Yamaha PM1D Manual de usuario

Marca: Yamaha

Modelo: PM1D

Categoría: Equipo musical

Tipo: Manual de usuario

Este manual también es adecuado para

PM1D System Software V1.6

Supplementary Manual

PM1D System Software V1.6 Supplementary Manual

Copying or distributing this manual in part or in whole using any method without the written permission of

Yamaha Corporation is prohibited.

Tr ade marks

Company names and product names are trademarks and registered trademarks of their respective owners.

Symbols such as ® and TM are not explicitly given in this document.

The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may

appear somewhat different from those on your instrument.

Contents

Additions and changes in V1.6 . . . . . . . . . . . . 4

Improvements to functions that were added

in V1.5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Panel Assign in the ST IN block . . . . . . . . . . . 5

Panel display of the unit name . . . . . . . . . . . 7

Channel name area added to the EQ CH and

LCR screens. . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Channel name area. . . . . . . . . . . . . . . . . . . . 8

DCA Auto Naming function. . . . . . . . . . . . . . . 9

DCA auto naming procedure . . . . . . . . . . . . 9

Input Channel Auto Naming function. . . . . . 11

Input Channel Auto Naming procedure . . . 11

Pan Nominal Position. . . . . . . . . . . . . . . . . . . 13

Pan Nominal Position procedure . . . . . . . . . 13

DCA Unity. . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

DCA Unity procedure . . . . . . . . . . . . . . . . . 14

Scene Link Event . . . . . . . . . . . . . . . . . . . . . . 15

Scene Link Event procedure . . . . . . . . . . . . 15

Selective Recall . . . . . . . . . . . . . . . . . . . . . . . . 18

Extended functionality for Recall Safe. . . . . . 21

Recall Safe is now possible for compressor

and gate . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Clear Library. . . . . . . . . . . . . . . . . . . . . . . . . . 22

Extended functionality for the attenuators. . 23

Global Channel Copy . . . . . . . . . . . . . . . . . . . 24

CH COPY screen . . . . . . . . . . . . . . . . . . . . . 24

Using the Global Channel Copy function . . 25

Input Meter Bridge . . . . . . . . . . . . . . . . . . . . 27

FIXED CH mode . . . . . . . . . . . . . . . . . . . . . 28

FOLLOW PANEL mode . . . . . . . . . . . . . . . . 31

Parameter Lock/Console Lock . . . . . . . . . . . . 33

SECURITY screen . . . . . . . . . . . . . . . . . . . . . 33

Setting the System Password/Console

Password. . . . . . . . . . . . . . . . . . . . . . . . . . 34

Parameter Lock . . . . . . . . . . . . . . . . . . . . . . 35

Console Lock . . . . . . . . . . . . . . . . . . . . . . . 36

Surround panning . . . . . . . . . . . . . . . . . . . . . 37

SURR PRM screen . . . . . . . . . . . . . . . . . . . . 37

Internal settings and operation in surround

mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Making surround pan settings. . . . . . . . . . . 43

Cautions regarding surround pan . . . . . . . . 45

Multi-band dynamics processor. . . . . . . . . . . 46

File transfer mode . . . . . . . . . . . . . . . . . . . . . .47

Additional preference items . . . . . . . . . . . . . .48

Preset Effects Programs (added in V1.6) . . . .49

Effects Parameters (added in V1.6). . . . . . . . 49

Scene Memory/Effect Library to Program

Change Table. . . . . . . . . . . . . . . . . . . . . . . . .50

MIDI control change NRPN (Non Registered

Parameter Number) assignment table . . . . 50

MIDI Data Format . . . . . . . . . . . . . . . . . . . . . .53

PM1D System Software V1.6 Supplementary Manual

This supplementary manual explains the functionality that has been added or changed in PM1D system soft-

ware V1.6. Please use this manual in conjunction with the existing manuals.

*In cases where the console (CS1D) display differs from the screen of the PM1D Manager application program, expla-

nations that apply only to the PM1D Manager are distinguished by an indication of [PM1D Manager].

Additions and changes in V1.6

The additions and changes made in PM1D system software V1.6 are summarized below. For details on each

function, refer to the corresponding page.

■

Improvements to functions that were

added in V1.5 (

→

p.5)

Of the new functions that were added in V1.5, “Panel

Assign” and “Unit Name” have been improved.

■

Channel name area added to the EQ

CH and LCR screens (

→

p.8)

An area that displays the channel names has been

added to the EQ CH screens of the IN EQ function,

and to the LCR screen of the PAN/ROUTING.

■

DCA Auto Naming function (

→

p.9)

The DCA [NAME] indicator in the DCA GROUP

block can now be made to display the channel names

of the two last-assigned channels.

■

Input Channel Auto Naming function

(

→

p.11)

You can now make the INPUT block INPUT

[NAME] indicator always display the port name.

■

Pan Nominal Position (

→

p.13)

You now have the option of specifying that paired

input channels (or ST IN channels) will be at nomi-

nal level (0 dB) when panned to far left or right.

■

DCA Unity (

→

p.14)

When cue-monitoring a DCA group, it is now possi-

ble to always monitor the unity-level signal regard-

less of the state of the DCA fader or DCA [MUTE]

switch.

■

Scene Link Event (

→

p.15)

You can now cause a pre-programmed string of

MIDI events to be output from the desired MIDI

OUT connector when a speciﬁc scene is recalled.

■

Selective Recall (

→

p.18)

A Selective Recall function has been added, allowing

you to specify for each scene, parameters/channels

that will be excluded from recall when that scene is

recalled.

■

Extended functionality for Recall Safe

(

→

p.21)

The Recall Safe function has been extended, resulting

in slight changes to the Recall Safe screen, and add-

ing parameters that can be set to Recall Safe.

■

Clear Library (

→

p.22)

A CLEAR button has been added to each library

screen, allowing you to erase a library as desired.

■

Extended functionality for the attenua-

tors (

→

p.23)

The functionality of the input channel attenuators

has been expanded to allow cut/boost in a range of

–96 to +24 dB.

■

Global Channel Copy (

→

p.24)

Now you can choose desired parameters from the

currently selected channel, and copy them to multi-

ple channels of the same type in a single operation.

■

Input Meter Bridge (

→

p.27)

The levels of input channels and ST IN channels can

now be displayed in the meter bridge.

■

Parameter Lock/Console Lock (

→

p.33)

By specifying a password, the user can prevent cer-

tain parameters from being edited until the correct

password is input, or prohibit console operations.

■

Surround panning (

→

p.37)

Surround Pan functionality has been added, allowing

sounds from an input channel to be placed in a two-

dimensional space when a multi-channel playback

system is used.

■

Multi-band dynamics processor (

→

p.46)

A multi-band dynamics processor that includes an

independent compressor for each of three bands has

been added as an effect type for the internal effects.

■

File transfer mode (

→

p.47)

Data saved on a computer in which PM1D Manager

is installed can now be uploaded to the console, and

CS1D settings can be downloaded to the computer.

■

Additional preference items (

→

p.48)

The following items have been added to the UTIL-

ITY function PREFERENCE screen.

•

PROHIBIT DCA ASSIGN ON SELECTED CH

BLOCK

•

SKIP CONFIRMATIONS FOR MIX MINUS

SHORTCUT

•

LIBRARY PROTECTION

Improvements to functions that were added in V1.5

The following improvements have been made to the new functions that were added in V1.5.

Panel Assign in the ST IN block

In V1.5, a PANEL ASSIGN screen was added to the UTILITY function, allowing the combination of input channels and

ST IN channels reﬂected in the panel to be speciﬁed for each individual block.

PM1D System Software V1.6 Supplementary Manual

However for ST IN channels, the combinations that could be assigned to the panel were limited to the following four

possibilities.

•

The four combinations that were possible in V1.5

This limitation has been removed in V1.6. For example, any two ST IN channels of consecutive number such as ST IN

channels 1/2 and 5/6, or 1/2 and 7/8, can be combined freely. Also, if necessary, you may assign combinations of the same

ST IN channel to upper and lower ST IN blocks; e.g., ST IN channels 1/2 and 1/2, or ST IN channels 5/6 and 5/6.

ST IN

block 2

ST IN

block 1

ST IN

block 2

ST IN

block 1

ST IN

block 2

ST IN

block 2

ST IN

block 1

ST IN

block 1

Improvements to functions that were added in V1.5

Panel display of the unit name

In V1.5, the UNIT NAME screen added to the SYS/W.CLOCK function allowed you to assign a name to each port of each

input/output unit or card. In addition, if you turned on the UNIT NAME button in the NAME MODE area at the bot-

tom of the screen, the name of the port assigned to that channel would be displayed instead of the short name of the

input channel shown in the screen.

In V1.6 when you turn on the UNIT NAME button in the NAME MODE area, the INPUT [NAME] indicator in the

INPUT block will also show the name of the port assigned to that channel.

SEL

THR

COMP

THR

CLIP

GATE

THR

COMP

THR

GATE SEL

THR

COMP

THR

GATE SEL

THR

COMP

THR

GATE

CLIP

ONONONON

SEL

• INPUT block

Port name

PM1D System Software V1.6 Supplementary Manual

Channel name area added to the EQ CH and LCR screens

An area that displays the channel name of each channel has been added to the EQ CH screens (CH 1-24, CH

25-48, CH 49-72, CH 73-96, ST IN 1-8) of the IN EQ function and to the LCR screen of the PAN/ROUTING

function.

Channel name area

If the CH NAME button located in the NAME MODE area at the bottom of the display is turned on, this area will show

the short name of the corresponding channel.

•

EQ CH screen

•

LCR screen

When the UNIT NAME button is on, the name of the port assigned to that channel will be displayed.

•

EQ CH screen

•

LCR screen

Short name of the input channel

Port name of the input channel

Short name of the input channel

DCA Auto Naming function

Normally, the DCA [NAME] indicator in the DCA GROUP block will display the name assigned to each DCA

group.

In V1.6, the channel names of the last-assigned two channels can also be displayed in the DCA [NAME] indi-

cator. (This is called the “DCA auto naming function.”)

DCA auto naming procedure

The auto naming procedure is as follows.

1. Access the IN PATCH/OUT PATCH function NAME

screen.

DCA name

PM1D System Software V1.6 Supplementary Manual

2. In the LIST SELECT area (

), move the cursor to

the DCA button and press the [ENTER] switch.

The name list (

) will show a list of the long names

(eight characters) assigned to each DCA group.

3. In the name list, move the cursor to the column of

the desired DCA group.

4. Make sure that the cursor is located at the ﬁrst

character of the text box (

) at right, and click the

DCA AUTO NAMING button of the character pal-

ette (

A highlighted “D” character will be input into the

character palette.

Hint

• If a PS/2 keyboard is connected to the CS1D, you

can also type Ctrl + D to input the highlighted “D”

character. (As a shortcut, you can hold down the

Ctrl key and type the ﬁrst character of the button

name in the character palette.)

• When you input the highlighted “D,” no further

characters can be input into the text box. Also, any

previously-input characters will be deleted.

• To delete the highlighted “D,” click the CLEAR

button.

5. Click the ENTER button at the right of the charac-

ter palette.

A highlighted “D” character will be input in the long

name ﬁeld of the name list.

The Auto Naming function is now enabled for the

corresponding DCA group. At this time, the DCA

[NAME] indicator will go dark if a channel has not

been assigned to the corresponding DCA group.

6. As necessary, perform the same operation for other

DCA groups.

7. Assign channels to the DCA groups for which you

performed steps 3–6.

For example if you assign input channels 1 and then

2 to DCA group 1, the corresponding DCA [NAME]

indicator will show the channel names of input chan-

nels 1/2.

If you then add input channel 3 to the same DCA

group, the DCA [NAME] indicator will change as

follows.

• Be aware that when you use the DCA Auto Nam-

ing function, the DCA [NAME] indicator will

show the short names of the two last-assigned

channels.

• A maximum of twelve channels of names will be

remembered for a DCA group. If a paired chan-

nel is assigned, the lower-numbered channel will

be displayed above.

• If you remove input channel 3 from DCA group 1

in the example described above, the display will

be blank.

Hint

• If you turn on the UNIT NAME button in the

NAME MODE area at the bottom of the screen,

the DCA [NAME] indicator will show the name of

the port assigned to that channel, instead of show-

ing the short name of the input channel.

• If you turn Cue Monitor on for a DCA group for

which Auto Naming is enabled, the channel that

was last assigned to that DCA group will be

selected (its [SEL] key will light).

Channel

names

Channel

names

Input Channel Auto Naming function

As explained earlier, V1.5 added the capability of displaying the channel name or port name in the INPUT

[NAME] indicator of the INPUT block.

However if necessary, it is also possible to specify that the patched port name be always displayed as the input

channel name for only a speciﬁc input channel. This is referred to as the “Input channel auto naming function.”

Input Channel Auto Naming procedure

The auto naming procedure is as follows.

1. Access the IN PATCH/OUT PATCH function NAME

screen.

2. In the LIST SELECT area (1), move the cursor to

the INPUT button and press the [ENTER] switch.

The name list (2) will show a list of the short names

(four characters) and long names (eight characters)

assigned to each input channel.

3. In the name list, select the desired input channel,

and move the cursor to the short name ﬁeld.

4. Make sure that the cursor is located at the ﬁrst

character of the text box (3) at right, and click the

UNIT NAME ASSIGN button of the character pal-

ette (4).

A highlighted “U” character will be input into the

character palette.

PM1D System Software V1.6 Supplementary Manual

Hint

• If a PS/2 keyboard is connected to the CS1D, you

can also type Ctrl + U to input the highlighted “U”

character. (As a shortcut, you can hold down the

Ctrl key and type the ﬁrst character of the button

name in the character palette.)

• When you input the highlighted “U,” no further

characters can be input into the text box. Also, any

previously-input characters will be deleted.

• To delete the highlighted “U,” click the CLEAR

button.

5. Click the ENTER button at the right of the charac-

ter palette.

A highlighted “U” character will be input in the short

name ﬁeld of the name list.

The Auto Naming function is now enabled for the

corresponding input channel. Now the port name

assigned to the channel will always be displayed in

areas of the screen that display the short name of the

corresponding channel, and in the corresponding

INPUT [NAME] indicator of the panel.

Hint

It is also possible to select the long name ﬁeld instead

of the short name ﬁeld in step 3. In this case, the port

name will always be displayed in areas of the screen

that display the long name of the corresponding

channel.

Pan Nominal Position

Normally if a signal sent from an input channel to the stereo bus is panned to the far-left or far-right position,

the level will increase by +3 dB compared to when the signal is panned to the center. This is done so that a

constant volume (energy) will be output whether the signal is mono or stereo; however when inputting a ste-

reo source such as a synthesizer or CD player, you may consider this an inconvenience.

Thus, V1.6 adds the option of specifying that only paired input channels (or ST IN channels) will be at nomi-

nal level (0 dB) when pan is set to far left or right.

Pan Nominal Position procedure

Use the following procedure to enable this option.

1. Access the PAN/ROUTING function CH to MIX

screen.

The PAN NOMINAL POSITION ﬁeld has been

added to this screen.

• CENTER ......... If this button is on, all input chan-

nels and ST IN channels will be at

nominal level (0 dB) when panned

to the center, and +3 dB when

panned fully left or right. (This is

the default setting.)

• L ⇔ R.............. If this button is on, paired input

channels and ST IN channels will

be at –3 dB when panned to the

center, and at nominal level when

panned fully left or right (L63 or

R63).

2. Move the cursor to the L ⇔ R button and press the

[ENTER] switch.

A popup window will ask you to conﬁrm the

changed Pan Nominal setting.

3. Move the cursor to the OK button and press the

[ENTER] switch.

4. Enable pairing for the desired channels, and make

sure that a mode other than BALANCE is selected

as the pan mode.

In this state, panning fully left or right will produce a

nominal level only for paired input channels and for

ST IN channels.

• Pan Nominal Position does not affect unpaired

monaural input channels.

• Even in the case of a paired input channel (or a

ST IN channel), this setting has no effect if the

pan mode is set to BALANCE.

• In the case of L-MONO or R-MONO, this setting

has no effect; however in the LR-MONO state,

changes in the Pan Nominal Position setting will

be valid.

• When you change the Pan Nominal Position set-

ting, the MIX SEND PAN of signals being sent to

paired MIX buses will also be switched.

• The Pan Nominal Position of each input channel

can be viewed in the graph in the PAN/ROUT-

ING function LCR screen.

Hint

By setting Pan Nominal Position to L ⇔ R, you can

minimize changes in level that occur when a paired

channel is switched between PAN, BALANCE, L-

MONO, R-MONO, or LR-MONO.

PM1D System Software V1.6 Supplementary Manual

DCA Unity

When cue-monitoring a DCA group, it is now possible to always monitor the unity-level signal.

In previous versions, even when you pressed the DCA [CUE] switch, you could not monitor the signal of a

DCA group whose DCA fader was lowered or whose DCA [MUTE] switch was on.

However in V1.6, you have the option of always monitoring the DCA group at unity level (the level equivalent

to setting the DCA fader at 0 dB).

DCA Unity procedure

To use this option, access the MONI/CUE function CUE/SOLO screen, and turn on the DCA UNITY ON/OFF button

that has been added to the DCA area.

If this button is on, pressing the DCA [CUE] button

allows you to monitor that DCA group at unity level,

regardless of the current position of the DCA fader or

the on/off state of the DCA [MUTE] switch.

Hint

• The setting of the DCA UNITY ON/OFF button

does not affect the individual channels included in

the DCA groups.

• If the fader of a channel included in the DCA

group is lowered or if its [ON] switch is turned off,

you will not be able to monitor that channel via the

DCA group.

DCA UNITY ON/OFF button

Scene Link Event

You can now cause a string of MIDI events to be output from the desired MIDI OUT connector when a spe-

ciﬁc scene is recalled. (This is called the “Scene Link Event” function.)

By using this function to pre-program MIDI events for each scene, you can modify the internal settings of an

external device when that scene is recalled, or automatically start the transport of an external device.

Scene Link Event procedure

Here’s how to program MIDI events for each scene.

1. Access the SCENE function MEMORY screen.

2. In the list, click the row for the desired scene to

select it.

You cannot program MIDI events for a READ

ONLY scene or a protected scene.

3. Click the STORE button in the lower left of the

screen.

The SCENE STORE popup window will appear,

allowing you to assign a title or comment and store

the scene.

STORE button

PM1D System Software V1.6 Supplementary Manual

4. Click the COMMENT/MIDI EVENT ﬁeld to select

it.

The EVENT CODE SET button will appear at the

lower left of the character palette.

5. Click the EVENT CODE SET button.

The characters in the COMMENT/MIDI EVENT

ﬁeld will be erased, and a highlighted “M” character

will be input in their place. Also, the characters in the

character palette will be grayed-out except for 1, 2,

and E, and will be unavailable for input.

Hint

• If a PS/2 keyboard is connected to the CS1D, you

can also type Ctrl + E to input the highlighted “M”

character. (As a shortcut, you can hold down the

Ctrl key and type the ﬁrst character of the button

name in the character palette.)

• To erase the highlighted “M,” click the CLEAR but-

ton.

6. Click either 1, 2, or E in the character palette to

select the MIDI OUT connector from which the

MIDI event will be output.

The numerals or “E” character correspond to the fol-

lowing MIDI OUT connectors.

• 1....................... MIDI OUT connector of console 1

• 2....................... MIDI OUT connector of console 2

(if using Dual Console mode)

• E ...................... MIDI OUT connector of the

engine

The highlighted numeral or “E” character will be

added to the COMMENT/MIDI EVENT ﬁeld. Also,

characters in the characters palette other than 0–9

and A–F will be grayed-out, and will be unavailable

for input.

7. Use the 0–9 and A–F characters of the character

palette to directly input the MIDI event in hexadec-

imal format.

Two hexadecimal characters correspond to one byte

of the MIDI message.

8. When you have ﬁnished inputting the MIDI event,

click the AUTO STORE button or the MANUAL

STORE button.

The MIDI event you input will be stored in the scene.

You can check the contents of the MIDI event by

scrolling to the right edge of the scene list in the

MEMORY screen.

When you recall this scene, the MIDI event will be

transmitted from the speciﬁed MIDI OUT connec-

tor.

• The PM1D system is in no way aware whether the

MIDI message you input is a valid one. Please use

care when inputting the message.

• You can input a maximum of 32 bytes into the

COMMENT/MIDI EVENT ﬁeld, calculated as

follows. Since a total of two bytes are used by the

highlighted “M” and the character that speciﬁes

the output destination, you can input a maxi-

mum of 30 bytes of MIDI data here.

[Calculation method]

• One comment character .....................1 byte

• Highlighted “M”..................................1 byte

• Highlighted “1”....................................1 byte

• Highlighted “2”....................................1 byte

• Highlighted “E” ...................................1 byte

• Two characters of the MIDI message .1 byte

COMMENT/MIDI EVENT ﬁeld

Scene Link Event

• It is possible to input two or more messages, as

long as the total stays within 32 bytes. However

you should be aware that, depending on the type

of message, the receiving device may not be able

to process MIDI events received in immediate

succession.

• If you input more than 32 bytes, a warning of

“LENGTH OVER!” will be displayed, and you

will not be able to press the STORE button.

Delete characters until the warning is no longer

displayed.

• You cannot input “FE” (Active Sensing) as a

MIDI code.

• While inputting the MIDI event, you can click

the EVENT CODE SET button and insert the

event that speciﬁes the output destination. This

lets you output events to different MIDI OUT

connectors.

• ƒEven if you recall a scene for which a fade time is

set, the MIDI event will be transmitted immedi-

ately after the scene is recalled.

PM1D System Software V1.6 Supplementary Manual

Selective Recall

In V1.6 you can restrict the parameters/channels that will be recalled when a speciﬁc scene is recalled, or con-

versely specify parameters/channels that will be excluded from the recall operation for a speciﬁc scene. (This

function is called “Selective Recall.”)

In previous versions, you could use a function called Recall Safe to select channels/parameters that would be

excluded from recall operations. These Recall Safe settings are global, and are common to all scenes. (Chan-

nels/parameters excluded from a recall operation do not change when any scene is recalled.) In contrast, the

Selective Recall function lets you store – for each scene – a combination of parameters/channels that will be

recalled, or conversely a combination of parameters/channels that will be excluded from the recall operation.

This lets you create partial scene images for store/recall, using them in a way similar to libraries.

So that you can universally enable/disable the Selective Recall function settings saved in each scene, a BYPASS

button has been added to the MEMORY screen SELECTIVE RECALL FUNCTION area.

V1.6 adds a SELECTIVE RECALL screen to the SCENE function, allowing you to make Selective Recall set-

tings.

1 SELECTION MODE

Use the following two buttons to select how you want

to use the SELECTIVE RECALL screen.

• RECALL PARAMETER button

If this button is on, you can use the buttons in the

screen to select the channels/parameters that will be

affected by a recall operation.

• SAFE PARAMETER button

If this button is on, you can use the buttons in the

screen to select the channels/parameters that will be

excluded from a recall operation.

Selective Recall

Hint

Each time you switch between the RECALL PARAM-

ETER button and the SAFE PARAMETER button,

the settings in the screen will be initialized as follows.

• When you switch to the RECALL PARAMETER

button, all channels will be set to RECALL ON/

OFF button = On and RECALL PARAMETER

SELECT = ALL.

• When you switch to the SAFE PARAMETER but-

ton, all channels will be set to SAFE ON/OFF but-

ton = Off and SAFE PARAMETER SELECT = ALL.

2 ENABLE/DISABLE button

This button enables (button indicates ENABLE) or

disables (button indicates DISABLE) the Selective

Recall function individually for each scene.

3 RECALL ON/OFF button

SAFE ON/OFF button

This button selects the channel that will be affected.

The function of this button will change depending

on the mode you select in the SELECTION MODE

area (1).

• If RECALL PARAMETER is on

This button will function as the SAFE ON/OFF but-

ton to specify channels that will be affected by recall

operations.

• If SAFE PARAMETER is on

This button will function as the SAFE ON/OFF but-

ton to specify channels that will be excluded from

recall operations.

The input channels/output channels for which this

function can be set are the same as in the SCENE

function RECALL SAFE screen.

4 RECALL PARAMETER SELECT button

SAFE PARAMETER SELECT button

This button selects the parameter that will be

affected. The function of this button will change

depending on the button you select in the SELEC-

TION MODE area (1).

• If RECALL PARAMETER is on

This button will function as the RECALL PARAME-

TER SELECT button to specify parameters that will

be affected by recall operations.

• If SAFE PARAMETER is on

This button will function as the SAFE ON/OFF but-

ton to specify parameters that will be excluded from

recall operations.

The types of parameters for which this function can

be set are the same as in the SCENE function

RECALL SAFE screen, with the exception that you

cannot specify UNIT (a unit patched to an input

channel) as an input channel.

5 SET ALL

If you click this button, all corresponding parameter

buttons will be turned on.

6 CLEAR ALL

If you click this button, all corresponding parameter

buttons will be turned off.

7 OTHERS

Use these buttons to select parameters other than the

above. The function of these buttons will change

depending on the button that is selected in the

SELECTION MODE area (1).

• If RECALL PARAMETER is on

These buttons select the parameters that will be

affected by recall operations.

PM1D System Software V1.6 Supplementary Manual

• If SAFE PARAMETER is on

These buttons select the parameters that will be

excluded from recall operations.

The parameters that can be selected are the same as

in the SCENE function RECALL SAFE screen, with

the exception that there is no MUTE MASTER (on/

off for all mute groups).

In the case of parameters for which there is only one

parameter for two adjacent odd-numbered/even-

numbered channels (such as the parameters listed

below), the parameter will be excluded from the

recall operation only if both channels are speciﬁed

for selective recall.

• HA GAIN GANG

• HA A/B LINK

• GATE LINK

• COMP LINK

• DELAY GANG

• PAN MODE

• GEQ LINK

Hint

All of the Selective Recall settings will be linked for

two paired channels, ST IN channels, or STEREO A/

B channels.

• Recall Safe and Selective Recall may be used

together. Channels/parameters that are set to

Recall Safe, or channels/parameters for which the

Selective Recall settings of the scene being

recalled exclude them from recall operations, will

not be recalled.

• If a scene is recalled in PREVIEW mode, Selective

Recall has no effect.

• If, when a scene is recalled, a conﬂict in pairing

settings occurs between Recall Safe and Selective

Recall, that pairing will be forcibly defeated. (The

channel that is excluded from the recall will

maintain all its parameters in the state prior to

recall.)

• However if two channels are paired in the current

scene, and only one of these channels is set to Safe

by the Selective Recall settings of the scene you

are recalling, recalling that scene will cause both

channels to be Safe, and the state prior to recall

will be maintained.

• If MIX channels set to Selective Recall have dif-

fering mix types (VARI or FIX) before and after

recall, the mix type before recall will apply.

• If you set the SELECTIVE RECALL ENABLE/

DISABLE button to ENABLE, and store a scene

in which all channels/all parameters are excluded

from recall operations, no parameters will change

when you next recall that scene. In such cases,

you can temporarily disable Selective Recall by

turning on the BYPASS button in the SELEC-

TIVE RECALL FUNCTION area of the SCENE

function MEMORY screen, so that you will be

able to recall the previous scene.

• If you later want to make changes to the combi-

nation of channels/parameters that were set to

Selective Recall, access the SCENE function

MEMORY screen, and in the SELECTIVE

RECALL FUNCTION area, turn the BYPASS

switch on before you recall that scene. Alterna-

tively, you can recall the scene in PREVIEW

mode. Then use the SELECTIVE RECALL screen

to edit the combination of channels/parameters,

and store the scene again into the same scene

number.

• If you recall a scene in which the RECALL

PARAMETER button = On and the ENABLE/

DISABLE button = ENABLE, parameters apply-

ing to the entire scene (such as fade time

ENABLE/DISABLE and TIME parameters, and

Pan Nominal Position) will not be recalled.

Extended functionality for Recall Safe

The Recall Safe function of prior versions has been extended as follows.

Recall Safe is now possible for compressor and gate

Compressor and gate have been added to the parameters for which you can make Recall Safe settings.

Accordingly, the SCENE function RECALL SAFE screen has been redesigned as follows.

PM1D System Software V1.6 Supplementary Manual

Clear Library

A CLEAR button has been added to each library screen, allowing you to erase a library as desired.

In previous versions, a library that was once stored could not be erased except by overwriting onto it. How-

ever in V1.6, you can select a library in the list that you want to erase, and then click the CLEAR button to

erase the library, returning it to a blank state.

If the FOLLOW SCENE button of the LIBRARY PROTECTION area (added to the PREFERENCE screen

from V1.6) is turned on (→p.48), libraries that are linked to a scene cannot be erased. (If you attempt to

recall, a warning message will appear.)

If this preference item is off, a library can be erased even if it linked to a scene. However in this case, the

library number linked to the scene will be remembered even if that library is now blank; when that scene is

recalled, nothing will be recalled to blank library items.

CLEAR button

Extended functionality for the attenuators

The functionality of the input channel attenuators has been expanded to allow cut/boost in a range of –96 to

+24 dB.

In previous versions, leaving a large margin in the analog domain for an input channel sometimes caused a

situation in which sufﬁcient input level could not be obtained even with the fader raised all the way. In V1.6,

this problem has been addressed by providing up to +24 dB of boost in the digital domain.

In order to let you rapidly set the attenuator for each input channel, a dedicated ATT screen for setting the

attenuators has been added to the INPUT EQ function.

In conjunction with this change, the [ATTENUATOR] encoder display in the SELECTED INPUT CHANNEL

has been changed as follows.

• Range of –96 dB to 0 dB

Same display method as previous.

• Range of +1 dB to +24 dB

The 0 dB LED will remain lit, and the LEDs at the

–96 dB side will light consecutively.

In the MIDI CTRL CHANGE screen (MIDI/GPI/

TC function), the variable range of the [INPUT CH

ATT] parameter that can be assigned to a control

change has also been extended to the range shown

above. Please note that this is not compatible with

the control change values in V1.5 and earlier.

ATTENUATOR

PM1D System Software V1.6 Supplementary Manual

Global Channel Copy

Now you can choose desired parameters from the currently selected channel, and copy them to multiple

channels of the same type in a single operation. This function is called “Global Channel Copy.”

CH COPY screen

To allow you to use the Global Channel Copy function, a CH COPY screen has been added to the IN CH VIEW function

and to the OUT CH VIEW function.

23 65

Global Channel Copy

1 SEL (select the copy-source channel)

Selects the copy-source channel. The procedure is the

same as for the identically-named button in CH

VIEW.

2 Channel number/name

Displays the number and short name (or unit name)

of the copy-source channel.

3 Pair setting

Indicates the pairing status of the channel that is

selected as the copy-source. You can also click this

button to enable/disable pairing.

4 WITHOUT MIX SEND/WITH MIX SEND button

(only in the OUT CH VIEW function CH COPY

screen)

When a MIX channel is selected as the copy-source,

this button selects whether the send levels of the sig-

nals sent from each input channel to that MIX bus

will be copied. These two buttons are valid only if the

PARAMETER SELECT: ALL button is on.

5 PARAMETER SELECT

Selects the parameter to be copied.

6 DESTINATION CH SELECT (select the copy-desti-

nation channels)

Selects the copy-destination channels. Buttons corre-

sponding to the copy-source channel and buttons for

channels of types differing from the copy-source

channel will be grayed-out, and cannot be selected.

Using the Global Channel Copy function

1. Access the CH COPY screen of the IN CH VIEW or

OUT CH VIEW function.

2. Press a [SEL] switch to select the desired copy-

source input channel or output channel.

Alternatively, you can select the copy-source by click-

ing a SEL button in the screen to access the CHAN-

NEL SELECT popup window.

If you change the copy-source, all settings in the

PARAMETER SELECT area and the DESTINA-

TION CH SELECT area will be cancelled.

3. Use the buttons in the PARAMETER SELECT area

to select the parameters that you want to copy.

The following parameters can be selected.

• IN CH VIEW function CH COPY screen

• ALL.................. All parameters except for NAME

• AT T ................. Attenuator

• EQ ................... EQ function settings

• GATE............... GATE function settings

• COMP............. COMP function settings

• DELAY ............ DELAY function settings

• FADER ............ Fader level

• ON ...................[ON] switch on/off status

• PAN/BAL.........Pan/balance setting

• INSERT ...........Insert on/off and insert position

• SEND...............Send level to the speciﬁed MIX

bus(es)

• DCA.................DCA groups to which the channel

belongs

• MUTE..............Mute groups to which the channel

belongs

• LCR..................Settings of the LCR screen

• NAME..............Name of the input channel

Hint

• If the SEND button is on, use the MIX area at the

right to select the send-destination MIX bus(es).

(You may select more than one.)

• If you click the ALL button, all parameters except

for NAME will be selected. At this time, all MIX

buses will be selected for the SEND parameter.

PM1D System Software V1.6 Supplementary Manual

• OUT CH VIEW function CH COPY screen

• ALL.................. All parameters except for NAME

• EQ ................... EQ function settings

• COMP............. COMP function settings

• DELAY ............ DELAY function settings

• FADER............ Fader level

• ON................... [ON] switch on/off status

• BAL ................. Balance setting (valid only for STE-

REO A/B channels or paired MIX/

MATRIX channels)

• INSERT........... Insert on/off and insert position

• TO MTRX....... Send level to the speciﬁed MATRIX

buses (valid only for STEREO A/B

channels or MIX channels)

• DCA ................ DCA groups to which the channel

belongs

• MUTE ............. Mute groups to which the channel

belongs

• LCR ................. Settings of the LCR screen

• NAME ............. Name of the output channel

Hint

• If a MIX channel or STEREO A/B channel is

selected and the TO MTRX button is turned on,

use the MATRIX area at the right to select the des-

tination MATRIX bus(es).

• If you click the ALL button, all parameters except

for NAME will be selected. At this time, all MIX

buses will be selected for the TO MTRX parameter.

Only if you select a MIX channel in the OUT CH

VIEW function CH COPY screen, and turn on the

ALL button, will you also be able to choose whether

send levels for signals sent from input channels to the

MIX bus will be copied as well. To make this setting,

use the following two buttons located at the left of

the ALL button.

• WITHOUT MIX SEND button

If this button is on, the send level of signals sent from

each input channel to the corresponding MIX bus

will not be copied.

• WITH MIX SEND button

If this button is on, the send level of signals sent from

each input channel to the corresponding MIX bus

will be copied as well.

Since not only the settings of the MIX channel but

also the send levels from the input channels to the

MIX bus will be copied completely, this is convenient

when you want to change the MIX bus you are using.

4. In the DESTINATION CH SELECT area, select the

copy-destination channel(s).

Buttons for the copy-source channel and for chan-

nels of a type differing from the copy-source channel

will be grayed-out, and cannot be selected. However

as an exception, it is possible to copy between two

paired input channels and a ST IN channel.

Hint

By clicking the SET ALL button you can select all

items. By clicking the CLEAR ALL button you can

de-select all items.

5. To execute the copy, click the COPY→ button

located in the center of the screen.

Input Meter Bridge

The meter bridge can now display the levels of input channels and ST IN channels. The display can be

switched from within the screen or from the panel.

A METER BRIDGE area has been added to all screens of the METER function, allowing you to switch the

meter bridge display. (However, the MIX 1-48 screen and MATRIX 1-24/ST/MONITOR screen do not show

the FIXED CH button and FOLLOW PANEL button explained below.)

• CH 1-48/STIN 1-4 screen

• MATRIX 1-24/ST/MONITOR screen

PM1D System Software V1.6 Supplementary Manual

In the CH 1-48/STIN 1-4 screen or the CH 49-96/STIN 5-8 screen, use the buttons of the METER BRIDGE area to select

the mode by which the meter bridge will display the input channel levels. You can choose FIXED CH mode or FOLLOW

PANEL mode. The display in the METER BRIDGE area and the operation of the meter bridge will change as follows,

according to the mode you choose.

PM1D Manager is not able to display input channel levels in the meter bridge. However, the PEAK HOLD button of

PM1D Manager will change to “IN PEAK HOLD” or “OUT PEAK HOLD” just as in the CS1D screen.

FIXED CH mode

When the FIXED CH button is on, the combination of input channels displayed in the meter bridge will always be ﬁxed.

• Horizontal pairing mode • Ve rtical pairing mode

Use the following buttons to select the combination that is displayed.

• button

(Selectable only if the FIXED CH button is on)

When this button is on, the meters will always display the levels of input channels 1–48 (if Vertical pairing mode is

selected, channels 1, 49, 2, 50…24, 72) regardless of the currently selected panel assignment or layer.

Horizontal pairing mode

Ve rtical pairing mode

At this time, the MIX/MATRIX bus number LED located at the bottom of the meter bridge will go dark. In the

METER section, the METER SELECT [MIX 25-48] switch will blink, and the [MATRIX 1-24] switch will go dark.

FIXED CH button is on

Selectable combination

FIXED CH button is on

Selectable combination

Input channels 1–24 Input channels 25–48

[Meter bridge]

················ ················

[Meter bridge]

Input channel 1

49 50 60

12 13

61 62

Input Meter Bridge

You can also hold down the top panel [SHIFT]

switch and press the METER section METER

SELECT [MIX 25-48] switch to make the meter

bridge show the input levels of the input channels. In

this case as well, only the METER SELECT [MIX 25-

48] switch will blink, and the above button will

automatically be turned on.

• button

(Selectable only if the FIXED CH button is on. Displayed as 25- in Vertical pairing mode.)

When this button is on, the meters will always display the levels of input channels 49–96 (if Vertical pairing mode is

selected, channels 25, 73, 26, 74…48, 96) regardless of the currently selected panel assignment or layer.

Horizontal pairing mode

Ve rtical pairing mode

At this time, the MIX/MATRIX bus number LED located at the bottom of the meter bridge will go dark. In the

METER section, the METER SELECT [MIX 25-48] switch will go dark, and the [MATRIX 1-24] switch will blink.

You can also hold down the top panel [SHIFT]

switch and press the METER section METER

SELECT [MATRIX 1-24] switch to make the meter

bridge show the input levels of the input channels. In

this case as well, only the METER SELECT [MATRIX

1-24] switch will blink, and the above button

will automatically be turned on.

SHIFT

Input channels 49–72 Input channels 73–96

[Meter bridge]

················ ················

[Meter bridge]

Input channel 25

73 74 84

36 37

85 86

SHIFT

PM1D System Software V1.6 Supplementary Manual

• button

When this button is on, the twenty-four meters at the right of center will display the levels of ST IN 1–8 in the loca-

tions shown in the following diagram. While this button is on, the ST IN 1–8 levels will always be displayed in the

same location, even in FOLLOW PANEL mode.

At this time, the MIX/MATRIX bus number LED located at the bottom of the meter bridge will go dark. In the

METER section, the METER SELECT [MIX 25-48] switch and [MATRIX 1-24] switch will both blink.

By holding down the top panel [SHIFT] switch and

simultaneously pressing the METER SELECT [MIX

25-48] switch and [MATRIX 1-24] switch in the

METER section, you can also make the meter bridge

display the ST IN channel input levels. In this case,

the METER SELECT [MIX 25-48] switch and

[MATRIX 1-24] switch will simultaneously blink,

and the above-mentioned button will automati-

cally turn on.

• button

When this button is on, the forty-eight meters at left and right will display the output levels of MIX channels 1–48.

This button is linked with the METER section METER SELECT [MIX 25-48] switch.

At this time, the MIX/MATRIX bus number LED located at the bottom of the meter bridge will light. In the METER

section, the METER SELECT [MIX 25-48] switch will light, and the [MATRIX 1-24] switch will go dark.

• button

When this button is on, the output levels of MIX channels 1–24 will be displayed at the left of center, and the output

levels of MATRIX channels 1–24 will be displayed at the right of center. This button is linked with the METER section

METER SELECT [MIX 25-48] switch.

At this time, the MIX/MATRIX bus number LED located at the bottom of the meter bridge will light. In the METER

section, the METER SELECT [MIX 25-48] switch will go dark, and the [MATRIX 1-24] switch will light.

Off

ST IN 1L, 1R - 4L, 4R

[Meter bridge]

ST IN 5L, 5R - 8L, 8R

Off Off

SHIFT

MIX channels 1–24 MIX channels 25–48

[Meter bridge]

MIX channels 1–24 MATRIX channels 1–24

[Meter bridge]

Input Meter Bridge

FOLLOW PANEL mode

When the FOLLOW PANEL button is on, the combination of input channels displayed in the meter bridge will vary

depending on the type of input channels that are currently assigned to the INPUT blocks.

Use the following buttons to select the combination that will be displayed.

• button

(Selectable only when the FOLLOW PANEL button is on)

When this button is on, the forty-eight meters at left and right will display the input levels of the input channels cur-

rently assigned to INPUT blocks 1–4.

At this time, the MIX/MATRIX bus number LED located at the bottom of the meter bridge will go dark. In the

METER section, the METER SELECT [MIX 25-48] switch will blink, and the [MATRIX 1-24] switch will go dark.

FOLLOW PANEL button is on

Selectable combination

INPUT block 2

INPUT block 1 INPUT block 3

INPUT block 4

INPUT block 1 INPUT block 4INPUT block 2 INPUT block 3

[Meter bridge]

PM1D System Software V1.6 Supplementary Manual

You can also hold down the top panel [SHIFT]

switch and press the METER section METER

SELECT [MIX 25-48] switch or [MATRIX 1-24]

switch to make the meter bridge show the input lev-

els of the input channels. In this case as well, only the

METER SELECT [MIX 25-48] switch will blink, and

the above button will automatically be turned

on.

At this time, the MIX/MATRIX bus number LED in the lower part of the meter bridge will go dark.

• button

The same display will appear as when the ST IN button is turned on in FIXED CH mode.

• button

The same display will appear as when the MIX button is turned on in FIXED CH mode.

• button

The same display will appear as when the MATRIX button is turned on in FIXED CH mode.

While the meter bridge shows the input channel or ST IN channel levels, the panel switches in the METER section

will operate differently, as follows.

• The METER [PRE] switch cannot be operated. However if PRE ATT/PRE GATE / PRE FADER is selected as the

metering point, the METER [PRE] switch LED will blink.

• While the METER screen IN PEAK HOLD button is on, the METER [PEAK HOLD] switch LED will blink.

SHIFT

Parameter Lock/Console Lock

In V1.6, the user can specify a password, and disable changes in speciﬁed parameters (Parameter Lock) or

prohibit console operations (Console Lock) until the correct password is input. This function is a convenient

way to prevent an unauthorized third party from tampering with the console while the engineer is resting.

There are two types of password; a “system password” that is common to the entire system, and a “console

password” that can be set for the individual console. These two may be set individually. Specifying the system

password allows you to use the Parameter Lock and Console Lock functions. Specifying the console password

allows you to use only the Console Lock function.

SECURITY screen

A SECURITY screen has been added to the UTILITY function, allowing you to input passwords and enable or defeat

Parameter Lock or Console Lock.

1 SYSTEM PASSWORD

This speciﬁes the password for the entire system.

When using DUAL CONSOLE mode, the system

password is common to both consoles.

2 PARAMETER LOCK

When you turn this button on, the parameters

selected in the LOCK PARAMETER SELECT area

(4) will be locked.

If not even one parameter has been selected, this

button will be grayed-out, and cannot be turned

on.

3 CONSOLE LOCK

This button locks the console. You must input the

System Password in order to use this button to

enable/defeat Console Lock.

PM1D System Software V1.6 Supplementary Manual

4 LOCK PARAMETER SELECT

If the PARAMETER LOCK button is on, this area lets

you select the parameter(s) for which change will be

disabled. (You may select more than one parameter.)

5 CONSOLE PASSWORD

This speciﬁes the password for the individual con-

sole. When using DUAL CONSOLE mode, this pass-

word can be speciﬁed individually for each console.

6 CONSOLE LOCK

This button locks the console. You must input the

Console Password in order to use this button to

enable/disable Console Lock.

Setting the System Password/Console Password

Here’s how to set the password required for the Parameter Lock or Console Lock functions.

1. Access the UTILITY function SECURITY screen.

2. To set the System Password, click the SYSTEM

PASSWORD button. To set the Console Pass-

word, click the CONSOLE PASSWORD button.

The NEW PASSWORD popup window will appear.

Hint

• If you want to change an existing password, input

the current password into the AUTHORIZATION

popup window that appears when you click SYS-

TEM PASSWORD , and then execute steps 2–5.

• If you want to remove the password, input the cur-

rent password into the AUTHORIZATION popup

window that appears when you click SYSTEM

PASSWORD , then execute steps 2–5 with NEW

PASSWORD and CONFIRM PASSWORD left

blank, and click the OK button.

3. Make sure that the cursor is located at the NEW

PASSWORD ﬁeld, and use the character palette to

input a password of up to eight characters.

All characters of the character palette except for

SPACE may be used in the password. Uppercase and

lowercase characters are not distinguished. (The

SHIFT LOCK button in the text palette will remain

on.) The characters you input will be displayed as

“

” (asterisks).

4. Click the CONFIRM PASSWORD ﬁeld to move the

cursor there, and input the same password once

again for conﬁrmation.

While the NEW PASSWORD or AUTHORIZATION

popup windows are displayed, the COPY, PASTE,

SPACE, INS, ←, and → buttons of the character pal-

ette cannot be used. Also, the DEL button will have

the same function as the Backspace key of the key-

board.

Parameter Lock/Console Lock

5. Click the OK button.

The popup window will close, you will return to the

previous screen, and the new password will take

effect.

• If the passwords you input in the NEW PASS-

WORD ﬁeld and CONFIRM PASSWORD ﬁeld

are different, a warning message will be dis-

played, and the password will not be changed.

• Please be aware that if you forget the system pass-

word, the only way to unlock the system is to ini-

tialize the memory.

• The system password is remembered even if the

console is powered-off.

Parameter Lock

1. In the LOCK PARAMETER SELECT area, select the

parameter(s) for which you want to disable opera-

tion. (You may select more than one.)

The following parameters correspond to each but-

ton.

• SYSTEM CONFIGURATION

Changing the operation mode of

the console/engine, changing the

cascade mode

• WORD CLOCK SETUP

Changing the word clock setting

• UNIT OUT/ST OUT DITHER

Changing the dither-related set-

tings of output units and stereo

output

• INPUT PATCH.............. Changing the input patch

settings

• OUTPUT PATCH.......... Changing the output

patch settings

• INPUT CH ON/OFF..... Switching input channels

on/off

• OUTPUT CH ON/OFF.Switching output chan-

nels on/off

• MIX TO ST ON/OFF .... Operating the MIX [TO

ST] switch of a MIX

channel

• DCA MUTE ON............ Turning on the DCA

[MUTE] switch

Hint

The DCA MUTE ON item only prohibits turning the

DCA [MUTE] switch from off to on. Even if this

item is selected, it will be possible to switch the DCA

[MUTE] switch from on to off.

2. Click the PARAMETER LOCK button.

The AUTHORIZATION popup window will appear,

asking you to input the password.

3. Input the password and click the OK button.

The PARAMETER LOCK button will turn on, and a

message of “SOME PARAMETERS WERE

LOCKED” will appear at the bottom of the screen.

If in this state, you attempt to modify locked parame-

ters in the screen or on the panel, a warning message

will appear. (If you are using DUAL CONSOLE

mode, the message will appear only on the console

that was operated.)

Even if parameters are locked, recalling a scene will

generally disable the lock, and the settings will be

overwritten by the recalled content. However, the

following exceptions apply.

• If a scene is recalled while input patch/output

patch is locked, the patch settings will not change.

• If a scene is recalled while dither settings are

locked, the unit dither settings will not be recalled.

• If a unit library or scene with different unit assign-

ments is recalled, the unit/patch settings will be

overwritten by the recalled content regardless of

the parameter lock setting.

• When you undo a scene recall, the input patch,

output patch, and dither settings will be undone

regardless of the parameter lock setting.

• In PREVIEW mode, parameter lock applies only to

the current scene. Even the locked parameters can

be operated freely for a recalled scene.

• Since settings of the SYSTEM CONFIGURATION

and WORD CLOCK screens are not part of a

scene, they will be locked even in PREVIEW mode.

4. To defeat Parameter Lock, access the UTILITY

function SECURITY screen, and click the PARAM-

ETER LOCK button.

The AUTHORIZATION popup window will appear,

asking you to input the password.

5. Input the password and click the OK button.

Parameter Lock will be defeated.

• If you lock parameters when using Dual Console

mode, Parameter Lock will apply to both con-

soles.

• If two engines are cascade-connected, and you

lock parameters on one system, the other system

will not be affected.

• If you forget the system password, you will need

to initialize the memory. (Refer to “CS1D Refer-

ence Manual (Software),” p.194)

PM1D System Software V1.6 Supplementary Manual

Console Lock

There are two ways to set/defeat Console Lock; by using the System Password or by using the Console Password.

The two methods are the same in that you are disabling/enabling operations on the currently-operated console. However

while the console password will be reset when you turn power off and on again, the system password will not be reset

until you initialize the memory.

Console Lock will be defeated when the power of the console is turned off and then on again.

1. Access the UTILITY function SECURITY screen.

2. Click the CONSOLE LOCK button.

If you want to use the system password, click the

CONSOLE LOCK button in the SYSTEM PASS-

WORD area. If you want to use the console pass-

word, click the CONSOLE LOCK button in the

CONSOLE PASSWORD area.

The corresponding AUTHORIZATION popup win-

dow will appear, asking you to input the password.

3. Input the appropriate password and click the OK

button.

The following screen will appear, and the faders, con-

trols, and keys of the console will no longer be opera-

ble.

Be aware that the cursor keys or ENTER key of the

panel cannot be used to defeat Console Lock.

Hint

While the console is locked, all display components

of the panel will go dark except for the meter bridge.

Also, operating any of the controls except for the

track pad will have no effect. When lock is defeated,

the faders will return to the positions in which they

were prior to being locked.

If you are using Dual Console mode, operations on

an unlocked console are valid even if one console is

locked.

4. To defeat Console Lock, operate the track pad,

external mouse, or external keyboard.

The AUTHORIZATION popup window will appear,

asking you to input the password.

5. Input the appropriate password and click the OK

button.

If the password is correct, the popup window will

close and the normal screen will reappear.

Surround panning

Surround panning between multiple output channels is now possible; something that could not be done

using the LR PAN of previous versions.

To move the sound image, you can use the track pad, mouse, CURSOR [√]/[®]/[▲]/[▼] switches, panel

encoders, or MIDI control change messages.

SURR PRM screen

A SURR PRM screen has been added to the PAN/ROUTING function, allowing you to set surround parameters and per-

form surround panning operations.

1 SEL (channel select)

Selects the input channel/ST IN channel for which

you will perform surround panning.

In the SURR PRM screen you can set surround

parameters in units of two channels.

2 Channel number/name

Indicates the number and short name (or unit name)

of the channel.

3 Pairing

Indicates the pairing status of the selected channels.

You can click this button to set/defeat pairing.

Even if input channels are paired, surround param-

eters are not linked except for the on/off setting of

the sends to each mix channel (MIX 17–24).

PM1D System Software V1.6 Supplementary Manual

4 PAT TERN LINK buttons

Specify whether movements of the sound image will

be linked for the two channels shown in the screen. If

you want them to be linked, use the √ button and ®

button to select one of the eight link patterns.

5 Surround mode select buttons

Select one of the following three surround modes.

• 3-1ch

This mode uses four channels; L (front left), C (front

center), R (front right), and S (surround).

• 5.1ch

This mode uses six channels; L (front left), C (front

center), R (front right), Ls (rear left), Rs (rear right),

and LFE (subwoofer).

• 6.1ch

This mode uses seven channels; the channels of 5.1ch

and a Bs (rear center) channel.

6 Level meters

These meters indicate the master level of the sur-

round buses.

Be aware that the level meters in the SURR PRM

screen show the ﬁnal levels of the surround buses;

they do not show the send levels that are being sent

from the input channel to the surround bus.

L (front left) C (front center) R (front right)

S (surround)

L (front left) C (front center) R (front right)

LFE (subwoofer)

Ls (rear left) Rs (rear right)

L (front left) C (front center) R (front right)

LFE (subwoofer)

Ls (rear left) Rs (rear right)

Bs (rear center)

Surround panning

• If surround mode = 6.1ch

7 DIVERGENCE

These parameters specify the balance (0–100) at

which a signal panned to the center will be sent to the

center buses (C, S, Bs) and the left/right buses (L, R,

Ls, Rs). With a setting of 0, the signal will be sent

only to the left/right buses. With a setting of 100, the

signal will be sent only to the center buses. With a

setting of 50, the same level will be sent to the left/

right buses and the center buses.

If 6.1ch is selected as the surround mode, the screen

will show an F knob that adjusts the front divergence,

an R knob that adjusts the rear divergence, and a

LINK button between them.

The LINK button links the front and rear divergence.

If you switch this button on, the value of the F knob

will be copied to the R knob, and the F knob and R

knob values will be linked.

If 3-1ch or 5.1ch are selected as the surround mode,

the screen will show only a knob that adjusts the

front divergence.

• If surround mode = 3-1ch or 5.1ch

8 LFE (Low Frequency Effects) knob

Adjusts the output level of the signal sent from the

input channel to the LFE (Low Frequency Effects)

bus for the subwoofer. The signal sent from the input

channel to the LFE bus can be switched on/off by the

ON/OFF button.

This knob and button will appear only if the sur-

round mode is 5.1ch or 6.1ch.

9 Surround pan grid

Adjusts the surround panning centered on the listen-

ing point. The current position is shown by the

symbol.

0 Panning buttons

These buttons correspond to the surround buses. If

you move the cursor to a button and press the

[ENTER] switch, the panning will move to that posi-

tion.

A Surround bus ON/OFF buttons

The signal sent from the input channel to each sur-

round bus can be switched on/off using these but-

tons.

PM1D System Software V1.6 Supplementary Manual

Internal settings and operation in surround mode

When either 3-1ch, 5.1ch, or 6.1ch is selected as the surround mode in the SURR PRM screen, the internal settings and

operation of the PM1D system will change as follows.

■ Surround buses

MIX buses 17–24 will be switched to operate as dedicated surround buses. The following surround channels will be

assigned to MIX buses 17–24 according to the currently selected surround mode.

• Surround channel output destination

For example if 6.1ch is selected as the surround mode,

the surround panning signal ﬂow will be as follows.

• Signal ﬂow when surround mode = 6.1ch

Surround

mode

MIX bus 17 MIX bus 18 MIX bus 19 MIX bus 20 MIX bus 21 MIX bus 22 MIX bus 23 MIX bus 24

3-1ch

LRCS————

Front left Front right Front center Surround

5.1ch

LRC—LsRs LFE

Front left Front right Front center Rear left Rear right Subwoofer

6.1ch

LRCBsLsRs—LFE

Front left Front right Front center Rear center Rear left Rear right Subwoofer

MIX 17 (L)

MIX 18 (R)

MIX 19 (C)

MIX 20 (Bs)

MIX 21 (Ls)

MIX 22 (Rs)

MIX 23

MIX 24 (LFE)

INPUT CHANNEL 1

SURROUND

PAN

LFE LEVEL

INPUT CHANNEL 2

SURROUND

PAN

LFE LEVEL

• • • • •

Surround panning

■ SELECTED INPUT CHANNEL block

In the SELECTED INPUT CHANNEL block MIX SEND section, the illumination of MIX SEND [NAME] indicators 17–

24 and the movement of MIX SEND [LEVEL/PAN] encoders 17–24 will change as follows, according to the currently

selected surround mode.

1 L< >R

This encoder functions as a controller that moves the

surround pan of the currently selected channel

between left and right.

2 FDIV

This encoder functions as a controller that controls

the front divergence of the currently selected chan-

nel. Turning the encoder toward the right increases

the value.

This is linked with the knob displayed in the SURR

PRM screen DIVERGENCE area (if the surround

mode = 6.1ch, this will be the F knob).

3 R< >F

This encoder functions as a controller that moves the

position of the currently selected channel between

front and rear.

4 RDIV (6.1ch only)

This encoder functions as a controller that controls

the rear divergence of the currently selected channel.

Tur ning the encoder toward the right increases the

value.

If the surround mode is 6.1ch, this is linked with the

R knob displayed in the DIVERGENCE area.

5 LFE (5.1ch/6.1ch only)

This encoder controls the send level of the signal sent

from the currently selected channel to the LFE sur-

round bus (MIX bus 24).

Tur ning the encoder toward the right increases the

value.

If the surround mode is 6.1ch or 5.1ch, this is linked

with the LFE knob displayed in the LFE area of the

SURR PRM screen.

While surround mode is active, the MIX SEND

[LEVEL/PAN] encoders for MIX 17–24 will not

function as conventional send level controllers. Also,

the MIX SEND [NAME] indicators will not display

the MIX bus names.

Instead, the MIX SEND [NAME] indicators will

indicate the names of surround mode functions, and

the MIX SEND [LEVEL/PAN] encoders for MIX 17–

24 will control the functions described in 1–5.

MIX SEND [LEVEL/PAN] encoders to which no

function is assigned will do nothing; their MIX

SEND [NAME] indicators will be dark.

However, the MIX SEND [ON] switches 17–24 will

indicate the on/off status of the send to each MIX bus

as they normally do, and can also be switched on/off.

• Note that encoders 1–4 function as controllers

that control speciﬁc surround parameters; they

do not control the send level to the MIX buses.

In contrast, encoder 5 controls the send level to

MIX bus 24 in the usual way.

PAIR

PM1D System Software V1.6 Supplementary Manual

• MIX SEND [ON] switches 17–24 turn on/off the

signals that are sent from an input channel to the

corresponding surround bus. (Buses not used by

the current surround mode can be operated, but

will make no difference.) These are linked with

the surround bus ON/OFF buttons in the SURR

PRM screen.

• While a surround mode is active, MIX SEND

[PRE] switches 17–24 cannot be operated (they

are ﬁxed at Post).

• No audio signal at all will be sent to a MIX bus

17–24 to which the current surround mode does

not assign a signal.

■ MIX OUTPUT block

The MIX [NAME] indicators of MIX channels 17–24 will display the names of the surround channels assigned to the

MIX channels, according to the currently selected surround mode. These names are set automatically when you switch to

surround mode. However, you are free to modify the names afterward.

The encoders of MIX channels 17–24 are used to control the output level of each surround bus.

■ CH to MIX screen

The PAN/ROUTING function CH to MIX screen will

change as follows.

1 Pairing

Pairing for MIX buses 17–24 will be forcibly

defeated; they will function as monaural buses. It is

not possible to pair MIX buses 17–24 while surround

mode is active.

2 VARI/FIX indicator

The VARI/FIX indicator of MIX buses 17–24 will

indicate “SURR.” This setting cannot be changed

while surround mode is active.

3 Send level

The knob and value box indicate the send level of the

signal that is sent from the input channel/ST IN

channel to MIX buses 17–24. This value is calculated

based on the current surround pan settings, and can-

not be changed from this screen.

4 ON/OFF buttons

The ON/OFF buttons for the signals sent from each

input channel to MIX buses 17–24 used for surround

will all be turned on. (However, you may switch

them off afterward.)

These buttons are linked with the surround bus ON/

OFF buttons in the SURR PRM screen, and with

SELECTED INPUT CHANNEL block MIX SEND

[ON] switches 17–24.

5 PRE/POST buttons

All signals sent from each input channel to MIX

buses 17–24 are set to POST (post fader). This set-

ting cannot be changed while surround mode is

active.

• When you access the JOB SELECT popup win-

dow from the CH to MIX screen, the OK button

will be grayed-out and cannot be clicked if MIX

buses 17–24 are selected.

• If you copy the send levels to a MIX bus or copy

the MIX bus on/off or pre/post settings while sur-

round mode is active, MIX buses 17–24 will be

excluded from the operation.

PAIR PAIR

PAIR

ON ON ON ON ON ON ON ON

PAIR

Surround panning

Making surround pan settings

Here’s how to select a surround mode and make surround pan settings for the desired two adjacent channels.

1. According to the surround mode that you wish to

use, connect an appropriate playback system to the

output units that are patched to MIX channels 17–

24.

If you use 5.1ch or 6.1ch surround mode, you will

normally connect a dedicated low-frequency sub-

woofer to MIX channel 24 (LFE).

However, simply switching the surround mode will

not change the EQ (ﬁlter) settings. You will need to

use the EQ (LPF) of MIX channel 24 to remove the

high-frequency portion as appropriate for the

response of the subwoofer you are using.

2. Access the PAN/ROUTING function SURR PRM

screen.

3. Use the surround mode select buttons to select the

desired surround mode, and press the [ENTER]

switch.

The SURROUND MODE popup window will

appear, asking you to conﬁrm that you want to

change the surround mode.

4. Move the cursor to the OK button and press the

[ENTER] switch.

The selected surround mode will become active.

5. Press the [SEL] switch of an input channel or ST IN

channel (or a SEL button in the screen) to select the

channel for which you want to adjust the surround

panning.

The SURR PRM screen always displays the surround

parameters for two adjacent channels; surround pan

settings are made in units of two channels.

6. Adjust the surround panning of the channel.

You can use any of the following methods to adjust the

surround panning.

• Using the track pad

Move the pointer into the surround pan grid of the

channel you want to control, and drag the yellow

symbol forward, backward, left, or right. (The

symbol will turn red while you are dragging it.)

• Using the cursor switches

Move the cursor to the surround pan grid of the

channel you want to control, and press the [ENTER]

switch. Alternatively, click within the grid and then

press the [ENTER] switch. (The symbol will turn

red.)

In this state, you can press the CURSOR [√]/[®]

switches to move the surround panning in the left/

right direction, or press the CURSOR [▲]/[▼]

switches to move the surround panning in the front/

rear direction, over a range of eight steps respectively.

By holding down the [SHIFT] switch and pressing

the CURSOR [√]/[®]/[▲]/[▼] switches you can

rapidly move the surround pan over a range of

thirty-two steps in the left/right or front/rear direc-

tion.

• Using the SELECTED INPUT CHANNEL section

You can use the SELECTED INPUT CHANNEL sec-

tion MIX SEND [LEVEL/PAN] encoders to control

the surround panning.

Use the [SEL] switch to select the channel that you

want to control. Then turn encoder 19 to move the

surround panning left/right, and turn encoder 21 to

move it in the front/rear direction in units of one

step.

• Using the panning buttons of the SURR PRM

screen

If you want to rapidly move the channel signal to the

position of a speaker, click one of the panning but-

tons (such as L, C, R) located at the edge of the sur-

round pan grid in the SURR PRM screen.

• Using MIDI control changes

In V1.6 the following three surround parameters

have been added to the MIDI CTRL CHANGE

screen as assignable surround parameters.

• [SURR] L-R PAN

Controls the left/right surround pan value. Pan-

ning will move toward the right as the value

increases.

• [SURR] F-R PAN

Controls the front/rear surround pan value. The

minimum value pans the sound to the rear, and

the maximum value pans it to the front.

• [SURR] F-R INV.PAN

Controls the front/rear surround pan value. The

maximum value pans the sound to the rear, and

the minimum value pans it to the front.

PM1D System Software V1.6 Supplementary Manual

By assigning these parameters to the desired con-

trol change number, the surround panning of a

speciﬁc input channel or the channel currently

selected by its [SEL] switch can be controlled via

MIDI.

Hint

For details on using control changes, refer to “PM1D

System Software V1.5 Supplementary Manual” p.71.

7. If you want surround pan operations to be linked

for two adjacent channels, turn on the PATTERN

LINK button, and use the buttons at the right to

select a link pattern.

You can select one of the following eight link pat-

terns.

8. Operate other surround parameters as necessary.

• Divergence

This sets the proportion (in a range of 0–100) at

which the center channel signal will be distributed

between the center and the left/right surround buses.

If the surround mode is 3-1ch or 5.1ch, use the knob

in the DIVERGENCE area of the screen to set the

center divergence. (Alternatively, you can operate

SELECTED INPUT CHANNEL section MIX SEND

[LEVEL/PAN] encoder 20.)

If the surround mode is 6.1ch, use the F knob in the

DIVERGENCE area of the screen (or MIX SEND

[LEVEL/PAN] encoder 20) to set the center diver-

gence for the front, and use the R knob (or MIX

SEND [LEVEL/PAN] encoder 22) to set the center

divergence for the rear.

• LFE

If the surround mode is 5.1ch or 6.1ch, you can

adjust the signal level that is sent to the LFE bus. Use

the LFE knob in the screen, or SELECTED INPUT

CHANNEL section MIX SEND [LEVEL/PAN]

encoder 24.

Pattern 1

The channels will move in the

same direction for front/rear and

left/right movement.

Pattern 2

The channels will move in oppo-

site directions front/rear, and in

the same direction left/right.

Pattern 3

The channels will move in the

same direction front/rear, and in

opposite directions left/right.

Pattern 4

Odd-numbered channel left/right

movement is linked with even-

numbered channel rear/front

movement; odd-numbered chan-

nel front/rear movement is linked

with even-numbered channel left/

right movement.

Pattern 5

Odd-numbered channel left/right

movement is linked with even-

numbered channel front/rear

movement; odd-numbered chan-

nel front/rear movement is linked

with even-numbered channel left/

right movement.

Pattern 6

Front/rear and left/right move-

ment are both linked in the oppo-

site direction.

Pattern 7

Odd-numbered channel left/right

movement is linked to even-num-

bered channel front/rear move-

ment; odd-numbered channel

front/rear movement is linked to

even-numbered channel right/left

movement.

Pattern 8

Odd-numbered channel left/right

movement is linked to even-num-

bered channel rear/front move-

ment; odd-numbered channel

front/rear movement is linked to

even-numbered channel left/right

movement.

Surround panning

Cautions regarding surround pan

Cautions and limitations regarding the use of surround pan are explained below.

■ Scene recall operations

• The surround mode setting is saved in the scene.

• If you recall a scene that has a differing surround

mode, the screen and panel display will change

accordingly. In this case, the surround mode, the

settings of MIX channels 17–24, and the surround-

related parameters of all input channels will all be

recalled, regardless of the Selective Recall or Recall

Safe settings.

• If when one channel is excluded from recall, you

recall a scene whose PATTERN LINK button is

turned on, the PATTERN LINK button will remain

on, and only the other channel will be recalled.

Subsequent operation will function according to

the LINK setting.

■ Channel library recall operations

• Input libraries contain all of the surround-related

parameters except for the surround mode.

• PATTERN LINK settings will be recalled from an

input channel library only if the recall-destination

channels are paired.

• If PATTERN LINK is on, and you recall a monau-

ral (non-paired) input channel library, the PAT-

TERN LINK button setting will remain on, and

only the other channel will be recalled. Subsequent

operation will function according to the LINK set-

ting.

■ Channel copy

• When you perform panel operations to copy an

input channel, surround-related parameters will

also be copied.

• However, PATTERN LINK settings will be copied

only if the copy-source channel is paired and set to

ALL.

• In order to copy surround-related parameters in

the IN CH VIEW function CH COPY screen, you

must turn on the PARAMETER SELECT area’s

ALL button, or the SEND button and MIX 17–24

buttons. (When surround mode is active, the

PARAMETER SELECT area MIX 17–24 buttons

are always linked.)

■ Global paste

• When using the Global Paste function while sur-

round mode is active, the MIX SEND 17–24 but-

tons in the GLOBAL PASTE screen PARAMETER

SELECT area are always linked.

• In order to paste surround-related parameters, you

must turn on the PARAMETER SELECT area’s

LEVEL button, or the SEND button and MIX

SEND 17–24 buttons. If two adjacent channels are

selected in the SOURCE CH SELECT area, PAT-

TERN LINK settings will also be pasted.

• If different surround modes are selected for the

paste-source and paste-destination, MIX buses 17–

24 will be excluded from the operation.

PM1D System Software V1.6 Supplementary Manual

Multi-band dynamics processor

A multi-band dynamics processor that includes an independent compressor and limiter for each of the three

bands low, mid, and high has been added as an effect type for the internal effects.

This effect type is stored in effect library No.30.

If a library using this effect type is recalled, SOLO buttons (LOW, MID, HIGH) will be displayed in the center

of the screen. These buttons allow you to solo each of the frequency-divided bands. For details on the other

parameters, refer to p.49.

File transfer mode

In previous versions, the only way to transfer data between the CS1D and a computer in which PM1D Man-

ager is installed was to load/save the data using a PCMCIA card.

However in V1.6, data edited on your computer can be uploaded to the console, and console settings includ-

ing scenes can be downloaded to the PM1D.

1. Turn off the power of the PW1D power supply, and

then turn it on again.

2. After the opening screen appears, continue press-

ing the left/right switches of the track pad until the

following screen appears.

3. Click the FILE TRANSFER MODE button.

The screen will change as follows, and the system will

wait to be connected to the computer.

4. Connect your computer to the CS1D via the serial

connector or USB connector, and open the CON-

NECTION popup window.

5. Click the UPLOAD button to upload data, or the

DOWNLOAD button to download data.

Hint

If you click CANCEL in the screen shown above

instead of the UPLOAD button or DOWNLOAD

button, the PM1D will start up in normal mode.

Tr ansfer of the scenes and all libraries will begin, and

the PROGRESS popup window will appear, indicat-

ing the progress status. All panel operations are dis-

abled until transfer is completed.

• For example, transferring all CS1D data to the

computer will take slightly more than one hour,

whether you use a serial connection or a USB

connection.

• If you want to cancel the transfer, click the CAN-

CEL button on your PC.

A popup window will appear on both the CS1D and

the PC to indicate that transfer has ended.

6. Click the OK button on your PC.

The PC will go off-line, and the PM1D will start up

in its normal state.

Even if the PC is connected to the engine, and PM1D

Manager and the engine are on-line, you can use the

FILE TRANSFER MODE screen to perform ﬁle

transfer between the console connected to the engine

and PM1D Manager. In this case, the PM1D Man-

ager settings will be transferred to the console, and

then a connection can be established between the

engine and console. When a connection is estab-

lished between the engine and console, the PC will

temporarily go off-line.

PM1D System Software V1.6 Supplementary Manual

Additional preference items

The following additions and changes have been made to the UTILITY function PREFERENCE screen.

• PROHIBIT DCA ASSIGN ON SELECTED CH

BLOCK

This option prohibits changes in the DCA group

assignment of a channel from being made using the

DCA section of the SELECTED INPUT CHANNEL

block or SELECTED OUTPUT CHANNEL block.

If this item is on, operations in the DCA section of

the SELECTED INPUT CHANNEL block and

SELECTED OUTPUT CHANNEL block will not be

valid. This allows you to prevent channels from

being inadvertently assigned to or removed from a

DCA group if a switch of the DCA section is touched

accidentally.

• SKIP CONFIRMATIONS FOR MIX MINUS

SHORTCUT

This option allows rapid execution of the Mix Minus

function that was added in V1.5.

Mix Minus is a function that instantly sets the signal

sent from a channel to a speciﬁc MIX bus to a level of

-inﬁnity dB, and sets the signal sent from all the

other channels to that same MIX bus to nominal

level (0 dB).

There are two ways to use Mix Minus:

1 Click the MIX MINUS button in the CH to MIX

screen

2 Hold down the [SEL] switch of an input channel

and press a [SEL] switch in the MIX block

If this preference item is turned on, no conﬁrmation

popup window will appear when you perform

method 2; the settings will be changed instantly.

• LIBRARY PROTECTION

This option prohibits erasure of libraries that are

linked to a protected scene.

V1.6 adds a CLEAR button that allows you to erase a

speciﬁed library. However if you erase a library (unit,

patch, name) that is linked to a protected scene, that

scene can no longer be reproduced. Thus, if this pref-

erence is turned on (FOLLOW SCENE), an attempt

to erase a library that is linked to a scene will cause a

message to be displayed, and the erasure will not be

possible.

Library numbers displayed in the scene list will not

be erased even if LINK is off.

• Changes in the AUTO DISPLAY ON/OFF area

The following changes have been made in the AUTO

DISPLAY ON/OFF area.

• AT T/EQ

The name has been changed from “EQ” to “ATT/EQ.”

Also, in previous versions, operating the SELECTED

INPUT CHANNEL block [ATTENUATOR] encoder

when this button was on would move the cursor to

the ATT knob of the EQ PARAMETER screen. How-

ever in V1.6, the cursor will move to the newly added

ATT screen.

• PAN/ROUTING

The name has been changed from “ROUTING” to

“PAN/ROUTING.” If this button is on, operating a

SELECTED INPUT CHANNEL block MIX SEND

[LEVEL/PAN] encoder 17–24 when surround mode

is active will make the cursor move to the corre-

sponding parameter of the SURR PRM screen.

However, the cursor will not move if you operate the

encoder of a MIX bus 17–24 that is not being used as

a surround bus.

Preset Effects Programs (added in V1.6)

• Basic effect programs

Dynamic Effects

Effects Parameters (added in V1.6)

• MULTI BAND DYNA. [Type: STEREO]

#Title Type Description

Multi Band Dyna.

MULTI BAND DYNA.

Multi-band dynamics processor

Parameter Range Description

LOW GAIN –96.0 - +12.0 [dB] Level of the low-frequency range

MID GAIN –96.0 - +12.0 [dB] Level of the mid-frequency range

HIGH GAIN –96.0 - +12.0 [dB] Level of the high-frequency range

PRESENCE –10 - +10

“+” settings lower the high-frequency threshold and raise

the low-frequency threshold. “–” settings do the opposite.

With a setting of 0, the high, mid, and low-frequency

ranges are all affected alike.

CMP.THRESHOLD –24.0 - 0.0 [dB] Compressor threshold level

CMP.RATIO 1:1 - 20:1 Compression ratio

CMP.RELEASE

5.0ms - 42.3s (@fs=48kHz),

6.0ms - 46.0s (@fs=44.1kHz)

Compressor release time

CMP.ATACK 0 - 120 [ms] Compressor attack time

CMP.KNEE

HARD, SOFT 1 - 5

Compressor knee

CMP.BYPASS OFF, ON Compressor bypass

LIM.THRESHOLD –24.0 - 0.0 [dB] Limiter threshold

LIM.RELEASE

5.0ms - 42.3s (@fs=48kHz),

6.0ms - 46.0s (@fs=44.1kHz)

Limiter release time

LIM.ATACK 0 - 120 [ms] Limiter attack time

LIM.KNEE

HARD, SOFT 1 - 5

Limiter knee

LIM.BYPASS OFF, ON Limiter bypass

LOOKUP DELAY 0.0 - 100.0 [ms] Lookup delay

L-M XOVER

21.2 - 8.00k [Hz]

Low/mid crossover frequency

M-H XOVER

21.2 - 8.00k [Hz]

Mid/high crossover frequency

CEILING –6.0 - 0.0 [dB], OFF Limiting value to prevent excessive output

BALANCE 0 - 100 [%] WET/DRY balance

PM1D System Software V1.6 Supplementary Manual

Scene Memory/Effect Library to Program Change Table

Please refer to page 35 in the appendix of the CS1D Reference Manual (Appendices).

MIDI control change NRPN (Non Registered Parameter Number) assignment table

INPUT (NRPN LSB 0-111 : CH NUMBER1-96,

STIN1L-8R, 112 : SELECT CH)

MIX (NRPN LSB 0-47, 48-95 : MIX1-48)

Parameter name

NRPN

MSB LSB

ON/OFF 0 0-111

FADER 1 0-111

PAN/BALANCE 2 0-111

RECALL SAFE ON/OFF 3 0-111

GATE ON/OFF 4 0-111

GATE RANGE 5 0-111

GATE LPF ON/OFF 6 0-111

GATE LPF FREQ 7 0-111

GATE HPF ON/OFF 8 0-111

GATE HPF FREQ 9 0-111

GATE THRESHOLD 10 0-111

GATE ATTACK 11 0-111

GATE DECAY 12 0-111

GATE HOLD 13 0-111

COMP ON/OFF 14 0-111

COMP RATIO 15 0-111

COMP XOVER ON/OFF 16 0-111

COMP XOVER FREQ 17 0-111

COMP KNEE/WIDTH 18 0-111

COMP OUT GAIN 19 0-111

COMP THRESHOLD 20 0-111

COMP ATTACK 21 0-111

COMP RELEASE 22 0-111

EQ LOW TYPE 23 0-111

EQ HIGH TYPE, LPF SLOPE 24 0-111

EQ ON/OFF 25 0-111

HPF ON/OFF 26 0-111

EQ ATT 27 0-111

EQ LOW F 28 0-111

EQ LOW G 29 0-111

EQ LOW Q 30 0-111

EQ L-MID F 31 0-111

EQ L-MID G 32 0-111

EQ L-MID Q 33 0-111

EQ H-MID F 34 0-111

EQ H-MID G 35 0-111

EQ H-MID Q 36 0-111

EQ HIGH F 37 0-111

EQ HIGH G 38 0-111

EQ HIGH Q 39 0-111

HPF FREQ 40 0-111

HPF FREQ Dimension 41 0-111

SURROUND LR 42 0-112

SURROUND FR 43 0-112

SURROUND FR INVERT 44 0-112

Parameter name

NRPN

MSB LSB

ON/OFF 68 0-47

FADER 68 48-95

BALANCE 69 0-47

RECALL SAFE ON/OFF 69 48-95

COMP ON/OFF 70 0-47

COMP RATIO 70 48-95

COMP XOVER ON/OFF 71 0-47

COMP XOVER FREQ 71 48-95

COMP KNEE/WIDTH 72 0-47

COMP OUT GAIN 72 48-95

COMP THRESHOLD 73 0-47

COMP ATTACK 73 48-95

COMP RELEASE 74 0-47

EQ ON/OFF 74 48-95

EQ SUB-LOW TYPE,SLOPE 75 0-47

EQ HIGH TYPE,SLOPE 75 48-95

EQ SUB-LOW Q 76 0-47

EQ SUB-LOW F 76 48-95

EQ SUB-LOW G 77 0-47

EQ SUB-LOW BYPASS 77 48-95

EQ LOW Q 78 0-47

EQ LOW F 78 48-95

EQ LOW G 79 0-47

EQ LOW BYPASS 79 48-95

EQ L-MID Q 80 0-47

EQ L-MID F 80 48-95

EQ L-MID G 81 0-47

EQ L-MID BYPASS 81 48-95

EQ MID Q 82 0-47

EQ MID F 82 48-95

EQ MID G 83 0-47

EQ MID BYPASS 83 48-95

EQ H-MID Q 84 0-47

EQ HI-MID F 84 48-95

EQ H-MID G 85 0-47

EQ H-MID BYPASS 85 48-95

EQ HIGH Q 86 0-47

EQ HIGH F 86 48-95

EQ HIGH G

87 0-47

EQ HIGH BYPASS

87 48-95

MIDI control change NRPN (Non Registered Parameter Number) assignment table

MATRIX (NRPN LSB 0-23,24-47,48-71,72-

95 : MATRIX1-24)

ST MASTER (NRPN LSB EVEN,ODD : STE-

REO MASTER A,B)

Parameter name

NRPN

MSB LSB

ON/OFF 90 0-23

FADER 90 24-47

BALANCE 90 48-71

RECALL SAFE ON/OFF 90 72-96

COMP ON/OFF 91 0-23

COMP RATIO 91 24-47

COMP XOVER ON/OFF 91 48-71

COMP XOVER FREQ 91 72-96

COMP KNEE/WIDTH 92 0-23

COMP OUT GAIN 92 24-47

COMP THRESHOLD 92 48-71

COMP ATTACK 92 72-96

COMP RELEASE 93 0-23

EQ ON/OFF 93 24-47

EQ SUB-LOW TYPE,SLOPE 93 48-71

EQ HIGH TYPE,SLOPE 93 72-96

EQ SUB-LOW Q 94 0-23

EQ SUB-LOW F 94 24-47

EQ SUB-LOW G 94 48-71

EQ SUB-LOW BYPASS 94 72-96

EQ LOW Q 95 0-23

EQ LOW F 95 24-47

EQ LOW G 95 48-71

EQ LOW BYPASS 95 72-96

EQ L-MID Q 96 0-23

EQ L-MID F 96 24-47

EQ L-MID G 96 48-71

EQ L-MID BYPASS 96 72-96

EQ MID Q 97 0-23

EQ MID F 97 24-47

EQ MID G 97 48-71

EQ MID BYPASS 97 72-96

EQ H-MID Q 98 0-23

EQ H-MID F 98 24-47

EQ H-MID G 98 48-71

EQ H-MID BYPASS 98 72-96

EQ HIGH Q 99 0-23

EQ HIGH F 99 24-47

EQ HIGH G 99 48-71

EQ HIGH BYPASS 99 72-96

Parameter name

NRPN

MSB LSB

ON/OFF 101 0,1

FADER 101 2,3

BALANCE 101 4,5

RECALL SAFE ON/OFF 101 6,7

COMP ON/OFF 101 8,9

COMP RATIO 101 10,11

COMP XOVER ON/OFF 101 12,13

COMP XOVER FREQ 101 14,15

COMP KNEE/WIDTH 101 16,17

COMP OUT GAIN 101 18,19

COMP THRESHOLD 101 20,21

COMP ATTACK 101 22,23

COMP RELEASE 101 24,25

EQ ON/OFF 101 26,27

EQ SUB-LOW TYPE, SLOPE 101 28,29

EQ HIGH TYPE, SLOPE 101 30,31

EQ SUB-LOW Q 101 32,33

EQ SUB-LOW F 101 34,35

EQ SUB-LOW G 101 36,37

EQ SUB-LOW BYPASS 101 38,39

EQ LOW Q 101 40,41

EQ LOW F 101 42,43

EQ LOW G 101 44,45

EQ LOW BYPASS 101 46,47

EQ L-MID Q 101 48,49

EQ L-MID F 101 50,51

EQ L-MID G 101 52,53

EQ L-MID BYPASS 101 54,55

EQ MID Q 101 56,57

EQ MID F 101 58,59

EQ MID G 101 60,61

EQ MID BYPASS 101 62,63

EQ H-MID Q 101 64,65

EQ HI-MID F 101 66,67

EQ H-MID G 101 68,69

EQ HI-MID BYPASS 101 70,71

EQ HIGH Q 101 72,73

EQ HIGH F 101 74,75

EQ HIGH G 101 76,77

EQ HIGH BYPASS 101 78,79

PM1D System Software V1.6 Supplementary Manual

DCA (NRPN LSB 0-11,12-23 : DCA1-12)

EFFECT (NRPN LSB 0-7,8-15,16-23,24-31,32-

39,40-47,48-55,56-63,64-71,72-79,80-87,88-

95,96-103,104-111 : EFFECT1-8)

GEQ (NRPN LSB 0-23,24-47,48-71,72-95,96-

119 : GEQ1-24)

Parameter name

NRPN

MSB LSB

DCA FADER(0-11) 102 0-11

DCA MUTE(12-23) 102 12-23

Parameter name

NRPN

MSB LSB

BYPASS ON/OFF 103 0-7

ATT L 103 8-15

ATT R 103 16-23

WET BALANCE 103 24-31

PARAMETER1 103 32-39

PARAMETER2 103 40-47

PARAMETER3 103 48-55

PARAMETER4 103 56-63

PARAMETER5 103 64-71

PARAMETER6 103 72-79

PARAMETER7 103 80-87

PARAMETER8 103 88-95

PARAMETER9 103 96-103

PARAMETER10 103 104-111

PARAMETER11 104 0-7

PARAMETER12 104 8-15

PARAMETER13 104 16-23

PARAMETER14 104 24-31

PARAMETER15 104 32-39

PARAMETER16 104 40-47

PARAMETER17 104 48-55

PARAMETER18 104 56-63

PARAMETER19 104 64-71

PARAMETER20 104 72-79

PARAMETER21 104 80-87

Parameter name

NRPN

MSB LSB

GEQ ON/OFF 105 0-23

NOTCH1 ON/OFF 105 24-47

NOTCH2 ON/OFF 105 48-71

NOTCH3 ON/OFF 105 72-95

NOTCH4 ON/OFF 105 96-119

GEQ BAND1 G 106 0-23

GEQ BAND2 G 106 24-47

GEQ BAND3 G 106 48-71

GEQ BAND4 G 106 72-95

GEQ BAND5 G 106 96-119

GEQ BAND6 G 107 0-23

GEQ BAND7 G 107 24-47

GEQ BAND8 G 107 48-71

GEQ BAND9 G 107 72-95

GEQ BAND10 G 107 96-119

GEQ BAND11 G 108 0-23

GEQ BAND12 G 108 24-47

GEQ BAND13 G 108 48-71

GEQ BAND14 G 108 72-95

GEQ BAND15 G 108 96-119

GEQ BAND16 G 109 0-23

GEQ BAND17 G 109 24-47

GEQ BAND18 G 109 48-71

GEQ BAND19 G 109 72-95

GEQ BAND20 G 109 96-119

GEQ BAND21 G 110 0-23

GEQ BAND22 G 110 24-47

GEQ BAND23 G 110 48-71

GEQ BAND24 G 110 72-95

GEQ BAND25 G 110 96-119

GEQ BAND26 G 111 0-23

GEQ BAND27 G 111 24-47

GEQ BAND28 G 111 48-71

GEQ BAND29 G 111 72-95

GEQ BAND30 G 111 96-119

GEQ BAND31 G 112 0-23

NOTCH1 Q 112 24-47

NOTCH2 Q 112 48-71

NOTCH3 Q 112 72-95

NOTCH4 Q 112 96-119

NOTCH1 F 113 24-47

NOTCH2 F 113 48-71

NOTCH3 F 113 72-95

NOTCH4 F 113 96-119

MIDI Data Format

1. TRANSMIT/RECEIVE DATA

1.1 CHANNEL MESSAGE

1.1.1 CONTROL CHANGE (Bn) BANK SELECT

In PROGRAM CHANGE SINGLE CH mode when [Bank] is ON, this

message can be received via the MIDI IN for BANK SELECT recep-

tion is enabled, if the [Rx CH] matches.

This will specify the bank for a subsequently-received program

change.

In SINGLE CH mode when [Bank] is ON, and you recall a scene

memory or effect library, a bank select message will be transmitted

(before the program change message) from the selected MIDI OUT,

on the speciﬁed [Tx CH].

STATUS 1011nnnn Bn Control Change

00000000 00 Bank Select MSB

0vvvvvvv vv MSB Value

00100000 20 Bank Select LSB

0vvvvvvv vv LSB Value

1.1.2 CONTROL CHANGE (Bn) ASSIGN

If CONTROL CHANGE ASSIGN is ON and CONTROL CHANGE

is set to SINGLE CH mode, this message can be received from the

MIDI IN for which reception is enabled, if the [Rx CH] matches. The

parameter that is assigned in the [Control Change Table] will be modi-

ﬁed.

In MULTI mode, any MIDI channel will be received. The received

MIDI channel (i.e., its number) will be added to the number of the

parameter assigned in the [Control Change Table] (the same number as

NRPN) to determine the parameter that will be modiﬁed by the mes-

sage.

This message is not echoed, but will be transmitted as described below

even when a parameter is modiﬁed as a result of the MIDI reception.

In SINGLE CH mode, when a parameter assigned in the [Control

Change Table] has been modiﬁed, this message will be transmitted

from the MIDI OUT for the selected [Tx CH].

In MULTI CH mode, when a parameter corresponding to a parameter

number (same as NRPN) assigned in the [Control Change Table] +15

or less is modiﬁed, this message will be transmitted from the selected

MIDI OUT, with the MIDI channel representing the difference from

the parameter number. If the parameter is assigned to more than one

control number, the message will be transmitted using the lowest-

numbered control number.

If a parameter with a resolution of greater than 7 bits is assigned to a

control number in the range of 1–31, that control number +32 can be

assigned as the LSB of the same parameter.

STATUS 1011nnnn Bn Control Change

0ccccccc cc Control No.(1-5,7-31,33-

37,39-95,102-119)

0vvvvvvv vv Value

The transmitted and received values are calculated as follows. (The

same applies to the NRPN messages discussed later.)

Given the following:

(128 or 16384 in the case of word data) / (number of parameter steps)

= X ...Y

INT (( Y + 1) / 2 ) = Z

Reception:

If ( MIDI data -Z ) < 0, then parameter = 0

If (( MIDI data - Z ) / Z ) > MAX, then parameter = MAX

Otherwise, INT ( MIDI data - Z ) / X ) = parameter

Transmission:

If parameter = 0, then MIDI data = 0

If parameter = MAX, then MIDI data = (127 or 16383 in the case of

word data)

Otherwise, ( X x parameter ) + INT ( X / 2 ) + Z = MIDI data

1.1.3 CONTROL CHANGE (Bn) NRPN

If NRPN is ON, and if the [Rx CH] matches, this message can be

received at the MIDI IN for which reception is enabled.

There is a one-to-one correspondence between the received NRPN

number and the parameter that will change. (See the “MIDI control

change NRPN (Non Registered Parameter Number) assignment

table”.)

This message is not echoed, but the transmission described below will

occur even if a parameter is modiﬁed due to MIDI reception.

If NRPN is ON and a parameter is modiﬁed, this message will be

transmitted from the MIDI OUT selected by [Tx CH].

If both CONTROL ASSIGN and NRPN are simultaneously ON, an

assigned parameter will be transmitted as a control change.

If the parameter has a resolution of less than 7 bits, only the MSB data

will be transmitted.

STATUS 1011nnnn Bn Control Change

01100010 62 NRPN LSB

0vvvvvvv vv MSB Value

01100011 63 NRPN MSB

0vvvvvvv vv LSB Value

00000110 06 DATA ENTRY MSB

0vvvvvvv vv MSB Value

00110110 26 DATA ENTRY LSB

0vvvvvvv vv LSB Value

60 h (INC) and 61 h (DEC) are not supported.

1.1.4 PROGRAM CHANGE (Cn)

If [Program Change Rx] is ON, this message can be received at the

MIDI IN for which reception is enabled, if the [Rx CH] matches in the

case of SINGLE mode. However if [OMNI] is ON, this message will

be received regardless of the channel.

In the case of MULTI mode, all MIDI channels will be received, and

will be divided into banks according to the channel.

If [Program Change ECHO] is ON, this message will be echoed.

A scene memory or effect library will be recalled according to the set-

tings of the [Program Change Table].

If [Program Change TX] is ON, this message will be transmitted from

the selected MIDI OUT on the [Tx CH] channel (in the case of SIN-

GLE mode), when a scene or effect library is recalled.

In the case of MULTI mode, this will be transmitted on the MIDI

channel according to the bank. If the recalled memory number is

assigned to more than one program number, the program number for

the lowest-numbered channel of the lowest-numbered bank will be

transmitted.

STATUS 1100nnnn Cn Program Change

DATA 0nnnnnnn nn Program No.(0-127)

PM1D System Software V1.6 Supplementary Manual

1.2 EXCLUSIVE MESSAGE (F0-F7)

1.2.1 MOTION CONTROL STATE (MCS)

MMC STOP/PLAY/FORWARD/REWIND

These messages are transmitted by assignment to USER DEFINE or

GPI.

[DEVICE NO.] speciﬁes the transmission destination.

STATUS 11110000 F0 System Exclusive Message

ID No. 01111111 7F Real Time System Exclusive

Device ID 0ddddddd dd Destination (00-7E, 7F:all

call)

Command 00000110 06 Machine Control Com-

mand(mcc)sub-id

0ccccccc cc Command String

[1]:Stop

[3]:Deferred Play

[4]:Fast Forward

[5]:Rewind

EOX 11110111 F7 End of Exclusive

1.2.2 MOTION CONTROL PROCESS (MCP)

MMC LOCATE (target)

This message is transmitted by assignment to USER DEFINE or GPI.

[DEVICE NO.] speciﬁes the transmission destination. (This requires

setting the ID of the receiving device.)

STATUS 11110000 F0 System Exclusive Message

ID No. 01111111 7F Real Time System Exclusive

Device ID 0ddddddd dd Destination (00-7E, 7F:all

call)

Command 00000110 06 Machine Control Com-

mand(mcc)sub-id

01000100 44 Locate

00000110 06 byte count

00000001 01 "target" sub command

0tthhhhh th frame type, hour

0mmmmmmm mm minute

0sssssss ss second

0fffffff ff frame

0sssssss ss sub-frame(only'0')

EOX 11110111 F7 End of Exclusive

1.3 ACTIVE SENSING (Fe)

Once this message has been received, and there is an interval of

300 ms during which nothing is received, Running Status will be

cleared, and MIDI communication will be initialized.

STATUS 11111110 FE Active Sensing

2. TRANSMISSION CONDITION

3. RECEIVE CONDITION

4. PARAMETER CHANGE

BASIC FORMAT

STATUS 11110000 F0 System Exclusive Message

ID No. 01000011 43 Manufacture's ID

No.(YAMAHA)

SUB STATUS 0pppnnnn pn p=mode 1:parameter change

or response for request

3:parameter request

n=0-15(Device Channel

No.1-16)

GROUP ID 00111110 3e MODEL ID(digital mixer)

MODEL ID 00001001 09 Device code(PM1D)

PARAM TYPE 0ttttttt tt (TYPE)

DATA 0ddddddd dd0 DATA 0

: :

0ddddddd ddn DATA n

EOX 11110111 F7 End of Exclusive

PARAMETER VALUE REQUEST (type 0x00:Current Memory)

These messages can be received via the port that is enabled for recep-

tion. The VALUE RESPONSE message described below is sent in

reply to this message.

STATUS 11110000 F0 System Exclusive Message

ID No. 01000011 43 Manufacture's ID

No.(YAMAHA)

SUB STATUS 0pppnnnn 3n parameter request

n=0-15(Device Channel

No.1-16)

GROUP ID 00111110 3e MODEL ID(digital mixer)

MODEL ID 00001001 09 Device code(PM1D)

PARAM TYPE 00000000 00 Current Memory

DATA 0ttttttt dd0 data type

0aaaaaaa dd1 addressHIGH(BIT13-7)

0aaaaaaa dd2 addressLOW(BIT6-0)

0ddddddd dd3 REQUEST BYTE COUNT

EOX 11110111 F7 End of Exclusive

data type

0x00 SCENE LOW ADDRESS(BIT14 LOW)

0x10 SCENE HIGH ADDRESS(BIT14 HIGH)

0x0a ENGINE SETUP

PARAMETER VALUE RESPONSE (type 0x00:Current Memory)

This message is sent in reply when the above VALUE REQUEST is

received.

STATUS 11110000 F0 System Exclusive Message

ID No. 01000011 43 Manufacture's ID

No.(YAMAHA)

SUB STATUS 0pppnnnn 1n response for request

MIDI Tx CH?

CONTROL CHANGE

BANK SELECT $BnH

CONTROL CHANGE

$BnH

CONTROL CHANGE

NRPN $BnH

SYTEM EXCLUSIVE

FUNCTION CALL

$F0H $43H $1nH

( RESPONSE FOR

PARAMETER REQUEST

$F0H $43H $1nH )

USER DEFINE,GPI

MMC $F0H $7FH $nnH $06H

MIDI IN

BANK ON

NRPN Tx ON

ASSIGN Tx ON

NRPN or ASSIGN Tx ON

PGM ECHO ON

MIDI OUT

PROGRAM CHANGE

$CnH

PGM Tx ON

MIDI Tx CH?

MULTI ON

MIDI Rx CH?

CONTROL CHANGE

BANK SELECT $BnH

CONTROL CHANGE

$BnH

CONTROL CHANGE

NRPN $BnH

SYSTEM EXCLUSIVE

PARAMETER REQUEST

$F0H $43H $3nH

MIDI IN

BANK ON

NRPN Rx ON

ASSIGN Rx ON

PGM ECHO ON

MIDI OUT

PROGRAM CHANGE

$CnH

PGM Rx ON

MIDI Rx CH?

MULTI ON

MIDI Rx CH?

or OMNI ON

or MULTI ON

MIDI Data Format

n=0-15(Device Channel

No.1-16)

GROUP ID 00111110 3e MODEL ID(digital mixer)

MODEL ID 00001001 09 Device code(PM1D)

PARAM TYPE 00000000 00 Current Memory

DATA 0ttttttt dd0 data type

0aaaaaaa dd1 addressHIGH(BIT13-7)

0aaaaaaa dd2 addressLOW(BIT6-0)

0ddddddd dd3 data

0ddddddd ddn

EOX 11110111 F7 End of Exclusive

Data type:

The “data” ﬁeld contains the requested number of data bytes from the

requested address, converted from 8-bit to 7-bit form. The MSB's for

seven bytes will be the ﬁrst byte of data.

Example) [seven bytes of 8 bit data] [8 bytes of 7 bit data]

80 01 82 03 84 05 06 → 54 00 01 02 03 04 05 06

The “data type” is the same as for a Parameter Value Request.

PARAMETER CHANGE (type 0x02:function call)

If transmission is ON for Control Change ASSIGN or NRPN, this

message is transmitted when an operation causing multiple parameters

to be modiﬁed simultaneously is performed. This message is not

received.

STATUS 11110000 F0 System Exclusive Message

ID No. 01000011 43 Manufacture's ID

No.(YAMAHA)

SUB STATUS 0pppnnnn 1n response for request

n=0-15(Device Channel

No.1-16)

GROUP ID 00111110 3e MODEL ID(digital mixer)

MODEL ID 00001001 09 Device code(PM1D)

PARAM TYPE 00000010 02 function call

DATA 0ttttttt dd0 function

0aaaaaaa dd1 category/number

0aaaaaaa dd2 channel/number2

0ddddddd dd3 type

EOX 11110111 F7 End of Exclusive

function category/number number2,channel

--------------------------------------------------------------

0x04 EFF Lib Recall LIB No.Bit7-1 LIB No..Bit0,

EFF No.0-7

(LIB No.1-199, EFF No.0-7)

0x04 EFF Copy No.Bit7-1 No.Bit0, EFF

No.0-7

(No.255, EFF No.0-7)

0x05 GEQ Recall Category Library 126 GEQ No.0-23

0x05 GEQ Copy,Link No.127 GEQ No.0-23

0x06 IN EQ Lib Recall Category Library 126 CH No.0-111

0x06 IN EQ Copy Category Copy 127 CH No.0-111

0x07 OUT EQ Lib Recall Category Library 126 CH No.0-73

0x07 OUT EQ Copy Category Copy 127 CH No.0-73

0x08 IN GATE Lib Recall Category Library 126 CH No.0-111

0x08 IN GATE Copy Category Copy 127 CH No.0-111

0x09 IN COMP Lib Recall Category Library 126 CH No.0-111

0x09 IN COMP Change Category Copy 127 CH No.0-111

0x0a OUT COMP Lib RecallCategory Library 126 CH No.0-73

0x0a OUT COMP Change Category Copy 127 CH No.0-73

0x0b IN CH Lib Recall Category Library 126 CH No.0-111

0x0c OUT CH Lib Recall Category Library 126 CH No.0-73

0x0d IN CH COPY Source CH No.0-111 Destination CH

No.0-111,127 *1

0x0e OUT CH COPY Source CH No.0-73 Destination CH

No.0-73,127 *1

0x0f IN CH PAIR/LR-MONO *2 CH No.0-111

0x10 OUT CH PAIR *2 CH No.0-73

0x11 SETUP CHANGE 127 0

(*1 Since multiple destination channels are possible when using

the CH COPY function of the LCD, this will be 127 (fixed)

instead.

*2 0:PAIR L->R, 1:PAIR R->L, 2:RESET BOTH, 3:PAIR RELEASE

4:L-MONO, 5:R-MONO, 6:LR-MONO, 7:L,R,LR-MONO RELEASE )

type For EFF BIT5-0:EFFECT TYPE

For GEQ BIT6:MONO/LINK

For EQ, GATE, COMP, CH, COPY, PAIR

BIT6:MONO/PAIR, BIT5-3:reserved

BIT2:GATE TYPE, BIT1, 0:COMP TYPE

For SETUP 0:LOAD,

1:RECALL SAFE INPUT ALL ON,

2:RECALL SAFE INPUT ALL OFF,

3:RECALL SAFE OUTPUT ALL ON,

4:RECALL SAFE OUTPUT ALL OFF

EFF LIBRARY are transmitted when you recall a number that is not

assigned to a program change.

M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

IP01A0

Yamaha Manual Library

http://www2.yamaha.co.jp/manual/english/

Transcripción de documentos

PM1D System Software V1.6 Supplementary Manual E PM1D System Software V1.6 Supplementary Manual Copyright Copying or distributing this manual in part or in whole using any method without the written permission of Yamaha Corporation is prohibited. Trademarks Company names and product names are trademarks and registered trademarks of their respective owners. Symbols such as ® and TM are not explicitly given in this document. The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may appear somewhat different from those on your instrument. 2 Contents Contents Additions and changes in V1.6 . . . . . . . . . . . . 4 File transfer mode . . . . . . . . . . . . . . . . . . . . . .47 Improvements to functions that were added in V1.5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Panel Assign in the ST IN block . . . . . . . . . . . 5 Panel display of the unit name . . . . . . . . . . . 7 Additional preference items . . . . . . . . . . . . . .48 Channel name area added to the EQ CH and LCR screens. . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Channel name area . . . . . . . . . . . . . . . . . . . . 8 Scene Memory/Effect Library to Program Change Table. . . . . . . . . . . . . . . . . . . . . . . . .50 DCA Auto Naming function . . . . . . . . . . . . . . . 9 DCA auto naming procedure . . . . . . . . . . . . 9 Preset Effects Programs (added in V1.6) . . . .49 Effects Parameters (added in V1.6). . . . . . . . 49 MIDI control change NRPN (Non Registered Parameter Number) assignment table . . . . 50 MIDI Data Format . . . . . . . . . . . . . . . . . . . . . .53 Input Channel Auto Naming function . . . . . . 11 Input Channel Auto Naming procedure . . . 11 Pan Nominal Position. . . . . . . . . . . . . . . . . . . 13 Pan Nominal Position procedure . . . . . . . . . 13 DCA Unity. . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 DCA Unity procedure . . . . . . . . . . . . . . . . . 14 Scene Link Event . . . . . . . . . . . . . . . . . . . . . . 15 Scene Link Event procedure . . . . . . . . . . . . 15 Selective Recall . . . . . . . . . . . . . . . . . . . . . . . . 18 Extended functionality for Recall Safe. . . . . . 21 Recall Safe is now possible for compressor and gate . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Clear Library . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Extended functionality for the attenuators. . 23 Global Channel Copy . . . . . . . . . . . . . . . . . . . 24 CH COPY screen . . . . . . . . . . . . . . . . . . . . . 24 Using the Global Channel Copy function . . 25 Input Meter Bridge . . . . . . . . . . . . . . . . . . . . 27 FIXED CH mode . . . . . . . . . . . . . . . . . . . . . 28 FOLLOW PANEL mode . . . . . . . . . . . . . . . . 31 Parameter Lock/Console Lock . . . . . . . . . . . . SECURITY screen . . . . . . . . . . . . . . . . . . . . . Setting the System Password/Console Password. . . . . . . . . . . . . . . . . . . . . . . . . . Parameter Lock . . . . . . . . . . . . . . . . . . . . . . Console Lock . . . . . . . . . . . . . . . . . . . . . . . 33 33 Surround panning . . . . . . . . . . . . . . . . . . . . . SURR PRM screen . . . . . . . . . . . . . . . . . . . . Internal settings and operation in surround mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . Making surround pan settings. . . . . . . . . . . Cautions regarding surround pan . . . . . . . . 37 37 34 35 36 40 43 45 Multi-band dynamics processor. . . . . . . . . . . 46 3 PM1D System Software V1.6 Supplementary Manual This supplementary manual explains the functionality that has been added or changed in PM1D system software V1.6. Please use this manual in conjunction with the existing manuals. * In cases where the console (CS1D) display differs from the screen of the PM1D Manager application program, explanations that apply only to the PM1D Manager are distinguished by an indication of [PM1D Manager]. Additions and changes in V1.6 The additions and changes made in PM1D system software V1.6 are summarized below. For details on each function, refer to the corresponding page. ■ Improvements to functions that were added in V1.5 (→p.5) Of the new functions that were added in V1.5, “Panel Assign” and “Unit Name” have been improved. ■ Channel name area added to the EQ CH and LCR screens (→p.8) An area that displays the channel names has been added to the EQ CH screens of the IN EQ function, and to the LCR screen of the PAN/ROUTING. ■ DCA Auto Naming function (→p.9) The DCA [NAME] indicator in the DCA GROUP block can now be made to display the channel names of the two last-assigned channels. ■ Input Channel Auto Naming function (→p.11) You can now make the INPUT block INPUT [NAME] indicator always display the port name. ■ Pan Nominal Position (→p.13) You now have the option of specifying that paired input channels (or ST IN channels) will be at nominal level (0 dB) when panned to far left or right. ■ DCA Unity (→p.14) When cue-monitoring a DCA group, it is now possible to always monitor the unity-level signal regardless of the state of the DCA fader or DCA [MUTE] switch. ■ Scene Link Event (→p.15) You can now cause a pre-programmed string of MIDI events to be output from the desired MIDI OUT connector when a specific scene is recalled. ■ Selective Recall (→p.18) A Selective Recall function has been added, allowing you to specify for each scene, parameters/channels that will be excluded from recall when that scene is recalled. ■ Extended functionality for Recall Safe (→p.21) The Recall Safe function has been extended, resulting in slight changes to the Recall Safe screen, and adding parameters that can be set to Recall Safe. ■ Clear Library (→p.22) A CLEAR button has been added to each library screen, allowing you to erase a library as desired. ■ Extended functionality for the attenuators (→p.23) The functionality of the input channel attenuators has been expanded to allow cut/boost in a range of –96 to +24 dB. ■ Global Channel Copy (→p.24) Now you can choose desired parameters from the currently selected channel, and copy them to multiple channels of the same type in a single operation. ■ Input Meter Bridge (→p.27) The levels of input channels and ST IN channels can now be displayed in the meter bridge. ■ Parameter Lock/Console Lock (→p.33) By specifying a password, the user can prevent certain parameters from being edited until the correct password is input, or prohibit console operations. ■ Surround panning (→p.37) Surround Pan functionality has been added, allowing sounds from an input channel to be placed in a twodimensional space when a multi-channel playback system is used. ■ Multi-band dynamics processor (→p.46) A multi-band dynamics processor that includes an independent compressor for each of three bands has been added as an effect type for the internal effects. ■ File transfer mode (→p.47) Data saved on a computer in which PM1D Manager is installed can now be uploaded to the console, and CS1D settings can be downloaded to the computer. ■ Additional preference items (→p.48) The following items have been added to the UTILITY function PREFERENCE screen. • PROHIBIT DCA ASSIGN ON SELECTED CH BLOCK • SKIP CONFIRMATIONS FOR MIX MINUS SHORTCUT • LIBRARY PROTECTION 4 Improvements to functions that were added in V1.5 Improvements to functions that were added in V1.5 The following improvements have been made to the new functions that were added in V1.5. Panel Assign in the ST IN block In V1.5, a PANEL ASSIGN screen was added to the UTILITY function, allowing the combination of input channels and ST IN channels reflected in the panel to be specified for each individual block. 5 PM1D System Software V1.6 Supplementary Manual However for ST IN channels, the combinations that could be assigned to the panel were limited to the following four possibilities. •The four combinations that were possible in V1.5 ST IN block 2 ST IN block 2 ST IN block 2 ST IN block 2 3 4 1 2 7 8 5 6 1 2 3 4 5 6 7 8 ST IN block 1 ST IN block 1 ST IN block 1 ST IN block 1 This limitation has been removed in V1.6. For example, any two ST IN channels of consecutive number such as ST IN channels 1/2 and 5/6, or 1/2 and 7/8, can be combined freely. Also, if necessary, you may assign combinations of the same ST IN channel to upper and lower ST IN blocks; e.g., ST IN channels 1/2 and 1/2, or ST IN channels 5/6 and 5/6. 6 Improvements to functions that were added in V1.5 Panel display of the unit name In V1.5, the UNIT NAME screen added to the SYS/W.CLOCK function allowed you to assign a name to each port of each input/output unit or card. In addition, if you turned on the UNIT NAME button in the NAME MODE area at the bottom of the screen, the name of the port assigned to that channel would be displayed instead of the short name of the input channel shown in the screen. In V1.6 when you turn on the UNIT NAME button in the NAME MODE area, the INPUT [NAME] indicator in the INPUT block will also show the name of the port assigned to that channel. • INPUT block Port name SEL ON + THR COMP + THR COMP + THR COMP + THR COMP + THR GATE + THR GATE + THR GATE + THR GATE CLIP 6 12 18 30 60 SEL ON CLIP 6 12 18 30 60 SEL ON CLIP 6 12 18 30 60 SEL ON CLIP 6 12 18 30 60 7 PM1D System Software V1.6 Supplementary Manual Channel name area added to the EQ CH and LCR screens An area that displays the channel name of each channel has been added to the EQ CH screens (CH 1-24, CH 25-48, CH 49-72, CH 73-96, ST IN 1-8) of the IN EQ function and to the LCR screen of the PAN/ROUTING function. Channel name area If the CH NAME button located in the NAME MODE area at the bottom of the display is turned on, this area will show the short name of the corresponding channel. • EQ CH screen Short name of the input channel • LCR screen Short name of the input channel When the UNIT NAME button is on, the name of the port assigned to that channel will be displayed. • EQ CH screen • LCR screen Port name of the input channel Short name of the input channel 8 DCA Auto Naming function DCA Auto Naming function Normally, the DCA [NAME] indicator in the DCA GROUP block will display the name assigned to each DCA group. DCA name In V1.6, the channel names of the last-assigned two channels can also be displayed in the DCA [NAME] indicator. (This is called the “DCA auto naming function.”) DCA auto naming procedure The auto naming procedure is as follows. 1. Access the IN PATCH/OUT PATCH function NAME screen. 2 1 3 4 9 PM1D System Software V1.6 Supplementary Manual 2. In the LIST SELECT area (1), move the cursor to the DCA button and press the [ENTER] switch. The name list (2) will show a list of the long names (eight characters) assigned to each DCA group. The Auto Naming function is now enabled for the corresponding DCA group. At this time, the DCA [NAME] indicator will go dark if a channel has not been assigned to the corresponding DCA group. 6. As necessary, perform the same operation for other DCA groups. 7. Assign channels to the DCA groups for which you performed steps 3–6. For example if you assign input channels 1 and then 2 to DCA group 1, the corresponding DCA [NAME] indicator will show the channel names of input channels 1/2. 3. In the name list, move the cursor to the column of the desired DCA group. 4. Make sure that the cursor is located at the first character of the text box (3) at right, and click the DCA AUTO NAMING button of the character palette (4). A highlighted “D” character will be input into the character palette. Channel names If you then add input channel 3 to the same DCA group, the DCA [NAME] indicator will change as follows. Channel names Hint • If a PS/2 keyboard is connected to the CS1D, you can also type Ctrl + D to input the highlighted “D” character. (As a shortcut, you can hold down the Ctrl key and type the first character of the button name in the character palette.) • When you input the highlighted “D,” no further characters can be input into the text box. Also, any previously-input characters will be deleted. • To delete the highlighted “D,” click the CLEAR button. 5. Click the ENTER button at the right of the character palette. A highlighted “D” character will be input in the long name field of the name list. • Be aware that when you use the DCA Auto Naming function, the DCA [NAME] indicator will show the short names of the two last-assigned channels. • A maximum of twelve channels of names will be remembered for a DCA group. If a paired channel is assigned, the lower-numbered channel will be displayed above. • If you remove input channel 3 from DCA group 1 in the example described above, the display will be blank. Hint • If you turn on the UNIT NAME button in the NAME MODE area at the bottom of the screen, the DCA [NAME] indicator will show the name of the port assigned to that channel, instead of showing the short name of the input channel. • If you turn Cue Monitor on for a DCA group for which Auto Naming is enabled, the channel that was last assigned to that DCA group will be selected (its [SEL] key will light). 10 Input Channel Auto Naming function Input Channel Auto Naming function As explained earlier, V1.5 added the capability of displaying the channel name or port name in the INPUT [NAME] indicator of the INPUT block. However if necessary, it is also possible to specify that the patched port name be always displayed as the input channel name for only a specific input channel. This is referred to as the “Input channel auto naming function.” Input Channel Auto Naming procedure The auto naming procedure is as follows. 1. Access the IN PATCH/OUT PATCH function NAME screen. 2 1 3 4 2. In the LIST SELECT area (1), move the cursor to the INPUT button and press the [ENTER] switch. The name list (2) will show a list of the short names (four characters) and long names (eight characters) assigned to each input channel. 3. In the name list, select the desired input channel, and move the cursor to the short name field. 4. Make sure that the cursor is located at the first character of the text box (3) at right, and click the UNIT NAME ASSIGN button of the character palette (4). A highlighted “U” character will be input into the character palette. 11 PM1D System Software V1.6 Supplementary Manual Hint • If a PS/2 keyboard is connected to the CS1D, you can also type Ctrl + U to input the highlighted “U” character. (As a shortcut, you can hold down the Ctrl key and type the first character of the button name in the character palette.) • When you input the highlighted “U,” no further characters can be input into the text box. Also, any previously-input characters will be deleted. • To delete the highlighted “U,” click the CLEAR button. 5. Click the ENTER button at the right of the character palette. A highlighted “U” character will be input in the short name field of the name list. The Auto Naming function is now enabled for the corresponding input channel. Now the port name assigned to the channel will always be displayed in areas of the screen that display the short name of the corresponding channel, and in the corresponding INPUT [NAME] indicator of the panel. Hint It is also possible to select the long name field instead of the short name field in step 3. In this case, the port name will always be displayed in areas of the screen that display the long name of the corresponding channel. 12 Pan Nominal Position Pan Nominal Position Normally if a signal sent from an input channel to the stereo bus is panned to the far-left or far-right position, the level will increase by +3 dB compared to when the signal is panned to the center. This is done so that a constant volume (energy) will be output whether the signal is mono or stereo; however when inputting a stereo source such as a synthesizer or CD player, you may consider this an inconvenience. Thus, V1.6 adds the option of specifying that only paired input channels (or ST IN channels) will be at nominal level (0 dB) when pan is set to far left or right. Pan Nominal Position procedure Use the following procedure to enable this option. 1. Access the PAN/ROUTING function CH to MIX screen. The PAN NOMINAL POSITION field has been added to this screen. 3. Move the cursor to the OK button and press the [ENTER] switch. 4. Enable pairing for the desired channels, and make sure that a mode other than BALANCE is selected as the pan mode. In this state, panning fully left or right will produce a nominal level only for paired input channels and for ST IN channels. • Pan Nominal Position does not affect unpaired monaural input channels. • Even in the case of a paired input channel (or a ST IN channel), this setting has no effect if the pan mode is set to BALANCE. • In the case of L-MONO or R-MONO, this setting has no effect; however in the LR-MONO state, changes in the Pan Nominal Position setting will be valid. • CENTER ......... If this button is on, all input channels and ST IN channels will be at nominal level (0 dB) when panned to the center, and +3 dB when panned fully left or right. (This is the default setting.) • L ⇔ R.............. If this button is on, paired input channels and ST IN channels will be at –3 dB when panned to the center, and at nominal level when panned fully left or right (L63 or R63). • When you change the Pan Nominal Position setting, the MIX SEND PAN of signals being sent to paired MIX buses will also be switched. • The Pan Nominal Position of each input channel can be viewed in the graph in the PAN/ROUTING function LCR screen. Hint By setting Pan Nominal Position to L ⇔ R, you can minimize changes in level that occur when a paired channel is switched between PAN, BALANCE, LMONO, R-MONO, or LR-MONO. 2. Move the cursor to the L ⇔ R button and press the [ENTER] switch. A popup window will ask you to confirm the changed Pan Nominal setting. 13 PM1D System Software V1.6 Supplementary Manual DCA Unity When cue-monitoring a DCA group, it is now possible to always monitor the unity-level signal. In previous versions, even when you pressed the DCA [CUE] switch, you could not monitor the signal of a DCA group whose DCA fader was lowered or whose DCA [MUTE] switch was on. However in V1.6, you have the option of always monitoring the DCA group at unity level (the level equivalent to setting the DCA fader at 0 dB). DCA Unity procedure To use this option, access the MONI/CUE function CUE/SOLO screen, and turn on the DCA UNITY ON/OFF button that has been added to the DCA area. DCA UNITY ON/OFF button If this button is on, pressing the DCA [CUE] button allows you to monitor that DCA group at unity level, regardless of the current position of the DCA fader or the on/off state of the DCA [MUTE] switch. Hint • The setting of the DCA UNITY ON/OFF button does not affect the individual channels included in the DCA groups. • If the fader of a channel included in the DCA group is lowered or if its [ON] switch is turned off, you will not be able to monitor that channel via the DCA group. 14 Scene Link Event Scene Link Event You can now cause a string of MIDI events to be output from the desired MIDI OUT connector when a specific scene is recalled. (This is called the “Scene Link Event” function.) By using this function to pre-program MIDI events for each scene, you can modify the internal settings of an external device when that scene is recalled, or automatically start the transport of an external device. Scene Link Event procedure Here’s how to program MIDI events for each scene. 1. Access the SCENE function MEMORY screen. 2. In the list, click the row for the desired scene to select it. STORE button You cannot program MIDI events for a READ ONLY scene or a protected scene. 3. Click the STORE button in the lower left of the screen. The SCENE STORE popup window will appear, allowing you to assign a title or comment and store the scene. 15 PM1D System Software V1.6 Supplementary Manual 4. Click the COMMENT/MIDI EVENT field to select it. The EVENT CODE SET button will appear at the lower left of the character palette. COMMENT/MIDI EVENT field 5. Click the EVENT CODE SET button. The characters in the COMMENT/MIDI EVENT field will be erased, and a highlighted “M” character will be input in their place. Also, the characters in the character palette will be grayed-out except for 1, 2, and E, and will be unavailable for input. Hint • If a PS/2 keyboard is connected to the CS1D, you can also type Ctrl + E to input the highlighted “M” character. (As a shortcut, you can hold down the Ctrl key and type the first character of the button name in the character palette.) • To erase the highlighted “M,” click the CLEAR button. 6. Click either 1, 2, or E in the character palette to select the MIDI OUT connector from which the MIDI event will be output. The numerals or “E” character correspond to the following MIDI OUT connectors. • 1....................... MIDI OUT connector of console 1 • 2....................... MIDI OUT connector of console 2 (if using Dual Console mode) • E ...................... MIDI OUT connector of the engine 16 The highlighted numeral or “E” character will be added to the COMMENT/MIDI EVENT field. Also, characters in the characters palette other than 0–9 and A–F will be grayed-out, and will be unavailable for input. 7. Use the 0–9 and A–F characters of the character palette to directly input the MIDI event in hexadecimal format. Two hexadecimal characters correspond to one byte of the MIDI message. 8. When you have finished inputting the MIDI event, click the AUTO STORE button or the MANUAL STORE button. The MIDI event you input will be stored in the scene. You can check the contents of the MIDI event by scrolling to the right edge of the scene list in the MEMORY screen. When you recall this scene, the MIDI event will be transmitted from the specified MIDI OUT connector. • The PM1D system is in no way aware whether the MIDI message you input is a valid one. Please use care when inputting the message. • You can input a maximum of 32 bytes into the COMMENT/MIDI EVENT field, calculated as follows. Since a total of two bytes are used by the highlighted “M” and the character that specifies the output destination, you can input a maximum of 30 bytes of MIDI data here. [Calculation method] • • • • • • One comment character .....................1 byte Highlighted “M”..................................1 byte Highlighted “1”....................................1 byte Highlighted “2”....................................1 byte Highlighted “E” ...................................1 byte Two characters of the MIDI message .1 byte Scene Link Event • It is possible to input two or more messages, as long as the total stays within 32 bytes. However you should be aware that, depending on the type of message, the receiving device may not be able to process MIDI events received in immediate succession. • If you input more than 32 bytes, a warning of “LENGTH OVER!” will be displayed, and you will not be able to press the STORE button. Delete characters until the warning is no longer displayed. • You cannot input “FE” (Active Sensing) as a MIDI code. • While inputting the MIDI event, you can click the EVENT CODE SET button and insert the event that specifies the output destination. This lets you output events to different MIDI OUT connectors. • ƒEven if you recall a scene for which a fade time is set, the MIDI event will be transmitted immediately after the scene is recalled. 17 PM1D System Software V1.6 Supplementary Manual Selective Recall In V1.6 you can restrict the parameters/channels that will be recalled when a specific scene is recalled, or conversely specify parameters/channels that will be excluded from the recall operation for a specific scene. (This function is called “Selective Recall.”) In previous versions, you could use a function called Recall Safe to select channels/parameters that would be excluded from recall operations. These Recall Safe settings are global, and are common to all scenes. (Channels/parameters excluded from a recall operation do not change when any scene is recalled.) In contrast, the Selective Recall function lets you store – for each scene – a combination of parameters/channels that will be recalled, or conversely a combination of parameters/channels that will be excluded from the recall operation. This lets you create partial scene images for store/recall, using them in a way similar to libraries. So that you can universally enable/disable the Selective Recall function settings saved in each scene, a BYPASS button has been added to the MEMORY screen SELECTIVE RECALL FUNCTION area. V1.6 adds a SELECTIVE RECALL screen to the SCENE function, allowing you to make Selective Recall settings. 1 SELECTION MODE Use the following two buttons to select how you want to use the SELECTIVE RECALL screen. 1 • RECALL PARAMETER button If this button is on, you can use the buttons in the screen to select the channels/parameters that will be affected by a recall operation. • SAFE PARAMETER button If this button is on, you can use the buttons in the screen to select the channels/parameters that will be excluded from a recall operation. 18 Selective Recall Hint Each time you switch between the RECALL PARAMETER button and the SAFE PARAMETER button, the settings in the screen will be initialized as follows. • When you switch to the RECALL PARAMETER button, all channels will be set to RECALL ON/ OFF button = On and RECALL PARAMETER SELECT = ALL. • When you switch to the SAFE PARAMETER button, all channels will be set to SAFE ON/OFF button = Off and SAFE PARAMETER SELECT = ALL. 2 3 4 RECALL PARAMETER SELECT button SAFE PARAMETER SELECT button This button selects the parameter that will be affected. The function of this button will change depending on the button you select in the SELECTION MODE area (1). • If RECALL PARAMETER is on This button will function as the RECALL PARAMETER SELECT button to specify parameters that will be affected by recall operations. • If SAFE PARAMETER is on This button will function as the SAFE ON/OFF button to specify parameters that will be excluded from recall operations. The types of parameters for which this function can be set are the same as in the SCENE function RECALL SAFE screen, with the exception that you cannot specify UNIT (a unit patched to an input channel) as an input channel. 2 ENABLE/DISABLE button This button enables (button indicates ENABLE) or disables (button indicates DISABLE) the Selective Recall function individually for each scene. 3 RECALL ON/OFF button SAFE ON/OFF button This button selects the channel that will be affected. The function of this button will change depending on the mode you select in the SELECTION MODE area (1). • If RECALL PARAMETER is on This button will function as the SAFE ON/OFF button to specify channels that will be affected by recall operations. • If SAFE PARAMETER is on This button will function as the SAFE ON/OFF button to specify channels that will be excluded from recall operations. The input channels/output channels for which this function can be set are the same as in the SCENE function RECALL SAFE screen. 5 6 5 SET ALL If you click this button, all corresponding parameter buttons will be turned on. 6 CLEAR ALL If you click this button, all corresponding parameter buttons will be turned off. 7 4 7 OTHERS Use these buttons to select parameters other than the above. The function of these buttons will change depending on the button that is selected in the SELECTION MODE area (1). • If RECALL PARAMETER is on These buttons select the parameters that will be affected by recall operations. 19 PM1D System Software V1.6 Supplementary Manual • If SAFE PARAMETER is on These buttons select the parameters that will be excluded from recall operations. The parameters that can be selected are the same as in the SCENE function RECALL SAFE screen, with the exception that there is no MUTE MASTER (on/ off for all mute groups). In the case of parameters for which there is only one parameter for two adjacent odd-numbered/evennumbered channels (such as the parameters listed below), the parameter will be excluded from the recall operation only if both channels are specified for selective recall. • HA GAIN GANG • HA A/B LINK • GATE LINK • COMP LINK • DELAY GANG • PAN MODE • GEQ LINK Hint All of the Selective Recall settings will be linked for two paired channels, ST IN channels, or STEREO A/ B channels. • Recall Safe and Selective Recall may be used together. Channels/parameters that are set to Recall Safe, or channels/parameters for which the Selective Recall settings of the scene being recalled exclude them from recall operations, will not be recalled. • If a scene is recalled in PREVIEW mode, Selective Recall has no effect. • If, when a scene is recalled, a conflict in pairing settings occurs between Recall Safe and Selective Recall, that pairing will be forcibly defeated. (The channel that is excluded from the recall will maintain all its parameters in the state prior to recall.) • However if two channels are paired in the current scene, and only one of these channels is set to Safe by the Selective Recall settings of the scene you are recalling, recalling that scene will cause both channels to be Safe, and the state prior to recall will be maintained. • If MIX channels set to Selective Recall have differing mix types (VARI or FIX) before and after recall, the mix type before recall will apply. 20 • If you set the SELECTIVE RECALL ENABLE/ DISABLE button to ENABLE, and store a scene in which all channels/all parameters are excluded from recall operations, no parameters will change when you next recall that scene. In such cases, you can temporarily disable Selective Recall by turning on the BYPASS button in the SELECTIVE RECALL FUNCTION area of the SCENE function MEMORY screen, so that you will be able to recall the previous scene. • If you later want to make changes to the combination of channels/parameters that were set to Selective Recall, access the SCENE function MEMORY screen, and in the SELECTIVE RECALL FUNCTION area, turn the BYPASS switch on before you recall that scene. Alternatively, you can recall the scene in PREVIEW mode. Then use the SELECTIVE RECALL screen to edit the combination of channels/parameters, and store the scene again into the same scene number. • If you recall a scene in which the RECALL PARAMETER button = On and the ENABLE/ DISABLE button = ENABLE, parameters applying to the entire scene (such as fade time ENABLE/DISABLE and TIME parameters, and Pan Nominal Position) will not be recalled. Extended functionality for Recall Safe Extended functionality for Recall Safe The Recall Safe function of prior versions has been extended as follows. Recall Safe is now possible for compressor and gate Compressor and gate have been added to the parameters for which you can make Recall Safe settings. Accordingly, the SCENE function RECALL SAFE screen has been redesigned as follows. 21 PM1D System Software V1.6 Supplementary Manual Clear Library A CLEAR button has been added to each library screen, allowing you to erase a library as desired. CLEAR button In previous versions, a library that was once stored could not be erased except by overwriting onto it. However in V1.6, you can select a library in the list that you want to erase, and then click the CLEAR button to erase the library, returning it to a blank state. If the FOLLOW SCENE button of the LIBRARY PROTECTION area (added to the PREFERENCE screen from V1.6) is turned on (→p.48), libraries that are linked to a scene cannot be erased. (If you attempt to recall, a warning message will appear.) If this preference item is off, a library can be erased even if it linked to a scene. However in this case, the library number linked to the scene will be remembered even if that library is now blank; when that scene is recalled, nothing will be recalled to blank library items. 22 Extended functionality for the attenuators Extended functionality for the attenuators The functionality of the input channel attenuators has been expanded to allow cut/boost in a range of –96 to +24 dB. In previous versions, leaving a large margin in the analog domain for an input channel sometimes caused a situation in which sufficient input level could not be obtained even with the fader raised all the way. In V1.6, this problem has been addressed by providing up to +24 dB of boost in the digital domain. In order to let you rapidly set the attenuator for each input channel, a dedicated ATT screen for setting the attenuators has been added to the INPUT EQ function. In conjunction with this change, the [ATTENUATOR] encoder display in the SELECTED INPUT CHANNEL has been changed as follows. • Range of –96 dB to 0 dB Same display method as previous. • Range of +1 dB to +24 dB The 0 dB LED will remain lit, and the LEDs at the –96 dB side will light consecutively. ATTENUATOR ATTENUATOR In the MIDI CTRL CHANGE screen (MIDI/GPI/ TC function), the variable range of the [INPUT CH ATT] parameter that can be assigned to a control change has also been extended to the range shown above. Please note that this is not compatible with the control change values in V1.5 and earlier. 23 PM1D System Software V1.6 Supplementary Manual Global Channel Copy Now you can choose desired parameters from the currently selected channel, and copy them to multiple channels of the same type in a single operation. This function is called “Global Channel Copy.” CH COPY screen To allow you to use the Global Channel Copy function, a CH COPY screen has been added to the IN CH VIEW function and to the OUT CH VIEW function. 2 3 5 6 2 3 5 6 1 1 4 24 Global Channel Copy 1 SEL (select the copy-source channel) Selects the copy-source channel. The procedure is the same as for the identically-named button in CH VIEW. 2 Channel number/name Displays the number and short name (or unit name) of the copy-source channel. 3 Pair setting Indicates the pairing status of the channel that is selected as the copy-source. You can also click this button to enable/disable pairing. 4 WITHOUT MIX SEND/WITH MIX SEND button (only in the OUT CH VIEW function CH COPY screen) When a MIX channel is selected as the copy-source, this button selects whether the send levels of the signals sent from each input channel to that MIX bus will be copied. These two buttons are valid only if the PARAMETER SELECT: ALL button is on. 5 PARAMETER SELECT Selects the parameter to be copied. 6 DESTINATION CH SELECT (select the copy-destination channels) Selects the copy-destination channels. Buttons corresponding to the copy-source channel and buttons for channels of types differing from the copy-source channel will be grayed-out, and cannot be selected. Using the Global Channel Copy function 1. Access the CH COPY screen of the IN CH VIEW or OUT CH VIEW function. 2. Press a [SEL] switch to select the desired copysource input channel or output channel. Alternatively, you can select the copy-source by clicking a SEL button in the screen to access the CHANNEL SELECT popup window. If you change the copy-source, all settings in the PARAMETER SELECT area and the DESTINATION CH SELECT area will be cancelled. 3. Use the buttons in the PARAMETER SELECT area to select the parameters that you want to copy. The following parameters can be selected. • IN CH VIEW function CH COPY screen • ON ...................[ON] switch on/off status • PAN/BAL.........Pan/balance setting • INSERT ...........Insert on/off and insert position • SEND...............Send level to the specified MIX bus(es) • DCA.................DCA groups to which the channel belongs • MUTE..............Mute groups to which the channel belongs • LCR..................Settings of the LCR screen • NAME..............Name of the input channel Hint • If the SEND button is on, use the MIX area at the right to select the send-destination MIX bus(es). (You may select more than one.) • If you click the ALL button, all parameters except for NAME will be selected. At this time, all MIX buses will be selected for the SEND parameter. • • • • • • • ALL.................. All parameters except for NAME ATT ................. Attenuator EQ ................... EQ function settings GATE............... GATE function settings COMP............. COMP function settings DELAY ............ DELAY function settings FADER ............ Fader level 25 PM1D System Software V1.6 Supplementary Manual • OUT CH VIEW function CH COPY screen • WITHOUT MIX SEND button If this button is on, the send level of signals sent from each input channel to the corresponding MIX bus will not be copied. • WITH MIX SEND button If this button is on, the send level of signals sent from each input channel to the corresponding MIX bus will be copied as well. Since not only the settings of the MIX channel but also the send levels from the input channels to the MIX bus will be copied completely, this is convenient when you want to change the MIX bus you are using. 4. In the DESTINATION CH SELECT area, select the copy-destination channel(s). • ALL.................. All parameters except for NAME • EQ ................... EQ function settings • COMP............. COMP function settings • • • • • • • • • • DELAY ............ DELAY function settings FADER ............ Fader level ON................... [ON] switch on/off status BAL ................. Balance setting (valid only for STEREO A/B channels or paired MIX/ MATRIX channels) INSERT........... Insert on/off and insert position TO MTRX....... Send level to the specified MATRIX buses (valid only for STEREO A/B channels or MIX channels) DCA ................ DCA groups to which the channel belongs MUTE ............. Mute groups to which the channel belongs LCR ................. Settings of the LCR screen NAME ............. Name of the output channel Hint • If a MIX channel or STEREO A/B channel is selected and the TO MTRX button is turned on, use the MATRIX area at the right to select the destination MATRIX bus(es). • If you click the ALL button, all parameters except for NAME will be selected. At this time, all MIX buses will be selected for the TO MTRX parameter. Only if you select a MIX channel in the OUT CH VIEW function CH COPY screen, and turn on the ALL button, will you also be able to choose whether send levels for signals sent from input channels to the MIX bus will be copied as well. To make this setting, use the following two buttons located at the left of the ALL button. 26 Buttons for the copy-source channel and for channels of a type differing from the copy-source channel will be grayed-out, and cannot be selected. However as an exception, it is possible to copy between two paired input channels and a ST IN channel. Hint By clicking the SET ALL button you can select all items. By clicking the CLEAR ALL button you can de-select all items. 5. To execute the copy, click the COPY→ button located in the center of the screen. Input Meter Bridge Input Meter Bridge The meter bridge can now display the levels of input channels and ST IN channels. The display can be switched from within the screen or from the panel. A METER BRIDGE area has been added to all screens of the METER function, allowing you to switch the meter bridge display. (However, the MIX 1-48 screen and MATRIX 1-24/ST/MONITOR screen do not show the FIXED CH button and FOLLOW PANEL button explained below.) • CH 1-48/STIN 1-4 screen • MATRIX 1-24/ST/MONITOR screen 27 PM1D System Software V1.6 Supplementary Manual In the CH 1-48/STIN 1-4 screen or the CH 49-96/STIN 5-8 screen, use the buttons of the METER BRIDGE area to select the mode by which the meter bridge will display the input channel levels. You can choose FIXED CH mode or FOLLOW PANEL mode. The display in the METER BRIDGE area and the operation of the meter bridge will change as follows, according to the mode you choose. PM1D Manager is not able to display input channel levels in the meter bridge. However, the PEAK HOLD button of PM1D Manager will change to “IN PEAK HOLD” or “OUT PEAK HOLD” just as in the CS1D screen. FIXED CH mode When the FIXED CH button is on, the combination of input channels displayed in the meter bridge will always be fixed. • Horizontal pairing mode • Vertical pairing mode FIXED CH button is on FIXED CH button is on Selectable combination Selectable combination Use the following buttons to select the combination that is displayed. • button (Selectable only if the FIXED CH button is on) When this button is on, the meters will always display the levels of input channels 1–48 (if Vertical pairing mode is selected, channels 1, 49, 2, 50…24, 72) regardless of the currently selected panel assignment or layer. Horizontal pairing mode Input channels 1–24 Input channels 25–48 [Meter bridge] Vertical pairing mode Input channel 1 2 49 50 ········ 12 ········ 60 13 14 61 62 ········ 24 ········ 72 [Meter bridge] At this time, the MIX/MATRIX bus number LED located at the bottom of the meter bridge will go dark. In the METER section, the METER SELECT [MIX 25-48] switch will blink, and the [MATRIX 1-24] switch will go dark. 28 Input Meter Bridge You can also hold down the top panel [SHIFT] switch and press the METER section METER SELECT [MIX 25-48] switch to make the meter bridge show the input levels of the input channels. In this case as well, only the METER SELECT [MIX 2548] switch will blink, and the above button will automatically be turned on. • SHIFT + button (Selectable only if the FIXED CH button is on. Displayed as 25- in Vertical pairing mode.) When this button is on, the meters will always display the levels of input channels 49–96 (if Vertical pairing mode is selected, channels 25, 73, 26, 74…48, 96) regardless of the currently selected panel assignment or layer. Horizontal pairing mode Input channels 49–72 Input channels 73–96 [Meter bridge] Vertical pairing mode Input channel 25 26 73 74 ········ 36 ········ 84 37 38 85 86 ········ 48 ········ 96 [Meter bridge] At this time, the MIX/MATRIX bus number LED located at the bottom of the meter bridge will go dark. In the METER section, the METER SELECT [MIX 25-48] switch will go dark, and the [MATRIX 1-24] switch will blink. You can also hold down the top panel [SHIFT] switch and press the METER section METER SHIFT SELECT [MATRIX 1-24] switch to make the meter bridge show the input levels of the input channels. In this case as well, only the METER SELECT [MATRIX 1-24] switch will blink, and the above button will automatically be turned on. + 29 PM1D System Software V1.6 Supplementary Manual • button When this button is on, the twenty-four meters at the right of center will display the levels of ST IN 1–8 in the locations shown in the following diagram. While this button is on, the ST IN 1–8 levels will always be displayed in the same location, even in FOLLOW PANEL mode. ST IN 1L, 1R - 4L, 4R Off ST IN 5L, 5R - 8L, 8R Off Off [Meter bridge] At this time, the MIX/MATRIX bus number LED located at the bottom of the meter bridge will go dark. In the METER section, the METER SELECT [MIX 25-48] switch and [MATRIX 1-24] switch will both blink. By holding down the top panel [SHIFT] switch and simultaneously pressing the METER SELECT [MIX SHIFT 25-48] switch and [MATRIX 1-24] switch in the METER section, you can also make the meter bridge display the ST IN channel input levels. In this case, the METER SELECT [MIX 25-48] switch and [MATRIX 1-24] switch will simultaneously blink, and the above-mentioned button will automatically turn on. + • button When this button is on, the forty-eight meters at left and right will display the output levels of MIX channels 1–48. This button is linked with the METER section METER SELECT [MIX 25-48] switch. MIX channels 1–24 MIX channels 25–48 [Meter bridge] At this time, the MIX/MATRIX bus number LED located at the bottom of the meter bridge will light. In the METER section, the METER SELECT [MIX 25-48] switch will light, and the [MATRIX 1-24] switch will go dark. • button When this button is on, the output levels of MIX channels 1–24 will be displayed at the left of center, and the output levels of MATRIX channels 1–24 will be displayed at the right of center. This button is linked with the METER section METER SELECT [MIX 25-48] switch. MIX channels 1–24 MATRIX channels 1–24 [Meter bridge] At this time, the MIX/MATRIX bus number LED located at the bottom of the meter bridge will light. In the METER section, the METER SELECT [MIX 25-48] switch will go dark, and the [MATRIX 1-24] switch will light. 30 Input Meter Bridge FOLLOW PANEL mode When the FOLLOW PANEL button is on, the combination of input channels displayed in the meter bridge will vary depending on the type of input channels that are currently assigned to the INPUT blocks. FOLLOW PANEL button is on Selectable combination Use the following buttons to select the combination that will be displayed. • button (Selectable only when the FOLLOW PANEL button is on) When this button is on, the forty-eight meters at left and right will display the input levels of the input channels currently assigned to INPUT blocks 1–4. INPUT block 1 INPUT block 2 INPUT block 3 INPUT block 4 [Meter bridge] INPUT block 2 INPUT block 4 INPUT block 1 INPUT block 3 At this time, the MIX/MATRIX bus number LED located at the bottom of the meter bridge will go dark. In the METER section, the METER SELECT [MIX 25-48] switch will blink, and the [MATRIX 1-24] switch will go dark. 31 PM1D System Software V1.6 Supplementary Manual You can also hold down the top panel [SHIFT] switch and press the METER section METER SELECT [MIX 25-48] switch or [MATRIX 1-24] switch to make the meter bridge show the input levels of the input channels. In this case as well, only the METER SELECT [MIX 25-48] switch will blink, and the above button will automatically be turned on. SHIFT + or SHIFT + At this time, the MIX/MATRIX bus number LED in the lower part of the meter bridge will go dark. • button The same display will appear as when the ST IN button is turned on in FIXED CH mode. • button The same display will appear as when the MIX button is turned on in FIXED CH mode. • button The same display will appear as when the MATRIX button is turned on in FIXED CH mode. While the meter bridge shows the input channel or ST IN channel levels, the panel switches in the METER section will operate differently, as follows. • The METER [PRE] switch cannot be operated. However if PRE ATT/PRE GATE / PRE FADER is selected as the metering point, the METER [PRE] switch LED will blink. • While the METER screen IN PEAK HOLD button is on, the METER [PEAK HOLD] switch LED will blink. 32 Parameter Lock/Console Lock Parameter Lock/Console Lock In V1.6, the user can specify a password, and disable changes in specified parameters (Parameter Lock) or prohibit console operations (Console Lock) until the correct password is input. This function is a convenient way to prevent an unauthorized third party from tampering with the console while the engineer is resting. There are two types of password; a “system password” that is common to the entire system, and a “console password” that can be set for the individual console. These two may be set individually. Specifying the system password allows you to use the Parameter Lock and Console Lock functions. Specifying the console password allows you to use only the Console Lock function. SECURITY screen A SECURITY screen has been added to the UTILITY function, allowing you to input passwords and enable or defeat Parameter Lock or Console Lock. 1 2 3 1 SYSTEM PASSWORD This specifies the password for the entire system. When using DUAL CONSOLE mode, the system password is common to both consoles. 2 PARAMETER LOCK When you turn this button on, the parameters selected in the LOCK PARAMETER SELECT area (4) will be locked. If not even one parameter has been selected, this button will be grayed-out, and cannot be turned on. 3 CONSOLE LOCK This button locks the console. You must input the System Password in order to use this button to enable/defeat Console Lock. 33 PM1D System Software V1.6 Supplementary Manual 5 4 4 LOCK PARAMETER SELECT If the PARAMETER LOCK button is on, this area lets you select the parameter(s) for which change will be disabled. (You may select more than one parameter.) 6 5 CONSOLE PASSWORD This specifies the password for the individual console. When using DUAL CONSOLE mode, this password can be specified individually for each console. 6 CONSOLE LOCK This button locks the console. You must input the Console Password in order to use this button to enable/disable Console Lock. Setting the System Password/Console Password Here’s how to set the password required for the Parameter Lock or Console Lock functions. 1. Access the UTILITY function SECURITY screen. 2. To set the System Password, click the SYSTEM PASSWORD button. To set the Console Password, click the CONSOLE PASSWORD button. The NEW PASSWORD popup window will appear. 4. Click the CONFIRM PASSWORD field to move the cursor there, and input the same password once again for confirmation. Hint • If you want to change an existing password, input the current password into the AUTHORIZATION popup window that appears when you click SYSTEM PASSWORD , and then execute steps 2–5. • If you want to remove the password, input the current password into the AUTHORIZATION popup window that appears when you click SYSTEM PASSWORD , then execute steps 2–5 with NEW PASSWORD and CONFIRM PASSWORD left blank, and click the OK button. 3. Make sure that the cursor is located at the NEW PASSWORD field, and use the character palette to input a password of up to eight characters. All characters of the character palette except for SPACE may be used in the password. Uppercase and lowercase characters are not distinguished. (The SHIFT LOCK button in the text palette will remain on.) The characters you input will be displayed as “*” (asterisks). 34 While the NEW PASSWORD or AUTHORIZATION popup windows are displayed, the COPY, PASTE, SPACE, INS, ←, and → buttons of the character palette cannot be used. Also, the DEL button will have the same function as the Backspace key of the keyboard. Parameter Lock/Console Lock 5. Click the OK button. The popup window will close, you will return to the previous screen, and the new password will take effect. • If the passwords you input in the NEW PASSWORD field and CONFIRM PASSWORD field are different, a warning message will be displayed, and the password will not be changed. • Please be aware that if you forget the system password, the only way to unlock the system is to initialize the memory. • The system password is remembered even if the console is powered-off. Parameter Lock 1. In the LOCK PARAMETER SELECT area, select the parameter(s) for which you want to disable operation. (You may select more than one.) The following parameters correspond to each button. • SYSTEM CONFIGURATION Changing the operation mode of the console/engine, changing the cascade mode • WORD CLOCK SETUP Changing the word clock setting • UNIT OUT/ST OUT DITHER Changing the dither-related settings of output units and stereo output • INPUT PATCH.............. Changing the input patch settings • OUTPUT PATCH.......... Changing the output patch settings • INPUT CH ON/OFF..... Switching input channels on/off • OUTPUT CH ON/OFF. Switching output channels on/off • MIX TO ST ON/OFF .... Operating the MIX [TO ST] switch of a MIX channel • DCA MUTE ON............ Turning on the DCA [MUTE] switch Hint The DCA MUTE ON item only prohibits turning the DCA [MUTE] switch from off to on. Even if this item is selected, it will be possible to switch the DCA [MUTE] switch from on to off. 2. Click the PARAMETER LOCK button. The AUTHORIZATION popup window will appear, asking you to input the password. Even if parameters are locked, recalling a scene will generally disable the lock, and the settings will be overwritten by the recalled content. However, the following exceptions apply. • If a scene is recalled while input patch/output patch is locked, the patch settings will not change. • If a scene is recalled while dither settings are locked, the unit dither settings will not be recalled. • If a unit library or scene with different unit assignments is recalled, the unit/patch settings will be overwritten by the recalled content regardless of the parameter lock setting. • When you undo a scene recall, the input patch, output patch, and dither settings will be undone regardless of the parameter lock setting. • In PREVIEW mode, parameter lock applies only to the current scene. Even the locked parameters can be operated freely for a recalled scene. • Since settings of the SYSTEM CONFIGURATION and WORD CLOCK screens are not part of a scene, they will be locked even in PREVIEW mode. 4. To defeat Parameter Lock, access the UTILITY function SECURITY screen, and click the PARAMETER LOCK button. The AUTHORIZATION popup window will appear, asking you to input the password. 5. Input the password and click the OK button. Parameter Lock will be defeated. • If you lock parameters when using Dual Console mode, Parameter Lock will apply to both consoles. • If two engines are cascade-connected, and you lock parameters on one system, the other system will not be affected. • If you forget the system password, you will need to initialize the memory. (Refer to “CS1D Reference Manual (Software),” p.194) 3. Input the password and click the OK button. The PARAMETER LOCK button will turn on, and a message of “SOME PARAMETERS WERE LOCKED” will appear at the bottom of the screen. If in this state, you attempt to modify locked parameters in the screen or on the panel, a warning message will appear. (If you are using DUAL CONSOLE mode, the message will appear only on the console that was operated.) 35 PM1D System Software V1.6 Supplementary Manual Console Lock There are two ways to set/defeat Console Lock; by using the System Password or by using the Console Password. The two methods are the same in that you are disabling/enabling operations on the currently-operated console. However while the console password will be reset when you turn power off and on again, the system password will not be reset until you initialize the memory. Console Lock will be defeated when the power of the console is turned off and then on again. 1. Access the UTILITY function SECURITY screen. 2. Click the CONSOLE LOCK button. If you want to use the system password, click the CONSOLE LOCK button in the SYSTEM PASSWORD area. If you want to use the console password, click the CONSOLE LOCK button in the CONSOLE PASSWORD area. The corresponding AUTHORIZATION popup window will appear, asking you to input the password. Be aware that the cursor keys or ENTER key of the panel cannot be used to defeat Console Lock. Hint While the console is locked, all display components of the panel will go dark except for the meter bridge. Also, operating any of the controls except for the track pad will have no effect. When lock is defeated, the faders will return to the positions in which they were prior to being locked. If you are using Dual Console mode, operations on an unlocked console are valid even if one console is locked. 4. To defeat Console Lock, operate the track pad, external mouse, or external keyboard. The AUTHORIZATION popup window will appear, asking you to input the password. 5. Input the appropriate password and click the OK button. If the password is correct, the popup window will close and the normal screen will reappear. 3. Input the appropriate password and click the OK button. The following screen will appear, and the faders, controls, and keys of the console will no longer be operable. 36 Surround panning Surround panning Surround panning between multiple output channels is now possible; something that could not be done using the LR PAN of previous versions. To move the sound image, you can use the track pad, mouse, CURSOR [√]/[®]/[▲]/[▼] switches, panel encoders, or MIDI control change messages. SURR PRM screen A SURR PRM screen has been added to the PAN/ROUTING function, allowing you to set surround parameters and perform surround panning operations. 2 Channel number/name Indicates the number and short name (or unit name) of the channel. 2 1 3 1 SEL (channel select) Selects the input channel/ST IN channel for which you will perform surround panning. In the SURR PRM screen you can set surround parameters in units of two channels. 3 Pairing Indicates the pairing status of the selected channels. You can click this button to set/defeat pairing. Even if input channels are paired, surround parameters are not linked except for the on/off setting of the sends to each mix channel (MIX 17–24). 37 PM1D System Software V1.6 Supplementary Manual • 5.1ch This mode uses six channels; L (front left), C (front center), R (front right), Ls (rear left), Rs (rear right), and LFE (subwoofer). 4 LFE (subwoofer) 4 PATTERN LINK buttons Specify whether movements of the sound image will be linked for the two channels shown in the screen. If you want them to be linked, use the √ button and ® button to select one of the eight link patterns. 5 L (front left) C (front center) 6 Ls (rear left) 5 Surround mode select buttons Select one of the following three surround modes. • 3-1ch This mode uses four channels; L (front left), C (front center), R (front right), and S (surround). L (front left) R (front right) C (front center) S (surround) Rs (rear right) • 6.1ch This mode uses seven channels; the channels of 5.1ch and a Bs (rear center) channel. LFE (subwoofer) L (front left) C (front center) R (front right) Ls (rear left) Bs (rear center) Rs (rear right) R (front right) 6 Level meters These meters indicate the master level of the surround buses. Be aware that the level meters in the SURR PRM screen show the final levels of the surround buses; they do not show the send levels that are being sent from the input channel to the surround bus. 38 Surround panning • If surround mode = 6.1ch 7 7 DIVERGENCE These parameters specify the balance (0–100) at which a signal panned to the center will be sent to the center buses (C, S, Bs) and the left/right buses (L, R, Ls, Rs). With a setting of 0, the signal will be sent only to the left/right buses. With a setting of 100, the signal will be sent only to the center buses. With a setting of 50, the same level will be sent to the left/ right buses and the center buses. If 6.1ch is selected as the surround mode, the screen will show an F knob that adjusts the front divergence, an R knob that adjusts the rear divergence, and a LINK button between them. The LINK button links the front and rear divergence. If you switch this button on, the value of the F knob will be copied to the R knob, and the F knob and R knob values will be linked. If 3-1ch or 5.1ch are selected as the surround mode, the screen will show only a knob that adjusts the front divergence. • If surround mode = 3-1ch or 5.1ch 9 0 A 9 Surround pan grid Adjusts the surround panning centered on the listening point. The current position is shown by the symbol. 0 Panning buttons These buttons correspond to the surround buses. If you move the cursor to a button and press the [ENTER] switch, the panning will move to that position. A Surround bus ON/OFF buttons The signal sent from the input channel to each surround bus can be switched on/off using these buttons. 8 8 LFE (Low Frequency Effects) knob Adjusts the output level of the signal sent from the input channel to the LFE (Low Frequency Effects) bus for the subwoofer. The signal sent from the input channel to the LFE bus can be switched on/off by the ON/OFF button. This knob and button will appear only if the surround mode is 5.1ch or 6.1ch. 39 PM1D System Software V1.6 Supplementary Manual Internal settings and operation in surround mode When either 3-1ch, 5.1ch, or 6.1ch is selected as the surround mode in the SURR PRM screen, the internal settings and operation of the PM1D system will change as follows. ■ Surround buses MIX buses 17–24 will be switched to operate as dedicated surround buses. The following surround channels will be assigned to MIX buses 17–24 according to the currently selected surround mode. • Surround channel output destination Surround mode MIX bus 17 3-1ch 5.1ch 6.1ch MIX bus 18 MIX bus 19 MIX bus 20 MIX bus 21 MIX bus 22 MIX bus 23 MIX bus 24 — — — — L R C S Front left Front right Front center Surround — L R C Front left Front right Front center L R C Front left Front right Front center Ls Rs LFE Rear left Rear right Subwoofer Bs Ls Rs Rear center Rear left Rear right For example if 6.1ch is selected as the surround mode, the surround panning signal flow will be as follows. MIX 17 (L) MIX 18 (R) MIX 19 (C) MIX 20 (Bs) MIX 21 (Ls) MIX 22 (Rs) MIX 23 MIX 24 (LFE) • Signal flow when surround mode = 6.1ch INPUT CHANNEL 1 SURROUND PAN LFE LEVEL INPUT CHANNEL 2 SURROUND PAN ••••• LFE LEVEL 40 — LFE Subwoofer Surround panning ■ SELECTED INPUT CHANNEL block In the SELECTED INPUT CHANNEL block MIX SEND section, the illumination of MIX SEND [NAME] indicators 17– 24 and the movement of MIX SEND [LEVEL/PAN] encoders 17–24 will change as follows, according to the currently selected surround mode. PAIR 2 1 PAIR 4 3 PAIR 5 1 L< >R This encoder functions as a controller that moves the surround pan of the currently selected channel between left and right. 2 FDIV This encoder functions as a controller that controls the front divergence of the currently selected channel. Turning the encoder toward the right increases the value. This is linked with the knob displayed in the SURR PRM screen DIVERGENCE area (if the surround mode = 6.1ch, this will be the F knob). 3 R< >F This encoder functions as a controller that moves the position of the currently selected channel between front and rear. 4 RDIV (6.1ch only) This encoder functions as a controller that controls the rear divergence of the currently selected channel. Turning the encoder toward the right increases the value. If the surround mode is 6.1ch, this is linked with the R knob displayed in the DIVERGENCE area. 5 LFE (5.1ch/6.1ch only) This encoder controls the send level of the signal sent from the currently selected channel to the LFE surround bus (MIX bus 24). Turning the encoder toward the right increases the value. If the surround mode is 6.1ch or 5.1ch, this is linked with the LFE knob displayed in the LFE area of the SURR PRM screen. While surround mode is active, the MIX SEND [LEVEL/PAN] encoders for MIX 17–24 will not function as conventional send level controllers. Also, the MIX SEND [NAME] indicators will not display the MIX bus names. Instead, the MIX SEND [NAME] indicators will indicate the names of surround mode functions, and the MIX SEND [LEVEL/PAN] encoders for MIX 17– 24 will control the functions described in 1–5. MIX SEND [LEVEL/PAN] encoders to which no function is assigned will do nothing; their MIX SEND [NAME] indicators will be dark. However, the MIX SEND [ON] switches 17–24 will indicate the on/off status of the send to each MIX bus as they normally do, and can also be switched on/off. • Note that encoders 1–4 function as controllers that control specific surround parameters; they do not control the send level to the MIX buses. In contrast, encoder 5 controls the send level to MIX bus 24 in the usual way. 41 PM1D System Software V1.6 Supplementary Manual • MIX SEND [ON] switches 17–24 turn on/off the signals that are sent from an input channel to the corresponding surround bus. (Buses not used by the current surround mode can be operated, but will make no difference.) These are linked with the surround bus ON/OFF buttons in the SURR PRM screen. • While a surround mode is active, MIX SEND [PRE] switches 17–24 cannot be operated (they are fixed at Post). • No audio signal at all will be sent to a MIX bus 17–24 to which the current surround mode does not assign a signal. ■ MIX OUTPUT block The MIX [NAME] indicators of MIX channels 17–24 will display the names of the surround channels assigned to the MIX channels, according to the currently selected surround mode. These names are set automatically when you switch to surround mode. However, you are free to modify the names afterward. ON ON PAIR ON ON PAIR ON ON ON PAIR ON PAIR The encoders of MIX channels 17–24 are used to control the output level of each surround bus. ■ CH to MIX screen The PAN/ROUTING function CH to MIX screen will change as follows. 1 2 3 4 5 1 Pairing Pairing for MIX buses 17–24 will be forcibly defeated; they will function as monaural buses. It is not possible to pair MIX buses 17–24 while surround mode is active. 2 VARI/FIX indicator The VARI/FIX indicator of MIX buses 17–24 will indicate “SURR.” This setting cannot be changed while surround mode is active. 42 3 Send level The knob and value box indicate the send level of the signal that is sent from the input channel/ST IN channel to MIX buses 17–24. This value is calculated based on the current surround pan settings, and cannot be changed from this screen. 4 ON/OFF buttons The ON/OFF buttons for the signals sent from each input channel to MIX buses 17–24 used for surround will all be turned on. (However, you may switch them off afterward.) These buttons are linked with the surround bus ON/ OFF buttons in the SURR PRM screen, and with SELECTED INPUT CHANNEL block MIX SEND [ON] switches 17–24. 5 PRE/POST buttons All signals sent from each input channel to MIX buses 17–24 are set to POST (post fader). This setting cannot be changed while surround mode is active. • When you access the JOB SELECT popup window from the CH to MIX screen, the OK button will be grayed-out and cannot be clicked if MIX buses 17–24 are selected. • If you copy the send levels to a MIX bus or copy the MIX bus on/off or pre/post settings while surround mode is active, MIX buses 17–24 will be excluded from the operation. Surround panning Making surround pan settings Here’s how to select a surround mode and make surround pan settings for the desired two adjacent channels. 1. According to the surround mode that you wish to use, connect an appropriate playback system to the output units that are patched to MIX channels 17– 24. If you use 5.1ch or 6.1ch surround mode, you will normally connect a dedicated low-frequency subwoofer to MIX channel 24 (LFE). However, simply switching the surround mode will not change the EQ (filter) settings. You will need to use the EQ (LPF) of MIX channel 24 to remove the high-frequency portion as appropriate for the response of the subwoofer you are using. 2. Access the PAN/ROUTING function SURR PRM screen. 3. Use the surround mode select buttons to select the desired surround mode, and press the [ENTER] switch. The SURROUND MODE popup window will appear, asking you to confirm that you want to change the surround mode. In this state, you can press the CURSOR [√]/[®] switches to move the surround panning in the left/ right direction, or press the CURSOR [▲]/[▼] switches to move the surround panning in the front/ rear direction, over a range of eight steps respectively. By holding down the [SHIFT] switch and pressing the CURSOR [√]/[®]/[▲]/[▼] switches you can rapidly move the surround pan over a range of thirty-two steps in the left/right or front/rear direction. • Using the SELECTED INPUT CHANNEL section You can use the SELECTED INPUT CHANNEL section MIX SEND [LEVEL/PAN] encoders to control the surround panning. Use the [SEL] switch to select the channel that you want to control. Then turn encoder 19 to move the surround panning left/right, and turn encoder 21 to move it in the front/rear direction in units of one step. • Using the panning buttons of the SURR PRM screen If you want to rapidly move the channel signal to the position of a speaker, click one of the panning buttons (such as L, C, R) located at the edge of the surround pan grid in the SURR PRM screen. • Using MIDI control changes In V1.6 the following three surround parameters have been added to the MIDI CTRL CHANGE screen as assignable surround parameters. 4. Move the cursor to the OK button and press the [ENTER] switch. The selected surround mode will become active. 5. Press the [SEL] switch of an input channel or ST IN channel (or a SEL button in the screen) to select the channel for which you want to adjust the surround panning. The SURR PRM screen always displays the surround parameters for two adjacent channels; surround pan settings are made in units of two channels. 6. Adjust the surround panning of the channel. You can use any of the following methods to adjust the surround panning. • Using the track pad Move the pointer into the surround pan grid of the channel you want to control, and drag the yellow symbol forward, backward, left, or right. (The symbol will turn red while you are dragging it.) • Using the cursor switches Move the cursor to the surround pan grid of the channel you want to control, and press the [ENTER] switch. Alternatively, click within the grid and then press the [ENTER] switch. (The symbol will turn red.) • [SURR] L-R PAN Controls the left/right surround pan value. Panning will move toward the right as the value increases. • [SURR] F-R PAN Controls the front/rear surround pan value. The minimum value pans the sound to the rear, and the maximum value pans it to the front. • [SURR] F-R INV.PAN Controls the front/rear surround pan value. The maximum value pans the sound to the rear, and the minimum value pans it to the front. 43 PM1D System Software V1.6 Supplementary Manual By assigning these parameters to the desired control change number, the surround panning of a specific input channel or the channel currently selected by its [SEL] switch can be controlled via MIDI. Hint For details on using control changes, refer to “PM1D System Software V1.5 Supplementary Manual” p.71. 7. If you want surround pan operations to be linked for two adjacent channels, turn on the PATTERN LINK button, and use the buttons at the right to select a link pattern. You can select one of the following eight link patterns. 44 Pattern 1 The channels will move in the same direction for front/rear and left/right movement. Pattern 2 The channels will move in opposite directions front/rear, and in the same direction left/right. Pattern 3 The channels will move in the same direction front/rear, and in opposite directions left/right. Pattern 4 Odd-numbered channel left/right movement is linked with evennumbered channel rear/front movement; odd-numbered channel front/rear movement is linked with even-numbered channel left/ right movement. Pattern 5 Odd-numbered channel left/right movement is linked with evennumbered channel front/rear movement; odd-numbered channel front/rear movement is linked with even-numbered channel left/ right movement. Pattern 6 Front/rear and left/right movement are both linked in the opposite direction. Pattern 7 Odd-numbered channel left/right movement is linked to even-numbered channel front/rear movement; odd-numbered channel front/rear movement is linked to even-numbered channel right/left movement. Pattern 8 Odd-numbered channel left/right movement is linked to even-numbered channel rear/front movement; odd-numbered channel front/rear movement is linked to even-numbered channel left/right movement. 8. Operate other surround parameters as necessary. • Divergence This sets the proportion (in a range of 0–100) at which the center channel signal will be distributed between the center and the left/right surround buses. If the surround mode is 3-1ch or 5.1ch, use the knob in the DIVERGENCE area of the screen to set the center divergence. (Alternatively, you can operate SELECTED INPUT CHANNEL section MIX SEND [LEVEL/PAN] encoder 20.) If the surround mode is 6.1ch, use the F knob in the DIVERGENCE area of the screen (or MIX SEND [LEVEL/PAN] encoder 20) to set the center divergence for the front, and use the R knob (or MIX SEND [LEVEL/PAN] encoder 22) to set the center divergence for the rear. • LFE If the surround mode is 5.1ch or 6.1ch, you can adjust the signal level that is sent to the LFE bus. Use the LFE knob in the screen, or SELECTED INPUT CHANNEL section MIX SEND [LEVEL/PAN] encoder 24. Surround panning Cautions regarding surround pan Cautions and limitations regarding the use of surround pan are explained below. ■ Scene recall operations • The surround mode setting is saved in the scene. • If you recall a scene that has a differing surround mode, the screen and panel display will change accordingly. In this case, the surround mode, the settings of MIX channels 17–24, and the surroundrelated parameters of all input channels will all be recalled, regardless of the Selective Recall or Recall Safe settings. • If when one channel is excluded from recall, you recall a scene whose PATTERN LINK button is turned on, the PATTERN LINK button will remain on, and only the other channel will be recalled. Subsequent operation will function according to the LINK setting. ■ Global paste • When using the Global Paste function while surround mode is active, the MIX SEND 17–24 buttons in the GLOBAL PASTE screen PARAMETER SELECT area are always linked. • In order to paste surround-related parameters, you must turn on the PARAMETER SELECT area’s LEVEL button, or the SEND button and MIX SEND 17–24 buttons. If two adjacent channels are selected in the SOURCE CH SELECT area, PATTERN LINK settings will also be pasted. • If different surround modes are selected for the paste-source and paste-destination, MIX buses 17– 24 will be excluded from the operation. ■ Channel library recall operations • Input libraries contain all of the surround-related parameters except for the surround mode. • PATTERN LINK settings will be recalled from an input channel library only if the recall-destination channels are paired. • If PATTERN LINK is on, and you recall a monaural (non-paired) input channel library, the PATTERN LINK button setting will remain on, and only the other channel will be recalled. Subsequent operation will function according to the LINK setting. ■ Channel copy • When you perform panel operations to copy an input channel, surround-related parameters will also be copied. • However, PATTERN LINK settings will be copied only if the copy-source channel is paired and set to ALL. • In order to copy surround-related parameters in the IN CH VIEW function CH COPY screen, you must turn on the PARAMETER SELECT area’s ALL button, or the SEND button and MIX 17–24 buttons. (When surround mode is active, the PARAMETER SELECT area MIX 17–24 buttons are always linked.) 45 PM1D System Software V1.6 Supplementary Manual Multi-band dynamics processor A multi-band dynamics processor that includes an independent compressor and limiter for each of the three bands low, mid, and high has been added as an effect type for the internal effects. This effect type is stored in effect library No.30. If a library using this effect type is recalled, SOLO buttons (LOW, MID, HIGH) will be displayed in the center of the screen. These buttons allow you to solo each of the frequency-divided bands. For details on the other parameters, refer to p.49. 46 File transfer mode File transfer mode In previous versions, the only way to transfer data between the CS1D and a computer in which PM1D Manager is installed was to load/save the data using a PCMCIA card. However in V1.6, data edited on your computer can be uploaded to the console, and console settings including scenes can be downloaded to the PM1D. 1. Turn off the power of the PW1D power supply, and then turn it on again. 2. After the opening screen appears, continue pressing the left/right switches of the track pad until the following screen appears. 5. Click the UPLOAD button to upload data, or the DOWNLOAD button to download data. Hint If you click CANCEL in the screen shown above instead of the UPLOAD button or DOWNLOAD button, the PM1D will start up in normal mode. Transfer of the scenes and all libraries will begin, and the PROGRESS popup window will appear, indicating the progress status. All panel operations are disabled until transfer is completed. • For example, transferring all CS1D data to the computer will take slightly more than one hour, whether you use a serial connection or a USB connection. • If you want to cancel the transfer, click the CANCEL button on your PC. A popup window will appear on both the CS1D and the PC to indicate that transfer has ended. 3. Click the FILE TRANSFER MODE button. The screen will change as follows, and the system will wait to be connected to the computer. 4. Connect your computer to the CS1D via the serial connector or USB connector, and open the CONNECTION popup window. 6. Click the OK button on your PC. The PC will go off-line, and the PM1D will start up in its normal state. Even if the PC is connected to the engine, and PM1D Manager and the engine are on-line, you can use the FILE TRANSFER MODE screen to perform file transfer between the console connected to the engine and PM1D Manager. In this case, the PM1D Manager settings will be transferred to the console, and then a connection can be established between the engine and console. When a connection is established between the engine and console, the PC will temporarily go off-line. 47 PM1D System Software V1.6 Supplementary Manual Additional preference items The following additions and changes have been made to the UTILITY function PREFERENCE screen. • PROHIBIT DCA ASSIGN ON SELECTED CH BLOCK This option prohibits changes in the DCA group assignment of a channel from being made using the DCA section of the SELECTED INPUT CHANNEL block or SELECTED OUTPUT CHANNEL block. If this item is on, operations in the DCA section of the SELECTED INPUT CHANNEL block and SELECTED OUTPUT CHANNEL block will not be valid. This allows you to prevent channels from being inadvertently assigned to or removed from a DCA group if a switch of the DCA section is touched accidentally. • SKIP CONFIRMATIONS FOR MIX MINUS SHORTCUT This option allows rapid execution of the Mix Minus function that was added in V1.5. Mix Minus is a function that instantly sets the signal sent from a channel to a specific MIX bus to a level of -infinity dB, and sets the signal sent from all the other channels to that same MIX bus to nominal level (0 dB). There are two ways to use Mix Minus: 1 Click the MIX MINUS button in the CH to MIX screen 2 Hold down the [SEL] switch of an input channel and press a [SEL] switch in the MIX block If this preference item is turned on, no confirmation popup window will appear when you perform method 2; the settings will be changed instantly. • LIBRARY PROTECTION This option prohibits erasure of libraries that are linked to a protected scene. V1.6 adds a CLEAR button that allows you to erase a specified library. However if you erase a library (unit, patch, name) that is linked to a protected scene, that scene can no longer be reproduced. Thus, if this preference is turned on (FOLLOW SCENE), an attempt to erase a library that is linked to a scene will cause a message to be displayed, and the erasure will not be possible. Library numbers displayed in the scene list will not be erased even if LINK is off. 48 • Changes in the AUTO DISPLAY ON/OFF area The following changes have been made in the AUTO DISPLAY ON/OFF area. • ATT/EQ The name has been changed from “EQ” to “ATT/EQ.” Also, in previous versions, operating the SELECTED INPUT CHANNEL block [ATTENUATOR] encoder when this button was on would move the cursor to the ATT knob of the EQ PARAMETER screen. However in V1.6, the cursor will move to the newly added ATT screen. • PAN/ROUTING The name has been changed from “ROUTING” to “PAN/ROUTING.” If this button is on, operating a SELECTED INPUT CHANNEL block MIX SEND [LEVEL/PAN] encoder 17–24 when surround mode is active will make the cursor move to the corresponding parameter of the SURR PRM screen. However, the cursor will not move if you operate the encoder of a MIX bus 17–24 that is not being used as a surround bus. Preset Effects Programs (added in V1.6) Preset Effects Programs (added in V1.6) • Basic effect programs Dynamic Effects # 30 Title Type Multi Band Dyna. Description MULTI BAND DYNA. Multi-band dynamics processor Effects Parameters (added in V1.6) • MULTI BAND DYNA. Parameter [Type: STEREO] Range Description LOW GAIN –96.0 - +12.0 [dB] Level of the low-frequency range MID GAIN –96.0 - +12.0 [dB] Level of the mid-frequency range HIGH GAIN –96.0 - +12.0 [dB] Level of the high-frequency range –10 - +10 “+” settings lower the high-frequency threshold and raise the low-frequency threshold. “–” settings do the opposite. With a setting of 0, the high, mid, and low-frequency ranges are all affected alike. PRESENCE CMP.THRESHOLD –24.0 - 0.0 [dB] Compressor threshold level CMP.RATIO 1:1 - 20:1 Compression ratio CMP.RELEASE 5.0ms - 42.3s (@fs=48kHz), 6.0ms - 46.0s (@fs=44.1kHz) Compressor release time CMP.ATACK 0 - 120 [ms] Compressor attack time CMP.KNEE HARD, SOFT 1 - 5 Compressor knee CMP.BYPASS OFF, ON Compressor bypass LIM.THRESHOLD –24.0 - 0.0 [dB] Limiter threshold LIM.RELEASE 5.0ms - 42.3s (@fs=48kHz), 6.0ms - 46.0s (@fs=44.1kHz) Limiter release time LIM.ATACK 0 - 120 [ms] Limiter attack time LIM.KNEE HARD, SOFT 1 - 5 Limiter knee LIM.BYPASS OFF, ON Limiter bypass LOOKUP DELAY 0.0 - 100.0 [ms] Lookup delay L-M XOVER 21.2 - 8.00k [Hz] Low/mid crossover frequency M-H XOVER 21.2 - 8.00k [Hz] Mid/high crossover frequency CEILING –6.0 - 0.0 [dB], OFF Limiting value to prevent excessive output BALANCE 0 - 100 [%] WET/DRY balance 49 PM1D System Software V1.6 Supplementary Manual Scene Memory/Effect Library to Program Change Table Please refer to page 35 in the appendix of the CS1D Reference Manual (Appendices). MIDI control change NRPN (Non Registered Parameter Number) assignment table INPUT (NRPN LSB 0-111 : CH NUMBER1-96, STIN1L-8R, 112 : SELECT CH) Parameter name MIX (NRPN LSB 0-47, 48-95 : MIX1-48) Parameter name NRPN NRPN MSB LSB 68 0-47 48-95 MSB LSB ON/OFF ON/OFF 0 0-111 FADER 68 FADER 1 0-111 BALANCE 69 0-47 PAN/BALANCE 2 0-111 RECALL SAFE ON/OFF 69 48-95 RECALL SAFE ON/OFF 3 0-111 COMP ON/OFF 70 0-47 GATE ON/OFF 4 0-111 COMP RATIO 70 48-95 GATE RANGE 5 0-111 COMP XOVER ON/OFF 71 0-47 GATE LPF ON/OFF 6 0-111 COMP XOVER FREQ 71 48-95 GATE LPF FREQ 7 0-111 COMP KNEE/WIDTH 72 0-47 GATE HPF ON/OFF 8 0-111 COMP OUT GAIN 72 48-95 73 0-47 48-95 GATE HPF FREQ 9 0-111 COMP THRESHOLD GATE THRESHOLD 10 0-111 COMP ATTACK 73 GATE ATTACK 11 0-111 COMP RELEASE 74 0-47 GATE DECAY 12 0-111 EQ ON/OFF 74 48-95 EQ SUB-LOW TYPE,SLOPE 75 0-47 EQ HIGH TYPE,SLOPE 75 48-95 EQ SUB-LOW Q 76 0-47 EQ SUB-LOW F 76 48-95 GATE HOLD 13 0-111 COMP ON/OFF 14 0-111 COMP RATIO 15 0-111 COMP XOVER ON/OFF 16 0-111 COMP XOVER FREQ 17 0-111 COMP KNEE/WIDTH 18 0-111 COMP OUT GAIN 19 0-111 COMP THRESHOLD 20 0-111 COMP ATTACK 21 0-111 COMP RELEASE 22 0-111 EQ LOW TYPE 23 0-111 EQ HIGH TYPE, LPF SLOPE 24 0-111 EQ ON/OFF 25 0-111 HPF ON/OFF 26 0-111 EQ SUB-LOW G 77 0-47 EQ SUB-LOW BYPASS 77 48-95 EQ LOW Q 78 0-47 EQ LOW F 78 48-95 EQ LOW G 79 0-47 EQ LOW BYPASS 79 48-95 EQ L-MID Q 80 0-47 EQ L-MID F 80 48-95 EQ L-MID G 81 0-47 81 48-95 EQ ATT 27 0-111 EQ L-MID BYPASS EQ LOW F 28 0-111 EQ MID Q 82 0-47 82 48-95 EQ LOW G 29 0-111 EQ MID F EQ LOW Q 30 0-111 EQ MID G 83 0-47 48-95 EQ L-MID F 31 0-111 EQ MID BYPASS 83 EQ L-MID G 32 0-111 EQ H-MID Q 84 0-47 84 48-95 EQ L-MID Q 33 0-111 EQ HI-MID F EQ H-MID F 34 0-111 EQ H-MID G 85 0-47 85 48-95 EQ H-MID G 35 0-111 EQ H-MID BYPASS EQ H-MID Q 36 0-111 EQ HIGH Q 86 0-47 EQ HIGH F 37 0-111 EQ HIGH F 86 48-95 EQ HIGH G 38 0-111 EQ HIGH G 87 0-47 EQ HIGH Q 39 0-111 EQ HIGH BYPASS 87 48-95 HPF FREQ 40 0-111 HPF FREQ Dimension 41 0-111 SURROUND LR 42 0-112 SURROUND FR 43 0-112 SURROUND FR INVERT 44 0-112 50 MIDI control change NRPN (Non Registered Parameter Number) assignment table MATRIX (NRPN LSB 0-23,24-47,48-71,7295 : MATRIX1-24) Parameter name ST MASTER (NRPN LSB EVEN,ODD : STEREO MASTER A,B) NRPN Parameter name NRPN MSB LSB ON/OFF 90 0-23 ON/OFF MSB LSB 101 0,1 FADER 90 24-47 FADER 101 2,3 BALANCE 90 48-71 BALANCE 101 4,5 RECALL SAFE ON/OFF 90 72-96 RECALL SAFE ON/OFF 101 6,7 COMP ON/OFF 91 0-23 COMP ON/OFF 101 8,9 COMP RATIO 91 24-47 COMP RATIO 101 10,11 COMP XOVER ON/OFF 91 48-71 COMP XOVER ON/OFF 101 12,13 COMP XOVER FREQ 91 72-96 COMP XOVER FREQ 101 14,15 COMP KNEE/WIDTH 92 0-23 COMP KNEE/WIDTH 101 16,17 COMP OUT GAIN 92 24-47 COMP OUT GAIN 101 18,19 COMP THRESHOLD 92 48-71 COMP THRESHOLD 101 20,21 COMP ATTACK 92 72-96 COMP ATTACK 101 22,23 COMP RELEASE 93 0-23 COMP RELEASE 101 24,25 EQ ON/OFF 93 24-47 EQ ON/OFF 101 26,27 EQ SUB-LOW TYPE,SLOPE 93 48-71 EQ SUB-LOW TYPE, SLOPE 101 28,29 EQ HIGH TYPE,SLOPE 93 72-96 EQ HIGH TYPE, SLOPE 101 30,31 EQ SUB-LOW Q 94 0-23 EQ SUB-LOW Q 101 32,33 EQ SUB-LOW F 94 24-47 EQ SUB-LOW F 101 34,35 EQ SUB-LOW G 94 48-71 EQ SUB-LOW G 101 36,37 EQ SUB-LOW BYPASS 94 72-96 EQ SUB-LOW BYPASS 101 38,39 EQ LOW Q 95 0-23 EQ LOW Q 101 40,41 EQ LOW F 95 24-47 EQ LOW F 101 42,43 EQ LOW G 95 48-71 EQ LOW G 101 44,45 EQ LOW BYPASS 95 72-96 EQ LOW BYPASS 101 46,47 EQ L-MID Q 96 0-23 EQ L-MID Q 101 48,49 EQ L-MID F 96 24-47 EQ L-MID F 101 50,51 EQ L-MID G 96 48-71 EQ L-MID G 101 52,53 EQ L-MID BYPASS 96 72-96 EQ L-MID BYPASS 101 54,55 EQ MID Q 97 0-23 EQ MID Q 101 56,57 EQ MID F 97 24-47 EQ MID F 101 58,59 EQ MID G 97 48-71 EQ MID G 101 60,61 EQ MID BYPASS 97 72-96 EQ MID BYPASS 101 62,63 EQ H-MID Q 98 0-23 EQ H-MID Q 101 64,65 EQ H-MID F 98 24-47 EQ HI-MID F 101 66,67 EQ H-MID G 98 48-71 EQ H-MID G 101 68,69 EQ H-MID BYPASS 98 72-96 EQ HI-MID BYPASS 101 70,71 EQ HIGH Q 99 0-23 EQ HIGH Q 101 72,73 EQ HIGH F 99 24-47 EQ HIGH F 101 74,75 EQ HIGH G 99 48-71 EQ HIGH G 101 76,77 EQ HIGH BYPASS 99 72-96 EQ HIGH BYPASS 101 78,79 51 PM1D System Software V1.6 Supplementary Manual DCA (NRPN LSB 0-11,12-23 : DCA1-12) Parameter name DCA FADER(0-11) DCA MUTE(12-23) NRPN MSB LSB 102 0-11 102 12-23 EFFECT (NRPN LSB 0-7,8-15,16-23,24-31,3239,40-47,48-55,56-63,64-71,72-79,80-87,8895,96-103,104-111 : EFFECT1-8) GEQ (NRPN LSB 0-23,24-47,48-71,72-95,96119 : GEQ1-24) Parameter name NRPN MSB LSB GEQ ON/OFF 105 0-23 NOTCH1 ON/OFF 105 24-47 NOTCH2 ON/OFF 105 48-71 NOTCH3 ON/OFF 105 72-95 NOTCH4 ON/OFF 105 96-119 GEQ BAND1 G 106 0-23 MSB LSB GEQ BAND2 G 106 24-47 BYPASS ON/OFF 103 0-7 GEQ BAND3 G 106 48-71 ATT L 103 8-15 GEQ BAND4 G 106 72-95 106 96-119 Parameter name NRPN ATT R 103 16-23 GEQ BAND5 G WET BALANCE 103 24-31 GEQ BAND6 G 107 0-23 107 24-47 PARAMETER1 103 32-39 GEQ BAND7 G PARAMETER2 103 40-47 GEQ BAND8 G 107 48-71 107 72-95 PARAMETER3 103 48-55 GEQ BAND9 G PARAMETER4 103 56-63 GEQ BAND10 G 107 96-119 PARAMETER5 103 64-71 GEQ BAND11 G 108 0-23 PARAMETER6 103 72-79 GEQ BAND12 G 108 24-47 PARAMETER7 103 80-87 GEQ BAND13 G 108 48-71 108 72-95 PARAMETER8 103 88-95 GEQ BAND14 G PARAMETER9 103 96-103 GEQ BAND15 G 108 96-119 109 0-23 PARAMETER10 103 104-111 GEQ BAND16 G PARAMETER11 104 0-7 GEQ BAND17 G 109 24-47 109 48-71 PARAMETER12 104 8-15 GEQ BAND18 G PARAMETER13 104 16-23 GEQ BAND19 G 109 72-95 109 96-119 PARAMETER14 104 24-31 GEQ BAND20 G PARAMETER15 104 32-39 GEQ BAND21 G 110 0-23 PARAMETER16 104 40-47 GEQ BAND22 G 110 24-47 PARAMETER17 104 48-55 GEQ BAND23 G 110 48-71 PARAMETER18 104 56-63 GEQ BAND24 G 110 72-95 110 96-119 PARAMETER19 104 64-71 GEQ BAND25 G PARAMETER20 104 72-79 GEQ BAND26 G 111 0-23 80-87 GEQ BAND27 G 111 24-47 GEQ BAND28 G 111 48-71 GEQ BAND29 G 111 72-95 GEQ BAND30 G 111 96-119 GEQ BAND31 G 112 0-23 NOTCH1 Q 112 24-47 NOTCH2 Q 112 48-71 NOTCH3 Q 112 72-95 NOTCH4 Q 112 96-119 NOTCH1 F 113 24-47 NOTCH2 F 113 48-71 NOTCH3 F 113 72-95 NOTCH4 F 113 96-119 PARAMETER21 52 104 MIDI Data Format MIDI Data Format 1. TRANSMIT/RECEIVE DATA Otherwise, INT ( MIDI data - Z ) / X ) = parameter 1.1 CHANNEL MESSAGE Transmission: If parameter = 0, then MIDI data = 0 If parameter = MAX, then MIDI data = (127 or 16383 in the case of word data) Otherwise, ( X x parameter ) + INT ( X / 2 ) + Z = MIDI data 1.1.1 CONTROL CHANGE (Bn) BANK SELECT <Reception> In PROGRAM CHANGE SINGLE CH mode when [Bank] is ON, this message can be received via the MIDI IN for BANK SELECT reception is enabled, if the [Rx CH] matches. This will specify the bank for a subsequently-received program change. <Transmission> In SINGLE CH mode when [Bank] is ON, and you recall a scene memory or effect library, a bank select message will be transmitted (before the program change message) from the selected MIDI OUT, on the specified [Tx CH]. STATUS 1011nnnn 00000000 0vvvvvvv 00100000 0vvvvvvv Bn 00 vv 20 vv Control Change Bank Select MSB MSB Value Bank Select LSB LSB Value 1.1.2 CONTROL CHANGE (Bn) ASSIGN <Reception> If CONTROL CHANGE ASSIGN is ON and CONTROL CHANGE is set to SINGLE CH mode, this message can be received from the MIDI IN for which reception is enabled, if the [Rx CH] matches. The parameter that is assigned in the [Control Change Table] will be modified. In MULTI mode, any MIDI channel will be received. The received MIDI channel (i.e., its number) will be added to the number of the parameter assigned in the [Control Change Table] (the same number as NRPN) to determine the parameter that will be modified by the message. This message is not echoed, but will be transmitted as described below even when a parameter is modified as a result of the MIDI reception. <Transmission> In SINGLE CH mode, when a parameter assigned in the [Control Change Table] has been modified, this message will be transmitted from the MIDI OUT for the selected [Tx CH]. In MULTI CH mode, when a parameter corresponding to a parameter number (same as NRPN) assigned in the [Control Change Table] +15 or less is modified, this message will be transmitted from the selected MIDI OUT, with the MIDI channel representing the difference from the parameter number. If the parameter is assigned to more than one control number, the message will be transmitted using the lowestnumbered control number. If a parameter with a resolution of greater than 7 bits is assigned to a control number in the range of 1–31, that control number +32 can be assigned as the LSB of the same parameter. STATUS 1011nnnn 0ccccccc Bn cc 0vvvvvvv vv Control Change Control No.(1-5,7-31,3337,39-95,102-119) Value The transmitted and received values are calculated as follows. (The same applies to the NRPN messages discussed later.) Given the following: (128 or 16384 in the case of word data) / (number of parameter steps) = X ...Y INT (( Y + 1) / 2 ) = Z 1.1.3 CONTROL CHANGE (Bn) NRPN <Reception> If NRPN is ON, and if the [Rx CH] matches, this message can be received at the MIDI IN for which reception is enabled. There is a one-to-one correspondence between the received NRPN number and the parameter that will change. (See the “MIDI control change NRPN (Non Registered Parameter Number) assignment table”.) This message is not echoed, but the transmission described below will occur even if a parameter is modified due to MIDI reception. <Transmission> If NRPN is ON and a parameter is modified, this message will be transmitted from the MIDI OUT selected by [Tx CH]. If both CONTROL ASSIGN and NRPN are simultaneously ON, an assigned parameter will be transmitted as a control change. If the parameter has a resolution of less than 7 bits, only the MSB data will be transmitted. STATUS 1011nnnn 01100010 0vvvvvvv 01100011 0vvvvvvv 00000110 0vvvvvvv 00110110 0vvvvvvv Bn 62 vv 63 vv 06 vv 26 vv Control Change NRPN LSB MSB Value NRPN MSB LSB Value DATA ENTRY MSB MSB Value DATA ENTRY LSB LSB Value 60 h (INC) and 61 h (DEC) are not supported. 1.1.4 PROGRAM CHANGE (Cn) <Reception> If [Program Change Rx] is ON, this message can be received at the MIDI IN for which reception is enabled, if the [Rx CH] matches in the case of SINGLE mode. However if [OMNI] is ON, this message will be received regardless of the channel. In the case of MULTI mode, all MIDI channels will be received, and will be divided into banks according to the channel. If [Program Change ECHO] is ON, this message will be echoed. A scene memory or effect library will be recalled according to the settings of the [Program Change Table]. <Transmission> If [Program Change TX] is ON, this message will be transmitted from the selected MIDI OUT on the [Tx CH] channel (in the case of SINGLE mode), when a scene or effect library is recalled. In the case of MULTI mode, this will be transmitted on the MIDI channel according to the bank. If the recalled memory number is assigned to more than one program number, the program number for the lowest-numbered channel of the lowest-numbered bank will be transmitted. STATUS DATA 1100nnnn 0nnnnnnn Cn nn Program Change Program No.(0-127) Reception: If ( MIDI data -Z ) < 0, then parameter = 0 If (( MIDI data - Z ) / Z ) > MAX, then parameter = MAX 53 PM1D System Software V1.6 Supplementary Manual 3. RECEIVE CONDITION 1.2 EXCLUSIVE MESSAGE (F0-F7) 1.2.1 MOTION CONTROL STATE (MCS) MMC STOP/PLAY/FORWARD/REWIND BANK ON NRPN Rx ON <Transmission> These messages are transmitted by assignment to USER DEFINE or GPI. [DEVICE NO.] specifies the transmission destination. STATUS ID No. Device ID 11110000 01111111 0ddddddd F0 7F dd Command 00000110 06 0ccccccc cc EOX 11110111 F7 System Exclusive Message Real Time System Exclusive Destination (00-7E, 7F:all call) Machine Control Command(mcc)sub-id Command String [1]:Stop [3]:Deferred Play [4]:Fast Forward [5]:Rewind End of Exclusive MIDI Rx CH? CONTROL CHANGE BANK SELECT $BnH CONTROL CHANGE NRPN $BnH SYSTEM EXCLUSIVE PARAMETER REQUEST $F0H $43H $3nH MIDI IN ASSIGN Rx ON MIDI Rx CH? or MULTI ON CONTROL CHANGE $BnH PGM Rx ON MIDI Rx CH? or OMNI ON or MULTI ON PROGRAM CHANGE $CnH PGM ECHO ON MIDI OUT 4. PARAMETER CHANGE BASIC FORMAT 1.2.2 MOTION CONTROL PROCESS (MCP) MMC LOCATE (target) STATUS ID No. 11110000 01000011 F0 43 <Transmission> This message is transmitted by assignment to USER DEFINE or GPI. [DEVICE NO.] specifies the transmission destination. (This requires setting the ID of the receiving device.) SUB STATUS 0pppnnnn pn STATUS ID No. Device ID 11110000 01111111 0ddddddd F0 7F dd GROUP ID MODEL ID PARAM TYPE DATA 3e 09 tt dd0 Command 00000110 06 EOX 01000100 00000110 00000001 0tthhhhh 0mmmmmmm 0sssssss 0fffffff 0sssssss 11110111 44 06 01 th mm ss ff ss F7 System Exclusive Message Real Time System Exclusive Destination (00-7E, 7F:all call) Machine Control Command(mcc)sub-id Locate byte count "target" sub command frame type, hour minute second frame sub-frame(only'0') End of Exclusive <Reception> Once this message has been received, and there is an interval of 300 ms during which nothing is received, Running Status will be cleared, and MIDI communication will be initialized. 11111110 FE Active Sensing <Reception> These messages can be received via the port that is enabled for reception. The VALUE RESPONSE message described below is sent in reply to this message. 11110000 01000011 F0 43 SUB STATUS 0pppnnnn 3n GROUP ID MODEL ID PARAM TYPE DATA 3e 09 00 dd0 dd1 dd2 dd3 F7 2. TRANSMISSION CONDITION CONTROL CHANGE BANK SELECT $BnH BANK ON CONTROL CHANGE NRPN $BnH NRPN Tx ON SYTEM EXCLUSIVE FUNCTION CALL $F0H $43H $1nH NRPN or ASSIGN Tx ON EOX ASSIGN Tx ON PROGRAM CHANGE $CnH PGM Tx ON USER DEFINE,GPI MMC $F0H $7FH $nnH $06H PGM ECHO ON MIDI IN MIDI Tx CH? or MULTI ON MIDI OUT PARAMETER VALUE RESPONSE (type 0x00:Current Memory) <Transmission> This message is sent in reply when the above VALUE REQUEST is received. STATUS ID No. 54 00111110 00001001 00000000 0ttttttt 0aaaaaaa 0aaaaaaa 0ddddddd 11110111 System Exclusive Message Manufacture's ID No.(YAMAHA) parameter request n=0-15(Device Channel No.1-16) MODEL ID(digital mixer) Device code(PM1D) Current Memory data type addressHIGH(BIT13-7) addressLOW(BIT6-0) REQUEST BYTE COUNT End of Exclusive data type 0x00 SCENE LOW ADDRESS(BIT14 LOW) 0x10 SCENE HIGH ADDRESS(BIT14 HIGH) 0x0a ENGINE SETUP MIDI Tx CH? ( RESPONSE FOR PARAMETER REQUEST $F0H $43H $1nH ) CONTROL CHANGE $BnH ddn F7 PARAMETER VALUE REQUEST (type 0x00:Current Memory) STATUS ID No. 1.3 ACTIVE SENSING (Fe) STATUS EOX 00111110 00001001 0ttttttt 0ddddddd : 0ddddddd 11110111 System Exclusive Message Manufacture's ID No.(YAMAHA) p=mode 1:parameter change or response for request 3:parameter request n=0-15(Device Channel No.1-16) MODEL ID(digital mixer) Device code(PM1D) (TYPE) DATA 0 : DATA n End of Exclusive 11110000 01000011 F0 43 SUB STATUS 0pppnnnn 1n System Exclusive Message Manufacture's ID No.(YAMAHA) response for request MIDI Data Format GROUP ID MODEL ID PARAM TYPE DATA EOX 00111110 00001001 00000000 0ttttttt 0aaaaaaa 0aaaaaaa 0ddddddd : 0ddddddd 11110111 3e 09 00 dd0 dd1 dd2 dd3 n=0-15(Device Channel No.1-16) MODEL ID(digital mixer) Device code(PM1D) Current Memory data type addressHIGH(BIT13-7) addressLOW(BIT6-0) data ddn F7 End of Exclusive For SETUP 0:LOAD, 1:RECALL SAFE INPUT ALL ON, 2:RECALL SAFE INPUT ALL OFF, 3:RECALL SAFE OUTPUT ALL ON, 4:RECALL SAFE OUTPUT ALL OFF EFF LIBRARY are transmitted when you recall a number that is not assigned to a program change. Data type: The “data” field contains the requested number of data bytes from the requested address, converted from 8-bit to 7-bit form. The MSB's for seven bytes will be the first byte of data. Example) [seven bytes of 8 bit data] [8 bytes of 7 bit data] 80 01 82 03 84 05 06 → 54 00 01 02 03 04 05 06 The “data type” is the same as for a Parameter Value Request. PARAMETER CHANGE (type 0x02:function call) <Transmission> If transmission is ON for Control Change ASSIGN or NRPN, this message is transmitted when an operation causing multiple parameters to be modified simultaneously is performed. This message is not received. STATUS ID No. 11110000 01000011 F0 43 SUB STATUS 0pppnnnn 1n GROUP ID MODEL ID PARAM TYPE DATA 3e 09 02 dd0 dd1 dd2 dd3 F7 EOX 00111110 00001001 00000010 0ttttttt 0aaaaaaa 0aaaaaaa 0ddddddd 11110111 System Exclusive Message Manufacture's ID No.(YAMAHA) response for request n=0-15(Device Channel No.1-16) MODEL ID(digital mixer) Device code(PM1D) function call function category/number channel/number2 type End of Exclusive function category/number number2,channel -------------------------------------------------------------0x04 EFF Lib Recall LIB No.Bit7-1 LIB No..Bit0, EFF No.0-7 (LIB No.1-199, EFF No.0-7) 0x04 EFF Copy No.Bit7-1 No.Bit0, EFF No.0-7 (No.255, EFF No.0-7) 0x05 GEQ Recall Category Library 126 GEQ No.0-23 0x05 GEQ Copy,Link No.127 GEQ No.0-23 0x06 IN EQ Lib Recall Category Library 126 CH No.0-111 0x06 IN EQ Copy Category Copy 127 CH No.0-111 0x07 OUT EQ Lib Recall Category Library 126 CH No.0-73 0x07 OUT EQ Copy Category Copy 127 CH No.0-73 0x08 IN GATE Lib Recall Category Library 126 CH No.0-111 0x08 IN GATE Copy Category Copy 127 CH No.0-111 0x09 IN COMP Lib Recall Category Library 126 CH No.0-111 0x09 IN COMP Change Category Copy 127 CH No.0-111 0x0a OUT COMP Lib RecallCategory Library 126 CH No.0-73 0x0a OUT COMP Change Category Copy 127 CH No.0-73 0x0b IN CH Lib Recall Category Library 126 CH No.0-111 0x0c OUT CH Lib Recall Category Library 126 CH No.0-73 0x0d IN CH COPY Source CH No.0-111 Destination CH No.0-111,127 *1 0x0e OUT CH COPY Source CH No.0-73 Destination CH No.0-73,127 *1 0x0f IN CH PAIR/LR-MONO *2 CH No.0-111 0x10 OUT CH PAIR *2 CH No.0-73 0x11 SETUP CHANGE 127 0 (*1 Since multiple destination channels are possible when using the CH COPY function of the LCD, this will be 127 (fixed) instead. *2 0:PAIR L->R, 1:PAIR R->L, 2:RESET BOTH, 3:PAIR RELEASE 4:L-MONO, 5:R-MONO, 6:LR-MONO, 7:L,R,LR-MONO RELEASE ) type For EFF BIT5-0:EFFECT TYPE For GEQ BIT6:MONO/LINK For EQ, GATE, COMP, CH, COPY, PAIR BIT6:MONO/PAIR, BIT5-3:reserved BIT2:GATE TYPE, BIT1, 0:COMP TYPE 55 Yamaha Manual Library http://www2.yamaha.co.jp/manual/english/ M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2003 Yamaha Corporation IP01A0