Yamaha M6 Manual de usuario

Marca: Yamaha

Modelo: M6

Tipo: Manual de usuario

Este manual también es adecuado para

MUSIC SYNTHESIZER

Operation Manual

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In this document, MONTAGE M6, MONTAGE M7, and MONTAGE M8x are collectively called

“MONTAGE M.”

Indication Description

Indicates that malfunction, failure, or data loss may occur.

Indicates supplemental information.

About this manual

Information

The illustrations and LCD screens as shown in this Operation Manual are for instructional

purposes only.

Unless indicated otherwise, the illustrations and displays as shown in this Operation Manual

are based on the MONTAGE M6 (in English).

Lightning is the trademark of Apple Inc., registered in the U.S. and other countries.

The company names and product names in this manual are the trademarks or registered

trademarks of their respective companies.

Indications in this document

Model name

Others

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The information on how to use the Operation Manual (HTML) is shown below. For more

information on how to use the PDF version, refer to the manual for your viewer software.

Enter the keyword in the search box on the upper right corner to search within the Operation

Manual.

To add to the Bookmarks, click the star icon on the right of the heading title.

To remove a bookmark, click the “ ” on the right of the heading title.

Click or tap the icon at the bottom of the page and select the printer.

Using the MONTAGE M Operation Manual

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New features;

Fixed problems;

New features;

Fixed problems;

Firmware versions

v1.11 to v1.20

Now supports Expanded Softsynth Plugin for MONTAGE M.

You can now see the parameter values when operating the knobs while a graph is displayed

on the Sub display.

You can now make partial changes to the font size on the Live Set screen and the Category

Search screen.

Improvements have been made to the user interface.

v1.10 to v1.11

Fixed a problem in which Keyboard AT Mode also affects MONTAGE M6/7.

Fixed other minor problems.

v1.00 to v1.10

New Performances have been added.

Improvements have been made to the user interface.

Fixed other minor problems.

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This chapter explains the basic structure of MONTAGE M and how to use it.

Contents

Using the MONTAGE M

Basic structure

Setting up for Live Performance

Recording and playing back

Managing backup files of your Performances

Using microphones and audio devices

Connecting external MIDI instruments

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Contents

Basic structure

Block diagram and data flow

Tone generator block

Internal memory

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This instrument consists of eight main functional blocks: Controller, Motion Sequencer, Tone

Generator, Effects, Sequencer, Arpeggio, Envelope Follower, and A/D Input.

(Click or tap the text in the functional block to jump to the corresponding page.)

(1) Control message

Block diagram and data flow

(2) Audio signal

(3) Controller

(4) Motion Sequencer

(5) Tone Generator

(6) Effects

(7) Sequencer

(8) Arpeggio

(9) Envelope Follower

(10) A/D Input

(11) Control Matrix

(12) Computer

(13) External MIDI equipment

(14) Microphone, audio equipment, etc.

(15) Powered speakers, etc.

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The tone generator block is equipped with a hybrid sound engine combining three synthesis

systems.

The AWM2 sound engine features waveforms containing sampled wave data you can assign to

each element, and then modify the sound by using Filters and EGs (envelope generators). Each

Normal Part uses up to 128 elements to generate a wide range of rich sounds that help you

create expressive sounds. Since the “raw” waveforms sampled from the actual acoustic

instruments have been processed to enable each note to be used for various music, this sound

engine produces the realistic sound of musical instruments such as piano and wind instruments,

for example. You can use this sound engine not just for reproducing realistic instrument sounds

but also for creating completely new sounds by using filters and the EG. For the Drum Part, you

can use up to 73 drum keys to assign the waveforms of percussion sounds to each key on the

keyboard to create a desired drum kit.

Tone generator block

AWM2 sound engine

Normal Part

The Drum Part has a maximum of 73 drum keys you can use for creating desired drum kits by

assigning the waveforms of percussion sounds to each key on the keyboard.

The FM-X sound engine uses eight oscillators (Operators) to modulate the frequency of the

waves generated by each Operator to create rich harmonic overtones.

The Operators are grouped into two roles: Carrier and Modulator. The Modulators modulate the

next Operator while the Carriers generate the resulting sounds. The function in which the

Operator modulates itself is called “feedback.” The FM-X sound engine features pre-

programmed Algorithms that have 88 different patterns for connecting the Operators. With this

sound engine, you can use the parameters to control the harmonic overtones of the Operator

waves and apply the same high-quality filters, effects, and EQ available in the AWM2 sound

engine to create more complex sounds than possible with conventional FM sound engines.

Drum Part

Individual drum sounds (different for each key) (C0 to C6)

FM-X sound engine

(1) Feedback

(2) Modulator

(3) Carrier

(4) Operator

(5) Frequency Modulation

(6) Algorithm

(7) Example of FM (Frequency Modulation)

(8) Modulator wave

(9) Carrier wave

(10) Modulated wave

The AN-X is a virtual analog sound engine that digitally reproduces the behavior of analog

synthesizers in great detail.

With their traditional and innovative features, the oscillators of this next-generation AN sound

engine provide more flexibility in modulation and wave-shaping functions so that you can create

a wide variety of sounds—from “real” vintage to edgy and extreme.

AN-X sound engine

Features three Oscillators and one Noise generator.

OSC3 modulates OSC1 and OSC2 (either with frequency modulation or ring modulation)

Each OSC controls the shape of the waves by using Pulse Width, OSC Self Sync, or Wave

Shaper.

You can set each OSC to output before or after Filter 1 and Filter 2.

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The internal memory of this instrument holds the saved Performances, Live Sets, Songs, and

other settings.

This chart shows the data flow between the internal memory and the external device.

(Click or tap to enlarge the image.)

Contains the Preset Performances, Preset Arpeggios, Preset Audition Phrases, and other

settings.

You cannot overwrite the data in the Preset memory since it is read-only.

Internal memory

Preset memory

The Edit buffer is the work area for editing Performances, Live Sets, Songs, and other settings.

This work area allows both reading and writing, and the contents within this work area are

erased when the instrument is turned off.

The edited Performances and Motion Sequences should be saved to the User Memory before

selecting a different Performance or turning off the instrument.

(Other settings are saved automatically.)

The User memory has two areas: User and Library.

The User area holds the stored Performances and Motion Sequences, and other settings for the

entire instrument, such as Utility settings and other User data edited in the Edit buffer.

When a User Performance is edited, you can store it as a new Performance or overwrite the

existing Performance.

The Library area allows up to 16 library files (.Y2L) to be loaded from the USB flash drive. The

settings saved in the Library area cannot be edited. To edit the settings in the Library area, send

the data to the Edit buffer by selecting a Performance stored in the Library area or loading a

Motion Sequence from the Library area. After editing, the data will be saved to the User area.

The User memory is used for reading and writing, and the data within this area will be retained

after the instrument is turned off.

The Recall buffer and Compare buffer are areas used for temporarily saving the settings you

are editing.

The Recall buffer is used as a backup for the Edit buffer.

If you accidentally changed to a different Performance without first storing the setting, you can

use the Recall function to restore the temporarily saved settings from the Recall buffer to the

Edit buffer.

The Compare buffer is the area for keeping settings before making edits. By using the Compare

function, you can bring the settings temporarily saved in the Compare buffer to compare the

edited and unedited sounds.

Edit buffer

User memory

Recall buffer and Compare buffer

These buffers are for reading and writing data, but the settings will be lost when the instrument

is turned off.

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Shown below is a general workflow guide for the MONTAGE M.

1Selecting a Performance

Select from the Live set screen or from the Category Search screen.

2Editing the settings

3Saving edited settings

4Creating a Live Set

5Selecting a Live Set

6Playing the keyboard

Setting up for Live Performance

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1Press the [LIVE SET] button.

The Live Set screen appears.

2If necessary, press the [BANK] button and the [PAGE] button to select a

different screen. Find a Performance you would like to use, and tap the

Performance name on the screen to select it.

Selecting a Performance from the Live Set screen

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The Category Search function allows you to search through Performances, Parts, Rhythm

Patterns, Arpeggios, and Waveforms to find ones you would like to use.

To search for a desired Performance, open the Performance screen, and press the

[CATEGORY] button to open the Performance Category Search screen.

NOTE

You can also select a Performance by placing the cursor on the Performance Name on the Home screen and

using the data dial, [INC/YES] button, and [DEC/NO] button.

1Press the [CATEGORY] button.

The Performance Category screen appears.

You can also open the Performance Category Search screen by selecting Category

Search from the context menu for the Performance Name.

(1) Filter

You can use the filter to search through the list of Performances.

Selecting a Performance from the Category Search screen

NOTE

Select one from Main and Sub.

Select an attribute or combinations of attributes. Depending on the combination,

the filter uses the conditions AND or OR.

You can use the OR condition for categories by pressing the appropriate Category name

selection buttons.

You can also set the OR condition by tapping the category name while holding the [SHIFT]

button.

You can select a Sub category also by simultaneously holding down the [SHIFT] button and

pressing one of the Slot number and Category name selection buttons.

Category

Attribute

Filter:

Exact match · AWM2, FM-X, and AN-X

AND condition · MC, SSS, and Smart Morph

OR condition · Single, and Multi

· MOTIF XF, MONTAGE, and MONTAGE M

(2) Bank

(3) Search by keyword

(4) Job

(5) The list of the Performances that correspond to the selected Category and Attribute

The current Performance is shown in white; the Single-Part Performances are

shown in green; and the Multi-Part Performances are shown in blue.

(6) Changing the sort order

(7) Audition

2Change the filter, bank, and sort order, as needed.

3Select one from the list shown on the right.

Move the cursor by using the Data dial, up and down buttons, [INC] button, or [DEC]

button.

By using the PAGE buttons or the Display knobs on the top panel, you can scroll down

without changing the Performance.

NOTE

Simultaneously hold down the [SHIFT] button and use the slot number buttons 9 to 16 to select a

specific Performance.

4To close the Performance Category Search screen, press the [ENTER]

button or [EXIT] button or [PERFORMANCE] button on the top panel, or

tap the (Home) icon or the (Exit) icon on the screen.

NOTE

You can use the Part Category Search function if you wish to change one of the Parts in a Multi-Part

Performance (a Performance that has more than one Part).

To open the Part Category Search screen, select a Part you wish to change, and then press one of the

[CATEGORY] buttons while holding down the [SHIFT] button.

By using the Audition Phrase, you can listen to the sound of the Performance and hear how the

sound will change by operating the controllers, before the selection is finalized.

1Press the [AUDITION] button on the top panel or tap the Audition button

on the Category Search screen.

The Audition phrase of the current Performance will be played back.

If you select a new Performance in the middle of the audition phrase playback, the

audition phrase of the new Performance will be played back.

If the [AUDITION] button is turned off, the audition function is not available for the

selected Performance, and nothing happens when you press it.

2To stop the playback of the audition phrase, press the [AUDITION] button

on the top panel once more, or tap the Audition button on the screen.

Selecting an Initialized Performance or a Single-Part Performance using a

filter

Select an Initialized Performance from the list shown by setting Bank/Favorite to All or Preset

and the Category filter to Init.

Select a single-part Performance from the list shown by setting the Attribute filter to Single.

Listening to the Audition phrases

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There are other functions for adjusting the balance between Parts within the Performance or for

quickly switching to different groups of settings that have been registered to the buttons in

advance.

Contents

The Mixing function allows you to adjust the balance between Parts.

The Pan, Volume, and other settings for all Parts are shown on one screen for ease in adjusting

the Mixing parameters for the Performance.

1Tap to open the screen from the [PERFORMANCE] → Mixing.

The Mixing screen appears.

Using overall functions for the entire Performance

Adjusting the balance between Parts (Mixing)

Procedure for mixing

Using Scenes

Procedure for registering a Scene

Registering Scenes from the Scene screen

Registering the Scenes from other screens

Adjusting the balance between Parts (Mixing)

Procedure for mixing

(1) Main category for each Part

(2) Switching views for Solo, Mute, and Keyboard Control

(3) Switching between 3-band EQ and 2-band EQ views

(4) EQ for each Part

(5) Parameters for each Part

(6) Switching to 16-part view

(7) Audio part view (16-part view not shown)

With the Audio part, you can set the parameters for the audio input from the A/D INPUT jacks

and the [USB TO HOST] terminal (Digital* Part).

* Refers to the audio set to Digital L/R in audio channels.

2Select a parameter by using the PART buttons or cursor buttons on the

top panel, or tap the icons and buttons on the screen.

3Change the value by using the Data dial or relevant Display knob.

If you need to fine-adjust the value, press the [EDIT/ ] button while the Mixing screen

is shown on the display to open the Edit screen.

The Scene is a “snapshot” of various settings, such as Arpeggio type, Motion sequence type,

and Part parameters. By registering different Scenes to each of the eight SCENE buttons, you

can use the SCENE buttons to recall different settings instantly.

This would be convenient, for example, when you wish to change only the Arpeggio and Motion

Using Scenes

Sequence types, without changing the Performance, to follow the progression of a song, or to

bring out a different aspect of a Performance.

1Open the screen from the [PERFORMANCE] → Scene.

The Scene screen appears.

(1) Scene tab

(2) Memorize switch

(3) Settings for the tab

When the Memorize switch is On, the parameters for the function appear on the

screen.

2Setup Scenes 1 to 8.

The functions to which Memory (Memorize Switch) has been set to On will be registered

to the selected SCENE button.

The newly set Scene now becomes active when you press the appropriate SCENE

button.

3Press the [STORE] button to save the Scene settings to the Performance.

Procedure for registering a Scene

Registering Scenes from the Scene screen

NOTICE

Make sure to save (store) the Scene settings you have just edited before changing to a

different Performance or turning off the instrument. Without performing the Store operation,

the Scene settings will be lost.

If a parameter that can be registered to a Scene is already assigned to a knob or a control

slider, move the knob or the control slider. Then, simultaneously hold down the [SHIFT] button

and press the SCENE button. After that, press the [STORE] button to save the Scene settings to

the Performance.

Registering the Scenes from other screens

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Contents

Editing the settings

Using Split and Layer

Procedure for editing

Procedure for Full Edit

Using the Navigation screen

Procedure for Quick Edit

Creating tonal changes

Effect connections and settings

Changing the Effect settings

Using Arpeggio

Turning Arpeggio on and off

Changing Arpeggio by using the knobs

Changing the way Arpeggio playback is turned on or off

Using Motion Control

Basics for Motion Control

Customizing the Super Knob settings

Controlling the Super Knob from the pedals

An example of a Super Knob setting

Using Motion Sequencer

Turning Motion Sequencer on or off

Changing Motion Sequencer by using the knobs

Changing the way Motion Sequence is triggered

Editing the Motion Sequence

Using the Envelope Follower

An example of setting the Envelope Follower from the Rhythm Pattern screen

Using Smart Morph

Split allows you to divide the keyboard into sections to play each section with a different sound,

while Layer allows you to combine multiple sounds on top of each other on a Split section or

across the entire keyboard.

To set up splits and layers on the MONTAGE M, use the Split Points to make the groups of

keyboard sections and assign a Part to each group.

To open the Split setting screen, press the [SPLIT] button.

The Split Job screen for the Performance appears, allowing you to change the Split settings.

By tapping the items on the screen to specify the number and position for the Split Point, you

can set the key range and select a sound for each Part.

By tapping the group button (A, B, C, D) on the screen while holding down the [SHIFT] button,

you can set the Part for more than one group.

When the setup is finished, press the [EXIT] button on the top panel or tap Done on the screen.

Tapping on the upper left cancels the setup and closes the screen.

To change the note range, simultaneously hold down the [SHIFT] button and press the [SPLIT]

button.

This calls up the Part—Note view of the Performance screen, allowing you to change the note

range of each Part.

Set the value by using the built-in keyboard or Data dial.

Using Split and Layer

Editing refers to the Full Edit functions using the Main display and Quick Edit functions using the

Sub display.

You can use Full Edit to access all editing functions and use Quick Edit to instantly access some

frequently used parameters.

By using the [PAGE JUMP] button, you can edit the same parameter from Full Edit and the

Quick Edit.

Also, you can use different screens for the Main display and the Sub display to monitor multiple

parameters at once while switching between Full Edit and Quick Edit.

(1) Quick Edit (View the Sub display)

(2) Full Edit (View the Main display)

1Select a Performance.

2On the Performance screen, move the cursor to the desired Performance

Name or Part.

3Press the [EDIT/ ] button or tap Edit in the context menu.

The Common Edit screen will appear when the cursor is on the Performance Name.

The Part Edit screen for the sound engine will appear when the cursor is on the Part.

4Select a tab on the first and the second rows to open the screen.

For selecting a tab, you can simultaneously hold down the [SHIFT] button and use the

appropriate Slot number and Category name selection buttons, or simply tap the tab on

the screen. (Refer to the Quick Guide.)

Procedure for editing

Procedure for Full Edit

Example: Normal Part (AWM2)

Changing the settings in each tab from the top to the bottom is recommended.

5Edit the settings by changing the parameters shown on the right of the

tabs.

6Continue editing the parameters on different tabs if necessary.

The target for editing will be shown on the navigation bar.

Select Common for editing the settings for the entire Performance.

Select Part Common for editing the settings for the entire Part.

If you wish to go into detailed settings, select one of the following: Element 1 to 128,

Operator 1 to 8, Oscillator 1 to 3, Noise, and C0 to C6 keys of the Part.

7When you’ve finished editing, press the [STORE] button to save the

Performance.

You can change the parameter to be edited by opening the Edit screen from:

[PERFORMANCE] → [EDIT/ ] and selecting the desired item from the Navigation

bar.

1Press the [NAVIGATION] button.

The NAVIGATION screen appears.

Using the Navigation screen

When you press the [NAVIGATION] button during editing, you can easily find where you

are on the map.

2Select the desired parameter for editing.

Select Part Common for editing the settings for the entire Part.

If you wish to go into detailed settings, select one of the following: Element 1 to 128,

Operator 1 to 8, Oscillator 1 to 3, Noise, and C0 to C6 keys of the Part.

3Select the icon for the setting you wish to change.

Use the Cursor buttons to move the cursor and then press the [ENTER] button. Or, tap

the icon on the screen.

4Change the parameters shown on the screen.

5Save the Performance.

1Use the [QUICK EDIT] button, Tab PAGE buttons, and Tab selection

buttons to change pages and tabs on the Sub display.

Procedure for Quick Edit

2Use Knobs 1 to 8 to change settings.

3To fine-adjust the settings, press the [PAGE JUMP] button to call up the

corresponding parameter on the Main display.

NOTE

If you have changed to a different tab on the Main display, you can call up the corresponding

parameter on the Sub display by simultaneously holding down the [SHIFT] button and pressing the

[PAGE JUMP] button.

(The parameter may not appear in some cases.)

For creating tonal changes, you can use Oscillators, filters, EGs (or Envelope Generators),

LFOs (or Low-Frequency Oscillators), and effects. By changing those parameters, you can

change the brightness, resonance, or other timbral qualities of the sound.

The available settings are different depending on the sound engine type. Some parameters

(below) are commonly used for all sound engine types.

Creating tonal changes

Oscillator (Osc): Creates the basic sound waves

Pitch: Controls the pitch

Filter: Controls the cutoff frequency

EG: Determines how the sound changes over time

LFO: Determines the cyclical change of the sound

Motion Sequencer: Creates complex changes to the sound over time

Effects: Processes the sound

The effects available on the MONTAGE M include System effects which are applied to all Parts

in the Performance, Insertion effects which are applied to each Part, Master effects which are

applied to the final output, and Equalizers such as Part EQ and Master EQ. The signal flow

diagram for the effects is shown below.

Effect connections and settings

(1) Setting the Part EQ and Insertion effects

[PERFORMANCE] → Part selection → [EDIT/ ] → Effect

(2) Setting the Variation and Reverb effects

[PERFORMANCE] → Part selection → [EDIT/ ] → Effect → Routing

[PERFORMANCE] → Common selection → [EDIT/ ] → Effect → Variation

[PERFORMANCE] → Common selection → [EDIT/ ] → Effect → Reverb

(3) Setting the Master effect

[PERFORMANCE] → Common selection → [EDIT/ ] → Effect → Master FX

(4) Setting the Master EQ

[PERFORMANCE] → Common selection → [EDIT/ ] → Effect → Master EQ

NOTE

The effects for the audio input from the A/D INPUT jack can be set from: [PERFORMANCE] → Common

selection → [EDIT/ ] → Audio In.

For information on the effect category and effect types, see the Effect types.

For information on the Preset program for each effect type, refer to the Data List.

You can change the effects using Full Edit and Quick Edit.

By pressing the [NAVIGATION] button while holding down the [SHIFT] button, the FX Overview

screen will appear, and you can see an overview of the effect settings.

Tap the buttons on the effect names such as Ins A and Var to open the Edit screen.

The Arpeggio function on the MONTAGE M allows you to play typical Arpeggios, as well as add

more complicated rhythm patterns and backing tracks to your keyboard performance. It not only

provides inspiration and full rhythmic passages in your live performances, but it gives you fully

formed instrumental backing parts of various music genres for ease in creating songs.

You can assign the desired eight Arpeggio Types to each Part and simultaneously play back

Arpeggios of up to eight Parts.

Also, you can set the note range (Note Limit) or the strength of the key pressure (Velocity Limit)

for Arpeggio playback.

Changing the Effect settings

Using Arpeggio

The Arpeggio function lets you play Accent Phrases (the sequence phrase played only when the

keyboard is played at a higher velocity than the specified value) or effect sounds such as guitar

fret noises using the Random SFX function. Some Preset Arpeggio Types are set to play back

Accent Phrases and Random SFX sounds. You can find the Accent Phrases and Random SFX

sounds by using the Arpeggio Category Search screen and checking Accent (Accent Phrase) or

Random SFX for Attribute.

To turn the Arpeggio function on or off, press the [ARP ON/OFF] button on the top panel.

By pressing the [QUICK EDIT] button to select SELECTED PART and then using the Tab

selection buttons to select the ARP/MS tab, you can then use Knobs 1 to 7 to change the

Arpeggios.

Modify the Arpeggios by turning the knobs and listening to the Arpeggio playback. Check the

names of the parameters assigned to Knobs 1 to 7 on the Sub display.

If you wish to fine-tune the settings, press the [PAGE JUMP] button to switch to the Main display

to continue editing.

Normally the Arpeggio is played back while a key is being pressed. However, you can change

the settings so that the Arpeggio continues to be played back after the finger is lifted off from the

key.

The way the Arpeggio playback is turned on or off can be set with Hold and Trigger Mode.

Turning Arpeggio on and off

Changing Arpeggio by using the knobs

Changing the way Arpeggio playback is turned on or off

[EDIT/ ] → Part selection → Common → Arpeggio → Common

[EDIT/ ] → Part selection → Common → Arpeggio → Advanced

Played back only while a key is being pressed Hold: Off

Trigger Mode: Gate

Playback continues after the finger is lifted off from the key Hold: On

Trigger Mode: Gate

Playback is turned on or off each time the key is pressed Trigger Mode: Toggle

(regardless of the Hold settings)

NOTE

When Arp Master and Arp Part are set to ON, you can turn on the [KEYBOARD HOLD] button on the top

panel to achieve the same effect as setting Hold to ON.

The Motion Control function lets you create Motion (rhythmic and dynamic sound changes) in

real-time, so you can find completely new ways of expression. This function allows you to make

the settings in advance so that you can change the parameters without actually operating the

pedals or wheels. This lets you create dramatic and powerful expressive changes that follow the

beat of your music.

Hold

Trigger Mode

Using Motion Control

(1) Continuous control of Motion changes

(2) Switch between Motions

(3) Trigger

(4) Control the Motion Sequencer in real time

(5) Rhythmic change

(6) Automation

(7) Multi-dimensional sonic change

Motion Control can be set by setting the Source for the Controller as well as the control target

(Destination and Parameter) from the Control Assign screen.

For Super Knob, set the Display Filter to SuperKnob and then set the Source (AsgnKnob 1–8)

and Destination.

For Motion Sequence, set the Source to a Motion Sequence Lane from 1 to 4.

For Envelope Follower, set the Source to EnvFollow.

[PERFORMANCE] → Common selection → [EDIT/ ] → Control → Control Assign

[PERFORMANCE] → Part selection → [EDIT/ ] → Mod/Control → Control Assign

By using the Super Knob, you can simultaneously control the Assign 1 to 8 values that are

assigned to Knobs 1 to 8 that are common to all Parts.

Moving the Super Knob while playing the keyboard lets you modify sounds, and you can see

the parameter values on the Sub display.

If the [ASSIGN] button is turned on (and the button is lit), you will see the changes to the Knobs

1 to 8 on the indicator and the Sub display.

By combining the Super Knob and the Motion Sequencer, you can achieve more complex

sound changes.

Basics for Motion Control

Customizing the Super Knob settings

You can control the Super Knob from the separately sold Foot controller (FC7) connected to the

MONTAGE M.

Follow the procedure shown below.

1Connect the Foot Controller (FC7) to the FOOT CONTROLLER jack on the

rear panel.

2Open the screen from: [PERFORMANCE] → [EDIT/ ] → Control →

Control Number.

3Select SuperKnob for Foot Ctrl1 or Foot Ctrl2, depending on the jack you

have connected the foot Controller to.

4Close the screen to finish the setup.

The Super Knob settings can be customized.

You can set two or three fixed values for using the Super Knob for morphing sounds. For setting

three fixed values, you need to first enable the Mid setting.

Here, we will explain how to add morphing effects to the layered sound made with three Preset

Performances (acoustic piano, pad sound, and electric piano) while keeping the original settings

Controlling the Super Knob from the pedals

An example of a Super Knob setting

An example of morphing using three fixed values:

for these Performances.

1Select sounds for Parts 1 to 3

1-1. Press the [CATEGORY] button and select CFX PopStudioGrand.

1-2. From the Home screen, tap the [+] icon Part 2 to open the Part Category

Search screen and select AN-X Sine Pad PAT.

1-3. From the Home screen, tap the [+] icon on Part 3 to open the Part Category

Search screen and select TV Show FM EP.

2Set the parameters for Part 1.

2-1. Select Part 1.

2-2. Press the [CONTROL ASSIGN] button while holding down the [SHIFT] button.

The Control View screen appears.

2-3. Turn the Super Knob.

The Control Assign screen appears.

2-4. By tapping the [+] icon, Destination 10 will be added.

Workflow

Select sound for Parts 1 to 3 (Step 1)

Set up the Super Knob to allow the control of the parameters for Parts 1 to 3 (Steps 2 to 4)

Check the settings (Step 5)

Set the parameters for the Super Knob for the leftmost, mid, and rightmost positions. (Steps 6

to 8)

2-5. Tap the Destination 10 tab and select Volume from Part Param.

2-6. Set Polarity (Curve Polarity) to Bi and set Ratio (Curve Ratio) to +127.

3Set the parameters for Part 2.

3-1. Select Part 2.

3-2. Press the [CONTROL ASSIGN] button while holding down the [SHIFT] button

and then turn the Super Knob.

The Control Assign screen for Part 2 appears.

3-3. Tapping the [+] icon adds Destination 7.

3-4. Tap the Destination 7 tab and select Volume from Part Param.

3-5. Set Polarity (Curve Polarity) to Bi and set Ratio (Curve Ratio) to +127.

4Set the parameters for Part 3.

4-1. Select Part 3.

4-2. Press the [CONTROL ASSIGN] button while holding down the [SHIFT] button

and then turn the Super Knob.

The Control Assign screen for Part 3 appears.

4-3. Tapping the [+] icon adds Destination 8.

4-4. Tap the Destination 8 tab and select Volume from Part Param.

4-5. Set Polarity (Curve Polarity) to Bi and set Ratio (Curve Ratio) to +127.

5Check to make sure that the parameters for Parts 1 to 3 are set to

Common Assignable Knob.

5-1. Press the COMMON button for Part select.

5-2. Press the [CONTROL ASSIGN] button while holding down the [SHIFT] button

and then turn the Super Knob.

The Control Assign screen for the common part appears.

5-3. Tap each of the Destination 6 to 8 tabs to check that the Source is set to

AsgnKnob 6 to 8 respectively, and the Destination Parameter is set to Part 1

to 3 Volume.

6Set the LEFT position on the Super Knob.

This makes the settings for the Super Knob when turned all the way to the left.

6-1. Press the KNOB POSITION [LEFT] button.

6-2. Make sure that the COMMON is selected for Part select and then press the

[ASSIGN] button.

6-3. To set only the CFX PopStudioGrand on Part 1 to sound, turn Knob 6

(Assign6) all the way to the right (to the maximum value) and Knob 7

(Assign7) and Knob 8 (Assign8) all the way to the left (to the minimum

value).

6-4. Save the settings by simultaneously holding down the [SHIFT] button and

pressing the KNOB POSITION [LEFT] button.

7Set the RIGHT position on the Super Knob.

This makes the settings for the Super Knob when turned all the way to the right.

7-1. Press the KNOB POSITION [RIGHT] button.

7-2. To set only the TV Show FM EP on Part 3 to sound, turn Knob 8 (Assign8) all

the way to the right (to the maximum value) and Knob 6 (Assign6) and Knob

7 (Assign7) all the way to the left (to the minimum value).

7-3. Save the settings by simultaneously holding down the [SHIFT] button and

pressing the KNOB POSITION [RIGHT] button.

8Set the Mid position on the Super Knob.

Enable the Mid position and then turn the Super Knob to set the value for the middle

position.

8-1. Hold down the [NAVIGATION] button.

The NAVIGATION screen appears.

8-2. Tap on SUPER KNOB and open the screen for the Super Knob settings.

8-3. Set the value 512 for the Mid position.

8-4. Press the KNOB POSITION [MID] button.

8-5. To set only the AN-X Sine Pad PAT on Part 2 to sound, turn Knob 7 (Assign7)

all the way to the right (maximum value), and Knob 6 (Assign6) and Knob 8

(Assign8) all the way to the left (minimum value).

8-6. Save the settings by simultaneously holding down the [SHIFT] button and

pressing the KNOB POSITION [MID] button.

The main setting is now complete.

Adjust the Curve type, Ratio, and Param for each Part, LEFT, RIGHT, and MID for the KNOB

POSITION if desired.

The Motion Sequencer function lets you create sound changes by controlling parameter times

according to a sequence you create in advance.

Tweaking the settings

Using Motion Sequencer

It allows you to set up rhythmical changes that are in sync with the Performance tempo,

Arpeggio, or the rhythms input from the connecting device and to control such changes

interactively and in real-time according to the progression of the song.

With the Motion Sequencer, you can use up to four lanes per Part, or eight lanes for a

Performance. You can use up to eight sequence patterns per lane.

You can also set the velocity range for playing the sequence, the way the sequence is played,

or the number of Steps to play the same way you would with the Arpeggio.

The parameters for each lane can be set in the procedure shown below.

[PERFORMANCE] → Part selection → [EDIT/ ] → Motion Seq → Lane

To turn Motion Sequencer on or off, press the [MSEQ ON/OFF] button on the top panel.

By pressing the [QUICK EDIT] button to select SELECTED PART and then using the Tab

selection buttons to select the ARP/MS tab and using the Tab PAGE buttons to select Motion

Turning Motion Sequencer on or off

Changing Motion Sequencer by using the knobs

Sequence, you can then use Knobs 1 to 8 to change the Motion Sequencer.

Modify the Motion Sequencer settings by turning the knobs and listening to the Motion

Sequencer playback. Check the names of the parameters assigned to Knobs 1 to 8 on the Sub

display.

The way Motion Sequence is triggered can be set with the LaneSw and Trigger parameters.

[PERFORMANCE] → Part selection → [EDIT/ ] → Motion Seq → Lane

Plays back the Motion Sequence when you press a key LaneSw: On

Trigger: Off

Plays back the Motion Sequence when you press the [MSEQ TRIGGER] button

LaneSw: On

Trigger: On

Sync: Other than Arp

Motion Sequence is comprised of up to 16 steps.

Edit each Step from the Edit Sequence screen.

Changing the way Motion Sequence is triggered

LaneSw, Trigger

Editing the Motion Sequence

Envelope Follower is the function that extracts the envelope of the waveform from the audio

input and is used as a controller for creating changes in the sound. It allows the output of Parts

and the output from the external device connected to the A/D INPUT jack.

For example, you can set the Envelope Follower of the Part you have assigned a Rhythm

Pattern as a Source to create changes in other Parts. It is useful, for example, when you wish to

lower the volume of a Part while a certain other Part is being played (i.e., ducking).

Each Envelope Follower has its own input source, such as EnvFollow 1 for Part 1, EnvFollow 2

for Part 2, and EnvFollow AD for the Audio Part. The output from each Envelope Follower can

be changed by selecting a different Source from the Control Assign screen.

For example, you can set up the Envelope Follower for Part 1 (EnvFollow 1) to create changes

in Part 2. How the sound is modified by the output from each Envelope follower can be set from

the Control Assign screen.

Using the Envelope Follower

(1) Input signal to Envelope Follower (Fixed)

(2) Output signal from Envelope Follower (The Destination can be changed)

Settings for the Envelope Follower:

[PERFORMANCE] → Common selection → [EDIT/ ] → Effect → Routing → Envelope

Follower (EnvFollow MST)

[PERFORMANCE] → Common selection → [EDIT/ ] → Audio In → Routing →

Envelope Follower (EnvFollow AD)

[PERFORMANCE] → Part selection → [EDIT/ ] → Effect → Routing → Envelope

Follower (EnvFollow 1–16)

You can set the Envelope Follower from the Rhythm Pattern screen. This way, you can quickly

access the Envelope Follower parameters often used for the Rhythm Patterns.

1Press the [SONG/PATTERN] button while holding down the [SHIFT] button

to open the Rhythm Pattern screen.

2Select a drum sound from the list shown on the left of the screen.

3Tap the Envelope Follower.

4Turn on the Envelope Follower switch.

You can play the keyboard to hear the effect of the Envelope Follower.

5Change the settings as needed.

Here, set Polarity (Curve Polarity) to Bi, Ratio (Curve Ratio) to −63, Gain (Envelope

Follower Gain) to −12dB.

6If you wish to further edit the settings, tap Edit to open the screen for the

Envelope Follower settings.

You can select a new kit or Arpeggio type for the Rhythm Pattern by simultaneously

holding down the [SHIFT] button and pressing the [SONG/PATTERN] button to go back to

An example of setting the Envelope Follower from the Rhythm Pattern

screen

the Rhythm Pattern screen. The Envelope Follower settings are retained after selecting a

new kit or arpeggio for the Rhythm Pattern.

Smart Morph is a function that morphs FM-X Parts using machine learning.

By using Smart Morph, you can create a new sound for Part 1 from multiple FM-X Parts to play

on the keyboard.

The Smart Morph function analyzes each sound assigned to Parts 9 to 16 and plots one dot per

Part on the map. Each dot on the map represents a sound, and the distance between dots

shows the similarities of these sounds.

Pressing the Learn button automatically generates a dot for the new FM-X sound between the

existing dots on the map.

When you tap the dot on the map, the sound for that dot will be selected for Part 1.

You can find a new place you like from the map and save its settings to create a new FM-X part.

Also, by dragging the dot on the map while playing the keyboard, or by moving the Super Knob

with the movements of two to eight dots assigned beforehand, you can create completely new

sounds.

Using Smart Morph

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After editing, save the Performance you have created in the internal memory.

Saving the settings to internal memory is referred to as the “Store” operation.

NOTICE

1Press the [STORE] button.

When saving a new Performance, you will see the Store As New Performance message.

If a Performance with the same name is already stored, you will see the Overwrite

Current Perf. and Store As New Performance options.

2To save it as a new Performance, tap Store As New Performance.

To overwrite the Performance already stored, tap Overwrite Current Perf., and then tap

Store (YES).

3Type in the Performance name on the Keyboard screen.

Use the keyboard shown on the Main display. Up to 20 alphanumeric characters can be

used for the name.

Saving edited settings

Saving a Performance

When you select a different Performance or turn off the instrument without first storing the

Performance, you will lose the settings you are editing.

The existing Performances on the User bank will be lost when you overwrite them. When

you save Performances you have edited, make sure not to overwrite existing Performances.

Important settings you’ve made should be saved to a USB flash drive (Save). For the save

operation, see “Saving settings to a USB flash drive as a backup file (Save).”

4Tap Done when you have finished entering the name.

When the Store operation is complete, the Performance screen will be shown on the

display.

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Contents

The Live Set function is a convenient way to change among different Performances as you play

songs on a setlist, for example.

On the MONTAGE M, you can create a Live Set simply by registering your favorite Performance

to each slot.

You can register a Performance to the Live Set by following the procedure below.

NOTICE

1Select a Performance from the Performance screen.

Here, the [LIVE SET] button needs to be fully lit or dimly lit.

2Simultaneously hold down the [SHIFT] button and press the [LIVE SET]

button.

The Live Set Register screen appears.

Creating a Live Set

Registering a Performance on the Live Set slot

Exchanging Performances registered to the Live Set Slots

Registering a Pattern, Song, or Audio file to the Live Set slot

Setting up a footswitch for changing the Live set slot

Registering a Performance on the Live Set slot

Store the Performance you have just edited before registering the Performance to the Live

Set. However, when you register to the Live Set and select Store As New Perf. and Register

or Overwrite Current Perf. and Register, you do not need to store the Performance in

advance.

When you select a different Performance or turn off the instrument without first storing the

Performance, you will lose the edited settings you have made.

3Select a slot for registering the Performance.

Move the cursor using the Slot number and Category name selection buttons, or tap the

slot shown on the screen.

4Select one of the available store operations and press the [ENTER]

button, or simply tap your selection on the screen.

The selected Performance is registered to the slot.

You can exchange the contents of two slots.

1Open the screen from: [LIVE SET] (or Live Set icon) → User Bank

selection → [EDIT/ ].

The Live Set Edit screen appears.

When the Live set page on the Preset bank or the Library bank is open, the Live Set Edit

screen will not appear.

2Tap the JOB button on the screen.

The JOB screen appears.

Store As New Perf. and Register: Store as a New Performance and register to the slot

Overwrite Current Perf. and Register: Overwrite the current Performance and register

to the slot

Exchanging Performances registered to the Live Set Slots

3Tap the slot you wish to move the Performance from, and then tap the

Exchange button on the screen.

4Tap the slot you wish to move the Performance to.

The Performances of the two slots will be exchanged.

5When the exchange is complete, tap Done to end the operation.

NOTE

If you wish the copy or exchange the entire bank or the entire Live set page, simultaneously hold down

the [SHIFT] button and press the [EDIT/ ] button. Then the dialog box will appear.

You can also add Patterns, Songs, or Audio files to Live Set slots. This way, you can select a

slot for playing back a desired Pattern, Song, or Audio file, and then play the Performance on

the keyboard along with it.

1Open the screen from: [LIVE SET] (or Live Set icon) → User Bank

selection → [EDIT/ ].

The Live Set Edit screen appears.

Registering a Pattern, Song, or Audio file to the Live Set slot

2Select a slot or tap [+] on the screen.

3Select one of the Slot Types.

Slot Type Type

Perform Performance

Song Song

Audio Audio file

Pattern Pattern

4Tap the Pattern Name or Audio Name to open the Load screen.

5Select the desired pattern or file to register to the slot.

6Tap Done to finish the setting.

NOTE

You can also register a Pattern or Song to the Live Set slot by pressing the [SHIFT] and [LIVE SET]

buttons if the recorded file is selected on the Pattern screen or Song screen.

You can select a different Live Set slot by using a separately sold footswitch, such as the FC4 or

FC5.

Follow the procedure below.

Setting up a footswitch for changing the Live set slot

1Connect a foot switch (FC4 or FC5) to the ASSIGNABLE FOOT SWITCH

jack.

2Open the screen from: [UTILITY] → Settings → MIDI I/O.

The MIDI I/O screen appears.

3Set FS Assign to Live Set + or Live Set −.

With Live Set +, you can select the next Live set slot in forward order, and with Live Set −,

you can select the next Live set slot in reverse order.

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For ease and convenience in live performance situations, you can either use the Live Set

screen or the Home screen while playing the keyboard. When using the Home screen, make

sure to select a slot on the Live Set screen.

1Press the [LIVE SET] button to open the screen.

2If necessary, change the bank and page.

3Select a slot.

On the Live Set screen, tap to select a slot on the page.

Selecting Performances for a setlist from the Live Set screen

NOTE

Slot number and Category name selection buttons can be used for selecting items for the Live Set

screen or the Category Search screen (or whichever screen was last called up).

This allows you to select a different Live Set slot while viewing the Home screen on the Main display.

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Make sure to select a Performance before playing the keyboard.

If desired, you can also play back a specific Pattern, Song, or Audio file (registered to a Live Set

slot) along with your keyboard performance.

You can play the keyboard along with the Pattern, Song, or Audio file registered to the slot.

NOTE

While the Song or Pattern is being played back, you cannot change the Performance or select a different slot.

If you try to do so, an error message will be shown on the screen.

1Select a slot on the Live Set screen.

2Press the [ ] (Play) button.

The Pattern, Song, or Audio file registered to the selected slot will then play back.

NOTE

While the Pattern, Song, or Audio file is played back, pressing the [ ] (Play) button shows the same

screen as the Pattern screen, Song screen, or Audio screen.

3To stop playback, press the [ ] (Stop) button.

Playing the keyboard

Playing back a Pattern, Song, or Audio file registered to a Live Set slot

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You can use the MONTAGE M to record and play back Patterns, Songs, and Audio files.

Patterns and Songs are recorded in the storage area within the instrument, while Audio files are

recorded to a connected USB flash drive.

Contents

Recording and playing back

Terms for recording and playing back

Recording a Pattern

Canceling the last recording action (Undo and Redo)

Playing back the Pattern

Recording a Song

Recording some parts again (Punch-in Punch-out recording)

Canceling the last recording action (Undo and Redo)

Playing back the Song

Recording the Audio

Playing an audio file

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Patterns are comprised of MIDI sequence data, containing short phrases recorded as MIDI

events.

They can be played back in a loop or used with the Scene function.

The MONTAGE M can hold up to 128 Patterns within the memory area.

Songs are comprised of MIDI sequence data, containing information on the operation of the

keyboard and other controllers recorded as MIDI events.

The MONTAGE M can hold up to 128 Songs within the memory area.

Tracks are separate storage locations for recording the keyboard performance. A track holds

the information for one Part.

A maximum of 16 tracks are available on the MONTAGE M, so you can use up to 16 Parts for

recording and playing back.

Terms for recording and playing back

Patterns

Songs

Tracks

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1Select the desired sound for recording on Track 1.

2Open the screen from: [SONG/PATTERN] → Pattern.

The Pattern screen appears.

NOTE

You can open the same screen from: [PERFORMANCE] → Play/Rec → Pattern.

3Change the Length (of the Scene), Tempo, and other settings as needed.

4Press one of the [SCENE] buttons to select the desired Scene for

recording.

5Press the [ ] (Record) button.

Recording will be set to standby.

(1) Pattern Name

(2) Name of currently selected Performance

(3) Measure

Recording a Pattern

(4) Position for recording and playback

(5) Tempo

(6) Quantize

(7) Switching recording types (not shown when recording a new pattern)

(8) Scene

(9) Length of the pattern

(10) Turning on or off the function to start recording at key-on

(11) Turning the loop setting on or off

6Press the [ ] (Play) button to start recording.

7Play the keyboard.

When Loop is on, the recorded phrase is played back in a loop while on the recording

screen. This way, you can continue to record new phrases to other tracks without having

to stop and start the recorder each time.

NOTE

When you press the REC button during recording, the REC button will flash and Rehearsal mode is

enabled. In Rehearsal mode, the Pattern will be played back but recording will be temporarily disabled,

making it useful for practicing. During recording, you can switch between the Recording and Rehearsal

modes by pressing the REC button.

8Select the desired sound for recording on Track 2.

9Play the keyboard along with the phrase you recorded on Track 1.

10 Record other tracks as needed.

Songs and Patterns are stored automatically when recorded.

If you wish to change the tempo or sound of the recorded Song or Pattern before storing

it, select StorePattern&Perf Settings (or Store Song&Perf Settings for a Song).

NOTE

If you have edited any parameters for the Performance, you will need to store the Performance.

Undo cancels the last recording action and deletes what has been just recorded.

Redo restore the recording that has been canceled by Undo.

Canceling the last recording action (Undo and Redo)

Undo cancels the last recording action and restores the recording to its original state.

By selecting Redo, the state before performing Undo will be restored.

Undo (does not appear when there are no recordings.)

Redo (does not appear until Undo has been performed.)

om01basicoperation0180

To play back the recorded Pattern, use the Sequencer Transport buttons.

You can use the SCENE buttons to select a Scene for playback.

Playing back the Pattern

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In Song recording, the operations of the controllers and knobs as well as the keyboard

performance are recorded to a track as MIDI data. For the keyboard performance, only Parts

having the Keyboard Control switch set to On will be recorded.

For the knob operations, Control Change and Parameter Change messages will also be

recorded.

For more information on Control Change, refer to the Data List.

NOTE

When Arp Rec is On, only the result of the Arpeggio playback is recorded.

When Arp Rec is Off, data of the entire keyboard performance is recorded, enabling you to change the

Arpeggio patterns later.

1Select a Performance.

2Press the [SONG/PATTERN] button to open the Play/Rec screen and

select the Song tab, and then press the [ ] (Record) button.

The [ ] (Record) button flashes, and recording is set to standby.

NOTE

Recording can also be set to standby from: [PERFORMANCE] → Play/Rec → Song and by pressing

the [ ] (Record).

3Change the Time Signature and Rec Quantize as needed.

Recording a Song

(1) Song Name

(2) Name of the Performance currently selected

(3) Beat

(4) Position for starting playback and recording

(5) Quantize

(6) Shows the total length of the sequence and the current position for playback

(7) Time for the entire sequence

(8) Setting the track on or off for playback

(9) Turning Arpeggio recording on or off (only for a new recording)

4When the preparation is complete, press the [ ] (Play) button to start

recording.

If the Click Settings is set, the precount starts when you press the [ ] (Play) button.

Start playing the keyboard after the precount.

5When the keyboard performance is finished, press the [ ] (Stop) button

to stop recording.

There are three types of recording (Record Type) available on the MONTAGE M; Replace,

Overdub, and Punch.

Recording some parts again (Punch-in Punch-out recording)

Replace: overwrites the existing data.

Overdub: adds a layer to the existing sound on the track.

If you wish to rerecord a specified section, you can set up the Punch-in and Punch-out

parameters for the Punch recording.

When you start the Punch recording, the recorded Song will be played back from the beginning.

When the playback reaches the measure set for Punch-in, the recording starts automatically.

The recording ends automatically when it reaches the measure set for Punch-out, and the rest

of the recorded Song will be played back to the end. For example, if you wish to rerecord

measures 3 to 5 of an eight-measure Song, follow the instructions shown below.

Before re-recording

After re-recording

(1) Start recording

(2) Stop recording

(3) Newly recorded data

For Punch-in Punch-out recording, set up the following parameters in the Record Setup screen.

Punch: overwrites the specified section of the existing data.

(1) Record Type = Punch

(2) Punch in (measures and beats to start rerecording) = 003:01

Starting from the measure and beat specified here, the sound of the corresponding track

will be turned off and your keyboard performance will be recorded.

(3) Punch out (measures and beats to end rerecording) = 005:01

Starting from the measure and beat specified here, the track will be played back.

Undo cancels the last recording action and deletes what has been just recorded.

Redo restore the recording that has been canceled by Undo.

Tap to see the confirmation screen. Continue cancels the last recording action and restores

the recorder to its original state.

Canceling the last recording action (Undo and Redo)

Undo (does not appear when there are no recordings.)

Tap to see the confirmation screen. By selecting Continue, the state before performing Undo

will be restored.

Redo (does not appear until Undo has been done.)

om01basicoperation0200

To check the recorded Song, use the Sequencer Transport buttons.

Playing back the Song

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You can use the MONTAGE M to record and playback Audio files in stereo (44.1 kHz, 24-bit

wav).

The recording level is fixed, and it is possible to record continuously for up to 74 minutes

(assuming that the USB storage device has sufficient free memory).

1Connect a USB flash drive to the USB TO DEVICE terminal ([1] or [2]) of

the instrument.

2Open the screen from: [PERFORMANCE] → Play/Rec → Audio.

The audio recording screen appears.

3Press the [ ] (Record) button.

The [ ] (Record) button flashes, and recording is set to standby.

(1) Position for recording

(2) Shows the total length of the audio file and the current position for recording

(3) Available recording time

(4) Level meter

(5) Trigger level

Recording the Audio

4Set the Trigger Level (5).

If you set the Trigger Level to manual, recording will begin whenever you press the [ ]

(Play) button.

Alternatively, if you set Trigger Level to a value between 1 and 127, recording will begin

automatically after you have pressed the [ ] (Play) button and then whenever playback

volume exceeds that level.

The level set here will be indicated by blue triangles in the level meter (4). For best

results, set this parameter as low as possible to capture the entire signal, but not so low

as to record unwanted noise.

5Press the [ ] (Play) button.

If you have set the Trigger Level to manual, recording will begin immediately right after

you press the [ ] (Play) button. While recording, the [ ] (Record) button will light in

red, and the [ ] (Play) button will light in green.

If you have set a value between 1 and 127 as the trigger level, the recording will begin

automatically whenever the playback volume exceeds that level.

6Play the keyboard.

If you set the Trigger Level to a value between 1 and 127, recording will begin

automatically whenever the playback volume exceeds that level.

7When you have finished playing, press the [ ] (Stop) button.

The recorded audio file will be saved to the USB flash drive.

om01basicoperation0220

As described below, the MONTAGE M can play audio files (44.1 kHz, 24-bit or 16-bit .wav in

stereo) from a USB flash drive.

You can also play a Performance on the keyboard while playing back the audio file.

1Connect a USB flash drive to the USB TO DEVICE terminal ([1] or [2]) of

the instrument.

2Select Load from the context menu from: [PERFORMANCE] → Play/Rec →

Audio, and tap Audio Name.

3Select the USB flash drive and the desired folder for loading the audio

data.

4Select the desired wav file on the USB flash drive to load.

(1) Audio name

(2) Volume for playback

(3) Audio length

5Press the [ ] (Play) button.

Playing an audio file

The audio file will play back.

6Move the cursor to Audio Volume (2), and then adjust the playback

volume by using the Data dial.

7Press the [ ] (Stop) button to stop playback.

om01basicoperation0230

You can save backups of the Performances, Live sets, and the Utility settings you have created

and saved (stored) on the instrument to a USB flash drive, as well as load settings from backup

files from the USB flash drive to the instrument.

This section covers how to save all settings in the User memory to a USB flash drive and how to

load your settings back to the instrument.

Contents

Managing backup files of your Performances

Available file formats

Saving settings to a USB flash drive as a backup file (Save)

Restoring settings from the backup file saved to the USB flash drive (Load)

om01basicoperation0240

Select the appropriate file format for the settings you wish to back up.

Everything in User memory (including the User area, Library area, Songs, and Patterns)

Everything in the User area of User memory (including the Utility settings and Quick

Setups)

User area in User memory, excluding the Utility settings and Quick Setups (one bank for

Live Sets)

If the file size is larger than approximately 2 GB, the file will be divided in two. The second file

will have a different file extension, as shown below.

Patterns and Songs saved to User memory

Files used as User Waveforms

Available file formats

Saving to USB flash drive (Save)

MONTAGE M formats

Backup file (.Y2A)

User files (.Y2U)

Library files (.Y2L)

Backup file (.Y2B)

User files (.Y2W)

Library files (.Y2M)

Generic file format

Patterns and Songs (.MID)

Loading settings from a USB flash drive (Load)

Files saved on the MONTAGE M (.Y2A, .Y2U, .Y2L, .MID)

Generic file formats

Audio file (.WAV and .AIF)

MIDI file (.MID)

Files used as Patterns and Songs

File formats used for older models

MOTIF XS (.X0A, .X0V, .X0G, .X0W)

MOTIF XF (.X3A, .X3V, .X3G, .X3W)

MOXF (.X6A, .X6V, .X6G, .X6W)

MONTAGE (.X7A, .X7U, .X7L)

MODX, MODX+ (.X8A, .X8U, .X8L)

om01basicoperation0250

1Connect a USB flash drive to the USB TO DEVICE terminal ([1] or [2]) of

the instrument.

2Open the screen from: the [UTILITY] → Contents → Save.

You can open the same screen by simultaneously holding down the [SHIFT] button and

pressing the [STORE] button, and then selecting the Save tab.

3In the Content Type, select Backup File.

4Select the USB flash drive and desired folder for saving the file.

Saving settings to a USB flash drive as a backup file (Save)

(1) Parent folder name

(2) Name of the destination folder currently selected in the USB flash drive

(3) Save to

(4) Files saved in the folder

5Tap [+] for Save As New File.

This calls up the screen for entering names.

NOTE

To overwrite the existing file, confirm the process by tapping the file name on the screen. Tap YES to

save the file.

6Enter the file name you wish to use.

For specific information on how to enter file names, refer to the Quick Guide.

7Tap Done to finish entering the name.

The backup file will then be saved to the USB flash drive (Save).

om01basicoperation0260

NOTICE

When settings are loaded, the existing settings on the instrument will be overwritten and lost.

Important settings you want to keep should be saved to a USB flash drive (Save) before

loading the settings.

1Connect a USB flash drive to the USB TO DEVICE terminal ([1] or [2]) of

the instrument.

2Open the screen from: [UTILITY] → Contents → Load.

You can open the same screen by simultaneously holding down the [SHIFT] button and

pressing the [STORE] button.

3In the Content Type, select Backup File.

4Select the desired source USB flash drive and folder that contains the

settings.

5Select the desired file on the USB flash drive for loading.

Restoring settings from the backup file saved to the USB flash drive

(Load)

(1) Parent folder name

(2) Name of desired folder currently selected in the USB flash drive

(3) Files saved in the folder

Performance settings can be backed up or shared using Soundmondo (sound management

and sharing service).

https://www.yamaha.com/2/soundmondo

Soundmondo

om01basicoperation0270

You can connect a microphone, audio equipment (such as a CD player), and an electronic

musical instrument (such as a synthesizer) to the A/D INPUT jacks to play an audio input part

(A/D INPUT Part).

Changes to the volume, pan, effects, and other settings for the audio input Part are applied and

then mixed in with other Parts for the final output of this instrument.

Contents

Using microphones and audio devices

Connecting microphones and audio devices

Using the Vocoder

Example: Vocoder

om01basicoperation0340

1Make sure to turn off the instrument and set the A/D INPUT [GAIN] knob to

the minimum value.

2Connect the external device to the A/D INPUT jack(s) on the rear panel.

NOTE

Make sure to use a dynamic microphone. Condenser microphones cannot be used.

(1) Stereo audio equipment (CD player, etc.)

Connecting microphones and audio devices

Connecting a microphone

Connecting audio equipment or an electronic instrument

3Turn on the connected device, and then turn on the MONTAGE M.

4Open the screen from: [UTILITY] → Settings → Audio I/O.

5Select the A/D Input setting for the device connected to the A/D INPUT

jack(s).

When a microphone or other equipment with a low output level is connected, set this

parameter to Mic. When a synthesizer or a CD player or other equipment with a high

output level is connected, set this parameter to Line.

6Press the A/D INPUT [ON/OFF] button.

The button lights up and the input from the audio equipment connected to the MONTAGE

M is enabled.

7Listen to the sound from the external device connected to the MONTAGE

M and turn the [GAIN] knob to adjust the gain.

Adjust the knob so that the SIG/PEAK lamp lights up briefly in red only at the loudest

input sounds.

8Press the [PERFORMANCE] button and select the Performance you wish

to use with the external device connected to the MONTAGE M.

9Play the keyboard while singing into the microphone or playing sounds

with the audio equipment.

Adjust the A/D INPUT volume on the Control sliders.

om01basicoperation0280

This instrument is equipped with a Vocoder. The Vocoder is a powerful and popular effect

processor that extracts the characteristics of the voice sung or spoken into the microphone to

modify the keyboard sounds. For example, you can play the keyboard while talking into the

microphone to make the instrument sound robotic.

The Vocoder modifies sound in a way that is similar to the mechanism for the generation of the

human voice. The human voice consists of sounds generated from the vocal cords, which are

then filtered by the throat, nose, and mouth. These resonant sections have specific frequency

characteristics and they function effectively as a filter, creating many formants (harmonic

content).

The Vocoder effect extracts the filter characteristics of the voice from the microphone input and

recreates the vocal formants by the use of multiple bandpass filters. The machine-like ‘robot’

voice is created by passing the pitched sounds of musical instruments (such as a synthesizer

sound) through the filters.

(1) Mic Input or Part Output

(2) Part Output (keyboard performance)

(3) Extracting the characteristic of the input sound

(4) Creating formants

(5) Robot-like voice

To use the Vocoder, connect the microphone, set the A/D Input settings in the Utility screen, and

adjust the gain. Finally, select a Performance that uses the Vocoder effect, as shown below.

1While the Performance screen is shown, press the [CATEGORY SEARCH]

button.

2Tap the button(s) on the screen to select the Pad/Choir category.

Using the Vocoder

Example: Vocoder

3Tap the search box on the Category Search screen and enter “Vocoder.”

4Set the Filter to Attribute and select Single.

A list of Performances for Vocoder effects will be shown.

5Select the desired Performance and press the [ENTER] button to confirm.

om01basicoperation0290

The USB and MIDI terminals on the rear panel are used for connecting to a computer and

external MIDI devices. You can use these terminals to send Program Change messages to

external MIDI devices when you change the Performance.

The Zone function is useful for setting up external MIDI devices.

Contents

Connecting external MIDI instruments

Setting up the Zone function

Connecting and setting up a computer

Connecting a computer and setting up

Installing the Yamaha Steinberg USB driver

Setting up for sending and receiving audio and MIDI

About audio channels

MIDI channels and MIDI ports

About music production using the computer

MIDI recording of your keyboard performance on the DAW

Using the tone generator block to play back Songs on the DAW

Using the Expanded Softsynth Plugin for MONTAGE M

Using the DAW Remote function

Connecting a smart device

Connecting External MIDI Instruments

Connecting a USB MIDI keyboard to the [USB TO DEVICE] terminal

Compatible MIDI devices

Special notes concerning MIDI communication

Connecting an external MIDI device to MIDI terminals

om01basicoperation0300

The Zone function enables control of multiple external devices from the built-in keyboard on this

instrument.

On the MONTAGE M, you can use up to eight Zones per Performance.

For example, you can use this function to switch between the internal tone generator (tone

generator block) and connected external sound modules by velocity or note range.

1Press the [PERFORMANCE] button to open the Performance screen.

2Select a Part and open the screen from [EDIT/ ] → General/Pitch →

Zone Settings.

The Zone Settings screen appears.

3Check the Part Mode setting.

Select Internal to play the sound from the tone generator block, and External to play the

sound from the external sound module.

NOTE

You can also use a shortcut for changing the Part Mode setting. When [PART SELECT] is on, quickly

pressing the corresponding PART button twice (double-clicking) switches between Internal and

External settings.

4If necessary, set the parameters for Tx/Rx Ch (Transmit-Receive Channel)

and Note Limit.

Setting up the Zone function

5Press the [STORE] button to save the Performance.

om01basicoperation0310

By connecting your computer to the MONTAGE M, you can use a DAW or sequencer software

on the computer to create your own music.

The acronym DAW (digital audio workstation) refers to music software for recording, editing,

and mixing audio and MIDI. The notable DAW applications include Cubase, Logic, Pro Tools,

and Live.

By connecting a computer to the [USB TO HOST] terminal, you can send and receive audio

signals and MIDI messages.

An AB-type USB cable and the driver for sending and receiving audio and MIDI are required for

the connection.

You can install the Yamaha Steinberg USB driver or use a generic driver included in your

computer’s operating system.

1Download the latest driver from the URL shown below.

https://download.yamaha.com/

NOTE

2Extract the downloaded file and install the Yamaha Steinberg USB driver

on your computer.

For instructions on how to install the driver, refer to the Installation Guide included in the

downloaded file.

When connecting this instrument to a computer, connect the USB cable to the [USB TO

HOST] terminal of this instrument and the USB terminal of the computer as shown below.

Connecting and setting up a computer

Connecting a computer and setting up

Installing the Yamaha Steinberg USB driver

Information on the system requirements is also available at the above URL.

The Yamaha Steinberg USB driver may be updated without prior notice.

(1) USB terminal

(2) USB cable

(3) [USB TO HOST] terminal

(4) MONTAGE M (Rear panel)

Connect the computer with a USB cable, and then set the parameters for handling audio and

MIDI through the USB connection.

For audio, you only need to connect the cable. And, if necessary, change settings such as

sampling frequency and gain.

For MIDI, connect the cable and then set the parameters for transmitting and receiving MIDI.

For the output of audio signals, you can use the [USB TO HOST] terminal and the OUTPUT

jacks.

If you wish to connect a computer directly to the instrument, use the [USB TO HOST] terminal.

This allows you to use up to 32 channels (or 16 stereo channels) at a sampling frequency of

44.1 kHz, or up to 8 channels (or 4 stereo channels) at a sampling frequency of 44.1 kHz to 192

Setting up for sending and receiving audio and MIDI

Transmission and reception of MIDI messages

Open the screen from the [UTILITY] → Settings → MIDI I/O → MIDI IN/OUT and select USB.

Set the instrument to enable the transmission and reception of MIDI through the [USB TO

HOST] terminal.

Open the screen from the [UTILITY] → Settings → Advanced → USB Driver Mode.

Select Vendor for using the Yamaha Steinberg USB driver, and select Generic for using the

generic driver.

About audio channels

kHz. To select which signal to output to a specific channel, open the screen from the

[PERFORMANCE] → Part selection → [EDIT/ ] → General/Pitch → Part Settings, and

select the appropriate Part Output.

For the input of audio signals, you can use the [USB TO HOST] terminal and A/D INPUT jacks.

Audio signals coming in through the [USB TO HOST] terminal can contain up to 6 channels (or

3 stereo channels), and Digital In L/R, Main L/R, and Assign L/R are used. These channels are

used exclusively for monitoring when the instrument is connected to the DAW software, for

example.

The signals received at Main L/R are output from the OUTPUT L/R jacks, while the signals

received at the Assign L/R are output from the ASSIGNABLE OUT jacks.

The audio signals received at Digital In L/R can be changed as to volume, effect send, or output

destination settings.

These settings are available also for the audio signals handled through the A/D INPUT jacks.

Audio channel (input) Output destination

Main L/R or 1/2 OUTPUT L/R jacks

Digital L/R or 3/4 Digital In section

Assign L/R or 5/6 ASSIGNABLE OUT L/R jacks

There are 16 MIDI channels for playing 16 Parts on this instrument. When you wish to use more

than 16 channels, you can use MIDI ports, which allow 16 channels per port. While a single

MIDI cable is capable of handling MIDI data for one port (or 16 channels), a single USB cable is

capable of handling MIDI data for up to 8 ports (or 128 channels) simultaneously.

On the MONTAGE M, the determined ports are provided for the USB terminals, as shown

below.

Dedicated for using the tone generator block of this instrument.

Make sure to set to Port 1 on the external MIDI device or the computer, if you wish the tone

generator block to be played on the external MIDI device or the computer.

Dedicated for using the DAW remote control.

MIDI channels and MIDI ports

Port 1

Port 2

Port 3

Dedicated for receiving MIDI messages from a MIDI device and sending them to another MIDI

device (for MIDI Thru).

On Port 3, the MIDI messages received through the [USB TO HOST] terminal are treated as

“Thru” on the MIDI [OUT] terminal, while the MIDI messages received through the MIDI [IN]

terminal are treated as “Thru” on the [USB TO HOST] terminal.

For sending MIDI messages between the MONTAGE M and the computer through the USB

cable, you need to select the appropriate MIDI Port as well as the MIDI channel. Set the Port

settings on the external device suitable for the situation.

By connecting the MONTAGE M and the computer, you can use the DAW software as in the

examples shown below.

These instructions assume that the instrument and the computer are already connected. Shown

below are some examples of using the DAW software and this instrument.

This shows how to record your keyboard performance on the DAW as MIDI data.

1Open the screen from: [UTILITY] → Settings → Quick Setup.

2Select MIDI Rec on DAW.

NOTE

Alternately, you can simultaneously press the [QUICK SETUP] button and one of the Slot number and

Category name selection buttons to select MIDI Rec on DAW.

About music production using the computer

Using the DAW software on the computer to record your keyboard performance in MIDI or

audio

Using the tone generator block to play back the Song recorded on the DAW software

MIDI recording of your keyboard performance on the DAW

Settings on the MONTAGE M

3Press the [EXIT] button to close the Quick Setup screen or press the

[PERFORMANCE] button to open the Performance screen and select the

desired Performance for recording.

1Enable MIDI Thru.

MIDI Thru is a setting used for sending MIDI messages from the built-in keyboard to the

computer and back to the Tone generator block of the instrument according to the

settings on the recording tracks.

As shown below, for example, the MIDI data entered from the MONTAGE M are sent to

Channel 1. If MIDI Thru is set to ON on the computer, then the MIDI data is sent to

Channel 3 from the computer to play the tone generator block at Channel 3. By using this

setup, you can record the keyboard performance while listening to the same sound as the

final output.

Settings on the DAW software

(1) Tone generator block

(recognizing data over MIDI Channel 3)

(2) Keyboard

(output via MIDI Channel 1)

(3) Local Control ＝ off

(4) Computer (Cubase, etc.)

2Record the keyboard performance on the DAW.

This shows how to use the DAW software as a Multi-timbral sound generator.

It allows you to use the high-quality MIDI sound generator without placing too much load on

your computer’s CPU.

1Select a Performance.

After selecting a Performance, you may find it helpful to use the Mixing screen from: the

[PERFORMANCE] → Mixing to mix Part 1 to 16.

Also, set Kbd Ctrl Lock On from the [UTILITY] → Effect Switch screen to set Tx/Rx Ch. of

each Part to enable the reception of messages.

Using the tone generator block to play back Songs on the DAW

Settings on the MONTAGE M

The setting on the DAW software

1With the tracks you wish to use for playing the tone generator block, set

the MIDI output to Port 1 on the MONTAGE M.

2Enter the MIDI data for each track.

The sound engine that corresponds to each track on the MIDI channel should be

controlled on the Mixing screen on the MONTAGE M.

The Expanded Softsynth Plugin (ESP) for MONTAGE M features the same sound engine as the

hardware MONTAGE M.

Since this software plugin works in sync with the hardware MONTAGE M, the same MONTAGE

M sounds can be integrated seamlessly into your music production (where software is most

convenient for a DAW), and into your live performance (where the actual instrument is used

onstage). This lets you use either version of the MONTAGE M, depending on your personal

preferences and specific application.

For more information on the installation and activation of the ESP, access the MONTAGE M

Welcome page from the Expanded Softsynth Plugin for MONTAGE M Download Information

leaflet included with the hardware MONTAGE M.

ESP Manual can be downloaded from the website below.

https://download.yamaha.com/

The DAW Remote function allows you to control the DAW software from the controllers on the

top panel of the MONTAGE M.

This function is available only when the instrument is connected to the computer with a USB

cable. It cannot be used when connected with a MIDI cable.

1Use an AB-type USB cable to connect a computer to the [USB TO HOST]

terminal of the instrument.

2Select the DAW software from: [DAW REMOTE] → Settings → DAW.

Using the Expanded Softsynth Plugin for MONTAGE M

Using the DAW Remote function

Settings on the MONTAGE M

Settings on the DAW software

This section explains how to set up the DAW software.

Depending on the version of your DAW software, the setup procedure may be different or the

setup itself may not be possible. For details, please refer to the relevant owner’s manual for the

DAW software you are using.

NOTE

Once the connection between the computer and MONTAGE M is lost, the DAW software may not recognize

MONTAGE M even after reconnection. If this happens, restart the DAW after the reconnection.

1Device/Studio → Device Settings.../Studio Setup... to call up the dialog.

2Select MIDI → MIDI Port Setup and uncheck the In All MIDI Inputs field of

MONTAGE M-2 or MONTAGE M Port 2.

3Press the [+] button on the upper left corner of the dialog, and then select

Mackie Control from the list.

4Select Remote Devices → Mackie Control.

5Set the MIDI Input and the MIDI Output to MONTAGE M-2 or MONTAGE M

Port2.

6(Optional) Assign desired functions to F1–F8 of User Commands.

1Select Logic Pro X → Preferences → Advanced and check Show

Advanced Tools.

2Logic Pro X → Control Surfaces → Setup… to call up the dialog.

3From New → Install…, select Mackie Control of Mackie Designs.

4Set the Output Port and the Input Port of Mackie Control to MONTAGE M

Port2.

Cubase

Logic Pro

100

5(Optional) Logic Pro X → Control Surfaces → Controller Assignments... to

set Zone to Control Surface: Mackie Control and assign functions to

Control F1–F8.

1Setup → Peripherals… to open the dialog.

2Select the MIDI Controllers tab.

3Set the Type to HUI and set Receive From and Send To to MONTAGE M-2

or MONTAGE M, Port2 of Predefined.

1Live → Preferences… to open the dialog.

2Select the Link/MIDI tab.

3Select MackieControl for the Control Surface.

4Set the Input and the Output to MONTAGE M-2 or MONTAGE M Port2.

5(Optional) Assign desired functions to F1–F8 by setting the operation of

MIDI notes F#2–C#3 in the Edit MIDI Map of the Options menu.

Pro Tools

Live

101

om01basicoperation0320

You connect a smart device such as a smartphone and a tablet to the MONTAGE M.

Smart device apps that are compatible with the MONTAGE M provide many more convenient

and enjoyable ways to use this musical instrument.

For more information on the apps and supported devices, refer to the Yamaha website.

For details on how to connect the devices, refer to the “Smart Device Connection Manual,”

which is available on the Yamaha website. For audio signal transfer using iOS, refer to the

connection instructions in the document that use a Lightning to USB Camera Adapter.

To connect a smart device, open the [UTILITY] → Settings screen to set the USB Driver Mode

to Generic.

Connecting a smart device

102

om01basicoperation0330

Using USB cables and standard MIDI cables (that are commercially available), you can connect

an external MIDI instrument to the MONTAGE M.

You can play an external MIDI instrument from the built-in keyboard, or play the tone generator

block from an external MIDI keyboard or sequencer.

Make sure to match the MIDI Transmit Channel of the external MIDI instrument with the MIDI

Receive Channel of the MONTAGE M.

To set the MIDI Receive Channel of the MONTAGE M, use MIDI I/O Ch. for Parts having

Keyboard Control is set to On, and Tx/Rx Ch. for Parts having Keyboard Control set to Off. If the

Part Mode is set to External, the Part will not receive MIDI messages from the external device.

For more information on MIDI Transmit Channel of the external MIDI keyboard, refer to the

owner’s manual of the MIDI Keyboard you are using.

Use the Zone function if you would like to play sounds from both the internal tone generator

block and the external sound module.

When you wish to play the sound only from the external sound module, lower the volume on the

MONTAGE M, or set Local Control to OFF from: [UTILITY] → Settings → MIDI I/O.

To set the receive channel on the external MIDI device, refer to the owner’s manual of the MIDI

Keyboard you are using.

The MIDI output channel on this instrument should be set to a different value, depending on

whether there are any Parts with Part Mode set to External.

When there are no Parts with Part Mode set to External, MIDI I/O Ch. is used for Part Common

or a Part with Keyboard Control set to On. Tx/Rx Ch. is used for a Part with Keyboard Control

set to Off.

When there are any Parts with Part Mode set to External, Tx Ch. is used for Part Common or a

Part with Keyboard Control set to On. Tx Ch. is used for the Part with the Keyboard Control set

to Off. Any Parts with Part Mode set to Internal will not transmit MIDI messages.

NOTE

You can use either the [USB TO DEVICE] or MIDI terminals to connect the external MIDI instrument.

By connecting a USB MIDI keyboard to the [USB TO DEVICE] terminal, you can use the

connected keyboard just like the built-in keyboard, depending on the specifications of that

Connecting External MIDI Instruments

Connecting a USB MIDI keyboard to the [USB TO DEVICE] terminal

103

keyboard.

NOTICE

MIDI communication with a device connected via the [USB TO DEVICE] terminal follows special

rules for allowing the device to behave like a built-in keyboard.

For using MIDI terminals, connect a device with MIDI cables, and then select MIDI from the

[UTILITY] → Settings → MIDI I/O.

The rating of the USB TO DEVICE terminal is a maximum of 5 V/500 mA for each terminal.

Do not connect USB devices having a rating above this, since this can cause damage to the

instrument itself.

Use an AB-type USB cable of less than 3 meters.

Compatible MIDI devices

USB class-compliant MIDI devices

USB MIDI keyboards

Compatible Yamaha MIDI devices

CP1, CP4 STAGE, CP40 STAGE, CP88, CP73, MODX, MODX+, MONTAGE, MOTIF XF,

MOXF, MX, reface, YC

Special notes concerning MIDI communication

MIDI communication is one-way only (sent from the external MIDI device and received by the

MONTAGE M).

All MIDI data is received regardless of the MIDI IN/OUT and MIDI I/O Ch. settings.

For Parts with Keyboard Control set to on, data received on all corresponding channels is

shared.

(For example, when Keyboard Control for Parts 1 to 3 is set to on, data received from any of

channels 1 to 3 will be delivered to all Parts 1 to 3.)

Each Part with Keyboard Control set to off receives the data of only the corresponding

channel for the Part.

Connecting an external MIDI device to MIDI terminals

104

om02screenparameters0010

This chapter gives descriptions of the parameters shown on the Main display.

Contents

Screens and parameters

Viewing the screens

Performance screen

Common Edit screen

Part Edit (AWM2) screen

Part Common Edit

Element Edit

Drum Part Edit (AWM2) screen

Part Common Edit

Key Edit

Part Edit (FM-X) screen

Part Common Edit

Operator Edit

Part Edit (AN-X) screen

Part Common Edit

Oscillator Edit

Noise Edit

Category Search screen

Live Set screen

Utility screen

Screens shown by pressing specific buttons

105

om02screenparameters0020

Refer to the Quick Guide for the information shown on the Main display.

The information shown on the Sub display varies depending on what you are editing or what

you selected with the [QUICK EDIT] button.

Indicators Description

1What you are

editing

Shows what you are editing with Quick Edit (such as a Performance or Part) on the

Sub display.

2Tabs Shows the parameters for what you are editing.

Use the Tab selection buttons to change tabs.

3Page Shows the pages on the tab.

Use the Tab PAGE buttons to change pages.

4Parameter area Shows the values, switches, and parameter names.

Use Knobs 1-8 to change the settings.

The Ring⇔FM parameter for AN-X Part Edit shown on the Sub display corresponds to the

Ring Level and FM Level parameters shown on the Main display.

By moving the knob, you can change the ratio of these modulations.

Viewing the screens

Information on the Main display

Information on the Sub display

About the Ring⇔FM parameter

106

107

om02screenparameters0050

The Performance screen lets you select a Performance for playing on the keyboard or modify

the Performance settings to customize the Performance.

Contents

Performance screen

Home

Motion Control

Super Knob

Knob Auto

Super Knob Motion Sequence Edit

User Curve Edit

Mixing

Scene

Play/Rec

Pattern

Pattern Edit screen

Overview

Note

Quantize

Velocity

Gate Time

Cresc. (Crescendo)

Transpose

Roll

Track

Copy/Exchange

Mix

Append

Split

Clear

Divide Drum Tr

108

Operation

Song/Event

Get Phrase

Put Phrase

Erase Event

User Arp

Play FX

Chain

Song

Put Track to Arpeggio

Audio

Smart Morph

Play

Edit

Analyze

Super Knob

Job

Home

Press the [PERFORMANCE] button.

Tap the (Home) icon

109

(1) Performance Name

Shows the name of the selected Performance.

Tapping on the name calls up the context menu for Category Search, Edit, and Property.

You can check the status of the Performance with the following flags.

A star will be shown when you turn on the Favorite switch. The same star will be shown

on the Performance Category Search screen.

The blue flag will be shown when you change a parameter in the Performance. The Edit

flag will be turned off when you save the settings with the [STORE] button.

(2) Performance Attribute

The Performance attributes will be shown.

Attribute Description

Performances using the AWM2 sound engine.

(in one color) Performances using the FM-X sound engine.

(in two colors) Performances using an FM-X Part containing the Smart Morph information

Performances using the AN-X sound engine

Performances featuring Motion Control

Favorite Flag ( )

Edit Flag ( )

110

Attribute Description

Performances that support Seamless Sound Switching

* Performances that combine multiple sound engine types are indicated with the “+” sign.

(3) Oscilloscope

Shows the waveform of the Main L&R output.

(4) Part Indicator

When the cursor is on the Performance Name or on Parts 1 to 8, the status for Parts 9 to

16 will be shown.

When the cursor is on Parts 9 to 16, the status for Parts 1 to 8 will be shown.

Nothing will be shown when Parts 9 to 16 are not used.

(5) View area for various parameters

Different parameters will be shown in this view area depending on the Display Mode.

(6) Part Name

Part Type and Category, or Part Name will be shown.

You will see the context menu for Category Search, Edit, Copy, and Property when you

tap on the Part Name.

When a Part other than Part 1 is selected and the sound is already set for that Part, the

context menu for Category Search, Edit, Copy, and Delete is shown.

Tap [+] to add a Part.

(7) Keyboard Control Switch

Keyboard Control is used for selecting Parts to play on the keyboard.

When Keyboard Control is set to On, Parts with Keyboard Control set to On can

simultaneously be played, if the Part is set to Common or Keyboard Control for the Part is

set to On.

When Keyboard Control is set to Off, you can play the Part on the keyboard only when

that Part is selected.

Settings: Off, On

(8) Part Mute

Switches Part Mute on or off.

Settings: Off, On

(9) Part Solo

Switches Part Solo on or off.

Settings: Off, On

(10) Part Volume

Sets the volume for the Part.

Settings: 0–127

(11) Part Level Meter

Shows the audio output level for the Part.

111

(12) [+] (Add)

When you tap [+], the Part Category Search screen or the Performance Merge screen

opens, allowing you to add a Part to the Performance.

(13) Switching the Display Mode

(14) Changing the View Mode

When you change the Display Mode, different parameters will be shown in the view area of the

Home screen.

You can select a different Display Mode by moving the corresponding display knob.

Opens the Navigation screen.

Opens the Fx Overview screen.

Opens the Control View screen.

Turns the Favorite switch on or off.

Settings: Off, On

Switching the Display Mode

Range

Navigation

Fx Overview

Control View

Favorite

Note Limit

112

Sets the note range (the lowest and the highest notes) for the Part.

When the first note specified is lower than the second (for example, C5 to C4), the notes in the

ranges C−2 to C4 and C5 to G8 will be played.

Settings: C−2–G8

Sets the velocity range for the Part.

Settings: 1–127

Sets the output level (Return Level) of the signals processed by the Variation Effect.

Settings: 0–127

Sets the output level (Return Level) of the signals processed by the Reverb Effect.

Settings: 0–127

Sets the Pan of the selected Performance.

Settings: L63–C–R63

Sets the volume of the selected Performance.

Settings: 0–127

Velocity Limit

FX/Pan

Var Return

Rev Return

Pan

Volume

Var (Part Variation Send)

113

Sets the level of the signals sent to the Part Variation Effect.

Settings: 0–127

Sets the level of the signals sent to the Part Reverb Effect.

Settings: 0–127

Sets the dry level (or the level of the signals not processed by the System Effect) of the Part.

Settings: 0–127

Sets the Pan position (in the stereo field) for the Part.

Settings: L63–C–R63

Changes the Arpeggio selection.

Settings: 1–8

Changes the Motion Sequence selection.

Settings: 1–8

Sets Portamento on or off for Parts having the Portamento Part Sw set to On.

This switch is linked to the [PORTAMENTO] button on the top panel.

Rev (Part Reverb Send)

Dry (Part Dry Level)

Pan (Part Pan)

Arp/MS/Porta

Arp Select

MS Select

Portamento Switch

114

Settings: Off, On

Sets the time length (or speed) for the pitch transition of Portamento.

This is specified as an offset value to the Part Portamento time.

Settings: −64–+63

Sets the Arpeggio on or off for the Part.

When both Arpeggio and Arpeggio Hold are set to On, this is shown as “Arp Hold On.” When

the Arpeggio is set to on, you can switch Arp Hold On or Off by simultaneously holding down the

[SHIFT] button and tapping the Arp On/Off button on the screen.

Settings: Off, On

Sets Motion Sequencer for the Part on or off.

Settings: Off, On

Sets Portamento for the Part on or off.

Settings: Off, On

Sets the time length of the pitch transition for Portamento of the Part.

Settings: 0–127

Portamento Time

Arp On/Off (Arpeggio Part Switch)

MS On/Off (Motion Sequencer Part Switch)

Prt On/Off (Portamento Part Switch)

Time (Portamento Part Time)

Mode/Transpose

115

Sets the MIDI channel for input and output of the Part Common and the Part having the

Keyboard Control Switch set to ON.

Settings: Ch1–Ch16

Shifts the pitch of the keys in octaves.

This is linked to the OCTAVE buttons on the top panel.

Settings: −3–+3

Shifts the pitch of the keys in semitones.

Settings: −11semi–+11semi

NOTE

For any notes outside the pitch range between C−2 and G8 (the range that can be played on this instrument),

the resulting notes will sound one octave higher (or lower.)

Sets the Internal tone generator (Int) or the external sound module (Ext) for playing on the

keyboard.

Settings: Int, Ext

Sets the channel for transmitting and receiving MIDI messages for the Zone when Part Mode is

set to Internal and the Keyboard Control Switch is set to Off.

Settings: Ch1–Ch16, Off

Sets the channel for transmitting and receiving MIDI messages for the Zone when Part Mode is

set to External.

Settings: Ch1–Ch16

Shifts the pitch of the zone in octaves.

Settings: −3–+0 (standard)–+3 (in octaves)

Shifts the pitch of the zone in semitones.

Settings: −11–+0 (standard)–+11

MIDI I/O Ch.

Octave Shift (Keyboard Octave Shift)

Transpose (Keyboard Transpose)

Int/Ext (Part Mode)

Ch (Tx/Rx Ch)

Ch (Transmit Ch)

Oct (Zone Octave)

Trans (Zone Transpose)

116

Changes the sound by setting the cutoff frequency of the filter.

When the Low Pass Filter is selected, you can make the sound brighter by setting larger values

here, or darker by setting smaller values.

This is specified as an offset value to the filter cutoff frequency for the Part.

Settings: −64–+63

Adds characteristics to the sound by adjusting the signal level near the cutoff frequency.

This is specified as an offset value to the filter resonance for the Part.

Settings: −64–+63

Sets the range of the cutoff frequency change by the FEG.

This is specified as an offset value to the Part FEG Depth.

Settings: −64–+63

Changes the sound by setting the cutoff frequency of the filter. When the Low Pass Filter is

selected, you can make a brighter sound by setting a larger value to this parameter, and a

darker sound by setting a smaller value.

This is specified as an offset value to the filter cutoff frequency set on the Filter Type screen.

Settings: −64–+63

Filter

Cutoff (Cutoff Frequency)

Resonance

FEG Depth

Cut (Part Cutoff Frequency)

Res (Part Resonance)

117

Adds special tonal variation in the sound by adjusting the signal level near the cutoff frequency.

This is specified as an offset value to the filter resonance set on the Filter Type screen.

Settings: −64–+63

Sets the range of the cutoff frequency change controlled by the Filter EG setting in the Filter

Type screen.

When it is set to 0, the settings in the Filter Type screen will be used as is.

Settings: −64–+63

You can access more detailed information from the Home screen by using View Mode.

You can select a different View Mode by moving the corresponding display knob.

When the cursor is on the Performance Name, pressing the [PERFORMANCE] button also

changes the view.

Shown when the View Mode is set to Part Info and the current Part is a Normal Part (AWM2).

(1) Element Sw (Element Switch)

(2) Element Level

Switches the Element On or Off.

Settings: Off, On

FEG (Part FEG Depth)

Changing the View Mode

Element Sw/Level

Element Sw (Element Switch)

118

Sets the output level for the Element.

Settings: 0–127

Shown when the View Mode is set to Part Info and the current Part is a Drum Part.

Sets the output level for the Drum Key.

Settings: 0–127

Shown when the View Mode is set to Part Info and the current Part is a Normal Part (FM-X).

Element Level

Drum Key

Drum Key Level

Algorithm

Algorithm (Algorithm Number)

119

Changes the Algorithm.

Tapping the Algorithm image calls up the Algorithm Search screen.

Settings: Refer to the Data List.

Sets the feedback level.

Settings: 0–7

Shown when the View Mode is set to Part Info and the current Part is a Normal Part (AN-X).

(1) 1–3 (Oscillator 1–3)

(2) N (Noise)

(3) Oscillator Level

(4) Noise Level

(5) Filter 1, 2

(6) Amplifier

Sets the output level for the Oscillator.

Settings: 0–511

Sets the noise level.

Settings: 0–511

Feedback (Feedback Level)

Virtual Analog

Oscillator Level

Noise Level

120

Opens the OSC/Tune screen for Part Edit (AN-X).

Opens the Noise screen for Part Edit (AN-X).

Opens the Filter Type screen for Part Edit (AN-X).

Opens the Amp EG screen for Part Edit (AN-X).

Shown when the View Mode is set to Smart Morph.

The map will not be shown when there is no Smart Morph information.

Shown when the View Mode is set to Motion Seq.

Shows the lane set in the View Lane of the current Part.

1–3 (Oscillator 1–3)

N (Noise)

Filter 1, 2

Amplifier

Smart Morph

Motion Seq

121

Shown when the View Mode is set to Velocity—Note.

This is convenient for setting velocity splits when using multiple Parts.

Shown when the View Mode is set to Part—Note or Part Info and the current Part is

Common.

Velocity—Note

Part—Note

122

On the Motion Control screen, you can set the Motion Control settings applied to the entire

Performance.

In the Super Knob screen, you can set the values for controlling the Super Knob.

You can set a link between the Super knob and each of the assignable knobs.

Operation

[PERFORMANCE] → Motion Control → Super Knob

(1) Super Knob Link

(2) Assignable Knob 1–8 Value

Motion Control

Super Knob

123

(3) Assignable Knob 1–8 Value Left

(4) Assignable Knob 1–8 Value Mid

(5) Assignable Knob 1–8 Value Right

Sets the Motion Sequencer for the entire Performance on or off.

This switch is linked to the [MSEQ ON/OFF] button on the top panel.

Settings: Off, On

Sets the Motion Sequencer used for the Super Knob on or off.

Settings: Off, On

Sets the lighting pattern of the Super knob.

Settings: Off, Type 1, Type 2-1, Type 2-2, Type 3-1, Type 3-2, Type 4-1, Type 4-2, Type 5-1,

Type 5-2, Type 6, Type 7-1, Type 7-2, Type 8-1, Type 8-2, Type 9, Type 10, Type 11,

Type 1B, Type 2-1B, Type 2-2B, Type 3-1B, Type 3-2B, Type 4-1B, Type 4-2B, Type

5-1B, Type 5-2B, Type 6B, Type 7-1B, Type 7-2B, Type 8-1B, Type 8-2B, Type 9B,

Type 10B, Type 11B, Rotary 1, Rotary 2, Rotary 3, Rotary 4, Rotary 5, Rotary 6,

Rotary 7, Rotary 8, Rotary 9, Rotary 10

Sets the Super Knob value.

Settings: 0–1023

Set the Mid value for the Super Knob.

Settings: Off, 1–1022

Opens the Common Edit Control Assign screen for setting the parameters controlled by the

Super Knob.

Sets the corresponding knob to link to the Super Knob.

When these switches are set to Off, the operation of the Super Knob will not affect the

parameter of the knob.

Settings: Off, On

MS Master (Motion Sequencer Master Switch)

Super Knob MS (Super Knob Motion Sequencer Switch)

LED Pattern

Super Knob (Super Knob Value)

Mid Position

Edit Super Knob

Super Knob Link

124

Shows the current values for the Assignable knobs (Knobs 1 to 8).

Settings: 0–1023

Shows the value of the assignable knobs (Knobs 1–8) when the Super Knob Value is set to 0

(or the Super Knob is turned all the way to the left).

Settings: 0–1023

Shows the value of the assignable knobs (Knobs 1–8) when the Super Knob Value is set to Mid

Position.

This parameter is not available when the Mid Position is Off.

Settings: 0–1023

Shows the value of the assignable knobs (Knobs 1–8) when the Super Knob Value is set to

1023 (or the Super Knob is turned all the way to the right).

Settings: 0–1023

NOTE

When you set Value Left to a smaller value and Value Right to a larger value, Knobs 1–8 will move in the

same direction as the Super Knob.

When you set Value Right to a smaller value and Value Left to a larger value, Knobs 1–8 will move in the

opposite direction to the Super Knob.

In the Knob Auto screen, you can set the Motion Sequencer for the Super Knob (Super Knob

Motion Sequencer).

You can set the Motion Sequencer to automatically control the Super Knob value.

Only one Lane can be used by the Super Knob.

NOTE

Up to eight Lanes can be used at the same time for the entire Performance. However, the Lane set for the

Super Knob is not included in the eight referred to here.

Operation

[PERFORMANCE] → Motion Control → Knob Auto

Assignable Knob 1–8 Value

Assignable Knob 1–8 Value Left

Assignable Knob 1–8 Value Mid

Assignable Knob 1–8 Value Right

Knob Auto

125

Sets the Motion Sequencer for the entire Performance on or off.

This switch is linked to the [MSEQ ON/OFF] button on the top panel.

Settings: Off, On

Sets the Super Knob Motion Sequencer on or off.

Settings: Off, On

Sets Knobs to be affected by the operation of the Super Knob.

Settings: Off, On

Sets to receive the signals from the [MSEQ TRIGGER] button.

When set to On, the Motion Sequence will not be played back unless you press the [MSEQ

TRIGGER] button.

Settings: Off, On

Changes the Motion Sequence type selection.

Settings: 1–8

Sets randomness of the changes in the Step value of the sequence.

Settings: 0–127

Motion Seq Master Sw (Motion Sequencer Master Switch)

Super Knob MS Sw (Super Knob Motion Sequencer Switch)

MS FX (Super Knob Motion Sequencer FX Receive)

Trigger (Super Knob Motion Sequencer Trigger Receive)

Sequence Select (Motion Sequence Select)

SK MS Random (Super Knob Motion Sequencer Randomness)

126

Opens the Motion Sequence screen.

Selects the speed and the timing for the playback of the Super Knob Motion Sequence.

Settings: Off, Tempo, Beat

Off: Plays back the Super Knob Motion Sequencer alone.

Tempo: Plays back at the Performance tempo.

Beat: Plays back in sync with the beat.

Sets the playback speed for the Motion Sequence.

This parameter is available when Super Knob Motion Sequencer Sync is set to Off.

Settings: 0–127

Sets the delay time for starting playback of the Motion Sequence when Sync is set to Off.

Settings: 0–127

Sets the time to reach the maximum amplitude for the Motion Sequence when Sync is set to

Off.

Settings: 0–127

Sets the percentage for stretching or compressing the Super Knob Motion Sequencer

playback time.

This parameter is available when Super Knob Motion Sequencer Sync is set to something

other than Off.

Settings: 50%–6400%, Common

200%: The playback time is doubled, and the tempo is halved as a result.

100%: The playback time is kept unchanged.

50%: The playback time is halved, and the tempo is doubled as a result.

Common: The Unit Multiply value set in the Common Edit is applied.

Edit Sequence

Sync/Speed tab

Sync (Super Knob Motion Sequencer Sync)

When Sync is set to Off

Speed (Super Knob Motion Sequencer Speed)

Delay Time (Super Knob Motion Seq Lane Key On Delay Time Length)

Fade In Time (Super Knob Motion Seq Lane Fade In Time Length)

When Sync is set to something other than Off

Unit (Super Knob Motion Sequencer Unit Multiply)

Delay Steps (Super Knob Motion Seq Lane Key On Delay Step Length)

127

Sets the delay time for starting the playback of the Motion Sequence when Sync is set to

something other than Off.

Settings: 0–32

Sets the time to reach the maximum amplitude for the Motion Sequence when Sync is set to

something other than Off.

Settings: 0–32

Sets the velocity range (lowest and highest values) for playing back the Motion Sequence.

Settings: 1–127

Resets the Motion Sequence playback when you press any key on the keyboard.

This parameter is not available when the Trigger is On.

Settings: Off, Each-On, 1st-On

Each-On: Each time you play any note, playback starts from the beginning.

1st-On: When you play a note, the sequence will be reset at the first note, and

playback starts from the beginning. When second or subsequent notes are played

while the first note is held, the sequence is not reset until another first note is

played.

Sets the Motion Sequence to loop playback (in repeats) or one-shot playback.

Settings: Off, On

Specifies the starting point for loop playback of the Motion Sequence.

Settings: 1–16 (should be below the Length setting)

Sets the Motion Sequence length.

Settings: 1–16 (should be above the Loop Start setting)

Sets the length of a step in the Motion Sequence (as a note value).

Settings: 60, 80, 120, 160, 240, 320, 480

Fade In Steps (Super Knob Motion Seq Lane Fade In Step Length)

Vel Limit (Super Knob Motion Sequencer Velocity Limit)

Loop/Length tab

Key On Reset (Super Knob Motion Sequencer Key On Reset)

Loop (Super Knob Motion Sequencer Loop)

Loop Start (Super Knob Motion Sequencer Loop Start)

Length (Super Knob Motion Sequence Length)

MS Grid (Super Knob Motion Sequence Grid)

128

The setting screen for the Super Knob Motion Sequencer.

You can create a sequence of up to 16 steps.

Specifies the starting point for the loop playback of the Motion Sequence.

Settings: 1–16 (should be below the Length setting)

Sets the Motion Sequence length.

Settings: 1–16 (should be above the Loop Start setting)

Sets the length of a step in the Motion Sequence (as a note value).

Settings: 60, 80, 120, 160, 240, 320, 480

Changes the Motion Sequence type selection.

Settings: 1–8

Sets the polarity of the Motion Sequence.

Settings: Unipolar, Bipolar

Unipolar: Only positive values are used for the parameter change.

Bipolar: Both positive and negative values are used for the parameter change.

Super Knob Motion Sequence Edit

Loop Start (Super Knob Motion Sequencer Loop Start)

Length (Super Knob Motion Sequence Length)

MS Grid (Super Knob Motion Sequence Grid)

Sequence Select (Motion Sequence Select)

Polarity (Super Knob Motion Sequence Polarity)

Amplitude (Super Knob Motion Sequence Amplitude)

129

Sets the degree of changes in the Motion Sequence.

Settings: 0–127

Sets the smoothness of the changes in the Motion Sequence over time.

Settings: 0–127

Shows various Jobs.

Sets the value for each step in the Motion Sequence.

You can use Control sliders 1 to 8 to change the values for Steps 1 to 8 and Steps 9 to 16.

Settings: 0–127

Sets the type and direction of each step in the Motion Sequence.

Settings: A, B, Reverse A, Reverse B

Selects a parameter change curve for Pulse A and Pulse B.

Use the Super Knob Motion Sequence Step Type to select which of the curve types to use for

each step.

The vertical axis represents the time while the horizontal axis represents the step value.

Settings: (When a preset bank is selected) Standard, Sigmoid, Threshold, Bell, Dogleg, FM,

AM, M, Discrete Saw, Smooth Saw, Triangle, Square, Trapezoid, Tilt Sine, Bounce,

Resonance, Sequence, Hold, Harmonic, Steps

(When a user bank is selected) User 1–32

(When a library file is loaded) Curves used in Library 1–16

Adjusts the shape of the step curve in the Motion Sequence.

This setting may not be available depending on the curve type. Also, the range for the

parameter value differs depending on the curve type.

Enables or disables the use of the knobs for controlling the step curve shape of the Motion

Sequence.

Smooth (Super Knob Motion Sequence Smoothness)

Job

Super Knob Motion Sequence Step Value

Super Knob Motion Sequence Step Type

Pulse A (Super Knob Motion Sequence Step Curve Type A)

Pulse B (Super Knob Motion Sequence Step Curve Type B)

Prm 1 (Super Knob Motion Sequence Step Curve Parameter 1)

Prm 2 (Super Knob Motion Sequence Step Curve Parameter 2)

Control (Super Knob Motion Sequence Step Curve Shape Control Switch)

130

Shown only when MS FX is set to On. This setting may not be available depending on the curve

type.

Settings: Off, On

Saves (stores) the edited Motion Sequence.

Loads the Motion Sequence.

Copies the Motion Sequence.

This is the setting screen for the User Curve.

You can create either an 8-point linear curve or an 8-step curve.

Indicates the current curve number.

Settings: 1–32

You can save the curve you are editing under a new name.

Tapping on the name calls up the onscreen keyboard, allowing you to enter a name.

Store Sequence

Load Sequence

Copy Sequence

User Curve Edit

Curve No. (Curve Number)

Curve Name

Curve Type

131

Sets the Curve type.

Settings: Linear, Step

Sets the input level for the curve.

Input 1 is fixed to the value 0.

Input 8 is fixed to the value 1023 when the Curve Type is set to Linear.

Settings: 0–1023

Sets the output level for the curve.

Settings: 0–1023

On the Mixing screen, you can change the mix by adjusting the volume of each Part and make

effect settings.

The settings in the Mixing screen are saved (stored) in the Performance.

Operation

[PERFORMANCE] → Mixing

Changes the view.

Settings: Part 1–16, Audio (Part 1–8, Audio part, Master)

Input

Output

Mixing

Part 1–16 (Part 1–16 Switch)

Audio (Audio Switch)

132

Sets the mix for Parts 1 to 16.

(1) Part Category

(2) Keyboard Control

(3) Volume

(4) Part Level Meter

The Main category of the selected Part is shown.

Tapping on the name calls up the context menu for Category Search, Edit, and Property.

When a Part other than Part 1 is selected and the sound is already set for that Part, the context

menu for Category Search, Edit, Copy, and Delete appears.

Tap [+] to add a Part.

Settings: Refer to the Data List.

Switches between Mute/Solo view and Keyboard Control view.

Switches Mute and Solo for the Part on or off.

Settings: Off, On

When the Part 1–16 view is selected

Part Category

Mute/Solo Switch

Kbd Ctrl Switch

Mute (Part Mute)

Solo (Part Solo)

Keyboard Control

133

Switches Keyboard Control on or off.

For Parts 9 to 16, the buttons will not be shown since Keyboard Control cannot be set to On for

those Parts.

Settings: Off, On

Switches between the 2-band EQ view and 3-band EQ view of Parts 1 to 16.

Settings: 3-band, 2-band

Shows the EQ setting either in 3-band or 2-band views.

Tapping on the area calls up the context menu of Part EQ.

Sets the level of the signals sent from Parts 1 to 16 to the Reverb Effect.

Settings: 0–127

Sets the level of the signals sent from Parts 1 to 16 to the Variation Effect.

Settings: 0–127

Sets the dry level (or the level of the signals not processed by the System Effect) of Parts 1 to

16.

Settings: 0–127

Sets the Pan position (in the stereo field) for Parts 1 to 16.

Settings: L63–C–R63

Sets the volume for Parts 1 to 16.

Settings: 0–127

Shows the level for Parts 1 to 16.

3-band (3-band EQ Switch)

2-band (2-band EQ Switch)

EQ (Equalizer)

Rev Send (Reverb Send)

Var Send (Variation Send)

Dry Level

Pan

Volume

Part Level Meter

When the Audio view is selected

134

Sets the mix for the Audio Part.

(1) Part Category

(2) Digi (Digital Part)

(3) Main (USB Main Part)

(4) Asgn (USB Assign Part)

(5) AD (A/D Part)

(6) Mst (Master)

(7) A/D Part EQ

(8) Master EQ

(9) Digital Part Volume

(10) Part Level Meter

(11) Digi (Digital Part Level Meter)

(12) USB Main Monitor Volume

(13) Main (Main L&R Level Meter)

(14) USB Assign Monitor Volume

(15) Asgn (Assign L&R Level Meter)

(16) A/D Part Volume

(17) AD (A/D Part Level Meter)

(18) Performance Volume

The Main category of the selected Part is shown.

Tapping on the name calls up the context menu for Category Search, Edit, and Property.

When a Part other than Part 1 is selected and the sound is already set for that Part, the context

menu for Category Search, Edit, Copy, and Delete appears.

Tap [+] to add a Part.

Part Category

135

Settings: Refer to the Data List.

Tapping on the name calls up the context menu for Edit.

Switches between the Mute/Solo view and Keyboard Control view.

Switches Mute and Solo for the Part on or off.

Settings: Off, On

Tapping on the area calls up the context menu of Part EQ.

Sets the level of the signals sent from the Digital Part or A/D Part to the Reverb Effect.

Settings: 0–127

Sets the level of the signals sent from the Digital Part or A/D Part to the Variation Effect.

Settings: 0–127

Sets the dry level (or the level of the signals without the System Effect) of the Digital Part or A/D

Part.

Settings: 0–127

Sets the Pan (location in the sound field) of the Digital Part or A/D Part.

Digi (Digital Part)

Main (USB Main Part)

Asgn (USB Assign Part)

AD (A/D Part)

Mst (Master)

Mute/Solo Switch

Kbd Ctrl Switch

Mute (Part Mute)

Solo (Part Solo)

A/D Part EQ

Digital Part Reverb Send

A/D Part Reverb Send

Digital Part Variation Send

A/D Part Variation Send

Digital Part Dry Level

A/D Part Dry Level

Digital Part Pan

A/D Part Pan

136

Settings: L63–C–R63

Sets the volume for the Audio Part.

Settings: 0–127

Shows the 5-band parametric EQ.

Tapping on the name calls up the context menu for Master EQ Edit.

Sets the output level (Return Level) of the signals processed by the Reverb or Variation Effect.

Settings: 0–127

Sets the level of the signals sent to the Reverb Effect.

Settings: 0–127

Sets the level of the signals sent to the Variation Effect.

Settings: 0–127

Sets the Pan (location in the sound field) of the Performance.

This parameter value offsets the pan setting for each Part.

Settings: L63–C–R63

Sets the volume for the Performance.

Settings: 0–127

Digital Part Volume

A/D Part Volume

USB Main Monitor Volume

USB Assign Monitor Volume

Master EQ

Rev Return (Reverb Return)

Var Return (Variation Return)

Rev Send (Reverb Send)

Var Send (Variation Send)

Pan (Performance Pan)

Performance Volume

Part Level Meter

Digi (Digital Part Level Meter)

Main (Main L&R Level Meter)

Asgn (Assign L&R Level Meter)

AD (A/D Part Level Meter)

137

Shows the level of Parts 1 to 8 and Audio Part.

On the Scene screen, you can register the settings for the Arpeggio type, Motion Sequence

type, and Part parameters to each of the SCENE buttons.

On this screen, set the appropriate Memory (Memory Switch) On, and edit the desired

parameter values so that you can save the settings to the Scene.

NOTE

The Scene function can be set from a screen other than Scene. You can change the assigned Scene

parameters by moving the corresponding knobs and sliders and registering the settings by simultaneously

holding down the [SHIFT] button and pressing the desired SCENE button.

Operation

[PERFORMANCE] → Scene

(1) Scene Select

Select a Scene tab to register the settings.

The Scene1 to Scene8 tabs are linked to the SCENE buttons on the top panel.

Settings: 1–8

Selects each of the parameter values such as Arpeggio, Motion Sequencer, Super knob, Super

knob link, Mixing, Keyboard Control, Amplitude EG, and Arp/MS FX to register to the Scene.

When these switches are set to Off, the parameter values will not be shown on the display even

when the corresponding tabs are selected.

Scene

Scene Select

Memory (Memory Switch)

138

Settings: Off, On

Changes the view between Part 1–16 and Common.

The views are available in the Mixing 1, Mixing 2, Kbd Ctrl, AEG, Arp/MS FX1, and Arp/MS FX2

tabs.

By setting Offset to Off, you can use smaller increments to set some of the Scene parameters.

Shown on the Mixing 1, Mixing 2, and AEG tabs.

Settings: Off (Absolute), On (Offset)

Sets the Motion Sequencer on or off for the entire Performance.

Settings: Off, On

Changes the Motion Sequence Selection.

Settings: 1–8

Sets the Arpeggio on or off for the entire Performance.

Settings: Off, On

Changes the Arpeggio selection.

Settings: 1–8

Part 1–16 / Common

Offset (Scene Mixing / AEG Value Mode Switch)

When the Memory Switches for Arp and Motion Seq are set to On

Motion Seq Master (Motion Sequencer Master Switch)

Motion Seq Select (Motion Sequence Select)

Arp Master (Arpeggio Master Switch)

Arp Select (Arpeggio Select)

When the Memory Switches for Super Knob and Link are set to On

139

Sets the Super Knob value.

Settings: 0–1023

Sets the link between the Super Knob and Assignable Knobs 1–8.

When this switch is set to Off, operation of the Super knob will not affect the parameters of the

Assignable knobs.

Settings: Off, On

Part 1–16 view: Scene parameters for Parts 1–16 are shown.

Common view: Scene parameters for Parts 1–8 and Common are shown.

Common parameters are applied to the entire Performance.

Super Knob (Super Knob Value)

Super Knob Link

When the Memory Switches for Mixing 1 and Mixing 2 are set to On

Mixing 1

140

Sets the Reverb Send for each Part.

Settings: 0–127

Sets the Variation Send for each Part.

Settings: 0–127

Sets the Dry Level of each Part.

Settings: 0–127

Sets the Pan for each Part.

Settings: L63 –C–R63

Sets the Volume for each Part.

Settings: 0–127

Sets the Reverb Return.

Settings: 0–127

Sets the Variation Return.

Settings: 0–127

Sets the Pan for the Performance.

Settings: L63 –C–R63

Part 1–16 view

Rev Send (Reverb Send)

Var Send (Variation Send)

Dry Level

Pan

Volume (Part Volume)

Common view

Rev Return (Reverb Return)

Var Return (Variation Return)

Pan (Performance Pan)

Mixing 2

Part 1–16 view

When Offset is set to On

Cutoff (Cutoff Frequency)

141

Sets the cutoff frequency for each Part.

Settings: −64–+63

Sets the filter resonance or filter width for each Part.

Settings: −64–+63

Sets the FEG depth for each Part.

Settings: −64–+63

By setting Offset to Off, some Scene parameters can be finely-adjusted.

Settings: (FM-X, AN-X): 0–1023

Settings: (FM-X): 0–127

Settings: (AN-X): 0–255

Settings: (AN-X): −9600–+9600

NOTE

It is recommended to set Offset to On when you wish to use both Smart Morph and Scene.

Switches Mute for the Part on or off.

Settings: Off, On

Sets the volume for the Part.

Settings: 0–127

Sets the offset value for the cutoff frequency of the Part.

Settings: −64–+63

Res (Filter Resonance/Width)

FEG Depth

When Offset is set to Off

Cutoff

Resonance

FEG

Mute (Part Mute)

Volume (Part Volume)

Common view

Cutoff (Cutoff Frequency)

142

Sets the offset value for the filter resonance or filter width of the Part.

Settings: −64–+63

This is specified as an offset value to the Part FEG Depth.

Settings: −64–+63

Switches Keyboard Control for the Part on or off.

When Keyboard Control for the Part is set to Off, no sound will be produced when you play the

keyboard.

Settings: Off (gray), On (green)

Res (Filter Resonance/Width)

FEG Depth

When the Memory Switch for Kbd Ctrl is set to On

Kbd Ctrl (Part Keyboard Control Switch)

When the Memory Switch for AEG is set to On

143

Sets the AEG attack time for the Part.

Settings: −64–+63

Sets the AEG decay time for the Part.

Settings: −64–+63

Sets the AEG sustain level for the Part.

Settings: −64–+63

Sets the AEG release time for the Part.

Settings: −64–+63

By setting Offset to Off, some Scene parameters can be finely-adjusted.

Settings: (AN-X): 0–255

Part 1–16 view

When Offset is set to On

Attack (AEG Attack Time)

Decay (AEG Decay Time)

Sustain (AEG Sustain Level)

Release (AEG Release Time)

When Offset is set to Off

Attack

Decay

144

Settings: (AN-X): 0–511

Settings: (AN-X): 0–255

Sets the offset value to Attack for the Part.

Settings: −64–+63

Sets the offset value to Decay for the Part.

Settings: −64–+63

Sets the offset value to Sustain for the Part.

Settings: −64–+63

Sets the offset value to Release for the Part.

Settings: −64–+63

Sustain

Release

Common view

Attack

Decay

Sustain

Release

When the Memory Switches for Arp/MS FX 1 and Arp/MS FX 2 are set to On

Arp/MS FX 1

Part 1–16 view

Swing

145

Sets the swing value of the Arpeggio or Motion Sequencer for each Part.

Settings: −120–+120

Sets the Unit Multiply value of the Arpeggio or Motion Sequencer for each Part.

Settings: 50%–400%, Common

200%: The playback time is doubled, and the tempo is halved as a result.

100%: The playback time is kept unchanged.

50%: The playback time is halved, and the tempo is doubled as a result.

Common: The value set in the Unit Multiply common to all Parts is applied.

Sets the Arpeggio gate time rate for each Part.

Settings: 0%–200%

Sets the Arpeggio velocity rate for each Part.

Settings: 0%–200%

Sets the offset value to Swing for each Part.

Settings: −120–+120

Sets the Unit Multiply for all Parts.

Settings: 50%–400%

200%: The playback time is doubled, and the tempo is halved as a result.

100%: The playback time is kept unchanged.

50%: The playback time is halved, and the tempo is doubled as a result.

Sets the offset value to Arpeggio Gate Time Rate for each Part.

Settings: −100–+100

Sets the offset value to Arpeggio Velocity Rate for each Part.

Settings: −100–+100

Unit (Part Unit Multiply)

Gate Time (Arp Gate Time Rate)

Velocity (Arp Velocity Rate)

Common view

Swing

Unit (Common Unit Multiply)

Gate Time (Arp Gate Time Rate)

Velocity (Arp Velocity Rate)

146

Sets the Motion Sequencer Amplitude for each Part.

Settings: −127–+127

Sets the Motion Sequencer Pulse Shape for each Part.

Settings: −100–+100

Sets the Motion Sequencer Smoothness for each Part.

Settings: −127–+127

Sets the Motion Sequencer Randomness for each Part.

Settings: 0–127

Sets the offset value to Motion Sequencer Amplitude for each Part.

Settings: −127–+127

Sets the offset value to Motion Sequencer Pulse Shape for each Part.

Settings: −100–+100

Sets the offset value to Motion Sequencer Smoothness for each Part.

Settings: −127–+127

Sets the offset value to Motion Sequencer Randomness for each Part.

Settings: −127–+127

Arp/MS FX 2

Part 1–16 view

Amp (Motion Sequencer Amplitude)

Shape (Motion Sequencer Pulse Shape)

Smooth (Motion Sequencer Smoothness)

Random (Motion Sequencer Randomness)

Common view

Amp (Motion Sequencer Amplitude)

Shape (Motion Sequencer Pulse Shape)

Smooth (Motion Sequencer Smoothness)

Random (Motion Sequencer Randomness)

147

On the Play/Rec screen, you can record Patterns and Songs to the Internal memory of this

instrument, and Audio to a USB flash drive, and play back your recordings.

Operation

(1) Link Icon

Shows the name of the selected Pattern.

By tapping on the name, you will see the context menu for Load, Rename, and New Pattern.

You can select a Pattern by using the [INC/YES] and [DEC/NO] buttons when the cursor is on

the Pattern Name.

The link icon is shown if the Performance used for recording the Pattern and the selected

Performance are the same. If not, the broken link icon will be shown.

Play/Rec

Pattern

Playback and playback standby

[SONG/PATTERN] button → Pattern

[PERFORMANCE] → Play/Rec → Pattern

[] (Play) button → Pattern

Pattern Name

Link Icon

Performance Name

148

Shows the name of the selected Performance.

NOTE

The blue flag will be shown when you change a parameter in the Performance.

The Tempo Settings screen appears.

Shows the meter for the Pattern.

Sets the position for starting playback and recording, as well as the current position of the

playback.

The number shown on the left is the measure, and the numbers shown on the right are the

beats and clicks.

Sets the tempo for Pattern playback.

Settings: 5–300

Saves the link between the edited Patterns and the Performance used.

NOTE

If you have edited the Performance parameters, you will also need to store the Performance.

Opens the screen for Pattern edit and jobs.

Shows the name of the selected Scene.

This switch is linked to the SCENE buttons on the top panel.

Sets the sequence length of the selected Scene.

Settings: 1–256

Sets the Pattern to start recording or playback the moment you press a key on the keyboard.

Click Settings

Time Signature

Position

Tempo

Store Pattern & Perf Settings (Store Pattern and Performance Settings)

Edit/Job

Scene

Length

Key On Start

149

Settings: Off, On

Enables/disables chain playback.

Settings: Off, On

Undo cancels the last recording action and deletes what has been just recorded.

This button is active when you change any settings to a sequence.

Redo restores the recording that has been canceled by Undo. This button is active only after

Undo has been used.

Switches between Part views.

Operation

Sets the meter of the Scene.

Settings: 1/16–16/16, 1/8–16/8, 1/4–8/4

Chain

Undo

Redo

Part 1–8

Part 9–16

Recording standby

[SONG/PATTERN] button → Pattern → [ ] (Record) button

[PERFORMANCE] → Play/Rec → Pattern → [ ] (Record) button

Time Signature

150

Quantize is a function that corrects the recorded notes to be on the exact fraction of the beat (in

note values).

Settings: Off, 60 (thirty-second note), 80 (sixteenth note triplet), 120 (sixteenth note), 160

(eighth note triplet), 240 (eighth note), 320 (quarter note triplet), 480 (quarter note)

When Loop is set to On, Pattern recording continues in a loop.

Settings: Off, On

NOTE

Pressing the [ ] (Record) button during Song recording sets the recorder to Rehearsal mode and makes

the [ ] (Record) button flash. In Rehearsal mode, playback of the Pattern continues but recording is

temporarily paused, making it useful for practicing. During Song recording, you can press the [ ] (Record)

button to switch between the Recording mode and Rehearsal mode.

Operation

You can delete specific note events by holding down the [SHIFT] button and pressing the key

corresponding to the note you wish to delete.

Alternately, you can tap on the Erase button on the screen to turn on the function, and then

press the corresponding key on the keyboard to delete the note event.

Rec Quantize (Record Quantize)

Loop

Recording

[SONG/PATTERN] button → Pattern → [ ] (Record) button → [ ] (Play) button

[PERFORMANCE] → Play/Rec → Pattern → [ ] (Record) button → [ ] (Play) button

Hold [SHIFT] + key to erase

Erase

151

When you operate a controller during overdub recording, you can delete the existing events of

that controller and record the operation as new events.

Operation

[PERFORMANCE] → Play/Rec → Pattern → (with the Song already recorded) → [ ]

(Record) button → Tap Record Type → Select Overdub from the menu → [ ] (Play) button

Selects from Replace or Overdub recording.

Settings: Replace, Overdub

By using the Pattern function, you can register a sequence for each Scene.

Undo cancels the last recording action and deletes what has been just recorded.

This button becomes available when one or more Jobs have been used after a sequence has

been recorded.

Redo restores the recording that has been canceled by Undo. This button becomes available

after Undo is used.

Overdub recording

Record Type

Pattern Edit screen

Common operations for all tabs on the Pattern Edit screen

Undo

Redo

152

Carries out the selected Job to the MIDI sequence.

Operation

Tap this button to see the Main and Sub categories of the Part.

It also changes the list shown on the Play/Rec screen.

Tap to see the Part Name.

It also changes the list shown on the Play/Rec screen.

Shows the status of mute and solo settings for the Part.

Shows the selected Scene number.

Opens the Save screen. You can save the sequence of the selected Scene as a MIDI file.

Execute

Overview

[] (Play) button → Pattern → [EDIT/ ] → Overview

[PERFORMANCE] → Play/Rec → Pattern → Edit/Job → Overview

Type

Name

Part Mute Icon

Part Solo Icon

Scene

Save As .mid File

153

Opens the Load screen for loading a MIDI file.

After you have selected a MIDI file, select a Pattern and Scene in the load location.

Sets the sequence length of the selected Scene.

Shows the current position of the Scene playback, and lets you specify the playback position.

Settings: 001–256

Quantization is the process of adjusting the timing of note events by moving them closer to the

nearest exact beat. You can use this feature, for example, to improve the timing of a Pattern you

have recorded in real time.

Operation

Specifies the track for the Quantize operation.

Settings: All, 1–16

Load .mid File

Length

Position

Note

Quantize

[] (Play) button → Pattern → [EDIT/ ] → Note → Quantize

[PERFORMANCE] → Play/Rec → Pattern → Edit/Job → Note → Quantize

Track

154

Specifies the Scene for the Quantize operation.

Settings: 1–8

Specifies the starting measure position for the Quantize operation.

Settings: 001–257

Specifies the starting beat position for the Quantize operation.

Settings: Depends on the Time Signature setting.

Specifies the starting clock position for the Quantize operation.

Settings: Depends on the Time Signature setting.

Specifies the ending measure position for the Quantize operation.

Settings: 001–257

Specifies the ending beat position for the Quantize operation.

Settings: Depends on the Time Signature setting.

Specifies the ending clock position for the Quantize operation.

Settings: Depends on the Time Signature setting.

Sets the quantization resolution (or a note to be used as a base for the quantization).

Settings: Thirty-second note, sixteenth note triplet, sixteenth note, eighth note triplet, eighth

note, quarter note triplet, quarter note, sixteenth note + sixteenth note triplet, eighth

note + eighth note triplet

Sets the “magnetic strength” of the quantization.

When this parameter is set to 100%, all notes will move to the position specified in Quantize.

A setting of 0% results in no quantization.

Settings: 0%–100%

Scene

Start Measure

Start Beat

Start Clock

End Measure

End Beat

End Clock

Quantize

Strength

155

Changes the timing of the even-numbered beats (backbeats) counted from the value specified

in Quantize to add a swing feel to the rhythms.

Settings: Depends on the Quantize (quantization resolution) setting.

When Quantize is set to quarter note, eighth note, sixteenth note, or thirty-

second note: 0 to half the grid

When Quantize is set to quarter note triplet, eighth note triplet, or sixteenth

note triplet: 1 to half the grid

When Quantize is set to eighth note + eighth note triplet, or sixteenth note +

sixteenth note triplet: 0 to half the triplet grid

Changes the gate time (or the actual time for the note to be played) of the even-numbered

beats (backbeats) counted from the value specified in Quantize to add a swing feel to the

rhythms.

Settings: 0%–200%

Changes the Velocity value, letting you change the volume of the notes in the specified range.

NOTE

Velocity is calculated by the formula as shown below.

Adjusted Velocity = (original Velocity × Rate) + Offset

If the result is 0 or less, the value is set to 1. If the result is higher than 128, the value is set to 127.

Operation

Swing Rate

Gate Time

Velocity

[] (Play) button → Pattern → [EDIT/ ] → Note → Velocity

[PERFORMANCE] → Play/Rec → Pattern → Edit/Job → Note → Velocity

156

Sets the velocity of all notes in the selected section.

When set to Off, Set All will not work.

When set to other than Off, Rate and Offset will be disabled.

Settings: Off, 001–127

Sets the percentage for changing the velocity.

When set to 99% or lower, the velocity will be slower. When set to 101% or higher, the velocity

will be faster.

At 100% the velocity will be kept unchanged.

This parameter cannot be changed when Set All is set to a value other than Off.

Settings: 0%–200%

Sets the value to add to or subtract from the original Velocity value.

When set to −1 or smaller, the velocity will be slower. When set to +1 or larger, the velocity will

be faster.

When set to 0, the velocity will be kept unchanged.

This parameter cannot be changed when Set All is set to a value other than Off.

Settings: −127–+127

Specifies the time for playing notes in the specified section (Gate Time).

Set All

Rate

Offset

Gate Time

157

NOTE

Gate Time is calculated by the formula as shown below.

Adjusted Gate Time = (Original Gate Time × Rate) + Offset

If the result is 0 or less, the value is set to 1.

Operation

The screen here is the same as the one opened from Note → Velocity on the Pattern Edit,

except that the available Set All settings are different.

Settings: Off, 001–9999

This Job lets you create a crescendo or decrescendo over a specified range of notes.

(Crescendo is a gradual increase in volume, and decrescendo is a gradual decrease.)

Operation

[] (Play) button → Pattern → [EDIT/ ] → Note → Gate Time

[PERFORMANCE] → Play/Rec → Pattern → Edit/Job → Note → Gate Time

Set All

Cresc. (Crescendo)

[ ] (Play) button → Pattern → [EDIT/ ] → Note → Cresc.

[PERFORMANCE] → Play/Rec → Pattern → Edit/Job → Note → Cresc.

158

Sets the intensity of the crescendo or decrescendo. The velocity values of the notes in the

specified range are gradually increased or decreased starting at the first note in the range. The

velocity of the last note in the range becomes the original velocity of the note plus the Velocity

Range value. If the resultant velocity is outside the 1–127 range, it is set to 1 or 127 accordingly.

The setting of +1 or higher produces a crescendo, and the setting of −1 or lower produces a

decrescendo. A setting of 0 produces no change.

Settings: −127–+127

This Job lets you change the key or pitch of the notes in the specified range.

NOTE

When the Transpose job is carried out, any notes outside the allowed range of C−2–G8 will be automatically

changed to fit within the range.

Operation

Velocity Range

Transpose

[] (Play) button → Pattern → [EDIT/ ] → Note → Transpose

[PERFORMANCE] → Play/Rec → Pattern → Edit/Job → Note → Transpose

159

For the most part, the screen here is the same as the one opened from Note → Quantize on the

Pattern Edit.

Specifies the range of keys (notes) for transposing.

Tap to open the context menu and then set Keyboard On to use the keys on the keyboard to set

the range.

Settings: C−2–G8

Sets the range of notes to shift in semitones.

A setting of +12 transposes up one octave, while a setting of −12 transposes down an octave.

The value 0 produces no change.

Settings: −127–+127

This Job creates a series of repeated notes (like a drum roll) over the specified range.

Operation

Note

Transpose

Roll

[] (Play) button → Pattern → [EDIT/ ] → Note → Roll

[PERFORMANCE] → Play/Rec → Pattern → Edit/Job → Note → Roll

160

For the most part, the screen here is the same as the one opened from Note → Quantize on the

Pattern Edit, except that the available Track settings are different.

Settings: 1–16

Sets the size of the step (i.e., the number of clocks) between each note in the roll.

By setting a smaller value, you can play faster rolls.

The clock specified here is for the beginning of the range.

Settings: 015–999

Sets the size of the step (i.e., the number of clocks) between each note in the roll.

By setting a smaller value, you can play faster rolls.

The clock specified here is for the end of the range.

Settings: 015–999

Sets the note for rolls.

Tap to open the context menu and then set the Keyboard On, so that you can use the key on

the keyboard.

Settings: C−2–G8

Sets the velocity for the strength of rolls.

The velocity specified here is for the beginning of the range.

Settings: 001–127

Track

Start Step

End Step

Note

Start Velocity

161

Sets the velocity for the strength of rolls.

The velocity specified here is for the end of the range.

Settings: 001–127

NOTE

By setting both Start Velocity and End Velocity, you can create crescendo or decrescendo for the rolls.

This Job copies data from a specified source track to the specified destination track or

exchanges data between two specified tracks.

Operation

Copies data from the specified track to another track.

NOTICE

When Copy Track is carried out, the existing data on the destination track will be overwritten

and lost.

End Velocity

Track

Copy/Exchange

[] (Play) button → Pattern → [EDIT/ ] → Track → Copy/Exchange

[PERFORMANCE] → Play/Rec → Pattern → Edit/Job → Track → Copy/Exchange

Copy

162

Exchanges data between two tracks.

Specifies the Pattern to copy from.

Specifies the track to copy from.

Settings: All, 1–16

Specifies the Scene to copy from.

Settings: All, 1–8

Specifies the Pattern to copy to.

Specifies the track to copy to.

This parameter is not available when Source is set to All.

Settings: 1–16

Specifies the Scene to copy to.

This parameter is not available when Source is set to All.

Settings: 1–8

Carries out the Copy operation.

NOTE

When Copy Track is carried out with the track and Scene set to All, the Chain data will also be copied.

Carries out the Exchange operation.

NOTE

When Exchange Track is carried out with the track and Scene set to All, the Chain data will also be

exchanged.

Exchange

Pattern Name *1 Source

Track *1 Source

Scene *1 Source

Pattern Name *2 Destination

Track *2 Destination

Scene *2 Destination

Copy Track

Exchange Track

163

Mixes (merges) the data from the specified track A and track B and places the result in track B.

Operation

Specifies the first Pattern to mix.

Specifies the track for the Mix operation.

Settings: 1–16

Specifies the Scene for the Mix operation.

Settings: All, 1–8

Specifies the first Pattern to mix.

Specifies the track for the Mix operation.

Settings: 1–16

Mix

[] (Play) button → Pattern → [EDIT/ ] → Track → Mix

[PERFORMANCE] → Play/Rec → Pattern → Edit/Job → Track → Mix

Pattern Name *1 Source A

Track *1 Source A

Scene *1 Source A

Pattern Name *2 Source B

Track *2 Source B

164

Specifies the Scene for the Mix operation.

This parameter is not available when Source A is set to All.

Settings: 1–8

Shows the name of the Pattern to mix to.

Shows the track number for the Mix operation.

Shows the Scene number for the Mix operation.

This parameter is not available when Source A is set to All.

Carries out the Mix operation.

Adds the data in the specified track to the end of another track.

Operation

Scene *2 Source B

Pattern Name *3 Destination B

Track *3 Destination B

Scene *3 Destination B

Mix Track

Append

[] (Play) button → Pattern → [EDIT/ ] → Track → Append

[PERFORMANCE] → Play/Rec → Pattern → Edit/Job → Track → Append

165

Specifies the Pattern to add from.

Specifies the track for the Append operation.

Settings: All, 1–16

Specifies the Scene for the Append operation.

Settings: 1–8

Specifies the Pattern to add to.

Specifies the track for the Append operation.

This parameter is not available when Source is set to All.

Settings: 1–16

Specifies the Scene for the Append operation.

Settings: 1–8

Carries out the Append operation.

Splits the data of the specified track at the specified measure and moves the second half to

another specified track.

Operation

Pattern Name *1 Source

Track *1 Source

Scene *1 Source

Pattern Name *2 Destination

Track *2 Destination

Scene *2 Destination

Append Track

Split

[] (Play) button → Pattern → [EDIT/ ] → Track → Split

[PERFORMANCE] → Play/Rec → Pattern → Edit/Job → Track → Split

166

Specifies the Pattern to split.

Specifies the track for the Split operation.

Settings: All, 1–16

Specifies the Scene for the Split operation.

Settings: 1–8

Specifies the measure at which the data is to be split.

Settings: 2–256

Shows the Pattern to split into.

Shows the track for the Split operation.

Shows the Scene for the Split operation.

Specifies the Pattern to which the split data is to be sent.

Pattern Name *1 Source

Track *1 Source

Scene *1 Source

Measure *1 Source

Pattern Name

Track

Scene

Pattern Name *2 Destination

167

Specifies the track for the Split operation.

This parameter is not available when Source is set to All.

Settings: 1–16

Specifies the Scene for the Split operation.

Settings: 1–8

Carries out the Split operation.

Deletes data of the specified track.

Operation

Specifies the pattern to delete.

Specifies the track for the Clear operation.

Settings: All, 1–16

Track *2 Destination

Scene *2 Destination

Spilt Track

Clear

[] (Play) button → Pattern → [EDIT/ ] → Track → Clear

[PERFORMANCE] → Play/Rec → Pattern → Edit/Job → Track → Clear

Pattern Name

Track

168

Specifies the Scene for the Clear operation.

Settings: 1–8

Carries out the Clear operation.

NOTE

When Clear Track is carried out with the track and Scene set to All, the Chain data will also be deleted.

Takes the recorded drums from the specified track and assigns each Instrument (individual

percussion instrument in the drum set) to Tracks 9 to 16.

NOTE

When there is existing data on Tracks 9 to 16 and Parts 9 to 16, carrying out the Divide Drum Track operation

will overwrite the existing data. Undo and Redo cannot be used with this operation.

Operation

Specifies the Pattern for the Divide operation.

Scene

Clear Track

Divide Drum Tr (Divide Drum Track)

[] (Play) button → Pattern → [EDIT/ ] → Track → Divide Drum Tr

[PERFORMANCE] → Play/Rec → Pattern → Edit/Job → Track → Divide Drum Tr

Pattern Name

Track

169

Specifies the track for the Divide operation.

Settings: 1–16

Carries out the Divide operation.

Copies a specific section of the Song to the specified track.

NOTICE

The existing data at the copy destination will be overwritten and lost.

Operation

Specifies the Song to copy from.

Specifies the track for the Get Phrase operation.

Settings: All, 1–16

Divide Drum Track

Song/Event

Get Phrase

[] (Play) button → Pattern → [EDIT/ ] → Song/Event → Get Phrase

[PERFORMANCE] → Play/Rec → Pattern → Edit/Job → Song/Event → Get Phrase

Song Name

Track *1 Source

170

Specifies the starting measure position for the Get Phrase operation.

Settings: 001–998

Specifies the ending measure position for the Get Phrase operation.

Settings: 002–999

Specifies the Pattern to copy to.

Specifies the track to copy to.

This parameter is not available when Source is set to All.

Settings: 1–16

Specifies the Scene to copy to.

Settings: 1–8

Carries out the Get Phrase operation.

Copies specified measures of the Pattern track to the specified Song track.

NOTE

The copied data will be merged into the existing data on the destination track.

Operation

Start Measure

End Measure

Pattern Name

Track *2 Destination

Scene

Get Phrase from Song

Put Phrase

[] (Play) button → Pattern → [EDIT/ ] → Song/Event → Put Phrase

[PERFORMANCE] → Play/Rec → Pattern → Edit/Job → Song/Event → Put Phrase

171

Specifies the Pattern to copy from.

Specifies the track for the Put Phrase operation.

Settings: 1–16

Specifies the Scene for the Put Phrase operation.

Settings: 1–8

Specifies the Song to copy to.

Specifies the track for the Put Phrase operation.

Settings: 1–16

Specifies the measure to copy to.

Settings: 001–999

Carries out the Put Phrase operation.

Pattern Name

Track *1 Source

Scene

Song Name

Track *2 Destination

Measure

Put Phrase to Song

172

Erases the event.

Operation

For the most part, the screen here is the same as the one opened from Note → Quantize in

Pattern Edit.

Switches the Auto Select setting of the Event Type.

When this is set to On, you can simply move the controller whose data you wish to erase, and

the corresponding controller’s event will automatically be set for Event Type.

Settings: Off, On

Specifies the type of event you wish to erase.

Settings: Note, Poly, CC, NRPN, RPN, PC, AfterTouch, PitchBend, SysEx, All

Shown when the Event Type is set to CC. Specify the Control Change number of the event to

erase.

Settings: All, 1–127

Erase Event

[] (Play) button → Pattern → [EDIT/ ] → Song/Event → Erase Event

[PERFORMANCE] → Play/Rec → Pattern → Edit/Job → Song/Event → Erase Event

Auto Select

Event Type

CC Number

Erase Event

173

Carries out the Erase Event operation.

Registers the data in the specified measures of the Scene as a User Arpeggio.

NOTICE

The existing data at the Destination will be overwritten and lost.

Operation

Specifies the Scene for the User Arpeggio operation.

Settings: 1–8

Specifies the starting measure position for the User Arpeggio operation.

Settings: 1–256

Specifies the ending measure position for the User Arpeggio operation.

Settings: 2–257

User Arp (User Arpeggio)

[] (Play) button → Pattern → [EDIT/ ] → Song/Event → User Arp

[PERFORMANCE] → Play/Rec → Pattern → Edit/Job → Song/Event → User Arp

Scene

Start Measure

End Measure

174

Sets the Arpeggio Number of the User Arpeggio to convert to.

Initially, the lowest unused number will be set.

When you specify a number that is already used, the existing Arpeggio at the Destination will be

lost.

Settings: 1–256

Sets the Main and Sub categories of the converted Arpeggio.

Settings: Refer to the Data List.

Enter the Arpeggio Type Name. Up to 20 characters using alphanumeric characters can be

used.

Sets the track number to convert from for each Arpeggio track.

Settings: 1–16

Selects how the MIDI sequence recorded in the Track is to be converted to an Arpeggio.

You can use a different Convert Type for each Arpeggio track.

Settings: Normal, Fixed, Org Notes

Normal: Only the MIDI sequence using the notes played on the keyboard (at the

octave used) is played.

Fixed: The same MIDI sequence is played back no matter how you play the

keyboard.

Org Notes: Basically the same as Fixed, but the MIDI sequence changes according

to the chords you play on the keyboard.

Sets the root note when the Convert Type of any track is set to Org Notes.

This parameter is not available when there is no track set to Org Notes.

Settings: C−2–G8

Converts the Pattern to a User Arpeggio using the settings on the screen.

This button is not available when all tracks are set to Off because conversion is not possible.

Arp (Arp Number)

Category (Arpeggio Category)

Sub Category (Arpeggio Sub Category)

Name (Arpeggio Name)

Track

Convert Type

Org Notes Root

Store As User Arp (Store As User Arpeggio)

175

Applies effects to the MIDI sequence during Pattern playback. Sets the range and level of the

effect for each parameter of the specified track.

Operation

Specifies the track to be normalized.

Settings: All, 1–16

Specifies the Scene to be normalized.

Settings: All, 1–8

Fixes the effect specified in Play FX to the MIDI data.

Sets the sequence length of the selected Scene.

Shows the current position for the Scene playback, and lets you specify the playback position.

Settings: 001–256

Play FX (Play Effects)

[] (Play) button → Pattern → [EDIT/ ] → Play FX

[PERFORMANCE] → Play/Rec → Pattern → Edit/Job → Play FX

Track

Scene

Normalize Play FX

Length

Position

176

Controls Qntz Value, Qntz Str, Swing Vel, Swing Gate, and Swing Rate.

Sets the quantization resolution (or a note to be used as a base for the quantization).

Settings: Off, 60 (thirty-second note), 80 (sixteenth note triplet), 120 (sixteenth note), 160

(eighth note triplet), 240 (eighth note), 320 (quarter note triplet), 480 (quarter note)

Sets the “magnetic strength” of the quantization.

When this parameter is set to 100%, all notes will move to the position specified in the Qntz

Value (Quantize Value).

A setting of 0% results in no quantization.

Settings: 0%–100%

Changes the velocity of the even-numbered beats (backbeats) counted from the value specified

in Qntz Value (Quantize Value) to add a swing feel to the rhythms. This parameter is not

available when the quantize resolution is set to Off.

Settings: 0%–200%

Changes the gate time (or the actual time for the note to be played) of the even-numbered

beats (backbeats) counted from the value specified in Qntz Value (Quantize Value) to add a

swing feel to the rhythms. This parameter is not available when the quantize resolution is set to

Off.

Settings: 0%–200%

Changes the timing of the even-numbered beats (backbeats) counted from the value specified

in Qntz Value (Quantize Value) to add a swing feel to the rhythms. This parameter is not

available when the quantize resolution is set to Off.

Settings: 0–Half of quantize resolution

Play FX1

Qntz Value (Quantize Value)

Qntz Str (Quantize Strength)

Swing Vel (Swing Velocity Rate)

Swing Gate (Swing Gate Time Rate)

Swing Rate (Swing Offset)

177

Controls Note Shift, Clock Shift, Gate Time, Velocity Rate, and Velocity Offset.

Adjusts the pitch in semitones.

Settings: −99–+99

Shifts the timing of the notes back or forward in clock increments.

Settings: −120–+120

Changes the gate time (the actual time for the sound of the note to be generated) of the note

events.

Settings: 0%–200%

Changes the velocity by the specified percentage.

Settings: 0%–200%

Increases or decreases velocity by the specified value.

Settings: −99–+99

This Job chains Scenes for playback.

Play FX2

Note Shift

Clock Shift

Gate Time

Velocity Rate

Velocity Offset

Chain

178

Operation

Enables chain playback.

Settings: Off, On

Specifies the starting measure position for Scene playback.

Settings: 001–999

Sets the Scene to play back at the specified measure.

Settings: 1–8, End

When there are more than eight rows for the list of Measure and Scene, the up or down arrow

will be shown.

Saves the chain as a Song.

Shows the length of the entire sequence.

[] (Play) button → Pattern → [EDIT/ ] → Chain

[PERFORMANCE] → Play/Rec → Pattern → Edit/Job → Chain

Chain

Measure

Scene

Page

Convert to Song

Length

Position

179

Shows the current position of chain playback, and lets you specify the playback position.

Settings: 001–999

In the Song screen, you can record your keyboard performance in MIDI Song, and play back

the Song.

The data of both the keyboard performance and the operation of controllers and knobs is

recorded to the MIDI track.

You can also select Arpeggio playback to be recorded to the Song.

Operation

(1) Link Icon

(2) Song Length

(3) Track Play Switch

Shows the name of the selected Song.

Tapping on the name calls up the context menu for Load, Rename, New Song, and User Arp.

Song

Playback and playback standby

[SONG/PATTERN] button → Song

[PERFORMANCE] → Play/Rec → Song

[] (Play) button → Song

Song Name

180

You can select a Song by using the [INC/YES] and [DEC/NO] buttons when the cursor is on the

Song Name.

Shows the name of the selected Performance.

NOTE

The blue flag will be shown when you change a parameter in the Performance.

The link icon is shown if the Performance used for recording the Song and the selected

Performance are the same. If not, a broken link icon will be shown.

This calls up the Tempo Settings screen.

Shows the meter for the Pattern.

Sets the position for starting playback and recording, as well as the current playback position.

The number shown on the left is the measure, and the numbers shown on the right are the

beats and ticks.

Sets the tempo for Song playback.

Settings: 5–300

Sets Loop playback on or off.

When set to On, the playback of a section between the Loop Start and Loop End points will be

repeated.

Settings: Off, On

Sets the section for Loop playback. The number shown on the left is the measure, and the

number shown on the right is the beat. This parameter is not available when Loop is set to Off.

Saves the link between the edited Songs and the Performance used.

Performance Name

Link Icon

Click Settings

Time Signature

Position

Tempo

Loop

Loop Start / End

Store Song & Perf Settings (Store Song and Performance Settings)

181

NOTE

If you have edited the Performance parameters, you will also need to store the Performance.

Pressing this button calls up the Save screen, allowing you to save the Song as a file.

Save As .mid File is not available in the following situations.

Shows the length of the entire sequence.

Turns playback of each track on or off.

Settings: Off, On

Operation

New recording

When something has already been recorded

Save As .mid File

For a new recording (when there is no Song)

During playback

When recording standby is enabled

During recording

Song Length

Track Play Switch

Recording and recording standby

[SONG/PATTERN] button → Song → [ ] (Record) button

[PERFORMANCE] → Play/Rec → Song → [ ] (Record) button

182

Shows the meter for the Song.

Settings: 1/16–16/16, 1/8–16/8, 1/4–8/4

Quantize is a function that corrects the recorded notes to be on the exact fraction of the beat (in

note values).

Settings: Off, 60 (thirty-second note), 80 (sixteenth note triplet), 120 (sixteenth note), 160

(eighth note triplet), 240 (eighth note), 320 (quarter note triplet), 480 (quarter note)

Selects a record type for the tracks already recorded. This parameter is not available for a new

recording.

Settings: Replace, Overdub, Punch

Replace: Overwrite and record in real-time. The existing data will be lost.

Overdub: Overdub and record in real-time. The existing data will not be lost.

Punch: Re-record a section and record in real-time. This overwrites the existing data

of a specified section.

Sets the Punch in point (specific measure and beat at which to start re-recording).

This parameter is available only when Record Type is set to Punch.

Sets the Punch out point (specific measure and beat at which to end re-recording).

This parameter is available only when Record Type is set to Punch.

Time Signature

Rec Quantize

Record Type

Punch In

Punch Out

Arp Rec

183

When Arp Rec is On, the results of Arpeggio playback are recorded. When set to Off, only the

keyboard performance is recorded.

This parameter can be set for recording a new Song. The setting cannot be changed after the

recording.

To add something to the Song recorded with Arp Rec set to Off, only Replace can be used for

Record Type.

Settings: Off, On

NOTE

With the Song with Arp Rec set to Off, you can select a different Arpeggio for playback by changing the

Arpeggio selection in the Performance.

Undo cancels the last recording action and deletes what has been just recorded.

This button is active when you change any settings to a sequence.

Redo restores the recording that has been canceled by Undo. This button is only active after

Undo has been used.

Converts the selected Song to a User Arpeggio.

Up to 16 different notes can be converted. (All notes with the same Note Number are counted

as one.)

Make sure to use only up to 16 notes for a Song if you wish to convert it to a User Arpeggio,

especially when you use multiple tracks.

Operation

Open the screen from the [PERFORMANCE] → Play/Rec → Song → Tap on the Song Name to

open the context menu → User Arp

Undo

Redo

Put Track to Arpeggio

184

Sets the Arpeggio Number of the User Arpeggio for conversion.

Initially, the next unused number will be set.

Keep in mind that if you change this to a number already being used, the Arpeggio will be

overwritten, meaning that you will lose the existing User Arpeggio for that number.

Settings: 1–256

Sets the Main and Sub categories of the converted Arpeggio.

Settings: Refer to the Data List.

Sets the Arpeggio Name. You can use up to 20 alphanumeric characters.

Sets the track number of the Song to convert from for each Arpeggio track.

Settings: 1–16

Selects how to convert the MIDI sequence recorded in the Song to the Arpeggio from three

different settings.

You can use a different Convert Type for each Arpeggio track.

Settings: Normal, Fixed, Org Notes

Normal: The Arpeggio is played back at the same octave as the recorded MIDI

Sequence.

Fixed: The recorded MIDI sequence is played back the same way no matter how you

play the keyboard.

Arp (Arpeggio Number)

Category (Arpeggio Category)

Sub Category (Arpeggio Sub Category)

Name (Arpeggio Name)

Song Track

Convert Type

185

Org Notes: Basically, the same as Fixed; however, the playback of the MIDI

sequence changes according to the chords you play on the keyboard.

Sets the root note when the Convert Type of any track is set to Org Notes.

This parameter is not available when no track is set to Org Notes.

Settings: C−2–G8

Sets the starting measure for the conversion.

Settings: 1–998

Sets the ending measure for the conversion.

Settings: 2–999

Converts the Song to a User Arpeggio with the settings specified on this screen.

This button is not available when all tracks are set to Off.

On the Audio screen, you can record your keyboard performance as an audio file in WAV (44.1-

kHz, 24-bit stereo) to the USB flash drive. You can record up to 74 minutes or longer, to the

maximum capacity of the USB flash drive.

Operation

Org Notes Root (Original Notes Root)

Start Measure

End Measure

Store As User Arp

Audio

Playback and playback standby

[SONG/PATTERN] button → Audio

[PERFORMANCE] → Play/Rec → Audio

[] (Play) button → Audio

186

Shows the name of the selected Audio file.

Tapping on the name calls up the context menu for Load.

Sets the position for starting playback, as well as the current playback position.

Sets the position for starting playback. This parameter is not available during recording.

Settings: 0–255

Shows the total length of the audio file.

Shows the audio input and output level.

Operation

[PERFORMANCE] → Play/Rec → Audio → [ ] (Record) button

Audio Name

Position

Audio Volume

Audio Length

Level meter

Recording and recording standby

187

Shows the recordable time for audio. This parameter is shown only while recording standby is

enabled.

Selects how to start recording. This parameter is shown only while recording standby is

enabled.

When Trigger Level is set to manual, you can start recording by pressing the [ ] (Play) button.

When Trigger Level is set to a value between 1 to 127, you can start recording after you press

the [ ] (Play) button and the signal level exceeds the specified value. The level set here will

be indicated by blue triangles in the level meter.

For best results, set this parameter as low as possible to capture the entire signal, but not so

low as to record unwanted noise.

Settings: manual, 1–127

Tap on the Smart Morph map, and create changes in the FM-X sound on Part 1.

Operation

[PERFORMANCE] → Smart Morph → Play

Recordable (Audio Recordable Time)

Trigger Level

Smart Morph

Play

188

Operation

[PERFORMANCE] → Smart Morph → Edit

Tap to open the Part Category Search screen for selecting an FM-X sound.

Tapping on the name calls up the context menu for Category Search, Edit, and Property.

Selects the Part Main Category view or Part Name view for Parts.

Edit

Unused Part

Part being used

Display

189

Tap the button to start machine learning (map creation).

This button will not be shown when there is no FM-X sound on Parts 9 to 16.

After the Learn operation, the Undo button will be shown on the upper right.

Use the Undo button to restore the original map before using machine learning.

After the Undo operation, the Redo button will appear, and you can use it to restore the map

before the Undo operation.

Operation

[PERFORMANCE] → Smart Morph → Analyze

Learn

Undo

Redo

Analyze

190

Each dot on the map represents the parameter value indicating a degree or level as a shade of

red.

For the list of available parameters, see “Parameters that can be set for Red, Green, and Blue.”

Each dot on the map represents the parameter value indicating a degree or level as a shade of

green.

For the list of available parameters, see “Parameters that can be set for Red, Green, and Blue.”

Each dot on the map represents the parameter value indicating a degree or level as a shade of

blue.

For the list of available parameters, see “Parameters that can be set for Red, Green, and Blue.”

When set to Auto, the Red, Green, and Blue are automatically reset for the Learn process.

When set to Manual, the Red, Green, and Blue are not reset automatically for the Learn

process.

Settings: Auto, Manual

Tap the button to start machine learning (map creation).

After the Learn operation, the Undo button will be shown on the upper right.

Use the Undo button to restore the original map before using machine learning.

Red

Green

Blue

Coloring

Learn

Undo

Redo

191

After the Undo operation, the Redo button will appear, and you can use it to restore the map

before the Undo operation.

Parameter Name Display Name

Random Pan Depth Random Pan Depth

Alternate Pan Depth Alternate Pan

Scaling Pan Depth Scaling Pan Depth

Key On Delay Time Length KeyOnDly Time

Key On Delay Tempo Sync Switch KeyOnDly Sync

Key On Delay Note Length KeyOnDly Note

Pitch Velocity Sensitivity Pitch/Vel

Random Pitch Depth Random Pitch Depth

Pitch Key Follow Sensitivity Pitch/Key

Pitch Key Follow Sensitivity Center Note Pitch/Key Center

PEG Initial Level PEG Initial Lvl

PEG Attack Level PEG Attack Lvl

PEG Decay 1 Level PEG Decay 1 Lvl

PEG Decay 2 Level PEG Decay 2 Lvl

PEG Release Level PEG Release Lvl

PEG Attack Time PEG Attack Tm

PEG Decay 1 Time PEG Decay 1 Tm

PEG Decay 2 Time PEG Decay 2 Tm

PEG Release Time PEG Release Tm

PEG Depth Vel Sensitivity PEG Depth/Vel

PEG Depth PEG Depth

PEG Time Key Follow PEG Time/Key

2nd LFO Wave 2nd LFO Wave

2nd LFO Speed LFO Speed

2nd LFO Phase LFO Phase

2nd LFO Delay Time LFO Delay

Parameters that can be set for Red, Green, and Blue

FM Common

192

Parameter Name Display Name

2nd LFO Key On Reset LFO Key On Reset

2nd LFO Pitch Mod Depth LFO Pitch Mod

2nd LFO Amp Mod Depth LFO Amp Mod

2nd LFO Filter Mod Depth LFO Filter Mod

Algorithm Number Algorithm Number

Feedback Level Feedback Level

LFO Speed Range LFO Speed Range

LFO Extended Speed LFO Ex Speed

Filter Type Filter Type

Filter Cutoff Frequency Cutoff

Filter Cutoff Vel Sensitivity Cutoff/Vel

Filter Resonance/Width Resonance / Width

Resonance Vel Sensitivity Res/Vel

HPF Cutoff Frequency HPF Cutoff

Distance Distance

Filter Gain Filter Gain

FEG Hold Time FEG Hold Tm

FEG Attack Time FEG Attack Tm

FEG Decay 1 Time FEG Decay 1 Tm

FEG Decay 2 Time FEG Decay 2 Tm

FEG Release Time FEG Release Tm

FEG Hold Level FEG Hold Lvl

FEG Attack Level FEG Attack Lvl

FEG Decay 1 Level FEG Decay 1 Lvl

FEG Decay 2 Level FEG Decay 2 Lvl

FEG Release Level FEG Release Lvl

FEG Depth FEG Depth

FEG Time Velocity Sensitivity Segment FEG Segment

FEG Time Vel Sensitivity FEG Time/Vel

FEG Depth Vel Sensitivity FEG Depth/Vel

193

Parameter Name Display Name

FEG Depth / Vel Curve FEG Curve

FEG Time Key Follow FEG Time/Key

FEG Time Key Follow Sensitivity Center Note FEG Center

Filter Cutoff Key Follow Flt Cutoff/Key

Filter Cutoff Scaling Break Point 1 Flt Break Point 1

Filter Cutoff Scaling Break Point 2 Flt Break Point 2

Filter Cutoff Scaling Break Point 3 Flt Break Point 3

Filter Cutoff Scaling Break Point 4 Flt Break Point 4

Cutoff Scaling Offset 1 Flt Cutoff Offset 1

Cutoff Scaling Offset 2 Flt Cutoff Offset 2

Cutoff Scaling Offset 3 Flt Cutoff Offset 3

Cutoff Scaling Offset 4 Flt Cutoff Offset 4

HPF Cutoff Key Follow HPF Cutoff/Key

Parameter Name Display Name

Key On Reset Key On Reset

Freq Mode Freq Mode

Coarse Coarse

Fine Fine

Detune Detune

Pitch/Key Pitch/Key

Pitch/Vel Pitch/Vel

Spectral Spectral

Skirt Skirt

Resonance Resonance

Initial PEG Initial Lvl

Attack PEG Attack Lvl

Attack PEG Attack Tm

Decay PEG Decay Tm

Operator

194

Parameter Name Display Name

Attack AEG Attack Lvl

Decay 1 AEG Decay 1 Lvl

Decay 2 AEG Decay 2 Lvl

Rel(Hold) AEG Release Lvl

Attack AEG Attack Tm

Decay 1 AEG Decay 1 Tm

Decay 2 AEG Decay 2 Tm

Release AEG Release Tm

Hold AEG Hold Tm

Time/Key AEG Time/Key

Level Level

Break Point Lvl Break Point

Lvl/Key Lo Lvl/Key Lo

Lvl/Key Hi Lvl/Key Hi

Curve Lo Curve Lo

Curve Hi Curve Hi

Level/Vel Level/Vel

Depth Offset LFO PM Depth

Depth Offset LFO AM Depth

Pitch/Ctrl Pitch/Ctrl

Level/Ctrl Level/Ctrl

Operation

[PERFORMANCE] → Smart Morph → Super Knob

Super Knob

195

When set to On, you can use the Super Knob for following the path on the map from start to

end, instead of running your finger across the touchscreen.

Settings: Off, On

Sets the position of the smallest Super Knob value on the map.

When the cursor is on Start, tap on the map to set the value for the Starting point.

Sets the position of the largest Super Knob value on the map.

When the cursor is on End, tap on the map to set the value of the ending point.

Sets the number of interspersed points (waypoints) between the start and end.

Settings: 0–6

Sets the position on the map.

Operation

[PERFORMANCE] → Smart Morph → Job

Super Knob Link

Start

End

Waypoints

Waypoint 1–Waypoint 6

Job

196

Opens the Load screen.

On the Load screen, you can select another Performance and import the Smart Morph settings

from that Performance to the current Performance.

Deletes the Smart Morph settings from the selected Performance.

Deletes all Parts 9 to 16 at once to make these Parts unused.

When Parts 9 to 16 are set to unused, the SSS will be enabled.

Parts 9 to 16 are used for creating a Smart Morph map.

When you are finished adjusting the parameters and you no longer need to use the map, you

can delete Parts 9 to 16.

Load Smart Morph

Delete Smart Morph

Delete Part 9–16

197

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On the Common Edit screen, you can edit the parameters for the entire Performance as well as

the parameters for the Audio Part.

Contents

Common Edit screen

General/Pitch

Perf Settings

USB Monitor

Pitch

Edit User Tuning

Filter/Amp

Filter EG

Amp EG

Effect

Routing

Variation

Reverb

Master FX

Master EQ

Envelope Follower Edit

Audio In

Mixing

Routing

Ins A

Ins B

2-band EQ

Arp/MS

Arp Common

Arp Overview (Arpeggio Overview)

MS Common (Motion Sequencer Common)

MS Overview (Motion Sequencer Overview)

198

On the Perf Settings screen, you can set general parameters for the Performance.

Operation

[PERFORMANCE] → Common selection → [EDIT/ ] → General/Pitch → Perf Settings

Sets the Main category and Sub category of the selected Performance.

Settings: Refer to the Data List.

Lane

Motion Sequence Edit

Control

Control Assign

After Touch

Ribbon Settings

Control Number

Control Settings

General/Pitch

Perf Settings

Main Category

Sub Category

Performance Name

199

You can save the Performance you are editing under a new name, using up to 20 alphanumeric

characters.

Tapping on the name calls up the onscreen keyboard, allowing you to enter a name.

Sets an MC flag to the selected Performance.

When set to On, the MC flag appears on the Performance screen. Also, on the Performance

Category Search screen, the Performance will be filtered by the MC attribute.

Settings: Off, On

Sets the volume of the selected Performance.

Settings: 0–127

Sets the Pan of the selected Performance.

Settings: L63–C–R63

Sets the output level (Return Level) of the signals processed by the Variation Effect.

Settings: 0–127

Sets the output level (Return Level) of the signals processed by the Reverb Effect.

Settings: 0–127

Sets Portamento on or off for Parts having the Portamento Part Sw set to On.

This switch is linked to the [PORTAMENTO] button on the top panel.

Settings: Off, On

Sets the time length (or speed) for the pitch transition of Portamento.

This is specified as an offset value to the Part Portamento time.

Settings: −64–+63

Converts all Songs saved to internal memory into User Auditions.

If any User Auditions already exist, all previous User Auditions will be overwritten.

MC Flag (Motion Control Flag)

Volume (Performance Volume)

Pan (Performance Pan)

Var Return (Variation Return)

Rev Return (Reverb Return)

Portamento Master Sw (Portamento Master Switch)

Portamento Time

Update User Auditions

200

Selects the bank for the audition phrases.

Selects the audition phrase.

The preset Performances already have suitable audition phrases assigned.

By playing back the audition phrase, you can listen to the selected Performance in an

appropriate musical context.

Settings: Refer to the Data List.

Shows the name of the audition phrase.

Adjusts the pitch of the notes in the audition phrase in semitones.

Settings: −24–+24

Adjusts the velocity of the notes in the audition phrase.

Settings: −63–+63

On the USB Monitor screen, you can adjust the volume of the audio signals input from the [USB

TO HOST] terminals.

When you tap on the USB Volume in the Audio Signal Flow, the cursor moves to the USB

Volume on the Audio I/O screen.

NOTE

USB Main Monitor Volume and USB Assign Monitor Volume are saved (stored) in the Performance.

Operation

[PERFORMANCE] → Common selection → [EDIT/ ] → General/Pitch → USB Monitor

Audition Bank

Audition Phrase Number

Audition Phrase Name

Note Shift (Audition Note Shift)

Velocity Shift (Audition Velocity Shift)

USB Monitor

201

Adjusts the volume of the audio signals input from the [USB TO HOST] terminal and output to

the OUTPUT jacks.

Settings: 0–127

Adjusts the volume of the audio signals input from the [USB TO HOST] terminal and output to

the ASSIGNABLE OUTPUT (BALANCED) jacks.

Settings: 0–127

Opens the UTILITY Audio I/O screen.

The same screen can be opened from [UTILITY]→Settings→Audio I/O.

On the Pitch screen, you can make pitch settings.

Operation

Monitor Volume Main

Monitor Volume Assign

Audio Settings

Pitch

[PERFORMANCE] → Common selection → [EDIT/ ] → General/Pitch → Pitch

[SHIFT] + [PORTAMENTO]

Portamento View

202

Sw, Mode, Time, and Time Mode will not be shown for the Drum Part.

Switches the view between Parts 1 to 8 and Parts 9 to 16.

Sets Portamento to be applied to Parts having the Portamento Part Switch set to On.

This switch is linked to the [PORTAMENTO] button on the top panel.

Settings: Off, On

Sets the time length (or speed) for the pitch transition of Portamento.

This is specified as an offset value to the Part Portamento time.

Settings: −64–+63

The Parts in the same group are given the same pitch.

This is convenient when you wish to apply Portamento to a layered sound or have the same

micro-tuning settings for multiple Parts at once.

Sets Portamento on or off for the Part.

Settings: Off, On

Sets how Portamento is applied by the way you play the keyboard.

Part

Master Sw (Portamento Master Switch)

Time (Portamento Time)

Group (Pitch Control Group)

Sw (Portamento Part Switch)

Portamento Mode

203

Settings: Fingered, Full-time

Fingered: Portamento is applied only when you play legato (playing the next note

before releasing the previous one).

Full-time: Portamento is applied to all notes.

Sets the time length (or speed) for the pitch transition of Portamento for the Part.

Settings: 0–127

Sets how the pitch changes over time.

Settings: Rate 1, Time 1, Rate 2, Time 2

Rate 1: Pitch changes at a specific rate.

Time 1: Pitch changes at a specific time.

Rate 2: Pitch changes at a specific rate within an octave.

Time 2: Pitch changes at a specific time within an octave.

Mono / Poly will not be shown for the Drum Part.

Sets the range of the changes created with the Pitch Bend wheel in semitones.

Settings: −48–+0–+24

Time (Portamento Part Time)

Time Mode (Portamento Time Mode)

Pitch Bend / Mono View

Lower (Pitch Bend Lower)

Upper (Pitch Bend Upper)

Mono / Poly

204

Sets the tone generation mode for the keyboard.

Mono is for playing single notes, and Poly is for playing multiple simultaneous notes.

Settings: Mono, Poly

Opens the Control Assign screen for Common Edit.

Micro Tuning Name and Root will not be shown for the Drum Part.

Sets the micro tuning (temperament) for the Part.

Settings: Equal Temperament, Pure Major, Pure Minor, Werckmeister, Kirnberger, Vallotti &

Young, 1/4 shift, 1/4 tone, 1/8 tone, Indian, Arabic 1, Arabic 2, Arabic 3, User 1–8

(when a User bank is selected), Library 1-1–16-8 (when a library file is loaded)

Sets the root note for the micro tuning.

This parameter is not shown when the selected type in Micro Tuning Name does not require a

root note.

Settings: C–B

Opens the Global Tuning setting screen.

Opens the User Tuning setting screen.

Edit Control Assign

Micro Tuning view

Micro Tuning Name

Root (Micro Tuning Root)

Edit Global Tuning

Edit User Tuning

205

Adjusts the pitch in semitones.

Settings: −24–+0–+24

Adjusts the pitch of the Part in 0.1 Hz increments.

By slightly shifting the pitch, you can detune the sound.

Settings: −12.8Hz–+0.0Hz–+12.7Hz

This is the setting screen for User Micro Tuning.

Note Shift / Detune View

Shift (Note Shift)

Detune

Edit User Tuning

Tuning No. (Micro Tuning Number)

206

Indicates the selected User Micro Tuning Number.

Settings: 1–8

You can save the User Micro Tuning you are editing under a new name.

Tapping on the name calls up the onscreen keyboard, allowing you to enter a name.

You can adjust the pitch of each note in cents to set the micro tuning.

Settings: −99–+99

Initializes the selected User Micro Tuning.

On the Filter EG screen, you can set the Filter Envelope Generator (FEG).

This lets you set the degree (or level) of changes to the cutoff frequency and how those

changes evolve over time, starting from the moment you press a key on the keyboard to the

moment the sound decays.

Operation

[PERFORMANCE] → Common selection → [EDIT/ ] → Filter/Amp → Filter EG

Tuning Name (Micro Tuning Name)

C, C♯, D, D♯, E, F, F♯, G, G♯, A, A♯, B

Initialize

Filter/Amp

Filter EG

FEG Atk (FEG Attack Time)

207

Sets the length of time it takes for the sound to change from the moment you press a key until

when the Cutoff Frequency reaches the value set at Attack Level.

This is specified as an offset value to the Part FEG.

Settings: −64–+63

Sets the length of time it takes for the Cutoff Frequency to change from the attack level. You can

control the crispness or the decay speed of the sound.

This is specified as an offset value to the Part FEG.

Settings: −64–+63

Sets the length of time it takes for the Cutoff Frequency to fall to the Release level when you

release the key.

This is specified as an offset value to the Part FEG.

Settings: −64–+63

Changes the sound by setting the cutoff frequency of the filter.

When the Low Pass Filter is selected, you can make the sound brighter by setting this to a

larger value, and darker by setting it to a smaller value.

This is specified as an offset value to the filter cutoff frequency for the Part.

Settings: −64–+63

Adds special characteristics to the sound by adjusting the signal level near the cutoff frequency.

This is specified as an offset value to the filter resonance for the Part.

Settings: −64–+63

Sets the depth range of the cutoff frequency change controlled by the FEG.

This is specified as an offset value to the Part FEG Depth.

Settings: −64–+63

On the Amp EG screen, you can set the AEG (Amplitude Envelope Generator) time. By setting

the Amp EG, you can set how the volume changes from the moment you press a key on the

keyboard to when the sound decays.

FEG Decay (FEG Decay Time)

FEG Rel (FEG Release Time)

Cutoff (Cutoff Frequency)

Resonance

FEG Depth

Amp EG

208

Operation

[PERFORMANCE] → Common selection → [EDIT/ ] → Filter/Amp → Amp EG

The settings on the Amp EG screen are offset values to the AEG for all Parts.

Sets the length of time it takes for the volume to change from the moment you press a key on

the keyboard to when it reaches the maximum.

Settings: −64–+63

Sets the length of time it takes for the volume to change after it has reached the maximum.

Settings: −64–+63

Sets the volume that is maintained while the key is held down.

Settings: −64–+63

Sets the length of time it takes for the sound to decay after you have released the key.

Settings: −64–+63

Attack (AEG Attack Time)

Decay (AEG Decay Time)

Sustain (AEG Sustain Level)

Release (AEG Release Time)

209

On this screen, you can set the System Effects applied to all Parts and view the signal flow of

the Master Effects.

Operation

[PERFORMANCE] → Common selection → [EDIT/ ] → Effect → Routing

Sets the Variation, Reverb, and Master Effects on or off.

Settings: Off, On

Sets the type for the Variation, Reverb, and Master Effects.

Settings: See the Effect types.

Selects a Preset from the Variation, Reverb, and Master Effects parameters.

Settings: Refer to the Data List.

Effect

Routing

Var (Variation Switch)

Rev (Reverb Switch)

MFX (Master Effect Switch)

Var Type (Variation Type)

Rev Type (Reverb Type)

MFX Type (Master Effect Type)

Var Preset (Variation Preset Number)

Rev Preset (Reverb Preset Number)

MFX Preset (Master Effect Preset Number)

210

Sets the Side Chain Part (or the Modulator depending on the effect type) for the Variation and

Master Effects.

This parameter is not available when Master is set to the Modulator Part. In that case, the

parameter value will be shown in parenthesis as in “(Master).”

Settings: Part 1–16, A/D, Master, Off

Sets the output level (Return Level) of the signals processed by the Variation or Reverb Effect.

Settings: 0–127

Sets the stereo location of the signals processed by the Variation or the Reverb Effect.

Settings: L63 (left)–C (center)–R63 (right)

Sets the send level of the signals processed by the Variation Effect.

Settings: 0–127

Sets the Master EQ on or off.

Settings: Off, On

Opens the settings screen for Envelope Follower.

Sets the Variation Effect.

Operation

[PERFORMANCE] → Common selection → [EDIT/ ] → Effect → Variation

Side Chain (Variation Side Chain Part)

Side Chain (Master Effect Side Chain Part)

Modulator (Variation Modulator Part)

Modulator (Master Effect Modulator Part)

Var Return (Variation Return)

Rev Return (Reverb Return)

Var Pan (Variation Pan)

Rev Pan (Reverb Pan)

Var to Rev (Variation To Reverb)

Master EQ (Master EQ Switch)

Envelope Follower

Variation

211

(1) Variation Switch

Sets the Variation Effect on or off.

Settings: Off, On

Sets the category and type of the Variation Effect.

Settings: See the Effect types.

Selects one of the Preset effect parameters for each Effect Type.

Settings: Refer to the Data List.

Sets the Part for the Side Chain (or the Modulator depending on the effect type) for the Variation

Effect.

This parameter is not available when Master is set to the Modulator Part. In that case, the

parameter value will be shown in parenthesis as in “(Master).”

Settings: Part 1–16, A/D, Master, Off

The Effect Parameters differ depending on the effect type.

Settings: See the Effect parameters.

Variation Switch

Category (Variation Category)

Type (Variation Type)

Preset (Variation Preset Number)

Side Chain (Variation Side Chain Part)

Modulator (Variation Modulator Part)

Effect Parameter

212

Sets the Reverb Effect.

Operation

[PERFORMANCE] → Common selection → [EDIT/ ] → Effect → Reverb

(1) Reverb Switch

Sets the Reverb Effect on or off.

Settings: Off, On

Sets the category and type of the Reverb Effect.

Settings: See the Effect types.

Selects one of the Preset effect parameters for each Effect Type.

Settings: Refer to the Data List.

The Effect Parameters differ depending on the effect type.

Settings: See the Effect parameters.

Reverb

Reverb Switch

Category (Reverb Category)

Type (Reverb Type)

Preset (Reverb Preset Number)

Effect Parameter

213

Sets the Master Effect.

Operation

[PERFORMANCE] → Common selection → [EDIT/ ] → Effect → Master FX

(1) Master Effect Switch

Sets the Master Effect on or off.

Settings: Off, On

Sets the category and type of the Master Effect.

Settings: See the Effect types.

Selects one of the Preset effect parameters for each Effect Type.

Settings: Refer to the Data List.

Sets the Side Chain (or the Modulator depending on the effect type) for the Master Effects.

This parameter is not available when Master is set to the Modulator Part. In that case, the

Master FX

Master Effect Switch

Category (Master Effect Category)

Type (Master Effect Type)

Preset (Master Effect Preset Number)

Side Chain (Master Effect Side Chain Part)

Modulator (Master Effect Modulator Part)

214

parameter value will be shown in parenthesis as in “(Master).”

Settings: Part 1–16, A/D, Master, Off

The Effect Parameters differ depending on the effect type.

Settings: See the Effect parameters.

Sets the Master EQ.

Operation

[PERFORMANCE] → Common selection → [EDIT/ ] → Effect → Master EQ

Sets the Master EQ on or off.

Settings: Off, On

Sets the signal level of the Low band.

Settings: −12–+12 (dB)

Sets the signal level of the Lo Mid band.

Settings: −12–+12 (dB)

Effect Parameter

Master EQ

Master EQ (Master EQ Switch)

Low Gain (Master EQ Low Gain)

Lo Mid Gain (Master EQ Low Mid Gain)

215

Sets the signal level of the Mid band.

Settings: −12–+12 (dB)

Sets the signal level of the Hi Mid band.

Settings: −12–+12 (dB)

Sets the signal level of the High band.

Settings: −12–+12 (dB)

Sets the frequency of the Low band.

Settings: 32 (Hz)–2.0 (kHz)

Sets the frequency of the Lo Mid band.

Settings: 100 (Hz)–10 (kHz)

Sets the frequency of the Mid band.

Settings: 100 (Hz)–10 (kHz)

Sets the frequency of the Hi Mid band.

Settings: 100 (Hz)–10 (kHz)

Sets the frequency of the High band.

Settings: 500 (Hz)–16 (kHz)

Sets the bandwidth of the Low band.

This parameter is available only when Low Shape (Master EQ Low Shape) is set to Peak.

Settings: 0.1–12.0

Sets the bandwidth of the Lo Mid band.

Mid Gain (Master EQ Mid Gain)

Hi Mid Gain (Master EQ High Mid Gain)

High Gain (Master EQ High Gain)

Low Freq (Master EQ Low Frequency)

Lo Mid Freq (Master EQ Low Mid Frequency)

Mid Freq (Master EQ Mid Frequency)

Hi Mid Freq (Master EQ High Mid Frequency)

High Freq (Master EQ High Frequency)

Low Q (Master EQ Low Q)

Lo Mid Q (Master EQ Low Mid Q)

216

Settings: 0.1–12.0

Sets the bandwidth of the Mid band.

Settings: 0.1–12.0

Sets the bandwidth of the Hi Mid band.

Settings: 0.1–12.0

Sets the bandwidth of the High band.

This parameter is available only when High Shape (Master EQ High Shape) is set to Peak.

Settings: 0.1–12.0

Determines whether the EQ is set to a shelving type (that cuts or boosts the signals above or

below a specified frequency setting) or a peaking type (that cuts or boosts the signals at a

specified frequency) for the EQ.

Settings: Shelf, Peak

Opens the settings screen for Envelope Follower.

Shows the input source for the selected Envelope Follower.

Mid Q (Master EQ Mid Q)

Hi Mid Q (Master EQ High Mid Q)

High Q (Master EQ High Q)

Low Shape (Master EQ Low Shape)

High Shape (Master EQ High Shape)

Envelope Follower Edit

Part (Input Source)

217

Settings: Master, AD, Part 1–16

Sets the input gain on the input source set for the Part.

Settings: −24.0dB–0.0dB–+24.0dB

Sets the attack time for the envelope follower.

Settings: 1ms–40ms

Sets the release time for the envelope follower.

Settings: 10ms–680ms

Shows the Input level for the signals input from the Input source of the Part you have selected.

Shows the output level of the Envelope Follower.

Opens the Control Assign screen for the selected Part.

On the Mixing screen, you can mix the A/D Part (signals from the A/D INPUT jacks) and the

Digital Part (signals from the [USB TO HOST] terminal*).

* Refers only to the audio for the Digital L/R of the device port.

Operation

Gain (Envelope Follower Gain)

Attack (Envelope Follower Attack)

Release (Envelope Follower Release)

Input Level

Envelope Follower Output

Edit

Audio In

Mixing

[PERFORMANCE] → Common selection → [EDIT/ ] → Audio In → Mixing

[SHIFT] + [A/D INPUT ON/OFF]

218

Determines the processing method for the input signals at the left and right channels.

Settings: L Mono, R Mono, L+R Mono, Stereo

L Mono: Uses only the left channel.

R Mono: Uses only the right channel.

L+R Mono: Mixes the left and right channels and processes in mono.

Stereo: Processes the stereo input in stereo.

NOTE

If the sound is input only from the [L/MONO] jack, it is processed in mono.

Sets the volume of the A/D Part or Digital Part.

Settings: 0–127

Sets the Pan position (in the stereo field) for the A/D Part or Digital Part.

Settings: L63–C–R63

Sets the dry level (or the level of the signals not processed by the System Effect) of the A/D Part

or Digital Part.

This parameter is available only when Output Select is set to MainL&R.

Settings: 0–127

Input Mode (A/D Part Input Mode)

Input Mode (Digital Part Input Mode)

Volume (A/D Part Volume)

Volume (Digital Part Volume)

Pan (A/D Part Pan)

Pan (Digital Part Pan)

Dry Level (A/D Part Dry Level)

Dry Level (Digital Part Dry Level)

219

Sets the level of the signals sent from the A/D Part or Digital Part to the Variation Effect.

This parameter is available only when Output Select is set to MainL&R.

Settings: 0–127

Sets the level of the signals sent from the A/D Part or Digital Part to the Reverb Effect.

This parameter is available only when Output Select is set to MainL&R.

Settings: 0–127

Sets the output destination for the audio signals from the A/D Part or Digital Part.

Settings: MainL&R, AsgnL&R, USB1&2–USB29&30, AsgnL, AsgnR, USB1–30, Off

MainL&R: Outputs in stereo (two channels) to the OUTPUT [L/MONO] and [R] jacks.

AsgnL&R: Outputs in stereo (two channels) to the ASSIGNABLE OUTPUT [L] and

[R] jacks.

USB1&2–USB29&30: Outputs in stereo (channels 1 and 2, to channels 29 and 30) to

the [USB TO HOST] terminal.

AsgnL: Outputs in mono (one channel) to the ASSIGNABLE OUTPUT [L] jack.

AsgnR: Outputs in mono (one channel) to the ASSIGNABLE OUTPUT [R] jack.

USB1–30: Outputs in mono (channels 1 to 30) to the [USB TO HOST] terminal.

Off: No output of the audio signal for the Part.

On the Routing screen, you can set the effect routing of the A/D Part.

Operation

[PERFORMANCE] → Common selection → [EDIT/ ] → Audio In → Routing

Var Send (A/D Part Variation Send)

Var Send (Digital Part Variation Send)

Rev Send (A/D Part Reverb Send)

Rev Send (Digital Part Reverb Send)

Output Select (A/D Part Output Select)

Output Select (Digital Part Output Select)

Routing

220

(1) A/D Part Insertion FX A Switch

(2) A/D Part Insertion FX B Switch

Switches the view for A/D In and Digital In.

When Digital In is selected, only the Digital Part Reverb Send, Digital Part Variation Send, and

Digital Part Output Select are available.

Turns Insertion Effect A and Insertion Effect B on or off.

Settings: Off, On

Sets the Effect Type.

Settings: See the Effect types.

Selects one of the Preset effect parameters for each Effect Type.

By selecting a Preset, you can change the way effects are applied.

Settings: Refer to the Data List.

A/D In

Digital In

A/D Part Insertion FX A Switch

A/D Part Insertion FX B Switch

Type (A/D Part Insertion Effect A Type)

Type (A/D Part Insertion Effect B Type)

Preset (A/D Part Insertion Effect A Preset)

Preset (A/D Part Insertion Effect B Preset)

221

Sets the Side Chain Part (or the Modulator depending on the effect type) for the Insertion Effect

A or Insertion Effect B.

This parameter is not available when the Part itself or Master is set to the Modulator. In those

cases, the parameter value will be shown in parenthesis as in “(Master).”

Settings: Part 1–16, A/D, Master, Off

Sets the effect routing for Insertion Effect A and Insertion Effect B.

The diagram changes accordingly when the settings are changed.

Settings: Ins A→B, Ins B→A

Opens the 2-band EQ for the A/D Part.

Sets the level of the signals (or bypass signals) sent from Insertion Effect A or Insertion Effect B

to the Reverb Effect.

This parameter is available only when Output Select is set to MainL&R.

Settings: 0–127

Sets the level of the signals (or bypass signals) sent from Insertion Effect A or Insertion Effect B

to the Variation Effect.

This parameter is available only when Output Select is set to MainL&R.

Settings: 0–127

Opens the settings screen for Envelope Follower.

Sets the output destination for the audio signals.

Settings: MainL&R, AsgnL&R, USB1&2–USB29&30, AsgnL, AsgnR, USB1–30, Off

MainL&R: Outputs in stereo (two channels) to the OUTPUT [L/MONO] and OUTPUT

Side Chain (A/D Part Insertion Effect A Side Chain)

Side Chain (A/D Part Insertion Effect B Side Chain)

Modulator (A/D Part Insertion Effect A Modulator)

Modulator (A/D Part Insertion Effect B Modulator)

Ins Connect (A/D Part Insertion Effect Connect Type)

2-band EQ

Rev Send (A/D Part Reverb Send)

Rev Send (Digital Part Reverb Send)

Var Send (A/D Part Variation Send)

Var Send (Digital Part Variation Send)

Envelope Follower

Output Select (A/D Part Output Select)

Output Select (Digital Part Output Select)

222

[R] jacks.

AsgnL&R: Outputs in stereo (two channels) to the ASSIGNABLE OUTPUT [L] and

ASSIGNABLE OUTPUT [R] jacks.

USB1&2–USB29&30: Outputs in stereo (channels 1 and 2, to channels 29 and 30) to

the [USB TO HOST] terminal.

AsgnL: Outputs in mono (one channel) to the ASSIGNABLE OUTPUT [L] jack.

AsgnR: Outputs in mono (one channel) to the ASSIGNABLE OUTPUT [R] jack.

USB1–30: Outputs in mono (channels 1 to 30) to the [USB TO HOST] terminal.

Off: No output of the audio signal for the Part.

On the Ins A and Ins B screens, you can set the Insertion Effects.

Operation

(1) Insertion FX Switch

Enables the Insertion Effect.

Settings: Off, On

Ins A

Ins B

[PERFORMANCE] → Common selection → [EDIT/ ] → Audio In → Ins A

[PERFORMANCE] → Common selection → [EDIT/ ] → Audio In → Ins B

Insertion FX Switch

223

Sets the category and type of the Insertion Effect.

Settings: See the Effect types.

Selects one of the Preset effect parameters for each Effect Type.

By selecting a Preset, you can change the way effects are applied.

Settings: Refer to the Data List.

Sets the Side Chain Part (or the Modulator depending on the effect type) for the Insertion Effect

A or Insertion Effect B.

This parameter is not available when the Part itself or Master is set to the Modulator. In those

cases, the parameter value will be shown in parenthesis as in “(Master).”

Settings: Part 1–16, A/D, Master, Off

The Effect Parameters differ depending on the effect type.

Settings: See the Effect parameters.

On the 2-band EQ screen, you can set the Part EQ.

Operation

[PERFORMANCE] → Common selection → [EDIT/ ] → Common → Audio In → 2-band EQ

Category (Insertion Effect A Category)

Category (Insertion Effect B Category)

Type (Insertion Effect A Type)

Type (Insertion Effect B Type)

Preset (Insertion Effect A Preset)

Preset (Insertion Effect B Preset)

Side Chain (Insertion Effect A Side Chain Part)

Side Chain (Insertion Effect B Side Chain Part)

Modulator (Insertion Effect A Modulator Part)

Modulator (Insertion Effect B Modulator Part)

Effect Parameter

2-band EQ

224

Selects the desired EQ type.

Settings: Thru, LPF, HPF, Low Shelf, Hi Shelf, Peak/Dip

Thru: Bypasses the equalizer leaving the entire signal unaffected.

LPF: Passes the signals above the cutoff frequency.

HPF: Passes the signals below the cutoff frequency.

Low Shelf: Cuts or boosts the signals below the specified frequency setting.

Hi Shelf: Cuts or boosts the signals above the specified frequency setting.

Peak/Dip: Cuts or boosts the signals at the specified frequency setting.

Sets the frequency to be cut or boosted.

This parameter is not available when the EQ Type is set to Thru.

Settings: 63.0Hz–18.0kHz

Sets the signal level of the frequency band set in EQ1 Freq or EQ2 Freq.

This parameter is not available when the EQ Type is set to Thru, LPF, or HPF.

Settings: −12.0dB–+12.0dB

Sets the bandwidth for cutting or boosting the volume of the frequencies set with EQ1 Freq or

EQ2 Freq.

This parameter is available only when the EQ Type is set to Peak/Dip.

EQ1 Type (A/D Part 2-band EQ 1 Type)

EQ2 Type (A/D Part 2-band EQ 2 Type)

EQ 1 Freq (A/D Part 2-band EQ 1 Frequency)

EQ 2 Freq (A/D Part 2-band EQ 2 Frequency)

EQ 1 Gain (A/D Part 2-band EQ 1 Gain)

EQ 2 Gain (A/D Part 2-band EQ 2 Gain)

EQ 1 Q (A/D Part 2-band EQ 1 Q)

EQ 2 Q (A/D Part 2-band EQ 2 Q)

225

Settings: 0.1–12.0

Sets the output gain of the 2-band EQ.

Settings: −12.0dB–+12.0dB

On the Arp Common screen, you can set the Arpeggio parameters for the entire Performance.

Operation

[PERFORMANCE] → Common selection → [EDIT/ ] → Arp/MS → Arp Common

Sets the Arpeggio for the Performance on or off.

This switch is linked to the [ARP ON/OFF] button on the top panel.

Settings: Off, On

Adjusts the timing for starting the next Arpeggio phrase while the first Arpeggio is being played

back, when playing back Arpeggio phrases in multiple Parts. When set to Off, the Arpeggio is

played back when the Part is played on the keyboard.

Settings: Off, 60 (thirty-second note), 80 (sixteenth note triplet), 120 (sixteenth note), 160

(eighth note triplet), 240 (eighth note), 320 (quarter note triplet), 480 (quarter note)

(Numbers indicated here are clock values.)

Output Level (A/D Part 2-band EQ Output Level)

Arp/MS

Arp Common

Arp Master (Arpeggio Master Switch)

Sync Quantize (Arpeggio Sync Quantize Value)

226

Sets the swing value of the Arpeggio and Motion Sequencer for the Performance.

This is specified as an offset value to Part Swing.

Settings: −120–+120

Sets the percentage for stretching or compressing the Arpeggio playback time for the entire

Performance.

This parameter affects Parts for which Unit (Arpeggio Unit Multiply) is set to Common.

The subdivision of the beat and the tempo will change when you stretch or compress the

playback time, so you can create a completely new feel for the originally selected Arpeggio.

Settings: 50%–400%

200%: The playback time is doubled, and the tempo is halved as a result.

100%: The playback time is kept unchanged.

50%: The playback time is halved, and the tempo is doubled as a result.

Sets the strength of the quantize setting that is applied to the Arpeggio for the Performance.

This is specified as an offset value to Part Qntz Strength (Arpeggio Quantize Strength).

Settings: −100–+100

Shifts the pitch of the Arpeggio for the Performance in octaves.

This is specified as an offset value to Part Octave Shift (Arpeggio Octave Shift).

Settings: −20–+20

Shifts the range of the Arpeggio for the Performance in octaves.

This is specified as an offset value to Part Octave Range (Arpeggio Octave Range).

Settings: −6–+6

Sets the Arpeggio Gate Time Rate for the Performance.

This is specified as an offset value to Part Gate Time (Arpeggio Gate Time Rate).

Settings: −100–+100

Sets the Arpeggio Velocity Rate for the Performance.

This is specified as an offset value to Part Velocity (Arpeggio Velocity Rate).

Settings: −100–+100

Swing (Swing Offset)

Unit (Common Unit Multiply)

Qntz Strength (Arpeggio Quantize Strength Offset)

Octave Shift (Arpeggio Octave Shift Offset)

Octave Range (Arpeggio Octave Range Offset)

Gate Time (Arpeggio Gate Time Rate Offset)

Velocity (Arpeggio Velocity Rate Offset)

227

Changes the Arpeggio selection.

Settings: 1–8

On the Arp Overview screen, you can set the Arpeggio types from the list of all Parts.

Operation

Switches the view for Parts.

Settings: Part 1–8, Part 9–16

Sets the Arpeggio for the Performance on or off.

This switch is linked to the [ARP ON/OFF] button on the top panel.

Settings: Off, On

Sets the Arpeggio Group for using the same Arpeggio with multiple Parts.

The Parts assigned to the same Group will have the same Arpeggio settings.

Arp Select (Arpeggio Select)

Arp Overview (Arpeggio Overview)

[PERFORMANCE] → Common selection → [EDIT/ ] → Arp/MS → Arp Overview

(When a selected Part is Common) [SHIFT] + [ARP ON/OFF]

Part 1–8

Part 9–16

Arp Master (Arpeggio Master Switch)

Group (Arpeggio Group)

Arp Select (Arpeggio Select)

228

Changes the Arpeggio selection.

Settings: 1–8

Sets the Arpeggio of each Part on or off.

Settings: Off, On

Settings: Refer to the Data List.

Sets the velocity range (lowest and highest values) for playing back the Arpeggio.

When this is set so that the higher value is first and the lower value is second (for example,

93 to 34), the Arpeggio is played only for velocities of 1 to 34 and 93 to 127.

Settings: 1–127

Sets the note range (the lowest and the highest notes) for playing back the Arpeggio.

When the first note specified is lower than the second (for example, C5 to C4), the Arpeggio

is played for notes in the ranges of C−2 to C4 and C5 to G8.

Settings: C−2–G8

On the MS Common screen, you can set the Motion Sequencer parameters used for the entire

Performance.

Sw (Part Arpeggio Switch)

When View is set to Category

Category (Arpeggio Category)

Sub (Arpeggio Sub Category)

Name (Arpeggio Name)

When View is set to Number

Bank (Arpeggio Bank)

Number (Arpeggio Number)

Name (Arpeggio Name)

When View is set to Range

Name (Arpeggio Name)

Velocity Limit (Arpeggio Velocity Limit)

Note Limit (Arpeggio Note Limit)

MS Common (Motion Sequencer Common)

229

Operation

Sets the swing value of the Arpeggio and Motion Sequencer for the Performance.

This is specified as an offset value to the Part Swing.

Settings: −120–+120

Sets the percentage for stretching or compressing the Motion Sequencer playback time for the

entire Performance.

This parameter affects Lanes for which Unit Multiply is set to Common.

The subdivision of the beat and the tempo will change when you stretch or compress the

playback time, so you can create a completely new feel for the originally selected Motion

Sequencer.

Settings: 50%–400%

200%: The playback time is doubled, and the tempo is halved as a result.

100%: The playback time is kept unchanged.

50%: The playback time is halved, and the tempo is doubled as a result.

Sets the Motion Sequencer Amplitude (or how much the Sequence changes) for the entire

Performance.

This is specified as an offset value to the Part Amplitude (Part Motion Sequencer Amplitude).

This parameter value offsets the Amplitude of the Lanes within the Performance if MS FX is set

to On for the Lane.

Settings: −127–+127

[PERFORMANCE] → Common selection → [EDIT/ ] → Arp/MS → MS Common

(When a selected Part is Common) [SHIFT] + [MSEQ ON/OFF]

Common Swing (Swing Offset)

Common Unit (Common Unit Multiply)

Common Amplitude (Motion Sequencer Amplitude Performance Offset)

230

Sets the Motion Sequencer Pulse Shape (or the shape of the step curve) for the Performance.

This is specified as an offset value to the Part Shape (Part Motion Sequencer Pulse Shape).

This parameter value offsets the parameters for the Lanes within the Performance if the MS FX

is set to On for the lane and Control is set to On.

Settings: −100–+100

Sets the Motion Sequence Smoothness (or the smoothness of the changes in the sequence

over time) for the entire Performance.

This is specified as an offset value to the Part Motion Seq Smooth (Part Motion Sequencer

Smoothness).

This parameter value offsets the Smoothness of the Lanes within the Performance if MS FX is

set to On for the Lane.

Settings: −127–+127

Sets the Motion Sequencer Randomness (or the randomness of the changes in the step value

of the sequence) for the entire Performance.

This is specified as an offset value to the Part Motion Seq Random (Part Motion Sequencer

Randomness).

This parameter value offsets the Randomness of the Lanes within the Performance if MS FX is

set to On for the Lane.

Settings: −127–+127

Sets the Motion Seq Lane that is shown when the View Mode of the Home screen is set to

Motion Seq.

Settings: Super Knob, 1–4

Sets the randomness of the changes in A/D Part Motion Sequencer Step Value.

Settings: 0–127

Changes the Motion Sequence selection.

Settings: 1–8

Common Shape (Motion Sequencer Pulse Shape Performance Offset)

Common Smooth (Motion Sequencer Smoothness Performance Offset)

Common Random (Motion Sequencer Randomness Performance Offset)

View Lane (Motion Seq View Lane)

AD MS Random (A/D Part Motion Sequencer Randomness)

MS Select (Motion Sequence Select)

231

On the MS Overview screen, you can set the Motion Sequencer from the list of all Parts.

Operation

[PERFORMANCE] → Common selection → [EDIT/ ] → Arp/MS → MS Overview

Sets the Motion Sequencer for the entire Performance on or off.

This switch is linked to the [MSEQ ON/OFF] button on the top panel.

Settings: Off, On

Shows the number of Lane switches set to On.

The number shown on the right side of the slash (/) indicates the maximum number of Lanes

you can simultaneously set to On.

Changes the Motion Sequence selection.

Settings: 1–8

Sets the Motion Sequencer on or off for each Part.

Settings: Off, On

MS Overview (Motion Sequencer Overview)

MS Master (Motion Seq Master Switch)

Active (Active Motion Sequencer)

MS Select (Motion Sequence Select)

PartSw (Motion Sequencer Part Switch)

Lane Switch

232

Sets each Lane on or off.

You can use up to four Motion Sequencer Lanes in one Part, or up to eight Lanes in an entire

Performance.

Settings: Off, On

On the Lane screen, you can set the Motion Sequencer parameters for each Lane.

Operation

[PERFORMANCE] → Common selection → [EDIT/ ] → Arp/MS → Lane

Sets the Motion Sequencer for the entire Performance on or off.

Settings: Off, On

Sets the Motion Sequencer of the Part on or off.

Settings: Off, On

Shows the parameters for the selected Lane.

Settings: 1–4

Sets each Lane on or off.

You can use up to four Motion Sequencer Lanes in one Part, or up to eight Lanes in an entire

Lane

Motion Seq Master Sw (Motion Sequencer Master Switch)

Motion Seq Part Sw (Motion Sequencer Part Switch)

Lane (Lane Select)

LaneSw (Lane Switch)

233

Performance.

When set to Off, the parameters for that Lane will not be shown.

Settings: Off, On

Sets Knobs to be affected by the operation of the Super Knob.

Settings: Off, On

Sets whether the selected Lane receives signals from the [MSEQ TRIGGER] button or not.

When set to On, the Motion Sequence will not be played back unless you press the [MSEQ

TRIGGER] button.

Settings: Off, On

Changes the Motion Sequence selection.

Settings: 1–8

Shows the selected Lanes and sequences.

Opens the Motion Sequence screen.

You can create a sequence of up to 16 steps.

Shows the step curve for the selected sequence.

Sets the playback of the Motion Sequence set to the Destination in the Control Assign screen to

synchronize to the Performance tempo or beat.

Settings: Off, Tempo, Beat, Lane1 (when Lanes 2–4 are selected)

Off: Plays back the Lane Motion Sequencer alone.

Tempo: Plays back the Lane Motion Sequencer in sync with the Performance tempo.

Beat: Plays back in sync with the beat.

Lane1: Plays back the Lane Motion Sequencer in sync with Lane 1.

MS FX (Lane FX Receive)

Trigger (Lane Trigger Receive)

Sequence Select (Motion Sequence Select)

Target Sequence

Edit Sequence

Motion Seq Step n Value

Sync/Speed tab

Sync (Lane Sync)

When Sync is set to Off

234

Sets the playback speed for the Motion Sequence.

This parameter is available when Sync (Lane Sync) is set to Off.

Settings: 0–127

Sets the delay time for starting playback of the Motion Sequence when Sync is set to Off.

Settings: 0–127

Sets the time for the Motion Sequence to reach maximum amplitude when Sync is set to Off.

Settings: 0–127

Sets the percentage for stretching or compressing the Motion Sequencer playback time for

the current Lane.

This parameter is available when Sync (Lane Sync) is set to Off or something other than

Lane 1.

Settings: 50%–6400%, Common

200%: The playback time is doubled, and the tempo is halved as a result.

100%: The playback time is kept unchanged.

50%: The playback time is halved, and the tempo is doubled as a result.

Common: The value set in the Unit Multiply common to all Parts is applied.

Sets the delay time for starting the playback of the Motion Sequence when Sync is set to

something other than Off or Lane1.

Settings: 0–32

Sets the time to reach the maximum amplitude for the Motion Sequence when Sync is set to

something other than Off.

Settings: 0–32

Sets the velocity range (lowest and highest values) for playing back the Motion Sequence of the

selected Lane.

This parameter is available when Sync (Lane Sync) is set to something other than Lane 1.

When this is set to a range from the highest value to the lowest value, the Motion Sequence will

Speed (Lane Speed)

Delay Time (A/D Part Motion Seq Lane Key On Delay Time Length)

Fade In Time (A/D Part Motion Seq Lane Fade In Time Length)

When Sync is set to something other than Off

Unit (A/D Part Motion Seq Lane Unit Multiply)

Delay Steps (A/D Part Motion Seq Lane Key On Delay Step Length)

Fade In Steps (A/D Part Motion Seq Lane Fade In Step Length)

Lane Vel Limit (Lane Velocity Limit)

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only be played back from two velocity ranges: from the maximum to the highest value, and from

the lowest value to the minimum.

Settings: 1–127

Resets the Motion Sequence playback when you press any key on the keyboard.

This parameter is available when Sync (Lane Sync) is set to something other than Lane 1.

This parameter is not available when Trigger is set to On.

Settings: Off, Each-On, 1st-On

Each-On: The sequence will be reset each time you play any note, and playback

starts from the beginning.

1st-On: The sequence will be reset at the first note, and playback starts from the

beginning. The sequence will not be reset when a second note is played while the first

note is being played.

Sets the Motion Sequence to loop (repeat) playback or one-shot playback.

This parameter is available when Sync (Lane Sync) is set to something other than Lane 1.

Settings: Off, On

Specifies the starting point for loop playback of the Motion Sequence.

Settings: 1–16 (should be below the Length setting)

Sets the number of steps in the Motion Sequence.

Settings: 1–16 (should be above the Loop Start setting)

Sets the length of a step in the Motion Sequence.

Settings: 60, 80, 120, 160, 240, 320, 480

Opens the setting screen for the Motion Sequence.

You can create a sequence of up to 16 steps.

Loop/Length tab

Key On Reset (Lane Key On Reset)

Loop (Lane Loop)

Loop Start (Lane Loop Start)

Length (Motion Seq Length)

MS Grid (Motion Sequencer Grid)

Motion Sequence Edit

236

Specifies the starting point for loop playback of the Motion Sequence.

Settings: 1–16 (should be below the Length setting)

Sets the Motion Sequence length.

Settings: 1–16 (should be above the Loop Start setting)

Sets the length of a step in the Motion Sequence.

Settings: 60, 80, 120, 160, 240, 320, 480

Changes the Motion Sequence type selection.

Settings: 1–8

Changes the Lane selection.

Settings: 1–4

Sets the polarity of the Motion Sequence.

Settings: Unipolar, Bipolar

Unipolar: Only positive values are used for the parameter change.

Bipolar: Both positive and negative values are used for the parameter change.

Loop Start (Lane Loop Start)

Length (Motion Sequence Length)

MS Grid (Motion Sequencer Grid)

Sequence Select (Motion Sequence Select)

Lane Select

Polarity (Motion Sequence Polarity)

Amplitude (Motion Sequence Amplitude)

237

Sets the degree of changes in the Motion Sequence.

Settings: 0–127

Sets the smoothness of the changes in the Motion Sequence over time.

Settings: 0–127

Shows various Jobs.

Sets the value for each step in the Motion Sequence.

You can use Control sliders 1 to 8 to change the values for Steps 1 to 8 and Steps 9 to 16,

depending on the cursor position.

Settings: 0–127

Sets the type and direction of each step in the Motion Sequence.

Settings: A, B, Reverse A, Reverse B

Selects a parameter change curve for Pulse A and Pulse B.

Use the Motion Sequence Step Type to select which of the curve types to use for each step.

The vertical axis represents the time while the horizontal axis represents the step value.

Settings: (When a preset bank is selected) Standard, Sigmoid, Threshold, Bell, Dogleg, FM,

AM, M, Discrete Saw, Smooth Saw, Triangle, Square, Trapezoid, Tilt Sine, Bounce,

Resonance, Sequence, Hold, Harmonic, Steps

(When a user bank is selected) User 1–32

(When a library file is loaded) Curves used in Library 1–16

Adjusts the shape of the step curve in the Motion Sequence.

This setting is not available depending on the curve type. The range of the parameter value

differs depending on the curve type.

Enables or disables the use of the knobs for controlling the step curve shape of the Motion

Sequence.

Smooth (Motion Sequence Smoothness)

Job

Motion Sequence Step Value

Motion Sequence Step Type

Pulse A (Motion Sequence Step Curve Type A)

Pulse B (Motion Sequence Step Curve Type B)

Prm 1 (Motion Sequence Step Curve Parameter 1)

Prm 2 (Motion Sequence Step Curve Parameter 2)

Control (Motion Sequence Step Curve Shape Control Switch)

238

Shown only when MS FX is set to On. This setting may not be available depending on the curve

type.

Settings: Off, On

Saves (stores) the edited Motion Sequence.

Loads the Motion Sequence.

Copies the Motion Sequence.

The Control Assign screen lets you set the Controllers for all Parts.

By assigning a parameter (Destination) to a controller (Source), you can control the sound in a

large variety of ways. You can use physical controllers such as the Pitch Bend wheel and knobs

as well as the Motion Sequencer and Envelope Follower.

Up to 32 controllers can be assigned simultaneously to a Part.

Operation

Store Sequence

Load Sequence

Copy Sequence

Control

Control Assign

[PERFORMANCE] → Common selection → [EDIT/ ] → Control → Control Assign

Tap Edit Super Knob on the Super Knob screen

239

Sets the auto select of the Display Filter on or off.

When set to On, moving the controller you wish to set to Source automatically sets the controller

to the Display Filter.

Settings: Off, On

Selects the controller for showing the settings on the screen.

When you select Super Knob, all settings for Knobs 1 to 8 having the Super Knob Link set to On

will be shown.

Settings: PitchBend, ModWheel, Ch. AT, FootCtrl 1, FootCtrl 2, FootSwitch, Ribbon, Breath,

AsgnKnob 1–8, Super Knob, AsgnSw 1, AsgnSw 2, MS Lane 1–4, EnvFollow 1–16,

EnvFollowAD, EnvFollowMst, All

This allows you to enter a new name for Knobs 1 to 8 to show on the Sub display.

This parameter is not shown when Source is set to something other than AsgnKnob 1–8.

Opens the General/Pitch → Pitch screen.

This parameter is not available when Source is set to something other than PitchBend.

Opens the setting screen for the Motion Sequence.

This parameter is not available when Source is set to something other than MS Lane 1–4.

Auto Select

Display Filter

Display Name (Assignable Knob Name)

Edit Pitch Bend

Edit Motion Sequencer

Edit Envelope Follower

240

Opens the settings screen for Envelope Follower.

This parameter is not available when Source is set to something other than EnvFollow 1–16,

EnvFollowAD, or EnvFollowMst.

Sets the parameter to the Destination. Tapping the [+] icon allows you to add a new Destination.

When Source is set to AsgnKnob 1–8, Part1–16 Assign1–8 is added to the settings. In that

case, Curve Type and Curve Ratio are not available.

Sets the controller for controlling the parameters set to the Destination.

When Destination is set to Part1–16 Assign1–8, only AsgnKnob 1–8 will be available. Other

controllers cannot be used.

Settings: PitchBend, ModWheel, Ch. AT, FootCtrl 1, FootCtrl 2, FootSwitch, Ribbon, Breath,

AsgnKnob 1–8, AsgnSw 1, AsgnSw 2, MS Lane 1–4, EnvFollow 1–16, EnvFollowAD,

EnvFollowMst

Copies the parameters set to Destination to Display Name.

This parameter is not shown when Source is set to something other than AsgnKnob 1–8.

Deletes the selected Destination.

Sets the parameter to show when you try to set Part1–16 Assign1–8 to the Destination and

multiple Destinations are already assigned to Part Assign.

Sets the Part parameter to the Destination.

Settings: Refer to the Data List.

The parameters shown below appear only when Destination 1–32 is set to Part1–16 Assign1–8.

Also, only the shortcut buttons are available on the screens when Part Knobs 1–8 cannot be

found in Destination.

Opens the Control Assign screen for the selected Part.

Destination

Source

Destination to Name

Delete

Destination (Part Assignable Knob Destination)

Parameter (Part Assignable Knob Parameter)

Edit (Part) Control Assign

241

Sets the change curve of the parameter set to Destination.

The horizontal axis represents the controller value set in Source while the vertical axis

represents the parameter value.

Settings: Standard, Sigmoid, Threshold, Bell, Dogleg, FM, AM, M, Discrete Saw, Smooth Saw,

Triangle, Square, Trapezoid, Tilt Sine, Bounce, Resonance, Sequence, Hold,

Harmonic, Steps, User 1–32 (when a User bank is selected), Library 1–16 (when a

Library file is loaded)

Sets the polarity of the curve set in Curve Type.

Settings: Uni, Bi

Uni: Parameter changes occur only within the positive range or the negative range

according to the curve shape.

Bi: Parameter changes occur both in positive and negative ranges according to the

curve shape.

Sets the ratio of the parameter values.

Settings: −128–+127

Adjusts the curve shape.

This setting is not available depending on the curve type.

Opens the setting screen for User Curve.

You can create either an 8-point linear curve or an 8-step curve.

Selects the keyboard Aftertouch settings sent from the Performance to the internal tone

generator on MONTAGE M8x.

Settings: The output of Aftertouch to an external device should be set from [UTILITY] →

Settings → MIDI I/O → AT MIDI Out.

The MONTAGE M8x has a built-in keyboard that supports polyphonic aftertouch.

The built-in keyboards on the MONTAGE M6 and MONTAGE M7 support only Channel

Curve Type

Polarity (Curve Polarity)

Ratio (Curve Ratio)

Param 1 (Curve Parameter 1)

Param 2 (Curve Parameter 2)

Edit User Curve

After Touch

242

Aftertouch; however, their internal tone generator supports polyphonic aftertouch, allowing you

to use polyphonic aftertouch for playing back Songs and Patterns, as well as for receiving MIDI

messages from an external device compatible with polyphonic aftertouch.

To set Aftertouch reception with the internal tone generator, set the parameter on the Tx/Rx

Switch screen.

Operation

[PERFORMANCE] → Common selection → [EDIT/ ] → Control → After Touch

Selects the mode for sending Aftertouch messages from the keyboard to the internal tone

generator.

MONTAGE M8x

MONTAGE M7 and MONTAGE M6

Keyboard AT Mode (After Touch Mode)

243

This parameter is set to Channel on MONTAGE M6 and MONTAGE M7, regardless of the

setting here.

Settings: Poly (polyphonic aftertouch), Channel (channel aftertouch)

Sets the Ribbon controller.

Operation

Sets the grid mode for the Ribbon controller.

Settings: Continuous, 5 step, 3 step

NOTE

Set to Continuous if you wish to use the Ribbon Controller setting you have set on the Control Assign screen.

Sets the way the Ribbon Controller functions.

Settings: Hold, Reset

Hold: Retains the value of the position at which you release your finger from the

Ribbon Controller.

Reset: Automatically resets the value to the mid position when you release your finger

from the Ribbon Controller.

Ribbon Settings

[PERFORMANCE] → Common selection → [EDIT/ ] → Control → Ribbon Settings

[SHIFT] + [HOLD]

Ribbon Grid Mode

Continuous mode

Ribbon Mode (Ribbon Controller Mode)

244

Selects the Part to be controlled with the Ribbon Controller.

Settings: 1–16, Common

Settings: Refer to the Control Box Destination section on the Data List.

Settings: Depends on the Destination

Sets the Control Change number for the entire Performance.

You can assign specific MIDI Control Change numbers to the Knobs on the top panel and

controllers on the external device.

NOTE

As for controllers not included on this instrument, you can use an external sequencer or external MIDI

controllers.

Operation

[PERFORMANCE] → Common selection → [EDIT/ ] → Control → Control Number

5-step mode

3-step mode

Control Part

Control Destination

Step Value 1–5

Control Number

Ribbon Ctrl (Ribbon Controller Control Number)

245

Sets the Control Change number generated by the operation of the Ribbon Controller.

When this instrument receives a MIDI Control Change message of the number set with this

parameter from the external device, the message is treated the same as the operation of the

built-in Ribbon Controller.

Settings: Off, 1–95

Sets the Control Change number for the Breath Controller to be received from the external

device.

When this instrument receives a MIDI Control Change message of the number set with this

parameter from the external device, the message is treated the same as the operation of the

Breath Controller.

Settings: Off, 1–95

Sets the Control Change number generated by the operation of the Foot Controller connected

to the FOOT CONTROLLER jack.

When this instrument receives a MIDI Control Change message of the number set with this

parameter from the external device, the message is treated the same as the operation of the

Foot Controller.

Settings: Off, 1–95, Super Knob

Sets the Control Change number generated by the operation of the [ASSIGN 1] and [ASSIGN 2]

buttons.

When this instrument receives a MIDI Control Change message of the number set with this

parameter from the external device, the message is treated the same as the operation of the

[ASSIGN 1] and [ASSIGN 2] buttons.

Settings: Off, 1–95

Sets the Control Change number generated by the operation of the [MSEQ TRIGGER] button.

When this instrument receives a MIDI Control Change message of the number set with this

parameter from the external device, the message is treated the same as the operation of the

[MSEQ TRIGGER] button.

Settings: Off, 1–95

Breath Ctrl (Breath Controller Control Number)

Foot Ctrl 1 (Foot Controller 1 Control Number)

Foot Ctrl 2 (Foot Controller 2 Control Number)

Assign Sw 1 (Assignable Switch 1 Control Number)

Assign Sw 2 (Assignable Switch 2 Control Number)

MS Triger (Motion Sequencer Trigger Switch Control Number)

Assign Knob (Assignable Knob Control Number)

246

Sets the Control Change number generated by the operation of Knobs 1 to 8.

When this instrument receives a MIDI Control Change message of the number set with this

parameter from the external device, the message is treated the same as the operation of Knobs

1 to 8.

Settings: Off, 1–95

Opens the MIDI settings screen.

The same screen can be opened from the [UTILITY] → Settings → MIDI I/O.

Shows the Control Change number generated by the operation of the footswitch connected to

the FOOT SWITCH [ASSIGNABLE] jack. When this instrument receives a MIDI Control Change

message of the number set with this parameter from the external device, the message is treated

the same as the operation of the footswitch.

Shows the Control Change number generated by the operation of the SCENE buttons. When

this instrument receives a MIDI Control Change message of the number set with this parameter

from the external device, the message is treated the same as the operation of the SCENE

buttons.

Shows the Control Change number generated by the operation of the Super Knob. When this

instrument receives a MIDI Control Change message of the number set with this parameter

from the external device, the message is treated the same as the operation of the Super Knob.

NOTE

Sets the controller mode.

Operation

MIDI Settings

FS Assign (Foot Switch Assign Control Number)

Scene CC (Scene Control Change Number)

Super Knob CC (Super Knob Control Change Number)

When Scene CC and Super Knob CC are set to Off, System Exclusive (SysEx) is used for handling MIDI

messages.

FS Assign, Scene CC, and Super Knob CC are used for the entire instrument. If desired, change these

settings from the Utility MIDI Settings screen.

Control Settings

[PERFORMANCE] → Common selection → [EDIT/ ] → Control → Control Settings

[SHIFT] + [ASSIGN 1]

247

Sets the direction of the Control sliders 1 to 8 when the slider mode is set to PART.

Settings: Normal (up from the bottom), Reverse (down from the top)

Sets the [ASSIGN 1] and [ASSIGN 2] buttons for Latch or Momentary setting.

Settings: Latch, Momentary

Latch: Sets to On when you press the button and sets to Off when you press the

button again.

Momentary: Sets to On while you are holding down the button and sets to Off when

you release the button.

[SHIFT] + [ASSIGN 2]

Slider Direction Part 1–8

Assignable Switch 1 Mode

Assignable Switch 2 Mode

248

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A Normal Part (AWM2) consists of up to 128 elements.

Part Edit (AWM2) includes Part Common Edit (for setting parameters for the entire Part) and

Element Edit (for setting parameters for each Element in the Part).

Part Edit (AWM2) screen

249

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Contents

Part Common Edit

General/Pitch

Part Settings

Zone Settings

Element Settings

Pitch

Filter/Amp

Filter EG

Amp EG

Effect

Routing

Ins A

Ins B

3-band EQ

2-band EQ

Arpeggio

Common

Individual

Advanced

Motion Seq

Common

Lane

Mod/Control

Control Assign

After Touch

Tx/Rx Switch

Control Settings

Part LFO

User LFO Edit

250

On the Part Settings screen, you can set general parameters (such as the Part names and tone

generation system) for the Part.

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → General/Pitch → Part Settings

Sets the Main category and Sub category of the selected Part.

Settings: Refer to the Data List.

You can save the Part you are editing under a new name, using up to 20 alphanumeric

characters.

Tapping on the name calls up the onscreen keyboard, allowing you to enter a name.

Sets the volume of the selected Part.

Settings: 0–127

Sets the Pan for the selected Part.

Settings: L63–C (center)–R63

General/Pitch

Part Settings

Main Category (Part Main Category)

Sub Category (Part Sub Category)

Part Name

Volume

Pan

251

Sets the Dry Level of the selected Part.

This parameter is available only when Part Output is set to MainL&R.

Settings: 0–127

Sets the Variation Send of the selected Part.

This parameter is available only when Part Output is set to MainL&R.

Settings: 0–127

Sets the Reverb Send of the selected Part.

This parameter is available only when Part Output is set to MainL&R.

Settings: 0–127

Sets the output destination for the audio signals of the selected Part.

Settings: MainL&R, AsgnL&R, USB1&2–USB29&30, AsgnL, AsgnR, USB1–30, Off

MainL&R: Outputs in stereo (two channels) to the OUTPUT [L/MONO] and [R] jacks.

AsgnL&R: Outputs in stereo (two channels) to the ASSIGNABLE OUTPUT [L] and

ASSIGNABLE OUTPUT [R] jacks.

USB1&2–USB29&30: Outputs in stereo (channels 1 and 2, to channels 29 and 30) to

the [USB TO HOST] terminal.

AsgnL: Outputs in mono (one channel) to the ASSIGNABLE OUTPUT [L] jack.

AsgnR: Outputs in mono (one channel) to the ASSIGNABLE OUTPUT [R] jack.

USB1–30: Outputs in mono (channels 1 to 30) to the [USB TO HOST] terminal.

Off: No output of the audio signal for the Part.

Sets the tone generation mode of the current Part. Mono is for playing single notes, and Poly is

for playing multiple simultaneous notes.

When using the Mono setting for playing the keyboard in Legato, you can create a smooth

transition of sounds from one note to another.

Settings: Mono, Poly

Determines the method for producing the sound when the internal tone generator receives a

Note On message of the same sound twice in a row.

The Multi setting is recommended for most cases. However, the Multi setting uses up many

Dry Level

Var Send (Variation Send)

Rev Send (Reverb Send)

Part Output (Part Output Select)

Mono/Poly

Key Assign (Key Assign Mode)

252

notes in the maximum polyphony, so it is recommended to change to Single if sounds in other

Parts are dropped or not played properly.

Settings: Single, Multi

Single: Stops the first note and then plays the same note again. This is convenient for

repeating the same note on the same channel.

Multi: Plays the second note over the first note. This setting makes rolls and repeated

notes sound natural, with crash cymbals or other percussion instruments having a

long decay.

Sets the Part to play only in response to the Arpeggio.

Any Part set to On will be played by the Note On messages sent from the Arpeggio.

Settings: Off, On

Sets the Pan to On or Off from the Element Edit ([EDIT/ ]→Part selection→Element

selection→Amplitude→Level/Pan→Pan).

When set to Off, the Pan in the Element Edit will be set to C (center).

Settings: Off, On

Sets the note range (lowest and highest notes) for the Part.

When the first note of Note Limit is set lower than the second (for example, C5 to C4), the notes

in the ranges C−2 to C4 and C5 to G8 will be played.

Settings: C−2–G8

Sets the velocity range (lowest and highest values) for the Part.

When this is set so that the higher value is first and the lower value is second (for example, 93

to 34), the notes are played only for velocities of 1 to 34 and 93 to 127.

Settings: 1–127

Increases or decreases the velocity value that is sent to the internal tone generator.

Settings: 0–127

When Depth (above) = 64

and Offset = 32

When Depth (above) = 64

and Offset = 64

When Depth (above) = 64

and Offset = 96

Arp Play Only (Arpeggio Play Only)

Element Pan (Element Pan Switch)

TG Note Limit (Note Limit)

TG Vel Limit (Velocity Limit)

Velocity Offset (Velocity Sensitivity Offset)

253

(1) Actual resulting velocity (affecting the tone generator)

(2) Velocity with which you play a note

Sets how the level of the velocity value that is sent to the internal tone generator responds to

Velocity or the strength of the keystroke.

Settings: 0–127

(1) Actual resulting velocity (affecting the

tone generator)

(2) Velocity with which you play a note

On the Zone Settings screen, you can set the parameters for the Zone function.

This function allows you to divide the entire keyboard into a maximum of eight sections (Zones)

and independently assign a separate channel to each Zone. This way, you only need one

keyboard to play the sounds of multiple keyboards. You can play multiple Parts on an external

multi-timbral sound module or play both the internal tone generator and any connected external

sound modules.

Velocity Depth (Velocity Sensitivity Depth)

When Offset (below) is set to 64:

Zone Settings

254

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → General/Pitch → Zone

Settings

Keyboard Control is used for selecting Parts to be played from the keyboard.

When this switch is set to On, you can simultaneously play all Parts having Keyboard Control

set to On, if the Part is set to Common or Keyboard Control for the Part is set to On.

When Keyboard Control is set to Off, you can play the Part on the keyboard only when that Part

is selected.

Settings: Off, On

Sets the velocity range (lowest and highest values) for the Zone.

When this is set so that the higher value is first and the lower value is second (for example, 93

to 34), the notes are played only for velocities of 1 to 34 and 93 to 127.

Settings: 1–127

Sets the note range (lowest and highest notes) for the Zone.

When the first note of Note Limit is set lower than the second (for example, C5 to C4), the notes

in the ranges C−2 to C4 and C5 to G8 will be played.

Settings: C−2–G8

Shifts the pitch of the zone in octaves.

Settings: −3–+0 (standard)–+3 (in octaves)

Keyboard Sw (Keyboard Control Switch)

Zone Vel Limit (Zone Velocity Limit)

Zone Note Limit

Octave Shift

255

Shifts the pitch of the zone in semitones.

Settings: −11–+0 (standard)–+11

Switches the Part Mode.

Settings: Internal, External

Internal: Uses the internal tone generator.

External: Uses the external sound generator. Any Part set to External does not

receive MIDI messages from the external device.

Sets the channel for transmitting and receiving MIDI messages when the Part Mode is set to

Internal.

Settings: Ch1–Ch16, Off

Sets the channel for transmitting and receiving MIDI messages when the Part Mode is set to

External.

Settings: Ch1–Ch16

Shows the channel for controlling the Part set to Common and the Part with the Keyboard Sw

set to On.

This setting is common to the entire instrument. The setting can be changed on the Utility MIDI

Settings screen.

When using Tx/Rx Ch and Transmit Ch, do not use the same channel specified in MIDI I/O Ch.

If the same channel is set to Tx/Rx Ch and Transmit Ch, the setting in MIDI I/O Ch will take

priority.

Settings: Ch1–Ch16

Opens the same screen as the Utility → Settings → MIDI I/O.

When this parameter is set to On, the MIDI Bank, MIDI Pgm Number, MIDI Volume, and MIDI

Pan settings are transmitted to the external device by following the transmit switch settings.

This parameter is not available when all four transmit switches are set to Off.

This parameter is available only when Part Mode is set to External.

Settings: Off, On

Transpose

Part Mode

Tx/Rx Ch (Transmit/Receive Channel)

Transmit Ch

MIDI I/O Ch (MIDI Input/Output Channel)

MIDI Settings

MIDI Send

256

The transmit switch for sending MIDI Bank MSB and MIDI Bank LSB to the external device.

This parameter is available only when Part Mode is set to External.

Settings: Off, On

Selects the bank for transmitting the Performance selection. You can specify the MSB and LSB

messages.

This parameter is not available when the Transmit Bank Select is set to Off, and is available

only when Part Mode is set to External.

Settings: MSB and LSB: 000–127

This is the transmit switch for sending Program Change messages to the external device.

This parameter is available only when Part Mode is set to External.

Settings: Off, On

Selects the Program Change number for transmitting the Performance selection.

This parameter is not available when the Transmit Program Change is set to Off, and is

available only when Part Mode is set to External.

Settings: 001–128

This is the transmit switch for sending the volume setting to the external device.

This parameter is available only when Part Mode is set to External.

Settings: Off, On

Sets the volume for transmitting the Performance selection.

This parameter is available only when Part Mode is set to External.

Settings: 0–127

This is the transmit switch for sending the pan setting to the external device.

This parameter is available only when Part Mode is set to External.

Settings: Off, On

Bank Select (Transmit Bank Select)

MIDI Bank MSB

MIDI Bank LSB

Pgm Change (Transmit Program Change)

MIDI Pgm Num (MIDI Program Number)

Vol/Exp (Transmit Volume/Expression)

MIDI Volume

Pan (Transmit Pan)

MIDI Pan

257

Sets the pan for transmitting the Performance selection.

This parameter is not available when the Transmit Pan is set to Off.

Settings: L64–C–R63

Opens the Tx/Rx Switch screen.

Sets the maximum number of Elements to use.

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → General/Pitch → Element

Settings

Enables the extension of Element capacity.

When set to Off, only up to eight elements are available.

Settings: Off, On

Sets the maximum number of elements to use.

Settings: 8–128

NOTE

Even when Element Sw is set to Off, the number set in Element Count is saved.

Edit Tx/Rx Switch

Element Settings

Ex Elem Sw (Extended Element Switch)

Element Count

258

On the Pitch screen, you can set the pitch for the Part.

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → General/Pitch → Pitch

Portamento is a function for creating a smooth transition between two notes.

By setting this parameter to On, you can apply Portamento to Parts having the Portamento Part

Switch set to On.

This switch is linked to the [PORTAMENTO] button on the top panel.

Settings: Off, On

Adjusts the pitch in semitones.

Settings: −24–+0–+24

Adjusts the pitch of the Part in 0.1 Hz increments.

By slightly shifting the pitch, you can detune the sound.

Settings: −12.8Hz–+0.0Hz–+12.7Hz

Parts assigned to the same group are given the same pitch.

Pitch

Master Sw (Portamento Master Switch)

Note Shift

Detune

Pitch Control Group

Mono/Poly

259

Sets the tone generation mode of the current Part. Mono is for playing single notes, and Poly is

for playing multiple simultaneous notes.

When using the Mono setting for playing the keyboard in Legato, you can create a smooth

transition of sounds from one note to another.

Settings: Mono, Poly

Sets the range of the changes created with the pitch bend wheel in semitones.

Settings: −48–+0–+24

Opens the Control Assign screen with the DisplayFilter set to PitchBend.

Sets Portamento on or off for the Part.

Settings: Off, On

Sets the way Portamento is applied according to your keyboard performance.

Settings: Fingered, Full-time

Fingered: Portamento is applied only when you play legato (playing the next note

before releasing the previous one).

Full-time: Portamento is applied at all times.

Sets the time length (or speed) for the pitch transition of Portamento.

Settings: 0–127

Sets how the pitch changes over time.

Settings: Rate 1, Time 1, Rate 2, Time 2

Rate 1: Pitch changes at a specific rate.

Time 1: Pitch changes at a specific time.

Rate 2: Pitch changes at a specific rate within an octave.

Time 2: Pitch changes at a specific time within an octave.

Sets the attack of the legato notes when Mono/Poly is set to Mono.

Pitch Bend↓ (Pitch Bend Range Lower)

Pitch Bend↑ (Pitch Bend Range Upper)

Edit Control Assign

Portamento (Portamento Part Switch)

Mode (Portamento Mode)

Time (Portamento Time)

Time Mode (Portamento Time Mode)

Legato Slope (Portamento Legato Slope)

260

When set to Mono, the attack of the note may sound unnatural depending on the attack speed

of the waveform assigned to the Part. If this is the case, use this parameter to adjust the attack.

In most cases, it is recommended to set this parameter to a smaller value for waveforms having

a short attack, and a larger value for waveforms having a long attack.

Settings: 0–7

Sets the micro tuning (temperament) for the Part.

Settings: Equal Temperament, Pure Major, Pure Minor, Werckmeister, Kirnberger, Vallotti &

Young, 1/4 shift, 1/4 tone, 1/8 tone, Indian, Arabic 1, Arabic 2, Arabic 3, User 1–8

(when a User bank is selected), Library 1-1–16-8 (when a library file is loaded)

Equal

Temperament

Each octave is divided into 12 intervals of equal size.

This is the most commonly used tuning in music today.

Pure Major

Pure Minor

These tunings preserve the pure mathematical intervals of each scale, especially for triad

chords (root, third, fifth).

You can hear this best in actual vocal harmonies, such as choirs and a cappella singing.

Werckmeister

Kirnberger

Vallotti & Young

Each of the scales combines the mean-tone and Pythagorean scales.

The main feature of these scales is that each key has its unique character.

These scales were used extensively during the time of Bach and Beethoven, and even

now they are often used when performing period music on the harpsichord.

1/4 shift The equal-tempered scale shifted up 50 cents.

You can create tension in your music by mixing this setting with Equal Temperament.

1/4 tone Twenty-four equally spaced notes per octave.

Playing twenty-four consecutive keys on the keyboard makes up an octave.

1/8 tone Forty-eight equally spaced notes per octave.

Playing forty-eight consecutive keys on the keyboard makes up an octave.

Indian Usually observed in Indian music.

Play white keys only.

Arabic Usually observed in Arabic music.

Sets the root note for the micro tuning.

This parameter is shown only when micro tuning that requires a root note is selected.

Settings: C–B

Opens the setting screen for User Micro Tuning.

Micro Tuning Name

Root (Micro Tuning Root)

Edit User Tuning

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On the Filter EG screen, you can set the Filter Envelope Generator (FEG) for the Part.

The FEG lets you set the degree (or level) of changes to the cutoff frequency and how those

changes evolve over time, starting from the moment you press a key on the keyboard to the

moment the sound decays.

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → Filter/Amp → Filter EG

Sets the length of time it takes for the sound to change from the moment you press a key to

when the Cutoff Frequency reaches the value set at Attack Level.

This is specified as an offset value to the Element FEG.

Settings: −64–+63

Sets the length of time it takes for the Cutoff Frequency to change from the attack level. You can

control the crispness or the decay speed of the sound.

This is specified as an offset value to the Element FEG.

Settings: −64–+63

Sets the Cutoff Frequency level that follows the end of the decay segment (or the level that is

maintained while the key is held down).

Filter/Amp

Filter EG

FEG Atk (FEG Attack Time)

FEG Decay (FEG Decay Time)

FEG Sus (FEG Sustain Level)

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This is specified as an offset value to the Element FEG.

Settings: −64–+63

Sets the length of time it takes for the Cutoff Frequency to fall to the Release level when you lift

your finger from the key.

This is specified as an offset value to the Element FEG.

Settings: −64–+63

Changes the sound by setting the cutoff frequency of the filter. When the Low Pass Filter is

selected, you can make the sound brighter by setting this to a larger value, and darker by

setting it to a smaller value.

This is specified as an offset value to the cutoff frequency for the Element.

Settings: −64–+63

Adds special characteristics to the sound by adjusting the signal level near the cutoff frequency.

This is specified as an offset value to the filter resonance or filter width for the Element.

Settings: −64–+63

Sets the depth range of the cutoff frequency controlled by the FEG for the Element.

When it is set to 0, the settings in the Element will be used with no change.

Settings: −64–+63

On the Amp EG screen, you can set the AEG (Amplitude Envelope Generator) for the Part. This

lets you determine how the volume changes from the moment you press a key on the keyboard

to when the sound decays.

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → Filter/Amp → Amp EG

FEG Rel (FEG Release Time)

Cutoff (Filter Cutoff Frequency)

Resonance (Filter Resonance)

FEG Depth

Amp EG

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Sets the length of time it takes for the volume to change from the moment you press a key on

the keyboard to when it reaches the maximum.

This is specified as an offset value to the Element AEG.

Settings: −64–+63

Sets the length of time it takes for the volume to change after it has reached the maximum.

This is specified as an offset value to the Element AEG.

Settings: −64–+63

Sets the volume that is maintained after the decay time.

Settings: −64–+63

Sets the length of time it takes after you have released the key to when the sound decays.

This is specified as an offset value to the Element AEG.

Settings: −64–+63

On the Routing screen, you can set the effect routing for the Part.

Operation

AEG Attack (AEG Attack Time)

AEG Decay (AEG Decay Time)

AEG Sustain (AEG Sustain Level)

AEG Release (AEG Release Time)

Effect

Routing

264

[PERFORMANCE] → Part Common selection → [EDIT/ ] → Effect → Routing

(1) VCM Rotary Speaker Switch

Shows the name of the selected Element.

When Ex Elem Sw (General/Pitch → Element Settings) is set to Off, or when there are less than

eight elements, the numbers 1 to 8 are shown.

Settings: 1–128 (up to the Element Count setting)

Sets the Element to be output to Insertion Effect A or Insertion Effect B.

Setting it to Thru bypasses the Insertion Effects.

Settings: Thru, InsA, InsB

Opens the setting screen for the 3-band EQ.

Opens the setting screen for the 2-band EQ.

Sets the position in the signal flow when using the Expression pedal.

Settings: Normal, Pre FX

Normal: Applied after the 2-band EQ

Pre FX: Applied before the Insertion Effects. This setting is effective when used with

non-linear effects such as Distortion. Example of using it with Distortion: When set to

Element (Element Select)

Connect (Element Connection Switch)

3-band EQ

2-band EQ

Expression (Expression Type)

265

Normal, the output of Distortion changes. While the distortion level stays the same

and only the volume will change. When set to Pre FX, the input of Distortion changes,

so both the distortion level and the volume will change.

Sets the way the expression effect is applied when Expression Type is set to Pre FX.

Settings: Normal: Volume curve of normal characteristics

Organ: Volume curve of the characteristics simulating a vintage organ

Sets the VCM Rotary Speaker effect, which simulates the characteristics of a rotary speaker by

utilizing VCM technology.

This parameter is available only for Part 1.

Settings: Off, On

Sets the effect routing for Insertion Effect A and Insertion Effect B. The diagram changes

accordingly when the settings are changed.

Settings: Parallel, Ins A→B, Ins B→A

Parallel: (for Normal Part (AWM2) and Drum Part): The output from Insertion Effect A

and Insertion Effect B are individually sent to the Master Effect, Master EQ, Reverb,

Variation, and Envelope Follower.

Ins A→B: The output from Insertion Effect A is sent to Insertion Effect B, and the output

from Insertion Effect B is sent to the Master Effect, Master EQ, Reverb, Variation, and

Envelope Follower.

Exp. Curve (Expression Curve)

VCM Rotary Speaker Switch

Ins Connect (Insertion Connection Type)

266

Ins B→A: The output from Insertion Effect B is sent to Insertion Effect A, and the output

from Insertion Effect A is sent to the Master Effect, Master EQ, Reverb, Variation, and

Envelope Follower.

Turns Insertion Effect A and Insertion Effect B on or off.

Settings: Off, On

Sets the Effect Type.

Settings: See the Effect types.

Selects one of the Preset effect parameters for each Effect Type.

By selecting a Preset, you can change the way effects are applied.

Settings: Refer to the Data List.

Sets the Side Chain Part (or the Modulator depending on the effect type) for the Insertion Effect

A or Insertion Effect B.

This parameter is not available when the Part itself or Master is set to the Modulator. In that

case, the parameter value will be shown in parenthesis as in “(Master).”

Settings: Part 1–16, A/D, Master, Off

Sets the level of the signals (or bypass signals) sent from Insertion Effect A or Insertion Effect B

to the Reverb Effect. This parameter is available only when Part Output is set to MainL&R.

Settings: 0–127

Sets the level of the signals (or bypass signals) sent from Insertion Effect A or Insertion Effect B

to the Variation Effect. This parameter is available only when Part Output is set to MainL&R.

A (Insertion Effect A Switch)

B (Insertion Effect B Switch)

Type (Insertion Effect Type)

Preset (Insertion Effect Preset)

Side Chain (Insertion Side Chain Part)

Modulator (Insertion Modulator Part)

Rev Send (Reverb Send)

Var Send (Variation Send)

267

Settings: 0–127

Sets the output destination for the audio signals.

Settings: MainL&R, AsgnL&R, USB1&2–USB29&30, AsgnL, AsgnR, USB1–30, Off

MainL&R: Outputs in stereo (two channels) to the OUTPUT [L/MONO] and OUTPUT

[R] jacks.

AsgnL&R: Outputs in stereo (two channels) to the ASSIGNABLE OUTPUT [L] and

[R] jacks.

USB1&2–USB29&30: Outputs in stereo (channels 1 and 2, to channels 29 and 30) to

the [USB TO HOST] terminal.

AsgnL: Outputs in mono (one channel) to the ASSIGNABLE OUTPUT [L] jack.

AsgnR: Outputs in mono (one channel) to the ASSIGNABLE OUTPUT [R] jack.

USB1–30: Outputs in mono (channels 1 to 30) to the [USB TO HOST] terminal.

Off: No output of the audio signal for the Part.

Opens the settings screen for the Envelope Follower.

On the Ins A and Ins B screens, you can set the Insertion Effects.

Operation

Part Output (Part Output Select)

Envelope Follower

Ins A

Ins B

[PERFORMANCE] → Part Common selection → [EDIT/ ] → Effect → Ins A

[PERFORMANCE] → Part Common selection → [EDIT/ ] → Effect → Ins B

268

The same as Audio In → Ins A or Ins B in Common Edit.

On the 3-band EQ screen, you can set the Part EQ. The 3-band EQ can be applied before the

Insertion Effect.

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → Effect → 3-band EQ

Shown below is the setting screen for 3-band EQ.

3-band EQ

269

Sets the frequency of the Low band.

Settings: 50.1Hz–2.00kHz

Sets the signal level of the Low band.

Settings: −12.00dB–+12.00dB

Sets the frequency of the Mid band.

Settings: 139.7Hz–10.1kHz

Sets the signal level of the Mid band.

Settings: −12.00dB–+12.00dB

Sets the bandwidth of the Mid band.

Settings: 0.7–10.3

Sets the frequency of the High band.

Settings: 503.8Hz–14.0kHz

Sets the signal level of the High band.

Settings: −12.00dB–+12.00dB

EQ Low Freq (3band EQ Low Frequency)

EQ Low Gain (3band EQ Low Gain)

EQ Mid Freq (3band EQ Mid Frequency)

EQ Mid Gain (3band EQ Mid Gain)

EQ Mid Q (3band EQ Mid Q)

EQ Hi Freq (3band EQ High Frequency)

EQ Hi Gain (3band EQ High Gain)

270

On the 2-band EQ screen, you can set the Part EQ.

The 2-band EQ can be applied after the Insertion Effect.

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → Effect → 2-band EQ

Shown below is the setting screen for 2-band EQ.

Selects the desired EQ type.

Settings: Thru, LPF, HPF, Low Shelf, Hi Shelf, Peak/Dip

Thru: Passes the signals with no effects being applied.

LPF: Cuts the signals above the cutoff frequency.

HPF: Cuts the signals below the cutoff frequency.

Low Shelf: Cuts or boosts the signals below the specified frequency setting.

Hi Shelf: Cuts or boosts the signals above the specified frequency setting.

Peak/Dip: Cuts or boosts the signals at the specified frequency setting.

2-band EQ

EQ1 Type (2band EQ 1 Type)

EQ2 Type (2band EQ 2 Type)

271

Sets the frequency to be cut or boosted.

This parameter is not available when the EQ Type is set to Thru.

Settings: 63.0Hz–18.0Hz

Sets the signal level of the frequency band set in EQ1 Freq or EQ2 Freq.

This parameter is not available when the EQ Type is set to Thru, LPF, or HPF.

Settings: −12.0dB–+12.0dB

Sets the bandwidth for cutting or boosting the volume of the frequencies set with EQ1 Freq or

EQ2 Freq.

This parameter is available only when the EQ Type is set to Peak/Dip.

Settings: 0.1–12.0

Sets the output gain of the 2-band EQ.

Settings: −12.0dB–+12.0dB

On the Common screen, you can set the Arpeggio for the entire Part.

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → Arpeggio → Common

EQ 1 Freq (2band EQ 1 Frequency)

EQ 2 Freq (2band EQ 2 Frequency)

EQ 1 Gain (2band EQ 1 Gain)

EQ 2 Gain (2band EQ 2 Gain)

EQ 1 Q (2band EQ 1 Q)

EQ 2 Q (2band EQ 2 Q)

Output Level (2band EQ Output Level)

Arpeggio

Common

272

Sets the Arpeggio for the Part on or off.

Settings: Off, On

Sets the Arpeggio for the Performance on or off.

Settings: Off, On

Adjusts the timing for starting the next Arpeggio phrase when playing back Arpeggio phrases in

multiple Parts.

When set to Off, Arpeggio playback starts when the Part is played on the keyboard.

The value shown here is in clocks.

Settings: Off, 60 (thirty-second note), 80 (sixteenth note triplet), 120 (sixteenth note), 160

(eighth note triplet), 240 (eighth note), 320 (quarter note triplet), 480 (quarter note)

Sets the Arpeggio Group for using the same Arpeggio on multiple Parts.

The Parts set in the same Group will have the same Arpeggio settings.

This Indicator is set to On for the Part that is in the same Group as the selected Part.

Enables or disables the Hold function which continues to repeatedly play back the Arpeggio

even after you release the key on the keyboard.

Settings: Sync-Off, Off, On

Sync-Off: Repeats Arpeggio playback in the background while your fingers release

Arp Part (Part Arpeggio Switch)

Arp Master (Arpeggio Master Switch)

Sync Quantize (Arpeggio Sync Quantize Value)

Arpeggio Group

Indicator

Hold (Arpeggio Hold)

273

the keys and resumes playback when you press any key on the keyboard.

Off: Plays back the Arpeggio only while any key is being held.

On: Repeats Arpeggio playback even after you release the key on the keyboard.

Sets the timing for changing the Arpeggio type while another Arpeggio phrase is still being

played back. You can select Real-time for switching to a new Arpeggio phrase immediately or

Measure for switching to a new Arpeggio phrase at the top of the next measure.

Settings: Real-time, Measure

Sets the way Arpeggio is played back.

Settings: Sort, Thru, Direct, Sort+Drct, Thru+Drct

Sort: Plays back the same Arpeggio regardless of the order of keys played.

Thru: Plays back the Arpeggio differently depending on the order of keys played.

Direct: Does not play back the Arpeggio. Only your keyboard performance will be

played. However, this setting allows you to create sound changes through Control

Change messages such as pan and brightness, depending on the Arpeggio. As such,

it is useful for Arpeggio types that use Control Change or for Arpeggio types included

in the Control category.

Sort+Drct: Plays back the Arpeggio according to the Sort setting, as well as the notes

played on the keyboard.

Thru+Drct: Plays back the Arpeggio according to the Thru setting, as well as the

notes played on the keyboard.

Selects loop (repeat) playback while holding the key on the keyboard, or one-shot playback for

the Arpeggio every time you press a key.

Settings: Off, On

Sets the Part to play only with the Arpeggio.

Parts set to On will be played by the Note On messages sent for the Arpeggio.

Settings: Off, On

Changes the timing of even-numbered beats (backbeats) counted from the value specified in

Quantize Value to add a swing feel to the Arpeggio playback.

Change Timing (Arpeggio Change Timing)

Key Mode (Arpeggio Key Mode)

Loop (Arpeggio Loop)

Arp Play Only (Arpeggio Play Only)

Swing

+1 and higher: Moved behind the beat.

-1 and lower: Moved ahead of the beat.

274

Settings: −120–+120

Sets the percentage for stretching or compressing the Arpeggio playback time.

The subdivision of the beat and the tempo will change when you stretch or compress the

playback time, so you can create a completely new feel for the originally selected Arpeggio.

Settings: 50%, 66%, 75%, 100%, 133%, 150%, 200%, 266%, 300%, 400%, Common

200%: The playback time is doubled, and the tempo is halved as a result.

100%: The playback time is kept unchanged.

50%: The playback time is halved, and the tempo is doubled as a result.

Common: The value set in the Unit Multiply common to all Parts is applied.

Sets the reference note for using quantize and swing.

The value shown here is in clocks.

Settings: Off, 60 (thirty-second note), 80 (sixteenth note triplet), 120 (sixteenth note), 160

(eighth note triplet), 240 (eighth note), 320 (quarter note triplet), 480 (quarter note)

Sets the strength of the quantize setting (or how close the notes are to the reference note set in

Quantize Value). A setting of 100% shifts the timing completely to that set in Quantize Value,

while a setting of 0% results in no quantization.

Settings: 0%–100%

Sets the rate for the Gate Time (or time length for playing the notes) of Arpeggio playback. If the

Gate Time is set to the value 0 as a result, the setting will be changed to the value 1.

Settings: 0%–200%

Sets the velocity rate of Arpeggio playback. If the Velocity is set to the value 0 as a result, the

setting will be changed to a value of 1. When it is set to a value larger than 128, the setting will

be changed to a value of 127.

Settings: 0%–200%

0: Does not change the even-numbered beats or add any swing feel.

This setting is useful for creating desired rhythms for playing in swing, shuffle, and bounce

feels.

Unit (Arpeggio Unit Multiply)

Quantize Value (Arpeggio Quantize Value)

Qntz Strength (Arpeggio Quantize Strength)

Gate Time (Arpeggio Gate Time Rate)

Velocity Rate (Arpeggio Velocity Rate)

Arp Vel Limit (Arpeggio Velocity Limit)

275

Sets the velocity range (lowest and highest values) for Arpeggio playback.

When this is set so that the higher value is first and the lower value is second (for example, 93

to 34), the Arpeggio is played only for velocities of 1 to 34 and 93 to 127.

Settings: 1–127

Sets the note range (the lowest and the highest notes) for Arpeggio playback.

When the first note specified is lower than the second (for example, C5 to C4), the notes in the

ranges C−2 to C4 and C5 to G8 will be played.

Settings: C−2–G8

Shifts the pitch of the Arpeggio in octaves.

Settings: −10–+0–+10

Shifts the range of the Arpeggio in octaves.

Settings: −3–+0–+3

Selects the Arpeggio.

Settings: 1–8

On the Individual screen, you can set the Arpeggio type parameters for Arpeggio Select 1 to 8.

Tapping the Arpeggio Type setting calls up the menu. Selecting Search opens the Arpeggio

Category Search screen. Selecting Number allows you to specify the Arpeggio Type by number.

Operation

Arp Note Limit (Arpeggio Note Limit)

Octave Shift (Arpeggio Output Octave Shift)

Octave Range (Arpeggio Octave Range)

Arp Select (Arpeggio Select)

Individual

[PERFORMANCE] → Part Common selection → [EDIT/ ] → Arpeggio → Individual

(When a selected Part is something other than Common) [SHIFT] + [ARP ON/OFF]

276

The same as the Common screen.

Selects the Arpeggio.

Settings: 1–8

Shows the Category of the selected Arpeggio.

Settings: Refer to the Data List.

Shows the Sub category of the selected Arpeggio.

Settings: Refer to the Data List.

Shows the name of the selected Arpeggio.

Settings: Refer to the Data List.

Sets the velocity rate of the Arpeggio playback.

If the Velocity is set to the value of 0 as a result, the setting will be changed to a value of 1.

When it is set to a value larger than 128, the setting will be changed to a value of 127.

Settings: −100%–+100%

Arp Part (Part Arpeggio Switch)

Arp Master (Arpeggio Master Switch)

Sync Quantize (Arpeggio Sync Quantize Value)

Arp Group

Indicator

Arp (Arpeggio Select)

Category (Arpeggio Category)

Sub (Arpeggio Sub Category)

Name (Arpeggio Name)

Velocity (Arpeggio Velocity Rate)

277

Sets the Gate Time (or time length for playing the notes) for Arpeggio playback.

If the Gate Time is set to a value of 0 as a result, the setting will be changed to a value of 1.

Settings: −100%–+100%

On the Advanced screen, you can set the Arpeggio parameters.

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → Arpeggio → Advanced

The same as the Common screen.

Sets the velocity level for triggering an Accent Phrase.

Accent Phrases are sequence phrases that have been programmed to certain types of Arpeggio

patterns to be played back only when the keys are played at a fast velocity. Accent Phrases are

triggered when the velocity is faster than Accent Vel Threshold (Arpeggio Accent Velocity

Threshold).

If the Accent Phrase is not triggered properly, try lowering the Accent Vel Threshold (Arpeggio

Accent Velocity Threshold) value.

Gate Time (Arpeggio Gate Time Rate)

Advanced

Arp Part (Part Arpeggio Switch)

Arp Master (Arpeggio Master Switch)

Sync Quantize (Arpeggio Sync Quantize Value)

Arp Group

Indicator

Accent Vel Threshold (Arpeggio Accent Velocity Threshold)

278

NOTE

For more information on the Arpeggio types that support this function, refer to the Data List.

Settings: Off, 1–127

Sets the Accent Phrase to be triggered when a key is pressed at the velocity value larger than

the Accent Vel Threshold (Arpeggio Accent Velocity Threshold) (set to On) or triggered at the

timing set in the selected Arpeggio type (set to Off).

Settings: Off, On

Enables the Random SFX function.

The Random SFX function triggers special sounds included in some Arpeggio types. There are

various types of special sounds you can use. For example, you can use this function to add

guitar fret noises when you release your finger from the key.

Settings: Off, On

NOTE

For more information on the Arpeggio types that support this function, refer to the Data List.

Sets the velocity value for triggering special sounds for the Random SFX function.

Settings: −64–+0–+63

Sets special sounds to be triggered by the velocity level for pressing keys or by the velocity

level automatically set.

Settings: Off, On

Sets the velocity for playing back the Arpeggio.

Settings: Original, Thru

Original: Follows the velocity level set in the Arpeggio Type.

Thru: Follows the velocity level of the keystroke.

Sets the Trigger Mode to the Gate setting that starts and stops the Arpeggio playback by

pressing a key, or to the Toggle setting that alternates start and stop by pressing a key.

Settings: Gate, Toggle

Accent Start Quantize (Arpeggio Accent Start Quantize)

Random SFX (Arpeggio Random SFX)

Random SFX Velocity Offset (Arpeggio Random SFX Velocity Offset)

Random SFX Key On Ctrl (Arpeggio Random SFX Key On Control)

Velocity Mode (Arpeggio Velocity Mode)

Trigger Mode (Arpeggio Trigger Mode)

279

Changes the Arpeggio selection.

Settings: 1–8

On the Common screen, you can set the Motion Sequencer parameters for the entire Part.

Operation

Sets the swing value of the Arpeggio and Motion Sequencer for the Performance.

This is specified as an offset value to the Part Swing.

Settings: −120–+120

Sets the percentage for stretching or compressing the Arpeggio and Motion Sequencer

playback time for the entire Performance.

This parameter is effective on the Lane for which Unit Multiply is set to Common.

The subdivision of the beat and the tempo will change when you stretch or compress playback

time, so you can create a completely new feel for the Motion Sequence you have originally

selected.

Arp Select (Arpeggio Select)

Motion Seq

Common

[PERFORMANCE] → Part Common selection → [EDIT/ ] → Motion Seq → Common

(When a selected Part is something other than Common) [SHIFT] + [MSEQ ON/OFF]

Common Swing (Common Swing Offset)

Common Unit (Common Unit Multiply)

280

Settings: 50%–400%

200%: The playback time is doubled, and the tempo is halved as a result.

100%: The playback time is kept unchanged.

50%: The playback time is halved, and the tempo is doubled as a result.

Sets the Motion Sequencer Amplitude for the entire Performance.

This is specified as an offset value to the Motion Sequencer Amplitude for the Part.

Amplitude here is the degree of changes to the Motion Sequence.

This parameter value offsets the Amplitude of the Lanes within the Performance if MS FX is set

to On for the lane.

Settings: −127–+127

Sets the Motion Sequencer Pulse Shape for the Performance.

This is specified as an offset value to the Motion Sequencer Pulse Shape for the Part.

This parameter changes the shape of the step curve that makes up the sequence.

This parameter value offsets the parameters for the Lanes within the Performance if the MS FX

is set to On for the lane and Control is set to On.

Settings: −100–+100

Sets the Motion Sequencer Smoothness for the Performance.

This is specified as an offset value to the Motion Sequencer Smoothness for the Part.

Smoothness here is the smoothness of the changes in the sequence over time.

This parameter value offsets the Smoothness of the Lanes within the Performance if the MS FX

is set to On for the lane.

Settings: −127–+127

Sets the Motion Sequencer Randomness for the Performance.

This is specified as an offset value to the Motion Sequencer Randomness for the Part.

This parameter indicates the randomness of changes in the step value of the sequence.

This parameter value offsets the Randomness of the Lanes within the Performance if the MS FX

is set to On for the lane.

Settings: −127–+127

Changes the timing of the even-numbered beats (backbeats) counted from the value specified

in MS Grid to add a swing feel to the Motion Sequencer playback.

Common Amplitude (Common Motion Sequencer Amplitude Performance Offset)

Common Shape (Common Motion Sequencer Pulse Shape Performance Offset)

Common Smooth (Common Motion Sequencer Smoothness Performance Offset)

Common Random (Common Motion Sequencer Randomness Performance Offset)

Part Swing (Part Swing)

281

Settings: −120–+120

Sets the percentage for stretching or compressing the Arpeggio playback time for the Part.

The parameter setting is effective when the Unit Multiply of each Lane is set to Arp.

Settings: 50%–400%, Common

200%: The playback time is doubled, and the tempo is halved as a result.

100%: The playback time is kept unchanged.

50%: The playback time is halved, and the tempo is doubled as a result.

Common: The value set in the Unit Multiply common to all Parts is applied.

Sets the Motion Sequencer Amplitude for the Part.

This is specified as an offset value to the Motion Sequencer Amplitude for each Lane.

This parameter value offsets the Amplitude of the Lanes within the Part if the MS FX is set to On

for the lane.

Settings: −127–+127

Sets the Motion Sequencer Pulse Shape for the Part.

This is specified as an offset value to the Motion Sequencer Step Curve parameter for each

Lane.

This parameter value offsets the parameters for the Lanes within the Part if the MS FX is set to

On for the lane and Control is set to On.

Settings: −100–+100

Sets the Motion Sequencer Smoothness for the Part.

This is specified as an offset value to the Motion Sequencer Smoothness for each Lane.

This parameter value offsets the Smoothness of the Lanes within the Part if MS FX is set to On

for the Lane.

Settings: −127–+127

Sets the Motion Sequencer Randomness for the Part.

Sets randomness of the changes in the Step value of the sequence.

+1 and higher: Moved behind the beat.

-1 and lower: Moved ahead of the beat.

0: Does not change the even-numbered beats or add any swing feel.

This setting is useful for creating desired rhythms for playing swing, shuffle, and bounce feels.

Part Unit (Arpeggio Unit Multiply)

Part Amplitude (Part Motion Sequencer Amplitude)

Part Shape (Part Motion Sequencer Pulse Shape)

Part Motion Seq Smooth (Part Motion Sequencer Smoothness)

Part Motion Seq Random (Part Motion Sequencer Randomness)

282

Settings: 0–127

Sets the Motion Seq Lane to show when the View Mode of the Home screen is set to Motion

Seq.

Selects the Motion Sequence to playback.

Settings: 1–8

On the Lane screen, you can set the parameters for each Motion Sequencer Lane.

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → Motion Seq → Lane

Sets the Motion Sequencer for the entire Performance on or off.

Settings: Off, On

Sets the Motion Sequencer of the Part on or off.

Settings: Off, On

Motion Seq View Lane

MS Select (Motion Sequence Select)

Lane

Motion Seq Master Sw (Motion Sequencer Master Switch)

Motion Seq Part Sw (Motion Sequencer Part Switch)

Lane Select

283

Selects a Lane.

Settings: 1–4

Indicates the Lane and the Sequence.

Opens the Motion Sequence screen.

You can create a sequence of up to 16 steps.

Sets the value for each step in the Motion Sequence.

You can use Control sliders 1 to 8 to change the values for Steps 1 to 8 and Steps 9 to 16,

depending on the cursor position.

Settings: 0–127

Sets each Lane on or off.

You can use up to four Motion Sequencer lanes in one Part, or up to eight lanes in an entire

Performance. When set to Off, the parameters for that lane will not be shown.

Settings: Off, On

Sets the selected Lane to receive the signals from the knobs for changing the Motion

Sequencer parameters such as Swing and Smooth.

Settings: Off, On

Sets the selected Lane to receive the signals from the [MSEQ TRIGGER] button.

When set to On, the Motion Sequence will not be played back unless you press the [MSEQ

TRIGGER] button.

Settings: Off, On

Changes the Motion Sequence selection.

Settings: 1–8

Target Sequence

Edit Sequence

Motion Seq Step Value

LaneSw (Lane Switch)

MS FX (Lane FX Receive)

Trigger (Lane Trigger Receive)

Sequence Select (Motion Sequence Select)

Sync/Speed tab

Sync (Lane Sync)

284

Sets the speed and the timing of the playback of the Motion Sequence set for the Destination in

the Control Assign screen.

Settings: Off, Tempo, Beat, Arp, Lane1 (when Lanes 2–4 are selected)

Off: Plays back the Lane Motion Sequencer alone.

Tempo: Plays back the Lane Motion Sequencer at the Performance tempo.

Beat: Plays back in sync with the beat.

Arp: Plays back the Lane Motion Sequencer in sync with the top of the Arpeggio

playback.

Lane1: Plays back the Lane Motion Sequencer in sync with Lane 1.

Sets the playback speed for the Motion Sequence.

This parameter is available when Lane Motion Sequencer is set to Off.

Settings: 0–127

Sets the delay time for starting the playback of the Motion Sequence when Sync is set to Off.

Settings: 0–127

Sets the time to reach the maximum amplitude for the Motion Sequence when Sync is set to

Off.

Settings: 0–127

Sets the percentage for stretching or compressing the Motion Sequencer playback time for

the current Lane.

This parameter is available when Lane Motion Sequencer is set to Off or something other

than Lane 1.

Settings: 50%–6400%, Common, Arp

200%: The playback time is doubled, and the tempo is halved as a result.

100%: The playback time is kept unchanged.

50%: The time length is halved, and the tempo is doubled as a result.

Common: The value set in the Unit Multiply common to all Parts is applied.

Arp: The value set in the Unit Multiply of the Part Arpeggio is applied.

When Sync is set to Off

Speed (Lane Speed)

Delay Time (Lane Key On Delay Time Length)

Fade In Time (Lane Fade In Time Length)

When Sync is set to something other than Off

Unit Multiply (Lane Unit Multiply)

Lane Key On Delay (Lane Key On Delay Time Length)

285

Sets the delay time for starting the playback of the Motion Sequence when Sync is set to

something other than Off or Lane1.

Settings: 0–32

Sets the time to reach the maximum amplitude for the Motion Sequence when Sync is set to

something other than Off.

Settings: 0–32

Sets the velocity range (lowest and highest values) for playing back the Motion Sequence of the

selected Lane.

This parameter is available when Lane Motion Sequencer is set to something other than Lane

When the Velocity Limit is set to a range from the highest value to the lowest value, the Motion

Sequence will be played back in two velocity ranges: from the maximum to the highest value,

and from the lowest value to the minimum.

Settings: 1–127

Resets the Motion Sequence playback when you press any key on the keyboard.

This parameter is available when Lane Motion Sequencer is set to Arp or something other than

Lane 1.

This parameter is not available when Trigger is set to On.

Settings: Off, Each-On, 1st-On

Each-On: Each time you play any note, the sequence will be reset and the playback

starts from the beginning.

1st-On: Playback starts from the beginning at the first note you play. If the first note is

held while a second note is played, the sequence is not reset at the second or any

subsequent notes.

Sets the Motion Sequence to loop (repeat) playback or one-shot playback.

This parameter is available when Lane Motion Sequencer is set to something other than Lane

Settings: Off, On

Lane Fade In (Lane Fade In Time Length)

Lane Vel Limit (Lane Velocity Limit)

Loop/Length tab

Key On Reset (Lane Key On Reset)

Loop (Lane Loop)

Loop Start

286

Sets the step for starting playback the second time or later when repeating Motion Sequence

playback.

Settings: 1–Length (Loop Length)

Sets the number of steps in the Motion Sequence.

Settings: Loop Start (Lane Loop Start) –16

Sets the length of a step in the Motion Sequence.

Settings: 60, 80, 120, 160, 240, 320, 480

The Control Assign screen lets you set the Controllers for the Part.

By assigning a parameter (Destination) to a controller (Source), you can control the sound in a

large variety of ways. You can use physical controllers such as the Pitch Bend wheel and knobs

as well as the Motion Sequencer and Envelope Follower.

Up to 32 controllers can be assigned simultaneously to a Part.

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → Mod/Control → Control Assign

When Display Filter is set to Super Knob, tapping [+] shows the message in the upper area of

the display and automatically adds the Control Assign settings for the Common Edit.

Length (Motion Sequence Length)

MS Grid (Motion Sequencer Grid)

Mod/Control

Control Assign

287

NOTE

When there are no assignable knobs available, [+] will not be shown.

Sets the auto select of the Display Filter on or off.

When set to On, moving the controller you wish to set to Source automatically sets the controller

to the Display Filter.

Settings: Off, On

Selects the controller for showing the settings on the screen.

When you select Super Knob, all settings having the Super Knob Link set to On will be shown.

Settings: PitchBend, ModWheel, AfterTouch, FootCtrl 1, FootCtrl 2, FootSwitch, Ribbon,

Breath, AsgnKnob 1–8, Super Knob, AsgnSw 1, AsgnSw 2, MS Lane 1–4, EnvFollow

1–16, EnvFollowAD, EnvFollowMst, All

NOTE

If the controller set to Display Filter is used by other Parts, the corresponding PART buttons will flash.

This calls up the Pitch settings screen.

The screen shown here is the same as the one opened from [EDIT/ ] → General/Pitch →

Pitch.

This parameter is not available when Source is set to something other than PitchBend.

This allows you to enter a new name for Knobs 1 to 8 to show on the Sub display.

This parameter is not shown when Source is set to something other than AsgnKnob 1–8.

Opens the Motion Sequence screen.

You can create a sequence of up to 16 steps.

This parameter is not available when Source is set to something other than MS Lane 1–4.

Opens the settings screen for the Envelope Follower.

This parameter is not available when Source is set to something other than EnvFollow 1–16,

EnvFollowAD, or EnvFollowMst.

Auto Select

Display Filter

Edit Pitch Bend

Display Name (Assignable Knob Name)

Edit Motion Sequencer

Edit Envelope Follower

Page

288

Selects the next page when there are more than four Destinations. The next page does not

appear when the Destinations are four or fewer.

Settings: 1–8

Sets the parameter to the Destination. Tapping the [+] icon allows you to add a new Destination.

Sets the controller for controlling the parameters set to the Destination.

Settings: PitchBend, ModWheel, Ch. AT, FootCtrl 1, FootCtrl 2, FootSwitch, Ribbon, Breath,

AsgnKnob 1–8, AsgnSw 1, AsgnSw 2, MS Lane 1–4, EnvFollow 1–16, EnvFollowAD,

EnvFollowMst

You can set the controller setting for each Element on or off.

This parameter is shown only when the selected Destination is related to Elements.

When the ExElemSw on the General/Pitch - ElementSettings screen is set to On, you can

change the switch number by changing the Display Element.

The actual range of numbers you can use in the switch depends on the value set in

ElementCount on the General/Pitch - ElementSettings screen.

Settings: Off, On

Shown only when ExElemSw on the General/Pitch - ElementSettings screen is set to On.

You can select a different group of eight elements corresponding to ElementSw.

Settings: 1–8, 9–16, ..., 121–128 (up to the Element Count setting)

Sets the change curve of the parameter set to Destination.

The horizontal axis represents the controller value set in Source while the vertical axis

represents the parameter value set in Destination.

Settings: Standard, Sigmoid, Threshold, Bell, Dogleg, FM, AM, M, Discrete Saw, Smooth Saw,

Triangle, Square, Trapezoid, Tilt Sine, Bounce, Resonance, Sequence, Hold,

Harmonic, Steps, User 1–32 (when a User bank is selected), Library 1–16 (when a

Library file is loaded)

Destination

Source

Element Sw (Element Switch) 1–128

Display Element

Curve Type

289

Param 1 (Curve Parameter 1)

Param 2 (Curve Parameter 2)

290

Adjusts the curve shape.

This setting may not be available depending on the curve type.

Copies the parameters set to Destination to Display Name.

This parameter is not shown when Source is set to something other than AsgnKnob 1–8.

Opens the setting screen for User Curve.

You can create either an 8-point linear curve or an 8-step curve.

Opens the Control Assign screen for Common Edit.

Deletes the selected Destination.

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → Mod/Control → After Touch

Selects the mode for sending Aftertouch messages from the keyboard to the internal tone

generator.

This parameter is set to Channel on the MONTAGE M6 and MONTAGE M7, regardless of the

setting here.

Destination to Name

Edit User Curve

Edit Common Control Assign

Delete

After Touch

Keyboard AT Mode (After Touch Mode)

291

Settings: Poly (polyphonic aftertouch), Channel (channel aftertouch)

Sets the parameter for the Destination. Tapping the [+] icon lets you add a new Destination.

Cannot be changed from this screen.

This parameter is fixed to Poly AT.

You can set the controller setting for each Element on or off.

This parameter is shown only when the selected Destination is related to Elements.

When the ExElemSw on the General/Pitch - ElementSettings screen is set to On, you can

change the switch number by changing the Display Element.

The actual range of numbers you can use in the switch depends on the value set in the

ElementCount on the General/Pitch - ElementSettings screen.

Settings: Off, On

Shown only when ExElemSw on the General/Pitch - ElementSettings screen is set to On.

You can select a different group of eight elements corresponding to ElementSw.

Settings: 1–8, 9–16, ..., 121–128 (up to the Element Count setting)

Sets the change curve of the parameter set to Destination.

The horizontal axis represents the controller value set in Source while the vertical axis

represents the parameter value set in Destination.

Settings: Standard, Sigmoid, Threshold, Bell, Dogleg, FM, AM, M, Discrete Saw, Smooth Saw,

Triangle, Square, Trapezoid, Tilt Sine, Bounce, Resonance, Sequence, Hold,

Harmonic, Steps, User 1–32 (when a User bank is selected), Library 1–8 (when a

Library file is loaded)

Destination

Source

Element Sw (Element Switch) 1–128

Display Element

Curve Type

292

Sets the polarity of the curve set in Curve Type.

Polarity (Curve Polarity)

293

Settings: Uni, Bi

Uni: Parameter changes occur only within the positive range or the negative range

according to the curve shape.

Bi: Parameter changes occur both in positive and negative ranges according to the

curve shape.

Sets the ratio of the parameter values.

Settings: −64–+63

Opens the setting screen for User Curve.

You can create an 8-point linear curve or an 8-step curve.

Deletes the current Destination.

On the Tx/Rx Switch screen, you can set the switch for transmitting or receiving MIDI messages

(such as Control Change) on or off.

NOTE

When CC (Control Change) is set to Off, the parameters related to Control Change messages cannot be set.

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → Mod/Control → Tx/Rx Switch

Ratio (Curve Ratio)

Edit User Curve

Delete

Tx/Rx Switch

294

Shows the transmit switch.

This parameter is available only when Part Mode is set to External or when Keyboard Sw is set

to Off.

This parameter is available only when Part Mode is set to Internal.

Keyboard Control is used for selecting Parts to be played on the keyboard.

When Keyboard Control is set to On, you can simultaneously play Parts having Keyboard

Control set to On, if the Part is set to Common or Keyboard Control for the Part is set to On.

When Keyboard Control is set to Off, you can play the Part on the keyboard only when that Part

is selected.

Settings: Off, On

Sets the channel for transmitting and receiving MIDI messages when Part Mode is set to

Internal.

Settings: Ch1–Ch16, Off

Shows the channel for transmitting and receiving MIDI messages.

Sets the channel for receiving MIDI messages when Part Mode is set to External.

Transmit Sw (Transmit Switch)

Receive Sw (Receive Switch)

Keyboard Sw (Keyboard Control Switch)

Tx/Rx Channel (Transmit/Receive Channel)

MIDI I/O Ch. (MIDI In-Out Channel)

Transmit Ch.

295

This calls up the Zone settings screen.

The screen shown here is the same as the one opened from [EDIT/ ] → General/Pitch →

Zone Settings.

Sets the transmission and reception of Program Change messages on or off.

Settings: Off, On

Sets the transmission and reception of Bank Select MSB and LSB messages on or off.

This parameter is not available when CC (Control Change) is set to Off.

Settings: Off, On

Sets the transmission and reception of MIDI Pitch Bend messages on or off.

Settings: Off, On

Sets the transmission and reception of Channel Aftertouch on or off.

Settings: Off, On

Sets the transmission and reception of Polyphonic Aftertouch on or off.

Settings: Off, On

Sets the transmission and reception of Control Change messages on or off.

Settings: Off, On

Sets the transmission and reception of the Volume setting on or off.

This parameter is not available when CC (Control Change) is set to Off.

Settings: Off, On

Sets the transmission and reception of the Pan setting on or off.

This parameter is not available when CC (Control Change) is set to Off.

Settings: Off, On

Zone Settings

PC (Program Change)

BankSelect (Bank Select)

Pitch Bend

CAT (Channel After Touch)

PAT (Polyphonic After Touch)

CC (Control Change)

Vol/Exp (Volume/Expression)

Pan

296

Sets the transmission and reception of MIDI Modulation wheel messages on or off.

This parameter is not available when CC (Control Change) is set to Off.

Settings: Off, On

Sets the transmission and reception of MIDI Sustain and Sostenuto messages on or off.

This parameter is not available when CC (Control Change) is set to Off.

Settings: Off, On

Sets the transmission and reception of MIDI messages for the separately sold foot controllers

on or off.

This parameter is not available when CC (Control Change) is set to Off.

Settings: Off, On

Sets the transmission and reception of MIDI messages for the separately sold foot switch on or

off.

This parameter is not available when CC (Control Change) is set to Off.

Settings: Off, On

Sets the transmission and reception of MIDI messages for the [ASSIGN 1] and [ASSIGN 2]

buttons on or off.

This parameter is not available when CC (Control Change) is set to Off.

Settings: Off, On

Sets the transmission and reception of MIDI messages for the [MSEQ TRIGGER] button on or

off.

This parameter is not available when CC (Control Change) is set to Off.

Settings: Off, On

Sets the transmission and reception of MIDI Ribbon Controller messages on or off.

This parameter is not available when CC (Control Change) is set to Off.

Settings: Off, On

MW (Modulation Wheel)

Sustain

FC1 (Foot Controller 1)

FC2 (Foot Controller 2)

FS (Foot Switch)

A. Sw 1 (Assignable Function Switch 1)

A. Sw 2 (Assignable Function Switch 2)

MS Trigger (Motion Sequencer Trigger)

RB (Ribbon Controller)

297

Sets the transmission and reception of MIDI Breath Controller messages on or off.

This parameter is not available when CC (Control Change) is set to Off.

Settings: Off, On

Sets the transmission and reception of MIDI messages for the [PORTAMENTO] button on or off.

This parameter is not available when CC (Control Change) is set to Off.

Settings: Off, On

Sets the transmission and reception of MIDI messages for the PORTAMENTO [TIME] knob on

or off.

This parameter is not available when CC (Control Change) is set to Off.

Settings: Off, On

Sets the transmission and reception of MIDI messages for Knobs 1 to 8 on or off.

This parameter is not available when CC (Control Change) is set to Off.

Settings: Off, On

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → Mod/Control → Control

Settings

BC (Breath Controller)

Porta Sw (Portamento Switch)

Porta Time (Portamento Time)

A. Knob 1–8 (Assignable Knob)

Control Settings

298

Sets the direction of the Control sliders 1 to 8 for this Part when the slider mode is set to

ELEM/OP/OSC.

Settings: Normal (up from the bottom), Reverse (down from the top)

The Part LFO screen lets you make settings for the Part LFO.

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → Mod/Control → Part LFO

Selects the LFO Wave and sets the type of cyclical changes to the LFOs.

Settings: Triangle, Triangle+, Saw Up, Saw Down, Squ1/4, Squ1/3, Square, Squ2/3, Squ3/4,

Trapezoid, S/H1, S/H2, User

Opens the setting screen for the User LFO.

You can create an LFO waveform of up to 16 steps.

Sets the speed of the LFO Wave changes to synchronize to Arpeggio or Song playback.

Settings: Off (not synchronized), On (synchronized)

Slider Direction

Part LFO

LFO Wave

Edit User LFO

Tempo Sync (LFO Tempo Sync)

When Tempo Sync is set to Off

299

Sets the speed of LFO Wave changes.

This parameter is not available when Tempo Sync is set to On.

Settings: 0–63

Changes the LFO Speed randomly.

This parameter is not available when Tempo Sync is set to On.

Settings: 0–127

This parameter is available when Tempo Sync is set to On. You can sync the speed of

changes in LFO Wave by using musical note values.

Settings: 1/16 (sixteenth notes), 1/8 Tri. (eighth-note triplets), 1/16 Dot. (dotted sixteenth

notes), 1/8 (eighth notes), 1/4 Tri. (quarter-note triplets), 1/8 Dot. (dotted eighth

notes), 1/4 (quarter notes), 1/2 Tri. (half-note triplets), 1/4 Dot. (dotted quarter

notes), 1/2 (half notes), Whole Tri. (whole-note triplets), 1/2 Dot. (dotted half notes),

1/4 × 4 (quarter-note quadruplets; four quarter notes to the beat), 1/4 × 5 quarter-

note quintuplets; five quarter notes to the beat), 1/4 × 6 (quarter-note sextuplets;

six quarter notes to the beat), 1/4 × 7 (quarter-note septuplets; seven quarter notes

to the beat), 1/4 × 8 (quarter-note octuplets; eight quarter notes to the beat), 1/4 ×

16 (sixteen quarter-notes to the beat), 1/4 × 32 (32 quarter notes to the beat), 1/4 ×

64 (64 quarter notes to the beat)

Sets the delay time between the moment you press a key on the keyboard and the moment the

LFO comes into effect.

The larger the value, the longer the delay time, or the time that elapses before the LFO comes

into effect.

Settings: 0–127

Sets the amount of time for the LFO effect to fade in after the delay time set in Delay (LFO

Delay Time) has elapsed.

Settings: 0–127

The larger the value, the longer it takes for the LFO effect to reach the maximum.

0: LFO changes to the maximum value without any fade-in.

Speed (LFO Speed)

Random Speed (Part LFO Random Speed Depth)

When Tempo Sync is set to On

Tempo Speed (LFO Tempo Speed)

Delay (LFO Delay Time)

Fade In (LFO Fade In Time)

300

Low value: Fast fade-in

High value: Slow fade-in

Sets the time for maintaining the LFO effect after the maximum level had been reached.

Settings: 0–126, Hold

Hold: Does not fade out

Sets the amount of time for the LFO effect to fade out after the hold time set in Hold (LFO Hold

Time) has elapsed.

The larger the value, the longer it takes for the LFO effect to fade out.

Hold (LFO Hold Time)

Fade Out (LFO Fade Out time)

301

Settings: 0–127

Low value: Fast fade-out

High value: Slow fade-out

Resets the oscillation of the LFO when a key is pressed.

Settings: Off, Each-on, 1st-on

Does not reset the oscillation of the LFO.

Pressing a key starts the LFO wave at

whatever phase the LFO happens to be

at that moment.

Key On Reset (LFO Key On Reset)

Off

302

Resets the oscillation of the LFO every

time a key is pressed and starts the

waveform at the phase specified by the

Phase parameter.

Resets the oscillation of the LFO every

time a key is pressed and starts the

waveform at the phase specified by the

Phase parameter.

When a second note is played while the

first note is held, playback will not be

reset.

Sets the LFO Wave to loop (repeat) playback or one-shot playback.

Settings: Off, On

You can set the initial phase for the time LFO Wave is reset.

Settings: 0°, 90°, 120°, 180°, 240°, 270°

Each-on

1st-on

Loop (LFO Loop Switch)

Phase (LFO Phase)

303

Sets the offset value to Phase for each Element.

Settings: 0°, 90°, 120°, 180°, 240°, 270°

Shown only when ExElemSw on the General/Pitch - ElementSettings screen is set to On.

You can select a different number for the group of four elements corresponding to the

ElementPhaseOffset and ElementDepthRatio.

Settings: 1–8, 9–16, ..., 121–128 (up to the Element Count setting)

This is specified as an offset value to the Phase (LFO Phase) for each Element.

You can set the initial phase for each Element when LFO Wave is reset.

When the ExElemSw on the General/Pitch - ElementSettings screen is set to On, you can

change the element number by changing the Display Element.

The actual range of numbers you can use for Element Phase Offset depends on the value set in

ElementCount on the General/Pitch - ElementSettings screen.

Sets the function to be controlled by the LFO Wave.

Settings: Insertion Effect A Parameter 1–24, Insertion Effect B Parameter 1–24, Level, Pitch,

Cutoff, Resonance, Pan, E.LFO Speed

Sets the depth of the LFO Wave control for each Destination.

Settings: 0–127

Element Phase Offset (LFO Element Phrase Offset)

Display Element

Element Phase Offset (LFO Element Phase Offset)

Destination (LFO Destination)

Depth (LFO Depth)

Element Depth Ratio (LFO Element Depth Ratio)

304

Adjusts the Depth for each Element.

Set this parameter to Off to turn off the LFO.

This parameter is shown only when the selected Destination is related to Elements.

When the ExElemSw on the General/Pitch - ElementSettings screen is set to On, you can

change the element number set to Depth by changing the Display Element.

The actual range of numbers you can use for the Depth depends on the value set in

ElementCount on the General/Pitch - ElementSettings screen.

Settings: Off, 0–127

Opens the setting screen for User LFO.

You can create an LFO waveform of up to 16 steps.

Sets the number of LFO steps.

Settings: 2 steps, 3 steps, 4 steps, 6 steps, 8 steps, 12 steps, 16 steps

Sets the changes to the slope of the waveform currently shown on the screen.

Settings: Off (no slope), Up, Down, Up&Down

Sets the value for each step.

Settings: −64–+63

Selects the template for the LFO waveform.

User LFO Edit

Cycle

Slope

User LFO Step Value

Template

305

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Contents

On the Osc/Tune screen, you can set the Oscillator for the Element.

Here, you can select the Waveform used as the basis for the sound and set the key range and

velocity range of the Element.

Operation

[PERFORMANCE] → [EDIT/ ] → Part selection → Element selection → Osc/Tune

Element Edit

Osc/Tune

Waveform Edit

Pitch EG

Filter

Type

Filter EG

Scale

Amplitude

Level/Pan

Amp EG

Scale

Element EQ

Element LFO

Osc/Tune (Oscillator/Tune)

306

Sets the selected Element on or off.

Settings: Off, On

Shows the name of the Waveform selected for the Element.

Bank indicates the type of Waveform (Preset, User, and Library) assigned to the Element.

Settings: Refer to the Data List.

XA (Expanded Articulation) is a function for creating realistic sounds like those on acoustic

instruments as well as creating new synth sounds.

You can create such sounds by setting the XA Control to specify the way the Element is played.

Element Switch

Waveform Select

Bank (Waveform Bank)

Number (Waveform Number)

Category (Waveform Category)

Sub Category (Waveform Sub Category)

Name (Waveform Name)

XA Control

Example of XA Control setting

Creating smooth legato

Make the Element alternate between one element with XA Control set to Normal and another

element with the XA Control set to Legato.

Producing sounds when releasing fingers from the keys.

Create an Element with XA Control set to Key Off.

Creating randomness for the same note

Make the Element with XA Control set to Cycle and another one with XA Control set to

307

NOTE

The [ASSIGN 1] and [ASSIGN 2] buttons can be set to On or Off by sending the Control Change number set

in the Control → Control Number of the Common Audio Edit screen from an external device.

Settings: Normal, Legato, Key Off, Cycle, Random, A.Sw1 On, A.Sw2 On, A.Sw Off

Normal: Played as a normal Element.

Legato: Played when Mono/Poly is set to Mono. When you play in Legato, the

Element set to Legato will be played instead of the Element set to Normal.

Key Off: Played when a finger is lifted off from the key.

Cycle: Played when there are a series of Elements set in Cycle.

Random: Plays the Elements randomly when multiple Elements are set to Random.

A.Sw Off: Played when both [ASSIGN 1] and [ASSIGN 2] buttons are set to Off.

A.Sw1 On: Played when the [ASSIGN 1] button is set to On.

A.Sw2 On: Played when the [ASSIGN 2] button is set to On.

This parameter is for sorting Elements having the same XA Control setting into groups.

When XA Control of all Elements is set to Normal, this setting is not effective.

Settings: 1–8

Sets the output of the Element to Insertion Effect A or Insertion Effect B.

Setting it to Thru bypasses the Insertion Effects.

Settings: Thru, InsA, InsB

Loads the audio file saved on the USB flash drive as a Waveform.

Edit Waveform appears when a Waveform is loaded.

Opens the Waveform Edit screen.

Shifts the pitch of the Element in semitones.

Random.

Producing sounds unique to acoustic instruments

Some examples of sound unique to acoustic instruments include harmonics and palm mute

on the guitar, flutter-tonguing on the flute, and growl on the saxophone.

Set up an Element with XA Control set to A.Sw1 On or A.Sw2 On, or A.Sw Off, and control

from the [ASSIGN 1] and [ASSIGN 2] buttons on the top panel.

Elem Group (Element Group Number)

Elem Connect (Element Connection Switch)

New Waveform

Edit Waveform

Coarse (Course Tune)

308

Settings: −48–+48

Finely adjusts the pitch of the Element.

Settings: −64–63

Sets how the pitch change responds to Velocity or the strength of the keystroke.

Settings: −64–63

Positive value: Faster Velocity values produce a higher pitch.

Negative value: Faster Velocity values produce a lower pitch.

0: No change in pitch.

Sets how the pitch change in the Fine Tuning responds to the position of the key.

Settings: −64–63

Positive values: The pitch goes down when you press a key in the bass section, and

the pitch goes up when you press a key in the treble section.

Negative values: The pitch goes up when you press a key in the bass section, and

the pitch goes down when you press a key in the treble section.

Changes the pitch of the Element randomly each time a key is pressed.

Set the parameter to a larger value to create more pitch changes. When the value is set to 0,

the pitch is kept unchanged.

Settings: 0–127

Sets the output level of the Oscillator to become lower as keystroke Velocity values become

further from the value set in Velocity Limit.

When set to 0, no sound is produced if the velocity is outside the Velocity Limit. The larger the

value, the more gradually the way the output level of the Oscillator decreases.

Settings: 0–127

Fine (Fine Tune)

Pitch/Vel (Pitch Velocity Sensitivity)

Fine/Key (Fine Tune Key Follow Sensitivity)

Random (Random Pitch Depth)

Vel Cross Fade (Velocity Cross Fade)

When Level/Vel is set to +0

309

(1) When a larger value is used, the slope will be shifted to

the left.

(2) When Vel Cross Fade is set to 0, no sound is produced

outside the Velocity Limit.

Sets the timing of the Key On Delay to synchronize with the tempo.

Settings: Off, On

Sets the delay time from when the key is pressed to when sound is produced.

This parameter is not available when Tempo Sync is set to On.

Settings: 0–127

This parameter is available when Tempo Sync is set to On. You can set the timing for Key On

Delay by using musical notes.

Settings: 1/16 (sixteenth notes), 1/8 Tri. (eighth-note triplets), 1/16 Dot. (dotted sixteenth

notes), 1/8 (eighth notes), 1/4 Tri. (quarter-note triplets), 1/8 Dot. (dotted eighth

notes), 1/4 (quarter notes), 1/2 Tri. (half-note triplets), 1/4 Dot. (dotted quarter notes),

1/2 (half notes), Whole Tri. (whole-note triplets), 1/2 Dot. (dotted half notes), 1/4 × 4

(quarter-note quadruplets; four quarter notes to the beat), 1/4 × 5 (quarter-note

quintuplets; five quarter notes to the beat), 1/4 × 6 (quarter-note sextuplets; six

quarter notes to the beat), 1/4 × 7 (quarter-note septuplets; seven quarter notes to the

beat), 1/4 × 8 (quarter-note octuplets; eight quarter notes to the beat)

Sets the velocity range (lowest and highest values) for playing the Element wave.

When this is set so that the higher value is first and the lower value is second (for example, 93

to 34), the Element sounds only for velocities of 1 to 34 and 93 to 127.

Tempo Sync (Key On Delay Tempo Sync Switch)

Length (Key On Delay Time Length)

Length (Key On Delay Note Length)

Velocity Limit

310

Settings: 1–127

Sets the note range (lowest and highest notes) for the Element.

When the first note specified is lower than the second (for example, C5 to C4), the Element is

played in the ranges C−2 to C4 and C5 to G8.

Settings: C−2–G8

Sets the reference note for Pitch/Key (Pitch Key Follow Sensitivity).

The key set with the note number here is played at the normal pitch regardless of the Pitch/Key

setting.

Settings: C−2–G8

Sets the difference in pitch between two adjacent keys. The reference point is the key specified

in Center Key.

This parameter is useful for playing unpitched sounds, such as special effects, or for playing a

percussion instrument as a Normal Part, or for any other cases where the pitch difference does

not have to be in semitones.

Settings: −200%–+0%–+200%

+100% (normal setting): Pitch difference between the two keys next to each other is

set to a semitone.

0%: No pitch difference between the two keys, and all keys are played at the pitch set

in Center Key.

Negative value: Sets an opposite pitch response such that lower notes result in

higher pitch, and higher notes result in lower pitch.

Note Limit

Center Key (Pitch Key Follow Sensitivity Center Key)

Pitch/Key (Pitch Key Follow Sensitivity)

Pitch/Key and Center Key

311

A: Lower notes

B: Center Key

C: Higher notes

D: Difference in pitch

E: When Pitch/Key (Pitch Key Follow Sensitivity) is set to

+100%.

F: Larger

G: Smaller

Opens the Waveform Edit screen.

Here, you can set the various Key Banks that make up a Waveform.

A Key Bank is digital data comprised of a short audio segment, such as vocals or other

sounds, loaded into the instrument. It has the same characteristics as a wav file; however, to

avoid confusion a different name is used to distinguish it from the Waveform.

Key Banks are always saved as a part of a Waveform.

One Waveform is capable of holding multiple Key Banks. You can save even a few dozen Key

Banks, for example, in one Waveform. If you are saving multiple Key Banks in one waveform,

you can assign a key range and velocity range for each Key Bank by specifying the Note Limit

Waveform Edit

Key Banks

Key Banks and Waveforms

312

and Velocity Limit. By setting up multiple Key Banks, you can play various Key Bank sounds

depending on the section of the keyboard you use and the strength of your keystroke.

Example of Key Bank and Waveform setup

A Waveform must be loaded into a Part before it can be played.

You can assign a Waveform to an AWM2 Part from Element Edit in Part Edit (AWM2), or to a

Drum Part from Key Edit in Drum Part Edit (AWM2).

Shows the name of the selected Waveform.

Parts and waveforms

Waveform

Category (Waveform Category)

Sub Category (Waveform Sub Category)

313

Sets the Main category and Sub category of the selected Waveform.

Settings: Refer to the Data List.

You can save the Waveform you are editing under a new name, using up to 20 alphanumeric

characters. Tapping on the name calls up the onscreen keyboard, allowing you to enter a name.

Shows the number of Key Banks in the waveform and the total size of the data capacity.

Shows the Key Bank number.

Shows the total size of data capacity.

Shows whether the Key Bank is stereo or mono.

Sets the velocity range (lowest and highest values) for playing the Key Bank.

Settings: 1–127

Sets the note range (lowest and highest notes) for playing the Key Bank.

Settings: 1–127

Sets the key (pitch) of the original waveform data.

Settings: C−2–G8

Sets the volume of the Key Bank.

Settings: 0–255

Sets the Pan position (in the stereo field) of the Key Bank.

Settings: L63 (left)–C (center)–R63 (right)

Name (Waveform Name)

Total

Keybank (Keybank Number)

Size (Keybank Size)

Channel (Keybank Channel)

Velocity Limit

Note Limit

Center Note

Volume

Pan

314

Shifts the pitch of the Key Bank in semitones.

Settings: −64–+63

For fine pitch adjustment of the Key Bank.

Settings: −64–+63

Deletes the Key Bank.

Adds a Key Bank to the waveform.

The Pitch EG screen lets you set the Envelope Generator for the Oscillator.

By setting the PEG (Pitch Envelope Generator) time and level (the amount of pitch change), you

can set how the sound changes from the moment you press a key on the keyboard to when the

sound decays to silence.

Operation

[PERFORMANCE] → [EDIT/ ] → Part selection → Element selection → Pitch EG

Sets the length of time it takes for keeping the pitch at Hold Level starting from the moment you

press a key on the keyboard.

Tune Coarse (Coarse Tune)

Tune Fine (Fine Tune)

Delete Keybank

Add Keybank

Pitch EG

Hold Time (PEG Hold Time)

315

Settings: 0–127

Sets the length of time it takes for the pitch to change from the end of the Hold Time to the

Attack Level.

Settings: 0–127

Sets the length of time it takes for the pitch to change from the Attack Level to the Decay 1

Level.

Settings: 0–127

Sets the length of time it takes for the pitch to change from the Decay 1 Level to the Decay 2

Level.

Settings: 0–127

Sets the length of time it takes for the pitch to change from the moment you release the key until

it reaches the Release Level.

Settings: 0–127

Sets the pitch level for the moment you press the key.

Settings: −128–+127

Sets the pitch to change from the Hold Level or the moment you press a key.

Settings: −128–+127

Sets the next pitch value to change from the Attack Level.

Settings: −128–+127

Sets the next pitch value to change from the Decay 1 Level.

Settings: −128–+127

Attack Time (PEG Attack Time)

Decay1 Time (PEG Decay 1 Time)

Decay2 Time (PEG Decay 2 Time)

Release Time (PEG Release Time)

Hold Level (PEG Hold Level)

Attack Level (PEG Attack Level)

Decay1 Level (PEG Decay 1 Level)

Decay2 Level (PEG Decay 2 Level)

Release Level (PEG Release Level)

316

Sets the final pitch to reach after you have released the key.

Settings: −128–+127

Sets the reference note (or a key to press) for Time/Key.

With the note (key) set here, the resulting sound of the pitch change set in PEG is played.

Settings: C−2–G8

Sets how the pitch change speed of the PEG responds to the position of the key.

The change speed in PEG is used for the specified key in Center Key.

Settings: −64–+63

Positive value: The higher the key pressed, the faster the pitch changes of the PEG.

Negative value: The higher the key pressed, the slower the pitch changes of the

PEG.

0: No PEG changes regardless of the key position.

A: Center Note

B: Slow

Center Note (PEG Time Key Follow Sensitivity Center Note)

Time/Key (PEG Time Key Follow Sensitivity)

Time/Key and Center Note

317

C: Fast

D: Low key

E: High key

F: Positive value

G: Negative value

Sets how the pitch change speed of the PEG responds to Velocity or the strength of the

keystroke.

First, set the time value in Segment and then set the velocity sensitivity value in Time/Vel.

Settings: Time/Vel: −64–+63

Positive value: The faster the velocity, the faster the changes in the PEG.

Negative value: The faster the velocity, the slower the changes in the PEG; slow

velocities result in faster PEG changes.

0: No PEG changes regardless of the velocity setting.

Fast velocity (pitch change is fast) Slow velocity (pitch change is slow)

Settings: Segment: Attack, Atk+Dcy, Decay, Atk+Rls, All

Attack: Time/Vel value affects the Attack Time

Atk+Dcy: The Time/Vel value affects the Attack Time and Decay 1 Time.

Decay: The Time/Vel value affects the Decay Time.

Atk+Rls: The Time/Vel value affects the Attack Time and Release Time.

All: The Time/Vel value affects the time-related settings in PEG.

Sets the depth range of pitch changes controlled by the PEG.

Settings: −64–+63

0: No pitch change.

The further the depth is from a value of 0, the wider the pitch change becomes.

Negative value: Pitch change is inverted.

Time/Vel (PEG Time Velocity Sensitivity)

Segment (PEG Time Velocity Sensitivity Segment)

PEG Depth

Depth/Vel (PEG Depth Velocity Sensitivity)

Curve (PEG Depth Velocity Sensitivity Curve)

318

Sets how the depth range of the pitch change controlled by the PEG responds to Velocity or the

strength of the keystroke.

Also, with the Curve setting, you can set how the PEG Depth responds to the velocity. The

vertical axis represents velocity while the horizontal axis represents the depth range of the pitch

changes.

Settings: Depth/Vel: −64–+63

Positive value: Fast velocity widens the depth range of the PEG, while slow velocity

narrows the depth range.

Negative value: Fast velocity narrows the depth range of the PEG, while slow

velocity widens the depth range.

0: No PEG changes regardless of the velocity setting.

Fast velocity

(the depth range in pitch change is wider)

Slow velocity

(the depth range in pitch change is narrower)

Settings: Curve: 0–4

On the Type screen, you can select a filter type for the Element.

The available parameters differ depending on the filter type you have selected here.

Operation

[PERFORMANCE] → [EDIT/ ] → Part selection → Element selection → Filter → Type

Filter

Type

319

Sets the filter for the Element.

The filters available on this instrument are grouped into four types: LPF, HPF, BPF, and BEF.

Settings: LPF24D, LPF24A, LPF18, LPF18s, LPF12+HPF12, LPF6+HPF12,

HPF24D, HPF12, BPF12D, BPFw, BPF6, BEF12, BEF6, DualLPF, DualHPF,

DualBPF, DualBEF, LPF12+BPF6, Thru

This Filter Type cuts the signals above the value set in Cutoff Frequency.

The sound becomes brighter as you raise the Cutoff Frequency, because more high-

frequency signals are passed by the filter; conversely, it becomes darker as you lower the

Cutoff Frequency, because more high-frequency signals are cut or blocked by the filter. You

can produce a distinctive “peaky” sound by raising the Resonance or boosting the signal level

near the Cutoff Frequency.

This Filter Type is very popular and useful for producing classic synthesizer sounds.

Filter Type

LPF

320

LPF24D: A dynamic −24 dB/oct Low-Pass Filter with a characteristic digital sound. Compared to

the LPF24A type, this filter can produce a more pronounced Resonance effect.

LPF24A: A digital dynamic Low-Pass Filter with characteristics similar to a 4-pole analog

synthesizer filter.

LPF18: 3-pole −18 dB/oct Low-Pass Filter.

LPF18s: 3-pole −18 dB/oct Low-Pass Filter. This filter has a smoother cutoff slope than the

LPF18 type.

This Filter Type only passes signals above the Cutoff Frequency.

You can produce a distinctive “peaky” sound by raising the Resonance or boosting the signal

level near the Cutoff Frequency.

LPF12+HPF12: A combination of a −12 dB/oct Low-Pass Filter and a −12 dB/oct High-Pass

Filter connected in serial. When this Filter Type is selected, HPF Cutoff and HPF Key Follow

Sensitivity can be set.

LPF6+HPF12: A combination of a −6 dB/oct Low-Pass Filter and a −12 dB/oct High-Pass Filter

connected in serial. When this Filter Type is selected, HPF Cutoff and HPF Key Follow

Sensitivity can be set.

HPF24D: A dynamic −24 dB/oct High-Pass Filter with a characteristic digital sound. This filter

can produce a pronounced Resonance effect.

HPF

321

HPF12: −12 dB/oct dynamic High-Pass Filter.

This Filter Type that only passes signals for a specific frequency band (Cutoff Frequency) and

cuts all other signals.

BPF12D: The combination of a −12 dB/oct HPF and LPF with a characteristic digital sound.

BPFw: A −12 dB/oct BPF that combines HPF and LPF filters to allow wider bandwidth settings.

BPF

322

BPF6: The combination of a −6 dB/oct HPF and LPF.

The Band-Eliminate Filter has an opposite effect on the sound compared to the Band-Pass

Filter.

When this Filter Type is selected, you can set the Cutoff Frequency around which the audio

signal is muted or eliminated.

BEF12: −12 dB/oct Band-Eliminate Filter.

BEF6: −6 dB/oct Band-Eliminate Filter.

DualLPF: Two −12 dB/oct Low-Pass Filters connected in parallel. You can edit the distance

between the two Cutoff Frequencies. The result of the filter is shown on the screen.

BEF

323

Lower Cutoff Frequency is set directly on the display

(and Higher Cutoff Frequency is automatically set)

DualHPF: Two −12 dB/oct High-Pass Filters connected in parallel.

DualBPF: Two −6 dB/oct Band-Pass Filters connected in parallel.

DualBEF: Two −6 dB/oct Band-Eliminate Filters connected in serial.

Lower Cutoff Frequency is set directly on the display

(and Higher Cutoff Frequency is automatically set)

LPF12+BPF6: A combination of a −12 dB/oct Low-Pass Filter and a −6 dB/oct Band-Pass Filter

connected in parallel. You can edit the distance between the two Cutoff Frequencies.

Lower Cutoff Frequency is set directly on the display

(and Higher Cutoff Frequency is automatically set)

Cutoff (Filter Cutoff Frequency)

324

Sets the Cutoff Frequency.

The frequency set here is used by the filter set in Type.

Settings: 0–1023

Sets how the Cutoff Frequency responds to Velocity or the strength of the keystroke.

Settings: −64–+63

Positive values: The faster the Velocity, the higher the Cutoff Frequency value

becomes.

Negative values: The slower the Velocity, the higher the Cutoff Frequency value

becomes.

0: No changes for the Cutoff Frequency by Velocity.

The parameter shown here varies depending on the Filter Type setting. Resonance is shown for

LPF, HPF, BPF (excluding BPFw), or BEF, and Width is shown for BPFw.

For Resonance, this parameter indicates the strength of resonance. This can be used in

combination with the Cutoff parameter to add further character to the sound.

For the BPFw, this parameter is used for adjusting the width of the frequencies passed by the

filter.

This parameter may not be available depending on the Filter Type.

Settings: 0–127

Sets how the resonance level responds to Velocity or the strength of the keystroke.

This parameter may not be available depending on the Filter Type.

Settings: −64–+63

Positive value: The higher the Velocity, the greater the Resonance becomes.

Negative value: The lower the Velocity, the greater the Resonance becomes.

0: Resonance value does not change.

Sets how the Cutoff Frequency level of the filter responds to key position.

The reference point is the Cutoff Frequency for the key set in Center Key.

Settings: −200%–+200%

Positive values: The lower the key played, the lower the Cutoff Frequency becomes;

the higher the key played, the higher the Cutoff Frequency becomes.

Cutoff/Vel (Filter Cutoff Velocity Sensitivity)

Resonance (Filter Resonance)

Width (Filter Width)

Res/Vel (Filter Resonance Velocity Sensitivity)

Cutoff/Key (Filter Cutoff Key Follow Sensitivity)

325

Negative values: The lower the key played, the higher the Cutoff Frequency

becomes; the higher the key played, the lower the Cutoff Frequency becomes.

Sets the distance between the Cutoff Frequencies for the Dual Filter types and the

LPF12+BPF6 filter.

This parameter may not be available depending on the Filter Type.

Settings: −128–+127

Sets the center frequency for the functions that control the filter cutoff and how fast the FEG

changes according to the key follow setting of HPF.

Increasing the value results in a higher Cutoff Frequency, and the low frequency signals are cut

or blocked to make the sound brighter. Decreasing the value results in a higher Cutoff

Frequency, and the low frequency signals are passed to make the sound deeper.

This parameter is not available when the Filter Type is set to LPF12+HPF12 or LPF6+HPF12.

Settings: 0–1023

Sets the level of the Cutoff Frequency of the high-pass filter according to the position of the key.

This parameter is not available when the Filter Type is set to LPF12+HPF12 or LPF6+HPF12.

Settings: −200%–+200%

Positive values: The lower the key played, the lower the Cutoff Frequency becomes;

the higher the key played, the higher the Cutoff Frequency becomes.

Negative values: The lower the key played, the higher the Cutoff Frequency

becomes; the higher the key played, the lower the Cutoff Frequency becomes.

Sets the Gain (signals sent to the Filter unit).

Lowering the value decreases the volume of the Element.

Settings: 0–255

On the Filter EG screen, you can set the Filter Envelope Generator (FEG) for the Element.

The FEG lets you set the degree (or level) of changes to the Cutoff Frequency and how those

changes evolve over time, starting from the moment you press a key on the keyboard to the

moment the sound decays.

Operation

Distance

HPF Cutoff (HPF Cutoff Frequency)

HPF Cutoff/Key (HPF Cutoff Key Follow Sensitivity)

Gain (Filter Gain)

Filter EG

326

[PERFORMANCE] → [EDIT/ ] → Part selection → Element selection → Filter → Filter EG

Sets the length of time it takes for maintaining the Cutoff Frequency at Hold Level starting from

the moment you press a key on the keyboard.

Settings: 0–127

Sets the length of time it takes for the Cutoff Frequency to change from the end of Hold Time to

the Attack Level.

Settings: 0–127

Sets the length of time it takes for the Cutoff Frequency to change from the Attack Level to the

Decay 1 Level.

Settings: 0–127

Sets the length of time it takes for the Cutoff Frequency to change from the Decay 1 Level to the

Decay 2 Level.

Settings: 0–127

Sets the length of time it takes for the Cutoff Frequency to change from the moment you release

your finger from the key until it reaches the Release Level.

Settings: 0–127

Hold Time (FEG Hold Time)

Attack Time (FEG Attack Time)

Decay1 Time (FEG Decay 1 Time)

Decay2 Time (FEG Decay 2 Time)

Release Time (FEG Release Time)

327

Sets the Cutoff Frequency at the moment you press the key.

Settings: −128–+127

Sets the Cutoff Frequency value to change after you press the key.

Settings: −128–+127

Sets the next Cutoff Frequency value to change from the Attack Level.

Settings: −128–+127

Sets the Cutoff Frequency that is maintained while the key is held down.

Settings: −128–+127

Sets the next Cutoff Frequency value after you release your finger from the key.

Settings: −128–+127

Sets the reference note (or a key to press) for Time/Key.

With the note (key) set here, the change speed of the cutoff frequency set in Filter EG is used

as is.

Sets how the speed of the frequency change in FEG responds to the position of the key.

The change speed in FEG is used for the specified key in Center Key.

Settings: −64–+63

Positive values: The lower the key played, the slower the FEG change becomes; the

higher the key played, the faster the FEG change becomes.

Negative values: The lower the key played, the faster the FEG change becomes; the

higher the key played, the slower the FEG change becomes.

0: No changes to the FEG regardless of the key position.

Hold Level (FEG Hold Level)

Attack Level (FEG Attack Level)

Decay1 Level (FEG Decay 1 Level)

Decay2 Level (FEG Decay 2 Level)

Release Level (FEG Release Level)

Center Key (FEG Time Key Follow Sensitivity Center Key)

Time/Key (FEG Time Key Follow Sensitivity)

Time/Key and Center Key

328

A: Center Key

B: Slow

C: Fast

D: Low key

E: High key

F: Positive value

G: Negative value

Settings: C−2–G8

Sets how the Cutoff Frequency responds to Velocity or the strength of the keystroke.

First, set the time value in Segment, and then the velocity sensitivity value in Time/Vel.

Settings: Time/Vel: −64–+63

Positive value: The faster the velocity, the faster the FEG changes.

Negative value: The faster the velocity, the slower the FEG changes, while slow

velocity makes the FEG change faster.

0: No changes regardless of the velocity setting.

Time/Vel (FEG Time Velocity Sensitivity)

Segment (FEG Time Velocity Sensitivity Segment)

329

Fast velocity

(fast changes in Cutoff Frequency)

Slow velocity

(slow changes in Cutoff Frequency)

Settings: Segment: Attack, Atk+Dcy, Decay, Atk+Rls, All

Attack: Time/Vel value affects the Attack Time.

Atk+Dcy: The Time/Vel value affects the Attack Time and Decay 1 Time.

Decay: The Time/Vel value affects the Decay Time.

Atk+Rls: The Time/Vel value affects the Attack Time and Release Time.

All: The Time/Vel value affects the time-related settings in FEG.

Sets the depth range for the Cutoff Frequency change controlled by the FEG.

Settings: −64–+63

0: No changes for the Cutoff Frequency by the Filter EG.

The depth range of the Cutoff Frequency change becomes wider when the setting is

far from the value 0.

For negative values, Cutoff Frequency changes are reversed.

Sets how the depth range of the Cutoff Frequency change controlled by the FEG responds to

Velocity (strength of the keystroke).

Also, with the Curve setting, you can set how the FEG Depth responds to the velocity.

The vertical axis represents the velocity while the horizontal axis represents the depth range of

the Cutoff Frequency change.

Settings: Depth/Vel: −64–+63

Positive values: Fast velocity widens the depth range of the Filter EG changes, while

slow velocity narrows the depth range.

Negative values: Fast velocity narrows the depth range of the Filter EG changes,

while slow velocity widens the depth range.

0: Cutoff Frequency does not respond to Velocity.

FEG Depth

Depth/Vel (FEG Depth Velocity Sensitivity)

Curve (FEG Depth Velocity Sensitivity Curve)

330

Fast velocity

(the depth range in Cutoff Frequency change

is wider)

Slow velocity

(the depth range in Cutoff Frequency change

is narrower)

Settings: Curve: 0–4

On the Scale screen, you can set the filter scale for the Element.

The Filter Scale function allows you to change the Cutoff Frequency of the filter depending on

the pitch.

Operation

[PERFORMANCE] → [EDIT/ ] → Part selection → Element selection → Filter → Scale

Sets the note numbers of four points to be set to Cutoff Offset.

Settings: C−2–G8

Scale

Break Point (Filter Cutoff Scaling Break Point) 1–4

331

NOTE

The note numbers for Break Points 1 to 4 will be automatically arranged in ascending order.

Sets the value that increases or decreases the Cutoff on all four Break Points.

Settings: −128–+127

NOTE

On the Level/Pan screen, you can set Level and Pan (position in the stereo field) for each

Element.

Operation

[PERFORMANCE] → [EDIT/ ] → Part selection → Element selection → Amplitude →

Level/Pan

Sets how the volume of each Element responds to key position. The reference point is the

volume specified in Center Key.

Cutoff Offset (Filter Cutoff Scaling Offset) 1–4

When the offset value is set above or below the Cutoff value, the Cutoff Frequency never goes beyond

the settings.

For any notes below Break Point 1, the value will be set to the Cutoff Frequency of Break Point 1. For any

notes above Break Point 4, the value will be set to the Cutoff Frequency of Break Point 4.

Amplitude

Level/Pan

Level/Key (Level Key Follow Sensitivity)

332

Settings: −64–+0–+63

Positive values: The lower the key played, the softer the volume becomes; the

higher the played, the louder the volume becomes.

Negative values: The lower the key played, the louder the volume becomes; the

higher the key played, the softer the volume becomes.

Sets the output level (volume) for each Element.

Settings: 0–127

Sets how the Level (Volume) responds to Velocity or the strength of the keystroke. Offset

adjusts all settings specified in Level/Vel. When the value exceeds 127, the velocity is set to

127. Also, with the Curve setting, you can set how the volume responds to the velocity. The

vertical axis represents the velocity while the horizontal axis represents the range for the

volume changes.

Settings: Level/Vel: −64–+63

Positive value: The faster the Velocity, the louder the volume becomes.

Negative value: The slower the Velocity, the louder the volume becomes.

0: No changes regardless of the Velocity setting.

Settings: Offset: 0–127

Offset (Level Velocity Offset)

= 0

Offset (Level Velocity Offset)

= 64

Offset (Level Velocity Offset)

= 96

A: Level/Vel (Level Velocity Sensitivity) = 0

B: Level/Vel (Level Velocity Sensitivity) = 32

C: Level/Vel (Level Velocity Sensitivity) = 64

X: Velocity of the moment the key is pressed

Y: Velocity value sent to the internal tone generator

Level (Element Level)

Level/Vel (Level Velocity Sensitivity)

Offset (Level Velocity Offset)

Curve (Level Sensitivity Key Curve)

333

Settings: Curve: 0–4

Sets the Pan position (in the stereo field) for the Element.

When there are right and left Pan settings for the Elements within a Part, it may be difficult to

hear the result of the pan setting.

Settings: L63–C–R63

Sets the amount by which the sound is panned alternately left and right for each key you press.

The value set in Pan is the center position for the right and left movement of the Pan.

Settings: L64–C–R63

Sets the amount by which the sound is panned randomly left and right for each key you press.

The value set in Pan is the center position in the stereo field.

Settings: 0–127

Sets how the position of the key you press affects the position of the Pan setting.

The value set in Pan is the position for C3.

Settings: −64–+0–+63

Positive values: Pan position is scaled to the left for lower keys and to the right for

higher keys.

Negative values: Pan position is scaled to the right for lower keys and to the left for

higher keys.

On the Amp EG screen, you can set the AEG (Amplitude Envelope Generator) Time for the

Element. This lets you determine how the volume changes from the moment you press a key on

the keyboard to when the sound decays.

Operation

[PERFORMANCE] → [EDIT/ ] → Part selection → Element selection → Amplitude → Amp

Pan (Element Pan)

Alternate Pan (Alternate Pan Depth)

Random Pan (Random Pan Depth)

Scaling Pan (Scaling Pan Depth)

Amp EG

334

Sets the length of time it takes for the volume to change from the moment you press a key on

the keyboard until when it reaches the Attack Level value.

Settings: 0–127

Sets the length of time it takes for the volume to change from the Attack Level to the Decay 1

Level.

Settings: 0–127

Sets the length of time it takes for the volume to change from the Decay 1 Level to the Decay 2

Level.

Settings: 0–127

Sets the length of time it takes for the sound to decay after you have released the key.

Settings: 0–127

Sets the volume for the moment you press the key.

Settings: 0–127

Sets the volume for changing after you have pressed a key.

Attack Time (AEG Attack Time)

Decay 1 Time (AEG Decay 1 Time)

Decay 2 Time (AEG Decay 2 Time)

Release Time (AEG Release Time)

AEG Initial Level

AEG Attack Level

335

Settings: 0–127

Sets the next volume value to change from the Attack Level.

Settings: 0–127

Sets the volume that is maintained while the key is held down.

Settings: 0–127

Sets the reference note (or a key to press) for Time/Key. According to the note (key) set here,

the resulting sound of the pitch change set in PEG is played.

Settings: C−2–G8

Sets how the speed of the volume changes in AEG responds to key position. The speed change

in AEG is used for the specified key in Center Note.

Settings: −64–+63

Positive values: The lower the key played, the slower the AEG volume changes; the

higher the key played, the faster the AEG volume changes.

Negative values: The lower the key played, the faster the AEG volume changes; the

higher the key played, the slower the AEG volume changes.

0: No AEG volume changes regardless of the key position.

AEG Decay 1 Level

AEG Decay 2 Level

Center Note (AEG Time Key Follow Center Note)

Time/Key (AEG Time Key Follow Sensitivity)

Time/Key (AEG Time Key Follow Sensitivity) and Center

Note (AEG Time Key Follow Center Note)

336

A: Center Note

B: Slow

C: Fast

D: Low keys

E: High keys

F: Positive values

G: Negative values

Adjusts the sensitivity of the AEG Time Key Follow Sensitivity to AEG Release.

The lower the value, the lesser the sensitivity.

Settings: 0–127

127: AEG Time Key Follow Sensitivity is the same as Decay 1 and Decay 2.

0: AEG Time Key Follow Sensitivity does not affect the AEG Release.

Sets how the time for volume changes in AEG responds to Velocity or the strength of the

keystroke.

First, set the time value in Segment, and then the velocity sensitivity value in Time/Vel.

Release Adj (AEG Time Key Follow Sensitivity Release Adjustment)

Time/Vel (AEG Time Velocity Sensitivity)

Segment (AEG Time Velocity Segment)

337

Settings: Time/Vel: −64–+63

Positive value: The faster the velocity, the faster the AEG volume changes.

Negative value: The faster the velocity, the slower the AEG volume changes; the

slower the velocity, the faster the AEG volume changes.

0: No changes regardless of the velocity setting.

Fast velocity (fast volume change) Slow velocity (slow volume change)

Settings: Segment: Attack, Atk+Dcy, Decay, Atk+Rls, All

Attack: Time/Vel value affects the Attack Time

Atk+Dcy: The Time/Vel value affects the Attack Time and Decay 1 Time.

Decay: The Time/Vel value affects the Decay Time.

Atk+Rls: The Time/Vel value affects the Attack Time and Release Time.

All: The Time/Vel value affects the time-related settings in AEG.

By setting this switch On, you can connect a separately sold foot controller FC3A to the

[SUSTAIN] jack on the rear panel and use the half-damper function for your keyboard

performance.

The Half-damper function gives you greater expressive control over sound decay, letting you

use damper pedal operation just as you would on an acoustic piano—continuously and not just

as an on/off switch.

Settings: Off, On

Sets the time from the moment you have released a key while you are pressing the foot

controller FC3A fully down to when the sound decays when the Half Damper (Half Damper

Switch) is set to On. This parameter is not shown when Half Damper (Half Damper Switch) is

set to Off.

You can adjust the decay time from the Half Damper Time to the Release Time by changing the

amount you press on the pedal.

When you release the pedal, the Release Time is used for decaying sound. By setting the

Release Time to a small value, and Half Damper Time to a large value, you can play a natural

decaying sound, like on an acoustic piano.

Settings: 0–127

Half Damper (Half Damper Switch)

Time (Half Damper Time)

338

On the Scale screen, you can set the Amplitude Scale for the Element.

This changes the volume according to the key position on the keyboard.

Operation

[PERFORMANCE] → [EDIT/ ] → Part selection → Element selection → Amplitude → Scale

Sets the note number for Level Offset.

Settings: C−2–G8

NOTE

The note numbers for Break Points 1 to 4 will be automatically arranged in ascending order.

Sets the values of four Break Points for controlling Level.

Settings: −128–+127

On the Element EQ screen, you can set the equalizer for the Element.

Operation

[PERFORMANCE] → [EDIT/ ] → Part selection → Element selection → Element EQ

Scale

Break Point (Level Scaling Break Point) 1–4

Level Offset (Level Scaling Offset) 1–4

Element EQ

339

Selects the desired EQ type.

Settings: 2-band, P.EQ, Boost6, Boost12, Boost18, Thru

2-band: Shelving EQ that boosts or cuts the band of signals above or below a certain

frequency (Low Freq or High Freq).

P.EQ: Parametric EQ that boosts or cuts the signal level (Gain) around the Center

Frequency (Freq).

Boost6: Boosts the level by 6 dB.

Boost12: Boosts the level by 12 dB.

Boost18: Boosts the level by 18 dB.

Thru: Bypasses the equalizer leaving the entire signal unaffected.

Sets the signal level of the Low band.

Settings: −12.00dB–+12.00dB

EQ Type (Element EQ Type)

When EQ Type is set to 2-band

EQ Low Gain (Element EQ Low Gain)

340

Sets the frequency of the Low band.

Settings: 50.1Hz–2.00kHz

Sets the signal level of the High band.

Settings: −12.00dB–+12.00dB

Sets the frequency of the High band.

Settings: 503.8Hz–10.1kHz

Sets the signal level for the frequency range set in EQ Freq.

Settings: −12.00dB–+12.00dB

Sets the frequency to be cut or boosted.

Settings: 139.7Hz–12.9kHz

By boosting or cutting the signal level of the frequency set in EQ Freq, you can create various

frequency response curves.

Settings: 0.7–10.3

EQ Low Freq (Element EQ Low Frequency)

EQ Hi Gain (Element EQ High Gain)

EQ Hi Freq (Element EQ High Frequency)

When EQ Type is set to P.EQ

EQ Gain (Element EQ Gain)

EQ Freq (Element EQ Frequency)

EQ Q (Element EQ Q)

341

On the Element LFO screen, you can set the LFO (Low Frequency Oscillator) for the Element.

The LFO (Low Frequency Oscillator) for the Element generates signals in the low band, and you

can use it for modulation (cyclical variation) of the pitch, filter, and amplitude.

Operation

[PERFORMANCE] → [EDIT/ ] → Part selection → Element selection → Element LFO

Selects an LFO wave, for creating various distinct types of modulation.

Settings: Saw, Triangle, Square

Saw (Sawtooth wave) Triangle (Triangle wave) Square (Square wave)

Switches between the old set of settings (Off: 0–63) and a new set of settings with higher

resolution (On: 0–415) for Speed (LFO Speed).

To maintain compatibility of data created with the old settings, set this parameter to Off.

Settings: Off, On

Element LFO

LFO Wave

Extended LFO

Speed (LFO Speed)

342

Sets the speed of LFO Wave changes. The larger the value of this parameter, the faster the

speed becomes.

Settings: 0–63 (ExtendedLFO set to Off), 0–415 (ExtendedLFO is set to On)

Sets the delay time between the moment you press a key on the keyboard and the moment the

LFO comes into effect.

Settings: 0–127

Sets the time length for the LFO effect to fade in after you have released the key and the delay

time set in Delay has elapsed.

Settings: 0–127

The larger the value, the longer it takes for the LFO effect to reach the maximum.

0: LFO changes to the maximum value without any fade-ins.

Low value: Fast fade-in

High value: Slow fade-in

Delay (LFO Delay Time)

Fade In (LFO Fade In Time)

Key On Reset (LFO Key On Reset)

343

Resets the oscillation of the LFO when a key is pressed.

Settings: Off, On

This parameter creates a vibrato effect (cyclical changes to the pitch) by using LFO waves.

Setting the parameter to larger values results in greater change to the volume.

Settings: 0–127

This parameter creates a wah effect (cyclical changes to the filter cutoff frequency) by using

LFO waves.

Larger values result in greater range for cutoff frequency changes.

Settings: 0–127

This parameter creates a tremolo effect (cyclical changes in the volume) by using LFO waves.

Setting the parameter to larger values results in greater change to the volume.

Settings: 0–127

Pitch Mod (LFO Pitch Modulation Depth)

Filter Mod (LFO Filter Modulation Depth)

Amp Mod (LFO Amplitude Modulation Depth)

344

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The Drum Part (AWM2) consists of 73 drum keys.

Drum Part Edit (AWM2) includes Part Common Edit for setting parameters for the entire Part

and Key Edit for setting parameters for individual drum keys.

Drum Part Edit (AWM2) screen

345

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Contents

Part Common Edit

General/Pitch

Part Settings

Zone Settings

Pitch

Filter/Amp

Filter EG

Amp EG

Effect

Routing

Ins A

Ins B

3-band EQ

2-band EQ

Arpeggio

Common

Individual

Advanced

Motion Seq

Common

Lane

Mod/Control

Control Assign

Tx/Rx Switch

Control Settings

346

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → General/Pitch → Part Settings

Sets the Main category and Sub category of the selected Part.

Settings: Refer to the Data List.

You can save the Part you are editing under a new name, using up to 20 alphanumeric

characters.

Tapping on the name calls up the onscreen keyboard, allowing you to enter a name.

Sets the volume of the selected Part.

Settings: 0–127

Sets the Pan for the selected Part.

Settings: L63–C (center)–R63

General/Pitch

Part Settings

Main Category (Part Main Category)

Sub Category (Part Sub Category)

Part Name

Volume

Pan

Dry Level

347

Sets the Dry Level of the selected Part.

This parameter is available only when Part Output is set to MainL&R or Drum.

Settings: 0–127

Sets the Variation Send of the selected Part.

This parameter is available only when Part Output is set to MainL&R or Drum.

Settings: 0–127

Sets the Reverb Send of the selected Part.

This parameter is available only when Part Output is set to MainL&R or Drum.

Settings: 0–127

Sets the output destination for the audio signals of the selected Part.

Settings: MainL&R, AsgnL&R, USB1&2–USB29&30, AsgnL, AsgnR, USB1–30, Off, Drum

MainL&R: Outputs in stereo (two channels) to the OUTPUT [L/MONO] and OUTPUT

[R] jacks.

AsgnL&R: Outputs in stereo (two channels) to the ASSIGNABLE OUTPUT [L] and

ASSIGNABLE OUTPUT [R] jacks.

USB1&2–USB29&30: Outputs in stereo (channels 1 and 2, to channels 29 and 30) to

the [USB TO HOST] terminal.

AsgnL: Outputs in mono (one channel) to the ASSIGNABLE OUTPUT [L] jack.

AsgnR: Outputs in mono (one channel) to the ASSIGNABLE OUTPUT [R] jack.

USB1–30: Outputs in mono (channels 1 to 30) to the [USB TO HOST] terminal.

Off: No output of the audio signal for the Part.

Drum: You can set the output for each drum key.

Sets the Part to be played only with the Arpeggio.

The Part set to On will be played by Note On messages sent for the Arpeggio.

Settings: Off, On

Sets Pan to On or Off from the Key Edit ([EDIT/ ]→Part selection→Key

selection→Level/Pan→Pan).

When this parameter is set to Off, the Pan position in Key Edit will be set to C (center).

Settings: Off, On

Var Send (Variation Send)

Rev Send (Reverb Send)

Part Output (Part Output Select)

Arp Play Only (Arpeggio Play Only)

Element Pan (Element Pan Switch)

348

Sets the velocity range (lowest and highest values) for the Part.

Settings: 1–127

Sets the note range (lowest and highest notes) for the Part.

Settings: C−2–G8

Increases or decreases the velocity value that is sent to the internal tone generator.

Settings: 0–127

When Depth (above) = 64

and Offset = 32

When Depth (above) = 64

and Offset = 64

When Depth (above) = 64

and Offset = 96

(1) Actual resulting velocity (affecting the tone generator)

(2) Velocity with which you play a note

Sets how the level of the velocity value (sent to the internal tone generator) responds to Velocity

or the strength of the keystroke.

Settings: 0–127

Velocity Limit

Note Limit

Velocity Offset (Velocity Sensitivity Offset)

Velocity Depth (Velocity Sensitivity Depth)

When Offset (below) is set to 64:

349

(1) Actual resulting velocity (affecting the

tone generator)

(2) Velocity with which you play a note

The screen shown here is the same as the one opened from General/Pitch → Zone Settings on

the Part Edit (AWM2).

On the Pitch screen, you can set the pitch for the Part.

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → General/Pitch → Pitch

Zone Settings

Pitch

350

Adjusts the pitch in semitones.

Settings: −24–+0–+24

Adjusts the pitch of the Part in 0.1 Hz increments.

By slightly shifting the pitch, you can detune the sound.

Settings: −12.8Hz–+0.0Hz–+12.7Hz

Parts assigned to the same group are given the same pitch.

However, Portamento, Mono/Poly, and Micro Tuning are not available for the Drum Part.

Sets the range of the changes created with the Pitch Bend wheel in semitones.

Settings: −48–+0–+24

The screen here is the same as the one opened from Filter/Amp → Filter EG on the Part Edit

(AWM2).

The screen here is the same as the one opened from Filter/Amp → Amp EG on the Part Edit

(AWM2).

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → Effect → Routing

Note Shift

Detune

Pitch Control Group

Pitch Bend↓(Pitch Bend Range Lower)

Pitch Bend↑(Pitch Bend Range Upper)

Filter/Amp

Filter EG

Amp EG

Effect

Routing

351

Basically, this is the same screen as Effect → Routing in Part Edit (AWM2.)

The parameters added to Drum Part Edit (AWM2) are shown below.

Shows the name of the selected Drum Key.

Settings: C0–C6

Sets the key to be output to Insertion Effect A or Insertion Effect B.

Setting this to Thru bypasses the Insertion Effects.

Settings: Thru, InsA, InsB

You can use the keyboard to directly select a Drum Key by setting this parameter On.

Settings: Off, On

Sets the level of the Drum Key signals sent to Insertion Effect A or Insertion Effect B to the

Reverb or Variation Effect.

This setting is applied to the entire Drum Part (all Drum Keys).

This parameter is available only when Connect (Drum Key Connection Switch) is set to InsA or

InsB, and Part Output is set to MainL&R or Drum.

Settings: 0–127

Drum Key (Drum Key Select)

Connect (Drum Key Connection Switch)

Keyboard Select

InsRev (Insertion to Reverb Send Level)

InsVar (Insertion to Variation Send Level)

KeyRev (Drum Key Reverb Send Level)

KeyVar (Drum Key Variation Send Level)

352

Sets the level of the drum key signals sent to Insertion Effect A or Insertion Effect B to the

Reverb or Variation Effect.

This parameter can be set for each Drum Key.

This parameter is available when Connect (Drum Key Connection Switch) is set to Thru, and

either when Part Output is set to Main, or when Part Output is set to Drum and Drum Key Out is

set to MainL&R.

Settings: 0–127

Sets the output destination for each Drum Key.

This parameter is shown only when Part Output is set to Drum.

Settings: MainL&R, AsgnL&R, USB1&2–USB29&30, AsgnL, AsgnR, USB1–30

MainL&R: Outputs in stereo (two channels) to the OUTPUT [L/MONO] and OUTPUT

[R] jacks.

AsgnL&R: Outputs in stereo (two channels) to the ASSIGNABLE OUTPUT [L] and

ASSIGNABLE OUTPUT [R] jacks.

USB1&2–USB29&30: Outputs in stereo (channels 1 and 2, to channels 29 and 30) to

the [USB TO HOST] terminal.

AsgnL: Outputs in mono (one channel) to the ASSIGNABLE OUTPUT [L] jack.

AsgnR: Outputs in mono (one channel) to the ASSIGNABLE OUTPUT [R] jack.

USB1–30: Outputs in mono (channels 1 to 30) to the [USB TO HOST] terminal.

NOTE

When Connect (Drum Key Connection Switch) is set to InsA or InsB, and this parameter is fixed to the

MainL&R setting.

The screen here is the same as the one opened from Effect → InsA or InsB on the Part Edit

(AWM2).

The screen here is the same as the one opened from Effect → 3-band EQ on the Part Edit

(AWM2).

Drum Key Out (Drum Key Output Select)

Ins A

Ins B

3-band EQ

353

The screen here is the same as the one opened from Effect → 2-band EQ on the Part Edit

(AWM2).

The screen here is the same as the one opened from Arpeggio → Common on the Part Edit

(AWM2).

The screen here is the same as the one opened from Arpeggio → Individual on the Part Edit

(AWM2).

The screen here is basically the same as the one opened from Arpeggio → Advanced on the

Part Edit (AWM2); however, the parameter shown below has been added.

When this parameter is set to On, Arpeggio playback uses C1 for the bass drum and D1 for the

snare drum.

Most drum kits have the bass drum assigned to C1 and the snare drum assigned to D1.

However, some drum kits have the bass drum and snare drum assigned to some other keys. In

that case, the Arpeggio would use those assigned keys for playback instead.

For this reason, the Arpeggio may not be played back properly depending on the particular

combination of drum kit and Arpeggio type. When such problems occur, setting Fixed SD/BD

(Arpeggio Fixed SD/BD) to On may be able to solve the problem.

Settings: Off, On

The screen here is the same as the one opened from Motion Seq → Common on the Part Edit

(AWM2).

2-band EQ

Arpeggio

Common

Individual

Advanced

Fixed SD/BD (Arpeggio Fixed SD/BD)

Motion Seq

Common

354

The screen here is the same as the one opened from Motion Seq → Lane on the Part Edit

(AWM2).

The screen here is basically the same as the one opened from Mod/Control → Control Assign

on the Part Edit (AWM2), except that the available Destination settings are different.

For the list of Destination settings, refer to the Control List on Data List.

The screen here is the same as the one opened from Mod/Control → Tx/Rx Switch on the Part

Edit (AWM2).

The screen here is the same as the one opened from Mod/Control → Control Settings on the

Part Edit (AWM2).

Lane

Mod/Control

Control Assign

Tx/Rx Switch

Control Settings

355

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Contents

On the Osc/Tune screen, you can set the Oscillator for each key within the Drum Part.

Operation

[PERFORMANCE] → [EDIT/ ] → Part selection → Key selection → Osc/Tune

Sets the selected Drum Key to use.

Settings: Off, On

Key Edit

Osc/Tune

Filter

Level/Pan

Element EQ

Osc/Tune

Drum Key Switch

Bank (Waveform Bank)

Number (Waveform Number)

Category (Waveform Category)

356

Shows the name of the Waveform selected for the Drum Key.

Bank indicates the type of Waveform (Preset, User, and Library) assigned to the Element.

Settings: Refer to the Data List.

Sets how sound is produced when the internal tone generator receives Note On messages of

the same sound twice (or more) in a row.

Settings: Single, Multi

Single: Stops the first note and then plays the same note again.

Multi: Plays the second note over the first note. This setting makes rolls sound

natural, especially crash cymbals or other percussion instruments having a long

decay.

Sets the Key to be output to Insertion Effect A (InsA) or Insertion Effect B (Ins B), or bypasses

the Insertion Effect (Thru).

This parameter is basically the same as Connect (Drum Key Connection Switch) on Effect →

Routing on the Drum Part Edit (AWM2.)

Settings: Thru, InsA, InsB

Loads an audio file saved to USB flash drive as a Waveform.

Edit Waveform appears when a Waveform is loaded.

Opens the Waveform Edit screen.

Shifts the pitch of the waveform assigned to the Drum Key.

Settings: −48–+48

Finely adjusts the pitch of the wave assigned to the Drum Key.

Settings: −64–+63

Sets how the pitch responds to Velocity or the strength of the keystroke.

Sub Category (Waveform Sub Category)

Name (Waveform Name)

Assign Mode (Key Assign Mode)

Connect (Drum Key Connection)

New Waveform

Edit Waveform

Coarse (Coarse Tune)

Fine (Fine Tune)

Pitch/Vel (Pitch Velocity Sensitivity)

357

Settings: −64–+63

Positive value: The faster the Velocity, the higher the pitch becomes.

Negative value: The faster the Velocity, the lower the pitch becomes.

0: Remains unchanged

Sets the drum key to receive MIDI note-off messages.

Settings: Off, On

On: The sound stops when release the key. Use this setting for percussion instrument

sounds to make them last without decay.

Off: The sound decays after you release the key.

This setting helps you to prevent improper or unnatural combinations of drum keys to be played

together.

For example, you can assign open and closed hi-hats to the same Group so that you can avoid

them being played together.

For drum keys that can be played naturally with any combination, set this parameter to Off.

Settings: Off, 1–127

Sets the level of the drum key signals sent through Insertion Effect A or Insertion Effect B to the

Reverb or Variation Effect.

This parameter can be set to each drum key.

This parameter is not available depending on the Connect (Drum Key Connection), Part Output,

and Drum Key Output settings.

Settings: 0–127

Sets the output destination for the Drum Key.

This parameter is not available depending on the Connect (Drum Key Connection) and Part

Output settings.

Settings: MainL&R, AsgnL&R, USB1&2–USB29&30, AsgnL, AsgnR, USB1–30

MainL&R: Outputs in stereo (two channels) to the OUTPUT [L/MONO] and OUTPUT

[R] jacks.

AsgnL&R: Outputs in stereo (two channels) to the ASSIGNABLE OUTPUT [L] and

ASSIGNABLE OUTPUT [R] jacks.

USB1&2–USB29&30: Outputs in stereo (channels 1 and 2, to channels 29 and 30) to

the [USB TO HOST] terminal.

AsgnL: Outputs in mono (one channel) to the ASSIGNABLE OUTPUT [L] jack.

Rcv Note Off (Receive Note Off)

Group (Alternate Group)

KeyRev (Drum Key Reverb Send Level)

KeyVar (Drum Key Variation Send Level)

Drum Key Out (Drum Key Output Select)

358

AsgnR: Outputs in mono (one channel) to the ASSIGNABLE OUTPUT [R] jack.

USB1–30: Outputs in mono (channels 1 to 30) to the [USB TO HOST] terminal.

Sets the Keyboard select setting on or off.

When this parameter is set to On, you can select the desired drum key for editing by pressing a

key on the keyboard.

Settings: Off, On

Sets the filter for the Drum Part.

You can change the tone quality by using a low pass filter and high pass filter on each drum key.

Operation

[PERFORMANCE] → [EDIT/ ] → Part selection → Key selection → Filter

Sets the cutoff frequency for the low pass filter.

Settings: 0–1023

Sets the velocity sensitivity to the cutoff frequency of the low pass filter.

For positive values of this parameter, the stronger (higher velocity) you play the key, the higher

the cutoff frequency becomes.

For negative values of this parameter, the stronger you play the key, the lower the cutoff

frequency becomes.

Keyboard Select

Filter

Cutoff (LPF Cutoff Frequency)

Cutoff/Vel (LPF Cutoff Velocity Sensitivity)

359

Settings: −64–+63

Sets the level of the resonance effect on the low pass filter.

Settings: 0–127

Sets the cutoff frequency of the high pass filter.

Settings: 0–1023

Sets the Level and Pan (position in the stereo field) for each Drum Key.

Operation

[PERFORMANCE] → [EDIT/ ] → Part selection → Key selection → Level/Pan

Sets the length of time it takes for the volume to change from the moment you press a key on

the keyboard until the time the volume reaches the value set at the Attack Level.

Settings: 0–127

Sets the length of time it takes for the volume to change from the Attack Level to the Decay 1

Level.

Settings: 0–127

Resonance (LPF Resonance)

HPF Cutoff (HPF Cutoff Frequency)

Level/Pan

Attack Time (AEG Attack Time)

Decay 1 Time (AEG Decay 1 Time)

360

Sets the length of time it takes for the volume to change from the Decay 1 Level to the Decay 2

Level.

Settings: 0–126, Hold

Sets the next volume value to change from the Attack Level.

Settings: 0–127

Decay2 Time = 0 – 126 Decay2 Time = Hold

Sets the output level for the Drum Key.

This parameter lets you adjust the level balance among the drum keys.

Settings: 0–127

Sets how Level (Volume) responds to Velocity or the strength of the keystroke.

Settings: −64–+63

Positive values: The faster the Velocity, the louder the volume becomes.

Negative values: The slower the Velocity, the louder the volume becomes.

0: No changes regardless of the velocity setting.

Sets the pan for the drum key.

You can adjust the position in the stereo field for the Drum Part (Drum Kit).

Settings: L63 (left)–C (center)–R63 (right)

Sets the amount by which the sound is panned alternately left and right for each key you press.

The value set in Pan is the center position for the right and left movement of the Pan.

Settings: L64–C–R63

Decay 2 Time (AEG Decay 2 Time)

Decay 1 Level (AEG Decay 1 Level)

Level (Drum Key Level)

Level/Vel (Level Velocity Sensitivity)

Pan

Alternate Pan (Alternate Pan Depth)

361

Sets the amount by which the sound is panned randomly left and right for each key you press.

The value set in Pan is the center position in the stereo field.

Settings: 0–127

The screen here is the same as the one opened from Effect → Element EQ on the Part Edit

(AWM2) Element Edit.

Random Pan (Random Pan Depth)

Element EQ

362

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The Normal Part (FM-X) consists of eight Operators.

Part Edit (FM-X) includes Part Common Edit for setting parameters for the entire Part and

Operator Edit for setting parameters for each Operator.

Part Edit (FM-X) screen

363

om02screenparameters0140

Contents

Part Common Edit

General / Pitch

Part Settings

Zone Settings

FM-X Settings

Pitch

PEG/Scale

Filter / Amp

Filter Type

Filter EG

Filter Scale

Amp EG

Effect

Routing

Ins A

Ins B

3-band EQ

2-band EQ

Arpeggio

Common

Individual

Advanced

Motion Seq

Common

Lane

Mod/Control

Control Assign

After Touch

Tx/Rx Switch

Control Settings

364

On the Part Settings screen, you can set the general parameters (such as Part names and tone

generation) for the Part.

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → General/Pitch → Part Settings

The screen here is basically the same as the one opened from General/Pitch → Part Settings

on the Part Edit (AWM2) for the most part; however, the parameters shown below are added.

Sets how the sound is panned randomly left and right for each key played.

The value set in Pan is the center position in the stereo field.

Settings: 0–127

Sets how the sound is panned alternately left and right for each key played.

The value set in Pan is the center position for the right and left movement of the Pan.

Settings: L64–C–R63

Part LFO

2nd LFO

General / Pitch

Part Settings

Random Pan (Random Pan Depth)

Alternate Pan (Alternate Pan Depth)

365

Sets how the position of the key you press affects the position of the Pan setting.

The Pan for the Note Number C3 is the stereo field set in Pan.

By setting this parameter to a positive value, Pan is set to the left for lower keys, and to the right

for higher keys.

When this parameter is set to a value of 0, there will be no changes to the Pan setting. When

the parameter is set to a negative value, the pan is set to the left for lower keys, and to the right

for higher keys.

Settings: −64–+0–+63

Sets the timing of the Key On Delay to synchronize with the tempo.

Settings: Off, On

Sets the delay time from when the moment the key is pressed to when sound is produced.

This parameter is not available when KeyOnDly Sync is set to On.

Settings: 0–127

This parameter is available when KeyOnDly Sync is set to On. You can set the timing for Key

On Delay by using musical note values.

Settings: 1/16 (sixteenth notes), 1/8 Tri. (eighth-note triplets), 1/16 Dot. (dotted sixteenth

notes), 1/8 (eighth notes), 1/4 Tri. (quarter-note triplets), 1/8 Dot. (dotted eighth

notes), 1/4 (quarter notes), 1/2 Tri. (half-note triplets), 1/4 Dot. (dotted quarter notes),

1/2 (half notes), Whole Tri. (whole-note triplets), 1/2 Dot. (dotted half notes), 1/4 × 4

(quarter-note quadruplets; four quarter notes to the beat), 1/4 × 5 quarter-note

quintuplets; five quarter notes to the beat), 1/4 × 6 (quarter-note sextuplets; six

quarter notes to the beat), 1/4 × 7 (quarter-note septuplets; seven quarter notes to the

beat), 1/4 × 8 (quarter-note octuplets; eight quarter notes to the beat)

The screen here is the same as the one opened from General/Pitch → Zone Settings on the

Part Edit (AWM2).

On the FM-X Settings screen, you can set the FM Color parameters provided as a convenient

editing tool for the FM-X sounds as well as the Algorithm (or how the Operators are arranged).

Scaling Pan (Scaling Pan Depth)

KeyOnDly Sync (Key On Delay Tempo Sync)

Delay Length (Key On Delay Time Length)

Delay Length (Key On Delay Note Length)

Zone Settings

FM-X Settings

366

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → General/Pitch → FM-X

Settings

Controls the Attack Time of the EG that changes the depth of the frequency modulation over

time.

Settings: −99–+99

Controls the Decay Time of the EG that changes the depth of the frequency modulation over

time.

Settings: −99–+99

Controls the Sustain Level of the EG that changes the depth of the frequency modulation over

time.

Settings: −99–+99

Controls the Release Time of the EG that changes the depth of the frequency modulation over

time.

Settings: −99–+99

Changes the Algorithm.

Settings: Refer to the Data List.

FM Attack

FM Decay

FM Sustain

FM Release

Algorithm (Algorithm Number)

367

Feedback causes the Operator to modulate itself by sending some of the output signals back.

Here with this parameter, you can set the degree of such modulation.

Settings: 0–7

Changes the depth of the frequency modulation.

Settings: −99–+99

Changes the frequency of the harmonic overtones of FM synthesis.

Settings: −99–+99

Changes the texture of FM synthesis.

Settings: −99–+99

Opens the Algorithm Search screen.

Sets the range of the cutoff frequency change by the FEG.

Settings: −64–+63

Changes the sound by setting the cutoff frequency of the filter. When the Low Pass Filter is

selected, larger values here result in a brighter sound, and smaller values result in a darker

sound.

This parameter is specified as an offset value to the filter cutoff frequency.

Settings: −64–+63

Adds special characteristics to the sound by adjusting the signal level near the cutoff frequency.

This is specified as an offset value to the filter resonance.

Settings: −64–+63

Opens the setting screen for Filter Type.

Feedback (Feedback Level)

FM Depth

FM Harmonics

FM Texture

Algorithm Search

Filter Offset FEG Depth

Filter Offset Cutoff (Filter Cutoff Frequency)

Filter Offset Resonance (Filter Offset Resonance/Width)

Filter Type

368

Opens the Filter EG screen.

The screen here is basically the same as the one opened from General/Pitch → Pitch on the

Part Edit (AWM2), except that Legato Slope (Portamento Legato Slope) is invalid.

On the PEG/Scale screen, you can set the pitch envelope generator and scale for the Part.

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → General/Pitch → PEG/Scale

Sets the length of time it takes for the pitch to change from the moment you press a key on the

keyboard until the time the pitch reaches the value set at Attack Level.

Settings: 0–99

Sets the length of time it takes for the pitch to change from the Attack Level to the Decay 1

Level.

Settings: 0–99

Filter EG

Pitch

PEG/Scale

Attack Time (PEG Attack Time)

Decay1 Time (PEG Decay 1 Time)

Decay2 Time (PEG Decay 2 Time)

369

Sets the length of time it takes for the pitch to change from the Decay 1 Level to the Decay 2

Level.

Settings: 0–99

Sets the length of time it takes for the pitch to change from the moment you have released the

key until it reaches the Release Level.

Settings: 0–99

Sets the pitch for the moment you press the key.

Settings: −50–+50

Sets the pitch to change from Initial Level after you have pressed a key.

Settings: −50–+50

Sets the next pitch value to change from the Attack Level.

Settings: −50–+50

Sets the next pitch value to change from the Decay 1 Level.

Settings: −50–+50

Sets the final pitch to reach after you have released the key.

Settings: −50–+50

Sets the amount of pitch change controlled by the PEG.

Settings: 8 oct, 2 oct, 1 oct, 0.5 oct

For example, when this parameter is set to 8 oct, you can specify the smallest value

to the Pitch EG level to create a pitch change of −4 octaves by sending the pitch

value 0 to the internal tone generator, and by specifying the largest value to create a

pitch change of +4 octaves.

Sets how the time of the pitch change in PEG responds to Velocity or the strength of the

keystroke.

Release Time (PEG Release Time)

Initial Level (PEG Initial Level)

Attack Level (PEG Attack Level)

Decay1 Level (PEG Decay 1 Level)

Decay2 Level (PEG Decay 2 Level)

Release Level (PEG Release Level)

PEG Depth

Depth/Vel (PEG Depth Velocity Sensitivity)

370

Settings: 0–7

Sets how the speed of the pitch change in PEG responds to key position.

The speed change in PEG is used for the specified key in Center Key (fixed to C3).

Settings: 0–7

Positive values: The lower the key played, the slower the change in the PEG; the

higher the key played, the faster the change in the PEG.

0: No PEG changes regardless of the key position.

Changes the pitch of the Element randomly each time the key is pressed.

Settings: 0–127

Sets how the pitch responds to Velocity or the strength of the keystroke.

Settings: −64–+63

Positive value: The faster the Velocity, the higher the pitch becomes.

Negative value: The faster the Velocity, the lower the pitch becomes.

0: No pitch change

The screen here is the same as the one opened from Filter → Type on the Part Edit (AWM2)

Element Edit.

The screen here is the same as the one opened from Filter → Filter EG on the Part Edit

(AWM2) Element Edit.

The screen here is the same as the one opened from Filter → Scale on the Part Edit (AWM2)

Element Edit.

Time/Key (PEG Time Key Follow Sensitivity)

Random Pitch (Random Pitch Depth)

Pitch/Vel (Pitch Velocity Sensitivity)

Filter / Amp

Filter Type

Filter EG

Filter Scale

371

The screen here is the same as the one opened from Filter/Amp → Amp EG on the Part Edit

(AWM2).

The screen here is basically the same as the one opened from Effect → Routing on the Part

Edit (AWM2); however, there are a few differences as shown below.

The screen here is the same as the one opened from Effect → InsA or InsB on the Part Edit

(AWM2).

The screen here is the same as the one opened from Effect → 3-band EQ on the Part Edit

(AWM2).

The screen here is the same as the one opened from Effect → 2-band EQ on the Part Edit

(AWM2).

The screen here is the same as the one opened from Arpeggio → Common on the Part Edit

(AWM2).

Amp EG

Effect

Routing

No output setting for each Element

Cannot select Parallel for Ins Connect

Ins A

Ins B

3-band EQ

2-band EQ

Arpeggio

Common

372

The screen here is the same as the one opened from Arpeggio → Individual on the Part Edit

(AWM2).

The screen here is the same as the one opened from Arpeggio → Advanced on the Part Edit

(AWM2).

The screen here is the same as the one opened from Motion Seq → Common on the Part Edit

(AWM2).

The screen here is the same as the one opened from Motion Seq → Lane on the Part Edit

(AWM2).

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → Mod/Control → Control Assign

Individual

Advanced

Motion Seq

Common

Lane

Mod/Control

Control Assign

373

The screen here is basically the same as the one opened from Mod/Control → Control Assign

on the Part Edit (AWM2), except that the available Destination settings are different.

For a list of settings, refer to the Data List.

Also, the parameters shown below are the ones available, instead of ElementSw.

You can set the controller setting for each Operator on or off. This parameter is shown only

when the selected Destination is related to Operators.

Settings: Off, On

Sets the sensitivity of the controller selected for the Destination.

This parameter is shown only when the Destination is set to OP Freq or OP AEG Offset.

Settings: −7–+7

Switches between the Operator Sw and Operator Rate.

This parameter is shown only when the Destination is set to OP Freq or OP AEG Offset.

Settings: Off, On

The screen here is basically the same as the one opened from Mod/Control → After Touch on

the Part Edit (AWM2), except that the available Destination settings are different.

Operator Sw (Operator Switch)

Operator Rate

Sw/Rate

After Touch

374

The screen here is the same as the one opened from Mod/Control → Tx/Rx Switch on the Part

Edit (AWM2).

The screen here is the same as the one opened from Mod/Control → Control Settings on the

Part Edit (AWM2).

On the Part LFO screen, you can set the Part LFO.

Operation

[PERFORMANCE] → Part Common selection → [EDIT/ ] → Mod/Control → Part LFO

Selects the LFO Wave and sets the type of cyclical changes for the LFOs.

Settings: Triangle, Triangle+, Saw Up, Saw Down, Squ1/4, Squ1/3, Square, Squ2/3, Squ3/4,

Trapezoid, S/H1, S/H2, User

Opens the setting screen for the User LFO.

You can create an LFO waveform of up to 16 steps.

Tx/Rx Switch

Control Settings

Part LFO

LFO Wave

Edit User LFO

375

Sets the speed of the LFO Wave changes to synchronize to Arpeggio or Song playback.

Settings: Off (not synchronized), On (synchronized)

Sets the speed of LFO Wave changes.

This parameter is not available when Tempo Sync is set to On.

Settings: 0–63

Changes the LFO Speed randomly.

This parameter is not available when Tempo Sync is set to On.

Settings: 0–127

This parameter is available when Tempo Sync is set to On. You can set the speed of changes

in LFO Wave by using musical note values.