Yamaha CP33 El manual del propietario

Marca: Yamaha

Modelo: CP33

Categoría: Sintetizador

Tipo: El manual del propietario

OWNER’S MANUAL

STAGE PIANO

OWNER’S MANUAL

STAGE PIANO

Yamaha Web Site (English only)

http://www.yamahasynth.com/

Yamaha Manual Library

http://www.yamaha.co.jp/manual/

This document is printed on chlorine free (ECF) paper with soy ink.

U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

WG85240 510MWCP58.2-01A0

Printed in Japan

CP33 Owner’s Manual

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical

shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Only use the voltage speciﬁed as correct for the instrument. The required

voltage is printed on the name plate of the instrument.

• Use the speciﬁed adaptor (PA-3C or an equivalent recommended by Yamaha)

only. Using the wrong adaptor can result in damage to the instrument or

overheating.

• Check the electric plug periodically and remove any dirt or dust which may have

accumulated on it.

• Do not place the AC adaptor cord near heat sources such as heaters or radiators,

and do not excessively bend or otherwise damage the cord, place heavy objects

on it, or place it in a position where anyone could walk on, trip over, or roll

anything over it.

• Do not open the instrument or attempt to disassemble the internal parts or

modify them in any way. The instrument contains no user-serviceable parts. If it

should appear to be malfunctioning, discontinue use immediately and have it

inspected by qualiﬁed Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might spill into

any openings.

• Never insert or remove an electric plug with wet hands.

• Do not put burning items, such as candles, on the unit.

A burning item may fall over and cause a ﬁre.

• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a

sudden loss of sound during use of the instrument, or if any unusual smells or

smoke should appear to be caused by it, immediately turn off the power switch,

disconnect the adaptor plug from the outlet, and have the instrument inspected

by qualiﬁed Yamaha service personnel.

Power supply/AC power adaptor

Do not open

Water warning

Fire warning

If you notice any abnormality

(3)-9 1/2

CP33 Owner’s Manual

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage

to the instrument or other property. These precautions include, but are not limited to, the following:

• When removing the electric plug from the instrument or an outlet, always hold

the plug itself and not the cord.

• Unplug the AC power adaptor when not using the instrument, or during

electrical storms.

• Do not connect the instrument to an electrical outlet using a multiple-connector.

Doing so can result in lower sound quality, or possibly cause overheating in the

outlet.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold or

heat (such as in direct sunlight, near a heater, or in a car during the day) to

prevent the possibility of panel disﬁguration or damage to the internal

components.

• Do not use the instrument in the vicinity of a TV, radio, stereo equipment,

mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio

may generate noise.

• Do not place the instrument in an unstable position where it might accidentally

fall over.

• Before moving the instrument, remove all connected adaptor and other cables.

• When setting up the instrument, make sure that the AC outlet you are using is

easily accessible. If some trouble or malfunction occurs, immediately turn off

the power switch and disconnect the plug from the outlet.

• Before connecting the instrument to other electronic components, turn off the

power for all components. Before turning the power on or off for all

components, set all volume levels to minimum. Also, be sure to set the volumes

of all components at their minimum levels and gradually raise the volume

controls while playing the instrument to set the desired listening level.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,

solvents, cleaning ﬂuids, or chemical-impregnated wiping cloths.

• Do not insert a ﬁnger or hand in any gaps on the instrument.

• Never insert or drop paper, metallic, or other objects into the gaps on the panel

or keyboard. If this happens, turn off the power immediately and unplug the

power cord from the AC outlet. Then have the instrument inspected by qualiﬁed

Yamaha service personnel.

• Do not place vinyl, plastic or rubber objects on the instrument, since this might

discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and do not

use excessive force on the buttons, switches or connectors.

• Do not operate the instrument for a long period of time at a high or

uncomfortable volume level, since this can cause permanent hearing loss. If you

experience any hearing loss or ringing in the ears, consult a physician.

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.

Even when the power switch is in the “STANDBY” position, electricity is still ﬂowing to the instrument at the minimum level. When you are not using the instrument for a long

time, make sure you unplug the AC power adaptor from the wall AC outlet.

Power supply/AC power adaptor

Location

Connections

Maintenance

Handling caution

(3)-9 2/2

CP33 Owner’s Manual

Introduction

Thank you for choosing the Yamaha Stage Piano CP33.

We recommend that you read this manual carefully so that you can fully take advantage of the advanced and

convenient functions of the CP33. We also recommend that you keep this manual in a safe and handy place for

future reference.

About this Owner’s Manual

This manual consists of three main sections: Introduction, Reference and Appendix.

Introduction

Please read this section ﬁrst.

Reference (page 12)

This section explains the basic functions and how to use them in detail.

Refer to this section while you play the CP33.

Appendix (page 46)

This section features a variety of essential, detailed information on the instrument.

• The illustrations and LCD screens as shown in this Owner's Manual are for instructional purposes only, and may appear

somewhat different from those on your instrument.

Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly

prohibited except for your personal use. If you wish to use such data for occasions other than personal use, consult a

This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect

to which it has license to use others' copyrights. Such copyrighted materials include, without limitation, all computer

software, style ﬁles, MIDI ﬁles, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs

and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal

consequences. DON'T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.

Trademarks

•Windows is the registered trademark of Microsoft

Corporation.

•Apple and Macintosh are trademarks of Apple Computer, Inc.

• The company names and product names in this Owner's Manual are the trademarks or registered trademarks of their

respective companies.

CP33 Owner’s Manual

Introduction

Supplied Accessories

• Yamaha PA-3C Power Adaptor*

• Foot Pedal (FC3)

• Owner’s Manual

* May not be included depending on your particular area. Please check with your Yamaha dealer.

Main Features

The CP33 gives you the ultimate acoustic grand piano sound—utilizing three-stage dynamic sampling,

providing the ability to change tone with the sustain pedal, and adding a subtle, authentic release sound when

you lift your ﬁngers from the keys.

Among the advanced features are:

• 88-key "Graded Hammer" keyboard with action that is virtually indistinguishable from an actual acoustic

piano.

•Sophisticated AWM synthesis engine and tone generation system, with a maximum polyphony of 64 notes.

Using AWM, the CP33 has 28 original voices—including a variety of ultra-realistic piano and other

keyboard Voices, plus a wealth of authentic sounds of virtually every instrument type.

•Luscious reverb and effect, plus an enormous variety of other effects that add extraordinary depth and

expression to your sound.

• Comprehensive MIDI functions for use with other devices and in larger music production systems.

•Master mode, which allows you to independently control two external tone generators.

CP33 Owner’s Manual

Introduction

Contents

Introduction ......................................................................................................................... 4

Application Index .............................................................................................................................................7

Before Using the CP33 ...........................................................................................................8

Power Supply Connections ...............................................................................................................................8

Connecting to Speakers or Headphones ...........................................................................................................9

Turning the Power On .....................................................................................................................................9

Adjusting the Sound .......................................................................................................................................10

Using the Pedals .............................................................................................................................................11

Reference .......................................................................................................................... 12

Control Names and Functions ..............................................................................................12

Front Panel .....................................................................................................................................................12

Rear Panel ......................................................................................................................................................14

Listening to the Demo Songs ................................................................................................15

Playing Voices .......................................................................................................................16

Selecting a Voice ............................................................................................................................................16

Adding Variations to the Sound—

[VARIATION]/[BRILLIANCE]/[REVERB]/[EFFECT] ...............................................................................16

Touch Sensitivity—[TOUCH] ......................................................................................................................18

Combining Voices—Dual ..............................................................................................................................19

Playing Different Voices with the Left and Right Hands—Split .....................................................................21

Bending Notes—Pitch Bend Wheel ...............................................................................................................22

Adding a Vibrato Effect to the Sound—Modulation Wheel ...........................................................................22

Using the Click ..............................................................................................................................................23

Key Transposition ..........................................................................................................................................23

Panel Lock Function ......................................................................................................................................24

Changing the Volume for Each Zone (Zone Control) ....................................................................................25

Using the Master Mode ........................................................................................................26

Master Settings—Master Edit ...............................................................................................27

Master Edit—Basic Operation ........................................................................................................................27

Master Edit parameters ...................................................................................................................................28

Saving the Master Mode settings ....................................................................................................................30

Recalling the Master Mode .............................................................................................................................30

Detailed Settings ...................................................................................................................31

Detailed Settings—[FUNCTION] .................................................................................................................31

Function Settings—Basic Operation ..............................................................................................................32

About Each Function .....................................................................................................................................34

Connecting to a Computer and Other MIDI Devices ..........................................................42

Connecting to External Audio Equipment .....................................................................................................42

Connecting to External MIDI Equipment ......................................................................................................42

Connecting to a Computer .............................................................................................................................44

Appendix ........................................................................................................................... 46

Troubleshooting ...................................................................................................................46

Preset Voice List ...................................................................................................................47

Factory Setting List ...............................................................................................................48

Function Settings ..................................................................................................................49

Master mode .........................................................................................................................50

Message List ..........................................................................................................................50

MIDI Data Format ...............................................................................................................51

MIDI Implementation Chart (Voice) ...................................................................................55

MIDI Implementation Chart (Master) .................................................................................56

Specifications ........................................................................................................................57

Index .....................................................................................................................................58

CP33 Owner’s Manual

Introduction

Listening

• Listening to Demo Songs with different Voices . . . . . . . . . . . . . . . . . . . "Listening to the Demo Songs" on page 15

Playing

• Selecting and Playing Voices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Selecting a Voice" on page 16

• Using different Pedals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Using the Pedals" on page 11

• Using two MIDI tone generators. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ."Using the Master Mode" on page 26

• Playing with an accurate and steady tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Using the Click" on page 23

Changing Voices

• Viewing the list of Voices. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Preset Voice List" on page 47

• Combining Voices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Combining Voices—Dual" on page 19

• Playing different sounds with left and right hands

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ."Playing Different Voices with the Left and Right Hands—Split" on page 21

• Adding Variations to the Sound . . . . . . . . . . . . . . . . . . . . . . . . . . "Bending Notes—Pitch Bend Wheel" on page 22

"Adding a Vibrato Effect to the Sound—Modulation Wheel" on page 22

"Adding Variations to the Sound [VARIATION]/[BRILLIANCE]/[REVERB]/[EFFECT]" on page 16

Settings

• Making detailed settings for the entire CP33 . . . . . . . . . . . . . . . . . "Detailed Settings—[FUNCTION]" on page 31

• Making settings for Master function . . . . . . . . . . . . . . . . . . . . . . . . . . . "Master Settings—Master Edit" on page 27

Connecting the CP33 to other devices

• What is MIDI? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "About MIDI" on page 42

• Connecting to multiple MIDI devices . . . . . . . . . . . . . . . . "Connecting to External MIDI Equipment" on page 42

• Raising the volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Connecting to External Audio Equipment" on page 42

• Connecting to a computer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Connecting to a Computer" on page 44

Quick solutions

• Resetting the default settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Factory Setting List" on page 48

• About the display messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Message List" on page 50

• Troubleshooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Troubleshooting" on page 46

Application Index

Before Using the CP33

CP33 Owner’s Manual

Introduction

Before Using the CP33

1 Make sure that the instrument’s [STANDBY/ON] switch on the rear panel is at the

STANDBY position.

2 Connect the supplied PA-3C power adaptor's DC cable to the DC IN jack (page 14) on

the instrument’s rear panel.

3 Connect the other end of the power cord to an AC outlet. Make sure your CP33 meets

the voltage requirement for the country or region in which it is being used.

Use ONLY a Yamaha PA-3C AC Power Adaptor (or other adaptor speciﬁcally recommended by Yamaha) to power your

instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the

CP33.

Unplug the AC Power Adaptor when not using the CP33, or during electrical storms.

Power Supply Connections

DC-IN

FOOT PEDAL

USB

SUSTAIN

STANDBY

PHONES

MIDI

OUTPUT

OUTIN

L/MONOR

AUX

FOOT PEDAL

USB

SUSTAIN

STANDBY

HONES

AUX

WARNING

CAUTION

Before Using the CP33

CP33 Owner’s Manual

Introduction

Since the CP33 has no built-in speakers, you will need to monitor the sound of the instrument by using

external equipment. Connect a set of headphones, powered speakers, or other playback equipment as required.

Do not use the CP33 at a high volume level for a long period of time, or your hearing may be damaged.

Make sure the volume settings of the CP33 and external devices are turned down to the minimum.

Turn the power on by pressing the [STANDBY/ON] switch on the CP33 rear panel, then turn the power on

the ampliﬁers. The display located in the center of the front panel lights up.

When you’re ready to turn off the power, press the [STANDBY/ON] switch again.

Even when the instrument is turned off, electricity is still ﬂowing to the instrument at the minimum level. When you

are not using the CP33 for a long time, make sure to unplug the AC power adaptor from the wall AC outlet.

Connecting to Speakers or Headphones

Tur ning the Power On

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTERTEMPO/FUNCTIONDEMOMASTERTRANSPOSEZONE CONTROLMASTER VOLUME

MAXMIN

ZONE 1 ZONE 2

MASTER EDIT

MASTER

TEMPO/OTHER VALUE

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

NO YES

CLICK

ON/OFF

TEMPO

FUNCTION

PANEL

LOCK

Powered speakers

(left)

Powered speakers

(right)

Headphones

OUTPUT L/MONO OUTPUT R

PHONES

CP33

CAUTION

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTERTEMPO/FUNCTIONDEMOMASTERTRANSPOSEZONE CONTROLMASTER VOLUME

MAXMIN

ZONE 1 ZONE 2

MASTER EDIT

MASTER

TEMPO/OTHER VALUE

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

NO YES

CLICK

ON/OFF

TEMPO

FUNCTION

MIN MAX

MASTER VOLUME

PANEL

LOCK

FOOT PEDAL

USB

SUSTAIN

STANDBY

PHONES

MIDI

OUTPUT

OUTIN

L/MONOR

AUX

Normally indicates tempo.

CAUTION

Before Using the CP33

CP33 Owner’s Manual

Introduction

Connecting MIDI Devices or a Mixer

Make sure that all volume settings are turned down all the way to the minimum. Then turn on the every device

in your setup in the order of MIDI masters (controllers), MIDI slaves (receivers), then audio equipment

(mixers, ampliﬁers, speakers, etc.).

When powering down the setup, ﬁrst turn down the volume of each audio device, then switch off each device

in the reverse order (ﬁrst audio devices, then MIDI).

Adjust the volume levels of the CP33 and the connected ampliﬁer/speaker system. When you start playing, re-

adjust the [MASTER VOLUME] dial to the most comfortable listening level.

n The [MASTER VOLUME] dial also controls the volume of the headphones.

n When you are ready to turn off the CP33, make sure to switch off the power of the external device (or lower its

volume) before switching off the CP33.

Adjusting the Sound

Terminology

Master Volume: The volume level of the entire keyboard sound.

MUSIC PRODUCTION SYNTHESIZER

2 31

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTERTEMPO/FUNCTIONDEMOMASTERTRANSPOSEZONE CONTROLMASTER VOLUME

MAXMIN

ZONE 1 ZONE 2

MASTER EDIT

MASTER

TEMPO/OTHER VALUE

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

NO YES

CLICK

ON/OFF

TEMPO

FUNCTION

PANEL

LOCK

CP33 (MIDI Master) MIDI slave

Audio equipment (ﬁrst mixer, then ampliﬁer)

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTERTEMPO/FUNCTIONDEMOMASTERTRANSPOSEZONE CONTROLMASTER VOLUME

MAXMIN

ZONE 1 ZONE 2

MASTER EDIT

MASTER

TEMPO/OTHER VALUE

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

NO YES

CLICK

ON/OFF

TEMPO

FUNCTION

MIN MAX

MASTER VOLUME

PANEL

LOCK

Decreases

the level.

Increases

the level.

Before Using the CP33

CP33 Owner’s Manual

Introduction

Make sure that the power is off when connecting or disconnecting any pedal.

Sustain Pedal (Sustain Pedal jack)

This jack is for connecting the included FC3 foot pedal. The pedal functions in the same way as a damper

pedal on an acoustic piano. Connect the included pedal (FC3) to this jack and press the pedal to sustain the

sound.

When Voices of the GRAND PIANO 1 Voice (including the Variation) and the MONO PIANO Voice (not

including the Variation) are selected, pressing the FC3 pedal activates the instrument's special Sustain Samples,

which accurately recreate the unique resonance of an acoustic grand piano's soundboard and strings. The FC3

can also be used to control the half pedal effect on these Voices, recreating the partial damping of strings that is

possible on an actual piano. An optional FC4/FC5 foot switch can also be connected to this jack. However,

these foot switches cannot be used to control the half pedal effect.

n The depth of the effect produced by the Sustain Samples can be adjusted via the Pedal Functions (page 38) in

Function.

AUX Pedal (AUX Pedal jack)

This jack is for connecting an optional FC4/FC5 foot switch or an optional FC7 foot controller. A wide range

of functions, including the Soft Pedal function can be assigned to this jack. For instructions on assigning the

pedal, refer to page 38.

n The FC7 Foot Controller can be used to control Expression (page 38).

Using the Pedals

FOOT PEDAL

SUSTAIN AUX

FC3

CAUTION

Control Names and Functions

CP33 Owner’s Manual

Reference

1 Pitch bend wheel (page 22)

Controls the pitch bend effect.

2 Modulation wheel (page 22)

Controls the modulation effect.

3 [MASTER VOLUME] dial (page 10)

Adjusts the overall volume.

4 [ZONE CONTROL] sliders (page 25)

These two sliders adjust the output level for each Layer parts

(up to two). Turning on the [MASTER] button switches the

function assigned to the [ZONE CONTROL] sliders.

5 [TRANSPOSE] button (page 23)

The Transpose function makes it possible to shift the pitch of

the entire keyboard up or down, letting you easily match the

pitch of the keyboard to the range of a singer or other

instruments.

6 [MASTER] button (page 26)

Turning on the [MASTER] button switches the CP33 to

function as a master keyboard.

7 [MASTER EDIT] button (page 27)

Enables selection of the settings for the Master mode.

8 [DEMO] button (page 15)

For playing the Demo Songs.

9 TEMPO/FUNCTION [–][+] button (page 32)

For changing the Click tempo (speed) and selecting the

Function settings.

) [CLICK] button (page 23)

Switches the Click function on or off.

! [NO/–], [YES/+] button (page 23)

For setting values or performing ﬁle operations.

Pressing both buttons simultaneously for certain value settings

(Transpose, Tempo, etc.) restores the default value.

@ Voice group buttons (page 16)

These let you select voices from 28 internal sounds, including

grand piano.

You can also save the Master settings to each button if the

[MASTER] button is turned on.

Reference

Control Names and Functions

Front Panel

TEMPO/FUNCTIONDEMOMASTERTRANSPOSEZONE CONTROLMASTER VOLUME

MAXMIN

ZONE 1 ZONE 2

MASTER EDIT

MASTER

CLICK

ON/OFF

TEMPO

FUNCTION

DC-IN

FOOT PEDAL USB

AUX

STANDBY PHONES

MIDI

OUT IN

L/MONO R

OUTPUT

SUSTAIN

5 8

)

A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3

Control Names and Functions

CP33 Owner’s Manual

Reference

# [VARIATION/MEMORY] button (page 16)

For selecting an alternate Voice or alternate Voice settings.

Enables selection of the master setting, such as saving the

settings if the [MASTER] button is turned on.

$ [SPLIT] button (page 21)

Allows you to play different voices on the left- and right-hand

sections of the keyboard.

% [BRILLIANCE] button (page 17)

For adjusting the brightness of the selected Voice for your

keyboard performance.

^ [REVERB] button, (page 17)

[EFFECT] button (page 18)

For adding reverb and chorus effects to the selected Voice for

your keyboard performance.

& [TOUCH] button (page 18)

For selecting the touch response.

* [PANEL LOCK] button (page 24)

Switches panel lock on or off. Turning on the button disables

the panel operations.

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTER

TION

TEMPO/OTHER VALUE

BRILLIANCE REVERB EFFECT TOUCH

STAGE PIANO CP33

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

NO YES

PANEL

LOCK

)

% & *

F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7B4

Control Names and Functions

CP33 Owner’s Manual

Reference

1 OUTPUT [L/MONO][R] jacks (page 42)

These jacks output stereo audio signals (1/4" mono phone

plug). For monophonic output, use just the L/MONO jack.

2 MIDI [IN][OUT] connectors (page 42)

For connecting external MIDI devices, allowing the use of

various MIDI functions.

3 [PHONES] jack (page 9)

For connection to a pair of stereo headphones.

4 [USB] connector (page 44)

For connecting the CP33 and computer.

5 [STANDBY/ON] switch (page 8, 9)

For turning the power on or off. The power is turned on if the

button is set to this position: ( ). The power is turned off if

the button is set this way: ( ).

6 [SUSTAIN PEDAL] jack (page 11)

For connecting the included pedal (FC3) or an optional FC4/

5 foot switch.

7 [AUX PEDAL] jack (page 11)

For connecting the included pedal (FC3), an optional FC4/5

foot switch or an FC7 foot controller.

8 [DC IN] jack (page 8)

For connecting the included power adaptor (PA-3C).

Rear Panel

DC-IN

FOOT PEDAL

USB

SUSTAIN

STANDBY

PHONES

MIDI

OUTPUT

OUTIN

L/MONOR

AUX

4 6 7

3 51

2 8

CP33 Owner’s Manual

Reference

Listening to the Demo Songs

Demo Songs are provided that effectively demonstrate each of the CP33’s Voices.

n Make sure the CP33 is ready for playback. Details are given in the section "Before Using the CP33" on page 8.

1 Press the [DEMO] button.

The Voice button indicators will ﬂash in sequence, then the GRAND PIANO 1 Demo Song will start.

Demo Songs provided for each Voice will play back in sequence until you press the [DEMO] button.

2 Press the Voice button for the Demo Song you want to hear.

The corresponding Voice button indicator lights up and playback starts.

3 Press the [DEMO] button to stop the Voice demo.

n Demo Song data is not transmitted via the MIDI terminals.

n You cannot adjust the tempo of Demo Songs.

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTERTEMPO/FUNCTIONDEMOMASTERTRANSPOSEZONE CONTROLMASTER VOLUME

MAXMIN

ZONE 1 ZONE 2

MASTER EDIT

MASTER

TEMPO/OTHER VALUE

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

NO YES

CLICK

ON/OFF

TEMPO

FUNCTION

PANEL

LOCK

1, 3 2

DEMO

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTER

DEMO

Playing Voices

CP33 Owner’s Manual

Reference

Playing Voices

1 Select the desired Voice by pressing one of the Voice buttons.

The Voice indicator of the selected Voice will light.

n Make sure the [MASTER] button is turned off. For details about Master mode, refer to page 26.

2 Re-adjust the [MASTER VOLUME] dial for the most comfortable listening level.

n Refer to the "Preset Voice List" on page 47 for more information on the characteristics of each Preset Voice.

n You can control the loudness of a Voice by adjusting the force with which you strike the keys, although different

playing styles (touch sensitivities) have little or no effect with certain musical instruments. Refer to "Preset Voice

List" on page 47.

[VARIATION]

This button lets you select an alternate Voice or alternate Voice settings.

Refer to "Preset Voice List" on page 47 for more information on the characteristics of each variation.

Pressing the [VARIATION] button or selected Voice button toggles the variation on and off.

The indicator lights (ON) each time the [VARIATION] button is pressed.

• Default setting: Off

Selecting a Voice

Adding Variations to the Sound—

[VARIATION]/[BRILLIANCE]/[REVERB]/[EFFECT]

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTERTEMPO/FUNCTIONDEMOMASTERTRANSPOSEZONE CONTROLMASTER VOLUME

MAXMIN

ZONE 1 ZONE 2

MASTER EDIT

MASTER

TEMPO/OTHER VALUE

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

NO YES

CLICK

ON/OFF

TEMPO

FUNCTION

PANEL

LOCK

MIN MAX

MASTER VOLUME

Increases

the level.

Decreases

the level.

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTERTEMPO/FUNCTIONDEMOMASTERTRANSPOSEZONE CONTROLMASTER VOLUME

MAXMIN

ZONE 1 ZONE 2

MASTER EDIT

MASTER

TEMPO/OTHER VALUE

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

NO YES

CLICK

ON/OFF

TEMPO

FUNCTION

PANEL

LOCK

[VARIATION] button

[BRILLIANCE] button

[REVERB] button

[EFFECT] button

Playing Voices

CP33 Owner’s Manual

Reference

[BRILLIANCE]

This button enables you to change the brightness of the selected Voice for your keyboard performance. The

following three types are available.

• BRIGHT . . . . . . .Bright tone

• NORMAL . . . . . .Standard tone

• MELLOW . . . . . .Soft and mellow tone

To change the setting, press the [BRILLIANCE] button repeatedly until the indicator corresponding to the

desired type lights (the indicator lights in sequence each time you press the [BRILLIANCE] button). Brilliance

can be selected among three types.

• Default setting: Normal

[REVERB]

This control enables you to select various digital reverb effects for adding extra depth and expression to the

sound and creating a realistic acoustic ambience.

• OFF . . . . . . . . . . .When no reverb effect is selected, no REVERB indicator is lit.

• ROOM . . . . . . . . .This setting adds a continuous reverb effect to the sound—similar to the acoustic

reverberation you would hear in a room.

• HALL 1 . . . . . . . .For a "bigger" reverb sound, use the HALL 1 setting. This effect simulates the natural

reverberation of a small-size concert hall.

• HALL 2 . . . . . . . .For a truly spacious reverb sound, use the HALL 2 setting. This effect simulates the

natural reverberation of a large concert hall.

• STAGE . . . . . . . . .Simulates the reverb of a stage environment.

Pressing the [REVERB] button repeatedly toggles the reverb on and off.

The indicators light in sequence each time the [REVERB] button is pressed. When all indicators are off, no

effect is produced.

• Default settings: The default reverb type (including OFF) and depth settings are different for each voice.

Adjusting Reverb Depth

Adjust the reverb depth for the selected voice by using the [NO/–] and [YES/+] buttons while holding the

[REVERB] button. Default depth settings are different for each Voice.

The depth range is from 0 (no effect) through 20 (maximum reverb depth). The current depth setting appears

on the display while the [REVERB] button is held.

n Releasing the [REVERB] button changes the reverb type. If you hold down the [REVERB] button to change the

depth, the reverb type will not be changed.

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

PANEL

LOCK

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

PANEL

LOCK

Playing Voices

CP33 Owner’s Manual

Reference

[EFFECT]

The [EFFECT] button allows you to select an effect to give your sound greater depth and animation.

• OFF . . . . . . . . . . .When no effect is selected, no EFFECT indicator is lit.

• CHORUS . . . . . . .Adds depth and richness to the sound.

• PHASER . . . . . . . .Adds a sweeping effect to the sound.

• TREMOLO . . . . .Adds an animated, vibrating effect to the sound.

• ROTARY SP . . . . .Adds the vibrato effect of a rotary speaker.

To select an effect type, press the [EFFECT] button a few times until the indicator corresponding to the

desired type lights (the indicators light in sequence each time you press the [EFFECT] button). No effect is

produced when all indicators are off.

• Default settings: The default effect type (including OFF) and depth settings are different for each voice.

Adjusting Effect Depth

You can adjust the effect depth for the selected voice by using the [NO/–] and [YES/+] buttons while holding

the [EFFECT] button.

Default depth settings are different for each voice. The depth range is from 0 (no effect) through 20 (maximum

effect depth). The current depth setting appears on the display while the [EFFECT] button is held.

n Releasing the [EFFECT] button changes the effect type. If you hold down the [EFFECT] button to change the

depth, the effect type will not be changed.

You can select four different types of keyboard touch sensitivity—HARD, MEDIUM, SOFT or FIXED—to

match different playing styles and preferences.

• HARD . . . . . . . . .Requires that the keys be played quite hard to produce maximum loudness.

• MEDIUM . . . . . . .Produces a fairly "standard" keyboard response.

• SOFT . . . . . . . . . .Allows maximum loudness to be produced with relatively light key pressure.

• FIXED . . . . . . . . .All notes are produced at the same volume no matter how hard the keyboard is played.

(No indicators are lit.) The ﬁxed volume can be changed.

n This setting does not change the weight of the keyboard.

To select a touch sensitivity type, press the [TOUCH] button a few times until the indicator corresponding to

the desired type lights (the indicators light in sequence each time the [TOUCH] button is pressed). No

indicator is lit when "FIXED" is selected.

• Default setting: MEDIUM

Touch Sensitivity—[TOUCH]

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

PANEL

LOCK

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

PANEL

LOCK

Playing Voices

CP33 Owner’s Manual

Reference

n The touch sensitivity type will become the common setting for all voices. However, the touch sensitivity settings

may have little or no effect with certain voices that are not normally responsive to keyboard dynamics. (Refer to the

"Preset Voice List" on page 47.)

Changing the volume when FIXED is selected

When you select FIXED, you can set the volume for notes played in FIXED by using the [NO/–] and [YES/+]

buttons while you hold the [TOUCH] button. The current volume level appears on the display. The volume

range is from 1 (minimum volume) through 127 (maximum volume).

• Default setting: 64

n The touch volume set in FIXED will become the common setting for all Voices. Releasing the [TOUCH] button

changes the touch type. If you are changing the volume by holding the [TOUCH] button, releasing the

[TOUCH] button will not change the touch sensitivity type. (FIXED will remain selected.)

You can play voices simultaneously across the entire range of the keyboard. In this way, you can combine

similar Voices to create a thicker sound.

n Make sure the [MASTER] button is turned off. For details about Master mode, refer to page 26.

1 Press two Voice buttons at the same time (or press one Voice button while holding

another) to engage Dual.

The Voice indicators of both selected Voices will light when Dual is active.

Play the keyboard.

The CP33 Function provides access to a number of other Dual functions, such as octave setting and

effect depth setting (page 36). If you do not set the Dual functions, the appropriate setting will be set in

each voice by default.

2. Press any single Voice button to return to the normal single-Voice play.

Combining Voices—Dual

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

NO YES

PANEL

LOCK

Volume range

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTERTEMPO/FUNCTIONDEMOMASTERTRANSPOSEZONE CONTROLMASTER VOLUME

MAXMIN

ZONE 1 ZONE 2

MASTER EDIT

MASTER

TEMPO/OTHER VALUE

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

NO YES

CLICK

ON/OFF

TEMPO

FUNCTION

PANEL

LOCK

1, 2

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTER

Playing Voices

CP33 Owner’s Manual

Reference

[VARIATION] in Dual

The [VARIATION] button’s indicator will light if the variation is engaged for either or both of the Dual

Voices. While Dual is engaged, the [VARIATION] button can be used to turn the variation for both Voices on

or off.

To turn the variation on or off for only one of the Voices, hold the Voice button for the other Voice and press

the button of the Voice for which you want to change the variation.

[REVERB] in Dual

The reverb type assigned to Voice 1 will take priority over the other. (If the reverb is set to OFF, Voice 2 reverb

type will be in effect.) Reverb depth setting (i.e., pressing the [NO/–] or [YES/+] buttons while holding the

[REVERB] button—refer to page 17) will be applied to Voice 1 and 2. When you exit from Dual, the changed

Reverb depth setting will be applied to the Voice 1 only.

According to the Voice numbering priority shown in the diagram below, the lower value Voice number will be

designated as Voice 1 (the other Voice will be designated as Voice 2).

[EFFECT] in Dual

Depending on the conditions, one effect type may take priority over the other. Depth will be decided

according to the depth default value of the Voice combination.

However, using function F3 (page 36) you can adjust the depth value for each Voice to your liking. Effect

depth setting via the panel controls (i.e., pressing the [NO/–] or [YES/+] buttons while holding the [EFFECT]

button—refer to page 18) will be applied to Voice 1 and 2. When you exit from Dual, the changed Effect

depth setting will be applied to the Voice 1 only.

n Dual and Split (page 18) cannot be engaged at the same time.

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VOICE/MASTER

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VOICE/MASTER

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VOICE/MASTER

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VOICE/MASTER

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VOICE/MASTER

Press two Voice buttons at the same time

(or press one Voice button while holding another)

Release the [WOOD BASS] button.

Example: Turning the variation of only the WOOD BASS Voice on/off.

(Variation is on for both HARPSICHORD and WOOD BASS when Dual is enabled.)

Press the [WOOD BASS] button again.

The variation for WOOD BASS Voice will be turned on.

Press the [WOOD BASS] button again.

The variation for WOOD BASS Voice will be turned off.

To turn off the variation To turn on the variation

Release the [WOOD BASS] button.

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTER

1 2 3 4 5 6 7

891011 12 13 14

Voice numbering priority

Playing Voices

CP33 Owner’s Manual

Reference

Split enables you to play two different Voices on the keyboard—one with the left hand and another with the

right hand. For example, you can play a bass part using the WOOD BASS or E.BASS Voice with the left hand,

and a melody with the right hand.

n Make sure the [MASTER] button is turned off. For details about Master mode, refer to page 26.

1 Press the [SPLIT] button to enable Split.

The [SPLIT] button lights. The default setting (WOOD BASS) will be selected for the left-hand voice at

ﬁrst.

The Function mode provides access to a number of other Split functions (page 37). (If you make no

settings for Split functions, the appropriate setting will be set in each voice by default.)

n The indicator of the right Voice button lights in Split.

2 Select a Voice for the right hand.

Press a Voice button.

3 Select a Voice for the left hand.

Press the corresponding Voice button while holding the [SPLIT] button.

To turn the variation on or off for the Split Voice, hold the [SPLIT] button and press the [VARIATION]

button or the currently selected Voice button.

n The indicator of the left Voice button will light while the [SPLIT] button is pressed.

4 Specify the split point (the border between the right- and left-hand range).

The default setting (factory setting) is "F



2." (If you do not need to change the split point, skip this step.)

To Change the Split Point Setting

4-1 Simultaneously hold down the [SPLIT] button and press the appropriate key on the

keyboard.

The name of the current split-point key appears on the display while the [SPLIT] button is held.

4-2 Release the [SPLIT] button to return to the main display.

Playing Different Voices with the Left and Right Hands—Split

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTERTEMPO/FUNCTIONDEMOMASTERTRANSPOSEZONE CONTROLMASTER VOLUME

MAXMIN

ZONE 1 ZONE 2

MASTER EDIT

MASTER

TEMPO/OTHER VALUE

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

NO YES

CLICK

ON/OFF

TEMPO

FUNCTION

PANEL

LOCK

1, 3, 4, 52, 3

(G2)



2) (A



Upper bar indicates sharp Lower bar indicates ﬂat

Playing Voices

CP33 Owner’s Manual

Reference

5 Press the [SPLIT] button to exit Split and return to normal play.

[VARIATION] in Split

You can turn the variation on or off for Split Voices. Normally, the Voice indicator of the right Voice lights in

Split. The [VARIATION] button can be used to turn the variation for the right Voice on or off as required.

While the [SPLIT] button is held, however, the Voice indicator of the left Voice lights. In this state the

[VARIATION] button turns the variation for the left Voice on or off.

[REVERB] in Split

The reverb type assigned to the right Voice will take priority over the other. (If the reverb is set to OFF, the left

voice's reverb type will be in effect.) Reverb depth setting (i.e., pressing the [NO/–] or [YES/+] buttons while

holding the [REVERB] button—refer to page 17) will be applied to the right and left Voices. When you exit

from Split, the changed Reverb depth setting will be applied to the right Voice only.

[EFFECT] in Split

Depending on the conditions, one effect type will take priority over the other. The depth will be decided

according to the depth default value of the Voice combination.

However, using function F4 (page 37) you can change the depth value for each Voice as you like. Effect depth

setting via the panel controls (i.e., pressing the [NO/–] or [YES/+] buttons while holding the [EFFECT]

button—refer to page 18) will be applied to the right and left Voices. When you exit from Split, the changed

Effect depth setting will be applied to the right Voice only.

Use the Pitch Bend wheel to bend notes up (roll the wheel away from you) or down (roll the wheel toward you)

while playing the keyboard. This wheel is self-centering and will automatically return to normal pitch when

released. Try out the Pitch Bend wheel while pressing a note on the keyboard.

The Modulation wheel applies vibrato to the sound. The more you move this wheel up, the greater the effect

that is applied to the sound. Try out the Modulation wheel with various preset Voices while playing the

keyboard.

n Keep in mind that many of the preset Voices are not set with a Modulation effect. (This is to ensure the most

natural sound on these acoustic instrument Voices.) However, the Modulation wheel can be effectively used to

control user-programmable effects, as well as alter the sounds of a connected MIDI tone generator.

n To avoid accidentally applying Modulation or other effects to the current Voice, make sure the Modulation Wheel

is set to minimum before you start playing.

Bending Notes—Pitch Bend Wheel

Adding a Vibrato Effect to the Sound—Modulation Wheel

Pitch Bend Wheel

Raises the pitch

Lowers the pitch

Modulation Wheel

Maximum

Minimum

Playing Voices

CP33 Owner’s Manual

Reference

Pressing the [CLICK] button turns the click sound on and off.

1 Press the [CLICK] button to start the click.

Adjusting the Tempo

The tempo of the click (the recorder is described in the next section) can be set from 32 to 280 beats per

minute by using the TEMPO/FUNCTION [–][+] buttons (when the TEMPO/FUNCTION [–][+] button’s

[TEMPO] indicator is lit).

•

The tempo range

: 32 to 280 (beats per minute)

• Default setting: 120

Adjusting the Time Signature

The time signature (beat) of the click can be set by using the [NO/–] and [YES/+] buttons while holding the

[CLICK] button. You can set the beat from 0 to 4. The current setting appears on the display while you are

holding the [CLICK] button.

2 Press the [CLICK] button to stop the click sound.

n The volume of the click can be adjusted via the Click Volume function in Function (page 39).

The CP33’s Transpose function makes it possible to shift the pitch of the entire keyboard up or down in

semitone intervals to facilitate playing in difﬁcult key signatures, and to let you easily match the pitch of the

keyboard to the range of a singer or other instruments. For example, if you set the transposition amount to

"+5," playing a C key produces a pitch of F. In this way, you can play a Song as though it were in C major, and

the CP33 will transpose it to the key of F.

Use the [NO/–] and [YES/+] button while holding the [TRANSPOSE] button to transpose down or up as

required.

The amount of transposition appears on the display while the [TRANSPOSE] button is held. The default

transpose setting is "0." You can set the range from -12 semitones (down one octave) to 12 semitones (up one

octave) in semitone steps.

Using the Click

Key Transposition

CLICK

ON/OFF

The beat indicator ﬂashes at the current tempo.

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTERTEMPO/FUNCTIONDEMOMASTERTRANSPOSEZONE CONTROLMASTER VOLUME

MAXMIN

ZONE 1 ZONE 2

MASTER EDIT

MASTER

TEMPO/OTHER VALUE

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

NO YES

CLICK

ON/OFF

TEMPO

FUNCTION

PANEL

LOCK

[TRANSPOSE] button [NO/–][YES/+] button

NO YES

TRANSPOSE

Transpose

Playing Voices

CP33 Owner’s Manual

Reference

• The transposition range:

-12 . . . . . . . . -12 semitones (down one octave)

0 . . . . . . . . . normal pitch

12 . . . . . . . . 12 semitones (up one octave)

The [TRANSPOSE] button indicator remains lit when a transpose setting other than "0" is selected. Every

time the [TRANSPOSE] button is pressed after that switches the transpose function ON or OFF.

The Panel Lock function can temporarily disable the panel operation and prevent unintended operation

during live performance.

1 Double-click the [PANEL LOCK] button (press it quickly twice).

The [PANEL LOCK] button lights. While the Panel Lock function is engaged, panel operations will be

ignored.

2 To cancel Panel Lock, double-click the [PANEL LOCK] button.

n The Panel Lock function affects all controls, with the exception of the [MASTER VOLUME] dial, the [ZONE

CONTROL] sliders, the Modulation wheel, the Pitch bend wheel, and the pedals.

Panel Lock Function

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

PANEL

LOCK

Playing Voices

CP33 Owner’s Manual

Reference

The convenient [ZONE CONTROL] sliders allow you to adjust the volume of each zone independently while

you play the keyboard. Moving a slider up increases the volume while pulling the slider down decreases it.

When Dual or Split are enabled

ZONE CONTROL [ZONE 1] slider: Adjusts the Voice 1 volume

ZONE CONTROL [ZONE 2] slider: Adjusts the Voice 2 volume

When Dual or Split are not enabled

ZONE CONTROL [ZONE 1] slider: Adjusts the selected Voice volume

ZONE CONTROL [ZONE 2] slider: Does not affect the volume

Turning on the [MASTER] button switches the function assigned to the [ZONE CONTROL] sliders. Refer

to the "Using the Master Mode" on page 26.

Changing the Volume for Each Zone (Zone Control)

ZONE CONTROL

ZONE 1 ZONE 2

In the case of Dual:

The lower value voice number in the VOICE/MASTER button ([1] -

[14]) will be designated as Voice 1. The other voice will be

designated as Voice 2.

In the case of Split:

The right voice will be designated as Voice 1.

The left voice will be designated as Voice 2.

Voice 2 (ZONE 2)

Voice 1 (ZONE 1)

Voice 1 (ZONE 1)Voice 2 (ZONE 2)

ZONE 2: Voice 2ZONE 1: Voice 1

MASTER

MASTER EDIT

MASTER

Using the Master Mode

CP33 Owner’s Manual

Reference

Using the Master Mode

The Master mode allows you to divide the keyboard into two independent areas (called "Zones"). Each Zone

can be assigned to different MIDI channels and have different Control Slider functions.

This makes it possible to control two tone generators simultaneously from a single keyboard, and to control

Voices of an external tone generator over several different channels, in addition to the internal Voices of the

CP33 itself.

Press the [MASTER] button to turn the Master mode on.

Turning on the Master mode also enables the Master Edit settings for this function. For details, refer to

page 27.

Example: Connecting to external tone generators

n While the Master mode is turned on, the "Midi Transmit Channel" parameter in the Master Edit menu will be

enabled for MIDI channel assignments (page 28).

n If you turn the power off and on again while the Master mode is on, the function will be turned off.

MASTER

MASTER EDIT

MASTER

ZONE CONTROL

ZONE 1 ZONE 2

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTERTEMPO/FUNCTIONDEMOMASTERTRANSPOSEZONE CONTROLMASTER VOLUME

MAXMIN

ZONE 1 ZONE 2

MASTER EDIT

MASTER

TEMPO/OTHER VALUE

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

NO YES

CLICK

ON/OFF

TEMPO

FUNCTION

PANEL

LOCK

ZONE 1

ZONE 2

ZONE 1ZONE 2

External tone generator

Voice Voice

MIDI CH2 MIDI CH1

External MIDI synthesizer/tone generator

ZONE 1ZONE 2

Internal tone generator

Master Settings—Master Edit

CP33 Owner’s Manual

Reference

Master Settings—Master Edit

The Master mode allows you to divide the keyboard into up to two independent areas (zones) which will be

effective when the [MASTER] button is turned on.

Master Edit List

This allows you to set the following parameters for each zone.

The asterisk (*) in front of the parameter number in this manual represents the Zone number. In the display,

"1" indicates Zone 1 and "2" indicates Zone 2.

Follow the steps below to use the functions.

1 Press the [MASTER] button to turn the Master mode on.

The [MASTER] indicator lights.

2 Press the [MASTER EDIT] button to enter the Master Edit settings.

The [MASTER EDIT] indicator lights.

Display Function Page

*.01 Lowest Note of the Range Settings page 28

*.02 Highest Note of the Range Settings page 28

*.03 MIDI Transmit Channel for Master Mode page 28

*.04 Internal Tone Generator On/Off Status page 28

*.05 Slider Settings page 29

*.06 Volume Settings for Internal Tone Generator page 29

*.07 Volume Settings for External Tone Generator page 29

*.08 Pan (Stereo position) Settings for Internal Tone Generator page 29

*.09 Pan (Stereo position) Settings for External Tone Generator page 29

*.10 Reverb depth for Internal Tone Generator page 29

*.11 Effect depth for Internal Tone Generator page 29

*.12 Octave Setting page 29

*.13 Voice Setting for Internal Tone Generator page 29

*.14 Program Change Number Settings for MIDI Transmission to an External Tone Generator page 30

*.15 Bank Select MSB Settings for MIDI Transmission to an External Tone Generator page 30

*.16 Bank Select LSB Settings for MIDI Transmission to an External Tone Generator page 30

Master Edit—Basic Operation

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTERTEMPO/FUNCTIONDEMOMASTERTRANSPOSEZONE CONTROLMASTER VOLUME

MAXMIN

ZONE 1 ZONE 2

MASTER EDIT

MASTER

TEMPO/OTHER VALUE

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

NO YES

CLICK

ON/OFF

TEMPO

FUNCTION

PANEL

LOCK

2 35 43

MASTER

MASTER EDIT

MASTER

Master Settings—Master Edit

CP33 Owner’s Manual

Reference

3 Use the TEMPO/FUNCTION [–][+] buttons to select a target item.

You can jump directly to the Master Edit settings by pressing the VOICE/MASTER button ([1] - [14])

corresponding to the desired Master number. To switch between Zone 1 and Zone 2 in the selected

Master, simply press the same VOICE/MASTER button.

n You can not jump directly to the "*.15" and "*.16" settings in [MASTER EDIT] menu by pressing the VOICE/

MASTER button.

n You can return to parameter 1.01 by pressing the TEMPO/FUNCTION [–][+] buttons simultaneously.

4 Use the [NO/–] and [YES/+] buttons to change the ON/OFF setting, select the type,

or change the value.

n The default setting (which is used when you ﬁrst turn on the power to the CP33) is recalled by pressing the [NO/

–] and [YES/+] buttons simultaneously.

5 Press the [MASTER EDIT] button to exit the Master Edit settings.

The display will return to TEMPO.

The explanations here apply when entering the Master Edit settings in step 4 above.

The asterisk (*) in front of the parameter number in this manual represents the Zone number. In the display,

"1" indicates Zone 1 and "2" indicates Zone 2.

*.01 Lowest note of the range Settings

*.02 Highest note of the range Settings

Determines the lowest and highest notes of the range for each zone. The selected Zone will sound only when

you play notes within this range.

• Setting range: C-2 to G8

• Default setting: C-2 (Lowest)

G8 (Highest)

Lowest/Highest note of the range example

n For parameters 01 and 02, the low and high notes in the range can be conveniently speciﬁed by using the keyboard.

With the desired parameter selected, simultaneously hold down the [SPLIT] button and press the appropriate key

on the keyboard. Keep in mind that since Zone 1 and Zone 2 are assigned to separate adjacent sections of the

keyboard, the highest note of Zone 1 is automatically followed by the lowest note of Zone 2. This means that the

highest note of Zone 1 cannot be set higher than the lowest note of Zone 2, nor can the lowest note of Zone 2 be

set lower than highest note of Zone 1.

*.03 MIDI Transmit Channel for Master Mode

Speciﬁes the channels over which the CP33 transmits MIDI data from each zone, when the [MASTER]

button is turned off.

• Setting range: Ch 1 – Ch 16, Off

• Default settings: Zone 1: 1 (Ch 1)

Zone 2: 2 (Ch 2)

*.04 Internal Tone Generator On/Off Status

Turns the sound from the internal tone generator on or off for each part.

• Settings: On/Off

• Default setting: On

n While the F7.3 Local control in the Function menu is turned OFF, the note will not sound, regardless of the

settings made here (page 39).

Master Edit parameters

(C–2) (C



–2) (C



C minus 2 Lower bar indicates ﬂat Upper bar indicates sharp

Master Settings—Master Edit

CP33 Owner’s Manual

Reference

*.05 Slider Settings

For assigning speciﬁc functions to each [ZONE CONTROL] slider.

• Settings:

- Transmitted to Internal and External:

C1 (Modulation), C2 (Volume), C3 (Pan), C4 (Reverb Send)

- Transmitted to only External: C5 (Chorus Send), C6 (After Touch), 001 – 119 (Control

Change 0 to 119)

• Default setting: C2 (Volume)

n While the F7.5 Control Change in the Function menu is turned OFF, control data is not transmitted to External

(page 40).

*.06 Volume Settings for Internal Tone Generator

*.07 Volume Settings for External Tone Generator

Adjust the volume for each Zone.

• Setting range: 0 – 127

• Default settings: 100

*.08 Pan (Stereo position) Settings for Internal Tone Generator

*.09 Pan (Stereo position) Settings for External Tone Generator

Specify the position in the stereo image from which you hear the sound.

• Setting range: 0 – 127

• Default settings: 64

*.10 Reverb depth for Internal Tone Generator

Set the depth of reverb for Internal Tone Generator.

• Setting range: 0 – 20

• Default settings: 10

n You can select the reverb type by pressing the [REVERB] button (page 17). Reverb type setting also can be saved.

*.11 Effect depth for Internal Tone Generator

Set the depth of effect for Internal Tone Generator.

• Setting range: 0 – 20

• Default settings: 10

n You can select the effect type by pressing the [EFFECT] button (page 18). Effect type setting also can be saved.

*.12 Octave Setting

The pitch of a note can be shifted upward or downward in steps of an octave in each zone. You can adjust the

offset up or down over a maximum range of three octaves.

• Setting range: -3 – 3

• Default settings: 0

*.13 Voice Setting for Internal Tone Generator

You can select the Voice from any of the available 28 Voices. Refer to the "Preset Voice List" (page 47).

• Setting range: 1 – 28

• Default settings: 1

n Voice numbers 9 and 23 contain the same Jazz Organ voice.

(Modulation) (Volume) (Control Change 0)

L64 (hard left) C (center) R63 (hard right)

three octaves lower no pitch shift three octaves higher

Master Settings—Master Edit

CP33 Owner’s Manual

Reference

*.14 Program Change Number Settings for MIDI Transmission to an External Tone

Generator

You can select speciﬁc Voices or programs on a connected MIDI device by specifying a Program Change

number, in combination with the Bank Select MSB and Bank Select LSB parameters below.

• Setting range: 0 – 127

• Default settings: 0

n While the F7.4 Program Change in the Function menu is turned OFF, Program Change number cannot be

transmitted to External (page 40).

*.15 Bank Select MSB Settings for MIDI Transmission to an External Tone Generator

You can select speciﬁc Voices or programs on a connected MIDI device by specifying a Bank Select MSB value,

in combination with the Bank Select LSB (below) and Program Change parameters (above).

• Setting range: 0 – 127

• Default settings: 0

n While the F7.5 Control Change in the Function menu is turned OFF, Bank Select MSB/Bank Select LSB cannot

be transmitted to External (page 40).

*.16 Bank Select LSB Settings for MIDI Transmission to an External Tone Generator

You can select speciﬁc Voices or programs on a connected MIDI device by specifying a Bank Select LSB value,

in combination with the Bank Select MSB parameter and the Program Change parameter above.

• Setting range: 0 – 127

• Default settings: 122

n While the F7.5 Control Change in the Function menu is turned OFF, Bank Select MSB/Bank Select LSB cannot

be transmitted to External (page 40).

This allows you to store virtually all Master mode settings you have edited on the panel to VOICE/MASTER

[1] to [14]. You can also call up the saved setting easily.

1 Create your original settings.

Refer to "Master Settings—Master Edit" on page 27.

2 While holding down the [MEMORY] button, press the numbered button to which you

wish to save your settings.

Never attempt to turn off the power while the "---" indication appears on the display.

The saved Master mode settings can be stored to computer by using sequencer software.

Simply press the numbered button that corresponds to the saved Master mode settings you wish to select.

Saving the Master Mode settings

Recalling the Master Mode

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTERTEMPO/FUNCTIONDEMOMASTERTRANSPOSEZONE CONTROLMASTER VOLUME

MAXMIN

ZONE 1 ZONE 2

MASTER EDIT

MASTER

TEMPO/OTHER VALUE

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

NO YES

CLICK

ON/OFF

TEMPO

FUNCTION

PANEL

LOCK

CAUTION

CP33 Owner’s Manual

Reference

Detailed Settings

You can set various parameters to make the best use of CP33 functions, such as ﬁne-tuning the pitch or

selecting a scale, etc.

The following parameters are available. The CP33 has eight main functions.

Some of these main functions consist of a set of sub-functions.

Function Settings List

Detailed Settings—[FUNCTION]

Function Sub-function Display

Fine tuning of the pitch — F1.

Selecting a scale Scale F2.1

Base Note F2.2

Dual functions Dual Detune F3.1

Voice 1 Octave Shift F3.2

Voice 2 Octave Shift F3.3

Voice 1 Effect Depth F3.4

Voice 2 Effect Depth F3.5

Reset F3.6

Split functions Split Point F4.1

Right Voice Octave Shift F4.2

Left Voice Octave Shift F4.3

Right Voice Effect Depth F4.4

Left Voice Effect Depth F4.5

Sustain Pedal Range F4.6

Reset F4.7

Other Functions AUX Pedal F5.1

Soft Pedal Effect Depth F5.2

Sustain Sample Depth F5.3

Key-off Sample Volume F5.4

Sustain Pedal Type F5.5

AUX Pedal Type F5.6

Click volume — F6.

MIDI Functions MIDI Transmit Channel Selection F7.1

MIDI Receive Channel Selection F7.2

Local Control ON/OFF F7.3

Program Change ON/OFF F7.4

Control Change ON/OFF F7.5

Initial Setup Send F7.6

Backup Functions Voice F8.1

MIDI F8.2

Tuning F8.3

Others F8.4

Detailed Settings

CP33 Owner’s Manual

Reference

Follow the steps below to use the Function settings.

If you become lost while using a function, return to this page and read the basic procedure.

1 Press the [TEMPO/FUNCTION] button to enter the Function menu.

The [FUNCTION] indicator lights.

When you call up the FUNCTION display after turning the power on, F1. appears on the display.

When you call up the FUNCTION display again (without turning the power off), the previous selected

F*.* appears on the display.

n To cancel the function in step 2, 3, 4 or 5, press the TEMPO/FUNCTION [–][+] button any time to exit

Function.

2 Use the TEMPO/FUNCTION [–][+] buttons to select the desired function from F1–F8.

When (that include the sub-functions) is selected, go on to step 3.

When F1 or F6 is selected (these have no sub-functions), go on to step 5.

3 Press the [YES/+] button to enter the sub-function menu.

4 Use the TEMPO/FUNCTION [–][+] buttons to select the desired sub-function.

In the example below, the sub-functions of F4 (Split) are shown.

Function Settings—Basic Operation

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTERTEMPO/FUNCTIONDEMOMASTERTRANSPOSEZONE CONTROLMASTER VOLUME

MAXMIN

ZONE 1 ZONE 2

MASTER EDIT

MASTER

TEMPO/OTHER VALUE

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

NO YES

CLICK

ON/OFF

TEMPO

FUNCTION

PANEL

LOCK

2, 41, 6 3, 5

TEMPO/FUNCTION

TEMPO

FUNCTION

Sub-function

Desired function

TEMPO/FUNCTION

TEMPO

FUNCTION

Desired function

NO YES

TEMPO/FUNCTION

TEMPO

FUNCTION

Sub-function

Detailed Settings

CP33 Owner’s Manual

Reference

5 Use the [NO/–] and [YES/+] buttons to change the ON/OFF setting, select the type, or

change the value.

The default setting (which is used when you ﬁrst turn on the power to the CP33) is recalled by pressing

the [NO/–] and [YES/+] buttons simultaneously.

n After you select the function, the current setting will be displayed when the [NO/–] or [YES/+] button is pressed

for the ﬁrst time.

n If you want to continue the function settings, press the TEMPO/FUNCTION [–], [+] buttons to select the

desired function.

6 Press the [TEMPO/FUNCTION] to exit the Function.

The [TEMPO] indicator lights.

NO YES

TEMPO/FUNCTION

TEMPO

FUNCTION

NO YES

TEMPO/FUNCTION

TEMPO

FUNCTION

TEMPO/FUNCTION

TEMPO

FUNCTION

TEMPO/FUNCTION

TEMPO

FUNCTION

Enable Function.

Change the value.

display

Select the desired

function.

F8.y

F2.y

display

Call up the respective

sub-function.

display

• Operation Example 1 (F1. Fine tuning of the pitch)

display

Select the desired

function.

Select the desired

sub-function.

display

• Operation Example 2 (F3.1 "Dual Detune")

TEMPO/FUNCTION

TEMPO

FUNCTION

Enable Function.

TEMPO/FUNCTION

TEMPO

FUNCTION

TEMPO/FUNCTION

TEMPO

FUNCTION

F3.y

F3.2

NO YES

Change the value.

NO YES

TEMPO/FUNCTION

TEMPO

FUNCTION

Detailed Settings

CP33 Owner’s Manual

Reference

The explanations here apply when entering the Function settings in step 5 on page 33.

F1. Fine Tuning of the Pitch

This allows you to ﬁne tune the pitch of the entire

instrument.

This function is useful when you play the CP33 along with

other instruments or CD music.

Use the [NO/–] and [YES/+] buttons to lower or raise the

pitch of the A3 key in approximately 0.2 Hz increments.

Tenths of a hertz are indicated on the display by the

appearance and position of one or two dots, as in the

following example:

• Setting range: 427.0 – 453.0 (Hz)

• Default setting: 440.0 (Hz)

About Each Function

Display Value

440.0

440.2

440.4

440.6

440.8

Terminology

Hz (Hertz): This unit of measurement refers to the frequency of a

sound and represents the number of times a sound wave vibrates in

a second.

...... ......

Using the keyboard to set the pitch

You can ﬁne-tune the pitch by pressing a key on the

keyboard, without having to call up the FUNCTION

display.

To tune up (in roughly 0.2Hz steps): Hold the A-1

and B-1 keys (the two white keys at the left end)

simultaneously and press any key between C3 and

B3.

To tune down (in roughly 0.2Hz steps): Hold the

A-1 and A



-1 keys (the white and black key at the left

end) simultaneously and press any key between C3

and B3.

To restore standard pitch: Hold the A-1, A



-1

and B-1 keys (the two white keys and one black

key at the left end) simultaneously and press any

key between C3 and B3.

Each key has a note name; for example, the lowest

(farthest left) key on the keyboard corresponds to

A-1, and the highest (farthest right) key to C7.

During the procedure described above, the display

indicates a value in Hz ( … ). After the

procedure, the display returns to the previous

indication.

To tune down or up, respectively, in approximately

1 Hz increments: Hold the A-1 and A



-1 keys (the

white and black key at the left end) or A-1 and B-1

keys (the two white keys at the left end)

simultaneously and press the [NO/–] or [YES/+]

button.

To restore standard pitch: Hold the A-1 and A



1 keys (the white and black key at the left end) or

A-1 and B-1 keys (the two white keys at the left

end) simultaneously and press the [NO/–] [YES/

+] buttons simultaneously.

During the procedure described above, the display

indicates a value in Hz ( … ). After the

procedure, the display returns to the previous

indication.

n While the Master function is turned on, you

cannot ﬁne-tune the pitch by pressing a key on

the keyboard.

Detailed Settings

CP33 Owner’s Manual

Reference

F2. Selecting a Scale

This allows you to select various scales. Equal

Temperament is the most common contemporary piano

tuning scale. However, history has known numerous other

scales, many of which serve as the basis for certain genres of

music. This function lets you explore and experience these

alternate tunings.

Scale

• Setting range: 1: Equal Temperament

2: Pure Major

3: Pure Minor

4: Pythagorean

5: Mean Tone

6: Werckmeister

7: Kirnberger

• Default setting: 1: Equal Temperament

EQUAL TEMPERAMENT

The pitch range of each octave is divided equally into

twelve parts, with each half-step evenly spaced in pitch.

This is the most commonly used tuning in music today.

PURE MAJOR/PURE MINOR

These tunings preserve the pure mathematical intervals of

each scale, especially for triad chords (root, third, ﬁfth).

You can hear this best in actual vocal harmonies—such as

choirs and a cappella singing.

PYTHAGOREAN

This scale was devised by the famous Greek philosopher

and is created from a series of perfect ﬁfths, which are

collapsed into a single octave.

The 3rd in this tuning are slightly unstable, but the 4th

and 5th are beautiful and suitable for some leads.

MEAN-TONE

This scale was created as an improvement on the

Pythagorean scale, by making the major third interval

more "in tune." It was especially popular from the 16th

century to the 18th century. Handel, among others, used

this scale.

WERCKMEISTER/KIRNBERGER

This composite scale combines the Werckmeister and

Kirnberger systems, which were themselves improvements

on the mean-tone and Pythagorean scales. The main

feature of this scale is that each key has its own unique

character. The scale was used extensively during the time of

Bach and Beethoven, and even now it is often used when

performing period music on the harpsichord.

Base Note

If you select a scale other than Equal Temperament, you

need to specify the root. (You can also specify the root note

with Equal Temperament selected, but it will have no

effect. The base note setting is effective for tunings other

than the Equal Temperament tuning.)

• Setting range: C, C



, D, E



, E, F, F



, G, A



, A, B



, B

• Default setting: C

• Root indication example



) (G) (A



)

Lower bar indicates ﬂatUpper bar indicates sharp

Detailed Settings

CP33 Owner’s Manual

Reference

F3. Dual Functions

You can set various parameters for Dual (page 19) to

optimize the settings for the songs you play, such as tuning

the pitches of the two Voices.

Dual function settings are set individually for each Voice

combination.

If Dual is not engaged, will appear instead of

and you will be unable to select the Dual functions. If this

happens, press two Voice buttons at the same time to

engage Dual.

Dual Detune

• Setting range: -10 – 0 – 10

(With positive values, the pitch of Voice

1 is raised and the pitch of Voice 2 is

lowered. With negative values, the pitch

of Voice 1 is lowered and the pitch of

Voice 2 is raised.)

n The available setting range is wider in the lower range

(±60 cents for A-1), and narrower in the higher range (±5

cents for C7). (100 cents equal one semitone.)

• Default setting: Different for each Voice combination.

Detune Voice 1 and Voice 2 for Dual to create a thicker

sound.

Voice 1 Octave Shift

Voice 2 Octave Shift

• Setting range: -1, 0, 1

• Default setting: Different for each voice combination.

You can shift the pitch up and down in octave steps for

Voice 1 and Voice 2 independently. Depending on which

voices you combine in Dual, the combination may sound

better if one of the voices is shifted up or down an octave.

Voice 1 Effect Depth

Voice 2 Effect Depth

• Setting range: 0 – 20

• Default setting: Different for each voice combination.

These functions make it possible to individually set the

depth of the effect for Voices 1 and 2 for Dual. (The effect

depth settings cannot be changed unless the [EFFECT] is

ON. Function must be exited before the [EFFECT] can be

turned ON.)

•"Voice 1" and "Voice 2" are explained on page 20.

Reset

This function resets all Dual functions to their default

values. Press the [YES/+] button to reset the values.

SHORTCUT:

You can jump directly to the Dual functions by pressing the

[TEMPO/FUNCTION] button while holding the two Dual Voice

buttons.

Detailed Settings

CP33 Owner’s Manual

Reference

F4. Split Functions

This menu enables you to make various detailed settings

for Split. By changing the split point or other setting, you

can optimize the settings for the songs you play.

Be sure to select the Split by pressing the [SPLIT] button

before engaging Function.

If Split is not engaged, will appear instead of

and you will be unable to select the Split functions. Also

note that you must exit Function before you can engage

Split.

Split Point

• Setting range: The entire keyboard

• Default setting: F



Set the point on the keyboard that separates the right and

left-hand sections (split point). The pressed key is included

in the left-hand range.

•Instead of pressing the [NO/–] [YES/+] buttons, you can

engage the split point by pressing the appropriate key on

the keyboard.

•Example key name indications for Split

Right Voice Octave Shift

Left Voice Octave Shift

• Setting range: -1, 0, 1

• Default setting: Different for each voice combination

You can shift the pitch up and down in octave steps for the

Right Voice and Left Voice independently. This allows you

to have each Voice sound in an appropriate range.

You can make this setting for each combination of Voices

individually.

Right Voice Effect Depth

Left Voice Effect Depth

• Setting range: 0 – 20

• Default setting: Different for each Voice combination

These functions make it possible to individually set the

depth of the effect for the left and right Split Voices.

The effect depth settings cannot be changed unless the

[EFFECT] is ON. You must exit Function before you can

turn on an [EFFECT].

You can make this setting for each combination of Voices

individually.

Sustain Pedal Range

• Setting range: ALL (for both voices)

1 (for the right Voice)

2 (for the left Voice)

• Default setting: ALL

The Sustain Pedal Range function determines whether the

Sustain pedal affects the right Voice, the left Voice, or both

the left and right Voices in Split.

Reset

This function resets all Split functions to their default

values. Press the [YES/+] button to reset the values.

SHORTCUT:

You can jump directly to the Split functions by pressing the

[TEMPO/FUNCTION] button while holding the [SPLIT]

button.



2) (G2) (A



Lower bar indicates ﬂatUpper bar indicates sharp

Detailed Settings

CP33 Owner’s Manual

Reference

F5. Other Functions

This section provides a variety of other settings and

parameters, including those that affect pedal operation.

AUX Pedal

• Setting range:

1. Expression

This setting allows control of dynamics during

performance.

2. Soft Pedal

The soft pedal reduces the volume and slightly changes

the timbre of notes played while the pedal is pressed.

The soft pedal will not affect notes that are already

playing.

3. Sostenuto pedal

If you play a note or chord on the keyboard and press the

pedal while the note(s) are held, those notes will be

sustained for as long as the pedal is held (as if the sustain

pedal had been pressed) but all notes played thereafter

will not be sustained. This makes it possible to sustain a

chord, for example, while other notes are played

"staccato."

n Organ, string and choir voices will continue to sound for

as long as the Sostenuto pedal is depressed.

• Default setting: 1 (Expression)

Soft Pedal Effect Depth

• Setting range: 1 – 5

• Default setting: 3

This function sets the depth of the Soft pedal effect.

Sustain Sample Depth

• Setting range: 0 – 20

• Default setting: 12

The GRAND PIANO 1 (including the Variation),

MONO PIANO (not including the Variation) Voice

features special "Sustain Samples" that recreate the unique

resonance of an acoustic grand piano’s soundboard and

strings when the Sustain pedal is pressed. This function lets

you adjust the depth of this effect.

Key-off Sample Volume

• Setting range: 0 – 20

• Default setting: 10

You can adjust the volume of the key-off sound (the subtle

sound produced when the keys are released) for the

GRAND PIANO 1, MONO PIANO, HARPSICHORD,

E.CLAVICHORD Voices.

Sustain Pedal Type

AUX Pedal Type

• Setting range: 1, 2

• Default setting: 1

Depending upon the particular pedal that is connected to

the SUSTAIN PEDAL jack or AUX PEDAL jack, the

effect produced by operating the pedal (ON/OFF,

dynamics, etc.) might be reversed.

If this happens, you can use this setting to correct the pedal

operation. The setting range is from 1 to 2.

Press the [NO/–] and [YES/+] buttons simultaneously to

recall the default setting of "1."

n Make sure that the power is switched OFF when

connecting or disconnecting the pedal.

n If the Sustain Pedal type is set to "2", disconnecting the

Sustain pedal while the power is switched on may leave

the sustain active, causing notes to sustain indeﬁnitely. In

this case, switch the power off, then back on.

Detailed Settings

CP33 Owner’s Manual

Reference

F6. Click Volume

Use this function to adjust the Click volume.

• Setting range: 1 – 20

• Default setting: 10

F7. MIDI Functions

This allows you to make detailed adjustments to the MIDI

settings.

For more information about MIDI, see the "About MIDI"

section (page 42).

MIDI Transmit Channel Selection

In any MIDI control setup, the MIDI channels of the

transmitting and receiving devices must be matched for

proper data transfer. This parameter enables you to specify

the channel on which the CP33 transmits MIDI data.

• Setting range: 1 – 16, OFF (not transmitted)

• Default setting: 1

n In Dual, Voice 1 data is transmitted on its speciﬁed

channel. In Split, right Voice data is transmitted on its

speciﬁed channel. In Dual, Voice 2 data is transmitted on

the next greater channel number relative to the speciﬁed

channel. In Split, left Voice data is transmitted on the

next greater channel number relative to the speciﬁed

channel. In either case, no data is transmitted if the

transmit channel is set to "OFF."

n While the Master mode is turned on, "*03 MIDI

Transmit Channel" parameter in the Master Edit menu

will be enabled for MIDI channel assignments.

MIDI Receive Channel Selection

In any MIDI control setup, the MIDI channels of the

transmitting and receiving devices must be matched for

proper data transfer. This parameter enables you to specify

the channel on which the CP33 receives MIDI data.

• Setting range: ALL, 1&2, 1 – 16

• Default setting: ALL

ALL: "Multi-timbre" Receive. This allows simultaneous

reception of different parts on all 16 MIDI channels,

enabling the CP33 to play multi-channel Song data

received from a music computer or sequencer.

1&2: "1&2" Receive. This allows simultaneous

reception on channels 1 and 2 only, enabling the CP33

to play 1 and 2 channel Song data received from a music

computer or sequencer.

Local Control ON/OFF

"Local Control" refers to the fact that, normally, the CP33

keyboard controls its internal tone generator, allowing the

internal Voices to be played directly from the keyboard.

This situation is "Local Control On," since the internal

tone generator is controlled locally by its own keyboard.

Local Control can be turned OFF, however, so that the

CP33 keyboard does not play the internal Voices, but the

appropriate MIDI information is still transmitted via the

MIDI OUT terminal when notes are played on the

keyboard.

At the same time, the internal tone generator responds to

MIDI information received via the MIDI IN terminal.

• Setting range: ON/OFF

• Default setting: ON

SHORTCUT

You can jump directly to the Click functions by pressing the

[TEMPO/FUNCTION] button while holding the [CLICK]

button.

Detailed Settings

CP33 Owner’s Manual

Reference

Program Change ON/OFF

Normally the CP33 will respond to MIDI program change

numbers received from an external keyboard or other

MIDI device, causing the correspondingly numbered

Voice to be selected on the corresponding channel (the

keyboard Voice does not change). The CP33 will normally

also send a MIDI program change number whenever one

of its Voices is selected, causing the correspondingly

numbered Voice or program to be selected on the external

MIDI device if the device is set up to receive and respond

to MIDI program change numbers.

This function makes it possible to cancel program change

number reception and transmission so that, for example,

voices can be selected on the CP33 without affecting the

external MIDI device.

n For information on program change numbers for each of

the CP33’s Voices, refer to MIDI Data Format page 51.

• Setting range: ON/OFF

• Default setting: ON

Control Change ON/OFF

Normally the CP33 will respond to MIDI control change

data received from an external MIDI device or keyboard,

causing the Voice on the corresponding channel to be

affected by pedal and other "control" settings received

from the controlling device (the keyboard Voice is not

affected).

The CP33 also transmits MIDI control change

information when the pedal or other appropriate controls

are operated.

This function makes it possible to cancel control change

data reception and transmission so that, for example, the

CP33's pedal and other controls can be operated without

affecting an external MIDI device.

n For information on control changes that can be used with

the CP33, refer to MIDI Data Format on page 51.

• Setting range: ON/OFF

• Default setting: ON

Initial Setup Send

This function lets you send the data of the panel settings to

a computer. By transmitting the panel settings and

recording them on the MIDI sequence recorder prior to

the actual performance data, the instrument will be

automatically restored to the same settings when the

performance is played back. You can also use this function

to change the settings of a connected tone generator to the

same settings as the instrument.

1. Set up the panel controls as desired.

2. Connect the CP33 to a sequencer via MIDI, and set up

the sequencer so it can receive the setup data.

3. Call up the Function menu and select .

4. Press the [YES/+] button to transmit the panel/status

data.

will appear on the display when the data has been

successfully transmitted.

The following data can be sent.

• Voice selection

• [REVERB] type

• [REVERB] depth

• [EFFECT] type

• [EFFECT] depth

• Split point

• Tuning (F1)

• Dual detune (F3.1)

Detailed Settings

CP33 Owner’s Manual

Reference

F8. Backup Functions

These allow you to back up some settings, such as Voice

selection and Reverb type, so that they will not be lost

when you turn off the power to the CP33. If the Backup

function is turned on, the settings at power off are

effective. If the Backup function is turned off, the settings

in memory are erased when you turn off the power. In this

case, when you turn on the power to the unit, the default

settings (the initial settings) will be used. (The factory

setting list is found on page 48.)

However, the Backup Function on or off is always backed

up.

You can turn the backup function on or off for each

function group. Different Backup Groups are provided for

the different function categories of the instrument: Voice,

MIDI, Tuning and Others.

Voice

• Setting range: ON/OFF

• Default setting: OFF

- Voice (Keyboard, Dual, and Split)

- Dual (ON/OFF, Voice, and Dual Functions for each

voice combination)

- Split (ON/OFF, Voice, and Split Functions for each

voice combination)

- Reverb (ON/OFF, Type, and Depth for each voice)

- Effect (ON/OFF, Type, and Depth for each voice)

- Touch Sensitivity (including the FIXED volume)

- Click Beat, Volume ( settings)

MIDI

• Setting range: ON/OFF

• Default setting: ON

- The MIDI functions ( settings) (expect for

)

Tuning

• Setting range: ON/OFF

• Default setting: ON

- Transpose

- Tuning ( settings)

- Scale (including base note) ( settings)

Others

• Setting range: ON/OFF

• Default setting: ON

- Other functions ( settings)

Factory Preset Recall

All settings affected by the Functions (F1 – F8) can

be restored to their original factory preset values by

turning the [STANDBY/ON] switch ON while

holding the rightmost white key (C7) and black keys



6, G



6 and A



6). The factory-preset values are listed

on page 48.

After turning the [STANDBY/ON] switch ON while

holding the rightmost white key (C7) and black keys (F



6 and A



6), "CLr" appears in the display. Never

attempt to turn off the power while "

CLr" appears in the

display. Turning the power off in this state may cause the

system to freeze.

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

FOOT PEDAL

SUSTAIN

STANDBY

AUX

PANEL

LOCK

CAUTION

CP33 Owner’s Manual

Reference

Connecting to a Computer and Other MIDI Devices

Since the CP33 has no built-in speakers, you'll need an external audio system or a set of stereo headphones to

properly monitor it. Alternatively, you could use a pair of headphones.

There are several methods of connecting to external audio equipment, as described in the following

illustrations.

For optimum, accurate reproduction of the instrument’s rich sounds, effects and full stereo image, use a pair of

powered speakers. Connect the powered speakers to the OUTPUT L/MONO and R jacks on the rear panel.

n When using just one powered speaker, connect it to the OUTPUT L/MONO jack on the rear panel.

n If you are connecting only to the L/MONO jack and want to use a Piano Voice, we recommend that you use the

MONO PIANO Voice for best results.

n Connecting a pair of headphones does not affect audio output from the OUTPUT L/MONO, R jacks. You can

adjust the volume of the external audio equipment or headphones with the [MASTER VOLUME] dial.

n The sound monitored through the headphones is identical to the sound of the OUTPUT L/MONO, R jacks.

Using a standard MIDI cable (available separately), you can connect an external MIDI device, and control it

from the CP33. Likewise, you can use an external MIDI device (such as a keyboard or sequencer) to control

the sounds on the CP33.

Connecting to External Audio Equipment

Connecting to External MIDI Equipment

About MIDI

MIDI (Musical Instrument Digital Interface) is a standard format for data transmission/reception. It

enables the transfer of performance data and commands between MIDI devices and personal computers.

Using MIDI, you can control a connected MIDI device from the CP33, or control the CP33 from a

connected MIDI device or computer.

MIDI Channel

MIDI data is transferred over 16 channels numbered from 1 through 16. This allows the performance

data for sixteen different instrument parts to be simultaneously sent over one MIDI cable. Think of the

MIDI channels as TV channels. Each TV station transmits its broadcasts over a speciﬁc channel. Your

home TV set receives many different programs simultaneously from several TV stations and you select the

appropriate channel to watch the desired program.

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTERTEMPO/FUNCTIONDEMOMASTERTRANSPOSEZONE CONTROLMASTER VOLUME

MAXMIN

ZONE 1 ZONE 2

MASTER EDIT

MASTER

TEMPO/OTHER VALUE

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

NO YES

CLICK

ON/OFF

TEMPO

FUNCTION

PANEL

LOCK

Powered speakers

(left)

Powered speakers

(right)

Headphones

OUTPUT L/MONO OUTPUT R

PHONES

CP33

Connecting to a Computer and Other MIDI Devices

CP33 Owner’s Manual

Reference

Below are several different MIDI connection examples; use the one most similar to your intended setup.

Controlling from an External MIDI Keyboard

Use an external keyboard or synthesizer (such as the MOTIF ES) to remotely select and play the Voices of the

CP33.

MIDI operates on the same basic principle. The transmitting instrument sends MIDI data on a speciﬁc

MIDI channel (MIDI Transmit Channel) via a single MIDI cable to the receiving instrument. If the

receiving instrument’s MIDI channel (MIDI Receive Channel) matches the Transmit Channel, the

receiving instrument will sound according to the data sent by the transmitting instrument.

For detailed information on how to set the MIDI transmit channel and the MIDI receive channel, refer

to page 39.

MIDI Transmit Channel and Receive Channel

Make sure to match the MIDI Transmit Channel of the external MIDI instrument with the MIDI

Receive Channel of the CP33. For details on setting the MIDI Transmit Channel of the external MIDI

instrument, refer to the Owner’s Manual of the MIDI instrument.

When setting the MIDI Receive Channel of the CP33, conﬁrm the MIDI Receive Channel for each part

and change the settings of the desired parts, if necessary, to match the MIDI Transmit Channel settings

on the external MIDI instrument. (Refer to page 39.)

Weather Report

NEWS

MIDI Cable

MIDI Transmit Channel MIDI Receive Channel

MUSIC PRODUCTION SYNTHESIZER

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTERTEMPO/FUNCTIONDEMOMASTERTRANSPOSEZONE CONTROLMASTER VOLUME

MAXMIN

ZONE 1 ZONE 2

MASTER EDIT

MASTER

TEMPO/OTHER VALUE

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

NO YES

CLICK

ON/OFF

TEMPO

FUNCTION

PANEL

LOCK

CP33 External MIDI Keyboard (MOTIF ES etc.)

MIDI OUTMIDI IN

Connecting to a Computer and Other MIDI Devices

CP33 Owner’s Manual

Reference

Controlling an External MIDI Keyboard

This connection lets you play the sounds of an external MIDI tone generator (synthesizer, tone generator

module, etc.) from the keyboard of the CP33. Use this connection to play the sounds of the connected

instrument in a layer with the CP33, or use the sophisticated Zone functions (page 25) to set up splits in the

sounds.

n Since MIDI data that can be transmitted or received varies depending on the type of MIDI device, check the

"MIDI Implementation Chart" to ﬁnd out what MIDI data and commands your devices can transmit or receive.

The CP33’s MIDI Implementation Chart appears on pages 55, 56.

Connecting this instrument to a computer via MIDI opens up a whole world of musical possibilities—such as

using sequencer software to record and play back compositions with the CP33 sounds.

Using a USB Cable

MIDI messages can be transferred between the sequencer software and CP33 using the USB cable. However,

audio data cannot be transmitted or received via USB on the CP33.

When the USB connector is connected, the MIDI connectors cannot be used.

Splitting the Sound between the CP33 and an External Tone Generator by MIDI

Channel

Using the connection example shown above, you can play both instruments and have them separately

sound different parts. To use this feature, you must set the CP33’s output channel and the external tone

generator’s receive channel to the same channel number. Set the MIDI Transmit Channel via the "F7.1

MIDI Transmit Channel Selection" parameter in the function menu after turning on the power. While

the Master mode is turned on, set the MIDI Transmit Channel via the "MIDI Transmit Channel"

parameter in the Master Edit menu.

Connecting to a Computer

In order to use the instrument with a computer via a USB connection, you will need to install an

appropriate USB-MIDI driver. You can download the proper driver from our website:

http://www.yamaha.co.jp/download/usb_midi/

Compatible versions are available for: Windows XP Professional/Home Edition/Me/2000/98, and Mac

OS X 10.2 – 10.4.0

*This information applies to version 2.1.6 (Windows) and version 1.0.4 (Mac OS X). For the latest

information, check the web site above.

MUSIC PRODUCTION SYNTHESIZER

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTERTEMPO/FUNCTIONDEMOMASTERTRANSPOSEZONE CONTROLMASTER VOLUME

MAXMIN

ZONE 1 ZONE 2

MASTER EDIT

MASTER

TEMPO/OTHER VALUE

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

NO YES

CLICK

ON/OFF

TEMPO

FUNCTION

PANEL

LOCK

CP33 External MIDI Keyboard (MOTIF ES etc.)

MIDI INMIDI OUT

GRAND

PIANO 1

CHURCH

ORGAN

GRAND

PIANO 2

JAZZ

ORGAN

MONO

PIANO

HARPSI-

CHORD

E. PIANO 1

STRINGS/

CHOIR

E. PIANO 2

GUITAR

E. CLAVI-

CHORD

WOOD

BASS

VIBRA-

PHONE

E. BASS

VARIATION

MEMORY

SPLIT

VOICE/MASTERTEMPO/FUNCTIONDEMOMASTERTRANSPOSEZONE CONTROLMASTER VOLUME

MAXMIN

ZONE 1 ZONE 2

MASTER EDIT

MASTER

TEMPO/OTHER VALUE

BRILLIANCE REVERB EFFECT TOUCH

BRIGHT

NORMAL

MELLOW

HALL 1

HALL 2

STAGE

PHASER

TREMOLO

CHORUS

ROTARY SP

HARD

MEDIUM

ROOM

SOFT

NO YES

CLICK

ON/OFF

TEMPO

FUNCTION

PANEL

LOCK

USB cable

USB

CP33 USB Computer

Connecting to a Computer and Other MIDI Devices

CP33 Owner’s Manual

Reference

Precautions when using the USB connector

When connecting the computer to the USB connector, make sure to observe the following points. Failing

to do so risks freezing the computer and corrupting or even losing the data. If the computer or the

instrument freezes, turn the power to the instrument off or restart the computer.

• Before connecting the computer to the USB connector, exit from any power-saving mode (such as suspended,

sleep, standby) of the computer.

• Before turning on the power to the instrument, connect the computer to the USB connector.

• Execute the following before turning the power to the instrument on/off or plugging/unplugging the USB cable

to/from the USB connector.

• Quit any open applications (such as Voice Editor, Multi Part Editor, and sequencer software).

• Make sure that data is not being transmitted from the instrument. (Data is transmitted only by playing notes on

the keyboard or playing back a song.)

• While a USB device is connected to the instrument, you should wait for six seconds or more between these

operations: (1) when turning the power of the instrument off then on again, or (2) when alternately connecting/

disconnecting the USB cable.

CAUTION

CP33 Owner’s Manual

Appendix

Troubleshooting

Problem Possible Cause and Solution

The CP33 does not turn on. The CP33 has not been plugged in properly. Securely insert the female plug into the

socket on the CP33, and the male plug into a proper AC outlet (page 8).

A click or pop is heard when the power is turned on or off. This is normal when electrical current is being applied to the instrument.

Noise is heard from the speakers or headphones. The noise may be due to interference caused by the use of a mobile phone in close

proximity to the CP33. Turn off the mobile phone, or use it further away from the CP33.

The overall volume is low, or no sound is heard. • The Master Volume or Zone Control are set too low; set it to an appropriate level

using the [MASTER VOLUME] dial or [ZONE CONTROL] slider.

• Make sure a pair of headphones is not connected to the headphones jack (page 9).

• An external audio system or a set of stereo headphones may not be properly

connected. Make sure to connect the powered speakers to the OUTPUT L/MONO

and R jacks on the rear panel.

•"Volume" may have been assigned to the [ZONE CONTROL] slider while the Master

mode is turned on, and the [ZONE CONTROL] may be set too low; set it to an

appropriate level using the [ZONE CONTROL] slider.

• Make sure that Local Control (page 9) is ON.

The Sustain pedal has no effect. The pedal cable/plug may not be properly connected. Make sure to securely insert the

pedal plug into the proper jack (page 11).

The foot pedal seems to produce the opposite effect. For example, pressing

the foot pedal cuts off the sound and releasing it sustains the sounds.

The type of the foot pedal is reversed. If this happens, use F5.5 or F5.6 to correct the

pedal type (page 38).

Preset Voice List

CP33 Owner’s Manual

Appendix

Preset Voice List

●

: Yes —: No

Panel

Voice

Number

Voice name

Stereo

sampling

Touch

Sense

Dynamic

sampling

Key-off

samples

Voice description

GRAND PIANO 1

1 Grand Piano 1

●●●●

This sound was sampled from a full concert

grand piano. Three stages of dynamics were

sampled, and no effort has been spared in

making the sound virtually identical to that of an

acoustic piano. Even the tonal changes

produced by the damper pedal and the subtle

sounds of releasing a key are reproduced. The

sympathetic vibration (string resonance) that

occurs between the strings of an acoustic piano

has also been simulated. Suitable not only for

classical compositions but also for piano pieces

of any style.

15 Mellow Piano

●●●●

A warm and mellow piano sound. Ideal for

classical music.

GRAND PIANO 2

2 Grand Piano 2

●●

——A spacious and clear piano sound with a bright

resonance. Ideal for popular music.

16 Bright Piano

●●

——A spacious and bright piano sound. Ideal for

popular and rock music.

MONO PIANO 3 Mono Piano 1 —

●●

— The sound of a mono piano. Good for ensemble

performance.

17 Mono Piano 2 —

●

——A mono piano sound with a different character

than Mono Piano 1.

E.PIANO 1 4 E.Piano 1 —

●●

— The sound of an electric piano using

hammerstruck metallic “tines.” Soft tone when

played lightly, and an aggressive tone when

played hard.

18 Vintage Piano —

●●

—A different type of electric piano sound. Widely

used in rock and popular music.

E.PIANO 2 5 E.Piano 2 —

●●

— An electronic piano sound produced by an FM

synthesizer. The tone will change as you vary

your playing touch. Ideal for popular music.

19 Synth Piano —

●

——This voice simulates the electric piano sound

produced by synthesizers in popular music. It

also goes well with the acoustic piano sound.

E.CLAVICHORD 6 E.Clavichord —

●

—

●

This is the voice of a keyboard that produces

sound by striking the strings with magnetic

pickups. This funky sound is popular in

contemporary soul and R&B music. Because of

its unique structure, the instrument produces a

peculiar sound when you release the keys.

20 Wah Clavi. —

●

—

●

A distinctive effect is preset.

VIBRAPHONE 7 Vibraphone

●●●

—Vibraphone played with relatively soft mallets.

The tone becomes more metallic the harder you

play.

21 Marimba

●●

——A marimba sound, sampled in stereo for

spaciousness and realism.

CHURCH

ORGAN

8 Church Organ

●

———This voice features the combination of pipes

(8'+4'+2') of a principal (brass instrument)

organ. It is suitable for Baroque church music.

22 Pipe Organ Tutti

●

———This voice features a full coupler of a pipe organ,

famous for the sound used in Toccata and Fugue

by Bach.

JAZZ ORGAN 9 Jazz Organ — — — — The sound of a “tonewheel” type electric organ.

Often heard in jazz and rock idioms.

23 Jazz Organ

(Variation)

————Uses a rotary speaker effect with a different

speed. The variations speed is faster. If the

variation is selected while holding a chord, the

speed of the effect will gradually change.

HARPSICHORD 10 Harpsichord

●

——

●

The sound of the instrument frequently used in

baroque music. Variations in playing touch will

not affect the volume, and a characteristic sound

will be heard when you release the key.

24 Harpsichord

(Variation)

●

——

●

A harpsichord with an added upper octave.

Produces a more brilliant sound.

STRINGS/

CHOIR

11 Strings

●●

——Stereo-sampled, large-scale strings ensemble

with realistic reverb. Try combining this voice

with piano in the Dual function.

25 Choir —

●

——A big, spacious choir Voice. Perfect for creating

rich harmonies in slow pieces.

Factory Setting List

CP33 Owner’s Manual

Appendix

*1. When you set the "*.13 Voice Setting for Internal Tone Generator" setting in [MASTER EDIT] menu, specify the corresponding Voice number.

*2. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of an acoustic instrument.

*3. Contains a very subtle sample that is produced when the keys are released.

• You can select the Voice number 15 to 28 by pressing the corresponding number button, then press the [VARIATION] button.

Factory Setting List

• No backup data exists on "—".

• For details about Backup group, see page 41.

GUITAR 12 Nylon Guitar —

●

——A warm and natural nylon-string guitar sound.

Enjoy the atmosphere it adds to a quiet song.

26 Steel Guitar —

●

——A bright steel guitar sound. Ideal for popular

music.

WOOD BASS 13 Wood Bass —

●

——The sound of a ﬁnger-plucked upright bass.

Frequently used in jazz and Latin music.

27 Bass&Cymbal —

●

——The sound of a cymbal has been layered onto

the bass. Effective when used for jazz walking

bass lines.

E.BASS 14 E.Bass —

●

——The sound of an electric bass. Frequently used

in jazz, rock, and popular music.

28 Fretless Bass —

●

——The sound of a fretless bass. Suitable for styles

such as jazz and fusion.

Function Default Backup Group

Voice GRAND PIANO 1

F8.1

Variation OFF

Dual OFF

Split OFF

Split Left Voice WOOD BASS

Brilliance NORMAL —

Reverb Type Preset for each Voice

F8.1

Reverb Depth Preset for each Voice

Effect Type Preset for each Voice

Effect Depth Preset for each Voice

Touch Sensitivity MEDIUM

Volume in the FIXED 64

Panel Lock OFF —

Click OFF —

Click Time Signature 0 (no accent) F8.1

Tempo 120 —

Transpose 0 F8.3

Panel

Voice

Number

Voice name

Stereo

sampling

Touch

Sense

Dynamic

sampling

Key-off

samples

Voice description

Function Settings

CP33 Owner’s Manual

Appendix

Function Settings

Display Function Default Backup Group

F1. Tuning A3 = 440Hz

F8.3F2.1 Scale 1 (Equal Temperament)

F2.2 Base Note C

F3.1 Dual Detune Preset for each Voice combination

F8.1

F3.2, F3.3 Dual Octave Shift Preset for each Voice combination

F3.4, F3.5 Dual Effect Depth Preset for each Voice combination

F4.1 Split Point



F4.2, F4.3 Split Octave Shift Preset for each Voice combination

F4.4, F4.5 Split Effect Depth Preset for each Voice combination

F4.6 Sustain Pedal Range All

F5.1 AUX Pedal 1 (Expression)

F8.4

F5.2 Soft Pedal Effect Depth 3

F5.3 Sustain Sample Depth 12

F5.4 Key-off Sample Volume 10

F5.5 Sustain Pedal Type 1

F5.6 AUX Pedal Type 1

F6 Click Volume 10 F8.1

F7.1 MIDI Transmit Channel 1

F8.2

F7.2 MIDI Receive Channel All

F7.3 Local Control On

F7.4 Program Change Send & Receive On

F7.5 Control Change Send & Receive On

F8. Backup

Voice: OFF

MIDI Tuning Others: On

Always backed up

Master mode

CP33 Owner’s Manual

Appendix

Master mode

• The asterisk (*) represents the Zone number.

• The Master Edit settings can only be made when the Master mode is turned on (page 26).

Message List

* Never attempt to turn off the power while “CC

” or “FF

” appears in the display. Turning the power off in this state may cause the system to freeze.

Display Function Default

*.01 Lowest Note of the Range C-2

*.02 Highest Note of the Range G8

*.03 MIDI Transmit Channel for Master Mode

Zone 1 = Ch 1

Zone 2 = Ch 2

*.04 Internal Tone Generator On/Off On

*.05 Slider Volume

*.06 Volume for Internal Tone Generator 100

*.07 Volume for External Tone Generator 100

*.08 Pan for Internal Tone Generator 64

*.09 Pan for an External Tone Generator 64

*.10 Reverb Depth for Internal Tone Generator 10

*.11 Effect Depth for Internal Tone Generator 10

*.12 Octave 0

*.13 Voice for Internal Tone Generator 1

*.14 Program Change Number 0

*.15 Bank Select MSB 0

*.16 Bank Select LSB 122

Display Comment

Displayed after factory presets are recalled.

Displayed when the current operation is completed.

Indicates that internal memory has been cleaned, because the power has

been turned off.

Conﬁrms whether each operation is executed or not.

CAUTION

MIDI Data Format

CP33 Owner’s Manual

Appendix

MIDI Data Format

If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computer-generated

MIDI messages, the data provided in this section can help you to control the CP33.

1. NOTE ON/OFF

Data format: [9nH] -> [kk] -> [vv]

9nH = Note ON/OFF event (n = channel number)

kk = Note number (Transmit: 09H ~ 78H = A-2 ~ C8 /

Receive: 00H ~ 7FH = C-2 ~ G8)

vv = Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H)

Data format: [8nH] -> [kk] -> [vv] (reception only)

8nH = Note OFF event (n = channel number)

kk = Note number: 00H ~ 7FH = C-2 ~ G8)

vv = Velocity

2. CONTROL CHANGE

Data format: [BnH] -> [cc] -> [vv]

BnH = Control change (n = channel number)

cc = Control number

vv = Data Range

(1) Bank Select

ccH Parameter Data Range (vvH)

00H Bank Select MSB 00H:Normal

20H Bank Select LSB 00H...7FH

Bank selection processing does not occur until receipt of next

Program Change message.

(2) Modulation wheel

ccH Parameter Data Range (vvH)

01H Modulation 00H...7FH

(3) Main Volume

ccH Parameter Data Range (vvH)

07H Volume MSB 00H...7FH

(4) Expression

ccH Parameter Data Range (vvH)

0BH Expression MSB 00H...7FH

(5) Pan

ccH Parameter Data Range (vvH)

0AH Pan 00H...7FH

(6) Sustain

ccH Parameter Data Range (vvH)

40H Sustain MSB 00H...7FH

(7) Sostenuto

ccH Parameter Data Range (vvH)

42H Sostenuto 00H-3FH:off, 40H-7FH:on

(8) Soft Pedal

ccH Parameter Data Range (vvH)

43H Soft Pedal 00H-3FH:off, 40H-7FH:on

(9) Effect1 Depth (Reverb Send Level)

ccH Parameter Data Range (vvH)

5BH Effect1 Depth 00H...7FH

Adjusts the reverb send level.

(10)Effect4 Depth (Variation Effect Send Level)

ccH Parameter Data Range (vvH)

5EH Effect4 Depth 00H...7FH

(11)RPN

65H RPN MSB

64H RPN LSB

06H Data Entry MSB

26H Data Entry LSB

60H Data Increment

61H Data Decrement

* Parameters that are controllable with RPN

• Coarse Tune

• Fine Tune

• Pitch Bend Range

3. MODE MESSAGES

Data format: [BnH] -> [cc] -> [vv]

BnH = Control event (n = channel number)

cc = Control number

vv = Data Range

(1) All Sound Off

ccH Parameter Data Range (vvH)

78H All Sound Off 00H

(2) Reset All Controllers

ccH Parameter Data Range (vvH)

79H Reset All Controllers 00H

Resets controllers as follows.

Controller Value

Expression 127 (max)

Sustain Pedal 0 (off)

Sostenuto 0 (off)

Soft Pedal 0 (off)

(3) Local Control (reception only)

ccH Parameter Data Range (vvH)

7AH Local Control 00H (off), 7FH (on)

(4) All Notes Off

ccH Parameter Data Range (vvH)

7BH All Notes Off 00H

Switches OFF all the notes that are currently ON on the spec-

iﬁed channel. Any notes being held by the sustain or soste-

nuto pedal will continue to sound until the pedal is released.

(5) Omni Off (reception only)

ccH Parameter Data Range (vvH)

7CH Omni Off 00H

Same processing as for All Notes Off.

(6) Omni On (reception only)

ccH Parameter Data Range (vvH)

7DH Omni On 00H

Same processing as for All Notes Off.

(7) Mono (reception only)

ccH Parameter Data Range (vvH)

7EH Mono 00H

Same processing as for All Sound Off.

(8) Poly (reception only)

ccH Parameter Data Range (vvH)

7FH Poly 00H

Same processing as for All Sound Off.

• When Control Change is turned OFF, Control Change mes-

sages will not be transmitted or received.

• Local on/off, OMNI on/off are not transmitted. (The appropriate

note off number is supplied with “All Note Off” transmission).

• When a voice bank MSB/LSB is received, the number is

stored in the internal buffer regardless of the received order,

then the stored value is used to select the appropriate voice

when a program change message is received.

•Poly mode is always active. This mode will not change when

the instrument receives MONO/POLY mode message.

MIDI Data Format

CP33 Owner’s Manual

Appendix

4. PROGRAM CHANGE

Data format: [CnH] -> [ppH]

CnH = Program event (n = channel number)

ppH = Program change number

P.C.#=Program Change number

• Some devices use a “0 to 127” numbering system for program

change messages. Since the CP33 uses a “1 to 128” number-

ing system, you will need to subtract 1 from the transmitted

program change numbers to select the appropriate sound:

e.g. to select P.C.#1 in the list above, transmit program

change number 0.

5. PITCH BEND CHANGE

[EnH] -> [ccH] -> [ddH]

ccH = LSB

ddH = MSB

6. CHANNEL AFTER TOUCH

[Dnh]->[vvH]

7. SYSTEM REALTIME MESSAGES

[rrH]

F8H: Timing clock

FEH: Active sensing

• Caution: If an error occurs during MIDI reception, the Sustain,

Sostenuto, and Soft effects for all channels are turned off and

an All Note Off message occurs.

8. SYSTEM EXCLUSIVE MESSAGES

(Yamaha MIDI Format)

Panel Data Transmit

Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... -> [F7H]

F0H, 43H, 0nH, 7CH (n: channel number)

00H, LLH (data length)

43H, 4CH, 20H, 20H (CL)

43H, 4CH, 50H, 27H, 30H, 35H (CLP05)

3xH, 3yH (version x.y)

[PANEL DATA]

[CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end)

F7H (End of Exclusive)

• Panel Data Contents

•Panel data send requests cannot be received.

9. SYSTEM EXCLUSIVE MESSAGES

(Universal System Exclusive)

(1) Universal Realtime Message

Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->

[llH] -> [mmH] -> [F7H]

MIDI Master Volume

• Simultaneously changes the volume of all channels.

• When a MIDI master volume message is received, the volume

only has affect on the MIDI receive channel, not the panel

master volume.

F0H = Exclusive status

7FH = Universal Realtime

7FH = ID of target device

04H = Sub-ID #1=Device Control Message

01H = Sub-ID #2=Master Volume

llH = Volume LSB

mmH =

Volume MSB

F7H = End of Exclusive

F0H = Exclusive status

7FH = Universal Realtime

XnH = When n is received n=0~F, whichever is received.

X = irrelevant

04H = Sub-ID #1=Device Control Message

01H = Sub-ID #2=Master Volume

llH = Volume LSB

mmH =

Volume MSB

F7H = End of Exclusive

(2) Universal Non-Realtime Message (GM On)

General MIDI Mode On

Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] ->

[F7H]

F0H = Exclusive status

7EH = Universal Non-Realtime

7FH = ID of target device

09H = Sub-ID #1=General MIDI Message

01H = Sub-ID #2=General MIDI On

F7H = End of Exclusive

F0H = Exclusive status

7EH = Universal Non-Realtime

XnH = When received, n=0~F.

X = irrelevant

09H = Sub-ID #1=General MIDI Message

01H = Sub-ID #2=General MIDI On

F7H = End of Exclusive

VoiceName MSB LSB

P.C.#

GRAND PIANO 1 0 122 1

Variation 0 123 1

GRAND PIANO 2 0 112 1

Variation 0 112 2

MONO PIANO 0 123 2

Variation 0 114 2

E.PIANO 1 0 122 5

Variation 0 123 5

E.PIANO 2 0 122 6

Variation 0 122 89

E.CLAVICHORD 0 122 8

Variation 0 123 8

VIBRAPHONE 0 122 12

Variation 0 122 13

CHURCH ORGAN 0 123 20

Variation 0 122 20

JAZZ ORGAN 0 122 17

Variation 0 123 17

HARPSICHORD 0 122 7

Variation 0 123 7

STRINGS/CHOIR 0 122 49

Variation 0 122 53

GUITAR 0 122 25

Variation 0 122 26

WOOD BASS 0 122 33

Variation 0 124 33

E.BASS 0 122 34

Variation 0 122 36

Data Transmission Reception

F8H

Transmitted every

96 clocks

Received as 96-clock tempo timing

when MIDI clock is set to External.

FEH

Transmitted every

200 milliseconds

If a signal is not received via MIDI for

more than 400 milliseconds, the

same processing will take place for All

Sound Off, All Notes Off and Reset All

Controllers as when those signals are

received.

(1) 1’st Voice

(2) Dual On/Off

(3) Dual Voice

(4) Dual Balance

(5) Dual Detune

(6) Dual Voice1 Octave

(7) Dual Voice2 Octave

(8) Dual Voice1 Effect Depth

(9) Dual Voice2 Effect Depth

(10) Split On/Off

(11) Split Voice

(12) Split Point

(13) Split Balance

(14) Split Voice1 Octave

(15) Split Voice2 Octave

(16) Split Voice1 Effect Depth

(17) Split Voice2 Effect Depth

(18) Split Sustain Mode

(19) Reverb Type 1

(20) Reverb Type 2

(21) Reverb Depth 1

(22) Reverb Depth 2

(23) Effect Type 1

(24) Effect Type 2

(25) Effect Depth

(26) —

(27) Touch Sensitivity

(28) Fixed Data

(29) AUX Pedal

(30) Soft Pedal Depth

(31) Absolute tempo low byte

(32) Absolute tempo high byte

(33) Key-Off Sampling Depth

(34) —

(35) —

(36) Variation

MIDI Data Format

CP33 Owner’s Manual

Appendix

When a General MIDI mode ON message is received, the

MIDI system will be reset to its default settings.

This message requires approximately 50ms to execute, so

sufﬁcient time should be allowed before the next message is

sent.

10.SYSTEM EXCLUSIVE MESSAGES (XG Standard)

(1) XG Native Parameter Change

Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] ->

[mmH] -> [llH] -> [ddH] ->...-> [F7H]

F0H = Exclusive status

43H = YAMAHA ID

1nH = When received, n=0~F.

When transmitted, n=0.

4CH = Model ID of XG

hhH = Address High

mmH =

Address Mid

llH = Address Low

ddH = Data

F7H = End of Exclusive

Data size must match parameter size (2 or 4 bytes).

When an XG System On message is received, the MIDI sys-

tem will be reset to its default settings.

The message requires approximately 50ms to execute, so

sufﬁcient time should be allowed before the next message is

sent.

(2) XG Native Bulk Data (reception only)

Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] ->

[bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->...->

[ccH] -> [F7H]

F0H = Exclusive status

43H = YAMAHA ID

0nH = When received, n=0~F.

4CH = Model ID of XG

aaH = Byte Count

bbH = Byte Count

hhH = Address High

mmH =

Address Mid

llH = Address Low

ddH = Data

| |

ccH = Check sum

F7H = End of Exclusive

• Receipt of the XG SYSTEM ON message causes reinitializa-

tion of relevant parameters and Control Change values. Allow

sufﬁcient time for processing to execute (about 50 msec)

before sending the CP33 another message.

• XG Native Parameter Change message may contain two or

four bytes of parameter data (depending on the parameter

size).

•For information about the Address and Byte Count values,

refer to Table 1 below. Note that the table’s Total Size value

gives the size of a bulk block. Only the top address of the

block (00H, 00H, 00H) is valid as a bulk data address.

11.SYSTEM EXCLUSIVE MESSAGES

(CP33 MIDI Format)

Data format:

[F0H] -> [43H] -> [73H] -> [01H] -> [nnH] -> [F7H]

F0H = Exclusive status

43H = Yamaha ID

73H = CP33 ID

01H = Product ID (CLP common)

nnH = Substatus

nn Control

02H Internal MIDI clock

03H External MIDI clock

F7H = End of Exclusive

12.

SYSTEM EXCLUSIVE MESSAGES (Special Control)

Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [11H] ->

[0nH] -> [ccH] -> [vvH] -> [F7H]

F0H = Exclusive status

43H = Yamaha ID

73H = CP33 ID

7FH = Extended Product ID

xxH = Product ID 4CH

11H = Special control

0nH = Control MIDI change (n=channel number)

cc = Control number

vv = Value

F7H = End of Exclusive

Control On ccH vvH

Split Point Always 00H 14H

14H:

Split Key Number

Metronome Always 00H 1BH 00H: No accent

01H-0FH: 1/4-15/4

7FH: off

Sustain Level

ch: 00H-0FH 3DH (Sets the Sustain Level

for each channel)

00H-7FH

Channel Detune

ch: 00H-0FH 43H (Sets the Detune value

for each channel)

00H-7FH

Voice Reserve

ch: 00H-0FH 45H 00H : Reserve off

7FH : on*

When Volume or Expression is received for Reserve On,

they will be effective from the next Key On. Reserve Off is

normal.

13.SYSTEM EXCLUSIVE MESSAGES

(Master Setting Bulk)

Bulk Request (reception only)

Data format: [F0H] -> [43H] -> [2nH] -> [7FH] -> [05H] ->

[33H] -> [00H] -> [00H] -> [F7H]

F0H= Exclusive Status

43H= Yamaha ID

2nH= When received, n=0.

7FH= CP33 ID High

05H= CP33 ID Low

33H= Master Setting Address High

00H= Master Setting Addres Mid

00H= Master Setting Addres Low

F7H= End of Exclusive

Bulk Data

Data format: [F0H] -> [43H] -> [0nH] -> [7FH] -> [05H] ->

[04H] -> [0EH] -> [33H] -> [00H] -> [00H] ->

[dtH] -> [ccH] -> [F7H]

F0H= Exclusive Status

43H= Yamaha ID

0nH= When transmitted, n=0.

7FH= CP33 ID High

05H= CP33 ID Low

04H= Byte Count

0EH= Byte Count

33H= Master Setting Address High

00H= Master Setting Addres Mid

00H= Master Setting Addres Low

dtH= Data

ccH= Check sum

F7H= End of Exclusive

14.SYSTEM EXCLUSIVE MESSAGES (Others)

Data format:

[F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H]

-> [00H] -> [mmH] -> [

H] -> [ccH] -> [F7H]

Master Tuning (XG and last message priority) simultaneously

changes the pitch of all channels.

F0H = Exclusive Status

43H = Yamaha ID

1nH = When received, n=0~F.

When transmitted, n=0.

27H = Model ID of TG100

30H = Sub ID

00H =

mmH =Master Tune MSB

llH = Master Tune LSB

ccH = irrelevant (under 7FH)

F7H = End of Exclusive

MIDI Data Format

CP33 Owner’s Manual

Appendix

MIDI Parameter Change table (SYSTEM)

Address (H) Size (H) Data (H) Parameter Description Default value (H)

00 00 00 4 020C - 05F4* MASTER TUNE -50 - +50[cent] 00 04 00 00

01 1st bit 3 - 0 ➝ bit 15 - 12 400

02 2nd bit 3 - 0 ➝ bit 11 - 8

03 3rd bit 3 - 0 ➝ bit 7 - 4

4th bit 3 - 0 ➝ bit 3 - 0

04 1 00 - 7F MASTER VOLUME 0 - 127 7F

7E 00 XG SYSTEM ON 00=XG system ON

7F 00 RESET ALL PARAMETERS 00=ON (receive only)

TOTAL SIZE 07

*Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.

MIDI Parameter Change table (EFFECT 1)

Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers.

Address (H) Size (H) Data (H) Parameter Description Default value (H)

02 01 00 2 00-7F REVERB TYPE MSB Refer to Effect MIDI Map 01 (=HALL1)

00-7F REVERB TYPE LSB 00 : basic type 00

02 01 40 2 00-7F VARIATION TYPE MSB Refer to Effect MIDI Map 00(=Effect off)

00-7F VARIATION TYPE LSB 00 : basic type 00

• “VARIATION” refers to the EFFECT on the panel.

MIDI Parameter Change table (MULTI PART)

Address (H) Size (H) Data (H) Parameter Description Default value (H)

08 nn 11 1 00 - 7F DRY LEVEL 0 - 127 7F

nn = Part Number

• Effect MIDI Map

REVERB

MSB LSB

ROOM 02H 10H

HALL 1 01H 10H

HALL 2 01H 11H

STAGE 03H 10H

OFF 00H 00H

EFFECT

MSB LSB

CHORUS 42H 10H

PHASER 48H 10H

TREMOLO 46H 10H

ROTARY SP 47H 10H

OFF 00H 00H

MIDI Implementation Chart (Voice)

CP33 Owner’s Manual

Appendix

MIDI Implementation Chart (Voice)

TransmittedFunction... Recognized Remarks

Basic

Channel

Note

Number : True voice

Velocity

After

Touch

Pitch Bend

Control

Change

Prog

Change : True #

System Exclusive

Common : Song Pos.

: Song Sel.

: Tune

System : Clock

Real Time : Commands

: All Sound Off

Aux :

Reset

All

Cntrls

: Local ON/OFF

Mes- : All Notes OFF

sages: Active Sense

: Reset

Note :

Mode

Default

Changed

Note ON

Note OFF

Key's

Ch's

0,32

6,38

64,66,67

91,94

96-97

100-101

1 - 16

Ø 9nH,v=1-127

0 - 127

**************

0 - 127

**************

Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO

Ø Ø 0 - 24 semi

1 - 16

Ø 9nH,v=1-127

(120,126,127)

Ø (121)

Ø (122)

Ø (123-125)

0 - 127

Ø : Yes

˛ : No

Default

Messages

Altered

YAMAHA [ Stage Piano ]

Date :01-Dec-2005

MIDI Implementation Chart (Voice)

Version : 1.0

Bank Select

Modulation

Main Volume

Panpot

Expression

Data Entry

Portamento Control

Effect Depth

RPN Inc,Dec

RPN LSB,MSB

Ø 0 - 127

Memorized

CP33 Owner’s Manual

Appendix

MIDI Implementation Chart (Master)

TransmittedFunction... Recognized Remarks

Basic

Channel

Note

Number : True voice

Velocity

After

Touch

Pitch Bend

Control

Change

Prog

Change : True #

System Exclusive

Common : Song Pos.

: Song Sel.

: Tune

System : Clock

Real Time : Commands

: All Sound Off

Aux :

Reset

All

Cntrls

: Local ON/OFF

Mes- : All Notes OFF

sages: Active Sense

: Reset

Note :

:Even though the keyboard itself doesn't support after touch control, after touch data can be transmitted from Zone control sliders 1

and 2 when after touch is assigned to the sliders.

Mode

Default

Changed

Note ON

Note OFF

Key's

Ch's

0,32

6,38

64,66,67

91,94

96-97

100-101

1 - 16

Ø 9nH,v=1-127

Ø*

0 - 127

**************

0 - 127

**************

Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO

Ø Ø 0 - 24 semi

1 - 16

Ø 9nH,v=1-127

(120,126,127)

Ø (121)

Ø (122)

Ø (123-125)

0 - 127

Ø : Yes

˛ : No

Default

Messages

Altered

Bank Select

Modulation

Main Volume

Panpot

Expression

Data Entry

Portamento Control

Effect Depth

RPN Inc,Dec

RPN LSB,MSB

Ø 0 - 127

Memorized

YAMAHA [ Stage Piano ]

Date :01-Dec-2005

MIDI Implementation Chart (Master)

Version : 1.0

CP33 Owner’s Manual

Appendix

Speciﬁcations

• Speciﬁcations and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or

speciﬁcations at any time without prior notice. Since speciﬁcations, equipment or options may not be the same in every locale, please check with your Yamaha dealer.

Item CP33

Keyboard GH keyboard 88 keys (A-1 – C7)

Sound Source AWM Dynamic Stereo Sampling

Polyphony (max.) 64

Voice Selection 14 x 2 variations for each Voice

Effect Reverb, Effect, Brilliance

Controls Dual, Split, Click, Transpose, Touch (Hard/Medium/Soft/Fixed), Functions

Pedal SUSTAIN PEDAL (can be used with half-pedal effect),

AUX PEDAL (assignable to various functions)

Controller Master Volume Dial, Pitch Bend Wheel, Modulation Wheel, Zone Control Sliders

Jacks/Connectors MIDI (IN/OUT), PHONES, OUTPUT (L/MONO, R), FOOT PEDAL (SUSTAIN/AUX), USB TO HOST, DC IN

Dimensions (W x D x H) 1312 x 330 x 151 mm (51-2/3" x 13 x 5-15/16")

Weight 18 kg (39 lbs., 11 oz)

Accessories Owner’s Manual, Foot Pedal FC3, Yamaha PA-3C power adaptor

CP33 Owner’s Manual

Appendix

Index

AUX Pedal .........................................................................11, 38

[AUX PEDAL] jack .................................................................11

Backup Functions .....................................................................41

Brilliance ..................................................................................17

[BRILLIANCE] button ............................................................17

Click .........................................................................................23

[CLICK] button ........................................................................23

Click Volume ...........................................................................39

Connections

Computer ..........................................................................44

External Audio Equipment ...............................................42

External MIDI Equipment ...............................................42

[DC IN] jack ...............................................................................8

[DEMO] button ........................................................................15

Demo Songs .............................................................................15

Dual ..........................................................................................19

Dual Functions .........................................................................36

Effect ........................................................................................18

[EFFECT] button .....................................................................18

Factory Preset Recall ...............................................................41

FUNCTION .............................................................................31

Headphones ................................................................................9

Hz (Hertz) ................................................................................34

List

Factory Setting .................................................................48

Function Settings .............................................................31

Master Edit .......................................................................27

Message ............................................................................50

Preset Voice .....................................................................47

[MASTER] button ...................................................................26

[MASTER EDIT] button .........................................................27

Master Mode ............................................................................26

Master Settings .........................................................................27

Master Volume .........................................................................10

[MASTER VOLUME] dial ......................................................10

[MEMORY] button ..................................................................30

MIDI ........................................................................................42

MIDI Channel ..........................................................................42

MIDI Data Format ...................................................................51

MIDI Functions ........................................................................39

MIDI Implementation Chart

Master ..............................................................................56

Voice ................................................................................55

MIDI [IN][OUT] connectors ................................................... 42

Modulation wheel .................................................................... 22

[NO/–][YES/+] buttons ..................................................... 23, 32

Other Functions ....................................................................... 38

OUTPUT [L/MONO][R] jacks ............................................... 42

[PANEL LOCK] button ..........................................................24

Pedal ........................................................................................ 11

Pedal Type ............................................................................... 38

[PHONES] jack ......................................................................... 9

Pitch bend wheel ...................................................................... 22

PRECAUTIONS ........................................................................ 2

Reverb ...................................................................................... 17

[REVERB] button ...................................................................17

Scale ........................................................................................ 35

Specifications .......................................................................... 57

Split .......................................................................................... 21

[SPLIT] button ......................................................................... 21

Split Functions ......................................................................... 37

Split Point ................................................................................ 21

[STANDBY/ON] switch ........................................................... 9

Supplied Accessories ................................................................. 5

Sustain Pedal ...........................................................................11

[SUSTAIN PEDAL] jack ........................................................ 11

Tempo ...................................................................................... 23

TEMPO/FUNCTION [–][+] buttons ................................. 28, 32

Time Signature ........................................................................ 23

[TOUCH] button .....................................................................18

Touch Sensitivity ..................................................................... 18

[TRANSPOSE] button ............................................................ 23

Troubleshooting ....................................................................... 46

Tune ......................................................................................... 34

[USB] connector ...................................................................... 44

Variation .................................................................................. 16

[VARIATION] button ............................................................. 16

Voice ........................................................................................ 16

[VOICE/MASTER] button ................................................16, 30

Volume

adjusting each Zone ......................................................... 25

adjusting Master Volume ................................................10

Zone Control ............................................................................25

[ZONE CONTROL] sliders ....................................................25

CP33 Owner’s Manual

This product utilizes batteries or an external power supply

(adapter). DO NOT connect this product to any power supply

or adapter other than one described in the manual, on the

name plate, or specifically recommended by Yamaha.

WARNING: Do not place this product in a position where

anyone could walk on, trip over ,or roll anything over power or

connecting cords of any kind. The use of an extension cord is

not recommended! If you must use an extension cord, the

minimum wire size for a 25’ cord (or less ) is 18 AWG. NOTE:

The smaller the AWG number ,the larger the current handling

capacity. For longer extension cords, consult a local

electrician.

This product should be used only with the components

supplied or; a cart, rack, or stand that is recommended by

Yamaha. If a cart, etc., is used, please observe all safety

markings and instructions that accompany the accessory

product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be

correct at the time of printing. However, Yamaha reserves the

right to change or modify any of the specifications without

notice or obligation to update existing units.

This product, either alone or in combination with an amplifier

and headphones or speaker/s, may be capable of producing

sound levels that could cause permanent hearing loss. DO

NOT operate for long periods of time at a high volume level or

at a level that is uncomfortable. If you experience any hearing

loss or ringing in the ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time

period before damage occurs.

Some Yamaha products may have benches and / or

accessory mounting fixtures that are either supplied with the

product or as optional accessories. Some of these items are

designed to be dealer assembled or installed. Please make

sure that benches are stable and any optional fixtures (where

applicable) are well secured BEFORE using.

Benches supplied by Yamaha are designed for seating only.

No other uses are recommended.

NOTICE:

Service charges incurred due to a lack of knowledge relating to

how a function or effect works (when the unit is operating as

designed) are not covered by the manufacturer’s warranty, and

are therefore the owners responsibility. Please study this

manual carefully and consult your dealer before requesting

service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe

and environmentally friendly. We sincerely believe that our

products and the production methods used to produce them,

meet these goals. In keeping with both the letter and the spirit

of the law, we want you to be aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable battery

which (if applicable) is soldered in place. The average life span

of this type of battery is approximately five years. When

replacement becomes necessary, contact a qualified service

representative to perform the replacement.

This product may also use “household” type batteries. Some of

these may be rechargeable. Make sure that the battery being

charged is a rechargeable type and that the charger is

intended for the battery being charged.

When installing batteries, do not mix batteries with new, or with

batteries of a different type. Batteries MUST be installed

correctly. Mismatches or incorrect installation may result in

overheating and battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep

all batteries away from children. Dispose of used batteries

promptly and as regulated by the laws in your area. Note:

Check with any retailer of household type batteries in your

area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for

some reason its useful life is considered to be at an end,

please observe all local, state, and federal regulations that

relate to the disposal of products that contain lead, batteries,

plastics, etc. If your dealer is unable to assist you, please

contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the rear of the product. The

model number, serial number, power requirements, etc., are

located on this plate. You should record the model number,

serial number, and the date of purchase in the spaces

provided below and retain this manual as a permanent record

of your purchase.

Model

Serial No.

Purchase Date

PLEASE KEEP THIS MANUAL

SPECIAL MESSAGE SECTION

92-BP (rear)

CP33 Owner’s Manual

*This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

(FCC DoC)

COMPLIANCE INFORMATION STATEMENT

(DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620

Telephone : 714-522-9011

Type of Equipment : Stage Piano

Model Name : CP33

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following conditions:

1)this device may not cause harmful interference, and

2)this device must accept any interference received including interference

that may cause undesired operation.

See user manual instructions if interference to radio reception is sus-

pected.

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions

contained in this manual, meets FCC requirements.

Modifications not expressly approved by Yamaha may void

your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to

accessories and/or another product use only high quality

shielded cables. Cable/s supplied with this product MUST

be used. Follow all installation instructions. Failure to follow

instructions could void your FCC authorization to use this

product in the USA.

3. NOTE: This product has been tested and found to comply

with the requirements listed in FCC Regulations, Part 15 for

Class “B” digital devices. Compliance with these

requirements provides a reasonable level of assurance that

your use of this product in a residential environment will not

result in harmful interference with other electronic devices.

This equipment generates/uses radio frequencies and, if

not installed and used according to the instructions found in

the users manual, may cause interference harmful to the

operation of other electronic devices. Compliance with FCC

regulations does not guarantee that interference will not

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

(class B)

occur in all installations. If this product is found to be the

source of interference, which can be determined by turning

the unit “OFF” and “ON”, please try to eliminate the problem

by using one of the following measures:

Relocate either this product or the device that is being

affected by the interference.

Utilize power outlets that are on different branch (circuit

breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the

antenna. If the antenna lead-in is 300 ohm ribbon lead,

change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory

results, please contact the local retailer authorized to

distribute this type of product. If you can not locate the

appropriate retailer, please contact Yamaha Corporation of

America, Electronic Service Division, 6600 Orangethorpe

Ave, Buena Park, CA90620

The above statements apply ONLY to those products

distributed by Yamaha Corporation of America or its

subsidiaries.

FCC INFORMATION (U.S.A.)

OBSERVERA!

Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den ar

ansluten till vägguttaget, även om själva apparaten har stängts av.

ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt, sålæenge

netledningen siddr i en stikkontakt, som er t endt — også selvom der or

slukket på apparatets afbryder.

VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta

verkosta.

(standby)

CP33 Owner’s Manual

MEMO

CP33 Owner’s Manual

MEMO

For details of products, please contact your nearest Yamaha

representative or the authorized distributor listed below.

Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou

au distributeur le plus proche de vous ﬁgurant dans la liste suivante.

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten

Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen

Bestimmungsländern erhältlich.

Para detalles sobre productos, contacte su tienda Yamaha más cercana

o el distribuidor autorizado que se lista debajo.

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario,

M1S 3R1, Canada

Tel: 416-298-1311

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Ave., Buena Park, Calif. 90620,

U.S.A.

Tel: 714-522-9011

MEXICO

Yamaha de México S.A. de C.V.

Calz. Javier Rojo Gómez #1149,

Col. Guadalupe del Moral

C.P. 09300, México, D.F., México

Tel: 55-5804-0600

BRAZIL

Yamaha Musical do Brasil Ltda.

Av. Reboucas 2636-Pinheiros CEP: 05402-400

Sao Paulo-SP. Brasil

Tel: 011-3085-1377

ARGENTINA

Yamaha Music Latin America, S.A.

Sucursal de Argentina

Viamonte 1145 Piso2-B 1053,

Buenos Aires, Argentina

Tel: 1-4371-7021

PANAMA AND OTHER LATIN

AMERICAN COUNTRIES/

CARIBBEAN COUNTRIES

Yamaha Music Latin America, S.A.

Torre Banco General, Piso 7, Urbanización Marbella,

Calle 47 y Aquilino de la Guardia,

Ciudad de Panamá, Panamá

Tel: +507-269-5311

THE UNITED KINGDOM

Yamaha-Kemble Music (U.K.) Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes,

MK7 8BL, England

Tel: 01908-366700

IRELAND

Danfay Ltd.

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin

Tel: 01-2859177

GERMANY

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

SWITZERLAND/LIECHTENSTEIN

Yamaha Music Central Europe GmbH,

Branch Switzerland

Seefeldstrasse 94, 8008 Zürich, Switzerland

Tel: 01-383 3990

AUSTRIA

Yamaha Music Central Europe GmbH,

Branch Austria

Schleiergasse 20, A-1100 Wien, Austria

Tel: 01-60203900

CZECH REPUBLIC/SLOVAKIA/

HUNGARY/SLOVENIA

Yamaha Music Central Europe GmbH,

Branch Austria, CEE Department

Schleiergasse 20, A-1100 Wien, Austria

Tel: 01-602039025

POLAND

Yamaha Music Central Europe GmbH

Sp.z. o.o. Oddzial w Polsce

ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland

Tel: 022-868-07-57

THE NETHERLANDS/

BELGIUM/LUXEMBOURG

Yamaha Music Central Europe GmbH,

Branch Benelux

Clarissenhof 5-b, 4133 AB Vianen, The Netherlands

Tel: 0347-358 040

FRANCE

Yamaha Musique France

BP 70-77312 Marne-la-Vallée Cedex 2, France

Tel: 01-64-61-4000

ITALY

Yamaha Musica Italia S.P.A.

Combo Division

Viale Italia 88, 20020 Lainate (Milano), Italy

Tel: 02-935-771

SPAIN/PORTUGAL

Yamaha-Hazen Música, S.A.

Ctra. de la Coruna km. 17, 200, 28230

Las Rozas (Madrid), Spain

Tel: 91-639-8888

GREECE

Philippos Nakas S.A. The Music House

147 Skiathou Street, 112-55 Athens, Greece

Tel: 01-228 2160

SWEDEN

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1

Box 30053

S-400 43 Göteborg, Sweden

Tel: 031 89 34 00

DENMARK

YS Copenhagen Liaison Ofﬁce

Generatorvej 6A

DK-2730 Herlev, Denmark

Tel: 44 92 49 00

FINLAND

F-Musiikki Oy

Kluuvikatu 6, P.O. Box 260,

SF-00101 Helsinki, Finland

Tel: 09 618511

NORWAY

Norsk ﬁlial av Yamaha Scandinavia AB

Grini Næringspark 1

N-1345 Østerås, Norway

Tel: 67 16 77 70

ICELAND

Skifan HF

Skeifan 17 P.O. Box 8120

IS-128 Reykjavik, Iceland

Tel: 525 5000

OTHER EUROPEAN COUNTRIES

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: +49-4101-3030

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2312

TURKEY/CYPRUS

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

OTHER COUNTRIES

Yamaha Music Gulf FZE

LB21-128 Jebel Ali Freezone

P.O.Box 17328, Dubai, U.A.E.

Tel: +971-4-881-5868

THE PEOPLE’S REPUBLIC OF CHINA

Yamaha Music & Electronics (China) Co.,Ltd.

25/F., United Plaza, 1468 Nanjing Road (West),

Jingan, Shanghai, China

Tel: 021-6247-2211

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,

Tsimshatsui, Kowloon, Hong Kong

Tel: 2737-7688

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930, Indonesia

Tel: 21-520-2577

KOREA

Yamaha Music Korea Ltd.

Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,

Youngdungpo-ku, Seoul, Korea

Tel: 02-3770-0660

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

Petaling Jaya, Selangor, Malaysia

Tel: 3-78030900

PHILIPPINES

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,

Makati, Metro Manila, Philippines

Tel: 819-7551

SINGAPORE

Yamaha Music Asia Pte., Ltd.

#03-11 A-Z Building

140 Paya Lebor Road, Singapore 409015

Tel: 747-4374

TAIWAN

Yamaha KHS Music Co., Ltd.

3F, #6, Sec.2, Nan Jing E. Rd. Taipei.

Taiwan 104, R.O.C.

Tel: 02-2511-8688

THAILAND

Siam Music Yamaha Co., Ltd.

891/1 Siam Motors Building, 15-16 ﬂoor

Rama 1 road, Wangmai, Pathumwan

Bangkok 10330, Thailand

Tel: 02-215-2626

OTHER ASIAN COUNTRIES

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2317

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

Level 1, 99 Queensbridge Street, Southbank,

Victoria 3006, Australia

Tel: 3-9693-5111

NEW ZEALAND

Music Houses of N.Z. Ltd.

146/148 Captain Springs Road, Te Papapa,

Auckland, New Zealand

Tel: 9-634-0099

COUNTRIES AND TRUST

TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2312

NORTH AMERICA

CENTRAL & SOUTH AMERICA

EUROPE

AFRICA

MIDDLE EAST

ASIA

OCEANIA

HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2445

SY37

OWNER’S MANUAL

STAGE PIANO

OWNER’S MANUAL

STAGE PIANO

Yamaha Web Site (English only)

http://www.yamahasynth.com/

Yamaha Manual Library

http://www.yamaha.co.jp/manual/

This document is printed on chlorine free (ECF) paper with soy ink.

U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

WG85240 510MWCP58.2-01A0

Printed in Japan

Yamaha CP33 El manual del propietario

Marca: Yamaha

Modelo: CP33

Categoría: Sintetizador

Tipo: El manual del propietario

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