Yamaha R-V1105 Manual de usuario

Marca: Yamaha

Modelo: R-V1105

Categoría: Receptores AV

Tipo: Manual de usuario

Este manual también es adecuado para

RX-V795

OWNER’S MANUAL

MODE D’EMPLOI

Natural Sound AV Receiver

Ampli-tuner audio vidéo

RX-V795

U C A

1 Read Instructions – All the safety and operating

instructions should be read before the unit is operated.

2 Retain Instructions – The safety and operating instructions

should be retained for future reference.

3 Heed Warnings – All warnings on the unit and in the

operating instructions should be adhered to.

4 Follow Instructions – All operating and other instructions

should be followed.

5 Water and Moisture – The unit should not be used near

water – for example, near a bathtub, washbowl, kitchen

sink, laundry tub, in a wet basement, or near a swimming

pool, etc.

6 Carts and Stands – The unit should be used only with a

cart or stand that is recommended by the manufacturer.

6A A unit and cart combination should be

moved with care. Quick stops, excessive

force, and uneven surfaces may cause

the unit and

cart combination to overturn.

7 Wall or Ceiling Mounting – The unit

should be mounted to a wall or ceiling only as

recommended by the manufacturer.

8 Ventilation – The unit should be situated so that its

location or position does not interfere with its proper

ventilation. For example, the unit should not be situated

on a bed, sofa, rug, or similar surface, that may block the

ventilation openings; or placed in a built-in installation,

such as a bookcase or cabinet that may impede the flow

of air through the ventilation openings.

9 Heat – The unit should be situated away from heat

sources such as radiators, stoves, or other appliances

that produce heat.

10 Power Sources – The unit should be connected to a power

supply only of the type described in the operating

instructions or as marked on the unit.

11 Power-Cord Protection – Power-supply cords should be

routed so that they are not likely to be walked on or

pinched by items placed upon or against them, paying

particular attention to cords at plugs, convenience

receptacles, and the point where they exit from the unit.

12 Cleaning – The unit should be cleaned only as

recommended by the manufacturer.

13 Nonuse Periods – The power cord of the unit should be

unplugged from the outlet when left unused for a long

period of time.

14 Object and Liquid Entry – Care should be taken so that

objects do not fall into and liquids are not spilled into the

inside of the unit.

15 Damage Requiring Service – The unit should be serviced

by qualified service personnel when:

A. The power-supply cord or the plug has been

damaged; or

B. Objects have fallen, or liquid has been spilled into the

unit; or

C. The unit has been exposed to rain; or

D. The unit does not appear to operate normally or

exhibits a marked change in performance; or

E. The unit has been dropped, or the cabinet damaged.

16 Servicing – The user should not attempt to service the unit

beyond those means described in the operating

instructions. All other servicing should be referred to

qualified service personnel.

17 Power Lines – An outdoor antenna should be located away

from power lines.

18 Grounding or Polarization – Precautions should be taken

so that the grounding or polarization is not defeated.

SAFETY INSTRUCTIONS

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead

symbol, within an equilateral triangle,

is intended to alert you to the

presence of uninsulated “dangerous

voltage” within the product’s

enclosure that may be of sufficient

magnitude to constitute a risk of

electric shock to persons.

The exclamation point within an

equilateral triangle is intended to alert

you to the presence of important

operating and maintenance

(servicing) instructions in the literature

accompanying the appliance.

•

Explanation of Graphical Symbols

CAUTION

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC

SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN

OR MOISTURE.

IMPORTANT

Please record the serial number of your unit

in the space below.

Model:

Serial No.:

The serial number is located on the rear of

the unit.

Retain this Owner’s Manual in a safe place

for future reference.

English

1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the

instructions contained in this manual, meets FCC

requirements. Modifications not expressly approved by

Yamaha may void your authority, granted by the FCC, to

use the product.

2. IMPORTANT : When connecting this product to

accessories and/or another product use only high quality

shielded cables. Cable/s supplied with this product

MUST be used. Follow all installation instructions.

Failure to follow instructions could void your FCC

authorization to use this product in the USA.

3. NOTE : This product has been tested and found to

comply with the requirements listed in FCC Regulations,

Part 15 for Class “B” digital devices. Compliance with

these requirements provides a reasonable level of

assurance that your use of this product in a residential

environment will not result in harmful interference with

other electronic devices.

This equipment generates/uses radio frequencies and, if

not installed and used according to the instructions

found in the users manual, may cause interference

harmful to the operation of other electronic devices.

Compliance with FCC regulations does not guarantee that

interference will not occur in all installations. If this product

is found to be the source of interference, which can be

determined by turning the unit “OFF” and “ON”, please try

to eliminate the problem by using one of the following

measures:

Relocate either this product or the device that is being

affected by the interference.

Utilize power outlets that are on different branch (circuit

breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the

antenna. If the antenna lead-in is 300 ohm ribbon lead,

change the lead-in to coaxial type cable.

If these corrective measures do not produce satisfactory

results, please contact the local retailer authorized to

distribute this type of product. If you can not locate the

appropriate retailer, please contact Yamaha Electronics

Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA

90620.

The above statements apply ONLY to those products

distributed by Yamaha Corporation of America or its

subsidiaries.

FCC INFORMATION (for US customers only)

YAMAHA and the Electronic Industries Association’s

Consumer Electronics Group want you to get the most out of

your equipment by playing it at a safe level. One that lets the

sound come through loud and clear without annoying blaring or

distortion – and, most importantly, without affecting your

sensitive hearing.

Since hearing damage from loud sounds is often

undetectable until it is too late, YAMAHA and the

Electronic Industries Association’s Consumer

Electronics Group recommend you to avoid

prolonged exposure from excessive volume levels.

We Want You Listening For A Lifetime

Note to CATV system installer:

This reminder is provided to call the CATV system

installer’s attention to Article 820-40 of the NEC that

provides guidelines for proper grounding and, in

particular, specifies that the cable ground shall be

connected to the grounding system of the building, as

close to the point of cable entry as practical.

19 For US customers only:

Outdoor Antenna Grounding – If an outside antenna is

connected to this unit, be sure the antenna system is

grounded so as to provide some protection against

voltage surges and built-up static charges. Article 810 of

the National Electrical Code, ANSI/NFPA 70, provides

information with regard to proper grounding of the mast

and supporting structure, grounding of the lead-in wire to

an antenna discharge unit, size of grounding conductors,

location of antenna discharge unit, connection to

grounding electrodes, and requirements for the grounding

electrode.

EXAMPLE OF ANTENNA GROUNDING

MAST

GROUND

CLAMP

ANTENNA

LEAD IN

WIRE

ANTENNA

DISCHARGE UNIT

(NEC SECTION 810–20)

GROUNDING CONDUCTORS

(NEC SECTION 810–21)

GROUND CLAMPS

POWER SERVICE GROUNDING

ELECTRODE SYSTEM

(NEC ART 250. PART H)

ELECTRIC

SERVICE

EQUIPMENT

NEC – NATIONAL ELECTRICAL CODE

Congratulations!

You are the proud owner of a Yamaha Digital Sound Field Processing (DSP)

System—an extremely sophisticated audio component. The DSP system takes full

advantage of Yamaha’s undisputed leadership in the field of digital audio processing

to bring you a whole new world of listening experiences. Follow the instructions in this

manual carefully when setting up your system, and the DSP system will sonically

transform your room into a wide range of listening environments—anything from a

famous concert hall to a cozy jazz club. In addition, you get incredible realism from

most of surround-sound encoded video sources available in the market using the built-

in Dolby Pro Logic Surround Decoder, Dolby Digital Decoder and DTS Decoder.

Five built-in channels of amplification on this model mean that no additional

amplifiers are required to enjoy advanced digital sound field processing.

Rather than tell you about the wonders of digital sound field processing, however,

let’s get right down to the business of setting up the system and trying out its many

capabilities. Please read this operation manual carefully and store it in a safe place for

later reference.

English

SAFETY INSTRUCTIONS

........................................... Inside of the Front Cover

CAUTION .................................................................. 2

INTRODUCTION ....................................................... 3

Features .................................................................... 3

What’s DSP?............................................................. 4

GETTING STARTED ................................................ 7

Getting started.......................................................... 7

Unpacking.............................................................. 7

Installing batteries in the remote controller ........... 8

Notes about the remote controller.......................... 8

Controls and their functions................................... 9

Front panel............................................................. 9

Display panel........................................................ 11

PREPARATION ...................................................... 12

Speaker setup......................................................... 12

Connections ........................................................... 14

Audio/video source equipment ............................ 14

Speakers ............................................................. 20

Antennas ............................................................. 23

Plugging in this unit ............................................. 25

On screen display.................................................. 26

Selecting the output modes

(“SET MENU” mode) ............................................. 27

Speaker balance adjustment ................................ 30

BASIC OPERATION ............................................... 33

Playing a source .................................................... 33

Recording a source to tape (or MD) or dubbing

from tape (or MD) to tape (or MD)......................... 37

Sound control......................................................... 38

Tuning ..................................................................... 39

Basic operation ................................................... 39

Preset tuning........................................................ 40

Using digital sound field processor (DSP) ......... 43

Playing a source with an effect of the digital

sound field processor (DSP)................................ 43

Adjusting output level of the center, right rear,

left rear speakers and subwoofer......................... 46

Brief overview of digital sound field programs...... 48

ADVANCED FEATURES ....................................... 51

“SET MENU” mode ............................................... 51

Creating your own sound fields .......................... 55

Setting the SLEEP timer ....................................... 60

REMOTE CONTROLLER ....................................... 61

Basic operation ..................................................... 61

Key name and function ......................................... 62

Entering manufacturer codes .............................. 67

Restoring the default codes ................................. 68

TROUBLESHOOTING ............................................ 69

SPECIFICATIONS .................................................. 72

LIST OF MANUFACTURE’S CODE

.............................................. The end of this manual

CONTENTS

1. To assure the finest performance, please read this manual

carefully. Keep it in a safe place for future reference.

2. Install this unit in a cool, dry, clean place – away from

windows, heat sources, sources of excessive vibration,

dust, moisture and cold. Avoid sources of humming

(transformers, motors). To prevent fire or electrical shock,

do not expose the unit to rain or water.

3. Never remove the unit cover. Contact your dealer if an

object falls inside the unit.

4. Do not use force on switches, controls or connection wires.

When moving the unit, first disconnect the power plug and

the wires connected to other equipment. Never pull on the

wires themselves.

5. The openings on the unit cover assure proper ventilation of

the unit. If these openings are obstructed, the temperature

inside the unit will rise rapidly. Therefore, avoid placing

objects against these openings, and install the unit in a

well-ventilated area to prevent fire and damage.

Be sure to allow a space of at least 20 cm behind, 20 cm

on the both sides and 30 cm above the top panel of the

unit to prevent fire and damage.

6. The voltage used must be the same as that specified on

this unit. Using this unit with a higher voltage than

specified is dangerous and may result in fire or other

accidents. YAMAHA will not be held responsible for any

damage resulting from use of this unit with a voltage other

than specified.

7. Digital signals generated by this unit may interfere with

other equipment such as tuners, receivers or TVs. Move

this unit farther away from such equipment if interference

is observed.

8. Always set the VOLUME control to “–

∞

” before starting

the audio source play. Increase the volume gradually to an

appropriate level after playback has been started.

9. Do not attempt to clean the unit with chemical solvents;

this might damage the finish. Use a clean, dry cloth.

10.Be sure to read the “TROUBLESHOOTING” section

regarding common operating errors before concluding that

the unit is faulty.

11.When not planning to use this unit for long periods of time,

disconnect the AC power plug from the wall outlet.

12.To prevent lightning damage, disconnect the AC power

plug and antenna cable when there is an electrical storm.

13.Grounding or polarization – Precautions should be taken

so that the grounding or polarization of an appliance is not

defeated.

14.Do not connect an audio unit to the AC outlet on the rear

panel if the equipment requires more power than the outlet

is rated to provide.

15.Voltage Selector (China and General Models only)

The voltage selector on the rear panel of this unit must

be set for your local main voltage BEFORE plugging

into the AC main supply.

Voltages are 110/120/220/240 V AC, 50/60 Hz.

This unit is not disconnected from the AC power source as

long as it is connected to the wall outlet, even if this unit

itself is turned off. This state is called the standby mode.

In this mode, this unit is designed to consume a small

amount of power.

FREQUENCY STEP switch (China and General Models

only)

Because the interstation frequency spacing differs in

different areas, set the FREQUENCY STEP switch (located

at the rear) according to the frequency spacing in your area.

Before setting this switch, disconnect the AC power plug of

this unit from the AC outlet.

For Canadian Customers

To prevent electric shock, match wide blade of plug to wide

slot and fully insert.

This Class B digital apparatus complies with Canadian

ICES–003.

WARNING

Do not change the IMPEDANCE SELECTOR switch

setting while the power to this unit is on, otherwise this

unit may be damaged.

IF THIS UNIT FAILS TO TURN ON WHEN THE

STANDBY/ON SWITCH IS PRESSED;

The IMPEDANCE SELECTOR switch may not be set to

either end. If so, set the switch to either end when this unit

is in the standby mode.

REAR

(SURROUND)

SWITCHED

I20V 60Hz

I00W MAX. TOTAL

AC OUTLETS

IMPEDANCE SELECTOR

: 6

Ω

MIN. /SPEAKER

: 6

Ω

MIN. /SPEAKER

A OR B: 4

Ω

MIN. /SPEAKER

A B: 8

Ω

MIN. /SPEAKER

SET BEFORE POWER ON

REAR

CENTER

MAIN

: 8

Ω

MIN. /SPEAKER

: 8

Ω

MIN. /SPEAKER

A OR B: 8

Ω

MIN. /SPEAKER

A B: I6

Ω

MIN. /SPEAKER

REAR

CENTER

MAIN

IMPEDANCE SELECTOR

(U.S.A. model)

CAUTION : Read this before operating your unit.

English

5 Channel Power Amplification

Main: 85W + 85W (8Ω) RMS Output

Power, 0.04% THD, 20–20,000 Hz

Center: 85W (8Ω) RMS Output Power,

0.04% THD, 20–20,000 Hz

Rear: 85W + 85W (8Ω) RMS Output

Power, 0.04% THD, 20–20,000 Hz

Multi-Mode Digital Sound Field

Processing

●

Digital Sound Field Processor (DSP)

●

Dolby Digital Decoder

●

Dolby Pro Logic Surround Decoder

●

DTS Decoder

●

CINEMA DSP:Theater-like Sound

Experience by the Combination of

YAMAHA DSP Technology and Dolby

Digital, Dolby Pro Logic or DTS

●

Automatic Input Balance Control for

Dolby Pro Logic Surround

●

Test Tone Generator for Easier Speaker

Balance Adjustment

●

Speaker Output Mode Selection

Capability for the Most Suitable

Use of Your Speaker System

Sophisticated FM/AM Tuner

● 40-Station Random Access Preset Tuning

● Automatic Preset Tuning

● Preset Station Shifting Capability (Preset

Editing)

● IF Count Direct PLL Synthesizer Tuning

System

Others

●

“SET MENU”Mode which Provides You

with 13 Titles of Setting Changes and

Adjustments for Optimizing This Unit for

Your Audio/Video System

● BASS EXTENSION Button for Reinforcing

Bass Response

● On Screen Display Function Helpful in

Controlling This Unit

● SLEEP Timer

●

OPTICAL and COAXIAL Digital Audio

Signal Terminals

● 6 Channel External Decoder Input for

Other Future Formats

● Video Signal Input/Output Capability

(Including S Video Connections)

● Universal Remote Controller with Preset

Manufacturer Codes

Features

INTRODUCTION

Welcome to the exciting world of digital home entertainment.

This unit is one of the most complete and advanced AV

receiver available. Some of the more advanced features may

not be familiar to you, but they are easy to use. State-of-the-art

technologies such as Dolby Digital and Digital Theater

Systems (DTS) may be new to your home, but you have

probably experienced the amazing realism they bring to feature

films in theaters around the world.

To make the listening experience even more enjoyable, this

unit includes a number of exclusive, digitally created listening

environments known as digital sound fields. Choosing a sound

field program is like transporting yourself to such venues as an

outdoor arena, a European church, or a cozy jazz club. Take

some time now to read more about these features and enjoy

the new experiences this unit brings to your home theater.

Digital Sound Field Processing

Technological advances in sound reproduction over the last 30

years have enhanced the listening experience with improved

clarity, precision and power. However, something has still been

missing: The atmosphere and acoustic ambiance of the public

venue. Our Yamaha engineers have extensively researched

the nature of sound acoustics and the way sound reflects

inside a room. We sent these engineers to famous theaters

and concert halls around the world to measure the acoustics of

those venues with sophisticated microphones. The data they

collected is used to recreate these environments in digital

sound fields. Some of these digital sound fields are created

using data measured directly at the original venue; others are

created from combinations of data to form unique

environments for specific purposes.

Of course, that only solves half of the problem. These

engineers have no way of knowing the acoustics of your

listening room, so we’ve made it possible for you to adjust the

various parameters of this data to tailor each virtual venue to

your taste. You can use these sound fields to enhance any

source and in combination with any of the following surround

sound technologies. Some are designed especially for music,

and some especially for movies.

Dolby Pro Logic Surround

Dolby Pro Logic Surround has been used in movie theaters

since the mid-seventies. It has also been available in home

entertainment systems since the late eighties and continues to

be a popular format for home theater systems. It uses four

discrete channels and five speakers to reproduce realistic and

dynamic sound effects: two main channels (left and right), a

center channel for dialog, and a rear channel for special sound

effects. The rear channel reproduces sound within a narrow

frequency range.

Most video tapes and laser discs include Dolby Pro Logic

Surround encoding as do many TV and cable broadcasts. The

Dolby Pro Logic Surround decoder built into this unit employs a

digital signal processing system that stabilizes each channel

for even more accurate sound positioning than is available with

standard analog processors.

Introduction

What’s DSP?

INTRODUCTION

English

Dolby Digital is the next level of Dolby Surround sound system

developed for 35 mm film-movies by employing low bit-rate

audio coding.

Dolby Digital is a digital surround sound system that provides

completely independent multi-channel audio to you. Dolby

Digital provides five full range channels in what is sometimes

referred to as a “3/2” configuration: three front channels (left,

center and right), and two surround channels. A sixth bass-only

effect channel is also provided for output of LFE (low frequency

effect), or low bass effects that are independent of other

channels. (This is called the “subwoofer channel” or “LFE

channel”.) This channel is counted as 0.1, thus giving rise to

the term 5.1 channels in total.

Compared to Dolby Pro Logic that is referred to a “3/1” system

(left front, center, right front and just one surround channel),

Dolby Digital features two surround channels, called stereo or

split surrounds, each offering the same full range fidelity as the

three front channels.

By using the built-in Dolby Digital decoder, you can experience

the dramatic realism and impact of Dolby Stereo Digital theater

sound in your home.

Wide dynamic range of sound reproduced by the five full range

channels and precise sound orientation by the digital sound

processing presents listeners much excitement and realism

that has never been experienced before.

Dolby Digital forms 5.1 channels as mentioned left, and

moreover, it can also form fewer channels, for example 2

channel stereo and monaural. You may be able to find some 2

channel stereo and/or monaural sources encoded with Dolby

Digital in the market.

Laserdisc and DVD are home audio formats that could benefit

from Dolby Digital. In the near future, Dolby Digital will also be

applied to DBS, CATV and HDTV. The ongoing release of

Dolby Stereo Digital theatrical films now underway will provide

an immediate source of Dolby Digital encoded video software.

Manufactured under license from Dolby Laboratories Licensing

Corporation. “DOLBY”, “AC-3”, “Pro Logic”, and the double-D

symbol are trademarks of Dolby Laboratories Licensing

Corporation.

DTS (Digital Theater Systems) system was developed to

replace analog soundtracks of movies with six discrete

channels of digital soundtracks, and now, it is installed in many

theaters around the world. The DTS digital playback system

changed the way we experienced movies in theaters with six

discrete channels of superb digital audio.

The DTS technology, through intense research and

development, made it possible to deliver a similar

encode/decode discrete technology to home audio surround-

sound entertainment.

The DTS Digital Surround is an encode/decode system which

delivers six channels of master-quality, 20-bit audio; technically

5.1 channels, which means 5 full-range (left, center, right and

two surround) channels, plus a subwoofer (LFE) channel (as

“0.1”). It is compatible with the 5.1 speaker configurations that

are currently available for home theater systems

The DTS Digital Surround algorithm is designed to encode the

six channels of 20-bit audio onto some laserdiscs, compact

discs and DVDs with considerably less data-compression.

By using the DTS decoder built into this unit, you can

experience the dramatic realism and impact of the DTS

installed theater’s high quality sound in your home.

Laserdisc, compact disc and DVD are home audio format

within which DTS can represent its high quality multi-channel

audio. (In addition to movies on laserdiscs, many exciting new

multi-channel music recordings will also become available in

the form of DTS-encoded compact discs.)

Manufactured under license from Digital Theater Systems, Inc.

US Pat. No. 5,451,942 and other world-wide patents issued

and pending. “DTS”, “DTS Digital Surround”, are trademarks of

DTS Digital Surround

Dolby Digital

INTRODUCTION

Dolby Pro Logic + 2 Digital Sound Fields

Digital sound fields are created on the presence side and

the rear surround side of the Dolby Pro Logic Surround-

decoded sound field respectively. They create a wide

acoustic environment and emphasize surround-effect in the

room, letting you feel much presence as if you were

watching a movie in a popular Dolby Stereo theater.

This combination is available when the digital sound field

program No. 2, 3 or “PRO LOGIC/Enhanced” of No. 1 is

selected, and the input signal of the source is analog, PCM

audio or encoded with the Dolby Digital in 2-channels.

Dolby Digital or DTS + 3 Digital Sound Fields

Digital sound fields are created on the presence side and

the independent left and right surround sides of the Dolby

Digital-decoded or the DTS-decoded sound field

respectively. They create a wide acoustic environment and

much surround effect in the room without losing high

channel separation. With wide dynamic range of Dolby

Digital or DTS sound, this sound field combination lets you

feel as if you were watching a movie in the newest Dolby

Stereo Digital theater or DTS installed theater. This is the

most ideal home theater sound at the present time.

This combination is available when the digital sound field

program No. 2, 3 or “DOLBY DIGITAL (or DTS DIGITAL

SUR.)/Enhanced” of No. 1 is selected, and the input signal

of the source is encoded with the Dolby Digital (except in 2-

channels) or encoded with the DTS.

CINEMA DSP: Dolby Surround + DSP / DTS + DSP

The Dolby Surround sound and DTS systems show their full

ability in a large movie theater, because movie sounds are

originally designed to be reproduced in a large movie theater

that uses a multitude of speakers. Trying to create a sound

environment similar to that of a movie theater in your home is

difficult because of the room size, material inside the walls, the

number of speakers, and so on. In other words, your listening

room is very different from a movie theater.

However, Yamaha DSP technology allows you to create nearly

the same sound experience as that of a large movie theater in

your home by compensating for the lack of presence and

dynamics in the listening room with original digital sound fields

combined with Dolby Surround or DTS Digital Surround

sounds.

The YAMAHA “CINEMA DSP” logo indicates those programs

that are created by the combination of YAMAHA DSP

technology and Dolby Surround or DTS.

CINEMA DSP

INTRODUCTION

English

GETTING STARTED

Getting started

Remote controller

Batteries (size AA, R6, UM-3)

Indoor FM Antenna

AM Loop Antenna

Antenna adapter (U.S.A. and Canada models only)

A/B/C/D/E

100

SET UP

RETURN

LEVEL

SET MENU

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

VOLUME

MUTE

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

DIR DIR

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

CODE SET

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

SELECT

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

Unpacking

Carefully remove this unit and accessories from the box. You should find the unit itself and the following accessories.

Installing batteries in the remote

controller

Since the remote controller will be used for many of this unit’s

control operations, you should begin by installing the supplied

batteries.

1. Turn the remote controller over and slide the battery

compartment cover in the direction of the arrow.

2. Insert the batteries (AA, R6, UM-3 type) according to the

polarity markings on the inside of the battery compartment.

3. Close the battery compartment cover.

Notes about the remote controller

Battery replacement

If you find that the remote controller must be used closer to the

main unit, the batteries are weak. Replace both batteries with

new ones.

Notes

●

Use AA, R6, UM-3 batteries.

●

Be sure the polarities are correct. (See the illustration inside

the battery compartment.)

●

Remove the batteries if the remote controller is not used for

an extended period of time.

●

If batteries leak, dispose of them immediately. Avoid

touching the leaked material and contact with clothing, etc.

Clean the battery compartment thoroughly before installing

new batteries.

Be sure to insert the new batteries within 2 minutes after

you remove the old batteries from the remote controller. If

the remote controller is left for more than 2 minutes without

batteries, all of the codes you entered will be cleared and

the remote controller will return to the factory preset

condition.

Remote controller operation range

Notes

●

The area between the remote controller and the main unit

must be clear of large obstacles.

●

Do not expose the remote control sensor to strong lighting,

in particular, an inverter type fluorescent lamp. Otherwise,

the remote controller may not work properly. If necessary,

position the main unit away from direct lighting.

30°

Remote control

sensor

Within approximately

6 m (19.7 feet)

GETTING STARTED

English

Controls and their functions

Front panel

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

INPUT SELECTOR

–dB

BASS

EXTENSION

TONE

BYPASS

LEVEL EFFECT

SET

PROGRAM

2345678

MEMORY EDIT FM/AM

DOWN

TUNING

INPUT MODE

TUNING

MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

CINEMA DSP

TAPE/MD MON

/EXT. DECODER

STANDBY/ON

8AB0CDIG

23 45 6

1 STANDBY/ON switch

Press this switch to turn on the power. Press this switch again

to set this unit in the standby mode.

* A click from the switch and the initial rotation of the built-in

fan will be heard when the power is turned on.

Standby mode

This unit is still using a small amount of power in this mode

in order to be ready to receive infrared-signals from the

remote controller.

2 Remote control sensor

Receives signals from the remote controller.

3 Display panel

Displays a variety of information. (Refer to page 11 for details.)

4 TAPE/MD MON/EXT. DECODER button

Press this button repeatedly until the “TAPE/MD MONITOR

”

indicator is illuminated

on the display. Sound source played or

recorded on the unit connected to the TAPE/MD IN

(PLAY)/OUT (REC) AUDIO SIGNAL terminals on the rear of

this unit is selected as the input source taking priority of the

INPUT SELECTOR’s setting.

Press this button repeatedly until the “EXT. DECODER”

appears

on the display. Sound signals input to the EXTERNAL

DECODER INPUT terminals on the rear of this unit is selected

as the input source taking priority of the INPUT SELECTOR’s

setting.

Press this button repeatedly until the original display mode is

restored to cancel the above input sources.

5 INPUT SELECTOR

Turn this knob to select the input source.

The selected source will be shown on the display.

6 Master VOLUME control

Simultaneously controls volume for all output sounds; main,

rear, center and subwoofer. (The REC OUT level is not

affected.)

* The indicator on the master VOLUME control will flash when

the volume is decreased by pressing the MUTE key on the

remote controller.

7 PHONES jack

Headphones can be plugged into this jack for private listening.

You can listen to the sound to be output from the main

speakers through headphones. When listening with

headphones privately, set both SPEAKERS A and B switches

to the OFF position and turn off the digital sound field

processor by pressing the EFFECT button so that no DSP

program name is illuminated on the display panel.

For the remote controller, refer to pages 61 to 68.

GETTING STARTED

PHONES

A/B/C/D/E button

Press this button to select a group (A–E) of preset stations.

9 SPEAKERS switches

Press the switch A or B (or both) for the main speakers you will

use inward (ON). Press and release the switch for the main

speakers you do not use outward (OFF).

0 Preset station number selector buttons

Select a preset station number (1 to 8).

A BASS EXTENSION button

Press this button inward (ON) to boost the bass frequency

response at the main left and right channels while maintaining

overall tonal balance. This function is effective for reinforcing

the bass frequencies when a subwoofer is not used.

B TONE BYPASS button

Press this button inward (ON) to bypass the tone (BASS and

TREBLE) control circuitry. This function is used for outputting

pure sound and checking the tone control settings. The tone

control circuitry can be used when this button is released

outward (OFF).

C BASS and TREBLE controls

Rotate these knobs to adjust the low and high frequency

response for the left and right main channels only.

D BALANCE control

This knob controls the sound from the main speakers only.

The balance of the output volume to the left and right main

speakers can be adjusted to compensate for sound imbalances

caused by the speaker location or listening room conditions.

E MEMORY (MAN’L/AUTO FM) button

Use this button to enter a station to memory. Refer to the

section “Manual preset tuning” on page 40 for details.

Hold down this button for more than 3 seconds to start

automatic preset tuning. Refer to page 41 for details.

F EDIT button

This button is used to exchange the places of two preset

stations with each other.

G TUNING MODE (AUTO/MAN’L MONO) button

Press this button to switch the tuning mode between automatic

and manual. To select the automatic tuning mode, press this

button so that the “AUTO” indicator is illuminated on the

display. To select the manual tuning mode, press this button so

that the “AUTO” indicator is not illuminated.

H FM/AM button

Press this button to switch the reception band between FM and

AM.

I LEVEL button

This button is used to adjust the output level of the center and

rear speakers, and subwoofer. First, press this button (several

times) to select the speaker(s). The name appears on the

display. Then press the + or – button (

) to change the output

level.

J –/+ button

Adjusts the level of the speaker(s) selected by pressing the

LEVEL button. Moreover, performs setting changes and

adjustments for functions selected by pressing the SET MENU

button (

K).

K SET MENU button

Press this button once or more to select the desired function in

the SET MENU mode.

L TUNING DOWN/UP button

Used for tuning. Press the “UP” side to tune in to a higher

frequency, and press the “DOWN” side to tune in to a lower

frequency.

M PROGRAM selector button

Press this button in the or direction to select a digital

sound field processing program.

N EFFECT button

Press this button to turn on and off the output from the center

and rear speakers. The sound becomes normal 2-channel

when this function is turned off.

However, this does not apply to Dolby Digital or DTS. The

signals at all channels will be distributed to the main channels

and output from the main speakers, even if the output from the

center and rear speakers are turned off, when Dolby Digital or

DTS is decoded.

O VIDEO AUX terminals

Connect an auxiliary video or audio input source unit such as a

camcorder to these terminals. A video unit with a S video

output terminal can be connected to the S VIDEO terminal to

obtain a high resolution picture. The source can be selected

with the INPUT SELECTOR.

P INPUT MODE button

Press this button to select how input signals are received from

sources that output two or more types of signals. The “AUTO”,

“DTS” and “ANALOG” modes are available. Refer to page 36

for details.

GETTING STARTED

English

Display panel

DIGITAL

PRO LOGIC

DSP

TUNER

PHONO

TAPE/MD

MONITOR

DVD/LD

TV/DBS

V-AUX

VCR

SLEEP

ENHANCED MOVIE THEATER 12 TV SPORTS

MONO MOVIE DISCO JAZZ CLUB

ROCK CONCERT CHURCH CONCERT HALL

MEMORY

AUTO

0 20 100

STEREO

12 3

45 6 7 89 A B

1 indicators

Either “dts” indicators will be illuminated when the built-in DTS

decoder is turned on.

A red “dts” indicator will be illuminated when playing a compact

disc or laserdisc encoded with DTS.

An orange “dts” indicator will be illuminated when playing a

DVD encoded with DTS.

An orange “dts” indicator may be illuminated when playing a

laserdisc encoded with DTS after a video-CD or DVD on a

DVD/LD combi-player.

2 Multi-information display

This display shows the current DSP program and the status of

adjustments and setting changes. Several statuses can be

viewed at one time. The current station frequency and band

(AM or FM) will also appear when the tuner source input mode

is selected.

3 Input source indicators

One of the arrows for these indicators will be illuminated

depending on which source is selected.

4 DIGITAL and PRO LOGIC indicators

The DIGITAL indicator will be illuminated when the built-in

Dolby Digital decoder is on and the signals of the source

encoded with Dolby Digital are not 2-channels.

The PRO LOGIC indicator will be illuminated when the

built-in Dolby Pro Logic Surround decoder is on.

5 DSP indicator

This indicator will be illuminated when the built-in digital sound

field processor is on.

6 MEMORY indicator

A flashing MEMORY indicator means a station can be saved,

as explained in the following:

Press the MEMORY button. The MEMORY indicator will flash

about 5 seconds. While the indicator is flashing, program the

displayed station to memory by using the A/B/C/D/E and the

preset station number selector buttons.

7 DSP program indicators

The name of the selected DSP program will be illuminated in

the following cases.

• When the tuner is selected as the input source

• When a DSP program parameter is selected or adjusted.

• When the DSP program No. 2, 3 or the subprogram

“Enhanced” of No. 1 is selected.

There is no illumination here when no DSP program is

selected

8 AUTO indicator

This indicator will be illuminated during the automatic tuning

mode.

9 STEREO indicator

This indicator will be illuminated when an FM stereo broadcast

with sufficient signal strength is received.

0 Signal-level indicator

This indicator shows the signal level of the received station. If

multipath interference is detected, the indication decreases.

A TAPE/MD MONITOR indicator

This indicator will be illuminated when the tape deck (or MD

recorder etc.) connected to the TAPE/MD IN and OUT

terminals on the rear of this unit is selected as the input source

by pressing the TAPE/MD MON/EXT. DECODER button.

B SLEEP indicator

This indicator will be illuminated when the built-in SLEEP timer

is on.

GETTING STARTED

This unit has been designed to provide the best sound field

quality with a full five-speaker system setup, using a pair of

main speakers to output main source sounds, a pair of effect

speakers to generate the sound field plus one center speaker

for dialog. We therefore recommend that you use a five-

speaker setup. A four-speaker system using only one pair of

effect speakers for the sound field will still provide impressive

ambience and effects, however, and may be a good way to

begin with this unit. You can always upgrade to the five-

speaker system later.

Use of the center dialog speaker is

recommended

When playing back a source with Dolby Pro Logic decoded, or

playing back a source which contains center-channel signals

with Dolby Digital or DTS decoded, dialog, vocals etc. are

output from the center channel. Therefore, if you want to

maximize the performance of your Audio/Video home theater

system, it is recommended that you use a center channel

speaker.

If, for some reason, it is not practical to use a center speaker, it

is possible to enjoy the movie without it. Best results, however,

are obtained with the full system.

Use of a subwoofer expands your sound

field

It is also possible to further expand your system with the

addition of a subwoofer and amplifier. The use of a subwoofer

is effective not only for reinforcing bass frequencies from any

or all channels, but also for reproducing signals at the

subwoofer channel with high fidelity during playing back a

source with Dolby Digital or DTS decoded. You may wish to

choose the convenience of a Yamaha Active Servo Processing

Subwoofer System, which has its own built-in power amplifier.

Speaker setup

m Speakers and speaker placement

Your full five-speaker system will require two speaker pairs:

the MAIN SPEAKERS (your normal stereo speakers) and the

REAR SPEAKERS, plus the CENTER SPEAKER. You may

also be using a SUBWOOFER.

The MAIN SPEAKERS should be high performance models

and have enough power handling capacity to accept the

maximum output of your audio system.

Other speakers do not have to be equal to the MAIN

SPEAKERS. For precise sound localization, however, it is

ideal to use high performance models that can reproduce

sounds in full range for the CENTER SPEAKER and REAR

SPEAKERS.

Place the MAIN SPEAKERS in the ordinary position.

Place the REAR SPEAKERS behind your listening position.

They should be nearly 1.8m above the floor.

Place the CENTER SPEAKER precisely between the two

MAIN SPEAKERS. (To avoid interference, keep the speaker

above or below the television monitor, or use a magnetically

shielded speaker.)

If using a SUBWOOFER, such as a Yamaha Active Servo

Processing Subwoofer System, the position of the speaker is

not so critical because low bass tones are not highly

directional.

m Setting up your speaker system

Main speaker Center speaker Rear speaker

Subwoofer

PREPARATION

English

5 Speaker System

The recommended system for enjoying Audio/Video

sources.

By the use of a center speaker, center channel sounds (dialog,

vocals etc.) are precisely localized.

1. CENTER SPEAKER—Set to “LRG” or “SML”.

(See page 27.)

4 Speaker System

Basic system.

You can enjoy widely diffused sound by only adding a pair of

rear speakers to a basic stereo speaker system.

However, center channel sounds must be output from the left

and right main speakers.

1. CENTER SPEAKER—Set to “NONE”. (See page 27.)

m Speaker system configurations

PREPARATION

Caution: Plug in this unit and other components after all connections are completed.

All connections must be correct, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also refer to the owner’s manual for

each of your components.

Audio/video source equipment

●

Use RCA type pin plug cables for audio/video units with the exception described later.

●

The output (or input) terminals of YAMAHA audio/video units numbered as 1, 3, 4, etc. on the rear panel must be connected to

the same-numbered terminals of this unit.

PHONO CD

TAPE

MD DVD/LD TV/DBS VCR

IN OUT

1 3 4

AUDIO SIGNAL

ANT

Ω

UNBAL.

GND

SUB

WOOFER

ON SCREEN SELECTOR

S VIDEO VIDEO

REMOTE

CONTROL

IN OUT

DVD/LD

COAXIALOPTICAL OPTICAL

DVD/LD TV/DBSCD

DIGITAL SIGNAL

IN (PLAY) OUT (REC)

EXTERNAL DECODER INPUT

MAIN CENTER

SURROUND

GND

MONITOR

OUT

DVD/LD TV/DBS

IN OUT

VCR

MONITOR

OUT

IN OUT

VCR

VIDEO SIGNALS VIDEO SIGNAL

OUTPUT

LINE OUT

LINE IN

VIDEO OUT

AUDIO OUT

AUDIO IN

VIDEO OUT

VIDEO IN

OUTPUT

GND

VIDEO

AUDIO OUT

VIDEO OUT

(U.S.A. model)

Turntable

MD recorder,

Tape deck, etc.

CD player

m Basic connections

(*1): GND terminal (For turntable use)

Connecting the ground wire of the turntable to the GND

terminal will normally minimize hum, but in some cases

better results may be obtained with the ground wire

disconnected.

: Indicates the direction of signals.

Connections

PREPARATION

(*1)

LD player, DVD player, etc.

TV monitor

Video cassette

recorder

TV/Satellite tuner

English

PREPARATION

VIDEO AUX

S VIDEO VIDEO L AUDIO R

S VIDEO

VIDEO

VIDEO OUT

S VIDEO OUT

AUDIO OUT L

AUDIO OUT R

Camcorder

For Custom Installer (

For U.S.A., Canada and Australia models only)

(U.S.A. model)

VIDEO AUX terminals (on the front panel)

These terminals are used to connect a video input source such

as a camcorder.

PAL/NTSC switch (China and General

models only)

This unit is designed for use with the NTSC and PAL television

formats. Set this switch to the position for the format your TV

monitor employs.

PAL: Set to this position if your TV monitor employs the PAL

format.

Outputs signals in the PAL format no matter which

format (PAL or NTSC) of video signal is sent from an

external video unit to this unit.

NTSC: Set to this position if your TV monitor employs the

NTSC format.

Outputs signals in the NTSC format no matter which

format (PAL or NTSC) of video signal is sent from an

external video unit to this unit.

Note

Be sure to input a video signal which employs the same format

that your TV monitor employs, otherwise a picture will not be

played back normally.

Ω

UNBAL.

GND

SUB

WOOFER

S VIDEO VIDEO

PAL NTSC

DVD/LD

COAXIALOPTICAL OPTICAL

DVD/LD TV/DBSCD

DIGITAL SIGNAL

EXTERNAL DECO

MAIN CENTER

ON SCREEN SELECTOR

GND

SUB

WOOFER

ON SCREEN SELECTOR

S VIDEO VIDEO

REMOTE

CONTROL

IN OUT

DVD/LD

COAXIALOPTICAL OPTICAL

DVD/LD TV/DBSCD

DIGITAL SIGNAL

EXTERNAL DECODER INPUT

MAIN CENTER

SURROUND

REMOTE CONTROL (IN, OUT) terminals

These terminals are used for custom installation system.

When this unit is connected to the components for custom

installation system, you can operate this unit with the system

remote control.

Connect the REMOTE CONTROL IN terminal of this unit to

the output terminal of the central controller for custom

installation system.

By connecting the REMOTE CONTROL OUT terminal of this

unit to the REMOTE CONTROL IN terminal of the other

component, you can also operate it with the system remote

control. In this way, up to 6 components can be connected in

series.

: S-video cable

(Refer to page 18 for details about the S

VIDEO terminal.)

Notes

●

When you connect an audio/video unit to both of the digital

and analog terminals of this unit, make sure to connect to

both terminals of the same name.

●

Be sure to attach the covers when the OPTICAL terminals

are not being used, in order to protect the terminals from

dust.

●

In order to make this unit perform successful DTS-decoding,

the DTS bitstream must not be altered, manipulated or

corrupted in the process of sending the DTS bitstream from

the DIGITAL OUT terminal of an external unit to a digital

signal input terminal of this unit.

●

All digital audio signal input terminals are applicable to the

sampling frequency of 32 kHz, 44.1 kHz and 48 kHz.

m Connecting to digital (OPTICAL and COAXIAL) terminals

If your CD player, LD player, DVD player, TV/satellite tuner,

etc. are equipped with coaxial or optical digital audio signal

output terminals, they can be connected to this unit’s COAXIAL

or OPTICAL, or both terminals.

Digital audio signals are transmitted with less loss than analog

audio signals. In addition, digital audio signal connections are

necessary, especially for an LD player, a DVD player or a CD

player to send signals encoded with Dolby Digital or DTS to

this unit.

To make an optical digital connection between this unit and an

external unit, remove the cover from each optical terminal, and

then connect them by using a commercially available optical

fiber cable that conforms to EIAJ standards. Other cables

might not function correctly.

Even if you connect an audio/video unit to the OPTICAL (or

COAXIAL) terminal of this unit, you must keep the unit

connected with the same named analog audio signal terminals

of this unit, because digital signal cannot be recorded by a tape

deck or VCR connected to this unit. You can switch the

selection of input signals between “digital” and “analog” easily.

(See page 36 for details.)

ANT

GND

Ω

UNBAL.

GND

ON SCREEN SELECTOR

S VIDEO VIDEO

REMOTE

CONTROL

IN OUT

PHONO CD

TAPE

MD DVD/LD TV/DBS VCR

IN OUT

1 3 4

AUDIO SIGNAL

IN (PLAY) OUT (REC)

MONITOR

OUT

DVD/LD TV/DBS

IN OUT

VCR

MONITOR

OUT

IN OUT

VCR

VIDEO SIGNALS VIDEO SIGNAL

SUB

WOOFER

EXTERNAL DECODER INPUT

MAIN CENTER

SURROUND

DVD/LD

COAXIALOPTICAL OPTICAL

DVD/LD TV/DBSCD

DIGITAL SIGNAL

OPTICAL

DIGITAL OUT

COAXIAL

DIGITAL OUT

OPTICAL

DIGITAL

OUT

OPTICAL

DIGITAL

OUT

TV/Satellite tuner

(U.S.A. model)

PREPARATION

: Optical fiber cable

: Coaxial cable

LD player, DVD player, etc.

CD player

English

m Connecting to DOLBY DIGITAL RF output of the DVD/LD/CD combi-player

PREPARATION

If your DVD/LD/CD combi-player has a DOLBY DIGITAL RF

signal output terminal, it can be connected to this unit by using

an RF demodulator (separate purchase).

First, connect the DOLBY DIGITAL RF signal output terminal of

the DVD/LD/CD combi-player to the DOLBY DIGITAL RF

signal input terminal of the RF demodulator. Next, connect the

coaxial digital signal output terminal of the RF demodulator to

the COAXIAL digital signal input terminal of this unit.

This connection is necessary for sending audio signals of an

LD source encoded with Dolby Digital to this unit.

It is also necessary to connect the DVD/LD/CD combi-player to

this unit’s analog audio signal input terminals regardless of the

DOLBY DIGITAL RF signal connection. This is for playing back

a source with Dolby Pro Logic Surround decoded or in normal

stereo (or monaural).

You must also connect the optical digital signal output terminal

of the DVD/LD/CD combi-player to the OPTICAL DVD/LD

digital signal input terminal of this unit.

This connection is necessary for playing back a DVD source

with Dolby Digital or DTS decoded, and playing back an LD

source with DTS decoded.

When these connections are completed, set the input mode of

the DVD/LD source to “AUTO”, and you will hear sounds

decoded with Dolby Digital even if signals are input to both

COAXIAL and OPTICAL digital signal input terminals of this

unit. This is because signals input to the COAXIAL terminal

take priority over signals input to the OPTICAL terminal.

Refer to page 36 for details about switching the input mode.

Notes

●

If, for example, you play a CD on the DVD/LD/CD combi-

player, there is no input to the COAXIAL terminal, so the

signals input to the OPTICAL terminal take priority. In this

case, switch off the RF demodulator to listen to CD sound

without interference. However, if your RF demodulator is the

Yamaha model APD-1, you do not have to switch it off.

●

When you want to play an LD source encoded with Dolby

Digital without decoding Dolby Digital, you must switch off

the power of the RF demodulator.

ANT

GND

Ω

UNBAL.

GND

ON SCREEN SELECTOR

S VIDEO VIDEO

REMOTE

CONTROL

IN OUT

PHONO CD

TAPE

MD DVD/LD TV/DBS VCR

IN OUT

1 3 4

AUDIO SIGNAL

IN (PLAY) OUT (REC)

SUB

WOOFER

EXTERNAL DECODER INPUT

MAIN CENTER

SURROUND

DVD/LD

COAXIALOPTICAL OPTICAL

DVD/LD TV/DBSCD

DIGITAL SIGNAL

MONITOR

OUT

DVD/LD TV/DBS

IN OUT

VCR

MONITOR

OUT

IN OUT

VCR

S VIDEO SIGNAL VIDEO SIGNAL

COAXIAL

DIGITAL OUT

DOLBY DIGITAL

RF IN

OPTICAL

DIGITAL OUT

ANALOG

OUT

DOLBY DIGITAL

RF OUT

(U.S.A. model)

RF demodulator

DVD/LD/CD combi-

player, etc.

GND

ANT

Ω

UNBAL.

GND

PHONO CD

TAPE

MD DVD/LD TV/DBS VCR

IN OUT

1 3 4

AUDIO SIGNAL

IN(PLAY) OUT(REC)

DVD/LD

COAXIALOPTICAL OPTICAL

DVD/LD TV/DBSCD

DIGITAL SIGNAL

SUB

WOOFER

EXTERNAL DECODER INPUT

MAIN CENTER

SURROUND

ON SCREEN SELECTOR

S VIDEO VIDEO

REMOTE

CONTROL

IN OUT

MONITOR

OUT

DVD/LD TV/DBS

IN OUT

VCR

MONITOR

OUT

IN OUT

VCR

VIDEO SIGNALS VIDEO SIGNAL

VIDEO

S-VIDEO

VIDEO IN

VIDEO OUT

S-VIDEO IN

S-VIDEO

OUT

m Connecting to S VIDEO terminals

If your video cassette recorder and your monitor are equipped

with “S” video terminals, connect this unit’s S VIDEO SIGNAL

VCR IN and OUT terminals to the “S” video input and output of

your video cassette recorder, and connect this unit’s S VIDEO

SIGNAL MONITOR OUT terminal to the “S” video input of your

monitor. In addition, a video unit equipped with an “S” video

output can be connected to the VIDEO AUX S VIDEO terminal

on the front of this unit.

With these connections, you can play back or record high

quality pictures. Otherwise, connect the “composite” video

terminals from your video cassette recorder, etc. to the VIDEO

SIGNAL terminals of this unit, and connect this unit’s VIDEO

SIGNAL MONITOR OUT terminal to the “composite” video

input of your monitor.

Note

If video signals are sent to both S VIDEO input and VIDEO

input terminals, the signals will be sent to their respective

output terminals.

S VIDEO terminals

This unit provides you with S VIDEO terminals in addition

to standard type VIDEO terminals.

S VIDEO terminals transmit video signals separated into

luminance (Y) signals and color (C) signals. In comparison

with S VIDEO terminals, standard type VIDEO terminals

transmit “composite” video signals.

Video cassette recorderTV monitor

PREPARATION

: S-video cable

(*1): ON SCREEN SELECTOR S VIDEO/VIDEO switch

Set this switch to either position to select the TV monitor on

which you want to display the on-screen information.

S VIDEO: The on-screen information is displayed on the TV

monitor connected to the S VIDEO SIGNAL

MONITOR OUT terminal.

VIDEO: The on-screen information is displayed on the TV

monitor connected to the composite VIDEO

SIGNAL MONITOR OUT terminal.

(*1)

(U.S.A. model)

English

This unit is equipped with additional 6-channel audio signal

input terminals (for left main, right main, center, left rear

surround, right rear surround and subwoofer channels) for

inputting signals from an external decoder of a future format to

this unit.

To listen to a sound by reproducing signals input to these

terminals, press the TAPE/MD MON/EXT. DECODER button

on the front panel repeatedly until “EXT. DECODER” appears

on the display. By doing so, the signals input to these terminals

are sent to the corresponding SPEAKERS terminals and

OUTPUT terminals of this unit.

Notes

●

When signals input to these terminals are selected, the

digital sound field processor cannot be used.

●

The settings of “1. CENTER SPEAKER,” “2. REAR

SPEAKER”, “3. MAIN SPEAKER” and “4. LFE/BASS OUT”

in the SET MENU mode have no effect on the signals input

to these terminals. The setting of “5. MAIN LEVEL” is

effective. (Refer to pages 27 to 28 for details.)

●

The adjustments of the output level of the center speakers,

rear speakers and subwoofer are effective when the signals

input to these terminals are selected as the input source.

(Refer to pages 46 to 47 for details.)

Connecting an external decoder of a future format to this unit

GND

ON SCREEN SELECTOR

S VIDEO VIDEO

REMOTE

CONTROL

IN OUT

ANT

Ω

UNBAL.

GND

PHONO CD

TAPE

MD DVD/LD TV/DBS VCR

IN OUT

1 3 4

AUDIO SIGNAL

IN (PLAY) OUT (REC)

SUB

WOOFER

EXTERNAL DECODER INPUT

MAIN CENTER

SURROUND

OUT

VCR

MONITOR

OUT

DVD/LD TV/DBS

MONITOR

OUT

IN OUT

VCR

VIDEO SIGNALS VIDEO SIGNAL

DVD/LD

COAXIALOPTICAL OPTICAL

DVD/LD TV/DBSCD

DIGITAL SIGNAL

SUBWOOFER OUT

SURROUND OUT

CENTER OUT

MAIN OUT

External decoder

(U.S.A. model)

PREPARATION

Speakers

SPEAKERS

MAIN CENTER REAR

(SURROUND)

OUTPUT

SUB

WOOFER

CAUTION

SEE INSTRUCTION MANUAL FOR CORRECT SETTING.

MAIN

CENTER REAR

(SURROUND)

Center speaker

LeftRight

Main speakers B

Rear speakers

Subwoofer system

Left

Right

Left

Use speakers with the specified impedance shown on the rear of this unit.

For connecting to the MAIN SPEAKERS terminals

Red: positive (+)

Black: negative (–)

➀

Loosen the knob.

➁

Insert the bare wire.

[Remove approx. 5mm

(1/4”) insulation from

the speaker wires.]

➂

Tighten the knob and

secure the wire.

<U.S.A., Canada, China, Australia and General models

only

Banana Plug connections are also possible. Simply insert the

Banana Plug connector into the corresponding terminal.

How to Connect:

Connect the SPEAKERS terminals to your speakers with the wire of the proper gauge (keep as short as possible). If the

connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct. That is

the + and – markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.

Caution

Do not let the bare speaker wires touch each other or any metal part of this unit. This could damage this unit or the

speakers, or both.

PREPARATION

Main speakers A

English

WARNING

Do not change the IMPEDANCE SELECTOR switch

setting while the power to this unit is on, otherwise this

unit may be damaged.

IF THIS UNIT FAILS TO TURN ON WHEN THE

STANDBY/ON SWITCH IS PRESSED:

The IMPEDANCE SELECTOR switch may not be set to

either end. If so, set the switch to either end when this unit

is in the standby mode.

Select the position whose requirements your speaker system

meets.

(Upper position)

Rear: The impedance of each speaker must be 6Ω or

higher.

Center: The impedance of the speaker must be 6Ω or higher.

Main: If you use one pair of main speakers, the impedance

of each speaker must be 4Ω or higher.

If you use two pairs of main speakers, the impedance

of each speaker must be 8Ω or higher.

(Lower position)

Rear: The impedance of each speaker must be 8Ω or

higher.

Center: The impedance of the speaker must be 8Ω or higher.

Main:

If you use one pair of main speakers, the impedance

of each speaker must be 8Ω or higher.

If you use two pairs of main speakers, the

impedance of each speaker must be 16Ω or higher.

The impedance of each speaker must be 8Ω or

higher.

m IMPEDANCE SELECTOR switch

REAR

(SURROUND)

SWITCHED

I20V 60Hz

I00W MAX. TOTAL

AC OUTLETS

IMPEDANCE SELECTOR

: 6

Ω

MIN. /SPEAKER

: 6

Ω

MIN. /SPEAKER

A OR B: 4

Ω

MIN. /SPEAKER

A B: 8

Ω

MIN. /SPEAKER

SET BEFORE POWER ON

REAR

CENTER

MAIN

: 8

Ω

MIN. /SPEAKER

: 8

Ω

MIN. /SPEAKER

A OR B: 8

Ω

MIN. /SPEAKER

A B: I6

Ω

MIN. /SPEAKER

REAR

CENTER

MAIN

(U.S.A. model)

IMPEDANCE SELECTOR

For connecting to the REAR and CENTER SPEAKERS

terminals

Red: positive (+)

Black: negative (–)

➀

Press the tab.

➁

Insert the bare wire.

[Remove approx. 5mm

(1/4”) insulation from

the speaker wires.]

➂

Release the tab and

secure the wire.

Note on main speaker connections:

One or two speaker systems can be connected to this unit. If

you use only one speaker system, connect it to either the

SPEAKERS A or B terminals.

Note on a subwoofer connection:

You may wish to add a subwoofer to reinforce low frequencies

or to output low bass sound from the subwoofer channel when

reproducing discrete signals.

When using a subwoofer, connect the SUBWOOFER terminal

of this unit to the INPUT terminal of the subwoofer amplifier,

and connect the speaker terminals of the subwoofer amplifier

to the subwoofer.

With some subwoofers, including the Yamaha Active Servo

Processing Subwoofer System, the amplifier and subwoofer

are in the same unit. Such a subwoofer needs only the

connection between the SUBWOOFER terminal of this unit

and the INPUT terminal of the subwoofer.

(Refer to page 22 for details about the SUBWOOFER

terminal.)

PREPARATION

➁

➂

➀

The speaker connections described on page 20 are fine for

most applications. If for some reason, however, you wish to

drive main, center and/or rear speakers with your existing

amplifier, etc., the following terminals are available for

connecting external amplifier(s) to this unit.

1 MAIN terminals

These terminals are for main channel line output.

If you drive main speakers with an external stereo power

amplifier, connect the input terminals of the external

amplifier (MAIN IN or AUX terminals of an amplifier or a

receiver) to these terminals.

There is no connection to these terminals when you use

the built-in amplifier.

* Output signals from the MAIN terminals are affected by

the use of BASS, TREBLE, BALANCE controls, BASS

EXTENSION button and the TONE BYPASS button.

2 SUBWOOFER terminal

When using a subwoofer, connect its amplifier input to

this terminal. Low frequencies distributed from the main,

center and/or rear channels are output from this terminal.

(The cut-off frequency of this terminal is 90 Hz.) Signals

of LFE (low frequency effect) generated when Dolby

Digital or DTS is decoded are also output if they are

assigned to this terminal.

3 CENTER terminal

This terminal is for center channel line output.

If you drive a center speaker with an external power

amplifier, connect the input terminal of the external

amplifier to this terminal.

There is no connection to this terminal when you use the

built-in amplifier.

4 REAR (SURROUND) terminals

These terminals are for rear channel line output.

If you drive rear speakers with an external stereo power

amplifier, connect the input terminals of the external

amplifier (MAIN IN or AUX terminals of an amplifier or a

receiver) to these terminals.

There is no connection to these terminals when you use

the built-in amplifier.

Notes

•

Output level of signals from all of these terminals are

adjusted by the use of VOLUME control on the front panel

or VOLUME keys on the remote controller.

•

If an external power amplifier is connected to the MAIN,

CENTER, or REAR output terminals, do not use the

corresponding SPEAKERS terminals (MAIN, CENTER, or

REAR).

m To drive main, center and/or rear speakers with external amplifiers

MAIN CENTER REAR

(SURROUND)

OUTPUT

SUB

WOOFER

12 34

PREPARATION

English

Antennas

●

Each antenna should be connected to the designated terminals correctly, as shown in the following figure.

●

Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal

strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor

reception quality only with the indoor antennas, the use of an outdoor antenna may result in improvement.

GND

ON SCREEN SELECTOR

S VIDEO VIDEO

ANT

Ω

UNBAL.

GND

PHONO CD

TAPE

1 3

IN (PLAY)

COAXIALOPTICAL

DVD/LDCD

DIGITAL SIGNAL

OUT

MONITOR

OUT

VCR

S VIDEO SIGNAL

Outdoor FM antenna

Outdoor AM antenna

AM loop

antenna

(included)

Ground

75-ohm/300-ohm

antenna adapter

75-ohm coaxial cable

300-ohm flat

ribbon cable

Indoor FM

antenna

(included)

m Connecting the AM loop antenna

1.Press the tab and unlock the terminal hole.

2.Connect the AM loop antenna lead wires to the AM ANT and

GND terminals.

3.Return the tab back to the original position to lock the lead

wires. Lightly pull on the lead wires to confirm a good

connection.

4.Attach the loop antenna to the antenna stand.

5.Orient the AM loop antenna so that the best reception is

obtained.

Notes

●

The AM loop antenna should be placed apart from the main

unit. The antenna may be hung on a wall.

●

The AM loop antenna should be kept connected, even if an

outdoor AM antenna is connected to this unit.

PREPARATION

(U.S.A. model)

75-ohm/300-ohm

antenna adapter

Antenna stand

Loop antenna

m Connecting the indoor FM antenna

Connect the included indoor antenna to the 75Ω UNBAL. FM

ANT terminal.

Note

Do not use an outdoor FM antenna and the indoor FM

antenna at the same time.

GND terminal

For maximum safety and minimum interference, connect

the GND terminal to a good ground. A good ground is a

metal stake driven into moist earth.

m Optional outdoor FM antenna

Consult your dealer or authorized service center about the best

method of selecting and erecting an outdoor FM antenna.

The choice of the flat ribbon cable is also important. Flat ribbon

cable performs well electrically, and is cheaper and somewhat

easier to handle when routing it through windows and around

rooms. Coaxial cable is more expensive, does a much better

job of minimizing interference, is less prone to the effects of

weather and close-by metal objects, and is nearly as good a

signal conductor as flat ribbon cable. Coaxial cable is

somewhat more difficult to install at the point where the cable

enters the building. If coaxial cable is selected, make sure the

antenna is designed to be used with this type of cable.

* Use a 75-ohm/300-ohm antenna adapter (not included) or a

75-ohm antenna adapter (not included) for connections.

300-ohm flat ribbon cable 75-ohm coaxial cable

75-ohm/300-ohm antenna adapter

Notes for FM antenna installation

●

To minimize the influence of automobile ignition noise,

locate the antenna as far from heavy traffic as possible.

●

Keep the flat ribbon cable or coaxial cable as short as

possible. Do not bundle or roll up an excess of the cable.

●

The antenna should be at least two meters (6.6 feet) from

reinforced concrete walls or metal structures.

300-ohm flat

ribbon cable

75-ohm coaxial

cable

75-ohm antenna

adapter

75-ohm coaxial

cable

m Optional outdoor AM antenna

If this unit is placed in steel buildings or an area far from

broadcasting stations, it may be necessary to install an outside

long wire antenna.

PREPARATION

English

•

After completing all connections, plug the AC power cord

into an AC outlet.

•

Unplug the AC power cord from the AC outlet if this unit is

not to be used for a long period of time.

MAIN CENTER REAR

(SURROUND)

OUTPUT

SUB

WOOFER

SWITCHED

I00W MAX. TOTAL

AC OUTLETS

VOLTAGE SELECTOR

IMPEDANCE SELECTOR

: 6

Ω

MIN. /SPEAKER

: 6

Ω

MIN. /SPEAKER

A OR B: 4

Ω

MIN. /SPEAKER

A B: 8

Ω

MIN. /SPEAKER

SET BEFORE POWER ON

REAR

CENTER

MAIN

: 8

Ω

MIN. /SPEAKER

: 8

Ω

MIN. /SPEAKER

A OR B: 8

Ω

MIN. /SPEAKER

A B: I6

Ω

MIN. /SPEAKER

REAR

CENTER

MAIN

(General model)

Plugging in this unit

AC OUTLET(S)

(U.S.A., Canada, China, Singapore and General models)

.......................................................... 2 SWITCHED OUTLETS

(Australia model).................................. 1 SWITCHED OUTLET

Use these to connect the power cords of your components to

this unit.

The power to the SWITCHED outlets is controlled by this unit’s

STANDBY/ON switch or the remote controller’s POWER and

STANDBY keys. These outlets will supply power to any

connected unit whenever this unit is turned on.

The maximum power (total power consumption of components)

that can be connected to the SWITCHED AC OUTLET(S) is

100W.

Voltage Selector (China and General Models

only)

The voltage selector on the rear panel of this unit must be

set for your local main voltage BEFORE plugging into the

AC main supply.

Voltages are 110/120/220/240 V AC, 50/60 Hz.

PREPARATION

(*1): (*2):

(*1)

(*2)

To AC outlet

PREPARATION

If you connect your VCR, LD player, video monitor, etc. to this

unit, you can take advantage of this unit’s capability to display

program titles, parameter data and information for various

setting changes and adjustments on your video monitor

screen. This information will be superimposed over the video

image.

If there is no video source connected or it is turned off, the

information will be displayed over a blue colored background.

Note: The program titles, parameter data and other

information are also displayed on the display panel of this unit.

Selecting a type of display

You can change the type of display showing various

information on the monitor screen by pressing the ON

SCREEN display key on the remote controller.

Press this key to change the screen to a full or simple display,

or no display at all.

(Example)

Full display

Simple display

Goes off after being displayed for

several seconds.

Notes

●

When making a setting change or adjustment in the SET

MENU mode, or adjusting the speaker balance by using the

test tone, information is fully displayed on the monitor

screen even if another type of display is currently selected.

●

Information displayed on the monitor screen in this way

cannot be recorded by a VCR.

DISP

INDEX

ON SCREEN

On screen display

English

1. CENTER SPEAKER

Choices: LARGE (LRG)/SMALL (SML)/NONE

Preset position: LRG

LRG: When your center speaker is approximately the same

size as the main speakers.

SML: When you use a center speaker that is smaller than

the main speakers.

In this position, low bass signals (below 90 Hz) at the

center channel are output from the SUBWOOFER

terminals (or the main speakers if the MAIN position

is selected on “4. LFE/BASS OUT”).

NONE: When you do not have a center speaker.

The center channel sound will be output from the left

and right main speakers.

2. REAR SPEAKER

Choices: LARGE/SMALL

Preset position: LARGE

LARGE: If your rear speakers have a high ability for bass

reproduction, or a subwoofer is connected to the rear

speaker in parallel.

In this position, full range signals are output from the

rear speakers.

SMALL: If your rear speakers do not have a high ability for

bass reproduction.

In this position, low bass signals (below 90 Hz) at the

rear channels are output from the SUBWOOFER

terminals (or the main speakers if the MAIN position

is selected on “4. LFE/BASS OUT”).

The following functions control the output signals to the speakers in your audio system. When speaker connections are all

completed, select a proper position on each function to maximize the performance of your speaker system.

* For details about the SET MENU mode, refer to pages 51 to 54.

1. CENTER SPEAKER

2. REAR SPEAKER

3. MAIN SPEAKER

4. LFE/BASS OUT

5. MAIN LEVEL

m Function description

Selecting the output modes (“SET MENU”mode)

PREPARATION

3. MAIN SPEAKER

Choices: LARGE/SMALL

Preset position: LARGE

LARGE: If your main speakers have a high ability for bass

reproduction.

In this position, full range signals present at the main

channels are output from the main speakers.

SMALL: If your main speakers do not have a high ability for

bass reproduction. However, if your system does not

include a subwoofer, do not select this position.

In this position, low bass signals (below 90 Hz) at the

main channels are output from the SUBWOOFER

terminals (if the SW or BOTH position is selected on

“4. LFE/BASS OUT”).

4. LFE/BASS OUT

Choices: SW/MAIN/BOTH

Preset position: SW

MAIN: If your system does not include a subwoofer.

In this position, full range signals present at the main

channels, signals from the LFE channel and other

low bass signals that are selected on “1. CENTER

SPEAKER” to “3. MAIN SPEAKER” to be distributed

from other channels are output from the main

speakers.

SW/BOTH:

Select either the SW or BOTH position if your system

includes a subwoofer.

In either position, signals at LFE channel and other

low bass signals that are selected on “1. CENTER

SPEAKER” to “3. MAIN SPEAKER” to be distributed

from other channels are output from the

SUBWOOFER terminals.

When the LARGE position is selected on “3. MAIN

SPEAKER”, in the SW position, no signal is

distributed from the main channels to the

SUBWOOFER terminals, however in the BOTH

position, low bass signals from the main channels

are output to both of the main speakers and the

SUBWOOFER terminals.

5. MAIN LEVEL

Choices: Normal/–10dB

Preset position: Normal

Normal: Normally, select this position.

–10dB: If the volume levels to the center and/or rear

speakers are lower than the level to the main

speakers even though they are adjusted to

maximum.

The volume level to the main speakers are

decreased by 10 dB, so you can adjust the speaker

output level balance properly.

PREPARATION

Note

The settings of “1. CENTER SPEAKER”, “2. REAR

SPEAKER”, “3. MAIN SPEAKER” and “4. LFE/BASS OUT”

have no effect on the signals input to the EXTERNAL

DECODER INPUT terminals on the rear of this unit.

English

m Changing selections

Refer to the display panel or the monitor screen when changing the selections.

When using the remote controller, the selector dial must be

set at “AMP/TUN”.

1 Turn on the power of this unit. (If necessary, turn on the

power of the monitor to display information.)

2 Select the function “1. CENTER SPEAKER” by using

one of the following methods.

3 Use one of the buttons figured below to select the

desired position.

4 Follow the same procedure for “2. REAR SPEAKER”,

“3. MAIN SPEAKER”, “4. LFE/BASS OUT” and/or

“5. MAIN LEVEL”.

First select the function by following step 2, and then

select the proper position by following step 3.

Front panel

Remote controlFront panel

Remote control

STANDBY/ON

SELECT

DIR

TUNER

PHONO

DVD/LD

TV/DBS

V-AUX

VCR

TUNER

PHONO

DVD/LD

TV/DBS

V-AUX

VCR

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

INPUT SELECTOR

–dB

BASS

EXTENSION

TONE

BYPASS

LEVEL EFFECT

SET

PROGRAM

2345678

MEMORY EDIT FM/AM

DOWN

TUNING

INPUT MODE

TUNING

MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

CINEMA DSP

TAPE/MD MON

/EXT. DECODER

STANDBY/ON

A/B/C/D/E

100

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

ENTER

HALL

TEST

EFCT

DSP

Remote control

POWER

Changes.

PREPARATION

Front panel

LEVEL

SET

LEVEL

SET

SET MENU

AUDIO

SET MENU

AUDIO

SET UP

RETURN

LEVEL

SET MENU

POWER

VOLUME

MUTE

SLEEP

DIR DIR

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

CODE SET

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

SELECT

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

POWER

STANDBY

AMP/TUN

Press once

or more.

Press once or

more.

Press once.

SELECT

DIR

Press once or

more.

1 Set the selector dial of the remote controller to

“AMP/TUN”.

Set to the “

∞

” position.

3 Select main speakers A or B.

* Both speakers A and B can be selected.

4 Turn on the power.

Set to the “0” position.

Set to the “OFF ( )”.

7 Press the TEST key on the remote controller to enter

the test mode.

This procedure lets you adjust the sound output level balance between the main, center and rear speakers using the built-in test

tone generator. After the adjustments, the sound output level heard at the listening position will be the same from each speaker.

This is important for the best performance of the digital sound field processor, the Dolby Digital decoder, the Dolby Pro Logic

Surround decoder and the DTS decoder.

The adjustment of each speaker output level should be done at your listening position with the remote controller.

VOLUME

–dB

STANDBY/ON

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

INPUT SELECTOR

–dB

BASS

EXTENSION

TONE

BYPASS

LEVEL EFFECT

SET

PROGRAM

2345678

MEMORY EDIT FM/AM

DOWN

TUNING

INPUT MODE

TUNING

MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

CINEMA DSP

TAPE/MD MON

/EXT. DECODER

STANDBY/ON

63 5

100

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

ENTER

HALL

TEST

100

CLEAR

TEST

Front panel

Remote control

POWER

CONTINUED

Speaker balance adjustment

PREPARATION

SPEAKERS

OFF

BASS TREBLE

BALANCE

OFF

BASS

EXTENSION

TONE

BYPASS

Front panel

POWER

STANDBY

TUNER

TAPE/MD

DVD/ D

VCR

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

AMP/TUN

English

8 Turn up the volume.

You will hear a test tone (like pink noise) from the left main

speaker, then the center speaker, then the right main

speaker, then the right rear speaker, and then the left rear

speaker, for about 2.5 seconds each. The display changes

as shown below.

* The state of the test tone output is also shown on the

monitor screen by an image of the audio listening room.

This is convenient for adjusting each speaker level.

* If the function “1. CENTER SPEAKER” in the SET MENU

mode is set in the “NONE” position, you will hear the

center channel test tone from the left and right main

speakers.

9 Adjust the BALANCE control so that the effect sound

output level of the left main speaker and the right main

speaker are the same.

10 Adjust the sound output levels of the center speaker

and the rear speakers so that they become almost

the same as the main speakers.

How to adjust:

Pressing the or key adjusts the level to the

speaker (except the main speakers) currently

outputting the test tone.

* Pressing the key raises and the key lowers

the level.

* While adjusting, the test tone is fixed on the selected

speaker.

If desired, you can select a speaker to output the test

tone by pressing the or key once or more so

that “CENTER”, “R SUR.” or “L SUR.” appears on the

display.

* While holding the or key pressed, the test

tone is fixed on the selected speaker.

* “CENTER” shows the center speaker is selected,

“R SUR.” shows the right rear speaker, and “L SUR.”

shows the left rear speaker.

* The output level of the selected speaker can be

adjusted by the or key.

VOLUME

MUTE

CODE SET

BALANCE

Main (L)

Main (R)

Center

Rear (L)

Rear (R)

SELECT

DIR

SELECT

DIR

Remote control

Front panel

Remote control

TEST DOLBY SUR.

EFFECT LEVEL

CENTER 2dB

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

INPUT SELECTOR

–dB

BASS

EXTENSION

TONE

BYPASS

LEVEL EFFECT

SET

PROGRAM

2345678

MEMORY EDIT FM/AM

DOWN

TUNING

INPUT MODE

TUNING

MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

CINEMA DSP

TAPE/MD MON

/EXT. DECODER

STANDBY/ON

SET UP

RETURN

POWER

VOLUME

MUTE

SLEEP

DIR DIR

DISP

CODE SET

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

SELECT

SUBT T E ANG E

CONTINUED

PREPARATION

11 When the adjustment is finished, press the TEST

key once again to cancel the test tone.

Notes

●

Once you have completed these adjustments, you can

adjust the sound level on your audio system by using the

VOLUME control (or the VOLUME keys on the remote

controller) only.

●

If you use external power amplifiers, you may also use

their volume controls to obtain proper balance.

●

If the function “1. CENTER SPEAKER” in the SET MENU

mode is set in the “NONE” position, in step 10, the sound

output level of the center speaker cannot be adjusted.

This is because in this mode, the center sound is

automatically output from the left and right main speakers.

●

If there is insufficient sound output from the center and

rear speakers, you may decrease the main speaker

output level by setting the function “5. MAIN LEVEL” in

the SET MENU mode in the “–10dB” position.

Remote control

Disappears

100

CLEAR

TEST

A/B/C/D/E

100

POWER

PHONO

V-AUX

EXT. DEC

VOLUME

MUTE

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

CODE SET

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

PREPARATION

English

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

INPUT SELECTOR

–dB

BASS

EXTENSION

TONE

BYPASS

LEVEL EFFECT

SET

PROGRAM

2345678

MEMORY EDIT FM/AM

DOWN

TUNING

INPUT MODE

TUNING

MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

CINEMA DSP

TAPE/MD MON

/EXT. DECODER

STANDBY/ON

When using the remote controller, the selector dial must be

set at “AMP/TUN”.

Set to the “

∞

” position.

2 Select main speakers A or B.

Front panel

* Both speakers A and B can be selected.

3 Turn on the power.

4 Select an input source.

(For video sources, turn on the TV/monitor.)

The selected source is shown on the display panel and

the monitor screen.

Name of the selected input source

To select the tape deck connected to this unit’s

TAPE/MD terminals or the source connected to this

unit’s EXTERNAL DECODER INPUT terminals, use one

of the buttons figured below. (Refer to page 35 for

details.)

STANDBY/ON

Front panel

Remote control

Front panel Remote control

TUNER

PHONO

DVD/LD

TV/DBS

V-AUX

VCR

A/B/C/D/E

100

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

ENTER

HALL

TEST

Front panel

Remote control

POWER

BASIC OPERATION

Playing a source

SPEAKERS

OFF

CONTINUED

VOLUME

–dB

Front panel

EXT. DEC

HALL

TAPE/MD

MOVIE

THEATER 2

TAPE/MD MON

/EXT. DECODER

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

AMP/TUN

A/B/C/D/E

100

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

ENTER

HALL

TEST

BASIC OPERATION

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

INPUT SELECTOR

–dB

BASS

EXTENSION

TONE

BYPASS

LEVEL EFFECT

SET

PROGRAM

2345678

MEMORY EDIT FM/AM

DOWN

TUNING

INPUT MODE

TUNING

MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

CINEMA DSP

TAPE/MD MON

/EXT. DECODER

STANDBY/ON

A/B/C/D/E

100

POWER

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

VOLUME

MUTE

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

CODE SET

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

5 The current input mode is also shown for a source that

inputs two or more types of signals to this unit.

To change the input mode, press the INPUT MODE button

on the front panel or the input selector key for the currently

selected source on the remote controller. (Refer to page 36

for details on switching the input mode.)

6 Play the source. (Refer to page 39 for details on

tuning.)

Adjust the output level.

8 Adjust the BASS, TREBLE, BALANCE controls, etc.

(refer to page 38) and use the digital

sound field processor. (Refer to pages 43 to 45.)

Front panel

Remote control

Input mode

INPUT MODE

DVD/LD

MONO MOVIE

TUNER

PHONO

DVD/LD

TV/DBS

V-AUX

VCR

Front panel

Remote control

VOLUME

–dB

VOLUME

MUTE

CODE SET

When you finish using this unit

Press the STANDBY/ON switch on the front panel or the

STANDBY key on the remote controller to enter the standby

mode.

STANDBY/ON

Front panel

Remote control

STANDBY

English

To select the tape deck connected to this

unit’s TAPE/MD terminals or the source

connected to this unit’s EXTERNAL

DECODER INPUT terminals as the input

source.

Use one of the buttons figured below to make the

corresponding indicator illuminated on the display.

“TAPE MONITOR”: Lights up for a few seconds just

after you select the tape deck

connected to the TAPE/MD

terminals.

“EXT. DECODER”: Lights up when the source

connected to the EXTERNAL

DECODER INPUT terminals is

selected.

Note

The input source selected in this way has priority over any

other input source already selected. To select another input

source, cancel both of the sources connected to the TAPE/MD

and EXTERNAL DECODER INPUT terminals.

To cancel both of the sources connected to the TAPE/MD

and EXTERNAL DECODER INPUT terminals.

Use one of the buttons figured above to make neither “EXT.

DECODER” nor “TAPE/MD MONITOR” are illuminated on the

display.

Notes on input source selection

●

Note that selecting an input source means that the source

which is connected to the corresponding input terminals on

the rear panel is selected.

* To select the source connected to the VIDEO AUX

terminals on the front panel, select “V-AUX”.

●

If you select a video input source without canceling the

source already selected in the way described on the left,

you will see the picture of the video input source and hear

the sound of the source already selected.

●

If a different audio source is selected with the input selector

keys on the remote controller while enjoying a video source,

the sound from the newly selected audio source is heard,

but the picture from the video source can still be seen.

●

When you select an input source, the DSP program (or the

state of no DSP program is used) which was used when the

same input source was last selected will be automatically

recalled.

●

If a nonstandardized source is played back, or the unit

playing back a source is not operating correctly, “INPUT

DATA ERR” appears on the display.

Front panel

TAPE/MD MON

/EXT. DECODER

Remote control

EXT. DEC

HALL

TAPE/MD

MOVIE

THEATER 2

BASIC OPERATION

TAPE/MD

MONITOR

Press once or more.

TAPE/MD

MONITOR

This unit allows you to switch the input mode for sources that

send two or more types of signals to this unit.

The following three input modes are provided.

AUTO

This mode is automatically selected when you turn on the

power of this unit.

In this mode, input signal is automatically selected by the

following order of priority.

1. Digital signal encoded with Dolby Digital or DTS, or normal

digital input signals (PCM)

2. Analog input signal (ANALOG)

* For a DVD/LD source, if digital signals are input from both

of the OPTICAL and COAXIAL terminals, the digital signal

from the COAXIAL terminal is selected.

DTS

In this mode, only digital input signals encoded with DTS is

selected even though other signals are input at the same time.

ANALOG

In this mode, only analog input signals are selected even

though digital signals are input at the same time.

Select this mode when you want to use analog input signals

instead of digital input signals.

Notes on input mode selection

●

The input mode for a TV/DBS source is selected with

function “12. TV/DBS INPUT” in the SET MENU mode.

This unit will be automatically set to the selected input mode

when the power is turned on.

●

Set the input mode to the AUTO mode to play a DVD/LD

source encoded with Dolby Digital.

●

Select the ANALOG mode to play a normal 2-channel

source with a Dolby Pro Logic Surround program.

●

The sound output may be interrupted in some LD and DVD

players in the following situation:

The input mode is set to AUTO. A search is made while

playing the disc encoded with Dolby Digital or DTS, then

disc playing is restored. The sound output is interrupted for

a moment because the digital input signal was selected

again.

●

The input mode cannot be changed for PHONO, TUNER,

TAPE/MD, VCR and VIDEO AUX sources because only

analog signals are used.

●

The present input mode appears on the front display and

monitor screen when the input source is changed to

DVD/LD, CD or TV/DBS, or the input mode is changed.

The present input signal is also shown on the monitor

screen when the input mode is changed to AUTO, as shown

below.

* However, the present input signal will not be shown when

the input mode is switched during the speaker test mode.

Only AUTO will be displayed.

Notes on playing a source encoded with DTS

●

Select the DTS mode when playing an LD or CD source

encoded with DTS. (Red “dts” indicator is illuminated on

the display panel.) If the “AUTO” mode is selected, a

noise may be heard just after playback begins.

Do not play these sources in the ANALOG mode

because only background noise will be output from the

speakers.

●

This unit is automatically locked in the DTS decoding

mode when playing a CD or LD source encoded with

DTS in the AUTO mode to prevent background noise in

future operation. The red “dts” indicator will be flashing.

In this mode, no sound will be heard if a disc with normal

digital signals (PCM) is played from a CD or LD source.

To play back the disc normally, press the INPUT MODE

button on the front panel, or, the input selector key for the

current source on the remote controller.

BASIC OPERATION

m Switching the input mode for the CD, DVD/LD and TV/DBS sources

English

1 Select the source you want to record.

2 Play the source and then turn the VOLUME control up

to confirm the input source. (Refer to page 39 for

details on tuning.)

3 Begin recording to the tape deck (or MD recorder etc.)

or VCR connected to this unit.

4 If the tape deck (or MD recorder etc.) is used for

recording, you can monitor the sound of recording.

To monitor the sound of recording, light up the

“TAPE/MD MONITOR” indicator on the display by

pressing the TAPE/MD MON/EXT. DECODER button

or TAPE/MD key.

Notes on recording

●

The VOLUME, BASS, TREBLE, BALANCE controls, the

BASS EXTENSION button and the settings of DSP have

no effect on the material being recorded.

●

Turn off the “TAPE/MD MONITOR” indicator when the

recording is finished by pressing the TAPE/MD MON/EXT.

DECODER button once or more. Also, do not make “EXT.

DECODER” appear on the display.

●

Composite video and S video signals pass independently

through this unit’s video circuits. Therefore, when recording or

dubbing video signals, if your video source unit is connected

to provide only a S video (or only a composite video) signal,

you can record only a S video (or only a composite video)

signal on your VCR.

●

A source that is connected to this unit between optical or

coaxial digital terminals only cannot be recorded by a tape

deck or VCR connected to this unit.

●

A source of signals input to the EXTERNAL DECODER

INPUT terminals of this unit cannot be recorded.

●

Please check the copyright laws in your country to record

from records, compact discs, radio, etc. Recording of

If you play back a video source that uses scramble or

encoded signals to prevent it from being dubbed, there may

be a case that display information superimposed on the

picture and/or the picture itself is disturbed due to those

signals.

Front panel

Remote control

/DTS

SURROUND

Front panel

Remote control

VOLUME

–dB

VOLUME

MUTE

CODE SET

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

INPUT SELECTOR

–dB

BASS

EXTENSION

TONE

BYPASS

LEVEL EFFECT

SET

PROGRAM

2345678

MEMORY EDIT FM/AM

DOWN

TUNING

INPUT MODE

TUNING

MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

CINEMA DSP

TAPE/MD MON

/EXT. DECODER

STANDBY/ON

A/B/C/D/E

100

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

VOLUME

MUTE

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

ENTER

HALL

TEST

EFCT

DSP

DISC SKIP

PRESET

ON/OFF

CODE SET

INDEX

Recording a source to tape (or MD) or dubbing from tape (or MD)

to tape (or MD)

m Recording the playing source to tape (or MD)

BASIC OPERATION

Front panel

TAPE/MD MON

/EXT. DECODER

Remote control

TAPE/MD

MOVIE

THEATER 2

TAPE/MD

MONITOR

BASIC OPERATION

m Adjusting the BALANCE control

Adjust the balance of the output volume to the left and right

speakers to compensate for sound imbalance caused by

speaker location or listening room conditions.

Note

This control is effective only for the sound from the main

speakers.

m Using the BASS EXTENSION

button

Press this button inward (ON) to boost the bass frequency

response at the main left and right channels while maintaining

overall tonal balance. This function is effective for reinforcing

the bass frequencies when a subwoofer is not used.

m Adjusting the BASS and TREBLE

controls

BASS : Turn this knob clockwise to increase (or counter-

clockwise to decrease) the low frequency

response.

TREBLE : Turn this knob clockwise to increase (or counter

clockwise to decrease) the high frequency response.

Note

These controls are effective only for the sound from the main

speakers.

m Using the TONE BYPASS button

Press this button inward (ON) to bypass the tone (BASS and

TREBLE) control circuitry. This function is used for outputting

pure sound and checking the tone control settings. The tone

control circuitry can be used when this button is released

outward (OFF).

BASS TREBLE

OFF

BASS

EXTENSION

TONE

BYPASS

BALANCE

OFF

BASS

EXTENSION

TONE

BYPASS

Sound control

English

Tuning

BASIC OPERATION

1 Select “TUNER” as the input source.

2 Select the reception band. “FM” or “AM” will be

illuminated.

4 Tune to the desired station manually.

* Hold down the button to continue the tuning search.

1 Select “TUNER” as the input source.

2 Select the reception band. “FM” or “AM” will be

illuminated.

4 Press the “UP” side once to tune in to a higher

frequency.

Press the “DOWN” side once to tune in to a lower

frequency.

* Press the button again if the tuning search does not stop at

the correct station.

* Use manual tuning if the tuning search does not stop at the

correct station because the signals are weak.

Quick automatic-search tuning (automatic tuning) is effective when the station signals are strong with no interference. However,

manual tuning can be used during less-than-ideal conditions.

Note

Manually selecting an FM station will automatically change the

reception to monaural to increase the signal quality.

m Automatic tuning m Manual tuning

TUNING

MODE

AUTO

MAN’L MONO

TUNING

MODE

AUTO

MAN’L MONO

DOWN

TUNING

DOWN

TUNING

Turn the “AUTO”

indicator off.

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

INPUT SELECTOR

–dB

BASS

EXTENSION

TONE

BYPASS

LEVEL EFFECT

SET

PROGRAM

2345678

MEMORY EDIT FM/AM

DOWN

TUNING

INPUT MODE

TUNING

MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

CINEMA DSP

TAPE/MD MON

/EXT. DECODER

STANDBY/ON

AUTO

Basic operation

BASIC OPERATION

1 Tune to a station.

(Refer to the previous page for the tuning procedure.)

2 Select a group (A – E) of preset stations.

4 Select a preset station number (1 to 8) where you want

to program the station before the “MEMORY” indicator

goes off from the display.

* In the same way, program other stations to A2, A3 ... A8.

* You can program more stations to the preset station

numbers on other groups in the same way by selecting

other groups in step 2.

11 Select the group of preset stations.

22 Select the preset station number.

Notes

• A new setting can be programmed in place of the former

one.

• For presets, the setting of the reception mode (stereo or

monaural) is stored along with the station frequency.

Memory back-up

The memory back-up circuit prevents the programmed data

from being lost even if this unit is set to the standby mode or

the power plug is disconnected from the AC outlet or the

power is cut due to a temporary power failure. If, however, the

power is cut for more than one week, the memory may be

deleted. If so, it can be re-programmed by simply following

the Preset tuning steps.

m Manual preset tuning

This unit can store station frequencies selected by the tuning operation. With this function, you can recall any desired station only by

selecting the preset station number. Up to 40 stations (8 stations x 5 groups) can be stored.

To store stations

2, 11 3

MAN’L

AUTO FM

MEMORY

Flashes on and off

for about 5 seconds.

TUNER

PHONO

DVD/LD

TV/DBS

V-AUX

VCR

AUTO

0 20 100

STEREO

Shows the displayed station has been programmed to A1.

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

INPUT SELECTOR

–dB

BASS

EXTENSION

TONE

BYPASS

LEVEL EFFECT

SET

PROGRAM

2345678

MEMORY EDIT FM/AM

DOWN

TUNING

INPUT MODE

TUNING

MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

CINEMA DSP

TAPE/MD MON

/EXT. DECODER

STANDBY/ON

Preset tuning

To recall a preset station

2 3 4 5 6 7 8

2 3 4

A/B/C/D/E

ENTER

DISC SKIP

PRESET

Front panel

Remote control

Front panel

Remote control

A/B/C/D/E

100

POWER

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

VOLUME

MUTE

MONO MOVIE

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

CODE SET

INDEX

ON SCREEN

4, 22

2, 11

POWER

STANDBY

TUNER

TAPE/MD

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SURROUND

Select “AMP/TUN”

English

2 Press and hold for more than 3 seconds

To tune to higher frequencies, press the “UP” side once.

To tune to lower frequencies, press the “DOWN” side once.

* If the TUNING button is not pressed, in a while, the

automatic preset tuning begins automatically toward higher

frequencies.

The automatic preset tuning begins from the frequency

currently displayed. Received stations are programmed to

A1, A2 ... A8 sequentially.

* If more than 8 stations are received, they are also

programmed to the preset station numbers on other groups

(B, C, D and E) in that order.

If you want to store the first received station to the

desired preset station number.

If, for example, you want to store the first received station to

C5, select “C5” by using the A/B/C/D/E button and the preset

station number selector buttons after pressing the MEMORY

button in step 2. Then press the TUNING button. The first

received station is stored to C5, and next stations to C6, C7 ...

sequentially.

If stations are stored up to E8, the automatic preset tuning is

finished automatically.

When the automatic preset tuning is finished

The display shows the frequency of the last preset station.

Check the contents and the number of preset stations by

following the procedure of the section “To recall a preset

station” on page 40.

To recall a preset station

Simply follow the procedure of the section “To recall a preset

station” on page 40.

A recalled station is shown by the frequency on the display.

Notes

●

You can replace a preset station by another FM or AM

station manually by simply following the procedure of the

section “To store stations” on page 40.

●

If the number of received stations is not enough to be stored

up to E8, the search will be finished automatically after

searching all frequencies.

●

With this function, only FM stations with sufficient signal

strength are stored automatically. If the station you want to

program is weak in signal strength, tune to it in monaural

manually and program it by following the procedure of the

section “To store stations” on page 40.

m Automatic preset tuning

You can make use of an automatic preset tuning function for FM stations. With this function, this unit performs automatic tuning and

stores FM stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the manual

preset tuning method on page 40.

To store stations

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

INPUT SELECTOR

–dB

BASS

EXTENSION

TONE

BYPASS

LEVEL EFFECT

SET

PROGRAM

2345678

MEMORY EDIT FM/AM

DOWN

TUNING

INPUT MODE

TUNING

MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

CINEMA DSP

TAPE/MD MON

/EXT. DECODER

STANDBY/ON

DOWN

TUNING

BASIC OPERATION

Flashes

MAN’L

AUTO FM

MEMORY

TUNER

PHONO

DVD/LD

TV/DBS

V-AUX

VCR

MEMORY

AUTO

0 20 100

STEREO

BASIC OPERATION

m Exchanging preset stations

You can exchange the places of two preset stations with each other as shown below.

Example)

If you want to exchange the preset stations on E1 and A5 with

each other.

1 Recall the preset station on E1 (by following the

method of “To recall a preset station” on page 40).

3 Recall the preset station on A5 by following the same

method with step 1.

Shows the exchange of stations is completed.

Flashes.

EDIT

MEMORY

2, 4

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

INPUT SELECTOR

–dB

BASS

EXTENSION

TONE

BYPASS

LEVEL EFFECT

SET

PROGRAM

2345678

MEMORY EDIT FM/AM

DOWN

TUNING

INPUT MODE

TUNING

MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

CINEMA DSP

TAPE/MD MON

/EXT. DECODER

STANDBY/ON

TUNER

PHONO

DVD/LD

TV/DBS

V-AUX

VCR

MEMORY

0 20 100

EDIT

When the selector dial is set at a position other

than DSP:

* Do the next operation while the indicator is

illuminated. If the indicator goes off before you

do the next operation, press the DSP key

again.

English

Using digital sound field processor (DSP)

Playing a source with an effect of the digital sound field processor (DSP)

A/B/C/D/E

100

POWER

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

VOLUME

MUTE

MOV

THEATER 1

MONO MOVIE

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

CODE SET

INDEX

ON SCREEN

This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand

and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your

listening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course, depend

on what you will be listening to), and adding desired adjustments.

In addition, this unit incorporates a Dolby Digital decoder and a Dolby Pro Logic Surround decoder for multi-channel sound

reproduction of sources encoded with Dolby Surround, and a DTS decoder for multi-channel sound reproduction of sources encoded

with DTS. The operation of these decoders can be controlled by selecting a corresponding DSP program including a combined

operation of YAMAHA DSP and Dolby Digital, Dolby Pro Logic Surround or DTS.

This unit has 10 programs for digital sound field processing; 5 programs for Audio sources and 5 programs for Audio/Video sources.

In addition, some programs have two subprograms. All programs contain parameters that can be adjusted to the listener’s taste.

For details about digital sound field programs, refer to pages 48 to 50.

2 When operating on the front panel:

If no program name is illuminated on

the display panel, press the EFFECT

button to turn on the digital sound field

processor so that a name of a DSP

program appears on the display panel

and the monitor screen.

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

INPUT SELECTOR

–dB

BASS

EXTENSION

TONE

BYPASS

LEVEL EFFECT

SET

PROGRAM

2345678

MEMORY EDIT FM/AM

DOWN

TUNING

INPUT MODE

TUNING

MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

CINEMA DSP

TAPE/MD MON

/EXT. DECODER

STANDBY/ON

DVD/LD

TV/DBS

V-AUX

VCR

CONTINUED

EFFECT

BASIC OPERATION

POWER

STANDBY

TAPE/MD

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SURROUND

DSP

The indicator lights up for

about 3 seconds.

When the selector dial is set

at DSP:

Go on to the next step.

When operating on the remote controller:

1 Follow steps 1 to 7 shown in “Playing a source” on pages 33 to 34.

POWER

STANDBY

TAPE/MD

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SURROUND

DSP

3 Select a program that is suitable for the source.

The name of the selected program appears on the display panel and the monitor screen.

●

djust the output level of each speaker. (For details, refer to the corresponding descriptions on pages 46 and 47.)

●

You can create your own sound field taste. (For details, refer to pages 55 to 59.)

Notes

●

Program selection can be made to individual input sources. Once you select a program, it is linked with the input source selected

at this time. So, when you select the same input source the next time, the same program will be automatically recalled.

●

If you prefer to cancel the DSP, press the EFFECT button. The sound will be the normal 2-channel stereo without surround

sound effect.

●

When a monaural sound source is played with the program PRO LOGIC (Normal/Enhanced), a proper effect will not be

obtained. Moreover, sound may become unnatural depending on the settings of the speaker output modes (1. CENTER

SPEAKER to 4. LFE/BASS OUT) in the SET MENU mode.

●

When this unit’s Dolby Pro Logic Surround decoder, Dolby Digital decoder or DTS decoder is used, if the main-source sound is

considerably altered by overadjustment of the BASS or TREBLE control, the relationship between the center and rear channels

may produce an unnatural effect.

●

When a source of signals input to the EXTERNAL DECODER INPUT terminals of this unit is selected, the DSP cannot be used

and the EFFECT button also will not function.

DSP

TUNER

PHONO

DVD/LD

TV/DBS

V-AUX

VCR

MOVIE THEATER 1

A/B/C/D/E

100

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

ENTER

HALL

TEST

Subprogram name Program name

Press once or more.

b) For the programs No. 1, 2 and 3 only, you can select

the desired subprogram by pressing the

corresponding DSP program selector key once or

more.

PROGRAM

A/B/C/D/E

100

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

VOLUME

MUTE

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

ENTER

HALL

TEST

EFCT

DSP

DISC SKIP

PRESET

ON/OFF

CODE SET

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

INPUT SELECTOR

–dB

BASS

EXTENSION

TONE

BYPASS

LEVEL EFFECT

SET

PROGRAM

2345678

MEMORY EDIT FM/AM

DOWN

TUNING

INPUT MODE

TUNING

MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

CINEMA DSP

TAPE/MD MON

/EXT. DECODER

STANDBY/ON

When operating on the front panel: When operating on the remote controller:

BASIC OPERATION

* Press “0” to select the program No. 10.

DSP

TUNER

PHONO

DVD/LD

TV/DBS

V-AUX

VCR

Program name

English

m To enjoy a video source encoded

with Dolby Pro Logic Surround,

Dolby Digital or DTS

When you select the program No. 1, 2 or 3, and the input

signal of the source is 2-channel stereo, Dolby Pro Logic

Surround is decoded. When some program is selected and the

input signal of the source is encoded with Dolby Digital, Dolby

Digital is automatically decoded.

When some program is selected and the input signal of the

source is encoded with DTS, DTS is automatically decoded.

The following indicators on the display panel show you what

sound processing is being made.

1 Lights up when a DVD source encoded with DTS is played

back and DTS is decoded.

2 Lights up when an LD source or a CD source encoded with

DTS is played back and DTS is decoded.

3 Lights up when Dolby Digital is being decoded and the

signals of selected source encoded with Dolby Digital is

not in 2-channels.

4 Lights up when Dolby Pro Logic Surround is being

decoded

5 Lights up when Digital Sound Field Processor is turned

on.

The display panel or the monitor screen will show the selected

subprogram according to the type of the decoding.

Notes

●

Dolby Digital will not be decoded if the source that is not

encoded with Dolby Digital.

DTS will not be decoded if the source that is not encoded

with DTS.

●

If the input signals of source encoded with Dolby Digital

are in 2-channels only, the sound processing for them is

similar to that for analog or PCM audio signals.

Note

If you change the LD (or CD) being played back with DTS

decoded to another disc not encoded with DTS when the red

“dts” indicator is illuminated, playing back the newly selected

disc will output no sound. In this state, the red “dts” indicator

flashes to show that this unit is locked in the DTS-decoding

mode.

To play back the disc normally, change the current DTS-

decoding mode to another mode by pressing an input selector

key on the remote controller or the INPUT MODE button on

the front panel so that the red “dts” indicator turns off.

m To cancel the effect sound

The EFFECT button on the front panel or the EFCT ON/OFF key

on the remote controller make it simple to compare the normal

stereo sound with the fully processed effect sound.

To cancel the effect sound and monitor only the main sound,

press the EFCT ON/OFF key or the EFFECT button. Press the

EFCT ON/OFF key or the EFFECT button a second time to

restore the effect sound.

Notes

●

If the effect sound is canceled when signals encoded with

Dolby Digital or DTS are input to this unit, signals of all

channels are mixed and are output from the main speakers.

●

If the EFFECT button or the EFCT ON/OFF key is pressed to

turn effect sounds off when Dolby Digital or DTS is decoded, it

may happen that sound is output faintly or not output normally

depending on a source. In that case, press the EFFECT

button or the EFCT ON/OFF key to turn effect sounds ON, or

use input signals not encoded with Dolby Digital or DTS.

DIGITAL

PRO LOGIC

DSP

DIGITAL SOURCE

AC 3 DTS PCM

Front panel

Remote control

EFFECT

EFCT

ON/OFF

BASIC OPERATION

Speakers

CENTER

RIGHT SURROUND (R SUR.)

LEFT SURROUND (L SUR.)

SUBWOOFER (SWFR)

Preset value

Control range (dB)

MIN, –20 to +10

MIN, –20 to 0

Adjusting output level of the center, right rear, left rear speakers and

subwoofer

You can adjust the sound output level of the each speaker

even if the output level is already set in “Speaker balance

adjustment” on pages 30 to 32.

CENTER

R SUR.

L SUR.

SWFR

(Center speaker output level)

(Right rear speaker output level)

(Left rear speaker output level)

(Subwoofer output level)

BASIC OPERATION

1 Select the speaker(s) whose level you want to adjust by using one of the following methods.

When operating on the front panel: When operating on the Remote controller:

Press a button repeatedly until the name of the desired speaker(s) appears on the display.

2 Adjust the level on the selected speaker(s).

3 Repeat steps 1 and 2 to make adjustments on the other speaker(s).

English

Notes

●

If the function “1. CENTER SPEAKER” in the SET MENU

mode is set in the “NONE” position, the sound output level

of the center speaker cannot be adjusted. This is because

in this mode, the center sound is automatically output from

the left and right main speakers.

●

Once the output level is adjusted, the level value will be the

same in all the digital sound field programs.

●

The value of each speaker output level you set the last time

will remain memorized even when this unit is in the standby

mode.

However, if the power cord is disconnected for more than

one week, these values will be automatically changed to the

factory default settings.

BASIC OPERATION

LEVEL

ON/OFF

TITLE

LEVEL

ON/OFF

TITLE

SELECT

DIR

m Method of adjustment

SELECT

DIR

Press once

or more.

Press once

or more.

Press once

or more.

Press once.

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

VCR

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

LEVEL

SET

LEVEL

SET

SET UP

RETURN

LEVEL

SET MENU

POWER

DIR DIR

A/B

VCR REC TV INPUT

ON SCREEN

SELECT

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

Select “AMP/TUN.”

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

INPUT SELECTOR

–dB

BASS

EXTENSION

TONE

BYPASS

LEVEL EFFECT

SET

PROGRAM

2345678

MEMORY EDIT FM/AM

DOWN

TUNING

INPUT MODE

TUNING

MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

CINEMA DSP

TAPE/MD MON

/EXT. DECODER

STANDBY/ON

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of

these are precise digital recreations of actual acoustic environments. The data for these sound fields were recorded at actual

locations using sophisticated sound field measurement equipment.

Note

The channel level balance between the left and right rear effect speakers may vary depending on the sound field you are

listening in. This is due to the fact that most of these sound field recreations are actual acoustic environments.

m Program No. 1 to 5: CINEMA-DSP programs (for Audio/Video sources)

●

These programs use the Dolby Pro Logic decoder, the Dolby Digital decoder or the DTS decoder.

●

Speaker output: main, center, rear

Note: If the “NONE” position is selected on “1. CENTER SPEAKER” in the SET MENU mode, no sound is output from

the center speaker(s).

●

Program No. 1 is for reproducing video discs, video tapes and similar sources which are encoded with Dolby Surround (bearing

the “DOLBY SURROUND” or “DOLBY DIGITAL” logo) or encoded with DTS (bearing the “dts” logo).

Brief overview of digital sound field programs

BASIC OPERATION

FEATURE

The built-in Dolby Pro Logic Surround decoder, the Dolby

Digital decoder or the DTS decoder precisely reproduces

sounds and sound effects of a source encoded with Dolby

Surround or DTS. The realization of a highly efficient

decoding process improves crosstalk and channel

separation and makes sound positioning smoother and

more precise.

Ideally simulates the multi-surround speaker systems of

the newest film theater. The digital sound field processing

and the Dolby Surround decoding or the DTS decoding

are precisely performed without altering the originally

designed sound orientation. The surround effects

produced by this sound field fold the viewer naturally from

the rear to the left and right and toward the screen.

No. PROGRAM SUBPROGRAM (TYPE)

1 /DTS PRO LOGIC/Normal ()

SURROUND Functions when the input signal is analog

or PCM audio or encoded with Dolby

Digital in 2 channels.

DOLBY DIGITAL/Normal ()

Functions when the input signal is encoded

with Dolby Digital not in 2 channels.

DTS DIGITAL SUR/Normal ()

Functions when the input signal is encoded

with DTS.

PRO LOGIC/Enhanced

()

Functions when the input signal is analog

or PCM audio or encoded with Dolby

Digital in 2 channels.

DOLBY DIGITAL/Enhanced

()

Functions when the input signal is encoded

with Dolby Digital not in 2 channels.

DTS DIGITAL SUR/Enhanced

()

Functions when the input signal is encoded

with DTS.

DSP

DIGITAL

DSP

PRO LOGIC

DIGITAL

PRO LOGIC

English

BASIC OPERATION

FEATURE

Creates the extremely wide sound field of a movie

theater. It precisely reproduces the source sound in

detail, giving both the video and the sound field

incredible reality. Any kind of video sources encoded

with Dolby Surround or DTS (especially large-scale

movie productions) are ideal for use with this program.

Clearly reproduces dialog and sound effects in the latest

sound design of science fiction films, thus creating a

broad and expansive cinematic space amid the silence.

You can enjoy science fiction films in a virtual-space

sound field that includes Dolby Pro Logic, Dolby Digital

and DTS-encoded software employing the most

advanced techniques.

Ideal for precisely reproducing the sound design of the

newest multi-track films. The sound field is made to be

similar to that of the newest movie theaters, so the

reverberations of the sound field itself are restrained as

much as possible. The data of the sound field of an

opera house are used for the front presence side, so the

three dimensional feeling of the sound field is

emphasized, and dialog is precisely oriented on the

screen. By using the data of the sound field of a concert

hall on the rear surround side, powerful reverberations

are generated. You can enjoy watching action, adventure

movies, etc. with much presence.

This program is for reproducing sounds on a multi-track

film, and characterized by a soft and extensive sound

field. The front presence side of the sound field is

relatively narrow. It spatially spreads all around and

toward the screen, restraining echo effect of

conversations without losing clarity. For the surround

side, the harmony of music or chorus sounds beautifully

in a wide space at the rear of the sound field.

No. PROGRAM SUBPROGRAM (TYPE)

2 MOVIE 70 mm Spectacle

THEATER 1 ()

Functions when the input signal is analog

or PCM audio or encoded with Dolby

Digital in 2 channels.

DGTL Spectacle

()

Functions when the input signal is encoded

with Dolby Digital not in 2 channels.

DTS Spectacle

()

Functions when the input signal is encoded

with DTS.

70 mm Sci-Fi

()

Functions when the input signal is analog

or PCM audio or encoded with Dolby

Digital in 2 channels.

DGTL Sci-Fi

()

Functions when the input signal is encoded

with Dolby Digital not in 2 channels.

DTS Sci-Fi

()

Functions when the input signal is encoded

with DTS.

3 MOVIE 70 mm Adventure

THEATER 2 ()

Functions when the input signal is analog

or PCM audio or encoded with Dolby

Digital in 2 channels.

DGTL Adventure

()

Functions when the input signal is encoded

with Dolby Digital not in 2 channels.

DTS Adventure

()

Functions when the input signal is encoded

with DTS.

70 mm General

()

Functions when the input signal is analog

or PCM audio or encoded with Dolby

Digital in 2 channels.

DGTL General

()

Functions when the input signal is encoded

with Dolby Digital not in 2 channels.

DTS General

()

Functions when the input signal is encoded

with DTS.

DSP

DIGITAL

DSP

PRO LOGIC

DSP

DIGITAL

DSP

PRO LOGIC

DSP

DIGITAL

DSP

PRO LOGIC

DSP

DIGITAL

DSP

PRO LOGIC

●

Program No. 2 to 3 are suitable for reproducing video discs, video tapes and similar sources which are encoded with Dolby

Surround (bearing the “DOLBY SURROUND” or “DOLBY DIGITAL” logo) or encoded with DTS (bearing the “dts” logo).

m Program No. 6 to 10: Hi-Fi DSP programs (for audio sources)

●

When the input signal is analog or PCM audio: ( )

Speaker output: main, rear

●

When the input signal is encoded with the Dolby Digital (not in 2 channels): ( )

Speaker output: main, center, rear

●

When the input signal is encoded with the DTS: ( )

Speaker output: main, center, rear

DSP

DIGITAL

DSP

BASIC OPERATION

FEATURE

This program recreates the acoustic environment of a lively

disco in the heart of a very lively city. The sound is dense and

highly concentrated. It is also characterized by a high-energy,

“immediate” sound.

This program is ideally suited for rock music. You will

experience a very dynamic or lively sound field.

This is a small, cozy jazz club with a low ceiling. The sound is

very close and intimate.

This program recreates the acoustic environment of a big

church with a high pointed dome and columns along the sides.

This interior produces very long reverberations.

In this program, the center will appear to be deep behind the

main speakers, creating an expansive large hall ambience.

Orchestra and opera music are suited for this sound field.

PROGRAM

DISCO

ROCK CONCERT

JAZZ CLUB

CHURCH

CONCERT HALL

No.

FEATURE

This program is designed specifically to enhance mono

source programs. Compared to a strictly mono setting, the

sound image created in this mode is wider and slightly

forward of the speaker pair, lending an immediacy to the

overall sound. It is particularly effective when used with old

mono movies, news broadcasts and dialog.

This program is furnished with a tight sound field in which the

sound will not spread excessively on the front side, but the rear

surround side produces a dynamic sound expansion. This

program is the most suitable for sports programs.

PROGRAM

MONO MOVIE

TV SPORTS

No.

●

For program No. 4 and 5 only, indicators light up as follows.

When the input signal is analog or PCM audio: ( )

When the input signal is encoded with the Dolby Digital (not in 2 channels): (

)

When the input signal is encoded with the DTS: ( )

DSP

DIGITAL

DSP

English

ADVANCED FEATURES

1. CENTER SPEAKER

2. REAR SPEAKER

3. MAIN SPEAKER

4. LFE/BASS OUT

5. MAIN LEVEL

6. DOLBY DGTL SET

LFE LEVEL

7. DOLBY DGTL SET

DYNAMIC RANGE

8. DTS SET

LFE LEVEL

19. CENTER DELAY

10. PARAMETER INI

11. MEMORY GUARD

12.TV/DBS INPUT

13. DIMMER

m Changes and adjustments

The following 13 functions maximize the performance of your system and increase the enjoyment of audio listening and video watching.

“SET MENU”mode

● Refer to the information in the display panel or monitor screen during operation. The monitor power must be turned on to display

information on the monitor.

● When using the remote controller, the selector dial must be set at “AMP/TUN” or “DSP”.

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

INPUT SELECTOR

–dB

BASS

EXTENSION

TONE

BYPASS

LEVEL EFFECT

SET

PROGRAM

2345678

MEMORY EDIT FM/AM

DOWN

TUNING

INPUT MODE

TUNING

MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

CINEMA DSP

TAPE/MD MON

/EXT. DECODER

STANDBY/ON

1 To make changes, select the applicable function by using one of the following methods.

When operating on the front panel: When operating on the Remote controller:

2 Select the desired position or edit parameter for the function by using the following keys.

3 Repeat steps 1 and 2 to change a setting or adjust for another function.

SET MENU

AUDIO

SET MENU

AUDIO

SELECT

DIR

SELECT

DIR

Press once or more.

Press once

or more.

Press once

or more.

Press once.

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

VCR

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

LEVEL

SET

LEVEL

SET

SET UP

RETURN

LEVEL

SET MENU

POWER

DIR DIR

A/B

VCR REC TV INPUT

ON SCREEN

SELECT

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

Select “AMP/TUN” or “DSP”.

1. CENTER SPEAKER 3. MAIN SPEAKER 5. MAIN LEVEL

2. REAR SPEAKER 4. LFE/BASS OUT

(Selecting the output modes suitable for your speaker system)

Refer to pages 27 to 29 for details. (Once you have selected proper modes, you do not have to make a setting change, unless your

speaker system is modified.)

m Function description

6. DOLBY DGTL SET

LFE LEVEL [Adjusting the output level at the LFE (low frequency effect) channel]

●

Control range: –20 dB to 0 dB

Preset value: 0 dB

●

This adjustment is effective only when Dolby Digital is

decoded and the signals of the selected source encoded

with Dolby Digital contain LFE signals.

Adjusts the output level at the LFE (low frequency effect)

channel. If the LFE signals are mixed with signals of other

channels and they are output from the same speakers, the ratio

of LFE signals to other signals can be adjusted. (Refer to page 5

for details about the LFE channel.)

ADVANCED FEATURES

●

Choices: MAX/STD/MIN

Preset position: MAX

●

This adjustment is effective only when Dolby Digital is

decoded.

“Dynamic range” is the difference between the maximum level

and the minimum level of sounds. Sounds on a movie

originally designed for movie theaters feature very wide

dynamic range.

Dolby Digital technology can bring the original sound track into

a home audio format with this wide dynamic range unchanged.

Powerful sounds of extremely wide dynamic range are not

always suitable for home use. Depending upon the condition of

your listening environment, it may not be possible to increase

the sound output level as high as a movie theater. However, in

a level suitable for listening in your room, the low level parts of

source sound cannot be heard well because they will be lost

among noises in your environment.

Dolby Digital technology also made it possible to reduce an

original sound track’s dynamic range for a home audio format

by “compressing” the data of sound.

MAX: In this position, a source encoded with Dolby Digital

is reproduced in the original sound track’s wide

dynamic range providing you with powerful sounds

like a movie theater.

Selecting this position will be more ideal if you can

listen to a source in a high output level in a room

specially soundproofed for audio/video enjoyment.

STD (Standard):

In this position, a source encoded with Dolby Digital

is reproduced in the “compressed” dynamic range of

the source suitable for low level listening.

MIN: In this position, dynamic range is more reduced than

in the STD position. Selecting this position will be

effective when you must listen to a source in an

extremely low level.

* In this position, it may happen that sound is output

faintly or not output normally depending on a

source. In that case, select the MAX or STD

position.

7. DOLBY DGTL SET

DYNAMIC RANGE (Adjusting dynamic range)

English

ADVANCED FEATURES

9. CENTER DELAY [Adjusting the delay of center sounds (dialog etc.)]

●

Control range: 0 ms to 5 ms (in 1 ms step)

Preset value: 0 ms

●

This adjustment is effective only when Dolby Digital or

DTS is decoded and the signals of the selected source

encoded with Dolby Digital or DTS contain center

channel signals.

Adjusts the delay between the main sounds (at the main

channels) and dialog etc. (at the center channel).

The larger the value, the later the dialog etc. is generated.

In your audio system, the distance from the center speaker to

your listening position may be shorter than the distance from

the left or right main speaker to your listening position. In that

case, sounds from the left main, center and right main

speakers can reach your listening position at the same time by

delaying the sound from the center speaker.

10. PARAMETER INI (Initializing parameters on a DSP program)

You can initialize all parameter settings on a DSP program.

Note that some DSP programs have two subprograms; all

parameters on both subprograms are initialized by this

operation.

Initializing method

Use the remote controller for the operation.

A program number whose parameters has been changed is

marked with “

”. First press the DSP key, and then press a

DSP program selector key which corresponds to the program

number whose parameters you want to initialize. When

initialized, the “

” mark will disappear.

Note

When the selector dial of the remote controller is set at “DSP”,

simply press the corresponding DSP program selector key.

8. DTS SET

LFE LEVEL [Adjusting the output level at the LFE (low frequency effect) channel]

●

Control range: –10 dB to 10 dB

Preset value: 0 dB

●

This adjustment is effective only when DTS is decoded and

the signals of the selected source encoded with DTS

contain LFE signals.

Adjusts the output level at the LFE (low frequency effect)

channel. If the LFE signals are mixed with signals of other

channels and they are output from the same speakers, the ratio

of LFE signals to other signals can be adjusted. (Refer to page 5

for details about the LFE channel.)

12. TV/DBS INPUT (Selecting the initial input mode of the source connected to the

TV/DBS input terminals)

For the source connected to the TV/DBS input terminals of this

unit, you can designate the input mode that is automatically

selected when the power of this unit is switched on.

AUTO: In this position, the AUTO input mode is always

selected when the power of this unit is switched on.

LAST: In this position, the input mode you have selected the

last time is memorized and will not be changed even if

the power of this unit is switched off.

* Refer to page 36 for details about switching the input mode.

13. DIMMER (Changing brightness of the display panel)

You can adjust the brightness of the display panel in five

degree increments.

11. MEMORY GUARD (Locking DSP parameters and other adjustments)

If you wish to prevent accidental alteration to DSP parameters

and other adjustments on this unit, select “ON”. In this position,

they are locked and cannot be changed. The following

functions on this unit can be locked by this operation.

• DSP parameters

• Other functions in the “SET MENU” mode

• ON SCREEN display key

• LEVEL key

• TEST key

ADVANCED FEATURES

English

What is a sound field?

In order to explain the impressive functions of the DSP, we

need to first understand what a sound field really is.

What really creates the rich, full tones of a live instrument are

the multiple reflections from the walls of the room. In addition

to making the sound “live”, these reflections enable us to tell

where the player is situated, and the size and shape of the

room in which we are sitting. We can even tell whether it is

highly reflective with steel and glass surfaces, or more

absorbent with wood panels, carpeting and curtains.

The elements of a sound field

In any environment, in addition to the direct sound coming

straight to our ears from the player’s instrument, there are two

distinct types of sound reflections that combine to make up the

sound field:

(1) Early Reflections.

Reflected sounds reach our ears extremely rapidly

(50 ms — 100 ms after the direct sound), after reflecting

from one surface only—for example, from the ceiling or a

wall. These reflections fall into specific patterns as shown

in the diagram on page 57 for any particular environment,

and provide vital information to our ears. Early reflections

actually add clarity to the direct sound.

(2) Reverberations.

These are caused by reflections from more than one

surface—walls, ceiling, the back of the room—so

numerous that they merge together to form a continuous

sonic “afterglow”. They are non-directional, and lessen the

clarity of the direct sound.

Direct sound, early reflections and subsequent reverberation

taken together help us to determine the subjective size and

shape of the room, and it is this information that the DSP

reproduces in order to create sound fields.

If you could create the appropriate early reflections and

subsequent reverberations in your listening room, you would

be able to create your own listening environment. The

acoustics in your room could be changed to those of a concert

hall, a dance floor, or virtually any size room at all. This ability

to create sound fields at will is exactly what Yamaha has done

with the DSP.

DSP programs consist of some parameters to determine

apparent room size, reverberation time, distance from you to

the performer, etc. In each program, these parameters are

preset with values precisely calculated by Yamaha to create

the sound field unique for the program. It is recommended to

use DSP programs without changing values of parameters,

however, this unit also allows you to create your own sound

fields. Starting with one of the built-in programs, you can adjust

those parameters. Even if the power cord of this unit is

disconnected from the AC outlet, your custom sound fields will

remain in the DSP’s memory for about one week. The

following page details how to make your own sound fields.

Each DSP program has a set of parameters that allow you to

change the characteristics of the acoustic environment to

precisely create the effect you want. For the programs which

have subprograms, each subprogram has a set of parameters.

These parameters correspond to the many natural acoustic

factors that create the sound field you experience in an actual

concert hall or other listening environment. The size of the

room, for example, affects the length of time between the

“early reflections”—that is, the first few widely spaced

reflections you hear after the direct sound. The “ROOM SIZE”

parameter provided in many of the DSP programs alters the

timing between these reflections, thus changing the shape of

the “room” you hear. In addition to room size, the shape of the

room and the characteristics of its surfaces have a significant

effect on the final sound. Surfaces that absorb sound, for

example, cause the reflections and reverberations to die out

quicker, while highly reflective surfaces allow the reflections to

carry on for a longer period of time. The DSP parameters allow

you to control these and many other factors that contribute to

your personal sound field, allowing you to essentially

“redesign” the concert halls, theaters, etc. provided to create

custom-tailored listening environments that ideally match your

mood and music.

Refer to “Descriptions of the digital sound field parameters” on

pages 57 to 59 for a description of what each parameter does,

how it effects the sound, and its control range.

Creating your own sound fields

ADVANCED FEATURES

m Selecting and editing program parameters

This adjustment can be made only by using the remote controller

and watching the monitor screen or the display panel.

Note

Information on the monitor screen would be

easier to see than the display panel.

1 Set the selector dial of the remote controller to “DSP” or

“AMP/TUN”.

2 Turn on your monitor. If the currently selected type of

display is not the full display, press the ON SCREEN

display key and select the full display.

3 Select the desired program (or subprogram) by following

the steps 2 and 3 of “Playing a source with an effect

of the digital sound field processor (DSP)” on pages

43 and 44.

The selected program name and its parameters will be

displayed on the monitor screen. The arrow-shaped

cursor points to the first parameter or subprogram name.

4 Select the parameter which you want to edit.

5 Change the value on the selected parameter to create

the effect you want.

“ ” increases the value of the selected parameter, and

“ ” decreases the value of the selected parameter. In both

cases you can hold the key down to quickly move to the

desired value.

The display will pause for a moment at the initial set value of

the parameter as a reminder. (On the monitor screen, the

mark at the head of the parameter name will disappear upon

reaching the initial set value of the parameter.)

DISP

INDEX

ON SCREEN

A/B/C/D/E

100

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

ENTER

HALL

TEST

SELECT

DIR

SELECT

DIR

ADVANCED FEATURES

A/B/C/D/E

100

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

ENTER

HALL

TEST

EFCT

DSP

DISC SKIP

PRESET

ON/OFF

SET UP

RETURN

LEVEL

SET MENU

POWER

SLEEP

DIR DIR

DISP

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

SELECT

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

4, 5

POWER

STANDBY

Notes

●

For details about parameters, refer to pages 57 to 59.

●

Parameter edits made in this way will remain in effect even

if power is lost due to a power failure or the power plug is

disconnected from the AC outlet for up to about one week,

after which all parameters, as well as other adjustments or

setting changes on this unit, will return to their initial values

or conditions.

DSP or AMP/TUN

A/B/C/D/E

100

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

ENTER

HALL

TEST

DSP

English

m Descriptions of the digital sound field parameters

Not all of the following parameters are found in every program.

●

ROOM SIZE

How it Affects the Sound:

Changes the apparent size of the music venue. The larger

the value, the larger the simulated room will sound.

What it Does:

Adjusts the timing between the early reflections. Early

reflections are the first group of reflections you hear before

the subsequent, dense reverberation begins.

Control Range:

0.1 – 2.0

Standard setting is 1.0.

Changing this parameter from 1 to 2 increases the apparent

volume of the room eight times (length, width, and height all

doubled).

P. ROOM SIZE (Presence Room Size)

Adjusts the apparent space size of the front presence sound

field. The larger the value, the longer the interval between

reflections becomes, which increases the depth of the sound

source.

S. ROOM SIZE (Surround Room Size)

Adjusts the apparent space size of the rear surround sound field.

The larger the value, the larger the surround sound field

becomes.

●

INIT. DELAY (Initial Delay)

How it Affects the Sound:

Changes the apparent distance from the source sound.

Since the distance between a sound source and a reflective

surface determines the delay between the direct sound and

the first reflection, this parameter changes the location of the

sound source within the acoustic environment.

What it Does:

Adjusts the delay between the direct sound and the first

reflection heard by the listener.

Control Range:

1 – 99 milliseconds

For a small living room this parameter would be set for a small

value. Large values for a big room. Larger values produce an

echo effect.

P. INIT. DLY (Presence Initial Delay)

Adjusts the delay between the direct sound and the first reflection

on the presence side of the sound field. The larger the value, the

later the first reflection begins.

Control Range:

1 – 99 milliseconds

S. INIT. DLY (Surround Initial Delay)

Adjusts the delay between the direct sound and the first reflection

on the rear surround side of the sound field. The larger the value,

the later the first reflection begins.

Control Range:

1 – 49 milliseconds

INIT. DLY INIT. DLY INIT. DLY

Level

Direct sound

Early reflections

Time

Small space

Small

Level

Direct sound

Early reflections

Time

Large

Level

Direct sound

Early reflections

Time

Large space

Level

Time

Small

Level Level

Time

Large

Direct sound

Early reflections

ADVANCED FEATURES

●

LIVENESS

How it Affects the Sound:

This parameter changes the apparent reflectivity of the walls

in the hall.

The early reflections from a sound source will lose intensity

(decay) much faster in a room with acoustically absorbent

wall surfaces than in one which has mostly reflective

surfaces. A room with highly reflective surfaces in which the

early reflections decay slowly is termed “live”, while a room

with absorbent characteristics in which the reflections decay

rapidly is termed “dead”. The LIVENESS parameter lets you

adjust the early reflection decay rate, and thus the “liveness”

of the room.

What it Does:

Changes the rate at which the early reflections decay.

Control Range:

0 – 10.

LIVENESS (Presence Liveness)

Adjusts the apparent reflectivity of the walls on the front presence

sound field. The larger the value, the more reflective the front

presence sound field becomes.

S. LIVENESS (Surround Liveness)

Adjusts the apparent reflectivity of the walls on the rear surround

sound field. The larger the value, the more reflective the rear

surround sound field becomes.

●

REV.TIME (Reverberation Time)

How it Affects the Sound:

The natural reverberation time of a room depends primarily

on its size and the characteristics of its inner surfaces. This

parameter, therefore, changes the apparent size of the

acoustic environment over an extremely wide range.

What it Does:

Adjusts the amount of time it takes for the level of the dense,

subsequent reverberation sound to decay by 60 dB (1 kHz).

Control Range:

1.0 – 5.0 seconds.

The reverb time in a small-to-medium size hall would be

between 1 and 2, and in a large hall it is normally between 2

and 3.

REV. TIME

60 dB

REV. TIME

60 dB

REV. TIME

60 dB

Level

Time

Small

Level Level

Time

Large

Direct sound

Dead Live

Level

Reverberations Reverberations Reverberations

Time

Small

Level Level

Time

Large

Direct sound

Early reflections

ADVANCED FEATURES

English

●

REV. LEVEL (Reverberation Level)

This parameter adjusts the volume of the reverberation sound.

The larger the value, the stronger the reverberation becomes.

Control Range:

0 – 100%

●

S. DELAY (Surround Delay)

Adjusts the delay between the direct sound and the first reflection

on the rear surround side sound field. The larger the value, the

later the surround sound field is generated.

Control Range:

When Dolby Pro Logic Surround is decoded:

15 – 30 milliseconds

When Dolby Digital or DTS is decoded:

0 – 15 milliseconds

When a program without Dolby Surround or DTS

encoded is used:

15 – 49 milliseconds

REV. LEVEL

Level

Direct sound

Time

ADVANCED FEATURES

1 Select the source using the INPUT SELECTOR and

start playback (or select a broadcast station) on the

source unit.

2 Press the SLEEP key repeatedly until the desired

SLEEP time appears on the display.

* “SLEEP time” is the time that elapses before this unit

is automatically turned into the standby mode.

Each time you press the SLEEP key, the SLEEP time

changes as follows.

After a while, the display returns to the original indication.

To cancel the SLEEP timer

Press the SLEEP key repeatedly until “SLEEP OFF” appears

on the display. (After a while, the display returns to the original

indication.)

Note

The SLEEP timer setting can also be canceled by setting this

unit into the standby mode with the STANDBY/ON switch on

the front panel (or the STANDBY key on the remote controller)

or disconnecting the power plug of this unit from the AC outlet.

SLEEP

Use the built-in SLEEP timer to automatically turn this unit into the standby mode after the time you set elapses. The SLEEP timer is

useful when you plan to fall asleep while this unit is playing back or recording a source. The SLEEP timer also automatically turns off

external units connected to the SWITCHED AC OUTLET(S) on the rear of this unit. The SLEEP timer can only be set using the

remote controller.

To set the SLEEP time

120 90 60 30

SLEEP OFF

(The SLEEP timer is off.)

(Minutes)

Indicates the SLEEP time.

Flashes.

TUNER

PHONO

DVD/LD

TV/DBS

V-AUX

VCR

SLEEP

Setting the SLEEP timer

ADVANCED FEATURES

1 Select the position for the component that you want to

control by turning the selector dial.

Note: Turn the selector dial unitl it stops with a click.

2 Press an operation key.

Note: Press a key with the remote controller aimed at the

front panel.

English

The remote controller is designed to control the most commonly used functions. If you have other Yamaha audio and video

components with remote control capability, this remote controller will also control various functions of them.

In addition, this remote controller can control other manufacturers’ audio and video components by programming the remote

controller with the codes for other manufacturers.

REMOTE CONTROLLER

Basic operation

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

POWER

STANDBY

Selected position

is shown.

The indicator will flash

when a key is pressed.

Components which can be controlled

The selector dial can be turned to select nine positions. The components which can be controlled with the remote controller differs

depending on the selected position. Refer to the diagram below to know what components can be controlled for each position.

AMP/TUN

This unit can be controlled. Normally set to this position

TAPE/MD

Tape decks and MD recorders can be controlled.

* Keys are originally preset to control Yamaha tape decks. To control a Yamaha MD

recorder, enter the code for Yamaha MD recorders.

CD players can be controlled.

* Keys are originally preset to control Yamaha CD players.

DSP

This unit can be controlled and DSP programs can be selected directly.

DVD/LD

DVD players and LD players can be controlled.

* To control the Yamaha model DVD-1000 or DVD-S700, enter the code number “4490”.

DVD MENU

DVD players can be controlled.

* A code for a DVD player cannot be entered in this position.

VCR

VCRs can be controlled.

CBL/DBS

Cable TVs or DBS tuners can be controlled.

TVs can be controlled.

Notes

●

You can program the remote controller with the codes for

other manufactures for all positions (except AMP/TUN and

DSP) respectively.

For example, if your CD player is not a Yamaha model,

enter the code for the manufacture of the CD player when

the CD position is selected. You can control your CD player

with the remote controller when the CD position is selected.

You can enter one code for one position.

Refer to page 67 for details about entering codes.

●

Some Yamaha CD players and tape decks cannot be

controlled with the default codes. To control such a model,

enter the code for the model in the corresponding position.

●

For the DVD/LD and DVD MENU positions:

If you enter a code for a DVD player in the DVD/LD position,

the keys in the DVD MENU position become also available

for controlling the DVD player. You cannot enter a code for

a DVD player when the DVD MENU is selected.

●

You can enter the code for your second (or third) VCR in the

CBL/DBS position if you do not use a cable TV, DBS tuner, etc.

You can also enter the code for your second (or third) VCR in

the DVD MENU position if you do not use a DVD player. In this

case, however, you must enter a code for an LD player in the

DVD/LD position even if you do not use an LD player.

Refer to page 67 for details.

m AMP/TUN

* The keys drawn in a light tone do not function.

Key name and function

The key functions differ depending on the position selected by the selector dial as shown below.

Note

TV POWER and TV VOLUME function if you have entered the

code for your TV.

1 POWER

Press this key to turn on the power of this unit.

2 Input selector keys

Press a key to select the input source.

3 EXT. DEC.

Press this key to select the input signals from the EXTERNAL

DECODER INPUT terminals as the input source. This function

takes priority over the input selector key setting. “EXT.

DECODER” will be illuminated on the display panel.

The source selected with the input selector keys becomes the

current input source when “EXT. DECODER” is not illuminated

on the display panel.

* If the DSP key (

5) is pressed, you can select the HALL

program by pressing this key while the indicator (

C) is

illuminated.

4 A/B/C/D/E

Press this key to select a group of preset stations.

5 DSP

Press this key. While the indicator (

C) is illuminated for about

three seconds, select a DSP program using the keys

(

2, 3, D). No DSP program can be selected after the

indicator goes off.

6 PRESET +/–

+: Press this key to select the next preset station number.

–: Press this key to select the previous preset station

number.

7 VOLUME (up)/ (down)

Press these keys to increase or decrease the volume.

8 MUTE

Press this key to mute the volume. The volume can be

returned to the original level by pressing any remote controller

key which controls this unit.

The indicator on the VOLUME control flashes during the mute

mode.

9 SLEEP

Press this key to turn the built-in SLEEP timer on and off, and

set the SLEEP time. (Refer to page 60.)

0 / / /

The (up) and (down) keys select the DSP parameters,

or select speaker(s) or functions according to the mode

selected by the LEVEL or SET MENU key. The and

keys adjust or make changes in the selected parameter,

speaker(s) or function.

A/B/C/D/E

100

SET UP

RETURN

LEVEL

SET MENU

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

VOLUME

MUTE

CODE SET

SELECT

DIR

(TV POWER)

(TV VOLUME)

REMOTE CONTROLLER

The functions of all keys are the same with the AMP/TUN

position except the DSP program selector keys figured on

the left.

DSP program selector keys

Press a key corresponding to the DSP program you want to

select. The program is directly selected.

Note: Press “0” to select the program No. 10.

English

REMOTE CONTROLLER

A LEVEL

This key is used to adjust the output level of the center

speaker, rear speakers and subwoofer. First, press this key.

Then select the speaker(s) by pressing this key repeatedly or

by using the or key (

0). The name will be illuminated

on the display. Then press the or key (

0) to change

the output level.

B STANDBY

Press this key to set this unit in the standby mode.

C Indicator

This indicator flashes when a key is pressed on the remote

controller. (Transmitting infrared signals.)

D CHURCH

If the DSP key (

5) is pressed, you can select the CHURCH

program by pressing this key while the indicator (

C) is

illuminated.

E TEST

This key is used when adjusting the speaker balance. (Refer to

pages 30 to 32.)

F EFCT ON/OFF

Press this key to turn on/off the digital sound field processor,

which includes the Dolby Pro Logic Surround decoder, Dolby

Digital decoder and DTS decoder.

G ON SCREEN

Press this key to change the type of display on the monitor

screen. Three types of displays are available.

Each time the key is pressed, the information can be changed

to a full, simple and no display.

H SET MENU

Press this key to turn the unit into the SET MENU mode.

Select a function by pressing this key repeatedly or by using

the or key (

0). The function name will be illuminated

on the display. Then press the or key (

0) to adjust or

make settings in the function.

100

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

ENTER

HALL

TEST

DSP program

selector keys

m DSP

The keys drawn in a light tone do not function. For the keys which are not described here, see “AMP/TUN” on page 62. For details,

refer to the instruction manual for each of your components.

m TAPE/MD

Note

TV POWER and TV VOLUME function if you have entered the

code for your TV.

A/B/C/D/E

100

SET UP

RETURN

LEVEL

SET MENU

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

VOLUME

MUTE

CODE SET

SELECT

DIR

(TV POWER)

INPUT

(TV VOLUME)

For tape decks

POWER

This key turns on this unit when the default code is used.

If another code is entered and your tape deck’s remote

controller has a power key, this key will turn on the tape deck.

2 REC/PAUSE

Press this key to set the tape deck in the recording pause

mode.

3 DIR A

Press this key to select the playing direction of DECK A.

4 PLAY

Press this key to play a tape.

5 REWIND

Press this key to rewind a tape.

7 DECK A/B

Press this key to select A or B on a double cassette tape deck.

9 DIR B

Press this key to select the playing direction of DECK B.

0 STOP

Press this key to stop a tape.

A FAST FORWARD

Press this key to fast forward a tape.

For MD recorders

Enter the proper code for your MD recorder.

1 POWER

This key turns on this unit if a code for a Yamaha MD recorder

is entered. If another manufactuer’s code is entered and your

MD recorder’s remote controller has a power key, this key will

turn on the MD recorder.

2 REC/PAUSE

3 SKIP

4 PLAY

5 BACKWARD

6 DISPLAY

8 PAUSE

9 SKIP

0 STOP

A FAST FORWARD

REMOTE CONTROLLER

English

The keys drawn in a light tone do not function. For the keys which are not described here, see “AMP/TUN” on page 62. For details,

refer to the instruction manual for each of your components.

m DVD/LD

Note

TV POWER, TV VOLUME and TV INPUT function if

you have entered the code for your TV.

Note

TV POWER, TV VOLUME and TV INPUT function if

you have entered the code for your TV.

m DVD MENU

A/B/C/D/E

100

SET UP

RETURN

LEVEL

SET MENU

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

VOLUME

MUTE

CODE SET

SELECT

DIR

(TV POWER)

SKIP/SEARCH

PLAY

SUBTITLE (DVD)/

BACKWARD (LD)

SUBTITLE

ON/OFF (DVD)

DISC SKIP

INPUT

POWER

(TV VOLUME)

DISPLAY

(TV INPUT)

PAUSE

STOP

ANGLE (DVD)

AUDIO (DVD)

A/B/C/D/E

100

SET UP

RETURN

LEVEL

SET MENU

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

VOLUME

MUTE

CODE SET

SELECT

DIR

(TV POWER)

+10

MENU LEFT

MENU SELECT

SET UP

TITLE

DISC SKIP

Numeric

keys

POWER

(TV VOLUME)

TITLE/INDEX

MENU RIGHT

(TV INPUT)

MENU UP

MENU DOWN

CLEAR

RETURN

m CD

Note

TV POWER, TV VOLUME and TV INPUT function if you have entered the

code for your TV.

A/B/C/D/E

100

SET UP

RETURN

LEVEL

SET MENU

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

VOLUME

MUTE

CODE SET

SELECT

DIR

(TV POWER)

INPUT

(TV VOLUME)

(TV INPUT)

1 POWER

This key turns on this unit when the

default code is used. If another code

is entered and your CD player’s

remote controller has a power key,

this key will turn on the CD player.

2 DISC SKIP

Press these keys to skip to the next

or previous CD.

3 , SKIP

Press to skip to the beginning of

the next track.

Press to skip to the beginning of

the current or previous track.

4 PLAY

Press this key to play a CD.

5 BACKWARD

Press this key to reverse playback

rapidly.

6 PAUSE

Press this key to pause playback.

This key functions as PAUSE/STOP

for operating Yamaha CD players

under default settings.

7 STOP

Press this key to stop playback.

This key functions as PAUSE/STOP

for operating Yamaha CD players

under default settings.

8 FAST FORWARD

Press this key to advance playback

rapidly.

(*1)

(*1): For a DVD player:

This key turns on this unit when

the default code is used.

For an CD player:

This key turns on this unit if a

code for a Yamaha LD player is

entered.

REMOTE CONTROLLER

The keys drawn in a light tone do not function. For the keys which are not described here, see “AMP/TUN” on page 62. For details,

refer to the instruction manual for each of your components.

m VCR m TV

Note

You can control your VCR if you have entered the code for it.

Note

TV POWER, TV VOLUME and TV INPUT function if you have

entered the code for your TV.

Note

TV POWER, TV VOLUME and TV INPUT function if you

have entered the code for your TV.

m CBL/DBS

A/B/C/D/E

100

SET UP

RETURN

LEVEL

SET MENU

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

VOLUME

MUTE

CODE SET

SELECT

DIR

(TV POWER)

CHANNEL

ENTER

VCR REC (*1)

PLAY

REWIND

CHANNEL

+(UP)/–(DOWN)

CHANNEL

POWER

(TV VOLUME)

DISPLAY

(TV INPUT)

PAUSE

STOP

FAST

FORWARD

A/B/C/D/E

100

SET UP

RETURN

LEVEL

SET MENU

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

VOLUME

MUTE

CODE SET

SELECT

DIR

TV POWER

TV MUTE

TV SLEEP

CHANNEL

ENTER

CHANNEL

+(UP)/–(DOWN)

CHANNEL

TV VOLUME

DISPLAY

TV EFFECT

ON/OFF

TV INPUT

(VCR)

A/B/C/D/E

100

SET UP

RETURN

LEVEL

SET MENU

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

VOLUME

MUTE

CODE SET

SELECT

DIR

(TV POWER)

MENU LEFT

CHANNEL

ENTER

MENU SELECT

CHANNEL

+(UP)/–(DOWN)

CHANNEL

POWER

(TV VOLUME)

DISPLAY

+100

(TV INPUT)

MENU UP

MENU RIGHT

RECALL

MENU DOWN

REMOTE CONTROLLER

(*1) Press this key twice to start recording.

English

Entering manufacturer codes

If you have a component which is not a Yamaha model, you can enter the code for the manufacturer of the component in the

corresponding position of the selector dial. By doing so, you can control the component with the remote controller.

Refer to the code list at the end of this manual for the code numbers you need.

Notes

● Some Yamaha CD players and tape decks cannot be controlled with the default codes. To control such a model, enter the code

for the model in the corresponding position.

● If there is no code applicable for your component in the code list, you must use the remote controller provided for the component.

1 Set the selector dial to the position for controlling the

component. (For example, set to “VCR” for a VCR.)

2 Press both of the VOLUME and keys at the

same time and hold them until the indicator flashes

twice.

3 Use the numeric keys to enter the four-digit

manufacturer code for the component to be used.

Make sure that the indicator flashes twice.

* If the indicator does not flash, repeat step 3 and enter

the code again.

4 Try operating the component with the remote controller

to check the code entering is successful.

Note

If the component cannot be controlled, enter another code for

the same manufacturer.

Entering a code

POWER

STANDBY

TAPE/MD

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SURROUND

POWER

STANDBY

Flashes

twice.

Entering a code for a second (or third) VCR

You can use the CBL/DBS or DVD MENU position, or both of

them to control a second (and/or third) VCR if you do not use a

cable TV, DBS tuner, DVD player etc.

If you will use the DVD MENU position for a second (or third)

VCR, you must enter the code for an LD player in the DVD/LD

position.

1 Set the selector dial to the CBL/DBS or DVD MENU

position.

2 Press both of the VOLUME and keys at the

same time and hold them until the indicator flashes

twice.

3 Press the MUTE key.

4 Use the numeric keys to enter the four-digit

manufacturer code for the second (or third) VCR. Make

sure that the indicator flashes twice.

* If the indicator does not flash, repeat step 4 and enter the

code again.

5 Try operating the component with the remote controller

to check the code entering is successful.

Note

If the component cannot be controlled, enter another code for

the same manufacturer.

POWER

STANDBY

TAPE/MD

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SURROUND

VOLUME

MUTE

CODE SET

POWER

STANDBY

Flashes

twice.

VOLUME

MUTE

CODE SET

A/B/C/D/E

100

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

ENTER

HALL

TEST

POWER

STANDBY

Flashes

twice.

VOLUME

MUTE

CODE SET

A/B/C/D/E

100

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

ENTER

HALL

TEST

POWER

STANDBY

Flashes

twice.

REMOTE CONTROLLER

Restoring the default codes

1 Press both of the VOLUME and keys at the

same time and hold them until the indicator flashes

twice.

2 Enter the code number “9987”.

* Make sure that the indicator flashes twice.

1 Set the selector dial to the position for which you want to

restore the default code.

2 Press both of the VOLUME and keys at the

same time and hold them until the indicator flashes

twice.

3 Enter the code number “9999”.

* Make sure that the indicator flashes twice.

To restore the default codes for the all

positions.

To restore the default code for each

position

Default codes

The following codes are preset as the default code.

<U.S.A., Canada, China, Singapore and General models><Australia model>

We recommend that you write all code numbers you have entered on the “Quick Reference Card”.

Position Component Code

TV TV 0047

CBL/DBS DBS tuner 2566

VCR VCR 3060

DVD/LD DVD player 4545 YAMAHA

CD CD player 6187 YAMAHA

TAPE/MD Tape deck 8524 YAMAHA

Position Component Code

TV TV 0037

CBL/DBS DBS tuner 2455

VCR VCR 3072

DVD/LD DVD player 4545 YAMAHA

CD CD player 6187 YAMAHA

TAPE/MD Tape deck 8524 YAMAHA

VOLUME

MUTE

CODE SET

POWER

STANDBY

Flashes

twice.

POWER

STANDBY

Flashes

twice.

A/B/C/D/E

100

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

ENTER

HALL

TEST

POWER

STANDBY

Flashes

twice.

A/B/C/D/E

100

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

ENTER

HALL

TEST

VOLUME

MUTE

CODE SET

POWER

STANDBY

Flashes

twice.

POWER

STANDBY

TAPE/MD

MOVIE

THEATER 1

MOVIE

THEATER 2

/DTS

SURROUND

REMOTE CONTROLLER

English

Refer to the chart below when this unit does not function properly. If the problem you are experiencing is not listed below or if the

instruction below does not help, disconnect the power cord and contact your authorized YAMAHA dealer or service center.

Problem

The unit fails to turn on when the

STANDBY/ON switch is pressed, or turns

into the standby mode suddenly soon after

the power is turned on.

This unit does not work normally.

No sound or no picture.

No picture

The sound suddenly goes off.

Only one side speaker outputs the sound.

No sound from the effect speakers.

No sound from the center speaker.

Poor bass reproduction.

Sound “hums”.

The volume level is low while playing a

record.

The volume level cannot be increased, or

sound is distorted.

Cause

Power cord is not plugged in or is not

completely inserted.

The IMPEDANCE SELECTOR switch on the

rear panel is not set to either end.

There is an influence of strong external

noise (lightning, excessive static electricity,

etc.) or a misoperation on this unit while

using this unit.

Incorrect output cord connections.

Appropriate input source is not selected.

Speaker connections are not secure.

Digital signals other than PCM audio and

Dolby Digital (or DTS) encoded signals

which this unit cannot reproduce are input to

this unit by playing a CD-ROM etc.

There is no S video terminal connection

between this unit and the TV, though S

video signals are input to this unit.

The protection circuit has been activated

because of short circuit etc.

The SLEEP timer came on.

Incorrect setting of the BALANCE control.

Incorrect cord connections.

The EFFECT button is set off.

A Dolby Surround (or DTS) decoding

program is being used with material not

encoded with Dolby Surround (or DTS).

The function “1. CENTER SPEAKER” in the

SET MENU mode is set to the “NONE” position.

One of the DSP programs No. 6 to No. 10 is

selected when the input signal of source is

2-channel stereo (analog/PCM).

The input signals of source encoded with

Dolby Digital or DTS do not have center

channel signals.

The function “4. LFE/BASS OUT” in the SET

MENU mode is set in the SW or BOTH

position, though your system does not

include a subwoofer.

Output mode selection for each channel

(MAIN, CENTER or REAR) is improper.

Incorrect cord connections.

No connection from the turntable to the

GND terminal.

The record is being played on a turntable

with an MC cartridge.

The component connected to the TAPE/MD

OUT terminals of this unit is turned off.

What to Do

Firmly plug in the power cord.

Set the switch to either end when this unit is

in the standby mode.

Turn this unit into the standby mode and

disconnect the AC power cord from the AC

outlet. After about 30 seconds have passed,

connect the power and operate this unit

again.

Connect the cords properly. If the problem

persists, the cords may be defective.

Select the appropriate input source with the

INPUT SELECTOR or the TAPE/MD

MON/EXT. DECODER button.

Secure the connections.

Play a source whose signals this unit can

reproduce.

Connect this unit’s S VIDEO MONITOR OUT

terminal to the TV’s S video input terminal.

Turn this unit into the standby mode, and

then turn on to reset the protection circuit.

Cancel the SLEEP timer function.

Adjust it to the appropriate position.

Connect the cords properly. If the problem

persists, the cords may be defective.

Press the EFFECT button to turn it on.

Use a different sound field program.

Select the appropriate position.

Select another program.

Refer to the instructions for the source

currently played.

Select the MAIN position.

Make output mode selections suitable for

your speaker system.

Firmly connect the audio plugs. If the

problem persists, the cords may be defective.

Make the GND connection between the

turntable and this unit.

The player should be connected to the unit

through the MC head amplifier.

Turn on the power to the component.

General

TROUBLESHOOTING

Problem

The remote controller does not work.

The remote controller does not function

properly.

This unit or another component cannot be

controlled with the remote controller.

Cause

The batteries of this remote controller are

weak.

Wrong distance or angle.

Direct sunlight or lighting (of an inverter type

of fluorescent lamp etc.) is striking the remote

control sensor of the main unit.

The selector dial of the remote controller is

not set at the proper position.

The code for controlling the component is not

preset to the remote controller.

What to Do

Replace the batteries with new ones.

The remote controller will function from a

maximum range of 6 meters, no more than 30

degrees off-axis from the front panel.

Change position of the main unit.

Set the selector dial to the proper position.

Enter the code for controlling the component

in the corresponding position of the remote

controller.

Remote controller

Problem

DSP parameters and some other settings

on this unit cannot be changed.

“INPUT DATA ERR” appears on the display

and no sound is heard.

The sound field cannot be recorded.

This unit does not operate properly.

A source cannot be recorded by a tape

deck or VCR connected to this unit.

Noise from nearby TV or tuner.

The sound is degraded when listening with

the headphones connected to the compact

disc player or tape deck that is connected

with this unit.

Cause

The function “11. MEMORY GUARD” in the

SET MENU mode is set to the “ON” position.

A nonstandardized source is played back, or

the unit playing back a source is

misoperating.

It is not possible to record the sound field on

a tape deck connected to this unit’s

TAPE/MD OUT terminals.

The internal microcomputer has been frozen

by an external electric shock (lightning,

excessive static electricity, etc.) or power

supply with low voltage.

The source unit is connected to this unit

between digital terminals only.

This unit is too close to the affected

equipment.

This unit is in the standby mode.

What to Do

Set to the “OFF” position.

Check the source, or turn off the unit playing

back the source and then turn on again.

Unplug the AC power cord from the wall AC

outlet, and then plug in again after about one

minute.

Make additional connection between analog

terminals.

Move the unit further away from the affected

equipment.

Turn the power to this unit on.

English

TROUBLESHOOTING

Problem

A loud hissing noise is heard when you

play back a source encoded with DTS.

A percussive noise is heard when you

begin playing back a source encoded with

DTS.

No sound is heard when you play back a

source encoded with DTS, even though the

“AUTO” or “DTS” input mode is selected

on this unit.

No sound is heard when you play back an

MD onto which you have recorded a

source encoded with DTS.

No sound is heard when you play back a

DAT onto which you have recorded a

source encoded with DTS.

No sound is heard when you play back a

source (CD etc.) even though the currently

selected input mode is “AUTO”.

Problem

FM stereo reception is noisy.

There is distortion and clear reception

cannot be obtained even with a good

FM antenna.

A desired station cannot be tuned in

with the automatic tuning method.

Previously preset stations can no

longer be tuned in.

A desired station cannot be tuned in

with the automatic tuning method.

There are continuous crackling and

hissing noises.

There are buzzing and whining noises

(especially in the evening).

Cause

The player which plays back the source is

not connected to a digital audio signal input

terminal of this unit.

The “ANALOG” input mode is selected on

this unit.

If the “AUTO” input mode is selected,

depending on some sources, there may be a

case that a noise is heard while this unit is

identifying the format of input signal.

The DTS decoder built into this unit does not

function because the player has a digital

volume control and it is set at a position

other than “maximum”, “neutral” or

“ineffective”.

A source encoded with DTS cannot be

recorded onto an MD.

Depending on a DAT deck, a source

encoded with DTS cannot be recorded onto

a DAT.

In the “AUTO” mode, DTS-decoding mode

cannot be changed to the normal (PCM)

digital signal input mode automatically.

Cause

Because of the characteristics of FM stereo

broadcasts, this is limited to cases where

the transmitter is too far away or the

antenna input is poor.

There is multipath interference.

The station is too weak.

This unit has been unplugged for a long

period.

Weak signal or loose antenna connections.

Noises result from lightning, fluorescent

lamps, motors, thermostats and other

electrical equipment.

A television set is being used nearby.

What to Do

The player must be connected to a digital

audio signal input terminal of this unit besides

analog audio signal terminal connections.

Select a proper input mode on this unit to turn

on the DTS decoder built into this unit.

Set the input mode of the currently selected

input source to “DTS”.

Set the player’s digital volume control at the

maximum, neutral or ineffective position.

Press the INPUT MODE button on the front

panel or the input selector button (for the

currently selected source) on the remote

controller so that “PCM” appears on the

monitor screen.

What to Do

Check the antenna connections.

Try using a high quality directional FM

antenna.

Set the TUNING MODE button to the manual

tuning mode.

Adjust antenna placement to eliminate

multipath interference.

Use the manual tuning method.

Use a high quality directional FM antenna.

Repeat the presetting procedure.

Tighten the AM loop antenna connections

and rotate it for best reception.

Use the manual tuning method.

Use an outdoor antenna and a ground wire.

This will help somewhat but it is difficult to

eliminate all the noises.

Relocate this unit away from the TV.

When playing back a source encoded with DTS:

Tuner

Notes

• It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back a source must be

connected to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or only a

D-to-A converter is used without using a DTS decoder, when you play back a source, only a loud hiss noise will be heard.

• If you make a search (or skip etc.) operation while playing back a source encoded with DTS, the “dts” indicator goes out from the

display. This is because this unit automatically changes the DTS-decoding mode to the standard (PCM) digital signal input mode

to prevent a noise from being output.

• A source encoded with DTS cannot be recorded onto analog audio and video tapes, and also, an analog tape recorded with a

source encoded with DTS cannot be played back.

The same result is obtained for MDs and DATs (depending on a DAT deck used for recording and/or playback).

FMAM

Although you make the operation for

recalling a preset station, the station

cannot be tuned in, or a station other than

the preset one is tuned in.

Some memory of the preset stations was

modified because the setting of the

FREQUENCY STEP switch was changed

after storing stations.

Repeat storing stations by following the

preset tuning procedure.

SPECIFICATIONS

AUDIO SECTION

Minimum RMS Output Power Per Channel

(Power Amp. Section)

(When both channels are driven)

MAIN L/R

20 Hz to 20 kHz, 0.04% THD, 8 ohms

................................................ 85W+85W

1 kHz, 0.07% THD, 8 ohms

............................................ 100W+100W

CENTER

20 Hz to 20 kHz, 0.04% THD, 8 ohms

.......................................................... 85W

1 kHz, 0.07% THD, 8 ohms............ 100W

REAR L/R

20 Hz to 20 kHz, 0.04% THD, 8 ohms

.................................................85W+85W

1 kHz, 0.07% THD, 8 ohms

.............................................100W+100W

Maximum Power (EIAJ) [China and General

models only]

1 kHz, 10% THD

, 8 ohms

(When both channels are driven)

MAIN L/R................................125W+125W

CENTER.............................................125W

REAR L/R...............................125W+125W

Dynamic Power Per Channel

(by IHF Dynamic Headroom Measuring Method)

MAIN L/R (8 ohms/6 ohms/4 ohms/2 ohms)

(When both channels are driven)

..................................115W/140W/170W/200W

Dynamic Headroom

[U.S.A. and Canada models only]

MAIN L/R (8 ohms) .......................... 1.31 dB

DIN Standard Output Power Per Channel

[Europe, U.K. and Singapore models only]

MAIN L/R (1 kHz, 0.7% THD, 4 ohms)

(When both channels are driven) ..... 130W

IEC Power

[Europe, U.K. and Singapore models only]

MAIN L/R (1 kHz, 0.04% THD, 8 ohms)

(When both channels are driven) ....... 95W

Power Band Width

8 ohms, 40W, 0.09% THD

(When both channels are driven)

MAIN L/R .........................10 Hz to 50 kHz

Damping Factor (SPEAKER A)

MAIN L/R (20 Hz to 20 kHz, 8 ohms)

..................................................... 80 or more

Input Sensitivity/Impedance

CD/TAPEzMD/DVDzLD/TVzDBS/VCR

/VIDEO AUX ................... 150 mV/47 k-ohms

PHONO MM......................2.5 mV/47 k-ohms

Maximum Input Signal

CD/TAPEzMD/DVDzLD/TVzDBS/VCR

/VIDEO AUX (EFFECT ON)

(1 kHz, 0.5% THD) ................... 2.2V or more

PHONO MM (1 kHz, 0.04% THD)

............................................ 110 mV or more

Output Level/Impedance

REC OUT....................... 150 mV/1.0 k-ohms

PRE OUT............................ 2.6V/1.1 k-ohms

SUBWOOFER (MAIN SP: SMALL)

............................................ 4.0V/1.2 k-ohms

Headphone Jack Rated Output/Impedance

Output Level

CD/TAPEzMD/DVDzLD/TVzDBS/VCR

/VIDEO AUX Input: 1 kHz,

150 mV, RL=8 ohms ........................ 0.55V

Impedance .................................... 390 ohms

Frequency Response (20 Hz to 20 kHz)

CD/TAPEzMD/DVDzLD/TVzDBS/VCR

/VIDEO AUX to MAIN L/R SP OUT

........................................................ 0±0.5 dB

RIAA Equalization Deviation

PHONO MM ....................................0±0.5 dB

Total Harmonic Distortion (20 Hz to 20 kHz)

CD/TAPEzMD/DVDzLD/TVzDBS/VCR/VIDEO

AUX to MAIN SP OUT, 40W/8 ohms

.............................................. 0.025% or less

PHONO MM to REC OUT, 1V

................................................ 0.02% or less

Signal-to-Noise Ratio (IHF-A Network)

CD/TAPEzMD/DVDzLD/TVzDBS/VCR/VIDEO

AUX to SP OUT (Input Shorted 150 mV)

(EFFECT OFF) ...................... 96 dB or more

PHONO MM to REC OUT

(Input Shorted 5 mV)

[U.S.A., Canada, China and General

models] .................................86 dB or more

[Europe, U.K., Australia and Singapore

models] .................................82 dB or more

Residual Noise (IHF-A Network)

MAIN L/R SP OUT ................. 170 µV or less

Channel Separation (Vol. –30 dB, EFFECT

OFF)

CD/TAPEzMD/DVDzLD/TVzDBS/VCR/VIDEO

AUX Input 5.1 k-ohms Shorted

1 kHz/10 kHz

........................................ 60/45 dB or more

PHONO MM Input Shorted

1 kHz/10 kHz

.........................................60/55 dB or more

Tone Control Characteristics

Bass

Boost/Cut ........................... ±10 dB (50 Hz)

Turnover frequency ........................ 350 Hz

Treble

Boost/Cut ......................... ±10 dB (20 kHz)

Turnover frequency ....................... 3.5 kHz

Bass Extension (MAIN L/R) .......+6 dB (50 Hz)

Filter Characteristics

MAIN L/R, CENTER, REAR L/R

(MAIN, CENTER, REAR SP: SMALL)

(H.P.F.) .......................fc = 90 Hz, 12 dB/oct.

SUBWOOFER (L.P.F.)

.................................... fc = 90 Hz, 18 dB/oct.

Gain Tracking Error (0 to –60 dB)

MAIN L/R ....................................3 dB or less

VIDEO SECTION

Video Signal Type

[U.S.A. and Canada models]................NTSC

[Europe, U.K., Australia and Singapore

models] .................................................. PAL

[China and General models] ....... NTSC/PAL

Video Signal Level ................. 1 Vp-p/75 ohms

S-Video Signal Level

Y ......................................... 1 Vp-p/75 ohms

C .................................. 0.286 Vp-p/75 ohms

Maximum Input Level ........... 1.5 Vp-p or more

Signal-to-Noise Ratio ............... 50 dB or more

Monitor Out Frequency Response

..................................... 5 Hz to 10 MHz, –3 dB

FM SECTION

Tuning Range

[U.S.A. and Canada models]

..........................................87.5 to 107.9 MHz

[Europe, U.K., Australia, China, Singapore

and General models] ........87.5 to 108.0 MHz

50 dB Quieting Sensitivity (IHF, 75 ohms,

100% mod., 1 kHz)

[U.S.A., Canada, China and General

models only]

Mono.................................1.6 µV (15.3 dBf)

Stereo................................23 µV (38.5 dBf)

Usable Sensitivity (75 ohms)

[Europe, U.K., Australia and Singapore

models only]

DIN, Mono (S/N 26 dB) .....................0.9 µV

DIN, Stereo (S/N 46 dB).....................28 µV

Alternate Channel Selectivity (±400 kHz)

[U.S.A., Canada, China and General

models only]..........................................75 dB

Selectivity (two signals, 40 kHz Dev. ±300

kHz)

[Europe, U.K., Australia and Singapore

models only] .........................................55 dB

Signal-to-Noise Ratio

(IHF) Mono/Stereo

[U.S.A., Canada, China and General

models]..........................................81/75 dB

(DIN-Weighted, 40 kHz Dev.) Mono/Stereo

[Europe, U.K., Australia and Singapore

models]..........................................75/69 dB

English

SPECIFICATIONS

Harmonic Distortion (1 kHz) ...............0.1/0.2%

Stereo Separation (1 kHz).......................48 dB

Frequency Response

20 Hz to 15 kHz..................................0±1 dB

Output Level (100% mod., 1 kHz)

[U.S.A., Canada, China and General models]

...........................................................550 mV

[Europe, U.K., Australia and Singapore

models (40 kHz Dev.)] ......................550 mV

AM SECTION

Tuning Range

[U.S.A., Canada, China and General models]

........................................... 530 to 1,710 kHz

[Europe, U.K., Australia and Singapore

models] ...............................531 to 1,611 kHz

Usable Sensitivity..............................300 µV/m

Signal-to-Noise Ratio ..............................52 dB

Output Level (30% mod., 1 kHz) .........150 mV

GENERAL

Power Supply

[U.S.A. and Canada models]

............................................. AC 120V/60 Hz

[Europe, U.K. and Singapore models]

............................................. AC 230V/50 Hz

[Australia model] .................. AC 240V/50 Hz

[China and General models]

.................. AC 110/120/220/240V, 50/60 Hz

Power Consumption

[U.S.A. model] ..................................... 310W

[Europe, U.K., Australia, China, Singapore

and General models] ............................350W

[Canada model]........................350W/440 VA

Maximum Power Consumption

[General model only] ...........................690W

AC Outlets

2 SWITCHED OUTLETS

[U.S.A., Europe, Canada, China, Singapore

and General models] ....... 100W max. total

1 SWITCHED OUTLET

[U.K. and Australia models] ..... 100W max.

Dimensions (W x H x D)

........................................ 435 x 151 x 391 mm

(17-1/8” x 5-15/16” x 15-3/8”)

Weight ......................... 13.0 kg (28 lbs. 10 oz)

Accessories..........................Remote controller

Batteries

AM loop antenna

Indoor FM antenna

Antenna adapter

(U.S.A. and Canada models only)

* Specifications are subject to change without

notice.

SETUP CODES FOR TV

Manufacturer Code

A-Mark 0003

AOC 0030, 0019, 0003, 0052, 0185

Abex 0032

Acura 0009

Admiral 0093

Adventura 0046

Adyson 0032

Aiko 0092

Akai 0030, 0208

Akura 0264

Alaron 0179, 0216

Alba 0009, 0037

Ambassador 0177

Amstrad 0009, 0171, 0177

Anam 0180, 0004, 0009, 0068

Anam National 0161

Anitech 0009, 0068

Arcam 0216

Archer 0003

Audinac 0391

Audiosonic 0037, 0109

Audiovox 0451, 0180, 0003, 0092

BPL 0282

Basic Line 0009

Baur 0037, 0512, 0535, 0554

Baysonic 0180

Belcor 0019

Bell & Howell 0154, 0016

Beon 0037

Blaupunkt 0535, 0554

Blue Star 0282

Bradford 0180

Brandt 0109

Britannia 0216

Brockwood 0019

Broksonic 0236, 0463, 0003, 0426

Bush 0282, 0009, 0037

CCE 0037

CS Electronics 0216

CXC 0180

Candle 0030, 0056, 0046, 0186

Carnivale 0030

Carver 0054, 0170

Cascade 0009

Cathay 0037

Celebrity 0000

Centurion 0037

Cimline 0009

Cineral 0451, 0092

Citizen 0060, 0030, 0056, 0039,

0046, 0092, 0186, 0280

Clairtone 0185

Clarivox 0037

Concerto 0056

Contec 0180, 0009, 0185, 0216

Craig 0180, 0161

Crosley 0054

Crown 0180, 0039, 0009, 0037, 0418

Curtis Mathes 0047, 0054, 0154, 0051,

0451, 0093, 0060, 0030,

0145, 0056, 0016, 0039, 0166

Daewoo 0451, 0019, 0039, 0009,

0037, 0066, 0092

Dansai 0037

Dayton 0009

Daytron 0019

De Graaf 0208

Decca 0037

Denon 0145

Dixi 0004, 0009, 0037

Dumont 0017, 0019

Ectec 0391

Electroband 0000, 0185

Elin 0037

Elta 0009

Emerson 0154, 0236, 0463, 0180,

0282, 0178, 0019, 0179,

0039, 0177, 0185, 0280

Envision 0030

Erres 0037

Ferguson 0037, 0109, 0287, 0560

Fidelity 0216

Finlandia 0208

Finlux 0179, 0037

Firstline 0009, 0216

Fisher 0154, 0159, 0208

Formenti 0037

Frontech 0264

Fujitsu 0179

Funai 0180, 0179, 0171, 0264

Futuretech 0180

GE 0047, 0051, 0451, 0093,

0282, 0178, 0021, 0135

GEC 0037

Geloso 0009

Gibralter 0017, 0030, 0019

GoldStar 0030, 0178, 0019, 0056,

0001, 0002, 0032, 0037, 0109

Goodmans 0179, 0037

Gradiente 0053, 0056, 0170

Granada 0037, 0208, 0339, 0502

Grandin 0282

Grundig 0037, 0535, 0554

Grunpy 0180, 0179

HCM 0282, 0009

Hallmark 0178

Hanseatic 0037

Harley Davidson 0179

Harvard 0180, 0068

Hinari 0179, 0009, 0037, 0283

Hisawa 0282

Hitachi 0145, 0056, 0032,

0109, 0151, 0576

Huanyu 0216

Hypson 0282, 0037, 0264

ICE 0264

ITT 0283

Imperial 0418

Indiana 0037

Infinity 0054

Inteq 0017

Interbuy 0068

Interfunk 0037, 0512

Intervision 0037, 0068, 0264

JBL 0054

JCB 0000

JEC 0502

JVC 0053, 0069, 0160

Janeil 0046

KEC 0180

KTV 0180, 0030, 0039, 0185, 0280

Kaisui 0282, 0009, 0216

Kamp 0216

Kawasho 0216

Kaypani 0052

Kendo 0037

Kenwood 0030, 0019

Kingsley 0216

Kloss 0046

Korpel 0037

Koyoda 0009

LG 0056

LXI 0047, 0054, 0154, 0156, 0178

Leyco 0037, 0264

Liesenk & Tter 0037

Lloytron 0032

Loewe 0512

Logik 0016, 0001

Luxman 0056

M Electronic 0009, 0037, 0068,

0109, 0287

MEI 0185

MGA 0150, 0030, 0178, 0019

MTC 0060, 0030, 0019, 0056,

0185, 0216, 0512

Magnavox 0054, 0030, 0179,

0186, 0187

Majestic 0016

Manesth 0264

Marantz 0054, 0030, 0037

Mark 0037

Matsui 0009, 0035, 0037, 0177, 0208

Matsushita 0250

Mediator 0037

LIST OF MANUFACTURER’S CODES

LISTE DES CODES FABRICANTS

For U.S.A. and Canada models

Modèles pour les Etats-Unis et le Canada

Megatron 0178, 0145, 0003

Memorex 0154, 0250, 0150, 0178,

0056, 0016, 0009

Metz 0535

Midland 0047, 0017, 0051,

0039, 0032, 0135

Minerva 0535, 0554

Minutz 0021

Mitsubishi 0093, 0150, 0178,

0019, 0512, 0535

Mivar 0216

Motorola 0093

Multitech 0180, 0009, 0216

NAD 0156, 0178, 0166

NEC 0030, 0019, 0056, 0170

NEI 0037

NTC 0092

Neckermann 0037, 0554

Nesco 0179

Nikkai 0032, 0035, 0037, 0216, 0264

Nikko 0030, 0178, 0092

Nisato 0391

Nordmende 0109, 0287, 0560

Noshi 0018

Onwa 0180

Optimus 0154, 0250, 0166

Optonica 0093, 0165

Orion 0236, 0463, 0179, 0037, 0177

Osaki 0032, 0264

Osume 0032

Otto Versand 0037, 0512, 0535, 0554

Palladium 0418

Panama 0264

Panasonic 0051, 0250, 0226

Pathe Cinema 0216

Pausa 0009

Penney 0047, 0156, 0051, 0060, 0030,

0178, 0021, 0019, 0018, 0056,

0039, 0002, 0003,

0032, 0135, 0149

Phase 0032

Philco 0054, 0463, 0030, 0145, 0019

Philips 0054, 0037, 0554

Phonola 0037

Pilot 0030, 0019, 0039

Pioneer 0109, 0166, 0287

Portland 0019, 0039, 0092

Prism 0051

Profex 0009

Proscan 0047

Protech 0009, 0037, 0264, 0418

Proton 0178, 0003, 0052

Pulsar 0017, 0019

Quasar 0051, 0250, 0165

Quelle 0037, 0252, 0512, 0535, 0554

R-Line 0037

RCA 0047, 0051, 0093, 0019,

0018, 0090, 0135

Radio Shack 0047, 0154, 0165, 0180,

0030, 0178, 0019, 0056,

0039, 0032

Radiola 0037

Realistic 0154, 0165, 0180, 0030,

0178, 0019, 0056, 0039, 0032

Revox 0037

Rex 0264

Rhapsody 0185, 0216

Roadstar 0009, 0264, 0418

Runco 0017, 0030

SBR 0037

SEG 0264

SEI 0177

SSS 0180, 0019

Saba 0109, 0287

Saisho 0009, 0177, 0264

Sampo 0030, 0039, 0032, 0052

Samsung 0060, 0030, 0178, 0019,

0056, 0039, 0009, 0032,

0037, 0090, 0264, 0427

Samsux 0039

Sandra 0216

Sansei 0451

Sansui 0463

Sanyo 0154, 0159, 0208, 0339

Schneider 0037

Scimitsu 0019

Scotch 0178

Scott 0236, 0180, 0178, 0019, 0179

Sears 0047, 0054, 0154, 0156, 0178,

0179, 0056, 0149, 0159, 0171

Semivox 0180

Semp 0156

Sentra 0035, 0283

Sharp 0093, 0165, 0039

Shogun 0019

Siemens 0037, 0535, 0554

Signature 0016

Simpson 0186, 0187

Sinudyne 0177

Solavox 0032

Sonitron 0208

Sonoko 0009, 0037

Sonolor 0208

Sontec 0037

Sony 0000, 0080

Soundesign 0180, 0178, 0179, 0186

Soundwave 0037, 0418

Spectricon 0003

Squareview 0171

Standard 0009

Starlite 0180

Supra 0056

Supre-Macy 0046

Supreme 0000

Sylvania 0054, 0030

Symphonic 0171

Sysline 0037

TMK 0178, 0056, 0177

Tandy 0093

Tatung 0003, 0037

Technics 0051, 0250

Technol Ace 0179

Techwood 0051, 0056, 0003

Teknika 0054, 0180, 0150, 0060,

0019, 0179, 0056, 0016,

0039, 0092, 0186

Telefunken 0056, 0109, 0252

Teletech 0009

Teleton 0186

Texet 0216

Thomson 0109, 0287

Thorn 0035, 0037, 0512, 0535

Tomashi 0282

Toshiba 0154, 0156, 0060,

0035, 0149, 0502

Tosonic 0185

Totevision 0039

Triumph 0177

Ultra 0391

Universum 0037, 0264, 0535

Vector Research 0030

Vestel 0037

Victor 0053

Vidikron 0054

Vidtech 0178, 0019

Viking 0046

Wards 0054, 0165, 0030, 0178, 0021,

0019, 0179, 0056, 0016, 0080

Watson 0037

White Westinghouse 0037, 0216

Yamaha 0030, 0019

Yoko 0037, 0264

Zenith 0017, 0016, 0092

Zonda 0003

SETUP CODES FOR CABLE

Manufacturer Code

ABC 1003, 1008, 1014, 1011

Allegro 1315

Archer 1797

BBT 1267

Belcor 1056

British Telecom 1003

Cable Star 1056

Citizen 1315

Colour Voice 1031

Comtronics 1040

Contec 1019

Emerson 1797

Everquest 1015, 1040

Focus 1400

GC Electronics 1056

Gemini 1015

General Instrument 1476, 1011

GoldStar 1144, 1040

Goodmind 1797

Hamlin 1020, 1259, 1009, 1034

Hitachi 1011

Jasco 1315

Jerrold 1003, 1012, 1476, 1014,

1015, 1011, 1024

MNet 1019

Magnavox 1027

Memorex 1000

Movie Time 1063

NSC 1063

Novaplex 1618

Oak 1019

Optimus 1021

PVP Stereo Visual Matrix 1003

Panasonic 1000, 1107, 1021

Paragon 1000

Philips 1027, 1031

Pioneer 1144, 1533

Popular Mechanics 1400

Prelude 1770

Pulsar 1000

RCA 1021

Radio Shack 1015, 1315

Recoton 1400

Regal 1020, 1259

Rembrandt 1011

Runco 1000

SL Marx 1040

Samsung 1144, 1040

Scientific Atlanta 1008, 1477

Signal 1015, 1040

Signature 1011

Sprucer 1021

StarSight 1422

Starcom 1003, 1015

Stargate 1015, 1040, 1770, 1797

Starquest 1015

TV86 1063

TeleCaption 1221

Teleview 1040

Timeless 1418

Tocom 1012

Toshiba 1000

Tusa 1015

United Cable 1003

Universal 1056, 1191

Viewstar 1063, 1027

Zenith 1000, 1054, 1525

Zentek 1400

SETUP CODES

FOR DBS TUNER

Manufacturer Code

AST 2321

Audio Ton 2364

Avalon 2396

Chaparral 2053, 2209

Connexions 2396

DNT 2396

Echostar 2396

Elta 2364

Expressvu 2775

Fuba 2396

Galaxis 2364

Galaxisat 2321

General Instrument 2361

Huth 2364

JSR 2364

JVC 2775

Jerrold 2361

Lemon 2692

NEC 2507

Neusat 2692

Next-Wave 2732

Primestar 2361

Radix 2396

SAT 2321

SatPartner 2692

Seemann 2396

Triad 2321

Wisi 2321, 2396

Zehnder 2321

(DSS)

AlphaStar 2772

Echostar 2775

General Instrument 2869

HTS 2775

Hitachi 2819

Hughes Network System 2749

Jerrold 2627

Magnavox 2724

Memorex 2724

Panasonic 2701

Philips 2724

Primestar 2627

RCA 2566

Sony 2639

Star Choice 2869

Toshiba 2790

Uniden 2724

SETUP CODES

FOR VCR

Manufacturer Code

ASA 3037, 3081

Admiral 3048

Adventura 3000

Aiko 3278

Aiwa 3037, 3000

Akai 3041, 3061, 3281, 3288

Akiba 3072

Akura 3271

Alba 3209, 3072, 3278, 3020, 3295

Ambassador 3020

American High 3035

Amstrad 3000, 3278

Anitech 3072

Asha 3240

Asuka 3037

Audiovox 3037

Baird 3000, 3104, 3041

Basic Line 3072, 3278, 3020

Beaumark 3240

Bell & Howell 3104

Blaupunkt 3162, 3034, 3195,

3226, 3227

Brandt 3187, 3320

Brandt Electronic 3041

Broksonic 3184, 3121, 3209, 3002,

3295, 3361, 3479

Bush 3209, 3072, 3278

CCE 3072, 3278

CGE 3000

Calix 3037

Canon 3035

Capehart 3020

Carver 3081

Catron 3020

Cimline 3072

Cineral 3278

Citizen 3037, 3278

Clatronic 3020

Colt 3072

Condor 3020

Craig 3037, 3047, 3240, 3072, 3271

Crown 3072, 3278, 3020

Curtis Mathes 3060, 3035, 3041, 3162

Cybernex 3240

Cyrus 3081

Daewoo 3045, 3278, 3020

Dansai 3072

Daytron 3020

De Graaf 3042, 3166

Decca 3081, 3000

Denon 3042

Dual 3041

Dumont 3081, 3000, 3104

Dynatech 3000

ESC 3240, 3278

Elbe 3038

Elcatech 3072

Electrohome 3037

Electrophonic 3037

Emerex 3032

Emerson 3037, 3184, 3000, 3121,

3043, 3209, 3002, 3278,

3036, 3061, 3068, 3208,

3212, 3295, 3361, 3479

Ferguson 3041, 3320

Fidelity 3000

Finlandia 3081, 3104

Finlux 3081, 3000, 3042, 3104

Firstline 3037, 3045, 3043, 3209, 3072

Fisher 3047, 3104, 3046, 3054, 3066

Frontech 3020

Fuji 3035, 3033

Funai 3000

GE 3060, 3035, 3048, 3240, 3202

GEC 3081

Garrard 3000

General 3020

GoldHand 3072

GoldStar 3037, 3038, 3225, 3471

Goodmans 3037, 3000, 3072, 3278,

3062, 3020

Gradiente 3000, 3008

Graetz 3240, 3104, 3041

Granada 3081, 3104, 3046

Grandin 3037, 3000, 3072

Grundig 3081, 3072, 3195, 3226

HCM 3072

HI-Q 3047

Hanseatic 3037

Harley Davidson 3000

Harman/Kardon 3038

Harwood 3072, 3068

Headquarter 3046

Hinari 3240, 3072, 3208

Hitachi 3240, 3000, 3042,

3041, 3166, 3235

Hypson 3072

ITT 3240, 3104, 3041, 3046, 3384

ITV 3037, 3278

Imperial 3000

Interfunk 3081

JVC 3067, 3041, 3008, 3384

Jensen 3041

KEC 3037, 3278

KLH 3072

Kaisui 3072

Kendo 3209

Kenwood 3067, 3041, 3038, 3384

Kodak 3035, 3037

Korpel 3072

LXI 3037

Lenco 3278

Leyco 3072

LIoyd’s 3000, 3208

Loewe 3037, 3081

Logik 3240, 3072

Luxor 3048, 3104, 3043, 3062, 3046

M Electronic 3000

MEI 3035

MGA 3240, 3043, 3061

MGN Technology 3240

MTC 3240, 3000

Magnasonic 3278

Magnavox 3035, 3039, 3081, 3000

Magnin 3240

Manesth 3045, 3072

Marantz 3035, 3081, 3062, 3295

Marta 3037

Matsui 3209, 3036, 3208, 3295

Matsushita 3035, 3162

Memorex 3035, 3037, 3048, 3039,

3047, 3240, 3000, 3104,

3162, 3046

Memphis 3072

Metz 3162, 3195, 3227

Minerva 3195

Minolta 3042

Mitsubishi 3048, 3081, 3067, 3043,

3061, 3173, 3196

Motorola 3035, 3048

Multitech 3000, 3072

Murphy 3000

NEC 3104, 3067, 3041, 3038, 3040

Neckermann 3081

Nesco 3072

Nikko 3037

Nikon 3034

Noblex 3240

Nokia 3240, 3104, 3041, 3046

Nordmende 3041, 3320, 3384

Oceanic 3000, 3041

Olympus 3035, 3226

Optimus 3037, 3048, 3104, 3162

Optonica 3062

Orion 3184, 3121, 3209, 3002,

3036, 3208, 3295, 3479

Osaki 3037, 3000, 3072

Otto Versand 3081

Palladium 3037, 3041, 3072

Panasonic 3035, 3162, 3225,

3226, 3227

Pathe Cinema 3036

Pathe Marconi 3041

Penney 3035, 3037, 3240, 3042,

3038, 3040, 3054

Pentax 3042

Perdio 3000

Philco 3035, 3209, 3038, 3479

Philips 3035, 3081, 3062, 3384

Phonola 3081

Pilot 3037

Pioneer 3081, 3067, 3162, 3235

Portland 3020

Profitronic 3240

Proline 3000

Proscan 3060, 3202

Protec 3072

Pulsar 3039

Pye 3081

Quarter 3046

Quartz 3046

Quasar 3035, 3162

Quelle 3081

RCA 3060, 3035, 3048,

3240, 3042, 3202

Radio Shack 3037, 3000

Radiola 3081

Radix 3037

Randex 3037

Realistic 3035, 3037, 3048, 3047,

3000, 3104, 3062, 3046, 3066

Rex 3041, 3384

Ricoh 3034

Roadstar 3037, 3240, 3072, 3278

Runco 3039

SBR 3081

SEG 3240

SEI 3081

STS 3042

Saba 3041, 3320, 3384

Saisho 3209, 3036, 3208

Salora 3043, 3046

Samsung 3240, 3045

Sanky 3048, 3039

Sansui 3000, 3067, 3041, 3271, 3479

Sanyo 3047, 3240, 3104, 3046

Schaub Lorenz 3000, 3104, 3041

Schneider 3081, 3000, 3072

Scott 3184, 3045, 3121, 3043, 3212

Sears 3035, 3037, 3047, 3000, 3042,

3104, 3046, 3054, 3066

Seleco 3041

Semp 3045

Sentra 3020

Sharp 3048, 3062

Shintom 3104, 3072

Shogun 3240

Siemens 3037, 3081, 3104, 3054, 3195

Silva 3037

Singer 3045, 3072

Sinudyne 3081

Solavox 3020

Sonolor 3046

Sontec 3037

Sony 3035, 3032, 3000, 3033, 3034

Sunstar 3000

Suntronic 3000

Sylvania 3035, 3081, 3000, 3043

Symphonic 3000

TMK 3240, 3036, 3208

Tashiko 3000

Tatung 3081, 3000, 3041

Teac 3000, 3041

Tec 3020

Technics 3035, 3162, 3226

Teknika 3035, 3037, 3000

Teleavia 3041

Telefunken 3041, 3187, 3320, 3384

Tenosal 3072

Tensai 3000

Thomas 3000

Thomson 3041, 3320, 3384

Thorn 3104, 3041, 3036

Toshiba 3081, 3045, 3043, 3041,

3066, 3212, 3366, 3384

Totevision 3037, 3240

Triumph 3208

Uher 3240

Unitech 3240

Universum 3037, 3081, 3240,

3000, 3195

Vector 3045

Vector Research 3038, 3040

Video Concepts 3045, 3040, 3061

Videosonic 3240

Wards 3060, 3035, 3048, 3047,

3081, 3240, 3000, 3042,

3072, 3062, 3212

White Westinghouse 3278

XR-1000 3035, 3000, 3072

Yamaha 3038

Yamishi 3072

Yokan 3072

Yoko 3240, 3020

Zenith 3039, 3000, 3033, 3034

SETUP CODES

FOR DVD PLAYER

Manufacturer Code

JVC 4558

Kenwood 4534

Magnavox 4503

Mitsubishi 4521

Onkyo 4503

Panasonic 4490

Philips 4503, 4539

Pioneer 4525

Proscan 4522

RCA 4522

Sony 4533

Technics 4490

Toshiba 4503

Yamaha 4490, 4545

Zenith 4503

SETUP CODES

FOR LD PLAYER

Manufacturer Code

Aiwa 5203

Carver 5064, 5194, 5323

Denon 5059, 5172

Disco Vision 5023

Funai 5203

Hitachi 5023

Magnavox 5194, 5217

Marantz 5064, 5194

Mitsubishi 5059

NAD 5059

Panasonic 5204

Philips 5064, 5194

Pioneer 5059, 5023

Quasar 5204

Realistic 5203

Salora 5064

Samsung 5323

Sega 5023

Sony 5193, 5201

Technics 5204

Telefunken 5059

Theta Digital 5194

Yamaha 5217

SETUP CODES

FOR CD PLAYER

Manufacturer Code

ADC 6018

Acoustic Research 6420

Adcom 6155

Aiwa 6157, 6012, 6124

Akai 6156

Arcam 6157

Audio Pro 6437

Audio Research 6157

Audio-Technica 6170

Audio Ton 6157

Audiolab 6157

Audiomeca 6157

BSR 6245

Bestar 6164

Burmester 6420

Bush 6245

California Audio Lab 6029

Carver 6157, 6179, 6437

Condor 6164

Crown 6122

Cyrus 6157

DAK 6245

DKK 6000

Denon 6003, 6034

Elektra 6393, 6437

Emerson 6305, 6155, 6164

Fisher 6179, 6048, 6088, 6342

Garrard 6420, 6393, 6245, 6280, 6425

Genexxa 6032, 6305, 6164, 6426

Goodmans 6305, 6245, 6280

Grundig 6157

Harman/Kardon 6426

Hitachi 6032, 6155

JVC 6072

Kenwood 6028, 6037, 6190, 6048

Kodak 6287

Krell 6157

Kyocera 6018

LXI 6305

Linn 6157

Luxman 6093

MCS 6029, 6043

MTC 6420

Magnavox 6157, 6305

Marantz 6029, 6157, 6180

Matsui 6157

Mclntosh 6287

Memorex 6032, 6305, 6155,

6164, 6180

Meridian 6157

Micromega 6157

Mission 6157

Mitsubishi 6156

NAD 6000

NEC 6043

NSM 6157

Nagaoka 6018

Naim 6157

Nakamichi 6147

Nikko 6164, 6170

Onkyo 6101

Optimus 6000, 6032, 6179, 6305,

6037, 6420, 6048, 6145,

6468, 6087, 6280, 6342,

6426, 6437

Panasonic 6029, 6303

Parasound 6420

Philips 6157, 6287

Pioneer 6032, 6305, 6468, 6244

Poppy 6164

Proton 6157

QED 6157

Quad 6157

Quasar 6029

RCA 6179, 6305, 6053, 6155

Realistic 6179, 6420, 6155, 6164, 6180

Revox 6157

Roadstar 6461

Rotel 6157, 6420

Royal 6420

SAE 6157

STS 6018

Sansui 6157, 6305, 6202

Sanyo 6179, 6048, 6087, 6342

Scott 6305, 6155, 6164

Sears 6305

Sharp 6037, 6180, 6261

Sherwood 6114, 6180, 6426

Shure 6043

Sony 6000, 6185

Soundesign 6145, 6425

Tascam 6420

Teac 6420, 6393, 6180

Technics 6029, 6303

Universum 6157, 6437

Victor 6072

Wards 6157, 6053

Yamaha 6036, 6187, 6261, 6082, 6712

Yorx 6461

SETUP CODES

FOR MD RECORDER

Manufacturer Code

Kenwood 7826

Sony 7490

Yamaha 7888, 7490

SETUP CODES

FOR TAPE DECK

Manufacturer Code

ADC 8171

Aiwa 8029, 8197

Akai 8283

Arcam 8076

Carver 8029

Denon 8076

Fisher 8074

Garrard 8308, 8309, 8375

GoldStar 8375

Grundig 8029, 8375

JVC 8244, 8274, 8303, 8304, 8310

Kenwood 8071, 8092, 8233, 8234

Kyocera 8171

Magnavox 8029

Marantz 8029, 8009

Memorex 8099

Mitsubishi 8283

Onkyo 8136, 8282

Optimus 8027, 8220, 8337

Panasonic 8229

Philips 8029

Phonotrend 8337

Pioneer 8027, 8220, 8099

Revox 8029, 8190

Sansui 8029, 8009

Sanyo 8074

Sharp 8231

Sherwood 8337

Sonic 8375

Sony 8243, 8170, 8291

Teac 8280, 8289, 8308, 8309

Technics 8229

Universum 8375

Victor 8274

Wards 8027

Yamaha 8097, 8094, 8478, 8524

SETUP CODES FOR TV

Manufacturer Code

Abex 0032

Acura 0009

Admiral 0093, 0163, 0213

Adyson 0217, 0032

Akai 0208, 0361

Akura 0218, 0264, 0369

Alaron 0216

Alba 0037, 0218, 0371, 0009,

0036, 0235

Allorgan 0294

Amplivision 0217

Amstrad 0371, 0009, 0362, 0369

Anam 0009, 0068

Anitech 0009, 0068, 0076

Arcam 0216, 0217

Asberg 0076

Asuka 0218

Atlantic 0206

Audiosonic 0037, 0109

Autovox 0206, 0076, 0336

BPL 0282

BSR 0294

BTC 0218

Baird 0343

Basic Line 0218, 0009

Baur 0037, 0010, 0554, 0349, 0361

Beko 0370

Beon 0037

Binatone 0217

Blaupunkt 0554, 0191, 0195, 0200,

0213, 0327, 0328

Blue Sky 0218

Blue Star 0282

Bondstec 0247

Boots 0217

Brandt 0109, 0196, 0198,

0205, 0333, 0335

Brionvega 0362

Britannia 0216

Bush 0037, 0218, 0374, 0371, 0294,

0009, 0282, 0036, 0349

CCE 0037, 0217

CGE 0074, 0076, 0084, 0247, 0306

CS Electronics 0216

CTC 0247

Carrefour 0036

Cascade 0009

Cathay 0037

Centurion 0037

Century 0213

Cimline 0009

Clarivox 0037

Clatronic 0370, 0076, 0247

Condor 0370, 0320

Contec 0216, 0009, 0036, 0157

Continental Edison 0196, 0198,

0205, 0333

Crosley 0074, 0076, 0084, 0213

Crown 0037, 0370, 0418, 0009, 0076

Crystal 0431

Curtis Mathes 0093

Cybertron 0218

Daewoo 0037, 0374, 0009

Dainichi 0218, 0215

Dansai 0037

Dayton 0009

De Graaf 0208

Decca 0037, 0072

Dixi 0037, 0009

Dual 0336, 0352

Dual Tec 0217

Dumont 0070

Elbe 0259

Elin 0037

Elite 0218, 0320

Elta 0009

Emerson 0282, 0213, 0361

Erres 0037, 0012

Expert 0206

Ferguson 0037, 0109, 0005, 0073,

0190, 0238, 0287, 0335, 0343

Fidelity 0216, 0361

Finlandia 0208, 0346, 0359

Finlux 0037, 0072, 0070, 0105, 0346

Firstline 0216, 0217, 0294, 0009,

0321, 0247

Fisher 0370, 0217, 0208, 0303

Flint 0455

Formenti 0037, 0320, 0213

Frontech 0264, 0431, 0163, 0247

Fujitsu 0072, 0206

Funai 0294, 0264, 0303

GE 0282, 0093

GEC 0037, 0217, 0072, 0043, 0205

GPM 0218

Geloso 0009, 0213

Genexxa 0218, 0163

GoldStar 0037, 0217, 0109,

0032, 0290

Goodmans 0037, 0217, 0374, 0371,

0072, 0036, 0235, 0317, 0343

Gorenje 0370

Gradiente 0053

Graetz 0163, 0361

Granada 0037, 0217, 0072, 0146,

0208, 0339, 0359

Grandin 0282

Grundig 0037, 0554, 0070, 0191,

0195, 0205

HCM 0009, 0282

Hanseatic 0037, 0320, 0361

Harley Davidson 0043

Harvard 0068

Hinari 0037, 0218, 0009, 0036

Hisawa 0282, 0455

Hitachi 0217, 0036, 0109, 0032, 0043,

0044, 0105, 0163, 0196,

0198, 0225, 0306, 0349

Huanyu 0216, 0374

Hypson 0037, 0282, 0264

ICE 0217, 0371, 0264

ICeS 0218

ITS 0371

ITT 0163, 0361

Imperial 0370, 0418, 0074, 0076,

0084, 0247

Indiana 0037

Ingelen 0163

Inno Hit 0072

Interbuy 0068

Interfunk 0037, 0163, 0247, 0361

Intervision 0037, 0217, 0264,

0102, 0068

Isukai 0218

JVC 0371, 0036, 0053, 0190, 0192

KTV 0217

Kaisui 0216, 0217, 0218, 0009, 0282

Kamp 0216

Kapsch 0206, 0163

Kawasho 0216

Kendo 0037, 0235, 0362

Kingsley 0216

Kneissel 0259

Korpel 0037

Koyoda 0009

Leyco 0037, 0294, 0072, 0264

Liesenk & Tter 0037

Lloytron 0032

Loewe 0075

Luma 0206

Luxor 0349, 0361

M Electronic 0037, 0217, 0374, 0009,

0109, 0068, 0105, 0163,

0287, 0346

MGA 0150

MTC 0216, 0349

Magnadyne 0102, 0247

Magnafon 0102, 0076, 0213

Magnavox 0036

Manesth 0217, 0320, 0264, 0235

Marantz 0037

Mark 0037

Matsui 0037, 0217, 0371, 0294,

0009, 0072, 0036, 0035,

0011, 0208, 0235

Matsushita 0250

McMichael 0043

Mediator 0037, 0012

Memorex 0009, 0250, 0150

Memphis 0337

Metz 0213, 0367

For Australia model

Modèle pour l’Austrarie

Midland 0032

Minerva 0554, 0070

Minoka 0369

Mitsubishi 0036, 0093, 0108, 0150

Mivar 0216, 0290, 0291, 0292

Motion 0076

Motorola 0093

Multitech 0216, 0217, 0009, 0102, 0076

NEC 0455, 0036

NEI 0037, 0431, 0337

Neckermann 0037, 0554, 0191,

0213, 0349

Nikkai 0037, 0216, 0218, 0072,

0264, 0035, 0032, 0337

Nikko 0317

Nobliko 0102, 0076

Nokia 0361

Nordmende 0109, 0196, 0198,

0213, 0287, 0343

Oceanic 0163, 0215, 0361

Optimus 0250

Optonica 0093

Orion 0037, 0294, 0320, 0321, 0235

Osaki 0217, 0218, 0072, 0264, 0032

Oso 0218

Osume 0072, 0032, 0157

Otake 0317

Otto Versand 0037, 0217, 0320, 0036,

0010, 0554, 0191, 0213,

0343, 0349

Palladium 0370, 0418

Panama 0217, 0264

Panasonic 0250, 0163, 0213, 0214,

0226, 0367

Pathe Cinema 0216, 0320, 0213, 0238

Pathe Marconi 0196, 0198, 0205, 0333

Pausa 0009

Penney 0032

Perdio 0320

Phase 0032

Philco 0074, 0076, 0084, 0213, 0247

Philips 0037, 0374, 0554, 0012,

0043, 0323

Phonola 0037, 0012

Pioneer 0109, 0163, 0287

Profex 0009, 0076, 0361

Proline 0321

Protech 0037, 0217, 0418, 0009,

0264, 0102, 0431, 0247, 0337

Pye 0012

Quasar 0250

Quelle 0037, 0010, 0554, 0011,

0070, 0074, 0084, 0200,

0213, 0306, 0327, 0328, 0361

Questa 0036

R-Line 0037

RBM 0070

RCA 0090, 0093

Radio Shack 0032

Radiola 0037, 0012, 0323

Rank Arena 0036

Realistic 0032

Rediffusion 0361

Revox 0037

Rex 0206, 0264, 0163, 0259

Rhapsody 0216

Roadstar 0218, 0418, 0009, 0264

SBR 0037, 0012, 0043

SEG 0217, 0264, 0036, 0076

SEI 0294, 0102, 0213

Saba 0109, 0075, 0163, 0196, 0198,

0205, 0213, 0287, 0335, 0343

Saccs 0238

Saisho 0009, 0264, 0431, 0011, 0235

Salora 0163, 0349, 0359, 0361

Sambers 0102, 0076, 0213

Sampo 0032

Samsung 0037, 0370, 0217, 0009,

0264, 0032, 0090, 0290

Sandra 0216

Sanyo 0072, 0036, 0011, 0146, 0157,

0208, 0213, 0339

Schaub Lorenz 0361

Schneider 0037, 0218, 0371, 0247,

0303, 0323, 0336, 0352

Sears 0146

Sei-Sinudyne 0010

Seleco 0206, 0163, 0259, 0362

Sentra 0035

Sharp 0036, 0093, 0157

Shorai 0294

Siarem 0102, 0213

Siemens 0037, 0554, 0157, 0191,

0195, 0200, 0213, 0327, 0328

Silver 0036

Sinudyne 0294, 0102, 0213, 0235

Solavox 0032, 0163

Sonitron 0208

Sonoko 0037, 0009

Sonolor 0163, 0208, 0215

Sontec 0037

Sony 0036, 0010, 0011

Soundwave 0037, 0418

Standard 0217, 0218, 0009

Stern 0206, 0163, 0259

Sunkai 0294, 0321

Susumu 0218

Sysline 0037

Tandy 0217, 0218, 0072, 0093, 0163

Tashiko 0217, 0036, 0043, 0359

Tatung 0037, 0217, 0072

Tec 0217, 0247

Technema 0320

Technics 0250

Teknika 0150

Teleavia 0205, 0333, 0343

Telefunken 0109, 0005, 0074, 0084,

0101, 0213, 0262, 0306,

0335, 0343

Telemeister 0320

Teletech 0009

Teleton 0217, 0206, 0349

Tensai 0218, 0294, 0320, 0317

Texet 0216, 0218

Thomson 0109, 0196, 0198, 0205,

0287, 0333, 0343, 0349

Thorn 0037, 0072, 0035, 0074,

0084, 0190, 0192, 0361

Thorn-Ferguson 0343

Tomashi 0282

Toshiba 0036, 0035, 0070, 0243

Trical 0157

Triumph 0243

Uher 0206, 0320, 0303

Ultra 0192

Ultravox 0102

Universum 0037, 0370, 0264,

0105, 0346

Vestel 0037

Victor 0053

Videosat 0247

Videotechnic 0217

Vidtech 0036

Vision 0320

Voxson 0163

Waltham 0217

Watson 0037, 0320

Watt Radio 0102

Wega 0036

White Westinghouse 0037, 0216, 0320

Yoko 0037, 0217, 0264, 0431

Zanussi 0206

SETUP CODES FOR CABLE

Manufacturer Code

ABC 1003, 1008, 1014, 1017

Birgmingham Cable Communications

1276

British Telecom 1003, 1105

Cabletime 1161, 1271, 1377

Clyde 1086

Contec 1019

Decsat 1423

Filmnet 1443

France Telecom 1451

GEC 1086

General Instrument 1276

GoldStar 1144

Jerrold 1003, 1276, 1014

MNet 1443, 1019

Magnavox 1032

Memorex 1000

Movie Time 1156

NSC 1156

Oak 1019

PVP Stereo Visual Matrix 1003

Panasonic 1000

Paragon 1000

Pioneer 1144, 1260

Pulsar 1000

Runco 1000

STS 1156

Salora 1382

Samsung 1144

Satbox 1375

Scientific Atlanta 1008, 1277, 1017

Starcom 1003

Tele+1 1443

Teleservice 1281

Toshiba 1000

Tudi 1286

United Cable 1003

Videoway 1250

Westminster 1105

Zenith 1000

SETUP CODES

FOR DBS TUNER

Manufacturer Code

AST 2321, 2351

Alba 2455, 2421, 2362, 2613

Aldes 2288

Allantide 2333

Amstrad 2080, 2252, 2345, 2461, 2501

Ankaro 2369, 2288, 2220, 2519, 2217

Anttron 2421, 2183

Arcon 2368

Armstrong 2243

Astra 2108, 2539

Astro 2520, 2173, 2358, 2501

Avalon 2396

Axis 2369, 2530

BT 2668

Barcom 2217

Beko 2189

Best 2369, 2217

Blaupunkt 2173

Boca 2243, 2513

Brain Wave 2332

Bush 2067

CNT 2520

Cambridge 2344

Channel Master 2362

Chaparral 2053, 2209

CityCom 2394

Commlink 2288

Connexions 2396

Crown 2243

Cyrus 2200

D-box 2723

DDC 2362

DNT 2396, 2200

Diskxpress 2217

Drake 2268

EIF 2417

Echostar 2396, 2871

Emanon 2421

FTE 2331

Ferguson 2183, 2067, 2189, 2336

Fidelity 2252

Finlux 2455, 2108, 2344, 2397

Fracarro 2871

Freecom 2421, 2335

Fuba 2421, 2369, 2396, 2217,

2297, 2417

G-Sat 2183

Galaxis 2288, 2834, 2863

Galaxisat 2321

GoldStar 2335

Gooding 2571

Goodmans 2189

Grothusen 2335

Grundig 2571, 2173, 2189, 2328

Harting und Helling 2333

Hinari 2183

Hirschmann 2502, 2173, 2573,

2287, 2333, 2397, 2398

Hitachi 2455

Houston 2668

Huth 2243, 2288, 2220, 2346

ITT 2108

InVideo 2871

Intervision 2592

JVC 2571

Johansson 2332

Kathrein 2173, 2200, 2092, 2331,

2358, 2394, 2442, 2480, 2504

Kosmos 2331, 2335

Kreiselmeyer 2173

Kyostar 2421

La Sat 2520, 2513, 2464

Lemon 2692

Lenco 2421, 2335

Lennox 2592

Lupus 2369

Luxor 2573, 2108

Manhattan 2455, 2592, 2520

Marantz 2200

Maspro 2092, 2328, 2336

Matsui 2571, 2344

Mediamarkt 2243

Micro Technology 2333, 2539

Minerva 2571

Morgan’s 2243, 2513

Multistar 2331, 2464

Muratto 2335

Navex 2332

Neuhaus 2501

Neusat 2692, 2834

Newhaus 2220

Nikko 2360

Nokia 2455, 2573, 2108, 2328,

2397, 2873

Nordmende 2362

Orbitech 2501

Oxford 2344

Pace 2455, 2183, 2067, 2328,

2336, 2791

Palcom 2297

Palladium 2571

Palsat 2501

Panda 2455

Philips 2455, 2571, 2200, 2292, 2328

Phonotrend 2288, 2592

Planet 2871

Plasmatic 2442

Polytron 2394

Promax 2455

Prosat 2288

Quadral 2362, 2519

RFT 2288, 2220, 2200

Radiola 2200

Radix 2396, 2882

SAT 2321, 2351, 2461

SEG 2421, 2369, 2539

STVI 2417

Saba 2520, 2336

Sabre 2455

Sagem 2820

Salora 2108

Samsung 2287

SatPartner 2421, 2332, 2520, 2502,

2335, 2692

Satcom 2605, 2346

Satec 2183, 2328

Satmaster 2346

Schwaiger 2183, 2394, 2504

Seemann 2396, 2530

Siemens 2173

Skymaster 2288, 2605, 2519

Star Trak 2421

Strong 2421

Sunstar 2513

TPS 2820

Tantec 2455, 2297, 2336

TechniSat 2262, 2501

Techniland 2346

Telefunken 2421

Teleka 2243, 2613

Telesat 2605

Thomson 2455

Tonna 2668, 2346

Triad 2321, 2333, 2335, 2351

Triasat 2501

Unitor 2332, 2217

Universum 2571, 2173

Vector 2333

Ventana 2200

Vortec 2421

Vtech 2351

Wevasat 2333

Winersat 2332

Wisi 2455, 2396, 2173, 2321,

2351, 2372, 2406, 2407

XSat 2889

Xcom Multimedia 2889

Zehnder 2520, 2321, 2331

SETUP CODES FOR VCR

Manufacturer Code

ASA 3037, 3081

Admiral 3048

Adventura 3000

Aiko 3278

Aiwa 3000, 3037, 3307, 3348, 3352

Akai 3315, 3106, 3041, 3053

Akiba 3072

Alba 3072, 3020, 3278, 3209,

3315, 3352

Ambassador 3020

Amstrad 3000, 3278, 3325, 3332

Anitech 3072

Asha 3240

Asuka 3037

Audiovox 3037

Baird 3000, 3041, 3104, 3107

Basic Line 3072, 3020, 3278

Beaumark 3240

Bell & Howell 3104

Blaupunkt 3034, 3226, 3195,

3003, 3006, 3154,

3162, 3227, 3403

Brandt 3320, 3187, 3321

Brandt Electronic 3041

Broksonic 3209

Bush 3072, 3278, 3209, 3352

CCE 3072, 3278

CGE 3000

Calix 3037

Capehart 3020

Carver 3081

Catron 3020

Cimline 3072

Cineral 3278

Citizen 3037, 3278

Clatronic 3020

Colt 3072

Combitech 3352

Condor 3020

Craig 3072, 3037, 3047, 3240

Crown 3072, 3020, 3278

Curtis Mathes 3041, 3162

Cybernex 3240

Cyrus 3081

Daewoo 3020, 3278, 3045

Dansai 3072

Daytron 3020

De Graaf 3042, 3166

Decca 3000, 3081

Denon 3042

Dual 3041

Dumont 3000, 3081, 3104

Dynatech 3000

ESC 3278, 3240

Elbe 3038

Elcatech 3072

Electrohome 3037

Electrophonic 3037

Emerex 3032

Emerson 3000, 3037, 3278, 3209,

3036, 3043, 3088

Ferguson 3320, 3041, 3107, 3321

Fidelity 3000

Finlandia 3081, 3104

Finlux 3000, 3081, 3042, 3104

Firstline 3072, 3037, 3209,

3045, 3043

Fisher 3046, 3047, 3054, 3104

Frontech 3020

Fuji 3033

Funai 3000

GE 3048, 3240

GEC 3081

Garrard 3000

General 3020

Go Video 3432

GoldHand 3072

GoldStar 3037, 3038, 3225

Goodmans 3072, 3000, 3020,

3037, 3278, 3403

Gradiente 3000, 3008

Graetz 3005, 3041, 3104, 3240

Granada 3081, 3046, 3104

Grandin 3072, 3000, 3037

Grundig 3072, 3081, 3347, 3226,

3195, 3003, 3006, 3007,

3207, 3349, 3403

HCM 3072

HI-Q 3047

Hanseatic 3037

Harley Davidson 3000

Harman/Kardon 3038

Harwood 3072

Headquarter 3046

Hinari 3072, 3004, 3240, 3352

Hitachi 3000, 3004, 3042, 3041,

3166, 3235, 3240

Hypson 3072

ITT 3106, 3046, 3384, 3005,

3041, 3104, 3240

ITV 3037, 3278

Imperial 3000

Ingersol 3004

Interfunk 3081

JVC 3067, 3384, 3008, 3041,

3206, 3207, 3486

Jensen 3041

KEC 3037, 3278

KLH 3072

Kaisui 3072

Kendo 3209, 3106

Kenwood 3067, 3384, 3038, 3041

Kodak 3037

Korpel 3072

LXI 3037

Lenco 3278

Leyco 3072

LIoyd’s 3000

Loewe 3037, 3004, 3081, 3006

Logik 3072, 3004, 3240

Luxor 3106, 3048, 3046, 3043, 3104

M Electronic 3000

MGA 3043, 3240

MGN Technology 3240

MTC 3000, 3240

Magnasonic 3278

Magnavox 3000, 3081

Magnin 3240

Manesth 3072, 3045

Marantz 3081, 3003, 3006

Marta 3037

Matsui 3209, 3004, 3036,

3088, 3348, 3352

Matsushita 3162

Memorex 3000, 3037, 3048,

3046, 3047, 3104,

3162, 3240, 3307

Memphis 3072

Metz 3347, 3195, 3003,

3006, 3162, 3227

Minerva 3195, 3006

Minolta 3042

Mitsubishi 3081, 3067, 3048, 3043

Motorola 3048

Multitech 3072, 3000

Murphy 3000

NEC 3067, 3038, 3041, 3104

Neckermann 3081

Nesco 3072

Nikko 3037

Nikon 3034

Noblex 3240

Nokia 3106, 3046, 3041, 3104, 3240

Nordmende 3320, 3384, 3041,

3297, 3321

Oceanic 3000, 3041

Okano 3315, 3348

Olympus 3226

Optimus 3037, 3432, 3048, 3104, 3162

Orion 3209, 3004, 3036,

3088, 3348, 3352

Osaki 3072, 3000, 3037

Otto Versand 3081

Palladium 3072, 3037, 3006, 3041

Panasonic 3226, 3162, 3225, 3227

Pathe Cinema 3036

Pathe Marconi 3041

Penney 3037, 3042, 3038, 3054, 3240

Pentax 3042

Perdio 3000

Philco 3209, 3038

Philips 3081, 3384, 3403

Phonola 3081

Pilot 3037

Pioneer 3081, 3067, 3162, 3235

Portland 3020

Profex 3322

Profitronic 3240

Proline 3000

Protec 3072

Pye 3081

Quarter 3046

Quartz 3046

Quasar 3162

Quelle 3081

RCA 3106, 3042, 3048, 3240

RFT 3403

Radio Shack 3000, 3037

Radiola 3081

Radix 3037

Randex 3037

Realistic 3000, 3037, 3048,

3046, 3047, 3104

Rex 3384, 3041

Ricoh 3034

Roadstar 3072, 3037, 3278, 3240

SBR 3081

SEG 3322, 3240

SEI 3004, 3081

STS 3042

Saba 3320, 3384, 3041, 3206,

3207, 3297, 3321

Saisho 3209, 3004, 3036, 3088

Salora 3106, 3046, 3043

Samsung 3432, 3045, 3053, 3240

Sanky 3048

Sansui 3000, 3067, 3041

Sanyo 3046, 3047, 3104, 3240

Saville 3352

Schaub Lorenz 3000, 3005,

3041, 3104

Schneider 3072, 3000, 3081

Scott 3045, 3043

Sears 3000, 3037, 3042, 3046,

3047, 3054, 3104

Seleco 3041

Semp 3045

Sentra 3020

Sharp 3048

Shintom 3072, 3104

Shogun 3240

Shorai 3004

Siemens 3037, 3081, 3195, 3003,

3006, 3054, 3104

Silva 3037

Singer 3072, 3045

Sinudyne 3004, 3081

Solavox 3020

Sonolor 3046

Sontec 3037

Sony 3000, 3032, 3033, 3034, 3011

Sunkai 3348

Sunstar 3000

Suntronic 3000

Sylvania 3000, 3081, 3043

Symphonic 3000

TMK 3036, 3240

Tashiko 3000

Tatung 3000, 3081, 3041

Teac 3000, 3041

Tec 3020

Technics 3226, 3162

Teknika 3000, 3037

Teleavia 3041

Telefunken 3320, 3384, 3041,

3187, 3321

Tenosal 3072

Tensai 3322, 3000

Thomas 3000

Thomson 3320, 3384, 3041

Thorn 3036, 3041, 3104

Toshiba 3081, 3045, 3384,

3041, 3043

Totevision 3037, 3240

Towada 3322

Uher 3240

Unitech 3240

Universum 3000, 3037, 3081, 3106,

3195, 3006, 3240, 3325

Vector 3045

Vector Research 3038

Video Concepts 3045

Videosonic 3240

Wards 3072, 3000, 3081, 3042,

3048, 3047, 3240

White Westinghouse 3278

XR-1000 3072, 3000

Yamaha 3038

Yamishi 3072

Yokan 3072

Yoko 3020, 3240

Zenith 3000, 3033, 3034

SETUP CODES

FOR DVD PLAYER

Manufacturer Code

Kenwood 4534

Magnavox 4503

Onkyo 4503

Panasonic 4490

Philips 4539, 4503

Pioneer 4525

Sony 4533

Technics 4490

Thomson 4551

Toshiba 4503

Yamaha 4490, 4545

Zenith 4503

SETUP CODES

FOR LD PLAYER

Manufacturer Code

Aiwa 5203

Carver 5064, 5194

Cyrus 5388

Denon 5059, 5172

Disco Vision 5023

Funai 5203

Hitachi 5023

Magnavox 5194, 5217

Marantz 5064, 5194

Mitsubishi 5059

NAD 5059

Panasonic 5204, 5496

Philips 5064, 5388, 5194

Pioneer 5023, 5059

Quasar 5204

Radiola 5388

Realistic 5203

Salora 5064

Sega 5023

Sharp 5001

Sony 5193, 5201

Technics 5204, 5496

Telefunken 5059

Theta Digital 5194

Thorn 5014

Yamaha 5217

SETUP CODES

FOR CD PLAYER

Manufacturer Code

Aiwa 6124, 6157, 6419

Akai 6108, 6156, 6199

Alba 6536, 6288, 6334

Arcam 6157

Audio Research 6157

Audio Ton 6157

Audiolab 6157

Audiomeca 6157

BSR 6134

Bestar 6164

Binatone 6452

California Audio Lab 6029

Carver 6157, 6179

Condor 6134, 6164

Cyrus 6157

DKK 6000

Denon 6003, 6034

Dual 6196

Emerson 6164

Fisher 6048, 6179, 6342

GE 6334

Genexxa 6032, 6164

GoldStar 6525, 6383

Goodmans 6536

Grundig 6157

Harman/Kardon 6108, 6173

Hitachi 6032, 6291

JVC 6072

Kenwood 6037, 6523, 6028,

6048, 6190

Kodak 6287

Krell 6157

Linn 6157

Luxman 6328

M Electronic 6525

MCS 6029

Magnavox 6157, 6038, 6129

Marantz 6157, 6029, 6038, 6129

Matsui 6157, 6288, 6307

Mclntosh 6287

Memorex 6032, 6164

Meridian 6157

Micromega 6157

Mission 6157

Mitsubishi 6108, 6156

NAD 6000

NSM 6157

Naim 6157

Nikko 6525, 6164

Onkyo 6101, 6102

Optimus 6000, 6032, 6037, 6536,

6048, 6179, 6196, 6342

Panasonic 6303, 6029, 6367

Philips 6157, 6274, 6287

Pioneer 6032

Poppy 6164

Proton 6157

QED 6157

Quad 6157

Quasar 6029

RCA 6179

Realistic 6164, 6179

Revox 6157, 6113

Roadstar 6461, 6525, 6527

Rotel 6157

SAE 6157

Sansui 6157, 6202, 6513

Sanyo 6048, 6179, 6342

Schneider 6134

Scott 6164

Sharp 6037, 6262, 6265

Sherwood 6114, 6196

Siemens 6516

Signature 6108

Sony 6000, 6490

Teac 6378

Technics 6207, 6303, 6029

Toshiba 6481

Universum 6157

Victor 6072

Wards 6157, 6108

Yamaha 6036, 6082, 6187, 6712

Yorx 6461

SETUP CODES

FOR MD RECORDER

Manufacturer Code

Kenwood 7826

Sony 7490

Yamaha 7888, 7490

SETUP CODES

FOR TAPE DECK

Manufacturer Code

Aiwa 8029, 8197, 8200

Akai 8188, 8189

Arcam 8076

Carver 8029

Denon 8076, 8412

Fisher 8074

Grundig 8029

Harman/Kardon 8182

JVC 8244, 8273, 8274

Kenwood 8070, 8071, 8092,

8205, 8233, 8234

Magnavox 8029

Marantz 8029, 8009

Memorex 8099, 8101

Mitsubishi 8189

Onkyo 8136, 8135

Optimus 8027, 8220

Panasonic 8229

Philips 8029

Pioneer 8027, 8099, 8101, 8220

Revox 8029

Sansui 8029, 8009

Sanyo 8074

Sharp 8205

Sony 8170, 8243

Technics 8229

Victor 8273, 8274

Wards 8027

Yamaha 8094, 8097, 8205, 8478, 8524

V293420

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.

YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA

YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY

YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE

YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND

YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN

YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Printed in Malaysia

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TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

VOLUME

MUTE

CODE SET

SELECT

DIR

(TV POWER)

LEVEL

MUTE

SLEEP

A/B/C/D/E

PRESET +/–

INPUT

DSP

EXT. DEC.

POWER

(TV VOLUME)

EFFECT ON/OFF

ON SCREEN

STANDBY

TEST

SET MENU

VOLUME

UP/DOWN

A/B/C/D/E

100

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

ENTER

HALL

TEST

DSP program

m AMP/TUN

m DSP

A/B/C/D/E

100

SET UP

RETURN

LEVEL

SET MENU

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

VOLUME

MUTE

CODE SET

SELECT

DIR

(TV POWER)

INPUT

REC/PAUSE

DIR A

SKIP (MD)

REWIND

BACKWARD

(MD)

DISPLAY (MD)

DECK A/B

DIR B

SKIP (MD)

PAUSE

STOP

FAST

FORWARD

PLAY

POWER

(TV VOLUME)

m TAPE/MD

m CD

A/B/C/D/E

100

SET UP

RETURN

LEVEL

SET MENU

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

VOLUME

MUTE

CODE SET

SELECT

DIR

(TV POWER)

SKIP

PLAY

BACKWARD

INPUT

DISC SKIP

POWER

(TV VOLUME)

(TV INPUT)

PAUSE

STOP

FAST

FORWARD

DISPLAY

A/B/C/D/E

100

SET UP

RETURN

LEVEL

SET MENU

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

VOLUME

MUTE

CODE SET

SELECT

DIR

(TV POWER)

SKIP/SEARCH

PLAY

SUBTITLE (DVD)/

BACKWARD (LD)

SUBTITLE

ON/OFF (DVD)

DISC SKIP

INPUT

POWER

(TV VOLUME)

DISPLAY

(TV INPUT)

PAUSE

STOP

ANGLE (DVD)/

FAST

FORWARD (LD)

AUDIO (DVD)

m DVD/LD

V296050

m VCR m TV

m CBL/DBS

m DVD MENU

A/B/C/D/E

100

SET UP

RETURN

LEVEL

SET MENU

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

VOLUME

MUTE

CODE SET

SELECT

DIR

(TV POWER)

+10

MENU LEFT

MENU SELECT

SET UP

TITLE

DISC SKIP

Numeric

keys

POWER

(TV VOLUME)

TITLE/INDEX

MENU RIGHT

(TV INPUT)

MENU UP

MENU DOWN

CLEAR

RETURN

A/B/C/D/E

100

SET UP

RETURN

LEVEL

SET MENU

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

VOLUME

MUTE

CODE SET

SELECT

DIR

(TV POWER)

MENU LEFT

CHANNEL

ENTER

MENU SELECT

CHANNEL

+(UP)/–(DOWN)

CHANNEL

POWER

(TV VOLUME)

DISPLAY

+100

(TV INPUT)

MENU UP

MENU RIGHT

RECALL

MENU DOWN

A/B/C/D/E

100

SET UP

RETURN

LEVEL

SET MENU

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

VOLUME

MUTE

CODE SET

SELECT

DIR

TV POWER

TV MUTE

TV SLEEP

CHANNEL

ENTER

CHANNEL

+(UP)/–(DOWN)

CHANNEL

TV VOLUME

DISPLAY

TV EFFECT

ON/OFF

TV INPUT

(VCR)

A/B/C/D/E

100

SET UP

RETURN

LEVEL

SET MENU

POWER

STANDBY

TUNER

TAPE/MD

DVD/LD

TV/DBS

VCR

PHONO

V-AUX

EXT. DEC

MOVIE

THEATER 1

MOVIE

THEATER 2

MONO MOVIE

/DTS

SURROUND

DISCO

TV SPORTS

ROCK

CHURCH

JAZZ CLUB

CLEAR

SLEEP

ENTER

HALL

TEST

EFCT

DISP

DSP

DISC SKIP

PRESET

ON/OFF

INDEX

A/B

VCR REC TV INPUT

ON SCREEN

SUBTITLE ANGLE

AUDIO

ON/OFF

TITLE

VOLUME

MUTE

CODE SET

SELECT

DIR

(TV POWER)

CHANNEL

ENTER

VCR REC (*1)

PLAY

REWIND

CHANNEL

+(UP)/–(DOWN)

CHANNEL

POWER

(TV VOLUME)

DISPLAY

(TV INPUT)

PAUSE

STOP

FAST

FORWARD

Quick Reference Card

*1: Press this key twice to start recording.

Appuyer deux fois sur cette touche pour démarrer l’enregistrement.

Diese Taste zweimal drücken, um die Aufnahme zu starten.

Tryck två gånger på denna knapp för att starta inspelningen.

Premere due volte questo tasto per iniziare la registrazione.

Oprima dos veces esta tecla para empezar a grabar.

Druk tweemaal op deze toets om met opnemen te beginnen.

V296070

Yamaha R-V1105 Manual de usuario

Marca: Yamaha

Modelo: R-V1105

Categoría: Receptores AV

Tipo: Manual de usuario

Este manual también es adecuado para

RX-V795

Descargar PDF

informe

En otros idiomas

français: Yamaha R-V1105 Manuel utilisateur
italiano: Yamaha R-V1105 Manuale utente
English: Yamaha R-V1105 User manual
Deutsch: Yamaha R-V1105 Benutzerhandbuch
русский: Yamaha R-V1105 Руководство пользователя
Nederlands: Yamaha R-V1105 Handleiding
português: Yamaha R-V1105 Manual do usuário
dansk: Yamaha R-V1105 Brugermanual
polski: Yamaha R-V1105 Instrukcja obsługi
čeština: Yamaha R-V1105 Uživatelský manuál
svenska: Yamaha R-V1105 Användarmanual
suomi: Yamaha R-V1105 Ohjekirja
română: Yamaha R-V1105 Manual de utilizare

Yamaha R-V1105 Manual de usuario

Este manual también es adecuado para

Yamaha R-V1105 Manual de usuario

En otros idiomas

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