Yamaha SW1000XG Ficha de datos
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- Pianos digitales
- Tipo
- Ficha de datos
DataList-E.qx 7/31/98 3:17 PM Page 1
XG Voice List (Normal voices)
Bank Select LSB = Bank number
2
Piano 1
2
3
4
5
6
7
8
Chromatic 9
Percussion 10
11
12
13
14
15
16
Organ 17
18
19
20
21
22
23
24
Guitar 25
26
27
28
29
30
31
32
Bass 33
34
35
36
37
38
39
40
Strings 41
42
43
44
45
46
47
48
Ensemble 49
50
51
52
53
54
55
56
Brass 57
58
59
60
61
62
63
64
Instrument
Group
Bank Select LSB 0
E
Pgm #
(1-128)
1
EEEE
3 6 8
E
MU
Basic
SW1000XG
Native
12
Bank Select MSB 0 0
0
0 0 0 0 0
GrandPno 1
BritePno 1
El.Grand 2
HnkyTonk 2
E.Piano1 2
E.Piano2 2
Harpsi. 1
Clavi 2
Celesta 1
Glocken 1
MusicBox 2
Vibes 1
Marimba 1
Xylophon 1
TubulBel 1
Dulcimer 1
DrawOrgn 1
PercOrgn 1
RockOrgn 2
ChrchOrg 2
ReedOrgn 1
Acordion 2
Harmnica 1
TangoAcd 2
NylonGtr 1
SteelGtr 1
Jazz Gtr 1
CleanGtr 1
Mute Gtr 1
Ovrdrive 1
Dist.Gtr 1
GtrHarmo 1
Aco.Bass 1
FngrBass 1
PickBass 1
Fretless 1
SlapBas1 1
SlapBas2 1
SynBass1 1
SynBass2 2
Violin 1
Viola 1
Cello 1
Contrabs 1
Trem.Str 1
Pizz.Str 1
Harp 1
Timpani 1
Strings1 1
Strings2 1
Syn Str1 2
Syn Str2 2
ChoirAah 1
VoiceOoh 1
SynVoice 1
Orch.Hit 2
Trumpet 1
Trombone 1
Tuba 1
Mute Trp 1
Fr. Horn 1
BrssSect 1
SynBrss1 2
SynBrss2 1
E
GrndPnoK 1
BritPnoK 1
ElGrPnoK 2
HnkyTnkK 2
El.Pno1K 1
El.Pno2K 1
Harpsi.K 1
Clavi K 1
Vibes K 1
MarimbaK 1
† GrandP # 1
† BriteP # 1
† EPiano1# 2
† EPiano2# 1
† Clavi # 2
† DrawOrg# 2
† PercOrg# 2
† RockOrg# 2
† TangoAc# 2
† NylonGt# 1
† SteelGt# 1
† JazzGtr# 2
† MuteGtr# 2
† Ovrdriv# 2
† DistGtr# 1
† AcoBass# 1
† FngrBa # 1
† Frtless# 1
† SlapBa1# 2
† SlapBa2# 2
† Violin # 1
† TremStr# 2
† Strngs1# 1
† Strngs2# 1
† Trumpet# 1
† Trmbone# 1
† MuteTrp# 2
† BrssSec# 2
Key Scale Panning
Stereo Single Slow Fast Decay
MelloSBa 1
FrHrSolo 1
Continued on page 16
: Same as Bank 0.
** : MU80 Extension
*** : MU90 Extension
† : MU100 Extension
Switching between MU Basic and SW1000XG Native can be executed by Voice Map of the SW1000XG System bulk dump.
(Refer to the MIDI Data Format)
Slow Vln 1
SlwTrStr 1
Slow Str 1
LegatoSt 2
† Memory 2
† StBrtPno 2
† StDrawOr 2
S.Strngs 2
S.SlwStr 2
S.Choir 2
StBrsSec *** 2
† ChoEPDcy 2
DstRthmG ** 2
Seq Bass 2
LoFi Hit *** 2
Quack Br 2
E: Number of elements
DataList-E.qx 8/4/98 4:00 PM Page 2
3
14
E
16
EEEE
17 18 19
E
20
E
21
0 0 0 0 0 0 0
† SfzStrgs 1
SfrzndBr ** 2
NylonGt2 1
SteelGt2 1
† BrtSlpSp 2
Ch.Aahs2 2
Trumpet2 1
Tuba 2 1
BriteTrp 2
MelloGrP 1
MelloEP1 2
MelloGtr 1
FingrDrk 2
SynBa1Dk 1
ClkSynBa 2
† Zephyr 2
Trmbone2 2
MildBrss *** 2
Soft Brs 2
SynBa2Dk 1
† ResoBrtP 1
FastResB 1
RezSynBr 2
† CsmicSlp 2
† TL66 2
† TradeWnd 2
Double Attack Bright 1 Bright 2 Dark 2Dark 1 LFO-Cutoff FreqResonant
Continued on page 17
DataList-E.qx 8/4/98 4:00 PM Page 3
XG Voice List (Normal voices)
Bank Select LSB = Bank number
4
Piano 1
2
3
4
5
6
7
8
Chromatic 9
Percussion 10
11
12
13
14
15
16
Organ 17
18
19
20
21
22
23
24
Guitar 25
26
27
28
29
30
31
32
Bass 33
34
35
36
37
38
39
40
Strings 41
42
43
44
45
46
47
48
Ensemble 49
50
51
52
53
54
55
56
Brass 57
58
59
60
61
62
63
64
Instrument
Group
Bank Select LSB 0
E
22
EEEE
24 25 26
E
27
Bank Select MSB 0 0 0 0 0 0
GrandPno 1
BritePno 1
El.Grand 2
HnkyTonk 2
E.Piano1 2
E.Piano2 2
Harpsi. 1
Clavi 2
Celesta 1
Glocken 1
MusicBox 2
Vibes 1
Marimba 1
Xylophon 1
TubulBel 1
Dulcimer 1
DrawOrgn 1
PercOrgn 1
RockOrgn 2
ChrchOrg 2
ReedOrgn 1
Acordion 2
Harmnica 1
TangoAcd 2
NylonGtr 1
SteelGtr 1
Jazz Gtr 1
CleanGtr 1
Mute Gtr 1
Ovrdrive 1
Dist.Gtr 1
GtrHarmo 1
Aco.Bass 1
FngrBass 1
PickBass 1
Fretless 1
SlapBas1 1
SlapBas2 1
SynBass1 1
SynBass2 2
Violin 1
Viola 1
Cello 1
Contrabs 1
Trem.Str 1
Pizz.Str 1
Harp 1
Timpani 1
Strings1 1
Strings2 1
Syn Str1 2
Syn Str2 2
ChoirAah 1
VoiceOoh 1
SynVoice 1
Orch.Hit 2
Trumpet 1
Trombone 1
Tuba 1
Mute Trp 1
Fr. Horn 1
BrssSect 1
SynBrss1 2
SynBrss2 1
† Wah Slap 2
† Zealot 2
70sPcOr1 2
DistGtr2 ** 2
AcidBass 1
Arco Str 2
PolyBrss 2
Vel-cutoff freq Attack Release Sweep Resonant Sweep
Harpsi.2 2
NylonGt3 2
ClaviWah 2
FlangeBa 2
ResoSlap 1
ResoBass *** 1
Reso Str 2
SynBrss3 2
Continued on page 18
Pgm #
(1-128)
MU
Basic
: Same as Bank 0.
** : MU80 Extension
*** : MU90 Extension
† : MU100 Extension
E: Number of elements
DataList-E.qx 8/4/98 4:00 PM Page 4
5
28
E
29
EEEE
32 33 34
E
35
E
36
0 0 0 0 0 0 0
MutePkBa 1
† MtdPulsB 1
† SlwAttck 1
† AnalgSfz 2
† DtndBrtP 2
Det.CP80 2
Chor.EP1 2
Chor.EP2 2
DetDrwOr 2
DetPrcOr 2
ChurOrg3 2
† ReedOrDt 2
AccordIt 2
Harmo. 2 2
† NylnGtDt 2
† StlGtrDt 2
Jazz Amp 2
ChorusGt 2
† OdrvGtDt 2
† FngrBaDt 2
Fretles2 2
PunchThm 2
SmthSynB 2
MelChoir 2
Warm Trp 2
FrHorn 2 1
JumpBrss 2
DXLegend 2
60sDrOr2 2
Fretles4 2
DX Hard 2
60sDrOr1 2
Lite Org 2
† ChoGtrLt 2
Fretles3 2
† Synth CP 2
Harpsi.3 2
Dulcimr2 2
70sDrOr1 2
ChurOrg2 2
12StrGtr 2
DistGtr3 ** 2
Clv Bass 2
† Pizz Oct 2
60sStrng 2
Syn Str3 ** 2
OrchHit2 2
Tp&TbSec 2
DrawOrg2 2
PowerGt2 ** 2
Tp&TbSc2 *** 2
Muted Detune 1 Detune 2Complex-FEG Octave 1 Octave 2Detune 3
Continued on page 19
DataList-E.qx 8/4/98 4:00 PM Page 5
XG Voice List (Normal voices)
Bank Select LSB = Bank number
6
Piano 1
2
3
4
5
6
7
8
Chromatic 9
Percussion 10
11
12
13
14
15
16
Organ 17
18
19
20
21
22
23
24
Guitar 25
26
27
28
29
30
31
32
Bass 33
34
35
36
37
38
39
40
Strings 41
42
43
44
45
46
47
48
Ensemble 49
50
51
52
53
54
55
56
Brass 57
58
59
60
61
62
63
64
Instrument
Group
Bank Select LSB 0
E
37
EEEE
38 39 40
E
41
Bank Select MSB 0 0 0 0 0 0
GrandPno 1
BritePno 1
El.Grand 2
HnkyTonk 2
E.Piano1 2
E.Piano2 2
Harpsi. 1
Clavi 2
Celesta 1
Glocken 1
MusicBox 2
Vibes 1
Marimba 1
Xylophon 1
TubulBel 1
Dulcimer 1
DrawOrgn 1
PercOrgn 1
RockOrgn 2
ChrchOrg 2
ReedOrgn 1
Acordion 2
Harmnica 1
TangoAcd 2
NylonGtr 1
SteelGtr 1
Jazz Gtr 1
CleanGtr 1
Mute Gtr 1
Ovrdrive 1
Dist.Gtr 1
GtrHarmo 1
Aco.Bass 1
FngrBass 1
PickBass 1
Fretless 1
SlapBas1 1
SlapBas2 1
SynBass1 1
SynBass2 2
Violin 1
Viola 1
Cello 1
Contrabs 1
Trem.Str 1
Pizz.Str 1
Harp 1
Timpani 1
Strings1 1
Strings2 1
Syn Str1 2
Syn Str2 2
ChoirAah 1
VoiceOoh 1
SynVoice 1
Orch.Hit 2
Trumpet 1
Trombone 1
Tuba 1
Mute Trp 1
Fr. Horn 1
BrssSect 1
SynBrss1 2
SynBrss2 1
60sDrOr3 2
PercOrg2 2
PowerGt1 ** 2
HornOrch 2
Even Bar 2
Dst.5ths ** 2
5th 1 5th 2 Bend Tutti 1 Tutti 2
† Monarchy 2
† WormHole 2
† Gasp 2
BrssFall ** 1
PianoStr 2
† SyPadPno 2
LayerCP1 2
HardEl.P 2
DX Phase 2
† ElHarpsi 2
† CsmcClav 2
16+2"2/3 2
NotreDam 2
Puff Org 2
† Wayside 2
Nyln&Stl 2
† OrganGtr 2
FunkGtr1 2
† Parallel 2
FeedbkGt 2
JazzRthm 2
Ba&DstEG 2
† PkB&MtGt 2
TechnoBa 2
ModulrBa 2
† Unison 2
† VlaDoubl 2
Susp.Str 2
† Sleep 2
YangChin 2
Orchestr 2
Warm Str 2
GrandPad *** 2
ChoirStr 2
SyVoice2 2
† Throne 2
† Backyard 2
BrssSec2 2
SyBrsSub *** 2
SynBrss4 2
Dream 2
LayerCP2 2
DX+Analg 2
Stl&Body 2
† OctPlate 2
MuteStlG 2
FeedbkG2 2
† PckAcoBa 2
† Kik'n'Ba 2
DX Bass 2
Orchstr2 2
Kingdom 2
† SweepStr 2
† Dead Sea 2
Choral 2
Hi Brass 2
ChoirBrs 2
Continued on page 20
Pgm #
(1-128)
: Same as Bank 0.
** : MU80 Extension
*** : MU90 Extension
† : MU100 Extension
E: Number of elements
MU
Basic
DataList-E.qx 8/4/98 4:00 PM Page 6
7
42
E
43
EEEE
45 48 52
E
53
E
54
0 0 0 0 0 0 0
DXKotoEP 2
† TwinDist 2
† NEP 2
† DXBa Brt 2
TremOrch 2
† SwpStOct 2
MelloBrs 2
† AnHrnRch 2
VelGtHrm 2
FunkGtr2 2
Gt.Pinch 2
RckRthm2 ** 2
† Blink Ba 2
FngrSlap 2
VeloSlap 2
† Roll&Hit 2
VX El.P1 2
VX El.P2 2
HardVibe 2
Jazz Man 1
RckRthm1 ** 2
VXUprght 2
FngBass2 2
Velo.Str 2
AnVelBr1 2
AnVelBr2 2
† ChoEP K 2
† DXMallet 2
† Lento 2
† Bund 2
† FakeHorn 2
† FkHrnOct 2
Velocity SwitchTutti 3
Velocity Cross Fade
Tutti 4Detune 4 Tutti 5 Tutti 6
Continued on page 21
DataList-E.qx 8/4/98 4:00 PM Page 7
XG Voice List (Normal voices)
Bank Select LSB = Bank number
8
Piano 1
2
3
4
5
6
7
8
Chromatic 9
Percussion 10
11
12
13
14
15
16
Organ 17
18
19
20
21
22
23
24
Guitar 25
26
27
28
29
30
31
32
Bass 33
34
35
36
37
38
39
40
Strings 41
42
43
44
45
46
47
48
Ensemble 49
50
51
52
53
54
55
56
Brass 57
58
59
60
61
62
63
64
Instrument
Group
Bank Select LSB 0
E
64
EEEE
65 66 67
E
68
Bank Select MSB 0 0 0 0 0 0
GrandPno 1
BritePno 1
El.Grand 2
HnkyTonk 2
E.Piano1 2
E.Piano2 2
Harpsi. 1
Clavi 2
Celesta 1
Glocken 1
MusicBox 2
Vibes 1
Marimba 1
Xylophon 1
TubulBel 1
Dulcimer 1
DrawOrgn 1
PercOrgn 1
RockOrgn 2
ChrchOrg 2
ReedOrgn 1
Acordion 2
Harmnica 1
TangoAcd 2
NylonGtr 1
SteelGtr 1
Jazz Gtr 1
CleanGtr 1
Mute Gtr 1
Ovrdrive 1
Dist.Gtr 1
GtrHarmo 1
Aco.Bass 1
FngrBass 1
PickBass 1
Fretless 1
SlapBas1 1
SlapBas2 1
SynBass1 1
SynBass2 2
Violin 1
Viola 1
Cello 1
Contrabs 1
Trem.Str 1
Pizz.Str 1
Harp 1
Timpani 1
Strings1 1
Strings2 1
Syn Str1 2
Syn Str2 2
ChoirAah 1
VoiceOoh 1
SynVoice 1
Orch.Hit 2
Trumpet 1
Trombone 1
Tuba 1
Mute Trp 1
Fr. Horn 1
BrssSect 1
SynBrss1 2
SynBrss2 1
† ConGrnd 1
† BrConGrd 1
60sEl.P1 1
† Shrakawa 2
† SynHrpsi 2
PulseClv 1
† FMCelsta 1
Orgel 2
SineMrmb 2
Organ Ba 1
JazOrgan *** 1
RotaryOr 2
OrgFlute 2
† SyReedDk 2
TngoAcd2 2
† EsGuitar 1
† Nashvlle 1
† SuperJzM 1
CleanGt2 ** 1
† Wrench 1
† ManhttnM 1
† Bite 1
AcoHarmo ** 1
† Boston 1
Jazzy Ba ** 1
† HardPick 1
† PwrFrtls 1
Slapper *** 1
Orbiter 2
X WireBa 2
† Cadenza 1
† Sonata 1
† Fear 1
† SprStrng 1
70s Str 1
Syn Str4 2
† Hope 2
StrngAah ** 1
VoiceDoo ** 1
AnaVoice 1
Impact 2
Dark Trp *** 1
BrghtTrb *** 1
MuteTrp2 ** 1
† Syn Horn 1
† SprBrass 2
AnaBrss1 2
AnaBrss2 2
† ConGrndK 1
† BrConGrK 1
† Old EP 1
† OldEP Tn 2
PierceCl 2
† SmalOrgl 2
70sDrOr2 2
WarmJzOr *** 2
SloRotar 2
TrmOrgFl 2
† TightAcd 1
† EsGtrHrd 1
† NashvllR 1
† SuperJzB 1
MidT.Gtr *** 1
† WrenchHv 1
† ManhttnB 1
† Bite Res 1
GtFeedbk 1
† BostnBrt 1
Mod.Bass 2
† HrdPikRs 2
† PwrFrtlR 1
Thum&Slp *** 2
Sqr.Bass 2
AtkPulse *** 1
† CadenzDk 1
† Fear Dtd 2
† SprStrSt 2
Strings3 1
Syn Str5 2
† Virgo 2
Male Aah ** 1
† Hmn 1
† Aspirate 1
BrssStab ** 2
DrkTpSft *** 1
MellowTb *** 1
† Bkstairs 1
† SprBrCut 1
† SynthThn 1
† Soft Cut 1
† DblConGr 2
† MIDIGrd3 2
† Tribecca 1
† Flips 1
† ClrClavi 1
CheezOrg 2
ClikOrgn *** 2
FstRotar 2
† TghtAcdD 2
† EsGtMllo 1
† Nashvl12 2
† SuperJzD 2
MidTGtSt *** 1
† WrnchDbl 2
† ManhttnD 2
† Bite Dtd 2
GtrHrmo2 1
† Coolth 1
† Chase 1
† PkBass + 2
† TalkinBa 1
† GltzySlp 2
RubberBa 2
CS Light *** 1
† Apoclyps 2
† Triste 1
† Solitude 2
† Platinum 1
† Scroll 2
† WrlChoir 2
† AsprateD 2
DoublHit ** 2
† Soft Trp 1
† JJJ 1
† SprBrBlw 2
† SyncBrss 1
† AnaHornS 2
† MIDIGrd1 2
† MIDIGrd4 2
† Diploid1 2
† FlipsDtd 2
† SwpClavi 1
DrawOrg3 2
† Grace 2
† GlaclRtr 2
† EsGtrDcy 1
† SuperJzR 1
NasalGtr *** 1
† Tin 2
† ManhttnP 2
† Bite + 2
† Shimla 2
† Coolth B 1
† ChaseRes 1
† NoizFrtl 2
† FM Slap 1
Fish *** 1
MetlBass *** 1
† Basso 2
† Fate 1
† OctavPWM 2
† Scroll + 2
† Facula 2
BrStab80 ** 2
† Blow 1
† Pwrd Sfz 2
† SyncBrSt 2
† MIDIGrd2 2
† OldPiano 2
† Flops 1
† Flicks 1
† SynClavi 1
StdiumOr *** 1
† CrnGrace 2
† DX JzGtr 1
NaslGtSt *** 2
† Burnout 2
† BlueBass 1
† FMSlpDtd 2
HardReso *** 1
† FrcOscBa 1
† Thulium 1
† Taurus 2
Bass Hit *** 1
† Blow Dbl 2
† PwrSfzBr 2
† AnaHorn1 1
Continued on page 22
Pgm #
(1-128)
Other Waves 2 Other Waves 3 Other Waves 4 Other Waves 5Other Waves 1
MU
Basic
: Same as Bank 0.
** : MU80 Extension
*** : MU90 Extension
†
: MU100 Extension
E: Number of elements
DataList-E.qx 8/4/98 4:00 PM Page 8
9
69 70
E
EEEE
71 72 73
E
74
E
75
000 0 0 0 0
† Soho 1
† FliksDtd
† SprClavi 2
StdiumO2 *** 2
† DimClick 2
† DXJzGt D 2
† Hammer M 1
† Bombay 2
† Wah Saw 1
† Cubit 1
† Brook 1
† Frost 2
BassHit+ *** 2
† Alto&Trp 2
† AnaHorn2 1
† FlopsDtd 2
† BrightDX 1
† GtrClavi 2
GospelOr *** 1
† Dusk 2
† PulsJazz 1
† Hammer B 1
† Bombay S 2
† Pluto 1
† Cubit + 2
† Brook St 2
† Leo 2
6th Hit *** 1
† Tnr&Trp 2
† AnHrnOct 2
† Diploid2 2
† BrtDXDtd 2
† HardyPlk 1
ClkGsplO *** 2
† FM Click 1
† RghcastN 1
† Hammer D 2
† Jaipur 2
† Pluto + 2
† Keel 1
† SolPlexs 2
6thHit + *** 2
† BrssBros 2
† SawBrPwr 2
† Brooklyn 1
† Kitayama 2
† HrdyPlk+ 2
ChapelOr *** 2
† Spoony 1
† RghcastM 1
† HammerSt 2
† Stimuli 1
† KeelPwrd 2
Euro Hit *** 1
† VagueBro 2
† Diploid3 2
† Turnpik1 2
† FMClavDb 2
† DimChors 2
† SprRotry 2
† FMChoGtr 2
† RunPulse 1
† PlnPulse 2
EuroHit+ *** 2
PhunkyDX 2
Turnpik2 2
Dawn 1
LoFiOrgn 2
FMChoGtS 2
TalkPuls 1
PwrdPuls 1
Blowout 2
† Nasal DX 1
† Cerritos 1
† Mellorgn 2
† BeepOrgn 1
† PeskyGtr 1
† Node 1
† PwrPulsB 1
Continued on page 23
Other Waves 6 Other Waves 7 Other Waves 8 Other Waves 9 Other Waves 10 Other Waves 11 Other Waves 12
DataList-E.qx 8/4/98 4:00 PM Page 9
XG Voice List (Normal voices)
Bank Select LSB = Bank number
10
Piano 1
2
3
4
5
6
7
8
Chromatic 9
Percussion 10
11
12
13
14
15
16
Organ 17
18
19
20
21
22
23
24
Guitar 25
26
27
28
29
30
31
32
Bass 33
34
35
36
37
38
39
40
Strings 41
42
43
44
45
46
47
48
Ensemble 49
50
51
52
53
54
55
56
Brass 57
58
59
60
61
62
63
64
Instrument
Group
Bank Select LSB 0
E
76
EEEE
77 78 79
E
80
Bank Select MSB 0 0 0 0 0 0
GrandPno 1
BritePno 1
El.Grand 2
HnkyTonk 2
E.Piano1 2
E.Piano2 2
Harpsi. 1
Clavi 2
Celesta 1
Glocken 1
MusicBox 2
Vibes 1
Marimba 1
Xylophon 1
TubulBel 1
Dulcimer 1
DrawOrgn 1
PercOrgn 1
RockOrgn 2
ChrchOrg 2
ReedOrgn 1
Acordion 2
Harmnica 1
TangoAcd 2
NylonGtr 1
SteelGtr 1
Jazz Gtr 1
CleanGtr 1
Mute Gtr 1
Ovrdrive 1
Dist.Gtr 1
GtrHarmo 1
Aco.Bass 1
FngrBass 1
PickBass 1
Fretless 1
SlapBas1 1
SlapBas2 1
SynBass1 1
SynBass2 2
Violin 1
Viola 1
Cello 1
Contrabs 1
Trem.Str 1
Pizz.Str 1
Harp 1
Timpani 1
Strings1 1
Strings2 1
Syn Str1 2
Syn Str2 2
ChoirAah 1
VoiceOoh 1
SynVoice 1
Orch.Hit 2
Trumpet 1
Trombone 1
Tuba 1
Mute Trp 1
Fr. Horn 1
BrssSect 1
SynBrss1 2
SynBrss2 1
† NaslDXDt 2
† Sunset 1
† Fuzzorgn 2
† Belief 2
† ClaviGtr 2
† Stainer 1
† Pwrd Saw 1
† Din 2
† Soft DX 2
† FMO 1
† SnapOrgn 1
† StainAtk 1
† Reso DX 1
† SweepSqr 1
† PiercnDX 2
† SwpSqr + 2
† ShvrngDX 1
† Stinks 1
Pgm #
(1-128)
Other Waves 13 Other Waves 14 Other Waves 15 Other Waves 16 Other Waves 17
MU
Basic
** : MU80 Extension
*** : MU90 Extension
† : MU100 Extension
Continued on page 24
: Same as Bank 0. E: Number of elements
DataList-E.qx 8/4/98 4:00 PM Page 10
11
81
E
82
EEEE
83 84 85
E
86
E
87
0 0 0 0 0 0 0
† ShvrnDX+ 1
† StnksRes 1
† RattlnDX 1
† Reso Sqr 1
† RatlnDX+ 2
† Dagger 1
† TinkerDX 1
† Zinc 2
† TinkrDX+ 2
† SweePWM 2
† SwPWM St 2
† Slow Wah 1
Other Waves 18 Other Waves 19 Other Waves 20 Other Waves 21 Other Waves 22 Other Waves 23 Other Waves 24
Continued on page 25
DataList-E.qx 8/4/98 4:00 PM Page 11
XG Voice List (Normal voices)
Bank Select LSB = Bank number
12
Piano 1
2
3
4
5
6
7
8
Chromatic 9
Percussion 10
11
12
13
14
15
16
Organ 17
18
19
20
21
22
23
24
Guitar 25
26
27
28
29
30
31
32
Bass 33
34
35
36
37
38
39
40
Strings 41
42
43
44
45
46
47
48
Ensemble 49
50
51
52
53
54
55
56
Brass 57
58
59
60
61
62
63
64
Instrument
Group
Bank Select LSB 0
E
88
EEEE
96 97 98
E
99
Bank Select MSB 0 0 0 0 0 0
GrandPno 1
BritePno 1
El.Grand 2
HnkyTonk 2
E.Piano1 2
E.Piano2 2
Harpsi. 1
Clavi 2
Celesta 1
Glocken 1
MusicBox 2
Vibes 1
Marimba 1
Xylophon 1
TubulBel 1
Dulcimer 1
DrawOrgn 1
PercOrgn 1
RockOrgn 2
ChrchOrg 2
ReedOrgn 1
Acordion 2
Harmnica 1
TangoAcd 2
NylonGtr 1
SteelGtr 1
Jazz Gtr 1
CleanGtr 1
Mute Gtr 1
Ovrdrive 1
Dist.Gtr 1
GtrHarmo 1
Aco.Bass 1
FngrBass 1
PickBass 1
Fretless 1
SlapBas1 1
SlapBas2 1
SynBass1 1
SynBass2 2
Violin 1
Viola 1
Cello 1
Contrabs 1
Trem.Str 1
Pizz.Str 1
Harp 1
Timpani 1
Strings1 1
Strings2 1
Syn Str1 2
Syn Str2 2
ChoirAah 1
VoiceOoh 1
SynVoice 1
Orch.Hit 2
Trumpet 1
Trombone 1
Tuba 1
Mute Trp 1
Fr. Horn 1
BrssSect 1
SynBrss1 2
SynBrss2 1
† Crook 2
Balafon ** 2
ChrchBel 2
Cimbalom 2
Ukulele 1
Mandolin 2
PdlSteel ** 1
Mu.DstGt ** 2
† WalkSyBa 1
SynFretl 2
Hammer 2
† Vln Harp 1
VoiceHmn ** 1
FluglHrn ** 1
Balimba 2
Carillon 2
Santur 2
† MndlnEns 2
† Dim&Cool 1
SmthFrtl 2
† VlnHrpDt 2
† Cornet 2
Log Drum 2
Pgm #
(1-128)
Other Waves 25
Other Instrument 1 Other Instrument 2 Other Instrument 3 Other Instrument 4
MU
Basic
** : MU80 Extension
*** : MU90 Extension
†
: MU100 Extension
Continued on page 26
: Same as Bank 0. E: Number of elements
DataList-E.qx 8/4/98 4:00 PM Page 12
13
100
E
101
EE
126
† GrandP # 1
† BriteP # 1
† EPiano1# 2
† EPiano2# 1
† Clavi # 2
† DrawOrg# 2
† PercOrg# 2
† RockOrg# 2
† TangoAc# 2
† NylonGt# 1
† SteelGt# 1
† JazzGtr# 2
† MuteGtr# 2
† Ovrdriv# 2
† DistGtr# 1
† AcoBass# 1
† FngrBa # 1
† Frtless# 1
† SlapBa1# 2
† SlapBa2# 2
† Violin # 1
† TremStr# 2
† Strngs1# 1
† Strngs2# 1
† Trumpet# 1
† Trmbone# 1
† MuteTrp# 2
† BrssSec# 2
0 0 0
E
127
0
Other Instrument 5 Other Instrument 6
Capital Voices on
MU100 Native Map
Capital Voices on
MU Basic Map
Continued on page 27
DataList-E.qx 8/4/98 4:00 PM Page 13
XG Voice List (Normal voices)
Bank Select LSB = Bank number
14
8
E
16
EEEE
24 48 56
E
64
48 48 48 48 48 48
† Beeline 1
† BlineHrd 2
† Dwarf 2
† Byte 1
† Ping 1
† NastyCut 1
† NstyCtSt 2
† Xe 1
† OrganHit 1
† OrgnHit+ 2
† Soft Hit 1
† Vein 1
† Packet 1
† Jolly 1
† Jolly + 2
† Envy 1
† EnvyShrt 2
† Cough 1
† Remark 2
† Potala 2
† Fury 2
† Glocken+ 1
† Rage 1
† TnglCaos 1
† Incontnc 1
† IncntClk 1
† CheapOsc 1
† CheapOc+ 2
† NstOrSpl 2
† SprClick 1
† Boomout 2
† ChoirSpl 2
† Veld 2
† VaporVox 1
† VoxShoot 2
† SemiacOr 2
† Fuss 1
† VanAllen 1
† Divinity 2
† Paranoia 1
† Vexation 1
† CalcOrg1 1
† CalcOrg2 2
† CalcOrg3 2
† ChoCalcO 2
† Sodium 2
† Reflex 1 2
† Reflex 2 2
† Prcesion 2
† RndmWalk 1
† RandmRun 1
† Insanity 2
† Habakkuk 2
† DstnFire 2
† BlowNoiz 1
† Fall 1
† Chaff 2
Timbre, Poly Timbre, Looped
Timbre, Looped , Poly
Phrase, Looped
Phrase, Looped, Poly
SFX, Timbre
0
48
E
† MtdClavi 1
† Orimba 2
Timbre
Piano 1
2
3
4
5
6
7
8
Chromatic 9
Percussion 10
11
12
13
14
15
16
Organ 17
18
19
20
21
22
23
24
Guitar 25
26
27
28
29
30
31
32
Bass 33
34
35
36
37
38
39
40
Strings 41
42
43
44
45
46
47
48
Ensemble 49
50
51
52
53
54
55
56
Brass 57
58
59
60
61
62
63
64
Instrument
Group
Bank Select LSB
0
E
Pgm #
(1-128)
MU
Basic
Bank Select MSB
0
GrandPno 1
BritePno 1
El.Grand 2
HnkyTonk 2
E.Piano1 2
E.Piano2 2
Harpsi. 1
Clavi 2
Celesta 1
Glocken 1
MusicBox 2
Vibes 1
Marimba 1
Xylophon 1
TubulBel 1
Dulcimer 1
DrawOrgn 1
PercOrgn 1
RockOrgn 2
ChrchOrg 2
ReedOrgn 1
Acordion 2
Harmnica 1
TangoAcd 2
NylonGtr 1
SteelGtr 1
Jazz Gtr 1
CleanGtr 1
Mute Gtr 1
Ovrdrive 1
Dist.Gtr 1
GtrHarmo 1
Aco.Bass 1
FngrBass 1
PickBass 1
Fretless 1
SlapBas1 1
SlapBas2 1
SynBass1 1
SynBass2 2
Violin 1
Viola 1
Cello 1
Contrabs 1
Trem.Str 1
Pizz.Str 1
Harp 1
Timpani 1
Strings1 1
Strings2 1
Syn Str1 2
Syn Str2 2
ChoirAah 1
VoiceOoh 1
SynVoice 1
Orch.Hit 2
Trumpet 1
Trombone 1
Tuba 1
Mute Trp 1
Fr. Horn 1
BrssSect 1
SynBrss1 2
SynBrss2 1
** : MU80 Extension
*** : MU90 Extension
† : MU100 Extension
MODEL EXCLUSIVE VOICE
Continued on page 28
: No sound E: Number of elements
DataList-E.qx 8/4/98 4:00 PM Page 14
15
80
EEEE
88 96 104
E
120
48 48 48 48 48
† Zipzap 1
† Escape 2
† Zigzag 2
† Scud 2
† Hinayana 2
† Boot 2
† Anathema 2
† Germ 1 2
† Germ 2 2
† Malfnctn 2
† TinKettl 2
† K/S Anlg 2
† K/S Humd 2
† K/S Slap 2
† Rvr/Crsh 2
† Satya 1
† Monastry 2
† Vinaya 2
† Prana 2
† Delight 2
† Puja 2
† Bent Tom 2
† Vodou 1
SFX, Phrase
SFX, Phrase, Poly
Rhythm, Timbre
Rhythm, Timbre, Poly Rhythm, Phrase, Poly
E
72
48
† Litning 2
† Oof 2
† Lust 1
† Lust St 2
† SoftHit+ 2
† Cough + 2
† Ruin 1
† Ruin St 2
† Vein + 2
† Universe 1
† UnvrsSwp 2
† Xe + 2
† Daze 2
† Refusal 1
† Refusal+ 2
† Lie 1
† Malice 2
† Doubt 1
† DoubtDbl 2
SFX, Timbre, Poly
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
Bank Select LSB
Bank Select MSB
E
Instrument
Group
Pgm #
(1-128)
0
64
CuttngNz 1
CttngNz2 2
DstCutNz ** 2
Str Slap 1
B.Slide ** 2
P.Scrape ** 1
Fl.KClik 1
Shower 2
Thunder 1
Wind 1
Stream 2
Bubble 2
Feed ** 2
† Cave 2
Dog 1
Horse 1
Tweet 2 1
Kitty ** 1
Growl ** 1
Haunted ** 2
Ghost 2
Maou ** 2
† Insects 2
† Bacteria 2
SFX
Continued on page 29
DataList-E.qx 8/4/98 4:00 PM Page 15
XG Voice List (Normal voices)
Bank Select LSB = Bank number
16
Reed 65
66
67
68
69
70
71
72
Pipe 73
74
75
76
77
78
79
80
Synth Lead 81
82
83
84
85
86
87
88
Synth Pad 89
90
91
92
93
94
95
96
Synth Effects 97
98
99
100
101
102
103
104
Ethnic 105
106
107
108
109
110
111
112
Percussive 113
114
115
116
117
118
119
120
Sound Effects 121
122
123
124
125
126
127
128
Instrument
Group
Bank Select LSB
E
EEEEE
Bank Select MSB
SprnoSax 1
Alto Sax 1
TenorSax 1
Bari.Sax 1
Oboe 2
Eng.Horn 1
Bassoon 1
Clarinet 1
Piccolo 1
Flute 1
Recorder 1
PanFlute 1
Bottle 2
Shakhchi 2
Whistle 1
Ocarina 1
SquareLd 2
Saw Ld 2
CaliopLd 2
Chiff Ld 2
CharanLd 2
Voice Ld 2
Fifth Ld 2
Bass&Ld 2
NewAgePd 2
Warm Pad 2
PolySyPd 2
ChoirPad 2
BowedPad 2
MetalPad 2
Halo Pad 2
SweepPad 2
Rain 2
SoundTrk 2
Crystal 2
Atmosphr 2
Bright 2
Goblins 2
Echoes 2
Sci-Fi 2
Sitar 1
Banjo 1
Shamisen 1
Koto 1
Kalimba 1
Bagpipe 2
Fiddle 1
Shanai 1
TnklBell 2
Agogo 2
SteelDrm 2
Woodblok 1
TaikoDrm 1
MelodTom 2
Syn Drum 1
RevCymbl 1
FretNoiz 2
BrthNoiz 2
Seashore 2
Tweet 2
Telphone 1
Helicptr 1
Applause 1
Gunshot 1
† AltoSax# 2
† Oboe # 1
† Flute # 1
† PanFlut# 1
SquarLd2 1
Saw Ld 2 1
† VgSprnSx 1
LMSquare 2
ThickSaw 2
† FifthLdS 2
Echoes 2 2
SynDrCmp 2
Pgm #
(1-128)
0
0136812
0
E
0
00000
Stereo Single Slow Fast Decay
MU
Basic
SW1000XG
Native
Key Scale Panning
: Same as Bank 0.
** : MU80 Extension
*** : MU90 Extension
† : MU100 Extension
Switching between MU Basic and SW1000XG Native can be executed by Voice Map of the SW1000XG System bulk dump.
(Refer to the MIDI Data Format)
E: Number of elements
Continued from page 2
DataList-E.qx 8/4/98 4:00 PM Page 16
17
E EEEEE E
Popcorn 2
Echo Pan 2
Big&Low 2
ThickPad 2
Soft Pad 2
† ASax Lgt 1
Hollow 1
Dyna Saw 1
Sine Pad 2
TinyBell 2
WarmAtms 2
Shroud 2
Digi Saw 2
HollwRls 2
Big Lead 2
Shwimmer 2
0000000
14 16 17 18 19 20 21
Double Attack Bright 1 Bright 2 Dark 2Dark 1 LFO-Cutoff FreqResonant
Continued from page 3
DataList-E.qx 8/4/98 4:00 PM Page 17
XG Voice List (Normal voices)
Bank Select LSB = Bank number
18
Reed 65
66
67
68
69
70
71
72
Pipe 73
74
75
76
77
78
79
80
Synth Lead 81
82
83
84
85
86
87
88
Synth Pad 89
90
91
92
93
94
95
96
Synth Effects 97
98
99
100
101
102
103
104
Ethnic 105
106
107
108
109
110
111
112
Percussive 113
114
115
116
117
118
119
120
Sound Effects 121
122
123
124
125
126
127
128
Instrument
Group
Bank Select LSB
Bank Select MSB
SprnoSax 1
Alto Sax 1
TenorSax 1
Bari.Sax 1
Oboe 2
Eng.Horn 1
Bassoon 1
Clarinet 1
Piccolo 1
Flute 1
Recorder 1
PanFlute 1
Bottle 2
Shakhchi 2
Whistle 1
Ocarina 1
SquareLd 2
Saw Ld 2
CaliopLd 2
Chiff Ld 2
CharanLd 2
Voice Ld 2
Fifth Ld 2
Bass&Ld 2
NewAgePd 2
Warm Pad 2
PolySyPd 2
ChoirPad 2
BowedPad 2
MetalPad 2
Halo Pad 2
SweepPad 2
Rain 2
SoundTrk 2
Crystal 2
Atmosphr 2
Bright 2
Goblins 2
Echoes 2
Sci-Fi 2
Sitar 1
Banjo 1
Shamisen 1
Koto 1
Kalimba 1
Bagpipe 2
Fiddle 1
Shanai 1
TnklBell 2
Agogo 2
SteelDrm 2
Woodblok 1
TaikoDrm 1
MelodTom 2
Syn Drum 1
RevCymbl 1
FretNoiz 2
BrthNoiz 2
Seashore 2
Tweet 2
Telphone 1
Helicptr 1
Applause 1
Gunshot 1
HeavySyn 2
SynthAah 2
WaspySyn 2
Mondo *** 1
RezzySaw *** 1
Converge 2
Prologue 2
0
EEEEEE
000000
Pgm #
(1-128)
22 24 25 26 27
Vel-cutoff freq Attack Release Sweep Resonant Sweep
MU
Basic
: Same as Bank 0.
** : MU80 Extension
*** : MU90 Extension
† : MU100 Extension
E: Number of elements
Continued from page 4
DataList-E.qx 8/4/98 4:00 PM Page 18
19
E EEEEE E
MuteBnjo 1
DoublSaw *** 2
DetSitar 2
2 Osc *** 2
Toy Lead *** 2
Big Five 2
RndGlock 2
Sitar 2 2
Dim Saw *** 2
Continued from page 5
0000000
28 29 32 33 34 35 36
Muted Detune 1 Detune 2Complex-FEG Octave 1 Octave 2Detune 3
DataList-E.qx 8/4/98 4:00 PM Page 19
XG Voice List (Normal voices)
Bank Select LSB = Bank number
20
Reed 65
66
67
68
69
70
71
72
Pipe 73
74
75
76
77
78
79
80
Synth Lead 81
82
83
84
85
86
87
88
Synth Pad 89
90
91
92
93
94
95
96
Synth Effects 97
98
99
100
101
102
103
104
Ethnic 105
106
107
108
109
110
111
112
Percussive 113
114
115
116
117
118
119
120
Sound Effects 121
122
123
124
125
126
127
128
Instrument
Group
SprnoSax 1
Alto Sax 1
TenorSax 1
Bari.Sax 1
Oboe 2
Eng.Horn 1
Bassoon 1
Clarinet 1
Piccolo 1
Flute 1
Recorder 1
PanFlute 1
Bottle 2
Shakhchi 2
Whistle 1
Ocarina 1
SquareLd 2
Saw Ld 2
CaliopLd 2
Chiff Ld 2
CharanLd 2
Voice Ld 2
Fifth Ld 2
Bass&Ld 2
NewAgePd 2
Warm Pad 2
PolySyPd 2
ChoirPad 2
BowedPad 2
MetalPad 2
Halo Pad 2
SweepPad 2
Rain 2
SoundTrk 2
Crystal 2
Atmosphr 2
Bright 2
Goblins 2
Echoes 2
Sci-Fi 2
Sitar 1
Banjo 1
Shamisen 1
Koto 1
Kalimba 1
Bagpipe 2
Fiddle 1
Shanai 1
TnklBell 2
Agogo 2
SteelDrm 2
Woodblok 1
TaikoDrm 1
MelodTom 2
Syn Drum 1
RevCymbl 1
FretNoiz 2
BrthNoiz 2
Seashore 2
Tweet 2
Telphone 1
Helicptr 1
Applause 1
Gunshot 1
Sax Sect 2
BrthTnSx 2
† Syn&Clr 2
† Brthy Fl 2
PulseSaw 2
† Novice 2
† SaltLead 2
† Vishnu 2
† Tiu 2
GlockChi 2
Nylon EP 2
† Bhuj 2
SoftTenr 2
Dr.Lead 2
ClearBel 2
Continued from page 6
Bank Select LSB 0
EEEEEE
Bank Select MSB 0 0 0 0 0 0
Pgm #
(1-128)
37 38 39 40 41
5th 1 5th 2 Bend Tutti 1 Tutti 2
: Same as Bank 0.
** : MU80 Extension
*** : MU90 Extension
† : MU100 Extension
E: Number of elements
MU
Basic
DataList-E.qx 8/4/98 4:00 PM Page 20
21
EEEEEEE
ChorBell 2
HyprAlto 2
VeloLead 2
ClaviPad 2
Continued from page 7
00 00000
42 43 45 48 52 53 54
Velocity SwitchTutti 3
Velocity Cross Fade
Tutti 4Detune 4 Tutti 5 Tutti 6
DataList-E.qx 8/4/98 4:00 PM Page 21
XG Voice List (Normal voices)
Bank Select LSB = Bank number
22
Reed 65
66
67
68
69
70
71
72
Pipe 73
74
75
76
77
78
79
80
Synth Lead 81
82
83
84
85
86
87
88
Synth Pad 89
90
91
92
93
94
95
96
Synth Effects 97
98
99
100
101
102
103
104
Ethnic 105
106
107
108
109
110
111
112
Percussive 113
114
115
116
117
118
119
120
Sound Effects 121
122
123
124
125
126
127
128
Instrument
Group
E
SprnoSax 1
Alto Sax 1
TenorSax 1
Bari.Sax 1
Oboe 2
Eng.Horn 1
Bassoon 1
Clarinet 1
Piccolo 1
Flute 1
Recorder 1
PanFlute 1
Bottle 2
Shakhchi 2
Whistle 1
Ocarina 1
SquareLd 2
Saw Ld 2
CaliopLd 2
Chiff Ld 2
CharanLd 2
Voice Ld 2
Fifth Ld 2
Bass&Ld 2
NewAgePd 2
Warm Pad 2
PolySyPd 2
ChoirPad 2
BowedPad 2
MetalPad 2
Halo Pad 2
SweepPad 2
Rain 2
SoundTrk 2
Crystal 2
Atmosphr 2
Bright 2
Goblins 2
Echoes 2
Sci-Fi 2
Sitar 1
Banjo 1
Shamisen 1
Koto 1
Kalimba 1
Bagpipe 2
Fiddle 1
Shanai 1
TnklBell 2
Agogo 2
SteelDrm 2
Woodblok 1
TaikoDrm 1
MelodTom 2
Syn Drum 1
RevCymbl 1
FretNoiz 2
BrthNoiz 2
Seashore 2
Tweet 2
Telphone 1
Helicptr 1
Applause 1
Gunshot 1
† Mdtation 1
† ASaxPwrd 1
TnrSax 2 1
† Heinz 1
† Boehm 1
† Piplith 2
PanFlut2 ** 1
† BottlLgt 2
† Reverie 2
† Opalina 1
Mellow 2
Digger *** 1
Vent Syn ** 2
Rubby 2
DistLead 2
Vox Lead 2
Fat&Prky 2
Fantasy 2
Horn Pad 2
PolyPd80 2
Heaven 2
Glacier 2
Tine Pad 2
† Aries 2
PolarPad 2
HrmoRain 2
Ancestrl 2
SynMalet 1
NylnHarp 2
FantaBel 2
GobSynth 2
EchoBell 2
Starz 2
† Raga Syn 2
† El Banjo 1
† FM Koto 2
BigKalim ** 2
† Thistle 2
Shanai 2 1
† TcklBell 2
Mel Tom2 1
Ana Tom 1
Rev Cym2 ** 1
† MdtatnRs 1
† FakeAlto 1
† SprTenor 1
† HeinzUni 2
† Boehm Br 2
† Home 1
† Meadow 1
SoloSine 2
† Dunce 2
PureLead 2
HardSync *** 1
WireLead 2
Br.Layer *** 2
Soft Wrl 2
† Libra 2
RotarStr 2
ClickPad 2
Lite Pad ** 2
GlassPad 2
Pan Pad 2
Sweepy ** 2
AfrcnWnd 2
Rave ** 2
SftCryst 2
Harp Vox 2
Creeper 2
Big Pan 2
Odin ** 2
Real Tom 2
ElecPerc 2
† FakeAlt+ 2
† SprTnr + 2
† Pastoral 2
SineLead 1
† BrassSaw 1
† ElPrimtv 2
SynPluck *** 1
† Cypher 1 1
† Cant 2
Ana. Pad 2
Itopia 2
† SqrTwang 2
† Queever 2
Celstial 2
Carib 2
Fairy *** 2
LoudGlok 2
AtmosPad 2
Ring Pad 2
SynPiano 2
Rock Tom 2
† FakeAltD 2
† SprTnrSt 2
† Shepherd 2
Pulse Ld *** 1
† SawRiver 2
† Cypher 2 1
† Mogul 1
SquarPad 2
CC Pad 2
† Monsoon 2
† Hermit 2
ChrstBel 2
Planet 2
Ritual 2
Creation 2
† Tnr&Alto 2
SyncLead *** 1
† BrPulsDb 2
† Cypher 3 2
† Distance 2
Snow Pad *** 2
CosmicPd *** 2
† Io 2
VibeBell 2
† Lyra 2
ToHeaven 2
StarDust 2
Continued from page 8
Bank Select LSB 0
EEEEEE
Bank Select MSB 0 0 0 0 0 0
Pgm #
(1-128)
64
Other Waves 2 Other Waves 3 Other Waves 4 Other Waves 5Other Waves 1
65 66 67 68
MU
Basic
: Same as Bank 0.
** : MU80 Extension
*** : MU90 Extension
† : MU100 Extension
E: Number of elements
DataList-E.qx 8/4/98 4:00 PM Page 22
23
EEEEEEE
† ForcdOsc 1
† Saw Trp 1
† SprCyphr 2
† Sync B&L 1
† Pixie 2
DigiBell 2
† Akasaka 2
MilkyWay ** 2
Reso&Pan 2
† Accent 1
† Hue 1
† Pisces 2
AirBells 2
† DgBermda 2
Night 2
† Brick 1
† StrghtSw 1
† Spiral 2
BellHarp 2
Glisten 2
† Alum 2
† StrtPuls 1
Gamelmba 2
Puffy ** 2
† Query 2
† PWMania 1
† Bounce 2
† Mimicry 2
† FMSlwSwp 2
† Mod Saw 1
† Parasite 2
† SyncLdDb 2
† Toad 1
† Cicada 2
Continued from page 9
00 00000
69 70 71 72 73 74 75
Other Waves 6 Other Waves 7 Other Waves 8 Other Waves 9 Other Waves 10 Other Waves 11 Other Waves 12
DataList-E.qx 8/4/98 4:00 PM Page 23
XG Voice List (Normal voices)
Bank Select LSB = Bank number
24
Reed 65
66
67
68
69
70
71
72
Pipe 73
74
75
76
77
78
79
80
Synth Lead 81
82
83
84
85
86
87
88
Synth Pad 89
90
91
92
93
94
95
96
Synth Effects 97
98
99
100
101
102
103
104
Ethnic 105
106
107
108
109
110
111
112
Percussive 113
114
115
116
117
118
119
120
Sound Effects 121
122
123
124
125
126
127
128
Instrument
Group
E
SprnoSax 1
Alto Sax 1
TenorSax 1
Bari.Sax 1
Oboe 2
Eng.Horn 1
Bassoon 1
Clarinet 1
Piccolo 1
Flute 1
Recorder 1
PanFlute 1
Bottle 2
Shakhchi 2
Whistle 1
Ocarina 1
SquareLd 2
Saw Ld 2
CaliopLd 2
Chiff Ld 2
CharanLd 2
Voice Ld 2
Fifth Ld 2
Bass&Ld 2
NewAgePd 2
Warm Pad 2
PolySyPd 2
ChoirPad 2
BowedPad 2
MetalPad 2
Halo Pad 2
SweepPad 2
Rain 2
SoundTrk 2
Crystal 2
Atmosphr 2
Bright 2
Goblins 2
Echoes 2
Sci-Fi 2
Sitar 1
Banjo 1
Shamisen 1
Koto 1
Kalimba 1
Bagpipe 2
Fiddle 1
Shanai 1
TnklBell 2
Agogo 2
SteelDrm 2
Woodblok 1
TaikoDrm 1
MelodTom 2
Syn Drum 1
RevCymbl 1
FretNoiz 2
BrthNoiz 2
Seashore 2
Tweet 2
Telphone 1
Helicptr 1
Applause 1
Gunshot 1
† Curse 2
† FatOctav 1
† Beacon 2
† OctvBeep 1
† Overdose 2
† SawDecay 1
† PWMDecay 1
Continued from page 10
Bank Select LSB
EEEEEE
Bank Select MSB
Pgm #
(1-128)
0
000000
76 77 78 79 80
Other Waves 13 Other Waves 14 Other Waves 15 Other Waves 16 Other Waves 17
: Same as Bank 0.
** : MU80 Extension
*** : MU90 Extension
† : MU100 Extension
E: Number of elements
MU
Basic
DataList-E.qx 8/4/98 4:00 PM Page 24
25
EEEEEEE
Continued from page 11
00 00000
81 82 83 84 85 86 87
Other Waves 18 Other Waves 19 Other Waves 20 Other Waves 21 Other Waves 22 Other Waves 23 Other Waves 24
DataList-E.qx 8/4/98 4:00 PM Page 25
XG Voice List (Normal voices)
Bank Select LSB = Bank number
26
Reed 65
66
67
68
69
70
71
72
Pipe 73
74
75
76
77
78
79
80
Synth Lead 81
82
83
84
85
86
87
88
Synth Pad 89
90
91
92
93
94
95
96
Synth Effects 97
98
99
100
101
102
103
104
Ethnic 105
106
107
108
109
110
111
112
Percussive 113
114
115
116
117
118
119
120
Sound Effects 121
122
123
124
125
126
127
128
Instrument
Group
E
SprnoSax 1
Alto Sax 1
TenorSax 1
Bari.Sax 1
Oboe 2
Eng.Horn 1
Bassoon 1
Clarinet 1
Piccolo 1
Flute 1
Recorder 1
PanFlute 1
Bottle 2
Shakhchi 2
Whistle 1
Ocarina 1
SquareLd 2
Saw Ld 2
CaliopLd 2
Chiff Ld 2
CharanLd 2
Voice Ld 2
Fifth Ld 2
Bass&Ld 2
NewAgePd 2
Warm Pad 2
PolySyPd 2
ChoirPad 2
BowedPad 2
MetalPad 2
Halo Pad 2
SweepPad 2
Rain 2
SoundTrk 2
Crystal 2
Atmosphr 2
Bright 2
Goblins 2
Echoes 2
Sci-Fi 2
Sitar 1
Banjo 1
Shamisen 1
Koto 1
Kalimba 1
Bagpipe 2
Fiddle 1
Shanai 1
TnklBell 2
Agogo 2
SteelDrm 2
Woodblok 1
TaikoDrm 1
MelodTom 2
Syn Drum 1
RevCymbl 1
FretNoiz 2
BrthNoiz 2
Seashore 2
Tweet 2
Telphone 1
Helicptr 1
Applause 1
Gunshot 1
BassClar ** 1
Kawala ** 2
Seq Ana. 2
Smokey 2
BelChoir 2
Tambra 2
Rabab 2
Tsugaru ** 2
Taisho-k 2
Pungi 1
Bonang 2
Atrigane ** 2
Tablas ** 2
Castanet 1
Gr.Cassa 1
RevSnar1 ** 1
Oud 2
Gamelan 2
ThaiBell 2
RevKick1 ** 1
Dharma *** 2
Tamboura 2
Gopichnt 2
Kanoon 2
Hichriki 2
Altair 2
GlasPerc 2
RevSnar2 ** 1
S.Gamlan 2
RevConBD ** 1
Continued from page 12
Bank Select LSB
EEEEEE
Bank Select MSB
Pgm #
(1-128)
0
000000
88 96 97 98 99
Other Waves 25
Other Instrument 1 Other Instrument 2 Other Instrument 3 Other Instrument 4
MU
Basic
: Same as Bank 0.
** : MU80 Extension
*** : MU90 Extension
† : MU100 Extension
E: Number of elements
DataList-E.qx 8/4/98 4:00 PM Page 26
27
E EE
Rama Cym 2
Rev Tom1 ** 1
AsianBel 2
Rev Tom2 ** 1
† AltoSax# 2
† Oboe # 1
† Flute # 1
† PanFlut# 1
Continued from page 13
000
E
0
100 101 126 127
Other Instrument 5 Other Instrument 6
Capital Voices on
MU100 Native Map
Capital Voices on
MU Basic Map
DataList-E.qx 8/4/98 4:00 PM Page 27
XG Voice List (Normal voices)
Bank Select LSB = Bank number
28
EEEEEE
Continued from page 14
81624485664
48 48 48 48 48 48
Timbre, Poly Timbre, Looped
Timbre, Looped , Poly
Phrase, Looped
Phrase, Looped, Poly
SFX, Timbre
Reed 65
66
67
68
69
70
71
72
Pipe 73
74
75
76
77
78
79
80
Synth Lead 81
82
83
84
85
86
87
88
Synth Pad 89
90
91
92
93
94
95
96
Synth Effects 97
98
99
100
101
102
103
104
Ethnic 105
106
107
108
109
110
111
112
Percussive 113
114
115
116
117
118
119
120
Sound Effects 121
122
123
124
125
126
127
128
Instrument
Group
E
SprnoSax 1
Alto Sax 1
TenorSax 1
Bari.Sax 1
Oboe 2
Eng.Horn 1
Bassoon 1
Clarinet 1
Piccolo 1
Flute 1
Recorder 1
PanFlute 1
Bottle 2
Shakhchi 2
Whistle 1
Ocarina 1
SquareLd 2
Saw Ld 2
CaliopLd 2
Chiff Ld 2
CharanLd 2
Voice Ld 2
Fifth Ld 2
Bass&Ld 2
NewAgePd 2
Warm Pad 2
PolySyPd 2
ChoirPad 2
BowedPad 2
MetalPad 2
Halo Pad 2
SweepPad 2
Rain 2
SoundTrk 2
Crystal 2
Atmosphr 2
Bright 2
Goblins 2
Echoes 2
Sci-Fi 2
Sitar 1
Banjo 1
Shamisen 1
Koto 1
Kalimba 1
Bagpipe 2
Fiddle 1
Shanai 1
TnklBell 2
Agogo 2
SteelDrm 2
Woodblok 1
TaikoDrm 1
MelodTom 2
Syn Drum 1
RevCymbl 1
FretNoiz 2
BrthNoiz 2
Seashore 2
Tweet 2
Telphone 1
Helicptr 1
Applause 1
Gunshot 1
Bank Select LSB
E
Bank Select MSB
Pgm #
(1-128)
0
0
MU
Basic
0
48
Timbre
MODEL EXCLUSIVE VOICE
: No sound
** : MU80 Extension
*** : MU90 Extension
† : MU100 Extension
E: Number of elements
DataList-E.qx 8/4/98 4:00 PM Page 28
29
Continued from page 15
EEEEEE
80 88 96 104 120
48 48 48 48 48
SFX, Phrase
SFX, Phrase, Poly
Rhythm, Timbre
Rhythm, Timbre, Poly Rhythm, Phrase, Poly
72
48
SFX, Timbre, Poly
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
E
Bank Select LSB
Bank Select MSB
Instrument
Group
Pgm #
(1-128)
PhonCall ** 1
DoorSqek 1
DoorSlam 1
ScratchC 1
ScratchS ** 2
WindChim 1
Telphon2 1
CarEIgnt 1
CarTSqel 1
Car Pass 1
CarCrash 1
Siren 2
Train 1
JetPlane 2
Starship 2
Burst 2
Coaster 2
Submarin 2
† Cnectvty 2
† Mystery 2
Laugh 1
Scream 1
Punch 1
Heart 1
Footstep 1
Applaus2 ** 1
MchinGun 1
LaserGun 2
Xplosion 2
Firework 2
† Fireball 2
0
64
SFX
DataList-E.qx 8/4/98 4:00 PM Page 29
TG300B Voice List (Normal voices)
Bank Select MSB = Bank number, LSB = 000
30
Piano 1
2
3
4
5
6
7
8
Chromatic 9
Percussion 10
11
12
13
14
15
16
Organ 17
18
19
20
21
22
23
24
Guitar 25
26
27
28
29
30
31
32
Bass 33
34
35
36
37
38
39
40
Strings 41
42
43
44
45
46
47
48
Ensemble 49
50
51
52
53
54
55
56
Brass 57
58
59
60
61
62
63
64
Instrument
Group
Bank Select MSB Bank 0 E
Pgm
#
Bank 1 E E E EBank 2 Bank 3 Bank 4 EBank 5
GrandPno 1
BritePno 1
El.Grand 2
HnkyTonk 2
E.Piano1 2
E.Piano2 2
Harpsi. 1
Clavi 2
Celesta 1
Glocken 1
MusicBox 2
Vibes 1
Marimba 1
Xylophon 1
TubulBel 1
Dulcimer 1
DrawOrgn 1
PercOrgn 1
RockOrgn 2
ChrchOrg 2
ReedOrgn 1
Acordion 2
Harmnica 1
TangoAcd 2
NylonGtr 1
SteelGtr 1
Jazz Gtr 1
CleanGtr 1
Mute Gtr 1
Ovrdrive 1
Dist.Gtr 1
GtrHarmo 1
Aco.Bass 1
FngrBass 1
PickBass 1
Fretless 1
SlapBas1 1
SlapBas2 1
SynBass1 1
SynBass2 2
Violin 1
Viola 1
Cello 1
Contrabs 1
Trem.Str 1
Pizz.Str 1
Harp 1
Timpani 1
Strings1 1
Strings2 1
Syn Str1 2
Syn Str2 2
ChoirAah 1
VoiceDoo 1
SynVoice 1
Orch.Hit 2
Trumpet 1
Trombone 1
Tuba 1
Mute Trp 1
Fr. Horn 2
BrssSect 1
SynBrss1 2
SynBrss2 1
LayerCP1 2
HardVibe 2
Dulcimr2 2
70sDrOr1 2
70sPcOr1 2
Harmo. 2 2
MelloGtr 1
Mu.DstGt 2
DistGtr2 2
FngBass2 2
Fretles2 2
SynBa1Dk 1
ClkSynBa 2
Slow Str 1
70s Str 1
Syn Str4 2
OrchHit2 2
Trumpet2 1
Trmbone2 2
Tuba 2 1
FrHorn 2 2
PolyBrss 2
Soft Brs 2
LayerCP2 2
DistGtr3 2
Jazzy Ba 1
Fretles3 2
ModulrBa 2
Fretles4 2
Seq Bass 2
SynFretl 2
SmthFrtl 2
Continued on page 34
Same as Bank 0 E: Number of elements
DataList-E.qx 8/4/98 4:00 PM Page 30
31
Bank 6 E Bank 7 E E E EBank 8 Bank 9 Bank 10 EBank 11 EBank 16
GrndPnoK 1
BritPnoK 1
ElGrPnoK 2
HnkyTnkK 2
Chor.EP1 2
Chor.EP2 2
Harpsi.3 2
Clavi K 1
Vibes K 1
MarimbaK 1
ChrchBel 2
Cimbalom 2
DetDrwOr 2
DetPrcOr 2
RotaryOr 2
ChurOrg2 2
AccordIt 2
Ukulele 1
12StrGtr 2
PdlSteel 1
ChorusGt 2
FunkGtr1 2
FeedbkGt 2
GtFeedbk 1
MutePkBa 1
ResoSlap 1
AcidBass 1
DX Bass 2
Slow Vln 1
SlwTrStr 1
Orchestr 2
LegatoSt 2
Syn Str3 2
S.Choir 2
SyVoice2 2
Impact 2
FluglHrn 1
FrHrSolo 1
BrssSec2 2
SynBrss3 2
SynBrss4 2
Carillon 2
70sDrOr2 2
Nyln&Stl 2
FeedbGt2 2
FastResB 1
X WireBa 2
Susp.Str 2
Orchstr2 2
Warm Str 2
MelChoir 2
BrssStab 2
Quack Br 2
TechnoBa 2
TremOrch 2
S.SlwStr 2
DoublHit ** 2
ChoirStr 2
MelloGrP 1
VX El.P1 2
VX El.P2 2
Harpsi.K 1
Balafon 2
60sDrOr1 2
SloRotar 2
ChurOrg3 2
NylonGt3 2
Mandolin 2
FunkGtr2 2
PowerGt1 2
AcoHarmo 1
ResoBass 1
RubberBa 2
S.Strngs 2
LoFi Hit 2
HornOrch 2
BrssFall 1
AnaBrss1 2
AnaBrss2 2
Continued on page 35
DataList-E.qx 8/4/98 4:00 PM Page 31
TG300B Voice List (Normal voices)
Bank Select MSB = Bank number, LSB = 000
32
Piano 1
2
3
4
5
6
7
8
Chromatic 9
Percussion 10
11
12
13
14
15
16
Organ 17
18
19
20
21
22
23
24
Guitar 25
26
27
28
29
30
31
32
Bass 33
34
35
36
37
38
39
40
Strings 41
42
43
44
45
46
47
48
Ensemble 49
50
51
52
53
54
55
56
Brass 57
58
59
60
61
62
63
64
Instrument
Group
Bank Select MSB Bank 0 E
Pgm
#
Bank 17 E E E EBank 18 Bank 19 Bank 24 EBank 25
GrandPno 1
BritePno 1
El.Grand 2
HnkyTonk 2
E.Piano1 2
E.Piano2 2
Harpsi. 1
Clavi 2
Celesta 1
Glocken 1
MusicBox 2
Vibes 1
Marimba 1
Xylophon 1
TubulBel 1
Dulcimer 1
DrawOrgn 1
PercOrgn 1
RockOrgn 2
ChrchOrg 2
ReedOrgn 1
Acordion 2
Harmnica 1
TangoAcd 2
NylonGtr 1
SteelGtr 1
Jazz Gtr 1
CleanGtr 1
Mute Gtr 1
Ovrdrive 1
Dist.Gtr 1
GtrHarmo 1
Aco.Bass 1
FngrBass 1
PickBass 1
Fretless 1
SlapBas1 1
SlapBas2 1
SynBass1 1
SynBass2 2
Violin 1
Viola 1
Cello 1
Contrabs 1
Trem.Str 1
Pizz.Str 1
Harp 1
Timpani 1
Strings1 1
Strings2 1
Syn Str1 2
Syn Str2 2
ChoirAah 1
VoiceOoh 1
SynVoice 1
Orch.Hit 2
Trumpet 1
Trombone 1
Tuba 1
Mute Trp 1
Fr. Horn 2
BrssSect 1
SynBrss1 2
SynBrss2 1
Balimba 2
60sDrOr2 2
PowerGt2 2
SynBa2Dk 1
AnVelBr2 2
60sDrOr3 2
Dst.5ths 2
MelloSB1 1
SmthSynB 2
60sEl.P1 1
DX Hard 2
Harpsi.2 2
Log Drum 2
CheezOrg 2
FstRotar 2
OrgFlute 2
VelGtHrm 2
RckRthm1 2
Velo.Str 2
BriteTrp 2
HardEl.P 2
RckRthm2 2
Warm Trp 2
Continued on page 36
Same as Bank 0 E: Number of elements
DataList-E.qx 8/4/98 4:00 PM Page 32
33
Bank 26 E Bank 32 E E E EBank 33 Bank 40 Bank 126 EBank 127
MelloEP1 2
El.Pno1K 1
El.Pno2K 1
DrawOrg2 2
PercOrg2 2
TrmOrgFl 2
NylonGt2 1
SteelGt2 1
Ch.Aahs2 2
Even Bar 2
Organ Ba 1
Requinto 1
A-Piano1 2
A-Piano2 2
A-Piano3 2
A-Piano4 2
A-Piano5 1
A-Piano6 1
A-Piano7 1
E-Piano1 2
E-Piano2 2
E-Piano3 2
A-Guitr1 1
A-Guitr2 2
A-Guitr3 2
E-Guitr1 2
E-Guitr2 1
Slap-1 2
Slap-2 2
Slap-3 2
Slap-4 2
Slap-5 2
Slap-6 2
Slap-7 2
Slap-8 2
Finger-1 1
Finger-2 2
Picked-1 1
Picked-2 2
FretlsBs 1
A-Bass 2
Choir-1 1
Choir-2 1
Choir-3 2
Choir-4 2
Strngs-1 2
Strngs-2 2
Strngs-3 2
Strngs-4 2
E-Organ1 2
E-Organ2 2
E-Organ3 2
E-Organ4 2
E-Organ5 2
E-Organ6 2
E-Organ7 2
E-Organ8 2
E-Organ9 2
SoftTP-1 1
SoftTP-2 1
TP/TRB-1 1
TP/TRB-2 1
TP/TRB-3 1
TP/TRB-4 1
TP/TRB-5 2
TP/TRB-6 2
Sax-1 1
Sax-2 1
Sax-3 1
Sax-4 2
Brass-1 1
Brass-2 1
Brass-3 2
Brass-4 2
Brass-5 2
Orch-Hit 1
a.piano1 1
a.piano2 1
a.piano3 1
e.piano1 1
e.piano2 1
e.piano3 1
e.piano4 1
hnkytnk 2
e.organ1 2
e.organ2 2
e.organ3 1
e.organ4 1
pipeorg1 2
pipeorg2 2
pipeorg3 2
acordion 2
harpsi1 1
harpsi2 2
harpsi3 1
clavi1 1
clavi2 1
clavi3 1
celesta1 1
celesta2 1
synbras1 2
synbras2 2
synbras3 2
synbras4 2
synbass1 1
synbass2 1
synbass3 2
synbass4 1
newagepd 2
synharmo 2
choir pd 2
bowed pd 2
soundtrk 2
atmosphr 2
syn warm 2
synfunny 1
synecho1 2
rain 2
synoboe 2
synecho2 2
synsolo 2
synrdorg 2
synbell 1
squareld 2
strsect1 2
strsect2 2
strsect3 2
pizz.str 1
violin 1 2
violin 2 1
cello 1 1
cello 2 1
contrabs 1
harp 1 1
harp 2 1
guitar 1 1
guitar 2 1
elecgtr1 2
elecgtr2 2
sitar 1
Continued on page 37
DataList-E.qx 8/4/98 4:00 PM Page 33
TG300B Voice List (Normal voices)
Bank Select MSB = Bank number, LSB = 000
34
Reed 65
66
67
68
69
70
71
72
Pipe 73
74
75
76
77
78
79
80
Synth Lead 81
82
83
84
85
86
87
88
Synth Pad 89
90
91
92
93
94
95
96
Synth Effects 97
98
99
100
101
102
103
104
Ethnic 105
106
107
108
109
110
111
112
Percussive 113
114
115
116
117
118
119
120
Sound Effects 121
122
123
124
125
126
127
128
Instrument
Group
Bank Select MSB Bank 0 E
Pgm
#
Bank 1 E E E EBank 2 Bank 3 Bank 4 EBank 5
SprnoSax 1
Alto Sax 1
TnrSax 2 1
Bari.Sax 1
Oboe 2
Eng.Horn 1
Bassoon 1
Clarinet 1
Piccolo 1
Flute 1
Recorder 1
PanFlute 1
Bottle 2
Shakhchi 2
Whistle 1
Ocarina 1
SquareLd 2
Saw Ld 2
CaliopLd 2
Chiff Ld 2
CharanLd 2
Voice Ld 2
Fifth Ld 2
Bass&Ld 2
NewAgePd 2
Warm Pad 2
PolySyPd 2
ChoirPad 2
BowedPad 2
MetalPad 2
Halo Pad 2
SweepPad 2
Rain 2
SoundTrk 2
Crystal 2
Atmosphr 2
Bright 2
Goblins 2
Echoes 2
Sci-Fi 2
Sitar 1
Banjo 1
Shamisen 1
Koto 1
Kalimba 1
Bagpipe 2
Fiddle 1
Shanai 1
TnklBell 2
Agogo 2
SteelDrm 2
Woodblok 1
TaikoDrm 1
MelodTom 2
Syn Drum 1
RevCymbl 1
FretNoiz 2
BrthNoiz 2
Seashore 2
Tweet 2
Telphone 1
Helicptr 1
Applause 1
Gunshot 1
SquarLd2 1
Saw Ld 2 1
Vent Syn 2
Big Five 2
Big&Low 2
Fantasy 2
ThickPad 2
PolyPd80 2
Heaven 2
Tine Pad 2
PolarPad 2
HrmoRain 2
Ancestrl 2
SynMalet 1
WarmAtms 2
GobSynth 2
EchoBell 2
Starz 2
Sitar 2 2
MuteBnjo 1
Tsugaru 2
Shanai 2 1
Real Tom 2
Rev Cym2 1
CuttngNz 1
Fl.KClik 1
Shower 1
Dog 1
PhonCall 1
CarEIgnt 1
Laugh 1
MchinGun 1
Hollow 1
PulseSaw 2
PureLead 2
Fat&Prky 2
Horn Pad 2
Pan Pad 2
AfrcnWnd 2
Prologue 2
SftCryst 2
NylnHarp 2
Creeper 2
Echo Pan 2
DetSitar 2
Str Slap 1
Thunder 1
Horse 1
DoorSqek 1
CarTSqel 1
Scream 1
LaserGun 2
Mellow 2
ThickSaw 2
RotarStr 2
RndGlock 2
Harp Vox 2
Echoes 2 2
CttngNz2 2
Wind 1
Tweet 2 1
DoorSlam 1
Car Pass 1
Punch 1
Xplosion 2
SoloSine 2
Big Lead 2
Soft Pad 2
LoudGlok 2
HollwRls 2
Big Pan 2
DstCutNz 2
Stream 2
Kitty 1
ScratchC 1
CarCrash 1
Heart 1
Shroud 2
VeloLead 2
GlockChi 2
Nylon EP 2
Reso&Pan 2
B.Slide 2
Bubble 2
Growl 1
WindChim 1
Siren 2
Footstep 1
Continued from page 30
Same as Bank 0 E: Number of elements
DataList-E.qx 8/4/98 4:00 PM Page 34
35
Bank 6 E Bank 7 E E E EBank 8 Bank 9 Bank 10 EBank 11 EBank 16
LMSquare 2
HeavySyn 2
ClearBel 2
AtmosPad 2
SynPiano 2
P.Scrape 1
Train 1
Dyna Saw 1
ChrstBel 2
ScratchS 2
JetPlane 2
HyprAlto 2
BrthTnSx 2
BassClar 1
Kawala 2
SineLead 1
Dr.Lead 2
DistLead 2
Converge 2
ClaviPad 2
Rave 2
VibeBell 2
Tambra 2
Rabab 2
Taisho-k 2
Pungi 1
Bonang 2
Atrigane 2
Castanet 1
Gr.Cassa 1
Mel Tom2 1
Ana Tom 1
RevSnar1 1
Starship 2
Shwimmer 2
DigiBell 2
Altair 2
Rock Tom 2
ElecPerc 2
RevSnar2 1
Burst 2
Celstial 2
Gamelan 2
S.Gamlan 2
WaspySyn 2
ChorBell 2
Tamboura 2
Gopichnt 2
Kanoon 2
Hichriki 2
Rama Cym 2
RevKick1 1
Coaster 2
Continued from page 31
DataList-E.qx 8/4/98 4:00 PM Page 35
TG300B Voice List (Normal voices)
Bank Select MSB = Bank number, LSB = 000
36
Reed 65
66
67
68
69
70
71
72
Pipe 73
74
75
76
77
78
79
80
Synth Lead 81
82
83
84
85
86
87
88
Synth Pad 89
90
91
92
93
94
95
96
Synth Effects 97
98
99
100
101
102
103
104
Ethnic 105
106
107
108
109
110
111
112
Percussive 113
114
115
116
117
118
119
120
Sound Effects 121
122
123
124
125
126
127
128
Instrument
Group
Bank Select MSB Bank 0 E
Pgm
#
Bank 17 E E E EBank 18 Bank 19 Bank 24 EBank 25
SprnoSax 1
Alto Sax 1
TnrSax 2 1
Bari.Sax 1
Oboe 2
Eng.Horn 1
Bassoon 1
Clarinet 1
Piccolo 1
Flute 1
Recorder 1
PanFlute 1
Bottle 2
Shakhchi 2
Whistle 1
Ocarina 1
SquareLd 2
Saw Ld 2
CaliopLd 2
Chiff Ld 2
CharanLd 2
Voice Ld 2
Fifth Ld 2
Bass&Ld 2
NewAgePd 2
Warm Pad 2
PolySyPd 2
ChoirPad 2
BowedPad 2
MetalPad 2
Halo Pad 2
SweepPad 2
Rain 2
SoundTrk 2
Crystal 2
Atmosphr 2
Bright 2
Goblins 2
Echoes 2
Sci-Fi 2
Sitar 1
Banjo 1
Shamisen 1
Koto 1
Kalimba 1
Bagpipe 2
Fiddle 1
Shanai 1
TnklBell 2
Agogo 2
SteelDrm 2
Woodblok 1
TaikoDrm 1
MelodTom 2
Syn Drum 1
RevCymbl 1
FretNoiz 2
BrthNoiz 2
Seashore 2
Tweet 2
Telphone 1
Helicptr 1
Applause 1
Gunshot 1
AirBells 2
RevConBD 1
BellHarp 2
Gamelmba 2
Oud 2
Rev Tom1 1
Rev Tom2 1
Continued from page 32
Same as Bank 0 E: Number of elements
DataList-E.qx 8/4/98 4:00 PM Page 36
37
Bank 26 E Bank 32 E E E EBank 33 Bank 40 Bank 126 EBank 127
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
a.bass 1 1
a.bass 2 1
e.bass 1 1
e.bass 2 1
slapbas1 1
slapbas2 1
fretles1 1
fretles2 1
flute1 1
flute2 1
piccolo1 1
piccolo2 2
recorder 1
panpipes 2
sax1 2
sax2 1
sax3 1
sax4 1
clarint1 1
clarint2 1
oboe 1
eng.horn 1
bassoon 1
harmnica 1
trumpet1 1
trumpet2 1
trmbone1 2
trmbone2 2
fr.horn1 1
fr.horn2 2
tuba 2
brssect1 1
brssect2 2
vibe1 1
vibe2 1
symallet 1
maletwin 2
glocken 2
tubulbel 1
xylophen 1
marimba 2
koto 1
sho 2
shakhchi 2
whistle1 2
whistle2 1
bottle 2
breath 2
timpani 1
melotom 1
deepsnar 1
e.perc1 1
e.perc2 1
taiko 1
taikorim 1
cymbal 2
castanet 1
triangle 1
orchehit 1
telphone 1
bird 1
jam 1
efctwatr 2
efctjngl 2
Continued from page 33
DataList-E.qx 8/4/98 4:00 PM Page 37
XG Drum Map (Drum voices)
38
Bank Select MSB
Bank Select LSB
Program#
127
0
1
Standard Kit
E
Surdo Mute 1
Surdo Open 1
Hi Q 1
Whip Slap 1
Scratch H 1
Scratch L 1
Finger Snap 1
Click Noise 1
Metronome Click 1
Metronome Bell 1
Seq Click L 1
Seq Click H 1
Brush Tap 1
Brush Swirl 1
Brush Slap 1
Brush Tap Swirl 1
Snare Roll 1
Castanet 1
Snare Soft 1
Sticks 1
Kick Soft 1
Open Rim Shot 1
Kick Tight 1
Kick 1
Side Stick 1
Snare 1
Hand Clap 1
Snare Tight 1
Floor Tom L 1
Hi-Hat Closed 1
Floor Tom H 1
Hi-Hat Pedal 1
Low Tom 1
Hi-Hat Open 1
Mid Tom L 1
Mid Tom H 1
Crash Cymbal 1 1
High Tom 1
Ride Cymbal 1 1
Chinese Cymbal 1
Ride Cymbal Cup 1
Tambourine 1
Splash Cymbal 1
Cowbell 1
Crash Cymbal 2 1
Vibraslap 1
Ride Cymbal 2 1
Bongo H 1
Bongo L 1
Conga H Mute 1
Conga H Open 1
Conga L 1
Timbale H 1
Timbale L 1
Agogo H 1
Agogo L 1
Cabasa 1
Maracas 1
Samba Whistle H 1
Samba Whistle L 1
Guiro Short 1
Guiro Long 1
Claves 1
Wood Block H 1
Wood Block L 1
Cuica Mute 1
Cuica Open 1
Triangle Mute 1
Triangle Open 1
Shaker 1
Jingle Bells 1
Bell Tree 1
127
0
2
Standard Kit 2
E
Snare Roll 2 1
Snare Soft 2 1
Open Rim Shot H Short 1
Kick Tight Short 1
Kick Short 1
Snare Short 1
Snare Tight H 1
127
0
3
Dry Kit ***
E
Surdo Mute V *** 1
Surdo Open V *** 1
Brush Tap V *** 1
Brush Swirl V *** 1
Brush Slap V *** 1
Brush Tap Swirl V *** 1
Snare Roll V *** 1
Snare Dry Soft *** 1
Kick Dry Soft *** 1
Open Rim Shot Dry V *** 1
Kick Dry Tight *** 1
Kick Dry Mute *** 1
Side Stick Dry *** 1
Snare Dry *** 1
Snare Dry Mute *** 1
Floor Tom L Short *** 1
Floor Tom H Short *** 1
Low Tom Short *** 1
Mid Tom L Short *** 1
Mid Tom H Short *** 1
Crash Cymbal 1 V *** 1
High Tom Short *** 1
Ride Cymbal 1 V *** 1
Chinese Cymbal V *** 1
Splash Cymbal V *** 1
Crash Cymbal 2 V *** 1
Ride Cymbal 2 V *** 1
Bongo H V *** 1
Bongo L V *** 1
Conga H Mute V *** 1
Conga H Open V *** 1
Conga L V *** 1
Timbale H V *** 1
Timbale L V *** 1
Agogo H V *** 1
Agogo L V *** 1
Samba Whistle H V *** 1
Samba Whistle L V *** 1
Cuica Mute V *** 1
Cuica Open V *** 1
127
0
4
Bright Kit ***
E
Surdo Mute B *** 1
Surdo Open B *** 1
Hi Q B *** 1
Whip Slap B *** 1
Scratch H B *** 1
Scratch L B *** 1
Finger Snap B *** 1
Click Noise B *** 1
Metronome Click B *** 1
Metronome Bell B *** 1
Seq Click L B *** 1
Seq Click H B *** 1
Brush Tap B *** 1
Brush Swirl B *** 1
Brush Slap B *** 1
Brush Tap Swirl B *** 1
Snare Roll B *** 1
Castanet B *** 1
Snare Soft B *** 1
Sticks B *** 1
Kick Soft B *** 1
Open Rim Shot B *** 1
Kick Tight B *** 1
Kick B *** 1
Side Stick B *** 1
Snare B *** 1
Hand Clap B *** 1
Snare Tight B *** 1
Floor Tom L B *** 1
Hi-Hat Closed L B *** 1
Floor Tom H B *** 1
Hi-Hat Pedal B *** 1
Low Tom B *** 1
Hi-Hat Open B *** 1
Mid Tom L B *** 1
Mid Tom H B *** 1
Crash Cymbal 1 B *** 1
High Tom B *** 1
Ride Cymbal 1 B *** 1
Chinese Cymbal B *** 1
Ride Cymbal Cup Short ***
1
Tambourine B *** 1
Splash Cymbal B *** 1
Cowbell L *** 1
Crash Cymbal 2 B *** 1
Vibraslap B *** 1
Ride Cymbal 2 B *** 1
Bongo H B *** 1
Bongo L B *** 1
Conga H Mute B *** 1
Conga H Open B *** 1
Conga L B *** 1
Timbale H B *** 1
Timbale L B *** 1
Agogo H B *** 1
Agogo L B *** 1
Cabasa B *** 1
Maracas B *** 1
Samba Whistle H B *** 1
Samba Whistle L B *** 1
Guiro Short B *** 1
Guiro Long B *** 1
Claves B *** 1
Wood Block H B *** 1
Wood Block L B *** 1
Cuica Mute B *** 1
Cuica Open B *** 1
Triangle Mute B *** 1
Triangle Open B *** 1
Shaker B *** 1
Jingle Bells B *** 1
Bell Tree B *** 1
127
0
5
Skim Kit ****
E
Surdo Mute V *** 1
Surdo Open V *** 1
Brush Tap V *** 1
Brush Swirl V *** 1
Brush Slap V *** 1
Brush Tap Swirl L **** 1
Snare Roll V *** 1
Castanet Sk **** 1
Snare Dry Q **** 1
Kick Dry Soft HPF **** 1
Open Rim Shot Dry HPF ****
1
Kick Dry Tight Q**** 1
Kick Dry Mute HPF **** 1
Side Stick Dry Q **** 1
Snare Dry H **** 1
Hand Clap Sk **** 1
Snare Dry Mute Q **** 1
Floor Tom L Short Sk ****
1
Hi-Hat Closed H **** 1
Floor Tom H Short Sk ****
1
Hi-Hat Pedal H **** 1
Low Tom Short Sk **** 1
Hi-Hat Open H **** 1
Mid Tom L Short Sk **** 1
Mid Tom H Short Sk **** 1
Crash Cymbal 1 Q **** 1
High Tom Short Sk **** 1
Ride Cymbal 1 Sk **** 1
Chinese Cymbal HPF ****
1
Ride Cup Q **** 1
Tambourine Q **** 1
Splash Cymbal H **** 1
Cowbell HPF **** 1
Crash Cymbal 2 Dark ****
1
Ride Cymbal 2 Q **** 1
Bongo H HPF **** 1
Bongo L HPF **** 1
Conga H Mute HPF **** 1
Conga H Open HPF **** 1
Conga L HPF **** 1
Timbale H HPF **** 1
Timbale L HPF **** 1
Agogo H HPF **** 1
Agogo L HPF **** 1
Cabasa BPF **** 1
Maracas L **** 1
Samba Whistle H BPF ****
1
Samba Whistle L BPF ****
1
Cuica Open H **** 1
127
0
6
Slim Kit ****
E
Surdo Mute V *** 1
Surdo Open V *** 1
Brush Tap V *** 1
Brush Swirl V *** 1
Brush Slap V *** 1
Brush Tap Swirl L **** 1
Snare Roll V *** 1
Castanet H **** 1
Snare Rough Q **** 1
Sticks Q **** 1
Kick Soft Dark **** 1
Open Rim Shot Sl **** 1
Kick Tight Short L **** 1
Kick Short Dark **** 1
Side Stick Q **** 1
Snare Short HPF **** 1
Hand Clap Dark **** 1
Snare Tight Mute **** 1
Floor Tom L Tight **** 1
Hi-Hat Closed L Q **** 1
Floor Tom H Tight **** 1
Hi-Hat Pedal Q **** 1
Low Tom Tight **** 1
Hi-Hat Open Q **** 1
Mid Tom L Tight **** 1
Mid Tom H Tight **** 1
Crash Cymbal 1 L **** 1
High Tom Tight **** 1
Ride Cymbal 1 L **** 1
Chinese Cymbal L **** 1
Ride Cymbal Cup L **** 1
Splash Cymbal L Short ****
1
Cowbell Dark **** 1
Crash Cymbal 2 L **** 1
Ride Cymbal 2 L**** 1
Bongo H V *** 1
Bongo L V *** 1
Conga H Mute V *** 1
Conga H Open V *** 1
Conga L H **** 1
Timbale H V *** 1
Timbale L V *** 1
Agogo H V *** 1
Agogo L V *** 1
Maracas Q **** 1
Samba Whistle H V *** 1
Samba Whistle L V *** 1
Cuica Open H **** 1
127
0
7
Rogue Kit ****
E
Surdo Mute V *** 1
Surdo Open V *** 1
Brush Tap V *** 1
Brush Swirl V *** 1
Brush Slap V *** 1
Brush Tap Swirl L *** 1
Snare Roll V *** 1
Castanet H **** 1
Snare Brass Soft **** 1
Kick Soft 2 **** 1
Open Rim Shot 2 **** 1
Kick Dark 2 **** 1
Kick Tight 4 **** 1
Side Stick Tight **** 1
Snare Snappy Short **** 1
Snare Brass Hard **** 1
Floor Tom L Tight **** 1
Hi-Hat Closed 3 **** 1
Floor Tom H Tight **** 1
Hi-Hat Pedal 3 **** 1
Low Tom Tight **** 1
Hi-Hat Open 3 **** 1
Mid Tom L Tight **** 1
Mid Tom H Tight **** 1
Crash Cymbal 3 **** 1
High Tom Tight **** 1
Ride Cymbal 3 **** 1
Chinese Cymbal 2 **** 1
Ride Cymbal Cup 2 **** 1
Splash Cymbal V *** 1
Cowbell Mid **** 1
Crash Cymbal 4 **** 1
Ride Cymbal 4 Q **** 1
Bongo H V *** 1
Bongo L V *** 1
Conga H Mute 2 **** 1
Conga H Open 2 **** 1
Conga L 2 **** 1
Timbale H V *** 1
Timbale L V *** 1
Agogo H V *** 1
Agogo L V *** 1
Maracas Q **** 1
Samba Whistle H V *** 1
Samba Whistle L V *** 1
Cuica Open H **** 1
127
0
8
Hob Kit ****
E
Surdo Mute V *** 1
Surdo Open V *** 1
Brush Tap V *** 1
Brush Swirl V *** 1
Brush Slap V *** 1
Brush Tap Swirl L *** 1
Snare Roll V *** 1
Castanet H **** 1
Snare Brass Soft H **** 1
Kick Soft 2 H **** 1
Open Rim Shot H Short 2 ****
1
Kick Dark 2 H **** 1
Kick Tight 4 H **** 1
Side Stick Tight H **** 1
Snare Snappy Short H ****
1
Snare Brass Hard H **** 1
Floor Tom L Tight H **** 1
Hi-Hat Closed 3 H **** 1
Floor Tom H Tight H **** 1
Hi-Hat Pedal 3 H **** 1
Low Tom Tight H **** 1
Hi-Hat Open 3 H **** 1
Mid Tom L Tight H **** 1
Mid Tom H Tight H **** 1
Crash Cymbal 3 H **** 1
High Tom Tight H **** 1
Ride Cymbal 3 H **** 1
Chinese Cymbal 2 H **** 1
Ride Cymbal Cup 2 H ****
1
Tambourine H **** 1
Splash Cymbal H **** 1
Cowbell H **** 1
Crash Cymbal 4 H **** 1
Ride Cymbal 4 **** 1
Bongo H V *** 1
Bongo L V *** 1
Conga H Mute 2 H **** 1
Conga H Open 2 H **** 1
Conga L 2 H **** 1
Timbale H V *** 1
Timbale L V *** 1
Agogo H V *** 1
Agogo L V *** 1
Maracas Q **** 1
Samba Whistle H V *** 1
Samba Whistle L V *** 1
Cuica Open H **** 1
127
0
9
Room Kit
E
Kick Room ** 1
Snare Snappy 1
Snare Tight Snappy 1
Tom Room 1 1
Tom Room 2 1
Tom Room 3 1
Tom Room 4 1
Tom Room 5 1
Tom Room 6 1
Note#
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
Key
Off
O
O
O
O
O
O
Note
C# -1
D-1
D# -1
E-1
F-1
F# -1
G-1
G# -1
A-1
A# -1
B-1
C0
C# 0
D0
D# 0
E0
F0
F# 0
G0
G# 0
A0
A# 0
B0
C1
C# 1
D1
D# 1
E1
F1
F# 1
G1
G# 1
A1
A# 1
B1
C2
C# 2
D2
D# 2
E2
F2
F# 2
G2
G# 2
A2
A# 2
B2
C3
C# 3
D3
D# 3
E3
F3
F# 3
G3
G# 3
A3
A# 3
B3
C4
C# 4
D4
D# 4
E4
F4
F# 4
G4
G# 4
A4
A# 4
B4
C5
C# 5
D5
D# 5
E5
F5
F# 5
G5
Alternate
Group
3
3
4
4
1
1
1
2
2
: Same as Standard Kit
****: MU800 Extension
****: MU900 Extension
****: MU100 Extension
E: Number of elements
: No sound
Drum and percussion sounds assigned to the same Alternate Group number cannot be sounded simultaneously.
For example, the Hi-Hat Closed sound (group 1) and the Hi-Hat Open sound (also group 1) cannot be sounded at the same time.
DataList-E.qx 8/4/98 4:00 PM Page 38
XG Drum Map (Drum voices)
39
Bank Select MSB
Bank Select LSB
Program#
127
0
10
Dark Room Kit ***
E
Surdo Mute V *** 1
Surdo Open V *** 1
Brush Tap V *** 1
Brush Swirl V *** 1
Brush Slap V *** 1
Brush Tap Swirl V *** 1
Snare Roll V *** 1
Kick Dark *** 1
Kick Room Gate *** 1
Snare Snappy 2 *** 1
Snare Tight Snappy 2 *** 1
Tom Room 1 Q *** 1
Hi-Hat Closed Q *** 1
Room Tom 2 Q *** 1
Hi-Hat Pedal Q *** 1
Room Tom 3 Q *** 1
Hi-Hat Open L *** 1
Tom Room 4 Dark *** 1
Tom Room 5 L Dark *** 1
Tom Room 6 L Dark *** 1
Ride Cymbal 1 V *** 1
Chinese Cymbal V *** 1
Splash Cymbal V *** 1
Crash Cymbal 2 V *** 1
Ride Cymbal 2 V *** 1
Bongo H V *** 1
Bongo L V *** 1
Conga H Mute V *** 1
Conga H Open V *** 1
Conga L V *** 1
Timbale H V *** 1
Timbale L V *** 1
Agogo H V *** 1
Agogo L V *** 1
Samba Whistle H V *** 1
Samba Whistle L V *** 1
Cuica Mute V *** 1
Cuica Open V *** 1
127
0
17
Rock Kit
E
Snare Noisy 1
Kick Tight 2 1
Kick 2 1
Kick Gate 1
Snare Rock 1
Snare Rock Rim 1
Tom Rock 1 1
Tom Rock 2 1
Tom Rock 3 1
Tom Rock 4 1
Tom Rock 5 1
Tom Rock 6 1
127
0
18
Rock Kit 2 ***
E
Surdo Mute V *** 1
Surdo Open V *** 1
Brush Tap V *** 1
Brush Swirl V *** 1
Brush Slap V *** 1
Brush Tap Swirl V *** 1
Snare Roll V *** 1
Snare Noisy 5 *** 1
Kick Tight 3 *** 1
Kick 4 *** 1
Kick Gate 2 *** 1
Snare Rock 2 *** 1
Snare Rock Rim Q *** 1
Tom Rock 1 H *** 1
Hi-Hat Closed 2 *** 1
Tom Rock 2 H *** 1
Hi-Hat Pedal 2 *** 1
Tom Rock 3 L Short *** 1
Hi-Hat Open 2 *** 1
Tom Rock 4 L Short *** 1
Tom Rock 5 L Short *** 1
Tom Rock 6 L Short *** 1
Ride Cymbal 1 V *** 1
Chinese Cymbal V *** 1
Splash Cymbal V *** 1
Crash Cymbal 2 V *** 1
Ride Cymbal 2 V *** 1
Bongo H V *** 1
Bongo L V *** 1
Conga H Mute V *** 1
Conga H Open V *** 1
Conga L V *** 1
Timbale H V *** 1
Timbale L V *** 1
Agogo H V *** 1
Agogo L V *** 1
Samba Whistle H V *** 1
Samba Whistle L V *** 1
Cuica Mute V *** 1
Cuica Open V *** 1
127
0
25
Electro Kit
E
Reverse Cymbal 1
Hi Q 2 1
Snare Snappy Electro 1
Kick 3 1
Kick Gate 1
Kick Gate Heavy 1
Snare Noisy 2 1
Snare Noisy 3 1
Tom Electro 1 1
Tom Electro 2 1
Tom Electro 3 1
Tom Electro 4 1
Tom Electro 5 1
Tom Electro 6 1
Scratch H 2 1
Scratch L 2 1
127
0
26
Analog Kit
E
Reverse Cymbal 1
Hi Q 2 1
Snare Noisy 4 1
Kick Tight 2 1
Kick Analog Short 1
Kick Analog 1
Side Stick Analog 1
Snare Analog 1
Snare Analog 2 1
Tom Analog 1 1
Hi-Hat Closed Analog 1
Tom Analog 2 1
Hi-Hat Closed Analog 2 1
Tom Analog 3 1
Hi-Hat Open Analog 1
Tom Analog 4 1
Tom Analog 5 1
Crash Analog 1
Tom Analog 6 1
Cowbell Analog 1
Conga Analog H 1
Conga Analog M 1
Conga Analog L 1
Maracas 2 1
Claves 2 1
Scratch H 2 1
Scratch L 3 1
127
0
27
Analog Kit 2 ***
E
Surdo Mute V *** 1
Surdo Open V *** 1
Brush Tap V *** 1
Brush Swirl V *** 1
Brush Slap V *** 1
Reverse Cymbal *** 1
Snare Roll V *** 1
Hi Q 2 *** 1
Snare Analog 3 *** 1
Kick Techno Soft *** 1
Open Rim Shot Dry V *** 1
Kick Techno Tight *** 1
Kick Techno *** 1
Side Stick Analog *** 1
Snare Techno *** 1
Snare Techno 2 *** 1
Tom Analog 1 *** 1
Hi-Hat Closed Analog *** 1
Tom Analog 2 *** 1
Hi-Hat Closed Analog 2 ***
1
Tom Analog 3 *** 1
Hi-Hat Open Analog *** 1
Tom Analog 4 *** 1
Tom Analog 5 *** 1
Crash Analog *** 1
Tom Analog 6 *** 1
Ride Cymbal 1 V *** 1
Chinese Cymbal V *** 1
Splash Cymbal V *** 1
Cowbell Analog *** 1
Crash Cymbal 2 V *** 1
Ride Cymbal 2 V *** 1
Bongo H V *** 1
Bongo L V *** 1
Conga Analog H *** 1
Conga Analog M *** 1
Conga Analog L *** 1
Timbale H V *** 1
Timbale L V *** 1
Agogo H V *** 1
Agogo L V *** 1
Maracas 2 *** 1
Samba Whistle H V *** 1
Samba Whistle L V *** 1
Claves 2 *** 1
Scratch H 2 *** 1
Scratch L 3 *** 1
127
0
28
Dance Kit ***
E
Reverse Cymbal *** 1
Hi Q 2 *** 1
Snare Techno 3 *** 1
Kick Techno Q *** 1
Rim Gate *** 1
Kick Techno L *** 1
Kick Techno 2 *** 1
Side Stick Analog *** 1
Snare Clap *** 2
Snare Dry 2 *** 1
Tom Analog 1 *** 1
Hi-Hat Closed 3 *** 1
Tom Analog 2 *** 1
Hi-Hat Closed Analog 2 ***
1
Tom Analog 3 *** 1
Hi-Hat Open 3 *** 1
Tom Analog 4 *** 1
Tom Analog 5 *** 1
Crash Analog *** 1
Tom Analog 6 *** 1
Cowbell Analog *** 1
Conga Analog H *** 1
Conga Analog M *** 1
Conga Analog L *** 1
Maracas 2 *** 1
Claves 2 *** 1
Scratch H 2 *** 1
Scratch L 3 *** 1
127
0
29
Hip Hop Kit ***
E
Surdo Mute V *** 1
Surdo Open V *** 1
Brush Tap V *** 1
Brush Swirl V *** 1
Brush Slap V *** 1
Brush Tap Swirl V *** 1
Snare Roll V *** 1
Open Rim Shot 2 Soft ***
1
Kick Dry Soft 2 *** 1
Open Rim Shot 2 *** 1
Kick Dim *** 1
Kick Boon *** 1
Side Stick Dry *** 1
Snare Dry Mute *** 1
Snare White *** 1
Floor Tom L Short *** 1
Hi-Hat Closed 2 H *** 1
Floor Tom H Short *** 1
Hi-Hat Pedal 2 H *** 1
Low Tom Short *** 1
Hi-Hat Open 2 L *** 1
Mid Tom L Short *** 1
Mid Tom H Short *** 1
Crash Cymbal 1 V *** 1
High Tom Short *** 1
Ride Cymbal 1 V *** 1
Chinese Cymbal V *** 1
Splash Cymbal V *** 1
Crash Cymbal 2 V *** 1
Ride Cymbal 2 V *** 1
Bongo H V *** 1
Bongo L V *** 1
Conga H Mute V *** 1
Conga H Open V *** 1
Conga L V *** 1
Timbale H V *** 1
Timbale L V *** 1
Agogo H V *** 1
Agogo L V *** 1
Samba Whistle H V *** 1
Samba Whistle L V *** 1
Cuica Mute V *** 1
Cuica Open V *** 1
Note#
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
Key
Off
O
O
O
O
O
O
Note
C# -1
D-1
D# -1
E-1
F-1
F# -1
G-1
G# -1
A-1
A# -1
B-1
C0
C# 0
D0
D# 0
E0
F0
F# 0
G0
G# 0
A0
A# 0
B0
C1
C# 1
D1
D# 1
E1
F1
F# 1
G1
G# 1
A1
A# 1
B1
C2
C# 2
D2
D# 2
E2
F2
F# 2
G2
G# 2
A2
A# 2
B2
C3
C# 3
D3
D# 3
E3
F3
F# 3
G3
G# 3
A3
A# 3
B3
C4
C# 4
D4
D# 4
E4
F4
F# 4
G4
G# 4
A4
A# 4
B4
C5
C# 5
D5
D# 5
E5
F5
F# 5
G5
Alternate
Group
3
3
4
4
1
1
1
2
2
127
0
1
Standard Kit
E
Surdo Mute 1
Surdo Open 1
Hi Q 1
Whip Slap 1
Scratch H 1
Scratch L 1
Finger Snap 1
Click Noise 1
Metronome Click 1
Metronome Bell 1
Seq Click L 1
Seq Click H 1
Brush Tap 1
Brush Swirl 1
Brush Slap 1
Brush Tap Swirl 1
Snare Roll 1
Castanet 1
Snare Soft 1
Sticks 1
Kick Soft 1
Open Rim Shot 1
Kick Tight 1
Kick 1
Side Stick 1
Snare 1
Hand Clap 1
Snare Tight 1
Floor Tom L 1
Hi-Hat Closed 1
Floor Tom H 1
Hi-Hat Pedal 1
Low Tom 1
Hi-Hat Open 1
Mid Tom L 1
Mid Tom H 1
Crash Cymbal 1 1
High Tom 1
Ride Cymbal 1 1
Chinese Cymbal 1
Ride Cymbal Cup 1
Tambourine 1
Splash Cymbal 1
Cowbell 1
Crash Cymbal 2 1
Vibraslap 1
Ride Cymbal 2 1
Bongo H 1
Bongo L 1
Conga H Mute 1
Conga H Open 1
Conga L 1
Timbale H 1
Timbale L 1
Agogo H 1
Agogo L 1
Cabasa 1
Maracas 1
Samba Whistle H 1
Samba Whistle L 1
Guiro Short 1
Guiro Long 1
Claves 1
Wood Block H 1
Wood Block L 1
Cuica Mute 1
Cuica Open 1
Triangle Mute 1
Triangle Open 1
Shaker 1
Jingle Bells 1
Bell Tree 1
: Same as Standard Kit
****: MU800 Extension
****: MU900 Extension
****: MU100 Extension
E: Number of elements
: No sound
Drum and percussion sounds assigned to the same Alternate Group number cannot be sounded simultaneously.
For example, the Hi-Hat Closed sound (group 1) and the Hi-Hat Open sound (also group 1) cannot be sounded at the same time.
DataList-E.qx 8/4/98 4:00 PM Page 39
XG Drum Map (Drum voices)
40
Bank Select MSB
Bank Select LSB
Program#
127
0
31
Apogee Kit ****
E
Surdo Mute V *** 1
Surdo Open V *** 1
Brush Tap V *** 1
Brush Swirl V *** 1
Brush Slap V *** 1
Reverse Cymbal *** 1
Hi Q 2 *** 1
Snare Analog 4 **** 1
Kick Techno 3 **** 1
Open Rim Shot L **** 1
Kick Techno 4 **** 1
Kick Techno Tight 2 **** 1
Side Stick Analog 2 **** 1
Snare Analog 5 **** 1
Clap Ambience **** 1
Snare Analog 6 **** 1
Tom Techno 1 **** 1
Hi-Hat Closed Analog 3 ****
1
Tom Techno 2 **** 1
Hi-Hat Closed Analog 4 ****
1
Tom Techno 3 **** 1
Hi-Hat Open Analog 2 ****
1
Tom Techno 4 **** 1
Tom Techno 5 **** 1
Crash Analog *** 1
Tom Techno 6 **** 1
Ride Cymbal Analog 1 ****
1
Ride Cymbal Cup Q **** 1
Splash Cymbal V *** 1
Cowbell Analog L **** 1
Crash Cymbal 2 V *** 1
Ride Cymbal Analog 2 ****
1
Bongo H V *** 1
Bongo L V *** 1
Conga Analog H Long ****
1
Conga Analog M Long ****
1
Conga Analog L Long ****
1
Timbale H V *** 1
Timbale L V *** 1
Agogo H V *** 1
Agogo L V *** 1
Maracas 2 *** 1
Samba Whistle H V *** 1
Samba Whistle L V *** 1
Claves 2 *** 1
Scratch H 2 *** 1
Scratch L 3 *** 1
127
0
32
Perigee Kit ****
E
Surdo Mute V *** 1
Surdo Open V *** 1
Brush Tap V *** 1
Brush Swirl V *** 1
Brush Slap V *** 1
Reverse Cymbal *** 1
Hi Q 2 *** 1
Snare Analog 4 H **** 1
Kick Techno 3 **** 1
Open Rim Shot L **** 1
Kick Techno 4 H **** 1
Kick Techno Tight 2 H ****
1
Side Stick Analog 2 H ****
1
Snare Analog 5 H **** 1
Clap Ambience H **** 1
Snare Analog 6 H **** 1
Tom Techno 1 H **** 1
Hi-Hat Closed Analog 3 H ****
1
Tom Techno 2 H **** 1
Hi-Hat Closed Analog 4 H ****
1
Tom Techno 3 H **** 1
Hi-Hat Open Analog 2 H ****
1
Tom Techno 4 H **** 1
Tom Techno 5 H **** 1
Crash Analog H **** 1
Tom Techno 6 H **** 1
Ride Cymbal Analog 1 H ****
1
Chinese Cymbal H **** 1
Ride Cymbal Cup H **** 1
Tambourine H **** 1
Splash Cymbal H **** 1
Cowbell Analog H **** 1
Crash Cymbal 2 H **** 1
Ride Cymbal Analog 2 H ****
1
Bongo H V *** 1
Bongo L V *** 1
Conga Analog H Long H ****
1
Conga Analog M Long H ****
1
Conga Analog L Long H ****
1
Timbale H V *** 1
Timbale L V *** 1
Agogo H V *** 1
Agogo L V *** 1
Maracas 2 *** 1
Samba Whistle H V *** 1
Samba Whistle L V *** 1
Claves 2 *** 1
Scratch H 2 *** 1
Scratch L 3 *** 1
127
0
33
Jazz Kit
E
Kick Jazz 1
Tom Jazz 1 1
Tom Jazz 2 1
Tom Jazz 3 1
Tom Jazz 4 1
Tom Jazz 5 1
Tom Jazz 6 1
127
0
34
Jazz Kit 2 ***
E
Surdo Mute V *** 1
Surdo Open V *** 1
Brush Tap V *** 1
Brush Swirl V *** 1
Brush Slap V *** 1
Brush Tap Swirl V *** 1
Snare Roll V *** 1
Kick Jazz L *** 1
Snare H *** 1
Snare Tight L *** 1
Tom Jazz 7 *** 1
Hi-Hat Closed L *** 1
Tom Jazz 8 *** 1
Hi-Hat Pedal L *** 1
Tom Jazz 9 *** 1
Hi-Hat Open L *** 1
Tom Jazz 10 *** 1
Tom Jazz 11 *** 1
Tom Jazz 12 *** 1
Ride Cymbal 1 V *** 1
Chinese Cymbal V *** 1
Ride Cymbal Cup L *** 1
Splash Cymbal V *** 1
Crash Cymbal 2 V *** 1
Ride Cymbal 2 V *** 1
Bongo H V *** 1
Bongo L V *** 1
Conga H Mute V *** 1
Conga H Open V *** 1
Conga L V *** 1
Timbale H V *** 1
Timbale L V *** 1
Agogo H V *** 1
Agogo L V *** 1
Samba Whistle H V *** 1
Samba Whistle L V *** 1
Cuica Mute V *** 1
Cuica Open V *** 1
127
0
41
Brush Kit
E
Brush Slap 2
1
Kick Small 1
Brush Slap 3
1
Brush Tap 2 1
Tom Brush 1
1
Tom Brush 2
1
Tom Brush 3
1
Tom Brush 4
1
Tom Brush 5
1
Tom Brush 6
1
127
0
42
Brush Kit2 ****
E
Brush Tap Swirl L **** 1
Snare Roll V *** 1
Castanet H **** 1
Snare Dry Hard **** 1
Kick Release **** 1
Open Rim Shot Dry L ****
1
Kick Cloudy H **** 1
Kick Cloudy L **** 1
Side Stick B 2 **** 1
Brush Slap 3 Q **** 1
Brush Snare Loud **** 1
Tom Brush 7 **** 1
Hi-Hat Closed 4 **** 1
Tom Brush 8 **** 1
Hi-Hat Pedal 4 **** 1
Tom Brush 9 **** 1
Hi-Hat Open 4 **** 1
Tom Brush 10 **** 1
Tom Brush 11 **** 1
Crash Cymbal 4 **** 1
Tom Brush 12 **** 1
Ride Cymbal 1 H **** 1
Ride Cymbal Cup 6 **** 1
Splash Cymbal V *** 1
Cowbell 2 **** 1
Ride Cymbal 6 **** 1
Conga H Mute V *** 1
Conga H Open V *** 1
Conga L 2 **** 1
Maracas Q **** 1
Cuica Open H **** 1
127
0
49
Symphony Kit
E
Kick Soft 2 1
Gran Cassa 1
Gran Cassa Mute 1
Band Snare 1
Band Snare 2 1
Tom Jazz 1 1
Tom Jazz 2 1
Tom Jazz 3 1
Tom Jazz 4 1
Tom Jazz 5 1
Hand Cymbal 1
Tom Jazz 6 1
Hand Cymbal Short 1
Hand Cymbal 2 1
Hand Cymbal 2 Short
1
127
0
65
Tramp Kit ****
E
Brush Tap V *** 1
Brush Swirl V *** 1
Brush Slap V *** 1
Reverse Cymbal *** 1
Snare Roll V *** 1
Hi Q 2 *** 1
Snare Techno 3 Q **** 1
Sticks Q **** 1
Kick Techno Q 2 **** 1
Rim Gate Lo-Fi **** 1
Kick Techno L Q **** 1
Kick Techno 2 Gate **** 1
Side Stick Analog Q **** 1
Snare Clap *** 2
Hand Clap Dark **** 1
Snare Dry 2 Gate **** 1
Tom Analog 7 **** 1
Hi-Hat Closed 3 Dark ****
1
Tom Analog 8 **** 1
Hi-Hat Closed Analog 2 L****
1
Tom Analog 9 **** 1
Hi-Hat Open 3 Dark **** 1
Tom Analog 10 **** 1
Tom Analog 11 **** 1
Crash Analog Dark **** 1
Tom Analog 12 **** 1
Ride Cymbal 1 Dark **** 1
Chinese Cymbal L **** 1
Ride Cymbal Cup Dark ****
1
Tambourine Dark **** 1
Splash Cymbal L Q **** 1
Cowbell Analog Q *** 1
Crash Cymbal 2 Q **** 1
Ride Cymbal 2 D **** 1
Bongo H V *** 1
Bongo L V *** 1
Conga Analog H Long ****
1
Conga Analog M Long ****
1
Conga Analog L Long ****
1
Timbale H V *** 1
Timbale L V *** 1
Agogo H V *** 1
Agogo L V *** 1
Maracas 2 *** 1
Samba Whistle H V *** 1
Samba Whistle L V *** 1
Scratch H 2 *** 1
Scratch L 3 *** 1
Note#
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
Key
Off
O
O
O
O
O
O
Note
C# -1
D-1
D# -1
E-1
F-1
F# -1
G-1
G# -1
A-1
A# -1
B-1
C0
C# 0
D0
D# 0
E0
F0
F# 0
G0
G# 0
A0
A# 0
B0
C1
C# 1
D1
D# 1
E1
F1
F# 1
G1
G# 1
A1
A# 1
B1
C2
C# 2
D2
D# 2
E2
F2
F# 2
G2
G# 2
A2
A# 2
B2
C3
C# 3
D3
D# 3
E3
F3
F# 3
G3
G# 3
A3
A# 3
B3
C4
C# 4
D4
D# 4
E4
F4
F# 4
G4
G# 4
A4
A# 4
B4
C5
C# 5
D5
D# 5
E5
F5
F# 5
G5
Alternate
Group
3
3
4
4
1
1
1
2
2
127
0
30
Jungle Kit ***
E
Surdo Mute V *** 1
Surdo Open V *** 1
Brush Tap V *** 1
Brush Swirl V *** 1
Brush Slap V *** 1
Brush Tap Swirl V *** 1
Snare Roll V *** 1
Rim Gate 2 *** 1
Kick Cough *** 1
Rim Gate 3 *** 1
Kick Zap *** 1
Kick Dawn *** 1
Side Stick Dry *** 1
Snare Tin *** 1
Snare Can *** 1
Floor Tom L Short *** 1
Hi-Hat Closed 2 Soft *** 1
Floor Tom H Short *** 1
Hi-Hat Pedal 2 Soft *** 1
Low Tom Short *** 1
Hi-Hat Open 2 Soft *** 1
Mid Tom L Short *** 1
Mid Tom H Short *** 1
Crash Cymbal 1 V *** 1
High Tom Short *** 1
Ride Cymbal 1 V *** 1
Chinese Cymbal V *** 1
Splash Cymbal V *** 1
Crash Cymbal 2 V *** 1
Ride Cymbal 2 V *** 1
Bongo H V *** 1
Bongo L V *** 1
Conga H Mute V *** 1
Conga H Open V *** 1
Conga L V *** 1
Timbale H V *** 1
Timbale L V *** 1
Agogo H V *** 1
Agogo L V *** 1
Samba Whistle H V *** 1
Samba Whistle L V *** 1
Cuica Mute V *** 1
Cuica Open V *** 1
127
0
66
Amber Kit ****
E
Surdo Mute V *** 1
Surdo Open V *** 1
Brush Tap V *** 1
Brush Swirl V *** 1
Brush Slap V *** 1
Brush Tap Swirl L *** 1
Snare Roll V *** 1
Open Rim Shot 3 Soft ****
1
Sticks Q **** 1
KickDrySoft3 **** 1
Open Rim Shot Dry **** 1
Kick Comp 1 L**** 1
Kick Comp 1 H**** 1
Side Stick Dry L **** 1
Snare Dry Mute L **** 1
Hand Clap Dark **** 1
Hip Snare Long **** 1
Floor Tom Tech L **** 1
Hi-Hat Closed Tech **** 1
Floor Tom Tech H **** 1
Hi-Hat Pedal Tech **** 1
Low Tom Tech **** 1
Hi-Hat Open 3 Dark **** 1
Mid Tom Tech L **** 1
Mid Tom Tech H **** 1
Crash Cymbal Dark **** 1
High Tom Tech **** 1
Ride Cymbal 1 Dark **** 1
Chinese Cymbal H2 **** 1
Ride Cymbal Cup Dark ****
1
Tambourine Dark **** 1
Splash Cymbal L Q **** 1
Cowbell Lo-Fi **** 1
Crash Cymbal 2 Q **** 1
Ride Cymbal 2 V *** 1
Bongo H V *** 1
Bongo L V *** 1
Conga H Mute V *** 1
Conga H Open V *** 1
Conga L 2 **** 1
Timbale H V *** 1
Timbale L V *** 1
Agogo H V *** 1
Agogo L V *** 1
Maracas Q **** 1
Samba Whistle H V *** 1
Samba Whistle L V *** 1
Cuica Open H *** 1
Drum and percussion sounds assigned to the same Alternate Group number cannot be sounded simultaneously.
For example, the Hi-Hat Closed sound (group 1) and the Hi-Hat Open sound (also group 1) cannot be sounded at the same time.
DataList-E.qx 8/4/98 4:00 PM Page 40
XG Drum Map (Drum voices)
41
Bank Select MSB
Bank Select LSB
Program#
127
0
127
Standard Kit
MU100 Native****
E
Castanet# 1
Snare Soft# 1
Open Rim Shot# 1
Side Stick# 1
Snare# 1
Snare Tight# 1
Hi-Hat Closed# 1
Hi-Hat Pedal# 1
Hi-Hat Open# 1
Crash Cymbal 1# 1
Ride Cymbal 1# 1
Chinese Cymbal# 1
Ride Cymbal Cup# 1
Cowbell# 1
Crash Cymbal 2# 1
Ride Cymbal 2# 1
Conga H Mute# 1
Conga H Open# 1
Conga L# 1
127
0
128
Standard Kit
MU Basic****
E
Note#
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
Key
Off
O
O
O
O
O
O
Note
C# -1
D-1
D# -1
E-1
F-1
F# -1
G-1
G# -1
A-1
A# -1
B-1
C0
C# 0
D0
D# 0
E0
F0
F# 0
G0
G# 0
A0
A# 0
B0
C1
C# 1
D1
D# 1
E1
F1
F# 1
G1
G# 1
A1
A# 1
B1
C2
C# 2
D2
D# 2
E2
F2
F# 2
G2
G# 2
A2
A# 2
B2
C3
C# 3
D3
D# 3
E3
F3
F# 3
G3
G# 3
A3
A# 3
B3
C4
C# 4
D4
D# 4
E4
F4
F# 4
G4
G# 4
A4
A# 4
B4
C5
C# 5
D5
D# 5
E5
F5
F# 5
G5
Alternate
Group
3
3
4
4
1
1
1
2
2
127
0
67
Coffin Kit ****
E
Surdo Mute V *** 1
Surdo Open V *** 1
Brush Tap V *** 1
Brush Swirl V *** 1
Brush Slap V *** 1
Brush Tap Swirl L *** 1
Snare Roll V *** 1
Rim Gate 4 **** 1
Sticks Q **** 1
Kick Cough L **** 1
Rim Gate 5 **** 1
Kick Comp 2 L **** 1
Kick Comp 2 H **** 1
Side Stick Dry L **** 1
Snare Tin L **** 1
Hand Clap Dark **** 1
Snare Can L **** 1
Floor Tom Tech L **** 1
Hi-Hat Closed Tech **** 1
Floor Tom Tech H **** 1
Hi-Hat Pedal Tech **** 1
Low Tom Tech **** 1
Hi-Hat Open 3 Dark **** 1
Mid Tom Tech L **** 1
Mid Tom Tech H **** 1
Crash Cymbal Dark 2 ****
1
High Tom Tech **** 1
Ride Cymbal Hard 2 **** 1
Chinese Cymbal Q **** 1
Ride Cymbal Cup 5 **** 1
Tambourine Dark **** 1
Tech Splash Cymbal **** 1
Cowbell Lo-Fi **** 1
Crash Cymbal 2 Q **** 1
Ride Cymbal 5 **** 1
Bongo H V *** 1
Bongo L V *** 1
Conga H Mute V *** 1
Conga H Open V *** 1
Conga L 2 **** 1
Timbale H V *** 1
Timbale L V *** 1
Agogo H V *** 1
Agogo L V *** 1
Maracas Q **** 1
Samba Whistle H V *** 1
Samba Whistle L V *** 1
Cuica Open H *** 1
127
0
1
Standard Kit
E
Surdo Mute 1
Surdo Open 1
Hi Q 1
Whip Slap 1
Scratch H 1
Scratch L 1
Finger Snap 1
Click Noise 1
Metronome Click 1
Metronome Bell 1
Seq Click L 1
Seq Click H 1
Brush Tap 1
Brush Swirl 1
Brush Slap 1
Brush Tap Swirl 1
Snare Roll 1
Castanet 1
Snare Soft 1
Sticks 1
Kick Soft 1
Open Rim Shot 1
Kick Tight 1
Kick 1
Side Stick 1
Snare 1
Hand Clap 1
Snare Tight 1
Floor Tom L 1
Hi-Hat Closed 1
Floor Tom H 1
Hi-Hat Pedal 1
Low Tom 1
Hi-Hat Open 1
Mid Tom L 1
Mid Tom H 1
Crash Cymbal 1 1
High Tom 1
Ride Cymbal 1 1
Chinese Cymbal 1
Ride Cymbal Cup 1
Tambourine 1
Splash Cymbal 1
Cowbell 1
Crash Cymbal 2 1
Vibraslap 1
Ride Cymbal 2 1
Bongo H 1
Bongo L 1
Conga H Mute 1
Conga H Open 1
Conga L 1
Timbale H 1
Timbale L 1
Agogo H 1
Agogo L 1
Cabasa 1
Maracas 1
Samba Whistle H 1
Samba Whistle L 1
Guiro Short 1
Guiro Long 1
Claves 1
Wood Block H 1
Wood Block L 1
Cuica Mute 1
Cuica Open 1
Triangle Mute 1
Triangle Open 1
Shaker 1
Jingle Bells 1
Bell Tree 1
: Same as Standard Kit
****: MU800 Extension
****: MU900 Extension
****: MU100 Extension
E: Number of elements
: No sound
Drum and percussion sounds assigned to the same Alternate Group number cannot be sounded simultaneously.
For example, the Hi-Hat Closed sound (group 1) and the Hi-Hat Open sound (also group 1) cannot be sounded at the same time.
DataList-E.qx 8/4/98 4:00 PM Page 41
XG Drum Map (Drum voices)
42
Bank Select MSB
Bank Select LSB
Program#
126
0
1
SFX Kit 1
E
Insects **** 2
Bacteria **** 2
Cutting Noise 1
Cutting Noise 2 2
Distorted Cutting Noise **
2
String Slap 1
Bass Slide ** 2
Pick Scrape ** 1
Flute Key Click 1
Shower 2
Thunder 1
Wind 1
Stream 2
Bubble 2
Feed ** 2
Cave **** 2
Dog 1
Horse 1
Bird Tweet 2 1
Kitty ** 1
Growl ** 1
Haunted ** 2
Ghost 2
Maou ** 2
126
0
2
SFX Kit 2
E
Phone Call ** 1
Door Squeak 1
Door Slam 1
Scratch Cut 1
Scratch H 3 2
Wind Chime 1
Telephone Ring 2 1
Car Engine Ignition 1
Car Tires Squeal 1
Car Passing 1
Car Crash 1
Siren 2
Train 1
Jet Plane 2
Starship 2
Burst 2
Roller Coaster 2
Submarine 2
Connectivity **** 2
Mystery **** 2
Laugh 1
Scream 1
Punch 1
Heart Beat 1
Foot Steps 1
Applause 2 ** 1
Machine Gun 1
Laser Gun 2
Explosion 2
Firework 2
Fireball **** 2
126
0
17
Techno Kit K/S ****
E
Heavy Techno Kick 1 ****
1
Heavy Techno Kick 2 ****
1
Psychedelic Kick **** 1
Gate Tekno Kick **** 1
Rap Kick **** 1
Heavy Techno Kick 3 ****
1
Heavy Techno Kick 4 ****
1
Future Kick **** 1
Asian Kick **** 1
Imbalance Kick **** 1
Justice Kick **** 1
Minimal Kick **** 1
Radio Snare **** 1
Cold Dry Snare 1 **** 1
Slap Snare **** 1
Cold Dry Snare 2 **** 1
Cold Dry Snare 3 **** 1
Lo-Fi Metal Snare **** 1
Hi Pitch Slap H **** 1
Hi Pitch Slap L **** 1
126
0
18
Techno Kit Hi ****
E
Hyper Tom H 1 **** 1
Asian Tom H **** 1
Lo-Fi Tom H **** 1
Hyper Tom H 2 **** 1
Flanged Tom H **** 1
Minimal Tom H **** 1
Vox Drum H **** 1
Android Walk 1 H **** 1
Android Walk 2 H **** 1
Electro Blip H **** 1
Wood Percussions H ****
1
Wood Door Open H **** 1
Reso Noise Burst H **** 1
LFO Metal Attack H **** 1
Steel Conga H **** 1
Rate Down Snare H **** 1
Pop Ambient H **** 1
Tunnel Ambient H **** 1
Vibraslap H **** 1
Gun Shot Slap H **** 1
Punch Snare H **** 1
Bomb Snare H **** 1
Space Tambourine H ****
1
Ambient Cow Bell H **** 1
Chink Hat H **** 1
Coal Mine 1 H **** 1
Coal Mine 2 H **** 1
Hammer Hit 1 H **** 1
Hammer Hit 2 H **** 1
Hammer Hit 3 H **** 1
Insensible Hah H **** 1
Robot 1 H **** 1
Insensible Fuh H **** 1
Robot 2 H **** 1
Rude Loop Cymbal H ****
1
Noise Burst H **** 1
Fizzer H **** 1
Lo-Fi Shaker H **** 1
Temple Gong H **** 1
126
0
19
Techno Kit Lo ****
E
Hyper Tom L 1 **** 1
Asian Tom L **** 1
Lo-Fi Tom L **** 1
Hyper Tom L 2 **** 1
Flanged Tom L **** 1
Minimal Tom L **** 1
Vox Drum L **** 1
Android Walk 1 L **** 1
Android Walk 2 L **** 1
Electro Blip L **** 1
Wood Percussions L **** 1
Wood Door Open L **** 1
Reso Noise Burst L **** 1
LFO Metal Attack L **** 1
Steel Conga L **** 1
Rate Down Snare L **** 1
Pop Ambient L **** 1
Tunnel Ambient L **** 1
Vibraslap L **** 1
Gun Shot Slap L **** 1
Punch Snare L **** 1
Bomb Snare L **** 1
Space Tambourine L **** 1
Ambient Cow Bell L **** 1
Chink Hat L **** 1
Coal Mine 1 L **** 1
Coal Mine 2 L **** 1
Hammer Hit 1 L **** 1
Hammer Hit 2 L **** 1
Hammer Hit 3 L **** 1
Insensible Hah L **** 1
Robot 1 L **** 1
Insensible Fuh L **** 1
Robot 2 L **** 1
Rude Loop Cymbal L ****
1
Noise Burst L **** 1
Fizzer L **** 1
Lo-Fi Shaker L **** 1
Temple Gong L **** 1
126
0
33
Sakura Kit ****
E
Dora **** 1
Tsuzumi Pon **** 1
Tsuzumi Pu **** 1
Tsuzumi Ta **** 1
Tsuzumi Chon **** 1
Tsuzumi Tsu **** 1
Shimetaiko Ten **** 1
Shimetaiko Tsu **** 1
Yagura Open **** 1
Ohdaiko Rim **** 1
Oriental Tambourine **** 1
Oriental Drum 1 **** 1
Oriental Drum 2 **** 1
Oriental Drum 3 **** 1
Oriental Rim 1 **** 1
Oriental Rim 2 **** 1
Oriental Rim 3 **** 1
Oriental Rim 4 **** 1
Oriental Metal Rim 1 **** 1
Oriental Metal Rim 2 **** 1
Oriental Metal Rim 3 **** 1
Oriental Metal Rim 4 **** 1
Oriental Metal Rim 5 **** 1
126
0
34
Small Latin Kit ****
E
Latin Cymbal Short **** 1
Claves SL 1 **** 1
Claves SL 2 **** 1
Claves SL 3 **** 1
Claves SL 4 **** 1
Claves SL 5 **** 1
Muted Percussion SL 1 ****
1
Muted Percussion SL 2 ****
1
Muted Percussion SL 3 ****
1
Muted Percussion SL 4 ****
1
Pandiero **** 1
Surdo Mute SL 1 **** 1
Surdo Mute SL 2 **** 1
Surdo Open SL **** 1
Surdo Rim SL **** 1
Tamborim Mute **** 1
Tamborim Open **** 1
TimbaleL Drum **** 1
TimbaleH Drum **** 1
TimbaleL Rim **** 1
TimbaleH Rim **** 1
Timbale Paila 1 **** 1
Timbale Paila 2 **** 1
Note#
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
Key
Off
O
O
O
O
O
O
Note
C# -1
D-1
D# -1
E-1
F-1
F# -1
G-1
G# -1
A-1
A# -1
B-1
C0
C# 0
D0
D# 0
E0
F0
F# 0
G0
G# 0
A0
A# 0
B0
C1
C# 1
D1
D# 1
E1
F1
F# 1
G1
G# 1
A1
A# 1
B1
C2
C# 2
D2
D# 2
E2
F2
F# 2
G2
G# 2
A2
A# 2
B2
C3
C# 3
D3
D# 3
E3
F3
F# 3
G3
G# 3
A3
A# 3
B3
C4
C# 4
D4
D# 4
E4
F4
F# 4
G4
G# 4
A4
A# 4
B4
C5
C# 5
D5
D# 5
E5
F5
F# 5
G5
Alternate
Group
3
3
4
4
1
1
1
2
2
Drum and percussion sounds assigned to the same Alternate Group number cannot be sounded simultaneously.
For example, the Hi-Hat Closed sound (group 1) and the Hi-Hat Open sound (also group 1) cannot be sounded at the same time.
DataList-E.qx 8/4/98 4:00 PM Page 42
TG300B Drum Map (Drum voices)
43
Note#
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
Note
C# 0
D 0
D# 0
E 0
F 0
F# 0
G 0
G# 0
A 0
A# 0
B 0
C 1
C# 1
D 1
D# 1
E 1
F 1
F# 1
G 1
G# 1
A 1
A# 1
B 1
C 2
C# 2
D 2
D# 2
E 2
F 2
F# 2
G 2
G# 2
A 2
A# 2
B 2
C 3
C# 3
D 3
D# 3
E 3
F 3
F# 3
G 3
G# 3
A 3
A# 3
B 3
C 4
C# 4
D 4
D# 4
E 4
F 4
F# 4
G 4
G# 4
A 4
A# 4
B 4
C 5
C# 5
D 5
D# 5
E 5
F 5
F# 5
G 5
G# 5
A 5
A# 5
B 5
C 6
C# 6
D 6
D# 6
E 6
F 6
F# 6
G 6
G# 6
A 6
A# 6
B 6
C 7
Alternate
assign
7
7
1
1
1
2
2
3
3
4
4
5
5
6
6
Standard Kit
Snare Roll TG
Finger Snap TG
Hi Q TG
Whip Slap TG
Scratch H TG
Scratch L TG
Sticks TG
Click Noise TG
Metronome Click TG
Metronome Bell TG
Kick Tight
Kick
Side Stick
Snare
Hand Clap
Snare Tight
Floor Tom L
Hi-Hat Closed
Floor Tom H
Hi-Hat Pedal
Low Tom
Hi-Hat Open
Mid Tom L
Mid Tom H
Crash Cymbal 1
High Tom
Ride Cymbal 1
Chinese Cymbal
Ride Cymbal Cup
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
Samba Whistle H TG
Samba Whistle L TG
Guiro Short TG
Guiro Long TG
Claves
Wood Block H
Wood Block L
Cuica Mute TG
Cuica Open TG
Triangle Mute TG
Triangle Open TG
Shaker
Jingle Bells
Bell Tree
Castanet TG
Surdo Mute TG
Surdo Open TG
Brush Kit
Kick Tight Jazz TG
Kick Small
Brush Tap TG
Brush Slap TG
Brush Swirl TG
Tom Jazz 1
Tom Jazz 2
Tom Jazz 3
Tom Jazz 4
Tom Jazz 5
Tom Jazz 6
Jazz Kit
Kick Tight Jazz TG
Kick Jazz
Tom Jazz 1
Tom Jazz 2
Tom Jazz 3
Tom Jazz 4
Tom Jazz 5
Tom Jazz 6
Analog Kit
Kick Analog
Side Stick Analog
Snare Analog
Tom Analog 1
Hi-Hat Closed Analog
Tom Analog 2
Hi-Hat Closed Analog 2
Tom Analog 3
Hi-Hat Open Analog
Tom Analog 4
Tom Analog 5
Crash Analog
Tom Analog 6
Cowbell Analog
Conga Analog H
Conga Analog M
Conga Analog L
Maracas 2
Claves 2
Electro Kit
Kick Electro TG
Snare Electro TG
Snare Power 2
Tom Electro 1
Tom Electro 2
Tom Electro 3
Tom Electro 4
Tom Electro 5
Tom Electro 6
Reverse Cymbal TG
E
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
E
1
1
1
1
1
1
1
Room Kit
Kick Room
Tom Room 1
Tom Room 2
Tom Room 3
Tom Room 4
Tom Room 5
Tom Room 6
Power Kit
Kick Power
Snare Power
Tom Room 1
Tom Room 2
Tom Room 3
Tom Room 4
Tom Room 5
Tom Room 6
E
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
1
2
1
2
1
1
2
2
1
1
2
2
1
1
2
2
2
E
1
1
1
1
1
1
1
1
2
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
1
2
1
1
2
2
1
1
2
2
1
1
2
2
2
E
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
E
1
1
1
1
1
1
1
1
1
1
1
E
1
1
1
1
1
1
1
1
E
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
E
1
1
1
1
1
1
1
1
1
1
E
1
1
1
1
1
1
1
1
SFX Set
Hi Q TG
Whip Slap TG
Scratch H TG
Scratch L TG
Sticks TG
Click Noise TG
Metronome Click TG
Metronome Bell TG
Guitar Fret Noise
Cutting Noise H
Cutting Noise L
String Slap
Flute Key Click
Laugh
Scream
Punch
Heartbeat
Footsteps
Footsteps
Applause
Door Squeak
Door Slam
Scratch Cut
Wind Chime
Ignition
Squeal
Exhaust
Crash
Siren
Train
Jet Plane
Helicopter
Starship
Gunshot
Machine Gun
Laser Gun
Explosion
Dog
Horse
Bird Tweet
Shower
Thunder
Wind
Seashore
Stream
Bubble
Orchestra Kit
Hi-Hat Closed Orchestra
Hi-Hat Pedal Orchestra
Hi-Hat Open Orchestra
Ride Cymbal 1 Orchestra
Kick Orchestra
Gran Cassa Orchestra
Band Snare TG
Castanet TG 2
Band Snare TG
Timpani F
Timpani F#
Timpani G
Timpani G#
Timpani A
Timpani A#
Timpani B
Timpani C
Timpani C#
Timpani D
Timpani D#
Timpani E
Timpani F'
Hand Cymbal H TG
Hand Cymbal L TG
Applause
C/M Kit
Kick Tight CM
Kick CM
Side Stick CM
Snare CM
Hand Clap CM
Snare Electro CM
Floor Tom L CM
Hi-Hat Closed CM
Floor Tom H CM
Hi-Hat Open Short CM
Low Tom CM
Hi-Hat Open CM
Mid Tom L CM
Mid Tom H CM
Crash Cymbal CM
High Tom CM
Ride Cymbal CM
Tambourine CM
Cowbell CM
Bongo H CM
Bongo L CM
Conga H Mute CM
Conga H Open CM
Conga L CM
Timbale H CM
Timbale L CM
Agogo H CM
Agogo L CM
Cabasa CM
Maracas CM
Samba Whistle H TG CM
Samba Whistle L TG CM
Vibraslap CM
Claves CM
Laugh
Scream
Punch
Heartbeat
Footsteps
Footsteps
Applause
Door Squeak
Door Slam
Scratch Cut
Wind Chime
Ignition
Squeal
Exhaust
Crash
Siren
Train
Jet Plane
Helicopter
Starship
Gunshot
Machine Gun
Laser Gun
Explosion
Dog
Horse
Bird Tweet
Shower
Thunder
Wind
Seashore
Stream
Bubble
Program# 1 9 17 25 26 33
41
49 57 128
: Same as Standard Kit : No sound
Drum and percussion sounds assigned to the same Alternate Assign numbered group cannot be sounded simultaneously.
For example, the Hi-Hat Closed sound (group 1) and the Hi-Hat Open sound (also group 1) cannot be sounded at the same time.
DataList-E.qx 8/4/98 4:00 PM Page 43
A/D Input Preset List
44
Preset Name
input gain
var type
Preset Name
input gain
var type
Preset Name
input gain
var type
Preset Name
input gain
var type
Preset Name
input gain
var type
Preset Name
input gain
var type
BANK
0
1
2
3
18
19
Source
MIC
GUITAR
(Note 1)
KEYBOARD
AUDIO
(Note 2)
STEREO
KEYBOARD
(Note 3)
STEREO
AUDIO
(Note 3)
A/D1
A/D2
PGM CNG# = 0
Off
mic
-
Off
mic
-
Off
line
-
Off
line
-
Off
line
-
Off
line
-
1
Mic
mic
-
Guitar
mic
-
Keyboard
line
-
Audio
line
-
Keyboard
line
-
Audio
line
-
2
Reverb
mic
-
Reverb
mic
-
Reverb
line
-
Reverb
line
-
Reverb
line
-
Reverb
line
-
3
Chorus
mic
-
Chorus
mic
-
Chorus
line
-
Chorus
line
-
Chorus
line
-
Chorus
line
-
4
Chorus+Reverb
mic
-
Chorus+Reverb
mic
-
Chorus+Reverb
line
-
Chorus+Reverb
line
-
Chorus+Reverb
line
-
Chorus+Reverb
line
-
5
Karaoke1
mic
Karaoke1
Tube
mic
Amp Sim.
Phaser EP
line
Phaser
Phaser EP
line
Phaser
6
Karaoke2
mic
Karaoke2
Stack
mic
Amp Sim.
Pan EP
line
Auto Pan
Pan EP
line
Auto Pan
7
Karaoke3
mic
Karaoke3
Flang Gtr
mic
Flanger
Wah Clavi
line
Touch Wah
Wah Clavi
line
Touch Wah
8
Echo
mic
Echo
Clean Gtr
mic
Celeste
Rotary Orgn
line
Rotary Speaker
Rotary Orgn
line
Rotary Speaker
9
Vocal
mic
Stage1
Funk Gtr
mic
Touch Wah
Synth Str
line
Symphonic
Synth Str
line
Symphonic
10
Studio
mic
Exciter
Tremolo
mic
Tremolo
Synth Pad
line
Flanger2
Synth Pad
line
Flanger2
11
Oct Up
mic
Pitch Change
Phaser
mic
Phaser
Synth Lead
line
Delay LCR
Synth Lead
line
Delay LCR
12
Oct Down
mic
Pitch Change
5th Guitar
mic
Pitch Change
SFX
line
Pitch Change
SFX
line
Pitch Change
(Note 1)
Depending on the guitar, the input may be distorted. Adjust the input level from your software or guitar.
(Note 2)
AUDIO sets PAN to Lch for A/D1 and Rch for A/D2.
(Note 3)
The Stereo setting can be selected only for A/D1.
The A/D1 and A/D2 inputs will be handled as the Lch and Rch respectively of a stereo signal.
DataList-E.qx 8/4/98 4:00 PM Page 44
Effect Type List
n The letter “H” shown to the right of each Effect Type’s MSB/LSB value means that the value is hexadecimal.
REVERB
CHORUS
45
No.
0
1
2
3
4
5
6
7
8
9
10
11
12
MSB
00H
01H
01H
02H
02H
02H
03H
03H
04H
10H
11H
12H
13H
LSB
00H
00H
01H
00H
01H
02H
00H
01H
00H
00H
00H
00H
00H
Effect Type
NO EFFECT
HALL 1
HALL 2
ROOM 1
ROOM 2
ROOM 3
STAGE 1
STAGE 2
PLATE
WHITE ROOM
TUNNEL
CANYON
BASEMENT
Remarks
Turn off the effect.
Reverb simulating the acoustics of a hall.
Reverb simulating the acoustics of a room.
Reverb appropriate for a solo instrument.
Reverb simulating a metal plate reverb device.
Unique short reverb with a slight initial delay.
Simulation of a cylindrical space extending to left and right.
A hypothetical acoustic space which extends without limit.
Reverb with distinctive resonance following a slight initial delay.
No.
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
MSB
00H
41H
41H
41H
41H
42H
42H
42H
42H
43H
43H
43H
44H
57H
48H
LSB
00H
00H
01H
02H
08H
00H
01H
02H
08H
00H
01H
08H
00H
00H
00H
Effect Type
NO EFFECT
CHORUS 1
CHORUS 2
CHORUS 3
CHORUS 4
CELESTE 1
CELESTE 2
CELESTE 3
CELESTE 4
FLANGER 1
FLANGER 2
FLANGER 3
SYMPHONIC
ENSEMBLE DETUNE
PHASER 1
Remarks
Turn off the effect.
A standard chorus effect, adding natural spaciousness to the sound.
An effect which uses a 3-phase LFO to add modulation and spaciousness to the sound.
An effect reminiscent of a jet airplane taking off and landing.
A multi-stage version of CELESTE modulation.
Chorus effect without modulation, created by adding a slightly pitch-shifted sound.
Cyclically changes the phase to modulate the sound.
DataList-E.qx 8/4/98 4:00 PM Page 45
VARIATION
46
No.
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
MSB
00H
01H
01H
02H
02H
02H
03H
03H
04H
10H
11H
12H
13H
05H
06H
07H
08H
09H
09H
0AH
0BH
14H
14H
14H
41H
41H
41H
41H
42H
42H
42H
42H
43H
43H
43H
44H
57H
58H
45H
56H
46H
47H
48H
48H
49H
49H
4AH
4BH
4CH
4DH
4EH
4EH
4EH
52H
52H
52H
52H
50H
50H
51H
53H
54H
55H
5DH
5EH
5FH
5FH
60H
60H
61H
61H
40H
LSB
00H
00H
01H
00H
01H
02H
00H
01H
00H
00H
00H
00H
00H
00H
00H
00H
00H
00H
01H
00H
00H
00H
01H
02H
00H
01H
02H
08H
00H
01H
02H
08H
00H
01H
08H
00H
00H
00H
00H
00H
00H
00H
00H
08H
00H
01H
00H
00H
00H
00H
00H
01H
02H
00H
01H
02H
08H
00H
01H
00H
00H
00H
00H
00H
00H
00H
01H
00H
01H
00H
01H
00H
Effect Type
NO EFFECT
HALL 1
HALL 2
ROOM 1
ROOM 2
ROOM 3
STAGE 1
STAGE 2
PLATE
WHITE ROOM
TUNNEL
CANYON
BASEMENT
DELAY L,C,R
DELAY L,R
ECHO
CROSS DELAY
ER 1
ER 2
GATE REVERB
REVERSE GATE
KARAOKE 1
KARAOKE 2
KARAOKE 3
CHORUS 1
CHORUS 2
CHORUS 3
CHORUS 4
CELESTE 1
CELESTE 2
CELESTE 3
CELESTE 4
FLANGER 1
FLANGER 2
FLANGER 3
SYMPHONIC
ENSEMBLE DETUNE
AMBIENCE
ROTARY SPEAKER
2WAY ROTARY SPEAKER
TREMOLO
AUTO PAN
PHASER 1
PHASER 2
DISTORTION
COMP+DISTORTION
OVER DRIVE
AMP SIMULATOR
3BAND EQ(MONO)
2BAND EQ(STEREO)
AUTO WAH(LFO)
AUTO WAH+DIST
AUTO WAH+ODRV
TOUCH WAH 1
TOUCH WAH 2
TOUCH WAH+DIST
TOUCH WAH+ODRV
PITCH CHANGE 1
PITCH CHANGE 2
HARMONIC ENHANCER
COMPRESSOR
NOISE GATE
VOICE CANCEL
TALKING MODULATOR
LO-FI
DIST+DELAY
OVERDRIVE+DELAY
COMP+DIST+DELAY
COMP+OVERDRIVE+DELAY
WAH+DIST+DELAY
WAH+OVERDRIVE+DELAY
THRU
Remarks
Turns off the effect.
Reverb simulating the acoustics of a hall.
Reverb simulating the acoustics of a room.
Reverb appropriate for a solo instrument.
Reverb simulating a metal plate reverb device.
Distinctive short reverb with a slight initial delay.
Simulation of a cylindrical space extending to left and right.
A hypothetical acoustic space which extends without limit.
Reverb with distinctive resonance following a slight initial delay.
Three delay sounds L, R and C (center).
Two delay sounds L and R, with two feedback delays.
Two delays L and R, with independent feedback delay for L and R.
This effect crosses the feedback of two delays.
This effect isolates only the early reflection components of the reverb.
Simulation of gated reverb.
Simulation of gated reverb played back in reverse.
Echo for karaoke.
Conventional chorus effect which gives natural spaciousness to the sound.
A three-phase LFO is used to give modulation and spaciousness to the sound.
An effect reminiscent of a jet airplane taking off and landing.
A multi-stage version of CELESTE modulation.
Chorus effect without modulation, created by adding a slightly pitch-shifted sound.
An effect which adds spatial breadth by blurring the location of the sound.
Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed.
Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed.
An effect which cyclically modulates the volume.
An effect which cyclically moves the sound between left/right and front/back.
Cyclically changes the phase to modulate the sound.
Adds distortion with an edge to the sound. Since a noise gate is included, this is suitable for use with A/D input as well.
Since a compressor is included in the first stage, distortion can be applied evenly, regardless of the input level.
Adds mild distortion to the sound. Since a noise gate is included, this is suitable for A/D input as well.
Simulation of a guitar amp. Since a noise gate is included, this is suitable for use with A/D input as well.
Mono EQ with equalization of LOW, MID and HIGH.
Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts.
Cyclically changes the center frequency of a wah filter. Can also be used with AC1 etc. as a pedal wah.
Applies DISTORTION to the output of AUTO WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah.
Applies OVERDRIVE to the output of AUTO WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah.
Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal way.
Applies DISTORTION to the output of TOUCH WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah.
Applies OVERDRIVE to the output of TOUCH WAH to distort the sound. Can also be used with AC1 etc. as a pedal wah.
Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah.
This effect changes the pitch of the input signal.
This effect adds new overtones to the input signal to make the sound stand out.
Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound.
Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc.
Attenuates the vocal part from sources such as CDs.
Adds a vowel sound to the input signal.
Degrades the audio quality of the input signal.
DISTORTION and DELAY are connected in series.
OVERDRIVE and DELAY are connected in series.
COMPRESSOR, DISTORTION and DELAY are connected in series.
COMPRESSOR, OVERDRIVE and DELAY are connected in series.
TOUCH WAH, DISTORTION and DELAY are connected in series.
TOUCH WAH, OVERDRIVE and DELAY are connected in series.
Bypass without applying an effect.
DataList-E.qx 8/4/98 4:00 PM Page 46
INSERTION1,2
47
No.
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
MSB
40H
01H
01H
02H
02H
02H
03H
03H
04H
05H
06H
07H
08H
14H
14H
14H
41H
41H
41H
41H
42H
42H
42H
42H
43H
43H
43H
44H
57H
45H
46H
47H
48H
49H
4AH
4BH
4CH
4DH
4EH
52H
52H
51H
53H
54H
LSB
00H
00H
01H
00H
01H
02H
00H
01H
00H
00H
00H
00H
00H
00H
01H
02H
00H
01H
02H
08H
00H
01H
02H
08H
00H
01H
08H
00H
00H
00H
00H
00H
00H
00H
00H
00H
00H
00H
00H
00H
08H
00H
00H
00H
Effect Type
THRU
HALL 1
HALL 2
ROOM 1
ROOM 2
ROOM 3
STAGE 1
STAGE 2
PLATE
DELAY L,C,R
DELAY L,R
ECHO
CROSS DELAY
KARAOKE 1
KARAOKE 2
KARAOKE 3
CHORUS 1
CHORUS 2
CHORUS 3
CHORUS 4
CELESTE 1
CELESTE 2
CELESTE 3
CELESTE 4
FLANGER 1
FLANGER 2
FLANGER 3
SYMPHONIC
ENSEMBLE DETUNE
ROTARY SPEAKER
TREMOLO
AUTO PAN
PHASER 1
DISTORTION
OVER DRIVE
AMP SIMULATOR
3BAND EQ(MONO)
2BAND EQ(STEREO)
AUTO WAH(LFO)
TOUCH WAH 1
TOUCH WAH 2
HARMONIC ENHANCER
COMPRESSOR
NOISE GATE
Remarks
Bypass without applying an effect.
Reverb simulating the acoustics of a hall.
Reverb simulating the acoustics of a room.
Reverb appropriate for a solo instrument.
Reverb simulating a metal plate reverb device.
Three delay sounds L, R and C (center).
Two delay sounds L and R, with two feedback delays.
Two delays L and R, with independent feedback delay for L and R.
This effect crosses the feedback of two delays.
Echo for karaoke.
Conventional chorus effect which gives natural spaciousness to the sound.
A three-phase LFO is used to give modulation and spaciousness to the sound.
An effect reminiscent of a jet airplane taking off and landing.
A multi-stage version of CELESTE modulation.
Chorus effect without modulation, created by adding a slightly pitch-shifted sound.
Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to control the rotation speed.
An effect which cyclically modulates the volume.
An effect which cyclically moves the sound between left/right and front/back.
Cyclically changes the phase to modulate the sound.
Adds distortion with an edge to the sound.
Adds mild distortion to the sound.
Simulation of a guitar amp.
Mono EQ with equalization of LOW, MID and HIGH.
Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts.
Cyclically changes the center frequency of a wah filter. Can also be used with AC1 etc. as a pedal wah.
Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah.
Changes the center frequency of a wah filter according to the input level. Can also be used with AC1 etc. as a pedal wah.
This effect adds new overtones to the input signal to make the sound stand out.
Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound.
Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc.
DataList-E.qx 8/4/98 4:00 PM Page 47
48
Effect MSB/LSB List
n “DEC” means Decimal and “HEX” means Hexadecimal.
REVERB TYPE
CHORUS TYPE
000 0 NO EFFECT
001 1 HALL 1 HALL 2
002 2 ROOM 1 ROOM 2 ROOM 3
003 3 STAGE 1 STAGE 2
004 4 PLATE
005 5 NO EFFECT
: : :
015 F NO EFFECT
016 10 WHITE ROOM
017 11 TUNNEL
018 12 CANYON
019 13 BASEMENT
020 14 NO EFFECT
: : :
127 7F NO EFFECT
TYPE MSB TYPE LSB
DEC HEX 00 01 02 ... 08
NO EFFECT
Same as basic effects (LSB = 00)
000 0 NO EFFECT
001 1 NO EFFECT
: : :
064 40 NO EFFECT
065 41 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4
066 42 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4
067 43 FLANGER 1 FLANGER 2 FLANGER 3
068 44 SYMPHONIC
069 45 NO EFFECT
: : :
071 47 NO EFFECT
072 48 PHASER 1
073 49 NO EFFECT
: : :
086 56 NO EFFECT
087 57 ENSEMBLE DETUNE
088 58 NO EFFECT
: : :
127 7F NO EFFECT
TYPE MSB TYPE LSB
DEC HEX 00 01 02 ... 08
NO EFFECT
Same as basic effects (LSB = 00)
DataList-E.qx 8/4/98 4:00 PM Page 48
49
VARIATION TYPE (MSB=0 - 63)
VARIATION TYPE (MSB=64 - 127)
000 0 NO EFFECT
001 1 HALL 1 HALL 2
002 2 ROOM 1 ROOM 2 ROOM 3
003 3 STAGE 1 STAGE 2
004 4 PLATE
005 5 DELAY L,C,R
006 6 DELAY L,R
007 7 ECHO
008 8 CROSS DELAY
009 9 ER 1 ER 2
010 A GATE REVERB
011 B REVERSE GATE
012 C NO EFFECT or THRU
: : :
015 F NO EFFECT or THRU
016 10 WHITE ROOM
017 11 TUNNEL
018 12 CANYON
019 13 BASEMENT
020 14 KARAOKE 1 KARAOKE 2 KARAOKE 3
021 15 NO EFFECT or THRU
: : :
063 3F NO EFFECT or THRU
TYPE MSB TYPE LSB
DEC HEX 00 01 02 ... 08
NO EFFECT (for SYS)or THRU (for INS)
Same as basic effects (LSB = 00)
064 40 THRU
065 41 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4
066 42 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4
067 43 FLANGER 1 FLANGER 2 FLANGER 3
068 44 SYMPHONIC
069 45 ROTARY SPEAKER
070 46 TREMOLO
071 47 AUTO PAN
072 48 PHASER 1 PHASER 2
073 49 DISTORTION COMP+DISTORTION
074 4A OVER DRIVE
075 4B AMP SIMULATOR
076 4C 3-BAND EQ
077 4D 2-BAND EQ
078 4E AUTO WAH(LFO) AUTO WAH+DIST AUTO WAH+OVERDRIVE
079 4F THRU
080 50 PITCH CHANGE1 PITCH CHANGE2
081 51 HARMONIC ENHANCER
082 52 TOUCH WAH 1 TOUCH WAH+DIST TOUCH WAH+OVERDRIVE TOUCH WAH 2
083 53 COMPRESSOR
084 54 NOISE GATE
085 55 VOICE CANCEL
086 56 2WAY ROTARY SPEAKER
087 57 ENSEMBLE DETUNE
088 58 AMBIENCE
089 59 THRU
: : :
092 5C THRU
093 5D
TALKING MODULATOR
094 5E LO-FI
095 5F DIST+DELAY
OVERDRIVE+DELAY
096 60
COMP+DIST+DELAY
COMP+OVERDRIVE+DELAY
097 61 WAH+DIST+DELAY
WAH+OVERDRIVE+DELAY
098 62 THRU
: : :
127 7F THRU
TYPE MSB TYPE LSB
DEC HEX 00 01 02 ... 08
THRU
Same as basic effects (LSB = 00)
DataList-E.qx 8/4/98 4:00 PM Page 49
50
INSERTION TYPE
000 0 THRU
001 1 HALL 1 HALL 2
002 2 ROOM 1 ROOM 2 ROOM 3
003 3 STAGE 1 STAGE 2
004 4 PLATE
005 5 DELAY L,C,R
006 6 DELAY L,R
007 7 ECHO
008 8 CROSS DELAY
009 9 THRU
: : :
019 13 THRU
020 14 KARAOKE 1 KARAOKE 2 KARAOKE 3
021 15 THRU
: : :
063 3F THRU
064 40 THRU
065 41 CHORUS 1 CHORUS 2 CHORUS 3 CHORUS 4
066 42 CELESTE 1 CELESTE 2 CELESTE 3 CELESTE 4
067 43 FLANGER 1 FLANGER 2 FLANGER 3
068 44 SYMPHONIC
069 45 ROTARY SPEAKER
070 46 TREMOLO
071 47 AUTO PAN
072 48 PHASER 1
073 49 DISTORTION
074 4A OVER DRIVE
075 4B AMP SIMULATOR
076 4C 3BAND EQ
077 4D 2-BAND EQ
078 4E AUTO WAH(LFO)
079 4F THRU
080 50 THRU
081 51 HARMONIC ENHANCER
082 52 TOUCH WAH 1 TOUCH WAH 2
083 53 COMPRESSOR
084 54 NOISE GATE
085 55 THRU
086 56 THRU
087 57 ENSEMBLE DETUNE
088 58 THRU
: : :
127 7F THRU
TYPE MSB TYPE LSB
DEC HEX 00 01 02 ... 08
THRU
Same as basic effects (LSB = 00)
DataList-E.qx 8/4/98 4:00 PM Page 50
HALL1, HALL2, ROOM1, ROOM2, ROOM3,
STAGE1, STAGE2, PLATE (Reverb, Variation,
Insertion1, 2 block)
WHITE ROOM, TUNNEL, CANYON, BASEMENT
(Reverb, Variation block)
Reverb Bock
Variation, Insertion block
L
R
L
R
REV
+
+
dry (L)
dry (R)
+
DELAY/ER
HPF LPF
L
R
L
R
DELAY/ER
REV
DELAY/ER
HPF LPF
HPF LPF
+
+
+
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Reverb Time
Diffusion
Initial Delay
HPF Cutoff
LPF Cutoff
Width
Heigt
Depth
Wall Vary
Dry/Wet
Rev Delay
Density
Er/Rev Balance
High Damp
Feedback Level
Display
0.3~30.0s
0~10
0.1~99.3ms
Thru~8.0kHz
1.0k~Thru
0.5~10.2m
0.5~20.2m
0.5~30.2m
0~30
D63>W ~ D=W ~ D<W63
0~63
0~4
E63>R ~ E=R ~ E<R63
0.1~1.0
-63~+63
See Table
table#4
table#5
table#3
table#3
table#11
table#11
table#11
table#5
ControlValue
0-69
0-10
0-63
0-52
34-60
0-37
0-73
0-104
0-30
1-127
0-63
0-4
1-127
1-10
1-127
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Reverb Time
Diffusion
Initial Delay
HPF Cutoff
LPF Cutoff
Dry/Wet
Rev Delay
Density
Er/Rev Balance
High Damp
Feedback Level
Display
0.3~30.0s
0~10
0.1~99.3ms
Thru~8.0kHz
1.0k~Thru
D63>W ~ D=W ~ D<W63
0~63
0~4 (reverb, variation block)
0~2 (insertion1,2 block)
E63>R ~ E=R ~ E<R63
0.1~1.0
-63~+63
See Table
table#4
table#5
table#3
table#3
table#5
ControlValue
0-69
0-10
0-63
0-52
34-60
1-127
0-63
0-4
0-2
1-127
1-10
1-127
51
Effect Parameter List
n Parameters marked with a ● in the "Control" column can be controlled from an AC1 (assignable controller 1) etc. However, this
is valid only for a Variation effect (when selected for Insertion) and for Insertion effects 1/2.
n Dry/Wet is valid only for a Variation effect (when selected for Insertion) and for Insertion effects 1/2.
n Abbreviations used in the effect block diagrams
LPF = Low Pass Filter
HPF = High Pass Filter
LSF = Low Shelving Filter
HSF = High Shelving Filter
PDF = Peak Dip Filter
EF = Envelope Follower
ER = Early Reflection
DataList-E.qx 8/4/98 4:00 PM Page 51
52
DELAY L, C, R (Variation, Insertion 1, 2 block)
DELAY L, R (Variation, Insertion 1, 2 block)
ECHO (Variation, Insertion 1, 2 block)
CROSS DELAY (Variation, Insertion 1, 2 block)
L
R
L
R
LSF HSF
DELAY
dry (L)
dry (R)
LSF HSF
DELAY
+
+
LPF
LPF
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
L->R Delay
R->L Delay
Feedback Level
Input Select
High Damp
Dry/Wet
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Display
0.1~743.0ms (variation block)
0.1~371.4ms (insertion1,2 block)
0.1~743.0ms (variation block)
0.1~371.4ms (insertion1,2 block)
-63~+63
L,R,L&R
0.1~1.0
D63>W ~ D=W ~ D<W63
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
See Table
table#3
table#3
ControlValue
1-7430
1-3714
1-7430
1-3714
1-127
0-2
1-10
1-127
4-40
52-76
28-58
52-76
L
R
L
R
LSF HSF
DELAY
dry (L)
dry (R)
LSF HSF
DELAY
LPF
+
+
LPF
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Lch Delay1
Lch Feedback Level
Rch Delay1
Rch Feedback Level
High Damp
Lch Delay2
Rch Delay2
Delay2 Level
Dry/Wet
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Display
0.1~743.0ms (variation block)
0.1~371.4ms (insertion1,2 block)
-63~+63
0.1~743.0ms (variation block)
0.1~371.4ms (insertion1,2 block)
-63~+63
0.1~1.0
0.1~743.0ms (variation block)
0.1~371.4ms (insertion1,2 block)
0.1~743.0ms (variation block)
0.1~371.4ms (insertion1,2 block)
0~127
D63>W ~ D=W ~ D<W63
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
See Table
table#3
table#3
ControlValue
1-7430
1-3714
1-127
1-7430
1-3714
1-127
1-10
1-7430
1-3714
1-7430
1-3714
0-127
1-127
4-40
52-76
28-58
52-76
L
R
L
R
LSF HSF
dry (L)
L
R
dry (R)
LSF HSF
+
DELAY
LPF
LPF
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Lch Delay
Rch Delay
Feedback Delay 1
Feedback Delay 2
Feedback Level
High Damp
Dry/Wet
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Display
0.1~1486.0ms (variation block)
0.1~742.9ms (insertion1,2 block)
0.1~1486.0ms (variation block)
0.1~742.9ms (insertion1,2 block)
0.1~1486.0ms (variation block)
0.1~742.9ms (insertion1,2 block)
0.1~1486.0ms (variation block)
0.1~742.9ms (insertion1,2 block)
-63~+63
0.1~1.0
D63>W ~ D=W ~ D<W63
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
See Table
table#3
table#3
ControlValue
1-14860
1-7429
1-14860
1-7429
1-14860
1-7429
1-14860
1-7429
1-127
1-10
1-127
4-40
52-76
28-58
52-76
L
R
L
R
LSF HSF
dry (L)
L
R
C
dry (R)
LSF HSF
+
DELAY
LPF
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Lch Delay
Rch Delay
Cch Delay
Feedback Delay
Feedback Level
Cch Level
High Damp
Dry/Wet
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Display
0.1~1486.0ms (variation block)
0.1~742.9ms (insertion1,2 block)
0.1~1486.0ms (variation block)
0.1~742.9ms (insertion1,2 block)
0.1~1486.0ms (variation block)
0.1~742.9ms (insertion1,2 block)
0.1~1486.0ms (variation block)
0.1~742.9ms (insertion1,2 block)
-63~+63
0~127
0.1~1.0
D63>W ~ D=W ~ D<W63
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
See Table
table#3
table#3
ControlValue
1-14860
1-7429
1-14860
1-7429
1-14860
1-7429
1-14860
1-7429
1-127
0-127
1-10
1-127
4-40
52-76
28-58
52-76
DataList-E.qx 8/4/98 4:00 PM Page 52
53
EARLY REF 1, EARLY REF 2 (Variation block)
GATE REVERB, REVERSE GATE (Variation block)
KARAOKE1, 2, 3 (Variation, Insertion 1, 2 block)
CHORUS 1,2,3,4 CELESTE 1,2,3,4
(Chorus, Variation, Insertion 1, 2 block)
Chorus Block: when input mode = "mono"
Chorus Block: when input mode = "stereo"
Variation, Insertion Block: when input mode = "mono"
Variation, Insertion Block: when input mode = "stereo"
L
R
L
R
LSF HSF
CHORUS
dry (L)
dry (R)
LSF HSF
CHORUS
L
R
L
R
LSF HSF
dry (L)
dry (R)
LSF HSF
+
CHORUS
L
R
L
R
CHORUS
LSF HSF
LSF HSF
CHORUS
L
R
L
R
CHORUS
+
LSF HSF
LSF HSF
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
LFO Frequency
LFO Depth
Feedback Level
Delay Offset
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
Input Mode
Display
0.00Hz~39.7Hz
0~127
-63~+63
0.0~50.0
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
100Hz~10.0kHz (variation block)
-12~+12dB (variation block)
1.0~12.0 (variation block)
mono/stereo
See Table
table#1
table#2
table#3
table#3
table#3
ControlValue
0-127
0-127
1-127
0-127
4-40
52-76
28-58
52-76
1-127
14-54
52-76
10-120
0-1
L
R
L
R
dry (L)
dry (R)
+
KARAOKE
HPF LPF
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Delay Time
Feedback Level
HPF Cutoff
LPF Cutoff
Dry/Wet
Display
0.1~400ms
-63~+63
Thru~8.0kHz
1.0k~Thru
D63>W ~ D=W ~ D<W63
See Table
table#7
table#3
table#3
ControlValue
0-127
1-127
0-52
34-60
1-127
L
R
L
R
dry (L)
dry (R)
+
ER
HPF LPF
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Type
Room Size
Diffusion
Initial Delay
Feedback Level
HPF Cutoff
LPF Cutoff
Dry/Wet
Liveness
Density
High Damp
Display
TypeA,TypeB
0.1~7.0
0~10
0.1~99.3ms
-63~+63
Thru~8.0kHz
1.0k~Thru
D63>W ~ D=W ~ D<W63
0~10
0~3
0.1~1.0
See Table
table#6
table#5
table#3
table#3
ControlValue
0-1
0-44
0-10
0-63
1-127
0-52
34-60
1-127
0-10
0-3
1-10
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Type
Room Size
Diffusion
Initial Delay
Feedback Level
HPF Cutoff
LPF Cutoff
Dry/Wet
Liveness
Density
High Damp
Display
S-H, L-H, Rdm, Rvs, Plt, Spr
0.1~7.0
0~10
0.1~99.3ms
-63~+63
Thru~8.0kHz
1.0k~Thru
D63>W ~ D=W ~ D<W63
0~10
0~3
0.1~1.0
See Table
table#6
table#5
table#3
table#3
ControlValue
0-5
0-44
0-10
0-63
1-127
0-52
34-60
1-127
0-10
0-3
1-10
DataList-E.qx 8/4/98 4:00 PM Page 53
54
FLANGER 1, 2, 3 (Chorus, Variation, Insertion 1,
2 block)
Chorus Block
Variation, Insertion Block
SYMPHONIC (Chorus, Variation, Insertion 1, 2
block)
Chorus Block
Variation, Insertion Block
ENSEMBLE DETUNE (Chorus, Variation, Insertion
1, 2 block)
Chorus Block
Variation, Insertion Block
AMBIENCE (Variation block)
See Table
table#2
table#3
table#3
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Delay Time
Output Phase
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
Display
0.0~50.0
normal/invers
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
ControlValue
0-127
0-1
4-40
52-76
28-58
52-76
1-127
L
R
L
R
LSF HSF
PITCH CHANGE
dry (L)
dry (R)
LSF HSF
PITCH CHANGE
L
R
L
R
PITCH CHANGE
PITCH CHANGE
See Table
table#2
table#2
table#3
table#3
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Detune
Lch Init Delay
Rch Init Delay
Dry/Wet
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Display
-50~+50cent
0.0~50.0
0.0~50.0
D63>W ~ D=W ~ D<W63
32Hz
~
2.0kHz (variation, insertion1,2 block)
-12
~
+12dB (variation, insertion1,2 block)
500Hz
~
16.0kHz (variation, insertion1,2 block)
-12
~
+12dB (variation, insertion1,2 block)
ControlValue
14-114
0-127
0-127
1-127
4-40
52-76
28-58
52-76
L
R
L
R
LSF HSF
dry (L)
dry (R)
LSF HSF
+
SYMPHONIC
L
R
L
R
+
LSF HSF
LSF HSF
SYMPHONIC
See Table
table#1
table#2
table#3
table#3
table#3
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
LFO Frequency
LFO Depth
Delay Offset
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
Display
0.00Hz~39.7Hz
0~127
0.0~50.0
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
100Hz~10.0kHz (variation block)
-12~+12dB (variation block)
1.0~12.0 (variation block)
ControlValue
0-127
0-127
0-127
4-40
52-76
28-58
52-76
1-127
14-54
52-76
10-120
L
R
L
R
LSF HSF
FLANGER
dry (L)
dry (R)
LSF HSF
FLANGER
L
R
L
R
FLANGER
FLANGER
LSF HSF
LSF HSF
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
LFO Frequency
LFO Depth
Feedback Level
Delay Offset
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
LFO Phase Difference
Display
0.00Hz~39.7Hz
0~127
-63~+63
0.0~50.0
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
100Hz~10.0kHz (variation block)
-12~+12dB (variation block)
1.0~12.0 (variation block)
-180~+180deg
ControlValue
0-127
0-127
1-127
0-127
4-40
52-76
28-58
52-76
1-127
14-54
52-76
10-120
4-124
See Table
table#1
table#2
table#3
table#3
table#3
resolution=3deg.
DataList-E.qx 8/4/98 4:00 PM Page 54
55
ROTARY SPEAKER (Variation, Insertion 1, 2
block)
2WAY ROTARY SPEAKER (Variation block)
TREMOLO (Variation, Insertion 1, 2 block)
When input mode="mono"
When input mode="stereo"
AUTO PAN (Variation, Insertion 1, 2 block)
L
R
L
R
+
LSF HSF
LSF HSF
AUTO PAN
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
LFO Frequency
L/R Depth
F/R Depth
PAN Direction
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
Display
0.00Hz~39.7Hz
0~127
0~127
L<->R,L->R,L<-R,Lturn,Rturn,L/R
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
100Hz~10.0kHz (variation block)
-12~+12dB (variation block)
1.0~12.0 (variation block)
ControlValue
0-127
0-127
0-127
0-5
4-40
52-76
28-58
52-76
14-54
52-76
10-120
See Table
table#1
table#3
table#3
table#3
L
R
L
R
TOREMOLO
LSF HSF
LSF HSF
TOREMOLO
L
R
L
R
+
LSF HSF
LSF HSF
TREMOLO
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
LFO Frequency
AM Depth
PM Depth
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
LFO Phase Difference
Input Mode
Display
0.00Hz~39.7Hz
0~127
0~127
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
100Hz~10.0kHz (variation block)
-12~+12dB (variation block)
1.0~12.0 (variation block)
-180~+180deg
mono/stereo
ControlValue
0-127
0-127
0-127
4-40
52-76
28-58
52-76
14-54
52-76
10-120
4-124
0-1
See Table
table#1
table#3
table#3
table#3
resolution=3deg.
L
R
L
R
+
+
+
High
Low
HSF
LSF
ROTOR
HORN
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Rotor Speed
Drive Low
Drive High
Low/High
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Crossover Frequency
Mic L-R Angle
Display
0.0Hz~39.7Hz
0~127
0~127
L63>H ~ L=H ~ L<H63
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
100Hz~10.0kHz
0deg~180deg
ControlValue
0-127
0-127
0-127
1-127
4-40
52-76
28-58
52-76
14-54
0-60
See Table
table#1
table#3
table#3
table#3
resolution=3deg.
L
R
L
R
LSF HSF
dry (L)
dry (R)
LSF HSF
+
ROTARY SP.
See Table
table#1
table#3
table#3
table#3
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
LFO Frequency
LFO Depth
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
Display
0.00Hz~39.7Hz
0~127
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
100Hz~10.0kHz (variation block)
-12~+12dB (variation block)
1.0~12.0 (variation block)
ControlValue
0-127
0-127
4-40
52-76
28-58
52-76
1-127
14-54
52-76
10-120
L
R
L
R
LSF HSF
dry (L)
dry (R)
LSF HSF
+
AMBIENCE
DataList-E.qx 8/4/98 4:00 PM Page 55
56
PHASER 1 (Chorus, Variation, Insertion 1, 2
block)
Chorus Block
Variation, Insertion Block
PHASER 2 (Variation block)
DISTORTION, OVERDRIVE (Variation, Insertion 1,
2 block)
AMP SIMULATOR (Variation, Insertion 1, 2 block)
Variation Block
Insertion Block
L
R
L
R
dry (L)
dry (R)
+
DISTORTION
L
R
L
R
dry (L)
dry (R)
+
DISTORTION
GATE
EF
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Drive
AMP Type
LPF Cutoff
Output Level
Dry/Wet
Edge(Clip Curve)
Display
0~127
Off,Stack,Combo,Tube
1.0k~Thru
0~127
D63>W ~ D=W ~ D<W63
0~127
ControlValue
0-127
0-3
34-60
0-127
1-127
0-127
See Table
table#3
mild
~
sharp
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Drive
EQ Low Frequency
EQ Low Gain
LPF Cutoff
Output Level
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
Dry/Wet
Edge(Clip Curve)
Display
0~127
32Hz~2.0kHz
-12~+12dB
1.0k~Thru
0~127
100Hz~10.0kHz
-12~+12dB
1.0~12.0
D63>W ~ D=W ~ D<W63
0~127
ControlValue
0-127
4-40
52-76
34-60
0-127
14-54
52-76
10-120
1-127
0-127
See Table
table#3
table#3
table#3
mild~sharp
L
R
L
R
LSF HSF
PHASER
dry (L)
dry (R)
LSF HSF
PHASER
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
LFO Frequency
LFO Depth
Phase Shift Offset
Feedback Level
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
Stage
LFO Phase Difference
Display
0.00Hz~39.7Hz
0~127
0~127
-63~+63
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
3,4,5,6
-180deg~+180deg
ControlValue
0-127
0-127
0-127
1-127
4-40
52-76
28-58
52-76
1-127
3-6
4-124
See Table
table#1
table#3
table#3
resolution=3deg.
L
R
L
R
LSF HSF
dry (L)
dry (R)
LSF HSF
+
PHASER
L
R
L
R
+
LSF HSF
LSF HSF
PHASER
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
LFO Frequency
LFO Depth
Phase Shift Offset
Feedback Level
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
Stage
Diffusion
Display
0.00Hz~39.7Hz
0~127
0~127
-63~+63
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
4,5,6 (chorus, insertion1,2 block)
4~12 (variation block)
mono/stereo
ControlValue
0-127
0-127
0-127
1-127
4-40
52-76
28-58
52-76
1-127
4-6
4-12
0-1
See Table
table#1
table#3
table#3
DataList-E.qx 8/4/98 4:00 PM Page 56
57
COMP+DIST (Variation block)
3 BAND EQ (MONO) (Variation, Insertion 1, 2
block)
When input mode="mono"
When input mode="stereo"
2 BAND EQ (STEREO) (Variation, Insertion 1, 2
block)
AUTO WAH (Variation, Insertion 1, 2 block)
Variation Block
Insertion Block
L
R
L
R
LSF HSF
AUTO WAH
dry (L)
dry (R)
LSF HSF
AUTO WAH
L
R
L
R
LSF HSF
AUTO WAH
dry (L)
dry (R)
dry (L)
dry (R)
LSF HSF
AUTO WAH
+
DISTORTION
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
LFO Frequency
LFO Depth
Cutoff Frequency Offset
Resonance
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
Drive (Variation block)
Display
0.00Hz~39.7Hz
0~127
0~127
1.0~12.0
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
0~127
ControlValue
0-127
0-127
0-127
10-120
4-40
52-76
28-58
52-76
1-127
0-127
See Table
table#1
table#3
table#3
L
R
L
R
LSF HSF
LSF HSF
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Display
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
ControlValue
4-40
52-76
28-58
52-76
See Table
table#3
table#3
L
R
L
R
LSF PDF
LSF PDF
HSF
HSF
L
R
L
R
+
LSF PDF HSF
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
EQ Low Gain
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
EQ High Gain
EQ Low Frequency
EQ High Frequency
Input Mode
Display
-12~+12dB
100Hz~10.0kHz
-12~+12dB
1.0~12.0
-12~+12dB
50Hz~2.0kHz
500Hz~16.0kHz
mono/stereo
ControlValue
52-76
14-54
52-76
10-120
52-76
8-40
28-58
0-1
See Table
table#3
table#3
table#3
L
R
L
R
dry (L)
dry (R)
+
DISTORTION
COMP
EF
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Drive
EQ Low Frequency
EQ Low Gain
LPF Cutoff
Output Level
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
Dry/Wet
Edge(Clip Curve)
Attack
Release
Threshold
Ratio
Display
0~127
32Hz~2.0kHz
-12~+12dB
1.0k~Thru
0~127
100Hz~10.0kHz
-12~+12dB
1.0~12.0
D63>W ~ D=W ~ D<W63
0~127
1ms~40ms
10ms~680ms
-48dB~-6dB
1.0~20.0
ControlValue
0-127
4-40
52-76
34-60
0-127
14-54
52-76
10-120
1-127
0-127
0-19
0-15
79-121
0-7
See Table
table#3
table#3
table#3
mild~sharp
table#8
table#9
table#10
DataList-E.qx 8/4/98 4:00 PM Page 57
58
AUTO WAH+DIST, AUTO WAH+ODRV (Variation
block)
TOUCH WAH 1 (Variation, Insertion 1, 2 block)
TOUCH WAH+DIST (Variation block)
Variation Block: TOUCH WAH 1
Insertion Block: TOUCH WAH 1
Variation Block: TOUCH WAH+DIST
L
R
L
R
LSF HSF
TOUCH WAH
dry (L)
dry (R)
dry (L)
dry (R)
LSF HSF
TOUCH WAH
+
EF
+
DISTORTION
L
R
L
R
LSF HSF
TOUCH WAH
dry (L)
dry (R)
LSF HSF
TOUCH WAH
+
EF
L
R
L
R
LSF HSF
TOUCH WAH
dry (L)
dry (R)
dry (L)
dry (R)
LSF HSF
TOUCH WAH
+
EF
+
DISTORTION
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Sensitive
Cutoff Frequency Offset
Resonance
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
Drive (Variation block)
Display
0~127
0~127
1.0~12.0
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
0~127
ControlValue
0-127
0-127
10-120
4-40
52-76
28-58
52-76
1-127
0-127
See Table
table#3
table#3
L
R
L
R
LSF HSF
AUTO WAH
dry (L)
dry (R)
dry (L)
dry (R)
LSF HSF
AUTO WAH
+
DISTORTION
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
LFO Frequency
LFO Depth
Cutoff Frequency Offset
Resonance
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
Drive (Variation block)
Display
0.00Hz~39.7Hz
0~127
0~127
1.0~12.0
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
0~127
ControlValue
0-127
0-127
0-127
10-120
4-40
52-76
28-58
52-76
1-127
0-127
See Table
table#1
table#3
table#3
DataList-E.qx 8/4/98 4:01 PM Page 58
59
TOUCH WAH 2 (Variation, Insertion 1, 2 block)
TOUCH WAH+ODRV (Variation block)
Variation Block: TOUCH WAH 2
Insertion Block: TOUCH WAH 2
Variation Block: TOUCH WAH+ODRV
PITCH CHANGE 1 (Variation block)
PITCH CHANGE 2 (Variation block)
L
R
L
R
PITCH CHANGE
dry (L)
dry (R)
PITCH CHANGE
+
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Pitch
Initial Delay
Fine 1
Fine 2
Feedback Level
Dry/Wet
Pan 1
Output Level 1
Pan 2
Output Level 2
Display
-24~+24
0.1~400.0
-50~+50cent
-50~+50cent
-63~+63
D63>W ~ D=W ~ D<W63
L63~R63
0~127
L63~R63
0~127
ControlValue
40-88
0-127
14-114
14-114
1-127
1-127
1-127
0-127
1-127
0-127
See Table
table#7
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Pitch
Initial Delay
Fine 1
Fine 2
Feedback Level
Dry/Wet
Pan 1
Output Level 1
Pan 2
Output Level 2
Display
-24~+24
0.1~400.0
-50~+50
-50~+50
-63~+63
D63>W ~ D=W ~ D<W63
L63~R63
0~127
L63~R63
0~127
ControlValue
40-88
0-127
14-114
14-114
1-127
1-127
1-127
0-127
1-127
0-127
See Table
table#7
L
R
L
R
LSF HSF
TOUCH WAH
dry (L)
dry (R)
dry (L)
dry (R)
LSF HSF
TOUCH WAH
+
EF
+
DISTORTION
L
R
L
R
LSF HSF
TOUCH WAH
dry (L)
dry (R)
LSF HSF
TOUCH WAH
+
EF
L
R
L
R
LSF HSF
TOUCH WAH
dry (L)
dry (R)
dry (L)
dry (R)
LSF HSF
TOUCH WAH
+
EF
+
DISTORTION
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Sensitive
Cutoff Frequency Offset
Resonance
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
Drive
EQ Low Gain(distortion)
EQ Mid Gain(distortion)
LPF Cutoff
Output Level
Release
Display
0~127
0~127
1.0~12.0
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
0~127 (Variation block)
-12~+12dB (Variation block)
-12~+12dB (Variation block)
1.0kHz~thru (Variation block)
0~127
10~680ms
ControlValue
0-127
0-127
10-120
4-40
52-76
28-58
52-76
1-127
0-127
52-76
52-76
34-60
0-127
52-67
See Table
table#3
table#3
table#3
DataList-E.qx 8/4/98 4:01 PM Page 59
60
HARMONIC ENHANCER (Variation, Insertion 1, 2
block)
Variation Block
Insertion Block
COMPRESSOR (Variation, Insertion 1, 2 block)
Variation Block
Insertion Block
L
R
L
R
+
COMP
EF
L
R
L
R
COMP
COMP
+
EF
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Attack
Release
Threshold
Ratio
Output Level
Display
1~40ms
10~680ms
-48~-6dB
1.0~20.0
0~127
ControlValue
0-19
0-15
79-121
0-7
0-127
See Table
table#8
table#9
table#10
L
R
L
R
+
EF
+
+
H.ENHANCER
L
R
L
R
H.ENHANCER
H.ENHANCER
+
EF
+
+
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
HPF Cutoff
Drive
Mix Level
Display
500Hz~16.0kHz
0~127
0~127
ControlValue
28-58
0-127
0-127
See Table
table#3
DataList-E.qx 8/4/98 4:01 PM Page 60
61
NOISE GATE (Variation, Insertion 1, 2 block)
Variation Block
Insertion Block
VOICE CANCEL (Variation block)
TALKING MODULATOR (Variation block)
L
R
L
R
+
TALK MOD.EXCITER
+
EF
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Vowel
Move speed
Drive
Output level
Display
a,i,u,e,o
1~62
0~127
0~127
ControlValue
0-4
1-62
0-127
0-127
See Table
L
R
L
R
VOICE CANCEL
VOICE CANCEL
+
+
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Low Adjust
High Adjust
Display
0~26
0~26
ControlValue
0-26
0-26
See Table
L
R
L
R
+
GATE
EF
L
R
L
R
GATE
GATE
+
EF
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Attack
Release
Threshold
Output Level
Display
1~40ms
10~680ms
-72~-30dB
0~127
ControlValue
0-19
0-15
55-97
0-127
See Table
table#8
table#9
DataList-E.qx 8/4/98 4:01 PM Page 61
62
LO-FI (Variation block)
When input mode="mono"
When input mode="stereo"
DIST+DELAY (Variation block)
OVERDRIVE+DELAY (Variation block)
COMP+DIST+DELAY (Variation block)
COMP+ODRV+DELAY (Variation block)
WAH+DIST+DELAY (Variation block)
WAH+ODRV+DELAY (Variation block)
L
R
L
R
+
+
TOUCH WAH
+ +
EF
LPF
dry (L)
dry (R)
dry (L)
dry (R)
DISTORTION
DELAY
+
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Delay Time
Delay Feedback Level
Delay Mix
Dist Drive
Dist Output Level
Dist EQ Low Gain
Dist EQ Mid Gain
Dry/Wet
Wah Sensitive
Wah Cutoff Freq Offset
Wah Resonance
Wah Release
Display
0.1~1486.0ms
-63~+63
0~127
0~127
0~127
-12~+12dB
-12~+12dB
D63>W ~ D=W ~ D<W63
0~127
0~127
1.0~12.0
10~680ms
ControlValue
1-14860
1-127
0-127
0-127
0-127
52-76
52-76
1-127
0-127
0-127
10-120
52-67
See Table
L
R
L
R
+
COMP
+
+
EF
LPF
dry (L)
dry (R)
DISTORTION DELAY
+
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Delay Time
Delay Feedback Level
Delay Mix
Dist Drive
Dist Output Level
Dist EQ Low Gain
Dist EQ Mid Gain
Dry/Wet
Comp. Attack
Comp. Release
Comp. Threshold
Comp. Ratio
Display
0.1~1486.0ms
-63~+63
0~127
0~127
0~127
-12~+12dB
-12~+12dB
D63>W ~ D=W ~ D<W63
1ms~40ms
10ms~680ms
-48dB~-6dB
1.0~20.0
ControlValue
1-14860
1-127
0-127
0-127
0-127
52-76
52-76
1-127
0-19
0-15
79-121
0-7
See Table
table#8
table#9
table#10
L
R
L
R
GATE
+ +
EF
LPF
dry (L)
R
L
dry (R)
DISTORTION DELAY
+
+
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Lch Delay Time
Rch Delay Time
Delay Feedback Time
Delay Feedback Level
Delay Mix
Dist Drive
Dist Output Level
Dist EQ Low Gain
Dist EQ Mid Gain
Dry/Wet
Display
0.1~1486.0ms
0.1~1486.0ms
0.1~1486.0ms
-63~+63
0~127
0~127
0~127
-12~+12dB
-12~+12dB
D63>W ~ D=W ~ D<W63
ControlValue
1-14860
1-14860
1-14860
1-127
0-127
0-127
0-127
52-76
52-76
1-127
See Table
L
R
L
R
Lo-Fi
dry (L)
dry (R)
Lo-Fi
L
R
L
R
dry (L)
dry (R)
+
Lo-Fi
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
sampling freq control
word length
output gain
LPF Cutoff
filter type
LPF resonance
bit assign
emphasis
Dry/Wet
Input Mode
Display
44.1kHz~345Hz
1~127
-6~+12dB
63Hz~thru
Thru,PowerBass,Radio,Telephone,Clean,Low
1.0~12.0
0~6
off/on
D63>W ~ D=W ~ D<W63
mono/stereo
ControlValue
0-127
1-127
0-18
10-60
0-5
10-120
0-6
0-1
1-127
0-1
See Table
DataList-E.qx 8/4/98 4:01 PM Page 62
63
Explanation of Effect Parameters
Parameter name
AM Depth
AMP Type
Attack
Bit Assign
Cch Delay
Cch Level
Crossover Frequency
Cutoff Frequency Offset
Delay Mix
Delay Offset
Delay Time
Delay2 Level
Density
Depth
Detune
Diffusion
Drive
Drive High
Drive Low
Dry/Wet
Edge(Clip Curve)
Emphasis
EQ High Frequency
EQ High Gain
EQ Low Frequency
EQ Low Gain
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
Er/Rev Balance
F/R Depth
Feedback Delay
Feedback Delay 1
Feedback Delay 2
Feedback Level
Filter Type
Fine 1
Fine 2
Height
High Adjust
High Damp
HPF Cutoff
Initial Delay
Input Mode
Input Select
L/R Depth
L->R Delay
Lch Delay
Lch Delay1
Lch Delay2
Lch Feedback Level
Lch Init Delay
LFO Depth
LFO Frequency
Effect types in which the parameter exists
TREMOLO
AMP SIMULATOR
COMPRESSOR type
NOISE GATE
LO-FI
DELAY L,C,R
DELAY L,C,R
2WAY ROTARY SPEAKER
WAH type
DIST+DELAY,OVERDRIVE+DELAY,
COMP+DIST+DELAY,COMP+ODRV+DELAY,
WAH+DIST+DELAY,WAH+ODRV+DELAY
CHORUS type
KARAOKE1,2,3
AMBIENCE
ECHO
REVERB type, EARLY REF type
REVERB type
ENSEMBLE DETUNE
REVERB type, EARLY REF type, PHASER
DISTORTION type
HARMONIC ENHANCER
TALKING MODULATION
2WAY ROTARY SPEAKER
2WAY ROTARY SPEAKER
All types
DISTORTION type
LO-FI
All types
All types
All types
All types
All types
All types
All types
REVERB type
AUTO PAN
DELAY L,C,R
DELAY L,R
DELAY L,R
REVERB type
DELAY type,EARLY REF type,PITCH CHANGE type
KARAOKE type
CHORUS type, FLANGER type
PHASER type
LO-FI
PITCH CHANGE type
PITCH CHANGE type
REVERB type
VOICE CANCEL
REVERB type,DELAY type,EARLY REF type
REVERB type,EARLY REF type,KARAOKE type,HARMONIC ENHANCER
REVERB type
EARLY REF type
PITCH CHANGE type
All types
CROSS DELAY
AUTO PAN
CROSS DELAY
DELAY type
ECHO
ECHO
ECHO
ENSEMBLE DETUNE
CHORUS type,FLANGER type,SYMPHONIC
ROTARY SPEAKER
PHASER type
WAH type
CHORUS type,FLANGER type,SYMPHONIC
ROTARY SPEAKER
TREMOLO
AUTO PAN
PHASER type
WAH type
Explanation of parameter
Depth of volume modulation
Select the type of amp to be simulated
Time until the compressor effect begins to apply
Time until the gate begins to open
Adjust the word length of the audio data
Length of the center channel delay
Volume of the center channel
Crossover frequency between the high-range and low-range speakers
Frequency offset value that will control the wah filter
Mixing amount of delay sound
Offset value of delay modulation
Spacing of reflections for karaoke echo
Delay length
Volume of second delay
Density of reflections. Higher values produce closer spacing
Depth of the simulated room
Amount of pitch shift
Control the spaciousness
Depth of distortion
Depth at which the exciter effect is applied
Depth at which the exciter effect is applied
Depth of modulation caused by rotation of the low-range speaker
Depth of modulation caused by rotation of the high-range speaker
Balance between dry sound and effect sound
Curve of distortion characteristics (sharp(127) distorts suddenly, mild(0) distorts gradually)
Modify the character of the high range
Frequency at which the EQ will boost/cut the high range
Gain amount by which the EQ will boost/cut the high range
Frequency at which the EQ will boost/cut the low range
Gain amount by which the EQ will boost/cut the low range
Frequency at which the EQ will boost/cut the mid range
Gain amount by which the EQ will boost/cut the mid range
Width of the area boosted/cut by the mid-range EQ
Level balance between the early reflections and the reverberation
Depth of front/back panning (valid when PAN Direction=Lturn,Rturn)
Length of feedback delay
Length of feedback delay 1
Length of feedback delay 2
Feedback amount of initial delay
Feedback amount
Setting for repeated reflections
Level at which delay output is again returned to the input (negative values invert the phase)
Level at which phaser output is again returned to the input (negative values insert the phase)
Select the type of tonal effect
Fine adjustment to pitch of first sound
Fine adjustment to pitch of second sound
Height of simulated room
Adjust the upper limit of the mid-frequency range that will be attenuated
Attenuation of the high frequency range (lower values will cause the high range to decay more rapidly)
Frequency at which the high pass filter will cut the low range
Delay time until the early reflections
Delay length until ER (GateReverb) sounds
Delay length
Mono/stereo switch for input
Input select
Depth of left/right panning
Delay time from left (input) to right (output)
Length of left channel delay
Length of first left channel delay
Length of second left channel delay
Amount of left channel feedback
Length of left channel delay
Depth of delay modulation
Depth of modulation caused by speaker rotation
Depth of phase modulation
Depth at which the wah filter will be controlled
Frequency of delay modulation
Frequency at which the speaker will rotate
Modulation frequency
Autopan frequency
Phase modulation frequency
Frequency at which wah filter will be controlled
DataList-E.qx 8/4/98 4:01 PM Page 63
Additional note:
In the preceding pages, indication of effect types such as REVERB-type respectively include the following effect types.
64
LFO Phase Difference
Liveness
Low Adjust
Low/High
LPF Cutoff
LPF Resonance
Mic L-R Angle
Mix Level
Move Speed
Output Gain
Output Level
Output Level 1
Output Level 2
Output Phase
Pan 1
Pan 2
PAN Direction
Phase Shift Offset
Pitch
PM Depth
R->L Delay
Ratio
Rch Delay
Rch Delay1
Rch Delay2
Rch Feedback Level
Rch Init Delay
Release
Resonance
Rev Delay
Reverb Time
Room Size
Rotor Speed
Sampling Freq Control
Sensitive
Stage
Threshold
Type
Vowel
Wah Release
Wall Vary
Width
Word Length
PHASER type,FLANGER type
EARLY REF type
VOICE CANCEL
2WAY ROTARY SPEAKER
All types
LO-FI
2WAY ROTARY SPEAKER
HARMONIC ENHANCER
TALKING MODULATOR
LO-FI
All types
PITCH CHANGE type
PITCH CHANGE type
AMBIENCE
PITCH CHANGE type
PITCH CHANGE type
AUTO PAN
PHASER type
PITCH CHANGE type
TREMOLO
CROSS DELAY
COMPRESSOR type
DELAY type
ECHO
ECHO
ECHO
ENSEMBLE DETUNE
COMPRESSOR type
NOISE GATE
TOUCH WAH2, TOUCH WAH+ODRV
WAH type
REVERB type
REVERB type
EARLY REF type
2WAY ROTARY SPEAKER
LO-FI
WAH type
PHASER type
COMPRESSOR type
NOISE GATE
EARLY REF type
TALKING MODULATOR
WAH+DIST+DELAY,WAH+ODRV+DELAY
REVERB type
REVERB type
LO-FI
L/R phase difference for modulation waveform (0 deg (=64) is no phase difference)
ER decay. Lower values cause faster decay.
Adjust the lower frequency limit of the mid-range that will be attenuated
Volume balance between the high-range and low-range speakers
Frequency at which the low pass filter will cut the high frequency range
Add character to the low pass filter of the input
L/R angle of the mic that picks up the output
Level of the effect sound that is mixed into the dry sound
Time over which the sound specified by Vowel is reached
Output gain
Output level
Output level for first unit
Output level for second unit
Swap phase of the effect sound between L/R
Pan of first unit
Pan of second unit
Autopan type (L<->R is sine wave, L/R is square wave)
Offset value for phase modulation
Pitch setting in semitones
Depth of delay modulation
Delay time from right (input) to left (output)
Compression ratio of the compressor
Length of right channel delay
Length of first right channel delay
Length of second right channel delay
Amount of right channel feedback
Length of right channel delay
Time until the sound is released from the compressor effect
Time until the gate closes
Time until the center frequency of the wah filter returns to normal
Bandwidth of the wah filter
Delay time between the early reflections and the reverberation
Length of reverb
Size of room. Increasing this value will lengthen ER.
Frequency at which the speaker rotates
Sampling frequency control
Sensitivity with which the wah filter will change in response to changes in the input
Number of steps for the phase shifter
Input level at which compression will begin
Input level at which the gate will begin to open
Type selection
Vowel selection
Time until the center frequency of the wah filter returns to normal
Condition of the walls of the simulated room (higher values produce more random reflections)
Width of the simulated room
Specify the roughness of the sound
Parameter name Effect types in which the parameter exists Explanation of parameter
CHORUS type
COMPRESSOR type
DELAY type
DISTORTION type
EARLY REF type
FLANGER type
KARAOKE type
PHASER type
PITCH CHANGE type
REVERB type
WAH type
CHORUS1,CHORUS2,CHORUS3,CHORUS4,CELESTE1,CELESTE2,CELESTE3,CELESTE4
COMPRESSOR,COMP+DIST, COMP+DIST+DELAY, COMP+OVERDRIVE+DELAY
DELAY L,C,R, DELAY L,R, ECHO, CROSS DELAY, DIST+DELAY, OVERDRIVE+DELAY, COMP+DIST+DELAY, COMP+DIST+DELAY,
COMP+OVERDRIVE+DELAY, WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY
DISTORTION, OVERDRIVE, AMP SIMULATOR, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH+DIST, TOUCH WAH+ODRV,
COMP+DIST, DIST+DELAY, OVERDRIVE+DELAY, COMP+DIST+DELAY, COMP+DIST+DELAY, COMP+OVERDRIVE+DELAY,
WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY
EARLY REF1, EARLY REF2, GATE REVERB, REVERSE GATE
FLANGER1,FLANGER2, FLANGER3
KARAOKE1, KARAOKE2, KARAOKE3
PHASER1, PHASER2
PITCH CHANGE1, PITCH CHANGE2
HALL1,HALL2,ROOM1,ROOM2,ROOM3,STAGE1,STAGE2,PLATE,
WHITE ROOM,TUNNEL,CANYON,BASEMENT
AUTO WAH, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH1, TOUCH WAH2, TOUCH WAH+DIST, TOUCH WAH+ODRV,
WAH+DIST+DELAY, WAH+OVERDRIVE+DELAY
DataList-E.qx 8/4/98 4:01 PM Page 64
Effect Data Assign Table
65
LFO Frequency
Table#1
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
0.00
0.08
0.08
0.16
0.16
0.25
0.25
0.33
0.33
0.42
0.42
0.50
0.50
0.58
0.58
0.67
0.67
0.75
0.75
0.84
0.84
0.92
0.92
1.00
1.00
1.09
1.09
1.17
1.17
1.26
1.26
1.34
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
1.34
1.43
1.43
1.51
1.51
1.59
1.59
1.68
1.68
1.76
1.76
1.85
1.85
1.93
1.93
2.01
2.01
2.10
2.10
2.18
2.18
2.27
2.27
2.35
2.35
2.43
2.43
2.52
2.52
2.60
2.60
2.69
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
2.69
2.77
2.86
2.94
3.02
3.11
3.19
3.28
3.36
3.44
3.53
3.61
3.70
3.86
4.03
4.20
4.37
4.54
4.71
4.87
5.04
5.21
5.38
5.55
5.72
6.05
6.39
6.72
7.06
7.40
7.73
8.07
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
8.41
8.74
9.08
9.42
9.75
10.0
10.7
11.4
12.1
12.7
13.4
14.1
14.8
15.4
16.1
16.8
17.4
18.1
19.5
20.8
22.2
23.5
24.8
26.2
27.5
28.9
30.2
31.6
32.9
34.3
37.0
39.7
Data Value Data Value Data Value Data Value
Modulation Delay Offset
Table#2
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
0.0
0.1
0.2
0.3
0.4
0.5
0.6
0.7
0.8
0.9
1.0
1.1
1.2
1.3
1.4
1.5
1.6
1.7
1.8
1.9
2.0
2.1
2.2
2.3
2.4
2.5
2.6
2.7
2.8
2.9
3.0
3.1
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
3.2
3.3
3.4
3.5
3.6
3.7
3.8
3.9
4.0
4.1
4.2
4.3
4.4
4.5
4.6
4.7
4.8
4.9
5.0
5.1
5.2
5.3
5.4
5.5
5.6
5.7
5.8
5.9
6.0
6.1
6.2
6.3
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
6.4
6.5
6.6
6.7
6.8
6.9
7.0
7.1
7.2
7.3
7.4
7.5
7.6
7.7
7.8
7.9
8.0
8.1
8.2
8.3
8.4
8.5
8.6
8.7
8.8
8.9
9.0
9.1
9.2
9.3
9.4
9.5
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
9.6
9.7
9.8
9.9
10.0
11.1
12.2
13.3
14.4
15.5
17.1
18.6
20.2
21.8
23.3
24.9
26.5
28.0
29.6
31.2
32.8
34.3
35.9
37.5
39.0
40.6
42.2
43.7
45.3
46.9
48.4
50.0
Data Value Data Value Data Value Data Value
DataList-E.qx 8/4/98 4:01 PM Page 65
66
EQ Frequency
Table#3
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
THRU(20)
22
25
28
32
36
40
45
50
56
63
70
80
90
100
110
125
140
160
180
200
225
250
280
315
355
400
450
500
560
630
700
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
800
900
1.0k
1.1k
1.2k
1.4k
1.6k
1.8k
2.0k
2.2k
2.5k
2.8k
3.2k
3.6k
4.0k
4.5k
5.0k
5.6k
6.3k
7.0k
8.0k
9.0k
10.0k
11.0k
12.0k
14.0k
16.0k
18.0k
THRU(20.0k)
Data Value Data Value
Reverb time
Table#4
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
0.3
0.4
0.5
0.6
0.7
0.8
0.9
1.0
1.1
1.2
1.3
1.4
1.5
1.6
1.7
1.8
1.9
2.0
2.1
2.2
2.3
2.4
2.5
2.6
2.7
2.8
2.9
3.0
3.1
3.2
3.3
3.4
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
3.5
3.6
3.7
3.8
3.9
4.0
4.1
4.2
4.3
4.4
4.5
4.6
4.7
4.8
4.9
5.0
5.5
6.0
6.5
7.0
7.5
8.0
8.5
9.0
9.5
10.0
11.0
12.0
13.0
14.0
15.0
16.0
64
65
66
67
68
69
17.0
18.0
19.0
20.0
25.0
30.0
Data Value Data Value Data Value
Delay Time(200.0ms)
Table#5
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
0.1
1.7
3.2
4.8
6.4
8.0
9.5
11.1
12.7
14.3
15.8
17.4
19.0
20.6
22.1
23.7
25.3
26.9
28.4
30.0
31.6
33.2
34.7
36.3
37.9
39.5
41.0
42.6
44.2
45.7
47.3
48.9
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
50.5
52.0
53.6
55.2
56.8
58.3
59.9
61.5
63.1
64.6
66.2
67.8
69.4
70.9
72.5
74.1
75.7
77.2
78.8
80.4
81.9
83.5
85.1
86.7
88.2
89.8
91.4
93.0
94.5
96.1
97.7
99.3
Data Value Data Value
Room Size
Table#6
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
0.1
0.3
0.4
0.6
0.7
0.9
1.0
1.2
1.4
1.5
1.7
1.8
2.0
2.1
2.3
2.5
2.6
2.8
2.9
3.1
3.2
3.4
3.5
3.7
3.9
4.0
4.2
4.3
4.5
4.6
4.8
5.0
32
33
34
35
36
37
38
39
40
41
42
43
44
5.1
5.3
5.4
5.6
5.7
5.9
6.1
6.2
6.4
6.5
6.7
6.8
7.0
Data Value Data Value
DataList-E.qx 8/4/98 4:01 PM Page 66
67
Delay Time (400.0ms)
Table#7
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
0.1
3.2
6.4
9.5
12.7
15.8
19.0
22.1
25.3
28.4
31.6
34.7
37.9
41.0
44.2
47.3
50.5
53.6
56.8
59.9
63.1
66.2
69.4
72.5
75.7
78.8
82.0
85.1
88.3
91.4
94.6
97.7
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
100.9
104.0
107.2
110.3
113.5
116.6
119.8
122.9
126.1
129.2
132.4
135.5
138.6
141.8
144.9
148.1
151.2
154.4
157.5
160.7
163.8
167.0
170.1
173.3
176.4
179.6
182.7
185.9
189.0
192.2
195.3
198.5
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
201.6
204.8
207.9
211.1
214.2
217.4
220.5
223.7
226.8
230.0
233.1
236.3
239.4
242.6
245.7
248.9
252.0
255.2
258.3
261.5
264.6
267.7
270.9
274.0
277.2
280.3
283.5
286.6
289.8
292.9
296.1
299.2
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
302.4
305.5
308.7
311.8
315.0
318.1
321.3
324.4
327.6
330.7
333.9
337.0
340.2
343.3
346.5
349.6
352.8
355.9
359.1
362.2
365.4
368.5
371.7
374.8
378.0
381.1
384.3
387.4
390.6
393.7
396.9
400.0
Data Value Data Value Data Value Data Value
Data Value
Compressor Attack Time
Table#8
Compressor Release Time
Table#9
Data Value
0 1
1 2
2 3
3 4
4 5
5 6
6 7
7 8
8 9
9 10
10 12
11 14
12 16
13 18
14 20
15 23
16 26
17 30
18 35
19 40
0 10
1 15
2 25
3 35
4 45
5 55
6 65
7 75
8 85
9 100
10 115
11 140
12 170
13 230
14 340
15 680
Compressor Ratio
Table#10
Data Value
0 1.0
1 1.5
2 2.0
3 3.0
4 5.0
5 7.0
6 10.0
7 20.0
Reverb Width; Depth; Height
Table#11
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
0.5
0.8
1.0
1.3
1.5
1.8
2.0
2.3
2.6
2.8
3.1
3.3
3.6
3.9
4.1
4.4
4.6
4.9
5.2
5.4
5.7
5.9
6.2
6.5
6.7
7.0
7.2
7.5
7.8
8.0
8.3
8.6
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
8.8
9.1
9.4
9.6
9.9
10.2
10.4
10.7
11.0
11.2
11.5
11.8
12.1
12.3
12.6
12.9
13.1
13.4
13.7
14.0
14.2
14.5
14.8
15.1
15.4
15.6
15.9
16.2
16.5
16.8
17.1
17.3
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
17.6
17.9
18.2
18.5
18.8
19.1
19.4
19.7
20.0
20.2
20.5
20.8
21.1
21.4
21.7
22.0
22.4
22.7
23.0
23.3
23.6
23.9
24.2
24.5
24.9
25.2
25.5
25.8
26.1
26.5
26.8
27.1
96
97
98
99
100
101
102
103
104
27.5
27.8
28.1
28.5
28.8
29.2
29.5
29.9
30.2
Data Value Data Value Data Value Data Value
DataList-E.qx 8/4/98 4:01 PM Page 67
MIDI Data Format
1. Channel messages
1.1 Note on / Note off
These messages convey keyboard performance data.
Note-on is transmitted when a note is pressed, and note-off is transmitted
when a note is released.
These messages contain a “note number” which indicates the key that was
played, and a “velocity” which indicates how strongly it was played.
When a note-on of velocity “0” is received, it has the same effect as a note-
off.
Range of note numbers received = 0 (C-2)...60 (C3)...127 (G8)
Velocity range = 1...127 (Velocity is received only for note-on)
When the Multi Part parameter “Rcv NOTE MESSAGE” = OFF, that part will
not receive these messages.
For a drum part*, key-off is not received if the DrumSetup parameter Rcv
NOTE OFF = OFF.
For a drum part, key-on is not received if the DrumSetup parameter Rcv
NOTE ON = OFF.
* Drum Part indicates that the Multi Part parameter PART MODE is “set to
DRUM or DRUMS1...4.”
1.2 Control changes
These messages control volume or pan etc.
Their functions are differentiated by the control number (Ctrl#).
If the Multi Part parameter Rcv CONTROL CHANGE = OFF, that part will not
receive control changes.
1.2.1 Bank Select
This message selects the voice bank.
The voice bank is selected by the combination of two control change mes-
sages: MSB and LSB.
The function of the MSB and LSB will differ depending on the sound module
mode.
In the case of “XG,” the MSB value will specify the major division of voices,
and the LSB value will specify the detailed division.
In the case of “TG300B,” the LSB value is fixed, and only the MSB value will
specify the detailed voice division.
Control# Parameter Data Range
0 Bank Select MSB 0...127
32 Bank Select LSB 0...127
The Bank Select data will be processed only after a Program Change is
received, and then voice bank will change at that time.
If you wish to change the voice bank as well as the voice, you must transmit
Bank Select and Program Change messages as a set, in the order of Bank
Select MSB, LSB, and Program Change.
1.2.2 Modulation
This message is used primarily to control the depth of vibrato, but the depth
of the following 7 types of effect can be controlled.
The effect of this message can be changed by the following parameters.
• Multi Part Parameter
1. MW PITCH CONTROL
2. MW FILTER CONTROL
3. MW AMPLITUDE CONTROL
4. MW LFO PMOD DEPTH
5. MW LFO FMOD DEPTH
6. MW LFO AMOD DEPTH
• Effect1 Parameter
7. MW VARIATION CONTROL DEPTH
(Valid when Variation Effect is assigned to a part as Insertion)
By default, an LFO Pitch Modulation (PMOD) effect will apply.
Control# Parameter Data Range
1 Modulation 0...127
If the Multi Part parameter Rcv MODULATION = OFF, that part will not
receive Modulation.
If the receive channel is a drum part, effects 5 and 6 will not apply.
1.2.3 Portamento Time
This message controls the degree of Portamento (refer to 1.2.9).
Control# Parameter Data Range
5 Portamento Time 0...127
When Portamento (control number 065) is ON, this regulates the speed of
the pitch change.
A value of 0 is the shortest portamento time, and 127 is the longest porta-
mento time.
If the receive channel is a drum part, Portamento Time is not received.
1.2.4 Data Entry
This message sets the value of the parameter which was specified by RPN
MSB/LSB (see 1.2.22) and NRPN MSB/LSB (see 1.2.21).
Control# Parameter Data Range
6 Data Entry MSB 0...127
38 Data Entry LSB 0...127
1.2.5 Main Volume
This message controls the volume of each part.
This is used to adjust the volume balance between parts.
Control# Parameter Data Range
7 Main Volume 0...127
When the Multi Part parameter Rcv VOLUME = OFF, that part will not receive
Main Volume.
With a value of 0 there will be no sound, and a value of 127 will be the maxi-
mum volume.
1.2.6 Panpot
This message control the panning (stereo location) of each part.
This will be the location of the sound when heard in stereo.
Control# Parameter Data Range
10 Pan 0...64...127
When the Multi Part parameter Rcv PAN = OFF, that part will not receive
Panpot.
0 is left, 64 is center, and 127 is right.
1.2.7 Expression
This message controls expression (dynamics within a musical line) for each
part.
It is used to create volume changes during a song.
Control# Parameter Data Range
11 Expression 0...127
If the Multi Part parameter Rcv EXPRESSION = OFF, that part will not receive
Expression.
With a value of 0 there will be no sound, and with a value of 127 the volume
will be maximum.
1.2.8 Hold1
This message controls sustain pedal on/off.
The notes that are sounding while the pedal is pressed will be sustained.
Control# Parameter Data Range
64 Hold1 0...63,64...127
(OFF, ON)
For data of 0...63 the sustain pedal will be OFF (released), and for data of
64...127 it will be on (pressed).
When this is ON, currently-sounding notes will continue to sound even if
note-off messages are received.
If the Multi Part parameter Rcv HOLD1 = OFF, that part will not receive
Hold1.
68
DataList-E.qx 8/4/98 4:01 PM Page 68
1.2.9 Portamento
This message controls portamento pedal on/off.
When the pedal is pressed, a portamento effect will be applied.
Control# Parameter Data Range
65 Portamento 0...63,64...127
(OFF, ON)
For data of 0...63 the portamento pedal will be OFF (released), and for
64...127 it will be ON (pressed).
When this is ON, the pitch will change smoothly between notes. The time
over which the pitch changes is adjusted by Portamento Time (see 1.2.3).
Also, when the Multi Part parameter MONO/POLY MODE = MONO, the tone
will also change smoothly (legato) if Portamento = ON.
If any of the following Multi Part parameter settings apply, that part will not
receive Portamento.
• Rcv PORTAMENTO = OFF
• PART MODE = DRUM, DRUMS1...4
1.2.10 Sostenuto
This message controls sostenuto pedal on/off.
Notes which were already pressed when the pedal was pressed will be sus-
tained.
Control# Parameter Data Range
66 Sostenuto 0...63,64...127
(OFF, ON)
For data of 0...63, the sostenuto pedal will be OFF (released), and for
64...127 it will be ON (pressed).
If sostenuto is turned on while a note is sounding, that note will be sustained
until sostenuto is turned OFF.
If the Multi Part parameter Rcv SOSTENUTO = OFF, that part will not receive
Sostenuto.
1.2.11 Soft Pedal
This message controls soft pedal on/off.
The sound will become more mellow while the pedal is pressed.
Control# Parameter Data Range
67 Soft Pedal 0...63,64...127
(OFF, ON)
For data of 0...63, the soft pedal is OFF (released), and for 64...127 it is ON
(pressed).
If any of the following Multi Part parameter settings apply, that part will not
receive the Soft Pedal.
• Rcv SOFT PEDAL = OFF
• PART MODE = DRUM, DRUMS1...4
1.2.12 Harmonic Content
This message adjusts the resonance of the filter that is specified for the
sound.
The value of 0...127 is taken as -64...+63, and added as an offset value to
the original sound data to modify the resonance.
Control# Parameter Data Range
71 Harmonic Content 0...64...127
(-64...0...+63)
Since this is a relative change parameter, it specifies a boost or cut relative
to 64.
Higher values will produce a more distinctive sound.
For some sounds, the effective range may be less than the possible range
of settings.
1.2.13 Release Time
This message adjusts the EG release time that was specified by the sound
data.
The value of 0...127 is taken as -64...+63, and added to the original sound
data as an offset value to modify the release time.
Control# Parameter Data Range
72 Release Time 0...64...127
(-64...0...+63)
Since this is a relative change parameter, it specifies an increase or
decrease relative to 64.
Increasing this value will lengthen the release that follows a note-off.
1.2.14 Attack Time
This message adjusts the EG attack time that was specified by the sound
data.
The value of 0...127 is taken as -64...+63, and added to the original sound
data as an offset value to modify the attack time.
Control# Parameter Data Range
73 Attack Time 0...64...127
(-64...0...+63)
Since this is a relative change parameter, it specifies an increase or
decrease relative to 64.
Increasing this value will make the attack more gradual, and decreasing this
value will make the attack sharper.
1.2.15 Brightness
This message adjusts the cutoff frequency of the low pass filter specified by
the sound data.
The value of 0...127 is taken as -64...+63, and added to the original sound
data as an offset value to modify the cutoff frequency.
Control# Parameter Data Range
74 Brightness 0...64...127
(-64...0...+63)
Since this is a relative change parameter, it specifies an increase or
decrease relative to 64.
Lower values will produce a more mellow sound.
For some sounds, the effective range may be less than the possible range
of settings.
1.2.16 Portamento Control
This message specifies the portamento source key number (the key number
at which portamento will begin).
Data of 0...127 specifies the portamento source key.
When Portamento Control is received, the currently-sounding pitch will
change at a Portamento Time of 0 to the key of the next-received note-on of
the same channel.
Control# Parameter Data Range
84 Portamento Control 0...127
(C-2...G8)
This is received even if Rcv PORTAMENTO = OFF.
1.2.17 Effect1 Depth (Reverb Send Level)
This message specifies the send level for the reverb effect.
Control# Parameter Data Range
91 Effect1 Depth 0...127
Increasing this value will produce a richer reverb. The effect of the value will
depend on the state of the reverb effect.
1.2.18 Effect3 Depth (Chorus Send Level)
This message specifies the send level for the chorus effect.
Control# Parameter Data Range
93 Effect3 Depth 0...127
Raising this value will increase the modulation or spaciousness. The effect of
the value will depend on the state of the chorus effect.
1.2.19 Effect4 Depth (Variation Effect Send Level)
This message specifies the send level for the variation effect.
Control# Parameter Data Range
94 Effect4 Depth 0...127
However, this is not received if the Variation Effect parameter Variation
Connection = 0 (Insertion).
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1.2.20 Data Increment / Decrement (for RPN)
After RPN (see 1.2.22) is used to specify a parameter such as Pitch Bend
Sensitivity, Fine Tune, or Coarse Tune, this message is used to increment or
decrement the respective parameter value in steps of 1.
Control# Parameter Data Range
96 RPN Increment —
97 RPN Decrement —
The data byte is ignored.
1.2.21 NRPN (Non-registered parameter number)
This message is used to specify a sound parameter (such as vibrato, filter,
EG, drum setup etc.) as an offset value.
Use NRPN MSB and NRPN LSB to specify the parameter that you wish to
modify, and then use Data Entry (see 1.2.4) to set the value for the specified
parameter.
Control# Parameter Data Range
98 NRPN LSB 0...127
99 NRPN MSB 0...127
If the Multi Part parameter Rcv NRPN = OFF, that part will not receive NRPN.
The following NRPN messages can be received.
NRPN Data Entry*1
MSB LSB MSB LSB Parameter name and value range
01 08 mm — *2 Vibrato rate
mm: 00 - 64 - 127
(-64...0...+63)
01 09 mm — Vibrato depth
mm: 00 - 64 - 127
(-64...0...+63)
01 10 mm — *3 Vibrato delay
mm: 00 - 64 - 127
(-64...0...+63)
01 32 mm — Low pass filter cutoff frequency
mm: 00 - 64 - 127
(-64...0...+63)
01 33 mm — Low pass filter resonance
mm : 00 - 64 - 127
(-64...0...+63)
01 36 mm — High pass filter cutoff frequency
mm: 00 - 64 - 127
(-64...0...+63)
01 48 mm — *4 EQ bass gain
mm: 00 - 64 - 127
(-64...0...+63)
01 49 mm — *4 EQ treble gain
mm: 00 - 64 - 127
(-64...0...+63)
01 52 mm — *4 EQ bass frequency
mm: 04 - 40
(32...2.0k [Hz])
01 53 mm — *4 EQ treble frequency
mm: 28 - 58
(500...16.0k [Hz])
01 99 mm — EG attack time
mm: 00 - 64 - 127
(-64...0...+63)
01 100 mm — EG decay time
mm: 00 - 64 - 127
(-64...0...+63)
01 102 mm — EG release time
mm: 00 - 64 - 127
(-64...0...+63)
20 rr mm — Drum low pass filter cutoff
frequency
rr: drum instrument note number
mm: 00 - 64 - 127
(-64...0...+63)
21 rr mm — Drum low pass filter resonance
rr: drum instrument note number
mm: 00 - 64 - 127
(-64...0...+63)
22 rr mm — Drum EG attack rate
rr: drum instrument note number
mm: 00 - 64 - 127
(-64...0...+63)
23 rr mm — Drum EG decay rate
rr: drum instrument note number
mm: 00 - 64 - 127
(-64...0...+63)
The effect will apply both to
Decay1 and 2.
24 rr mm — Drum instrument pitch coarse
rr: drum instrument note number
mm: 00 - 64 - 127
(-64...0...+63)
25 rr mm — Drum instrument pitch fine
rr: drum instrument note number
mm: 00 - 64 - 127
(-64...0...+63)
26 rr mm — Drum instrument level
rr: drum instrument note number
mm: 00 - 127
(0...maximum)
28 rr mm — Drum instrument panpot
rr: drum instrument note number
mm: 00, 01-64-127
(RND, L63...C...R63)
29 rr mm — Drum instrument reverb send level
rr: drum instrument note number
mm: 00 - 127
(0...maximum)
30 rr mm — Drum instrument chorus send level
rr: drum instrument note number
mm: 00 - 127
(0...maximum)
31 rr mm — Drum instrument variation send
level
rr: drum instrument note number
mm: 00 - 127(0...maximum)
(when Variation Connection
= SYSTEM)
mm: 00, 01-127 (OFF,ON)
(when Variation Connection
= INSERTION)
36 rr mm — Drum high pass filter cutoff
frequency
mm: 00 - 64 - 127
(-64...0...+63)
48 rr mm — Drum EQ bass gain
mm: 00 - 64 - 127
(-64...0... +63)
49 rr mm — Drum EQ treble gain
mm: 00 - 64 - 127
(-64...0...+63)
52 rr mm — Drum EQ bass frequency
mm: 04 - 40
(32...2.0k [Hz])
53 rr mm — Drum EQ treble frequency
mm: 28 - 58
(500...16.0k [Hz])
MSB 20-53 (for drums) is received when Multi Part parameter PART MODE =
DRUMS1...4.
*1 Refer to 1.2.4
*2 ‘—’ indicates that the setting value is ignored.
*3 Adjusts the time after the note is played until vibrato begins to take
effect. The effect will begin more quickly for lower values, and more
slowly for higher values. No effect if Bank Select MSB=127 is selected.
*4 No effect if Multi Part parameter PART MODE = DRUM, DRUMS1...4.
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1.2.22 RPN (Registered parameter number)
This message is used to specify part parameters such as Pitch Bend
Sensitivity or Tuning etc. as an offset value.
Use RPN MSB and RPN LSB to specify the parameter that you wish to modi-
fy, and then use Data Entry (see 1.2.4) to set the value of the specified
parameter.
Control# Parameter Data Range
100 RPN LSB 0...127
101 RPN MSB 0...127
If the Multi Part parameter Rcv RPN = OFF, that part will not receive this
message.
The following RPN messages can be received.
RPN Data Entry*1
MSB LSB MSB LSB Parameter name and value range
00 00 mm — *2 Pitch bend sensitivity
mm: 00-24
(0...+24 semitones)
Specify up to 2 octaves in
semitone steps
00 01 mm ll Fine tuning
mm ll: 00 00 (=-100) cents
: :
mm ll: 64 00 (=0) cents
: :
mm ll: 127 127 (=+100) cents
[Note]
mm ll: 00 127 (=-87.5) cents
is followed by
01 00 (=-87.4) cents.
00 02 mm — Coarse tuning
mm: 40 - 64 - 88
(-24...0...+24 semitones)
127 127 — — RPN Null
This sets RPN and NRPN numbers
to an unset state.
Internal data is not affected.
*1 Refer to 1.2.4
*2 ‘—’ indicates that the setting value is ignored.
1.2.23 Assignable controller
By assigning a control change number of 0...95 to a part, the specified
effect can be controlled.
This device allows two control change numbers (AC1 and AC2) to be speci-
fied for each part.
The following parameters specify the effect of AC1 and AC2.
• Multi Part Parameter
1. AC1, AC2 PITCH CONTROL
2. AC1, AC2 FILTER CONTROL
3. AC1, AC2 AMPLITUDE CONTROL
4. AC1, AC2 LFO PMOD DEPTH
5. AC1, AC2 LFO FMOD DEPTH
6. AC1, AC2 LFO AMOD DEPTH
• Effect1 Parameter
7. AC1, AC2 VARIATION CONTROL DEPTH
(Valid if Variation Effect is assigned to a part as Insertion)
The AC1 control change number is specified by the Multi Part or AudioPart
parameter AC1 CONTROLLER NUMBER, and the AC2 control change num-
ber is specified by the Multi Part or Audio Part parameter AC2 CON-
TROLLER NUMBER.
1.3 Channel mode messages
These messages specify the basic operation of a part.
1.3.1 All Sound Off
This message silences all currently-sounding notes on the corresponding
channel.
However, the state of channel messages such as Note-on and Hold-on will
be maintained.
Control# Parameter Data Range
120 All Sound Off 0
1.3.2 Reset All Controllers
This message resets the following controllers to their default values.
Controller Value
Pitch bend change +/-0 (center)
Channel pressure 0 (off)
Polyphonic key pressure 0 (off)
Modulation 0 (off)
Expression 127 (maximum)
Hold 0 (off)
Portamento 0 (off)
Sostenuto 0 (off)
Soft pedal 0 (off)
Portamento control Reset the portamento source note
number that was received
RPN Number unset,
internal data is not affected.
NRPN Number unset,
internal data is not affected.
The following data is not changed
Parameter values specified by program change, bank select MSB/LSB, vol-
ume, pan, effect send levels 1, 3, 4, RPN and NRPN.
Control# Parameter Data Range
121 Reset All Controllers 0
1.3.3 All Note Off
This message turns off all notes which are currently on for the corresponding
part.
However, if Hold 1 or Sostenuto are on, notes will continue to sound until
these are turned off.
Control# Parameter Data Range
123 All Note Off 0
1.3.4 Omni Off
Perform the same processing as when All Note Off is received.
Control# Parameter Data Range
124 Omni Off 0
1.3.5 Omni On
Perform the same processing as when All Note Off is received.
Control# Parameter Data Range
125 Omni On 0
1.3.6 Mono
Perform the same processing as when All Sound Off is received, and if the
value (mono number) is in the range of 0...16, set the corresponding chan-
nel to Mode4* (m = 1).
Control# Parameter Data Range
126 Mono 0...16
* Mode4 is a state in which only channel messages on the specified
channel will be received, and notes will be sounded individually (mono-
phonically).
1.3.7 Poly
Perform the same processing as when All Sound Off is received, and set the
corresponding channel to Mode3*.
Control# Parameter Data Range
127 Poly 0
* Mode3 is when channel messages will be received only on the specified
channel, and will be sounded polyphonically.
1.4 Program change
This message is used to select voices.
When this is transmitted in conjunction with Bank Select (see 1.2.1), voices
can be selected not only from the basic voice bank but also from the
extended voice bank.
If the Multi Part parameter Rcv PROGRAM CHANGE = OFF, that part will not
receive program changes.
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1.5 Pitch bend
This message conveys movements of the pitch bender.
This message is generally used to modify the pitch of a part, but the depth
of the following seven effects can be controlled.
The effect of this message can be modified by the following parameters.
• Multi Part Parameter
1. BEND PITCH CONTROL
2. BEND FILTER CONTROL
3. BEND AMPLITUDE CONTROL
4. BEND LFO PMOD DEPTH
5. BEND LFO FMOD DEPTH
6. BEND LFO AMOD DEPTH
• Effect1 Parameter
7. BEND VARIATION CONTROL DEPTH
(Valid when Variation Effect is assigned to a part as Insertion)
By default, the Pitch Control effect is applied.
If the receive channel is a drum part, effects 5 and 6 will not apply.
If the Multi Part parameter Rcv PITCH BEND CHANGE = OFF, that part will
not receive pitch bend messages.
1.6 Channel aftertouch
This message conveys the pressure which is applied to the keyboard after
playing a note in order to create tonal changes (for an entire MIDI channel).
The pressure can be controlled for each part. This message will affect the
currently-sounding notes.
The effect of this message will be determined by the settings of the following
parameters.
• Multi Part Parameter
1. CAT PITCH CONTROL
2. CAT FILTER CONTROL
3. CAT AMPLITUDE CONTROL
4. CAT LFO PMOD DEPTH
5. CAT LFO FMOD DEPTH
6. CAT LFO AMOD DEPTH
• Effect1 Parameter
7. CAT VARIATION CONTROL DEPTH
(Valid when the Variation Effect is assigned to a part as Insertion)
By default, there will be no effect.
If the receive channel is a drum part, effects 5 and 6 will not apply.
If the Multi Part parameter Rcv CHANNEL AFTER TOUCH = OFF, that part
will not receive Channel Aftertouch.
1.7 Polyphonic aftertouch
This message conveys the pressure that is applied to the keyboard after
playing a note (for individual note numbers).
The pressure can be controlled independently for each note. This message
will affect currently-sounding notes.
The effect of this message is determined by the following Multi Part parame-
ters.
1. PAT PITCH CONTROL
2. PAT FILTER CONTROL
3. PAT AMPLITUDE CONTROL
4. PAT LFO PMOD DEPTH
5. PAT LFO FMOD DEPTH
6. PAT LFO AMOD DEPTH
By default, there will be no effect.
The effect will apply to note numbers 36...97.
In the case of either of the following Multi Part parameter settings, that part
will not receive Polyphonic Aftertouch.
Rcv CHANNEL AFTER TOUCH = OFF
PART MODE = DRUM, DRUMS1...4
2. System exclusive messages
2.1 Parameter changes
This device uses the following parameter changes.
[UNIVERSAL REALTIME MESSAGE]
1) Master Volume
[UNIVERSAL NON REALTIME MESSAGE]
1) General MIDI System On
[XG PARAMETER CHANGE]
1) XG System on
2) XG System parameter change
3) Multi Effect1 parameter change
4) Multi EQ parameter change
5) Multi Effect2 parameter change
6) Multi Part parameter change
7) Audio Part parameter change
8) Audio Part Configuration parameter change
9) Drums Setup parameter change
[SW1000XG NATIVE PARAMETER CHANGE]
1) System parameter change
[Others]
1) Master tuning
2) TG300 System parameter change
3) TG300 Multi Effect parameter change
4) TG300 Multi Part parameter change
2.1.1 Universal realtime messages
2.1.1.1 Master Volume
11110000 F0H Exclusive status
01111111 7FH Universal Real Time
01111111 7FH ID of target device
00000100 04H Sub-ID #1 = Device Control Message
00000001 01H Sub-ID #2 = Master Volume
*0sssssss SSH Volume LSB
0ttttttt TTH Volume MSB
11110111 F7H End of Exclusive
or,
11110000 F0H Exclusive status
01111111 7FH Universal Real Time
0xxxnnnn XNH Device Number, xxx = don’t care
00000100 04H Sub-ID #1 = Device Control Message
00000001 01H Sub-ID #2 = Master Volume
0sssssss SSH Volume LSB
0ttttttt TTH Volume MSB
11110111 F7H End of Exclusive
When this is received, the Volume MSB will be reflected by the System
parameter MASTER VOLUME.
* The binary expression 0sssssss is expressed in hexadecimal as SSH.
The same applies elsewhere.
2.1.2 Universal non-realtime messages
2.1.2.1 General MIDI System On
11110000 F0H Exclusive status
01111110 7EH Universal Non-Real Time
01111111 7FH ID of target device
00001001 09H Sub-ID #1 = General MIDI Message
00000001 01H Sub-ID #2 = General MIDI On
11110111 F7H End of Exclusive
or,
11110000 F0H Exclusive status
01111110 7EH Universal Non-Real Time
0xxxnnnn XNH N:Device Number, X:don’t care
00001001 09H Sub-ID #1 = General MIDI Message
00000001 01H Sub-ID #2 = General MIDI On
11110111 F7H End of Exclusive
When this message is received, the SOUND MODULE MODE is set to XG,
and all MIDI messages defined by GM will be received.
All data except for MIDI Master Tuning will be restored to the default value.
However this message will not be received in any of the following cases.
• XG Model System Parameter (see table 2-2) Rcv SYSTEM ON MES-
SAGE= OFF
Since approximately 50[ms] is required in order to process this message, be
sure to allow an appropriate interval before sending the next message.
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2.1.3 XG parameter change
This message sets XG-related parameters. Each message can set a single
parameter.
The message format is as follows.
11110000 F0H Exclusive status
01000011 43H YAMAHA ID
0001nnnn 1NH N:device Number
01001100 4CH Model ID
0ggggggg GGH Address High
0mmmmmmm MMH Address Mid
0lllllll LLH Address Low
0sssssss SSH Data
::
11110111 F7H End of Exclusive
For parameters whose Data Size is 2 or 4, the appropriate amount of data
will be transmitted as indicated by Size.
2.1.3.1 XG System On
This system exclusive message causes the SW1000XG to function as an
“XG”-compatible tone generator.
11110000 F0H Exclusive status
01000011 43H YAMAHA ID
0001nnnn 1NH N:device Number
01001100 4CH Model ID
00000000 00H Address High
00000000 00H Address Mid
01111110 7EH Address Low
00000000 00H Data
11110111 F7H End of Exclusive
When On is received, the SOUND MODULE MODE will be set to XG, and all
MIDI messages defined by XG such as NRPN or bank select etc. can be
received.
Since approximately 50[ms] are required in order to execute this message,
please allow an appropriate interval before transmitting the next message.
2.1.3.2 XG System parameter change
This message sets the XG SYSTEM block (refer to tables <1 -1>, <1 - 2>).
2.1.3.3 Multi Effect1 parameter change
This message sets the MULTI EFFECT1 block (refer to tables <1 - 1>, <1 -
3>).
2.1.3.4 Multi EQ parameter change
This message sets the MULTI EQ block (refer to tables <1 - 1>, <1 - 4>).
2.1.3.5 Multi Effect2 parameter change
This message sets the MULTI EFFECT2 block (refer to tables <1 - 1>, <1 -
5>).
2.1.3.6 Multi Part parameter change
This message sets the MULTI PART block (refer to tables <1 - 1>, <1 - 6>).
2.1.3.7 Audio Part parameter change
This message sets the AUDIO PART block (refer to tables <1 - 1> , <1 - 7>).
2.1.3.8 Audio Part Configuration parameter change
This message sets the AUDIO PART CONFIGURATION block (refer to tables
<1 - 1>, <1 - 8>).
2.1.3.9 Drums Setup parameter change
This message sets the DRUMS SETUP block (refer to tables <1 - 1> , <1 -
9>).
2.1.4 SW1000XG native parameter change
This message sets parameters unique to the SW1000XG. Each message
sets a single parameter.
As indicated below, the message format is in common with the MU50,
MU80, and MU90.
11110000 F0H Exclusive status
01000011 43H YAMAHA ID
0001nnnn 1NH N:Device Number
01001001 49H Model ID
0ggggggg GGH Address High
0mmmmmmm MMH Address Mid
0lllllll LLH Address Low
0vvvvvvv VVH Data
::
11110111 F7H End of Exclusive
For parameters whose Data Size is 2 or 4, the number of data bytes indicat-
ed by Size are transmitted.
2.1.4.1 System parameter change
This message sets the SYSTEM block (refer to tables <2 - 1>, <2 - 2>).
2.1.5 Other parameter changes
2.1.5.1 Master tuning
This message simultaneously modifies the tuning of all channels.
11110000 F0H Exclusive status
01000011 43H YAMAHA ID
0001nnnn 1NH N:device Number
00100111 27H Model ID
00110000 30H Address High
00000000 00H Address Mid
00000000 00H Address Low
0000mmmm 0MH Master Tune MSB
0000llll 0LH Master Tune LSB
0xxxxxxx XXH don’t care
11110111 F7H End of Exclusive
Normally, the XG SYSTEM message MASTER TUNE should be used (refer to
table <1-2>).
2.2 Bulk dump
This device uses the following bulk dump messages.
[XG BULK DUMP]
1) XG System bulk dump
2) Multi Effect1 bulk dump
3) Multi EQ bulk dump
4) Multi Effect2 bulk dump
5) Multi Part bulk dump
6) Audio Part bulk dump
7) Drums Setup bulk dump
[SW1000XG NATIVE BULK DUMP]
1) System bulk dump
2.2.1 XG bulk dump
This message sets XG-related parameters. Unlike parameter change mes-
sages, a single message can modify multiple parameters. The message for-
mat is as follows.
11110000 F0H Exclusive status
01000011 43H YAMAHA ID
0000nnnn 0NH N:Device Number
01001100 4CH Model ID
0sssssss SSH ByteCountMSB
0ttttttt TTH ByteCountLSB
0ggggggg GGH Address High
0mmmmmmm MMH Address Mid
0lllllll LLH Address Low
0vvvvvvv VVH Data
::
0kkkkkkk KKH Check-sum
11110111 F7H End of Exclusive
Address and Byte Count are given in tables 1-n. Byte Count is indicated by
the total size of the Data in tables 1-n.
Bulk dump and dump request messages are received when the beginning
of the block is specified as the ‘Address’.
‘Block’ indicates the unit of the data string that is indicated in tables 1-n as
‘Total size’.
Check sum is the value that produces a lower 7 bits of 0 when the Start
Address, Byte Count, Data, and the Check-sum itself are added.
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2.2.1.1 XG System bulk dump
This message sets the XG SYSTEM block (refer to tables <1 -1>, <1 - 2>).
2.2.1.2 Multi Effect1 bulk dump
This message sets the MULTI EFFECT1 block (refer to tables <1 - 1>, <1 -
3>).
2.2.1.3 Multi EQ bulk dump
This message sets the MULTI EQ block (refer to tables <1 - 1>, <1 - 4>).
2.2.1.4 Multi Effect2 bulk dump
This message sets the MULTI EFFECT2 block (refer to tables <1 - 1>, <1 -
5>).
2.2.1.5 Multi Part bulk dump
This message sets the MULTI PART block (refer to tables <1 - 1>, <1 - 6>).
2.2.1.6 Audio Part bulk dump
This message sets the Audio PART block (refer to tables <1 - 1>, <1 - 7>).
2.2.1.7 Drums Setup bulk dump
This message sets the DRUMS SETUP block (refer to tables <1 - 1>, <1 -
9>).
2.2.2 SW1000XG native bulk dump
This message modifies parameters unique to the SW1000XG. Unlike param-
eter change messages, a single message will modify multiple parameters.
11110000 F0H Exclusive status
01000011 43H YAMAHA ID
0000nnnn 0NH N:Device Number
01001001 49H Model ID
0sssssss SSH ByteCountMSB
0ttttttt TTH ByteCountLSB
0ggggggg GGH Address High
0mmmmmmm MMH Address Mid
0lllllll LLH Address Low
0vvvvvvv VVH Data
::
0kkkkkkk KKH Check-sum
11110111 F7H End of Exclusive
Details are the same as for 2.2.1 XG Bulk Dump. However, refer to table 2-n
for the address, byte count, and block.
2.2.2.1 System bulk dump
This message sets the SYSTEM block (refer to tables <2 - 1>, <2 - 2>).
3. Realtime messages
3.1 Active sensing
a) Transmission
not transmitted.
b) Reception
Once FE has been received, failure to receive any MIDI message for an
interval longer than approximately 300 msec will cause processing to be
performed as if ALL SOUND OFF, ALL NOTE OFF, and RESET ALL
CONTROLLERS messages were received, and the unit will reset to a
condition in which FE was never received.
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< Table 1 - 1 >
< Table 1 - 2 >
MIDI Parameter Change table ( XG SYSTEM )
Address Size Data Parameter Description Default value
(H) (H) (H) (H)
00 00 00 40 00 - 0F MASTER TUNE -102.4...0...+102.3[cent] 00 04 00 00
01 00 - 0F 1st bit3-0→bit15-12
02 00 - 0F 2nd bit3-0→bit11-8
03 00 - 0F 3rd bit3-0→bit7-4
4th bit3-0→bit3-0
04 1 00 - 7F MASTER VOLUME 0...127 7F
05 1 00 - 7F MASTER ATTENUATOR 0...127 00
06 1 28 - 58 TRANSPOSE -24...0...+24[semitones] 40
7D 1 N DRUM SETUP RESET N:Drum setup number(receive only) —
7E 1 00 XG SYSTEM ON 00=XG system ON (receive only) —
7F 1 00 ALL PARAMETER RESET 00=ON (receive only) —
TOTAL SIZE 07
< Table 1 - 3 >
MIDI Parameter Change table ( EFFECT 1)
Address Size Data Parameter Description Default value
(H) (H) (H) (H)
02 01 00 2 00 - 7F REVERB TYPE MSB refer to Effect Program List 01(=HALL1)
00 - 7F REVERB TYPE LSB ″ 00
02 1 00 - 7F REVERB PARAMETER 1 ″ 12(depends on reverb type)
03 1 00 - 7F REVERB PARAMETER 2 ″ 0A(″)
04 1 00 - 7F REVERB PARAMETER 3 ″ 08(″)
05 1 00 - 7F REVERB PARAMETER 4 ″ 0D(″)
06 1 00 - 7F REVERB PARAMETER 5 ″ 31(″)
07 1 00 - 7F REVERB PARAMETER 6 ″ 00(″)
08 1 00 - 7F REVERB PARAMETER 7 ″ 00(″)
09 1 00 - 7F REVERB PARAMETER 8 ″ 00(″)
0A 1 00 - 7F REVERB PARAMETER 9 ″ 00(″)
0B 1 00 - 7F REVERB PARAMETER 10 ″ 00(″)
0C 1 00 - 7F REVERB RETURN -∞dB...0dB...+6dB(0...96...127) 40
0D 1 01 - 7F REVERB PAN L63...C...R63 40
TOTAL SIZE 0E
02 01 10 1 00 - 7F REVERB PARAMETER 11 refer to Effect Parameter List 00(depends on reverb type)
11 1 00 - 7F REVERB PARAMETER 12 ″ 04(″)
12 1 00 - 7F REVERB PARAMETER 13 ″ 32(″)
13 1 00 - 7F REVERB PARAMETER 14 ″ 08(″)
14 1 00 - 7F REVERB PARAMETER 15 ″ 40(″)
15 1 00 - 7F REVERB PARAMETER 16 ″ 00(″)
TOTAL SIZE 06
Parameter Bass Addres
Model ID = 4C
Address Parameter
3n 0D 00 note number 13
3n 0E 00 note number 14
: :
3n 5B 00 note number 91
XG SYSTEM 00 00 00 System
00 00 7D Drum setup Reset
00 00 7E XG System On
00 00 7F All Parameter Reset
EFFECT 1 02 01 00 Effect1(Reverb,Chorus,Variation )
02 40 00 Multi EQ
EFFECT 2 03 00 00 Insertion Effect 1
03 01 00 Insertion Effect 2
MULTI PART 08 00 00 Multi Part 1
:
08 0F 00 Multi Part 16
08 10 00 Multi Part 17
:
08 1F 00 Multi Part 32
MULTI PART 0A 00 00 Multi Part 1
(additional) :
0A 0F 00 Multi Part 16
0A 10 00 Multi Part 17
:
0A 1F 00 Multi Part 32
Audio PART 10 00 00 Audio Part 1
:
10 0D 00 Audio Part 14
Audio Config 11 00 00 Audio Config 1
:
11 0D 00 Audio Config 14
DRUM 30 0D 00 Drum Setup 1
31 0D 00 Drum Setup 2
32 0D 00 Drum Setup 3
33 0D 00 Drum Setup 4
Parameter Description
Address
(H) (M) (L)
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02 01 20 2 00 - 7F CHORUS TYPE MSB refer to Effect Program List 41(=CHORUS1)
00 - 7F CHORUS TYPE LSB ″ 00
22 1 00 - 7F CHORUS PARAMETER 1 ″ 06(depends on chorus type)
23 1 00 - 7F CHORUS PARAMETER 2 ″ 36(″)
24 1 00 - 7F CHORUS PARAMETER 3 ″ 4D(″)
25 1 00 - 7F CHORUS PARAMETER 4 ″ 6A(″)
26 1 00 - 7F CHORUS PARAMETER 5 ″ 00(″)
27 1 00 - 7F CHORUS PARAMETER 6 ″ 1C(″)
28 1 00 - 7F CHORUS PARAMETER 7 ″ 40(″)
29 1 00 - 7F CHORUS PARAMETER 8 ″ 2E(″)
2A 1 00 - 7F CHORUS PARAMETER 9 ″ 40(″)
2B 1 00 - 7F CHORUS PARAMETER 10 ″ 40(″)
2C 1 00 - 7F CHORUS RETURN -∞dB...0dB...+6dB(0...96...127) 40
2D 1 01 - 7F CHORUS PAN L63...C...R63(1...64...127) 40
2E 1 00 - 7F SEND CHORUS TO REVERB -∞dB...0dB...+6dB(0...96...127) 00
TOTAL SIZE 0F
02 01 30 1 00 - 7F CHORUS PARAMETER 11 refer to Effect Parameter List 2E(depends on chorus type)
31 1 00 - 7F CHORUS PARAMETER 12 ″ 40(″)
32 1 00 - 7F CHORUS PARAMETER 13 ″ 0A(″)
33 1 00 - 7F CHORUS PARAMETER 14 ″ 00(″)
34 1 00 - 7F CHORUS PARAMETER 15 ″ 00(″)
35 1 00 - 7F CHORUS PARAMETER 16 ″ 00(″)
TOTAL SIZE 06
02 01 40 2 00 - 7F VARIATION TYPE MSB refer to Effect Program List 05(=DELAY L,C,R)
00 - 7F VARIATION TYPE LSB ″ 00
42 2 00 - 7F VARIATION PARAMETER 1 MSB ″ 1A(depends on variation type)
00 - 7F VARIATION PARAMETER 1 LSB ″ 05(″)
44 2 00 - 7F VARIATION PARAMETER 2 MSB ″ 0D(″)
00 - 7F VARIATION PARAMETER 2 LSB ″ 03(″)
46 2 00 - 7F VARIATION PARAMETER 3 MSB ″ 27(″)
00 - 7F VARIATION PARAMETER 3 LSB ″ 08(″)
48 2 00 - 7F VARIATION PARAMETER 4 MSB ″ 27(″)
00 - 7F VARIATION PARAMETER 4 LSB ″ 08(″)
4A 2 00 - 7F VARIATION PARAMETER 5 MSB ″ 00(″)
00 - 7F VARIATION PARAMETER 5 LSB ″ 4A(″)
4C 2 00 - 7F VARIATION PARAMETER 6 MSB ″ 00(″)
00 - 7F VARIATION PARAMETER 6 LSB ″ 64(″)
4E 2 00 - 7F VARIATION PARAMETER 7 MSB ″ 00(″)
00 - 7F VARIATION PARAMETER 7 LSB ″ 0A(″)
50 2 00 - 7F VARIATION PARAMETER 8 MSB ″ 00(″)
00 - 7F VARIATION PARAMETER 8 LSB ″ 00(″)
52 2 00 - 7F VARIATION PARAMETER 9 MSB ″ 00(″)
00 - 7F VARIATION PARAMETER 9 LSB ″ 00(″)
54 2 00 - 7F VARIATION PARAMETER 10 MSB ″ 00(″)
00 - 7F VARIATION PARAMETER 10 LSB ″ 20(″)
56 1 00 - 7F VARIATION RETURN -∞dB...0dB...+6dB(0...96...127) 40
57 1 01 - 7F VARIATION PAN L63...C...R63(1...64...127) 40
58 1 00 - 7F SEND VARIATION TO REVERB -∞dB...0dB...+6dB(0...96...127) 00
59 1 00 - 7F SEND VARIATION TO CHORUS -∞dB...0dB...+6dB(0...96...127) 00
5A 1 00 - 01 VARIATION CONNECTION INSERTION , SYSTEM 00
5B 1 00 - 7F VARIATION PART NUMBER Part1...32(0...31) 7F
Audio1~14(64~67)
OFF(127)
5C 1 00 - 7F MW VARIATION CONTROL DEPTH -64...0...+63 40
5D 1 00 - 7F BEND VARIATION CONTROL DEPTH -64...0...+63 40
5E 1 00 - 7F CAT VARIATION CONTROL DEPTH -64...0...+63 40
5F 1 00 - 7F AC1 VARIATION CONTROL DEPTH -64...0...+63 40
60 1 00 - 7F AC2 VARIATION CONTROL DEPTH -64...0...+63 40
TOTAL SIZE 21
02 01 70 1 00 - 7F VARIATION PARAMETER 11 refer to Effect Parameter List 00(depends on variation type)
71 1 00 - 7F VARIATION PARAMETER 12 ″ 3C(″)
72 1 00 - 7F VARIATION PARAMETER 13 ″ 1C(″)
73 1 00 - 7F VARIATION PARAMETER 14 ″ 40(″)
74 1 00 - 7F VARIATION PARAMETER 15 ″ 2E(″)
75 1 00 - 7F VARIATION PARAMETER 16 ″ 40(″)
TOTAL SIZE 06
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< Table 1 - 4 >
MIDI Parameter Change table ( MULTI EQ )
Address Size Data Parameter Description Default value
(H) (H) (H) (H)
02 40 00 1 00 - 04 EQ TYPE flat, jazz, pops, rock, classic 00
01 1 34 - 4C EQ GAIN1 -12...0...+12[dB] 40(depends on EQ type)
02 1 04 - 28 EQ FREQUENCY1 32...2.0k[Hz] 0C(″)
03 1 01 - 78 EQ Q1 0.1...12.0 07(″)
04 1 00 - 01 EQ SHAPE1 shelving , peaking 00(″)
05 1 34 - 4C EQ GAIN2 -12...0...+12[dB] 40(″)
06 1 0E - 36 EQ FREQUENCY2 100...10.0k[Hz] 1C(″)
07 1 01 - 78 EQ Q2 0.1...12.0 07(″)
08 1 NOT USED —
09 1 34 - 4C EQ GAIN3 -12...0...+12[dB] 40(″)
0A 1 0E - 36 EQ FREQUENCY3 100...10.0k[Hz] 22(″)
0B 1 01 - 78 EQ Q3 0.1...12.0 07(″)
0C 1 NOT USED —
0D 1 34 - 4C EQ GAIN4 -12...0...+12[dB] 40(″)
0E 1 0E - 36 EQ FREQUENCY4 100...10.0k[Hz] 2E(″)
0F 1 01 - 78 EQ Q4 0.1...12.0 07(″)
10 1 NOT USED —
11 1 34 - 4C EQ GAIN5 -12...0...+12[dB] 40(″)
12 1 1C - 3A EQ FREQUENCY5 0.5k...16.0k[Hz] 34(″)
13 1 01 - 78 EQ Q5 0.1...12.0 07(″)
14 1 00 - 01 EQ SHAPE5 shelving , peaking 00(″)
TOTAL SIZE 15
< Table 1 - 5 >
MIDI Parameter Change table ( EFFECT 2)
Address Size Data Parameter Description Default value
(H) (H) (H) (H)
03 00 00 2 00 - 7F INSERTION EFFECT1 TYPE MSB refer to Effect Program List 49(=DISTORTION)
00 - 7F INSERTION EFFECT1 TYPE LSB ″ 00
02 1 00 - 7F INSERTION EFFECT1 PARAMETER1 ″ 28(depends on insertion effect1 type)
03 1 00 - 7F INSERTION EFFECT1 PARAMETER2 ″ 14(″)
04 1 00 - 7F INSERTION EFFECT1 PARAMETER3 ″ 48(″)
05 1 00 - 7F INSERTION EFFECT1 PARAMETER4 ″ 35(″)
06 1 00 - 7F INSERTION EFFECT1 PARAMETER5 ″ 40(″)
07 1 00 - 7F INSERTION EFFECT1 PARAMETER6 ″ 00(″)
08 1 00 - 7F INSERTION EFFECT1 PARAMETER7 ″ 2B(″)
09 1 00 - 7F INSERTION EFFECT1 PARAMETER8 ″ 4A(″)
0A 1 00 - 7F INSERTION EFFECT1 PARAMETER9 ″ 0A(″)
0B 1 00 - 7F INSERTION EFFECT1 PARAMETER10 ″ 7F(″)
0C 1 00 - 7F INSERTION EFFECT1 PART NUMBER Part1...32(0...31) 7F
Audio1~14(64~67)
OFF(127)
0D 1 00 - 7F MW INSERTION CONTROL DEPTH -64...0...+63 40
0E 1 00 - 7F BEND INSERTION CONTROL DEPTH -64...0...+63 40
0F 1 00 - 7F CAT INSERTION CONTROL DEPTH -64...0...+63 40
10 1 00 - 7F AC1 INSERTION CONTROL DEPTH -64...0...+63 40
11 1 00 - 7F AC2 INSERTION CONTROL DEPTH -64...0...+63 40
TOTAL SIZE 12
20 1 00 - 7F INSERTION EFFECT1 PARAMETER11 refer to Effect Parameter List 78(depends on insertion effect1 type)
21 1 00 - 7F INSERTION EFFECT1 PARAMETER12 ″ 00(″)
22 1 00 - 7F INSERTION EFFECT1 PARAMETER13 ″ 00(″)
23 1 00 - 7F INSERTION EFFECT1 PARAMETER14 ″ 00(″)
24 1 00 - 7F INSERTION EFFECT1 PARAMETER15 ″ 00(″)
25 1 00 - 7F INSERTION EFFECT1 PARAMETER16 ″ 00(″)
TOTAL SIZE 06
30 2 00 - 7F INSERTION EFFECT1 PARAMETER1 MSB refer to Effect Parameter List 00(depends on insertion effect1 type)
00 - 7F INSERTION EFFECT1 PARAMETER1 LSB ″ 28(″)
32 2 00 - 7F INSERTION EFFECT1 PARAMETER2 MSB ″ 00(″)
00 - 7F INSERTION EFFECT1 PARAMETER2 LSB ″ 14(″)
34 2 00 - 7F INSERTION EFFECT1 PARAMETER3 MSB ″ 00(″)
00 - 7F INSERTION EFFECT1 PARAMETER3 LSB ″ 48(″)
36 2 00 - 7F INSERTION EFFECT1 PARAMETER4 MSB ″ 00(″)
00 - 7F INSERTION EFFECT1 PARAMETER4 LSB ″ 35(″)
38 2 00 - 7F INSERTION EFFECT1 PARAMETER5 MSB ″ 00(″)
00 - 7F INSERTION EFFECT1 PARAMETER5 LSB ″ 40(″)
3A 2 00 - 7F INSERTION EFFECT1 PARAMETER6 MSB ″ 00(″)
00 - 7F INSERTION EFFECT1 PARAMETER6 LSB ″ 00(″)
3C 2 00 - 7F INSERTION EFFECT1 PARAMETER7 MSB ″ 00(″)
00 - 7F INSERTION EFFECT1 PARAMETER7 LSB ″ 2B(″)
3E 2 00 - 7F INSERTION EFFECT1 PARAMETER8 MSB ″ 00(″)
00 - 7F INSERTION EFFECT1 PARAMETER8 LSB ″ 4A(″)
40 2 00 - 7F INSERTION EFFECT1 PARAMETER9 MSB ″ 00(″)
00 - 7F INSERTION EFFECT1 PARAMETER9 LSB ″ 0A(″)
42 2 00 - 7F INSERTION EFFECT1 PARAMETER10 MSB ″ 00(″)
00 - 7F INSERTION EFFECT1 PARAMETER10 LSB ″ 7F(″)
TOTAL SIZE 14
When using an EFFECT TYPE which does not require the MSB, parameters of addresses 02...0B are received, and parameters of addresses 30...42 are not
received.
When using an EFFECT TYPE which requires the MSB, parameters of addresses 30...42 are received, and parameters of addresses 02...0B are not received.
Bulk data which includes the EFFECT TYPE is always transmitted with the parameters of addresses 02...0B, but in the case of an EFFECT TYPE which requires
the MSB, parameters of addresses 02...0B are not received even for bulk reception.
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03 01 00 2 00 - 7F INSERTION EFFECT2 TYPE MSB refer to Effect Program List 49(=DISTORTION)
00 - 7F INSERTION EFFECT2 TYPE LSB ″ 00
02 1 00 - 7F INSERTION EFFECT2 PARAMETER1 ″ 28(depends on insertion effect2 type)
03 1 00 - 7F INSERTION EFFECT2 PARAMETER2 ″ 14(″)
04 1 00 - 7F INSERTION EFFECT2 PARAMETER3 ″ 48(″)
05 1 00 - 7F INSERTION EFFECT2 PARAMETER4 ″ 35(″)
06 1 00 - 7F INSERTION EFFECT2 PARAMETER5 ″ 40(″)
07 1 00 - 7F INSERTION EFFECT2 PARAMETER6 ″ 00(″)
08 1 00 - 7F INSERTION EFFECT2 PARAMETER7 ″ 2B(″)
09 1 00 - 7F INSERTION EFFECT2 PARAMETER8 ″ 4A(″)
0A 1 00 - 7F INSERTION EFFECT2 PARAMETER9 ″ 0A(″)
0B 1 00 - 7F INSERTION EFFECT2 PARAMETER10 ″ 7F(″)
0C 1 00 - 7F INSERTION EFFECT2 PART NUMBER Part1...32(0...31) 7F
Audio1~14(64~67)
OFF(127)
0D 1 00 - 7F MW INSERTION CONTROL DEPTH -64...0...+63 40
0E 1 00 - 7F BEND INSERTION CONTROL DEPTH -64...0...+63 40
0F 1 00 - 7F CAT INSERTION CONTROL DEPTH -64...0...+63 40
10 1 00 - 7F AC1 INSERTION CONTROL DEPTH -64...0...+63 40
11 1 00 - 7F AC2 INSERTION CONTROL DEPTH -64...0...+63 40
TOTAL SIZE 12
20 1 00 - 7F INSERTION EFFECT2 PARAMETER11 refer to Effect Parameter List 78(depends on insertion effect2 type)
21 1 00 - 7F INSERTION EFFECT2 PARAMETER12 ″ 00(″)
22 1 00 - 7F INSERTION EFFECT2 PARAMETER13 ″ 00(″)
23 1 00 - 7F INSERTION EFFECT2 PARAMETER14 ″ 00(″)
24 1 00 - 7F INSERTION EFFECT2 PARAMETER15 ″ 00(″)
25 1 00 - 7F INSERTION EFFECT2 PARAMETER16 ″ 00(″)
TOTAL SIZE 06
30 2 00 - 7F INSERTION EFFECT2 PARAMETER1 MSB refer to Effect Parameter List 00(depends on insertion effect2 type)
00 - 7F INSERTION EFFECT2 PARAMETER1 LSB ″ 28(″)
32 2 00 - 7F INSERTION EFFECT2 PARAMETER2 MSB ″ 00(″)
00 - 7F INSERTION EFFECT2 PARAMETER2 LSB ″ 14(″)
34 2 00 - 7F INSERTION EFFECT2 PARAMETER3 MSB ″ 00(″)
00 - 7F INSERTION EFFECT2 PARAMETER3 LSB ″ 48(″)
36 2 00 - 7F INSERTION EFFECT2 PARAMETER4 MSB ″ 00(″)
00 - 7F INSERTION EFFECT2 PARAMETER4 LSB ″ 35(″)
38 2 00 - 7F INSERTION EFFECT2 PARAMETER5 MSB ″ 00(″)
00 - 7F INSERTION EFFECT2 PARAMETER5 LSB ″ 40(″)
3A 2 00 - 7F INSERTION EFFECT2 PARAMETER6 MSB ″ 00(″)
00 - 7F INSERTION EFFECT2 PARAMETER6 LSB ″ 00(″)
3C 2 00 - 7F INSERTION EFFECT2 PARAMETER7 MSB ″ 00(″)
00 - 7F INSERTION EFFECT2 PARAMETER7 LSB ″ 2B(″)
3E 2 00 - 7F INSERTION EFFECT2 PARAMETER8 MSB ″ 00(″)
00 - 7F INSERTION EFFECT2 PARAMETER8 LSB ″ 4A(″)
40 2 00 - 7F INSERTION EFFECT2 PARAMETER9 MSB ″ 00(″)
00 - 7F INSERTION EFFECT2 PARAMETER9 LSB ″ 0A(″)
42 1 00 - 7F INSERTION EFFECT2 PARAMETER10 MSB ″ 00(″)
00 - 7F INSERTION EFFECT2 PARAMETER10 LSB ″ 7F(″)
TOTAL SIZE 14
When using an EFFECT TYPE which does not require the MSB, parameters of addresses 02...0B are received, and parameters of addresses 30...42 are not
received.
When using an EFFECT TYPE which requires the MSB, parameters of addresses 30...42 are received, and parameters of addresses 02...0B are not received.
Bulk data which includes the EFFECT TYPE is always transmitted with the parameters of addresses 02...0B, but in the case of an EFFECT TYPE which requires
the MSB, parameters of addresses 02...0B are not received even for bulk reception.
< Table 1 - 6 >
MIDI Parameter Change table ( MULTI PART )
Address Size Data Parameter Description Default value
(H) (H) (H) (H)
08 nn 00 1 00 - 40 ELEMENT RESERVE 0...64 part10, 26=0
other parts =2
nn 01 1 00 - 7F BANK SELECT MSB 0...127 part10,26=7F
other parts=0
nn 02 1 00 - 7F BANK SELECT LSB 0...127 00
nn 03 1 00 - 7F PROGRAM NUMBER 1...128 00
nn 04 1 00-1F,7F Rcv CHANNEL A1...A16, B1...B16, OFF Part No.
nn 05 1 00 - 01 MONO/POLY MODE MONO , POLY 01
nn 06 1 00 - 02 SAME NOTE NUMBER SINGLE, MULTI, INST(for DRUM) 01
KEY ON ASSIGN
nn 07 1 00 - 05 PART MODE NORMAL, DRUM, DRUMS1...4 Part10=2, Part26=4
other parts=0
nn 08 1 28 - 58 NOTE SHIFT -24...0...+24[semitones] 40
nn 09 2 00 - 0F DETUNE -12.8...0...+12.7[Hz] 08 00
nn 0A 00 - 0F 1st bit3-0→bit7-4
2nd bit3-0→bit3-0
nn 0B 1 00 - 7F VOLUME 0...127 64
nn 0C 1 00 - 7F VELOCITY SENSE DEPTH 0...127 40
nn 0D 1 00 - 7F VELOCITY SENSE OFFSET 0...127 40
nn 0E 1 00 - 7F PAN RND, L63...C...R63 40
nn 0F 1 00 - 7F NOTE LIMIT LOW C-2...G8 00
nn 10 1 00 - 7F NOTE LIMIT HIGH C-2...G8 7F
nn 11 1 00 - 7F DRY LEVEL 0...127 7F
nn 12 1 00 - 7F CHORUS SEND 0...127 00
nn 13 1 00 - 7F REVERB SEND 0...127 28
nn 14 1 00 - 7F VARIATION SEND 0...127 00
nn 15 1 00 - 7F VIBRATO RATE -64...0...+63 40
nn 16 1 00 - 7F VIBRATO DEPTH -64...0...+63 40
nn 17 1 00 - 7F VIBRATO DELAY -64...0...+63 40
nn 18 1 00 - 7F LOW PASS FILTER CUTOFF FREQUENCY -64...0...+63 40
nn 19 1 00 - 7F LOW PASS FILTER RESONANCE -64...0...+63 40
nn 1A 1 00 - 7F EG ATTACK TIME -64...0...+63 40
nn 1B 1 00 - 7F EG DECAY TIME -64...0...+63 40
nn 1C 1 00 - 7F EG RELEASE TIME -64...0...+63 40
nn 1D 1 28 - 58 MW PITCH CONTROL -24...0...+24[semitones] 40
nn 1E 1 00 - 7F MW LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40
nn 1F 1 00 - 7F MW AMPLITUDE CONTROL -100...0...+100[%] 40
nn 20 1 00 - 7F MW LFO PMOD DEPTH 0...127 0A
nn 21 1 00 - 7F MW LFO FMOD DEPTH 0...127 00
nn 22 1 00 - 7F MW LFO AMOD DEPTH 0...127 00
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nn 23 1 28 - 58 BEND PITCH CONTROL -24...0...+24[semitones] 42
nn 24 1 00 - 7F BEND LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40
nn 25 1 00 - 7F BEND AMPLITUDE CONTROL -100...0...+100[%] 40
nn 26 1 00 - 7F BEND LFO PMOD DEPTH 0...127 00
nn 27 1 00 - 7F BEND LFO FMOD DEPTH 0...127 00
nn 28 1 00 - 7F BEND LFO AMOD DEPTH 0...127 00
TOTAL SIZE 29
nn 30 1 00 - 01 Rcv PITCH BEND OFF, ON 01
nn 31 1 00 - 01 Rcv CH AFTER TOUCH(CAT) OFF, ON 01
nn 32 1 00 - 01 Rcv PROGRAM CHANGE OFF, ON 01
nn 33 1 00 - 01 Rcv CONTROL CHANGE OFF, ON 01
nn 34 1 00 - 01 Rcv POLY AFTER TOUCH(PAT) OFF, ON 01
nn 35 1 00 - 01 Rcv NOTE MESSAGE OFF, ON 01
nn 36 1 00 - 01 Rcv RPN OFF, ON 01
nn 37 1 00 - 01 Rcv NRPN OFF, ON XGmode=01, GMmode=00
nn 38 1 00 - 01 Rcv MODULATION OFF, ON 01
nn 39 1 00 - 01 Rcv VOLUME OFF, ON 01
nn 3A 1 00 - 01 Rcv PAN OFF, ON 01
nn 3B 1 00 - 01 Rcv EXPRESSION OFF, ON 01
nn 3C 1 00 - 01 Rcv HOLD1 OFF, ON 01
nn 3D 1 00 - 01 Rcv PORTAMENTO OFF, ON 01
nn 3E 1 00 - 01 Rcv SOSTENUTO OFF, ON 01
nn 3F 1 00 - 01 Rcv SOFT PEDAL OFF, ON 01
nn 40 1 00 - 01 Rcv BANK SELECT OFF, ON XGmode=01, GMmode=00
nn 41 1 00 - 7F SCALE TUNING C -64...0...+63[cent] 40
nn 42 1 00 - 7F SCALE TUNING C# -64...0...+63[cent] 40
nn 43 1 00 - 7F SCALE TUNING D -64...0...+63[cent] 40
nn 44 1 00 - 7F SCALE TUNING D# -64...0...+63[cent] 40
nn 45 1 00 - 7F SCALE TUNING E -64...0...+63[cent] 40
nn 46 1 00 - 7F SCALE TUNING F -64...0...+63[cent] 40
nn 47 1 00 - 7F SCALE TUNING F# -64...0...+63[cent] 40
nn 48 1 00 - 7F SCALE TUNING G -64...0...+63[cent] 40
nn 49 1 00 - 7F SCALE TUNING G# -64...0...+63[cent] 40
nn 4A 1 00 - 7F SCALE TUNING A -64...0...+63[cent] 40
nn 4B 1 00 - 7F SCALE TUNING A# -64...0...+63[cent] 40
nn 4C 1 00 - 7F SCALE TUNING B -64...0...+63[cent] 40
nn 4D 1 28 - 58 CAT PITCH CONTROL -24...0...+24[semitones] 40
nn 4E 1 00 - 7F CAT LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40
nn 4F 1 00 - 7F CAT AMPLITUDE CONTROL -100...0...+100[%] 40
nn 50 1 00 - 7F CAT LFO PMOD DEPTH 0...127 00
nn 51 1 00 - 7F CAT LFO FMOD DEPTH 0...127 00
nn 52 1 00 - 7F CAT LFO AMOD DEPTH 0...127 00
nn 53 1 28 - 58 PAT PITCH CONTROL -24...0...+24[semitones] 40
nn 54 1 00 - 7F PAT LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40
nn 55 1 00 - 7F PAT AMPLITUDE CONTROL -100...0...+100[%] 40
nn 56 1 00 - 7F PAT LFO PMOD DEPTH 0...127 00
nn 57 1 00 - 7F PAT LFO FMOD DEPTH 0...127 00
nn 58 1 00 - 7F PAT LFO AMOD DEPTH 0...127 00
nn 59 1 00 - 5F AC1 CONTROLLER NUMBER 0...95 10
nn 5A 1 28 - 58 AC1 PITCH CONTROL -24...0...+24[semitones] 40
nn 5B 1 00 - 7F AC1 LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40
nn 5C 1 00 - 7F AC1 AMPLITUDE CONTROL -100...0...+100[%] 40
nn 5D 1 00 - 7F AC1 LFO PMOD DEPTH 0...127 00
nn 5E 1 00 - 7F AC1 LFO FMOD DEPTH 0...127 00
nn 5F 1 00 - 7F AC1 LFO AMOD DEPTH 0...127 00
nn 60 1 00 - 5F AC2 CONTROLLER NUMBER 0...95 11
nn 61 1 28 - 58 AC2 PITCH CONTROL -24...0...+24[semitones] 40
nn 62 1 00 - 7F AC2 LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40
nn 63 1 00 - 7F AC2 AMPLITUDE CONTROL -100...0...+100[%] 40
nn 64 1 00 - 7F AC2 LFO PMOD DEPTH 0...127 00
nn 65 1 00 - 7F AC2 LFO FMOD DEPTH 0...127 00
nn 66 1 00 - 7F AC2 LFO AMOD DEPTH 0...127 00
nn 67 1 00 - 01 PORTAMENTO SWITCH OFF, ON 00
nn 68 1 00 - 7F PORTAMENTO TIME 0...127 00
nn 69 1 00 - 7F PITCH EG INITIAL LEVEL -64...0...+63 40
nn 6A 1 00 - 7F PITCH EG ATTACK TIME -64...0...+63 40
nn 6B 1 00 - 7F PITCH EG RELEASE LEVEL -64...0...+63 40
nn 6C 1 00 - 7F PITCH EG RELEASE TIME -64...0...+63 40
nn 6D 1 01 - 7F VELOCITY LIMIT LOW 1...127 01
nn 6E 1 01 - 7F VELOCITY LIMIT HIGH 1...127 7F
TOTAL SIZE 3F
nn 70 1 NOT USED —
nn 71 1 NOT USED —
nn 72 1 00 - 7F EQ BASS GAIN -12 - +12[dB] 40
nn 73 1 00 - 7F EQ TREBLE GAIN -12 - +12[dB] 40
TOTAL SIZE 04
nn 74 1 NOT USED —
nn 75 1 NOT USED —
nn 76 1 04 - 28 EQ BASS FREQUENCY 32...2.0k[Hz] 0C
nn 77 1 1C - 3A EQ TREBLE FREQUENCY 500...16.0k[Hz] 36
nn 78 1 NOT USED —
nn 79 1 NOT USED —
nn 7A 1 NOT USED —
nn 7B 1 NOT USED —
nn 7C 1 NOT USED —
nn 7D 1 NOT USED —
nn 7E 1 NOT USED —
nn 7F 1 NOT USED —
TOTAL SIZE 0C
0A nn 10 1 00,08,09,0A OUTPUT SELECT
0:stereo out, 8:indiv1+2, 9:indiv3+4,
00
28,29,2A,2B,
10:indiv5+6,40:indiv1,41:indiv2,42:indiv3,
2C,2D 43:indiv4, 44:indiv5,45:indiv6
TOTAL SIZE 01
If data other than the above is received, 0:stereo out will be selected.
Note: In the case of OUTPUT SELECT, if the received value exceeds the number that can be supported, the parameter value will be 0.
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0A nn 20 1 00 - 7F HIGH PASS FILTER CUTOFF FREQUENCY -64...0...+63 40
nn 21 1 NOT USED —
TOTAL SIZE 02
nn = PART NUMBER
In the case of a DRUM PART, the following parameters will have no effect.
• BANK SELECT LSB
• MONO/POLY MODE
• SCALE TUNING
• PORTAMENTO
• PITCH EG
• FILTER MODULATION DEPTH (FMOD DEPTH)
• AMPLITUDE MODULATION DEPTH (AMOD DEPTH)
• OUTPUT SELECT
< Table 1 - 7 >
MIDI Parameter Change table ( Audio PART )
Address Size Data Parameter Description Default value
(H) (H) (H) (H)
10 0n 00 1 00 - 01 INPUT GAIN MIC , LINE
(Effective only for Analog Device) 00
01 1 00 - 7F BANK SELECT MSB 0...127 00
02 1 00 - 7F BANK SELECT LSB 0...127 00
03 1 00 - 7F PROGRAM NUMBER 1...128 00
04 1 00-1F, 7F Rcv CHANNEL A1...A16,B1...B16, OFF 7F
05 1 NOT USED —
06 1 NOT USED —
07 1 NOT USED —
08 1 NOT USED —
09 1 NOT USED —
0A 1 NOT USED —
0B 1 00 - 7F VOLUME 0...127
(Default value for Analog Device is 0) 64
0C 1 NOT USED —
0D 1 NOT USED —
0E 1 01 - 7F PAN L63...C...R63 40
0F 1 NOT USED —
10 1 NOT USED —
11 1 00 - 7F DRY LEVEL 0...127 7F
12 1 00 - 7F CHORUS SEND 0...127 00
13 1 00 - 7F REVERB SEND 0...127 00
14 1 00 - 7F VARIATION SEND 0...127 00
TOTAL SIZE 15
10 0n 30 1 NOT USED —
31 1 NOT USED —
32 1 00 - 01 Rcv PROGRAM CHANGE OFF , ON 00
33 1 00 - 01 Rcv CONTROL CHANGE OFF , ON 01
34 1 NOT USED —
35 1 00 - 01 MUTE ON, OFF 01
36 1 NOT USED —
37 1 NOT USED —
38 1 NOT USED —
39 1 00 - 01 Rcv VOLUME OFF , ON 01
3A 1 00 - 01 Rcv PAN OFF , ON 01
3B 1 00 - 01 Rcv EXPRESSION OFF , ON 01
3C 1 NOT USED —
3D 1 NOT USED —
3E 1 NOT USED —
3F 1 NOT USED —
40 1 00 - 01 Rcv BANK SELECT OFF , ON 00
41 1 NOT USED —
42 1 NOT USED —
43 1 NOT USED —
44 1 NOT USED —
45 1 NOT USED —
46 1 NOT USED —
47 1 NOT USED —
48 1 NOT USED —
49 1 NOT USED —
4A 1 NOT USED —
4B 1 NOT USED —
4C 1 NOT USED —
4D 1 NOT USED —
4E 1 NOT USED —
4F 1 NOT USED —
50 1 NOT USED —
51 1 NOT USED —
52 1 NOT USED —
53 1 NOT USED —
54 1 NOT USED —
55 1 NOT USED —
56 1 NOT USED —
57 1 NOT USED —
58 1 NOT USED —
59 1 00 - 5F AC1 CONTROLLER NUMBER 0...95 10
5A 1 NOT USED —
5B 1 NOT USED —
5C 1 NOT USED —
5D 1 NOT USED —
5E 1 NOT USED —
5F 1 NOT USED —
60 1 00 - 5F AC2 CONTROLLER NUMBER 0...95 11
TOTAL SIZE 31
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12 nn 10 1 00,08,09,0A OUTPUT SELECT
0:stereo out, 8:indiv1+2, 9:indiv3+4,
00
28,29,2A,2B,
10:indiv5+6,40:indiv1,41:indiv2,42:indiv3,
2C,2D 43:indiv4, 44:indiv5,45:indiv6
TOTAL SIZE 01
If data other than the above is received, 0:stereo out will be selected.
Note: In the case of OUTPUT SELECT, if the received value exceeds the number that can be supported, the parameter value will be 0.
n:Audio Part number( 0 - D )
< Table 1 - 8 >
MIDI Parameter Change table ( Audio Part Configuration )
Address Size Data Parameter Description Default value
(H) (H) (H) (H)
11 0n 00 1 00 - 01 Stereo/Monaural Switch between Stereo and Monaural 00
(Effective only for even numbered
parts)
TOTAL SIZE 01
11 0n 01 3 00 - Input Category Indicate input type, 00
depending on the shape of
the connector.
0:No Connection
1∼63:Connection to external device
1:Analog,others: Reserve
64∼126:Connection to internal Bus
64:PCI,others: Reserve
127:Reserve
00 - Input Sub Category Indicate input sub-type. 00
Not used at present. Set to 0.
00 - Input Serial Number Serial number in the same 00
input category.
TOTAL SIZE 03
n:Audio Part number( 0 - D )
< Table 1 - 9 >
MIDI Parameter Change table ( DRUM SETUP )
Address Size Data Parameter Description Default value
(H) (H) (H) (H)
3n rr 00 1 00 - 7F PITCH COARSE -64...0...+63 40
01 1 00 - 7F PITCH FINE -64...0...+63[cent] 40
02 1 00 - 7F LEVEL 0...127 depend on the note
03 1 00 - 7F ALTERNATE GROUP OFF,1...127 ″
04 1 00 - 7F PAN RND,L63...C...R63 ″
05 1 00 - 7F REVERB SEND 0...127 ″
06 1 00 - 7F CHORUS SEND 0...127 ″
07 1 00 - 7F VARIATION SEND 0...127 7F
08 1 00 - 01 KEY ASSIGN SINGLE , MULTI 00
09 1 00 - 01 Rcv NOTE OFF OFF , ON depend on the note
0A 1 00 - 01 Rcv NOTE ON OFF , ON 01
0B 1 00 - 7F LOW PASS FILTER CUTOFF FREQUENCY -64...0...63 40
0C 1 00 - 7F LOW PASS FILTER RESONANCE -64...0...63 40
0D 1 00 - 7F EG ATTACK RATE -64...0...63 40
0E 1 00 - 7F EG DECAY1 RATE -64...0...63 40
0F 1 00 - 7F EG DECAY2 RATE -64...0...63 40
TOTAL SIZE 10
3n rr 20 1 00 - 7F EQ BASS GAIN -12 - +12[dB] 40
21 1 00 - 7F EQ TREBLE GAIN -12 - +12[dB] 40
22 1 NOT USED —
23 1 NOT USED —
24 1 04 - 28 EQ BASS FREQUENCY 32...2.0k[Hz] 0C
25 1 1C - 3A EQ TREBLE FREQUENCY 500...16.0k[Hz] 36
26 1 NOT USED —
27 1 NOT USED —
28 1 NOT USED —
29 1 NOT USED —
2A 1 NOT USED —
2B 1 NOT USED —
2C 1 NOT USED —
2D 1 NOT USED —
TOTAL SIZE 0E
3n rr 40 1 00,08,09,0A OUTPUT SELECT
0:stereo out, 8:indiv1+2, 9:indiv3+4,
00
28,29,2A,2B,
10:indiv5+6,40:indiv1,41:indiv2,42:indiv3,
2C,2D 43:indiv4, 44:indiv5,45:indiv6
TOTAL SIZE 01
When data other than the above is received, 0:stereo out will be selected.
3n rr 50 1 00 - 7F HIGH PASS FILTER CUTOFF FREQUENCY -64...0...63 40
51 1 NOT USED —
TOTAL SIZE 02
3n rr 60 1 30 - 50 VELOCITY SENSE PITCH -16...0...16 depend on the note
61 1 30 - 50 VELOCITY SENSE LPF CUTOFF -16...0...16 ″
TOTAL SIZE 02
n:Drum Setup Number(0 - 3)
rr:note number(0D - 5B)
In the following cases, the SW1000XG will initialize all Drum Setups.
XG SYSTEM ON received
GM SYSTEM ON received
DRUM SETUP RESET received (when in XG mode)
81
DataList-E.qx 8/5/98 5:04 PM Page 81
[Note]
When a part to which a Drum Setup is assigned receives a program change, the assigned Drum Setup will be initialized.
If the same Drum Setup is assigned to two or more parts, changes in Drum Setup parameters (including program changes) will apply to all parts to which it is
assigned.
< Table 2 - 1 >
< Table 2 - 2 >
MIDI Parameter Change table ( SYSTEM )
Address Size Data Parameter Description Default value
(H) (H) (H) (H)
00 00 00 1 00 - 01 MUTE LOCK OFF , ON 00
01 1 00 - 01 Audio LOCK OFF , ON 00
02 1 00 - 01 EQ LOCK OFF , ON 00
03 1 00 - 01 Rcv SYSTEM ON MESSAGE OFF , ON 01
04 1 00 - 01 Rcv BANK SELECT OFF , ON 01
05 Not Used
06 Not Used
07 Not Used
08 Not Used
09 Not Used
TOTAL SIZE 0A
00 00 10 1 00 - 01 DRUM EDIT Rcv NOTE OFF , ON 01
TOTAL SIZE 01
00 00 11 1 00 - 01 OUTPUT SELECT LOCK OFF , ON 00
TOTAL SIZE 01
00 00 12 1 00 - 01 Voice Map MU Basic/SW1000XG Native Voice 00
TOTAL SIZE 01
Parmeter Bass Address
Model ID = 49
SW1000XG SYSTEM 00 00 00 System
Parameter Description
Address
(H) (M) (L)
82
DataList-E.qx 8/4/98 4:01 PM Page 82
DataList-E.qx 8/4/98 4:01 PM Page 83
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