Yamaha DSP-A5 El manual del propietario

Marca: Yamaha

Modelo: DSP-A5

Categoría: Amplificador de instrumentos musicales

Tipo: El manual del propietario

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.

YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA

YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY

YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE

YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND

YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN

YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Printed in Malaysia ID

V472000

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

DSP-A5

Natural Sound AV Amplifier

Amplificateur audio-vidéo

DSP-A5

G B

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CAUTION

CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.

1. To assure the finest performance, please read this

manual carefully. Keep it in a safe place for future

reference.

2. Install this unit in a cool, dry, clean place — away

from windows, heat sources, sources of excessive

vibration, dust, moisture and cold. Avoid sources of

humming (transformers, motors). To prevent fire or

electrical shock, do not expose the unit to rain or

water.

3. Never open the cabinet. If something drops into the

unit, contact your dealer.

4. Do not use force on switches, controls or connection

cables. When moving the unit, first disconnect the

power cord and then the cables connected to other

component. Never pull the cables themselves.

5. The openings on the cover assure proper ventilation

of the unit. If these openings are obstructed, the

temperature inside the unit will rise rapidly.

Therefore, avoid placing objects against these

openings, and install the unit in a well-ventilated area

to prevent fire and damage.

Be sure to allow a space of at least 20 cm behind,

20 cm on both sides and 30 cm above the top panel

of the unit to prevent fire and damage.

6. The voltage used must be the same as that specified

on this unit. Using this unit with a higher voltage than

specified is dangerous and may result in fire or other

accidents. YAMAHA will not be held responsible for

any damage resulting from the use of this unit with a

voltage other than that specified.

7. Digital signals generated by this unit may interfere

with other component such as tuners, receivers and

TVs. Move this unit farther away from such

component if interference is observed.

8. Always set VOLUME to the “m” position before

starting the audio source play. Increase the volume

gradually to an appropriate level after playback has

been started.

9. Do not attempt to clean the unit with chemical

solvents; this might damage the finish. Use a clean,

dry cloth.

10. Be sure to read the “TROUBLESHOOTING” section

regarding common operating errors before

concluding that the unit is faulty.

11. When not planning to use this unit for a long period

of time (e.g., a vacation), disconnect the AC power

cord from the wall outlet.

12. To prevent lightning damage, disconnect the AC

power cord and disconnect the antenna cable when

there is an electrical storm.

13. Grounding or polarization — Precautions should be

taken so that the grounding or polarization of the unit

is not defeated.

14. AC outlet — Do not connect audio component to the

AC outlet on the rear panel if that component

requires more power than the outlet is rated to

provide.

This unit is not disconnected from the AC power source

as long as it is connected to the wall outlet, even if this

unit itself is turned off. This state is called the standby

mode. In this state, this unit is designed to consume a

very small quantity of power.

■ For U.K. customers

If the socket outlets in the home are not suitable for the plug

supplied with this appliance, it should be cut off and an

appropriate 3 pin plug fitted. For details, refer to the

instructions described below.

Note

• The plug severed from the mains lead must be destroyed, as a

plug with bared flexible cord is hazardous if engaged in a live

socket outlet.

■ Special Instructions for U.K. Model

IMPORTANT

THE WIRES IN MAINS LEAD ARE COLOURED IN

ACCORDANCE WITH THE FOLLOWING CODE:

Blue: NEUTRAL

Brown: LIVE

As the colours of the wires in the mains lead of this

apparatus may not correspond with the coloured

markings identifying the terminals in your plug, proceed

as follows:

The wire which is coloured BLUE must be connected to

the terminal which is marked with the letter N or

coloured BLACK. The wire which is coloured BROWN

must be connected to the terminal which is marked with

the letter L or coloured RED.

Making sure that neither core is connected to the earth

terminal of the three pin plug.

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INTRODUCTION PREPARATION

FEATURES

5-Channel Power Amplification

◆ Minimum RMS Output

(0.06% THD, 20 Hz – 20 kHz)

Main: 70 W +70 W (8 Ω)

Center: 70 W (8 Ω)

Rear: 70 W + 70 W (8 Ω)

Multi-Mode Digital Sound Field

Processing

◆ Digital Sound Field Processor (DSP)

◆ Dolby Pro Logic Decoder

◆ Dolby Digital Decoder

◆ DTS Decoder

◆ CINEMA DSP: Combination of YAMAHA DSP

Technology and Dolby Pro Logic, Dolby Digital or

DTS

Other Features

◆ 96-kHz/24-bit D/A Converter

◆ “SET MENU” which Provides You with 12 Items

for Optimizing This Unit for Your Audio/Video

System

◆ Test Tone Generator for Easier Speaker Balance

Adjustment

◆ 6-Channel External Decoder Input for Other Future

Formats

◆ S Video Signal Input/Output Capability

◆ 3 Optical/2 Coaxial Digital Signal Input Terminals

◆ SLEEP Timer

◆ Remote Control with Preset Manufacturer Codes

INTRODUCTION

CONTENTS

PREPARATION

SPEAKER SETUP....................................................... 9

CONNECTIONS........................................................ 10

ADJUSTING THE SPEAKER BALANCE ............ 17

BASIC OPERATION

PLAYING A SOURCE .............................................. 19

DIGITAL SOUND FIELD PROCESSOR (DSP)

EFFECT .................................................................. 23

RECORDING A SOURCE ON TAPE, MD OR

VIDEO CASSETTE ............................................... 25

ADVANCED OPERATION

SOUND FIELD PROGRAM .................................... 26

SET MENU................................................................. 29

DELAY TIME AND SPEAKER

OUTPUT LEVELS ................................................. 33

SLEEP TIMER .......................................................... 35

PRESET REMOTE CONTROL .............................. 36

APPENDIX

TROUBLESHOOTING ............................................ 44

SPECIFICATIONS.................................................... 48

GLOSSARY................................................................ 49

INDEX ........................................................................ 50

INTRODUCTION

FEATURES .................................................................. 1

CONTENTS ................................................................. 1

GETTING STARTED ................................................. 2

CONTROLS AND FUNCTIONS ............................... 4

Manufactured under license from Dolby

Laboratories. “Dolby”, “Pro Logic” and the

double-D symbol are trademarks of Dolby

Laboratories. Confidential Unpublished Works.

rights reserved.

Manufactured under license from Digital Theater Systems, Inc.

US Pat. No. 5,451,942 and other world-wide patents issued and

pending. “DTS”, “DTS Digital Surround”, are trademarks of

y indicates a tip for your operation.

• When buttons on this unit and the remote control are

noted together in this Owner’s Manual, these button

names are in principle noted in the order of “button name

(remote control button name)”.

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GETTING STARTED

Checking the Package Contents

Check that the following items are included in your package.

Remote control

Batteries (AAA, R03, UM-4 type)

Quick reference card

Connection guide

Battery Installation in the Remote

Control

1 Turn the remote control over and slide the

battery compartment cover in the direction of

the arrow.

2 Insert the batteries (AAA, R03 or UM-4 type)

according the polarity markings on the inside

of the battery compartment.

3 Close the battery compartment cover.

Battery Replacement

If the remote control operates only when it is close to the

unit, the batteries are weak. Replace all the batteries with

new ones.

Be sure to replace the batteries within about two minutes.

If it takes longer than two minutes, the codes set for the

remote control will return to the factory settings. (Refer

to pages 36 to 43 about the remote control.)

Notes

• Use only AAA, R03 or UM-4 batteries for replacement.

• Be sure the battery polarity is correct. (See the illustration inside

the battery compartment.)

• Remove the batteries if the remote control will not be used for an

extended period of time.

• If the batteries have leaked, dispose of them immediately. Avoid

touching the leaked material or letting it come into contact with

clothing, etc. Clean the battery compartment thoroughly before

installing new batteries.

Quick Reference Card

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INTRODUCTION PREPARATION

Using the Remote Control

The remote control transmits a directional infrared beam. Be

sure to aim the remote control directly at the infrared sensor

during operation. When the sensor is covered or there is a

large object between the remote control and the sensor, the

sensor cannot receive signals. The sensor may not be able to

receive signals properly when it is exposed to direct sunlight

or a strong artificial light (such as a fluorescent or strobe

light). In this case, change the direction of the light or

reposition the unit to avoid direct lighting.

Notes

• Handle the remote control with care.

• Do not spill water, tea or other liquids on the remote control.

• Do not drop the remote control.

• Do not leave or store the remote control in the following

conditions:

– high humidity or temperature such as near a heater, stove or

bath;

– dusty places; or

– extremely low temperature.

GETTING STARTED

Remote control

sensor

Within approximately 6 m

(20 feet)

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–



12 3 4 65

7890qwert y

INPUT SELECTOR

Turn this selector to select the input source (TUNER, CD,

PHONO, CBL/SAT, V-AUX, VCR, D-TV, DVD/LD) that

you want to listen to or watch. The arrow for the selected

input source indicator lights up on the display.

6 VOLUME

Turn this control to turn up or down the volume.

7 PHONES jack

Connect the headphones to the PHONES jack. You can

listen to the sound to be output from the main speakers

through the headphones.

When listening with headphones privately, set both

SPEAKERS A and B to the OFF position, press EFFECT to

turn off the effect speakers (center and rear) and set “BASS

OUT” on the SET MENU to the MAIN position (so that no

DSP program name appears on the display).

CONTROLS AND FUNCTIONS

Front Panel

1 STANDBY/ON

Press this switch to turn on the power of this unit or to set

this unit in the standby mode. Before turning the power on,

set VOLUME to the “m” position.

Standby mode

In this mode, this unit consumes a very small quantity of

power to receive infrared-signals from the remote

control.

2 Remote control sensor

This receives signals from the remote control.

3 Display

This shows various information. (Refer to page 6 for

details.)

4 INPUT MODE

Press this button to select the input mode among AUTO,

DTS and ANALOG for the DVD/LD, TV/digital TV and

cable TV/satellite tuner sources.

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INTRODUCTION PREPARATION

8 SPEAKERS

Set A or B (or both A and B) to the ON position for the main

speaker system (connected to this unit) that you want to use.

Set the button(s) to the OFF position for the main speaker

system that you don’t want to use.

9 SET MENU +/–

Press these buttons to adjust the setting on the SET MENU.

0 NEXT

This button is used to shift the selection to the next item on

the SET MENU.

q Tone controls

These controls are only effective for the sound from the

main speakers.

a) BASS

Turn this control clockwise to increase or counterclockwise

to decrease the low-frequency response. The “0” position

produces a flat response.

b) TREBLE

Turn this control clockwise to increase or counterclockwise

to decrease the high-frequency response. The “0” position

produces a flat response.

w TAPE/MD MON / EXT. DECODER

Press this button to select a tape or an MD source. The

“TAPE/MD MONITOR” indicator lights up on the display.

When you press the button again, the “TAPE/MD

MONITOR” indicator goes off, “EXT. DECODER” appears

on the display and you can listen to a source connected to

the EXTERNAL DECODER INPUT terminals.

e BALANCE

This control is only effective for the sound from the main

speakers.

Turn the control to adjust the balance of the output volume

from the right and left main speakers to compensate for

sound imbalance caused by the speaker location or listening

room conditions.

r EFFECT

Press this button to turn on or off the effect speakers (center

and rear). If you turn them off, the signals of the center and

rear channels are directed to the right and left main speakers

when playing a source encoded with Dolby Digital and

DTS. In this case, the output levels of the right and left

speakers may not match.

t PROGRAM selector

Press l or h to select a DSP program when the effect

speakers (center and rear) are turned on. The name of the

selected program appears on the display.

y VIDEO AUX terminals

Connect an auxiliary audio or video input source such as a

camcorder to these terminals. If the connected video unit

has an S video output terminal, connect it to the S VIDEO

terminal to obtain a high-resolution picture. Use INPUT

SELECTOR to select the source connected to these

terminals.

CONTROLS AND FUNCTIONS

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Display

4 Input source indicators

One of the arrows for these indicators lights up depending

on which source is selected.

5 TAPE/MD MONITOR indicator

This lights up when the tape deck or MD recorder, etc. is

selected as the input source by pressing TAPE/MD MON /

EXT. DECODER (or TAPE/MD).

6 g and o indicators

“ g ” lights up when the built-in Dolby Digital

decoder is on. “ o ” lights up when the built-in

Dolby Pro Logic decoder is on.

7 x indicator

“ x ” lights up when the built-in digital sound

field processor is on.

8 SLEEP indicator

This lights up while the built-in SLEEP timer is on.



CONTROLS AND FUNCTIONS

1 t indicator

The “t” indicator lights up when the built-in DTS

decoder is on.

2 DSP program indicators

These indicators light up when DSP program No. 2, 3 or the

subprogram “ENHANCED” of No. 1 is selected.

3 Multi-information display

This display shows various information: for example the

name of the selected DSP program and the various settings

during adjustment with the SET MENU.

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INTRODUCTION PREPARATION

Remote Control

CONTROLS AND FUNCTIONS



TV VOLUME

TV POWER

TV INPUT

EFFECT

Select the

AMP/TUN

position.

This section describes the basic operation of this unit with

the remote control. First, set the selector dial to the AMP/

TUN position. Refer to “PRESET REMOTE CONTROL”

on page 36 for full details.

1 DSP

Press this button to switch the function of the numeric

buttons to the DSP program selector. (Refer to page 8.)

2 Indicator window

This displays the name of components which can be

controlled.

3 Numeric buttons (Input selector buttons)

These buttons select the input source.

CD: To play a CD

TUNER: To listen to an FM (RDS) or AM broadcast

TAPE/MD: To play a tape or MD

DVD/LD: To play a DVD or LD

D-TV: To watch a TV

VCR: To play a video cassette

PHONO: To play an analog record

CBL/SAT: To watch cable TV or satellite broadcast

V-AUX: To use a camcorder

EXT. DEC.: To play another multi-channel source

Refer to page 8 for details.

4 TEST

Press this button to output the test tone for each speaker.

5 j (left), i (right)

These buttons adjust the settings of the SET MENU and

TIME/LEVEL mode.

6 TIME/LEVEL

Press this button to select the items in the TIME/LEVEL

mode.

7 SLEEP

Press this button to set the SLEEP timer.

8 INPUT

Press this button to switch the function of the numeric

buttons to the input selector. (Refer to page 8.)

9 Indicator

This flashes in red when pressing a button on the remote

control.

0 Selector dial

Turn this dial to select the position for the component to be

controlled. (The proper code must be set for your

component. Refer to “Setup codes” on page 42.) When the

position is selected, the remote control is set to that

component operation mode.

Refer to

page 8.

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q A/B/C/D/E, PRESET +/–

These buttons are used to select a preset station when using

the YAMAHA tuner.

A/B/C/D/E: To select one of a group (A to E) of preset

stations

PRESET +/–: To select a preset station number (1 to 8)

w d (next), u (back)

These buttons are used to advance or go back one selection

on the SET MENU and TIME/LEVEL mode.

e SET MENU

Press this button to select the items on the SET MENU.

r POWER

Press this button to turn this unit on.

t STANDBY

Press this button to set this unit in the standby mode.

y VOLUME (+/–)

These buttons are used to adjust the volume level.

u MUTE

Press this button to mute the sound. To cancel mute, press

this button again.

EFFECT

Press this button to turn on or off the effect speakers (center

and rear) in the following cases:

• When the selector dial is set to the DSP/TUN position.

• While the indicator is lit for about three seconds after

pressing DSP.

Description of the Numeric Buttons

The Numeric buttons function in various ways depending

on the position of the selector dial or the combination of

other instructions.

■ When selecting an input source

1 Press INPUT regardless of the position of the

selector dial.

The indicator lights up for about three seconds.

2 You can select an input source with the

numeric buttons while the indicator is lit.

CONTROLS AND FUNCTIONS

■ When selecting a DSP program

and turning on or off the effect

speakers (center and rear)

1 Press DSP regardless of the position of the

selector dial.

The indicator lights up for about three seconds.

2 You can select a DSP program with the

numeric buttons (1 to 8) and turn on or off the

effect speakers (center and rear) by pressing

EFFECT while the indicator is lit.

1 Set the selector dial to the DSP/TUN position.

2 You can select a DSP program directly with the

numeric buttons (1 to 8) and turn on or off the

effect speakers (center and rear) by pressing

EFFECT.

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ADVANCED OPERA

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INTRODUCTION

PREPARATION

SPEAKER SETUP

Speaker Placement

Refer to the following diagram when you place the

speakers.

Speakers to Be Used

This unit is designed to provide the best sound-field quality

with a 5-speaker system, using main speakers, rear speakers

and a center speaker. If you use different brands of speakers

(with different tonal qualities) in your system, the tone of a

moving human voice and other types of sound may not shift

smoothly. We recommend that you use speakers from the

same manufacture or speakers with the same tonal quality.

The main speakers are used for the main source sound plus

the effect sounds. They will probably be the speakers from

your present stereo system. The rear speakers are used for

the effect and surround sounds, and the center speaker is for

the center sounds (dialog, vocals, etc.). If for some reason it

is not practical to use a center speaker, you can do without

it. Best results, however, are obtained with the full system.

The main speakers should be high-performance models and

have enough power-handling capacity to accept the

maximum output of your audio system. The other speakers

do not have to be equal to the main speakers. For precise

sound localization, however, it is ideal to use high-

performance models that can reproduce sounds over the full

range for the center speaker and the rear speakers.

■ Use of a subwoofer expands your

sound field

It is also possible to further expand your system with the

addition of a subwoofer. The use of a subwoofer is effective

not only for reinforcing bass frequencies from any or all

channels, but also for reproducing the LFE (low frequency

effect) channel with high fidelity when playing back a

source encoded with Dolby Digital or DTS. The YAMAHA

Active Servo Processing Subwoofer System is ideal for

natural and lively bass reproduction.

Main

speaker (L)

Center speaker

Main speaker (R)

Subwoofer

Rear speaker (L)

Rear speaker (R)

1.8 m

■ Main speakers

Place the right and left main speakers an equal distance

from the ideal listening position. The distance of each

speaker from each side of the TV monitor should be the

same.

■ Rear speakers

Place these speakers behind your listening position, facing

slightly inwards, nearly 1.8 m (approx. 6 feet) above the

floor.

■ Center speaker

Align the front face of the center speaker with the front face

of your TV monitor. Place the speaker as close to the

monitor as possible, such as directly over or under the

monitor and centrally between the main speakers.

Note

• If the center speaker is not used, the center channel sound will be

heard from the right and left main speakers. In that case,

“CENTER SP” on the SET MENU is set to the NONE position.

(Refer to page 30 for details.)

■ Subwoofer

The position of the subwoofer is not so critical, because low

bass sounds are not highly directional. But it is better to

place the subwoofer near the main speakers. Turn it slightly

toward the center of the room to reduce the wall reflections.

CAUTION

Some types of speakers interfere with a TV monitor. If

this problem occurs, move the speakers away from the

monitor. If you cannot avoid installing the center speaker

or subwoofer near the TV monitor, use magnetically

shielded speakers.

PREPARATION

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CONNECTIONS

Before Connecting Components

CAUTION

Never connect this unit and other components to mains power until all connections between components have been

completed.

Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some

components require different connection methods and have different terminal names. Refer to the instructions for each

component to be connected to this unit.

When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect

it to the terminals with the same number labels as !, #, $ etc. YAMAHA applies this labeling system to all its products.

Use RCA-type pin plug cables for connecting audio/video components with the exception described later.

The input and output terminals for pin plugs can be distinguished as follows:

Yellow video signals (composite)

White analog audio signals for the left channel

Red analog audio signals for the right channel

coaxial digital signals

After completing all connections, check them again to make sure they are correct.

Connecting an Audio

Component (page 11)

Connecting a Video

Component (pages 12 and 13)

IMPEDANCE SELECTOR

switch (page 16)

Connecting to an External

Decoder (page 13)

Connecting the Speakers

(pages 14 and 15)

Connecting the Power

Supply Cords (page 16)

(Europe model)

V V

C C

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PREPARATION

Connecting an Audio Component

■ PHONO terminals

These terminals are used to connect a turntable with an MM

or high-output MC cartridge. If you have a turntable with a

low-output MC cartridge, use an inline boosting transformer

or MC head amplifier when connecting to these terminals.

Connecting the ground (earth) wire of the turntable to the GND

terminal will normally minimize hum, but in some cases, better

results may be obtained with the ground wire disconnected.

CONNECTIONS

Be sure to connect the right channel (R), left channel (L),

input (IN) and output (OUT) properly.

Tape deck or

MD recorder

L R

OUTPUT

L R L R

OUTPUT OUTPUT

LINE OUT

LINE IN

GND

Turntable

(Europe model)

CD player

Analog signal

Signal flow

Tuner

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Connecting a Video Component

■ Audio signal terminals

Be sure to connect the right channel (R), left channel (L),

input (IN) and output (OUT) properly.

■ S Video signal terminals

Use a special S VIDEO cable (commercially available) for

the S VIDEO connection.

■ Digital audio signal terminals

If your DVD/LD player, TV/digital TV or cable TV/satellite

tuner, etc. has coaxial or optical digital signal output

terminals, they can be connected to this unit’s COAXIAL

and/or OPTICAL digital signal input terminals. To make a

connection between the optical digital signal terminals,

remove the cover from each terminal, and then connect

them by using a commercially available optical fiber cable

that conforms to EIA standards. Other cables might not

function correctly.

When making connections between the digital signal

terminals, you should connect the components to the same-

named analog audio signal terminals of this unit, because a

digital signal cannot be recorded by a tape deck, MD

recorder or VCR connected to this unit.

Notes

• Be sure to attach the covers when the OPTICAL terminals are not

being used in order to protect them from dust.

• If your LD player has a Dolby Digital RF signal output terminal,

be sure to use the RF demodulator (separately purchased).

• No sound will be heard when connecting your LD player’s Dolby

Digital RF signal output terminal directly to this unit’s COAXIAL

DVD/LD digital signal input terminal.

• The input signal from the DVD/LD or CBL/SAT input terminals

is selected in the following order of priority with the input mode

set to AUTO: COAXIAL terminal → OPTICAL terminal →

Analog terminal. Refer to page 21 for details.

• All digital signal input terminals are applicable to sampling

frequencies of 32 kHz, 44.1 kHz, 48 kHz and 96 kHz. (Refer to

page 22 about 96-kHz sampling 24-bit digital signals.)

CONNECTIONS

L R

ANALOG

AUDIO OUT

AUDIO

ANALOG

AUDIO OUT

AUDIO

OUT

S VIDEO

OUT

S VIDEO

OUT

OPTICAL

DIGITAL OUT

S VIDEO

OUT

S VIDEO

COAXIAL

DIGITAL OUT

OPTICAL

DIGITAL OUT

S S

L R

ANALOG

AUDIO OUT

S VIDEO

OUT

OPTICAL

DIGITAL OUT

COAXIAL

DIGITAL OUT

DVD/LD player Cable TV/satellite tuner

(Europe model)

Analog signal

S Video signal

Digital signal

(optical)

Digital signal

(coaxial)

Signal flow

TV monitor

TV/digital TV

VCR

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INTRODUCTION

PREPARATION

■ VIDEO terminals (composite)

If your video components do not have “S” video terminals,

they can be connected to this unit’s VIDEO terminals. Be

sure to connect the input (IN) and output (OUT) properly.

Note

• If video signals are input from both the S VIDEO input and

composite input terminals, the signals will be directed to their

respective output terminals.

■ TV monitor with a 21-pin connector

Make a connection as shown above with a commercially available SCART-plug connector cable.

■ VIDEO AUX terminals (on the front panel)

These terminals are used to connect any video input source

such as a camcorder to this unit.

Connecting to an External Decoder

This unit has additional 6-channel audio signal input

terminals for connecting an external decoder to this unit.

Connect the 6-channel audio signal output terminals of the

decoder to the EXTERNAL DECODER INPUT terminals

of this unit.

Notes

• When a source connected to these terminals is selected, the digital

sound field processor cannot be used.

• The settings of “CENTER SP”, “REAR SP”, “MAIN SP” and

“BASS OUT” on the SET MENU have no effect on a source

connected to these terminals. The setting of “MAIN LVL” is

effective. (Refer to pages 30 and 31 for details.)

• Adjustment of the output level of the center speaker, rear speakers

and subwoofer is effective when a source connected to these

terminals is selected as the input source. (Refer to page 33 for

details.)

CONNECTIONS

L R

AUDIO OUT R

AUDIO OUT L

VIDEO OUT

S VIDEO OUT

DVD/LD player

L R L R

MAIN

OUT

SURROUND

OUT

CENTER

OUT

SUBWOOFER

OUT

External decoder

(Europe model)

VIDEO

L R

VIDEO OUT

VIDEO

OUT

VIDEO

OUT

VIDEO

Cable TV/satellite tuner

TV/digital TV

VCR

SCART-plug

connection

Video signal

Signal flow

Camcorder

TV monitor

0103DSP-A509-18_EN 2/29/0, 4:53 PM13

Connecting the Speakers

Be sure to connect the right channel (R), left channel (L),

“+” (red) and “–” (black) properly. If the connections are

faulty, no sound will be heard from the speakers, and if the

polarity of the speaker connections is incorrect, the sound

will be unnatural and lack bass.

CAUTIONS

• Use speakers with the specified impedance shown on

the rear panel of this unit.

• Do not let the bare speaker wires touch each other and

do not let them touch any metal part of this unit. This

could damage the unit and/or speakers.

■ MAIN SPEAKERS terminals

One or two speaker systems can be connected to these

terminals. If you use only one speaker system, connect it to

either of the SPEAKERS A or B terminals.

■ REAR SPEAKERS terminals

A rear speaker system can be connected to these terminals.

■ CENTER SPEAKER terminals

A center speaker can be connected to these terminals.

CONNECTIONS

Main speakers A

Right Left

Main speakers B

Right Left

(Europe model)

Center speaker Rear speakers

Right Left

Subwoofer connection

When using a subwoofer with built-

in amplifier, including the

YAMAHA Active Servo Processing

Subwoofer System, connect the

input terminal of the subwoofer

system to the SUBWOOFER

OUTPUT terminal of this unit.

Low bass signals distributed from

the main, center and/or rear

channels are directed to this

terminal. (The cut-off frequency of

this terminals is 90 Hz.) The LFE

(low frequency effect) signals

generated when Dolby Digital or

DTS is decoded are also directed if

they are assigned to this terminal.

Subwoofer

system

0103DSP-A509-18_EN 2/29/0, 4:53 PM14

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIX

INTRODUCTION

PREPARATION

■ Speaker cables

1 Remove approx. 10 mm (3/8”) of insulation

from each of the speaker cables.

2 Twist the exposed wires of the cable together

to prevent short circuits.

■ Connecting to the MAIN SPEAKERS terminals

1 Unscrew the knob.

2 Insert one bare wire into the hole in the side of

each terminal.

3 Tighten the knob to secure the wire.

■ Connecting to the REAR and CENTER SPEAKERS terminals

1 Open the tab.

2 Insert one bare wire into the hole of each

terminal.

3 Return the tab to secure the wire.

■ Connecting to an external amplifier

The speaker connections described on page 14 are fine for most applications. If you wish to drive your existing amplifier, the

following terminals are available for connecting an external amplifier(s) to this unit.

Note

• Output signals from these terminals are affected by the use of VOLUME, BASS, TREBLE and BALANCE.

CONNECTIONS

Red: positive (+)

Black: negative (–)

Red: positive (+)

Black: negative (–)

1 MAIN OUTPUT terminals

These terminals are for the main channel line output.

Connect the input terminals of the external amplifier to

these terminals.

2 CENTER OUTPUT terminals

These terminals are for the center channel line output.

Connect the input terminals of the external amplifier to

these terminals.

3 REAR (SURROUND) OUTPUT terminals

These terminals are for the rear channel line output.

Connect the input terminals of the external amplifier to

these terminals.

Note

• If an external amplifier is connected to the MAIN, CENTER or

REAR OUTPUT terminals, disconnect the corresponding

speakers (main, center or rear) from the SPEAKERS terminals.

10 mm (3/8”)

(Europe model)

0103DSP-A509-18_EN 2/29/0, 4:53 PM15

IMPEDANCE SELECTOR Switch

WARNING

Do not change the IMPEDANCE SELECTOR switch setting while the power of this unit is on, otherwise the unit may be

damaged.

If this unit fails to turn on when STANDBY/ON (or POWER) is pressed, the IMPEDANCE SELECTOR switch may not

be fully slide to either position. If so, slide the switch to either position fully when this unit is in the standby mode.

Select the right or left position according to the impedance of speakers in your system. Be sure to move this switch only

when this unit is in the standby mode.

Connecting the Power Supply Cords

After completing all connections, connect the AC power

cord to an AC power outlet. Disconnect the AC power cord

if you will not use this unit for a long period of time.

■ AC OUTLETS (SWITCHED)

Europe model .................................................... 2 OUTLETS

U.K. model.......................................................... 1 OUTLET

Use these outlets to connect the power cords from your

components to this unit. The power to the AC OUTLET(S)

is controlled by this unit’s STANDBY/ON (or POWER and

STANDBY). These outlets will supply power to any

connected component whenever this unit is turned on. The

maximum power (total power consumption of components)

that can be connected to the AC OUTLET(S) is 100 W.

If you use left position right position

CONNECTIONS

(Europe model)

SWITCHED

(Europe model)

To AC outlet

IMPEDANCE

SELECTOR

Rear speakers The impedance of each

speaker must be 6 Ω or

higher.

The impedance of each

speaker must be 8 Ω or

higher.

Center

speaker

The impedance must be 6 Ω

or higher.

The impedance must be 8 Ω

or higher.

If you use one pair of main

speakers, the impedance of

each speaker must be 4 Ω or

higher.

If you use one pair of main

speakers, the impedance of

each speaker must be 8 Ω or

higher.

If you use two pairs of main

speakers, the impedance of

each speaker must be 8 Ω or

higher.

If you use two pairs of main

speakers, the impedance of

each speaker must be 16 Ω or

higher.

Main

speakers

0103DSP-A509-18_EN 2/29/0, 4:53 PM16

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIX

INTRODUCTION

PREPARATION

Using the Test Tone

The adjustment of each speaker sound output level should

be performed at your listening position with the remote

control. After completing the adjustments, use VOLUME

(+/–) at your listening position to check if the adjustments

are satisfactory.

1 Set the selector dial to the

AMP/TUN (or DSP/TUN)

position.

2 Press TEST.

“TEST LEFT” appears on the display.

3 Turn up the volume.

You will hear a test tone (like pink noise) from each

speaker for about two seconds in the following order:

left main speaker, center speaker, right main speaker,

right rear speaker and left rear speaker. The display

changes as shown below.

Notes

• If the test tone cannot be heard, turn down the volume, set the unit

in the standby mode and check the speaker connections.

• If the test tone cannot be heard from the center speaker, check the

setting of “CENTER SP” on the SET MENU.

ADJUSTING THE SPEAKER BALANCE

2,7

TEST

LEFT

TEST

RIGHT

TEST L SUR. TEST R SUR.

TEST CENTER

This procedure lets you adjust the sound output level

balance between the main, center and rear speakers by using

the built-in test tone generator. When this adjustment is

performed, the sound output level heard at the listening

position will be the same from each speaker. This is

important for the best performance of the digital sound field

processor, the Dolby Pro Logic decoder, Dolby Digital

decoder and DTS decoder.

Before You Start Adjusting

1 Set VOLUME to the “m”

position.

2 Turn the power on.

3 Press SPEAKERS A or B

to select the main

speakers to be used.

If you use two main speaker

systems, press both A and B.

4 Set BASS, TREBLE and BALANCE to the “0”

position.

–+–+

0103DSP-A509-18_EN 2/29/0, 4:53 PM17

4 Adjust BALANCE on the

front panel so that the

sound output level of the

right main speaker and the

left main speaker is the

same.

5 Press TIME/LEVEL

repeatedly to select the

speaker to be adjusted.

“CENTER”, “R SUR.” or

“L SUR.” appears on the

display.

After pressing TIME/LEVEL once, you can also select the item by

pressing d. (Pressing u changes the selection in the reverse order.)

6 Press i to raise and j to

lower the level. Adjust the

sound output levels of the

center speaker and the

rear speakers so that they

become almost the same

as that of the main

speakers.

While adjusting, the test tone is

heard from the selected speaker.

Note

• You cannot adjust the delay time while the test tone is being heard

even if “DELAY” appears on the display.

ADJUSTING THE SPEAKER BALANCE

Front panel

7 When the adjustment is complete, press TEST.

“TEST OFF” appears on the display and the test tone

stops.

Note

• If “CENTER SP” on the SET MENU is set to the NONE position,

the sound output level of the center speaker cannot be adjusted in

step 6. The center channel sound is automatically output from the

right and left main speakers.

• Once you have completed the adjustments, you can only adjust

the overall volume level of your audio system by using VOLUME

(or VOLUME (+/–)).

• If you use external amplifiers, you may also use their volume

controls to achieve the proper balance.

• If there is insufficient sound output from the center and rear

speakers, you may decrease the main speaker output level by

setting “MAIN LVL” on the SET MENU to “–10 dB”. (Refer to

page 31 for details.)

0103DSP-A509-18_EN 2/29/0, 4:53 PM18

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

When using the remote control, set the selector dial to

the AMP/TUN position.

1 Set VOLUME to the “m”

position.

2 Turn the power on.

3 Press SPEAKERS A or B

to select the main

speakers to be used.

If you use two main speaker

systems, press both A and B.

PLAYING A SOURCE

–+–+

1,6

4 Select the desired input

source with INPUT

SELECTOR (or the input

selector buttons). (Turn on

the TV monitor for video

sources.)

The name of the selected input

source appears for a moment

and the arrow for the selected

input source indicator lights up

on the display.

a. To select a tape or an MD source

Press TAPE/MD MON / EXT.

DECODER (or TAPE/MD) so

that the “TAPE/MD

MONITOR” indicator lights up

on the display.

b. To select a source connected to the

EXTERNAL DECODER INPUT terminals

Press TAPE/MD MON / EXT. DECODER repeatedly

(or EXT. DEC.) until “EXT. DECODER” appears on

the display.

Notes

• If the “TAPE/MD MONITOR” indicator lights up or “EXT.

DECODER” is shown on the display, no other audio source

except a tape/MD source and a source connected to the

EXTERNAL DECODER INPUT terminals can be played. To

select another input source with INPUT SELECTOR (or the input

selector buttons):

– Press TAPE/MD MON / EXT. DECODER twice (or TAPE/MD

once) to turn off the “TAPE/MD MONITOR” indicator.

– Press TAPE/MD MON / EXT. DECODER once (or EXT.

DEC.) to turn off “EXT. DECODER”.

• If you select and play a video source when the “TAPE/MD

MONITOR” indicator lights up, the play back result will be a

video image from the video source and the sound from the audio

source connected to the TAPE/MD IN (PLAY) terminals.

• A video source cannot be selected when “EXT. DECODER” is

shown on the display. If you want to enjoy an audio source

connected to the EXTERNAL DECODER INPUT terminals

together with a video source, first select a video source and then

select the source connected to the EXTERNAL DECODER

INPUT terminals.

For the DVD/LD, TV/digital TV and cable TV/satellite tuner

sources, the current input mode is also shown. Refer to page 21 for

details about the input mode.

Front panel

Remote control

Front panel

Input source

BASIC OPERATION

Front panel Remote control

0104DSP-A519-24_EN 2/29/0, 4:53 PM19

5 Play the source.

Refer to the instructions for the source component.

Note

• When controlling an audio/video component (tape deck, MD

recorder, CD player, DVD/LD player, etc.) with the remote

control, set the selector dial to the appropriate position (TAPE/

MD, CD, DVD/LD, etc.), corresponding to the component you

want to control. Refer to “PRESET REMOTE CONTROL” on

page 36.

6 Adjust the volume to the desired output level.

If desired, adjust BASS, TREBLE, BALANCE, etc.

These controls are only effective for sound from the

main speakers.

• BASS controls the low-frequency response.

• TREBLE controls the high-frequency response.

• BALANCE adjusts the balance of the output volume

from the right and left main speakers.

7 Use the digital sound field processor.

Refer to page 23.

PLAYING A SOURCE

■ To mute the sound

Press MUTE on the remote

control.

To cancel mute, press MUTE.

Note

• During muting, “MUTE ON” appears on the display.

■ When you have finished using this

unit

Press STANDBY/ON (or STANDBY) to set this unit in the

standby mode.

■ BGV (background video) function

The BGV function allows you to combine a video image

from a video source with a sound from an audio source.

(For example, you can listen to classical music while you

are watching a video.) This function can only be controlled

with the remote control.

Play a video source, and then select an audio source with

the input selector buttons on the remote control. The BGV

function does not work if you select the audio source with

INPUT SELECTOR on the front panel.

Remote controlFront panel

–+–+

Front panel

Front panel Remote control

0104DSP-A519-24_EN 2/29/0, 4:54 PM20

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

Input Mode (for the DVD/LD, TV/

digital TV and cable TV/satellite

tuner sources)

This unit allows you to switch the input mode for sources

that send both digital and analog signals to this unit. The

AUTO, DTS and ANALOG input modes are provided.

When you turn on the power of this unit, the input mode for

the DVD/LD source is always set to AUTO and for TV/

digital TV or cable TV/satellite tuner source is set according

to “TV INPUT” and “CBL INPUT” on the SET MENU.

(Refer to page 32 for details.)

■ AUTO

In this mode, the input signal is selected in the following

order of priority:

1. Digital signal encoded with Dolby Digital or DTS

2. Normal digital signal (PCM)

3. Analog signal (ANALOG)

Note

• If digital signals are input from both the OPTICAL and

COAXIAL terminals, the digital signal from the COAXIAL

terminal is selected.

■ DTS

In this mode, only a digital signal encoded with DTS is

selected, even if other signals are being input at the same

time.

■ ANALOG

In this mode, only an analog signal is selected, even if a

digital signal is being input at the same time. Select this

mode when you want to use an analog signal instead of a

digital signal.

PLAYING A SOURCE

■ Switching the input mode

Press INPUT MODE (or the input selector

button that you have pressed to select the

input source on the remote control) repeatedly

until the desired input mode is shown on the

display.

Notes

• Set the input mode to AUTO to play a DVD/LD source encoded

with Dolby Digital.

• The sound output may be interrupted for some LD and DVD

players in the following situation: The input mode is set to

AUTO. A search is performed while playing the disc encoded

with Dolby Digital or DTS, and then disc playing is restored. The

sound output is interrupted for a moment because the digital

signal was selected again.

• The input mode cannot be changed for the CD, TUNER, TAPE/

MD, VCR, PHONO and VIDEO AUX sources because only

analog signals are used for these.

• The current input mode appears on the display when the DVD/

LD, TV/digital TV or cable TV/satellite tuner source is selected,

or the input mode is changed.

Front panel Remote control

0104DSP-A519-24_EN 2/29/0, 4:54 PM21

■ Notes on playing a source

encoded with DTS

• If “DATA ERROR” appears on the display while playing an LD

source encoded with DTS, stop playback and turn the player off

and then on again.

• If the digital output data of the player has been processed in any

way, you may not be able to perform DTS decoding even if you

make a digital connection between this unit and the player.

• If you play an LD source encoded with DTS and set the input

mode to ANALOG, there will be the noise of an unprocessed

DTS signal. When you want to play a DTS source, be sure to

connect the source to the digital input terminal and set the input

mode to AUTO or DTS.

• If you switch the input mode to ANALOG while playing a source

encoded with a DTS signal, this unit reproduces no sound.

• If you play a source encoded with DTS and set the input mode to

AUTO, there will be a short noise at first while the unit

recognizes the DTS signal and turns on the DTS decoder. This is

not a malfunction, and can be avoided by setting the input mode

to DTS beforehand. In addition, if you continue to play a source

encoded with DTS with the input mode setting left to AUTO, this

unit automatically switches to the “DTS-decoding” mode to

prevent noise from being generated during subsequent operation.

(The “t” indicator lights up on the display.) The “t”

indicator will flash immediately after playback of a source

encoded with DTS has finished. Only a source encoded with DTS

can be played back while this indicator is flashing. If you want to

play a normal PCM source soon, set the input mode back to

AUTO.

PLAYING A SOURCE

■ Notes on playing an LD source

• Some audio/video components, such as an LD player, output

different audio signals through their analog and digital terminals.

Change the input mode as necessary.

• If the input mode is set to AUTO for the LD source, this unit

automatically determines which type of signal the LD source

contains. If this unit detects a Dolby Digital or DTS signal, the

decoder automatically switches to the appropriate setting and

reproduces 5.1 channel sound.

• If the LD player is transmitting signals by a non-normal method,

this unit cannot detect the Dolby Digital or DTS signal. In this

case, the decoder automatically switches to PCM or analog.

• If the LD source does not contain a digital soundtrack, connect

the LD player to the analog terminals and set the input mode to

AUTO or ANALOG.

• While you are operating the LD player and playing a disc encoded

with Dolby Digital, if you switch from the pause or chapter

forwarding function to normal playback, you may hear the PCM

or analog sound an instant before the Dolby Digital sound is

played.

■ Notes on the digital signal

The digital input terminal of this unit can also handle

96-kHz sampling 24-bit digital signals. (To utilize this, use a

source that supports 96-kHz sampling 24-bit digital signals

and set the player for digital output. Refer to the instructions

for the player.) Note the following when a 96-kHz sampling

24-bit digital signal is input to this unit.

1. The following indicator will appear on the display.

2. DSP programs cannot be selected. Sound will be output

as normal 2-channel stereo sound using only the right

and left main speakers.

3. Delay time and speaker output level cannot be adjusted.

0104DSP-A519-24_EN 9/29/0, 10:49 AM22

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

■ On the remote control

1 Make sure that the effect speakers (center and

rear) and subwoofer are turned on.

2 Press DSP.

The indicator lights up for about

three seconds.

3 Use the numeric buttons

(1 to 8) to select the

desired program before the

indicator goes off.

The name of the selected

program appears on the display.

If the selector dial is set to the DSP/TUN position, you

can select a DSP program directly with the numeric

buttons.

If desired, adjust the delay time and the sound output level of each

speaker. (Refer to pages 33 and 34 for details.)

Notes

• You can select a DSP program for each of the input sources. Once

you select a program, it is linked with the input source selected at

that time. So, when you select the input source next time, the

same program is automatically selected.

• When a monaural source is being played with PRO LOGIC/

Normal or PRO LOGIC/ENHANCED, no sound will be heard

from the main speakers and the rear speakers. Sound can only be

heard from the center speaker. However, if “CENTER SP” on the

SET MENU is set to the NONE position, the center channel

sound is output from the main speakers.

• When a source connected to the EXTERNAL DECODER INPUT

terminals of this unit is selected, the digital sound field processor

cannot be used.

• When high-rate 96-kHz sampling 24-bit digital signals are input

to this unit, no DSP program can be selected and the sound is only

output from right and left main speakers as a normal 2-channel

stereo sound.

DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT

Selecting a DSP Program

You can enhance your listening experience by selecting a

DSP program. Refer to pages 26 to 28 for details about each

program.

■ On the front panel

1 Make sure that the effect speakers (center and

rear) and subwoofer are turned on.

2 Press PROGRAM h or l

repeatedly to select the

desired program.

The name of the selected

program appears on the display.

–+–+

DSP program name

0104DSP-A519-24_EN 2/29/0, 4:54 PM23

Canceling the Sound Effect (turning

off the effect speakers)

Press EFFECT to cancel

the sound effect and

monitor only the main

sound.

Press EFFECT again to turn the

sound effect back on.

If the selector dial is set to a position other than the DSP/TUN

position, first press DSP and then EFFECT on the remote control.

Notes

• If you turn off the sound effect when Dolby Digital or DTS is

decoding, the sounds of the center and rear channels are mixed

and output from the main speakers.

• If you turn off the sound effect when Dolby Digital or DTS is

decoding, it may happen that the sound is output faintly or not

output normally, depending on the source. In this case, turn sound

effect back on.

Front panel

Remote control

DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT

0104DSP-A519-24_EN 2/29/0, 4:54 PM24

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

RECORDING A SOURCE ON TAPE, MD OR VIDEO CASSETTE

–+–+

1,42

Recording adjustments and other operations are performed

from the tape deck, MD recorder or VCR. Refer to the

instructions for these components.

1 Set VOLUME to the “m”

position.

2 Select the source you want to record.

3 Begin recording by the tape deck, MD recorder

or VCR connected to this unit.

4 Play the source and then turn up the volume to

confirm the input source.

If a tape deck or MD recorder is being used for recording, you can

monitor the sounds being recorded by pressing TAPE/MD MON /

EXT. DECODER (or TAPE/MD).

Notes

• The DSP program and the setting of VOLUME, BASS, TREBLE

and BALANCE have no effect on the material being recorded.

• Composite video and S video signals pass independently through

this unit’s video circuits. Therefore, when recording or dubbing

video signals, if your video source component is connected to

provide only an S video (or only a composite video) signal, you

can record only an S video (or only a composite video) signal by

your VCR.

• A source connected to this unit only through the digital terminals

cannot be recorded by the tape deck, MD recorder or VCR

connected to this unit.

• A source connected to the EXTERNAL DECODER INPUT

terminals of this unit cannot be recorded.

• Check the copyright laws in your country to record from records,

CDs, radio, etc. Recording of copyrighted material may infringe

If you play back a video source that uses scrambled or

encoded signals to prevent it from being dubbed, the

picture itself may be disturbed due to those signals.

Remote controlFront panel

Front panel

Remote control

0105DSP-A525_EN 2/29/0, 4:54 PM25

[4] PRO LOGIC/ENHANCED

( ox)

• Input source: Dolby Surround

2-ch Dolby Digital

• Output channel: 4 channels

• DSP: 1 (surround)

[5] DOLBY DIGITAL/ENHANCED

( gx )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 2 (surround L, R)

[6] DTS DGTL SUR/ENHANCED

( tx)

• Input source: DTS

• Output channel: 5.1 channels

• DSP: 2 (surround L, R)

This program ideally simulates the multi-

surround speaker systems of the 35 mm-film

movie theater. Dolby Pro Logic decoding,

Dolby Digital decoding or DTS decoding and

digital sound field processing are precisely

performed without altering the original sound

orientation.

The surround effect produced by the sound

field folds around the viewer naturally from

the rear to the right and left, and toward the

screen.

SOUND FIELD PROGRAM

This unit incorporates a sophisticated, multi-program digital sound field processor (DSP). This processor allows you to

electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-

like experience in your listening room. You can create outstanding audio sound by selecting a suitable DSP program (this

will, of course, depend on what you are listening to).

When you select a CINEMA DSP program, one of the built-in decoders (Dolby Pro Logic, Dolby Digital and DTS) is turned

on according to which type of signals the source being played contains.

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that

most of these are precise digital re-creations of actual acoustic environments.

• The input source given in the following table for programs 4 through 8 indicates that input source which each program

is best suited for.

• Select the DSP program that you feel sounds best regardless of the name and description given for it below.

■ For movie or audio/video sources (Program No. 1 to No. 5: CINEMA DSP

programs)

No. PROGRAM SUBPROGRAM FEATURES

1 q/DTS

SURROUND

[1] PRO LOGIC/Normal ( o )

• Input source: Dolby Surround

2-ch Dolby Digital

• Output channel: 4 channels

• DSP: —

[2] DOLBY DIGITAL/Normal ( g )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: —

[3] DTS DGTL SUR/Normal ( t )

• Input source: DTS

• Output channel: 5.1 channels

• DSP: —

The built-in Dolby Pro Logic decoder, Dolby

Digital decoder or DTS decoder precisely

reproduces the sound and effect of a source

encoded with Dolby Surround, Dolby Digital

or DTS.

The realization of a highly efficient decoding

process improves cross talk and channel

separation, and makes sound positioning

smoother and more precise.

In this program, the digital sound field

processor is not turned on.

ADVANCED OPERATION

0106DSP-A526-28_EN 2/29/0, 4:54 PM26

EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

No. PROGRAM SUBPROGRAM FEATURES

2 MOVIE

THEATER 1

3 MOVIE

THEATER 2

[1] 70 mm SPECTACLE

( ox)

• Input source: Dolby Surround

2-ch Dolby Digital

• Output channel: 3 channels

• DSP: 2 (presence & surround)

[2] DGTL SPECTACLE

( g x )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

[3] DTS SPECTACLE ( tx )

• Input source: DTS

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

This program creates the extremely wide sound

field of a movie theater. It precisely reproduces

the source sound in detail, giving both the video

and the sound field incredible reality. It is ideal

for any kind of video source encoded with

Dolby Surround, Dolby Digital or DTS

(especially large-scale movie productions).

[1] 70 mm ADVENTURE

( ox )

• Input source: Dolby Surround

2-ch Dolby Digital

• Output channel: 3 channels

• DSP: 2 (presence & surround)

[2] DGTL ADVENTURE

( gx)

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

[3] DTS ADVENTURE ( t x )

• Input source: DTS

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

Ideal for precisely reproducing the sound of the

newest multi-track films. The sound field is

made to be similar to that of the newest movie

theaters, so the reverberations of the sound field

itself are restrained as much as possible. The

data for the sound field of an opera house are

used for the front presence, so the three-

dimensional feeling of the sound field is

emphasized, and dialog is precisely oriented on

the screen. By using the data for the sound field

of a concert hall on the surround sound field,

powerful reverberations are generated. You can

enjoy watching action, adventure movies, etc.

with strong presence.

[4] 70 mm GENERAL ( ox )

• Input source: Dolby Surround

2-ch Dolby Digital

• Output channel: 3 channels

• DSP: 2 (presence & surround)

[5] DGTL GENERAL ( gx )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

[6] DTS GENERAL ( t x )

• Input source: DTS

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

This program is for reproducing sounds on a

multi-track film, and is characterized by a soft

and extensive sound field. The front presence of

the sound field is relatively narrow. It spatially

spreads all around and toward the screen,

restraining echo effect of conversations without

losing clarity. For the surround sound field, the

harmony of music or chorus sounds beautifully

in a wide space at the rear of the sound field.

[4] 70 mm SCI-FI ( o x )

• Input source: Dolby Surround

2-ch Dolby Digital

• Output channel: 3 channels

• DSP: 2 (presence & surround)

[5] DGTL SCI-FI ( g x )

• Input source: Dolby Digital

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

[6] DTS SCI-FI ( t x )

• Input source: DTS

• Output channel: 5.1 channels

• DSP: 3 (presence & surround L, R)

Clearly reproduces dialog and sound effects in

the latest sound form of science fiction films,

thus creating a broad and expansive cinematic

space amid the silence. You can enjoy science

fiction films in a virtual-space sound field that

includes Dolby Surround, Dolby Digital and

DTS-encoded software employing the most

advanced techniques.

SOUND FIELD PROGRAM

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No. PROGRAM FEATURES

4 MONO MOVIE ( x )

• Input source: Monaural

• Output channel: 1 channel

• DSP: 1

This program is designed specifically to enhance monaural

sources. Compared to a strictly mono setting, the sound image

is wider and slightly forward of the speaker pair, lending an

immediacy to the overall sound. It is particularly effective for

old mono movie, news broadcasts and dialog.

5 TV SPORTS ( x )

• Input source: Audio/Video

• Output channel: 2 to 5.1 channels

• DSP: 2 to 3 (presence & surround)

This program is furnished with a tight sound field in which the

sound will not spread excessively at the front, but the rear

surround produces dynamic sound expansion. It is the most

suitable for sports programs.

■ For Hi-Fi audio sources

No. PROGRAM FEATURES

6 DISCO ( x )

• Input source: 2-ch PCM/Analog audio

• Output channel: 2 channels

• DSP: 1

This program simulates the acoustic environment of a disco in

the heart of a lively city. The sound is dense and highly

concentrated.

7 ROCK CONCERT ( x )

• Input source: 2-ch PCM/Analog audio

• Output channel: 2 channels

• DSP: 1

This program is ideally suited for rock music. You will

experience a dynamic and lively sound field.

8 CONCERT HALL ( x )

• Input source: 2-ch PCM/Analog audio

• Output channel: 2 channels

• DSP: 1

This program creates the expansive ambience of a large concert

hall. It is suited for orchestra and opera music.

CINEMA DSP: Dolby Surround + DSP/Dolby Digital + DSP/DTS + DSP

■ Dolby Pro Logic + 2 digital sound fields

Digital sound fields are created in both the presence and

rear surround zones of the Dolby Pro Logic-decoded sound

field. They create a wide acoustic environment and

emphasize the surround effect in the room, letting you feel

as much presence as if you were watching a movie in a

popular Dolby Stereo theater.

■ Dolby Digital or DTS + 3 digital sound fields

Digital sound fields are created in the presence zone and

independently on the left and right surround zones of the

Dolby Digital-decoded or DTS-decoded sound field. They

create a wide acoustic environment and strong surround

effect in the room without losing high channel separation.

With the wide dynamic range of Dolby Digital or DTS

sound, this sound field combination lets you feel as if you

were watching a movie in the newest Dolby Digital theater

or DTS-installed theater. This is the most ideal home theater

sound at the present time.

SOUND FIELD PROGRAM

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EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

SET MENU

This unit provides you with the following items on the SET

MENU to maximize the performance of your system and

expand your enjoyment for audio listening and video

watching.

1. CENTER SP

2. REAR SP

3. MAIN SP

4. BASS OUT

5. MAIN LVL

6. D.D. LFE

7. D-RANGE

8. DTS LFE

9. CNTR DELAY

10.MEM. GUARD

11.TV INPUT

12.CBL INPUT

Adjusting Items on the SET MENU

Adjustments should be performed with the remote control

while watching the information on the display.

1 Set the selector dial to the

AMP/TUN (or DSP/TUN)

position.

2 Press SET MENU

repeatedly to select the

item you want to adjust.

The selected item appears on

the display.

• After pressing SET MENU once, you can also select the item by

pressing d. (Pressing u goes back one selection.)

• You can also select the item by using NEXT on the front panel.

3 Press i or j repeatedly to

adjust the setting.

You can also adjust the setting by using SET MENU +/– on the

front panel.

4 Repeat steps 2 and 3 to adjust the setting of

any other item in the same way.

Memory back-up

The memory back-up circuit prevents the stored data

from being lost when this unit is set in the standby mode.

If, however, the power cord is disconnected from the AC

power outlet or the power is cut for more than one week,

the settings of the SET MENU will automatically return

to the preset positions and values. If so, adjust the

settings of the SET MENU again.

Front panel

0107DSP-A529-35_EN 2/29/0, 4:54 PM29

Description of Each Item

1. CENTER SP

Choices: LRG (Large)/SML (Small)/NONE

Preset position: LRG (Large)

LRG (Large)

Select this position if your center speaker is approximately

the same size as the main speakers. In this position, full-

range signals on the center channel are directed to the center

speaker.

SML (Small)

Select this position if you use a center speaker that is

smaller than the main speakers. In this position, low bass

signals (below 90 Hz) on the center channel are distributed

to the SUBWOOFER OUTPUT terminal (or to the right and

left main speakers if “BASS OUT” is set to the MAIN

position).

NONE

Select this position if you do not have a center speaker

(4-speaker system). In this position, full-range signals on

the center channel are directed to the right and left main

speakers.

2. REAR SP

Choices: LARGE/SMALL

Preset position: LARGE

LARGE

Select this position if your rear speakers have high ability

for bass reproduction, or if a subwoofer is connected in

parallel to the rear speaker. In this position, full-range

signals on the rear channels are directed to the rear speakers.

SMALL

Select this position if your rear speakers do not have high

ability for bass reproduction. In this position, low bass

signals (below 90 Hz) on the rear channels are distributed to

the SUBWOOFER OUTPUT terminal (or to the right and

left main speakers if “BASS OUT” is set to the MAIN

position).

3. MAIN SP

Choices: LARGE/SMALL

Preset position: LARGE

LARGE

Select this position if your main speakers have high ability

for bass reproduction. In this position, full-range signals on

the main channels are directed to the right and left main

speakers.

SMALL

Select this position if your main speakers do not have high

ability for bass reproduction. However, if your system does

not include a subwoofer, do not select this position. In this

position, low bass signals (below 90 Hz) on the main

channels are distributed to the SUBWOOFER OUTPUT

terminal if “BASS OUT” is set to the SW position.

4. BASS OUT

Choices: SW/MAIN/BOTH

Preset position: BOTH

SW/BOTH

Select either the SW or BOTH position if your system

includes a subwoofer. In either position, signals on the LFE

channel and low bass signals (below 90 Hz) on the center

and rear channels are directed to the SUBWOOFER

OUTPUT terminal if “CENTER SP” is set to the SML or

NONE position and “REAR SP” is set to the SMALL

position. In the SW position, low bass signals on the main

channels are directed to the SUBWOOFER OUTPUT

terminal if “MAIN SP” is set to the SMALL position. In the

BOTH position, low bass signals on the main channels are

directed to both the main speakers and the SUBWOOFER

OUTPUT terminal.

Note

• When playing a 2-channel source (tape, MD, CD, video

cassette etc.), select the BOTH position to direct low bass signals

(below 90 Hz) to the SUBWOOFER OUTPUT terminal.

MAIN

Select this position if your system does not include a

subwoofer. In this position, besides full-range signals on the

main channels, signals on the LFE channel and other low

bass signals (below 90 Hz) that are distributed from other

channels are directed to the right and left main speakers.

SET MENU

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EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

7. D-RANGE (Adjusting the dynamic

range)

Choices: MAX/STD (Standard)/MIN

Preset position: MAX

Note

• This adjustment is only effective when Dolby Digital is being

decoded.

“Dynamic range” is the difference between the maximum

level and the minimum level of sounds. Sounds on a movie

originally designed for movie theaters feature a very wide

dynamic range. Dolby Digital technology can modify the

original sound track into a home audio format with this

wide dynamic range unchanged. Powerful sounds of

extremely wide dynamic range are not always suitable for

home use. Depending on the condition of your listening

environment, it may not be possible to increase the sound

output to a level as high as that in a movie theater. However,

at the normal level suitable for listening in your room, the

low-level parts of source sound often cannot be heard well

because they will be lost among noise in your environment.

Dolby Digital technology has also made it possible to

reduce an original sound track’s dynamic range for a home

audio format by “compressing” the sound data.

MAX

In this position, a source encoded with Dolby Digital is

reproduced in the original sound track’s wide dynamic

range to provide you with powerful sounds just like those in

a movie theater. Selecting this position will be even better if

you can listen to a source at a high output level in a room

specially soundproofed for audio/video enjoyment.

STD (Standard)

In this position, a source encoded with Dolby Digital is

reproduced in the “compressed” dynamic range of the

source that is suitable for low-level listening.

MIN

In this position, the dynamic range is more reduced than in

the STD position. Selecting this position will be effective

when you must listen to a source at a low level.

Note

• It may happen that sound is output faintly or not output normally

depending on the source. In that case, select the MAX or STD

position.

5. MAIN LVL

Choices: NORM (Normal)/–10 dB

Preset position: NORM (Normal)

NORM (Normal)

Normally select this position.

–10 dB

Select this position if the sound output from the main

speakers is too loud and cannot be balanced with the sound

output from the center and rear speakers. In this position,

the sound output from the main speakers is attenuated.

Notes

• The setting of “CENTER SP”, “REAR SP”, “MAIN SP” and

“BASS OUT” have no effect on a source connected to the

EXTERNAL DECODER INPUT terminals on the rear of this

unit.

• Once you have adjusted appropriately for “CENTER SP”, “REAR

SP”, “MAIN SP”, “BASS OUT” and “MAIN LVL”, you do not

have to change any settings unless your speaker system is

modified.

6. D.D. LFE (Adjusting the output

level of the LFE channel for Dolby

Digital)

Control range: –20 dB to 0 dB (in 1 dB steps)

Preset value: 0 dB

Note

• This adjustment is only effective when Dolby Digital is being

decoded and the selected source encoded with Dolby Digital

contains LFE signals.

This adjusts the output level of the LFE channel. If the LFE

signals are mixed with signals of other channels and they

are directed to the same speakers, the ratio of the LFE signal

level to the level of the other signals can be adjusted.

SET MENU

0107DSP-A529-35_EN 2/29/0, 4:54 PM31

8. DTS LFE (Adjusting the output

level of the LFE channel for DTS)

Control range: –10 dB to +10 dB (in 1 dB steps)

Preset value: 0 dB

Note

• This adjustment is effective only when DTS is being decoded and

the selected source encoded with DTS contains LFE signals.

This adjusts the output level of the LFE channel. If the LFE

signals are mixed with signals of other channels and they

are directed to the same speakers, the ratio of the LFE signal

level to the level of the other signals can be adjusted.

9. CNTR DELAY (Adjusting the delay

of the sound from the center

speaker)

Control range: 0 ms to 5 ms (in 1 ms steps)

Preset value: 0 ms

This adjusts the delay between the main sound (on the main

channels) and dialog, etc. (on the center channel). The larger

the value, the later the dialog, etc. is generated.

This makes sounds from the left main, center and right main

speakers reach your listening position at the same time. This

is achieved by delaying the sound from the center speaker if

the distance from the center speaker to your listening

position is shorter than the distance from the right and left

main speaker to your listening position.

10.MEM. GUARD (Locking the

settings)

Choices: ON/OFF

Preset position: OFF

If you wish to prevent accidental alterations to the settings

of the SET MENU and other adjustments on this unit, select

the ON position. The following settings on this unit can be

locked:

• Settings of other items on the SET MENU

• Settings in the TIME/LEVEL mode

• Settings when using TEST

11.TV INPUT (Selecting the initial

input mode for a source connected

to the D-TV input terminals)

Choices: AUTO/LAST

Preset position: AUTO

The input mode for a source connected to the D-TV input

terminals of this unit can be automatically set when the

power of this unit is turned on. Refer to page 21 for details

about the input mode.

AUTO

In this position, the input mode is always set to AUTO.

LAST

In this position, the input mode is automatically set to that

selected the last time when the power of this unit was turned

on.

12.CBL INPUT (Selecting the initial

input mode for a source connected

to the CBL/SAT input terminals)

Choices: AUTO/LAST

Preset position: AUTO

The input mode for a source connected to the CBL/SAT

input terminals of this unit can be automatically set when

the power of this unit is turned on. Refer to page 21 for

details about the input mode.

AUTO

In this position, the input mode is always set to AUTO.

LAST

In this position, the input mode is automatically set to that

selected the last time when the power of this unit was turned

on.

SET MENU

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EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

1. PRO LOGIC/Normal 15 to 30 20

DOLBY DIGITAL/Normal 0 to 15 5

DTS DGTL SUR/Normal 0 to 15 5

PRO LOGIC/ENHANCED 15 to 30 20

DOLBY DIGITAL/ENHANCED 0 to 15 5

DTS DGTL SUR/ENHANCED 0 to 15 5

2. 70 mm SPECTACLE 15 to 30 23

DGTL SPECTACLE 1 to 99 15

DTS SPECTACLE 1 to 99 15

70 mm SCI-FI 15 to 30 20

DGTL SCI-FI 1 to 99 16

DTS SCI-FI 1 to 99 16

3. 70 mm ADVENTURE 15 to 30 20

DGTL ADVENTURE 1 to 99 15

DTS ADVENTURE 1 to 99 15

70 mm GENERAL 15 to 30 20

DGTL GENERAL 1 to 99 15

DTS GENERAL 1 to 99 15

4. MONO MOVIE 1 to 99 49

5. TV SPORTS 1 to 99 9

6. DISCO 1 to 99 40

7. ROCK CONCERT 1 to 99 16

8. CONCERT HALL 1 to 99 44

DELAY TIME AND SPEAKER OUTPUT LEVELS

When using the digital sound field processor with the Dolby

Pro Logic decoder, Dolby Digital decoder or DTS decoder,

you can adjust the delay time between the main sound and

sound effect, and each speaker’s output level as you wish.

Note

• When high-rate 96-kHz sampling 24-bit digital signals are input

to this unit, the delay time and speaker output levels cannot be

adjusted.

Delay Time

You can adjust the time difference between the beginning of

the sound from the main speakers and the beginning of the

sound effect from the rear speakers. The larger the value,

the later the sound effect is generated. The delay time can be

individually adjusted to all DSP programs.

Notes

• Adding too much delay will cause an unnatural effect with some

sources.

• The sound is momentarily interrupted while adjusting the delay

time.

Sound Output Level of the Center,

Right Rear and Left Rear Speakers,

and Subwoofer

If desired, you can adjust the sound output level of each

speaker even if it has already been adjusted in

“ADJUSTING THE SPEAKER BALANCE” on pages 17

and 18.

Notes

• The sound output level of the center speaker cannot be adjusted

when the input signal is analog, PCM audio, or encoded with

Dolby Digital in 2-channel.

• If “CENTER SP” on the SET MENU is set to the NONE position,

the sound output level of the center speaker cannot be adjusted.

This is because the center channel sound is automatically output

from the right and left main speakers.

• Once the sound output level has been adjusted, the level will be

the same for all DSP programs.

Speaker Control range (dB) Preset value

Center MIN, –20 to +10 0

Right rear MIN, –20 to +10 0

Left rear MIN, –20 to +10 0

Subwoofer MIN, –20 to 0 0

Program

Control

range (ms)

Preset

value

0107DSP-A529-35_EN 3/8/0, 2:36 PM33

Adjusting Method

Adjustments should be performed with the remote control

while watching the information on the display.

1 Set the selector dial to the

AMP/TUN (or DSP/TUN)

position.

2 Press TIME/LEVEL repeatedly to select the

item you want to adjust.

Each time you press TIME/LEVEL, the selected item

changes and appears on the display as shown below.

You can also select the item by pressing d. (Pressing u changes

the selection in the reverse order.)

Note

• Depending on the setting of the SET MENU, you may not be able

to select all these items.

DELAY TIME AND SPEAKER OUTPUT LEVELS

3 Press i or j to adjust the

delay time or speaker

output levels.

4 Repeat steps 2 and 3 to adjust the settings of

any other item.

Memory back-up

The memory back-up circuit prevents the stored data

from being lost when this unit is set in the standby mode.

If, however, the power cord is disconnected from the AC

power outlet or the power is cut for more than one week,

the latest values for the delay time and the center/rear/

subwoofer output levels that were set will automatically

return to the preset values. If so, adjust the delay time

and output levels again.

Delay time

Center speaker output level

Right rear speaker output level

Left rear speaker output level

Subwoofer output level

DELAY

CENTER

R SUR.

L SUR.

SWFR

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EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

SLEEP TIMER

Canceling the Selected SLEEP

Timer

Press SLEEP repeatedly until “SLEEP OFF”

appears on the display.

It will soon disappear and the “SLEEP” indicator will

go off.

Note

• The SLEEP timer can also be canceled by setting the unit in the

standby mode by using STANDBY on the remote control (or

STANDBY/ON on the front panel), or by disconnecting the AC

power cord from the AC power outlet.

The SLEEP timer can be used to automatically set this unit

in the standby mode. This timer is useful when you are

going to sleep while enjoying the desired input source. The

SLEEP timer can only be set with the remote control.

Note

• The SLEEP timer is effective for the components connected to the

AC OUTLET(S) on the rear panel of this unit.

Setting the SLEEP Timer

1 Play a source you want to enjoy when you are

going to sleep.

2 Set the selector dial to a

position other than the TV

position.

3 Press SLEEP repeatedly to

select the desired SLEEP

time.

Each time you press SLEEP, the SLEEP time will

change as below:

4 The “SLEEP” indicator soon lights up on the

display after the SLEEP timer has been set.

The display returns to the previous indication.

Lights up

Flashes

120 90 60 30

The SLEEP timer is off

(SLEEP OFF).

(This is the state before

SLEEP is pressed.)

0107DSP-A529-35_EN 2/29/0, 4:54 PM35

PRESET REMOTE CONTROL

The provided remote control is factory set to control not only this unit but also most YAMAHA audio components connected

to it.

Selector Dial

There are nine positions that you can select to control connected components with this remote control. For example, if the CD

position is selected, the remote control is set in the CD operation mode, allowing the CD player to be operated by the buttons

on the remote control. When turning the selector dial, the position changes as follows:

Note

• The button functions on the remote control differ depending on the position of the selector dial. Refer to the following pages for details.

Commonly used buttons in any position of the selector dial

Regardless of the position of the selector dial, you can control this unit and your TV with the following buttons.

Note

• You have to set the code for your TV before you can control the TV.

■ Controlling this unit

Refer to pages 7 and 8.

1 STANDBY

2 POWER

3 VOLUME (+/–)

4 SLEEP

Note

• If you have set the code for your TV and set the selector dial to

the TV position, this button is used to set the SLEEP timer for the

TV.

5 MUTE

Note

• If you have set the code for your TV and set the selector dial to

the TV position, this button is used to mute the TV sound.

■ Controlling your TV

! TV POWER

@ TV INPUT

# TV VOLUME

AMP/TUN

You can perform the basic operations of

this unit. Refer to pages 7 and 8.

The code for a YAMAHA CD

player is factory set.

CBL/SAT

A cable TV or satellite tuner can be

controlled.

VCR

A VCR can be controlled.

A TV can be controlled.

TAPE/MD

The code for a YAMAHA tape deck is factory set.

(Be sure to set the proper code when operating an

MD recorder.)

DVD/LD & DVD MENU

An LD player can be controlled in the DVD/

LD position. A DVD player can be controlled

in the DVD/LD and DVD MENU positions.

The code for a YAMAHA DVD player is

factory set. If the remote control does not

operate your YAMAHA DVD player, you need

to set the code number “0048”.

DSP/TUN

This unit can be controlled and DSP programs can be

selected directly.

Selector

dial

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EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

Controlling the Components

Connected to This Unit

■ Example: To control a YAMAHA CD

player

1 Make sure that VOLUME is set to the “m”

position.

2 Set the selector dial to the

CD position.

3 Turn on the power.

4 Press INPUT.

The indicator lights up for

about three second.

5 Press CD (number 1) while

the indicator is lit.

6 Press p.

Refer to page 39 for the CD

player operation buttons.

7 Adjust the volume.

If you set the remote control with the manufacturers’

codes listed from page i at the end of this

manual, you can control other brands of components.

Refer to “Setup codes” on page 42 for details.

PRESET REMOTE CONTROL

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Description of Each Position

■ TAPE/MD position

• The dark-shaded buttons do not function.

• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control

supplied with your component.

PRESET REMOTE CONTROL

Select the TAPE/MD position.

r REC/PAUSE

This button gives a pause in recording on a

tape deck or MD recorder.

p PLAY

This button plays a tape or an MD.

b DIR A (TAPE)

This button selects the playing direction of deck A.

SKIP– (MD)

This button skips to the beginning of the previous

track.

w REWIND (TAPE)

This button rewinds a tape.

SEARCH (MD)

This button initiates a backward search on the

track that is playing to find the point from which

you want to listen.

Numeric buttons (MD)

+10 (MD)

While the indicator lights up for about three

seconds after pressing DSP, this button turns

on or off the effect speakers (center and rear).

DECK A/B (TAPE)

This button selects deck A or B on a double-

cassette tape deck.

DISPLAY (MD)

e PAUSE (MD)

This button gives a pause in operation.

a DIR B (TAPE)

This button selects the playing direction of

deck B.

SKIP+ (MD)

This button skips to the beginning of the next

track.

s STOP

This button stops operation on a tape deck or

MD recorder.

f FAST FORWARD (TAPE)

This button winds a tape fast forward.

SEARCH (MD)

This button initiates a fast-forward search on

the track that is playing to find the point from

which you want to listen.

AV POWER

(TAPE) This button turns on the tape deck

that has a remote control with a power button

if you have set the code for another

manufacturer.

(MD) This button turns on the MD recorder

that has a remote control with a power button

if you have set the code for another

manufacturer.

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EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

■ CD position

• The dark-shaded buttons do not function.

• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control

supplied with your component.

PRESET REMOTE CONTROL

PAUSE/STOP function

Press the button once to give a pause in operation and press once more to stop operation.

Select the CD position.

DISC SKIP+/–

(for a CD player with CD changer)

These buttons skip to the next or previous CD.

p PLAY

This button plays a CD.

b SKIP–

This button skips to the beginning of the

previous track.

w SEARCH

This button initiates a backward search on the

track that is playing to find the point from

which you want to listen.

Numeric buttons

DISPLAY

INDEX

+10

While the indicator lights up for about three

seconds after pressing DSP, this button turns

on or off the effect speakers (center and rear).

e PAUSE

This button gives a pause in operation. The

button functions as PAUSE/STOP* for

operating a YAMAHA CD player under

factory setting.

a SKIP+

This button skips to the beginning of the next

track.

s STOP

This button stops operation. The button

functions as PAUSE/STOP* for operating

YAMAHA CD player under factory setting.

f SEARCH

This button initiates a fast-forward search on

the track that is playing to find the point from

which you want to listen.

AV POWER

This button turns on the CD player that has a

remote control with a power button if you

have set the code for another manufacturer.

0108DSP-A536-43_EN 2/29/0, 4:54 PM39

■ DVD/LD position

■ DVD MENU position

Note

• DVD MENU operations cannot be performed for some DVD players.

• The dark-shaded buttons do not function.

• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control

supplied with your component.

PRESET REMOTE CONTROL

DISC SKIP+/–

RETURN

TITLE/INDEX

+10

DISPLAY

MENU UP

MENU RIGHT

MENU DOWN

MENU SELECT

MENU LEFT

TITLE

Select the DVD MENU position.

AV POWER

This button turns on the YAMAHA DVD player if you have

set the code number “0048”. Also this button turns on the

DVD player that has a remote control with a power button if

you have set the code for another manufacturer.

Numeric buttons

DISC SKIP+/–

TITLE/INDEX

+10

DISPLAY

PAUSE

SKIP+

STOP

PLAY

SKIP–

Select the DVD/LD position.

AV POWER

(DVD) This button turns on the YAMAHA DVD player if

you have set the code number “0048”. Also this button turns

on the DVD player that has a remote control with a power

button if you have set the code for another manufacturer.

(LD) This button turns on the LD player that has a remote

control with a power button if you have set the

code for another manufacturer.

Numeric buttons

0108DSP-A536-43_EN 2/29/0, 4:54 PM40

EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

■ VCR position ■ CBL/SAT position

■ TV position

Note

• You can control your VCR if you have set the code for it.

• The dark-shaded buttons do not function.

• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control

supplied with your component.

PRESET REMOTE CONTROL

VCR REC

Press this button

twice to start

recording.

AV POWER

This button turns on a VCR

that has a remote control

with a power button if you

have set the code for your

VCR.

Select the CBL/SAT

position.

CHANNEL +/–

ENTER

+10

DISPLAY/

GUIDE (SAT)

MENU UP

MENU RIGHT

MENU DOWN

MENU SELECT

MENU LEFT

RECALL

Select the TV position.

Numeric buttons

AV POWER

This button turns on a

cable TV/satellite tuner

that has a remote

control with a power

button if you have set

the code for your cable

TV/satellite tuner.

TV POWER

This button turns on a TV that

has a remote control with a

power button if you have set

the code for your TV.

Numeric buttons

Select the

VCR position.

CHANNEL +/–

ENTER/RECALL

+10

DISPLAY

PAUSE

STOP

FAST

FORWARD

PLAY

REWIND

VCR REC

Press this button twice.

TV INPUT

TV VOL

CHANNEL +/–

ENTER/RECALL

+10

DISPLAY

VCR PAUSE

VCR STOP

VCR FAST

FORWARD

VCR POWER

TV SLEEP

TV MUTE

VCR PLAY

VCR REWIND

0108DSP-A536-43_EN 2/29/0, 4:54 PM41

Advanced Information

■ Setup codes

You can set the code for the manufacturer of your

component in each position of the selector dial.

1 Turn on your component to be used.

2 Set the selector dial to the

desired position for the

component (TAPE/MD, CD,

DVD/LD, etc.).

3 Press i (right) and j (left)

at the same time for about

four seconds.

The indicator flashes twice.

4 Use the numeric buttons to

enter the four-digit

manufacturer’s code for

the component to be used.

Make sure that the

indicator flashes twice.

If the indicator does not flash or

flashes rapidly several times,

repeat step 3 and re-enter the

code.

5 Press AV POWER (or any other button) on the

remote control to check if you have set the

code correctly.

If your component cannot be

controlled with the remote

control, try setting another code

for the same manufacturer.

Notes

• You can set only one code for one position.

• In the DVD/LD and DVD MENU positions:

Be sure to set the selector dial to the DVD/LD position before

entering the code for the DVD/LD player. The code set in the

DVD/LD position is also simultaneously set in the DVD MENU

position. You cannot set the code for a DVD player when the

selector dial is set to the DVD MENU position.

• If your component does not respond to any of the codes listed for

the manufacturer, use the original remote control supplied with

your component.

PRESET REMOTE CONTROL

■ To use a second (and third) VCR

You can control a second (and third) VCR in the CBL/SAT

and DVD MENU positions if a cable TV or satellite tuner,

or DVD player is not being used.

Note

• If you want to control a second (and third) VCR in the DVD

MENU position, you must set the code for an LD player in the

DVD/LD position.

1 Turn on the VCR to be used.

2 Set the selector dial to the

CBL/SAT or DVD MENU

position.

3 Press i (right) and j (left)

at the same time for about

four seconds.

The indicator flashes twice.

4 Use the numeric buttons to

enter the four-digit code

for the second (and third)

VCR. Make sure that the

indicator flashes twice.

If the indicator does not flash or

flashes rapidly several times,

repeat step 3 and re-enter the

code.

5 Press AV POWER (or any other button) on the

remote control to check if you have set the

code correctly.

If the VCR cannot be controlled

with the remote control, try

setting another code for the

same manufacturer.

0108DSP-A536-43_EN 2/29/0, 4:55 PM42

EnglishBASIC OPERATION

ADVANCED OPERATION

APPENDIXINTRODUCTION PREPARATION

■ Returning to the factory-set codes

To return to the factory-set codes in all positions, follow

these steps.

1 Press i (right) and j (left)

at the same time for about

four seconds.

The indicator flashes twice.

2 Enter the code number

“9990”.

Make sure that the indicator

flashes twice.

PRESET REMOTE CONTROL

To return to the factory-set codes in each position, follow

these steps.

1 Set the selector dial to the

position for the

component to be returned

to the factory-set code.

2 Press i (right) and j (left)

at the same time for about

four seconds.

The indicator flashes twice.

3 Enter the code number

“0000”.

Make sure that the indicator

flashes twice.

The following codes are factory set.

Selector dial

position

Component

Code

TV TV 0101

CBL/SAT Satellite tuner 0006

VCR VCR 0002

DVD/LD DVD player 0008 (YAMAHA DVD player)

CD CD player 0005 (YAMAHA CD player)

TAPE/MD Tape deck 0004 (YAMAHA Tape deck)

AMP/TUN this unit 0003

DSP/TUN this unit 0013

We recommend that you write all the code numbers you

have set on the “Quick Reference Card”.

0108DSP-A536-43_EN 2/29/0, 4:55 PM43

TROUBLESHOOTING

If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple

measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power

cord and contact your authorized YAMAHA dealer or service center.

■ General

SYMPTOM CAUSE REMEDY

The unit does not work

normally.

No sound and/or no

picture.

The power cord is not connected or the plug is

not completely inserted.

Firmly connect the power cord.

The IMPEDANCE SELECTOR switch on the

rear panel is not fully set to the right or left

position.

Set the switch fully to the right or left position

when the unit is in the standby mode.

The internal microcomputer has been frozen by

an external electric shock (lightning, excessive

static electricity, etc.) or by a power supply with

low voltage.

Set the unit in the standby mode and disconnect

the AC power cord from the AC power outlet.

After about 30 seconds have passed, connect

the power and operate the unit again.

The speaker connections are not secure.

Incorrect input or output cable connections. Connect the cables properly. If the problem

persists, the cables may be defective.

An appropriate input source has not been

selected.

Select an appropriate input source with INPUT

SELECTOR or TAPE/MD MON / EXT.

DECODER (or the input selector buttons).

Secure the connections.

SPEAKERS have not been set properly. Set SPEAKERS corresponding to the speakers

in use to the ON position.

No picture. There is no S VIDEO connection between this

unit and the TV monitor, although S video

signals are being input to this unit.

Connect the monitor’s “S” video input terminal

to this unit’s S VIDEO MONITOR OUT

terminal.

Only the speaker on one

side can be heard.

Incorrect cable connections. Connect the cables properly. If the problem

persists, the cables may be defective.

Incorrect setting of BALANCE. Adjust it to the appropriate position.

No sound from the effect

speakers.

The sound effect is off. Press EFFECT to turn it on.

A Dolby Surround, Dolby Digital or DTS

decoding DSP program is being used with

material not encoded with Dolby Surround,

Dolby Digital or DTS.

Select another DSP program.

The sound is muted.

Set VOLUME to the “m” position, press

MUTE to cancel a mute and adjust the volume.

Play a source whose signals this unit can

reproduce.

Digital signals other than PCM audio and the

signals encoded with Dolby Digital or DTS

which this unit cannot reproduce are being input

to this unit by a CD-ROM, etc.

The sound suddenly

goes off.

The protection circuit has been activated

because of a short circuit, etc.

Set the unit in the standby mode and then turn

on to reset the protection circuit.

The SLEEP timer has functioned.

Turn on the power, and play the source again.

Refer to

page

APPENDIX

—

11, 12

—

The unit fails to turn on

when STANDBY/ON (or

POWER) is pressed, or

enters in the standby

mode soon after the

power has been turned

on.

The 96-kHz sampling 24-bit digital signals are

input to this unit.

0109DSP-A544-48_EN 2/29/0, 4:55 PM44

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

SYMPTOM CAUSE REMEDY

The sound effect cannot

be recorded.

It is not possible to record the sound effect by a

tape deck or MD recorder connected to the

TAPE/MD OUT (REC) terminals of this unit.

Refer to

page

TROUBLESHOOTING

26, 27, 28

—

11, 12

No sound from the

center speaker.

The sound output level of the center speaker is

set to minimum.

Raise the level of the center speaker.

“CENTER SP” on the SET MENU is set to the

NONE position.

Select the LRG or SML position.

Incorrect DSP program is selected. Select the appropriate program.

The source encoded with Dolby Digital or DTS

does not have a center channel signal.

No sound from the rear

speakers.

The output level of the rear speakers is set to

minimum.

Raise the output level of the rear speakers.

A monaural source is being played with the PRO

LOGIC/Normal or PRO LOGIC/ENHANCED

program.

Select another DSP program suitable for the

monaural source.

Select the BOTH position.

The source does not contain low bass signals

(below 90 Hz).

No sound from the

subwoofer.

“BASS OUT” on the SET MENU is set to the

SW or MAIN position when playing a 2-channel

source.

Incorrect cable connections. Firmly connect the audio plugs. If the problem

persists, the cables may be defective.

No connection from the turntable to the GND

terminal.

Make the GND connection between the

turntable and this unit.

A “humming” sound can

be heard.

The volume level is low

while playing a record.

The record is being played on a turntable with an

MC cartridge.

The turntable should be connected to the unit

through the MC head amplifier.

The volume level cannot

be increased, or the

sound is distorted.

The component connected to the TAPE/MD

OUT (REC) terminals of this unit is in the

standby mode.

Turn on the power to the component.

—

The DVD/LD, TV/digital TV

or cable TV/satellite tuner

source cannot be

recorded by a tape deck,

MD recorder or VCR

connected to this unit.

The DVD/LD player, TV/digital TV or cable

TV/satellite tuner is connected to the unit only

through the digital terminals.

Make additional connections between the

analog terminals.

Adjusting this unit by

using SET MENU, TIME/

LEVEL or TEST cannot

be performed.

“MEM. GUARD” on the SET MENU is set to

the ON position.

Set “MEM. GUARD” to the OFF position.

0109DSP-A544-48_EN 2/29/0, 4:55 PM45

■ Remote control

This unit is in the standby mode. Turn on the power of the unit.

SYMPTOM CAUSE REMEDY

Refer to

page

The remote control does

not work.

Direct sunlight or lighting (from an inverter

type of fluorescent lamp, etc.) is striking the

remote control sensor of this unit.

Reposition the unit.

The batteries are weak. Replace all batteries with new ones.

The unit or other

component cannot be

controlled.

The component to be controlled has not been

selected.

Set the selector dial to the appropriate position,

corresponding to the component to be

controlled.

The remote control cannot control system

components.

The manufacturer’s code has not been set

properly.

■ Others

SYMPTOM CAUSE REMEDY

Refer to

page

The sound is degraded

when listening with

headphones to a tape

deck or CD player

connected to this unit.

There is noise

interference from digital

or high-frequency

equipment, or the unit.

The unit is too close to the digital or high-

frequency equipment.

Move the unit further away from such

equipment.

TROUBLESHOOTING

—

Enter the code again.

Try setting another code for the same

manufacturer.

Depending on the manufacturer or the model,

some components cannot be controlled with this

unit’s remote control even though the code has

been set properly.

Use the original remote control supplied with

your component.

—

0109DSP-A544-48_EN 2/29/0, 4:55 PM46

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

SYMPTOM CAUSE REMEDY

■ When playing back a source encoded with DTS

Refer to

page

A loud hissing noise is

heard when playing back

a source encoded with

DTS.

The player which plays back the source is not

connected to a digital audio signal input

terminal of this unit.

The player must be connected to a digital audio

signal input terminal of this unit besides the

analog audio signal terminal connections.

The input mode is set to ANALOG on this unit. Set a proper input mode to turn on the built-in

DTS decoder.

A percussive noise is

heard when playing back

a source encoded with

DTS.

If the input mode is set to AUTO, depending on

some sources, there may be a noise heard while

this unit is identifying the format of the input

signal.

Set the input mode of the currently selected

input source to DTS.

No sound is heard when

playing back a source

encoded with DTS, even

if the input mode is set

to AUTO on this unit.

The built-in DTS decoder does not function

because the player has a digital volume control

and it is set at a position other than

“maximum,” “neutral” or “ineffective.”

Set the player’s digital volume control at the

maximum, neutral or ineffective position.

No sound is heard when

playing back an MD or

DAT on which has been

recorded a source

encoded with DTS.

A source encoded with DTS cannot be recorded

on an MD or DAT.

No sound is heard when

playing back a source

(CD, etc.) even if the

currently selected input

mode is AUTO.

In the AUTO mode, the DTS-decoding mode

cannot be automatically changed to the normal

(PCM) digital signal input mode.

Set the input mode to AUTO again.

Notes

• It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back the source must be connected

to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or only a D-to-A converter is

being used without using a DTS decoder, only a loud hissing noise will be heard when you play back the source.

• The “t” indicator will flash when the input mode is set to AUTO and a search or skip operation is performed while playing back a

source encoded with DTS. If this status continues for 30 or more seconds, the unit will automatically switch from DTS-decoding mode to

PCM digital signal input mode and the “t” indicator will go out.

—

TROUBLESHOOTING

0109DSP-A544-48_EN 2/29/0, 4:55 PM47

SPECIFICATIONS

AUDIO SECTION

• Minimum RMS Output Power

20 Hz to 20 kHz, 0.06% THD, 8 ohms

Main L/R, Center, Rear L/R .....................................................70 W

1 kHz, 0.09% THD, 8 ohms

Main L/R, Center, Rear L/R .....................................................80 W

• Maximum Output Power (EIAJ)

1 kHz, 10% THD, 8 ohms ........................................................ 105 W

• DIN Standard Output Power

1 kHz, 0.7% THD, 4 ohms ....................................................... 110 W

• IEC Output Power

1 kHz, 0.06% THD, 8 ohms ....................................................... 75 W

• Dynamic Power (IHF)

8/6/4/2 ohms ......................................................... 90/110/135/160 W

• Damping Factor

20 Hz to 20 kHz, 8 ohms ................................................................ 80

• Frequency Response

CD etc. to MAIN L/R ................................. 10 Hz to 100 kHz, –3 dB

• Total Harmonic Distortion (20 Hz to 20 kHz)

CD etc. to MAIN L/R, 1/2 power, 8 ohms .............................. 0.06%

• Signal-to-Noise Ratio (IHF-A Network)

CD etc. to MAIN L/R

(150 mV, Input Shorted) ......................................................... 99 dB

(250 mV, Input Shorted) ....................................................... 103 dB

• Residual Noise (IHF-A Network)

MAIN L/R .............................................................................. 150 µV

• Input Sensitivity/Impedance

CD etc. ................................................................. 150 mV/47 k-ohms

EXT. DECODER......................................... 150 mV/40 – 47 k-ohms

• Output Level/Impedance

REC OUT ........................................................... 150 mV/1.2 k-ohms

PRE OUT ............................................................... 2.1 V/1.2 k-ohms

SUBWOOFER ....................................................... 4.0 V/1.2 k-ohms

PHONES ................................................................. 0.34 V/560 ohms

• Channel Separation (Vol. –30 dB)

CD etc. (Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)

..................................................................................... 60 dB/45 dB

• Tone Control Characteristics

BASS: Boost/cut ..........................................................±10 dB/50 Hz

TREBLE: Boost/cut ................................................... ±10 dB/20 kHz

VIDEO SECTION

• Video Signal Type ........................................................... NTSC or PAL

• Video Signal Level ...................................................... 1 Vp-p/75 ohms

• Signal-to-Noise Ratio .................................................................. 50 dB

• Monitor Out Frequency Response.................... 5 Hz to 10 MHz, –3 dB

GENERAL

• Power Supply

[Europe and U.K. models]....................................... AC 230 V, 50 Hz

[China model]......................................................... AC 220 V, 50 Hz

[General model].............................AC 110/120/220/240 V, 50/60 Hz

• Power Consumption ...................................................... approx. 310 W

• Power Consumption (standby mode) .................................approx. 1 W

• AC Outlets (100 W max. total)

[U.K. model] ............................................................ 1 (SWITCHED)

[Europe model] ......................................................... 2 (SWITCHED)

[China and general models]...................................... 3 (SWITCHED)

• Dimensions (W x H x D)

.....................435 x 151 x 391 mm (17-1/8’’ x 5-15/16’’ x 15-3/8’’)

• Weight ......................................................................... 11.2 kg (25 lbs.)

• Accessories ....................................................................Remote control

........................................................................................... Batteries

Specifications are subject to change without notice.

0109DSP-A544-48_EN 9/29/0, 10:50 AM48

EnglishBASIC OPERATION

ADVANCED OPERA

TION APPENDIXINTRODUCTION PREPARATION

GLOSSARY

CINEMA DSP

■ Dolby Surround

Dolby Surround uses four discrete channels and five

speakers to reproduce realistic and dynamic sound effects:

two main channels (left and right), a center channel for

dialog, and a rear channel for special sound effects. The rear

channel reproduces sound within a narrow frequency range.

Most video tapes and laser discs include Dolby Surround

encoding, as do many TV and cable broadcasts. The Dolby

Pro Logic decoder built into this unit employs a digital

signal processing system that stabilizes each channel for

even more accurate sound positioning than is available with

standard analog processors.

■ Dolby Digital

Dolby Digital is a digital surround sound system that

provides completely independent multi-channel audio to

you. Dolby Digital provides five full-range channels in what

is sometimes referred to as a “3/2” configuration: three front

channels (left, center and right), and two surround channels.

A sixth bass-only effect channel is also provided for output

of LFE (low frequency effect), or low bass effects that are

independent of other channels. (This is called the “LFE

channel”.) This channel is counted as 0.1, thus giving rise to

the term 5.1 channels in total.

The wide dynamic range of sound reproduced by the five

full-range channels and precise sound orientation by digital

sound processing provides listeners with excitement and

realism that have never been experienced before.

■ DTS (Digital Theater System)

Digital Surround

DTS was developed to replace the analog soundtracks of

movies with six discrete channels of digital soundtracks,

and it is now installed in many theaters around the world.

The DTS digital playback system changed the way we

experienced movies in theaters with six discrete channels of

superb digital audio.

DTS technology, through intense research and development

has made it possible to deliver similar encode/decode

discrete technology to home audio surround-sound

entertainment.

DTS Digital Surround is an encode/decode system which

delivers six channels of master-quality, 20-bit audio;

technically, it is 5.1 channels, which means 5 full-range

(left, center, right and two surround) channels, plus a

subwoofer (LFE) channel (as “0.1”). It is compatible with

the 5.1 speaker configurations that are currently available

for home theater systems.

■ CINEMA DSP

The Dolby Surround and Dolby Digital sound and DTS

systems show their full ability in a large movie theater,

because movie sounds are originally designed to be

reproduced in a large movie theater that uses a multitude of

speakers. Trying to create a sound environment similar to

that of a movie theater in your home is difficult because of

the room size, material inside the walls, the number of

speakers, and so on. In other words, your listening room is

very different from a movie theater.

However, YAMAHA DSP technology allows you to create

nearly the same sound experience as that of a large movie

theater in your home by compensating for the lack of

presence and dynamics in the listening room with original

digital sound fields combined with Dolby Surround, Dolby

Digital or DTS Digital Surround sounds.

The YAMAHA “CINEMA DSP” logo indicates those

programs that are created by the combination of YAMAHA

DSP technology and Dolby Surround, Dolby Digital or

DTS.

■ LFE 0.1 Channel

This channel is for reproduction of low bass signals. The

frequency range for this channel is 20 Hz to 120 Hz. This

channel is called the channel 0.1 because it only reproduces

a low frequency range compared to the full-range from

20 Hz to 20 kHz that is reproduced by the 5 channels in a

Dolby Digital or DTS 5.1 channel system.

■ S VIDEO Signal

The S VIDEO signal is separated and transmitted as the Y

signal which indicates the luminance and the C signal which

indicates the chroma of the video signal (composite signal).

Using the S VIDEO terminal eliminates video signal

transmission loss and allows recording and playback of

even more beautiful images.

0109DSP-A544-48_EN 2/29/0, 4:55 PM49

INDEX

Accessories .......................................................................... 2

AC outlet ........................................................................... 16

BALANCE ........................................................................ 20

BGV (background video) function .................................... 20

Canceling sound effect ...................................................... 24

CINEMA DSP ............................................................. 28, 49

Connections

Audio components (tape deck/MD recorder, CD player,

turntable and tuner) ..................................................... 11

Digital connections...................................................... 12

Speakers ...................................................................... 14

TV monitor .................................................................. 12

Video components (DVD/LD player, VCR, TV/digital

TV and cable TV/satellite tuner) ................................. 12

Delay time (TIME/LEVEL mode) .................................... 33

Display................................................................................. 6

Dolby Digital ..................................................................... 49

Dolby Surround ................................................................. 49

DSP program ...................................................... 23, 26 to 28

DTS Digital Surround ....................................................... 49

External decoder ................................................................ 13

Front panel........................................................................... 4

IMPEDANCE SELECTOR switch ................................... 16

Input mode......................................................................... 21

LFE ........................................................................ 31, 32, 49

Muting ............................................................................... 20

Playing ............................................................................... 19

Recording .......................................................................... 25

Remote control

Basic operations ........................................................ 7, 8

Batteries......................................................................... 2

Factory-set code .......................................................... 43

Manufacturer’s codes .......... i (at the end of this manual)

Selector dial............................................................. 7, 36

Setup codes.................................................................. 42

SET MENU ....................................................................... 29

Sleep timer......................................................................... 35

Speaker

Output levels (TIME/LEVEL mode) .......................... 33

Output mode (SET MENU) .................................. 30, 31

Speaker balance (test tone).......................................... 17

Placement ...................................................................... 9

STANDBY/ON.................................................................... 4

Test tone....................................................................... 17, 18

Tone controls ..................................................................... 20

0109DSP-A544-48_EN 2/29/0, 4:55 PM50

LIST OF MANUFACTURER’S CODES

LISTES DES CODES FABRICANT

VERZEICHNIS DER HERSTELLERCODES

LISTA ÖVER TILLVERKARKODER

ELENCO DEI CODICI DEL FABBRICANTE

LISTA DE CÓDIGOS DE FABRICANTES

LIJST VAN CODES VAN FABRIKANT

ADMIRAL 0411, 0451, 0911,

1021, 1081

AIKO 0891

AKAI 0061, 0101, 0231,

1191, 1351, 1591,

1641, 1791, 1891,

1981

AKURA 1331

ALBA 1241, 1331, 2361

ALBIRAL 1971

AMSTRAD 1301, 1511

ANAM 1171

ARC EN CIEL 0571

ARCAM 0571, 0761

ARISTONA 0751

ARTHUR MARTIN 0451, 1641

ASA 0411, 0451, 0521,

0781, 0871, 1021,

1081, 1421, 2051,

2091, 2151, 2551

ASTRA 1511

ATANTIC 0761

ATLANTIC 0761

ATORI 1511

AUDIOSONIC 1181, 1321, 1511

AUSIND 0491, 1411

AUTOVOX 0091, 0351, 0481,

0491, 0601, 0781,

0951, 1051, 1081,

1391, 1421

BAIRD 1101, 1351

BANG & OLUFSEN 1081

BASIC LINE 1321, 1331

BAUER 1451

BAUR 0041, 0061, 0121,

0131, 0221, 1561

BEKO 2491, 2501

BLAUPUNKT 0221, 0231, 0241,

0251, 0471, 0741,

2201, 2211, 2221,

2231, 2241, 2261,

2571, 2581

BRANDT 0571, 0651, 0731,

0901, 1821

BRIONVEGA 1021, 1051, 1081

BRITANNIA 0761

BRUNS 0821, 0991, 1021,

1081

BSR 0391, 0691, 1621,

1901, 1981

BUSH 0451, 1241, 1331,

1641, 1741, 2131,

2151

BUSH (UK) 0481, 1561, 1611

CANDLE 0791

CENTURY 1021, 1081

CGE 0491, 0811, 0981,

1401, 1531, 1611,

1621, 1981, 2201,

2251, 2271

CITIZEN 0791

CLARIVOX 0821, 0961, 1971

CLATRONIC 1181, 1331

CONCERTO 0791

CONDOR 0761

CONTEC 0151, 1171

CONTINENTAL EDISON

0571, 0651, 0901

CRAIG 1171

CROSLEY 0021, 0491, 1021,

1081, 1401, 1981,

2201, 2251, 2271

CROWN 2541

CTC CLATRONIC 0261

CXC 1171

DAEWOO 0101, 1501, 1511,

2611

DANSAI 0101

DECCA 0271, 0581, 0601,

0971, 1101, 1691

DECCA (UK) 0271, 0581, 0601,

1101, 1681

DEGRAAF 0451, 1351

DIXI 0991, 1511

DOMEOS 0101

DORIC 1031

DUAL 0091, 0601, 1611,

1641, 2101

DUAL-TEC 0601, 1511, 1621,

2111

DUMONT 0261, 0521, 0781,

1021, 1081, 1981,

2121, 2151

DYNATRON 0101

ELBE 1551, 1971, 2031

ELECTRO TECH 1511

ELEKTRONSKA 0771

ELMAN 0261, 1621

ELTA 1511

EMERSON 0921, 1021, 1081,

1121, 1171, 1261,

1301

ERRES 0101

ETRON 1981

EUROPHON 0261, 0581, 0601,

0771, 1091, 1621,

2001

FENNER 0101, 1511

FERGUSON 0281, 0371, 0551,

0651, 0781, 0861,

0881, 1131, 1181,

1361, 1461, 1971,

1991, 2281, 2311,

2341

FIDELITY 0451, 0761, 2281

FIDELITY (UK) 0561, 0591,

1931, 2281

FILMNET 1141

FINLANDIA 0451, 2321

FINLUX 0021, 0261, 0491,

0521, 0781, 0811,

0871, 1081, 1411,

1421, 1981, 2051,

2091, 2121, 2151,

2551

FIRST LINE 1981

FISHER 0021, 0091, 0141,

0511, 0601, 0801,

0821, 0981, 1021,

1081, 1981, 2091

FORGESTONE 2281

FORMENTI 0451, 0491, 0761,

1081, 1451, 1541,

1981

FORMENTI-PHOENIX

0021, 0431, 0451,

0591, 1411

FORTRESS 1081

FRONTECH 0451, 1181, 1981

FUJITSU 1261

FUNAI 0391, 0691, 1171,

1181, 1261

FUTURETECH 1171

GBC 0021, 0141, 1321,

1511, 1621, 1981

GEC 0451, 1101, 1281,

2321

GEC (UK) 0031, 0081, 0581,

0601, 1101, 1281,

1561

GELOSO 0021, 0411, 0451,

1321, 1511, 1621,

1981

GENERAL TECHNIC2681

GENEXXA 0451, 1331

GOLDSTAR 0591, 0601, 0761,

0791, 1371, 1491,

1511, 1561, 1621,

1641

GOODMANS 0141, 1101, 1371,

1641, 2301

GORENJE 0981, 1061

GRAETZ 0451

GRANADA 0141, 0451, 0491,

0581, 0601, 1101,

1111, 1351, 1981,

2321

GRANADA (UK) 0081, 0141,

0451, 0491,

0581, 0601,

1031, 1311,

1521, 1561,

1641

GRUNDIG 0221, 0231, 0471,

0491, 0711, 0741,

1381, 2021, 2041,

2141, 2151

HANSEATIC 0021, 0121, 0141,

0431, 0591, 1561

HANTAREX 0581

HEMMERMANN 0061

HIFIVOX 0331, 0571

HINARI 0071, 0141, 0451,

1261, 1351, 1511,

1641, 1981, 2011

HITACHI 0001, 0011, 0031,

0081, 0141, 0291,

0331, 0341, 0451,

0601, 0631, 0701,

1281, 1561, 1601,

1821, 1831, 1841,

1861, 1871, 1881,

1891, 1941, 1981,

2051, 2321, 2341

HYPER 0591, 0601, 1511,

1621

IMPERIAL 0451, 0491, 0811,

0981, 1401, 1611,

1621, 2201, 2251,

2271

INGERSOL 1511

INNO HIT 0581, 0601, 0841,

1101, 1331, 1371,

1511, 2011

INNOVATION 2591, 2601, 2611,

2621, 2641, 2651,

2661, 2711, 2721,

2761, 2771, 2781

INTERFUNK 0031, 0041, 0061,

0121, 0181, 0451,

0491, 1081, 1641,

1791, 1821, 1981,

2231

IRRADIO 0491, 1321, 1331,

1371, 1411, 1511,

2011

ISUKAI 1331

ITT 0031, 0041, 0051,

0061, 0071, 0081,

0181, 0411, 0451,

0491, 1241, 1291,

1351, 1501, 1601,

1641, 1741, 1921,

1981, 2091, 2331,

2431

ITT-NOKIA 0031, 0041, 0051,

0061, 0071, 0081,

0181, 0411, 0451,

0491, 1241, 1291,

1351, 1501, 1601,

1641, 1741, 1921,

1981, 2091, 2331,

2431

JVC 0071, 0721, 1441,

1581, 1591, 1741,

1791

KAISUI 0591, 1321, 1331

KAMOSONIC 0601

KARCHER 0591, 0601, 0841,

1091, 1321, 1511,

1561, 2051

KAWASHO 0761

KENDO 0261

KENNEDY 0021, 0351, 0951,

1981

KONKA 2701

KORTING 0431, 1011, 1021,

1081, 1541

08DSP-A5code(EU) 3/2/0, 10:59 AM1

KTV 0601, 1171

LENOIR 0601, 1511

LEYEO 1181

LIFETEC 2591, 2601, 2611,

2621, 2641, 2651,

2661, 2671, 2681,

2691, 2711, 2761,

2771, 2781

LOEWE OPTA 0121, 0131, 0581,

0611, 1081

LOGIC 1691, 2281

LOGIK 0551, 1681, 2281

LOWEWE 0831

LUMA 0351, 0451, 1901

LUXMAN 0791

LUXMAN STEREO TUNER

0791

LUXOR 0001, 0061, 0181,

0341, 0421, 0451,

0461, 0491, 0601,

0671, 1351, 1371,

1561, 1601, 1911,

1921, 1981

LYCO 1181

MAGNADYNE 0021, 0061, 0261,

0581, 0641, 0771,

1021, 1081, 1621,

1981

MAGNAFON 0261, 0491, 0581,

0591, 0641, 0761,

1091, 2001

MANESTH 0101

MARANTZ 0101

MARELLI 1081

MARK 0101

MATSUI 0061, 0451, 0601,

0691, 1101, 1151,

1241, 1271, 1301,

1511, 1561, 1681,

1691

MAXIMAL 0071, 1981

MCMICHAEL 1281

MEDION 2591, 2601, 2611,

2621, 2641, 2651,

2661, 2671, 2681,

2691, 2711, 2721,

2761, 2771, 2781

MEMOREX 1511

METZ 0231, 0741, 1001,

1041, 1081, 1481,

2071, 2081

MGA 1231

MICROMAXX 2591, 2621, 2641,

2651, 2711, 2761,

2771, 2781

MINERVA 0221, 0231, 0491,

1381, 2141, 2151

MISTRAL 2281

MITSUBISHI 0141, 0201, 0231,

0661, 1191, 1201,

1231, 1671, 1691,

1741

MIVAR 0491, 0501, 0581,

0591, 0761, 0771,

1371, 1431, 2031

MTC 0791

MULTITECH 0261, 0581, 0601,

0641, 0981, 1321,

1511

MURPHY 0451, 2091

MURPHY (UK) 0081, 1031

N.E.I. 0101, 0961

NAD 1341

NEC 0141, 1711, 1721,

1731

NECKERMANN 0451, 0601,

0981, 1081,

1561, 1931,

1981, 2211,

2231, 2241

NEDIATOR 0101

NICAMAGIC 0761

NIKKAI 1101, 1331, 1641,

1701, 2011

NOBLIKO 0261, 0491, 0591,

0641, 1381, 1411

NOGAMATIC 0571

NOKIA 0031, 0041, 0051,

0061, 0071, 0081,

0181, 0411, 0451,

0491, 1241, 1291,

1351, 1501, 1601,

1641, 1741, 1921,

1981, 2091, 2331,

2431, 2461, 2791

NORDMENDE 0031, 0291, 0331,

0451, 0531, 0541,

0571, 1051, 1131,

1591, 1791, 1811,

1821, 1891, 1941,

2631

OCEANIC 0321, 1651, 1981

OCEANIC (F) 0031, 0061, 0321,

0441, 1661

ONCEAS 0601

ONWA 1171

ORION 0061, 0391, 0691,

0851, 1211, 1241,

1251, 1301, 1481,

1511, 1681, 1691,

1981, 2371, 2421

OSAKA 2011

OSAKI 1101, 1331, 2011

OSUME 0151

OTTO VERSAND 0021, 0121,

0141, 0221,

0601, 1561,

1741, 1981

PAEL 0591, 1411

PANASONIC 0031, 0201, 0211,

0451, 0701, 1311,

1751, 1961, 2561,

2741

PANORAMIC 2351

PATHE MARCONI 0571

PATHE’ CINEMA (F) 0431, 0591,

1621, 1661,

1971

PAUSA 1511

PAUZA 1511

PERDIO 0891, 1101

PHILCO 0021, 0491, 0811,

0981, 1021, 1081,

1401, 1611, 1621,

1751, 2201, 2251,

2271, 2451, 2471

PHILIPS 0101, 0361, 0591,

0621, 0681, 0751,

0761, 1021, 1081,

1281, 2031, 2281,

2291, 2431, 2441,

2511, 2731

PHOENIX 1081

PHONOLA 0751, 1081

PIONEER 0291, 0451, 1341,

1821

PRANDONI-PRINCE 0411, 0451,

0491, 0581,

1411

PRANDONI-PROMCE

0451, 0491, 0581

PRIMA 0451

PROFEX 1981

PROTECH 0641, 1181, 1981

QUELLE 0041, 0061, 0121,

0221, 0231, 0391,

0491, 0521, 0601,

0781, 1371, 1381,

1411, 1421, 1641,

1681, 2051, 2091,

2141, 2151, 2201,

2211, 2231, 2241,

2251, 2271, 2551,

2571, 2581

REDIOMARELLI 0101, 0451,

0661, 0771,

1081

RADIONETTE 0031, 2051, 2091

RADIOLA 2291

RANK 0481, 2151

RBM 2131, 2151

RBM (UK) 0481

REDIFFUSION 0451, 0661, 1641,

1981, 2331

REDIFFUSION (UK) 0061, 0081,

1031

REX 0071, 0101, 0351,

0411, 0451, 0951,

1901, 2061, 2101,

2111

RFT 0991, 2511

ROADSTAR 1321, 1511

ROTEL 0151

SABA 0291, 0331, 0421,

0451, 0531, 0541,

0571, 0581, 0651,

0731, 0931, 1021,

1071, 1081, 1131,

1791, 1811, 1821,

1891, 1941, 2631

SACCS 1971

SAISHO 0451, 0601, 1161,

1241, 1301, 1511,

1671, 1681, 1691

SALORA 0011, 0041, 0061,

0071, 0341, 0451,

0671, 1291, 1351,

1521, 1561, 1601,

1641, 1911, 1921,

1931, 1981, 2321

SAMBERS 0261, 0491, 0581,

0641, 1091, 1371,

1411, 2001

SAMSUNG 0101, 0601, 0841,

0981, 1101, 1181,

1371, 1511, 2011

SANYO 0141, 0151, 0401,

0601, 0801, 0821,

0981, 1021, 1101,

1111, 1291, 1351,

1691, 1741, 2051,

2091, 2551

SBR 0681, 0751, 1281,

2281

SCHAUB LORENZ 0451

SCHNEIDER 0021, 0071, 0091,

0451, 0511, 0591,

0601, 0751, 1321,

1361, 1621, 1641,

2101, 2111, 2291

SCOTT 1171, 1261

SEG 0261, 0601, 0821,

0991

SEI 0641, 0691, 1081,

1301, 1481, 1981

SELECO 0071, 0101, 0351,

0411, 0451, 0951,

1901, 2061, 2101,

2111

SENTRA 1601

SHARP 0141, 0151, 0191,

1761, 1781

SIAREM 0021, 0261, 0581,

0641, 1021, 1081,

1981

SICATEL 1971

SIEMENS 0151, 0221, 0231,

0451, 0741, 2011,

2201, 2211, 2221,

2231, 2241, 2261,

2571, 2581

SILVER 1181

SINGER 0021, 0261, 1021,

1081

SINUDYNE 0021, 0061, 0101,

0261, 0391, 0641,

0691, 0851, 0941,

1021, 1081, 1241,

1301, 1321, 1481,

1631, 1981

SKANTIC 0451

SOLAVOX 0451, 1641, 2011

SONOKO 0101, 1181, 1511

SONY 0141, 0171, 1121,

1681, 1691, 2751

SOUNDESIGN 1171

SSS 1171

STERN 0071, 0101, 0351,

0411, 0451, 0951,

1901, 2061, 2101,

2111

SUNKAI 0691

SUPRA 0791

TANDBERG 0161, 0331, 0611,

1021, 1421, 1771,

1791, 2081

TANDY 0191, 0451, 1331,

1531

TASHIKO 0141

TATUNG 0271, 0581, 0601,

0971, 1101, 1681,

1691

TCM 2621, 2641, 2711,

2761, 2771, 2781

TECHNICS 1311

TECHWOOD 0791

TEKNIKA 1171, 1231, 1261

TELE 1141

TELEAVIA 0571, 0651, 0731,

1821

TELEFUNKEN 0291, 0301, 0311,

0551, 0731, 1131,

1471, 1591, 1791,

1801, 1811, 1821,

1991, 2161, 2171,

2181, 2191, 2201,

2251, 2271, 2521,

2631

TELETECH 1511

TEMPEST 2381, 2391, 2401,

2411

TENSAI 1331, 2091

TEXET 0601

THOMSON 0331, 0481, 0531,

0571, 0631, 0651,

0731, 0901, 1241,

1571, 1591, 1791,

1811, 1821, 1891,

1941, 2531

THORN 0741, 0861, 2091,

2251, 2271, 2281

08DSP-A5code(EU) 3/2/0, 10:59 AM2

iii

THORN-FERGUSON 0281, 0371,

0551, 0651,

0781, 0861,

0881, 1131,

1181, 1361,

1461, 1971,

1991, 2281

TMK 0141, 0791, 1471

TOSHIBA 0141, 0381, 0481,

1221, 1271, 1701,

1741, 1851, 2151,

2801, 2811

TRANS CONTINENS

0451

TRISTAR 2281

TRIUMPH 0481, 0581, 2121

UHER 0431, 0451, 0481,

0491, 0511, 1311,

1541

ULTRAVOX 0021, 0261, 0591,

1021, 1081, 1981

UNIVERSUM 1181, 2051

UNIVOX 1971

VEGAVOX 0811

VEXA 0101, 1511

VICTOR 1441, 1591

VIDEOTON 2481

VORTEC 0101, 0651

VOXSON 0411, 0451, 0491,

1021, 1081

WALTHAM 0451

WATSON 0431, 2201, 2241

WATT RADIO 0021, 0061, 0261,

0591, 0641, 0761,

1091, 1971, 1981,

2001

WEGA 0141, 1081, 1981

WEGA COLOR 1021

WELTBLICK 0101

WESTON 1621

WHITE WESTINGHOUSE

0101, 0261, 0431,

0591, 0761, 1401,

1541

YOKO 0601, 1511

ZANUSSI 0071, 0101, 0351,

0411, 0451, 0951,

1901, 2061, 2101,

2111

ZOPPAS 0451

CABLE TV

CABLETIME 1446, 1456, 1476

CLYDE CABLEVISION

1426

FILMNET 1396, 1436

FRANCE TELECOM 1386

GEC 1426

JERROLD 1416

MOVIE TIME 1466

NSC 1466

PHILIPS 1386

PIONEER 0006

SAMSUNG 1496

SCIENTIFIC ATLANTA

1486, 1506

STARCOM 1416

STS 1466

TANDBERG 1366

TELE 1436

TELE +1 1436

TELESERVICE 1406, 1476

TUDI 1376

UNITED CABLE 1416

ZENITH 1406

SATELLITE TUNER

AKAI 1276

ALBA 0826, 1276

AMSTRAD 0166, 0796, 1016,

1026, 1296

ANKARO 0476

AST 0406

ASTRA 0126

BARCOM 0476

BLAUPUNKT 0966

BMC SATELLITE 0106

BRITISH TELECOM 1276

BUSH 0826

BUSH (UK) 0956

CAMBRIDGE 0196, 1276

CANAL PLUS (FRANCE)

1536

CHAPARRAL 0016, 0696, 1006

COLUMBUS 0616

CONNEXIONS 0306, 0426

DISCUS ELIPSE 0856, 0866

DISKXPRESS 0426, 0476

DRAKE 1516

ECHOSTAR 0226, 0236, 0606,

0626, 0666, 0926,

0996, 1046, 1056,

1066, 1106

ELTA 1286

ELTA SAT 0146

EURODEC 1226, 1236, 1246

FERGUSON 0046, 0176, 0186,

0296, 0846, 0956,

1306

FINLUX 0976

FRACARRO 0026, 0536, 0776

FUBA 0476, 0616, 0636,

1056

GIUCAR RECORD 0206, 0336

GRUNDIG 0176, 0946, 0956,

0966

HIGH PERFORMANCE

0916

HIRSCHMANN 0756, 0966

HITACHI 0446, 0516, 0706,

0946

ICX INTERNATIONAL 0886

ITT 0066, 0126, 0176,

0446, 1156

ITT/NOKIA 0066, 0126, 0176,

0446, 1156

JEEMON 0146

JERROLD 0846, 0986

JOHANSSON 0246

JVC 1276

KATHREIN 0116, 0266, 0276,

0366

KOSMOS 0266

KYOSTAR 1036, 1086

LENG 0246

LIFESAT 1326, 1346, 1356

LUXOR 0126, 0136, 0446,

0466, 0506, 1156

MACAB 0356

MASPRO 0016, 0116, 0256,

0956

MEDION 1326, 1346

METZ 0966

MICROMAXX 1326, 1346

MITSUBISHI 0966

MORGANS 0596

MURATTO 0406

NEC 0286, 0316, 0766,

0786, 0836

NETWORK 0046

NIKKO 1136, 1146

NOKIA 0066, 0126, 0176,

0446, 1156, 1166,

1336

NORSAT 0786

OTTO VERSAND 0966

PACE 0046, 0176, 0296,

0936, 0956, 1306,

1566, 1576

PACE MSS 0946

PALCOM 0616, 0686, 0706

PALSAT 0396

PALTEC 0706

PANASONIC 0806, 1306

PANSAT 1076

PHILIPS 0326, 0346, 0476,

0956, 1126, 1186,

1196, 1206, 1216,

1306, 1316

PROSAT 1176

PTT TELECOM 0306, 0896

QUELLE 0966

RADIX 1056

REDIFFUSION 0316, 0786

RFT 1186, 1196, 1206,

1216

SAGEM 1256, 1546

SAKURA 0566, 0816

SALORA 0066, 0126, 0136,

0446, 0456, 0486,

0496, 0576

SAMSUNG 0746, 0756

SAT 0406

SATCOM 0896

SATECO 0646

SECTOR 1266

SEDEA 1096

SENTRA 0416

SIEMENS 0896, 0966

SINTRACK 0906

SKY DIGITAL BOX 1526

SKYLAB 0476

SKYSCAN 0876

SONY 0736, 0946

STELLA 0306

STRONG 0156, 0396, 1036,

1086

STV 0636

TANDBERG 1116

TANDY 0916

TANTEC 0616

TATUNG 0516, 0546

TECHNISAT 0086, 0096, 0526,

0556, 1056

TELECOM 0306

TELEMAX 0586

THORN-FERGUSON 0046, 0076,

0176, 0186,

0956

TOSHIBA 0946

TPS (FRANCE) 1546

TRIAD 0406

UNIDEN 0036, 0216, 0676,

0716, 0726

US ELECTRONICS 0886

VORTEC 0756, 1036, 1076

VTECH 0436

WINERSAT 0246

WISI 0056, 0356, 0376,

0386, 0406, 0656,

1056, 1156

WOLSEY 0916

XCOM MULTIMEDIA 1556

XSAT (FRANCE) 1556

ZEHNDER 0266, 0406

ZENDER 0406

VCR

AIWA 0042, 0352, 0432

AKAI 0042, 0422, 0492,

0582, 0612, 0642,

0652, 0762, 0912

ALBA 0002, 0112, 0282,

0332, 0342, 0972

AMSTRAD 0322, 0432, 0452

ANITECH 0002

ANITSCH 1002

ASA 0012, 0052

AUDIOSONIC 0002

BAIRD 0042, 0282, 0492

BANG & OLUFSEN 0042

BAUR 0052, 0062, 0812

BLAUPUNKT 0062, 0092, 0252,

0462, 0672, 0992

BRIONVEGA 0032

BUSH 0002, 0282, 0332,

0342, 0512, 0972

BUSH (UK) 0812

CAPEHART 0112

CGE 0042, 0432, 0762

CRAIG 0072, 0482

CROWN 0112, 0282, 0622

DAEWOO 0112, 0282, 0622

DANSAI 0012

DAYTRON 0112

DECCA 0042, 0052, 0432,

0942

DECCA (UK) 0052

DEGRAAF 0052, 0132, 0432,

0532, 0602

DIXI 0442

DUAL 0042, 0632

DUMONT 0052, 0432, 0532

DYNATECH 0432

DYNATRON 0012

ELBE 0122

ELIN 0072

EMERSON 0012, 0162, 0202,

0432, 0512, 0522

ERRES 0012

FERGUSON 0042, 0712, 0722,

0852, 0902, 1012,

1022, 1082

FIDELITY 0432

FINLANDIA 0052, 0532

FINLUX 0012, 0042, 0052,

0082, 0262, 0382,

0432, 0462, 0492,

0532, 0572, 0602,

0912

FIRST LINE 0002, 0912

FISHER 0162, 0482, 0532,

0542, 0572, 0592

FORMENTI-PHOENIX

0012, 0052

FRONTECH 0112

FUNAI 0432

GBC 0002

GEC (UK) 0022, 0052

GELOSO 0002

GENERAL TECHNIC1172

GOLDSTAR 0012, 0122, 0812,

0952

GOODMANS 0002, 0072, 0282,

0432, 0502

GOODMANS (UK) 0002

GRAETZ 0022, 0042

GRANADA 0052, 0132, 0532,

0572

GRANADA (UK) 0052, 0092,

0462, 0602,

0812, 0822

08DSP-A5code(EU) 3/2/0, 10:59 AM3

GRUNDIG 0052, 0062, 0092,

0232, 0252, 0262,

0752, 0802

HANSEATIC 0052, 0812

HARMAN/KARDON 0122, 0922

HCM 0002

HINARI 0002, 0202, 0412,

0442, 0522

HITACHI 0042, 0172, 0292,

0432, 0602, 0662,

0812, 1022

IMPERIAL 0072, 0432

INGERSOL 0442

INNO HIT 0002, 0052, 0072

INNOVATION 1142, 1162, 1172

INTERFUNK 0022, 0052

IRRADIO 0002, 0012

ITT 0022, 0032, 0042,

0072, 0292, 0492,

0532, 0572, 0762

ITT-NOKIA 0022, 0032, 0042,

0072, 0292, 0492,

0532, 0572, 0762

JENSEN 0042

JVC 0042, 0102, 0142,

0272, 0742, 0762,

0782, 0902

KARCHER 0052, 0072, 0812

KENDO 0492

KENWOOD 0042, 0142, 0572

LIFETEC 1142, 1162, 1172

LLOYD 0432

LOEWE OPTA 0052, 0092, 0152

LOGIK 0002, 0072, 0442

LUMA 0162

LUXOR 0492, 0572, 0812

M ELECTRONIC 0432

MAGNADYNE 0052

MAGNASONIC 0572

MANESTH 0012

MARANTZ 0012, 0052, 0092,

0122, 0502

MARK 0012

MARTA 0012

MATSUI 0012, 0442, 0512,

0522, 0812, 0972

MEDION 1142, 1162, 1172

MEMOREX 0012, 0132, 0432,

0482, 0532, 0572

METZ 0062, 0092, 0932

MGA 0912

MICROMAXX 1142, 1162, 1172

MINERVA 0062, 0092, 0252

MINOLTA 0172, 0602

MITSUBISHI 0052, 0062, 0142,

0912, 0922

MTC 0072, 0432

MULTITECH 0002, 0052, 0062,

0282, 0432

MURPHY 0432

N.E.I. 0012, 0052

NATIONAL 0462

NEC 0042, 0122, 0142,

1202

NECKERMANN 0032, 0042,

0052, 0072,

0092, 0202,

0522, 0572,

0762, 0812

NIKKAI 0112

NOBLIKO 0092

NOKIA 0022, 0032, 0042,

0072, 0292, 0492,

0532, 0572, 0762,

1152

NORDMENDE 0042, 0102, 0142,

0192, 0222, 0242,

0392, 0402, 0632,

0732, 0742, 0762,

0782, 0792, 0832,

0842, 0872

OLYMPUS 0462

OPTONICA 0132, 0502

ORION 0162, 0202, 0312,

0442, 0512, 0522,

0982

OSAKA 0432

OSAKI 0002, 0012, 0432

OTTO VERSAND 0052, 0062,

0812

PANASONIC 0022, 0212, 0462,

0672, 0992, 1092,

1102, 1182

PENTAX 0172, 0602

PERDIO 0432

PHILCO 1062

PHILIPS 0052, 0082, 0092,

0152, 0182, 0362,

0372, 0382, 0472,

0502, 1072

PHONOLA 0052, 0152

PILOT 0012

PIONEER 0052, 0142, 0372,

0472

PORTLAND 0112

PROLINE 0432

PYE 0052, 0152

QUARTZ 0572

QUELLE 0012, 0032, 0042,

0052, 0062, 0072,

0092, 0202, 0462,

0522, 0942

RADIONETTE 0022

REALISTIC 0012, 0072, 0132,

0432, 0482, 0502,

0532, 0572

RET 1072

REX 0042, 0742, 0782

RICOH 0952

SABA 0042, 0142, 0192,

0222, 0242, 0392,

0632, 0732, 0742,

0762, 0772, 0782,

0792, 0872

SAISHO 0162, 0202, 0292,

0442, 0512, 0522,

0972

SALORA 0192, 0572, 0812,

0822, 0912

SAMSUNG 0052, 0072, 0622,

0652, 1192

SANSUI 0042, 0142

SANYO 0482, 0532, 0562,

0572

SBR 0052, 0152, 0182

SCHAUB LORENZ 0022, 0042

SCHNEIDER 0002, 0012, 0052,

0072, 0432

SEG 0002, 0072

SEI-SINUDYNE 0442

SELECO 0042

SENTRA 0112

SHARP 0132, 0502, 0702

SHINTOM 0002

SIEMENS 0062, 0092, 0252,

0572

SINUDYNE 0052, 0382, 0442,

0932

SONOKO 0282

SONY 0432, 0552, 0682,

0692, 0942, 0952,

0962, 1122, 1132

STS 0602

SUNKAI 0512

SUNSTAR 0432

SYLVANIA 0432, 0912

SYMPHONIC 0432, 0912

TANDBERG 0062, 0162, 0522,

0932

TASHIKO 0132, 0432

TATUNG 0042, 0052, 0432,

0922

TCM 1142, 1162, 1172

TEAC 0042, 0432

TECHNICS 0462

TEKNIKA 0012, 0432

TELEFUNKEN 0042, 0192, 0632,

0732, 0742, 0762,

0782, 0882, 0892

TEMPEST 1032, 1042, 1052

TENOSAL 0002

THOMSON 0042, 0102, 0142,

0192, 0402, 0632,

0762

THORN 0042, 0902

THORN-FERGUSON 0042, 0222,

0302, 0712,

0722, 0742,

0762, 0852,

0862, 0872,

0902

TMK 0522

TONSAI 0002

TOSHIBA 0042, 0622, 0912,

1212

TOTEVISION 0012, 0072

TRIUMPH 0922

UHER 0042, 0072

ULTRAVOX 0032

UNITECH 0072

VECTOR RESEARCH

0122

VICTOR 0042, 0102, 0142

VIDEON 1162, 1172

WELTBLICK 0012

WHITE WESTINGHOUSE

0032

XENON 0162

YOKO 0012, 0062, 0072

DVD PLAYER

AKAI 0108

JVC 0168, 0348

KENWOOD 0288

MAGNAVOX 0248

MITSUBISHI 0268

ONKYO 0128, 0248

PANASONIC 0048

PHILIPS 0188, 0248

PIONEER 0208, 0228

PROSCAN 0308

RCA 0308

SAMSUNG 0148

SHARP 0068

SONY 0028

TECHNICS 0048

THOMSON 0328

TOSHIBA 0088, 0248

YAMAHA 0008, 0048

ZENITH 0248

LD PLAYER

AIWA 0137

FUNAI 0137

HITACHI 0047

MAGNAVOX 0077

PANASONIC 0027

PIONEER 0037

RCA 0067

REALISTIC 0137

SAMSUNG 0017, 0087

SONY 0057, 0097, 0107,

0117

VICTOR 0127

YAMAHA 0007

CD PLAYER

ACCUPHASE 0315

ADC 0865

ADCOM 0785, 1015

AKAI 0115, 0125, 0725,

0735, 0745, 0935,

1155

ARCAM 1875

ARCAM-ROTEL 0165

AUDIO-TECHNICA 0835

AUDIOSONIC 0155

AIWA 1105, 1235, 1245,

1765, 1915, 1935

BSR 0875

CALIFORNIA AUDIO LAB

1075

CARRERA 0555, 0875

CARVER 0825, 1415

CYRUS-ROTEL 0205

DENON 0045, 0955, 1045,

1595, 1795, 1805

DUAL 1005

ELIN 0185

EMERSON 1015, 1285, 1675

FISHER 0105, 0595, 0605,

0825, 1165, 1175

GENEXXA 0525, 0825, 0855,

0875, 0995, 1265,

1285, 1345, 1355,

1485, 1575, 1675,

1715, 1825

GOLDSTAR 0555, 1185, 1195,

1585

GRUNDIG 0175

HARMAN KARDON 0325, 0495,

0565, 1135,

1145, 1155

HITACHI 0065, 0585, 0685,

0945, 1005, 1015,

1225, 1545

INNOVATION 1995, 2005, 2015

ITT-NOKIA 0185

JVC 0385, 0395, 0455,

0575, 0585

KARCHER 0485

KENWOOD 0025, 0055, 0145,

0215, 0595, 0675,

0695, 0705, 0715,

0925, 1355, 1485,

1575, 1675, 1715,

1825

KORTING 0175

LIFETEC 2015

LIGHT CONTROL 1155, 1645,

1655, 1665

LINN 0165, 1875

LUXMAN 0265, 0275, 0795,

0805, 1295, 1305,

1555, 1925

08DSP-A5code(EU) 3/2/0, 10:59 AM4

LUXOR 0185, 1895, 1905

MAGNAVOX 1865, 1875

MARANTZ 0165, 0175, 0545,

0665, 1275, 1335,

1405, 1505, 1875,

1955

MATSUSHITA 1095, 1605

MCS 0535

MEDION 0075, 1995, 2005,

2015

MEMOREX 0525, 1015, 1265,

1275, 1285, 1675

MGA 1125

MICROMAXX 2015

MISSION 0165, 1875

MITSUBISHI 1125, 1205

NAD 0135, 0255, 0285,

0295, 0305, 0345,

0755, 0765, 1315,

1325

NAKAMICHI 0635, 0645, 1565

NEC 0405, 0535, 0775,

0785

NECKERMAN 0155, 0225

NIKKO 0835, 1165

OCEANIC 0185

OKANO 0155, 0225

ONKYO 0885, 1385, 1425,

1455, 1515

PANASONIC 1055, 1075, 1615,

1625

PHILIPS 0165, 0175, 0195,

1865, 1875

PIONEER 0095, 0335, 0425,

0435, 0445, 0525,

0855, 1035, 1945

PROTON 0905, 1875

QUASAR 1075

RADIOLA 1845, 1855

RADIOTONE 0485

REALISTIC 0825, 1015, 1265,

1275, 1285, 1575

ROTEL 1875

SABA 1005

SAE 1875

SALORA 0185

SANSUI 0415, 0965, 0975,

0985, 1255, 1675,

1875

SANYO 0625, 0825, 0845,

0915

SCHNEIDER 1845, 1855

SCOTT 1285, 1675

SHARP 0025, 0035, 1025,

1115, 1275, 1635,

1785, 1815, 1825,

1835

SHERWOOD 1275, 1445

SIEMENS 1085

SIGNATURE 1155

SONY 0345, 0355, 0365,

0375, 0865, 1685,

1695, 1705, 1715,

1725, 1735, 1745

SYLVANIA 1875

TANDBERG 1885

TASHIKO 1525

TCM 1985, 2015

TEAC 0235, 0245, 1275,

1365, 1375, 1395,

1435, 1465, 1475

TECHNICS 0465, 0475, 1065,

1075, 1625

TELEFUNKEN 1005

THETA DIGITAL 1865

THOMSON 1005

TOSHIBA 0755, 0765

VECTOR RESEARCH

0555, 0865

VICTOR 0575

YAMAHA 0005, 0015, 1815

MD RECORDER

YAMAHA 0024, 0224

KENWOOD 0214

SONY 0224

TAPE DECK

AKAI 0124

DENON 0204

GRUNDIG 0134

HARMAN 0044

JVC 0194

KENWOOD 0164

KORTING 0134

LUXMAN 0054, 0064, 0074,

0084

MARANTZ 0134, 0144

NAD 0174

ONKYO 0184

PHILIPS 0134, 0144, 0154

PIONEER 0034, 0114

SONY 0094, 0104

YAMAHA 0004, 0014

08DSP-A5code(EU) 3/2/0, 10:59 AM5

08DSP-A5code(EU) 3/2/0, 10:59 AM6

08DSP-A5code(EU) 3/2/0, 10:59 AM7

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.

YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA

YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY

YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE

YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND

YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN

YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Printed in Malaysia ID

V472000-1

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

DSP-A5

Natural Sound AV Amplifier

Amplificateur audio-vidéo

DSP-A5

G B

00DSP-A5-cv(ML) 9/29/0, 12:41 PM1

Numeric buttons (MD)

Quick Reference Card

TAPE/MD

AMP/TUN

DSP/TUN

INPUT

PLAY

REC/PAUSE

DSP

DIR A (TAPE)

SKIP– (MD)

REWIND (TAPE)

SEARCH (MD)

Numeric buttons

PLAY

DISC SKIP+/–

DSP

SKIP–

INDEX

INPUT

+10

DISPLAY

PAUSE

SKIP+

STOP

AV POWER

PRESET +/–

DSP

A/B/C/D/E

d (next), u (back)

j (left), i (right)

Input

selector

buttons

DSP

program

selector

EFFECT

INPUT

DSP

program

selector

EFFECT

INPUT

SET MENU

STANDBY

TEST

Input

selector

buttons

TIME/LEVEL

TV POWER

TV VOLUME

TV INPUT

POWER

VOLUME +/–

SLEEP

MUTE

V479260

+10 (MD)

DECK A/B (TAPE)

DISPLAY (MD)

PAUSE (MD)

DIR B (TAPE)

SKIP+ (MD)

STOP

FAST

FORWARD (TAPE)

SEARCH (MD)

AV POWER

Quick Reference Card

Press this button twice to start recording.

Appuyer deux fois sur cette touche pour commencer l’enregistrement.

Drücken Sie diese Taste zweimal, um die Aufnahme zu starten.

Tryck två gånger på den här knappen för att börja spela in.

V479260

*1 Premere due volte questo tasto per iniziare la registrazione.

Presione dos veces este botón para empezar a grabar.

Druk tweemaal op deze toets om met opnemen te beginnen.

DISC SKIP+/–

DSP

DVD/LD DVD MENU

CBL/SAT

VCR

TITLE/INDEX

INPUT

Numeric buttons

Numeric

buttons

Numeric

buttons

+10

DISPLAY

PAUSE

SKIP+

STOP

AV POWER

Numeric

buttons

AV POWER

Numeric buttons

AV POWER

PLAY

SKIP–

DISC SKIP+/–

RETURN

DSP

TITLE/INDEX

+10

INPUT

DISPLAY

MENU UP

MENU RIGHT

MENU DOWN

MENU SELECT

MENU LEFT

TITLE

ENTER/

RECALL

INPUT

DISPLAY

+10

PAUSE

STOP

FAST

FORWARD

PLAY

REWIND

TV INPUT

TV VOL

POWER

CHANNEL

+/–

DSP

ENTER/

RECALL

+10

INPUT

DISPLAY

VCR PAUSE

VCR STOP

VCR FAST

FORWARD

VCR POWER

TV SLEEP

TV MUTE

VCR PLAY

VCR REC

VCR

REWIND

CHANNEL

+/–

DSP

VCR REC

CHANNEL

+/–

DSP

ENTER

INPUT

+10

DISPLAY/

GUIDE

(SAT)

MENU UP

RIGHT

DOWN

SELECT

MENU LEFT

RECALL

DSP-A5 only

L R COAXIAL OPTICAL

DIGITAL OUT

AUDIO OUT S VIDEO

OUT

VIDEO

OUT

DOLBY

DIGITAL

RF OUT

ANALOG

AUDIO OUT

S VIDEO INVIDEO IN

S VIDEO

OUT

VIDEO

OUT

COAXIAL

DIGITAL OUT

COAXIAL

DIGITAL OUT

OPTICAL

DIGITAL OUT

DOLBY DIGITAL

RF IN

DOLBY DIGITAL

RF OUT

R L R L

R L

DVD player LD player

Main speakers A Main speakers B

Rear speakers

Video signal

V573050 RX-V596/DSP-A5

Digital signal

(coaxial)

Digital signal

(optical)

Signal flow

Center speaker

Subwoofer

system

TV Monitor

Analog signal

(Europe model)

S Video signal

L R

RF demodulator

Yamaha DSP-A5 El manual del propietario

Marca: Yamaha

Modelo: DSP-A5

Categoría: Amplificador de instrumentos musicales

Tipo: El manual del propietario

Descargar PDF

informe

En otros idiomas

français: Yamaha DSP-A5 Le manuel du propriétaire
italiano: Yamaha DSP-A5 Manuale del proprietario
English: Yamaha DSP-A5 Owner's manual
Deutsch: Yamaha DSP-A5 Bedienungsanleitung
русский: Yamaha DSP-A5 Инструкция по применению
Nederlands: Yamaha DSP-A5 de handleiding
português: Yamaha DSP-A5 Manual do proprietário
dansk: Yamaha DSP-A5 Brugervejledning
polski: Yamaha DSP-A5 Instrukcja obsługi
čeština: Yamaha DSP-A5 Návod k obsluze
svenska: Yamaha DSP-A5 Bruksanvisning
Türkçe: Yamaha DSP-A5 El kitabı
suomi: Yamaha DSP-A5 Omistajan opas
română: Yamaha DSP-A5 Manualul proprietarului

Yamaha DSP-A5 El manual del propietario

Yamaha DSP-A5 El manual del propietario

En otros idiomas

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