Yamaha HTR-5240 Manual de usuario

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Receptor
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Manual de usuario

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90
OWNER’S MANUAL
MODE D’EMPLOI
HTR-5240
Natural Sound AV Receiver
Ampli-tuner audio-vidéo
U C A
1/17/0, 3:57 PM
CAUTION
SAFETY INSTRUCTIONS
8 Ventilation – The unit should be situated so that its
location or position does not interfere with its proper
ventilation. For example, the unit should not be situated
on a bed, sofa, rug, or similar surface, that may block the
ventilation openings; or placed in a built-in installation,
such as a bookcase or cabinet that may impede the flow
of air through the ventilation openings.
9 Heat – The unit should be situated away from heat
sources such as radiators, stoves, or other appliances
that produce heat.
10 Power Sources – The unit should be connected to a
power supply only of the type described in the operating
instructions or as marked on the unit.
11 Power-Cord Protection – Power-supply cords should be
routed so that they are not likely to be walked on or
pinched by items placed upon or against them, paying
particular attention to cords at plugs, convenience
receptacles, and the point where they exit from the unit.
12 Cleaning – The unit should be cleaned only as
recommended by the manufacturer.
13 Nonuse Periods – The power cord of the unit should be
unplugged from the outlet when left unused for a long
period of time.
14 Object and Liquid Entry – Care should be taken so that
objects do not fall into and liquids are not spilled into the
inside of the unit.
15 Damage Requiring Service – The unit should be serviced
by qualified service personnel when:
A. The power-supply cord or the plug has been
damaged; or
B. Objects have fallen, or liquid has been spilled into the
unit; or
C. The unit has been exposed to rain; or
D. The unit does not appear to operate normally or exhibits
a marked change in performance; or
E. The unit has been dropped, or the cabinet damaged.
16 Servicing – The user should not attempt to service the
unit beyond those means described in the operating
instructions. All other servicing should be referred to
qualified service personnel.
17 Power Lines – An outdoor antenna should be located
away from power lines.
18 Grounding or Polarization – Precautions should be taken
so that the grounding or polarization is not defeated.
1 Read Instructions – All the safety and operating
instructions should be read before the unit is operated.
2 Retain Instructions – The safety and operating
instructions should be retained for future reference.
3 Heed Warnings – All warnings on the unit and in the
operating instructions should be adhered to.
4 Follow Instructions – All operating and other instructions
should be followed.
5 Water and Moisture – The unit should not be used near
water – for example, near a bathtub, washbowl, kitchen
sink, laundry tub, in a wet basement, or near a swimming
pool, etc.
6 Carts and Stands – The unit should be used only with a
cart or stand that is recommended by the
manufacturer.
6A A unit and cart combination should be
moved with care. Quick stops, excessive
force, and uneven surfaces may cause
the unit and cart combination to overturn.
7 Wall or Ceiling Mounting – The unit should be mounted to
a wall or ceiling only as recommended by the
manufacturer.
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
Explanation of Graphical Symbols
The lightning flash with arrowhead symbol,
within an equilateral triangle, is intended to
alert you to the presence of uninsulated
“dangerous voltage” within the product’s
enclosure that may be of sufficient magnitude
to constitute a risk of electric shock to persons.
The exclamation point within an equilateral
triangle is intended to alert you to the presence
of important operating and maintenance
(servicing) instructions in the literature
accompanying the appliance.
WARNING
TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO
RAIN OR MOISTURE.
0101V496caution_EN(UCA) 1/11/0, 10:48 AM2
CAUTION
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIX
INTRODUCTION PREPARATION
19 For US customers only:
Outdoor Antenna Grounding – If an outside antenna is
connected to this unit, be sure the antenna system is
grounded so as to provide some protection against
voltage surges and built-up static charges. Article 810 of
the National Electrical Code, ANSI/NFPA 70, provides
information with regard to proper grounding of the mast
and supporting structure, grounding of the lead-in wire to
an antenna discharge unit, size of grounding conductors,
location of antenna discharge unit, connection to
grounding electrodes, and requirements for the
grounding electrode.
EXAMPLE OF ANTENNA GROUNDING
MAST
GROUND
CLAMP
ANTENNA
LEAD IN
WIRE
ANTENNA
DISCHARGE UNIT
(NEC SECTION 810–20)
GROUNDING CONDUCTORS
(NEC SECTION 810–21)
GROUND CLAMPS
POWER SERVICE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250. PART H)
ELECTRIC
SERVICE
EQUIPMENT
NEC
– NATIONAL ELECTRICAL CODE
We Want You Listening For A Lifetime
YAMAHA and the Electronic Industries Association’s
Consumer Electronics Group want you to get the most out of
your equipment by playing it at a safe level. One that lets the
sound come through loud and clear without annoying blaring
or distortion – and, most importantly, without affecting your
sensitive hearing.
Since hearing damage from loud sounds is often
undetectable until it is too late, YAMAHA and the
Electronic Industries Association’s Consumer
Electronics Group recommend you to avoid
prolonged exposure from excessive volume
levels.
FCC INFORMATION (for US customers only)
1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the
instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC,
to use the product.
2. IMPORTANT : When connecting this product to
accessories and/or another product use only high
quality shielded cables. Cable/s supplied with this
product MUST be used. Follow all installation instruc-
tions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE : This product has been tested and found to
comply with the requirements listed in FCC Regula-
tions, Part 15 for Class “B” digital devices. Compliance
with these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices.
This equipment generates/uses radio frequencies and,
if not installed and used according to the instructions
found in the users manual, may cause interference
harmful to the operation of other electronic devices.
Compliance with FCC regulations does not guarantee
that interference will not occur in all installations. If
this product is found to be the source of interference,
which can be determined by turning the unit “OFF”
and “ON”, please try to eliminate the problem by using
one of the following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch
(circuit breaker or fuse) circuits or install AC line filter/
s.
In the case of radio or TV interference, relocate/
reorient the antenna. If the antenna lead-in is 300
ohm ribbon lead, change the lead-in to coaxial type
cable.
If these corrective measures do not produce satisfac-
tory results, please contact the local retailer autho-
rized to distribute this type of product. If you can not
locate the appropriate retailer, please contact Yamaha
Electronics Corp., U.S.A. 6660 Orangethorpe Ave,
Buena Park, CA 90620.
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
Note to CATV system installer:
This reminder is provided to call the CATV system
installers attention to Article 820-40 of the NEC that
provides guidelines for proper grounding and, in particular,
specifies that the cable ground shall be connected to the
grounding system of the building, as close to the point of
cable entry as practical.
SAFETY INSTRUCTIONS
0101V496caution_EN(UCA) 1/11/0, 10:48 AM3
CAUTION
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
1. To assure the finest performance, please read this
manual carefully. Keep it in a safe place for future
reference.
2. Install this unit in a cool, dry, clean place — away
from windows, heat sources, sources of excessive
vibration, dust, moisture and cold. Avoid sources of
humming (transformers, motors). To prevent fire or
electrical shock, do not expose the unit to rain or
water.
3. Never open the cabinet. If something drops into the
unit, contact your dealer.
4. Do not use force on switches, controls or connection
wires. When moving the unit, first disconnect the
power cord and then the wires connected to other
component. Never pull the wires themselves.
5. The openings on the cover assure proper ventilation
of the unit. If these openings are obstructed, the
temperature inside the unit will rise rapidly.
Therefore, avoid placing objects against these
openings, and install the unit in a well-ventilated area
to prevent fire and damage.
6. The voltage used must be the same as that specified
on this unit. Using this unit with a higher voltage than
specified is dangerous and may result in fire or other
accidents. YAMAHA will not be held responsible for
any damage resulting from the use of this unit with a
voltage other than that specified.
7. Digital signals generated by this unit may interfere
with other component such as tuners, receivers and
TVs. Move this unit farther away from such
component if interference is observed.
8. Always set VOLUME to the m position before
starting the audio source play. Increase the volume
gradually to an appropriate level after playback has
been started.
9. Do not attempt to clean the unit with chemical
solvents; this might damage the finish. Use a clean,
dry cloth.
10. Be sure to read the “TROUBLESHOOTING” section
regarding common operating errors before
concluding that the unit is faulty.
11. When not planning to use this unit for a long period
of time (e.g., a vacation), disconnect the AC power
cord from the wall outlet.
12. To prevent lightning damage, disconnect the AC
power cord and disconnect the antenna cable when
there is an electrical storm.
13. Grounding or polarization — Precautions should be
taken so that the grounding or polarization of the unit
is not defeated.
14. AC outlet — Do not connect audio component to the
AC outlet on the rear panel if that component
requires more power than the outlet is rated to
provide.
This unit is not disconnected from the AC power source
as long as it is connected to the wall outlet, even if this
unit itself is turned off. This state is called the standby
mode. In this state, this unit is designed to consume a
very small quantity of power.
IMPORTANT
Please record the serial number of this unit in the space
below.
MODEL:
Serial No.:
The serial number is located on the rear of the unit.
Retain this Owners Manual in a safe place for future
reference.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR
MOISTURE.
FOR CANADIAN CUSTOMERS
To prevent electric shock, match wide blade of plug to
wide slot and fully insert.
This Class B digital apparatus complies with Canadian
ICES-003.
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EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIX
INTRODUCTION PREPARATION
1
FEATURES
5-Channel Power Amplification
Minimum RMS Output
(0.06% THD, 20 Hz – 20 kHz)
[U.S.A. and Canada models]
Main: 70 W + 70 W (8 )
Center: 70 W (8 )
Rear: 70 W + 70 W (8 )
[Australia model]
Main: 65 W + 65 W (8 )
Center: 65 W (8 )
Rear: 65 W + 65 W (8 )
Multi-mode Digital Sound Field
Processing
Digital Sound Field Processor (DSP)
Dolby Digital Decoder
Dolby Pro Logic Decoder
DTS Decoder
CINEMA DSP: Theater-like Sound Experience by
the Combination of YAMAHA DSP Technology
and Dolby Digital, Dolby Pro Logic or DTS
Automatic Input Balance Control for Dolby Pro
Logic decoding
Sophisticated FM/AM Tuner
40-Station Random Access Preset Tuning
Automatic Preset Tuning
Preset Station Shifting Capability (Preset Editing)
Other Features
“SET MENU” which Provides You with 11 Items
for Optimizing This Unit for Your Audio/Video
System
Test Tone Generator for Easier Speaker Balance
Adjustment
6-Channel External Decoder Input for Other Future
Formats
Video Signal Input/Output Capability
(Including S Video Connections)
2 Optical/1 Coaxial Digital Signal Input Terminals
SLEEP Timer
Remote Control with Preset Manufacturer Codes
INTRODUCTION
CONTENTS
PREPARATION
SPEAKER SETUP....................................................... 8
CONNECTIONS.......................................................... 9
ADJUSTING THE SPEAKER BALANCE ............ 18
BASIC OPERATION
PLAYING A SOURCE .............................................. 20
DIGITAL SOUND FIELD PROCESSOR (DSP)
EFFECT .................................................................. 24
SOUND FIELD PROGRAM .................................... 25
TUNING ..................................................................... 28
RECORDING A SOURCE ON TAPE, MD OR
VIDEO CASSETTE ............................................... 32
ADVANCED OPERATION
SET MENU................................................................. 33
DELAY TIME AND SPEAKER
OUTPUT LEVELS ................................................. 37
SLEEP TIMER .......................................................... 39
PRESET REMOTE CONTROL .............................. 40
APPENDIX
TROUBLESHOOTING ............................................ 47
SPECIFICATIONS.................................................... 50
GLOSSARY................................................................ 52
INDEX ........................................................................ 53
INTRODUCTION
FEATURES .................................................................. 1
CONTENTS ................................................................. 1
GETTING STARTED ................................................. 2
CONTROLS AND FUNCTIONS ............................... 4
y indicates a tip for your operation.
Manufactured under license from Digital Theater Systems, Inc.
US Pat. No. 5,451,942 and other world-wide patents issued and
pending. “DTS”, “DTS Digital Surround”, are trademarks of
Digital Theater Systems, Inc. Copyright 1996 Digital Theater
Systems, Inc. All Rights Reserved.
Manufactured under license from Dolby
Laboratories. “Dolby”, “Pro Logic” and the
double-D symbol are trademarks of Dolby
Laboratories. Confidential Unpublished Works.
©1992 – 1997 Dolby Laboratories, Inc. All
rights reserved.
0102V49601-07_EN(UCA) 1/11/0, 11:20 AM1
2
GETTING STARTED
Checking the Package Contents
Check that the following items are included in your package.
2
1
3
Remote control Batteries (AAA, R03, UM-4 type) Antenna adapter
(U.S.A. and Canada models only)
Indoor FM antenna Quick reference card
Connection guide
Battery Installation in the Remote
Control
1 Turn the remote control over and slide the
battery compartment cover in the direction of
the arrow.
2 Insert the batteries (AAA, R03 or UM-4 type)
according the polarity markings on the inside
of the battery compartment.
3 Close the battery compartment cover.
Battery Replacement
If the remote control operates only when it is close to the
unit, the batteries are weak. Replace all the batteries with
new ones.
Be sure to replace the batteries within about two minutes.
If it takes longer than two minutes, the codes preset for
the remote control will return to the factory settings.
(Refer to pages 40 to 46 about the remote control.)
Notes
Use only AAA, R03 or UM-4 batteries for replacement.
Be sure the battery polarity is correct. (See the illustration inside
the battery compartment.)
Remove the batteries if the remote control will not be used for an
extended period of time.
If the batteries have leaked, dispose of them immediately. Avoid
touching the leaked material or letting it come into contact with
clothing, etc. Clean the battery compartment thoroughly before
installing new batteries.
AM loop antenna
0102V49601-07_EN(UCA) 1/12/0, 4:11 PM2
3
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIX
INTRODUCTION PREPARATION
Using the Remote Control
The remote control transmits a directional infrared beam. Be
sure to aim the remote control directly at the infrared sensor
during operation. When the sensor is covered or there is a
large object between the remote control and the sensor, the
sensor cannot receive signals. The sensor may not be able to
receive signals properly when it is exposed to direct sunlight
or a strong artificial light (such as a fluorescent or strobe
light). In this case, change the direction of the light or
reposition the unit to avoid direct lighting.
Notes
Handle the remote control with care.
Do not spill water, tea or other liquids on the remote control.
Do not drop the remote control.
Do not leave or store the remote control in the following
conditions:
high humidity or temperature such as near a heater, stove or
bath;
dusty places; or
extremely low temperature.
GETTING STARTED
Remote control
sensor
Within approximately 6 m
(20 feet)
0102V49601-07_EN(UCA) 1/12/0, 4:11 PM3
4
LR
+
+
12 3 4 65
7890qwerty
u i op
6 VOLUME
Turn this control to turn up or down the volume.
7 PHONES jack
Connect the headphones to the PHONES jack. You can
listen to the sound to be output from the main speakers
through the headphones.
When using headphones only, set both SPEAKERS A and B
to the OFF position and press EFFECT to turn off the effect
speakers (center and rear) (so that no DSP program name
appear on the display).
8 SPEAKERS
Set A or B (or both A and B) to the ON position for the main
speaker system (connected to this unit) that you want to use.
Set the button(s) to the OFF position for the main speaker
system that you don’t want to use.
9 PROGRAM selector
Press l or h to select a DSP program when the effect
speakers (center and rear) are turned on. The name of the
selected program appears on the display.
0 EFFECT
Press this button to turn on or off the effect speakers (center
and rear). If you turn them off, all Dolby Digital and DTS
audio signals are directed to the right and left main
speakers. In that case, the output levels of the right and left
speakers may not match.
CONTROLS AND FUNCTIONS
Front Panel
1 STANDBY/ON
Press this switch to turn on the power of this unit or to set
this unit in the standby mode. Before turning the power on,
set VOLUME to the “m” position.
Standby mode
In this mode, this unit consumes a very small quantity of
power to receive infrared-signals from the remote
control.
2 Remote control sensor
This receives signals from the remote control.
3 Display
This shows various information. (Refer to page 6 for
details.)
4 INPUT MODE
Press this button to select the input mode among AUTO,
DTS and ANALOG for the DVD/LD, TV/digital TV and
satellite tuner sources.
5 INPUT SELECTOR
Turn this selector to select the input source (TUNER, CD,
PHONO, V-AUX, VCR, SAT/D-TV, DVD/LD) that you
want to listen to or watch. The arrow for the selected input
source indicator lights up on the display.
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5
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIX
INTRODUCTION PREPARATION
q Tone controls
These controls are only effective for the sound from the
main speakers.
a) BASS
Turn this control clockwise to increase or counterclockwise
to decrease the low-frequency response. The “0” position
produces a flat response.
b) TREBLE
Turn this control clockwise to increase or counterclockwise
to decrease the high-frequency response. The “0” position
produces a flat response.
w TAPE/MD MON / EXT. DECODER
Press this button to select a tape or an MD source. The
“TAPE/MD MONITOR” indicator lights up on the display.
When you press the button next, the “TAPE/MD
MONITOR” indicator goes off, “EXT. DECODER” appears
on the display and you can listen to a source connected to
the EXTERNAL DECODER INPUT terminals.
e BALANCE
This control is only effective for the sound from the main
speakers.
Turn the control to adjust the balance of the output volume
from the right and left main speakers to compensate for
sound imbalance caused by the speaker location or listening
room conditions.
r A/B/C/D/E
Press this button to select one of a group (A to E) of preset
stations.
t PRESET/TUNING
When “ z ” appears
This button is used to select a preset station number (1 to 8).
Press h to select a higher and l to select a lower preset
station number.
When “ z ” goes off
This button is used for tuning. Press h to tune in to higher
frequencies, and l to tune in to lower frequencies.
y PRESET/TUNING, EDIT
Press this button to turn on or off “ z ” on the display and
switch the function between for storing a broadcasting
station (preset tuning) and for tuning. This button is also
used to exchange the assignment of two preset stations with
each other.
u FM/AM
Press this button to switch the reception band between FM
and AM.
i MEMORY (MAN’L/AUTO FM)
Press this button to store the broadcasting stations. Hold
down this button for more than three seconds to begin
automatic preset tuning.
o TUNING MODE (AUTO/MAN’L MONO)
Press this button to switch the tuning mode between
automatic and manual. To use the automatic tuning method,
press this button so that the “AUTO” indicator lights up on
the display. To use the manual tuning method, press this
button so that the “AUTO” indicator goes off.
p VIDEO AUX terminals
Connect an auxiliary audio or video input source such as a
camcorder to these terminals. Use INPUT SELECTOR to
select the source connected to these terminals.
CONTROLS AND FUNCTIONS
0102V49601-07_EN(UCA) 1/12/0, 4:11 PM5
6
Display
6 g and o indicators
g ” lights up when the built-in Dolby Digital
decoder is on and the signals of the selected source are
encoded with Dolby Digital. “ o ” lights up when
the built-in Dolby Pro Logic decoder is on.
7 x indicator
x ” lights up when the built-in digital sound
field processor is on.
8 MEMORY indicator
This flashes for about five seconds after pressing
MEMORY. During this period, the displayed station can be
stored in the memory.
9 AUTO indicator
This lights up when the unit is in the automatic tuning
mode.
0 STEREO indicator
This lights up when an FM stereo broadcast with sufficient
signal strength is being received.
q Signal-level indicator
This indicates the signal level of the station being received.
If multipath interference is detected, the indication
decreases.
w SLEEP indicator
This lights up while the built-in SLEEP timer is on.
CONTROLS AND FUNCTIONS
1 t indicator
The “t” indicator lights up when the built-in DTS
decoder is turned on.
2 DSP program indicators
The name of the selected DSP program lights up in the
following cases:
When the tuner is selected as the input source.
When DSP program No. 2, 3 or the subprogram
“ENHANCED” of No.1 is selected.
3 Multi-information display
This display shows various information: for example the
name of the selected DSP program and the various settings
during adjustment with the SET MENU. The current station
frequency and band (FM or AM) also appear when the tuner
is selected as the input source.
4 Input source indicators
One of the arrows for these indicators lights up depending
on which source is selected.
5 TAPE/MD MONITOR indicator
This lights up when the tape deck or MD recorder, etc. is
selected as the input source by pressing TAPE/MD MON /
EXT. DECODER (or TAPE/MD).
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EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIX
INTRODUCTION PREPARATION
Remote Control
1 Indicator
This flashes in red when pressing a button on the remote
control. If it flashes rapidly several times, press the selected
button again.
2 Component selector buttons
Press one of these buttons which corresponds to the
component you want to control with the remote control.
(The proper code must be set for your component. Refer to
“Setup codes” on page 45.) When the component selector
button has been pressed, the remote control is set to that
component operation mode.
3 POWER
Each time you press this button, the unit switches between
the power on and standby mode.
4 TEST
Press this button to output the test tone for each speaker.
5 A/B/C/D/E, PRESET +/–
These buttons are used to select a preset station.
A/B/C/D/E: To select one of a group (A to E) of preset
stations
PRESET +/–: To select a preset station number (1 to 8)
6 MUTE
Press this button to mute the sound. To cancel mute, press
this button again.
7 VOLUME
These buttons are used to adjust the volume level.
u: To turn up the volume
d: To turn down the volume
8 SLEEP
Press this button to set the SLEEP timer.
9 +/–
These buttons adjust the settings of the SET MENU and
TIME/LEVEL mode.
0 TIME/LEVEL
Press this button to select the items in the TIME/LEVEL
mode.
q Input selector buttons
These buttons select the input source.
CD: To play a CD
TUNER: To listen to an FM or AM broadcast
TAPE/MD: To play a tape or MD
DVD/LD: To play a DVD or LD
SAT/D-TV: To watch a TV or satellite broadcast
VCR: To play a video cassette
PHONO: To play an analog record
V-AUX: To use a camcorder
EXT. DEC.: To play other multi-channel source
w EFFECT
Press this button to turn on or off the effect speakers (center
and rear).
e PRG+, PRG–
Press these buttons to select a DSP program.
r SET MENU
Press this button to select the items in the SET MENU.
CONTROLS AND FUNCTIONS
1
2
3
q
w
e
r
4
5
6
7
8
9
0
TV VOLUME
TV INPUT
Press AMP(TUNER).
This section describes basic operation of this unit with the
remote control. First, press AMP(TUNER) on the
component selector. Refer to “PRESET REMOTE
CONTROL” on page 40 for full details.
0102V49601-07_EN(UCA) 1/20/0, 10:50 AM7
8
SPEAKER SETUP
Speaker Placement
Refer to the following diagram when you place the
speakers.
Speakers to Be Used
This unit is designed to provide the best sound-field quality
with a 5-speaker system, using main speakers, rear speakers
and a center speaker. If you use different brands of speakers
(with different tonal qualities) in your system, the tone of a
moving human voice and other types of sound may not shift
smoothly. We recommend that you use speakers from the
same manufacture or speakers with the same tonal quality.
The main speakers are used for the main source sound plus
the effect sounds. They will probably be the speakers from
your present stereo system. The rear speakers are used for
the effect and surround sounds, and the center speaker is for
the center sounds (dialog, vocals, etc.). If for some reason it
is not practical to use a center speaker, you can do without
it. Best results, however, are obtained with the full system.
The main speakers should be high-performance models and
have enough power-handling capacity to accept the
maximum output of your audio system. The other speakers
do not have to be equal to the main speakers. For precise
sound localization, however, it is ideal to use high-
performance models that can reproduce sounds over the full
range for the center speaker and the rear speakers.
Use of a subwoofer expands your
sound field
It is also possible to further expand your system with the
addition of a subwoofer. The use of a subwoofer is effective
not only for reinforcing bass frequencies from any or all
channels, but also for reproducing the LFE (low frequency
effect) channel with high fidelity when playing back a
source encoded with Dolby Digital or DTS. The YAMAHA
Active Servo Processing Subwoofer System is ideal for
natural and lively bass reproduction.
Main
speaker (L)
Center speaker
Main speaker (R)
Subwoofer
Rear speaker (L)
Rear speaker (R)
1.8 m
Main speakers
Place the right and left main speakers an equal distance
from the ideal listening position. The distance of each
speaker from each side of the TV monitor should be the
same.
Rear speakers
Place these speakers behind your listening position, facing
slightly inwards, nearly 1.8 m (approx. 6 feet) above the
floor.
Center speaker
Align the front face of the center speaker with the front face
of your TV monitor. Place the speaker as close to the
monitor as possible, such as directly over or under the
monitor and centrally between the main speakers.
Note
If the center speaker is not used, the sound will be heard from the
right and left main speakers. In that case, “CENTER SP” in the
SET MENU is set to the NONE position. (Refer to page 34 for
details.)
Subwoofer
The position of the subwoofer is not so critical, because low
bass sounds are not highly directional. But it is better to
place the subwoofer near the main speakers. Turn it slightly
toward the center of the room to reduce the wall reflections.
CAUTION
Some types of speakers interfere with a TV monitor. If
this problem occurs, move the speakers away from the
monitor. If you cannot avoid installing the center speaker
or subwoofer near the TV monitor, use magnetically
shielded speakers.
PREPARATION
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INTRODUCTION
PREPARATION
CONNECTIONS
Before Connecting Components
CAUTION
Never connect this unit and other components to mains power until all connections between components have been
completed.
Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some
components require different connection methods and have different terminal names. Refer to the instructions for each
component to be connected to this unit.
When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect
it to the terminals with the same number labels as !, #, $ etc. YAMAHA applies this labeling system to all its products.
Use RCA-type pin plug cables for connecting audio/video components with the exception described later.
The input and output terminals for pin plugs can be distinguished as follows:
Yellow video signals (composite)
White analog audio signals for the left channel
Red analog audio signals for the right channel
coaxial digital signals
After completing all connections, check them again to make sure they are correct.
MAINS
R
L
A
B
120 V 60Hz
100W MAX. TOTAL
SWITCHED
MAIN A OR B
:
4MIN. /SPEAKER
A
+
B
:
8MIN. /SPEAKER
CENTER : 6MIN. /SPEAKER
REAR : 6MIN. /SPEAKER
MAIN A OR B
:
8MIN. /SPEAKER
A
+
B
:
I6MIN. /SPEAKER
CENTER : 8MIN. /SPEAKER
REAR : 8MIN. /SPEAKER
SET BEFORE POWER ON
REAR
(SURROUND)
CENTER
MAIN
––++
+
+
R
L
Connecting an Audio
Component (page 12)
Connecting a Video
Component (page 13)
IMPEDANCE SELECTOR
switch (page 17)
Connecting the
Antenna (page 10)
Connecting to an External
Decoder (page 14)
Connecting Speakers
(page 15)
Connecting the Power
Supply Cords (page 17)
(U.S.A. model)
V V
C C
L
R
L
R
0103V49608-19_EN(UCA) 1/11/0, 11:25 AM9
10
Connecting the Antennas
Both AM and FM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal
strength. However, a properly installed outdoor antenna provides clearer reception than an indoor one. If you experience poor
reception quality, an outdoor antenna may improve the quality.
Connect each antenna correctly to the designated terminals.
Indoor FM antenna (included)
Firmly insert the connector into the FM ANT terminal. The
indoor FM antenna is only a simple antenna. For reception
with better sound quality, installing the outdoor FM antenna
(commercially available) is recommended.
Note
Do not connect an outdoor FM antenna and the indoor FM
antenna at the same time.
Outdoor FM antenna
You may be unable to obtain good FM radio reception
depending on your local conditions (distance from the
broadcasting station, interposing buildings and
mountains, etc.). Consult your dealer or authorized service
center and be sure to install an antenna that suits your local
conditions.
Install the outdoor FM antenna (commercially available) in
a high place as far away from any roads as possible to avoid
being affected by automobile ignition noise.
CONNECTIONS
Indoor FM
antenna
Antenna adapter (included
for U.S.A. and Canada
models)
Note
Use this adapter to match with
F-type connector.
75-ohm coaxial cable
75-ohm/300-ohm antenna
adapter
300-ohm feeder
0103V49608-19_EN(UCA) 1/11/0, 11:25 AM10
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PREPARATION
AM loop antenna (included)
The AM loop antenna can be removed from the stand and
attached to a wall, etc. However, note that the reception
sensitivity may deteriorate if the antenna is attached to a
metal or steel reinforced wall.
Notes
The AM loop antenna should be placed away from this unit.
The AM loop antenna should always be connected, even if an
outdoor AM antenna is connected to this unit.
Connecting the AM loop antenna
1 Press the tab and unlock the terminal hole.
2 Insert the AM loop antenna lead wires into the
AM ANT and GND terminals.
3 Return the tab to its original position to lock
the lead wires. Lightly pull the lead wires to
confirm a good connection.
4 Attach the loop antenna to the antenna stand.
5 Orient the AM loop antenna so that the best
reception is obtained.
Outdoor AM antenna
If you cannot obtain good reception with the AM loop
antenna, connect 5 m to 10 m of vinyl covered wire to the
AM ANT terminal and extend it outdoors from a window.
Ground (GND terminal)
For maximum safety and minimum interference, connect
the antenna GND terminal to a good earth ground. A good
earth ground is a metal stake driven into moist earth.
CONNECTIONS
1
2
3
Antenna stand
AM loop antenna
Vinyl covered wire (5 m to 10 m)
54
0103V49608-19_EN(UCA) 1/11/0, 11:25 AM11
12
Connecting an Audio Component
PHONO terminals
These terminals are used to connect a turntable with an MM
or high-output MC cartridge. If you have a turntable with a
low-output MC cartridge, use an inline boosting transformer
or MC head amplifier when connecting to these terminals.
y
Connecting the ground (earth) wire of the turntable to the GND
terminal will normally minimize hum, but in some cases, better
results may be obtained with the ground wire disconnected.
CONNECTIONS
Be sure to connect the right channel (R), left channel (L),
input (IN) and output (OUT) properly.
Tape deck or
MD recorder
L R
L R
L R L R
L
R
OUTPUT
OUTPUT LINE OUT LINE IN
GND
Turntable
(U.S.A. model)
CD player
Analog signal
Signal flow
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INTRODUCTION
PREPARATION
Connecting a Video Component
Audio signal terminals
Be sure to connect the right channel (R), left channel (L),
input (IN) and output (OUT) properly.
Video signal terminals
Be sure to connect the input (IN) and output (OUT)
properly.
Digital audio signal terminals
If your DVD/LD player, TV/digital TV or satellite
tuner, etc. has coaxial or optical digital signal output
terminals, they can be connected to this unit’s COAXIAL
and/or OPTICAL digital signal input terminals. To make a
connection between the optical digital signal terminals,
remove the cover from each terminal, and then connect
them by using a commercially available optical fiber cable
that conforms to EIA standards. Other cables might not
function correctly.
When making connections between the digital signal
terminals, you should connect the components to the same-
named analog audio signal terminals of this unit, because a
digital signal cannot be recorded by a tape deck, MD
recorder or VCR connected to this unit.
Notes
Be sure to attach the covers when the OPTICAL terminals are not
being used in order to protect them from dust.
If your LD player has a Dolby Digital RF signal output terminal,
be sure to use the RF demodulator (separately purchased).
No sound will be heard when connecting your LD player’s Dolby
Digital RF signal output terminal directly to this unit’s COAXIAL
DVD/LD digital signal input terminal.
y
The input signal from the DVD/LD input terminals is selected in
the following order of priority with the input mode set to AUTO:
COAXIAL terminal OPTICAL terminal Analog terminal.
Refer to page 22 for details.
All digital signal input terminals are applicable to sampling
frequencies of 32 kHz, 44.1 kHz and 48 kHz.
CONNECTIONS
L R
L R
L
R
C
C
V
V
L R
L R V V
V
V
ANALOG
AUDIO OUT
AUDIO
OUT
AUDIO
IN
VIDEO
OUT
VIDEO
IN
VIDEO
IN
ANALOG
AUDIO OUT
VIDEO
OUT
VIDEO
OUT
COAXIAL
DIGITAL OUT
OPTICAL
DIGITAL OUT
OPTICAL
DIGITAL OUT
O
OO
DVD/LD player TV/digital TV, satellite tuner, cable TV
(U.S.A. model)
VCR
Analog signal
Video signal
Digital signal
(optical)
Digital signal
(coaxial)
Signal flow
TV monitor
0103V49608-19_EN(UCA) 1/11/0, 11:25 AM13
14
S VIDEO terminals
If your VCR, TV monitor or DVD/LD player has “S” (high-
resolution) video terminals, they can be connected to this
unit’s S VIDEO terminals. Connect the VCR’s “S” video
input and output terminals to this unit’s S VIDEO VCR
OUT and IN terminals, respectively. Connect the monitors
“S” video input terminal to this unit’s S VIDEO MONITOR
OUT terminal. Connect the DVD/LD player’s “S” video
output terminal to this unit’s S VIDEO DVD/LD terminal.
Otherwise, connect the composite video terminals of your
VCR, TV monitor or DVD/LD player to this unit’s
composite video terminals.
Notes
Use a special S VIDEO cable (commercially available) for the S
VIDEO connection.
If video signals are input from both the S VIDEO input and
composite input terminals, the signals will be directed to their
respective output terminals.
VIDEO AUX terminals (on the front panel)
These terminals are used to connect any video input source
such as a camcorder to this unit.
Connecting to an External Decoder
This unit has additional 6-channel audio signal input
terminals for connecting an external decoder to this unit.
Connect the 6-channel audio signal output terminals of the
decoder to the EXTERNAL DECODER INPUT terminals
of this unit.
Notes
When a source connected to these terminals is selected, the digital
sound field processor cannot be used.
The settings of “CENTER SP”, “REAR SP”, “MAIN SP” and
“BASS OUT” in the SET MENU have no effect on a source
connected to these terminals. The setting of “MAIN LVL” is
effective. (Refer to pages 34 and 35 for details.)
CONNECTIONS
L RV
AUDIO OUT R
AUDIO OUT L
VIDEO OUT
Camcorder
S VIDEO OUT
S VIDEO
OUT
S VIDEO IN
S VIDEO IN
S
S
S
S
S
DVD/LD player
TV Monitor
VCR
S Video signal
Signal flow
L R L R
MAIN
OUT
SURROUND
OUT
CENTER
OUT
SUBWOOFER
OUT
External decoder
(U.S.A. model)
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INTRODUCTION
PREPARATION
Connecting Speakers
Be sure to connect the right channel (R), left channel (L),
“+” (red) and “–” (black) properly. If the connections are
faulty, no sound will be heard from the speakers, and if the
polarity of the speaker connections is incorrect, the sound
will be unnatural and lack bass.
CAUTIONS
Use speakers with the specified impedance shown on
the rear panel of this unit.
Do not let the bare speaker wires touch each other and
do not let them touch any metal part of this unit. This
could damage the unit and/or speakers.
Main speaker terminals
One or two speaker systems can be connected to these
terminals. If you use only one speaker system, connect it to
either of the SPEAKERS A or B terminals.
Rear speaker terminals
A rear speaker system can be connected to these terminals.
Center speaker terminal
A center speaker can be connected to this terminal.
CONNECTIONS
MAINS
R
L
A
B
MAIN A OR B
:
4MIN. /SPEAKER
A
+
B
:
8MIN. /SPEAKER
CENTER : 6MIN. /SPEAKER
REAR : 6MIN. /SPEAKER
MAIN A OR B
:
8MIN. /SPEAKER
A
+
B
:
I6MIN. /SPEAKER
CENTER : 8MIN. /SPEAKER
REAR : 8MIN. /SPEAKER
SET BEFORE POWER ON
REAR
(SURROUND)
CENTER
MAIN
––++
+
+
R
L
120 V 60Hz
100W MAX. TOTAL
SWITCHED
Main speakers A
Right Left
Main speakers B
Right Left
(U.S.A. model)
Center speaker Rear speakers
Right Left
Subwoofer connection
If you have a subwoofer with built-
in amplifier, including the
YAMAHA Active Servo Processing
Subwoofer System, connect the
input terminal of the subwoofer
system to the SUBWOOFER
OUTPUT terminal of this unit.
0103V49608-19_EN(UCA) 1/11/0, 11:25 AM15
16
Speaker cables
1 Remove approx. 10 mm (3/8”) of insulation
from each of the speaker cable.
2 Twist the exposed wires of the cable together
to prevent short circuits.
Connecting to the MAIN SPEAKERS terminals
1 Unscrew the knob.
2 Insert one bare wire into the hole in the side of
each terminal.
3 Tighten the knob to secure the wire.
Connecting to the REAR and CENTER SPEAKERS terminals
1 Open the tab.
2 Insert one bare wire into the hole of each
terminal.
3 Return the tab to secure the wire.
y
Banana plug connections are also possible. Simply insert the
banana plug connector into the corresponding terminal.
CONNECTIONS
10 mm (3/8”)
2
1
3
Red: positive (+)
Black: negative (–)
2
3
1
Red: positive (+)
Black: negative (–)
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PREPARATION
IMPEDANCE SELECTOR Switch
WARNING
Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise the unit may be
damaged.
If this unit fails to turn on when STANDBY/ON is pressed, the IMPEDANCE SELECTOR switch may not be fully slide
to either position. If so, slide the switch to either position fully when this unit is in the standby mode.
Select the right or left position according to the impedance of speakers in your system. Be sure to move this switch only
when this unit is in the standby mode.
Connecting the Power Supply Cords
After completing all connections, connect the AC power
cord to an AC power outlet. Disconnect the AC power cord
if you will not use this unit for a long period of time.
AC OUTLETS (SWITCHED)
U.S.A. and Canada models .............................. 2 OUTLETS
Australia model .................................................. 1 OUTLET
Use these outlets to connect the power cords from your
components to this unit. The power to the AC OUTLET(S)
is controlled by this unit’s STANDBY/ON (or POWER).
These outlets will supply power to any connected
component whenever this unit is turned on. The maximum
power (total power consumption of components) that can be
connected to the AC OUTLET(S) is 100 W.
If you use left position right position
Center
speaker
The impedance must be 6
or higher.
The impedance must be 8
or higher.
Rear
speakers
The impedance of each
speaker must be 6 or
higher.
The impedance of each
speaker must be 8 or
higher.
If you use two pairs of main
speakers, the impedance of
each speaker must be 8 or
higher.
If you use two pairs of main
speakers, the impedance of
each speaker must be 16 or
higher.
[Canada model only]
The impedance of each
speaker must be 8 or
higher.
Main
speakers
If you use one pair of main
speakers, the impedance of
each speaker must be 4 or
higher.
If you use one pair of main
speakers, the impedance of
each speaker must be 8 or
higher.
CONNECTIONS
(U.S.A. model)
MAINS
MAIN A OR B
:
4MIN. /SPEAKER
A
+
B
:
8MIN. /SPEAKER
CENTER : 6MIN. /SPEAKER
REAR : 6MIN. /SPEAKER
MAIN A OR B
:
8MIN. /SPEAKER
A
+
B
:
I6MIN. /SPEAKER
CENTER : 8MIN. /SPEAKER
REAR : 8MIN. /SPEAKER
SET BEFORE POWER ON
120 V 60Hz
100W MAX. TOTAL
SWITCHED
SWITCHED
(U.S.A. model)
To AC outlet
MAINS
MAIN A OR B
:
4MIN. /SPEAKER
A
+
B
:
8MIN. /SPEAKER
CENTER : 6MIN. /SPEAKER
REAR : 6MIN. /SPEAKER
MAIN A OR B
:
8MIN. /SPEAKER
A
+
B
:
I6MIN. /SPEAKER
CENTER : 8MIN. /SPEAKER
REAR : 8MIN. /SPEAKER
SET BEFORE POWER ON
120 V 60Hz
100W MAX. TOTAL
SWITCHED
IMPEDANCE
SELECTOR
0103V49608-19_EN(UCA) 1/11/0, 11:25 AM17
18
Using the Test Tone
The adjustment of each speaker sound output level should
be performed at your listening position with the remote
control. After completing the adjustments, use VOLUME
(u/d) at your listening position to check if the adjustments
are satisfactory.
1 Press AMP(TUNER) on the
component selector.
2 Press TEST.
“TEST LEFT” appears on the display.
3 Turn up the volume.
You will hear a test tone (like pink noise) from each
speaker for about two seconds in following order: left
main speaker, center speaker, right main speaker, right
rear speaker and left rear speaker. The display changes
as shown below.
Notes
If the test tone cannot be heard, turn down the volume, set the unit
in the standby mode and check the speaker connections.
If the test tone cannot be heard from the center speaker, check the
setting of “CENTER SP” in the SET MENU.
This procedure lets you adjust the sound output level
balance between the main, center and rear speakers by using
the built-in test tone generator. When this adjustment is
performed, the sound output level heard at the listening
position will be the same from each speaker. This is
important for the best performance of the digital sound field
processor, the Dolby Pro Logic decoder, Dolby Digital
decoder and DTS decoder.
Before You Start Adjusting
1 Set VOLUME to the m
position.
2 Turn the power on.
3 Press SPEAKERS A or B
to select the main
speakers to be used.
If you use two main speaker
systems, press both A and B.
4 Set BASS, TREBLE and BALANCE to the “0”
position.
ADJUSTING THE SPEAKER BALANCE
LR
–+–+
12
4
3
LR
–+–+
1
2,7
6
3
5
TEST
LEFT
TEST
RIGHT
TEST L SUR. TEST R SUR.
TEST CENTER
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4 Adjust BALANCE on the
front panel so that the
sound output level of the
right main speaker and the
left main speaker is the
same.
5 Press TIME/LEVEL
repeatedly to select the
speaker to be adjusted.
“CENTER”, “R SUR.” or
“L SUR.” appears on the
display.
6 Press + to raise and – to
lower the level. Adjust the
sound output levels of the
center speaker and the
rear speakers so that they
become almost the same
as that of the main
speakers.
While adjusting, the test tone is
heard from the selected speaker.
Note
You cannot adjust the delay time while the test tone is being heard
even if “DELAY” appears on the display.
7 When the adjustment is complete, press TEST.
“TEST OFF” appears on the display and the test tone
stops.
Note
If “CENTER SP” in the SET MENU is set to the NONE position,
the sound output level of the center speaker cannot be adjusted in
step 6. The center channel sound is automatically output from the
right and left main speakers.
y
Once you have completed the adjustments, you can only adjust
the overall volume level of your audio system by using VOLUME
(or VOLUME (u/d)).
If there is insufficient sound output from the center and rear
speakers, you may decrease the main speaker output level by
setting “MAIN LVL” in the SET MENU to “–10 dB”. (Refer to
page 35 for details.)
ADJUSTING THE SPEAKER BALANCE
Front panel
LR
0103V49608-19_EN(UCA) 1/11/0, 11:25 AM19
20
When using the remote control, press AMP(TUNER) on
the component selector.
1 Set VOLUME to the m
position.
2 Turn the power on.
3 Press SPEAKERS A or B
to select the main
speakers to be used.
If you use two main speaker
systems, press both A and B.
PLAYING A SOURCE
LR
–+–+
1,6
4
2
67
3
2
4
7
6
4 Select the desired input
source with INPUT
SELECTOR (or the input
selector buttons). (Turn on
the TV monitor for video
sources.)
The name of the selected input
source appears for a moment
and the arrow for the selected
input source indicator lights up
on the display.
a. To select a tape or an MD source
Press TAPE/MD MON / EXT.
DECODER (or TAPE/MD) so
that the “TAPE/MD
MONITOR” indicator lights up
on the display.
b. To select a source connected to the
EXTERNAL DECODER INPUT terminals
Press TAPE/MD MON / EXT. DECODER repeatedly
(or EXT. DEC.) until “EXT. DECODER” appears on
the display.
Notes
An audio source can not be played if the “TAPE/MD MONITOR”
indicator lights up or if “EXT. DECODER” appears. Press TAPE/
MD MON / EXT. DECODER twice (or TAPE/MD once) to turn
off the “TAPE/MD MONITOR” indicator. Press TAPE/MD
MON / EXT. DECODER once (or EXT. DEC.) to turn off “EXT.
DECODER”.
If you select and play a video source when the “TAPE/MD
MONITOR” indicator lights up or “EXT. DECODER” appears,
the play back result will be a video image from the video source
and the sound from the audio source selected by using TAPE/MD
MON / EXT. DECODER (or TAPE/MD or EXT. DEC.).
y
For the DVD/LD, TV/digital TV and satellite tuner sources, the
current input mode is also shown. Refer to page 22 for details about
the input mode.
Front panel
Front panel
Front panel
or
Remote control
Front panel
Input source
BASIC OPERATION
Front panel Remote control
or
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5 Play the source.
Refer to the instructions for the source component (and
page 28 for details about tuning).
Note
When controlling an audio/video component (tape deck, MD
recorder, CD player, DVD/LD player, etc.) with the remote
control, press one of the component selector buttons, (TAPE/MD,
CD, DVD/LD, etc.), which corresponds to the component you
want to control. Refer to “PRESET REMOTE CONTROL” on
page 40.
6 Adjust the volume to the desired output level.
If desired, adjust BASS, TREBLE, BALANCE, etc.
These controls are only effective for the sound from the
main speakers.
BASS controls the low-frequency response.
TREBLE controls the high-frequency response.
BALANCE adjusts the balance of the output volume
from the right and left main speakers.
7 Use the digital sound field processor.
Refer to page 24.
PLAYING A SOURCE
To mute the sound
Press MUTE on the remote
control.
To cancel mute, press MUTE.
Note
During muting, “MUTE ON” appears on the display.
When you have finished using this
unit
Press STANDBY/ON (or POWER) to set this unit in the
standby mode.
BGV (background video) function
The BGV function allows you to combine a video image
from a video source with a sound from an audio source.
(For example, you can listen to classical music while you
are watching a video.) This function can only be controlled
with the remote control.
Play a video source, and then select an audio source with
the input selector buttons on the remote control. The BGV
function does not work if you select the audio source with
INPUT SELECTOR on the front panel.
Front panel Remote control
or
LR
–+–+
Front panel
Front panel Remote control
or
0104V49620-24_EN(UCA) 1/11/0, 10:30 AM21
22
Input Mode (for the DVD/LD and TV/
digital TV and satellite tuner
sources)
This unit allows you to switch the input mode for sources
that send both digital and analog signals to this unit. The
AUTO, DTS and ANALOG input modes are provided.
When you turn on the power of this unit, the input mode for
the DVD/LD source is always set to AUTO and for TV/
digital TV or satellite tuner source is set according to “SAT
INPUT” in the SET MENU. (Refer to page 36 for details.)
AUTO
In this mode, the input signal is selected in the following
order of priority:
1. Digital signal encoded with Dolby Digital or DTS
2. Normal digital signal (PCM)
3. Analog signal (ANALOG)
Note
If digital signals are input from both the OPTICAL and
COAXIAL terminals, the digital signal from the COAXIAL
terminal is selected.
DTS
In this mode, only a digital signal encoded with DTS is
selected, even if other signals are being input at the same
time.
ANALOG
In this mode, only an analog signal is selected, even if a
digital signal is being input at the same time. Select this
mode when you want to use an analog signal instead of a
digital signal.
PLAYING A SOURCE
Switching the input mode
Press INPUT MODE (or the input selector
button that you have pressed to select the
input source on the remote control) repeatedly
until the desired input mode is shown on the
display.
Notes
Set the input mode to AUTO to play a DVD/LD source encoded
with Dolby Digital.
Set the input mode to ANALOG to play a normal 2-channel
source with a Dolby Surround program.
The sound output may be interrupted for some LD and DVD
players in the following situation: The input mode is set to
AUTO. A search is performed while playing the disc encoded
with Dolby Digital or DTS, and then disc playing is restored. The
sound output is interrupted for a moment because the digital
signal was selected again.
The input mode cannot be changed for the CD, TUNER, TAPE/
MD, VCR, PHONO and VIDEO AUX sources because only
analog signals are used for these.
The current input mode appears on the display when the DVD/
LD, TV/digital TV or satellite tuner source is selected or the input
mode is changed.
Front panel Remote control
or
0104V49620-24_EN(UCA) 1/12/0, 4:13 PM22
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Notes on playing a source
encoded with DTS
If “DATA ERROR” appears on the display while playing an LD
source encoded with DTS, stop playback and turn the player off
and then on again.
If the digital output data of the player has been processed in any
way, you may not be able to perform DTS decoding even if you
make a digital connection between this unit and the player.
If you play an LD source encoded with DTS and set the input
mode to ANALOG, there will be the noise of an unprocessed
DTS signal. When you want to play a DTS source, be sure to
connect the source to the digital input terminal and set the input
mode to AUTO or DTS.
If you switch the input mode to ANALOG while playing a source
encoded with a DTS signal, this unit reproduces no sound.
If you play an LD source encoded with DTS and set the input
mode to AUTO, there will be a short noise at first while the unit
recognizes the DTS signal and turns on the DTS decoder. This is
not a malfunction, and can be avoided by setting the input mode
to DTS beforehand. In addition, if you continue to play an LD
encoded with DTS with the input mode setting left to AUTO, this
unit automatically switches to the “DTS-decoding” mode to
prevent noise from being generated during subsequent operation.
(The “t” indicator lights up on the display.) No sound will be
heard if a normal PCM LD is played in this mode. (The “t
indicator will flash.) To play a normal disk, set the input mode to
AUTO again.
PLAYING A SOURCE
Notes on playing an LD source
Some audio/video component, such as LD player, output different
audio signals through their analog and digital terminals. Change
the input mode as necessary.
If the input mode is set to AUTO for the LD source, this unit
automatically determines which type of signal the LD source
contains. If this unit detects a Dolby Digital or DTS signal, the
decoder automatically switches to the appropriate setting and
reproduces 5.1 channel sound.
If the LD player is transmitting signals by a non-normal method,
this unit cannot detect the Dolby Digital or DTS signal. In this
case, the decoder automatically switches to PCM or analog.
If the LD source does not contain a digital soundtrack, connect
the LD player to the analog terminals and set the input mode to
AUTO or ANALOG.
While you are operating the LD player, if you switch from the
pause or chapter forwarding function to normal playback, you
may hear the PCM or analog sound an instant before the Dolby
Digital sound is played.
0104V49620-24_EN(UCA) 9/28/0, 4:38 PM23
24
3 Press PRG+ or PRG–
repeatedly to select the
desired program.
The name of the selected
program appears on the display.
y
If desired, adjust the delay time and the sound output level of each
speaker. (Refer to pages 37 and 38 for details.)
Notes
You can select a DSP program for each of the input sources. Once
you select a program, it is linked with the input source selected at
that time. So, when you select the input source next time, the
same program is automatically selected.
When a monaural source is being played with PRO LOGIC/
Normal or PRO LOGIC/ENHANCED, no sound will be heard
from the main speakers and the rear speakers. Sound can only be
heard from the center speaker. However, if “CENTER SP” in the
SET MENU is set to the NONE position, the center channel
sound is output from the main speakers.
When a source connected to the EXTERNAL DECODER INPUT
terminals of this unit is selected, the digital sound field processor
cannot be used.
Canceling the Sound Effect (turning
off the effect speakers)
Press EFFECT to cancel
the sound effect and
monitor only the main
sound.
Press EFFECT again to turn the
sound effect back on.
Notes
If the sound effect is canceled when Dolby Digital or DTS is
decoding, the sounds of all channels are mixed and output from
the main speakers.
If you turn off the sound effect when Dolby Digital or DTS is
decoding, it may happen that the sound is output faintly or not
output normally, depending on the source. In that case, turn back
on the sound effect.
DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT
Selecting a DSP Program
You can enhance your listening experience by selecting a
DSP program. Refer to pages 25 to 27 for details about each
program.
On the front panel
1 Make sure that the effect speakers (center,
rear, and subwoofer) are turned on.
2 Press PROGRAM h or l
repeatedly to select the
desired program.
The name of the selected
program appears on the display.
On the remote control
1 Make sure that the effect speakers (center,
rear, and subwoofer) are turned on.
2 Press AMP(TUNER) on the
component selector.
LR
–+–+
2
2
3
Front panel
or
Remote control
DSP program name
DSP program name
0104V49620-24_EN(UCA) 1/12/0, 4:13 PM24
25
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
[4] PRO LOGIC/ENHANCED
( ox)
Input source: Dolby Surround
2-ch Dolby Digital
Output channel: 4 channels
DSP: 1 (surround)
[5] DOLBY DIGITAL/ENHANCED
( gx )
Input source: Dolby Digital
Output channel: 5.1 channels
DSP: 2 (surround L, R)
[6] DTS DIGITAL SUR/ENHANCED
( tx)
Input source: DTS
Output channel: 5.1 channels
DSP: 2 (surround L, R)
This program ideally simulates the multi-
surround speaker systems of the 35 mm-film
movie theater. Dolby Pro Logic decoding,
Dolby Digital decoding or DTS decoding and
digital sound field processing are precisely
performed without altering the original sound
orientation.
The surround effect produced by the sound
field folds around the viewer naturally from
the rear to the right and left and toward the
screen.
SOUND FIELD PROGRAM
This unit incorporates a sophisticated, multi-program digital sound field processor (DSP). This processor allows you to
electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-
like experience in your listening room. You can create outstanding audio sound by selecting a suitable DSP program (this
will, of course, depend on what you are listening to).
When you select a CINEMA DSP program, one of the built-in decoders (Dobly Pro Logic, Dolby Digital and DTS) is turned
on according to which type of signals the source being played contains.
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that
most of these are precise digital re-creations of actual acoustic environments.
For movie or audio/video sources (Program No. 1 to No. 5: CINEMA DSP
programs)
No. PROGRAM SUBPROGRAM FEATURES
1 q/DTS
SURROUND
[1] PRO LOGIC/Normal ( o )
Input source: Dolby Surround
2-ch Dolby Digital
Output channel: 4 channels
DSP:
[2] DOLBY DIGITAL/Normal ( g )
Input source: Dolby Digital
Output channel: 5.1 channels
DSP:
[3] DTS DIGITAL SUR/Normal ( t )
Input source: DTS
Output channel: 5.1 channels
DSP:
The built-in Dolby Pro Logic decoder, Dolby
Digital decoder or DTS decoder precisely
reproduces the sound and effect of a source
encoded with Dolby Surround, Dolby Digital
or DTS.
The realization of a highly efficient decoding
process improves cross talk and channel
separation, and makes sound positioning
smoother and more precise.
In this program, the digital sound field
processor is not turned on.
0105V49625-27_EN(UCA) 1/11/0, 10:31 AM25
26
No. PROGRAM SUBPROGRAM FEATURES
2 MOVIE
THEATER 1
3 MOVIE
THEATER 2
[1] 70 mm SPECTACLE
( ox)
Input source: Dolby Surround
2-ch Dolby Digital
Output channel: 3 channels
DSP: 2 (presence & surround)
[2] DGTL SPECTACLE
( g x )
Input source: Dolby Digital
Output channel: 5.1 channels
DSP: 3 (presence & surround L, R)
[3] DTS SPECTACLE ( tx )
Input source: DTS
Output channel: 5.1 channels
DSP: 3 (presence & surround L, R)
This program creates the extremely wide sound
field of a movie theater. It precisely reproduces
the source sound in detail, giving both the video
and the sound field incredible reality. It is ideal
for any kind of video source encoded with
Dolby Surround, Dolby Digital or DTS
(especially large-scale movie productions).
[1] 70 mm ADVENTURE
( ox )
Input source: Dolby Surround
2-ch Dolby Digital
Output channel: 3 channels
DSP: 2 (presence & surround)
[2] DGTL ADVENTURE
( gx)
Input source: Dolby Digital
Output channel: 5.1 channels
DSP: 3 (presence & surround L, R)
[3] DTS ADVENTURE ( t x )
Input source: DTS
Output channel: 5.1 channels
DSP: 3 (presence & surround L, R)
Ideal for precisely reproducing the sound of the
newest multi-track films. The sound field is
made to be similar to that of the newest movie
theaters, so the reverberations of the sound field
itself are restrained as much as possible. The
data for the sound field of an opera house are
used for the front presence, so the three-
dimensional feeling of the sound field is
emphasized, and dialog is precisely oriented on
the screen. By using the data for the sound field
of a concert hall on the surround sound field,
powerful reverberations are generated. You can
enjoy watching action, adventure movies, etc.
with strong presence.
[4] 70 mm GENERAL ( ox )
Input source: Dolby Surround
2-ch Dolby Digital
Output channel: 3 channels
DSP: 2 (presence & surround)
[5] DGTL GENERAL ( gx )
Input source: Dolby Digital
Output channel: 5.1 channels
DSP: 3 (presence & surround L, R)
[6] DTS GENERAL ( t x )
Input source: DTS
Output channel: 5.1 channels
DSP: 3 (presence & surround L, R)
This program is for reproducing sounds on a
multi-track film, and is characterized by a soft
and extensive sound field. The front presence of
the sound field is relatively narrow. It spatially
spreads all around and toward the screen,
restraining echo effect of conversations without
losing clarity. For the surround sound field, the
harmony of music or chorus sounds beautifully
in a wide space at the rear of the sound field.
[4] 70 mm SCI-FI ( o x )
Input source: Dolby Surround
2-ch Dolby Digital
Output channel: 3 channels
DSP: 2 (presence & surround)
[5] DGTL SCI-FI ( g x )
Input source: Dolby Digital
Output channel: 5.1 channels
DSP: 3 (presence & surround L, R)
[6] DTS SCI-FI ( t x )
Input source: DTS
Output channel: 5.1 channels
DSP: 3 (presence & surround L, R)
Clearly reproduces dialog and sound effects in
the latest sound form of science fiction films,
thus creating a broad and expansive cinematic
space amid the silence. You can enjoy science
fiction films in a virtual-space sound field that
includes Dolby Surround, Dolby Digital and
DTS-encoded software employing the most
advanced techniques.
SOUND FIELD PROGRAM
0105V49625-27_EN(UCA) 1/11/0, 10:31 AM26
27
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
No. PROGRAM FEATURES
4 MONO MOVIE
Input source: Monaural
Output channel: 1 channel
DSP: 1
This program is designed specifically to enhance monaural
sources. Compared to a strictly mono setting, the sound image
is wider and slightly forward of the speaker pair, lending an
immediacy to the overall sound. It is particularly effective for
old mono movie, news broadcasts and dialog.
5 TV SPORTS
Input source: Audio/Video
Output channel: 2 to 5.1 channels
DSP: 2 to 3 (presence & surround)
This program is furnished with a tight sound field in which the
sound will not spread excessively at the front, but the rear
surround produces dynamic sound expansion. It is the most
suitable for sports programs.
For Hi-Fi audio sources
No. PROGRAM FEATURES
6 DISCO
Input source: 2-ch PCM/Analog audio
Output channel: 2 channels
DSP: 1
This program simulates the acoustic environment of a disco in
the heart of a lively city. The sound is dense and highly
concentrated.
7 ROCK CONCERT
Input source: 2-ch PCM/Analog audio
Output channel: 2 channels
DSP: 1
This program is ideally suited for rock music. You will
experience a dynamic and lively sound field.
8 CONCERT HALL
Input source: 2-ch PCM/Analog audio
Output channel: 2 channels
DSP: 1
This program creates the expansive ambience of a large concert
hall. It is suited for orchestra and opera music.
CINEMA DSP: Dolby Surround + DSP/Dolby Digital + DSP/DTS + DSP
Dolby Pro Logic + 2 digital sound fields
Digital sound fields are created in both the presence and
rear surround zones of the Dolby Pro Logic-decoded sound
field. They create a wide acoustic environment and
emphasize the surround effect in the room, letting you feel
as much presence as if you were watching a movie in a
popular Dolby Stereo theater.
Dolby Digital or DTS + 3 digital sound fields
Digital sound fields are created in the presence zone and
independently on the left and right surround zones of the
Dolby Digital-decoded or DTS-decoded sound field. They
create a wide acoustic environment and strong surround
effect in the room without losing high channel separation.
With the wide dynamic range of Dolby Digital or DTS
sound, this sound field combination lets you feel as if you
were watching a movie in the newest Dolby Digital theater
or DTS-installed theater. This is the most ideal home theater
sound at the present time.
SOUND FIELD PROGRAM
0105V49625-27_EN(UCA) 1/11/0, 10:31 AM27
28
5 Press PRESET/TUNING h once to tune in to a
higher frequency and l once to tune in to a
lower frequency.
Press the button again if the tuning search does not stop
at the desired station.
Note
If you tune in manually to an FM station, it will be automatically
received in monaural mode to increase the signal quality.
y
Use the manual tuning method if the tuning search does not stop
at the desired station (because the signal from the station is weak).
When tuned in to a station, the frequency of the received station is
shown on the display.
Manual Tuning
1 Use INPUT SELECTOR to
select the tuner as the
input source.
2 Press FM/AM to select the reception band (FM
or AM).
“FM” or “AM” appears on the display.
3 Press TUNING MODE so that the “AUTO”
indicator goes off.
4 Press PRESET/TUNING (EDIT) to turn z off.
5 Press PRESET/TUNING h or l to tune in to
the desired station.
To continue the tuning search, hold down the button.
TUNING
LR
–+–+
32
1
4
5
Automatic tuning is effective when station signals are
strong and there is no interference. However, if the signal
from the station you want to select is weak, you must tune
in to it manually (manual tuning).
Automatic Tuning
1 Use INPUT SELECTOR to
select the tuner as the
input source.
2 Press FM/AM to select the reception band (FM
or AM).
“FM” or “AM” appears on the display.
3 Press TUNING MODE so that the “AUTO”
indicator lights up on the display.
4 Press PRESET/TUNING (EDIT) to turn z off.
Lights up
Goes off
Turn “ z off
Turn “ z off
or
or
0106V49628-31_EN(UCA) 1/11/0, 10:31 AM28
29
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
Automatic Preset Tuning (for FM
stations only)
You can make use of the automatic preset tuning function
for FM stations only. This function enables the unit to
automatically tune in with strong signals and to sequentially
store up to 40 FM stations (5 groups x 8 stations).
1 Press FM/AM to select the FM band.
2 Press TUNING MODE so that the “AUTO”
indicator lights up on the display.
3 Hold down MEMORY for about three seconds.
The preset number, the “MEMORY” and “AUTO”
indicators flash. After about five seconds, automatic
preset tuning begins from the frequency currently
displayed toward the higher frequencies.
Received stations are sequentially stored as A1, A2 ...
A8. If more than 8 stations have been tuned, they are
stored as preset station numbers in other groups (B, C,
D and E) in that order.
Memory back-up
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the memory will be erased. If so, store the stations again
by using preset tuning methods.
LR
–+–+
21 3
Automatic preset tuning options
You can select the preset number from which the unit will
store FM stations and/or begin tuning toward lower
frequencies. Before automatic preset tuning begins (after
pressing MEMORY in step 3),
1. Press A/B/C/D/E and PRESET/TUNING to select the
preset number with which the first station will be stored.
The automatic preset tuning will stop when stations have
all been stored up to E8.
2. Press PRESET/TUNING (EDIT) to turn “ z ” off and
then press PRESET/TUNING l to begin tuning toward
lower frequencies.
When automatic preset tuning is
completed
The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by
following the procedure in the section “To Recall a Preset
Station” on page 30.
Notes
A new setting can be stored in place of the former one.
You can manually replace a preset station with another FM or AM
station by simply using the manual preset tuning method.
Even if the number of received stations is not enough to be stored
up to E8, automatic preset tuning is automatically ended after
searching for all stations.
Only FM stations with sufficient signal strength are stored by
automatic preset tuning. If the station you want to store is weak in
signal strength, tune in to it manually in monaural mode and store
it by using the manual preset tuning method.
TUNING
Lights up
Flashes
0106V49628-31_EN(UCA) 1/20/0, 10:56 AM29
30
TUNING
To Recall a Preset Station
You can recall any desired station simply by selecting the
preset station number with which it was stored.
You can also recall a preset station with the remote control.
Press AMP(TUNER) on the component selector and press
TUNER on the input selector.
1 Press A/B/C/D/E to select the required group
of preset stations.
Make sure that “ z ” appears on the display.
2 Press PRESET/TUNING h or l (or PRESET
+/–) to select a preset station number (1 to 8).
The preset group and number appear on the display
along with the reception band, frequency and signal
strength information.
LR
–+–+
1 2
Flashes
Front panel
or
Remote control
Front panel
or
Remote control
LR
–+–+
3 2,54
Manual Preset Tuning
You can also store up to 40 stations (5 groups x 8 stations)
manually.
1 Tune in to the desired station.
Refer to page 28 for the tuning procedure.
2 Press MEMORY.
The “MEMORY” indicator flashes for about five
seconds.
3 Press A/B/C/D/E repeatedly to select the
desired group (A to E) of preset stations
before the “MEMORY” indicator goes off.
Make sure that “ z ” appears on the display. The
selected group appears on the display.
4 Press PRESET/TUNING h or l to select a
preset station number (1 to 8) with which you
want to store the station before the “MEMORY”
indicator goes off.
Press h to select a higher
preset station number and l to
select a lower preset station
number.
5 Press MEMORY before the “MEMORY”
indicator goes off.
The displayed station has been stored as the preset
group and number you have selected, and the reception
band and frequency appear on the display.
6 Repeat steps 1 to 5 to store other stations.
Notes
A new setting can be stored in place of the former one.
The reception mode (stereo or monaural) is stored along with the
station frequency.
0106V49628-31_EN(UCA) 1/12/0, 4:14 PM30
31
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
LR
–+–+
2,4
Exchanging Preset Stations
You can exchange the assignment of two preset stations
with each other.
Example: If you want to exchange
preset station “E1” with “A5”.
1 Recall preset station “E1”.
Refer to the procedure in the section “To Recall a
Preset Station” on page 30.
2 Hold down (PRESET/TUNING) EDIT for about
three second.
“E1” and the “MEMORY” indicator flash.
3 Recall preset station “A5” by using the buttons
on the front panel.
“A5” and the “MEMORY”
indicator flash.
4 Press (PRESET/TUNING) EDIT again.
The display shows the exchange of stations has been
completed.
TUNING
Flashes
Flashes
0106V49628-31_EN(UCA) 1/20/0, 10:56 AM31
32
RECORDING A SOURCE ON TAPE, MD OR VIDEO CASSETTE
LR
–+–+
1,42
Recording adjustments and other operations are performed
from the tape deck, MD recorder or VCR. Refer to the
instructions for these components.
1 Set VOLUME to the m
position.
2 Select the source you want to record.
3 Begin recording by the tape deck, MD recorder
or VCR connected to this unit.
4 Play the source and then turn up the volume to
confirm the input source.
y
If a tape deck or MD recorder is being used for recording, you can
monitor the sounds being recorded by pressing TAPE/MD MON /
EXT. DECODER (or TAPE/MD).
Notes
The DSP program and the setting of VOLUME, BASS, TREBLE
and BALANCE have no effect on the material being recorded.
Composite video and S video signals pass independently through
this unit’s video circuits. Therefore, when recording or dubbing
video signals, if your video source component is connected to
provide only an S video (or only a composite video) signal, you
can record only an S video (or only a composite video) signal by
your VCR.
A source connected to this unit only through the digital terminals
cannot be recorded by the tape deck, MD recorder or VCR
connected to this unit.
A source connected to the EXTERNAL DECODER INPUT
terminals of this unit cannot be recorded.
Check the copyright laws in your country to record from records,
CDs, radio, etc. Recording of copyrighted material may infringe
copyright laws.
If you play back a video source that uses scrambled or
encoded signals to prevent it from being dubbed, the
picture itself may be disturbed due to those signals.
2
4
Remote controlFront panel
or
Front panel
Front panel
or
Remote control
0107V49632_EN(UCA) 1/11/0, 10:34 AM32
33
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
SET MENU
1
3
2
This unit provides you with the following items in the SET
MENU to maximize the performance of your system and
expand your enjoyment for audio listening and video
watching.
1. CENTER SP
2. REAR SP
3. MAIN SP
4. BASS OUT
5. MAIN LVL
6. D.D. LFE
7. D-RANGE
8. DTS LFE
9. CNTR DELAY
10.MEM. GUARD
11.SAT INPUT
Adjusting Items in the SET MENU
Adjustments should be performed with the remote control
while watching the information on the display.
1 Press AMP(TUNER) on the
component selector.
2 Press SET MENU
repeatedly to select the
item you want to adjust.
The selected item appears on
the display.
3 Press + or – repeatedly to
adjust the setting.
4 Repeat steps 2 and 3 to adjust the setting of
any other item in the same way.
Memory back-up
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the settings of the SET MENU will automatically return
to the preset positions and values. If so, adjust the
settings of the SET MENU again.
ADVANCED OPERATION
0108V49633-39_EN(UCA) 1/11/0, 10:35 AM33
34
Description of Each Item
1. CENTER SP
Choices: LRG (Large)/SML (Small)/NONE
Preset position: LRG (Large)
LRG (Large)
Select this position if your center speaker is approximately
the same size as the main speakers. In this position, full-
range signals on the center channel are directed to the center
speaker.
SML (Small)
Select this position if you use a center speaker that is
smaller than the main speakers. In this position, low bass
signals (below 90 Hz) on the center channel are distributed
to the SUBWOOFER OUTPUT terminal (or to the right and
left main speakers if “BASS OUT” is set to the MAIN
position).
NONE
Select this position if you do not have a center speaker
(4-speaker system). In this position, full-range signals on
the center channel are directed to the right and left main
speakers.
2. REAR SP
Choices: LARGE/SMALL
Preset position: LARGE
LARGE
Select this position if your rear speakers have high ability
for bass reproduction, or if a subwoofer is connected in
parallel to the rear speaker. In this position, full-range
signals on the rear channels are directed to the rear speakers.
SMALL
Select this position if your rear speakers do not have high
ability for bass reproduction. In this position, low bass
signals (below 90 Hz) on the rear channels are distributed to
the SUBWOOFER OUTPUT terminal (or to the right and
left main speakers if “BASS OUT” is set to the MAIN
position).
3. MAIN SP
Choices: LARGE/SMALL
Preset position: LARGE
LARGE
Select this position if your main speakers have high ability
for bass reproduction. In this position, full-range signals on
the main channels are directed to the right and left main
speakers.
SMALL
Select this position if your main speakers do not have high
ability for bass reproduction. However, if your system does
not include a subwoofer, do not select this position. In this
position, low bass signals (below 90 Hz) on the main
channels are distributed to the SUBWOOFER OUTPUT
terminal if “BASS OUT” is set to the SW or BOTH
position.
4. BASS OUT
Choices: SW/MAIN/BOTH
Preset position: BOTH
SW
Select this position if your system includes a subwoofer. In
this position, signals on the LFE channel and other low bass
signals that are distributed from other channels are directed
to the SUBWOOFER OUTPUT terminal when playing a
source encoded with Dobly Digital or DTS.
Note
When playing a 2-channel source (tape, MD, CD, video
cassette etc.), select the BOTH position to direct low bass signals
(below 90 Hz) to the SUBWOOFER OUTPUT terminals.
MAIN
Select this position if your system does not include a
subwoofer. In this position, besides full-range signals on the
main channels, signals on the LFE channel and other low
bass signals (below 90 Hz) that are distributed from other
channels are directed to the right and left main speakers.
BOTH
Select this position if your system includes a subwoofer. In
this position, signals on the LFE channel are directed to the
SUBWOOFER OUTPUT terminal. Low bass signals on the
main channels are directed to both the main speakers and
the SUBWOOFER OUTPUT terminal.
SET MENU
0108V49633-39_EN(UCA) 1/11/0, 10:35 AM34
35
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
7. D-RANGE (Adjusting the dynamic
range)
Choices: MAX/STD (Standard)/MIN
Preset position: MAX
Note
This adjustment is only effective when Dolby Digital is being
decoded.
“Dynamic range” is the difference between the maximum
level and the minimum level of sounds. Sounds on a movie
originally designed for movie theaters feature a very wide
dynamic range. Dolby Digital technology can modify the
original sound track into a home audio format with this
wide dynamic range unchanged. Powerful sounds of
extremely wide dynamic range are not always suitable for
home use. Depending on the condition of your listening
environment, it may not be possible to increase the sound
output to a level as high as that in a movie theater. However,
at the normal level suitable for listening in your room, the
low-level parts of source sound often cannot be heard well
because they will be lost among noise in your environment.
Dolby Digital technology has also made it possible to
reduce an original sound track’s dynamic range for a home
audio format by “compressing” the sound data.
MAX
In this position, a source encoded with Dolby Digital is
reproduced in the original sound track’s wide dynamic
range to provide you with powerful sounds just like those in
a movie theater. Selecting this position will be even better if
you can listen to a source at a high output level in a room
specially soundproofed for audio/video enjoyment.
STD (Standard)
In this position, a source encoded with Dolby Digital is
reproduced in the “compressed” dynamic range of the
source that is suitable for low-level listening.
MIN
In this position, the dynamic range is more reduced than in
the STD position. Selecting this position will be effective
when you must listen to a source at a low level.
Note
It may happen that sound is output faintly or not output normally
depending on the source. In that case, select the MAX or STD
position.
5. MAIN LVL
Choices: NORM (Normal)/–10 dB
Preset position: NORM (Normal)
NORM (Normal)
Normally select this position.
–10 dB
Select this position if the sound output from the main
speakers is too loud and cannot be balanced with the sound
output from the center and rear speakers. In this position,
the sound output from the main speakers is attenuated.
Notes
The setting of “CENTER SP”, “REAR SP”, “MAIN SP” and
“BASS OUT” have no effect on a source connected to the
EXTERNAL DECODER INPUT terminals on the rear of this
unit.
Once you have adjusted appropriately for “CENTER SP”, “REAR
SP”, “MAIN SP”, “BASS OUT” and “MAIN LVL”, you do not
have to change any settings unless your speaker system is
modified.
6. D.D. LFE (Adjusting the output
level of the LFE channel for Dolby
Digital)
Control range: –20 dB to 0 dB (in 1 dB steps)
Preset value: 0 dB
Note
This adjustment is only effective when Dolby Digital is being
decoded and the selected source encoded with Dolby Digital
contains LFE signals.
This adjusts the output level of the LFE channel. If the LFE
signals are mixed with signals of other channels and they
are directed to the same speakers, the ratio of the LFE signal
level to the level of the other signals can be adjusted.
SET MENU
0108V49633-39_EN(UCA) 1/11/0, 10:35 AM35
36
8. DTS LFE (Adjusting the output
level of the LFE channel for DTS)
Control range: –10 dB to +10 dB (in 1 dB steps)
Preset value: 0 dB
Note
This adjustment is effective only when DTS is being decoded and
the selected source encoded with DTS contains LFE signals.
This adjusts the output level of the LFE channel. If the LFE
signals are mixed with signals of other channels and they
are directed to the same speakers, the ratio of the LFE signal
level to the level of the other signals can be adjusted.
9. CNTR DELAY (Adjusting the delay
of the center sound)
Control range: 0 ms to 5 ms (in 1 ms steps)
Preset value: 0 ms
Note
This adjustment is only effective when Dolby Digital or DTS is
being decoded and the selected source encoded with Dolby
Digital or DTS contains center channel signals.
This adjusts the delay between the main sound (on the main
channels) and dialog, etc. (on the center channel). The larger
the value, the later the dialog, etc. is generated.
This makes sounds from the left main, center and right main
speakers reach your listening position at the same time. This
is achieved by delaying the sound from the center speaker if
the distance from the center speaker to your listening
position is shorter than the distance from the right and left
main speaker to your listening position.
10.MEM. GUARD (Locking the
settings)
Choices: ON/OFF
Preset position: OFF
If you wish to prevent accidental alterations to the settings
of the SET MENU and other adjustments on this unit, select
the ON position. The following settings on this unit can be
locked:
Settings of other items in the SET MENU
Settings in the TIME/LEVEL mode
Settings when using TEST
11.SAT INPUT (Selecting the initial
input mode for a source connected
to the SAT/D-TV input terminals)
Choices: AUTO/LAST
Preset position: AUTO
The input mode for a source connected to the SAT/D-TV
input terminals of this unit can be automatically set when
the power of this unit is turned on. Refer to page 22 for
details about the input mode.
AUTO
In this position, the input mode is always set to AUTO.
LAST
In this position, the input mode is automatically set to that
selected the last time when the power of this unit was turned
on.
SET MENU
0108V49633-39_EN(UCA) 1/11/0, 10:35 AM36
37
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
1. PRO LOGIC/Normal 15 to 30 20
DOLBY DIGITAL/Normal 0 to 15 5
DTS DIGITAL SUR/Normal 0 to 15 5
PRO LOGIC/ENHANCED 15 to 30 20
DOLBY DIGITAL/ENHANCED 0 to 15 5
DTS DIGITAL SUR/ENHANCED 0 to 15 5
2. 70 mm SPECTACLE 15 to 30 23
DGTL SPECTACLE 1 to 99 15
DTS SPECTACLE 1 to 99 15
70 mm SCI-FI 15 to 30 20
DGTL SCI-FI 1 to 99 16
DTS SCI-FI 1 to 99 16
3. 70 mm ADVENTURE 15 to 30 20
DGTL ADVENTURE 1 to 99 15
DTS ADVENTURE 1 to 99 15
70 mm GENERAL 15 to 30 20
DGTL GENERAL 1 to 99 15
DTS GENERAL 1 to 99 15
4. MONO MOVIE 1 to 99 49
5. TV SPORTS 1 to 99 9
6. DISCO 1 to 99 40
7. ROCK CONCERT 1 to 99 16
8. CONCERT HALL 1 to 99 44
DELAY TIME AND SPEAKER OUTPUT LEVELS
When using the digital sound field processor with the Dolby
Pro Logic decoder, Dolby Digital decoder or DTS decoder,
you can adjust the delay time between the main sound and
sound effect, and each speaker’s output level as you wish.
Delay Time
You can adjust the time difference between the beginning of
the sound from the main speakers and the beginning of the
sound effect from the rear speakers. The larger the value,
the later the sound effect is generated. The delay time can be
individually adjusted to all DSP programs.
Notes
Adding too much delay will cause an unnatural effect with some
sources.
The sound is momentarily interrupted while adjusting the delay
time.
Sound Output Level of the Center,
Right Rear and Left Rear Speakers,
and Subwoofer
If desired, you can adjust the sound output level of each
speaker even if it has already been adjusted in
“ADJUSTING THE SPEAKER BALANCE” on pages 18
and 19.
Notes
The sound output level of the center speaker cannot be adjusted
when the input signal is analog, PCM audio, or encoded with
Dolby Digital in 2-channel.
If “CENTER SP” in the SET MENU is set to the NONE position,
the sound output level of the center speaker cannot be adjusted.
This is because the center channel sound is automatically output
from the right and left main speakers.
Once the sound output level has been adjusted, the level will be
the same for all DSP programs.
Speaker Control range (dB) Preset value
Center –20 to +10 0
Right rear –20 to +10 0
Left rear –20 to +10 0
Subwoofer –20 to 0 0
Program
Control
range (ms)
Preset
value
0108V49633-39_EN(UCA) 1/20/0, 10:57 AM37
38
Adjusting Method
Adjustments should be performed with the remote control
while watching the information on the display.
1 Press AMP(TUNER) on the
component selector.
2 Press TIME/LEVEL repeatedly to select the
item you want to adjust.
Each time you press TIME/LEVEL, the selected item
changes and appears on the display as below.
Note
Depending on the setting of the SET MENU, you may not be able
to select all these items.
DELAY TIME AND SPEAKER OUTPUT LEVELS
1
3
2
DELAY
CENTER
R SUR.
L SUR.
SWFR
3 Press + or – to adjust the
delay time or speaker
output levels.
4 Repeat steps 2 and 3 to adjust the settings of
any other item.
Memory back-up
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the latest values for the delay time and the center/rear/
subwoofer output levels that were set will automatically
return to the preset values. If so, adjust the delay time
and output levels again.
0108V49633-39_EN(UCA) 1/11/0, 10:35 AM38
39
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
SLEEP TIMER
Canceling the Selected SLEEP
Timer
Press SLEEP repeatedly until “SLEEP OFF”
appears on the display.
It will soon disappear and the “SLEEP” indicator will
go off.
Note
The SLEEP timer can also be canceled by setting the unit in the
standby mode by using POWER on the remote control (or
STANDBY/ON), or by disconnecting the AC power cord from
the AC power outlet.
The SLEEP timer can be used to automatically set this unit
in the standby mode. This timer is useful when you are
going to sleep while enjoying a broadcast or other desired
input source. The SLEEP timer can only be set with the
remote control.
Notes
First press AMP(TUNER), TAPE/MD, CD or DVD/LD on the
component selector to set the SLEEP timer for this unit.
The SLEEP timer is effective for the components connected to the
AC OUTLET(S) on the rear panel of this unit.
Setting the SLEEP Timer
1 Play a source you want to enjoy when you are
going to sleep.
2 Press SLEEP repeatedly to
select the desired SLEEP
time.
Each time you press SLEEP, the
SLEEP time will change as
below:
3 The “SLEEP” indicator soon lights up on the
display after the SLEEP timer has been set.
The display returns to the previous indication.
Lights up
Flashes
120 90 60 30
The SLEEP timer is off
(SLEEP OFF).
(This is the state before
SLEEP is pressed.)
0108V49633-39_EN(UCA) 1/12/0, 4:14 PM39
40
Example: To control YAMAHA CD
player
1 Make sure that VOLUME is set to the m
position.
2 Press AMP(TUNER) on the
component selector.
3 Turn on the power.
4 Press CD on the input selector.
PRESET REMOTE CONTROL
The provided remote control is factory set to control not only this unit but also most YAMAHA audio components connected
to it.
There are eight component selector buttons. Press one of these buttons which corresponds to the component you want to
control with the remote control. For example, if you press CD on the component selector, the remote control is set to the CD
operation mode, allowing the CD player to be controlled by the buttons on the remote control.
5
3
2
4
7
6
AMP(TUNER)
You can perform the basic operations of this
unit. Refer to page 7.
CD
The code for a YAMAHA CD player is
factory set.
DVD/LD & DVD MENU
An LD player can be controlled in
the DVD/LD mode. A DVD player can be
controlled in the DVD/LD and DVD
MENU modes. The code for a YAMAHA
DVD player is factory set. If the remote
control does not operate your YAMAHA
DVD player, you need to set the code
number “0048”.
TAPE/MD
The code for a YAMAHA tape deck is
factory set. (The code for the YAMAHA
MD recorder can also be set.)
VCR
A VCR can be controlled.
TV
A TV can be controlled.
CBL/SAT
A cable TV or satellite tuner can be
controlled.
Note
The button functions on the remote control differ depending on the operation mode. Refer to the following pages for details.
Controlling the Components Connected to This Unit
5 Press CD on the
component selector.
6 Press p.
Refer to page 42 for the CD
player operation buttons.
7 Adjust the volume.
If you set the remote control with the manufacturers’
codes listed from page i at the end of this
manual, you can control other brands of components.
Refer to “Setup codes” on page 45 for details.
0109V49640-46_EN(UCA) 1/11/0, 10:35 AM40
41
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
Description of Each Mode
TAPE/MD MODE
Note
TV VOLUME functions if you have set the code for your TV.
The dark-shaded buttons do not function. Refer to the instructions for details of each component.
PRESET REMOTE CONTROL
DISPLAY (MD)
SLEEP
EFFECT
MUTE
TV VOLUME
VOLUME
POWER
(TAPE) This button turns this unit on if you have set
the code for a YAMAHA tape deck. This button
turns on the tape deck that has a remote control with
a power button if you have set the code for another
manufacturer.
(MD) This button turns this unit on if you have set
the code for the YAMAHA MD recorder.
r REC/PAUSE
This button gives a pause in recording on a tape deck
or MD recorder.
p PLAY
This button plays a tape or an MD.
b DIR A (TAPE)
This button selects the playing direction of deck A.
SKIP– (MD)
This button skips to the previous track.
w REWIND (TAPE)
This button rewinds a tape.
SEARCH (MD)
This button initiates a backward search on the track
that is playing to find the point from which you want
to listen.
Press TAPE/MD.
Input selector buttons
DECK A/B (TAPE)
This button selects deck A or B on a double-cassette
tape deck.
e PAUSE (MD)
This button gives a pause in operation.
a DIR B (TAPE)
This button selects the playing direction of deck B.
SKIP+ (MD)
This button skips to the next track.
s STOP
This button stops operation on a tape deck or MD
recorder.
f FAST FORWARD (TAPE)
This button winds a tape fast forward.
SEARCH (MD)
This button initiates a fast-forward search on the track
that is playing to find the point from which you want to
listen.
0109V49640-46_EN(UCA) 1/11/0, 10:36 AM41
42
CD MODE
Note
TV VOLUME and TV INPUT function if you have set the code for your TV.
e PAUSE
This button gives a pause in operation. The button
functions as PAUSE/STOP* for operating a
YAMAHA CD player under factory setting.
a SKIP+
This button skips to the beginning of the next
track.
s STOP
This button stops operation. The button functions
as PAUSE/STOP* for operating YAMAHA CD
players.
f SEARCH
This button initiates a fast-forward search on the
track that is playing to find the point from which
you want to listen.
The dark-shaded buttons do not function. Refer to the instructions for details of each component.
PRESET REMOTE CONTROL
y
PAUSE/STOP function
Press the button once to give a pause in operation and press once more to stop operation.
DISPLAY
SLEEP
EFFECT
MUTE
TV VOLUME
VOLUME
TV INPUT
Press CD.
POWER
This button turns this unit on if you have set the code
for a YAMAHA CD player. This button turns on the CD
player that has a remote control with a power button if
you have set the code for another manufacturer.
p PLAY
This button plays a CD.
b SKIP–
This button skips to the beginning of the previous
track.
w SEARCH
This button initiates a backward search on the track
that is playing to find the point from which you want
to listen.
Input selector buttons
DISC SKIP +/– (for a CD player with CD
changer)
These buttons skip to the next or previous CD.
0109V49640-46_EN(UCA) 1/11/0, 10:36 AM42
43
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
DVD/LD MODE
Note
TV VOLUME and TV INPUT function if you have set the code for your TV.
DVD MENU MODE
Note
TV VOLUME and TV INPUT function if you have set the code for your TV.
The dark-shaded buttons do not function. Refer to the instructions for details of each component.
PRESET REMOTE CONTROL
CLEAR
TV INPUT
TV VOLUME
VOLUME
RETURN
MENU UP
MUTE
MENU LEFT
MENU DOWN
TITLE
DISC SKIP +/–
INDEX
MENU SELECT
MENU
+10
MENU RIGHT
Press DVD MENU.
POWER
This button turns the unit on if you have
set the code for a YAMAHA DVD player.
This button turns on the DVD player that
has a remote control with a power button
if you have set the code for another
manufacturer.
Numeric buttons
EFFECT
TV INPUT
TV VOLUME
VOLUME
SLEEP
MUTE
SKIP –
STOP
SEARCH
DISC SKIP +/–
DISPLAY
PAUSE
PLAY
SEARCH
SKIP +
Press DVD/LD.
POWER
(DVD) This button turns this unit on if
you have set the code for a YAMAHA
DVD player. This button turns on the
DVD player that has a remote control
with a power button if you have set the
code for another manufacturer.
(LD) This button turns this unit on if you
have set the code for a YAMAHA LD
player. This button turns on the LD player
that has a remote control with a
power button if you have set the
code for another manufacturer.
Input selector buttons
0109V49640-46_EN(UCA) 1/11/0, 10:36 AM43
44
VCR MODE
Note
TV VOLUME, TV INPUT and TV SLEEP function if you have
set the code for your TV.
CBL/SAT MODE
Note
TV VOLUME, TV INPUT and TV SLEEP function if you have
set the code for your TV.
TV MODE
Note
You can control your VCR if you have set the
code for it.
The dark-shaded buttons do not function. Refer to the instructions for details of each component.
PRESET REMOTE CONTROL
VCR REC
Press this button twice to
start recording.
Press VCR.
EFFECT
TV INPUT
TV VOLUME
VOLUME
TV SLEEP
MUTE
VCR STOP
VCR REWIND
VCR CHANNEL +/–
DISPLAY
VCR PAUSE
VCR PLAY
VCR
FAST FORWARD
CHANNEL
ENTER
CHANNEL
VCR POWER
Press CBL/SAT.
+100
TV INPUT
TV VOLUME
VOLUME
TV SLEEP
MUTE
MENU LEFT
MENU UP
MENU DOWN
RECALL
CBL/SAT
CHANNEL +/–
DISPLAY
MENU SELECT
MENU
CHANNEL
ENTER
MENU RIGHT
CBL/SAT POWER
CHANNEL
Press TV.
VCR REC
Press this button twice.
EFFECT
TV INPUT
TV VOLUME
VOLUME
TV SLEEP
TV MUTE
VCR STOP
VCR REWIND
TV CHANNEL +/–
DISPLAY
VCR PAUSE
VCR PLAY
VCR
FAST FORWARD
CHANNEL
ENTER
CHANNEL
TV POWER
0109V49640-46_EN(UCA) 1/11/0, 10:36 AM44
45
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
Advanced Information
Setup codes
You can set the code for the manufacturer of your
component after pressing the component selector buttons
other than AMP(TUNER).
1 Turn on your component to be used.
2 Press one of the
component selector
buttons which
corresponds to the
component to be
controlled.
3 Press both VOLUME
buttons (u/d) at the same
time for about four
seconds.
The indicator flashes twice.
4 Use the numeric buttons to
enter the four-digit
manufacturer’s code for
the component to be used.
Make sure that the
indicator flashes twice.
If the indicator does not flash,
repeat step 3 and re-enter the
code.
5 Press POWER (or any other button) on the
remote control to check if you have set the
code correctly.
If your component cannot be
controlled with the remote
control, try setting another code
for the same manufacturer.
Notes
You can set only one code for one mode.
In the DVD/LD and DVD MENU modes:
Be sure to press DVD/LD on the component selector before
entering the code for the DVD/LD player. The code set in the
DVD/LD mode is also simultaneously set in the DVD MENU
mode. You cannot set the code for a DVD player after pressing
DVD MENU on the component selector.
DVD MENU operations cannot be performed for some DVD
players.
A second (and third) VCR can be controlled. Refer to “To use a
second (and third) VCR” for details.
If your component does not respond to any of the codes listed for
the manufacturer, use the original remote control supplied with
your component.
PRESET REMOTE CONTROL
To use a second (and third) VCR
You can control a second (and third) VCR in the CBL/SAT
and DVD MENU modes if a cable TV or satellite tuner, or
DVD player is not being used.
Note
If you want to control a second (and third) VCR in the DVD
MENU mode, you must set the code for an LD player in the
DVD/LD mode.
1 Turn on the VCR to be used.
2 Press CBL/SAT or DVD
MENU on the component
selector.
3 Press both VOLUME
buttons (u/d) at the same
time for about four
seconds.
The indicator flashes twice.
4 Use the numeric buttons to
enter the four-digit code
for the second (and third)
VCR. Make sure that the
indicator flashes twice.
If the indicator does not flash,
repeat step 3 and re-enter the
code.
5 Press POWER (or any other button) on the
remote control to check if you have set the
code correctly.
If the VCR cannot be controlled
with the remote control, try
setting another code for the
same manufacturer.
0109V49640-46_EN(UCA) 1/11/0, 10:36 AM45
46
Returning to the factory-set codes
To return all components to the factory-set codes, follow
these steps.
1 Press one of the
component selector
buttons other than
AMP(TUNER).
2 Press both VOLUME
buttons (u/d) at the same
time for about four
seconds.
The indicator flashes twice.
3 Enter the code number
“9990”.
Make sure that the indicator
flashes twice.
PRESET REMOTE CONTROL
To return each component to the factory-set codes, follow
these steps.
1 Press one of the
component selector
buttons which
corresponds to the
component to be returned
to the factory-set code.
2 Press both VOLUME
buttons (u/d) at the same
time for about four
seconds.
The indicator flashes twice.
3 Enter the code number
“0000”.
Make sure that the indicator
flashes twice.
The following codes are factory set.
Component
selector button
Component
Code
TV TV 0101
CBL/SAT Satellite tuner 0006
VCR VCR 0002
DVD/LD DVD player 0008 (YAMAHA DVD player)
CD CD player 0005 (YAMAHA CD player)
TAPE/MD Tape deck 0004 (YAMAHA Tape deck)
We recommend that you write all the code numbers you
have set on the “Quick Reference Card”.
0109V49640-46_EN(UCA) 1/11/0, 10:36 AM46
47
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
TROUBLESHOOTING
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power
cord and contact your authorized YAMAHA dealer or service center.
General
SYMPTOM CAUSE REMEDY
The unit does not work
normally.
No sound and/or no
picture.
The power cord is not connected or the plug is
not completely inserted.
Firmly connect the power cord.
The IMPEDANCE SELECTOR switch on the
rear panel is not fully set to the right or left
position.
Set the switch fully to the right or left position
when the unit is in the standby mode.
The internal microcomputer has been frozen by
an external electric shock (lightning, excessive
static electricity, etc.) or by a power supply with
low voltage.
Set the unit in the standby mode and disconnect
the AC power cord from the AC power outlet.
After about 30 seconds have passed, connect
the power and operate the unit again.
The speaker connections are not secure.
Incorrect input or output cable connections. Connect the cables properly. If the problem
persists, the cables may be defective.
An appropriate input source has not been
selected.
Select an appropriate input source with INPUT
SELECTOR or TAPE/MD MON / EXT.
DECODER (or the input selector buttons).
Secure the connections.
SPEAKERS have not been set properly. Set SPEAKERS corresponding to the speakers
in use to the ON position.
No picture. There is no S VIDEO connection between this
unit and the TV monitor, although S video
signals are being input to this unit.
Connect the monitor’s “S” video input terminal
to this unit’s S VIDEO MONITOR OUT
terminal.
Only the speaker on one
side can be heard.
Incorrect cable connections. Connect the cables properly. If the problem
persists, the cables may be defective.
Incorrect setting of BALANCE. Adjust it to the appropriate position.
No sound from the effect
speakers.
The sound effect is off. Press EFFECT to turn it on.
A Dolby Surround, Dolby Digital or DTS
decoding DSP program is being used with
material not encoded with Dolby Surround,
Dolby Digital or DTS.
Select another DSP program.
No sound from the
center speaker.
The sound output level of the center speaker is
set to minimum.
Raise the level of the center speaker.
“CENTER SP” in the SET MENU is set to the
NONE position.
Select the LRG or SML position.
The sound is muted.
Set VOLUME to the “m” position, press
MUTE to cancel a mute and adjust the volume.
Play a source whose signals this unit can
reproduce.
Digital signals other than PCM audio and the
signals encoded with Dolby Digital or DTS
which this unit cannot reproduce are being input
to this unit by a CD-ROM, etc.
The sound suddenly
goes off.
The protection circuit has been activated
because of a short circuit, etc.
Set the unit in the standby mode and then turn
on to reset the protection circuit.
The SLEEP timer has functioned. Turn on the power, and play the source again.
Refer to
page
APPENDIX
Incorrect DSP program is selected. Select the appropriate program.
The source encoded with Dolby Digital or DTS
does not have a center channel signal.
No sound from the rear
speakers.
The output level of the rear speakers is set to
minimum.
Raise the output level of the rear speakers.
A monaural source is being played with the PRO
LOGIC/Normal or PRO LOGIC/ENHANCED
program.
Select another DSP program suitable for the
monaural source.
17
12, 13
20
15
20
21
14
39
15
21
24
27
37
34
25, 26, 27
37
27
The unit fails to turn on
when STANDBY/ON is
pressed, or enters in the
standby mode soon after
the power has been
turned on.
17
0110V49647-52_EN(UCA) 1/11/0, 10:37 AM47
48
SYMPTOM CAUSE REMEDY
Incorrect cable connections. Firmly connect the audio plugs. If the problem
persists, the cables may be defective.
No connection from the turntable to the GND
terminal.
Make the GND connection between the
turntable and this unit.
The volume level cannot
be increased, or the
sound is distorted.
The component connected to the TAPE/MD
OUT (REC) terminals of this unit is in the
standby mode.
Turn on the power to the component.
The sound effect cannot
be recorded.
It is not possible to record the sound effect by a
tape deck or MD recorder connected to the
TAPE/MD OUT (REC) terminals of this unit.
The DVD/LD, TV/digital TV
or satellite tuner source
cannot be recorded by
tape deck, MD recorder
or VCR connected to this
unit.
The DVD/LD player, TV/digital TV or satellite
tuner is connected to the unit only through the
digital terminals.
Make additional connections between the
analog terminals.
Previously preset
stations can no
longer be tuned in.
The unit has been disconnected for a long
period.
Re-store the stations.
Refer to
page
FM
AM
Adjusting this unit by
using SET MENU, TIME/
LEVEL or TEST cannot
be performed.
“MEM. GUARD” in the SET MENU is set to
the ON position.
Set “MEM. GUARD” to the OFF position.
Tuner
SYMPTOM CAUSE REMEDY
FM stereo reception
is noisy.
The characteristics of FM stereo broadcasts
may cause this problem when the transmitter is
too far away or the antenna input is poor.
Check the antenna connections.
Try using a high-quality directional FM
antenna.
Use the manual tuning method.
There is distortion,
and clear reception
cannot be obtained
even with a good FM
antenna.
There is multipath interference.
Adjust the antenna position to eliminate
multipath interference.
The desired station
cannot be tuned in
with the automatic
tuning method.
The station is too weak.
Use the manual tuning method.
Use a high-quality directional FM antenna.
The desired station
cannot be tuned in
with the automatic
tuning method.
The signal is weak or the antenna connections
are loose.
Tighten the AM loop antenna connections and
orient it for best reception.
Use the manual tuning method.
Refer to
page
There are continuous
crackling and hissing
noises.
Noises result from lightning, fluorescent lamps,
motors, thermostats and other electrical
equipment.
Use an outdoor antenna and a ground wire. This
will help somewhat, but it is difficult to
eliminate all noise.
A “humming” sound can
be heard.
The volume level is low
while playing a record.
The record is being played on a turntable with an
MC cartridge.
The turntable should be connected to the unit
through the MC head amplifier.
TROUBLESHOOTING
Select the BOTH position.
12, 13
12
12
32
13
The source does not contain low bass signals
(below 90 Hz).
No sound from the
subwoofer.
“BASS OUT” in the SET MENU is set to the
SW or MAIN position when playing a 2-channel
source.
34
10, 28
10
10, 28
29
11, 28
11
There are buzzing and
whining noises
(especially in the
evening).
A TV set is being used nearby.
Move this unit away from the TV.
36
0110V49647-52_EN(UCA) 1/11/0, 10:37 AM48
49
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
Remote control
This unit is in the standby mode. Turn on the power of the unit.
SYMPTOM CAUSE REMEDY
SYMPTOM CAUSE REMEDY
Refer to
page
The remote control does
not work.
Direct sunlight or lighting (from an inverter
type of fluorescent lamp, etc.) is striking the
remote control sensor of this unit.
Reposition the unit.
The batteries are weak. Replace all batteries with new ones.
The unit or other
component cannot be
controlled.
The component to be controlled has not been
selected.
Press one of the component selector buttons
which corresponds to the component to be
controlled.
The manufacturers code has not been set
properly.
Enter the code again.
Try setting another code for the same
manufacturer.
Others
SYMPTOM CAUSE REMEDY
Refer to
page
The sound is degraded
when listening with
headphones to a tape
deck or CD player
connected to this unit.
There is noise
interference from digital
or high-frequency
equipment, or the unit.
The unit is too close to the digital or high-
frequency equipment.
Move the unit further away from such
equipment.
When playing back a source encoded with DTS
Refer to
page
A loud hissing noise is
heard when playing back
a source encoded with
DTS.
The player which plays back the source is not
connected to a digital audio signal input
terminal of this unit.
The player must be connected to a digital audio
signal input terminal of this unit besides the
analog audio signal terminal connections.
The input mode is set to ANALOG on this unit. Set a proper input mode to turn on the built-in
DTS decoder.
A percussive noise is
heard when playing back
a source encoded with
DTS.
If the input mode is set to AUTO, depending on
some sources, there may be a noise heard while
this unit is identifying the format of the input
signal.
Set the input mode of the currently selected
input source to DTS.
No sound is heard when
playing back a source
encoded with DTS, even
if the input mode is set
to AUTO on this unit.
The built-in DTS decoder does not function
because the player has a digital volume control
and it is set at a position other than
“maximum,” “neutral” or “ineffective.”
Set the players digital volume control at the
maximum, neutral or ineffective position.
No sound is heard when
playing back an MD or
DAT on which has been
recorded a source
encoded with DTS.
A source encoded with DTS cannot be recorded
on an MD or DAT.
No sound is heard when
playing back a source
(CD, etc.) even if the
currently selected input
mode is AUTO.
In the AUTO mode, the DTS-decoding mode
cannot be automatically changed to the normal
(PCM) digital signal input mode.
Set the input mode to AUTO again.
Notes
It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back the source must be connected
to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or only a D-to-A converter is
being used without using a DTS decoder, only a loud hissing noise will be heard when you play back the source.
If you make a search (or skip, etc.) operation while playing back a source encoded with DTS, the “t” indicator goes off. This is because
this unit automatically changes the DTS-decoding mode to the standard (PCM) digital signal input mode to prevent a noise from being
output.
TROUBLESHOOTING
3
2
40
45
13
22
22
23
0110V49647-52_EN(UCA) 1/11/0, 10:37 AM49
50
SPECIFICATIONS
AUDIO SECTION
Minimum RMS Output Power
20 Hz to 20 kHz, 0.06% THD, 8 ohms
Main L/R, Center, Rear L/R ......................................... 70 W*/65 W
1 kHz, 0.09% THD, 8 ohms
Main L/R, Center, Rear L/R ....................................... 80 W*/70 W
Maximum Output Power (EIAJ)
1 kHz, 10% THD, 8 ohms ........................................................ 100 W
DIN Standard Output Power
1 kHz, 0.7% THD, 4 ohms ....................................................... 100 W
IEC Output Power
1 kHz, 0.06% THD, 8 ohms ....................................................... 70 W
Dynamic Power (IHF)
8/6/4/2 ohms .................... 100/120/140/160 W*, 90/110/130/150 W
Damping Factor
20 Hz to 20 kHz, 8 ohms ................................................................ 60
Frequency Response
CD etc. to MAIN L/R ................................ 20 Hz to 20 kHz, ±0.5 dB
Total Harmonic Distortion (20 Hz to 20 kHz)
CD etc. to MAIN L/R, 1/2 power, 8 ohms ............................ 0.025%
Signal-to-Noise Ratio (IHF-A Network)
CD etc. to MAIN L/R
(150 mV, Input Shorted) ........................................................ 96 dB
(250 mV, Input Shorted) ....................................................... 100 dB
Residual Noise (IHF-A Network)
MAIN L/R .............................................................................. 150 µV
Input Sensitivity/Impedance
CD etc. ................................................................. 150 mV/47 k-ohms
EXT. DECODER......................................... 150 mV/40 – 47 k-ohms
Output Level/Impedance
REC OUT ........................................................... 150 mV/1.2 k-ohms
SUBWOOFER ....................................................... 4.0 V/1.2 k-ohms
PHONES ................................................................. 0.47 V/390 ohms
Channel Separation (Vol. –30 dB)
CD etc. (Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)
..................................................................................... 60 dB/45 dB
Tone Control Characteristics
BASS: Boost/cut ..........................................................±10 dB/50 Hz
TREBLE: Boost/cut ................................................... ±10 dB/20 kHz
* for U.S.A. and Canada models
VIDEO SECTION
Video Signal Type ........................................................... NTSC or PAL
Video Signal Level ...................................................... 1 Vp-p/75 ohms
Signal-to-Noise Ratio .................................................................. 50 dB
Monitor Out Frequency Response....................5 Hz to 10 MHz, –3 dB
FM SECTION
Tuning Range .................................... 87.5/87.50 to 107.9/108.00 MHz
Usable Sensitivity (DIN)
Mono (S/N 26 dB) ................................................................... 0.9 µV
Stereo (S/N 46 dB) ................................................................... 28 µV
Selectivity (two signals, 40 kHz Dev., ±300 kHz) ...................... 55 dB
Signal-to-Noise Ratio (Mono/Stereo)
DIN ................................................................................. 75 dB/69 dB
IHF ................................................................................. 81 dB/75 dB
Harmonic Distortion (1 kHz)
Mono/Stereo ........................................................................ 0.1/0.2%
Stereo Separation (1 kHz) ........................................................... 48 dB
Frequency Response ........................................ 20 Hz to 15 kHz, ±1 dB
Antenna Input ......................................................75 ohms, Unbalanced
AM SECTION
Tuning Range ............................................530/531 to 1,710/1,611 kHz
Usable Sensitivity ................................................................. 300 µV/m
Signal-to-Noise Ratio ................................................................... 52 dB
Antenna ........................................................................... Loop antenna
GENERAL
Power Supply
[U.S.A. and Canada models] .................................. AC 120 V, 60 Hz
[Europe, U.K. and Singapore models] .................... AC 230 V, 50 Hz
[Australia model]..................................................... AC 240 V, 50 Hz
[China model]......................................................... AC 220 V, 50 Hz
[General model].............................AC 110/120/220/240 V, 50/60 Hz
Power Consumption ...................................................... approx. 220 W
AC Outlets (100 W max. total)
[U.K. and Australia models] ..................................... 1 (SWITCHED)
[Other models].......................................................... 2 (SWITCHED)
Dimensions (W x H x D)
.....................435 x 151 x 391 mm (17-1/8’ x 5-15/16’ x 15-3/8’’)
Weight ............................................................................ 10 kg (22 lbs.)
Accessories ................................................................ AM loop antenna
.......................................................................... Indoor FM antenna
.....................75-ohm/300-ohm antenna adapter (U.K. model only)
........................ Antenna adapter (U.S.A. and Canada models only)
.................................................................................Remote control
........................................................................................... Batteries
Specifications are subject to change without notice.
0110V49647-52_EN(UCA) 9/28/0, 4:38 PM50
51
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
CINEMA DSP
GLOSSARY
Dolby Surround
Dolby Surround uses four discrete channels and five
speakers to reproduce realistic and dynamic sound effects:
two main channels (left and right), a center channel for
dialog, and a rear channel for special sound effects. The rear
channel reproduces sound within a narrow frequency range.
Most video tapes and laser discs include Dolby Surround
encoding, as do many TV and cable broadcasts. The Dolby
Pro Logic decoder built into this unit employs a digital
signal processing system that stabilizes each channel for
even more accurate sound positioning than is available with
standard analog processors.
Dolby Digital
Dolby Digital is a digital surround sound system that
provides completely independent multi-channel audio to
you. Dolby Digital provides five full-range channels in what
is sometimes referred to as a “3/2” configuration: three front
channels (left, center and right), and two surround channels.
A sixth bass-only effect channel is also provided for output
of LFE (low frequency effect), or low bass effects that are
independent of other channels. (This is called the “LFE
channel”.) This channel is counted as 0.1, thus giving rise to
the term 5.1 channels in total.
The wide dynamic range of sound reproduced by the five
full-range channels and precise sound orientation by digital
sound processing provides listeners with excitement and
realism that have never been experienced before.
DTS (Digital Theater System)
Digital Surround
DTS was developed to replace analog soundtracks of
movies with six discrete channels of digital soundtracks,
and it is now installed in many theaters around the world.
The DTS digital playback system changed the way we
experienced movies in theaters with six discrete channels of
superb digital audio.
DTS technology, through intense research and development
has made it possible to deliver similar encode/decode
discrete technology to home audio surround-sound
entertainment.
DTS Digital Surround is an encode/decode system which
delivers six channels of master-quality, 20-bit audio;
technically, it is 5.1 channels, which means 5 full-range
(left, center, right and two surround) channels, plus a
subwoofer (LFE) channel (as “0.1”). It is compatible with
the 5.1 speaker configurations that are currently available
for home theater systems.
CINEMA DSP
The Dolby Surround and Dolby Digital sound and DTS
systems show their full ability in a large movie theater,
because movie sounds are originally designed to be
reproduced in a large movie theater that uses a multitude of
speakers. Trying to create a sound environment similar to
that of a movie theater in your home is difficult because of
the room size, material inside the walls, the number of
speakers, and so on. In other words, your listening room is
very different from a movie theater.
However, YAMAHA DSP technology allows you to create
nearly the same sound experience as that of a large movie
theater in your home by compensating for the lack of
presence and dynamics in the listening room with original
digital sound fields combined with Dolby Surround, Dolby
Digital or DTS Digital Surround sounds.
The YAMAHA “CINEMA DSP” logo indicates those
programs that are created by the combination of YAMAHA
DSP technology and Dolby Surround, Dolby Digital or
DTS.
LFE 0.1 Channel
This channel is for reproduction of low bass signals. The
frequency range for this channel is 20 Hz to 120 Hz. This
channel is called the channel 0.1 because it only reproduces
a low frequency range compared to the full-range from
20 Hz to 20 kHz that is reproduced by the 5 channels in a
Dolby Digital or DTS 5.1 channel system.
S VIDEO Signal
The S VIDEO signal is separated and transmitted as the Y
signal which indicates the luminance and the C signal which
indicates the chroma of the video signal (composite signal).
Using the S VIDEO terminal eliminates video signal
transmission loss and allows recording and playback of
even more beautiful images.
0110V49647-52_EN(UCA) 1/11/0, 10:37 AM51
52
INDEX
A
Accessories .......................................................................... 2
AC outlet ........................................................................... 17
Antennas ...................................................................... 10, 11
B
BALANCE ........................................................................ 21
BGV (background video) function .................................... 21
C
Canceling sound effect ...................................................... 24
CINEMA DSP ............................................................. 27, 51
Connections
Antennas................................................................ 10, 11
Audio components (tape deck/MD recorder, CD player
and turntable) .............................................................. 12
Digital connections...................................................... 13
Speakers ...................................................................... 15
TV monitor .................................................................. 13
Video components (DVD/LD player, VCR and TV/
digital TV, satellite tuner) ............................................ 13
D
Delay time (TIME/LEVEL mode) .................................... 37
Display................................................................................. 6
Dolby Digital ..................................................................... 51
Dolby Surround ................................................................. 51
DSP program ............................................................ 24 to 27
DTS Digital Surround ....................................................... 51
E
External decoder ................................................................ 14
F
Front panel........................................................................... 4
I
IMPEDANCE SELECTOR switch ................................... 17
Input mode......................................................................... 22
L
LFE ........................................................................ 35, 36, 51
M
Muting ............................................................................... 21
P
Playing ............................................................................... 20
Preset stations
To recall a preset station.............................................. 30
Exchanging preset stations .......................................... 31
Preset tuning
Automatic preset tuning .............................................. 29
Manual preset tuning................................................... 30
R
Recording .......................................................................... 32
Remote control
Basic operations ............................................................ 7
Batteries......................................................................... 2
Component selector................................................. 7, 40
Factory-set code .......................................................... 46
Manufacturers codes .......... i (at the end of this manual)
Setup codes.................................................................. 45
S
SET MENU ....................................................................... 33
Sleep timer......................................................................... 39
Speaker
Output levels (TIME/LEVEL mode) .......................... 37
Output mode (SET MENU) .................................. 34, 35
Speaker balance (test tone).......................................... 18
Placement ...................................................................... 8
STANDBY/ON.................................................................... 4
T
Test tone....................................................................... 18, 19
Tone controls ..................................................................... 21
Tuning
Automatic tuning......................................................... 28
Manual tuning ............................................................. 28
0110V49647-52_EN(UCA) 1/11/0, 10:37 AM52
i
TV
A-Mark 1161
A Tandy 0941
Abex 1151
Admira 1141
Adventura 1131
Aiko 1121
Akai 0331, 1101, 1111
Alba 0431
Alleron 1091
Ambassador 1081
Amstrad 0481, 1081
Anam 0251, 1041, 1051,
1061, 1071
Anam National 1041
AOC 0361, 1021, 1031,
1111, 1161
Archer 1161
Audiosonic 1001
Audiovox 1051, 1161
Awai 1481
Bauer 0441
Baur 1001
Beijing 1511, 1551, 1561
Belcor 1031
Bell & Howell 0981, 0991
Beon 1001
Bradford 1051
Brockwood 1031
Broksonic 1161
Bush 1001
Candle 0351, 0361, 0961,
0971, 1111, 1131
Capehart 1021
Carver 0101
Cathay 1001
Celebrity 0951
Centurion 0411
Changhong 1541, 1551, 1561,
1621
Citizen 0351, 0361, 0921,
0931, 0941, 0961,
0971, 1111, 1121,
1131
Clairtone 1011
Clarivox 1001
Concerto 0351, 0971
Conrowa 1751
Contec 0901, 0911, 1011,
1051
Corando 0941
Craig 0251, 1051
Crown 0941, 1051
Curtis Mathes 0161, 0361, 0931,
0941, 0981, 1111
CXC 1051
Daewoo 0291, 0301, 0331,
0721, 0941, 1001,
1031, 1121, 1191,
1531, 1581, 1591,
1601
Dansai 1001
Daytron 0941, 1031
Decca 0271, 1001
Dixi 0331, 1001, 1071
Dumont 0891, 1031
Dynatech 0881
Electroband 0951, 1011
Electrohome 0941
Electron 0941
Elin 1001
Elta 0331
Emerson 0001, 0021, 0061,
0071, 0081, 0091,
0111, 0811, 0821,
0831, 0841, 0851,
0861, 0871, 0901,
0921, 0941, 0981,
1011, 1031, 1051,
1081, 1091
Envision 0361, 1111
Erres 1001
Etron 0331
Ferguson 1001
Finlux 1001
Fisher 0171, 0801, 0981
Formenti 0441
Formonti 1001
Fortress 1141
Fujitsu 1091
Funai 1051, 1091, 1341,
1361, 1411, 1451,
1501, 1521
Futuretech 1051
GE 0131, 0161, 0201,
0751, 0761, 0771,
0781, 0791, 0811,
0861, 1041
GEC 0271, 1001
Gemini 0391
Genexxa 0431
Gibralter 0891, 1031, 1111
GoldStar 0031, 0121, 0351,
0411, 0731, 0741,
0861, 0941, 0971,
1001, 1031, 1111,
1151
Goodmans/Tashiko 0271, 0661,
1001
Granada 1001
Grundig 1781, 1791, 1801,
1811, 1821, 1831,
1841, 1851, 1861,
1871, 1881
Gunpy 1051, 1091
H/K 0721
Hallmark 0861
Hanseatic 1001
Harvard 1051, 1061
Hinari 1001, 1091
Hitachi 0181, 0351, 0671,
0681, 0691, 0701,
0711, 0871, 0941,
0971, 1351
Hypson 1001
Ima 1051
Indiana 1001
Infinity Reference 0101
Interfunk 1001
ITT 0611
Janeil 1131
JBL 0101
JCB 0951
Jensen 0311
Jinxing 1531, 1541, 1551,
1561, 1571, 1621,
1631, 1641, 1651,
1691, 1731
JVC 0261, 0281, 0641,
0651, 0661, 0841
Kawasho 0901
Penny 0161, 0361, 0521,
0531, 0621, 0731,
0751, 0761, 0781,
0791, 0861, 0931,
0941, 1031, 1041,
1111, 1151, 1161
Peony 1561, 1621
Philco 0361, 0581, 0591,
0601, 0611, 0631,
0961, 1031, 1111
Philips 0101, 0401, 1001
Phonola 1001
Pilot 0941, 1031, 1111
Pioneer 0511, 0551, 0871,
1331
Portland 0941, 1031, 1121
Priceclub 0931
Prism 0751
Proscan 0761
Protech 1001
Proton 0501, 0861, 0941,
1021, 1161
Pulsar 0891
Pulser 1031
Quasar 0251, 0751, 1041
Quelle 1001
Radio Shack 0541, 0941, 1031,
1051, 1151
Radiola 1001
RCA 0051, 0141, 0151,
0181, 0411, 0491,
0531, 0761, 0771,
0871, 1031
Realistic 0541, 0861, 0941,
0971, 0981, 1031,
1051, 1111, 1151
Rhapsody 1011
R-line 1001
Runco 0891, 1111
Saisho 0331, 1081
Sampo 0361, 0941, 1021,
1111, 1151
Samsung 0331, 0341, 0351,
0361, 0861, 0931,
0941, 0971, 1001,
1031, 1111, 1151,
1461
Samsux 0941
Sanyo 0171, 0231, 0271,
0661, 0801, 0911,
0981, 1231, 1251,
1261
SBR 1001
Schneider 1001
Scimitsu 1031
Scotch 0861
Scott 0831, 0861, 0941,
1031, 1051, 1091
Sears 0101, 0161, 0171,
0351, 0481, 0521,
0621, 0761, 0801,
0861, 0971, 0981,
1091
Shanghai 1561, 1681
Sharp 0461, 0471, 0541,
0661, 0911, 0941,
1141, 1241, 1271
Shogun 1031
Signature 0991, 1771
LIST OF MANUFACTURER’S CODES
LISTES DES CODES FABRICANT
Kaypani 1021
Kenwood 0361, 1031, 1111
Kloss 0631, 0721, 1131
KTV 0921, 0941, 1011,
1051, 1111
Leyco 1001
Liesenk & Tter 1001
Lloytron 0941
Loewe 1001
Logik 0991, 1771
Luxman 0351, 0971
Lxi 0101, 0621, 0761,
0861, 0981
Magnavox 0101, 0341, 0391,
0401, 0411, 0421,
0581, 0591, 0601,
0611, 0631, 0661,
0961, 1111
Majestic 0991
Marantz 0101, 0221, 0361,
1001, 1111
Mark 1001
Matsui 0271, 0331, 1001
Mediator 1001
Megatron 0691, 0861, 1161
MEI 1011
M Electronic 1001
Memorex 0331, 0571, 0861,
0971, 0981, 0991,
1771
Metz 1791, 1831, 1891,
1901, 1911, 1921,
1931, 1941
MGA 0361, 0561, 0571,
0861, 1031, 1111
Midland 0751, 0761, 0891,
0941, 1151
Mitsubishi 0221, 0321, 0561,
0571, 0661, 0861,
1031, 1101, 1381
Montgomery 1091
Motorola 1041, 1141
MTC 0351, 0361, 0881,
0931, 0971, 1011,
1031, 1111
Multitech 0881, 1051
NAD 0551, 0621, 0861
NEC 0241, 0351, 0361,
0661, 0971, 1031,
1111, 1321, 1711
Neckermann 1001
Nei 1001
Nikkai 0271, 0431, 1001,
1151
Nikko 0861, 1111, 1121
Novabeam 0721
NTC 1121
Onwa 1051
Optimus 0551
Optonica 0541, 1141
Orion 0831, 1001
Osaki 0271, 1151
Otto Versand 1001
Panasonic 0101, 0191, 0251,
0751,1041, 1311,
1371, 1431
Panda 1541, 1721
03V496code(UCA) 1/11/0, 1:07 PM1
ii
Simpson 0581, 0961
Solavox 1151
Sonoko 1001
Sontec 1001
Sony 0371, 0451, 0661,
0841, 0951, 1281,
1441
Soundesign 0861, 0961, 1051,
1091
Soundwave 1001
Spectricon 1161
Squareview 0481
SSS 1031, 1051
Star-lite 1051
Suprem 0951
Supre-macy 1131
Surpa 0351, 0971
Sylvania 0101, 0361, 0441,
0581, 0591, 0601,
0611, 0631, 0961,
1111
Symphonic 0481
Sysline 1001
Tandy 0271, 0431, 1141
Tatung 0271, 0881, 1001,
1041, 1161
Tcl 1561, 1631, 1701
Technics 0751
Techwood 0351, 0751, 0971
Teknika 0101, 0351, 0571,
0931, 0941, 0961,
0971, 0991, 1031,
1051, 1091, 1121,
1131, 1771
Teletech 0331
Tera 0501
Thakral 1671
Thorm 1001
TMK 0351, 0861, 0971,
1081
Toshiba 0381, 0521, 0621,
0661, 0931, 0981,
1301
Tosonic 1011
Totevision 0941
Trical 0911
Universal 0781, 0791
Universum 1001
Vector Research 0361, 1111
Vestel 1001
Victor 0651, 1201, 1211,
1221
Video Concept 1101
Vidikron 0101, 0211
Vidtech 0861, 1031
Viking 1131
Wards 0101, 0361, 0451,
0541, 0581, 0591,
0601, 0611, 0771,
0781, 0791, 0861,
0971, 0991, 1031,
1091, 1111, 1771
Watson 1001
Xogego 1611, 1621, 1661,
1741, 1761
Yamaha 0221, 0361, 0571,
1031, 1111, 1141,
1381
Yoko 1001
Zenith 0011, 0041, 0891,
0991, 1771
Zonda 1161
CABLE
ABC 0256, 0376
Antronix 0136
Archer 0136, 0286
BBT 0076
Cabletime 0166
Cablevision 0196
Colour Voice 0306, 0346
Comtronics 0216, 0276
Eagle Comronics 0276
Eastern 0066
Electricord 0206
Electus 0266
GE 0116, 0126
GEC Cable System 0196
Hamlin H5 0676
Hamlin H6 0666
Hamlin H6S 0656
Hamlin H8 0646
Hamlin H9 0636
Jerrold 0256
Jerrold 400L 0626
Jerrold 450L 0616
Jerrold 550 0606
Jerrold Osd Catv 0596
Jerrold Sprucer 0436
Magnavox/Philips 0416, 0426
Mamm 0296
Memorex 0386
Movie Time 0146, 0206
Northcoast 0016
NSC 0146
Oak 0106
Oak Sigma 450 0546
Oak Sigma 550 0536
Panasonic TZ 120/130 0476
Panasonic TZ 170/180 0446
Panasonic TZ140 0466
Panasonic TZ150/160 0456
Paragon 0386
Philips 0036, 0216, 0306,
0316, 0326, 0336,
0346
Pioneer 0006, 0086
Pioneer BR50 0846
Pioneer BR60/70/80/81/82
0696
Pioneer BR90 0556
Pulsar 0386
RCA Digital Satellite System
0396, 0406
Realistic 0136
Regency/Eastern0686
Runco 0386
Samsung 0276
Scientific Atlanta 175/475 0576
Scientific Atlanta 75 0366, 0586
Scientific Atlanta 8650 0566
Signal 0276
SL Marx 0276
Spectavision 0236
Standard Components 0186
Starcom V 0256
Stargate 0276
Sylvania/Texscan 0376, 0496
Teknika 0176
Teleservice 0056
Teleview 0276
Texscan 0186, 0376
TFC 0026
Tocom 0226, 0356
Tocom 5503A 0526
Tocom 5503VIP/5507 0516
Tocom TC56 0506
Toshiba 0386
Tudi 0046
Unika 0136
Universal 0136, 0156, 0206,
0286
Videoway 0096
Viewstar 0216
Zenith 0246, 0386, 0486
SATELLITE TUNER
Alpha Star 0826
Chaparral 0756
Echostar 0836
General Instrument 0776
HTS 0836
Hughes Network Systems 0816
Jerrold 0776, 0786
Panasonic 0806
Primestar 0776, 0786
RCA 0766
Sony 0796
VCR
A Tandy 0902
Adventura 0992
Aiko 0982
Aiwa 0992
Akai 0262, 0942, 0952,
0962, 0972
American High 0932
Amstrad 0992
ASA 0002, 0912
Asha 0922
Audio Dynamics 0202
Audiovox 0912
Beaumark 0922
Bell & Howell 0902
Blaupunkt 0412
Broksonic 0872, 0882, 0892
Bush 0852
Calix 0912
Canon 0862, 0932
CCE 0852, 0982
Citizen 0912, 0982
Colt 0852
Craig 0832, 0842, 0852,
0912, 0922
Curtis Mathes 0662, 0822, 0932
Cybernex 0922
Daewoo 0802, 0812, 0982
DBX 0202
Dynatech 0472, 0992
Electrohome 0912
Electrophonic 0912
Emerex 0792
Emerson 0072, 0132, 0142,
0152, 0162, 0172,
0182, 0192, 0212,
0702, 0712, 0722,
0732, 0742, 0752,
0762, 0772, 0782,
0872, 0882, 0892,
0912, 0952, 0992,
1072
Finlux 0002, 0992
Fisher 0682, 0692, 0842,
0902
Fuji 0672, 0932
Funai 0992
Garrard 0992
GE 0662, 0822, 0932
Go Video 0642, 0652
GoldStar 0082, 0632, 0912
Goodmans 0402
Gradiente 0992
Granda 0612, 0902
Grundig 0002
H/K 1082
Harley Davidson 0992
Harmon/Kardon 0632, 1082
Harwood 0752, 0852
Headquarter 0612
HI-Q 0842
Hinari 0852
Hitachi 0102, 0562, 0572,
0582, 0592, 0602,
0992
ITT 0942
JVC 0202, 0522, 0532,
0542, 0552
Kenwood 0202, 0542, 0612,
0632, 0902
KLH 0852
Kodak 0912, 0932
Lloyd 0992
Logik 0852
Luxor 0942
LXI 0022, 0912
Magnavox 0002, 0482, 0492,
0502, 0512, 0932
Magnin 0922
Marantz 0002, 0202, 0402,
0632, 0932
Marta 0912
Matsui 0722
Matsushita 0932
MEI 0222, 0932
Memorex 0232, 0242, 0472,
0512, 0612, 0842,
0902, 0912, 0922,
0932, 0992
MGA 0762, 0952
MGA Technology 0922
Minolta 0592, 0602
Mitsubishi 0452, 0462, 0542,
0762, 0952, 1082
Motorola 0472, 0932
MTC 0922, 0992
Multitech 0852, 0992
NAD 0442
NEC 0122, 0202, 0292,
0422, 0432, 0542,
0632
Nikko 0912
Noblex 0922
Olympus 0412, 0932
Optimus 0442, 0472, 0912
Optonica 0402
Orion 0212, 0722, 0742,
0772
Osaki 0912
Panasonic 0012, 0052, 0092,
0222, 0372, 0382,
0392, 0412, 0932
Penny 0202, 0432, 0602,
0632, 0692, 0912,
0922, 0932
Pentax 0592, 0602
Perdio 0992
Philco 0002, 0932
Philips 0002, 0282, 0402,
0492, 0932
Pilot 0912
Pioneer 0442, 0542
Proscan 1002, 1012, 1022,
1032, 1042, 1052,
1062
Pulsar 0512
Quarter 0612
Quartz 0272, 0612
Quasar 0382, 0392, 0932
Radio Shack 0912, 0992
Radix 0912
Randex 0912
03V496code(UCA) 1/11/0, 1:07 PM2
iii
RCA 0112, 0382, 0392,
0482, 0592, 0602,
0662, 0822, 0942
Realistic 0402, 0472, 0612,
0682, 0842, 0902,
0912, 0922, 0932,
0992
Ricoh 0352, 0362
Saisho 0212, 0582, 0722,
0732, 0742, 0772
Salora 0612, 0762
Samsung 0212, 0312, 0922,
0962
Sanky 0472, 0512
Sansui 0292, 0542, 0832
Sanyo 0242, 0612, 0842,
0902, 0922
SBR 0002, 0282
Schneider 0852
Scott 0342, 0712, 0762,
0872, 0882, 0892
Sears 0302, 0592, 0602,
0612, 0682, 0692,
0842, 0902, 0912,
0932
Sharp 0402, 0472
Shintom 0852
Shogun 0922
Singer 0852
Sony 0032, 0332, 0352,
0362, 0672, 0792,
0932
STS 0602
Sunpak 0352
Sylvania 0002, 0492, 0502,
0762, 0932, 0992
Symphonic 0992
Tandy 0992
Tashiko 0712, 0992
Teac 0992
Technics 0932
Teknika 0322, 0912, 0932,
0992
Telefunken 0252
TMK 0212, 0732, 0772,
0922
Toshiba 0062, 0302, 0342,
0622, 0682, 0712,
0762
Totevision 0912, 0922
Unitech 0922
Vector Research 0202, 0432, 0632
Victor 0532, 0542, 0552
Video Concepts 0202, 0432, 0632,
0952
Wards 0322, 0402, 0472,
0482, 0602, 0712,
0842, 0852, 0922,
0932, 0992
Yamaha 0202, 0632, 0762
Zenith 0042, 0362, 0512,
0672
DVD PLAYER
Akai 0108
JVC 0168
Onkyo 0128
Panasonic 0048
Philips 0188
Pioneer 0208, 0228
Samsung 0148
Sharp 0068
Sony 0028
Toshiba 0088
Yamaha 0008, 0048
LD PLAYER
Aiwa 0157
Denon 0147
Disco Vision 0017
Funai 0157
Hitachi (E) 0017
Kenwood 0087, 0107
Magnavox 0027
Marantz 0027
Mitsubishi 0137
NAD 0137
Panasonic 0077, 0177
Philips 0027
Pioneer 0037, 0017, 0137
RCA 0167
Realistic 0157
Sharp 0127
Sony 0047, 0057, 0117
Victor 0097
Yamaha 0007, 0067
CD PLAYER
Acoustic Research 1295
ADC 0025, 0065
Adcom 0205, 0255, 1015
ADS 0265
Aiwa 0295, 0945, 1035,
1055
Akai 0175, 0485, 0535
Alpine 1215, 1305
Audio-Technica 0545
BSR 0245, 0655, 0775
California Audio Lab 0055
Capetronic 1205
Carrera 0245
Carver 0285, 1135
Casio 0345
Crown 0185
Curtis Maths 0345
Denon 0275, 0875, 0885
Deual (E) 0505
Dynamic Bass (H) 0555
Emerson 0205, 0325, 1105
Eroica 1275
Fisher 0095, 0555, 0925,
1005
Garrard 0365
Genexxa 0305, 0325, 1105
GoldStar 1225, 1265, 1135,
1335
H/K 0105, 0175, 0465,
0995
Hitachi 0195, 0505, 0205,
0815
Inkel 0115, 0395
JVC 0315
Kenwood 0045, 0095, 0405,
0585, 0725, 0735,
0745, 0755, 0895
Kyocera 0025
Luxman 0075, 0425, 0675,
0705, 0715, 0985
Magnavox 0165, 0215, 0645,
0955
Marantz 0215, 0235, 0375,
0785, 1345
McIntosh 0355, 1085
MCS 0905, 1315
Memorex 0205, 0225, 0235,
0305, 0325, 1105
MGA 0135
Mission 0215
Mitsubishi 0135, 0445
MTC 1255
NAD 0035, 0615, 0685,
0695
Nakamichi 0125, 0435, 0515
NEC 0255, 0905, 0965
Nikko 0545, 1005
Onkyo 0155, 0455, 0495,
0805, 1155
Optimus 0225, 0245, 0555,
0595, 0845, 0855,
0865, 0895, 0935
Panasonic 0055, 0825, 1095,
1125
Penny 0905
Philips 0165, 0215
Pioneer 0305, 0935, 1045
Proton 0215, 1185
Quasar 0055
RCA 0205, 0915, 1115
Realistic 0205, 0225, 0235,
0325, 0555, 0845
Revox 1175
Rotel 0215
Saba Telecommander (E) 0505
SAE 0215
Samsung 1285
Sansui 0215, 0625, 0975,
1025, 1105
Sanyo 0145, 0555, 0635,
0765
Scott 0325, 1105
Sears 0345
Sharp 0235, 0665, 0895,
1065, 1075
Sherwood 0115, 0235, 0395,
0475
Siements Garrard 1245
Signature 0175
Sontec 1165
Sony 0065, 0565, 0865,
1145
Staron 1235
STS 0025
Sylvania 0215
Symphnoic 0335
Tandy 0305
Tangberg 1195
Teac 0235, 0335, 0385,
0525, 0795, 0835,
1355
Technics 0055, 0605, 1095
Techwood 1325
Telefunken (E) 0505
Thomson (E) 0505
Toshiba 0035, 0685
Vector Research 0065, 1135
Victor 0315
Wards 0175
Yamaha 0005, 0015, 0575,
1065
MD RECORDER
Yamaha 0024
TAPE DECK
Aiwa 0094, 0214, 0224
Akai 0184
Carver 0094
Denon 0304
Fisher 0144
Garrard 0194, 0204
JVC 0274, 0284, 0294
Kenwood 0124, 0134, 0154,
0234, 0244, 0264
Magnavox 0094
Marantz 0094, 0344
Mitsubishi 0184
Onkyo 0364, 0374
Optimus 0034, 0064, 0204,
0334
Philips 0094
Pioneer 0034, 0044, 0064
Revox 0354
Sansui 0094, 0344
Sharp 0264
Sherwood 0334
Sony 0054, 0084, 0324
Teac 0194, 0254
Technics 0074, 0314
Victor 0294
Wards 0034
Yamaha 0004, 0014
03V496code(UCA) 1/11/0, 1:07 PM3
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
Printed in Malaysia ID
V502890-2
OWNER’S MANUAL
MODE D’EMPLOI
HTR-5240
Natural Sound AV Receiver
Ampli-tuner audio-vidéo
U C A
00HTR-5240(UCA)-cv1/4 9/29/0, 12:52 PM1
DISPLAY (MD)
SLEEP
EFFECT
MUTE
TV VOLUME
VOLUME
POWER
REC/PAUSE
PLAY
DIR A (TAPE)
SKIP– (MD)
REWIND (TAPE)
SEARCH (MD)
Input selector
buttons
PAUSE (MD)
DECK A/B (TAPE)
DIR B (TAPE)
SKIP+ (MD)
STOP
FAST FORWARD (TAPE)
SEARCH (MD)
SET
MENU
SLEEP
TEST
A/B/C/D/E
EFFECT
PRESET+/–
MUTE
TV VOLUME
VOLUME
PRG+,
PRG–
+/–
POWER
TIME LEVEL
Input selector
buttons
TV INPUT
DISPLAY
SLEEP
EFFECT
MUTE
TV VOLUME
VOLUME
POWER
PLAY
SKIP–
SEARCH
Input selector
buttons
PAUSE
TV INPUT
SKIP+
STOP
SEARCH
Quick Reference Card
AMP(TUNER)
TAPE/MD CD DVD/LD
DISC SKIP+/–
DISPLAY
SLEEP
EFFECT
MUTE
TV VOLUME
VOLUME
POWER
PLAY
SKIP–
SEARCH
Input selector
buttons
PAUSE
TV INPUT
SKIP+
STOP
SEARCH
DISC SKIP+/–
V503030
DISPLAY
TV SLEEP
EFFECT
CHANNEL
ENTER
MUTE
TV VOLUME
VOLUME
VCR
POWER
VCR REC
Press this button twice to start recording.
Appuyer deux fois sur cette touche pour commencer l’enregistrement.
Drücken Sie diese Taste zweimal, um die Aufnahme zu starten.
Tryck två gånger på den här knappen för att börja spela in.
VCR PLAY
VCR
REWIND
CHANNEL CHANNEL
VCR
PAUSE
TV INPUT
VCR STOP
VCR FAST
FORWARD
RETURN
TITLE
CLEAR
INDEX
+10
MUTE
TV VOLUME
VOLUME
DISC SKIP+/–
VCR
CHANNEL+/–
CBL/SAT
CHANNEL+/–
POWER
Numeric buttons
TV INPUT
DISPLAY
TV SLEEP
+100
MUTE
TV VOLUME
VOLUME
CBL/SAT
POWER
MENU SELECT
MENU LEFT
RECALL
MENU UP
TV INPUT
MENU RIGHT
MENU DOWN
MENU
Quick Reference Card
DVD MENU
VCR CBL/SAT TV
DISPLAY
TV SLEEP
EFFECT
TV MUTE
TV VOLUME
VOLUME
TV
POWER
VCR PLAY
VCR
REWIND
CHANNEL
VCR
PAUSE
TV INPUT
VCR STOP
VCR FAST
FORWARD
MENU SELECT
MENU LEFT
MENU RIGHT
MENU DOWN
MENU
MENU UP
CHANNEL
ENTER
TV
CHANNEL+/–
CHANNEL
ENTER
V503030
*1
*1
VCR REC
*1
Premere due volte questo tasto per iniziare la registrazione.
Presione dos veces este botón para empezar a grabar.
Druk tweemaal op deze toets om met opnemen te beginnen.

Transcripción de documentos

UCA HTR-5240 Natural Sound AV Receiver Ampli-tuner audio-vidéo OWNER’S MANUAL MODE D’EMPLOI 90 1/17/0, 3:57 PM SAFETY INSTRUCTIONS 8 Ventilation – The unit should be situated so that its location or position does not interfere with its proper ventilation. For example, the unit should not be situated on a bed, sofa, rug, or similar surface, that may block the ventilation openings; or placed in a built-in installation, such as a bookcase or cabinet that may impede the flow of air through the ventilation openings. 9 Heat – The unit should be situated away from heat sources such as radiators, stoves, or other appliances that produce heat. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. • Explanation of Graphical Symbols The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert you to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert you to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE. 1 Read Instructions – All the safety and operating instructions should be read before the unit is operated. 2 Retain Instructions – The safety and operating instructions should be retained for future reference. 3 Heed Warnings – All warnings on the unit and in the operating instructions should be adhered to. 4 Follow Instructions – All operating and other instructions should be followed. 5 6 Water and Moisture – The unit should not be used near water – for example, near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc. Carts and Stands – The unit should be used only with a cart or stand that is recommended by the manufacturer. 6A A unit and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the unit and cart combination to overturn. 7 10 Power Sources – The unit should be connected to a power supply only of the type described in the operating instructions or as marked on the unit. 11 Power-Cord Protection – Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the unit. 12 Cleaning – The unit should be cleaned only as recommended by the manufacturer. 13 Nonuse Periods – The power cord of the unit should be unplugged from the outlet when left unused for a long period of time. 14 Object and Liquid Entry – Care should be taken so that objects do not fall into and liquids are not spilled into the inside of the unit. 15 Damage Requiring Service – The unit should be serviced by qualified service personnel when: A. The power-supply cord or the plug has been damaged; or B. Objects have fallen, or liquid has been spilled into the unit; or C. The unit has been exposed to rain; or D. The unit does not appear to operate normally or exhibits a marked change in performance; or E. The unit has been dropped, or the cabinet damaged. 16 Servicing – The user should not attempt to service the unit beyond those means described in the operating instructions. All other servicing should be referred to qualified service personnel. 17 Power Lines – An outdoor antenna should be located away from power lines. 18 Grounding or Polarization – Precautions should be taken so that the grounding or polarization is not defeated. Wall or Ceiling Mounting – The unit should be mounted to a wall or ceiling only as recommended by the manufacturer. CAUTION 0101V496caution_EN(UCA) 2 1/11/0, 10:48 AM SAFETY INSTRUCTIONS MAST ANTENNA LEAD IN WIRE GROUND CLAMP ANTENNA DISCHARGE UNIT (NEC SECTION 810–20) ELECTRIC SERVICE EQUIPMENT GROUNDING CONDUCTORS (NEC SECTION 810–21) GROUND CLAMPS POWER SERVICE GROUNDING ELECTRODE SYSTEM (NEC ART 250. PART H) NEC – NATIONAL ELECTRICAL CODE PREPARATION Note to CATV system installer: This reminder is provided to call the CATV system installer’s attention to Article 820-40 of the NEC that provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical. EXAMPLE OF ANTENNA GROUNDING INTRODUCTION 19 For US customers only: Outdoor Antenna Grounding – If an outside antenna is connected to this unit, be sure the antenna system is grounded so as to provide some protection against voltage surges and built-up static charges. Article 810 of the National Electrical Code, ANSI/NFPA 70, provides information with regard to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna discharge unit, connection to grounding electrodes, and requirements for the grounding electrode. FCC INFORMATION (for US customers only) Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/ s. In the case of radio or TV interference, relocate/ reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Electronics Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA 90620. APPENDIX The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. ADVANCED OPERATION This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: BASIC OPERATION 1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT : When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE : This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. We Want You Listening For A Lifetime Since hearing damage from loud sounds is often undetectable until it is too late, YAMAHA and the Electronic Industries Association’s Consumer Electronics Group recommend you to avoid prolonged exposure from excessive volume levels. English YAMAHA and the Electronic Industries Association’s Consumer Electronics Group want you to get the most out of your equipment by playing it at a safe level. One that lets the sound come through loud and clear without annoying blaring or distortion – and, most importantly, without affecting your sensitive hearing. CAUTION 0101V496caution_EN(UCA) 3 1/11/0, 10:48 AM CAUTION: READ THIS BEFORE OPERATING YOUR UNIT. 1. To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference. 12. To prevent lightning damage, disconnect the AC power cord and disconnect the antenna cable when there is an electrical storm. 2. Install this unit in a cool, dry, clean place — away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming (transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water. 13. Grounding or polarization — Precautions should be taken so that the grounding or polarization of the unit is not defeated. 3. Never open the cabinet. If something drops into the unit, contact your dealer. 14. AC outlet — Do not connect audio component to the AC outlet on the rear panel if that component requires more power than the outlet is rated to provide. 4. Do not use force on switches, controls or connection wires. When moving the unit, first disconnect the power cord and then the wires connected to other component. Never pull the wires themselves. This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode. In this state, this unit is designed to consume a very small quantity of power. 5. The openings on the cover assure proper ventilation of the unit. If these openings are obstructed, the temperature inside the unit will rise rapidly. Therefore, avoid placing objects against these openings, and install the unit in a well-ventilated area to prevent fire and damage. IMPORTANT Please record the serial number of this unit in the space below. 6. The voltage used must be the same as that specified on this unit. Using this unit with a higher voltage than specified is dangerous and may result in fire or other accidents. YAMAHA will not be held responsible for any damage resulting from the use of this unit with a voltage other than that specified. 7. Digital signals generated by this unit may interfere with other component such as tuners, receivers and TVs. Move this unit farther away from such component if interference is observed. 8. Always set VOLUME to the “m” position before starting the audio source play. Increase the volume gradually to an appropriate level after playback has been started. 9. Do not attempt to clean the unit with chemical solvents; this might damage the finish. Use a clean, dry cloth. MODEL: Serial No.: The serial number is located on the rear of the unit. Retain this Owner’s Manual in a safe place for future reference. WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE. FOR CANADIAN CUSTOMERS To prevent electric shock, match wide blade of plug to wide slot and fully insert. This Class B digital apparatus complies with Canadian ICES-003. 10. Be sure to read the “TROUBLESHOOTING” section regarding common operating errors before concluding that the unit is faulty. 11. When not planning to use this unit for a long period of time (e.g., a vacation), disconnect the AC power cord from the wall outlet. CAUTION 0101V496caution_EN(UCA) 4 1/11/0, 10:48 AM INTRODUCTION FEATURES CONTENTS 5-Channel Power Amplification ◆ ◆ ◆ ◆ ◆ Sophisticated FM/AM Tuner ◆ 40-Station Random Access Preset Tuning ◆ Automatic Preset Tuning ◆ Preset Station Shifting Capability (Preset Editing) PLAYING A SOURCE .............................................. 20 DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT .................................................................. 24 SOUND FIELD PROGRAM .................................... 25 TUNING ..................................................................... 28 RECORDING A SOURCE ON TAPE, MD OR VIDEO CASSETTE ............................................... 32 ADVANCED OPERATION SET MENU ................................................................. 33 DELAY TIME AND SPEAKER OUTPUT LEVELS ................................................. 37 SLEEP TIMER .......................................................... 39 PRESET REMOTE CONTROL .............................. 40 APPENDIX TROUBLESHOOTING ............................................ 47 SPECIFICATIONS .................................................... 50 GLOSSARY ................................................................ 52 INDEX ........................................................................ 53 y indicates a tip for your operation. English Manufactured under license from Dolby Laboratories. “Dolby”, “Pro Logic” and the double-D symbol are trademarks of Dolby Laboratories. Confidential Unpublished Works. ©1992 – 1997 Dolby Laboratories, Inc. All rights reserved. BASIC OPERATION Manufactured under license from Digital Theater Systems, Inc. US Pat. No. 5,451,942 and other world-wide patents issued and pending. “DTS”, “DTS Digital Surround”, are trademarks of Digital Theater Systems, Inc. Copyright 1996 Digital Theater Systems, Inc. All Rights Reserved. 1 0102V49601-07_EN(UCA) 1 1/11/0, 11:20 AM APPENDIX ◆ “SET MENU” which Provides You with 11 Items for Optimizing This Unit for Your Audio/Video System ◆ Test Tone Generator for Easier Speaker Balance Adjustment ◆ 6-Channel External Decoder Input for Other Future Formats ◆ Video Signal Input/Output Capability (Including S Video Connections) ◆ 2 Optical/1 Coaxial Digital Signal Input Terminals ◆ SLEEP Timer ◆ Remote Control with Preset Manufacturer Codes SPEAKER SETUP ....................................................... 8 CONNECTIONS .......................................................... 9 ADJUSTING THE SPEAKER BALANCE ............ 18 ADVANCED OPERATION Other Features PREPARATION BASIC OPERATION Digital Sound Field Processor (DSP) Dolby Digital Decoder Dolby Pro Logic Decoder DTS Decoder CINEMA DSP: Theater-like Sound Experience by the Combination of YAMAHA DSP Technology and Dolby Digital, Dolby Pro Logic or DTS ◆ Automatic Input Balance Control for Dolby Pro Logic decoding FEATURES .................................................................. 1 CONTENTS ................................................................. 1 GETTING STARTED ................................................. 2 CONTROLS AND FUNCTIONS ............................... 4 PREPARATION Multi-mode Digital Sound Field Processing INTRODUCTION INTRODUCTION ◆ Minimum RMS Output (0.06% THD, 20 Hz – 20 kHz) [U.S.A. and Canada models] Main: 70 W + 70 W (8 Ω) Center: 70 W (8 Ω) Rear: 70 W + 70 W (8 Ω) [Australia model] Main: 65 W + 65 W (8 Ω) Center: 65 W (8 Ω) Rear: 65 W + 65 W (8 Ω) GETTING STARTED Checking the Package Contents Check that the following items are included in your package. Remote control Batteries (AAA, R03, UM-4 type) Antenna adapter (U.S.A. and Canada models only) Indoor FM antenna Quick reference card AM loop antenna Connection guide Battery Installation in the Remote Control Battery Replacement If the remote control operates only when it is close to the unit, the batteries are weak. Replace all the batteries with new ones. Be sure to replace the batteries within about two minutes. If it takes longer than two minutes, the codes preset for the remote control will return to the factory settings. (Refer to pages 40 to 46 about the remote control.) 2 1 3 Notes 1 Turn the remote control over and slide the battery compartment cover in the direction of the arrow. 2 Insert the batteries (AAA, R03 or UM-4 type) according the polarity markings on the inside of the battery compartment. 3 Close the battery compartment cover. • Use only AAA, R03 or UM-4 batteries for replacement. • Be sure the battery polarity is correct. (See the illustration inside the battery compartment.) • Remove the batteries if the remote control will not be used for an extended period of time. • If the batteries have leaked, dispose of them immediately. Avoid touching the leaked material or letting it come into contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries. 2 0102V49601-07_EN(UCA) 2 1/12/0, 4:11 PM GETTING STARTED Using the Remote Control Within approximately 6 m (20 feet) INTRODUCTION Remote control sensor The remote control transmits a directional infrared beam. Be sure to aim the remote control directly at the infrared sensor during operation. When the sensor is covered or there is a large object between the remote control and the sensor, the sensor cannot receive signals. The sensor may not be able to receive signals properly when it is exposed to direct sunlight or a strong artificial light (such as a fluorescent or strobe light). In this case, change the direction of the light or reposition the unit to avoid direct lighting. Notes Handle the remote control with care. Do not spill water, tea or other liquids on the remote control. Do not drop the remote control. Do not leave or store the remote control in the following conditions: – high humidity or temperature such as near a heater, stove or bath; – dusty places; or – extremely low temperature. PREPARATION • • • • BASIC OPERATION ADVANCED OPERATION APPENDIX English 3 0102V49601-07_EN(UCA) 3 1/12/0, 4:11 PM CONTROLS AND FUNCTIONS Front Panel 1 2 3 – 7 8 90 + – q + 4 L 5 6 R w e r t y u i o p 1 STANDBY/ON 6 VOLUME Press this switch to turn on the power of this unit or to set this unit in the standby mode. Before turning the power on, set VOLUME to the “m” position. Turn this control to turn up or down the volume. Standby mode In this mode, this unit consumes a very small quantity of power to receive infrared-signals from the remote control. 2 Remote control sensor 7 PHONES jack Connect the headphones to the PHONES jack. You can listen to the sound to be output from the main speakers through the headphones. When using headphones only, set both SPEAKERS A and B to the OFF position and press EFFECT to turn off the effect speakers (center and rear) (so that no DSP program name appear on the display). This receives signals from the remote control. 8 SPEAKERS 3 Display Set A or B (or both A and B) to the ON position for the main speaker system (connected to this unit) that you want to use. Set the button(s) to the OFF position for the main speaker system that you don’t want to use. This shows various information. (Refer to page 6 for details.) 4 INPUT MODE Press this button to select the input mode among AUTO, DTS and ANALOG for the DVD/LD, TV/digital TV and satellite tuner sources. 5 INPUT SELECTOR Turn this selector to select the input source (TUNER, CD, PHONO, V-AUX, VCR, SAT/D-TV, DVD/LD) that you want to listen to or watch. The arrow for the selected input source indicator lights up on the display. 9 PROGRAM selector Press l or h to select a DSP program when the effect speakers (center and rear) are turned on. The name of the selected program appears on the display. 0 EFFECT Press this button to turn on or off the effect speakers (center and rear). If you turn them off, all Dolby Digital and DTS audio signals are directed to the right and left main speakers. In that case, the output levels of the right and left speakers may not match. 4 0102V49601-07_EN(UCA) 4 1/20/0, 10:50 AM CONTROLS AND FUNCTIONS t PRESET/TUNING These controls are only effective for the sound from the main speakers. a) BASS Turn this control clockwise to increase or counterclockwise to decrease the low-frequency response. The “0” position produces a flat response. b) TREBLE Turn this control clockwise to increase or counterclockwise to decrease the high-frequency response. The “0” position produces a flat response. When “ z ” appears This button is used to select a preset station number (1 to 8). Press h to select a higher and l to select a lower preset station number. When “ z ” goes off This button is used for tuning. Press h to tune in to higher frequencies, and l to tune in to lower frequencies. w TAPE/MD MON / EXT. DECODER Press this button to turn on or off “ z ” on the display and switch the function between for storing a broadcasting station (preset tuning) and for tuning. This button is also used to exchange the assignment of two preset stations with each other. u FM/AM Press this button to switch the reception band between FM and AM. i MEMORY (MAN’L/AUTO FM) e BALANCE r A/B/C/D/E Press this button to select one of a group (A to E) of preset stations. Press this button to store the broadcasting stations. Hold down this button for more than three seconds to begin automatic preset tuning. o TUNING MODE (AUTO/MAN’L MONO) Press this button to switch the tuning mode between automatic and manual. To use the automatic tuning method, press this button so that the “AUTO” indicator lights up on the display. To use the manual tuning method, press this button so that the “AUTO” indicator goes off. BASIC OPERATION This control is only effective for the sound from the main speakers. Turn the control to adjust the balance of the output volume from the right and left main speakers to compensate for sound imbalance caused by the speaker location or listening room conditions. PREPARATION Press this button to select a tape or an MD source. The “TAPE/MD MONITOR” indicator lights up on the display. When you press the button next, the “TAPE/MD MONITOR” indicator goes off, “EXT. DECODER” appears on the display and you can listen to a source connected to the EXTERNAL DECODER INPUT terminals. y PRESET/TUNING, EDIT INTRODUCTION q Tone controls p VIDEO AUX terminals ADVANCED OPERATION Connect an auxiliary audio or video input source such as a camcorder to these terminals. Use INPUT SELECTOR to select the source connected to these terminals. APPENDIX English 5 0102V49601-07_EN(UCA) 5 1/12/0, 4:11 PM CONTROLS AND FUNCTIONS Display 1 t indicator 6 g and o indicators The “t” indicator lights up when the built-in DTS decoder is turned on. “ g ” lights up when the built-in Dolby Digital decoder is on and the signals of the selected source are encoded with Dolby Digital. “ o ” lights up when the built-in Dolby Pro Logic decoder is on. 2 DSP program indicators The name of the selected DSP program lights up in the following cases: • When the tuner is selected as the input source. • When DSP program No. 2, 3 or the subprogram “ENHANCED” of No.1 is selected. 3 Multi-information display This display shows various information: for example the name of the selected DSP program and the various settings during adjustment with the SET MENU. The current station frequency and band (FM or AM) also appear when the tuner is selected as the input source. 4 Input source indicators One of the arrows for these indicators lights up depending on which source is selected. 5 TAPE/MD MONITOR indicator This lights up when the tape deck or MD recorder, etc. is selected as the input source by pressing TAPE/MD MON / EXT. DECODER (or TAPE/MD). 7 x indicator “ x ” lights up when the built-in digital sound field processor is on. 8 MEMORY indicator This flashes for about five seconds after pressing MEMORY. During this period, the displayed station can be stored in the memory. 9 AUTO indicator This lights up when the unit is in the automatic tuning mode. 0 STEREO indicator This lights up when an FM stereo broadcast with sufficient signal strength is being received. q Signal-level indicator This indicates the signal level of the station being received. If multipath interference is detected, the indication decreases. w SLEEP indicator This lights up while the built-in SLEEP timer is on. 6 0102V49601-07_EN(UCA) 6 2/10/0, 11:20 AM CONTROLS AND FUNCTIONS Remote Control 3 POWER Each time you press this button, the unit switches between the power on and standby mode. INTRODUCTION This section describes basic operation of this unit with the remote control. First, press AMP(TUNER) on the component selector. Refer to “PRESET REMOTE CONTROL” on page 40 for full details. 4 TEST Press this button to output the test tone for each speaker. 1 5 A/B/C/D/E, PRESET +/– Press AMP(TUNER). 2 3 These buttons are used to select a preset station. A/B/C/D/E: To select one of a group (A to E) of preset stations PRESET +/–: To select a preset station number (1 to 8) PREPARATION 6 MUTE Press this button to mute the sound. To cancel mute, press this button again. 4 q 7 VOLUME w These buttons are used to adjust the volume level. u: To turn up the volume d: To turn down the volume Press this button to set the SLEEP timer. 6 9 +/– TV VOLUME 7 8 BASIC OPERATION 8 SLEEP 5 These buttons adjust the settings of the SET MENU and TIME/LEVEL mode. 0 TIME/LEVEL TV INPUT 9 Press this button to select the items in the TIME/LEVEL mode. e r 0 1 Indicator ADVANCED OPERATION q Input selector buttons These buttons select the input source. CD: To play a CD TUNER: To listen to an FM or AM broadcast TAPE/MD: To play a tape or MD DVD/LD: To play a DVD or LD SAT/D-TV: To watch a TV or satellite broadcast VCR: To play a video cassette PHONO: To play an analog record V-AUX: To use a camcorder EXT. DEC.: To play other multi-channel source w EFFECT 2 Component selector buttons e PRG+, PRG– Press one of these buttons which corresponds to the component you want to control with the remote control. (The proper code must be set for your component. Refer to “Setup codes” on page 45.) When the component selector button has been pressed, the remote control is set to that component operation mode. Press these buttons to select a DSP program. Press this button to turn on or off the effect speakers (center and rear). r SET MENU English Press this button to select the items in the SET MENU. 7 0102V49601-07_EN(UCA) 7 APPENDIX This flashes in red when pressing a button on the remote control. If it flashes rapidly several times, press the selected button again. 1/20/0, 10:50 AM PREPARATION SPEAKER SETUP Speakers to Be Used This unit is designed to provide the best sound-field quality with a 5-speaker system, using main speakers, rear speakers and a center speaker. If you use different brands of speakers (with different tonal qualities) in your system, the tone of a moving human voice and other types of sound may not shift smoothly. We recommend that you use speakers from the same manufacture or speakers with the same tonal quality. The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog, vocals, etc.). If for some reason it is not practical to use a center speaker, you can do without it. Best results, however, are obtained with the full system. The main speakers should be high-performance models and have enough power-handling capacity to accept the maximum output of your audio system. The other speakers do not have to be equal to the main speakers. For precise sound localization, however, it is ideal to use highperformance models that can reproduce sounds over the full range for the center speaker and the rear speakers. ■ Use of a subwoofer expands your sound field It is also possible to further expand your system with the addition of a subwoofer. The use of a subwoofer is effective not only for reinforcing bass frequencies from any or all channels, but also for reproducing the LFE (low frequency effect) channel with high fidelity when playing back a source encoded with Dolby Digital or DTS. The YAMAHA Active Servo Processing Subwoofer System is ideal for natural and lively bass reproduction. Speaker Placement Refer to the following diagram when you place the speakers. Main speaker (R) Rear speaker (R) Subwoofer Main speaker (L) 1.8 m Center speaker Rear speaker (L) ■ Main speakers Place the right and left main speakers an equal distance from the ideal listening position. The distance of each speaker from each side of the TV monitor should be the same. ■ Rear speakers Place these speakers behind your listening position, facing slightly inwards, nearly 1.8 m (approx. 6 feet) above the floor. ■ Center speaker Align the front face of the center speaker with the front face of your TV monitor. Place the speaker as close to the monitor as possible, such as directly over or under the monitor and centrally between the main speakers. Note • If the center speaker is not used, the sound will be heard from the right and left main speakers. In that case, “CENTER SP” in the SET MENU is set to the NONE position. (Refer to page 34 for details.) ■ Subwoofer The position of the subwoofer is not so critical, because low bass sounds are not highly directional. But it is better to place the subwoofer near the main speakers. Turn it slightly toward the center of the room to reduce the wall reflections. CAUTION Some types of speakers interfere with a TV monitor. If this problem occurs, move the speakers away from the monitor. If you cannot avoid installing the center speaker or subwoofer near the TV monitor, use magnetically shielded speakers. 8 0103V49608-19_EN(UCA) 8 1/11/0, 11:24 AM CONNECTIONS INTRODUCTION Before Connecting Components CAUTION Never connect this unit and other components to mains power until all connections between components have been completed. Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some components require different connection methods and have different terminal names. Refer to the instructions for each component to be connected to this unit. Use RCA-type pin plug cables for connecting audio/video components with the exception described later. The input and output terminals for pin plugs can be distinguished as follows: video signals (composite) V V White analog audio signals for the left channel L L Red analog audio signals for the right channel R R coaxial digital signals C C BASIC OPERATION Yellow After completing all connections, check them again to make sure they are correct. Connecting the Antenna (page 10) Connecting to an External Decoder (page 14) Connecting Speakers (page 15) Connecting the Power Supply Cords (page 17) ADVANCED OPERATION (U.S.A. model) + R – MAIN – + L MAINS A B SET BEFORE POWER ON CENTER R REAR (SURROUND) L + + – – PREPARATION When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect it to the terminals with the same number labels as !, #, $ etc. YAMAHA applies this labeling system to all its products. MAIN A OR B : 4ΩMIN. /SPEAKER A + B : 8ΩMIN. /SPEAKER CENTER : 6ΩMIN. /SPEAKER REAR : 6ΩMIN. /SPEAKER 120 V 60Hz 100W MAX. TOTAL SWITCHED MAIN A OR B : 8ΩMIN. /SPEAKER A + B : I6ΩMIN. /SPEAKER CENTER : 8ΩMIN. /SPEAKER REAR : 8ΩMIN. /SPEAKER APPENDIX Connecting an Audio Component (page 12) Connecting a Video Component (page 13) IMPEDANCE SELECTOR switch (page 17) English 9 0103V49608-19_EN(UCA) 9 1/11/0, 11:25 AM CONNECTIONS Connecting the Antennas Both AM and FM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal strength. However, a properly installed outdoor antenna provides clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may improve the quality. Connect each antenna correctly to the designated terminals. ■ Indoor FM antenna (included) Indoor FM antenna Firmly insert the connector into the FM ANT terminal. The indoor FM antenna is only a simple antenna. For reception with better sound quality, installing the outdoor FM antenna (commercially available) is recommended. Note • Do not connect an outdoor FM antenna and the indoor FM antenna at the same time. ■ Outdoor FM antenna Antenna adapter (included for U.S.A. and Canada models) Note Use this adapter to match with F-type connector. You may be unable to obtain good FM radio reception depending on your local conditions (distance from the broadcasting station, interposing buildings and mountains, etc.). Consult your dealer or authorized service center and be sure to install an antenna that suits your local conditions. Install the outdoor FM antenna (commercially available) in a high place as far away from any roads as possible to avoid being affected by automobile ignition noise. 75-ohm coaxial cable 75-ohm/300-ohm antenna adapter 300-ohm feeder 10 0103V49608-19_EN(UCA) 10 1/11/0, 11:25 AM CONNECTIONS ■ AM loop antenna (included) AM loop antenna Notes • The AM loop antenna should be placed away from this unit. • The AM loop antenna should always be connected, even if an outdoor AM antenna is connected to this unit. INTRODUCTION The AM loop antenna can be removed from the stand and attached to a wall, etc. However, note that the reception sensitivity may deteriorate if the antenna is attached to a metal or steel reinforced wall. ■ Connecting the AM loop antenna 1 2 4 Press the tab and unlock the terminal hole. 3 Return the tab to its original position to lock the lead wires. Lightly pull the lead wires to confirm a good connection. 4 5 Attach the loop antenna to the antenna stand. 5 Antenna stand Insert the AM loop antenna lead wires into the AM ANT and GND terminals. Orient the AM loop antenna so that the best reception is obtained. If you cannot obtain good reception with the AM loop antenna, connect 5 m to 10 m of vinyl covered wire to the AM ANT terminal and extend it outdoors from a window. For maximum safety and minimum interference, connect the antenna GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth. ADVANCED OPERATION ■ Ground (GND terminal) BASIC OPERATION ■ Outdoor AM antenna Vinyl covered wire (5 m to 10 m) PREPARATION 3 1 2 APPENDIX English 11 0103V49608-19_EN(UCA) 11 1/11/0, 11:25 AM CONNECTIONS Connecting an Audio Component Turntable OUTPUT L GND R (U.S.A. model) L Analog signal R L R OUTPUT CD player L R LINE OUT L R LINE IN Signal flow Tape deck or MD recorder Be sure to connect the right channel (R), left channel (L), input (IN) and output (OUT) properly. ■ PHONO terminals These terminals are used to connect a turntable with an MM or high-output MC cartridge. If you have a turntable with a low-output MC cartridge, use an inline boosting transformer or MC head amplifier when connecting to these terminals. y Connecting the ground (earth) wire of the turntable to the GND terminal will normally minimize hum, but in some cases, better results may be obtained with the ground wire disconnected. 12 0103V49608-19_EN(UCA) 12 1/11/0, 11:25 AM CONNECTIONS Connecting a Video Component DVD/LD player L R VIDEO OUT COAXIAL DIGITAL OUT V C OPTICAL DIGITAL OUT OPTICAL DIGITAL OUT O O VIDEO OUT ANALOG AUDIO OUT V L INTRODUCTION ANALOG AUDIO OUT TV/digital TV, satellite tuner, cable TV R (U.S.A. model) PREPARATION L Analog signal R V V O L L R R V VIDEO IN V C AUDIO IN VIDEO OUT VIDEO IN Digital signal (optical) Digital signal (coaxial) Signal flow VCR ■ Audio signal terminals Be sure to connect the right channel (R), left channel (L), input (IN) and output (OUT) properly. Be sure to connect the input (IN) and output (OUT) properly. ■ Digital audio signal terminals y • The input signal from the DVD/LD input terminals is selected in the following order of priority with the input mode set to AUTO: COAXIAL terminal → OPTICAL terminal → Analog terminal. Refer to page 22 for details. • All digital signal input terminals are applicable to sampling frequencies of 32 kHz, 44.1 kHz and 48 kHz. APPENDIX If your DVD/LD player, TV/digital TV or satellite tuner, etc. has coaxial or optical digital signal output terminals, they can be connected to this unit’s COAXIAL and/or OPTICAL digital signal input terminals. To make a connection between the optical digital signal terminals, remove the cover from each terminal, and then connect them by using a commercially available optical fiber cable that conforms to EIA standards. Other cables might not function correctly. Notes • Be sure to attach the covers when the OPTICAL terminals are not being used in order to protect them from dust. • If your LD player has a Dolby Digital RF signal output terminal, be sure to use the RF demodulator (separately purchased). • No sound will be heard when connecting your LD player’s Dolby Digital RF signal output terminal directly to this unit’s COAXIAL DVD/LD digital signal input terminal. English When making connections between the digital signal terminals, you should connect the components to the samenamed analog audio signal terminals of this unit, because a digital signal cannot be recorded by a tape deck, MD recorder or VCR connected to this unit. 13 0103V49608-19_EN(UCA) 13 ADVANCED OPERATION ■ Video signal terminals TV monitor BASIC OPERATION AUDIO OUT Video signal 1/11/0, 11:25 AM CONNECTIONS ■ S VIDEO terminals DVD/LD player If your VCR, TV monitor or DVD/LD player has “S” (highresolution) video terminals, they can be connected to this unit’s S VIDEO terminals. Connect the VCR’s “S” video input and output terminals to this unit’s S VIDEO VCR OUT and IN terminals, respectively. Connect the monitor’s “S” video input terminal to this unit’s S VIDEO MONITOR OUT terminal. Connect the DVD/LD player’s “S” video output terminal to this unit’s S VIDEO DVD/LD terminal. Otherwise, connect the composite video terminals of your VCR, TV monitor or DVD/LD player to this unit’s composite video terminals. TV Monitor S VIDEO OUT S VIDEO IN S S S S Notes S Video signal S S VIDEO OUT S VIDEO IN Signal flow VCR • Use a special S VIDEO cable (commercially available) for the S VIDEO connection. • If video signals are input from both the S VIDEO input and composite input terminals, the signals will be directed to their respective output terminals. ■ VIDEO AUX terminals (on the front panel) These terminals are used to connect any video input source such as a camcorder to this unit. V L R Camcorder AUDIO OUT R AUDIO OUT L VIDEO OUT Connecting to an External Decoder External decoder MAIN OUT L R SURROUND OUT L CENTER OUT SUBWOOFER OUT R (U.S.A. model) This unit has additional 6-channel audio signal input terminals for connecting an external decoder to this unit. Connect the 6-channel audio signal output terminals of the decoder to the EXTERNAL DECODER INPUT terminals of this unit. Notes • When a source connected to these terminals is selected, the digital sound field processor cannot be used. • The settings of “CENTER SP”, “REAR SP”, “MAIN SP” and “BASS OUT” in the SET MENU have no effect on a source connected to these terminals. The setting of “MAIN LVL” is effective. (Refer to pages 34 and 35 for details.) 14 0103V49608-19_EN(UCA) 14 1/11/0, 11:25 AM CONNECTIONS Connecting Speakers Main speakers A Main speakers B Left Right INTRODUCTION Right Left (U.S.A. model) + R – MAIN – + L MAINS A PREPARATION B SET BEFORE POWER ON CENTER REAR (SURROUND) MAIN A OR B : 4ΩMIN. /SPEAKER A + B : 8ΩMIN. /SPEAKER CENTER : 6ΩMIN. /SPEAKER REAR : 6ΩMIN. /SPEAKER L + + – – 120 V 60Hz 100W MAX. TOTAL SWITCHED MAIN A OR B : 8ΩMIN. /SPEAKER A + B : I6ΩMIN. /SPEAKER CENTER : 8ΩMIN. /SPEAKER REAR : 8ΩMIN. /SPEAKER Right Center speaker CAUTIONS Left Rear speakers ■ Main speaker terminals One or two speaker systems can be connected to these terminals. If you use only one speaker system, connect it to either of the SPEAKERS A or B terminals. ■ Rear speaker terminals A rear speaker system can be connected to these terminals. ■ Center speaker terminal A center speaker can be connected to this terminal. APPENDIX • Use speakers with the specified impedance shown on the rear panel of this unit. • Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damage the unit and/or speakers. ADVANCED OPERATION Be sure to connect the right channel (R), left channel (L), “+” (red) and “–” (black) properly. If the connections are faulty, no sound will be heard from the speakers, and if the polarity of the speaker connections is incorrect, the sound will be unnatural and lack bass. BASIC OPERATION Subwoofer connection If you have a subwoofer with builtin amplifier, including the YAMAHA Active Servo Processing Subwoofer System, connect the input terminal of the subwoofer system to the SUBWOOFER OUTPUT terminal of this unit. R English 15 0103V49608-19_EN(UCA) 15 1/11/0, 11:25 AM CONNECTIONS ■ Speaker cables 1 Remove approx. 10 mm (3/8”) of insulation from each of the speaker cable. 2 Twist the exposed wires of the cable together to prevent short circuits. 10 mm (3/8”) ■ Connecting to the MAIN SPEAKERS terminals Red: positive (+) Black: negative (–) 1 2 3 1 2 Unscrew the knob. 3 Tighten the knob to secure the wire. Insert one bare wire into the hole in the side of each terminal. ■ Connecting to the REAR and CENTER SPEAKERS terminals Red: positive (+) Black: negative (–) 1 3 2 1 2 Open the tab. 3 Return the tab to secure the wire. Insert one bare wire into the hole of each terminal. y Banana plug connections are also possible. Simply insert the banana plug connector into the corresponding terminal. 16 0103V49608-19_EN(UCA) 16 1/11/0, 11:25 AM CONNECTIONS IMPEDANCE SELECTOR Switch Select the right or left position according to the impedance of speakers in your system. Be sure to move this switch only when this unit is in the standby mode. right position The impedance must be 6 Ω or higher. The impedance must be 8 Ω or higher. Rear speakers The impedance of each speaker must be 6 Ω or higher. The impedance of each speaker must be 8 Ω or higher. If you use one pair of main speakers, the impedance of each speaker must be 4 Ω or higher. If you use one pair of main speakers, the impedance of each speaker must be 8 Ω or higher. If you use two pairs of main speakers, the impedance of each speaker must be 8 Ω or higher. If you use two pairs of main speakers, the impedance of each speaker must be 16 Ω or higher. [Canada model only] The impedance of each speaker must be 8 Ω or higher. After completing all connections, connect the AC power cord to an AC power outlet. Disconnect the AC power cord if you will not use this unit for a long period of time. ADVANCED OPERATION SET BEFORE POWER ON MAINS left position Center speaker 120 V 60Hz 100W MAX. TOTAL SWITCHED MAIN A OR B : 4ΩMIN. /SPEAKER A + B : 8ΩMIN. /SPEAKER CENTER : 6ΩMIN. /SPEAKER REAR : 6ΩMIN. /SPEAKER MAIN A OR B : 8ΩMIN. /SPEAKER A + B : I6ΩMIN. /SPEAKER CENTER : 8ΩMIN. /SPEAKER REAR : 8ΩMIN. /SPEAKER Main speakers Connecting the Power Supply Cords ■ AC OUTLETS (SWITCHED) MAINS SET BEFORE POWER ON MAIN A OR B : 4ΩMIN. /SPEAKER A + B : 8ΩMIN. /SPEAKER CENTER : 6ΩMIN. /SPEAKER REAR : 6ΩMIN. /SPEAKER 120 V 60Hz 100W MAX. TOTAL SWITCHED MAIN A OR B : 8ΩMIN. /SPEAKER A + B : I6ΩMIN. /SPEAKER CENTER : 8ΩMIN. /SPEAKER REAR : 8ΩMIN. /SPEAKER English To AC outlet SWITCHED 17 0103V49608-19_EN(UCA) 17 APPENDIX U.S.A. and Canada models .............................. 2 OUTLETS Australia model .................................................. 1 OUTLET Use these outlets to connect the power cords from your components to this unit. The power to the AC OUTLET(S) is controlled by this unit’s STANDBY/ON (or POWER). These outlets will supply power to any connected component whenever this unit is turned on. The maximum power (total power consumption of components) that can be connected to the AC OUTLET(S) is 100 W. (U.S.A. model) PREPARATION IMPEDANCE SELECTOR If you use BASIC OPERATION (U.S.A. model) INTRODUCTION WARNING Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise the unit may be damaged. If this unit fails to turn on when STANDBY/ON is pressed, the IMPEDANCE SELECTOR switch may not be fully slide to either position. If so, slide the switch to either position fully when this unit is in the standby mode. 1/11/0, 11:25 AM ADJUSTING THE SPEAKER BALANCE This procedure lets you adjust the sound output level balance between the main, center and rear speakers by using the built-in test tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from each speaker. This is important for the best performance of the digital sound field processor, the Dolby Pro Logic decoder, Dolby Digital decoder and DTS decoder. Using the Test Tone The adjustment of each speaker sound output level should be performed at your listening position with the remote control. After completing the adjustments, use VOLUME (u/d) at your listening position to check if the adjustments are satisfactory. 2 3 1 Before You Start Adjusting 1 6 5 2,7 – + – + L R 1 Press AMP(TUNER) on the component selector. 2 Press TEST. “TEST LEFT” appears on the display. 3 Turn up the volume. You will hear a test tone (like pink noise) from each speaker for about two seconds in following order: left main speaker, center speaker, right main speaker, right rear speaker and left rear speaker. The display changes as shown below. 4 3 1 Set VOLUME to the “m” position. 2 Turn the power on. 3 Press SPEAKERS A or B to select the main speakers to be used. If you use two main speaker systems, press both A and B. 4 Set BASS, TREBLE and BALANCE to the “0” position. TEST LEFT TEST RIGHT TEST CENTER – + – + L R TEST L SUR. TEST R SUR. Notes • If the test tone cannot be heard, turn down the volume, set the unit in the standby mode and check the speaker connections. • If the test tone cannot be heard from the center speaker, check the setting of “CENTER SP” in the SET MENU. 18 0103V49608-19_EN(UCA) 18 1/11/0, 11:25 AM ADJUSTING THE SPEAKER BALANCE 4 6 Press + to raise and – to lower the level. Adjust the sound output levels of the center speaker and the rear speakers so that they become almost the same as that of the main speakers. While adjusting, the test tone is heard from the selected speaker. BASIC OPERATION Press TIME/LEVEL repeatedly to select the speaker to be adjusted. “CENTER”, “R SUR.” or “L SUR.” appears on the display. R PREPARATION 5 L Front panel INTRODUCTION Adjust BALANCE on the front panel so that the sound output level of the right main speaker and the left main speaker is the same. Note • You cannot adjust the delay time while the test tone is being heard even if “DELAY” appears on the display. 7 When the adjustment is complete, press TEST. “TEST OFF” appears on the display and the test tone stops. ADVANCED OPERATION Note • If “CENTER SP” in the SET MENU is set to the NONE position, the sound output level of the center speaker cannot be adjusted in step 6. The center channel sound is automatically output from the right and left main speakers. y APPENDIX • Once you have completed the adjustments, you can only adjust the overall volume level of your audio system by using VOLUME (or VOLUME (u/d)). • If there is insufficient sound output from the center and rear speakers, you may decrease the main speaker output level by setting “MAIN LVL” in the SET MENU to “–10 dB”. (Refer to page 35 for details.) English 19 0103V49608-19_EN(UCA) 19 1/11/0, 11:25 AM BASIC OPERATION PLAYING A SOURCE When using the remote control, press AMP(TUNER) on the component selector. 4 2 – 3 7 + – + L 4 1,6 R 7 4 b. Turn the power on. or Front panel Press SPEAKERS A or B to select the main speakers to be used. If you use two main speaker systems, press both A and B. To select a tape or an MD source Press TAPE/MD MON / EXT. DECODER (or TAPE/MD) so Front panel that the “TAPE/MD MONITOR” indicator lights up on the display. To select a source connected to the EXTERNAL DECODER INPUT terminals Press TAPE/MD MON / EXT. DECODER repeatedly (or EXT. DEC.) until “EXT. DECODER” appears on the display. Notes Set VOLUME to the “m” position. Front panel 3 Remote control • An audio source can not be played if the “TAPE/MD MONITOR” indicator lights up or if “EXT. DECODER” appears. Press TAPE/ MD MON / EXT. DECODER twice (or TAPE/MD once) to turn off the “TAPE/MD MONITOR” indicator. Press TAPE/MD MON / EXT. DECODER once (or EXT. DEC.) to turn off “EXT. DECODER”. • If you select and play a video source when the “TAPE/MD MONITOR” indicator lights up or “EXT. DECODER” appears, the play back result will be a video image from the video source and the sound from the audio source selected by using TAPE/MD MON / EXT. DECODER (or TAPE/MD or EXT. DEC.). y Front panel For the DVD/LD, TV/digital TV and satellite tuner sources, the current input mode is also shown. Refer to page 22 for details about the input mode. 20 0104V49620-24_EN(UCA) Remote control Input source a. 2 2 Front panel or 6 6 1 Select the desired input source with INPUT SELECTOR (or the input selector buttons). (Turn on the TV monitor for video sources.) The name of the selected input source appears for a moment and the arrow for the selected input source indicator lights up on the display. 20 1/12/0, 4:13 PM PLAYING A SOURCE 5 Play the source. Refer to the instructions for the source component (and page 28 for details about tuning). • When controlling an audio/video component (tape deck, MD recorder, CD player, DVD/LD player, etc.) with the remote control, press one of the component selector buttons, (TAPE/MD, CD, DVD/LD, etc.), which corresponds to the component you want to control. Refer to “PRESET REMOTE CONTROL” on page 40. 6 or – Remote control + – + L ■ When you have finished using this unit Press STANDBY/ON (or POWER) to set this unit in the standby mode. ■ BGV (background video) function The BGV function allows you to combine a video image from a video source with a sound from an audio source. (For example, you can listen to classical music while you are watching a video.) This function can only be controlled with the remote control. Play a video source, and then select an audio source with the input selector buttons on the remote control. The BGV function does not work if you select the audio source with INPUT SELECTOR on the front panel. R Front panel 7 Use the digital sound field processor. Refer to page 24. Front panel ADVANCED OPERATION or BASIC OPERATION Front panel Note • During muting, “MUTE ON” appears on the display. PREPARATION Adjust the volume to the desired output level. If desired, adjust BASS, TREBLE, BALANCE, etc. These controls are only effective for the sound from the main speakers. • BASS controls the low-frequency response. • TREBLE controls the high-frequency response. • BALANCE adjusts the balance of the output volume from the right and left main speakers. Press MUTE on the remote control. To cancel mute, press MUTE. INTRODUCTION Note ■ To mute the sound Remote control APPENDIX English 21 0104V49620-24_EN(UCA) 21 1/11/0, 10:30 AM PLAYING A SOURCE Input Mode (for the DVD/LD and TV/ digital TV and satellite tuner sources) This unit allows you to switch the input mode for sources that send both digital and analog signals to this unit. The AUTO, DTS and ANALOG input modes are provided. ■ Switching the input mode Press INPUT MODE (or the input selector button that you have pressed to select the input source on the remote control) repeatedly until the desired input mode is shown on the display. or When you turn on the power of this unit, the input mode for the DVD/LD source is always set to AUTO and for TV/ digital TV or satellite tuner source is set according to “SAT INPUT” in the SET MENU. (Refer to page 36 for details.) Front panel Remote control ■ AUTO In this mode, the input signal is selected in the following order of priority: 1. Digital signal encoded with Dolby Digital or DTS 2. Normal digital signal (PCM) 3. Analog signal (ANALOG) Note Notes • If digital signals are input from both the OPTICAL and COAXIAL terminals, the digital signal from the COAXIAL terminal is selected. ■ DTS In this mode, only a digital signal encoded with DTS is selected, even if other signals are being input at the same time. ■ ANALOG In this mode, only an analog signal is selected, even if a digital signal is being input at the same time. Select this mode when you want to use an analog signal instead of a digital signal. • Set the input mode to AUTO to play a DVD/LD source encoded with Dolby Digital. • Set the input mode to ANALOG to play a normal 2-channel source with a Dolby Surround program. • The sound output may be interrupted for some LD and DVD players in the following situation: The input mode is set to AUTO. A search is performed while playing the disc encoded with Dolby Digital or DTS, and then disc playing is restored. The sound output is interrupted for a moment because the digital signal was selected again. • The input mode cannot be changed for the CD, TUNER, TAPE/ MD, VCR, PHONO and VIDEO AUX sources because only analog signals are used for these. • The current input mode appears on the display when the DVD/ LD, TV/digital TV or satellite tuner source is selected or the input mode is changed. 22 0104V49620-24_EN(UCA) 22 1/12/0, 4:13 PM PLAYING A SOURCE ■ Notes on playing a source encoded with DTS PREPARATION • Some audio/video component, such as LD player, output different audio signals through their analog and digital terminals. Change the input mode as necessary. • If the input mode is set to AUTO for the LD source, this unit automatically determines which type of signal the LD source contains. If this unit detects a Dolby Digital or DTS signal, the decoder automatically switches to the appropriate setting and reproduces 5.1 channel sound. • If the LD player is transmitting signals by a non-normal method, this unit cannot detect the Dolby Digital or DTS signal. In this case, the decoder automatically switches to PCM or analog. • If the LD source does not contain a digital soundtrack, connect the LD player to the analog terminals and set the input mode to AUTO or ANALOG. • While you are operating the LD player, if you switch from the pause or chapter forwarding function to normal playback, you may hear the PCM or analog sound an instant before the Dolby Digital sound is played. INTRODUCTION BASIC OPERATION • If “DATA ERROR” appears on the display while playing an LD source encoded with DTS, stop playback and turn the player off and then on again. • If the digital output data of the player has been processed in any way, you may not be able to perform DTS decoding even if you make a digital connection between this unit and the player. • If you play an LD source encoded with DTS and set the input mode to ANALOG, there will be the noise of an unprocessed DTS signal. When you want to play a DTS source, be sure to connect the source to the digital input terminal and set the input mode to AUTO or DTS. • If you switch the input mode to ANALOG while playing a source encoded with a DTS signal, this unit reproduces no sound. • If you play an LD source encoded with DTS and set the input mode to AUTO, there will be a short noise at first while the unit recognizes the DTS signal and turns on the DTS decoder. This is not a malfunction, and can be avoided by setting the input mode to DTS beforehand. In addition, if you continue to play an LD encoded with DTS with the input mode setting left to AUTO, this unit automatically switches to the “DTS-decoding” mode to prevent noise from being generated during subsequent operation. (The “t” indicator lights up on the display.) No sound will be heard if a normal PCM LD is played in this mode. (The “t” indicator will flash.) To play a normal disk, set the input mode to AUTO again. ■ Notes on playing an LD source ADVANCED OPERATION APPENDIX English 23 0104V49620-24_EN(UCA) 23 9/28/0, 4:38 PM DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT 3 Selecting a DSP Program You can enhance your listening experience by selecting a DSP program. Refer to pages 25 to 27 for details about each program. – + – + L Press PRG+ or PRG– repeatedly to select the desired program. The name of the selected program appears on the display. DSP program name R 2 y If desired, adjust the delay time and the sound output level of each speaker. (Refer to pages 37 and 38 for details.) 2 Notes 3 ■ On the front panel 1 Make sure that the effect speakers (center, rear, and subwoofer) are turned on. 2 Press PROGRAM h or l repeatedly to select the desired program. The name of the selected program appears on the display. DSP program name ■ On the remote control 1 Make sure that the effect speakers (center, rear, and subwoofer) are turned on. 2 Press AMP(TUNER) on the component selector. • You can select a DSP program for each of the input sources. Once you select a program, it is linked with the input source selected at that time. So, when you select the input source next time, the same program is automatically selected. • When a monaural source is being played with PRO LOGIC/ Normal or PRO LOGIC/ENHANCED, no sound will be heard from the main speakers and the rear speakers. Sound can only be heard from the center speaker. However, if “CENTER SP” in the SET MENU is set to the NONE position, the center channel sound is output from the main speakers. • When a source connected to the EXTERNAL DECODER INPUT terminals of this unit is selected, the digital sound field processor cannot be used. Canceling the Sound Effect (turning off the effect speakers) Press EFFECT to cancel the sound effect and monitor only the main sound. Press EFFECT again to turn the sound effect back on. Remote control Notes • If the sound effect is canceled when Dolby Digital or DTS is decoding, the sounds of all channels are mixed and output from the main speakers. • If you turn off the sound effect when Dolby Digital or DTS is decoding, it may happen that the sound is output faintly or not output normally, depending on the source. In that case, turn back on the sound effect. 24 0104V49620-24_EN(UCA) 24 Front panel or 1/12/0, 4:13 PM SOUND FIELD PROGRAM When you select a CINEMA DSP program, one of the built-in decoders (Dobly Pro Logic, Dolby Digital and DTS) is turned on according to which type of signals the source being played contains. INTRODUCTION This unit incorporates a sophisticated, multi-program digital sound field processor (DSP). This processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theaterlike experience in your listening room. You can create outstanding audio sound by selecting a suitable DSP program (this will, of course, depend on what you are listening to). The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital re-creations of actual acoustic environments. No. 1 PROGRAM q/DTS SURROUND SUBPROGRAM [1] PRO LOGIC/Normal ( o ) • Input source: [4] PRO LOGIC/ENHANCED (ox) APPENDIX Dolby Surround 2-ch Dolby Digital • Output channel: 4 channels • DSP: 1 (surround) [5] DOLBY DIGITAL/ENHANCED (gx) • Input source: Dolby Digital • Output channel: 5.1 channels • DSP: 2 (surround L, R) [6] DTS DIGITAL SUR/ENHANCED (tx) • Input source: DTS • Output channel: 5.1 channels • DSP: 2 (surround L, R) This program ideally simulates the multisurround speaker systems of the 35 mm-film movie theater. Dolby Pro Logic decoding, Dolby Digital decoding or DTS decoding and digital sound field processing are precisely performed without altering the original sound orientation. The surround effect produced by the sound field folds around the viewer naturally from the rear to the right and left and toward the screen. ADVANCED OPERATION • Input source: The built-in Dolby Pro Logic decoder, Dolby Digital decoder or DTS decoder precisely reproduces the sound and effect of a source encoded with Dolby Surround, Dolby Digital or DTS. The realization of a highly efficient decoding process improves cross talk and channel separation, and makes sound positioning smoother and more precise. In this program, the digital sound field processor is not turned on. BASIC OPERATION Dolby Surround 2-ch Dolby Digital • Output channel: 4 channels • DSP: — [2] DOLBY DIGITAL/Normal ( g ) • Input source: Dolby Digital • Output channel: 5.1 channels • DSP: — [3] DTS DIGITAL SUR/Normal ( t ) • Input source: DTS • Output channel: 5.1 channels • DSP: — FEATURES PREPARATION ■ For movie or audio/video sources (Program No. 1 to No. 5: CINEMA DSP programs) English 25 0105V49625-27_EN(UCA) 25 1/11/0, 10:31 AM SOUND FIELD PROGRAM No. 2 PROGRAM MOVIE THEATER 1 SUBPROGRAM [1] 70 mm SPECTACLE (ox) • Input source: Dolby Surround 2-ch Dolby Digital • Output channel: 3 channels • DSP: 2 (presence & surround) [2] DGTL SPECTACLE (gx) • Input source: Dolby Digital • Output channel: 5.1 channels • DSP: 3 (presence & surround L, R) [3] DTS SPECTACLE ( t x ) • Input source: DTS • Output channel: 5.1 channels • DSP: 3 (presence & surround L, R) [4] 70 mm SCI-FI ( o x ) • Input source: Dolby Surround 2-ch Dolby Digital • Output channel: 3 channels • DSP: 2 (presence & surround) [5] DGTL SCI-FI ( g x ) • Input source: Dolby Digital • Output channel: 5.1 channels • DSP: 3 (presence & surround L, R) [6] DTS SCI-FI ( t x ) • Input source: DTS • Output channel: 5.1 channels • DSP: 3 (presence & surround L, R) 3 MOVIE THEATER 2 [1] 70 mm ADVENTURE (ox) • Input source: Dolby Surround 2-ch Dolby Digital • Output channel: 3 channels • DSP: 2 (presence & surround) [2] DGTL ADVENTURE (gx) • Input source: Dolby Digital • Output channel: 5.1 channels • DSP: 3 (presence & surround L, R) [3] DTS ADVENTURE ( t x ) • Input source: DTS • Output channel: 5.1 channels • DSP: 3 (presence & surround L, R) [4] 70 mm GENERAL ( o x ) • Input source: Dolby Surround 2-ch Dolby Digital • Output channel: 3 channels • DSP: 2 (presence & surround) [5] DGTL GENERAL ( g x ) • Input source: Dolby Digital • Output channel: 5.1 channels • DSP: 3 (presence & surround L, R) [6] DTS GENERAL ( t x ) • Input source: DTS • Output channel: 5.1 channels • DSP: 3 (presence & surround L, R) FEATURES This program creates the extremely wide sound field of a movie theater. It precisely reproduces the source sound in detail, giving both the video and the sound field incredible reality. It is ideal for any kind of video source encoded with Dolby Surround, Dolby Digital or DTS (especially large-scale movie productions). Clearly reproduces dialog and sound effects in the latest sound form of science fiction films, thus creating a broad and expansive cinematic space amid the silence. You can enjoy science fiction films in a virtual-space sound field that includes Dolby Surround, Dolby Digital and DTS-encoded software employing the most advanced techniques. Ideal for precisely reproducing the sound of the newest multi-track films. The sound field is made to be similar to that of the newest movie theaters, so the reverberations of the sound field itself are restrained as much as possible. The data for the sound field of an opera house are used for the front presence, so the threedimensional feeling of the sound field is emphasized, and dialog is precisely oriented on the screen. By using the data for the sound field of a concert hall on the surround sound field, powerful reverberations are generated. You can enjoy watching action, adventure movies, etc. with strong presence. This program is for reproducing sounds on a multi-track film, and is characterized by a soft and extensive sound field. The front presence of the sound field is relatively narrow. It spatially spreads all around and toward the screen, restraining echo effect of conversations without losing clarity. For the surround sound field, the harmony of music or chorus sounds beautifully in a wide space at the rear of the sound field. 26 0105V49625-27_EN(UCA) 26 1/11/0, 10:31 AM SOUND FIELD PROGRAM No. 4 PROGRAM MONO MOVIE This program is designed specifically to enhance monaural sources. Compared to a strictly mono setting, the sound image is wider and slightly forward of the speaker pair, lending an immediacy to the overall sound. It is particularly effective for old mono movie, news broadcasts and dialog. Monaural 1 channel 1 TV SPORTS • Input source: • Output channel: • DSP: This program is furnished with a tight sound field in which the sound will not spread excessively at the front, but the rear surround produces dynamic sound expansion. It is the most suitable for sports programs. Audio/Video 2 to 5.1 channels 2 to 3 (presence & surround) INTRODUCTION • Input source: • Output channel: • DSP: 5 FEATURES ■ For Hi-Fi audio sources No. DISCO • Input source: • Output channel: • DSP: 7 This program simulates the acoustic environment of a disco in the heart of a lively city. The sound is dense and highly concentrated. 2-ch PCM/Analog audio 2 channels 1 ROCK CONCERT • Input source: • Output channel: • DSP: This program is ideally suited for rock music. You will experience a dynamic and lively sound field. 2-ch PCM/Analog audio 2 channels 1 CONCERT HALL • Input source: • Output channel: • DSP: This program creates the expansive ambience of a large concert hall. It is suited for orchestra and opera music. 2-ch PCM/Analog audio 2 channels 1 CINEMA DSP: Dolby Surround + DSP/Dolby Digital + DSP/DTS + DSP Digital sound fields are created in both the presence and rear surround zones of the Dolby Pro Logic-decoded sound field. They create a wide acoustic environment and emphasize the surround effect in the room, letting you feel as much presence as if you were watching a movie in a popular Dolby Stereo theater. ADVANCED OPERATION ■ Dolby Pro Logic + 2 digital sound fields BASIC OPERATION 8 FEATURES PREPARATION 6 PROGRAM ■ Dolby Digital or DTS + 3 digital sound fields 0105V49625-27_EN(UCA) 27 1/11/0, 10:31 AM English 27 APPENDIX Digital sound fields are created in the presence zone and independently on the left and right surround zones of the Dolby Digital-decoded or DTS-decoded sound field. They create a wide acoustic environment and strong surround effect in the room without losing high channel separation. With the wide dynamic range of Dolby Digital or DTS sound, this sound field combination lets you feel as if you were watching a movie in the newest Dolby Digital theater or DTS-installed theater. This is the most ideal home theater sound at the present time. TUNING Automatic tuning is effective when station signals are strong and there is no interference. However, if the signal from the station you want to select is weak, you must tune in to it manually (manual tuning). 5 1 Press PRESET/TUNING h once to tune in to a higher frequency and l once to tune in to a lower frequency. Press the button again if the tuning search does not stop at the desired station. Note – + – + L • If you tune in manually to an FM station, it will be automatically received in monaural mode to increase the signal quality. R y 5 42 3 Automatic Tuning 1 2 • Use the manual tuning method if the tuning search does not stop at the desired station (because the signal from the station is weak). • When tuned in to a station, the frequency of the received station is shown on the display. Manual Tuning Use INPUT SELECTOR to select the tuner as the input source. Press FM/AM to select the reception band (FM or AM). “FM” or “AM” appears on the display. 1 Use INPUT SELECTOR to select the tuner as the input source. 2 Press FM/AM to select the reception band (FM or AM). “FM” or “AM” appears on the display. or or 3 Press TUNING MODE so that the “AUTO” indicator lights up on the display. 3 Press TUNING MODE so that the “AUTO” indicator goes off. Lights up 4 Press PRESET/TUNING (EDIT) to turn “ z ” off. Goes off 4 Press PRESET/TUNING (EDIT) to turn “ z ” off. Turn “ z ” off Turn “ z ” off 5 Press PRESET/TUNING h or l to tune in to the desired station. To continue the tuning search, hold down the button. 28 0106V49628-31_EN(UCA) 28 1/11/0, 10:31 AM TUNING Automatic Preset Tuning (for FM stations only) – + – + L Press FM/AM to select the FM band. The display shows the frequency of the last preset station. Check the contents and the number of preset stations by following the procedure in the section “To Recall a Preset Station” on page 30. PREPARATION ■ When automatic preset tuning is completed R 13 2 1 You can select the preset number from which the unit will store FM stations and/or begin tuning toward lower frequencies. Before automatic preset tuning begins (after pressing MEMORY in step 3), 1. Press A/B/C/D/E and PRESET/TUNING to select the preset number with which the first station will be stored. The automatic preset tuning will stop when stations have all been stored up to E8. 2. Press PRESET/TUNING (EDIT) to turn “ z ” off and then press PRESET/TUNING l to begin tuning toward lower frequencies. INTRODUCTION You can make use of the automatic preset tuning function for FM stations only. This function enables the unit to automatically tune in with strong signals and to sequentially store up to 40 FM stations (5 groups x 8 stations). ■ Automatic preset tuning options Notes Press TUNING MODE so that the “AUTO” indicator lights up on the display. Lights up 3 ADVANCED OPERATION Hold down MEMORY for about three seconds. The preset number, the “MEMORY” and “AUTO” indicators flash. After about five seconds, automatic preset tuning begins from the frequency currently displayed toward the higher frequencies. Received stations are sequentially stored as A1, A2 ... A8. If more than 8 stations have been tuned, they are stored as preset station numbers in other groups (B, C, D and E) in that order. BASIC OPERATION 2 • A new setting can be stored in place of the former one. • You can manually replace a preset station with another FM or AM station by simply using the manual preset tuning method. • Even if the number of received stations is not enough to be stored up to E8, automatic preset tuning is automatically ended after searching for all stations. • Only FM stations with sufficient signal strength are stored by automatic preset tuning. If the station you want to store is weak in signal strength, tune in to it manually in monaural mode and store it by using the manual preset tuning method. Flashes APPENDIX Memory back-up The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the power cord is disconnected from the AC power outlet or the power is cut for more than one week, the memory will be erased. If so, store the stations again by using preset tuning methods. English 29 0106V49628-31_EN(UCA) 29 1/20/0, 10:56 AM TUNING Manual Preset Tuning To Recall a Preset Station You can also store up to 40 stations (5 groups x 8 stations) manually. You can recall any desired station simply by selecting the preset station number with which it was stored. You can also recall a preset station with the remote control. Press AMP(TUNER) on the component selector and press TUNER on the input selector. – + – + L R 3 4 2,5 – 1 Tune in to the desired station. Refer to page 28 for the tuning procedure. 2 Press MEMORY. The “MEMORY” indicator flashes for about five seconds. + – + L R 1 2 Flashes 3 4 5 6 Press A/B/C/D/E repeatedly to select the desired group (A to E) of preset stations before the “MEMORY” indicator goes off. Make sure that “ z ” appears on the display. The selected group appears on the display. Press PRESET/TUNING h or l to select a preset station number (1 to 8) with which you want to store the station before the “MEMORY” indicator goes off. Press h to select a higher preset station number and l to select a lower preset station number. Press MEMORY before the “MEMORY” indicator goes off. The displayed station has been stored as the preset group and number you have selected, and the reception band and frequency appear on the display. 1 2 1 Press A/B/C/D/E to select the required group of preset stations. Make sure that “ z ” appears on the display. or Front panel 2 Remote control Press PRESET/TUNING h or l (or PRESET +/–) to select a preset station number (1 to 8). The preset group and number appear on the display along with the reception band, frequency and signal strength information. or Front panel Repeat steps 1 to 5 to store other stations. Notes • A new setting can be stored in place of the former one. • The reception mode (stereo or monaural) is stored along with the station frequency. 30 0106V49628-31_EN(UCA) 30 1/12/0, 4:14 PM Remote control TUNING Exchanging Preset Stations You can exchange the assignment of two preset stations with each other. INTRODUCTION ■ Example: If you want to exchange preset station “E1” with “A5”. 2,4 + – + L PREPARATION – R Recall preset station “E1”. Refer to the procedure in the section “To Recall a Preset Station” on page 30. 2 Hold down (PRESET/TUNING) EDIT for about three second. “E1” and the “MEMORY” indicator flash. BASIC OPERATION 1 Flashes 3 ADVANCED OPERATION Recall preset station “A5” by using the buttons on the front panel. “A5” and the “MEMORY” indicator flash. Flashes 4 Press (PRESET/TUNING) EDIT again. The display shows the exchange of stations has been completed. APPENDIX English 31 0106V49628-31_EN(UCA) 31 1/20/0, 10:56 AM RECORDING A SOURCE ON TAPE, MD OR VIDEO CASSETTE Recording adjustments and other operations are performed from the tape deck, MD recorder or VCR. Refer to the instructions for these components. 2 1,4 y If a tape deck or MD recorder is being used for recording, you can monitor the sounds being recorded by pressing TAPE/MD MON / EXT. DECODER (or TAPE/MD). Notes – + – + L R 4 2 • The DSP program and the setting of VOLUME, BASS, TREBLE and BALANCE have no effect on the material being recorded. • Composite video and S video signals pass independently through this unit’s video circuits. Therefore, when recording or dubbing video signals, if your video source component is connected to provide only an S video (or only a composite video) signal, you can record only an S video (or only a composite video) signal by your VCR. • A source connected to this unit only through the digital terminals cannot be recorded by the tape deck, MD recorder or VCR connected to this unit. • A source connected to the EXTERNAL DECODER INPUT terminals of this unit cannot be recorded. • Check the copyright laws in your country to record from records, CDs, radio, etc. Recording of copyrighted material may infringe copyright laws. If you play back a video source that uses scrambled or encoded signals to prevent it from being dubbed, the picture itself may be disturbed due to those signals. 1 Set VOLUME to the “m” position. Front panel 2 Select the source you want to record. or Front panel Remote control 3 Begin recording by the tape deck, MD recorder or VCR connected to this unit. 4 Play the source and then turn up the volume to confirm the input source. or Front panel Remote control 32 0107V49632_EN(UCA) 32 1/11/0, 10:34 AM ADVANCED OPERATION SET MENU Adjustments should be performed with the remote control while watching the information on the display. 1 2 1 Press + or – repeatedly to adjust the setting. 4 Repeat steps 2 and 3 to adjust the setting of any other item in the same way. Memory back-up The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the power cord is disconnected from the AC power outlet or the power is cut for more than one week, the settings of the SET MENU will automatically return to the preset positions and values. If so, adjust the settings of the SET MENU again. ADVANCED OPERATION 3 3 BASIC OPERATION Adjusting Items in the SET MENU Press SET MENU repeatedly to select the item you want to adjust. The selected item appears on the display. PREPARATION 1. CENTER SP 2. REAR SP 3. MAIN SP 4. BASS OUT 5. MAIN LVL 6. D.D. LFE 7. D-RANGE 8. DTS LFE 9. CNTR DELAY 10.MEM. GUARD 11.SAT INPUT 2 INTRODUCTION This unit provides you with the following items in the SET MENU to maximize the performance of your system and expand your enjoyment for audio listening and video watching. Press AMP(TUNER) on the component selector. APPENDIX English 33 0108V49633-39_EN(UCA) 33 1/11/0, 10:35 AM SET MENU Description of Each Item 1. CENTER SP 3. MAIN SP Choices: LARGE/SMALL Preset position: LARGE Choices: LRG (Large)/SML (Small)/NONE Preset position: LRG (Large) LRG (Large) Select this position if your center speaker is approximately the same size as the main speakers. In this position, fullrange signals on the center channel are directed to the center speaker. SML (Small) Select this position if you use a center speaker that is smaller than the main speakers. In this position, low bass signals (below 90 Hz) on the center channel are distributed to the SUBWOOFER OUTPUT terminal (or to the right and left main speakers if “BASS OUT” is set to the MAIN position). NONE Select this position if you do not have a center speaker (4-speaker system). In this position, full-range signals on the center channel are directed to the right and left main speakers. LARGE Select this position if your main speakers have high ability for bass reproduction. In this position, full-range signals on the main channels are directed to the right and left main speakers. SMALL Select this position if your main speakers do not have high ability for bass reproduction. However, if your system does not include a subwoofer, do not select this position. In this position, low bass signals (below 90 Hz) on the main channels are distributed to the SUBWOOFER OUTPUT terminal if “BASS OUT” is set to the SW or BOTH position. 4. BASS OUT Choices: SW/MAIN/BOTH Preset position: BOTH SW Select this position if your system includes a subwoofer. In this position, signals on the LFE channel and other low bass signals that are distributed from other channels are directed to the SUBWOOFER OUTPUT terminal when playing a source encoded with Dobly Digital or DTS. 2. REAR SP Choices: LARGE/SMALL Preset position: LARGE Note LARGE Select this position if your rear speakers have high ability for bass reproduction, or if a subwoofer is connected in parallel to the rear speaker. In this position, full-range signals on the rear channels are directed to the rear speakers. SMALL Select this position if your rear speakers do not have high ability for bass reproduction. In this position, low bass signals (below 90 Hz) on the rear channels are distributed to the SUBWOOFER OUTPUT terminal (or to the right and left main speakers if “BASS OUT” is set to the MAIN position). • When playing a 2-channel source (tape, MD, CD, video cassette etc.), select the BOTH position to direct low bass signals (below 90 Hz) to the SUBWOOFER OUTPUT terminals. MAIN Select this position if your system does not include a subwoofer. In this position, besides full-range signals on the main channels, signals on the LFE channel and other low bass signals (below 90 Hz) that are distributed from other channels are directed to the right and left main speakers. BOTH Select this position if your system includes a subwoofer. In this position, signals on the LFE channel are directed to the SUBWOOFER OUTPUT terminal. Low bass signals on the main channels are directed to both the main speakers and the SUBWOOFER OUTPUT terminal. 34 0108V49633-39_EN(UCA) 34 1/11/0, 10:35 AM SET MENU 5. MAIN LVL Choices: NORM (Normal)/–10 dB Preset position: NORM (Normal) Choices: MAX/STD (Standard)/MIN Preset position: MAX INTRODUCTION NORM (Normal) Normally select this position. 7. D-RANGE (Adjusting the dynamic range) Note –10 dB Select this position if the sound output from the main speakers is too loud and cannot be balanced with the sound output from the center and rear speakers. In this position, the sound output from the main speakers is attenuated. Control range: –20 dB to 0 dB (in 1 dB steps) Preset value: 0 dB This adjusts the output level of the LFE channel. If the LFE signals are mixed with signals of other channels and they are directed to the same speakers, the ratio of the LFE signal level to the level of the other signals can be adjusted. STD (Standard) In this position, a source encoded with Dolby Digital is reproduced in the “compressed” dynamic range of the source that is suitable for low-level listening. Note • It may happen that sound is output faintly or not output normally depending on the source. In that case, select the MAX or STD position. APPENDIX MIN In this position, the dynamic range is more reduced than in the STD position. Selecting this position will be effective when you must listen to a source at a low level. ADVANCED OPERATION Note • This adjustment is only effective when Dolby Digital is being decoded and the selected source encoded with Dolby Digital contains LFE signals. MAX In this position, a source encoded with Dolby Digital is reproduced in the original sound track’s wide dynamic range to provide you with powerful sounds just like those in a movie theater. Selecting this position will be even better if you can listen to a source at a high output level in a room specially soundproofed for audio/video enjoyment. BASIC OPERATION 6. D.D. LFE (Adjusting the output level of the LFE channel for Dolby Digital) “Dynamic range” is the difference between the maximum level and the minimum level of sounds. Sounds on a movie originally designed for movie theaters feature a very wide dynamic range. Dolby Digital technology can modify the original sound track into a home audio format with this wide dynamic range unchanged. Powerful sounds of extremely wide dynamic range are not always suitable for home use. Depending on the condition of your listening environment, it may not be possible to increase the sound output to a level as high as that in a movie theater. However, at the normal level suitable for listening in your room, the low-level parts of source sound often cannot be heard well because they will be lost among noise in your environment. Dolby Digital technology has also made it possible to reduce an original sound track’s dynamic range for a home audio format by “compressing” the sound data. PREPARATION Notes • The setting of “CENTER SP”, “REAR SP”, “MAIN SP” and “BASS OUT” have no effect on a source connected to the EXTERNAL DECODER INPUT terminals on the rear of this unit. • Once you have adjusted appropriately for “CENTER SP”, “REAR SP”, “MAIN SP”, “BASS OUT” and “MAIN LVL”, you do not have to change any settings unless your speaker system is modified. • This adjustment is only effective when Dolby Digital is being decoded. English 35 0108V49633-39_EN(UCA) 35 1/11/0, 10:35 AM SET MENU 8. DTS LFE (Adjusting the output level of the LFE channel for DTS) 10.MEM. GUARD (Locking the settings) Control range: –10 dB to +10 dB (in 1 dB steps) Preset value: 0 dB Choices: ON/OFF Preset position: OFF Note • This adjustment is effective only when DTS is being decoded and the selected source encoded with DTS contains LFE signals. This adjusts the output level of the LFE channel. If the LFE signals are mixed with signals of other channels and they are directed to the same speakers, the ratio of the LFE signal level to the level of the other signals can be adjusted. If you wish to prevent accidental alterations to the settings of the SET MENU and other adjustments on this unit, select the ON position. The following settings on this unit can be locked: • Settings of other items in the SET MENU • Settings in the TIME/LEVEL mode • Settings when using TEST 9. CNTR DELAY (Adjusting the delay of the center sound) 11.SAT INPUT (Selecting the initial input mode for a source connected to the SAT/D-TV input terminals) Control range: 0 ms to 5 ms (in 1 ms steps) Preset value: 0 ms Choices: AUTO/LAST Preset position: AUTO Note • This adjustment is only effective when Dolby Digital or DTS is being decoded and the selected source encoded with Dolby Digital or DTS contains center channel signals. This adjusts the delay between the main sound (on the main channels) and dialog, etc. (on the center channel). The larger the value, the later the dialog, etc. is generated. This makes sounds from the left main, center and right main speakers reach your listening position at the same time. This is achieved by delaying the sound from the center speaker if the distance from the center speaker to your listening position is shorter than the distance from the right and left main speaker to your listening position. The input mode for a source connected to the SAT/D-TV input terminals of this unit can be automatically set when the power of this unit is turned on. Refer to page 22 for details about the input mode. AUTO In this position, the input mode is always set to AUTO. LAST In this position, the input mode is automatically set to that selected the last time when the power of this unit was turned on. 36 0108V49633-39_EN(UCA) 36 1/11/0, 10:35 AM DELAY TIME AND SPEAKER OUTPUT LEVELS Delay Time Notes Notes • The sound output level of the center speaker cannot be adjusted when the input signal is analog, PCM audio, or encoded with Dolby Digital in 2-channel. • If “CENTER SP” in the SET MENU is set to the NONE position, the sound output level of the center speaker cannot be adjusted. This is because the center channel sound is automatically output from the right and left main speakers. • Once the sound output level has been adjusted, the level will be the same for all DSP programs. Speaker Center Right rear Left rear Subwoofer Control range (dB) –20 to +10 –20 to +10 –20 to +10 –20 to 0 Preset value 0 0 0 0 BASIC OPERATION ADVANCED OPERATION APPENDIX • Adding too much delay will cause an unnatural effect with some sources. • The sound is momentarily interrupted while adjusting the delay time. Preset Control Program value range (ms) 1. PRO LOGIC/Normal 15 to 30 20 DOLBY DIGITAL/Normal 0 to 15 5 DTS DIGITAL SUR/Normal 0 to 15 5 PRO LOGIC/ENHANCED 15 to 30 20 DOLBY DIGITAL/ENHANCED 0 to 15 5 DTS DIGITAL SUR/ENHANCED 0 to 15 5 2. 70 mm SPECTACLE 15 to 30 23 DGTL SPECTACLE 1 to 99 15 DTS SPECTACLE 1 to 99 15 70 mm SCI-FI 15 to 30 20 DGTL SCI-FI 1 to 99 16 DTS SCI-FI 1 to 99 16 3. 70 mm ADVENTURE 15 to 30 20 DGTL ADVENTURE 1 to 99 15 DTS ADVENTURE 1 to 99 15 70 mm GENERAL 15 to 30 20 DGTL GENERAL 1 to 99 15 DTS GENERAL 1 to 99 15 4. MONO MOVIE 1 to 99 49 5. TV SPORTS 1 to 99 9 6. DISCO 1 to 99 40 7. ROCK CONCERT 1 to 99 16 8. CONCERT HALL 1 to 99 44 If desired, you can adjust the sound output level of each speaker even if it has already been adjusted in “ADJUSTING THE SPEAKER BALANCE” on pages 18 and 19. PREPARATION You can adjust the time difference between the beginning of the sound from the main speakers and the beginning of the sound effect from the rear speakers. The larger the value, the later the sound effect is generated. The delay time can be individually adjusted to all DSP programs. Sound Output Level of the Center, Right Rear and Left Rear Speakers, and Subwoofer INTRODUCTION When using the digital sound field processor with the Dolby Pro Logic decoder, Dolby Digital decoder or DTS decoder, you can adjust the delay time between the main sound and sound effect, and each speaker’s output level as you wish. English 37 0108V49633-39_EN(UCA) 37 1/20/0, 10:57 AM DELAY TIME AND SPEAKER OUTPUT LEVELS Adjusting Method 3 Press + or – to adjust the delay time or speaker output levels. 4 Repeat steps 2 and 3 to adjust the settings of any other item. Adjustments should be performed with the remote control while watching the information on the display. 1 3 2 1 Press AMP(TUNER) on the component selector. 2 Press TIME/LEVEL repeatedly to select the item you want to adjust. Each time you press TIME/LEVEL, the selected item changes and appears on the display as below. Memory back-up The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the power cord is disconnected from the AC power outlet or the power is cut for more than one week, the latest values for the delay time and the center/rear/ subwoofer output levels that were set will automatically return to the preset values. If so, adjust the delay time and output levels again. DELAY CENTER R SUR. L SUR. SWFR Note • Depending on the setting of the SET MENU, you may not be able to select all these items. 38 0108V49633-39_EN(UCA) 38 1/11/0, 10:35 AM SLEEP TIMER Notes • First press AMP(TUNER), TAPE/MD, CD or DVD/LD on the component selector to set the SLEEP timer for this unit. • The SLEEP timer is effective for the components connected to the AC OUTLET(S) on the rear panel of this unit. Note Play a source you want to enjoy when you are going to sleep. 2 Press SLEEP repeatedly to select the desired SLEEP time. Each time you press SLEEP, the SLEEP time will change as below: 90 60 • The SLEEP timer can also be canceled by setting the unit in the standby mode by using POWER on the remote control (or STANDBY/ON), or by disconnecting the AC power cord from the AC power outlet. BASIC OPERATION 1 120 Press SLEEP repeatedly until “SLEEP OFF” appears on the display. It will soon disappear and the “SLEEP” indicator will go off. 30 The SLEEP timer is off (SLEEP OFF). (This is the state before SLEEP is pressed.) ADVANCED OPERATION Flashes 3 PREPARATION Setting the SLEEP Timer Canceling the Selected SLEEP Timer INTRODUCTION The SLEEP timer can be used to automatically set this unit in the standby mode. This timer is useful when you are going to sleep while enjoying a broadcast or other desired input source. The SLEEP timer can only be set with the remote control. The “SLEEP” indicator soon lights up on the display after the SLEEP timer has been set. The display returns to the previous indication. Lights up APPENDIX English 39 0108V49633-39_EN(UCA) 39 1/12/0, 4:14 PM PRESET REMOTE CONTROL The provided remote control is factory set to control not only this unit but also most YAMAHA audio components connected to it. There are eight component selector buttons. Press one of these buttons which corresponds to the component you want to control with the remote control. For example, if you press CD on the component selector, the remote control is set to the CD operation mode, allowing the CD player to be controlled by the buttons on the remote control. AMP(TUNER) You can perform the basic operations of this unit. Refer to page 7. CD The code for a YAMAHA CD player is factory set. DVD/LD & DVD MENU An LD player can be controlled in the DVD/LD mode. A DVD player can be controlled in the DVD/LD and DVD MENU modes. The code for a YAMAHA DVD player is factory set. If the remote control does not operate your YAMAHA DVD player, you need to set the code number “0048”. TAPE/MD The code for a YAMAHA tape deck is factory set. (The code for the YAMAHA MD recorder can also be set.) VCR A VCR can be controlled. TV A TV can be controlled. CBL/SAT A cable TV or satellite tuner can be controlled. Note • The button functions on the remote control differ depending on the operation mode. Refer to the following pages for details. Controlling the Components Connected to This Unit ■ Example: To control YAMAHA CD player 5 2 3 4 7 6 1 Make sure that VOLUME is set to the “m” position. 2 Press AMP(TUNER) on the component selector. 3 Turn on the power. 4 Press CD on the input selector. 5 Press CD on the component selector. 6 Press p. Refer to page 42 for the CD player operation buttons. 7 Adjust the volume. If you set the remote control with the manufacturers’ codes listed from page i at the end of this manual, you can control other brands of components. Refer to “Setup codes” on page 45 for details. 40 0109V49640-46_EN(UCA) 40 1/11/0, 10:35 AM PRESET REMOTE CONTROL Description of Each Mode ■ TAPE/MD MODE INTRODUCTION Note • TV VOLUME functions if you have set the code for your TV. Press TAPE/MD. PREPARATION POWER (TAPE) This button turns this unit on if you have set the code for a YAMAHA tape deck. This button turns on the tape deck that has a remote control with a power button if you have set the code for another manufacturer. (MD) This button turns this unit on if you have set the code for the YAMAHA MD recorder. Input selector buttons BASIC OPERATION EFFECT VOLUME MUTE DISPLAY (MD) APPENDIX DECK A/B (TAPE) This button selects deck A or B on a double-cassette tape deck. e PAUSE (MD) This button gives a pause in operation. a DIR B (TAPE) This button selects the playing direction of deck B. SKIP+ (MD) This button skips to the next track. s STOP This button stops operation on a tape deck or MD recorder. f FAST FORWARD (TAPE) This button winds a tape fast forward. SEARCH (MD) This button initiates a fast-forward search on the track that is playing to find the point from which you want to listen. ADVANCED OPERATION SLEEP r REC/PAUSE This button gives a pause in recording on a tape deck or MD recorder. p PLAY This button plays a tape or an MD. b DIR A (TAPE) This button selects the playing direction of deck A. SKIP– (MD) This button skips to the previous track. w REWIND (TAPE) This button rewinds a tape. SEARCH (MD) This button initiates a backward search on the track that is playing to find the point from which you want to listen. TV VOLUME English The dark-shaded buttons do not function. Refer to the instructions for details of each component. 41 0109V49640-46_EN(UCA) 41 1/11/0, 10:36 AM PRESET REMOTE CONTROL ■ CD MODE Note • TV VOLUME and TV INPUT function if you have set the code for your TV. Press CD. POWER This button turns this unit on if you have set the code for a YAMAHA CD player. This button turns on the CD player that has a remote control with a power button if you have set the code for another manufacturer. Input selector buttons EFFECT DISC SKIP +/– (for a CD player with CD changer) These buttons skip to the next or previous CD. VOLUME MUTE SLEEP TV VOLUME DISPLAY TV INPUT p PLAY This button plays a CD. b SKIP– This button skips to the beginning of the previous track. w SEARCH This button initiates a backward search on the track that is playing to find the point from which you want to listen. e PAUSE This button gives a pause in operation. The button functions as PAUSE/STOP* for operating a YAMAHA CD player under factory setting. a SKIP+ This button skips to the beginning of the next track. s STOP This button stops operation. The button functions as PAUSE/STOP* for operating YAMAHA CD players. f SEARCH This button initiates a fast-forward search on the track that is playing to find the point from which you want to listen. y PAUSE/STOP function Press the button once to give a pause in operation and press once more to stop operation. The dark-shaded buttons do not function. Refer to the instructions for details of each component. 42 0109V49640-46_EN(UCA) 42 1/11/0, 10:36 AM PRESET REMOTE CONTROL ■ DVD/LD MODE Note • TV VOLUME and TV INPUT function if you have set the code for your TV. INTRODUCTION Press DVD/LD. Input selector buttons EFFECT DISC SKIP +/– PREPARATION POWER (DVD) This button turns this unit on if you have set the code for a YAMAHA DVD player. This button turns on the DVD player that has a remote control with a power button if you have set the code for another manufacturer. (LD) This button turns this unit on if you have set the code for a YAMAHA LD player. This button turns on the LD player that has a remote control with a power button if you have set the code for another manufacturer. VOLUME MUTE SLEEP PAUSE SKIP – STOP TV VOLUME DISPLAY TV INPUT SKIP + PLAY SEARCH SEARCH BASIC OPERATION ■ DVD MENU MODE Note • TV VOLUME and TV INPUT function if you have set the code for your TV. POWER This button turns the unit on if you have set the code for a YAMAHA DVD player. This button turns on the DVD player that has a remote control with a power button if you have set the code for another manufacturer. ADVANCED OPERATION Press DVD MENU. Numeric buttons CLEAR +10 DISC SKIP +/– VOLUME MUTE RETURN MENU DOWN INDEX APPENDIX MENU UP MENU LEFT TV VOLUME TV INPUT MENU RIGHT MENU SELECT MENU TITLE English The dark-shaded buttons do not function. Refer to the instructions for details of each component. 43 0109V49640-46_EN(UCA) 43 1/11/0, 10:36 AM PRESET REMOTE CONTROL ■ VCR MODE ■ CBL/SAT MODE Note Note • TV VOLUME, TV INPUT and TV SLEEP function if you have set the code for your TV. VCR POWER Press VCR. • TV VOLUME, TV INPUT and TV SLEEP function if you have set the code for your TV. CBL/SAT POWER Press CBL/SAT. CHANNEL EFFECT CHANNEL ENTER VCR CHANNEL +/– VOLUME MUTE TV VOLUME DISPLAY TV INPUT VCR PAUSE TV SLEEP VCR REC Press this button twice to start recording. CHANNEL CBL/SAT CHANNEL +/– VOLUME MUTE TV SLEEP MENU UP MENU LEFT VCR PLAY VCR FAST FORWARD VCR STOP VCR REWIND MENU DOWN RECALL ■ TV MODE Note • You can control your VCR if you have set the code for it. TV POWER Press TV. CHANNEL TV CHANNEL +/– VOLUME TV MUTE TV SLEEP VCR REC Press this button twice. VCR STOP VCR REWIND EFFECT CHANNEL ENTER TV VOLUME DISPLAY TV INPUT VCR PAUSE VCR PLAY VCR FAST FORWARD The dark-shaded buttons do not function. Refer to the instructions for details of each component. 44 0109V49640-46_EN(UCA) 44 1/11/0, 10:36 AM +100 CHANNEL ENTER TV VOLUME DISPLAY TV INPUT MENU RIGHT MENU SELECT MENU PRESET REMOTE CONTROL Advanced Information ■ Setup codes 1 2 Turn on the VCR to be used. 3 Press both VOLUME buttons (u/d) at the same time for about four seconds. The indicator flashes twice. 4 Use the numeric buttons to enter the four-digit code for the second (and third) VCR. Make sure that the indicator flashes twice. If the indicator does not flash, repeat step 3 and re-enter the code. 5 Press POWER (or any other button) on the remote control to check if you have set the code correctly. If the VCR cannot be controlled with the remote control, try setting another code for the same manufacturer. Press both VOLUME buttons (u/d) at the same time for about four seconds. The indicator flashes twice. Use the numeric buttons to enter the four-digit manufacturer’s code for the component to be used. Make sure that the indicator flashes twice. If the indicator does not flash, repeat step 3 and re-enter the code. Press POWER (or any other button) on the remote control to check if you have set the code correctly. If your component cannot be controlled with the remote control, try setting another code for the same manufacturer. Press CBL/SAT or DVD MENU on the component selector. ADVANCED OPERATION 5 1 2 BASIC OPERATION 4 Press one of the component selector buttons which corresponds to the component to be controlled. Note • If you want to control a second (and third) VCR in the DVD MENU mode, you must set the code for an LD player in the DVD/LD mode. PREPARATION 3 Turn on your component to be used. You can control a second (and third) VCR in the CBL/SAT and DVD MENU modes if a cable TV or satellite tuner, or DVD player is not being used. INTRODUCTION You can set the code for the manufacturer of your component after pressing the component selector buttons other than AMP(TUNER). ■ To use a second (and third) VCR Notes APPENDIX • You can set only one code for one mode. • In the DVD/LD and DVD MENU modes: – Be sure to press DVD/LD on the component selector before entering the code for the DVD/LD player. The code set in the DVD/LD mode is also simultaneously set in the DVD MENU mode. You cannot set the code for a DVD player after pressing DVD MENU on the component selector. – DVD MENU operations cannot be performed for some DVD players. • A second (and third) VCR can be controlled. Refer to “To use a second (and third) VCR” for details. • If your component does not respond to any of the codes listed for the manufacturer, use the original remote control supplied with your component. English 45 0109V49640-46_EN(UCA) 45 1/11/0, 10:36 AM PRESET REMOTE CONTROL ■ Returning to the factory-set codes To return all components to the factory-set codes, follow these steps. 1 Press one of the component selector buttons other than AMP(TUNER). 2 Press both VOLUME buttons (u/d) at the same time for about four seconds. The indicator flashes twice. 3 Enter the code number “9990”. Make sure that the indicator flashes twice. To return each component to the factory-set codes, follow these steps. 1 Press one of the component selector buttons which corresponds to the component to be returned to the factory-set code. 2 Press both VOLUME buttons (u/d) at the same time for about four seconds. The indicator flashes twice. 3 Enter the code number “0000”. Make sure that the indicator flashes twice. The following codes are factory set. Component selector button TV CBL/SAT VCR DVD/LD CD TAPE/MD Component Code TV Satellite tuner VCR DVD player CD player Tape deck 0101 0006 0002 0008 (YAMAHA DVD player) 0005 (YAMAHA CD player) 0004 (YAMAHA Tape deck) We recommend that you write all the code numbers you have set on the “Quick Reference Card”. 46 0109V49640-46_EN(UCA) 46 1/11/0, 10:36 AM APPENDIX TROUBLESHOOTING ■ General SYMPTOM CAUSE REMEDY Refer to page The power cord is not connected or the plug is not completely inserted. Firmly connect the power cord. 17 The IMPEDANCE SELECTOR switch on the rear panel is not fully set to the right or left position. Set the switch fully to the right or left position when the unit is in the standby mode. 17 The unit does not work normally. The internal microcomputer has been frozen by an external electric shock (lightning, excessive static electricity, etc.) or by a power supply with low voltage. Set the unit in the standby mode and disconnect the AC power cord from the AC power outlet. After about 30 seconds have passed, connect the power and operate the unit again. — No sound and/or no picture. Incorrect input or output cable connections. Connect the cables properly. If the problem persists, the cables may be defective. An appropriate input source has not been selected. Select an appropriate input source with INPUT SELECTOR or TAPE/MD MON / EXT. DECODER (or the input selector buttons). 20 The speaker connections are not secure. Secure the connections. 15 SPEAKERS have not been set properly. Set SPEAKERS corresponding to the speakers in use to the ON position. 20 The sound is muted. Set VOLUME to the “m” position, press MUTE to cancel a mute and adjust the volume. 21 Digital signals other than PCM audio and the signals encoded with Dolby Digital or DTS which this unit cannot reproduce are being input to this unit by a CD-ROM, etc. Play a source whose signals this unit can reproduce. — No picture. There is no S VIDEO connection between this unit and the TV monitor, although S video signals are being input to this unit. Connect the monitor’s “S” video input terminal to this unit’s S VIDEO MONITOR OUT terminal. 14 The sound suddenly goes off. The protection circuit has been activated because of a short circuit, etc. Set the unit in the standby mode and then turn on to reset the protection circuit. — The SLEEP timer has functioned. Turn on the power, and play the source again. 39 Incorrect cable connections. Connect the cables properly. If the problem persists, the cables may be defective. 15 21 Press EFFECT to turn it on. 24 A Dolby Surround, Dolby Digital or DTS decoding DSP program is being used with material not encoded with Dolby Surround, Dolby Digital or DTS. Select another DSP program. 27 No sound from the center speaker. The sound output level of the center speaker is set to minimum. “CENTER SP” in the SET MENU is set to the NONE position. Raise the level of the center speaker. 37 Select the LRG or SML position. 34 Incorrect DSP program is selected. Select the appropriate program. The source encoded with Dolby Digital or DTS does not have a center channel signal. 25, 26, 27 — The output level of the rear speakers is set to minimum. Raise the output level of the rear speakers. 37 A monaural source is being played with the PRO LOGIC/Normal or PRO LOGIC/ENHANCED program. Select another DSP program suitable for the monaural source. 27 English No sound from the rear speakers. APPENDIX Adjust it to the appropriate position. The sound effect is off. ADVANCED OPERATION Incorrect setting of BALANCE. No sound from the effect speakers. BASIC OPERATION Only the speaker on one side can be heard. 12, 13 47 0110V49647-52_EN(UCA) 47 PREPARATION The unit fails to turn on when STANDBY/ON is pressed, or enters in the standby mode soon after the power has been turned on. INTRODUCTION If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and contact your authorized YAMAHA dealer or service center. 1/11/0, 10:37 AM TROUBLESHOOTING SYMPTOM No sound from the subwoofer. CAUSE “BASS OUT” in the SET MENU is set to the SW or MAIN position when playing a 2-channel source. REMEDY Select the BOTH position. 34 — The source does not contain low bass signals (below 90 Hz). A “humming” sound can be heard. Refer to page Incorrect cable connections. Firmly connect the audio plugs. If the problem persists, the cables may be defective. No connection from the turntable to the GND terminal. Make the GND connection between the turntable and this unit. 12 The volume level is low while playing a record. The record is being played on a turntable with an MC cartridge. The turntable should be connected to the unit through the MC head amplifier. 12 The volume level cannot be increased, or the sound is distorted. The component connected to the TAPE/MD OUT (REC) terminals of this unit is in the standby mode. Turn on the power to the component. — The sound effect cannot be recorded. It is not possible to record the sound effect by a tape deck or MD recorder connected to the TAPE/MD OUT (REC) terminals of this unit. The DVD/LD, TV/digital TV or satellite tuner source cannot be recorded by tape deck, MD recorder or VCR connected to this unit. The DVD/LD player, TV/digital TV or satellite tuner is connected to the unit only through the digital terminals. Make additional connections between the analog terminals. 13 Adjusting this unit by using SET MENU, TIME/ LEVEL or TEST cannot be performed. “MEM. GUARD” in the SET MENU is set to the ON position. Set “MEM. GUARD” to the OFF position. 36 12, 13 32 ■ Tuner SYMPTOM FM stereo reception is noisy. There is distortion, and clear reception cannot be obtained even with a good FM FM antenna. CAUSE The characteristics of FM stereo broadcasts may cause this problem when the transmitter is too far away or the antenna input is poor. There is multipath interference. REMEDY Check the antenna connections. Try using a high-quality directional FM antenna. Use the manual tuning method. Adjust the antenna position to eliminate multipath interference. The desired station cannot be tuned in with the automatic tuning method. The station is too weak. Use the manual tuning method. Use a high-quality directional FM antenna. Previously preset stations can no longer be tuned in. The unit has been disconnected for a long period. Re-store the stations. The desired station cannot be tuned in with the automatic tuning method. The signal is weak or the antenna connections are loose. Tighten the AM loop antenna connections and orient it for best reception. Use the manual tuning method. Noises result from lightning, fluorescent lamps, motors, thermostats and other electrical equipment. Use an outdoor antenna and a ground wire. This will help somewhat, but it is difficult to eliminate all noise. Move this unit away from the TV. There are continuous AM crackling and hissing noises. There are buzzing and whining noises (especially in the evening). A TV set is being used nearby. 48 0110V49647-52_EN(UCA) 48 1/11/0, 10:37 AM Refer to page 10, 28 10 10, 28 29 11, 28 11 — TROUBLESHOOTING ■ Remote control SYMPTOM The remote control does not work. REMEDY Refer to page Direct sunlight or lighting (from an inverter type of fluorescent lamp, etc.) is striking the remote control sensor of this unit. Reposition the unit. The batteries are weak. Replace all batteries with new ones. 2 The component to be controlled has not been selected. Press one of the component selector buttons which corresponds to the component to be controlled. 40 The manufacturer’s code has not been set properly. Enter the code again. 45 3 INTRODUCTION The unit or other component cannot be controlled. CAUSE Try setting another code for the same manufacturer. ■ Others CAUSE REMEDY Refer to page The sound is degraded when listening with headphones to a tape deck or CD player connected to this unit. This unit is in the standby mode. Turn on the power of the unit. — There is noise interference from digital or high-frequency equipment, or the unit. The unit is too close to the digital or highfrequency equipment. Move the unit further away from such equipment. — SYMPTOM CAUSE REMEDY Refer to page The player which plays back the source is not connected to a digital audio signal input terminal of this unit. The player must be connected to a digital audio signal input terminal of this unit besides the analog audio signal terminal connections. 13 The input mode is set to ANALOG on this unit. Set a proper input mode to turn on the built-in DTS decoder. 22 A percussive noise is heard when playing back a source encoded with DTS. If the input mode is set to AUTO, depending on some sources, there may be a noise heard while this unit is identifying the format of the input signal. Set the input mode of the currently selected input source to DTS. 22 No sound is heard when playing back a source encoded with DTS, even if the input mode is set to AUTO on this unit. The built-in DTS decoder does not function because the player has a digital volume control and it is set at a position other than “maximum,” “neutral” or “ineffective.” Set the player’s digital volume control at the maximum, neutral or ineffective position. — No sound is heard when playing back an MD or DAT on which has been recorded a source encoded with DTS. A source encoded with DTS cannot be recorded on an MD or DAT. No sound is heard when playing back a source (CD, etc.) even if the currently selected input mode is AUTO. In the AUTO mode, the DTS-decoding mode cannot be automatically changed to the normal (PCM) digital signal input mode. ADVANCED OPERATION A loud hissing noise is heard when playing back a source encoded with DTS. — Set the input mode to AUTO again. BASIC OPERATION ■ When playing back a source encoded with DTS PREPARATION SYMPTOM 23 APPENDIX Notes 49 0110V49647-52_EN(UCA) 49 1/11/0, 10:37 AM English • It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back the source must be connected to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or only a D-to-A converter is being used without using a DTS decoder, only a loud hissing noise will be heard when you play back the source. • If you make a search (or skip, etc.) operation while playing back a source encoded with DTS, the “t” indicator goes off. This is because this unit automatically changes the DTS-decoding mode to the standard (PCM) digital signal input mode to prevent a noise from being output. SPECIFICATIONS AUDIO SECTION FM SECTION • Minimum RMS Output Power 20 Hz to 20 kHz, 0.06% THD, 8 ohms Main L/R, Center, Rear L/R ......................................... 70 W*/65 W 1 kHz, 0.09% THD, 8 ohms Main L/R, Center, Rear L/R ....................................... 80 W*/70 W • Tuning Range .................................... 87.5/87.50 to 107.9/108.00 MHz • Maximum Output Power (EIAJ) 1 kHz, 10% THD, 8 ohms ........................................................ 100 W • DIN Standard Output Power 1 kHz, 0.7% THD, 4 ohms ....................................................... 100 W • IEC Output Power 1 kHz, 0.06% THD, 8 ohms ....................................................... 70 W • Dynamic Power (IHF) 8/6/4/2 ohms .................... 100/120/140/160 W*, 90/110/130/150 W • Damping Factor 20 Hz to 20 kHz, 8 ohms ................................................................ 60 • Frequency Response CD etc. to MAIN L/R ................................ 20 Hz to 20 kHz, ±0.5 dB • Total Harmonic Distortion (20 Hz to 20 kHz) CD etc. to MAIN L/R, 1/2 power, 8 ohms ............................ 0.025% • Signal-to-Noise Ratio (IHF-A Network) CD etc. to MAIN L/R (150 mV, Input Shorted) ........................................................ 96 dB (250 mV, Input Shorted) ....................................................... 100 dB • Residual Noise (IHF-A Network) MAIN L/R .............................................................................. 150 µV • Input Sensitivity/Impedance CD etc. ................................................................. 150 mV/47 k-ohms EXT. DECODER ......................................... 150 mV/40 – 47 k-ohms • Output Level/Impedance REC OUT ........................................................... 150 mV/1.2 k-ohms SUBWOOFER ....................................................... 4.0 V/1.2 k-ohms PHONES ................................................................. 0.47 V/390 ohms • Usable Sensitivity (DIN) Mono (S/N 26 dB) ................................................................... 0.9 µV Stereo (S/N 46 dB) ................................................................... 28 µV • Selectivity (two signals, 40 kHz Dev., ±300 kHz) ...................... 55 dB • Signal-to-Noise Ratio (Mono/Stereo) DIN ................................................................................. 75 dB/69 dB IHF ................................................................................. 81 dB/75 dB • Harmonic Distortion (1 kHz) Mono/Stereo ........................................................................ 0.1/0.2% • Stereo Separation (1 kHz) ........................................................... 48 dB • Frequency Response ........................................ 20 Hz to 15 kHz, ±1 dB • Antenna Input ...................................................... 75 ohms, Unbalanced AM SECTION • Tuning Range ............................................ 530/531 to 1,710/1,611 kHz • Usable Sensitivity ................................................................. 300 µV/m • Signal-to-Noise Ratio ................................................................... 52 dB • Antenna ........................................................................... Loop antenna GENERAL • Power Supply [U.S.A. and Canada models] .................................. AC 120 V, 60 Hz [Europe, U.K. and Singapore models] .................... AC 230 V, 50 Hz [Australia model] ..................................................... AC 240 V, 50 Hz [China model] ......................................................... AC 220 V, 50 Hz [General model] ............................. AC 110/120/220/240 V, 50/60 Hz • Power Consumption ...................................................... approx. 220 W • AC Outlets (100 W max. total) [U.K. and Australia models] ..................................... 1 (SWITCHED) [Other models] .......................................................... 2 (SWITCHED) • Channel Separation (Vol. –30 dB) CD etc. (Input 5.1 k-ohms Terminated, 1 kHz/10 kHz) ..................................................................................... 60 dB/45 dB • Dimensions (W x H x D) ..................... 435 x 151 x 391 mm (17-1/8’’ x 5-15/16’’ x 15-3/8’’) • Tone Control Characteristics BASS: Boost/cut .......................................................... ±10 dB/50 Hz TREBLE: Boost/cut ................................................... ±10 dB/20 kHz VIDEO SECTION • Accessories ................................................................ AM loop antenna .......................................................................... Indoor FM antenna ..................... 75-ohm/300-ohm antenna adapter (U.K. model only) ........................ Antenna adapter (U.S.A. and Canada models only) ................................................................................. Remote control ........................................................................................... Batteries • Video Signal Type ........................................................... NTSC or PAL Specifications are subject to change without notice. * for U.S.A. and Canada models • Weight ............................................................................ 10 kg (22 lbs.) • Video Signal Level ...................................................... 1 Vp-p/75 ohms • Signal-to-Noise Ratio .................................................................. 50 dB • Monitor Out Frequency Response .................... 5 Hz to 10 MHz, –3 dB 50 0110V49647-52_EN(UCA) 50 9/28/0, 4:38 PM GLOSSARY ■ Dolby Digital Dolby Digital is a digital surround sound system that provides completely independent multi-channel audio to you. Dolby Digital provides five full-range channels in what is sometimes referred to as a “3/2” configuration: three front channels (left, center and right), and two surround channels. A sixth bass-only effect channel is also provided for output of LFE (low frequency effect), or low bass effects that are independent of other channels. (This is called the “LFE channel”.) This channel is counted as 0.1, thus giving rise to the term 5.1 channels in total. The wide dynamic range of sound reproduced by the five full-range channels and precise sound orientation by digital sound processing provides listeners with excitement and realism that have never been experienced before. ■ S VIDEO Signal The S VIDEO signal is separated and transmitted as the Y signal which indicates the luminance and the C signal which indicates the chroma of the video signal (composite signal). Using the S VIDEO terminal eliminates video signal transmission loss and allows recording and playback of even more beautiful images. APPENDIX English DTS was developed to replace analog soundtracks of movies with six discrete channels of digital soundtracks, and it is now installed in many theaters around the world. The DTS digital playback system changed the way we experienced movies in theaters with six discrete channels of superb digital audio. DTS technology, through intense research and development has made it possible to deliver similar encode/decode discrete technology to home audio surround-sound entertainment. DTS Digital Surround is an encode/decode system which delivers six channels of master-quality, 20-bit audio; technically, it is 5.1 channels, which means 5 full-range (left, center, right and two surround) channels, plus a subwoofer (LFE) channel (as “0.1”). It is compatible with the 5.1 speaker configurations that are currently available for home theater systems. This channel is for reproduction of low bass signals. The frequency range for this channel is 20 Hz to 120 Hz. This channel is called the channel 0.1 because it only reproduces a low frequency range compared to the full-range from 20 Hz to 20 kHz that is reproduced by the 5 channels in a Dolby Digital or DTS 5.1 channel system. 51 0110V49647-52_EN(UCA) 51 ADVANCED OPERATION ■ DTS (Digital Theater System) Digital Surround ■ LFE 0.1 Channel BASIC OPERATION The Dolby Surround and Dolby Digital sound and DTS systems show their full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater that uses a multitude of speakers. Trying to create a sound environment similar to that of a movie theater in your home is difficult because of the room size, material inside the walls, the number of speakers, and so on. In other words, your listening room is very different from a movie theater. However, YAMAHA DSP technology allows you to create nearly the same sound experience as that of a large movie theater in your home by compensating for the lack of presence and dynamics in the listening room with original digital sound fields combined with Dolby Surround, Dolby Digital or DTS Digital Surround sounds. The YAMAHA “CINEMA DSP” logo indicates those programs that are created by the combination of YAMAHA DSP technology and Dolby Surround, Dolby Digital or DTS. PREPARATION ■ CINEMA DSP CINEMA DSP Dolby Surround uses four discrete channels and five speakers to reproduce realistic and dynamic sound effects: two main channels (left and right), a center channel for dialog, and a rear channel for special sound effects. The rear channel reproduces sound within a narrow frequency range. Most video tapes and laser discs include Dolby Surround encoding, as do many TV and cable broadcasts. The Dolby Pro Logic decoder built into this unit employs a digital signal processing system that stabilizes each channel for even more accurate sound positioning than is available with standard analog processors. INTRODUCTION ■ Dolby Surround 1/11/0, 10:37 AM INDEX A M Accessories .......................................................................... 2 AC outlet ........................................................................... 17 Antennas ...................................................................... 10, 11 Muting ............................................................................... 21 B BALANCE ........................................................................ 21 BGV (background video) function .................................... 21 C Canceling sound effect ...................................................... 24 CINEMA DSP ............................................................. 27, 51 Connections Antennas ................................................................ 10, 11 Audio components (tape deck/MD recorder, CD player and turntable) .............................................................. 12 Digital connections ...................................................... 13 Speakers ...................................................................... 15 TV monitor .................................................................. 13 Video components (DVD/LD player, VCR and TV/ digital TV, satellite tuner) ............................................ 13 P Playing ............................................................................... 20 Preset stations To recall a preset station .............................................. 30 Exchanging preset stations .......................................... 31 Preset tuning Automatic preset tuning .............................................. 29 Manual preset tuning ................................................... 30 R Recording .......................................................................... 32 Remote control Basic operations ............................................................ 7 Batteries ......................................................................... 2 Component selector ................................................. 7, 40 Factory-set code .......................................................... 46 Manufacturer’s codes .......... i (at the end of this manual) Setup codes .................................................................. 45 D S Delay time (TIME/LEVEL mode) .................................... 37 Display ................................................................................. 6 Dolby Digital ..................................................................... 51 Dolby Surround ................................................................. 51 DSP program ............................................................ 24 to 27 DTS Digital Surround ....................................................... 51 SET MENU ....................................................................... 33 Sleep timer ......................................................................... 39 Speaker Output levels (TIME/LEVEL mode) .......................... 37 Output mode (SET MENU) .................................. 34, 35 Speaker balance (test tone) .......................................... 18 Placement ...................................................................... 8 STANDBY/ON .................................................................... 4 E External decoder ................................................................ 14 T F Front panel ........................................................................... 4 I IMPEDANCE SELECTOR switch ................................... 17 Input mode ......................................................................... 22 Test tone ....................................................................... 18, 19 Tone controls ..................................................................... 21 Tuning Automatic tuning ......................................................... 28 Manual tuning ............................................................. 28 L LFE ........................................................................ 35, 36, 51 52 0110V49647-52_EN(UCA) 52 1/11/0, 10:37 AM LIST OF MANUFACTURER’S CODES LISTES DES CODES FABRICANT Elin Elta Emerson 1001 0331 0001, 0021, 0061, 0071, 0081, 0091, 0111, 0811, 0821, 0831, 0841, 0851, 0861, 0871, 0901, 0921, 0941, 0981, 1011, 1031, 1051, 1081, 1091 Envision 0361, 1111 Erres 1001 Etron 0331 Ferguson 1001 Finlux 1001 Fisher 0171, 0801, 0981 Formenti 0441 Formonti 1001 Fortress 1141 Fujitsu 1091 Funai 1051, 1091, 1341, 1361, 1411, 1451, 1501, 1521 Futuretech 1051 GE 0131, 0161, 0201, 0751, 0761, 0771, 0781, 0791, 0811, 0861, 1041 GEC 0271, 1001 Gemini 0391 Genexxa 0431 Gibralter 0891, 1031, 1111 GoldStar 0031, 0121, 0351, 0411, 0731, 0741, 0861, 0941, 0971, 1001, 1031, 1111, 1151 Goodmans/Tashiko 0271, 0661, 1001 Granada 1001 Grundig 1781, 1791, 1801, 1811, 1821, 1831, 1841, 1851, 1861, 1871, 1881 Gunpy 1051, 1091 H/K 0721 Hallmark 0861 Hanseatic 1001 Harvard 1051, 1061 Hinari 1001, 1091 Hitachi 0181, 0351, 0671, 0681, 0691, 0701, 0711, 0871, 0941, 0971, 1351 Hypson 1001 Ima 1051 Indiana 1001 Infinity Reference 0101 Interfunk 1001 ITT 0611 Janeil 1131 JBL 0101 JCB 0951 Jensen 0311 Jinxing 1531, 1541, 1551, 1561, 1571, 1621, 1631, 1641, 1651, 1691, 1731 JVC 0261, 0281, 0641, 0651, 0661, 0841 Kawasho 0901 TV A-Mark A Tandy Abex Admira Adventura Aiko Akai Alba Alleron Ambassador Amstrad Anam 1161 0941 1151 1141 1131 1121 0331, 1101, 1111 0431 1091 1081 0481, 1081 0251, 1041, 1051, 1061, 1071 Anam National 1041 AOC 0361, 1021, 1031, 1111, 1161 Archer 1161 Audiosonic 1001 Audiovox 1051, 1161 Awai 1481 Bauer 0441 Baur 1001 Beijing 1511, 1551, 1561 Belcor 1031 Bell & Howell 0981, 0991 Beon 1001 Bradford 1051 Brockwood 1031 Broksonic 1161 Bush 1001 Candle 0351, 0361, 0961, 0971, 1111, 1131 Capehart 1021 Carver 0101 Cathay 1001 Celebrity 0951 Centurion 0411 Changhong 1541, 1551, 1561, 1621 Citizen 0351, 0361, 0921, 0931, 0941, 0961, 0971, 1111, 1121, 1131 Clairtone 1011 Clarivox 1001 Concerto 0351, 0971 Conrowa 1751 Contec 0901, 0911, 1011, 1051 Corando 0941 Craig 0251, 1051 Crown 0941, 1051 Curtis Mathes 0161, 0361, 0931, 0941, 0981, 1111 CXC 1051 Daewoo 0291, 0301, 0331, 0721, 0941, 1001, 1031, 1121, 1191, 1531, 1581, 1591, 1601 Dansai 1001 Daytron 0941, 1031 Decca 0271, 1001 Dixi 0331, 1001, 1071 Dumont 0891, 1031 Dynatech 0881 Electroband 0951, 1011 Electrohome 0941 Electron 0941 Kaypani Kenwood Kloss KTV 1021 0361, 1031, 1111 0631, 0721, 1131 0921, 0941, 1011, 1051, 1111 Leyco 1001 Liesenk & Tter 1001 Lloytron 0941 Loewe 1001 Logik 0991, 1771 Luxman 0351, 0971 Lxi 0101, 0621, 0761, 0861, 0981 Magnavox 0101, 0341, 0391, 0401, 0411, 0421, 0581, 0591, 0601, 0611, 0631, 0661, 0961, 1111 Majestic 0991 Marantz 0101, 0221, 0361, 1001, 1111 Mark 1001 Matsui 0271, 0331, 1001 Mediator 1001 Megatron 0691, 0861, 1161 MEI 1011 M Electronic 1001 Memorex 0331, 0571, 0861, 0971, 0981, 0991, 1771 Metz 1791, 1831, 1891, 1901, 1911, 1921, 1931, 1941 MGA 0361, 0561, 0571, 0861, 1031, 1111 Midland 0751, 0761, 0891, 0941, 1151 Mitsubishi 0221, 0321, 0561, 0571, 0661, 0861, 1031, 1101, 1381 Montgomery 1091 Motorola 1041, 1141 MTC 0351, 0361, 0881, 0931, 0971, 1011, 1031, 1111 Multitech 0881, 1051 NAD 0551, 0621, 0861 NEC 0241, 0351, 0361, 0661, 0971, 1031, 1111, 1321, 1711 Neckermann 1001 Nei 1001 Nikkai 0271, 0431, 1001, 1151 Nikko 0861, 1111, 1121 Novabeam 0721 NTC 1121 Onwa 1051 Optimus 0551 Optonica 0541, 1141 Orion 0831, 1001 Osaki 0271, 1151 Otto Versand 1001 Panasonic 0101, 0191, 0251, 0751, 1041, 1311, 1371, 1431 Panda 1541, 1721 Penny Peony Philco Philips Phonola Pilot Pioneer Portland Priceclub Prism Proscan Protech Proton Pulsar Pulser Quasar Quelle Radio Shack Radiola RCA Realistic Rhapsody R-line Runco Saisho Sampo Samsung Samsux Sanyo SBR Schneider Scimitsu Scotch Scott Sears Shanghai Sharp Shogun Signature 0161, 0361, 0521, 0531, 0621, 0731, 0751, 0761, 0781, 0791, 0861, 0931, 0941, 1031, 1041, 1111, 1151, 1161 1561, 1621 0361, 0581, 0591, 0601, 0611, 0631, 0961, 1031, 1111 0101, 0401, 1001 1001 0941, 1031, 1111 0511, 0551, 0871, 1331 0941, 1031, 1121 0931 0751 0761 1001 0501, 0861, 0941, 1021, 1161 0891 1031 0251, 0751, 1041 1001 0541, 0941, 1031, 1051, 1151 1001 0051, 0141, 0151, 0181, 0411, 0491, 0531, 0761, 0771, 0871, 1031 0541, 0861, 0941, 0971, 0981, 1031, 1051, 1111, 1151 1011 1001 0891, 1111 0331, 1081 0361, 0941, 1021, 1111, 1151 0331, 0341, 0351, 0361, 0861, 0931, 0941, 0971, 1001, 1031, 1111, 1151, 1461 0941 0171, 0231, 0271, 0661, 0801, 0911, 0981, 1231, 1251, 1261 1001 1001 1031 0861 0831, 0861, 0941, 1031, 1051, 1091 0101, 0161, 0171, 0351, 0481, 0521, 0621, 0761, 0801, 0861, 0971, 0981, 1091 1561, 1681 0461, 0471, 0541, 0661, 0911, 0941, 1141, 1241, 1271 1031 0991, 1771 i 03V496code(UCA) 1 1/11/0, 1:07 PM Simpson Solavox Sonoko Sontec Sony 0581, 0961 1151 1001 1001 0371, 0451, 0661, 0841, 0951, 1281, 1441 Soundesign 0861, 0961, 1051, 1091 Soundwave 1001 Spectricon 1161 Squareview 0481 SSS 1031, 1051 Star-lite 1051 Suprem 0951 Supre-macy 1131 Surpa 0351, 0971 Sylvania 0101, 0361, 0441, 0581, 0591, 0601, 0611, 0631, 0961, 1111 Symphonic 0481 Sysline 1001 Tandy 0271, 0431, 1141 Tatung 0271, 0881, 1001, 1041, 1161 Tcl 1561, 1631, 1701 Technics 0751 Techwood 0351, 0751, 0971 Teknika 0101, 0351, 0571, 0931, 0941, 0961, 0971, 0991, 1031, 1051, 1091, 1121, 1131, 1771 Teletech 0331 Tera 0501 Thakral 1671 Thorm 1001 TMK 0351, 0861, 0971, 1081 Toshiba 0381, 0521, 0621, 0661, 0931, 0981, 1301 Tosonic 1011 Totevision 0941 Trical 0911 Universal 0781, 0791 Universum 1001 Vector Research 0361, 1111 Vestel 1001 Victor 0651, 1201, 1211, 1221 Video Concept 1101 Vidikron 0101, 0211 Vidtech 0861, 1031 Viking 1131 Wards 0101, 0361, 0451, 0541, 0581, 0591, 0601, 0611, 0771, 0781, 0791, 0861, 0971, 0991, 1031, 1091, 1111, 1771 Watson 1001 Xogego 1611, 1621, 1661, 1741, 1761 Yamaha 0221, 0361, 0571, 1031, 1111, 1141, 1381 Yoko 1001 Zenith 0011, 0041, 0891, 0991, 1771 Zonda 1161 CABLE ABC 0256, 0376 Antronix 0136 Archer 0136, 0286 BBT 0076 Cabletime 0166 Cablevision 0196 Colour Voice 0306, 0346 Comtronics 0216, 0276 Eagle Comronics 0276 Eastern 0066 Electricord 0206 Electus 0266 GE 0116, 0126 GEC Cable System 0196 Hamlin H5 0676 Hamlin H6 0666 Hamlin H6S 0656 Hamlin H8 0646 Hamlin H9 0636 Jerrold 0256 Jerrold 400L 0626 Jerrold 450L 0616 Jerrold 550 0606 Jerrold Osd Catv 0596 Jerrold Sprucer 0436 Magnavox/Philips 0416, 0426 Mamm 0296 Memorex 0386 Movie Time 0146, 0206 Northcoast 0016 NSC 0146 Oak 0106 Oak Sigma 450 0546 Oak Sigma 550 0536 Panasonic TZ 120/130 0476 Panasonic TZ 170/180 0446 Panasonic TZ140 0466 Panasonic TZ150/160 0456 Paragon 0386 Philips 0036, 0216, 0306, 0316, 0326, 0336, 0346 Pioneer 0006, 0086 Pioneer BR50 0846 Pioneer BR60/70/80/81/82 0696 Pioneer BR90 0556 Pulsar 0386 RCA Digital Satellite System 0396, 0406 Realistic 0136 Regency/Eastern 0686 Runco 0386 Samsung 0276 Scientific Atlanta 175/475 0576 Scientific Atlanta 75 0366, 0586 Scientific Atlanta 8650 0566 Signal 0276 SL Marx 0276 Spectavision 0236 Standard Components 0186 Starcom V 0256 Stargate 0276 Sylvania/Texscan 0376, 0496 Teknika 0176 Teleservice 0056 Teleview 0276 Texscan 0186, 0376 TFC 0026 Tocom 0226, 0356 Tocom 5503A 0526 Tocom 5503VIP/5507 0516 Tocom TC56 0506 Toshiba 0386 Tudi 0046 Unika Universal Videoway Viewstar Zenith 0136 0136, 0156, 0206, 0286 0096 0216 0246, 0386, 0486 SATELLITE TUNER Alpha Star 0826 Chaparral 0756 Echostar 0836 General Instrument 0776 HTS 0836 Hughes Network Systems 0816 Jerrold 0776, 0786 Panasonic 0806 Primestar 0776, 0786 RCA 0766 Sony 0796 VCR A Tandy Adventura Aiko Aiwa Akai 0902 0992 0982 0992 0262, 0942, 0952, 0962, 0972 American High 0932 Amstrad 0992 ASA 0002, 0912 Asha 0922 Audio Dynamics 0202 Audiovox 0912 Beaumark 0922 Bell & Howell 0902 Blaupunkt 0412 Broksonic 0872, 0882, 0892 Bush 0852 Calix 0912 Canon 0862, 0932 CCE 0852, 0982 Citizen 0912, 0982 Colt 0852 Craig 0832, 0842, 0852, 0912, 0922 Curtis Mathes 0662, 0822, 0932 Cybernex 0922 Daewoo 0802, 0812, 0982 DBX 0202 Dynatech 0472, 0992 Electrohome 0912 Electrophonic 0912 Emerex 0792 Emerson 0072, 0132, 0142, 0152, 0162, 0172, 0182, 0192, 0212, 0702, 0712, 0722, 0732, 0742, 0752, 0762, 0772, 0782, 0872, 0882, 0892, 0912, 0952, 0992, 1072 Finlux 0002, 0992 Fisher 0682, 0692, 0842, 0902 Fuji 0672, 0932 Funai 0992 Garrard 0992 GE 0662, 0822, 0932 Go Video 0642, 0652 GoldStar 0082, 0632, 0912 Goodmans 0402 Gradiente 0992 Granda 0612, 0902 Grundig 0002 H/K 1082 ii 03V496code(UCA) 2 1/11/0, 1:07 PM Harley Davidson 0992 Harmon/Kardon 0632, 1082 Harwood 0752, 0852 Headquarter 0612 HI-Q 0842 Hinari 0852 Hitachi 0102, 0562, 0572, 0582, 0592, 0602, 0992 ITT 0942 JVC 0202, 0522, 0532, 0542, 0552 Kenwood 0202, 0542, 0612, 0632, 0902 KLH 0852 Kodak 0912, 0932 Lloyd 0992 Logik 0852 Luxor 0942 LXI 0022, 0912 Magnavox 0002, 0482, 0492, 0502, 0512, 0932 Magnin 0922 Marantz 0002, 0202, 0402, 0632, 0932 Marta 0912 Matsui 0722 Matsushita 0932 MEI 0222, 0932 Memorex 0232, 0242, 0472, 0512, 0612, 0842, 0902, 0912, 0922, 0932, 0992 MGA 0762, 0952 MGA Technology 0922 Minolta 0592, 0602 Mitsubishi 0452, 0462, 0542, 0762, 0952, 1082 Motorola 0472, 0932 MTC 0922, 0992 Multitech 0852, 0992 NAD 0442 NEC 0122, 0202, 0292, 0422, 0432, 0542, 0632 Nikko 0912 Noblex 0922 Olympus 0412, 0932 Optimus 0442, 0472, 0912 Optonica 0402 Orion 0212, 0722, 0742, 0772 Osaki 0912 Panasonic 0012, 0052, 0092, 0222, 0372, 0382, 0392, 0412, 0932 Penny 0202, 0432, 0602, 0632, 0692, 0912, 0922, 0932 Pentax 0592, 0602 Perdio 0992 Philco 0002, 0932 Philips 0002, 0282, 0402, 0492, 0932 Pilot 0912 Pioneer 0442, 0542 Proscan 1002, 1012, 1022, 1032, 1042, 1052, 1062 Pulsar 0512 Quarter 0612 Quartz 0272, 0612 Quasar 0382, 0392, 0932 Radio Shack 0912, 0992 Radix 0912 Randex 0912 RCA 0112, 0382, 0392, 0482, 0592, 0602, 0662, 0822, 0942 Realistic 0402, 0472, 0612, 0682, 0842, 0902, 0912, 0922, 0932, 0992 Ricoh 0352, 0362 Saisho 0212, 0582, 0722, 0732, 0742, 0772 Salora 0612, 0762 Samsung 0212, 0312, 0922, 0962 Sanky 0472, 0512 Sansui 0292, 0542, 0832 Sanyo 0242, 0612, 0842, 0902, 0922 SBR 0002, 0282 Schneider 0852 Scott 0342, 0712, 0762, 0872, 0882, 0892 Sears 0302, 0592, 0602, 0612, 0682, 0692, 0842, 0902, 0912, 0932 Sharp 0402, 0472 Shintom 0852 Shogun 0922 Singer 0852 Sony 0032, 0332, 0352, 0362, 0672, 0792, 0932 STS 0602 Sunpak 0352 Sylvania 0002, 0492, 0502, 0762, 0932, 0992 Symphonic 0992 Tandy 0992 Tashiko 0712, 0992 Teac 0992 Technics 0932 Teknika 0322, 0912, 0932, 0992 Telefunken 0252 TMK 0212, 0732, 0772, 0922 Toshiba 0062, 0302, 0342, 0622, 0682, 0712, 0762 Totevision 0912, 0922 Unitech 0922 Vector Research 0202, 0432, 0632 Victor 0532, 0542, 0552 Video Concepts 0202, 0432, 0632, 0952 Wards 0322, 0402, 0472, 0482, 0602, 0712, 0842, 0852, 0922, 0932, 0992 Yamaha 0202, 0632, 0762 Zenith 0042, 0362, 0512, 0672 LD PLAYER Aiwa Denon Disco Vision Funai Hitachi (E) Kenwood Magnavox Marantz Mitsubishi NAD Panasonic Philips Pioneer RCA Realistic Sharp Sony Victor Yamaha CD PLAYER Acoustic Research 1295 ADC 0025, 0065 Adcom 0205, 0255, 1015 ADS 0265 Aiwa 0295, 0945, 1035, 1055 Akai 0175, 0485, 0535 Alpine 1215, 1305 Audio-Technica 0545 BSR 0245, 0655, 0775 California Audio Lab 0055 Capetronic 1205 Carrera 0245 Carver 0285, 1135 Casio 0345 Crown 0185 Curtis Maths 0345 Denon 0275, 0875, 0885 Deual (E) 0505 Dynamic Bass (H) 0555 Emerson 0205, 0325, 1105 Eroica 1275 Fisher 0095, 0555, 0925, 1005 Garrard 0365 Genexxa 0305, 0325, 1105 GoldStar 1225, 1265, 1135, 1335 H/K 0105, 0175, 0465, 0995 Hitachi 0195, 0505, 0205, 0815 Inkel 0115, 0395 JVC 0315 Kenwood 0045, 0095, 0405, 0585, 0725, 0735, 0745, 0755, 0895 Kyocera 0025 Luxman 0075, 0425, 0675, 0705, 0715, 0985 Magnavox 0165, 0215, 0645, 0955 Marantz 0215, 0235, 0375, 0785, 1345 McIntosh 0355, 1085 MCS 0905, 1315 Memorex 0205, 0225, 0235, 0305, 0325, 1105 DVD PLAYER Akai JVC Onkyo Panasonic Philips Pioneer Samsung Sharp Sony Toshiba Yamaha 0157 0147 0017 0157 0017 0087, 0107 0027 0027 0137 0137 0077, 0177 0027 0037, 0017, 0137 0167 0157 0127 0047, 0057, 0117 0097 0007, 0067 0108 0168 0128 0048 0188 0208, 0228 0148 0068 0028 0088 0008, 0048 MGA Mission Mitsubishi MTC NAD 0135 0215 0135, 0445 1255 0035, 0615, 0685, 0695 Nakamichi 0125, 0435, 0515 NEC 0255, 0905, 0965 Nikko 0545, 1005 Onkyo 0155, 0455, 0495, 0805, 1155 Optimus 0225, 0245, 0555, 0595, 0845, 0855, 0865, 0895, 0935 Panasonic 0055, 0825, 1095, 1125 Penny 0905 Philips 0165, 0215 Pioneer 0305, 0935, 1045 Proton 0215, 1185 Quasar 0055 RCA 0205, 0915, 1115 Realistic 0205, 0225, 0235, 0325, 0555, 0845 Revox 1175 Rotel 0215 Saba Telecommander (E) 0505 SAE 0215 Samsung 1285 Sansui 0215, 0625, 0975, 1025, 1105 Sanyo 0145, 0555, 0635, 0765 Scott 0325, 1105 Sears 0345 Sharp 0235, 0665, 0895, 1065, 1075 Sherwood 0115, 0235, 0395, 0475 Siements Garrard 1245 Signature 0175 Sontec 1165 Sony 0065, 0565, 0865, 1145 Staron 1235 STS 0025 Sylvania 0215 Symphnoic 0335 Tandy 0305 Tangberg 1195 Teac 0235, 0335, 0385, 0525, 0795, 0835, 1355 Technics 0055, 0605, 1095 Techwood 1325 Telefunken (E) 0505 Thomson (E) 0505 Toshiba 0035, 0685 Vector Research 0065, 1135 Victor 0315 Wards 0175 Yamaha 0005, 0015, 0575, 1065 TAPE DECK Aiwa Akai Carver Denon Fisher Garrard JVC Kenwood Magnavox Marantz Mitsubishi Onkyo Optimus Philips Pioneer Revox Sansui Sharp Sherwood Sony Teac Technics Victor Wards Yamaha 0094, 0214, 0224 0184 0094 0304 0144 0194, 0204 0274, 0284, 0294 0124, 0134, 0154, 0234, 0244, 0264 0094 0094, 0344 0184 0364, 0374 0034, 0064, 0204, 0334 0094 0034, 0044, 0064 0354 0094, 0344 0264 0334 0054, 0084, 0324 0194, 0254 0074, 0314 0294 0034 0004, 0014 MD RECORDER Yamaha 0024 iii 03V496code(UCA) 3 1/11/0, 1:07 PM UCA HTR-5240 Natural Sound AV Receiver Ampli-tuner audio-vidéo YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA 00HTR-5240(UCA)-cv1/4 1 OWNER’S MANUAL MODE D’EMPLOI Printed in Malaysia ID V502890-2 9/29/0, 12:52 PM Quick Reference Card TAPE/MD AMP(TUNER) POWER A/B/C/D/E TEST POWER Input selector buttons Input selector buttons Input selector buttons Input selector buttons EFFECT PRESET+/– EFFECT EFFECT DISC SKIP+/– EFFECT DISC SKIP+/– VOLUME TV VOLUME SLEEP MUTE SLEEP TV INPUT PRG+, PRG– REC/PAUSE PLAY DIR A (TAPE) SKIP– (MD) SET MENU REWIND (TAPE) SEARCH (MD) +/– TIME LEVEL DVD/LD POWER POWER VOLUME MUTE CD VOLUME TV VOLUME MUTE VOLUME TV VOLUME DISPLAY (MD) SLEEP DECK A/B (TAPE) DISPLAY TV INPUT PAUSE (MD) PAUSE DIR B (TAPE) SKIP+ (MD) PLAY SKIP– FAST FORWARD (TAPE) SEARCH (MD) SEARCH STOP SKIP+ SEARCH STOP MUTE SLEEP PLAY SKIP– SEARCH TV VOLUME DISPLAY TV INPUT PAUSE SKIP+ SEARCH STOP V503030 Quick Reference Card VCR DVD MENU VCR POWER POWER DISC SKIP+/– VOLUME MUTE RETURN MENU SELECT MENU LEFT TITLE CBL/SAT TV CBL/SAT POWER TV POWER Numeric buttons CHANNEL CHANNEL CHANNEL CLEAR +10 EFFECT CHANNEL CBL/SAT ENTER CHANNEL+/– +100 CHANNEL ENTER EFFECT CHANNEL ENTER VCR CHANNEL+/– VOLUME TV VOLUME MUTE INDEX TV INPUT MENU UP TV SLEEP *1 VCR REC VCR PLAY MENU RIGHT MENU MENU DOWN VCR REWIND VOLUME TV VOLUME DISPLAY TV INPUT MUTE TV SLEEP TV CHANNEL+/– VOLUME TV VOLUME TV MUTE DISPLAY TV INPUT VCR PAUSE MENU SELECT MENU LEFT MENU UP VCR FAST FORWARD MENU VCR STOP RECALL *1 Press this button twice to start recording. Appuyer deux fois sur cette touche pour commencer l’enregistrement. Drücken Sie diese Taste zweimal, um die Aufnahme zu starten. Tryck två gånger på den här knappen för att börja spela in. TV SLEEP *1 VCR REC VCR PLAY TV VOLUME DISPLAY TV INPUT VCR PAUSE MENU RIGHT VCR REWIND MENU DOWN Premere due volte questo tasto per iniziare la registrazione. Presione dos veces este botón para empezar a grabar. Druk tweemaal op deze toets om met opnemen te beginnen. VCR FAST FORWARD VCR STOP V503030
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Yamaha HTR-5240 Manual de usuario

Categoría
Receptor
Tipo
Manual de usuario
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