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P-65
Electronic Piano
Owners Manual
Mode demploi
Manual de instrucciones
P-65
Owner’s Manual
2
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO
NOT connect this product to any power supply or adapter other than one
described in the manual, on the name plate, or specifically recom-
mended by Yamaha.
WARNING:
Do not place this product in a position where anyone could
walk on, trip over, or roll anything over power or connecting cords of any
kind. The use of an extension cord is not recommended! If you must use
an extension cord, the minimum wire size for a 25’ cord (or less) is 18
AWG. NOTE: The smaller the AWG number, the larger the current han-
dling capacity. For longer extension cords, consult a local electrician.
This product should be used only with the components supplied or; a
cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is
used, please observe all safety markings and instructions that accom-
pany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the
time of printing. However, Yamaha reserves the right to change or modify
any of the specifications without notice or obligation to update existing
units.
This product, either alone or in combination with an amplifier and head-
phones or speaker/s, may be capable of producing sound levels that
could cause permanent hearing loss. DO NOT operate for long periods
of time at a high volume level or at a level that is uncomfortable. If you
experience any hearing loss or ringing in the ears, you should consult an
audiologist.
IMPORTANT: The louder the sound, the shorter the time period before
damage occurs.
Some Yamaha products may have benches and / or accessory mounting
fixtures that are either supplied with the product or as optional accesso-
ries. Some of these items are designed to be dealer assembled or
installed. Please make sure that benches are stable and any optional fix-
tures (where applicable) are well secured BEFORE using.
Benches supplied by Yamaha are designed for seating only. No other
uses are recommended.
NOTICE:
Service charges incurred due to a lack of knowledge relating to how a
function or effect works (when the unit is operating as designed) are not
covered by the manufacturer’s warranty, and are therefore the owners
responsibility. Please study this manual carefully and consult your dealer
before requesting service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and environ-
mentally friendly. We sincerely believe that our products and the produc-
tion methods used to produce them, meet these goals. In keeping with
both the letter and the spirit of the law, we want you to be aware of the
following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if
applicable) is soldered in place. The average life span of this type of bat-
tery is approximately five years. When replacement becomes necessary,
contact a qualified service representative to perform the replacement.
This product may also use “household” type batteries. Some of these
may be rechargeable. Make sure that the battery being charged is a
rechargeable type and that the charger is intended for the battery being
charged.
When installing batteries, do not mix batteries with new, or with batteries
of a different type. Batteries MUST be installed correctly. Mismatches or
incorrect installation may result in overheating and battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all batter-
ies away from children. Dispose of used batteries promptly and as regu-
lated by the laws in your area. Note: Check with any retailer of
household type batteries in your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some reason
its useful life is considered to be at an end, please observe all local,
state, and federal regulations that relate to the disposal of products that
contain lead, batteries, plastics, etc. If your dealer is unable to assist
you, please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model num-
ber, serial number, power requirements, etc., are located on this plate.
You should record the model number, serial number, and the date of pur-
chase in the spaces provided below and retain this manual as a perma-
nent record of your purchase.
Model
Serial No.
Purchase Date
PLEASE KEEP THIS MANUAL
92-BP
(bottom)
P-65
Owner’s Manual
3
IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,
AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING
- When using any electrical or electronic product,
basic precautions should always be followed. These precautions
include, but are not limited to, the following:
1. Read all Safety Instructions, Installation Instructions, Spe-
cial Message Section items, and any Assembly Instructions
found in this manual BEFORE making any connections, includ-
ing connection to the main supply.
2. Main Power Supply Verification: Yamaha products are
manufactured specifically for the supply voltage in the area
where they are to be sold. If you should move, or if any doubt
exists about the supply voltage in your area, please contact your
dealer for supply voltage verification and (if applicable) instruc-
tions. The required supply voltage is printed on the name plate.
For name plate location, please refer to the graphic found in the
Special Message Section of this manual.
3. This product may be equipped with a polarized plug (one
blade wider than the other). If you are unable to insert the plug
into the outlet, turn the plug over and try again. If the problem
persists, contact an electrician to have the obsolete outlet
replaced. Do NOT defeat the safety purpose of the plug.
4. Some electronic products utilize external power supplies
or adapters. Do NOT connect this type of product to any power
supply or adapter other than one described in the owners manual,
on the name plate, or specifically recommended by Yamaha.
5.
WARNING:
Do not place this product or any other
objects on the power cord or place it in a position where anyone
could walk on, trip over, or roll anything over power or connect-
ing cords of any kind. The use of an extension cord is not recom-
mended! If you must use an extension cord, the minimum wire
size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the
AWG number, the larger the current handling capacity. For
longer extension cords, consult a local electrician.
6. Ventilation: Electronic products, unless specifically
designed for enclosed installations, should be placed in locations
that do not interfere with proper ventilation. If instructions for
enclosed installations are not provided, it must be assumed that
unobstructed ventilation is required.
7. Temperature considerations: Electronic products should
be installed in locations that do not significantly contribute to
their operating temperature. Placement of this product close to
heat sources such as; radiators, heat registers and other devices
that produce heat should be avoided.
8. This product was NOT designed for use in wet/damp loca-
tions and should not be used near water or exposed to rain.
Examples of wet/damp locations are; near a swimming pool,
spa, tub, sink, or wet basement.
9. This product should be used only with the components
supplied or; a cart, rack, or stand that is recommended by the
manufacturer. If a cart, rack, or stand is used, please observe all
safety markings and instructions that accompany the accessory
product.
10. The power supply cord (plug) should be disconnected
from the outlet when electronic products are to be left unused for
extended periods of time. Cords should also be disconnected
when there is a high probability of lightning and/or electrical
storm activity.
11. Care should be taken that objects do not fall and liquids are
not spilled into the enclosure through any openings that may exist.
12. Electrical/electronic products should be serviced by a
qualified service person when:
a. The power supply cord has been damaged; or
b. Objects have fallen, been inserted, or liquids have been
spilled into the enclosure through openings; or
c. The product has been exposed to rain: or
d. The product dose not operate, exhibits a marked change
in performance; or
e. The product has been dropped, or the enclosure of the
product has been damaged.
13. Do not attempt to service this product beyond that
described in the user-maintenance instructions. All other servic-
ing should be referred to qualified service personnel.
14. This product, either alone or in combination with an
amplifier and headphones or speaker/s, may be capable of pro-
ducing sound levels that could cause permanent hearing loss.
DO NOT operate for a long period of time at a high volume level
or at a level that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
15. Some Yamaha products may have benches and/or accessory
mounting fixtures that are either supplied as a part of the product
or as optional accessories. Some of these items are designed to be
dealer assembled or installed. Please make sure that benches are
stable and any optional fixtures (where applicable) are well
secured BEFORE using. Benches supplied by Yamaha are
designed for seating only. No other uses are recommended.
PLEASE KEEP THIS MANUAL
92-469-2
P-65
Owner’s Manual
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4
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PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Only use the voltage specified as correct for the instrument. The required
voltage is printed on the name plate of the instrument.
Use the specified adaptor (PA-5D or an equivalent recommended by Yamaha)
only. Using the wrong adaptor can result in damage to the instrument or
overheating.
Check the electric plug periodically and remove any dirt or dust which may have
accumulated on it.
Do not place the AC adaptor cord near heat sources such as heaters or radiators,
and do not excessively bend or otherwise damage the cord, place heavy objects
on it, or place it in a position where anyone could walk on, trip over, or roll
anything over it.
Do not open the instrument or attempt to disassemble the internal parts or
modify them in any way. The instrument contains no user-serviceable parts. If it
should appear to be malfunctioning, discontinue use immediately and have it
inspected by qualified Yamaha service personnel.
Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill into
any openings.
Never insert or remove an electric plug with wet hands.
Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.
If the AC adaptor cord or plug becomes frayed or damaged, or if there is a
sudden loss of sound during use of the instrument, or if any unusual smells or
smoke should appear to be caused by it, immediately turn off the power switch,
disconnect the adaptor plug from the outlet, and have the instrument inspected
by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the instrument or other property. These precautions include, but are not limited to, the following:
When removing the electric plug from the instrument or an outlet, always hold
the plug itself and not the cord.
Unplug the AC power adaptor when not using the instrument, or during
electrical storms.
Do not connect the instrument to an electrical outlet using a multiple-connector.
Doing so can result in lower sound quality, or possibly cause overheating in the
outlet.
Do not expose the instrument to excessive dust or vibrations, or extreme cold or
heat (such as in direct sunlight, near a heater, or in a car during the day) to
prevent the possibility of panel disfiguration or damage to the internal
components.
Do not use the instrument in the vicinity of a TV, radio, stereo equipment,
mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio
may generate noise.
Do not place the instrument in an unstable position where it might accidentally
fall over.
Before moving the instrument, remove all connected adaptor and other cables.
When setting up the instrument, make sure that the AC outlet you are using is
easily accessible. If some trouble or malfunction occurs, immediately turn off
the power switch and disconnect the plug from the outlet.
Use only the stand specified for the instrument. When attaching the stand or
rack, use the provided screws only. Failure to do so could cause damage to the
internal components or result in the instrument falling over.
Power supply/AC power adaptor
Do not open
Water warning
Fire warning
If you notice any abnormality
Power supply/AC power adaptor
Location
P-65
Owner’s Manual
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5
Before connecting the instrument to other electronic components, turn off the
power for all components. Before turning the power on or off for all
components, set all volume levels to minimum. Also, be sure to set the volumes
of all components at their minimum levels and gradually raise the volume
controls while playing the instrument to set the desired listening level.
When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,
solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Do not insert a finger or hand in any gaps on the instrument.
Never insert or drop paper, metallic, or other objects into the gaps on the panel
or keyboard. If this happens, turn off the power immediately and unplug the
power cord from the AC outlet. Then have the instrument inspected by qualified
Yamaha service personnel.
Do not place vinyl, plastic or rubber objects on the instrument, since this might
discolor the panel or keyboard.
Do not rest your weight on, or place heavy objects on the instrument, and do not
use excessive force on the buttons, switches or connectors.
Do not operate the instrument for a long period of time at a high or
uncomfortable volume level, since this can cause permanent hearing loss. If you
experience any hearing loss or ringing in the ears, consult a physician.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Even when the instrument turns the power off, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make
sure you unplug the AC power adaptor from the wall AC outlet.
Connections
Maintenance
Handling caution
(3)-9
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PRECAUTIONS
P-65
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6
Introduction
Thank you for purchasing the Yamaha Electronic Piano P-65!
We recommend that you read this manual carefully
so that you can fully take advantage of the advanced and
convenient functions of the P-65.
We also recommend that you keep this manual in a safe and
handy place for future reference.
Main Features
Graded Hammer Standard Keyboard
Thanks to our experience as the world’s leading manufacturer of acoustic pianos, we’ve developed a keyboard with
action that’s virtually indistinguishable from the real thing. Just as on a traditional acoustic piano, the keys of the lower
notes have a heavier touch, while the higher ones are more responsive to lighter playing. The keyboard’s sensitivity can
even be adjusted to match your playing style. This Graded Hammer technology also enables the P-65 to provide
authentic touch in a lightweight instrument.
AWM Stereo Sampling
The Yamaha P-65 electronic piano offers unmatched sonic realism and natural grand-piano type playability as well as
Yamahas original AWM Stereo Sampling” tone-generation technology for rich, musical voices.
In particular, the Grand Piano 1 and 2 voices feature samples painstakingly recorded from a full concert grand piano,
while the Electric Piano 1 and 2 voice features multiple samples for different velocities (Dynamic Sampling); in other
words, it uses different samples depending on the strength of your playing.
P-65
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About this Owner’s Manual
This manual consists of three main sections: Introduction, Reference and Appendix.
Introduction (page 6):
Please read this section first.
Reference (page 13):
This section explains how to make detailed settings for the P-65’s various functions.
Appendix (page 26):
This section features a variety of essential, detailed information on the instrument.
* The illustrations as shown in this owner’s manual are for instructional purposes only, and may appear somewhat different from
those on your instrument.
* Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited
except for your personal use.
The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective
companies.
Accessories
Owner’s Manual
This manual contains complete instructions for operating your P-65.
Quick Operation Guide
Yamaha PA-5D Power Adaptor
Pedal (FC5)
Music Rest
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to
which it has license to use others copyrights. Such copyrighted materials include, without limitation, all computer software, style
files, MIDI files, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of
personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE
OR USE ILLEGAL COPIES.
P-65 Owner’s Manual
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Table of Contents
Introduction
Main Features...............................................................................................6
About this Owner’s Manual .........................................................................7
Accessories ...................................................................................................7
Application Index .........................................................................................9
Panel Controls and Terminals....................................................................10
Before Using the P-65 ................................................................................11
Turning the Power On ................................................................................................ 11
Setting the Volume...................................................................................................... 11
Using the Pedal ............................................................................................................ 12
Using Headphones ...................................................................................................... 12
Music Rest.................................................................................................................... 12
Reference
Listening to the Demo Songs ....................................................................13
Selecting & Playing Voices.........................................................................14
Selecting Voices ........................................................................................................... 14
Combining Voices (Dual)........................................................................................... 15
Adding Variations to the Sound – Reverb ................................................................. 16
Transposition.............................................................................................................. 17
Fine tuning of the Pitch............................................................................................... 17
Touch Sensitivity ......................................................................................................... 18
Connecting MIDI Instruments ...................................................................19
Connecting MIDI [IN][OUT] terminals ................................................................... 19
MIDI’s Capability ........................................................................................................ 19
Connecting a Personal Computer .............................................................................. 20
MIDI Functions ...........................................................................................21
MIDI Transmit/Receive Channel Selection ............................................................... 21
Local Control ON/OFF ............................................................................................... 21
Program Change ON/OFF.......................................................................................... 22
Control Change ON/OFF ........................................................................................... 22
Troubleshooting.........................................................................................23
Optional Equipment...................................................................................23
Index...........................................................................................................24
Appendix
MIDI Data Format ......................................................................................26
MIDI Implementation Chart ......................................................................30
Specifications .............................................................................................31
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Application Index
Use this index to find reference pages that may be helpful for your particular application and situation.
Listening
Listening to demo songs with different voices.....................................................................Listening to the Demo Songs on page 13
Playing
Using the sustain pedal ............................................................................................................................... Using the Pedal on page 12
Changing the key of the P-65 to facilitate playing in difficult/unfamiliar key signatures.......................... Transposition on page 17
Fine tuning the pitch of the entire instrument when you play the P-65 along with other instruments or CD music
.........................................................................................................................................................Fine tuning of the Pitch on page 17
Selecting a touch sensitivity type............................................................................................................. Touch Sensitivity on page 18
Changing voices
Viewing the list of voices ............................................................................................................................Selecting Voices on page 14
Simulating a concert hall ..................................................................................Adding Variations to the Sound – Reverb on page 16
Combining two voices ............................................................................................................... Combining Voices (Dual) on page 15
Connecting the P-65 to other devices
What is MIDI?.................................................................................................................................................. About MIDI on page 19
Connecting a computer ................................................................................................ Connecting a Personal Computer on page 20
Panel Controls and Terminals
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Panel Controls and Terminals
1 2 3 4 576
9
8
1
[STANDBY/ON] switch ................ page 11
For turning the power on or off.
2
[MASTER VOLUME] slider ........... page 11
For adjusting the volume level of the entire sound.
3
[DEMO] button............................ page 13
For playing the demo songs.
4
[GRAND PIANO/VOICE] button
..........................................page 14-16, 18
For selecting voices from 8 internal sounds including
Grand Piano 1 and 2 (page 14). You can also combine
two voices (page 15) or add reverb effects to the
selected voice for your keyboard performance
(page 16).
5
[SELECT] button .................... page 13, 14
For selecting a demo song for each voice.
6
[DC IN 12V] jack...........................page 11
For connecting the included power adaptor (PA-5D).
7
MIDI [IN] [OUT] terminals ...........page 19
For connecting external MIDI devices, allowing the
use of various MIDI functions.
8
[PEDAL] jack.................................page 12
For connecting an included pedal (FC5) or an
optional FC4 foot switch.
9
[PHONES] jack..............................page 12
For connecting a set of standard stereo headphones,
allowing private practice.
Before Using the P-65
P-65 Owner’s Manual
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11
Before Using the P-65
Turning the Power On
1. Connect the PA-5D power adaptor’s DC
cable to the [DC IN 12V] jack.
2. Plug the AC adaptor into an AC outlet.
WARNING
Use ONLY a Yamaha PA-5D AC Power Adaptor (or other adaptor spe-
cifically recommended by Yamaha) to power your instrument from
the AC mains. The use of other adaptors may result in irreparable
damage to both the adaptor and the P-65.
CAUTION
Unplug the AC Power Adaptor when not using the P-65, or during
electrical storms.
3. Press the [STANDBY/ON] switch to turn
the power on.
The power indicator located to the left of the [STANDBY/ON]
switch lights up.
CAUTION
Even when the instrument is turned off, electricity is still flowing to the instrument at the minimum level.
When you are not using the P-65 for a long time, make sure you unplug the AC power adaptor from the
wall AC outlet.
Setting the Volume
Initially set the [MASTER VOLUME] slider about halfway between the “MIN” and “MAX settings. Then, when you start
playing, re-adjust the [MASTER VOLUME] slider to the most comfortable listening level.
When turning off the power, press and hold down the [STANDBY/ON] switch for a short time until the
power turns off. The P-65 uses this power-off procedure as a “safety” device to prevent the power from
being inadvertently turned off during performance.
TERMINOLOGY
MASTER VOLUME:
The volume level of the entire keyboard sound
(The shape of plug
differs depending on
locale.)
NOTE
The level increases.The level decreases.
Before Using the P-65
P-65 Owner’s Manual
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12
Using the Pedal
[PEDAL] jack (Sustain Pedal)
This jack is for connecting the included pedal (FC5).
The pedal functions in the same way as a damper pedal on an acoustic piano. Connect the included pedal (FC5) to this
jack and press the pedal to sustain the sound.
An optional FC4 foot switch can also be connected to this jack.
Using Headphones
Connect a set of headphones to one of the [PHONES] jacks.
Two [PHONES] jacks are provided.
You can connect two sets of standard stereo headphones. (If you are
using only one set of headphones, you can plug them into either
jack.)
It can also connect to an amplifier/speaker system.
CAUTION
To protect your hearing, avoid listening to the P-65 at a high volume level for long periods of time.
Music Rest
The P-65 includes a music rest that can be attached to the instrument by inserting it into the slot at the top of the control
panel.
Make sure that power is OFF when connecting or disconnecting the pedal.
FC5
NOTE
On front panel
Standard
stereo mini
plug
Listening to the Demo Songs
P-65 Owner’s Manual
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13
Listening to the Demo Songs
Demo songs are provided that effectively demonstrate each of the P-65’s voices.
1. Press the [STANDBY/ON] switch to turn the power
on.
When the power is turned ON, the power indicator
located to the left of the [STANDBY/ON] switch lights
up.
2. Adjust the volume.
Initially set the [MASTER VOLUME] slider about half
way between the “MIN” and “MAX” settings. Then,
when you start playing, re-adjust the [MASTER VOL-
UME]
slider to the most comfortable listening level.
3. Press the [DEMO] button to listen
to the demo songs.
The GRAND PIANO 1 demo song will start. Demo
songs provided for each voice will play back in
sequence until you press the [DEMO] button.
Changing a Demo Song
You can change to another demo song during playback by pressing the [SELECT]
button. For selecting a demo song using the keyboard, press one of the C1–G1
keys while holding down the [DEMO] button.
Demo Song List
The demonstration pieces listed above are short rearranged excerpts of the original
compositions.
All other songs are original (© 2005 Yamaha Corporation).
4. Press the [DEMO] button to stop the
voice demo.
Refer to the voice list on page 14
for more information on the char-
acteristics of each preset voice.
The demo songs will not be trans-
mitted via MIDI.
NOTE
NOTE
Key Voice Name Title Composer
F#1 HARPSICHORD Gavotte J.S. Bach
C0 C1 G1
Reference
Selecting & Playing Voices
P-65 Owner’s Manual
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14
Selecting & Playing Voices
Selecting Voices
1. While holding down the [GRAND PIANO/VOICE]
button, press one of the C1–G1 keys to select a
voice.
Pressing the [SELECT] button switches among the following eight voices.
2. Adjust the volume.
Re-adjust the [MASTER VOLUME] slider for the most comfortable listening
level during your performance.
C0 C1 G1
To familiarize yourself with the
characteristics of the voices, lis-
ten to the demo songs for each
voice (page 13).
TERMINOLOGY
Voice:
On the P-65, the term “voice”
means “instrument sound.”
When you select a voice, an
appropriate reverb type will be
selected automatically (page 16).
NOTE
NOTE
Key Voice Name Description
C1 Grand Piano 1
Recorded samples from a full concert grand piano. Perfect for clas-
sical compositions as well as any other style that requires acoustic
piano.
C#1 Grand Piano 2 Clear piano with bright reverb. Good for popular music.
D1 E.Piano 1 An electronic piano sound created by FM synthesis. Good for
popular music.
D#1 E.Piano 2
The sound of an electric piano using hammer-struck metallic tines.
Soft tone when played lightly, and an aggressive tone when played
hard.
E1 Church Organ
This is a typical pipe organ sound (8' + 4' + 2'). Good for sacred
music from the Baroque period.
F1
Strings Spacious and large-scale string ensemble. Try combining this voice
with piano in DUAL.
F#1 Harpsichord
The denitive instrument for baroque music. Since the strings of a
harpsichord are plucked, there is no touch response.
G1 Vibraphone
The sound of a vibraphone played with relatively soft mallets.
Selecting & Playing Voices
P-65 Owner’s Manual
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15
Combining Voices (Dual)
You can play voices simultaneously across the entire range of the keyboard. In this way, you can
combine similar voices to create a thicker sound.
1. While holding down the [GRAND PIANO/VOICE]
button, press two keys in the range of C1 through
G1 simultaneously (or press one key while holding
another) to engage Dual.
Refer to “Selecting Voices on page 14 for more information on the voices that
are assigned to the keys.
The voice assigned to the lower key will be designated as Voice 1, and the voice
assigned to the higher key will be designated as Voice 2.
You can make the following settings for Voices 1 and 2 in Dual:
Setting the Octave
You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 inde-
pendently. Depending on which voices you combine in Dual, the combination
may sound better if one of the voices is shifted up or down an octave.
While holding down the
[GRAND PIANO/VOICE]
button, press one of the C5–F5 keys.
Setting the Balance
You can adjust the volume balance between two voices. For example, you can set
one voice as the main voice with a louder setting, and make the other voice softer.
While holding down the [
GRAND
PIANO/VOICE] button, press one of the F#5–
F#6 keys.
A setting of “0” produces an equal balance between the two Dual voices. Settings
below “0” increase the volume of Voice 2 in relation to Voice 1, and settings above
“0” increase the volume of Voice 1 in relation to Voice 2.
2. While holding down the [GRAND PIANO/VOICE]
button, press one of the C1–G1 keys (or press the
[GRAND PIANO] button) to exit Dual and return to
the normal single-voice play.
Reverb in Dual
The reverb type assigned to
Voice 1 will take priority. If the
reverb assigned to Voice 1 is set
to OFF, the reverb assigned to
Voice 2 will be in effect.
NOTE
Voice 1
C5 -1
Voice 2
D#5-1
C#5 0 E5 0
D5 +1 F5 +1
C0 C1 G1
C5 F5 C6 C7
Voice2Voice1
F#6 (+6)F#5 (-6)
C6 (0) C7C5
Selecting & Playing Voices
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16
Adding Variations to the Sound – Reverb
This control enables you to select four different types of reverb effect that add extra depth and
expression to the sound to create a realistic acoustic ambience.
Selecting a Reverb Type
While holding down the [GRAND PIANO/VOICE] button, press one of the C2–
E2 keys to select a reverb type.
Adjusting Reverb Depth
While holding down the [GRAND PIANO/VOICE] button, press one of the C3–
G#4 keys to adjust the reverb depth for the selected voice.
While holding down the [GRAND PIANO/VOICE] button, press the A4 key to
set the reverb to the depth most suitable for the selected voice.
Key Reverb Type Description
C2 Room This setting adds a continuous reverb effect to the sound, similar to the
acoustic reverberation you would hear in a room.
C#2 Hall1 For a bigger reverb sound, use the HALL 1 setting. This effect simulates
the natural reverberation of a small-size concert hall.
D2 Hall2 For a truly spacious reverb sound, use the HALL 2 setting. This effect sim-
ulates the natural reverberation of a large concert hall.
D#2 Stage Simulates the reverb of a stage environment.
E2 Off No effect is applied.
C0 C1 C2 E2
Reverb depth range:
0 (no effect)–
20 (maximum depth)
NOTE
C0 C1 C2 C3: Depth 0 C4 A4
G#4: Depth 20
The depth value increases as you press higher keys.
The default reverb type (including
OFF) and depth settings are dif-
ferent for each voice.
NOTE
Selecting & Playing Voices
P-65 Owner’s Manual
ENGLISH
17
Transposition
The P-65’s Transpose function makes it possible to shift the pitch of the entire keyboard up or down
in semitone intervals to facilitate playing in difficult key signatures, and to let you easily match the
pitch of the keyboard to the range of a singer or other instruments. For example, if you set the
transposition amount to “+5,” playing key C produces pitch F. In this way, you can play a song as
though it were in C major, and the P-65 will transpose it to the key of F.
Setting the amount of transposition
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press
one of the F#2–F#3 keys to set the desired amount of transposition.
To transpose the pitch down (in semitone steps)
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press
any key between F#2 and B2.
To transpose the pitch up (in semitone steps)
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press
any key between C#3 and F#3.
To restore the normal pitch
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press
the C3 key.
Fine tuning of the Pitch
You can fine tune the pitch of the entire instrument. This function is useful when you play the P-65
along with other instruments or CD music.
Setting the Pitch
To raise the pitch
(in steps of roughly 0.2 Hz):
Hold down the A-1 and B-1 keys
simultaneously and press any key
between C3 and B3.
To lower the pitch
(in steps of roughly 0.2 Hz):
Hold down the A-1 and A#-1 keys
simultaneously and press any key
between C3 and B3.
To restore standard pitch:
Hold down the A-1, A#-1 and B-1
simultaneously and press any key
between C3 and B3.
TERMINOLOGY
Transpose:
Changing the key signature. On
the P-65, transposing shifts the
pitch of the entire keyboard.
Transposition range:
F#2 (-6 semitones)–
C3 (normal pitch)–
F#3 (+6 semitones)
NOTE
0-1
-2 +1 +3-4
-3-5 +2 +4 +5
-6 +6
F#3F#2
C0 C1 C2
TERMINOLOGY
Hz (Hertz):
This unit of measurement refers to
the frequency of a sound and rep-
resents the number of times a
sound wave vibrates in a second.
Default setting:
The “Default setting” refers to the
factory setting obtained when you
first turn on the power to the P-65.
Setting range: 427.0–453.0 Hz
Standard pitch: 440.0 Hz
NOTE
C3 B3A-1 B-1A-1 B-1
C0 C1 C2
C3 B3
C0 C1 C2
A-1
A#-1
C3 B3
C0 C1 C2
A-1 B-1
A#-1
Selecting & Playing Voices
P-65 Owner’s Manual
ENGLISH
18
Touch Sensitivity
You can adjust the volume level that changes depending on how fast or strong you hit the keys.
The following four settings are available.
Setting the Touch Sensitivity Type
While holding down the [GRAND PIANO/VOICE] button, press one of the A6–
C7 keys to select the desired touch sensitivity.
Key Touch Sensitivity Description
A6 FIXED The volume level does not change at all regardless of whether you play
the keyboard soft or hard.
A#6 SOFT The volume level does not change much when you play the keyboard soft
or hard.
B6 MEDIUM This is the standard piano touch response (default setting).
C7 HARD The volume level changes very widely from pianissimo to fortissimo to
facilitate dynamic and dramatic expression. You have to hit the keys hard
to produce a loud sound.
The touch sensitivity settings may
have little or no effect with Church
Organ 1, 2 and Harpsichord 1, 2
voices that are not normally
responsive to keyboard dynam-
ics.
Default setting: MEDIUM (B6)
NOTE
C7A6
Connecting MIDI Instruments
P-65 Owner’s Manual
ENGLISH
19
Connecting MIDI Instruments
The P-65 features MIDI IN/OUT terminals, allowing you to connect the
P-65 to other instruments and devices—including computers—and
take advantage of the various performance and recording capabilities
in MIDI applications.
Connecting MIDI [IN][OUT]
terminals
MIDI [IN] [OUT] terminals
Use MIDI cables to connect external MIDI devices to these
connectors.
About MIDI
MIDI (Musical Instrument Digital Interface) is a standard format for data transmis-
sion/reception. It enables the transfer of performance data and commands between
MIDI devices and personal computers. Using MIDI, you can control a connected MIDI
device from the P-65, or control the P-65 from a connected MIDI device or computer.
MIDI’s Capability
MIDI functions enable you to transfer performance data between MIDI
devices.
CAUTION
Before connecting the instrument to other electronic components, turn off the power of all the
components.
Transferring performance data to and from another
MIDI device
Transferring MIDI data to and from a computer
Since MIDI data that can be
transmitted or received varies
depending on the type of MIDI
device, check the “MIDI Imple-
mentation Chart” to find out what
MIDI data and commands your
devices can transmit or receive.
The P-65’s MIDI Implementation
Chart appears on
page 26
.
NOTE
You cannot transmit the voice
demo songs from the P-65 to
another MIDI device.
For MIDI connections, use a stan-
dard (optional) MIDI cable, avail-
able at most musical instrument
stores.
NOTE
Instrument
MIDI [OUT] terminal
MIDI cables
(optional)
MIDI [IN] terminal MIDI [OUT] terminal MIDI [IN] terminal
Instrument
Computer
USB terminal
USB
interface
MIDI [OUT]
terminal
MIDI [IN]
terminal
Connecting MIDI Instruments
P-65 Owner’s Manual
ENGLISH
20
Connecting a Personal Computer
By connecting a computer to the MIDI terminals, you can transfer data between the P-65 and the
computer via MIDI.
CAUTION
When connecting the P-65 to a computer, first turn off the power to both the P-65 and the com-
puter before connecting any cables. After making connections, turn on the power to the com-
puter first, then to the P-65.
Connecting the USB port on the computer to the
P-65 via a USB interface (such as the UX16, UX96, or
UX256)
Use a USB interface device to connect the USB port on your computer to the P-65’s
MIDI terminals. You must install the USB interface (such as the UX16, UX96, or
UX256) driver. For more information, refer to the user’s manual that came with the
USB interface device.
When the P-65 is used as a tone
module, performance data with
voices that are not found on the
P-65 will not be played correctly.
NOTE
You must install a software appli-
cation on the computer to be able
to transfer MIDI data between the
P-65 and a computer.
NOTE
Instrument
Computer
USB terminal
USB
interface
MIDI [OUT]
terminal
MIDI [IN]
terminal
MIDI Functions
P-65 Owner’s Manual
ENGLISH
21
MIDI Functions
You can make detailed adjustments to MIDI settings.
MIDI Transmit/Receive Channel
Selection
In any MIDI control setup, the MIDI channels of the transmitting and
receiving devices must be matched for proper data transfer.
This parameter enables you to specify the channel on which the P-65
transmits or receives MIDI data.
Setting the Transmit Channel
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press
one of the C1–E2 keys.
Setting the Receive Channel
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press
one of the C4–F5 keys.
Local Control ON/OFF
“Local Control” refers to the fact that, normally, the P-65 keyboard controls its internal tone gener-
ator, allowing the internal voices to be played directly from the keyboard. This situation is “Local
Control On,” since the internal tone generator is controlled locally by its own keyboard.
Local control can be turned OFF, however, so that the P-65 keyboard does not play the internal
voices, but the appropriate MIDI information is still transmitted via the MIDI OUT terminal when
notes are played on the keyboard. At the same time, the internal tone generator responds to MIDI
information received via the MIDI IN terminal.
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press
the C6 key. Pressing the C6 key repeatedly toggles between Local Control On
and Off.
In Dual, Voice 1 data is transmit-
ted on its specified channel and
Voice 2 data is transmitted on the
next greater channel number rela-
tive to the specified channel. In
this case, no data is transmitted if
the transmit channel is set to
“OFF.”
ALL:
“Multi-timbre” Receive. This
allows simultaneous reception of
different parts on all 16 MIDI
channels, enabling the P-65 to
play multi-channel song data
received from a music computer
or sequencer.
1+2:
“1+2” Receive. This allows simul-
taneous reception on channels 1
and 2 only, enabling the P-65 to
play 1 and 2 channel song data
received from a music computer
or sequencer.
Program change and other like
channel messages received will
not affect the P-65’s panel set-
tings or the notes you play on the
keyboard.
Data for the demo song cannot
be transmitted via MIDI.
NOTE
C0 C1 C4
E2 F5
11 14 169
5 6 8 10121315
OFF
31
742 11 14 169
5 6 8 10121315
1+2
ALL
31
742
Default setting: ON
C6 C7
Transmit Channel
(C1E2)
Receive Channel
(C4F5)
MIDI Functions
P-65 Owner’s Manual
ENGLISH
22
Program Change ON/OFF
Normally the P-65 will respond to MIDI program change numbers received from an external key-
board or other MIDI device, causing the same numbered voice to be selected on the corresponding
channel (the keyboard voice does not change). The P-65 will normally also send a MIDI program
change number whenever one of its voices is selected, causing the same numbered voice or pro-
gram to be selected on the external MIDI device if the device is set up to receive and respond to
MIDI program change numbers. This function makes it possible to cancel program change number
reception and transmission so that voices can be selected on the P-65 without affecting the external
MIDI device.
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press
the C#6 key. Pressing the C#6 key repeatedly toggles between Program Change
On and Off.
Control Change ON/OFF
Normally the P-65 will respond to MIDI control change data received from an external MIDI device
or keyboard, causing the voice on the corresponding channel to be affected by pedal and other
“control” settings received from the controlling device (the keyboard voice is not affected). The P-
65 also transmits MIDI control change information when the pedal or other appropriate controls
are operated.
This function makes it possible to cancel control change data reception and transmission so that,
for example, the P-65’s pedal and other controls can be operated without affecting an external
MIDI device.
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons,
press the D6 key. Pressing the D6 key repeatedly toggles between Control
Change On and Off.
For information on program
change numbers for each of the
P-65’s voices, refer to MIDI Data
Format on page 26.
Default setting: ON
NOTE
C#6 C7
For information on control
changes that can be used with
the P-65, refer to MIDI Data For-
mat on page 26.
Default setting: ON
NOTE
D6 C7
Troubleshooting
P-65 Owner’s Manual
ENGLISH
23
Troubleshooting
Optional Equipment
Foot Pedal (FC4/FC5)
Keyboard Stand (L-65)
Problem Possible Cause and Solution
The P-65 does not turn on. The P-65 has not been plugged in properly. Securely insert the female plug into the
socket on the P-65, and the male plug into a proper AC outlet (page 11).
Noise is heard from the speakers or head-
phones.
The noise may be due to interference caused by the use of a mobile phone in close
proximity to the P-65. Turn off the mobile phone, or use it further away from the P-65.
The overall volume is low, or no sound is
heard.
The Master Volume is set too low; set it to an appropriate level using the [MASTER
VOLUME] control.
Make sure a pair of headphones is not connected to the headphones jack
(page 12).
Make sure that Local Control (page 21) is ON.
The sustain pedal has no effect. The pedal cable/plug may not be properly connected. Make sure to securely insert
the pedal plug into the proper jack (page 12).
Index
ENGLISH
P-65 Owner’s Manual
24
Index
C
Combining Voices (Dual)...............................................15
Connecting a Personal Computer..................................20
D
DC IN 12V.......................................................................11
Default setting .................................................................17
[DEMO] button ..............................................................13
Demo Songs.....................................................................13
Dual..................................................................................15
G
[GRAND PIANO/VOICE] button...............14, 15, 16, 18
H
Hz (Hertz) .......................................................................17
M
[MASTER VOLUME] slider...........................................11
MIDI [IN] [OUT] ...........................................................19
MIDI Data Format ..........................................................26
MIDI Implementation Chart..........................................30
MIDI terminals................................................................19
Music Rest........................................................................12
O
Optional Equipment .......................................................23
P
Panel Controls and Terminals........................................10
[PEDAL] jack...................................................................12
[PHONES] jack ...............................................................12
PRECAUTIONS ............................................................4, 5
R
Reverb..............................................................................16
S
[SELECT] button ...................................................... 13, 14
Specifications................................................................... 31
[STANDBY/ON] switch ................................................. 11
Start/stop playback
Demo songs ...............................................................13
Sustain pedal ...................................................................12
T
Touch Sensitivity.............................................................18
Transposition ..................................................................17
Troubleshooting.............................................................. 23
Tuning Fine tuning of the Pitch.................................17
V
Voice ................................................................................14
P-65 Owner’s Manual
ENGLISH
25
P-65 Owner’s Manual / Mode d’emploi / Manual de instrucciones
26
MIDI Data Format / Format des données MIDI /
Formato de datos MIDI
If youre already very familiar with MIDI, or are using a computer to control your music hardware with computer-generated MIDI
messages, the data provided in this section can help you to control the P-65.
Si vous êtes très familier avec linterface MIDI ou si vous utilisez un ordinateur pour commander votre matériel de musique au moyen de
messages MIDI générés par ordinateur, les données suivantes vous seront utiles et vous aideront à commander le P-65.
SI usted está ya familiarizado con MIDI, o si emplea una computadora para controlar sus aparatos musicales con mensajes MIDI
generados por computadora, los datos proporcionados en esta sección le ayudarán a controlar la P-65.
1. NOTE ON/OFF
Data format: [9nH] -> [kk] -> [vv]
9nH = Note ON/OFF event (n = channel number)
kk = Note number (Transmit: 09H78H = A-2C8 /
Receive: 00H7FH = C-2G8)
vv = Velocity (Key ON = 01H7FH, Key OFF = 00H)
Data format: [8nH] -> [kk] -> [vv] (reception only)
8nH = Note OFF event (n = channel number)
kk = Note number: 00H7FH = C-2G8)
vv = Velocity
2. CONTROL CHANGE
Data format: [BnH] -> [cc] -> [vv]
BnH = Control change (n = channel number)
cc = Control number
vv = Data Range
(1) Bank Select
ccH Parameter Data Range (vvH)
00H Bank Select MSB 00H:Normal
20H Bank Select LSB 00H...7FH
Bank selection processing does not occur until receipt of next
Program Change message.
(2) Main Volume
ccH Parameter Data Range (vvH)
07H Volume MSB 00H...7FH
(3) Expression (reception only)
ccH Parameter Data Range (vvH)
0BH Expression MSB 00H...7FH
(4) Sustain
ccH Parameter Data Range (vvH)
40H Sustain MSB 00H...7FH
(5) Sostenuto (reception only)
ccH Parameter Data Range (vvH)
42H Sostenuto 00H...3FH:off, 40H...7FH:on
(6) Soft Pedal (reception only)
ccH Parameter Data Range (vvH)
43H Soft Pedal 00H...3FH:off, 40H...7FH:on
(7) Effect1 Depth (Reverb Send Level)
ccH Parameter Data Range (vvH)
5BH Effect1 Depth 00H...7FH
Adjusts the reverb send level.
(8) Effect4 Depth (Variation Effect Send Level)
ccH Parameter Data Range (vvH)
5EH Effect4 Depth 00H...7FH
(9) RPN
65H RPN MSB
64H RPN LSB
06H Data Entry MSB
26H Data Entry LSB
60H Data Increment
61H Data Decrement
* Parameters that are controllable with RPN:
Coarse Tune
Fine Tune
Pitch Bend Range
3. MODE MESSAGES
Data format: [BnH] -> [cc] -> [vv]
BnH = Control event (n = channel number)
cc = Control number
vv = Data Range
(1) All Sound Off
ccH Parameter Data Range (vvH)
78H All Sound Off 00H
(2) Reset All Controllers
ccH Parameter Data Range (vvH)
79H Reset All Controllers 00H
Resets controllers as follows.
Controller Value
Expression 127 (max)
Sustain Pedal 0 (off)
Sostenuto 0 (off)
Soft Pedal 0 (off)
(3) Local Control (reception only)
ccH Parameter Data Range (vvH)
7AH Local Control 00H (off), 7FH (on)
(4) All Notes Off
ccH Parameter Data Range (vvH)
7BH All Notes Off 00H
Switches OFF all the notes that are currently ON on the spec-
ied channel. Any notes being held by the sustain or soste-
nuto pedal will continue to sound until the pedal is released.
(5) Omni Off (reception only)
ccH Parameter Data Range (vvH)
7CH Omni Off 00H
Same processing as for All Notes Off.
(6) Omni On (reception only)
ccH Parameter Data Range (vvH)
7DH Omni On 00H
Same processing as for All Notes Off.
(7) Mono (reception only)
ccH Parameter Data Range (vvH)
7EH Mono 00H
Same processing as for All Sound Off.
(8) Poly (reception only)
ccH Parameter Data Range (vvH)
7FH Poly 00H
Same processing as for All Sound Off.
When Control Change is turned OFF, Control Change mes-
sages will not be transmitted or received.
Local on/off, OMNI on/off are not transmitted. (The appropri-
ate note off number is supplied with All Note Off transmis-
sion).
When a voice bank MSB/LSB is received, the number is
stored in the internal buffer regardless of the received order,
then the stored value is used to select the appropriate voice
when a program change message is received.
Poly mode is always active. This mode will not change when
the instrument receives a MONO/POLY mode message.
Appendix
P-65 Owner’s Manual / Mode d’emploi / Manual de instrucciones
27
4. PROGRAM CHANGE
Data format: [CnH] -> [ppH]
CnH = Program event (n = channel number)
ppH = Program change number
P. C . #=Program Change number
When program change reception is turned OFF, no program
change data is transmitted or received.
When you specify a program change as a number in the
range of 0127, specify a number that is one less than the
program change number listed above. For example, to specify
program change number 1, you would specify a value of 0.
5. Pitch Bend Change (reception only)
[EnH] -> [ccH] -> [ddH]
ccH = LSB
ddH = MSB
6. SYSTEM REALTIME MESSAGES
[rrH]
F8H: Timing clock
FAH: Start
FCH: Stop
FEH: Active sensing
If an error occurs during MIDI reception, the Sustain, Soste-
nuto, and Soft effects for all channels are turned off and an All
Note Off occurs.
7. SYSTEM EXCLUSIVE MESSAGES
(Universal System Exclusive)
(1) Universal Realtime Message
Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->
[llH] -> [mmH] -> [F7H]
MIDI Master Volume
Simultaneously changes the volume of all channels.
When a MIDI master volume message is received, the volume
only has affect on the MIDI receive channel, not the panel
master volume.
F0H = Exclusive status
7FH = Universal Realtime
7FH = ID of target device
04H = Sub-ID #1=Device Control Message
01H = Sub-ID #2=Master Volume
llH = Volume LSB
mmH =
Volume MSB
F7H = End of Exclusive
or
F0H = Exclusive status
7FH = Universal Realtime
XnH = When received, n=0F.
X = irrelevant
04H = Sub-ID #1=Device Control Message
01H = Sub-ID #2=Master Volume
llH = Volume LSB
mmH =
Volume MSB
F7H = End of Exclusive
(2) Universal Non-Realtime Message (GM On)
General MIDI Mode On
Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] ->
[F7H]
F0H = Exclusive status
7EH = Universal Non-Realtime
7FH = ID of target device
09H = Sub-ID #1=General MIDI Message
01H = Sub-ID #2=General MIDI On
F7H = End of Exclusive
or
F0H = Exclusive status
7EH = Universal Non-Realtime
XnH = When received, n=0F.
X = irrelevant
09H = Sub-ID #1=General MIDI Message
01H = Sub-ID #2=General MIDI On
F7H = End of Exclusive
When the General MIDI mode ON message is received, the
MIDI system will be reset to its default settings.
This message requires approximately 50ms to execute, so
sufcient time should be allowed before the next message is
sent.
P-65 MSB LSB
P.C.##
##
Grand Piano 1 0 122 1
Grand Piano 2 0 112 1
E.Piano 1 0 122 6
E.Piano 2 0 122 5
Church Organ 0 123 20
Strings 0 122 49
Harpsichord 0 122 7
Vibraphone 0 122 12
Data Transmission Reception
F8H
Transmitted every
96 clocks
Received as 96-clock tempo timing
when MIDI clock is set to External.
FAH Song start
Song start
Not received when the MIDI clock is
set to Internal.
FCH Song stop
Song stop
Not received when the MIDI clock is
set to Internal.
FEH
Transmitted every
200 milliseconds
If a signal is not received via MIDI for
more than 400 milliseconds, the
same processing will take place for All
Sound Off, All Notes Off and Reset All
Controllers as when those signals are
received.
P-65 Owner’s Manual / Mode d’emploi / Manual de instrucciones
28
8. SYSTEM EXCLUSIVE MESSAGES (XG Standard)
(1) XG Native Parameter Change
Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] ->
[mmH] -> [llH] -> [ddH] -> [F7H]
F0H = Exclusive status
43H = YAMAHA ID
1nH = When received, n=0F.
When transmitted, n=0.
4CH = Model ID of XG
hhH = Address High
mmH =
Address Mid
llH = Address Low
ddH = Data
|
F7H = End of Exclusive
Data size must match parameter size (2 or 4 bytes).
When the XG System On message is received, the MIDI sys-
tem will be reset to its default settings.
The message requires approximately 50ms to execute, so
sufcient time should be allowed before the next message is
sent.
(2) XG Native Bulk Data (reception only)
Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] ->
[bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->...->
[ccH] -> [F7H]
F0H = Exclusive status
43H = YAMAHA ID
0nH = When received, n=0F.
When transmitted, n=0.
4CH = Model ID of XG
aaH = ByteCount
bbH = ByteCount
hhH = Address High
mmH =
Address Mid
llH = Address Low
ddH = Data
| |
| |
ccH = Check sum
F7H = End of Exclusive
Receipt of the XG SYSTEM ON message causes reinitializa-
tion of relevant parameters and Control Change values. Allow
sufcient time for processing to execute (about 50 msec)
before sending the P-65 another message.
XG Native Parameter Change message may contain two or
four bytes of parameter data (depending on the parameter
size).
For information about the Address and Byte Count values,
refer to Table 1 below. Note that the tables Total Size value
gives the size of a bulk block. Only the top address of the
block (00H, 00H, 00H) is valid as a bulk data address.
9. SYSTEM EXCLUSIVE MESSAGES
(Digital Piano MIDI Format)
Data format:
[F0H] -> [43H] -> [73H] -> [xxH] -> [nnH] -> [F7H]
F0H = Exclusive status
43H = Yamaha ID
73H = Digital Piano ID
01H = Product ID (digital piano common)
xxH = Substatus
nn Control
02H Internal MIDI clock
03H External MIDI clock
06H Bulk Data (the bulk data follows 06H)
F7H = End of Exclusive
10.
SYSTEM EXCLUSIVE MESSAGES (Special Control)
Data format: [F0H] -> [43H] -> [73H] -> [66H] -> [11H] ->
[0nH] -> [ccH] -> [vvH] -> [F7H]
F0H = Exclusive status
43H = Yamaha ID
73H = Digital Piano ID
7FH = Extended Product ID
4BH = Product ID
11H = Special control
0nH = Control MIDI change (n=channel number)
cc = Control number
vv = Value
F7H = End of Exclusive
Control Channel ccH vvH
Channel Detune
ch: 00H0FH 43H (Sets the Detune value
for each channel)
00H7FH
Voice Reserve
ch: 00H0FH 45H 00H : Reserve off 7FH
: on*
*
When Volume, Expression is received for Reserve On, they
will be effective from the next Key On. Reserve Off is normal.
11. SYSTEM EXCLUSIVE MESSAGES (Others)
Data format:
[F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H]
-> [00H] -> [mmH] -> [
ll
H] -> [ccH] -> [F7H]
Master Tuning (XG and last message priority) simultaneously
changes the pitch of all channels.
F0H = Exclusive Status
43H = Yamaha ID
1nH = When received, n=0F.
When transmitted, n=0.
27H = Model ID of TG100
30H = Sub ID
00H =
00H =
mmH = Master Tune MSB
llH = Master Tune LSB
ccH = irrelevant (under 7FH)
F7H = End of Exclusive
P-65 Owner’s Manual / Mode d’emploi / Manual de instrucciones
29
<Table 1>
MIDI Parameter Change table (SYSTEM)
Address (H) Size (H) Data (H) Parameter Description Default value (H)
00 00 00 4 020C05F4(*1) MASTER TUNE -50+50[cent] 00 04 00 00
01 1st bit 30 bit 1512 400
02 2nd bit 30 bit 118
03 3rd bit 30 bit 74
4th bit 30 bit 30
04 1 007F MASTER VOLUME 0127 7F
7E 00 XG SYSTEM ON 00=XG sytem ON
7F 00 RESET ALL PARAMETERS 00=ON (receive only)
TOTAL SIZE 07
*1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.
<Table 2>
MIDI Parameter Change table (EFFECT 1)
Refer to the Effect MIDI Map for a complete list of Reverb, Chorus and Variation type numbers.
Address (H) Size (H) Data (H) Parameter Description Default value (H)
02 01 00 2 007F REVERB TYPE MSB Refer to Effect MIDI Map 01 (=HALL1)
007F REVERB TYPE LSB 00 : basic type 00
02 01 40 2 007F VARIATION TYPE MSB Refer to Effect MIDI Map 00 (=Effect off)
007F VARIATION TYPE LSB 00 : basic type 00
VARIATION refers to the EFFECT on the panel.
<Table 3>
MIDI Parameter Change table (MULTI PART)
Address (H) Size (H) Data (H) Parameter Description Default value (H)
08 nn 11 1 007F DRY LEVEL 0127 7F
nn = Part Number
• Effect MIDI Map
REVERB
MSB LSB
ROOM 02H 10H
HALL 1 01H 10H
HALL 2 01H 11H
STAGE 03H 10H
OFF 00H 00H
EFFECT
MSB LSB
CHORUS 42H 10H
PHASER 48H 10H
TREMOLO 46H 10H
ROTARY SP 47H 10H
OFF 00H 00H
P-65 Owner’s Manual / Mode d’emploi / Manual de instrucciones
30
MIDI Implementation Chart
TransmittedFunction Recognized Remarks
Basic
Channel
Note
Number : True voice
Velocity
After
Touch
Pitch Bend
Control
Change
Prog
Change : True #
System Exclusive
Common : Song Pos.
: Song Sel.
: Tune
System : Clock
Real Time : Commands
: All Sound Off
Aux :
Reset
All
Cntrls
: Local ON/OFF
Mes- : All Notes OFF
sages: Active Sense
: Reset
Notes:
Mode
Default
Changed
Note ON
Note OFF
Key's
Ch's
0,32
1
7
10
11
6,38
64
66,67
84
91,94
96-97
100-101
1
1 - 16
Ø 9nH,v=1-127
˛
˛
˛
Ø
˛
Ø
˛
˛
˛
Ø
˛
˛
Ø
˛
˛
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
0 - 127
**************
˛
˛
˛
Ø
Ø
Ø
Ø
˛
Ø
Ø
˛
3
˛
**************
0 - 127
**************
Ø
Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO
˛ Ø 0 - 24 semi
1 - 16
1 - 16
Ø 9nH,v=1-127
˛
˛
˛
˛
˛
˛
Ø
Ø
Ø (120,126,127)
Ø (121)
Ø (122)
Ø (123-125)
Ø
˛
3
˛
˛
0 - 127
0 - 127
Ø
Ø : Yes
˛ : No
Default
Messages
Altered
YAMAHA [ Electronic Piano ] Date : 18-DEC-2005
Model P-65 MIDI Implementation Chart
Version : 1.0
Bank Select
Modulation
Main Volume
Panpot
Expression
Data Entry
Sustain
Portamento Control
Effect Depth
RPN Inc,Dec
RPN LSB,MSB
Ø 0 - 127
P-65 Owner’s Manual / Mode d’emploi / Manual de instrucciones
31
Specifications / Caractéristiques techniques /
Especificaciones
* Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify
products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please
check with your Yamaha dealer.
* Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que pour information. Yamaha Corp. se réserve le droit de
changer ou modifier les produits et leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que les caractéristiques techniques, les
équipements et les options peuvent différer d’un pays à l’autre, adressez-vous au distributeur Yamaha le plus proche.
* Las especificaciones y descripciones de este manual del propietario tienen sólo el propósito de servir como información. Yamaha Corp. se reserva el
derecho a efectuar cambios o modificaciones en los productos o especificaciones en cualquier momento sin previo aviso. Puesto que las especifica-
ciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite información a su distribuidor Yamaha.
Keyboard 88 keys (A-1C7)
Sound Source AWM Stereo Sampling
Polyphony (Max.) 32
Voice Selection 8
Effect Reverb
Volume Master Volume
Controls Dual, Transpose, Touch (Hard/Medium/Soft/Fixed)
Pedal SUSTAIN PEDAL
Demo Songs 8 voice Demo Songs
Jacks/Connectors MIDI (IN/OUT), PHONES × 2, DC IN 12V, PEDAL
Main Ampliers 6 W × 2
Speakers (12 cm × 6 cm) × 2
Dimensions (W × D × H)
1,330 mm × 355 mm × 133 mm [52-3/8" × 14" × 5-1/4"]
(1,330 mm × 402 mm × 319 mm) [52-3/8" × 15-13/16" × 12-9/16"]
Weight 13 kg (28 lbs. 11 oz.)
Accessories Owners Manual, Yamaha PA-5D power adaptor, Pedal (FC5), Music Rest
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)
(standby)
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instruc-
tions contained in this manual, meets FCC require-
ments. Modications not expressly approved by
Yamaha may void your authority, granted by the FCC, to
use the product.
2. IMPORTANT: When connecting this product to acces-
sories and/or another product use only high quality
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions. Fail-
ure to follow instructions could void your FCC authori-
zation to use this product in the USA.
3. NOTE: This product has been tested and found to com-
ply with the requirements listed in FCC Regulations,
Part 15 for Class B digital devices. Compliance with
these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices. This equipment generates/
uses radio frequencies and, if not installed and used
according to the instructions found in the users manual,
may cause interference harmful to the operation of
other electronic devices. Compliance with FCC regula-
tions does not guarantee that interference will not occur
in all installations. If this product is found to be the
source of interference, which can be determined by
turning the unit OFF and ON, please try to eliminate
the problem by using one of the following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line lter/s.
In the case of radio or TV interference, relocate/reorient
the antenna. If the antenna lead-in is 300 ohm ribbon
lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfac-
tory results, please contact the local retailer authorized
to distribute this type of product. If you can not locate
the appropriate retailer, please contact Yamaha Corpo-
ration of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
OBSERVERA!
Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den
ar ansluten till vägguttaget, även om själva apparaten har stängts av.
ADVARSEL:Netspæendingen til dette apparat er IKKE afbrudt,
sålæenge netledningen siddr i en stikkontakt, som er t endt også
selvom der or slukket på apparatets afbryder.
VAROITUS:Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko
laitetta verkosta.
For details of products, please contact your nearest Yamaha
representative or the authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
Para detalles sobre productos, contacte su tienda Yamaha más cercana
o el distribuidor autorizado que se lista debajo.
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: 714-522-9011
MEXICO
Yamaha de México S.A. de C.V.
Calz. Javier Rojo Gómez #1149,
Col. Guadalupe del Moral
C.P. 09300, México, D.F., México
Tel: 55-5804-0600
BRAZIL
Yamaha Musical do Brasil Ltda.
Av. Reboucas 2636-Pinheiros CEP: 05402-400
Sao Paulo-SP. Brasil
Tel: 011-3085-1377
ARGENTINA
Yamaha Music Latin America, S.A.
Sucursal de Argentina
Viamonte 1145 Piso2-B 1053,
Buenos Aires, Argentina
Tel: 1-4371-7021
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
Tel: +507-269-5311
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
IRELAND
Danfay Ltd.
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 01-2859177
GERMANY
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH,
Branch Switzerland
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990
AUSTRIA
Yamaha Music Central Europe GmbH,
Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
CZECH REPUBLIC/SLOVAKIA/
HUNGARY/SLOVENIA
Yamaha Music Central Europe GmbH,
Branch Austria, CEE Department
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-602039025
POLAND
Yamaha Music Central Europe GmbH
Sp.z. o.o. Oddzial w Polsce
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland
Tel: 022-868-07-57
THE NETHERLANDS/
BELGIUM/LUXEMBOURG
Yamaha Music Central Europe GmbH,
Branch Benelux
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040
FRANCE
Yamaha Musique France
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
ITALY
Yamaha Musica Italia S.P.A.
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha-Hazen Música, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-639-8888
GREECE
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160
SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
DENMARK
YS Copenhagen Liaison Office
Generatorvej 6A
DK-2730 Herlev, Denmark
Tel: 44 92 49 00
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1
N-1345 Østerås, Norway
Tel: 67 16 77 70
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120
IS-128 Reykjavik, Iceland
Tel: 525 5000
OTHER EUROPEAN COUNTRIES
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
TURKEY/CYPRUS
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
OTHER COUNTRIES
Yamaha Music Gulf FZE
LB21-128 Jebel Ali Freezone
P.O.Box 17328, Dubai, U.A.E.
Tel: +971-4-881-5868
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd.
25/F., United Plaza, 1468 Nanjing Road (West),
Jingan, Shanghai, China
Tel: 021-6247-2211
HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
KOREA
Yamaha Music Korea Ltd.
Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,
Youngdungpo-ku, Seoul, Korea
Tel: 02-3770-0660
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-78030900
PHILIPPINES
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
SINGAPORE
Yamaha Music Asia Pte., Ltd.
#03-11 A-Z Building
140 Paya Lebor Road, Singapore 409015
Tel: 747-4374
TAIWAN
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Tel: 02-2511-8688
THAILAND
Siam Music Yamaha Co., Ltd.
891/1 Siam Motors Building, 15-16 floor
Rama 1 road, Wangmai, Pathumwan
Bangkok 10330, Thailand
Tel: 02-215-2626
OTHER ASIAN COUNTRIES
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2317
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Tel: 3-9693-5111
NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
Tel: 9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
NORTH AMERICA
CENTRAL & SOUTH AMERICA
EUROPE
AFRICA
MIDDLE EAST
ASIA
OCEANIA
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-3273
[PK] 36
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2006 Yamaha Corporation
WG67720 XXXPOXXX.X-01A0
Printed in China
Yamaha Home Keyboards Home Page (English Only)
http://music.yamaha.com/homekeyboard
Yamaha Manual Library
http://www.yamaha.co.jp/manual/

Transcripción de documentos

Owner’s Manual Mode d’emploi Manual de instrucciones ENGLISH FRANÇAIS P-65 ESPAÑOL Electronic Piano EN FR ES SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. Some Yamaha products may have benches and / or accessory mounting fixtures that are either supplied with the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended. NOTICE: Battery Notice: This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture. Warning: Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly. NAME PLATE LOCATION: The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. Model ENVIRONMENTAL ISSUES: Purchase Date Serial No. Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: 92-BP (bottom) 2 P-65 Owner’s Manual PLEASE KEEP THIS MANUAL IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following: 1. Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions found in this manual BEFORE making any connections, including connection to the main supply. 2. Main Power Supply Verification: Yamaha products are manufactured specifically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual. 3. This product may be equipped with a polarized plug (one blade wider than the other). If you are unable to insert the plug into the outlet, turn the plug over and try again. If the problem persists, contact an electrician to have the obsolete outlet replaced. Do NOT defeat the safety purpose of the plug. 4. Some electronic products utilize external power supplies or adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specifically recommended by Yamaha. 5. WARNING: Do not place this product or any other objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician. 6. Ventilation: Electronic products, unless specifically designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required. 7. Temperature considerations: Electronic products should be installed in locations that do not significantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and other devices that produce heat should be avoided. 8. This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub, sink, or wet basement. 9. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by the manufacturer. If a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product. 10. The power supply cord (plug) should be disconnected from the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightning and/or electrical storm activity. 11. Care should be taken that objects do not fall and liquids are not spilled into the enclosure through any openings that may exist. 12. Electrical/electronic products should be serviced by a qualified service person when: a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been spilled into the enclosure through openings; or c. The product has been exposed to rain: or d. The product dose not operate, exhibits a marked change in performance; or e. The product has been dropped, or the enclosure of the product has been damaged. 13. Do not attempt to service this product beyond that described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel. 14. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. 15. Some Yamaha products may have benches and/or accessory mounting fixtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended. PLEASE KEEP THIS MANUAL 92-469-2 P-65 Owner’s Manual 3 PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: ENGLISH Power supply/AC power adaptor Water warning • Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument. • Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. • Use the specified adaptor (PA-5D or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating. • Never insert or remove an electric plug with wet hands. • Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. • Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it. Do not open • Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. Fire warning • Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire. If you notice any abnormality • If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel. CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following: Power supply/AC power adaptor • When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. • Unplug the AC power adaptor when not using the instrument, or during electrical storms. • Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet. • Do not place the instrument in an unstable position where it might accidentally fall over. • Before moving the instrument, remove all connected adaptor and other cables. • When setting up the instrument, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. • Use only the stand specified for the instrument. When attaching the stand or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over. Location • Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components. • Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. 4 P-65 Owner’s Manual (3)-9 1/2 PRECAUTIONS Connections Handling caution • Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level. • Do not insert a finger or hand in any gaps on the instrument. • Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel. • Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard. Maintenance • When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths. • Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors. ENGLISH • Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician. Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed. Always turn the power off when the instrument is not in use. Even when the instrument turns the power off, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet. (3)-9 2/2 P-65 Owner’s Manual 5 Introduction ENGLISH Thank you for purchasing the Yamaha Electronic Piano P-65! We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the P-65. We also recommend that you keep this manual in a safe and handy place for future reference. Main Features Graded Hammer Standard Keyboard Thanks to our experience as the world’s leading manufacturer of acoustic pianos, we’ve developed a keyboard with action that’s virtually indistinguishable from the real thing. Just as on a traditional acoustic piano, the keys of the lower notes have a heavier touch, while the higher ones are more responsive to lighter playing. The keyboard’s sensitivity can even be adjusted to match your playing style. This Graded Hammer technology also enables the P-65 to provide authentic touch in a lightweight instrument. AWM Stereo Sampling The Yamaha P-65 electronic piano offers unmatched sonic realism and natural grand-piano type playability as well as Yamaha’s original “AWM Stereo Sampling” tone-generation technology for rich, musical voices. In particular, the Grand Piano 1 and 2 voices feature samples painstakingly recorded from a full concert grand piano, while the Electric Piano 1 and 2 voice features multiple samples for different velocities (Dynamic Sampling); in other words, it uses different samples depending on the strength of your playing. 6 P-65 Owner’s Manual About this Owner’s Manual This manual consists of three main sections: Introduction, Reference and Appendix. Introduction (page 6): Please read this section first. Reference (page 13): This section explains how to make detailed settings for the P-65’s various functions. * The illustrations as shown in this owner’s manual are for instructional purposes only, and may appear somewhat different from those on your instrument. * Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use. This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI files, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES. ENGLISH Appendix (page 26): This section features a variety of essential, detailed information on the instrument. • The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective companies. Accessories • Owner’s Manual This manual contains complete instructions for operating your P-65. • Quick Operation Guide • Yamaha PA-5D Power Adaptor • Pedal (FC5) • Music Rest P-65 Owner’s Manual 7 Table of Contents ENGLISH Introduction Main Features...............................................................................................6 About this Owner’s Manual .........................................................................7 Accessories ...................................................................................................7 Application Index .........................................................................................9 Panel Controls and Terminals....................................................................10 Before Using the P-65 ................................................................................11 Turning the Power On ................................................................................................ 11 Setting the Volume ...................................................................................................... 11 Using the Pedal ............................................................................................................ 12 Using Headphones ...................................................................................................... 12 Music Rest.................................................................................................................... 12 Reference Listening to the Demo Songs ....................................................................13 Selecting & Playing Voices.........................................................................14 Selecting Voices ........................................................................................................... 14 Combining Voices (Dual)........................................................................................... 15 Adding Variations to the Sound – Reverb ................................................................. 16 Transposition.............................................................................................................. 17 Fine tuning of the Pitch............................................................................................... 17 Touch Sensitivity ......................................................................................................... 18 Connecting MIDI Instruments ...................................................................19 Connecting MIDI [IN][OUT] terminals ................................................................... 19 MIDI’s Capability ........................................................................................................ 19 Connecting a Personal Computer .............................................................................. 20 MIDI Functions ...........................................................................................21 MIDI Transmit/Receive Channel Selection ............................................................... 21 Local Control ON/OFF ............................................................................................... 21 Program Change ON/OFF .......................................................................................... 22 Control Change ON/OFF ........................................................................................... 22 Troubleshooting.........................................................................................23 Optional Equipment...................................................................................23 Index...........................................................................................................24 Appendix MIDI Data Format ......................................................................................26 MIDI Implementation Chart ......................................................................30 Specifications .............................................................................................31 8 P-65 Owner’s Manual Application Index Use this index to find reference pages that may be helpful for your particular application and situation. Listening Listening to demo songs with different voices.....................................................................Listening to the Demo Songs on page 13 Using the sustain pedal ............................................................................................................................... Using the Pedal on page 12 Changing the key of the P-65 to facilitate playing in difficult/unfamiliar key signatures.......................... Transposition on page 17 Fine tuning the pitch of the entire instrument when you play the P-65 along with other instruments or CD music .........................................................................................................................................................Fine tuning of the Pitch on page 17 Selecting a touch sensitivity type............................................................................................................. Touch Sensitivity on page 18 Changing voices Viewing the list of voices ............................................................................................................................Selecting Voices on page 14 Simulating a concert hall ..................................................................................Adding Variations to the Sound – Reverb on page 16 Combining two voices ............................................................................................................... Combining Voices (Dual) on page 15 ENGLISH Playing Connecting the P-65 to other devices What is MIDI? ..................................................................................................................................................About MIDI on page 19 Connecting a computer ................................................................................................ Connecting a Personal Computer on page 20 P-65 Owner’s Manual 9 Panel Controls and Terminals Panel Controls and Terminals 2 3 4 5 6 7 8 ENGLISH 1 9 1 [STANDBY/ON] switch ................ page 11 For turning the power on or off. 2 [MASTER VOLUME] slider ........... page 11 For adjusting the volume level of the entire sound. 3 [DEMO] button............................ page 13 For playing the demo songs. 4 [GRAND PIANO/VOICE] button .......................................... page 14-16, 18 For selecting voices from 8 internal sounds including Grand Piano 1 and 2 (page 14). You can also combine two voices (page 15) or add reverb effects to the selected voice for your keyboard performance (page 16). 5 [SELECT] button .................... page 13, 14 For selecting a demo song for each voice. 10 P-65 Owner’s Manual 6 [DC IN 12V] jack...........................page 11 For connecting the included power adaptor (PA-5D). 7 MIDI [IN] [OUT] terminals ...........page 19 For connecting external MIDI devices, allowing the use of various MIDI functions. 8 [PEDAL] jack .................................page 12 For connecting an included pedal (FC5) or an optional FC4 foot switch. 9 [PHONES] jack..............................page 12 For connecting a set of standard stereo headphones, allowing private practice. Before Using the P-65 Before Using the P-65 Turning the Power On 1. Connect the PA-5D power adaptor’s DC cable to the [DC IN 12V] jack. WARNING Use ONLY a Yamaha PA-5D AC Power Adaptor (or other adaptor specifically recommended by Yamaha) to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the P-65. (The shape of plug differs depending on locale.) ENGLISH 2. Plug the AC adaptor into an AC outlet. CAUTION Unplug the AC Power Adaptor when not using the P-65, or during electrical storms. 3. Press the [STANDBY/ON] switch to turn the power on. The power indicator located to the left of the [STANDBY/ON] switch lights up. NOTE When turning off the power, press and hold down the [STANDBY/ON] switch for a short time until the power turns off. The P-65 uses this power-off procedure as a “safety” device to prevent the power from being inadvertently turned off during performance. CAUTION Even when the instrument is turned off, electricity is still flowing to the instrument at the minimum level. When you are not using the P-65 for a long time, make sure you unplug the AC power adaptor from the wall AC outlet. Setting the Volume Initially set the [MASTER VOLUME] slider about halfway between the “MIN” and “MAX” settings. Then, when you start playing, re-adjust the [MASTER VOLUME] slider to the most comfortable listening level. The level decreases. TERMINOLOGY The level increases. MASTER VOLUME: The volume level of the entire keyboard sound P-65 Owner’s Manual 11 Before Using the P-65 Using the Pedal ENGLISH FC5 [PEDAL] jack (Sustain Pedal) This jack is for connecting the included pedal (FC5). The pedal functions in the same way as a damper pedal on an acoustic piano. Connect the included pedal (FC5) to this jack and press the pedal to sustain the sound. An optional FC4 foot switch can also be connected to this jack. NOTE Make sure that power is OFF when connecting or disconnecting the pedal. Using Headphones Connect a set of headphones to one of the [PHONES] jacks. Two [PHONES] jacks are provided. You can connect two sets of standard stereo headphones. (If you are using only one set of headphones, you can plug them into either jack.) It can also connect to an amplifier/speaker system. On front panel Standard stereo mini plug CAUTION To protect your hearing, avoid listening to the P-65 at a high volume level for long periods of time. Music Rest The P-65 includes a music rest that can be attached to the instrument by inserting it into the slot at the top of the control panel. 12 P-65 Owner’s Manual Reference Listening to the Demo Songs Listening to the Demo Songs Demo songs are provided that effectively demonstrate each of the P-65’s voices. 1. Press the [STANDBY/ON] switch to turn the power on. NOTE Refer to the voice list on page 14 for more information on the characteristics of each preset voice. When the power is turned ON, the power indicator located to the left of the [STANDBY/ON] switch lights up. NOTE The demo songs will not be transmitted via MIDI. ENGLISH 2. Adjust the volume. Initially set the [MASTER VOLUME] slider about half way between the “MIN” and “MAX” settings. Then, when you start playing, re-adjust the [MASTER VOLUME] slider to the most comfortable listening level. 3. Press the [DEMO] button to listen to the demo songs. The GRAND PIANO 1 demo song will start. Demo songs provided for each voice will play back in sequence until you press the [DEMO] button. Changing a Demo Song You can change to another demo song during playback by pressing the [SELECT] button. For selecting a demo song using the keyboard, press one of the C1–G1 keys while holding down the [DEMO] button. C0 C1 G1 Demo Song List Key F#1 Voice Name HARPSICHORD Title Gavotte Composer J.S. Bach • The demonstration pieces listed above are short rearranged excerpts of the original compositions. • All other songs are original (© 2005 Yamaha Corporation). 4. Press the [DEMO] button to stop the voice demo. P-65 Owner’s Manual 13 Selecting & Playing Voices Selecting & Playing Voices Selecting Voices 1. While holding down the [GRAND PIANO/VOICE] button, press one of the C1–G1 keys to select a voice. ENGLISH Pressing the [SELECT] button switches among the following eight voices. C0 Key Voice Name C1 G1 Description C1 Grand Piano 1 Recorded samples from a full concert grand piano. Perfect for classical compositions as well as any other style that requires acoustic piano. C#1 Grand Piano 2 Clear piano with bright reverb. Good for popular music. D1 E.Piano 1 An electronic piano sound created by FM synthesis. Good for popular music. D#1 E.Piano 2 The sound of an electric piano using hammer-struck metallic “tines.” Soft tone when played lightly, and an aggressive tone when played hard. E1 Church Organ This is a typical pipe organ sound (8' + 4' + 2'). Good for sacred music from the Baroque period. F1 Strings Spacious and large-scale string ensemble. Try combining this voice with piano in DUAL. F#1 Harpsichord The definitive instrument for baroque music. Since the strings of a harpsichord are plucked, there is no touch response. G1 Vibraphone The sound of a vibraphone played with relatively soft mallets. 2. Adjust the volume. Re-adjust the [MASTER VOLUME] slider for the most comfortable listening level during your performance. 14 P-65 Owner’s Manual NOTE To familiarize yourself with the characteristics of the voices, listen to the demo songs for each voice (page 13). TERMINOLOGY Voice: On the P-65, the term “voice” means “instrument sound.” NOTE When you select a voice, an appropriate reverb type will be selected automatically (page 16). Selecting & Playing Voices Combining Voices (Dual) You can play voices simultaneously across the entire range of the keyboard. In this way, you can combine similar voices to create a thicker sound. 1. While holding down the [GRAND PIANO/VOICE] button, press two keys in the range of C1 through G1 simultaneously (or press one key while holding another) to engage Dual. ENGLISH Refer to “Selecting Voices” on page 14 for more information on the voices that are assigned to the keys. C0 C1 G1 The voice assigned to the lower key will be designated as Voice 1, and the voice assigned to the higher key will be designated as Voice 2. You can make the following settings for Voices 1 and 2 in Dual: Setting the Octave You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 independently. Depending on which voices you combine in Dual, the combination may sound better if one of the voices is shifted up or down an octave. NOTE Reverb in Dual The reverb type assigned to Voice 1 will take priority. If the reverb assigned to Voice 1 is set to OFF, the reverb assigned to Voice 2 will be in effect. While holding down the [GRAND PIANO/VOICE] button, press one of the C5–F5 keys. Voice1 Voice2 C5 Voice 1 C5 C#5 D5 -1 0 +1 F5 C6 D#5 E5 F5 Voice 2 C7 -1 0 +1 Setting the Balance You can adjust the volume balance between two voices. For example, you can set one voice as the main voice with a louder setting, and make the other voice softer. While holding down the [GRAND PIANO/VOICE] button, press one of the F#5– F#6 keys. A setting of “0” produces an equal balance between the two Dual voices. Settings below “0” increase the volume of Voice 2 in relation to Voice 1, and settings above “0” increase the volume of Voice 1 in relation to Voice 2. F#5 (-6) C5 C6 (0) F#6 (+6) C7 2. While holding down the [GRAND PIANO/VOICE] button, press one of the C1–G1 keys (or press the [GRAND PIANO] button) to exit Dual and return to the normal single-voice play. P-65 Owner’s Manual 15 Selecting & Playing Voices Adding Variations to the Sound – Reverb This control enables you to select four different types of reverb effect that add extra depth and expression to the sound to create a realistic acoustic ambience. ENGLISH Key Reverb Type Description C2 Room This setting adds a continuous reverb effect to the sound, similar to the acoustic reverberation you would hear in a room. C#2 Hall1 For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates the natural reverberation of a small-size concert hall. D2 Hall2 For a truly spacious reverb sound, use the HALL 2 setting. This effect simulates the natural reverberation of a large concert hall. D#2 Stage Simulates the reverb of a stage environment. E2 Off No effect is applied. Selecting a Reverb Type While holding down the [GRAND PIANO/VOICE] button, press one of the C2– E2 keys to select a reverb type. C0 C1 C2 E2 Adjusting Reverb Depth While holding down the [GRAND PIANO/VOICE] button, press one of the C3– G#4 keys to adjust the reverb depth for the selected voice. G#4: Depth 20 C0 C1 C2 C3: Depth 0 C4 NOTE Reverb depth range: 0 (no effect)– 20 (maximum depth) A4 The depth value increases as you press higher keys. While holding down the [GRAND PIANO/VOICE] button, press the A4 key to set the reverb to the depth most suitable for the selected voice. NOTE The default reverb type (including OFF) and depth settings are different for each voice. 16 P-65 Owner’s Manual Selecting & Playing Voices Transposition The P-65’s Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals to facilitate playing in difficult key signatures, and to let you easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if you set the transposition amount to “+5,” playing key C produces pitch F. In this way, you can play a song as though it were in C major, and the P-65 will transpose it to the key of F. Setting the amount of transposition While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press one of the F#2–F#3 keys to set the desired amount of transposition. C0 C1 F#3 ENGLISH F#2 TERMINOLOGY Transpose: Changing the key signature. On the P-65, transposing shifts the pitch of the entire keyboard. C2 -6 -4 -2 +1 +3 +6 -5 -3 -1 0 +2 +4 +5 To transpose the pitch down (in semitone steps) While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press any key between F#2 and B2. To transpose the pitch up (in semitone steps) While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press any key between C#3 and F#3. NOTE Transposition range: F#2 (-6 semitones)– C3 (normal pitch)– F#3 (+6 semitones) To restore the normal pitch While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press the C3 key. Fine tuning of the Pitch You can fine tune the pitch of the entire instrument. This function is useful when you play the P-65 along with other instruments or CD music. Setting the Pitch To raise the pitch (in steps of roughly 0.2 Hz): Hold down the A-1 and B-1 keys simultaneously and press any key between C3 and B3. To lower the pitch (in steps of roughly 0.2 Hz): Hold down the A-1 and A#-1 keys simultaneously and press any key between C3 and B3. To restore standard pitch: Hold down the A-1, A#-1 and B-1 simultaneously and press any key between C3 and B3. A-1 B-1 C3 B3 TERMINOLOGY Hz (Hertz): C0 C1 This unit of measurement refers to the frequency of a sound and represents the number of times a sound wave vibrates in a second. C2 Default setting: A#-1 A-1 C3 C0 C1 B3 The “Default setting” refers to the factory setting obtained when you first turn on the power to the P-65. C2 NOTE A#-1 A-1 B-1 C3 C0 C1 B3 Setting range: 427.0–453.0 Hz Standard pitch: 440.0 Hz C2 P-65 Owner’s Manual 17 Selecting & Playing Voices Touch Sensitivity You can adjust the volume level that changes depending on how fast or strong you hit the keys. The following four settings are available. ENGLISH Key Touch Sensitivity Description A6 FIXED The volume level does not change at all regardless of whether you play the keyboard soft or hard. A#6 SOFT The volume level does not change much when you play the keyboard soft or hard. B6 MEDIUM This is the standard piano touch response (default setting). C7 HARD The volume level changes very widely from pianissimo to fortissimo to facilitate dynamic and dramatic expression. You have to hit the keys hard to produce a loud sound. Setting the Touch Sensitivity Type While holding down the [GRAND PIANO/VOICE] button, press one of the A6– C7 keys to select the desired touch sensitivity. NOTE The touch sensitivity settings may have little or no effect with Church Organ 1, 2 and Harpsichord 1, 2 voices that are not normally responsive to keyboard dynamics. Default setting: MEDIUM (B6) A6 C7 18 P-65 Owner’s Manual Connecting MIDI Instruments Connecting MIDI Instruments The P-65 features MIDI IN/OUT terminals, allowing you to connect the P-65 to other instruments and devices—including computers—and take advantage of the various performance and recording capabilities in MIDI applications. Since MIDI data that can be transmitted or received varies depending on the type of MIDI device, check the “MIDI Implementation Chart” to find out what MIDI data and commands your devices can transmit or receive. The P-65’s MIDI Implementation Chart appears on page 26. ENGLISH Connecting MIDI [IN][OUT] terminals NOTE MIDI [IN] [OUT] terminals Use MIDI cables to connect external MIDI devices to these connectors. About MIDI MIDI (Musical Instrument Digital Interface) is a standard format for data transmission/reception. It enables the transfer of performance data and commands between MIDI devices and personal computers. Using MIDI, you can control a connected MIDI device from the P-65, or control the P-65 from a connected MIDI device or computer. MIDI’s Capability MIDI functions enable you to transfer performance data between MIDI devices. NOTE You cannot transmit the voice demo songs from the P-65 to another MIDI device. CAUTION Before connecting the instrument to other electronic components, turn off the power of all the components. ● Transferring performance data to and from another MIDI device MIDI [OUT] terminal MIDI [IN] terminal MIDI cables (optional) MIDI [OUT] terminal For MIDI connections, use a standard (optional) MIDI cable, available at most musical instrument stores. MIDI [IN] terminal Instrument ● Transferring MIDI data to and from a computer MIDI [IN] terminal MIDI [OUT] terminal USB terminal Instrument Computer USB interface P-65 Owner’s Manual 19 Connecting MIDI Instruments Connecting a Personal Computer By connecting a computer to the MIDI terminals, you can transfer data between the P-65 and the computer via MIDI. CAUTION NOTE ENGLISH When connecting the P-65 to a computer, first turn off the power to both the P-65 and the computer before connecting any cables. After making connections, turn on the power to the computer first, then to the P-65. Connecting the USB port on the computer to the P-65 via a USB interface (such as the UX16, UX96, or UX256) Use a USB interface device to connect the USB port on your computer to the P-65’s MIDI terminals. You must install the USB interface (such as the UX16, UX96, or UX256) driver. For more information, refer to the user’s manual that came with the USB interface device. MIDI [IN] terminal MIDI [OUT] terminal USB terminal Instrument Computer USB interface 20 When the P-65 is used as a tone module, performance data with voices that are not found on the P-65 will not be played correctly. P-65 Owner’s Manual NOTE You must install a software application on the computer to be able to transfer MIDI data between the P-65 and a computer. MIDI Functions MIDI Functions You can make detailed adjustments to MIDI settings. In any MIDI control setup, the MIDI channels of the transmitting and receiving devices must be matched for proper data transfer. This parameter enables you to specify the channel on which the P-65 transmits or receives MIDI data. NOTE In Dual, Voice 1 data is transmitted on its specified channel and Voice 2 data is transmitted on the next greater channel number relative to the specified channel. In this case, no data is transmitted if the transmit channel is set to “OFF.” ALL: Setting the Transmit Channel While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press one of the C1–E2 keys. Setting the Receive Channel While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press one of the C4–F5 keys. E2 C0 C1 2 4 7 9 11 F5 C4 14 16 2 4 7 9 11 “Multi-timbre” Receive. This allows simultaneous reception of different parts on all 16 MIDI channels, enabling the P-65 to play multi-channel song data received from a music computer or sequencer. ENGLISH MIDI Transmit/Receive Channel Selection 1+2: “1+2” Receive. This allows simultaneous reception on channels 1 and 2 only, enabling the P-65 to play 1 and 2 channel song data received from a music computer or sequencer. 14 16 1 3 5 6 8 10 12 13 15 OFF 1 3 5 6 8 10 12 13 15 1+2 ALL Transmit Channel (C1–E2) Receive Channel (C4–F5) Program change and other like channel messages received will not affect the P-65’s panel settings or the notes you play on the keyboard. Data for the demo song cannot be transmitted via MIDI. Local Control ON/OFF “Local Control” refers to the fact that, normally, the P-65 keyboard controls its internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is “Local Control On,” since the internal tone generator is controlled locally by its own keyboard. Local control can be turned OFF, however, so that the P-65 keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT terminal when notes are played on the keyboard. At the same time, the internal tone generator responds to MIDI information received via the MIDI IN terminal. While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press the C6 key. Pressing the C6 key repeatedly toggles between Local Control On and Off. C6 Default setting: ON C7 P-65 Owner’s Manual 21 MIDI Functions Program Change ON/OFF ENGLISH Normally the P-65 will respond to MIDI program change numbers received from an external keyboard or other MIDI device, causing the same numbered voice to be selected on the corresponding channel (the keyboard voice does not change). The P-65 will normally also send a MIDI program change number whenever one of its voices is selected, causing the same numbered voice or program to be selected on the external MIDI device if the device is set up to receive and respond to MIDI program change numbers. This function makes it possible to cancel program change number reception and transmission so that voices can be selected on the P-65 without affecting the external MIDI device. While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press the C#6 key. Pressing the C#6 key repeatedly toggles between Program Change On and Off. C#6 C7 NOTE For information on program change numbers for each of the P-65’s voices, refer to MIDI Data Format on page 26. Default setting: ON Control Change ON/OFF Normally the P-65 will respond to MIDI control change data received from an external MIDI device or keyboard, causing the voice on the corresponding channel to be affected by pedal and other “control” settings received from the controlling device (the keyboard voice is not affected). The P65 also transmits MIDI control change information when the pedal or other appropriate controls are operated. This function makes it possible to cancel control change data reception and transmission so that, for example, the P-65’s pedal and other controls can be operated without affecting an external MIDI device. While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press the D6 key. Pressing the D6 key repeatedly toggles between Control Change On and Off. D6 C7 NOTE For information on control changes that can be used with the P-65, refer to MIDI Data Format on page 26. Default setting: ON 22 P-65 Owner’s Manual Troubleshooting Troubleshooting Possible Cause and Solution The P-65 does not turn on. The P-65 has not been plugged in properly. Securely insert the female plug into the socket on the P-65, and the male plug into a proper AC outlet (page 11). Noise is heard from the speakers or headphones. The noise may be due to interference caused by the use of a mobile phone in close proximity to the P-65. Turn off the mobile phone, or use it further away from the P-65. The overall volume is low, or no sound is heard. • The Master Volume is set too low; set it to an appropriate level using the [MASTER VOLUME] control. • Make sure a pair of headphones is not connected to the headphones jack (page 12). • Make sure that Local Control (page 21) is ON. The sustain pedal has no effect. The pedal cable/plug may not be properly connected. Make sure to securely insert the pedal plug into the proper jack (page 12). ENGLISH Problem Optional Equipment Foot Pedal (FC4/FC5) Keyboard Stand (L-65) P-65 Owner’s Manual 23 Index Index C R Combining Voices (Dual)...............................................15 Reverb.............................................................................. 16 Connecting a Personal Computer ..................................20 ENGLISH S D [SELECT] button ...................................................... 13, 14 DC IN 12V.......................................................................11 Specifications................................................................... 31 Default setting .................................................................17 [STANDBY/ON] switch ................................................. 11 [DEMO] button ..............................................................13 Demo Songs.....................................................................13 Start/stop playback Demo songs ............................................................... 13 Dual..................................................................................15 Sustain pedal ................................................................... 12 G T [GRAND PIANO/VOICE] button...............14, 15, 16, 18 Touch Sensitivity............................................................. 18 Transposition .................................................................. 17 H Hz (Hertz) .......................................................................17 M [MASTER VOLUME] slider...........................................11 MIDI [IN] [OUT] ...........................................................19 MIDI Data Format ..........................................................26 MIDI Implementation Chart..........................................30 MIDI terminals................................................................19 Music Rest........................................................................12 O Optional Equipment .......................................................23 P Panel Controls and Terminals........................................10 [PEDAL] jack...................................................................12 [PHONES] jack ...............................................................12 PRECAUTIONS ............................................................4, 5 24 P-65 Owner’s Manual Troubleshooting.............................................................. 23 Tuning ➝Fine tuning of the Pitch................................. 17 V Voice ................................................................................ 14 ENGLISH P-65 Owner’s Manual 25 Appendix MIDI Data Format / Format des données MIDI / Formato de datos MIDI If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computer-generated MIDI messages, the data provided in this section can help you to control the P-65. Si vous êtes très familier avec l’interface MIDI ou si vous utilisez un ordinateur pour commander votre matériel de musique au moyen de messages MIDI générés par ordinateur, les données suivantes vous seront utiles et vous aideront à commander le P-65. SI usted está ya familiarizado con MIDI, o si emplea una computadora para controlar sus aparatos musicales con mensajes MIDI generados por computadora, los datos proporcionados en esta sección le ayudarán a controlar la P-65. 1. NOTE ON/OFF 3. MODE MESSAGES Data format: [9nH] -> [kk] -> [vv] Data format: [BnH] -> [cc] -> [vv] 9nH = Note ON/OFF event (n = channel number) kk = Note number (Transmit: 09H–78H = A-2–C8 / Receive: 00H–7FH = C-2–G8) vv = Velocity (Key ON = 01H–7FH, Key OFF = 00H) Data format: [8nH] -> [kk] -> [vv] (reception only) 8nH = Note OFF event (n = channel number) kk = Note number: 00H–7FH = C-2–G8) vv = Velocity 2. CONTROL CHANGE Data format: [BnH] -> [cc] -> [vv] BnH = Control change (n = channel number) cc = Control number vv = Data Range (1) Bank Select ccH Parameter Data Range (vvH) 00H Bank Select MSB 00H:Normal 20H Bank Select LSB 00H...7FH Bank selection processing does not occur until receipt of next Program Change message. (2) Main Volume ccH Parameter 07H Volume MSB Data Range (vvH) 00H...7FH (3) Expression (reception only) ccH Parameter Data Range (vvH) 0BH Expression MSB 00H...7FH (4) Sustain ccH Parameter 40H Sustain MSB Data Range (vvH) 00H...7FH (5) Sostenuto (reception only) ccH Parameter Data Range (vvH) 42H Sostenuto 00H...3FH:off, 40H...7FH:on (6) Soft Pedal (reception only) ccH Parameter Data Range (vvH) 43H Soft Pedal 00H...3FH:off, 40H...7FH:on (7) Effect1 Depth (Reverb Send Level) ccH Parameter Data Range (vvH) 5BH Effect1 Depth 00H...7FH Adjusts the reverb send level. (8) Effect4 Depth (Variation Effect Send Level) ccH Parameter Data Range (vvH) 5EH Effect4 Depth 00H...7FH (9) RPN 65H RPN MSB 64H RPN LSB 06H Data Entry MSB 26H Data Entry LSB 60H Data Increment 61H Data Decrement * Parameters that are controllable with RPN: • Coarse Tune • Fine Tune • Pitch Bend Range 26 P-65 Owner’s Manual / Mode d’emploi / Manual de instrucciones BnH = Control event (n = channel number) cc = Control number vv = Data Range (1) All Sound Off ccH Parameter 78H All Sound Off (2) Reset All Controllers ccH Parameter 79H Reset All Controllers Resets controllers as follows. Controller Expression Sustain Pedal Sostenuto Soft Pedal Data Range (vvH) 00H Data Range (vvH) 00H Value 127 (max) 0 (off) 0 (off) 0 (off) (3) Local Control (reception only) ccH Parameter Data Range (vvH) 7AH Local Control 00H (off), 7FH (on) (4) All Notes Off ccH Parameter Data Range (vvH) 7BH All Notes Off 00H Switches OFF all the notes that are currently ON on the specified channel. Any notes being held by the sustain or sostenuto pedal will continue to sound until the pedal is released. (5) Omni Off (reception only) ccH Parameter Data Range (vvH) 7CH Omni Off 00H Same processing as for All Notes Off. (6) Omni On (reception only) ccH Parameter Data Range (vvH) 7DH Omni On 00H Same processing as for All Notes Off. (7) Mono (reception only) ccH Parameter Data Range (vvH) 7EH Mono 00H Same processing as for All Sound Off. (8) Poly (reception only) ccH Parameter Data Range (vvH) 7FH Poly 00H Same processing as for All Sound Off. • When Control Change is turned OFF, Control Change messages will not be transmitted or received. • Local on/off, OMNI on/off are not transmitted. (The appropriate note off number is supplied with “All Note Off” transmission). • When a voice bank MSB/LSB is received, the number is stored in the internal buffer regardless of the received order, then the stored value is used to select the appropriate voice when a program change message is received. • Poly mode is always active. This mode will not change when the instrument receives a MONO/POLY mode message. 4. PROGRAM CHANGE 7. SYSTEM EXCLUSIVE MESSAGES (Universal System Exclusive) Data format: [CnH] -> [ppH] CnH = Program event (n = channel number) ppH = Program change number P.C.#=Program Change number P-65 Grand Piano 1 Grand Piano 2 E.Piano 1 E.Piano 2 Church Organ Strings Harpsichord Vibraphone MSB 0 0 0 0 0 0 0 0 LSB 122 112 122 122 123 122 122 122 P.C.## 1 1 6 5 20 49 7 12 • When program change reception is turned OFF, no program change data is transmitted or received. • When you specify a program change as a number in the range of 0–127, specify a number that is one less than the program change number listed above. For example, to specify program change number 1, you would specify a value of 0. 5. Pitch Bend Change (reception only) [EnH] -> [ccH] -> [ddH] ccH = LSB ddH = MSB 6. SYSTEM REALTIME MESSAGES [rrH] F8H: Timing clock FAH: Start FCH: Stop FEH: Active sensing Data F8H Transmission Transmitted every 96 clocks FAH Song start FCH Song stop FEH Transmitted every 200 milliseconds (1) Universal Realtime Message Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] -> [llH] -> [mmH] -> [F7H] MIDI Master Volume • Simultaneously changes the volume of all channels. • When a MIDI master volume message is received, the volume only has affect on the MIDI receive channel, not the panel master volume. F0H = Exclusive status 7FH = Universal Realtime 7FH = ID of target device 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive or F0H = Exclusive status 7FH = Universal Realtime XnH = When received, n=0–F. X = irrelevant 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive (2) Universal Non-Realtime Message (GM On) General MIDI Mode On Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] -> [F7H] Reception Received as 96-clock tempo timing when MIDI clock is set to External. Song start Not received when the MIDI clock is set to Internal. Song stop Not received when the MIDI clock is set to Internal. If a signal is not received via MIDI for more than 400 milliseconds, the same processing will take place for All Sound Off, All Notes Off and Reset All Controllers as when those signals are received. • If an error occurs during MIDI reception, the Sustain, Sostenuto, and Soft effects for all channels are turned off and an All Note Off occurs. F0H = Exclusive status 7EH = Universal Non-Realtime 7FH = ID of target device 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive or F0H = Exclusive status 7EH = Universal Non-Realtime XnH = When received, n=0–F. X = irrelevant 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive When the General MIDI mode ON message is received, the MIDI system will be reset to its default settings. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. P-65 Owner’s Manual / Mode d’emploi / Manual de instrucciones 27 8. SYSTEM EXCLUSIVE MESSAGES (XG Standard) (1) XG Native Parameter Change Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] -> [mmH] -> [llH] -> [ddH] -> [F7H] F0H = Exclusive status 43H = YAMAHA ID 1nH = When received, n=0–F. When transmitted, n=0. 4CH = Model ID of XG hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | F7H = End of Exclusive Data size must match parameter size (2 or 4 bytes). When the XG System On message is received, the MIDI system will be reset to its default settings. The message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. (2) XG Native Bulk Data (reception only) Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] -> [bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->...-> [ccH] -> [F7H] F0H = Exclusive status 43H = YAMAHA ID 0nH = When received, n=0–F. When transmitted, n=0. 4CH = Model ID of XG aaH = ByteCount bbH = ByteCount hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | | | | ccH = Check sum F7H = End of Exclusive • Receipt of the XG SYSTEM ON message causes reinitialization of relevant parameters and Control Change values. Allow sufficient time for processing to execute (about 50 msec) before sending the P-65 another message. • XG Native Parameter Change message may contain two or four bytes of parameter data (depending on the parameter size). • For information about the Address and Byte Count values, refer to Table 1 below. Note that the table’s Total Size value gives the size of a bulk block. Only the top address of the block (00H, 00H, 00H) is valid as a bulk data address. 9. SYSTEM EXCLUSIVE MESSAGES (Digital Piano MIDI Format) Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [nnH] -> [F7H] F0H = 43H = 73H = 01H = xxH = nn 02H 03H 06H F7H = 28 Exclusive status Yamaha ID Digital Piano ID Product ID (digital piano common) Substatus Control Internal MIDI clock External MIDI clock Bulk Data (the bulk data follows 06H) End of Exclusive P-65 Owner’s Manual / Mode d’emploi / Manual de instrucciones 10. SYSTEM EXCLUSIVE MESSAGES (Special Control) Data format: [F0H] -> [43H] -> [73H] -> [66H] -> [11H] -> [0nH] -> [ccH] -> [vvH] -> [F7H] F0H = 43H = 73H = 7FH = 4BH = 11H = 0nH = cc = vv = F7H = Exclusive status Yamaha ID Digital Piano ID Extended Product ID Product ID Special control Control MIDI change (n=channel number) Control number Value End of Exclusive Control Channel ccH vvH Channel Detune ch: 00H–0FH 43H (Sets the Detune value for each channel) 00H–7FH Voice Reserve ch: 00H–0FH 45H 00H : Reserve off 7FH : on* * When Volume, Expression is received for Reserve On, they will be effective from the next Key On. Reserve Off is normal. 11. SYSTEM EXCLUSIVE MESSAGES (Others) Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H] -> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H] Master Tuning (XG and last message priority) simultaneously changes the pitch of all channels. F0H = Exclusive Status 43H = Yamaha ID 1nH = When received, n=0–F. When transmitted, n=0. 27H = Model ID of TG100 30H = Sub ID 00H = 00H = mmH = Master Tune MSB llH = Master Tune LSB ccH = irrelevant (under 7FH) F7H = End of Exclusive <Table 1> MIDI Parameter Change table (SYSTEM) Address (H) Size (H) Data (H) 00 00 00 4 020C–05F4(*1) 01 02 03 04 1 7E 7F TOTAL SIZE 07 00–7F 00 00 Parameter MASTER TUNE MASTER VOLUME XG SYSTEM ON RESET ALL PARAMETERS Description -50–+50[cent] 1st bit 3–0 ➝ bit 15–12 2nd bit 3–0 ➝ bit 11–8 3rd bit 3–0 ➝ bit 7–4 4th bit 3–0 ➝ bit 3–0 0–127 00=XG sytem ON 00=ON (receive only) Default value (H) 00 04 00 00 400 7F *1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents. <Table 2> MIDI Parameter Change table (EFFECT 1) Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers. Address (H) 02 01 00 Size (H) 2 02 01 40 2 Data (H) 00–7F 00–7F Parameter REVERB TYPE MSB REVERB TYPE LSB 00–7F VARIATION TYPE MSB 00–7F VARIATION TYPE LSB • “VARIATION” refers to the EFFECT on the panel. Description Refer to Effect MIDI Map 00 : basic type Default value (H) 01 (=HALL1) 00 Refer to Effect MIDI Map 00 : basic type 00 (=Effect off) 00 Description 0–127 Default value (H) 7F <Table 3> MIDI Parameter Change table (MULTI PART) Address (H) Size (H) 08 nn 11 1 nn = Part Number Data (H) 00–7F Parameter DRY LEVEL • Effect MIDI Map REVERB ROOM HALL 1 HALL 2 STAGE OFF MSB 02H 01H 01H 03H 00H LSB 10H 10H 11H 10H 00H MSB 42H 48H 46H 47H 00H LSB 10H 10H 10H 10H 00H EFFECT CHORUS PHASER TREMOLO ROTARY SP OFF P-65 Owner’s Manual / Mode d’emploi / Manual de instrucciones 29 MIDI YAMAHA Implementation [ Electronic Piano ]Chart Date : 18-DEC-2005 Version : 1.0 Model P-65 MIDI Implementation Chart Function Transmitted Recognized Basic Channel Default Changed 1 1 - 16 1 - 16 1 - 16 Mode Default Messages Altered 3 3 ˛ ************** ˛ ˛ 0 - 127 ************** 0 - 127 0 - 127 Note Number : True voice Velocity Note ON Ø 9nH,v=1-127 Note OFF ˛ Ø ˛ After Touch Key's Ch's ˛ ˛ ˛ ˛ ˛ Ø Ø ˛ Ø ˛ ˛ ˛ Ø ˛ ˛ Ø ˛ ˛ Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø Ø 0 - 127 ************** Ø Ø Ø : Song Pos. ˛ : Song Sel. ˛ : Tune ˛ ˛ ˛ ˛ Pitch Bend Control Change Prog Change 0,32 1 7 10 11 6,38 64 66,67 84 91,94 96-97 100-101 : True # System Exclusive Common System : Clock Real Time : Commands Ø Ø Ø Ø : : : Mes- : sages: : Ø Ø ˛ Ø Ø ˛ Ø Ø Ø Ø Ø ˛ Aux All Sound Off Reset All Cntrls Local ON/OFF All Notes OFF Active Sense Reset Remarks 9nH,v=1-127 0 - 24 semi Bank Select Modulation Main Volume Panpot Expression Data Entry Sustain Portamento Control Effect Depth RPN Inc,Dec RPN LSB,MSB 0 - 127 (120,126,127) (121) (122) (123-125) Notes: Mode 1 : OMNI ON , POLY Mode 3 : OMNI OFF, POLY 30 Mode 2 : OMNI ON ,MONO Mode 4 : OMNI OFF,MONO P-65 Owner’s Manual / Mode d’emploi / Manual de instrucciones Ø ˛ : Yes : No Specifications / Caractéristiques techniques / Especificaciones Keyboard Sound Source 88 keys (A-1–C7) AWM Stereo Sampling Polyphony (Max.) 32 Voice Selection 8 Effect Reverb Volume Master Volume Controls Dual, Transpose, Touch (Hard/Medium/Soft/Fixed) Pedal Demo Songs Jacks/Connectors Main Amplifiers Speakers Dimensions (W × D × H) Weight Accessories SUSTAIN PEDAL 8 voice Demo Songs MIDI (IN/OUT), PHONES × 2, DC IN 12V, PEDAL 6W×2 (12 cm × 6 cm) × 2 1,330 mm × 355 mm × 133 mm [52-3/8" × 14" × 5-1/4"] (1,330 mm × 402 mm × 319 mm) [52-3/8" × 15-13/16" × 12-9/16"] 13 kg (28 lbs. 11 oz.) Owner’s Manual, Yamaha PA-5D power adaptor, Pedal (FC5), Music Rest * Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. * Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que pour information. Yamaha Corp. se réserve le droit de changer ou modifier les produits et leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que les caractéristiques techniques, les équipements et les options peuvent différer d’un pays à l’autre, adressez-vous au distributeur Yamaha le plus proche. * Las especificaciones y descripciones de este manual del propietario tienen sólo el propósito de servir como información. Yamaha Corp. se reserva el derecho a efectuar cambios o modificaciones en los productos o especificaciones en cualquier momento sin previo aviso. Puesto que las especificaciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite información a su distribuidor Yamaha. P-65 Owner’s Manual / Mode d’emploi / Manual de instrucciones 31 FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/ uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. OBSERVERA! Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den ar ansluten till vägguttaget, även om själva apparaten har stängts av. ADVARSEL:Netspæendingen til dette apparat er IKKE afbrudt, sålæenge netledningen siddr i en stikkontakt, som er t endt — også selvom der or slukket på apparatets afbryder. VAROITUS:Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta verkosta. (standby) (class B) For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich. Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo. THE NETHERLANDS/ BELGIUM/LUXEMBOURG Yamaha Music Central Europe GmbH, Branch Benelux Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040 FRANCE U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011 CENTRAL & SOUTH AMERICA MEXICO Yamaha de México S.A. de C.V. Calz. Javier Rojo Gómez #1149, Col. Guadalupe del Moral C.P. 09300, México, D.F., México Tel: 55-5804-0600 Yamaha Musique France BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 ITALY Yamaha Musica Italia S.P.A. Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 SPAIN/PORTUGAL Yamaha-Hazen Música, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888 GREECE BRAZIL Yamaha Musical do Brasil Ltda. Av. Reboucas 2636-Pinheiros CEP: 05402-400 Sao Paulo-SP. Brasil Tel: 011-3085-1377 ARGENTINA Yamaha Music Latin America, S.A. Sucursal de Argentina Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-4371-7021 PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES Yamaha Music Latin America, S.A. Torre Banco General, Piso 7, Urbanización Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panamá, Panamá Tel: +507-269-5311 EUROPE THE UNITED KINGDOM Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700 IRELAND Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177 GERMANY Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 SWITZERLAND/LIECHTENSTEIN Yamaha Music Central Europe GmbH, Branch Switzerland Seefeldstrasse 94, 8008 Zürich, Switzerland Tel: 01-383 3990 AUSTRIA Yamaha Music Central Europe GmbH, Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900 CZECH REPUBLIC/SLOVAKIA/ HUNGARY/SLOVENIA Yamaha Music Central Europe GmbH, Branch Austria, CEE Department Schleiergasse 20, A-1100 Wien, Austria Tel: 01-602039025 POLAND Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160 ASIA THE PEOPLE’S REPUBLIC OF CHINA Yamaha Music & Electronics (China) Co.,Ltd. 25/F., United Plaza, 1468 Nanjing Road (West), Jingan, Shanghai, China Tel: 021-6247-2211 HONG KONG Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 INDONESIA PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577 KOREA Yamaha Music Korea Ltd. Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong, Youngdungpo-ku, Seoul, Korea Tel: 02-3770-0660 MALAYSIA Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-78030900 SWEDEN Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-400 43 Göteborg, Sweden Tel: 031 89 34 00 PHILIPPINES DENMARK YS Copenhagen Liaison Office Generatorvej 6A DK-2730 Herlev, Denmark Tel: 44 92 49 00 FINLAND F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511 Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551 SINGAPORE Yamaha Music Asia Pte., Ltd. #03-11 A-Z Building 140 Paya Lebor Road, Singapore 409015 Tel: 747-4374 TAIWAN NORWAY Norsk filial av Yamaha Scandinavia AB Grini Næringspark 1 N-1345 Østerås, Norway Tel: 67 16 77 70 ICELAND Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000 Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688 THAILAND Siam Music Yamaha Co., Ltd. 891/1 Siam Motors Building, 15-16 floor Rama 1 road, Wangmai, Pathumwan Bangkok 10330, Thailand Tel: 02-215-2626 OTHER ASIAN COUNTRIES OTHER EUROPEAN COUNTRIES Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030 Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317 OCEANIA AFRICA Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 MIDDLE EAST TURKEY/CYPRUS Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 OTHER COUNTRIES Yamaha Music Gulf FZE LB21-128 Jebel Ali Freezone P.O.Box 17328, Dubai, U.A.E. Tel: +971-4-881-5868 AUSTRALIA Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111 NEW ZEALAND Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 Yamaha Music Central Europe GmbH Sp.z. o.o. Oddzial w Polsce ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland Tel: 022-868-07-57 HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-3273 [PK] 36 Yamaha Home Keyboards Home Page (English Only) http://music.yamaha.com/homekeyboard Yamaha Manual Library http://www.yamaha.co.jp/manual/ U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2006 Yamaha Corporation WG67720 XXXPOXXX.X-01A0 Printed in China
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Yamaha P-65 El manual del propietario

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