YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
Printed in Malaysia ID
V471950
OWNER’S MANUAL
MODE D’EMPLOI
HTR-5250
Natural Sound AV Receiver
Ampli-tuner audio-vidéo
U C A
0100HTR-5250(UCA)-cv1/4 3/2/0, 3:16 PM1
CAUTION
SAFETY INSTRUCTIONS
8 Ventilation – The unit should be situated so that its
location or position does not interfere with its proper
ventilation. For example, the unit should not be situated
on a bed, sofa, rug, or similar surface, that may block the
ventilation openings; or placed in a built-in installation,
such as a bookcase or cabinet that may impede the flow
of air through the ventilation openings.
9 Heat – The unit should be situated away from heat
sources such as radiators, stoves, or other appliances
that produce heat.
10 Power Sources – The unit should be connected to a
power supply only of the type described in the operating
instructions or as marked on the unit.
11 Power-Cord Protection – Power-supply cords should be
routed so that they are not likely to be walked on or
pinched by items placed upon or against them, paying
particular attention to cords at plugs, convenience
receptacles, and the point where they exit from the unit.
12 Cleaning – The unit should be cleaned only as
recommended by the manufacturer.
13 Nonuse Periods – The power cord of the unit should be
unplugged from the outlet when left unused for a long
period of time.
14 Object and Liquid Entry – Care should be taken so that
objects do not fall into and liquids are not spilled into the
inside of the unit.
15 Damage Requiring Service – The unit should be serviced
by qualified service personnel when:
A. The power-supply cord or the plug has been
damaged; or
B. Objects have fallen, or liquid has been spilled into the
unit; or
C. The unit has been exposed to rain; or
D. The unit does not appear to operate normally or exhibits
a marked change in performance; or
E. The unit has been dropped, or the cabinet damaged.
16 Servicing – The user should not attempt to service the
unit beyond those means described in the operating
instructions. All other servicing should be referred to
qualified service personnel.
17 Power Lines – An outdoor antenna should be located
away from power lines.
18 Grounding or Polarization – Precautions should be taken
so that the grounding or polarization is not defeated.
1 Read Instructions – All the safety and operating
instructions should be read before the unit is operated.
2 Retain Instructions – The safety and operating
instructions should be retained for future reference.
3 Heed Warnings – All warnings on the unit and in the
operating instructions should be adhered to.
4 Follow Instructions – All operating and other instructions
should be followed.
5 Water and Moisture – The unit should not be used near
water – for example, near a bathtub, washbowl, kitchen
sink, laundry tub, in a wet basement, or near a swimming
pool, etc.
6 Carts and Stands – The unit should be used only with a
cart or stand that is recommended by the
manufacturer.
6A A unit and cart combination should be
moved with care. Quick stops, excessive
force, and uneven surfaces may cause
the unit and cart combination to overturn.
7 Wall or Ceiling Mounting – The unit should be mounted to
a wall or ceiling only as recommended by the
manufacturer.
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
• Explanation of Graphical Symbols
The lightning flash with arrowhead symbol,
within an equilateral triangle, is intended to
alert you to the presence of uninsulated
“dangerous voltage” within the product’s
enclosure that may be of sufficient magnitude
to constitute a risk of electric shock to persons.
The exclamation point within an equilateral
triangle is intended to alert you to the presence
of important operating and maintenance
(servicing) instructions in the literature
accompanying the appliance.
WARNING
TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO
RAIN OR MOISTURE.
0101V596(UCA)_caution_EN 3/1/0, 1:15 PM2
CAUTION
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIX
INTRODUCTION PREPARATION
19 For US customers only:
Outdoor Antenna Grounding – If an outside antenna is
connected to this unit, be sure the antenna system is
grounded so as to provide some protection against
voltage surges and built-up static charges. Article 810 of
the National Electrical Code, ANSI/NFPA 70, provides
information with regard to proper grounding of the mast
and supporting structure, grounding of the lead-in wire to
an antenna discharge unit, size of grounding conductors,
location of antenna discharge unit, connection to
grounding electrodes, and requirements for the
grounding electrode.
EXAMPLE OF ANTENNA GROUNDING
MAST
GROUND
CLAMP
ANTENNA
LEAD IN
WIRE
ANTENNA
DISCHARGE UNIT
(NEC SECTION 810–20)
GROUNDING CONDUCTORS
(NEC SECTION 810–21)
GROUND CLAMPS
POWER SERVICE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250. PART H)
ELECTRIC
SERVICE
EQUIPMENT
NEC
– NATIONAL ELECTRICAL CODE
We Want You Listening For A Lifetime
YAMAHA and the Electronic Industries Association’s
Consumer Electronics Group want you to get the most out of
your equipment by playing it at a safe level. One that lets the
sound come through loud and clear without annoying blaring
or distortion – and, most importantly, without affecting your
sensitive hearing.
Since hearing damage from loud sounds is often
undetectable until it is too late, YAMAHA and the
Electronic Industries Association’s Consumer
Electronics Group recommend you to avoid
prolonged exposure from excessive volume
levels.
FCC INFORMATION (for US customers only)
1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the
instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC,
to use the product.
2. IMPORTANT : When connecting this product to
accessories and/or another product use only high
quality shielded cables. Cable/s supplied with this
product MUST be used. Follow all installation instruc-
tions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE : This product has been tested and found to
comply with the requirements listed in FCC Regula-
tions, Part 15 for Class “B” digital devices. Compliance
with these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices.
This equipment generates/uses radio frequencies and,
if not installed and used according to the instructions
found in the users manual, may cause interference
harmful to the operation of other electronic devices.
Compliance with FCC regulations does not guarantee
that interference will not occur in all installations. If
this product is found to be the source of interference,
which can be determined by turning the unit “OFF”
and “ON”, please try to eliminate the problem by using
one of the following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/
reorient the antenna. If the antenna lead-in is 300
ohm ribbon lead, change the lead-in to coaxial type
cable.
If these corrective measures do not produce satisfac-
tory results, please contact the local retailer autho-
rized to distribute this type of product. If you can not
locate the appropriate retailer, please contact Yamaha
Electronics Corp., U.S.A. 6660 Orangethorpe Ave,
Buena Park, CA 90620.
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
Note to CATV system installer:
This reminder is provided to call the CATV system
installer’s attention to Article 820-40 of the NEC that
provides guidelines for proper grounding and, in particular,
specifies that the cable ground shall be connected to the
grounding system of the building, as close to the point of
cable entry as practical.
SAFETY INSTRUCTIONS
0101V596(UCA)_caution_EN 3/1/0, 1:15 PM3
CAUTION
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
1. To assure the finest performance, please read this
manual carefully. Keep it in a safe place for future
reference.
2. Install this unit in a cool, dry, clean place — away
from windows, heat sources, sources of excessive
vibration, dust, moisture and cold. Avoid sources of
humming (transformers, motors). To prevent fire or
electrical shock, do not expose the unit to rain or
water.
3. Never open the cabinet. If something drops into the
unit, contact your dealer.
4. Do not use force on switches, controls or connection
cables. When moving the unit, first disconnect the
power cord and then the cables connected to other
component. Never pull the cables themselves.
5. The openings on the cover assure proper ventilation
of the unit. If these openings are obstructed, the
temperature inside the unit will rise rapidly.
Therefore, avoid placing objects against these
openings, and install the unit in a well-ventilated area
to prevent fire and damage.
6. The voltage used must be the same as that specified
on this unit. Using this unit with a higher voltage than
specified is dangerous and may result in fire or other
accidents. YAMAHA will not be held responsible for
any damage resulting from the use of this unit with a
voltage other than that specified.
7. Digital signals generated by this unit may interfere
with other component such as tuners, receivers and
TVs. Move this unit farther away from such
component if interference is observed.
8. Always set VOLUME to the “m” position before
starting the audio source play. Increase the volume
gradually to an appropriate level after playback has
been started.
9. Do not attempt to clean the unit with chemical
solvents; this might damage the finish. Use a clean,
dry cloth.
10. Be sure to read the “TROUBLESHOOTING” section
regarding common operating errors before
concluding that the unit is faulty.
11. When not planning to use this unit for a long period
of time (e.g., a vacation), disconnect the AC power
cord from the wall outlet.
12. To prevent lightning damage, disconnect the AC
power cord and disconnect the antenna cable when
there is an electrical storm.
13. Grounding or polarization — Precautions should be
taken so that the grounding or polarization of the unit
is not defeated.
14. AC outlet — Do not connect audio component to the
AC outlet on the rear panel if that component
requires more power than the outlet is rated to
provide.
This unit is not disconnected from the AC power source
as long as it is connected to the wall outlet, even if this
unit itself is turned off. This state is called the standby
mode. In this state, this unit is designed to consume a
very small quantity of power.
IMPORTANT
Please record the serial number of this unit in the space
below.
MODEL:
Serial No.:
The serial number is located on the rear of the unit.
Retain this Owner’s Manual in a safe place for future
reference.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR
MOISTURE.
FOR CANADIAN CUSTOMERS
To prevent electric shock, match wide blade of plug to
wide slot and fully insert.
This Class B digital apparatus complies with Canadian
ICES-003.
0101V596(UCA)_caution_EN 3/1/0, 1:15 PM4
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIX
INTRODUCTION PREPARATION
1
FEATURES
5-Channel Power Amplification
◆ Minimum RMS Output
(0.06% THD, 20 Hz – 20 kHz)
[U.S.A. and Canada models]
Main: 100 W + 100 W (8 Ω)
Center: 100 W (8 Ω)
Rear: 100 W + 100 W (8 Ω)
[Australia model]
Main: 70 W + 70 W (8 Ω)
Center: 70 W (8 Ω)
Rear: 70 W + 70 W (8 Ω)
Multi-Mode Digital Sound Field
Processing
◆ Digital Sound Field Processor (DSP)
◆ Dolby Pro Logic Decoder
◆ Dolby Digital Decoder
◆ DTS Decoder
◆ CINEMA DSP: Combination of YAMAHA DSP
Technology and Dolby Pro Logic, Dolby Digital or
DTS
Sophisticated FM/AM Tuner
◆ 40-Station Random Access Preset Tuning
◆ Automatic Preset Tuning
◆ Preset Station Shifting Capability (Preset Editing)
Other Features
◆ 96-kHz/24-bit D/A Converter
◆ “SET MENU” which Provides You with 12 Items
for Optimizing This Unit for Your Audio/Video
System
◆ Test Tone Generator for Easier Speaker Balance
Adjustment
◆ 6-Channel External Decoder Input for Other Future
Formats
◆ S Video Signal Input/Output Capability
◆ 3 Optical/2 Coaxial Digital Signal Input Terminals
◆ SLEEP Timer
◆ Remote Control with Preset Manufacturer Codes
INTRODUCTION
CONTENTS
PREPARATION
SPEAKER SETUP....................................................... 9
CONNECTIONS........................................................ 10
ADJUSTING THE SPEAKER BALANCE ............ 19
BASIC OPERATION
PLAYING A SOURCE .............................................. 21
DIGITAL SOUND FIELD PROCESSOR (DSP)
EFFECT .................................................................. 25
TUNING ..................................................................... 27
RECORDING A SOURCE ON TAPE, MD OR
VIDEO CASSETTE ............................................... 31
ADVANCED OPERATION
SOUND FIELD PROGRAM .................................... 32
SET MENU................................................................. 35
DELAY TIME AND SPEAKER
OUTPUT LEVELS ................................................. 39
SLEEP TIMER .......................................................... 41
PRESET REMOTE CONTROL .............................. 42
APPENDIX
TROUBLESHOOTING ............................................ 50
SPECIFICATIONS.................................................... 54
GLOSSARY................................................................ 55
INDEX ........................................................................ 56
INTRODUCTION
FEATURES .................................................................. 1
CONTENTS ................................................................. 1
GETTING STARTED ................................................. 2
CONTROLS AND FUNCTIONS ............................... 4
Manufactured under license from Dolby
Laboratories. “Dolby”, “Pro Logic” and the
double-D symbol are trademarks of Dolby
Laboratories. Confidential Unpublished Works.
©1992 – 1997 Dolby Laboratories, Inc. All
rights reserved.
Manufactured under license from Digital Theater Systems, Inc.
US Pat. No. 5,451,942 and other world-wide patents issued and
pending. “DTS”, “DTS Digital Surround”, are trademarks of
Digital Theater Systems, Inc. Copyright 1996 Digital Theater
Systems, Inc. All Rights Reserved.
y indicates a tip for your operation.
• When buttons on this unit and the remote control are
noted together in this Owner’s Manual, these button
names are in principle noted in the order of “button name
(remote control button name)”.
0102V596(UCA)01-08_EN 3/1/0, 1:15 PM1
2
GETTING STARTED
Checking the Package Contents
Check that the following items are included in your package.
Remote control Batteries (AAA, R03, UM-4 type) Antenna adapter
(U.S.A. and Canada models only)
Indoor FM antenna
AM loop antenna
Battery Installation in the Remote
Control
1 Turn the remote control over and slide the
battery compartment cover in the direction of
the arrow.
2 Insert the batteries (AAA, R03 or UM-4 type)
according the polarity markings on the inside
of the battery compartment.
3 Close the battery compartment cover.
Battery Replacement
If the remote control operates only when it is close to the
unit, the batteries are weak. Replace all the batteries with
new ones.
Be sure to replace the batteries within about two minutes.
If it takes longer than two minutes, the codes set for the
remote control will return to the factory settings. (Refer
to pages 42 to 49 about the remote control.)
Notes
• Use only AAA, R03 or UM-4 batteries for replacement.
• Be sure the battery polarity is correct. (See the illustration inside
the battery compartment.)
• Remove the batteries if the remote control will not be used for an
extended period of time.
• If the batteries have leaked, dispose of them immediately. Avoid
touching the leaked material or letting it come into contact with
clothing, etc. Clean the battery compartment thoroughly before
installing new batteries.
Quick reference card
Connection guide
1
2
3
Quick Reference Card
0102V596(UCA)01-08_EN 3/1/0, 1:15 PM2
3
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIX
INTRODUCTION PREPARATION
Using the Remote Control
The remote control transmits a directional infrared beam. Be
sure to aim the remote control directly at the infrared sensor
during operation. When the sensor is covered or there is a
large object between the remote control and the sensor, the
sensor cannot receive signals. The sensor may not be able to
receive signals properly when it is exposed to direct sunlight
or a strong artificial light (such as a fluorescent or strobe
light). In this case, change the direction of the light or
reposition the unit to avoid direct lighting.
Notes
• Handle the remote control with care.
• Do not spill water, tea or other liquids on the remote control.
• Do not drop the remote control.
• Do not leave or store the remote control in the following
conditions:
– high humidity or temperature such as near a heater, stove or
bath;
– dusty places; or
– extremely low temperature.
GETTING STARTED
Remote control
sensor
Within approximately 6 m
(20 feet)
0102V596(UCA)01-08_EN 3/1/0, 1:15 PM3
4
LR
–
+
–
+
12 3 4 65
7890qwertyu i op
6
VOLUME
Turn this control to turn up or down the volume.
7 PHONES jack
Connect the headphones to the PHONES jack. You can
listen to the sound to be output from the main speakers
through the headphones.
When listening with headphones privately, set both
SPEAKERS A and B to the OFF position, press EFFECT to
turn off the effect speakers (center and rear) and set “BASS
OUT” on the SET MENU to the MAIN position (so that no
DSP program name appears on the display).
8 SPEAKERS
Set A or B (or both A and B) to the ON position for the main
speaker system (connected to this unit) that you want to use.
Set the button(s) to the OFF position for the main speaker
system that you don’t want to use.
9 PROGRAM selector
Press l or h to select a DSP program when the effect
speakers (center and rear) are turned on. The name of the
selected program appears on the display.
0 EFFECT
Press this button to turn on or off the effect speakers (center
and rear). If you turn them off, the signals of the center and
rear channels are directed to the right and left main speakers
when playing a source encoded with Dolby Digital and
DTS. In this case, the output levels of the right and left
speakers may not match.
CONTROLS AND FUNCTIONS
Front Panel
1 STANDBY/ON
Press this switch to turn on the power of this unit or to set
this unit in the standby mode. Before turning the power on,
set VOLUME to the “m” position.
Standby mode
In this mode, this unit consumes a very small quantity of
power to receive infrared-signals from the remote
control.
2 Remote control sensor
This receives signals from the remote control.
3 Display
This shows various information. (Refer to page 6 for
details.)
4 INPUT MODE
Press this button to select the input mode among AUTO,
DTS and ANALOG for the DVD/LD, TV/digital TV and
cable TV/satellite tuner sources.
5 INPUT SELECTOR
Turn this selector to select the input source (TUNER, CD,
PHONO, CBL/SAT, V-AUX, VCR, D-TV, DVD/LD) that
you want to listen to or watch. The arrow for the selected
input source indicator lights up on the display.
0102V596(UCA)01-08_EN 3/1/0, 1:15 PM4
5
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIX
INTRODUCTION PREPARATION
q Tone controls
These controls are only effective for the sound from the
main speakers.
a) BASS
Turn this control clockwise to increase or counterclockwise
to decrease the low-frequency response. The “0” position
produces a flat response.
b) TREBLE
Turn this control clockwise to increase or counterclockwise
to decrease the high-frequency response. The “0” position
produces a flat response.
w TAPE/MD MON / EXT. DECODER
Press this button to select a tape or an MD source. The
“TAPE/MD MONITOR” indicator lights up on the display.
When you press the button again, the “TAPE/MD
MONITOR” indicator goes off, “EXT. DECODER” appears
on the display and you can listen to a source connected to
the EXTERNAL DECODER INPUT terminals.
e BALANCE
This control is only effective for the sound from the main
speakers.
Turn the control to adjust the balance of the output volume
from the right and left main speakers to compensate for
sound imbalance caused by the speaker location or listening
room conditions.
r A/B/C/D/E
Press this button to select one of a group (A to E) of preset
stations.
t PRESET/TUNING
When “ z ” appears on the display
This button is used to select a preset station number (1 to 8).
Press h to select a higher and l to select a lower preset
station number.
When “ z ” goes off from the display
This button is used for tuning. Press h to tune in to higher
frequencies, and l to tune in to lower frequencies.
y PRESET/TUNING, EDIT
Press this button to turn on or off “ z ” on the display, and
switch the function between storing a broadcasting station
(preset tuning) and tuning. This button is also used to
exchange the assignment of two preset stations with each
other.
u FM/AM
Press this button to switch the reception band between FM
and AM.
i MEMORY (MAN’L/AUTO FM)
Press this button to store broadcasting stations. Hold down
this button for more than three seconds to begin automatic
preset tuning.
o TUNING MODE (AUTO/MAN’L MONO)
Press this button to switch the tuning mode between
automatic and manual. To use the automatic tuning method,
press this button so that the “AUTO” indicator lights up on
the display. To use the manual tuning method, press this
button so that the “AUTO” indicator goes off.
p VIDEO AUX terminals
Connect an auxiliary audio or video input source such as a
camcorder to these terminals. If the connected video unit
has an S video output terminal, connect it to the S VIDEO
terminal to obtain a high-resolution picture. Use INPUT
SELECTOR to select the source connected to these
terminals.
CONTROLS AND FUNCTIONS
0102V596(UCA)01-08_EN 3/1/0, 1:15 PM5
6
Display
6 g and o indicators
“ g ” lights up when the built-in Dolby Digital
decoder is on. “ o ” lights up when the built-in
Dolby Pro Logic decoder is on.
7 x indicator
“ x ” lights up when the built-in digital sound
field processor is on.
8 MEMORY indicator
This flashes for about five seconds after pressing
MEMORY. During this period, the displayed station can be
stored in the memory.
9 AUTO indicator
This lights up when the unit is in the automatic tuning
mode.
0 STEREO indicator
This lights up when an FM stereo broadcast with sufficient
signal strength is being received.
q Signal-level indicator
This indicates the signal level of the station being received.
If multipath interference is detected, the indication
decreases.
w SLEEP indicator
This lights up while the built-in SLEEP timer is on.
CONTROLS AND FUNCTIONS
1 t indicator
The “t” indicator lights up when the built-in DTS
decoder is on.
2 DSP program indicators
The name of the selected DSP program lights up in the
following cases:
• When the tuner is selected as the input source.
• When DSP program No. 2, 3 or the subprogram
“ENHANCED” of No. 1 is selected.
3 Multi-information display
This display shows various information: for example the
name of the selected DSP program and the various settings
during adjustment with the SET MENU. The current station
frequency and band (FM or AM) also appear when the tuner
is selected as the input source.
4 Input source indicators
One of the arrows for these indicators lights up depending
on which source is selected.
5 TAPE/MD MONITOR indicator
This lights up when the tape deck or MD recorder, etc. is
selected as the input source by pressing TAPE/MD MON /
EXT. DECODER (or TAPE/MD).
0102V596(UCA)01-08_EN 3/1/0, 1:15 PM6
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EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIX
INTRODUCTION PREPARATION
Remote Control
CONTROLS AND FUNCTIONS
1
2
8
9
0
3
q
4
w
6
r
e
t
y
u
7
5
TV VOLUME
TV POWER
TV INPUT
EFFECT
Select the
AMP/TUN
position.
This section describes the basic operation of this unit with
the remote control. First, set the selector dial to the AMP/
TUN position. Refer to “PRESET REMOTE CONTROL”
on page 42 for full details.
1 DSP
Press this button to switch the function of the numeric
buttons to the DSP program selector. (Refer to page 8.)
2 Indicator window
This displays the name of components which can be
controlled.
3 Numeric buttons (Input selector buttons)
These buttons select the input source.
CD: To play a CD
TUNER: To listen to an FM or AM broadcast
TAPE/MD: To play a tape or MD
DVD/LD: To play a DVD or LD
D-TV: To watch a TV
VCR: To play a video cassette
PHONO: To play an analog record
CBL/SAT: To watch cable TV or satellite broadcast
V-AUX: To use a camcorder
EXT. DEC.: To play another multi-channel source
Refer to page 8 for details.
4 TEST
Press this button to output the test tone for each speaker.
5 j (left), i (right)
These buttons adjust the settings of the SET MENU and
TIME/LEVEL mode.
6 TIME/LEVEL
Press this button to select the items in the TIME/LEVEL
mode.
7 SLEEP
Press this button to set the SLEEP timer.
8 INPUT
Press this button to switch the function of the numeric
buttons to the input selector. (Refer to page 8.)
9 Indicator
This flashes in red when pressing a button on the remote
control.
0 Selector dial
Turn this dial to select the position for the component to be
controlled. (The proper code must be set for your
component. Refer to “Setup codes” on page 48.) When the
position is selected, the remote control is set to that
component operation mode.
Refer to
page 8.
0102V596(UCA)01-08_EN 3/1/0, 1:15 PM7
8
q A/B/C/D/E, PRESET +/–
These buttons are used to select a preset station.
A/B/C/D/E: To select one of a group (A to E) of preset
stations
PRESET +/–: To select a preset station number (1 to 8)
w d (next), u (back)
These buttons are used to advance or go back one selection
on the SET MENU and TIME/LEVEL mode.
e SET MENU
Press this button to select the items on the SET MENU.
r POWER
Press this button to turn this unit on.
t STANDBY
Press this button to set this unit in the standby mode.
y VOLUME (+/–)
These buttons are used to adjust the volume level.
u MUTE
Press this button to mute the sound. To cancel mute, press
this button again.
EFFECT
Press this button to turn on or off the effect speakers (center
and rear) in the following cases:
• When the selector dial is set to the DSP/TUN position.
• While the indicator is lit for about three seconds after
pressing DSP.
Description of the Numeric Buttons
The Numeric buttons function in various ways depending
on the position of the selector dial or the combination of
other instructions.
■ When selecting an input source
1 Press INPUT regardless of the position of the
selector dial.
The indicator lights up for about three seconds.
2 You can select an input source with the
numeric buttons while the indicator is lit.
CONTROLS AND FUNCTIONS
■ When selecting a DSP program
and turning on or off the effect
speakers (center and rear)
A
1 Press DSP regardless of the position of the
selector dial.
The indicator lights up for about three seconds.
2 You can select a DSP program with the
numeric buttons (1 to 8) and turn on or off the
effect speakers (center and rear) by pressing
EFFECT while the indicator is lit.
B
1 Set the selector dial to the DSP/TUN position.
2 You can select a DSP program directly with the
numeric buttons (1 to 8) and turn on or off the
effect speakers (center and rear) by pressing
EFFECT.
■ When selecting a preset station
number
1 Set code number “0023” in the AMP/TUN (or
DSP/TUN) position.
Refer to page 48 for setting the code.
2 Set the selector dial to the AMP/TUN (or DSP/
TUN) position.
3 You can select a preset station number directly
with the numeric buttons (1 to 8).
Refer to page 29.
A
B
0102V596(UCA)01-08_EN 3/1/0, 1:15 PM8
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EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIX
INTRODUCTION
PREPARATION
SPEAKER SETUP
Speaker Placement
Refer to the following diagram when you place the
speakers.
Speakers to Be Used
This unit is designed to provide the best sound-field quality
with a 5-speaker system, using main speakers, rear speakers
and a center speaker. If you use different brands of speakers
(with different tonal qualities) in your system, the tone of a
moving human voice and other types of sound may not shift
smoothly. We recommend that you use speakers from the
same manufacture or speakers with the same tonal quality.
The main speakers are used for the main source sound plus
the effect sounds. They will probably be the speakers from
your present stereo system. The rear speakers are used for
the effect and surround sounds, and the center speaker is for
the center sounds (dialog, vocals, etc.). If for some reason it
is not practical to use a center speaker, you can do without
it. Best results, however, are obtained with the full system.
The main speakers should be high-performance models and
have enough power-handling capacity to accept the
maximum output of your audio system. The other speakers
do not have to be equal to the main speakers. For precise
sound localization, however, it is ideal to use high-
performance models that can reproduce sounds over the full
range for the center speaker and the rear speakers.
■ Use of a subwoofer expands your
sound field
It is also possible to further expand your system with the
addition of a subwoofer. The use of a subwoofer is effective
not only for reinforcing bass frequencies from any or all
channels, but also for reproducing the LFE (low frequency
effect) channel with high fidelity when playing back a
source encoded with Dolby Digital or DTS. The YAMAHA
Active Servo Processing Subwoofer System is ideal for
natural and lively bass reproduction.
Main
speaker (L)
Center speaker
Main speaker (R)
Subwoofer
Rear speaker (L)
Rear speaker (R)
1.8 m
■ Main speakers
Place the right and left main speakers an equal distance
from the ideal listening position. The distance of each
speaker from each side of the TV monitor should be the
same.
■ Rear speakers
Place these speakers behind your listening position, facing
slightly inwards, nearly 1.8 m (approx. 6 feet) above the
floor.
■ Center speaker
Align the front face of the center speaker with the front face
of your TV monitor. Place the speaker as close to the
monitor as possible, such as directly over or under the
monitor and centrally between the main speakers.
Note
• If the center speaker is not used, the center channel sound will be
heard from the right and left main speakers. In that case,
“CENTER SP” on the SET MENU is set to the NONE position.
(Refer to page 36 for details.)
■ Subwoofer
The position of the subwoofer is not so critical, because low
bass sounds are not highly directional. But it is better to
place the subwoofer near the main speakers. Turn it slightly
toward the center of the room to reduce the wall reflections.
CAUTION
Some types of speakers interfere with a TV monitor. If
this problem occurs, move the speakers away from the
monitor. If you cannot avoid installing the center speaker
or subwoofer near the TV monitor, use magnetically
shielded speakers.
PREPARATION
0103V596(UCA)09-20_EN 3/1/0, 1:15 PM9
10
CONNECTIONS
Before Connecting Components
CAUTION
Never connect this unit and other components to mains power until all connections between components have been
completed.
Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some
components require different connection methods and have different terminal names. Refer to the instructions for each
component to be connected to this unit.
When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect
it to the terminals with the same number labels as !, #, $ etc. YAMAHA applies this labeling system to all its products.
Use RCA-type pin plug cables for connecting audio/video components with the exception described later.
The input and output terminals for pin plugs can be distinguished as follows:
Yellow video signals (composite)
White analog audio signals for the left channel
Red analog audio signals for the right channel
coaxial digital signals
After completing all connections, check them again to make sure they are correct.
A
B
Connecting an Audio
Component (page 13)
Connecting a Video
Component (pages 14 and 15)
IMPEDANCE SELECTOR
switch (page 18)
Connecting the Antenna
(pages 11 and 12)
Connecting to an External
Decoder (page 15)
Connecting the Speakers
(pages 16 and 17)
Connecting the Power
Supply Cords (page 18)
(U.S.A. model)
V V
C C
L
R
L
R
0103V596(UCA)09-20_EN 3/1/0, 1:16 PM10
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EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIX
INTRODUCTION
PREPARATION
Connecting the Antennas
Both AM and FM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal
strength. However, a properly installed outdoor antenna provides clearer reception than an indoor one. If you experience poor
reception quality, an outdoor antenna may improve the quality.
Connect each antenna correctly to the designated terminals.
■ Indoor FM antenna (included)
Firmly insert the connector into the FM ANT terminal. The
indoor FM antenna is only a simple antenna. For reception
with better sound quality, installing the outdoor FM antenna
(commercially available) is recommended.
Note
• Do not connect an outdoor FM antenna and the indoor FM
antenna at the same time.
■ Outdoor FM antenna
You may be unable to obtain good FM radio reception
depending on your local conditions (distance from the
broadcasting station, interposing buildings and
mountains, etc.). Consult your dealer or authorized service
center and be sure to install an antenna that suits your local
conditions.
Install the outdoor FM antenna (commercially available) in
a high place as far away from any roads as possible to avoid
being affected by automobile ignition noise.
CONNECTIONS
Antenna adapter
(included for U.S.A. and
Canada models)
Note
• Use this adapter to match
with F-type connector.
75-ohm coaxial cable
75-ohm/300-ohm antenna
adapter
Indoor FM
antenna
0103V596(UCA)09-20_EN 3/1/0, 1:16 PM11
12
■ AM loop antenna (included)
The AM loop antenna can be removed from the stand and
attached to a wall, etc. However, note that the reception
sensitivity may deteriorate if the antenna is attached to a
metal or steel reinforced wall.
Notes
• The AM loop antenna should be placed away from this unit.
• The AM loop antenna should always be connected, even if an
outdoor AM antenna is connected to this unit.
■ Connecting the AM loop antenna
1 Press the tab and unlock the terminal hole.
2 Insert the AM loop antenna lead wires into the
AM ANT and GND terminals.
3 Return the tab to its original position to lock
the lead wires. Lightly pull the lead wires to
confirm a good connection.
4 Attach the loop antenna to the antenna stand.
5 Orient the AM loop antenna so that the best
reception is obtained.
■ Outdoor AM antenna
If you cannot obtain good reception with the AM loop
antenna, connect 5 m to 10 m of vinyl covered wire to the
AM ANT terminal and extend it outdoors from a window.
■ Ground (GND terminal)
For maximum safety and minimum interference, connect
the antenna GND terminal to a good earth ground. A good
earth ground is a metal stake driven into moist earth.
CONNECTIONS
1
2
3
Antenna stand
AM loop antenna
Vinyl covered wire (5 m to 10 m)
54
0103V596(UCA)09-20_EN 3/1/0, 1:16 PM12
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EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIX
INTRODUCTION
PREPARATION
Connecting an Audio Component
■ PHONO terminals
These terminals are used to connect a turntable with an MM
or high-output MC cartridge. If you have a turntable with a
low-output MC cartridge, use an inline boosting transformer
or MC head amplifier when connecting to these terminals.
y
Connecting the ground (earth) wire of the turntable to the GND
terminal will normally minimize hum, but in some cases, better
results may be obtained with the ground wire disconnected.
CONNECTIONS
Be sure to connect the right channel (R), left channel (L),
input (IN) and output (OUT) properly.
Tape deck or
MD recorder
L R
L R
L R L R
L
R
OUTPUT
OUTPUT LINE OUT LINE IN
GND
Turntable
(U.S.A. model)
CD player
Analog signal
Signal flow
0103V596(UCA)09-20_EN 3/1/0, 1:16 PM13
14
Connecting a Video Component
■ Audio signal terminals
Be sure to connect the right channel (R), left channel (L),
input (IN) and output (OUT) properly.
■ S Video signal terminals
Use a special S VIDEO cable (commercially available) for
the S VIDEO connection.
■ Digital audio signal terminals
If your DVD/LD player, TV/digital TV or cable TV/satellite
tuner, etc. has coaxial or optical digital signal output
terminals, they can be connected to this unit’s COAXIAL
and/or OPTICAL digital signal input terminals. To make a
connection between the optical digital signal terminals,
remove the cover from each terminal, and then connect
them by using a commercially available optical fiber cable
that conforms to EIA standards. Other cables might not
function correctly.
When making connections between the digital signal
terminals, you should connect the components to the same-
named analog audio signal terminals of this unit, because a
digital signal cannot be recorded by a tape deck, MD
recorder or VCR connected to this unit.
Notes
• Be sure to attach the covers when the OPTICAL terminals are not
being used in order to protect them from dust.
• If your LD player has a Dolby Digital RF signal output terminal,
be sure to use the RF demodulator (separately purchased).
• No sound will be heard when connecting your LD player’s Dolby
Digital RF signal output terminal directly to this unit’s COAXIAL
DVD/LD digital signal input terminal.
y
• The input signal from the DVD/LD or CBL/SAT input terminals
is selected in the following order of priority with the input mode
set to AUTO: COAXIAL terminal → OPTICAL terminal →
Analog terminal. Refer to page 23 for details.
• All digital signal input terminals are applicable to sampling
frequencies of 32 kHz, 44.1 kHz, 48 kHz and 96 kHz. (Refer to
page 24 about 96-kHz sampling 24-bit digital signals.)
CONNECTIONS
L R
L
R
C
C
L R
L R
ANALOG
AUDIO OUT
AUDIO
IN
ANALOG
AUDIO OUT
AUDIO
OUT
S VIDEO
OUT
S VIDEO
OUT
OPTICAL
DIGITAL OUT
S VIDEO
IN
S VIDEO
OUT
S VIDEO
IN
COAXIAL
DIGITAL OUT
OPTICAL
DIGITAL OUT
O
O
O
S S
S
SS
S
L R
L R
ANALOG
AUDIO OUT
S VIDEO
OUT
OPTICAL
DIGITAL OUT
O
S
C
COAXIAL
DIGITAL OUT
DVD/LD player Cable TV/satellite tuner
(U.S.A. model)
Analog signal
S Video signal
Digital signal
(optical)
Digital signal
(coaxial)
Signal flow
TV monitor
TV/digital TV
VCR
0103V596(UCA)09-20_EN 3/1/0, 1:16 PM14
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EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIX
INTRODUCTION
PREPARATION
■ VIDEO terminals (composite)
If your video components do not have “S” video terminals,
they can be connected to this unit’s VIDEO terminals. Be
sure to connect the input (IN) and output (OUT) properly.
Note
• If video signals are input from both the S VIDEO input and
composite input terminals, the signals will be directed to their
respective output terminals.
■ VIDEO AUX terminals (on the front panel)
These terminals are used to connect any video input source
such as a camcorder to this unit.
Connecting to an External Decoder
This unit has additional 6-channel audio signal input
terminals for connecting an external decoder to this unit.
Connect the 6-channel audio signal output terminals of the
decoder to the EXTERNAL DECODER INPUT terminals
of this unit.
Notes
• When a source connected to these terminals is selected, the digital
sound field processor cannot be used.
• The settings of “CENTER SP”, “REAR SP”, “MAIN SP” and
“BASS OUT” on the SET MENU have no effect on a source
connected to these terminals. The setting of “MAIN LVL” is
effective. (Refer to pages 36 and 37 for details.)
• Adjustment of the output level of the center speaker, rear speakers
and subwoofer is effective when a source connected to these
terminals is selected as the input source. (Refer to page 39 for
details.)
CONNECTIONS
L RV
AUDIO OUT R
AUDIO OUT L
VIDEO OUT
S VIDEO OUT
S
DVD/LD player
L R L R
MAIN
OUT
SURROUND
OUT
CENTER
OUT
SUBWOOFER
OUT
External decoder
(U.S.A. model)
V
V
VIDEO
IN
V
VIDEO OUT
V
VIDEO OUT
V
VIDEO
OUT
V
VIDEO
OUT
V
VIDEO
IN
Cable TV/satellite tuner
TV/digital TV VCR
Video signal
Signal flow
Camcorder
TV monitor
0103V596(UCA)09-20_EN 3/1/0, 1:16 PM15
16
Connecting the Speakers
Be sure to connect the right channel (R), left channel (L),
“+” (red) and “–” (black) properly. If the connections are
faulty, no sound will be heard from the speakers, and if the
polarity of the speaker connections is incorrect, the sound
will be unnatural and lack bass.
CAUTIONS
• Use speakers with the specified impedance shown on
the rear panel of this unit.
• Do not let the bare speaker wires touch each other and
do not let them touch any metal part of this unit. This
could damage the unit and/or speakers.
■ MAIN SPEAKERS terminals
One or two speaker systems can be connected to these
terminals. If you use only one speaker system, connect it to
either of the SPEAKERS A or B terminals.
■ REAR SPEAKERS terminals
A rear speaker system can be connected to these terminals.
■ CENTER SPEAKER terminals
A center speaker can be connected to these terminals.
CONNECTIONS
R
L
Main speakers A
Right Left
Main speakers B
Right Left
(U.S.A. model)
Center speaker Rear speakers
Right Left
Subwoofer connection
When using a subwoofer with built-
in amplifier, including the
YAMAHA Active Servo Processing
Subwoofer System, connect the
input terminal of the subwoofer
system to the SUBWOOFER
OUTPUT terminal of this unit.
Low bass signals distributed from
the main, center and/or rear
channels are directed to this
terminal. (The cut-off frequency of
this terminals is 90 Hz.) The LFE
(low frequency effect) signals
generated when Dolby Digital or
DTS is decoded are also directed if
they are assigned to this terminal.
Subwoofer
system
0103V596(UCA)09-20_EN 3/1/0, 1:16 PM16
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EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIX
INTRODUCTION
PREPARATION
■ Speaker cables
1 Remove approx. 10 mm (3/8”) of insulation
from each of the speaker cables.
2 Twist the exposed wires of the cable together
to prevent short circuits.
■ Connecting to the MAIN SPEAKERS terminals
1 Unscrew the knob.
2 Insert one bare wire into the hole in the side of
each terminal.
3 Tighten the knob to secure the wire.
■ Connecting to the REAR and CENTER SPEAKERS terminals
1 Open the tab.
2 Insert one bare wire into the hole of each
terminal.
3 Return the tab to secure the wire.
y
Banana plug connections are also possible. First, tighten the knob
and then insert the banana plug connector into the end of the
corresponding terminal.
■ Connecting to an external amplifier
The speaker connections described on page 16 are fine for most applications. If you wish to drive your existing amplifier, the
following terminals are available for connecting an external amplifier(s) to this unit.
Note
• Output signals from these terminals are affected by the use of VOLUME, BASS, TREBLE and BALANCE.
CONNECTIONS
2
1
3
Red: positive (+)
Black: negative (–)
2
3
1
Red: positive (+)
Black: negative (–)
1 MAIN OUTPUT terminals
These terminals are for the main channel line output.
Connect the input terminals of the external amplifier to
these terminals.
2 CENTER OUTPUT terminals
These terminals are for the center channel line output.
Connect the input terminals of the external amplifier to
these terminals.
3 REAR (SURROUND) OUTPUT terminals
These terminals are for the rear channel line output.
Connect the input terminals of the external amplifier to
these terminals.
Note
• If an external amplifier is connected to the MAIN, CENTER or
REAR OUTPUT terminals, disconnect the corresponding
speakers (main, center or rear) from the SPEAKERS terminals.
1
23
12
10 mm (3/8”)
(U.S.A. model)
0103V596(UCA)09-20_EN 3/1/0, 1:16 PM17
18
IMPEDANCE SELECTOR Switch
WARNING
Do not change the IMPEDANCE SELECTOR switch setting while the power of this unit is on, otherwise the unit may be
damaged.
If this unit fails to turn on when STANDBY/ON (or POWER) is pressed, the IMPEDANCE SELECTOR switch may not
be fully slide to either position. If so, slide the switch to either position fully when this unit is in the standby mode.
Select the right or left position according to the impedance of speakers in your system. Be sure to move this switch only
when this unit is in the standby mode.
Connecting the Power Supply Cords
After completing all connections, connect the AC power
cord to an AC power outlet. Disconnect the AC power cord
if you will not use this unit for a long period of time.
■ AC OUTLETS (SWITCHED)
U.S.A. and Canada models .............................. 2 OUTLETS
Australia model .................................................. 1 OUTLET
Use these outlets to connect the power cords from your
components to this unit. The power to the AC OUTLET(S)
is controlled by this unit’s STANDBY/ON (or POWER and
STANDBY). These outlets will supply power to any
connected component whenever this unit is turned on. The
maximum power (total power consumption of components)
that can be connected to the AC OUTLET(S) is 100 W.
If you use left position right position
CONNECTIONS
(U.S.A. model)
SWITCHED
(U.S.A. model)
To AC outlet
IMPEDANCE
SELECTOR
Rear speakers The impedance of each
speaker must be 6 Ω or
higher.
The impedance of each
speaker must be 8 Ω or
higher.
Center
speaker
The impedance must be 6 Ω
or higher.
The impedance must be 8 Ω
or higher.
If you use one pair of main
speakers, the impedance of
each speaker must be 4 Ω or
higher.
If you use one pair of main
speakers, the impedance of
each speaker must be 8 Ω or
higher.
If you use two pairs of main
speakers, the impedance of
each speaker must be 8 Ω or
higher.
If you use two pairs of main
speakers, the impedance of
each speaker must be 16 Ω or
higher.
[Canada model only]
The impedance of each
speaker must be 8 Ω or
higher.
Main
speakers
0103V596(UCA)09-20_EN 3/1/0, 1:49 PM18
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EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIX
INTRODUCTION
PREPARATION
Using the Test Tone
The adjustment of each speaker sound output level should
be performed at your listening position with the remote
control. After completing the adjustments, use VOLUME
(+/–) at your listening position to check if the adjustments
are satisfactory.
1 Set the selector dial to the
AMP/TUN (or DSP/TUN)
position.
2 Press TEST.
“TEST LEFT” appears on the display.
3 Turn up the volume.
You will hear a test tone (like pink noise) from each
speaker for about two seconds in the following order:
left main speaker, center speaker, right main speaker,
right rear speaker and left rear speaker. The display
changes as shown below.
Notes
• If the test tone cannot be heard, turn down the volume, set the unit
in the standby mode and check the speaker connections.
• If the test tone cannot be heard from the center speaker, check the
setting of “CENTER SP” on the SET MENU.
This procedure lets you adjust the sound output level
balance between the main, center and rear speakers by using
the built-in test tone generator. When this adjustment is
performed, the sound output level heard at the listening
position will be the same from each speaker. This is
important for the best performance of the digital sound field
processor, the Dolby Pro Logic decoder, Dolby Digital
decoder and DTS decoder.
Before You Start Adjusting
1 Set VOLUME to the “m”
position.
2 Turn the power on.
3 Press SPEAKERS A or B
to select the main
speakers to be used.
If you use two main speaker
systems, press both A and B.
4 Set BASS, TREBLE and BALANCE to the “0”
position.
ADJUSTING THE SPEAKER BALANCE
LR
–+–+
12
4
3
LR
–+–+
1
2,7
5
3
6
TEST
LEFT
TEST
RIGHT
TEST L SUR. TEST R SUR.
TEST CENTER
0103V596(UCA)09-20_EN 3/1/0, 1:17 PM19
20
4 Adjust BALANCE on the
front panel so that the
sound output level of the
right main speaker and the
left main speaker is the
same.
5 Press TIME/LEVEL
repeatedly to select the
speaker to be adjusted.
“CENTER”, “R SUR.” or
“L SUR.” appears on the
display.
y
After pressing TIME/LEVEL once, you can also select the item by
pressing d. (Pressing u changes the selection in the reverse order.)
6 Press i to raise and j to
lower the level. Adjust the
sound output levels of the
center speaker and the
rear speakers so that they
become almost the same
as that of the main
speakers.
While adjusting, the test tone is
heard from the selected speaker.
Note
• You cannot adjust the delay time while the test tone is being heard
even if “DELAY” appears on the display.
ADJUSTING THE SPEAKER BALANCE
Front panel
LR
7 When the adjustment is complete, press TEST.
“TEST OFF” appears on the display and the test tone
stops.
Note
• If “CENTER SP” on the SET MENU is set to the NONE position,
the sound output level of the center speaker cannot be adjusted in
step 6. The center channel sound is automatically output from the
right and left main speakers.
y
• Once you have completed the adjustments, you can only adjust
the overall volume level of your audio system by using VOLUME
(or VOLUME (+/–)).
• If you use external amplifiers, you may also use their volume
controls to achieve the proper balance.
• If there is insufficient sound output from the center and rear
speakers, you may decrease the main speaker output level by
setting “MAIN LVL” on the SET MENU to “–10 dB”. (Refer to
page 37 for details.)
0103V596(UCA)09-20_EN 3/1/0, 1:17 PM20
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EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
When using the remote control, set the selector dial to
the AMP/TUN position.
1 Set VOLUME to the “m”
position.
2 Turn the power on.
3 Press SPEAKERS A or B
to select the main
speakers to be used.
If you use two main speaker
systems, press both A and B.
PLAYING A SOURCE
LR
–+–+
1,6
4
2
67
3
7
4
6
2
4 Select the desired input
source with INPUT
SELECTOR (or the input
selector buttons). (Turn on
the TV monitor for video
sources.)
The name of the selected input
source appears for a moment
and the arrow for the selected
input source indicator lights up
on the display.
a. To select a tape or an MD source
Press TAPE/MD MON / EXT.
DECODER (or TAPE/MD) so
that the “TAPE/MD
MONITOR” indicator lights up
on the display.
b. To select a source connected to the
EXTERNAL DECODER INPUT terminals
Press TAPE/MD MON / EXT. DECODER repeatedly
(or EXT. DEC.) until “EXT. DECODER” appears on
the display.
Notes
• If the “TAPE/MD MONITOR” indicator lights up or “EXT.
DECODER” is shown on the display, no other audio source
except a tape/MD source and a source connected to the
EXTERNAL DECODER INPUT terminals can be played. To
select another input source with INPUT SELECTOR (or the input
selector buttons):
– Press TAPE/MD MON / EXT. DECODER twice (or TAPE/MD
once) to turn off the “TAPE/MD MONITOR” indicator.
– Press TAPE/MD MON / EXT. DECODER once (or EXT.
DEC.) to turn off “EXT. DECODER”.
• If you select and play a video source when the “TAPE/MD
MONITOR” indicator lights up, the play back result will be a
video image from the video source and the sound from the audio
source connected to the TAPE/MD IN (PLAY) terminals.
• A video source cannot be selected when “EXT. DECODER” is
shown on the display. If you want to enjoy an audio source
connected to the EXTERNAL DECODER INPUT terminals
together with a video source, first select the video source and then
select the source connected to the EXTERNAL DECODER
INPUT terminals.
y
For the DVD/LD, TV/digital TV and cable TV/satellite tuner
sources, the current input mode is also shown. Refer to page 23 for
details about the input mode.
Front panel
Front panel
Front panel
or
Remote control
Front panel
Input source
BASIC OPERATION
Front panel Remote control
or
0104V596(UCA)21-26_EN 3/1/0, 1:17 PM21
22
5 Play the source.
Refer to the instructions for the source component (and
page 27 for details about tuning).
Note
• When controlling an audio/video component (tape deck, MD
recorder, CD player, DVD/LD player, etc.) with the remote
control, set the selector dial to the appropriate position (TAPE/
MD, CD, DVD/LD, etc.), corresponding to the component you
want to control. Refer to “PRESET REMOTE CONTROL” on
page 42.
6 Adjust the volume to the desired output level.
If desired, adjust BASS, TREBLE, BALANCE, etc.
These controls are only effective for sound from the
main speakers.
• BASS controls the low-frequency response.
• TREBLE controls the high-frequency response.
• BALANCE adjusts the balance of the output volume
from the right and left main speakers.
7 Use the digital sound field processor.
Refer to page 25.
PLAYING A SOURCE
■ To mute the sound
Press MUTE on the remote
control.
To cancel mute, press MUTE.
Note
• During muting, “MUTE ON” appears on the display.
■ When you have finished using this
unit
Press STANDBY/ON (or STANDBY) to set this unit in the
standby mode.
■ BGV (background video) function
The BGV function allows you to combine a video image
from a video source with a sound from an audio source.
(For example, you can listen to classical music while you
are watching a video.) This function can only be controlled
with the remote control.
Play a video source, and then select an audio source with
the input selector buttons on the remote control. The BGV
function does not work if you select the audio source with
INPUT SELECTOR on the front panel.
Remote controlFront panel
or
LR
–+–+
Front panel
Front panel Remote control
or
0104V596(UCA)21-26_EN 3/1/0, 1:17 PM22
23
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
Input Mode (for the DVD/LD, TV/
digital TV and cable TV/satellite
tuner sources)
This unit allows you to switch the input mode for sources
that send both digital and analog signals to this unit. The
AUTO, DTS and ANALOG input modes are provided.
When you turn on the power of this unit, the input mode for
the DVD/LD source is always set to AUTO and for TV/
digital TV or cable TV/satellite tuner source is set according
to “TV INPUT” and “CBL INPUT” on the SET MENU.
(Refer to page 38 for details.)
■ AUTO
In this mode, the input signal is selected in the following
order of priority:
1. Digital signal encoded with Dolby Digital or DTS
2. Normal digital signal (PCM)
3. Analog signal (ANALOG)
Note
• If digital signals are input from both the OPTICAL and
COAXIAL terminals, the digital signal from the COAXIAL
terminal is selected.
■ DTS
In this mode, only a digital signal encoded with DTS is
selected, even if other signals are being input at the same
time.
■ ANALOG
In this mode, only an analog signal is selected, even if a
digital signal is being input at the same time. Select this
mode when you want to use an analog signal instead of a
digital signal.
PLAYING A SOURCE
■ Switching the input mode
Press INPUT MODE (or the input selector
button that you have pressed to select the
input source on the remote control) repeatedly
until the desired input mode is shown on the
display.
Notes
• Set the input mode to AUTO to play a DVD/LD source encoded
with Dolby Digital.
• The sound output may be interrupted for some LD and DVD
players in the following situation: The input mode is set to
AUTO. A search is performed while playing the disc encoded
with Dolby Digital or DTS, and then disc playing is restored. The
sound output is interrupted for a moment because the digital
signal was selected again.
• The input mode cannot be changed for the CD, TUNER, TAPE/
MD, VCR, PHONO and VIDEO AUX sources because only
analog signals are used for these.
• The current input mode appears on the display when the DVD/
LD, TV/digital TV or cable TV/satellite tuner source is selected,
or the input mode is changed.
Front panel Remote control
or
0104V596(UCA)21-26_EN 3/1/0, 1:17 PM23
24
■ Notes on playing a source
encoded with DTS
• If “DATA ERROR” appears on the display while playing an LD
source encoded with DTS, stop playback and turn the player off
and then on again.
• If the digital output data of the player has been processed in any
way, you may not be able to perform DTS decoding even if you
make a digital connection between this unit and the player.
• If you play an LD source encoded with DTS and set the input
mode to ANALOG, there will be the noise of an unprocessed
DTS signal. When you want to play a DTS source, be sure to
connect the source to the digital input terminal and set the input
mode to AUTO or DTS.
• If you switch the input mode to ANALOG while playing a source
encoded with a DTS signal, this unit reproduces no sound.
• If you play a source encoded with DTS and set the input mode to
AUTO, there will be a short noise at first while the unit
recognizes the DTS signal and turns on the DTS decoder. This is
not a malfunction, and can be avoided by setting the input mode
to DTS beforehand. In addition, if you continue to play a source
encoded with DTS with the input mode setting left to AUTO, this
unit automatically switches to the “DTS-decoding” mode to
prevent noise from being generated during subsequent operation.
(The “t” indicator lights up on the display.) The “t”
indicator will flash immediately after playback of a source
encoded with DTS has finished. Only a source encoded with DTS
can be played back while this indicator is flashing. If you want to
play a normal PCM source soon, set the input mode back to
AUTO.
PLAYING A SOURCE
■ Notes on playing an LD source
• Some audio/video components, such as an LD player, output
different audio signals through their analog and digital terminals.
Change the input mode as necessary.
• If the input mode is set to AUTO for the LD source, this unit
automatically determines which type of signal the LD source
contains. If this unit detects a Dolby Digital or DTS signal, the
decoder automatically switches to the appropriate setting and
reproduces 5.1 channel sound.
• If the LD player is transmitting signals by a non-normal method,
this unit cannot detect the Dolby Digital or DTS signal. In this
case, the decoder automatically switches to PCM or analog.
• If the LD source does not contain a digital soundtrack, connect
the LD player to the analog terminals and set the input mode to
AUTO or ANALOG.
• While you are operating the LD player and playing a disc encoded
with Dolby Digital, if you switch from the pause or chapter
forwarding function to normal playback, you may hear the PCM
or analog sound an instant before the Dolby Digital sound is
played.
■ Notes on the digital signal
The digital input terminal of this unit can also handle
96-kHz sampling 24-bit digital signals. (To utilize this, use a
source that supports 96-kHz sampling 24-bit digital signals
and set the player for digital output. Refer to the instructions
for the player.) Note the following when a 96-kHz sampling
24-bit digital signal is input to this unit.
1. The following indicator will appear on the display.
2. DSP programs cannot be selected. Sound will be output
as normal 2-channel stereo sound using only the right
and left main speakers.
3. Delay time and speaker output level cannot be adjusted.
0104V596(UCA)21-26_EN 9/29/0, 10:04 AM24
25
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
■ On the remote control
1 Make sure that the effect speakers (center and
rear) and subwoofer are turned on.
2 Press DSP.
The indicator lights up for about
three seconds.
3 Use the numeric buttons
(1 to 8) to select the
desired program before the
indicator goes off.
The name of the selected
program appears on the display.
If the selector dial is set to the DSP/TUN position, you
can select a DSP program directly with the numeric
buttons.
y
If desired, adjust the delay time and the sound output level of each
speaker. (Refer to pages 39 and 40 for details.)
Notes
• You can select a DSP program for each of the input sources. Once
you select a program, it is linked with the input source selected at
that time. So, when you select the input source next time, the
same program is automatically selected.
• When a monaural source is being played with PRO LOGIC/
Normal or PRO LOGIC/ENHANCED, no sound will be heard
from the main speakers and the rear speakers. Sound can only be
heard from the center speaker. However, if “CENTER SP” on the
SET MENU is set to the NONE position, the center channel
sound is output from the main speakers.
• When a source connected to the EXTERNAL DECODER INPUT
terminals of this unit is selected, the digital sound field processor
cannot be used.
• When high-rate 96-kHz sampling 24-bit digital signals are input
to this unit, no DSP program can be selected and the sound is only
output from right and left main speakers as a normal 2-channel
stereo sound.
DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT
Selecting a DSP Program
You can enhance your listening experience by selecting a
DSP program. Refer to pages 32 to 34 for details about each
program.
■ On the front panel
1 Make sure that the effect speakers (center and
rear) and subwoofer are turned on.
2 Press PROGRAM h or l
repeatedly to select the
desired program.
The name of the selected
program appears on the display.
LR
–+–+
2
2
3
DSP program name
DSP program name
0104V596(UCA)21-26_EN 3/1/0, 1:18 PM25
26
Canceling the Sound Effect (turning
off the effect speakers)
Press EFFECT to cancel
the sound effect and
monitor only the main
sound.
Press EFFECT again to turn the
sound effect back on.
y
If the selector dial is set to a position other than the DSP/TUN
position, first press DSP and then EFFECT on the remote control.
Notes
• If you turn off the sound effect when Dolby Digital or DTS is
decoding, the sounds of the center and rear channels are mixed
and output from the main speakers.
• If you turn off the sound effect when Dolby Digital or DTS is
decoding, it may happen that the sound is output faintly or not
output normally, depending on the source. In this case, turn sound
effect back on.
Front panel
or
Remote control
DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT
0104V596(UCA)21-26_EN 3/1/0, 1:18 PM26
27
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
5 Press PRESET/TUNING h once to tune in to a
higher frequency or l once to tune in to a
lower frequency.
Press the button again if the tuning search does not stop
at the desired station.
y
• Use the manual tuning method if the tuning search does not stop
at the desired station (because the signal from the station is weak).
• When tuned in to a station, the frequency of the received station is
shown on the display.
Manual Tuning
1 Use INPUT SELECTOR to
select the tuner as the
input source.
2 Press FM/AM to select the reception band (FM
or AM).
“FM” or “AM” appears on the display.
3 Press TUNING MODE so that the “AUTO”
indicator goes off.
4 Press PRESET/TUNING (EDIT) to turn “ z ” off.
5 Press PRESET/TUNING h or l to tune in to
the desired station.
To continue the tuning search, hold down the button.
Note
• If you tune in manually to an FM station, it will be automatically
received in monaural mode to increase the signal quality.
TUNING
LR
–+–+
32
1
4
5
Automatic tuning is effective when station signals are
strong and there is no interference. However, if the signal
from the station you want to select is weak, you must tune
in to it manually (manual tuning).
Automatic Tuning
1 Use INPUT SELECTOR to
select the tuner as the
input source.
2 Press FM/AM to select the reception band (FM
or AM).
“FM” or “AM” appears on the display.
3 Press TUNING MODE so that the “AUTO”
indicator lights up on the display.
4 Press PRESET/TUNING (EDIT) to turn “ z ” off.
Lights up
Goes off
Turn “ z ” off
Turn “ z ” off
or
or
0105V596(UCA)27-30_EN 3/1/0, 1:18 PM27
28
Automatic Preset Tuning (for FM
stations only)
You can make use of the automatic preset tuning function
for FM stations only. This function enables the unit to
automatically tune in with strong signals and to sequentially
store up to 40 FM stations (5 groups x 8 stations).
1 Press FM/AM to select the FM band.
2 Press TUNING MODE so that the “AUTO”
indicator lights up on the display.
3 Hold down MEMORY for about three seconds.
The preset number, the “MEMORY” and “AUTO”
indicators flash. After about five seconds, automatic
preset tuning begins from the frequency currently
displayed toward the higher frequencies.
Received stations are sequentially stored as A1, A2 ...
A8. If more than 8 stations have been tuned, they are
stored as preset station numbers in other groups (B, C,
D and E) in that order.
Memory back-up
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the memory will be erased. If so, store the stations again
by using preset tuning methods.
LR
–+–+
21 3
■ Automatic preset tuning options
You can select the preset number from which the unit will
store FM stations and/or begin tuning toward lower
frequencies. Before automatic preset tuning begins (after
pressing MEMORY in step 3):
1. Press A/B/C/D/E and PRESET/TUNING h or l to
select the preset number with which the first station will
be stored. The automatic preset tuning will stop when
stations have all been stored up to E8.
2. Press PRESET/TUNING (EDIT) to turn “ z ” off and
then press PRESET/TUNING l to begin tuning toward
lower frequencies.
■ When automatic preset tuning is
completed
The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by
following the procedure in the section “To Recall a Preset
Station” on page 29.
Notes
• A new setting can be stored in place of the former one.
• You can manually replace a preset station with another FM or AM
station by simply using the manual preset tuning method.
• Even if the number of received stations is not enough to be stored
up to E8, automatic preset tuning is automatically ended after
searching for all stations.
• Only FM stations with sufficient signal strength are stored by
automatic preset tuning. If the station you want to store is weak in
signal strength, tune in to it manually in monaural mode and store
it by using the manual preset tuning method.
TUNING
Lights up
Flashes
0105V596(UCA)27-30_EN 3/1/0, 1:18 PM28
29
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
TUNING
To Recall a Preset Station
You can recall any desired station simply by selecting the
preset station number with which it was stored.
You can also recall a preset station with the remote control.
Set the selector dial to the AMP/TUN position and press
TUNER (number 2) to select the tuner as the input source.
1 Press A/B/C/D/E to select the required group
of preset stations.
Make sure that “ z ” appears on the display.
2 Press PRESET/TUNING h or l (or PRESET
+/–) to select a preset station number (1 to 8).
The preset group and number appear on the display
along with the reception band, frequency and signal
strength information.
y
You can select the preset station number with the numeric buttons
(1 to 8) on the remote control if code number “0023” has been set
in the AMP/TUN (or DSP/TUN) position.
LR
–+–+
1 2
1
2
Flashes
Front panel
or
Remote control
Front panel
or
Remote control
LR
–+–+
3 2,54
Manual Preset Tuning
You can also store up to 40 stations (5 groups x 8 stations)
manually.
1 Tune in to the desired station.
Refer to page 27 for the tuning procedure.
2 Press MEMORY.
The “MEMORY” indicator flashes for about five
seconds.
3 Press A/B/C/D/E repeatedly to select the
desired group (A to E) of preset stations
before the “MEMORY” indicator goes off.
Make sure that “ z ” appears on the display. The
selected group appears on the display.
4 Press PRESET/TUNING h or l to select a
preset station number (1 to 8) with which you
want to store the station before the “MEMORY”
indicator goes off.
Press h to select a higher
preset station number and l to
select a lower preset station
number.
5 Press MEMORY before the “MEMORY”
indicator goes off.
The displayed station has been stored as the preset
group and number you have selected, and the reception
band and frequency appear on the display.
6 Repeat steps 1 to 5 to store other stations.
Notes
• A new setting can be stored in place of the former one.
• The reception mode (stereo or monaural) is stored along with the
station frequency.
0105V596(UCA)27-30_EN 3/1/0, 1:19 PM29
30
LR
–+–+
2,4
Exchanging Preset Stations
You can exchange the assignment of two preset stations
with each other.
■ Example: If you want to exchange
preset station “E1” with “A5”
1 Recall preset station “E1”.
Refer to the procedure in the section “To Recall a
Preset Station” on page 29.
2 Hold down (PRESET/TUNING) EDIT for about
three second.
“E1” and the “MEMORY” indicator flash.
3 Recall preset station “A5” by using the buttons
on the front panel.
“A5” and the “MEMORY”
indicator flash.
4 Press (PRESET/TUNING) EDIT again.
The display shows the exchange of stations has been
completed.
TUNING
Flashes
Flashes
0105V596(UCA)27-30_EN 3/1/0, 1:19 PM30
31
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
RECORDING A SOURCE ON TAPE, MD OR VIDEO CASSETTE
LR
–+–+
1,42
Recording adjustments and other operations are performed
from the tape deck, MD recorder or VCR. Refer to the
instructions for these components.
1 Set VOLUME to the “m”
position.
2 Select the source you want to record.
3 Begin recording by the tape deck, MD recorder
or VCR connected to this unit.
4 Play the source and then turn up the volume to
confirm the input source.
y
If a tape deck or MD recorder is being used for recording, you can
monitor the sounds being recorded by pressing TAPE/MD MON /
EXT. DECODER (or TAPE/MD).
Notes
• The DSP program and the setting of VOLUME, BASS, TREBLE
and BALANCE have no effect on the material being recorded.
• Composite video and S video signals pass independently through
this unit’s video circuits. Therefore, when recording or dubbing
video signals, if your video source component is connected to
provide only an S video (or only a composite video) signal, you
can record only an S video (or only a composite video) signal by
your VCR.
• A source connected to this unit only through the digital terminals
cannot be recorded by the tape deck, MD recorder or VCR
connected to this unit.
• A source connected to the EXTERNAL DECODER INPUT
terminals of this unit cannot be recorded.
• Check the copyright laws in your country to record from records,
CDs, radio, etc. Recording of copyrighted material may infringe
copyright laws.
If you play back a video source that uses scrambled or
encoded signals to prevent it from being dubbed, the
picture itself may be disturbed due to those signals.
2
4
Remote controlFront panel
or
Front panel
Front panel
or
Remote control
0106V596(UCA)31_EN 3/1/0, 1:19 PM31
32
[4] PRO LOGIC/ENHANCED
( ox)
• Input source: Dolby Surround
2-ch Dolby Digital
• Output channel: 4 channels
• DSP: 1 (surround)
[5] DOLBY DIGITAL/ENHANCED
( gx )
• Input source: Dolby Digital
• Output channel: 5.1 channels
• DSP: 2 (surround L, R)
[6] DTS DGTL SUR/ENHANCED
( tx)
• Input source: DTS
• Output channel: 5.1 channels
• DSP: 2 (surround L, R)
This program ideally simulates the multi-
surround speaker systems of the 35 mm-film
movie theater. Dolby Pro Logic decoding,
Dolby Digital decoding or DTS decoding and
digital sound field processing are precisely
performed without altering the original sound
orientation.
The surround effect produced by the sound
field folds around the viewer naturally from
the rear to the right and left, and toward the
screen.
SOUND FIELD PROGRAM
This unit incorporates a sophisticated, multi-program digital sound field processor (DSP). This processor allows you to
electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-
like experience in your listening room. You can create outstanding audio sound by selecting a suitable DSP program (this
will, of course, depend on what you are listening to).
When you select a CINEMA DSP program, one of the built-in decoders (Dolby Pro Logic, Dolby Digital and DTS) is turned
on according to which type of signals the source being played contains.
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that
most of these are precise digital re-creations of actual acoustic environments.
• The input source given in the following table for programs 4 through 8 indicates that input source which each program
is best suited for.
• Select the DSP program that you feel sounds best regardless of the name and description given for it below.
■ For movie or audio/video sources (Program No. 1 to No. 5: CINEMA DSP
programs)
No. PROGRAM SUBPROGRAM FEATURES
1 q/DTS
SURROUND
[1] PRO LOGIC/Normal ( o )
• Input source: Dolby Surround
2-ch Dolby Digital
• Output channel: 4 channels
• DSP: —
[2] DOLBY DIGITAL/Normal ( g )
• Input source: Dolby Digital
• Output channel: 5.1 channels
• DSP: —
[3] DTS DGTL SUR/Normal ( t )
• Input source: DTS
• Output channel: 5.1 channels
• DSP: —
The built-in Dolby Pro Logic decoder, Dolby
Digital decoder or DTS decoder precisely
reproduces the sound and effect of a source
encoded with Dolby Surround, Dolby Digital
or DTS.
The realization of a highly efficient decoding
process improves cross talk and channel
separation, and makes sound positioning
smoother and more precise.
In this program, the digital sound field
processor is not turned on.
ADVANCED OPERATION
0107V596(UCA)32-34_EN 3/1/0, 1:19 PM32
33
EnglishBASIC OPERATION
ADVANCED OPERATION
APPENDIXINTRODUCTION PREPARATION
No. PROGRAM SUBPROGRAM FEATURES
2 MOVIE
THEATER 1
3 MOVIE
THEATER 2
[1] 70 mm SPECTACLE
( ox)
• Input source: Dolby Surround
2-ch Dolby Digital
• Output channel: 3 channels
• DSP: 2 (presence & surround)
[2] DGTL SPECTACLE
( g x )
• Input source: Dolby Digital
• Output channel: 5.1 channels
• DSP: 3 (presence & surround L, R)
[3] DTS SPECTACLE ( tx )
• Input source: DTS
• Output channel: 5.1 channels
• DSP: 3 (presence & surround L, R)
This program creates the extremely wide sound
field of a movie theater. It precisely reproduces
the source sound in detail, giving both the video
and the sound field incredible reality. It is ideal
for any kind of video source encoded with
Dolby Surround, Dolby Digital or DTS
(especially large-scale movie productions).
[1] 70 mm ADVENTURE
( ox )
• Input source: Dolby Surround
2-ch Dolby Digital
• Output channel: 3 channels
• DSP: 2 (presence & surround)
[2] DGTL ADVENTURE
( gx)
• Input source: Dolby Digital
• Output channel: 5.1 channels
• DSP: 3 (presence & surround L, R)
[3] DTS ADVENTURE ( t x )
• Input source: DTS
• Output channel: 5.1 channels
• DSP: 3 (presence & surround L, R)
Ideal for precisely reproducing the sound of the
newest multi-track films. The sound field is
made to be similar to that of the newest movie
theaters, so the reverberations of the sound field
itself are restrained as much as possible. The
data for the sound field of an opera house are
used for the front presence, so the three-
dimensional feeling of the sound field is
emphasized, and dialog is precisely oriented on
the screen. By using the data for the sound field
of a concert hall on the surround sound field,
powerful reverberations are generated. You can
enjoy watching action, adventure movies, etc.
with strong presence.
[4] 70 mm GENERAL ( ox )
• Input source: Dolby Surround
2-ch Dolby Digital
• Output channel: 3 channels
• DSP: 2 (presence & surround)
[5] DGTL GENERAL ( gx )
• Input source: Dolby Digital
• Output channel: 5.1 channels
• DSP: 3 (presence & surround L, R)
[6] DTS GENERAL ( t x )
• Input source: DTS
• Output channel: 5.1 channels
• DSP: 3 (presence & surround L, R)
This program is for reproducing sounds on a
multi-track film, and is characterized by a soft
and extensive sound field. The front presence of
the sound field is relatively narrow. It spatially
spreads all around and toward the screen,
restraining echo effect of conversations without
losing clarity. For the surround sound field, the
harmony of music or chorus sounds beautifully
in a wide space at the rear of the sound field.
[4] 70 mm SCI-FI ( o x )
• Input source: Dolby Surround
2-ch Dolby Digital
• Output channel: 3 channels
• DSP: 2 (presence & surround)
[5] DGTL SCI-FI ( g x )
• Input source: Dolby Digital
• Output channel: 5.1 channels
• DSP: 3 (presence & surround L, R)
[6] DTS SCI-FI ( t x )
• Input source: DTS
• Output channel: 5.1 channels
• DSP: 3 (presence & surround L, R)
Clearly reproduces dialog and sound effects in
the latest sound form of science fiction films,
thus creating a broad and expansive cinematic
space amid the silence. You can enjoy science
fiction films in a virtual-space sound field that
includes Dolby Surround, Dolby Digital and
DTS-encoded software employing the most
advanced techniques.
SOUND FIELD PROGRAM
0107V596(UCA)32-34_EN 3/1/0, 1:19 PM33
34
No. PROGRAM FEATURES
4 MONO MOVIE ( x )
• Input source: Monaural
• Output channel: 1 channel
• DSP: 1
This program is designed specifically to enhance monaural
sources. Compared to a strictly mono setting, the sound image
is wider and slightly forward of the speaker pair, lending an
immediacy to the overall sound. It is particularly effective for
old mono movie, news broadcasts and dialog.
5 TV SPORTS ( x )
• Input source: Audio/Video
• Output channel: 2 to 5.1 channels
• DSP: 2 to 3 (presence & surround)
This program is furnished with a tight sound field in which the
sound will not spread excessively at the front, but the rear
surround produces dynamic sound expansion. It is the most
suitable for sports programs.
■ For Hi-Fi audio sources
No. PROGRAM FEATURES
6 DISCO ( x )
• Input source: 2-ch PCM/Analog audio
• Output channel: 2 channels
• DSP: 1
This program simulates the acoustic environment of a disco in
the heart of a lively city. The sound is dense and highly
concentrated.
7 ROCK CONCERT ( x )
• Input source: 2-ch PCM/Analog audio
• Output channel: 2 channels
• DSP: 1
This program is ideally suited for rock music. You will
experience a dynamic and lively sound field.
8 CONCERT HALL ( x )
• Input source: 2-ch PCM/Analog audio
• Output channel: 2 channels
• DSP: 1
This program creates the expansive ambience of a large concert
hall. It is suited for orchestra and opera music.
CINEMA DSP: Dolby Surround + DSP/Dolby Digital + DSP/DTS + DSP
■ Dolby Pro Logic + 2 digital sound fields
Digital sound fields are created in both the presence and
rear surround zones of the Dolby Pro Logic-decoded sound
field. They create a wide acoustic environment and
emphasize the surround effect in the room, letting you feel
as much presence as if you were watching a movie in a
popular Dolby Stereo theater.
■ Dolby Digital or DTS + 3 digital sound fields
Digital sound fields are created in the presence zone and
independently on the left and right surround zones of the
Dolby Digital-decoded or DTS-decoded sound field. They
create a wide acoustic environment and strong surround
effect in the room without losing high channel separation.
With the wide dynamic range of Dolby Digital or DTS
sound, this sound field combination lets you feel as if you
were watching a movie in the newest Dolby Digital theater
or DTS-installed theater. This is the most ideal home theater
sound at the present time.
SOUND FIELD PROGRAM
0107V596(UCA)32-34_EN 3/1/0, 1:19 PM34
35
EnglishBASIC OPERATION
ADVANCED OPERATION
APPENDIXINTRODUCTION PREPARATION
SET MENU
1
2
3
This unit provides you with the following items on the SET
MENU to maximize the performance of your system and
expand your enjoyment for audio listening and video
watching.
1. CENTER SP
2. REAR SP
3. MAIN SP
4. BASS OUT
5. MAIN LVL
6. D.D. LFE
7. D-RANGE
8. DTS LFE
9. CNTR DELAY
10.MEM. GUARD
11.TV INPUT
12.CBL INPUT
Adjusting Items on the SET MENU
Adjustments should be performed with the remote control
while watching the information on the display.
1 Set the selector dial to the
AMP/TUN (or DSP/TUN)
position.
2 Press SET MENU
repeatedly to select the
item you want to adjust.
The selected item appears on
the display.
y
After pressing SET MENU once, you can also select the item by
pressing d. (Pressing u goes back one selection.)
3 Press i or j repeatedly to
adjust the setting.
4 Repeat steps 2 and 3 to adjust the setting of
any other item in the same way.
Memory back-up
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the settings of the SET MENU will automatically return
to the preset positions and values. If so, adjust the
settings of the SET MENU again.
0108V596(UCA)35-41_EN 3/1/0, 1:19 PM35
36
Description of Each Item
1. CENTER SP
Choices: LRG (Large)/SML (Small)/NONE
Preset position: LRG (Large)
LRG (Large)
Select this position if your center speaker is approximately
the same size as the main speakers. In this position, full-
range signals on the center channel are directed to the center
speaker.
SML (Small)
Select this position if you use a center speaker that is
smaller than the main speakers. In this position, low bass
signals (below 90 Hz) on the center channel are distributed
to the SUBWOOFER OUTPUT terminal (or to the right and
left main speakers if “BASS OUT” is set to the MAIN
position).
NONE
Select this position if you do not have a center speaker
(4-speaker system). In this position, full-range signals on
the center channel are directed to the right and left main
speakers.
2. REAR SP
Choices: LARGE/SMALL
Preset position: LARGE
LARGE
Select this position if your rear speakers have high ability
for bass reproduction, or if a subwoofer is connected in
parallel to the rear speaker. In this position, full-range
signals on the rear channels are directed to the rear speakers.
SMALL
Select this position if your rear speakers do not have high
ability for bass reproduction. In this position, low bass
signals (below 90 Hz) on the rear channels are distributed to
the SUBWOOFER OUTPUT terminal (or to the right and
left main speakers if “BASS OUT” is set to the MAIN
position).
3. MAIN SP
Choices: LARGE/SMALL
Preset position: LARGE
LARGE
Select this position if your main speakers have high ability
for bass reproduction. In this position, full-range signals on
the main channels are directed to the right and left main
speakers.
SMALL
Select this position if your main speakers do not have high
ability for bass reproduction. However, if your system does
not include a subwoofer, do not select this position. In this
position, low bass signals (below 90 Hz) on the main
channels are distributed to the SUBWOOFER OUTPUT
terminal if “BASS OUT” is set to the SW position.
4. BASS OUT
Choices: SW/MAIN/BOTH
Preset position: BOTH
SW/BOTH
Select either the SW or BOTH position if your system
includes a subwoofer. In either position, signals on the LFE
channel and low bass signals (below 90 Hz) on the center
and rear channels are directed to the SUBWOOFER
OUTPUT terminal if “CENTER SP” is set to the SML or
NONE position and “REAR SP” is set to the SMALL
position. In the SW position, low bass signals on the main
channels are directed to the SUBWOOFER OUTPUT
terminal if “MAIN SP” is set to the SMALL position. In the
BOTH position, low bass signals on the main channels are
directed to both the main speakers and the SUBWOOFER
OUTPUT terminal.
Note
• When playing a 2-channel source (tape, MD, CD, video
cassette etc.), select the BOTH position to direct low bass signals
(below 90 Hz) to the SUBWOOFER OUTPUT terminal.
MAIN
Select this position if your system does not include a
subwoofer. In this position, besides full-range signals on the
main channels, signals on the LFE channel and other low
bass signals (below 90 Hz) that are distributed from other
channels are directed to the right and left main speakers.
SET MENU
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37
EnglishBASIC OPERATION
ADVANCED OPERATION
APPENDIXINTRODUCTION PREPARATION
7. D-RANGE (Adjusting the dynamic
range)
Choices: MAX/STD (Standard)/MIN
Preset position: MAX
Note
• This adjustment is only effective when Dolby Digital is being
decoded.
“Dynamic range” is the difference between the maximum
level and the minimum level of sounds. Sounds on a movie
originally designed for movie theaters feature a very wide
dynamic range. Dolby Digital technology can modify the
original sound track into a home audio format with this
wide dynamic range unchanged. Powerful sounds of
extremely wide dynamic range are not always suitable for
home use. Depending on the condition of your listening
environment, it may not be possible to increase the sound
output to a level as high as that in a movie theater. However,
at the normal level suitable for listening in your room, the
low-level parts of source sound often cannot be heard well
because they will be lost among noise in your environment.
Dolby Digital technology has also made it possible to
reduce an original sound track’s dynamic range for a home
audio format by “compressing” the sound data.
MAX
In this position, a source encoded with Dolby Digital is
reproduced in the original sound track’s wide dynamic
range to provide you with powerful sounds just like those in
a movie theater. Selecting this position will be even better if
you can listen to a source at a high output level in a room
specially soundproofed for audio/video enjoyment.
STD (Standard)
In this position, a source encoded with Dolby Digital is
reproduced in the “compressed” dynamic range of the
source that is suitable for low-level listening.
MIN
In this position, the dynamic range is more reduced than in
the STD position. Selecting this position will be effective
when you must listen to a source at a low level.
Note
• It may happen that sound is output faintly or not output normally
depending on the source. In that case, select the MAX or STD
position.
5. MAIN LVL
Choices: NORM (Normal)/–10 dB
Preset position: NORM (Normal)
NORM (Normal)
Normally select this position.
–10 dB
Select this position if the sound output from the main
speakers is too loud and cannot be balanced with the sound
output from the center and rear speakers. In this position,
the sound output from the main speakers is attenuated.
Notes
• The setting of “CENTER SP”, “REAR SP”, “MAIN SP” and
“BASS OUT” have no effect on a source connected to the
EXTERNAL DECODER INPUT terminals on the rear of this
unit.
• Once you have adjusted appropriately for “CENTER SP”, “REAR
SP”, “MAIN SP”, “BASS OUT” and “MAIN LVL”, you do not
have to change any settings unless your speaker system is
modified.
6. D.D. LFE (Adjusting the output
level of the LFE channel for Dolby
Digital)
Control range: –20 dB to 0 dB (in 1 dB steps)
Preset value: 0 dB
Note
• This adjustment is only effective when Dolby Digital is being
decoded and the selected source encoded with Dolby Digital
contains LFE signals.
This adjusts the output level of the LFE channel. If the LFE
signals are mixed with signals of other channels and they
are directed to the same speakers, the ratio of the LFE signal
level to the level of the other signals can be adjusted.
SET MENU
0108V596(UCA)35-41_EN 3/1/0, 1:19 PM37
38
8. DTS LFE (Adjusting the output
level of the LFE channel for DTS)
Control range: –10 dB to +10 dB (in 1 dB steps)
Preset value: 0 dB
Note
• This adjustment is effective only when DTS is being decoded and
the selected source encoded with DTS contains LFE signals.
This adjusts the output level of the LFE channel. If the LFE
signals are mixed with signals of other channels and they
are directed to the same speakers, the ratio of the LFE signal
level to the level of the other signals can be adjusted.
9. CNTR DELAY (Adjusting the delay
of the sound from the center
speaker)
Control range: 0 ms to 5 ms (in 1 ms steps)
Preset value: 0 ms
This adjusts the delay between the main sound (on the main
channels) and dialog, etc. (on the center channel). The larger
the value, the later the dialog, etc. is generated.
This makes sounds from the left main, center and right main
speakers reach your listening position at the same time. This
is achieved by delaying the sound from the center speaker if
the distance from the center speaker to your listening
position is shorter than the distance from the right and left
main speaker to your listening position.
10.MEM. GUARD (Locking the
settings)
Choices: ON/OFF
Preset position: OFF
If you wish to prevent accidental alterations to the settings
of the SET MENU and other adjustments on this unit, select
the ON position. The following settings on this unit can be
locked:
• Settings of other items on the SET MENU
• Settings in the TIME/LEVEL mode
• Settings when using TEST
11.TV INPUT (Selecting the initial
input mode for a source connected
to the D-TV input terminals)
Choices: AUTO/LAST
Preset position: AUTO
The input mode for a source connected to the D-TV input
terminals of this unit can be automatically set when the
power of this unit is turned on. Refer to page 23 for details
about the input mode.
AUTO
In this position, the input mode is always set to AUTO.
LAST
In this position, the input mode is automatically set to that
selected the last time when the power of this unit was turned
on.
12.CBL INPUT (Selecting the initial
input mode for a source connected
to the CBL/SAT input terminals)
Choices: AUTO/LAST
Preset position: AUTO
The input mode for a source connected to the CBL/SAT
input terminals of this unit can be automatically set when
the power of this unit is turned on. Refer to page 23 for
details about the input mode.
AUTO
In this position, the input mode is always set to AUTO.
LAST
In this position, the input mode is automatically set to that
selected the last time when the power of this unit was turned
on.
SET MENU
0108V596(UCA)35-41_EN 3/1/0, 1:19 PM38
39
EnglishBASIC OPERATION
ADVANCED OPERATION
APPENDIXINTRODUCTION PREPARATION
1. PRO LOGIC/Normal 15 to 30 20
DOLBY DIGITAL/Normal 0 to 15 5
DTS DGTL SUR/Normal 0 to 15 5
PRO LOGIC/ENHANCED 15 to 30 20
DOLBY DIGITAL/ENHANCED 0 to 15 5
DTS DGTL SUR/ENHANCED 0 to 15 5
2. 70 mm SPECTACLE 15 to 30 23
DGTL SPECTACLE 1 to 99 15
DTS SPECTACLE 1 to 99 15
70 mm SCI-FI 15 to 30 20
DGTL SCI-FI 1 to 99 16
DTS SCI-FI 1 to 99 16
3. 70 mm ADVENTURE 15 to 30 20
DGTL ADVENTURE 1 to 99 15
DTS ADVENTURE 1 to 99 15
70 mm GENERAL 15 to 30 20
DGTL GENERAL 1 to 99 15
DTS GENERAL 1 to 99 15
4. MONO MOVIE 1 to 99 49
5. TV SPORTS 1 to 99 9
6. DISCO 1 to 99 40
7. ROCK CONCERT 1 to 99 16
8. CONCERT HALL 1 to 99 44
DELAY TIME AND SPEAKER OUTPUT LEVELS
When using the digital sound field processor with the Dolby
Pro Logic decoder, Dolby Digital decoder or DTS decoder,
you can adjust the delay time between the main sound and
sound effect, and each speaker’s output level as you wish.
Note
• When high-rate 96-kHz sampling 24-bit digital signals are input
to this unit, the delay time and speaker output levels cannot be
adjusted.
Delay Time
You can adjust the time difference between the beginning of
the sound from the main speakers and the beginning of the
sound effect from the rear speakers. The larger the value,
the later the sound effect is generated. The delay time can be
individually adjusted to all DSP programs.
Notes
• Adding too much delay will cause an unnatural effect with some
sources.
• The sound is momentarily interrupted while adjusting the delay
time.
Sound Output Level of the Center,
Right Rear and Left Rear Speakers,
and Subwoofer
If desired, you can adjust the sound output level of each
speaker even if it has already been adjusted in
“ADJUSTING THE SPEAKER BALANCE” on pages 19
and 20.
Notes
• The sound output level of the center speaker cannot be adjusted
when the input signal is analog, PCM audio, or encoded with
Dolby Digital in 2-channel.
• If “CENTER SP” on the SET MENU is set to the NONE position,
the sound output level of the center speaker cannot be adjusted.
This is because the center channel sound is automatically output
from the right and left main speakers.
• Once the sound output level has been adjusted, the level will be
the same for all DSP programs.
Speaker Control range (dB) Preset value
Center MIN, –20 to +10 0
Right rear MIN, –20 to +10 0
Left rear MIN, –20 to +10 0
Subwoofer MIN, –20 to 0 0
Program
Control
range (ms)
Preset
value
0108V596(UCA)35-41_EN 3/8/0, 3:39 PM39
40
Adjusting Method
Adjustments should be performed with the remote control
while watching the information on the display.
1 Set the selector dial to the
AMP/TUN (or DSP/TUN)
position.
2 Press TIME/LEVEL repeatedly to select the
item you want to adjust.
Each time you press TIME/LEVEL, the selected item
changes and appears on the display as shown below.
y
You can also select the item by pressing d. (Pressing u changes
the selection in the reverse order.)
Note
• Depending on the setting of the SET MENU, you may not be able
to select all these items.
DELAY TIME AND SPEAKER OUTPUT LEVELS
1
2
3
3 Press i or j to adjust the
delay time or speaker
output levels.
4 Repeat steps 2 and 3 to adjust the settings of
any other item.
Memory back-up
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the latest values for the delay time and the center/rear/
subwoofer output levels that were set will automatically
return to the preset values. If so, adjust the delay time
and output levels again.
Delay time
Center speaker output level
Right rear speaker output level
Left rear speaker output level
Subwoofer output level
DELAY
CENTER
R SUR.
L SUR.
SWFR
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EnglishBASIC OPERATION
ADVANCED OPERATION
APPENDIXINTRODUCTION PREPARATION
SLEEP TIMER
Canceling the Selected SLEEP
Timer
Press SLEEP repeatedly until “SLEEP OFF”
appears on the display.
It will soon disappear and the “SLEEP” indicator will
go off.
Note
• The SLEEP timer can also be canceled by setting the unit in the
standby mode by using STANDBY on the remote control (or
STANDBY/ON on the front panel), or by disconnecting the AC
power cord from the AC power outlet.
The SLEEP timer can be used to automatically set this unit
in the standby mode. This timer is useful when you are
going to sleep while enjoying the desired input source. The
SLEEP timer can only be set with the remote control.
Note
• The SLEEP timer is effective for the components connected to the
AC OUTLET(S) on the rear panel of this unit.
Setting the SLEEP Timer
1 Play a source you want to enjoy when you are
going to sleep.
2 Set the selector dial to a
position other than the TV
position.
3 Press SLEEP repeatedly to
select the desired SLEEP
time.
Each time you press SLEEP, the SLEEP time will
change as below:
4 The “SLEEP” indicator soon lights up on the
display after the SLEEP timer has been set.
The display returns to the previous indication.
Lights up
Flashes
120 90 60 30
The SLEEP timer is off
(SLEEP OFF).
(This is the state before
SLEEP is pressed.)
2
3
0108V596(UCA)35-41_EN 3/1/0, 1:19 PM41
42
PRESET REMOTE CONTROL
The provided remote control is factory set to control not only this unit but also most YAMAHA audio components connected
to it.
Selector Dial
There are nine positions that you can select to control connected components with this remote control. For example, if the CD
position is selected, the remote control is set in the CD operation mode, allowing the CD player to be operated by the buttons
on the remote control. When turning the selector dial, the position changes as follows:
Note
• The button functions on the remote control differ depending on the position of the selector dial. Refer to the following pages for details.
Commonly used buttons in any position of the selector dial
Regardless of the position of the selector dial, you can control this unit and your TV with the following buttons.
Note
• You have to set the code for your TV before you can control the TV.
■ Controlling this unit
Refer to pages 7 and 8.
1 STANDBY
2 POWER
3 VOLUME (+/–)
4 SLEEP
Note
• If you have set the code for your TV and set the selector dial to
the TV position, this button is used to set the SLEEP timer for the
TV.
5 MUTE
Note
• If you have set the code for your TV and set the selector dial to
the TV position, this button is used to mute the TV sound.
■ Controlling your TV
! TV POWER
@ TV INPUT
# TV VOLUME
AMP/TUN
You can perform the basic operations of
this unit. Refer to pages 7 and 8.
CD
The code for a YAMAHA CD
player is factory set.
CBL/SAT
A cable TV or satellite tuner can be
controlled.
VCR
A VCR can be controlled.
TV
A TV can be controlled.
TAPE/MD
The code for a YAMAHA tape deck is factory set.
(Be sure to set the proper code when operating an
MD recorder.)
DVD/LD & DVD MENU
An LD player can be controlled in the DVD/
LD position. A DVD player can be controlled
in the DVD/LD and DVD MENU positions.
The code for a YAMAHA DVD player is
factory set. If the remote control does not
operate your YAMAHA DVD player, you
need to set the code number “0048”.
DSP/TUN
This unit can be controlled and DSP programs can be
selected directly.
Selector
dial
2
1
3
5
4
@
#
!
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43
EnglishBASIC OPERATION
ADVANCED OPERATION
APPENDIXINTRODUCTION PREPARATION
2
5
4
3
7
6
Controlling the Components
Connected to This Unit
■ Example: To control a YAMAHA CD
player
1 Make sure that VOLUME is set to the “m”
position.
2 Set the selector dial to the
CD position.
3 Turn on the power.
4 Press INPUT.
The indicator lights up for
about three second.
5 Press CD (number 1) while
the indicator is lit.
6 Press p.
Refer to page 45 for the CD
player operation buttons.
7 Adjust the volume.
If you set the remote control with the manufacturers’
codes listed from page i at the end of this
manual, you can control other brands of components.
Refer to “Setup codes” on page 48 for details.
PRESET REMOTE CONTROL
0109V596(UCA)42-49_EN 3/1/0, 1:20 PM43
44
Description of Each Position
■ TAPE/MD position
• The dark-shaded buttons do not function.
• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control
supplied with your component.
PRESET REMOTE CONTROL
Select the TAPE/MD position.
r REC/PAUSE
This button gives a pause in recording on a
tape deck or MD recorder.
p PLAY
This button plays a tape or an MD.
b DIR A (TAPE)
This button selects the playing direction of
deck A.
SKIP– (MD)
This button skips to the beginning of the
previous track.
w REWIND (TAPE)
This button rewinds a tape.
SEARCH (MD)
This button initiates a backward search on the
track that is playing to find the point from
which you want to listen.
Numeric buttons (MD)
+10 (MD)
While the indicator lights up for about three
seconds after pressing DSP, this button turns
on or off the effect speakers (center and rear).
DECK A/B (TAPE)
This button selects deck A or B on a double-
cassette tape deck.
DISPLAY (MD)
e PAUSE (MD)
This button gives a pause in operation.
a DIR B (TAPE)
This button selects the playing direction of
deck B.
SKIP+ (MD)
This button skips to the beginning of the next
track.
s STOP
This button stops operation on a tape deck or
MD recorder.
f FAST FORWARD (TAPE)
This button winds a tape fast forward.
SEARCH (MD)
This button initiates a fast-forward search on
the track that is playing to find the point from
which you want to listen.
AV POWER
(TAPE) This button turns on the tape deck
that has a remote control with a power button
if you have set the code for another
manufacturer.
(MD) This button turns on the MD recorder
that has a remote control with a power button
if you have set the code for another
manufacturer.
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45
EnglishBASIC OPERATION
ADVANCED OPERATION
APPENDIXINTRODUCTION PREPARATION
■ CD position
• The dark-shaded buttons do not function.
• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control
supplied with your component.
PRESET REMOTE CONTROL
y
PAUSE/STOP function
Press the button once to give a pause in operation and press once more to stop operation.
Select the CD position.
DISC SKIP+/–
(for a CD player with CD changer)
These buttons skip to the next or previous CD.
p PLAY
This button plays a CD.
b SKIP–
This button skips to the beginning of the previous
track.
w SEARCH
This button initiates a backward search on the
track that is playing to find the point from
which you want to listen.
Numeric buttons
DISPLAY
INDEX
+10
While the indicator lights up for about three
seconds after pressing DSP, this button turns
on or off the effect speakers (center and rear).
e PAUSE
This button gives a pause in operation. The
button functions as PAUSE/STOP* for
operating a YAMAHA CD player under
factory setting.
a SKIP+
This button skips to the beginning of the next
track.
s STOP
This button stops operation. The button
functions as PAUSE/STOP* for operating
YAMAHA CD player under factory setting.
f SEARCH
This button initiates a fast-forward search on
the track that is playing to find the point from
which you want to listen.
AV POWER
This button turns on the CD player that has a
remote control with a power button if you
have set the code for another manufacturer.
0109V596(UCA)42-49_EN 3/1/0, 1:20 PM45
46
■ DVD/LD position
■ DVD MENU position
Note
• DVD MENU operations cannot be performed for some DVD players.
• The dark-shaded buttons do not function.
• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control
supplied with your component.
PRESET REMOTE CONTROL
DISC SKIP+/–
RETURN
TITLE/INDEX
+10
DISPLAY
MENU UP
MENU RIGHT
MENU DOWN
MENU
MENU SELECT
MENU LEFT
TITLE
Select the DVD MENU position.
AV POWER
This button turns on the YAMAHA DVD player if you have
set the code number “0048”. Also this button turns on the
DVD player that has a remote control with a power button if
you have set the code for another manufacturer.
Numeric buttons
DISC SKIP+/–
TITLE/INDEX
+10
DISPLAY
PAUSE
SKIP+
STOP
SEARCH
PLAY
SKIP–
SEARCH
Select the DVD/LD position.
AV POWER
(DVD) This button turns on the YAMAHA DVD player if
you have set the code number “0048”. Also this button turns
on the DVD player that has a remote control with a power
button if you have set the code for another manufacturer.
(LD) This button turns on the LD player that has a remote
control with a power button if you have set the
code for another manufacturer.
Numeric buttons
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47
EnglishBASIC OPERATION
ADVANCED OPERATION
APPENDIXINTRODUCTION PREPARATION
■ VCR position ■ CBL/SAT position
■ TV position
Note
• You can control your VCR if you have set the code for it.
• The dark-shaded buttons do not function.
• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control
supplied with your component.
PRESET REMOTE CONTROL
VCR REC
Press this button
twice to start
recording.
AV POWER
This button turns on a VCR
that has a remote control
with a power button if you
have set the code for your
VCR.
Select the CBL/SAT
position.
CHANNEL +/–
ENTER
+10
DISPLAY/
GUIDE (SAT)
MENU UP
MENU RIGHT
MENU DOWN
MENU
MENU SELECT
MENU LEFT
RECALL
Select the TV position.
Numeric buttons
AV POWER
This button turns on a
cable TV/satellite tuner
that has a remote
control with a power
button if you have set
the code for your cable
TV/satellite tuner.
TV POWER
This button turns on a TV that
has a remote control with a
power button if you have set
the code for your TV.
Numeric buttons
Numeric buttons
Select the
VCR position.
CHANNEL +/–
ENTER/RECALL
+10
DISPLAY
PAUSE
STOP
FAST
FORWARD
PLAY
REWIND
VCR REC
Press this button twice.
TV INPUT
TV VOL
CHANNEL +/–
ENTER/RECALL
+10
DISPLAY
VCR PAUSE
VCR STOP
VCR FAST
FORWARD
VCR POWER
TV SLEEP
TV MUTE
VCR PLAY
VCR REWIND
0109V596(UCA)42-49_EN 3/1/0, 1:20 PM47
48
Advanced Information
■ Setup codes
You can set the code for the manufacturer of your
component in each position of the selector dial.
1 Turn on your component to be used.
2 Set the selector dial to the
desired position for the
component (TAPE/MD, CD,
DVD/LD, etc.).
3 Press i (right) and j (left)
at the same time for about
four seconds.
The indicator flashes twice.
4 Use the numeric buttons to
enter the four-digit
manufacturer’s code for
the component to be used.
Make sure that the
indicator flashes twice.
If the indicator does not flash or
flashes rapidly several times,
repeat step 3 and re-enter the
code.
5 Press AV POWER (or any other button) on the
remote control to check if you have set the
code correctly.
If your component cannot be
controlled with the remote
control, try setting another code
for the same manufacturer.
Notes
• You can set only one code for one position.
• In the DVD/LD and DVD MENU positions:
Be sure to set the selector dial to the DVD/LD position before
entering the code for the DVD/LD player. The code set in the
DVD/LD position is also simultaneously set in the DVD MENU
position. You cannot set the code for a DVD player when the
selector dial is set to the DVD MENU position.
• If your component does not respond to any of the codes listed for
the manufacturer, use the original remote control supplied with
your component.
PRESET REMOTE CONTROL
■ To use a second (and third) VCR
You can control a second (and third) VCR in the CBL/SAT
and DVD MENU positions if a cable TV or satellite tuner,
or DVD player is not being used.
Note
• If you want to control a second (and third) VCR in the DVD
MENU position, you must set the code for an LD player in the
DVD/LD position.
1 Turn on the VCR to be used.
2 Set the selector dial to the
CBL/SAT or DVD MENU
position.
3 Press i (right) and j (left)
at the same time for about
four seconds.
The indicator flashes twice.
4 Use the numeric buttons to
enter the four-digit code
for the second (and third)
VCR. Make sure that the
indicator flashes twice.
If the indicator does not flash or
flashes rapidly several times,
repeat step 3 and re-enter the
code.
5 Press AV POWER (or any other button) on the
remote control to check if you have set the
code correctly.
If the VCR cannot be controlled
with the remote control, try
setting another code for the
same manufacturer.
0109V596(UCA)42-49_EN 3/1/0, 1:20 PM48
49
EnglishBASIC OPERATION
ADVANCED OPERATION
APPENDIXINTRODUCTION PREPARATION
■ Returning to the factory-set codes
To return to the factory-set codes in all positions, follow
these steps.
1 Press i (right) and j (left)
at the same time for about
four seconds.
The indicator flashes twice.
2 Enter the code number
“9990”.
Make sure that the indicator
flashes twice.
PRESET REMOTE CONTROL
To return to the factory-set codes in each position, follow
these steps.
1 Set the selector dial to the
position for the
component to be returned
to the factory-set code.
2 Press i (right) and j (left)
at the same time for about
four seconds.
The indicator flashes twice.
3 Enter the code number
“0000”.
Make sure that the indicator
flashes twice.
The following codes are factory set.
Selector dial
position
Component
Code
TV TV 0101
CBL/SAT Satellite tuner 0006
VCR VCR 0002
DVD/LD DVD player 0008 (YAMAHA DVD player)
CD CD player 0005 (YAMAHA CD player)
TAPE/MD Tape deck 0004 (YAMAHA Tape deck)
AMP/TUN this unit 0003
DSP/TUN this unit 0013
We recommend that you write all the code numbers you
have set on the “Quick Reference Card”.
0109V596(UCA)42-49_EN 3/1/0, 1:20 PM49
50
TROUBLESHOOTING
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power
cord and contact your authorized YAMAHA dealer or service center.
■ General
SYMPTOM CAUSE REMEDY
The unit does not work
normally.
No sound and/or no
picture.
The power cord is not connected or the plug is
not completely inserted.
Firmly connect the power cord.
The IMPEDANCE SELECTOR switch on the
rear panel is not fully set to the right or left
position.
Set the switch fully to the right or left position
when the unit is in the standby mode.
The internal microcomputer has been frozen by
an external electric shock (lightning, excessive
static electricity, etc.) or by a power supply with
low voltage.
Set the unit in the standby mode and disconnect
the AC power cord from the AC power outlet.
After about 30 seconds have passed, connect
the power and operate the unit again.
The speaker connections are not secure.
Incorrect input or output cable connections. Connect the cables properly. If the problem
persists, the cables may be defective.
An appropriate input source has not been
selected.
Select an appropriate input source with INPUT
SELECTOR or TAPE/MD MON / EXT.
DECODER (or the input selector buttons).
Secure the connections.
SPEAKERS have not been set properly. Set SPEAKERS corresponding to the speakers
in use to the ON position.
No picture.
There is no S VIDEO connection between this
unit and the TV monitor, although S video
signals are being input to this unit.
Connect the monitor’s “S” video input terminal
to this unit’s S VIDEO MONITOR OUT
terminal.
Only the speaker on one
side can be heard.
Incorrect cable connections. Connect the cables properly. If the problem
persists, the cables may be defective.
Incorrect setting of BALANCE. Adjust it to the appropriate position.
No sound from the effect
speakers.
The sound effect is off. Press EFFECT to turn it on.
A Dolby Surround, Dolby Digital or DTS
decoding DSP program is being used with
material not encoded with Dolby Surround,
Dolby Digital or DTS.
Select another DSP program.
The sound is muted.
Set VOLUME to the “m” position, press
MUTE to cancel a mute and adjust the volume.
Play a source whose signals this unit can
reproduce.
Digital signals other than PCM audio and the
signals encoded with Dolby Digital or DTS
which this unit cannot reproduce are being input
to this unit by a CD-ROM, etc.
The sound suddenly
goes off.
The protection circuit has been activated
because of a short circuit, etc.
Set the unit in the standby mode and then turn
on to reset the protection circuit.
The SLEEP timer has functioned.
Turn on the power, and play the source again.
Refer to
page
APPENDIX
18
—
13, 14
21
16
21
22
—
14
—
41
16
22
26
34
The unit fails to turn on
when STANDBY/ON (or
POWER) is pressed, or
enters in the standby
mode soon after the
power has been turned
on.
18
The 96-kHz sampling 24-bit digital signals are
input to this unit.
24
0110V596(UCA)50-56_EN 3/1/0, 1:20 PM50
51
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
SYMPTOM CAUSE REMEDY
The sound effect cannot
be recorded.
It is not possible to record the sound effect by a
tape deck or MD recorder connected to the
TAPE/MD OUT (REC) terminals of this unit.
Refer to
page
TROUBLESHOOTING
32, 33, 34
—
39
34
36
—
36
13, 14
No sound from the
center speaker.
The sound output level of the center speaker is
set to minimum.
Raise the level of the center speaker.
“CENTER SP” on the SET MENU is set to the
NONE position.
Select the LRG or SML position.
Incorrect DSP program is selected. Select the appropriate program.
The source encoded with Dolby Digital or DTS
does not have a center channel signal.
No sound from the rear
speakers.
The output level of the rear speakers is set to
minimum.
Raise the output level of the rear speakers.
A monaural source is being played with the PRO
LOGIC/Normal or PRO LOGIC/ENHANCED
program.
Select another DSP program suitable for the
monaural source.
Select the BOTH position.
The source does not contain low bass signals
(below 90 Hz).
No sound from the
subwoofer.
“BASS OUT” on the SET MENU is set to the
SW or MAIN position when playing a 2-channel
source.
39
Incorrect cable connections. Firmly connect the audio plugs. If the problem
persists, the cables may be defective.
No connection from the turntable to the GND
terminal.
Make the GND connection between the
turntable and this unit.
A “humming” sound can
be heard.
The volume level is low
while playing a record.
The record is being played on a turntable with an
MC cartridge.
The turntable should be connected to the unit
through the MC head amplifier.
The volume level cannot
be increased, or the
sound is distorted.
The component connected to the TAPE/MD
OUT (REC) terminals of this unit is in the
standby mode.
Turn on the power to the component.
13
13
—
The DVD/LD, TV/digital TV
or cable TV/satellite tuner
source cannot be
recorded by a tape deck,
MD recorder or VCR
connected to this unit.
The DVD/LD player, TV/digital TV or cable
TV/satellite tuner is connected to the unit only
through the digital terminals.
Make additional connections between the
analog terminals.
31
14
Adjusting this unit by
using SET MENU, TIME/
LEVEL or TEST cannot
be performed.
“MEM. GUARD” on the SET MENU is set to
the ON position.
Set “MEM. GUARD” to the OFF position. 38
0110V596(UCA)50-56_EN 3/1/0, 1:20 PM51
52
■ Remote control
This unit is in the standby mode. Turn on the power of the unit.
SYMPTOM CAUSE REMEDY
Refer to
page
The remote control does
not work.
Direct sunlight or lighting (from an inverter
type of fluorescent lamp, etc.) is striking the
remote control sensor of this unit.
Reposition the unit.
The batteries are weak. Replace all batteries with new ones.
The unit or other
component cannot be
controlled.
The component to be controlled has not been
selected.
Set the selector dial to the appropriate position,
corresponding to the component to be controlled.
The manufacturer’s code has not been set
properly.
Enter the code again.
Try setting another code for the same
manufacturer.
■ Others
SYMPTOM CAUSE REMEDY
Refer to
page
The sound is degraded
when listening with
headphones to a tape
deck or CD player
connected to this unit.
There is noise
interference from digital
or high-frequency
equipment, or the unit.
The unit is too close to the digital or high-
frequency equipment.
Move the unit further away from such
equipment.
TROUBLESHOOTING
3
2
—
48
—
—
Previously preset
stations can no
longer be tuned in.
The unit has been disconnected for a long
period.
Re-store the stations.
FM
AM
■ Tuner
SYMPTOM CAUSE REMEDY
FM stereo reception
is noisy.
The characteristics of FM stereo broadcasts
may cause this problem when the transmitter is
too far away or the antenna input is poor.
Check the antenna connections.
Try using a high-quality directional FM
antenna.
Use the manual tuning method.
There is distortion,
and clear reception
cannot be obtained
even with a good FM
antenna.
There is multipath interference.
Adjust the antenna position to eliminate
multipath interference.
The desired station
cannot be tuned in
with the automatic
tuning method.
The station is too weak.
Use the manual tuning method.
Use a high-quality directional FM antenna.
The desired station
cannot be tuned in
with the automatic
tuning method.
The signal is weak or the antenna connections
are loose.
Tighten the AM loop antenna connections and
orient it for best reception.
Use the manual tuning method.
Refer to
page
11, 27
11
11, 27
28
12, 27
12
—
There are buzzing and
whining noises
(especially in the
evening).
A TV set is being used nearby. Move this unit away from the TV.
There are continuous
crackling and hissing
noises.
Noises result from lightning, fluorescent lamps,
motors, thermostats and other electrical
equipment.
Use an outdoor antenna and a ground wire. This
will help somewhat, but it is difficult to
eliminate all noise.
The remote control cannot control system
components.
42
—Depending on the manufacturer or the model,
some components cannot be controlled with this
unit’s remote control even though the code has
been set properly.
Use the original remote control supplied with
your component.
0110V596(UCA)50-56_EN 3/1/0, 1:20 PM52
53
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
SYMPTOM CAUSE REMEDY
■ When playing back a source encoded with DTS
Refer to
page
A loud hissing noise is
heard when playing back
a source encoded with
DTS.
The player which plays back the source is not
connected to a digital audio signal input
terminal of this unit.
The player must be connected to a digital audio
signal input terminal of this unit besides the
analog audio signal terminal connections.
The input mode is set to ANALOG on this unit. Set a proper input mode to turn on the built-in
DTS decoder.
A percussive noise is
heard when playing back
a source encoded with
DTS.
If the input mode is set to AUTO, depending on
some sources, there may be a noise heard while
this unit is identifying the format of the input
signal.
Set the input mode of the currently selected
input source to DTS.
No sound is heard when
playing back a source
encoded with DTS, even
if the input mode is set
to AUTO on this unit.
The built-in DTS decoder does not function
because the player has a digital volume control
and it is set at a position other than
“maximum,” “neutral” or “ineffective.”
Set the player’s digital volume control at the
maximum, neutral or ineffective position.
No sound is heard when
playing back an MD or
DAT on which has been
recorded a source
encoded with DTS.
A source encoded with DTS cannot be recorded
on an MD or DAT.
No sound is heard when
playing back a source
(CD, etc.) even if the
currently selected input
mode is AUTO.
In the AUTO mode, the DTS-decoding mode
cannot be automatically changed to the normal
(PCM) digital signal input mode.
Set the input mode to AUTO again.
14
23
23
—
—
24
TROUBLESHOOTING
Notes
• It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back the source must be connected
to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or only a D-to-A converter is
being used without using a DTS decoder, only a loud hissing noise will be heard when you play back the source.
• The “t” indicator will flash when the input mode is set to AUTO and a search or skip operation is performed while playing back a
source encoded with DTS. If this status continues for 30 or more seconds, the unit will automatically switch from DTS-decoding mode to
PCM digital signal input mode and the “t” indicator will go out.
0110V596(UCA)50-56_EN 3/1/0, 1:20 PM53
54
SPECIFICATIONS
AUDIO SECTION
• Minimum RMS Output Power
20 Hz to 20 kHz, 0.06% THD, 8 ohms
Main L/R, Center, Rear L/R ....................................... 100 W*/70 W
1 kHz, 0.09% THD, 8 ohms
Main L/R, Center, Rear L/R ....................................... 110 W*/80 W
• Maximum Output Power (EIAJ)
1 kHz, 10% THD, 8 ohms ........................................................ 105 W
• DIN Standard Output Power
1 kHz, 0.7% THD, 4 ohms ....................................................... 110 W
• IEC Output Power
1 kHz, 0.06% THD, 8 ohms ....................................................... 75 W
• Dynamic Power (IHF)
8/6/4/2 ohms ..................... 130/150/190/240 W*, 90/110/135/160 W
• Damping Factor
20 Hz to 20 kHz, 8 ohms ................................................................ 80
• Frequency Response
CD etc. to MAIN L/R ................................. 10 Hz to 100 kHz, –3 dB
• Total Harmonic Distortion (20 Hz to 20 kHz)
CD etc. to MAIN L/R, 1/2 power, 8 ohms .............................. 0.06%
• Signal-to-Noise Ratio (IHF-A Network)
CD etc. to MAIN L/R
(150 mV, Input Shorted) ........................................................ 99 dB
(250 mV, Input Shorted) .......................................................103 dB
• Residual Noise (IHF-A Network)
MAIN L/R .............................................................................. 150 µV
• Input Sensitivity/Impedance
CD etc. ................................................................. 150 mV/47 k-ohms
EXT. DECODER......................................... 150 mV/40 – 47 k-ohms
• Output Level/Impedance
REC OUT ........................................................... 150 mV/1.2 k-ohms
PRE OUT ............................................................... 2.1 V/1.2 k-ohms
SUBWOOFER ....................................................... 4.0 V/1.2 k-ohms
PHONES ................................................................. 0.34 V/560 ohms
• Channel Separation (Vol. –30 dB)
CD etc. (Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)
..................................................................................... 60 dB/45 dB
• Tone Control Characteristics
BASS: Boost/cut .......................................................... ±10 dB/50 Hz
TREBLE: Boost/cut ................................................... ±10 dB/20 kHz
* for U.S.A. and Canada models
VIDEO SECTION
• Video Signal Type ...........................................................NTSC or PAL
• Video Signal Level ...................................................... 1 Vp-p/75 ohms
• Signal-to-Noise Ratio .................................................................. 50 dB
• Monitor Out Frequency Response.................... 5 Hz to 10 MHz, –3 dB
FM SECTION
• Tuning Range .................................... 87.5/87.50 to 107.9/108.00 MHz
• Usable Sensitivity (DIN)
Mono (S/N 26 dB) ................................................................... 0.9 µV
Stereo (S/N 46 dB) ................................................................... 28 µV
• Selectivity (two signals, 40 kHz Dev., ±300 kHz) ...................... 55 dB
• Signal-to-Noise Ratio (Mono/Stereo)
DIN ................................................................................. 75 dB/69 dB
IHF ................................................................................. 81 dB/75 dB
• Harmonic Distortion (1 kHz)
Mono/Stereo ........................................................................ 0.1/0.2%
• Stereo Separation (1 kHz) ........................................................... 48 dB
• Frequency Response ........................................ 20 Hz to 15 kHz, ±1 dB
• Antenna Input ......................................................75 ohms, Unbalanced
AM SECTION
• Tuning Range ............................................530/531 to 1,710/1,611 kHz
• Usable Sensitivity................................................................. 300 µV/m
• Signal-to-Noise Ratio ...................................................................52 dB
• Antenna ........................................................................... Loop antenna
GENERAL
• Power Supply
[U.S.A. and Canada models] .................................. AC 120 V, 60 Hz
[Europe, U.K. and Singapore models] .................... AC 230 V, 50 Hz
[Australia model]..................................................... AC 240 V, 50 Hz
[China model]......................................................... AC 220 V, 50 Hz
[General model].............................AC 110/120/220/240 V, 50/60 Hz
• Power Consumption ...................................................... approx. 310 W
• Power Consumption (standby mode) .................................approx. 1 W
• AC Outlets (100 W max. total)
[U.K. and Australia models] ..................................... 1 (SWITCHED)
[Other models].......................................................... 2 (SWITCHED)
• Dimensions (W x H x D)
.....................435 x 151 x 391 mm (17-1/8’’ x 5-15/16’’ x 15-3/8’’)
• Weight ......................................................................... 11.2 kg (25 lbs.)
• Accessories ................................................................ AM loop antenna
.......................................................................... Indoor FM antenna
.....................75-ohm/300-ohm antenna adapter (U.K. model only)
........................ Antenna adapter (U.S.A. and Canada models only)
.................................................................................Remote control
........................................................................................... Batteries
Specifications are subject to change without notice.
0110V596(UCA)50-56_EN 9/29/0, 10:05 AM54
55
EnglishBASIC OPERATION
ADVANCED OPERA
TION APPENDIXINTRODUCTION PREPARATION
GLOSSARY
CINEMA DSP
■ Dolby Surround
Dolby Surround uses four discrete channels and five
speakers to reproduce realistic and dynamic sound effects:
two main channels (left and right), a center channel for
dialog, and a rear channel for special sound effects. The rear
channel reproduces sound within a narrow frequency range.
Most video tapes and laser discs include Dolby Surround
encoding, as do many TV and cable broadcasts. The Dolby
Pro Logic decoder built into this unit employs a digital
signal processing system that stabilizes each channel for
even more accurate sound positioning than is available with
standard analog processors.
■ Dolby Digital
Dolby Digital is a digital surround sound system that
provides completely independent multi-channel audio to
you. Dolby Digital provides five full-range channels in what
is sometimes referred to as a “3/2” configuration: three front
channels (left, center and right), and two surround channels.
A sixth bass-only effect channel is also provided for output
of LFE (low frequency effect), or low bass effects that are
independent of other channels. (This is called the “LFE
channel”.) This channel is counted as 0.1, thus giving rise to
the term 5.1 channels in total.
The wide dynamic range of sound reproduced by the five
full-range channels and precise sound orientation by digital
sound processing provides listeners with excitement and
realism that have never been experienced before.
■ DTS (Digital Theater System)
Digital Surround
DTS was developed to replace the analog soundtracks of
movies with six discrete channels of digital soundtracks,
and it is now installed in many theaters around the world.
The DTS digital playback system changed the way we
experienced movies in theaters with six discrete channels of
superb digital audio.
DTS technology, through intense research and development
has made it possible to deliver similar encode/decode
discrete technology to home audio surround-sound
entertainment.
DTS Digital Surround is an encode/decode system which
delivers six channels of master-quality, 20-bit audio;
technically, it is 5.1 channels, which means 5 full-range
(left, center, right and two surround) channels, plus a
subwoofer (LFE) channel (as “0.1”). It is compatible with
the 5.1 speaker configurations that are currently available
for home theater systems.
■ CINEMA DSP
The Dolby Surround and Dolby Digital sound and DTS
systems show their full ability in a large movie theater,
because movie sounds are originally designed to be
reproduced in a large movie theater that uses a multitude of
speakers. Trying to create a sound environment similar to
that of a movie theater in your home is difficult because of
the room size, material inside the walls, the number of
speakers, and so on. In other words, your listening room is
very different from a movie theater.
However, YAMAHA DSP technology allows you to create
nearly the same sound experience as that of a large movie
theater in your home by compensating for the lack of
presence and dynamics in the listening room with original
digital sound fields combined with Dolby Surround, Dolby
Digital or DTS Digital Surround sounds.
The YAMAHA “CINEMA DSP” logo indicates those
programs that are created by the combination of YAMAHA
DSP technology and Dolby Surround, Dolby Digital or
DTS.
■ LFE 0.1 Channel
This channel is for reproduction of low bass signals. The
frequency range for this channel is 20 Hz to 120 Hz. This
channel is called the channel 0.1 because it only reproduces
a low frequency range compared to the full-range from
20 Hz to 20 kHz that is reproduced by the 5 channels in a
Dolby Digital or DTS 5.1 channel system.
■ S VIDEO Signal
The S VIDEO signal is separated and transmitted as the Y
signal which indicates the luminance and the C signal which
indicates the chroma of the video signal (composite signal).
Using the S VIDEO terminal eliminates video signal
transmission loss and allows recording and playback of
even more beautiful images.
0110V596(UCA)50-56_EN 3/1/0, 1:20 PM55
56
INDEX
A
Accessories .......................................................................... 2
AC outlet ........................................................................... 18
Antennas ...................................................................... 11, 12
B
BALANCE ........................................................................ 22
BGV (background video) function .................................... 22
C
Canceling sound effect ...................................................... 26
CINEMA DSP ............................................................. 34, 55
Connections
Antennas................................................................ 11, 12
Audio components (tape deck/MD recorder, CD player
and turntable) .............................................................. 13
Digital connections...................................................... 14
Speakers ...................................................................... 16
TV monitor .................................................................. 14
Video components (DVD/LD player, VCR, TV/digital
TV and cable TV/satellite tuner) ................................. 14
D
Delay time (TIME/LEVEL mode) .................................... 39
Display................................................................................. 6
Dolby Digital ..................................................................... 55
Dolby Surround ................................................................. 55
DSP program ...................................................... 25, 32 to 34
DTS Digital Surround ....................................................... 55
E
External decoder ................................................................ 15
F
Front panel........................................................................... 4
I
IMPEDANCE SELECTOR switch ................................... 18
Input mode......................................................................... 23
L
LFE ........................................................................ 37, 38, 55
M
Muting ............................................................................... 22
P
Playing ............................................................................... 21
Preset stations
To recall a preset station.............................................. 29
Exchanging preset stations .......................................... 30
Preset tuning
Automatic preset tuning .............................................. 28
Manual preset tuning................................................... 29
R
Recording .......................................................................... 31
Remote control
Basic operations ........................................................ 7, 8
Batteries......................................................................... 2
Factory-set code .......................................................... 49
Manufacturer’s codes .......... i (at the end of this manual)
Selector dial............................................................. 7, 42
Setup codes.................................................................. 48
S
SET MENU ....................................................................... 35
Sleep timer......................................................................... 41
Speaker
Output levels (TIME/LEVEL mode) .......................... 39
Output mode (SET MENU) .................................. 36, 37
Speaker balance (test tone).......................................... 19
Placement ...................................................................... 9
STANDBY/ON.................................................................... 4
T
Test tone....................................................................... 19, 20
Tone controls ..................................................................... 22
Tuning
Automatic tuning......................................................... 27
Manual tuning ............................................................. 27
0110V596(UCA)50-56_EN 3/1/0, 1:20 PM56
i
LIST OF MANUFACTURER’S CODES
LISTES DES CODES FABRICANT
TV
A-MARK 1161
A TANDY 0941
ABEX 1151
ADMIRA 1141
ADVENTURA 1131
AIKO 1121
AIWA 1481
AKAI 0331, 1101, 1111
ALBA 0431
ALLERON 1091
AMBASSADOR 1081
AMSTRAD 0481, 1081
ANAM 0251, 1041, 1051,
1061, 1071
ANAM NATIONAL 1041
AOC 0361, 1021, 1031,
1111, 1161
ARCHER 1161
AUDIOSONIC 1001
AUDIOVOX 1051, 1161
BAUER 0441
BAUR 1001
BEIJING 1511, 1551, 1561
BELCOR 1031
BELL & HOWELL 0981, 0991
BEON 1001
BRADFORD 1051
BROCKWOOD 1031
BROKSONIC 1161
BUSH 1001
CANDLE 0351, 0361, 0961,
0971, 1111, 1131
CAPEHART 1021
CARVER 0101
CATHAY 1001
CELEBRITY 0951
CENTURION 0411
CHANGHONG 1541, 1551, 1561,
1621
CITIZEN 0351, 0361, 0921,
0931, 0941, 0961,
0971, 1111, 1121,
1131
CLAIRTONE 1011
CLARIVOX 1001
CONCERTO 0351, 0971
CONROWA 1751
CONTEC 0901, 0911, 1011,
1051
CORANDO 0941
CRAIG 0251, 1051
CROWN 0941, 1051
CURTIS MATHES 0161, 0361,
0931, 0941,
0981, 1111
CXC 1051
DAEWOO 0291, 0301, 0331,
0721, 0941, 1001,
1031, 1121, 1191,
1531, 1581, 1591,
1601
DANSAI 1001
DAYTRON 0941, 1031
DECCA 0271, 1001
DIXI 0331, 1001, 1071
DUMONT 0891, 1031
DYNATECH 0881
ELECTROBAND 0951, 1011
ELECTROHOME 0941
ELECTRON 0941
ELIN 1001
ELTA 0331
EMERSON 0001, 0021, 0061,
0071, 0081, 0091,
0111, 0811, 0821,
0831, 0841, 0851,
0861, 0871, 0901,
0921, 0941, 0981,
1011, 1031, 1051,
1081, 1091
ENVISION 0361, 1111
ERRES 1001
ETRON 0331
FERGUSON 1001
FINLUX 1001
FISHER 0171, 0801, 0981
FORMENTI 0441
FORMONTI 1001
FORTRESS 1141
FUJITSU 1091
FUNAI 1051, 1091, 1341,
1361, 1411, 1451,
1501, 1521
FUTURETECH 1051
GE 0131, 0161, 0201,
0751, 0761, 0771,
0781, 0791, 0811,
0861, 1041
GEC 0271, 1001
GEMINI 0391
GENEXXA 0431
GIBRALTER 0891, 1031, 1111
GOLDSTAR 0031, 0121, 0351,
0411, 0731, 0741,
0861, 0941, 0971,
1001, 1031, 1111,
1151
GOODMANS/TASHIKO
0271, 0661, 1001
GRANADA 1001
GRUNDIG 1781, 1791, 1801,
1811, 1821, 1831,
1841, 1851, 1861,
1871, 1881
GUNPY 1051, 1091
H/K 0721
HALLMARK 0861
HANSEATIC 1001
HARVARD 1051, 1061
HINARI 1001, 1091
HITACHI 0181, 0351, 0671,
0681, 0691, 0701,
0711, 0871, 0941,
0971, 1351
HYPSON 1001
IMA 1051
INDIANA 1001
INFINITY REFERENCE
0101
INTERFUNK 1001
IMA 1051
INDIANA 1001
INFINITY REFERENCE
0101
INTERFUNK 1001
ITT 0611
JANEIL 1131
JBL 0101
JCB 0951
JENSEN 0311
JINXING 1531, 1541, 1551,
1561, 1571, 1621,
1631, 1641, 1651,
1691, 1731
JVC 0261, 0281, 0641,
0651, 0661, 0841
KAWASHO 0901
KAYPANI 1021
KENWOOD 0361, 1031, 1111
KLOSS 0631, 0721, 1131
KTV 0921, 0941, 1011,
1051, 1111
LEYCO 1001
LIESENK & TTER 1001
LLOYTRON 0941
LOEWE 1001
LOGIK 0991, 1771
LUXMAN 0351, 0971
LXI 0101, 0621, 0761,
0861, 0981
MAGNAVOX 0101, 0341, 0391,
0401, 0411, 0421,
0581, 0591, 0601,
0611, 0631, 0661,
0961, 1111
MAJESTIC 0991
MARANTZ 0101, 0221, 0361,
1001, 1111
MARK 1001
MATSUI 0271, 0331, 1001
MEDIATOR 1001
MEGATRON 0691, 0861, 1161
MEI 1011
M-ELECTRONIC 1001
MEMOREX 0331, 0571, 0861,
0971, 0981, 0991,
1771
METZ 1791, 1831, 1891,
1901, 1911, 1921,
1931, 1941
MGA 0361, 0561, 0571,
0861, 1031, 1111
MIDLAND 0751, 0761, 0891,
0941, 1151
MITSUBISHI 0221, 0321, 0561,
0571, 0661, 0861,
1031, 1101, 1381
MONTGOMERY 1091
MOTOROLA 1041, 1141
MTC 0351, 0361, 0881,
0931, 0971, 1011,
1031, 1111
MULTITECH 0881, 1051
NAD 0551, 0621, 0861
NEC 0241, 0351, 0361,
0661, 0971, 1031,
1111, 1321, 1711
NECKERMANN 1001
NEI 1001
NIKKAI 0271, 0431, 1001,
1151
NIKKO 0861, 1111, 1121
NOVABEAM 0721
NTC 1121
ONWA 1051
OPTIMUS 0551
OPTONICA 0541, 1141
ORION 0831, 1001
OSAKI 0271, 1151
OTTO VERSAND 1001
PANASONIC 0101, 0191, 0251,
0751, 1041, 1311,
1371, 1431
PANDA 1541, 1721
PENNY 0161, 0361, 0521,
0531, 0621, 0731,
0751, 0761, 0781,
0791, 0861, 0931,
0941, 1031, 1041,
1111, 1151, 1161
PEONY 1561, 1621
PHILCO 0361, 0581, 0591,
0601, 0611, 0631,
0961, 1031, 1111
PHILIPS 0101, 0401, 1001
PHONOLA 1001
PILOT 0941, 1031, 1111
PIONEER 0511, 0551, 0871,
1331
PORTLAND 0941, 1031, 1121
PRICECLUB 0931
PRISM 0751
PROSCAN 0761
PROTECH 1001
PROTON 0501, 0861, 0941,
1021, 1161
PULSAR 0891
PULSER 1031
QUASAR 0251, 0751, 1041
QUELLE 1001
RADIO SHACK 0541, 0941,
1031, 1051,
1151
RADIOLA 1001
RCA 0051, 0141, 0151,
0181, 0411, 0491,
0531, 0761, 0771,
0871, 1031
REALISTIC 0541, 0861, 0941,
0971, 0981, 1031,
1051, 1111, 1151
RHAPSODY 1011
R-LINE 1001
RUNCO 0891, 1111
SAISHO 0331, 1081
SAMPO 0361, 0941, 1021,
1111, 1151
SAMSUNG 0331, 0341, 0351,
0361, 0861, 0931,
0941, 0971, 1001,
1031, 1111, 1151,
1461
SAMSUX 0941
SANYO 0171, 0231, 0271,
0661, 0801, 0911,
0981, 1231, 1251,
1261
SBR 1001
SCHEIDER 1001
SCIMITSU 1031
SCOTCH 0861
SCOTT 0831, 0861, 0941,
1031, 1051, 1091
SEARS 0101, 0161, 0171,
0351, 0481, 0521,
0621, 0761, 0801,
0861, 0971, 0981,
1091
SHANGHAI 1561, 1681
03V596(UCA)_code(US) 3/2/0, 6:05 PM1
ii
SHARP 0461, 0471, 0541,
0661, 0911, 0941,
1141, 1241, 1271
SHOGUN 1031
SIGNATURE 0991, 1771
SIMPSON 0581, 0961
SOLAVOX 1151
SONOKO 1001
SONTEC 1001
SONY 0371, 0451, 0661,
0841, 0951, 1281,
1441
SOUNDESIGN 0861, 0961, 1051,
1091
SOUNDWAVE 1001
SPECTRICON 1161
SQUAREVIEW 0481
SSS 1031, 1051
STAR-LITE 1051
SUPREM 0951
SUPRE-MACY 1131
SURPA 0351, 0971
SYLVANIA 0101, 0361, 0441,
0581, 0591, 0601,
0611, 0631, 0961,
1111
SYMPHONIC 0481
SYSLINE 1001
TANDY 0271, 0431, 1141
TATUNG 0271, 0881, 1001,
1041, 1161
TCL 1561, 1631, 1701
TECHNICS 0751
TECHWOOD 0351, 0751, 0971
TEKNIKA 0101, 0351, 0571,
0931, 0941, 0961,
0971, 0991, 1031,
1051, 1091, 1121,
1131, 1771
TELETECH 0331
TERA 0501
THAKRAL 1671
THORM 1001
TMK 0351, 0861, 0971,
1081
TOSHIBA 0381, 0521, 0621,
0661, 0931, 0981,
1301
TOSONIC 1011
TOTEVISION 0941
TRICAL 0911
UNIVERSAL 0781, 0791
UNIVERSUM 1001
VECTOR RESEARCH 0361, 1111
VESTEL 1001
VICTOR 0641, 0651, 1201,
1211, 1221
VIDEO CONCEPT 1101
VIDIKRON 0101, 0211
VIDTECH 0861, 1031
VIKING 1131
WARDS 0101, 0361, 0451,
0541, 0581, 0591,
0601, 0611, 0771,
0781, 0791, 0861,
0971, 0991, 1031,
1091, 1111, 1771
WATSON 1001
XOGEGO 1611, 1621, 1661,
1741, 1761
YAMAHA 0221, 0361, 0571,
1031, 1111, 1141,
1381
YOKO 1001
ZENITH 0011, 0041, 0891,
0991, 1771
ZONDA 1161
CABLE TV
ABC 0256, 0376
ANTRONIX 0136
ARCHER 0136, 0286
BBT 0076
CABLETIME 0166
CABLEVISION 0196
COLOUR VOICE 0306, 0346
COMTRONICS 0216, 0276
EAGLE COMTRONICS
0276
EASTERN 0066
ELECTRICORD 0206
ELECTUS 0266
GE 0116, 0126
GEC CABLE SYSTEM
0196
HAMLIN H5 0676
HAMLIN H6 0666
HAMLIN H6S 0656
HAMLIN H8 0646
HAMLIN H9 0636
JERROLD 0256
JERROLD 400L 0626
JERROLD 450L 0616
JERROLD 550 0606
JERROLD OSD CATV
0596
JERROLD SPRUCER
0436
MAGNAVOX/PHILIPS
0416, 0426
MAMM 0296
MEMOREX 0386
MOVIE TIME 0146, 0206
NORTHCOAST 0016
NSC 0146
OAK 0106
OAK SIGMA 450 0546
OAK SIGMA 550 0536
PANASONIC TZ 120/130
0476
PANASONIC TZ 170/180
0446
PANASONIC TZ140 0466
PANASONIC TZ150/160
0456
PARAGON 0386
PHILIPS 0036, 0216, 0306,
0316, 0326, 0336,
0346
PIONEER 0006, 0086
PIONEER BR500846
PIONEER BR60/70/80/81/82
0696
PIONEER BR90 0556
PULSAR 0386
RCA DIGITAL SATELLITE
SYSTEM 0396, 0406
REALISTIC 0136
REGENCY/EASTERN 0686
RUNCO 0386
SAMSUNG 0276
SCIENTIFIC ATLANTA 175/475
0576
SCIENTIFIC ATLANTA 75
0366, 0586
SCIENTIFIC ATLANTA 8650
0566
SIGNAL 0276
SL MARX 0276
SPECTAVISION 0236
STANDARD COMPONENTS
0186
STARCOM V 0256
STARGATE 0276
SYLVANIA/TEXSCAN
0376, 0496
TEKNIKA 0176
TELESERVICE 0056
TELEVIEW 0276
TEXSCAN 0186, 0376
TFC 0026
TOCOM 0226, 0356
TOCOM 5503A 0526
TOCOM 5503VIP/5507 0516
TOCOM TC56 0506
TOSHIBA 0386
TUDI 0046
UNIKA 0136
UNIVERSAL 0136, 0156, 0206,
0286
VIDEOWAY 0096
VIEWSTAR 0216
ZENITH 0246, 0386, 0486
SATELLITE TUNER
ALPHA STAR 0826
CHAPARRAL 0756
ECHOSTAR 0836
GENERAL INSTRUMENT
0776, 0876
HTS 0836
HUGHES NETWORK SYSTEMS
0816
JERROLD 0776, 0786
PANASONIC 0806
PRIMESTAR 0776, 0786
RCA 0766
SONY 0796
(DSS)
HITACHI 0856
MAGNAVOX 0886
MEMOREX 0886
PHILIPS 0886
STAR CHOICE 0876
TOSHIBA 0866
UNIDEN 0886
VCR
A TANDY 0902
ADVENTURA 0992
AIKO 0982
AIWA 0992
AKAI 0262, 0942, 0952,
0962, 0972
AMERICAN HIGH 0932
AMSTRAD 0992
ASA 0002, 0912
ASHA 0922
AUDIO DYNAMICS 0202
AUDIOVOX 0912
BEAUMARK 0922
BELL & HOWELL 0902
BLAUPUNKT 0412
BROKSONIC 0872, 0882, 0892
BUSH 0852
CALIX 0912
CANON 0862, 0932
CCE 0852, 0982
CITIZEN 0912, 0982
COLT 0852
CRAIG 0832, 0842, 0852,
0912, 0922
CURTIS MATHES 0662, 0822,
0932
CYBERNEX 0922
DAEWOO 0802, 0812, 0982
DBX 0202
DYNATECH 0472, 0992
ELECTROHOME 0912
ELECTROPHONIC 0912
EMEREX 0792
EMERSON 0072, 0132, 0142,
0152, 0162, 0172,
0182, 0192, 0212,
0702, 0712, 0722,
0732, 0742, 0752,
0762, 0772, 0782,
0872, 0882, 0892,
0912, 0952, 0992,
1072
FINLUX 0002, 0992
FISHER 0682, 0692, 0842,
0902
FUJI 0672, 0932
FUNAI 0992
GARRARD 0992
GE 0662, 0822, 0932
GO VIDEO 0642, 0652
GOLDSTAR 0082, 0632, 0912
GOODMANS 0402
GRADIENTE 0992
GRANDA 0612, 0902
GRUNDIG 0002
H/K 1082
HARLEY DAVIDSON
0992
HARMAN/KARDON
0632, 1082
HARWOOD 0752, 0852
HEADQUARTER 0612
HI-Q 0842
HINARI 0852
HITACHI 0102, 0562, 0572,
0582, 0592, 0602,
0992
ITT 0942
JVC 0202, 0522, 0532,
0542, 0552
KENWOOD 0202, 0542, 0612,
0632, 0902
KLH 0852
KODAK 0912, 0932
LLOYD 0992
LOGIK 0852
LUXOR 0942
LXI 0022, 0912
MAGNAVOX 0002, 0482, 0492,
0502, 0512, 0932
MAGNIN 0922
MARANTZ 0002, 0202, 0402,
0632, 0932
MARTA 0912
MATSUSHITA 0932
MATSUI 0722
MEI 0222, 0932
MEMOREX 0232, 0242, 0472,
0512, 0612, 0842,
0902, 0912, 0922,
0932, 0992
MGA 0762, 0952
MGA TECHNOLOGY
0922
MINOLTA 0592, 0602
MITSUBISHI 0452, 0462, 0542,
0762, 0952, 1082
MOTOROLA 0472, 0932
MTC 0922, 0992
MULTITECH 0852, 0992
NAD 0442
NEC 0122, 0202, 0292,
0422, 0432, 0542,
0632
NIKKO 0912
NOBLEX 0922
OLYMPUS 0412, 0932
OPTIMUS 0442, 0472, 0912
03V596(UCA)_code(US) 3/2/0, 6:05 PM2
iii
OPTONICA 0402
ORION 0212, 0722, 0742,
0772
OSAKI 0912
PANASONIC 0012, 0052, 0092,
0222, 0372, 0382,
0392, 0412, 0932
PENNY 0202, 0432, 0602,
0632, 0692, 0912,
0922, 0932
PENTAX 0592, 0602
PERDIO 0992
PHILCO 0002, 0932
PHILIPS 0002, 0282, 0402,
0492, 0932
PILOT 0912
PIONEER 0442, 0542
PROSCAN 1002, 1012, 1022,
1032, 1042, 1052,
1062
PULSAR 0512
QUARTER 0612
QUARTZ 0272, 0612
QUASAR 0382, 0392, 0932
RADIO SHACK 0912, 0992
RADIX 0912
RANDEX 0912
RCA 0112, 0382, 0392,
0482, 0592, 0602,
0662, 0822, 0942
REALISTIC 0402, 0472, 0612,
0682, 0842, 0902,
0912, 0922, 0932,
0992
RICOH 0352, 0362
SAISHO 0212, 0582, 0722,
0732, 0742, 0772
SALORA 0612, 0762
SAMSUNG 0212, 0312, 0922,
0962
SANKY 0472, 0512
SANSUI 0292, 0542, 0832
SANYO 0242, 0612, 0842,
0902, 0922
SBR 0002, 0282
SCHEIDER 0852
SCOTT 0342, 0712, 0762,
0872, 0882, 0892
SEARS 0302, 0592, 0602,
0612, 0682, 0692,
0842, 0902, 0912,
0932
SHARP 0402, 0472
SHINTOM 0852
SHOGUN 0922
SINGER 0852
SONY 0032, 0332, 0352,
0362, 0672, 0792,
0932
STS 0602
SUNPAK 0352
SYLVANIA 0002, 0492, 0502,
0762, 0932, 0992
SYMPHONIC 0992
TANDY 0992
TASHIKO 0712, 0992
TEAC 0992
TECHNICS 0932
TEKNIKA 0322, 0912, 0932,
0992
TELEFUNKEN 0252
TMK 0212, 0732, 0772,
0922
TOSHIBA 0062, 0302, 0342,
0622, 0682, 0712,
0762
TOTEVISION 0912, 0922
UNITECH 0922
VECTOR RESEARCH
0202, 0432, 0632
VICTOR 0202, 0532, 0552
VIDEO CONCEPTS
0202, 0432, 0632,
0952
WARDS 0322, 0402, 0472,
0482, 0602, 0712,
0842, 0852, 0922,
0932, 0992
YAMAHA 0202, 0632, 0762
ZENITH 0042, 0362, 0512,
0672
DVD PLAYER
AKAI 0108
KENWOOD 0288
MAGNAVOX 0248
MITSUBISHI 0268
ONKYO 0128, 0248
PANASONIC 0048
PHILIPS 0188, 0248
PIONEER 0208, 0228
PROSCAN 0308
RCA 0308
SAMSUNG 0148
SHARP 0068
SONY 0028
TECHNICS 0048
THOMSON 0328
TOSHIBA 0088, 0248
VICTOR 0168, 0348
YAMAHA 0008, 0048
ZENITH 0248
LD PLAYER
AIWA 0157
DENON 0147
DISCO VISION 0017
FUNAI 0157
HITACHI (E) 0017
KENWOOD 0087, 0107
MAGNAVOX 0027
MARANTZ 0027
MITSUBISHI 0137
NAD 0137
PANASONIC 0077, 0177
PHILIPS 0027
PIONEER 0017, 0037, 0137
RCA 0167
REALISTIC 0157
SHARP 0127
SONY 0047, 0057, 0117
VICTOR 0097
YAMAHA 0007
CD PLAYER
ACOUSTIC RESEARCH
1295
ADC 0025, 0065
ADCOM 0205, 0255, 1015
ADS 0265
AIWA 0295, 0945, 1035,
1055
AKAI 0175, 0485, 0535
ALPINE 1215, 1305
AUDIO-TECHNICA 0545
BSR 0245, 0655, 0775
CALIFORNIA AUDIO LAB
0055
CAPETRONIC 1205
CARRERA 0245
CARVER 0285, 1135
CASIO 0345
CROWN 0185
CURTIS MATHS 0345
DENON 0275, 0875, 0885
DEUAL (E) 0505
DYNAMIC BASS (H)
0555
EMERSON 0205, 0325, 1105
EROICA 1275
FISHER 0095, 0555, 0925,
1005
GARRARD 0365
GENEXXA 0305, 0325, 1105
GOLDSTAR 1135, 1225, 1265,
1335
H/K 0105, 0175, 0465,
0995
HITACHI 0195, 0205, 0505,
0815
INKEL 0115, 0395
JVC 0315
KENWOOD 0045, 0095, 0405,
0585, 0725, 0735,
0745, 0755, 0895
KYOCERA 0025
LUXMAN 0075, 0425, 0675,
0705, 0715, 0985
MAGNAVOX 0165, 0215, 0645,
0955
MARANTZ 0215, 0235, 0375,
0785, 1345
MCINTOSH 0355, 1085
MCS 0905, 1315
MEMOREX 0205, 0225, 0235,
0305, 0325, 1105
MGA 0135
MISSION 0215
MITSUBISHI 0135, 0445
MTC 1255
NAD 0035, 0615, 0685,
0695
NAKAMICHI 0125, 0435, 0515
NEC 0255, 0905, 0965
NIKKO 0545, 1005
ONKYO 0155, 0455, 0495,
0805, 1155
OPTIMUS 0225, 0245, 0555,
0595, 0845, 0855,
0865, 0895, 0935
PANASONIC 0055, 0825, 1095,
1125
PENNY 0905
PHILIPS 0165, 0215
PIONEER 0305, 0935, 1045
PROTON 0215, 1185
QUASAR 0055
RCA 0205, 0915, 1115
REALISTIC 0205, 0225, 0235,
0325, 0555, 0845
REVOX 1175
ROTEL 0215
SABA TELECOMMANDER (E)
0505
SAE 0215
SAMSUNG 1285
SANSUI 0215, 0625, 0975,
1025, 1105
SANYO 0145, 0555, 0635,
0765
SCOTT 0325, 1105
SEARS 0345
SHARP 0235, 0665, 0895,
1065, 1075
SHERWOOD 0115, 0235, 0395,
0475
SIEMENTS GARRARD
1245
SIGNATURE 0175
SONTEC 1165
SONY 0065, 0565, 0865,
1145
STARON 1235
STS 0025
SYLVANIA 0215
SYMPHONIC 0335
TANDY 0305
TANGBERG 1195
TEAC 0235, 0335, 0385,
0525, 0795, 0835,
1355
TECHNICS 0055, 0605, 1095
TECHWOOD 1325
TELEFUNKEN (E) 0505
THOMSON (E) 0505
TOSHIBA 0035, 0685
VECTOR RESEARCH
0065, 1135
VICTOR 0315
WARDS 0175
YAMAHA 0005, 0015, 1065
MD RECORDER
YAMAHA 0024, 0394
KENWOOD 0384
SONY 0394
TAPE DECK
AIWA 0094, 0214, 0224
AKAI 0184
CARVER 0094
DENON 0304
FISHER 0144
GARRARD 0194, 0204
JVC 0274, 0284, 0294
KENWOOD 0124, 0134, 0154,
0234, 0244, 0264
MAGNAVOX 0094
MARANTZ 0094, 0344
MITSUBISHI 0184
OPTIMUS 0034, 0064, 0204,
0334
ONKYO 0364, 0374
PHILIPS 0094
PIONEER 0034, 0044, 0064
REVOX 0354
SANSUI 0094, 0344
SHARP 0264
SHERWOOD 0334
SONY 0054, 0084, 0324
TEAC 0194, 0254
TECHNICS 0074, 0314
VICTOR 0294
WARDS 0034
YAMAHA 0004, 0014
03V596(UCA)_code(US) 3/2/0, 6:05 PM3
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
Printed in Malaysia ID
V471950-1
OWNER’S MANUAL
MODE D’EMPLOI
HTR-5250
Natural Sound AV Receiver
Ampli-tuner audio-vidéo
U C A
0100HTR-5250(UCA)-cv1/4 9/29/0, 2:07 PM1
Numeric buttons (MD)
Quick Reference Card
TAPE/MD
AMP/TUN
DSP/TUN
INPUT
PLAY
REC/PAUSE
DSP
DIR A (TAPE)
SKIP– (MD)
REWIND (TAPE)
SEARCH (MD)
Numeric buttons
PLAY
DISC SKIP+/–
DSP
CD
SKIP–
SEARCH
INDEX
INPUT
+10
DISPLAY
PAUSE
SKIP+
STOP
SEARCH
AV POWER
PRESET +/–
DSP
DSP
A/B/C/D/E
d (next), u (back)
j (left), i (right)
Input
selector
buttons
DSP
program
selector
EFFECT
INPUT
DSP
program
selector
EFFECT
INPUT
SET MENU
STANDBY
TEST
Input
selector
buttons
TIME/LEVEL
TV POWER
TV VOLUME
TV INPUT
POWER
VOLUME +/–
SLEEP
MUTE
V479260
+10 (MD)
DECK A/B (TAPE)
DISPLAY (MD)
PAUSE (MD)
DIR B (TAPE)
SKIP+ (MD)
STOP
FAST
FORWARD (TAPE)
SEARCH (MD)
AV POWER
Quick Reference Card
Press this button twice to start recording.
Appuyer deux fois sur cette touche pour commencer l’enregistrement.
Drücken Sie diese Taste zweimal, um die Aufnahme zu starten.
Tryck två gånger på den här knappen för att börja spela in.
V479260
*1 Premere due volte questo tasto per iniziare la registrazione.
Presione dos veces este botón para empezar a grabar.
Druk tweemaal op deze toets om met opnemen te beginnen.
DISC SKIP+/–
DSP
DVD/LD DVD MENU
CBL/SAT
TV
VCR
TITLE/INDEX
INPUT
Numeric buttons
Numeric
buttons
Numeric
buttons
+10
DISPLAY
PAUSE
SKIP+
STOP
SEARCH
AV POWER
AV POWER
Numeric
buttons
AV POWER
Numeric buttons
AV POWER
PLAY
SKIP–
SEARCH
DISC SKIP+/–
RETURN
DSP
TITLE/INDEX
+10
INPUT
DISPLAY
MENU UP
MENU RIGHT
MENU DOWN
MENU
MENU SELECT
MENU LEFT
TITLE
ENTER/
RECALL
INPUT
DISPLAY
+10
PAUSE
STOP
FAST
FORWARD
PLAY
REWIND
TV INPUT
TV VOL
TV
POWER
CHANNEL
+/–
DSP
ENTER/
RECALL
+10
INPUT
DISPLAY
VCR PAUSE
VCR STOP
VCR FAST
FORWARD
VCR POWER
TV SLEEP
TV MUTE
VCR PLAY
VCR REC
VCR
REWIND
CHANNEL
+/–
DSP
VCR REC
CHANNEL
+/–
DSP
ENTER
INPUT
+10
DISPLAY/
GUIDE
(SAT)
MENU UP
MENU
RIGHT
MENU
DOWN
MENU
MENU
SELECT
MENU LEFT
RECALL
*1
*1
A
B
*
*
DSP-A5 only
L R COAXIAL OPTICAL
DIGITAL OUT
AUDIO OUT S VIDEO
OUT
VIDEO
OUT
DOLBY
DIGITAL
RF OUT
C
V
ANALOG
AUDIO OUT
S VIDEO INVIDEO IN
S VIDEO
OUT
VIDEO
OUT
COAXIAL
DIGITAL OUT
COAXIAL
DIGITAL OUT
OPTICAL
DIGITAL OUT
DOLBY DIGITAL
RF IN
DOLBY DIGITAL
RF OUT
R L R L
R L
DVD player LD player
Main speakers A Main speakers B
Rear speakers
Video signal
V573050 RX-V596/DSP-A5
Digital signal
(coaxial)
Digital signal
(optical)
Signal flow
Center speaker
Subwoofer
system
TV Monitor
C
L
R
V
Analog signal
(Europe model)
S Video signal
L R
S
S
S
RF demodulator
C
O
O
V
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Yamaha HTR-5250 Manual de usuario
- Categoría
- Receptores AV
- Tipo
- Manual de usuario
en otros idiomas
- français: Yamaha HTR-5250 Manuel utilisateur
- italiano: Yamaha HTR-5250 Manuale utente
- English: Yamaha HTR-5250 User manual
- Deutsch: Yamaha HTR-5250 Benutzerhandbuch
- русский: Yamaha HTR-5250 Руководство пользователя
- Nederlands: Yamaha HTR-5250 Handleiding
- português: Yamaha HTR-5250 Manual do usuário
- dansk: Yamaha HTR-5250 Brugermanual
- polski: Yamaha HTR-5250 Instrukcja obsługi
- čeština: Yamaha HTR-5250 Uživatelský manuál
- svenska: Yamaha HTR-5250 Användarmanual
- Türkçe: Yamaha HTR-5250 Kullanım kılavuzu
- română: Yamaha HTR-5250 Manual de utilizare
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