Yamaha 25 El manual del propietario

Marca: Yamaha

Modelo: 25

Categoría: Equipo de música suplementario

Tipo: El manual del propietario

Este manual también es adecuado para

Owner's Manual

PLEASE KEEP THIS MANUAL

This product utilizes batteries or an external power sup-

ply (adapter). DO NOT connect this product to any

power supply or adapter other than one described in the

manual, on the name plate, or speciﬁcally recom-

mended by Yamaha.

WARNING:

Do not place this product in a position

where anyone could walk on, trip over, or roll anything

over power or connecting cords of any kind. The use of

an extension cord is not recommended! If you must use

an extension cord, the minimum wire size for a 25’ cord

(or less) is 18 AWG. NOTE: The smaller the AWG num-

ber, the larger the current handling capacity. For longer

extension cords, consult a local electrician.

This product should be used only with the components

supplied or; a cart, rack, or stand that is recommended

by Yamaha. If a cart, etc., is used, please observe all

safety markings and instructions that accompany the

accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to

be correct at the time of printing. However, Yamaha

reserves the right to change or modify any of the speciﬁ-

cations without notice or obligation to update existing

units.

This product, either alone or in combination with an

ampliﬁer and headphones or speaker/s, may be capable

of producing sound levels that could cause permanent

hearing loss. DO NOT operate for long periods of time

at a high volume level or at a level that is uncomfortable.

If you experience any hearing loss or ringing in the ears,

you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time

period before damage occurs.

Some Yamaha products may have benches and / or

accessory mounting ﬁxtures that are either supplied

with the product or as optional accessories. Some of

these items are designed to be dealer assembled or

installed. Please make sure that benches are stable and

any optional ﬁxtures (where applicable) are well secured

BEFORE using.

Benches supplied by Yamaha are designed for seating

only. No other uses are recommended.

NOTICE:

Service charges incurred due to a lack of knowledge

relating to how a function or effect works (when the unit

is operating as designed) are not covered by the manu-

facturer’s warranty, and are therefore the owners

responsibility. Please study this manual carefully and

consult your dealer before requesting service.

ENVIRONMENTAL ISSUES:

Ya maha strives to produce products that are both user

safe and environmentally friendly. We sincerely believe

that our products and the production methods used to

produce them, meet these goals. In keeping with both

the letter and the spirit of the law, we want you to be

aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable

battery which (if applicable) is soldered in place. The

average life span of this type of battery is approximately

ﬁve years. When replacement becomes necessary, con-

tact a qualiﬁed service representative to perform the

replacement.

This product may also use “household” type batteries.

Some of these may be rechargeable. Make sure that the

battery being charged is a rechargeable type and that

the charger is intended for the battery being charged.

When installing batteries, do not mix batteries with new,

or with batteries of a different type. Batteries MUST be

installed correctly. Mismatches or incorrect installation

may result in overheating and battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any bat-

tery. Keep all batteries away from children. Dispose of

used batteries promptly and as regulated by the laws in

your area. Note: Check with any retailer of household

type batteries in your area for battery disposal informa-

tion.

Disposal Notice:

Should this product become damaged beyond repair, or

for some reason its useful life is considered to be at an

end, please observe all local, state, and federal regula-

tions that relate to the disposal of products that contain

lead, batteries, plastics, etc. If your dealer is unable to

assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product.

The model number, serial number, power requirements,

etc., are located on this plate. You should record the

model number, serial number, and the date of purchase

in the spaces provided below and retain this manual as

a permanent record of your purchase.

Model

Serial No.

Purchase Date

SPECIAL MESSAGE SECTION

92-BP

(bottom)

1. IMPORTANT NOTICE: DO NOT MODIFY

THIS UNIT!

This product, when installed as indicated in the

instructions contained in this manual, meets FCC

requirements. Modiﬁcations not expressly approved

by Yamaha may void your authority, granted by the

FCC, to use the product.

2. IMPORTANT:

When connecting this product to

accessories and/or another product use only high

quality shielded cables. Cable/s supplied with this

product MUST be used. Follow all installation

instructions. Failure to follow instructions could void

your FCC authorization to use this product in the

USA.

3. NOTE:

This product has been tested and found to

comply with the requirements listed in FCC Regula-

tions, Part 15 for Class “B” digital devices. Compli-

ance with these requirements provides a

reasonable level of assurance that your use of this

product in a residential environment will not result in

harmful interference with other electronic devices.

This equipment generates/uses radio frequencies

and, if not installed and used according to the

instructions found in the users manual, may cause

interference harmful to the operation of other elec-

tronic devices. Compliance with FCC regulations

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

does not guarantee that interference will not occur

in all installations. If this product is found to be the

source of interference, which can be determined by

turning the unit “OFF” and “ON”, please try to elimi-

nate the problem by using one of the following mea-

sures:

Relocate either this product or the device that is

being affected by the interference.

Utilize power outlets that are on different branch

(circuit breaker or fuse) circuits or install AC line ﬁl-

ter/s.

In the case of radio or TV interference, relocate/

reorient the antenna. If the antenna lead-in is 300

ohm ribbon lead, change the lead-in to co-axial type

cable.

If these corrective measures do not produce satis-

factory results, please contact the local retailer

authorized to distribute this type of product. If you

can not locate the appropriate retailer, please con-

tact Yamaha Corporation of America, Electronic

Service Division, 6600 Orangethorpe Ave, Buena

Park, CA90620

The above statements apply ONLY to those prod-

ucts distributed by Yamaha Corporation of America

or its subsidiaries.

FCC INFORMATION (U.S.A.)

OBSERVERA!

Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den ar ansluten till väg-

guttaget, även om själva apparaten har stängts av.

ADVARSEL:

Netspæendingen til dette apparat er IKKE afbrudt, sålæenge netledningen

siddr i en stikkontakt, som er t endt — også selvom der or slukket på apparatets afbryder.

VAROITUS:

Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta verkosta.

(standby)

* This applies only to products distributed by

YAMAHA CORPORATION OF AMERICA.

COMPLIANCE INFORMATION STATEMENT

(DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620

Telephone : 714-522-9011

Type of Equipment : USB KEYBOARD STUDIO

Model Name : KX25 / KX49 / KX61 / KX8

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following two conditions:

1) this device may not cause harmful interference, and

2) this device must accept any interference received including interference

that may cause undesired operation.

See user manual instructions if interference to radio reception is suspected.

(FCC DoC)

(3)-11

Owner’s Manual

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death

from electrical shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but

are not limited to, the following:

• Only use the voltage speciﬁed as correct for the instrument. The

required voltage is printed on the name plate of the instrument.

• Use the speciﬁed adaptor (PA-3C, PA-130 or an equivalent

recommended by Yamaha) only. Using the wrong adaptor can result

in damage to the instrument or overheating.

• Check the electric plug periodically and remove any dirt or dust

which may have accumulated on it.

• Do not place the AC adaptor cord near heat sources such as heaters

or radiators, and do not excessively bend or otherwise damage the

cord, place heavy objects on it, or place it in a position where anyone

could walk on, trip over, or roll anything over it.

• Do not open the instrument or attempt to disassemble the internal

parts or modify them in any way. The instrument contains no user-

serviceable parts. If it should appear to be malfunctioning,

discontinue use immediately and have it inspected by qualiﬁed

Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or

wet conditions, or place containers on it containing liquids which

might spill into any openings. If any liquid such as water seeps into

the instrument, turn off the power immediately and unplug the power

cord from the AC outlet. Then have the instrument inspected by

qualiﬁed Yamaha service personnel.

• Never insert or remove an electric plug with wet hands.

• Do not put burning items, such as candles, on the unit.

A burning item may fall over and cause a ﬁre.

• If the AC adaptor cord, plug or USB cable becomes frayed or

damaged, or if there is a sudden loss of sound during use of the

instrument, or if any unusual smells or smoke should appear to be

caused by it, immediately turn off the power switch, disconnect the

adaptor plug from the outlet, disconnect the USB cable and have the

instrument inspected by qualiﬁed Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or

others, or damage to the instrument or other property. These precautions include, but are not limited

to, the following:

• When removing the electric plug from the instrument or an outlet,

always hold the plug itself and not the cord.

• Unplug the AC power adaptor when not using the instrument, or

during electrical storms.

• Do not connect the instrument to an electrical outlet using a

multiple-connector. Doing so can result in lower sound quality, or

possibly cause overheating in the outlet.

• Do not expose the instrument to excessive dust or vibrations, or

extreme cold or heat (such as in direct sunlight, near a heater, or in a

car during the day) to prevent the possibility of panel disﬁguration or

damage to the internal components.

• Do not use the instrument in the vicinity of a TV, radio, stereo

equipment, mobile phone, or other electric devices. Otherwise, the

instrument, TV, or radio may generate noise.

• Do not place the instrument in an unstable position where it might

accidentally fall over.

• Before moving the instrument, remove all connected adaptor and

other cables.

Power supply/AC power adaptor

Do not open

Water warning

Fire warning

If you notice any abnormality

Power supply/AC power adaptor Location

(3)-11

Owner’s Manual

• When setting up the product, make sure that the AC outlet you are

using is easily accessible. If some trouble or malfunction occurs,

immediately turn off the power switch and disconnect the plug from

the outlet. Even when the power switch is turned off, electricity is still

ﬂowing to the product at the minimum level. When you are not using

the product for a long time, make sure to unplug the power cord from

the wall AC outlet.

• Before connecting the instrument to other electronic components,

turn off the power for all components. Before turning the power on or

off for all components, set all volume levels to minimum. Also, be

sure to set the volumes of all components at their minimum levels

and gradually raise the volume controls while playing the instrument

to set the desired listening level.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint

thinners, solvents, cleaning ﬂuids, or chemical-impregnated wiping

cloths.

• Do not insert a ﬁnger or hand in any gaps on the instrument.

• Never insert or drop paper, metallic, or other objects into the gaps on

the panel or keyboard. If this happens, turn off the power

immediately and unplug the power cord from the AC outlet. Then

have the instrument inspected by qualiﬁed Yamaha service

personnel.

• Do not place vinyl, plastic or rubber objects on the instrument, since

this might discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument,

and do not use excessive force on the buttons, switches or

connectors.

• Do not use the instrument/device or headphones for a long period of

time at a high or uncomfortable volume level, since this can cause

permanent hearing loss. If you experience any hearing loss or

ringing in the ears, consult a physician.

Saving and backing up the created Control

Template

• The Control Template created by using a computer or via the panel

operation of the KX will be stored on internal memory of the KX.

Stored data may be lost due to malfunction or incorrect operation.

Save important data to a computer by using the special KX Editor

software (page 6).

Always turn the power off when the instrument is not in use.

Even when the power switch is in the “STANDBY” position, electricity is still ﬂowing to the instrument at the minimum level. When you are not using the

instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.

SPECIAL NOTICES

• The contents of this Owner’s Manual and the copyrights thereof are under exclusive ownership by Yamaha Corporation.

• The screen displays as illustrated in this manual are for instructional purposes, and may appear somewhat different from the screens which appear on your

computer.

• This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use

others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style ﬁles, MIDI ﬁles, WAVE data, musical scores and

sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of

• Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal

use.

• Steinberg and Cubase are the registered trademarks of Steinberg Media Technologies GmbH.

• Windows is a registered trademark of Microsoft

Corporation in the United States and other countries.

• Apple, Mac and Macintosh are trademarks of Apple Inc., registered in the U.S. and other countries.

The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.

Connections

Maintenance

Handling caution

Saving data

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the instrument, or data that is lost or destroyed.

About the latest Firmware Version

Yamaha may from time to time update ﬁrmware of the KX without notice for improvement. Likewise, the DAW software used together with the KX

may be updated from time to time. As a result, the link functions between the KX and the DAW software may not work properly depending on the

ﬁrmware version of the KX and the software version of the DAW. If such a situation occurs, refer to the website below to ﬁnd the latest information.

http://www.yamahasynth.com/

Note that the explanations in this Owner’s Manual apply to the version of ﬁrmware when this Owner’s Manual was produced. For details about the

additional functions due to later releases, refer to the above website.

Introduction

Owner’s Manual

Thank you for purchasing the Yamaha KX25 / KX49 / KX61 / KX8 USB KEYBOARD STUDIO.

Included in the package are the KX MIDI keyboard for controlling a computer via USB as well as the DAW

application software, Cubase AI4. Simply connect the KX to a computer via USB, and you’ve got a

comprehensive control center and seamless environment for complete music production.

In order to take full advantage of the KX’s superior functionality and enjoy years of trouble-free use, please

read this manual before you begin using the product. Also, keep this book in a safe place for future reference.

Link with Cubase

The KX keyboard is equipped with link functions specifically designed for Cubase software (Cubase 4, Studio

4, Essential 4 and AI4), providing tremendous efficiency and speed in your workflow.

Track operations on VST plug-in instruments (VSTi)

The KX has no built-in tone generator; it is a keyboard controller designed to play the sounds of VST plug-in

instruments (VSTi) on your connected computer. The KX lets you conveniently perform certain VSTi operations

in your DAW directly from the KX panel, including creating tracks and selecting programs (instrument voices).

Four knobs for real-time control of various parameters

These versatile knobs give you real-time control over parameters in your VSTi software. Simply select the

Control Template for the VSTi you wish to control (30 pre-programmed templates are built in), and you can

use the four knobs to control the sound of your VSTi remotely. Many popular VSTi are covered by the

templates; however, you can also create/customize your own to use with your favorite VSTi.

Powerful Arpeggio feature

The KX also has a built-in Arpeggio feature that lets you easily play various rhythmic patterns and ‘sequenced’

phrases, depending on the notes you press. These include a wide variety of vintage analog synthesizer-like

arpeggios, guitar/bass riffs, and drum/percussion rhythm patterns—all of which can be triggered instantly and

held automatically to provide dynamic, realistic backing for your performance.

USB bus-powered

The KX can be powered by the USB connection to your computer. This means you can simply connect the KX

to a USB terminal on your computer, get full power, and not have to worry about setting up an AC adaptor.

• AC power adaptor (PA-3C, PA-130, or equivalent)*

• Owner’s Manual (this book)

• USB cable

• Cubase AI4 DVD-ROM

• TOOLS for KX DVD-ROM

* May not be included depending on your particular area. Please check with your Yamaha dealer.

Introduction

Features

Included Accessories

KX Editor

KX Editor is a special software that gives you convenient editing tools for the KX and its settings. You can

download this software from the following Yamaha website.

http://www.yamahasynth.com/

About the Included Software

Owner’s Manual

Special Notices about the Accessory Disks

CAUTION

• This disk containing the software is not meant for use with an audio/visual system (CD player, DVD player, etc.). Do

not attempt to use the disk on equipment other than a computer.

Special Notice

• The copyrights of the USB-MIDI Driver and Extensions for Steinberg DAW (contained in the TOOLS for KX DVD-ROM) are under

exclusive ownership by Yamaha Corporation.

• The software included in the Cubase AI4 DVD-ROM and the copyrights thereof are under exclusive ownership by Steinberg Media

Technologies GmbH. Note that Yamaha does not offer technical support for Cubase AI4 in the DVD-ROM.

• The VSTi tools included in the “VSTis” folder of the TOOLS for KX DVD-ROM and the copyrights thereof are under exclusive

ownership by the respective companies. Note that Yamaha does not offer technical support for the DAW software in the DVD-ROM.

•Use of the software and this manual is governed by the license agreement which the purchaser fully agrees to upon breaking the

seal of the software packaging. (Please read carefully the Software Licensing Agreement at the end of this manual before installing

the application.)

•Copying of the software in whole or in part by any means is expressly forbidden without the written consent of the manufacturer.

• Yamaha makes no representations or warranties with regard to the use of the software and cannot be held responsible for the

results of the use of the software.

• Future upgrades of application and system software and any changes in specifications and functions will be announced separately

on Yamaha site.

System Requirements for Software

The system requirements below are necessary for installing and using the software contained in the

accessory disk (Cubase AI4 and TOOLS for KX).

Windows Macintosh

Important

•A DVD drive is required for installation.

• To activate your software license, install Cubase AI4 while the computer is connected to the Internet.

About the Included Software

About support for Cubase

Support for Cubase in the accessory disk is provided by Steinberg on its website at the following address.

http://www.steinberg.net

You can visit the Steinberg site also via the Help menu of Cubase. (The Help menu also includes the PDF manual and

other information on the software.)

NOTE

To view PDF files on Windows, you must install Adobe Reader on your computer. If you do not have Adobe Reader, you

can download the application from the Adobe website at the following URL:

http://www.adobe.com

OS: Windows XP Professional/XP Home Edition/Vista

32-bit version

Computer: Intel Pentium 1.4 GHz or higher

Memory: 512MB

Display

Resolution: 1280 x 800 pixels

Interface: Equipped with the USB connector

Hard Disk: Free disk space of 1GB or more; high-speed

hard disk

OS: Mac OSX 10.4.x or 10.5.x

Computer: Power Mac G4 1GHz or Core Solo 1.5GHz or

higher

Memory: 512MB

Display

Resolution: 1280 x 800 pixels

Interface: Equipped with the USB connector

Hard Disk: Free disk space of 1GB or more; high-speed

hard disk

NOTE

· Regarding the USB-MIDI Driver contained in the TOOLS for KX DVD-ROM, you can download the latest version from

the following URL. Information on system requirements is also available at the following URL.

http://www.global.yamaha.com/download/usb_midi/

· Regarding the Extensions for Steinberg DAW contained in the TOOLS for KX DVD-ROM, you can download the latest

version from the following URL. Information on system requirements is also available at the following URL.

http://www.yamahasynth.com/

· For details on system requirements of Cubase AI4, refer to the following URL:

http://www.yamahasynth.com/

· For details on system requirements of the DAW software other than Cubase AI4, refer to the corresponding manual or

the web site.

· For details on system requirements of the VSTi software synthesizers (contained in the TOOLS for KX DVD-ROM),

refer to the corresponding manual in the folder on which the VSTi resides.

Owner’s Manual

Introduction ...........................................6

Features .................................................6

Included Accessories ............................6

About the Included Software ................ 7

Special Notices about the Accessory Disks .............7

System Requirements for Software .........................7

Windows.............................................................7

Macintosh...........................................................7

Turning the Power On and Off............... 9

Power Supply ...........................................................9

Connecting the AC power adaptor .....................9

Using the KX as a USB bus-powered device.....9

Turning the Power On and Off .................................9

Front and Rear Panels .........................10

What You Can Do With the KX.............12

Keyboard Performance ..........................................12

Transport/Track Operations on the DAW Software

....12

Window Operations on the VSTi ............................12

Real-time Parameter Control .................................12

Phrase/Rhythm Performance with Arpeggio

Feature...................................................................12

Setting Up ............................................ 13

Installation Using the Cubase AI4 DVD-ROM........13

For Windows: ...................................................13

For Macintosh: .................................................13

Installation Using the TOOLS for KX DVD-ROM ...13

For Windows: ...................................................14

For Macintosh: .................................................15

Connection .............................................................16

Using the KX with Cubase...................17

Setting up on the KX ..............................................17

Setting up on Cubase.............................................17

MIDI ports on the KX........................................18

Setting up the VSTi ................................................19

Creating a track for the VSTi............................19

Opening the VSTi window and selecting an

instrument ........................................................19

Playing the Keyboard .............................................20

Playing an Arpeggio ...............................................20

Trigger the Arpeggio with one finger ................20

Holding Arpeggio playback ..............................21

Trying out other notes on the keyboard ...........21

Using the CUBASE FUNCTION Buttons ...............23

Default functions ..............................................23

Assigning different functions to the buttons .....23

Controlling the VSTi by Using the CONTROL

Knobs .................................................................... 24

Controlling the Transport and Tracks .................... 25

Basic Operation on the KX ..................26

Display Indications................................................. 26

Top display ...................................................... 26

Arpeggio Edit display ....................................... 26

Control Template display ................................. 26

Utility display.................................................... 26

Changing the Octave Range ................................. 27

Selecting the Velocity Curve.................................. 27

Control Templates ...............................28

Selecting a Control Template ................................ 28

Editing a Control Template .................................... 29

Changing the message type generated by using

the CONTROL knobs ...................................... 29

Changing the Control Change number generated

by using the CONTROL knob .......................... 30

Arpeggio ...............................................31

Selecting an Arpeggio Type .................................. 31

Using MIDI Clock to control Arpeggio tempo... 32

Editing an Arpeggio ............................................... 33

Arpeggio Parameters............................................. 33

Using the KX with a DAW Other than

Cubase .................................................34

When using Digital Performer (Macintosh): ..... 35

Utility Settings .....................................36

Basic Operation ..................................................... 36

Utility Parameters .................................................. 36

Restoring the Factory-programmed System Settings

(Factory Set).......................................................... 37

Setting the MIDI Thru Parameter........................... 38

Troubleshooting ...................................39

Message List ........................................40

TOOLS for KX LICENSE AGREEMENT

..41

Cubase AI4 LICENSE AGREEMENT

......42

Appendix ..............................................44

Specifications ........................................................ 44

Control Template List ............................................ 45

Arpeggio Type List................................................. 46

MIDI Implementation Chart .................50

Index ....................................................52

Table of Contents

Turning the Power On and Off

Owner’s Manual

Power Supply

The KX can be powered from one of the following

two sources.

• Power supply from the AC power adaptor

• Power supply from the connected host computer

(USB bus-power)

Connecting the AC power adaptor

Make sure that the STANDBY/ON switch of

the KX is in the STANDBY position.

Connect the plug of the power adaptor to

the DC IN connector on the rear panel.

Plug the power adaptor into a standard

household power outlet.

WARNING

• Use only the included power adaptor (PA-3C or PA-

130) or an equivalent recommended by Yamaha).

Use of a different adaptor may result in equipment

damage, overheating, or fire. Doing so will also

immediately void the product warranty, even if the

effective warranty period has not expired.

CAUTION

•Wrap the DC output cable of the adaptor around the

cable clip (as shown below) to prevent accidental

unplugging of the cable during operation. Avoid

tightening the cord more than necessary or pulling on

the cord strongly while it is wrapped around the cable

clip to prevent wear on the cord or possible breakage

of the clip.

Using the KX as a USB bus-powered

device

The KX is a bus-powered type device which can be

USB cable. In this case, the AC power adaptor is

not necessary.

Make sure that the STANDBY/ON switch of

the KX is in the STANDBY position.

Connect a computer to the USB TO HOST

connector of the KX by using a USB cable.

Turning the Power On and

Off

Turn the power ON by pressing the

[STANDBY/ON] switch to set it to the ON

position.

Turn the power off by pressing the

[STANDBY/ON] switch again to set it to the

STANDBY position.

CAUTION

• Note that a small amount of current continues to flow

while the switch is in the STANDBY position. If you

do not plan to use the KX again for a long while, be

sure to unplug the adaptor from the wall outlet and

unplug the USB cable from the KX.

Turning the Power On and Off

KX61

KX8

DC IN

NOTE

·While the KX is turned ON, the Macintosh

computer connected to the KX via USB

cannot enter the power-saving mode

(such as sleep and suspended) even if

you do not operate the computer for a

long time. When connected in this

condition, the KX continues to draw power

from the computer, even if you are not

using it. Particularly when the computer is

under battery power, you should make

sure to set the STANDBY/ON switch of

the KX to STANDBY in order to save

power and avoid draining the computer’s

battery.

· The USB bus-power function can be used

only when connecting the KX to a

computer directly without using a hub or

connecting the KX to a computer via a

self-powered USB hub. This function

cannot be used when connecting the KX

to a computer via a bus-powered USB

hub.

· The USB bus-power function will not work

when using the AC adaptor.

Front and Rear Panels

Owner’s Manual

1 CONTROL knobs .............................Page 24

Use these knobs to adjust the parameter

values of the VSTi in your computer.

2 Knob Functions Select button .......Page 24

Use this button to select one of the two

functions assigned to each knob.

3 VELOCITY CURVE [DEC] and [INC]

buttons .............................................Page 27

Use these buttons to select one of the velocity

curves of the keyboard.

4 OCTAVE buttons .............................Page 27

Use these buttons to change the note range of

the keyboard by octave.

5 [EXIT] button....................................Page 26

Press this button to return to the original

display.

6 [UTILITY] button ..............................Page 36

Press this button to call up the display for

setting the system related parameters.

7 [ARP EDIT] button ...........................Page 31

Press this button to call up the display for

selecting the Arpeggio type and setting the

related parameters.

8 [CONTROL TEMPLATE] button......Page 28

Use this button to select a template assigned to

CONTROL knobs.

9 [ARP ON/OFF] button ..................... Page 20

Press this button to enable or disable Arpeggio

playback. Turning on the button lights up the

LED lamp.

) [HOLD] button ................................. Page 21

This button turns the Arpeggio Hold function on

and off.

! TEMPO LED .................................... Page 32

This LED lamp flashes in time with the tempo of

the Arpeggio.

@ Display ............................................. Page 26

Shows the related information according to

your panel operations.

# SELECT buttons..............................Page 26

Use these buttons to select the parameter to be

edited.

$ DATA [DEC] and [INC] buttons

.................................................. Pages 17, 31

Use each of these buttons to increase or

decrease the value of the selected parameter.

% [VSTi WINDOW] button...................Page 19

Press this button to switch between displaying

and hiding the VSTi window in Cubase.

^ [ADD INSTRUMENT TRACK] button

.......................................................... Page 19

Press this button to create a VSTi track in

Cubase.

Front and Rear Panels

2 9 )

7 8

5 6

3 4 # $

¢ ∞

Front and Rear Panels

Owner’s Manual

CUBASE FUNCTION [A] and [B] buttons

..........................................................Page 23

These buttons let you control certain

assignable functions within Cubase.

* PROGRAM [DEC] and [INC] buttons

..........................................................Page 19

Use these buttons to select the particular

instrument of the VSTi assigned to the selected

track.

( Cursor buttons ................................Page 25

These buttons function the same as the cursor

keys on your computer.

º [ESC] button ....................................Page 25

This button functions the same as the ESC key

on your computer.

¡ [ENTER] button................................Page 25

This button functions the same as the ENTER

key on your computer.

™ Track Control buttons.....................Page 25

These buttons let you control the Mute and Solo

functions on the selected track within Cubase.

£ Transport Control buttons..............Page 25

These buttons let you control transport

functions, including record and play, within

Cubase.

¢ Pitch Bend wheel .................... Pages 12, 17

Controls the pitch bend effect, making

continuous pitch change.

∞ Modulation wheel.................... Pages 12, 17

Controls the modulation effect.

§ [STANDBY/ON] switch......................Page 9

Press this switch to turn the power on or off

(STANDBY).

¶ DC IN connector................................ Page 9

Connect an AC adaptor to this jack.

• MIDI IN connector ...........................Page 16

This connector is used to receive MIDI

messages transmitted from an external MIDI

device.

ª MIDI OUT connector .......................Page 16

This connector is used to transmit MIDI

messages to an external MIDI device.

‚ SUSTAIN jack .................................. Page 16

Connect an optional footswitch (such as

Yamaha FC4 and FC5) to this jack.

⁄ USB TO HOST connector ............... Page 16

This connector is used to connect the keyboard

and the computer by using a USB cable. Since

the KX is bus-powered, the power can be

supplied from the computer to the KX via this

connector.

º ¡

™

% ^

(

•

‚

⁄

What You Can Do With the KX

Owner’s Manual

The KX is, of course, a MIDI keyboard—however, it also provides a wealth of other convenient and powerful

features for use with your computer and DAW software. Here’s a short introduction to what you can do with

your KX.

Keyboard Performance

Play the keyboard and use the various controllers

(including the Pitch Bend and Modulation wheels)

to play/change the sounds of the VSTi on the

computer (via USB) or a connected MIDI tone

generator (via MIDI).

Transport/Track Operations

on the DAW Software

Use the KX to control transport functions (such as

Play, Record and Stop), as well as mute and solo

selected tracks within Cubase.

Window Operations on the VSTi

When using Cubase, you can instantly open or

close the VSTi related window and create a track for

the VSTi from the KX.

Real-time Parameter Control

Use the CONTROL knobs on the KX to control

various sound-shaping parameters on the VSTi or a

connected tone generator.

Phrase/Rhythm Performance

with Arpeggio Feature

This powerful feature lets you easily play various

rhythmic patterns and ‘sequenced’ phrases. These

include a wide variety of vintage analog

synthesizer-like arpeggios, guitar/bass riffs, and

drum/percussion rhythm patterns—all of which can

be triggered instantly and held automatically to

provide dynamic, realistic backing for your

performance.

What You Can Do With the KX

NOTE

Track operations such as Mute and Solo are

available only for Cubase.

Keyboard

MIDI Select =

MIDI

MIDI tone

generator

VSTi

MIDI Select = USB

DAW software

Rec/Play/

Stop

DAW software

Mute/Solo

Button

operation

Opening/Closing

the VSTi window

Creating a Track

VSTi

Cubase

Arpeggio

Playback data

DAW software

VSTi

Setting Up

Owner’s Manual

Installation Using the Cubase AI4 DVD-ROM

Important!

Since the End-User Software License Agreement (EUSLA) shown on your computer display when you install

the “DAW” software is replaced by the agreement on page 42, you should disregard the EUSLA. Read the

Cubase AI4 License Agreement on page 42 carefully, and install the software if you agree to it.

For Windows:

Start the computer and log on to the

Administrator account.

Insert the Cubase AI4 DVD-ROM into the

DVD-ROM drive.

Open the DVD-ROM, then double-click the

file “CubaseAI4.msi.”

Follow the on-screen instructions to install

Cubase AI4.

For Macintosh:

Start the computer and log on to the

Administrator account.

Insert the Cubase AI4 DVD-ROM into the

DVD-ROM drive.

Open the DVD-ROM, then double-click the

file “CubaseAI4.mpkg.”

Follow the on-screen instructions to install

Cubase AI4.

Installation Using the TOOLS for KX DVD-ROM

The TOOLS for KX DVD-ROM includes the following application software tools.

■ Installer of Extensions for Steinberg DAW

■ USB-MIDI driver

■ VSTi installers developed by other companies

In particular, you should install Extensions for Steinberg DAW to ensure optimum control over Cubase. You

should also install the USB-MIDI Driver to enable proper communication between the KX and your computer.

Other VSTi software can be installed as desired.

By installing Extensions for Steinberg DAW, the following functions are available when using the KX and

Cubase on your computer.

■ Cubase can recognize the KX as a remote controller when connecting the KX to the computer.

■ Performing panel operations on the KX (such as with the knobs and buttons) automatically edits the relevant

parameters on the VSTi software.

■ Changing the VSTi on the computer will select the appropriate Control Template (page 28) on the KX

automatically.

Setting Up

NOTE

If you have already installed Cubase, the instructions below are not necessary. Jump to the next section

“Installation using the TOOLS for KX DVD-ROM.”

NOTE

· In order to have continuous use of Cubase AI 4, including support and other benefits, you will need to

the Internet. Click the “Register Now” button shown when the software is started, then fill in all required

fields for registration. If you do not register the software, you will be unable to use it after a limited period

of time expires.

· If you are using Cubase 4, Cubase Studio 4 or Cubase Essential 4, install either application before you

install Extensions for Steinberg DAW.

NOTE

· If you want to install VSTi software developed by other companies, follow the Installation Guide for each

VSTi located in the “VSTis” folder.

· For information on how to uninstall each software, refer to the Installation Guide located in the respective

folder of each software.

Setting Up

Owner’s Manual

For Windows:

Make sure that the power to the KX is turned

off.

Disconnect all MIDI cables that connect MIDI

devices to MIDI IN/OUT connectors on the

KX.

Start the computer and log on to the

Administrator account.

Insert the TOOLS for KX DVD-ROM into the

DVD-ROM drive.

Open the “Extensions for Steinberg DAW”

folder in the DVD-ROM, then double-click

the file “setup.exe”

The first display for installing Extensions for

Steinberg DAW appears.

Click [Next] to call up the InstallShield

Wizard for Yamaha Extensions for Steinberg

DAW.

Click [Next] to start the installation.

To cancel the installation procedure, click

[Cancel].

When the installation is complete, a

message indicating so appears. Click

[Finish].

After disconnecting all other USB devices

from the computer, connect the KX directly

to the computer (without using a hub) by

using a USB cable.

10.

Turn the power on of the KX by pressing the

[STANDBY/ON] switch.

The KX will be recognized by the connected

computer.

11.

Install the USB-MIDI driver.

The installation is now complete.

Important!

Make sure to use the same USB connector as the

one used in the installation procedure when you

connect the KX and the Windows computer again. If

you connect the USB cable to a different connector,

you will have to install the USB-MIDI driver again.

NOTE

Make sure to install Cubase before installing

Extensions for Steinberg DAW described in

step 5 below.

NOTE

· If the same version of Extensions for

Steinberg DAW has already been

installed in your computer, a window

appears indicating completion. In this

case, click [Finish].

· If a newer version of Extensions for

Steinberg DAW has already been

installed in your computer, a dialog box

appears indicating that the newer

software has already been installed. In

this case, you do not need to install the

software. Click [OK] in the dialog box.

· If an older version of Extensions for

Steinberg DAW has been installed in your

computer, the software should be

updated. (The procedure is the same as

for installing it from scratch.)

NOTE

During the installation procedure, you can

select the type of Extensions for Steinberg

DAW by selecting “Custom” in the Setup

Type dialog.

NOTE

Installation of the USB MIDI driver is

described in “installationguide_en.pdf”

stored in the “USB-MIDI_Driver” folder.

USB connector

USB cable

KX rear panel

Setting Up

Owner’s Manual

For Macintosh:

Make sure that the power to the KX is turned

off.

Disconnect all MIDI cables that connect MIDI

devices to MIDI IN/OUT connectors on the

KX.

Start the computer and log on to the

Administrator account.

Insert the TOOLS for KX DVD-ROM into the

DVD-ROM drive.

Open the “Extensions for Steinberg DAW”

folder in the DVD-ROM, then double-click

the file “Yamaha Extensions for Steinberg

DAW.mpkg.”

This calls up the InstallShield Wizard for

Yamaha Extensions for Steinberg DAW.

Click [Continue].

Execute the installation by following the on-

screen directions.

When the installation is complete, a

message indicating so appears. Click

[Close].

Install the USB-MIDI driver.

10.

After disconnecting all other USB devices

from the computer, connect the KX directly

to the computer (without using a hub) by

using a USB cable.

11.

Turn the power on of the KX by pressing the

[STANDBY/ON] switch.

The KX will be recognized by the connected

Macintosh computer.

The installation is now complete.

NOTE

Make sure to install Cubase before installing

Extensions for Steinberg DAW described in

step 5 below.

NOTE

· If a dialog box appears asking if you want

to install the software, click [Continue].

· If Extensions for Steinberg DAW has been

installed, it will be overwritten by the new

installed version.

NOTE

· You can select only the startup disk as

installation destination.

· During the installation procedure, you can

select the type of Extensions for Steinberg

DAW by selecting “Customize” in the

“Installation Type” dialog.

NOTE

· Installation of the USB MIDI driver is

described in “installationguide_en.pdf”

stored in the “USB-MIDI_Driver” folder.

· The “Keyboard Setup Assistant” window

appears when connecting the KX to a

computer via USB. In this case, click the

red circle at the top left corner to close

this window.

Precautions when using the USB TO HOST

connector

When connecting the computer to the USB TO

HOST connector, make sure to observe the

following points. Failing to do so risks freezing

the computer and corrupting or even losing the

data.

If the computer or the instrument freezes, restart

the application software or the computer OS, or

turn the power to the instrument off then on

again.

CAUTION

• Use an AB type USB cable of less than about 3

meters.

• Before connecting the computer to the USB TO

HOST connector, exit from any power-saving

mode (such as suspended, sleep, standby) of the

computer.

• Before turning on the power to the instrument,

connect the computer to the USB TO HOST

connector.

• Execute the following before turning the power to

the instrument on/off or plugging/unplugging the

USB cable to/from the USB TO HOST connector.

- Quit any open applications.

- Make sure that data is not being transmitted

from the instrument. (Data is transmitted only by

playing notes on the keyboard or playing back

an Arpeggio.)

•While a USB device is connected to the

instrument, you should wait for six seconds or

more between these operations: (1) when turning

the power of the instrument off then on again, or

(2) when alternately connecting/disconnecting the

USB cable.

USB connector

USB cable

KX rear panel

Setting Up

Owner’s Manual

Connection

If you’ve followed the instructions on pages 13–15, you’ve connected your KX and computer as shown below.

(Additional devices shown below have been included to cover other possible setups.) Keep in mind that all

further instructions in this manual assume the connection has been made properly. Also remember that you’ll

need a set of headphones or a speaker system to hear the sounds from your computer.

NOTE

As necessary, connect the MIDI devices such as synthesizer, tone generator and sequencer to the KX.

NOTE

· Once all software and drivers have been properly installed (pages 13–15), and with the initial default

settings (MIDI Select = USB, on page 37; MIDI Thru = MIDI → USB, on page 38), the KX can control the

DAW software on your computer via a USB cable. This allows you to play the voices of plug-in

instruments (including VSTi) on your computer from the keyboard of the KX. Also, MIDI messages

generated on a connected MIDI device (such as the synthesizer shown above) can be transmitted

through the KX to the computer. This allows you to play back songs on a MIDI device and have the

voices of your plug-in software sound.

·When the MIDI Select parameter (page 37) is set to “MIDI,” the USB connector will be inactive. This

means that MIDI communication is only possible via the MIDI connectors (and not via USB). In the

example illustration above, this setting lets you play the sound of the tone generator from the KX

keyboard.

Footswitch

While holding an optional footswitch (Yamaha FC4 or FC5) connected to the SUSTAIN jack, the note you

pressed then released works as if you held it. For organ sounds that have no natural decay, holding down

the footswitch will maintain the sound at the same level even if you release the note. For piano sounds that

have a natural decay, holding down the footswitch will decay the sound naturally even if you release the

note. For the Arpeggio function (page 31), holding down the footswitch will maintain playback of the

Arpeggio. Keep in mind that such operations are available only when devices (such as a connected MIDI

tone generator or a VSTi on the connected computer) that can recognize Control Change #64 are active.

NOTE

Be sure to connect or disconnect the footswitch to the SUSTAIN jack while the power of the KX is

turned off. If you disconnect the footswitch while the power is turned on, the footswitch function

becomes “stuck”—in other words, the sound will continue to sustain, or Arpeggio playback will continue

indefinitely.

Computer

USB connector

USB cable

Audio interface

MIDI OUT connector

MIDI IN connector

Footswitch (optional)

Synthesizer, tone generator,

sequencer, etc.

Headphone

KX rear panel

MIDI cable

Using the KX with Cubase

Owner’s Manual

The KX features a special Link feature that allows you seamless control over various functions in Cubase and

provides enormous efficiency and speed in your music production workflow. Make sure you’ve connected all

devices and properly set up your system (as described on pages 13–16), then try using the KX with Cubase

according to the instructions here.

Setting up on the KX

To use the Link function with Cubase, it is

necessary to change the settings of the KX

according to the DAW on your computer.

Turn the power ON by pressing the

[STANDBY/ON] switch to set it to the ON

position.

The top display (page 26) appears.

Press the [UTILITY] button to call up the

Utility display.

Use the SELECT buttons to call up “DAW

Select.”

In this state, you can select the DAW software

controlled from the KX.

Use the DATA [DEC] and [INC] buttons to

select the desired DAW software.

■ When using Cubase 4/Cubase Studio 4/

Cubase Essential 4:

Select “Cubase4.”

■ When using Cubase AI4:

Select “CubaseAI.”

Press the [EXIT] button to return to the

original display.

Setting up on Cubase

The MIDI messages generated on the KX (by

playing the keyboard, controlling the Pitch Bend

Wheel and the Modulation Wheel, and so on) are

transmitted via USB-MIDI Port 1 from the KX to

Cubase. Keep in mind that MIDI data transmitted

via the USB-MIDI Ports 2 and 3 are not related to

music performance (including the instrument

change). This means that any messages received

over these ports may be recognized as instrument

change and hence may result in unexpected

sounds. To avoid this, you should remove the

checkmark of “All MIDI Input” for USB-MIDI Port 2

and Port 3.

Start Cubase on your computer.

Important!

Cubase cannot recognize the KX if you turn the

power of the KX on after starting Cubase. Make

sure to start Cubase after turning on the power of

the KX.

Select “Device Setup” from the “Device”

menu of Cubase.

The Device dialog appears.

Click “MIDI Port Setup” in the Devices

column.

The MIDI ports of Cubase appear at right of the

dialog.

Using the KX with Cubase

NOTE

· The explanations here use screen

examples taken from Windows. The

instructions for using Macintosh are the

same.

· For further details about the USB-MIDI

Ports 1–3, refer to page 18.

Using the KX with Cubase

Owner’s Manual

Remove the checkmarks by clicking the

check boxes of “All MIDI Inputs”

corresponding to the KX MIDI Ports 2 and 3

respectively.

“Yamaha KX-2” and “Yamaha KX-3” on

Windows and “YAMAHA KX Port 2” and

“YAMAHA KX Port 3” on Macintosh correspond

to MIDI Port 2 and MIDI Port 3 respectively.

MIDI Ports 2 and 3 of the KX handle the

messages generated via the operations other

than keyboard performance such as operations

via the CONTROL knobs and operations on the

KX Editor of the computer. Removing the

checkmarks corresponding to these MIDI ports

will avoid accidentally recording non-keyboard

data to a track in Cubase.

Click [OK] to close the dialog.

NOTE

The checkmark of “All MIDI Inputs”

corresponding to the KX MIDI Port 2 should

be removed since “Extensions for Steinberg

DAW” is included normally in “TOOLS for

KX.” Remove the checkmark of “All MIDI

Inputs” corresponding to the KX MIDI Port 2

only if the checkmark is checked for some

reasons.

This is an example screen when using

Windows. The corresponding

Macintosh indications are “YAMAHA

KX Port 2” and “YAMAHA KX Port 3.”

Remove the

checkmark.

Click “MIDI Port Setup.”

MIDI ports on the KX

For data transfer via a USB cable between the

KX and the computer, you can use three MIDI

ports by installing the USB-MIDI driver. Each of

three MIDI ports can handle the different MIDI

messages as described below.

MIDI Port 1:

This port is indicated as “Yamaha KX-1” on

Windows and “YAMAHA KX Port 1” on

Macintosh. This port is used for data transfer of

the musical performance such as keyboard

performance (note on/off), Modulation wheel

operation (Control Change) and Pitch Bend

wheel operation.

MIDI Port 2:

This port is indicated as “Yamaha KX-2” on

Windows and “YAMAHA KX Port 2” on

Macintosh. This port is used for data transfer

generated by using the DAW REMOTE buttons

(with the exception of the Cursor buttons, [ESC]

button and [ENTER] button) and CONTROL

knobs.

MIDI Port 3:

This port is indicated as “Yamaha KX-3” on

Windows and “YAMAHA KX Port 3” on

Macintosh. This port is used for data transfer

generated by operating the KX Editor on the

computer.

NOTE

· When the MIDI Select parameter is

set to “MIDI” (page 37) and the USB

TO HOST connector becomes

inactive, the data communication

described above cannot be performed.

· When using DAW software other than

Cubase, perform the MIDI setup

manually on the DAW software so that

MIDI Port 1 can handle performance

data (such as note on/off) and MIDI

Port 2 can handle data generated by

controlling the Transport function.

·When using DAW software other than

Cubase, the MIDI messages

generated by using the CONTROL

knob will be transmitted via USB-MIDI

Port 1. Also when using Cubase, the

MIDI messages generated by using

the CONTROL knob will be

transmitted via USB-MIDI Port 1 only

when the KnobOutSel parameter is

set to “CC.”

· On Windows XP, “USB 0-1” (different

from the above port name) may be

shown as the port name. If this

happens, select [Start] ➝ [Control

Panel], double-click [Yamaha USB-

MIDI Driver], enter the checkmark to

the check box of “Use Device Name

As Port Name (Valid after system

restart.),” then restart the computer.

Using the KX with Cubase

Owner’s Manual

Setting up the VSTi

You can create a track for the VSTi and open/close the

VSTi window from the KX panel operation remotely.

Performing such operations (normally performed on

Cubase) from the KX panel is a great convenience and

significantly speeds up your workflow.

Creating a track for the VSTi

This lets you easily create a VSTi track remotely by

using the KX panel controls.

On Cubase, open an already-created Project

or open a new Project.

Press the [ADD INSTRUMENT TRACK]

button of the KX.

The [Add Instrument Track] dialog appears.

Move the focus to the desired VSTi by using

the Cursor buttons on the KX, then press

the [ENTER] button on the KX.

In this case, select “HALionOne.”

Press the [ENTER] button on the KX again to

close the [Add Instrument Track] dialog,

then create a new Instrument Track.

To create a new Instrument Track, you can

click [OK] in the [Add Instrument Track] dialog.

Opening the VSTi window and

selecting an instrument

When the Instrument Track or the MIDI track for

which the destination is set to VSTi is selected on

the Project window or the other window, you can

open the VSTi window quickly at the touch of a

button on the KX’s panel.

On the KX, use the Cursor buttons to select

the track corresponding to the desired VSTi.

On the KX, press the [VSTi WINDOW] button

to open the VSTi window.

The VSTi window of the track selected in step 1

will appear.

On the KX, press the CUBASE FUNCTION

[A] button twice to call up the window

(Preset Browser) shown below.

On the KX, use the cursor button and

CUBASE FUNCTION [B] button to select a

category of instruments.

Move the focus to “Drum&Perc” in the Category

field then press the CUBASE FUNCTION [B]

button to actually select “Drum&Perc.” Move

the focus to the Sub Category by using the

Cursor [ ] button, move the focus to “DrumSet

GM” in the Sub Category field by using the

Cursor [▲] and [▼] buttons, then press the

CUBASE FUNCTION [B] button to actually

select “DrumSet GM.”

On the KX, use the PROGRAM [DEC] or

[INC] button to select the desired

instrument.

In this case, select “RockSt2” in the Search &

Viewer.

NOTE

For Cubase 4 / Cubase Studio 4 / Cubase

Essential 4, pressing the [ADD INSTRUMENT

TRACK] button while the [Add Instrument

Track] dialog is shown will switch between

calling up and hiding the “Browse Presets”

section.

Instrument Select box

Using the KX with Cubase

Owner’s Manual

Playing the Keyboard

Try playing the keyboard on the KX to hear the

sound of “RockSt2” selected in step 4 on the

previous page. Depending on the pressed note, a

different instrument’s sound will be played back,

allowing you to play your own rhythm pattern in real

time by pressing various notes rhythmically.

Playing an Arpeggio

The Arpeggio feature is a powerful tool for both

real-time performance and recording. It lets you

easily play (in many cases, with just a single finger)

a wide variety of specially programmed rhythm

patterns, riffs and phrases using the currently

selected instrument on the computer.

This section shows you how to play Arpeggios by

using “RockSt2” selected in step 4 on the previous

page. You can hear the rhythm pattern play back

automatically.

Trigger the Arpeggio with one ﬁnger

Press the [ARP ON/OFF] button (the lamp

lights).

Press a single note on the keyboard.

The Arpeggio (rhythm pattern) starts just by

playing a single note with one finger.

Release the note to stop the Arpeggio.

NOTE

By pressing the [OCTAVE] button and

playing in the same octave area as before,

you can call up a completely different set of

drum sounds. Try shifting the octave setting

and call up your favorite drum instruments

and percussion sounds. To reset the octave

to the default status, press both [OCTAVE]

buttons simultaneously. For details about

the [OCTAVE] buttons, see page 27.

NOTE

The Arpeggio plays back according to the

internal tempo set in the Utility display

(page 36) or the external tempo set on the

DAW software depending on the current

status. For details, see page 32.

Using the KX with Cubase

Owner’s Manual

Holding Arpeggio playback

Press the [HOLD] button (the lamp lights).

Press a single note on the keyboard.

The Arpeggio (rhythm pattern) starts just by

playing a single note. While the [HOLD] lamp is

turned on, Arpeggio playback will not stop

even if you release the note meaning that you

can perform another operation during

playback.

Press the [HOLD] button again (the lamp

goes out). To stop Arpeggio playback.

Trying out other notes on the

keyboard

Press the lowest C (leftmost note).

A rhythm pattern starts playing.

Next, press the G located a fifth above the C

pressed in step 7.

A different rhythm pattern starts.

Next, press the C located a fourth above the

G pressed in step 8.

A rhythm pattern different from the previous two

patterns starts.

10.

Next, press the G located a fifth above the C

pressed in step 9.

A rhythm pattern different from the previous

three patterns starts.

11.

Finally, press the C located a fourth above

the G pressed in step 10 (the highest C of

the KX25).

The rhythm pattern same as that played in step

7 starts.

NOTE

By pressing a footswitch connected to the

SUSTAIN jack (page 16), the Arpeggio

continues to play, even if you release the

note. In this case, you can stop Arpeggio

playback by releasing the footswitch.

Off

NOTE

If you are using the KX8, press the lowest C

key on the keyboard (the C a third above the

lowest key).

Using the KX with Cubase

Owner’s Manual

In this way you can play different rhythms from the

same Arpeggio type simply by playing just a few

notes. In fact, you can create the rhythmic basis for

a complete song by letting each rhythm repeat for

several measures and changing patterns as

desired. Each of the Arpeggio types in the Category

“DrPc” (selected with the default initial setting)

features four different rhythm patterns recorded

respectively to four different tracks. Each of these

patterns is assigned to a specific area of the

keyboard. You can call up the desired pattern by

pressing any note in a specific area, as shown

below.

For these “DrPc” (Drum/Percussion) Arpeggio

types, the keyboard of the KX is divided into four

six-note groups, each group having a different

rhythm pattern. The note ranges of these four

groups are: C – F, F# – B, C – F, F# – B…and so on,

repeating up the keyboard. Playing any note in the

group will trigger the assigned Arpeggio/rhythm

pattern.

On the KX61, for example, the rhythm patterns are

assigned to note groups like this:

C1 – F1 : Track 1 rhythm pattern

F#1 – B1 : Track 2 rhythm pattern

C2 – F2 : Track 3 rhythm pattern

F#2 – B2 : Track 4 rhythm pattern

C3 – F3 : Track 1 rhythm pattern

(…and so on up the keyboard.)

NOTE

Each note on the keyboard has a note name

like C3, D3, and E3 according to the octave.

This octave setting can be shifted by using

the [OCTAVE] buttons. For details, see

page 27.

Using the KX with Cubase

Owner’s Manual

Using the CUBASE

FUNCTION Buttons

Default functions

When using Cubase, the functions related to the

operations of the Preset Browser are assigned to

the CUBASE FUNCTION [A] and [B] buttons.

■ CUBASE FUNCTION [A]:

Pressing this button calls up the Preset Browser.

Pressing this button while the Preset Browser is

shown switches between calling up and hiding the

Filter section at left half of the Preset Browser.

■ CUBASE FUNCTION [B]:

Pressing this button while the Preset Browser is

shown enables or removes a selection of the item to

which you have already moved the focus. Move the

focus to the item which is not selected currently

then press this button to actually select the item. To

remove the selection of the item, move the focus to

the item which is currently selected, then press this

button.

■ CUBASE FUNCTION [A] + [B]:

Pressing these two buttons simultaneously resets

the Filter settings. In other words, selection of all the

items in the Filter section will be removed.

You can assign the different functions from the

above to the CUBASE FUNCTION [A] and [B]

buttons as desired. For details, refer to the next

section.

Assigning different functions to the

buttons

The buttons for controlling Cubase can be changed

as desired. To do this, follow the instructions below:

Select “Device Setup” from the Device

menu.

The “Device Setup” dialog appears.

Click “Yamaha KX” in the Device column.

The following buttons are assignable.

• [ADD INSTRUMENT TRACK] button

• [VSTi WINDOW] button

• CUBASE FUNCTION[A] and [B] buttons

• PROGRAM[DEC] and [INC] buttons

• [ASSIGN 1] and [ASSIGN 2] buttons

• [MUTE] button

• [SOLO] button

Click the Category column of the desired

button, then select the desired Category

from the pop-up menu.

When selecting a Category that includes

multiple commands, click the Command

column, then select the desired function from

the pop-up menu.

The commands available for assignment

depend on the selected category. For example,

selecting the “MIDI” category allows you to call

up various MIDI-related commands, such as

Quantize, Velocity, etc.

Click [OK] after completing the setup.

The “Device Setup” dialog closes.

HINT

There are many Categories and many Commands

within each Category. You may want to spend some

time and check them out at your leisure. That way

you can find the commands you need to use the

most in your music production, and find the ones

that best suit your personal preferences and your

own workflow.

NOTE

For information on the assigned functions of

these buttons when using DAW software

other than Cubase, see page 34.

Category Command

Click “Yamaha KX.”

Using the KX with Cubase

Owner’s Manual

Controlling the VSTi by Using the CONTROL Knobs

Operating the CONTROL knobs on the KX panel edits or controls various parameters of the VSTi used on the

computer. The KX provides 30 Control Templates which can be used for various VSTi plug-ins. By selecting

the desired one from 30 Control Templates, you can assign the functions appropriate for the current VSTi to

the CONTROL knobs.

When using Cubase, any time you select an Instrument track or select a MIDI track for which the destination is

set to VSTi, or change the VSTi assigned to the current track, the Control Template on the KX will automatically

change. This means that you need not select the Control Template manually when using Cubase.

When the Top display is shown, the names of the parameters to be adjusted via the CONTROL knobs are

shown normally. When controlling the knob, the values of the parameters are shown for a while, then the

original display appears again. You can scroll the display to confirm the entire parameter name by pressing

the [EXIT] button.

Using the Automation function of Cubase lets you record your knob operations to an Instrument track. For

details about the Automation function, refer to the Cubase owner’s manual.

NOTE

· For details about the available Control Template, refer to the Control Template List on page 45.

· The time that the value remains displayed can be changed. For details, refer to “Utility Settings” on

page 36.

·When using a DAW other than Cubase, you need to change the Control Template manually on the KX.

Changing the functions assigned to the CONTROL knobs

When using the VSTi compatible with VST3 in Cubase, you can change the functions assigned to the

CONTROL knobs via the following operation.

On the computer, move the mouse cursor to the VSTi controller whose function you want to

assign to one of the CONTROL knobs.

On the KX, hold the Knob Functions Select button then rotate one of the CONTROL knobs to

which the function of the VSTi controller selected in step 1 is assigned.

“(Learning knob.)” is shown on the display.

On the KX, release the Knob Functions Select button.

The function of the VSTi controller selected in step 1 is assigned to the knob rotated in step 2.

When using the VSTi which is not compatible with VST3, you can assign the desired function to the

CONTROL knobs by using the KX Editor (even though you cannot do this from the KX panel).

Use these knobs to adjust the values of the VSTi parameters.

A total of eight different parameters can be controlled. Pressing the Function Select

button switches between the two groups of parameter assignments.

Use this button to switch the parameters to be adjusted via the

CONTROL knobs (between parameters 1–4 and 5–8).

These lamps indicate which parameter set (1–4 or 5–8) is assigned

to the CONTROL knobs.

NOTE

Using the KX with Cubase

Owner’s Manual

Controlling the Transport and Tracks

You can use the panel controls on the KX to control transport functions (such as Play, Record and Stop) within

Cubase, and perform other operations, such as muting and soloing of selected tracks.

Cursor buttons

These buttons function the same as the cursor keys

on your computer.

[ENTER] button

This button functions the same as the ENTER key

on your computer.

[ESC] button

This button functions the same as the ESC key on

your computer, letting you cancel operations and

close windows.

Track Control buttons

Select the desired track in Cubase and use these

buttons to perform the desired function.

[ASSIGN 1] button .....Executes the MIDI Quantize

command.

[ASSIGN 2] button .....Executes the Delete

command.

[MUTE] button............Switches Mute of the

selected track On or Off.

[SOLO] button............Switches Solo of the selected

track On or Off.

Transport Control buttons

Use these buttons to control the transport functions.

[] button.............Rewind

[] button.............Fast forward

[] button................Repeat on/off

[■] button...................Stop

[] button.................Play

[REC] button ..............Record

Cursor buttons Track Control buttons

Transport Control buttons[ESC] button [ENTER] button

NOTE

· The functions assigned to the Track

Control buttons can be changed as

desired.

For details, see page 23.

· If you are using a DAW software other

than Cubase, make the appropriate

setting in the DAW Select parameter

(page 34).

Basic Operation on the KX

Owner’s Manual

This section describes the basic operations of the KX, such as how to shift the octave range of the keyboard

and use the display interface.

Display Indications

The display shows various parameters depending

on your panel operation.

Top display

This display appears when turning the power ON.

Parameters edited via the CONTROL knobs are

shown on the display.

Operating any of the CONTROL knobs calls up the

values on the display. After a while, the display

returns to the original indication.

Arpeggio Edit display

Call up this display by pressing the [ARP EDIT]

button (the lamp lights). This display lets you select

the Arpeggio type and set the related parameters.

Press the [EXIT] button to return to the original Top

display.

Control Template display

Call up this display by pressing the [CONTROL

TEMPLATE] button (the lamp lights). This display

lets you select a template of CONTROL knob

assignments. Press the [EXIT] button to return to the

original Top display.

Utility display

Call up this display by pressing the [UTILITY]

button (the lamp lights). This display lets you set the

system related parameters. Press the [EXIT] button

to return to the original Top display.

From these displays, you can call up the desired

parameters by using the SELECT [▲] and [▼]

buttons. The arrow indication at the current

parameter flashes, indicating the parameter can be

edited.

Basic Operation on the KX

NOTE

The display illustrated below may appear

when turning the power ON. This indicates

that Cubase and VSTi have not been started

on the computer connected to the KX via

USB. If you intend to use Cubase, start

Cubase then set the VSTi (the indication

below disappears and the Top display

shown above appears). If you intend to use

a DAW other than Cubase, change the DAW

Select parameter (page 37) to the

appropriate setting (other than “Cubase4” or

“CubaseAI”).

NOTE

You can set the desired amount of time that

the values remain in the display. For

instructions, see page 36.

Lights

Flashes

Parameter

Value

Basic Operation on the KX

Owner’s Manual

Changing the Octave Range

Use these buttons to shift the note range of the

keyboard by octave (three octaves, up or down).

The initial default setting (no shift) is recalled by

pressing both the buttons simultaneously.

The current octave range can be confirmed via the

status of the LED lamp above the button.

Selecting the Velocity

Curve

You can select the desired Velocity Curve which

determines how velocities are applied according to

your playing strength. Use the VELOCITY CURVE

[DEC] and [INC] buttons to select the desired

Velocity Curve.

The following Velocity Curves are available:

Press the VELOCITY CURVE [DEC] and [INC]

buttons simultaneously to select “Fix.” The Fix

setting lets you play the notes with a fixed velocity

no matter how hard or soft you play the notes.

You can set the fixed velocity by pressing one of

the VELOCITY CURVE [DEC] and [INC] buttons.

Pressing both the buttons simultaneously exits from

this status (Fix setting) to the last selected Velocity

Curve.

(Flashes)

Three octaves lower

Two octaves lower

One octave lower

Initial default setting

One octave higher

Two octaves higher

(Flashes)

Three octaves higher

NOTE

You can reverse the LED status (on or off)

of the OCTAVE buttons. For information

about how to reverse the LED status (on or

off), refer to “Utility Settings” on page 36.

Note names of the keyboard

The range of the keyboard is indicated by note

name, as described below.

Model Range

KX25 C2 .. C4

KX49 C2 .. C6

KX61 C1 .. C6

KX8 A-1 .. C7

The note name assignment above depends on the

initial default setting of the KX. This assignment

can be shifted by using the [OCTAVE] buttons.

Press this to shift the

octave range down.

Press this to shift the

octave range up.

Restores the default octave setting.

Soft2

This curve produces high velocity values

even for low playing strength. Select this if

you want a high volume even when you

play softly.

Soft1

This curve produces relatively high velocity

values even for low playing strength. It is a

more moderate curve than Soft 2 above.

Normal

This is a normal, linear curve that has a

one-to-one correspondence between your

playing strength and the resulting velocity.

Hard1

This curve produces relatively low velocity

values even for high playing strength.

Select this if you don’t want the volume to

change much when you play strongly.

Hard2

This curve produces low velocity values

even for high playing strength. It is a more

extreme curve than Hard 1 above. This

curve is also the optimum Velocity Curve for

use with the HALionOne VSTi.

NOTE

From the Utility display (page 26), you can

select a Velocity Curve and specify a

specific velocity value to be used when Fix

is selected. For details, refer to “Utility

Settings” on page 36.

Velocity value

Control Templates

Owner’s Manual

The KX provides 30 Control Templates which can be used for VSTi plug-in software. By selecting the desired

Control Template, you can automatically call up the appropriate function assignments for controlling the

currently selected VSTi with the CONTROL knobs.

When using Cubase, selecting an Instrument track or changing the VSTi assigned to the current track will

automatically change the Control Template for the VSTi on the KX, meaning that you don’t have select the

template manually.

On the other hand, if you are using a DAW other than Cubase, you will need to manually select the

appropriate Control Template on the KX.

Selecting a Control

Template

Press the [CONTROL TEMPLATE] button.

The LED lamp lights and the Control Template

selection display appears.

In this state, you can select the Control

Template.

Use the DATA [DEC] and [INC] buttons to

select the desired Control Template.

Press the [EXIT] button to return to the Top

display which appears when turning the

power on.

Control Templates

NOTE

A special KX Editor (page 6), available as a free download from the Yamaha website, provides tools for

editing all KX Control Templates.

NOTE

If a different, unrelated display appears even

when you press the [CONTROL

TEMPLATE] button, press the [CONTROL

TEMPLATE] button again or press the

SELECT [▲] button once or twice to call up

the Control Template selection display.

Lights

NOTE

You can increase the value by 10 by

simultaneously holding down the [DEC]

button and pressing the [INC] button, or

decrease the value by 10 by simultaneously

holding down the [INC] button and pressing

the [DEC] button.

Control Templates

Owner’s Manual

Editing a Control Template

Changing the message type

generated by using the CONTROL

knobs

The MIDI messages generated by operating the

CONTROL knobs are divided into two types:

Remote and CC (Control Change). Only one of

these two types can be active, and the type is set

with the KnobOutSel parameter.

Remote (Remote Control message dedicated to

Cubase)

When this is selected, Remote Control messages

dedicated to Cubase will be generated by

operating the CONTROL knobs and transmitted to

Cubase via USB-MIDI Port 2. This type of data is

transmitted via USB-MIDI Port 2, while keyboard

performance data is transmitted via USB-MIDI Port

1, meaning that the messages generated by

operating the CONTROL knobs do not affect the

keyboard performance but only the VSTi

parameters.

CC (Control Change)

When this is selected, Control Change messages

will be generated by operating the CONTROL

knobs and transmitted to the computer via USB-

MIDI Port 1. When using a DAW other than Cubase,

only this setting is available.

Press the [CONTROL TEMPLATE] button.

The LED lamp lights and the Control Template

selection display appears.

Use the DATA [DEC] and [INC] buttons to

select the desired Control Template.

Use the SELECT [▲] and [▼] buttons to call

up “KnobOutSelect.”

Use the DATA [DEC] and [INC] buttons to

select the desired type of message.

CC ...................... Control change

Remote ............... Remote Control exclusive for

Cubase

Press the [EXIT] button to return to the

original display.

NOTE

·When using Cubase, you generally won’t

need to change this parameter from the

initial default setting (Remote), although

there may be times that you should set

this parameter to “CC” depending on the

VSTi you’re using.

· Setting the DAW Select parameter to a

value other than “Cubase4” or “CubaseAI”

will change the KnobOutSel parameter to

“CC” automatically even when it is set to

“Remote.”

NOTE

If a different, unrelated display appears even

when you press the [CONTROL

TEMPLATE] button, press the [CONTROL

TEMPLATE] button again or press the

SELECT [▲] button once or twice to call up

the Control Template selection display.

Control Templates

Owner’s Manual

Changing the Control Change

number generated by using the

CONTROL knob

You can change the Control Change number

assigned to the CONTROL knob from the default

setting as desired.

Press the [CONTROL TEMPLATE] button.

The LED lamp lights and the Control Template

selection display appears.

Use the DATA [DEC] and [INC] buttons to

select the desired Control Template.

Use the SELECT [▲] and [▼] buttons to

select the desired CONTROL knob.

Use the DATA [DEC] and [INC] buttons to

change the Control Change number of the

selected CONTROL knob.

Press the [EXIT] button to return to the

original display.

NOTE

The setting here is automatically stored to

the internal memory of the KX. If you want to

back up the setting here, use the KX Editor

(page 6) to store the setting to a computer.

NOTE

If a different, unrelated display appears even

when you press the [CONTROL

TEMPLATE] button, press the [CONTROL

TEMPLATE] button again or press the

SELECT [▲] button once or twice to call up

the Control Template selection display.

NOTE

The Control Change numbers available for

adjusting the parameters may differ

depending on the particular VSTi. For

details, refer to the relevant owner’s manual

of your VSTi.

NOTE

The display of the KX shows the Control

Change number in decimal. Keep in mind

that the Control Change number may be

described in hexadecimal depending on the

manual of the VSTi.

Arpeggio

Owner’s Manual

The KX features a powerful Arpeggio function, that lets you play various phrases or rhythm pattern depending

on the notes you press. Among the preset 342 Arpeggio types provided in the KX, each of 66 types for drum/

percussion sounds consists of four phrases (rhythm patterns) which can be called up according to the area of

the pressed note—giving you a total of 540 phrases/rhythm patterns (66 types with 4 phrases each, plus 276),

which can be played simply by pressing a note on the keyboard.

The basic instructions for using the Arpeggio feature are given on page 20. This section shows you how to

select an Arpeggio type and edit the related parameters.

Selecting an Arpeggio Type

The KX features 342 different Arpeggio types. You

can select an Arpeggio type as desired then start

playback simply by pressing any note on the

keyboard.

Press the [ARP EDIT] button.

The LED lamp of the [ARP EDIT] button lights

and the Arpeggio Edit display appears.

Use the SELECT buttons to select “Cat”

(Category).

The KX provides a wide variety of Arpeggio

types (page 46) divided into Categories. Since

there are so many Arpeggio types, it is quicker

and more convenient to select a general

Category first, then the specific type.

Use the DATA [DEC] and [INC] buttons to

select the category of the desired Arpeggio

type.

Use the SELECT buttons so that the “Typ:”

indication flashes, then use the DATA [INC]

or [DEC] button to select the Arpeggio type.

Select the Arpeggio type by using the DATA

[DEC] and [INC] buttons.

Press the [EXIT] button to return to the Top

display.

Arpeggio

NOTE

· The Arpeggio plays back according to the

internal tempo value set in the Utility

display or in synchronization with the

tempo of the external DAW software,

depending on the setup of the related

parameter. For details, see page 32.

· Each of the Arpeggio types is created

assuming that a specific instrument sound

is used. The type of the specific

instrument (appropriate for each type) is

indicated in the Arpeggio Type List on

page 46 as “Instrument Type.” Refer to

this Instrument Type when selecting an

Arpeggio Type.

Category

Arpeggio types

NOTE

· If you change the Arpeggio type during

playback, the new Arpeggio type may not

start immediately.

· You can operate the CONTROL knobs,

Pitch Bend wheel and Modulation Wheel

and change the sound in real time while

selecting an Arpeggio type.

· Hold the [DEC] or [INC] button to

continuously change the value.

· You can increase the value by 10 by

simultaneously holding down the [INC]

button and pressing the [DEC] button, or

decrease the value by 10 by

simultaneously holding down the [DEC]

button and pressing the [INC] button.

Arpeggio Category

The Arpeggio types provided in the KX are

divided into various categories as listed below.

DrPc Drum / Percussion

CPrc Chromatic Percussion

Bass Bass

Seq Synth Sequence

ChSq Chord Sequence

HySq Hybrid Sequence

ApKb Acoustic Piano / Keyboard

Orgn Organ

GtPl Guitar / Plucked

Strn Strings

Bras Brass

RdPp Reed / Pipe

Lead Synth Lead

Arpeggio

Owner’s Manual

Using MIDI Clock to control Arpeggio tempo

With the initial default setting (Sync = Auto on page 36), the Arpeggio is played back according to the

tempo determined by the internal or external clock as described below.

When MIDI clock is received from an external MIDI device:

The Arpeggio will play back according to the tempo of the received MIDI clock.

When MIDI clock is not received:

The Arpeggio will play back according to the internal tempo set on the KX.

When using Cubase, you can transmit MIDI clock from the computer to the KX by following the

procedure below.

Select “Project Synchronization Setup”

from the “Transport” menu on Cubase to

call up the “Project Synchronization

Setup” dialog.

Enter checkmarks to the “Yamaha KX-1”

(when using Windows) and “MIDI Clock

Follows Project Position” of the “MIDI

Clock Destination” at the lower right of

the dialog.

When using Mac OS, enter a checkmark to

“YAMAHA KX Port 1.”

Click [OK] to close the “Project

Synchronization Setup” dialog.

TEMPO=120

When MIDI clock is received from an external MIDI device:

Arpeggio

Tempo:

Determined by the speed with

which MIDI clock is received

from the external device.

Playback data

DAW software, etc.

MIDI clock

Arpeggio

Playback data

DAW software, etc.

When MIDI clock is not received:

Tempo:

Set in the Utility display

(page 36).

NOTE

The KX provides three USB MIDI Ports

each of which has a different, specific

use. For details, see page 18.

NOTE

·Without checkmark to the “Send MIDI

Clock in Stop Mode” of the “MIDI Clock

Destination”, MIDI clock is transmitted

from Cubase (on the computer) only

when recording or playback is

performed on Cubase. If entering

checkmark, MIDI clock is always

transmitted.

· For information about DAW software

other than Cubase and how to transmit

clock data from the MIDI device, refer

to the owner’s manual of the DAW

software/MIDI device.

· You can select the setting which lets

you always use the internal MIDI clock

of the KX to play the Arpeggio even if

an external clock are received from the

external MIDI device. For details, refer

to “Utility Settings” on page 36.

Arpeggio

Owner’s Manual

Editing an Arpeggio

The Arpeggio can be edited as desired. For

example, you can alter the rhythmic feel of the

Arpeggio by changing the amount of Swing, adjust

the gate time (length) of the notes, or even select a

different variation to completely change the

Arpeggio pattern.

Press the [ARP EDIT] button.

The LED lamp above the button lights and the

Arpeggio Edit display will appear.

Use the SELECT buttons to call up the

desired parameter.

For details about the Arpeggio parameters, see

the chart below.

Use the DATA [DEC] and [INC] buttons to

change the value.

When you are satisfied with the result, press

the [EXIT] button to return to the Control

Top display.

The settings made here are stored

automatically. The settings here will be

maintained even if you turn the power off or

change the Arpeggio type.

Arpeggio Parameters

NOTE

Editing of an Arpeggio can be done even

during playback. Any changes made here

are immediately applied to playback,

meaning that you can check the results of

your edits in real time. Keep in mind that

editing a parameter during playback may

cause glitches in playback. If such a

situation occurs, stop Arpeggio playback

then press the note to trigger the Arpeggio

again.

NOTE

If you want to initialize the settings, use the

Factory Set operation (page 37).

Display Settings Description

Cat

DrPc, CPrc, Bass, Seq, ChSq,

HySq, ApKb, Orgn, GtPl, Strn,

Bras, RdPp, Lead

Determines the Category of the Arpeggio type you want to call up. For details,

see pages 31 and 46.

Typ 1–342 Determines the Arpeggio type you want to call up. For details, see page 46.

Variation Orig, Up, Down, Alt1, Alt2, Rnd

Determines the playback variation of the Arpeggio. When any value other than

“Orig” is selected, you can shift the pitch up and down in octave for Arpeggio

playback by adjusting the “OctRange” parameter.

Orig ......... The original data preprogrammed in the KX will play back.

Up ........... An Arpeggio of ascending notes will play.

Down ....... An Arpeggio of descending notes will play.

Alt1.......... Alternates Up and Down arpeggios. The turnaround note is played

once.

Alt2.......... Alternates Up and Down arpeggios. The turnaround note is played

twice.

Rnd.......... The Arpeggio will play randomly according to the pressed notes.

OctRange -3 – 0 – +3

Determines the octave setting of Arpeggio playback. When the Variation

parameter is set to “Orig,” this parameter is indicated as “—,” meaning that it

cannot be edited.

GateTime 0%–200% Determines the gate time of Arpeggio notes.

BeatStretch 50, 66, 75, 100, 133, 150, 200%

Adjusts the tempo of Arpeggio playback based on the current original tempo.

When “50%” is selected, for example, the playback time will be halved (tempo

is doubled). When “200%” is selected, on the other hand, the playback time

will be doubled (tempo is halved).

Swing -120% – 0% – +120%

Adjusts the timing of the even-numbered back-beat notes (according to the

note type specified in the SwingValue parameter below) to produce a swing

feel.

SwingValue

1/32 (32nd note), 3/16 (16th note

triplet), 1/16 (16th note), 3/8 (8th

note triplet), 1/8 (8th note), 3/4 (1/4

note triplet), 1/4 (1/4 note)

Determines the type of note that serves as the basis for the Swing parameter.

VelMode Orig, Thru

Determines how the velocities are applied to playback notes of the selected

Arpeggio type.

Orig ......... The Arpeggio type is played back with the velocity values

preprogrammed in the Arpeggio sequence data.

Thru......... The Arpeggio type is played back with the velocity value

determined by how strongly you play the keys.

Using the KX with a DAW Other than Cubase

Owner’s Manual

This section shows you how to set up the KX for controlling DAW software other than Cubase. For more

information on setting up on your particular DAW, refer to the manual of the DAW software.

Press the [UTILITY] button.

The LED lamp above the button lights and the

Utility display appears.

Use the SELECT buttons to call up “DAW

Select.”

Use the DATA [DEC] and [INC] buttons to

select one of the following DAW software

tools.

Press the [EXIT] button to return to the Top

display.

The setup has been completed.

The following operations are available for the

selected DAW software.

* Mackie Control is a hardware DAW controller. Mackie Control is the trade mark of the Mackie Designs Inc.

Using the KX with a DAW Other than Cubase

Settings DAW

LogicPro Apple Logic Pro 7.2

DigiPerf MOTU Digital Performer 5.1

SONAR Cakewalk Sonar 6

Button on the KX Operation

[] Rewind

[] Fast Forward

[] Repeat On/off

[

■

] Stop

[] Play

REC Record

CUBASE FUNCTION [A] This button functions the same as the F1 key on the Mackie Control. *

CUBASE FUNCTION [B] This button functions the same as the F2 key on the Mackie Control. *

[ASSIGN 1] This button functions the same as the F3 key on the Mackie Control. *

[ASSIGN 2] This button functions the same as the F4 key on the Mackie Control. *

[MUTE] This button functions the same as the F5 key on the Mackie Control. *

[SOLO] This button functions the same as the F6 key on the Mackie Control. *

[VSTi WINDOW] This button functions the same as the F7 key on the Mackie Control. *

[ADD INSTRUMENT TRACK] This button functions the same as the F8 key on the Mackie Control. *

Program [DEC] Transmits the Program Change number decreased by 1 from the current number.

Program [INC] Transmits the Program Change number increased by 1 from the current number.

Cursor buttons These buttons function the same as the cursor keys on your computer.

[ENTER] This button functions the same as the ENTER key on your computer.

[ESC] This button functions the same as the ESC key on your computer.

NOTE

If you perform the Remote Control setup for the Remote Control on the DAW software, you can assign

various functions to the Cubase buttons such as the CUBASE FUNCTION [A] button and [ADD

INSTRUMENT TRACK] button. For instructions on assigning the function to the button, refer to the manual

of the DAW software.

Using the KX with a DAW Other than Cubase

Owner’s Manual

When using Digital Performer (Macintosh):

In each of these cases, you need to set the MIDI Port in the “Audio MIDI setup.”

In the start up disk of Mac OS X (normally named “Macintosh HD”), open “Application” then

“Utilities” and double click “Audio MIDI Setup”.

Click [MIDI Devices] if the [Audio Device] window is indicated.

The YAMAHA KX icon appears if the KX is recognized by the Macintosh computer.

Add two new external devices by clicking the [Add Device] icon twice.

Each new external device corresponds to each of the MIDI Ports in the KX. It is a good idea to input

your desired device name in the Properties of the new external device in order to easily recognize

the MIDI port later.

Connect the MIDI input/output plugs of the KX icon to the MIDI input/output plugs of the new

external device.

Assign the names as listed below to the newly added devices respectively.

• USB-MIDI Port 1 (left plug) : YAMAHA KX YAMAHA KX Port 1

• USB-MIDI Port 2 (right plug) : YAMAHA KX YAMAHA KX Port 2

Connect the virtual plugs so that each port can handle MIDI messages.

NOTE

YAMAHA KX YAMAHA KX Port 3 (rightmost plug) used for data communication of the KX Editor

does not need to be set.

Utility Settings

Owner’s Manual

In the Utility display, you can make various settings such as the Arpeggio tempo, MIDI transmit/receive

settings, and display related settings.

Basic Operation

Press the [UTILITY] button.

The LED lamp above the button lights and the

Utility display appears.

Use the SELECT buttons to select the

parameter to be edited.

For details on the parameters, refer to “Utility

Parameters” listed below.

Use the DATA [INC] and [DEC] buttons to

change the value.

After making the desired settings, press the

[ENTER] button to return to the Utility Top

display.

The settings you made here will be stored

automatically without the special operation. The

settings will be maintained until executing the

Factory Set operation.

Utility Parameters

Utility Settings

NOTE

For the Bulk Transmit and Factory Set

parameters, you can execute these

operations by simply pressing the DATA

[INC] button.

Display Range

Initial

Value

Description

Tempo 10–300 120

Determines the tempo (BPM) of Arpeggio playback. The Arpeggio

will play according to the speed of the MIDI clock transmitted

from an external device or computer when the Sync parameter is

set to “Auto” (only when MIDI clock is transmitted continuously) or

“External.”

Sync Auto, Internal, External Auto

Determines the tempo source transmitting the MIDI clock to which

Arpeggio playback is synchronized.

Auto......... When MIDI clock is transmitted continuously from an

external MIDI device or computer, the internal clock of

the KX is not effective and Arpeggio playback is

synchronized with the external clock. When MIDI clock

is not transmitted from the external MIDI device or

computer, the internal clock of the KX is effective

meaning that the Tempo value set on the KX is

available.

Internal .... The Arpeggio will play with the Tempo value set on the

KX.

External ... The Arpeggio will play according to the speed of the

MIDI clock transmitted from an external device or

computer. When the KX does not receive MIDI clock,

the Arpeggio does not play.

Clock Off, On On

Determines whether the tempo clock of Arpeggio playback is

output as a MIDI message.

On ........... When this is selected, MIDI clock will be transmitted

while an Arpeggio plays back with the tempo specified

on the Tempo parameter above.

Off ........... When this is selected, MIDI clock will not be

transmitted.

VeloCurve

Soft2, Soft1, Normal,

Hard1, Hard2, Fix

Normal

Determines the Velocity Curve. For information about each value,

see page 27.

VeloFix 1–127 100 Determines the velocity value when the VelCurve is set to “Fix.”

Utility Settings

Owner’s Manual

Restoring the Factory-programmed System Settings

(Factory Set)

You can restore the factory default settings of the KX. Follow the instructions below to execute Factory Set.

CAUTION

• The edited Arpeggio types and Control Templates will be lost by executing Factory Set. Important data should be

saved to the computer by using the KX Editor (page 6).

From the Top display, press the [UTILITY]

button (the lamp lights).

Use the SELECT buttons to call up

“FactorySet.”

Press the DATA [INC] button.

“Are you sure?” appears on the display.

Press the DATA [INC] button again to

execute Factory Set.

After Factory Set has been completed, the

display called up in step 2 appears.

DAW Select

CubaseAI, Cubase4,

LogicPro, DigiPerf,

SONAR

CubaseAI

Determines the DAW software you use on the computer with the

KX.

ProgChgMode

PC+Remot, ProgChg,

Remote

PC+Remot

Determines the type of the MIDI message generated by pressing

the PROGRAM [INC] and [DEC] buttons.

PC+Remot

.When this is selected, the Program Change message

is transmitted via USB-MIDI Port 1 and the Remote

Control message dedicated to Cubase is transmitted

via USB-MIDI Port 2.

ProgChg.. When this is selected, only the Program Change

message is transmitted via USB-MIDI Port 1.

Remote.... When this is selected, only the Remote Control

message dedicated to Cubase is transmitted via USB-

MIDI Port 2.

MIDI Select USB, MIDI USB

Determines which connector is used for MIDI transmit/receive:

USB TO HOST or MIDI IN/OUT.

USB ......... The USB TO HOST connector is used for MIDI

communication between the computer and the KX.

When the MIDI Thru parameter below is set to “MIDI →

MIDI” or “MIDI → USB” or “USB → MIDI,” MIDI can

also be transmitted via the MIDI OUT connector (MIDI

Thru only), even if “USB” is selected here.

MIDI......... Only the MIDI connectors are available for MIDI

communication.

MIDI Transmit Ch 1–16 1

Determines the MIDI channel over which the KX transmits MIDI

messages (generated via your keyboard performance).

MIDI In Thru

Off, MIDI→MIDI,

MIDI→USB, USB→MIDI

MIDI→USB

Determines whether the MIDI messages received via the MIDI IN

connector will be transmitted via the MIDI OUT connector or USB

connector.

Device Number Off, 1–16, All All Determines the MIDI Device Number of the KX.

Display Time

Off, 1.0sec, 1.5sec,

2.0sec, 3.0sec, 4.0sec,

5.0sec, Hold

1.5sec

Determines the duration (time) for which the value (like the one

called up by operating the CONTROL knob) is shown temporarily

on the display.

Octave LED Normal, Reverse Normal

Determines the status of OCTAVE LED lamps. When “Normal” is

selected, the LED lamps work as described on page 27. When

“Reverse” is selected, the right and left of the LED status are

reversed.

BulkTransmit — —

Transmits all the settings of the KX to the DAW software or

external MIDI device as bulk data. Press the DATA [INC] button to

start transmission.

FactorySet — — Restores the factory-programmed system settings of the KX.

Display Range

Initial

Value

Description

Utility Settings

Owner’s Manual

Setting the MIDI Thru

Parameter

With the initial default settings (MIDI Select = USB,

MIDI Thru = MIDI → USB), MIDI messages

received via the MIDI IN connector of the KX will be

transmitted through the USB TO HOST connector

(USB MIDI Port 1). As necessary, you can change

the MIDI Thru setting so that MIDI messages

received via the MIDI IN connector can be

transmitted through the MIDI OUT connector, or the

MIDI messages received via the USB TO HOST

connector (USB MIDI Port 1) can be transmitted

through the MIDI OUT connector.

Press the [UTILITY] button.

The LED lamp above the button lights and the

Utility display appears.

Use the SELECT [▲] and [▼] buttons to call

up the “MIDI Thru” parameter.

Use the DATA [DEC] and [INC] buttons to

select the desired setting (from the available

ones described below).

After selecting, press the [EXIT] button to

return to the Top display.

Off

When this is selected, the MIDI Thru

function is not available.

MIDI → MIDI

When this is selected, MIDI messages

received via the MIDI IN connector will

be transmitted through the MIDI OUT

connector. This setting is available

even when the MIDI Select parameter

is set to “USB.”

MIDI → USB

When this is selected, MIDI messages

received via the MIDI IN connector will

be transmitted through the USB TO

HOST connector (USB MIDI Port 1).

USB → MIDI

When this is selected, MIDI messages

of USB MIDI Port 1 received via the

USB TO HOST connector will be

transmitted through the MIDI OUT

connector.

NOTE

“MIDI → USB” and “USB → MIDI” can be

selected only when the MIDI Select

parameter is set to “USB” (page 37).

NOTE

Keep in mind that the KX cannot be used as

a MIDI interface for the computer and

another MIDI device. Although MIDI

messages are transferred from the computer

to the MIDI device when the MIDI Thru

parameter is set to “USB→MIDI” and vice

versa when the MIDI Thru parameter is set

to “MIDI→USB,” two-way communication

between the computer and the MIDI device

are not possible.

Troubleshooting

Owner’s Manual

The power of the instrument does not turn on.

• If the KX is not connected to a computer, confirm

whether or not the AC power adaptor is properly

plugged into the KX.

• If you are not using an AC power adaptor,

confirm whether or not a USB cable is properly

plugged into the KX and computer.

• Confirm whether or not a proper USB cable is

used. If the USB cable is broken or damaged,

have the USB cable replaced with a known

working one.

• Confirm whether not the USB hub with the bus-

powered type is used for connecting the KX and

computer. If you must use USB hub, use the self-

powered type or use the AC power adaptor of the

KX.

Communication problem between the computer

and the KX.

• Confirm whether or not a USB cable is properly

plugged into the KX and computer.

• Confirm whether or not the USB-MIDI driver is

installed properly.

• Confirm whether or not the MIDI Select parameter

is set to “MIDI.” When using the KX and a

computer, set MIDI Select parameter to “USB.”

DAW software on a computer cannot be

remotely controlled.

• Confirm whether or not the DAW software

specified in the DAW Select parameter on the

Utility display matches the DAW software you

actually use on your computer.

• Confirm whether or not the Remote Control

setting of the DAW software is proper. Refer to

the Owner’s Manual of your particular DAW

software.

No sound of a software synthesizer such as

VSTi on the computer is produced even when

playing the KX keyboard.

• Confirm whether or not a USB cable is properly

plugged into the KX and computer.

• Confirm whether or not the volume settings are

set properly, such as the volume/mute/solo setup

for each track on the DAW, volume setup on the

computer, and the related setup on the audio

interface (when used).

• Confirm whether or not the MIDI Select parameter

is set to “MIDI.” When using the KX and

computer, set the MIDI Select parameter to

“USB.”

• Confirm whether or not the Control Template

corresponding to the VSTi used on the computer

is currently selected on the KX. If not, call up the

corresponding Control Template. If the

corresponding Control Template is not provided

on the KX by default, create an appropriate

Control Template by using the KX Editor.

A MIDI tone generator (connected via MIDI cable

to the KX) does not sound, even when playing

the KX keyboard.

• Confirm whether or not the MIDI cable is

connected properly.

• Confirm whether or not the MIDI Select parameter

is set to “USB.” When using the KX and MIDI

device, set the MIDI Select parameter to “MIDI.”

The Arpeggio does not play back.

• Confirm whether or not the [ARP ON/OFF] button

is turned on.

• Confirm whether or not the Sync parameter of the

Utility display is set to “External.” If so, start

playback or recording on the DAW to transmit

MIDI clock from the computer to the KX, or set

the Sync parameter to “Auto” or “Internal.”

Releasing the notes does not stop Arpeggio

playback even though the [HOLD] button is

turned off.

• Confirm whether or not you disconnected the

footswitch from the SUSTAIN jack while the power

of the KX was turned ON. Keep in mind that the

arpeggio may be “stuck” if you disconnect the

footswitch from the SUSTAIN jack.

The sound continues even when notes are

released.

• Confirm whether or not you disconnected the

footswitch from the SUSTAIN jack while the power

of the KX was turned ON. Keep in mind that the

sustain effect may be “stuck” if you disconnect

the footswitch from the SUSTAIN jack.

Cubase does not recognize the KX.

• Confirm whether or not the “USB-MIDI Driver” and

“Extensions for Steinberg DAW” have been

installed. If not, install them.

• Confirm whether or not the KX is turned on before

starting Cubase. If not, do so.

Troubleshooting

NOTE

For other problems regarding no sound or

noise, refer to the troubleshooting section in

the manual of your particular DAW software.

Message List

Owner’s Manual

Message List

LCD Indication Description

MIDI buffer full. Failed to process the MIDI data because too much data was received at one time.

MIDI checksum error. The check sum for the data received is incorrect.

MIDI data error. An error occurred when receiving MIDI data.

USB error. An error related to the USB TO HOST connector occurred.

Keyboard error. An error related to the keyboard occurred.

Memory error. An error related to data storage memory occurred.

Device number is off. The device number is set to “off.”

Device number mismatch. The device numbers do not match.

Executing... Displayed while the operation is being performed. Please wait.

Completed Displayed when the operation has been completed.

Template No.xx <xxxxxxx> Displayed when the Control Template is selected automatically.

Are you sure? No→Dec/Yes→Inc

Prompts you to confirm whether or not you want to perform the operation. Pressing

the [INC] button performs the operation while pressing the [DEC] button cancels the

operation.

Receiving MIDI bulk. The KX is receiving MIDI bulk data.

TOOLS for KX LICENSE AGREEMENT

Owner’s Manual

ATTENTION

PLEASE READ THIS SOFTWARE LICENSE AGREEMENT (“AGREEMENT”) CAREFULLY BEFORE USING THIS SOFTWARE.

YOU ARE ONLY PERMITTED TO USE THIS SOFTWARE PURSUANT TO THE TERMS AND CONDITIONS OF THIS

AGREEMENT. THIS AGREEMENT IS BETWEEN YOU (AS AN INDIVIDUAL OR LEGAL ENTITY) AND YAMAHA

CORPORATION (“YAMAHA”).

BY BREAKING THE SEAL OF THIS PACKAGE YOU ARE AGREEING TO BE BOUND BY THE TERMS OF THIS LICENSE. IF

YOU DO NOT AGREE WITH THE TERMS, DO NOT INSTALL, COPY, OR OTHERWISE USE THIS SOFTWARE.

1. GRANT OF LICENSE AND COPYRIGHT

Yamaha hereby grants you the right to use one copy of the

software program(s) and data (“SOFTWARE”)

accompanying this Agreement. The term SOFTWARE shall

encompass any updates to the accompanying software

and data. The SOFTWARE is owned by Yamaha and/or

Yamaha’s licensor(s), and is protected by relevant

you are entitled to claim ownership of the data created with

the use of SOFTWARE, the SOFTWARE will continue to be

protected under relevant copyrights.

• You may use the SOFTWARE on a single computer.

• You may make one copy of the SOFTWARE in machine-

readable form for backup purposes only, if the

SOFTWARE is on media where such backup copy is

permitted. On the backup copy, you must reproduce

Yamaha's copyright notice and any other proprietary

legends that were on the original copy of the

SOFTWARE.

• You may permanently transfer to a third party all your

rights in the SOFTWARE, provided that you do not retain

any copies and the recipient reads and agrees to the

terms of this Agreement.

2. RESTRICTIONS

• You may not engage in reverse engineering,

disassembly, decompilation or otherwise deriving a

source code form of the SOFTWARE by any method

whatsoever.

• You may not reproduce, modify, change, rent, lease, or

distribute the SOFTWARE in whole or in part, or create

derivative works of the SOFTWARE.

• You may not electronically transmit the SOFTWARE

from one computer to another or share the SOFTWARE

in a network with other computers.

• You may not use the SOFTWARE to distribute illegal

data or data that violates public policy.

• You may not initiate services based on the use of the

SOFTWARE without permission by Yamaha Corporation.

Copyrighted data, including but not limited to MIDI data for

songs, obtained by means of the SOFTWARE, are subject

to the following restrictions which you must observe.

• Data received by means of the SOFTWARE may not be

used for any commercial purposes without permission of

the copyright owner.

• Data received by means of the SOFTWARE may not be

duplicated, transferred, or distributed, or played back or

performed for listeners in public without permission of

the copyright owner.

• The encryption of data received by means of the

SOFTWARE may not be removed nor may the electronic

watermark be modified without permission of the

3. TERMINATION

This Agreement becomes effective on the day that you

receive the SOFTWARE and remains effective until

terminated. If any copyright law or provisions of this

Agreement is violated, the Agreement shall terminate

automatically and immediately without notice from

Yamaha. Upon such termination, you must immediately

destroy the licensed SOFTWARE, any accompanying

written documents and all copies thereof.

4. LIMITED WARRANTY ON MEDIA

As to SOFTWARE sold on tangible media, Yamaha

warrants that the tangible media on which the SOFTWARE

is recorded will be free from defects in materials and

workmanship under normal use for a period of fourteen

(14) days from the date of receipt, as evidenced by a copy

of the receipt. Yamaha's entire liability and your exclusive

remedy will be replacement of the defective media if it is

returned to Yamaha or an authorized Yamaha dealer within

fourteen days with a copy of the receipt. Yamaha is not

responsible for replacing media damaged by accident,

abuse or misapplication. TO THE FULLEST EXTENT

PERMITTED BY LAW, YAMAHA EXPRESSLY DISCLAIMS

ANY IMPLIED WARRANTIES ON THE TANGIBLE MEDIA,

INCLUDING THE IMPLIED WARRANTIES OF

MERCHANTABILITY AND FITNESS FOR A PARTICULAR

PURPOSE.

5. DISCLAIMER OF WARRANTY ON SOFTWARE

You expressly acknowledge and agree that use of the

SOFTWARE is at your sole risk. The SOFTWARE and

related documentation are provided “AS IS” and without

warranty of any kind. NOTWITHSTANDING ANY OTHER

PROVISION OF THIS AGREEMENT, YAMAHA EXPRESSLY

DISCLAIMS ALL WARRANTIES AS TO THE SOFTWARE,

EXPRESS, AND IMPLIED, INCLUDING BUT NOT LIMITED

TO THE IMPLIED WARRANTIES OF MERCHANTABILITY,

FITNESS FOR A PARTICULAR PURPOSE AND NON-

INFRINGEMENT OF THIRD PARTY RIGHTS.

SPECIFICALLY, BUT WITHOUT LIMITING THE

FOREGOING, YAMAHA DOES NOT WARRANT THAT THE

SOFTWARE WILL MEET YOUR REQUIREMENTS, THAT

THE OPERATION OF THE SOFTWARE WILL BE

UNINTERRUPTED OR ERROR-FREE, OR THAT DEFECTS

IN THE SOFTWARE WILL BE CORRECTED.

6. LIMITATION OF LIABILITY

YAMAHA’S ENTIRE OBLIGATION HEREUNDER SHALL BE

TO PERMIT USE OF THE SOFTWARE UNDER THE TERMS

HEREOF. IN NO EVENT SHALL YAMAHA BE LIABLE TO

YOU OR ANY OTHER PERSON FOR ANY DAMAGES,

INCLUDING, WITHOUT LIMITATION, ANY DIRECT,

INDIRECT, INCIDENTAL OR CONSEQUENTIAL

DAMAGES, EXPENSES, LOST PROFITS, LOST DATA OR

TOOLS for KX LICENSE AGREEMENT

Cubase AI4 LICENSE AGREEMENT

Owner’s Manual

OTHER DAMAGES ARISING OUT OF THE USE, MISUSE

OR INABILITY TO USE THE SOFTWARE, EVEN IF

YAMAHA OR AN AUTHORIZED DEALER HAS BEEN

ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. In

no event shall Yamaha's total liability to you for all

damages, losses and causes of action (whether in

contract, tort or otherwise) exceed the amount paid for the

SOFTWARE.

7. THIRD PARTY SOFTWARE

Third party software and data (“THIRD PARTY

SOFTWARE”) may be attached to the SOFTWARE. If, in the

written materials or the electronic data accompanying the

Software, Yamaha identifies any software and data as

THIRD PARTY SOFTWARE, you acknowledge and agree

that you must abide by the provisions of any Agreement

provided with the THIRD PARTY SOFTWARE and that the

party providing the THIRD PARTY SOFTWARE is

responsible for any warranty or liability related to or arising

from the THIRD PARTY SOFTWARE. Yamaha is not

responsible in any way for the THIRD PARTY SOFTWARE

or your use thereof.

• Yamaha provides no express warranties as to the THIRD

PARTY SOFTWARE. IN ADDITION, YAMAHA

EXPRESSLY DISCLAIMS ALL IMPLIED WARRANTIES,

INCLUDING BUT NOT LIMITED TO THE IMPLIED

WARRANTIES OF MERCHANTABILITY AND FITNESS

FOR A PARTICULAR PURPOSE, as to the THIRD PARTY

SOFTWARE.

• Yamaha shall not provide you with any service or

maintenance as to the THIRD PARTY SOFTWARE.

• Yamaha is not liable to you or any other person for any

damages, including, without limitation, any direct,

indirect, incidental or consequential damages,

expenses, lost profits, lost data or other damages

arising out of the use, misuse or inability to use the

THIRD PARTY SOFTWARE.

8. GENERAL

This Agreement shall be interpreted according to and

governed by Japanese law without reference to principles

of conflict of laws. Any dispute or procedure shall be heard

before the Tokyo District Court in Japan. If for any reason a

court of competent jurisdiction finds any portion of this

Agreement to be unenforceable, the remainder of this

Agreement shall continue in full force and effect.

9. COMPLETE AGREEMENT

This Agreement constitutes the entire agreement between

the parties with respect to use of the SOFTWARE and any

accompanying written materials and supersedes all prior

or contemporaneous understandings or agreements,

written or oral, regarding the subject matter of this

Agreement. No amendment or revision of this Agreement

will be binding unless in writing and signed by a fully

authorized representative of Yamaha.

ATTENTION

PLEASE READ THIS SOFTWARE LICENSE AGREEMENT (“AGREEMENT”) CAREFULLY BEFORE USING THIS SOFTWARE.

YOU ARE ONLY PERMITTED TO USE THIS SOFTWARE PURSUANT TO THE TERMS AND CONDITIONS OF THIS

AGREEMENT. THIS AGREEMENT IS BETWEEN YOU (AS AN INDIVIDUAL OR LEGAL ENTITY) AND YAMAHA

CORPORATION (“YAMAHA”).

BY BREAKING THE SEAL OF THIS PACKAGE YOU ARE AGREEING TO BE BOUND BY THE TERMS OF THIS LICENSE. IF

YOU DO NOT AGREE WITH THE TERMS, DO NOT INSTALL, COPY, OR OTHERWISE USE THIS SOFTWARE.

THIS AGREEMENT PROVIDES YOUR USE-CONDITIONS ABOUT THE “DAW” SOFTWARE OF STEINBERG MEDIA

TECHNOLOGIES GMBH(“STEINBERG”) WHICH IS BUNDLED WITH THIS PRODUCT. SINCE THE END-USER SOFTWARE

LICENSE AGREEMENT (EUSLA) SHOWN ON YOUR PC-DISPLAY IN YOUR INSTALLING THE “DAW” SOFTWARE IS

REPLACED BY THIS AGREEMENT, YOU SHOULD DISREGARD THE EUSLA. THAT IS, IN THE INSTALLING PROCESS, YOU

SHOULD SELECT “AGREE” WITH THE EUSLA, WITHOUT YOUR JUDGMENT THERETO, SO AS TO PROCEED TO THE

NEXT PAGE.

1. GRANT OF LICENSE AND COPYRIGHT

Yamaha hereby grants you the right to use one copy of the

software program(s) and data (“SOFTWARE”)

accompanying this Agreement. The term SOFTWARE shall

encompass any updates to the accompanying software

and data. The SOFTWARE is owned by STEINBERG, and

is protected by relevant copyright laws and all applicable

treaty provisions. Yamaha has acquired the sublicense

right to license you to use the SOFTWARE. While you are

entitled to claim ownership of the data created with the use

of SOFTWARE, the SOFTWARE will continue to be

protected under relevant copyrights.

You may use the SOFTWARE on a single computer.

You may make one copy of the SOFTWARE in machine-

readable form for backup purposes only, if the SOFTWARE

is on media where such backup copy is permitted. On the

backup copy, you must reproduce Yamaha’s copyright

notice and any other proprietary legends that were on the

original copy of the SOFTWARE.

You may permanently transfer to a third party all your rights

in the SOFTWARE only when you transfer this product

together, provided that you do not retain any copies and

the recipient reads and agrees to the terms of this

Agreement.

2. RESTRICTIONS

You may not engage in reverse engineering, disassembly,

decompilation or otherwise deriving a source code form of

the SOFTWARE by any method whatsoever.

You may not reproduce, modify, change, rent, lease, or

distribute the SOFTWARE in whole or in part, or create

derivative works of the SOFTWARE.

Cubase AI4 LICENSE AGREEMENT

Owner’s Manual

You may not electronically transmit the SOFTWARE from

one computer to another or share the SOFTWARE in a

network with other computers.

You may not use the SOFTWARE to distribute illegal data

or data that violates public policy.

You may not initiate services based on the use of the

SOFTWARE without permission by Yamaha Corporation.

Copyrighted data, including but not limited to MIDI data for

songs, obtained by means of the SOFTWARE, are subject

to the following restrictions which you must observe.

Data received by means of the SOFTWARE may not be

used for any commercial purposes without permission of

the copyright owner.

Data received by means of the SOFTWARE may not be

duplicated, transferred, or distributed, or played back or

performed for listeners in public without permission of the

The encryption of data received by means of the

SOFTWARE may not be removed nor may the electronic

watermark be modified without permission of the copyright

owner.

3. TERMINATION

This Agreement becomes effective on the day that you

receive the SOFTWARE and remains effective until

terminated. If any copyright law or provisions of this

Agreement is violated, the Agreement shall terminate

automatically and immediately without notice from

Yamaha. Upon such termination, you must immediately

destroy the licensed SOFTWARE, any accompanying

written documents and all copies thereof.

4. LIMITED WARRANTY ON MEDIA

As to SOFTWARE sold on tangible media, Yamaha

warrants that the tangible media on which the SOFTWARE

is recorded will be free from defects in materials and

workmanship under normal use for a period of fourteen

(14) days from the date of receipt, as evidenced by a copy

of the receipt. Yamaha’s entire liability and your exclusive

remedy will be replacement of the defective media if it is

returned to Yamaha or an authorized Yamaha dealer within

fourteen days with a copy of the receipt. Yamaha is not

responsible for replacing media damaged by accident,

abuse or misapplication. TO THE FULLEST EXTENT

PERMITTED BY LAW, YAMAHA EXPRESSLY DISCLAIMS

ANY IMPLIED WARRANTIES ON THE TANGIBLE MEDIA,

INCLUDING THE IMPLIED WARRANTIES OF

MERCHANTABILITY AND FITNESS FOR A PARTICULAR

PURPOSE.

5. DISCLAIMER OF WARRANTY ON SOFTWARE

You expressly acknowledge and agree that use of the

SOFTWARE is at your sole risk. The SOFTWARE and

related documentation are provided “AS IS” and without

warranty of any kind. NOTWITHSTANDING ANY OTHER

PROVISION OF THIS AGREEMENT, YAMAHA EXPRESSLY

DISCLAIMS ALL WARRANTIES AS TO THE SOFTWARE,

EXPRESS, AND IMPLIED, INCLUDING BUT NOT LIMITED

TO THE IMPLIED WARRANTIES OF MERCHANTABILITY,

FITNESS FOR A PARTICULAR PURPOSE AND NON-

INFRINGEMENT OF THIRD PARTY RIGHTS.

SPECIFICALLY, BUT WITHOUT LIMITING THE

FOREGOING, YAMAHA DOES NOT WARRANT THAT THE

SOFTWARE WILL MEET YOUR REQUIREMENTS, THAT

THE OPERATION OF THE SOFTWARE WILL BE

UNINTERRUPTED OR ERROR-FREE, OR THAT DEFECTS

IN THE SOFTWARE WILL BE CORRECTED.

6. LIMITATION OF LIABILITY

YAMAHA’S ENTIRE OBLIGATION HEREUNDER SHALL BE

TO PERMIT USE OF THE SOFTWARE UNDER THE TERMS

HEREOF. IN NO EVENT SHALL YAMAHA BE LIABLE TO

YOU OR ANY OTHER PERSON FOR ANY DAMAGES,

INCLUDING, WITHOUT LIMITATION, ANY DIRECT,

INDIRECT, INCIDENTAL OR CONSEQUENTIAL

DAMAGES, EXPENSES, LOST PROFITS, LOST DATA OR

OTHER DAMAGES ARISING OUT OF THE USE, MISUSE

OR INABILITY TO USE THE SOFTWARE, EVEN IF

YAMAHA OR AN AUTHORIZED DEALER HAS BEEN

ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. In

no event shall Yamaha’s total liability to you for all

damages, losses and causes of action (whether in

contract, tort or otherwise) exceed the amount paid for the

SOFTWARE.

7. GENERAL

This Agreement shall be interpreted according to and

governed by Japanese law without reference to principles

of conflict of laws. Any dispute or procedure shall be heard

before the Tokyo District Court in Japan. If for any reason a

court of competent jurisdiction finds any portion of this

Agreement to be unenforceable, the remainder of this

Agreement shall continue in full force and effect.

8. COMPLETE AGREEMENT

This Agreement constitutes the entire agreement between

the parties with respect to use of the SOFTWARE and any

accompanying written materials and supersedes all prior

or contemporaneous understandings or agreements,

written or oral, regarding the subject matter of this

Agreement. No amendment or revision of this Agreement

will be binding unless in writing and signed by a fully

authorized representative of Yamaha.

Appendix

Owner’s Manual

Speciﬁcations

* Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right

to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options

may not be the same in every locale, please check with your Yamaha dealer.

Appendix

Keyboard

KX25 25 keys (Initial Touch)

KX49 49 keys (Initial Touch)

KX61 61 keys (Initial Touch)

KX8 88 keys (Initial Touch)

Sequencer block Arpeggio

342 types

540 phrases (DrPc: 66 x 4; plus 276)

Remote Control block DAW

For Windows: Cubase 4, Cubase Studio 4, Cubase AI4, SONAR 6

For Macintosh: Cubase 4, Cubase Studio 4, Cubase AI4, Logic7.2, Digital

Performer 5.1

* Functions to be controlled differ depending on the software.

Controller

Pitch Bend Wheel x 1

Modulation Wheel x 1

CONTROL knobs x 4 (assignable)

Display 16 characters x 2 lines LED lamp (backlit)

Connectors

USB (TO HOST)

MIDI IN/OUT

DC-IN

FOOT SWITCH (SUSTAIN)

Power Consumption

1.9 W (when using the AC power adaptor)

0.6 W (when using this product as a bus-powered device)

Dimensions, weight

KX25: 508(W) x 286.6(D) x 92(H) mm, 2kg

KX49: 830(W) x 286.6(D) x 92(H) mm, 3kg

KX61: 937(W) x 343.9(D) x 114.6(H) mm, 4.3kg

KX8: 1340(W) x 445(D) x 157(H) mm, 15.1kg

Accessories

AC power adaptor (PA-3C, PA-130, or an equivalent)

USB cable, Disks x 2, Owner’s Manual (this book)

Appendix

Owner’s Manual

Control Template List

For details about what function is assigned to each knob when each Template is selected, refer to the

following page:

http://www.yamahasynth.com/

No. Manufacturer Product name Indication on the KX display

1 Steinberg HALion One HALionOne

2 Mystic Mystic

3 Prologue Prologue

4 Spector Spector

5 Embracer Embracer

6 Monologue Monologue

7 Hypersonic2 Hypersonic

8 HALion3 HALion

9 Native Instruments PRO-53 Pro-53

10 FM8 FM8

11 MASSIVE Massive

12 KORG Polysix Polysix

13 WAVESTATION Wavestation

14 Mono/Poly MonoPoly

15 M1 M1

16 MS-20 MS-20

17 M-AUDIO / GForce impOSCar impOSCar

18 Minimonsta Minimonsta

19 Oddity Oddity

20 Arturia Analog Factory AnalogFactory

21 CS-80V CS-80V

22 Jupiter-8V Jupiter-8V

23 Minimoog V Minimoog V

24 Novation Music V-Station V-Station

25 Bass Station BassStation

26 reFX VANGUARD Vanguard

27 IK Multimedia SampleTank2 SampleTank

28 Spectrasonics ATMOSPHERE Atmosphere

29 TRILOGY Trilogy

30 -- -- Generic

Appendix

Owner’s Manual

Arpeggio Type List

General Instrument types which can be selected on HALionOne and are most suitable for the respective

Arpeggio Types are listed in the “Instrument Type” column.

Category

Arp.

No.

Arp.

Name

Time

Signature

Length

Original

Tempo

Instrument

Type

DrPc 1 ContmpRk 4 / 4 4 126 Stereo GM

DrPc 2 StndRock 4 / 4 4 131 :

DrPc 3 PowerRck 4 / 4 4 120 :

DrPc 4 AlternRk 4 / 4 4 100 RockSt2

DrPc 5 MondoRck 4 / 4 4 94 :

DrPc 6 XoverRk 4 / 4 2 100 :

DrPc 7 Rck&Roll 4 / 4 4 172 Stereo GM

DrPc 8 GuitrPp1 4 / 4 2 90 :

DrPc 9 GuitrPp2 4 / 4 4 100 :

DrPc 10 Unpluggd 4 / 4 4 120 :

DrPc 11 FingrPck 4 / 4 4 94 :

DrPc 12 Brit Pop 4 / 4 2 86 :

DrPc 13 EP Balld 4 / 4 2 60 :

DrPc 14 8BtBasic 4 / 4 4 120 :

DrPc 15 8Bt Soft 4 / 4 4 100 :

DrPc 16 16BtBld1 4 / 4 4 75 :

DrPc 17 16BtBld2 4 / 4 2 64 :

DrPc 18 16Bt Pop 4 / 4 4 103 :

DrPc 19 6/8 Pop 4 / 4 4 100 :

DrPc 20 6/8Balld 4 / 4 2 58 :

DrPc 21 Funk 4 / 4 4 107 :

DrPc 22 FunkRock 4 / 4 4 95 :

DrPc 23 JazzFunk 4 / 4 4 120 :

DrPc 24 SlowEasy 4 / 4 4 72 :

DrPc 25 ClubJazz 4 / 4 4 125 :

DrPc 26 PopShuff 4 / 4 4 94 :

DrPc 27 GosplFnk 4 / 4 4 106 :

DrPc 28 StdDisco 4 / 4 4 120 :

DrPc 29 PhilyDsc 4 / 4 2 100 :

DrPc 30 ChartPop 4 / 4 4 92 Hip Hop 1

DrPc 31 New R&B 4 / 4 1 97 :

DrPc 32 Smooth 4 / 4 4 64 :

DrPc 33 HipHop1 4 / 4 2 94 :

DrPc 34 HipHop2 4 / 4 2 105 :

DrPc 35 HipHop3 4 / 4 2 104 R&B Kit 1

DrPc 36 Hip Rock 4 / 4 4 132 :

DrPc 37 Regeton 4 / 4 4 98 Hip Hop 1

DrPc 38 RegetnPc 4 / 4 4 98 Perccussion

DrPc 39 SoulBeat 4 / 4 4 124 Stereo GM

DrPc 40 SoulShuf 4 / 4 4 98 :

DrPc 41 Big Beat 4 / 4 4 115 RockSt2

DrPc 42 Breakbt 4 / 4 4 115 Tekno Kit

DrPc 43 Lo Beat 4 / 4 2 140 R&B Kit 1

DrPc 44 DrumnBas 4 / 4 2 154 :

DrPc 45 Techno 4 / 4 8 135 Tekno Kit

DrPc 46 Trance 4 / 4 4 140 :

DrPc 47 DreamDnc 4 / 4 4 136 :

DrPc 48 Ibiza 4 / 4 2 135 R&B Kit 1

DrPc 49 EuroTeck 4 / 4 2 140 Tekno Kit

DrPc 50 Club Hus 4 / 4 2 128 R&B Kit 1

DrPc 51 House 4 / 4 2 123 :

DrPc 52 Garage 4 / 4 2 127 Tekno Kit

DrPc 53 AcoJazz 4 / 4 4 204 Jazz Kit

DrPc 54 ModernJz 4 / 4 16 218 :

DrPc 55 ShfBlues 4 / 4 4 115 Stereo GM

DrPc 56 SlwBlues 4 / 4 2 49 :

DrPc 57 PnBoogie 4 / 4 8 160 :

DrPc 58 Reggae 4 / 4 4 102 :

DrPc 59 ReggeShf 4 / 4 4 90 :

DrPc 60 Salsa 4 / 4 2 123 :

DrPc 61 SalsaPc 4 / 4 4 123 :

DrPc 62 Samba 4 / 4 4 120 :

DrPc 63 SambaPc 4 / 4 4 120 :

DrPc 64 Bossa 4 / 4 4 124 :

DrPc 65 BossaPc 4 / 4 4 124 :

DrPc 66 Spanish 4 / 4 2 120 :

CPrc 67 R&B Dsc 4 / 4 2 110 Vibes

CPrc 68 Trance 4 / 4 4 140 Marimba

CPrc 69 Ethnic1 6 / 4 5 118 Celeste

CPrc 70 Ethnic2 7 / 4 3 120 Music Box

CPrc 71 MOD 4 / 4 2 120 Glocken

CPrc 72 Trill 4 / 4 1 120 Marimba

Bass 73 CntmpRk1 4 / 4 4 126 Pick Bass

Bass 74 CntmpRk2 4 / 4 4 126 :

Bass 75 StndRck1 4 / 4 4 131 FingerBass

Bass 76 StndRck2 4 / 4 4 131 :

Bass 77 PowerRk1 4 / 4 4 120 Pick Bass

Bass 78 PowerRk2 4 / 4 4 120 :

Bass 79 AlternRk 4 / 4 4 100 FingerBass

Bass 80 XoverRk 4 / 4 1 100 :

Bass 81 Rck&Roll 4 / 4 4 172 Pick Bass

Bass 82 GuitrPp1 4 / 4 2 90 FingerBass

Bass 83 GuitrPp2 4 / 4 4 100 Pick Bass

Bass 84 Unpluggd 4 / 4 4 113 Acoustic

Bass 85 FingrPck 4 / 4 1 120 FingerBass

Bass 86 Brit Pop 4 / 4 2 86 :

Bass 87 EP Balld 4 / 4 2 60 :

Bass 88 8BtBasic 4 / 4 4 120 :

Bass 89 8BtSoft 4 / 4 4 100 :

Bass 90 16BtBlld 4 / 4 4 75 :

Bass 91 16Bt Pop 4 / 4 4 103 SimpleSlap

Bass 92 6/8 Pop 4 / 4 4 100 FingerBass

Bass 93 6/8Balld 4 / 4 2 58 :

Bass 94 FingrBs1 4 / 4 1 115 :

Bass 95 FingrBs2 4 / 4 3 115 :

Bass 96 FingrBs3 4 / 4 2 150 :

Bass 97 FingrBs4 4 / 4 2 89 :

Bass 98 FingrBs5 4 / 4 1 115 :

Bass 99 SlapBass 4 / 4 3 120 SimpleSlap

Bass 100 FunkRock 4 / 4 4 95 FingerBass

Category

Arp.

No.

Arp.

Name

Time

Signature

Length

Original

Tempo

Instrument

Type

Appendix

Owner’s Manual

Bass 101 JazFunk1 4 / 4 2 120 :

Bass 102 JazFunk2 4 / 4 4 120 :

Bass 103 SlowEasy 4 / 4 4 72 :

Bass 104 ClubJazz 4 / 4 4 125 :

Bass 105 PopShuff 4 / 4 4 94 Velo Slap

Bass 106 GosplFnk 4 / 4 4 106 FingerBass

Bass 107 StdDisco 4 / 4 1 120 :

Bass 108 PhilyDsc 4 / 4 2 100 :

Bass 109 ChartPop 4 / 4 4 92 SynthBass2

Bass 110 NewR&B1 4 / 4 1 97 :

Bass 111 NewR&B2 4 / 4 1 97 :

Bass 112 Smooth 4 / 4 2 64 :

Bass 113 HipHop1 4 / 4 2 105 :

Bass 114 HipHop2 4 / 4 2 94 :

Bass 115 HipHop3 4 / 4 2 94 :

Bass 116 HipHop4 4 / 4 2 94 :

Bass 117 Hip Rock 4 / 4 4 132 FingerBass

Bass 118 Regeton 4 / 4 4 98 SynthBass1

Bass 119 GruvBass 4 / 4 2 120 SynthBass2

Bass 120 SoulBeat 4 / 4 4 124 FingerBass

Bass 121 SoulShuf 4 / 4 4 98 :

Bass 122 ChillOut 4 / 4 2 79 :

Bass 123 Big Beat 4 / 4 4 115 :

Bass 124 Breakbt1 4 / 4 4 115 SynthBass1

Bass 125 Breakbt2 4 / 4 4 88 SynthBass2

Bass 126 DrumnBas 4 / 4 4 170 :

Bass 127 Techno 4 / 4 8 135 :

Bass 128 Trance 4 / 4 4 140 :

Bass 129 Tek Bass 4 / 4 1 138 :

Bass 130 DreamDnc 4 / 4 2 136 :

Bass 131 Ibiza 4 / 4 2 135 :

Bass 132 DiscoHus 4 / 4 4 126 :

Bass 133 ClubHus1 4 / 4 1 128 :

Bass 134 ClubHus2 4 / 4 1 128 :

Bass 135 Garage 4 / 4 2 127 :

Bass 136 HouseBas 4 / 4 4 120 :

Bass 137 AcidBass 4 / 4 1 120 :

Bass 138 AcoJazz1 4 / 4 4 204 Acoustic

Bass 139 AcoJazz2 4 / 4 4 204 :

Bass 140 ModrnJz1 4 / 4 16 218 :

Bass 141 ModrnJz2 4 / 4 16 218 :

Bass 142 ShfBlues 4 / 4 4 115 Pick Bass

Bass 143 SlwBlues 4 / 4 2 49 FingerBass

Bass 144 PnBoogie 4 / 4 8 160 Acoustic

Bass 145 Reggae 4 / 4 4 102 FingerBass

Bass 146 ReggeShf 4 / 4 4 90 :

Bass 147 Salsa 4 / 4 4 123 Acoustic

Bass 148 Montuno 4 / 4 4 100 FingerBass

Bass 149 Samba 4 / 4 2 120 :

Bass 150 Bossa 4 / 4 4 124 :

Bass 151 LatinHus 4 / 4 4 138 :

Bass 152 Spanish 4 / 4 1 120 :

Seq 153 Classic 4 / 4 1 120 Saw Ld

Seq 154 Oct Seq 4 / 4 1 130 Bass&Ld

Seq 155 RandmSeq 4 / 4 1 90 Sci-Fi

Category

Arp.

No.

Arp.

Name

Time

Signature

Length

Original

Tempo

Instrument

Type

Seq 156 Vel Gruv 4 / 4 1 134 Saw Ld

Seq 157 X-Sweep 4 / 4 1 140 :

Seq 158 Simple1 4 / 4 1 130 Chiff Ld

Seq 159 Simple2 4 / 4 1 130 :

Seq 160 Simple3 4 / 4 1 130 :

Seq 161 Basic 4 / 4 1 130 Brightness

Seq 162 FifthSQ1 4 / 4 1 130 5th Ld

Seq 163 FifthSQ2 4 / 4 1 130 :

Seq 164 MuteLine 4 / 4 1 134 Saw Ld

Seq 165 Chodal 4 / 4 2 150 :

Seq 166 AlternRk 4 / 4 4 100 Charan Ld

Seq 167 Trance1 4 / 4 4 115 Chiff Ld

Seq 168 Trance2 4 / 4 1 140 Poly Synth

Seq 169 Trance3 4 / 4 4 140 :

Seq 170 Trance4 4 / 4 1 140 Square Ld

Seq 171 Trance5 4 / 4 1 140 :

Seq 172 Trance6 4 / 4 4 140 Bass&Ld

Seq 173 Trance7 4 / 4 1 140 Poly Synth

Seq 174 Trance8 4 / 4 1 130 :

Seq 175 Trance9 4 / 4 2 145 :

Seq 176 Trance10 4 / 4 2 145 :

Seq 177 DreamDnc 4 / 4 1 136 Square Ld

Seq 178 Ibiza1 4 / 4 2 135 Charan Ld

Seq 179 Ibiza2 4 / 4 2 135 Square Ld

Seq 180 Tekno 4 / 4 2 120 Saw Ld

Seq 181 SynArp1 4 / 4 1 130 :

Seq 182 SynArp2 4 / 4 1 130 :

Seq 183 SynArp3 4 / 4 1 130 :

Seq 184 SynArp4 4 / 4 1 90 :

Seq 185 SynArp5 4 / 4 1 138 :

Seq 186 Melody1 4 / 4 1 70 Brightness

Seq 187 Melody2 4 / 4 1 70 :

Seq 188 Electro1 4 / 4 1 130 Saw Ld

Seq 189 Electro2 4 / 4 1 130 :

Seq 190 Electro3 4 / 4 1 130 :

Seq 191 Electro4 4 / 4 1 130 :

Seq 192 Electro5 4 / 4 1 130 :

Seq 193 Electro6 4 / 4 1 130 :

Seq 194 CompuBas 4 / 4 1 130 Bass&Ld

Seq 195 Poly Arp 4 / 4 1 120 Saw Ld

Seq 196 Tek Echo 4 / 4 2 120 :

Seq 197 SuperArp 4 / 4 2 120 :

Seq 198 AcidLine 4 / 4 1 120 :

Seq 199 Doves 4 / 4 1 150 :

Seq 200 PulsLine 4 / 4 2 120 :

Seq 201 SyncpEco 4 / 4 2 120 Poly Synth

Seq 202 Waggle 4 / 4 1 140 Saw Ld

ChSq 203 SynChrd1 4 / 4 1 130 Poly Synth

ChSq 204 SynChrd2 4 / 4 1 90 Bass&Ld

ChSq 205 BasChrd1 4 / 4 2 130 :

ChSq 206 BasChrd2 4 / 4 1 130 :

ChSq 207 ChillChd 4 / 4 1 90 Poly Synth

ChSq 208 TrancRtm 4 / 4 4 140 :

ChSq 209 Ibiza 4 / 4 2 135 Bass&Ld

ChSq 210 Garage 4 / 4 2 127 :

Category

Arp.

No.

Arp.

Name

Time

Signature

Length

Original

Tempo

Instrument

Type

Appendix

Owner’s Manual

ChSq 211 Syncopat 4 / 4 2 120 Saw Ld

HySq 212 Hybrid1 4 / 4 1 130 :

HySq 213 Hybrid2 4 / 4 1 95 :

HySq 214 Hybrid3 4 / 4 1 130 :

HySq 215 Hybrid4 4 / 4 1 130 Bass&Ld

HySq 216 Hybrid5 4 / 4 1 106 :

ApKb 217 Pf Arp1 4 / 4 2 64

Acoustic Piano

ApKb 218 Pf Arp2 4 / 4 2 74 :

ApKb 219 Pf Arp3 4 / 4 2 130 :

ApKb 220 Pf Arp4 4 / 4 1 116 :

ApKb 221 Pf Arp5 4 / 4 1 82 :

ApKb 222 Pf Arp6 4 / 4 2 130 :

ApKb 223 Pf Arp7 4 / 4 2 130 :

ApKb 224 Pf Arp8 4 / 4 1 74 :

ApKb 225 70sRock1 4 / 4 2 130 :

ApKb 226 70sRock2 4 / 4 4 130 :

ApKb 227 EP Balld 4 / 4 2 60 E_Piano 1

ApKb 228 Slowfeel 4 / 4 1 74 :

ApKb 229 16Bt Pop 4 / 4 4 103 :

ApKb 230 AnalgPop 4 / 4 2 93 :

ApKb 231 ClubJazz 4 / 4 4 125

Acoustic Piano

ApKb 232 ChartPop 4 / 4 1 92 E_Piano 1

ApKb 233 Swing EP 4 / 4 1 101 :

ApKb 234 6/8 R&B 4 / 4 2 61 :

ApKb 235 HipHop1 4 / 4 2 105 :

ApKb 236 HipHop2 4 / 4 2 105 :

ApKb 237 HipHop3 4 / 4 2 105 Harpsichord

ApKb 238 Clavi1 4 / 4 1 110 Brite Clav

ApKb 239 Clavi2 4 / 4 1 110 :

ApKb 240 Clavi3 4 / 4 1 124 :

ApKb 241 DrumnBas 4 / 4 4 170 E_Piano 1

ApKb 242 ClubHus 4 / 4 2 128 :

ApKb 243 HousePf 4 / 4 2 130 Rock Piano

ApKb 244 Reggae 4 / 4 2 92 Brite Clav

ApKb 245 Salsa 4 / 4 1 123 Rock Piano

ApKb 246 Montuno 4 / 4 2 100 :

ApKb 247 PnoLatin 4 / 4 2 120 :

Orgn 248 HouseOrg 4 / 4 1 130 Perc Organ

Orgn 249 Reggae 4 / 4 1 92 Draw Organ

Orgn 250 LatinOrg 4 / 4 1 110 Rock Organ

GtPl 251 Strum1 4 / 4 2 120 Steel

GtPl 252 Strum2 4 / 4 2 120 :

GtPl 253 Strum3 4 / 4 2 120 :

GtPl 254 SteelGtr 4 / 4 4 120 :

GtPl 255 GtrArp1 4 / 4 1 120 :

GtPl 256 GtrArp2 4 / 4 1 120 :

GtPl 257 OvdrGtr1 4 / 4 4 120 Overdrive

GtPl 258 OvdrGtr2 4 / 4 4 120 :

GtPl 259 OvdrGtr3 4 / 4 4 120 :

GtPl 260 OvdrGtr4 4 / 4 4 120 :

GtPl 261 ContmpRk 4 / 4 4 126 :

GtPl 262 StndRck1 4 / 4 4 131 :

GtPl 263 StndRck2 4 / 4 4 131 :

GtPl 264 PowerRk1 4 / 4 4 120 Distortion

GtPl 265 PowerRk2 4 / 4 4 120 :

Category

Arp.

No.

Arp.

Name

Time

Signature

Length

Original

Tempo

Instrument

Type

GtPl 266 PowerRk3 4 / 4 4 120 :

GtPl 267 AlterRk1 4 / 4 4 97 Overdrive

GtPl 268 AlterRk2 4 / 4 4 97 :

GtPl 269 XoverRk1 4 / 4 2 100 :

GtPl 270 XoverRk2 4 / 4 2 100 Distortion

GtPl 271 Rck&Roll 4 / 4 4 172 Clean

GtPl 272 GuitrPp1 4 / 4 2 90 Nylon

GtPl 273 GuitrPp2 4 / 4 1 90 :

GtPl 274 GuitrPp3 4 / 4 4 100 Steel

GtPl 275 GuitrPp4 4 / 4 4 100 Clean

GtPl 276 GuitrPp5 4 / 4 1 90 Nylon

GtPl 277 Unplug1 4 / 4 4 120 Steel

GtPl 278 Unplug2 4 / 4 2 120 :

GtPl 279 Unplug3 4 / 4 2 120 :

GtPl 280 FingrPk1 4 / 4 2 120 :

GtPl 281 FingrPk2 4 / 4 2 120 :

GtPl 282 BritPop1 4 / 4 2 86 :

GtPl 283 BritPop2 4 / 4 2 86 Clean

GtPl 284 EP Balld 4 / 4 2 60 :

GtPl 285 8BtBasic 4 / 4 4 120 :

GtPl 286 8BtSoft 4 / 4 4 100 Steel

GtPl 287 16BtBlld 4 / 4 4 75 Clean

GtPl 288 6/8 Pop 4 / 4 4 100 :

GtPl 289 6/8Balld 4 / 4 2 58 :

GtPl 290 Funky1 4 / 4 2 120 :

GtPl 291 Funky2 4 / 4 2 120 :

GtPl 292 Funky3 4 / 4 1 120 :

GtPl 293 CleanGt1 4 / 4 4 107 :

GtPl 294 CleanGt2 4 / 4 2 120 :

GtPl 295 CleanGt3 4 / 4 2 120 :

GtPl 296 CleanGt4 4 / 4 4 127 :

GtPl 297 CleanGt5 4 / 4 4 107 :

GtPl 298 Spanky 4 / 4 2 105 :

GtPl 299 FunkRock 4 / 4 4 94 :

GtPl 300 JazzFunk 4 / 4 4 120 :

GtPl 301 SlowEasy 4 / 4 4 72 :

GtPl 302 GosplFnk 4 / 4 4 106 :

GtPl 303 PopShuff 4 / 4 4 94 :

GtPl 304 StdDisco 4 / 4 4 120 :

GtPl 305 PhilyDsc 4 / 4 2 100 :

GtPl 306 New R&B 4 / 4 1 97 Steel

GtPl 307 Smooth 4 / 4 2 64 Nylon

GtPl 308 HipHop1 4 / 4 2 94 Mute

GtPl 309 HipHop2 4 / 4 2 94 :

GtPl 310 HipRock1 4 / 4 4 90 Overdrive

GtPl 311 HipRock2 4 / 4 4 132 :

GtPl 312 SoulBeat 4 / 4 4 124 Clean

GtPl 313 SoulShuf 4 / 4 4 98 :

GtPl 314 Big Beat 4 / 4 4 115 Overdrive

GtPl 315 AcoJazz 4 / 4 4 204 ModernJazz

GtPl 316 ModernJz 4 / 4 16 218 :

GtPl 317 ShfBlues 4 / 4 4 115 Mute

GtPl 318 SlwBlues 4 / 4 2 49 Overdrive

GtPl 319 PnBoogie 4 / 4 4 160 Clean

GtPl 320 Reggae 4 / 4 2 102 :

Category

Arp.

No.

Arp.

Name

Time

Signature

Length

Original

Tempo

Instrument

Type

Appendix

Owner’s Manual

GtPl 321 ReggeShf 4 / 4 4 90 :

GtPl 322 Samba 4 / 4 4 120 Nylon

GtPl 323 Bossa 4 / 4 4 124 :

GtPl 324 Spanish1 4 / 4 2 120 :

GtPl 325 Spanish2 4 / 4 2 120 Steel

GtPl 326 Lick1 4 / 4 4 120 Distortion

GtPl 327 Lick2 4 / 4 4 120 :

GtPl 328 Lick3 4 / 4 2 120 :

GtPl 329 Lick4 4 / 4 4 120 :

GtPl 330 Lick5 4 / 4 1 120 :

Strn 331 Strings 4 / 4 1 101 StereoSt1

Strn 332 New R&B 4 / 4 2 90 :

Strn 333 Pizz 4 / 4 1 120 Pizz

Bras 334 Funk1 4 / 4 4 132 Brass Sect

Bras 335 Funk2 4 / 4 1 132 :

Bras 336 Samba 4 / 4 2 120 :

RdPp 337 Hip Hop 4 / 4 2 105 TenorSax 2

RdPp 338 Soul 4 / 4 4 120 :

RdPp 339 Flutter 4 / 4 1 120 :

Lead 340 R&B Dsc1 4 / 4 1 110 Bass&Ld

Lead 341 R&B Dsc2 4 / 4 2 110 :

Lead 342 Regeton 4 / 4 4 98 Caliop Ld

Category

Arp.

No.

Arp.

Name

Time

Signature

Length

Original

Tempo

Instrument

Type

MIDI Implementation Chart

Owner’s Manual

MIDI Implementation Chart

Note

Number : True voice **************

0 - 127 x

Memorized

YAMAHA [ USB KEYBOARD STUDIO ]

Date :10-JAN-2008

Model KX25/KX49/KX61/KX8 MIDI Implementation Chart

Version : 1.0

Function...

Transmitted

Recognized

Remarks

Basic Default

Channel Changed

1 - 16 x

1 - 16

Default

Mode

Messages

Altered

**************

Velocity Note ON

Note OFF

o 9nH,v=1-127

o 8nH,v=0

After

Touch

Key's

Ch's

Pitch Bend

Control

Change

0,32

1,7,10,11

6,38

71-75

91,93

96-97

100-101

0-127

Bank Select

Data Entry

Sustain Sw

Portamento Sw

Sostenuto

Sound Controller

Effect Depth

RPN Inc,Dec

RPN LSB,MSB

Assignable Cntrl

MIDI Implementation Chart

Owner’s Manual

Prog

Change

: True #

o 0 - 127 x

**************

System Exclusive

Common

: Song Pos.

: Song Sel.

: Tune

System

Real Time

: Clock

: Commands

Reset All Cntrls

: All Sound Off

Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No

Aux

Messages

: Local ON/OFF

: All Notes OFF

: Active Sense

: Reset

Index

Owner’s Manual

AC power adaptor

.....................................................9

ADD INSTRUMENT TRACK

................................10, 19

ARP EDIT

..........................................................10, 33

ARP ON/OFF

.....................................................10, 20

Arpeggio

.................................................................31

Arpeggio type

.........................................................46

ASSIGN 1

..........................................................25, 34

ASSIGN 2

..........................................................25, 34

Auto

........................................................................36

BeatStretch

.............................................................33

BulkTransmit

...........................................................37

Clock

......................................................................36

Control Change

.......................................................29

CONTROL knobs

...............................................10, 24

CONTROL TEMPLATE

.......................................10, 28

Control Template

.....................................................28

Cubase

...................................................................17

Cubase AI4

.............................................................13

CUBASE FUNCTION

.........................................11, 23

Cursor

...............................................................11, 25

DATA

..........................................................10, 17, 31

DAW Select

.......................................................34, 37

DC IN connector

..................................................9, 11

Device Number

.......................................................37

Display

..............................................................10, 26

Display Time

...........................................................37

ENTER

........................................................11, 25, 34

ESC

.............................................................11, 25, 34

EXIT

........................................................................10

Extensions for Steinberg DAW

.................................13

External

...................................................................36

Factory Set

..............................................................37

Fast forward

......................................................25, 34

Fix

.....................................................................27, 36

Footswitch

...............................................................16

GateTime

................................................................ 33

Hard1

............................................................... 27, 36

Hard2

............................................................... 27, 36

HOLD

............................................................... 10, 21

Installation

.............................................................. 13

Internal

................................................................... 36

Knob

....................................................................... 24

Knob Functions Select button

.................................. 10

KX Editor

................................................................... 6

MIDI

........................................................................ 37

MIDI IN

................................................................... 11

MIDI OUT

................................................................ 11

MIDI port

................................................................. 18

MIDI Select

............................................................. 37

MIDI Thru

.......................................................... 37, 38

MIDI Transmit Ch

.................................................... 37

Modulation wheel

.................................................... 11

MUTE

..................................................................... 25

Normal

.............................................................. 27, 36

OCTAVE

........................................................... 10, 27

Octave LED

............................................................ 37

OctRange

............................................................... 33

PC+Remot

.............................................................. 37

Pitch Bend wheel

.................................................... 11

Play

.................................................................. 25, 34

Power Supply

............................................................ 9

ProgChg

................................................................. 37

ProgChgMode

........................................................ 37

PROGRAM

........................................................ 11, 34

Index

Owner’s Manual

REC

..................................................................25, 34

Record

..............................................................25, 34

Remote

...................................................................37

Repeat on/off

.....................................................25, 34

Rewind

..............................................................25, 34

SELECT

.............................................................10, 26

Soft1

.................................................................27, 36

Soft2

.................................................................27, 36

SOLO

................................................................25, 34

STANDBY/ON

......................................................9, 11

Stop

..................................................................25, 34

SUSTAIN

...........................................................11, 16

Swing

......................................................................33

SwingValue

.............................................................33

Sync

........................................................................36

TEMPO

....................................................................10

Tempo

...............................................................32, 36

TOOLS for KX

..........................................................13

Top display

.............................................................26

TRACK (Track Control buttons)

..........................11, 25

TRANSPORT (Trasnport Control buttons)

...........11, 25

USB

........................................................................37

USB bus-powered device

..........................................9

USB MIDI port

.........................................................18

USB TO HOST

.........................................................11

USB-MIDI Driver

......................................................13

UTILITY

.............................................................10, 36

VELOCITY CURVE

.............................................10, 27

Velocity Curve

.........................................................27

VeloCurve

...............................................................36

VeloFix

....................................................................36

VSTi

........................................................................19

VSTi Remote

............................................................29

VSTi WINDOW

...................................................10, 34

Owner’s Manual

MEMO

For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below.

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario,

M1S 3R1, Canada

Tel: 416-298-1311

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Ave., Buena Park, Calif. 90620,

U.S.A.

Tel: 714-522-9011

MEXICO

Yamaha de México S.A. de C.V.

Calz. Javier Rojo Gómez #1149,

Col. Guadalupe del Moral

C.P. 09300, México, D.F., México

Tel: 55-5804-0600

BRAZIL

Yamaha Musical do Brasil Ltda.

Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi,

CEP 04534-013 Sao Paulo, SP. BRAZIL

Tel: 011-3704-1377

ARGENTINA

Yamaha Music Latin America, S.A.

Sucursal de Argentina

Olga Cossettini 1553, Piso 4 Norte

Madero Este-C1107CEK

Buenos Aires, Argentina

Tel: 011-4119-7000

PANAMA AND OTHER LATIN

AMERICAN COUNTRIES/

CARIBBEAN COUNTRIES

Yamaha Music Latin America, S.A.

Torre Banco General, Piso 7, Urbanización Marbella,

Calle 47 y Aquilino de la Guardia,

Ciudad de Panamá, Panamá

Tel: +507-269-5311

THE UNITED KINGDOM

Yamaha Music U.K. Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes,

MK7 8BL, England

Tel: 01908-366700

IRELAND

Danfay Ltd.

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin

Tel: 01-2859177

GERMANY

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

SWITZERLAND/LIECHTENSTEIN

Yamaha Music Central Europe GmbH,

Branch Switzerland

Seefeldstrasse 94, 8008 Zürich, Switzerland

Tel: 01-383 3990

AUSTRIA

Yamaha Music Central Europe GmbH,

Branch Austria

Schleiergasse 20, A-1100 Wien, Austria

Tel: 01-60203900

CZECH REPUBLIC/SLOVAKIA/

HUNGARY/SLOVENIA

Yamaha Music Central Europe GmbH,

Branch Austria, CEE Department

Schleiergasse 20, A-1100 Wien, Austria

Tel: 01-602039025

POLAND

Yamaha Music Central Europe GmbH

Sp.z. o.o. Oddzial w Polsce

ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland

Tel: 022-868-07-57

THE NETHERLANDS/

BELGIUM/LUXEMBOURG

Yamaha Music Central Europe GmbH,

Branch Benelux

Clarissenhof 5-b, 4133 AB Vianen, The Netherlands

Tel: 0347-358 040

FRANCE

Yamaha Musique France

BP 70-77312 Marne-la-Vallée Cedex 2, France

Tel: 01-64-61-4000

ITALY

Yamaha Musica Italia S.P.A.

Combo Division

Viale Italia 88, 20020 Lainate (Milano), Italy

Tel: 02-935-771

SPAIN/PORTUGAL

Yamaha Música Ibérica, S.A.

Ctra. de la Coruna km. 17, 200, 28230

Las Rozas (Madrid), Spain

Tel: 91-639-8888

GREECE

Philippos Nakas S.A. The Music House

147 Skiathou Street, 112-55 Athens, Greece

Tel: 01-228 2160

SWEDEN

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1, Box 30053

S-400 43 Göteborg, Sweden

Tel: 031 89 34 00

DENMARK

YS Copenhagen Liaison Ofﬁce

Generatorvej 6A, DK-2730 Herlev, Denmark

Tel: 44 92 49 00

FINLAND

F-Musiikki Oy

Kluuvikatu 6, P.O. Box 260,

SF-00101 Helsinki, Finland

Tel: 09 618511

NORWAY

Norsk ﬁlial av Yamaha Scandinavia AB

Grini Næringspark 1, N-1345 Østerås, Norway

Tel: 67 16 77 70

ICELAND

Skifan HF

Skeifan 17 P.O. Box 8120, IS-128 Reykjavik, Ice-

land

Tel: 525 5000

RUSSIA

Yamaha Music (Russia)

Ofﬁce 4015, entrance 2, 21/5 Kuznetskii

Most street, Moscow, 107996, Russia

Tel: 495 626 0660

OTHER EUROPEAN COUNTRIES

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: +49-4101-3030

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Naka-ku, Hamamatsu,

Japan 430-8650

Tel: +81-53-460-2312

TURKEY/CYPRUS

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

OTHER COUNTRIES

Yamaha Music Gulf FZE

LOB 16-513, P.O.Box 17328, Jubel Ali,

Dubai, United Arab Emirates

Tel: +971-4-881-5868

THE PEOPLE’S REPUBLIC OF CHINA

Yamaha Music & Electronics (China) Co.,Ltd.

25/F., United Plaza, 1468 Nanjing Road (West),

Jingan, Shanghai, China

Tel: 021-6247-2211

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,

Tsimshatsui, Kowloon, Hong Kong

Tel: 2737-7688

INDIA

Yamaha Music India Pvt. Ltd.

5F Ambience Corporate Tower Ambience Mall Complex

Ambience Island, NH-8, Gurgaon-122001, Haryana, India

Tel: 0124-466-5551

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930, Indonesia

Tel: 21-520-2577

KOREA

Yamaha Music Korea Ltd.

8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong,

Kangnam-Gu, Seoul, Korea

Tel: 080-004-0022

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

Petaling Jaya, Selangor, Malaysia

Tel: 3-78030900

PHILIPPINES

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,

Makati, Metro Manila, Philippines

Tel: 819-7551

SINGAPORE

Yamaha Music Asia Pte., Ltd.

#03-11 A-Z Building

140 Paya Lebor Road, Singapore 409015

Tel: 747-4374

TAIWAN

Yamaha KHS Music Co., Ltd.

3F, #6, Sec.2, Nan Jing E. Rd. Taipei.

Taiwan 104, R.O.C.

Tel: 02-2511-8688

THAILAND

Siam Music Yamaha Co., Ltd.

4, 6, 15 and 16

ﬂoor, Siam Motors Building,

891/1 Rama 1 Road, Wangmai,

Pathumwan, Bangkok 10330, Thailand

Tel: 02-215-2626

OTHER ASIAN COUNTRIES

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Naka-ku, Hamamatsu,

Japan 430-8650

Tel: +81-53-460-2317

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

Level 1, 99 Queensbridge Street, Southbank,

Victoria 3006, Australia

Tel: 3-9693-5111

NEW ZEALAND

Music Works LTD

P.O.BOX 6246 Wellesley, Auckland 4680,

New Zealand

Tel: 9-634-0099

COUNTRIES AND TRUST

TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Naka-ku, Hamamatsu,

Japan 430-8650

Tel: +81-53-460-2312

NORTH AMERICA

CENTRAL & SOUTH AMERICA

EUROPE

AFRICA

MIDDLE EAST

ASIA

OCEANIA

HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division

Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2445

SY46

Yamaha Web Site (English only)

http://www.yamahasynth.com/

Yamaha Manual Library

http://www.yamaha.co.jp/manual/

U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

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Printed in China

WQ82380

Transcripción de documentos

Owner's Manual EN SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. Some Yamaha products may have benches and / or accessory mounting fixtures that are either supplied with the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended. NOTICE: Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. Battery Notice: This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture. Warning: Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly. NAME PLATE LOCATION: The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. Model Serial No. Purchase Date ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: 92-BP (bottom) PLEASE KEEP THIS MANUAL FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/ reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B) COMPLIANCE INFORMATION STATEMENT (DECLARATION OF CONFORMITY PROCEDURE) Responsible Party : Address : Telephone : Type of Equipment : Model Name : Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620 714-522-9011 USB KEYBOARD STUDIO KX25 / KX49 / KX61 / KX8 This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: 1) this device may not cause harmful interference, and 2) this device must accept any interference received including interference that may cause undesired operation. See user manual instructions if interference to radio reception is suspected. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (FCC DoC) OBSERVERA! Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den ar ansluten till vägguttaget, även om själva apparaten har stängts av. ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt, sålæenge netledningen siddr i en stikkontakt, som er t endt — også selvom der or slukket på apparatets afbryder. VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta verkosta. (standby) PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: Power supply/AC power adaptor Water warning • Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument. • Use the specified adaptor (PA-3C, PA-130 or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating. • Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. • Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it. • Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. If any liquid such as water seeps into the instrument, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel. • Never insert or remove an electric plug with wet hands. Fire warning • Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire. Do not open If you notice any abnormality • Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no userserviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. • If the AC adaptor cord, plug or USB cable becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, disconnect the USB cable and have the instrument inspected by qualified Yamaha service personnel. CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following: Power supply/AC power adaptor Location • When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. • Unplug the AC power adaptor when not using the instrument, or during electrical storms. • Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet. • Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components. • Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. • Do not place the instrument in an unstable position where it might accidentally fall over. • Before moving the instrument, remove all connected adaptor and other cables. (3)-11 4 Owner’s Manual • Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel. • Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard. • Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors. • Do not use the instrument/device or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician. • When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet. Connections • Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level. Saving data Maintenance Saving and backing up the created Control Template • When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths. • The Control Template created by using a computer or via the panel operation of the KX will be stored on internal memory of the KX. Stored data may be lost due to malfunction or incorrect operation. Save important data to a computer by using the special KX Editor software (page 6). Handling caution • Do not insert a finger or hand in any gaps on the instrument. Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed. Always turn the power off when the instrument is not in use. Even when the power switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet. SPECIAL NOTICES • The contents of this Owner’s Manual and the copyrights thereof are under exclusive ownership by Yamaha Corporation. • The screen displays as illustrated in this manual are for instructional purposes, and may appear somewhat different from the screens which appear on your computer. • This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI files, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES. • Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use. • Steinberg and Cubase are the registered trademarks of Steinberg Media Technologies GmbH. • Windows is a registered trademark of Microsoft® Corporation in the United States and other countries. • Apple, Mac and Macintosh are trademarks of Apple Inc., registered in the U.S. and other countries. The company names and product names in this manual are the trademarks or registered trademarks of their respective companies. About the latest Firmware Version Yamaha may from time to time update firmware of the KX without notice for improvement. Likewise, the DAW software used together with the KX may be updated from time to time. As a result, the link functions between the KX and the DAW software may not work properly depending on the firmware version of the KX and the software version of the DAW. If such a situation occurs, refer to the website below to find the latest information. http://www.yamahasynth.com/ Note that the explanations in this Owner’s Manual apply to the version of firmware when this Owner’s Manual was produced. For details about the additional functions due to later releases, refer to the above website. (3)-11 Owner’s Manual 5 Introduction Introduction Thank you for purchasing the Yamaha KX25 / KX49 / KX61 / KX8 USB KEYBOARD STUDIO. Included in the package are the KX MIDI keyboard for controlling a computer via USB as well as the DAW application software, Cubase AI4. Simply connect the KX to a computer via USB, and you’ve got a comprehensive control center and seamless environment for complete music production. In order to take full advantage of the KX’s superior functionality and enjoy years of trouble-free use, please read this manual before you begin using the product. Also, keep this book in a safe place for future reference. Features Link with Cubase The KX keyboard is equipped with link functions specifically designed for Cubase software (Cubase 4, Studio 4, Essential 4 and AI4), providing tremendous efficiency and speed in your workflow. Track operations on VST plug-in instruments (VSTi) The KX has no built-in tone generator; it is a keyboard controller designed to play the sounds of VST plug-in instruments (VSTi) on your connected computer. The KX lets you conveniently perform certain VSTi operations in your DAW directly from the KX panel, including creating tracks and selecting programs (instrument voices). Four knobs for real-time control of various parameters These versatile knobs give you real-time control over parameters in your VSTi software. Simply select the Control Template for the VSTi you wish to control (30 pre-programmed templates are built in), and you can use the four knobs to control the sound of your VSTi remotely. Many popular VSTi are covered by the templates; however, you can also create/customize your own to use with your favorite VSTi. Powerful Arpeggio feature The KX also has a built-in Arpeggio feature that lets you easily play various rhythmic patterns and ‘sequenced’ phrases, depending on the notes you press. These include a wide variety of vintage analog synthesizer-like arpeggios, guitar/bass riffs, and drum/percussion rhythm patterns—all of which can be triggered instantly and held automatically to provide dynamic, realistic backing for your performance. USB bus-powered The KX can be powered by the USB connection to your computer. This means you can simply connect the KX to a USB terminal on your computer, get full power, and not have to worry about setting up an AC adaptor. Included Accessories • • • • • AC power adaptor (PA-3C, PA-130, or equivalent)* Owner’s Manual (this book) USB cable Cubase AI4 DVD-ROM TOOLS for KX DVD-ROM * May not be included depending on your particular area. Please check with your Yamaha dealer. KX Editor KX Editor is a special software that gives you convenient editing tools for the KX and its settings. You can download this software from the following Yamaha website. http://www.yamahasynth.com/ 6 Owner’s Manual About the Included Software About the Included Software Special Notices about the Accessory Disks CAUTION • This disk containing the software is not meant for use with an audio/visual system (CD player, DVD player, etc.). Do not attempt to use the disk on equipment other than a computer. Special Notice • The copyrights of the USB-MIDI Driver and Extensions for Steinberg DAW (contained in the TOOLS for KX DVD-ROM) are under exclusive ownership by Yamaha Corporation. • The software included in the Cubase AI4 DVD-ROM and the copyrights thereof are under exclusive ownership by Steinberg Media Technologies GmbH. Note that Yamaha does not offer technical support for Cubase AI4 in the DVD-ROM. • The VSTi tools included in the “VSTis” folder of the TOOLS for KX DVD-ROM and the copyrights thereof are under exclusive ownership by the respective companies. Note that Yamaha does not offer technical support for the DAW software in the DVD-ROM. • Use of the software and this manual is governed by the license agreement which the purchaser fully agrees to upon breaking the seal of the software packaging. (Please read carefully the Software Licensing Agreement at the end of this manual before installing the application.) • Copying of the software in whole or in part by any means is expressly forbidden without the written consent of the manufacturer. • Yamaha makes no representations or warranties with regard to the use of the software and cannot be held responsible for the results of the use of the software. • Future upgrades of application and system software and any changes in specifications and functions will be announced separately on Yamaha site. About support for Cubase Support for Cubase in the accessory disk is provided by Steinberg on its website at the following address. http://www.steinberg.net You can visit the Steinberg site also via the Help menu of Cubase. (The Help menu also includes the PDF manual and other information on the software.) NOTE To view PDF files on Windows, you must install Adobe Reader on your computer. If you do not have Adobe Reader, you can download the application from the Adobe website at the following URL: http://www.adobe.com System Requirements for Software The system requirements below are necessary for installing and using the software contained in the accessory disk (Cubase AI4 and TOOLS for KX). Windows Macintosh OS: OS: Computer: Computer: Memory: Display Resolution: Interface: Hard Disk: NOTE Windows XP Professional/XP Home Edition/Vista 32-bit version Intel Pentium 1.4 GHz or higher 512MB 1280 x 800 pixels Equipped with the USB connector Free disk space of 1GB or more; high-speed hard disk Memory: Display Resolution: Interface: Hard Disk: Mac OSX 10.4.x or 10.5.x Power Mac G4 1GHz or Core Solo 1.5GHz or higher 512MB 1280 x 800 pixels Equipped with the USB connector Free disk space of 1GB or more; high-speed hard disk · Regarding the USB-MIDI Driver contained in the TOOLS for KX DVD-ROM, you can download the latest version from the following URL. Information on system requirements is also available at the following URL. http://www.global.yamaha.com/download/usb_midi/ · Regarding the Extensions for Steinberg DAW contained in the TOOLS for KX DVD-ROM, you can download the latest version from the following URL. Information on system requirements is also available at the following URL. http://www.yamahasynth.com/ · For details on system requirements of Cubase AI4, refer to the following URL: http://www.yamahasynth.com/ · For details on system requirements of the DAW software other than Cubase AI4, refer to the corresponding manual or the web site. · For details on system requirements of the VSTi software synthesizers (contained in the TOOLS for KX DVD-ROM), refer to the corresponding manual in the folder on which the VSTi resides. Important • A DVD drive is required for installation. • To activate your software license, install Cubase AI4 while the computer is connected to the Internet. Owner’s Manual 7 Table of Contents Introduction ........................................... 6 Features ................................................. 6 Controlling the VSTi by Using the CONTROL Knobs .................................................................... 24 Controlling the Transport and Tracks .................... 25 Included Accessories ............................ 6 Basic Operation on the KX ..................26 About the Included Software ................ 7 Display Indications................................................. 26 Top display ...................................................... 26 Arpeggio Edit display ....................................... 26 Control Template display ................................. 26 Utility display.................................................... 26 Changing the Octave Range ................................. 27 Selecting the Velocity Curve.................................. 27 Special Notices about the Accessory Disks .............7 System Requirements for Software .........................7 Windows.............................................................7 Macintosh...........................................................7 Turning the Power On and Off ............... 9 Power Supply ...........................................................9 Connecting the AC power adaptor .....................9 Using the KX as a USB bus-powered device .....9 Turning the Power On and Off .................................9 Front and Rear Panels ......................... 10 What You Can Do With the KX............. 12 Keyboard Performance ..........................................12 Transport/Track Operations on the DAW Software ....12 Window Operations on the VSTi ............................12 Real-time Parameter Control .................................12 Phrase/Rhythm Performance with Arpeggio Feature...................................................................12 Setting Up ............................................ 13 Installation Using the Cubase AI4 DVD-ROM ........13 For Windows: ...................................................13 For Macintosh: .................................................13 Installation Using the TOOLS for KX DVD-ROM ...13 For Windows: ...................................................14 For Macintosh: .................................................15 Connection .............................................................16 Using the KX with Cubase................... 17 Setting up on the KX ..............................................17 Setting up on Cubase.............................................17 MIDI ports on the KX........................................18 Setting up the VSTi ................................................19 Creating a track for the VSTi............................19 Opening the VSTi window and selecting an instrument ........................................................19 Playing the Keyboard .............................................20 Playing an Arpeggio ...............................................20 Trigger the Arpeggio with one finger ................20 Holding Arpeggio playback ..............................21 Trying out other notes on the keyboard ...........21 Using the CUBASE FUNCTION Buttons ...............23 Default functions ..............................................23 Assigning different functions to the buttons .....23 8 Control Templates ...............................28 Selecting a Control Template ................................ 28 Editing a Control Template .................................... 29 Changing the message type generated by using the CONTROL knobs ...................................... 29 Changing the Control Change number generated by using the CONTROL knob .......................... 30 Arpeggio ...............................................31 Selecting an Arpeggio Type .................................. 31 Using MIDI Clock to control Arpeggio tempo... 32 Editing an Arpeggio ............................................... 33 Arpeggio Parameters............................................. 33 Using the KX with a DAW Other than Cubase .................................................34 When using Digital Performer (Macintosh): ..... 35 Utility Settings .....................................36 Basic Operation ..................................................... 36 Utility Parameters .................................................. 36 Restoring the Factory-programmed System Settings (Factory Set) .......................................................... 37 Setting the MIDI Thru Parameter........................... 38 Troubleshooting ...................................39 Message List ........................................40 TOOLS for KX LICENSE AGREEMENT ..41 Cubase AI4 LICENSE AGREEMENT......42 Appendix ..............................................44 Specifications ........................................................ 44 Control Template List ............................................ 45 Arpeggio Type List................................................. 46 MIDI Implementation Chart .................50 Index ....................................................52 Owner’s Manual Turning the Power On and Off Turning the Power On and Off Power Supply Using the KX as a USB bus-powered device The KX can be powered from one of the following two sources. • Power supply from the AC power adaptor • Power supply from the connected host computer (USB bus-power) The KX is a bus-powered type device which can be powered by the host computer connected via a USB cable. In this case, the AC power adaptor is not necessary. Connecting the AC power adaptor 1. Make sure that the STANDBY/ON switch of 1. Make sure that the STANDBY/ON switch of the KX is in the STANDBY position. 2. Connect a computer to the USB TO HOST connector of the KX by using a USB cable. the KX is in the STANDBY position. 2. Connect the plug of the power adaptor to the DC IN connector on the rear panel. 3. Plug the power adaptor into a standard household power outlet. NOTE WARNING • Use only the included power adaptor (PA-3C or PA130) or an equivalent recommended by Yamaha). Use of a different adaptor may result in equipment damage, overheating, or fire. Doing so will also immediately void the product warranty, even if the effective warranty period has not expired. CAUTION • Wrap the DC output cable of the adaptor around the cable clip (as shown below) to prevent accidental unplugging of the cable during operation. Avoid tightening the cord more than necessary or pulling on the cord strongly while it is wrapped around the cable clip to prevent wear on the cord or possible breakage of the clip. KX61 KX8 · While the KX is turned ON, the Macintosh computer connected to the KX via USB cannot enter the power-saving mode (such as sleep and suspended) even if you do not operate the computer for a long time. When connected in this condition, the KX continues to draw power from the computer, even if you are not using it. Particularly when the computer is under battery power, you should make sure to set the STANDBY/ON switch of the KX to STANDBY in order to save power and avoid draining the computer’s battery. · The USB bus-power function can be used only when connecting the KX to a computer directly without using a hub or connecting the KX to a computer via a self-powered USB hub. This function cannot be used when connecting the KX to a computer via a bus-powered USB hub. · The USB bus-power function will not work when using the AC adaptor. Turning the Power On and Off 1. Turn the power ON by pressing the [STANDBY/ON] switch to set it to the ON position. 2. Turn the power off by pressing the [STANDBY/ON] switch again to set it to the STANDBY position. DC IN CAUTION • Note that a small amount of current continues to flow while the switch is in the STANDBY position. If you do not plan to use the KX again for a long while, be sure to unplug the adaptor from the wall outlet and unplug the USB cable from the KX. Owner’s Manual 9 Front and Rear Panels Front and Rear Panels 1 5 6 ! @ 2 ¢ 3 4 8 9 ) # $ ∞ 1 CONTROL knobs .............................Page 24 9 [ARP ON/OFF] button ..................... Page 20 Use these knobs to adjust the parameter values of the VSTi in your computer. 2 Knob Functions Select button .......Page 24 Use this button to select one of the two functions assigned to each knob. 3 VELOCITY CURVE [DEC] and [INC] buttons .............................................Page 27 Press this button to enable or disable Arpeggio playback. Turning on the button lights up the LED lamp. ) [HOLD] button ................................. Page 21 This button turns the Arpeggio Hold function on and off. ! TEMPO LED .................................... Page 32 This LED lamp flashes in time with the tempo of the Arpeggio. Use these buttons to select one of the velocity curves of the keyboard. 4 OCTAVE buttons .............................Page 27 @ Display ............................................. Page 26 Shows the related information according to your panel operations. Use these buttons to change the note range of the keyboard by octave. 5 [EXIT] button....................................Page 26 # SELECT buttons.............................. Page 26 Use these buttons to select the parameter to be edited. Press this button to return to the original display. 6 [UTILITY] button ..............................Page 36 $ DATA [DEC] and [INC] buttons .................................................. Pages 17, 31 Press this button to call up the display for setting the system related parameters. 7 [ARP EDIT] button ...........................Page 31 Press this button to call up the display for selecting the Arpeggio type and setting the related parameters. 8 [CONTROL TEMPLATE] button......Page 28 Use each of these buttons to increase or decrease the value of the selected parameter. % [VSTi WINDOW] button................... Page 19 Press this button to switch between displaying and hiding the VSTi window in Cubase. ^ [ADD INSTRUMENT TRACK] button Use this button to select a template assigned to CONTROL knobs. 10 7 Owner’s Manual .......................................................... Page 19 Press this button to create a VSTi track in Cubase. Front and Rear Panels % ^ ( ™ & * º § ¡ £ ¶ • & CUBASE FUNCTION [A] and [B] buttons ..........................................................Page 23 These buttons let you control certain assignable functions within Cubase. * PROGRAM [DEC] and [INC] buttons ..........................................................Page 19 Use these buttons to select the particular instrument of the VSTi assigned to the selected track. ( Cursor buttons ................................Page 25 These buttons function the same as the cursor keys on your computer. º [ESC] button ....................................Page 25 This button functions the same as the ESC key on your computer. ¡ [ENTER] button................................Page 25 This button functions the same as the ENTER key on your computer. ™ Track Control buttons.....................Page 25 These buttons let you control the Mute and Solo functions on the selected track within Cubase. £ Transport Control buttons..............Page 25 These buttons let you control transport functions, including record and play, within Cubase. ª ‚ ⁄ ¢ Pitch Bend wheel .................... Pages 12, 17 Controls the pitch bend effect, making continuous pitch change. ∞ Modulation wheel.................... Pages 12, 17 Controls the modulation effect. § [STANDBY/ON] switch...................... Page 9 Press this switch to turn the power on or off (STANDBY). ¶ DC IN connector................................ Page 9 Connect an AC adaptor to this jack. • MIDI IN connector ........................... Page 16 This connector is used to receive MIDI messages transmitted from an external MIDI device. ª MIDI OUT connector ....................... Page 16 This connector is used to transmit MIDI messages to an external MIDI device. ‚ SUSTAIN jack .................................. Page 16 Connect an optional footswitch (such as Yamaha FC4 and FC5) to this jack. ⁄ USB TO HOST connector ............... Page 16 This connector is used to connect the keyboard and the computer by using a USB cable. Since the KX is bus-powered, the power can be supplied from the computer to the KX via this connector. Owner’s Manual 11 What You Can Do With the KX What You Can Do With the KX The KX is, of course, a MIDI keyboard—however, it also provides a wealth of other convenient and powerful features for use with your computer and DAW software. Here’s a short introduction to what you can do with your KX. Keyboard Performance Real-time Parameter Control Play the keyboard and use the various controllers (including the Pitch Bend and Modulation wheels) to play/change the sounds of the VSTi on the computer (via USB) or a connected MIDI tone generator (via MIDI). Use the CONTROL knobs on the KX to control various sound-shaping parameters on the VSTi or a connected tone generator. KX MIDI Select = MIDI KX Keyboard MIDI Select = USB VSTi DAW software Transport/Track Operations on the DAW Software Use the KX to control transport functions (such as Play, Record and Stop), as well as mute and solo selected tracks within Cubase. KX Cubase MIDI tone generator VSTi Rec/Play/ Stop Mute/Solo Phrase/Rhythm Performance with Arpeggio Feature This powerful feature lets you easily play various rhythmic patterns and ‘sequenced’ phrases. These include a wide variety of vintage analog synthesizer-like arpeggios, guitar/bass riffs, and drum/percussion rhythm patterns—all of which can be triggered instantly and held automatically to provide dynamic, realistic backing for your performance. KX Arpeggio DAW software NOTE Track operations such as Mute and Solo are available only for Cubase. Playback data VSTi Window Operations on the VSTi When using Cubase, you can instantly open or close the VSTi related window and create a track for the VSTi from the KX. KX Button operation Opening/Closing the VSTi window 12 Creating a Track Owner’s Manual DAW software Setting Up Setting Up Installation Using the Cubase AI4 DVD-ROM Important! Since the End-User Software License Agreement (EUSLA) shown on your computer display when you install the “DAW” software is replaced by the agreement on page 42, you should disregard the EUSLA. Read the Cubase AI4 License Agreement on page 42 carefully, and install the software if you agree to it. NOTE If you have already installed Cubase, the instructions below are not necessary. Jump to the next section “Installation using the TOOLS for KX DVD-ROM.” For Windows: 1. Start the computer and log on to the For Macintosh: 1. Start the computer and log on to the Administrator account. Administrator account. 2. Insert the Cubase AI4 DVD-ROM into the DVD-ROM drive. 2. Insert the Cubase AI4 DVD-ROM into the DVD-ROM drive. 3. Open the DVD-ROM, then double-click the file “CubaseAI4.msi.” Follow the on-screen instructions to install Cubase AI4. 3. Open the DVD-ROM, then double-click the file “CubaseAI4.mpkg.” Follow the on-screen instructions to install Cubase AI4. NOTE · In order to have continuous use of Cubase AI 4, including support and other benefits, you will need to register the software and activate your software license by starting it while the computer is connected to the Internet. Click the “Register Now” button shown when the software is started, then fill in all required fields for registration. If you do not register the software, you will be unable to use it after a limited period of time expires. · If you are using Cubase 4, Cubase Studio 4 or Cubase Essential 4, install either application before you install Extensions for Steinberg DAW. Installation Using the TOOLS for KX DVD-ROM The TOOLS for KX DVD-ROM includes the following application software tools. ■ Installer of Extensions for Steinberg DAW ■ USB-MIDI driver ■ VSTi installers developed by other companies In particular, you should install Extensions for Steinberg DAW to ensure optimum control over Cubase. You should also install the USB-MIDI Driver to enable proper communication between the KX and your computer. Other VSTi software can be installed as desired. By installing Extensions for Steinberg DAW, the following functions are available when using the KX and Cubase on your computer. ■ Cubase can recognize the KX as a remote controller when connecting the KX to the computer. ■ Performing panel operations on the KX (such as with the knobs and buttons) automatically edits the relevant parameters on the VSTi software. ■ Changing the VSTi on the computer will select the appropriate Control Template (page 28) on the KX automatically. NOTE · If you want to install VSTi software developed by other companies, follow the Installation Guide for each VSTi located in the “VSTis” folder. · For information on how to uninstall each software, refer to the Installation Guide located in the respective folder of each software. Owner’s Manual 13 Setting Up 9. For Windows: NOTE 1. Make sure that the power to the KX is turned off. 2. Disconnect all MIDI cables that connect MIDI devices to MIDI IN/OUT connectors on the KX. 3. Start the computer and log on to the Administrator account. 4. Insert the TOOLS for KX DVD-ROM into the DVD-ROM drive. 5. Open the “Extensions for Steinberg DAW” folder in the DVD-ROM, then double-click the file “setup.exe” The first display for installing Extensions for Steinberg DAW appears. 6. Click [Next] to call up the InstallShield Wizard for Yamaha Extensions for Steinberg DAW. NOTE 7. 8. · If the same version of Extensions for Steinberg DAW has already been installed in your computer, a window appears indicating completion. In this case, click [Finish]. · If a newer version of Extensions for Steinberg DAW has already been installed in your computer, a dialog box appears indicating that the newer software has already been installed. In this case, you do not need to install the software. Click [OK] in the dialog box. · If an older version of Extensions for Steinberg DAW has been installed in your computer, the software should be updated. (The procedure is the same as for installing it from scratch.) USB connector USB cable KX rear panel 10. Turn the power on of the KX by pressing the [STANDBY/ON] switch. The KX will be recognized by the connected computer. 11. Install the USB-MIDI driver. NOTE Installation of the USB MIDI driver is described in “installationguide_en.pdf” stored in the “USB-MIDI_Driver” folder. The installation is now complete. Important! Make sure to use the same USB connector as the one used in the installation procedure when you connect the KX and the Windows computer again. If you connect the USB cable to a different connector, you will have to install the USB-MIDI driver again. Click [Next] to start the installation. To cancel the installation procedure, click [Cancel]. NOTE 14 Make sure to install Cubase before installing Extensions for Steinberg DAW described in step 5 below. After disconnecting all other USB devices from the computer, connect the KX directly to the computer (without using a hub) by using a USB cable. During the installation procedure, you can select the type of Extensions for Steinberg DAW by selecting “Custom” in the Setup Type dialog. When the installation is complete, a message indicating so appears. Click [Finish]. Owner’s Manual Setting Up For Macintosh: NOTE Make sure to install Cubase before installing Extensions for Steinberg DAW described in step 5 below. 1. Make sure that the power to the KX is turned off. 2. Disconnect all MIDI cables that connect MIDI devices to MIDI IN/OUT connectors on the KX. 3. Start the computer and log on to the Administrator account. 4. Insert the TOOLS for KX DVD-ROM into the DVD-ROM drive. 5. Open the “Extensions for Steinberg DAW” folder in the DVD-ROM, then double-click the file “Yamaha Extensions for Steinberg DAW.mpkg.” This calls up the InstallShield Wizard for Yamaha Extensions for Steinberg DAW. 6. from the computer, connect the KX directly to the computer (without using a hub) by using a USB cable. USB connector USB cable KX rear panel 11. Turn the power on of the KX by pressing the [STANDBY/ON] switch. The KX will be recognized by the connected Macintosh computer. The installation is now complete. Click [Continue]. NOTE 7. 10. After disconnecting all other USB devices · If a dialog box appears asking if you want to install the software, click [Continue]. · If Extensions for Steinberg DAW has been installed, it will be overwritten by the new installed version. Execute the installation by following the onscreen directions. NOTE · You can select only the startup disk as installation destination. · During the installation procedure, you can select the type of Extensions for Steinberg DAW by selecting “Customize” in the “Installation Type” dialog. 8. When the installation is complete, a message indicating so appears. Click [Close]. 9. Install the USB-MIDI driver. NOTE · Installation of the USB MIDI driver is described in “installationguide_en.pdf” stored in the “USB-MIDI_Driver” folder. · The “Keyboard Setup Assistant” window appears when connecting the KX to a computer via USB. In this case, click the red circle at the top left corner to close this window. Precautions when using the USB TO HOST connector When connecting the computer to the USB TO HOST connector, make sure to observe the following points. Failing to do so risks freezing the computer and corrupting or even losing the data. If the computer or the instrument freezes, restart the application software or the computer OS, or turn the power to the instrument off then on again. CAUTION • Use an AB type USB cable of less than about 3 meters. • Before connecting the computer to the USB TO HOST connector, exit from any power-saving mode (such as suspended, sleep, standby) of the computer. • Before turning on the power to the instrument, connect the computer to the USB TO HOST connector. • Execute the following before turning the power to the instrument on/off or plugging/unplugging the USB cable to/from the USB TO HOST connector. - Quit any open applications. - Make sure that data is not being transmitted from the instrument. (Data is transmitted only by playing notes on the keyboard or playing back an Arpeggio.) • While a USB device is connected to the instrument, you should wait for six seconds or more between these operations: (1) when turning the power of the instrument off then on again, or (2) when alternately connecting/disconnecting the USB cable. Owner’s Manual 15 Setting Up Connection If you’ve followed the instructions on pages 13–15, you’ve connected your KX and computer as shown below. (Additional devices shown below have been included to cover other possible setups.) Keep in mind that all further instructions in this manual assume the connection has been made properly. Also remember that you’ll need a set of headphones or a speaker system to hear the sounds from your computer. NOTE As necessary, connect the MIDI devices such as synthesizer, tone generator and sequencer to the KX. Computer Headphone USB connector Audio interface USB cable 1 2 MIDI OUT connector MIDI cable Synthesizer, tone generator, sequencer, etc. MIDI cable KX rear panel MIDI IN connector Footswitch (optional) NOTE · Once all software and drivers have been properly installed (pages 13–15), and with the initial default settings (MIDI Select = USB, on page 37; MIDI Thru = MIDI → USB, on page 38), the KX can control the DAW software on your computer via a USB cable. This allows you to play the voices of plug-in instruments (including VSTi) on your computer from the keyboard of the KX. Also, MIDI messages generated on a connected MIDI device (such as the synthesizer shown above) can be transmitted through the KX to the computer. This allows you to play back songs on a MIDI device and have the voices of your plug-in software sound. · When the MIDI Select parameter (page 37) is set to “MIDI,” the USB connector will be inactive. This means that MIDI communication is only possible via the MIDI connectors (and not via USB). In the example illustration above, this setting lets you play the sound of the tone generator from the KX keyboard. Footswitch While holding an optional footswitch (Yamaha FC4 or FC5) connected to the SUSTAIN jack, the note you pressed then released works as if you held it. For organ sounds that have no natural decay, holding down the footswitch will maintain the sound at the same level even if you release the note. For piano sounds that have a natural decay, holding down the footswitch will decay the sound naturally even if you release the note. For the Arpeggio function (page 31), holding down the footswitch will maintain playback of the Arpeggio. Keep in mind that such operations are available only when devices (such as a connected MIDI tone generator or a VSTi on the connected computer) that can recognize Control Change #64 are active. NOTE 16 Be sure to connect or disconnect the footswitch to the SUSTAIN jack while the power of the KX is turned off. If you disconnect the footswitch while the power is turned on, the footswitch function becomes “stuck”—in other words, the sound will continue to sustain, or Arpeggio playback will continue indefinitely. Owner’s Manual Using the KX with Cubase Using the KX with Cubase The KX features a special Link feature that allows you seamless control over various functions in Cubase and provides enormous efficiency and speed in your music production workflow. Make sure you’ve connected all devices and properly set up your system (as described on pages 13–16), then try using the KX with Cubase according to the instructions here. Setting up on the KX Setting up on Cubase To use the Link function with Cubase, it is necessary to change the settings of the KX according to the DAW on your computer. The MIDI messages generated on the KX (by playing the keyboard, controlling the Pitch Bend Wheel and the Modulation Wheel, and so on) are transmitted via USB-MIDI Port 1 from the KX to Cubase. Keep in mind that MIDI data transmitted via the USB-MIDI Ports 2 and 3 are not related to music performance (including the instrument change). This means that any messages received over these ports may be recognized as instrument change and hence may result in unexpected sounds. To avoid this, you should remove the checkmark of “All MIDI Input” for USB-MIDI Port 2 and Port 3. 1. Turn the power ON by pressing the [STANDBY/ON] switch to set it to the ON position. The top display (page 26) appears. 2. Press the [UTILITY] button to call up the Utility display. 3. Use the SELECT buttons to call up “DAW Select.” In this state, you can select the DAW software controlled from the KX. NOTE 1. · The explanations here use screen examples taken from Windows. The instructions for using Macintosh are the same. · For further details about the USB-MIDI Ports 1–3, refer to page 18. Start Cubase on your computer. Important! 4. Use the DATA [DEC] and [INC] buttons to select the desired DAW software. ■ When using Cubase 4/Cubase Studio 4/ Cubase Essential 4: Select “Cubase4.” Cubase cannot recognize the KX if you turn the power of the KX on after starting Cubase. Make sure to start Cubase after turning on the power of the KX. 2. Select “Device Setup” from the “Device” menu of Cubase. The Device dialog appears. 3. Click “MIDI Port Setup” in the Devices column. The MIDI ports of Cubase appear at right of the dialog. ■ When using Cubase AI4: Select “CubaseAI.” 5. Press the [EXIT] button to return to the original display. Owner’s Manual 17 Using the KX with Cubase 4. Remove the checkmarks by clicking the check boxes of “All MIDI Inputs” corresponding to the KX MIDI Ports 2 and 3 respectively. “Yamaha KX-2” and “Yamaha KX-3” on Windows and “YAMAHA KX Port 2” and “YAMAHA KX Port 3” on Macintosh correspond to MIDI Port 2 and MIDI Port 3 respectively. MIDI Ports 2 and 3 of the KX handle the messages generated via the operations other than keyboard performance such as operations via the CONTROL knobs and operations on the KX Editor of the computer. Removing the checkmarks corresponding to these MIDI ports will avoid accidentally recording non-keyboard data to a track in Cubase. NOTE The checkmark of “All MIDI Inputs” corresponding to the KX MIDI Port 2 should be removed since “Extensions for Steinberg DAW” is included normally in “TOOLS for KX.” Remove the checkmark of “All MIDI Inputs” corresponding to the KX MIDI Port 2 only if the checkmark is checked for some reasons. MIDI ports on the KX For data transfer via a USB cable between the KX and the computer, you can use three MIDI ports by installing the USB-MIDI driver. Each of three MIDI ports can handle the different MIDI messages as described below. MIDI Port 1: This port is indicated as “Yamaha KX-1” on Windows and “YAMAHA KX Port 1” on Macintosh. This port is used for data transfer of the musical performance such as keyboard performance (note on/off), Modulation wheel operation (Control Change) and Pitch Bend wheel operation. MIDI Port 2: This port is indicated as “Yamaha KX-2” on Windows and “YAMAHA KX Port 2” on Macintosh. This port is used for data transfer generated by using the DAW REMOTE buttons (with the exception of the Cursor buttons, [ESC] button and [ENTER] button) and CONTROL knobs. MIDI Port 3: This port is indicated as “Yamaha KX-3” on Windows and “YAMAHA KX Port 3” on Macintosh. This port is used for data transfer generated by operating the KX Editor on the computer. Click “MIDI Port Setup.” NOTE This is an example screen when using Windows. The corresponding Macintosh indications are “YAMAHA KX Port 2” and “YAMAHA KX Port 3.” 5. 18 Remove the checkmark. Click [OK] to close the dialog. Owner’s Manual · When the MIDI Select parameter is set to “MIDI” (page 37) and the USB TO HOST connector becomes inactive, the data communication described above cannot be performed. · When using DAW software other than Cubase, perform the MIDI setup manually on the DAW software so that MIDI Port 1 can handle performance data (such as note on/off) and MIDI Port 2 can handle data generated by controlling the Transport function. · When using DAW software other than Cubase, the MIDI messages generated by using the CONTROL knob will be transmitted via USB-MIDI Port 1. Also when using Cubase, the MIDI messages generated by using the CONTROL knob will be transmitted via USB-MIDI Port 1 only when the KnobOutSel parameter is set to “CC.” · On Windows XP, “USB 0-1” (different from the above port name) may be shown as the port name. If this happens, select [Start] ➝ [Control Panel], double-click [Yamaha USBMIDI Driver], enter the checkmark to the check box of “Use Device Name As Port Name (Valid after system restart.),” then restart the computer. Using the KX with Cubase Setting up the VSTi 2. You can create a track for the VSTi and open/close the VSTi window from the KX panel operation remotely. Performing such operations (normally performed on Cubase) from the KX panel is a great convenience and significantly speeds up your workflow. On the KX, press the [VSTi WINDOW] button to open the VSTi window. The VSTi window of the track selected in step 1 will appear. Instrument Select box Creating a track for the VSTi This lets you easily create a VSTi track remotely by using the KX panel controls. 1. On Cubase, open an already-created Project or open a new Project. 2. Press the [ADD INSTRUMENT TRACK] button of the KX. The [Add Instrument Track] dialog appears. NOTE For Cubase 4 / Cubase Studio 4 / Cubase Essential 4, pressing the [ADD INSTRUMENT TRACK] button while the [Add Instrument Track] dialog is shown will switch between calling up and hiding the “Browse Presets” section. 3. Move the focus to the desired VSTi by using the Cursor buttons on the KX, then press the [ENTER] button on the KX. In this case, select “HALionOne.” 4. Press the [ENTER] button on the KX again to close the [Add Instrument Track] dialog, then create a new Instrument Track. To create a new Instrument Track, you can click [OK] in the [Add Instrument Track] dialog. 3. On the KX, press the CUBASE FUNCTION [A] button twice to call up the window (Preset Browser) shown below. 4. On the KX, use the cursor button and CUBASE FUNCTION [B] button to select a category of instruments. Move the focus to “Drum&Perc” in the Category field then press the CUBASE FUNCTION [B] button to actually select “Drum&Perc.” Move the focus to the Sub Category by using the Cursor [ ] button, move the focus to “DrumSet GM” in the Sub Category field by using the Cursor [▲] and [▼] buttons, then press the CUBASE FUNCTION [B] button to actually select “DrumSet GM.” 5. On the KX, use the PROGRAM [DEC] or [INC] button to select the desired instrument. In this case, select “RockSt2” in the Search & Viewer. Opening the VSTi window and selecting an instrument When the Instrument Track or the MIDI track for which the destination is set to VSTi is selected on the Project window or the other window, you can open the VSTi window quickly at the touch of a button on the KX’s panel. 1. On the KX, use the Cursor buttons to select the track corresponding to the desired VSTi. Owner’s Manual 19 Using the KX with Cubase Playing the Keyboard Playing an Arpeggio Try playing the keyboard on the KX to hear the sound of “RockSt2” selected in step 4 on the previous page. Depending on the pressed note, a different instrument’s sound will be played back, allowing you to play your own rhythm pattern in real time by pressing various notes rhythmically. The Arpeggio feature is a powerful tool for both real-time performance and recording. It lets you easily play (in many cases, with just a single finger) a wide variety of specially programmed rhythm patterns, riffs and phrases using the currently selected instrument on the computer. This section shows you how to play Arpeggios by using “RockSt2” selected in step 4 on the previous page. You can hear the rhythm pattern play back automatically. Trigger the Arpeggio with one finger 1. Press the [ARP ON/OFF] button (the lamp lights). NOTE By pressing the [OCTAVE] button and playing in the same octave area as before, you can call up a completely different set of drum sounds. Try shifting the octave setting and call up your favorite drum instruments and percussion sounds. To reset the octave to the default status, press both [OCTAVE] buttons simultaneously. For details about the [OCTAVE] buttons, see page 27. On 2. Press a single note on the keyboard. The Arpeggio (rhythm pattern) starts just by playing a single note with one finger. NOTE 3. 20 Owner’s Manual The Arpeggio plays back according to the internal tempo set in the Utility display (page 36) or the external tempo set on the DAW software depending on the current status. For details, see page 32. Release the note to stop the Arpeggio. Using the KX with Cubase Holding Arpeggio playback 4. Press the [HOLD] button (the lamp lights). On Trying out other notes on the keyboard 7. Press the lowest C (leftmost note). A rhythm pattern starts playing. 5. 6. Press a single note on the keyboard. The Arpeggio (rhythm pattern) starts just by playing a single note. While the [HOLD] lamp is turned on, Arpeggio playback will not stop even if you release the note meaning that you can perform another operation during playback. Press the [HOLD] button again (the lamp goes out). To stop Arpeggio playback. Off NOTE If you are using the KX8, press the lowest C key on the keyboard (the C a third above the lowest key). 8. Next, press the G located a fifth above the C pressed in step 7. A different rhythm pattern starts. 9. Next, press the C located a fourth above the G pressed in step 8. A rhythm pattern different from the previous two patterns starts. 10. Next, press the G located a fifth above the C NOTE By pressing a footswitch connected to the SUSTAIN jack (page 16), the Arpeggio continues to play, even if you release the note. In this case, you can stop Arpeggio playback by releasing the footswitch. pressed in step 9. A rhythm pattern different from the previous three patterns starts. 11. Finally, press the C located a fourth above the G pressed in step 10 (the highest C of the KX25). The rhythm pattern same as that played in step 7 starts. Owner’s Manual 21 Using the KX with Cubase In this way you can play different rhythms from the same Arpeggio type simply by playing just a few notes. In fact, you can create the rhythmic basis for a complete song by letting each rhythm repeat for several measures and changing patterns as desired. Each of the Arpeggio types in the Category “DrPc” (selected with the default initial setting) features four different rhythm patterns recorded respectively to four different tracks. Each of these patterns is assigned to a specific area of the keyboard. You can call up the desired pattern by pressing any note in a specific area, as shown below. For these “DrPc” (Drum/Percussion) Arpeggio types, the keyboard of the KX is divided into four six-note groups, each group having a different rhythm pattern. The note ranges of these four groups are: C – F, F# – B, C – F, F# – B…and so on, repeating up the keyboard. Playing any note in the group will trigger the assigned Arpeggio/rhythm pattern. On the KX61, for example, the rhythm patterns are assigned to note groups like this: C1 – F1 : Track 1 rhythm pattern F#1 – B1 : Track 2 rhythm pattern C2 – F2 : Track 3 rhythm pattern F#2 – B2 : Track 4 rhythm pattern C3 – F3 : Track 1 rhythm pattern (…and so on up the keyboard.) NOTE 22 Each note on the keyboard has a note name like C3, D3, and E3 according to the octave. This octave setting can be shifted by using the [OCTAVE] buttons. For details, see page 27. Owner’s Manual Using the KX with Cubase Using the CUBASE FUNCTION Buttons Assigning different functions to the buttons The buttons for controlling Cubase can be changed as desired. To do this, follow the instructions below: Default functions When using Cubase, the functions related to the operations of the Preset Browser are assigned to the CUBASE FUNCTION [A] and [B] buttons. 1. Select “Device Setup” from the Device menu. The “Device Setup” dialog appears. 2. Click “Yamaha KX” in the Device column. Category Command ■ CUBASE FUNCTION [A]: Pressing this button calls up the Preset Browser. Pressing this button while the Preset Browser is shown switches between calling up and hiding the Filter section at left half of the Preset Browser. ■ CUBASE FUNCTION [B]: Pressing this button while the Preset Browser is shown enables or removes a selection of the item to which you have already moved the focus. Move the focus to the item which is not selected currently then press this button to actually select the item. To remove the selection of the item, move the focus to the item which is currently selected, then press this button. ■ CUBASE FUNCTION [A] + [B]: Pressing these two buttons simultaneously resets the Filter settings. In other words, selection of all the items in the Filter section will be removed. Click “Yamaha KX.” The following buttons are assignable. • [ADD INSTRUMENT TRACK] button • [VSTi WINDOW] button • CUBASE FUNCTION[A] and [B] buttons • PROGRAM[DEC] and [INC] buttons • [ASSIGN 1] and [ASSIGN 2] buttons • [MUTE] button • [SOLO] button 3. Click the Category column of the desired button, then select the desired Category from the pop-up menu. When selecting a Category that includes multiple commands, click the Command column, then select the desired function from the pop-up menu. The commands available for assignment depend on the selected category. For example, selecting the “MIDI” category allows you to call up various MIDI-related commands, such as Quantize, Velocity, etc. 4. Click [OK] after completing the setup. The “Device Setup” dialog closes. You can assign the different functions from the above to the CUBASE FUNCTION [A] and [B] buttons as desired. For details, refer to the next section. NOTE For information on the assigned functions of these buttons when using DAW software other than Cubase, see page 34. HINT There are many Categories and many Commands within each Category. You may want to spend some time and check them out at your leisure. That way you can find the commands you need to use the most in your music production, and find the ones that best suit your personal preferences and your own workflow. Owner’s Manual 23 Using the KX with Cubase Controlling the VSTi by Using the CONTROL Knobs Operating the CONTROL knobs on the KX panel edits or controls various parameters of the VSTi used on the computer. The KX provides 30 Control Templates which can be used for various VSTi plug-ins. By selecting the desired one from 30 Control Templates, you can assign the functions appropriate for the current VSTi to the CONTROL knobs. When using Cubase, any time you select an Instrument track or select a MIDI track for which the destination is set to VSTi, or change the VSTi assigned to the current track, the Control Template on the KX will automatically change. This means that you need not select the Control Template manually when using Cubase. Use these knobs to adjust the values of the VSTi parameters. A total of eight different parameters can be controlled. Pressing the Function Select button switches between the two groups of parameter assignments. Use this button to switch the parameters to be adjusted via the CONTROL knobs (between parameters 1–4 and 5–8). These lamps indicate which parameter set (1–4 or 5–8) is assigned to the CONTROL knobs. When the Top display is shown, the names of the parameters to be adjusted via the CONTROL knobs are shown normally. When controlling the knob, the values of the parameters are shown for a while, then the original display appears again. You can scroll the display to confirm the entire parameter name by pressing the [EXIT] button. Using the Automation function of Cubase lets you record your knob operations to an Instrument track. For details about the Automation function, refer to the Cubase owner’s manual. · For details about the available Control Template, refer to the Control Template List on page 45. · The time that the value remains displayed can be changed. For details, refer to “Utility Settings” on page 36. · When using a DAW other than Cubase, you need to change the Control Template manually on the KX. NOTE Changing the functions assigned to the CONTROL knobs When using the VSTi compatible with VST3 in Cubase, you can change the functions assigned to the CONTROL knobs via the following operation. 1. On the computer, move the mouse cursor to the VSTi controller whose function you want to assign to one of the CONTROL knobs. 2. On the KX, hold the Knob Functions Select button then rotate one of the CONTROL knobs to which the function of the VSTi controller selected in step 1 is assigned. “(Learning knob.)” is shown on the display. 3. On the KX, release the Knob Functions Select button. The function of the VSTi controller selected in step 1 is assigned to the knob rotated in step 2. NOTE 24 When using the VSTi which is not compatible with VST3, you can assign the desired function to the CONTROL knobs by using the KX Editor (even though you cannot do this from the KX panel). Owner’s Manual Using the KX with Cubase Controlling the Transport and Tracks You can use the panel controls on the KX to control transport functions (such as Play, Record and Stop) within Cubase, and perform other operations, such as muting and soloing of selected tracks. Cursor buttons [ESC] button [ENTER] button Cursor buttons These buttons function the same as the cursor keys on your computer. [ENTER] button This button functions the same as the ENTER key on your computer. [ESC] button This button functions the same as the ESC key on your computer, letting you cancel operations and close windows. Track Control buttons Transport Control buttons NOTE · The functions assigned to the Track Control buttons can be changed as desired. For details, see page 23. · If you are using a DAW software other than Cubase, make the appropriate setting in the DAW Select parameter (page 34). Track Control buttons Select the desired track in Cubase and use these buttons to perform the desired function. [ASSIGN 1] button .....Executes the MIDI Quantize command. [ASSIGN 2] button .....Executes the Delete command. [MUTE] button............Switches Mute of the selected track On or Off. [SOLO] button............Switches Solo of the selected track On or Off. Transport Control buttons Use these buttons to control the transport functions. [ ] button.............Rewind [ ] button.............Fast forward [ ] button................Repeat on/off [■] button...................Stop [ ] button.................Play [REC] button ..............Record Owner’s Manual 25 Basic Operation on the KX Basic Operation on the KX This section describes the basic operations of the KX, such as how to shift the octave range of the keyboard and use the display interface. Display Indications Arpeggio Edit display The display shows various parameters depending on your panel operation. Top display Call up this display by pressing the [ARP EDIT] button (the lamp lights). This display lets you select the Arpeggio type and set the related parameters. Press the [EXIT] button to return to the original Top display. This display appears when turning the power ON. Parameters edited via the CONTROL knobs are shown on the display. Lights Control Template display NOTE The display illustrated below may appear when turning the power ON. This indicates that Cubase and VSTi have not been started on the computer connected to the KX via USB. If you intend to use Cubase, start Cubase then set the VSTi (the indication below disappears and the Top display shown above appears). If you intend to use a DAW other than Cubase, change the DAW Select parameter (page 37) to the appropriate setting (other than “Cubase4” or “CubaseAI”). Call up this display by pressing the [CONTROL TEMPLATE] button (the lamp lights). This display lets you select a template of CONTROL knob assignments. Press the [EXIT] button to return to the original Top display. Lights Utility display Operating any of the CONTROL knobs calls up the values on the display. After a while, the display returns to the original indication. Call up this display by pressing the [UTILITY] button (the lamp lights). This display lets you set the system related parameters. Press the [EXIT] button to return to the original Top display. Lights NOTE You can set the desired amount of time that the values remain in the display. For instructions, see page 36. From these displays, you can call up the desired parameters by using the SELECT [▲] and [▼] buttons. The arrow indication at the current parameter flashes, indicating the parameter can be edited. Parameter 26 Owner’s Manual Flashes Value Basic Operation on the KX Changing the Octave Range Use these buttons to shift the note range of the keyboard by octave (three octaves, up or down). The initial default setting (no shift) is recalled by pressing both the buttons simultaneously. Press this to shift the octave range down. Press this to shift the octave range up. Selecting the Velocity Curve You can select the desired Velocity Curve which determines how velocities are applied according to your playing strength. Use the VELOCITY CURVE [DEC] and [INC] buttons to select the desired Velocity Curve. Restores the default octave setting. The current octave range can be confirmed via the status of the LED lamp above the button. Three octaves lower (Flashes) The following Velocity Curves are available: Soft2 This curve produces high velocity values even for low playing strength. Select this if you want a high volume even when you play softly. Soft1 This curve produces relatively high velocity values even for low playing strength. It is a more moderate curve than Soft 2 above. Normal This is a normal, linear curve that has a one-to-one correspondence between your playing strength and the resulting velocity. Hard1 This curve produces relatively low velocity values even for high playing strength. Select this if you don’t want the volume to change much when you play strongly. Hard2 This curve produces low velocity values even for high playing strength. It is a more extreme curve than Hard 1 above. This curve is also the optimum Velocity Curve for use with the HALionOne VSTi. Two octaves lower One octave lower Initial default setting One octave higher Two octaves higher (Flashes) NOTE Three octaves higher You can reverse the LED status (on or off) of the OCTAVE buttons. For information about how to reverse the LED status (on or off), refer to “Utility Settings” on page 36. Note names of the keyboard The range of the keyboard is indicated by note name, as described below. Model Range KX25 C2 .. C4 KX49 C2 .. C6 KX61 C1 .. C6 KX8 A-1 .. C7 The note name assignment above depends on the initial default setting of the KX. This assignment can be shifted by using the [OCTAVE] buttons. Press the VELOCITY CURVE [DEC] and [INC] buttons simultaneously to select “Fix.” The Fix setting lets you play the notes with a fixed velocity no matter how hard or soft you play the notes. Velocity value You can set the fixed velocity by pressing one of the VELOCITY CURVE [DEC] and [INC] buttons. Pressing both the buttons simultaneously exits from this status (Fix setting) to the last selected Velocity Curve. NOTE From the Utility display (page 26), you can select a Velocity Curve and specify a specific velocity value to be used when Fix is selected. For details, refer to “Utility Settings” on page 36. Owner’s Manual 27 Control Templates Control Templates The KX provides 30 Control Templates which can be used for VSTi plug-in software. By selecting the desired Control Template, you can automatically call up the appropriate function assignments for controlling the currently selected VSTi with the CONTROL knobs. When using Cubase, selecting an Instrument track or changing the VSTi assigned to the current track will automatically change the Control Template for the VSTi on the KX, meaning that you don’t have select the template manually. On the other hand, if you are using a DAW other than Cubase, you will need to manually select the appropriate Control Template on the KX. NOTE A special KX Editor (page 6), available as a free download from the Yamaha website, provides tools for editing all KX Control Templates. 2. Selecting a Control Template 1. Use the DATA [DEC] and [INC] buttons to select the desired Control Template. Press the [CONTROL TEMPLATE] button. The LED lamp lights and the Control Template selection display appears. NOTE Lights 3. In this state, you can select the Control Template. NOTE 28 If a different, unrelated display appears even when you press the [CONTROL TEMPLATE] button, press the [CONTROL TEMPLATE] button again or press the SELECT [▲] button once or twice to call up the Control Template selection display. Owner’s Manual You can increase the value by 10 by simultaneously holding down the [DEC] button and pressing the [INC] button, or decrease the value by 10 by simultaneously holding down the [INC] button and pressing the [DEC] button. Press the [EXIT] button to return to the Top display which appears when turning the power on. Control Templates Editing a Control Template Changing the message type generated by using the CONTROL knobs The MIDI messages generated by operating the CONTROL knobs are divided into two types: Remote and CC (Control Change). Only one of these two types can be active, and the type is set with the KnobOutSel parameter. Remote (Remote Control message dedicated to Cubase) When this is selected, Remote Control messages dedicated to Cubase will be generated by operating the CONTROL knobs and transmitted to Cubase via USB-MIDI Port 2. This type of data is transmitted via USB-MIDI Port 2, while keyboard performance data is transmitted via USB-MIDI Port 1, meaning that the messages generated by operating the CONTROL knobs do not affect the keyboard performance but only the VSTi parameters. 3. Use the SELECT [▲] and [▼] buttons to call up “KnobOutSelect.” 4. Use the DATA [DEC] and [INC] buttons to select the desired type of message. CC ...................... Control change Remote ............... Remote Control exclusive for Cubase 5. Press the [EXIT] button to return to the original display. CC (Control Change) When this is selected, Control Change messages will be generated by operating the CONTROL knobs and transmitted to the computer via USBMIDI Port 1. When using a DAW other than Cubase, only this setting is available. NOTE 1. Press the [CONTROL TEMPLATE] button. The LED lamp lights and the Control Template selection display appears. NOTE 2. · When using Cubase, you generally won’t need to change this parameter from the initial default setting (Remote), although there may be times that you should set this parameter to “CC” depending on the VSTi you’re using. · Setting the DAW Select parameter to a value other than “Cubase4” or “CubaseAI” will change the KnobOutSel parameter to “CC” automatically even when it is set to “Remote.” If a different, unrelated display appears even when you press the [CONTROL TEMPLATE] button, press the [CONTROL TEMPLATE] button again or press the SELECT [▲] button once or twice to call up the Control Template selection display. Use the DATA [DEC] and [INC] buttons to select the desired Control Template. Owner’s Manual 29 Control Templates Changing the Control Change number generated by using the CONTROL knob You can change the Control Change number assigned to the CONTROL knob from the default setting as desired. NOTE 1. Press the [CONTROL TEMPLATE] button. The LED lamp lights and the Control Template selection display appears. NOTE If a different, unrelated display appears even when you press the [CONTROL TEMPLATE] button, press the [CONTROL TEMPLATE] button again or press the SELECT [▲] button once or twice to call up the Control Template selection display. 2. Use the DATA [DEC] and [INC] buttons to select the desired Control Template. 3. Use the SELECT [▲] and [▼] buttons to select the desired CONTROL knob. NOTE 4. 5. The Control Change numbers available for adjusting the parameters may differ depending on the particular VSTi. For details, refer to the relevant owner’s manual of your VSTi. Use the DATA [DEC] and [INC] buttons to change the Control Change number of the selected CONTROL knob. NOTE 30 The setting here is automatically stored to the internal memory of the KX. If you want to back up the setting here, use the KX Editor (page 6) to store the setting to a computer. The display of the KX shows the Control Change number in decimal. Keep in mind that the Control Change number may be described in hexadecimal depending on the manual of the VSTi. Press the [EXIT] button to return to the original display. Owner’s Manual Arpeggio Arpeggio The KX features a powerful Arpeggio function, that lets you play various phrases or rhythm pattern depending on the notes you press. Among the preset 342 Arpeggio types provided in the KX, each of 66 types for drum/ percussion sounds consists of four phrases (rhythm patterns) which can be called up according to the area of the pressed note—giving you a total of 540 phrases/rhythm patterns (66 types with 4 phrases each, plus 276), which can be played simply by pressing a note on the keyboard. The basic instructions for using the Arpeggio feature are given on page 20. This section shows you how to select an Arpeggio type and edit the related parameters. Selecting an Arpeggio Type The KX features 342 different Arpeggio types. You can select an Arpeggio type as desired then start playback simply by pressing any note on the keyboard. NOTE · The Arpeggio plays back according to the internal tempo value set in the Utility display or in synchronization with the tempo of the external DAW software, depending on the setup of the related parameter. For details, see page 32. · Each of the Arpeggio types is created assuming that a specific instrument sound is used. The type of the specific instrument (appropriate for each type) is indicated in the Arpeggio Type List on page 46 as “Instrument Type.” Refer to this Instrument Type when selecting an Arpeggio Type. 1. Press the [ARP EDIT] button. The LED lamp of the [ARP EDIT] button lights and the Arpeggio Edit display appears. 2. Use the SELECT buttons to select “Cat” (Category). Category Arpeggio types The KX provides a wide variety of Arpeggio types (page 46) divided into Categories. Since there are so many Arpeggio types, it is quicker and more convenient to select a general Category first, then the specific type. 3. Use the DATA [DEC] and [INC] buttons to select the category of the desired Arpeggio type. 4. Use the SELECT buttons so that the “Typ:” indication flashes, then use the DATA [INC] or [DEC] button to select the Arpeggio type. 5. Select the Arpeggio type by using the DATA [DEC] and [INC] buttons. NOTE 6. · If you change the Arpeggio type during playback, the new Arpeggio type may not start immediately. · You can operate the CONTROL knobs, Pitch Bend wheel and Modulation Wheel and change the sound in real time while selecting an Arpeggio type. · Hold the [DEC] or [INC] button to continuously change the value. · You can increase the value by 10 by simultaneously holding down the [INC] button and pressing the [DEC] button, or decrease the value by 10 by simultaneously holding down the [DEC] button and pressing the [INC] button. Press the [EXIT] button to return to the Top display. Arpeggio Category The Arpeggio types provided in the KX are divided into various categories as listed below. DrPc Drum / Percussion CPrc Chromatic Percussion Bass Bass Seq Synth Sequence ChSq Chord Sequence HySq Hybrid Sequence ApKb Acoustic Piano / Keyboard Orgn Organ GtPl Guitar / Plucked Strn Strings Bras Brass RdPp Reed / Pipe Lead Synth Lead Owner’s Manual 31 Arpeggio Using MIDI Clock to control Arpeggio tempo With the initial default setting (Sync = Auto on page 36), the Arpeggio is played back according to the tempo determined by the internal or external clock as described below. When MIDI clock is received from an external MIDI device: The Arpeggio will play back according to the tempo of the received MIDI clock. When MIDI clock is not received: The Arpeggio will play back according to the internal tempo set on the KX. When MIDI clock is not received: When MIDI clock is received from an external MIDI device: KX KX Arpeggio Tempo: Set in the Utility display (page 36). Tempo: Determined by the speed with which MIDI clock is received from the external device. Playback data Arpeggio MIDI clock Playback data TEMPO=120 DAW software, etc. DAW software, etc. When using Cubase, you can transmit MIDI clock from the computer to the KX by following the procedure below. 1. Select “Project Synchronization Setup” from the “Transport” menu on Cubase to call up the “Project Synchronization Setup” dialog. 2. Enter checkmarks to the “Yamaha KX-1” (when using Windows) and “MIDI Clock Follows Project Position” of the “MIDI Clock Destination” at the lower right of the dialog. When using Mac OS, enter a checkmark to “YAMAHA KX Port 1.” NOTE 3. Click [OK] to close the “Project Synchronization Setup” dialog. NOTE 32 Owner’s Manual The KX provides three USB MIDI Ports each of which has a different, specific use. For details, see page 18. · Without checkmark to the “Send MIDI Clock in Stop Mode” of the “MIDI Clock Destination”, MIDI clock is transmitted from Cubase (on the computer) only when recording or playback is performed on Cubase. If entering checkmark, MIDI clock is always transmitted. · For information about DAW software other than Cubase and how to transmit clock data from the MIDI device, refer to the owner’s manual of the DAW software/MIDI device. · You can select the setting which lets you always use the internal MIDI clock of the KX to play the Arpeggio even if an external clock are received from the external MIDI device. For details, refer to “Utility Settings” on page 36. Arpeggio Editing an Arpeggio The Arpeggio can be edited as desired. For example, you can alter the rhythmic feel of the Arpeggio by changing the amount of Swing, adjust the gate time (length) of the notes, or even select a different variation to completely change the Arpeggio pattern. 1. NOTE Press the [ARP EDIT] button. The LED lamp above the button lights and the Arpeggio Edit display will appear. 4. 2. Use the SELECT buttons to call up the desired parameter. For details about the Arpeggio parameters, see the chart below. 3. Use the DATA [DEC] and [INC] buttons to change the value. Editing of an Arpeggio can be done even during playback. Any changes made here are immediately applied to playback, meaning that you can check the results of your edits in real time. Keep in mind that editing a parameter during playback may cause glitches in playback. If such a situation occurs, stop Arpeggio playback then press the note to trigger the Arpeggio again. When you are satisfied with the result, press the [EXIT] button to return to the Control Top display. The settings made here are stored automatically. The settings here will be maintained even if you turn the power off or change the Arpeggio type. NOTE If you want to initialize the settings, use the Factory Set operation (page 37). Arpeggio Parameters Display Settings Cat DrPc, CPrc, Bass, Seq, ChSq, HySq, ApKb, Orgn, GtPl, Strn, Bras, RdPp, Lead Typ 1–342 Description Determines the Category of the Arpeggio type you want to call up. For details, see pages 31 and 46. Determines the Arpeggio type you want to call up. For details, see page 46. Determines the playback variation of the Arpeggio. When any value other than “Orig” is selected, you can shift the pitch up and down in octave for Arpeggio playback by adjusting the “OctRange” parameter. Orig ......... The original data preprogrammed in the KX will play back. Up ........... An Arpeggio of ascending notes will play. Down ....... An Arpeggio of descending notes will play. Alt1 .......... Alternates Up and Down arpeggios. The turnaround note is played once. Alt2 .......... Alternates Up and Down arpeggios. The turnaround note is played twice. Rnd.......... The Arpeggio will play randomly according to the pressed notes. Variation Orig, Up, Down, Alt1, Alt2, Rnd OctRange -3 – 0 – +3 GateTime 0%–200% Determines the gate time of Arpeggio notes. BeatStretch 50, 66, 75, 100, 133, 150, 200% Adjusts the tempo of Arpeggio playback based on the current original tempo. When “50%” is selected, for example, the playback time will be halved (tempo is doubled). When “200%” is selected, on the other hand, the playback time will be doubled (tempo is halved). Swing -120% – 0% – +120% Adjusts the timing of the even-numbered back-beat notes (according to the note type specified in the SwingValue parameter below) to produce a swing feel. SwingValue 1/32 (32nd note), 3/16 (16th note triplet), 1/16 (16th note), 3/8 (8th note triplet), 1/8 (8th note), 3/4 (1/4 note triplet), 1/4 (1/4 note) Determines the type of note that serves as the basis for the Swing parameter. Determines the octave setting of Arpeggio playback. When the Variation parameter is set to “Orig,” this parameter is indicated as “—,” meaning that it cannot be edited. Determines how the velocities are applied to playback notes of the selected Arpeggio type. VelMode Orig, Thru Orig ......... The Arpeggio type is played back with the velocity values preprogrammed in the Arpeggio sequence data. Thru ......... The Arpeggio type is played back with the velocity value determined by how strongly you play the keys. Owner’s Manual 33 Using the KX with a DAW Other than Cubase Using the KX with a DAW Other than Cubase This section shows you how to set up the KX for controlling DAW software other than Cubase. For more information on setting up on your particular DAW, refer to the manual of the DAW software. 1. Press the [UTILITY] button. The LED lamp above the button lights and the Utility display appears. 3. Use the DATA [DEC] and [INC] buttons to select one of the following DAW software tools. Settings LogicPro 2. Use the SELECT buttons to call up “DAW Select.” ] Rewind [ ] Fast Forward ] Cakewalk Sonar 6 Press the [EXIT] button to return to the Top display. The setup has been completed. The following operations are available for the selected DAW software. Repeat On/off [■] [ MOTU Digital Performer 5.1 SONAR Operation [ [ DigiPerf 4. Button on the KX DAW Apple Logic Pro 7.2 Stop ] Play REC Record CUBASE FUNCTION [A] This button functions the same as the F1 key on the Mackie Control. * CUBASE FUNCTION [B] This button functions the same as the F2 key on the Mackie Control. * [ASSIGN 1] This button functions the same as the F3 key on the Mackie Control. * [ASSIGN 2] This button functions the same as the F4 key on the Mackie Control. * [MUTE] This button functions the same as the F5 key on the Mackie Control. * [SOLO] This button functions the same as the F6 key on the Mackie Control. * [VSTi WINDOW] This button functions the same as the F7 key on the Mackie Control. * [ADD INSTRUMENT TRACK] This button functions the same as the F8 key on the Mackie Control. * Program [DEC] Transmits the Program Change number decreased by 1 from the current number. Program [INC] Transmits the Program Change number increased by 1 from the current number. Cursor buttons These buttons function the same as the cursor keys on your computer. [ENTER] This button functions the same as the ENTER key on your computer. [ESC] This button functions the same as the ESC key on your computer. * Mackie Control is a hardware DAW controller. Mackie Control is the trade mark of the Mackie Designs Inc. NOTE 34 If you perform the Remote Control setup for the Remote Control on the DAW software, you can assign various functions to the Cubase buttons such as the CUBASE FUNCTION [A] button and [ADD INSTRUMENT TRACK] button. For instructions on assigning the function to the button, refer to the manual of the DAW software. Owner’s Manual Using the KX with a DAW Other than Cubase When using Digital Performer (Macintosh): In each of these cases, you need to set the MIDI Port in the “Audio MIDI setup.” 1. In the start up disk of Mac OS X (normally named “Macintosh HD”), open “Application” then “Utilities” and double click “Audio MIDI Setup”. 2. Click [MIDI Devices] if the [Audio Device] window is indicated. The YAMAHA KX icon appears if the KX is recognized by the Macintosh computer. 3. Add two new external devices by clicking the [Add Device] icon twice. Each new external device corresponds to each of the MIDI Ports in the KX. It is a good idea to input your desired device name in the Properties of the new external device in order to easily recognize the MIDI port later. 4. Connect the MIDI input/output plugs of the KX icon to the MIDI input/output plugs of the new external device. Assign the names as listed below to the newly added devices respectively. • USB-MIDI Port 1 (left plug) : YAMAHA KX YAMAHA KX Port 1 • USB-MIDI Port 2 (right plug) : YAMAHA KX YAMAHA KX Port 2 Connect the virtual plugs so that each port can handle MIDI messages. NOTE YAMAHA KX YAMAHA KX Port 3 (rightmost plug) used for data communication of the KX Editor does not need to be set. Owner’s Manual 35 Utility Settings Utility Settings In the Utility display, you can make various settings such as the Arpeggio tempo, MIDI transmit/receive settings, and display related settings. Basic Operation 1. Press the [UTILITY] button. The LED lamp above the button lights and the Utility display appears. 3. Use the DATA [INC] and [DEC] buttons to change the value. NOTE 2. Use the SELECT buttons to select the parameter to be edited. For details on the parameters, refer to “Utility Parameters” listed below. 4. For the Bulk Transmit and Factory Set parameters, you can execute these operations by simply pressing the DATA [INC] button. After making the desired settings, press the [ENTER] button to return to the Utility Top display. The settings you made here will be stored automatically without the special operation. The settings will be maintained until executing the Factory Set operation. Utility Parameters Display Tempo Initial Value Range 10–300 120 Description Determines the tempo (BPM) of Arpeggio playback. The Arpeggio will play according to the speed of the MIDI clock transmitted from an external device or computer when the Sync parameter is set to “Auto” (only when MIDI clock is transmitted continuously) or “External.” Determines the tempo source transmitting the MIDI clock to which Arpeggio playback is synchronized. Sync Auto, Internal, External Auto Auto......... When MIDI clock is transmitted continuously from an external MIDI device or computer, the internal clock of the KX is not effective and Arpeggio playback is synchronized with the external clock. When MIDI clock is not transmitted from the external MIDI device or computer, the internal clock of the KX is effective meaning that the Tempo value set on the KX is available. Internal .... The Arpeggio will play with the Tempo value set on the KX. External ... The Arpeggio will play according to the speed of the MIDI clock transmitted from an external device or computer. When the KX does not receive MIDI clock, the Arpeggio does not play. Determines whether the tempo clock of Arpeggio playback is output as a MIDI message. 36 On ........... When this is selected, MIDI clock will be transmitted while an Arpeggio plays back with the tempo specified on the Tempo parameter above. Off ........... When this is selected, MIDI clock will not be transmitted. Clock Off, On On VeloCurve Soft2, Soft1, Normal, Hard1, Hard2, Fix Normal Determines the Velocity Curve. For information about each value, see page 27. VeloFix 1–127 100 Determines the velocity value when the VelCurve is set to “Fix.” Owner’s Manual Utility Settings Display DAW Select Initial Value Range CubaseAI, Cubase4, LogicPro, DigiPerf, SONAR CubaseAI Description Determines the DAW software you use on the computer with the KX. Determines the type of the MIDI message generated by pressing the PROGRAM [INC] and [DEC] buttons. ProgChgMode PC+Remot, ProgChg, Remote PC+Remot PC+Remot . When this is selected, the Program Change message is transmitted via USB-MIDI Port 1 and the Remote Control message dedicated to Cubase is transmitted via USB-MIDI Port 2. ProgChg.. When this is selected, only the Program Change message is transmitted via USB-MIDI Port 1. Remote.... When this is selected, only the Remote Control message dedicated to Cubase is transmitted via USBMIDI Port 2. Determines which connector is used for MIDI transmit/receive: USB TO HOST or MIDI IN/OUT. USB ......... The USB TO HOST connector is used for MIDI communication between the computer and the KX. When the MIDI Thru parameter below is set to “MIDI → MIDI” or “MIDI → USB” or “USB → MIDI,” MIDI can also be transmitted via the MIDI OUT connector (MIDI Thru only), even if “USB” is selected here. MIDI......... Only the MIDI connectors are available for MIDI communication. MIDI Select USB, MIDI USB MIDI Transmit Ch 1–16 1 Determines the MIDI channel over which the KX transmits MIDI messages (generated via your keyboard performance). MIDI In Thru Off, MIDI→MIDI, MIDI→USB, USB→MIDI MIDI→USB Determines whether the MIDI messages received via the MIDI IN connector will be transmitted via the MIDI OUT connector or USB connector. Device Number Off, 1–16, All All Determines the MIDI Device Number of the KX. Display Time Off, 1.0sec, 1.5sec, 2.0sec, 3.0sec, 4.0sec, 5.0sec, Hold 1.5sec Determines the duration (time) for which the value (like the one called up by operating the CONTROL knob) is shown temporarily on the display. Octave LED Normal, Reverse Normal Determines the status of OCTAVE LED lamps. When “Normal” is selected, the LED lamps work as described on page 27. When “Reverse” is selected, the right and left of the LED status are reversed. BulkTransmit — — Transmits all the settings of the KX to the DAW software or external MIDI device as bulk data. Press the DATA [INC] button to start transmission. FactorySet — — Restores the factory-programmed system settings of the KX. Restoring the Factory-programmed System Settings (Factory Set) You can restore the factory default settings of the KX. Follow the instructions below to execute Factory Set. CAUTION • The edited Arpeggio types and Control Templates will be lost by executing Factory Set. Important data should be saved to the computer by using the KX Editor (page 6). 1. From the Top display, press the [UTILITY] button (the lamp lights). 3. Press the DATA [INC] button. “Are you sure?” appears on the display. 2. Use the SELECT buttons to call up “FactorySet.” 4. Press the DATA [INC] button again to execute Factory Set. After Factory Set has been completed, the display called up in step 2 appears. Owner’s Manual 37 Utility Settings Setting the MIDI Thru Parameter 4. After selecting, press the [EXIT] button to return to the Top display. NOTE With the initial default settings (MIDI Select = USB, MIDI Thru = MIDI → USB), MIDI messages received via the MIDI IN connector of the KX will be transmitted through the USB TO HOST connector (USB MIDI Port 1). As necessary, you can change the MIDI Thru setting so that MIDI messages received via the MIDI IN connector can be transmitted through the MIDI OUT connector, or the MIDI messages received via the USB TO HOST connector (USB MIDI Port 1) can be transmitted through the MIDI OUT connector. 1. Press the [UTILITY] button. The LED lamp above the button lights and the Utility display appears. 2. Use the SELECT [▲] and [▼] buttons to call up the “MIDI Thru” parameter. 3. Use the DATA [DEC] and [INC] buttons to select the desired setting (from the available ones described below). Off When this is selected, the MIDI Thru function is not available. MIDI → MIDI When this is selected, MIDI messages received via the MIDI IN connector will be transmitted through the MIDI OUT connector. This setting is available even when the MIDI Select parameter is set to “USB.” MIDI → USB When this is selected, MIDI messages received via the MIDI IN connector will be transmitted through the USB TO HOST connector (USB MIDI Port 1). USB → MIDI When this is selected, MIDI messages of USB MIDI Port 1 received via the USB TO HOST connector will be transmitted through the MIDI OUT connector. NOTE 38 “MIDI → USB” and “USB → MIDI” can be selected only when the MIDI Select parameter is set to “USB” (page 37). Owner’s Manual Keep in mind that the KX cannot be used as a MIDI interface for the computer and another MIDI device. Although MIDI messages are transferred from the computer to the MIDI device when the MIDI Thru parameter is set to “USB→MIDI” and vice versa when the MIDI Thru parameter is set to “MIDI→USB,” two-way communication between the computer and the MIDI device are not possible. Troubleshooting Troubleshooting The power of the instrument does not turn on. • If the KX is not connected to a computer, confirm whether or not the AC power adaptor is properly plugged into the KX. • If you are not using an AC power adaptor, confirm whether or not a USB cable is properly plugged into the KX and computer. • Confirm whether or not a proper USB cable is used. If the USB cable is broken or damaged, have the USB cable replaced with a known working one. • Confirm whether not the USB hub with the buspowered type is used for connecting the KX and computer. If you must use USB hub, use the selfpowered type or use the AC power adaptor of the KX. Communication problem between the computer and the KX. • Confirm whether or not a USB cable is properly plugged into the KX and computer. • Confirm whether or not the USB-MIDI driver is installed properly. • Confirm whether or not the MIDI Select parameter is set to “MIDI.” When using the KX and a computer, set MIDI Select parameter to “USB.” DAW software on a computer cannot be remotely controlled. • Confirm whether or not the DAW software specified in the DAW Select parameter on the Utility display matches the DAW software you actually use on your computer. • Confirm whether or not the Remote Control setting of the DAW software is proper. Refer to the Owner’s Manual of your particular DAW software. No sound of a software synthesizer such as VSTi on the computer is produced even when playing the KX keyboard. • Confirm whether or not a USB cable is properly plugged into the KX and computer. • Confirm whether or not the volume settings are set properly, such as the volume/mute/solo setup for each track on the DAW, volume setup on the computer, and the related setup on the audio interface (when used). • Confirm whether or not the MIDI Select parameter is set to “MIDI.” When using the KX and computer, set the MIDI Select parameter to “USB.” • Confirm whether or not the Control Template corresponding to the VSTi used on the computer is currently selected on the KX. If not, call up the corresponding Control Template. If the corresponding Control Template is not provided on the KX by default, create an appropriate Control Template by using the KX Editor. A MIDI tone generator (connected via MIDI cable to the KX) does not sound, even when playing the KX keyboard. • Confirm whether or not the MIDI cable is connected properly. • Confirm whether or not the MIDI Select parameter is set to “USB.” When using the KX and MIDI device, set the MIDI Select parameter to “MIDI.” The Arpeggio does not play back. • Confirm whether or not the [ARP ON/OFF] button is turned on. • Confirm whether or not the Sync parameter of the Utility display is set to “External.” If so, start playback or recording on the DAW to transmit MIDI clock from the computer to the KX, or set the Sync parameter to “Auto” or “Internal.” Releasing the notes does not stop Arpeggio playback even though the [HOLD] button is turned off. • Confirm whether or not you disconnected the footswitch from the SUSTAIN jack while the power of the KX was turned ON. Keep in mind that the arpeggio may be “stuck” if you disconnect the footswitch from the SUSTAIN jack. The sound continues even when notes are released. • Confirm whether or not you disconnected the footswitch from the SUSTAIN jack while the power of the KX was turned ON. Keep in mind that the sustain effect may be “stuck” if you disconnect the footswitch from the SUSTAIN jack. Cubase does not recognize the KX. • Confirm whether or not the “USB-MIDI Driver” and “Extensions for Steinberg DAW” have been installed. If not, install them. • Confirm whether or not the KX is turned on before starting Cubase. If not, do so. NOTE For other problems regarding no sound or noise, refer to the troubleshooting section in the manual of your particular DAW software. Owner’s Manual 39 Message List Message List LCD Indication 40 Description MIDI buffer full. Failed to process the MIDI data because too much data was received at one time. MIDI checksum error. The check sum for the data received is incorrect. MIDI data error. An error occurred when receiving MIDI data. USB error. An error related to the USB TO HOST connector occurred. Keyboard error. An error related to the keyboard occurred. Memory error. An error related to data storage memory occurred. Device number is off. The device number is set to “off.” Device number mismatch. The device numbers do not match. Executing... Displayed while the operation is being performed. Please wait. Completed Displayed when the operation has been completed. Template No.xx <xxxxxxx> Displayed when the Control Template is selected automatically. Are you sure? No→Dec/Yes→Inc Prompts you to confirm whether or not you want to perform the operation. Pressing the [INC] button performs the operation while pressing the [DEC] button cancels the operation. Receiving MIDI bulk. The KX is receiving MIDI bulk data. Owner’s Manual TOOLS for KX LICENSE AGREEMENT ATTENTION TOOLS for KX LICENSE AGREEMENT PLEASE READ THIS SOFTWARE LICENSE AGREEMENT (“AGREEMENT”) CAREFULLY BEFORE USING THIS SOFTWARE. YOU ARE ONLY PERMITTED TO USE THIS SOFTWARE PURSUANT TO THE TERMS AND CONDITIONS OF THIS AGREEMENT. THIS AGREEMENT IS BETWEEN YOU (AS AN INDIVIDUAL OR LEGAL ENTITY) AND YAMAHA CORPORATION (“YAMAHA”). BY BREAKING THE SEAL OF THIS PACKAGE YOU ARE AGREEING TO BE BOUND BY THE TERMS OF THIS LICENSE. IF YOU DO NOT AGREE WITH THE TERMS, DO NOT INSTALL, COPY, OR OTHERWISE USE THIS SOFTWARE. 1. GRANT OF LICENSE AND COPYRIGHT 3. TERMINATION Yamaha hereby grants you the right to use one copy of the software program(s) and data (“SOFTWARE”) accompanying this Agreement. The term SOFTWARE shall encompass any updates to the accompanying software and data. The SOFTWARE is owned by Yamaha and/or Yamaha’s licensor(s), and is protected by relevant copyright laws and all applicable treaty provisions. While you are entitled to claim ownership of the data created with the use of SOFTWARE, the SOFTWARE will continue to be protected under relevant copyrights. • You may use the SOFTWARE on a single computer. • You may make one copy of the SOFTWARE in machinereadable form for backup purposes only, if the SOFTWARE is on media where such backup copy is permitted. On the backup copy, you must reproduce Yamaha's copyright notice and any other proprietary legends that were on the original copy of the SOFTWARE. • You may permanently transfer to a third party all your rights in the SOFTWARE, provided that you do not retain any copies and the recipient reads and agrees to the terms of this Agreement. This Agreement becomes effective on the day that you receive the SOFTWARE and remains effective until terminated. If any copyright law or provisions of this Agreement is violated, the Agreement shall terminate automatically and immediately without notice from Yamaha. Upon such termination, you must immediately destroy the licensed SOFTWARE, any accompanying written documents and all copies thereof. 2. RESTRICTIONS • You may not engage in reverse engineering, disassembly, decompilation or otherwise deriving a source code form of the SOFTWARE by any method whatsoever. • You may not reproduce, modify, change, rent, lease, or distribute the SOFTWARE in whole or in part, or create derivative works of the SOFTWARE. • You may not electronically transmit the SOFTWARE from one computer to another or share the SOFTWARE in a network with other computers. • You may not use the SOFTWARE to distribute illegal data or data that violates public policy. • You may not initiate services based on the use of the SOFTWARE without permission by Yamaha Corporation. Copyrighted data, including but not limited to MIDI data for songs, obtained by means of the SOFTWARE, are subject to the following restrictions which you must observe. • Data received by means of the SOFTWARE may not be used for any commercial purposes without permission of the copyright owner. • Data received by means of the SOFTWARE may not be duplicated, transferred, or distributed, or played back or performed for listeners in public without permission of the copyright owner. • The encryption of data received by means of the SOFTWARE may not be removed nor may the electronic watermark be modified without permission of the copyright owner. 4. LIMITED WARRANTY ON MEDIA As to SOFTWARE sold on tangible media, Yamaha warrants that the tangible media on which the SOFTWARE is recorded will be free from defects in materials and workmanship under normal use for a period of fourteen (14) days from the date of receipt, as evidenced by a copy of the receipt. Yamaha's entire liability and your exclusive remedy will be replacement of the defective media if it is returned to Yamaha or an authorized Yamaha dealer within fourteen days with a copy of the receipt. Yamaha is not responsible for replacing media damaged by accident, abuse or misapplication. TO THE FULLEST EXTENT PERMITTED BY LAW, YAMAHA EXPRESSLY DISCLAIMS ANY IMPLIED WARRANTIES ON THE TANGIBLE MEDIA, INCLUDING THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. 5. DISCLAIMER OF WARRANTY ON SOFTWARE You expressly acknowledge and agree that use of the SOFTWARE is at your sole risk. The SOFTWARE and related documentation are provided “AS IS” and without warranty of any kind. NOTWITHSTANDING ANY OTHER PROVISION OF THIS AGREEMENT, YAMAHA EXPRESSLY DISCLAIMS ALL WARRANTIES AS TO THE SOFTWARE, EXPRESS, AND IMPLIED, INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT OF THIRD PARTY RIGHTS. SPECIFICALLY, BUT WITHOUT LIMITING THE FOREGOING, YAMAHA DOES NOT WARRANT THAT THE SOFTWARE WILL MEET YOUR REQUIREMENTS, THAT THE OPERATION OF THE SOFTWARE WILL BE UNINTERRUPTED OR ERROR-FREE, OR THAT DEFECTS IN THE SOFTWARE WILL BE CORRECTED. 6. LIMITATION OF LIABILITY YAMAHA’S ENTIRE OBLIGATION HEREUNDER SHALL BE TO PERMIT USE OF THE SOFTWARE UNDER THE TERMS HEREOF. IN NO EVENT SHALL YAMAHA BE LIABLE TO YOU OR ANY OTHER PERSON FOR ANY DAMAGES, INCLUDING, WITHOUT LIMITATION, ANY DIRECT, INDIRECT, INCIDENTAL OR CONSEQUENTIAL DAMAGES, EXPENSES, LOST PROFITS, LOST DATA OR Owner’s Manual 41 Cubase AI4 LICENSE AGREEMENT OTHER DAMAGES ARISING OUT OF THE USE, MISUSE OR INABILITY TO USE THE SOFTWARE, EVEN IF YAMAHA OR AN AUTHORIZED DEALER HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. In no event shall Yamaha's total liability to you for all damages, losses and causes of action (whether in contract, tort or otherwise) exceed the amount paid for the SOFTWARE. 7. THIRD PARTY SOFTWARE Third party software and data (“THIRD PARTY SOFTWARE”) may be attached to the SOFTWARE. If, in the written materials or the electronic data accompanying the Software, Yamaha identifies any software and data as THIRD PARTY SOFTWARE, you acknowledge and agree that you must abide by the provisions of any Agreement provided with the THIRD PARTY SOFTWARE and that the party providing the THIRD PARTY SOFTWARE is responsible for any warranty or liability related to or arising from the THIRD PARTY SOFTWARE. Yamaha is not responsible in any way for the THIRD PARTY SOFTWARE or your use thereof. • Yamaha provides no express warranties as to the THIRD PARTY SOFTWARE. IN ADDITION, YAMAHA EXPRESSLY DISCLAIMS ALL IMPLIED WARRANTIES, INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, as to the THIRD PARTY SOFTWARE. • Yamaha shall not provide you with any service or maintenance as to the THIRD PARTY SOFTWARE. • Yamaha is not liable to you or any other person for any damages, including, without limitation, any direct, indirect, incidental or consequential damages, expenses, lost profits, lost data or other damages arising out of the use, misuse or inability to use the THIRD PARTY SOFTWARE. 8. GENERAL This Agreement shall be interpreted according to and governed by Japanese law without reference to principles of conflict of laws. Any dispute or procedure shall be heard before the Tokyo District Court in Japan. If for any reason a court of competent jurisdiction finds any portion of this Agreement to be unenforceable, the remainder of this Agreement shall continue in full force and effect. 9. COMPLETE AGREEMENT This Agreement constitutes the entire agreement between the parties with respect to use of the SOFTWARE and any accompanying written materials and supersedes all prior or contemporaneous understandings or agreements, written or oral, regarding the subject matter of this Agreement. No amendment or revision of this Agreement will be binding unless in writing and signed by a fully authorized representative of Yamaha. ATTENTION Cubase AI4 LICENSE AGREEMENT PLEASE READ THIS SOFTWARE LICENSE AGREEMENT (“AGREEMENT”) CAREFULLY BEFORE USING THIS SOFTWARE. YOU ARE ONLY PERMITTED TO USE THIS SOFTWARE PURSUANT TO THE TERMS AND CONDITIONS OF THIS AGREEMENT. THIS AGREEMENT IS BETWEEN YOU (AS AN INDIVIDUAL OR LEGAL ENTITY) AND YAMAHA CORPORATION (“YAMAHA”). BY BREAKING THE SEAL OF THIS PACKAGE YOU ARE AGREEING TO BE BOUND BY THE TERMS OF THIS LICENSE. IF YOU DO NOT AGREE WITH THE TERMS, DO NOT INSTALL, COPY, OR OTHERWISE USE THIS SOFTWARE. THIS AGREEMENT PROVIDES YOUR USE-CONDITIONS ABOUT THE “DAW” SOFTWARE OF STEINBERG MEDIA TECHNOLOGIES GMBH(“STEINBERG”) WHICH IS BUNDLED WITH THIS PRODUCT. SINCE THE END-USER SOFTWARE LICENSE AGREEMENT (EUSLA) SHOWN ON YOUR PC-DISPLAY IN YOUR INSTALLING THE “DAW” SOFTWARE IS REPLACED BY THIS AGREEMENT, YOU SHOULD DISREGARD THE EUSLA. THAT IS, IN THE INSTALLING PROCESS, YOU SHOULD SELECT “AGREE” WITH THE EUSLA, WITHOUT YOUR JUDGMENT THERETO, SO AS TO PROCEED TO THE NEXT PAGE. 1. GRANT OF LICENSE AND COPYRIGHT Yamaha hereby grants you the right to use one copy of the software program(s) and data (“SOFTWARE”) accompanying this Agreement. The term SOFTWARE shall encompass any updates to the accompanying software and data. The SOFTWARE is owned by STEINBERG, and is protected by relevant copyright laws and all applicable treaty provisions. Yamaha has acquired the sublicense right to license you to use the SOFTWARE. While you are entitled to claim ownership of the data created with the use of SOFTWARE, the SOFTWARE will continue to be protected under relevant copyrights. You may use the SOFTWARE on a single computer. You may make one copy of the SOFTWARE in machinereadable form for backup purposes only, if the SOFTWARE is on media where such backup copy is permitted. On the 42 backup copy, you must reproduce Yamaha’s copyright notice and any other proprietary legends that were on the original copy of the SOFTWARE. You may permanently transfer to a third party all your rights in the SOFTWARE only when you transfer this product together, provided that you do not retain any copies and the recipient reads and agrees to the terms of this Agreement. 2. RESTRICTIONS You may not engage in reverse engineering, disassembly, decompilation or otherwise deriving a source code form of the SOFTWARE by any method whatsoever. You may not reproduce, modify, change, rent, lease, or distribute the SOFTWARE in whole or in part, or create derivative works of the SOFTWARE. Owner’s Manual Cubase AI4 LICENSE AGREEMENT You may not electronically transmit the SOFTWARE from one computer to another or share the SOFTWARE in a network with other computers. You may not use the SOFTWARE to distribute illegal data or data that violates public policy. You may not initiate services based on the use of the SOFTWARE without permission by Yamaha Corporation. Copyrighted data, including but not limited to MIDI data for songs, obtained by means of the SOFTWARE, are subject to the following restrictions which you must observe. Data received by means of the SOFTWARE may not be used for any commercial purposes without permission of the copyright owner. Data received by means of the SOFTWARE may not be duplicated, transferred, or distributed, or played back or performed for listeners in public without permission of the copyright owner. The encryption of data received by means of the SOFTWARE may not be removed nor may the electronic watermark be modified without permission of the copyright owner. 3. TERMINATION This Agreement becomes effective on the day that you receive the SOFTWARE and remains effective until terminated. If any copyright law or provisions of this Agreement is violated, the Agreement shall terminate automatically and immediately without notice from Yamaha. Upon such termination, you must immediately destroy the licensed SOFTWARE, any accompanying written documents and all copies thereof. 4. LIMITED WARRANTY ON MEDIA As to SOFTWARE sold on tangible media, Yamaha warrants that the tangible media on which the SOFTWARE is recorded will be free from defects in materials and workmanship under normal use for a period of fourteen (14) days from the date of receipt, as evidenced by a copy of the receipt. Yamaha’s entire liability and your exclusive remedy will be replacement of the defective media if it is returned to Yamaha or an authorized Yamaha dealer within fourteen days with a copy of the receipt. Yamaha is not responsible for replacing media damaged by accident, abuse or misapplication. TO THE FULLEST EXTENT PERMITTED BY LAW, YAMAHA EXPRESSLY DISCLAIMS ANY IMPLIED WARRANTIES ON THE TANGIBLE MEDIA, INCLUDING THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. 6. LIMITATION OF LIABILITY YAMAHA’S ENTIRE OBLIGATION HEREUNDER SHALL BE TO PERMIT USE OF THE SOFTWARE UNDER THE TERMS HEREOF. IN NO EVENT SHALL YAMAHA BE LIABLE TO YOU OR ANY OTHER PERSON FOR ANY DAMAGES, INCLUDING, WITHOUT LIMITATION, ANY DIRECT, INDIRECT, INCIDENTAL OR CONSEQUENTIAL DAMAGES, EXPENSES, LOST PROFITS, LOST DATA OR OTHER DAMAGES ARISING OUT OF THE USE, MISUSE OR INABILITY TO USE THE SOFTWARE, EVEN IF YAMAHA OR AN AUTHORIZED DEALER HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. In no event shall Yamaha’s total liability to you for all damages, losses and causes of action (whether in contract, tort or otherwise) exceed the amount paid for the SOFTWARE. 7. GENERAL This Agreement shall be interpreted according to and governed by Japanese law without reference to principles of conflict of laws. Any dispute or procedure shall be heard before the Tokyo District Court in Japan. If for any reason a court of competent jurisdiction finds any portion of this Agreement to be unenforceable, the remainder of this Agreement shall continue in full force and effect. 8. COMPLETE AGREEMENT This Agreement constitutes the entire agreement between the parties with respect to use of the SOFTWARE and any accompanying written materials and supersedes all prior or contemporaneous understandings or agreements, written or oral, regarding the subject matter of this Agreement. No amendment or revision of this Agreement will be binding unless in writing and signed by a fully authorized representative of Yamaha. 5. DISCLAIMER OF WARRANTY ON SOFTWARE You expressly acknowledge and agree that use of the SOFTWARE is at your sole risk. The SOFTWARE and related documentation are provided “AS IS” and without warranty of any kind. NOTWITHSTANDING ANY OTHER PROVISION OF THIS AGREEMENT, YAMAHA EXPRESSLY DISCLAIMS ALL WARRANTIES AS TO THE SOFTWARE, EXPRESS, AND IMPLIED, INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT OF THIRD PARTY RIGHTS. SPECIFICALLY, BUT WITHOUT LIMITING THE FOREGOING, YAMAHA DOES NOT WARRANT THAT THE SOFTWARE WILL MEET YOUR REQUIREMENTS, THAT THE OPERATION OF THE SOFTWARE WILL BE UNINTERRUPTED OR ERROR-FREE, OR THAT DEFECTS IN THE SOFTWARE WILL BE CORRECTED. Owner’s Manual 43 Appendix Appendix Specifications KX25 25 keys (Initial Touch) KX49 49 keys (Initial Touch) KX61 61 keys (Initial Touch) KX8 88 keys (Initial Touch) Arpeggio 342 types 540 phrases (DrPc: 66 x 4; plus 276) Remote Control block DAW For Windows: Cubase 4, Cubase Studio 4, Cubase AI4, SONAR 6 For Macintosh: Cubase 4, Cubase Studio 4, Cubase AI4, Logic7.2, Digital Performer 5.1 * Functions to be controlled differ depending on the software. Controller Pitch Bend Wheel x 1 Modulation Wheel x 1 CONTROL knobs x 4 (assignable) Display 16 characters x 2 lines LED lamp (backlit) Connectors USB (TO HOST) MIDI IN/OUT DC-IN FOOT SWITCH (SUSTAIN) Power Consumption 1.9 W (when using the AC power adaptor) 0.6 W (when using this product as a bus-powered device) Keyboard Sequencer block KX25: 508(W) x 286.6(D) x 92(H) mm, 2kg Dimensions, weight KX49: 830(W) x 286.6(D) x 92(H) mm, 3kg KX61: 937(W) x 343.9(D) x 114.6(H) mm, 4.3kg KX8: 1340(W) x 445(D) x 157(H) mm, 15.1kg Accessories AC power adaptor (PA-3C, PA-130, or an equivalent) USB cable, Disks x 2, Owner’s Manual (this book) * Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. 44 Owner’s Manual Appendix Control Template List No. 1 Manufacturer Steinberg Product name HALion One Indication on the KX display HALionOne 2 Mystic Mystic 3 Prologue Prologue 4 Spector Spector 5 Embracer Embracer 6 Monologue Monologue 7 Hypersonic2 Hypersonic 8 HALion3 HALion PRO-53 Pro-53 10 FM8 FM8 11 MASSIVE Massive Polysix Polysix 9 12 Native Instruments KORG 13 WAVESTATION Wavestation 14 Mono/Poly MonoPoly 15 M1 M1 16 MS-20 MS-20 impOSCar impOSCar 17 M-AUDIO / GForce 18 Minimonsta Minimonsta 19 Oddity Oddity Analog Factory AnalogFactory 21 CS-80V CS-80V 22 Jupiter-8V Jupiter-8V Minimoog V Minimoog V 20 Arturia 23 24 Novation Music 25 V-Station V-Station Bass Station BassStation 26 reFX VANGUARD Vanguard 27 IK Multimedia SampleTank2 SampleTank 28 Spectrasonics ATMOSPHERE Atmosphere 29 30 -- TRILOGY Trilogy -- Generic For details about what function is assigned to each knob when each Template is selected, refer to the following page: http://www.yamahasynth.com/ Owner’s Manual 45 Appendix Arpeggio Type List General Instrument types which can be selected on HALionOne and are most suitable for the respective Arpeggio Types are listed in the “Instrument Type” column. 46 Category Arp. No. Arp. Name Time Signature Length DrPc 1 ContmpRk 4/4 4 126 DrPc 2 StndRock 4/4 4 131 DrPc 3 PowerRck 4/4 4 DrPc 4 AlternRk 4/4 4 DrPc 5 MondoRck 4/4 DrPc 6 XoverRk DrPc 7 Rck&Roll DrPc 8 Arp. Name Time Signature Length 51 House 4/4 2 123 : 52 Garage 4/4 2 127 Tekno Kit 53 AcoJazz 4/4 4 204 Jazz Kit 54 ModernJz 4/4 16 218 : DrPc 55 ShfBlues 4/4 4 115 Stereo GM : DrPc 56 SlwBlues 4/4 2 49 : Stereo GM DrPc 57 PnBoogie 4/4 8 160 : : DrPc 58 Reggae 4/4 4 102 : : Original Instrument Tempo Type Category Arp. No. Stereo GM DrPc : DrPc 120 : DrPc 100 RockSt2 DrPc 4 94 : 4/4 2 100 4/4 4 172 GuitrPp1 4/4 2 90 Original Instrument Tempo Type DrPc 9 GuitrPp2 4/4 4 100 : DrPc 59 ReggeShf 4/4 4 90 DrPc 10 Unpluggd 4/4 4 120 : DrPc 60 Salsa 4/4 2 123 : DrPc 11 FingrPck 4/4 4 94 : DrPc 61 SalsaPc 4/4 4 123 : DrPc 12 Brit Pop 4/4 2 86 : DrPc 62 Samba 4/4 4 120 : DrPc 13 EP Balld 4/4 2 60 : DrPc 63 SambaPc 4/4 4 120 : DrPc 14 8BtBasic 4/4 4 120 : DrPc 64 Bossa 4/4 4 124 : DrPc 15 8Bt Soft 4/4 4 100 : DrPc 65 BossaPc 4/4 4 124 : DrPc 16 16BtBld1 4/4 4 75 : DrPc 66 Spanish 4/4 2 120 : DrPc 17 16BtBld2 4/4 2 64 : CPrc 67 R&B Dsc 4/4 2 110 Vibes DrPc 18 16Bt Pop 4/4 4 103 : CPrc 68 Trance 4/4 4 140 Marimba DrPc 19 6/8 Pop 4/4 4 100 : CPrc 69 Ethnic1 6/4 5 118 Celeste DrPc 20 6/8Balld 4/4 2 58 : CPrc 70 Ethnic2 7/4 3 120 Music Box DrPc 21 Funk 4/4 4 107 : CPrc 71 MOD 4/4 2 120 Glocken DrPc 22 FunkRock 4/4 4 95 : CPrc 72 Trill 4/4 1 120 Marimba DrPc 23 JazzFunk 4/4 4 120 : Bass 73 CntmpRk1 4/4 4 126 Pick Bass DrPc 24 SlowEasy 4/4 4 72 : Bass 74 CntmpRk2 4/4 4 126 : DrPc 25 ClubJazz 4/4 4 125 : Bass 75 StndRck1 4/4 4 131 FingerBass DrPc 26 PopShuff 4/4 4 94 : Bass 76 StndRck2 4/4 4 131 : DrPc 27 GosplFnk 4/4 4 106 : Bass 77 PowerRk1 4/4 4 120 Pick Bass DrPc 28 StdDisco 4/4 4 120 : Bass 78 PowerRk2 4/4 4 120 : DrPc 29 PhilyDsc 4/4 2 100 : Bass 79 AlternRk 4/4 4 100 FingerBass DrPc 30 ChartPop 4/4 4 92 Hip Hop 1 Bass 80 XoverRk 4/4 1 100 : DrPc 31 New R&B 4/4 1 97 : Bass 81 Rck&Roll 4/4 4 172 Pick Bass DrPc 32 Smooth 4/4 4 64 : Bass 82 GuitrPp1 4/4 2 90 FingerBass DrPc 33 HipHop1 4/4 2 94 : Bass 83 GuitrPp2 4/4 4 100 Pick Bass DrPc 34 HipHop2 4/4 2 105 : Bass 84 Unpluggd 4/4 4 113 Acoustic DrPc 35 HipHop3 4/4 2 104 R&B Kit 1 Bass 85 FingrPck 4/4 1 120 FingerBass DrPc 36 Hip Rock 4/4 4 132 : Bass 86 Brit Pop 4/4 2 86 : DrPc 37 Regeton 4/4 4 98 Hip Hop 1 Bass 87 EP Balld 4/4 2 60 : DrPc 38 RegetnPc 4/4 4 98 Perccussion Bass 88 8BtBasic 4/4 4 120 : DrPc 39 SoulBeat 4/4 4 124 Stereo GM Bass 89 8BtSoft 4/4 4 100 : DrPc 40 SoulShuf 4/4 4 98 : Bass 90 16BtBlld 4/4 4 75 : DrPc 41 Big Beat 4/4 4 115 RockSt2 Bass 91 16Bt Pop 4/4 4 103 SimpleSlap DrPc 42 Breakbt 4/4 4 115 Tekno Kit Bass 92 6/8 Pop 4/4 4 100 FingerBass DrPc 43 Lo Beat 4/4 2 140 R&B Kit 1 Bass 93 6/8Balld 4/4 2 58 : DrPc 44 DrumnBas 4/4 2 154 : Bass 94 FingrBs1 4/4 1 115 : DrPc 45 Techno 4/4 8 135 Tekno Kit Bass 95 FingrBs2 4/4 3 115 : DrPc 46 Trance 4/4 4 140 : Bass 96 FingrBs3 4/4 2 150 : DrPc 47 DreamDnc 4/4 4 136 : Bass 97 FingrBs4 4/4 2 89 : DrPc 48 Ibiza 4/4 2 135 R&B Kit 1 Bass 98 FingrBs5 4/4 1 115 : DrPc 49 EuroTeck 4/4 2 140 Tekno Kit Bass 99 SlapBass 4/4 3 120 SimpleSlap DrPc 50 Club Hus 4/4 2 128 R&B Kit 1 Bass 100 FunkRock 4/4 4 95 FingerBass Owner’s Manual Appendix Category Arp. No. Arp. Name Time Signature Length Bass 101 JazFunk1 4/4 2 120 Bass 102 JazFunk2 4/4 4 120 Bass 103 SlowEasy 4/4 4 72 Bass 104 ClubJazz 4/4 4 Bass 105 PopShuff 4/4 4 Bass 106 GosplFnk 4/4 4 Bass 107 StdDisco 4/4 1 Bass 108 PhilyDsc 4/4 2 Bass 109 ChartPop 4/4 4 Bass 110 NewR&B1 4/4 Bass 111 NewR&B2 4/4 Bass 112 Smooth 4/4 Bass 113 HipHop1 4/4 Bass 114 HipHop2 Bass 115 HipHop3 Bass 116 Bass 117 Bass 118 Bass 119 Bass 120 Bass Original Instrument Tempo Type Arp. Name Time Signature Category Arp. No. : Seq 156 Vel Gruv 4/4 1 134 : Seq 157 X-Sweep 4/4 1 140 : : Seq 158 Simple1 4/4 1 130 Chiff Ld 125 : Seq 159 Simple2 4/4 1 130 : 94 Velo Slap Seq 160 Simple3 4/4 1 130 : 106 FingerBass Seq 161 Basic 4/4 1 130 Brightness 120 : Seq 162 FifthSQ1 4/4 1 130 5th Ld 100 : Seq 163 FifthSQ2 4/4 1 130 : 92 SynthBass2 Seq 164 MuteLine 4/4 1 134 Saw Ld 1 97 : Seq 165 Chodal 4/4 2 150 : 1 97 : Seq 166 AlternRk 4/4 4 100 Charan Ld 2 64 : Seq 167 Trance1 4/4 4 115 Chiff Ld 2 105 : Seq 168 Trance2 4/4 1 140 Poly Synth 4/4 2 94 : Seq 169 Trance3 4/4 4 140 : 4/4 2 94 : Seq 170 Trance4 4/4 1 140 Square Ld HipHop4 4/4 2 94 : Seq 171 Trance5 4/4 1 140 : Hip Rock 4/4 4 132 FingerBass Seq 172 Trance6 4/4 4 140 Bass&Ld Regeton 4/4 4 98 SynthBass1 Seq 173 Trance7 4/4 1 140 Poly Synth GruvBass 4/4 2 120 SynthBass2 Seq 174 Trance8 4/4 1 130 : SoulBeat 4/4 4 124 FingerBass Seq 175 Trance9 4/4 2 145 : 121 SoulShuf 4/4 4 98 : Seq 176 Trance10 4/4 2 145 : Bass 122 ChillOut 4/4 2 79 : Seq 177 DreamDnc 4/4 1 136 Square Ld Bass 123 Big Beat 4/4 4 115 : Seq 178 Ibiza1 4/4 2 135 Charan Ld Bass 124 Breakbt1 4/4 4 115 SynthBass1 Seq 179 Ibiza2 4/4 2 135 Square Ld Bass 125 Breakbt2 4/4 4 88 SynthBass2 Seq 180 Tekno 4/4 2 120 Saw Ld Bass 126 DrumnBas 4/4 4 170 : Seq 181 SynArp1 4/4 1 130 : Bass 127 Techno 4/4 8 135 : Seq 182 SynArp2 4/4 1 130 : Bass 128 Trance 4/4 4 140 : Seq 183 SynArp3 4/4 1 130 : Bass 129 Tek Bass 4/4 1 138 : Seq 184 SynArp4 4/4 1 90 : Bass 130 DreamDnc 4/4 2 136 : Seq 185 SynArp5 4/4 1 138 : Bass 131 Ibiza 4/4 2 135 : Seq 186 Melody1 4/4 1 70 Brightness Bass 132 DiscoHus 4/4 4 126 : Seq 187 Melody2 4/4 1 70 : Bass 133 ClubHus1 4/4 1 128 : Seq 188 Electro1 4/4 1 130 Saw Ld Bass 134 ClubHus2 4/4 1 128 : Seq 189 Electro2 4/4 1 130 : Bass 135 Garage 4/4 2 127 : Seq 190 Electro3 4/4 1 130 : Bass 136 HouseBas 4/4 4 120 : Seq 191 Electro4 4/4 1 130 : Bass 137 AcidBass 4/4 1 120 : Seq 192 Electro5 4/4 1 130 : Bass 138 AcoJazz1 4/4 4 204 Acoustic Seq 193 Electro6 4/4 1 130 : Bass 139 AcoJazz2 4/4 4 204 : Seq 194 CompuBas 4/4 1 130 Bass&Ld Bass 140 ModrnJz1 4/4 16 218 : Seq 195 Poly Arp 4/4 1 120 Saw Ld Bass 141 ModrnJz2 4/4 16 218 : Seq 196 Tek Echo 4/4 2 120 : Bass 142 ShfBlues 4/4 4 115 Pick Bass Seq 197 SuperArp 4/4 2 120 : Bass 143 SlwBlues 4/4 2 49 FingerBass Seq 198 AcidLine 4/4 1 120 : Bass 144 PnBoogie 4/4 8 160 Acoustic Seq 199 Doves 4/4 1 150 : Bass 145 Reggae 4/4 4 102 FingerBass Seq 200 PulsLine 4/4 2 120 : Bass 146 ReggeShf 4/4 4 90 : Seq 201 SyncpEco 4/4 2 120 Poly Synth Bass 147 Salsa 4/4 4 123 Acoustic Seq 202 Waggle 4/4 1 140 Saw Ld Bass 148 Montuno 4/4 4 100 FingerBass ChSq 203 SynChrd1 4/4 1 130 Poly Synth Bass 149 Samba 4/4 2 120 : ChSq 204 SynChrd2 4/4 1 90 Bass&Ld Bass 150 Bossa 4/4 4 124 : ChSq 205 BasChrd1 4/4 2 130 : Bass 151 LatinHus 4/4 4 138 : ChSq 206 BasChrd2 4/4 1 130 : Bass 152 Spanish 4/4 1 120 : ChSq 207 ChillChd 4/4 1 90 Poly Synth Seq 153 Classic 4/4 1 120 Saw Ld ChSq 208 TrancRtm 4/4 4 140 : Seq 154 Oct Seq 4/4 1 130 Bass&Ld ChSq 209 Ibiza 4/4 2 135 Bass&Ld Seq 155 RandmSeq 4/4 1 90 Sci-Fi ChSq 210 Garage 4/4 2 127 : Length Original Instrument Tempo Type Saw Ld Owner’s Manual 47 Appendix 48 Category Arp. No. Arp. Name Time Signature Length ChSq 211 Syncopat 4/4 2 120 HySq 212 Hybrid1 4/4 1 130 HySq 213 Hybrid2 4/4 1 HySq 214 Hybrid3 4/4 1 HySq 215 Hybrid4 4/4 1 130 HySq 216 Hybrid5 4/4 1 ApKb 217 Pf Arp1 4/4 2 ApKb 218 Pf Arp2 4/4 ApKb 219 Pf Arp3 4/4 ApKb 220 Pf Arp4 ApKb 221 Pf Arp5 ApKb 222 ApKb 223 ApKb Original Instrument Tempo Type Time Signature Category Arp. No. Arp. Name Saw Ld GtPl 266 PowerRk3 4/4 4 120 : : GtPl 267 AlterRk1 4/4 4 97 Overdrive 95 : GtPl 268 AlterRk2 4/4 4 97 : 130 : GtPl 269 XoverRk1 4/4 2 100 : Bass&Ld GtPl 270 XoverRk2 4/4 2 100 Distortion 106 : GtPl 271 Rck&Roll 4/4 4 172 Clean 64 Acoustic Piano GtPl 272 GuitrPp1 4/4 2 90 Nylon 2 74 : GtPl 273 GuitrPp2 4/4 1 90 : 2 130 : GtPl 274 GuitrPp3 4/4 4 100 Steel 4/4 1 116 : GtPl 275 GuitrPp4 4/4 4 100 Clean 4/4 1 82 : GtPl 276 GuitrPp5 4/4 1 90 Nylon Pf Arp6 4/4 2 130 : GtPl 277 Unplug1 4/4 4 120 Steel Pf Arp7 4/4 2 130 : GtPl 278 Unplug2 4/4 2 120 : 224 Pf Arp8 4/4 1 74 : GtPl 279 Unplug3 4/4 2 120 : ApKb 225 70sRock1 4/4 2 130 : GtPl 280 FingrPk1 4/4 2 120 : ApKb 226 70sRock2 4/4 4 130 : GtPl 281 FingrPk2 4/4 2 120 : ApKb 227 EP Balld 4/4 2 60 E_Piano 1 GtPl 282 BritPop1 4/4 2 86 : ApKb 228 Slowfeel 4/4 1 74 : GtPl 283 BritPop2 4/4 2 86 Clean ApKb 229 16Bt Pop 4/4 4 103 : GtPl 284 EP Balld 4/4 2 60 : ApKb 230 AnalgPop 4/4 2 93 : GtPl 285 8BtBasic 4/4 4 120 : ApKb 231 ClubJazz 4/4 4 125 Acoustic Piano GtPl 286 8BtSoft 4/4 4 100 Steel ApKb 232 ChartPop 4/4 1 92 E_Piano 1 GtPl 287 16BtBlld 4/4 4 75 Clean ApKb 233 Swing EP 4/4 1 101 : GtPl 288 6/8 Pop 4/4 4 100 : ApKb 234 6/8 R&B 4/4 2 61 : GtPl 289 6/8Balld 4/4 2 58 : ApKb 235 HipHop1 4/4 2 105 : GtPl 290 Funky1 4/4 2 120 : ApKb 236 HipHop2 4/4 2 105 : GtPl 291 Funky2 4/4 2 120 : ApKb 237 HipHop3 4/4 2 105 Harpsichord GtPl 292 Funky3 4/4 1 120 : ApKb 238 Clavi1 4/4 1 110 Brite Clav GtPl 293 CleanGt1 4/4 4 107 : ApKb 239 Clavi2 4/4 1 110 : GtPl 294 CleanGt2 4/4 2 120 : ApKb 240 Clavi3 4/4 1 124 : GtPl 295 CleanGt3 4/4 2 120 : ApKb 241 DrumnBas 4/4 4 170 E_Piano 1 GtPl 296 CleanGt4 4/4 4 127 : ApKb 242 ClubHus 4/4 2 128 : GtPl 297 CleanGt5 4/4 4 107 : ApKb 243 HousePf 4/4 2 130 Rock Piano GtPl 298 Spanky 4/4 2 105 : ApKb 244 Reggae 4/4 2 92 Brite Clav GtPl 299 FunkRock 4/4 4 94 : ApKb 245 Salsa 4/4 1 123 Rock Piano GtPl 300 JazzFunk 4/4 4 120 : ApKb 246 Montuno 4/4 2 100 : GtPl 301 SlowEasy 4/4 4 72 : ApKb 247 PnoLatin 4/4 2 120 : GtPl 302 GosplFnk 4/4 4 106 : Orgn 248 HouseOrg 4/4 1 130 Perc Organ GtPl 303 PopShuff 4/4 4 94 : Orgn 249 Reggae 4/4 1 92 Draw Organ GtPl 304 StdDisco 4/4 4 120 : Orgn 250 LatinOrg 4/4 1 110 Rock Organ GtPl 305 PhilyDsc 4/4 2 100 : GtPl 251 Strum1 4/4 2 120 Steel GtPl 306 New R&B 4/4 1 97 Steel GtPl 252 Strum2 4/4 2 120 : GtPl 307 Smooth 4/4 2 64 Nylon GtPl 253 Strum3 4/4 2 120 : GtPl 308 HipHop1 4/4 2 94 Mute GtPl 254 SteelGtr 4/4 4 120 : GtPl 309 HipHop2 4/4 2 94 : GtPl 255 GtrArp1 4/4 1 120 : GtPl 310 HipRock1 4/4 4 90 Overdrive GtPl 256 GtrArp2 4/4 1 120 : GtPl 311 HipRock2 4/4 4 132 : GtPl 257 OvdrGtr1 4/4 4 120 Overdrive GtPl 312 SoulBeat 4/4 4 124 Clean GtPl 258 OvdrGtr2 4/4 4 120 : GtPl 313 SoulShuf 4/4 4 98 : GtPl 259 OvdrGtr3 4/4 4 120 : GtPl 314 Big Beat 4/4 4 115 Overdrive GtPl 260 OvdrGtr4 4/4 4 120 : GtPl 315 AcoJazz 4/4 4 204 ModernJazz GtPl 261 ContmpRk 4/4 4 126 : GtPl 316 ModernJz 4/4 16 218 : GtPl 262 StndRck1 4/4 4 131 : GtPl 317 ShfBlues 4/4 4 115 Mute GtPl 263 StndRck2 4/4 4 131 : GtPl 318 SlwBlues 4/4 2 49 Overdrive GtPl 264 PowerRk1 4/4 4 120 Distortion GtPl 319 PnBoogie 4/4 4 160 Clean GtPl 265 PowerRk2 4/4 4 120 : GtPl 320 Reggae 4/4 2 102 : Owner’s Manual Length Original Instrument Tempo Type Appendix Time Signature Category Arp. No. Arp. Name GtPl 321 ReggeShf 4/4 4 90 : GtPl 322 Samba 4/4 4 120 Nylon GtPl 323 Bossa 4/4 4 124 : GtPl 324 Spanish1 4/4 2 120 : GtPl 325 Spanish2 4/4 2 120 Steel GtPl 326 Lick1 4/4 4 120 Distortion GtPl 327 Lick2 4/4 4 120 : GtPl 328 Lick3 4/4 2 120 : GtPl 329 Lick4 4/4 4 120 : GtPl 330 Lick5 4/4 1 120 : Strn 331 Strings 4/4 1 101 StereoSt1 Strn 332 New R&B 4/4 2 90 : Strn 333 Pizz 4/4 1 120 Pizz Bras 334 Funk1 4/4 4 132 Brass Sect Bras 335 Funk2 4/4 1 132 : Bras 336 Samba 4/4 2 120 : RdPp 337 Hip Hop 4/4 2 105 TenorSax 2 RdPp 338 Soul 4/4 4 120 : RdPp 339 Flutter 4/4 1 120 : Lead 340 R&B Dsc1 4/4 1 110 Bass&Ld Lead 341 R&B Dsc2 4/4 2 110 : Lead 342 Regeton 4/4 4 98 Caliop Ld Length Original Instrument Tempo Type Owner’s Manual 49 50 Owner’s Manual Control Change 0,32 1,7,10,11 6,38 64 65 66 71-75 91,93 96-97 100-101 0-127 Key's Ch's After Touch Pitch Bend Note ON Note OFF Velocity : True voice x x x x x x x x x x x x x x x x x x o o o o o o o o o o o o x x o 9nH,v=1-127 o 8nH,v=0 0 - 127 ************** x x x 3 x ************** Default Messages Altered Mode Note Number x x 1 - 16 1 - 16 Default Changed Basic Channel Transmitted Recognized [ USB KEYBOARD STUDIO ] Model KX25/KX49/KX61/KX8 MIDI Implementation Chart Function... YAMAHA Data Entry Sustain Sw Portamento Sw Sostenuto Sound Controller Effect Depth RPN Inc,Dec RPN LSB,MSB Assignable Cntrl Bank Select Memorized Remarks Date :10-JAN-2008 Version : 1.0 MIDI Implementation Chart MIDI Implementation Chart : True # x x x x o x : : : : : : Aux Messages Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO x x x x x x o x o x : Clock : Commands System Real Time All Sound Off Reset All Cntrls Local ON/OFF All Notes OFF Active Sense Reset x x x x x x : Song Pos. : Song Sel. : Tune o x o o 0 - 127 ************** Common System Exclusive Prog Change o : Yes x : No MIDI Implementation Chart Owner’s Manual 51 Index Index A G AC power adaptor .....................................................9 ADD INSTRUMENT TRACK................................10, 19 ARP EDIT ..........................................................10, 33 ARP ON/OFF .....................................................10, 20 Arpeggio .................................................................31 Arpeggio type .........................................................46 ASSIGN 1 ..........................................................25, 34 ASSIGN 2 ..........................................................25, 34 Auto ........................................................................36 GateTime ................................................................ 33 B BeatStretch .............................................................33 BulkTransmit ...........................................................37 C Clock ......................................................................36 Control Change .......................................................29 CONTROL knobs...............................................10, 24 CONTROL TEMPLATE .......................................10, 28 Control Template .....................................................28 Cubase ...................................................................17 Cubase AI4 .............................................................13 CUBASE FUNCTION .........................................11, 23 Cursor ...............................................................11, 25 D DATA ..........................................................10, 17, 31 DAW Select .......................................................34, 37 DC IN connector..................................................9, 11 Device Number .......................................................37 Display ..............................................................10, 26 Display Time ...........................................................37 E ENTER ........................................................11, 25, 34 ESC.............................................................11, 25, 34 EXIT ........................................................................10 Extensions for Steinberg DAW .................................13 External ...................................................................36 F Factory Set ..............................................................37 Fast forward ......................................................25, 34 Fix .....................................................................27, 36 Footswitch ...............................................................16 52 H Hard1 ............................................................... 27, 36 Hard2 ............................................................... 27, 36 HOLD ............................................................... 10, 21 I Installation .............................................................. 13 Internal ................................................................... 36 K Knob....................................................................... 24 Knob Functions Select button .................................. 10 KX Editor................................................................... 6 M MIDI........................................................................ 37 MIDI IN ................................................................... 11 MIDI OUT................................................................ 11 MIDI port................................................................. 18 MIDI Select ............................................................. 37 MIDI Thru .......................................................... 37, 38 MIDI Transmit Ch .................................................... 37 Modulation wheel .................................................... 11 MUTE ..................................................................... 25 N Normal .............................................................. 27, 36 O OCTAVE ........................................................... 10, 27 Octave LED ............................................................ 37 OctRange ............................................................... 33 P PC+Remot .............................................................. 37 Pitch Bend wheel .................................................... 11 Play .................................................................. 25, 34 Power Supply ............................................................ 9 ProgChg ................................................................. 37 ProgChgMode ........................................................ 37 PROGRAM ........................................................ 11, 34 Owner’s Manual Index R REC ..................................................................25, 34 Record ..............................................................25, 34 Remote ...................................................................37 Repeat on/off .....................................................25, 34 Rewind ..............................................................25, 34 S SELECT .............................................................10, 26 Soft1 .................................................................27, 36 Soft2 .................................................................27, 36 SOLO ................................................................25, 34 STANDBY/ON......................................................9, 11 Stop ..................................................................25, 34 SUSTAIN ...........................................................11, 16 Swing ......................................................................33 SwingValue .............................................................33 Sync........................................................................36 T TEMPO....................................................................10 Tempo...............................................................32, 36 TOOLS for KX ..........................................................13 Top display .............................................................26 TRACK (Track Control buttons) ..........................11, 25 TRANSPORT (Trasnport Control buttons) ...........11, 25 U USB ........................................................................37 USB bus-powered device ..........................................9 USB MIDI port .........................................................18 USB TO HOST .........................................................11 USB-MIDI Driver ......................................................13 UTILITY .............................................................10, 36 V VELOCITY CURVE .............................................10, 27 Velocity Curve .........................................................27 VeloCurve ...............................................................36 VeloFix ....................................................................36 VSTi ........................................................................19 VSTi Remote............................................................29 VSTi WINDOW ...................................................10, 34 Owner’s Manual 53 MEMO 54 Owner’s Manual For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. NORTH AMERICA THE NETHERLANDS/ BELGIUM/LUXEMBOURG CANADA Yamaha Music Central Europe GmbH, Branch Benelux Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040 Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 FRANCE U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011 CENTRAL & SOUTH AMERICA MEXICO Yamaha de México S.A. de C.V. Calz. Javier Rojo Gómez #1149, Col. Guadalupe del Moral C.P. 09300, México, D.F., México Tel: 55-5804-0600 Yamaha Musique France BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 ITALY Yamaha Musica Italia S.P.A. Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 SPAIN/PORTUGAL Yamaha Música Ibérica, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888 BRAZIL Yamaha Musical do Brasil Ltda. Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi, CEP 04534-013 Sao Paulo, SP. BRAZIL Tel: 011-3704-1377 GREECE Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160 SWEDEN ARGENTINA Yamaha Scandinavia AB J. A. Wettergrens Gata 1, Box 30053 S-400 43 Göteborg, Sweden Tel: 031 89 34 00 Yamaha Music Latin America, S.A. Sucursal de Argentina Olga Cossettini 1553, Piso 4 Norte Madero Este-C1107CEK Buenos Aires, Argentina Tel: 011-4119-7000 DENMARK YS Copenhagen Liaison Office Generatorvej 6A, DK-2730 Herlev, Denmark Tel: 44 92 49 00 PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES FINLAND Yamaha Music Latin America, S.A. Torre Banco General, Piso 7, Urbanización Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panamá, Panamá Tel: +507-269-5311 F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511 NORWAY Norsk filial av Yamaha Scandinavia AB Grini Næringspark 1, N-1345 Østerås, Norway Tel: 67 16 77 70 EUROPE THE UNITED KINGDOM ICELAND Yamaha Music U.K. Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700 Skifan HF Skeifan 17 P.O. Box 8120, IS-128 Reykjavik, Iceland Tel: 525 5000 IRELAND Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177 GERMANY Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 SWITZERLAND/LIECHTENSTEIN Yamaha Music Central Europe GmbH, Branch Switzerland Seefeldstrasse 94, 8008 Zürich, Switzerland Tel: 01-383 3990 RUSSIA Yamaha Music (Russia) Office 4015, entrance 2, 21/5 Kuznetskii Most street, Moscow, 107996, Russia Tel: 495 626 0660 OTHER EUROPEAN COUNTRIES Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030 ASIA THE PEOPLE’S REPUBLIC OF CHINA Yamaha Music & Electronics (China) Co.,Ltd. 25/F., United Plaza, 1468 Nanjing Road (West), Jingan, Shanghai, China Tel: 021-6247-2211 HONG KONG Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 INDIA Yamaha Music India Pvt. Ltd. 5F Ambience Corporate Tower Ambience Mall Complex Ambience Island, NH-8, Gurgaon-122001, Haryana, India Tel: 0124-466-5551 INDONESIA PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577 KOREA Yamaha Music Korea Ltd. 8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong, Kangnam-Gu, Seoul, Korea Tel: 080-004-0022 MALAYSIA Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-78030900 PHILIPPINES Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551 SINGAPORE Yamaha Music Asia Pte., Ltd. #03-11 A-Z Building 140 Paya Lebor Road, Singapore 409015 Tel: 747-4374 TAIWAN Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688 THAILAND Siam Music Yamaha Co., Ltd. 4, 6, 15 and 16th floor, Siam Motors Building, 891/1 Rama 1 Road, Wangmai, Pathumwan, Bangkok 10330, Thailand Tel: 02-215-2626 OTHER ASIAN COUNTRIES Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317 OCEANIA AFRICA Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 AUSTRIA Yamaha Music Central Europe GmbH, Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900 AUSTRALIA Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111 NEW ZEALAND CZECH REPUBLIC/SLOVAKIA/ HUNGARY/SLOVENIA MIDDLE EAST TURKEY/CYPRUS Yamaha Music Central Europe GmbH, Branch Austria, CEE Department Schleiergasse 20, A-1100 Wien, Austria Tel: 01-602039025 Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 POLAND OTHER COUNTRIES Yamaha Music Central Europe GmbH Sp.z. o.o. Oddzial w Polsce ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland Tel: 022-868-07-57 Yamaha Music Gulf FZE LOB 16-513, P.O.Box 17328, Jubel Ali, Dubai, United Arab Emirates Tel: +971-4-881-5868 HEAD OFFICE Music Works LTD P.O.BOX 6246 Wellesley, Auckland 4680, New Zealand Tel: 9-634-0099 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 Yamaha Corporation, Pro Audio & Digital Musical Instrument Division Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2445 SY46 Yamaha Web Site (English only) http://www.yamahasynth.com/ Yamaha Manual Library http://www.yamaha.co.jp/manual/ U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2008 Yamaha Corporation WQ82380 8??APTY?.?-??C0 Printed in China