChrchOrg 52 Synth Strings 2 Syn.Str2 21 Reed Organ ReedOrgn 53 Choir Aahs ChoirAah 22 Accordion Acordion 54 Voice Oohs VoiceOoh 23 Harmonica Harmnica 55 Synth Voice SynVoice Tango Accordion TangoAcd 56 24 Orchestra Hit Orch.Hit Trumpet Trumpet 58 Trombone Trombone 59 Tuba Tuba CleanGtr 60 Muted Trumpet Mute.Trp Mute.Gtr 61 French Horn Fr.Horn Acoustic Guitar (nylon) NylonGtr 57 26 Acoustic Guitar (steel) SteelGtr 27 Electric Guitar (jazz) Jazz Gtr 28 Electric Guitar (clean) 29 Electric Guitar (muted) 25 Guitar Brass 30 Overdriven Guitar Ovrdrive 62 Brass Section BrasSect 31 Distortion Guitar Dist.Gtr 63 Synth Brass 1 SynBras1 32 Guitar Harmonics GtrHarmo 64 Synth Brass 2 SynBras2 add- 2 Page 2 99.12.16,0:45 PM - 名称未設定 Voice List Pgm # 65 Instrument Group Reed 66 Name LCD Pgm # Instrument Group Synth Effects Soprano Sax SprnoSax 97 Alto Sax Alto Sax 98 Name LCD FX 1 (rain) Rain FX 2 (soundtrack) SoundTrk 67 Tenor Sax TenorSax 99 FX 3 (crystal) Crystal 68 Baritone Sax Bari.Sax 100 FX 4 (atmosphere) Atmosphr 69 Oboe Oboe 101 FX 5 (brightness) Bright 70 English Horn Eng.Horn 102 FX 6 (goblins) Goblins 71 Bassoon Bassoon 103 FX 7 (echoes) Echoes 72 Clarinet Clarinet 104 FX 8 (sci-fi) SF Sitar 73 Piccolo Piccolo 105 Ethnic Sitar 74 Pipe Flute Flute 106 Banjo Banjo 75 Recorder Recorder 107 Shamisen Shamisen 76 Pan Flute PanFlute 108 Koto Koto 77 Blown Bottle Bottle 109 Kalimba Kalimba 78 Shakuhachi Shakhchi 110 Bagpipe Bagpipe 79 Whistle Whistle 111 Fiddle Fiddle 80 Ocarina Ocarina 112 Shanai Shanai Lead 1 (square) SquareLd 113 Percussive Tinkle Bell TnklBell 82 Lead 2 (sawtooth) Saw.Lead 114 Agogo Agogo 83 Lead 3 (calliope) CaliopLd 115 Steel Drums SteelDrm 84 Lead 4 (chiff) Chiff Ld 116 Woodblock WoodBlok 85 Lead 5 (charang) CharanLd 117 Taiko Drum TaikoDrm 86 Lead 6 (voice) Voice Ld 118 Melodic Tom MelodTom 87 Lead 7 (fifths) Fifth Ld 119 Synth Drum Syn.Drum RevCymbl 81 Synth Lead 88 89 90 Synth Pad Lead 8 (bass+lead) Bass &Ld 120 Reverse Cymbal Pad 1 (new age) NewAgePd 121 Sound Effects Guitar Fret Noise FretNoiz Pad 2 (warm) Warm Pad 122 Breath Noise BrthNoiz 91 Pad 3 (polysynth) PolySyPd 123 Seashore Seashore 92 Pad 4 (choir) ChoirPad 124 Bird Tweet Tweet 93 Pad 5 (bowed) BowedPad 125 Telephone Ring Telphone 94 Pad 6 (metallic) MetalPad 126 Helicopter Helicptr 95 Pad 7 (halo) Halo Pad 127 Applause Applause 96 Pad 8 (sweep) SweepPad 128 Gunshot Gunshot add- 3 Page 3 99.12.16,0:45 PM - 名称未設定 ● Drum Map Pgm# Note# Note 1 Key Off Alternate Standard Kit 9 Room Kit 17 Rock Kit 25 Electronic Kit 23 B -1 Click L 24 C 0 Click H 25 C# 0 26 D 27 D# 0 28 E 0 O Brush Swirl H 29 F 0 O Snare Roll 30 F# 0 Castanet 31 G 0 Snare L 32 G# 0 Sticks 33 A Bass Drum L 34 A# 0 Open Rim Shot 35 B 0 Bass Drum M Bass Drum H BD Power 36 C 1 Bass Drum H BD Power BD Gate 37 C# 1 Side Stick 38 D Snare M SD Rock SD Power L 39 D# 1 Hand Clap 40 E 1 Snare H 41 F 1 Floor Tom L 42 F# 1 43 G 1 44 G# 1 45 A 46 A# 1 47 B 1 48 C 2 49 C# 2 Crash Cymbal 1 50 D High Tom 51 D# 2 Ride Cymbal 1 52 E 2 Chinese Cymbal 53 F 2 Ride Cymbal Cup 54 F# 2 Tambourine 55 G 2 Splash Cymbal 56 G# 2 Cowbell 57 A Crash Cymbal 2 58 A# 2 Vibraslap 59 B Ride Cymbal 2 0 Brush Tap O Brush Swirl L Brush Slap 0 1 1 1 2 2 2 Page 4 99.12.16,0:45 PM - 名称未設定 Bass Drum M Bass Drum H SD Power Rim SD Power H E Tom 1 Room Tom 2 Power Tom 2 E Tom 2 Room Tom 3 Power Tom 3 E Tom 3 Mid Tom L Room Tom 4 Power Tom 4 E Tom 4 Mid Tom H Room Tom 5 Power Tom 5 E Tom 5 Room Tom 6 Power Tom 6 E Tom 6 Closed Hi Hat Pedal Hi-Hat Hi-Hat Open : Same as Standard Kit add- 4 Snare M Power Tom 1 Low Tom 1 Hi Q SD Power M Room Tom 1 Floor Tom H 1 Reverse Cymbal Voice List 26 Analog Kit 33 Jazz Kit 41 Brush Kit 49 Classic Kit Reverse Cymbal Hi Q SD Power H Brush Slap L Bass Drum M BD Analog L BD Analog H Gran Cassa Analog Side Stick Analog Snare L Brush Slap Analog Snare H Analog Tom 1 Brush Tap Jazz Tom 1 Brush Tom 1 Jazz Tom 1 Jazz Tom 2 Brush Tom 2 Jazz Tom 2 Jazz Tom 3 Brush Tom 3 Jazz Tom 3 Analog Tom 4 Jazz Tom 4 Brush Tom 4 Jazz Tom 4 Analog Tom 5 Jazz Tom 5 Brush Tom 5 Analog HH Closed 1 Analog Tom 2 Analog HH Closed 2 Analog Tom 3 Analog HH Open Jazz Tom 5 Hand Cym.Open L Analog Tom 6 Jazz Tom 6 Brush Tom 6 Jazz Tom 6 Hand Cym.Closed L Hand Cym.Open H Hand Cym.Closed H add- 5 Page 5 99.12.16,0:45 PM - 名称未設定 Pgm# Note# Note 1 Key Off Alternate Standard Kit 9 Room Kit 17 Rock Kit 25 Electronic Kit 60 C 3 Bongo H 61 C# 3 Bongo L 62 D 3 Conga H Mute 63 D# 3 Conga H Open 64 E 3 Conga L 65 F 3 Timbale H 66 F# 3 Timbale L 67 G 3 High Agogo 68 G# 3 Low Agogo 69 A Cabasa 70 A# 3 71 B 3 O Samba Whistle H 72 C 4 O Samba Whistle L 73 C# 4 74 D 75 D# 4 Claves 76 E 4 Wood Block H 77 F 4 Wood Block L 78 F# 4 Cuica Mute Scratch Push 79 G 4 Cuica Open Scratch Pull 80 G# 4 2 Triangle Mute 81 A 2 Triangle Open 82 A# 4 Shaker 83 B 4 Jingle Bell 84 C 4 Bell Tree 85 C# 4 3 4 4 Maracas Guiro Short O Guiro Long Hi Q : Same as Standard Kit add- 6 Page 6 99.12.16,0:45 PM - 名称未設定 Voice List 26 Analog Kit 33 Jazz Kit 41 Brush Kit 49 Classic Kit Analog Conga H Analog Conga M Analog Conga L Scratch Push Scratch Pull add- 7 Page 7 99.12.16,0:45 PM - 名称未設定 MIDI Data Format 1. General 1.1 Application This following MIDI information applies to the MU5. 1.2 Applicable Standards MIDI 1.0 Standard. 2. MIDI Reception / Transmission Diagrams 2.1 Transmit Condition HOST IN ➤ MIDI < sel > ≠ MIDI NOTE ON $9n BANK SELECT MSB BANK SELECT LSB $Bn, $00 $Bn, $20 MAIN VOLUME $Bn, $07 PANPOT $Bn, $0A PITCH BEND SENSITIVITY $Bn, $64, $00, $65, $00, $06, $mm FINE TUNING $Bn, $64, $01, $65, $00, $06, $mm, $26, $11 COARSE TUNING $Bn, $64, $02, $65, $00, $06, $mm PROGRAM CHANGE $Cn Parameter change (System) $F0, $43, $1n, $44, $00, $00, $00 Parameter change (Multi Part) : : : : $F0, $43, $1n, $44, $02, $00, $00 : : : : $F0, $43, $1n, $44, $02, $0F, $09 System informaton sel = Host Select n = MIDI channel add- 8 Page 8 99.12.16,0:45 PM - 名称未設定 $F0, $43, $1n, $44, $03, $00, $00 MIDI Data Format 2.2 Receive Condition MIDI ➤ $FE ACTIVE SENSING < Rxnm > ≠ off $8n NOTE OFF < Rxnm > ≠ off $9n NOTE ON $Bn, $00 BANK SELECT MSB $Bn, $20 BANK SELECT LSB $Bn, $01 MODULATION $Bn, $06 DATA ENTRY MSB $Bn, $26 DATA ENTRY LSB $Bn, $07 MAIN VOLUME $Bn, $0A $Bn, $0B PANPOT EXPRESSION $Bn, $40 HOLD 1 $Bn, $54 PORTAMENTO CONTROL $Bn, $64, $00, $65, $00, $06, $mm PITCH BEND SENSITIVITY $Bn, $64, $01, $65, $00, $06, $mm, $26, $11 FINE TUNING $Bn, $64, $02, $65, $00, $06, $mm COARSE TUNING $Bn, $64, $7F, $65, $7F RPN RESET $Bn, $78, $00 ALL SOUND OFF $Bn, $79, $00 $Bn, $7B, $00 RESET ALL CONTROLLERS ALL NOTE OFF $Bn, $7C, $00 OMNI OFF $Bn, $7D, $00 OMNI ON $Cn, PROGRAM CHANGE $Dn, CHANNEL PRESSURE $En, PITCH BENDER $F0, $7F, $7F(or $xv), $04, $01 MIDI MASTER VOLUME $F0, $7E, $7F(or $xv), $09, $01, $F7 GENERAL MIDI MODE ON $F0, $43, $1n, $27, $30, $00, $00 MIDI MASTER TUNING $F0, $43, $1n, $44, $00, $00, $00 : : : Parameter change (System) $02, $00, $00 Parameter change (Multi Part) : : : $02, $0F, $09 $F0, $43, $3n, $44, $00, $00, $0F All Parameters Reset $00, $00, $00 Dump request (System) : : : $02, $00, $00 Dump request (Multi Part) : : : $02, $00, $00 Dump request (System Information) : : : $02, $0F, $09 n = MIDI channel Rxnm = Receive note message add- 9 Page 9 99.12.16,0:45 PM - 名称未設定 3. Channel Messages 3.1 Transmission 3.1.1 Note ON/OFF Note Range Velocity = E-2 – E8 = 0 – 127 3.1.2 Control change The following parameters can be transmitted. Control # 0 32 6 38 7 10 100 101 Parameter Range Bank select MSB Bank select LSB Data Entry MSB Data Entry LSB Main volume Pan RPN LSB RPN MSB 0,127 0 0 – 127 0 – 127 0 – 127 0 – 127 0 – 127 0 – 127 3.1.2.1 Bank Select Control # Parameter Range 0 Bank select MSB 32 Bank select LSB 0 : GM melody Voice 127 : GM rhythm Voice 0 : Fixed The bank select MSB switches between melody Voices and rhythm Voices. The bank select LSB is fixed at 0. 3.1.2.2 Data Entry Control # 6 38 Parameter Range Data entry MSB Data entry LSB 0 – 127 0 – 127 This is used in conjunction with the RPN parameter (see sections 3.1.2.5 and 3.1.4). 3.1.2.3 Volume Control # 7 Parameter Range Main volume 0 – 127 Parameter Range Pan 0 – 127 3.1.2.4 Pan Control # 10 A value of 0 corresponds to the left channel, and a value of 127 to the right. 3.1.2.5 (RPN) LSB / MSB add- 10 Control # Parameter Range 100 101 RPN LSB RPN MSB 0 – 127 0 – 127 (Refer to section 3.1.4) Page 10 99.12.16,0:45 PM - 名称未設定 MIDI Data Format 3.1.3 Channel Mode Messages Channel Mode Messages are not transmitted. 3.1.4 RPN (Registered Parameter Number) The RPN MSB and RPN LSB must be sent first for the desired parameter setting, followed by the data entry values. RPN MSB LSB Data Entry MSB LSB $00 $00 $mm -- $00 $01 $mm $l l $00 $02 $mm -- Pitch bend sensitivity mm : $00 – $18 (0 – 24 semitones) “--” : Not used Range is two octaves, selectable in one semitone steps. When power is turned on, this is set to two semitones. Master fine tuning (mm,l l) : ($00,$00) – ($40,$00) – ($7F,$7F) (-8192x100/8192) – 0 – (+8192x100/8192 cents) Master coarse tuning mm : $28 – $40 – $58 (-24 – 0 – +24 semitones) “--” : Not used 3.2 Reception 3.2.1 Note ON/OFF Receive note range Velocity range = C-2 – G8 = 1 – 127 (Note On velocity only.) When Receive Note Message is set to OFF, reception is disabled. When drum part data is received, the MU5 sometimes does not respond to Note Off messages (depending on the transmitted instrument). 3.2.2 Control Change The following control change parameters are applicable to the MU5: Control # 0 32 1 6 38 7 10 11 64 84 100 101 Parameter Range Bank select MSB Bank select LSB Modulation Data entry MSB Data entry LSB Main volume Pan Expression Hold 1 Portamento control RPN LSB RPN MSB 0 – 127 0 0 – 127 0 – 127 0 – 127 0 – 127 0 – 127 0 – 127 0 – 127 0 – 127 0 – 127 0 – 127 add- 11 Page 11 99.12.16,0:45 PM - 名称未設定 3.2.2.1 Bank Select Control # Parameter Range 0 Bank select MSB 32 Bank select LSB 0 1 – 126 127 0 : Melody Voice of GM : No sound : Rhythm Voice of GM : Fixed Processing of bank select messages is paused until a program change message is received. The bank select MSB switches between a melody Voice and rhythm Voice. The bank select LSB is fixed at 0. 3.2.2.2 Modulation Control # 1 Parameter Range Modulation 0 – 127 This affects the vibrato depth. 3.2.2.3 Data Entry Control # 6 38 Parameter Range Data entry MSB Data entry LSB 0 – 127 0 – 127 This is used in conjunction with the RPN parameter (see sections 3.2.2.9 and 3.2.6). 3.2.2.4 Main Volume Control # 7 Parameter Range Main volume 0 – 127 Parameter Range Pan 0 – 127 3.2.2.5 Pan Control # 10 A value of 0 corresponds to the left channel, and a value of 127 to the right. 3.2.2.6 Expression Control # 11 Parameter Range Expression 0 – 127 Parameter Range Hold 1 0 – 127 (0 – 63: off, 64 – 127: on) 3.2.2.7 Hold 1 Control # 64 add- 12 Page 12 99.12.16,0:45 PM - 名称未設定 MIDI Data Format 3.2.2.8 Portamento Control # 84 Parameter Range Portamento control 0 – 127 Portamento time is always set to 0. 3.2.2.9 (RPN) LSB / MSB Control # Parameter Range 100 101 RPN LSB RPN MSB 0 – 127 0 – 127 (Refer to section 3.2.7) 3.2.3 Program change Refer to the Voice List on page add-2. 3.2.4 Pitch Bend Pitch Bend resolution is 14 bit (-8192 – +8191). 3.2.5 Channel Mode Messages The MU5 receives and responds to the following channel mode messages: 2nd byte 3rd byte 120 121 123 124 125 126 127 0 0 0 0 0 0 – 127 0 All sound off Reset all controllers All note off Omni off Omni on Mono Poly 3.2.5.1 All Sounds Off This mutes all sounds of the corresponding channel. However, when the sustain (damper) pedal is held or a note is held down on the keyboard, the sound continues. 3.2.5.2 Reset All Controllers Controllers are set to the following values: Controller Reset Value Pitch bend Modulation Expression Hold 1 RPN ±0 (normal) 0 (OFF) 127 (Max) 0 (OFF) (Not set. Internal data doesn’t change.) The following values are not reset: Program change, Bank select MSB/LSB, Volume, Pan, Pitch bend sensitivity, Fine tuning, Coarse tuning, and Local control. add- 13 Page 13 99.12.16,0:45 PM - 名称未設定 3.2.5.3 All Notes Off Note off is executed. However, if Hold 1 is on, the sound will not stop until a Hold 1 = off message is received. 3.2.5.4 Omni Off Omni Off is executed. (Rest is the same as in “All Notes Off” above.) 3.2.5.5 Omni On Since the MU5 has no such function, Omni On is not executed. (Rest is the same as in “All Notes Off” above.) 3.2.5.6 Mono Same as in “All Sounds Off” above. If the third byte is 0 – 16 (Mono value), the allocated channels are set to Mode 4 (m = 1)*. * See the MIDI Implementation Chart on page add-24. 3.2.5.7 Poly Same as in “All Sounds Off” above. If the third byte is 0 – 16 (Mono value), the allocated channels are set to Mode 3*. * See the MIDI Implementation Chart on page add-24. 3.2.6 RPN (Registered Parameter Number) The RPN MSB and RPN LSB must be sent first for the specific control parameter, followed by the data entry values. The MU5 receives and responds to the following RPN: RPN MSB LSB add- 14 Data Entry MSB LSB $00 $00 $mm -- $00 $01 $mm $11 $00 $02 $mm -- $7F $7F $-- -- Pitch bend sensitivity mm : $00 – $18 (0 – 24 semitones) “--” : Not used Range is two octaves, selectable in one semitone steps. When power is turned on, this is set to two semitones. Master fine tuning (mm,11) : ($00,$00) – ($40,$00) – ($7F,$7F) (-8192x100/8192) – 0 – (+8192x100/8192 cents) Master coarse tuning mm : $28 – $40 – $58 (-24 – 0 – +24 semitones) “--” : Not used RPN Null “--” : Not used RPN or NRPN are not set. Internal data does not change. The values set by using RPN are not reset, even when program change messages are received. If the parameter has a relative value, the actual range of adjustment may occasionally be narrower than the specified range (depending on the program number). Page 14 99.12.16,0:45 PM - 名称未設定 MIDI Data Format 4. System Exclusive Messages 4.1 Parameter Change The MU5 receives and responds to the following parameter change messages: • Universal Real Time Message Master Volume • Universal Non Real Time Message General MIDI Mode On • Yamaha GM Exclusive Message MIDI Master Tuning • Parameter Changes Specific to MU5 System Data parameter change Multi Part data parameter change Reset All Parameters System Parameter Multi Parameter All Parameter Reset • Parameter Changes Specific to TG100 4.2 Universal Real Time Message 4.2.1 Master Volume 11110000 01111111 01111111 00000100 00000001 0sssssss 0t t t t t t t 11110111 F0 7F 7F 04 01 SS TT F7 = Exclusive status = Universal real time = ID of target device = Sub-ID #1=Device control message = Sub-ID #2=Master volume = Volume LSB = Volume MSB = End of exclusive F0 7F XN 04 01 SS TT F7 = Exclusive status = Universal real time = Device number, xxx = Not used = Sub-ID #1=Device control message = Sub-ID #2=Master volume = Volume LSB = Volume MSB = End of exclusive or 11110000 01111111 0xxxnnnn 00000100 00000001 0sssssss 0t t t t t t t 11110111 Following reception of the above parameters, the Volume MSB affects the Master Volume of the System Parameters. add- 15 Page 15 99.12.16,0:45 PM - 名称未設定 4.3 Universal Non Real Time Message 4.3.1 General MIDI Mode On 11110000 01111110 01111111 00001001 00000001 11110111 F0 7E 7F 09 01 F7 = Exclusive status = Universal non-real time = ID of target device = Sub-ID #1=General MIDI Message = Sub-ID #2=General MIDI On = End of exclusive F0 7E XN 09 01 F7 = Exclusive status = Universal non-real time = Device Number, xxx = Not used = Sub-ID #1=General MIDI message = Sub-ID #2=General MIDI on = End of exclusive or 11110000 01111110 0xxxnnnn 00001001 00000001 11110111 Following reception of the above parameters, all MU5 parameters will be initialized (excepting Master Tuning). However, when Mute Lock of the System parameters is set to on, Receive Note Message of the Multi Part parameters is not initialized. Since one of these messages takes about 50 msec to process, allow a sufficient amount of time before transmitting the next message. add- 16 Page 16 99.12.16,0:45 PM - 名称未設定 MIDI Data Format 4.4 MU5 Native Parameter Change 11110000 01000011 0001nnnn 00101011 0aaaaaaa 0aaaaaaa 0aaaaaaa 0ddddddd | | 0ccccccc 11110111 F0 43 1N 44 aaaaaaa aaaaaaa aaaaaaa ddddddd | | ccccccc F7 = Exclusive status = YAMAHA ID = Device number = MU5 Model ID = Start address 1st byte = Start address 2nd byte = Start address 3rd byte = Data = Checksum = End of exclusive The sending device must send a separate header (address setting) for each individual parameter. For example, System parameters and Multi Part parameters are not continuous, and so they must be separated, with each header added individually. The following parameters must be separated into individual packets: • System • Multi Part • Reset All Parameters After adding the Start Address, Data and Checksum, the checksum’s first 7 bit values will be 0. If the received data is outside the “legal” range (i.e., higher or lower than the maximum and minimum set values at each address), the MU5 changes the value to the nearest maximum or minimum setting. 4.4.1 System Data Parameter Change Refer to charts 1-1 and 1-2 on pages add-21 and add-22. 4.4.2 Multi Part Data Parameter Change Refer to charts 1-1 and 1-3 on pages add-21 and add-22. 4.4.3 System Information Upon reception of a Dump Request, the MU5 transmits the relevant data, but ignores all other incoming messages during transmission. Refer to charts 1-1 and 1-4 on pages add-21 and add-23. add- 17 Page 17 99.12.16,0:45 PM - 名称未設定 4.4.4 Reset All Parameters 11110000 01000011 0001nnnn 00101011 00000000 00000000 01111111 00000000 00000001 11110111 F0 43 1N 44 00 00 7F 00 01 F7 = Exclusive status = YAMAHA ID = Device number = MU5 Model ID = Start address 1st byte = Start address 2nd byte = Start address 3rd byte = Data = Checksum = End of exclusive This is used to reset all System parameters to their factory-set initial values. Since one of these messages takes about 120 msec to process, allow a sufficient amount of time before transmitting the next message. 4.5 TG100 Native Parameter Change The MU5 receives and responds to the following TG100 parameter changes: • System parameters MASTER TUNE TRANSPOSE DEVICE NUMBER MASTER VOLUME • Multi Part parameters VOICE BANK PC VALUE RX.CHANNEL MONO/POLY MODE DETUNE NOTE SHIFT VOLUME VELOCITY SENSE PANPOT (Not received for Voice #8) NOTE LIMIT LOW NOTE LIMIT HIGH LFO SPEED LFO DEPTH LFO DELAY (Negative values are ignored.) EG. ATTACK RATE EG. RELEASE RATE PITCH BEND RANGE MOD LFO PITCH DEPTH CHANNEL AFTER TOUCH PITCH CONTROL If only Master Tune is received, the MU5 does not confirm with checksum. The MU5 does not respond to the following parameters: • System parameters EXCLUSIVE RECEIVE SWITCH PROGRAM CHANGE RECEIVE SWITCH CONTROL CHANGE, VOLUME, EXPRESSION SOUND MODULE MODE add- 18 Page 18 99.12.16,0:45 PM - 名称未設定 MIDI Data Format • Multi Part parameters REVERB SEND DEPTH • All Multi Common parameters • All Drum Setup parameters • Voice Memory • Program Change Table 4.6 Dump request The MU5 responds to dump requests for the following types of data: • MU5 Native data 1) System data 2) Multi Part data 3) System Information • TG100 Native data 1) System data 2) Multi Part data 3) Multi Common Parameter 4) Drum Setup Parameter 5) Voice Memory 6) Program Change Table 7) System Information The MU5 cannot transmit a dump request. Dump requests to the MU5 should follow format given below. 11110000 01000011 0011nnnn 00101011 0aaaaaaa 0aaaaaaa 0aaaaaaa 0sssssss 0sssssss 0sssssss 0ccccccc 11110111 F0 43 3n 44 aaaaaaa aaaaaaa aaaaaaa sssssss sssssss sssssss ccccccc F7 = Exclusive status = YAMAHA ID = Device number = MU5 Model ID = Start address 1st byte = Start address 2nd byte = Start address 3rd byte = Byte count bit 20 – bit 14 = Byte count bit 13 – bit 7 = Byte count bit 6 – bit 0 = Checksum = End of exclusive When the receive address of the dump request corresponds to the start address and the received dump request byte count is correct, the data is transmitted. (Refer to the tables at the end of this section for more information about the start address and byte count.) The MU5 cannot send amounts of data greater than 513 bytes at a time. If a dump request exceeding 513 bytes is received, the MU5 breaks up the data into packets of 512 bytes or less and pauses for 120 msec or more before transmitting each packet. After adding the Start Address, Byte Count and Checksum, the checksum’s first 7 bit values will be 0. add- 19 Page 19 99.12.16,0:45 PM - 名称未設定 The device making the dump request must include the corresponding parameter header for each data type (listed below). For example, if only one dump request header is used to request both System and Multi Part data, the MU5 will transmit only the System data. • System • Multi Part • Reset All Parameters • System Information 4.6.1 System Data Parameter Change Refer to charts 1-1 and 1-2 on pages add-21 and add-22. 4.6.2 Multi Part Data Parameter Change Refer to charts 1-1 and 1-3 on pages add-21 and add-22. 4.6.3 System Information Parameter Change When a dump request is received, data can be transmitted but not received. Refer to charts 1-1 and 1-4 on pages add-21 and add-23. 4.7 Yamaha TG100 Dump Request The MU5 responds to portions of a dump request from the TG100. If the parameter ranges of both devices are the same, the data transmitted and received remains in its original state. If both devices have the same function yet their parameter ranges are different, the MU5 reformats the data before transmitting it. • System parameters MASTER TUNE TRANSPOSE DEVICE NUMBER MASTER VOLUME • Multi Part parameters VOICE BANK PC VALUE RX.CHANNEL MONO/POLY MODE DETUNE NOTE SHIFT VOLUME VELOCITY SENSE PANPOT NOTE LIMIT LOW NOTE LIMIT HIGH LFO SPEED LFO DEPTH LFO DELAY EG. ATTACK RATE add- 20 Page 20 99.12.16,0:45 PM - 名称未設定 (Format is changed) (Format is changed) MIDI Data Format EG. RELEASE RATE PITCH BEND RANGE MOD LFO PITCH DEPTH CHANNEL AFTER TOUCH PITCH CONTROL SYSTEM INFORMATION For the following parameters, which are unavailable on the MU5, the MU5 sends fixed data. • System parameters EXCLUSIVE RECEIVE SWITCH PROGRAM CHANGE RECEIVE SWITCH CONTROL CHANGE, VOLUME, EXPRESSION SOUND MODULE MODE • Multi Part parameters REVERB SEND DEPTH • All Multi Common parameters • All Drum Setup parameters • Voice Memory • Program Change Table 5. Active Sensing (Status FE) a) Transmission Not sent. b) Reception If after receiving an active sensing (FE) message, and no data is received within 300 msec, All Sound Off, All Note Off and Reset All Controller functions will be executed, and will return to the condition as if no FE message had been received. MIDI Parameter Charts ● Chart 1-1 : Parameter base map Parameter change Start Address Description 00 00 00 System 00 00 7F All parameters reset 02 00 00 02 01 00 : 02 09 00 02 0A 00 : 02 0F 00 Multi Part 10 Multi Part 1 : Multi Part 9 Multi Part 11 : Multi Part 16 03 00 00 System Information add- 21 Page 21 99.12.16,0:45 PM - 名称未設定 ● Chart 1-2 : MIDI Parameter Change table ( SYSTEM ) Address Size Data (H) (H) (H) Parameter Description Default value (H) 00 00 00 02 00 00 01* 1C – E4 MASTER TUNE 00 80 (80) 00 00 02 00 00 03 00 00 04 00 00 05 01 01 01 01 00 – 10 00 – 7F 28 – 58 00 – 01 DEVICE NUMBER MASTER VOLUME TRANSPOSE MUTE LOCK 00 00 06 01 00 – 01 LOCAL CONTROL -100 – +100 (cents) 1st bit 3–0→bit 7–4 2nd bit 3–0→bit 3–0 0 – 15, 16 : all 0 – 127 -24 – +24 (semitones) 0 : off 1 : on 0 : off 1 : on TOTAL SIZE 07 10 7F 40 00 01 * Cannot be used as a start address. ● Chart 1-3 : MIDI Parameter Change table ( MULTI PART ) Address Size Data (H) (H) (H) Parameter Description Default value (H) 02 0n 00 PART MODE 0 : normal (BANK SELECT MSB) 1 – 126 : no sound 127 : drum 1 – 128 0 – 15 16 : OFF 0 : OFF 1 : ON 0 : MONO 1 : POLY 0 – 127 0 : L64 1 : L63 : 64 : C (center) : 127 : R63 -24 – +24 (semitones) C-2 – G8 C-2 – G8 -100 – +100 (cents) 1st bit 3–0→bit 7–4 2nd bit 3–0→bit 3–0 -24 – +24 (semitones) 0 – 15 -7 – +7 -7 – +7 -7 – +7 00 (Except for Part 10) 7F (Part 10 only) 01 00 – 7F 02 0n 01 02 0n 02 01 01 00 – 7F 00 – 10 PROGRAM NUMBER RECEIVE CHANNEL 02 0n 03 01 00 – 01 RECEIVE NOTE MESSAGE 02 0n 04 01 00 – 01 MONO/POLY MODE 02 0n 05 02 0n 06 01 01 00 – 7F 00 – 7F VOLUME PAN 02 0n 07 02 0n 08 02 0n 09 02 0n 0A 02 0n 0B* 01 01 01 02 28 – 58 00 – 7F 00 – 7F 1C – E4 NOTE SHIFT NOTE LIMIT LOW NOTE LIMIT HIGH PART TUNE 02 0n 0C 02 0n 0D 02 0n 0E 02 0n 0F 02 0n 10 01 01 01 01 01 28 – 58 00 – 7F 39 – 47 39 – 47 39 – 47 PITCH BEND RANGE VELOCITY SENSE EG ATTACK RATE EG RELEASE RATE LFO SPEED add- 22 Page 22 99.12.16,0:45 PM - 名称未設定 00 Part No. 01 01 64 40 40 00 7F 08 00 (80) 42 08 40 40 40 MIDI Data Format Address Size Data (H) (H) (H) Parameter 02 0n 11 02 0n 12 02 0n 13 02 0n 14 02 0n 15 01 01 01 01 01 LFO DEPTH LFO DELAY MOD LFO PITCH DEPTH TOTAL SIZE 16 31 – 4F 00 – 7F 00 – 0F 28 – 58 00 – 18 Description Default value (H) -15 – +15 0 – 127 0 – 15 CHANNEL AFTER TOUCH PITCH CONTROL -24 – +24 CHANNEL AFTER TOUCH LFO PITCH DEPTH 0 – 15 Note: • n : block number( 0 - F ) Part 1 : Part 9 Part 10 Part 11 : Part 16 * Cannot be used as a start address. 40 00 0F 40 00 n=1 : n=9 n=0 n=A : n=F ● Chart 1-4 : MIDI Parameter Change table ( SYSTEM INFORMATION) Address (H) Size Data (H) (H) Parameter Description 03 00 00 03 00 01# 03 00 02# 03 00 03# 03 00 04# 03 00 05# 03 00 06# 03 00 07# 03 00 08# 03 00 09# 03 00 0A# 03 00 0B# 03 00 0C# 03 00 0D# 03 00 0E# 03 00 0F# 10 STRING STRING STRING STRING STRING STRING STRING STRING STRING STRING STRING STRING STRING STRING STRING STRING ASCII '#' ASCII '0' ASCII '1' ASCII '8' ASCII '5' ASCII ' ' ASCII ' ' ASCII 'V' ASCII 'E' ASCII 'R' ASCII '=' ASCII '1' ASCII '.' ASCII '0' ASCII '0' ASCII ' ' TOTAL SIZE 10 23 30 31 38 35 20 20 56 45 52 3D 31 2E 30 30 20 Default value (H) Note: 03 00 00 address can only be used as Start address. add- 23 Page 23 99.12.16,0:45 PM - 名称未設定 YAMAHA [ Tone Generator ] Date:27-JUL-1994 Model MU5 MIDI Implementation Chart Version : 1.00 +----------------------------------------------------------------------+ : : Transmitted : Recognized : Remarks : : Function ... : : : : :-------------------+----------------+----------------+----------------: :Basic Default : 1 - 16 : 1 - 16 : memorized : :Channel Changed : 1 - 16 : 1 - 16 : : :-------------------+----------------+----------------+----------------: : Default : x : 3 : : :Mode Messages : x : 3,4(m = 1) *1 : : : Altered : ************** : x : : :-------------------+----------------+----------------+----------------: :Note : 0 - 127 : 0 - 127 : : :Number : True voice: ************** : 0 - 127 : : :-------------------+----------------+----------------+----------------: :Velocity Note ON : o 9nH,v=1-127 : o 9nH,v=1-127 : : : Note OFF : x 9nH,v=0 : x : : :-------------------+----------------+----------------+----------------: :After Key's : x : x : : :Touch Ch's : x : o : : :-------------------+----------------+----------------+----------------: :Pitch Bender : x : o 0-24 semi : : :-------------------+----------------+----------------+----------------: : 0,32: o : o MSB only :Bank Select : : 1 : x : o :Modulation Wheel: : 6,38: o : o :Data Entry : : Control 7 : o : o :Volume : : 10 : o : o :Panpot : : Change 11 : x : o :Expression : : 64 : x : o :Hold 1 : : 84 : x : o :Portamento Cntrl: : 100,101 : o : o :RPN LSB,MSB : : 120 : x : o :All Sound Off : : 121 : x : o :Reset All Cntrls: : : : : : :-------------------+----------------+----------------+----------------: :Prog : o 0-127 : o 0-127 : : :Change : True # : ************* : : : :-------------------+----------------+----------------+----------------: :System Exclusive : o : o : : :-------------------+----------------+----------------+----------------: :System : Song Pos. : x : x : : : : Song Sel. : x : x : : :Common : Tune : x : x : : :-------------------+----------------+----------------+----------------: :System :Clock : x : x : : :Real Time :Commands: x : x : : :-------------------+----------------+----------------+----------------: :Aux :Local ON/OFF : x : x : : : :All Notes OFF: x : o(123-127) : : :Mes- :Active Sense : x : o : : :sages:Reset : x : x : : :-------------------+----------------+----------------+----------------: :Notes: *1 ; m is always treated as "1" regardless of its value. : : : : : +----------------------------------------------------------------------+ Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No M.D.G., EMI Division © Yamaha Corporation 1994 VS67010 408PTCP25.2-01A0 Printed in Japan