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Contents Introduction. . . . . . . . . . . . . . . . . . . Starting Up . . . . . . . . . . . . . . . . . . . Menu Bar . . . . . . . . . . . . . . . . . . . . The Library Window . . . . . . . . . . . . The Toolbar . . . . . . . . . . . . . . . . . . . The Edit Window . . . . . . . . . . . . . The Toolbar . . . . . . . . . . . . . . . . . . . Normal Voice Edit Window . . . . . . . . Drum Voice Edit Window . . . . . . . . . OMS Settings (Macintosh) . . . . . . . . An Example of Voice Editor in Use . . 2 3 3 6 8 14 14 15 21 23 25 Troubleshooting . . . . . . . . . . . . . . 26 • • • • • • • • Click on the red-colored text to jump to the related item in this manual. The software and this owner’s manual are exclusive copyrights of Yamaha Corporation. Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manufacturer. Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible for the results of the use of this manual and the software. Copying of the commercially available music sequence data and/or digital audio files is strictly prohibited except for your personal use. OMS® and are trademarks of Opcode Systems, Inc. The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective companies. The screen displays as illustrated in this Owner’s Manual are for instructional purposes, and may appear somewhat different from the screens which appear on your computer. This owner’s manual assumes that you are already familiar with basic Windows/Macintosh operation. If you are not, please refer to the owner’s manual which came with your Windows/Mac OS software before using Voice Editor. For information about hardware requirements, the interconnection of devices and the installation of the Voice Editor software, refer to the separate “Installation Guide” as well as the Owner’s Manual for the respective MIDI device. © 2002 Yamaha Corporation. All rights reserved. 1 Introduction With the convenient Voice Editor, you can use a computer to edit your synthesizer's voices and effects. The graphical user interface makes editing easy and intuitive - letting you use your computer keyboard and mouse to control and change the various parameters from the onscreen sliders, switches, buttons, and so on. What's more, all changes you make to the voices can be saved to your computer. n Voice Editor for Windows is a plug-in software. To use it, you'll need to install an appropriate compatible host application (sequencer, etc.). Library Window Save the Library file Import a voice Voice Edit Window Set the effects parameters Element dialog Transmit / Receive bulk data PHONES OUTPUT L/ MONO R DC IN STANDBY ON FOOT CONTROLLER FOOT SWITCH IN MIDI OUT THRU 3.3V CARD USB CATEGORY SEARCH DRUM 7 PIANO EDIT VOLUME UTILITY CARD CONTROLLER PITCH MODULATION UTILITY CONTROLLER ELEMENT VOICE OSC/MIX MIX PITCH GENERAL TG CTRL ASSIGN MIDI CHANNEL KEYBOARD MULTI SEQ PLAY DEMO SAVE – + RENAME MIDI FILTER VELOCITY AMP SEQ SETUP CTRL SETUP CONTROLLER LFO MIDI SETUP FORMAT EFFECT EFFECT EFFECT IMPORT MUTE COMMON LOAD FILTER TONE 8 ORGAN 9 PRESET DRUM/PERC 4 BASS 5 STRINGS 6 BRASS DATA UTILITY CONTROLLER CARD DEC/NO INC/YES USER 1 2 3 SYN LEAD SYN PAD – ENTER DELETE SE EDIT COMPARE JOB STORE GM2/XG OTHER REED/PIPE 0 SYN COMP CHROMATIC KEYBOARD PERCUSSION Your synthesizer(S08) 2 MUSIC SYNTHESIZER GUITAR PART/ ELEMENT/ KEY MODE CARD VOICE PART/ COMMON EXIT Library file Starting Up After installing the Voice Editor and making the required connections, follow the instructions below to start the Voice Editor. Windows Start Voice Editor by starting the host application (refer to the Installation Guide) and choosing “Voice Editor for S08” from the “Plug-in” menu. n This is an example of the included sequence software. The operation described here differs depending on your host application. n In order to use the Voice Editor, you’ll need to install the USB MIDI driver (page 10). Macintosh n If you are using Voice Editor on a Macintosh computer, open the “Chooser” from the Apple menu and turn off “Apple Talk.” Open the “Voice Editor for S08” folder in the “YAMAHA Tools” folder and double-click the “VoiceEditorforS08” icon. Menu Bar The Menu Bar holds various editing and setup functions/commands in its menus. Click each of the menu names to open their pull-down menu, and choose the function/command you wish to apply. Those functions/commands which are unavailable are grayed out. n The most commonly-used menus in the Menu Bar are available as buttons in Voice Editor’s toolbar. File Windows Macintosh New Creates and opens a new Library file. Open Library... (Open) This is the same as the “Open” button in the Toolbar (page 8). Save Library (Save) This is the same as the “Save” button in the Toolbar (page 9). 3 Save Library As... (Save As) Lets you save the Library file under a new or different name. Close (Macintosh only) Close the window. This is the same as the “Close” box in the Title Bar. Edit Windows Macintosh Copy Copies the selected voice to the clipboard. If nothing is selected, this item is grayed out. Paste Copies the voice from the clipboard to Voice Editor. Edit This is the same as the “Edit Window” button in the toolbar (page 12). Library This is the same as the “Library Window” button in the toolbar (page 14). Store... This is the same as the “Store” button in the toolbar (page 14). Import... This is the same as the “Import” button in the toolbar (page 13). Compare This is the same as the “Compare” button in the toolbar (page 15). 4 Setup (Windows) / MIDI (Macintosh) Windows Macintosh Setup (Editor Setup) This is the same as the “Editor Setup” button in the toolbar (page 10). Transmit Bulk... (Transmit) This is the same as the “Transmit” button in the toolbar (page 11). Receive Bulk... (Receive) This is the same as the “Receive” button in the toolbar (page 12). Monitor This is the same as the “Monitor” button in the toolbar (page 12). OMS Port Setup (Macintosh only) Opens the OMS Port Setup window for Voice Editor. Refer to the section “OMS Port Setup” (page 24) for further details. OMS MIDI Setup (Macintosh only) Opens the OMS MIDI Setup window. Refer to the documentation that came with OMS for further details. OMS Studio Setup (Macintosh only) Opens the OMS Studio Setup window. Refer to the documentation that came with OMS for further details. 5 The Library Window When you start Voice Editor, you will first see the Library Window consisting of the “Normal” and “Drums” tabs, each representing the voice type. Each tab lists all the names, numbers and categories of voices in the selected voice type group. When you choose to edit a voice from the Library Window by double-clicking it, the Edit Window for that voice will be opened. n You can save your settings as a Library file (*.S6V). 1 2 3 1 Toolbar This area holds the buttons controlling Voice Editor (page 8). 2 Tabs Click one of these to view the voice list for that group. 3 Voice list This area shows all the voices in the selected group as a scrollable list. The name, number and Category of each voice are shown. You can rearrange the voices by dragging-and-dropping their voice numbers to a new location. You can rename a voice in Windows by selecting the voice name, then clicking on it again to enter a new name. On the Macintosh, you click on the voice name while holding down [Control], choose “Edit Voice Name” from the pull-down menu and enter the new name in the dialog. n To select a continuous block of voices, click the number of the first voice, hold down the [Shift] key, then click the last number. n Voice names can consist of up to 8 characters. 6 Viewing Just the Voice Names (Windows) You can view just the names of all voices in the group without their “Number” and “Category” information. To do this, right-click on any part of the voice list and choose “List.” This may be useful when choosing voices quickly, since you will have less scrolling to do. n To switch back to the full Voice Name/Number/Category list, right-click on any part of the voice list and choose “Details.” 7 The Toolbar 1 2 3 4 5 6 7 8 1 “Open” button Click this to open the “Open File” dialog and select a Library file to open. “Open Dialog Select the desired Library file (extension: .S6V) and click [Open]. The contents of the selected file are indicated in the Library Window. n You can also load S03 Library files (with extension: .S3V). 1 2 3 5 4 6 n If you are using a Macintosh, the typical Macintosh “Open” dialog will appear. 1 2 3 4 5 6 “Look in:” .................Click this and choose the folder containing the Voice Editor files. List box .....................Shows the contents of the current folder. [Open] button ...........Click this to open the file selected from the List. “Files of type:” .........Click this and choose the file type. “File name:” ...........Shows the name of the files selected from the List. [Cancel] button.........Click this to cancel the operation. 8 2 “Save” button Click this to save the existing Library file with your new settings. If you are working on a new file, this button will open the “Save As” dialog, where you can name and save your settings as a new Library file (*.S6V). “Save As…” Dialog n Library file names can consist of up to 8 characters plus a 3-character extension. 1 2 4 3 5 n If you are using a Macintosh, the typical Macintosh “Save As” dialog will appear. 1 “Save in:”..................Click this and choose the folder in which to save the Library file. 2 List box .....................Shows the contents of the folder you wish to save to. 3 [Save] button ............Click this to save the Library file with the name specified in the “File name:”. 4 “File name:”..............Specify the name of the Library file to be saved here. 5 “Files of type:” .........Click this and choose the file type. 6 “Cancel”....................Click this to cancel the operation. n S08 Library files can be imported to your synthesizer directly by saving them to the Memory card. For details, refer to the S08 Owner’s Manual. n If you save a file to a Macintosh computer, the extension “.S6V” is not added automatically. Before loading such files to the S08, you’ll need to manually add the extension “.S6V” to the file names. 9 3 “Editor Setup” button Click this to open the “Editor Setup” dialog and specify the MIDI Out port settings. “Editor Setup” Dialog This is where you set up the Voice Editor to allow the transmission of voice data to your synthesizer. Click the [OK] button to apply the settings and quit the dialog. Click the [Cancel] button to quit without applying the settings. 1 2 3 4 5 1 “MIDI In Port:” ..........Click this and choose the MIDI In port. This allows you to receive data from a device connected to this port. Select the port which has been assigned to your particular synthesizer within the host application. 2 “MIDI Out Port:” .......Click this and choose the MIDI Out port. You can use the Voice Editor to control and edit the device connected to this port. Select the port which has been assigned to your synthesizer within the host application. n If you are using a Macintosh, the MIDI Out Port setting is assigned in the OMS Port Setup. For further details, see section “OMS Settings.” (page 23) 3 “MIDI Ch:”.................Click this and choose the MIDI Out channel. This is used when monitoring sounds using the on-screen keyboard in the Edit Windows. 4 “Device No.:”............Click this and choose the MIDI device number of your synthesizer. 5 “Dump Interval:” ......Click this and choose the interval between successive MIDI dumps. n If you set too short an interval, you may encounter errors when transmitting MIDI data. 10 4 “Transmit” button Click this to open the “Transmit” dialog to transmit all settings to your synthesizer. “Transmit” Dialog Voice data can be transmitted in bulk to your synthesizer. Click the [Start] button to begin transmitting the data. The progress bar shows how much of the data has been transmitted. Finally, click the [Close] button to quit the dialog. 1 2 3 4 1 2 3 4 “Transmit Type”........Shows the voice data (Normal/Drum/All) to be transmitted. Progress bar .............Shows how much of the data has been transmitted. [Start] button ............Click this to transmit the data. [Close] button...........Click this to close this dialog. n The MIDI Device Number has to be set correctly in order to transmit bulk data. For further details, see page 10. 11 5“Receive” button Click this to open the “Receive” dialog to receive all settings from your synthesizer. “Receive” Dialog Voice data can be received in bulk from your synthesizer. Select the bulk voice data you wish to receive, then click the [Start] button. The progress bar shows how much of the data has been received. Finally, click the [Close] button to quit the dialog. 1 2 3 4 1 “Receive Type” .........Click this and choose the Voice data (User Normal/User Drum/ Preset Normal/Preset Drum) to receive. 2 Progress bar .............Shows how much of the data has been received. 3 [Start] button ............Click this to receive the data. 4 [Close] button...........Click this to close this dialog. n The MIDI Device Number has to be set correctly in order to receive bulk data. For further details, see page 10. 6 “Edit Window” button Click this to open the Edit Window (Common) for the selected voice in the list. For further details, see page 14. 7 “Monitor” button If you click this, bulk voice data will be sent for monitoring on your synthesizer each time you select a voice. Click it again to disable monitoring. n To monitor the voice, you need to play your synthesizer’s keyboard. 12 8 “Import” button Click this to open the “Import” dialog and import voices from an existing Library file. You can drag-and-drop voices to the Library Window. n More than one of these dialogs can be opened simultaneously. “Import” Dialog 1 2 3 4 5 6 1 “File name:”..............Shows the name of the Library file from which you will import voice data. 2 “Open File” button ...Click this to open the “Open File” dialog and select a Library file to open. 3 “Memory:” ................Click this and choose the voice type group from which you will import voice data. 4 Voice list....................This area shows all the voices in the selected Memory as a scrollable list, in order of voice number. You can select a voice here and import it directly to the voice list in the Library Window by drag-and-drop. (Multiple voices can also be imported this way.) In Windows, you can alternatively copy the voice by selecting it and pressing [CTRL]+[C] on the computer keyboard, and then switch to the Library Window and press [CTRL]+[V] at the new location to paste (import) it. n To select a block of voices, click the number of the first voice, hold down the [Shift] key, then click the last voice. n You cannot import a Drum Voice to a Normal Voice list or a Normal Voice to a Drum Voice list. 5 “Monitor” ..................If you check this box, the bulk data for each voice you select from the list will be transferred to your synthesizer for monitoring. To monitor the voice, use the keyboard of your synthesizer. n Monitoring will not be possible if the MIDI Out port and other parameters in the Editor Setup are not set correctly. For further details, see page 12. 6 [Close] button...........Click this to close the Import dialog. 13 The Edit Window There are two types of voices you can edit using Voice Editor: Normal Voices and Drum Voices. In the Library Window, click the tab containing the Normal Voice or Drum Voice that you wish to edit. Then double-click the voice (or select it and click the “Edit Window” button) to open the Edit Window. The Toolbar This area holds the buttons controlling the Edit Window. 1 2 3 4 1 “Editor Setup” button See item 3 in “The Toolbar” of “The Library Window” (page 14). 2 “Library Window” button Click this to bring the Library Window back into view. 3 “Store” button Click this to open the “Store” dialog, where you can name your edited voice and select a location in which to store it. “Store” Dialog 1 2 4 3 1 “Voice Name:” ..........Specify a name for your edited voice. n Voice names can consist of up to 8 characters. 2 Voice list....................Shows the contents of the voice type group as a list. Click the voice in which your edited voice will be stored. 14 3 [Store] button ...........Click this to store your edited voice in the location specified above. After storing to a Library file, the data for the original voice will be overwritten when you save the Library file. It is recommended that you back up important data. The “Store” dialog is used to temporarily store your Library file. After storing, save your Library file. If you do not save your Library file after storing, your edits will not be saved. 4 [Cancel] button.........Click this to quit the dialog without storing. 4 “Compare” button If you click this, bulk data for the original voice (prior to editing) will be sent to on your synthesizer. Click it again to send the bulk data for your edited voice. This button is useful for making A/B comparisons between the original and edited voices. Normal Voice Edit Window When editing a voice, you will see the following screen: 3 4 5 6 1 2 8 7 9 ) n For details about each parameter, refer to your synthesizer's Owner’s Manual. 1 Tool Bar See page 14. 2 VOICE panel This shows the name and instrument category of the voice. You can also rename your edited voice and change the instrument category from the “Voice Category” pull-down menu. Monophonic or Polyphonic can be selected by clicking the [MONO] or [POLY] button. n Voice names can consist of up to 8 characters. 3 VELOCITY Sets the velocity sensitivity (DEPTH) and offset value (OFFSET). 15 4 PITCH BEND Sets the range for the pitch bend wheel. 5 PORTAMENTO unit Use the switch to enable/disable portamento and the “TIME” knob to specify the portamento time. 6 CONTROL The followings can be set for the modulation wheel (MW) and assignable controller 1 (AC1). CUTOFF: the depth of control over the filter cutoff frequency PM: the depth of control over the pitch modulation FM: the depth of control over the filter cutoff modulation EF: the depth of control over the variation effect 7 ELEMENT unit This section is explained in more detail in “Element Unit” (page 16). 8 VARIATION EFFECT unit This section is explained in more detail in “Variation Effect” (page 20). 9 SYSTEM EFFECT unit This section is explained in more detail in “System Effects” (page 20). ) Keyboard Click any key on the keyboard to monitor your edited voice in that key. ■ Element Unit 1 2 3 1 EL (Element) 1 to 4 buttons Click these to open their “ELEMENT” dialogs. 2 ON/OFF switch Click these to switch each Element on or off. 16 3 Wave Click these to open the “Wave List” dialog and select a wave. n For waves in the Wave List numbered 001 through 029 and 521, the following parameters can be adjusted: • Note Shift • Note Limit Low/High • Velocity Limit Low/High • Pitch Scale Sensitivity • Pitch Scale Center Note ● Element Dialog 4 5 6 1 2 3 7 8 9 1 LFO WAVE Click on the “WAVE” text box and select the LFO’s waveform. 2 SPEED Click on the “SPEED” text box and specify its speed. 3 PHASE INIT Click on the “PHASE INIT” text box to switch LFO key sync on or off. (If switched on, the LFO waveform is restarted each time you play a note.) 4 LFO PITCH knob Use this to set the pitch modulation depth of the LFO. You can also enter a value directly in the text box to the left of the knob. 5 LFO FILTER knob Use this to set the filter modulation depth of the LFO. You can also enter a value directly in the text box to the left of the knob. 17 6 LFO AMPLITUDE knob Use this to set the amplitude modulation depth of the LFO. You can also enter a value directly in the text box to the left of the knob. 7 MIX knobs Sets the output level (LEVEL) and pan setting (PAN). 8 [DETAIL] button Click this to open the “EL Detail” dialog and enter the parameters for each Element. You have wider and more accurate control over the parameters than with the editor graphs. 9 Editor graphs Within these graphs, click and drag the square marks (handles) to visually adjust the parameters for each Element. n Sometimes, not all the square marks are visible as they may be layered on top of each other at the same position. In which case, click the visible square mark and drag it away to reveal the next square mark. n For waves in the Wave List numbered 001 through 029 and 521, the following parameters can be adjusted: • Note Shift • Note Limit Low/High • Velocity Limit Low/High • Pitch Scale Sensitivity • Pitch Scale Center Note OSCILLATOR Settings Click on the “WAVE” text box and choose the source waveform. One of the square marks is used to set “VEL LIMIT LOW” and “NOTE LIMIT LOW.” Set the lowest note velocity response by dragging this square mark vertically. Set the lowest note in the key range by dragging it horizontally. Similarly, set the highest note velocity (“VEL LIMIT HIGH”) and key range note (“NOTE LIMIT HIGH”) using the other square mark. n When dragging the square marks, values are given as (X,Y) co-ordinates, where X is the NOTE LIMIT (given as a MIDI note number) and Y is the VEL LIMIT. To view the note name instead of the note number, select the “OSCILLATOR” tab of the “EL Detail” dialog. FILTER Settings Drag the square mark vertically to set the Filter Gain. Drag the square mark horizontally to set the Filter Cutoff frequency. n Parameter values are shown when dragging the square marks. To set these values directly, select the “FILTER EG” tab of the “EL Detail” dialog. PITCH LFO Settings Click and drag the square marks (handles) to set the time-dependent behavior of the PITCH LFO. The left square mark controls the “LFO Delay.” The right controls the “LFO Fade.” n To set these values directly, select the “LFO” tab of the “EL Detail” dialog. 18 PITCH EG Settings The PITCH EG (Envelope Generator) determines the transition in pitch while the key is being held down. There are five square marks, each controlling a different stage in the envelope. The first square mark (furthest to the left) controls the “Initial Level.” The second controls the “Attack Rate/Level.” The third controls the “Decay 1 Rate/Level.” The fourth controls the “Decay 2 Rate/Sustain Level.” The last square mark (furthest to the right) controls the “Release Rate/Level.” Drag the square marks vertically to adjust levels, and horizontally to adjust the transition times. n To set these values directly, select the “PITCH” tab of the “EL Detail” dialog. FILTER EG Settings The FILTER EG (Envelope Generator) determines the transition in timbre while the key is being held down. There are five square marks, each controlling a different stage in the envelope. The first square mark (furthest to the left) controls the “Hold Rate/Initial Level.” The second controls the “Attack Rate/Level.” The third controls the “Decay 1 Rate/Level.” The fourth controls the “Decay 2 Rate/Sustain Level.” The last square mark (furthest to the right) controls the “Release Rate/Level.” Drag the square marks vertically to adjust levels, and horizontally to adjust the transition rates. n To set these values directly, select the “FILTER EG” tab of the “EL Detail” dialog. AMPLITUDE EG Settings The AMPLITUDE EG (Envelope Generator) determines the transition in amplitude over time. There are five the square marks, each controlling a different stage in the envelope. The first square mark (furthest to the left) controls the “Key-on Delay” and “Init Level.” The second controls the “EG Attack Rate.” The third controls the “EG Decay 1 Rate/Level.” The fourth controls the “Decay 2 Rate/Sustain Level.” The last square mark (furthest to the right) controls the “EG Release Rate.” Drag the square marks vertically to adjust levels, and horizontally to adjust the transition rates. n To set these values directly, select the “AMP EG” tab of the “EL Detail” dialog. 19 ■ Variation Effect Unit 2 4 3 1 1 LEVEL Sets the output level of the all elements sent to the Variation Effect unit. 2 TYPE Click on the text box and choose the type of Variation Effect. 3 DRY/WET Sets the Dry/Wet balance. 4 DETAIL Click this to set the exact parameters for the respective Variation Effect via the “VARIATION EFFECT” dialog. ■ System Effect Unit 2 4 3 5 6 1 1 VOLUME Sets the output level of the signal from Variation Effect (or the by-passed signal) sent to the System Effect Unit. 2 SEND (REVERB) Sets the Reverb Send Level. 3 SEND (CHORUS) Sets the Chorus Send Level. 4 REVERB Shows the Reverb type used for the voice. This is fixed for each voice. 5 CHORUS Shows the Chorus type used for the voice. This is fixed for each voice. 6 CHORUS ➝ REVERB control Use this knob to set the level of the signal of sent from the Chorus unit to the Reverb unit. 20 Drum Voice Edit Window 5 6 7 8 ) 9 ! @ # $ % 1 2 3 4 ^ & * ( ¡ º ™ 1 KEY Shows the note name to be edited. 2 Keyboard Click on the keyboard to specify note assigned to the wave you are editing. 3 VOICE This shows the name and instrument category of the drum kit. You can also rename your edited drum kit and change the instrument category from the pull-down menu. n Kit names can consist of up to 8 characters. 4 ORIGINAL KIT This shows the preset kit’s wave set that is used for the kit being edited. You can also change the wave set to be used by clicking the kit name in the ORIGINAL KIT box and selecting a new kit. 5 FINE Finetunes the pitch. 6 COARSE Sets the pitch in coarse increments (semitones). 7 CUTOFF Sets the LFO Cutoff Frequency. 21 8 RESO Sets the LFO Resonance level. 9 ATTACK Sets the Attack Rate. ) DECAY1 Set the Decay1 Rate. ! DECAY2 Set the Decay2 Rate. @ LEVEL Sets the output level of the wave. # PAN Sets the Pan setting. $ REVERB Sets the Reverb Send Level. % CHORUS Sets the Chorus Send Level. ^ RECEIVE NOTE ON Selects whether or not to receive the MIDI Note On message. & RECEIVE NOTE OFF Selects whether or not to receive the MIDI Note Off message. * KEY ASSIGN Selects Single key assignment or Multi key assignment. ( ALTERNATE GROUP Selects an alternate group number. This is used to prevent a pair of drum sounds, such as an open and closed hi-hat, from sounding simultaneously. º PITCH This graph shows the 6 and 7 settings visually. You can also change the settings by dragging the squares in the graph. ¡ FILTER This graph shows the 7 and 8 settings visually. You can also change the settings by dragging the square in the graph. ™ AMPLITUDE EG This graph shows the 9, ) and ! settings visually. You can also change the settings by dragging the squares in the graph. 22 OMS Settings (Macintosh) The Voice Editor software uses OMS (Open Music System) for MIDI input/output. To use the Voice Editor software, OMS must be installed beforehand. n For information about installing OMS, refer to the separate Installation Guide. About OMS Voice Editor uses the OMS (Open Music System) to transfer MIDI data to an external MIDI device. OMS is a system extension that goes in the Mac OS System folder, designed to manage the MIDI data stream (input & output) in a computer, to enable MIDI data transfer between MIDI software and hardware attached to the computer. OMS is a de facto standard of the MIDI environment under the Mac OS, and various music software manufacturers have released OMS-compatible sequencer and other software. OMS has the following merits: • As OMS-compatible MIDI applications communicate with various MIDI devices via OMS, it is no longer necessary for you to set up multiple MIDI drivers for those applications. Thus, you can avoid conflicts between different drivers with the same purpose (MIDI control). • Once a Studio Setup is read in OMS, any OMS-compatible application will be aware of it, even if you need to reconfigure the routing of the MIDI data stream or change the current Studio Setup. OMS-compatible applications will commonly recognize the new configuration. • You can have different Studio Setups to choose one from, to switch to a different MIDI routing (patches between MIDI devices and software) fast and easily. • Every time the OMS Setup application is opened, any MIDI device connected to the computer is automatically detected, and its icon appears with a current MIDI status (channel number, port number, patches, etc.). Once devices are configured with OMS Setup, however, you need not care too much about the status. • OMS can drive various MIDI interfaces, including the standard type (16 channels) and the multi-port type (16 channels per port). If you use a multi-port type, you can control over 16 channels simultaneously via OMS. n For more information about OMS features, see the READ ME file included with OMS. Setting up OMS Setup files for the S08 have already been created for use with Voice Editor; please use the appropriate file for your device. 1. First, interconnect the “USB” terminal of the S08 and the Macintosh USB port, then set the “HostSelect” setting (UTILITY PAGE 13) of the S08 to “USB”. 2. Double-click the “OMS Setup” icon in the “OMS Application” folder. 3. Choose “Open” from the “File” menu and select “S08-1” from within the “OMS setup for YAMAHA” folder. 4. Choose “Make Current” from the “File” menu. The setup for your S08 is now saved as the current studio setup. 5. Choose “Quit” from the “File” menu to close OMS Setup. n Voice Editor is not compatible with versions of OMS earlier than 2.0. 23 OMS Port Setup Having set up OMS, you now need to start up Voice Editor and set the OMS ports. 1. First, start up Voice Editor by double-clicking its icon. n If AppleTalk is enabled, you will get an alert message. Click “OFF.” It will take some time for AppleTalk to be disabled. 2. Choose “OMS Port Setup” from Voice Editor’s “MIDI” menu, then select the port settings. In the following example, the tone generator is an S08 and its settings are applied to OMS. Key Thru: Check this if you are monitoring a sound generator module using an external keyboard. MIDI In: Select "S08-1". MIDI Out: Select "S08-1". 3. Click [OK] to close OMS Port Setup. 24 An Example of Voice Editor in Use There is no single way in which to use the many components in Voice Editor. Although your editing needs may differ, in any case, the following gives a step-by-step example of how to use Voice Editor. The Library Window is the first window to open, so that’s where the explanation begins. n In the Library Window, you can open existing Library files containing the Voices you wish to edit, and specific voices can be imported to the Library Window. 1. Click the “Editor Setup” button in the toolbar of the Library Window to open the “Editor Setup” dialog. Then select the appropriate MIDI Out Port and Device No. settings for your synthesizer (See the section “Editor Setup” Dialog). n If you are using a Macintosh, you will also need to make settings in OMS (page 23). 2. Open the Library file. In the Voice List of the Library Window, double-click the voice you wish to edit. The Edit Window will open for the voice. 3. Various units are arranged in the Edit Window. First, let’s set the parameters for Elements 1 to 4 on the Element Unit which make up the voice. Open the dialogs for Elements 1 to 4, select the waveforms, and adjust the tonal characteristics of the voice using the filter and other settings. You can use the graph editors in each dialog to visually edit the parameters. n You can edit the Element parameters in much finer detail within the “EL Detail” dialogs. The Element dialogs are linked to the “EL Detail” dialogs, so changes in one dialog are immediately reflected in the other. You can simultaneously view the graphs and the “EL Detail” dialogs side-by-side while editing. n By clicking or dragging on the buttons of the keyboard at the bottom of the Edit Window, you can monitor the voice you are editing. n By enabling the “Compare” button in the toolbar in the Edit Window, you can make A/B comparisons between the original voice and the edited voice. 4. Select the Variation Effect Type in the VARIATION EFFECT Unit and set the remaining parameters. 5. Set the parameters in the SYSTEM EFFECT Unit. 6. Set the Velocity and Portamento parameters if necessary. 7. Click the “Store” button in the toolbar of the Edit Window to open the “Store” dialog. This will store the edits for the current voice in the Library file. n The edits for the voice are only stored in the Library file temporarily. Beware that if you proceed further without saving the Library file itself, you will lose all your edits. 8. Switch back to the Library Window and click the “Save” button in the toolbar to save (overwrite) the Library file. The edits for your voice will be saved with the voice itself in the designated voice list location. n The Library file you have saved can be opened in the Library Window at any time. Voices in the Library Window can be transmitted to your synthesizer. n You can create a variety of different Library files, each tailored for live performances, recording, etc. Thus, you can conveniently modify voices to suit different situations and needs. 25 Troubleshooting If you encounter problems such as no sound output or abnormal behavior, verify the connections before checking the following. If you are using Voice Editor for Windows, refer to the host application's owner’s manual (online manual) too. <Macintosh> <Windows> The printer port is not recognized. • The printer port will not be recognized if AppleTalk is ON. Note that with some Macintosh models, AppleTalk is automatically enabled when starting up. • Verify that the “Printer” checkbox has been checked in the OMS MIDI Setup window. Bulk data is not received. • The MIDI In port in Editor Setup can be chosen from the MIDI In ports in the settings of the host application. Check the MIDI In settings in the System Setup of the host application. • Open the Editor Setup Dialog and check that the Device No. has been properly assigned (page 10). • Depending on your host application, you may need to set the application’s MIDI Thru port setting to off. The modem port is not recognized. • On some Macintosh models such as the Performa series, the modem port cannot be used and only the printer port is available. • Verify that the “Modem” checkbox has been checked in the OMS MIDI Setup window. MIDI Out port is not available in Editor Setup. • The MIDI Out port in Editor Setup can be chosen from the MIDI Out ports in the setting of the host application. Check the MIDI Out settings in the System Setup of the host application. No MIDI In/Out data Is the MIDI device’s "HostSelect" setting (UTILITY PAGE 13) set correctly? • Make the correct setting according to the instructions in your synthesizer's Owner’s Manual. • In the OMS Port Setup, is MIDI In/Out set to “unknown”? If you change the OMS ports or setup, the OMS output ports have to be set accordingly in Voice Editor’s OMS Port Setup window. Choose the appropriate receiving device. • Is OMS using the same port as that connected to the cable? Open the OMS MIDI Setup window and verify that the checkbox for the relevant port has been checked. • If the port and setup assignments are frequently altered, OMS may be unable to easily recognize the serial port. Reboot the Macintosh, set up OMS correctly, then start up Voice Editor. <Windows / Macintosh> Sound does not change when using knobs or sliders. • Are the MIDI Out port and Device Number set correctly in the Editor Setup? (page 10) Bulk data is not transmitted. • Are the MIDI Out port and Device Number set correctly in the Editor Setup? (page 10) • Is the Dump Interval in the Editor Setup too short? Make sure the Dump Interval is at least 10 ms. Sound is doubled when playing keyboard. • On your synthesizer, switch Local to OFF. No sound heard when clicking on-screen keyboard in Edit Window. • Is the MIDI Ch. set correctly in the Editor Setup? (page 10) Bulk data are not received. • Open the OMS Port Setup window and check that the MIDI In has been properly assigned (page 24). • Open the Editor Setup Dialog and check that the Device No. has been properly assigned (page 10). Sound does not change when Monitor button is pressed. • Are the MIDI Out port and Device No. set correctly in the Editor Setup (OMS Port Setup)? (page 10 and 24) Voice Editor does not start up when Library File (extension .S6V) is double-clicked. • Change the Type/Creator settings for Library Files as follows, then try double-clicking the file again. Type: S6V_ Creator: YS08 S08 Library files can’t be directly loaded to the S08 from a Memory card. • The file name should included the extension “.S6V” 26