Yamaha DGX-520 El manual del propietario

Marca: Yamaha

Modelo: DGX-520

Categoría: Instrumentos musicales

Tipo: El manual del propietario

Este manual también es adecuado para

Owner’s Manual

Keyboard Stand Assembly

For information on assembling the

keyboard stand, refer to the instructions

on page 116 of this manual.

2 DGX-620/520, YPG-625/525 Owner’s Manual

PLEASE KEEP THIS MANUAL

This product utilizes batteries or an external power supply (adapter).

DO NOT connect this product to any power supply or adapter other

than one described in the manual, on the name plate, or speciﬁcally

recommended by Yamaha.

This product should be used only with the components supplied or; a

cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is

used, please observe all safety markings and instructions that accom-

pany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct at the

time of printing. However, Yamaha reserves the right to change or mod-

ify any of the speciﬁcations without notice or obligation to update exist-

ing units.

This product, either alone or in combination with an ampliﬁer and head-

phones or speaker/s, may be capable of producing sound levels that

could cause permanent hearing loss. DO NOT operate for long periods

of time at a high volume level or at a level that is uncomfortable. If you

experience any hearing loss or ringing in the ears, you should consult

an audiologist.

IMPORTANT: The louder the sound, the shorter the time period before

damage occurs.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a

function or effect works (when the unit is operating as designed) are not

covered by the manufacturer’s warranty, and are therefore the owners

responsibility. Please study this manual carefully and consult your

dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and envi-

ronmentally friendly. We sincerely believe that our products and the pro-

duction methods used to produce them, meet these goals. In keeping

with both the letter and the spirit of the law, we want you to be aware of

the following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if

applicable) is soldered in place. The average life span of this type of

battery is approximately ﬁve years. When replacement becomes neces-

sary, contact a qualiﬁed service representative to perform the replace-

ment.

This product may also use “household” type batteries. Some of these

may be rechargeable. Make sure that the battery being charged is a

rechargeable type and that the charger is intended for the battery being

charged.

When installing batteries, do not mix batteries with new, or with batter-

ies of a different type. Batteries MUST be installed correctly. Mis-

matches or incorrect installation may result in overheating and battery

case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all bat-

teries away from children. Dispose of used batteries promptly and as

regulated by the laws in your area. Note: Check with any retailer of

household type batteries in your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some rea-

son its useful life is considered to be at an end, please observe all local,

state, and federal regulations that relate to the disposal of products that

contain lead, batteries, plastics, etc. If your dealer is unable to assist

you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model

number, serial number, power requirements, etc., are located on this

plate. You should record the model number, serial number, and the date

of purchase in the spaces provided below and retain this manual as a

permanent record of your purchase.

Model

Serial No.

Purchase Date

SPECIAL MESSAGE SECTION

92-BP (bottom)

DGX-620/520, YPG-625/525 Owner’s Manual 3

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions con-

tained in this manual, meets FCC requirements. Modiﬁcations not

expressly approved by Yamaha may void your authority, granted by

the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/

or another product use only high quality shielded cables. Cable/s

supplied with this product MUST be used. Follow all installation

instructions. Failure to follow instructions could void your FCC

authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the

requirements listed in FCC Regulations, Part 15 for Class “B” digital

devices. Compliance with these requirements provides a reason-

able level of assurance that your use of this product in a residential

environment will not result in harmful interference with other elec-

tronic devices. This equipment generates/uses radio frequencies

and, if not installed and used according to the instructions found in

the users manual, may cause interference harmful to the operation

of other electronic devices. Compliance with FCC regulations does

not guarantee that interference will not occur in all installations. If

this product is found to be the source of interference, which can be

determined by turning the unit “OFF” and “ON”, please try to elimi-

nate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by

the interference.

Utilize power outlets that are on different branch (circuit breaker or

fuse) circuits or install AC line ﬁlter/s.

In the case of radio or TV interference, relocate/reorient the

antenna. If the antenna lead-in is 300 ohm ribbon lead, change the

lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results,

please contact the local retailer authorized to distribute this type of

product. If you can not locate the appropriate retailer, please contact

Yamaha Corporation of America, Electronic Service Division, 6600

Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by

Yamaha Corporation of America or its subsidiaries.

FCC INFORMATION (U.S.A.)

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

(class B)

OBSERVERA!

Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den

ar ansluten till vägguttaget, även om själva apparaten har stängts av.

ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt,

sålæenge netledningen siddr i en stikkontakt, som er t endt — også

selvom der or slukket på apparatets afbryder.

VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko

laitetta verkosta.

(standby)

* This applies only to products distributed by

YAMAHA CORPORATION OF AMERICA.

COMPLIANCE INFORMATION STATEMENT

(DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Ave., Buena Park, Calif.

90620

Telephone : 714-522-9011

Type of Equipment : Electronic Keyboard

Model Name : DGX-620/520, YPG-625/525

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following conditions:

1) this device may not cause harmful interference, and

2) this device must accept any interference received including

interference that may cause undesired operation.

See user manual instructions if interference to radio reception is

suspected.

(FCC DoC)

4 DGX-620/520, YPG-625/525 Owner’s Manual

(3)-9 1/2

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical

shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Only use the voltage speciﬁed as correct for the instrument. The required

voltage is printed on the name plate of the instrument.

• Use the speciﬁed adaptor (PA-5D, PA-150, or an equivalent recommended by

Yamaha) only. Using the wrong adaptor can result in damage to the instrument

or overheating.

• Check the electric plug periodically and remove any dirt or dust which may have

accumulated on it.

• Do not place the AC adaptor cord near heat sources such as heaters or radiators,

and do not excessively bend or otherwise damage the cord, place heavy objects

on it, or place it in a position where anyone could walk on, trip over, or roll

anything over it.

• Do not open the instrument or attempt to disassemble the internal parts or

modify them in any way. The instrument contains no user-serviceable parts. If it

should appear to be malfunctioning, discontinue use immediately and have it

inspected by qualiﬁed Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might spill into

any openings.

• Never insert or remove an electric plug with wet hands.

• Do not put burning items, such as candles, on the unit.

A burning item may fall over and cause a ﬁre.

• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a

sudden loss of sound during use of the instrument, or if any unusual smells or

smoke should appear to be caused by it, immediately turn off the power switch,

disconnect the adaptor plug from the outlet, and have the instrument inspected

by qualiﬁed Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage

to the instrument or other property. These precautions include, but are not limited to, the following:

• When removing the electric plug from the instrument or an outlet, always hold

the plug itself and not the cord.

• Unplug the AC power adaptor when not using the instrument, or during

electrical storms.

• Do not connect the instrument to an electrical outlet using a multiple-connector.

Doing so can result in lower sound quality, or possibly cause overheating in the

outlet.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold or

heat (such as in direct sunlight, near a heater, or in a car during the day) to

prevent the possibility of panel disﬁguration or damage to the internal

components.

• Do not use the instrument in the vicinity of a TV, radio, stereo equipment,

mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio

may generate noise.

• Do not place the instrument in an unstable position where it might accidentally

fall over.

• Before moving the instrument, remove all connected adaptor and other cables.

• When setting up the instrument, make sure that the AC outlet you are using is

easily accessible. If some trouble or malfunction occurs, immediately turn off

the power switch and disconnect the plug from the outlet.

• Use only the stand speciﬁed for the instrument. When attaching the stand or

rack, use the provided screws only. Failure to do so could cause damage to the

internal components or result in the instrument falling over.

Power supply/AC power adaptor

Do not open

Water warning

Fire warning

If you notice any abnormality

Power supply/AC power adaptor

Location

DGX-620/520, YPG-625/525 Owner’s Manual 5

• Before connecting the instrument to other electronic components, turn off the

power for all components. Before turning the power on or off for all

components, set all volume levels to minimum. Also, be sure to set the volumes

of all components at their minimum levels and gradually raise the volume

controls while playing the instrument to set the desired listening level.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,

solvents, cleaning ﬂuids, or chemical-impregnated wiping cloths.

• Do not insert a ﬁnger or hand in any gaps on the instrument.

• Never insert or drop paper, metallic, or other objects into the gaps on the panel

or keyboard. If this happens, turn off the power immediately and unplug the

power cord from the AC outlet. Then have the instrument inspected by qualiﬁed

Yamaha service personnel.

• Do not place vinyl, plastic or rubber objects on the instrument, since this might

discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and do not

use excessive force on the buttons, switches or connectors.

• Do not operate the instrument for a long period of time at a high or

uncomfortable volume level, since this can cause permanent hearing loss. If you

experience any hearing loss or ringing in the ears, consult a physician.

Saving and backing up your data

The panel settings and some other types of data are not retained in memory when

you turn off the power to the instrument. Save data you want to keep to the

Registration Memory (page 85.)

Saved data may be lost due to malfunction or incorrect operation.

Save important data to a USB storage device/or other external device such as a

computer. (pages 93, 104)

Backing up the USB storage device/external media

•To protect against data loss through media damage, we recommend that you

save your important data onto two USB storage devices/external media.

Always turn the power off when the instrument is not in use.

Even when the power switch is in the “STANDBY” position, electricity is still ﬂowing to the instrument at the minimum level. When you are not using the instrument for a long

time, make sure you unplug the AC power adaptor from the wall AC outlet.

● Trademarks

• The bitmap fonts used in this instrument have been provided by and are the property of Ricoh Co., Ltd.

•Windows is the registered trademarks of Microsoft

Corporation.

• The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective companies.

Connections

Maintenance

Handling caution

Saving data

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the instrument, or data that is lost or destroyed.

The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may appear somewhat different from those on

your instrument.

(3)-9 2/2

6 DGX-620/520, YPG-625/525 Owner’s Manual

The followings are the titles, credits and copyright notices for three (3) of the songs pre-installed in this

electronic keyboard:

Mona Lisa

from the Paramount Picture CAPTAIN CAREY, U.S.A.

Words and Music by Jay Livingston and Ray Evans

Composition Title : Against All Odds

Composer’s Name : Collins 0007403

HIT & RUN MUSIC LTD

Can’t Help Falling In Love

from the Paramount Picture BLUE HAWAII

Words and Music by George David Weiss,

Hugo Peretti and Luigi Creatore

All Rights Administered by Cherry Lane Music Publishing Com-

pany, Inc. and Chrysalis Music

This device is capable of using various types/formats of music data by optimizing them to the proper format music data for use with the

device in advance. As a result, this device may not play them back precisely as their producers or composers originally intended.

GM System Level 1

“GM System Level 1” is an addition to the MIDI standard which ensures that any GM-compatible music

data can be accurately played by any GM-compatible tone generator, regardless of manufacturer. The GM

mark is afﬁxed to all software and hardware products that support GM System Level.

XGlite

As its name implies, “XGlite” is a simpliﬁed version of Yamaha’s high-quality XG tone generation format.

Naturally, you can play back any XG song data using an XGlite tone generator. However, keep in mind that

some songs may play back differently compared to the original data, due to the reduced set of control

parameters and effects.

The Yamaha XF format enhances the SMF (Standard MIDI File) standard with greater functionality and

open-ended expandability for the future. The instrument is capable of displaying lyrics when an XF ﬁle con-

taining lyric data is played.

STYLE FILE

The Style File Format is Yamaha’s original style ﬁle format which uses a unique conversion system to pro-

vide high-quality automatic accompaniment based on a wide range of chord types.

USB

USB is an abbreviation for Universal Serial Bus. It is a serial interface for connecting a computer with

peripheral Devices. It allows “hot swapping” (connecting peripheral devices while the power to the com-

puter is on).

Panel Logos

This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it

has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style ﬁles, MIDI

ﬁles, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use

is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE

ILLEGAL COPIES.

Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited

except for your personal use.

DGX-620/520, YPG-625/525 Owner’s Manual 7

Congratulations and thank you for purchasing

the Yamaha DGX-620/520, YPG-625/525 Portable Grand!

Please read this owner’s manual carefully before using the instrument

in order to take full advantage of its various features.

Make sure to keep this manual in a safe and handy place even after you ﬁnish reading,

and refer to it often when you need to better understand an operation or function.

The DGX-620/520, YPG-625/525 package includes the following items. Please check that you have them

all.

• Music rest

• Accessory CD-ROM

• Owner’s manual (this book)

•Keyboard stand

•Footswitch

•AC Power Adaptor (May not be included depending on your particular area.

Please check with your Yamaha dealer.)

Accessories

8 DGX-620/520, YPG-625/525 Owner’s Manual

Special Features of the DGX-620/520, YPG-625/525

Graded Hammer Standard Keyboard (DGX-620/YPG-625 Only)

Thanks to our experience as the world’s leading manufacturer of acoustic pianos, we’ve developed a

keyboard with action that’s virtually indistinguishable from the real thing. Just as on a traditional acous-

tic piano, the keys of the lower notes have a heavier touch, while the higher ones are more responsive

to lighter playing. The keyboard’s sensitivity can even be adjusted to match your playing style. This

Graded Hammer technology also enables the DGX-620/YPG-625 to provide authentic touch in a light-

weight instrument.

■ Performance assistant technology Page 35

Play along with a song on the instrument’s keyboard and produce a perfect

performance every time ... even if you play wrong notes! All you have to do

is play on the keyboard—alternately on the left- and right-hand ranges of the

keyboard, for example—and you’ll sound like a pro as long as you play in

time with the music.

And if you can’t play with both hands, you can still play the melody simply

by tapping one key.

All you need is

one ﬁnger!

■ Play a Variety of Instrument Voices Page 15

With the DGX-620/520, YPG-625/525, the instrument voice that sounds

when you play the keyboard can be changed to violin, ﬂute, harp, or any of

an extensive range of voices. You can change the mood of a song written for

piano, for example, by using violin to play it instead. Experience a whole

new world of musical variety.

■ Play Along with Styles Page 24

Want to play with full accompaniment? Try the auto-accompaniment Styles.

The accompaniment styles provide the equivalent of a full backing band cov-

ering wide variety of styles from waltzes to 8-beat to euro-trance … and

much more. Select a style that matches the music you want to play, or exper-

iment with new styles to expand your musical horizons.

■ Easy Performance with Music Notation Display Page 33

When you play back a song, the corresponding score will be shown on the

display as the song plays. This is a great way to learn how to read music. If

the song contains lyric and chord data*, the lyrics and chords will also appear

on the score display.

* No lyrics or chords will appear on the display if the song you are using with the score display func-

tion does not contain the appropriate lyric and chord data.

DGX-620/520, YPG-625/525 Owner’s Manual 9

Panel Logos ............................................................................. 6

Accessories .............................................................................. 7

Special Features of the DGX-620/520, YPG-625/525.............. 8

Setting Up 10

Power Requirements.............................................................. 10

Connecting Headphones (PHONES/OUTPUT Jack) ............. 10

Connecting a Footswitch (SUSTAIN Jack)............................. 10

Connecting to a Computer (USB Terminal)............................ 11

Turning the Power On ............................................................ 11

Panel Controls and Terminals 12

Front Panel............................................................................. 12

Rear Panel ............................................................................. 13

Quick Guide

Changing the Display Language 14

Try Playing a Variety of Instrument Voices 15

Select and Play a Voice—MAIN............................................. 15

Play Two Voices Simultaneously—DUAL .............................. 16

Play Different Voices with the Left and Right Hands—SPLIT 17

Play the Grand Piano Voice ................................................... 18

Fun Sounds 19

Drum Kits................................................................................ 19

Sound Effects ......................................................................... 19

The Metronome 20

Start the Metronome............................................................... 20

Adjusting the Metronome Tempo ........................................... 20

Setting the Number of Beats per Measure,

and the Length of Each Beat............................................. 21

Adjusting the Metronome Volume .......................................... 22

Playing Styles 23

Select a Style Rhythm ............................................................ 23

Play Along with a Style........................................................... 24

Playing Auto-accompaniment Chords .................................... 28

Using Songs 29

Select and Listen to a Song ................................................... 29

Song Fast Forward, Fast Reverse, and Pause ...................... 30

Types of Songs ...................................................................... 32

Displaying the Song Score ..................................................... 33

Display the Lyrics ................................................................... 34

The Easy Way to Play Piano 35

CHORD Type—Play with Both Hands.................................... 36

CHORD/FREE Type—

Applying the Chord Type to the Left Hand Only................ 38

MELODY Type—Play with One Finger .................................. 40

CHORD/MELODY—

Chord Type with the Left Hand, Melody with the Right ..... 42

Change the Song Tempo ....................................................... 46

Play the Demo Song .............................................................. 46

Select a Song For a Lesson 47

Lesson 1—Waiting ................................................................. 47

Lesson 2—Your Tempo ......................................................... 50

Lesson 3—Minus One............................................................ 51

Practice Makes Perfect—Repeat and Learn .......................... 52

Play Using the Music Database 53

Change a Song’s Style 54

Try Out the Easy Song Arranger ............................................ 54

Using the Easy Song Arranger............................................... 54

Record Your Own Performance 56

Track Configuration ................................................................ 56

Recording Procedure ............................................................. 57

Song Clear—Deleting User Songs......................................... 59

Track Clear—Deleting a Specified Track from a User Song .. 60

Backup and Initialization 61

Backup ................................................................................... 61

Initialization............................................................................. 61

Basic Operation 62

Basic Operation...................................................................... 62

The Displays........................................................................... 64

MAIN Display Items................................................................ 65

Reference

Play with a Variety of Effects 66

Adding Harmony..................................................................... 66

Adding Reverb........................................................................ 67

Adding Chorus........................................................................ 68

Panel Sustain .........................................................................69

Pitch Bend ..............................................................................69

Handy Performance Features 70

Tap Start................................................................................. 70

Touch Response Sensitivity ...................................................70

One Touch Setting..................................................................71

Select an EQ Setting for the Best Sound ...............................72

Pitch Controls .........................................................................73

Style (Auto-accompaniment) Functions 74

Pattern Variation (Sections).................................................... 74

Setting the Split Point .............................................................77

Play a Style with Chords but No Rhythm

(Stop Accompaniment) ......................................................78

Adjusting the Style Volume.....................................................78

Chord Basics ..........................................................................79

Style File................................................................................. 81

Playing Styles Using the Entire Keyboard .............................. 81

Looking Up Chords Using the Chord Dictionary..................... 82

Song Settings 83

Song Volume .......................................................................... 83

A-B Repeat .............................................................................83

Muting Independent Song Parts ............................................. 84

Change the Melody Voice ......................................................84

Memorize Your Favorite Panel Settings 85

Saving to the Registration Memory ........................................85

Recalling a Registration Memory............................................ 86

The Functions 87

Selecting and Setting Functions ............................................. 87

Using USB Flash Memory 90

USB Flash Memory ................................................................90

Connecting a USB Flash Memory ..........................................91

Formatting USB Flash Memory ..............................................92

Saving Data ............................................................................ 93

Convert a User Song to SMF Format and Save..................... 94

Loading User Files and Style Files .........................................95

Deleting Data from a USB Flash Memory ..............................96

Playing Songs Saved to USB Flash Memory .........................96

Connections 97

Connectors .............................................................................97

Connection to a USB Storage Device ....................................97

Connecting a Personal Computer ..........................................99

Transferring Performance Data to and from a Computer .....100

Remote Control of MIDI Devices ..........................................101

Initial Send............................................................................ 102

Transferring Data Between the Computer and Instrument... 102

Accessory CD-ROM Installation Guide 105

Important Notices about the CD-ROM.................................. 105

CD-ROM Contents ...............................................................106

System Requirements ..........................................................107

Software Installation .............................................................107

Appendix

Troubleshooting.................................................................... 112

Messages .............................................................................114

Keyboard Stand Assembly ...............................116

Scores ..................................................................................118

Voice List ..............................................................................124

Drum Kit List .........................................................................128

Style List ...............................................................................130

Music Database List .............................................................131

Songs Provided On the Supplied CD-ROM..........................132

Effect Type List..................................................................... 133

MIDI Implementation Chart................................................... 134

MIDI Data Format .................................................................136

Specifications .......................................................................137

Index..................................................................................... 138

Contents

10 DGX-620/520, YPG-625/525 Owner’s Manual

Setting Up

Be sure to do the following operations

BEFORE turning on the power.

 Make sure that the [STANDBY/ON] switch of the

instrument is set to STANDBY.

 Connect the AC power adaptor to the power supply

jack.

 Plug the AC adaptor into an AC outlet.

Make all necessary connections below

BEFORE turning the power on.

The instrument speakers are automatically shut off

when a plug is inserted into this jack. The PHONES/

OUTPUT jack also functions as an external output. You

can connect the PHONES/OUTPUT jack to a keyboard

ampliﬁer, stereo system, mixer, tape recorder, or other

line-level audio device to send the instrument’s output

signal to that device.

The sustain function lets you produce a natural sustain

as you play by pressing a footswitch. Plug the Yamaha

FC5 footswitch into this jack and use it to switch sustain

on and off.

Power Requirements

• Use the speciﬁed adaptor (PA-5D, PA-150, or an equivalent

recommended by Yamaha) only. The use of other adaptors

may result in irreparable damage to both the adaptor and the

instrument.

WARNING

• Unplug the AC Power Adaptor when not using the instrument,

or during electrical storms.

CAUTION

AC power

adaptor

AC outlet





Connecting Headphones (PHONES/OUTPUT Jack)

Connecting a Footswitch (SUSTAIN Jack)

•Avoid listening with the headphones at high volume for long peri-

ods of time; doing so may not only result in ear fatigue, it may be

damaging to your hearing.

WARNING

•To prevent damage to the speakers, set the volume of the external

devices at the minimum setting before connecting them. Failure to

observe these cautions may result in electric shock or equipment

damage. Also, be sure to set the volumes of all devices at their

minimum levels and gradually raise the volume controls while

playing the instrument to set the desired listening level.

CAUTION

• Make sure that the footswitch plug is properly connected to the SUS-

TAIN jack before turning on the power.

• Do not press the footswitch while turning the power on. Doing this

changes the recognized polarity of the footswitch, resulting in reversed

footswitch operation.

NOTE

DGX-620/520, YPG-625/525 Owner’s Manual 11

Setting Up

Connect the instrument’s USB terminal to the USB ter-

minal of a computer, and you can transfer performance

data and song ﬁles between the two (page 99). To use

the USB data-transfer features you’ll need to do the fol-

lowing:

• First, make sure the POWER switch on the instru-

ment is set to OFF, then use a USB cable to con-

nect the instrument to the computer. After making

the connections, turn the instrument’s power on.

• Install the USB MIDI driver on your computer.

Installation of the USB MIDI driver is described on

page 107.

Turn down the volume by turning the [MASTER VOL-

UME] control to the left and press the [STANDBY/ON]

switch to turn on the power. Press the [STANDBY/ON]

switch again to turn the power OFF.

Backup data in the ﬂash memory is loaded to the instru-

ment when the power is turned on. If no backup data

exists on ﬂash memory, all instrument settings are

restored to the initial factory defaults when the power is

turned on.

Connecting to a Computer (USB Terminal)

Turning the Power On

• Even when the switch is in the “STANDBY” position, electricity is

still ﬂowing to the instrument at the minimum level. When you are

not using the instrument for a long time, make sure you unplug the

AC power adaptor from the wall AC outlet.

CAUTION

•Never attempt to turn the power off when a “WRITING!” message

is shown in the display. Doing so can damage the ﬂash memory

and result in a loss of data.

CAUTION

● Music Rest

Insert the music rest into

the slots as shown.

12 DGX-620/520, YPG-625/525 Owner’s Manual

Panel Controls and Terminals

q [STANDBY/ON] switch .................... page 11

w [MASTER VOLUME] control.... pages 11, 62

e FILE CONTROL [MENU],

[EXECUTE] buttons................. pages 91–96

r [LYRICS] button............................... page 34

t [SCORE] button............................... page 33

y [CHORD FINGERING] button ......... page 81

u [P.A.T. ON/OFF] button.................... page 36

i [MUSIC DATABASE] button ............ page 53

o [FUNCTION] button ................. pages 64, 87

!0 LESSON [L], [R],

[START] buttons .............................. page 48

!1 [METRONOME ON/OFF] button ..... page 20

!2 [TEMPO/TAP] button ............... pages 46, 70

!3 SONG MEMORY

[REC], [1]–[5], [A] buttons............... page 57

!4 [REPEAT & LEARN]/

[ACMP ON/OFF] button ...........pages 52, 24

!5 [A-B REPEAT]/

[INTRO/ENDING/rit.] button.....pages 83, 74

!6 [REW]/

[MAIN/AUTO FILL] button........pages 30, 74

!7 [FF]/[SYNC STOP] button ........pages 30, 76

!8 [PAUSE]/

[SYNC START] button..............pages 30, 75

!9 [START/STOP] button ........pages 23, 30, 63

@0 [SONG] button................................. page 29

@1 [EASY SONG

ARRANGER] button........................ page 54

@2 [STYLE] button................................ page 23

@3 [VOICE] button ................................ page 15

r t y

u i o

!1 !2

!6 !7 !8 !9

!4 !5

Song Category List

(page 31)

Style Category List

(page 130)

Front Panel

DGX-620/520, YPG-625/525 Owner’s Manual 13

Panel Controls and Terminals

@4 Dial............................................ pages 63, 87

@5 CATEGORY [ ] and [ ]

buttons ..................................... pages 63, 87

@6 Number buttons [0]–[9],

[+] and [-] buttons.................... pages 63, 87

@7 [DEMO] button................................. page 46

@8 [EXIT] button.................................... page 64

@9 REGIST MEMORY

[MEMORY/BANK], [1], [2] buttons .. page 85

#0 [PORTABLE GRAND] button .......... page 18

#1 [SPLIT ON/OFF] button................... page 17

#2 [DUAL ON/OFF] button ................... page 16

#3 [HARMONY ON/OFF] button .......... page 66

#4 [PITCH BEND] wheel....................... page 69

#5 CONTRAST knob ............................ page 65

#6 USB TO DEVICE,

TO HOST terminals ..................pages 11, 99

#7 SUSTAIN jack................................... page 10

#8 PHONES/OUTPUT jack ................... page 10

#9 DC IN 12V jack................................. page 10

#0 #1 #2 #3

#5 #6 #7 #8 #9

Rear Panel

Music Database List

(page 131)

Voice Category List

(page 124)

Display

(pages 64, 65)

Rear Panel

14 DGX-620/520, YPG-625/525 Owner’s Manual

Changing the Display Language

This instrument allows you to select English or Japanese as the display

language. The default display language is English, but if you switch to

Japanese the lyrics, ﬁle names, demo display, and some messages will be

displayed in Japanese where appropriate.

Press the [FUNCTION] button.

Press the CATEGORY [ ] and [ ] buttons a number of

times until the “Language” item appears.

The currently selected display language will appear below the “Lan-

guage” item.

When highlighted you can use the [+] and [-] buttons to select the lan-

guage as required.

Select a display language.

The [+] button selects English and the [-] button selects Japanese.

The language selection will be stored in the internal ﬂash memory so

that it is retained even when the power is turned off.

Press the [EXIT] button to return to the MAIN display.

Language item

The currently selected

language

Quick Guide

DGX-620/520, YPG-625/525 Owner’s Manual 15

Try Playing a Variety of Instrument Voices

In addition to piano, organ, and other “standard” keyboard instruments,

this instrument has a large range of voices that includes guitar, bass,

strings, sax, trumpet, drums and percussion, sound effects … a wide vari-

ety of musical sounds.

This procedure selects the main voice you will play on the keyboard.

Press the [VOICE] button.

The main voice selection display will appear.

The currently selected voice number and name will be highlighted.

Select the voice you want to play.

While watching the highlighted voice name rotate the dial. The avail-

able voices will be selected and displayed in sequence. The voice

selected here becomes the main voice.

For this example select the “102 Flute” voice.

Play the keyboard.

Try selecting and playing a variety of voices.

Press the [EXIT] button to return to the MAIN display.

Select and Play a Voice—MAIN

The currently

selected voice num-

ber and name

Select 102 Flute

Adjusts volume.

Try Playing a Variety of Instrument Voices

16 DGX-620/520, YPG-625/525 Owner’s Manual

You can select a second voice which will play in addition to the main voice when you play the keyboard.

The second voice is known as the “dual” voice.

Press the [DUAL ON/OFF] button.

The [DUAL ON/OFF] button turns the dual voice on or off.

When turned on the dual voice “DUAL” will appear in the MAIN dis-

play. The currently selected dual voice will sound in addition to the

main voice when you play the keyboard.

Press and hold the [DUAL ON/OFF] button for longer than

a second.

The dual voice selection display will appear.

Select the desired dual voice.

Watch the displayed dual voice and rotate the dial until the voice you

want to use is selected. The voice selected here becomes the dual voice.

For this example try selecting the “120 Vibraphone” voice.

Play Two Voices Simultaneously—DUAL

Voice Number

The currently selected dual voice

Dual voice selection display

Hold for longer than a second

Try Playing a Variety of Instrument Voices

DGX-620/520, YPG-625/525 Owner’s Manual 17

Play the keyboard.

Try selecting and playing a range of dual voices.

Press the [EXIT] button to return to the MAIN display.

In the split mode you can play different voices to the left and right of the keyboard “split point”. The main

and dual voices can be played to the right of the split point, while the voice played to the left of the split

point is known as the “split voice”. The split point setting can be changed as required (page 77).

Press the [SPLIT ON/OFF] button.

The [SPLIT ON/OFF] button turns the split voice on or off. When

turned on the split voice “SPLIT” will appear in the MAIN display. The

currently selected split voice will sound to the left of the keyboard split

point.

Press and hold the [SPLIT ON/OFF] button for longer than

a second.

The split voice selection display will appear.

Two voices will sound at the same time.

Play Different Voices with the Left and Right Hands—SPLIT

Main voice and dual voiceSplit voice

Split point

Voice Number

The currently selected split

voice

Split voice selection display

Hold for longer than a second

Try Playing a Variety of Instrument Voices

18 DGX-620/520, YPG-625/525 Owner’s Manual

Select the desired split voice.

Watch the highlighted split voice and rotate the dial until the voice you

want to use is selected. The voice selected here becomes the split voice

which will play to the left of the keyboard split point. For this example

try selecting the “038 Folk Guitar” voice.

Play the keyboard.

Try selecting and playing a range of split voices.

Press the [EXIT] button to return to the MAIN display.

When you just want to play piano, all you have to do is press one convenient button.

Press the [PORTABLE GRAND] button.

The “001 Grand Piano” voice will be selected.

Play the Grand Piano Voice

• When you press the [PORTA-

BLE GRAND] button all settings

other than touch sensitivity are

turned off. The dual and split

voices will also be turned off, so

only the Grand Piano voice will

play over the entire keyboard.

NOTE

DGX-620/520, YPG-625/525 Owner’s Manual 19

Fun Sounds

This instrument includes a range of drum kits and unique sound effects you can

use for entertainment. Laughter, babbling brooks, jet ﬂy-bys, eerie effects, and

much more. These sounds can be a great way to enhance the mood at parties.

◆ Drum Kit Selection Procedure ➔ (refer to steps 1 and 2 on page 15)

1 Press the [VOICE] button.

2 Use the dial to select “128 Standard Kit 1”.

3 Try out each key and enjoy the drum and percussion sounds!

Try out each key and enjoy the drum and percus-

sion sounds! Don’t forget the black keys! You’ll

hear a triangle, maracas, bongos, drums ... a

comprehensive variety of drum and percussion

sounds. For details on the instruments included

in the drum kit voices (voice numbers 128 to

139), see the “Drum Kit List” on page 128.

◆ Sound Effect Selection Procedure ➔ (refer to steps 1 and 2 on page 15)

1 Press the [VOICE] button.

2 Use the dial to select “139 SFX Kit 2”.

3 Try out each key and enjoy the sound effects!

As you try out the various keys you’ll hear the sound of a

submarine, a telephone bell, a creaking door, and many

other useful effects. “138 SFX Kit 1” includes lightning,

running water, dogs barking, and others. Some keys do

not have assigned sound effects, and will therefore pro-

duce no sound.

For details on the instruments included in the SFX kit

voices, see “SFX Kit 1” and “SFX Kit 2” in the “Drum

Kit List” on page 129.

Drum kits are collections of drum and percussion instruments. When you select a violin or other

normal instrument main voice, for example, all keys produce the sound of the same violin, only at

different pitches. If you select a drum kit as the main voice, however, each key produces the sound

of a different drum or percussion instrument.

The sound effects are included in the drum kit voice group (voice numbers 138 and 139). When

either of these voices are selected you will be able to play a range of sound effects on the keyboard.

Drum Kits

Sound Effects

20 DGX-620/520, YPG-625/525 Owner’s Manual

The Metronome

Turn the metronome on and start it by pressing the [MET-

RONOME ON/OFF] button.

To stop the metronome, press the [METRONOME ON/OFF] button

again.

Press the [TEMPO/TAP] button to call up the tempo set-

ting.

Use the dial to select a tempo from 11 to 280.

Start the Metronome

MEASURE 1

Indicates the beat number

in the measure

Adjusting the Metronome Tempo

Tempo

The instrument includes a metronome with adjustable tempo

and time signature. Play and set the tempo that is most com-

fortable for you.

The Metronome

DGX-620/520, YPG-625/525 Owner’s Manual 21

In this example we’ll set up a 5/8 time signature.

Press and hold the [METRONOME ON/OFF] button for

longer than a second to select the function “Time Signa-

ture–Numerator”.

Use the dial to select the number of beats per measure.

A chime will sound on the ﬁrst beat of each measure while the other

beats will click. All beats will simply click with no chime at the begin-

ning of each measure if you set this parameter to “00”.

The available range is from 0 through 60. Select 5 for this example.

Press the CATEGORY [ ] and [ ] buttons as many times

as necessary to select the beat length function “Time Sig-

nature–Denominator”.

Use the dial to select the beat length.

Select the required length for each beat: 2, 4, 8, or 16 (half note, quarter

note, eighth note, or 16

note). Select 8 for this example.

Setting the Number of Beats per Measure, and the Length of Each Beat

Hold for longer

than a second

Denominator

(The length of

one beat.)

Numerator

(Number of

beats per

measure.)

• The metronome time signature

will synchronize to a style or

song that is playing, so these

parameters cannot be changed

while a style or song is playing.

NOTE

The Metronome

22 DGX-620/520, YPG-625/525 Owner’s Manual

Press the [FUNCTION] button.

Use the CATEGORY [ ] and [ ] buttons to select the Met-

ronome Volume item.

Use the dial to set the metronome volume as required.

Adjusting the Metronome Volume

Metronome volume

DGX-620/520, YPG-625/525 Owner’s Manual 23

Playing Styles

This instrument has an auto accompaniment feature that produces

accompaniment (rhythm + bass + chords) in the style you choose to

match chords you play with your left hand. You can select from 150 dif-

ferent styles covering a range of musical genres and time signatures

(see page 130 for a complete list of the available styles).

In this section we’ll learn how to use the auto accompaniment features.

Most styles includes a rhythm part. You can select from a wide variety of rhythmic types—rock, blues, Euro

trance, and many, many more. Let’s begin by listening to just the basic rhythm. The rhythm part is played

using percussion instruments only.

Press the [STYLE] button.

The style select display will appear. The currently selected style number

and name will be highlighted.

Select a style.

Use the dial to select the style you want to use.

A list of all the available styles is provided on page 130.

Press the [START/STOP] button.

The style rhythm will start playing.

Press the [START/STOP] button a second time when you want to stop

playback.

Select a Style Rhythm

The currently selected style

• Style numbers 121, 133–150

have no rhythm part and there-

fore no rhythm will play if you

use them for the above exam-

ple. For these styles ﬁrst turn

auto accompaniment on as

described on page 24, press the

[START/STOP] button, and the

accompaniment bass and chord

parts will begin playing when

you play a key to the left of the

keyboard split point.

NOTE

Playing Styles

24 DGX-620/520, YPG-625/525 Owner’s Manual

You learned how to select a style rhythm on the preceding page.

Here we’ll see how to add bass and chord accompaniment to the basic rhythm to produce a full, rich accom-

paniment that you can play along with.

Press the [STYLE] button and select the desired style.

Turn automatic accompaniment on.

Press the [ACMP ON/OFF] button.

Pressing this button a second time will turn automatic accompaniment

off.

Turn sync start on.

Press the [SYNC START] button to turn the sync start function on.

● When automatic accompaniment is on ...

The area of the keyboard to the left of the split point (54 : F#2) becomes the

“auto accompaniment region” and is used only for specifying the

accompaniment chords.

Play Along with a Style

This icon appears when

automatic accompani-

ment is on.

• The keyboard split point can be

changed as required: refer to

page 77.

NOTE

Split point (54 : F#2)

Auto accompaniment region

Flashes when sync start

is on.

Playing Styles

DGX-620/520, YPG-625/525 Owner’s Manual 25

When sync start is on, the bass and chord accompaniment included in a

style will start playing as soon as you play a note to left of the keyboard

split point. Press the button a second time to turn the sync start function

off.

Play a left-hand chord to start the style.

You can still “play” chords even if you don’t actually know any chords.

This instrument will recognize even a single note as a chord. Try play-

ing from one to three notes at the same time to the left of the split point.

The accompaniment will change according to the left-hand notes you

play.

Play a variety of left-hand chords while playing a melody

with your right hand.

Press the [START/STOP] button to stop style playback

when you’re done.

You can switch style “sections” to add variety to the accompaniment.

Refer to “Pattern Variation (Sections)” on page 74.

Try this!

Scores for some chord progressions are provided on page 26. These

examples should help you get a feel for what types of chord progres-

sions sound good with the styles.

Split point

Auto accompaniment region

Split point

Auto accompaniment region

Playing Styles

26 DGX-620/520, YPG-625/525 Owner’s Manual

Styles Are More Fun When You Understand Chords

Chords, created by playing multiple notes at the same time, are the basis for harmonic accompaniment.

In this section we’ll take a look at sequences of different chords played one after another, or “chord

sequences.” Since each chord has it’s own unique “color”—even if it’s different ﬁngerings of the same

chord—the chords you choose to use in your chord progressions have a huge inﬂuence on the overall

feel of the music you play.

On page 24 you learned how to play colorful accompaniments using styles. Chord progressions are vital

to creating interesting accompaniments, and with a little chord know-how you should be able to take

your accompaniments to a new level.

On these pages we’ll introduce three easy-to-use chord progressions. Be sure to try them out with the

instrument’s accompaniment styles. The style will respond to the chord progression you play, effectively

creating a complete song.

■Playing the Chord Progressions ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

Play the scores with the left hand.

Before playing the scores follow steps 1 through 3 of “Play Along with a Style” on page 24.

* The scores provided here are not standard song scores, but rather simpliﬁed scores that indicate which notes to play to

produce the chord progressions.

—Dance music with simple chords—

This is a simple-but-effective chord progression. When you play through to the end of the score, start

again from the beginning. When you’re ready to stop playing press the [INTRO/ENDING/rit.] button

and the auto accompaniment function will create a perfect ending.

Recommended Style

031 Euro Trance

Play to the left of the split point.

Split point

C G Am

Press the [INTRO/ENDING/rit.] button.

Playing Styles

DGX-620/520, YPG-625/525 Owner’s Manual 27

—3-chord boogie-woogie—

This progression provides varied harmonic backing with just three chords. When you get a feel for the

progression in the score, try changing the order of the chords!

—Bossa nova with jazz-style chords—

This progression includes jazzy “two-ﬁve” (II-V) changes. Try playing it through several times. When

you’re ready to stop playing press the [INTRO/ENDING/rit.] button.

Recommended Style

138 Piano Boogie

Recommended Style

086 Bossa Nova

C C

Press the [INTRO/ENDING/rit.] button.

Dm CM7

Am A7

FM7

Bm7

Press the [INTRO/ENDING/rit.] button.

Playing Styles

28 DGX-620/520, YPG-625/525 Owner’s Manual

There are two ways of playing auto-accompaniment chords:

● Easy Chords

● Standard Chords

The instrument will automatically recognize the different chord types. The function is called Multi Fingering.

Press the [ACMP ON/OFF] button to turn auto-accompaniment on (page 24). The keyboard to the left of the

split point (default: 54/F#2) becomes the “accompaniment range”. Play the accompaniment chords in this area

of the keyboard.

■Easy Chords ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

This method lets you easily play chords in the

accompaniment range of the keyboard using only

one, two, or three ﬁngers.

■Standard Chords ● ● ● ● ● ● ● ● ● ● ● ● ●

This method lets you produce accompaniment by

playing chords using normal ﬁngerings in the

accompaniment range of the keyboard.

Playing Auto-accompaniment Chords

DEFGABCDEF

Split point (default: 54/F#2)

Root notes and the corresponding keys

Accompaniment

range

•To play a major chord

Press the root note of the chord.

Cm7

•To play a minor chord

Press the root note together with the

nearest black key to the left of it.

•To play a seventh chord

Press the root note together with the

nearest white key to the left of it.

•To play a minor seventh chord

Press the root note together with the

nearest white and black keys to the left

of it (three keys altogether).

( )

CmM7

CM7

Csus4

Caug

CM7aug

C7aug

C7sus4

Csus2

Cdim

Cdim7

CmM7

(

)

CM7

(

)

Cm7

(

)

(

)

(

b13

)

Cm7

(

)

CM7

(

#11

)

(

)

(

)

(

)

(

)

(

)

(

#11

)

(

)

(

)

Cm6

Cm7

(

)

CM7

(

)

Cm7

(

)

CmM7

(

)

● How to play Standard Chords [Example for “C” chords]

* Notes enclosed in parentheses ( ) are optional; the chords

will be recognized without them.

DGX-620/520, YPG-625/525 Owner’s Manual 29

Using Songs

With this instrument the term “song” refers the data that makes up a

piece of music. You can simply enjoy listening to the 30 internal songs,

or use them with just about any of the many functions provided—the

performance assistant technology feature, lessons, and more. The

songs are organized by category.

In this section we’ll learn how to select and play songs, and brieﬂy

describe the 30 songs provided.

Press the [SONG] button

The song selection display will appear.

The currently selected song number and name will be highlighted.

Select a song.

Select a song after referring to the preset song category list on page 31.

Use the dial to select the song you want to listen to.

Listen Lesson Record

Song

Select and Listen to a Song

The currently selected song

number and name

•You can also play songs you

have recorded yourself (User

Songs) or songs that have been

transferred to the instrument

from a computer in the same

way that you play the internal

songs.

NOTE

The song highlighted here

can be played

Using Songs

30 DGX-620/520, YPG-625/525 Owner’s Manual

Listen to the song.

Press the [START/STOP] button to begin playback of the selected song.

You can stop playback at any time by pressing the [START/STOP] but-

ton again.

These are just like the transport controls on a cassette deck or CD player, letting you fast forward [FF],

rewind [REW] and pause [PAUSE] playback of the song.

001–030 Built in Songs (see next page)

031–035 User Songs (Songs you record yourself).

036–

Songs transferred from a computer (pages 102–104) or Songs in a

USB ﬂash memory connected to the instrument (page 91)

Song start!

Song Fast Forward, Fast Reverse, and Pause

PAUSE

Press the pause

button to pause

playback.

REW

Press the fast

reverse button to

rapidly return to an

earlier point in the

song.

Press the fast for-

ward button to rap-

idly skip ahead to

a later point in the

song.

• When an A-B repeat range is

speciﬁed the fast reverse and

forward function will only work

within that range.

NOTE

Using Songs

DGX-620/520, YPG-625/525 Owner’s Manual 31

● Song List

These 30 songs include songs that effectively demonstrate the instrument’s Easy Song Arranger feature,

songs that are ideally suited for use with the performance assistant technology feature, and more. The “Sug-

gested Uses” column provides some ideas as to how the songs can most effectively used.

: Includes chord data.

The scores for the internal songs—except for songs 1–11, and song 16, 20 and 30 which is copyrighted, are provided in the Song

Book on the CD-ROM. The scores for songs 9–11 are provided in this manual.

Some of the classic and/or traditional songs have been edited for length or for ease in learning, and may not be exactly the same

as the original.

Category No. Name Suggested Uses

Main Demo

1 Magnetic

The songs in this category have been created to

give you an idea of the advanced capabilities of this

instrument. They’re great for listening, or for use with

the various features.

2 Jessica

3 Winter Serenade

Voice Demo

4 Live! Grand Demo

These songs features some of the instrument’s

many useful voices. They make maximum use of the

characteristics of each voice, and might serve as

inspiration for your own compositions.

5 Live! Orchestra Demo

6 Cool! RotorOrgan Demo

7 Cool! Galaxy Electric Piano Demo

8 ModernHarp & Sweet Soprano Demo

Function Demo

9 Hallelujah Chorus

Use these songs to experience some of the

instrument’s advanced features: song number 9 for

the easy song arranger, and songs 10 and 11 for the

performance assistant technology feature.

10 Ave Maria

11 Nocturne op.9-2

Piano Solo

12 For Elise

These piano solo pieces are ideally suited for use as

lesson songs.

13 Maple Leaf Rag

14 Jeanie with the Light Brown Hair

Piano Ensemble

15 Amazing Grace

A selection of piano ensemble songs that are also

well suited for use as lesson songs.

Mona Lisa

(Jay Livingston and Ray Evans)

17 Piano Concerto No.21 2nd mov.

18 Scarborough Fair

19 Old Folks at Home

Piano Accompaniment

Ac Ballad

(Against All Odds: Collins 0007403)

When you need to practice backing

(accompaniment) patterns, these are the songs to

do it with. This is ability you’ll need if you’re invited to

play with a band. These songs allow you to practice

backing parts one hand at a time, which can be the

easiest way to master this important skill.

21 Ep Ballad

22 Boogie Woogie

23 Rock Piano

24 Salsa

25 Country Piano

26 Gospel R&B

27 Medium Swing

28 Jazz Waltz

29 Medium Bossa

SlowRock

(Can’t Help Falling In Love: George

David Weiss, Hugo Peretti and Luigi

Creatore)

CHORD

Using Songs

32 DGX-620/520, YPG-625/525 Owner’s Manual

The following three types of songs can be used by the DGX-620/520, YPG-625/525.

● Preset Songs (the 30 songs built into the instrument) ................Song numbers 001–030.

● User Songs (recordings of your own performances) ..................Song numbers 031–035.

● External song ﬁles (song data transferred from a computer*) ...Song numbers 036–.

* The Accessory CD-ROM includes a selection of 70 MIDI songs. See page 103 for instructions on how

to transfer the songs to the instrument.

The chart below shows the basic processes ﬂow for using the preset songs, user songs, and external song

ﬁles from storage to playback.

Types of Songs

Record

(page 56)

Connect

(page 97)

Transfer

(page 102)

Hint! : You can have some-

one play a piece and tempo-

rarily save it in a user bank

as a user song, then save it

as SMF format to the USB

memory from where it can

be used as a lesson song.

Your own

performance

Song Song

Computer USB ﬂash memory

Song Song Song

SMF conversion

Save

Play

DGX-620/520, YPG-625/525

Song Storage locations

Flash Memory USB

(036–)

User Songs

(031–035)

Preset Songs

(001–030)

The 30 songs built

into the instrument.

• User songs cannot produce score display as they are. If you convert a user song ﬁle

to SMF and save it to USB ﬂash memory, however, it becomes capable of producing

score display and can be used with the lesson features.

NOTE

• Different ﬂash memory areas are used to store user songs and external song ﬁles

transferred from a computer. User songs cannot be directly transferred to the exter-

nal song ﬁle ﬂash memory area, and vice versa.

NOTE

Using Songs

DGX-620/520, YPG-625/525 Owner’s Manual 33

This instrument is capable of display the scores of songs.

Scores are displayed for the 30 internal preset songs as well as songs stored in USB ﬂash memory or ﬂash

memory.

And although user songs you record yourself cannot display a score as is, they can be converted to SMF

(Standard MIDI File) format and stored to USB ﬂash memory, from where they can be played with score

display.

Select a song.

Follow steps 1 and 2 of the procedure described on page 29.

Press the [SCORE] button and a single-staff score will

appear.

There are two types of score display: single-staff and double-staff.

These are alternately selected each time the [SCORE] button is pressed.

Press the [START/STOP] button.

The song will begin playing. The triangular will move across the top of

the score to indicate the current location.

Press the [EXIT] button to return to the MAIN display.

Displaying the Song Score

• Both chords and lyrics will be

shown in single-staff score dis-

play of a song that includes

chord and lyric data.

• When there are many lyrics they

may be displayed in two rows a

measure.

• Some lyrics or chords may be

abbreviated if the selected song

has a lot of lyrics.

• Small notes that are hard to

read may be easier to read after

you use the quantize function

(page 89).

NOTE

Single-staff

Double-staff

Melody score

Marker

Chord

Lyrics

• No lyrics are shown in double-

staff.

NOTE

Using Songs

34 DGX-620/520, YPG-625/525 Owner’s Manual

If a song contains lyric data, the lyrics can be made to appear on the display.

No lyrics will be displayed for a song that contains no lyric data even if the [LYRICS] button is pressed.

Select a song.

Select a song between 16, 20, and 30 by performing steps 1 and 2

described on page 29.

Press the [LYRICS] button.

The title, lyricist, and composer of the song will appear on the display.

Press the [START/STOP] button.

The song will play back while the lyrics and chords are shown on the

display.

The lyrics will be highlighted to show the current location in the song.

■ Preset Songs That Can be Used For Lyrics Display

Number Name

016 Mona Lisa (Jay Livingston and Ray Evans)

020 Against all odds (Collins 0007403)

030 Can’t Help Falling In Love (George David Weiss, Hugo Peretti and Luigi Creatore)

Display the Lyrics

• If the lyrics display shows gar-

bled characters, try changing

the display language (page 14).

NOTE

• Songs downloaded from the

Internet or commercially avail-

able song ﬁles, including XF for-

mat ﬁles (page 6), are

compatible with the lyrics dis-

play features as long as they are

standard MIDI ﬁle format ﬁles

containing lyric data. Lyrics dis-

play may not be possible with

some ﬁles.

NOTE

Song title, lyricist,

and composer.

Lyrics and chord

display

DGX-620/520, YPG-625/525 Owner’s Manual 35

The Easy Way to Play Piano

This instrument includes a performance assistant technology feature

that lets you play along with a song and sound like a great pianist (even

though you might be making lots of mistakes)! In fact, you can play any

notes and still sound good! You could even just tap one key and the

results would be a beautiful melody. So even if you can’t play piano and

can’t read a note of music, you can have some musical fun.

Performance assistant technology offers four selectable types. Select the type that produces the best results

for you.

● Chord...................... No matter where or what you play, the result will be musical, well-bal-

anced sound. This type offers the greatest freedom, allowing you to play

anything with both your left and right hands.

● Chord/Free........... If you can play simple right-hand melodies but have trouble with left-

hand chords, this is the type for you. The Chord type applies to only the

left-hand section of the keyboard, allowing you to easily play chords to

support the melody you are playing with your right hand.

● Melody ................... This type lets you play the melody of the selected song by playing any

keys with just one ﬁnger. Start playing melodies right away, even if you’ve

never played a keyboard instrument before!

● Chord/Melody .... Play the melody of the selected song with one ﬁnger on the right-hand

section of the keyboard, and play chords on the left-hand section of the

keyboard using the Chord type.

Refer to page 44 for more information on using performance assistant technology to help you play.

Split point

Play your own melody with the right hand.

Split point

The Easy Way to Play Piano

36 DGX-620/520, YPG-625/525 Owner’s Manual

Press the [P.A.T. ON/OFF] button.

This turns on the performance assistant technology feature.

The indicator lights when the performance assistant technology feature

is on.

Select the CHORD type.

Press and hold the [P.A.T. ON/OFF] button for longer than a second so

that the performance assistant technology type appears. Select the

Chord type by using the dial.

Select a song.

Press the [SONG] button, and the Song Select display appears. Select a

song by using the dial. For this example try selecting the “010 Ave

Maria”.

When the Chord type is selected, features only available for this song

can be seen in the display!

● What is a Song?

You know the normal meaning of this word, but in this instrument the term

“Song” refers to the data that makes up a complete song. The performance

assistant technology features uses the chord and melody data, and should

always be used with a song (page 29).

CHORD Type—Play with Both Hands

Hold for longer than a second

Select Chord

• Using Songs (page 29)

NOTE

The song displayed here will

be played.

The Easy Way to Play Piano

DGX-620/520, YPG-625/525 Owner’s Manual 37

Press the [START/STOP] button.

Song playback will begin.

The basic pattern will play repeatedly. Listen to the basic pattern for

four measures while getting a feel for the basic pattern, then begin play-

ing yourself from the ﬁfth measure. The keys you should play will be

shown in the display.

Play on the keyboard.

Try playing the score on the left with both hands. You can even play the

same keys over and over: C, E, G, C, E, G, C, E. You’ll notice that at

measure ﬁve the notes will come out according to the score on the right.

Keep playing, and performance assistant technology Chord type will

continue to “correct” the notes that you play.

This is the performance assistant technology Chord type.

You can stop song playback at any time by pressing the [START/STOP]

button.

Press the [P.A.T. ON/OFF] button to turn the performance

assistant technology feature off.

Before After

• The score for Ave Maria is pro-

vided on page 120.

NOTE

The Easy Way to Play Piano

38 DGX-620/520, YPG-625/525 Owner’s Manual

Press the [P.A.T. ON/OFF] button.

This turns on the performance assistant technology feature.

The indicator lights when the performance assistant technology feature

is on.

Select the CHORD/FREE type.

Press and hold the [P.A.T. ON/OFF] button for longer than a second so

that the performance assistant technology type appears. Select the

Chord/Free type by using the dial.

Select a song.

Press the [SONG] button, and the Song Select display appears. Select a

song by using the dial. For this example try selecting the “011 Noc-

turne”.

CHORD/FREE Type—Applying the Chord Type to the Left Hand Only

Hold for longer than a second

Select

Chord/Free

• Using Songs (page 29)

NOTE

The song displayed here will

be played.

The Easy Way to Play Piano

DGX-620/520, YPG-625/525 Owner’s Manual 39

Press the [START/STOP] button.

Song playback will begin.

The left-hand keys you should play will be shown on the display.

Play on the keyboard.

Play to the right of the split point with your right hand, and to the left of

the split point with your left hand.

Play the Nocturne melody with your right hand. Continually play an F-

A-C arpeggio with your left hand as indicated by the score shown in the

display. Although you’re repeatedly playing the same notes with your

left hand, the actual notes produced will change to match the music.

This is the performance assistant technology Chord/Free type.

Press the [SCORE] button if you want to see the score for the right-hand

part in the display.

You can stop song playback at any time by pressing the [START/STOP]

button.

Press the [P.A.T. ON/OFF] button to turn the performance

assistant technology feature off.

Split point

With this type notes played on the

left-hand side of the split point will

actually sound an octave higher.

• The score for Nocturne is pro-

vided on page 122.

NOTE

The Easy Way to Play Piano

40 DGX-620/520, YPG-625/525 Owner’s Manual

See page 44 for some hints on how to play melodies.

Press the [P.A.T. ON/OFF] button.

This turns on the performance assistant technology feature.

The indicator lights when the performance assistant technology feature

is on.

Select the MELODY type.

Press and hold the [P.A.T. ON/OFF] button for longer than a second so

that the performance assistant technology type appears. Select the Mel-

ody type by using the dial.

Select a song.

Press the [SONG] button, and the Song Select display appears. Select a

song by using the dial.

MELODY Type—Play with One Finger

Select Melody

Hold for longer than a second

• Using Songs (page 29)

NOTE

The song displayed here will

be played.

The Easy Way to Play Piano

DGX-620/520, YPG-625/525 Owner’s Manual 41

Press the [START/STOP] button.

Song playback will begin.

Because the Melody type has been selected, the song melody will not

sound. You can enjoy playing the melody yourself (step 5).

Play on the keyboard.

To begin, try to feel the rhythm of the song. Then tap a key with one ﬁn-

ger of your right hand in time with the music. You can play any key. If

you want to play the melody with the melody score, press the [SCORE]

button to call up the melody score in the display.

How does it sound? You’ve played the melody using only one ﬁnger

thanks to the performance assistant technology Melody type!

You can stop song playback at any time by pressing the [START/STOP]

button.

Press the [P.A.T. ON/OFF] button to turn the performance

assistant technology feature off.

Song start!

Sounds like a

melody!

The Easy Way to Play Piano

42 DGX-620/520, YPG-625/525 Owner’s Manual

Press the [P.A.T. ON/OFF] button.

This turns on the performance assistant technology feature.

The indicator lights when the performance assistant technology feature

is on.

Select the CHORD/MELODY type.

Press and hold the [P.A.T. ON/OFF] button for longer than a second so

that the performance assistant technology type appears. Select the

Chord/Melody type by using the dial.

Select a song.

Press the [SONG] button, and the Song Select display appears. Select a

song by using the dial.

CHORD/MELODY—Chord Type with the Left Hand, Melody with the Right

Select

Chord/Melody

Hold for longer than a second

• Using Songs (page 29)

NOTE

The song displayed here will

be played.

The Easy Way to Play Piano

DGX-620/520, YPG-625/525 Owner’s Manual 43

Press the [START/STOP] button.

Song playback will begin.

The basic pattern will repeat. Listen to eight measures while memoriz-

ing the basic pattern. It’s your turn to play the part from the ninth mea-

sure.

Play on the keyboard.

Play to the right of the split point with your right hand, and to the left of

the split point with your left hand.

Play along with the rhythm of the song melody with your right hand.

You can play any keys as long as you’re playing to the right of the split

point. At the same time play accompaniment-like chords and phrases

with your left hand. No matter what you play, you’ll produce the song

melody with your right hand and beautiful chords and phrases with your

left hand.

This is the performance assistant technology Chord/Melody type.

If you want to play the melody with the melody score, press the

[SCORE] button to call up the melody score in the display.

You can stop song playback at any time by pressing the [START/STOP]

button.

Press the [P.A.T. ON/OFF] button to turn the performance

assistant technology feature off.

Split point

With this type notes played on the

left-hand side of the split point will

actually sound an octave higher.

The Easy Way to Play Piano

44 DGX-620/520, YPG-625/525 Owner’s Manual

Use the Performance Assistant to Play Like a Pro!

Here are a few hints for using the Chord type.

If you select Chord/Free or Chord/Melody, the left-hand section of the

keyboard becomes the Chord type section, so use these hints on the left-

hand section of the keyboard.

To begin, try to feel the rhythm of the song. Then, with your hands

spread as shown in the illustration, simply play the keyboard alternately

with your left and right hands (any notes will do).

How does it sound? You’ll get acceptable results no matter where you

play thanks to the performance assistant technology Chord type!

Next try the three playing methods illustrated below. Different ways of

playing produce different results.

Once you get a feel for it, try playing chords with your left hand and a

melody with your right ... or any other combination.

The chord information

included in the song is

displayed in the lower

area of the MAIN display.

You will get even better

results if you match your

left-hand rhythm to rhythm

of the chord indicator in

the display.

Sounds like you’re

playing the right

notes!

● Play with the left and right hands

at the same timing—type 1.

● Play with the left and right hands

at the same timing—type 2.

● Play alternately with the left

and right hands—type 3.

Play 3 notes at once

with your right hand.

Play 1 note at a time with your right

hand (for example: index ﬁnger

→

middle ﬁnger

→

ring ﬁnger).

Play 3 notes at once

with your right hand.

The Easy Way to Play Piano

DGX-620/520, YPG-625/525 Owner’s Manual 45

Make Use of the Score in the Melody Type.

If you want to play the melody with the correct rhythm, use the onscreen

score feature.

Displaying the Score.

After performing steps 1 to 4 on page 40, press the [SCORE] button.

The melody score will appear.

The marker will indicate the current position in the score during playback.

If you play a key each time the marker appears above a note in the score

you will be able to play the melody with the correct “original” rhythm.

● Songs That Can Be Used With the performance assistant technology.

When the Chord type is selected the performance assistant technology can only be used with songs that

include chord data. When the Melody type is selected the performance assistant technology will only

work with songs that include melody data. In order to ﬁnd out if a song includes the required data, ﬁrst

select the song and then press the [SCORE] button. If chords appear on the display when you press the

[SCORE] button you can use the Chord type or any combination type that includes the Chord type. If

melody appear on the display when you press the [SCORE] button you can use the Melody type or any

combination type that includes the Melody type.

● External Songs and the performance assistant technology.

Songs downloaded from the Internet can also be used with the performance assistant technology as

long as they include the required chord and/or melody data.

See page 103 for instructions on how to transfer the songs to the instrument.

Chord

Marker

Melody

Play while watching the

marker

The Easy Way to Play Piano

46 DGX-620/520, YPG-625/525 Owner’s Manual

When using the performance assistant technology or in other situations in which the tempo of the song is

too fast or too slow for you, you can change the tempo as required. Press the [TEMPO/TAP] button. The

tempo display will appear and you can use the dial, the [+] and [-] buttons, or the [0] to [9] number buttons

to set to tempo to anywhere from 011 and 280 quarter-note beats per minute.

You can return to the original tempo by simultaneously pressing the [+] and [-] buttons.

Press the [EXIT] button to return to the MAIN display.

You can use the performance assistant technology Chord type with the demo song (other types cannot be

used).

Press the [DEMO] button.

The demo display that introduces some of the instrument’s features will

appear, and the demo song will start playing. Listen to some of the out-

standing instrument voices provided!

Try playing the keyboard.

The following display will appear after the demo song has been playing

for a while.

This indicates that the performance assistant technology feature is now

ON, and you can start playing along on the keyboard.

After a little while, the performance assistant technology feature will

automatically be OFF, which is indicated on the display.

The demo song will automatically repeat from the beginning after it has

played all the way through.

You can stop demo playback at any time by pressing the [START/

STOP] button.

Change the Song Tempo

Play the Demo Song

DGX-620/520, YPG-625/525 Owner’s Manual 47

Select a Song For a Lesson

Yamaha Education Suite

You can select song you like and use it for a left-hand, right-hand, or

both-hands lesson. You can also use songs (only SMF format 0)

downloaded from the Internet and saved to ﬂash memory. (page 102)

During the lesson you can play as slowly as you like, and you can

even play wrong notes. Song playback will slow down to a speed you

can handle. It’s never too late to start learning!

Lesson Flow:

Select a song from the Piano Solo, Piano Ensemble category!

The practice methods:

● Lesson 1 ..............Learn to play the correct notes.

● Lesson 2 ..............Learn to play the correct notes with the correct timing.

● Lesson 3 ..............Learn to play the correct notes at the correct timing along with the song.

In this lesson, try playing the correct notes. Play the note shown in the display. The song will wait until you

play the right note.

Select a song for your lesson.

Press the [SONG] button, and rotate the dial to select the song you want

to use for your lesson. As listed on page 31 there are a variety of song

types.

Press [EXIT] button to return to the MAIN display.

Select the

song you want

to learn.

Select the part you want

to work on (right hand,

left hand, both ha

nds).

Select lesson

1, 2, or 3.

Lesson

start!

Lesson 1—Waiting

Select a Song For a Lesson

48 DGX-620/520, YPG-625/525 Owner’s Manual

Select the part you want to practice.

Press the [R] button for a right-hand lesson, [L] button for a left-hand

lesson, or press both the [R] and [L] buttons simultaneously for a both-

hands lesson. The currently selected part is shown in the upper right cor-

ner of the display.

Start Lesson 1.

Press the LESSON [START] button to select Lesson 1. Each time the

LESSON [START] button is pressed the lesson modes are selected in

sequence: Lesson 1 → Lesson 2 → Lesson 3 → Off → Lesson 1 ... An

explanation of the selected lesson will appear on the display for a few

seconds before the lesson begins.

Song playback will begin automatically when you select

Lesson 1.

Select R for right-hand lesson.

Select L for left-hand lesson.

Select LR for bothhands lesson.

• If the score display is not ready

by the time the explanation dis-

play disappears, prepare-in-

progress message will appear

on the display until the score is

ready.

NOTE

(Lesson 1)

(Lesson 2)

(Lesson 3)

(Song Lesson off)

In this case the “R1” indicates that right-

hand lesson 1 has been selected.

Select a Song For a Lesson

DGX-620/520, YPG-625/525 Owner’s Manual 49

Play the notes shown in the on-screen score. The next note to be played

is indicated by a dot (●) on the appropriate key of the graphic on-screen

keyboard. When you play the correct note the marker will move to the

next key to be played. Playback will pause and wait for you to play the

correct note. The triangular marker (▼) above the score indicates play-

back progress.

Stop the Lesson mode

You can stop the Lesson mode at any time by pressing the [START/

STOP] button.

Once you’ve mastered Lesson 1, move on to Lesson 2.

■See How You’ve Done ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

After the evaluation display has appeared, the lesson will start again

from the beginning.

● Shifting the keyboard left or right.

The hidden ( ) areas of the keyboard can be brought into view by

pressing the [+] or [-] button.

61 keys of the keyboard’s range are shown on the display. The DGX-620/

520 and YPG-625/525 actually have 88 keys. In some songs that include

very high or low notes, those notes may fall outside the displayed range and

may not be shown on the display. In such cases an “over” indicator appear

to the left or right of the graphic keyboard. Use the [+] or [-] button to shift

the keyboard left or right so you can see the notes (the ● marker will appear

on the appropriate key in the display). Notes that actually fall outside the

keyboard’s range cannot be used in the lesson.

Left-hand part Right-hand part

(In the case of a right-hand lesson)

▼ Marker

● Marker

The displayed range (61 keys)

Actual keyboard range (DGX-620/520, YPG-625/525 = 88 keys)

When the lesson song has played all the way

through your performance will be evaluated in 4

levels: OK, Good, Very Good, or Excellent.

“Excellent!” is the highest evaluation.

• The evaluation feature can be

turned off via the FUNCTION

Grade item (page 89).

NOTE

Select a Song For a Lesson

50 DGX-620/520, YPG-625/525 Owner’s Manual

Learn to play the correct notes with the correct timing. Song playback tempo will vary to match the speed

you are playing at. The song will slow down when you play wrong notes, so you can learn at your own

pace.

Select the song and part you want to practice (steps 1 and

3 on page 47).

Start Lesson 2.

Each time the LESSON [START] button is pressed the lesson modes are

selected in sequence: Lesson 1 → Lesson 2 → Lesson 3 → Off → Les-

son 1 ...

Song playback will begin automatically when Lesson 2 is

selected.

The triangular marker will appear in the score display, and will move to

indicate the current note in the song. Try to play the notes at the correct

timing. As you learn to play the right notes at the right timing the tempo

will increase until eventually you’ll be playing at the song’s original

tempo.

Stop the Lesson mode.

You can stop the Lesson mode at any time by pressing the [START/

STOP] button.

Once you’ve mastered Lesson 2, move on to Lesson 3.

Lesson 2—Your Tempo

In this case the “R2” indicates

that right-hand lesson 2 has

been selected.

Left-hand part Right-hand part

(In the case of a right-hand lesson)

Play while following the

score marker

Select a Song For a Lesson

DGX-620/520, YPG-625/525 Owner’s Manual 51

Here’s where you can perfect your technique. The song will play at the normal tempo, minus the part you

have chosen to play. Play along while listening to the song.

Select the song and part you want to practice (steps 1 and

3 on page 47).

Start Lesson 3.

Each time the LESSON [START] button is pressed the lesson modes are

selected in sequence: Lesson 1 → Lesson 2 → Lesson 3 → Off → Les-

son 1 ...

Song playback will begin automatically when Lesson 3 is

selected.

Play along while listening to the song. The score marker and keyboard

marker in the display will indicate the notes to play.

Stop the Lesson mode.

You can stop the Lesson mode at any time by pressing the [START/

STOP] button.

Lesson 3—Minus One

In this case the “R3” indicates

that right-hand lesson 3 has

been selected.

Left-hand part Right-hand part

(In the case of a right-hand lesson)

▼ Marker

● Marker

Select a Song For a Lesson

52 DGX-620/520, YPG-625/525 Owner’s Manual

Use this feature when you want to start again just ahead of a section on which you made a mistake, or to

repeatedly practice a section you ﬁnd difﬁcult.

Press the [REPEAT & LEARN] button during a lesson.

The song location will move back four measures from the point at

which you pressed the button, and playback will begin after a one-mea-

sure count-in. Playback will continue up to the point at which you

pressed the [REPEAT & LEARN] button, and then jump back four mea-

sures and begin again after a count-in. This process will repeat, so all

you have to do is press the [REPEAT & LEARN] button when you

make a mistake in order to repeat practice of that section until you get it

right

Practice Makes Perfect—Repeat and Learn

•You can change the number of

measures the Repeat and learn

function jumps back by pressing

a number button [1]–[9] during

repeat playback.

NOTE

Press imme-

diately

Oops!

A mistake!

e Jump back 4 measures and

repeat playback

Song playback

direction

DGX-620/520, YPG-625/525 Owner’s Manual 53

Play Using the Music Database

You want to play music in your favorite style, but you’re not sure how to

select the best voice and style for the type of music you want to play ...

simply select the appropriate style from the Music Database. The panel

settings will automatically be adjusted for the ideal combination of

sounds and style!

Press the [MUSIC DATABASE] button.

A Music Database list will appear in the display.

Select a Music Database.

Referring to the list on the panel or Music Database List on page 131 of

the manual, use the dial to select a music database. Select one that

matches the image of the song you intend to play.

For this example select the “115 DayOfW&R”.

Play the chords with your left hand and melody with your

right.

The jazz style will start playing when you play a left-hand chord to the

left of the split point (page 24). Refer to pages 26–28 for information

about playing chords.

If you press the [EXIT] button to return to the MAIN display at this

point you can check the assigned voice and style.

Press the [START/STOP] button to stop playback.

Split Point

54 DGX-620/520, YPG-625/525 Owner’s Manual

Change a Song’s Style

In addition to each song’s default style, you can select any other style to

play the song with the Easy Song Arranger feature. This means that you

can play a song that is normally a ballad, for example, as a bossa nova,

as a hip-hop tune, etc. You can create totally different arrangements by

changing the style with which a song is played.

You can also change the song’s melody voice and the keyboard voice for

a complete change of image.

You can try out the Easy Song Arranger feature using the internal Hallelujah Chorus song.

Press the [SONG] button and use the dial to select “009

Hallelujah Chorus.” Press the [START/STOP] button begin

playback of the song. An explanation of the Easy Song

Arranger feature will appear on the display.

As the song progresses the styles will change, changing the overall

image of the song.

Keep in mind that you can enjoy using Easy Song Arranger with other

songs as well—any songs that include chord data.

Press the [EASY SONG ARRANGER] button.

The Song Select display will appear. The currently selected song name

and number will be highlighted.

Select a Song.

Use the dial to select the song you want to arrange.

Try Out the Easy Song Arranger

• The score for Hallelujah Chorus

is provided on page 118.

NOTE

Using the Easy Song Arranger

The currently selected song

number and name are dis-

played here.

Change a Song’s Style

DGX-620/520, YPG-625/525 Owner’s Manual 55

Listen to the song.

Press the [START/STOP] button to begin playback of the song. Move

on to the next step while the song is playing.

Press the [EASY SONG ARRANGER] button.

The Style Select display will appear. The currently selected style name

and number will be highlighted.

Select a style.

Rotate the dial and listen to how the song sounds with different styles.

As you select different styles the song will remain the same while only

the styles change. When you have selected a suitable style move on to

the next step while the song is still playing (if you have stopped the

song, start it again by pressing the [START/STOP] button).

Select a voice part.

If you press and hold the [VOICE] button for longer than a second a

voice list will appear. The Melody R and Melody L displays will be

selected alternately each time you press the [VOICE] button.

Select a voice you want to play as a song melody.

Use the dial to change the melody voice. As you select different melody

voices the song will remain the same while only the melody voice

changes (if you have stopped the song, start it again by pressing the

[START/STOP] button).

• When playing song numbers

010, 011, and 020 to 030 while

using the Easy Song Arranger,

melody tracks will be automati-

cally muted and no melody will

sound. In order to hear the mel-

ody tracks you will need to press

the SONG MEMORY buttons [3]

to [5].

NOTE

Song start!

The currently selected style

number and name are dis-

played here.

• Because the Easy Song

Arranger uses song data you

can’t specify chords by playing

in the accompaniment range of

the keyboard. The [ACMP ON/

OFF] button will not function.

• If the time signature of the song

and style are different, the time

signature of the song will be

used.

NOTE

Hold for longer than a second

The Melody R and Melody

L displays will be selected

alternately each time you

press the [VOICE] button.

The currently selected mel-

ody voice will be displayed.

• The Difference Between

MELODY R and MELODY

L ...

Songs are a combination of a

melody and an auto-accompani-

ment style. Normally “melody”

refers to the right-hand part, but

in this instrument “melody” parts

are provided for both the right

and left hands. MELODY R is

the melody part played by the

right hand, and MELODY L is

the melody part played by the

left hand.

NOTE

56 DGX-620/520, YPG-625/525 Owner’s Manual

Record Your Own Performance

You can record up to 5 of your own performances and save them as

user songs 031 through 035. Once your performances have been saved

as user songs, they can be converted to SMF (Standard MID File) for-

mat ﬁles and saved to USB ﬂash memory (page 94) and used with

score display. So when inspiration strikes and you create a great mel-

ody, you can save it in both listenable and written score form.

■ Recordable Data

You can record to a total of 6 tracks: 5 melody tracks and 1 style (chord) track.

Each track can be recorded individually.

● Melody Track [1]–[5]...........Record the melody parts.

● Style Track [A] ....................Records the chord part.

To record your own performance, ﬁrst use the SONG MEMORY [1]–[5] and [A] buttons to specify the

track(s) you want to record on. The track you record on determines the part that plays back later.

• Up to approximately 10,000

notes can be recorded if you

record only to the melody

tracks. Up to approximately

5,500 chord changes can be

recorded if you record only to

the style track.

• User songs cannot display a

score as is, but they can be con-

verted to SMF (Standard MIDI

File) format and stored to USB

ﬂash memory (page 94), from

which they can be played with

score display.

NOTE

Track Configuration

• Track [1]—Will play back as the right-hand melody

part (MELODY R)

• Track [2]—Will play back as the left-hand melody

part (MELODY L)

• Tracks [3]–[5]—Will play back as “other” perfor-

mance data.

• Track [A]—Will play back as the Style (auto-accom-

paniment) part.

• The Difference Between MELODY R and MELODY L ...

Songs are a combination of a melody and an auto-accom-

paniment style. Normally “melody” refers to the right-hand

part, but in this instrument “melody” parts are provided for

both the right and left hands. MELODY R is the melody

part played by the right hand, and MELODY L is the mel-

ody part played by the left hand.

NOTE

Melody Chords

Specify

track(s) and

record

Tra ck

Right-hand

melody

Left-hand

melody

Other perfor-

mance data

Style

The parts played by each track

when a user song is played back.

Record Your Own Performance

DGX-620/520, YPG-625/525 Owner’s Manual 57

From the MAIN display press the [SONG] button, then use

the dial to select the user song number (031–035) you

want to record to.

Select the track(s) you want to record to and conﬁrm your

selection on the display.

◆ Record a Melody Track and the Accompaniment Track

Together

Press the melody track button [1]–[5] you want to record to while hold-

ing the [REC] button.

Next, press the [A] button while holding the [REC] button.

The selected tracks will be highlighted in the display.

◆ Record a Melody track

Press the melody track button [1]–[5] you want to record to while hold-

ing the [REC] button.

The selected track will be highlighted in the display.

To cancel recording to a selected track, press that track button a sec-

ond time. Style accompaniment cannot be turned on or off while

recording is in progress.

Recording Procedure

Rotate the dial to select a

song number between 031

and 035.

• If you record to track that con-

tains previously-recorded

data the previous data will be

overwritten and lost.

CAUTION

• Style accompaniment is auto-

matically turned on when you

select the style track [A] for

recording.

• Style accompaniment cannot

turned on or off while recording

is in progress.

NOTE

Press and hold

• If style accompaniment is on

and track [A] has not yet been

recorded, the style track [A] will

automatically be selected for

recording when a melody track

is selected. If you only want to

record a melody track, be sure

to turn the style track [A] off.

NOTE

Record Your Own Performance

58 DGX-620/520, YPG-625/525 Owner’s Manual

Recording will start when you play on the keyboard.

You can also start recording by pressing the [START/STOP] button.

The current measure will be shown on the display during recording.

Stop recording by pressing the [START/STOP] or [REC]

button.

If you press the [INTRO/ENDING/rit.] button while recording the style

track an appropriate ending pattern will play and then recording will

stop. When recording stops the current measure number will return to

001 and the recorded track numbers in the display will be shown in a

box border.

When the recording is done ...

◆ To Play Back a User Song

User songs are played back in the same way as regular songs (page 29).

1 Press the [SONG] button from the MAIN display.

2 The current song number/name will be highlighted—use the dial

to select the user song (031–035) you want to play.

3 Press the [START/STOP] button to start playback.

◆ To Save a User Song to USB ﬂash memory ➔ page 93

◆ To save a User Song to USB ﬂash memory in SMF format

➔ page 94.

● To Record Other Tracks

Repeat steps 2 through 4 to record any of the remaining tracks.

By selecting an unrecorded track—SONG MEMORY buttons [1]–[5],

[A]—you can record the new track while listening to previously recorded

tracks (the playback tracks will appear in the display). You can also mute

previously recorded tracks (the muted tracks will not appear in the display)

while recording new tracks.

● To Re-record a Track

Simple select the track you want to re-record for recording in the normal

way.

The new material will overwrite the previous data.

• If the memory becomes full dur-

ing recording a warning mes-

sage will appear and recording

will stop automatically. Use the

song clear or track clear (page

59) function to delete unwanted

data and make more room avail-

able for recording, then do the

recording again.

NOTE

Recording

starts

Current measure

Record Your Own Performance

DGX-620/520, YPG-625/525 Owner’s Manual 59

This function clears an entire user song (all tracks).

From the MAIN display select the user song (031–035) you

want to clear.

Press and hold the SONG MEMORY [1] button for longer

than a second while holding the SONG MEMORY [A] button.

A conﬁrmation message will appear on the display.

Press the [+] button.

A conﬁrmation message will appear on the display.

You can cancel the clear operation by pressing the [-] button.

Press the [+] button to clear the song.

The clear-in-progress message will appear brieﬂy on the display while

the song is being cleared.

● Data that cannot be recorded

• Split voice

• The following items are recorded at the beginning of the track. Changes

made during the song will not be recorded.

Reverb type, Chorus type, Time signature, Style number, Style volume,

Tempo (When the style track is recorded)

Song Clear—Deleting User Songs

• If you only want to clear a spe-

ciﬁc track from a user song use

the Track Clear function.

NOTE

Hold for longer than a second

Press and hold

•To execute the Song Clear func-

tion press the [+] button. Press

[-] to cancel the Song Clear

operation.

NOTE

Record Your Own Performance

60 DGX-620/520, YPG-625/525 Owner’s Manual

This function lets you delete a speciﬁed track from a user song.

From the MAIN display select the user song (031–035) you

want to clear.

Press and hold the SONG MEMORY track button ([1]–[5],

[A]) corresponding to the track you want to clear for

longer than a second.

A conﬁrmation message will appear on the display.

Press the [+] button.

A conﬁrmation message will appear on the display.

You can cancel the clear operation by pressing the [-] button.

Press the [+] button to clear the track.

The clear-in-progress message will appear brieﬂy on the display while

the track is being cleared.

Track Clear—Deleting a Specified Track from a User Song

Hold for longer than a second

•To execute the Track Clear func-

tion press the [+] button. Press

[-] to cancel the Track Clear

operation.

NOTE

DGX-620/520, YPG-625/525 Owner’s Manual 61

Backup and Initialization

The following settings are always backed up, and are maintained even when the power is turned off. If you

want to initialize the settings, use the Initialize operation as explained below.

Initialization. This function erases all backup data in the instrument’s ﬂash memory and restores the initial

default settings. The following initialization procedures are provided.

■Backup Clear ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

To clear data backed up to the internal ﬂash memory—panel user set-

ting, registration memory, user songs, style ﬁle—turn the power on by

pressing the [STANDBY/ON] switch while holding the highest white

key on the keyboard. The backed up data will be erased and the default

values restored.

■Flash Clear ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

To clear song data and style ﬁles that have been transferred to the inter-

nal ﬂash memory from a computer, turn the power on by pressing the

[STANDBY/ON] switch while simultaneously holding the highest

white key on the keyboard and the three highest black keys.

● The Backup Parameters

• User Songs

• Style Files

•Registration Memory

• FUNCTION Settings: Tuning, Split Point, Touch Sensitivity, Style Volume, Song Volume,

Metronome Volume, Grade, Demo Cancel, Language Selection,

Panel Sustain, Master EQ type, Chord Fingering

Backup

Initialization

• When you execute the Flash

Clear operation, song data

you have purchased will also

be cleared. Be sure to save

data you want to keep to a

computer.

CAUTION

62 DGX-620/520, YPG-625/525 Owner’s Manual

Basic Operation

Overall DGX-620/520, YPG-625/525 control is based on the following simple operations.

1 Press a button to select a basic function.

Basic Operation

1 Press a button to select a basic function.

2 Use the dial to select an item or value.

3 Start a function.

Display (pages 64, 65)

● Volume Adjustment

Adjusts the volume of the sound heard via the

instrument’s speakers or a pair of headphones

plugged into the PHONES jack.

Rotate counter-

clockwise to lower

the volume.

Rotate clockwise to

increase the vol-

ume.

3 Start a function. 2 Select an item or value.1 Select a basic function.

Select a song you want to listen to or a song you want to use for a lesson.

Select an auto-accompaniment style.

Select a voice you want to play on the keyboard.

Basic Operation

DGX-620/520, YPG-625/525 Owner’s Manual 63

2 Use the dial to select an item or value

When you select a basic function, the item corresponding to that function will be listed in the display.

You can then use the dial or the number buttons [0]–[9] to select the desired item.

■Changing Values ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

3 Start a function.

This is the [START/STOP] button.

Press the [START/STOP] button after pressing the [SONG] or [STYLE]

button to start playback of the selected song or style (rhythm).

The currently selected item is high-

lighted in the display. In this example the

[VOICE] button has been pressed.

● Dial

Rotate the dial clockwise to

increase the value of the selected

item, or counterclockwise to

decrease it’s value. Rotate the dial

continuously to continuously

increase or decrease the value.

● [+] and [-] Buttons

Press the [+] button brieﬂy to incre-

ment the value by 1, or press the [-]

button brieﬂy to decrement the

value by 1. Press and hold either

button to continuously increment or

decrement the value in the corre-

sponding direction.

● Number Buttons [0]–[9]

The number buttons can be used to directly enter a song num-

ber or parameter value.

Hundreds or tens digits that are “0” can be omitted (see

below).

Decrease Increase

Press brieﬂy

to decre-

ment.

Press brieﬂy

to incre-

ment.

Example: Song number “003”

can be entered in three ways.

• [0] → [0] → [3]

• [0] → [3]

(“003” will appear on the dis-

play after a brief delay)

• [3]

(“003” will appear on the dis-

play after a brief delay)

Press number buttons

[0], [0], [3].

● CATEGORY [ ] and [ ]

buttons

When selecting a song, style, or voice,

you can use these buttons to jump to the

ﬁrst item in the next or previous cate-

gory.

The CATEGORY [ ] and [ ] buttons are useful for select-

ing categorized items, as in the example below.

Example: VOICE SELECT Display

In a display in which a category appears, selection is easy if

you ﬁrst use the CATEGORY [ ] and [ ] buttons to select

the category containing the desired item, then use the dial or

[+] and [-] buttons to select the item. This can be particularly

handy when you have to select from a large number of voices.

Jump to the ﬁrst item

in the next or previ-

ous category.

The ﬁrst voice in the selected

category is selected.

Select the category shown

here.

CATEGORY button [ ] mark.

In most procedures described throughout this owner’s

manual the dial is recommended for selection simply

because it is the easiest and most intuitive selection

method. Please note however, that most items or values

that can be selected using the dial can also be selected

using the [+] and [-] buttons.

Basic Operation

64 DGX-620/520, YPG-625/525 Owner’s Manual

● Display Names

All operations are carried out while watching the display. A number of display types are provided for differ-

ent modes and functions. The name of the current display appears at the top of the display.

● MAIN Display

● FUNCTION Display (page 87)

The FUNCTION display provides access to 46 utility functions.

The FUNCTION display appears when the [FUNCTION] button is pressed. In the FUNCTION display you

can use the CATEGORY [ ] and [ ] buttons (page 63) to select 46 different groups of functions. Press the

CATEGORY button(s) as many times as necessary until the required function appears. You can then use the

dial, the [+] and [-] buttons, or the number [0]–[9] buttons to adjust the value of the function as required.

To Return To the MAIN Display

Most basic operations are carried out from the instrument’s MAIN

display.

You can return to the MAIN display from any other display by pressing the

[EXIT] button near the lower right corner of the display panel.

The “Press & Hold” Symbol

The “ ” symbol that appears next to some buttons indicates that

the button can be pressed and held for longer than a second to call

up a related function. This provides convenient direct access to a

range of functions.

The Displays

Title

Function item

Value

Basic Operation

DGX-620/520, YPG-625/525 Owner’s Manual 65

The MAIN display shows all of the current basic settings: song, style, voice.

It also includes a range of indicators that show the on/off status of a range of functions.

MAIN Display Items

* Adjust the LCD CONTRAST control on

the rear panel of the instrument for opti-

mum display legibility.

Transpose

Tempo

A-B Repeat

Appears when repeat

playback is engaged.

Measure Number

Function ON/Off Icons

Dual

Appears when the Dual Voice is

on. When this icon is showing a

second voice is “layered” on and

played with the main voice.

Split

Appears when the Split Voice is

on. When this icon is showing

different voices can be played to

the left and right of the keyboard

split point.

Performance assistant technology

Appears when the performance

assistant technology is on.

Harmony

Appears when Harmony is on.

When this icon is showing har-

mony notes will be added to the

main voice.

File Control

When this icon is showing you

can control ﬁle operations.

Chord

Display

Style (Auto-accompaniment)

Status (page 24)

Appears when the [ACMP ON/

OFF] button is pressed to turn

accompaniment on after selecting

a style. When showing the key-

board range to the left of the split

point is used for accompaniment

chord recognition.

Appears when the synchro-stop

function is engaged.

The style pattern name.

Registration Memory

Status (page 85)

Shows the selected bank

number.

Shows the memory num-

bers that contain data. A

border appears around

the selected number.

Song Track Status

(pages 56, 84)

Highlighted during user song

recording.

The track(s) selected for

recording are highlighted dur-

ing user-song recording. Only

tracks that contain data are dis-

played. A border appears

around a selected track that

contains data. No border

appears around a Muted track.

66 DGX-620/520, YPG-625/525 Owner’s Manual

Play with a Variety of Effects

This feature adds harmony notes to the main voice.

Press the [HARMONY ON/OFF] button

to turn Harmony feature on.

To turn Harmony off, press the [HARMONY

ON/OFF] button again.

Press and hold the [HARMONY] button

for longer than a second.

The currently selected harmony type will be

displayed.

Use the dial to select a harmony type.

Refer to the

Effect Type List

on page 133 for

information about the available harmony types.

Try playing the keyboard with the harmony

function. The effect and operation of each Har-

mony Type is different-refer to the below section

“How to sound each Harmony Type” as well as

the Effect Type List for details.

Adding Harmony

When harmony

is on the har-

mony icon will

appear in the

display.

• When you press the [HARMONY ON/OFF] button to turn this feature

on, the appropriate harmony type for the currently selected main

voice is automatically selected.

NOTE

Hold for longer than

a second.

The currently selected harmony type

• The harmony notes can be added only to the Main Voice, not to Dual

or Split Voices.

• The keys left of the Split Point of the keyboard produce no harmony

notes when the auto accompaniment is on (ACMP ON is lit).

NOTE

● How to sound each Harmony Type

• Harmony type 01 to 05

• Harmony type 06 to 12 (Trill)

Press the right-hand keys while playing chords in the

auto accompaniment range of the keyboard when the

Auto Accompaniment is on (page 24).

Hold down two

keys.

• Harmony type 13 to 19 (Tremolo)

• Harmony type 20 to 26 (Echo)

You can adjust the Harmony Volume in the Function

Settings (page 89).

Keep holding

down the keys.

Keep holding

down the keys.

Reference

DGX-620/520, YPG-625/525 Owner’s Manual 67

Play with a Variety of Effects

Reverb lets you play with a rich concert hall type ambience.

When you select a style or song the optimum reverb type for the voice used is automatically selected. If you

want to select a different reverb type, use the procedure described below. Refer to the Effect Type List on

page 133 for information about the available reverb types.

Press the [FUNCTION] button to call up

the FUNCTION display.

Use the CATEGORY [ ] and [ ] but-

tons to select the Reverb Type item.

Use the dial to select a reverb type.

You can check how the selected reverb type

sounds by playing on the keyboard.

Refer to the Effect Type List on page 133 for

information about the available reverb types.

● Adjusting the Reverb Level

You can individually adjust the amount of reverb

that is applied to the main, dual, and split voices.

(See page 88).

Adding Reverb

Reverb Type item

Selected reverb type.

68 DGX-620/520, YPG-625/525 Owner’s Manual

Play with a Variety of Effects

The chorus effect creates a thick sound that is similar to many of the same voices being played in unison.

When you select a style or song the optimum chorus type for the voice used is automatically selected. If

you want to select a different chorus type, use the procedure described below.

Press the [FUNCTION] button to call up

the FUNCTION display.

Use the CATEGORY [ ] and [ ] but-

tons to select the Chorus Type item.

Use the dial to select a chorus type.

You can check how the selected chorus type

sounds by playing on the keyboard.

● Adjusting the Chorus Level

You can individually adjust the amount of chorus

that is applied to the main, dual, and split voices.

(See page 88).

Adding Chorus

Chorus Type item

Selected chorus type.

DGX-620/520, YPG-625/525 Owner’s Manual 69

Play with a Variety of Effects

This function adds sustain to the keyboard voices. Use it when you want to add sustain to the voices at all

times, regardless of footswitch operation. The sustain function does not affect split voice.

Press the [FUNCTION] button to call up

the FUNCTION display.

Use the CATEGORY [ ] and [ ] but-

tons to select the Sustain item.

The current setting is displayed.

You can then use the [+] and [-] buttons

to turn panel sustain on or off.

The pitch bend wheel can be used to add smooth pitch variations to notes you play on the keyboard. Roll

the wheel upward to raise the pitch, or downward to lower the pitch.

If you use this feature with a voice such as the “045 Overdriven” guitar voice (page 15), you can produce

remarkably realistic string-bending effects.

You can change the amount of pitch bend produced by the wheel, as described on page 88.

Panel Sustain

• The sustain of some voices may not be markedly affected when the

panel sustain function is turned on.

NOTE

Pitch Bend

70 DGX-620/520, YPG-625/525 Owner’s Manual

Handy Performance Features

You can start the song/style by simply tapping the [TEMPO/TAP] button at the required tempo—4 times

for time signatures in 4, and three times for time signatures in 3. You can change the tempo during song

playback by pressing the button just twice.

You can adjust the keyboard’s sensitivity to dynamics in three steps.

Press the [FUNCTION] button.

The currently selected function will appear in

the display.

Use the CATEGORY [ ] and [ ] but-

tons to select the Touch Sensitivity

item.

The currently selected touch sensitivity will be

displayed.

Use the dial to select a touch sensitivity

setting between 1 and 3. Higher values

produce greater (easier) volume varia-

tion in response to keyboard dynamics

—i.e. greater sensitivity.

A setting of “4” results in a ﬁxed touch

response, or no level change no matter how

hard or how soft you play the keys.

Tap Start

Touch Response Sensitivity

Touch Sensitivity item

• The initial default touch sensitivity setting is “2”.

NOTE

DGX-620/520, YPG-625/525 Owner’s Manual 71

Handy Performance Features

Sometimes selecting the ideal voice to play with a song or style can be confusing. The One Touch Setting

feature automatically selects a well-balanced voice for you when you select a style or song. Simply select

voice number “000” to activate this feature.

Select voice number “000” (steps 1 to 2

on page 15).

Select and play back any song (steps 1

to 3 on page 29).

Play the keyboard and remember the

sound of the voice.

If you have stopped playback at some point

during this procedure press the [START/STOP]

button to start playback again.

Use the dial to change songs, then play

the keyboard and listen to the voice.

You should hear a different keyboard voice

than you played in step 3. Watch the display

while changing songs and you will see that dif-

ferent voices are selected for each song.

One Touch Setting

Use the dial to select

voice number 000.

72 DGX-620/520, YPG-625/525 Owner’s Manual

Handy Performance Features

Five different master equalizer (EQ) settings are provided to give you the best possible sound when listen-

ing through different reproduction systems—the instrument’s internal speakers, headphones, or an external

speaker system.

Press the [FUNCTION] button.

The currently selected function will appear in

the display.

Press the CATEGORY [ ] and [ ] but-

tons as many times as necessary to

select the master EQ type function

“Master EQ Type”.

The currently selected EQ type will appear.

Use the dial to select the desired Master

EQ setting.

Five settings are available: 1–5. Settings 1 and

2 are best for listening via the instrument’s

built-in speakers, setting 3 is for headphones,

and settings 4 and 5 are ideal for listening via

external speakers.

Select an EQ Setting for the Best Sound

The currently selected

master EQ type.

DGX-620/520, YPG-625/525 Owner’s Manual 73

Handy Performance Features

◆ Large Pitch Changes (Transpose)

The overall pitch of the instrument can by shifted

up or down by a maximum of 1 octave in semitone

increments.

Press the [FUNCTION] button.

Use the CATEGORY [ ] and [ ] but-

tons to select the Transpose item.

Use the dial to set the transpose value

between -12 and +12 as required.

◆ Small Pitch Changes (Tuning)

The overall tuning of the instrument can by shifted

up or down by a maximum of 100 cents in 1-cent

increments (100 cents = 1 semitone).

Press the [FUNCTION] button.

Use the CATEGORY [ ] and [ ] but-

tons to select the Tuning item.

Use the dial to set the tuning value

between -100 and +100 as required.

Pitch Controls

Transpose item

Can be set between -12 and +12

• The pitch of Drum Kits voices cannot be changed.

NOTE

Can be set between -100 and +100

Tuning item

• The pitch of Drum Kits voices cannot be changed.

NOTE

74 DGX-620/520, YPG-625/525 Owner’s Manual

Style (Auto-accompaniment) Functions

Basic operation of the Style (auto-accompaniment) feature is described on page 23 of

the Quick Guide.

Here are some other ways you can play the styles, the style volume adjustment proce-

dure, how you can play chords using the styles, and more.

The DGX-620/520, YPG-625/525 features a wide variety of style “sections” that allow you to vary the

arrangement of the accompaniment to match the song you are playing.

● INTRO section

This is used for the beginning of the Song. When the intro ﬁnishes playing, accompaniment shifts to the

main section. The length of the intro (in measures) differs depending on the selected Style.

● MAIN section

This is used for playing the main part of the Song. It plays a main accompaniment pattern, and repeats

indeﬁnitely until another section’s button is pressed. There are two variations on the basic pattern (A

and B), and the Style playback sound changes harmonically based on the chords you play with your left

hand.

● Fill-in section

This is automatically added before changing to section A or B.

● ENDING section

This is used for the ending of the Song. When the ending is ﬁnished, the auto accompaniment stops

automatically. The length of the ending (in measures) differs depending on the selected Style.

Pattern Variation (Sections)

Main A/BIntro

Auto ﬁllEnding

DGX-620/520, YPG-625/525 Owner’s Manual 75

Style (Auto-accompaniment) Functions

Press the [STYLE] button and then

select a style.

Press the [ACMP ON/OFF] button to

turn auto accompaniment on.

Press the [SYNC START] button to turn

synchro start on.

Press the [MAIN/AUTO FILL] button.

Press the [INTRO/ENDING/rit.] button.

You’re now ready to play the intro.

As soon as you play a chord with your

left hand, the Intro of the selected Style

starts.

For this example, play a C major chord (as

shown below). For information on how to enter

chords, see “Playing Auto-accompaniment

Chords” on page 28.

● Synchro Start

When the synchro start standby mode is engaged,

style playback will begin as soon as you play a

chord in the accompaniment range of the

keyboard. You can disengage the synchro-start

standby mode by pressing the [SYNC START]

button again.

Appears when auto

accompaniment is on.

The indicator will ﬂash when the

synchro start standby mode will

be engaged.

The name of the selected sec-

tion—MAIN A or MAIN B—will

be displayed.

Split point

Accompaniment range

76 DGX-620/520, YPG-625/525 Owner’s Manual

Style (Auto-accompaniment) Functions

Press the [MAIN/AUTO FILL] button.

When the ﬁll-in is ﬁnished, it leads smoothly

into the selected main section A/B.

Press the [INTRO/ENDING/rit.] button.

This switches to the ending section.

When the ending is ﬁnished, the auto accompa-

niment stops automatically. You can have the

ending gradually slow down (ritardando) by

pressing the [INTRO/ENDING/rit.] button

again while the ending is playing back.

● Synchro Stop

When this function is selected the accompaniment

style will only play while you are playing chords

in the accompaniment range of the keyboard.

Style playback will stop when you release the

keys. To turn the function on, press the [SYNC

STOP] button.

The style will play

while you are playing

the keys

Style playback will

stop when you

release the keys

DGX-620/520, YPG-625/525 Owner’s Manual 77

Style (Auto-accompaniment) Functions

The initial default split point is key number 54 (the F#2 key), but you can change it to another key using the

procedure described below.

Press the [FUNCTION] button.

Use the CATEGORY [ ] and [ ] but-

tons to select the Split point item.

Use the dial to set the split point to any

key from 000 (C-2) through 127 (G8).

Setting the Split Point

Split point (54 : F#2)

Main voice

Split voice

• When you change the split point the auto-accompaniment split point

also changes.

• The split point cannot be changed during a song lesson.

• The split voice sounds when the split-point key is played.

NOTE

•You can also access the Split Point item by pressing the [FUNCTION]

button and using the CATEGORY [ ] and [ ] buttons to locate the

item (page 87).

NOTE

78 DGX-620/520, YPG-625/525 Owner’s Manual

Style (Auto-accompaniment) Functions

When auto accompaniment is on (the ACMP ON icon is showing) and Synchro Start is off, you can play

chords in the left-hand accompaniment range of the keyboard while the style is stopped and still hear the

accompaniment chords. This is “Stop Accompaniment”, and any of the chord ﬁngerings recognized by the

instrument can be used (page 28).

Press the [ACMP ON/OFF] button to turn

auto accompaniment on after pressing the

[STYLE] button.

Press the [STYLE] button to engage the

style function.

Press the [FUNCTION] button.

Use the CATEGORY [ ] and [ ] but-

tons to select the Style Volume item.

Use the dial to set the style volume

between 000 and 127.

Play a Style with Chords but No Rhythm (Stop Accompaniment)

Appears when auto

accompaniment is

Accompaniment range

Adjusting the Style Volume

DGX-620/520, YPG-625/525 Owner’s Manual 79

Style (Auto-accompaniment) Functions

Two or more notes played together constitute a “chord”.

The most basic chord type is the “triad” consisting of three notes: the

root, third, and ﬁfth degrees of the corresponding scale. A C major triad,

for example, is made up of the notes C (the root), E (the third note of the

C major scale), and G (the ﬁfth note of the C major scale).

In the C major triad shown above, the lowest note is the “root” of the

chord (this is the chord’s “root position” ... using other chord notes for

the lowest note results in “inversions”). The root is the central sound of the chord, which supports and

anchors the other chord notes.

The distance (interval) between adjacent notes of a triad in root position is either a major or minor third.

The lowest interval in our root-position triad (between the root and the third) determines whether the triad

is a major or minor chord, and we can shift the highest note up or down by a semitone to produce two addi-

tional chords, as shown below.

The basic characteristics of the chord sound remain intact even if we change the order of the notes to create

different inversions. Successive chords in a chord progression can be smoothly connected, for example, by

choosing the appropriate inversions (or chord “voicings”).

● Reading Chord Names

Chord names tell you just about everything you need to know about a chord

(other than the inversion/voicing). The chord name tells you what the root of the

chord is, whether it is a major, minor, or diminished chord, whether it requires a

major or ﬂatted seventh, what alterations or tensions it uses ... all at a glance.

● Some Chord Types (These are just some of the “Standard” chord types recognized by the DGX-620/520, YPG-625/525.)

Chord Basics

3rd

Root

Major third–four half steps (semitones) Minor third–three half steps (semitones)

CM Cm Caug Cdim

Major chord

Minor 3rd

Major 3rd

Minor 3rd

Major 3rd

Minor 3rd

Minor chord Augmented chord Diminished chord

Root note Chord type

Csus4 C7 Cm7 CM7

(

)

Cm7

(

)

C7sus4

CmM7

Perfect 5

Perfect 4

Flatted 7

Major chord Flatted 7

Minor chord Major 7

Major chord

Major 7

Minor chord Flatted 5

chord

Flatted 5

Minor 7

chord

Flatted 7

Suspended

chord

Suspended 4

Minor 7

Major 7

, suspended 4

Minor 7

, ﬂatted 5

Minor/major 7

80 DGX-620/520, YPG-625/525 Owner’s Manual

Style (Auto-accompaniment) Functions

■Recognized Standard Chords● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

All chords in the chart are “C-root” chords.

* These chords are not shown in the Dictionary function.

Chord Name/[Abbreviation] Normal Voicing Chord (C) Display

Major [M] 1 - 3 - 5 C

Add ninth [(9)] 1 - 2 - 3 - 5 C

Sixth [6] 1 - (3) - 5 - 6 C6

Sixth ninth [6(9)] 1 - 2 - 3 - (5) - 6 C6

Major seventh [M7]

1 - 3 - (5) - 7 or

1 - (3) - 5 - 7

CM7

Major seventh ninth [M7(9)] 1 - 2 - 3 - (5) - 7 CM7

Major seventh add sharp eleventh [M7(#11)]

1 - (2) - 3 - #4 - 5 - 7 or

1 - 2 - 3 - #4 - (5) - 7

CM7

#11

Flatted ﬁfth [(b5)] 1 - 3 - b5C

Major seventh ﬂatted ﬁfth [M7b5] 1 - 3 - b5 - 7 CM7

Suspended fourth [sus4] 1 - 4 - 5 Csus4

Augmented [aug] 1 - 3 - #5Caug

Major seventh augmented [M7aug] 1 - (3) - #5 - 7 CM7aug *

Minor [m] 1 - b3 - 5 Cm

Minor add ninth [m(9)] 1 - 2 - b3 - 5 Cm9

Minor sixth [m6] 1 - b3 - 5 - 6 Cm6

Minor seventh [m7] 1 - b3 - (5) - b7Cm7

Minor seventh ninth [m7(9)] 1 - 2 - b3 - (5) - b7Cm7

Minor seventh add eleventh [m7(11)] 1 - (2) - b3 - 4 - 5 - (b7) Cm7

Minor major seventh [mM7] 1 - b3 - (5) - 7 CmM7

Minor major seventh ninth [mM7(9)] 1 - 2 - b3 - (5) - 7 CmM7

Minor seventh ﬂatted ﬁfth [m7b5] 1 - b3 - b5 - b7Cm7

Minor major seventh ﬂatted ﬁfth [mM7b5] 1 - b3 - b5 - 7 CmM7

Diminished [dim] 1 - b3 - b5Cdim

Diminished seventh [dim7] 1 - b3 - b5 - 6 Cdim7

Seventh [7]

1 - 3 - (5) - b7 or

1 - (3) - 5 - b7

Seventh ﬂatted ninth [7(b9)] 1 - b2 - 3 - (5) - b7C7

Seventh add ﬂatted thirteenth [7(b13)] 1 - 3 - 5 - b6 - b7C7

b13

Seventh ninth [7(9)] 1 - 2 - 3 - (5) - b7C7

Seventh add sharp eleventh [7(#11)]

1 - (2) - 3 - #4 - 5 - b7 or

1 - 2 - 3 - #4 - (5) - b7

#11

Seventh add thirteenth [7(13)] 1 - 3 - (5) - 6 - b7C7

Seventh sharp ninth [7(#9)] 1 - #2 - 3 - (5) - b7C7

Seventh ﬂatted ﬁfth [7b5] 1 - 3 - b5 - b7C7

Seventh augmented [7aug] 1 - 3 - #5 - b7C7aug

Seventh suspended fourth [7sus4] 1 - 4 - (5) - b7C7sus4

Suspended second [sus2] 1 - 2 - 5 Csus2 *

(

)

(

)

CM7

(

)

CM7

(

#11

)

(

)

CM7

(

)

Csus4

Caug

CM7aug

(

)

Cm6

Cm7

(

)

Cm7

(

)

CmM7

(

)

Cm7

(

)

CmM7

(

)

Cdim

Cdim7

(

)

(

b13

)

(

)

(

#11

)

(

)

(

)

C7b5

C7aug

C7sus4

Csus2

• Notes in parentheses can be omitted.

• Playing two same root keys in the adjacent octaves produces accompa-

niment based only on the root.

•A perfect ﬁfth (1 + 5) produces accompaniment based only on the root

and ﬁfth which can be used with both major and minor chords.

• The chord ﬁngerings listed are all in “root” position, but other inversions

can be used—with the following exceptions: m7, m7

5, 6, m6, sus4,

aug, dim7, 7

5, 6(9), sus2.

NOTE

•Inversion of the 7sus4 and m7(11) chords are not recognized if the

notes shown in parentheses are omitted.

• The auto accompaniment will sometimes not change when related

chords are played in sequence (e.g. some minor chords followed by the

minor seventh).

•Two-note ﬁngerings will produce a chord based on the previously played

chord.

NOTE

DGX-620/520, YPG-625/525 Owner’s Manual 81

Style (Auto-accompaniment) Functions

This instrument features 150 internal styles, but other styles, such as those provided on the CD-ROM and

others that can be obtained from the internet (only styles with the “.sty” sufﬁx), can be loaded into style

number 151 and used in the same way as the internal styles. For details on loading the style ﬁle, see “Load-

ing User Files and Style Files” on page 95.

In order to load a style ﬁle it is necessary to ﬁrst either transfer the style ﬁle to the instrument from a com-

puter, or connect a USB ﬂash memory containing the style ﬁle to the USB TO DEVICE connector. Refer to

“Transferring Performance Data to and from a Computer” on page 100 for details on the ﬁle transfer proce-

dure. If you use a USB ﬂash memory refer to “Loading User Files and Style Files” on page 95.

In “Play Along with a Style” on page 24 we described a method of playing styles in which chords were

detected only to the left of the keyboard split point. By making the settings described below, however,

chord detection for style accompaniment occurs over the entire range of the keyboard, allowing for even

more dynamic style performance. In this mode only chords played in the normal way (page 28) can be

detected.

Press the [CHORD FINGERING] button

to select the function “Chord Finger-

ing”.

Use the dial to select 2 “FullKeyboard”.

Style File

Playing Styles Using the Entire Keyboard

82 DGX-620/520, YPG-625/525 Owner’s Manual

Style (Auto-accompaniment) Functions

The Dictionary function is essentially a built-in “chord book” that shows you the individual notes of chords.

It is ideal when you know the name of a certain chord and want to quickly learn how to play it.

Press and hold the LESSON [START]

button for longer than a second.

As an example, we’ll learn how to play a

GM7 (G major seventh) chord. Press the

“G” key in the section of the keyboard

labeled “ROOT”. (The note doesn’t

sound.) The root note you set is shown

in the display.

Press the “M7” (major seventh) key in

the section of the keyboard labeled

“CHORD TYPE”. (The note doesn’t

sound.) The notes you should play for

the speciﬁed chord (root note and

chord type) are shown in the display,

both as notation and in the keyboard

diagram.

To call up possible inversions of the chord,

press the [+]/[-] buttons.

Try playing a chord in the auto accom-

paniment section of the keyboard,

checking the indications in the display.

When you’ve played the chord properly,

a bell sound signals your success and

the chord name in the display ﬂash.

Press the [EXIT] button to return to the MAIN

display.

Looking Up Chords Using the Chord Dictionary

Hold for longer than a second

Notation of chord Chord name (root and type)

Individual notes of chord (keyboard)

• About major chords: Simple major chords are usually indicated only

by the root note. For example, “C” refers to C major. However, when

specifying major chords here, make sure to select “M” (major) after

pressing the root note.

• Be aware that the chord types explained here are the left-hand

notes applied to various styles and different from the one for the per-

formance assistant technology feature.

NOTE

DGX-620/520, YPG-625/525 Owner’s Manual 83

Song Settings

Press the [FUNCTION] button.

Use the CATEGORY [ ] and [ ] but-

tons to select the Song Volume item.

Use the dial to set the song volume

between 000 and 127.

You can specify a section of a song—“A” is the

start point and “B” is the end point—for repeat

playback.

Play the song (page 29) and press the

[A-B REPEAT] button at the beginning

of the section you want to repeat (the

“A” point).

Press the [A-B REPEAT] button a sec-

ond time at the end of the section you

want to repeat (the “B” point).

The speciﬁed A-B section of the song

will now play repeatedly.

You can stop repeat playback at any time by

pressing the [A-B REPEAT] button.

Song Volume

Can be set between 000 and 127

Song volume item

• Song volume can be adjusted while a song is selected.

NOTE

A-B Repeat

• The repeat start and end points can be speciﬁed in one-measure

increments.

• The current measure number is shown in the display during play-

back.

• If you want to set the start point “A” at the very beginning of the song

press the [A-B REPEAT] button before starting playback of the song.

NOTE

84 DGX-620/520, YPG-625/525 Owner’s Manual

Song Settings

Each “track” of a song plays a different part of the

song—melody, percussion, accompaniment, etc.

You can mute individual tracks and play the muted

part on the keyboard yourself, or simply mute

tracks other than the ones you want to listen to.

Use the SONG MEMORY [1]–[5] and [A] buttons

to mute or un-mute the corresponding tracks. The

border around the track number in the display dis-

appears when that track is muted.

Refer to page 56 for information about the song

track conﬁguration.

You can change a song’s melody voice to any other voice you prefer.

Press the lesson [L] and [R] buttons simul-

taneously so that “LR” appears in the

upper right corner of the MAIN display.

Select the song and play it.

Press the [VOICE] button for longer

than a second.

The VOICE SELECT (MELODY R or MEL-

ODY L) display will appear so you can select

the Melody R or Melody L voice. Pressing the

[VOICE] button alternates between VOICE

SELECT MELODY R and MELODY L.

Use the dial to select the voice.

As you select different melody voices, only the

melody voice changes while the song will

remain the same.

Muting Independent Song Parts

Track number with border ... track contains data and is not muted.

No track number ... no data.

Track number without border

... track contains data but is muted.

Change the Melody Voice

•You cannot change the melody voice of a user song.

NOTE

Hold for longer

than a second

DGX-620/520, YPG-625/525 Owner’s Manual 85

Memorize Your Favorite Panel Settings

This instrument has a Registration Memory feature that lets you save your favorite set-

tings for easy recall whenever they’re needed. Up to 16 complete setups can be saved

(8 banks of two setups each).

Set the panel controls as required—

select a voice, accompaniment style,

etc.

Press the [MEMORY/BANK] button. A

bank number will appear in the display

when you release the button.

Use the dial or the [1]–[8] number but-

tons to select a bank number from 1 to

Press the REGIST MEMORY [1] or [2]

button while holding the [MEMORY/

BANK] button to store the current panel

settings to the speciﬁed registration

memory.

Press the [EXIT] button to return to the MAIN

display in order to check the bank and registra-

tion memory numbers.

8 Banks

Memory 1

Up to 16 presets (eight

banks of two each) can

be memorized.

Memory 2

Saving to the Registration Memory

Bank number

• Data cannot be saved to the registration memory during song play-

back.

NOTE

Bank number

•You can also save your panel settings memorized to registration

memory button into USB ﬂash memory as the user ﬁle or to a com-

puter as the backup ﬁle.

NOTE

• If you select a Registration Memory number that already contains

data, the previous data is deleted and overwritten by the new data.

NOTE

• Do not turn off the power while saving settings to the registra-

tion memory, otherwise the data may be damaged or lost.

CAUTION

86 DGX-620/520, YPG-625/525 Owner’s Manual

Memorize Your Favorite Panel Settings

Press the [MEMORY/BANK] button. A

bank number will appear in the display

when you release the button.

Use the dial or the [1]–[8] number but-

tons to select bank you want to recall.

You can check whether the panel settings are

stored in registration memory 1 or 2 by press-

ing the [EXIT] button to return to the MAIN

display.

Press the REGIST MEMORY button, [1]

or [2], containing the settings you want

to recall. The panel controls will be

instantly set accordingly.

Recalling a Registration Memory

Bank number

● Settings That Can be Saved to the Registra-

tion Memory

• Style settings*

Style number, Auto Accompaniment ON/OFF,

Split Point, Style settings (Main A/B),

Style Volume, Tempo, Chord Fingering

• Voice settings

Main Voice setting (Voice number, Volume,

Octave, Pan, Reverb Level, Chorus Level),

Dual Voice settings (Dual ON/OFF, Voice

number, Volume, Octave, Pan, Reverb Level,

Chorus Level),

Split Voice settings (Split ON/OFF,

Voice number, Volume, Octave, Pan,

Reverb Level, Chorus Level)

• Effect settings

Reverb Type, Chorus Type,

Panel Sustain ON/OFF

• Harmony settings

Harmony ON/OFF, Harmony Type,

Harmony Volume

• Other settings

Transpose, Pitch Bend Range

* Style settings are not available for Registration Memory when

using the Song features.

DGX-620/520, YPG-625/525 Owner’s Manual 87

The Functions

The “Functions” provide access to a range of detailed instrument parameters for tun-

ing, setting the split point, and adjusting the voices and effects. Take a look at the func-

tion list starting on the opposite page. There are 46 function parameters in all.

When you locate a function you want to set up, simply select the function’s display

name (shown to the right of the function name in the list) and adjust as required.

Find the function you want to set in the

list that begins on page 88.

Press the [FUNCTION] button.

Select a function.

Press the CATEGORY [ ] and [ ] buttons as

many times as necessary until the function’s

display name appears in the display.

Use the dial, the [+] and [-] buttons, or

the [0]–[9] number buttons to set the

selected function as required.

The [+] and [-] buttons are used to make ON/

OFF type settings: [+] = ON, [-] = OFF.

In some cases the [+] button will initiate execu-

tion of the selected function, and the [-] will

cancel the selection.

Some Function settings are stored in memory

as soon as they are changed. See “The Backup

Parameters” on page 61 for information on the

function settings that are stored on the instru-

ment. To restore all initial factor default set-

tings perform the “Backup Clear” procedure

described in the “Initialization” section on page

61.

Selecting and Setting Functions

Previous itemFunction category Next item

The selected function

Value

Direct numeric

entry.

• Increment value by 1.

•ON

•Execute

• Decrement value by 1.

• OFF

• Cancel

Press simultaneously to

recall the default setting.

88 DGX-620/520, YPG-625/525 Owner’s Manual

The Functions

● Function Setting List

Category Function Item Range/Settings Description

VOLUME

Style Volume 000–127 Determines the volume of the Style.

Song Volume 000–127 Determines the volume of the Song.

OVERALL

Transpose -12–+12 Determines the pitch of the instrument by semitone increments.

Tuning -100–+100 Sets the pitch of the instrument’s sound in 1-cent increments.

Pitch Bend Range 01–12 Sets the pitch bend range in semitone increments.

Split Point 000–127(C-2–G8)

Determines the highest key for the Split voice and sets the Split “point”—in

other words, the key that separates the Split (lower) and Main (upper)

voices. The Split Point setting and Accompaniment Split Point setting are

automatically set to the same value.

Touch Sensitivity

1(Soft), 2(Medium),

3(Hard), 4 (Off)

Determines the sensitivity of the feature.

Chord Fingering

1(Multi Finger),

2(FullKeyboard)

Sets the chord detection mode. In the Multi Finger mode both normal

chords and simple chords played to the left of the split point are detected. In

the Full Keyboard mode normal chords played anywhere on the keyboard

will be detected, and the notes played will be sound as well.

MAIN VOICE

Main Volume 000–127 Determines the volume of the Main voice.

Main Octave -2–+2 Determines the octave range for the Main voice.

Main Pan

000 (left)–

64 (center)–

127 (right)

Determines the pan position of the Main voice in the stereo image. The

value “0” results in the sound being panned full left; the value “127” results

in the sound being panned full right.

Main Reverb Level 000–127

Determines how much of the Main voice’s signal is sent to the Reverb

effect.

Main Chorus Level 000–127

Determines how much of the Main voice’s signal is sent to the Chorus

effect.

DUAL VOICE

Dual Volume 000–127 Determines the volume of the Dual voice.

Dual Octave -2–+2 Determines the octave range for the Dual voice.

Dual Pan

000 (left)–

64 (center)–

127 (right)

Determines the pan position of the Dual voice in the stereo image. The

value “0” results in the sound being panned full left; the value “127” results

in the sound being panned full right.

Dual Reverb Level 000–127

Determines how much of the Dual voice’s signal is sent to the Reverb

effect.

Dual Chorus Level 000–127

Determines how much of the Dual voice’s signal is sent to the Chorus

effect.

SPLIT VOICE

Split Volume 000–127 Determines the volume of the Split voice.

Split Octave -2–+2 Determines the octave range for the Split voice.

Split Pan

000 (left)–

64 (center)–

127 (right)

Determines the pan position of the Split voice in the stereo image. The

value “0” results in the sound being panned full left; the value “127” results

in the sound being panned full right.

Split Reverb Level 000–127 Determines how much of the Split voice’s signal is sent to the Reverb effect.

Split Chorus Level 000–127

Determines how much of the Split voice’s signal is sent to the Chorus

effect.

EFFECT

Reverb Type 01–10 Determines the Reverb type, including off (10). (See the list on page 133)

Chorus Type 1–5 Determines the Chorus type, including off (05). (See the list on page 133)

Sustain ON/OFF

Determines whether or not panel sustain is always applied to the MAIN/

DUAL voices. Panel sustain is applied continuously when ON, or not

applied when OFF. (page 69)

Master EQ Type

1(Speaker 1),

2(Speaker 2),

3(Headphones),

4(Line Out 1),

5(Line Out 2)

Sets the equalizer applied to the speaker output for optimum sound in

different listening situations.

DGX-620/520, YPG-625/525 Owner’s Manual 89

The Functions

* All these settings can be conveniently reset to their initial default values by pressing the [+] and [-] buttons simultaneously.

(The exception to this is Initial Send, which is an operation, not a setting.)

HARMONY

Harmony Type 01–26 Determines the Harmony type. (See the list on page 133)

Harmony Volume 000–127 Determines the volume of the Harmony effect.

PAT P.A.T. Type

CHORD,

CHORD/FREE,

MELODY,

CHORD/MELODY

Determines the performance assistant technology feature type. (See the list

on page 35)

PC PC Mode PC1/PC2/OFF Optimizes the MIDI settings when you connect to a computer (page 100).

MIDI

Local ON/OFF

Determines whether the instrument’s keyboard controls the internal tone

generator (ON) or not (OFF). (page 100)

External Clock ON/OFF

Determines whether the instrument synchronizes to the internal clock

(OFF) or an external clock (ON). (page 100)

Keyboard Out ON/OFF

Determines whether keyboard performance data of the instrument is

transmitted (ON) or not (OFF).

Style Out ON/OFF

Determines whether Style data is transmitted (ON) via USB or not (OFF)

during Style playback.

Song Out ON/OFF

Determines whether Song data is transmitted (ON) via USB or not (OFF)

during Song playback.

Initial Setup YES/NO

Lets you send the data of the panel settings to a computer. Press [+] to

send, or press [-] to cancel.

METRONOME

Time Signature -

Numerator

00–60 Determines the time signature of the Metronome.

Time Signature -

Denominator

2, 4, 8, 16 Sets the length of each metronome beat.

Metronome Volume 000–127 Determines the volume of the Metronome.

SCORE Quantize

1(1/4 note),

2(1/4 note triplet),

3(1/8 note),

4(1/8 note triplet),

5(1/16 note),

6(1/16 note triplet),

7(1/32 note),

8(1/32 note triplet)

Depending on the song data, you can make the score more readable by

adjusting the timing of the notes.

This determines the minimum timing resolution used in the song. For

example, if there are both quarter notes and eighth notes in the song, you

should set this value to “eighth note”. Any notes or rests shorter than this

value will not be shown in the score.

LESSON

Right-Part GuideTrack 1–16

Determines the guide track number for your right hand lesson. The setting

is only effective for songs in SMF format 0 transferred from a computer.

Left-Part GuideTrack 1–16

Determines the guide track number for your left hand lesson. The setting is

only effective for songs in SMF format 0 transferred from a computer.

Grade ON/OFF Determines whether the Grade function is on or off.

UTILITY Demo Cancel ON/OFF

Determines whether Demo cancel is enabled or not. When this is set to ON,

the Demo Song will not play, even if the [DEMO] button is pressed.

LANGUAGE Language English/Japanese

Determines the display language for the demo displays, song ﬁle names,

lyrics and certain display messages. All other messages and names are

displayed in English. When this is set to Japanese, the ﬁle names are

displayed in the Japanese font. The lyrics display follows the language

setting originally made in the song data; however, when no such setting

exists, the setting here is used.

Category Function Item Range/Settings Description

90 DGX-620/520, YPG-625/525 Owner’s Manual

Using USB Flash Memory

USB ﬂash memory is a memory medium used for storing data.

When a USB ﬂash memory is inserted in this instrument’s USB TO DEVICE terminal,

user songs created on the instrument and the registered settings can be saved to or

loaded from the memory medium. USB ﬂash memory can also be used to transfer song

data downloaded from the Internet to the instrument, where it can be used with the per-

formance assistant technology (page 35) and Lesson (page 47) features described in

the Quick Guide. Furthermore, user songs saved to USB ﬂash memory in MIDI ﬁle for-

mat can also be used with these features.

In this section we’ll look at the procedures for setting up and formatting USB ﬂash

memory devices, as well as for saving and loading data to and from them.

Before using a USB device, read through the “Precautions when using the USB TO DEVICE terminal” sec-

tion on page 99. For information about USB devices compatible with the instrument, see “Connection to a

USB Storage Device” on page 97.

If you don’t have a USB ﬂash memory, you will need to purchase one (or more, as

needed).

The instrument does not necessarily support all commercially available USB storage

devices. Yamaha cannot guarantee operation of USB storage devices that you purchase.

Before purchasing USB storage devices, please consult your Yamaha dealer, or an

authorized Yamaha distributor (see list at end of the Owner’s Manual) for advice.

USB Flash Memory

● To protect your data (write-protect switch)

Some USB ﬂash memory devices are equipped with a write-protect switch. To prevent accidental era-

sure of important data saved in USB ﬂash memory, slide the write-protect switch on the device to the

“protect” position. When saving data, make sure that the write-protect switch is set to the “overwrite”

position.

DGX-620/520, YPG-625/525 Owner’s Manual 91

Using USB Flash Memory

Connect a USB ﬂash memory to the

USB TO DEVICE terminal, being careful

to insert it with the proper orientation.

Check that the ﬁle control icon is shown

in the MAIN display.

You can go to the FILE CONTROL display

from which you can access USB ﬂash memory

operations by pressing the [MENU] button

from this display.

Connecting a USB Flash Memory

• In order to play songs copied to a USB ﬂash memory from a com-

puter or other device, the songs must be stored either in the USB

ﬂash memory’s root directory or a ﬁrst-level/second-level folder in

the root directory. Songs stored in these location can be selected

and played as song numbers 036–535 (page 32).

Songs stored in third-level-folders created inside a second-level

folder cannot be selected and played by this instrument.

USB ﬂash memory (Root)

Song

File

Song

File

Song

File

Can be selected/played.

Cannot be selected/played.

Song

File

IMPORTANT

Menu Reference Page

Format 92

Save 93

SMF Save 94

Load 95

Delete 96

A message (information or conﬁrmation

dialog) sometimes appears on the display to

facilitate operation. Refer to the “Messages”

on page 114 for an explanation of each

message.

File Control

Icon

• No sound will be produced if you play the keyboard while the FILE

CONTROL display is showing. Also, in this state only buttons related

to ﬁle functions will be active.

NOTE

• The FILE CONTROL display will not appear in any of the following

cases:

• During style or song playback.

• During a lesson.

• While data is being loaded from a USB ﬂash memory.

NOTE

92 DGX-620/520, YPG-625/525 Owner’s Manual

Using USB Flash Memory

New USB ﬂash memory must be formatted before they can be used by this instrument.

After connecting the USB ﬂash memory

to be formatted to the instrument’s USB

TO DEVICE terminal, check that the

icon is showing in the MAIN display.

Press the FILE CONTROL [MENU] but-

ton.

Use the CATEGORY [ ] and [ ] but-

tons to select the Format item.

The display prompts you for conﬁrmation.

Press the [EXECUTE] button and the

display prompts you for conﬁrmation.

You can press the [-] button at this point to can-

cel the operation.

Press the [EXECUTE] button again, or

the [+] button, and the format operation

will begin.

A message will appear on the display to

inform you that the operation has ﬁn-

ished.

Press the [EXIT] button to return to the MAIN

display.

Formatting USB Flash Memory

• If you format a USB ﬂash memory that already contains data, all of

the data will be erased. Be careful not to erase important data

when using the format function.

CAUTION

• Once the format-in-progress message appears on the display

the format operation cannot be canceled. Never turn off the

power or remove the USB ﬂash memory during this operation.

CAUTION

• If the USB ﬂash memory has been write-protected, an appropriate

message will appear on the display and you will not be able to exe-

cute the operation.

NOTE

DGX-620/520, YPG-625/525 Owner’s Manual 93

Using USB Flash Memory

Three types of data are saved to one “User File” by this operation: user song, style ﬁle, and registration mem-

ory data. When you save a user song the style ﬁle and registration memory are also saved automatically.

Make sure that a properly formatted

USB ﬂash memory has been properly

connected to the instrument’s USB TO

DEVICE terminal, and that the icon is

showing in the MAIN display.

Press the FILE CONTROL [MENU] button.

Use the CATEGORY [ ] and [ ] but-

tons to locate the User File Save item.

A default ﬁle name will automatically be cre-

ated.

Press the [EXECUTE] button. A cursor

will appear below the ﬁrst character in

the ﬁle name.

Change the ﬁle name as necessary.

• The [-] button moves the cursor to the left,

and the [0] button moves it to the right.

• Use the dial to select a character for the cur-

rent cursor location.

• The [+] button deletes the character at the

cursor location.

Press the [EXECUTE] button. The dis-

play prompts you for conﬁrmation.

You can cancel the save operation at this point

by pressing the [-] button.

Press the [EXECUTE] button again, or

the [+] button, and the save operation

will begin.

The user song will be stored to the USER FILE

folder in the USB ﬂash memory.

A message will appear on the display to

inform you that the operation has ﬁn-

ished.

Press the [EXIT] button to return to the MAIN

display.

Saving Data

● To Overwrite an Existing File

If you want to overwrite a ﬁle that already exists

on the USB ﬂash memory, use the dial or the

[+] and [-] buttons to select the ﬁle, then skip

ahead to step 6.

• Up to 100 user ﬁles can be saved to a single USB ﬂash memory.

• If the USB ﬂash memory has been write-protected, an appropriate

message will appear on the display and you will not be able to exe-

cute the operation.

• If there is not enough capacity left on the USB ﬂash memory to save

the data an appropriate message will appear on the display and you

will not be able to save the data. Erase unwanted ﬁles from the USB

ﬂash memory to make more memory available (page 96), or use a

different USB ﬂash memory.

• Refer to the “Messages” list on page 114 for other possible errors

that might prevent you from completing the operation.

NOTE

Cursor

Cursor right

Delete characterCursor left The dial selects

characters

• Once the save-in-progress message appears on the display the

operation cannot be canceled. Never turn off the power or

remove the USB ﬂash memory during this operation.

CAUTION

• If an existing ﬁlename is speciﬁed the display prompts you for conﬁr-

mation. Press [EXECUTE] or [+] if it is OK to overwrite the ﬁle, or [-]

to cancel.

• The amount of time it will take to perform the save operation will

depend on the condition of the USB ﬂash memory.

NOTE

94 DGX-620/520, YPG-625/525 Owner’s Manual

Using USB Flash Memory

This operation converts a user song (song numbers 031–035) to SMF Format 0 and saves the ﬁle to USB

ﬂash memory.

Make sure that a properly formatted

USB ﬂash memory has been properly

connected to the instrument’s USB TO

DEVICE terminal, and that the icon is

showing in the MAIN display.

Press the FILE CONTROL [MENU] but-

ton.

Use the CATEGORY [ ] and [ ] but-

tons to locate the SMF Save item.

The SOURCE FILE—a user song name—will

be highlighted.

Select the source user song.

You can press the [+] and [-] buttons simulta-

neously to select the ﬁrst user song.

Press the [EXECUTE] button.

The DESTINATION SONG will be high-

lighted, and a default name will appear for the

converted song ﬁle.

Press the [EXECUTE] button.

A cursor will appear below the ﬁrst character in

the ﬁle name.

Change the ﬁle name as necessary.

Refer to “Saving Data” on page 93 for ﬁlename

entry.

Press the [EXECUTE] button. The dis-

play prompts you for conﬁrmation.

You can cancel the save operation at this point

by pressing the [-] button.

Press the [EXECUTE] button again, or

the [+] button, and the save operation

will begin.

The user song will be stored to the USER FILE

folder in the USB ﬂash memory.

A message will appear on the display

to inform you that the operation has ﬁn-

ished.

Press the [EXIT] button to return to the MAIN

display.

Convert a User Song to SMF Format and Save

● What is SMF (Standard MIDI File)?

The SMF (Standard MIDI File) format is one of the

most common and widely compatible sequence

formats used for storing sequence data. There are

two variations: Format 0 and Format 1. A large

number of MIDI devices are compatible with SMF

Format 0, and most commercially available MIDI

sequence data is provided in SMF Format 0.

The source user song name.

● To Overwrite an Existing File

If you want to overwrite a ﬁle that already exists

on the USB ﬂash memory, use the dial or the

[+] and [-] buttons to select the ﬁle, then skip

ahead to step 7.

The name of the ﬁle to

be saved

Cursor

• Once the save-in-progress message appears on the display the

operation cannot be canceled. Never turn off the power or

remove the USB ﬂash memory during this operation.

CAUTION

• If an existing ﬁlename is speciﬁed the display prompts you for conﬁr-

mation. Press [EXECUTE] or [+] if it is OK to overwrite the ﬁle, or [-]

to cancel.

• The amount of time it will take to perform the save operation will

depend on the condition of the USB ﬂash memory.

NOTE

DGX-620/520, YPG-625/525 Owner’s Manual 95

Using USB Flash Memory

User ﬁles, style ﬁles, and styles residing on a USB ﬂash memory can be loaded into the instrument. If the

required style ﬁle has already been transferred to the instrument from a computer using the Musicsoft

Downloader application, start from step 2, below. Refer to “Transferring Performance Data to and from a

Computer” on page 100 for details on transferring style ﬁles.

With the USB ﬂash memory containing

the ﬁle you want to load connected to

the USB TO DEVICE connector, check

that the File Control icon is shown in

the MAIN display.

Press the FILE CONTROL [MENU] but-

ton.

Use the CATEGORY [ ] and [ ] but-

tons to locate the Load item.

Use the dial to select the user ﬁle or

style ﬁle you want to load.

All user ﬁles in the USB ﬂash memory will be

displayed ﬁrst, followed by the style ﬁles.

Press the [EXECUTE] button. The dis-

play prompts you for conﬁrmation.

You can cancel the load operation at this point

by pressing the [-] button.

Press the [EXECUTE] button again, or

the [+] button, and the load operation

will begin.

A message will appear on the display to

inform you that the operation has ﬁn-

ished.

Press the [EXIT] button to return to the MAIN

display.

Loading User Files and Style Files

• If you load a User File user song (031–035), style ﬁle, and registra-

tion memory data will be overwritten by the newly loaded data. If

you only load a style ﬁle, only the style ﬁle will be overwritten.

Save important data to a USB ﬂash memory before loading data

that will overwrite it.

CAUTION

• Style ﬁles must be located in the root directory. Style ﬁles located

within folders will not be recognized.

NOTE

• Once the load-in-progress message appears on the display the

operation cannot be canceled. Never turn off the power or

remove the USB ﬂash memory during this operation.

CAUTION

96 DGX-620/520, YPG-625/525 Owner’s Manual

Using USB Flash Memory

This procedure deletes user ﬁle and SMF ﬁle from a USB ﬂash memory.

Make sure that the USB ﬂash memory

containing the ﬁle(s) you want to delete

has been properly connected to the

instrument’s USB TO DEVICE terminal,

and that the icon is showing in the

MAIN display.

Press the FILE CONTROL [MENU] but-

ton.

Use the CATEGORY [ ] and [ ] but-

tons to locate the Delete item.

Select the ﬁle you want to delete.

You can press the [+] and [-] buttons simulta-

neously to select the ﬁrst song or user ﬁle on

the USB ﬂash memory.

Press the [EXECUTE] button. The dis-

play prompts you for conﬁrmation.

You can cancel the delete operation at this

point by pressing the [-] button.

Press the [EXECUTE] button again, or

the [+] button, and the delete operation

will begin.

A message will appear on the display to

inform you that the operation has ﬁn-

ished.

Press the [EXIT] button to return to the MAIN

display.

Make sure that the USB ﬂash memory

containing the song you want to play

has been properly connected to the

instrument’s USB TO DEVICE terminal,

and that the icon is showing in the

MAIN display.

Press the [SONG] button.

Use the dial to select the song you want

to play (036–).

Press the [START/STOP] button.

Deleting Data from a USB Flash Memory

• Once the delete-in-progress message appears on the display

the operation cannot be canceled. Never turn off the power or

remove the USB ﬂash memory during this operation.

CAUTION

• If the USB ﬂash memory has been write-protected, an appropriate

message will appear on the display and you will not be able to exe-

cute the operation.

NOTE

Playing Songs Saved to USB Flash Memory

DGX-620/520, YPG-625/525 Owner’s Manual 97

Connections

q USB TO DEVICE terminal

This terminal allows connection to USB stor-

age devices. Refer to “Connection to a USB

Storage Device” on page 97.

w USB TO HOST terminal

This terminal allows direct connection to a per-

sonal computer. Refer to “Connecting a Per-

sonal Computer” on page 99 for more

information.

By connecting the instrument to a USB storage device with a standard USB cable, you can save data you’ve

created to the connected device, as well as read data from the connected device.

■Compatible USB

storage devices

● ● ● ● ● ● ● ● ● ● ● ● ● ●

A USB storage device, such as a ﬂoppy disk drive,

hard disk drive, CD-ROM drive, ﬂash memory,

reader/writer, etc., can be connected to the USB

TO DEVICE terminal. Other USB devices such as

a computer keyboard or mouse cannot be used.

Before purchasing USB storage devices, please

consult your Yamaha dealer, or an authorized

Yamaha distributor (see list at end of the Owner’s

Manual) for advice.

■Connection to

a USB storage device

● ● ● ● ● ● ● ● ●

Connectors

Connection to a USB Storage Device

•Never unplug the USB cable, remove media (such as a ﬂoppy

disk) from a USB memory device, or turn off the power immedi-

ately after connecting the USB cable (while is showing on

the display) or while data is being read or written. Doing so can

result in failure of the media and corruption of the data on the

media and/or instrument.

CAUTION

• Some USB memory devices may require more current than the

instrument can supply, causing the instrument’s over-current pro-

tection function to be activated and making it impossible to use

the device. If this occurs “OverCurrent” will appear in the upper

area of the MAIN display. To restore normal operation remove the

USB device from the USB TO DEVICE connector and turn the

instrument’s power off and then back on again.

CAUTION

98 DGX-620/520, YPG-625/525 Owner’s Manual

Connections

Backing up the instrument data to a com-

puter

Once you’ve saved data to a USB storage device,

you can copy the data to the hard disk of your com-

puter, then archive and organize the ﬁles as

desired. Simply reconnect the device as shown

below.

Copying ﬁles from a computer hard disk to

a USB storage device

Files on a computer’s hard disk can be transferred

to the instrument by ﬁrst copying them to the stor-

age media, then connecting/inserting the media to

the instrument. User ﬁles, style ﬁles and MIDI

songs can be copied to a USB storage device from

the hard disk of the computer. Once you’ve copied

the data, connect the device to the USB TO

DEVICE terminal of the instrument and play back

the MIDI songs, or load the user ﬁle or style ﬁle on

the instrument.

Disconnect the USB storage device from

the instrument and connect it to the computer.

Saves internal data to a USB storage device.

USB TO DEVICE terminal

Instrument

USB storage

device

Backing up data to a computer and

organizing ﬁles/folders

Computer

USB terminal

USB storage

device

Disconnect the USB storage device from the com-

puter and connect it to the instrument.

Copying ﬁles from the computer’s hard disk

to the USB storage device

Computer

USB terminal

USB storage

device

Reading ﬁles on the USB storage device

from the instrument

Instrument

USB storage

device

USB TO DEVICE terminal

DGX-620/520, YPG-625/525 Owner’s Manual 99

Connections

The following functions become available when this instrument is connected to a computer.

● Performance data can be transferred between the instrument and the computer (page 100).

● Files can be transferred between the instrument and the computer (page 102).

The connection procedure is as follows:

Install the USB-MIDI driver on your com-

puter.

The USB-MIDI driver is included on the CD-ROM.

Installation of the USB MIDI driver is described on

pages 108–109.

Connect the USB terminal of the computer to

the USB terminal on the instrument using a

standard USB cable (USB cable sold sepa-

rately).

The supplied CD-ROM also includes a Musicsoft

Downloader application that allows you to transfer

song ﬁles from your computer to the instrument’s

ﬂash memory. For instructions about how to install

Musicsoft Downloader and how to transfer song

ﬁles, see pages 102, 109.

■ USB Precautions

Please observe the following precautions when

connecting the instrument to a computer via a USB

cable.

Failure to do so can cause the instrument and/or the

computer to hang up (freeze), possibly causing

corruption or loss of data.

If the instrument or computer does hang up, turn

the power to both devices off and then on again,

and restart the computer.

Connecting a Personal Computer

USB cable

Instrument

Computer

•Wake the computer from a sleep/suspended/standby mode before

connecting the USB cable.

• Connect the USB cable to the instrument and computer before

turning power to the instrument on.

• Check the following points before turning the instrument’s power

on or off, and before plugging or unplugging the USB cable.

• Quit all applications.

• Make sure that no data transfer is in progress (data is trans-

ferred whenever you play on the keyboard or play a song).

• Allow at least 6 seconds between turning the instrument’s power

on and off, and between plugging and unplugging the USB cable.

• Directly connect the instrument to the computer using a single

USB cable. Do not use a USB hub.

CAUTION

• The Musicsoft Downloader application may not be able to access the

instrument in the following cases:

• During style playback.

• During song playback.

• During a ﬁle control operation (while the FILE CONTROL display is

showing).

NOTE

100 DGX-620/520, YPG-625/525 Owner’s Manual

Connections

By connecting the instrument to a computer, the instrument’s performance data can be used on the com-

puter, and performance data from the computer can be played on the instrument.

● When the instrument is connected with computer,

it transmits/receives performance data.

■MIDI settings ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

These settings pertain to performance data transmission and reception.

Press the [FUNCTION] button.

Use the CATEGORY [ ] and [ ] buttons

to select the item you want to change its

value.

Use the dial to select ON or OFF.

Transferring Performance Data to and from a Computer

USB cable

USB terminalUSB terminal

Instrument

Computer

Item Range/Settings Description

Local ON/OFF

Local control determines whether or not notes played on the instrument are sounded by its internal

tone generator system: the internal tone generator is active when local control is on, and inactive when

local control is off.

External Clock ON/OFF

These settings determine whether the instrument is synchronized to its own internal clock (OFF), or to

a clock signal from an external device (ON).

Keyboard Out ON/OFF

These settings determine whether keyboard performance data of the instrument is transmitted (ON) or

not (OFF).

Style Out ON/OFF These settings determine whether Style data is transmitted (ON) or not (OFF) during Style playback.

Song Out ON/OFF These settings determine whether Song data is transmitted (ON) or not (OFF) during Song playback.

• If you can’t get any sound out of the instrument, this may be the

most likely cause.

CAUTION

• If External Clock is ON and no clock signal is being received from

an external device, the song, style, and metronome functions will

not start.

CAUTION

DGX-620/520, YPG-625/525 Owner’s Manual 101

Connections

■PC Mode ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

A number of MIDI settings need to be made when

you want to transfer performance data between the

computer and the instrument. The PC Mode item

can conveniently make multiple settings for you in

one operation. Three settings are available: PC1,

PC2, and OFF.

This setting is not necessary when transferring

song or backup ﬁles between the computer and the

instrument.

* Set the PC mode to PC2 when using Digital Music Note-

book.

Press and hold the [DEMO] button for

longer than a second so that the PC

Mode item appears.

Use the dial to select PC1, PC2, or OFF.

You can also use this instrument as a remote control device for the Digital Music Notebook application on

your computer (via the USB connection)—controlling playback, stop and transport functions from the

panel.

■Remote control keys ● ● ● ● ● ● ● ● ● ●

To use the remote control functions, simulta-

neously hold down the lowest two keys on the key-

board (A-1 and A#-1) and press the appropriate

key (shown below).

PC1 PC2* OFF

Local OFF OFF ON

External Clock ON OFF OFF

Song Out OFF OFF OFF

Style Out OFF OFF OFF

Keyboard Out OFF ON ON

• When the PC2 setting is selected the instrument’s style, song, demo,

song recording, and lesson features cannot be used.

NOTE

•You can also access the PC Mode item by ﬁrst pressing the [FUNC-

TION] button and then using the CATEGORY [ ] and [ ] buttons to

locate it (page 87).

NOTE

Remote Control of MIDI Devices

A-1

A#-1

C7: Fast forward

B6: Start

A6: Stop

G6: Rewind

F6: Top (move to the begin-

ning of the song)

E6: Metronome ON/OFF

• Remote control of MIDI devices will function independently of the PC2

mode.

NOTE

102 DGX-620/520, YPG-625/525 Owner’s Manual

Connections

This function lets you send the panel setup data to a computer. Before you record performance data to a

sequencer application running on your computer, it is a good idea to ﬁrst send and record the panel setup

data before the actual performance data.

Press the [FUNCTION] button.

Use the CATEGORY

[] and [ ]

buttons

to select the Initial Send item.

Press [+/YES] to send, or press [-/NO]

to cancel.

MIDI songs residing on a computer, as well as the

70 MIDI songs and 5 Style ﬁles provided on the

CD-ROM, can be transferred to the instrument.

Backup ﬁle can also be transferred from the instru-

ment to the computer and back. Songs and styles

transferred to the instrument can be used with the

instrument’s lesson and other functions.

In order to transfer songs between your computer

and the instrument you will need to install the

Musicsoft Downloader application and the USB-

MIDI Driver included on the Accessory CD-ROM

on your computer. Refer to the Accessory CD-

ROM Installation Guide on page 105 for installa-

tion details.

■With the Musicsoft

Downloader You Can.

● ● ● ● ● ● ● ● ●

● Transfer MIDI songs you have downloaded

from the Internet or created on your computer

from the computer to the instrument’s ﬂash

memory.

⇒ refer to the procedure described on

page 103.

The procedure for transferring songs included

on the Accessory CD-ROM from your com-

puter to the instrument is given as an example.

● Backup ﬁle can be transferred from the instru-

ment to a computer and back.

⇒ refer to the procedure described on

page 104.

Initial Send

Transferring Data Between the Computer and Instrument

● Data that can be transferred from a computer

to this instrument.

• Song Capacity (max.): 500 songs total (Song 036–)

• Data Capacity: Flash memory 875 kb

• Data Format: SMF format 0,

style ﬁle (extension: .sty),

Backup File (06PG88.BUP)

Use the Musicsoft Downloader application with

Internet Explorer 5.5 or higher.

DGX-620/520, YPG-625/525 Owner’s Manual 103

Connections

■Use Musicsoft Downloader

To Transfer Songs From the

Accessory CD-ROM To the

Instrument’s ﬂash memory

● ● ● ● ●

Install the Musicsoft Downloader and

USB MIDI driver to your computer, then

connect the computer and the instru-

ment (page 107).

Insert the included CD-ROM into the

CD-ROM drive.

A start window will appear automatically.

Double-click the Musicsoft Downloader

shortcut icon that is created on the

desktop.

This will launch the Musicsoft Downloader

application and the main window will appear.

Click the “Add File” button and the Add

File window will appear.

Click the button to the right of “Look in”

and select the CD-ROM drive from the

drop-down menu that appears. Double-

click the “SongData” Folder on the win-

dow. Select the ﬁle you want to transfer

to the instrument, and click “Open”.

A copy of the selected MIDI song ﬁle

will appear in the “List of ﬁles stored

temporarily” at the top of the window.

The memory medium will also be displayed at

the bottom of the window to specify the desti-

nation for the transfer. Click “Instrument”, and

then “Flash memory”.

After selecting the ﬁle in the “List of

ﬁles stored temporarily”, click the

downward [Move] button and a conﬁr-

mation message will appear. Click [OK]

and the song will be transferred from

the “List of ﬁles stored temporarily” to

the instrument’s memory.

Close the window to end the Musicsoft

Downloader.

• If a song or style is being played, stop playback before proceeding.

NOTE

• The instrument cannot be operated while the Musicsoft Downloader

is running.

NOTE

q Click the CD-ROM drive

w Double-click the “SongData” Folder

and click a song ﬁle.

e Click “Open”

q Click “Instrument”, and then

“Flash Memory”

• End the Musicsoft Downloader to playback the song transferred

from your computer.

NOTE

104 DGX-620/520, YPG-625/525 Owner’s Manual

Connections

To playback a song stored in ﬂash

memory, press the [SONG] button.

Use the dial to select the song you want

to play, then press the [START/STOP]

button to start playback.

Style ﬁles (ﬁles with the “.STY” extension) can

be transferred to Flash memory using the same

procedure as described above. Style ﬁles trans-

ferred to the Flash Memory can be loaded into

style number 151 and then played (pages 81,

103).

■Transfer a Backup ﬁle from

the instrument to a computer

● ● ●

You can use the Musicsoft Downloader to transfer

“Backup ﬁle” containing backup data (page 61),

including the ﬁve User Songs stored on the instru-

ment, to a computer. If you click “Electronic Musi-

cal Instruments” in the Musicsoft Downloader

display, and then “System Drive”, a ﬁle named

“06PG88.BUP” will appear in the lower right cor-

ner of the Musicsoft Downloader display. This is

the backup ﬁle. For details about how to transfer

backup ﬁles using the Musicsoft Downloader

application, refer to the Online help in the applica-

tion.

● To Use transferred Songs For Lessons...

In order to use songs (only SMF format 0)

transferred from a computer for lessons it is

necessary to specify which channels are to be

played back as the right-hand and left-hand parts.

1 Press the [SONG] button and select the song

(036–) residing in ﬂash memory for which you

want to set the guide track.

2 Press the [FUNCTION] button.

3 Use the CATEGORY [ ] and [ ] buttons to

select the R-Part or L-Part item.

4 Use the dial to select the channel you want to

play back as the speciﬁed right- or left-hand

part.

We recommend that you select channel 1 for the

right-hand part and channel 2 for the left-hand part.

• Do not unplug the USB cable during a data transfer. Not only

will the data not be transferred and saved, but operation of the

memory media may become unstable and its contents may dis-

appear completely when the power is turned on or off.

CAUTION

• Store data can be lost due to equipment malfunction or

improper operation. For safety we recommend that you keep a

copy of all important data stored on your computer.

CAUTION

• Preset Song data cannot be transmitted from the instrument.

NOTE

• The backup data, including the ﬁve User Songs’ is transmitted/

received as a single ﬁle. As a result, all backup data will be over-

written every time you transmit or receive. Keep this in mind when

transferring data.

CAUTION

• Do not rename the backup ﬁle on the computer. If you do so it will

not be recognized when transferred to the instrument.

CAUTION

DGX-620/520, YPG-625/525 Owner’s Manual 105

Accessory CD-ROM Installation Guide

This CD-ROM is copy-protected. Yamaha makes no representations or warranties with regard to any problems

while attempting to copy the CD-ROM or software and cannot be held responsible for the results of attempts to

copy the data.

• The software and this owner’s manual are the exclusive copyrights of Yamaha Corporation.

• Use of the software and this manual is governed by the license agreement which the purchaser fully agrees to upon

breaking the seal of the software packaging. (Please read carefully the Software Licensing Agreement at the end of

this manual before installing the application.)

• Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden

without the written consent of the manufacturer.

•Yamaha makes no representations or warranties with regard to the use of the software and documentation and can-

not be held responsible for the results of the use of this manual and the software.

• This disk is a CD-ROM. Do not attempt to play the disk on an audio CD player. Doing so may result in irreparable

damage to your audio CD player.

• Future upgrades of application and system software and any changes in speciﬁcations and functions will be

announced separately.

• The screen displays as illustrated in this owner’s manual are for instructional purposes, and may appear somewhat

different from the screens which appear on your computer.

● Data Types

This CD-ROM includes application software. Please refer to page 107 for software installation instructions.

● Operating System (OS)

The applications in this CD-ROM are provided in versions for Windows operating systems.

SPECIAL NOTICES

Important Notices about the CD-ROM

• Do not attempt to play this CD-ROM on an audio CD player. The

result high-volume noise can potentially cause hearing damage or

damage your CD player and speakers.

CAUTION

106 DGX-620/520, YPG-625/525 Owner’s Manual

Accessory CD-ROM Installation Guide

In order to view PDF scores, you will need to install Adobe Reader in your computer.

You can download the Adobe Reader. Please check the following URL: http://www.adobe.com/

■Using the CD-ROM ● ● ● ● ● ● ● ● ● ● ●

Please read the Software License Agreement on

page 111 before opening the CD-ROM package.

Check the system requirements to

make sure that the software will run on

your computer.

Insert the included CD-ROM into the

CD-ROM drive.

The start window should appear automatically.

Install the USB MIDI driver to the com-

puter.

Refer to “Installing the USB-MIDI Driver” on

page 107 for installation and setup instructions.

Connect the instrument to the com-

puter.

The connection procedure is described on page

99.

Install the software.

Musicsoft Downloader:

See page 109.

Launch the software.

For further software operation refer to the online

help supplied with the software.

Refer to the “Troubleshooting” on page 110 when

you have trouble with installing the driver.

CD-ROM Contents

Folder Name Application / Data Name Contents

MSD_ Musicsoft Downloader

This application can be used to download MIDI song data from the Internet and

transfer it from the computer to the instrument’s memory.

DMN_FlashDemo Flash Demo

Digital Music Notebook is an educational content that lets you enjoy music while

learning.

Full motion demo software which introduces all features of the Digital Music

Notebook.

DMN_DemoSong Demo Song

You can experience Digital Music Notebook functions with the demo song. You need

to download and install Digital Music Notebook on your computer prior to using the

demo song.

SongBook Song Book

Includes score data for the 30 internal songs provided on the instrument as well as

70 MIDI songs provided on the CD-ROM. The exceptions are songs 1–11, 16, 20

and song 30 which is copyrighted. The scores for songs 9–11 are provided in this

manual beginning on page 118.

USB-MIDI Driver

(Windows 98/Me)

This driver software is necessary to connect MIDI devices to your computer via

USB.

USBdrv2k

USB-MIDI Driver

(Windows 2000/XP)

SongData MIDI 70 songs

These songs can be transferred to the instrument and played or used with the

instrument’s functions.

StyleData 5 style ﬁles

These styles can be transferred to the instrument and played or used with the

instrument’s functions.

DGX-620/520, YPG-625/525 Owner’s Manual 107

Accessory CD-ROM Installation Guide

■

Installing the USB-MIDI Driver

● ● ● ●

In order to be able to communicate with and use

MIDI devices connected to your computer, the

appropriate driver software must be properly

installed on your computer.

The USB-MIDI driver allows sequence software

and similar applications on your computer to trans-

mit and receive MIDI data to and from MIDI

devices via a USB cable.

• Windows 98/Me installation ➔ page 108.

• Windows 2000 installation ➔ page 108.

• Windows XP installation ➔ page 109.

System Requirements

Application/Data OS CPU Memory Hard Disk Display

Musicsoft Downloader

Windows 98SE/Me/2000/

XP Home Edition/

XP Professional

233 MHz or higher; Intel

Pentium

/Celeron

processor family

64 MB or more

(256 MB or more

is recommended)

at least 128 MB of

free space (at least

512 MB of free

space is

recommended)

800 x 600

HighColor

(16-bit)

USB Driver for Windows

98/Me

Windows 98/Me

166 MHz or higher; Intel

Pentium

/Celeron

processor family

32 MB or more

(64 MB or more is

recommended)

at least 2 MB of free

space

—

USB Driver for Windows

2000/XP

Windows 2000/XP Home

Edition/XP Professional

Digital Music Notebook

Windows

Professional Edition,

SP1a more

Windows

XP Home

Edition, SP1a more

Windows 2000

Professional, SP4 more

400MHz or higher; Intel

Pentium

/Celeron

Processor family (1GHz

or more is recommended)

128 MB or more

(256 MB or more

is recommended)

at least 50 MB of

free space

1024 x 768

HighColor

(16-bit)

Digital Music Notebook

(Requirements for

playing content with

video included.)

1GHz or higher; Intel

Pentium

/Celeron

Processor family (1.4GHz

or more is recommended)

256 MB or more

Software Installation

● Uninstall (Removing the Software)

Installed software can be removed from your

computer as follows:

From the Windows Start menu select Start →

Settings → Control panel → Add or Remove

Applications → Install and Uninstall. Select the

item you want to remove and click [Add or

Remove]. Follow the on-screen instructions to

remove the selected software.

• The actual names of the menu items and buttons will depend on

the OS version you are using.

NOTE

Check the drive name of the CD-ROM drive you

will be using (D:, E:, Q: etc.) The drive name is

displayed beside the CD-ROM icon in your “My

Computer” folder. The root directory of the CD-

ROM drive will be D:\ , E:\ , or Q:\ , respectively.

Driver

USB

Cable

MIDI device

Computer

Sequence

software

108 DGX-620/520, YPG-625/525 Owner’s Manual

Accessory CD-ROM Installation Guide

Installing the driver on Windows 98/Me

Start the computer.

Insert the supplied CD-ROM into the CD-

ROM drive. A start window will appear

automatically.

First, make sure the POWER switch on

the instrument is set to OFF, then use a

USB cable to connect the USB terminal of

the computer to the USB connector of the

instrument. When the instrument is

turned on, the computer automatically

displays the “Add New Hardware Wizard.

Otherwise, refer to “Troubleshooting” in

the “Accessory CD-ROM Installation

Guide” section of the Owner’s Manual.

For Windows Me users, check the radio button to

the left of “Automatic search for a better driver

(Recommended)” and click [Next]. The system

automatically starts searching and installing the

driver. Proceed to Step 8. If the system does not

detect the driver, select “Specify the location of

the driver (Advanced)” and specify the CD-ROM

drive’s root directory to install the driver and click

[Next]. Execute the installation by following the

onscreen instructions and proceed to Step 8.

Click [Next].

The window enables you to select the search

method.

Check the radio button to the left of

“Search for the best driver for your

device. (Recommended)”. Click [Next].

The window enables you to select a location in

which to install the driver.

Check the “Specify a location” box, click

“Browse..”, then specify the root direc-

tory of the CD-ROM drive and continue

the installation. The CD-ROM drive letter

may vary depending on your computer’s

conﬁguration.

When the system detects the driver on

the CD-ROM and is ready for installation,

it is shown as a message on the screen.

Make sure that the “YAMAHA USB MIDI

Driver” is listed, and click [Next]. The sys-

tem starts the installation.

When installation is complete, a message

indicating so appears. Click [Finish].

The driver has been installed.

Installing the driver on Windows 2000

Start the computer and use the “Adminis-

trator” account to log into Windows 2000.

Select [My Computer] ➔ [Control Panel]

➔ [System] ➔ [Hardware] ➔ [Driver Sign-

ing] ➔ [File Signature Veriﬁcation], and

check the radio button to the left of

“Ignore—Install all ﬁles, regardless of ﬁle

signature” and click [OK].

Insert the supplied CD-ROM into the CD-

ROM drive. A start window will appear

automatically.

First, make sure the POWER switch on the

MIDI device is set to OFF, then use a USB

cable to connect the MIDI device to the

computer. After making the connections,

turn on the power of the MIDI device. The

system automatically launches the Found

New Hardware Wizard.

Otherwise, refer to “Troubleshooting” in the

“Accessory CD-ROM Installation Guide” section

of the Owner’s Manual. Click [Next]. (Some

computers may take a while to display the Wizard

window.)

Select the radio button for “Search for a

suitable driver for my device [recom-

mended]”, then click [Next].

Check the “CD-ROM drives” check box,

deselect all other check boxes, then click

[Next].

Deselect the “Install one of the other driv-

ers”, then click [Next].

When the installation is complete, the

Wizard displays “Completing the Found

New Hardware Wizard”.

Click [Finish]. (Some computers may take a

while to display the Wizard window.)

Restart the computer.

The USB-MIDI driver installation is complete.

• If you are using Windows Me, skip Step 4–7.

NOTE

• Some computers may take about ten seconds to show this screen

after the installation is complete.

NOTE

• If the Wizard panel informs you that “The software you are about to

install does not contain a Microsoft digital signature”, click [Yes].

NOTE

• If the system prompts you to insert the Windows CD-ROM during

detection of the drivers, point to the “USBdrv2k_” folder (e.g.,

D:\USBdrv2k_) and continue the installation.

NOTE

DGX-620/520, YPG-625/525 Owner’s Manual 109

Accessory CD-ROM Installation Guide

Installing the driver on Windows XP

Start the computer and use the “Adminis-

trator” account to log into Windows.

Select [Start] ➔ [Control Panel]. If the

control panel appears as “Pick a cate-

gory”, click “Switch to Classic View” in

the upper left of the window. All control

panels and icons will be displayed.

Go to [System] ➔ [Hardware] ➔ [Driver

Signing Options] and check the radio but-

ton to the left of “Ignore” and click [OK].

Click the [OK] button to close System

Properties, and then click “X” in the upper

right of the window to close the Control

Panel.

Insert the supplied CD-ROM into the CD-

ROM drive. A start window will appear

automatically.

First, make sure the POWER switch on the

MIDI device is set to OFF, then use a USB

cable to connect the MIDI device to the

computer. After making the connections,

turn on the power of the MIDI device.

The system launches the Found New

Hardware Wizard automatically. Other-

wise, refer to “Troubleshooting” in the

“Accessory CD-ROM Installation Guide”

section of the Owner’s Manual. If the sys-

tem displays “Found New Hardware” in

the lower right corner, wait until Wizard

windows is displayed. (Some computers

may take a while to display the window.)

If the Wizard window prompts you to specify

whether or not to connect to Windows Update,

select the radio button for “No, not this time”,

then click [Next].

Select the radio button for “Install the

software automatically (recommended)”,

then click [Next].

When the installation is complete, the

Wizard displays “Completing the Found

New Hardware Wizard”.

Click [Finish]. (Some computers may take a

while to display the Wizard window.)

Restart the computer.

If the system displays “Found New Hardware” in

the lower right corner, wait until the Wizard win-

dow is displayed. (Some computers may take a

while to display the Wizard window.)

The USB-MIDI driver installation is complete.

■Installing the Musicsoft

Downloader and Digital

Music Notebook Applications

● ● ●

Insert the Accessory CD-ROM into your

computer’s CD-ROM drive. The start win-

dow will appear automatically showing

software applications.

Click [Musicsoft Downloader] or [Digital

Music Notebook].

Click the [install] button or [Digital Music

Notebook Download] button, and follow

the onscreen instructions to install the

software.

For Digital Music Notebook operating instruc-

tions see the help menu: launch the Digital Music

Notebook application and click “Help”.

For Musicsoft Downloader operating instructions

see the Help menu: launch the Musicsoft Down-

loader application and click “Help”.

*You can obtain the latest version of the Musicsoft

Downloader at the following Internet URL.

http://music.yamaha.com/download/

• If during the installation the system displays “...has not passed Win-

dows Logo testing to verify its compatibility with Windows XP”, click

[Continue Anyway].

NOTE

•You will need to log in with administrator (root) privileges in order

to install Musicsoft Downloader on a computer running Windows

2000 or XP.

•You will need to log in with administrator (root) privileges in order

to install Digital Music Notebook on a computer running Windows

2000 or XP.

IMPORTANT

• When installing the Digital Music Notebook, make sure that Inter-

net Explorer 6.0 (with SP1) or higher is installed to your computer.

IMPORTANT

• Credit card settlement is required to purchase Digital Music Note-

book content. Credit card processing may not be possible for

some areas, so please check with your local authorities to make

sure that your credit card can be used.

IMPORTANT

• If the start window does not appear automatically, double click your

“My Computer” folder to open it. Right-click the CD-ROM icon and

select “Open” from the pop-up menu. Double click “Start.exe” and

proceed to step 2, below.

NOTE

• Only Musicsoft Downloader can be used to transfer ﬁles between

this instrument and a computer. No other ﬁle transfer application

can be used.

IMPORTANT

110 DGX-620/520, YPG-625/525 Owner’s Manual

Accessory CD-ROM Installation Guide

■Troubleshooting

• Is the USB cable connected correctly?

Check the USB cable connection. Disconnect the

USB cable, then connect it again.

• Is the USB function enabled on your com-

puter?

When you connect the instrument to the

computer for the ﬁrst time, if the “Add New

Hardware Wizard” does not appear, the USB

function on the computer may be disabled.

Perform the following steps.

1 Select [Control Panel] ➔ [System] ➔

[Device Manager] (for Windows 98/Me), or

select [Control Panel]* ➔ [System] ➔

[Hardware] ➔ [Device Manager] (for Win-

dows 2000/XP).

* Classic View only in Windows XP.

2 Make sure that no “!” or “x” marks appear

at “Universal serial bus controller” or

“USB Root Hub”. If you see an “!” or “x”

mark, the USB controller is disabled.

• Is any unknown device registered?

If driver installation fails, the instrument will be

marked as an “Unknown device”, and you will

not be able to install the driver. Delete the

“Unknown device” by following the steps below.

1 Select [Control Panel] ➔ [System] ➔

[Device Manager] (for Windows 98/Me), or

select [Control Panel]* ➔ [System] ➔

[Hardware] ➔ [Device Manager] (for Win-

dows 2000/XP).

* Classic View only in Windows XP.

2 Look for “Other devices” in the menu

“View devices by type”.

3 If you ﬁnd “Other devices”, double-click it

to extend the tree to look for “Unknown

device”. If one appears, select it and click

the [Remove] button.

4 Remove the USB cable from the instru-

ment, and make the connection again.

5 Install the driver again.

• Windows 98/Me users... see page 108

• Windows 2000 users..... see page 108

• Windows XP users........ see page 109

• Did you install the driver? (page 107)

• Is the USB cable connected correctly?

•Are the volume settings of the instrument,

playback device, and application program set

to the appropriate levels?

•Have you selected an appropriate port in the

sequence software?

•Are you using the latest USB MIDI driver?

The latest driver can be downloaded from the

following web site.

http://music.yamaha.com/download/

• Does your computer satisfy the system

requirements?

• Is any other application or device driver run-

ning?

• Do not suspend the computer while the MIDI

application is running.

If you are using Windows 2000, you may not be

able to suspend/resume normally, depending on

the particular environment (USB Host

Controller, etc.). Even so, simply disconnecting

and connecting the USB cable will allow you to

use the instrument functions again.

[Windows Me/98]

1 When the instrument is recognized cor-

rectly, double-click “System” in the Con-

trol Panel to open the System window.

2 Double-click the “Device Manager” tab,

select “YAMAHA USB MIDI Driver” and

delete it.

3 Use the MS-DOS prompt or Explorer to

delete the following three ﬁles.

The driver cannot be installed. When controlling the instrument from

your computer via USB, the instrument

does not operate correctly or no sound

is heard.

Playback response is delayed.

Cannot suspend or resume the com-

puter correctly.

How can I delete or re-install the driver?

DGX-620/520, YPG-625/525 Owner’s Manual 111

Accessory CD-ROM Installation Guide

4 Disconnect the USB cable.

5 Restart the computer.

6 Re-install the driver.

ATTENTION

SOFTWARE LICENSE AGREEMENT

PLEASE READ THIS SOFTWARE LICENSE AGREEMENT (“AGREE-

MENT”) CAREFULLY BEFORE USING THIS SOFTWARE. YOU ARE

ONLY PERMITTED TO USE THIS SOFTWARE PURSUANT TO THE

TERMS AND CONDITIONS OF THIS AGREEMENT. THIS AGREEMENT

IS BETWEEN YOU (AS AN INDIVIDUAL OR LEGAL ENTITY) AND

YAMAHA CORPORATION (“YAMAHA”).

BY BREAKING THE SEAL OF THIS PACKAGE YOU ARE AGREEING TO

BE BOUND BY THE TERMS OF THIS LICENSE. IF YOU DO NOT AGREE

WITH THE TERMS, DO NOT INSTALL, COPY, OR OTHERWISE USE THIS

SOFTWARE.

1. GRANT OF LICENSE AND COPYRIGHT

Yamaha hereby grants you the right to use one copy of the software program(s)

and data (“SOFTWARE”) accompanying this Agreement. The term SOFT-

WARE shall encompass any updates to the accompanying software and data.

The SOFTWARE is owned by Yamaha and/or Yamaha’s licensor(s), and is pro-

tected by relevant copyright laws and all applicable treaty provisions. While

you are entitled to claim ownership of the data created with the use of SOFT-

WARE, the SOFTWARE will continue to be protected under relevant copy-

rights.

• You may use the SOFTWARE on a single computer.

• You may make one copy of the SOFTWARE in machine-readable form for

backup purposes only, if the SOFTWARE is on media where such backup

copy is permitted. On the backup copy, you must reproduce Yamaha’s copy-

right notice and any other proprietary legends that were on the original copy

of the SOFTWARE.

• You may permanently transfer to a third party all your rights in the SOFT-

WARE, provided that you do not retain any copies and the recipient reads

and agrees to the terms of this Agreement.

2. RESTRICTIONS

• You may not engage in reverse engineering, disassembly, decompilation or

otherwise deriving a source code form of the SOFTWARE by any method

whatsoever.

• You may not reproduce, modify, change, rent, lease, or distribute the SOFT-

WARE in whole or in part, or create derivative works of the SOFTWARE.

• You may not electronically transmit the SOFTWARE from one computer to

another or share the SOFTWARE in a network with other computers.

• You may not use the SOFTWARE to distribute illegal data or data that vio-

lates public policy.

• You may not initiate services based on the use of the SOFTWARE without

permission by Yamaha Corporation

Copyrighted data, including but not limited to MIDI data for songs, obtained

by means of the SOFTWARE, are subject to the following restrictions which

you must observe.

• Data received by means of the SOFTWARE may not be used for any com-

mercial purposes without permission of the copyright owner.

• Data received by means of the SOFTWARE may not be duplicated, trans-

ferred, or distributed, or played back or performed for listeners in public

without permission of the copyright owner.

• The encryption of data received by means of the SOFTWARE may not be

removed nor may the electronic watermark be modiﬁed without permission

of the copyright owner.

3. TERMINATION

This Agreement becomes effective on the day that you receive the SOFT-

WARE and remains effective until terminated. If any copyright law or provi-

sions of this Agreement is violated, the Agreement shall terminate

automatically and immediately without notice from Yamaha. Upon such ter-

mination, you must immediately destroy the licensed SOFTWARE, any

accompanying written documents and all copies thereof.

4. LIMITED WARRANTY ON MEDIA

As to SOFTWARE sold on tangible media, Yamaha warrants that the tangible

media on which the SOFTWARE is recorded will be free from defects in mate-

rials and workmanship under normal use for a period of fourteen (14) days

from the date of receipt, as evidenced by a copy of the receipt. Yamaha’s entire

liability and your exclusive remedy will be replacement of the defective media

if it is returned to Yamaha or an authorized Yamaha dealer within fourteen days

with a copy of the receipt. Yamaha is not responsible for replacing media dam-

aged by accident, abuse or misapplication. TO THE FULLEST EXTENT

PERMITTED BY LAW, YAMAHA EXPRESSLY DISCLAIMS ANY

IMPLIED WARRANTIES ON THE TANGIBLE MEDIA, INCLUDING THE

IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR

A PARTICULAR PURPOSE.

5. DISCLAIMER OF WARRANTY ON SOFTWARE

You expressly acknowledge and agree that use of the SOFTWARE is at your

sole risk. The SOFTWARE and related documentation are provided “AS IS”

and without warranty of any kind. NOTWITHSTANDING ANY OTHER

PROVISION OF THIS AGREEMENT, YAMAHA EXPRESSLY DIS-

CLAIMS ALL WARRANTIES AS TO THE SOFTWARE, EXPRESS, AND

IMPLIED, INCLUDING BUT NOT LIMITED TO THE IMPLIED WAR-

RANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR

PURPOSE AND NON-INFRINGEMENT OF THIRD PARTY RIGHTS.

SPECIFICALLY, BUT WITHOUT LIMITING THE FOREGOING,

YAMAHA DOES NOT WARRANT THAT THE SOFTWARE WILL MEET

YOUR REQUIREMENTS, THAT THE OPERATION OF THE SOFTWARE

WILL BE UNINTERRUPTED OR ERROR-FREE, OR THAT DEFECTS IN

THE SOFTWARE WILL BE CORRECTED.

6. LIMITATION OF LIABILITY

YAMAHA’S ENTIRE OBLIGATION HEREUNDER SHALL BE TO PER-

MIT USE OF THE SOFTWARE UNDER THE TERMS HEREOF. IN NO

EVENT SHALL YAMAHA BE LIABLE TO YOU OR ANY OTHER PER-

SON FOR ANY DAMAGES, INCLUDING, WITHOUT LIMITATION, ANY

DIRECT, INDIRECT, INCIDENTAL OR CONSEQUENTIAL DAMAGES,

EXPENSES, LOST PROFITS, LOST DATA OR OTHER DAMAGES ARIS-

ING OUT OF THE USE, MISUSE OR INABILITY TO USE THE SOFT-

WARE, EVEN IF YAMAHA OR AN AUTHORIZED DEALER HAS BEEN

ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. In no event shall

Yamaha’s total liability to you for all damages, losses and causes of action

(whether in contract, tort or otherwise) exceed the amount paid for the SOFT-

WARE.

7. THIRD PARTY SOFTWARE

Third party software and data (“THIRD PARTY SOFTWARE”) may be

attached to the SOFTWARE. If, in the written materials or the electronic data

accompanying the Software, Yamaha identiﬁes any software and data as

THIRD PARTY SOFTWARE, you acknowledge and agree that you must abide

by the provisions of any Agreement provided with the THIRD PARTY SOFT-

WARE and that the party providing the THIRD PARTY SOFTWARE is

responsible for any warranty or liability related to or arising from the THIRD

PARTY SOFTWARE. Yamaha is not responsible in any way for the THIRD

PARTY SOFTWARE or your use thereof.

•Yamaha provides no express warranties as to the THIRD PARTY SOFT-

WARE. IN ADDITION, YAMAHA EXPRESSLY DISCLAIMS ALL

IMPLIED WARRANTIES, INCLUDING BUT NOT LIMITED TO THE

IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR

A PARTICULAR PURPOSE, as to the THIRD PARTY SOFTWARE.

•Yamaha shall not provide you with any service or maintenance as to the

THIRD PARTY SOFTWARE.

•Yamaha is not liable to you or any other person for any damages, including,

without limitation, any direct, indirect, incidental or consequential damages,

expenses, lost proﬁts, lost data or other damages arising out of the use, mis-

use or inability to use the THIRD PARTY SOFTWARE.

8. GENERAL

This Agreement shall be interpreted according to and governed by Japanese

law without reference to principles of conﬂict of laws. Any dispute or proce-

dure shall be heard before the Tokyo District Court in Japan. If for any reason

a court of competent jurisdiction ﬁnds any portion of this Agreement to be

unenforceable, the remainder of this Agreement shall continue in full force and

effect.

9. COMPLETE AGREEMENT

This Agreement constitutes the entire agreement between the parties with

respect to use of the SOFTWARE and any accompanying written materials and

supersedes all prior or contemporaneous understandings or agreements, writ-

ten or oral, regarding the subject matter of this Agreement. No amendment or

revision of this Agreement will be binding unless in writing and signed by a

fully authorized representative of Yamaha.

•To delete these ﬁles using Explorer, select “Folder Options” from

the Tool (View) menu, and select “Show all ﬁles (and folders).”

• \WINDOWS\INF\OTHER\1039.INF

• \WINDOWS\SYSTEM\Xgusb.drv

• \WINDOWS\SYSTEM\Ymidusb.sys

NOTE

112 DGX-620/520, YPG-625/525 Owner’s Manual

Troubleshooting

■ For the Instrument

Problem Possible Cause and Solution

When the instrument is turned on or off, a popping

sound is temporarily produced.

This is normal and indicates that the instrument is receiving electrical

power.

When using a mobile phone, noise is produced.

Using a mobile phone in close proximity to the instrument may pro-

duce interference. To prevent this, turn off the mobile phone or use it

further away from the instrument.

There is no sound even when the keyboard is

played or when a song or style is being played

back.

Check that nothing is connected to the PHONES/OUTPUT jack on

the rear panel. When a set of headphones is plugged into this jack,

no sound is output.

Check the Local Control on/off. (See page 100.)

Is the FILE CONTROL display showing? The instrument’s keyboard,

etc., will not produce any sound while the FILE CONTROL display is

showing. Press the [EXIT] button to return to the MAIN display.

Playing keys in the right hand area of the keyboard

does not produce any sound.

When using the Dictionary function (page 82), the keys in the right

hand area are used only for entering the chord root and type.

The style or song does not play back when the

[START/STOP] button is pressed.

Is External Clock set to ON? Make sure External Clock is set to OFF;

refer to “External Clock” on page 100.

The style does not sound properly.

Make sure that the Style Volume (page 88) is set to an appropriate

level.

Is the split point set at an appropriate key for the chords you are play-

ing? Set the split point at an appropriate key (page 77).

Is the “ACMP” indicator showing in the display? If it is not showing

press the [ACMP ON/OFF] button so that it does show.

No rhythm accompaniment plays when the

[START/STOP] button is pressed after selecting

style number 121 or a style between 133 and 150

(Pianist).

This is not a malfunction. Style number 121 and style numbers 133–

150 (Pianist) have no rhythm parts, so no rhythm will play. The other

parts will begin playing when you play a chord in the accompaniment

range of the keyboard if style playback is turned on.

Not all of the voices seem to sound, or the sound

seems to be cut off.

The instrument is polyphonic up to a maximum of 32 notes. If the

Dual voice or Split voice is being used and a style or song is playing

back at the same time, some notes/sounds may be omitted (or “sto-

len”) from the accompaniment or song.

The footswitch (for sustain) seems to produce the

opposite effect. For example, pressing the foot-

switch cuts off the sound and releasing it sustains

the sounds.

The polarity of the footswitch is reversed. Make sure that the foot-

switch plug is properly connected to the SUSTAIN jack before turning

on the power.

The sound of the voice changes from note to note.

This is normal. The AWM tone generation method uses multiple

recordings (samples) of an instrument across the range of the key-

board; thus, the actual sound of the voice may be slightly different

from note to note.

The Demo display is shown in Japanese, and/or

there are Japanese characters in the display mes-

sages.

Make sure the Language setting in the FUNCTION display is set to

English. (See page 14)

Appendix

DGX-620/520, YPG-625/525 Owner’s Manual 113

Troubleshooting

The appropriate display does not appear when the

[SONG], [EASY SONG ARRANGER], [STYLE], or

[VOICE] button is pressed.

Is another display showing? Try pressing the [EXIT] button to return

to the MAIN display, and then pressing one of the mentioned buttons.

The wrong notes sound when the keyboard is

played.

Perhaps the performance assistant technology is turned on.

Press the [PERFORMANCE ASSISTANT] button to turn it off.

The ACMP indicator does not appear when the

[ACMP ON/OFF] button is pressed.

Is the [STYLE] button lit? Always press the [STYLE] button ﬁrst when

you are going to use any style-related function.

There is no harmony sound.

The harmony effects (01–26) behave differently according to their

type. Types 01–05 function when style playback is on, chords are

played in the accompaniment range of the keyboard, and a melody is

played in the right-hand range. Types 06–26 will function whether

style playback is on or off. For types 06–12 you need to play two

notes at the same time.

Problem Possible Cause and Solution

114 DGX-620/520, YPG-625/525 Owner’s Manual

Messages

LCD Message Comment

Access error!

Indicates the failure in reading or writing from/to the media or the ﬂash

memory.

All Memory Clearing...

Displayed while erasing all data in the ﬂash memory. Never turn the power

off during data transmission.

Are you sure? Conﬁrms whether Song Clear or Track Clear is executed or not.

Backup Clearing... Displayed while clearing the back-up data in the ﬂash memory.

Cancel Displayed when the transmission of Initial Send is cancelled.

Clearing... Displayed while executing Song Clear or Track Clear of the user songs.

Com Mode

Displayed when the Musicsoft Downloader is started on the PC connected

to the keyboard. This will not be displayed while the instrument is played

back.

Completed

Indicates the speciﬁed job completion such as data saving and transmis-

sion.

Copy File Displayed while copying a ﬁle in the Musicsoft Downloader.

Create Directory Displayed while creating a folder in the Musicsoft Downloader application.

Data Error! Displayed when the user song contains illegal data.

Delete File Displayed while deleting a ﬁle in the Musicsoft Downloader.

Delete OK ? Conﬁrms whether the Delete job is executed or not.

Delete Directory Displayed while deleting a folder in the Musicsoft Downloader.

Deleting... Displayed while the delete function is engaged.

End Displayed when the transmission of Initial Send has been completed.

Error! Displayed when writing has failed.

“File information area is not large enough.”

Indicates that saving data in the media cannot be executed since the total

number of ﬁles have become too many.

File is not found. Indicates there is no ﬁle.

“File too large. Loading is impossible.”

Indicates that loading data cannot be executed since the ﬁle data is too

large.

Flash Clearing...

Displayed while clearing the song or style data transmitted to the internal

ﬂash memory.

Format OK ? [EXECUTE] Conﬁrms whether formatting the media is executed or not.

Formatting... Displayed while formatting.

Load OK ? Conﬁrms whether loading is executed or not.

Loading... Displayed while loading data.

Media is not inserted. Displayed when accessing the media while it is not inserted.

Media capacity is full.

Displayed when saving data cannot be executed since the media memory

becomes full.

Memory Full Displayed when the internal memory becomes full during song recording.

“MIDI receive buffer overﬂow.”

Displayed when too much MIDI data was received at one time and failed to

proceed.

Move File Displayed while moving a ﬁle in the Musicsoft Downloader.

“Now Writing...

(Don’t turn off the power now, otherwise

the data may be damaged.)”

Displayed while writing data in the memory. Never turn the power off while

writing. Doing so may result in data loss.

Overwrite ? Conﬁrms whether overwriting is executed or not.

Please Wait...

Displayed when executing the jobs that take some time, such as displaying

scores and lyrics.

DGX-620/520, YPG-625/525 Owner’s Manual 115

Messages

Rename File Displayed while rewriting the ﬁle name in the Musicsoft Downloader.

Save OK ? Conﬁrms whether saving is executed or not.

Saved data is not found. Displayed when the data to be saved doesn’t exist.

Saving...

Displayed while saving data in the memory. Never turn the power off while

saving. Doing so may result in data loss.

Send OK? Conﬁrms whether the data transmission is executed or not.

Sending... Displayed while transmitting data.

“Since the media is in use now, this

function is not available.”

Indicates that the ﬁle control function is currently unavailable since the

media is being accessed.

Sure ? [YES/NO] Reconﬁrms whether each operation is executed or not.

“The limit of the media has been reached.”

Indicates that saving data cannot be executed since the folder/directory

structure has become too complicated.

The media is not formatted. Indicates the inserted media has not been formatted.

“The media is write-protected.”

Indicates that the inserted media cannot be written since it is write-pro-

tected. Set to the write-protect switch to the “overwrite” position before use.

“The song data is too large to be

converted to notation.”

Indicates that the score cannot be displayed since the song data is too

large.

There are too many ﬁles.

Indicates that saving data cannot be executed since the total number of ﬁles

exceeds the capacity.

“This function is not available now.”

Indicates the designated function is not available since the instrument is

executing another job.

[nnn] “ﬁle name”

Indicates the ﬁle name of the currently transmitting. “nnn” indicates the

receiving block.

LCD Message Comment

• Not all the messages are listed in the table: the messages neces-

sary to be explained only.

NOTE

116 DGX-620/520, YPG-625/525 Owner’s Manual

Keyboard Stand Assembly

The parts shown in the “Assembly Parts” illustration will be used. Follow the assembly instructions and

select the parts as needed.

z Attach the stand bases.

Making sure that the boards are facing the proper direc-

tion (the holes should face inside). The left and right side

boards for the DGX-520 and YPG-525 are the same shape.

Insert the joint connectors w into the holes as shown. The

joint connectors have been installed properly if you can see

a plus mark on the connector.

Attach the stand bases to the rear of the side boards,

using the 6 x 70 mm roundhead screws q. The left and

right stand bases are the same shape, and there is no differ-

ence between their front-to-back orientation. If you have

trouble screwing in the screws, use a screwdriver to rotate

the joint connectors to the appropriate position—the →

mark on the joint connectors indicates the location of the

screw hole.

Have a phillips-head (+) screwdriver ready.

Read these cautions carefully before you assemble or use the keyboard stand.

These cautions are to promote safe use of the stand and to prevent injury and damage from

occurring to you and others. By following these cautions carefully, your keyboard stand will pro-

vide you with safe and prolonged use.

• Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in

accordance with the sequence given below.

• Assembly should be carried out by at least two persons.

• Be sure to use the correct screw size, as indicated above. Use of incorrect screws can cause damage.

• Use the stand after assembly is complete. An uncompleted stand may overturn or the keyboard may drop.

•Always place the stand on a ﬂat, stable surface. Placing the stand on uneven surfaces may cause it to

become unstable or overturn, the keyboard to drop, or injury.

• Do not use the stand for anything other than its designed purpose. Placing other objects on the stand may

result in the object dropping or the stand overturning.

• Do not apply excessive force to the keyboard as it may cause the stand to overturn or the keyboard to

drop.

• Make sure the stand is sturdy and safe, and all screws have been tight and ﬁrm before use. If not, the

stand may overturn, the keyboard may drop, or may result in injury to the user.

•To disassemble, reverse the assembly sequence given below.

CAUTION

q 6 x 70 mm roundhead

screws (4 pcs.)

Side

boards

Stand

bases

Back board

w Joint connectors (4 pcs.)

e 6 x 30 mm roundhead

screws (4 pcs.)

r 5 x 16 mm roundhead

screws (4 pcs.)

Assembly Parts

t Support rail

y 4 x 45 mm ﬂathead screws

(6 pcs.)

(DGX-620/YPG-625 only)

w Joint connectors

q 6 x 70 mm

roundhead screws

DGX-620/520, YPG-625/525 Owner’s Manual 117

Keyboard Stand Assembly

x Attach the back board.

Attach the back board, using the 6 x 30 mm roundhead

screws e. DGX-620 and YPG-625 owners : Check the

back-to-front orientation for the side boards.

Make sure the non-colored surface is facing down.

c DGX-620 and YPG-625 owners: please fol-

low these instructions.

Attach the support rail.

Spread a large soft cloth (such as a blanket) on the ﬂoor.

Place the instrument on the cloth with the keyboard side

facing down. Align the support rail t into the groove on

the bottom of the instrument and attach the rail, using the 4

x 45mm ﬂathead screws y.

v Put the keyboard on the stand.

Check the back-to-front orientation for stand, and care-

fully place the keyboard on the side boards. Slowly move

the keyboard so that the holes on the bottom of the key-

board are properly aligned with the holes on the angle

brackets.

b Install the keyboard to the stand.

Fix the keyboard to the angle brackets, using the 5 x 16

mm roundhead screws r.

e 6 x 30 mm roundhead screw

y 4 x 45 mm ﬂathead screws

t Support rail

4–5

r 5 x 16 mm

roundhead

screws

■ Post-assembly checklist

Once you’ve assembled the stand, check the fol-

lowing points:

• Are there any parts left over?

➔ If so, read the assembly instructions again and correct

any errors you might have made.

• Is the instrument clear of doors and other movable

ﬁxtures?

➔ If not, move the instrument to an appropriate location.

• Does the instrument make a rattling noise when you

play it or move it?

➔ If so, properly tighten all screws.

• Also, if the keyboard makes a creaking noise or

seems unsteady when you play it, refer carefully to

the assembly instructions and diagrams and

retighten all screws.

• Be careful not to drop the back board or touch the sharp metal ﬁt-

tings.

CAUTION

• Be careful not to drop the keyboard or to get your ﬁngers caught

between the keyboard and the stand parts.

CAUTION

118 DGX-620/520, YPG-625/525 Owner’s Manual

Scores

This demo is an example of how the Easy Song Arranger can be used to change styles throughout a piece.

Hallelujah Chorus

Song No. 9 qq

=123

(Function Demo for Easy Song Arranger)

Scores

DGX-620/520, YPG-625/525 Owner’s Manual 119

Scores

120 DGX-620/520, YPG-625/525 Owner’s Manual

This score is provided with the intent that the pitch will be corrected by the performance assistant technol-

ogy feature. If you play the “Play These Notes” part using the performance assistant technology feature, the

part will be corrected and played so that it matches the backing part.

Ave Maria

Song No. 10 qq

=61

(Function Demo for performance assistant technology)

Repeatedly Play the Same Key.

P.A.T.

Your Turn.

Type =CHORD

Scores

DGX-620/520, YPG-625/525 Owner’s Manual 121

Scores

122 DGX-620/520, YPG-625/525 Owner’s Manual

This score is provided with the intent that the pitch will be corrected by the performance assistant technol-

ogy feature. If you play the “Play These Notes” part using the performance assistant technology feature, the

part will be corrected and played so that it matches the backing part.

Nocturne op.9-2

Song No. 11 qq

=108

(Function Demo for performance assistant technology)

P.A.T.

Type =CHORD/FREE

Scores

DGX-620/520, YPG-625/525 Owner’s Manual 123

124 DGX-620/520, YPG-625/525 Owner’s Manual

Voice List

■ Maximum Polyphony ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

The instrument has 32-note maximum polyphony. This means

that it can play a maximum of up to 32 notes at once, regard-

less of what functions are used. Auto accompaniment uses a

number of the available notes, so when auto accompaniment

is used the total number of available notes for playing on the

keyboard is correspondingly reduced. The same applies to the

Split Voice and Song functions. If the maximum polyphony is

exceeded, earlier played notes will be cut off and the most

recent notes have priority (last note priority).

● Panel Voice List

• The Voice List includes MIDI program change numbers for

each voice. Use these program change numbers when

playing the instrument via MIDI from an external device.

• Program Numbers 001 to 128 directly relate to MIDI Pro-

gram Change Numbers 000 to 127. That is, Program Num-

bers and Program Change Numbers differ by a value of 1.

Remember to take this into consideration.

• Some voices may sound continuously or have a long

decay after the notes have been released while the sus-

tain pedal (footswitch) is held.

NOTE

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

PIANO

001 000 113 001 Live! Grand Piano

002 000 114 001 Live! Warm Grand Piano

003 000 112 001 Grand Piano

004 000 112 002 Bright Piano

005 000 112 007 Harpsichord

006 000 112 004 Honky-tonk Piano

007 000 112 003 MIDI Grand Piano

008 000 113 003 CP 80

E.PIANO

009 000 114 005 Cool! Galaxy Electric Piano

010 000 118 005 Cool! Suitcase Electric Piano

011 000 119 005 Cool! Electric Piano

012 000 113 006 Hyper Tines

013 000 112 005 Funky Electric Piano

014 000 112 006 DX Modern Electric Piano

015 000 114 006 Venus Electric Piano

016 000 114 008 E.Clavichord

017 000 112 008 Clavi

ORGAN

018 000 118 019 Cool! Organ

019 000 117 019 Cool! Rotor Organ

020 000 112 017 Jazz Organ 1

021 000 113 017 Jazz Organ 2

022 000 112 019 Rock Organ

023 000 114 019 Purple Organ

024 000 112 018 Click Organ

025 000 116 017 Bright Organ

026 000 127 019 Theater Organ

027 000 121 020 16'+2' Organ

028 000 120 020 16'+4' Organ

029 000 113 020 Chapel Organ

030 000 112 020 Church Organ

031 000 112 021 Reed Organ

ACCORDION

032 000 112 022 Musette Accordion

033 000 113 022 Traditional Accordion

034 000 113 024 Bandoneon

035 000 113 023 Modern Harp

036 000 112 023 Harmonica

GUITAR

037 000 112 025 Classical Guitar

038 000 112 026 Folk Guitar

039 000 112 027 Jazz Guitar

040 000 117 028 60’s Clean Guitar

041 000 113 026 12Strings Guitar

042 000 112 028 Clean Guitar

043 000 113 027 Octave Guitar

044 000 112 029 Muted Guitar

045 000 112 030 Overdriven Guitar

046 000 112 031 Distortion Guitar

BASS

047 000 112 034 Finger Bass

048 000 112 033 Acoustic Bass

049 000 112 035 Pick Bass

050 000 112 036 Fretless Bass

051 000 112 037 Slap Bass

052 000 112 039 Synth Bass

053 000 113 039 Hi-Q Bass

054 000 113 040 Dance Bass

STRINGS

055 000 116 050 Live! Orchestra

056 000 112 049 String Ensemble

057 000 112 050 Chamber Strings

058 000 113 050 Slow Strings

059 000 112 045 Tremolo Strings

060 000 112 051 Synth Strings

061 000 112 046 Pizzicato Strings

062 000 112 041 Violin

063 000 112 043 Cello

064 000 112 044 Contrabass

065 000 112 047 Harp

066 000 112 106 Banjo

067 000 112 056 Orchestra Hit

CHOIR

068 000 112 053 Choir

069 000 113 053 Vocal Ensemble

070 000 112 055 Air Choir

071 000 112 054 Vox Humana

SAXOPHONE

072 000 117 067 Sweet! Tenor Sax

073 000 113 065 Sweet! Soprano Sax

074 000 114 072 Sweet! Clarinet

075 000 118 067 Growl Sax

076 000 112 067 Tenor Sax

077 000 112 066 Alto Sax

078 000 112 065 Soprano Sax

079 000 112 068 Baritone Sax

080 000 114 067 Breathy Tenor Sax

081 000 112 072 Clarinet

082 000 112 069 Oboe

083 000 112 070 English Horn

084 000 112 071 Bassoon

TRUMPET

085 000 115 057 Sweet! Trumpet

086 000 117 058 Sweet! Trombone

087 000 114 060 Sweet! Muted Trumpet

088 000 112 057 Trumpet

089 000 112 058 Trombone

090 000 113 058 Trombone Section

091 000 112 060 Muted Trumpet

092 000 112 061 French Horn

093 000 112 059 Tuba

BRASS

094 000 112 062 Brass Section

095 000 113 062 Big Band Brass

096 000 113 063 80’s Brass

097 000 119 062 Mellow Horns

098 000 114 063 Techno Brass

099 000 112 063 Synth Brass

FLUTE

100 000 114 074 Sweet! Flute

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

Voice List

DGX-620/520, YPG-625/525 Owner’s Manual 125

● XGlite Voice/XGlite Optional Voice* List

101 000 113 076 Sweet! Pan Flute

102 000 112 074 Flute

103 000 112 073 Piccolo

104 000 112 076 Pan Flute

105 000 112 075 Recorder

106 000 112 080 Ocarina

SYNTH LEAD

107 000 112 081 Square Lead

108 000 112 082 Sawtooth Lead

109 000 115 082 Analogon

110 000 119 082 Fargo

111 000 112 099 Star Dust

112 000 112 086 Voice Lead

113 000 112 101 Brightness

SYNTH PAD

114 000 118 089 SweetHeaven

115 000 112 092 Xenon Pad

116 000 112 095 Equinox

117 000 112 089 Fantasia

118 000 113 090 Dark Moon

119 000 113 101 Bell Pad

PERCUSSION

120 000 112 012 Vibraphone

121 000 112 013 Marimba

122 000 112 014 Xylophone

123 000 112 115 Steel Drums

124 000 112 009 Celesta

125 000 112 011 Music Box

126 000 112 015 Tubular Bells

127 000 112 048 Timpani

DRUM KITS

128 127 000 001 Standard Kit 1

129 127 000 002 Standard Kit 2

130 127 000 009 Room Kit

131 127 000 017 Rock Kit

132 127 000 025 Electronic Kit

133 127 000 026 Analog Kit

134 127 000 113 Dance Kit

135 127 000 033 Jazz Kit

136 127 000 041 Brush Kit

137 127 000 049 Symphony Kit

138 126 000 001 SFX Kit 1

139 126 000 002 SFX Kit 2

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

XG PIANO

140 000 000 001 Grand Piano

141 000 001 001 Grand Piano KSP

142 000 040 001 Piano Strings

143 000 041 001 Dream

144 000 000 002 Bright Piano

145 000 001 002 Bright Piano KSP

146 000 000 003 Electric Grand Piano

147 000 001 003 Electric Grand Piano KSP

148 000 032 003 Detuned CP80

149 000 000 004 Honky-tonk Piano

150 000 001 004 Honky-tonk Piano KSP

151 000 000 005 Electric Piano 1

152 000 001 005 Electric Piano 1 KSP

153 000 032 005 Chorus Electric Piano 1

154 000 000 006 Electric Piano 2

155 000 001 006 Electric Piano 2 KSP

*156 000 032 006 Chorus Electric Piano 2

157 000 041 006 DX + Analog Electric Piano

158 000 000 007 Harpsichord

159 000 001 007 Harpsichord KSP

160 000 035 007 Harpsichord 2

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

161 000 000 008 Clavi

162 000 001 008 Clavi KSP

XG CHROMATIC

163 000 000 009 Celesta

164 000 000 010 Glockenspiel

165 000 000 011 Music Box

166 000 064 011 Orgel

167 000 000 012 Vibraphone

168 000 001 012 Vibraphone KSP

169 000 000 013 Marimba

170 000 001 013 Marimba KSP

171 000 064 013 Sine Marimba

172 000 097 013 Balimba

173 000 098 013 Log Drums

174 000 000 014 Xylophone

175 000 000 015 Tubular Bells

176 000 096 015 Church Bells

177 000 097 015 Carillon

178 000 000 016 Dulcimer

179 000 035 016 Dulcimer 2

180 000 096 016 Cimbalom

181 000 097 016 Santur

XG ORGAN

182 000 000 017 Drawbar Organ

183 000 032 017 Detuned Drawbar Organ

184 000 033 017 60’s Drawbar Organ 1

185 000 034 017 60’s Drawbar Organ 2

186 000 035 017 70’s Drawbar Organ 1

187 000 037 017 60’s Drawbar Organ 3

188 000 040 017 16+2'2/3

189 000 064 017 Organ Bass

190 000 065 017 70’s Drawbar Organ 2

191 000 066 017 Cheezy Organ

192 000 067 017 Drawbar Organ 2

193 000 000 018 Percussive Organ

194 000 024 018 70’s Percussive Organ

195 000 032 018 Detuned Percussive Organ

196 000 033 018 Light Organ

197 000 037 018 Percussive Organ 2

198 000 000 019 Rock Organ

199 000 064 019 Rotary Organ

200 000 065 019 Slow Rotary

201 000 066 019 Fast Rotary

202 000 000 020 Church Organ

203 000 032 020 Church Organ 3

204 000 035 020 Church Organ 2

205 000 040 020 Notre Dame

206 000 064 020 Organ Flute

207 000 065 020 Tremolo Organ Flute

208 000 000 021 Reed Organ

209 000 040 021 Puff Organ

210 000 000 022 Accordion

211 000 000 023 Harmonica

212 000 032 023 Harmonica 2

213 000 000 024 Tango Accordion

214 000 064 024 Tango Accordion 2

XG GUITAR

215 000 000 025 Nylon Guitar

216 000 043 025 Velocity Guitar Harmonics

217 000 096 025 Ukulele

218 000 000 026 Steel Guitar

219 000 035 026 12-string Guitar

220 000 040 026 Nylon & Steel Guitar

221 000 041 026 Steel Guitar with Body Sound

222 000 096 026 Mandolin

223 000 000 027 Jazz Guitar

224 000 032 027 Jazz Amp

225 000 000 028 Clean Guitar

226 000 032 028 Chorus Guitar

227 000 000 029 Muted Guitar

228 000 040 029 Funk Guitar

229 000 041 029 Muted Steel Guitar

230 000 045 029 Jazz Man

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

Voice List

126 DGX-620/520, YPG-625/525 Owner’s Manual

231 000 000 030 Overdriven Guitar

232 000 043 030 Guitar Pinch

233 000 000 031 Distortion Guitar

234 000 040 031 Feedback Guitar

235 000 041 031 Feedback Guitar 2

236 000 000 032 Guitar Harmonics

237 000 065 032 Guitar Feedback

238 000 066 032 Guitar Harmonics 2

XG BASS

239 000 000 033 Acoustic Bass

240 000 040 033 Jazz Rhythm

241 000 045 033 Velocity Crossfade Upright Bass

242 000 000 034 Finger Bass

243 000 018 034 Finger Dark

244 000 040 034 Bass & Distorted Electric Guitar

245 000 043 034 Finger Slap Bass

246 000 045 034 Finger Bass 2

247 000 065 034 Modulated Bass

248 000 000 035 Pick Bass

249 000 028 035 Muted Pick Bass

250 000 000 036 Fretless Bass

251 000 032 036 Fretless Bass 2

252 000 033 036 Fretless Bass 3

253 000 034 036 Fretless Bass 4

254 000 000 037 Slap Bass 1

255 000 032 037 Punch Thumb Bass

256 000 000 038 Slap Bass 2

257 000 043 038 Velocity Switch Slap

258 000 000 039 Synth Bass 1

259 000 040 039 Techno Synth Bass

260 000 000 040 Synth Bass 2

261 000 006 040 Mellow Synth Bass

262 000 012 040 Sequenced Bass

263 000 018 040 Click Synth Bass

264 000 019 040 Synth Bass 2 Dark

*265 000 040 040 Modular Synth Bass

266 000 041 040 DX Bass

XG STRINGS

267 000 000 041 Violin

268 000 008 041 Slow Violin

269 000 000 042 Viola

270 000 000 043 Cello

271 000 000 044 Contrabass

272 000 000 045 Tremolo Strings

273 000 008 045 Slow Tremolo Strings

274 000 040 045 Suspense Strings

275 000 000 046 Pizzicato Strings

276 000 000 047 Orchestral Harp

277 000 040 047 Yang Chin

278 000 000 048 Timpani

XG ENSEMBLE

279 000 000 049 Strings 1

280 000 003 049 Stereo Strings

281 000 008 049 Slow Strings

282 000 035 049 60’s Strings

283 000 040 049 Orchestra

284 000 041 049 Orchestra 2

285 000 042 049 Tremolo Orchestra

286 000 045 049 Velocity Strings

287 000 000 050 Strings 2

288 000 003 050 Stereo Slow Strings

289 000 008 050 Legato Strings

290 000 040 050 Warm Strings

291 000 041 050 Kingdom

292 000 000 051 Synth Strings 1

293 000 000 052 Synth Strings 2

294 000 000 053 Choir Aahs

295 000 003 053 Stereo Choir

296 000 032 053 Mellow Choir

297 000 040 053 Choir Strings

298 000 000 054 Voice Oohs

299 000 000 055 Synth Voice

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

300 000 040 055 Synth Voice 2

301 000 041 055 Choral

302 000 064 055 Analog Voice

303 000 000 056 Orchestra Hit

304 000 035 056 Orchestra Hit 2

305 000 064 056 Impact

XG BRASS

306 000 000 057 Trumpet

307 000 032 057 Warm Trumpet

308 000 000 058 Trombone

309 000 018 058 Trombone 2

310 000 000 059 Tuba

311 000 000 060 Muted Trumpet

312 000 000 061 French Horn

313 000 006 061 French Horn Solo

314 000 032 061 French Horn 2

315 000 037 061 Horn Orchestra

316 000 000 062 Brass Section

317 000 035 062 Trumpet & Trombone Section

318 000 000 063 Synth Brass 1

319 000 020 063 Resonant Synth Brass

320 000 000 064 Synth Brass 2

321 000 018 064 Soft Brass

322 000 041 064 Choir Brass

XG REED

323 000 000 065 Soprano Sax

324 000 000 066 Alto Sax

325 000 040 066 Sax Section

326 000 000 067 Tenor Sax

327 000 040 067 Breathy Tenor Sax

328 000 000 068 Baritone Sax

329 000 000 069 Oboe

330 000 000 070 English Horn

331 000 000 071 Bassoon

332 000 000 072 Clarinet

XG PIPE

333 000 000 073 Piccolo

334 000 000 074 Flute

335 000 000 075 Recorder

336 000 000 076 Pan Flute

337 000 000 077 Blown Bottle

338 000 000 078 Shakuhachi

339 000 000 079 Whistle

340 000 000 080 Ocarina

XG SYNTH LEAD

341 000 000 081 Square Lead

342 000 006 081 Square Lead 2

343 000 008 081 LM Square

344 000 018 081 Hollow

345 000 019 081 Shroud

346 000 064 081 Mellow

347 000 065 081 Solo Sine

348 000 066 081 Sine Lead

349 000 000 082 Sawtooth Lead

350 000 006 082 Sawtooth Lead 2

351 000 008 082 Thick Sawtooth

352 000 018 082 Dynamic Sawtooth

353 000 019 082 Digital Sawtooth

354 000 020 082 Big Lead

355 000 096 082 Sequenced Analog

356 000 000 083 Calliope Lead

357 000 065 083 Pure Lead

358 000 000 084 Chiff Lead

359 000 000 085 Charang Lead

360 000 064 085 Distorted Lead

361 000 000 086 Voice Lead

362 000 000 087 Fifths Lead

363 000 035 087 Big Five

364 000 000 088 Bass & Lead

365 000 016 088 Big & Low

366 000 064 088 Fat & Perky

367 000 065 088 Soft Whirl

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

Voice List

DGX-620/520, YPG-625/525 Owner’s Manual 127

The voice number with an asterisk (*) is XGlite optional voice.

XG SYNTH PAD

368 000 000 089 New Age Pad

369 000 064 089 Fantasy

370 000 000 090 Warm Pad

371 000 000 091 Poly Synth Pad

372 000 000 092 Choir Pad

373 000 066 092 Itopia

374 000 000 093 Bowed Pad

375 000 000 094 Metallic Pad

376 000 000 095 Halo Pad

377 000 000 096 Sweep Pad

XG SYNTH EFFECTS

378 000 000 097 Rain

379 000 065 097 African Wind

380 000 066 097 Carib

381 000 000 098 Sound Track

382 000 027 098 Prologue

383 000 000 099 Crystal

384 000 012 099 Synth Drum Comp

385 000 014 099 Popcorn

386 000 018 099 Tiny Bells

387 000 035 099 Round Glockenspiel

388 000 040 099 Glockenspiel Chimes

389 000 041 099 Clear Bells

390 000 042 099 Chorus Bells

391 000 065 099 Soft Crystal

392 000 070 099 Air Bells

393 000 071 099 Bell Harp

394 000 072 099 Gamelimba

395 000 000 100 Atmosphere

396 000 018 100 Warm Atmosphere

397 000 019 100 Hollow Release

398 000 040 100 Nylon Electric Piano

399 000 064 100 Nylon Harp

400 000 065 100 Harp Vox

401 000 066 100 Atmosphere Pad

402 000 000 101 Brightness

403 000 000 102 Goblins

404 000 064 102 Goblins Synth

405 000 065 102 Creeper

406 000 067 102 Ritual

407 000 068 102 To Heaven

408 000 070 102 Night

409 000 071 102 Glisten

410 000 096 102 Bell Choir

411 000 000 103 Echoes

412 000 000 104 Sci-Fi

XG WORLD

413 000 000 105 Sitar

414 000 032 105 Detuned Sitar

415 000 035 105 Sitar 2

416 000 097 105 Tamboura

417 000 000 106 Banjo

418 000 028 106 Muted Banjo

419 000 096 106 Rabab

420 000 097 106 Gopichant

421 000 098 106 Oud

422 000 000 107 Shamisen

423 000 000 108 Koto

424 000 096 108 Taisho-kin

425 000 097 108 Kanoon

426 000 000 109 Kalimba

427 000 000 110 Bagpipe

428 000 000 111 Fiddle

429 000 000 112 Shanai

XG PERCUSSIVE

430 000 000 113 Tinkle Bell

431 000 096 113 Bonang

432 000 097 113 Altair

433 000 098 113 Gamelan Gongs

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

434 000 099 113 Stereo Gamelan Gongs

435 000 100 113 Rama Cymbal

436 000 000 114 Agogo

437 000 000 115 Steel Drums

438 000 097 115 Glass Percussion

439 000 098 115 Thai Bells

440 000 000 116 Woodblock

441 000 096 116 Castanets

442 000 000 117 Taiko Drum

443 000 096 117 Gran Cassa

444 000 000 118 Melodic Tom

445 000 064 118 Melodic Tom 2

446 000 065 118 Real Tom

447 000 066 118 Rock Tom

448 000 000 119 Synth Drum

449 000 064 119 Analog Tom

450 000 065 119 Electronic Percussion

451 000 000 120 Reverse Cymbal

XG SOUND EFFECTS

452 000 000 121 Fret Noise

453 000 000 122 Breath Noise

454 000 000 123 Seashore

455 000 000 124 Bird Tweet

456 000 000 125 Telephone Ring

457 000 000 126 Helicopter

458 000 000 127 Applause

459 000 000 128 Gunshot

460 064 000 001 Cutting Noise

461 064 000 002 Cutting Noise 2

462 064 000 004 String Slap

463 064 000 017 Flute Key Click

464 064 000 033 Shower

465 064 000 034 Thunder

466 064 000 035 Wind

467 064 000 036 Stream

468 064 000 037 Bubble

469 064 000 038 Feed

470 064 000 049 Dog

471 064 000 050 Horse

472 064 000 051 Bird Tweet 2

473 064 000 056 Maou

474 064 000 065 Phone Call

475 064 000 066 Door Squeak

476 064 000 067 Door Slam

477 064 000 068 Scratch Cut

478 064 000 069 Scratch Split

479 064 000 070 Wind Chime

480 064 000 071 Telephone Ring 2

481 064 000 081 Car Engine Ignition

482 064 000 082 Car Tires Squeal

483 064 000 083 Car Passing

484 064 000 084 Car Crash

485 064 000 085 Siren

486 064 000 086 Train

487 064 000 087 Jet Plane

488 064 000 088 Starship

489 064 000 089 Burst

490 064 000 090 Roller Coaster

491 064 000 091 Submarine

492 064 000 097 Laugh

493 064 000 098 Scream

494 064 000 099 Punch

495 064 000 100 Heartbeat

496 064 000 101 Footsteps

497 064 000 113 Machine Gun

498 064 000 114 Laser Gun

499 064 000 115 Explosion

500 064 000 116 Firework

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

128 DGX-620/520, YPG-625/525 Owner’s Manual

Drum Kit List

Voice No. 128 129 130 131 132 133

MSB (0–127) / LSB (0–127) / PC (1–128) 127/000/001 127/000/002 127/000/009 127/000/017 127/000/025 127/000/026

Keyboard MIDI

Key

Off

Alternate

assign

Standard Kit 1 Standard Kit 2 Room Kit Rock Kit Electronic Kit Analog Kit

Note# Note Note# Note

25 C# 013C# -1 3 Surdo Mute

26 D 0 14 D -1 3 Surdo Open

27 D# 015D# -1 Hi Q

28 E 0 16 E -1 Whip Slap

29 F 0 17 F -1 4 Scratch H

30 F# 018F# -1 4 Scratch L

31 G 0 19 G -1 Finger Snap

32 G# 020G# -1 Click Noise

33 A 0 21 A -1 Metronome Click

34 A# 022A# -1 Metronome Bell

35 B 0 23 B -1 Seq Click L

36 C 1 24 C 0 Seq Click H

37 C# 125C# 0 Brush Tap

38 D 1 26 D 0 O Brush Swirl

39 D# 127D# 0 Brush Slap

40 E 1 28 E 0 O Brush Tap Swirl Reverse Cymbal Reverse Cymbal

41 F 1 29 F 0 O Snare Roll Snare Roll 2

42 F# 130F# 0 Castanet Hi Q 2 Hi Q 2

43 G 1 31 G 0 Snare Soft Snare Soft 2 Snare Noisy

Snare Snappy Electro

Snare Noisy 4

44 G# 132G# 0 Sticks

45 A 1 33 A 0 Kick Soft Kick Tight 2 Kick 3 Kick Tight 2

46 A# 134A# 0 Open Rim Shot

Open Rim Shot H Short

47 B 1 35 B 0 Kick Tight Kick Tight Short Kick 2 Kick Gate Kick Analog Short

48 C 2 36 C 1 Kick Kick Short Kick Gate Kick Gate Heavy Kick Analog

49 C# 237C# 1 Side Stick Side Stick Analog

50 D 2 38 D 1 Snare Snare Short Snare Snappy Snare Rock Snare Noisy 2 Snare Analog

51 D# 239D# 1 Hand Clap

52 E 2 40 E 1 Snare Tight Snare Tight H Snare Tight Snappy Snare Rock Rim Snare Noisy 3 Snare Analog 2

53 F 2 41 F 1 Floor Tom L Tom Room 1 Tom Rock 1 Tom Electro 1 Tom Analog 1

54 F# 242F# 11Hi-Hat Closed

Hi-Hat Closed Analog

55 G 2 43 G 1 Floor Tom H Tom Room 2 Tom Rock 2 Tom Electro 2 Tom Analog 2

56 G# 244G# 11Hi-Hat Pedal

Hi-Hat Closed Analog 2

57 A 2 45 A 1 Low Tom Tom Room 3 Tom Rock 3 Tom Electro 3 Tom Analog 3

58 A# 246A# 11Hi-Hat Open Hi-Hat Open Analog

59 B 2 47 B 1 Mid Tom L Tom Room 4 Tom Rock 4 Tom Electro 4 Tom Analog 4

60 C 3 48 C 2 Mid Tom H Tom Room 5 Tom Rock 5 Tom Electro 5 Tom Analog 5

61 C# 349C# 2 Crash Cymbal 1 Crash Analog

62 D 3 50 D 2 High Tom Tom Room 6 Tom Rock 6 Tom Electro 6 Tom Analog 6

63 D# 351D# 2 Ride Cymbal 1

64 E 3 52 E 2 Chinese Cymbal

65 F 3 53 F 2 Ride Cymbal Cup

66 F# 354F# 2 Tambourine

67 G 3 55 G 2 Splash Cymbal

68 G# 356G# 2 Cowbell Cowbell Analog

69 A 3 57 A 2 Crash Cymbal 2

70 A# 358A# 2 Vibraslap

71 B 3 59 B 2 Ride Cymbal 2

72 C 4 60 C 3 Bongo H

73 C# 461C# 3 Bongo L

74 D 4 62 D 3 Conga H Mute Conga Analog H

75 D# 463D# 3 Conga H Open Conga Analog M

76 E 4 64 E 3 Conga L Conga Analog L

77 F 4 65 F 3 Timbale H

78 F# 466F# 3 Timbale L

79 G 4 67 G 3 Agogo H

80 G# 468G# 3 Agogo L

81 A 4 69 A 3 Cabasa

82 A# 470A# 3 Maracas Maracas 2

83 B 4 71 B 3 O Samba Whistle H

84 C 5 72 C 4 O Samba Whistle L

85 C# 573C# 4 Guiro Short

86 D 5 74 D 4 O Guiro Long

87 D# 575D# 4 Claves Claves 2

88 E 5 76 E 4 Wood Block H

89 F 5 77 F 4 Wood Block L

90 F# 578F# 4 Cuica Mute Scratch H 2 Scratch H 2

91 G 5 79 G 4 Cuica Open Scratch L 2 Scratch L 3

92 G# 580G# 42Triangle Mute

93 A 5 81 A 4 2 Triangle Open

94 A# 582A# 4 Shaker

95 B 5 83 B 4 Jingle Bells

96 C 6 84 C 5 Bell Tree

97 C# 685C# 5

98 D 6 86 D 5

99 D# 687D# 5

100 E 6 88 E 5

101 F 6 89 F 5

102 F# 690F# 5

103 G 6 91 G 5

•“ ” indicates that the drum sound is the same as “Standard Kit 1”.

• Each percussion voice uses one note.

• The MIDI Note # and Note are actually one octave lower than keyboard Note # and Note. For example,

in “128: Standard Kit 1”, the “Seq Click H” (Note# 36/Note C1) corresponds to (Note# 24/Note C0).

•Key Off: Keys marked “O” stop sounding the instant they are released.

•Voices with the same Alternate Note Number (*1 ... 4) cannot be played simultaneously. (They are

designed to be played alternately with each other.)

C#1

D#1

G#1

A#1

F#1

C#0

D#0

G#0

A#0

F#0

C#2

D#2

G#2

A#2

F#2

C#3

D#3

G#3

A#3

F#3

C#4

D#4

G#4

A#4

F#4

C#5

D#5

G#5

A#5

F#5

C#6

D#6

F#6

Drum Kit List

DGX-620/520, YPG-625/525 Owner’s Manual 129

Voice No. 128 134 135 136 137 138 139

MSB (0–127) / LSB (0–127) / PC (1–128) 127/000/001 127/000/113 127/000/033 127/000/041 127/000/049 126/000/001 126/000/002

Keyboard MIDI

Key

Off

Alternate

assign

Standard Kit 1 Dance Kit Jazz Kit Brush Kit Symphony Kit SFX Kit 1 SFX Kit 2

Note# Note Note# Note

25 C# 013C# -1 3 Surdo Mute

26 D 0 14 D -1 3 Surdo Open

27 D# 015D# -1 Hi Q

28 E 0 16 E -1 Whip Slap

29 F 0 17 F -1 4 Scratch H

30 F# 018F# -1 4 Scratch L

31 G 0 19 G -1 Finger Snap

32 G# 020G# -1 Click Noise

33 A 0 21 A -1 Metronome Click

34 A# 022A# -1 Metronome Bell

35 B 0 23 B -1 Seq Click L

36 C 1 24 C 0 Seq Click H

37 C# 125C# 0 Brush Tap

38 D 1 26 D 0 O Brush Swirl

39 D# 127D# 0 Brush Slap

40 E 1 28 E 0 O Brush Tap Swirl Reverse Cymbal

41 F 1 29 F 0 O Snare Roll

42 F# 130F# 0 Castanet Hi Q 2

43 G 1 31 G 0 Snare Soft Snare Techno Snare Jazz H Brush Slap 2

44 G# 132G# 0 Sticks

45 A 1 33 A 0 Kick Soft Kick Techno Q Kick Soft 2

46 A# 134A# 0 Open Rim Shot Rim Gate

47 B 1 35 B 0 Kick Tight Kick Techno L Gran Cassa

48 C 2 36 C 1 Kick Kick Techno Kick Jazz Kick Small Gran Cassa Mute Cutting Noise Phone Call

49 C# 237C# 1 Side Stick Side Stick Analog Cutting Noise 2 Door Squeak

50 D 2 38 D 1 Snare Snare Clap Snare Jazz L Brush Slap 3 Band Snare Door Slam

51 D# 239D# 1 Hand Clap String Slap Scratch Cut

52 E 2 40 E 1 Snare Tight Snare Dry Snare Jazz M Brush Tap 2 Band Snare 2 Scratch H 3

53 F 2 41 F 1 Floor Tom L Tom Analog 1 Tom Jazz 1 Tom Brush 1 Tom Jazz 1 Wind Chime

54 F# 242F# 11Hi-Hat Closed

Hi-Hat Closed Analog3

Telephone Ring 2

55 G 2 43 G 1 Floor Tom H Tom Analog 2 Tom Jazz 2 Tom Brush 2 Tom Jazz 2

56 G# 244G# 11Hi-Hat Pedal

Hi-Hat Closed Analog 4

57 A 2 45 A 1 Low Tom Tom Analog 3 Tom Jazz 3 Tom Brush 3 Tom Jazz 3

58 A# 246A# 11Hi-Hat Open

Hi-Hat Open Analog 2

59 B 2 47 B 1 Mid Tom L Tom Analog 4 Tom Jazz 4 Tom Brush 4 Tom Jazz 4

60 C 3 48 C 2 Mid Tom H Tom Analog 5 Tom Jazz 5 Tom Brush 5 Tom Jazz 5

61 C# 349C# 2 Crash Cymbal 1 Crash Analog Hand Cymbal

62 D 3 50 D 2 High Tom Tom Analog 6 Tom Jazz 6 Tom Brush 6 Tom Jazz 6

63 D# 351D# 2 Ride Cymbal 1

Hand Cymbal Short

64 E 3 52 E 2 Chinese Cymbal Flute Key Click Car Engine Ignition

65 F 3 53 F 2 Ride Cymbal Cup Car Tires Squeal

66 F# 354F# 2 Tambourine Car Passing

67 G 3 55 G 2 Splash Cymbal Car Crash

68 G# 356G# 2 Cowbell Cowbell Analog Siren

69 A 3 57 A 2 Crash Cymbal 2 Hand Cymbal 2 Train

70 A# 358A# 2 Vibraslap Jet Plane

71 B 3 59 B 2 Ride Cymbal 2

Hand Cymbal 2 Short

Starship

72 C 4 60 C 3 Bongo H

Burst

73 C# 461C# 3 Bongo L Roller Coaster

74 D 4 62 D 3 Conga H Mute Conga Analog H

Submarine

75 D# 463D# 3 Conga H Open Conga Analog M

76 E 4 64 E 3 Conga L Conga Analog L

77 F 4 65 F 3 Timbale H

78 F# 466F# 3 Timbale L

79 G 4 67 G 3 Agogo H

80 G# 468G# 3 Agogo L Shower Laugh

81 A 4 69 A 3 Cabasa Thunder Scream

82 A# 470A# 3 Maracas Maracas 2

Wind Punch

83 B 4 71 B 3 O Samba Whistle H Stream Heartbeat

84 C 5 72 C 4 O Samba Whistle L

Bubble Footsteps

85 C# 573C# 4 Guiro Short Feed

86 D 5 74 D 4 O Guiro Long

87 D# 575D# 4 Claves Claves 2

88 E 5 76 E 4 Wood Block H

89 F 5 77 F 4 Wood Block L

90 F# 578F# 4 Cuica Mute Scratch H 2

91 G 5 79 G 4 Cuica Open Scratch L 3

92 G# 580G# 42Triangle Mute

93 A 5 81 A 4 2 Triangle Open

94 A# 582A# 4 Shaker

95 B 5 83 B 4 Jingle Bells

96 C 6 84 C 5 Bell Tree Dog Machine Gun

97 C# 685C# 5 Horse Laser Gun

98 D 6 86 D 5 Bird Tweet 2 Explosion

99 D# 687D# 5 Firework

100 E 6 88 E 5

101 F 6 89 F 5

102 F# 690F# 5

103 G 6 91 G 5 Maou

C#1

D#1

G#1

A#1

F#1

C#0

D#0

G#0

A#0

F#0

C#2

D#2

G#2

A#2

F#2

C#3

D#3

G#3

A#3

F#3

C#4

D#4

G#4

A#4

F#4

C#5

D#5

G#5

A#5

F#5

C#6

D#6

F#6

130 DGX-620/520, YPG-625/525 Owner’s Manual

Style List

Style No. Style Name

8BEAT

001 8BeatModern

002 Cool8Beat

003 60’sGuitarPop

004 8BeatAdria

005 60’s8Beat

006 BubblegumPop

007 BritPopSwing

008 8Beat

009 OffBeat

010 60’sRock

011 HardRock

012 RockShuffle

013 8BeatRock

16BEAT

014 16Beat

015 PopShuffle1

016 PopShuffle2

017 GuitarPop

018 16BeatUptempo

019 KoolShuffle

020 JazzRock

021 HipHopLight

BALLAD

022 PianoBallad

023 LoveSong

024 6/8ModernEP

025 6/8SlowRock

026 6/8OrchBallad

027 OrganBallad

028 PopBallad

029 16BeatBallad1

030 16BeatBallad2

DANCE

031 EuroTrance

032 Ibiza

033 DreamDance

034 HouseMusik

035 SwingHouse

036 TechnoPolis

037 Clubdance

038 ClubLatin

039 Garage1

040 Garage2

041 TechnoParty

042 UKPop

043 HipHopGroove

044 HipShuffle

045 HipHopPop

DISCO

046 70’sDisco1

047 70’sDisco2

048 LatinDisco

049 DiscoPhilly

050 SaturdayNight

051 DiscoChocolate

052 DiscoHands

SWING&JAZZ

053 BigBandFast

054 BigBandMedium

055 BigBandBallad

056 BigBandShuffle

057 JazzClub

058 Swing1

059 Swing2

060 OrchestraSwing

061 Five/Four

062 JazzBallad

063 Dixieland

064 Ragtime

065 AfroCuban

066 Charleston

R&B

067 Soul

068 DetroitPop1

069 60’sRock&Roll

070 6/8Soul

071 CrocoTwist

072 Rock&Roll

073 DetroitPop2

074 BoogieWoogie

075 ComboBoogie

076 6/8Blues

COUNTRY

077 Country8Beat

078 CountryPop

079 CountrySwing

080 CountryBallad

081 Country2/4

082 CowboyBoogie

083 CountryShuffle

084 Bluegrass

LATIN

085 BrazilianSamba

086 BossaNova

087 PopBossa

088 Tijuana

089 DiscoLatin

090 Mambo

091 Salsa

092 Beguine

093 GuitarRumba

094 RumbaFlamenco

095 RumbaIsland

096 Reggae

BALLROOM

097 VienneseWaltz

098 EnglishWaltz

099 Slowfox

100 Foxtrot

101 Quickstep

102 Tango

103 Pasodoble

104 Samba

Style No. Style Name

105 ChaChaCha

106 Rumba

107 Jive

TRADITIONAL

108 USMarch

109 6/8March

110 GermanMarch

111 PolkaPop

112 OberPolka

113 Tarantella

114 Showtune

115 ChristmasSwing

116 ChristmasWaltz

117 ScottishReel

118 Hawaiian

WALTZ

119 ItalianWaltz

120 MariachiWaltz

121 GuitarSerenade

122 SwingWaltz

123 JazzWaltz1

124 JazzWaltz2

125 CountryWaltz

126 OberWaltzer

127 Musette

CHILDREN

128 Learning2/4

129 Learning4/4

130 Learning6/8

131 Fun 3/4

132 Fun 4/4

PIANIST

133 Stride

134 PianoBlues1

135 PianoBlues2

136 PianoRag

137 PianoRock&Roll

138 PianoBoogie

139 PianoJazzWaltz

140 PianoJazzBld

141 Arpeggio

142 Musical

143 Habanera

144 SlowRock

145 8BtPianoBallad

146 PianoMarch

147 6/8PianoMarch

148 PianoWaltz

149 PianoBeguine

150 PianoSwing

Style No. Style Name

DGX-620/520, YPG-625/525 Owner’s Manual 131

Music Database List

MDB No. Song Name

POP

001 AlvFever

002 CoinLane

003 Croco Rk

004 DayPdise

005 DwnTown

006 EasySday

007 GoMyWay

008 HowDeep!

009 HurryLuv

010 I breath

011 I’lBTher

012 I’m Torn

013 Imagine

014 ISurvive

015 JustCall

016 JustWay

017 LeadPack

018 LoveFeel

019 LoveMeT

020 LveMeDo

021 Mi Shell

022 My Baby

023 NikitTrp

024 NoMatter

025 ProudGtr

026 RainOnMe

027 SailngSx

028 SeeAgain

029 Sept.Pop

030 SultanSw

031 SweetLrd

032 ThnkMsic

033 TitanicH

034 UNeedLv

035 UptnGirl

036 WantToBe

037 WatchGrl

038 WhatALoo

039 WhitePle

040 Woman

041 YelowSub

042 Yesterdy

ROCK

043 DavAgain

044 JumpRock

045 OyComCha

046 PickUpPc

047 RdRiverR

048 SatsfyGt

049 Sheriff

050 SmokeWtr

051 TwistAgn

052 VenusPop

DANCE

053 2 of Us

054 B Leave

055 Back St

056 Crockett

057 DsrtRose

058 FunkyTwn

059 Kids

060 KillSoft

061 Nine PM

062 SingBack

063 StrandD

BALLAD

064 AdelineB

065 ArgenCry

066 BeautBdy

067 Bl Bayou

068 CatMemry

069 CavaSolo

070 E Weiss

071 ElizSere

072 ElvGhett

073 Feeling

074 Fly Away

075 Fnl Date

076 GreenSlv

077 GtCncert

078 HrdToSay

079 LonlyPan

080 MBoxDnce

081 Mn Rivr

082 My Song

083 NorwWood

084 OnMyMnd

085 OverRbow

086 Red Lady

087 ReleseMe

088 SavingLv

089 Shore Cl

090 SierraMd

091 SilverMn

092 SmokyEye

093 SndOfSil

094 SumerPlc

095 TblWater

096 WhereLov

097 WhisprSx

098 WomanLov

R & B

099 AmazingG

100 BoogiePf

101 Clock Rk

102 CU later

103 GreenDor

104 HappyDay

105 JohnnyB

106 MercySax

107 RisingSn

108 S Preems

109 SuperStv

110 TeddyBer

111 Yeh Orgn

SWING & JAZZ

112 Alex Rag

113 Blue Set

114 ChooChoo

115 DayOfW&R

116 HighMoon

117 InMood

118 MisJones

119 MistySax

120 MoonLit

121 New York

122 PanthrSw

123 PetiteCl

124 RedRoses

125 SaintMch

126 SatinDll

127 SF Heart

128 ShearJz

129 SplnkyTb

130 SunnySde

131 TstHoney

132 Tunisia

133 TwoFoot5

134 USPatrol

MDB No. Song Name

135 WhatsNew

136 Wild Cat

EASY LISTENING

137 BlackFst

138 ByeBlues

139 CaliBlue

140 CiaoCpri

141 Close2U

142 DAmorStr

143 DolanesM

144 ElCondor

145 Entrtain

146 Frippers

147 LoveLove

148 LuckySax

149 LuvStory

150 MyPrince

151 OSoleMio

152 PupetStr

153 Raindrop

154 RedMouln

155 R’ticGtr

156 Schiwago

157 ShadowGt

158 SingRain

159 SmallWld

160 SpkSoft

161 SpnishEy

162 StrangeN

163 TieRibbn

164 TimeGoes

165 WhteXmas

166 WishStar

167 WonderN

168 WondrWld

LATIN

169 BambaLa

170 BeHappy!

171 CopaLola

172 DayNight

173 Ipanema

174 JamboMbo

175 MarinaAc

176 MuchoTrp

177 SmoothLt

178 SunOfLif

179 Sunshine

180 Tico Org

181 TrbWave

COUNTRY

182 ABitMore

183 BlownWnd

184 Bonanza

185 BoxerFlt

186 CntryRds

187 GreenGrs

188 Jambala

189 LondonSt

190 LooseEL

191 TopWorld

192 YlwRose

DISCO & PARTY

193 AlhHwaii

194 Babylon

195 Barbados

196 DnceBird

197 FestaMex

198 HandsPty

199 LuvTheme

200 ModrnTlk

MDB No. Song Name

201 NxtAlice

202 PalomaFl

203 Tijuana

204 Why MCA?

BALLROOM

205 BrazilBr

206 CherryTp

207 DanubeWv

208 MantoStr

209 SandmnFx

210 SpainTwn

211 SundyNvr

212 TangoAc

213 Tea4Two

214 TulipWtz

215 YesSirQk

TRADITIONAL

216 AlpenTri

217 AnchorAw

218 Balalaik

219 BlkSheep

220 CampRace

221 Ceilidh

222 Cielito

223 CielPari

224 Cl Polka

225 Comrades

226 DAmorCl

227 FrogSong

228 Funiculi

229 GrndClok

230 HappyPlk

231 Herzlin

232 HornPipe

233 JacknJil

234 JinglBel

235 Kufstein

236 MexiHat

237 MickMrch

238 RkABaby

239 RlBarrel

240 Showbiz

241 SnowWtz

242 StarMrch

243 WashPost

244 WdCuttrs

245 XmasWalz

246 YankDood

PIANIST

247 CatMemry

248 DoReMi

249 Entrtain

250 Extra

251 Favorite

252 FineRmce

253 Foggy

254 I Woman

255 JBGood

256 NitTrain

257 Obaladi

258 OldHouse

259 PubPiano

260 RinSpain

261 Sera

262 ShookUp

263 Swonder

264 TedPicnc

265 Twirler

266 WayWere

267 YesterPf

MDB No. Song Name

132 DGX-620/520, YPG-625/525 Owner’s Manual

Songs Provided On the Supplied CD-ROM

The easy song arranger can only be used with songs that include chord data.

File Name Song Name Composer

001Nutcr.mid Danse des Mirlitons from “The Nutcracker” P.I. Tchaikovsky

002Orphe.mid “Orphée aux Enfers” Ouverture J. Offenbach

003Slavo.mid Slavonic Dances op.72-2 A. Dvorák

004Prima.mid La Primavera (from Le Quattro Stagioni) A. Vivaldi

005Medit.mid Méditation (Thaïs) J. Massenet

006Guill.mid Guillaume Tell G. Rossini

007Fruhl.mid Frühlingslied F. Mendelssohn

008Ungar.mid Ungarische Tänze Nr.5 J. Brahms

009Fruhl.mid Fruhlingsstimmen J. Strauss II

010Dolly.mid Dolly’s Dreaming and Awakening T.Oesten

011Cande.mid La Candeur J.F.Burgmüller

012Arabe.mid Arabesque J.F.Burgmüller

013Pasto.mid Pastorale J.F.Burgmüller

014Petit.mid Petite Réunion J.F.Burgmüller

015Innoc.mid Innocence J.F.Burgmüller

016Progr.mid Progrès J.F.Burgmüller

017Taren.mid Tarentelle J.F.Burgmüller

018Cheva.mid La Chevaleresque J.F.Burgmüller

019Etude.mid Etude op.10-3 “Chanson de l’adieu” F.Chopin

020Marci.mid Marcia alla Turca L.v. Beethoven

021Turki.mid Turkish March W.A. Mozart

022Valse.mid Valse op.64-1 “Petit Chien” F.Chopin

023Menue.mid Menuett L. Boccherini

024Momen.mid Moments Musicaux op.94-3 F. Schubert

025Enter.mid The Entertainer S. Joplin

026Prelu.mid Prelude (Wohltemperierte Klavier 1-1) J.S. Bach

027Violl.mid La Viollette L.Streabbog

028Angel.mid Angels Serenade Traditional

029Saraf.mid Krasnyj Sarafan Traditional

030Ameri.mid America the Beautiful S.A. Ward

031Brown.mid Little Brown Jug Traditional

032Lomon.mid Loch Lomond Traditional

033Bonni.mid My Bonnie Traditional

034Londo.mid Londonderry Air Traditional

035Banjo.mid Ring de Banjo S.C. Foster

036Vogle.mid Wenn ich ein Vöglein wär ? Traditional

037Lorel.mid Die Lorelei F. Silcher

038Funic.mid Funiculi Funicula L. Denza

039Turke.mid Turkey in the Straw Traditional

040Campt.mid Camptown Races S.C. Foster

041Jingl.mid Jingle Bells J.S. Pierpont

042Muss.mid Muss i denn F. Silcher

043Liebe.mid Liebesträume Nr.3 F. Liszt

044Jesu.mid Jesu, Joy Of Man’s Desiring J.S. Bach

045Joy.mid Ode to Joy L.v. Beethoven

046Pearl.mid Pearl Fisher G. Bizet

047Gavot.mid Gavotte F.J. Gossec

048Seren.mid Serenade/Haydn F.J. Haydn

049Menue.mid Menuett BWV. Anh.114 J.S. Bach

050Canon.mid Canon in D J. Pachelbel

051Vogel.mid Der Vogelfanger Bin Ich Ja “Die Xauberflote” W.A. Mozart

052Piano.mid Piano Sonate No.14 op.27-2 “Mondschein” L.v. Beethoven

053Surpr.mid The “Surprise” Symphony No.94 F.J. Haydn

054WildR.mid To a Wild Rose E.A. MacDowell

055Chans.mid Chanson du Toreador G. Bizet

056Babbi.mid O Mio Babbino Caro G. Puccini

057RowRo.mid Row Row Row Your Boat (DUET) Traditional

058Smoky.mid On Top of Old Smoky (DUET) Traditional

059WeWis.mid We Wish You A Merry Christmas (DUET) Traditional

060ImMai.mid Im Mai (DUET) Traditional

061Chris.mid O Christmas Tree (DUET) Traditional

062MaryH.mid Mary Had a Little Lamb (DUET) Traditional

063TenLi.mid Ten Little Indians (DUET) S. Winner

064PopGo.mid Pop Goes The Weasel (DUET) Traditional

065Twink.mid Twinkle Twinkle Little Star (DUET) Traditional

066Close.mid Close Your Hands, Open Your Hands (DUET) J.J. Rousseau

067Cucko.mid The Cuckoo (DUET) Traditional

068Augus.mid O du lieber Augustin (DUET) Traditional

069Londo.mid London Bridge (DUET) Traditional

070Three.mid Three Blind Mice (DUET) Traditional

DGX-620/520, YPG-625/525 Owner’s Manual 133

Effect Type List

● Harmony Types

● Reverb Types

● Chorus Types

No. Harmony Type Description

01 Duet

Harmony types 01–05 are pitch-based and add one-, two- or three-note harmonies to the sin-

gle-note melody played in the right hand. These types sound when chords are played in the

auto accompaniment range of the keyboard. These Harmony types will also work when playing

songs that contain chord data.

02 Trio

03 Block

04 Country

05 Octave

06 Trill 1/4 note

Types 6–26 are rhythm-based effects and add embellishments or delayed repeats in

time with the auto accompaniment. These types sound whether the auto accompani-

ment is on or not; however, the actual speed of the effect depends on the Tempo set-

ting (page 46). The individual note values in each type let you synchronize the effect

precisely to the rhythm. Triplet settings are also available: 1/6 = quarter-note triplets,

1/12 = eighth-note triplets, 1/24 = sixteenth-note triplets.

• The Trill effect Types (06–12) create two-note trills (alternating notes) when two

notes are held.

• The Tremolo effect Types (13–19) repeat all held notes (up to four).

• The Echo effect Types (20–26) create delayed repeats of each note played.

07 Trill 1/6 note

08 Trill 1/8 note

09 Trill 1/12 note

10 Trill 1/16 note

11 Trill 1/24 note

12 Trill 1/32 note

13 Tremolo 1/4 note

14 Tremolo 1/6 note

15 Tremolo 1/8 note

16 Tremolo 1/12 note

17 Tremolo 1/16 note

18 Tremolo 1/24 note

19 Tremolo 1/32 note

20 Echo 1/4 note

21 Echo 1/6 note

22 Echo 1/8 note

23 Echo 1/12 note

24 Echo 1/16 note

25 Echo 1/24 note

26 Echo 1/32 note

No. Reverb Type Description

01–03 Hall 1–3 Concert hall reverb.

04–05 Room 1–2 Small room reverb.

06–07 Stage 1–2 Reverb for solo instruments.

08–09 Plate 1–2 Simulated steel plate reverb.

10 Off No effect.

No. Chorus Type Description

01–02 Chorus 1–2 Conventional chorus program with rich, warm chorusing.

03–04 Flanger 1–2 Pronounced three-phase modulation with a slight metallic sound.

05 Off No effect.

134 DGX-620/520, YPG-625/525 Owner’s Manual

MIDI Implementation Chart

YAMAHA [ Portable Grand ] Date:17-NOV-2005

Model DGX-620/520, YPG-625/525

MIDI Implementation Chart Version:1.0

Transmitted Recognized Remarks

Function...

Basic Default 1 - 16 1 - 16

Channel Changed x x

Default 3 3

Mode Messages x x

Altered ************** x

Note 0 - 127 0 - 127

Number : True voice ************** 0 - 127

Velocity Note ON o 9nH,v=1-127 o 9nH,v=1-127

Note OFF x 9nH,v=0 x

After Key's x x

Touch Ch's x x

Pitch Bend o 0-24 semi o 0-24 semi

0,32 o o Bank Select

1,11,84 x *1 o

6,38 o o Data Entry

7,10 o o

Control 64 o o Sustain

71 x *1 o Harmonic Content

Change 72 o o Release Time

73 x *1 o Attack Time

74 x *1 o Brightness

91,93 o o Effect Depth

96-97 x *1 o RPN Inc,Dec

100-101 o o RPN LSB,MSB

MIDI Implementation Chart

DGX-620/520, YPG-625/525 Owner’s Manual 135

Prog o 0 - 127 o 0 - 127

Change : True # **************

System Exclusive o o

: Song Pos. x x

Common : Song Sel. x x

: Tune x x

System : Clock o o

Real Time: Commands o o

Aux :All Sound OFF x o(120,126,127)

:Reset All Cntrls x o(121)

:Local ON/OFF x o(122)

:All Notes OFF x o(123-125)

Mes- :Active Sense o o

sages:Reset x x

*1 Refer to #2 on page 136.

Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO o : Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO x : No

136 DGX-620/520, YPG-625/525 Owner’s Manual

MIDI Data Format

NOTE:

1 By default (factory settings) the instrument ordinarily functions

as a 16-channel multi-timbral tone generator, and incoming

data does not affect the panel voices or panel settings. How-

ever, the MIDI messages listed below do affect the panel

voices, auto accompaniment, and songs.

• MIDI Master Tuning

• System exclusive messages for changing the Reverb Type

and Chorus Type.

2 Messages for these control change numbers cannot be trans-

mitted from the instrument itself. However, they may be trans-

mitted when playing the accompaniment, song or using the

Harmony effect.

3 Exclusive

<GM System ON> F0H, 7EH, 7FH, 09H, 01H, F7H

• This message automatically restores all default settings for

the instrument, with the exception of MIDI Master Tuning.

<MIDI Master Volume> F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H

• This message allows the volume of all channels to be

changed simultaneously (Universal System Exclusive).

• The values of “mm” is used for MIDI Master Volume. (Values

for “ll” are ignored.)

<MIDI Master Tuning> F0H, 43H, 1nH, 27H, 30H, 00H, 00H,

mm, ll, cc, F7H

• This message simultaneously changes the tuning value of

all channels.

• The values of “mm” and “ll” are used for MIDI Master Tuning.

• The default value of “mm” and “ll” are 08H and 00H, respec-

tively. Any values can be used for “n” and “cc”.

<Reverb Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 00H, mmH,

llH, F7H

• mm : Reverb Type MSB

• ll : Reverb Type LSB

Refer to the Effect Map (page 136) for details.

<Chorus Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 20H, mmH,

llH, F7H

• mm : Chorus Type MSB

• ll : Chorus Type LSB

Refer to the Effect Map (page 136) for details.

4 When the accompaniment is started, an FAH message is trans-

mitted. When accompaniment is stopped, an FCH message is

transmitted. When the clock is set to External, both FAH

(accompaniment start) and FCH (accompaniment stop) are

recognized.

5 Local ON/OFF

<Local ON> Bn, 7A, 7F

<Local OFF> Bn, 7A, 00

Value for “n” is ignored.

■ Effect map

* When a Type LSB value is received that corresponds to no effect type, a value corresponding to the

effect type (coming the closest to the speciﬁed value) is automatically set.

* The numbers in parentheses in front of the Effect Type names correspond to the number indicated in

the display.

● REVERB

● CHORUS

TYPE

MSB

TYPE LSB

00 01 02 08 16 17 18 19 20

000 No Effect

001 (01)Hall1 (02)Hall2 (03)Hall3

002 Room (04)Room1 (05)Room2

003 Stage (06)Stage1 (07)Stage2

004 Plate (08)Plate1 (09)Plate2

005...127 No Effect

TYPE

MSB

TYPE LSB

00 01 02 08 16 17 18 19 20

000...063 No Effect

064 Thru

065 Chorus (02)Chorus2

066 Celeste (01)Chorus1

067 Flanger (03)Flanger1 (04)Flanger2

068...127 No Effect

DGX-620/520, YPG-625/525 Owner’s Manual 137

Speciﬁcations

Keyboards

• DGX-620/YPG-625: 88 Graded Hammer Standard keys

(A-1–C7), with Touch Response.

• DGX-520/YPG-525: 88-key box type (A-1–C7), with Touch

Response.

Display

• 320 x 240 dots LCD display (backlit)

Setup

• STANDBY/ON

• MASTER VOLUME: MIN–MAX

• LCD CONTRAST

Panel Controls

• SONG, VOICE, STYLE, EASY SONG ARRANGER,

P.A.T. ON/OFF, LESSON L, LESSON R, LESSON START,

METRONOME ON/OFF, PORTABLE GRAND, DEMO,

FUNCTION, MUSIC DATABASE, HARMONY ON/OFF,

DUAL ON/OFF, SPLIT ON/OFF, TEMPO/TAP, [0]–[9], [+],

[-], CATEGORY, Dial, REPEAT & LEARN (ACMP ON/OFF),

A-B REPEAT (INTRO/ENDING/rit.), PAUSE (SYNC START),

START/STOP, REW (MAIN/AUTO FILL), FF (SYNC STOP),

REGIST MEMORY ([MEMORY/BANK], [1], [2]),

SONG MEMORY (REC, [1]–[5], [A]), File Control [MENU],

File Control [EXECUTE], [EXIT], [LYRICS], [SCORE],

[CHORD FINGERING]

Realtime Control

• Pitch Bend Wheel

Voice

• 127 panel voices + 12 drum/SFX kits + 361 XGlite voices

• Polyphony: 32

• DUAL

• SPLIT

Style

• 150 Preset Styles + 1 User Style File

• Style Control: ACMP ON/OFF, SYNC STOP, SYNC START,

START/STOP, INTRO/ENDING/rit.,

MAIN/AUTO FILL

• Fingering: Multi Finger, Full Keyboard

• Style Volume

Music Database

• 267

Education Feature

• Dictionary

• Lesson 1–3, Repeat & Learn

Registration Memory

•8 banks x 2 types

Function

• VOLUME: Style Volume, Song Volume

• OVERALL: Tuning, Transpose, Split Point, Touch Sensitiv-

ity, Pitch Bend Range, Chord Fingering

• MAIN VOICE: Volume, Octave, Pan, Reverb Level,

Chorus Level

• DUAL VOICE: Volume, Octave, Pan, Reverb Level,

Chorus Level

• SPLIT VOICE: Volume, Octave, Pan, Reverb Level,

Chorus Level

• EFFECT: Reverb Type, Chorus Type, Master EQ Type,

Sustain

• HARMONY: Harmony Type, Harmony Volume

• Performance assistant technology:

Performance assistant technology Type

• PC: PC Mode

• MIDI: Local On/Off, External Clock, Initial Send,

Keyboard Out, Style Out, Song Out

• METRONOME: Time Signature Numerator, Time Signature

Denominator, Metronome Volume

• SCORE: Quantize

• LESSON: Lesson Track (R), Lesson Track (L), Grade

• UTILITY: Demo Cancel, Language

Effects

• Reverb: 9 types

• Chorus: 4 types

• Harmony: 26 types

Song

• 30 Preset Songs + 5 User Songs + Accessory CD-ROM Songs (70)

• Song Clear, Track Clear

• Song Volume

• Song Control: REPEAT & LEARN, A-B REPEAT, PAUSE,

REW, FF, START/STOP

Performance assistant technology

• Chord, Chord/Free, Melody, Chord/Melody

Recording

• Song

User Song: 5 Songs

Recording Tracks: 1, 2, 3, 4, 5, STYLE

MIDI

• Local On/Off • Initial Send • External Clock

• Keyboard Out • Style Out • Song Out

Auxiliary jacks

• PHONES/OUTPUT, DC IN 12V, USB TO HOST,

USB TO DEVICE, SUSTAIN

Ampliﬁer

• 6W + 6W

Speakers

• 12cm x 2 + 3cm x 2

Power Consumption

• 22W

Power Supply

• Adaptor: Yamaha PA-5D, PA-150, or an equivalent

Dimensions (W x D x H)

• DGX-620/YPG-625:

1,398 x 457 x 153 mm (55-1/16" x 18" x 6")

with keyboard stand:

1,405 x 485 x 773 mm (55-1/3" x 19-1/8" x 30-3/8")

• DGX-520/YPG-525:

1,340 x 422 x 145 mm (52-3/4" x 16-5/8" x 5-3/4")

with keyboard stand:

1,354 x 485 x 775 mm (53-1/3" x 19-1/8" 30-1/2")

Weight

• DGX-620/YPG-625: 18.0kg (39 lbs. 11 oz.)

with keyboard stand: 25.5kg (56 lbs. 3 oz.)

• DGX-520/YPG-525: 11.0kg (24 lbs. 4 oz.)

with keyboard stand: 17.0kg (37 lbs. 8 oz.)

Supplied Accessories

• Music Rest • Accessory CD-ROM

• Keyboard Stand • Owner’s Manual • Footswitch FC5

• AC Power adaptor (May not be included depending on your par-

ticular area.)

* Specifications and descriptions in this owner’s manual are for in-

formation purposes only. Yamaha Corp. reserves the right to

change or modify products or specifications at any time without

prior notice. Since specifications, equipment or options may not

be the same in every locale, please check with your Yamaha

dealer.

Optional Accessories

• Headphones: HPE-150

138 DGX-620/520, YPG-625/525 Owner’s Manual

+/– .................................................. 13, 63

........................................................ 64

0–9 .................................................. 13, 63

A-B REPEAT ................................. 12, 83

ACMP ON/OFF ............................. 12, 24

CATEGORY [ ] and [ ] ........... 13, 63

Chord Fingering ............................. 12, 81

DC IN 12V ..................................... 10, 13

DEMO ............................................ 13, 46

Dial ................................................. 13, 63

DUAL ON/OFF ............................. 13, 16

EASY SONG ARRANGER .......... 12, 54

EXECUTE ...................................... 12, 92

EXIT ............................................... 13, 64

FF ................................................... 12, 30

FILE CONTROL ........................... 12, 91

FUNCTION .................................... 12, 87

HARMONY ON/OFF .................... 13, 66

INTRO/ENDING/rit. ...................... 12, 74

LCD CONTRAST .......................... 13, 65

LESSON L, R ................................. 12, 48

LESSON START ........................... 12, 47

LYRICS .......................................... 12, 34

MAIN/AUTO FILL ........................ 12, 74

MASTER VOLUME ..................... 11–12

MEMORY/BANK, 1, 2 ................. 13, 85

MENU ............................................ 12, 91

METRONOME ON/OFF ............... 12, 20

MUSIC DATABASE ..................... 12, 53

P.A.T. ON/OFF ........................ 12, 36, 44

PAUSE ........................................... 12, 30

PC ....................................................... 101

PHONES/OUTPUT ....................... 10, 13

PITCH BEND wheel ...................... 13, 69

PORTABLE GRAND .................... 13, 18

REC, 1–5, A ................................... 12, 56

REGIST. MEMORY ...................... 13, 85

REPEAT & LEARN ...................... 12, 52

REW ............................................... 12, 30

SCORE ........................................... 12, 33

SONG ............................................. 12, 29

SONG MEMORY .......................... 12, 57

SPLIT ON/OFF .............................. 13, 17

STANDBY/ON .............................. 11–12

START/STOP ................................ 12, 63

STYLE ............................... 12, 23–27, 74

SUSTAIN ....................................... 10, 13

SYNC START ......................... 12, 24, 75

SYNC STOP .................................. 12, 76

TEMPO/TAP ...................... 12, 20, 46, 70

USB TO DEVICE .............. 13, 90, 97–98

USB TO HOST .............................. 13, 99

VOICE ............................................ 12, 15

A-B Repeat ...........................................83

Accessories .............................................7

ACMP ...................................................24

Auto Accompaniment Range ................24

Auto-Accompaniment ..............24, 26, 28

Backup ..........................................61, 104

CD-ROM ............................................105

Chord ..................................26–28, 79–80

Chord Dictionary ..................................82

Chord Fingering ..............................28, 81

Chord root .............................................82

Chord type (Chord Dictionary) .............82

Chord type (performance

assistant technology) ...................35–36

Chord/Free type (performance

assistant technology) ...................35, 38

Chord/Melody type (performance

assistant technology) ...................35, 42

Chorus ...................................................68

Chorus Type .......................................133

Computer ..............................98–100, 102

Default Setting ......................................87

Delete (File Control) .............................96

Delete (Song Track) ..............................60

Delete (User Song) ...............................59

Demo ....................................................46

Demo Cancel ........................................89

Display ............................................64–65

Double-Staff Score ...............................33

Drum Kit ...............................................19

Drum Kit List ......................................128

Dual Chorus Level ................................88

Dual Octave ..........................................88

Dual Pan ...............................................88

Dual Reverb Level ................................88

Dual Voice ............................................16

Dual Volume .........................................88

Easy Chords ..........................................28

Easy Song Arranger ..............................54

Effect Map ..........................................136

Effect Type List ..................................133

External Clock ..............................89, 100

External Song .......................................32

File Control .......................................... 91

File Name ............................................. 93

Flash Memory ...................................... 32

Foot Switch .......................................... 10

Format (File Control) ........................... 92

Function ................................... 64, 87–89

Function Display .................................. 64

Grade .................................................... 49

Harmony ............................................... 66

Harmony Type ................................... 133

Harmony Volume ................................. 89

Headphones .......................................... 10

Initial Send ......................................... 102

Initialization ......................................... 61

Keyboard Out ............................... 89, 100

Keyboard Stand Assembly ................. 116

Language .............................................. 14

Lesson .................................................. 47

Load ..................................................... 95

Local ............................................. 89, 100

L-Part ........................................... 89, 104

Lyric ..................................................... 34

Main Chorus Level ............................... 88

MAIN Display ...................................... 64

Main Octave ......................................... 88

Main Pan .............................................. 88

Main Reverb Level ............................... 88

Main Voice ........................................... 15

Main Volume ....................................... 88

Master EQ Type ............................. 72, 88

Measure ................................................ 65

Melody ........................................... 33, 45

Melody Score ....................................... 33

Melody type (performance

assistant technology) .................. 35, 40

Melody Voice ................................. 55, 84

Messages ............................................ 114

Index

Panel controls and terminals Alphabetical order

Index

DGX-620/520, YPG-625/525 Owner’s Manual 139

Metronome ........................................... 20

MIDI ................................................... 100

MIDI Data Format .............................. 136

MIDI Implementation Chart ............... 134

Music Database .................................... 53

Music Rest ............................................ 11

Mute ..................................................... 84

notation ................................................. 65

One Touch Setting ................................ 71

P.A.T. Type .................................... 35, 89

Panel Sustain .................................. 69, 88

PC Mode ............................................. 101

performance assistant technology ........ 35

Pitch Bend Range ................................. 88

Power Adaptor ..................................... 10

Preset Song ............................... 29, 31–32

Quantize ............................................... 89

Recording ............................................. 56

Registration Memory ........................... 85

Remote control ................................... 101

Repeat ............................................. 52, 83

Reverb .................................................. 67

Reverb Type ....................................... 133

R-Part ........................................... 89, 104

Save (File Control) ............................... 93

Score ....................................... 33, 45, 118

Single-Staff Score ................................ 33

SMF (Standard MIDI File) ................... 94

SMF Save ............................................. 94

Song ...................................................... 29

Song Clear ............................................ 59

Song List .............................................. 31

Song Memory ................................. 56–57

Song Out ....................................... 89, 100

Song Volume ........................................ 83

Specifications ..................................... 137

Split Chorus Level ................................ 88

Split Octave .......................................... 88

Split Pan ................................................88

Split Point .......................................17, 77

Split Reverb Level ................................88

Split Voice ............................................17

Split Volume .........................................88

Standard Chords ...................................28

Style ..........................................23, 26, 74

Style File .........................................81, 95

Style List .............................................130

Style Out .......................................89, 100

Style Volume ........................................78

Sustain (Footswitch) .............................10

Sustain (Panel) ................................69, 88

Synchro Start ..................................24, 75

Synchro Stop .........................................76

Tempo .............................................46, 70

TimeSignature

(Denominator, Numerator) ...............21

Touch Response ....................................70

Touch Sensitivity ..................................70

Track .....................................................56

Track Clear ...........................................60

Transfer .......................................100, 102

Transpose ..............................................73

Troubleshooting ..........................110, 112

Tuning ...................................................73

USB ......................................................97

USB MIDI Driver .......................108–109

User file ..........................................93, 95

User File Save .......................................93

User Song .......................................32, 56

Voice .....................................................15

Voice List ...........................................124

XF .....................................................6, 34

XGlite .....................................................6

140 DGX-620/520, YPG-625/525 Owner’s Manual

Limited Warranty

90 DAYS LABOR 1 YEAR PARTS

Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed

below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models

included in the following series of products:

DGX, YPG SERIES OF Portable Grand ELECTRONIC KEYBOARDS

If during the ﬁrst 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect

in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor.

If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject

to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the

consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as

warranty replacements.

THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS. ANY

IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITY IS LIMITED TO

THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY EVENT FOR

INCIDENTAL OR CONSEQUENTIAL DAMAGES.

Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these

limitations and exclusions may not apply to you.

This warranty gives you speciﬁc legal rights. You may also have other rights which vary from state to state.

CONSUMERS RESPONSIBILITIES

If warranty service should be required, it is necessary that the consumer assume certain responsibilities:

1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for

assistance. You may also contact Yamaha directly at the address provided below.

2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation

of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts

under warranty.

3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely.

*Repaired units will be returned PREPAID if warranty service is required within the ﬁrst 90 days.

IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has

a tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed.

4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and

to follow all safety precautions.

EXCLUSIONS

This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to

failures and/or damages that may occur as a result of:

1. Neglect, abuse, abnormal strain, modiﬁcation or exposure to extremes in temperature or humidity.

2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an

authorized service center, or an authorized service representative of Yamaha.

3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia,

and Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country.

Please record the model and serial number of the product you have purchased in the spaces provided below.

Model___________________________ Serial #________________________________ Sales Slip #________________________________

Purchased from____________________________________________________________ Date______________________________________

(Retailer)

YAMAHA CORPORATION OF AMERICA

Electronic Service Division

6600 Orangethorpe Avenue

Buena Park, CA 90620

KEEP THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!

For details of products, please contact your nearest Yamaha

representative or the authorized distributor listed below.

Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou

au distributeur le plus proche de vous ﬁgurant dans la liste suivante.

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten

Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen

Bestimmungsländern erhältlich.

Para detalles sobre productos, contacte su tienda Yamaha más cercana

o el distribuidor autorizado que se lista debajo.

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario,

M1S 3R1, Canada

Tel: 416-298-1311

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Ave., Buena Park, Calif. 90620,

U.S.A.

Tel: 714-522-9011

MEXICO

Yamaha de México S.A. de C.V.

Calz. Javier Rojo Gómez #1149,

Col. Guadalupe del Moral

C.P. 09300, México, D.F., México

Tel: 55-5804-0600

BRAZIL

Yamaha Musical do Brasil Ltda.

Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi,

CEP 04534-013 Sao Paulo, SP. BRAZIL

Tel: 011-3704-1377

ARGENTINA

Yamaha Music Latin America, S.A.

Sucursal de Argentina

Viamonte 1145 Piso2-B 1053,

Buenos Aires, Argentina

Tel: 1-4371-7021

PANAMA AND OTHER LATIN

AMERICAN COUNTRIES/

CARIBBEAN COUNTRIES

Yamaha Music Latin America, S.A.

Torre Banco General, Piso 7, Urbanización Marbella,

Calle 47 y Aquilino de la Guardia,

Ciudad de Panamá, Panamá

Tel: +507-269-5311

THE UNITED KINGDOM

Yamaha-Kemble Music (U.K.) Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes,

MK7 8BL, England

Tel: 01908-366700

IRELAND

Danfay Ltd.

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin

Tel: 01-2859177

GERMANY

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

SWITZERLAND/LIECHTENSTEIN

Yamaha Music Central Europe GmbH,

Branch Switzerland

Seefeldstrasse 94, 8008 Zürich, Switzerland

Tel: 01-383 3990

AUSTRIA

Yamaha Music Central Europe GmbH,

Branch Austria

Schleiergasse 20, A-1100 Wien, Austria

Tel: 01-60203900

CZECH REPUBLIC/SLOVAKIA/

HUNGARY/SLOVENIA

Yamaha Music Central Europe GmbH,

Branch Austria, CEE Department

Schleiergasse 20, A-1100 Wien, Austria

Tel: 01-602039025

POLAND

Yamaha Music Central Europe GmbH

Sp.z. o.o. Oddzial w Polsce

ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland

Tel: 022-868-07-57

THE NETHERLANDS/

BELGIUM/LUXEMBOURG

Yamaha Music Central Europe GmbH,

Branch Benelux

Clarissenhof 5-b, 4133 AB Vianen, The Netherlands

Tel: 0347-358 040

FRANCE

Yamaha Musique France

BP 70-77312 Marne-la-Vallée Cedex 2, France

Tel: 01-64-61-4000

ITALY

Yamaha Musica Italia S.P.A.

Viale Italia 88, 20020 Lainate (Milano), Italy

Tel: 02-935-771

SPAIN/PORTUGAL

Yamaha-Hazen Música, S.A.

Ctra. de la Coruna km. 17, 200, 28230

Las Rozas (Madrid), Spain

Tel: 91-639-8888

GREECE

Philippos Nakas S.A. The Music House

147 Skiathou Street, 112-55 Athens, Greece

Tel: 01-228 2160

SWEDEN

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1

Box 30053

S-400 43 Göteborg, Sweden

Tel: 031 89 34 00

DENMARK

YS Copenhagen Liaison Ofﬁce

Generatorvej 6A

DK-2730 Herlev, Denmark

Tel: 44 92 49 00

FINLAND

F-Musiikki Oy

Kluuvikatu 6, P.O. Box 260,

SF-00101 Helsinki, Finland

Tel: 09 618511

NORWAY

Norsk ﬁlial av Yamaha Scandinavia AB

Grini Næringspark 1

N-1345 Østerås, Norway

Tel: 67 16 77 70

ICELAND

Skifan HF

Skeifan 17 P.O. Box 8120

IS-128 Reykjavik, Iceland

Tel: 525 5000

OTHER EUROPEAN COUNTRIES

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: +49-4101-3030

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Naka-ku, Hamamatsu,

Japan 430-8650

Tel: +81-53-460-2312

TURKEY/CYPRUS

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

OTHER COUNTRIES

Yamaha Music Gulf FZE

LOB 16-513, P.O.Box 17328, Jubel Ali,

Dubai, United Arab Emirates

Tel: +971-4-881-5868

THE PEOPLE’S REPUBLIC OF CHINA

Yamaha Music & Electronics (China) Co.,Ltd.

25/F., United Plaza, 1468 Nanjing Road (West),

Jingan, Shanghai, China

Tel: 021-6247-2211

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,

Tsimshatsui, Kowloon, Hong Kong

Tel: 2737-7688

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930, Indonesia

Tel: 21-520-2577

KOREA

Yamaha Music Korea Ltd.

8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong,

Kangnam-Gu, Seoul, Korea

Tel: 080-004-0022

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

Petaling Jaya, Selangor, Malaysia

Tel: 3-78030900

PHILIPPINES

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,

Makati, Metro Manila, Philippines

Tel: 819-7551

SINGAPORE

Yamaha Music Asia Pte., Ltd.

#03-11 A-Z Building

140 Paya Lebor Road, Singapore 409015

Tel: 747-4374

TAIWAN

Yamaha KHS Music Co., Ltd.

3F, #6, Sec.2, Nan Jing E. Rd. Taipei.

Taiwan 104, R.O.C.

Tel: 02-2511-8688

THAILAND

Siam Music Yamaha Co., Ltd.

891/1 Siam Motors Building, 15-16 ﬂoor

Rama 1 road, Wangmai, Pathumwan

Bangkok 10330, Thailand

Tel: 02-215-2626

OTHER ASIAN COUNTRIES

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Naka-ku, Hamamatsu,

Japan 430-8650

Tel: +81-53-460-2317

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

Level 1, 99 Queensbridge Street, Southbank,

Victoria 3006, Australia

Tel: 3-9693-5111

NEW ZEALAND

Music Houses of N.Z. Ltd.

146/148 Captain Springs Road, Te Papapa,

Auckland, New Zealand

Tel: 9-634-0099

COUNTRIES AND TRUST

TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Naka-ku, Hamamatsu,

Japan 430-8650

Tel: +81-53-460-2312

NORTH AMERICA

CENTRAL & SOUTH AMERICA

EUROPE

AFRICA

MIDDLE EAST

ASIA

OCEANIA

HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division

Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650

Tel: +81-53-460-3273

[PK] 40

U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

WG29380 XXXPOXXX.X-03C0

Printed in China

Yamaha Home Keyboards Home Page (English Only)

http://music.yamaha.com/homekeyboard

Yamaha Manual Library

http://www.yamaha.co.jp/manual/

Yamaha DGX-520 El manual del propietario

Marca: Yamaha

Modelo: DGX-520

Categoría: Instrumentos musicales

Tipo: El manual del propietario

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italiano: Yamaha DGX-520 Manuale del proprietario
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русский: Yamaha DGX-520 Инструкция по применению
Nederlands: Yamaha DGX-520 de handleiding
português: Yamaha DGX-520 Manual do proprietário
dansk: Yamaha DGX-520 Brugervejledning
polski: Yamaha DGX-520 Instrukcja obsługi
čeština: Yamaha DGX-520 Návod k obsluze
svenska: Yamaha DGX-520 Bruksanvisning
Türkçe: Yamaha DGX-520 El kitabı
suomi: Yamaha DGX-520 Omistajan opas
română: Yamaha DGX-520 Manualul proprietarului

Yamaha DGX-520 El manual del propietario

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Yamaha DGX-520 El manual del propietario

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