Yamaha PLG100 El manual del propietario

Marca: Yamaha

Modelo: PLG100

Categoría: Instrumentos musicales

Tipo: El manual del propietario

Este manual también es adecuado para

PLG100-XG

Precautions

●

Do not expose the plug-in board to direct sunlight,

excessive humidity, high temperatures, excessive dust or

strong vibrations.

●

Before handling the plug-in board, be sure to touch a

metal surface to discharge any static electricity which

may be in your body.

●

When holding the plug-in board, do not touch the inside

area of the circuit board or apply excessive pressure to

the board, and be sure to protect the board from contact

with water or other liquids.

●

Before installing the plug-in board onto a tone genera-

tor/sound card, unplug the power connector of your

computer.

●

Before connecting the computer to other devices, turn

off the power switches of all devices.

●

Yamaha is not responsible for loss of data through com-

puter malfunctions or operator actions.

●

The plug-in board contains no user-serviceable parts, so

never touch the inside area of the circuit board or

tamper with the electronic circuitry in any way. Doing

so may result in electrical shock or damage to the plug-

in board.

YAMAHA CANNOT BE HELD RESPONSIBLE

FOR DAMAGE CAUSED BY IMPROPER

CARE AND USE OF THE PLUG-IN BOARD.

* The company names and product names in this Owner’s Manual are the trademarks or registered

trademarks of their respective companies.

* The screens as illustrated in this owner’s manual are for instructional purposes only, and may

appear somewhat different from the ones of your instrument.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modiﬁcations

not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT:

When connecting this product to accessories and/or another product use only high quality shielded cables.

Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void

your FCC authorization to use this product in the USA.

3. NOTE:

This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class

”B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product

in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses

radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference

harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will

not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit

”OFF” and ”ON”, please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line ﬁlter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the

lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this

type of product. If you can not locate the appropriate, please contact Yamaha Corporation of America, Electronic Service Divi-

sion, 6600 Orangethorpe Ave, Buena Park, CA 90620

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

CANADA

This Class B digital apparatus complies with Canadian ICES-003.

Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.

• This applies only to products distributed by Yamaha Canada Music Ltd.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.

Thank you for purchasing the Yamaha XG Plug-in Board PLG100-XG.

The PLG100-XG is a full-featured XG/GM tone generator providing complete compatibility with

commercially available XG/GM song data. The PLG100-XG is designed for use in MSPS (Mod-

ular Synthesis Plug-in System) compatible synthesizers and instruments, such as the CS6x and

S80, that do not have built-in XG tone generation.

To install your PLG100-XG correctly and to ensure full enjoyment of its sophisticated functions,

be sure to read this manual very carefully. When ﬁnished, keep the manual in a secure and

convenient place for future reference.

About the Modular Synthesis Plug-in System (MSPS)

The Yamaha Modular Synthesis Plug-in System offers powerful expansion and upgrade capabil-

ities for MSPS-compatible synthesizers, tone generators and sound cards. This enables you to

easily and effectively take advantage of the latest and most sophisticated synthesizer and effects

technology, allowing you to keep pace with the rapid and multi-faceted advances in modern

music production.

About the XG Plug-in System

The Yamaha XG Plug-in System offers powerful expansion and upgrade capabilities for XG-

Plug-in-compatible tone generators and sound cards. This enables you to easily and effectively

take advantage of the latest and most sophisticated XG tone generation and effects technology,

allowing you to keep pace with the rapid and multi-faceted advances in modern music produc-

tion.

Table of Contents

Overview of the PLG100-XG

....................................................................5

Main Features of the PLG100-XG........................................................5

Installing the PLG100-XG.....................................................................5

Included Items ......................................................................................5

Required and Recommended Items.....................................................6

Specifications .......................................................................................6

About the Included CD-ROM and Floppy Disk.....................................6

Installing the Software ..........................................................................8

Playing XG Song Data / Editing XG Voices — Port Settings ...............8

Selecting XG Voices (Modular Synthesis Plug-in System)

..............11

Editing the XG Part Parameters

(Modular Synthesis Plug-in System)

..............................................12

Parameters

..............................................................................................13

Appendix

....................................................................................................14

XG Voice List (Normal voice)

................................................................14

XG Drum Map (Drum voice)

..................................................................18

Effect Parameter List

.............................................................................20

Effect Data Assign Table

.......................................................................23

XG Parameter List

..................................................................................25

MIDI Data Format

...................................................................................26

MIDI Implementation Chart

...................................................................36

Overview of the PLG100-XG

Main Features of the PLG100-XG

●

Exceptionally high-quality AWM2 tone generation system, with 480 instrument voices and 12

special drum voices. As a full tone generator in a single board, the PLG100-XG features maxi-

mum 32-note polyphony and 16-Part multi-timbral operation.

●

Full-featured XG tone generator operation for non-XG-compatible instruments (such as the CS6x,

S80, and CS6R), for complete playback compatibility with commercially available XG/GM song

data, using a computer, sequencer, or other MIDI playback device. Since the PLG100-XG is also

compatible with special XG/GM “Minus-one” song data, you can easily mute the melody and play

it yourself (for practice or in performance), or sing along with the XG accompaniment.

●

The PLG100-XG can also supplement even XG-compatible instruments, such as the MU2000,

providing an additional tone generator with 16 Parts and 32-note polyphony.

●

The PLG100-XG also lets you conveniently and easily edit all parameters from your computer, by

using the included XGworks lite (Windows) or XG Editor (Macintosh).

Installing the PLG100-XG

To install your PLG100-XG board, refer to the manual that came with the “mother” or host synthe-

sizer/tone generator (such as the CS6x or MU128). When using the CS6x, CS6R, or S80, make sure

to install the board to slot 2.

Included Items

The following items have been included in the package of your new PLG100-XG. Please make sure

that you have them all before starting to set up and use the instrument. If an item is missing, contact

the store or dealer from which you purchased the PLG100-XG.

• PLG100-XG board

• PLG100-XG Owner’s Manual (this book)

• CD-ROM

• Floppy disk

Overview of the PLG100-XG

Required and Recommended Items

In addition to the included items listed above, you should also have the following:

■

Synthesizer or Tone Generator Compatible with the Modular Synthesis

or XG Plug-in Systems

In order to use the PLG100-XG, you’ll need a synthesizer or tone generator that is compatible with

the Modular Synthesis Plug-in System (such as the CS6x) or the XG Plug-in System (such as the

MU128). The synthesizer/tone generator should have an available slot or space for installing the

PLG100-XG. Once, installed, the PLG100-XG functions seamlessly as a built-in tone generator for

the host device.

●

XGworks or XGworks lite Music Sequencing Software

These software sequencers (for Windows) provide convenient tools for taking full advantage of the

PLG100-XG, letting you create and edit song data for automatically selecting and playing back the

XG voices. XGworks lite (version 3.0) is provided in the included CD-ROM.

Speciﬁcations

Tone Generation System :

AWM2 (Advanced Wave Memory 2)

Polyphony :

32 (when using one-element voices)

Voices :

480 normal voices

12 drum voices

Interface :

Plug-in connector

Effects :

Reverb (11 types), Chorus (11 types), Variation (42 types)

Dimensions (W x H x D) :

138.5 x 89 x 8.5 mm

Weight :

56 g

Included Items :

Owner’s Manual, CD-ROM, ﬂoppy disk

* Speciﬁcations subject to change without notice.

About the Included CD-ROM and Floppy Disk

The following software is included on the CD-ROM:

●

XGworks lite (ver. 3.0)

This sequencing software is the entry level progam for the full-version XGworks, and it allows you to

record your musical performances with a connected MIDI keyboard and freely edit the recorded data.

Overview of the PLG100-XG

●

XG Editor for Mac (ver. 2.1)

This convenient software allows you to download voice data to your Macintosh computer and edit the

main XG parameters.

You can edit the various XG voice and effect parameters with the XG Editor, then and use them (in

either SMF or XF format) with your favorite sequencer software to change the sounds automatically

during song playback, or directly change the sounds on the XG tone generator.

The following data is included on the ﬂoppy disk:

●

Demonstration Songs

These demonstration songs showcase the realistic and dynamic sounds of the PLG100-XG. To play

back the songs, you can use any compatible sequence software (such as XGworks or XGworks lite) or

a hardware sequencer (such as the Yamaha QY700). Also make sure that the instrument or tone gen-

erator with the installed PLG100-XG is properly connected to the sequencer.

Before playing the XG demonstration songs, you’ll need to make a few Port-related settings (see page

8). Also, if you are using the CS6x, CS6R, or S80, make sure to set the instrument to the Performance

mode.

• “03 blues”

By: Takeshi Fuse

This dynamic, powerful big band jazz piece showcases the highly realistic sounds and expresive potential

of the PLG100-XG. Here, pitch bend is used liberally in various phrases throughout the song to create

authentic sounding brass parts, while control change numbers 74 (Brightness) and 11 (Expression) are

applied many of the parts for a highly expressive, natural sound.

Even though the trumpet section is layered, the ﬁrst trumpet stands out, and high notes are appropriately

shifted in pitch, just as would be played by real horn players. Also notice how the effects have been

applied to the sound and how they make it sound full and realistic without sacriﬁcing the unique character

of each individual instrument.

• “Opus 7”

By: Etsuji Ogawa

As its name suggests, seven separate motifs have been combined to make up this piece. Notice how each

section concentrates on a speciﬁc genre of music and faithfully reproduces the feel and sound of the genre

with a minimum of instruments, and spotlights a wide variety of solo instruments.

• “Gale”

By: Katsumi Nagae

This techno/dance song shows what can be done with just the PLG100-XG and a little programming wiz-

ardry. Listen especially to the intricate use of dual hi hats and snare over the four-beat techno kick drum,

and check out the use of ﬁlter sweeps on the synth sounds for added dynamic effects and textures.

• “Endless Night”

By: Takashi Morio

This piece features several distinct musical sections and blends elements of funk, pop and R&B. To

strengthen the rhythm part in the middle section, overdrive (an Insertion effect) has been applied to the

drums, and the ﬁlter controls for the bass have been tweaked for added “fatness” — by increasing in the

resonance and lowering the cutoff frequency.

Overview of the PLG100-XG

Installing the Software

■

Installing XGworks lite 3.0 (for Windows 98/95 only)

Insert the included CD-ROM and double-click the “Setup.exe” ﬁle in the “XGworks” folder on the

CD-ROM. Follow the subsequent instructions on the screen to complete the installation.

■

Installing XG Editor for Mac 2.1 (for Macintosh only)

Installing XG Editor for Mac 2.1 (for Macintosh only) Insert the included CD-ROM and double-click

the “Install XG Editor 2.1E” ﬁle (folder: International

→

XG Editor) on the CD-ROM. Follow the

subsequent instructions on the screen to complete the installation.

Playing XG Song Data / Editing XG Voices — Port Settings

In order to properly play back XG song data with the PLG100-XG installed to a Plug-in-compatible

device, you’ll need to make a few settings, as described below. (The instruction steps below assume

that you are using XGworks V3.0 and the Yamaha CBX Driver software. If you are using another

sequence software and driver, refer to the owner’s manuals or online help of those programs.)

Set the Yamaha CBX Driver to Multiport operation.

Double-click on the Yamaha CBX Driver icon in the Windows Control Panel.

Select the appropriate port within XGworks.

Start XGworks, then open the System Setup dialog by clicking “System Setup” in the Setup

menu. Select the Device tab, and set the MIDI OUT ports (1 - 6) to the desired CBX Drivers (A -

E). (Which Driver letter applies to the PLG100-XG depends on your particular instrument; see

below for details.)

Any Driver letter A through E can be assigned to any MIDI OUT port number; however, the same

Driver letter cannot be assigned to two different ports. This means that one of the ports will be

left unassigned.

Overview of the PLG100-XG

Set the speciﬁc port (and driver) to be used, depending on your particular

application or instrument, as described below.

●

When Playing XG Song Data from XGworks

In the Track View window of XGworks, set each track’s Port to the appropriate number for use

with the PLG100-XG. This will differ depending on your particular instrument.

• For Modular Synthesis Plug-in System instruments (such as the CS6x, CS6R, S80, etc.),

select the Port corresponding to “Yamaha CBX A Driver.”

• For 64-Part XG tone generators (such as the MU128 or MU2000), select the Port correspond-

ing to “Yamaha CBX E Driver.”

• For 32-Part XG tone generators (such as the MU100R or SW1000XG), select the Port corre-

sponding to “Yamaha CBX C Driver.”

Overview of the PLG100-XG

●

When Editing XG Voices Using the XG Editor in XGworks

Start the XG Editor (select “XG Editor” in the Window menu). From the XG Editor, select “XG

Editor Setup” in the Setup menu and set “Part 1 - 16” to the appropriate MIDI OUT Port for use

with the PLG100-XG. This will differ depending on your particular instrument.

• For Modular Synthesis Plug-in System instruments (such as the CS6x, CS6R, S80, etc.),

select the Port corresponding to “Yamaha CBX A Driver.”

• For 64-Part XG tone generators (such as the MU100 or MU128 ), select the Port correspond-

ing to “Yamaha CBX E Driver.”

• For 32-Part XG tone generators (such as the MU100R or SW1000XG), select the Port corre-

sponding to “Yamaha CBX C Driver.”

Selecting XG Voices

(Modular Synthesis Plug-in System)

When the PLG100-XG is installed to a MSPS-compatible instrument, the XG voices can be selected

in much the same way as the internal voices of the instrument. A different voice can be selected for

each of the sixteen Parts, corresponding to the sixteen MIDI channels.

The example displays used in the following explanations are all taken from the CS6x.

Press the PERFORM button.

Press the EDIT button.

Use knob A to select the desired Part (from 17 - 32), then select the desired

voice by using the BANK and PROGRAM buttons.

●

You can also use knobs B and C to select the bank number and program number, respectively.

●

When the cursor is at the bank number or program number position, you can also change the

respective number by using the DEC/INC buttons.

For a complete list of the available banks and their MSB/LSB values, refer to the “XG Voice List” on

page 14.

●

When using MU-series instruments (such as the MU100 or MU128), keep in mind that the PLG100-XG voices

can only be selected remotely from the connected computer, and not from the front panel of the instrument

itself.

●

When playing back song data (of any format) with the CS6X/CS6R/S80, you may ﬁnd that even though the

voices change properly, the voice names shown in the LCD may not.

Also, after playing back song data of a format that is neither XG nor GM, you may ﬁnd that the voices sound

correct but that the voice names shown in the LCD do not seem to match. In this case, you may want to reset

the instrument so that the voices display properly. To do this, send a XG System On or GM System On mes-

sage (play back an XG or GM song; the appropriate message is at the beginning of the song), or turn the

power of the instrument off and on again.

GEN Name) Ctgry a-Z 0-? Cursor

Common [Co:Rap Round ]

MIX Vce) Bank Number

Part17 NORM/000 001(A01)[--:GrandPno]

Editing the XG Part Parameters

(Modular Synthesis Plug-in System)

Keep in mind that the XG Part parameter values and settings as edited in the manner below repre-

sent offsets of the actual voice settings. This means that adjustments made to the parameters may

not result in much change to the actual sound, depending on the original settings of the voice. For

parameter values, a setting of “0” results in no change, while positive and negative values increase

and decrease the value respectively.

1 Select the desired XG voice, as described in Selecting XG Voices on page

11.

2 Select the desired parameter for editing by using the PAGE knob.

3 Change the value/setting of the selected XG Part parameter by using the

appropriate knob (below the corresponding parameter) or by using the

DEC/INC buttons (when the cursor is at the corresponding parameter).

The actual parameter names may differ, depending on whether the instrument you are using is

XG Plug-in System compatible or Modular Synthesis Plug-in System compatible. For details,

refer to the Parameter List (XG/Modular Synthesis Plug-in System) on page 25.

XG Part parameter edits cannot be stored as voice data. However, if you are using the CS6x, CS6R,

or S80, you can store the data to a Memory Card. (Use the “Save” function in the Card mode; for

detailed instructions, refer to the owner’s manual of your particular instrument.)

TON EG) Attack Decay Sustain Release

Part16 + 0 + 0 + 0 + 0

Parameters

Performance Parameters

Bank Select MSB/LSB 0...127 Determines the bank number (by MSB and LSB) of the Part's voice.

Program Number 1...128 Determines the speciﬁc voice (by program number) of the Part.

Receive Channel 1...16, off Determines the MIDI receive channel for the Performance.

Velocity Limit Low 1...127 Determines the lowest velocity at which the Part's voice will play.

Velocity Limit High 1...127 Determines the highest velocity at which the Part's voice will play.

Note Limit Low C-2...G8 Determines the lowest responding note for the Part's voice.

Note Limit High C-2...G8 Determines the highest responding note for the Part's voice.

Pitch Bend Range -24...+24 Determines the pitch range of the MIDI Pitch Bend (in semitone steps).

Velocity Sense Depth 0...127 Determines the degree to which velocity affects the Part's voice.

Velocity Sense Offset 0...127 Boosts or reduces all velocity values for the Part's voice by the speciﬁed amount, letting you tailor

how the level responds to your playing touch.

Volume 0...127 Determines the overall level of the Part's voice.

Pan RND, L63...C...R63 Determines the stereo position of the Part's voice.

Detune -12.8...+12.7[Hz] Determines the ﬁne tuning of the Part's voice in 0.1-Hz increments.

Reverb Send 0...127 Determines the level of the Part's voice that is sent to the Reverb effect, letting you adjust the amount

of the Reverb applied to the voice.

Chorus Send 0...127 Determines the level of the Part's voice that is sent to the Chorus effect, letting you adjust the

amount of the Chorus applied to the voice.

Note Shift -24...+24[semitone] Determines the key transposition setting for the Part's voice (in semitone steps).

Filter Cutoff Frequency -64...+63 Determines the cutoff frequency of the low pass ﬁlter.

Filter Resonance/Width -64...+63 Determines the amount of ﬁlter resonance or emphasis of the Filter Cutoff Frequency above; it also

affects the width of the frequency range to which resonance is applied.

Portamento Switch off, on Determines whether Portamento (continuous pitch glide) is on or off for the Part's voice.

Portamento Time 0...127 Determines the time of the Portamento effect (how long it takes to slide the pitch from one note to the

next).

AEG Attack Time -64...+63 Determines the time it takes for the sound to reach full volume when a note is played.

AEG Decay2 Time -64...+63 Determines the time it takes for the sound to decrease in level to silence (as the note is held).

AEG Release Time -64...+63 Determines the time it takes for the sound to decrease in level to silence (after the note is released).

MW Filter Control -64...+63 Determines the degree to which the modulation wheel affects the Filter Cutoff Frequency (low pass

ﬁlter).

MW Amplitude Control -64...+63 Determines the degree to which the modulation wheel affects the volume (amplitude).

MW LFO Pitch

Modulation Depth

0...127 Determines the degree to which the modulation wheel affects the LFO-controlled pitch modulation.

MW LFO Filter

Modulation Depth

0...127 Determines the degree to which the modulation wheel affects the LFO-controlled Filter modulation

(produces a “wah-wah” effect).

MW LFO Amplitude

Modulation Depth

0...127 Determines the degree to which the modulation wheel affects the LFO-controlled amplitude (volume)

modulation.

CAT Pitch Control -24...+24[semitone] Determines the degree to which channel after touch affects the pitch.

CAT Filter Control -64...+63 Determines the degree to which channel after touch affects the Filter.

CAT Amplitude Control -64...+63 Determines the degree to which channel after touch affects the volume (amplitude).

CAT LFO Pitch

Modulation Depth

0...127 Determines the degree to which channel after touch affects the LFO-controlled pitch modulation.

CAT LFO Filter

Modulation Depth

0...127 Determines the degree to which channel after touch affects the LFO-controlled Filter modulation

(produces a “wah-wah” effect).

CAT LFO Amplitude

Modulation Depth

0...127 Determines the degree to which channel after touch affects the LFO-controlled amplitude (volume)

modulation.

AC1 Controller Number 0...95 Determines which MIDI control change number is assigned to Assignable Controller 1 (AC1) for the

selected Part.

AC1 Filter Control -64...+63 Determines the degree to which Assignable Controller 1 (AC1) affects the Cutoff Frequency of the

Filter.

AC1 Amplitude Control -64...+63 Determines the degree to which Assignable Controller 1 (AC1) affects the volume (amplitude).

AC1 LFO Pitch

Modulation Depth

0...127 Determines the degree to which Assignable Controller 1 (AC1) affects the LFO-controlled pitch mod-

ulation.

AC1 LFO Filter

Modulation Depth

0...127 Determines the degree to which Assignable Controller 1 (AC1) affects the LFO-controlled Filter mod-

ulation (produces a “wah-wah” effect).

AC1 LFO Amplitude

Modulation Depth

0...127 Determines the degree to which Assignable Controller 1 (AC1) affects the LFO-controlled amplitude

(volume) modulation.

System Parameters

Master Volume 0...127 Determines the overall volume of the PLG100-XG.

Master Note Shift -24...+24[semitone] Determines the overall key transposition setting of the PLG100-XG (in semitone steps).

Master Tune -102.4...+102.3[cent] Determines the overall ﬁne tuning setting of the PLG100-XG (in 0.1-cent increments).

XG Voice List (Normal voice)

■

Bank Select MSB=00

: Same as Bank 0 : No sound E : Element number

KSP Stereo Single Slow Fast Decay

Double Attack

Bright Dark Rsonant Attack

Instrument

Group

Pgm#

Bank 0

Bank Select LSB=00

Bank 0 E Bank 1 E Bank 3 E Bank 6 E Bank 8 E Bank 12 E Bank 14 E Bank 16 E Bank 17 E Bank 18 E Bank 19 E Bank 20 E Bank 24 E

Piano 1 Acoustic Grand Piano GrandPno 1 GrndPnoK 1

MelloGrP 1

2 Bright Acoustic Piano BritePno 1 BritPnoK 1

3 Electric Grand Piano El.Grand 2 ElGrPnoK 2

4 Honky-tonk Piano HnkyTonk 2 HnkyTnkK 2

5 Electric Piano 1 E.Piano1 2 El.Pno1K 1 MelloEP1 2

6 Electric Piano 2 E.Piano2 2 El.Pno2K 1

7 Harpsichord Harpsi. 1 Harpsi.K 1

8 Clavi Clavi. 2 Clav K 1

Chromatic 9 Celesta Celesta 1

Percussion 10 Glockenspiel Glocken 1

11 Music Box MusicBox 2

12 Vibraphone Vibes 1 Vibes K 1

13 Marimba Marimba 1 MarimbaK 1

14 Xylophone Xylophon 1

15 Tubular Bells TubulBel 1

16 Dulcimer Dulcimer 1

Organ 17 Drawbar Organ 1 DrawOrgn 1

18 Percussive Organ PercOrgn 1 70sPcOr1 2

19 Rock Organ RockOrgn 2

20 Church Organ 1 ChrchOrg 2

21 Reed Organ ReedOrgn 1

22 Accordion Acordion 2

23 Hamonica Harmnica 1

24 Tango Accordion TangoAcd 2

Guitar 25 Acoustic Guitar (nylon) 1 NylonGtr 1 NylonGt2 1

26 Acoustic Guitar (steel) SteelGtr 1 SteelGt2 1

27 Electric Guitar (jazz) Jazz Gtr 1 MelloGtr 1

28 Electric Guitar (clean) CleanGtr 1

29 Electric Guitar (muted) Mute.Gtr 1

30 Overdriven Guitar Ovrdrive 1

31 Distortion Guitar Dist.Gtr 1

32 Guitar Harmonics GtrHarmo 1

Bass 33 Acoustic Bass Aco.Bass 1

34 Electric Bass (ﬁnger) FngrBass 1 FingrDrk 2

35 Electric Bass (pick) PickBass 1

36 Fretless Bass Fretless 1

37 Slap Bass 1 SlapBas1 1

38 Slap Bass 2 SlapBas2 1

39 Synth Bass 1 SynBass1 1 SynBa1Dk 1 FastResB 1 AcidBass 1

40 Synth Bass 2 SynBass2 2 MelloSBa 1 Seq Bass 2 ClkSynBa 2 SynBa2Dk 1

Strings 41 Violin Violin 1 Slow Vln 1

42 Viola Viola 1

43 Cello Cello 1

44 Contrabass Contrabs 1

45 Tremolo Strings Trem.Str 1 SlwTrStr 1

46 Pizzicato Strings Pizz.Str 1

47 Orchestral Harp Harp 1

48 Timpani Timpani 1

Ensemble 49 String Ensemble 1 Strings1 1 S.Strngs 2 Slow Str 1 Arco Str 2

50 String Ensemble 2 Strings2 1 S.SlwStr 2 LegatoSt 2

51 Synth Strings 1 Syn.Str1 2

52 Synth Strings 2 Syn.Str2 2

53 Choir Aahs ChoirAah 1 S.Choir 2 Ch.Aahs2 2

54 Voice Oohs VoiceOoh 1

55 Synth Voice SynVoice 1

56 Orchestra Hit Orch.Hit 2

Brass 57 Trumpet Trumpet 1 Trumpet2 1 BriteTrp 2

58 Trombone Trombone 1 Trmbone2 2

59 Tuba Tuba 1 Tuba 2 1

60 Muted Trumpet Mute.Trp 1

61 French Horn Fr. Horn 2 FrHrSolo 1

62 Brass Section 1 BrasSect 1

63 Synth Brass 1 SynBrss1 2 Quack Br 2 RezSynBr 2 PolyBrss 2

64 Synth Brass 2 SynBrss2 1 Soft Brs 2

Reed 65 Soprano Sax SprnoSax 1

66 Alto Sax Alto Sax 1

67 Tenor Sax TenorSax 1

68 Baritone Sax Bari.Sax 1

69 Oboe Oboe 2

70 English Horn Eng.Horn 1

71 Bassoon Bassoon 1

72 Clarinet Clarinet 1

Pipe 73 Piccolo Piccolo 1

74 Flute Flute 1

75 Recorder Recorder 1

76 Pan Flute PanFlute 1

77 Blown Bottle Bottle 2

78 Shakuhachi Shakhchi 2

79 Whistle Whistle 1

80 Ocarina Ocarina 1

Synth Lead 81 Lead 1 (square) SquareLd 2 SquarLd2 1 LMSquare 2 Hollow 1 Shroud 2

82 Lead 2 (sawtooth) Saw Ld 2 Saw Ld 2 1 ThickSaw 2 Dyna Saw 1 Digi Saw 2 Big Lead 2 HeavySyn 2

83 Lead 3 (calliope) CaliopLd 2

84 Lead 4 (chiff) Chiff Ld 2

85 Lead 5 (charang) CharanLd 2

86 Lead 6 (voice) Voice Ld 2 SynthAah 2

87 Lead 7 (ﬁfths) Fifth Ld 2

88 Lead 8 (bass+lead) Bass&Ld 2 Big&Low 2

Synth Pad 89 Pad 1 (new age) NewAgePd 2

90 Pad 2 (warm) Warm Pad 2 ThickPad 2 Soft Pad 2 Sine Pad 2

91 Pad 3 (polysynth) PolySyPd 2

92 Pad 4 (choir) ChoirPad 2

93 Pad 5 (bowed) BowedPad 2

94 Pad 6 (metallic) MetalPad 2

95 Pad 7 (halo) Halo Pad 2

96 Pad 8 (sweep) SweepPad 2 Shwimmer 2

Synth Effects 97 FX 1 (rain) Rain 2

98 FX 2 (soundtrack) SoundTrk 2

99 FX 3 (crystal) Crystal 2 SynDrCmp 2 Popcorn 2 TinyBell 2

100 FX 4 (atmosphere) Atmosphr 2 WarmAtms 2 HollwRls 2

101 FX 5 (brightness) Bright 2

102 FX 6 (goblins) Goblins 2

103 FX 7 (echoes) Echoes 2 Echoes 2 2 Echo Pan 2

104 FX 8 (sci-ﬁ) Sci-Fi 2

Ethnic 105 Sitar Sitar 1

106 Banjo Banjo 1

107 Shamisen Shamisen 1

108 Koto Koto 1

109 Kalimba Kalimba 1

110 Bagpipe Bagpipe 2

111 Fiddle Fiddle 1

112 Shanai Shanai 1

Percussive 113 Tinkle Bell TnklBell 2

114 Agogo Agogo 2

115 Steel Drums SteelDrm 2

116 Woodblock Woodblok 1

117 Taiko Drum TaikoDrm 1

118 Melodic Tom 1 MelodTom 2

119 Synth Drum Syn Drum 1

120 Reverse Cymbal RevCymbl 1

Sound Effects 121 Guitar Fret Noise FretNoiz 2

122 Breath Noise BrthNoiz 2

123 Seashore Seashore 2

124 Bird Tweet Tweet 2

125 Telephone Ring Telphone 1

126 Helicopter Helicptr 1

127 Applause Applause 1

128 Gunshot Gunshot 1

Appendix

XG Voice List (Normal voice)

: Same as Bank 0 : No sound E : Element number

Release Rezo Sweep Muted Detune 1 Detune 2 Detune 3 Octave 1 Octave 2 5th 1 5th 2 Bend Tutti

Instrument

Group

Pgm#

Bank 0

Bank Select LSB=00

Bank 0 E Bank 25 E Bank 27 E Bank 28 E Bank 32 E Bank 33 E Bank 34 E Bank 35 E Bank 36 E Bank 37 E Bank 38 E Bank 39 E Bank 40 E

Piano 1 Acoustic Grand Piano GrandPno 1

PianoStr 2

2 Bright Acoustic Piano BritePno 1

3 Electric Grand Piano El.Grand 2 Det.CP80 2 LayerCP1 2

4 Honky-tonk Piano HnkyTonk 2

5 Electric Piano 1 E.Piano1 2 Chor.EP1 2 HardEl.P 2

6 Electric Piano 2 E.Piano2 2 Chor.EP2 2 DX Hard 2 DXLegend 2 DX Phase 2

7 Harpsichord Harpsi. 1 Harpsi.2 2 Harpsi.3 2

8 Clavi Clavi. 2 ClaviWah 2

Chromatic 9 Celesta Celesta 1

Percussion 10 Glockenspiel Glocken 1

11 Music Box MusicBox 2

12 Vibraphone Vibes 1

13 Marimba Marimba 1

14 Xylophone Xylophon 1

15 Tubular Bells TubulBel 1

16 Dulcimer Dulcimer 1 Dulcimr2 2

Organ 17 Drawbar Organ 1 DrawOrgn 1 DetDrwOr 2 60sDrOr1 2 60sDrOr2 2 70sDrOr1 2 DrawOrg2 2 60sDrOr3 2 Even Bar 2 16+2"2/3 2

18 Percussive Organ PercOrgn 1 DetPrcOr 2 Lite Org 2 PercOrg2 2

19 Rock Organ RockOrgn 2

20 Church Organ 1 ChrchOrg 2 ChurOrg3 2 ChurOrg2 2 NotreDam 2

21 Reed Organ ReedOrgn 1 Puff Org 2

22 Accordion Acordion 2 AccordIt 2

23 Hamonica Harmnica 1 Harmo. 2 2

24 Tango Accordion TangoAcd 2

Guitar 25 Acoustic Guitar (nylon) 1 NylonGtr 1 NylonGt3 2

26 Acoustic Guitar (steel) SteelGtr 1 12StrGtr 2 Nyln&Stl 2

27 Electric Guitar (jazz) Jazz Gtr 1 Jazz Amp 2

28 Electric Guitar (clean) CleanGtr 1 ChorusGt 2

29 Electric Guitar (muted) Mute.Gtr 1 FunkGtr1 2

30 Overdriven Guitar Ovrdrive 1

31 Distortion Guitar Dist.Gtr 1 FeedbkGt 2

32 Guitar Harmonics GtrHarmo 1

Bass 33 Acoustic Bass Aco.Bass 1 JazzRthm 2

34 Electric Bass (ﬁnger) FngrBass 1 FlangeBa 2 Ba&DstEG 2

35 Electric Bass (pick) PickBass 1 MutePkBa 1

36 Fretless Bass Fretless 1 Fretles2 2 Fretles3 2 Fretles4 2

37 Slap Bass 1 SlapBas1 1 ResoSlap 1 PunchThm 2

38 Slap Bass 2 SlapBas2 1

39 Synth Bass 1 SynBass1 1 Clv Bass 2 TechnoBa 2

40 Synth Bass 2 SynBass2 2 SmthSynB 2 ModulrBa 2

Strings 41 Violin Violin 1

42 Viola Viola 1

43 Cello Cello 1

44 Contrabass Contrabs 1

45 Tremolo Strings Trem.Str 1 Susp.Str 2

46 Pizzicato Strings Pizz.Str 1

47 Orchestral Harp Harp 1 YangChin 2

48 Timpani Timpani 1

Ensemble 49 String Ensemble 1 Strings1 1 60sStrng 2 Orchestr 2

50 String Ensemble 2 Strings2 1 Warm Str 2

51 Synth Strings 1 Syn.Str1 2 Reso Str 2

52 Synth Strings 2 Syn.Str2 2

53 Choir Aahs ChoirAah 1 MelChoir 2 ChoirStr 2

54 Voice Oohs VoiceOoh 1

55 Synth Voice SynVoice 1 SyVoice2 2

56 Orchestra Hit Orch.Hit 2 OrchHit2 2

Brass 57 Trumpet Trumpet 1 Warm Trp 2

58 Trombone Trombone 1

59 Tuba Tuba 1

60 Muted Trumpet Mute.Trp 1

61 French Horn Fr. Horn 2 FrHorn 2 1 HornOrch 2

62 Brass Section 1 BrasSect 1 Tp&TbSec 2 BrssSec2 2

63 Synth Brass 1 SynBrss1 2 SynBrss3 2 JumpBrss 2

64 Synth Brass 2 SynBrss2 1 SynBrss4 2

Reed 65 Soprano Sax SprnoSax 1

66 Alto Sax Alto Sax 1 Sax Sect 2

67 Tenor Sax TenorSax 1 BrthTnSx 2

68 Baritone Sax Bari.Sax 1

69 Oboe Oboe 2

70 English Horn Eng.Horn 1

71 Bassoon Bassoon 1

72 Clarinet Clarinet 1

Pipe 73 Piccolo Piccolo 1

74 Flute Flute 1

75 Recorder Recorder 1

76 Pan Flute PanFlute 1

77 Blown Bottle Bottle 2

78 Shakuhachi Shakhchi 2

79 Whistle Whistle 1

80 Ocarina Ocarina 1

Synth Lead 81 Lead 1 (square) SquareLd 2

82 Lead 2 (sawtooth) Saw Ld 2 WaspySyn 2 PulseSaw 2

83 Lead 3 (calliope) CaliopLd 2

84 Lead 4 (chiff) Chiff Ld 2

85 Lead 5 (charang) CharanLd 2

86 Lead 6 (voice) Voice Ld 2

87 Lead 7 (ﬁfths) Fifth Ld 2 Big Five 2

88 Lead 8 (bass+lead) Bass&Ld 2

Synth Pad 89 Pad 1 (new age) NewAgePd 2

90 Pad 2 (warm) Warm Pad 2

91 Pad 3 (polysynth) PolySyPd 2

92 Pad 4 (choir) ChoirPad 2

93 Pad 5 (bowed) BowedPad 2

94 Pad 6 (metallic) MetalPad 2

95 Pad 7 (halo) Halo Pad 2

96 Pad 8 (sweep) SweepPad 2 Converge 2

Synth Effects 97 FX 1 (rain) Rain 2

98 FX 2 (soundtrack) SoundTrk 2 Prologue 2

99 FX 3 (crystal) Crystal 2 RndGlock 2 GlockChi 2

100 FX 4 (atmosphere) Atmosphr 2 Nylon EP 2

101 FX 5 (brightness) Bright 2

102 FX 6 (goblins) Goblins 2

103 FX 7 (echoes) Echoes 2

104 FX 8 (sci-ﬁ) Sci-Fi 2

Ethnic 105 Sitar Sitar 1 DetSitar 2 Sitar 2 2

106 Banjo Banjo 1 MuteBnjo 1

107 Shamisen Shamisen 1

108 Koto Koto 1

109 Kalimba Kalimba 1

110 Bagpipe Bagpipe 2

111 Fiddle Fiddle 1

112 Shanai Shanai 1

Percussive 113 Tinkle Bell TnklBell 2

114 Agogo Agogo 2

115 Steel Drums SteelDrm 2

116 Woodblock Woodblok 1

117 Taiko Drum TaikoDrm 1

118 Melodic Tom 1 MelodTom 2

119 Synth Drum Syn Drum 1

120 Reverse Cymbal RevCymbl 1

Sound Effects 121 Guitar Fret Noise FretNoiz 2

122 Breath Noise BrthNoiz 2

123 Seashore Seashore 2

124 Bird Tweet Tweet 2

125 Telephone Ring Telphone 1

126 Helicopter Helicptr 1

127 Applause Applause 1

128 Gunshot Gunshot 1

XG Voice List (Normal voice)

: Same as Bank 0 : No sound E : Element number

Velo-Switch Velo-Xfade other wave

Instrument

Group

Pgm#

Bank 0

Bank Select LSB=00

Bank 0 E Bank 41 E Bank 42 E Bank 43 E Bank 45 E Bank 64 E

Bank 65

E Bank 66 E Bank 67 E Bank 68 E Bank 69 E Bank 70 E Bank 71 E

Piano 1 Acoustic Grand Piano GrandPno 1 Dream 2

2 Bright Acoustic Piano BritePno 1

3 Electric Grand Piano El.Grand 2 LayerCP2 2

4 Honky-tonk Piano HnkyTonk 2

5 Electric Piano 1 E.Piano1 2 VX El.P1 2 60sEl.P1 1

6 Electric Piano 2 E.Piano2 2 DX+Analg 2 DXKotoEP 2 VX El.P2 2

7 Harpsichord Harpsi. 1

8 Clavi Clavi. 2 PulseClv 1 PierceCl 2

Chromatic 9 Celesta Celesta 1

Percussion 10 Glockenspiel Glocken 1

11 Music Box MusicBox 2 Orgel 2

12 Vibraphone Vibes 1 HardVibe 2

13 Marimba Marimba 1 SineMrmb 2

14 Xylophone Xylophon 1

15 Tubular Bells TubulBel 1

16 Dulcimer Dulcimer 1

Organ 17 Drawbar Organ 1 DrawOrgn 1 Organ Ba 1 70sDrOr2 2 CheezOrg 2 DrawOrg3 2

18 Percussive Organ PercOrgn 1

19 Rock Organ RockOrgn 2 RotaryOr 2 SloRotar 2 FstRotar 2

20 Church Organ 1 ChrchOrg 2 OrgFlute 2 TrmOrgFl 2

21 Reed Organ ReedOrgn 1

22 Accordion Acordion 2

23 Hamonica Harmnica 1

24 Tango Accordion TangoAcd 2 TngoAcd2 2

Guitar 25 Acoustic Guitar (nylon) 1 NylonGtr 1 VelGtHrm 2

26 Acoustic Guitar (steel) SteelGtr 1 Stl&Body 2

27 Electric Guitar (jazz) Jazz Gtr 1

28 Electric Guitar (clean) CleanGtr 1

29 Electric Guitar (muted) Mute.Gtr 1 MuteStlG 2 FunkGtr2 2 Jazz Man 1

30 Overdriven Guitar Ovrdrive 1 Gt.Pinch 2

31 Distortion Guitar Dist.Gtr 1 FeedbkG2 2

32 Guitar Harmonics GtrHarmo 1 GtFeedbk 1 GtrHrmo2 1

Bass 33 Acoustic Bass Aco.Bass 1 VXUprght 2

34 Electric Bass (ﬁnger) FngrBass 1 FngrSlap 2 FngBass2 2 Mod.Bass 2

35 Electric Bass (pick) PickBass 1

36 Fretless Bass Fretless 1

37 Slap Bass 1 SlapBas1 1

38 Slap Bass 2 SlapBas2 1 VeloSlap 2

39 Synth Bass 1 SynBass1 1 Orbiter 2 Sqr.Bass 1 RubberBa 2

40 Synth Bass 2 SynBass2 2 DX Bass 2 X WireBa 2

Strings 41 Violin Violin 1

42 Viola Viola 1

43 Cello Cello 1

44 Contrabass Contrabs 1

45 Tremolo Strings Trem.Str 1

46 Pizzicato Strings Pizz.Str 1

47 Orchestral Harp Harp 1

48 Timpani Timpani 1

Ensemble 49 String Ensemble 1 Strings1 1 Orchstr2 2 TremOrch 2 Velo.Str 2

50 String Ensemble 2 Strings2 1 Kingdom 2 70s Str 1 Strings3 1

51 Synth Strings 1 Syn.Str1 2 Syn Str4 2 Syn Str5 2

52 Synth Strings 2 Syn.Str2 2

53 Choir Aahs ChoirAah 1

54 Voice Oohs VoiceOoh 1

55 Synth Voice SynVoice 1 Choral 2 AnaVoice 1

56 Orchestra Hit Orch.Hit 2 Impact 2

Brass 57 Trumpet Trumpet 1

58 Trombone Trombone 1

59 Tuba Tuba 1

60 Muted Trumpet Mute.Trp 1

61 French Horn Fr. Horn 2

62 Brass Section 1 BrasSect 1 Hi Brass 2 MelloBrs 2

63 Synth Brass 1 SynBrss1 2 AnVelBr1 2 AnaBrss1 2

64 Synth Brass 2 SynBrss2 1 ChoirBrs 2 AnVelBr2 2 AnaBrss2 2

Reed 65 Soprano Sax SprnoSax 1

66 Alto Sax Alto Sax 1 HyprAlto 2

67 Tenor Sax TenorSax 1 SoftTenr 2 TnrSax 2 1

68 Baritone Sax Bari.Sax 1

69 Oboe Oboe 2

70 English Horn Eng.Horn 1

71 Bassoon Bassoon 1

72 Clarinet Clarinet 1

Pipe 73 Piccolo Piccolo 1

74 Flute Flute 1

75 Recorder Recorder 1

76 Pan Flute PanFlute 1

77 Blown Bottle Bottle 2

78 Shakuhachi Shakhchi 2

79 Whistle Whistle 1

80 Ocarina Ocarina 1

Synth Lead 81 Lead 1 (square) SquareLd 2 Mellow 2 SoloSine 2 SineLead 1

82 Lead 2 (sawtooth) Saw Ld 2 Dr. Lead 2 VeloLead 2

83 Lead 3 (calliope) CaliopLd 2 PureLead 2

84 Lead 4 (chiff) Chiff Ld 2 Rubby 2

85 Lead 5 (charang) CharanLd 2 DistLead 2 WireLead 2

86 Lead 6 (voice) Voice Ld 2 Vox Lead 2

87 Lead 7 (ﬁfths) Fifth Ld 2

88 Lead 8 (bass+lead) Bass&Ld 2 Fat&Prky 2 Soft Wrl 2

Synth Pad 89 Pad 1 (new age) NewAgePd 2 Fantasy 2

90 Pad 2 (warm) Warm Pad 2 Horn Pad 2 RotarStr 2

91 Pad 3 (polysynth) PolySyPd 2 PolyPd80 2 ClickPad 2 Ana. Pad 2 SquarPad 2

92 Pad 4 (choir) ChoirPad 2 Heaven 2 Itopia 2 CC Pad 2

93 Pad 5 (bowed) BowedPad 2 Glacier 2 GlassPad 2

94 Pad 6 (metallic) MetalPad 2 Tine Pad 2 Pan Pad 2

95 Pad 7 (halo) Halo Pad 2

96 Pad 8 (sweep) SweepPad 2 PolarPad 2 Celstial 2

Synth Effects 97 FX 1 (rain) Rain 2 ClaviPad 2 HrmoRain 2 AfrcnWnd 2 Carib 2

98 FX 2 (soundtrack) SoundTrk 2 Ancestrl 2

99 FX 3 (crystal) Crystal 2 ClearBel 2 ChorBell 2 SynMalet 1 SftCryst 2 LoudGlok 2 ChrstBel 2 VibeBell 2 DigiBell 2 AirBells 2 BellHarp 2

100 FX 4 (atmosphere) Atmosphr 2 NylnHarp 2 Harp Vox 2 AtmosPad 2 Planet 2

101 FX 5 (brightness) Bright 2 FantaBel 2

102 FX 6 (goblins) Goblins 2 GobSynth 2 Creeper 2 Ring Pad 2 Ritual 2 ToHeaven 2 Night 2 Glisten 2

103 FX 7 (echoes) Echoes 2 EchoBell 2 Big Pan 2 SynPiano 2 Creation 2 StarDust 2 Reso&Pan 2

104 FX 8 (sci-ﬁ) Sci-Fi 2 Starz 2

Ethnic 105 Sitar Sitar 1

106 Banjo Banjo 1

107 Shamisen Shamisen 1

108 Koto Koto 1

109 Kalimba Kalimba 1

110 Bagpipe Bagpipe 2

111 Fiddle Fiddle 1

112 Shanai Shanai 1 Shanai 2 1

Percussive 113 Tinkle Bell TnklBell 2

114 Agogo Agogo 2

115 Steel Drums SteelDrm 2

116 Woodblock Woodblok 1

117 Taiko Drum TaikoDrm 1

118 Melodic Tom 1 MelodTom 2 Mel Tom2 1 Real Tom 2 Rock Tom 2

119 Synth Drum Syn Drum 1 Ana Tom 1 ElecPerc 2

120 Reverse Cymbal RevCymbl 1

Sound Effects 121 Guitar Fret Noise FretNoiz 2

122 Breath Noise BrthNoiz 2

123 Seashore Seashore 2

124 Bird Tweet Tweet 2

125 Telephone Ring Telphone 1

126 Helicopter Helicptr 1

127 Applause Applause 1

128 Gunshot Gunshot 1

XG Voice List (Normal voice)

Instrument

Group

Pgm#

Bank 0

Bank Select LSB=00

Bank 0 E Bank 72 E Bank 96 E Bank 97 E Bank 98 E Bank 99 E

Bank 100

E Bank 101 E

Piano 1 Acoustic Grand Piano GrandPno 1

2 Bright Acoustic Piano BritePno 1

3 Electric Grand Piano El.Grand 2

4 Honky-tonk Piano HnkyTonk 2

5 Electric Piano 1 E.Piano1 2

6 Electric Piano 2 E.Piano2 2

7 Harpsichord Harpsi. 1

8 Clavi Clavi. 2

Chromatic 9 Celesta Celesta 1

Percussion 10 Glockenspiel Glocken 1

11 Music Box MusicBox 2

12 Vibraphone Vibes 1

13 Marimba Marimba 1 Balimba 2 Log Drum 2

14 Xylophone Xylophon 1

15 Tubular Bells TubulBel 1 ChrchBel 2 Carillon 2

16 Dulcimer Dulcimer 1 Cimbalom 2 Santur 2

Organ 17 Drawbar Organ 1 DrawOrgn 1

18 Percussive Organ PercOrgn 1

19 Rock Organ RockOrgn 2

20 Church Organ 1 ChrchOrg 2

21 Reed Organ ReedOrgn 1

22 Accordion Acordion 2

23 Hamonica Harmnica 1

24 Tango Accordion TangoAcd 2

Guitar 25 Acoustic Guitar (nylon) 1 NylonGtr 1 Ukulele 1

26 Acoustic Guitar (steel) SteelGtr 1 Mandolin 2

27 Electric Guitar (jazz) Jazz Gtr 1

28 Electric Guitar (clean) CleanGtr 1

29 Electric Guitar (muted) Mute.Gtr 1

30 Overdriven Guitar Ovrdrive 1

31 Distortion Guitar Dist.Gtr 1

32 Guitar Harmonics GtrHarmo 1

Bass 33 Acoustic Bass Aco.Bass 1

34 Electric Bass (ﬁnger) FngrBass 1

35 Electric Bass (pick) PickBass 1

36 Fretless Bass Fretless 1 SynFretl 2 SmthFrtl 2

37 Slap Bass 1 SlapBas1 1

38 Slap Bass 2 SlapBas2 1

39 Synth Bass 1 SynBass1 1 Hammer 2

40 Synth Bass 2 SynBass2 2

Strings 41 Violin Violin 1

42 Viola Viola 1

43 Cello Cello 1

44 Contrabass Contrabs 1

45 Tremolo Strings Trem.Str 1

46 Pizzicato Strings Pizz.Str 1

47 Orchestral Harp Harp 1

48 Timpani Timpani 1

Ensemble 49 String Ensemble 1 Strings1 1

50 String Ensemble 2 Strings2 1

51 Synth Strings 1 Syn.Str1 2

52 Synth Strings 2 Syn.Str2 2

53 Choir Aahs ChoirAah 1

54 Voice Oohs VoiceOoh 1

55 Synth Voice SynVoice 1

56 Orchestra Hit Orch.Hit 2

Brass 57 Trumpet Trumpet 1

58 Trombone Trombone 1

59 Tuba Tuba 1

60 Muted Trumpet Mute.Trp 1

61 French Horn Fr. Horn 2

62 Brass Section 1 BrasSect 1

63 Synth Brass 1 SynBrss1 2

64 Synth Brass 2 SynBrss2 1

Reed 65 Soprano Sax SprnoSax 1

66 Alto Sax Alto Sax 1

67 Tenor Sax TenorSax 1

68 Baritone Sax Bari.Sax 1

69 Oboe Oboe 2

70 English Horn Eng.Horn 1

71 Bassoon Bassoon 1

72 Clarinet Clarinet 1

Pipe 73 Piccolo Piccolo 1

74 Flute Flute 1

75 Recorder Recorder 1

76 Pan Flute PanFlute 1

77 Blown Bottle Bottle 2

78 Shakuhachi Shakhchi 2

79 Whistle Whistle 1

80 Ocarina Ocarina 1

Synth Lead 81 Lead 1 (square) SquareLd 2

82 Lead 2 (sawtooth) Saw Ld 2 Seq Ana. 2

83 Lead 3 (calliope) CaliopLd 2

84 Lead 4 (chiff) Chiff Ld 2

85 Lead 5 (charang) CharanLd 2

86 Lead 6 (voice) Voice Ld 2

87 Lead 7 (ﬁfths) Fifth Ld 2

88 Lead 8 (bass+lead) Bass&Ld 2

Synth Pad 89 Pad 1 (new age) NewAgePd 2

90 Pad 2 (warm) Warm Pad 2

91 Pad 3 (polysynth) PolySyPd 2

92 Pad 4 (choir) ChoirPad 2

93 Pad 5 (bowed) BowedPad 2

94 Pad 6 (metallic) MetalPad 2

95 Pad 7 (halo) Halo Pad 2

96 Pad 8 (sweep) SweepPad 2

Synth Effects 97 FX 1 (rain) Rain 2

98 FX 2 (soundtrack) SoundTrk 2

99 FX 3 (crystal) Crystal 2 Gamelmba 2

100 FX 4 (atmosphere) Atmosphr 2

101 FX 5 (brightness) Bright 2 Smokey 2

102 FX 6 (goblins) Goblins 2 BelChoir 2

103 FX 7 (echoes) Echoes 2

104 FX 8 (sci-ﬁ) Sci-Fi 2

Ethnic 105 Sitar Sitar 1 Tambra 2 Tamboura 2

106 Banjo Banjo 1 Rabab 2 Gopichnt 2 Oud 2

107 Shamisen Shamisen 1

108 Koto Koto 1 Taisho-k 2 Kanoon 2

109 Kalimba Kalimba 1

110 Bagpipe Bagpipe 2

111 Fiddle Fiddle 1

112 Shanai Shanai 1 Pungi 1 Hichriki 2

Percussive 113 Tinkle Bell TnklBell 2 Bonang 2 Altair 2 Gamelan 2 S.Gamlan 2 Rama Cym 2 AsianBel 2

114 Agogo Agogo 2

115 Steel Drums SteelDrm 2 GlasPerc 2 ThaiBell 2

116 Woodblock Woodblok 1 Castanet 1

117 Taiko Drum TaikoDrm 1 Gr.Cassa 1

118 Melodic Tom 1 MelodTom 2

119 Synth Drum Syn Drum 1

120 Reverse Cymbal RevCymbl 1

Sound Effects 121 Guitar Fret Noise FretNoiz 2

122 Breath Noise BrthNoiz 2

123 Seashore Seashore 2

124 Bird Tweet Tweet 2

125 Telephone Ring Telphone 1

126 Helicopter Helicptr 1

127 Applause Applause 1

128 Gunshot Gunshot 1

■

Bank Select MSB=64

SFX

Pch# Bank 0 E

1 CuttngNz 1

2 CttngNz2 2

4 Str Slap 1

17 Fl.KClik 1

33 Shower 1

34 Thunder 1

35 Wind 1

36 Stream 2

37 Bubble 2

38 Feed 2

49 Dog 1

50 Horse 1

51 Tweet 2 1

55 Ghost 2

56 Maou 2

65 PhonCall 1

66 DoorSqek 1

67 Door Slam 1

68 ScratchC 1

69 ScratchS 2

70 WindChim 1

71 Telphon2 1

81 CarEIgnt 1

82 CarTSqel 1

83 Car Pass 1

84 CarCrash 1

85 Siren 2

86 Train 1

87 JetPlane 2

88 Starship 2

89 Burst 2

90 Coaster 2

91 Submarin 2

97 Laugh 1

98 Scream 1

99 Punch 1

100 Heart 1

101 Footstep 1

102

103

104

105

106

107

108

109

110

111

112

113 MchinGun 1

114 LaserGun 2

115 Xplosion 2

116 Firework 2

117

118

119

120

121

122

123

124

125

126

127

128

: Same as Bank 0 : No sound E : Element number

XG Drum Map (Drum voice)

: Same as Standard Kit : No sound

Bank MSB# 127 127 127 127 127 127

Program # 1 2 9 17 25 26

Note# Note

Rcv

Note off

Alternate

Group

StandKit StndKit2 Room Kit Rock Kit ElctrKit AnalgKit

13 C

-1 3 Surdo Mute

14 D -1 3 Surdo Open

15 D

-1 Hi Q

16 E -1 Whip Slap

17 F -1 4 Scratch H

18 F

-1 4 Scratch L

19 G -1 Finger Snap

20 G

-1 Click Noise

21 A -1 Mtrnm Click

22 A

-1 Mtrnm Bell

23 B -1 Seq Click L

24 C 0 Seq Click H

25 C

0 Brush Tap

26 D 0 O Brush Swirl

27 D

0 Brush Slap

28 E 0 O BrushTapSwrl ReversCymbal ReversCymbal

29 F 0 O Snare Roll Snare Roll 2

30 F

0 Castanet Hi Q 2 Hi Q 2

31 G 0 Snare Soft Snare Soft 2 Snare Noisy SnrSnpyElctr SnareNoisy 4

32 G

0 Sticks

33 A 0 Kick Soft Kick Tight 2 Kick 3 Kick Tight 2

34 A

0 OpenRimShot RimShotHShrt

35 B 0 Kick Tight KickTghtShrt Kick 2 Kick Gate KickAnlgShrt

36 C 1 Kick Kick Short Kick Gate KckGateHeavy Kick Analog

37 C

1 Side Stick SideStickAn

38 D 1 Snare Snare Short Snare Snappy Snare Rock SnareNoisy 2 SnareAnalog

39 D

1 Hand Clap

40 E 1 Snare Tight SnareTight H SnrTightSnpy Snare Rock Rim SnareNoisy 3 SnareAnalog2

41 F 1 Floor Tom L Tom Room 1 Tom Rock 1 TomElectro 1 Tom Analog 1

42 F

1 1 Hi-HatClosed HatCloseAnlg

43 G 1 Floor Tom H Tom Room 2 Tom Rock 2 TomElectro 2 Tom Analog 2

44 G

1 1 Hi-Hat Pedal HatCloseAn 2

45 A 1 Low Tom Tom Room 3 Tom Rock 3 TomElectro 3 Tom Analog 3

46 A

1 1 Hi-Hat Open HatOpen Anlg

47 B 1 Mid Tom L Tom Room 4 Tom Rock 4 TomElectro 4 Tom Analog 4

48 C 2 Mid Tom H Tom Room 5 Tom Rock 5 TomElectro 5 Tom Analog 5

49 C

2 CrashCymbal1 Crash Analog

50 D 2 High Tom Tom Room 6 Tom Rock 6 TomElectro 6 Tom Analog 6

51 D

2 RideCymbal 1

52 E 2 Chinese Cym

53 F 2 Ride Cym Cup

54 F

2 Tambourine

55 G 2 SplashCymbal

56 G

2 Cowbell Cowbell Anlg

57 A 2 CrashCymbal2

58 A

2 Vibraslap

59 B 2 RideCymbal 2

60 C 3 Bongo H

61 C

3 Bongo L

62 D 3 Conga H Mute Conga Anlg H

63 D

3 Conga H Open Conga Anlg M

64 E 3 Conga L Conga Anlg L

65 F 3 Timbale H

66 F

3 Timbale L

67 G 3 Agogo H

68 G

3 Agogo L

69 A 3 Cabasa

70 A

3 Maracas Maracas 2

71 B 3 O SambaWhistlH

72 C 4 O SambaWhistlL

73 C

4 Guiro Short

74 D 4 O Guiro Long

75 D

4 Claves Claves 2

76 E 4 Wood Block H

77 F 4 Wood Block L

78 F

4 Cuica Mute Scratch H 2 Scratch H 2

79 G 4 Cuica Open Scratch L 2 Scratch L 2

80 G

4 2 TriangleMute

81 A 4 2 TriangleOpen

82 A

4 Shaker

83 B 4 Jingle Bells

84 C 5 Bell Tree

85 C

86 D 5

87 D

88 E 5

89 F 5

90 F

91 G 5

XG Drum Map (Drum voice)

Bank MSB# 127 127 127 127 127 126 126

Program # 1 28 33 41 49 1 2

Note# Note

Rcv

Note off

Alternate

Group

StandKit DanceKit Jazz Kit BrushKit SymphKit SFXKit 1 SFXKit 2

13 C

-1 3 Surdo Mute

14 D -1 3 Surdo Open

15 D

-1 Hi Q

16 E -1 Whip Slap

17 F -1 4 Scratch H

18 F

-1 4 Scratch L

19 G -1 Finger Snap

20 G

-1 Click Noise

21 A -1 Mtrnm Click

22 A

-1 Mtrnm Bell

23 B -1 Seq Click L

24 C 0 Seq Click H

25 C

0 Brush Tap

26 D 0 O Brush Swirl

27 D

0 Brush Slap

28 E 0 O BrushTapSwrl ReversCymbal

29 F 0 O Snare Roll

30 F

0 Castanet Hi Q 2

31 G 0 Snare Soft Snare Tchno 3 Brush Slap 2

32 G

0 Sticks

33 A 0 Kick Soft Kick Techno Q Kick Soft 2

34 A

0 OpenRimShot Rim Gate

35 B 0 Kick Tight Kick Techno L Gran Cassa

36 C 1 Kick Kick Techno 2 Kick Jazz Kick Small GranCassa Mu CuttingNoiz Phone Call

37 C

1 Side Stick Side Stick Analog CuttingNoiz Door Squeak

38 D 1 Snare Snare Clap Brush Slap 3 Band Snare Door Slam

39 D

1 Hand Clap String Slap Scratch Cut

40 E 1 Snare Tight Snare Dry 2 Brush Tap 2 Band Snare 2 Scratch H 3

41 F 1 Floor Tom L Tom Analog 1 Tom Jazz 1 Tom Brush 1 Tom Jazz 1 Wind Chime

42 F

1 1 Hi-HatClosed Hi-Hat Closed 3 Telephone 2

43 G 1 Floor Tom H Tom Analog 2 Tom Jazz 2 Tom Brush 2 Tom Jazz 2

44 G

1 1 Hi-Hat Pedal HatCloseAn 2

45 A 1 Low Tom Tom Analog 3 Tom Jazz 3 Tom Brush 3 Tom Jazz 3

46 A

1 1 Hi-Hat Open Hi-Hat Open 3

47 B 1 Mid Tom L Tom Analog 4 Tom Jazz 4 Tom Brush 4 Tom Jazz 4

48 C 2 Mid Tom H Tom Analog 5 Tom Jazz 5 Tom Brush 5 Tom Jazz 5

49 C

2 CrashCymbal1 Clash Analog Hand Cymbal

50 D 2 High Tom Tom Analog 6 Tom Jazz 6 Tom Brush 6 Tom Jazz 6

51 D

2 RideCymbal 1 HandCymShort

52 E 2 Chinese Cym Fl.Key Click CarEngnIgnit

53 F 2 Ride Cym Cup CarTireSqeal

54 F

2 Tambourine Car Passing

55 G 2 SplashCymbal Car Crash

56 G

2 Cowbell Cowbell Anlg Siren

57 A 2 CrashCymbal2 HandCymbal 2 Train

58 A

2 Vibraslap Jet Plane

59 B 2 RideCymbal 2 HandCym2Shrt Starship

60 C 3 Bongo H Burst

61 C

3 Bongo L Coaster

62 D 3 Conga H Mute Conga Anlg H Submarine

63 D

3 Conga H Open Conga Anlg M

64 E 3 Conga L Conga Anlg L

65 F 3 Timbale H

66 F

3 Timbale L

67 G 3 Agogo H

68 G

3 Agogo L Shower Laugh

69 A 3 Cabasa Thunder Scream

70 A

3 Maracas Maracas 2 Wind Punch

71 B 3 O SambaWhistlH Stream Heartbeat

72 C 4 O SambaWhistlL Bubble Footsteps

73 C

4 Guiro Short Feed

74 D 4 O Guiro Long

75 D

4 Claves Claves 2

76 E 4 Wood Block H

77 F 4 Wood Block L

78 F

4 Cuica Mute Scratch H 2

79 G 4 Cuica Open Scratch L 3

80 G

4 2 TriangleMute

81 A 4 2 TriangleOpen

82 A

4 Shaker

83 B 4 Jingle Bells

84 C 5 Bell Tree Dog Machine Gun

85 C

5 Horse Laser Gun

86 D 5 Bird Tweet 2 Explosion

87 D

5 FireWork

88 E 5

89 F 5

90 F

5 Ghost

91 G 5 Maou

Effect Parameter List

Parameters marked with a

●

in the “Control” column can be controlled from an AC1 (assignable controller 1) etc.

However, this is valid only for a Variation effect (when selected for Insertion).

HALL1,HALL2

ROOM1,ROOM2,ROOM3

STAGE1,STAGE2

PLATE (reverb, variation block)

WHITE ROOM

TUNNEL

BASEMENT (reverb block)

DELAY L,C,R (variation block)

DELAY L,R (variation block)

ECHO (variation block)

CROSS DELAY (variation block)

EARLY REF1,EARLY REF2(variation block)

GATE REVERB

REVERSE GATE (variation block)

No. Parameter Display Value See Table Control

1 Reverb Time 0.3 - 30.0s 0 - 69 table#4

2 Diffusion 0 - 10 0 - 10

3 Initial Delay 0.1 - 99.3ms 0 - 63 table#5

4 HPF Cutoff Thru - 8.0kHz 0 - 52 table#3

5 LPF Cutoff 1.0k - Thru 34 - 60 table#3

10 Dry/Wet D63>W - D=W - D<W63 1 - 127

●

11 Rev Delay 0 - 63 0 - 63 table#5

12 Density 0 - 3 0 - 3

13 Er/Rev Balance E63>R - E=R - E<R63 1 - 127

15 Feedback Level -63 - +63 1 - 127

No. Parameter Display Value See Table Control

1 Reverb Time 0.3 - 30.0s 0 - 69 table#4

2 Diffusion 0 - 10 0 - 10

3 Initial Delay 0.1 - 99.3ms 0 - 63 table#5

4 HPF Cutoff Thru - 8.0kHz 0 - 52 table#3

5 LPF Cutoff 1.0k - Thru 34 - 60 table#3

6 Width 0.5 - 10.2m 0 - 37 table#8

7 Heigt 0.5 - 20.2m 0 - 73 table#8

8 Depth 0.5 - 30.2m 0 - 104 table#8

9 Wall Vary 0 - 30 0 - 30

11 Rev Delay 0 - 63 0 - 63 table#5

12 Density 0 - 3 0 - 3

13 Er/Rev Balance E63>R - E=R - E<R63 1 - 127

15 Feedback Level -63 - +63 1 - 127

No. Parameter Display Value See Table Control

1 Lch Delay 0.1 - 715.0ms (variation block) 1 - 7150

2 Rch Delay 0.1 - 715.0ms (variation block) 1 - 7150

3 Cch Delay 0.1 - 715.0ms (variation block) 1 - 7150

4 Feedback Delay 0.1 - 715.0ms (variation block) 1 - 7150

5 Feedback Level -63 - +63 1 - 127

6 Cch Level 0 - 127 0 - 127

7 High Damp 0.1 - 1.0 1 - 10

10 Dry/Wet D63>W - D=W - D<W63 1 - 127

●

13 EQ Low Frequency 50Hz - 2.0kHz 8 - 40 table#3

14 EQ Low Gain -12 - +12dB 52 - 76

15 EQ High Frequency 500Hz - 16.0kHz 28 - 58 table#3

16 EQ High Gain -12 - +12dB 52 - 76

No. Parameter Display Value See Table Control

1 Lch Delay 0.1 - 715.0ms (variation block) 1 - 7150

2 Rch Delay 0.1 - 715.0ms (variation block) 1 - 7150

3 Feedback Delay 1 0.1 - 715.0ms (variation block) 1 - 7150

4 Feedback Delay 2 0.1 - 715.0ms (variation block) 1 - 7150

5 Feedback Level -63 - +63 1 - 127

6 High Damp 0.1 - 1.0 1 - 10

10 Dry/Wet D63>W - D=W - D<W63 1 - 127

●

13 EQ Low Frequency 50Hz - 2.0kHz 8 - 40 table#3

14 EQ Low Gain -12 - +12dB 52 - 76

15 EQ High Frequency 500Hz - 16.0kHz 28 - 58 table#3

16 EQ High Gain -12 - +12dB 52 - 76

No. Parameter Display Value See Table Control

1 Lch Delay1 0.1 - 355.0ms (variation block) 1 - 3550

2 Lch Feedback Level -63 - +63 1 - 127

3 Rch Delay1 0.1 - 355.0ms (variation block) 1 - 3550

4 Rch Feedback Level -63 - +63 1 - 127

5 High Damp 0.1 - 1.0 1 - 10

6 Lch Delay2 0.1 - 355.0ms (variation block) 1 - 3550

7 Rch Delay2 0.1 - 355.0ms (variation block) 1 - 3550

8 Delay2 Level 0 - 127 0 - 127

10 Dry/Wet D63>W - D=W - D<W63 1 - 127

●

13 EQ Low Frequency 50Hz - 2.0kHz 8 - 40 table#3

14 EQ Low Gain -12 - +12dB 52 - 76

15 EQ High Frequency 500Hz - 16.0kHz 28 - 58 table#3

16 EQ High Gain -12 - +12dB 52 - 76

No. Parameter Display Value See Table Control

1 L->R Delay 0.1 - 355.0ms (variation block) 1 - 3550

2 R->L Delay 0.1 - 355.0ms (variation block) 1 - 3550

3 Feedback Level -63 - +63 1 - 127

4 Input Select L,R,L&R 0 - 2

5 High Damp 0.1 - 1.0 1 - 10

10 Dry/Wet D63>W - D=W - D<W63 1 - 127

●

13 EQ Low Frequency 50Hz - 2.0kHz 8 - 40 table#3

14 EQ Low Gain -12 - +12dB 52 - 76

15 EQ High Frequency 500Hz - 16.0kHz 28 - 58 table#3

16 EQ High Gain -12 - +12dB 52 - 76

No. Parameter Display Value See Table Control

1 Type S-H, L-H, Rdm, Rvs, Plt, Spr 0 - 5

2 Room Size 0.1 - 7.0 0 - 44 table#6

3 Diffusion 0 - 10 0 - 10

4 Initial Delay 0.1 - 99.3ms 0 - 63 table#5

5 Feedback Level -63 - +63 1 - 127

6 HPF Cutoff Thru - 8.0kHz 0 - 52 table#3

7 LPF Cutoff 1.0k - Thru 34 - 60 table#3

10 Dry/Wet D63>W - D=W - D<W63 1 - 127

●

11 Liveness 0 - 10 0 - 10

12 Density 0 - 3 0 - 3

13 High Damp 0.1 - 1.0 1 - 10

No. Parameter Display Value See Table Control

1 Type TypeA,TypeB 0 - 1

2 Room Size 0.1 - 7.0 0 - 44 table#6

3 Diffusion 0 - 10 0 - 10

4 Initial Delay 0.1 - 99.3ms 0 - 63 table#5

5 Feedback Level -63 - +63 1 - 127

6 HPF Cutoff Thru - 8.0kHz 0 - 52 table#3

7 LPF Cutoff 1.0k - Thru 34 - 60 table#3

10 Dry/Wet D63>W - D=W - D<W63 1 - 127

●

11 Liveness 0 - 10 0 - 10

12 Density 0 - 3 0 - 3

13 High Damp 0.1 - 1.0 1 - 10

Effect Parameter List

KARAOKE1,2,3 (variation block)

CHORUS1,2,3,4

CELESTE1,2,3,4 (chorus, variation block)

FLANGER1,2,3 (chorus, variation block)

SYMPHONIC (variation block)

ROTARY SPEAKER (variation block)

TREMOLO (variation block)

AUTO PAN (variation block)

PHASER 1 (variation block)

No. Parameter Display Value See Table Control

1 Delay Time 0.1 - 400ms 0 - 127 table#7

2 Feedback Level -63 - +63 1 - 127

3 HPF Cutoff Thru - 8.0kHz 0 - 52 table#3

4 LPF Cutoff 1.0k - Thru 34 - 60 table#3

10 Dry/Wet D63>W - D=W - D<W63 1 - 127

●

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz - 39.7Hz 0 - 127 table#1

2 LFO Depth 0 - 127 0 - 127

3 Feedback Level -63 - +63 1 - 127

4 Delay Offset 0.0 - 50 0 - 127 table#2

6 EQ Low Frequency 50Hz - 2.0kHz 8 - 40 table#3

7 EQ Low Gain -12 - +12dB 52 - 76

8 EQ High Frequency 500Hz - 16.0kHz 28 - 58 table#3

9 EQ High Gain -12 - +12dB 52 - 76

10 Dry/Wet D63>W - D=W - D<W63 1 - 127

●

15 Input Mode mono/stereo 0 - 1

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz - 39.7Hz 0 - 127 table#1

2 LFO Depth 0 - 127 0 - 127

3 Feedback Level -63 - +63 1 - 127

4 Delay Offset 0 - 63 0 - 63 table#2

6 EQ Low Frequency 50Hz - 2.0kHz 8 - 40 table#3

7 EQ Low Gain -12 - +12dB 52 - 76

8 EQ High Frequency 500Hz - 16.0kHz 28 - 58 table#3

9 EQ High Gain -12 - +12dB 52 - 76

10 Dry/Wet D63>W - D=W - D<W63 1 - 127

●

LFO Phase Difference

-180 - +180deg 4 - 124 resolution=3deg.

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz - 39.7Hz 0 - 127 table#1

2 LFO Depth 0 - 127 0 - 127

3 Delay Offset 0.0 - 50 0 - 127 table#2

6 EQ Low Frequency 50Hz - 2.0kHz 8 - 40 table#3

7 EQ Low Gain -12 - +12dB 52 - 76

8 EQ High Frequency 500Hz - 16.0kHz 28 - 58 table#3

9 EQ High Gain -12 - +12dB 52 - 76

10 Dry/Wet D63>W - D=W - D<W63 1 - 127

●

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz - 39.7Hz 0 - 127 table#1

●

2 LFO Depth 0 - 127 0 - 127

6 EQ Low Frequency 50Hz - 2.0kHz 8 - 40 table#3

7 EQ Low Gain -12 - +12dB 52 - 76

8 EQ High Frequency 500Hz - 16.0kHz 28 - 58 table#3

9 EQ High Gain -12 - +12dB 52 - 76

10 Dry/Wet D63>W - D=W - D<W63 1 - 127

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz - 39.7Hz 0 - 127 table#1

●

2 AM Depth 0 - 127 0 - 127

3 PM Depth 0 - 127 0 - 127

6 EQ Low Frequency 50Hz - 2.0kHz 8 - 40 table#3

7 EQ Low Gain -12 - +12dB 52 - 76

8 EQ High Frequency 500Hz - 16.0kHz 28 - 58 table#3

9 EQ High Gain -12 - +12dB 52 - 76

LFO Phase Difference

-180 - +180deg 4 - 124 resolution=3deg.

15 Input Mode mono/stereo 0 - 1

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz - 39.7Hz 0 - 127 table#1

●

2 L/R Depth 0 - 127 0 - 127

3 F/R Depth 0 - 127 0 - 127

4 PAN Direction

L<->R,L->R,L<-R,Lturn,Rturn,L/R

0 - 5

6 EQ Low Frequency 50Hz - 2.0kHz 8 - 40 table#3

7 EQ Low Gain -12 - +12dB 52 - 76

8 EQ High Frequency 500Hz - 16.0kHz 28 - 58 table#3

9 EQ High Gain -12 - +12dB 52 - 76

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz - 39.7Hz 0 - 127 table#1

2 LFO Depth 0 - 127 0 - 127

3 Phase Shift Offset 0 - 127 0 - 127

4 Feedback Level -63 - +63 1 - 127

6 EQ Low Frequency 50Hz - 2.0kHz 8 - 40 table#3

7 EQ Low Gain -12 - +12dB 52 - 76

8 EQ High Frequency 500Hz - 16.0kHz 28 - 58 table#3

9 EQ High Gain -12 - +12dB 52 - 76

10 Dry/Wet D63>W - D=W - D<W63 1 - 127

●

11 Stage 6 - 10 6 - 10

Effect Parameter List

PHASER 2 (variation block)

DISTORTION

OVERDRIVE (variation block)

AMP SIMULATOR (variation block)

3BAND EQ(MONO) (variation block)

2BAND EQ(STEREO) (variation block)

AUTO WAH (variation block)

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz - 39.7Hz 0 - 127 table#1

2 LFO Depth 0 - 127 0 - 127

3 Phase Shift Offset 0 - 127 0 - 127

4 Feedback Level -63 - +63 1 - 127

6 EQ Low Frequency 50Hz - 2.0kHz 8 - 40 table#3

7 EQ Low Gain -12 - +12dB 52 - 76

8 EQ High Frequency 500Hz - 16.0kHz 28 - 58 table#3

9 EQ High Gain -12 - +12dB 52 - 76

10 Dry/Wet D63>W - D=W - D<W63 1 - 127

●

11 Stage 3 - 5 3 - 5

LFO Phase Difference

-180deg - +180deg 4 - 124 resolution=3deg.

No. Parameter Display Value See Table Control

1 Drive 0 - 127 0 - 127

●

2 EQ Low Frequency 50Hz - 2.0kHz 8 - 40 table#3

3 EQ Low Gain -12 - +12dB 52 - 76

4 LPF Cutoff 1.0k - Thru 34 - 60 table#3

5 Output Level 0 - 127 0 - 127

7 EQ Mid Frequency 500Hz - 10.0kHz 28 - 54 table#3

8 EQ Mid Gain -12 - +12dB 52 - 76

9 EQ Mid Width 1.0 - 12.0 10 - 120

10 Dry/Wet D63>W - D=W - D<W63 1 - 127

11 Edge(Clip Curve) 0 - 127 0 - 127 mild - sharp

No. Parameter Display Value See Table Control

1 Drive 0 - 127 0 - 127

●

2 AMP Type Off,Stack,Combo,Tube 0 - 3

3 LPF Cutoff 1.0k - Thru 34 - 60 table#3

4 Output Level 0 - 127 0 - 127

10 Dry/Wet D63>W - D=W - D<W63 1 - 127

11 Edge(Clip Curve) 0 - 127 0 - 127 mild - sharp

No. Parameter Display Value See Table Control

1 EQ Low Gain -12 - +12dB 52 - 76

2 EQ Mid Frequency 500Hz - 10.0kHz 28 - 54 table#3

3 EQ Mid Gain -12 - +12dB 52 - 76

4 EQ Mid Width 1.0 - 12.0 10 - 120

5 EQ High Gain -12 - +12dB 52 - 76

6 EQ Low Frequency 50Hz - 2.0kHz 8 - 40 table#3

7 EQ High Frequency 500Hz - 16.0kHz 28 - 58 table#3

No. Parameter Display Value See Table Control

1 EQ Low Frequency 50Hz - 2.0kHz 8 - 40 table#3

2 EQ Low Gain -12 - +12dB 52 - 76

3 EQ High Frequency 500Hz - 16.0kHz 28 - 58 table#3

4 EQ High Gain -12 - +12dB 52 - 76

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz - 39.7Hz 0 - 127 table#1

2 LFO Depth 0 - 127 0 - 127

Cutoff Frequency Offset

0 - 127 0 - 127

●

4 Resonance 1.0 - 12.0 10 - 120

6 EQ Low Frequency 50Hz - 2.0kHz 8 - 40 table#3

7 EQ Low Gain -12 - +12dB 52 - 76

8 EQ High Frequency 500Hz - 16.0kHz 28 - 58 table#3

9 EQ High Gain -12 - +12dB 52 - 76

10 Dry/Wet D63>W - D=W - D<W63 1 - 127

Effect Data Assign Table

table#1

LFO Frequency

Data Value Data Value

0 0.00 64 0.69

1 0.04 65 2.77

2 0.08 66 2.86

3 0.12 67 2.94

4 0.16 68 3.02

5 0.21 69 3.11

6 0.25 70 3.19

7 0.29 71 3.28

8 0.33 72 3.36

9 0.37 73 3.44

10 0.42 74 3.53

11 0.46 75 3.61

12 0.50 76 3.70

13 0.54 77 3.86

14 0.58 78 4.03

15 0.63 79 4.20

16 0.67 80 4.37

17 0.71 81 4.54

18 0.75 82 4.71

19 0.79 83 4.87

20 0.84 84 5.04

21 0.88 85 5.21

22 0.92 86 5.38

23 0.96 87 5.55

24 1.00 88 5.72

25 1.05 89 6.05

26 1.09 90 6.39

27 1.13 91 6.72

28 1.17 92 7.06

29 1.22 93 7.40

30 1.26 94 7.73

31 1.30 95 8.07

32 1.34 96 8.41

33 1.38 97 8.74

34 1.43 98 9.08

35 1.47 99 9.42

36 1.51 100 9.75

37 1.55 101 10.0

38 1.59 102 10.7

39 1.64 103 11.4

40 1.68 104 12.1

41 1.72 105 12.7

42 1.76 106 13.4

43 1.80 107 14.1

44 1.85 108 14.8

45 1.89 109 15.4

46 1.93 110 16.1

47 1.97 111 16.8

48 2.01 112 17.5

49 2.06 113 18.1

50 2.10 114 19.5

51 2.14 115 20.8

52 2.18 116 22.2

53 2.22 117 23.5

54 2.27 118 24.8

55 2.31 119 26.2

56 2.35 120 27.5

57 2.39 121 28.9

58 2.43 122 30.2

59 2.48 123 31.6

60 2.52 124 32.9

61 2.56 125 34.3

62 2.60 126 37.0

63 2.65 127 39.7

table#2

Modulation Delay Offset

Data Value Data Value

0 0.0 64 6.4

1 0.1 65 6.5

2 0.2 66 6.6

3 0.3 67 6.7

4 0.4 68 6.8

5 0.5 69 6.9

6 0.6 70 7.0

7 0.7 71 7.1

8 0.8 72 7.2

9 0.9 73 7.3

10 1.0 74 7.4

11 1.1 75 7.5

12 1.2 76 7.6

13 1.3 77 7.7

14 1.4 78 7.8

15 1.5 79 7.9

16 1.6 80 8.0

17 1.7 81 8.1

18 1.8 82 8.2

19 1.9 83 8.3

20 2.0 84 8.4

21 2.1 85 8.5

22 2.2 86 8.6

23 2.3 87 8.7

24 2.4 88 8.8

25 2.5 89 8.9

26 2.6 90 9.0

27 2.7 91 9.1

28 2.8 92 9.2

29 2.9 93 9.3

30 3.0 94 9.4

31 3.1 95 9.5

32 3.2 96 9.6

33 3.3 97 9.7

34 3.4 98 9.8

35 3.5 99 9.9

36 3.6 100 10.0

37 3.7 101 11.1

38 3.8 102 12.2

39 3.9 103 13.3

40 4.0 104 14.4

41 4.1 105 15.5

42 4.2 106 17.1

43 4.3 107 18.6

44 4.4 108 20.2

45 4.5 109 21.8

46 4.6 110 23.3

47 4.7 111 24.9

48 4.8 112 26.5

49 4.9 113 28.0

50 5.0 114 29.6

51 5.1 115 31.2

52 5.2 116 32.8

53 5.3 117 34.3

54 5.4 118 35.9

55 5.5 119 37.5

56 5.6 120 39.0

57 5.7 121 40.6

58 5.8 122 42.2

59 5.9 123 43.7

60 6.0 124 45.3

61 6.1 125 46.9

62 6.2 126 48.4

63 6.3 127 50.0

table#3

EQ Frequency

Data Value

0 THRU(20)

122

225

328

432

536

640

745

850

956

10 63

11 70

12 80

13 90

14 100

15 110

16 125

17 140

18 160

19 180

20 200

21 225

22 250

23 280

24 315

25 355

26 400

27 450

28 500

29 560

30 630

31 700

32 800

33 900

34 1.0k

35 1.1k

36 1.2k

37 1.4k

38 1.6k

39 1.8k

40 2.0k

41 2.2k

42 2.5k

43 2.8k

44 3.2k

45 3.6k

46 4.0k

47 4.5k

48 5.0k

49 5.6k

50 6.3k

51 7.0k

52 8.0k

53 9.0k

54 10.0k

55 11.0k

56 12.0k

57 14.0k

58 16.0k

59 18.0k

60 THRU(20.0k)

table#4

Reverb time

Data Value Data Value

0 0.3 64 17.0

1 0.4 65 18.0

2 0.5 66 19.0

3 0.6 67 20.0

4 0.7 68 25.0

5 0.8 69 30.0

60.9

71.0

81.1

91.2

10 1.3

11 1.4

12 1.5

13 1.6

14 1.7

15 1.8

16 1.9

17 2.0

18 2.1

19 2.2

20 2.3

21 2.4

22 2.5

23 2.6

24 2.7

25 2.8

26 2.9

27 3.0

28 3.1

29 3.2

30 3.3

31 3.4

32 3.5

33 3.6

34 3.7

35 3.8

36 3.9

37 4.0

38 4.1

39 4.2

40 4.3

41 4.4

42 4.5

43 4.6

44 4.7

45 4.8

46 4.9

47 5.0

48 5.5

49 6.0

50 6.5

51 7.0

52 7.5

53 8.0

54 8.5

55 9.0

56 9.5

57 10.0

58 11.0

59 12.0

60 13.0

61 14.0

62 15.0

63 16.0

table#5

Delay Time(200.0ms)

Data Value Data Value

0 0.1 64 100.8

1 1.7 65 102.4

2 3.2 66 104.0

3 4.8 67 105.6

4 6.4 68 107.1

5 8.0 69 108.7

6 9.5 70 110.3

7 11.1 71 111.9

8 12.7 72 113.4

9 14.3 73 115.0

10 15.8 74 116.6

11 17.4 75 118.2

12 19.0 76 119.7

13 20.6 77 121.3

14 22.1 78 122.9

15 23.7 79 124.4

16 25.3 80 126.0

17 26.9 81 127.6

18 28.4 82 129.2

19 30.0 83 130.7

20 31.6 84 132.3

21 33.2 85 133.9

22 34.7 86 135.5

23 36.3 87 137.0

24 37.9 88 138.6

25 39.5 89 140.2

26 41.0 90 141.8

27 42.6 91 143.3

28 44.2 92 144.9

29 45.7 93 146.5

30 47.3 94 148.1

31 48.9 95 149.6

32 50.5 96 151.2

33 52.0 97 152.8

34 53.6 98 154.4

35 55.2 99 155.9

36 56.8 100 157.5

37 58.3 101 159.1

38 59.9 102 160.6

39 61.5 103 162.2

40 63.1 104 163.8

41 64.6 105 165.4

42 66.2 106 166.9

43 67.8 107 168.5

44 69.4 108 170.1

45 70.9 109 171.7

46 72.5 110 173.2

47 74.1 111 174.8

48 75.7 112 176.4

49 77.2 113 178.0

50 78.8 114 179.5

51 80.4 115 181.1

52 81.9 116 182.7

53 83.5 117 184.3

54 85.1 118 185.8

55 86.7 119 187.4

56 88.2 120 189.0

57 89.8 121 190.6

58 91.4 122 192.1

59 93.0 123 193.7

60 94.5 124 195.3

61 96.1 125 196.9

62 97.7 126 198.4

63 99.3 127 200.0

Effect Data Assign Table

table#6

Room Size

Data Value

00.1

10.3

20.4

30.6

40.7

50.9

61.0

71.2

81.4

91.5

10 1.7

11 1.8

12 2.0

13 2.1

14 2.3

15 2.5

16 2.6

17 2.8

18 2.9

19 3.1

20 3.2

21 3.4

22 3.5

23 3.7

24 3.9

25 4.0

26 4.2

27 4.3

28 4.5

29 4.6

30 4.8

31 5.0

32 5.1

33 5.3

34 5.4

35 5.6

36 5.7

37 5.9

38 6.1

39 6.2

40 6.4

41 6.5

42 6.7

43 6.8

44 7.0

table#7

Delay Time(400.0ms)

Data Value Data Value

0 0.1 64 201.6

1 3.2 65 204.8

2 6.4 66 207.9

3 9.5 67 211.1

4 12.7 68 214.2

5 15.8 69 217.4

6 19.0 70 220.5

7 22.1 71 223.7

8 25.3 72 226.8

9 28.4 73 230.0

10 31.6 74 233.1

11 34.7 75 236.3

12 37.9 76 239.4

13 41.0 77 242.6

14 44.2 78 245.7

15 47.3 79 248.9

16 50.5 80 252.0

17 53.6 81 255.2

18 56.8 82 258.3

19 59.9 83 261.5

20 63.1 84 264.6

21 66.2 85 267.7

22 69.4 86 270.9

23 72.5 87 274.0

24 75.7 88 277.2

25 78.8 89 280.3

26 82.0 90 283.5

27 85.1 91 286.6

28 88.3 92 289.8

29 91.4 93 292.9

30 94.6 94 296.1

31 97.7 95 299.2

32 100.9 96 302.4

33 104.0 97 305.5

34 107.2 98 308.7

35 110.3 99 311.8

36 113.5 100 315.0

37 116.6 101 318.1

38 119.8 102 321.3

39 122.9 103 324.4

40 126.1 104 327.6

41 129.2 105 330.7

42 132.4 106 333.9

43 135.5 107 337.0

44 138.6 108 340.2

45 141.8 109 343.3

46 144.9 110 346.5

47 148.1 111 349.6

48 151.2 112 352.8

49 154.4 113 355.9

50 157.5 114 359.1

51 160.7 115 362.2

52 163.8 116 365.4

53 167.0 117 368.5

54 170.1 118 371.7

55 173.3 119 374.8

56 176.4 120 378.0

57 179.6 121 381.1

58 182.7 122 384.3

59 185.9 123 387.4

60 189.0 124 390.6

61 192.2 125 393.7

62 195.3 126 396.9

63 198.5 127 400.0

table#8

Reverb Width;Depth;Height

Data Value Data Value

0 0.5 64 17.6

1 0.8 65 17.9

2 1.0 66 18.2

3 1.3 67 18.5

4 1.5 68 18.8

5 1.8 69 19.1

6 2.0 70 19.4

7 2.3 71 19.7

8 2.6 72 20.0

9 2.8 73 20.2

10 3.1 74 20.5

11 3.3 75 20.8

12 3.6 76 21.1

13 3.9 77 21.4

14 4.1 78 21.7

15 4.4 79 22.0

16 4.6 80 22.4

17 4.9 81 22.7

18 5.2 82 23.0

19 5.4 83 23.3

20 5.7 84 23.6

21 5.9 85 23.9

22 6.2 86 24.2

23 6.5 87 24.5

24 6.7 88 24.9

25 7.0 89 25.2

26 7.2 90 25.5

27 7.5 91 25.8

28 7.8 92 26.1

29 8.0 93 26.5

30 8.3 94 26.8

31 8.6 95 27.1

32 8.8 96 27.5

33 9.1 97 27.8

34 9.4 98 28.1

35 9.6 99 28.5

36 9.9 100 28.8

37 10.2 101 29.2

38 10.4 102 29.5

39 10.7 103 29.9

40 11.0 104 30.2

41 11.2

42 11.5

43 11.8

44 12.1

45 12.3

46 12.6

47 12.9

48 13.1

49 13.4

50 13.7

51 14.0

52 14.2

53 14.5

54 14.8

55 15.1

56 15.4

57 15.6

58 15.9

59 16.2

60 16.5

61 16.8

62 17.1

63 17.3

XG Parameter List

Modular Synthesis Plug-in System

XG Plug-in System

(LCD of CS6x/CS6R/S80/etc.)

Parameter Name Parameter Name Group Parameter Name

Bank Select MSB BANK SELECT MSB MIX*Vce Bank

Bank Select LSB BANK SELECT LSB MIX*Vce Bank

Program Number PROGRAM NUMBER MIX*Vce Number

Receive Channel Rcv CHANNEL LYR*Mode RcvCh

Velocity Limit Low VELOCITY LIMIT LOW LYR*Limit Vel Limit

Velocity Limit High VELOCITY LIMIT HIGH LYR*Limit Vel Limit

Note Limit Low NOTE LIMIT LOW LYR*Limit Note Limit

Note Limit High NOTE LIMIT HIGH LYR*Limit Note Limit

Pitch Bend Range BEND PITCH CONTROL TON*Other Pitch Bend

Velocity Sense Depth VELOCITY SENSE DEPTH TON*Other VelDepth

Velocity Sense Offset VELOCITY SENSE OFFSET TON*Other VelOffset

Volume VOLUME MIX*Level Vol

Pan PAN MIX*Level Pan

Detune DETUNE LYR*Tune Detune

Reverb Send REVERB SEND MIX*Level RevSend

Chorus Send CHORUS SEND MIX*Level ChoSend

Note Shift NOTE SHIFT LYR*Tune NoteShift

Filter Cutoff Frequency LOW PASS FILTER CUTOFF FREQUENCY TON*Filter Cutoff

Filter Resonance/Width LOW PASS FILTER RESONANCE TON*Filter Reso

Portamento Switch PORTAMENTO SWITCH TON*Portamento Switch

Portamento Time PORTAMENTO TIME TON*Portamento Time

AEG Attack Time (EG Attack Time) EG ATTACK TIME TON*EG Attack

AEG Decay2 Time (EG Decay Time) EG DECAY TIME TON*EG Decay

AEG Release Time (EG Release Time) EG RELEASE TIME TON*EG Release

MW Filter Control MW LOW PASS FILTER CONTROL CTL*MW Control Filter

MW Amplitude Control MW AMPLITUDE CONTROL CTL*MW Control Amp

MW LFO Pitch Modulation Depth MW LFO PMOD DEPTH CTL*MW Modulation PMod

MW LFO Filter Modulation Depth MW LFO FMOD DEPTH CTL*MW Modulation FMod

MW LFO Amplitude Modulation Depth MW LFO AMOD DEPTH CTL*MW Modulation AMod

CAT Pitch Control CAT PITCH CONTROL CTL*AT Control Pitch

CAT Filter Control CAT LOW PASS FILTER CONTROL CTL*AT Control Filter

CAT Amplitude Control CAT AMPLITUDE CONTROL CTL*AT Control Amp

CAT LFO Pitch Modulation Depth CAT LFO PMOD DEPTH CTL*AT Modulation PMod

CAT LFO Filter Modulation Depth CAT LFO FMOD DEPTH CTL*AT Modulation FMod

CAT LFO Amplitude Modulation Depth CAT LFO AMOD DEPTH CTL*AT Modulation AMod

AC1 Controller Number AC1 CONTROLLER NUMBER CTL*AC Control Source

AC1 Filter Control AC1 FILTER CONTROL CTL*AC Control Filter

AC1 Amplitude Control AC1 AMPLITUDE CONTROL CTL*AC Control Amp

AC1 LFO Pitch Modulation Depth AC1 LFO PMOD DEPTH CTL*AC Modulation PMod

AC1 LFO Filter Modulation Depth AC1 LFO FMOD DEPTH CTL*AC Modulation FMod

AC1 LFO Amplitude Modulation Depth AC1 LFO AMOD DEPTH CTL*AC Modulation AMod

MIDI Data Format

1. Channel messages

1.1 Note on/note off

These messages convey keyboard performance data.

Range of note numbers received = 0 (C-2)...60 (C3)...127 (G8)

Velocity range = 1...127 (Velocity is received only for note-on)

When the Multi Part parameter "Rcv NOTE MESSAGE" = OFF, that part will

not receive these messages.

For a drum part*, key-off is not received if the DrumSetup parameter Rcv

NOTE OFF = OFF.

For a drum part, key-on is not received if the DrumSetup parameter Rcv NOTE

ON = OFF.

* Drum Part indicates that the Multi Part parameter PART MODE is “set

to DRUM, DRUMS1, DRUMS2.”

1.2 Control changes

These messages control volume or pan etc.

Their functions are differentiated by the control number (Ctrl#).

If the Multi Part parameter Rcv CONTROL CHANGE = OFF, that part will

not receive control changes.

1.2.1 Bank Select

This message selects the voice bank.

Control# Parameter Data Range

0 Bank Select MSB 0, 64, 126, 127 (Normal voice, SFX

voice, SFX kit, Drum kit)

32 Bank Select LSB 0...127

The Bank Select data will be processed only after a Program Change is

received, and then voice bank will change at that time.

If you wish to change the voice bank as well as the voice, you must transmit

Bank Select and Program Change messages as a set, in the order of Bank

Select MSB, LSB, and Program Change.

1.2.2 Modulation

This message is used primarily to control the depth of vibrato, but the depth of

the following 7 types of effect can be controlled.

The effect of this message can be changed by the following parameters.

• Multi Part Parameter

1. MW PITCH CONTROL

2. MW FILTER CONTROL

3. MW AMPLITUDE CONTROL

4. MW LFO PMOD DEPTH

5. MW LFO FMOD DEPTH

6. MW LFO AMOD DEPTH

• Effect1 Parameter

7. MW VARIATION CONTROL DEPTH

(Valid when Variation Effect is assigned to a part as Insertion)

By default, an LFO Pitch Modulation (PMOD) effect will apply.

Control# Parameter Data Range

1 Modulation 0...127

If the Multi Part parameter Rcv MODULATION = OFF, that part will not

receive Modulation.

1.2.3 Portamento Time

This message controls the degree of Portamento (refer to 1.2.9).

Control# Parameter Data Range

5 Portamento Time 0...127

When Portamento (control number 065) is ON, this regulates the speed of the

pitch change.

A value of 0 is the shortest portamento time, and 127 is the longest portamento

time.

If the receive channel is a drum part, Portamento Time is not received.

1.2.4 Data Entry

This message sets the value of the parameter which was speciﬁed by RPN

MSB/LSB (see 1.2.22) and NRPN MSB/LSB (see 1.2.21).

Control# Parameter Data Range

6 Data Entry MSB 0...127

38 Data Entry LSB 0...127

1.2.5 Main Volume

This message controls the volume of each part.

This is used to adjust the volume balance between parts.

Control# Parameter Data Range

7 Main Volume 0...127

When the Multi Part parameter Rcv VOLUME = OFF, that part will not

receive Main Volume.

With a value of 0 there will be no sound, and a value of 127 will be the maxi-

mum volume.

1.2.6 Panpot

This message control the panning (stereo location) of each part.

Control# Parameter Data Range

10 Pan 0...64...127

When the Multi Part parameter Rcv PAN = OFF, that part will not receive Pan-

pot.

0 is left, 64 is center, and 127 is right.

1.2.7 Expression

This message controls expression (dynamics within a musical line) for each

part.

It is used to create volume changes during a song.

Control# Parameter Data Range

11 Expression 0...127

If the Multi Part parameter Rcv EXPRESSION = OFF, that part will not

receive Expression.

1.2.8 Hold1

This message controls sustain pedal on/off.

Control# Parameter Data Range

64 Hold1 0...63,64...127 (OFF, ON)

When this is ON, currently-sounding notes will continue to sound even if note-

off messages are received.

If the Multi Part parameter Rcv HOLD1 = OFF, that part will not receive

Hold1.

1.2.9 Portamento

This message controls portamento on/off.

Control# Parameter Data Range

65 Portamento 0...63, 64...127 (OFF, ON)

When this is ON, the pitch will change smoothly between notes. The time over

which the pitch changes is adjusted by Portamento Time (see 1.2.3). Also,

when the Multi Part parameter MONO/POLY MODE = MONO, the tone will

also change smoothly (legato) if Portamento = ON.

If any of the following Multi Part parameter settings apply, that part will not

receive Portamento.

• Rcv PORTAMENTO = OFF

• PART MODE = DRUM, DRUMS1, DRUMS2

1.2.10 Sostenuto

This message controls sostenuto pedal on/off.

Control# Parameter Data Range

66 Sostenuto 0...63,64...127 (OFF, ON)

If sostenuto is turned on while a note is sounding, that note will be sustained

until sostenuto is turned OFF.

If the Multi Part parameter Rcv SOSTENUTO = OFF, that part will not receive

Sostenuto.

1.2.11 Soft Pedal

This message controls soft pedal on/off.

Control# Parameter Data Range

67 Soft Pedal 0...63, 64...127 (OFF, ON)

The sound will become mellower when Soft Pedal is ON.

If any of the following Multi Part parameter settings apply, that part will not

receive the Soft Pedal.

• Rcv SOFT PEDAL = OFF

• PART MODE = DRUM, DRUMS1, DRUMS2

MIDI Data Format

1.2.12 Harmonic Content

This message adjusts the resonance of the ﬁlter that is speciﬁed for the sound.

Control# Parameter Data Range

71 Harmonic Content 0...64...127 (-64...0...+63)

Since this is a relative change parameter, it speciﬁes a boost or cut relative to

64.

Higher values will produce a more distinctive sound.

For some sounds, the effective range may be less than the possible range of

settings.

1.2.13 Release Time

This message adjusts the EG release time that was speciﬁed by the sound data.

Control# Parameter Data Range

72 Release Time 0...64...127 (-64...0...+63)

Since this is a relative change parameter, it speciﬁes an increase or decrease

relative to 64.

Increasing this value will lengthen the release that follows a note-off.

1.2.14 Attack Time

This message adjusts the EG attack time that was speciﬁed by the sound data.

Control# Parameter Data Range

73 Attack Time 0...64...127 (-64...0...+63)

Since this a relative change parameter, it speciﬁes an increase or decrease rela-

tive to 64.

Increasing this value will make the attack more gradual, and decreasing this

value will make the attack sharper.

1.2.15 Brightness

This message adjusts the cutoff frequency of the low pass ﬁlter speciﬁed by the

sound data.

Control# Parameter Data Range

74 Brightness 0...64...127 (-64...0...+63)

Since this is a relative change parameter, it speciﬁes an increase or decrease

relative to 64.

Lower values will produce a more mellow sound.

For some sounds, the effective range may be less than the possible range of

settings.

1.2.16 Portamento Control

This message speciﬁes the portamento source key number (the key number at

which portamento will begin).

Data of 0...127 speciﬁes the portamento source key.

When Portamento Control is received, the currently-sounding pitch will

change at a Portamento Time of 0 to the key of the next-received note-on of the

same channel.

Control# Parameter Data Range

84 Portamento Control 0...127 (C-2...G8)

This is received even if Rcv PORTAMENTO = OFF.

1.2.17 Effect1 Depth(Reverb Send Level)

This message speciﬁes the send level for the reverb effect.

Control# Parameter Data Range

91 Effect1 Depth 0...127

Increasing this value will produce a richer reverb. The effect of the value will

depend on the state of the reverb effect.

1.2.18 Effect3 Depth(Chorus Send Level)

This message speciﬁes the send level for the chorus effect.

Control# Parameter Data Range

93 Effect3 Depth 0...127

Raising this value will increase the modulation or spaciousness. The effect of

the value will depend on the state of the chorus effect.

1.2.19 Effect4 Depth (Variation Effect Send Level)

This message speciﬁes the send level for the variation effect.

Control# Parameter Data Range

94 Effect4 Depth 0...127

However, this is not received if the Variation Effect parameter Variation Con-

nection = 0 (Insertion).

1.2.20 Data Increment/Decrement (for RPN)

This message increases or decreases the parameter value speciﬁed for RPN

(see 1.2.22), by increments of 1.

Control# Parameter Data Range

96 RPN Increment --

97 RPN Decrement --

The data byte is ignored.

1.2.21 NRPN (Non-registered parameter number)

This message is used to specify a sound parameter (such as vibrato, ﬁlter, EG,

drum setup etc.) as an offset value.

Use NRPN MSB and NRPN LSB to specify the parameter that you wish to

modify, and then use Data Entry (see 1.2.4) to set the value for the speciﬁed

parameter.

Control# Parameter Data Range

98 NRPN LSB 0...127

99 NRPN MSB 0...127

If the Multi Part parameter Rcv NRPN = OFF, that part will not receive NRPN.

The following NRPN messages can be received.

MSB 20-31 (for drums) is received when Multi Part parameter PART MODE =

DRUMS1, 2.

*1 Refer to 1.2.4

*2 '--' indicates that the setting value is ignored.

NRPN

MSB LSB

Data Entry *1

MSB LSB

Parameter name and value range

01 08 mm -- *2 Vibrato rate

mm: 00 - 64 - 127 (-64...0...+63)

01 09 mm -- Vibrato depth

mm: 00 - 64 - 127 (-64...0...+63)

01 10 mm -- Vibrato delay

mm: 00 - 64 - 127 (-64...0...+63)

01 32 mm -- Low pass ﬁlter cutoff frequency

mm: 00 - 64 - 127 (-64...0...+63)

01 33 mm -- Low pass ﬁlter resonance

mm : 00 - 64 - 127 (-64...0...+63)

01 99 mm -- EG attack time

mm: 00 - 64 - 127 (-64...0...+63)

01 100 mm -- EG decay time

mm: 00 - 64 - 127 (-64...0...+63)

01 102 mm -- EG release time

mm: 00 - 64 - 127 (-64...0...+63)

20 rr mm -- Drum low pass ﬁlter cutoff frequency

rr: drum instrument note number

mm: 00 - 64 - 127 (-64...0...+63)

21 rr mm -- Drum low pass ﬁlter resonance

rr: drum instrument note number

mm: 00 - 64 - 127 (-64...0...+63)

22 rr mm -- Drum EG attack rate

rr: drum instrument note number

mm: 00 - 64 - 127 (-64...0...+63)

23 rr mm -- Drum EG decay rate

rr: drum instrument note number

mm: 00 - 64 - 127 (-64...0...+63)

The effect will apply both to Decay 1 and 2.

24 rr mm -- Drum instrument pitch coarse

rr: drum instrument note number

mm: 00 - 64 - 127 (-64...0...+63)

25 rr mm -- Drum instrument pitch ﬁne

rr: drum instrument note number

mm: 00 - 64 - 127 (-64...0...+63)

26 rr mm -- Drum instrument level

rr: drum instrument note number

mm: 00 - 127(0...maximum)

28 rr mm -- Drum instrument panpot

rr: drum instrument note number

mm: 00, 01-64-127(RND, L63...C...R63)

29 rr mm -- Drum instrument reverb send level

rr: drum instrument note number

mm: 00 - 127(0...maximum)

30 rr mm -- Drum instrument chorus send level

rr: drum instrument note number

mm: 00 - 127(0...maximum)

31 rr mm -- Drum instrument variation send level

rr: drum instrument note number

mm: 00 - 127(0...maximum)

(when Variation Connection = SYSTEM)

mm: 00, 01-127 (OFF,ON)

(when Variation Connection = INSERTION)

MIDI Data Format

1.2.22 RPN (Registered parameter number)

This message is used to specify part parameters such as Pitch Bend Sensitivity

or Tuning etc. as an offset value.

Use RPN MSB and RPN LSB to specify the parameter that you wish to mod-

ify, and then use Data Entry (see 1.2.4) to set the value of the speciﬁed param-

eter.

Control# Parameter Data Range

100 RPN LSB 0...127

101 RPN MSB 0...127

If the Multi Part parameter Rcv RPN = OFF, that part will not receive this mes-

sage.

The following RPN messages can be received.

*1 Refer to 1.2.4

*2 '--' indicates that the setting value is ignored.

1.2.23 Assignable controller

By assigning a control change number of 0...95 to a part, the speciﬁed effect

can be controlled.

This device allows two control change numbers (AC1 and AC2) to be speciﬁed

for each part.

The following parameters specify the effect of AC1 and AC2.

• Multi Part Parameter

1. AC1, AC2 PITCH CONTROL

2. AC1, AC2 FILTER CONTROL

3. AC1, AC2 AMPLITUDE CONTROL

4. AC1, AC2 LFO PMOD DEPTH

5. AC1, AC2 LFO FMOD DEPTH

6. AC1, AC2 LFO AMOD DEPTH

• Effect1 Parameter

7. AC1, AC2 VARIATION CONTROL DEPTH

(Valid if Variation Effect is assigned to a part as Insertion)

The AC1 control change number is speciﬁed by the Multi Part parameter AC1

CONTROLLER NUMBER, and the AC2 control change number is speciﬁed

by the Multi Part parameter AC2 CONTROLLER NUMBER.

1.3 Channel mode messages

These messages specify the basic operation of a part.

1.3.1 All Sound Off

This message silences all currently-sounding notes on the corresponding chan-

nel.

However, the settings of channel messages such as Hold 1 and Sostenuto will

be maintained.

Control# Parameter Data Range

120 All Sound Off 0

1.3.2 Reset All Controllers

This message resets the following controllers to their default values.

The following data is not changed

Parameter values speciﬁed by program change, bank select MSB/LSB, vol-

ume, pan, effect send levels 1, 3, 4, RPN and NRPN.

Control# Parameter Data Range

121 Reset All Controllers 0

1.3.3 All Note Off

This message turns off all notes which are currently on for the corresponding

part.

However, if Hold 1 or Sostenuto are on, notes will continue to sound until

these are turned off.

Control# Parameter Data Range

123 All Note Off 0

1.3.4 Omni Off

Perform the same processing as when All Note Off is received.

Control# Parameter Data Range

124 Omni Off 0

1.3.5 Omni On

Perform the same processing as when All Note Off is received.

Control# Parameter Data Range

125 Omni On 0

1.3.6 Mono

Perform the same processing as when All Sound Off is received, and if the

value (mono number) is in the range of 0...16, set the corresponding channel to

Mode4* (m = 1).

Control# Parameter Data Range

126 Mono 0...16

* Mode4 is a state in which only channel messages on the speciﬁed

channel will be received, and notes will be sounded individually

(monophonically).

1.3.7 Poly

Perform the same processing as when All Sound Off is received, and set the

corresponding channel to Mode3*.

Control# Parameter Data Range

127 Poly 0

* Mode3 is when channel messages will be received only on the speci-

ﬁed channel, and will be sounded polyphonically.

1.4 Program change

This message reports sound selection changes and changes the program num-

ber of the receiving channel.

In order to include changes to the voice bank, Program Change and Bank

Select messages must be sent as a set (see 1.2.1).

When RevPROGRAM CHANGE=OFF for Multi Part Parameter, the program

change for that part is not received.

RPN

MSB LSB

Data Entry *1

MSB LSB

Parameter name and value range

00 00 mm -- *2 Pitch bend sensitivity

mm: 00-24 (0...+24 semitones)

Specify up to 2 octaves in semitone steps

00 01 mm ll Fine tuning

mm ll: 00 00 -100 cents

: :

mm ll: 64 00 0 cents

: :

mm ll: 127 127 +100 cents

[Note] mm ll: 00 127 (=-87.5) cents is

followed by 01 00 (=-87.4) cents.

00 02 mm -- Coarse tuning

mm: 40 - 64 - 88 (-24...0...+24 semitones)

127 127 -- -- RPN Null

This sets RPN and NRPN numbers to an unset

state. Internal data is not affected.

Controller Value

Pitch bend change ±0 (center)

Channel pressure 0 (off)

Polyphonic key pressure 0 (off)

Modulation 0 (off)

Expression 127 (maximum)

Hold 0 (off)

Portamento 0 (off)

Sostenuto 0 (off)

Soft pedal 0 (off)

Portamento control Reset the portamento source note number that was received

RPN Number unset, internal data is not affected.

NRPN Number unset, internal data is not affected.

MIDI Data Format

1.5 Pitch bend

This message conveys movements of the pitch bender.

This message is generally used to modify the pitch of a part, but the depth of

the following seven effects can be controlled.

The effect of this message can be modiﬁed by the following parameters.

• Multi Part Parameter

1. BEND PITCH CONTROL

2. BEND FILTER CONTROL

3. BEND AMPLITUDE CONTROL

4. BEND LFO PMOD DEPTH

5. BEND LFO FMOD DEPTH

6. BEND LFO AMOD DEPTH

• Effect1 Parameter

7. BEND VARIATION CONTROL DEPTH

(Valid when Variation Effect is assigned to a part as Insertion)

By default, the Pitch Control effect is applied.

If the Multi Part parameter Rcv PITCH BEND CHANGE = OFF, that part will

not receive pitch bend messages.

1.6 Channel aftertouch

This message conveys the pressure which is applied to the keyboard after play-

ing a note in order to create tonal changes (for an entire MIDI channel). The

pressure can be controlled for each part. This message will affect the currently-

sounding notes.

The effect of this message will be determined by the settings of the following

parameters.

• Multi Part Parameter

1. CAT PITCH CONTROL

2. CAT FILTER CONTROL

3. CAT AMPLITUDE CONTROL

4. CAT LFO PMOD DEPTH

5. CAT LFO FMOD DEPTH

6. CAT LFO AMOD DEPTH

• Effect1 Parameter

7. CAT VARIATION CONTROL DEPTH

(Valid when the Variation Effect is assigned to a part as Insertion)

By default, there will be no effect.

If the Multi Part parameter Rcv CHANNEL AFTER TOUCH = OFF, that part

will not receive Channel Aftertouch.

1.7 Polyphonic aftertouch

This message conveys the pressure that is applied to the keyboard after playing

a note (for individual note numbers).

The pressure can be controlled independently for each note. This message will

affect currently-sounding notes.

The effect of this message is determined by the following Multi Part parame-

ters.

1. PAT PITCH CONTROL

2. PAT FILTER CONTROL

3. PAT AMPLITUDE CONTROL

4. PAT LFO PMOD DEPTH

5. PAT LFO FMOD DEPTH

6. PAT LFO AMOD DEPTH

By default, there will be no effect.

The effect will apply to note numbers 36...97.

In the case of either of the following Multi Part parameter settings, that part

will not receive Polyphonic Aftertouch.

• Rcv CHANNEL AFTER TOUCH = OFF

• PART MODE = DRUM, DRUMS1...4

2. System exclusive messages

2.1 Parameter changes

This devices uses the following parameter changes.

[UNIVERSAL REALTIME MESSAGE]

1) Master Volume

[UNIVERSAL NON REALTIME MESSAGE]

1) General MIDI System On

[XG PARAMETER CHANGE]

1) XG System on

2) XG System parameter change

3) Multi Effect1 parameter change

4) Multi Part parameter change

5) Drums Setup parameter change

[MU128 NATIVE PARAMETER CHANGE 2]

1) Current Performance parameter change

[Others]

1) Master tuning

2.1.1 Universal realtime messages

2.1.1.1 Master Volume

11110000 F0H = Exclusive status

01111111 7FH = Universal Real Time

01111111 7FH = ID of target device

00000100 04H = Sub-ID #1 = Device Control Message

00000001 01H = Sub-ID #2 = Master Volume

* 0sssssss SSH = Volume LSB

0ttttttt TTH = Volume MSB

11110111 F7H = End of Exclusive

or,

11110000 F0H = Exclusive status

01111111 7FH = Universal Real Time

0xxxnnnn XNH = Device Number, xxx = don't care

00000100 04H = Sub-ID #1 = Device Control Message

00000001 01H = Sub-ID #2 = Master Volume

0sssssss SSH = Volume LSB

0ttttttt TTH = Volume MSB

11110111 F7H = End of Exclusive

When this is received, the Volume MSB will be reﬂected by the System

parameter MASTER VOLUME.

* The binary expression 0sssssss is expressed in hexadecimal as SSH.

The same applies elsewhere.

2.1.2 Universal non-realtime messages

2.1.2.1 General MIDI System On

11110000 F0H = Exclusive status

01111110 7EH = Universal Non-Real Time

01111111 7FH = ID of target device

00001001 09H = Sub-ID #1 = General MIDI Message

00000001 01H = Sub-ID #2 = General MIDI On

11110111 F7H = End of Exclusive

or,

11110000 F0H = Exclusive status

01111110 7EH = Universal Non-Real Time

0xxxnnnn XNH = N:Device Number, X:don't care

00001001 09H = Sub-ID #1 = General MIDI Message

00000001 01H = Sub-ID #2 = General MIDI On

11110111 F7H = End of Exclusive

When this message is received, the SOUND MODULE MODE is set to

XG, and all MIDI messages deﬁned by GM will be received.

All data except for MIDI Master Tuning will be restored to the default

value.

However this message will not be received in any of the following cases.

Since approximately 50[ms] is required in order to process this message,

be sure to allow an appropriate interval before sending the next message.

MIDI Data Format

2.1.3 XG parameter change

This message sets XG-related parameters. Each message can set a single

parameter.

The message format is as follows.

11110000 F0H Exclusive status

01000011 43H YAMAHA ID

0001nnnn 1NH N:device Number

01001100 4CH Model ID

0ggggggg GGH Address High

0mmmmmmm MMH Address Mid

0lllllll LLH Address Low

0sssssss SSH Data

: :

11110111 F7H End of Exclusive

For parameters whose Data Size is 2 or 4, the appropriate amount of data

will be transmitted as indicated by Size.

2.1.3.1 XG System On

11110000 F0H Exclusive status

01000011 43H YAMAHA ID

0001nnnn 1NH N:device Number

01001100 4CH Model ID

00000000 00H Address High

00000000 00H Address Mid

01111110 7EH Address Low

00000000 00H Data

11110111 F7H End of Exclusive

When On is received, the SOUND MODULE MODE will be set to XG.

Since approximately 50[ms] are required in order to execute this message,

please allow an appropriate interval before transmitting the next message.

2.1.3.2 XG System parameter change

This message sets the XG SYSTEM block (refer to tables <1 -1>, <1 - 2>).

2.1.3.3 Multi Effect1 parameter change

This message sets the MULTI EFFECT1 block (refer to tables <1 - 1>,

<1 - 3>).

2.1.3.4 Multi Part parameter change

This message sets the MULTI PART block (refer to tables <1 - 1>, <1 - 4>).

2.1.3.5 Drums Setup parameter change

This message sets the DRUMS SETUP block (refer to tables <1 - 1> , <1 - 5>).

2.1.4 Other parameter changes

2.1.4.1 Master tuning

This message simultaneously modiﬁes the tuning of all channels.

11110000 F0H Exclusive status

01000011 43H YAMAHA ID

0001nnnn 1NH N:device Number

00100111 27H Model ID

00110000 30H Address High

00000000 00H Address Mid

00000000 00H Address Low

0000mmmm 0MH Master Tune MSB

0000llll 0LH Master Tune LSB

0xxxxxxx XXH don't care

11110111 F7H End of Exclusive

Normally, the XG SYSTEM message MASTER TUNE should be used

(refer to table <1-2>).

2.2 Bulk dump

This device uses the following bulk dump messages.

[XG BULK DUMP]

1) XG System bulk dump

2) Multi Effect1 bulk dump

3) Multi Part bulk dump

4) Drums Setup bulk dump

2.2.1 XG bulk dump

This message sets XG-related parameters. Unlike parameter change messages,

a single message can modify multiple parameters. The message format is as

follows.

11110000 F0H Exclusive status

01000011 43H YAMAHA ID

0000nnnn 0NH N:Device Number

01001100 4CH Model ID

0sssssss SSH ByteCountMSB

0ttttttt TTH ByteCountLSB

0ggggggg GGH Address High

0mmmmmmm MMH Address Mid

0lllllll LLH Address Low

0vvvvvvv VVH Data

: :

0kkkkkkk KKH Check-sum

11110111 F7H End of Exclusive

Address and Byte Count are given in tables 1-n. Byte Count is indicated by

the total size of the Data in tables 1-n.

Bulk dump and dump request messages are received when the beginning

of the block is speciﬁed as the 'Address'.

'Block' indicates the unit of the data string that is indicated in tables 1-n as

'Total size'.

Check sum is the value that produces a lower 7 bits of 0 when the Start

Address, Byte Count, Data, and the Check-sum itself are added.

2.2.1.1 XG System bulk dump

This message sets the XG SYSTEM block (refer to tables <1 -1>, <1 - 2>).

2.2.1.2 Multi Effect1 bulk dump

This message sets the MULTI EFFECT1 block (refer to tables <1 - 1>,

<1 - 3>).

2.2.1.3 Multi Part bulk dump

This message sets the MULTI PART block (refer to tables <1 - 1>, <1 - 4>).

2.2.1.4 Drums Setup bulk dump

This message sets the DRUMS SETUP block (refer to tables <1 - 1>, <1 - 5>).

3. Realtime messages

3.1 Active sensing

a) Transmission

not transmitted.

b) Receive

Once FE has been received, failure to receive any MIDI message for an

interval longer than approximately 300 msec will cause processing to

be performed as if ALL SOUND OFF, ALL NOTE OFF, and RESET

ALL CONTROLLERS messages were received, and the unit will reset

to a condition in which FE was never received.

MIDI Data Format

< Table 1-1 >

< Table 1-2 >

MIDI Parameter Change table ( XG SYSTEM )

Address Size Data Parameter Description Default value

(H) (H) (H) (H)

00 00 00 4 00 - 0F MASTER TUNE -102.4...0...+102.3[cent] 00 04 00 00

01 00 - 0F 1st bit3-0→bit15-12

02 00 - 0F 2nd bit3-0→bit11-8

03 00 - 0F 3rd bit3-0→bit7-4

4th bit3-0→bit3-0

04 1 00 - 7F MASTER VOLUME 0...127 7F

05 1 not used

06 1 28 - 58 TRANSPOSE -24...0...+24[semitones] 40

7D 1 N DRUM SETUP RESET N: Drum setup number(0,1) --

7E 1 00 XG SYSTEM ON 00=XG system ON (receive only) --

7F 1 00 ALL PARAMETER RESET 00=ON (receive only) --

TOTAL SIZE 07

< Table 1-3 >

MIDI Parameter Change table ( EFFECT 1)

Address Size Data Parameter Description Default value

(H) (H) (H) (H)

02 01 00 2 00 - 7F REVERB TYPE MSB refer to Effect Program List 01(=HALL1)

00 - 7F REVERB TYPE LSB refer to Effect Program List 0

02 1 00 - 7F REVERB PARAMETER 1 refer to Effect Program List 12(depends on reverb type)

03 1 00 - 7F REVERB PARAMETER 2 refer to Effect Program List 0A(depends on reverb type)

04 1 00 - 7F REVERB PARAMETER 3 refer to Effect Program List 08(depends on reverb type)

05 1 00 - 7F REVERB PARAMETER 4 refer to Effect Program List 0D(depends on reverb type)

06 1 00 - 7F REVERB PARAMETER 5 refer to Effect Program List 31(depends on reverb type)

07 1 00 - 7F REVERB PARAMETER 6 refer to Effect Program List 00(depends on reverb type)

08 1 00 - 7F REVERB PARAMETER 7 refer to Effect Program List 00(depends on reverb type)

09 1 00 - 7F REVERB PARAMETER 8 refer to Effect Program List 00(depends on reverb type)

0A 1 00 - 7F REVERB PARAMETER 9 refer to Effect Program List 00(depends on reverb type)

0B 1 00 - 7F REVERB PARAMETER 10 refer to Effect Program List 00(depends on reverb type)

0C 1 00 - 7F REVERB RETURN -∞dB...0dB...+6dB(0...96...127) 40

0D 1 01 - 7F REVERB PAN L63...C...R63 40

TOTAL SIZE 0E

02 01 10 1 00 - 7F REVERB PARAMETER 11 refer to Effect Parameter List 00(depends on reverb type)

11 1 00 - 7F REVERB PARAMETER 12 refer to Effect Parameter List 04(depends on reverb type)

12 1 00 - 7F REVERB PARAMETER 13 refer to Effect Parameter List 32(depends on reverb type)

13 1 00 - 7F REVERB PARAMETER 14 refer to Effect Parameter List 08(depends on reverb type)

14 1 00 - 7F REVERB PARAMETER 15 refer to Effect Parameter List 40(depends on reverb type)

15 1 00 - 7F REVERB PARAMETER 16 refer to Effect Parameter List 00(depends on reverb type)

TOTAL SIZE 6

02 01 20 2 00 - 7F CHORUS TYPE MSB refer to Effect Program List 41(=CHORUS1)

00 - 7F CHORUS TYPE LSB refer to Effect Program List 0

22 1 00 - 7F CHORUS PARAMETER 1 refer to Effect Program List 06(depends on chorus type)

23 1 00 - 7F CHORUS PARAMETER 2 refer to Effect Program List 36(depends on chorus type)

24 1 00 - 7F CHORUS PARAMETER 3 refer to Effect Program List 4D(depends on chorus type)

25 1 00 - 7F CHORUS PARAMETER 4 refer to Effect Program List 6A(depends on chorus type)

26 1 00 - 7F CHORUS PARAMETER 5 refer to Effect Program List 00(depends on chorus type)

27 1 00 - 7F CHORUS PARAMETER 6 refer to Effect Program List 1C(depends on chorus type)

28 1 00 - 7F CHORUS PARAMETER 7 refer to Effect Program List 40(depends on chorus type)

29 1 00 - 7F CHORUS PARAMETER 8 refer to Effect Program List 2E(depends on chorus type)

2A 1 00 - 7F CHORUS PARAMETER 9 refer to Effect Program List 40(depends on chorus type)

2B 1 00 - 7F CHORUS PARAMETER 10 refer to Effect Program List 40(depends on chorus type)

2C 1 00 - 7F CHORUS RETURN -∞dB...0dB...+6dB(0...96...127) 40

2D 1 01 - 7F CHORUS PAN L63...C...R63(1...64...127) 40

2E 1 00 - 7F SEND CHORUS TO REVERB -∞dB...0dB...+6dB(0...96...127) 0

TOTAL SIZE 0F

Parameter Base Address

MODEL ID = 4C

Parameter

DescriptionAddress

(H) (M) (L)

XG SYSTEM 00 00 00 System

00 00 7D Drum setup Reset

00 00 7E XG System On

00 00 7F All Parameter Reset

EFFECT 1 02 01 00 Effect1(Reverb,Chorus,Variation )

MULTI PART 08

Multi Part 1

Multi Part 16

DRUM 30

Drum Setup 1

Drum Setup 2

Address Parameter

3n 0D 00 note number 13

note number 14

note number 91

MIDI Data Format

Address Size Data Parameter Description Default value

(H) (H) (H) (H)

02 01 30 1 00 - 7F CHORUS PARAMETER 11 refer to Effect Parameter List 2E(depends on chorus type)

31 1 00 - 7F CHORUS PARAMETER 12 refer to Effect Parameter List 40(depends on chorus type)

32 1 00 - 7F CHORUS PARAMETER 13 refer to Effect Parameter List 0A(depends on chorus type)

33 1 00 - 7F CHORUS PARAMETER 14 refer to Effect Parameter List 00(depends on chorus type)

34 1 00 - 7F CHORUS PARAMETER 15 refer to Effect Parameter List 00(depends on chorus type)

35 1 00 - 7F CHORUS PARAMETER 16 refer to Effect Parameter List 00(depends on chorus type)

TOTAL SIZE 6

02 01 40 2 00 - 7F VARIATION TYPE MSB refer to Effect Program List 05(=DELAY L,C,R)

00 - 7F VARIATION TYPE LSB refer to Effect Program List 0

42 2 00 - 7F VARIATION PARAMETER 1 MSB refer to Effect Program List 1A(depends on variation type)

00 - 7F VARIATION PARAMETER 1 LSB refer to Effect Program List 05(depends on variation type)

44 2 00 - 7F VARIATION PARAMETER 2 MSB refer to Effect Program List 0D(depends on variation type)

00 - 7F VARIATION PARAMETER 2 LSB refer to Effect Program List 03(depends on variation type)

46 2 00 - 7F VARIATION PARAMETER 3 MSB refer to Effect Program List 27(depends on variation type)

00 - 7F VARIATION PARAMETER 3 LSB refer to Effect Program List 08(depends on variation type)

48 2 00 - 7F VARIATION PARAMETER 4 MSB refer to Effect Program List 27(depends on variation type)

00 - 7F VARIATION PARAMETER 4 LSB refer to Effect Program List 08(depends on variation type)

4A 2 00 - 7F VARIATION PARAMETER 5 MSB refer to Effect Program List 00(depends on variation type)

00 - 7F VARIATION PARAMETER 5 LSB refer to Effect Program List 4A(depends on variation type)

4C 2 00 - 7F VARIATION PARAMETER 6 MSB refer to Effect Program List 00(depends on variation type)

00 - 7F VARIATION PARAMETER 6 LSB refer to Effect Program List 64(depends on variation type)

4E 2 00 - 7F VARIATION PARAMETER 7 MSB refer to Effect Program List 00(depends on variation type)

00 - 7F VARIATION PARAMETER 7 LSB refer to Effect Program List 0A(depends on variation type)

50 2 00 - 7F VARIATION PARAMETER 8 MSB refer to Effect Program List 00(depends on variation type)

00 - 7F VARIATION PARAMETER 8 LSB refer to Effect Program List 00(depends on variation type)

52 2 00 - 7F VARIATION PARAMETER 9 MSB refer to Effect Program List 00(depends on variation type)

00 - 7F VARIATION PARAMETER 9 LSB refer to Effect Program List 00(depends on variation type)

54 2 00 - 7F VARIATION PARAMETER 10 MSB refer to Effect Program List 00(depends on variation type)

00 - 7F VARIATION PARAMETER 10 LSB refer to Effect Program List 20(depends on variation type)

56 1 00 - 7F VARIATION RETURN -∞dB...0dB...+6dB(0...96...127) 40

57 1 01 - 7F VARIATION PAN L63...C...R63(1...64...127) 40

58 1 00 - 7F SEND VARIATION TO REVERB -∞dB...0dB...+6dB(0...96...127) 0

59 1 00 - 7F SEND VARIATION TO CHORUS -∞dB...0dB...+6dB(0...96...127) 0

5A 1 00 - 01 VARIATION CONNECTION INSERTION , SYSTEM 0

5B 1 00 - 7F VARIATION PART NUMBER Part1 7F

OFF(127)

5C 1 00 - 7F MW VARIATION CONTROL DEPTH -64...0...+63 40

5D 1 00 - 7F BEND VARIATION CONTROL DEPTH -64...0...+63 40

5E 1 00 - 7F CAT VARIATION CONTROL DEPTH -64...0...+63 40

5F 1 00 - 7F AC1 VARIATION CONTROL DEPTH -64...0...+63 40

60 1 00 - 7F AC2 VARIATION CONTROL DEPTH -64...0...+63 40

TOTAL SIZE 21

02 01 70 1 00 - 7F VARIATION PARAMETER 11 refer to Effect Parameter List 00(depends on variation type)

71 1 00 - 7F VARIATION PARAMETER 12 refer to Effect Parameter List 3C(depends on variation type)

72 1 00 - 7F VARIATION PARAMETER 13 refer to Effect Parameter List 1C(depends on variation type)

73 1 00 - 7F VARIATION PARAMETER 14 refer to Effect Parameter List 40(depends on variation type)

74 1 00 - 7F VARIATION PARAMETER 15 refer to Effect Parameter List 2E(depends on variation type)

75 1 00 - 7F VARIATION PARAMETER 16 refer to Effect Parameter List 40(depends on variation type)

TOTAL SIZE 6

< Table 1-4 >

MIDI Parameter Change table ( MULTI PART )

Address Size Data Parameter Description Default value

(H) (H) (H) (H)

08 nn 00 1 00 - 20 ELEMENT RESERVE 0 part10 = 0

other parts =2

nn 01 1 00 - 7F BANK SELECT MSB 0...127 part10 = 7F

other parts=0

nn 02 1 00 - 7F BANK SELECT LSB 0...127 00

nn 03 1 00 - 7F PROGRAM NUMBER 1...128 00

nn 04 1 00-0F,7F Rcv CHANNEL A1...A16, OFF Part No.

nn 05 1 00 - 01 MONO/POLY MODE MONO , POLY 01

nn 06 1 00 - 02 SAME NOTE NUMBER SINGLE, MULTI, INST(for DRUM) 01

KEY ON ASSIGN

nn 07 1 00 - 03 PART MODE NORMAL, DRUM, DRUMS1, 2 Part10=2

other parts=0

nn 08 1 28 - 58 NOTE SHIFT -24...0...+24[semitones] 40

nn 09 2 00 - 0F DETUNE -12.8...0...+12.7[Hz] 08 00

nn 0A 00 - 0F 1st bit3-0→bit7-4

2nd bit3-0→bit3-0

nn 0B 1 00 - 7F VOLUME 0...127 64

nn 0C 1 00 - 7F VELOCITY SENSE DEPTH 0...127 40

nn 0D 1 00 - 7F VELOCITY SENSE OFFSET 0...127 40

nn 0E 1 00 - 7F PAN RND, L63...C...R63 40

nn 0F 1 00 - 7F NOTE LIMIT LOW C-2...G8 00

nn 10 1 00 - 7F NOTE LIMIT HIGH C-2...G8 7F

nn 11 1 00 - 7F DRY LEVEL 0...127 7F

nn 12 1 00 - 7F CHORUS SEND 0...127 00

nn 13 1 00 - 7F REVERB SEND 0...127 28

nn 14 1 00 - 7F VARIATION SEND 0...127 00

nn 15 1 00 - 7F VIBRATO RATE -64...0...+63 40

nn 16 1 00 - 7F VIBRATO DEPTH -64...0...+63 40(drum part ignores)

nn 17 1 00 - 7F VIBRATO DELAY -64...0...+63 40(drum part ignores)

MIDI Data Format

Address Size Data Parameter Description Default value

(H) (H) (H) (H)

nn 18 1 00 - 7F LOW PASS FILTER CUTOFF FREQUENCY -64...0...+63 40

nn 19 1 00 - 7F LOW PASS FILTER RESONANCE -64...0...+63 40

nn 1A 1 00 - 7F EG ATTACK TIME -64...0...+63 40

nn 1B 1 00 - 7F EG DECAY TIME -64...0...+63 40

nn 1C 1 00 - 7F EG RELEASE TIME -64...0...+63 40

nn 1D 1 28 - 58 MW PITCH CONTROL -24...0...+24[semitones] 40

nn 1E 1 00 - 7F MW LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40

nn 1F 1 00 - 7F MW AMPLITUDE CONTROL -100...0...+100[%] 40

nn 20 1 00 - 7F MW LFO PMOD DEPTH 0...127 0A

nn 21 1 00 - 7F MW LFO FMOD DEPTH 0...127 00

nn 22 1 00 - 7F MW LFO AMOD DEPTH 0...127 00

nn 23 1 28 - 58 BEND PITCH CONTROL -24...0...+24[semitones] 42

nn 24 1 00 - 7F BEND LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40

nn 25 1 00 - 7F BEND AMPLITUDE CONTROL -100...0...+100[%] 40

nn 26 1 00 - 7F BEND LFO PMOD DEPTH 0...127 00

nn 27 1 00 - 7F BEND LFO FMOD DEPTH 0...127 00

nn 28 1 00 - 7F BEND LFO AMOD DEPTH 0...127 00

TOTAL SIZE 29

nn 30 1 00 - 01 Rcv PITCH BEND OFF, ON 01

nn 31 1 00 - 01 Rcv CH AFTER TOUCH(CAT) OFF, ON 01

nn 32 1 00 - 01 Rcv PROGRAM CHANGE OFF, ON 01

nn 33 1 00 - 01 Rcv CONTROL CHANGE OFF, ON 01

nn 34 1 00 - 01 Rcv POLY AFTER TOUCH(PAT) OFF, ON 01

nn 35 1 00 - 01 Rcv NOTE MESSAGE OFF, ON 01

nn 36 1 00 - 01 Rcv RPN OFF, ON 01

nn 37 1 00 - 01 Rcv NRPN OFF, ON XGmode=01, GMmode=00

nn 38 1 00 - 01 Rcv MODURATION OFF, ON 01

nn 39 1 00 - 01 Rcv VOLUME OFF, ON 01

nn 3A 1 00 - 01 Rcv PAN OFF, ON 01

nn 3B 1 00 - 01 Rcv EXPRESSION OFF, ON 01

nn 3C 1 00 - 01 Rcv HOLD1 OFF, ON 01

nn 3D 1 00 - 01 Rcv PORTAMENTO OFF, ON 01

nn 3E 1 00 - 01 Rcv SOSTENUTO OFF, ON 01

nn 3F 1 00 - 01 Rcv SOFT PEDAL OFF, ON 01

nn 40 1 00 - 01 Rcv BANK SELECT OFF, ON XGmode=01, GMmode=00

nn 41 1 00 - 7F SCALE TUNING C -64...0...+63[cent] 40

nn 42 1 00 - 7F SCALE TUNING C# -64...0...+63[cent] 40

nn 43 1 00 - 7F SCALE TUNING D -64...0...+63[cent] 40

nn 44 1 00 - 7F SCALE TUNING D# -64...0...+63[cent] 40

nn 45 1 00 - 7F SCALE TUNING E -64...0...+63[cent] 40

nn 46 1 00 - 7F SCALE TUNING F -64...0...+63[cent] 40

nn 47 1 00 - 7F SCALE TUNING F# -64...0...+63[cent] 40

nn 48 1 00 - 7F SCALE TUNING G -64...0...+63[cent] 40

nn 49 1 00 - 7F SCALE TUNING G# -64...0...+63[cent] 40

nn 4A 1 00 - 7F SCALE TUNING A -64...0...+63[cent] 40

nn 4B 1 00 - 7F SCALE TUNING A# -64...0...+63[cent] 40

nn 4C 1 00 - 7F SCALE TUNING B -64...0...+63[cent] 40

nn 4D 1 28 - 58 CAT PITCH CONTROL -24...0...+24[semitones] 40

nn 4E 1 00 - 7F CAT LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40

nn 4F 1 00 - 7F CAT AMPLITUDE CONTROL -100...0...+100[%] 40

nn 50 1 00 - 7F CAT LFO PMOD DEPTH 0...127 00

nn 51 1 00 - 7F CAT LFO FMOD DEPTH 0...127 00

nn 52 1 00 - 7F CAT LFO AMOD DEPTH 0...127 00

nn 53 1 28 - 58 PAT PITCH CONTROL -24...0...+24[semitones] 40

nn 54 1 00 - 7F PAT LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40

nn 55 1 00 - 7F PAT AMPLITUDE CONTROL -100...0...+100[%] 40

nn 56 1 00 - 7F PAT LFO PMOD DEPTH 0...127 00

nn 57 1 00 - 7F PAT LFO FMOD DEPTH 0...127 00

nn 58 1 00 - 7F PAT LFO AMOD DEPTH 0...127 00

nn 59 1 00 - 5F AC1 CONTROLLER NUMBER 0...95 10

nn 5A 1 28 - 58 AC1 PITCH CONTROL -24...0...+24[semitones] 40

nn 5B 1 00 - 7F AC1 LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40

nn 5C 1 00 - 7F AC1 AMPLITUDE CONTROL -100...0...+100[%] 40

nn 5D 1 00 - 7F AC1 LFO PMOD DEPTH 0...127 00

nn 5E 1 00 - 7F AC1 LFO FMOD DEPTH 0...127 00

nn 5F 1 00 - 7F AC1 LFO AMOD DEPTH 0...127 00

nn 60 1 00 - 5F AC2 CONTROLLER NUMBER 0...95 11

nn 61 1 28 - 58 AC2 PITCH CONTROL -24...0...+24[semitones] 40

nn 62 1 00 - 7F AC2 LOW PASS FILTER CONTROL -9600...0...+9450[cent] 40

nn 63 1 00 - 7F AC2 AMPLITUDE CONTROL -100...0...+100[%] 40

nn 64 1 00 - 7F AC2 LFO PMOD DEPTH 0...127 00

nn 65 1 00 - 7F AC2 LFO FMOD DEPTH 0...127 00

nn 66 1 00 - 7F AC2 LFO AMOD DEPTH 0...127 00

nn 67 1 00 - 01 PORTAMENTO SWITCH OFF, ON 00

nn 68 1 00 - 7F PORTAMENTO TIME 0...127 00

nn 69 1 00 - 7F PITCH EG INITIAL LEVEL -64...0...+63 40

nn 6A 1 00 - 7F PITCH EG ATTACK TIME -64...0...+63 40

nn 6B 1 00 - 7F PITCH EG RELEASE LEVEL -64...0...+63 40

nn 6C 1 00 - 7F PITCH EG RELEASE TIME -64...0...+63 40

nn 6D 1 01 - 7F VELOCITY LIMIT LOW 1...127 01

nn 6E 1 01 - 7F VELOCITY LIMIT HIGH 1...127 7F

TOTAL SIZE 3F

MIDI Data Format

nn = PART NUMBER

In the case of a DRUM PART, the following parameters will have no effect.

• BANK SELECT LSB

• MONO/POLY MODE

• SCALE TUNING

• PORTAMENTO

• PITCH EG

< Table 1-5 >

MIDI Parameter Change table ( DRUM SETUP )

Address Size Data Parameter Description Default value

(H) (H) (H) (H)

3n rr 00 1 00 - 7F PITCH COARSE -64...0...+63 40

01 1 00 - 7F PITCH FINE -64...0...+63[cent] 40

02 1 00 - 7F LEVEL 0...127 depend on the note

03 1 00 - 7F ALTERNATE GROUP OFF,1...127 depend on the note

04 1 00 - 7F PAN RND,L63...C...R63 depend on the note

05 1 00 - 7F REVERB SEND 0...127 depend on the note

06 1 00 - 7F CHORUS SEND 0...127 depend on the note

07 1 00 - 7F VARIATION SEND 0...127 7F

08 1 00 - 01 KEY ASSIGN SINGLE , MULTI 00

09 1 00 - 01 Rcv NOTE OFF OFF , ON depend on the note

0A 1 00 - 01 Rcv NOTE ON OFF , ON 01

0B 1 00 - 7F LOW PASS FILTER CUTOFF FREQUENCY -64...0...63 40

0C 1 00 - 7F LOW PASS FILTER RESONANCE -64...0...63 40

0D 1 00 - 7F EG ATTACK RATE -64...0...63 40

0E 1 00 - 7F EG DECAY1 RATE -64...0...63 40

0F 1 00 - 7F EG DECAY2 RATE -64...0...63 40

TOTAL SIZE 10

n:Drum Setup Number(0 - 1)

rr:note number(0D - 5B)

In the following cases, all Drum Setups will be initialized.

XG SYSTEM ON received

GM SYSTEM ON received

DRUM SETUP RESET received (only setup applies)

[Note]

When a part to which a Drum Setup is assigned receives a program change, the assigned Drum Setup will be initialized.

If the same Drum Setup is assigned to two or more parts, changes in Drum Setup parameters (including program changes)will apply to all parts to which it is assigned.

MIDI Data Format

MIDI Implementation Chart

YAMAHA [ XG Plug-in Board ] Date:19-OCT-1999

Model PLG100-XG MIDI Implementation Chart Version : 1.0

Transmitted Recognized Remarks

Function...

Basic Default x 1 - 16

Channel Changed x 1 - 16

Default x 3

Mode Messages x 3,4 (m=1) *2

Altered ************** x

Note x 0 - 127

Number : True voice ************** 0 - 127

Velocity Note ON x o 9nH,v=1-127

Note OFF x x

After Key's x o *1

Touch Ch's x o *1

Pitch Bend x o 0-24 semi *1

0,32 x o *1 Bank Select

1,5,7,10,11 x o *1

6,38 x o *1 Data Entry

64-67 x o *1

Control 71-74 x o *1 Sound Controller

Change 84 x o *1 Portamento Cntrl

91,93,94 x o *1 Effect Depth

96-97 x o *1 RPN Inc,Dec

98-99 x o *1 NRPN LSB,MSB

100-101 x o *1 RPN LSB,MSB

MIDI Implementation Chart

Prog x o 0 - 127

Change : True # **************

System Exclusive x o

: Song Pos. x x

Common : Song Sel. x x

: Tune x x

System :Clock x x

Real Time:Commands x x

Aux :All Sound OFF x o(120,126,127)

:Reset All Cntrls x o(121)

:Local ON/OFF x x

:All Notes OFF x o(123-125)

Mes- :Active Sense x o

sages:Reset x x

Notes: *1 receive if switch is on.

*2 m is always treated as "1" regardless of its value.

Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO o : Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO x : No

SOFTWARE LICENSING AGREEMENT

The following is a legal agreement between you, the end user, and Yamaha Corporation (“Yamaha”). The enclosed

Yamaha software program is licensed by Yamaha to the original purchaser for use only on the terms set forth herein.

Please read this licensing agreement with care. Opening this package indicates that you accept all terms outlined

herein. If you do not agree to the terms, return this package unopened to Yamaha for a full refund.

1. GRANT OF LICENSE AND COPYRIGHT

Yamaha grants you, the original purchaser, the right to use one copy of the enclosed software program and data

(“SOFTWARE”) on a single-user computer system. You may not use it on more than one computer or computer termi-

nal. The SOFTWARE is owned by Yamaha and is protected by Japanese copyright laws and all applicable interna-

tional treaty provisions. You are entitled to claim ownership of the media in which the SOFTWARE is included.

Therefore, you must treat the SOFTWARE like any other copyrighted materials.

2. RESTRICTIONS

The SOFTWARE program is copyrighted. You may not engage in reverse engineering or reproduction of the SOFT-

WARE by other conceivable methods. You may not reproduce, modify, change, rent, lease, resell, or distribute the

SOFTWARE in whole or in part, or create derivative works from the SOFTWARE. You may not transmit or network

the SOFTWARE with other computers.

You may transfer ownership of the SOFTWARE and the accompanying written materials on a permanent basis pro-

vided that you retain no copies and the recipient agrees to the terms of the licensing agreement.

3. TERMINATION

The licensing condition of the software program becomes effective on the day that you receive the SOFTWARE. If

any one of the copyright laws or clauses of the licensing conditions is violated, the licensing agreement shall be termi-

nated automatically without notice from Yamaha. In this case, you must destroy the licensed SOFTWARE and its cop-

ies immediately.

4. PRODUCT WARRANTY

Yamaha warrants to the original purchaser that if the SOFTWARE, when used in normal conditions, will not perform

the functions described in the manual provided by Yamaha, the sole remedy will be that Yamaha will replace any media

which proves defective in materials or workmanship on an exchange basis without charge. Except as expressly set

forth above, the SOFTWARE is provided “as is,” and no other warranties, either expressed or implied, are made with

respect to this software, including, without limitation the implied warranties of merchantability and ﬁtness for a partic-

ular purpose.

5. LIMITED LIABILITY

Your sole remedies and Yamaha’s entire liability are as set forth above. In no event will Yamaha be liable to you or any

other person for any damages, including without limitation any incidental or consequential damages, expenses, lost

proﬁts, lost savings or other damages arising out of the use or inability to use such SOFTWARE even if Yamaha or an

authorized dealer has been advised of the possibility of such damages, or for any claim by any other party.

6. GENERAL

This license agreement shall be interpreted according to and governed by Japanese laws.

SOFTWARE-LIZENZVEREINBARUNG

Die folgende Vereinbarung ist eine rechtsgültige Vereinbarung zwischen Ihnen, dem Endanwender, und der Yamaha

Corporation („Yamaha”). Yamaha erteilt dem ursprünglichen Käufer für das beiliegende Yamaha-Softwareprogramm

ausschließlich zu den hier ausgeführten Bedingungen eine Lizenz zur Verwendung. Bitte lesen Sie diese Lizenzverein-

barung sorgfältig. Durch das Öffnen dieser Packung bringen Sie zum Ausdruck, daß Sie alle darin enthaltenen Bedin-

gungen akzeptieren. Wenn Sie nicht mit den Bedingungen einverstanden sind, können Sie die Packung ungeöffnet an

Yamaha zurückgeben; der Kaufpreis wird in voller Höhe zurückerstattet.

1. ERETILUNG VON LIZENZ UND COPYRIGHT

Yamaha erteilt Ihnen, dem ursprünglichen Käufer, das Recht, ein Exemplar des beiliegenden Softwareprogramms und

der darin enthaltenen Daten („SOFTWARE”) als Einzelperson auf jeweils einem Computer zu verwenden. Sie dürfen

sie nicht auf mehr als einem Computer bzw. einer Computerstation verwenden. Die SOFTWARE bleibt im Besitz von

Yamaha und ist durch japanische Copyrightgesetze sowie alle anwendbaren internationalen Vertragsbestimmungen

geschützt. Sie haben ein Anspruchsrecht auf das Eigentum an den Medien, denen die SOFTWARE beiliegt. Daher

müssen Sie die SOFTWARE wie alle anderen durch Copyright geschützten Materialien behandeln.

2. EINSCHRÄNKUNGEN

Die SOFTWARE ist durch Copyright geschützt. Sie dürfen Sie weder analysieren noch durch anderweitige Methoden

reproduzieren. Sie dürfen die SOFTWARE weder ganz noch teilweise reproduzieren, modiﬁzieren, verändern, gegen

Entgelt oder unentgeltlich verleihen, verkaufen oder vertreiben, und Sie dürfen auf der Grundlage der SOFTWARE

keine Ableitungen erstellen. Sie dürfen die SOFTWARE nicht an andere Computer senden oder in Netzwerke einspei-

sen. Sie dürfen das Eigentum an der SOFTWARE und den schriftlichen Begleitmaterialien auf unbefristeter Basis

unter den Voraussetzungen übertragen, daß Sie keine Kopien zurückbehalten und sich der Empfänger mit den Bedin-

gungen der Lizenzvereinbarung einverstanden erklärt.

3. BEENDIGUNG

Die Lizenzbedingung des Softwareprogramms wird am Tag, an dem Sie die SOFTWARE erhalten, wirksam. Falls ein

Copyrightgesetz oder eine Bestimmung der Lizenzbedingungen verletzt wird, wird automatisch und ohne Benachrich-

tigung durch Yamaha die Lizenzvereinbarung beendet. In diesem Fall müssen Sie die lizensierte SOFTWARE und ihre

Kopien unverzüglich vernichten.

4. PRODUKTGARANTIE

Yamaha garantiert dem ursprünglichen Käufer, daß, falls die SOFTWARE bei Verwendung unter normalen Bedingun-

gen nicht die in der von Yamaha bereitgestellten Anleitung beschriebenen Funktionen erfüllt, die einzige Abhilfe darin

bestehen wird, daß Yamaha auf Austauschbasis kostenlos jedes Medium ersetzen wird, das Material- oder Verarbei-

tungsfehler aufweist. Abgesehen von dem oben Ausgeführten wird die SOFTWARE „wie die Ware liegt und steht”

geliefert, und es werden keine anderen ausdrücklichen oder stillschweigenden Garantien hinsichtlich dieser Software

übernommen, einschließlich, aber nicht beschränkt auf, die stillschweigenden Garantien für handelsübliche Qualität

und Eignung für einen bestimmten Einsatzzweck.

5. BESCHRÄNKTE HAFTUNG

Ihre einzige Abhilfe und die gesamte Haftung Yamahas bestehen in dem oben Ausgeführten. Keinesfalls haftet Yamaha

Ihnen oder einer anderen Person gegenüber für etwaige Schäden, einschließlich, aber nicht beschränkt auf, zufällige

Schäden oder Folgeschäden, Kosten, Verdienstausfall, verlorene Ersparnisse oder andere Schadenersatzansprüche, die

aus der Verwendung der SOFTWARE oder aus der Tatsach hervorgehen, daß diese SOFTWARE nicht verwendet wer-

den konnte, selbst wenn Yamaha oder ein autorisierter Händler über die Möglichkeit derartiger Schadenersatzansprü-

che informiert wurde, oder für etwaige andere Ansprüche einer anderen Partei.

6. ALLGEMEINES

Diese Lizenzvereinbarung soll gemäß und in Übereinstimmung mit den japanischen Gesetzen ausgelegt werden.

CONTRAT DE LICENCE DE LOGICIEL

Ceci est un contrat entre vous-même, l’utilisateur ﬁnal, et Yamaha Corporation (“Yamaha”). Le logiciel Yamaha ci-

inclus est concédé sous licence par Yamaha à l’acheteur original et ne peut être utilisé que dans les conditions prévues

aux présentes. Veuillez lire attentivement ce contrat de licence. Le fait d’ouvrir ce coffret indique que vous acceptez

l’ensemble des termes du contrat. Si vous n’acceptez pas lesdits termes, renvoyez le coffret non ouvert à Yamaha pour

en obtenir le remboursement intégral.

1. CONCESSION DE LICENCE ET DROITS D’AUTEUR

Yamaha vous concède le droit d’utiliser, en tant qu’acheteur original, un exemplaire du logiciel et des données afféren-

tes à celui-ci (“LOGICIEL”) sur un ordinateur pour utilisateur unique. Vous n’êtes pas autorisé à utiliser ces éléments

sur plus d’un ordinateur ou terminal d’ordinateur. Le LOGICIEL est la propriété de Yamaha. Il est protégé par les dis-

positions relatives au droit d’auteur contenues dans la législation japonaise et les traités internationaux. Vous êtes en

droit de revendiquer l’appartenance du support du LOGICIEL. A ce titre, vous devez traiter le LOGICIEL comme tout

autre élément protégé par le droit d’auteur.

2. RESTRICTIONS

Le LOGICIEL est protégé par le droit d’auteur. Vous n’êtes pas autorisé à reconstituer la logique du LOGICIEL ou à

reproduire ce dernier par quelque autre moyen que ce soit. Vous n’êtes pas en droit de reproduire, modiﬁer, prêter,

louer, revendre ou distribuer le LOGICIEL en tout ou partie, ou d’utiliser le LOGICIEL à des ﬁns de création dérivée.

Vous n’êtes pas autorisé à transmettre le LOGICIEL à d’autres ordinateurs ou à l’utiliser en réseau.

Vous êtes en droit de céder, à titre permanent, le LOGICIEL et la documentation imprimée qui l’accompagne, sous

réserve que vous n’en conserviez aucun exemplaire et que le bénéﬁciaire accepte les termes du présent contrat.

3. RESILIATION

Les conditions énoncées dans le présent contrat de licence prennent effet à compter du jour où le LOGICIEL vous est

remis. Si l’une quelconque des dispositions relatives au droit d’auteur ou des clauses du contrat ne sont pas respectées,

le contrat de licence sera résilié de plein droit par Yamaha, ce sans préavis. Dans ce cas, vous devrez immédiatement

détruire le LOGICIEL concédé sous licence ainsi que les copies réalisées.

4. GARANTIE PRODUIT

Si, dans des conditions normales d’utilisation, le LOGICIEL ne remplit pas les fonctions décrites dans le manuel

fourni, Yamaha s’engage vis-à-vis de l’acheteur original à remplacer gratuitement, sur la base d’un échange, tout sup-

port reconnu défectueux par suite d’un défaut de matière première ou d’un vice de fabrication. Ceci constitue le seul

recours opposable à Yamaha. Hormis dans les cas expressément énoncés plus haut, le LOGICIEL est livré “en l’état” et

toute autre garantie expresse ou implicite le concernant, y compris, de manière non limitative, toute garantie implicite

de qualité marchande et d’adéquation à un usage particulier, est exclue.

5. RESPONSABILITE LIMITEE

Votre unique recours et la seule responsabilité de Yamaha sont tels qu’énoncés précédemment. En aucun cas Yamaha

ne pourra être tenu responsable, par vous-même ou une autre personne, de quelques dommages que ce soit, notamment

et de manière non limitative, de dommages indirects, frais, pertes de bénéﬁces, pertes de fonds ou d’autres dommages

résultant de l’utilisation ou de l’impossibilité d’utiliser le LOGICIEL, même si Yamaha ou un distributeur agréé ont été

prévenus de l’éventualité de tels dommages, ou de quelque autre revendication formulée par une tierce partie.

6. REMARQUE GENERALE

Le présent contrat de licence est régi par le droit japonais, à la lumière duquel il doit être interprété.

For details of products, please contact your nearest Yamaha or

the authorized distributor listed below.

Pour plus de détails sur les produits, veuillez-vous adresser à

Yamaha ou au distributeur le plus proche de vous ﬁgurant dans

la liste suivante.

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten

Niederlassung und bei Yamaha Vertragshändlern in den jeweili-

gen Bestimmungsländern erhältlich.

Para detalles sobre productos, contacte su tienda Yamaha más

cercana o el distribuidor autorizado que se lista debajo.

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario,

M1S 3R1, Canada

Tel: 416-298-1311

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Ave., Buena Park, Calif.

90620, U.S.A.

Tel: 714-522-9011

MEXICO

Yamaha de Mexico S.A. De C.V.,

Departamento de ventas

Javier Rojo Gomez No.1149, Col. Gpe Del

Moral, Deleg. Iztapalapa, 09300 Mexico, D.F.

Tel: 686-00-33

BRAZIL

Yamaha Musical do Brasil LTDA.

Av. Rebouças 2636, São Paulo, Brasil

Tel: 011-853-1377

ARGENTINA

Yamaha Music Argentina S.A.

Viamonte 1145 Piso2-B 1053,

Buenos Aires, Argentina

Tel: 1-371-7021

PANAMA AND OTHER LATIN

AMERICAN COUNTRIES/

CARIBBEAN COUNTRIES

Yamaha de Panama S.A.

Torre Banco General, Piso 7, Urbanización Marbella,

Calle 47 y Aquilino de la Guardia,

Ciudad de Panam*, Panam*

Tel: 507-269-5311

THE UNITED KINGDOM

Yamaha-Kemble Music (U.K.) Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes,

MK7 8BL, England

Tel: 01908-366700

IRELAND

Danfay Ltd.

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin

Tel: 01-2859177

GERMANY/SWITZERLAND

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen,

F.R. of Germany

Tel: 04101-3030

AUSTRIA

Yamaha Music Austria

Schleiergasse 20, A-1100 Wien Austria

Tel: 01-60203900

THE NETHERLANDS

Yamaha Music Nederland

Kanaalweg 18G, 3526KL, Utrecht, The Netherlands

Tel: 030-2828411

BELGIUM

Yamaha Music Belgium

Keiberg Imperiastraat 8, 1930 Zaventem, Belgium

Tel: 02-7258220

FRANCE

Yamaha Musique France,

Division Professionnelle

BP 70-77312 Marne-la-Vallée Cedex 2, France

Tel: 01-64-61-4000

NORTH AMERICA

CENTRAL & SOUTH AMERICA

EUROPE

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,

Tsimshatsui, Kowloon, Hong Kong

Tel: 2737-7688

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930, Indonesia

Tel: 21-520-2577

KOREA

Cosmos Corporation

1461-9, Seocho Dong, Seocho Gu, Seoul, Korea

Tel: 02-3486-0011

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

Petaling Jaya, Selangor, Malaysia

Tel: 3-703-0900

PHILIPPINES

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,

Makati, Metro Manila, Philippines

Tel: 819-7551

SINGAPORE

Yamaha Music Asia Pte., Ltd.

11 Ubi Road #06-00, Meiban Industrial Building,

Singapore

Tel: 65-747-4374

TAIWAN

Yamaha KHS Music Co., Ltd.

10F, 150, Tun-Hwa Northroad,

Taipei, Taiwan, R.O.C.

Tel: 02-2713-8999

THAILAND

Siam Music Yamaha Co., Ltd.

121/60-61 RS Tower 17th Floor,

Ratchadaphisek RD., Dindaeng,

Bangkok 10320, Thailand

Tel: 02-641-2951

THE PEOPLE’S REPUBLIC OF CHINA

AND OTHER ASIAN COUNTRIES

Yamaha Corporation,

International Marketing Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-2317

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

17-33 Market Street, South Melbourne, Vic.

3205, Australia

Tel: 3-699-2388

NEW ZEALAND

Music Houses of N.Z. Ltd.

146/148 Captain Springs Road, Te Papapa,

Auckland, New Zealand

Tel: 9-634-0099

COUNTRIES AND TRUST

TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation,

International Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-2312

ASIA

OCEANIA

ITALY

Yamaha Musica Italia S.P.A.,

Combo Division

Viale Italia 88, 20020 Lainate (Milano), Italy

Tel: 02-935-771

SPAIN/PORTUGAL

Yamaha-Hazen Electronica Musical, S.A.

Jorge Juan 30, 28001, Madrid, Spain

Tel: 91-577-7270

GREECE

Philippe Nakas S.A.

Navarinou Street 13, P.Code 10680, Athens,

Greece

Tel: 01-364-7111

SWEDEN

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1

Box 30053

S-400 43 Göteborg, Sweden

Tel: 031 89 34 00

DENMARK

YS Copenhagen Liaison Ofﬁce

Generatorvej 8B

DK-2730 Herlev, Denmark

Tel: 44 92 49 00

FINLAND

F-Musiikki Oy

Kluuvikatu 6, P.O. Box 260,

SF-00101 Helsinki, Finland

Tel: 09 618511

NORWAY

Norsk ﬁlial av Yamaha Scandinavia AB

Grini Næringspark 1

N-1345 Østerås, Norway

Tel: 67 16 77 70

ICELAND

Skifan HF

Skeifan 17 P.O. Box 8120

IS-128 Reykjavik, Iceland

Tel: 525 5000

OTHER EUROPEAN COUNTRIES

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen, F.R. of

Germany

Tel: 04101-3030

Yamaha Corporation,

International Marketing Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-

8650

Tel: 053-460-2312

TURKEY/CYPRUS

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen,

F.R. of Germany

Tel: 04101-3030

OTHER COUNTRIES

Yamaha Music Gulf FZE

LB21-128 Jebel Ali Freezone

P.O.Box 17328, Dubai, U.A.E.

Tel: 971-4-81-5868

AFRICA

MIDDLE EAST

HEAD OFFICE Yamaha Corporation, Electronic Musical Instrument Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-2445

SY20

M.D.G., EMI Division, Yamaha Corporation

V513900 912POCP5.2-01A0 Printed in Japan

This document is printed on chlorine free (ECF) paper.

Auf Umweltpapier gedruckt.

Ce document a été imprimé sur du papier non blanchi au chlore.

Transcripción de documentos

Precautions ● Do not expose the plug-in board to direct sunlight, excessive humidity, high temperatures, excessive dust or strong vibrations. ● Before handling the plug-in board, be sure to touch a metal surface to discharge any static electricity which may be in your body. ● When holding the plug-in board, do not touch the inside area of the circuit board or apply excessive pressure to the board, and be sure to protect the board from contact with water or other liquids. ● Before installing the plug-in board onto a tone generator/sound card, unplug the power connector of your computer. ● Before connecting the computer to other devices, turn off the power switches of all devices. ● Yamaha is not responsible for loss of data through computer malfunctions or operator actions. ● The plug-in board contains no user-serviceable parts, so never touch the inside area of the circuit board or tamper with the electronic circuitry in any way. Doing so may result in electrical shock or damage to the plugin board. YAMAHA CANNOT BE HELD RESPONSIBLE FOR DAMAGE CAUSED BY IMPROPER CARE AND USE OF THE PLUG-IN BOARD. * The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective companies. * The screens as illustrated in this owner’s manual are for instructional purposes only, and may appear somewhat different from the ones of your instrument. FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class ”B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit ”OFF” and ”ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620 * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. CANADA This Class B digital apparatus complies with Canadian ICES-003. Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada. • This applies only to products distributed by Yamaha Canada Music Ltd. • Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée. 2 Thank you for purchasing the Yamaha XG Plug-in Board PLG100-XG. The PLG100-XG is a full-featured XG/GM tone generator providing complete compatibility with commercially available XG/GM song data. The PLG100-XG is designed for use in MSPS (Modular Synthesis Plug-in System) compatible synthesizers and instruments, such as the CS6x and S80, that do not have built-in XG tone generation. To install your PLG100-XG correctly and to ensure full enjoyment of its sophisticated functions, be sure to read this manual very carefully. When finished, keep the manual in a secure and convenient place for future reference. About the Modular Synthesis Plug-in System (MSPS) The Yamaha Modular Synthesis Plug-in System offers powerful expansion and upgrade capabilities for MSPS-compatible synthesizers, tone generators and sound cards. This enables you to easily and effectively take advantage of the latest and most sophisticated synthesizer and effects technology, allowing you to keep pace with the rapid and multi-faceted advances in modern music production. About the XG Plug-in System The Yamaha XG Plug-in System offers powerful expansion and upgrade capabilities for XGPlug-in-compatible tone generators and sound cards. This enables you to easily and effectively take advantage of the latest and most sophisticated XG tone generation and effects technology, allowing you to keep pace with the rapid and multi-faceted advances in modern music production. 3 Table of Contents Overview of the PLG100-XG ....................................................................5 Main Features of the PLG100-XG ........................................................5 Installing the PLG100-XG .....................................................................5 Included Items ......................................................................................5 Required and Recommended Items .....................................................6 Specifications .......................................................................................6 About the Included CD-ROM and Floppy Disk .....................................6 Installing the Software ..........................................................................8 Playing XG Song Data / Editing XG Voices — Port Settings ...............8 Selecting XG Voices (Modular Synthesis Plug-in System) ..............11 Editing the XG Part Parameters (Modular Synthesis Plug-in System) ..............................................12 Parameters ..............................................................................................13 Appendix....................................................................................................14 XG Voice List (Normal voice)................................................................14 XG Drum Map (Drum voice) ..................................................................18 Effect Parameter List .............................................................................20 Effect Data Assign Table.......................................................................23 XG Parameter List..................................................................................25 MIDI Data Format ...................................................................................26 MIDI Implementation Chart ...................................................................36 4 Overview of the PLG100-XG Main Features of the PLG100-XG ● Exceptionally high-quality AWM2 tone generation system, with 480 instrument voices and 12 special drum voices. As a full tone generator in a single board, the PLG100-XG features maximum 32-note polyphony and 16-Part multi-timbral operation. ● Full-featured XG tone generator operation for non-XG-compatible instruments (such as the CS6x, S80, and CS6R), for complete playback compatibility with commercially available XG/GM song data, using a computer, sequencer, or other MIDI playback device. Since the PLG100-XG is also compatible with special XG/GM “Minus-one” song data, you can easily mute the melody and play it yourself (for practice or in performance), or sing along with the XG accompaniment. ● The PLG100-XG can also supplement even XG-compatible instruments, such as the MU2000, providing an additional tone generator with 16 Parts and 32-note polyphony. ● The PLG100-XG also lets you conveniently and easily edit all parameters from your computer, by using the included XGworks lite (Windows) or XG Editor (Macintosh). Installing the PLG100-XG To install your PLG100-XG board, refer to the manual that came with the “mother” or host synthesizer/tone generator (such as the CS6x or MU128). When using the CS6x, CS6R, or S80, make sure to install the board to slot 2. Included Items The following items have been included in the package of your new PLG100-XG. Please make sure that you have them all before starting to set up and use the instrument. If an item is missing, contact the store or dealer from which you purchased the PLG100-XG. • PLG100-XG board • PLG100-XG Owner’s Manual (this book) • CD-ROM • Floppy disk 5 Overview of the PLG100-XG Required and Recommended Items In addition to the included items listed above, you should also have the following: ■ Synthesizer or Tone Generator Compatible with the Modular Synthesis or XG Plug-in Systems In order to use the PLG100-XG, you’ll need a synthesizer or tone generator that is compatible with the Modular Synthesis Plug-in System (such as the CS6x) or the XG Plug-in System (such as the MU128). The synthesizer/tone generator should have an available slot or space for installing the PLG100-XG. Once, installed, the PLG100-XG functions seamlessly as a built-in tone generator for the host device. ● XGworks or XGworks lite Music Sequencing Software These software sequencers (for Windows) provide convenient tools for taking full advantage of the PLG100-XG, letting you create and edit song data for automatically selecting and playing back the XG voices. XGworks lite (version 3.0) is provided in the included CD-ROM. Specifications Tone Generation System : AWM2 (Advanced Wave Memory 2) Polyphony : 32 (when using one-element voices) Voices : 480 normal voices 12 drum voices Interface : Plug-in connector Effects : Reverb (11 types), Chorus (11 types), Variation (42 types) Dimensions (W x H x D) : 138.5 x 89 x 8.5 mm Weight : 56 g Included Items : Owner’s Manual, CD-ROM, floppy disk * Specifications subject to change without notice. About the Included CD-ROM and Floppy Disk The following software is included on the CD-ROM: ● XGworks lite (ver. 3.0) This sequencing software is the entry level progam for the full-version XGworks, and it allows you to record your musical performances with a connected MIDI keyboard and freely edit the recorded data. 6 Overview of the PLG100-XG ● XG Editor for Mac (ver. 2.1) This convenient software allows you to download voice data to your Macintosh computer and edit the main XG parameters. You can edit the various XG voice and effect parameters with the XG Editor, then and use them (in either SMF or XF format) with your favorite sequencer software to change the sounds automatically during song playback, or directly change the sounds on the XG tone generator. The following data is included on the floppy disk: ● Demonstration Songs These demonstration songs showcase the realistic and dynamic sounds of the PLG100-XG. To play back the songs, you can use any compatible sequence software (such as XGworks or XGworks lite) or a hardware sequencer (such as the Yamaha QY700). Also make sure that the instrument or tone generator with the installed PLG100-XG is properly connected to the sequencer. Before playing the XG demonstration songs, you’ll need to make a few Port-related settings (see page 8). Also, if you are using the CS6x, CS6R, or S80, make sure to set the instrument to the Performance mode. • “03 blues” By: Takeshi Fuse This dynamic, powerful big band jazz piece showcases the highly realistic sounds and expresive potential of the PLG100-XG. Here, pitch bend is used liberally in various phrases throughout the song to create authentic sounding brass parts, while control change numbers 74 (Brightness) and 11 (Expression) are applied many of the parts for a highly expressive, natural sound. Even though the trumpet section is layered, the first trumpet stands out, and high notes are appropriately shifted in pitch, just as would be played by real horn players. Also notice how the effects have been applied to the sound and how they make it sound full and realistic without sacrificing the unique character of each individual instrument. • “Opus 7” By: Etsuji Ogawa As its name suggests, seven separate motifs have been combined to make up this piece. Notice how each section concentrates on a specific genre of music and faithfully reproduces the feel and sound of the genre with a minimum of instruments, and spotlights a wide variety of solo instruments. • “Gale” By: Katsumi Nagae This techno/dance song shows what can be done with just the PLG100-XG and a little programming wizardry. Listen especially to the intricate use of dual hi hats and snare over the four-beat techno kick drum, and check out the use of filter sweeps on the synth sounds for added dynamic effects and textures. • “Endless Night” By: Takashi Morio This piece features several distinct musical sections and blends elements of funk, pop and R&B. To strengthen the rhythm part in the middle section, overdrive (an Insertion effect) has been applied to the drums, and the filter controls for the bass have been tweaked for added “fatness” — by increasing in the resonance and lowering the cutoff frequency. 7 Overview of the PLG100-XG Installing the Software ■ Installing XGworks lite 3.0 (for Windows 98/95 only) Insert the included CD-ROM and double-click the “Setup.exe” file in the “XGworks” folder on the CD-ROM. Follow the subsequent instructions on the screen to complete the installation. ■ Installing XG Editor for Mac 2.1 (for Macintosh only) Installing XG Editor for Mac 2.1 (for Macintosh only) Insert the included CD-ROM and double-click the “Install XG Editor 2.1E” file (folder: International → XG Editor) on the CD-ROM. Follow the subsequent instructions on the screen to complete the installation. Playing XG Song Data / Editing XG Voices — Port Settings In order to properly play back XG song data with the PLG100-XG installed to a Plug-in-compatible device, you’ll need to make a few settings, as described below. (The instruction steps below assume that you are using XGworks V3.0 and the Yamaha CBX Driver software. If you are using another sequence software and driver, refer to the owner’s manuals or online help of those programs.) 1 Set the Yamaha CBX Driver to Multiport operation. Double-click on the Yamaha CBX Driver icon in the Windows Control Panel. 2 Select the appropriate port within XGworks. Start XGworks, then open the System Setup dialog by clicking “System Setup” in the Setup menu. Select the Device tab, and set the MIDI OUT ports (1 - 6) to the desired CBX Drivers (A E). (Which Driver letter applies to the PLG100-XG depends on your particular instrument; see below for details.) Any Driver letter A through E can be assigned to any MIDI OUT port number; however, the same Driver letter cannot be assigned to two different ports. This means that one of the ports will be left unassigned. 8 Overview of the PLG100-XG 3 Set the specific port (and driver) to be used, depending on your particular application or instrument, as described below. ● When Playing XG Song Data from XGworks In the Track View window of XGworks, set each track’s Port to the appropriate number for use with the PLG100-XG. This will differ depending on your particular instrument. • For Modular Synthesis Plug-in System instruments (such as the CS6x, CS6R, S80, etc.), select the Port corresponding to “Yamaha CBX A Driver.” • For 64-Part XG tone generators (such as the MU128 or MU2000), select the Port corresponding to “Yamaha CBX E Driver.” • For 32-Part XG tone generators (such as the MU100R or SW1000XG), select the Port corresponding to “Yamaha CBX C Driver.” 9 Overview of the PLG100-XG ● When Editing XG Voices Using the XG Editor in XGworks Start the XG Editor (select “XG Editor” in the Window menu). From the XG Editor, select “XG Editor Setup” in the Setup menu and set “Part 1 - 16” to the appropriate MIDI OUT Port for use with the PLG100-XG. This will differ depending on your particular instrument. • For Modular Synthesis Plug-in System instruments (such as the CS6x, CS6R, S80, etc.), select the Port corresponding to “Yamaha CBX A Driver.” • For 64-Part XG tone generators (such as the MU100 or MU128 ), select the Port corresponding to “Yamaha CBX E Driver.” • For 32-Part XG tone generators (such as the MU100R or SW1000XG), select the Port corresponding to “Yamaha CBX C Driver.” 10 Selecting XG Voices (Modular Synthesis Plug-in System) When the PLG100-XG is installed to a MSPS-compatible instrument, the XG voices can be selected in much the same way as the internal voices of the instrument. A different voice can be selected for each of the sixteen Parts, corresponding to the sixteen MIDI channels. The example displays used in the following explanations are all taken from the CS6x. 1 Press the PERFORM button. 2 Press the EDIT button. GEN Name) Ctgry Common 3 a-Z 0-? Cursor [Co:Rap Round ] Use knob A to select the desired Part (from 17 - 32), then select the desired voice by using the BANK and PROGRAM buttons. MIX Vce) Bank Number Part17 NORM/000 001(A01)[--:GrandPno] ● ● You can also use knobs B and C to select the bank number and program number, respectively. When the cursor is at the bank number or program number position, you can also change the respective number by using the DEC/INC buttons. For a complete list of the available banks and their MSB/LSB values, refer to the “XG Voice List” on page 14. ● ● When using MU-series instruments (such as the MU100 or MU128), keep in mind that the PLG100-XG voices can only be selected remotely from the connected computer, and not from the front panel of the instrument itself. When playing back song data (of any format) with the CS6X/CS6R/S80, you may find that even though the voices change properly, the voice names shown in the LCD may not. Also, after playing back song data of a format that is neither XG nor GM, you may find that the voices sound correct but that the voice names shown in the LCD do not seem to match. In this case, you may want to reset the instrument so that the voices display properly. To do this, send a XG System On or GM System On message (play back an XG or GM song; the appropriate message is at the beginning of the song), or turn the power of the instrument off and on again. 11 Editing the XG Part Parameters (Modular Synthesis Plug-in System) Keep in mind that the XG Part parameter values and settings as edited in the manner below represent offsets of the actual voice settings. This means that adjustments made to the parameters may not result in much change to the actual sound, depending on the original settings of the voice. For parameter values, a setting of “0” results in no change, while positive and negative values increase and decrease the value respectively. 1 Select the desired XG voice, as described in Selecting XG Voices on page 11. 2 Select the desired parameter for editing by using the PAGE knob. TON EG) Part16 3 Attack + 0 Decay Sustain Release + 0 + 0 + 0 Change the value/setting of the selected XG Part parameter by using the appropriate knob (below the corresponding parameter) or by using the DEC/INC buttons (when the cursor is at the corresponding parameter). The actual parameter names may differ, depending on whether the instrument you are using is XG Plug-in System compatible or Modular Synthesis Plug-in System compatible. For details, refer to the Parameter List (XG/Modular Synthesis Plug-in System) on page 25. XG Part parameter edits cannot be stored as voice data. However, if you are using the CS6x, CS6R, or S80, you can store the data to a Memory Card. (Use the “Save” function in the Card mode; for detailed instructions, refer to the owner’s manual of your particular instrument.) 12 Parameters Performance Parameters Bank Select MSB/LSB 0...127 Determines the bank number (by MSB and LSB) of the Part's voice. Program Number 1...128 Determines the specific voice (by program number) of the Part. Receive Channel 1...16, off Determines the MIDI receive channel for the Performance. Velocity Limit Low 1...127 Determines the lowest velocity at which the Part's voice will play. Velocity Limit High 1...127 Determines the highest velocity at which the Part's voice will play. Note Limit Low C-2...G8 Determines the lowest responding note for the Part's voice. Note Limit High C-2...G8 Determines the highest responding note for the Part's voice. Pitch Bend Range -24...+24 Determines the pitch range of the MIDI Pitch Bend (in semitone steps). Velocity Sense Depth 0...127 Determines the degree to which velocity affects the Part's voice. Velocity Sense Offset 0...127 Boosts or reduces all velocity values for the Part's voice by the specified amount, letting you tailor how the level responds to your playing touch. Volume 0...127 Determines the overall level of the Part's voice. Pan RND, L63...C...R63 Determines the stereo position of the Part's voice. Detune -12.8...+12.7[Hz] Determines the fine tuning of the Part's voice in 0.1-Hz increments. Reverb Send 0...127 Determines the level of the Part's voice that is sent to the Reverb effect, letting you adjust the amount of the Reverb applied to the voice. Chorus Send 0...127 Determines the level of the Part's voice that is sent to the Chorus effect, letting you adjust the amount of the Chorus applied to the voice. Note Shift -24...+24[semitone] Determines the key transposition setting for the Part's voice (in semitone steps). Filter Cutoff Frequency -64...+63 Determines the cutoff frequency of the low pass filter. Filter Resonance/Width -64...+63 Determines the amount of filter resonance or emphasis of the Filter Cutoff Frequency above; it also affects the width of the frequency range to which resonance is applied. Portamento Switch off, on Determines whether Portamento (continuous pitch glide) is on or off for the Part's voice. Portamento Time 0...127 Determines the time of the Portamento effect (how long it takes to slide the pitch from one note to the next). AEG Attack Time -64...+63 Determines the time it takes for the sound to reach full volume when a note is played. AEG Decay2 Time -64...+63 Determines the time it takes for the sound to decrease in level to silence (as the note is held). AEG Release Time -64...+63 Determines the time it takes for the sound to decrease in level to silence (after the note is released). MW Filter Control -64...+63 Determines the degree to which the modulation wheel affects the Filter Cutoff Frequency (low pass filter). MW Amplitude Control -64...+63 Determines the degree to which the modulation wheel affects the volume (amplitude). MW LFO Pitch Modulation Depth 0...127 Determines the degree to which the modulation wheel affects the LFO-controlled pitch modulation. MW LFO Filter Modulation Depth 0...127 Determines the degree to which the modulation wheel affects the LFO-controlled Filter modulation (produces a “wah-wah” effect). MW LFO Amplitude Modulation Depth 0...127 Determines the degree to which the modulation wheel affects the LFO-controlled amplitude (volume) modulation. CAT Pitch Control -24...+24[semitone] Determines the degree to which channel after touch affects the pitch. CAT Filter Control -64...+63 Determines the degree to which channel after touch affects the Filter. CAT Amplitude Control -64...+63 Determines the degree to which channel after touch affects the volume (amplitude). CAT LFO Pitch Modulation Depth 0...127 Determines the degree to which channel after touch affects the LFO-controlled pitch modulation. CAT LFO Filter Modulation Depth 0...127 Determines the degree to which channel after touch affects the LFO-controlled Filter modulation (produces a “wah-wah” effect). CAT LFO Amplitude Modulation Depth 0...127 Determines the degree to which channel after touch affects the LFO-controlled amplitude (volume) modulation. AC1 Controller Number 0...95 Determines which MIDI control change number is assigned to Assignable Controller 1 (AC1) for the selected Part. AC1 Filter Control -64...+63 Determines the degree to which Assignable Controller 1 (AC1) affects the Cutoff Frequency of the Filter. AC1 Amplitude Control -64...+63 Determines the degree to which Assignable Controller 1 (AC1) affects the volume (amplitude). AC1 LFO Pitch Modulation Depth 0...127 Determines the degree to which Assignable Controller 1 (AC1) affects the LFO-controlled pitch modulation. AC1 LFO Filter Modulation Depth 0...127 Determines the degree to which Assignable Controller 1 (AC1) affects the LFO-controlled Filter modulation (produces a “wah-wah” effect). AC1 LFO Amplitude Modulation Depth 0...127 Determines the degree to which Assignable Controller 1 (AC1) affects the LFO-controlled amplitude (volume) modulation. Master Volume 0...127 Determines the overall volume of the PLG100-XG. Master Note Shift -24...+24[semitone] Determines the overall key transposition setting of the PLG100-XG (in semitone steps). Master Tune -102.4...+102.3[cent] Determines the overall fine tuning setting of the PLG100-XG (in 0.1-cent increments). System Parameters 13 Appendix XG Voice List (Normal voice) ■ Bank Select MSB=00 KSP Instrument Group Piano Pgm# Chromatic Percussion Organ Guitar Bass Strings Ensemble Brass Reed Pipe Synth Lead Synth Pad Synth Effects Ethnic Percussive Sound Effects 14 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 Bank 0 Bank Select LSB=00 Acoustic Grand Piano Bright Acoustic Piano Electric Grand Piano Honky-tonk Piano Electric Piano 1 Electric Piano 2 Harpsichord Clavi Celesta Glockenspiel Music Box Vibraphone Marimba Xylophone Tubular Bells Dulcimer Drawbar Organ 1 Percussive Organ Rock Organ Church Organ 1 Reed Organ Accordion Hamonica Tango Accordion Acoustic Guitar (nylon) 1 Acoustic Guitar (steel) Electric Guitar (jazz) Electric Guitar (clean) Electric Guitar (muted) Overdriven Guitar Distortion Guitar Guitar Harmonics Acoustic Bass Electric Bass (finger) Electric Bass (pick) Fretless Bass Slap Bass 1 Slap Bass 2 Synth Bass 1 Synth Bass 2 Violin Viola Cello Contrabass Tremolo Strings Pizzicato Strings Orchestral Harp Timpani String Ensemble 1 String Ensemble 2 Synth Strings 1 Synth Strings 2 Choir Aahs Voice Oohs Synth Voice Orchestra Hit Trumpet Trombone Tuba Muted Trumpet French Horn Brass Section 1 Synth Brass 1 Synth Brass 2 Soprano Sax Alto Sax Tenor Sax Baritone Sax Oboe English Horn Bassoon Clarinet Piccolo Flute Recorder Pan Flute Blown Bottle Shakuhachi Whistle Ocarina Lead 1 (square) Lead 2 (sawtooth) Lead 3 (calliope) Lead 4 (chiff) Lead 5 (charang) Lead 6 (voice) Lead 7 (fifths) Lead 8 (bass+lead) Pad 1 (new age) Pad 2 (warm) Pad 3 (polysynth) Pad 4 (choir) Pad 5 (bowed) Pad 6 (metallic) Pad 7 (halo) Pad 8 (sweep) FX 1 (rain) FX 2 (soundtrack) FX 3 (crystal) FX 4 (atmosphere) FX 5 (brightness) FX 6 (goblins) FX 7 (echoes) FX 8 (sci-fi) Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle Shanai Tinkle Bell Agogo Steel Drums Woodblock Taiko Drum Melodic Tom 1 Synth Drum Reverse Cymbal Guitar Fret Noise Breath Noise Seashore Bird Tweet Telephone Ring Helicopter Applause Gunshot : Same as Bank 0 Stereo Bank 0 E Bank 1 E GrandPno BritePno El.Grand HnkyTonk E.Piano1 E.Piano2 Harpsi. Clavi. Celesta Glocken MusicBox Vibes Marimba Xylophon TubulBel Dulcimer DrawOrgn PercOrgn RockOrgn ChrchOrg ReedOrgn Acordion Harmnica TangoAcd NylonGtr SteelGtr Jazz Gtr CleanGtr Mute.Gtr Ovrdrive Dist.Gtr GtrHarmo Aco.Bass FngrBass PickBass Fretless SlapBas1 SlapBas2 SynBass1 SynBass2 Violin Viola Cello Contrabs Trem.Str Pizz.Str Harp Timpani Strings1 Strings2 Syn.Str1 Syn.Str2 ChoirAah VoiceOoh SynVoice Orch.Hit Trumpet Trombone Tuba Mute.Trp Fr. Horn BrasSect SynBrss1 SynBrss2 SprnoSax Alto Sax TenorSax Bari.Sax Oboe Eng.Horn Bassoon Clarinet Piccolo Flute Recorder PanFlute Bottle Shakhchi Whistle Ocarina SquareLd Saw Ld CaliopLd Chiff Ld CharanLd Voice Ld Fifth Ld Bass&Ld NewAgePd Warm Pad PolySyPd ChoirPad BowedPad MetalPad Halo Pad SweepPad Rain SoundTrk Crystal Atmosphr Bright Goblins Echoes Sci-Fi Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle Shanai TnklBell Agogo SteelDrm Woodblok TaikoDrm MelodTom Syn Drum RevCymbl FretNoiz BrthNoiz Seashore Tweet Telphone Helicptr Applause Gunshot 1 1 2 2 2 2 1 2 1 1 2 1 1 1 1 1 1 1 2 2 1 2 1 2 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 2 1 1 1 1 1 1 1 1 1 1 2 2 1 1 1 2 1 1 1 1 2 1 2 1 1 1 1 1 2 1 1 1 1 1 1 1 2 2 1 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 1 2 1 1 2 2 2 1 1 2 1 1 2 2 2 2 1 1 1 1 GrndPnoK BritPnoK ElGrPnoK HnkyTnkK El.Pno1K El.Pno2K Harpsi.K Clav K 1 1 2 2 1 1 1 1 Vibes K MarimbaK 1 1 Bank 3 Single E Bank 6 Slow E Bank 8 Fast Decay E Bank 12 Bright Double Attack E Bank 14 E Bank 16 NylonGt2 SteelGt2 MelloSBa S.Strngs S.SlwStr 2 2 S.Choir 2 FrHrSolo 1 Seq Bass Slow Vln 1 SlwTrStr 1 Slow Str LegatoSt 1 2 Bank 17 E Bank 18 Rsonant E MelloGrP 1 MelloEP1 2 Bank 19 E Bank 20 Attack E Bank 24 E 70sPcOr1 2 1 AcidBass 1 1 1 2 Ch.Aahs2 2 Trumpet2 1 BriteTrp Tuba 2 1 MelloGtr 1 FingrDrk 2 SynBa1Dk ClkSynBa 1 2 SynBa2Dk FastResB 1 Arco Str 2 2 PolyBrss 2 2 HeavySyn 2 SynthAah 2 2 Trmbone2 2 Soft Brs 2 Hollow Dyna Saw 1 Shroud 1 Digi Saw 1 Quack Br SquarLd2 Saw Ld 2 Dark E 1 LMSquare 1 ThickSaw 2 RezSynBr 2 2 Big&Low 2 ThickPad 2 Soft Pad 2 Sine Pad 2 2 Big Lead 2 Shwimmer SynDrCmp 2 Popcorn Echoes 2 : No sound 2 Echo Pan 2 2 E : Element number TinyBell 2 WarmAtms 2 HollwRls 2 2 XG Voice List (Normal voice) Release Instrument Group Piano Pgm# Chromatic Percussion Organ Guitar Bass Strings Ensemble Brass Reed Pipe Synth Lead Synth Pad Synth Effects Ethnic Percussive Sound Effects 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 Bank 0 Bank Select LSB=00 Acoustic Grand Piano Bright Acoustic Piano Electric Grand Piano Honky-tonk Piano Electric Piano 1 Electric Piano 2 Harpsichord Clavi Celesta Glockenspiel Music Box Vibraphone Marimba Xylophone Tubular Bells Dulcimer Drawbar Organ 1 Percussive Organ Rock Organ Church Organ 1 Reed Organ Accordion Hamonica Tango Accordion Acoustic Guitar (nylon) 1 Acoustic Guitar (steel) Electric Guitar (jazz) Electric Guitar (clean) Electric Guitar (muted) Overdriven Guitar Distortion Guitar Guitar Harmonics Acoustic Bass Electric Bass (finger) Electric Bass (pick) Fretless Bass Slap Bass 1 Slap Bass 2 Synth Bass 1 Synth Bass 2 Violin Viola Cello Contrabass Tremolo Strings Pizzicato Strings Orchestral Harp Timpani String Ensemble 1 String Ensemble 2 Synth Strings 1 Synth Strings 2 Choir Aahs Voice Oohs Synth Voice Orchestra Hit Trumpet Trombone Tuba Muted Trumpet French Horn Brass Section 1 Synth Brass 1 Synth Brass 2 Soprano Sax Alto Sax Tenor Sax Baritone Sax Oboe English Horn Bassoon Clarinet Piccolo Flute Recorder Pan Flute Blown Bottle Shakuhachi Whistle Ocarina Lead 1 (square) Lead 2 (sawtooth) Lead 3 (calliope) Lead 4 (chiff) Lead 5 (charang) Lead 6 (voice) Lead 7 (fifths) Lead 8 (bass+lead) Pad 1 (new age) Pad 2 (warm) Pad 3 (polysynth) Pad 4 (choir) Pad 5 (bowed) Pad 6 (metallic) Pad 7 (halo) Pad 8 (sweep) FX 1 (rain) FX 2 (soundtrack) FX 3 (crystal) FX 4 (atmosphere) FX 5 (brightness) FX 6 (goblins) FX 7 (echoes) FX 8 (sci-fi) Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle Shanai Tinkle Bell Agogo Steel Drums Woodblock Taiko Drum Melodic Tom 1 Synth Drum Reverse Cymbal Guitar Fret Noise Breath Noise Seashore Bird Tweet Telephone Ring Helicopter Applause Gunshot : Same as Bank 0 Bank 0 GrandPno BritePno El.Grand HnkyTonk E.Piano1 E.Piano2 Harpsi. Clavi. Celesta Glocken MusicBox Vibes Marimba Xylophon TubulBel Dulcimer DrawOrgn PercOrgn RockOrgn ChrchOrg ReedOrgn Acordion Harmnica TangoAcd NylonGtr SteelGtr Jazz Gtr CleanGtr Mute.Gtr Ovrdrive Dist.Gtr GtrHarmo Aco.Bass FngrBass PickBass Fretless SlapBas1 SlapBas2 SynBass1 SynBass2 Violin Viola Cello Contrabs Trem.Str Pizz.Str Harp Timpani Strings1 Strings2 Syn.Str1 Syn.Str2 ChoirAah VoiceOoh SynVoice Orch.Hit Trumpet Trombone Tuba Mute.Trp Fr. Horn BrasSect SynBrss1 SynBrss2 SprnoSax Alto Sax TenorSax Bari.Sax Oboe Eng.Horn Bassoon Clarinet Piccolo Flute Recorder PanFlute Bottle Shakhchi Whistle Ocarina SquareLd Saw Ld CaliopLd Chiff Ld CharanLd Voice Ld Fifth Ld Bass&Ld NewAgePd Warm Pad PolySyPd ChoirPad BowedPad MetalPad Halo Pad SweepPad Rain SoundTrk Crystal Atmosphr Bright Goblins Echoes Sci-Fi Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle Shanai TnklBell Agogo SteelDrm Woodblok TaikoDrm MelodTom Syn Drum RevCymbl FretNoiz BrthNoiz Seashore Tweet Telphone Helicptr Applause Gunshot E Bank 25 1 1 2 2 2 2 1 Harpsi.2 2 1 1 2 1 1 1 1 1 1 1 2 2 1 2 1 2 1 NylonGt3 1 1 1 1 1 1 1 1 1 1 1 1 1 1 2 1 1 1 1 1 1 1 1 1 1 2 2 1 1 1 2 1 1 1 1 2 1 2 1 1 1 1 1 2 1 1 1 1 1 1 1 2 2 1 1 2 2 WaspySyn 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 1 2 1 1 2 2 2 1 1 2 1 1 2 2 2 2 1 1 1 1 Rezo Sweep E Bank 27 E Muted Bank 28 Detune 1 E Bank 32 Detune 2 E Bank 33 Detune 3 E Bank 34 Octave 1 E Bank 35 Octave 2 E Bank 36 5th 1 E Bank 37 5th 2 E Bank 38 Bend E Bank 39 Tutti E Bank 40 PianoStr Det.CP80 2 Chor.EP1 Chor.EP2 2 2 DX Hard 2 DXLegend 2 Harpsi.3 2 ClaviWah E 2 LayerCP1 2 HardEl.P DX Phase 2 2 16+2"2/3 2 2 2 DetDrwOr DetPrcOr 2 60sDrOr1 2 Lite Org ChurOrg3 2 AccordIt Harmo. 2 2 2 Jazz Amp ChorusGt 2 2 2 60sDrOr2 2 Dulcimr2 2 70sDrOr1 2 2 DrawOrg2 2 60sDrOr3 PercOrg2 2 Even Bar 2 2 ChurOrg2 2 NotreDam Puff Org 2 2 12StrGtr 2 Nyln&Stl 2 2 FlangeBa Fretles2 2 Fretles3 PunchThm 2 1 2 Fretles4 2 Clv Bass 2 TechnoBa ModulrBa 2 60sStrng 2 OrchHit2 2 Tp&TbSec 2 2 2 Susp.Str 2 YangChin 2 Orchestr Warm Str 2 2 2 MelChoir Warm Trp SynBrss3 2 1 SmthSynB Reso Str 2 FeedbkGt JazzRthm 2 Ba&DstEG 2 2 MutePkBa ResoSlap FunkGtr1 2 2 2 Prologue 2 FrHorn 2 1 JumpBrss 2 DetSitar MuteBnjo 2 SyVoice2 2 BrssSec2 2 SynBrss4 2 Sax Sect BrthTnSx 2 2 PulseSaw 2 GlockChi Nylon EP 2 2 2 HornOrch 2 Converge ChoirStr 2 Big Five 2 RndGlock 2 Sitar 2 2 2 1 : No sound E : Element number 15 XG Voice List (Normal voice) Velo-Switch Instrument Group Piano Pgm# Chromatic Percussion Organ Guitar Bass Strings Ensemble Brass Reed Pipe Synth Lead Synth Pad Synth Effects Ethnic Percussive Sound Effects 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 Bank 0 Bank Select LSB=00 Acoustic Grand Piano Bright Acoustic Piano Electric Grand Piano Honky-tonk Piano Electric Piano 1 Electric Piano 2 Harpsichord Clavi Celesta Glockenspiel Music Box Vibraphone Marimba Xylophone Tubular Bells Dulcimer Drawbar Organ 1 Percussive Organ Rock Organ Church Organ 1 Reed Organ Accordion Hamonica Tango Accordion Acoustic Guitar (nylon) 1 Acoustic Guitar (steel) Electric Guitar (jazz) Electric Guitar (clean) Electric Guitar (muted) Overdriven Guitar Distortion Guitar Guitar Harmonics Acoustic Bass Electric Bass (finger) Electric Bass (pick) Fretless Bass Slap Bass 1 Slap Bass 2 Synth Bass 1 Synth Bass 2 Violin Viola Cello Contrabass Tremolo Strings Pizzicato Strings Orchestral Harp Timpani String Ensemble 1 String Ensemble 2 Synth Strings 1 Synth Strings 2 Choir Aahs Voice Oohs Synth Voice Orchestra Hit Trumpet Trombone Tuba Muted Trumpet French Horn Brass Section 1 Synth Brass 1 Synth Brass 2 Soprano Sax Alto Sax Tenor Sax Baritone Sax Oboe English Horn Bassoon Clarinet Piccolo Flute Recorder Pan Flute Blown Bottle Shakuhachi Whistle Ocarina Lead 1 (square) Lead 2 (sawtooth) Lead 3 (calliope) Lead 4 (chiff) Lead 5 (charang) Lead 6 (voice) Lead 7 (fifths) Lead 8 (bass+lead) Pad 1 (new age) Pad 2 (warm) Pad 3 (polysynth) Pad 4 (choir) Pad 5 (bowed) Pad 6 (metallic) Pad 7 (halo) Pad 8 (sweep) FX 1 (rain) FX 2 (soundtrack) FX 3 (crystal) FX 4 (atmosphere) FX 5 (brightness) FX 6 (goblins) FX 7 (echoes) FX 8 (sci-fi) Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle Shanai Tinkle Bell Agogo Steel Drums Woodblock Taiko Drum Melodic Tom 1 Synth Drum Reverse Cymbal Guitar Fret Noise Breath Noise Seashore Bird Tweet Telephone Ring Helicopter Applause Gunshot : Same as Bank 0 Bank 0 E GrandPno BritePno El.Grand HnkyTonk E.Piano1 E.Piano2 Harpsi. Clavi. Celesta Glocken MusicBox Vibes Marimba Xylophon TubulBel Dulcimer DrawOrgn PercOrgn RockOrgn ChrchOrg ReedOrgn Acordion Harmnica TangoAcd NylonGtr SteelGtr Jazz Gtr CleanGtr Mute.Gtr Ovrdrive Dist.Gtr GtrHarmo Aco.Bass FngrBass PickBass Fretless SlapBas1 SlapBas2 SynBass1 SynBass2 Violin Viola Cello Contrabs Trem.Str Pizz.Str Harp Timpani Strings1 Strings2 Syn.Str1 Syn.Str2 ChoirAah VoiceOoh SynVoice Orch.Hit Trumpet Trombone Tuba Mute.Trp Fr. Horn BrasSect SynBrss1 SynBrss2 SprnoSax Alto Sax TenorSax Bari.Sax Oboe Eng.Horn Bassoon Clarinet Piccolo Flute Recorder PanFlute Bottle Shakhchi Whistle Ocarina SquareLd Saw Ld CaliopLd Chiff Ld CharanLd Voice Ld Fifth Ld Bass&Ld NewAgePd Warm Pad PolySyPd ChoirPad BowedPad MetalPad Halo Pad SweepPad Rain SoundTrk Crystal Atmosphr Bright Goblins Echoes Sci-Fi Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle Shanai TnklBell Agogo SteelDrm Woodblok TaikoDrm MelodTom Syn Drum RevCymbl FretNoiz BrthNoiz Seashore Tweet Telphone Helicptr Applause Gunshot 1 1 2 2 2 2 1 2 1 1 2 1 1 1 1 1 1 1 2 2 1 2 1 2 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 2 1 1 1 1 1 1 1 1 1 1 2 2 1 1 1 2 1 1 1 1 2 1 2 1 1 1 1 1 2 1 1 1 1 1 1 1 2 2 1 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 1 1 1 1 1 2 1 1 2 2 2 1 1 2 1 1 2 2 2 2 1 1 1 1 Bank 41 E Bank 42 E 2 Dream 2 LayerCP2 2 DX+Analg 2 DXKotoEP Bank 43 Velo-Xfade E Bank 45 VX El.P1 VX El.P2 HardVibe Stl&Body 2 MuteStlG 2 FeedbkG2 2 DX Bass 2 Orchstr2 Kingdom 2 TremOrch 2 Choral 2 Hi Brass 2 MelloBrs ChoirBrs 2 SoftTenr 2 Dr. Lead 2 FunkGtr2 Gt.Pinch 2 Jazz Man 2 1 FngrSlap VXUprght 2 FngBass2 2 2 VeloSlap 2 Velo.Str Bank 65 E Bank 66 E Bank 67 E 2 Bank 68 E Bank 69 E Bank 70 E Bank 71 E 1 PulseClv 1 PierceCl Orgel 2 2 SineMrmb 2 Organ Ba 1 70sDrOr2 2 CheezOrg 2 DrawOrg3 RotaryOr OrgFlute 2 SloRotar 2 TrmOrgFl 2 FstRotar 2 2 TngoAcd2 2 GtFeedbk 1 GtrHrmo2 1 Mod.Bass 2 Orbiter X WireBa 2 Sqr.Bass 2 1 RubberBa 70s Str Syn Str4 1 Strings3 2 Syn Str5 1 2 AnaVoice Impact 1 2 2 AnaBrss1 2 AnaBrss2 2 2 TnrSax 2 1 Mellow 2 SoloSine 2 SineLead PureLead 2 2 WireLead 2 2 Rubby DistLead Vox Lead Fat&Prky Fantasy Horn Pad PolyPd80 Heaven Glacier Tine Pad 2 2 2 2 2 2 2 PolarPad 2 HrmoRain Ancestrl SynMalet NylnHarp FantaBel GobSynth EchoBell Starz 2 2 2 1 2 2 2 2 2 2 2 2 AnVelBr1 AnVelBr2 2 VeloLead ClaviPad 2 ChorBell E 2 2 2 Bank 64 2 60sEl.P1 2 VelGtHrm HyprAlto ClearBel other wave E 2 : No sound 1 2 2 Soft Wrl 2 RotarStr ClickPad GlassPad Pan Pad 2 2 Ana. Pad Itopia 2 2 AfrcnWnd Celstial 2 Carib 2 2 SftCryst Harp Vox 2 LoudGlok 2 AtmosPad 2 ChrstBel 2 Planet 2 VibeBell 2 2 DigiBell Creeper Big Pan 2 Ring Pad 2 SynPiano 2 Ritual 2 Creation 2 ToHeaven 2 StarDust 2 2 Reso&Pan 2 Rock Tom 2 2 Shanai 2 1 Mel Tom2 Ana Tom 1 Real Tom 1 ElecPerc E : Element number 2 SquarPad 2 CC Pad 2 2 2 AirBells Night 2 2 BellHarp 2 2 Glisten 2 XG Voice List (Normal voice) ■ Bank Select MSB=64 Instrument Group Piano Pgm# Chromatic Percussion Organ Guitar Bass Strings Ensemble Brass Reed Pipe Synth Lead Synth Pad Synth Effects Ethnic Percussive Sound Effects 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 Bank 0 Bank Select LSB=00 Acoustic Grand Piano Bright Acoustic Piano Electric Grand Piano Honky-tonk Piano Electric Piano 1 Electric Piano 2 Harpsichord Clavi Celesta Glockenspiel Music Box Vibraphone Marimba Xylophone Tubular Bells Dulcimer Drawbar Organ 1 Percussive Organ Rock Organ Church Organ 1 Reed Organ Accordion Hamonica Tango Accordion Acoustic Guitar (nylon) 1 Acoustic Guitar (steel) Electric Guitar (jazz) Electric Guitar (clean) Electric Guitar (muted) Overdriven Guitar Distortion Guitar Guitar Harmonics Acoustic Bass Electric Bass (finger) Electric Bass (pick) Fretless Bass Slap Bass 1 Slap Bass 2 Synth Bass 1 Synth Bass 2 Violin Viola Cello Contrabass Tremolo Strings Pizzicato Strings Orchestral Harp Timpani String Ensemble 1 String Ensemble 2 Synth Strings 1 Synth Strings 2 Choir Aahs Voice Oohs Synth Voice Orchestra Hit Trumpet Trombone Tuba Muted Trumpet French Horn Brass Section 1 Synth Brass 1 Synth Brass 2 Soprano Sax Alto Sax Tenor Sax Baritone Sax Oboe English Horn Bassoon Clarinet Piccolo Flute Recorder Pan Flute Blown Bottle Shakuhachi Whistle Ocarina Lead 1 (square) Lead 2 (sawtooth) Lead 3 (calliope) Lead 4 (chiff) Lead 5 (charang) Lead 6 (voice) Lead 7 (fifths) Lead 8 (bass+lead) Pad 1 (new age) Pad 2 (warm) Pad 3 (polysynth) Pad 4 (choir) Pad 5 (bowed) Pad 6 (metallic) Pad 7 (halo) Pad 8 (sweep) FX 1 (rain) FX 2 (soundtrack) FX 3 (crystal) FX 4 (atmosphere) FX 5 (brightness) FX 6 (goblins) FX 7 (echoes) FX 8 (sci-fi) Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle Shanai Tinkle Bell Agogo Steel Drums Woodblock Taiko Drum Melodic Tom 1 Synth Drum Reverse Cymbal Guitar Fret Noise Breath Noise Seashore Bird Tweet Telephone Ring Helicopter Applause Gunshot : Same as Bank 0 SFX Bank 0 GrandPno BritePno El.Grand HnkyTonk E.Piano1 E.Piano2 Harpsi. Clavi. Celesta Glocken MusicBox Vibes Marimba Xylophon TubulBel Dulcimer DrawOrgn PercOrgn RockOrgn ChrchOrg ReedOrgn Acordion Harmnica TangoAcd NylonGtr SteelGtr Jazz Gtr CleanGtr Mute.Gtr Ovrdrive Dist.Gtr GtrHarmo Aco.Bass FngrBass PickBass Fretless SlapBas1 SlapBas2 SynBass1 SynBass2 Violin Viola Cello Contrabs Trem.Str Pizz.Str Harp Timpani Strings1 Strings2 Syn.Str1 Syn.Str2 ChoirAah VoiceOoh SynVoice Orch.Hit Trumpet Trombone Tuba Mute.Trp Fr. Horn BrasSect SynBrss1 SynBrss2 SprnoSax Alto Sax TenorSax Bari.Sax Oboe Eng.Horn Bassoon Clarinet Piccolo Flute Recorder PanFlute Bottle Shakhchi Whistle Ocarina SquareLd Saw Ld CaliopLd Chiff Ld CharanLd Voice Ld Fifth Ld Bass&Ld NewAgePd Warm Pad PolySyPd ChoirPad BowedPad MetalPad Halo Pad SweepPad Rain SoundTrk Crystal Atmosphr Bright Goblins Echoes Sci-Fi Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle Shanai TnklBell Agogo SteelDrm Woodblok TaikoDrm MelodTom Syn Drum RevCymbl FretNoiz BrthNoiz Seashore Tweet Telphone Helicptr Applause Gunshot E Bank 72 E Bank 96 1 1 2 2 2 2 1 2 1 1 2 1 1 1 1 ChrchBel 1 Cimbalom 1 1 2 2 1 2 1 2 1 Ukulele 1 Mandolin 1 1 1 1 1 1 1 1 1 1 SynFretl 1 1 1 Hammer 2 1 1 1 1 1 1 1 1 1 1 2 2 1 1 1 2 1 1 1 1 2 1 2 1 1 1 1 1 2 1 1 1 1 1 1 1 2 2 1 1 2 2 Seq Ana. 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 Gamelmba 2 2 2 Smokey 2 BelChoir 2 2 1 Tambra 1 Rabab 1 1 Taisho-k 1 2 1 1 Pungi 2 Bonang 2 2 1 Castanet 1 Gr.Cassa 2 1 1 2 2 2 2 1 1 1 1 E Bank 97 Balimba 2 Carillon 2 Santur E Bank 98 2 Log Drum E Bank 99 E Bank 100 E Bank 101 E 2 2 2 1 2 2 SmthFrtl 2 2 2 2 2 2 Tamboura 2 Gopichnt 2 2 Oud 2 Kanoon 2 1 Hichriki 2 Altair 2 2 Gamelan 2 S.Gamlan 2 ThaiBell 2 GlasPerc 2 2 Rama Cym 2 AsianBel 1 1 : No sound E : Element number 2 Pch# 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 Bank 0 E CuttngNz CttngNz2 1 2 Str Slap 1 Fl.KClik 1 Shower Thunder Wind Stream Bubble Feed 1 1 1 2 2 2 Dog Horse Tweet 2 1 1 1 Ghost Maou 2 2 PhonCall DoorSqek Door Slam ScratchC ScratchS WindChim Telphon2 1 1 1 1 2 1 1 CarEIgnt CarTSqel Car Pass CarCrash Siren Train JetPlane Starship Burst Coaster Submarin 1 1 1 1 2 1 2 2 2 2 2 Laugh Scream Punch Heart Footstep 1 1 1 1 1 MchinGun LaserGun Xplosion Firework 1 2 2 2 17 XG Drum Map (Drum voice) Note# 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 Bank MSB# Program # Rcv Note Note off C# -1 D -1 D# -1 E -1 F -1 F# -1 G -1 G# -1 A -1 A# -1 B -1 C 0 C# 0 D 0 O D# 0 E 0 O F 0 O F# 0 G 0 G# 0 A 0 A# 0 B 0 C 1 C# 1 D 1 D# 1 E 1 F 1 F# 1 G 1 G# 1 A 1 A# 1 B 1 C 2 C# 2 D 2 D# 2 E 2 F 2 F# 2 G 2 G# 2 A 2 A# 2 B 2 C 3 C# 3 D 3 D# 3 E 3 F 3 F# 3 G 3 G# 3 A 3 A# 3 B 3 O C 4 O C# 4 D 4 O D# 4 E 4 F 4 F# 4 G 4 G# 4 A 4 A# 4 B 4 C 5 C# 5 D 5 D# 5 E 5 F 5 F# 5 G 5 Alternate Group 3 3 : Same as Standard Kit 18 4 4 1 1 1 2 2 127 1 127 2 127 9 127 17 127 25 127 26 StandKit StndKit2 Room Kit Rock Kit ElctrKit AnalgKit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Snare Soft Sticks Kick Soft OpenRimShot Kick Tight Kick Side Stick Snare Hand Clap Snare Tight Floor Tom L Hi-HatClosed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H CrashCymbal1 High Tom RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree ReversCymbal ReversCymbal Snare Noisy Hi Q 2 SnrSnpyElctr Hi Q 2 SnareNoisy 4 Kick Tight 2 Kick 3 Kick Tight 2 Kick 2 Kick Gate Kick Gate KckGateHeavy KickAnlgShrt Kick Analog SideStickAn SnareAnalog Snare Roll 2 Snare Soft 2 RimShotHShrt KickTghtShrt Kick Short Snare Short Snare Snappy Snare Rock SnareNoisy 2 SnareTight H SnrTightSnpy Tom Room 1 Snare Rock Rim Tom Rock 1 SnareNoisy 3 TomElectro 1 Tom Room 2 Tom Rock 2 TomElectro 2 Tom Room 3 Tom Rock 3 TomElectro 3 Tom Room 4 Tom Room 5 Tom Rock 4 Tom Rock 5 TomElectro 4 TomElectro 5 Tom Room 6 Tom Rock 6 TomElectro 6 SnareAnalog2 Tom Analog 1 HatCloseAnlg Tom Analog 2 HatCloseAn 2 Tom Analog 3 HatOpen Anlg Tom Analog 4 Tom Analog 5 Crash Analog Tom Analog 6 Cowbell Anlg Conga Anlg H Conga Anlg M Conga Anlg L Maracas 2 Claves 2 Scratch H 2 Scratch L 2 : No sound Scratch H 2 Scratch L 2 XG Drum Map (Drum voice) Note# 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 Bank MSB# Program # Rcv Note Note off C# -1 D -1 D# -1 E -1 F -1 F# -1 G -1 G# -1 A -1 A# -1 B -1 C 0 C# 0 D 0 O D# 0 E 0 O F 0 O F# 0 G 0 G# 0 A 0 A# 0 B 0 C 1 C# 1 D 1 D# 1 E 1 F 1 F# 1 G 1 G# 1 A 1 A# 1 B 1 C 2 C# 2 D 2 D# 2 E 2 F 2 F# 2 G 2 G# 2 A 2 A# 2 B 2 C 3 C# 3 D 3 D# 3 E 3 F 3 F# 3 G 3 G# 3 A 3 A# 3 B 3 O C 4 O C# 4 D 4 O D# 4 E 4 F 4 F# 4 G 4 G# 4 A 4 A# 4 B 4 C 5 C# 5 D 5 D# 5 E 5 F 5 F# 5 G 5 Alternate Group 3 3 4 4 1 1 1 2 2 127 1 127 28 127 33 127 41 127 49 126 1 126 2 StandKit DanceKit Jazz Kit BrushKit SymphKit SFXKit 1 SFXKit 2 Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Snare Soft Sticks Kick Soft OpenRimShot Kick Tight Kick Side Stick Snare Hand Clap Snare Tight Floor Tom L Hi-HatClosed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H CrashCymbal1 High Tom RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree ReversCymbal Hi Q 2 Snare Tchno 3 Kick Techno Q Rim Gate Kick Techno L Kick Techno 2 Side Stick Analog Snare Clap Brush Slap 2 Kick Soft 2 Kick Small Gran Cassa GranCassa Mu Brush Slap 3 Band Snare Tom Jazz 1 Brush Tap 2 Tom Brush 1 Band Snare 2 Tom Jazz 1 Tom Jazz 2 Tom Brush 2 Tom Jazz 2 Tom Jazz 3 Tom Brush 3 Tom Jazz 3 Tom Jazz 4 Tom Jazz 5 Tom Brush 4 Tom Brush 5 Tom Jazz 6 Tom Brush 6 Tom Jazz 4 Tom Jazz 5 Hand Cymbal Tom Jazz 6 HandCymShort Kick Jazz CuttingNoiz CuttingNoiz String Slap Snare Dry 2 Tom Analog 1 Hi-Hat Closed 3 Tom Analog 2 HatCloseAn 2 Tom Analog 3 Hi-Hat Open 3 Tom Analog 4 Tom Analog 5 Clash Analog Tom Analog 6 Fl.Key Click CarEngnIgnit CarTireSqeal Car Passing Car Crash Siren Train Jet Plane Starship Burst Coaster Submarine Shower Thunder Wind Stream Bubble Feed Laugh Scream Punch Heartbeat Footsteps Dog Horse Bird Tweet 2 Machine Gun Laser Gun Explosion FireWork Cowbell Anlg HandCymbal 2 HandCym2Shrt Conga Anlg H Conga Anlg M Conga Anlg L Maracas 2 Phone Call Door Squeak Door Slam Scratch Cut Scratch H 3 Wind Chime Telephone 2 Claves 2 Scratch H 2 Scratch L 3 Ghost Maou 19 Effect Parameter List Parameters marked with a ● in the “Control” column can be controlled from an AC1 (assignable controller 1) etc. However, this is valid only for a Variation effect (when selected for Insertion). HALL1,HALL2 ROOM1,ROOM2,ROOM3 STAGE1,STAGE2 PLATE (reverb, variation block) Display 0.3 - 30.0s 0 - 10 0.1 - 99.3ms Thru - 8.0kHz 1.0k - Thru ECHO (variation block) No. 1 2 3 4 5 6 7 8 9 10 Parameter Reverb Time Diffusion Initial Delay HPF Cutoff LPF Cutoff Value 0 - 69 0 - 10 0 - 63 0 - 52 34 - 60 Dry/Wet D63>W - D=W - D<W63 1 - 127 11 12 13 14 15 16 Rev Delay Density Er/Rev Balance 0 - 63 0-3 E63>R - E=R - E<R63 0 - 63 0-3 1 - 127 Feedback Level -63 - +63 1 - 127 See Table table#4 Control table#5 table#3 table#3 ● table#5 No. 1 2 3 4 5 6 7 8 9 10 Parameter Reverb Time Diffusion Initial Delay HPF Cutoff LPF Cutoff Width Heigt Depth Wall Vary Display 0.3 - 30.0s 0 - 10 0.1 - 99.3ms Thru - 8.0kHz 1.0k - Thru 0.5 - 10.2m 0.5 - 20.2m 0.5 - 30.2m 0 - 30 Value 0 - 69 0 - 10 0 - 63 0 - 52 34 - 60 0 - 37 0 - 73 0 - 104 0 - 30 11 12 13 14 15 16 Rev Delay Density Er/Rev Balance 0 - 63 0-3 E63>R - E=R - E<R63 0 - 63 0-3 1 - 127 Feedback Level -63 - +63 1 - 127 See Table table#4 Control table#5 table#3 table#3 table#8 table#8 table#8 table#5 11 12 13 14 15 16 20 Display 0.1 - 355.0ms (variation block) -63 - +63 0.1 - 355.0ms (variation block) -63 - +63 0.1 - 1.0 0.1 - 355.0ms (variation block) 0.1 - 355.0ms (variation block) 0 - 127 Value 1 - 3550 1 - 127 1 - 3550 1 - 127 1 - 10 1 - 3550 1 - 3550 0 - 127 Dry/Wet D63>W - D=W - D<W63 1 - 127 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 50Hz - 2.0kHz -12 - +12dB 500Hz - 16.0kHz -12 - +12dB 8 - 40 52 - 76 28 - 58 52 - 76 See Table Control ● table#3 table#3 Parameter L->R Delay R->L Delay Feedback Level Input Select High Damp Display 0.1 - 355.0ms (variation block) 0.1 - 355.0ms (variation block) -63 - +63 L,R,L&R 0.1 - 1.0 Value 1 - 3550 1 - 3550 1 - 127 0-2 1 - 10 Dry/Wet D63>W - D=W - D<W63 1 - 127 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 50Hz - 2.0kHz -12 - +12dB 500Hz - 16.0kHz -12 - +12dB 8 - 40 52 - 76 28 - 58 52 - 76 See Table Control ● table#3 table#3 EARLY REF1,EARLY REF2(variation block) Parameter Lch Delay Rch Delay Cch Delay Feedback Delay Feedback Level Cch Level High Damp Display 0.1 - 715.0ms (variation block) 0.1 - 715.0ms (variation block) 0.1 - 715.0ms (variation block) 0.1 - 715.0ms (variation block) -63 - +63 0 - 127 0.1 - 1.0 Value 1 - 7150 1 - 7150 1 - 7150 1 - 7150 1 - 127 0 - 127 1 - 10 Dry/Wet D63>W - D=W - D<W63 1 - 127 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 50Hz - 2.0kHz -12 - +12dB 500Hz - 16.0kHz -12 - +12dB 8 - 40 52 - 76 28 - 58 52 - 76 See Table Control ● Parameter Lch Delay Rch Delay Feedback Delay 1 Feedback Delay 2 Feedback Level High Damp Display 0.1 - 715.0ms (variation block) 0.1 - 715.0ms (variation block) 0.1 - 715.0ms (variation block) 0.1 - 715.0ms (variation block) -63 - +63 0.1 - 1.0 Value 1 - 7150 1 - 7150 1 - 7150 1 - 7150 1 - 127 1 - 10 Dry/Wet D63>W - D=W - D<W63 1 - 127 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 50Hz - 2.0kHz -12 - +12dB 500Hz - 16.0kHz -12 - +12dB 8 - 40 52 - 76 28 - 58 52 - 76 No. 1 2 3 4 5 6 7 8 9 10 Parameter Type Room Size Diffusion Initial Delay Feedback Level HPF Cutoff LPF Cutoff Display S-H, L-H, Rdm, Rvs, Plt, Spr 0.1 - 7.0 0 - 10 0.1 - 99.3ms -63 - +63 Thru - 8.0kHz 1.0k - Thru Value 0-5 0 - 44 0 - 10 0 - 63 1 - 127 0 - 52 34 - 60 Dry/Wet D63>W - D=W - D<W63 1 - 127 0 - 10 0-3 0.1 - 1.0 0 - 10 0-3 1 - 10 11 Liveness 12 Density 13 High Damp 14 15 16 See Table Control table#6 table#5 table#3 table#3 ● table#3 GATE REVERB REVERSE GATE (variation block) table#3 DELAY L,R (variation block) No. 1 2 3 4 5 6 7 8 9 10 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 DELAY L,C,R (variation block) 11 12 13 14 15 16 11 12 13 14 15 16 Parameter Lch Delay1 Lch Feedback Level Rch Delay1 Rch Feedback Level High Damp Lch Delay2 Rch Delay2 Delay2 Level CROSS DELAY (variation block) WHITE ROOM TUNNEL BASEMENT (reverb block) No. 1 2 3 4 5 6 7 8 9 10 No. 1 2 3 4 5 6 7 8 9 10 See Table Control ● table#3 table#3 No. 1 2 3 4 5 6 7 8 9 10 Parameter Type Room Size Diffusion Initial Delay Feedback Level HPF Cutoff LPF Cutoff Dry/Wet 11 Liveness 12 Density 13 High Damp 14 15 16 Display TypeA,TypeB 0.1 - 7.0 0 - 10 0.1 - 99.3ms -63 - +63 Thru - 8.0kHz 1.0k - Thru Value 0-1 0 - 44 0 - 10 0 - 63 1 - 127 0 - 52 34 - 60 D63>W - D=W - D<W63 1 - 127 0 - 10 0-3 0.1 - 1.0 0 - 10 0-3 1 - 10 See Table Control table#6 table#5 table#3 table#3 ● Effect Parameter List KARAOKE1,2,3 (variation block) No. 1 2 3 4 5 6 7 8 9 10 Parameter Delay Time Feedback Level HPF Cutoff LPF Cutoff Dry/Wet Display 0.1 - 400ms -63 - +63 Thru - 8.0kHz 1.0k - Thru D63>W - D=W - D<W63 ROTARY SPEAKER (variation block) Value 0 - 127 1 - 127 0 - 52 34 - 60 See Table table#7 Control table#3 table#3 ● 1 - 127 Parameter LFO Frequency LFO Depth Display 0.00Hz - 39.7Hz 0 - 127 Value 0 - 127 0 - 127 See Table table#1 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 50Hz - 2.0kHz -12 - +12dB 500Hz - 16.0kHz -12 - +12dB D63>W - D=W - D<W63 8 - 40 52 - 76 28 - 58 52 - 76 1 - 127 table#3 Control ● table#3 11 12 13 14 15 16 11 12 13 14 15 16 CHORUS1,2,3,4 CELESTE1,2,3,4 (chorus, variation block) No. 1 2 3 4 5 6 7 8 9 10 No. 1 2 3 4 5 6 7 8 9 10 TREMOLO (variation block) Parameter LFO Frequency LFO Depth Feedback Level Delay Offset Display 0.00Hz - 39.7Hz 0 - 127 -63 - +63 0.0 - 50 Value 0 - 127 0 - 127 1 - 127 0 - 127 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 50Hz - 2.0kHz -12 - +12dB 500Hz - 16.0kHz -12 - +12dB D63>W - D=W - D<W63 8 - 40 52 - 76 28 - 58 52 - 76 1 - 127 11 12 13 14 15 Input Mode 16 mono/stereo See Table table#1 Control table#2 table#3 table#3 No. 1 2 3 4 5 6 7 8 9 10 Parameter LFO Frequency AM Depth PM Depth Display 0.00Hz - 39.7Hz 0 - 127 0 - 127 Value 0 - 127 0 - 127 0 - 127 See Table table#1 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 50Hz - 2.0kHz -12 - +12dB 500Hz - 16.0kHz -12 - +12dB 8 - 40 52 - 76 28 - 58 52 - 76 table#3 4 - 124 0-1 resolution=3deg. Control ● table#3 ● 11 12 13 14 LFO Phase Difference -180 - +180deg 15 Input Mode mono/stereo 16 0-1 AUTO PAN (variation block) FLANGER1,2,3 (chorus, variation block) No. 1 2 3 4 5 6 7 8 9 10 Parameter LFO Frequency LFO Depth Feedback Level Delay Offset Display 0.00Hz - 39.7Hz 0 - 127 -63 - +63 0 - 63 Value 0 - 127 0 - 127 1 - 127 0 - 63 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 50Hz - 2.0kHz -12 - +12dB 500Hz - 16.0kHz -12 - +12dB D63>W - D=W - D<W63 8 - 40 52 - 76 28 - 58 52 - 76 1 - 127 11 12 13 14 LFO Phase Difference -180 - +180deg 15 16 4 - 124 See Table table#1 Control table#2 table#3 table#3 No. 1 2 3 4 5 6 7 8 9 10 Parameter LFO Frequency L/R Depth F/R Depth PAN Direction Display 0.00Hz - 39.7Hz 0 - 127 0 - 127 L<->R,L->R,L<-R,Lturn,Rturn,L/R Value 0 - 127 0 - 127 0 - 127 0-5 See Table table#1 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 50Hz - 2.0kHz -12 - +12dB 500Hz - 16.0kHz -12 - +12dB 8 - 40 52 - 76 28 - 58 52 - 76 table#3 Control ● table#3 ● 11 12 13 14 15 16 resolution=3deg. PHASER 1 (variation block) SYMPHONIC (variation block) No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Parameter LFO Frequency LFO Depth Delay Offset Display 0.00Hz - 39.7Hz 0 - 127 0.0 - 50 Value 0 - 127 0 - 127 0 - 127 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 50Hz - 2.0kHz -12 - +12dB 500Hz - 16.0kHz -12 - +12dB D63>W - D=W - D<W63 8 - 40 52 - 76 28 - 58 52 - 76 1 - 127 See Table table#1 Control table#2 table#3 table#3 No. 1 2 3 4 5 6 7 8 9 10 Parameter LFO Frequency LFO Depth Phase Shift Offset Feedback Level Display 0.00Hz - 39.7Hz 0 - 127 0 - 127 -63 - +63 Value 0 - 127 0 - 127 0 - 127 1 - 127 See Table table#1 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 50Hz - 2.0kHz -12 - +12dB 500Hz - 16.0kHz -12 - +12dB D63>W - D=W - D<W63 8 - 40 52 - 76 28 - 58 52 - 76 1 - 127 table#3 6 - 10 6 - 10 Control table#3 ● ● 11 Stage 12 13 14 15 16 21 Effect Parameter List PHASER 2 (variation block) No. 1 2 3 4 5 6 7 8 9 10 2BAND EQ(STEREO) (variation block) Parameter LFO Frequency LFO Depth Phase Shift Offset Feedback Level Display 0.00Hz - 39.7Hz 0 - 127 0 - 127 -63 - +63 Value 0 - 127 0 - 127 0 - 127 1 - 127 See Table table#1 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 50Hz - 2.0kHz -12 - +12dB 500Hz - 16.0kHz -12 - +12dB D63>W - D=W - D<W63 8 - 40 52 - 76 28 - 58 52 - 76 1 - 127 table#3 11 Stage 3-5 12 13 LFO Phase Difference -180deg - +180deg 14 15 16 Control table#3 ● resolution=3deg. See Table DISTORTION OVERDRIVE (variation block) No. 1 2 3 4 5 6 7 8 9 10 Display 0 - 127 50Hz - 2.0kHz -12 - +12dB 1.0k - Thru 0 - 127 Value 0 - 127 8 - 40 52 - 76 34 - 60 0 - 127 EQ Mid Frequency EQ Mid Gain EQ Mid Width Dry/Wet 500Hz - 10.0kHz -12 - +12dB 1.0 - 12.0 D63>W - D=W - D<W63 28 - 54 table#3 52 - 76 10 - 120 1 - 127 0 - 127 0 - 127 Control ● table#3 table#3 Parameter Drive AMP Type LPF Cutoff Output Level Display 0 - 127 Off,Stack,Combo,Tube 1.0k - Thru 0 - 127 Value 0 - 127 0-3 34 - 60 0 - 127 Dry/Wet D63>W - D=W - D<W63 1 - 127 0 - 127 0 - 127 11 Edge(Clip Curve) 12 13 14 15 16 See Table Control ● table#3 mild - sharp 3BAND EQ(MONO) (variation block) No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 22 Parameter EQ Low Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width EQ High Gain EQ Low Frequency EQ High Frequency Display -12 - +12dB 500Hz - 10.0kHz -12 - +12dB 1.0 - 12.0 -12 - +12dB 50Hz - 2.0kHz 500Hz - 16.0kHz Value See Table 52 - 76 28 - 54 table#3 52 - 76 10 - 120 52 - 76 8 - 40 table#3 28 - 58 table#3 No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 mild - sharp AMP SIMULATOR (variation block) No. 1 2 3 4 5 6 7 8 9 10 Display 50Hz - 2.0kHz -12 - +12dB 500Hz - 16.0kHz -12 - +12dB Value 8 - 40 52 - 76 28 - 58 52 - 76 See Table table#3 Control table#3 AUTO WAH (variation block) Parameter Drive EQ Low Frequency EQ Low Gain LPF Cutoff Output Level 11 Edge(Clip Curve) 12 13 14 15 16 Parameter EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 11 12 13 14 15 16 3-5 4 - 124 No. 1 2 3 4 5 6 7 8 9 10 Control Parameter LFO Frequency LFO Depth Cutoff Frequency Offset Resonance Display 0.00Hz - 39.7Hz 0 - 127 0 - 127 1.0 - 12.0 Value See Table 0 - 127 table#1 0 - 127 0 - 127 10 - 120 EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet 50Hz - 2.0kHz -12 - +12dB 500Hz - 16.0kHz -12 - +12dB D63>W - D=W - D<W63 8 - 40 52 - 76 28 - 58 52 - 76 1 - 127 table#3 table#3 Control ● Effect Data Assign Table table#1 LFO Frequency Data 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 Value 0.00 0.04 0.08 0.12 0.16 0.21 0.25 0.29 0.33 0.37 0.42 0.46 0.50 0.54 0.58 0.63 0.67 0.71 0.75 0.79 0.84 0.88 0.92 0.96 1.00 1.05 1.09 1.13 1.17 1.22 1.26 1.30 1.34 1.38 1.43 1.47 1.51 1.55 1.59 1.64 1.68 1.72 1.76 1.80 1.85 1.89 1.93 1.97 2.01 2.06 2.10 2.14 2.18 2.22 2.27 2.31 2.35 2.39 2.43 2.48 2.52 2.56 2.60 2.65 table#2 Modulation Delay Offset Data 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 Value 0.69 2.77 2.86 2.94 3.02 3.11 3.19 3.28 3.36 3.44 3.53 3.61 3.70 3.86 4.03 4.20 4.37 4.54 4.71 4.87 5.04 5.21 5.38 5.55 5.72 6.05 6.39 6.72 7.06 7.40 7.73 8.07 8.41 8.74 9.08 9.42 9.75 10.0 10.7 11.4 12.1 12.7 13.4 14.1 14.8 15.4 16.1 16.8 17.5 18.1 19.5 20.8 22.2 23.5 24.8 26.2 27.5 28.9 30.2 31.6 32.9 34.3 37.0 39.7 Data 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 Value 0.0 0.1 0.2 0.3 0.4 0.5 0.6 0.7 0.8 0.9 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 1.8 1.9 2.0 2.1 2.2 2.3 2.4 2.5 2.6 2.7 2.8 2.9 3.0 3.1 3.2 3.3 3.4 3.5 3.6 3.7 3.8 3.9 4.0 4.1 4.2 4.3 4.4 4.5 4.6 4.7 4.8 4.9 5.0 5.1 5.2 5.3 5.4 5.5 5.6 5.7 5.8 5.9 6.0 6.1 6.2 6.3 Data 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 table#3 EQ Frequency Value 6.4 6.5 6.6 6.7 6.8 6.9 7.0 7.1 7.2 7.3 7.4 7.5 7.6 7.7 7.8 7.9 8.0 8.1 8.2 8.3 8.4 8.5 8.6 8.7 8.8 8.9 9.0 9.1 9.2 9.3 9.4 9.5 9.6 9.7 9.8 9.9 10.0 11.1 12.2 13.3 14.4 15.5 17.1 18.6 20.2 21.8 23.3 24.9 26.5 28.0 29.6 31.2 32.8 34.3 35.9 37.5 39.0 40.6 42.2 43.7 45.3 46.9 48.4 50.0 Data 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 Value THRU(20) 22 25 28 32 36 40 45 50 56 63 70 80 90 100 110 125 140 160 180 200 225 250 280 315 355 400 450 500 560 630 700 800 900 1.0k 1.1k 1.2k 1.4k 1.6k 1.8k 2.0k 2.2k 2.5k 2.8k 3.2k 3.6k 4.0k 4.5k 5.0k 5.6k 6.3k 7.0k 8.0k 9.0k 10.0k 11.0k 12.0k 14.0k 16.0k 18.0k THRU(20.0k) table#4 Reverb time Data 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 Value 0.3 0.4 0.5 0.6 0.7 0.8 0.9 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 1.8 1.9 2.0 2.1 2.2 2.3 2.4 2.5 2.6 2.7 2.8 2.9 3.0 3.1 3.2 3.3 3.4 3.5 3.6 3.7 3.8 3.9 4.0 4.1 4.2 4.3 4.4 4.5 4.6 4.7 4.8 4.9 5.0 5.5 6.0 6.5 7.0 7.5 8.0 8.5 9.0 9.5 10.0 11.0 12.0 13.0 14.0 15.0 16.0 table#5 Delay Time(200.0ms) Data 64 65 66 67 68 69 Value 17.0 18.0 19.0 20.0 25.0 30.0 Data 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 Value 0.1 1.7 3.2 4.8 6.4 8.0 9.5 11.1 12.7 14.3 15.8 17.4 19.0 20.6 22.1 23.7 25.3 26.9 28.4 30.0 31.6 33.2 34.7 36.3 37.9 39.5 41.0 42.6 44.2 45.7 47.3 48.9 50.5 52.0 53.6 55.2 56.8 58.3 59.9 61.5 63.1 64.6 66.2 67.8 69.4 70.9 72.5 74.1 75.7 77.2 78.8 80.4 81.9 83.5 85.1 86.7 88.2 89.8 91.4 93.0 94.5 96.1 97.7 99.3 Data 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 Value 100.8 102.4 104.0 105.6 107.1 108.7 110.3 111.9 113.4 115.0 116.6 118.2 119.7 121.3 122.9 124.4 126.0 127.6 129.2 130.7 132.3 133.9 135.5 137.0 138.6 140.2 141.8 143.3 144.9 146.5 148.1 149.6 151.2 152.8 154.4 155.9 157.5 159.1 160.6 162.2 163.8 165.4 166.9 168.5 170.1 171.7 173.2 174.8 176.4 178.0 179.5 181.1 182.7 184.3 185.8 187.4 189.0 190.6 192.1 193.7 195.3 196.9 198.4 200.0 23 Effect Data Assign Table table#6 Room Size Data 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 24 Value 0.1 0.3 0.4 0.6 0.7 0.9 1.0 1.2 1.4 1.5 1.7 1.8 2.0 2.1 2.3 2.5 2.6 2.8 2.9 3.1 3.2 3.4 3.5 3.7 3.9 4.0 4.2 4.3 4.5 4.6 4.8 5.0 5.1 5.3 5.4 5.6 5.7 5.9 6.1 6.2 6.4 6.5 6.7 6.8 7.0 table#7 Delay Time(400.0ms) Data 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 Value 0.1 3.2 6.4 9.5 12.7 15.8 19.0 22.1 25.3 28.4 31.6 34.7 37.9 41.0 44.2 47.3 50.5 53.6 56.8 59.9 63.1 66.2 69.4 72.5 75.7 78.8 82.0 85.1 88.3 91.4 94.6 97.7 100.9 104.0 107.2 110.3 113.5 116.6 119.8 122.9 126.1 129.2 132.4 135.5 138.6 141.8 144.9 148.1 151.2 154.4 157.5 160.7 163.8 167.0 170.1 173.3 176.4 179.6 182.7 185.9 189.0 192.2 195.3 198.5 Data 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 table#8 Reverb Width;Depth;Height Value 201.6 204.8 207.9 211.1 214.2 217.4 220.5 223.7 226.8 230.0 233.1 236.3 239.4 242.6 245.7 248.9 252.0 255.2 258.3 261.5 264.6 267.7 270.9 274.0 277.2 280.3 283.5 286.6 289.8 292.9 296.1 299.2 302.4 305.5 308.7 311.8 315.0 318.1 321.3 324.4 327.6 330.7 333.9 337.0 340.2 343.3 346.5 349.6 352.8 355.9 359.1 362.2 365.4 368.5 371.7 374.8 378.0 381.1 384.3 387.4 390.6 393.7 396.9 400.0 Data 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 Value 0.5 0.8 1.0 1.3 1.5 1.8 2.0 2.3 2.6 2.8 3.1 3.3 3.6 3.9 4.1 4.4 4.6 4.9 5.2 5.4 5.7 5.9 6.2 6.5 6.7 7.0 7.2 7.5 7.8 8.0 8.3 8.6 8.8 9.1 9.4 9.6 9.9 10.2 10.4 10.7 11.0 11.2 11.5 11.8 12.1 12.3 12.6 12.9 13.1 13.4 13.7 14.0 14.2 14.5 14.8 15.1 15.4 15.6 15.9 16.2 16.5 16.8 17.1 17.3 Data 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 Value 17.6 17.9 18.2 18.5 18.8 19.1 19.4 19.7 20.0 20.2 20.5 20.8 21.1 21.4 21.7 22.0 22.4 22.7 23.0 23.3 23.6 23.9 24.2 24.5 24.9 25.2 25.5 25.8 26.1 26.5 26.8 27.1 27.5 27.8 28.1 28.5 28.8 29.2 29.5 29.9 30.2 XG Parameter List Modular Synthesis Plug-in System XG Plug-in System (LCD of CS6x/CS6R/S80/etc.) Parameter Name Parameter Name Group Parameter Name Bank Select MSB BANK SELECT MSB MIX*Vce Bank Bank Select LSB BANK SELECT LSB MIX*Vce Bank Program Number PROGRAM NUMBER MIX*Vce Number Receive Channel Rcv CHANNEL LYR*Mode RcvCh Velocity Limit Low VELOCITY LIMIT LOW LYR*Limit Vel Limit Velocity Limit High VELOCITY LIMIT HIGH LYR*Limit Vel Limit Note Limit Low NOTE LIMIT LOW LYR*Limit Note Limit Note Limit High NOTE LIMIT HIGH LYR*Limit Note Limit Pitch Bend Range BEND PITCH CONTROL TON*Other Pitch Bend Velocity Sense Depth VELOCITY SENSE DEPTH TON*Other VelDepth Velocity Sense Offset VELOCITY SENSE OFFSET TON*Other VelOffset Volume VOLUME MIX*Level Vol Pan PAN MIX*Level Pan Detune DETUNE LYR*Tune Detune Reverb Send REVERB SEND MIX*Level RevSend Chorus Send CHORUS SEND MIX*Level ChoSend Note Shift NOTE SHIFT LYR*Tune NoteShift Filter Cutoff Frequency LOW PASS FILTER CUTOFF FREQUENCY TON*Filter Cutoff Filter Resonance/Width LOW PASS FILTER RESONANCE TON*Filter Reso Portamento Switch PORTAMENTO SWITCH TON*Portamento Switch Portamento Time PORTAMENTO TIME TON*Portamento Time AEG Attack Time (EG Attack Time) EG ATTACK TIME TON*EG Attack AEG Decay2 Time (EG Decay Time) EG DECAY TIME TON*EG Decay AEG Release Time (EG Release Time) EG RELEASE TIME TON*EG Release MW Filter Control MW LOW PASS FILTER CONTROL CTL*MW Control Filter MW Amplitude Control MW AMPLITUDE CONTROL CTL*MW Control Amp MW LFO Pitch Modulation Depth MW LFO PMOD DEPTH CTL*MW Modulation PMod MW LFO Filter Modulation Depth MW LFO FMOD DEPTH CTL*MW Modulation FMod MW LFO Amplitude Modulation Depth MW LFO AMOD DEPTH CTL*MW Modulation AMod CAT Pitch Control CAT PITCH CONTROL CTL*AT Control Pitch CAT Filter Control CAT LOW PASS FILTER CONTROL CTL*AT Control Filter CAT Amplitude Control CAT AMPLITUDE CONTROL CTL*AT Control Amp CAT LFO Pitch Modulation Depth CAT LFO PMOD DEPTH CTL*AT Modulation PMod CAT LFO Filter Modulation Depth CAT LFO FMOD DEPTH CTL*AT Modulation FMod CAT LFO Amplitude Modulation Depth CAT LFO AMOD DEPTH CTL*AT Modulation AMod AC1 Controller Number AC1 CONTROLLER NUMBER CTL*AC Control Source AC1 Filter Control AC1 FILTER CONTROL CTL*AC Control Filter AC1 Amplitude Control AC1 AMPLITUDE CONTROL CTL*AC Control Amp AC1 LFO Pitch Modulation Depth AC1 LFO PMOD DEPTH CTL*AC Modulation PMod AC1 LFO Filter Modulation Depth AC1 LFO FMOD DEPTH CTL*AC Modulation FMod AC1 LFO Amplitude Modulation Depth AC1 LFO AMOD DEPTH CTL*AC Modulation AMod 25 MIDI Data Format 1. Channel messages 1.1 Note on/note off 1.2.5 Main Volume These messages convey keyboard performance data. Range of note numbers received = 0 (C-2)...60 (C3)...127 (G8) Velocity range = 1...127 (Velocity is received only for note-on) When the Multi Part parameter "Rcv NOTE MESSAGE" = OFF, that part will not receive these messages. For a drum part*, key-off is not received if the DrumSetup parameter Rcv NOTE OFF = OFF. For a drum part, key-on is not received if the DrumSetup parameter Rcv NOTE ON = OFF. * Drum Part indicates that the Multi Part parameter PART MODE is “set to DRUM, DRUMS1, DRUMS2.” This message controls the volume of each part. This is used to adjust the volume balance between parts. Control# Parameter 7 Main Volume When the Multi Part parameter Rcv VOLUME = OFF, that part will not receive Main Volume. With a value of 0 there will be no sound, and a value of 127 will be the maximum volume. 1.2.6 Panpot This message control the panning (stereo location) of each part. Control# Parameter 10 Pan 1.2 Control changes These messages control volume or pan etc. Their functions are differentiated by the control number (Ctrl#). If the Multi Part parameter Rcv CONTROL CHANGE = OFF, that part will not receive control changes. Data Range 0...127 Data Range 0...64...127 When the Multi Part parameter Rcv PAN = OFF, that part will not receive Panpot. 0 is left, 64 is center, and 127 is right. 1.2.7 Expression This message controls expression (dynamics within a musical line) for each part. It is used to create volume changes during a song. 1.2.1 Bank Select This message selects the voice bank. Control# Parameter 0 Bank Select MSB 32 Bank Select LSB Data Range 0, 64, 126, 127 (Normal voice, SFX voice, SFX kit, Drum kit) 0...127 The Bank Select data will be processed only after a Program Change is received, and then voice bank will change at that time. If you wish to change the voice bank as well as the voice, you must transmit Bank Select and Program Change messages as a set, in the order of Bank Select MSB, LSB, and Program Change. Control# Parameter 11 Expression If the Multi Part parameter Rcv EXPRESSION = OFF, that part will not receive Expression. 1.2.8 Hold1 This message controls sustain pedal on/off. Control# Parameter 64 Hold1 1.2.2 Modulation This message is used primarily to control the depth of vibrato, but the depth of the following 7 types of effect can be controlled. The effect of this message can be changed by the following parameters. • Multi Part Parameter 1. MW PITCH CONTROL 2. MW FILTER CONTROL 3. MW AMPLITUDE CONTROL 4. MW LFO PMOD DEPTH 5. MW LFO FMOD DEPTH 6. MW LFO AMOD DEPTH • Effect1 Parameter 7. MW VARIATION CONTROL DEPTH (Valid when Variation Effect is assigned to a part as Insertion) By default, an LFO Pitch Modulation (PMOD) effect will apply. Control# Parameter 1 Modulation Data Range 0...127 Data Range 0...127 Data Range 0...63,64...127 (OFF, ON) When this is ON, currently-sounding notes will continue to sound even if noteoff messages are received. If the Multi Part parameter Rcv HOLD1 = OFF, that part will not receive Hold1. 1.2.9 Portamento This message controls portamento on/off. Control# Parameter 65 Portamento Data Range 0...63, 64...127 (OFF, ON) When this is ON, the pitch will change smoothly between notes. The time over which the pitch changes is adjusted by Portamento Time (see 1.2.3). Also, when the Multi Part parameter MONO/POLY MODE = MONO, the tone will also change smoothly (legato) if Portamento = ON. If any of the following Multi Part parameter settings apply, that part will not receive Portamento. • Rcv PORTAMENTO = OFF • PART MODE = DRUM, DRUMS1, DRUMS2 If the Multi Part parameter Rcv MODULATION = OFF, that part will not receive Modulation. 1.2.10 Sostenuto This message controls sostenuto pedal on/off. 1.2.3 Portamento Time This message controls the degree of Portamento (refer to 1.2.9). Control# Parameter 5 Portamento Time Data Range 0...127 When Portamento (control number 065) is ON, this regulates the speed of the pitch change. A value of 0 is the shortest portamento time, and 127 is the longest portamento time. If the receive channel is a drum part, Portamento Time is not received. Control# Parameter 66 Sostenuto Data Range 0...63,64...127 (OFF, ON) If sostenuto is turned on while a note is sounding, that note will be sustained until sostenuto is turned OFF. If the Multi Part parameter Rcv SOSTENUTO = OFF, that part will not receive Sostenuto. 1.2.11 Soft Pedal This message controls soft pedal on/off. 1.2.4 Data Entry This message sets the value of the parameter which was specified by RPN MSB/LSB (see 1.2.22) and NRPN MSB/LSB (see 1.2.21). Control# Parameter 6 Data Entry MSB 38 Data Entry LSB 26 Data Range 0...127 0...127 Control# Parameter 67 Soft Pedal Data Range 0...63, 64...127 (OFF, ON) The sound will become mellower when Soft Pedal is ON. If any of the following Multi Part parameter settings apply, that part will not receive the Soft Pedal. • Rcv SOFT PEDAL = OFF • PART MODE = DRUM, DRUMS1, DRUMS2 MIDI Data Format 1.2.12 Harmonic Content 1.2.20 Data Increment/Decrement (for RPN) This message increases or decreases the parameter value specified for RPN (see 1.2.22), by increments of 1. This message adjusts the resonance of the filter that is specified for the sound. Control# Parameter 71 Harmonic Content Data Range 0...64...127 (-64...0...+63) Control# Parameter 96 RPN Increment 97 RPN Decrement Since this is a relative change parameter, it specifies a boost or cut relative to 64. Higher values will produce a more distinctive sound. For some sounds, the effective range may be less than the possible range of settings. Data Range --- The data byte is ignored. 1.2.21 NRPN (Non-registered parameter number) This message is used to specify a sound parameter (such as vibrato, filter, EG, drum setup etc.) as an offset value. Use NRPN MSB and NRPN LSB to specify the parameter that you wish to modify, and then use Data Entry (see 1.2.4) to set the value for the specified parameter. 1.2.13 Release Time This message adjusts the EG release time that was specified by the sound data. Control# Parameter 72 Release Time Data Range 0...64...127 (-64...0...+63) Control# Parameter 98 NRPN LSB 99 NRPN MSB Since this is a relative change parameter, it specifies an increase or decrease relative to 64. Increasing this value will lengthen the release that follows a note-off. Data Range 0...127 0...127 If the Multi Part parameter Rcv NRPN = OFF, that part will not receive NRPN. The following NRPN messages can be received. 1.2.14 Attack Time This message adjusts the EG attack time that was specified by the sound data. Control# Parameter 73 Attack Time Data Range 0...64...127 (-64...0...+63) Since this a relative change parameter, it specifies an increase or decrease relative to 64. Increasing this value will make the attack more gradual, and decreasing this value will make the attack sharper. NRPN MSB LSB 01 08 Data Entry *1 MSB LSB mm -- *2 01 09 mm -- 01 10 mm -- 01 32 mm -- 01 33 mm -- 01 99 mm -- 01 100 mm -- 01 102 mm -- 20 rr mm -- 21 rr mm -- 22 rr mm -- 23 rr mm -- 24 rr mm -- 25 rr mm -- 26 rr mm -- 28 rr mm -- 29 rr mm -- 30 rr mm -- 31 rr mm -- 1.2.15 Brightness This message adjusts the cutoff frequency of the low pass filter specified by the sound data. Control# Parameter 74 Brightness Data Range 0...64...127 (-64...0...+63) Since this is a relative change parameter, it specifies an increase or decrease relative to 64. Lower values will produce a more mellow sound. For some sounds, the effective range may be less than the possible range of settings. 1.2.16 Portamento Control This message specifies the portamento source key number (the key number at which portamento will begin). Data of 0...127 specifies the portamento source key. When Portamento Control is received, the currently-sounding pitch will change at a Portamento Time of 0 to the key of the next-received note-on of the same channel. Control# Parameter 84 Portamento Control Data Range 0...127 (C-2...G8) This is received even if Rcv PORTAMENTO = OFF. 1.2.17 Effect1 Depth(Reverb Send Level) This message specifies the send level for the reverb effect. Control# Parameter 91 Effect1 Depth Data Range 0...127 Increasing this value will produce a richer reverb. The effect of the value will depend on the state of the reverb effect. 1.2.18 Effect3 Depth(Chorus Send Level) This message specifies the send level for the chorus effect. Control# Parameter 93 Effect3 Depth Data Range 0...127 Raising this value will increase the modulation or spaciousness. The effect of the value will depend on the state of the chorus effect. 1.2.19 Effect4 Depth (Variation Effect Send Level) This message specifies the send level for the variation effect. Control# Parameter 94 Effect4 Depth Data Range 0...127 However, this is not received if the Variation Effect parameter Variation Connection = 0 (Insertion). Parameter name and value range Vibrato rate mm: 00 - 64 - 127 (-64...0...+63) Vibrato depth mm: 00 - 64 - 127 (-64...0...+63) Vibrato delay mm: 00 - 64 - 127 (-64...0...+63) Low pass filter cutoff frequency mm: 00 - 64 - 127 (-64...0...+63) Low pass filter resonance mm : 00 - 64 - 127 (-64...0...+63) EG attack time mm: 00 - 64 - 127 (-64...0...+63) EG decay time mm: 00 - 64 - 127 (-64...0...+63) EG release time mm: 00 - 64 - 127 (-64...0...+63) Drum low pass filter cutoff frequency rr: drum instrument note number mm: 00 - 64 - 127 (-64...0...+63) Drum low pass filter resonance rr: drum instrument note number mm: 00 - 64 - 127 (-64...0...+63) Drum EG attack rate rr: drum instrument note number mm: 00 - 64 - 127 (-64...0...+63) Drum EG decay rate rr: drum instrument note number mm: 00 - 64 - 127 (-64...0...+63) The effect will apply both to Decay 1 and 2. Drum instrument pitch coarse rr: drum instrument note number mm: 00 - 64 - 127 (-64...0...+63) Drum instrument pitch fine rr: drum instrument note number mm: 00 - 64 - 127 (-64...0...+63) Drum instrument level rr: drum instrument note number mm: 00 - 127(0...maximum) Drum instrument panpot rr: drum instrument note number mm: 00, 01-64-127(RND, L63...C...R63) Drum instrument reverb send level rr: drum instrument note number mm: 00 - 127(0...maximum) Drum instrument chorus send level rr: drum instrument note number mm: 00 - 127(0...maximum) Drum instrument variation send level rr: drum instrument note number mm: 00 - 127(0...maximum) (when Variation Connection = SYSTEM) mm: 00, 01-127 (OFF,ON) (when Variation Connection = INSERTION) MSB 20-31 (for drums) is received when Multi Part parameter PART MODE = DRUMS1, 2. *1 Refer to 1.2.4 *2 '--' indicates that the setting value is ignored. 27 MIDI Data Format 1.2.22 RPN (Registered parameter number) This message is used to specify part parameters such as Pitch Bend Sensitivity or Tuning etc. as an offset value. Use RPN MSB and RPN LSB to specify the parameter that you wish to modify, and then use Data Entry (see 1.2.4) to set the value of the specified parameter. Control# Parameter 100 RPN LSB 101 RPN MSB Data Range 0...127 0...127 If the Multi Part parameter Rcv RPN = OFF, that part will not receive this message. The following RPN messages can be received. RPN MSB LSB 00 00 00 01 Data Entry *1 MSB LSB mm -- *2 mm ll 00 02 mm -- 127 127 -- -- Parameter name and value range Pitch bend sensitivity mm: 00-24 (0...+24 semitones) Specify up to 2 octaves in semitone steps Fine tuning mm ll: 00 00 -100 cents : : mm ll: 64 00 0 cents : : mm ll: 127 127 +100 cents [Note] mm ll: 00 127 (=-87.5) cents is followed by 01 00 (=-87.4) cents. Coarse tuning mm: 40 - 64 - 88 (-24...0...+24 semitones) RPN Null This sets RPN and NRPN numbers to an unset state. Internal data is not affected. 1.3.2 Reset All Controllers This message resets the following controllers to their default values. Controller Pitch bend change Channel pressure Polyphonic key pressure Modulation Expression Hold Portamento Sostenuto Soft pedal Portamento control RPN NRPN Value ±0 (center) 0 (off) 0 (off) 0 (off) 127 (maximum) 0 (off) 0 (off) 0 (off) 0 (off) Reset the portamento source note number that was received Number unset, internal data is not affected. Number unset, internal data is not affected. The following data is not changed Parameter values specified by program change, bank select MSB/LSB, volume, pan, effect send levels 1, 3, 4, RPN and NRPN. Control# Parameter 121 Reset All Controllers Data Range 0 1.3.3 All Note Off This message turns off all notes which are currently on for the corresponding part. However, if Hold 1 or Sostenuto are on, notes will continue to sound until these are turned off. Control# Parameter 123 All Note Off Data Range 0 *1 Refer to 1.2.4 *2 '--' indicates that the setting value is ignored. 1.3.4 Omni Off Perform the same processing as when All Note Off is received. 1.2.23 Assignable controller By assigning a control change number of 0...95 to a part, the specified effect can be controlled. This device allows two control change numbers (AC1 and AC2) to be specified for each part. The following parameters specify the effect of AC1 and AC2. • Multi Part Parameter 1. AC1, AC2 PITCH CONTROL 2. AC1, AC2 FILTER CONTROL 3. AC1, AC2 AMPLITUDE CONTROL 4. AC1, AC2 LFO PMOD DEPTH 5. AC1, AC2 LFO FMOD DEPTH 6. AC1, AC2 LFO AMOD DEPTH • Effect1 Parameter 7. AC1, AC2 VARIATION CONTROL DEPTH (Valid if Variation Effect is assigned to a part as Insertion) The AC1 control change number is specified by the Multi Part parameter AC1 CONTROLLER NUMBER, and the AC2 control change number is specified by the Multi Part parameter AC2 CONTROLLER NUMBER. 1.3 Channel mode messages These messages specify the basic operation of a part. Control# Parameter 124 Omni Off Data Range 0 1.3.5 Omni On Perform the same processing as when All Note Off is received. Control# Parameter 125 Omni On Data Range 0 1.3.6 Mono Perform the same processing as when All Sound Off is received, and if the value (mono number) is in the range of 0...16, set the corresponding channel to Mode4* (m = 1). Control# Parameter 126 Mono Data Range 0...16 * Mode4 is a state in which only channel messages on the specified channel will be received, and notes will be sounded individually (monophonically). 1.3.7 Poly Perform the same processing as when All Sound Off is received, and set the corresponding channel to Mode3*. 1.3.1 All Sound Off This message silences all currently-sounding notes on the corresponding channel. However, the settings of channel messages such as Hold 1 and Sostenuto will be maintained. Control# Parameter 120 All Sound Off Data Range 0 Control# Parameter 127 Poly Data Range 0 * Mode3 is when channel messages will be received only on the specified channel, and will be sounded polyphonically. 1.4 Program change This message reports sound selection changes and changes the program number of the receiving channel. In order to include changes to the voice bank, Program Change and Bank Select messages must be sent as a set (see 1.2.1). When RevPROGRAM CHANGE=OFF for Multi Part Parameter, the program change for that part is not received. 28 MIDI Data Format 1.5 Pitch bend This message conveys movements of the pitch bender. This message is generally used to modify the pitch of a part, but the depth of the following seven effects can be controlled. The effect of this message can be modified by the following parameters. • Multi Part Parameter 1. BEND PITCH CONTROL 2. BEND FILTER CONTROL 3. BEND AMPLITUDE CONTROL 4. BEND LFO PMOD DEPTH 5. BEND LFO FMOD DEPTH 6. BEND LFO AMOD DEPTH • Effect1 Parameter 7. BEND VARIATION CONTROL DEPTH (Valid when Variation Effect is assigned to a part as Insertion) By default, the Pitch Control effect is applied. If the Multi Part parameter Rcv PITCH BEND CHANGE = OFF, that part will not receive pitch bend messages. 2. System exclusive messages 2.1 Parameter changes This devices uses the following parameter changes. [UNIVERSAL REALTIME MESSAGE] 1) Master Volume [UNIVERSAL NON REALTIME MESSAGE] 1) General MIDI System On [XG PARAMETER CHANGE] 1) XG System on 2) XG System parameter change 3) Multi Effect1 parameter change 4) Multi Part parameter change 5) Drums Setup parameter change [MU128 NATIVE PARAMETER CHANGE 2] 1) Current Performance parameter change [Others] 1) Master tuning 1.6 Channel aftertouch This message conveys the pressure which is applied to the keyboard after playing a note in order to create tonal changes (for an entire MIDI channel). The pressure can be controlled for each part. This message will affect the currentlysounding notes. The effect of this message will be determined by the settings of the following parameters. • Multi Part Parameter 1. CAT PITCH CONTROL 2. CAT FILTER CONTROL 3. CAT AMPLITUDE CONTROL 4. CAT LFO PMOD DEPTH 5. CAT LFO FMOD DEPTH 6. CAT LFO AMOD DEPTH • Effect1 Parameter 7. CAT VARIATION CONTROL DEPTH (Valid when the Variation Effect is assigned to a part as Insertion) By default, there will be no effect. If the Multi Part parameter Rcv CHANNEL AFTER TOUCH = OFF, that part will not receive Channel Aftertouch. 2.1.1 Universal realtime messages 2.1.1.1 Master Volume 11110000 01111111 01111111 00000100 00000001 * 0sssssss 0ttttttt 11110111 or, 11110000 01111111 0xxxnnnn 00000100 00000001 0sssssss 0ttttttt 11110111 F0H 7FH 7FH 04H 01H SSH TTH F7H = Exclusive status = Universal Real Time = ID of target device = Sub-ID #1 = Device Control Message = Sub-ID #2 = Master Volume = Volume LSB = Volume MSB = End of Exclusive F0H 7FH XNH 04H 01H SSH TTH F7H = Exclusive status = Universal Real Time = Device Number, xxx = don't care = Sub-ID #1 = Device Control Message = Sub-ID #2 = Master Volume = Volume LSB = Volume MSB = End of Exclusive When this is received, the Volume MSB will be reflected by the System parameter MASTER VOLUME. 1.7 Polyphonic aftertouch This message conveys the pressure that is applied to the keyboard after playing a note (for individual note numbers). The pressure can be controlled independently for each note. This message will affect currently-sounding notes. The effect of this message is determined by the following Multi Part parameters. 1. 2. 3. 4. 5. 6. PAT PITCH CONTROL PAT FILTER CONTROL PAT AMPLITUDE CONTROL PAT LFO PMOD DEPTH PAT LFO FMOD DEPTH PAT LFO AMOD DEPTH By default, there will be no effect. The effect will apply to note numbers 36...97. In the case of either of the following Multi Part parameter settings, that part will not receive Polyphonic Aftertouch. • Rcv CHANNEL AFTER TOUCH = OFF • PART MODE = DRUM, DRUMS1...4 * The binary expression 0sssssss is expressed in hexadecimal as SSH. The same applies elsewhere. 2.1.2 Universal non-realtime messages 2.1.2.1 General MIDI System On 11110000 01111110 01111111 00001001 00000001 11110111 or, 11110000 01111110 0xxxnnnn 00001001 00000001 11110111 F0H 7EH 7FH 09H 01H F7H = Exclusive status = Universal Non-Real Time = ID of target device = Sub-ID #1 = General MIDI Message = Sub-ID #2 = General MIDI On = End of Exclusive F0H 7EH XNH 09H 01H F7H = Exclusive status = Universal Non-Real Time = N:Device Number, X:don't care = Sub-ID #1 = General MIDI Message = Sub-ID #2 = General MIDI On = End of Exclusive When this message is received, the SOUND MODULE MODE is set to XG, and all MIDI messages defined by GM will be received. All data except for MIDI Master Tuning will be restored to the default value. However this message will not be received in any of the following cases. Since approximately 50[ms] is required in order to process this message, be sure to allow an appropriate interval before sending the next message. 29 MIDI Data Format 2.1.3 XG parameter change This message sets XG-related parameters. Each message can set a single parameter. The message format is as follows. 11110000 01000011 0001nnnn 01001100 0ggggggg 0mmmmmmm 0lllllll 0sssssss : 11110111 F0H 43H 1NH 4CH GGH MMH LLH SSH : F7H Exclusive status YAMAHA ID N:device Number Model ID Address High Address Mid Address Low Data End of Exclusive For parameters whose Data Size is 2 or 4, the appropriate amount of data will be transmitted as indicated by Size. 2.1.3.1 XG System On 11110000 01000011 0001nnnn 01001100 00000000 00000000 01111110 00000000 11110111 F0H 43H 1NH 4CH 00H 00H 7EH 00H F7H Exclusive status YAMAHA ID N:device Number Model ID Address High Address Mid Address Low Data End of Exclusive When On is received, the SOUND MODULE MODE will be set to XG. Since approximately 50[ms] are required in order to execute this message, please allow an appropriate interval before transmitting the next message. 2.2 Bulk dump This device uses the following bulk dump messages. [XG BULK DUMP] 1) XG System bulk dump 2) Multi Effect1 bulk dump 3) Multi Part bulk dump 4) Drums Setup bulk dump 2.2.1 XG bulk dump This message sets XG-related parameters. Unlike parameter change messages, a single message can modify multiple parameters. The message format is as follows. 11110000 01000011 0000nnnn 01001100 0sssssss 0ttttttt 0ggggggg 0mmmmmmm 0lllllll 0vvvvvvv : 0kkkkkkk 11110111 F0H 43H 0NH 4CH SSH TTH GGH MMH LLH VVH : KKH F7H Exclusive status YAMAHA ID N:Device Number Model ID ByteCountMSB ByteCountLSB Address High Address Mid Address Low Data Check-sum End of Exclusive Address and Byte Count are given in tables 1-n. Byte Count is indicated by the total size of the Data in tables 1-n. Bulk dump and dump request messages are received when the beginning of the block is specified as the 'Address'. 'Block' indicates the unit of the data string that is indicated in tables 1-n as 'Total size'. Check sum is the value that produces a lower 7 bits of 0 when the Start Address, Byte Count, Data, and the Check-sum itself are added. 2.1.3.2 XG System parameter change This message sets the XG SYSTEM block (refer to tables <1 -1>, <1 - 2>). 2.2.1.1 XG System bulk dump This message sets the XG SYSTEM block (refer to tables <1 -1>, <1 - 2>). 2.1.3.3 Multi Effect1 parameter change This message sets the MULTI EFFECT1 block (refer to tables <1 - 1>, <1 - 3>). 2.1.3.4 Multi Part parameter change 2.2.1.2 Multi Effect1 bulk dump This message sets the MULTI EFFECT1 block (refer to tables <1 - 1>, <1 - 3>). This message sets the MULTI PART block (refer to tables <1 - 1>, <1 - 4>). 2.2.1.3 Multi Part bulk dump 2.1.3.5 Drums Setup parameter change This message sets the MULTI PART block (refer to tables <1 - 1>, <1 - 4>). This message sets the DRUMS SETUP block (refer to tables <1 - 1> , <1 - 5>). 2.2.1.4 Drums Setup bulk dump 2.1.4 Other parameter changes 2.1.4.1 Master tuning This message simultaneously modifies the tuning of all channels. 11110000 01000011 0001nnnn 00100111 00110000 00000000 00000000 0000mmmm 0000llll 0xxxxxxx 11110111 F0H 43H 1NH 27H 30H 00H 00H 0MH 0LH XXH F7H Exclusive status YAMAHA ID N:device Number Model ID Address High Address Mid Address Low Master Tune MSB Master Tune LSB don't care End of Exclusive Normally, the XG SYSTEM message MASTER TUNE should be used (refer to table <1-2>). 30 This message sets the DRUMS SETUP block (refer to tables <1 - 1>, <1 - 5>). 3. Realtime messages 3.1 Active sensing a) Transmission not transmitted. b) Receive Once FE has been received, failure to receive any MIDI message for an interval longer than approximately 300 msec will cause processing to be performed as if ALL SOUND OFF, ALL NOTE OFF, and RESET ALL CONTROLLERS messages were received, and the unit will reset to a condition in which FE was never received. MIDI Data Format < Table 1-1 > Parameter Base Address MODEL ID = 4C Parameter XG SYSTEM EFFECT 1 MULTI PART DRUM (H) 00 00 00 00 02 08 : 08 30 31 Address (M) (L) 00 00 00 7D 00 7E 00 7F 01 00 00 00 : : 0F 00 0D 00 0D 00 Description System Drum setup Reset XG System On All Parameter Reset Effect1(Reverb,Chorus,Variation ) Multi Part 1 : Multi Part 16 Drum Setup 1 Drum Setup 2 Address 3n 0D 00 3n 0E 00 : 3n 5B 00 Parameter note number 13 note number 14 : note number 91 < Table 1-2 > MIDI Parameter Change table ( XG SYSTEM ) Address (H) 00 00 00 01 02 03 04 05 06 7D 7E 7F TOTAL SIZE Size (H) 4 Data (H) 00 - 0F 00 - 0F 00 - 0F 00 - 0F 1 1 1 1 1 1 07 00 - 7F 28 - 58 N 00 00 Parameter Description MASTER TUNE -102.4...0...+102.3[cent] 1st bit3-0→bit15-12 2nd bit3-0→bit11-8 3rd bit3-0→bit7-4 4th bit3-0→bit3-0 0...127 7F -24...0...+24[semitones] N: Drum setup number(0,1) 00=XG system ON (receive only) 00=ON (receive only) 40 ---- MASTER VOLUME not used TRANSPOSE DRUM SETUP RESET XG SYSTEM ON ALL PARAMETER RESET Default value (H) 00 04 00 00 < Table 1-3 > MIDI Parameter Change table ( EFFECT 1) Address (H) 02 01 00 Size (H) 2 Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 01 - 7F Parameter Description REVERB TYPE MSB REVERB TYPE LSB REVERB PARAMETER 1 REVERB PARAMETER 2 REVERB PARAMETER 3 REVERB PARAMETER 4 REVERB PARAMETER 5 REVERB PARAMETER 6 REVERB PARAMETER 7 REVERB PARAMETER 8 REVERB PARAMETER 9 REVERB PARAMETER 10 REVERB RETURN REVERB PAN refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List -∞dB...0dB...+6dB(0...96...127) L63...C...R63 Default value (H) 01(=HALL1) 0 12(depends on reverb type) 0A(depends on reverb type) 08(depends on reverb type) 0D(depends on reverb type) 31(depends on reverb type) 00(depends on reverb type) 00(depends on reverb type) 00(depends on reverb type) 00(depends on reverb type) 00(depends on reverb type) 40 40 02 03 04 05 06 07 08 09 0A 0B 0C 0D TOTAL SIZE 1 1 1 1 1 1 1 1 1 1 1 1 0E 02 01 10 11 12 13 14 15 TOTAL SIZE 1 1 1 1 1 1 6 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F REVERB PARAMETER 11 REVERB PARAMETER 12 REVERB PARAMETER 13 REVERB PARAMETER 14 REVERB PARAMETER 15 REVERB PARAMETER 16 refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List 00(depends on reverb type) 04(depends on reverb type) 32(depends on reverb type) 08(depends on reverb type) 40(depends on reverb type) 00(depends on reverb type) 02 01 20 2 22 23 24 25 26 27 28 29 2A 2B 2C 2D 2E TOTAL SIZE 1 1 1 1 1 1 1 1 1 1 1 1 1 0F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 01 - 7F 00 - 7F CHORUS TYPE MSB CHORUS TYPE LSB CHORUS PARAMETER 1 CHORUS PARAMETER 2 CHORUS PARAMETER 3 CHORUS PARAMETER 4 CHORUS PARAMETER 5 CHORUS PARAMETER 6 CHORUS PARAMETER 7 CHORUS PARAMETER 8 CHORUS PARAMETER 9 CHORUS PARAMETER 10 CHORUS RETURN CHORUS PAN SEND CHORUS TO REVERB refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List -∞dB...0dB...+6dB(0...96...127) L63...C...R63(1...64...127) -∞dB...0dB...+6dB(0...96...127) 41(=CHORUS1) 0 06(depends on chorus type) 36(depends on chorus type) 4D(depends on chorus type) 6A(depends on chorus type) 00(depends on chorus type) 1C(depends on chorus type) 40(depends on chorus type) 2E(depends on chorus type) 40(depends on chorus type) 40(depends on chorus type) 40 40 0 31 MIDI Data Format Address (H) 02 01 30 31 32 33 34 35 TOTAL SIZE Size (H) 1 1 1 1 1 1 6 Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F Parameter Description Default value (H) 2E(depends on chorus type) 40(depends on chorus type) 0A(depends on chorus type) 00(depends on chorus type) 00(depends on chorus type) 00(depends on chorus type) CHORUS PARAMETER 11 CHORUS PARAMETER 12 CHORUS PARAMETER 13 CHORUS PARAMETER 14 CHORUS PARAMETER 15 CHORUS PARAMETER 16 refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List 02 01 40 2 42 2 44 2 46 2 48 2 4A 2 4C 2 4E 2 50 2 52 2 54 2 56 57 58 59 5A 5B 1 1 1 1 1 1 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 01 - 7F 00 - 7F 00 - 7F 00 - 01 00 - 7F VARIATION TYPE MSB VARIATION TYPE LSB VARIATION PARAMETER 1 MSB VARIATION PARAMETER 1 LSB VARIATION PARAMETER 2 MSB VARIATION PARAMETER 2 LSB VARIATION PARAMETER 3 MSB VARIATION PARAMETER 3 LSB VARIATION PARAMETER 4 MSB VARIATION PARAMETER 4 LSB VARIATION PARAMETER 5 MSB VARIATION PARAMETER 5 LSB VARIATION PARAMETER 6 MSB VARIATION PARAMETER 6 LSB VARIATION PARAMETER 7 MSB VARIATION PARAMETER 7 LSB VARIATION PARAMETER 8 MSB VARIATION PARAMETER 8 LSB VARIATION PARAMETER 9 MSB VARIATION PARAMETER 9 LSB VARIATION PARAMETER 10 MSB VARIATION PARAMETER 10 LSB VARIATION RETURN VARIATION PAN SEND VARIATION TO REVERB SEND VARIATION TO CHORUS VARIATION CONNECTION VARIATION PART NUMBER 05(=DELAY L,C,R) 0 1A(depends on variation type) 05(depends on variation type) 0D(depends on variation type) 03(depends on variation type) 27(depends on variation type) 08(depends on variation type) 27(depends on variation type) 08(depends on variation type) 00(depends on variation type) 4A(depends on variation type) 00(depends on variation type) 64(depends on variation type) 00(depends on variation type) 0A(depends on variation type) 00(depends on variation type) 00(depends on variation type) 00(depends on variation type) 00(depends on variation type) 00(depends on variation type) 20(depends on variation type) 40 40 0 0 0 7F 5C 5D 5E 5F 60 TOTAL SIZE 1 1 1 1 1 21 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F MW VARIATION CONTROL DEPTH BEND VARIATION CONTROL DEPTH CAT VARIATION CONTROL DEPTH AC1 VARIATION CONTROL DEPTH AC2 VARIATION CONTROL DEPTH refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List refer to Effect Program List -∞dB...0dB...+6dB(0...96...127) L63...C...R63(1...64...127) -∞dB...0dB...+6dB(0...96...127) -∞dB...0dB...+6dB(0...96...127) INSERTION , SYSTEM Part1 OFF(127) -64...0...+63 -64...0...+63 -64...0...+63 -64...0...+63 -64...0...+63 02 01 70 71 72 73 74 75 TOTAL SIZE 1 1 1 1 1 1 6 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F VARIATION PARAMETER 11 VARIATION PARAMETER 12 VARIATION PARAMETER 13 VARIATION PARAMETER 14 VARIATION PARAMETER 15 VARIATION PARAMETER 16 refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List refer to Effect Parameter List 00(depends on variation type) 3C(depends on variation type) 1C(depends on variation type) 40(depends on variation type) 2E(depends on variation type) 40(depends on variation type) 40 40 40 40 40 < Table 1-4 > MIDI Parameter Change table ( MULTI PART ) Address (H) 08 nn 00 32 Size (H) 1 Data (H) 00 - 20 Parameter Description ELEMENT RESERVE 0 nn 01 1 00 - 7F BANK SELECT MSB 0...127 nn 02 nn 03 nn 04 1 1 1 00 - 7F 00 - 7F 00-0F,7F BANK SELECT LSB PROGRAM NUMBER Rcv CHANNEL 0...127 1...128 A1...A16, OFF Default value (H) part10 = 0 other parts =2 part10 = 7F other parts=0 00 00 Part No. nn 05 nn 06 1 1 00 - 01 00 - 02 MONO , POLY SINGLE, MULTI, INST(for DRUM) 01 01 nn 07 1 00 - 03 MONO/POLY MODE SAME NOTE NUMBER KEY ON ASSIGN PART MODE NORMAL, DRUM, DRUMS1, 2 nn 08 nn 09 nn 0A 1 2 28 - 58 00 - 0F 00 - 0F NOTE SHIFT DETUNE Part10=2 other parts=0 40 08 00 nn nn nn nn nn nn nn nn nn nn nn nn nn 1 1 1 1 1 1 1 1 1 1 1 1 1 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F VOLUME VELOCITY SENSE DEPTH VELOCITY SENSE OFFSET PAN NOTE LIMIT LOW NOTE LIMIT HIGH DRY LEVEL CHORUS SEND REVERB SEND VARIATION SEND VIBRATO RATE VIBRATO DEPTH VIBRATO DELAY 0B 0C 0D 0E 0F 10 11 12 13 14 15 16 17 -24...0...+24[semitones] -12.8...0...+12.7[Hz] 1st bit3-0→bit7-4 2nd bit3-0→bit3-0 0...127 0...127 0...127 RND, L63...C...R63 C-2...G8 C-2...G8 0...127 0...127 0...127 0...127 -64...0...+63 -64...0...+63 -64...0...+63 64 40 40 40 00 7F 7F 00 28 00 40 40(drum part ignores) 40(drum part ignores) MIDI Data Format Address (H) nn 18 nn 19 nn 1A nn 1B nn 1C nn 1D nn 1E nn 1F nn 20 nn 21 nn 22 nn 23 nn 24 nn 25 nn 26 nn 27 nn 28 TOTAL SIZE nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn TOTAL 30 31 32 33 34 35 36 37 38 39 3A 3B 3C 3D 3E 3F 40 41 42 43 44 45 46 47 48 49 4A 4B 4C 4D 4E 4F 50 51 52 53 54 55 56 57 58 59 5A 5B 5C 5D 5E 5F 60 61 62 63 64 65 66 67 68 69 6A 6B 6C 6D 6E SIZE Size (H) 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 29 Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - 58 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - 58 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F Parameter Description LOW PASS FILTER CUTOFF FREQUENCY LOW PASS FILTER RESONANCE EG ATTACK TIME EG DECAY TIME EG RELEASE TIME MW PITCH CONTROL MW LOW PASS FILTER CONTROL MW AMPLITUDE CONTROL MW LFO PMOD DEPTH MW LFO FMOD DEPTH MW LFO AMOD DEPTH BEND PITCH CONTROL BEND LOW PASS FILTER CONTROL BEND AMPLITUDE CONTROL BEND LFO PMOD DEPTH BEND LFO FMOD DEPTH BEND LFO AMOD DEPTH -64...0...+63 -64...0...+63 -64...0...+63 -64...0...+63 -64...0...+63 -24...0...+24[semitones] -9600...0...+9450[cent] -100...0...+100[%] 0...127 0...127 0...127 -24...0...+24[semitones] -9600...0...+9450[cent] -100...0...+100[%] 0...127 0...127 0...127 Default value (H) 40 40 40 40 40 40 40 40 0A 00 00 42 40 40 00 00 00 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3F 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 01 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - 58 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - 58 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 5F 28 - 58 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 5F 28 - 58 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 01 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 01 - 7F 01 - 7F Rcv PITCH BEND Rcv CH AFTER TOUCH(CAT) Rcv PROGRAM CHANGE Rcv CONTROL CHANGE Rcv POLY AFTER TOUCH(PAT) Rcv NOTE MESSAGE Rcv RPN Rcv NRPN Rcv MODURATION Rcv VOLUME Rcv PAN Rcv EXPRESSION Rcv HOLD1 Rcv PORTAMENTO Rcv SOSTENUTO Rcv SOFT PEDAL Rcv BANK SELECT SCALE TUNING C SCALE TUNING C# SCALE TUNING D SCALE TUNING D# SCALE TUNING E SCALE TUNING F SCALE TUNING F# SCALE TUNING G SCALE TUNING G# SCALE TUNING A SCALE TUNING A# SCALE TUNING B CAT PITCH CONTROL CAT LOW PASS FILTER CONTROL CAT AMPLITUDE CONTROL CAT LFO PMOD DEPTH CAT LFO FMOD DEPTH CAT LFO AMOD DEPTH PAT PITCH CONTROL PAT LOW PASS FILTER CONTROL PAT AMPLITUDE CONTROL PAT LFO PMOD DEPTH PAT LFO FMOD DEPTH PAT LFO AMOD DEPTH AC1 CONTROLLER NUMBER AC1 PITCH CONTROL AC1 LOW PASS FILTER CONTROL AC1 AMPLITUDE CONTROL AC1 LFO PMOD DEPTH AC1 LFO FMOD DEPTH AC1 LFO AMOD DEPTH AC2 CONTROLLER NUMBER AC2 PITCH CONTROL AC2 LOW PASS FILTER CONTROL AC2 AMPLITUDE CONTROL AC2 LFO PMOD DEPTH AC2 LFO FMOD DEPTH AC2 LFO AMOD DEPTH PORTAMENTO SWITCH PORTAMENTO TIME PITCH EG INITIAL LEVEL PITCH EG ATTACK TIME PITCH EG RELEASE LEVEL PITCH EG RELEASE TIME VELOCITY LIMIT LOW VELOCITY LIMIT HIGH OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON OFF, ON -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -64...0...+63[cent] -24...0...+24[semitones] -9600...0...+9450[cent] -100...0...+100[%] 0...127 0...127 0...127 -24...0...+24[semitones] -9600...0...+9450[cent] -100...0...+100[%] 0...127 0...127 0...127 0...95 -24...0...+24[semitones] -9600...0...+9450[cent] -100...0...+100[%] 0...127 0...127 0...127 0...95 -24...0...+24[semitones] -9600...0...+9450[cent] -100...0...+100[%] 0...127 0...127 0...127 OFF, ON 0...127 -64...0...+63 -64...0...+63 -64...0...+63 -64...0...+63 1...127 1...127 01 01 01 01 01 01 01 XGmode=01, GMmode=00 01 01 01 01 01 01 01 01 XGmode=01, GMmode=00 40 40 40 40 40 40 40 40 40 40 40 40 40 40 40 00 00 00 40 40 40 00 00 00 10 40 40 40 00 00 00 11 40 40 40 00 00 00 00 00 40 40 40 40 01 7F 33 MIDI Data Format nn = PART NUMBER In the case of a DRUM PART, the following parameters will have no effect. • BANK SELECT LSB • MONO/POLY MODE • SCALE TUNING • PORTAMENTO • PITCH EG < Table 1-5 > MIDI Parameter Change table ( DRUM SETUP ) Address (H) 3n rr 00 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 0E 0F TOTAL SIZE Size (H) 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 10 Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 01 00 - 01 00 - 01 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F Parameter Description PITCH COARSE PITCH FINE LEVEL ALTERNATE GROUP PAN REVERB SEND CHORUS SEND VARIATION SEND KEY ASSIGN Rcv NOTE OFF Rcv NOTE ON LOW PASS FILTER CUTOFF FREQUENCY LOW PASS FILTER RESONANCE EG ATTACK RATE EG DECAY1 RATE EG DECAY2 RATE -64...0...+63 -64...0...+63[cent] 0...127 OFF,1...127 RND,L63...C...R63 0...127 0...127 0...127 SINGLE , MULTI OFF , ON OFF , ON -64...0...63 -64...0...63 -64...0...63 -64...0...63 -64...0...63 Default value (H) 40 40 depend on the note depend on the note depend on the note depend on the note depend on the note 7F 00 depend on the note 01 40 40 40 40 40 n:Drum Setup Number(0 - 1) rr:note number(0D - 5B) In the following cases, all Drum Setups will be initialized. XG SYSTEM ON received GM SYSTEM ON received DRUM SETUP RESET received (only setup applies) [Note] When a part to which a Drum Setup is assigned receives a program change, the assigned Drum Setup will be initialized. If the same Drum Setup is assigned to two or more parts, changes in Drum Setup parameters (including program changes)will apply to all parts to which it is assigned. 34 MIDI Data Format 35 36 x x ************** Default Messages Altered Mode Key's Ch's After Touch Control Change 0,32 1,5,7,10,11 6,38 64-67 71-74 84 91,93,94 96-97 98-99 100-101 Pitch Bend Note ON Note OFF Velocity x x x x x x x x x x x x x x x x : True voice ************** x x Default Changed Basic Channel Note Number *2 o o o o o o o o o o o 0-24 semi o o o 9nH,v=1-127 x 0 - 127 0 - 127 3 3,4 (m=1) x 1 - 16 1 - 16 *1 *1 *1 *1 *1 *1 *1 *1 *1 *1 *1 *1 *1 Sound Controller Portamento Cntrl Effect Depth RPN Inc,Dec NRPN LSB,MSB RPN LSB,MSB Data Entry Bank Select Remarks Transmitted Recognized Date:19-OCT-1999 Version : 1.0 [ XG Plug-in Board ] Model PLG100-XG MIDI Implementation Chart Function... YAMAHA MIDI Implementation Chart : True # x x x x x x o(120,126,127) o(121) x o(123-125) o x x x x x x o o 0 - 127 Mode 2 : OMNI ON ,MONO Mode 4 : OMNI OFF,MONO *1 receive if switch is on. *2 m is always treated as "1" regardless of its value. Mode 1 : OMNI ON , POLY Mode 3 : OMNI OFF, POLY Notes: :All Sound OFF :Reset All Cntrls :Local ON/OFF :All Notes OFF Mes- :Active Sense sages:Reset Aux x x x x x : Song Pos. : Song Sel. : Tune x x ************** System : Clock Real Time: Commands Common System Exclusive Prog Change o : Yes x : No MIDI Implementation Chart 37 SOFTWARE LICENSING AGREEMENT The following is a legal agreement between you, the end user, and Yamaha Corporation (“Yamaha”). The enclosed Yamaha software program is licensed by Yamaha to the original purchaser for use only on the terms set forth herein. Please read this licensing agreement with care. Opening this package indicates that you accept all terms outlined herein. If you do not agree to the terms, return this package unopened to Yamaha for a full refund. 1. GRANT OF LICENSE AND COPYRIGHT Yamaha grants you, the original purchaser, the right to use one copy of the enclosed software program and data (“SOFTWARE”) on a single-user computer system. You may not use it on more than one computer or computer terminal. The SOFTWARE is owned by Yamaha and is protected by Japanese copyright laws and all applicable international treaty provisions. You are entitled to claim ownership of the media in which the SOFTWARE is included. Therefore, you must treat the SOFTWARE like any other copyrighted materials. 2. RESTRICTIONS The SOFTWARE program is copyrighted. You may not engage in reverse engineering or reproduction of the SOFTWARE by other conceivable methods. You may not reproduce, modify, change, rent, lease, resell, or distribute the SOFTWARE in whole or in part, or create derivative works from the SOFTWARE. You may not transmit or network the SOFTWARE with other computers. You may transfer ownership of the SOFTWARE and the accompanying written materials on a permanent basis provided that you retain no copies and the recipient agrees to the terms of the licensing agreement. 3. TERMINATION The licensing condition of the software program becomes effective on the day that you receive the SOFTWARE. If any one of the copyright laws or clauses of the licensing conditions is violated, the licensing agreement shall be terminated automatically without notice from Yamaha. In this case, you must destroy the licensed SOFTWARE and its copies immediately. 4. PRODUCT WARRANTY Yamaha warrants to the original purchaser that if the SOFTWARE, when used in normal conditions, will not perform the functions described in the manual provided by Yamaha, the sole remedy will be that Yamaha will replace any media which proves defective in materials or workmanship on an exchange basis without charge. Except as expressly set forth above, the SOFTWARE is provided “as is,” and no other warranties, either expressed or implied, are made with respect to this software, including, without limitation the implied warranties of merchantability and fitness for a particular purpose. 5. LIMITED LIABILITY Your sole remedies and Yamaha’s entire liability are as set forth above. In no event will Yamaha be liable to you or any other person for any damages, including without limitation any incidental or consequential damages, expenses, lost profits, lost savings or other damages arising out of the use or inability to use such SOFTWARE even if Yamaha or an authorized dealer has been advised of the possibility of such damages, or for any claim by any other party. 6. GENERAL This license agreement shall be interpreted according to and governed by Japanese laws. 38 SOFTWARE-LIZENZVEREINBARUNG Die folgende Vereinbarung ist eine rechtsgültige Vereinbarung zwischen Ihnen, dem Endanwender, und der Yamaha Corporation („Yamaha”). Yamaha erteilt dem ursprünglichen Käufer für das beiliegende Yamaha-Softwareprogramm ausschließlich zu den hier ausgeführten Bedingungen eine Lizenz zur Verwendung. Bitte lesen Sie diese Lizenzvereinbarung sorgfältig. Durch das Öffnen dieser Packung bringen Sie zum Ausdruck, daß Sie alle darin enthaltenen Bedingungen akzeptieren. Wenn Sie nicht mit den Bedingungen einverstanden sind, können Sie die Packung ungeöffnet an Yamaha zurückgeben; der Kaufpreis wird in voller Höhe zurückerstattet. 1. ERETILUNG VON LIZENZ UND COPYRIGHT Yamaha erteilt Ihnen, dem ursprünglichen Käufer, das Recht, ein Exemplar des beiliegenden Softwareprogramms und der darin enthaltenen Daten („SOFTWARE”) als Einzelperson auf jeweils einem Computer zu verwenden. Sie dürfen sie nicht auf mehr als einem Computer bzw. einer Computerstation verwenden. Die SOFTWARE bleibt im Besitz von Yamaha und ist durch japanische Copyrightgesetze sowie alle anwendbaren internationalen Vertragsbestimmungen geschützt. Sie haben ein Anspruchsrecht auf das Eigentum an den Medien, denen die SOFTWARE beiliegt. Daher müssen Sie die SOFTWARE wie alle anderen durch Copyright geschützten Materialien behandeln. 2. EINSCHRÄNKUNGEN Die SOFTWARE ist durch Copyright geschützt. Sie dürfen Sie weder analysieren noch durch anderweitige Methoden reproduzieren. Sie dürfen die SOFTWARE weder ganz noch teilweise reproduzieren, modifizieren, verändern, gegen Entgelt oder unentgeltlich verleihen, verkaufen oder vertreiben, und Sie dürfen auf der Grundlage der SOFTWARE keine Ableitungen erstellen. Sie dürfen die SOFTWARE nicht an andere Computer senden oder in Netzwerke einspeisen. Sie dürfen das Eigentum an der SOFTWARE und den schriftlichen Begleitmaterialien auf unbefristeter Basis unter den Voraussetzungen übertragen, daß Sie keine Kopien zurückbehalten und sich der Empfänger mit den Bedingungen der Lizenzvereinbarung einverstanden erklärt. 3. BEENDIGUNG Die Lizenzbedingung des Softwareprogramms wird am Tag, an dem Sie die SOFTWARE erhalten, wirksam. Falls ein Copyrightgesetz oder eine Bestimmung der Lizenzbedingungen verletzt wird, wird automatisch und ohne Benachrichtigung durch Yamaha die Lizenzvereinbarung beendet. In diesem Fall müssen Sie die lizensierte SOFTWARE und ihre Kopien unverzüglich vernichten. 4. PRODUKTGARANTIE Yamaha garantiert dem ursprünglichen Käufer, daß, falls die SOFTWARE bei Verwendung unter normalen Bedingungen nicht die in der von Yamaha bereitgestellten Anleitung beschriebenen Funktionen erfüllt, die einzige Abhilfe darin bestehen wird, daß Yamaha auf Austauschbasis kostenlos jedes Medium ersetzen wird, das Material- oder Verarbeitungsfehler aufweist. Abgesehen von dem oben Ausgeführten wird die SOFTWARE „wie die Ware liegt und steht” geliefert, und es werden keine anderen ausdrücklichen oder stillschweigenden Garantien hinsichtlich dieser Software übernommen, einschließlich, aber nicht beschränkt auf, die stillschweigenden Garantien für handelsübliche Qualität und Eignung für einen bestimmten Einsatzzweck. 5. BESCHRÄNKTE HAFTUNG Ihre einzige Abhilfe und die gesamte Haftung Yamahas bestehen in dem oben Ausgeführten. Keinesfalls haftet Yamaha Ihnen oder einer anderen Person gegenüber für etwaige Schäden, einschließlich, aber nicht beschränkt auf, zufällige Schäden oder Folgeschäden, Kosten, Verdienstausfall, verlorene Ersparnisse oder andere Schadenersatzansprüche, die aus der Verwendung der SOFTWARE oder aus der Tatsach hervorgehen, daß diese SOFTWARE nicht verwendet werden konnte, selbst wenn Yamaha oder ein autorisierter Händler über die Möglichkeit derartiger Schadenersatzansprüche informiert wurde, oder für etwaige andere Ansprüche einer anderen Partei. 6. ALLGEMEINES Diese Lizenzvereinbarung soll gemäß und in Übereinstimmung mit den japanischen Gesetzen ausgelegt werden. 39 CONTRAT DE LICENCE DE LOGICIEL Ceci est un contrat entre vous-même, l’utilisateur final, et Yamaha Corporation (“Yamaha”). Le logiciel Yamaha ciinclus est concédé sous licence par Yamaha à l’acheteur original et ne peut être utilisé que dans les conditions prévues aux présentes. Veuillez lire attentivement ce contrat de licence. Le fait d’ouvrir ce coffret indique que vous acceptez l’ensemble des termes du contrat. Si vous n’acceptez pas lesdits termes, renvoyez le coffret non ouvert à Yamaha pour en obtenir le remboursement intégral. 1. CONCESSION DE LICENCE ET DROITS D’AUTEUR Yamaha vous concède le droit d’utiliser, en tant qu’acheteur original, un exemplaire du logiciel et des données afférentes à celui-ci (“LOGICIEL”) sur un ordinateur pour utilisateur unique. Vous n’êtes pas autorisé à utiliser ces éléments sur plus d’un ordinateur ou terminal d’ordinateur. Le LOGICIEL est la propriété de Yamaha. Il est protégé par les dispositions relatives au droit d’auteur contenues dans la législation japonaise et les traités internationaux. Vous êtes en droit de revendiquer l’appartenance du support du LOGICIEL. A ce titre, vous devez traiter le LOGICIEL comme tout autre élément protégé par le droit d’auteur. 2. RESTRICTIONS Le LOGICIEL est protégé par le droit d’auteur. Vous n’êtes pas autorisé à reconstituer la logique du LOGICIEL ou à reproduire ce dernier par quelque autre moyen que ce soit. Vous n’êtes pas en droit de reproduire, modifier, prêter, louer, revendre ou distribuer le LOGICIEL en tout ou partie, ou d’utiliser le LOGICIEL à des fins de création dérivée. Vous n’êtes pas autorisé à transmettre le LOGICIEL à d’autres ordinateurs ou à l’utiliser en réseau. Vous êtes en droit de céder, à titre permanent, le LOGICIEL et la documentation imprimée qui l’accompagne, sous réserve que vous n’en conserviez aucun exemplaire et que le bénéficiaire accepte les termes du présent contrat. 3. RESILIATION Les conditions énoncées dans le présent contrat de licence prennent effet à compter du jour où le LOGICIEL vous est remis. Si l’une quelconque des dispositions relatives au droit d’auteur ou des clauses du contrat ne sont pas respectées, le contrat de licence sera résilié de plein droit par Yamaha, ce sans préavis. Dans ce cas, vous devrez immédiatement détruire le LOGICIEL concédé sous licence ainsi que les copies réalisées. 4. GARANTIE PRODUIT Si, dans des conditions normales d’utilisation, le LOGICIEL ne remplit pas les fonctions décrites dans le manuel fourni, Yamaha s’engage vis-à-vis de l’acheteur original à remplacer gratuitement, sur la base d’un échange, tout support reconnu défectueux par suite d’un défaut de matière première ou d’un vice de fabrication. Ceci constitue le seul recours opposable à Yamaha. Hormis dans les cas expressément énoncés plus haut, le LOGICIEL est livré “en l’état” et toute autre garantie expresse ou implicite le concernant, y compris, de manière non limitative, toute garantie implicite de qualité marchande et d’adéquation à un usage particulier, est exclue. 5. RESPONSABILITE LIMITEE Votre unique recours et la seule responsabilité de Yamaha sont tels qu’énoncés précédemment. En aucun cas Yamaha ne pourra être tenu responsable, par vous-même ou une autre personne, de quelques dommages que ce soit, notamment et de manière non limitative, de dommages indirects, frais, pertes de bénéfices, pertes de fonds ou d’autres dommages résultant de l’utilisation ou de l’impossibilité d’utiliser le LOGICIEL, même si Yamaha ou un distributeur agréé ont été prévenus de l’éventualité de tels dommages, ou de quelque autre revendication formulée par une tierce partie. 6. REMARQUE GENERALE Le présent contrat de licence est régi par le droit japonais, à la lumière duquel il doit être interprété. 40 For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011 CENTRAL & SOUTH AMERICA MEXICO Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich. Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo. ITALY Yamaha Musica Italia S.P.A., Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 SPAIN/PORTUGAL Yamaha-Hazen Electronica Musical, S.A. Jorge Juan 30, 28001, Madrid, Spain Tel: 91-577-7270 GREECE Philippe Nakas S.A. Navarinou Street 13, P.Code 10680, Athens, Greece Tel: 01-364-7111 BRAZIL Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-400 43 Göteborg, Sweden Tel: 031 89 34 00 ARGENTINA Yamaha Music Argentina S.A. Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-371-7021 PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES Yamaha de Panama S.A. Torre Banco General, Piso 7, Urbanización Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panam*, Panam* Tel: 507-269-5311 EUROPE THE UNITED KINGDOM Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700 IRELAND Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177 GERMANY/SWITZERLAND Yamaha Europa GmbH. Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030 YS Copenhagen Liaison Office Generatorvej 8B DK-2730 Herlev, Denmark Tel: 44 92 49 00 FINLAND F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511 THE NETHERLANDS Yamaha Music Nederland Kanaalweg 18G, 3526KL, Utrecht, The Netherlands Tel: 030-2828411 BELGIUM Yamaha Music Belgium Keiberg Imperiastraat 8, 1930 Zaventem, Belgium Tel: 02-7258220 NORWAY Norsk filial av Yamaha Scandinavia AB Grini Næringspark 1 N-1345 Østerås, Norway Tel: 67 16 77 70 ICELAND Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000 Yamaha Europa GmbH. Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030 AFRICA Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 4308650 Tel: 053-460-2312 FRANCE Yamaha Musique France, Division Professionnelle BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 SY20 MIDDLE EAST TURKEY/CYPRUS Yamaha Europa GmbH. Siemensstraße 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030 Yamaha Music Gulf FZE LB21-128 Jebel Ali Freezone P.O.Box 17328, Dubai, U.A.E. Tel: 971-4-81-5868 KOREA Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-703-0900 PHILIPPINES Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551 Yamaha Music Asia Pte., Ltd. 11 Ubi Road #06-00, Meiban Industrial Building, Singapore Tel: 65-747-4374 TAIWAN Yamaha KHS Music Co., Ltd. 10F, 150, Tun-Hwa Northroad, Taipei, Taiwan, R.O.C. Tel: 02-2713-8999 THAILAND OTHER EUROPEAN COUNTRIES OTHER COUNTRIES PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577 SINGAPORE AUSTRIA Yamaha Music Austria Schleiergasse 20, A-1100 Wien Austria Tel: 01-60203900 INDONESIA MALAYSIA DENMARK Yamaha Musical do Brasil LTDA. Av. Rebouças 2636, São Paulo, Brasil Tel: 011-853-1377 Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 Cosmos Corporation 1461-9, Seocho Dong, Seocho Gu, Seoul, Korea Tel: 02-3486-0011 SWEDEN Yamaha de Mexico S.A. De C.V., Departamento de ventas Javier Rojo Gomez No.1149, Col. Gpe Del Moral, Deleg. Iztapalapa, 09300 Mexico, D.F. Tel: 686-00-33 ASIA HONG KONG Siam Music Yamaha Co., Ltd. 121/60-61 RS Tower 17th Floor, Ratchadaphisek RD., Dindaeng, Bangkok 10320, Thailand Tel: 02-641-2951 THE PEOPLE’S REPUBLIC OF CHINA AND OTHER ASIAN COUNTRIES Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2317 OCEANIA AUSTRALIA Yamaha Music Australia Pty. Ltd. 17-33 Market Street, South Melbourne, Vic. 3205, Australia Tel: 3-699-2388 NEW ZEALAND Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation, International Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2312 HEAD OFFICE Yamaha Corporation, Electronic Musical Instrument Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2445 This document is printed on chlorine free (ECF) paper. Auf Umweltpapier gedruckt. Ce document a été imprimé sur du papier non blanchi au chlore. M.D.G., EMI Division, Yamaha Corporation © 1999 Yamaha Corporation V513900 912POCP5.2-01A0 Printed in Japan