Yamaha DGX-220 Manual de usuario

Marca: Yamaha

Modelo: DGX-220

Categoría: Pianos digitales

Tipo: Manual de usuario

Owner’s Manual

2 DGX-220/YPG-225 Owner’s Manual

PLEASE KEEP THIS MANUAL

This product utilizes batteries or an external power supply (adapter).

DO NOT connect this product to any power supply or adapter other

than one described in the manual, on the name plate, or speciﬁcally

recommended by Yamaha.

This product should be used only with the components supplied or; a

cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is

used, please observe all safety markings and instructions that accom-

pany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct at the

time of printing. However, Yamaha reserves the right to change or mod-

ify any of the speciﬁcations without notice or obligation to update exist-

ing units.

This product, either alone or in combination with an ampliﬁer and head-

phones or speaker/s, may be capable of producing sound levels that

could cause permanent hearing loss. DO NOT operate for long periods

of time at a high volume level or at a level that is uncomfortable. If you

experience any hearing loss or ringing in the ears, you should consult

an audiologist.

IMPORTANT: The louder the sound, the shorter the time period before

damage occurs.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a

function or effect works (when the unit is operating as designed) are not

covered by the manufacturer’s warranty, and are therefore the owners

responsibility. Please study this manual carefully and consult your

dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and envi-

ronmentally friendly. We sincerely believe that our products and the pro-

duction methods used to produce them, meet these goals. In keeping

with both the letter and the spirit of the law, we want you to be aware of

the following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if

applicable) is soldered in place. The average life span of this type of

battery is approximately ﬁve years. When replacement becomes neces-

sary, contact a qualiﬁed service representative to perform the replace-

ment.

This product may also use “household” type batteries. Some of these

may be rechargeable. Make sure that the battery being charged is a

rechargeable type and that the charger is intended for the battery being

charged.

When installing batteries, do not mix batteries with new, or with batter-

ies of a different type. Batteries MUST be installed correctly. Mis-

matches or incorrect installation may result in overheating and battery

case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all bat-

teries away from children. Dispose of used batteries promptly and as

regulated by the laws in your area. Note: Check with any retailer of

household type batteries in your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some rea-

son its useful life is considered to be at an end, please observe all local,

state, and federal regulations that relate to the disposal of products that

contain lead, batteries, plastics, etc. If your dealer is unable to assist

you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model

number, serial number, power requirements, etc., are located on this

plate. You should record the model number, serial number, and the date

of purchase in the spaces provided below and retain this manual as a

permanent record of your purchase.

Model

Serial No.

Purchase Date

SPECIAL MESSAGE SECTION

92-BP (bottom)

DGX-220/YPG-225 Owner’s Manual 3

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions con-

tained in this manual, meets FCC requirements. Modiﬁcations not

expressly approved by Yamaha may void your authority, granted by

the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/

or another product use only high quality shielded cables. Cable/s

supplied with this product MUST be used. Follow all installation

instructions. Failure to follow instructions could void your FCC

authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the

requirements listed in FCC Regulations, Part 15 for Class “B” digital

devices. Compliance with these requirements provides a reason-

able level of assurance that your use of this product in a residential

environment will not result in harmful interference with other elec-

tronic devices. This equipment generates/uses radio frequencies

and, if not installed and used according to the instructions found in

the users manual, may cause interference harmful to the operation

of other electronic devices. Compliance with FCC regulations does

not guarantee that interference will not occur in all installations. If

this product is found to be the source of interference, which can be

determined by turning the unit “OFF” and “ON”, please try to elimi-

nate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by

the interference.

Utilize power outlets that are on different branch (circuit breaker or

fuse) circuits or install AC line ﬁlter/s.

In the case of radio or TV interference, relocate/reorient the

antenna. If the antenna lead-in is 300 ohm ribbon lead, change the

lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results,

please contact the local retailer authorized to distribute this type of

product. If you can not locate the appropriate retailer, please contact

Yamaha Corporation of America, Electronic Service Division, 6600

Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by

Yamaha Corporation of America or its subsidiaries.

FCC INFORMATION (U.S.A.)

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

Entsorgung leerer Batterien (nur innerhalb Deutschlands)

Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien

oder Akkumulatoren dürfen nicht in den Hausmüll. Sie können bei

einer Sammelstelle für Altbatterien bzw. Sondermüll abgegeben wer-

den. Informieren Sie sich bei Ihrer Kommune.

(class B)

(battery)

OBSERVERA!

Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den

ar ansluten till vägguttaget, även om själva apparaten har stängts av.

ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt,

sålæenge netledningen siddr i en stikkontakt, som er t endt — også

selvom der or slukket på apparatets afbryder.

VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko

laitetta verkosta.

(standby)

* This applies only to products distributed by

YAMAHA CORPORATION OF AMERICA.

COMPLIANCE INFORMATION STATEMENT

(DECLARATION OF CONFORMITY PROCEDURE)

Responsible Party : Yamaha Corporation of America

Address : 6600 Orangethorpe Ave., Buena Park, Calif.

90620

Telephone : 714-522-9011

Type of Equipment : Electronic Keyboard

Model Name : DGX-220/YPG-225

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following conditions:

1) this device may not cause harmful interference, and

2) this device must accept any interference received including

interference that may cause undesired operation.

See user manual instructions if interference to radio reception is

suspected.

(FCC DoC)

4 DGX-220/YPG-225 Owner’s Manual

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical

shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Only use the voltage speciﬁed as correct for the instrument. The required

voltage is printed on the name plate of the instrument.

• Use the speciﬁed adaptor (PA-5D or an equivalent recommended by Yamaha)

only. Using the wrong adaptor can result in damage to the instrument or

overheating.

• Check the electric plug periodically and remove any dirt or dust which may have

accumulated on it.

• Do not place the AC adaptor cord near heat sources such as heaters or radiators,

and do not excessively bend or otherwise damage the cord, place heavy objects

on it, or place it in a position where anyone could walk on, trip over, or roll

anything over it.

• Do not open the instrument or attempt to disassemble the internal parts or

modify them in any way. The instrument contains no user-serviceable parts. If it

should appear to be malfunctioning, discontinue use immediately and have it

inspected by qualiﬁed Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might spill into

any openings.

• Never insert or remove an electric plug with wet hands.

• Do not put burning items, such as candles, on the unit.

A burning item may fall over and cause a ﬁre.

• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a

sudden loss of sound during use of the instrument, or if any unusual smells or

smoke should appear to be caused by it, immediately turn off the power switch,

disconnect the adaptor plug from the outlet, and have the instrument inspected

by qualiﬁed Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage

to the instrument or other property. These precautions include, but are not limited to, the following:

• When removing the electric plug from the instrument or an outlet, always hold

the plug itself and not the cord.

• Unplug the AC power adaptor when not using the instrument, or during

electrical storms.

• Do not connect the instrument to an electrical outlet using a multiple-connector.

Doing so can result in lower sound quality, or possibly cause overheating in the

outlet.

• Always make sure all batteries are inserted in conformity with the +/- polarity

markings. Failure to do so might result in overheating, ﬁre, or battery ﬂuid

leakage.

• Always replace all batteries at the same time. Do not use new batteries together

with old ones. Also, do not mix battery types, such as alkaline batteries with

manganese batteries, or batteries from different makers, or different types of

batteries from the same maker, since this can cause overheating, ﬁre, or battery

ﬂuid leakage.

• Do not dispose of batteries in ﬁre.

• Do not attempt to recharge batteries that are not intended to be charged.

• When the batteries run out, or if the instrument is not to be used for a long time,

remove the batteries from the instrument to prevent possible leakage of the

battery ﬂuid.

• Keep batteries away from children.

• If the batteries do leak, avoid contact with the leaked ﬂuid. If the battery ﬂuid

should come in contact with your eyes, mouth, or skin, wash immediately with

water and consult a doctor. Battery ﬂuid is corrosive and may possibly cause

loss of sight or chemical burns.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold or

heat (such as in direct sunlight, near a heater, or in a car during the day) to

prevent the possibility of panel disﬁguration or damage to the internal

components.

• Do not use the instrument in the vicinity of a TV, radio, stereo equipment,

mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio

may generate noise.

• Do not place the instrument in an unstable position where it might accidentally

fall over.

Power supply/AC power adaptor

Do not open

Water warning

Fire warning

If you notice any abnormality

Power supply/AC power adaptor

Battery

Location

(4)-10 1/2

DGX-220/YPG-225 Owner’s Manual 5

• Before moving the instrument, remove all connected adaptor and other cables.

• When setting up the instrument, make sure that the AC outlet you are using is

easily accessible. If some trouble or malfunction occurs, immediately turn off

the power switch and disconnect the plug from the outlet.

• Use only the stand speciﬁed for the instrument. When attaching the stand or

rack, use the provided screws only. Failure to do so could cause damage to the

internal components or result in the instrument falling over.

• Before connecting the instrument to other electronic components, turn off the

power for all components. Before turning the power on or off for all

components, set all volume levels to minimum. Also, be sure to set the volumes

of all components at their minimum levels and gradually raise the volume

controls while playing the instrument to set the desired listening level.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,

solvents, cleaning ﬂuids, or chemical-impregnated wiping cloths.

• Do not insert a ﬁnger or hand in any gaps on the instrument.

• Never insert or drop paper, metallic, or other objects into the gaps on the panel

or keyboard. If this happens, turn off the power immediately and unplug the

power cord from the AC outlet. Then have the instrument inspected by qualiﬁed

Yamaha service personnel.

• Do not place vinyl, plastic or rubber objects on the instrument, since this might

discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and do not

use excessive force on the buttons, switches or connectors.

• Do not operate the instrument for a long period of time at a high or

uncomfortable volume level, since this can cause permanent hearing loss. If you

experience any hearing loss or ringing in the ears, consult a physician.

Saving and backing up your data

The panel settings and some other types of data is lost when you turn off the power

to the instrument. Save the data to the Registration Memory (page 73.)

Saved data may be lost due to malfunction or incorrect operation.

Save important data to an external device such as a computer. (page 84.)

Backing up the external media

•To protect against data loss through media damage, we recommend that you

save your important data onto two external media.

Always turn the power off when the instrument is not in use.

When using a power adaptor, even when the power switch is in the “STANDBY” position, electricity is still ﬂowing to the instrument at the minimum level. When you are not

using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.

Make sure to discard used batteries according to local regulations.

● Trademarks

•Windows is the registered trademark of Microsoft

Corporation.

• The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective companies.

Connections

Maintenance

Handling caution

Saving data

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the instrument, or data that is lost or destroyed.

The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may be different from the ones on your

instrument.

(4)-10 2/2

6 DGX-220/YPG-225 Owner’s Manual

The following is the title, credits and copyright notices for the song pre-installed in this electronic keyboard:

Mona Lisa

from the Paramount Picture CAPTAIN CAREY, U.S.A.

Words and Music by Jay Livingston and Ray Evans

Composition Title : Against All Odds

Composer’s Name : Collins 0007403

HIT & RUN MUSIC LTD

Can’t Help Falling In Love

from the Paramount Picture BLUE HAWAII

Words and Music by George David Weiss,

Hugo Peretti and Luigi Creatore

All Rights Administered by Cherry Lane Music Publishing Com-

pany, Inc. and Chrysalis Music

This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with

respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all

computer software, style ﬁles, MIDI ﬁles, WAVE data, musical scores and sound recordings. Any unauthorized use of

such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright

has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.

This device is capable of using various types/formats of music data by optimizing them to the proper format music

data for use with the device in advance. As a result, this device may not play them back precisely as their producers

or composers originally intended.

Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is

strictly prohibited except for your personal use.

GM System Level 1

“GM System Level 1” is an addition to the MIDI standard which ensures that any GM-compatible music

data can be accurately played by any GM-compatible tone generator, regardless of manufacturer. The GM

mark is afﬁxed to all software and hardware products that support GM System Level.

XGlite

As its name implies, “XGlite” is a simpliﬁed version of Yamaha’s high-quality XG tone generation format.

Naturally, you can play back any XG song data using an XGlite tone generator. However, keep in mind that

some songs may play back differently compared to the original data, due to the reduced set of control

parameters and effects.

USB

USB is an abbreviation for Universal Serial Bus. It is a serial interface for connecting a computer with

peripheral Devices. It allows “hot swapping” (connecting peripheral devices while the power to the com-

puter is on).

STYLE FILE

The Style File Format is Yamaha’s original style ﬁle format which uses a unique conversion system to pro-

vide high-quality automatic accompaniment based on a wide range of chord types.

Panel Logos

DGX-220/YPG-225 Owner’s Manual 7

Congratulations and thank you for purchasing

the Yamaha DGX-220/YPG-225 Portable Grand!

Please read this owner’s manual carefully before using the instrument

in order to take full advantage of its various features.

Make sure to keep this manual in a safe and handy place even after you ﬁnish reading,

and refer to it often when you need to better understand an operation or function.

The DGX-220/YPG-225 package includes the following items. Please check that you have them all.

• Owner’s Manual

• Music rest

• Accessory CD-ROM

Accessories

● Music Rest

Insert the music rest

into the slots as shown.

8 DGX-220/YPG-225 Owner’s Manual

Special Features of the DGX-220/YPG-225

■ Play a Variety of Instrument Voices Page 14

The instrument voice that sounds when you play the keyboard can be

changed to violin, ﬂute, harp, or any of an extensive range of voices. You can

change the mood of a song written for piano, for example, by using violin to

play it instead. Experience a whole new world of musical variety.

■ Play Along with Styles Page 19

Want to play with full accompaniment? Try the auto-accompaniment Styles.

The accompaniment styles provide the equivalent of a full backing band cov-

ering a wide variety of styles from waltzes to 8-beat to euro-trance ... and

much more. Select a style that matches the music you want to play, or exper-

iment with new styles to expand your musical horizons.

087

PopBossa

■ Performance assistant technology Page 29

Play along with a song on the instrument’s keyboard and produce a perfect

performance every time ... even if you play wrong notes! All you have to do

is play on the keyboard—alternately on the left- and right-hand ranges of the

keyboard, for example—and you’ll sound like a pro as long as you play in

time with the music.

■ Learning Music is Fun Page 36

This instrument includes a range of songs covering a variety of genres that

are enjoyable to listen to, or to play along with. You can start practicing with

just one hand, and you can even practice at your own tempo, one note at a

time as slowly as you like, until you are able to play at full speed. Song play-

back will automatically follow your tempo. You can also use songs you have

downloaded from the Internet for lessons, so your musical resources are

essentially unlimited! The instrument will even evaluate and grade your per-

formance for you!

Excellen

DGX-220/YPG-225 Owner’s Manual 9

Panel Logos ........................................................................... 6

Accessories............................................................................ 7

Special Features of the DGX-220/YPG-225 .......................... 8

Setting Up 10

Power Requirements ........................................................... 10

Connecting Headphones (PHONES/OUTPUT Jack)........... 11

Connecting a Footswitch (SUSTAIN Jack) .......................... 11

Connecting to a Computer (USB Terminal) ......................... 11

Turning the Power On.......................................................... 11

Panel Controls and Terminals 12

Front Panel .......................................................................... 12

Rear Panel ........................................................................... 13

Quick Guide

Try Playing a Variety of Instrument Voices 14

Select and Play a Voice—MAIN .......................................... 14

Play Two Voices Simultaneously—DUAL............................ 15

Play Different Voices with the Left and Right Hands

—SPLIT .......................................................................... 16

Play the Grand Piano Voice................................................. 17

Fun Sounds 18

Drum Kits ............................................................................. 18

Sound Effects....................................................................... 18

Playing Styles 19

Select a Style Rhythm.......................................................... 19

Play Along with a Style ........................................................ 20

Playing Auto-accompaniment Chords.................................. 24

Using Songs 25

Select and Listen to a Song ................................................. 25

Song Fast Forward, Fast Reverse, and Pause.................... 26

Types of Songs .................................................................... 28

The Easy Way to Play Piano 29

CHORD Type—Play with Both Hands ................................. 30

CHD/FREE Type—Applying the Chord Type

to the Left Hand Only...................................................... 32

Change the Song Tempo..................................................... 35

Select a Song For a Lesson 36

Lesson 1—Waiting............................................................... 36

Lesson 2—Your Tempo ....................................................... 39

Lesson 3—Minus One ......................................................... 40

Practice Makes Perfect—Repeat and Learn........................ 41

Play Using the Music Database 42

Change a Song’s Style 43

Listen to the DEMO Song for Easy Song Arranger.............. 43

Using the Easy Song Arranger ............................................ 43

Record Your Own Performance 45

Track Configuration.............................................................. 45

Recording Procedure ........................................................... 45

Song Clear—Deleting User Songs ...................................... 48

Track Clear—Deleting a Specified Track

from a User Song............................................................ 48

Backup and Initialization 49

Backup ................................................................................. 49

Initialization .......................................................................... 49

Basic Operation and Displays 50

Basic Operation ................................................................... 50

Display Items ....................................................................... 52

Reference

Adding Effects 53

Harmony...............................................................................53

Adding Reverb .....................................................................54

Adding Chorus .....................................................................55

Handy Performance Features 56

The Metronome.................................................................... 56

Tap Start ..............................................................................58

Touch Response Sensitivity................................................. 58

Panel Sustain.......................................................................59

Pitch Bend............................................................................ 59

Pitch Controls....................................................................... 60

One Touch Setting ...............................................................61

Adjusting the Harmony Volume............................................62

Select an EQ Setting for the Best Sound.............................62

Style (Auto-accompaniment) Functions 63

Pattern Variation (Sections) .................................................63

Adjusting the Style Volume ..................................................65

Setting the Split Point........................................................... 65

Play a Style with Chords but No Rhythm

(Stop Accompaniment) ...................................................66

Playing Styles Using the Entire Keyboard............................66

Loading Style Files............................................................... 67

Chord Basics........................................................................ 68

Looking Up Chords Using the Chord Dictionary ..................70

Song Settings 71

Song Volume........................................................................71

A-B Repeat...........................................................................71

Muting Independent Song Parts...........................................72

Change the Melody Voice....................................................72

Memorize Your Favorite Panel Settings 73

Saving to the Registration Memory......................................73

Recalling a Registration Memory .........................................74

The Functions 75

Selecting and Setting Functions...........................................75

Connecting to a Computer 78

What Is MIDI? ......................................................................78

Connecting a Personal Computer........................................79

Transferring Performance Data to and from a Computer.....80

Remote Control of MIDI Devices..........................................81

Initial Send ...........................................................................82

Transferring Data between the Computer and Instrument... 82

Accessory CD-ROM Installation Guide 85

Important Notices about the CD-ROM .................................85

CD-ROM Contents...............................................................86

System Requirements.......................................................... 87

Software Installation............................................................. 87

Appendix

Troubleshooting................................................................. 92

Scores .................................................................................94

Voice List ..........................................................................100

Drum Kit List.....................................................................104

Style List ...........................................................................106

Music Database List.........................................................107

Songs Provided On the Supplied CD-ROM ...................108

Effect Type List ................................................................109

MIDI Implementation Chart..............................................110

MIDI Data Format..............................................................112

Specifications................................................................... 113

Index.................................................................................. 114

Contents

10 DGX-220/YPG-225 Owner’s Manual

Setting Up

Be sure to do the following operations BEFORE turning on the power.

Although the instrument will run either from an optional AC adaptor or batteries, Yamaha recommends use of an AC

adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete

resources.

■ Using an AC Power Adaptor

 Make sure that the [STANDBY/ON] switch of the

instrument is set to STANDBY.

 Connect the AC adaptor (PA-5D or other adaptor

speciﬁcally recommended by Yamaha) to the power

supply jack.

 Plug the AC adaptor into an AC outlet.

■ Using Batteries

 Open the battery compartment cover located on the

instrument’s bottom panel.

 Insert the six new batteries, being careful to follow

the polarity markings on the inside of the compart-

ment.

 Replace the compartment cover, making sure that it

locks ﬁrmly in place.

For battery operation the instrument requires six 1.5V

“D” size, R20P (LR20) or equivalent batteries. (Alkaline

batteries are recommended.) When battery power

becomes too low for proper operation, make sure to

replace all batteries, following the precautions listed

below.

If necessary, also make sure to save all important User

data (see page 49), since custom panel settings are

lost when the batteries are removed.

Power Requirements

• Use ONLY a Yamaha PA-5D AC Power Adaptor (or other adap-

tor speciﬁcally recommended by Yamaha) to power your

instrument from the AC mains. The use of other adaptors may

result in irreparable damage to both the adaptor and the

instrument.

WARNING

• Unplug the AC Power Adaptor when not using the instrument,

or during electrical storms.

CAUTION

PA-5D

AC outlet





• Connecting the AC power adaptor automatically supplies power from

the adaptor and overrides battery power, even when batteries are

installed.

NOTE

• Use only manganese or alkaline batteries for this instrument.

Other types of batteries (including rechargeable batteries) may

exhibit a sudden drop in power when the batteries are low, possi-

bly resulting in a loss of ﬂash memory data.

• Be sure to install the batteries in the same direction, maintaining

the correct polarity (as shown). Incorrect battery installation may

result in heat, ﬁre and/or leaking of corrosive chemicals.

• When the batteries run down, replace them with a complete set of

six new batteries. NEVER mix old and new batteries. Do not use

different kinds of batteries (e.g. alkaline and manganese) at the

same time.

• If the instrument will not be used for an extended period of time,

remove the batteries to prevent possible ﬂuid leakage.

• Please use the power adaptor when transferring data to ﬂash

memory. Batteries (including rechargeable types) can be drained

rapidly by this type of operation. If the batteries do become

drained during a data transfer, both the data being transferred and

the data currently in the transfer destination will be lost.

CAUTION

Setting Up

DGX-220/YPG-225 Owner’s Manual 11

Make all necessary connections below BEFORE turning the power on.

The DGX-220/YPG-225 speakers are automatically

shut off when a plug is inserted into this jack.

The PHONES/OUTPUT jack also functions as an exter-

nal output. You can connect the PHONES/OUTPUT

jack to a keyboard ampliﬁer, stereo system, mixer, tape

recorder, or other line-level audio device to send the

instrument’s output signal to that device.

The sustain function lets you produce a natural sustain

as you play by pressing a footswitch. Plug the Yamaha

FC4 or FC5 footswitch into this jack and use it to switch

sustain on and off.

Connect the instrument’s USB terminal to the USB ter-

minal of a computer, and you can transfer performance

data and song ﬁles between the two (page 79). To use

the USB data-transfer features you’ll need to do the fol-

lowing:

• First, make sure the POWER switch on the instru-

ment is set to OFF, then use a USB cable to con-

nect the instrument to the computer. After making

the connections, turn on the power of the instru-

ment.

• Install the USB MIDI driver on your computer.

Installation of the USB MIDI driver is described on

page 87.

Turn down the volume by turning the [MASTER VOL-

UME] control to the left and press the [STANDBY/ON]

switch to turn on the power. Press the [STANDBY/ON]

switch again to turn the power OFF.

Backup data in the ﬂash memory is loaded to the instru-

ment when the power is turned on. If no backup data

exists on ﬂash memory, all instrument settings are

restored to the initial factory defaults when the power is

turned on.

Connecting Headphones (PHONES/OUTPUT Jack)

Connecting a Footswitch (SUSTAIN Jack)

•Avoid listening with the headphones at high volume for long peri-

ods of time; doing so may not only result in ear fatigue, it may be

damaging to your hearing.

WARNING

•To prevent damage to the speakers, set the volume of the external

devices at the minimum setting before connecting them. Failure to

observe these cautions may result in electric shock or equipment

damage. Also, be sure to set the volumes of all devices at their

minimum levels and gradually raise the volume controls while

playing the instrument to set the desired listening level.

CAUTION

• Make sure that the footswitch plug is properly connected to the SUS-

TAIN jack before turning on the power.

• Do not press the footswitch while turning the power on. Doing this

changes the recognized polarity of the footswitch, resulting in reversed

footswitch operation.

NOTE

Connecting to a Computer (USB Terminal)

Turning the Power On

• Make sure to purchase a quality USB cable at a musical instrument

store, computer store or electrical appliance store.

NOTE

• Even when the switch is in the “STANDBY” position, electricity is

still ﬂowing to the instrument at the minimum level. When you are

not using the instrument for a long time, make sure you unplug the

AC power adaptor from the wall AC outlet, and/or remove the bat-

teries from the instrument.

CAUTION

•Never attempt to turn the power off when a “WRITING!” message

is shown in the display. Doing so can damage the ﬂash memory

and result in data loss.

CAUTION

12 DGX-220/YPG-225 Owner’s Manual

Panel Controls and Terminals

q [STANDBY/ON] switch .................... page 11

w [MASTER VOLUME] control.... pages 11, 50

e [P.A.T. ON/OFF] button.................... page 30

r [MUSIC DATABASE] button ............ page 42

t [FUNCTION] button ......................... page 75

y LESSON [L], [R], [START] buttons . page 37

u [METRONOME ON/OFF] button ..... page 56

i [TEMPO/TAP] button ....................... page 35

o SONG MEMORY

[REC], [1]–[5], [A] buttons............... page 45

!0 [REPEAT & LEARN]/

[ACMP ON/OFF] button........... pages 41, 20

!1 [A-B REPEAT]/

[INTRO/ENDING/rit.] button .... pages 71, 64

!2 [REW]/

[MAIN/AUTO FILL] button........pages 26, 64

!3 [FF]/

[SYNC STOP] button................pages 26, 64

!4 [PAUSE]/

[SYNC START] button..............pages 26, 63

!5 [START/STOP] button ........pages 19, 26, 51

!6 [SONG] button................................. page 25

!7 [EASY SONG ARRANGER]

button............................................... page 43

!8 [STYLE] button................................ page 19

!9 [VOICE] button ................................ page 14

@0 Dial ............................................pages 51, 75

@1 CATEGORY [ ] and [ ]

buttons......................................pages 51, 75

Front Panel

001

GrandPno

!0 !1 !2 !3 !4 !5

e r t

Song Category List (page 27)

Style Category List (page 106) Display (page 52)

Music Database List

(page 107)

Panel Controls and Terminals

DGX-220/YPG-225 Owner’s Manual 13

#0 USB terminal ............................pages 11, 79

#1 SUSTAIN jack................................... page 11

#2 PHONES/OUTPUT jack ................... page 11

#3 DC IN 12V jack................................. page 10

Rear Panel

001

#0 #1 #2 #3

@6 @7 @8

Voice Category List (page 100)

Rear Panel

@2 Number buttons [0]–[9],

[+] and [-] buttons.................... pages 51, 75

@3 [DEMO] button................................. page 26

@4 REGIST MEMORY

[MEMORY/BANK],

[1], [2] buttons ................................. page 73

@5 [PORTABLE GRAND] button .......... page 17

@6 [SPLIT ON/OFF] button................... page 16

@7 [DUAL ON/OFF] button ................... page 15

@8 [HARMONY ON/OFF] button .......... page 53

@9 PITCH BEND wheel ......................... page 59

14 DGX-220/YPG-225 Owner’s Manual

Try Playing a Variety of Instrument Voices

In addition to piano, organ, and other “standard” keyboard instruments,

this instrument has a large range of voices that includes guitar, bass,

strings, sax, trumpet, drums and percussion, sound effects ... a wide

variety of musical sounds.

This procedure selects the main voice you will play on the keyboard.

Press the [VOICE] button.

The voice number and name will be displayed.

Select the voice you want to play.

While watching the displayed voice name rotate the dial. The available

voices will be selected and displayed in sequence. The voice selected

here becomes the main voice.

For this example select the “092 Flute” voice.

Play the keyboard.

Try selecting and playing a variety of voices.

Select and Play a Voice—MAIN

001

GrandPno

Voice number

Voice name

Appears when the Voice mode

is engaged.

•You can also select the voice

using the CATEGORY [ ] and

[] buttons after pressing the

[VOICE] button. (page 51)

NOTE

092

Flute

Select 092 Flute

Quick Guide

Try Playing a Variety of Instrument Voices

DGX-220/YPG-225 Owner’s Manual 15

You can select a second voice which will play in addition to the main voice when you play the keyboard.

The second voice is known as the “dual” voice.

Press the [DUAL ON/OFF] button.

The [DUAL ON/OFF] button turns the dual voice on or off.

When turned on the dual voice icon will appear in the display. The cur-

rently selected dual voice will sound in addition to the main voice when

you play the keyboard.

Press and hold the [DUAL ON/OFF] button for longer than

a second.

“D.VOICE” appears in the display for a few seconds, then the currently

selected dual voice will be displayed.

Select the desired dual voice.

Watch the displayed dual voice and rotate the dial until the voice you

want to use is selected. The voice selected here becomes the dual voice.

For this example try selecting the “109 Vibraphone” voice.

Play Two Voices Simultaneously—DUAL

• The dual voice feature cannot

be used during a song lesson

(page 36).

NOTE

092

Flute

Dual voice icon

•You can also select the Dual

Voice display by pressing the

[FUNCTION] button and then

using the CATEGORY [ ] and

[] buttons to select the

“D.Voice” item.

NOTE

D.Voice

Hold for longer

than a second

110

Marimba

The currently selected

dual voice

109

Vibes

Try Playing a Variety of Instrument Voices

16 DGX-220/YPG-225 Owner’s Manual

Play the keyboard.

Try selecting and playing a range of dual voices.

In the split mode you can play different voices to the left and right of the keyboard “split point”. The main

and dual voices can be played to the right of the split point, while the voice played to the left of the split

point is known as the “split voice”. The split point setting can be changed as required (page 65).

Press the [SPLIT ON/OFF] button.

The [SPLIT ON/OFF] button turns the split voice on or off.

When turned on the split voice icon will appear in the display. The cur-

rently selected split voice will sound to the left of the keyboard split

point.

Press and hold the [SPLIT ON/OFF] button for longer than

a second.

“S.VOICE” appears in the display for a few seconds, then the currently

selected split voice will be displayed.

Two voices will sound at the same time.

Play Different Voices with the Left and Right Hands—SPLIT

Main voice and dual voiceSplit voice

Split point

• The split voice feature cannot

be used during a song lesson

(page 36).

NOTE

092

Flute

Split voice icon

•You can also select the Split

Voice display by pressing the

[FUNCTION] button and then

using the CATEGORY [ ] and

[] buttons to select the

“S.Voice” item.

NOTE

Hold for longer than a second

042

FngrBass

S.Voice

The currently selected

SPLIT voice

Try Playing a Variety of Instrument Voices

DGX-220/YPG-225 Owner’s Manual 17

Select the desired split voice.

Watch the displayed split voice and rotate the dial until the voice you

want to use is selected. The voice selected here becomes the split voice

which will play to the left of the keyboard split point. For this example

try selecting the “033 Folk Guitar” voice.

Play the keyboard.

Try selecting and playing a range of split voices.

When you just want to play piano, all you have to do is press one convenient button.

Press the [PORTABLE GRAND] button.

The “001 Grand Piano” voice will be selected.

033

Folk Gtr

Play the Grand Piano Voice

• When you press the [PORTA-

BLE GRAND] button all settings

other than touch sensitivity are

turned off. The dual and split

voices will also be turned off, so

only the Grand Piano voice will

play over the entire keyboard.

NOTE

18 DGX-220/YPG-225 Owner’s Manual

Fun Sounds

This instrument includes a range of drum kits and unique sound effects you can

use for entertainment. Laughter, babbling brooks, jet ﬂy-bys, eerie effects, and

much more. These sounds can be a great way to enhance the mood at parties.

◆ Drum Kit Selection Procedure ➔ (refer to steps 1 and 2 on page 14)

1 Press the [VOICE] button.

2 Use the dial to select “117 Std.Kit1”.

3 Try out each key and enjoy the drum and percussion sounds!

Try out each key and enjoy the drum and

percussion sounds! Don’t forget the black

keys! You’ll hear a triangle, maracas, bon-

gos, drums ... a comprehensive variety of

drum and percussion sounds. For details on

the instruments included in the drum kit

voices (voice numbers 117 to 128), see the

“Drum Kit List” on page 104.

◆ Sound Effect Selection Procedure ➔ (refer to steps 1 and 2 on page 14)

1 Press the [VOICE] button.

2 Use the dial to select “128 SFX Kit2”.

3 Try out each key and enjoy the sound effects!

As you try out the various keys you’ll hear the sound

of a submarine, a telephone bell, a creaking door,

laughter, and many other useful effects. “127 SFX

Kit1” includes lightning, running water, dogs bark-

ing, and others. Some keys do not have assigned

sound effects, and will therefore produce no sound.

For details on the instruments included in the SFX kit

voices, see “SFX Kit 1” and “SFX Kit 2” in the

“Drum Kit List” on page 104.

Drum kits are collections of drum and percussion instruments. When you select a violin or other normal

instrument main voice, for example, all keys produce the sound of the same violin, only at different pitches. If

you select a drum kit as the main voice, however, each key produces the sound of a different drum or percus-

sion instrument.

The sound effects are included in the drum kit voice group (voice numbers 127 and 128). When either of these

voices are selected you will be able to play a range of sound effects on the keyboard.

Drum Kits

Sound Effects

DGX-220/YPG-225 Owner’s Manual 19

Playing Styles

This instrument has an auto accompaniment feature that produces

accompaniment (rhythm + bass + chords) in the style you choose to

match chords you play with your left hand. You can select from 150 dif-

ferent styles covering a range of musical genres and time signatures

(see page 106 for a complete list of the available styles).

In this section we’ll learn how to use the auto accompaniment features.

Most styles includes a rhythm part. You can select from a wide variety of rhythmic types—rock, blues, Euro

trance, and many, many more. Let’s begin by listening to just the basic rhythm. The rhythm part is played

using percussion instruments only.

Press the [STYLE] button.

The style number and name will appear in the display.

Select a style.

Use the dial to select the style you want to use.

A list of all the available styles is provided on page 106.

Press the [START/STOP] button.

The style rhythm will start playing.

Press the [START/STOP] button a second time when you want to stop

playback.

Select a Style Rhythm

001

8BtModrn

Style Number

Style Name

This icon appears when a style

number and name is displayed.

087

PopBossa

• Style numbers 121, 133–150

have no rhythm part and there-

fore no rhythm will play if you

use them for the above exam-

ple. For these styles ﬁrst turn

auto accompaniment on as

described on page 20, press the

[START/STOP] button, and the

accompaniment bass and chord

parts will begin playing when

you play a key to the left of the

keyboard split point.

NOTE

Playing Styles

20 DGX-220/YPG-225 Owner’s Manual

You learned how to select a style rhythm on the preceding page.

Here we’ll see how to add bass and chord accompaniment to the basic rhythm to produce a full, rich accom-

paniment that you can play along with.

Press the [STYLE] button and select the desired style.

Turn automatic accompaniment on.

Press the [ACMP ON/OFF] button.

Pressing this button a second time will turn automatic accompaniment

off.

Turn sync start on.

Press the [SYNC START] button to turn the sync start function on.

When sync start is on, the bass and chord accompaniment included in a

style will start playing as soon as you play a note to left of the keyboard

split point. Press the button a second time to turn the sync start function

off.

● When automatic accompaniment is on ...

The area of the keyboard to the left of the split point (54 : F#2) becomes the

“auto accompaniment region” and is used only for specifying the

accompaniment chords.

Play Along with a Style

This icon appears when auto-

matic accompaniment is on.

087

PopBossa

• The keyboard split point can be

changed as required: refer to

page 65.

NOTE

Split point (54 : F#2)

Auto accompaniment

region

Flashes when sync

start is on.

087

PopBossa

Playing Styles

DGX-220/YPG-225 Owner’s Manual 21

Play a left-hand chord to start the style.

You can still “play” chords even if you don’t actually know any chords.

This instrument will recognize even a single note as a chord. Try play-

ing from one to three notes at the same time to the left of the split point.

The accompaniment will change according to the left-hand notes you

play.

Play a variety of left-hand chords while playing a melody

with your right hand.

Press the [START/STOP] button to stop style playback

when you’re done.

You can switch style “sections” to add variety to the accompaniment.

Refer to “Pattern Variation (Sections)” on page 63.

Try this!

Scores for some chord progressions are provided on page 22.

These examples should help you get a feel for what types of chord

progressions sound good with the styles.

Auto accompaniment

region

Split point

Auto accompaniment

region

Split point

Playing Styles

22 DGX-220/YPG-225 Owner’s Manual

Styles Are More Fun When You Understand Chords

Chords, created by playing multiple notes at the same time, are the basis for harmonic accompaniment.

In this section we’ll take a look at sequences of different chords played one after another, or “chord

sequences”. Since each chord has it’s own unique “color”—even if it’s different ﬁngerings of the same

chord—the chords you choose to use in your chord progressions have a huge inﬂuence on the overall

feel of the music you play.

On page 20 you learned how to play colorful accompaniments using styles. Chord progressions are vital

to creating interesting accompaniments, and with a little chord know-how you should be able to take

your accompaniments to a new level.

On these pages we’ll introduce three easy-to-use chord progressions. Be sure to try them out with the

instrument’s accompaniment styles. The style will respond to the chord progression you play, effectively

creating a complete song.

■Playing the Chord Progressions ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

Play the scores with the left hand.

Before playing the scores follow steps 1 through 3 of “

Play Along with a Style” on page 20.

* The scores provided here are not standard song scores, but rather simpliﬁed scores that indicate which notes to play to

produce the chord progressions.

—Dance music with simple chords—

This is a simple-but-effective chord progression. When you play through to the end of the score, start

again from the beginning. When you’re ready to stop playing press the [INTRO/ENDING/rit.] button

and the auto accompaniment function will create a perfect ending.

Recommended Style

031 Euro Trance

Play to the left of the split point.

Split point

C G Am

Press the [INTRO/ENDING/rit.] button.

Playing Styles

DGX-220/YPG-225 Owner’s Manual 23

—3-chord boogie-woogie—

This progression provides varied harmonic backing with just three chords. When you get a feel for the

progression in the score, try changing the order of the chords!

—Bossa nova with jazz-style chords—

This progression includes jazzy “two-ﬁve” (II-V) changes. Try playing it through several times. When

you’re ready to stop playing press the [INTRO/ENDING/rit.] button.

Recommended Style

138 Piano Boogie

Recommended Style

086 Bossa Nova

C C

Press the [INTRO/ENDING/rit.] button.

Dm CM7

Am A7

FM7

Bm7

Press the [INTRO/ENDING/rit.] button.

Playing Styles

24 DGX-220/YPG-225 Owner’s Manual

There are two ways of playing auto-accompaniment chords:

● Easy Chords

● Standard Chords

The instrument will automatically recognize the different chord types. This function is called Multi Fingering.

Press the [ACMP ON/OFF] button to turn auto-accompaniment on (page 20). The keyboard to the left of

the split point (default: 54/F#2) becomes the “accompaniment range”. Play the accompaniment chords in

this area of the keyboard.

■Easy Chords ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

This method lets you easily play chords in the

accompaniment range of the keyboard using only

one, two, or three ﬁngers.

■Standard Chords ● ● ● ● ● ● ● ● ● ● ● ● ●

This method lets you produce accompaniment by

playing chords using normal ﬁngerings in the

accompaniment range of the keyboard.

Playing Auto-accompaniment Chords

DEFGABCDEF

Split point (default: 54/F#2)

Root notes and the corresponding keys

Accompaniment

range

•To play a major chord

Press the root note of the chord.

Cm7

•To play a minor chord

Press the root note together with the

nearest black key to the left of it.

•To play a seventh chord

Press the root note together with the

nearest white key to the left of it.

•To play a minor seventh chord

Press the root note together with the

nearest white and black keys to the left

of it (three keys altogether).

( )

CmM7

CM7

Csus4

Caug

CM7aug

C7aug

C7sus4

C1+2+5

Cdim

Cdim7

CmM7

(

)

CM7

(

)

Cm7

(

)

(

)

(

b13

)

Cm7

(

)

CM7

(

#11

)

(

)

(

)

(

)

(

)

(

)

(

#11

)

(

)

(

)

Cm6

Cm7

(

)

CM7

(

)

Cm7

(

)

CmM7

(

)

● How to play Standard Chords [Example for “C” chords]

* Notes enclosed in parentheses ( ) are optional; the chords

will be recognized without them.

DGX-220/YPG-225 Owner’s Manual 25

Using Songs

With this instrument the term “song” refers the data that makes up a

piece of music. You can simply enjoy listening to the 30 internal songs,

or use them with just about any of the many functions provided—the

performance assistant technology feature, lessons, and more. The

songs are organized by category.

In this section we’ll learn how to select and play songs, and brieﬂy

describe the 30 songs provided.

Press the [SONG] button.

The song number and name will be displayed.

You can use the dial to select a different song.

Select a song.

Select a song after referring to the preset song category list on page 27.

Use the dial to select the song you want to listen to.

Listen Lesson Record

Song

Select and Listen to a Song

011

Nocturne

The currently selected song

and number are displayed

•You can also play songs you

have recorded yourself (User

Songs) or songs that have been

transferred to the instrument

from a computer in the same

way that you play the internal

songs.

NOTE

012

ForElise

The song displayed here

can be played

Using Songs

26 DGX-220/YPG-225 Owner’s Manual

Listen to the song.

Press the [START/STOP] button to begin playback of the selected song.

You can stop playback at any time by pressing the [START/STOP] but-

ton again.

These are just like the transport controls on a cassette deck or CD player, letting you fast forward [FF],

rewind [REW] and pause [PAUSE] playback of the song.

001–030 Built in Songs (see next page)

031–035 User Songs (Songs you record yourself).

036– Songs transferred from a computer (pages 82–84)

● Using the [DEMO] button

Press the [DEMO] button to play Songs 001–008 in sequence. Playback

will repeat when the end of the sequence is reached, starting again from the

ﬁrst Song (001).

You can select a song by using the [-] and [+] buttons after pressing the

[DEMO] button.

You can stop playback at any time by pressing the [DEMO] button.

Song start!

Song Fast Forward, Fast Reverse, and Pause

REW

Press the fast

reverse button to

rapidly return to

an earlier point in

the song.

Press the fast for-

ward button to

rapidly skip

ahead to a later

point in the song.

PAUSE

Press the pause

button to pause

playback.

• When an A-B repeat range is

speciﬁed the fast reverse and

forward function will only work

within that range.

NOTE

Using Songs

DGX-220/YPG-225 Owner’s Manual 27

● Song List

These 30 songs include songs that effectively demonstrate the instrument’s easy song arranger feature,

songs that are ideally suited for use with the performance assistant technology feature, and more. The “Sug-

gested Uses” column provides some ideas as to how the songs can most effectively used.

: Includes chord data.

The scores for the internal songs—except for songs 1–11, and song 16, 20 and 30 which is copyrighted, are provided in the Song

Book on the CD-ROM. The scores for songs 9–11 are provided in this manual.

Some of the classic and/or traditional songs have been edited for length or for ease in learning, and may not be exactly the same

as the original.

Category No. Name Suggested Uses

Main Demo

1 Magnetic

The songs in this category have been created to

give you an idea of the advanced capabilities of this

instrument. They’re great for listening, or for use with

the performance assistant technology feature.

2 Jessica

3 Winter Serenade

Voice Demo

4Grand Piano Demo

These songs features some of the instrument’s

many useful voices. They make maximum use of the

characteristics of each voice, and might serve as

inspiration for your own compositions.

5Sweet! TenorSax Demo

6 Cool! RotorOrgan Demo

7 Cool! Galaxy Electric Piano Demo

8 ModernHarp & Sweet Soprano Demo

Funciton Demo

9 Hallelujah Chorus

Use these songs to experience some of the

instrument’s advanced features: song number 9 for

the easy song arranger, and songs 10 and 11 for the

performance assistant technology feature.

10 Ave Maria

11 Nocturne op.9-2

Piano Solo

12 For Elise

These piano solo pieces are ideally suited for use as

lesson songs.

13 Maple Leaf Rag

14 Jeanie with the Light Brown Hair

Piano Ensemble

15 Amazing Grace

A selection of piano ensemble songs that are also

well suited for use as lesson songs.

Mona Lisa

(Jay Livingston and Ray Evans)

17 Piano Concerto No.21 2nd mov.

18 Scarborough Fair

19 Old Folks at Home

Piano Accompaniment

Ac Ballad

(Against All Odds: Collins 0007403)

When you need to practice backing

(accompaniment) patterns, these are the songs to

do it with. This is ability you’ll need if you’re invited to

play with a band. These songs allow you to practice

backing parts one hand at a time, which can be the

easiest way to master this important skill.

21 Ep Ballad

22 Boogie Woogie

23 Rock Piano

24 Salsa

25 Country Piano

26 Gospel R&B

27 Medium Swing

28 Jazz Waltz

29 Medium Bossa

Slow Rock

(Can’t Help Falling In Love: George

David Weiss, Hugo Peretti and Luigi

Creatore)

CHORD

Using Songs

28 DGX-220/YPG-225 Owner’s Manual

The following three types of songs can be used by the DGX-220/YPG-225.

● Preset Songs (the 30 songs built into the instrument)................Song numbers 001–030.

● User Songs (recordings of your own performances) ..................Song numbers 031–035.

● External song ﬁles (song data transferred from a computer*) ...Song numbers 036–.

* The Accessory CD-ROM includes a selection of 70 MIDI songs. See page 83 for instructions on how to

transfer the songs to the instrument.

The chart below shows the basic DGX-220/YPG-225 processes ﬂow for using the preset songs, user songs,

and external song ﬁles—from storage to playback.

Types of Songs

Transfer

(page 83)

Record

(page 45)

Your own performance

DGX-220/YPG-225 Song

Storage locations

Preset Songs

(001–030)

User Songs

(031–035)

Flash Memory

(036–)

The 30 songs built

into the instru-

ment.

Stored in the inter-

nal ﬂash memory.

Save to internal

ﬂash memory. Cur-

rently available.

Play

External song ﬁles

can be saved to ﬂash

memory

• Different ﬂash memory areas

are used to store user songs

and external song ﬁles trans-

ferred from a computer. User

songs cannot be directly trans-

ferred to the external song ﬁle

ﬂash memory area, and vice

versa.

NOTE

Computer

External song ﬁle

DGX-220/YPG-225 Owner’s Manual 29

The Easy Way to Play Piano

This instrument includes a performance assistant technology feature

that lets you play along with a song and sound like a great pianist (even

though you might be making lots of mistakes)! In fact, you can play any

notes and still sound good! So even if you can’t play piano and can’t

read a note of music, you can have some musical fun.

Performance assistant technology offers two selectable types. Select the type that produces the best results

for you.

● Chord................. No matter where or what you play, the result will be musical, well-balanced

sound. This type offers the greatest freedom, allowing you to play anything

with both your left and right hands.

● Chord/Free (CHD/FREE)

...............If you can play simple right-hand melodies but have trouble with left-hand

chords, this is the type for you. The Chord type applies to only the left-hand

section of the keyboard, allowing you to easily play chords to support the

melody you are playing with your right hand.

Refer to page 34 for more information on using performance assistant technology to help you play.

Split point

Play your own melody with the right hand.

The Easy Way to Play Piano

30 DGX-220/YPG-225 Owner’s Manual

Press the [P.A.T. ON/OFF] button.

This turns on the performance assistant technology feature.

The P.A.T. icon will appear when the performance assistant technology

feature is on.

Select the CHORD type.

Press and hold the [P.A.T. ON/OFF] button for longer than a second.

“PAT Type” appears in the display for a few seconds, then the currently

selected performance assistant technology type will be displayed. Select

the Chord type by using the dial.

Select a song.

Press the [SONG] button, and the Song Select display appears. Select a

song by using the dial. For this example try selecting the “010 Ave

Maria”.

● What is a Song?

You know the normal meaning of this word, but in this instrument the term

“Song” refers to the data that makes up a complete song. The performance

assistant technology features uses the chord and melody data, and should

always be used with a song (page 25).

CHORD Type—Play with Both Hands

Press the [P.A.T. ON/OFF] button

to turn the function on or off.

Icon will appear when performance

assistant technology is on.

011

Nocturne

Hold for longer than

a second

Select Chord

CHORD

• Using Songs (page 25)

NOTE

010

AveMaria

The song displayed here

will be played.

Song number

Song name

The Easy Way to Play Piano

DGX-220/YPG-225 Owner’s Manual 31

Press the [START/STOP] button.

Song playback will begin.

The basic pattern will play repeatedly. Listen to the basic pattern for

four measures while getting a feel for the basic pattern, then begin play-

ing yourself from the ﬁfth measure.

Play on the keyboard.

Try playing the score on the left with both hands. You can even play the

same keys over and over: C, E, G, C, E, G, C, E. You’ll notice that at

measure ﬁve the notes will come out according to the score on the right.

Keep playing, and performance assistant technology Chord type will

continue to “correct” the notes that you play.

This is the performance assistant technology Chord type.

You can stop song playback at any time by pressing the [START/STOP]

button.

Press the [P.A.T. ON/OFF] button to turn the performance

assistant technology feature off.

Before After

• The score for Ave Maria is pro-

vided on page 96.

NOTE

The Easy Way to Play Piano

32 DGX-220/YPG-225 Owner’s Manual

Press the [P.A.T. ON/OFF] button.

This turns on the performance assistant technology feature.

The P.A.T. icon will appear when the performance assistant technology

feature is on.

Select the CHD/FREE type.

Press and hold the [P.A.T. ON/OFF] button for longer than a second.

“PAT Type” appears in the display for a few seconds, then the currently

selected performance assistant technology type will be displayed. Select

the CHD/FREE type by using the dial.

Select a song.

Press the [SONG] button, and the Song Select display appears. Select a

song by using the dial. For this example try selecting the “011 Noc-

turne”.

CHD/FREE Type—Applying the Chord Type to the Left Hand Only

Press the [P.A.T. ON/OFF] button

to turn the function on or off.

Icon will appear when performance

assistant technology is on.

010

AveMaria

Hold for longer than

a second

Select CHD/FREE

CHD/FREE

• Using Songs (page 25)

NOTE

011

Nocturne

The song displayed here

will be played.

Song number

Song name

The Easy Way to Play Piano

DGX-220/YPG-225 Owner’s Manual 33

Press the [START/STOP] button.

Song playback will begin.

Play on the keyboard.

Play to the right of the split point with your right hand, and to the left of

the split point with your left hand.

Play the Nocturne melody with your right hand. Continually play an F-

A-C arpeggio shown in the illustration with your left hand. Although

you’re repeatedly playing the same notes with your left hand, the actual

notes produced will change to match the music.

This is the performance assistant technology CHD/FREE type.

You can stop song playback at any time by pressing the [START/STOP]

button.

Press the [P.A.T. ON/OFF] button to turn the performance

assistant technology feature off.

Split point

With this type notes played on the

left-hand side of the split point will

actually sound an octave higher.

• The score for Nocturne is pro-

vided on page 98.

NOTE

The Easy Way to Play Piano

34 DGX-220/YPG-225 Owner’s Manual

Use the Performance Assistant to Play Like a Pro!

Here are a few hints for using the Chord type.

If you select Chord/Free, the left-hand section of the keyboard becomes

the Chord type section, so use these hints on the lefthand section of the

keyboard.

To begin, try to feel the rhythm of the song. Then, with your hands

spread as shown in the illustration, simply play the keyboard alternately

with your left and right hands (any notes will do).

How does it sound? You’ll get acceptable results no matter where you

play thanks to the performance assistant technology Chord type!

Next try the three playing methods illustrated below. Different ways of

playing produce different results.

Once you get a feel for it, try playing chords with your left hand and a

melody with your right ... or any other combination.

To use the performance assistant technology feature it is necessary to play a song that includes chord data, or a

style with auto accompaniment on.

If a song includes the required data, the chords are shown on the right side of the display (page 52).

Sounds like you’re

playing the right

notes!

You will get even better

results if you match your

left-hand rhythm to rhythm

of the chord indicator in the

display.

● Play with the left and right hands

at the same timing—type 1.

● Play with the left and right hands

at the same timing—type 2.

● Play alternately with the left

and right hands—type 3.

Play 3 notes at once

with your right hand.

Play 1 note at a time with your right

hand (for example: index ﬁnger

→

middle ﬁnger

→

ring ﬁnger).

Play 3 notes at once

with your right hand.

The Easy Way to Play Piano

DGX-220/YPG-225 Owner’s Manual 35

When using the performance assistant technology or in other situations in which the tempo of the song is

too fast or too slow for you, you can change the tempo as required. Press the [TEMPO/TAP] button. The

tempo display will appear and you can use the dial, the [+] and [-] buttons, or the [0] to [9] number buttons

to set to tempo to anywhere from 011 and 280 quarter-note beats per minute.

You can return to the original tempo by simultaneously pressing the [+] and [-] buttons.

● About the Beat Display

The arrow marks in the beat display ﬂash in time with the rhythm of the song or style.

Change the Song Tempo

Current tempo value

090

Tempo

Second beat Fourth beat

First beat of measure Third beat

36 DGX-220/YPG-225 Owner’s Manual

Select a Song For a Lesson

Yamaha Education Suite

You can select song you like and use it for a left-hand, right-hand, or

both-hands lesson. You can also use songs (only SMF format 0) down-

loaded from the Internet and saved to ﬂash memory. (pages 82–84) Dur-

ing the lesson you can play as slowly as you like, and you can even play

wrong notes. Song playback will slow down to a speed you can handle.

It’s never too late to start learning!

Lesson Flow:

Select a song from the Piano Solo, Piano Ensemble category!

The practice methods:

● Lesson 1 .............. Learn to play the correct notes.

● Lesson 2 .............. Learn to play the correct notes with the correct timing.

● Lesson 3 .............. Learn to play the correct notes at the correct timing along with the song.

In this lesson, try playing the correct notes. Play the note shown in the display. The song will wait until you

play the right note.

Select a song for your lesson.

Press the [SONG] button, and rotate the dial to select the song you want

to use for your lesson. As listed on page 28 there are a variety of song

types. For this example try selecting the “012 ForElise”.

Select the

song you want

to learn.

Select the part you want

to work on (right hand,

left hand, both hands).

Select lesson

1, 2, or 3.

Lesson

start!

Lesson 1—Waiting

012

ForElise

Select a Song For a Lesson

DGX-220/YPG-225 Owner’s Manual 37

Select the part you want to practice.

Press the [R] button for a right-hand lesson, [L] button for a left-hand

lesson, or press both the [R] and [L] buttons simultaneously for a both-

hands lesson.

The currently selected part is shown in the display.

Start Lesson 1.

Press the LESSON [START] button to select Lesson 1. Each time the

LESSON [START] button is pressed the lesson modes are selected in

sequence: Lesson 1 → Lesson 2 → Lesson 3 → Off → Lesson 1 .... The

currently selected mode is shown in the display.

Right

Left

BothHand

Right-hand lesson

Left-hand lesson

Both-hands lesson

Waiting

YourTemp

MinusOne

012

ForElise

(Lesson 1)

(Lesson 2)

(Lesson 3)

(Song Lesson off)

Start the lesson!Song playback will begin automatically when you select Lesson 1.

Select a Song For a Lesson

38 DGX-220/YPG-225 Owner’s Manual

Play the note shown in the display. When you play the correct note, the

next note you need play is shown. The song will wait until you play the

correct note.

Stop the Lesson mode.

You can stop the Lesson mode at any time by pressing the [START/

STOP] button.

Once you’ve mastered Lesson 1, move on to Lesson 2.

■See How You’ve Done ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

After the evaluation display has appeared, the lesson will start again

from the beginning.

Left-hand part Right-hand part

(In the case of a right-hand lesson)

In this case “

r1” indicate that right-hand

lesson 1 has been selected.

007

Waiting

~~~~~~~~

~~~~~~

~~~~

Excellent

Very Good

Good

When the lesson song has played all the way through your

performance will be evaluated in 4 levels: OK, Good, Very

Good, or Excellent. “Excellent!” is the highest evaluation.

• The evaluation feature can be

turned off via the FUNCTION

Grade item (page 77).

NOTE

Select a Song For a Lesson

DGX-220/YPG-225 Owner’s Manual 39

Learn to play the correct notes with the correct timing. Song playback tempo will vary to match the speed

you are playing at. The song will slow down when you play wrong notes, so you can learn at your own

pace.

Select the song and part you want to practice (steps 1 and

2 on pages 36, 37).

Start Lesson 2.

Each time the LESSON [START] button is pressed the lesson modes are

selected in sequence: Lesson 1 → Lesson 2 → Lesson 3 → Off → Les-

son 1 ...

Play the note shown in the display. Try to play the notes at the correct

timing. As you learn to play the right notes at the right timing the tempo

will increase until eventually you’ll be playing at the song’s original

tempo.

Stop the Lesson mode.

You can stop the Lesson mode at any time by pressing the [START/

STOP] button.

Once you’ve mastered Lesson 2, move on to Lesson 3.

Lesson 2—Your Tempo

YourTemp

In this case “r2” indicate that right-

hand lesson 2 has been selected.

Start the lesson!Song playback will begin automatically when Lesson 2 is selected.

Left-hand part Right-hand part

(In the case of a right-hand lesson)

Select a Song For a Lesson

40 DGX-220/YPG-225 Owner’s Manual

Here’s where you can perfect your technique.

The song will play at the normal tempo, minus the part you have chosen to play. Play along while listening

to the song.

Select the song and part you want to practice (steps 1 and

2 on pages 36, 37).

Start Lesson 3.

Each time the LESSON [START] button is pressed the lesson modes are

selected in sequence: Lesson 1 → Lesson 2 → Lesson 3 → Off → Les-

son 1 ...

Play the note shown in the display.

Stop the Lesson mode.

You can stop the Lesson mode at any time by pressing the [START/

STOP] button.

Lesson 3—Minus One

MinusOne

In this case “r3” indicate that right-

hand lesson 3 has been selected.

Start the lesson!Song playback will begin automatically when Lesson 3 is selected.

Left-hand part Right-hand part

(In the case of a right-hand lesson)

Select a Song For a Lesson

DGX-220/YPG-225 Owner’s Manual 41

Use this feature when you want to start again just ahead of a section on which you made a mistake, or to

repeatedly practice a section you ﬁnd difﬁcult.

Press the [REPEAT & LEARN] button during a lesson.

The song location will move back four measures from the point at

which you pressed the button, and playback will begin after a one-mea-

sure count-in. Playback will continue up to the point at which you

pressed the [REPEAT & LEARN] button, and then jump back four mea-

sures and begin again after a count-in. This process will repeat, so all

you have to do is press the [REPEAT & LEARN] button when you

make a mistake in order to repeat practice of that section until you get it

right.

Practice Makes Perfect—Repeat and Learn

•You can change the number of

measures the Repeat and learn

function jumps back by pressing

a number button [1]–[9] during

repeat playback.

NOTE

Press immediately

Oops!

A mistake!

e Jump back 4 measures and repeat playback

Song playback

direction

42 DGX-220/YPG-225 Owner’s Manual

Press the [MUSIC DATABASE] button.

A Music Database list will appear in the display.

Select a Music Database.

Referring to the list on the panel or Music Database List on page 107 of

the manual, use the dial to select a music database. Select one that

matches the image of the song you intend to play.

For this example select the “115 DayOfW&R”.

Play the chords with your left hand and melody with your

right.

The jazz style will start playing when you play a left-hand chord to the

left of the split point (page 16). Refer to page 24 for information about

playing chords.

Press the [START/STOP] button to stop playback.

001

AlvFever

115

DayOfW&R

Split Point

Play Using the Music Database

You want to play music in your favorite style, but you’re not sure how to

select the best voice and style for the type of music you want to play ...

simply select the appropriate style from the Music Database. The panel

settings will automatically be adjusted for the ideal combination of

sounds and style!

DGX-220/YPG-225 Owner’s Manual 43

Change a Song’s Style

In addition to each song’s default style, you can select any other style

to play the song with the Easy Song Arranger feature. This means that

you can play a song that is normally a ballad, for example, as a bossa

nova, as a hip-hop tune, etc. You can create totally different arrange-

ments by changing the style with which a song is played.

You can also change the song’s melody voice and the keyboard voice

for a complete change of image.

The “Hallelujah Chorus” in the preset songs lets you experience the Easy Song Arranger. Playing it.

Press the [SONG] button, then select a “009 Hallelujah

Chorus” by using the dial. Press the [START/STOP] button

to play it.

As the song progresses, you will see only the style changes while the

song remains the same.

Keep in mind that you can enjoy using Easy Song Arranger with other

songs as well—any songs that include chord data.

Press the [EASY SONG ARRANGER] button.

The song number and name will be displayed. You can use the dial to

select a different song.

Select a Song.

Use the dial to select the song you want to arrange.

Listen to the DEMO Song for Easy Song Arranger

009

Halleluj

• The score for Hallelujah Chorus

is provided on page 94.

NOTE

Using the Easy Song Arranger

009

Halleluj

The currently selected song number

and name are displayed here.

Change a Song’s Style

44 DGX-220/YPG-225 Owner’s Manual

Listen to the song.

Press the [START/STOP] button to begin playback of the song. Move

on to the next step while the song is playing.

Press the [EASY SONG ARRANGER] button.

The style number and name will be displayed. You can use the dial to

select a different style.

Select a style.

Rotate the dial and listen to how the song sounds with different styles.

As you select different styles the song will remain the same while only

the styles change. When you have selected a suitable style move on to

the next step while the song is still playing (if you have stopped the

song, start it again by pressing the [START/STOP] button).

Select a voice you want to play as a song melody.

Press the [VOICE] button. The currently selected voice number and

name will be displayed. Use the dial to select a different voice.

Change the song’s melody voice.

Press and hold the [VOICE] button for longer than a second. After

SONG MELODY VOICE appears on the display the voice you selected

in step 6 becomes the song’s melody voice.

• When playing song numbers

010, 011 and 020 to 030 while

using the Easy Song Arranger,

melody tracks will be automati-

cally muted and no melody will

sound. In order to hear the mel-

ody tracks you will need to press

the SONG MEMORY buttons [3]

to [5].

NOTE

Song start!

015

PopShf 1

The currently selected style number

and name are displayed here.

• Because the Easy Song

Arranger uses song data you

can’t specify chords by playing

in the accompaniment range of

the keyboard. The [ACMP ON/

OFF] button will not function.

• If the time signature of the song

and style are different, the time

signature of the song will be

used.

NOTE

001

GrandPno

The currently selected voice number

and name are displayed here.

Hold for longer than a second

SONG MEL

DGX-220/YPG-225 Owner’s Manual 45

Record Your Own Performance

You can record up to 5 of your own performances and save them as

user songs 031 through 035. The recoreded song can be played back on

the instrument.

■ Recordable Data

You can record to a total of 6 tracks: 5 melody tracks and 1 style (chord) track.

Each track can be recorded individually.

● Melody Track [1]–[5].......... Record the melody parts.

● Style Track [A] ................... Records the chord part.

To record your own performance, ﬁrst use the SONG MEMORY [1]–[5] and [A] buttons to specify the

track(s) you want to record on. The track you record on determines the part that plays back later.

Press the [SONG] button, then use the dial to select the

user song number (031–035) you want to record to.

• Up to approximately 10,000

notes can be recorded if you

record only to the melody

tracks. Up to approximately

5,500 chord changes can be

recorded if you record only to

the style track.

NOTE

Track Configuration

• The Difference Between MELODY R and MELODY L ...

Songs are a combination of a melody and an auto-accom-

paniment style. Normally “melody” refers to the right-hand

part, but in this instrument “melody” parts are provided for

both the right and left hands. MELODY R is the melody

part played by the right hand, and MELODY L is the mel-

ody part played by the left hand.

NOTE

• Track [1]—Will play back as the right-hand melody

part (MELODY R)

• Track [2]—Will play back as the left-hand melody

part (MELODY L)

• Tracks [3]–[5]—Will play back as “other” perfor-

mance data.

• Track [A]—Will play back as the Style (auto-accom-

paniment) part.

Melody Chords

Specify

track(s) and

record

Tra ck

Right-hand

melody

Left-hand

melody

Other perfor-

mance data

Style

The parts played by each track

when a user song is played back.

Recording Procedure

031

User 1

Rotate the dial to select a song

number between 031 and 035.

Record Your Own Performance

46 DGX-220/YPG-225 Owner’s Manual

Select the track(s) you want to record to and conﬁrm your

selection on the display.

◆ Record a Melody Track and the Accompaniment Track

Together

Press the melody track button [1]–[5] you want to record to while hold-

ing the [REC] button.

Next, press the [A] button while holding the [REC] button.

The selected tracks will ﬂash in the display.

◆ Record a Melody track

Press the melody track button [1]–[5] you want to record to while hold-

ing the [REC] button.

The selected track will ﬂash in the display.

Recording will start when you play on the keyboard.

You can also start recording by pressing the [START/STOP] button.

The current measure will be shown on the display during recording.

Stop recording by pressing the [START/STOP] or [REC]

button.

To cancel recording to a selected track, press that track button a sec-

ond time. Style accompaniment cannot be turned on or off while

recording is in progress.

• Style accompaniment is auto-

matically turned on when you

select the style track [A] for

recording.

• Style accompaniment cannot

turned on or off while recording

is in progress.

• If you use a split voice for

recording, notes played to the

left of the split point will not be

recorded.

NOTE

• If you record to a track that

contains previously-recorded

data the previous data will be

overwritten and lost.

CAUTION

Press and hold

rEC

User 1

001

• If style accompaniment is on

and track [A] has not yet been

recorded, the style track [A] will

automatically be selected for

recording when a melody track

is selected. If you only want to

record a melody track, be sure

to turn the style track [A] off.

NOTE

rEC

User 1

001

• If the memory becomes full dur-

ing recording a warning mes-

sage will appear and recording

will stop automatically. Use the

song clear or track clear (page

48) function to delete unwanted

data and make more room avail-

able for recording, then do the

recording again.

NOTE

Recording

starts

Current measure

rEC

User 1

003

Record Your Own Performance

DGX-220/YPG-225 Owner’s Manual 47

If you press the [INTRO/ENDING/rit.] button while recording the style

track an appropriate ending pattern will play and then recording will

stop. When recording stops the current measure number will return to

001 and the recorded track numbers in the display will light.

When the recording is done ...

◆ To Play Back a User Song

User songs are played back in the same way as regular songs (page 25).

1 Press the [SONG] button.

2 The current song number/name will be displayed—use the dial

to select the user song (031–035) you want to play.

3 Press the [START/STOP] button to start playback.

● To Record Other Tracks

Repeat steps 2 through 4 to record any of the remaining tracks.

By selecting an unrecorded track—SONG MEMORY buttons [1]–[5],

[A]—you can record the new track while listening to previously recorded

tracks (the playback tracks will appear in the display). You can also mute

previously recorded tracks (the muted tracks will not appear in the display)

while recording new tracks.

● To Re-record a Track

Simple select the track you want to re-record for recording in the normal

way.

The new material will overwrite the previous data.

● Data Recording Limitations

• The split voice cannot be recorded.

• The following data are recorded at the beginning of the track. Changes

made during the song will not be recorded.

reverb type, chorus type, time signature, style number, style volume,

tempo (When the style track is recorded)

Record Your Own Performance

48 DGX-220/YPG-225 Owner’s Manual

This function clears an entire user song (all tracks).

Press the [SONG] button, then select the user song (031–

035) you want to clear.

Press and hold the SONG MEMORY [1] button for longer

than a second while holding the SONG MEMORY [A] button.

A conﬁrmation message will appear on the display.

Press the [+] button.

A conﬁrmation message will appear on the display.

You can cancel the clear operation by pressing the [-] button.

Press the [+] button to clear the song.

The clear-in-progress message will appear brieﬂy on the display while

the song is being cleared.

This function lets you delete a speciﬁed track from a user song.

Press the [SONG] button, then select the user song (031–

035) you want to clear.

Press and hold the SONG MEMORY track button ([1]–[5],

[A]) corresponding to the track you want to clear for

longer than a second.

A conﬁrmation message will appear on the display.

Press the [+] button.

A conﬁrmation message will appear on the display.

You can cancel the clear operation by pressing the [-] button.

Press the [+] button to clear the track.

The clear-in-progress message will appear brieﬂy on the display while

the track is being cleared.

Song Clear—Deleting User Songs

• If you only want to clear a spe-

ciﬁc track from a user song use

the Track Clear function.

NOTE

Hold for longer

than a second

Press and

hold

YES

ClrUser1

•To execute the Song Clear func-

tion press the [+] button. Press

[-] to cancel the Song Clear

operation.

NOTE

Track Clear—Deleting a Specified Track from a User Song

YES

ClrTr1

Hold for longer than a second

•To execute the Track Clear func-

tion press the [+] button. Press

[-] to cancel the Track Clear

operation.

NOTE

DGX-220/YPG-225 Owner’s Manual 49

Backup and Initialization

The following settings are always backed up, and are maintained even when the power is turned off.

If you want to initialize the settings, use the Initialize operation as explained below.

This function erases all backup data in the instrument’s ﬂash memory and restores the initial default set-

tings. The following initialization procedures are provided.

■Backup Clear ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

To clear data backed up to the internal ﬂash memory—panel user setting, reg-

istration memory, user songs, style ﬁle 151—turn the power on by pressing the

[STANDBY/ON] switch while holding the highest white key on the keyboard.

The backed up data will be erased and the default values restored.

■Flash Clear ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

To clear song data and style ﬁles that have been transferred to the internal ﬂash

memory from a computer, turn the power on by pressing the [STANDBY/ON]

switch while simultaneously holding the highest white key on the keyboard

and the three highest black keys.

● The Backup Parameters

• User Songs

• Style Files

•Registration Memory

• FUNCTION Settings: Tuning, Split Point, Touch Sensitivity, Style Volume,

Song Volume, Metronome Volume, Grade, Demo Cancel,

Master EQ type

Backup

Initialization

• When you execute the Flash

Clear operation, song data

you have purchased will also

be cleared. Be sure to save

data you want to keep to a

computer.

CAUTION

50 DGX-220/YPG-225 Owner’s Manual

Basic Operation and Displays

Overall DGX-220/YPG-225 control is based on the following simple operations.

1 Press a button to select a basic function.

Basic Operation

1 Press a button to select a basic function.

2 Use the dial to select an item or value.

3 Start a function.

001

GrandPno

Display (page 52)

● Volume Adjustment

Adjusts the volume of the sound heard via the

instrument’s speakers or a pair of headphones

plugged into the PHONES jack.

Rotate counter-

clockwise to lower

the volume.

Rotate clockwise

to increase the

volume.

3 Start a function. 1 Select a basic function.

2 Select an item or value.

The “Press & Hold” Symbol

The “ ” symbol that appears next

to some buttons indicates that the button

can be pressed and held for longer than a

second to call up a related function. This

provides convenient direct access to a

range of functions.

Select a song you want to listen to or a song you want to use for a lesson.

Select an auto-accompaniment style.

Select a voice you want to play on the keyboard.

Basic Operation and Displays

DGX-220/YPG-225 Owner’s Manual 51

2 Use the dial to select an item or value.

When you select a basic function, the item corresponding to that function will be displayed. You can

then use the dial or the number buttons [0]–[9] to select the desired item.

■ Changing Values● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

3 Start a function.

This is the [START/STOP] button.

Press the [START/STOP] button after pressing the [SONG] or [STYLE]

button to start playback of the selected song or style (rhythm).

012

ForElise

This portion of the display indi-

cates the name and number of

the currently selected song,

voice and style. It also displays

the name and current setting/

value of other functions.

● Dial

Rotate the dial clockwise to increase the

value of the selected item, or counter-

clockwise to decrease it’s value. Rotate

the dial continuously to continuously

increase or decrease the value.

● [+] and [-] Buttons

Press the [+] button brieﬂy to incre-

ment the value by 1, or press the [-]

button brieﬂy to decrement the value

by 1. Press and hold either button to

continuously increment or decre-

ment the value in the corresponding

direction.

● Number Buttons [0]–[9]

The number buttons can be used to directly enter a song number

or parameter value.

Hundreds or tens digits that are “0” can be omitted (see below).

Decrease Increase

Press

brieﬂy to

decrement.

Press

brieﬂy to

increment.

Press number buttons

[0], [0], [3].

Example: Song number “003”

can be entered in three ways.

• [0] → [0] → [3]

• [0] → [3]

(“003” will appear on the dis-

play after a brief delay)

• [3]

(“003” will appear on the dis-

play after a brief delay)

● CATEGORY [ ] and [ ] buttons

When selecting a song, style, or voice,

you can use these buttons to jump to the

ﬁrst item in the next or previous category.

The CATEGORY [ ] and [ ] buttons

are useful for selecting categorized items,

as in the example below.

Example: VOICE SELECT

In a display in which a category appears, selection is easy if you

ﬁrst use the CATEGORY [ ] and [ ] buttons to select the cat-

egory containing the desired item, then use the dial or [+] and [-]

buttons to select the item. This can be particularly handy when

you have to select from a large number of voices.

Jump to the ﬁrst item

in the next or previous

category.

090

SweetFlt

The ﬁrst voice in the selected

category is selected.

In most procedures described throughout this owner’s

manual the dial is recommended for selection simply

because it is the easiest and most intuitive selection

method. Please note however, that most items or values

that can be selected using the dial can also be selected

using the [+] and [-] buttons.

Basic Operation and Displays

52 DGX-220/YPG-225 Owner’s Manual

The display shows all of the current basic settings: song, style, voice.

It also includes a range of indicators that show the on/off status of a range of functions.

Display Items

001

GrandPno

Indicates that Harmony is

turned on. (see page 53)

Indicates that the Dual voice is

turned on. (see page 15)

Indicates that the Split voice is

turned on. (see page 16)

Indicates that performance

assistant technology is turned

on. (see page

30)

Indicates that Accompaniment

is turned on. (see page 20)

Indicates that SYNC STOP is

turned on. (see page 64)

HARMONY

DUAL

SPLIT

Performance assistant technology

ACMP ON

SYNC STOP

Displays the melody and chord

notes of a song when the Easy

Performer function is in use, or

the notes of chords you specify

when the Dictionary function is

in use. At other times the notes

you play on the keyboard are

displayed.

Notation

•Any notes occurring below or above the staff are indi-

cated by “8va” in the notation.

•For a few speciﬁc chords, not all notes may be shown in

the notation section of the display. This is due to space

limitations in the display.

NOTE

Indicates the beat number in a measure

during the Metronome function. Indi-

cates the current measure during play-

back of a song or style. (see pages 56,

46)

Indicates the name of the chord cur-

rently being played back, or the name of

the chord being played on the keyboard.

Information related to the song tracks is shown here. (see

pages 45, 72)

BEAT number and MEASURE

Chord Display

Song Track Display

001

Indicates the current style or song

beat with ﬂashing arrows. (see page

35)

The selected registration memory that

contains data is displayed.

Beat Display

Registration Memory

DGX-220/YPG-225 Owner’s Manual 53

Adding Effects

This feature adds harmony notes to the main voice.

Press the [HARMONY ON/OFF] button

to turn Harmony feature on.

To turn Harmony off, press the [HARMONY

ON/OFF] button again.

When you press the [HARMONY ON/OFF]

button to turn this feature on, the appropriate

harmony type for the currently selected main

voice is automatically selected.

Press and hold the [HARMONY ON/

OFF] button for longer than a second so

that the Harmony Type item appears.

“HarmType” appears in the display for a few

seconds, and the currently selected harmony

type will be displayed. Use the dial to select a

different harmony type.

Use the dial to select a harmony type.

Refer to the Effect Type List on page 109 for

information about the available harmony types.

Try playing the keyboard with the harmony

function. The effect and operation of each Har-

mony Type is different-refer to the below sec-

tion “How to sound each Harmony Type” as

well as the Effect Type List for details.

Harmony

When harmony is on the

harmony icon will appear

in the display.

Trio

HarmType

The currently selected harmony type

Hold for longer

than a second.

• The harmony notes can be added only to the Main Voice, not to Dual

or Split Voices.

• The keys left of the Split Point of the keyboard produce no harmony

notes when the auto accompaniment is on (ACMP ON is lit).

NOTE

● How to sound each Harmony Type

• Harmony type 01 to 05

• Harmony type 06 to 12 (Trill)

Press the right-hand keys while playing chords in

the auto accompaniment range of the keyboard

when the Auto Accompaniment is on (page 20).

Hold down two keys.

• Harmony type 13 to 19 (Tremolo)

• Harmony type 20 to 26 (Echo)

You can adjust the Harmony Volume in the

Function Settings (page 62).

Keep holding down the keys.

Reference

54 DGX-220/YPG-225 Owner’s Manual

Adding Effects

Reverb lets you play with a rich concert hall type ambience. When you select a style or song the optimum

reverb type for the voice used is automatically selected. If you want to select a different reverb type, use the

procedure described below.

Press the [FUNCTION] button.

Use the CATEGORY [ ] and [ ] buttons

to select the Reverb Type item.

“Reverb” appears in the display for a few sec-

onds, and the currently selected reverb type

will be displayed.

Use the dial to select a reverb type.

You can check how the selected reverb type

sounds by playing on the keyboard.

Refer to the Effect Type List on page 109 for

information about the available reverb types.

● Adjusting the Reverb Level

You can individually adjust the amount of reverb

that is applied to the main, dual, and split voices.

(See page 76).

Adding Reverb

100

StyleVol

Hall2

The currently selected reverb type

Reverb

Hall3

Selected reverb type

Adding Effects

DGX-220/YPG-225 Owner’s Manual 55

The chorus effect creates a thick sound that is similar to many of the same voices being played in unison.

When you select a style or song the optimum chorus type for the voice used is automatically selected. If

you want to select a different chorus type, use the procedure described below.

Press the [FUNCTION] button.

Use the

CATEGORY [ ] and [ ] buttons

to select the Chorus Type item.

“Chorus” appears in the display for a few sec-

onds, and the currently selected chorus type

will be displayed.

Use the dial to select a chorus type.

You can check how the selected chorus type

sounds by playing on the keyboard.

Refer to the Effect Type List on page 109 for

information about the available chorus types.

● Adjusting the Chorus Level

You can individually adjust the amount of chorus

that is applied to the main, dual, and split voices.

(See page 76).

Adding Chorus

Chorus1

Chorus

The currently selected chorus type

Chorus2

Selected chorus type

56 DGX-220/YPG-225 Owner’s Manual

Handy Performance Features

The instrument includes a metronome with adjustable tempo and time signature.

Use it to set the tempo that is most comfortable for you.

■Start the metronome ● ● ● ● ● ● ● ● ● ●

Turn the metronome on and start it by

pressing the [METRONOME ON/OFF]

button.

To stop the metronome, press the [METRO-

NOME ON/OFF] button again.

■Adjusting the Metronome

Tempo

● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

Press the [TEMPO/TAP] button to call

up the tempo setting.

Use the dial to select a tempo from 11 to

280.

The Metronome

001

GrandPno

Indicates the beat number

in the measure

090

Tempo

Current Tempo setting

Handy Performance Features

DGX-220/YPG-225 Owner’s Manual 57

■Setting the Number of Beats

per Measure, and the Length of

Each Beat

● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

In this example we’ll set up a 5/8 time signature.

Press and hold the [METRONOME ON/

OFF] button for longer than a second to

select the number of beats per measure

function “TimesigN”.

Use the dial to select the number of

beats per measure.

A chime will sound on the ﬁrst beat of each

measure while the other beats will click. All

beats will simply click with no chime at the

beginning of each measure if you set this

parameter to “00”.

The available range is from 0 through 60.

Select 5 for this example.

Press the CATEGORY [ ] and [ ] but-

tons as many times as necessary to

select the beat length function

“TimesigD”.

The currently selected beat length will be dis-

played.

Use the dial to select the beat length.

Select the required length for each beat: 2, 4, 8,

or 16 (half note, quarter note, eighth note, or

note). Select 8 for this example.

■Adjusting the Metronome

Volume

● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

Press the [FUNCTION] button.

Use the CATEGORY [ ] and [ ] but-

tons to select the Metronome Volume

item.

Use the dial to set the metronome vol-

ume as required.

TimesigN

Number of beats per measure.

Hold for longer than

a second

• The metronome time signature will synchronize to a style or song

that is playing, so these parameters cannot be changed while a style

or song is playing.

NOTE

TimesigD

The length of one beat.

Metronome volume

100

MtrVol

58 DGX-220/YPG-225 Owner’s Manual

Handy Performance Features

You can start the song/style by simply tapping the [TEMPO/TAP] button at the required tempo—4 times

for time signatures in 4, and three times for time signatures in 3. You can change the tempo during song

playback by pressing the button just twice.

When touch response is on you can adjust the keyboard’s sensitivity to dynamics in three steps.

Press the [FUNCTION] button.

Use the CATEGORY [ ] and [ ] but-

tons to select the Touch Sensitivity

item.

“TouchSns” appears in the display for a few

seconds, and the currently selected touch sensi-

tivity will be displayed.

Use the dial in response to keyboard

dynamics to select a touch sensitivity

setting between 1 and 3. Higher values

produce greater (easier) volume varia-

tion in response to keyboard dynam-

ics—i.e. greater sensitivity.

A setting of “4” results in a ﬁxed touch

response, or no level change no matter how

hard or how soft you play the keys.

Tap Start

Touch Response Sensitivity

TouchSns

Touch Sensitivity

Medium

• The initial default touch sensitivity setting is “2”.

NOTE

Handy Performance Features

DGX-220/YPG-225 Owner’s Manual 59

This function adds sustain to the keyboard voices. Use it when you want to add sustain to the voices at all

times, regardless of footswitch operation. The sustain function does not affect split voice.

Press the [FUNCTION] button.

Use the CATEGORY [ ] and [ ] but-

tons to select the Sustain item.

The current setting is displayed.

You can then use the [+] and [-] buttons

to turn panel sustain on or off.

The pitch bend wheel can be used to add smooth pitch variations to notes you play on the keyboard. Roll

the wheel upward to raise the pitch, or downward to lower the pitch. If you use this feature with a voice

such as the “040 Overdriven” guitar voice, you can produce remarkably realistic string-bending effects.

You can change the amount of pitch bend produced by the wheel, as described on page 76.

Panel Sustain

oFF

Sustain

• The sustain of some voices may not be markedly affected when the

panel sustain function is turned on.

NOTE

Pitch Bend

60 DGX-220/YPG-225 Owner’s Manual

Handy Performance Features

◆ Large Pitch Changes (Transpose)

The overall pitch of the instrument can by shifted

up or down by a maximum of 1 octave in semitone

increments.

Press the [FUNCTION] button.

Use the CATEGORY [ ] and [ ] but-

tons to select the Transpose item.

Use the dial to set the transpose value

between -12 and +12 as required.

◆ Small Pitch Changes (Tuning)

The overall tuning of the instrument can by shifted

up or down by a maximum of 100 cents in 1-cent

increments (100 cents = 1 semitone).

Press the [FUNCTION] button.

Use the CATEGORY [ ] and [ ] but-

tons to select the Tuning item.

Use the dial to set the tuning value

between -100 and +100 as required.

Pitch Controls

Transpos

• The pitch of Drum Kits voices cannot be changed.

NOTE

000

Tuning

• The pitch of Drum Kits voices cannot be changed.

NOTE

Handy Performance Features

DGX-220/YPG-225 Owner’s Manual 61

Sometimes selecting the ideal voice to play with a song or style can be confusing. The One Touch Setting

feature automatically selects a well-balanced voice for you when you select a style or song. Simply select

voice number “000” to activate this feature.

Select voice number “000” (steps 1 to 2

on page 14).

Select and play back any song (steps 1

to 3 on page 25).

Play the keyboard and remember the

sound of the voice.

If you have stopped playback at some point

during this procedure press the [START/STOP]

button to start playback again.

Use the dial to change songs, then play

the keyboard and listen to the voice.

You should hear a different keyboard voice

than you played in step 3. Press the [VOICE]

button after changing songs to see the name of

the voice being used.

One Touch Setting

000

SweetSpr

Use the dial to select voice number 000.

62 DGX-220/YPG-225 Owner’s Manual

Handy Performance Features

Press the [FUNCTION] button.

Use the CATEGORY [ ] and [ ] but-

tons to select the Harmony Volume

item.

Use the dial to set the harmony volume

between 000 and 127.

Five different master equalizer (EQ) settings are provided to give you the best possible sound when listen-

ing through different reproduction systems—the instrument’s internal speakers, headphones, or an external

speaker system.

Press the [FUNCTION] button.

The currently selected function will appear in

the display.

Press the CATEGORY [ ] and [ ] but-

tons as many times as necessary to

select the master EQ type function

“MasterEQ”.

“MasterEQ” will be shown in the display for a

few seconds, then the currently selected EQ

type will appear.

Use the dial to select the desired Master

EQ setting.

Five settings are available: 1–5. Settings 1 and

2 are best for listening via the instrument’s

built-in speakers, setting 3 is for headphones,

and settings 4 and 5 are ideal for listening via

external speakers.

Adjusting the Harmony Volume

080

HarmVol

Select an EQ Setting for the Best Sound

Speaker1

MasterEQ

The currently selected

master EQ type.

DGX-220/YPG-225 Owner’s Manual 63

Style (Auto-accompaniment) Functions

Basic operation of the Style (auto-accompaniment) feature is described on page 19 of

the Quick Guide.

Here are some other ways you can play the styles, the style volume adjustment proce-

dure, how you can play chords using the styles, and more.

The DGX-220/YPG-225 features a wide variety of style “sections” that allow you to vary the arrangement

of the accompaniment to match the song you are playing.

● INTRO section

This is used for the beginning of the Song. When the intro ﬁnishes playing, accompaniment shifts to the main sec-

tion. The length of the intro (in measures) differs depending on the selected Style.

● MAIN section

This is used for playing the main part of the Song. It plays a main accompaniment pattern, and repeats indeﬁnitely

until another section’s button is pressed. There are two variations on the basic pattern (A and B), and the Style

playback sound changes harmonically based on the chords you play with your left hand.

● Fill-in section

This is automatically added before changing to section A or B.

● ENDING section

This is used for the ending of the Song. When the ending is ﬁnished, the auto accompaniment stops automatically.

The length of the ending (in measures) differs depending on the selected Style.

Press the [STYLE] button and then

select a style.

Press the [ACMP ON/OFF] button to

turn auto accompaniment on.

Press the [SYNC START] button to turn

synchro start on.

Pattern Variation (Sections)

Main A/BIntro

Auto ﬁllEnding

Appears when Auto

Accompaniment is on.

● Synchro Start

When the synchro start standby mode is engaged,

style playback will begin as soon as you play a

chord in the accompaniment range of the keyboard.

You can disengage the synchro-start standby mode

by pressing the [SYNC START] button again.

Beat arrows will ﬂash when

the synchro start standby

mode is engaged

64 DGX-220/YPG-225 Owner’s Manual

Style (Auto-accompaniment) Functions

Press the [MAIN/AUTO FILL] button.

Press the [INTRO/ENDING/rit.] button.

You’re now ready to play the intro.

As soon as you play a chord with your

left hand, the Intro of the selected Style

starts.

For this example, play a C major chord (as

shown below). For information on how to enter

chords, see “Playing Auto-accompaniment

Chords” on page 24.

Press the [MAIN/AUTO FILL] button.

When the ﬁll-in is ﬁnished, it leads smoothly

into the selected main section A/B.

Press the [INTRO/ENDING/rit.] button.

This switches to the ending section.

When the ending is ﬁnished, the auto accompa-

niment stops automatically. You can have the

ending gradually slow down (ritardando) by

pressing the [INTRO/ENDING/rit.] button

again while the ending is playing back.

MAIN A

The name of the selected section—

MAIN A or MAIN B—will be displayed.

INTRO≥A

Accompaniment range

Split point

FILL A≥B

● Synchro Stop

When this function is selected the accompaniment

style will only play while you are playing chords

in the accompaniment range of the keyboard.

Style playback will stop when you release the

keys. To turn the function on, press the [SYNC

STOP] button.

ENDING

Appears when the syn-

chro-stop function is

engaged.

The style will play

while you are playing

the keys

Style playback will

stop when you

release the keys

Style (Auto-accompaniment) Functions

DGX-220/YPG-225 Owner’s Manual 65

Press the [STYLE] button to engage the

style function.

Press the [FUNCTION] button.

Use the CATEGORY [ ] and [ ] but-

tons to select the Style Volume item.

Use the dial to set the style volume

between 000 and 127.

The initial default split point is key number 54 (the F#2 key), but you can change it to another key using the

procedure described below.

Press the [FUNCTION] button.

Use the CATEGORY [ ] and [ ] but-

tons to select the Split point item.

Use the dial to set the split point to any

key from 000 (C-2) through 127 (G8).

Adjusting the Style Volume

100

StyleVol

Setting the Split Point

Split point

054

SplitPnt

Split point (54 : F#2)

Main voice

Split voice

• When you change the split point the auto-accompaniment split point

also changes.

• The split point cannot be changed during a song lesson.

• The split voice sounds when the split-point key is played.

NOTE

66 DGX-220/YPG-225 Owner’s Manual

Style (Auto-accompaniment) Functions

When auto accompaniment is on (the ACMP ON icon is showing) and Synchro Start is off, you can play

chords in the left-hand accompaniment range of the keyboard while the style is stopped and still hear the

accompaniment chords. This is “Stop Accompaniment”, and any of the chord ﬁngerings recognized by the

instrument can be used (page 24).

Press the [STYLE] button to engage the

style function, then press the [ACMP ON/

OFF] button.

In “Play Along with a Style” on page 20 we described a method of playing styles in which chords were

detected only to the left of the keyboard split point. By making the settings described below, however,

chord detection for style accompaniment occurs over the entire range of the keyboard, allowing for even

more dynamic style performance. In this mode only chords played in the normal way (page 24) can be

detected.

Press the [FUNCTION] button.

Use the CATEGORY [ ] and [ ] but-

tons to select the function “Chord Fin-

gering”.

“ChdFing” will be shown in the display for a

few seconds, then the currently selected Chord

Fingering type will appear.

Use the dial to select 2 “FullKbd”.

Play a Style with Chords but No Rhythm (Stop Accompaniment)

087

PopBossa

Appears when auto accompaniment is on

Accompaniment range

Playing Styles Using the Entire Keyboard

Multi

ChdFing

Style (Auto-accompaniment) Functions

DGX-220/YPG-225 Owner’s Manual 67

This instrument features 150 internal styles, but other styles, such as those provided on the CD-ROM and

others that can be obtained from the internet (only styles with the “.sty” sufﬁx), can be loaded into style

number 151 and used in the same way as the internal styles.

In order to use the style ﬁle load function, the ﬁle must already have been transferred from the computer to

the instrument. The procedure for transferring ﬁles from a computer to the instrument is described on page

82 (“Transferring Data between the Computer and Instrument”).

The procedure described below loads a style ﬁle that has already been transferred from a computer to the

instrument into style number 151.

Press the [FUNCTION] button.

The currently selected function will appear in

the display.

Press the CATEGORY [ ] and [ ] but-

tons as many times as necessary to

select the style ﬁle load function “Sff

Load”.

After about 2 seconds the name of a loadable

style ﬁle will appear in the display.

If multiple loadable style ﬁles have been trans-

ferred to the instrument, you can use the dial or

the [+] and [-] buttons to select the other ﬁles in

sequence.

Execute the load operation.

With the name of the style ﬁle you want to load

shown in the display, press the number [0] but-

ton.

A conﬁrmation message for the load

operation will appear. Press the [+/YES]

button to actually load the ﬁle.

Loading Style Files

Sff Load

68 DGX-220/YPG-225 Owner’s Manual

Style (Auto-accompaniment) Functions

Two or more notes played together constitute a “chord”.

The most basic chord type is the “triad” consisting of three notes: the

root, third, and ﬁfth degrees of the corresponding scale. A C major triad,

for example, is made up of the notes C (the root), E (the third note of the

C major scale), and G (the ﬁfth note of the C major scale).

In the C major triad shown above, the lowest note is the “root” of the

chord (this is the chord’s “root position” ... using other chord notes for

the lowest note results in “inversions”). The root is the central sound of the chord, which supports and

anchors the other chord notes.

The distance (interval) between adjacent notes of a triad in root position is either a major or minor third.

The lowest interval in our root-position triad (between the root and the third) determines whether the triad

is a major or minor chord, and we can shift the highest note up or down by a semitone to produce two addi-

tional chords, as shown below.

The basic characteristics of the chord sound remain intact even if we change the order of the notes to create

different inversions. Successive chords in a chord progression can be smoothly connected, for example, by

choosing the appropriate inversions (or chord “voicings”).

● Reading Chord Names

Chord names tell you just about everything you need to know about a chord

(other than the inversion/voicing). The chord name tells you what the root of the

chord is, whether it is a major, minor, or diminished chord, whether it requires a

major or ﬂatted seventh, what alterations or tensions it uses ... all at a glance.

● Some Chord Types (These are just some of the “Standard” chord types recognized by the DGX-220/YPG-225.)

Chord Basics

3rd

Root

Major third–four half steps (semitones) Minor third–three half steps (semitones)

CM Cm Caug Cdim

Major chord

Minor 3rd

Major 3rd

Minor 3rd

Major 3rd

Minor 3rd

Minor chord Augmented chord Diminished chord

Root note Chord type

Csus4 C7 Cm7 CM7

(

)

Cm7

(

)

C7sus4

CmM7

Perfect 5

Perfect 4

Flatted 7

Major chord Flatted 7

Minor chord Major 7

Major chord

Major 7

Minor chord Flatted 5

chord

Flatted 5

Minor 7

chord

Flatted 7

Suspended

chord

Suspended 4

Minor 7

Major 7

, suspended 4

Minor 7

, ﬂatted 5

Minor/major 7

Style (Auto-accompaniment) Functions

DGX-220/YPG-225 Owner’s Manual 69

■Recognized Standard Chords● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

All chords in the chart are “C-root” chords.

* These chords are not shown in the Dictionary function.

Chord Name/[Abbreviation] Normal Voicing Chord (C) Display

Major [M] 1 - 3 - 5 C

Add ninth [(9)] 1 - 2 - 3 - 5 C

(9)

Sixth [6] 1 - (3) - 5 - 6 C6

Sixth ninth [6(9)] 1 - 2 - 3 - (5) - 6 C6

(9)

Major seventh [M7]

1 - 3 - (5) - 7 or

1 - (3) - 5 - 7

CM7

Major seventh ninth [M7(9)] 1 - 2 - 3 - (5) - 7 CM7

(9)

Major seventh add sharp eleventh [M7(#11)]

1 - (2) - 3 - #4 - 5 - 7 or

1 - 2 - 3 - #4 - (5) - 7

CM7

(#11)

Flatted ﬁfth [(b5)] 1 - 3 - b5C

Major seventh ﬂatted ﬁfth [M7b5] 1 - 3 - b5 - 7 CM7

Suspended fourth [sus4] 1 - 4 - 5 Csus4

Augmented [aug] 1 - 3 - #5 Caug

Major seventh augmented [M7aug] 1 - (3) - #5 - 7 CM7aug *

Minor [m] 1 - b3 - 5 Cm

Minor add ninth [m(9)] 1 - 2 - b3 - 5 Cm

(9)

Minor sixth [m6] 1 - b3 - 5 - 6 Cm6

Minor seventh [m7] 1 - b3 - (5) - b7 Cm7

Minor seventh ninth [m7(9)] 1 - 2 - b3 - (5) - b7 Cm7

(9)

Minor seventh add eleventh [m7(11)] 1 - (2) - b3 - 4 - 5 - (b7) Cm7

(11)

Minor major seventh [mM7] 1 - b3 - (5) - 7 CmM7

Minor major seventh ninth [mM7(9)] 1 - 2 - b3 - (5) - 7 CmM7

(9)

Minor seventh ﬂatted ﬁfth [m7b5] 1 - b3 - b5 - b7 Cm7

Minor major seventh ﬂatted ﬁfth [mM7b5] 1 - b3 - b5 - 7 CmM7

Diminished [dim] 1 - b3 - b5 Cdim

Diminished seventh [dim7] 1 - b3 - b5 - 6 Cdim7

Seventh [7]

1 - 3 - (5) - b7 or

1 - (3) - 5 - b7

Seventh ﬂatted ninth [7(b9)] 1 - b2 - 3 - (5) - b7C7

(b9)

Seventh add ﬂatted thirteenth [7(b13)] 1 - 3 - 5 - b6 - b7C7

(b13)

Seventh ninth [7(9)] 1 - 2 - 3 - (5) - b7C7

(9)

Seventh add sharp eleventh [7(#11)]

1 - (2) - 3 - #4 - 5 - b7 or

1 - 2 - 3 - #4 - (5) - b7

(#11)

Seventh add thirteenth [7(13)] 1 - 3 - (5) - 6 - b7C7

(13)

Seventh sharp ninth [7(#9)] 1 - #2 - 3 - (5) - b7C7

(#9)

Seventh ﬂatted ﬁfth [7b5] 1 - 3 - b5 - b7C7

Seventh augmented [7aug] 1 - 3 - #5 - b7 C7aug

Seventh suspended fourth [7sus4] 1 - 4 - (5) - b7 C7sus4

One plus two plus ﬁve [1+2+5] 1 - 2 - 5 C *

(

)

(

)

CM7

(

)

CM7

(

#11

)

(

)

CM7

(

)

Csus4

Caug

CM7aug

(

)

Cm6

Cm7

(

)

Cm7

(

)

CmM7

(

)

Cm7

(

)

CmM7

(

)

Cdim

Cdim7

(

)

(

b13

)

(

)

(

#11

)

(

)

(

)

C7b5

C7aug

C7sus4

C1+2+5

• Notes in parentheses can be omitted.

• Playing two same root keys in the adjacent octaves produces accompa-

niment based only on the root.

•A perfect ﬁfth (1+5) produces accompaniment based only on the root

and ﬁfth which can be used with both major and minor chords.

• The chord ﬁngerings listed are all in “root” position, but other inversions

can be used—with the following exceptions: m7, m7

5, 6, m6, sus4,

aug, dim7, 7

5, 6(9), 1+2+5.

NOTE

•Inversion of the 7sus4 and m7(11) chords are not recognized if the

notes shown in parentheses are omitted.

• The auto accompaniment will sometimes not change when related

chords are played in sequence (e.g. some minor chords followed by the

minor seventh).

•Two-note ﬁngerings will produce a chord based on the previously played

chord.

NOTE

70 DGX-220/YPG-225 Owner’s Manual

Style (Auto-accompaniment) Functions

The Dictionary function is essentially a built-in “chord book” that shows you the individual notes of chords.

It is ideal when you know the name of a certain chord and want to quickly learn how to play it.

Press and hold the LESSON [START]

button for longer than a second.

As an example, we’ll learn how to play a

GM7 (G major seventh) chord. Press the

“G” key in the section of the keyboard

labeled “ROOT”. (The note doesn’t

sound.) The root note you set is shown

in the display.

Press the “M7” (major seventh) key in

the section of the keyboard labeled

“CHORD TYPE”. (The note doesn’t

sound.) The notes you should play for

the speciﬁed chord (root note and

chord type) are shown in the display,

both as notation and in the keyboard

diagram.

To call up possible inversions of the chord,

press the [+]/[-] buttons.

Try playing a chord in the auto accom-

paniment section of the keyboard,

checking the indications in the display.

When you’ve played the chord properly,

a bell sound signals your success and

the chord name in the display ﬂash.

Looking Up Chords Using the Chord Dictionary

Dict.

Hold for longer than

a second

001

Dict.

001

Dict.

Notation of chord

Chord name (root and type)

Individual notes of chord (keyboard)

• About major chords: Simple major chords are usually indicated only

by the root note. For example, “C” refers to C major. However, when

specifying major chords here, make sure to select “M” (major) after

pressing the root note.

NOTE

DGX-220/YPG-225 Owner’s Manual 71

Song Settings

Press the [FUNCTION] button.

Use the CATEGORY [ ] and [ ] but-

tons to select the Song Volume item.

Use the dial to set the song volume

between 000 and 127.

You can specify a section of a song—“A” is the

start point and “B” is the end point—for repeat

playback.

Play the song (page 25) and press the

[A-B REPEAT] button at the beginning

of the section you want to repeat (the

“A” point).

Press the [A-B REPEAT] button a sec-

ond time at the end of the section you

want to repeat (the “B” point).

The speciﬁed A-B section of the song

will now play repeatedly.

You can stop repeat playback at any time by

pressing the [A-B REPEAT] button.

Song Volume

100

SongVol

Song volume

• Song volume can be adjusted while a song is selected.

NOTE

A-B Repeat

• The repeat start and end points can be speciﬁed in one-measure

increments.

• The current measure number is shown in the display during play-

back.

• If you want to set the start point “A” at the very beginning of the song

press the [A-B REPEAT] button before starting playback of the song.

NOTE

72 DGX-220/YPG-225 Owner’s Manual

Song Settings

Each “track” of a song plays a different part of the

song—melody, percussion, accompaniment, etc.

You can mute individual tracks and play the muted

part on the keyboard yourself, or simply mute

tracks other than the ones you want to listen to.

Use the SONG MEMORY [1]–[5] and [A] buttons

to mute or un-mute the corresponding tracks. The

track number in the display disappears when that

track is muted. Refer to page 45 for information

about the song track conﬁguration.

You can change a song’s melody voice to any other voice you prefer.

Select the song and play it.

Rotate the dial to select the voice you

want to listen to after pressing the

[VOICE] button.

Press the [VOICE] button for longer

than a second.

“SONG MELODY VOICE” appears in the

display for a few seconds, indicating

that the voice selected in step #2 has

replaced the song’s original melody

voice.

Muting Independent Song Parts

Track number on—Track will playback

Track number off—Track is muted or

contains no data

Change the Melody Voice

•You cannot change the melody voice of a user song.

NOTE

050

Strings

SONG MEL

Hold for longer than

a second

DGX-220/YPG-225 Owner’s Manual 73

Memorize Your Favorite Panel Settings

This instrument has a Registration Memory feature that lets you save your favorite set-

tings for easy recall whenever they’re needed. Up to 16 complete setups can be saved

(8 banks of two setups each).

Set the panel controls as required—

select a voice, accompaniment style,

etc.

Press the [MEMORY/BANK] button. A

bank number will appear in the display

when you release the button.

Use the dial or the [1]–[8] number but-

tons to select a bank number from 1 to

Press the REGIST MEMORY [1] or [2]

button while holding the [MEMORY/

BANK] button to store the current panel

settings to the speciﬁed registration

memory.

8 Banks

Memory 1

Up to 16 presets (eight

banks of two each) can be

memorized.

Memory 2

Saving to the Registration Memory

Bank

Bank number

• Data cannot be saved to the registration memory during song play-

back.

NOTE

Writing!

• If you select a Registration Memory number that already contains

data, the previous data is deleted and overwritten by the new data.

NOTE

• Do not turn off the power while saving settings to the registra-

tion memory, otherwise the data may be damaged or lost.

CAUTION

74 DGX-220/YPG-225 Owner’s Manual

Memorize Your Favorite Panel Settings

Press the [MEMORY/BANK] button.

A bank number will appear in the dis-

play when you release the button.

Use the dial or the [1]–[8] number but-

tons to select bank you want to recall.

Press the REGIST MEMORY button, [1]

or [2], containing the settings you want

to recall. The recalled REGIST MEMORY

number appears in the display for a few

seconds. The panel controls will be

instantly set accordingly.

Recalling a Registration Memory

Bank number

Bank

REGIST 1

● Settings That Can be Saved to the Registra-

tion Memory

• Style settings*

Style number, Auto Accompaniment ON/OFF,

Split Point, Style settings (Main A/B),

Style Volume, Tempo, Chord Fingering

• Voice settings

Main Voice setting (Voice number, Volume,

Octave, Pan, Reverb Level, Chorus Level),

Dual Voice settings (Dual ON/OFF,

Voice number, Volume, Octave, Pan,

Reverb Level, Chorus Level),

Split Voice settings (Split ON/OFF,

Voice number, Volume, Octave, Pan,

Reverb Level, Chorus Level)

• Effect settings

Reverb Type, Chorus Type,

Panel Sustain ON/OFF,

• Harmony settings

Harmony ON/OFF, Harmony Type,

Harmony Volume

• Other settings

Transpose, Pitch Bend Range

* Style settings are not available for Registration Memory when

using the Song features.

DGX-220/YPG-225 Owner’s Manual 75

The Functions

The “Functions” provide access to a range of detailed instrument parameters for tun-

ing, setting the split point, and adjusting the voices and effects. Take a look at the func-

tion list starting on the opposite page. There are 47 function parameters in all.

When you locate a function you want to set up, simply select the function’s display

name (shown to the right of the function name in the list) and adjust as required.

Find the function you want to set in the

list that begins on page 76.

Press the [FUNCTION] button.

Select a function.

Press the CATEGORY [ ] and [ ] buttons as

many times as necessary until the function’s

display name appears in the display.

Use the dial, the [+] and [-] buttons, or

the [0]–[9] number buttons to set the

selected function as required.

The [+] and [-] buttons are used to make ON/

OFF type settings: [+] = ON, [-] = OFF.

In some cases the [+] button will initiate execu-

tion of the selected function, and the [-] will

cancel the selection.

Function settings are stored in memory as soon

as they are changed. To restore all initial factor

default settings perform the “Backup Clear”

procedure described in the “Initialization” sec-

tion on page 49.

Selecting and Setting Functions

100

StyleVol

Transpos

The selected function.

Direct numeric

entry.

• Increment value by 1.

•ON

•Execute

• Decrement value by 1.

• OFF

• Cancel

Press simultaneously to recall

the default setting.

76 DGX-220/YPG-225 Owner’s Manual

The Functions

● Function Setting List

Setting Item title Range/Settings Description

Style Volume StyleVol 000–127 Determines the volume of the Style.

Song Volume SongVol 000–127 Determines the volume of the Song.

Transpose Transpos -12–12 Determines the pitch of the instrument by semitone increments.

Tuning Tuning -100–100 Sets the pitch of the instrument’s sound in 1-cent increments.

Pitch Bend Range PBRange 01–12 Sets the pitch bend range in semitone increments.

Split Point SplitPnt

000–127

(C-2–G8)

Determines the highest key for the Split voice and sets the Split “point”—

in other words, the key that separates the Split (lower) and Main (upper)

voices. The Split Point setting and Accompaniment Split Point setting are

automatically set to the same value.

Touch Sensitivity TouchSns

1(Soft),

2(Medium),

3(Hard),

4(Off)

Determines the sensitivity of the feature.

Fingering Chord ChdFing

Multi(1),

FullKbd(2)

Sets the chord detection mode. In the Multi Finger mode both standard

chords and easy chords played to the left of the split point are detected.

In the Full Keyboard mode standard chords played anywhere on the

keyboard will be detected, and the notes played will be sound as well.

Main Voice Volume M.Volume 000–127 Determines the volume of the Main voice.

Main Voice Octave M.Octave -2–+2 Determines the octave range for the Main voice.

Main Voice Pan M.Pan

000 (left)–

64 (center)–

127 (right)

Determines the pan position of the Main voice in the stereo image. The

value “0” results in the sound being panned full left; the value “127”

results in the sound being panned full right.

Main Voice Reverb Level M.Reverb 000–127

Determines how much of the Main voice’s signal is sent to the Reverb

effect.

Main Voice Chorus Level M.Chorus 000–127

Determines how much of the Main voice’s signal is sent to the Chorus

effect.

Dual Voice D.Voice 001–489 Selects the Dual voice.

Dual Voice Volume D.Volume 000–127 Determines the volume of the Dual voice.

Dual Voice Octave D.Octave -2–+2 Determines the octave range for the Dual voice.

Dual Voice Pan D.Pan

000 (left)–

64 (center)–

127 (right)

Determines the pan position of the Dual voice in the stereo image. The

value “0” results in the sound being panned full left; the value “127”

results in the sound being panned full right.

Dual Voice Reverb Level D.Reverb 000–127

Determines how much of the Dual voice’s signal is sent to the Reverb

effect.

Dual Voice Chorus Level D.Chorus 000–127

Determines how much of the Dual voice’s signal is sent to the Chorus

effect.

Split Voice S.Voice 001–489 Selects the Split voice.

Split Voice Volume S.Volume 000–127 Determines the volume of the Split voice.

Split Voice Octave S.Octave -2–+2 Determines the octave range for the Split voice.

Split Voice Pan S.Pan

000 (left)–

64 (center)–

127 (right)

Determines the pan position of the Split voice in the stereo image. The

value “0” results in the sound being panned full left; the value “127”

results in the sound being panned full right.

Split Voice Reverb Level S.Reverb 000–127

Determines how much of the Split voice’s signal is sent to the Reverb

effect.

Split Voice Chorus Level S.Chorus 000–127

Determines how much of the Split voice’s signal is sent to the Chorus

effect.

The Functions

DGX-220/YPG-225 Owner’s Manual 77

* All these settings can be conveniently reset to their initial default values by pressing the [+] and [-] buttons simultaneously. (The exception to this is

Initial Send, which is an operation, not a setting.)

Reverb Type Reverb 01–10

Determines the Reverb type, including off (10). (See the list on page

109)

Chorus Type Chorus 01–05

Determines the Chorus type, including off (05). (See the list on page

109)

Panel Sustain Sustain ON/OFF

Determines whether or not panel sustain is always applied to the MAIN/

DUAL voices. Panel sustain is applied continuously when ON, or not

applied when OFF. (page 59)

Master EQ Type MasterEQ

Speaker1,

Speaker2,

Headphone,

Line Out1,

Line Out2

Sets the equalizer applied to the speaker output for optimum sound in

different listening situations.

Harmony Type HarmType 01–26 Determines the Harmony type. (See the list on page 109)

Harmony Volume HarmVol 000–127 Determines the volume of the Harmony effect.

Performance assistant

technology Type

PAT Type

CHORD(1),

CHD/FREE(2):

Determines the performance assistant technology type.

Style File Load Sff Load 001–nnn Loads a Style ﬁle.

PC mode PC mode PC1/PC2/OFF Optimizes the MIDI settings when you connect to a computer (page 81).

Local On/Off Local ON/OFF

Determines whether the instrument’s keyboard controls the internal tone

generator (ON) or not (OFF). (page 80)

External Clock ExtClock ON/OFF

Determines whether the instrument synchronizes to the internal clock

(OFF) or an external clock (ON). (page 80)

Keyboard Out KbdOut ON/OFF

Determines whether keyboard performance data of the instrument is

transmitted (ON) or not (OFF).

Style Out StyleOut ON/OFF

Determines whether Style data is transmitted (ON) via USB or not (OFF)

during Style playback.

Song Out SongOut ON/OFF

Determines whether Song data is transmitted (ON) via USB or not (OFF)

during Song playback.

Initial Send InitSend YES/NO

Lets you send the data of the panel settings to a computer. Press [+] to

send, or press [-] to cancel.

Time Signature

Numerator

TimesigN 00–60 Determines the time signature of the Metronome.

Time Signature

Denominator

TimesigD

Half note,

Quarter note,

Eighth note,

Sixteenth note

Sets the length of each metronome beat.

Metronome Volume MtrVol 000–127 Determines the volume of the Metronome.

Lesson Track (R) R-Part

GuideTrack

1–16

Determines the guide track number for your right hand lesson. The

setting is only effective for songs in SMF format 0 transferred from a

computer.

Lesson Track (L) L-Part

GuideTrack

1–16

Determines the guide track number for your left hand lesson. The setting

is only effective for songs in SMF format 0 transferred from a computer.

Grade Grade ON/OFF Determines whether the Grade function is on or off.

Demo Cancel D-Cancel ON/OFF

Determines whether Demo cancel is enabled or not. When this is set to

ON, the Demo Song will not play, even if the [DEMO] button is pressed.

Setting Item title Range/Settings Description

78 DGX-220/YPG-225 Owner’s Manual

Connecting to a Computer

Nearly all of the electronic musical instruments made today—particularly synthesizers,

sequencers and computer music related devices—use MIDI. MIDI is a worldwide stan-

dard that allows these devices to send and receive performance and setting data. Natu-

rally, this instrument lets you save or send your keyboard performance as MIDI data, as

well as the songs, styles and panel settings.

The potential MIDI holds for your live performances and music creation/production is

enormous—simply by connecting this instrument to a computer and transmitting MIDI

data. In this section, you’ll learn the basics of MIDI and the speciﬁc MIDI functions pro-

vided by this instrument.

No doubt you have heard the terms “acoustic

instrument” and “digital instrument”. In the world

today, these are the two main categories of instru-

ments. Let’s consider a grand piano and a classical

guitar as representative acoustic instruments. They

are easy to understand. With the piano, you strike a

key, and a hammer inside hits some strings and

plays a note. With the guitar, you directly pluck a

string and the note sounds. But how does a digital

instrument go about playing a note?

As shown in the illustration above, in an electronic

instrument the sampling note (previously recorded

note) stored in the tone generator section (elec-

tronic circuit) is played based on information

received from the keyboard. So then what is the

information from the keyboard that becomes the

basis for note production?

For example, let’s say you play a “C” quarter note

using the grand piano sound on the instrument.

Unlike an acoustic instrument that puts out a reso-

nated note, the electronic instrument puts out infor-

mation from the keyboard such as “with what

voice”, “with which key”, “about how strong”,

“when was it pressed”, and “when was it released”.

Then each piece of information is changed into a

number value and sent to the tone generator. Using

these numbers as a basis, the tone generator plays

the stored sampling note.

Example of Keyboard Information

Your keyboard performance and all panel opera-

tions of this instrument are processed as MIDI

data. The songs, auto accompaniment (styles), and

User songs are also made up of MIDI data.

MIDI is an acronym that stands for Musical Instru-

ment Digital Interface and it allows different musi-

cal instruments and devices to instantly

communicate with each other, via digital data. The

MIDI standard is used all over the world and was

designed to transmit performance data between

electronic musical instruments (or computers).

Thanks to MIDI, you can control one instrument

from another and transmit performance data

between the devices-taking your creative and per-

formance potential to even higher levels.

MIDI messages can be divided into two groups:

Channel messages and System messages.

What Is MIDI?

● Acoustic guitar note production

Pluck a string and the body

resonates the sound.

● Digital instrument note production

Based on playing information from the keyboard, a sampling note

stored in the tone generator is played through the speakers.

Playing the keyboard

Tone Generator

(Electronic circuit)

Sampling

Note

Sampling

Note

Voice number (with what voice) 1 (grand piano)

Note number (with which key) 60 (C3)

Note on (when was it pressed) and

note off (when was it released)

Timing expressed

numerically (quarter note)

Velocity (about how strong) 120 (strong)

Connecting to a Computer

DGX-220/YPG-225 Owner’s Manual 79

● Channel Messages

This instrument is capable of handling 16 MIDI

channels simultaneously—meaning it can play up

to sixteen different instruments at the same time.

Channel messages transmit information such as

Note ON/OFF, Program Change, for each of the 16

channels.

● System Messages

This is data that is used in common by the entire

MIDI system. System messages include messages

like Exclusive Messages that transmit data unique

to each instrument manufacturer and Realtime

Messages that control the MIDI device.

The following functions become available when this instrument is connected to a computer.

● Performance data can be transferred between the instrument and the computer (page 80).

● Files can be transferred between the instrument and the computer (page 82).

The connection procedure is as follows:

Install the USB-MIDI driver on your com-

puter.

The USB–MIDI driver is included on the CD-ROM.

Installation of the USB MIDI driver is described on

page 85.

Connect the USB terminal of the computer

to the USB terminal on the instrument using

a standard USB cable (USB cable sold sep-

arately).

The supplied CD-ROM also includes a Musicsoft

Downloader application that allows you to transfer

song ﬁles from your computer to the instrument’s

ﬂash memory. For instructions about how to install

Musicsoft Downloader and how to transfer song

ﬁles, see page 83.

■ USB Precautions

Please observe the following precautions when

connecting the instrument to a computer via a USB

cable.

Failure to do so can cause the instrument and/or the

computer to hang up (freeze), possibly causing

corruption or loss of data.

If the instrument or computer does hang up, turn

the power to both devices off and then on again,

and restart the computer.

Message Name Instrument Operation/Panel Setting

Note ON/OFF

Performance data of the keyboard (contains

note number and velocity data)

Program Change

Instrument selection (including bank select

MSB/LSB, if necessary)

Control Change Instrument settings (volume, pan, etc.)

Message Name Instrument Operation/Panel Setting

Exclusive Message Reverb/chorus settings, etc.

Realtime Messages Start/stop operation

Connecting a Personal Computer

USB cable

DGX-220/YPG-225

•Wake the computer from a sleep/suspended/standby mode before

connecting the USB cable.

• Connect the USB cable to the instrument and computer before

turning power to the instrument on.

• Check the following points before turning the instrument’s power

on or off, and before plugging or unplugging the USB cable.

• Quit all applications.

• Make sure that no data transfer is in progress (data is trans-

ferred whenever you play on the keyboard or play a song).

• Allow at least 6 seconds between turning the instrument’s power

on and off, and between plugging and unplugging the USB cable.

• Directly connect the instrument to the computer using a single

USB cable. Do not use a USB hub.

CAUTION

• The Musicsoft Downloader application may not be able to access the

instrument in the following cases:

• During style playback.

• During song playback.

NOTE

80 DGX-220/YPG-225 Owner’s Manual

Connecting to a Computer

By connecting the instrument to a computer, the instrument’s performance data can be used on the com-

puter, and performance data from the computer can be played on the instrument.

● When the instrument is connected with computer,

it transmits/receives performance data.

■MIDI settings ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

These settings pertain to performance data transmission and reception.

Press the [FUNCTION] button.

Use the CATEGORY [ ] and [ ] buttons

to select the item you want to change its

value.

Use the dial to select ON or OFF.

Transferring Performance Data to and from a Computer

USB cable

USB terminalUSB terminal

DGX-220/YPG-225

Item Range/Settings Description

Local ON/OFF

Local control determines whether or not notes played on the instrument are sounded by its internal

tone generator system: the internal tone generator is active when local control is on, and inactive when

local control is off.

External Clock ON/OFF

These settings determine whether the instrument is synchronized to its own internal clock (OFF), or to

a clock signal from an external device (ON).

Keyboard Out ON/OFF

These settings determine whether keyboard performance data of the instrument is transmitted (ON) or

not (OFF).

Style Out ON/OFF These settings determine whether Style data is transmitted (ON) or not (OFF) during Style playback.

Song Out ON/OFF These settings determine whether Song data is transmitted (ON) or not (OFF) during Song playback.

• If you can’t get any sound out of the instrument, this may be the

most likely cause.

CAUTION

• If External Clock is ON and no clock signal is being received from

an external device, the song, style, and metronome functions will

not start.

CAUTION

Connecting to a Computer

DGX-220/YPG-225 Owner’s Manual 81

■PC Mode ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

A number of MIDI settings need to be made when

you want to transfer performance data between the

computer and the instrument. The PC Mode item

can conveniently make multiple settings for you in

one operation. Three settings are available: PC1,

PC2, and OFF.

This setting is not necessary when transferring

song or backup ﬁles between the computer and the

instrument.

* Set the PC mode to PC2 when using Digital Music Note-

book.

Press and hold the [DEMO] button for

longer than a second so that the PC

Mode item appears.

Use the dial to select PC1, PC2, or OFF.

You can also use this instrument as a remote control device for the Digital Music Notebook application on

your computer (via the USB connection)—controlling playback, stop and transport functions from the

panel.

■Remote control keys ● ● ● ● ● ● ● ● ● ●

To use the remote control functions, simulta-

neously hold down the lowest two keys on the key-

board (E0 and F#0) and press the appropriate key

(shown below).

PC1 PC2* OFF

Local OFF OFF ON

External Clock ON OFF OFF

Song Out OFF OFF OFF

Style Out OFF OFF OFF

Keyboard Out OFF ON ON

oFF

PC mode

• When the PC2 setting is selected the instrument’s style, song, demo,

song recording, and lesson features cannot be used.

NOTE

•You can also access the PC Mode item by ﬁrst pressing the [FUNC-

TION] button and then using the CATEGORY [ ] and [ ] buttons to

locate it (page 75).

NOTE

Remote Control of MIDI Devices

F#0

G6: Fast forward

F6: Start

E6: Stop

D6: Rewind

C6: Top (move to the beginning

of the song)

B5: Metronome ON/OFF

• Remote control of MIDI devices will function independently of the PC2

mode.

NOTE

82 DGX-220/YPG-225 Owner’s Manual

Connecting to a Computer

This function lets you send the panel setup data to a computer. Before you record performance data to a

sequencer application running on your computer, it is a good idea to ﬁrst send and record the panel setup

data before the actual performance data.

Press the [FUNCTION] button.

Use the CATEGORY

[] and [ ]

buttons

to select the Initial Send item.

Press [+/YES] to send, or press [-/NO]

to cancel.

MIDI songs residing on a computer, as well as the

70 MIDI songs and 5 Style ﬁles provided on the

CD-ROM, can be transferred to the instrument.

Backup ﬁles can also be transferred from the

instrument to the computer and back. Songs and

styles transferred to the instrument can be used

with the instrument’s lesson and other functions.

In order to transfer songs between your computer

and the instrument you will need to install the

Musicsoft Downloader application and the USB-

MIDI Driver included on the Accessory CD-ROM

on your computer. Refer to the Accessory CD-

ROM Installation Guide on page 85 for installation

details.

■With the Musicsoft

Downloader You Can.

● ● ● ● ● ● ● ● ●

● Transfer MIDI songs you have downloaded

from the Internet or created on your computer

from the computer to the instrument’s ﬂash

memory.

⇒ refer to the procedure described on

page 83.

The procedure for transferring songs included

on the Accessory CD-ROM from your com-

puter to the instrument is given as an example.

Initial Send

Transferring Data between the Computer and Instrument

● Data that can be transferred from a computer

to this instrument.

• Song Capacity (max.): Flash memory 99 songs

(Song 036–)

• Data Capacity: Flash memory 373 kb

• Data Format: SMF format 0,

style ﬁle (extension: .sty),

Backup File (06PG76.BUP)

● What is SMF (Standard MIDI File)?

The SMF (Standard MIDI File) format is one of the

most common and widely compatible sequence

formats used for storing sequence data. There are

two variations: Format 0 and Format 1. A large

number of MIDI devices are compatible with SMF

Format 0, and most commercially available MIDI

sequence data is provided in SMF Format 0.

Connecting to a Computer

DGX-220/YPG-225 Owner’s Manual 83

● Backup ﬁles can be transferred from the instru-

ment to a computer and back.

⇒ refer to the procedure described on

page 84.

■Use Musicsoft Downloader

To Transfer Songs From the

Accessory CD-ROM To the

Instrument’s ﬂash memory

● ● ● ● ●

Install the Musicsoft Downloader and

USB MIDI driver to your computer, then

connect the computer and the instru-

ment (page 87).

Insert the included CD-ROM into the

CD-ROM drive.

A start window will appear automatically.

Double-click the Musicsoft Downloader

shortcut icon that is created on the

desktop.

This will launch the Musicsoft Downloader

application and the main window will appear.

Click the “Add File” button and the Add

File window will appear.

Click the button to the right of “Look in”

and select the CD-ROM drive from the drop-

down menu that appears. Double-click the

“SongData” Folder on the window. Select

the ﬁle you want to transfer to the instru-

ment, and click “Open”.

A copy of the selected MIDI song ﬁle

will appear in the “List of ﬁles stored

temporarily” at the top of the window.

The memory medium will also be displayed at

the bottom of the window to specify the desti-

nation for the transfer. Click the “Electronic

Musical Instruments”, and then “Flash mem-

ory”.

After selecting the ﬁle in the “List of

ﬁles stored temporarily”, click the

downward [Move] button and a conﬁr-

mation message will appear. Click [OK]

and the song will be transferred from

the “List of ﬁles stored temporarily” to

the instrument’s memory.

Use the Musicsoft Downloader application with

Internet Explorer 5.5 or higher.

• If a song or style is being played, stop playback before proceeding.

NOTE

• The instrument cannot be operated while the Musicsoft Downloader

is running.

NOTE

q Click the CD-ROM drive

w Double-click “SongData” Folder and

click a song ﬁle.

e Click “Open”

q Click the “Electronic Musical Instruments”,

and then “Flash Memory”

84 DGX-220/YPG-225 Owner’s Manual

Connecting to a Computer

Close the window to end the Musicsoft

Downloader.

To playback a song stored in ﬂash

memory, press the [SONG] button.

Use the dial to select the song you want

to play, then press the [START/STOP]

button to start playback.

Style ﬁles (ﬁles with the “.STY” extension) can

be transferred to Flash memory using the same

procedure as described above. Style ﬁles trans-

ferred to the Flash Memory can be loaded into

style number 151 and then played (page 67).

■Transfer a backup ﬁle from

the instrument to a computer

● ● ●

You can use the Musicsoft Downloader to transfer

“Backup Files” (page 49) including the ﬁve User

Songs stored on the instrument, to a computer. If

you click “Electronic Musical Instruments” in the

Musicsoft Downloader display, and then “System

Drive”, a ﬁle named “06PG76.BUP” will appear in

the lower right corner of the Musicsoft Down-

loader display. This is the backup ﬁle. For details

about how to transmit backup ﬁle using the Music-

soft Downloader application, refer to the Online

help in the application.

● To Use transferred Songs For Lessons...

In order to use songs (only SMF format 0)

transferred from a computer for lessons it is

necessary to specify which channels are to be

played back as the right-hand and left-hand parts.

1 Press the [SONG] button and select the song

(036–) residing in ﬂash memory for which you

want to set the guide track.

2 Press the [FUNCTION] button.

3 Use the CATEGORY [ ] and [ ] buttons to

select the R-Part or L-Part item.

4 Use the dial to select the channel you want to

play back as the speciﬁed right- or left-hand

part.

We recommend that you select channel 1 for the

right-hand part and channel 2 for the left-hand part.

• End the Musicsoft Downloader to playback the song transferred

from your computer.

NOTE

• Do not unplug the USB cable during a data transfer. Not only

will the data not be transferred and saved, but operation of the

memory media may become unstable and its contents may dis-

appear completely when the power is turned on or off.

CAUTION

• Store data can be lost due to equipment malfunction or

improper operation. For safety we recommend that you keep a

copy of all important data stored on your computer.

•We recommend that you use a power adaptor rather than bat-

teries when transferring data. The data can be corrupted if the

batteries fail during the transfer.

CAUTION

• Preset Song data cannot be transmitted from the instrument.

NOTE

• The backup data, including the ﬁve User Songs is transmitted/

received as a single ﬁle. As a result, all backup data will be over-

written every time you transmit or receive. Keep this in mind when

transferring data.

CAUTION

• Do not rename the backup ﬁle on the computer. If you do so, it will

not be recognized when transferred to the instrument.

CAUTION

DGX-220/YPG-225 Owner’s Manual 85

Accessory CD-ROM Installation Guide

This CD-ROM is copy-protected. Yamaha makes no representations or warranties with regard to any problems

while attempting to copy the CD-ROM or software and cannot be held responsible for the results of attempts to

copy the data.

• The software and this owner’s manual are the exclusive copyrights of Yamaha Corporation.

• Use of the software and this manual is governed by the license agreement which the purchaser fully agrees to upon

breaking the seal of the software packaging. (Please read carefully the Software Licensing Agreement at the end of

this manual before installing the application.)

• Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden

without the written consent of the manufacturer.

•Yamaha makes no representations or warranties with regard to the use of the software and documentation and can-

not be held responsible for the results of the use of this manual and the software.

• This disk is a CD-ROM. Do not attempt to play the disk on an audio CD player. Doing so may result in irreparable

damage to your audio CD player.

• Future upgrades of application and system software and any changes in speciﬁcations and functions will be

announced separately.

• The screen displays as illustrated in this owner’s manual are for instructional purposes, and may appear somewhat

different from the screens which appear on your computer.

● Data Types

This CD-ROM includes application software. Please refer to page 87 for software installation instructions.

● Operating System (OS)

The applications in this CD-ROM are provided in versions for Windows operating systems.

SPECIAL NOTICES

Important Notices about the CD-ROM

• Do not attempt to play this CD-ROM on an audio CD player. The

result high-volume noise can potentially cause hearing damage or

damage your CD player and speakers.

CAUTION

86 DGX-220/YPG-225 Owner’s Manual

Accessory CD-ROM Installation Guide

In order to view PDF scores, you will need to install Adobe Reader in your computer.

You can download the Adobe Reader. Please check the following URL: http://www.adobe.com/

■Using the CD-ROM ● ● ● ● ● ● ● ● ● ● ●

Please read the Software License Agreement on

page 91 before opening the CD-ROM package.

Check the system requirements to

make sure that the software will run on

your computer.

Insert the included CD-ROM into the

CD-ROM drive.

The start window should appear automatically.

Install the USB MIDI driver to the com-

puter.

Refer to “Installing the USB-MIDI Driver” on

page 87 for installation and setup instructions.

Connect the instrument to the com-

puter.

The connection procedure is described on page

79.

Install the software.

Musicsoft Downloader:

See page 89.

Launch the software.

For further software operation refer to the online

help supplied with the software.

Refer to the “Troubleshooting” on page 90 when

you have trouble with installing the driver.

CD-ROM Contents

Folder Name Application / Data Name Contents

MSD_ Musicsoft Downloader

This application can be used to download MIDI song data from the Internet and

transfer it from the computer to the instrument’s memory.

DMN_FlashDemo Flash Demo

Digital Music Notebook is an educational content that lets you enjoy music while

learning.

Full motion demo software which introduces all features of the Digital Music

Notebook.

DMN_DemoSong Demo Song

You can experience Digital Music Notebook functions with the demo song. You need

to download and install Digital Music Notebook on your computer prior to using the

demo song.

SongBook Song Book

Includes score data for the 30 internal songs provided on the instrument as well as

70 MIDI songs provided on the CD-ROM. The exceptions are songs 1–11, 16, 20

and song 30 which is copyrighted. The scores for songs 9–11 are provided in this

manual beginning on page 94.

USB-MIDI Driver

(Windows 98/Me)

This driver software is necessary to connect MIDI devices to your computer via

USB.

USBdrv2k

USB-MIDI Driver

(Windows 2000/XP)

SongData MIDI 70 songs

These songs can be transferred to the instrument and played or used with the

instrument’s functions.

StyleData 5 style ﬁles

These styles can be transferred to the instrument and played or used with the

instrument’s functions.

Accessory CD-ROM Installation Guide

DGX-220/YPG-225 Owner’s Manual 87

■

Installing the USB-MIDI Driver

● ● ● ●

In order to be able to communicate with and use

MIDI devices connected to your computer, the

appropriate driver software must be properly

installed on your computer.

The USB-MIDI driver allows sequence software

and similar applications on your computer to trans-

mit and receive MIDI data to and from MIDI

devices via a USB cable.

• Windows 98/Me installation ➔ page 88.

• Windows 2000 installation ➔ page 88.

• Windows XP installation ➔ page 89.

System Requirements

Application/Data OS CPU Memory Hard Disk Display

Musicsoft Downloader

Windows 98SE/Me/2000/

XP Home Edition/

XP Professional

233 MHz or higher; Intel

Pentium

/Celeron

processor family

64 MB or more

(256 MB or more

is recommended)

at least 128 MB of

free space (at least

512 MB of free

space is

recommended)

800 x 600

HighColor

(16-bit)

USB Driver for Windows

98/Me

Windows 98/Me

166 MHz or higher; Intel

Pentium

/Celeron

processor family

32 MB or more

(64 MB or more is

recommended)

at least 2 MB of free

space

—

USB Driver for Windows

2000/XP

Windows 2000/XP Home

Edition/XP Professional

Digital Music Notebook

Windows

Professional Edition,

SP1a more

Windows

XP Home

Edition, SP1a more

Windows 2000

Professional, SP4 more

400MHz or higher; Intel

Pentium

/Celeron

Processor family (1GHz

or more is recommended)

128 MB or more

(256 MB or more

is recommended)

at least 50 MB of

free space

1024 x 768

HighColor

(16-bit)

Digital Music Notebook

(Requirements for

playing content with

video included.)

1GHz or higher; Intel

Pentium

/Celeron

Processor family (1.4GHz

or more is recommended)

256 MB or more

Software Installation

● Uninstall (Removing the Software)

Installed software can be removed from your

computer as follows:

From the Windows Start menu select Start →

Settings → Control panel → Add or Remove

Applications → Install and Uninstall. Select the

item you want to remove and click [Add or

Remove]. Follow the on-screen instructions to

remove the selected software.

• The actual names of the menu items and buttons will depend on

the OS version you are using.

NOTE

Check the drive name of the CD-ROM drive you

will be using (D:, E:, Q: etc.) The drive name is

displayed beside the CD-ROM icon in your “My

Computer” folder. The root directory of the CD-

ROM drive will be D:\ , E:\ , or Q:\ , respectively.

Driver

USB

Cable

MIDI device

Computer

Sequence

software

88 DGX-220/YPG-225 Owner’s Manual

Accessory CD-ROM Installation Guide

Installing the driver on Windows 98/Me

Start the computer.

Insert the supplied CD-ROM into the CD-

ROM drive. A start window will appear

automatically.

First, make sure the POWER switch on

the instrument is set to OFF, then use a

USB cable to connect the USB terminal of

the computer to the USB connector of the

instrument. When the instrument is

turned on, the computer automatically

displays the “Add New Hardware Wizard.

Otherwise, refer to “Troubleshooting” in

the “Accessory CD-ROM Installation

Guide” section of the Owner’s Manual.

For Windows Me users, check the radio button to

the left of “Automatic search for a better driver

(Recommended)” and click [Next]. The system

automatically starts searching and installing the

driver. Proceed to Step 8. If the system does not

detect the driver, select “Specify the location of

the driver (Advanced)” and specify the CD-ROM

drive’s root directory to install the driver and click

[Next]. Execute the installation by following the

onscreen instructions and proceed to Step 8.

Click [Next].

The window enables you to select the search

method.

Check the radio button to the left of

“Search for the best driver for your

device. (Recommended)”. Click [Next].

The window enables you to select a location in

which to install the driver.

Check the “Specify a location” box, click

“Browse..”, then specify the root direc-

tory of the CD-ROM drive and continue

the installation. The CD-ROM drive letter

may vary depending on your computer’s

conﬁguration.

When the system detects the driver on

the CD-ROM and is ready for installation,

it is shown as a message on the screen.

Make sure that the “YAMAHA USB MIDI

Driver” is listed, and click [Next]. The sys-

tem starts the installation.

When installation is complete, a message

indicating so appears. Click [Finish].

The driver has been installed.

Installing the driver on Windows 2000

Start the computer and use the “Adminis-

trator” account to log into Windows 2000.

Select [My Computer] ➔ [Control Panel]

➔ [System] ➔ [Hardware] ➔ [Driver Sign-

ing] ➔ [File Signature Veriﬁcation], and

check the radio button to the left of

“Ignore—Install all ﬁles, regardless of ﬁle

signature” and click [OK].

Insert the supplied CD-ROM into the CD-

ROM drive. A start window will appear

automatically.

First, make sure the POWER switch on the

MIDI device is set to OFF, then use a USB

cable to connect the MIDI device to the

computer. After making the connections,

turn on the power of the MIDI device. The

system automatically launches the Found

New Hardware Wizard.

Otherwise, refer to “Troubleshooting” in the

“Accessory CD-ROM Installation Guide” section

of the Owner’s Manual. Click [Next]. (Some

computers may take a while to display the Wizard

window.)

Select the radio button for “Search for a

suitable driver for my device [recom-

mended]”, then click [Next].

Check the “CD-ROM drives” check box,

deselect all other check boxes, then click

[Next].

Deselect the “Install one of the other driv-

ers”, then click [Next].

When the installation is complete, the

Wizard displays “Completing the Found

New Hardware Wizard”.

Click [Finish]. (Some computers may take a

while to display the Wizard window.)

Restart the computer.

The USB-MIDI driver installation is complete.

• If you are using Windows Me, skip Step 4–7.

NOTE

• Some computers may take about ten seconds to show this screen

after the installation is complete.

NOTE

• If the Wizard panel informs you that “The software you are about to

install does not contain a Microsoft digital signature”, click [Yes].

NOTE

• If the system prompts you to insert the Windows CD-ROM during

detection of the drivers, point to the “USBdrv2k_” folder (e.g.,

D:\USBdrv2k_) and continue the installation.

NOTE

Accessory CD-ROM Installation Guide

DGX-220/YPG-225 Owner’s Manual 89

Installing the driver on Windows XP

Start the computer and use the “Adminis-

trator” account to log into Windows.

Select [Start] ➔ [Control Panel]. If the

control panel appears as “Pick a cate-

gory”, click “Switch to Classic View” in

the upper left of the window. All control

panels and icons will be displayed.

Go to [System] ➔ [Hardware] ➔ [Driver

Signing Options] and check the radio but-

ton to the left of “Ignore” and click [OK].

Click the [OK] button to close System

Properties, and then click “X” in the upper

right of the window to close the Control

Panel.

Insert the supplied CD-ROM into the CD-

ROM drive. A start window will appear

automatically.

First, make sure the POWER switch on the

MIDI device is set to OFF, then use a USB

cable to connect the MIDI device to the

computer. After making the connections,

turn on the power of the MIDI device.

The system launches the Found New

Hardware Wizard automatically. Other-

wise, refer to “Troubleshooting” in the

“Accessory CD-ROM Installation Guide”

section of the Owner’s Manual. If the sys-

tem displays “Found New Hardware” in

the lower right corner, wait until Wizard

windows is displayed. (Some computers

may take a while to display the window.)

If the Wizard window prompts you to specify

whether or not to connect to Windows Update,

select the radio button for “No, not this time”,

then click [Next].

Select the radio button for “Install the

software automatically (recommended)”,

then click [Next].

When the installation is complete, the

Wizard displays “Completing the Found

New Hardware Wizard”.

Click [Finish]. (Some computers may take a

while to display the Wizard window.)

Restart the computer.

If the system displays “Found New Hardware” in

the lower right corner, wait until the Wizard win-

dow is displayed. (Some computers may take a

while to display the Wizard window.)

The USB-MIDI driver installation is complete.

■Installing the Musicsoft

Downloader and Digital

Music Notebook Applications

● ● ●

Insert the Accessory CD-ROM into your

computer’s CD-ROM drive. The start win-

dow will appear automatically showing

software applications.

Click [Musicsoft Downloader] or [Digital

Music Notebook].

Click the [install] button for Musicsoft

downloader, or [Digital Music Notebook

Download] button for Digital Music Note-

book, and follow the on-screen instruc-

tions to install the software.

For Digital Music Notebook operating instruc-

tions see the help menu: launch the Digital Music

Notebook application and click “Help”.

For Musicsoft Downloader operating instructions

see the Help menu: launch the Musicsoft Down-

loader application and click “Help”.

*You can obtain the latest version of the Musicsoft

Downloader at the following Internet URL.

http://music.yamaha.com/download/

• If during the installation the system displays “...has not passed Win-

dows Logo testing to verify its compatibility with Windows XP”, click

[Continue Anyway].

NOTE

•You will need to log in with administrator (root) privileges in order

to install Musicsoft Downloader on a computer running Windows

2000 or XP.

•You will need to log in with administrator (root) privileges in order

to install Digital Music Notebook on a computer running Windows

2000 or XP.

IMPORTANT

• When installing the Digital Music Notebook, make sure that Inter-

net Explorer 6.0 (with SP1) or higher is installed to your computer.

IMPORTANT

• Credit card settlement is required to purchase Digital Music Note-

book content. Credit card processing may not be possible for

some areas, so please check with your local authorities to make

sure that your credit card can be used.

IMPORTANT

• If the start window does not appear automatically, double click your

“My Computer” folder to open it. Right-click the CD-ROM icon and

select “Open” from the pop-up menu. Double click “Start.exe” and

proceed to step 2, below.

NOTE

• Only Musicsoft Downloader can be used to transfer ﬁles between

this instrument and a computer. No other ﬁle transfer application

can be used.

IMPORTANT

90 DGX-220/YPG-225 Owner’s Manual

Accessory CD-ROM Installation Guide

■Troubleshooting

• Is the USB cable connected correctly?

Check the USB cable connection. Disconnect the

USB cable, then connect it again.

• Is the USB function enabled on your com-

puter?

When you connect the instrument to the

computer for the ﬁrst time, if the “Add New

Hardware Wizard” does not appear, the USB

function on the computer may be disabled.

Perform the following steps.

1 Select [Control Panel] ➔ [System] ➔

[Device Manager] (for Windows 98/Me), or

select [Control Panel]* ➔ [System] ➔

[Hardware] ➔ [Device Manager] (for Win-

dows 2000/XP).

* Classic View only in Windows XP.

2 Make sure that no “!” or “x” marks appear

at “Universal serial bus controller” or

“USB Root Hub”. If you see an “!” or “x”

mark, the USB controller is disabled.

• Is any unknown device registered?

If driver installation fails, the instrument will be

marked as an “Unknown device”, and you will

not be able to install the driver. Delete the

“Unknown device” by following the steps below.

1 Select [Control Panel] ➔ [System] ➔

[Device Manager] (for Windows 98/Me), or

select [Control Panel]* ➔ [System] ➔

[Hardware] ➔ [Device Manager] (for Win-

dows 2000/XP).

* Classic View only in Windows XP.

2 Look for “Other devices” in the menu

“View devices by type”.

3 If you ﬁnd “Other devices”, double-click it

to extend the tree to look for “Unknown

device”. If one appears, select it and click

the [Remove] button.

4 Remove the USB cable from the instru-

ment, and make the connection again.

5 Install the driver again.

•Windows 98/Me users...... see page 88

•Windows 2000 users........ see page 88

•Windows XP users........... see page 89

• Did you install the driver? (page 87)

• Is the USB cable connected correctly?

•Are the volume settings of the instrument,

playback device, and application program set

to the appropriate levels?

•Have you selected an appropriate port in the

sequence software?

•Are you using the latest USB MIDI driver?

The latest driver can be downloaded from the

following web site.

http://music.yamaha.com/download/

• Does your computer satisfy the system

requirements?

• Is any other application or device driver run-

ning?

• Do not suspend the computer while the MIDI

application is running.

If you are using Windows 2000, you may not be

able to suspend/resume normally, depending on

the particular environment (USB Host

Controller, etc.). Even so, simply disconnecting

and connecting the USB cable will allow you to

use the instrument functions again.

[Windows Me/98]

1 When the instrument is recognized cor-

rectly, double-click “System” in the Con-

trol Panel to open the System window.

2 Double-click the “Device Manager” tab,

select “YAMAHA USB MIDI Driver” and

delete it.

3 Use the MS-DOS prompt or Explorer to

delete the following three ﬁles.

The driver cannot be installed. When controlling the instrument from

your computer via USB, the instrument

does not operate correctly or no sound

is heard.

Playback response is delayed.

Cannot suspend or resume the

computer correctly.

How can I delete or re-install the

driver?

Accessory CD-ROM Installation Guide

DGX-220/YPG-225 Owner’s Manual 91

4 Disconnect the USB cable.

5 Restart the computer.

6 Re-install the driver.

ATTENTION

SOFTWARE LICENSE AGREEMENT

PLEASE READ THIS SOFTWARE LICENSE AGREEMENT (“AGREE-

MENT”) CAREFULLY BEFORE USING THIS SOFTWARE. YOU ARE

ONLY PERMITTED TO USE THIS SOFTWARE PURSUANT TO THE

TERMS AND CONDITIONS OF THIS AGREEMENT. THIS AGREEMENT

IS BETWEEN YOU (AS AN INDIVIDUAL OR LEGAL ENTITY) AND

YAMAHA CORPORATION (“YAMAHA”).

BY BREAKING THE SEAL OF THIS PACKAGE YOU ARE AGREEING TO

BE BOUND BY THE TERMS OF THIS LICENSE. IF YOU DO NOT AGREE

WITH THE TERMS, DO NOT INSTALL, COPY, OR OTHERWISE USE THIS

SOFTWARE.

1. GRANT OF LICENSE AND COPYRIGHT

Yamaha hereby grants you the right to use one copy of the software program(s)

and data (“SOFTWARE”) accompanying this Agreement. The term SOFT-

WARE shall encompass any updates to the accompanying software and data.

The SOFTWARE is owned by Yamaha and/or Yamaha’s licensor(s), and is pro-

tected by relevant copyright laws and all applicable treaty provisions. While

you are entitled to claim ownership of the data created with the use of SOFT-

WARE, the SOFTWARE will continue to be protected under relevant copy-

rights.

• You may use the SOFTWARE on a single computer.

• You may make one copy of the SOFTWARE in machine-readable form for

backup purposes only, if the SOFTWARE is on media where such backup

copy is permitted. On the backup copy, you must reproduce Yamaha’s copy-

right notice and any other proprietary legends that were on the original copy

of the SOFTWARE.

• You may permanently transfer to a third party all your rights in the SOFT-

WARE, provided that you do not retain any copies and the recipient reads

and agrees to the terms of this Agreement.

2. RESTRICTIONS

• You may not engage in reverse engineering, disassembly, decompilation or

otherwise deriving a source code form of the SOFTWARE by any method

whatsoever.

• You may not reproduce, modify, change, rent, lease, or distribute the SOFT-

WARE in whole or in part, or create derivative works of the SOFTWARE.

• You may not electronically transmit the SOFTWARE from one computer to

another or share the SOFTWARE in a network with other computers.

• You may not use the SOFTWARE to distribute illegal data or data that vio-

lates public policy.

• You may not initiate services based on the use of the SOFTWARE without

permission by Yamaha Corporation

Copyrighted data, including but not limited to MIDI data for songs, obtained

by means of the SOFTWARE, are subject to the following restrictions which

you must observe.

• Data received by means of the SOFTWARE may not be used for any com-

mercial purposes without permission of the copyright owner.

• Data received by means of the SOFTWARE may not be duplicated, trans-

ferred, or distributed, or played back or performed for listeners in public

without permission of the copyright owner.

• The encryption of data received by means of the SOFTWARE may not be

removed nor may the electronic watermark be modiﬁed without permission

of the copyright owner.

3. TERMINATION

This Agreement becomes effective on the day that you receive the SOFT-

WARE and remains effective until terminated. If any copyright law or provi-

sions of this Agreement is violated, the Agreement shall terminate

automatically and immediately without notice from Yamaha. Upon such ter-

mination, you must immediately destroy the licensed SOFTWARE, any

accompanying written documents and all copies thereof.

4. LIMITED WARRANTY ON MEDIA

As to SOFTWARE sold on tangible media, Yamaha warrants that the tangible

media on which the SOFTWARE is recorded will be free from defects in mate-

rials and workmanship under normal use for a period of fourteen (14) days

from the date of receipt, as evidenced by a copy of the receipt. Yamaha’s entire

liability and your exclusive remedy will be replacement of the defective media

if it is returned to Yamaha or an authorized Yamaha dealer within fourteen days

with a copy of the receipt. Yamaha is not responsible for replacing media dam-

aged by accident, abuse or misapplication. TO THE FULLEST EXTENT

PERMITTED BY LAW, YAMAHA EXPRESSLY DISCLAIMS ANY

IMPLIED WARRANTIES ON THE TANGIBLE MEDIA, INCLUDING THE

IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR

A PARTICULAR PURPOSE.

5. DISCLAIMER OF WARRANTY ON SOFTWARE

You expressly acknowledge and agree that use of the SOFTWARE is at your

sole risk. The SOFTWARE and related documentation are provided “AS IS”

and without warranty of any kind. NOTWITHSTANDING ANY OTHER

PROVISION OF THIS AGREEMENT, YAMAHA EXPRESSLY DIS-

CLAIMS ALL WARRANTIES AS TO THE SOFTWARE, EXPRESS, AND

IMPLIED, INCLUDING BUT NOT LIMITED TO THE IMPLIED WAR-

RANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR

PURPOSE AND NON-INFRINGEMENT OF THIRD PARTY RIGHTS.

SPECIFICALLY, BUT WITHOUT LIMITING THE FOREGOING,

YAMAHA DOES NOT WARRANT THAT THE SOFTWARE WILL MEET

YOUR REQUIREMENTS, THAT THE OPERATION OF THE SOFTWARE

WILL BE UNINTERRUPTED OR ERROR-FREE, OR THAT DEFECTS IN

THE SOFTWARE WILL BE CORRECTED.

6. LIMITATION OF LIABILITY

YAMAHA’S ENTIRE OBLIGATION HEREUNDER SHALL BE TO PER-

MIT USE OF THE SOFTWARE UNDER THE TERMS HEREOF. IN NO

EVENT SHALL YAMAHA BE LIABLE TO YOU OR ANY OTHER PER-

SON FOR ANY DAMAGES, INCLUDING, WITHOUT LIMITATION, ANY

DIRECT, INDIRECT, INCIDENTAL OR CONSEQUENTIAL DAMAGES,

EXPENSES, LOST PROFITS, LOST DATA OR OTHER DAMAGES ARIS-

ING OUT OF THE USE, MISUSE OR INABILITY TO USE THE SOFT-

WARE, EVEN IF YAMAHA OR AN AUTHORIZED DEALER HAS BEEN

ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. In no event shall

Yamaha’s total liability to you for all damages, losses and causes of action

(whether in contract, tort or otherwise) exceed the amount paid for the SOFT-

WARE.

7. THIRD PARTY SOFTWARE

Third party software and data (“THIRD PARTY SOFTWARE”) may be

attached to the SOFTWARE. If, in the written materials or the electronic data

accompanying the Software, Yamaha identiﬁes any software and data as

THIRD PARTY SOFTWARE, you acknowledge and agree that you must abide

by the provisions of any Agreement provided with the THIRD PARTY SOFT-

WARE and that the party providing the THIRD PARTY SOFTWARE is

responsible for any warranty or liability related to or arising from the THIRD

PARTY SOFTWARE. Yamaha is not responsible in any way for the THIRD

PARTY SOFTWARE or your use thereof.

•Yamaha provides no express warranties as to the THIRD PARTY SOFT-

WARE. IN ADDITION, YAMAHA EXPRESSLY DISCLAIMS ALL

IMPLIED WARRANTIES, INCLUDING BUT NOT LIMITED TO THE

IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR

A PARTICULAR PURPOSE, as to the THIRD PARTY SOFTWARE.

•Yamaha shall not provide you with any service or maintenance as to the

THIRD PARTY SOFTWARE.

•Yamaha is not liable to you or any other person for any damages, including,

without limitation, any direct, indirect, incidental or consequential damages,

expenses, lost proﬁts, lost data or other damages arising out of the use, mis-

use or inability to use the THIRD PARTY SOFTWARE.

8. GENERAL

This Agreement shall be interpreted according to and governed by Japanese

law without reference to principles of conﬂict of laws. Any dispute or proce-

dure shall be heard before the Tokyo District Court in Japan. If for any reason

a court of competent jurisdiction ﬁnds any portion of this Agreement to be

unenforceable, the remainder of this Agreement shall continue in full force and

effect.

9. COMPLETE AGREEMENT

This Agreement constitutes the entire agreement between the parties with

respect to use of the SOFTWARE and any accompanying written materials and

supersedes all prior or contemporaneous understandings or agreements, writ-

ten or oral, regarding the subject matter of this Agreement. No amendment or

revision of this Agreement will be binding unless in writing and signed by a

fully authorized representative of Yamaha.

•To delete these ﬁles using Explorer, select “Folder Options” from

the Tool (View) menu, and select “Show all ﬁles” (and folders).

• \WINDOWS\INF\OTHER\1039.INF

• \WINDOWS\SYSTEM\Xgusb.drv

• \WINDOWS\SYSTEM\Ymidusb.sys

NOTE

92 DGX-220/YPG-225 Owner’s Manual

Troubleshooting

Problem Possible Cause and Solution

When the instrument is turned on or off, a popping

sound is temporarily produced.

This is normal and indicates that the instrument is receiving electrical power.

When using a mobile phone, noise is produced.

Using a mobile phone in close proximity to the instrument may produce interfer-

ence. To prevent this, turn off the mobile phone or use it further away from the

instrument.

There is no sound even when the keyboard is played or

when a song or style is being played back.

Check that nothing is connected to the PHONES/OUTPUT jack on the rear

panel. When a set of headphones is plugged into this jack, no sound is output.

Check the Local Control on/off. (See page 80.)

Playing keys in the right hand area of the keyboard

does not produce any sound.

When using the Dictionary function (page 70), the keys in the right hand area

are used only for entering the chord root and type.

• The volume is too soft.

• The sound quality is poor.

• The rhythm stops unexpectedly or will not play.

• The recorded data of the song, etc. does not play cor-

rectly.

• The LCD display suddenly goes dark, and all panel

settings are reset.

The batteries are low or dead. Replace all six batteries with completely new

ones, or use the optional AC adaptor.

The style or song does not play back when the

[START/STOP] button is pressed.

Is External Clock set to ON? Make sure External Clock is set to OFF; refer to

“External Clock” on page 80.

The style does not sound properly.

Make sure that the Style Volume (page 76) is set to an appropriate level.

Is the split point set at an appropriate key for the cords you are playing? Set the

split point at an appropriate key (page 65).

Is the “ACMP ON” indicator showing in the display? If it is not showing press the

[ACMP ON/OFF] button so that it does show.

No rhythm accompaniment plays when the [START/

STOP] button is pressed after selecting style number

121 or a style between 133–150 (Pianist).

This is not a malfunction. Style number 121 and style numbers 133–150 (Pia-

nist) have no rhythm parts, so no rhythm will play. The other parts will begin

playing when you play a chord in the accompaniment range of the keyboard if

style playback is turned on.

Not all of the voices seem to sound, or the sound

seems to be cut off.

The instrument is polyphonic up to a maximum of 32 notes. If the Dual voice or

Split voice is being used and a style or song is playing back at the same time,

some notes/sounds may be omitted (or “stolen”) from the accompaniment or

song.

The footswitch (for sustain) seems to produce the

opposite effect. For example, pressing the footswitch

cuts off the sound and releasing it sustains the sounds.

The polarity of the footswitch is reversed. Make sure that the footswitch plug is

properly connected to the SUSTAIN jack before turning on the power.

The sound of the voice changes from note to note.

This is normal. The AWM tone generation method uses multiple recordings

(samples) of an instrument across the range of the keyboard; thus, the actual

sound of the voice may be slightly different from note to note.

The wrong notes sound when the keyboard is played.

Perhaps the performance assistant technology is turned on.

Press the [PERFORMANCE ASSISTANT] button to turn it off.

The ACMP ON indicator does not appear when the

[ACMP ON/OFF] button is pressed.

Is the [STYLE] button lit? Always press the [STYLE] button ﬁrst when you are

going to use any style-related function.

There is no harmony sound.

The harmony effects (01–26) behave differently according to their type. Types

01–05 function when style playback is on, chords are played in the accompani-

ment range of the keyboard, and a melody is played in the right-hand range.

Types 06–26 will function whether style playback is on or off. For types 06 = 12

you need to play two notes at the same time.

Appendix

DGX-220/YPG-225 Owner’s Manual 93

Memo

94 DGX-220/YPG-225 Owner’s Manual

Scores

This demo is an example of how the Easy Song Arranger can be used to change styles throughout a piece.

Hallelujah Chorus

Song No. 9 qq

=123

(Function Demo for Easy Song Arranger)

Scores

DGX-220/YPG-225 Owner’s Manual 95

Scores

96 DGX-220/YPG-225 Owner’s Manual

This score is provided with the intent that the pitch will be corrected by the performance assistant technol-

ogy feature. If you play the “Play These Notes” part using the performance assistant technology feature, the

part will be corrected and played so that it matches the backing part.

Ave Maria

Song No. 10 qq

=61

(Function Demo for performance assistant technology)

Repeatedly Play the Same Key.

P.A.T.

Your Turn.

Type =CHORD

Scores

DGX-220/YPG-225 Owner’s Manual 97

Scores

98 DGX-220/YPG-225 Owner’s Manual

This score is provided with the intent that the pitch will be corrected by the performance assistant technol-

ogy feature. If you play the “Play These Notes” part using the performance assistant technology feature, the

part will be corrected and played so that it matches the backing part.

Nocturne op.9-2

Song No. 11 qq

=108

(Function Demo for performance assistant technology)

P.A.T.

Type =CHD/FREE

Scores

DGX-220/YPG-225 Owner’s Manual 99

100 DGX-220/YPG-225 Owner’s Manual

Voice List

■ Maximum Polyphony ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

The instrument has 32-note maximum polyphony. This means

that it can play a maximum of up to 32 notes at once, regard-

less of what functions are used. Auto accompaniment uses a

number of the available notes, so when auto accompaniment

is used the total number of available notes for playing on the

keyboard is correspondingly reduced. The same applies to the

Split Voice and Song functions. If the maximum polyphony is

exceeded, earlier played notes will be cut off and the most

recent notes have priority (last note priority).

● Panel Voice List

• The Voice List includes MIDI program change numbers for

each voice. Use these program change numbers when

playing the instrument via MIDI from an external device.

• Program Numbers 001 to 128 directly relate to MIDI Pro-

gram Change Numbers 000 to 127. That is, Program Num-

bers and Program Change Numbers differ by a value of 1.

Remember to take this into consideration.

• Some voices may sound continuously or have a long

decay after the notes have been released while the sus-

tain pedal (footswitch) is held.

NOTE

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

PIANO

001 000 112 001 Grand Piano

002 000 112 002 Bright Piano

003 000 112 007 Harpsichord

004 000 112 004 Honky-tonk Piano

005 000 112 003 MIDI Grand Piano

006 000 113 003 CP 80

E.PIANO

007 000 114 005 Cool! Galaxy Electric Piano

008 000 113 006 Hyper Tines

009 000 112 005 Funky Electric Piano

010 000 112 006 DX Modern Electric Piano

011 000 114 006 Venus Electric Piano

012 000 112 008 Clavi

ORGAN

013 000 118 019 Cool! Organ

014 000 117 019 Cool! Rotor Organ

015 000 112 017 Jazz Organ 1

016 000 113 017 Jazz Organ 2

017 000 112 019 Rock Organ

018 000 114 019 Purple Organ

019 000 112 018 Click Organ

020 000 116 017 Bright Organ

021 000 127 019 Theater Organ

022 000 121 020 16'+2' Organ

023 000 120 020 16'+4' Organ

024 000 113 020 Chapel Organ

025 000 112 020 Church Organ

026 000 112 021 Reed Organ

ACCORDION

027 000 112 022 Musette Accordion

028 000 113 022 Traditional Accordion

029 000 113 024 Bandoneon

030 000 113 023 Modern Harp

031 000 112 023 Harmonica

GUITAR

032 000 112 025 Classical Guitar

033 000 112 026 Folk Guitar

034 000 112 027 Jazz Guitar

035 000 117 028 60’s Clean Guitar

036 000 113 026 12Strings Guitar

037 000 112 028 Clean Guitar

038 000 113 027 Octave Guitar

039 000 112 029 Muted Guitar

040 000 112 030 Overdriven Guitar

041 000 112 031 Distortion Guitar

BASS

042 000 112 034 Finger Bass

043 000 112 033 Acoustic Bass

044 000 112 035 Pick Bass

045 000 112 036 Fretless Bass

046 000 112 037 Slap Bass

047 000 112 039 Synth Bass

048 000 113 039 Hi-Q Bass

049 000 113 040 Dance Bass

STRINGS

050 000 112 049 String Ensemble

051 000 112 050 Chamber Strings

052 000 113 050 Slow Strings

053 000 112 045 Tremolo Strings

054 000 112 051 Synth Strings

055 000 112 046 Pizzicato Strings

056 000 112 041 Violin

057 000 112 043 Cello

058 000 112 044 Contrabass

059 000 112 047 Harp

060 000 112 106 Banjo

061 000 112 056 Orchestra Hit

CHOIR

062 000 112 053 Choir

063 000 113 053 Vocal Ensemble

064 000 112 055 Air Choir

065 000 112 054 Vox Humana

SAXOPHONE

066 000 117 067 Sweet! Tenor Sax

067 000 113 065 Sweet! Soprano Sax

068 000 112 067 Tenor Sax

069 000 112 066 Alto Sax

070 000 112 065 Soprano Sax

071 000 112 068 Baritone Sax

072 000 114 067 Breathy Tenor Sax

073 000 112 072 Clarinet

074 000 112 069 Oboe

075 000 112 070 English Horn

076 000 112 071 Bassoon

TRUMPET

077 000 115 057 Sweet! Trumpet

078 000 112 057 Trumpet

079 000 112 058 Trombone

080 000 113 058 Trombone Section

081 000 112 060 Muted Trumpet

082 000 112 061 French Horn

083 000 112 059 Tuba

BRASS

084 000 112 062 Brass Section

085 000 113 062 Big Band Brass

086 000 113 063 80’s Brass

087 000 119 062 Mellow Horns

088 000 114 063 Techno Brass

089 000 112 063 Synth Brass

FLUTE

090 000 114 074 Sweet! Flute

091 000 113 076 Sweet! Pan Flute

092 000 112 074 Flute

093 000 112 073 Piccolo

094 000 112 076 Pan Flute

095 000 112 075 Recorder

096 000 112 080 Ocarina

SYNTH LEAD

097 000 112 081 Square Lead

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

Voice List

DGX-220/YPG-225 Owner’s Manual 101

● XGlite Voice/XGlite Optional Voice* List

098 000 112 082 Sawtooth Lead

099 000 115 082 Analogon

100 000 119 082 Fargo

101 000 112 099 Star Dust

102 000 112 086 Voice Lead

103 000 112 101 Brightness

SYNTH PAD

104 000 112 092 Xenon Pad

105 000 112 095 Equinox

106 000 112 089 Fantasia

107 000 113 090 Dark Moon

108 000 113 101 Bell Pad

PERCUSSION

109 000 112 012 Vibraphone

110 000 112 013 Marimba

111 000 112 014 Xylophone

112 000 112 115 Steel Drums

113 000 112 009 Celesta

114 000 112 011 Music Box

115 000 112 015 Tubular Bells

116 000 112 048 Timpani

DRUM KITS

117 127 000 001 Standard Kit 1

118 127 000 002 Standard Kit 2

119 127 000 009 Room Kit

120 127 000 017 Rock Kit

121 127 000 025 Electronic Kit

122 127 000 026 Analog Kit

123 127 000 113 Dance Kit

124 127 000 033 Jazz Kit

125 127 000 041 Brush Kit

126 127 000 049 Symphony Kit

127 126 000 001 SFX Kit 1

128 126 000 002 SFX Kit 2

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

PIANO

129 000 000 001 Grand Piano

130 000 001 001 Grand Piano KSP

131 000 040 001 Piano Strings

132 000 041 001 Dream

133 000 000 002 Bright Piano

134 000 001 002 Bright Piano KSP

135 000 000 003 Electric Grand Piano

136 000 001 003 Electric Grand Piano KSP

137 000 032 003 Detuned CP80

138 000 000 004 Honky-tonk Piano

139 000 001 004 Honky-tonk Piano KSP

140 000 000 005 Electric Piano 1

141 000 001 005 Electric Piano 1 KSP

142 000 032 005 Chorus Electric Piano 1

143 000 000 006 Electric Piano 2

144 000 001 006 Electric Piano 2 KSP

*145 000 032 006 Chorus Electric Piano 2

146 000 041 006 DX + Analog Electric Piano

147 000 000 007 Harpsichord

148 000 001 007 Harpsichord KSP

149 000 035 007 Harpsichord 2

150 000 000 008 Clavi

151 000 001 008 Clavi KSP

CHROMATIC

152 000 000 009 Celesta

153 000 000 010 Glockenspiel

154 000 000 011 Music Box

155 000 064 011 Orgel

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

156 000 000 012 Vibraphone

157 000 001 012 Vibraphone KSP

158 000 000 013 Marimba

159 000 001 013 Marimba KSP

160 000 064 013 Sine Marimba

161 000 097 013 Balimba

162 000 098 013 Log Drums

163 000 000 014 Xylophone

164 000 000 015 Tubular Bells

165 000 096 015 Church Bells

166 000 097 015 Carillon

167 000 000 016 Dulcimer

168 000 035 016 Dulcimer 2

169 000 096 016 Cimbalom

170 000 097 016 Santur

ORGAN

171 000 000 017 Drawbar Organ

172 000 032 017 Detuned Drawbar Organ

173 000 033 017 60’s Drawbar Organ 1

174 000 034 017 60’s Drawbar Organ 2

175 000 035 017 70’s Drawbar Organ 1

176 000 037 017 60’s Drawbar Organ 3

177 000 040 017 16+2'2/3

178 000 064 017 Organ Bass

179 000 065 017 70’s Drawbar Organ 2

180 000 066 017 Cheezy Organ

181 000 067 017 Drawbar Organ 2

182 000 000 018 Percussive Organ

183 000 024 018 70’s Percussive Organ

184 000 032 018 Detuned Percussive Organ

185 000 033 018 Light Organ

186 000 037 018 Percussive Organ 2

187 000 000 019 Rock Organ

188 000 064 019 Rotary Organ

189 000 065 019 Slow Rotary

190 000 066 019 Fast Rotary

191 000 000 020 Church Organ

192 000 032 020 Church Organ 3

193 000 035 020 Church Organ 2

194 000 040 020 Notre Dame

195 000 064 020 Organ Flute

196 000 065 020 Tremolo Organ Flute

197 000 000 021 Reed Organ

198 000 040 021 Puff Organ

199 000 000 022 Accordion

200 000 000 023 Harmonica

201 000 032 023 Harmonica 2

202 000 000 024 Tango Accordion

203 000 064 024 Tango Accordion 2

GUITAR

204 000 000 025 Nylon Guitar

205 000 043 025 Velocity Guitar Harmonics

206 000 096 025 Ukulele

207 000 000 026 Steel Guitar

208 000 035 026 12-string Guitar

209 000 040 026 Nylon & Steel Guitar

210 000 041 026 Steel Guitar with Body Sound

211 000 096 026 Mandolin

212 000 000 027 Jazz Guitar

213 000 032 027 Jazz Amp

214 000 000 028 Clean Guitar

215 000 032 028 Chorus Guitar

216 000 000 029 Muted Guitar

217 000 040 029 Funk Guitar

218 000 041 029 Muted Steel Guitar

219 000 045 029 Jazz Man

220 000 000 030 Overdriven Guitar

221 000 043 030 Guitar Pinch

222 000 000 031 Distortion Guitar

223 000 040 031 Feedback Guitar

224 000 041 031 Feedback Guitar 2

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

Voice List

102 DGX-220/YPG-225 Owner’s Manual

225 000 000 032 Guitar Harmonics

226 000 065 032 Guitar Feedback

227 000 066 032 Guitar Harmonics 2

BASS

228 000 000 033 Acoustic Bass

229 000 040 033 Jazz Rhythm

230 000 045 033 Velocity Crossfade Upright Bass

231 000 000 034 Finger Bass

232 000 018 034 Finger Dark

233 000 040 034 Bass & Distorted Electric Guitar

234 000 043 034 Finger Slap Bass

235 000 045 034 Finger Bass 2

236 000 065 034 Modulated Bass

237 000 000 035 Pick Bass

238 000 028 035 Muted Pick Bass

239 000 000 036 Fretless Bass

240 000 032 036 Fretless Bass 2

241 000 033 036 Fretless Bass 3

242 000 034 036 Fretless Bass 4

243 000 000 037 Slap Bass 1

244 000 032 037 Punch Thumb Bass

245 000 000 038 Slap Bass 2

246 000 043 038 Velocity Switch Slap

247 000 000 039 Synth Bass 1

248 000 040 039 Techno Synth Bass

249 000 000 040 Synth Bass 2

250 000 006 040 Mellow Synth Bass

251 000 012 040 Sequenced Bass

252 000 018 040 Click Synth Bass

253 000 019 040 Synth Bass 2 Dark

*254 000 040 040 Modular Synth Bass

255 000 041 040 DX Bass

STRINGS

256 000 000 041 Violin

257 000 008 041 Slow Violin

258 000 000 042 Viola

259 000 000 043 Cello

260 000 000 044 Contrabass

261 000 000 045 Tremolo Strings

262 000 008 045 Slow Tremolo Strings

263 000 040 045 Suspense Strings

264 000 000 046 Pizzicato Strings

265 000 000 047 Orchestral Harp

266 000 040 047 Yang Chin

267 000 000 048 Timpani

ENSEMBLE

268 000 000 049 Strings 1

269 000 003 049 Stereo Strings

270 000 008 049 Slow Strings

271 000 035 049 60’s Strings

272 000 040 049 Orchestra

273 000 041 049 Orchestra 2

274 000 042 049 Tremolo Orchestra

275 000 045 049 Velocity Strings

276 000 000 050 Strings 2

277 000 003 050 Stereo Slow Strings

278 000 008 050 Legato Strings

279 000 040 050 Warm Strings

280 000 041 050 Kingdom

281 000 000 051 Synth Strings 1

282 000 000 052 Synth Strings 2

283 000 000 053 Choir Aahs

284 000 003 053 Stereo Choir

285 000 032 053 Mellow Choir

286 000 040 053 Choir Strings

287 000 000 054 Voice Oohs

288 000 000 055 Synth Voice

289 000 040 055 Synth Voice 2

290 000 041 055 Choral

291 000 064 055 Analog Voice

292 000 000 056 Orchestra Hit

293 000 035 056 Orchestra Hit 2

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

294 000 064 056 Impact

BRASS

295 000 000 057 Trumpet

296 000 032 057 Warm Trumpet

297 000 000 058 Trombone

298 000 018 058 Trombone 2

299 000 000 059 Tuba

300 000 000 060 Muted Trumpet

301 000 000 061 French Horn

302 000 006 061 French Horn Solo

303 000 032 061 French Horn 2

304 000 037 061 Horn Orchestra

305 000 000 062 Brass Section

306 000 035 062 Trumpet & Trombone Section

307 000 000 063 Synth Brass 1

308 000 020 063 Resonant Synth Brass

309 000 000 064 Synth Brass 2

310 000 018 064 Soft Brass

311 000 041 064 Choir Brass

REED

312 000 000 065 Soprano Sax

313 000 000 066 Alto Sax

314 000 040 066 Sax Section

315 000 000 067 Tenor Sax

316 000 040 067 Breathy Tenor Sax

317 000 000 068 Baritone Sax

318 000 000 069 Oboe

319 000 000 070 English Horn

320 000 000 071 Bassoon

321 000 000 072 Clarinet

PIPE

322 000 000 073 Piccolo

323 000 000 074 Flute

324 000 000 075 Recorder

325 000 000 076 Pan Flute

326 000 000 077 Blown Bottle

327 000 000 078 Shakuhachi

328 000 000 079 Whistle

329 000 000 080 Ocarina

SYNTH LEAD

330 000 000 081 Square Lead

331 000 006 081 Square Lead 2

332 000 008 081 LM Square

333 000 018 081 Hollow

334 000 019 081 Shroud

335 000 064 081 Mellow

336 000 065 081 Solo Sine

337 000 066 081 Sine Lead

338 000 000 082 Sawtooth Lead

339 000 006 082 Sawtooth Lead 2

340 000 008 082 Thick Sawtooth

341 000 018 082 Dynamic Sawtooth

342 000 019 082 Digital Sawtooth

343 000 020 082 Big Lead

344 000 096 082 Sequenced Analog

345 000 000 083 Calliope Lead

346 000 065 083 Pure Lead

347 000 000 084 Chiff Lead

348 000 000 085 Charang Lead

349 000 064 085 Distorted Lead

350 000 000 086 Voice Lead

351 000 000 087 Fifths Lead

352 000 035 087 Big Five

353 000 000 088 Bass & Lead

354 000 016 088 Big & Low

355 000 064 088 Fat & Perky

356 000 065 088 Soft Whirl

SYNTH PAD

357 000 000 089 New Age Pad

358 000 064 089 Fantasy

359 000 000 090 Warm Pad

360 000 000 091 Poly Synth Pad

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

Voice List

DGX-220/YPG-225 Owner’s Manual 103

The voice number with an asterisk (*) is XGlite optional voice.

361 000 000 092 Choir Pad

362 000 066 092 Itopia

363 000 000 093 Bowed Pad

364 000 000 094 Metallic Pad

365 000 000 095 Halo Pad

366 000 000 096 Sweep Pad

SYNTH EFFECTS

367 000 000 097 Rain

368 000 065 097 African Wind

369 000 066 097 Carib

370 000 000 098 Sound Track

371 000 027 098 Prologue

372 000 000 099 Crystal

373 000 012 099 Synth Drum Comp

374 000 014 099 Popcorn

375 000 018 099 Tiny Bells

376 000 035 099 Round Glockenspiel

377 000 040 099 Glockenspiel Chimes

378 000 041 099 Clear Bells

379 000 042 099 Chorus Bells

380 000 065 099 Soft Crystal

381 000 070 099 Air Bells

382 000 071 099 Bell Harp

383 000 072 099 Gamelimba

384 000 000 100 Atmosphere

385 000 018 100 Warm Atmosphere

386 000 019 100 Hollow Release

387 000 040 100 Nylon Electric Piano

388 000 064 100 Nylon Harp

389 000 065 100 Harp Vox

390 000 066 100 Atmosphere Pad

391 000 000 101 Brightness

392 000 000 102 Goblins

393 000 064 102 Goblins Synth

394 000 065 102 Creeper

395 000 067 102 Ritual

396 000 068 102 To Heaven

397 000 070 102 Night

398 000 071 102 Glisten

399 000 096 102 Bell Choir

400 000 000 103 Echoes

401 000 000 104 Sci-Fi

WORLD

402 000 000 105 Sitar

403 000 032 105 Detuned Sitar

404 000 035 105 Sitar 2

405 000 097 105 Tamboura

406 000 000 106 Banjo

407 000 028 106 Muted Banjo

408 000 096 106 Rabab

409 000 097 106 Gopichant

410 000 098 106 Oud

411 000 000 107 Shamisen

412 000 000 108 Koto

413 000 096 108 Taisho-kin

414 000 097 108 Kanoon

415 000 000 109 Kalimba

416 000 000 110 Bagpipe

417 000 000 111 Fiddle

418 000 000 112 Shanai

PERCUSSIVE

419 000 000 113 Tinkle Bell

420 000 096 113 Bonang

421 000 097 113 Altair

422 000 098 113 Gamelan Gongs

423 000 099 113 Stereo Gamelan Gongs

424 000 100 113 Rama Cymbal

425 000 000 114 Agogo

426 000 000 115 Steel Drums

427 000 097 115 Glass Percussion

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

428 000 098 115 Thai Bells

429 000 000 116 Woodblock

430 000 096 116 Castanets

431 000 000 117 Taiko Drum

432 000 096 117 Gran Cassa

433 000 000 118 Melodic Tom

434 000 064 118 Melodic Tom 2

435 000 065 118 Real Tom

436 000 066 118 Rock Tom

437 000 000 119 Synth Drum

438 000 064 119 Analog Tom

439 000 065 119 Electronic Percussion

440 000 000 120 Reverse Cymbal

SOUND EFFECTS

441 000 000 121 Fret Noise

442 000 000 122 Breath Noise

443 000 000 123 Seashore

444 000 000 124 Bird Tweet

445 000 000 125 Telephone Ring

446 000 000 126 Helicopter

447 000 000 127 Applause

448 000 000 128 Gunshot

449 064 000 001 Cutting Noise

450 064 000 002 Cutting Noise 2

451 064 000 004 String Slap

452 064 000 017 Flute Key Click

453 064 000 033 Shower

454 064 000 034 Thunder

455 064 000 035 Wind

456 064 000 036 Stream

457 064 000 037 Bubble

458 064 000 038 Feed

459 064 000 049 Dog

460 064 000 050 Horse

461 064 000 051 Bird Tweet 2

462 064 000 056 Maou

463 064 000 065 Phone Call

464 064 000 066 Door Squeak

465 064 000 067 Door Slam

466 064 000 068 Scratch Cut

467 064 000 069 Scratch Split

468 064 000 070 Wind Chime

469 064 000 071 Telephone Ring 2

470 064 000 081 Car Engine Ignition

471 064 000 082 Car Tires Squeal

472 064 000 083 Car Passing

473 064 000 084 Car Crash

474 064 000 085 Siren

475 064 000 086 Train

476 064 000 087 Jet Plane

477 064 000 088 Starship

478 064 000 089 Burst

479 064 000 090 Roller Coaster

480 064 000 091 Submarine

481 064 000 097 Laugh

482 064 000 098 Scream

483 064 000 099 Punch

484 064 000 100 Heartbeat

485 064 000 101 Footsteps

486 064 000 113 Machine Gun

487 064 000 114 Laser Gun

488 064 000 115 Explosion

489 064 000 116 Firework

Voice

No.

Bank Select

MIDI

Program

Change#

(1–128)

Voice Name

MSB

(0–127)

LSB

(0–127)

104 DGX-220/YPG-225 Owner’s Manual

Drum Kit List

•“ ” indicates that the drum sound is the same as “Standard Kit 1”.

• Each percussion voice uses one note.

• The MIDI Note # and Note are actually one octave lower than keyboard Note # and Note. For example,

in “117: Standard Kit 1”, the “Seq Click H” (Note# 36/Note C1) corresponds to (Note# 24/Note C0).

•Key Off: Keys marked “O” stop sounding the instant they are released.

•Voices with the same Alternate Note Number (*1 ... 4) cannot be played simultaneously. (They are

designed to be played alternately with each other.)

Voice No. 117 118 119 120 121 122

MSB (0–127) / LSB (0–127) / PC (1–128) 127/000/001 127/000/002 127/000/009 127/000/017 127/000/025 127/000/026

Keyboard MIDI

Key

Off

Alternate

assign

Standard Kit 1 Standard Kit 2 Room Kit Rock Kit Electronic Kit Analog Kit

Note# Note Note# Note

25 C# 013C# -1 3 Surdo Mute

26 D 0 14 D -1 3 Surdo Open

27 D# 015D# -1 Hi Q

28 E 0 16 E -1 Whip Slap

29 F 0 17 F -1 4 Scratch H

30 F# 018F# -1 4 Scratch L

31 G 0 19 G -1 Finger Snap

32 G# 020G# -1 Click Noise

33 A 0 21 A -1 Metronome Click

34 A# 022A# -1 Metronome Bell

35 B 0 23 B -1 Seq Click L

36 C 1 24 C 0 Seq Click H

37 C# 125C# 0 Brush Tap

38 D 1 26 D 0 O Brush Swirl

39 D# 127D# 0 Brush Slap

40 E 1 28 E 0 O Brush Tap Swirl Reverse Cymbal Reverse Cymbal

41 F 1 29 F 0 O Snare Roll Snare Roll 2

42 F# 130F# 0 Castanet Hi Q 2 Hi Q 2

43 G 1 31 G 0 Snare Soft Snare Soft 2 Snare Noisy

Snare Snappy Electro

Snare Noisy 4

44 G# 132G# 0 Sticks

45 A 1 33 A 0 Kick Soft Kick Tight 2 Kick 3 Kick Tight 2

46 A# 134A# 0 Open Rim Shot

Open Rim Shot H Short

47 B 1 35 B 0 Kick Tight Kick Tight Short Kick 2 Kick Gate Kick Analog Short

48 C 2 36 C 1 Kick Kick Short Kick Gate Kick Gate Heavy Kick Analog

49 C# 237C# 1 Side Stick Side Stick Analog

50 D 2 38 D 1 Snare Snare Short Snare Snappy Snare Rock Snare Noisy 2 Snare Analog

51 D# 239D# 1 Hand Clap

52 E 2 40 E 1 Snare Tight Snare Tight H Snare Tight Snappy Snare Rock Rim Snare Noisy 3 Snare Analog 2

53 F 2 41 F 1 Floor Tom L Tom Room 1 Tom Rock 1 Tom Electro 1 Tom Analog 1

54 F# 242F# 11Hi-Hat Closed

Hi-Hat Closed Analog

55 G 2 43 G 1 Floor Tom H Tom Room 2 Tom Rock 2 Tom Electro 2 Tom Analog 2

56 G# 244G# 11Hi-Hat Pedal

Hi-Hat Closed Analog 2

57 A 2 45 A 1 Low Tom Tom Room 3 Tom Rock 3 Tom Electro 3 Tom Analog 3

58 A# 246A# 11Hi-Hat Open Hi-Hat Open Analog

59 B 2 47 B 1 Mid Tom L Tom Room 4 Tom Rock 4 Tom Electro 4 Tom Analog 4

60 C 3 48 C 2 Mid Tom H Tom Room 5 Tom Rock 5 Tom Electro 5 Tom Analog 5

61 C# 349C# 2 Crash Cymbal 1 Crash Analog

62 D 3 50 D 2 High Tom Tom Room 6 Tom Rock 6 Tom Electro 6 Tom Analog 6

63 D# 351D# 2 Ride Cymbal 1

64 E 3 52 E 2 Chinese Cymbal

65 F 3 53 F 2 Ride Cymbal Cup

66 F# 354F# 2 Tambourine

67 G 3 55 G 2 Splash Cymbal

68 G# 356G# 2 Cowbell Cowbell Analog

69 A 3 57 A 2 Crash Cymbal 2

70 A# 358A# 2 Vibraslap

71 B 3 59 B 2 Ride Cymbal 2

72 C 4 60 C 3 Bongo H

73 C# 461C# 3 Bongo L

74 D 4 62 D 3 Conga H Mute Conga Analog H

75 D# 463D# 3 Conga H Open Conga Analog M

76 E 4 64 E 3 Conga L Conga Analog L

77 F 4 65 F 3 Timbale H

78 F# 466F# 3 Timbale L

79 G 4 67 G 3 Agogo H

80 G# 468G# 3 Agogo L

81 A 4 69 A 3 Cabasa

82 A# 470A# 3 Maracas Maracas 2

83 B 4 71 B 3 O Samba Whistle H

84 C 5 72 C 4 O Samba Whistle L

85 C# 573C# 4 Guiro Short

86 D 5 74 D 4 O Guiro Long

87 D# 575D# 4 Claves Claves 2

88 E 5 76 E 4 Wood Block H

89 F 5 77 F 4 Wood Block L

90 F# 578F# 4 Cuica Mute Scratch H 2 Scratch H 2

91 G 5 79 G 4 Cuica Open Scratch L 2 Scratch L 3

92 G# 580G# 42Triangle Mute

93 A 5 81 A 4 2 Triangle Open

94 A# 582A# 4 Shaker

95 B 5 83 B 4 Jingle Bells

96 C 6 84 C 5 Bell Tree

97 C# 685C# 5

98 D 6 86 D 5

99 D# 687D# 5

100 E 6 88 E 5

101 F 6 89 F 5

102 F# 690F# 5

103 G 6 91 G 5

F#1

G#1

A#1

D#1

F#0

G#0

A#0

C#1

F#2

G#2

A#2

D#2

C#2

F#3

G#3

A#3

D#3

C#3

F#4

G#4

A#4

D#4

C#4

F#5

G#5

A#5

D#5

C#5

F#6

D#6

C#6

Drum Kit List

DGX-220/YPG-225 Owner’s Manual 105

Voice No. 117 123 124 125 126 127 128

MSB (0–127) / LSB (0–127) / PC (1–128) 127/000/001 127/000/113 127/000/033 127/000/041 127/000/049 126/000/001 126/000/002

Keyboard MIDI

Key

Off

Alternate

assign

Standard Kit 1 Dance Kit Jazz Kit Brush Kit Symphony Kit SFX Kit 1 SFX Kit 2

Note# Note Note# Note

25 C# 013C# -1 3 Surdo Mute

26 D 0 14 D -1 3 Surdo Open

27 D# 015D# -1 Hi Q

28 E 0 16 E -1 Whip Slap

29 F 0 17 F -1 4 Scratch H

30 F# 018F# -1 4 Scratch L

31 G 0 19 G -1 Finger Snap

32 G# 020G# -1 Click Noise

33 A 0 21 A -1 Metronome Click

34 A# 022A# -1 Metronome Bell

35 B 0 23 B -1 Seq Click L

36 C 1 24 C 0 Seq Click H

37 C# 125C# 0 Brush Tap

38 D 1 26 D 0 O Brush Swirl

39 D# 127D# 0 Brush Slap

40 E 1 28 E 0 O Brush Tap Swirl Reverse Cymbal

41 F 1 29 F 0 O Snare Roll

42 F# 130F# 0 Castanet Hi Q 2

43 G 1 31 G 0 Snare Soft Snare Techno Snare Jazz H Brush Slap 2

44 G# 132G# 0 Sticks

45 A 1 33 A 0 Kick Soft Kick Techno Q Kick Soft 2

46 A# 134A# 0 Open Rim Shot Rim Gate

47 B 1 35 B 0 Kick Tight Kick Techno L Gran Cassa

48 C 2 36 C 1 Kick Kick Techno Kick Jazz Kick Small Gran Cassa Mute Cutting Noise Phone Call

49 C# 237C# 1 Side Stick Side Stick Analog Cutting Noise 2 Door Squeak

50 D 2 38 D 1 Snare Snare Clap Snare Jazz L Brush Slap 3 Band Snare Door Slam

51 D# 239D# 1 Hand Clap String Slap Scratch Cut

52 E 2 40 E 1 Snare Tight Snare Dry Snare Jazz M Brush Tap 2 Band Snare 2 Scratch H 3

53 F 2 41 F 1 Floor Tom L Tom Analog 1 Tom Jazz 1 Tom Brush 1 Tom Jazz 1 Wind Chime

54 F# 242F# 11Hi-Hat Closed

Hi-Hat Closed Analog3

Telephone Ring 2

55 G 2 43 G 1 Floor Tom H Tom Analog 2 Tom Jazz 2 Tom Brush 2 Tom Jazz 2

56 G# 244G# 11Hi-Hat Pedal

Hi-Hat Closed Analog 4

57 A 2 45 A 1 Low Tom Tom Analog 3 Tom Jazz 3 Tom Brush 3 Tom Jazz 3

58 A# 246A# 11Hi-Hat Open

Hi-Hat Open Analog 2

59 B 2 47 B 1 Mid Tom L Tom Analog 4 Tom Jazz 4 Tom Brush 4 Tom Jazz 4

60 C 3 48 C 2 Mid Tom H Tom Analog 5 Tom Jazz 5 Tom Brush 5 Tom Jazz 5

61 C# 349C# 2 Crash Cymbal 1 Crash Analog Hand Cymbal

62 D 3 50 D 2 High Tom Tom Analog 6 Tom Jazz 6 Tom Brush 6 Tom Jazz 6

63 D# 351D# 2 Ride Cymbal 1

Hand Cymbal Short

64 E 3 52 E 2 Chinese Cymbal Flute Key Click Car Engine Ignition

65 F 3 53 F 2 Ride Cymbal Cup Car Tires Squeal

66 F# 354F# 2 Tambourine Car Passing

67 G 3 55 G 2 Splash Cymbal Car Crash

68 G# 356G# 2 Cowbell Cowbell Analog Siren

69 A 3 57 A 2 Crash Cymbal 2 Hand Cymbal 2 Train

70 A# 358A# 2 Vibraslap Jet Plane

71 B 3 59 B 2 Ride Cymbal 2

Hand Cymbal 2 Short

Starship

72 C 4 60 C 3 Bongo H Burst

73 C# 461C# 3 Bongo L Roller Coaster

74 D 4 62 D 3 Conga H Mute Conga Analog H Submarine

75 D# 463D# 3 Conga H Open Conga Analog M

76 E 4 64 E 3 Conga L Conga Analog L

77 F 4 65 F 3 Timbale H

78 F# 466F# 3 Timbale L

79 G 4 67 G 3 Agogo H

80 G# 468G# 3 Agogo L Shower Laugh

81 A 4 69 A 3 Cabasa Thunder Scream

82 A# 470A# 3 Maracas Maracas 2 Wind Punch

83 B 4 71 B 3 O Samba Whistle H Stream Heartbeat

84 C 5 72 C 4 O Samba Whistle L Bubble Footsteps

85 C# 573C# 4 Guiro Short Feed

86 D 5 74 D 4 O Guiro Long

87 D# 575D# 4 Claves Claves 2

88 E 5 76 E 4 Wood Block H

89 F 5 77 F 4 Wood Block L

90 F# 578F# 4 Cuica Mute Scratch H 2

91 G 5 79 G 4 Cuica Open Scratch L 3

92 G# 580G# 42Triangle Mute

93 A 5 81 A 4 2 Triangle Open

94 A# 582A# 4 Shaker

95 B 5 83 B 4 Jingle Bells

96 C 6 84 C 5 Bell Tree Dog Machine Gun

97 C# 685C# 5 Horse Laser Gun

98 D 6 86 D 5 Bird Tweet 2 Explosion

99 D# 687D# 5 Firework

100 E 6 88 E 5

101 F 6 89 F 5

102 F# 690F# 5

103 G 6 91 G 5 Maou

F#1

G#1

A#1

D#1

F#0

G#0

A#0

C#1

F#2

G#2

A#2

D#2

C#2

F#3

G#3

A#3

D#3

C#3

F#4

G#4

A#4

D#4

C#4

F#5

G#5

A#5

D#5

C#5

F#6

D#6

C#6

106 DGX-220/YPG-225 Owner’s Manual

Style List

Style No. Style Name

8BEAT

001 8BeatModern

002 Cool8Beat

003 60’sGuitarPop

004 8BeatAdria

005 60’s8Beat

006 BubblegumPop

007 BritPopSwing

008 8Beat

009 OffBeat

010 60’sRock

011 HardRock

012 RockShuffle

013 8BeatRock

16BEAT

014 16Beat

015 PopShuffle1

016 PopShuffle2

017 GuitarPop

018 16BeatUptempo

019 KoolShuffle

020 JazzRock

021 HipHopLight

BALLAD

022 PianoBallad

023 LoveSong

024 6/8ModernEP

025 6/8SlowRock

026 6/8OrchBallad

027 OrganBallad

028 PopBallad

029 16BeatBallad1

030 16BeatBallad2

DANCE

031 EuroTrance

032 Ibiza

033 DreamDance

034 HouseMusik

035 SwingHouse

036 TechnoPolis

037 Clubdance

038 ClubLatin

039 Garage1

040 Garage2

041 TechnoParty

042 UKPop

043 HipHopGroove

044 HipShuffle

045 HipHopPop

DISCO

046 70’sDisco1

047 70’sDisco2

048 LatinDisco

049 DiscoPhilly

050 SaturdayNight

051 DiscoChocolate

052 DiscoHands

SWING&JAZZ

053 BigBandFast

054 BigBandMedium

055 BigBandBallad

056 BigBandShuffle

057 JazzClub

058 Swing1

059 Swing2

060 OrchestraSwing

061 Five/Four

062 JazzBallad

063 Dixieland

064 Ragtime

065 AfroCuban

066 Charleston

R&B

067 Soul

068 DetroitPop1

069 60’sRock&Roll

070 6/8Soul

071 CrocoTwist

072 Rock&Roll

073 DetroitPop2

074 BoogieWoogie

075 ComboBoogie

076 6/8Blues

COUNTRY

077 Country8Beat

078 CountryPop

079 CountrySwing

080 CountryBallad

081 Country2/4

082 CowboyBoogie

083 CountryShuffle

084 Bluegrass

LATIN

085 BrazilianSamba

086 BossaNova

087 PopBossa

088 Tijuana

089 DiscoLatin

090 Mambo

091 Salsa

092 Beguine

093 GuitarRumba

094 RumbaFlamenco

095 RumbaIsland

096 Reggae

BALLROOM

097 VienneseWaltz

098 EnglishWaltz

099 Slowfox

100 Foxtrot

101 Quickstep

102 Tango

103 Pasodoble

104 Samba

Style No. Style Name

105 ChaChaCha

106 Rumba

107 Jive

TRADITIONAL

108 USMarch

109 6/8March

110 GermanMarch

111 PolkaPop

112 OberPolka

113 Tarantella

114 Showtune

115 ChristmasSwing

116 ChristmasWaltz

117 ScottishReel

118 Hawaiian

WALTZ

119 ItalianWaltz

120 MariachiWaltz

121 GuitarSerenade

122 SwingWaltz

123 JazzWaltz1

124 JazzWaltz2

125 CountryWaltz

126 OberWaltzer

127 Musette

CHILDREN

128 Learning2/4

129 Learning4/4

130 Learning6/8

131 Fun 3/4

132 Fun 4/4

PIANIST

133 Stride

134 PianoBlues1

135 PianoBlues2

136 PianoRag

137 PianoRock&Roll

138 PianoBoogie

139 PianoJazzWaltz

140 PianoJazzBld

141 Arpeggio

142 Musical

143 Habanera

144 SlowRock

145 8BtPianoBallad

146 PianoMarch

147 6/8PianoMarch

148 PianoWaltz

149 PianoBeguine

150 PianoSwing

Style No. Style Name

DGX-220/YPG-225 Owner’s Manual 107

Music Database List

MDB No. Song Name

POP

001 AlvFever

002 CoinLane

003 Croco Rk

004 DayPdise

005 DwnTown

006 EasySday

007 GoMyWay

008 HowDeep!

009 HurryLuv

010 I breath

011 I’lBTher

012 I’m Torn

013 Imagine

014 ISurvive

015 JustCall

016 JustWay

017 LeadPack

018 LoveFeel

019 LoveMeT

020 LveMeDo

021 Mi Shell

022 My Baby

023 NikitTrp

024 NoMatter

025 ProudGtr

026 RainOnMe

027 SailngSx

028 SeeAgain

029 Sept.Pop

030 SultanSw

031 SweetLrd

032 ThnkMsic

033 TitanicH

034 UNeedLv

035 UptnGirl

036 WantToBe

037 WatchGrl

038 WhatALoo

039 WhitePle

040 Woman

041 YelowSub

042 Yesterdy

ROCK

043 DavAgain

044 JumpRock

045 OyComCha

046 PickUpPc

047 RdRiverR

048 SatsfyGt

049 Sheriff

050 SmokeWtr

051 TwistAgn

052 VenusPop

DANCE

053 2 of Us

054 B Leave

055 Back St

056 Crockett

057 DsrtRose

058 FunkyTwn

059 Kids

060 KillSoft

061 Nine PM

062 SingBack

063 StrandD

BALLAD

064 AdelineB

065 ArgenCry

066 BeautBdy

067 Bl Bayou

068 CatMemry

069 CavaSolo

070 E Weiss

071 ElizSere

072 ElvGhett

073 Feeling

074 Fly Away

075 Fnl Date

076 GreenSlv

077 GtCncert

078 HrdToSay

079 LonlyPan

080 MBoxDnce

081 Mn Rivr

082 My Song

083 NorwWood

084 OnMyMnd

085 OverRbow

086 Red Lady

087 ReleseMe

088 SavingLv

089 Shore Cl

090 SierraMd

091 SilverMn

092 SmokyEye

093 SndOfSil

094 SumerPlc

095 TblWater

096 WhereLov

097 WhisprSx

098 WomanLov

R & B

099 AmazingG

100 BoogiePf

101 Clock Rk

102 CU later

103 GreenDor

104 HappyDay

105 JohnnyB

106 MercySax

107 RisingSn

108 S Preems

109 SuperStv

110 TeddyBer

111 Yeh Orgn

SWING & JAZZ

112 Alex Rag

113 Blue Set

114 ChooChoo

115 DayOfW&R

116 HighMoon

117 InMood

118 MisJones

119 MistySax

120 MoonLit

121 New York

122 PanthrSw

123 PetiteCl

124 RedRoses

125 SaintMch

126 SatinDll

127 SF Heart

128 ShearJz

129 SplnkyBr

130 SunnySde

131 TstHoney

132 Tunisia

133 TwoFoot5

134 USPatrol

MDB No. Song Name

135 WhatsNew

136 Wild Cat

EASY LISTENING

137 BlackFst

138 ByeBlues

139 CaliBlue

140 CiaoCpri

141 Close2U

142 DAmorStr

143 DolanesM

144 ElCondor

145 Entrtain

146 Frippers

147 LoveLove

148 LuckySax

149 LuvStory

150 MyPrince

151 OSoleMio

152 PupetStr

153 Raindrop

154 RedMouln

155 R’ticGtr

156 Schiwago

157 ShadowGt

158 SingRain

159 SmallWld

160 SpkSoft

161 SpnishEy

162 StrangeN

163 TieRibbn

164 TimeGoes

165 WhteXmas

166 WishStar

167 WonderN

168 WondrWld

LATIN

169 BambaLa

170 BeHappy!

171 CopaLola

172 DayNight

173 Ipanema

174 JamboMbo

175 MarinaAc

176 MuchoTrp

177 SmoothLt

178 SunOfLif

179 Sunshine

180 Tico Org

181 TrbWave

COUNTRY

182 ABitMore

183 BlownWnd

184 Bonanza

185 BoxerFlt

186 CntryRds

187 GreenGrs

188 Jambala

189 LondonSt

190 LooseEL

191 TopWorld

192 YlwRose

DISCO & PARTY

193 AlhHwaii

194 Babylon

195 Barbados

196 DnceBird

197 FestaMex

198 HandsPty

199 LuvTheme

200 ModrnTlk

MDB No. Song Name

201 NxtAlice

202 PalomaFl

203 Tijuana

204 Why MCA?

BALLROOM

205 BrazilBr

206 CherryTp

207 DanubeWv

208 MantoStr

209 SandmnFx

210 SpainTwn

211 SundyNvr

212 TangoAc

213 Tea4Two

214 TulipWtz

215 YesSirQk

TRADITIONAL

216 AlpenTri

217 AnchorAw

218 Balalaik

219 BlkSheep

220 CampRace

221 Ceilidh

222 Cielito

223 CielPari

224 Cl Polka

225 Comrades

226 DAmorCl

227 FrogSong

228 Funiculi

229 GrndClok

230 HappyPlk

231 Herzlin

232 HornPipe

233 JacknJil

234 JinglBel

235 Kufstein

236 MexiHat

237 MickMrch

238 RkABaby

239 RlBarrel

240 Showbiz

241 SnowWtz

242 StarMrch

243 WashPost

244 WdCuttrs

245 XmasWalz

246 YankDood

PIANIST

247 CatMemry

248 DoReMi

249 Entrtain

250 Extra

251 Favorite

252 FineRmce

253 Foggy

254 I Woman

255 JBGood

256 NitTrain

257 Obaladi

258 OldHouse

259 PubPiano

260 RinSpain

261 Sera

262 ShookUp

263 Swonder

264 TedPicnc

265 Twirler

266 WayWere

267 YesterPf

MDB No. Song Name

108 DGX-220/YPG-225 Owner’s Manual

Songs Provided On the Supplied CD-ROM

The easy song arranger can only be used with songs that include chord data.

File Name Song Name Composer

001Nutcr.mid Danse des Mirlitons from “The Nutcracker” P.I. Tchaikovsky

002Orphe.mid “Orphée aux Enfers” Ouverture J. Offenbach

003Slavo.mid Slavonic Dances op.72-2 A. Dvorák

004Prima.mid La Primavera (from Le Quattro Stagioni) A. Vivaldi

005Medit.mid Méditation (Thaïs) J. Massenet

006Guill.mid Guillaume Tell G. Rossini

007Fruhl.mid Frühlingslied F. Mendelssohn

008Ungar.mid Ungarische Tänze Nr.5 J. Brahms

009Fruhl.mid Fruhlingsstimmen J. Strauss II

010Dolly.mid Dolly’s Dreaming and Awakening T.Oesten

011Cande.mid La Candeur J.F.Burgmüller

012Arabe.mid Arabesque J.F.Burgmüller

013Pasto.mid Pastorale J.F.Burgmüller

014Petit.mid Petite Réunion J.F.Burgmüller

015Innoc.mid Innocence J.F.Burgmüller

016Progr.mid Progrès J.F.Burgmüller

017Taren.mid Tarentelle J.F.Burgmüller

018Cheva.mid La Chevaleresque J.F.Burgmüller

019Etude.mid Etude op.10-3 “Chanson de l’adieu” F.Chopin

020Marci.mid Marcia alla Turca L.v. Beethoven

021Turki.mid Turkish March W.A. Mozart

022Valse.mid Valse op.64-1 “Petit Chien” F.Chopin

023Menue.mid Menuett L. Boccherini

024Momen.mid Moments Musicaux op.94-3 F. Schubert

025Enter.mid The Entertainer S. Joplin

026Prelu.mid Prelude (Wohltemperierte Klavier 1-1) J.S. Bach

027Violl.mid La Viollette L.Streabbog

028Angel.mid Angels Serenade Traditional

029Saraf.mid Krasnyj Sarafan Traditional

030Ameri.mid America the Beautiful S.A. Ward

031Brown.mid Little Brown Jug Traditional

032Lomon.mid Loch Lomond Traditional

033Bonni.mid My Bonnie Traditional

034Londo.mid Londonderry Air Traditional

035Banjo.mid Ring de Banjo S.C. Foster

036Vogle.mid Wenn ich ein Vöglein wär ? Traditional

037Lorel.mid Die Lorelei F. Silcher

038Funic.mid Funiculi Funicula L. Denza

039Turke.mid Turkey in the Straw Traditional

040Campt.mid Camptown Races S.C. Foster

041Jingl.mid Jingle Bells J.S. Pierpont

042Muss.mid Muss i denn F. Silcher

043Liebe.mid Liebesträume Nr.3 F. Liszt

044Jesu.mid Jesu, Joy Of Man’s Desiring J.S. Bach

045Joy.mid Ode to Joy L.v. Beethoven

046Pearl.mid Pearl Fisher G. Bizet

047Gavot.mid Gavotte F.J. Gossec

048Seren.mid Serenade/Haydn F.J. Haydn

049Menue.mid Menuett BWV. Anh.114 J.S. Bach

050Canon.mid Canon in D J. Pachelbel

051Vogel.mid Der Vogelfanger Bin Ich Ja “Die Xauberflote” W.A Mozart

052Piano.mid Piano Sonate No.14 op.27-2 “Mondschein” L.v. Beethoven

053Surpr.mid The “Surprise” Symphony No.94 F.J. Haydn

054WildR.mid To a Wild Rose E.A. MacDowell

055Chans.mid Chanson du Toreador G. Bizet

056Babbi.mid O Mio Babbino Caro G. Puccini

057RowRo.mid Row Row Row Your Boat (DUET) Traditional

058Smoky.mid On Top of Old Smoky (DUET) Traditional

059WeWis.mid We Wish You A Merry Christmas (DUET) Traditional

060ImMai.mid Im Mai (DUET) Traditional

061Chris.mid O Christmas Tree (DUET) Traditional

062MaryH.mid Mary Had a Little Lamb (DUET) Traditional

063TenLi.mid Ten Little Indians (DUET) Septimus Winner

064PopGo.mid Pop Goes The Weasel (DUET) Traditional

065Twink.mid Twinkle Twinkle Little Star (DUET) Traditional

066Close.mid Close Your Hands, Open Your Hands (DUET) J.J. Rousseau

067Cucko.mid The Cuckoo (DUET) Traditional

068Augus.mid O du lieber Augustin (DUET) Traditional

069Londo.mid London Bridge (DUET) Traditional

070Three.mid Three Blind Mice (DUET) Traditional

DGX-220/YPG-225 Owner’s Manual 109

Effect Type List

● Harmony Types

● Reverb Types

● Chorus Types

No. Harmony Type Description

01 Duet

Harmony types 01–05 are pitch-based and add one-, two- or three-note harmonies to the sin-

gle-note melody played in the right hand. These types sound when chords are played in the

auto accompaniment range of the keyboard. These Harmony types will also work when playing

songs that contain chord data.

02 Trio

03 Block

04 Country

05 Octave

06 Trill 1/4 note

Types 6–26 are rhythm-based effects and add embellishments or delayed repeats in

time with the auto accompaniment. These types sound whether the auto accompani-

ment is on or not; however, the actual speed of the effect depends on the Tempo set-

ting (page 35). The individual note values in each type let you synchronize the effect

precisely to the rhythm. Triplet settings are also available: 1/6 = quarter-note triplets,

1/12 = eighth-note triplets, 1/24 = sixteenth-note triplets.

• The Trill effect Types (06–12) create two-note trills (alternating notes) when two

notes are held.

• The Tremolo effect Types (13–19) repeat all held notes (up to four).

• The Echo effect Types (20–26) create delayed repeats of each note played.

07 Trill 1/6 note

08 Trill 1/8 note

09 Trill 1/12 note

10 Trill 1/16 note

11 Trill 1/24 note

12 Trill 1/32 note

13 Tremolo 1/4 note

14 Tremolo 1/6 note

15 Tremolo 1/8 note

16 Tremolo 1/12 note

17 Tremolo 1/16 note

18 Tremolo 1/24 note

19 Tremolo 1/32 note

20 Echo 1/4 note

21 Echo 1/6 note

22 Echo 1/8 note

23 Echo 1/12 note

24 Echo 1/16 note

25 Echo 1/24 note

26 Echo 1/32 note

No. Reverb Type Description

01–03 Hall 1–3 Concert hall reverb.

04–05 Room 1–2 Small room reverb.

06–07 Stage 1–2 Reverb for solo instruments.

08–09 Plate 1–2 Simulated steel plate reverb.

10 Off No effect.

No. Chorus Type Description

01–02 Chorus 1–2 Conventional chorus program with rich, warm chorusing.

03–04 Flanger 1–2 Pronounced three-phase modulation with a slight metallic sound.

05 Off No effect.

110 DGX-220/YPG-225 Owner’s Manual

MIDI Implementation Chart

YAMAHA [ Portable Grand ] Date:17-NOV-2005

Model DGX-220/YPG-225 MIDI Implementation Chart Version:1.0

Transmitted Recognized Remarks

Function...

Basic Default 1 - 16 1 - 16

Channel Changed x x

Default 3 3

Mode Messages x x

Altered ************** x

Note 0 - 127 0 - 127

Number : True voice ************** 0 - 127

Velocity Note ON o 9nH,v=1-127 o 9nH,v=1-127

Note OFF x 9nH,v=0 x

After Key's x x

Touch Ch's x x

Pitch Bend o 0-24 semi o 0-24 semi

0,32 o o Bank Select

1,11,84 x *1 o

6,38 o o Data Entry

7,10 o o

Control 64 o o Sustain

71 x *1 o Harmonic Content

Change 72 o o Release Time

73 x *1 o Attack Time

74 x *1 o Brightness

91,93 o o Effect Depth

96-97 x *1 o RPN Inc,Dec

100-101 o o RPN LSB,MSB

MIDI Implementation Chart

DGX-220/YPG-225 Owner’s Manual 111

Prog o 0 - 127 o 0 - 127

Change : True # **************

System Exclusive o o

: Song Pos. x x

Common : Song Sel. x x

: Tune x x

System : Clock o o

Real Time: Commands o o

Aux :All Sound OFF x o(120,126,127)

:Reset All Cntrls x o(121)

:Local ON/OFF x o(122)

:All Notes OFF x o(123-125)

Mes- :Active Sense o o

sages:Reset x x

*1 Refer to #2 on page 112.

Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO o : Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO x : No

112 DGX-220/YPG-225 Owner’s Manual

MIDI Data Format

NOTE:

1 By default (factory settings) the instrument ordinarily functions

as a 16-channel multi-timbral tone generator, and incoming

data does not affect the panel voices or panel settings. How-

ever, the MIDI messages listed below do affect the panel

voices, auto accompaniment, and songs.

• MIDI Master Tuning

• System exclusive messages for changing the Reverb Type

and Chorus Type.

2 Messages for these control change numbers cannot be trans-

mitted from the instrument itself. However, they may be trans-

mitted when playing the accompaniment, song or using the

Harmony effect.

3 Exclusive

<GM System ON> F0H, 7EH, 7FH, 09H, 01H, F7H

• This message automatically restores all default settings for

the instrument, with the exception of MIDI Master Tuning.

<MIDI Master Volume> F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H

• This message allows the volume of all channels to be

changed simultaneously (Universal System Exclusive).

• The values of “mm” is used for MIDI Master Volume. (Values

for “ll” are ignored.)

<MIDI Master Tuning> F0H, 43H, 1nH, 27H, 30H, 00H, 00H,

mm, ll, cc, F7H

• This message simultaneously changes the tuning value of

all channels.

• The values of “mm” and “ll” are used for MIDI Master Tuning.

• The default value of “mm” and “ll” are 08H and 00H, respec-

tively. Any values can be used for “n” and “cc”.

<Reverb Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 00H, mmH,

llH, F7H

• mm : Reverb Type MSB

• ll : Reverb Type LSB

Refer to the Effect Map (page 112) for details.

<Chorus Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 20H, mmH,

llH, F7H

• mm : Chorus Type MSB

• ll : Chorus Type LSB

Refer to the Effect Map (page 112) for details.

4 When the accompaniment is started, an FAH message is trans-

mitted. When accompaniment is stopped, an FCH message is

transmitted. When the clock is set to External, both FAH

(accompaniment start) and FCH (accompaniment stop) are

recognized.

5 Local ON/OFF

<Local ON> Bn, 7A, 7F

<Local OFF> Bn, 7A, 00

Value for “n” is ignored.

■ Effect map

* When a Type LSB value is received that corresponds to no effect type, a value corresponding to the

effect type (coming the closest to the speciﬁed value) is automatically set.

* The numbers in parentheses in front of the Effect Type names correspond to the number indicated in

the display.

● REVERB

● CHORUS

TYPE

MSB

TYPE LSB

00 01 02 08 16 17 18 19 20

000 No Effect

001 (01)Hall1 (02)Hall2 (03)Hall3

002 Room (04)Room1 (05)Room2

003 Stage (06)Stage1 (07)Stage2

004 Plate (08)Plate1 (09)Plate2

005...127 No Effect

TYPE

MSB

TYPE LSB

00 01 02 08 16 17 18 19 20

000...063 No Effect

064 Thru

065 Chorus (02)Chorus2

066 Celeste (01)Chorus1

067 Flanger (03)Flanger1 (04)Flanger2

068...127 No Effect

DGX-220/YPG-225 Owner’s Manual 113

Speciﬁcations

Keyboards

• 76 box type keys (E0–G6), with Touch Response.

Display

• LCD display (backlit)

Setup

• STANDBY/ON

• MASTER VOLUME: MIN–MAX

Panel Controls

• SONG, VOICE, STYLE, EASY SONG ARRANGER,

P.A.T. ON/OFF, LESSON L, LESSON R, LESSON

START, METRONOME ON/OFF, PORTABLE GRAND,

DEMO, FUNCTION, MUSIC DATABASE, HARMONY ON/

OFF, DUAL ON/OFF, SPLIT ON/OFF, TEMPO/TAP, [0]–

[9], [+], [-], CATEGORY, Dial, REPEAT & LEARN (ACMP

ON/OFF), A-B REPEAT (INTRO/ENDING/rit.), PAUSE

(SYNC START), START/STOP, REW (MAIN/AUTO FILL),

FF (SYNC STOP), REGIST MEMORY ([MEMORY/BANK],

[1], [2]), SONG MEMORY (REC, [1]–[5], [A])

Realtime Control

• Pitch Bend Wheel

Voice

• 116 panel voices + 12 drum/SFX kits + 361 XGlite voices

• Polyphony: 32

• DUAL

• SPLIT

Style

• 150 Preset Styles + 1 User Style File

• Style Control: ACMP ON/OFF, SYNC STOP,

SYNC START, START/STOP,

INTRO/ENDING/rit., MAIN/AUTO FILL

• Fingering: Multi Finger, Full Keyboard

• Style Volume

Music Database

• 267

Education Feature

• Dictionary

• Lesson 1–3, Repeat & Learn

Registration Memory

•8 banks x 2 types

Function

• VOLUME: Style Volume, Song Volume

• OVERALL: Tuning, Transpose, Split Point, Touch Sensi-

tivity, Pitch Bend Range, Chord Fingering

• MAIN VOICE: Volume, Octave, Pan, Reverb Level,

Chorus Level

• DUAL VOICE: Voice, Volume, Octave, Pan, Reverb Level,

Chorus Level

• SPLIT VOICE: Voice, Volume, Octave, Pan, Reverb Level,

Chorus Level

• EFFECT: Reverb Type, Chorus Type, Master EQ Type,

Sustain

• HARMONY: Harmony Type, Harmony Volume

• Performance assistant technology:

Performance assistant technology Type

• SFF Load: Style File Load

•

PC: PC Mode

•

MIDI: Local On/Off, External Clock, Initial Send,

Keyboard Out, Style Out, Song Out

• METRONOME: Time Signature Numerator, Time Signature

Denominator, Metronome Volume

• LESSON: Lesson Track (R), Lesson Track (L), Grade

• UTILITY: Demo Cancel

Effects

• Reverb: 9 types

• Chorus: 4 types

• Harmony: 26 types

Song

• 30 Preset Songs + 5 User Songs + Accessory CD-ROM

Songs (70)

• Song Clear, Track Clear

• Song Volume

• Song Control: REPEAT & LEARN, A-B REPEAT, PAUSE,

REW, FF, START/STOP

Performance assistant technology

• Chord, Chord/Free

Recording

• Song

User Song: 5 Songs

Recording Tracks: 1, 2, 3, 4, 5, STYLE

MIDI

• Local On/Off • Initial Send • External Clock

• Keyboard Out • Style Out • Song Out

Auxiliary jacks

• PHONES/OUTPUT, DC IN 12V, USB, SUSTAIN

Ampliﬁer

• 6W + 6W

Speakers

• 12cm x 2 + 3cm x 2

Power Consumption

• 20W

Power Supply

• Adaptor: Yamaha PA-5D AC power adaptor

• Batteries:

Six “D” size, R20P (LR20) or equivalent batteries

Dimensions (W x D x H)

• 1,178 x 412 x 137 mm (46-3/8" x 16-1/4" x 5-3/8")

Weight

• 8.3kg (18 lbs. 5 oz.) (not including batteries)

Supplied Accessories

• Music Rest

• Accessory CD-ROM

• Owner’s Manual

* Specifications and descriptions in this owner’s manual are for

information purposes only. Yamaha Corp. reserves the right

to change or modify products or specifications at any time

without prior notice. Since specifications, equipment or op-

tions may not be the same in every locale, please check with

your Yamaha dealer.

Optional Accessories

• AC Power Adaptor: PA-5D

• Footswitch: FC4/FC5

• Keyboard Stand: LW-16

• Headphones: HPE-150

114 DGX-220/YPG-225 Owner’s Manual

Index

+/– .................................................. 13, 51

........................................................ 50

0–9 .................................................. 13, 51

A-B REPEAT ................................. 12, 71

ACMP ON/OFF ............................. 12, 20

CATEGORY [ ] and [ ] ........... 12, 51

DC IN 12V ..................................... 10, 13

DEMO ............................................ 13, 26

Dial ................................................. 12, 51

DUAL ON/OFF ............................. 13, 15

EASY SONG ARRANGER .......... 12, 43

FF ................................................... 12, 26

FUNCTION .................................... 12, 75

HARMONY ON/OFF .................... 13, 53

INTRO/ENDING/rit. ...................... 12, 63

LESSON L/R ................................. 12, 37

LESSON START ........................... 12, 37

MAIN/AUTO FILL ........................ 12, 63

MASTER VOLUME ..................... 12, 50

MEMORY/BANK, 1, 2 ................. 13, 73

METRONOME ON/OFF ............... 12, 56

MUSIC DATABASE ..................... 12, 42

P.A.T. ON/OFF .............................. 12, 29

PAUSE ........................................... 12, 26

PHONES/OUTPUT ....................... 11, 13

PITCH BEND wheel ...................... 13, 59

PORTABLE GRAND .................... 13, 17

REC, 1–5, A ................................... 12, 45

REGIST. MEMORY ...................... 13, 73

REPEAT & LEARN ...................... 12, 41

REW ............................................... 12, 26

SONG ............................................. 12, 25

SONG MEMORY .......................... 12, 45

SPLIT ON/OFF .............................. 13, 16

STANDBY/ON .............................. 11–12

START/STOP ................................ 12, 51

STYLE ........................................... 12, 19

SYNC START ............................... 12, 63

SYNC STOP .................................. 12, 64

TEMPO/TAP .................................. 12, 35

USB TO HOST .............................. 13, 79

VOICE ............................................ 12, 14

A-B Repeat ...........................................71

Accessories .............................................7

ACMP ...................................................20

Auto Accompaniment Range ................20

Auto-Accompaniment ..........................20

Backup ..................................................49

CD-ROM ..............................................85

Channel Message ..................................79

Chord ..................................22–24, 68–69

Chord Dictionary ..................................70

Chord Fingering ....................................66

CHORD ROOT ....................................70

CHORD TYPE .....................................70

Chorus ...................................................55

Chorus Type .......................................109

Computer ..............................................79

Default Setting ......................................75

Delete (Song Track) ..............................48

Delete (User Song) ...............................48

Demo ....................................................26

Demo Cancel ........................................77

Display ..................................................52

Drum Kit ...............................................18

Drum Kit List ......................................104

Dual Voice ............................................15

Dual Voice Chorus Level .....................76

Dual Voice Octave ................................76

Dual Voice Pan .....................................76

Dual Voice Reverb Level .....................76

Dual Voice Volume ..............................76

Easy Chords ..........................................24

Easy Song Arranger ..............................43

Effect Map ..........................................112

Effect Type List ..................................109

External Clock ......................................80

External Song .......................................28

Flash Memory ...................................... 28

Foot Switch .......................................... 11

Function ......................................... 75–77

Grade .................................................... 38

Harmony ............................................... 53

Harmony Type ............................. 53, 109

Harmony Volume ................................. 77

Headphones .......................................... 11

Initial Send ..................................... 77, 82

Initialization ......................................... 49

Keyboard Out ....................................... 80

Lesson .................................................. 36

Load SFF .............................................. 67

Local ..................................................... 80

L-Part ................................................... 84

Main Voice ........................................... 14

Main Voice Chorus Level .................... 76

Main Voice Octave .............................. 76

Main Voice Pan .................................... 76

Main Voice Reverb Level .................... 76

Main Voice Volume ............................. 76

Master EQ Type ................................... 62

Measure ................................................ 52

Melody Voice ................................. 44, 72

Metronome ........................................... 56

MIDI ..................................................... 78

MIDI Data Format ............................. 112

MIDI Implementation Chart .............. 110

Music Database .................................... 42

Music Database List ........................... 107

Music Rest .............................................. 7

Mute ..................................................... 72

Panel controls and terminals Alphabetical order

Index

DGX-220/YPG-225 Owner’s Manual 115

notation ................................................. 52

One Touch Setting ................................ 61

Panel Sustain ........................................ 59

PC Mode ............................................... 81

Performance assistant technology ........ 29

Pitch Bend Range ................................. 76

Power Adaptor ..................................... 10

Preset Song ............................... 25, 27–28

Recording ............................................. 45

Registration Memory ........................... 73

Remote control ..................................... 81

Repeat ................................................... 41

Reverb .................................................. 54

Reverb Type ....................................... 109

R-Part ................................................... 84

Save (Panel Setting) ............................. 73

Score ............................................... 94–99

SMF (Standard MIDI File) ................... 82

Software Licensing Agreement ............ 91

Song ...................................................... 25

Song Clear ............................................ 48

Song List .............................................. 27

Song Memory ....................................... 45

Song Out ............................................... 80

Song Volume ........................................ 71

Specifications ..................................... 113

Split Point ....................................... 16, 65

Split Voice ............................................ 16

Split Voice Chorus Level ..................... 76

Split Voice Octave ............................... 76

Split Voice Pan ..................................... 76

Split Voice Reverb Level ..................... 76

Split Voice Volume .............................. 76

Standard Chords ................................... 24

Style .......................................... 19–23, 63

Style File .............................................. 67

Style List ............................................ 106

Style Out ............................................... 80

Style Volume ........................................ 65

Sustain (Footswitch) ............................. 11

Synchro Start ..................................20, 63

Synchro Stop .........................................64

System Message ...................................79

Tempo ...................................................35

Time Signature

(Denominator, Numerator) ...............56

Touch Response ....................................58

Touch Sensitivity ..................................58

Track ...............................................45–48

Track Clear ...........................................48

Transfer ...........................................82–84

Transpose ..............................................60

Troubleshooting (Installation) ..............90

Troubleshooting (instrument) ...............92

Tuning ...................................................60

USB ......................................................79

USB MIDI Driver ...........................88–89

User Song .............................................45

Voice .....................................................14

Voice List ...........................................100

XGlite .....................................................6

116 DGX-220/YPG-225 Owner’s Manual

Limited Warranty

90 DAYS LABOR 1 YEAR PARTS

Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed

below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models

included in the following series of products:

DGX, YPG SERIES OF Portable Grand ELECTRONIC KEYBOARDS

If during the ﬁrst 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect

in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor.

If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject

to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the

consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as

warranty replacements.

THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS. ANY

IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITY IS LIMITED TO

THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY EVENT FOR

INCIDENTAL OR CONSEQUENTIAL DAMAGES.

Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these

limitations and exclusions may not apply to you.

This warranty gives you speciﬁc legal rights. You may also have other rights which vary from state to state.

CONSUMERS RESPONSIBILITIES

If warranty service should be required, it is necessary that the consumer assume certain responsibilities:

1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for

assistance. You may also contact Yamaha directly at the address provided below.

2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation

of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts

under warranty.

3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely.

*Repaired units will be returned PREPAID if warranty service is required within the ﬁrst 90 days.

IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has

a tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed.

4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and

to follow all safety precautions.

EXCLUSIONS

This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to

failures and/or damages that may occur as a result of:

1. Neglect, abuse, abnormal strain, modiﬁcation or exposure to extremes in temperature or humidity.

2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an

authorized service center, or an authorized service representative of Yamaha.

3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia,

and Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country.

Please record the model and serial number of the product you have purchased in the spaces provided below.

Model___________________________ Serial #________________________________ Sales Slip #________________________________

Purchased from____________________________________________________________ Date______________________________________

(Retailer)

YAMAHA CORPORATION OF AMERICA

Electronic Service Division

6600 Orangethorpe Avenue

Buena Park, CA 90620

KEEP THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!

For details of products, please contact your nearest Yamaha

representative or the authorized distributor listed below.

Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou

au distributeur le plus proche de vous ﬁgurant dans la liste suivante.

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten

Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen

Bestimmungsländern erhältlich.

Para detalles sobre productos, contacte su tienda Yamaha más cercana

o el distribuidor autorizado que se lista debajo.

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario,

M1S 3R1, Canada

Tel: 416-298-1311

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Ave., Buena Park, Calif. 90620,

U.S.A.

Tel: 714-522-9011

MEXICO

Yamaha de México S.A. de C.V.

Calz. Javier Rojo Gómez #1149,

Col. Guadalupe del Moral

C.P. 09300, México, D.F., México

Tel: 55-5804-0600

BRAZIL

Yamaha Musical do Brasil Ltda.

Av. Reboucas 2636-Pinheiros CEP: 05402-400

Sao Paulo-SP. Brasil

Tel: 011-3085-1377

ARGENTINA

Yamaha Music Latin America, S.A.

Sucursal de Argentina

Viamonte 1145 Piso2-B 1053,

Buenos Aires, Argentina

Tel: 1-4371-7021

PANAMA AND OTHER LATIN

AMERICAN COUNTRIES/

CARIBBEAN COUNTRIES

Yamaha Music Latin America, S.A.

Torre Banco General, Piso 7, Urbanización Marbella,

Calle 47 y Aquilino de la Guardia,

Ciudad de Panamá, Panamá

Tel: +507-269-5311

THE UNITED KINGDOM

Yamaha-Kemble Music (U.K.) Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes,

MK7 8BL, England

Tel: 01908-366700

IRELAND

Danfay Ltd.

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin

Tel: 01-2859177

GERMANY

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

SWITZERLAND/LIECHTENSTEIN

Yamaha Music Central Europe GmbH,

Branch Switzerland

Seefeldstrasse 94, 8008 Zürich, Switzerland

Tel: 01-383 3990

AUSTRIA

Yamaha Music Central Europe GmbH,

Branch Austria

Schleiergasse 20, A-1100 Wien, Austria

Tel: 01-60203900

CZECH REPUBLIC/SLOVAKIA/

HUNGARY/SLOVENIA

Yamaha Music Central Europe GmbH,

Branch Austria, CEE Department

Schleiergasse 20, A-1100 Wien, Austria

Tel: 01-602039025

POLAND

Yamaha Music Central Europe GmbH

Sp.z. o.o. Oddzial w Polsce

ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland

Tel: 022-868-07-57

THE NETHERLANDS/

BELGIUM/LUXEMBOURG

Yamaha Music Central Europe GmbH,

Branch Benelux

Clarissenhof 5-b, 4133 AB Vianen, The Netherlands

Tel: 0347-358 040

FRANCE

Yamaha Musique France

BP 70-77312 Marne-la-Vallée Cedex 2, France

Tel: 01-64-61-4000

ITALY

Yamaha Musica Italia S.P.A.

Viale Italia 88, 20020 Lainate (Milano), Italy

Tel: 02-935-771

SPAIN/PORTUGAL

Yamaha-Hazen Música, S.A.

Ctra. de la Coruna km. 17, 200, 28230

Las Rozas (Madrid), Spain

Tel: 91-639-8888

GREECE

Philippos Nakas S.A. The Music House

147 Skiathou Street, 112-55 Athens, Greece

Tel: 01-228 2160

SWEDEN

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1

Box 30053

S-400 43 Göteborg, Sweden

Tel: 031 89 34 00

DENMARK

YS Copenhagen Liaison Ofﬁce

Generatorvej 6A

DK-2730 Herlev, Denmark

Tel: 44 92 49 00

FINLAND

F-Musiikki Oy

Kluuvikatu 6, P.O. Box 260,

SF-00101 Helsinki, Finland

Tel: 09 618511

NORWAY

Norsk ﬁlial av Yamaha Scandinavia AB

Grini Næringspark 1

N-1345 Østerås, Norway

Tel: 67 16 77 70

ICELAND

Skifan HF

Skeifan 17 P.O. Box 8120

IS-128 Reykjavik, Iceland

Tel: 525 5000

OTHER EUROPEAN COUNTRIES

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: +49-4101-3030

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2312

TURKEY/CYPRUS

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

OTHER COUNTRIES

Yamaha Music Gulf FZE

LB21-128 Jebel Ali Freezone

P.O.Box 17328, Dubai, U.A.E.

Tel: +971-4-881-5868

THE PEOPLE’S REPUBLIC OF CHINA

Yamaha Music & Electronics (China) Co.,Ltd.

25/F., United Plaza, 1468 Nanjing Road (West),

Jingan, Shanghai, China

Tel: 021-6247-2211

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,

Tsimshatsui, Kowloon, Hong Kong

Tel: 2737-7688

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930, Indonesia

Tel: 21-520-2577

KOREA

Yamaha Music Korea Ltd.

Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,

Youngdungpo-ku, Seoul, Korea

Tel: 02-3770-0660

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

Petaling Jaya, Selangor, Malaysia

Tel: 3-78030900

PHILIPPINES

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,

Makati, Metro Manila, Philippines

Tel: 819-7551

SINGAPORE

Yamaha Music Asia Pte., Ltd.

#03-11 A-Z Building

140 Paya Lebor Road, Singapore 409015

Tel: 747-4374

TAIWAN

Yamaha KHS Music Co., Ltd.

3F, #6, Sec.2, Nan Jing E. Rd. Taipei.

Taiwan 104, R.O.C.

Tel: 02-2511-8688

THAILAND

Siam Music Yamaha Co., Ltd.

891/1 Siam Motors Building, 15-16 ﬂoor

Rama 1 road, Wangmai, Pathumwan

Bangkok 10330, Thailand

Tel: 02-215-2626

OTHER ASIAN COUNTRIES

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2317

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

Level 1, 99 Queensbridge Street, Southbank,

Victoria 3006, Australia

Tel: 3-9693-5111

NEW ZEALAND

Music Houses of N.Z. Ltd.

146/148 Captain Springs Road, Te Papapa,

Auckland, New Zealand

Tel: 9-634-0099

COUNTRIES AND TRUST

TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2312

NORTH AMERICA

CENTRAL & SOUTH AMERICA

EUROPE

AFRICA

MIDDLE EAST

ASIA

OCEANIA

HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-3273

[PK] 36

U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

WG28010 XXXPOXXX.X-01A0

Printed in China

Yamaha Home Keyboards Home Page (English Only)

http://music.yamaha.com/homekeyboard

Yamaha Manual Library

http://www.yamaha.co.jp/manual/

Yamaha DGX-220 Manual de usuario

Marca: Yamaha

Modelo: DGX-220

Categoría: Pianos digitales

Tipo: Manual de usuario

Descargar PDF

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en otros idiomas

français: Yamaha DGX-220 Manuel utilisateur
italiano: Yamaha DGX-220 Manuale utente
English: Yamaha DGX-220 User manual
Deutsch: Yamaha DGX-220 Benutzerhandbuch
русский: Yamaha DGX-220 Руководство пользователя
Nederlands: Yamaha DGX-220 Handleiding
português: Yamaha DGX-220 Manual do usuário
dansk: Yamaha DGX-220 Brugermanual
polski: Yamaha DGX-220 Instrukcja obsługi
čeština: Yamaha DGX-220 Uživatelský manuál
svenska: Yamaha DGX-220 Användarmanual
Türkçe: Yamaha DGX-220 Kullanım kılavuzu
suomi: Yamaha DGX-220 Ohjekirja
română: Yamaha DGX-220 Manual de utilizare

Yamaha DGX-220 Manual de usuario

Yamaha DGX-220 Manual de usuario

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