Yamaha R-V1103 Manual de usuario

Marca: Yamaha

Modelo: R-V1103

Categoría: Receptores AV

Tipo: Manual de usuario

Este manual también es adecuado para

RX-V793

OWNER’S MANUAL

MODE D’EMPLOI

Natural Sound AV Receiver

Récepteur audiovisuel “Son Naturel”

R-V1103

Thank you for selecting this YAMAHA AV receiver.

Nous vous remercions d’avoir porté votre choix sur ce récepteur audiovisuel YAMAHA.

U C A

1 Read Instructions – All the safety and operating

instructions should be read before the unit is operated.

2 Retain Instructions – The safety and operating instructions

should be retained for future reference.

3 Heed Warnings – All warnings on the unit and in the

operating instructions should be adhered to.

4 Follow Instructions – All operating and other instructions

should be followed.

5 Water and Moisture – The unit should not be used near

water – for example, near a bathtub, washbowl, kitchen

sink, laundry tub, in a wet basement, or near a swimming

pool, etc.

6 Carts and Stands – The unit should be used only with a

cart or stand that is recommended by the

manufacturer.

6A A unit and cart combination should be

moved with care. Quick stops, excessive

force, and uneven surfaces may cause

the unit and

cart combination to overturn.

7 Wall or Ceiling Mounting – The unit should be mounted to

a wall or ceiling only as recommended by the

manufacturer.

8 Ventilation – The unit should be situated so that its

location or position does not interfere with its proper

ventilation. For example, the unit should not be situated

on a bed, sofa, rug, or similar surface, that may block the

ventilation openings; or placed in a built-in installation,

such as a bookcase or cabinet that may impede the flow

of air through the ventilation openings.

9 Heat – The unit should be situated away from heat

sources such as radiators, stoves, or other appliances

that produce heat.

10 Power Sources – The unit should be connected to a

power supply only of the type described in the operating

instructions or as marked on the unit.

11 Power-Cord Protection – Power-supply cords should be

routed so that they are not likely to be walked on or

pinched by items placed upon or against them, paying

particular attention to cords at plugs, convenience

receptacles, and the point where they exit from the unit.

12 Cleaning – The unit should be cleaned only as

recommended by the manufacturer.

13 Nonuse Periods – The power cord of the unit should be

unplugged from the outlet when left unused for a long

period of time.

14 Object and Liquid Entry – Care should be taken so that

objects do not fall into and liquids are not spilled into the

inside of the unit.

15 Damage Requiring Service – The unit should be serviced

by qualified service personnel when:

A. The power-supply cord or the plug has been

damaged; or

B. Objects have fallen, or liquid has been spilled into the

unit; or

C. The unit has been exposed to rain; or

D. The unit does not appear to operate normally or

exhibits a marked change in performance; or

E. The unit has been dropped, or the cabinet damaged.

16 Servicing – The user should not attempt to service the unit

beyond those means described in the operating

instructions. All other servicing should be referred to

qualified service personnel.

17 Power Lines – An outdoor antenna should be located

away from power lines.

18 Grounding or Polarization – Precautions should be taken

so that the grounding or polarization is not defeated.

SAFETY INSTRUCTIONS

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead

symbol, within an equilateral triangle,

is intended to alert you to the

presence of uninsulated “dangerous

voltage” within the product’s

enclosure that may be of sufficient

magnitude to constitute a risk of

electric shock to persons.

The exclamation point within an

equilateral triangle is intended to alert

you to the presence of important

operating and maintenance

(servicing) instructions in the

literature accompanying the

appliance.

•

Explanation of Graphical Symbols

CAUTION

WARNING

TO REDUCE THE RISK OF FIRE OR

ELECTRIC SHOCK, DO NOT EXPOSE THIS

UNIT TO RAIN OR MOISTURE.

English

Note to CATV system installer:

This reminder is provided to call the CATV system

installer’s attention to Article 820-40 of the NEC that

provides guidelines for proper grounding and, in

particular, specifies that the cable ground shall be

connected to the grounding system of the building, as

close to the point of cable entry as practical.

SPECIAL NOTES FOR FCC COMPOSITE

DEVICE (for US customers only)

This device is a composite system. The digital device

component may not cause harmful interference.

19 For US customers only:

Outdoor Antenna Grounding – If an outside antenna is

connected to this unit, be sure the antenna system is

grounded so as to provide some protection against

voltage surges and built-up static charges. Article 810 of

the National Electrical Code, ANSI/NFPA 70, provides

information with regard to proper grounding of the mast

and supporting structure, grounding of the lead-in wire to

an antenna discharge unit, size of grounding conductors,

location of antenna discharge unit, connection to

grounding electrodes, and requirements for the grounding

electrode.

EXAMPLE OF ANTENNA GROUNDING

MAST

GROUND

CLAMP

ANTENNA

LEAD IN

WIRE

ANTENNA

DISCHARGE UNIT

(NEC SECTION 810–20)

GROUNDING CONDUCTORS

(NEC SECTION 810–21)

GROUND CLAMPS

POWER SERVICE GROUNDING

ELECTRODE SYSTEM

(NEC ART 250. PART H)

ELECTRIC

SERVICE

EQUIPMENT

NEC – NATIONAL ELECTRICAL CODE

1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the

instructions contained in this manual, meets FCC

requirements. Modifications not expressly approved by

Yamaha may void your authority, granted by the FCC, to

use the product.

2. IMPORTANT : When connecting this product to

accessories and/or another product use only high quality

shielded cables. Cable/s supplied with this product

MUST be used. Follow all installation instructions.

Failure to follow instructions could void your FCC

authorization to use this product in the USA.

3. NOTE : This product has been tested and found to

comply with the requirements listed in FCC Regulations,

Part 15 for Class “B” digital devices. Compliance with

these requirements provides a reasonable level of

assurance that your use of this product in a residential

environment will not result in harmful interference with

other electronic devices.

This equipment generates/uses radio frequencies and, if

not installed and used according to the instructions

found in the users manual, may cause interference

harmful to the operation of other electronic devices.

Compliance with FCC regulations does not guarantee that

interference will not occur in all installations. If this product

is found to be the source of interference, which can be

determined by turning the unit “OFF” and “ON”, please try

to eliminate the problem by using one of the following

measures:

Relocate either this product or the device that is being

affected by the interference.

Utilize power outlets that are on different branch (circuit

breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the

antenna. If the antenna lead-in is 300 ohm ribbon lead,

change the lead-in to coaxial type cable.

If these corrective measures do not produce satisfactory

results, please contact the local retailer authorized to

distribute this type of product. If you can not locate the

appropriate retailer, please contact Yamaha Electronics

Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA

90620.

The above statements apply ONLY to those products

distributed by Yamaha Corporation of America or its

subsidiaries.

FCC INFORMATION (for US customers only)

YAMAHA and the Electronic Industries Association’s

Consumer Electronics Group want you to get the most out of

your equipment by playing it at a safe level. One that lets the

sound come through loud and clear without annoying blaring

or distortion – and, most importantly, without affecting your

sensitive hearing.

Since hearing damage from loud sounds is often

undetectable until it is too late, YAMAHA and the

Electronic Industries Association’s Consumer

Electronics Group recommend you to avoid

prolonged exposure from excessive volume levels.

We Want You Listening For A Lifetime (for US customers only)

After unpacking, check that the following parts are included.

SAFETY INSTRUCTIONS ..........Inside the Front Cover

SUPPLIED ACCESSORIES ..................................2

FEATURES ............................................................3

CAUTION ...............................................................4

NOTES ABOUT THE REMOTE CONTROL

TRANSMITTER .....................................................5

PROFILE OF THIS UNIT .......................................6

SPEAKER SETUP .................................................8

CONNECTIONS ..................................................10

CONTROLS AND THEIR FUNCTIONS ...............19

ADJUSTMENTS BEFORE USING THIS UNIT

..............................................................................22

ADJUSTMENTS IN THE “SET MENU” MODE

..............................................................................26

BASIC OPERATIONS ..........................................28

TUNING OPERATIONS .......................................32

PRESET TUNING ................................................33

USING DIGITAL SOUND FIELD PROCESSOR

(DSP) ...................................................................36

BRIEF OVERVIEW OF DIGITAL SOUND FIELD

PROGRAMS ........................................................40

SETTING THE SLEEP TIMER ............................42

REMOTE CONTROL TRANSMITTER .................43

TROUBLESHOOTING .........................................53

SPECIFICATIONS ...............................................55

Indoor FM Antenna

AM Loop Antenna

Antenna adapter (U.S.A. and Canada models only)

Batteries (size AA, R6, UM-3)

Remote Control Transmitter

User function stickers

CONTENTS

SUPPLIED ACCESSORIES

English

●

5 Speaker Configuration

Main: 80W + 80W (8Ω) RMS Output

Power, 0.04% THD, 20–20,000 Hz

Center: 80W (8Ω) RMS Output Power,

0.07% THD, 20–20,000 Hz

Rear: 80W + 80W (8Ω) RMS Output

Power, 0.07% THD, 20–20,000 Hz

●

Digital Sound Field Processor

●

Dolby Digital (AC-3) Decoder

●

Dolby Pro Logic Surround Decoder

●

Theater-like Sound Experience by the

Combination of Dolby Surround and

YAMAHA DSP Technology (CINEMA DSP)

●

Automatic Input Balance Control for

Dolby Pro Logic Surround

●

Test Tone Generator for Easier Speaker

Balance Adjustment

●

3 Center Channel Modes

(NORMAL/WIDE/PHANTOM)

● BASS EXTENSION Switch for Reinforcing

Bass Response

● 40-Station Random Access Preset Tuning

● Automatic Preset Tuning

● Preset Station Shifting Capability (Preset

Editing)

● IF Count Direct PLL Synthesizer Tuning

System

● Video Signal Input/Output Capability

(Including S Video Connections)

● SLEEP Timer

● On Screen Display Function Helpful in

Controlling This Unit

●

“Learning” Remote Control Transmitter

FEATURES

1. To assure the finest performance, please read this manual

carefully. Keep it in a safe place for future reference.

2. Install this unit in a cool, dry, clean place – away from

windows, heat sources, sources of excessive vibration,

dust, moisture and cold. Avoid sources of humming

(transformers, motors). To prevent fire or electrical shock,

do not expose the unit to rain or water.

3. Never open the cabinet. If something drops into the set,

contact your dealer.

4. Do not use force on switches, controls or connection wires.

When moving the unit, first disconnect the power plug and

the wires connected to other equipment. Never pull the

wires themselves.

5. The openings on the cabinet assure proper ventilation of

the unit. If these openings are obstructed, the temperature

inside the cabinet will rise rapidly. Therefore, avoid placing

objects against these openings, and install the unit in well-

ventilated condition. Make sure to allow a space of at least

20 cm behind, 20 cm on the both sides and 30 cm above

the top panel of the unit. Otherwise it may not only damage

the unit, but also cause fire.

6. Always set the VOLUME control to “–

∞

” before starting

the audio source play. Increase the volume gradually to an

appropriate level after playback has been started.

7. Do not attempt to clean the unit with chemical solvents;

this might damage the finish. Use a clean, dry cloth.

8. Be sure to read the “TROUBLESHOOTING” section

regarding common operating errors before concluding that

the unit is faulty.

9. When not planning to use this unit for long periods of time

(ie., vacation, etc.), disconnect the AC power plug from the

wall outlet.

10.To prevent lightning damage, disconnect the AC power

plug and disconnect the antenna cable when there is an

electrical storm.

11.Grounding or polarization – Precautions should be taken

so that the grounding or polarization of an appliance is not

defeated.

12.AC outlet

Do not connect audio equipment to the AC outlet on the

rear panel if that equipment requires more power than the

outlet is rated to provide.

13.Voltage Selector (China and General Models only)

The voltage selector on the rear panel of this unit must

be set for your local main voltage BEFORE plugging

into the AC main supply.

Voltages are 110/120/220/240 V AC, 50/60 Hz.

This unit is not disconnected from the AC power source as

long as it is connected to the wall outlet, even if this unit

itself is turned off. This state is called the standby mode.

In this state, this unit is designed to consume a very small

quantity of power.

IMPORTANT

Please record the serial number of this unit in the space

below.

Serial No.:

The serial number is located on the rear of the unit.

Retain this Owner’s Manual in a safe place for future

reference.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.

FREQUENCY STEP switch (China and General Models

only)

Because the interstation frequency spacing differs in

different areas, set the FREQUENCY STEP switch (located

at the rear) according to the frequency spacing in your area.

Before setting this switch, disconnect the AC power plug of

this unit from the AC outlet.

FOR CANADIAN CUSTOMERS

TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE

OF PLUG TO WIDE SLOT AND FULLY INSERT.

THIS CLASS B DIGITAL APPARATUS MEETS ALL

REQUIREMENTS OF THE CANADIAN INTERFERENCE-

CAUSING EQUIPMENT REGULATIONS.

WARNING

Do not change the IMPEDANCE SELECTOR switch

setting while the power to this unit is on, otherwise this

unit may be damaged.

IF THIS UNIT FAILS TO TURN ON WHEN THE

STANDBY/ON SWITCH IS PRESSED

The IMPEDANCE SELECTOR switch may not be set to

either end closely. If so, set the switch to either end closely.

SWITCHED

I20V 60Hz

I00W MAX. TOTAL

AC OUTLETS

IMPEDANCE SELECTOR

: 6

Ω

MIN. /SPEAKER

SINGLE: 6

Ω

MIN. /SPEAKER

DUAL: 3

Ω

MIN. /SPEAKER

A OR B: 4

Ω

MIN. /SPEAKER

A B: 8

Ω

MIN. /SPEAKER

SET BEFORE POWER ON

REAR

CENTER

MAIN

: 8

Ω

MIN. /SPEAKER

SINGLE: 8

Ω

MIN. /SPEAKER

DUAL: 4

Ω

MIN. /SPEAKER

A OR B: 8

Ω

MIN. /SPEAKER

A B: I6

Ω

MIN. /SPEAKER

REAR

CENTER

MAIN

IMPEDANCE SELECTOR

(U.S.A. model)

CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.

English

Battery installation

Battery replacement

If you find that the remote control transmitter must be used

closer to the main unit, the batteries are weak. Replace both

batteries with new ones.

Notes

●

Use only AA, R6, UM-3 batteries for replacement.

●

Be sure the polarities are correct. (See the illustration inside

the battery compartment.)

●

Remove the batteries if the remote control transmitter will not

be used for an extended period of time.

●

If batteries leak, dispose of them immediately. Avoid

touching the leaked material or letting it come in contact with

clothing, etc. Clean the battery compartment thoroughly

before installing new batteries.

●

After you change batteries, make sure to press the RESET

button inside the battery compartment.

Remote control transmitter operation range

Notes

●

There should be no large obstacles between the remote

control transmitter and the main unit.

●

If the remote control sensor is directly illuminated by strong

lighting (especially an inverter type of fluorescent lamp etc.),

it might cause the remote control transmitter not to work

correctly. In this case, reposition the main unit to avoid direct

lighting.

–dB

30°

Remote control

sensor

Within approximately

6 m (19.7 feet)

NOTES ABOUT THE REMOTE CONTROL TRANSMITTER

PROFILE OF THIS UNIT

This unit incorporates a sophisticated, multi-program digital

sound field processor. The processor allows you to

electronically expand and change the shape of the audio sound

field from both audio and video sources, creating a theater-like

experience in your listening room. This unit has a total of 10

digital sound field processor (DSP) modes. You can create an

excellent audio sound field by selecting a suitable sound field

(this will, of course, depend on what you will be listening to),

and adding desired adjustments.

In addition, this unit incorporates a Dolby Pro Logic Surround

decoder and Dolby Digital (AC-3) decoder for multi-channel

sound reproduction of Dolby Surround encoded video sources.

The operation of the Dolby Pro Logic Surround or Dolby Digital

(AC-3) decoder can be controlled by selecting a corresponding

DSP program including combined operations of the Yamaha

DSP and the Dolby Pro Logic Surround or Dolby Digital (AC-3)

decoder.

Digital Sound Field Processing

What is it that makes live music so good? Today’s advanced

sound reproduction technology lets you get extremely close to

the sound of a live performance, but chances are you’ll still

notice something missing, the acoustic environment of the live

concert hall. Extensive research into the exact nature of the

sonic reflections that create the ambience of a large hall has

made it possible for Yamaha engineers to bring you this same

sound in your own listening room, so you’ll feel all the sound of

a live concert.

Furthermore, our technicians, armed with sophisticated

measuring equipment, have even made it possible to capture

the acoustics of a variety of actual concert halls, jazz clubs,

theaters, etc. from around the world, to allow you to accurately

recreate any one of these live performance environments, all in

your own home.

Dolby Pro Logic Surround

This unit employs a Dolby Pro Logic Surround decoder similar

to professional Dolby Stereo decoders used in many movie

theaters. By using the Dolby Pro Logic Surround decoder, you

can experience the dramatic realism and impact of Dolby

Surround movie theater sound in your own home. Dolby Pro

Logic employs a four channel five speaker system. The Pro

Logic Surround system divides the input signal into four levels:

the left and right main channels, the center channel (used for

dialog), and the rear surround sound channels (used for sound

effects, background noise, and other ambient noises). The

center channel allows listeners seated in even less-than-ideal

positions to hear the dialog originating from the action on the

screen while experiencing good stereo imaging.

Dolby Surround is encoded on the sound track of pre-recorded

video tapes, laser discs, and some TV/cable broadcasts. When

you play a source encoded with Dolby Surround on this unit,

the Dolby Pro Logic Surround decoder decodes the signal and

distributes the surround-sound effects.

This Dolby Pro Logic Surround Decoder employs a digital

signal processing system. This system improves the stability of

sound at each channel and crosstalk between channels, so

that positioning of sounds around the room is more accurate

compared with conventional analog signal processing systems.

In addition, this unit features a built-in automatic input balance

control. This always assures you the best performance without

manual adjustment.

Dolby Digital (AC-3)

The built-in Dolby Digital (AC-3) Decoder leads you into a

totally new sound experiences.

Dolby Digital (AC-3) is a new generation of multi-channel digital

audio technology, or the newest spatial sound processing

format developed for 35 mm film-movies by employing a new

kind of low bit-rate audio coding.

Dolby Digital (AC-3) is a digital surround sound system that

provides completely independent multi-channel audio to

consumers. In multi-channel form, Dolby Digital (AC-3)

provides five full range channels in what is sometimes referred

to as a “3/2” configuration: three front channels (left, center and

right), plus two surround channels. A sixth bass-only effect

channel is also provided for output of LFE (low frequency

effect), or low bass effects that are independent of other

channels. This channel is counted as 0.1, thus giving rise to

the term 5.1 channels in total.

Compared to Dolby Pro Logic that is referred to a “3/1” system

(left front, center, right front and just one surround channel),

Dolby Digital (AC-3) features two surround channels, called

stereo or split surrounds, each offering the same full range

fidelity as the three front channels.

Sound of wide dynamic range reproduced by the five full range

channels presents listeners much excitement that has never

been experienced before. Precise sound orientation by the

discrete digital sound processing expands realism that the

original movie possesses.

Laser Disc and DVD are home audio formats that could benefit

from Dolby Digital (AC-3). In the near future, Dolby Digital (AC-

3) will also be applied to DBS, CATV and HDTV. The ongoing

release of Dolby Stereo Digital theatrical films now underway

will provide an immediate source of Dolby Digital (AC-3)

encoded video software.

English

Dolby Surround + DSP (CINEMA DSP)

Dolby Surround sound system shows its full ability in a large

movie theater, because movie sounds are originally designed

to be reproduced in a large movie theater using many

speakers. It is difficult to create a sound environment similar to

that of a movie theater in your listening room, because the

room size, materials of inside walls, the number of speakers,

etc. of your listening room is much different from those of a

movie theater.

Yamaha DSP technology made it possible to present you with

nearly the same sound experience as that of a large movie

theater in your listening room by compensating for lack of

presence and dynamics in your listening room with its original

digital sound fields combined with Dolby Surround sound field.

The YAMAHA “CINEMA DSP” logo indicates those programs

are created by the combination of Dolby Surround and

YAMAHA DSP technology.

Manufactured under license from Dolby Laboratories Licensing

Corporation. “Dolby”, “AC-3”, “Pro Logic”, and the double-D

symbol are trademarks of Dolby Laboratories Licensing

Corporation.

The following original functions make the surround-sound

effect of Dolby Digital (AC-3) become the most suitable for your

audio system and the listening conditions.

● Dynamic range (sound scale) of source can be

changed so that it will be suitable for the listening

conditions.

● Output of low bass from any channel can be assigned

to either the MAIN SPEAKERS terminals or

SUBWOOFER terminal to maximize system

performance.

● Output of LFE can be assigned to either the MAIN

SPEAKERS terminals or SUBWOOFER terminal to

maximize system performance.

Dolby Pro Logic + 2 Digital Sound Fields

Digital sound fields are created on the presence side and

the rear surround side of the Dolby Pro Logic Surround-

decoded sound field respectively. They create a wide

acoustic environment and emphasize surround-effect in the

room, letting you feel much presence as if you are watching

a movie in a popular Dolby Stereo theater.

This combination is available when the sound field program

No. 2, No. 3 or No. 4 is selected, and the input signal of

source is analog, PCM audio or encoded with the Dolby

Digital (AC-3) in 2-channels.

Dolby Digital (AC-3) + 3 Digital Sound Fields

Digital sound fields are created on the presence side and

the independent left and right surround sides of the Dolby

Digital (AC-3)-decoded sound field respectively. They

create a wide acoustic environment and much surround

effect in the room without losing high channel separation.

With wide dynamic range of Dolby Digital (AC-3) sound, this

sound field combination lets you feel as if you are watching

a movie in the newest Dolby Stereo Digital theater. This will

be the most ideal home theater sound at the present time.

This combination is available when the sound field program

No. 2, No. 3 or No. 4 is selected, and the input signal of

source is encoded with the Dolby Digital (AC-3) (except in

2-channels).

CINEMA DSP

SPEAKER SETUP

SPEAKERS TO BE USED

SPEAKER CONFIGURATION

5-Speaker Configuration

This configuration is the most effective and recommended one.

When playing back a source using the DSP program,

DIGITAL (PRO LOGIC), DIGITAL (PRO LOGIC)

ENHANCED, DIGITAL (70 mm) MOVIE THEATER or TV

SPORTS, or when playing back a source which contains

center-channel signals (dialog, vocals, etc.) using any DSP

program with the Dolby Digital (AC-3) decoded, conversations

will be output from the center speaker and the ambience will be

excellent.

Note: Set the CENTER SPEAKER mode to the “NORMAL” or

“WIDE” position. (For details, refer to page 22.)

4-Speaker Configuration

The center speaker is not used in this configuration. When

playing back a source using the DSP program, DIGITAL

(PRO LOGIC), DIGITAL (PRO LOGIC) ENHANCED,

DIGITAL (70 mm) MOVIE THEATER or TV SPORTS, or when

playing back a source which contains center-channel signals

(dialog, vocals, etc.) using any DSP program with the Dolby

Digital (AC-3) decoded, the center sound is output from the left

and the right main speakers. However, the sound effect of

other programs can be the same as that of the 5-speaker

configuration.

Note: Be sure to set the CENTER SPEAKER mode to the

“PHANTOM” position. (For details, refer to page 22.)

Front L Center Front R

Dialogue

Surround sound

Dialogue

Surround sound

Rear L

Rear R

Front L Front R

Dialogue

Surround sound

Dialogue

Surround sound

Rear L Rear R

Main L

Main R

Main L

Main R

This unit is designed to provide the best sound-field quality

with a 5 speaker configuration, using main speakers, rear

speakers and a center speaker.

The main speakers are used for the main source sound plus

the effect sounds. They will probably be the speakers from

your present stereo system. The rear speakers are used for

the effect and surround sounds, and the center speaker is for

the center sounds (dialog, vocals, etc.). If for some reason it is

not practical to use a center speaker, you can do without it.

Best results, however, are obtained with the full system.

The main speakers should be high performance models and

have enough power handling capacity to accept the maximum

output of your audio system.

Other speakers do not have to be equal to the main speakers.

For precise sound localization, however, it is ideal to use high

performance models that can reproduce sounds in full range

for the center speaker and the rear speakers.

Use of a subwoofer expands your sound field

It is also possible to further expand your system with the

addition of a subwoofer and amplifier. The use of a subwoofer

is effective not only for reinforcing bass frequencies from any

or all channels, but also for reproducing the LFE (low

frequency effect) sound with high fidelity when playing back a

source with the Dolby Digital (AC-3) decoded. You may wish to

choose the convenience of a Yamaha Active Servo Processing

Subwoofer System, which has its own built-in power amplifier.

English

SPEAKER PLACEMENT

When you place speakers, refer to the following.

Main: In normal position. (The position of your present

stereo speaker system.)

Rear: Behind your listening position, facing slightly inward.

Nearly 1.8 m (approx. 6 feet) up from the floor.

Center: Precisely between the main speakers. (To avoid

interference with TV sets, use a magnetically shielded

speaker.)

Subwoofer:

The position of the subwoofer is not so critical

because low bass tones are not highly directional.

Main speaker

Center speaker

Rear speaker

Subwoofer

CONNECTIONS

Never plug in this unit and other components until all connections are completed.

CONNECTIONS WITH OTHER COMPONENTS

When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left)

to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.

* If you have YAMAHA components numbered as 1, 3, 4, etc. on the rear panel, connections can be made easily by making sure

to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.

: See the next page.

ANT

GND

Ω

UNBAL.

GND

MONITOR

OUT

DVD/LD TV/DBS

IN OUT

VCR

VIDEO SIGNALS VIDEO SIGNAL

MONITOR

OUT

IN OUT

VCR

MAIN CENTER REAR

(SURROUND)

OUTPUT

SUB

WOOFER

ON SCREEN SELECTOR

S VIDEO VIDEO

SWITCHED

I20V 60Hz

I00W MAX. TOTAL

AC OUTLETS

REMOTE CONTROL

IN OUT

COAXIAL

DVD/LD

OPTICAL

DVD/LD TV/DBS

PCM/ DIGITAL IN

(AC

–

3 DIGITAL IN)

PHONO CD TAPE

MD DVD/LD TV/DBS VCR

TAPE PB REC OUT

IN OUT

AUDIO SIGNAL

1 3 4

—

I0 d B 0dB

MAIN LEVEL

IMPEDANCE SELECTOR

: 6

Ω

MIN. /SPEAKER

SINGLE: 6

Ω

MIN. /SPEAKER

DUAL: 3

Ω

MIN. /SPEAKER

A OR B: 4

Ω

MIN. /SPEAKER

A B: 8

Ω

MIN. /SPEAKER

SET BEFORE POWER ON

REAR

CENTER

MAIN

: 8

Ω

MIN. /SPEAKER

SINGLE: 8

Ω

MIN. /SPEAKER

DUAL: 4

Ω

MIN. /SPEAKER

A OR B: 8

Ω

MIN. /SPEAKER

A B: I6

Ω

MIN. /SPEAKER

REAR

CENTER

MAIN

VIDEO IN

GND

OUTPUT

LINE OUT

LINE IN

AUDIO OUT

VIDEO OUT

AUDIO OUT

AUDIO IN

VIDEO IN

VIDEO OUT

(U.S.A. model)

To AC outlet

Turntable LD player, DVD player, etc.

Video cassette recorder

TV/Satellite tuner

Tape deck,

MD recorder, etc.

CD player

Monitor TV

English

AC OUTLET(S) (SWITCHED)

(U.S.A., Canada, Singapore, China and General models)

......................................................... 2 SWITCHED OUTLETS

(Australia model) ................................. 1 SWITCHED OUTLET

Use these to connect the power cords from your components

to this unit.

The power to the SWITCHED outlets is controlled by this unit’s

STANDBY/ON switch or the provided remote control

transmitter’s SYSTEM POWER ON and STANDBY keys.

These outlets will supply power to any component whenever

this unit is turned on.

The maximum power (total power consumption of components)

that can be connected to the SWITCHED AC OUTLET(S) is

100 watts.

GND terminal (For turntable use)

Connecting the ground wire of the turntable to the GND

terminal will normally minimize hum, but in some cases better

results may be obtained with the ground wire disconnected.

n CONNECTING TO VIDEO AUX TERMINALS (ON THE FRONT PANEL)

These terminals are used to connect any video input source such as a camcorder to this unit.

S VIDEO

VIDEO

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VIDEO OUT

S VIDEO OUT

AUDIO OUT L

AUDIO OUT R

For Custom Installer

For U.S.A., Canada and Australia models only

REMOTE CONTROL (IN, OUT) terminals

These terminals are used for custom installation system.

When this unit is connected to the components for custom

installation system, you can operate this unit with the

system remote control.

Connect the REMOTE CONTROL IN terminal of this unit to

the output terminal of the central controller for custom

installation system.

By connecting the REMOTE CONTROL OUT terminal of

this unit to the REMOTE CONTROL IN terminal of the other

component, you can also operate it with the system remote

control. In this way, up to 6 components can be connected

in series.

Ω

UNBAL.

GND

MONITOR

OUT

DVD/LD

S VIDEO SIGNAL VIDEO S

MONITOR

OUT

IN OUT

VCR

ON SCREEN SELECTOR

S VIDEO VIDEO

REMOTE CONTROL

IN OUT

(AC-3 DIGITAL IN)

COAXIAL

DVD/LD

OPTICAL

DVD/LD

PCM/ DIGITAL IN

Camcorder

CONNECTING TO DIGITAL (OPTICAL AND COAXIAL) TERMINALS

If your DVD (LD) player, TV/satellite tuner, etc. are equipped

with coaxial or optical digital audio signal output terminals, they

can be connected to this unit’s COAXIAL and/or OPTICAL

digital signal input terminals.

To make a connection between optical digital audio signal

terminals, remove the cover from each terminal, and then

connect them by using a commercially available optical fiber

cable that conforms to EIAJ standards. Other cables might not

function correctly.

Even if you connect an audio/video unit to the OPTICAL (or

COAXIAL) terminal of this unit, you must keep the unit

connected with the same named analog audio signal terminals

of this unit, because digital signal cannot be recorded by a tape

deck or VCR connected to this unit. You can switch the

selection of input signals between “digital” and “analog” easily.

(See page 29 for details.)

Notes

●

When connecting an audio/video unit to both of the digital

and analog terminals of this unit, make sure to connect to

both terminals of the same name.

●

Be sure to attach the covers when the OPTICAL terminals

are not being used, in order to protect the terminals from

dust.

●

All digital audio signal input terminals are applicable to the

sampling frequency of 32 kHz, 44.1 kHz and 48 kHz.

ANT

GND

Ω

UNBAL.

GND

MONITOR

OUT

DVD/LD TV/DBS

IN OUT

VCR

VIDEO SIGNALS VIDEO SIGNAL

MONITOR

OUT

IN OUT

VCR

ON SCREEN SELECTOR

S VIDEO VIDEO

REMOTE CONTROL

IN OUT

COAXIAL

DVD/LD

OPTICAL

DVD/LD TV/DBS

PCM/ DIGITAL IN

(AC

–

3 DIGITAL IN)

PHONO CD TAPE

MD DVD/LD TV/DBS VCR

TAPE PB REC OUT

IN OUT

AUDIO SIGNAL

1 3 4

COAXIAL

DIGITAL OUT

OPTICAL

DIGITAL

OUT

COAXIAL

DIGITAL

OUT

ANALOG

OUT

ANALOG

OUT

DVD (LD) player

TV/Satellite tuner

(U.S.A. model)

If your LD player has AC-3 RF signal output terminal and no

digital signal output terminal for AC-3 discrete audio signals,

connect the AC-3 RF signal output terminal to this unit’s

OPTICAL (or COAXIAL) digital signal input terminal by using

an RF demodulator (separate purchase).

First, connect the AC-3 RF signal output terminal of the LD

player to the AC-3 RF signal input terminal of the RF

demodulator. Next, connect the optical (or coaxial) digital

signal output terminal of the RF demodulator to the OPTICAL

(or COAXIAL) digital signal input terminal of this unit.

This connection is necessary for sending audio signals

encoded with the Dolby Digital (AC-3) from the LD player to

this unit.

It is also necessary to connect the LD player to this unit’s

analog audio signal input terminals regardless of the AC-3 RF

signal connection, for playing back an LD source with the

Dolby Pro Logic Surround decoded or in normal stereo (or

monaural).

If desired, you can also connect the digital signal output

terminal (for 2-channel audio signals) of the LD player to this

unit. If you will do so, connect it to the COAXIAL digital signal

input terminal of this unit, and connect the RF demodulator to

the OPTICAL digital signal input terminal of this unit.

By this connection, if the input mode of the DVD/LD source is

in “AUTO”, you can enjoy listening to sounds with the Dolby

Digital (AC-3) decoded when you play a disc encoded with the

Dolby Digital (AC-3) though signals are input to both OPTICAL

and COAXIAL digital signal input terminals of this unit

simultaneously (because signals input to the OPTICAL terminal

take priority of signals input to the COAXIAL terminal).

See page 29 for details about switching the input mode.

ANT

GND

Ω

UNBAL.

GND

MONITOR

OUT

DVD/LD TV/DBS

IN OUT

VCR

VIDEO SIGNALS VIDEO SIGNAL

MONITOR

OUT

IN OUT

VCR

ON SCREEN SELECTOR

S VIDEO VIDEO

REMOTE CONTROL

IN OUT

COAXIAL

DVD/LD

OPTICAL

DVD/LD TV/DBS

PCM/ DIGITAL IN

(AC

–

3 DIGITAL IN)

PHONO CD TAPE

MD DVD/LD TV/DBS VCR

TAPE PB REC OUT

IN OUT

AUDIO SIGNAL

1 3 4

COAXIAL

DIGITAL OUT

COAXIAL

DIGITAL OUT

OPTICAL

DIGITAL OUT

AC-3

RF OUT

AC-3

RF IN

ANALOG

OUT

English

Notes on connecting with an LD player equipped with an AC-3 RF output

RF demodulator

(YAMAHA APD-1 etc.)

(U.S.A. model)

Notes

●

If your LD player has an OPTICAL digital output terminal

(for 2-channel audio signals), be sure not to connect it to

this unit’s OPTICAL digital input terminal. If you do so,

when you play a disc encoded with the Dolby Digital (AC-3),

the Dolby Digital (AC-3) will not be decoded because the 2-

channel audio signals input to this unit’s OPTICAL digital

input terminal are selected prior to the signals encoded with

the Dolby Digital (AC-3) input to this unit’s COAXIAL digital

input terminal by way of an RF demodulator.

●

If, for example, you play a CD on the LD player (which can

play a CD also), there is no input to the OPTICAL terminal,

so the signals input to the COAXIAL terminal take priority. In

this case, switch off the RF demodulator to listen to CD

sound surely. However, if your RF demodulator is the

Yamaha model APD-1, you do not have to switch it off.

●

When you want to play a source encoded with the Dolby

Digital (AC-3) without decoding the Dolby Digital (AC-3),

you must switch off the power to the RF demodulator.

LD player

If you have a video cassette recorder and a monitor equipped

with “S” (high-resolution) video terminals, those terminals can

be connected to this unit’s S VIDEO SIGNAL terminals.

Connect the video cassette recorder’s “S” video input and

output terminals to this unit’s S VIDEO SIGNAL VCR IN and

OUT terminals respectively, and connect the monitor’s “S”

video input terminal to this unit’s S VIDEO SIGNAL MONITOR

OUT terminal. Otherwise, connect the video cassette

recorder’s composite video terminals to this unit’s composite

video terminals, and connect the monitor’s composite video

input terminal to this unit’s composite MONITOR OUT terminal.

Note

If video signals are sent to both S VIDEO SIGNAL input

and composite input terminals, the signals will be sent to

their respective output terminals.

MONITOR

OUT

DVD/LD TV/DBS

IN OUT

VCR

VIDEO SIGNALS VIDEO SIGNAL

MONITOR

OUT

IN OUT

VCR

ON SCREEN

SELECTOR

PAL NTSC

S VIDEO VIDEO

S VIDEO IN

VIDEO IN

S VIDEO

OUT

S VIDEO

VIDEO OUT

VIDEO IN

Video cassette recorder

Monitor TV

If you connect a video cassette recorder, LD player, video

monitor, etc. to this unit, you can display DSP program

names and information about other settings and adjustments

on the video monitor screen which is connected to the

composite VIDEO SIGNAL (or S VIDEO SIGNAL)

MONITOR OUT terminal of this unit. Information is

superimposed over the video image.

If there is no program material on the monitor, the

information will be displayed over a monochromatic

background.

By using the ON SCREEN SELECTOR S VIDEO/VIDEO

switch, select the video monitor connected to the S VIDEO

SIGNAL MONITOR OUT terminal or composite VIDEO

SIGNAL MONITOR OUT terminal on which you want to

display the screen display information.

ON SCREEN SELECTOR S VIDEO/VIDEO switch

S VIDEO: In this position, the screen display information is

displayed on the video monitor connected to the

S VIDEO SIGNAL MONITOR OUT terminal.

VIDEO: In this position, the screen display information is

displayed on the video monitor connected to the

composite VIDEO SIGNAL MONITOR OUT

terminal.

PAL/NTSC switch (China and General models only)

This unit is designed for use with the NTSC and PAL

television formats. Set this switch to the position for the

format your monitor TV employs.

PAL: Outputs signals in the PAL format no matter which

format (PAL or NTSC) of video signal is sent from

an external video unit to this unit.

Set to this position if your monitor TV employs the

PAL format.

NTSC: Outputs signals in the NTSC format no matter which

format (PAL or NTSC) of video signal is sent from

an external video unit to this unit.

Set to this position if your monitor TV employs the

NTSC format.

Note

Make sure to input a video signal which employs the same

format that your monitor TV employs, otherwise a picture will

not be played back normally.

ON SCREEN DISPLAY

(General model)

n CONNECTING TO S VIDEO SIGNAL TERMINALS

English

CONNECTING SPEAKERS

MAIN CENTER REAR

(SURROUND)

OUTPUT

SUB

WOOFER

REAR

(SURROUND)

CENTER

DUAL

SINGLE

CAUTION

SEE INSTRUCTION MANUAL FOR CORRECT SETTING.

MAIN

SPEAKERS

—

I0 d B 0d B

MAIN LEVEL

IMPEDANCE SELECTOR

: 6

Ω

MIN. /SPEAKER

SINGLE: 6

Ω

MIN. /SPEAKER

DUAL: 3

Ω

MIN. /SPEAKER

A OR B: 4

Ω

MIN. /SPEAKER

A B: 8

Ω

MIN. /SPEAKER

SET BEFORE POWER ON

REAR

CENTER

MAIN

: 8

Ω

MIN. /SPEAKER

SINGLE: 8

Ω

MIN. /SPEAKER

DUAL: 4

Ω

MIN. /SPEAKER

A OR B: 8

Ω

MIN. /SPEAKER

A B: I6

Ω

MIN. /SPEAKER

REAR

CENTER

MAIN

Rear speaker Rear speaker

Center speaker

Main speakers B

Left

Right

Left

See the

page.

Right

Main speakers A

Subwoofer system

Left

Right

Note

Use speakers with the specified impedance shown on the

rear of this unit.

Note on main speaker connections:

One or two speaker systems can be connected to this unit. If

you use only one speaker system, connect it to either the

SPEAKERS A or B terminals.

Note on a subwoofer connection:

You may wish to add a subwoofer to reinforce low frequencies

or to output low bass sound from the subwoofer channel when

reproducing discrete signals.

Connect the SUBWOOFER OUTPUT terminal of this unit to

the INPUT terminal of the subwoofer amplifier, and connect the

speaker terminals of the subwoofer amplifier to the subwoofer.

With some subwoofers, including the Yamaha Active Servo

Processing Subwoofer System, the amplifier and subwoofer

are in the same unit.

Note on center speaker connection:

One or two center speakers can be connected to this unit. If

you cannot place the center speaker on or under the TV, it is

recommended to use two center speakers and place them on

both sides of the TV to orient the center sound at the center

position. For connecting two center speakers, follow the

method shown below.

REAR

(SURROUND)

CENTER

DUAL

SINGLE

Center speaker

(U.S.A. model)

For connecting to the MAIN SPEAKERS terminals

Red: positive (+)

Black: negative (–)

➀

Unscrew the knob.

➁

Insert the bare wire.

[Remove approx. 5mm

(1/4”) insulation from

the speaker wires.]

➂

Tighten the knob and

secure the wire.

<U.S.A., Canada, China and General models only>

Banana Plug connections are also possible. Simply insert the

Banana Plug connector into the corresponding terminal.

For connecting to the REAR and CENTER SPEAKERS

terminals

Red: positive (+)

Black: negative (–)

➀

Press the tab.

➁

Insert the bare wire.

[Remove approx. 5mm

(1/4”) insulation from

the speaker wires.]

➂

Release the tab and

secure the wire.

➁

➂

➀

How to Connect:

Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are

faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –

markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.

Caution

Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damage

this unit and/or speakers.

MAIN LEVEL switch

Normally set to “0 dB”. If desired, you can decrease the

output level at the MAIN SPEAKERS terminals by 10 dB by

setting this switch to “–10 dB”.

—

I0 dB 0 dB

MAIN LEVEL

English

MAIN OUTPUT terminals

These terminals are for main channel line output. There is no

connection to these terminals when you use the built-in

amplifier.

However, if you drive main speakers with an external stereo

power amplifier, connect the input terminals of the external

amplifier (MAIN IN or AUX terminals of a power amplifier or an

integrated amplifier) to these terminals.

* Output signals from the MAIN OUTPUT terminals are

affected by the use of BASS, TREBLE, BALANCE controls

and BASS EXTENSION switch.

CENTER OUTPUT terminal

This terminal is for center channel line output. There is no

connection to this terminal when you use the built-in amplifier.

However, if you drive a center speaker with an external power

amplifier, connect the input terminal of the external amplifier to

this terminal.

REAR (SURROUND) OUTPUT terminals

These terminals are for rear channel line output. There is no

connection to these terminals when you use the built-in

amplifier.

However, if you drive rear speakers with an external stereo

power amplifier, connect the input terminals of the external

amplifier (MAIN IN or AUX terminals of a power amplifier or an

integrated amplifier) to these terminals.

SUBWOOFER OUTPUT terminal

This terminal is for connecting with the input terminal of an

amplifier for driving a subwoofer.

When the input signals to this unit are in normal 2-channel

stereo, this terminal outputs only frequencies below 150 Hz

(200 Hz for General model only) from the main and center

channels. When discrete signals are input to this unit and are

selected as the input source, this terminal outputs signals from

the subwoofer channel.

Note

Output level of signals from all of these terminals are

adjusted by the use of VOLUME control on the front panel

or MASTER VOLUME keys on the remote control

transmitter.

n OUTPUT terminals (for driving speakers with external amplifiers)

Be sure to switch this only when the power to this unit is not on.

Select the position whose requirements your speaker system

meets.

WARNING

Do not change the IMPEDANCE SELECTOR switch

setting while the power to this unit is on, otherwise this

unit may be damaged.

IF THIS UNIT FAILS TO TURN ON WHEN THE

STANDBY/ON SWITCH IS PRESSED

The IMPEDANCE SELECTOR switch may not be set to

either end closely. If so, set the switch to either end closely.

(Upper position)

Rear: The impedance of each speaker must be 6Ω or

higher.

Center: If you use one center speaker, the impedance of the

speaker must be 6Ω or higher.

If you use two center speakers, the impedance of

each speaker must be 3Ω or higher.

Main: If you use one pair of main speakers, the impedance

of each speaker must be 4Ω or higher.

If you use two pairs of main speakers, the impedance

of each speaker must be 8Ω or higher.

(Lower position)

Rear: The impedance of each speaker must be 8Ω or

higher.

Center: If you use one center speaker, the impedance of the

speaker must be 8Ω or higher.

If you use two center speakers, the impedance of

each speaker must be 4Ω or higher.

Main:

If you use one pair of main speakers, the impedance

of each speaker must be 8Ω or higher.

If you use two pairs of main speakers, the

impedance of each speaker must be 16Ω or higher.

The impedance of each speaker must be 8Ω or

higher.

n IMPEDANCE SELECTOR switch

SWITCHED

I20V 60Hz

I00W MAX. TOTAL

AC OUTLETS

IMPEDANCE SELECTOR

: 6

Ω

MIN. /SPEAKER

SINGLE: 6

Ω

MIN. /SPEAKER

DUAL: 3

Ω

MIN. /SPEAKER

A OR B: 4

Ω

MIN. /SPEAKER

A B: 8

Ω

MIN. /SPEAKER

SET BEFORE POWER ON

REAR

CENTER

MAIN

: 8

Ω

MIN. /SPEAKER

SINGLE: 8

Ω

MIN. /SPEAKER

DUAL: 4

Ω

MIN. /SPEAKER

A OR B: 8

Ω

MIN. /SPEAKER

A B: I6

Ω

MIN. /SPEAKER

REAR

CENTER

MAIN

MAIN CENTER REAR

(SURROUND)

OUTPUT

SUB

WOOFER

(U.S.A. model)

IMPEDANCE SELECTOR

ANTENNA CONNECTIONS

●

Each antenna should be connected to the designated terminals correctly, referring to the following diagram.

●

Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal

strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience

poor reception quality, an outdoor antenna may result in improvement.

Connecting the AM loop antenna

* The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall.

* The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.

GND terminal

For maximum safety and minimum interference, connect the

GND terminal to a good earth ground. A good earth ground is

a metal stake driven into moist earth.

Notes

●

When connecting the indoor

FM antenna, insert its

connector into the FM ANT

terminal firmly.

●

If you need an outdoor

FM antenna to improve

FM reception quality, either

300-ohm feeder or coaxial cable may be used. In locations

troubled by electrical interference, coaxial cable is

preferable.

ANT

GND

75Ω UNBAL.

GND

PHONO

➀

➁

➂

Orient so that the best

reception is obtained.

1 2 3

Outdoor FM antenna

Outdoor AM antenna

AM loop

antenna

(included)

Ground

75-ohm/300-ohm

antenna adapter

75-ohm/300-ohm

antenna adapter

75-ohm coaxial cable

300-ohm feeder

Indoor FM

antenna

(included)

English

CONTROLS AND THEIR FUNCTIONS

FRONT PANEL

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

SPORTS

STADIUM

STANDBY/ON

NATURAL SOUND AV RECEIVER

RX–V793

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

–dB

BASS

EXTENSION

TONE

BYPASS

CINEMA DSP

DELAY/CENTER

/REAR/SWFR

MAN’L

AUTO FM

TUNING

MODE

AUTO

MAN’L MONO

SET

DISCO

CONCERT

HALL

ROCK

CONCERT

EFFECT

CHURCHJAZZ CLUB

DOWN

TUNING

MEMORY

EDIT

VCR DVD

LDTV

DBS

TAPE/MD

MONITOR

VIDEO AUX

TUNER

PHONO

2 3 4 5 6 7 8

PRESET

kHz

MHz

MEMORY

SLEEPAUTO

TAPE 2 MONITOR

DIGITAL

STEREO

l00

ROOM 2 CONTROL

NORMAL WIDEPHANTOM

40 60

SPEAKERS

RT PS

PTY

PTY HOLD

EON

NEWS

INFO AFFAIRS SPORT

PCM AC

—

DSP

PRO LOGIC

DIGITALDIGITAL

AUTO TUNING

SPEAKERS

ROOM 2

ENHANCED

0AB C D E F GH

234567

1 STANDBY/ON switch

Press this switch to turn the power to this unit on. Press it

again to turn this unit into the standby mode.

* When you press this switch to turn the power on, you will

hear a click and a sound of the built-in fan rotating for a

moment.

Standby mode

In this state, this unit consumes a very small quantity of

power to receive infrared-signals from the remote control

transmitter.

2 Remote control sensor

Receives signals from the remote control transmitter.

3 Display panel

Shows various information. (For details, refer to page 21.)

4 Input selector buttons

Select a program source to listen to or watch. When a button is

pressed, the name of selected source appears on the display.

5 DSP program selector buttons

Select a DSP program. When a button is pressed, the name of

selected program lights up on the display.

6 EFFECT button

Switches on and off the output from the center and rear

speakers so that the sound becomes normal 2-channels.

* Even if the output from the center and rear speakers is off,

when the Dolby Digital (AC-3) is decoded, signals at all

channels are distributed to the main channels and output

from the main speakers.

7 VOLUME control

Used to raise or lower the volume level.

8 PHONES jack

When you listen with headphones, connect the headphones to

the PHONES jack. You can listen to the sound to be output

from the main speakers through headphones.

When listening with headphones privately, set both the

SPEAKERS A and B switches to the OFF position and switch

off the digital sound field processor (so that no DSP program

name is illuminated on the display) by pressing the EFFECT

button.

9 SPEAKERS switches

Set the switch A or B (or both A and B) for the main speaker

system (connected to this unit) you will use to the ON position.

Set the switch for the main speaker system you will not use to

the OFF position.

0 A/B/C/D/E button

Press this button to select a desired group (A–E) of preset

stations.

PHONES

BASS EXTENSION switch

When this switch is pressed inward (ON), boosts bass

frequency response at the main left and main right channels

while maintaining overall tonal balance. If you do not have a

subwoofer, the use of this switch will be effective to reinforce

the bass frequencies.

B TONE BYPASS switch

When this switch is pressed inward (ON), the input signal does

not pass through the tone (BASS and TREBLE) control

circuitry so that it is unaffected by the tone control circuitry. Use

this switch to obtain pure sound and to check the tone control

setting. Press this switch to release it outward (OFF) to use the

tone control circuitry.

C Preset station number selector buttons

Select a preset station number (1 to 8).

D Tone controls

These controls are effective only for the sound from the main

speakers.

BASS

Used to increase or decrease the low frequency response.

The 0 position produces flat response.

TREBLE

Used to increase or decrease the high frequency response.

The 0 position produces flat response.

E BALANCE control

This control is effective only for the sound from the main

speakers.

Adjusts the balance of the output volume to the left and right

speakers to compensate for sound imbalance caused by

speaker location or listening room conditions.

F FM/AM button

Press this button to switch the reception band to FM or AM.

G MEMORY (MAN’L/AUTO FM) button

When this button is pressed, the “MEMORY” indicator flashes

for about 5 seconds. During this period, select a desired

preset station number by pressing the corresponding preset

station number selector button to enter the displayed station

into the memory.

When this button is pressed and held for more than 3 seconds,

the automatic preset tuning begins. (For details, refer to page

34.)

H EDIT button

This button is used to exchange the places of two preset

stations with each other.

I TUNING DOWN/UP button

Used for tuning. Press the “UP” side to tune in to higher

frequencies, and press the “DOWN” side to tune in to lower

frequencies.

J TUNING MODE (AUTO/MAN’L MONO) button

Press this button to switch the tuning mode to automatic or

manual. To select the automatic tuning mode, press this

button so that the “AUTO TUNING” indicator lights up on the

display. To select the manual tuning mode, press this button

so that the “AUTO TUNING” indicator goes off.

K DELAY/CENTER/REAR/SWFR button

Whenever pressed, selects the item of changing delay time

(DELAY), center speaker output level (CENTER), rear speaker

output level (REAR) and subwoofer output level (SWFR) in

turn.

* Depending on a mode of this unit, the number of selections

differs. For example, when the built-in digital sound field

processor (including the Dolby Pro Logic Decoder or the

Dolby Digital (AC-3) Decoder) is off, only the item for

changing subwoofer output level can be selected.

L –/+ button

Adjusts the level of item selected by pressing the

DELAY/CENTER/REAR/SWFR button. Moreover, performs

setting changes and adjustments for functions selected by

pressing the SET MENU button.

M SET MENU button

Whenever pressed, selects functions in the SET MENU mode.

N VIDEO AUX terminals

Connect an auxiliary video or audio input source unit such as a

camcorder to these terminals. If the connected video unit has a

S video output terminal, connect it to the S VIDEO terminal to

obtain a high resolution picture. The source connected to these

terminals can be selected by the corresponding input selector

button.

English

DISPLAY PANEL

PRESET

kHz

MHz

MEMORY

SLEEP

TAPE 2 MONITOR

DIGITAL

STEREO

l00

ROOM 2 CONTROL

NORMAL WIDE PHANTOM

AUTO

40 60

SPEAKERS

PCM

DSP

PRO LOGIC

AUTO TUNING

SPEAKERS

ROOM 2

ENHANCED

DIGITAL

32456 789

1 Multi-information display

Displays various information, for example station frequency,

preset station number and name of selected input source.

2 MEMORY indicator

When the MEMORY button is pressed, this indicator flashes

for about 5 seconds. During this period, the displayed station

can be programmed to the memory by using the A/B/C/D/E

button and the preset station number selector buttons.

3 AUTO TUNING indicator

Lights up when this unit is in the automatic tuning mode.

4 TAPE MONITOR indicator

Lights up when the tape deck (or MD recorder etc.) is selected

as the input source by pressing the TAPE/MD MONITOR

button.

5 STEREO indicator

Lights up when an FM stereo broadcast with sufficient signal

strength is received.

6 Signal-level meter

Indicates the signal level of the received station.

If multipath interference is detected, the indication decreases.

7 DIGITAL, DSP and PRO LOGIC indicators

“ DIGITAL” lights up when the built-in Dolby Digital (AC-3)

Decoder is on and the signals of selected source encoded with

the Dolby Digital (AC-3) is not in 2-channels. “DSP” lights up

when the built-in digital sound field processor is on, and “

PRO LOGIC” lights up when the built-in Dolby Pro Logic

Surround Decoder is on. Depending on the selected DSP

program, both “ DIGITAL” and “DSP”, or both “DSP” and

“ PRO LOGIC” will light up.

8 Digital audio input signal indicators

When digital audio signals not encoded with the Dolby Digital

(AC-3) are input to this unit, “PCM DIGITAL” lights up.

When digital audio signals encoded with the Dolby Digital

(AC-3) are input to this unit, “ DIGITAL” lights up.

9 SLEEP indicator

Lights up while the built-in SLEEP timer is functioning.

4. CENTER SPEAKER

Choices: NRML/WIDE/PHNTM

Preset position: NRML

NRML (Normal):

Select this position when you use a center speaker

that is smaller than the main speakers. In this

position, low bass signals (below 90 Hz) at the center

channel are output from the main speakers (or the

SUBWOOFER OUTPUT terminal if the SMALL

position is selected on “6. MAIN SPEAKER” and the

SWFR position is selected on “7. LFE/BASS OUT”).

WIDE: Select this position when your center speaker is

approximately the same size as the main speakers.

PHNTM (Phantom):

Select this position when you do not have a center

speaker. The center channel sound will be output

from the left and right main speakers.

5. REAR SPEAKER

Choices: SMALL/LARGE

Preset position: SMALL

SMALL: Select this position if your rear speakers do not have

a high ability for bass reproduction.

In this position, low bass signals (below 90 Hz) at the

rear channels are output from the SUBWOOFER

OUTPUT terminal (or the main speakers if the MAIN

position is selected on “7. LFE/BASS OUT”).

LARGE: Select this position if your rear speakers have a high

ability for bass reproduction, or a subwoofer is

connected to the rear speaker in parallel.

In this position, full range signals are output from the

rear speakers.

6. MAIN SPEAKER

Choices: SMALL/LARGE

Preset position: LARGE

SMALL: Select this position if your main speakers do not have

a high ability for bass reproduction. However, if your

system does not include a subwoofer, do not select

this position.

In this position, low bass signals (below 90 Hz) at the

main channels are output from the SUBWOOFER

OUTPUT terminal (if the SWFR or BOTH position is

selected on “7. LFE/BASS OUT”).

LARGE: Select this position if your main speakers have a high

ability for bass reproduction.

In this position, full range signals present at the main

channels are output from the main speakers.

7. LFE/BASS OUT

Choices: MAIN/SWFR/BOTH

Preset position: SWFR

MAIN: Select this position if your system does not include a

subwoofer.

In this position, full range signals present at the main

channels, signals from the LFE channel and other

low bass signals that are selected on “4. CENTER

SPEAKER” to “6. MAIN SPEAKER” to be distributed

from other channels are output from the main

speakers.

SWFR/BOTH:

Select either the SWFR or BOTH position if your

system includes a subwoofer.

In either position, signals at LFE channel and other

low bass signals that are selected on “4. CENTER

SPEAKER” to “6. MAIN SPEAKER” to be distributed

from other channels are output from the

SUBWOOFER OUTPUT terminal.

When the LARGE position is selected on “6. MAIN

SPEAKER”, in the SWFR position, no signal is

distributed from the main channels to the

SUBWOOFER OUTPUT terminal, however in the

BOTH position, low bass signals from the main

channels are output to both of the main speakers and

the SUBWOOFER OUTPUT terminal.

SELECTING THE OUTPUT MODES SUITABLE FOR YOUR SPEAKER

SYSTEM

This unit provides you the following four functions to determine the method of distributing output signals to speakers suitable for

your audio system. When speaker connections are all completed, select a proper position on each function to make the best use of

your speaker system.

4. CENTER SPEAKER (CNTR)

5. REAR SPEAKER (REAR)

6. MAIN SPEAKER (MAIN)

7. LFE/BASS OUT (BASS)

ADJUSTMENTS BEFORE USING THIS UNIT

DESCRIPTION OF EACH FUNCTION

English

METHOD OF CHANGING SELECTIONS

Operations should be made watching information on this unit’s display panel or the monitor screen.

If you will use the remote control transmitter, set the

TIME/LEVEL·SET MENU switch to the SET MENU position

on the remote control transmitter.

Note: Be sure to use the remote control transmitter with the

lid open.

1 Turn the power to this unit on. (If you want to display

information on the monitor, turn the power to the monitor

on.)

2 Select the title “4. CENTER SPEAKER” by pressing

once or more (so that “CNTR” appears on the display).

3 Press “+” or “–” once or more so that the arrow points

the position you will select.

4 Repeat step 2 and 3 to change selections on “5. REAR

SPEAKER” (REAR), “6. MAIN SPEAKER” (MAIN)

and/or “7. LFE/BASS OUT” (BASS) in the same way.

Front panel

Remote control

Front panel

Remote control

STANDBY/ON

DELAY/CENTER

/REAR/SWFR

SET

DELAY/CENTER

/REAR/SWFR

SET

TIME/LEVEL

SET MENU

NORMAL WIDE PHANTOM

AUTO

NORMAL WIDE PHANTOM

AUTO

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

SPORTS

STADIUM

STANDBY/ON

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

–dB

BASS

EXTENSION

TONE

BYPASS

CINEMA DSP

DELAY/CENTER

/REAR/SWFR

MAN’L

AUTO FM

TUNING

MODE

AUTO

MAN’L MONO

SET

DISCO

CONCERT

HALL

ROCK

CONCERT

EFFECT

CHURCHJAZZ CLUB

DOWN

TUNING

MEMORY

EDIT

VCR DVD

LDTV

DBS

TAPE/MD

MONITOR

VIDEO AUX

TUNER

PHONO

2 3 4 5 6 7 8

EFFECT

ON/OFF

ROCK

JAZZ CLUB

CHURCH

789

HALL

TIME/LEVEL

SET MENU

DELAY

CENTER

REAR

SWFR

TEST

SLEEP

MASTER VOLUME

VCR

STANDBY

SYSTEM

POWER ON

+10

MUTE

2, 3

TIME/LEVEL·SET MENU

Remote control

SYSTEM

POWER ON

Changes.

Set to the “

∞

” position.

2 Turn the power on.

3 Select the main speakers to be used.

* If you use two main speaker systems, press both the A

and B switches.

Set to the “0” position.

Set to the “OFF ( )”.

6 Set the TIME/LEVEL·SET MENU switch on the remote

control transmitter to the TIME/LEVEL position.

This procedure lets you adjust the sound output level balance between the main, center, and rear speakers using the built-in test

tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from

each speaker. This is important for the best performance of the digital sound field processor, the Dolby Digital (AC-3) decoder and

the Dolby Pro Logic Surround decoder.

The adjustment of each speaker output level should be done at your listening position with the remote control transmitter.

Otherwise, the result may not be satisfactory.

Note: Be sure to use the remote control transmitter with the lid open.

SPEAKERS

OFF

BASS TREBLE

BALANCE

–dB

VOLUME

STANDBY/ON

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

SPORTS

STADIUM

STANDBY/ON

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

–dB

BASS

EXTENSION

TONE

BYPASS

CINEMA DSP

DELAY/CENTER

/REAR/SWFR

MAN’L

AUTO FM

TUNING

MODE

AUTO

MAN’L MONO

SET

DISCO

CONCERT

HALL

ROCK

CONCERT

EFFECT

CHURCHJAZZ CLUB

DOWN

TUNING

MEMORY

EDIT

VCR DVD

LDTV

DBS

TAPE/MD

MONITOR

VIDEO AUX

TUNER

PHONO

2 3 4 5 6 7 8

OFF

BASS

EXTENSION

TONE

BYPASS

5 4 4, 9

V-AUX

PHONO

EFFECT

ON/OFF

PRESET

A/B/C/D/E

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

123

SPORTS

STADIUM

DISCO

456

ROCK

JAZZ CLUB

CHURCH

789

HALL

TIME/LEVEL

SET MENU

DELAY

CENTER

REAR

SWFR

TEST

SLEEP

MASTER VOLUME

VCR

STANDBY

SYSTEM

POWER ON

+10

MUTE

7, 11

SPEAKER BALANCE ADJUSTMENT

TEST

TIME/LEVEL

SET MENU

Front panel

Remote control

SYSTEM

POWER ON

8 Turn up the volume.

You will hear a test tone (like pink noise) from the left main

speaker, then the center speaker, then the right main

speaker, then the right rear speaker, and then the left rear

speaker, for about two seconds each. The display changes

as shown below.

* The state of test-tone output is also shown on the monitor

screen by an image of audio listening room. This is

convenient for adjusting each speaker level.

* If the function “4. CENTER SPEAKER” in the SET MENU

mode is set in the PHNTM (phantom) position, you will

hear the center channel test tone from the left and right

main speakers.

9 Adjust the BALANCE control so that the effect sound

output level of the left main speaker and the right main

speaker are the same.

10 Adjust the sound output levels of the center speaker

and the rear speakers so that they become almost

as same as that of the main speakers.

a) Press or once or more so that “CENTER”, “R

SUR.” or “L SUR.” appears on the display.

* Select “CENTER” to adjust the output level of the

center speaker, select “R SUR.” to adjust the output

level of the right rear speaker, and select “L SUR.” to

adjust the output level of the left rear speaker.

b) Adjust its level.

* Pressing the + side raises and the – side lowers the

level.

* While adjusting, the test tone is fixed on the selected

speaker.

11 Cancel the test tone.

Notes

●

Once you have completed these adjustments, you can

adjust whole sound level on your audio system by using

the VOLUME control (or the MASTER VOLUME keys on

the remote control transmitter) only.

●

If you use external power amplifiers, you may also use

their volume controls to achieve proper balance.

●

If the function “4. CENTER SPEAKER” in the SET MENU

mode is set in the “PHNTM (phantom)” position, in step

10, the sound output level of the center speaker cannot be

adjusted. This is because in this mode, the center sound

is automatically output from the left and right main

speakers.

●

If there is insufficient sound output from the center and

rear speakers, you may decrease the main speaker

output level by setting the MAIN LEVEL switch on the

rear panel to “–10 dB”.

English

MUTE

BALANCE

Main (L)

Main (R)

Center

Rear (L)

Rear (R)

Disappears.

TEST

Remote control

Front panel

Remote control

Operations should be made watching information on this unit’s

display panel or the monitor screen. If you want to display

information on the monitor, turn the power to the monitor on.

If you will use the remote control transmitter, set the

TIME/LEVEL·SET MENU switch to the SET MENU position

on the remote control transmitter.

Note: Be sure to use the remote control transmitter with the

lid open.

1 Press once or more until the title of function on which you

will make a change appears on the display.

2 Select any desired position or edit parameters on the

function.

3 Repeat step 1 and 2 to make a setting change or

adjustment on any other function.

ADJUSTMENTS IN THE “SET MENU” MODE

1. CENTER DELAY (C. DELAY)

2. DYNAMIC RANGE (D. RNG)

3. LFE LEVEL (LFE)

4. CENTER SPEAKER (CNTR)

5. REAR SPEAKER (REAR)

6. MAIN SPEAKER (MAIN)

7. LFE/BASS OUT (BASS)

8. TV/DBS INPUT (INPUT)

Front panel

Remote control

Front panel

Remote control

DELAY/CENTER

/REAR/SWFR

SET

DELAY/CENTER

/REAR/SWFR

SET

TIME/LEVEL

SET MENU

METHOD OF SETTING CHANGE AND ADJUSTMENT

The following eight types of functions maximize the performance of your system and expand your enjoyment for audio listening and video

watching.

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

SPORTS

STADIUM

STANDBY/ON

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

–dB

BASS

EXTENSION

TONE

BYPASS

CINEMA DSP

DELAY/CENTER

/REAR/SWFR

MAN’L

AUTO FM

TUNING

MODE

AUTO

MAN’L MONO

SET

DISCO

CONCERT

HALL

ROCK

CONCERT

EFFECT

CHURCHJAZZ CLUB

DOWN

TUNING

MEMORY

EDIT

VCR DVD

LDTV

DBS

TAPE/MD

MONITOR

VIDEO AUX

TUNER

PHONO

2 3 4 5 6 7 8

EFFECT

ON/OFF

ROCK

JAZZ CLUB

CHURCH

789

HALL

TIME/LEVEL

SET MENU

DELAY

CENTER

REAR

SWFR

TEST

SLEEP

MASTER VOLUME

VCR

STANDBY

SYSTEM

POWER ON

+10

MUTE

1, 2

TIME/LEVEL·SET MENU

English

DESCRIPTIONS OF THE FUNCTIONS

1. CENTER DELAY (Adjusting the delay

of center sounds (dialog etc.))

Control range: 0 ms to 5 ms (in 1 ms step)

Preset value: 0 ms

* This adjustment is effective only when the Dolby Digital

(AC-3) is decoded and the signals of selected source

encoded with the Dolby Digital (AC-3) contain center-

channel signals.

Adjusts the delay between the main sounds (at the main

channels) and dialog etc. (at the center channel).

The larger the value, the later the dialog etc. is generated.

This is for making sounds from the left main, center and right

main speakers reach your listening position at the same time

by delaying the sound from the center speaker if the distance

from the center speaker to your listening position is shorter

than the distance from the left or right main speaker to your

listening position.

2. DYNAMIC RANGE (Adjusting dynamic

range)

Choices: MAX/STD/MIN

Preset position: MAX

* This adjustment is effective only when the Dolby Digital

(AC-3) is decoded.

MAX: “Dynamic range” is the difference between the

maximum level and the minimum level of sounds.

Sounds on a movie originally designed for movie

theaters feature very wide dynamic range.

Dolby Digital (AC-3) technology can bring the original

sound track into a home audio format with this wide

dynamic range unchanged.

In this position, a source encoded with the Dolby

Digital (AC-3) is reproduced in the original sound

track’s wide dynamic range providing you with

powerful sounds like a movie theater.

Selecting this position will be more ideal if you can

listen to a source in a high output level in a room

specially soundproofed for audio/video enjoyment.

STD (Standard):

Powerful sounds of extremely wide dynamic range

are not always suitable for home use. Depending

upon the condition of your listening environment, it

may not be possible to increase the sound output

level as high as a movie theater. However, in a level

suitable for listening to in your room, the low level

parts of source sound cannot be heard well because

they will be lost among noises in your environment.

Dolby Digital (AC-3) technology also made it

possible to reduce an original sound track’s dynamic

range for a home audio format by “compressing” the

data of sound.

In this position, a source encoded with the Dolby

Digital (AC-3) is reproduced in the “compressed”

dynamic range of the source suitable for low level

listening.

MIN: In this position, dynamic range is more reduced than

in the STD position. Selecting this position will be

effective when you must listen to a source in

extremely low level.

3. LFE LEVEL (Adjusting the output

level at the LFE (low frequency effect)

channel)

Control range: –14 dB to 0 dB (in 2 dB step)

Preset value: 0 dB

* This adjustment is effective only when the Dolby Digital (AC-

3) is decoded and the signals of selected source encoded

with the Dolby Digital (AC-3) contain LFE signals.

Adjusts the output level at the LFE (low frequency effect)

channel. If the LFE signals are mixed with signals at other

channels to output them from the same speakers, the ratio of

LFE signal level to the level of other signals are adjusted. (See

page 6 for details about the LFE channel.)

4. CENTER SPEAKER

5. REAR SPEAKER

6. MAIN SPEAKER

7. LFE/BASS OUT

See pages 22 to 23 for details. (Once you have selected

proper modes, you do not have to make a setting change until

any alteration is made in your speaker system.)

8. TV/DBS INPUT (Selecting the initial

input mode of the sources connected

to the TV/DBS input terminals)

For the sources connected to the TV/DBS input terminals of

this unit only, you can designate the input mode that is

automatically selected when the power of this unit is switched

on.

AUTO: In this position, the AUTO input mode is always

selected when the power of this unit is switched on.

LAST: In this position, the input mode you have selected

last time is memorized and will not be changed even

if the power of this unit is switched on.

See page 29 for details about switching the input mode.

Set to the “

∞

” position.

2 Turn the power on.

3 Select the desired input source by using the input

selector buttons.

(For video sources, turn the TV/monitor ON.)

* The name of the selected input source will appear on the

display.

4 For the DVD/LD or TV/DBS source, its current input

mode is also shown.

* To change the input mode for the DVD/LD or TV/DBS

source, press the input selector button for the currently

selected source once or more until the desired input

mode (AUTO or ANALOG) is shown on the display

panel. (See page 29 for details on switching the input

mode.)

5 Select the main speakers to be used.

* If you use two main speaker systems, press both the A

and B switches.

BASIC OPERATIONS

TO PLAY A SOURCE

–dB

VOLUME

SPEAKERS

OFF

STANDBY/ON

1, 7

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

SPORTS

STADIUM

STANDBY/ON

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

–dB

BASS

EXTENSION

TONE

BYPASS

CINEMA DSP

DELAY/CENTER

/REAR/SWFR

MAN’L

AUTO FM

TUNING

MODE

AUTO

MAN’L MONO

SET

DISCO

CONCERT

HALL

ROCK

CONCERT

EFFECT

CHURCHJAZZ CLUB

DOWN

TUNING

MEMORY

EDIT

VCR DVD

LDTV

DBS

TAPE/MD

MONITOR

VIDEO AUX

TUNER

PHONO

2 3 4 5 6 7 8

3, 4

Note: If you will use the remote control transmitter, be sure to use it with the lid open.

Front panel

Remote control

DVD

TV/DBS

VIDEO AUX

DVD/LD

ROOM 2 CONTROL

NORMAL WIDE PHANTOM

AUTO

SPEAKERS

DSP

SPEAKERS

Front panel

Remote control

Input mode

DVD

TV/DBS

VIDEO AUX

DVD/LD

ROOM 2 CONTROL

NORMAL WIDE PHANTOM

AUTO

SPEAKERS

DSP

SPEAKERS

TAPE

A/B

REC/PAUSE

TUNER

VCR

DVD/LD

V-AUX

PHONO

EFFECT

ON/OFF

TV/DBS

DIR

DISCSTOP

PRESET

A/B/C/D/E

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

123

SPORTS

STADIUM

DISCO

456

ROCK

JAZZ CLUB

CHURCH

789

HALL

TIME/LEVEL

SET MENU

DELAY

CENTER

REAR

SWFR

TEST

SLEEP

MASTER VOLUME

VCR

STANDBY

SYSTEM

POWER ON

+10

MUTE

Front panel

Remote control

SYSTEM

POWER ON

6 Play the source. (For detailed information on the tuning

operation, refer to page 32.)

Adjust to the desired output level.

8 If desired, adjust the BASS, TREBLE, BALANCE

controls, etc. (refer to page 31) and use the digital sound

field processor. (Refer to page 36.)

When you finish using this unit

Press the STANDBY/ON switch on the front panel again or the

STANDBY key on the remote control transmitter to turn this

unit into the standby mode.

Notes on using the input selector buttons

●

Note that pressing on each input selector button selects the

source which is connected to the corresponding input

terminals on the rear panel.

* To select the source connected to the VIDEO AUX

terminals on the front panel, press VIDEO AUX.

●

The selection of TAPE/MD MONITOR cannot be canceled

by pressing another input selector button. To cancel it, press

TAPE/MD MONITOR again so that the “TAPE MONITOR”

indicator disappears from the display.

When you select a button other than TAPE/MD MONITOR,

make sure that the “TAPE MONITOR” indicator is not

illuminated on the display.

●

If you select the input selector button for a video source

without canceling the selection of TAPE/MD MONITOR, the

playback result will be the video image from the video

source and the sound from the audio tape (or MD etc.).

●

Once you play a video source, its video image will not be

interrupted even if the input selector button for an audio

source is selected.

●

When you select an input source by pressing the

corresponding input selector button, the DSP program (or

the state of no DSP program is used) which was used when

the same input source was selected the last time will

automatically recalled.

Switching the input mode (for DVD/LD and

TV/DBS)

This unit allows you to switch the input mode only for sources

connected to the DVD/LD and TV/DBS input terminals (on the

rear of this unit) that input two or three types of signals to this unit.

The following two input modes are provided.

AUTO: For the source connected to the DVD/LD input

terminals:

This mode is automatically selected when you turn

on the power to this unit. In this mode, input signal is

automatically selected by the following order of

priority.

1. Digital input signal from the OPTICAL terminal

2. Digital input signal from the COAXIAL terminal

3. Analog input signal

For the source connected to the TV/DBS input

terminals:

This mode is automatically selected when you turn

on the power to this unit if the “AUTO” position is

selected on “8. TV/DBS INPUT” in the SET MENU

mode. (For details, refer to page 27.) In this mode,

input signal is automatically selected by the following

order of priority.

1. Digital input signal from the COAXIAL terminal

2. Analog input signal

ANALOG:

In this mode, only analog input signal is selected

even though digital signal is input at the same time.

Select this mode when you want to use the analog

input signal instead of the digital input signal.

Notes on input mode selection

●

To play back a source with the Dolby Digital (AC-3) decoded,

set the input mode to “AUTO”.

●

For the TV/DBS source only, the input mode selected on the

function “8. TV/DBS INPUT” in the SET MENU mode is

selected when you turn on the power of this unit.

●

When you want to enjoy a source which has normal 2-

channel signals with a Dolby Pro Logic Surround program,

select the ANALOG mode.

●

In the AUTO mode, there may be a case depending on some

LD players or DVD players that when you make a search on a

source encoded with the Dolby Digital (AC-3) during the play

and then the play is restored, sound output is interrupted for a

moment because the digital input signal is selected again.

English

Front panel

Remote control

–dB

VOLUME

MASTER VOLUME

MUTE

1 Select the source to be recorded.

2 Play the source and then turn the VOLUME control up

to confirm the input source. (For detailed information

on the tuning operations, refer to the page 32.)

3 Begin recording on the tape deck (or MD recorder etc.)

or VCR connected to this unit.

4 If the tape deck (or MD recorder etc.) is used for

recording, you can monitor the sounds being recorded

by pressing TAPE/MD MONITOR so that the “TAPE

MONITOR” indicator lights up on the display.

Notes

●

The settings of DSP and the VOLUME, BASS, TREBLE,

BALANCE controls and the BASS EXTENSION switch

have no effect on the material being recorded.

●

Composite video and S video signals pass independently

through this unit’s video circuits. Therefore, when recording or

dubbing video signals, if your video source unit is connected

to provide only a S video (or only a composite video) signal,

you can record only a S video (or only a composite video)

signal on your VCR.

●

A source that is connected to this unit between digital

terminals only cannot be recorded by a tape deck or VCR

connected to this unit.

●

Please check the copyright laws in your country to record

from records, compact discs, radio, etc. Recording of

If you watch a video software that uses scramble or

encoded signals to prevent it from being dubbed, there

may be a case that display information superimposed on

the picture and/or the picture itself is disturbed due to

those signals.

TO RECORD A SOURCE TO TAPE (OR MD)

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

SPORTS

STADIUM

STANDBY/ON

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

–dB

BASS

EXTENSION

TONE

BYPASS

CINEMA DSP

DELAY/CENTER

/REAR/SWFR

MAN’L

AUTO FM

TUNING

MODE

AUTO

MAN’L MONO

SET

DISCO

CONCERT

HALL

ROCK

CONCERT

EFFECT

CHURCHJAZZ CLUB

DOWN

TUNING

MEMORY

EDIT

VCR DVD

LDTV

DBS

TAPE/MD

MONITOR

VIDEO AUX

TUNER

PHONO

2 3 4 5 6 7 8

DVD

TV/DBS

VIDEO AUX

Note: If you will use the remote control transmitter, be sure to

use it with the lid open.

Front panel

Remote control

DVD/LD

Front panel

Remote control

TAPE

MONITOR

TUNER PHONO

TAPE

A/B

REC/PAUSE

TUNER

VCR

DVD/LD

V-AUX

PHONO

EFFECT

ON/OFF

TV/DBS

DIR

DISCSTOP

PRESET

A/B/C/D/E

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

123

SPORTS

STADIUM

DISCO

456

ROCK

JAZZ CLUB

CHURCH

789

HALL

TIME/LEVEL

SET MENU

DELAY

CENTER

REAR

SWFR

TEST

SLEEP

MASTER VOLUME

VCR

STANDBY

SYSTEM

POWER ON

+10

MUTE

Front panel

Remote control

–dB

VOLUME

MASTER VOLUME

MUTE

Selecting the SPEAKER system

Because one or two speaker systems (as main speakers) can

be connected to this unit, the SPEAKERS switches allow you

to select speaker system A or B, or both at once.

Adjusting the BALANCE control

Adjust the balance of the output volume to the left and right

speakers to compensate for sound imbalance caused by

speaker location or listening room conditions.

Note

This control is effective only for the sound from the main

speakers.

Adjusting the BASS and TREBLE

controls

BASS : Turn this clockwise to increase (or counter-

clockwise to decrease) the low frequency

response.

TREBLE : Turn this clockwise to increase (or counter-

clockwise to decrease) the high frequency

response.

Note

These controls are effective only for the sound from the main

speakers.

Using the BASS EXTENSION switch

You can boost bass frequency response by setting this switch

to the “ON” position. This switch is effective only on the sound

from the main speakers.

Using the TONE BYPASS switch

Press this switch inward (ON) if you want to listen to pure

source sound. The input signal does not pass through the tone

(BASS and TREBLE) control circuitry so that it is unaffected by

the tone control circuitry. Press this switch to release it outward

(OFF) to use the tone control circuitry.

English

SPEAKERS

OFF

BALANCE

BASS TREBLE

OFF

BASS

EXTENSION

TONE

BYPASS

OFF

BASS

EXTENSION

TONE

BYPASS

1 Select “TUNER” as the input source.

2 Select the reception band (FM or AM) confirming it on

the display.

4 Tune to a desired station manually.

* To continue tuning search, press and hold the button.

1 Select “TUNER” as the input source.

2 Select the reception band (FM or AM) confirming it on

the display.

4 To tune to a higher frequency, press the right side

once.

To tune to a lower frequency, press the left side once.

* If the station where tuning search stops is not the desired

one, press again.

* If the tuning search does not stop at the desired station

(because the signals of the station are weak), change to

the MANUAL TUNING method.

TUNING OPERATIONS

Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is

possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING).

Note

If you tune to an FM station manually, it is received in monaural

mode automatically to increase the signal quality.

AUTOMATIC TUNING MANUAL TUNING

TUNING

MODE

AUTO

MAN’L MONO

TUNING

MODE

AUTO

MAN’L MONO

DOWN

TUNING

DOWN

TUNING

AUTO TUNING

Turn the “AUTO

TUNING” indicator

off.

FM AM

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

SPORTS

STADIUM

STANDBY/ON

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

–dB

BASS

EXTENSION

TONE

BYPASS

CINEMA DSP

DELAY/CENTER

/REAR/SWFR

MAN’L

AUTO FM

TUNING

MODE

AUTO

MAN’L MONO

SET

DISCO

CONCERT

HALL

ROCK

CONCERT

EFFECT

CHURCHJAZZ CLUB

DOWN

TUNING

MEMORY

EDIT

VCR DVD

LDTV

DBS

TAPE/MD

MONITOR

VIDEO AUX

TUNER

PHONO

2 3 4 5 6 7 8

234

FM AM

TUNER

PHONO

TUNER

PHONO

English

1 Tune to a desired station.

(Refer to the previous page for tuning procedure.)

2 Select a desired group (A – E) of preset stations

confirming it on the display.

4 Select a preset station number where you want to

program the station before the “MEMORY” indicator

goes off from the display.

* In the same way, program other stations to A2, A3 ... A8.

* You can program more stations to preset station numbers

on other groups in the same way by selecting other groups

in step 2.

11 Select the group of preset stations.

22 Select the preset station number.

Notes

• A new setting can be programmed in place of the former

one.

• For presets, the setting of the reception mode (stereo or

monaural) is stored along with the station frequency.

Memory back-up

The memory back-up circuit prevents the programmed data

from being lost even if this unit is turned into the standby

mode or the power plug is disconnected from the AC outlet or

the power is cut due to temporary power failure. If, however,

the power is cut for more than one week, the memory may be

erased. If so, it can be re-programmed by simply following

the PRESET TUNING steps.

MANUAL PRESET TUNING

This unit can store station frequencies selected by tuning operation. With this function, you can recall any desired station by only

selecting the preset station number where it is stored. Up to 40 stations (8 stations x 5 groups) can be stored.

PRESET TUNING

To store stations

To recall a preset station

2, 11 34, 22

MAN’L

AUTO FM

MEMORY

PRESET

Flashes on and off

for about 5 seconds.

PRESET

MHz

STEREO

l00

ROOM 2 CONTROL

40 60

SPEAKERS

AUTO TUNING

SPEAKERS

ROOM 2

Shows the displayed station has been

programmed to A1.

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

SPORTS

STADIUM

STANDBY/ON

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

–dB

BASS

EXTENSION

TONE

BYPASS

CINEMA DSP

DELAY/CENTER

/REAR/SWFR

MAN’L

AUTO FM

TUNING

MODE

AUTO

MAN’L MONO

SET

DISCO

CONCERT

HALL

ROCK

CONCERT

EFFECT

CHURCHJAZZ CLUB

DOWN

TUNING

MEMORY

EDIT

VCR DVD

LDTV

DBS

TAPE/MD

MONITOR

VIDEO AUX

TUNER

PHONO

2 3 4 5 6 7 8

2 3 4

A/B/C/D/E

PRESET

V-AUX

PHONO

EFFECT

ON/OFF

PRESET

A/B/C/D/E

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

123

SPORTS

STADIUM

DISCO

456

ROCK

JAZZ CLUB

CHURCH

789

HALL

TIME/LEVEL

SET MENU

DELAY

CENTER

REAR

SWFR

TEST

SLEEP

+10

Front panel

Remote control

Front panel

Remote control

Front panel

Remote control

2 3 4

PRESET

Front panel

Remote control

2, 11

4, 22

To tune to higher frequencies, press right side once.

To tune to lower frequencies, press left side once.

* If the TUNING button is not pressed, in a while, the

automatic preset tuning begins automatically toward higher

frequencies.

The automatic preset tuning begins from the frequency

currently displayed. Received stations are programmed to

A1, A2 ... A8 sequentially.

* If more than 8 stations are received, they are also

programmed to the preset station numbers on other groups

(B, C, D and E) in that order.

If you want to store the first station received by the

automatic preset tuning to a desired preset station

number.

If, for example, you want to store the first received station to

C5, select “C5” by using the A/B/C/D/E button and the preset

station number selector buttons after pressing the MEMORY

button in step 2. Then press the TUNING button. The first

received station is stored to C5, and next stations to C6, C7 ...

sequentially.

If stations are stored up to E8, the automatic preset tuning is

finished automatically.

When the automatic preset tuning is finished

The display shows the frequency of the last preset station.

Check the contents and the number of preset stations by

following the procedure of the section “To recall a preset

station” on page 33.

To recall a preset station

Simply follow the procedure of the section “To recall a preset

station” on page 33.

Notes

●

You can replace a preset station by another FM or AM

station manually by simply following the procedure of the

section “To store stations” on page 33.

●

If the number of received stations is not enough to be stored

up to E8, the search is finished automatically after searching

all frequencies.

●

With this function, only FM stations with sufficient signal

strength are stored automatically. If the station you want to

program is weak in signal strength, tune to it in monaural

manually and program it by following the procedure of the

section “To store stations” on page 33.

AUTOMATIC PRESET TUNING

You can also make use of an automatic preset tuning function for FM stations only. By this function, this unit performs automatic

tuning and stores FM stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the

manual preset tuning method on page 33.

To store stations

Press and hold for

more than 3 seconds.

MAN’L

AUTO FM

MEMORY

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

SPORTS

STADIUM

STANDBY/ON

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

–dB

BASS

EXTENSION

TONE

BYPASS

CINEMA DSP

DELAY/CENTER

/REAR/SWFR

MAN’L

AUTO FM

TUNING

MODE

AUTO

MAN’L MONO

SET

DISCO

CONCERT

HALL

ROCK

CONCERT

EFFECT

CHURCHJAZZ CLUB

DOWN

TUNING

MEMORY

EDIT

VCR DVD

LDTV

DBS

TAPE/MD

MONITOR

VIDEO AUX

TUNER

PHONO

2 3 4 5 6 7 8

132

Flashes.

DOWN

TUNING

PRESET

MEMORY

AUTO TUNING

English

EXCHANGING PRESET STATIONS

You can exchange the places of two preset stations with each other as shown below.

Example)

If you want to shift the preset station on E1 to A5, and vice

versa.

1 Recall the preset station on E1 (by following the method

of “To recall a preset station” on page 33).

3 Next, recall the preset station on A5 by following the

same method with step 1.

Shows the exchange of stations is completed.

Flashes.

EDIT

MEMORY

PRESET

MEMORY

PRESET

2, 4

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

SPORTS

STADIUM

STANDBY/ON

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

–dB

BASS

EXTENSION

TONE

BYPASS

CINEMA DSP

DELAY/CENTER

/REAR/SWFR

MAN’L

AUTO FM

TUNING

MODE

AUTO

MAN’L MONO

SET

DISCO

CONCERT

HALL

ROCK

CONCERT

EFFECT

CHURCHJAZZ CLUB

DOWN

TUNING

MEMORY

EDIT

VCR DVD

LDTV

DBS

TAPE/MD

MONITOR

VIDEO AUX

TUNER

PHONO

2 3 4 5 6 7 8

USING DIGITAL SOUND FIELD PROCESSOR (DSP)

This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand

and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your

listening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course, depend

on what you will be listening to), and adding desired adjustments.

In addition, this unit incorporates a Dolby Digital (AC-3) decoder and a Dolby Pro Logic Surround decoder for multi-channel sound

reproduction of sources encoded with Dolby Surround. The operation of these decoders can be controlled by selecting a

corresponding DSP program including a combined operation of the YAMAHA DSP and the Dolby Digital (AC-3) or the Dolby Pro

Logic Surround.

For details about digital sound field programs, see page 40 to 41.

PLAYING A SOURCE WITH AN EFFECT OF THE DIGITAL SOUND FIELD

PROCESSOR (DSP)

1 Follow steps 1 – 7 shown in “BASIC OPERATIONS” on

pages 28 to 29.

2 Select the desired program that is suitable for the

source.

* The name of selected program lights up on the display panel

and the monitor screen.

3 If desired, adjust the delay time and the output level of

each speaker. (For details, refer to the corresponding

descriptions on page 38 and 39.)

Notes

●

Program selection can be made to individual input sources.

Once you select a program, it is linked with the input source

selected at that time. So, when you select the input source

next time, the same program is automatically called.

●

If you prefer to cancel the DSP, press the EFFECT button.

The sound will be the normal 2-channel stereo without

surround sound effect.

●

When a monaural sound source is played with DOLBY PRO

LOGIC or DOLBY PRO LOGIC ENHANCED, no sound is

heard from the main speakers and the rear speakers.

Sound is heard only from the center speaker. However, if

the center channel mode is in PHANTOM, the main

speakers output the sound of the center channel.

●

When this unit’s Dolby Pro Logic Surround decoder or Dolby

Digital decoder is used, if the main-source sound is

considerably altered by overadjustment of the BASS or

TREBLE control, the relationship between the center and

rear channels may produce an unnatural effect.

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

SPORTS

STADIUM

STANDBY/ON

NATURAL SOUND AV RECEIVER

SPEAKERSPHONES

OFF

BASS TREBLE BALANCE

VIDEO AUX

S VIDEO VIDEO L AUDIO R

VOLUME

–dB

BASS

EXTENSION

TONE

BYPASS

CINEMA DSP

DELAY/CENTER

/REAR/SWFR

MAN’L

AUTO FM

TUNING

MODE

AUTO

MAN’L MONO

SET

DISCO

CONCERT

HALL

ROCK

CONCERT

EFFECT

CHURCHJAZZ CLUB

DOWN

TUNING

MEMORY

EDIT

VCR DVD

LDTV

DBS

TAPE/MD

MONITOR

VIDEO AUX

TUNER

PHONO

2 3 4 5 6 7 8

DVD/LD

V-AUX

PHONO

EFFECT

ON/OFF

TV/DBS

DISCSTOP

PRESET

A/B/C/D/E

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

123

SPORTS

STADIUM

DISCO

456

ROCK

JAZZ CLUB

CHURCH

789

HALL

TIME/LEVEL

SET MENU

DELAY

CENTER

REAR

SWFR

TEST

SLEEP

+10

ROOM 2 CONTROL

NORMAL WIDE PHANTOM

AUTO

SPEAKERS

PRO LOGIC

SPEAKERS

Front panel

Remote control

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATE

DISCO

ROCK

CONCERT

JAZZ CLU

123

SPORTS

STADIUM

DISCO

456

ROCK

JAZZ CLUB

CHURCH

789

HALL

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

To enjoy a video source with the Dolby Pro

Logic Surround or Dolby Digital (AC-3)

decoded

When you select the program No. 1, 2 or 3, and the input

signal of the source is 2-channel stereo, Dolby Pro Logic

Surround is decoded. When some program is selected and the

input signal of the source is encoded with the Dolby Digital (AC-

3), Dolby Digital (AC-3) is automatically decoded.

* The following indicators on the display panel show you what

sound processing is being made.

* In addition, for the program No. 1, 2 and 3, the name of the

program on the display panel or the monitor screen will change

according to the type of decoding. (For details, refer to page

40.)

Note

If the input signals of source encoded with the Dolby Digital (AC-

3) are in 2-channels only, the sound processing for them is similar

to that for analog or PCM audio signals.

To cancel the effect sound

The EFFECT button on the front panel and the EFFECT ON/OFF

key on the remote control transmitter make it simple to compare

the normal stereo sound with the fully processed effect sound.

To cancel the effect sound and monitor only the main sound,

press the EFFECT ON/OFF key or the EFFECT button. Press

the EFFECT ON/OFF key or the EFFECT button a second time

to restore normal operation.

Notes

●

If the effect sound is canceled when signals encoded with the

Dolby Digital (AC-3) are input to this unit, signals of all

channels are mixed and are output from the main speakers.

●

If the EFFECT button or the EFFECT ON/OFF key is pressed

to turn effect sounds OFF when the Dolby Digital (AC-3) is

decoded, it may happen that sound is output faintly or not

output normally depending on a source. In that case, press the

EFFECT button or the EFFECT ON/OFF key to turn effect

sounds ON, or use input signals not encoded with the Dolby

Digital (AC-3).

English

Lights up when the Dolby Digital (AC-3) is being decoded

and the signals of selected source encoded with the Dolby

Digital (AC-3) is not in 2-channels.

Lights up when the Digital Sound Field

Processor is turned on.

Lights up when the Dolby Pro Logic Surround is being

decoded

DIGITAL

DSP

PRO LOGIC

Front panel

Remote control

EFFECT

ON/OFF

ADJUSTING DELAY TIME AND EACH SPEAKER OUTPUT LEVEL

In using the digital sound field processor including the Dolby Pro

Logic Decoder or the Dolby Digital (AC-3) Decoder, you can

adjust delay time between the main sound and effect sound, and

each speaker output level as you prefer.

Note: These adjustments can be made only when the effect

sound is on. If none of the indicators , and

are not illuminated on the display panel, press

the EFFECT switch on the front panel or the EFFECT ON/OFF

key on the remote control transmitter so that at least one of

those indicators lights up on the display panel.

PRO LOGIC

DIGITAL

DSP

If you will use the remote control transmitter, set the

TIME/LEVEL·SET MENU switch to the TIME/LEVEL

position on the remote control transmitter.

Note: Be sure to use the remote control transmitter with the

lid open.

1 Press once or more until the name of item on which you

will make an adjustment appears on the display panel.

Whenever pressed, the selection changes as the above chart

shows.

* Pressing the key on the remote control transmitter

changes the selection in the reverse order.

* Depending on a mode of this unit, you cannot select all

items.

2 Adjust the level on the selected item.

3 Repeat step 1 and 2 to make adjustments on other items.

Front panel

Remote control

DELAY/CENTER

/REAR/SWFR

SET

DELAY

CENTER

R SUR.

L SUR.

SWFR

(Delay time)

(Center speaker output level)

(Right rear speaker output level)

(Left rear speaker output level)

(Subwoofer output level)

Front panel

Remote control

DELAY/CENTER

/REAR/SWFR

SET

Method of adjustment

TIME/LEVEL

SET MENU

English

Note

The values of the delay time, center level, rear level and

subwoofer output level you set the last time will remain

memorized even when this unit is in the standby mode.

However, if the power cord is kept disconnected for more than

one week, these values will be automatically changed back to

the original factory settings.

Adjusting delay time

You can adjust the time difference between the beginning of

the sound from the main speakers and the beginning of the

effect sound from the rear or front effect speakers.

The larger the value, the later the effect sound is generated.

This adjustment can be made to all programs individually.

Notes

●

Adding too much delay will cause an unnatural effect with

some sources.

●

When the –/+ button is pressed, sound is momentarily

interrupted.

Program

1. DOLBY PRO LOGIC

DOLBY DIGITAL

2. PRO LOGIC ENHANCED

DOLBY DIGITAL ENHANCED

3. 70 mm MOVIE THEATER

DIGITAL MOVIE THEATER

4. TV SPORTS

5. STADIUM

6. DISCO

7. ROCK CONCERT

8. JAZZ CLUB

9. CHURCH

10. CONCERT HALL

Control range (ms)

15 to 30

0 to 15

15 to 30

0 to 15

15 to 30

1 to 50

Speakers

CENTER

RIGHT SURROUND

LEFT SURROUND

SUBWOOFER

Preset value

Control range (dB)

MIN, –20 to +10

MIN, –20 to 0

If desired, you can adjust the sound output level of the each

speaker even if the output level is already set in “SPEAKER

BALANCE ADJUSTMENT” on pages 24 to 25.

Notes

●

Output level of the center speaker cannot be adjusted when

the program STADIUM, DISCO, ROCK CONCERT, JAZZ

CLUB, CHURCH or CONCERT HALL is selected, and the

input signal is analog, PCM audio or encoded with the

Dolby Digital (AC-3) in 2-channels.

●

If the function “4. CENTER SPEAKER” in the SET MENU

mode is set in the “PHNTM (phantom)” position, the sound

output level of the center speaker cannot be adjusted. This

is because in this mode, the center sound is automatically

output from the left and right main speakers.

●

Once the output level is adjusted, the level value will be the

same in all the digital sound field programs.

Adjusting output level of the center, right rear and left rear speakers, and subwoofer

Preset value

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of

these are precise digital recreations of actual acoustic environments. The data for these sound fields was recorded at actual

locations using sophisticated sound field measurement equipment.

Note

The channel level balance between the left and right rear effect speakers may vary depending on the sound field you are

listening to. This is due to the fact that most of these sound field recreations are actual acoustic environments.

FEATURE

Reproduces video discs, video tapes and similar sources which are Dolby

Surround encoded and bear the “DOLBY SURROUND” logo.

The built-in Dolby Pro Logic Surround decoder or Dolby Digital (AC-3)

decoder precisely reproduces sounds and sound effects of a source

encoded with Dolby Surround. The realization of a highly efficient decoding

process improves crosstalk and channel separation and makes sound

positioning smoother and more precise.

Reproduces video discs, video tapes and similar sources which are Dolby

Surround encoded and bear the “DOLBY SURROUND” logo.

This program ideally simulates the multi-surround speaker systems of the 35

mm film theater. The Dolby Surround decoding and the digital sound field

processing is precisely performed without altering the originally designed

sound orientation. The surround effects produced by this sound field folds

the viewer naturally from the rear to the left and right and toward the screen.

Note: If the main channel sound is considerably altered by overadjustment

of the BASS or TREBLE controls, the relationship with the rear channels

may produce an unnatural effect.

Ideal for reproducing video discs, video tapes and similar sources which are

Dolby Surround encoded and bear the “DOLBY SURROUND” logo.

This program is ideal for precisely reproducing the sound design of the

newest 70 mm/Dolby Digital multi-track films. The sound field is made to be

similar to that of the newest movie theaters, so the reverberations of the

sound field itself are restrained as much as possible. The three dimensional

feeling of the sound field is emphasized, and dialog is precisely oriented on

the screen. You can enjoy watching Sci-Fi, adventure movies, etc. with

much presence.

No. PROGRAM

1 DOLBY PRO LOGIC ()

Functions when the input signal is analog or

PCM audio.

Speaker output: main, center, rear

DOLBY DIGITAL ()

Functions when the input signal is Dolby

Digital.

Speaker output: main, center, rear

2 DOLBY PRO LOGIC ENHANCED

()

Functions when the input signal is analog or

PCM audio.

Speaker output: main, center, rear

DOLBY DIGITAL ENHANCED

()

Functions when the input signal is Dolby

Digital.

Speaker output: main, center, rear

3 70 mm MOVIE THEATER

()

Functions when the input signal is analog or

PCM audio.

Speaker output: main, center, rear

DIGITAL MOVIE THEATER

()

Functions when the input signal is Dolby

Digital.

Speaker output: main, center, rear

DIGITAL

DSP

PRO LOGIC

DIGITAL

DSP

PRO LOGIC

DIGITAL

PRO LOGIC

BRIEF OVERVIEW OF

DIGITAL SOUND FIELD PROGRAMS

English

FEATURE

This program is furnished with a tight sound field in which the

sound will not spread excessively on the front side, but the rear

surround side produces a dynamic sound expansion. This

program is the most suitable for sports programs.

This program gives you long delays between direct sounds

and effect sounds, and extraordinarily spacious feel of a large

stadium.

This program recreates the acoustic environment of a lively

disco in the heart of a very lively city. The sound is dense and

highly concentrated. It is also characterized by a high-energy,

“immediate” sound.

This program is ideally suited for rock music. You will

experience a very dynamic or lively sound field.

This is a small, cozy jazz club with a low ceiling. The sound is

very close and intimate.

This program recreates the acoustic environment of a big church

with a high pointed dome and columns along the sides. This

interior produces very long reverberations.

In this program, the center will appear to be deep behind the

main speakers, creating an expansive large hall ambience.

Orchestra and opera music are suited for this sound field.

No. PROGRAM

4 TV SPORTS

When the input signal is analog or PCM audio: ( )

Speaker output: main, center, rear

When the input signal is Dolby Digital: ( )

Speaker output: main, center, rear

5 STADIUM

When the input signal is analog or PCM audio: ( )

Speaker output: main, rear

When the input signal is Dolby Digital: ( )

Speaker output: main, center, rear

6 DISCO

When the input signal is analog or PCM audio: ( )

Speaker output: main, rear

When the input signal is Dolby Digital: ( )

Speaker output: main, center, rear

7 ROCK CONCERT

When the input signal is analog or PCM audio: ( )

Speaker output: main, rear

When the input signal is Dolby Digital: ( )

Speaker output: main, center, rear

8 JAZZ CLUB

When the input signal is analog or PCM audio: ( )

Speaker output: main, rear

When the input signal is Dolby Digital: ( )

Speaker output: main, center, rear

9 CHURCH

When the input signal is analog or PCM audio: ( )

Speaker output: main, rear

When the input signal is Dolby Digital: ( )

Speaker output: main, center, rear

10 CONCERT HALL

When the input signal is analog or PCM audio: ( )

Speaker output: main, rear

When the input signal is Dolby Digital: ( )

Speaker output: main, center, rear

DIGITAL

DSP

DIGITAL

DSP

DIGITAL

DSP

DIGITAL

DSP

DIGITAL

DSP

DIGITAL

DSP

DIGITAL

DSP

Note: The “PHNTM” position is selected on “4. CENTER SPEAKER” in the SET MENU mode, no sound is output from

the center speaker(s).

Whenever the SLEEP key is pressed, the SLEEP time will

change as follows.

After a while, the display returns to the indication before

the SLEEP timer is set.

2 The unit will be turned into the standby mode

automatically at the selected SLEEP time.

To cancel the selected SLEEP time

Press once or more so that “SLEEP OFF” appears on the

display. (It will soon disappear and the “SLEEP” indicator will

go off from the display.)

Note

The SLEEP timer setting can also be canceled by turning this

unit into the standby mode with the STANDBY/ON switch on

the front panel (or the STANDBY key on the remote control

transmitter) or disconnecting the power plug of this unit from

the AC outlet.

SETTING THE SLEEP TIMER

REMOTE CONTROL

TRANSMITTER

SLEEP

REMOTE CONTROL

TRANSMITTER

SLEEP

If you use the SLEEP timer of this unit, you can make this unit turn into the standby mode. When you are going to sleep while

enjoying a broadcast or other desired input source, this timer function is helpful.

Notes

●

The SLEEP timer can be controlled only with the remote control transmitter.

●

The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear

panel of this unit.

To set the SLEEP time

Press once or more to select the desired

SLEEP time.

120 90 60 30

The SLEEP timer is off (OFF).

(The state before the SLEEP key

is pressed.)

(Minutes)

Indicates the SLEEP time.

Flashes.

SLEEP

English

BASIC OPERATIONS (When the lid is open)

The remote control transmitter provided with this unit is designed to control all the most commonly used functions of this unit. If the

CD player, tape deck, LD player, DVD player, etc. connected to this unit are YAMAHA components designed for remote control

compatibility, then this remote control transmitter will also control various functions of each component.

* For basic operations, use the remote control transmitter with the lid open.

NAMES OF KEYS AND THEIR FUNCTIONS

MACROQUICK

OFFSLOW

TAPE

A/B

REC/PAUSE

TUNER

VCR

DVD/LD

V-AUX

PHONO

EFFECT

ON/OFF

TV/DBS

DIR

DISCSTOP

TRANSMIT

/LEARN

LEARNCLEAR MACRO

PRESET

A/B/C/D/E

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

123

SPORTS

STADIUM

DISCO

456

ROCK

JAZZ CLUB

CHURCH

789

HALL

TIME/LEVEL

SET MENU

DELAY

CENTER

REAR

SWFR

TEST

SLEEP

MASTER VOLUME

VCR

STANDBY

SYSTEM

POWER ON

+10

MUTE

REMOTE CONTROL

TRANSMITTER

Lid is opened. Side panel

REMOTE CONTROL TRANSMITTER

Tape deck keys

Controls tape deck.

(The A/B/C switch (

F) should be set to the “A” position.)

* DIR A, B and A/B are applicable only to double

cassette tape deck.

* For a single cassette deck with automatic reverse

function, pressing DIR A will reverse the direction of

tape running.

2 CD/LD/DVD player keys

Controls compact disc player, LD player or DVD player.

(To control compact disc player, set the A/B/C switch (

F) to

the “A” position. To control LD player or DVD player, set the

A/B/C switch (

F) to the “C” position.)

* DISC is applicable only to compact disc changer.

* STOP is applicable only to LD player or DVD player.

3 Tuner keys

Controls tuner.

(The A/B/C switch (

F) should be set to the “A” position.)

+: Selects higher preset station number.

–: Selects lower preset station number.

A/B/C/D/E: Selects the group (A – E) of preset station

numbers.

4 DSP program selector keys

Selects a DSP program when the built-in digital sound field

processor (including the Dolby Pro Logic Surround decoder

and the Dolby Digital (AC-3) decoder) is on.

5 TEST key

Used for speaker balance adjustment. (For details, refer to

page 24–25.)

6 TIME/LEVEL·SET MENU switch

Set to the TIME/LEVEL position when you will make an

adjustment on delay time, center speaker output level, rear

speaker output level or subwoofer level. Set to the SET MENU

position when you will make an adjustment or setting change

on a function in the SET MENU mode.

7 SLEEP timer key

This key is used to turn the built-in SLEEP timer on and off,

and to set the SLEEP time. (For details, refer to page 42.)

8 SYSTEM POWER ON and STANDBY keys

Pressing the SYSTEM POWER ON key turns the power to this

unit on and pressing the STANDBY key turns this unit into the

standby mode.

9 RESET button

This button is inside the battery compartment.

Press this button to “reset” the internal microcomputer which

controls remote control operations. Microcomputer “reset” is

necessary when the remote control freezes.

* Pressing the RESET button will not erase learned

functions.

0 MASTER VOLUME (up) and (down) keys

Turns the volume level up and down.

A MUTE key

When pressed, this key mutes the volume level. To resume the

original volume level, press this key again.

While muting, the indicator on the VOLUME control flashes

continuously.

B / and –/+ keys

(up) and (down) keys change items (or functions) in the

mode selected by the TIME/LEVEL·SET MENU switch. – and

+ keys make an adjustment or setting change on the item (or

function) selected by the or key.

C EFFECT ON/OFF key

Switches on/off the digital sound field processor (including the

Dolby Pro Logic Surround decoder and the Dolby Digital (AC-

3) decoder).

D Input selector keys

Selects input source.

E A/B/C indicators

The position (A, B or C) selected by the A/B/C switch is shown

in red.

F A/B/C switch

This switch must be used only when the lid of the remote

control transmitter is open. (This switch will not function when

the lid is closed.)

Normally, set this switch to the “A” position. When controlling a

Yamaha LD player or DVD player by using the CD/LD/DVD

player keys (

2), set this switch to the “C” position.

G TRANSMIT/LEARN indicator

Lights up when the remote control transmitter is transmitting

infrared signals (when a command key is pressed).

Note

When using the keys to control Yamaha components,

identify them with your component’s keys. If these keys

are identical, their functions will be the same. For each key

function, refer to the corresponding instruction in your

component’s manual.

RESET button

English

LEARNING NEW CONTROL FUNCTIONS (When the lid is open)

This is a learning remote control transmitter. The shaded keys in the illustration shown below can be programmed to “learn”

control functions from other remote control transmitters. By learning key-functions from other remote control transmitter, this unit can

then be used in place of one or more other remote control transmitters, thus making operation of your various audio and video

components more convenient.

Some of the “learning-capable” keys are originally empty and others have already been preset with functions to control this unit and

other Yamaha components. You can store new functions to them (in place of preset functions) as desired.

* See page 50 for the learning method.

* See page 52 for clearing a learned function (or all learned functions).

Note

If the memory capacity of the remote control transmitter becomes full, no further learning is possible even if some learning-capable

keys are not occupied with new functions. If, for example, you store Yamaha codes only into this remote control transmitter, up to

about 20 functions can be stored. Store new functions to the learnable-capable keys which are useful for you.

Keys which can have three functions (1, 2, 3, 4)

In the “Learning-capable” keys, the keys numbered 1–4 in the

illustration at left can have three functions. This is because they

have three memory areas (A, B and C). (One function per area.)

You can store new functions into the area B and C, and use three

functions on a key by switching the memory areas with the A/B/C

switch. (Area A cannot learn a new function.)

To use these keys:

1. Before using a key, select the area A, B or C of the key on which

the function you want to use is stored by using the A/B/C switch.

2. Press the key.

The original factory settings of these keys are as follows.

Preset with

functions for

controlling a

Yamaha tape deck.

Preset with

functions for

controlling a

Yamaha CD player.

(STOP is empty.)

Preset with

functions for

controlling

the built-in tuner.

Preset as the DSP

program selector

keys (1–9, 0) and

the TEST key.

(+10 is empty.)

Empty

Preset as the DSP

program selector

keys (1–9, 0) and

the TEST key.

(+10 is empty.)

Empty

Preset with functions

for controlling a

Yamaha LD player

and DVD player.

(DISC is empty.)

Empty

Preset as the DSP

program selector

keys (1–9, 0) and

the TEST key.

(+10 is empty.)

The position of A/B/C switch

Note

The area A of all keys cannot learn new functions. To store new

functions to these keys, store them onto the area B or C.

Empty keys (1, 2)

These are empty keys. Each key can learn a function from another

remote control transmitter.

For example, the TV key is useful for storing the function of your

TV’s power switch, and the VCR key can be used for your VCR’s

power switch.

TAPE

TUNER

VCR

DVD/LD

V-AUX

PHONO

EFFECT

ON/OFF

TV/DBS

TRANSMIT

/LEARN

LEARNCLEAR MACRO

TIME/LEVEL

SET MENU

DELAY

CENTER

REAR

SWFR

SLEEP

MASTER VOLUME

VCR

STANDBY

SYSTEM

POWER ON

MUTE

REMOTE CONTROL

TRANSMITTER

A/B

REC/PAUSE

DIR

DISCSTOP

PRESET

A/B/C/D/E

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

123

SPORTS

STADIUM

DISCO

456

ROCK

JAZZ CLUB

CHURCH

789

HALL TEST

+10

A/B/C switch

Lid is open.

: These buttons are used for learning a new function

or clearing a learned function (or all learned

functions). For details, refer to page 50 to 52 .

Note

If a key which has a preset function learns a new function, the

preset function will not be deleted, but disabled. When the

learned function is cleared, the preset function is restored. (For

information on clearing a learned function, refer to page 52.)

About the marks shown on the remote control

transmitter

The marks on the remote control transmitter signify functions of

keys, input sources, etc.

Examples)

(tape): Tape deck, VCR, etc.

(disc): CD player, LD player, etc.

(radio wave): Tuner, TV/BS tuner, etc.

These marks are helpful for storing new functions.

Examples)

• The area B of keys 1 is suitable for storing functions to

control your VCR.

• The area B of keys 3 is suitable for storing functions to

control your TV/BS tuner.

USING OPERATION CONTROL KEYS (When the lid is closed)

When the lid of the remote control transmitter is closed, you can easily operate Yamaha components including learned functions by

using the OPERATION CONTROL keys.

TAPE

TUNER

VCR

DVD/LD

V-AUX

PHONO

EFFECT

ON/OFF

TV/DBS

DIR

TRANSMIT

/LEARN

LEARNCLEAR MACRO

PRESET

A/B/C/D/E

SLEEP

MASTER VOLUME

VCR

STANDBY

SYSTEM

POWER ON

MUTE

REMOTE CONTROL

TRANSMITTER

REMOTE CONTROL

TRANSMITTER

TAPE

TUNER

VCR

DVD/LD

V-AUX

PHONO

TV/DBS

VCR

MUTE

MASTER

VOLUME

OPERATION

CONTROL

EFFECT

TRANSMIT

DISCSTOP

A/B

REC/PAUSE

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

123

SPORTS

STADIUM

DISCO

456

ROCK

JAZZ CLUB

CHURCH

789

HALL

TIME/LEVEL

SET MENU

DELAY

CENTER

REAR

SWFR

TEST

+10

STANDBY

SYSTEM

POWER ON

(+10)

Input selector keys

OPERATION CONTROL keys

Lid is closed.

: These keys are originally empty. If these keys have learned functions, pressing them executes those learned functions.

English

When the lid is closed, the OPERATION CONTROL keys

substitute for the keys numbered

1, 2, 3 and the (+10)

key on the left illustration. To use these keys, you do not have

to switch the A/B/C switch. The functions which the

OPERATION CONTROL keys carry out are determined by

which input selector key was pressed before using the

OPERATION CONTROL keys.

Note

When the lid is closed, the EFFECT, MASTER VOLUME,

MUTE, TV and VCR keys will function in the same way as

when the lid is open.

* If the MACRO switch on the side of the remote control

transmitter is set to “OFF”, when the lid is closed, the

SYSTEM POWER ON and STANDBY keys also will

function in the same way as when the lid is open.

Examples of operations controlled by using the

OPERATION CONTROL keys

To operate a Yamaha CD player

1. Press the “CD” input selector key.

2. Use the OPERATION CONTROL keys. (They carry out the

functions in area A of keys

2.)

To operate your VCR

1. Press the “VCR” input selector key.

2. Use the OPERATION CONTROL keys. (They carry out the

functions in area B of keys

1. This area is originally preset

with no function. You must store the functions related to

controlling the VCR in area B of keys

1 beforehand.)

Selected input selector

Key functions which the OPERATION CONTROL keys carry out

Functions in area A of keys

1 (except REC/PAUSE, A/B, DIR A and B)

Functions in area A of keys

2 (except STOP, DISC, and )

Functions in area A of keys

3 and (+10)

Functions in area B of keys

1 (except REC/PAUSE, A/B, DIR A and B)

Functions in area B of keys

2 (except STOP, DISC, and )

Functions in area B of keys

3 and (+10)

Functions in area C of keys

1 (except REC/PAUSE, A/B, DIR A and B)

Functions in area C of keys

2 (except STOP, DISC, and )

Functions in area C of keys

3 and (+10)

Notes

• If the OPERATION CONTROL keys substitute for keys

which has no function (empty), no command is carried out.

According to your plan, store functions from other remote

control transmitters into an empty area of those keys. (Refer

to page 50 for the learning method.)

• While playing an audio/video unit, if you want to operate

another unit by using the remote control transmitter (for

example, if you want to rewind a tape on your VCR while

listening to a CD), you should open the lid of the remote

control transmitter and use the A/B/C switch and the

corresponding keys.

(If you press an input selector key with the lid closed to

change the functions of the OPERATION CONTROL keys to

the functions for controlling a VCR, the input of currently

playing CD source is canceled.)

See the table below for a combination of an input selector key and key functions which the OPERATION CONTROL keys carry out.

(Also, refer to the table on page 45.)

Pressing the “V-AUX” or “PHONO” input selector key has no effect on the OPERATION CONTROL keys.

TAPE

TUNER

VCR

DVD/LD

TV/DBS

OPERATION

CONTROL

Play

Skip to

previous track

Skip to next

track

Pause or Stop

OPERATION

CONTROL

Play

Rewind Fast forward

Pause or Stop

MACRO OPERATIONS (When the lid is closed)

“Macro” is a command which defines a sequence of several

operations.

The keys shown in the illustrations below (as preset macro

keys) are also preset with macros, in addition to individual

functions.

Each macro key is preset so that simply pressing it alone will

carry out several functions of other keys on this remote control

transmitter sequentially. (To know what key functions are

sequentially carried out by pressing each preset macro key,

see the next page.)

Macros can be used only when the lid is closed and the

MACRO switch is set to “SLOW” or “QUICK”. (If “OFF” is

selected, no macro will function even if the lid is closed.)

Preset macro keys are originally preset with macros. If you

prefer, however, you can change the contents of a macro key

by storing a desired series of functions on it. You can store up

to seven functions onto a macro key. (Refer to page 51 for the

learning method.)

Setting the MACRO switch

OFF: In this position, no macro will function even if the lid of

remote control transmitter is closed.

QUICK: In this position, when a macro key is pressed, each

command is transmitted at 0.5 second intervals.

SLOW: In this position, when a macro key is pressed, each

command is transmitted at 3 second intervals.

REMOTE CONTROL

TRANSMITTER

TAPE

TUNER

VCR

DVD/LD

V-AUX

PHONO

TV/DBS

VCR

STANDBY

SYSTEM

POWER ON

MUTE

MASTER

VOLUME

OPERATION

CONTROL

EFFECT

TRANSMIT

MACROQUICK

OFFSLOW

TAPE

TUNER

VCR

DVD/LD

V-AUX

PHONO

EFFECT

ON/OFF

TV/DBS

DIR

TRANSMIT

/LEARN

LEARNCLEAR MACRO

PRESET

A/B/C/D/E

HALL TEST

MASTER VOLUME

VCR

STANDBY

SYSTEM

POWER ON

+10

MUTE

REMOTE CONTROL

TRANSMITTER

DISCSTOP

A/B

REC/PAUSE

SLEEP

DIGITAL/

PRO LOGIC

ENHANCED

MOVIE

THEATER

123

SPORTS

STADIUM

DISCO

456

ROCK

JAZZ CLUB

CHURCH

789

TIME/LEVEL

SET MENU

DELAY

CENTER

REAR

SWFR

Lid is closed.

(Set the MACRO switch to

“QUICK” or “SLOW”.)

Preset macro keys

MACRO switch

English

Macro key

1st

(Turning the power of this unit on)

2nd

(Selecting an input source)

3rd

(Playing a source)

“”on area A of keys

“”on area A of keys 2

–

“”on area B of keys

“”on area B of keys 2

–

“”on area C of keys

“”on area C of keys 2

–

Function of the key (and area) which operates when a macro key is pressed

Macro key

1st 2nd

–

3rd

–

Function of the key which operates when a macro key is pressed

Preset macro keys and the key functions which they carry out sequentially are as follows. (Also, refer to the table on page 45.)

Notes

• A key in which no function is stored will carry out no

command.

• If it occurs that this unit will not receive the second command

because the internal operation of the first command takes a

long time, set the MACRO switch to the “SLOW” position, or

add no function or repeat the same command between the

first command and the next command.

• If you will program the power on/off switching function of TV,

VCR, etc. as part of a macro sequence, note that it switches

the current mode to the other (“on” to “off”, or “off” to “on”).

For example, when you press the macro key, if the power of

TV, VCR, etc. is already on, the power will be turned off

even though you may not want it to do so.

• Once you press a macro key, this unit will not receive the

command of another key (even if it is pressed) until this unit

finishes carrying out all commands of the macro key. Take

notice of this especially when the MACRO switch is in the

“SLOW” position.

• Once you press a macro key, you must keep the remote

control transmitter directed at the main unit’s remote control

sensor until the remote control transmitter finishes

transmitting all command signals of the macro key.

• You can use the OPERATION CONTROL keys also while

using the macro functions.

TAPE

TUNER

VCR

DVD/LD

V-AUX

PHONO

TV/DBS

TAPE

TUNER

VCR

DVD/LD

V-AUX

PHONO

TV/DBS

SYSTEM

POWER ON

SYSTEM

POWER ON

STANDBY

SYSTEM

POWER ON

STANDBY

VCR

LEARNING A NEW FUNCTION

1 Place this remote control transmitter and the other

remote control transmitter so that they face each other.

* If there is no operation for about 30 seconds after the

LEARN button is pressed, the TRANSMIT/LEARN indicator

flashes rapidly and the current mode is canceled. If this

occurs, repeat this step.

3 If necessary, select the memory area by using the A/B/C

switch on the side panel of the remote control

transmitter.

4 Press the key on this remote control transmitter in which

you will store a new function.

* If a key which cannot learn another function is pressed, the

TRANSMIT/LEARN indicator flashes rapidly and the current

mode is canceled. If this occurs, repeat this step.

* If there is no operation for about 30 seconds after a key is

pressed, the TRANSMIT/LEARN indicator flashes rapidly

and the mode before you began learning operations is

restored. If this occurs, restart from step 2.

5 Press and hold the key (on the other remote control

transmitter) which has the function you want to store.

When learning is finished, the TRANSMIT/LEARN indicator

stops lighting. You can release the key. Then the indicator

begins flashing slowly.

* If a signal is not successfully received, the

TRANSMIT/LEARN indicator flashes rapidly and the mode

prior to step 4 is restored. If this occurs, restart from step 4.

* If memory capacity is full, the TRANSMIT/LEARN indicator

flashes rapidly to show you that learning is impossible, and

then the mode before you began learning operations is

restored.

6 Repeat step 3–5 to store more functions.

7 When you finish the learning operation, press the

LEARN button.

Notes

●

Newly learned functions will replace previously learned

functions.

●

If there is no more room in the memory area for a function to

be learned, the TRANSMIT/LEARN indicator will flash

rapidly. In this case, even if some keys are not occupied

with functions from other remote control transmitters, no

further learning is possible.

●

If the lid is closed while learning and about 5 seconds pass,

the TRANSMIT/LEARN indicator flashes rapidly and the

mode before you began learning operations is restored. If

this occurs, restart from step 2. However, if the lid is opened

within 5 seconds, the mode before the lid was closed is

restored.

●

There may occasionally be instances in which, due to the

signal-coding and modulation employed by the other remote

control transmitter, this remote control transmitter will not be

able to “learn” its signals.

V-AUX

PHONO

EFFECT

ON/OFF

123

SPORTS

STADIUM

DISCO

456

ROCK

JAZZ CLUB

CHURCH

789

TEST

+10

Lights up.

V-AUX

PHONO

EFFECT

ON/OFF

123

ORTS

STADIUM

DISCO

CLUB

CHURCH

EST

This remote control

transmitter

Other remote

control transmitter

About 5–10 cm

(2–4 in.)

TRANSMIT

/LEARN

LEARNCLEAR MACRO

Flashes slowly.

(Press by using the point of

a mechanical pencil, etc.)

LEARNCLEAR MACRO

V-AUX

PHONO

EFFECT

ON/OFF

123

SPORTS

STADIUM

DISCO

456

OCK

JAZZ CLUB

CHURCH

TEST

English

* If there is no operation for about 30 seconds after the

MACRO button is pressed, the TRANSMIT/LEARN

indicator flashes rapidly and the mode before you pressed

the MACRO button is restored. If this occurs, press the

MACRO button again.

2 Press a preset macro key on which you want to make a

new macro.

* If a key other than a preset macro key is pressed, the

TRANSMIT/LEARN indicator flashes rapidly and the

current mode is canceled. If this occurs, repeat this step.

3 Press and hold a key whose function you want to store

as the first function of the new macro.

When learning is finished, the TRANSMIT/LEARN indicator

lights up again. You can release the key.

* If a key whose function cannot be stored as a command of

macro is pressed, the TRANSMIT/LEARN indicator flashes

rapidly and the current mode is canceled. If this occurs,

repeat this step.

* If about 30 seconds pass before a key is pressed, the

TRANSMIT/LEARN indicator flashes rapidly and the mode

before you began learning operations is restored. If this

occurs, restart from step 1.

4 Repeat step 3 to store the second, the third and more

functions. You can store up to seven key functions in

series as a macro.

* If the seventh key function has been learned, the

TRANSMIT/LEARN indicator flashes rapidly and the mode

before you began learning operations is restored. (This

shows that the key has completed learning a series of

functions as a macro.) If this occurs, you do not have to

follow the next step.

5 When you finish learning, press the MACRO button.

MAKING A NEW MACRO

A new macro can be programmed onto any preset macro key in place of preset functions. (See page 48 to know what keys are

preset macro keys.) You can make as many as 13 new macro keys. A macro key can learn as many as seven functions of other

keys.

Note

If you store a continuous command such as lowering of volume level, it will become a short command when it is carried out as a part

of macro.

LEARNCLEAR MACRO

It is recommended to write down new key functions you

stored on the provided user function stickers and paste

them on the reverse side of the remote control transmitter

or the reverse side of the remote control transmitter’s lid.

Memory back-up

All of the learned functions will be retained while you

replace the batteries. However, if no batteries are

installed for a few hours, the learned functions will be

erased and will have to be learned again.

Goes off.

TRANSMIT

/LEARN

LEARNCLEAR MACRO

Flashes slowly.

TRANSMIT

/LEARN

Lights up.

SYSTEM

POWER ON

TRANSMIT

/LEARN

REMOTE CONTROL

TRANSMITTER

1 To clear a learned key function, press the LEARN button

using the point of a mechanical pencil, etc.

To clear a macro you made, press the MACRO button.

2 Press and hold the CLEAR button using the point of a

mechanical pencil, etc.

3 Holding the CLEAR button pressed, press and hold the

key whose function you want to clear until the indicator

flashes 3 times.

To clear two or more functions sequentially, do not

release the CLEAR button pressed, and repeat this step.

Note

If you clear a learned function of a key, the originally preset

function of the key is restored (except the keys which are

originally preset with no function.)

To Clear a Learned Function To Clear All Learned Functions

1 Select the kind of key functions all of which you want to

clear by using the MACRO switch on the side panel of

the remote control transmitter.

OFF: Select this position if you want to clear all of the

learned functions except macros.

QUICK: Select this position if you want to clear all of the

macros you made only.

SLOW: Select this position if you want to clear all of the

learned functions including macros.

2 Press the CLEAR button using the point of a

mechanical pencil, etc.

* If one of the following operation is made after you press

the CLEAR button, the TRANSMIT/LEARN indicator

flashes rapidly and the current mode is canceled. If this

occurs, press the CLEAR button again.

• MACRO switch is switched to another position.

• Another key is pressed.

• There is no operation for about 30 seconds.

3 Press and hold the CLEAR button again. While holding

the CLEAR button pressed, press and hold the

MASTER VOLUME and keys simultaneously

until the indicator flashes 7 times.

SYMPTOM

The remote control transmitter does not

work.

Learning cannot be made successfully.

(The TRANSMIT/LEARN indicator does not

light up or flash.)

CAUSE

The batteries of this remote control

transmitter are weak.

The internal microcomputer “freezes”.

The batteries of this remote control

transmitter and/or the other remote control

transmitter are weak.

The distance between the two remote control

transmitters is too long or too short.

The signal coding or modulation of the other

remote control transmitter is not compatible

with this remote control transmitter.

Memory capacity is full.

The internal microcomputer “freezes”.

REMEDY

Replace the batteries with new ones and

press the RESET button on the remote

control transmitter.

Replace the batteries (and press the RESET

button for this remote control transmitter).

Place the remote control transmitters with the

proper distance.

Learning is not possible.

Further learning is not possible without

deleting unnecessary commands.

Press the RESET button on the remote

control transmitter.

Trouble shooting guide

MACROQUICK

OFFSLOW

CLEARING LEARNED FUNCTIONS

TRANSMIT

/LEARN

LEARNCLEAR MACRO

Flashes slowly.

TRANSMIT

/LEARN

Flashes.

LEARNCLEAR MACRO

TRANSMIT

/LEARN

Flashes slowly.

MUTE

TRANSMIT

/LEARN

Flashes.

English

Amplifier

If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple

measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and

contact your authorized YAMAHA dealer or service center for help.

SYMPTOM

The unit fails to turn on when the

STANDBY/ON switch is pressed, or

turns into the standby mode suddenly

soon after the power is turned on.

It happens that this unit does not work

normally.

No sound or no picture.

No picture

The sound suddenly goes off.

Only one side speaker outputs the

sound.

Sound “hums”.

The volume level is low while playing a

record.

The volume level cannot be increased,

or sound is distorted.

No sound from the rear speakers.

No sound from the center speaker.

CAUSE

Power cord is not plugged in or is not

completely inserted.

The IMPEDANCE SELECTOR switch on the

rear panel is not set to the upper or the

lower end closely.

There is an influence of strong external

noise (lightning, excessive static electricity,

etc.) or a misoperation on this unit while

using this unit.

Incorrect output cord connections.

Appropriate input source is not selected.

The SPEAKERS switches are not set

properly.

Speaker connections are not secure.

There is no S video terminal connection

between this unit and the TV, though S

video signals are input to this unit.

The protection circuit has been activated

because of short circuit etc.

The SLEEP timer has functioned.

Incorrect setting of the BALANCE control.

Incorrect cord connections.

No connection from the turntable to the

GND terminal.

The record is being played on a turntable

with an MC cartridge.

The component connected to the REC OUT

terminals of this unit is in the standby mode.

The sound output level to the rear speakers

is set to minimum.

The monaural sound source is played in

DOLBY PRO LOGIC or DOLBY PRO

LOGIC ENHANCED mode.

The sound output level to the center

speaker is set to minimum.

The center channel mode is in PHANTOM

mode.

Incorrect sound field program selection.

REMEDY

Firmly plug in the power cord.

Set the switch to the upper or the lower end

closely.

Turn this unit into the standby mode and

disconnect the AC power cord from the AC

outlet. After about 30 seconds have passed,

connect the power and operate this unit

again.

Connect the cords properly. If the problem

persists, the cords may be defective.

Select an appropriate input source with the

input selector buttons.

Set the SPEAKERS switch which

corresponds to the speakers to be used to

the ON position.

Secure the connections.

Connect this unit’s S VIDEO MONITOR OUT

terminal to the TV’s S video input terminal.

Turning the unit into the standby mode and

then on will reset the protection circuit.

Cancel the SLEEP timer function.

Adjust it to the appropriate position.

Connect the cords properly. If the problem

persists, the cords may be defective.

Firmly connect the audio plugs. If the

problem persists, the cords may be defective.

Make the GND connection between the

turntable and this unit.

The player should be connected to the unit

through the MC head amplifier.

Turn the power to the component on.

Raise the sound output level to the rear

speakers.

Select another program suitable for the

monaural sound source.

Raise the sound output level to the center

speaker.

Select NORMAL or WIDE.

Select the appropriate program.

TROUBLESHOOTING

FMAMOthers

Remote control

transmitter

SYMPTOM

FM stereo reception is noisy.

There is distortion and clear reception

cannot be obtained even with a good

FM antenna.

A desired station cannot be tuned in

with the automatic tuning method.

Previously preset stations can no

longer be tuned in.

A desired station cannot be tuned in

with the automatic tuning method.

There are continuous crackling and

hissing noises.

There are buzzing and whining noises

(especially in the evening).

The remote control transmitter does

not work.

The sound is degraded when listening

with the headphones connected to the

compact disc player or cassette deck

that are connected with this unit.

CAUSE

Because of the characteristics of FM stereo

broadcasts, this is limited to cases where the

transmitter is too far away or the antenna

input is poor.

There is multipath interference.

The station is too weak.

This unit has been unplugged for a long

period.

Weak signal or loose antenna connections.

Noises will result from ligtning, fluorescent

lamps, motors, thermostats and other

electrical equipment.

A television set is being used nearby.

Direct sunlight or lighting (of an inverter type

of fluorescent lamp etc.) is striking the remote

control sensor of the main unit.

The batteries of this remote control

transmitter are too weak.

This unit is in the standby mode.

REMEDY

Check the antenna connections.

Try using a high quality directional FM

antenna.

Set the TUNING MODE button to the manual

tuning mode.

Adjust antenna placement to eliminate

multipath interference.

Use the manual tuning method.

Use a high quality directional FM antenna.

Repeat the presetting procedure.

Tighten the AM loop antenna connections

and rotate it for best reception.

Use the manual tuning method.

Use an outdoor antenna and a ground wire.

This will help somewhat but it is difficult to

eliminate all noise.

Relocate this unit away from the TV.

Change the position of the main unit.

Replace the batteries with new ones.

Turn the power to this unit on.

English

AUDIO SECTION

Minimum RMS Output Power per Channel

MAIN L/R

8 ohms, 20 Hz to 20 kHz, 0.04% THD

......................................................80W+80W

CENTER

8 ohms, 20 Hz to 20 kHz, 0.07% THD

................................................................80W

REAR L/R

8 ohms,

20 Hz to 20 kHz

, 0.07% THD

......................................................80W+80W

Maximum Power [China and General models

only]

8 ohms, 1 kHz, 10% THD

MAIN L/R................................125W+125W

Dynamic Power per Channel

(by IHF Dynamic Headroom measuring

method)

MAIN L/R

8/6/4/2 ohms.................100/125/150/175W

Dynamic Headroom (8 ohms)

[U.S.A. and Canada models only]

...........................................................0.96 dB

IEC Power [Singapore model only]

8 ohms, 1 kHz, 0.04% THD

MAIN L/R .............................................95W

Power Band Width

MAIN L/R

8 ohms, 40W, 0.09% THD

...........................................10 Hz to 50 kHz

Damping Factor (SPEAKERS A)

MAIN L/R

8 ohms, 20 Hz to 20 kHz

............80 or more

Input Sensitivity/Impedance

PHONO MM......................2.5 mV/47 k-ohms

CD/TAPE·MD/DVD·LD/TV·DBS/VCR

/VIDEO AUX

.....................150 mV/47 k-ohms

Maximum Input Signal

PHONO MM

1 kHz, 0.04% THD.............110 mV or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR

/VIDEO AUX (EFFECT ON)

1 kHz, 0.5% THD....................2.2V or more

Output Level/Impedance

REC OUT........................150 mV/2.7 k-ohms

PRE OUT.............................2.6V/1.1 k-ohms

SUBWOOFER (MAIN SPEAKER: SMALL)

................................................4V/1.2 k-ohms

Headphones Jack Rated Output/Impedance

Output Level

(

CD/TAPE·MD/DVD·LD/TV·DBS/VCR

/VIDEO AUX Input, 150 mV, RL=

8 ohms)

.............................................................0.5V

Impedance .....................................390 ohms

Frequency Response (20 Hz to 20 kHz)

CD/TAPE·MD/DVD·LD/TV·DBS/VCR

/VIDEO AUX to MAIN L/R SP OUT

........................................................0±0.5 dB

RIAA Equalization Deviation

PHONO MM....................................0±0.5 dB

Total Harmonic Distortion (20 Hz to 20 kHz)

PHONO MM to REC OUT

1V..........................................0.02% or less

CD/TAPE·MD/DVD·LD/TV·DBS/VCR

/VIDEO AUX

to SP OUT (EFFECT OFF)

40W/8 ohms ........................0.025% or less

Signal-to-Noise Ratio (IHF-A Network)

PHONO MM to REC OUT

(5 mV Input Shorted)............86 dB or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR

/VIDEO AUX

to SP OUT (EFFECT OFF)

(150 mV Input Shorted)........96 dB or more

Residual Noise (IHF-A Network)

MAIN L/R SP OUT..................170 µV or less

Channel Separation (Vol. –30 dB, EFFECT

OFF)

PHONO MM

(Input Shorted, 1 kHz/10 kHz)

......................60 dB or more/55 dB or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR

/VIDEO AUX

(Input 5.1 k-ohms Shorted, 1 kHz/10 kHz)

......................60 dB or more/45 dB or more

Tone Control Characteristics

BASS: Boost/cut...............±10 dB (50 Hz)

Turnover Frequency...........350 Hz

TREBLE: Boost/cut .............±10 dB (20 kHz)

Turnover Frequency..........3.5 kHz

Filter Characteristics

MAIN L/R, REAR L/R (MAIN SPEAKER:

SMALL)

(H.P.F.) .....................fc = 90 Hz, 12 dB/oct.

SUBWOOFER

(L.P.F.)......................fc = 90 Hz, 18 dB/oct.

Gain Tracking Error (0 to –60 dB)

MAIN L/R ....................................3 dB or less

Bass Extension ..........................+6 dB (50 Hz)

VIDEO SECTION

Video Signal Type

[U.S.A. and Canada models]................NTSC

[Australia and Singapore models]...........PAL

[China and General models].........NTSC/PAL

Video Signal Level ..................1 Vp-p/75 ohms

S-Video Signal Level

Y...........................................1 Vp-p/75 ohms

C....................................0.286 Vp-p/75 ohms

Maximum Input Level ............1.5 Vp-p or more

Signal-to-Noise Ratio.................50 dB or more

Monitor Output Frequency Response

.....................................5 Hz to 10 MHz, –3 dB

FM SECTION

Tuning Range

[U.S.A. and Canada models]

..........................................87.5 to 107.9 MHz

[Australia, Singapore, China and General

models]..............................87.5 to 108.0 MHz

50 dB Quieting Sensitivity (IHF)

(100% mod., 1 kHz)

Mono .................................1.55 µV (15.1 dBf)

Stereo...................................21 µV (37.7 dBf)

Image Response Ratio

[U.S.A., Canada, China and General models]

..............................................................45 dB

[Australia and Singapore models].........80 dB

IF Response Ratio

[U.S.A., Canada, China and General models]

..............................................................70 dB

[Australia and Singapore models].........80 dB

Spurious Response Ratio.........................70 dB

AM Suppression Ratio..............................55 dB

Capture Ratio ..........................................1.5 dB

Alternate Channel Selectivity (

±400

kHz)

[

U.S.A., Canada, China and General models

only] .......................................................85 dB

Selectivity (two signals, 40 kHz Dev.

±300

kHz)

[Australia and Singapore models only]

...............................................................70 dB

Signal-to-Noise Ratio

(IHF) Mono/Stereo

[U.S.A., Canada, China and General

models] .....................................80 dB/75 dB

(DIN-Weighted, 40 kHz Dev.) Mono/Stereo

[

Australia and Singapore models

]

..................................................75 dB/70 dB

Harmonic Distortion (1 kHz)

Mono/Stereo......................................0.1/0.2%

Stereo Separation .................................50 dB

Frequency Response

20 Hz to 15 kHz..............................0 ±1.5 dB

SPECIFICATIONS

AM SECTION

Tuning Range

[U.S.A., Canada, China and General models]

.............................................530 to 1,710 kHz

[

Australia and Singapore models

]

.............................................531 to 1,611 kHz

Usable Sensitivity..............................100 µV/m

Selectivity................................................32 dB

Signal-to-Noise Ratio..............................50 dB

Image Response Ratio ...........................40 dB

Spurious Response Ratio .......................50 dB

Harmonic Distortion (1 kHz).....................0.3%

AUDIO SECTION

Output Level/Impedance

FM (100% mod., 1 kHz)

[U.S.A. and Canada models]

......................................500 mV/2.2 k-ohms

[

Australia, Singapore,

China and General

models

(40 kHz Dev.)]

......................................400 mV/2.2 k-ohms

AM (30% mod., 1 kHz)

.........................................150 mV/2.2 k-ohms

GENERAL

Power Supply

[U.S.A. and Canada models]

..............................................AC 120V, 60 Hz

[Australia model]...................AC 240V, 50 Hz

[Singapore model].................AC 230V, 50 Hz

[China and General models]

....................AC 110/120/220/240V, 50/60 Hz

Power Consumption

[U.S.A. model] ......................................300W

[Canada model] .......................350W/420 VA

[Australia, Singapore, China and General

models].................................................350W

Maximum Power Consumption [General model

only] .......................................................690W

AC Outlets

2 SWITCHED OUTLETS

[U.S.A., Canada, Singapore, China and

General models]................100W max. total

1 SWITCHED OUTLET

[Australia model]................100W max. total

Dimensions (W x H x D)

.........................................435 x 151 x 391 mm

(17-1/8” x 5-15/16” x 15-3/8”)

Weight

[U.S.A. and Canada models]

....................................12.0 kg (26 lbs. 6 oz.)

[Australia, Singapore, China and General

models]......................13.0 kg (28 lbs. 10 oz.)

Accessories...........................AM loop antenna

Indoor FM antenna

Remote control transmitter

Batteries

User function stickers

Antenna adapter

(U.S.A. and Canada models only)

Specifications are subject to change without

notice.

SECTION AM

Gamme de syntonisation

[Modèles pour les Etats-Unis, le Canada, la

Chine et général] .................530 à 1.710 kHz

[Modèle pour l’Australie]......531 à 1.611 kHz

Sensibilité utilisable...........................100 µV/m

Sélectivité................................................32 dB

Rapport signal/bruit.................................50 dB

Rapport de réponse d’image...................40 dB

Rapport de réponse de bruit ...................50 dB

Distorsion harmonique (1 kHz).................0,3%

SECTION AUDIO

Niveau de sortie/impédance

FM (100% mod., 1 kHz)

[Modèles pour les Etats-Unis et le Canada]

.....................................500 mV/2,2 k-ohms

[Modèles pour l’Australie, la Chine et

général (40 kHz Dev.)]

.....................................400 mV/2,2 k-ohms

AM (30% mod., 1 kHz)

........................................150 mV/2,2 k-ohms

GENERALES

Alimentation

[Modèles pour les Etats-Unis et le Canada]

.............................................CA 120V, 60 Hz

[Modèle pour l’Australie].......CA 240V, 50 Hz

[Modèles pour la Chine et général]

...................CA 110/120/220/240V, 50/60 Hz

Consommation

[Modèle pour les Etats-Unis] ................300W

[Modèle pour le Canada] .........350W/420 VA

[Modèles pour l’Australie, la Chine et

général].................................................350W

Consommation maximale [Modèle général

seulement]..............................................690W

Prises CA

2 prises commutées

[Modèles pour les Etats-Unis, le Canada, la

Chine et général]

.....................................100W max. au total

1 prise commutée

[Modèle pour l’Australie]

.....................................100W max. au total

Dimensions (L x H x P)

.........................................435 x 151 x 391 mm

Poids

[Modèles pour les Etats-Unis et le Canada]

...........................................................12,0 kg

[Modèles pour l’Australie, la Chine et

général]..............................................13,0 kg

Accessoires........................Cadre-antenne AM

Antenne FM intérieure

Emetteur de télécommande

Piles

Etiquettes de fonctions d’utilisateur

Adaptateur d’antenne (Modèles pour les

Etats-Unis et le Canada seulement)

Caractéristiques techniques modifiables sans

préavis.

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.

YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA

YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY

YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE

YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND

YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN

YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

VZ51130 Printed in Malaysia

Transcripción de documentos

UCA R-V1103 Natural Sound AV Receiver Récepteur audiovisuel “Son Naturel” Thank you for selecting this YAMAHA AV receiver. Nous vous remercions d’avoir porté votre choix sur ce récepteur audiovisuel YAMAHA. OWNER’S MANUAL MODE D’EMPLOI SAFETY INSTRUCTIONS 7 Wall or Ceiling Mounting – The unit should be mounted to a wall or ceiling only as recommended by the manufacturer. 8 Ventilation – The unit should be situated so that its location or position does not interfere with its proper ventilation. For example, the unit should not be situated on a bed, sofa, rug, or similar surface, that may block the ventilation openings; or placed in a built-in installation, such as a bookcase or cabinet that may impede the flow of air through the ventilation openings. 9 Heat – The unit should be situated away from heat sources such as radiators, stoves, or other appliances that produce heat. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. • Explanation of Graphical Symbols The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert you to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert you to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. 10 Power Sources – The unit should be connected to a power supply only of the type described in the operating instructions or as marked on the unit. 11 Power-Cord Protection – Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the unit. 12 Cleaning – The unit should be cleaned only as recommended by the manufacturer. WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE. 1 Read Instructions – All the safety and operating instructions should be read before the unit is operated. 2 Retain Instructions – The safety and operating instructions should be retained for future reference. 3 Heed Warnings – All warnings on the unit and in the operating instructions should be adhered to. 4 Follow Instructions – All operating and other instructions should be followed. 5 Water and Moisture – The unit should not be used near water – for example, near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc. 6 Carts and Stands – The unit should be used only with a cart or stand that is recommended by the manufacturer. 6A A unit and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the unit and cart combination to overturn. 13 Nonuse Periods – The power cord of the unit should be unplugged from the outlet when left unused for a long period of time. 14 Object and Liquid Entry – Care should be taken so that objects do not fall into and liquids are not spilled into the inside of the unit. 15 Damage Requiring Service – The unit should be serviced by qualified service personnel when: A. The power-supply cord or the plug has been damaged; or B. Objects have fallen, or liquid has been spilled into the unit; or C. The unit has been exposed to rain; or D. The unit does not appear to operate normally or exhibits a marked change in performance; or E. The unit has been dropped, or the cabinet damaged. 16 Servicing – The user should not attempt to service the unit beyond those means described in the operating instructions. All other servicing should be referred to qualified service personnel. 17 Power Lines – An outdoor antenna should be located away from power lines. 18 Grounding or Polarization – Precautions should be taken so that the grounding or polarization is not defeated. English 19 For US customers only: Outdoor Antenna Grounding – If an outside antenna is connected to this unit, be sure the antenna system is grounded so as to provide some protection against voltage surges and built-up static charges. Article 810 of the National Electrical Code, ANSI/NFPA 70, provides information with regard to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna discharge unit, connection to grounding electrodes, and requirements for the grounding electrode. Note to CATV system installer: This reminder is provided to call the CATV system installer’s attention to Article 820-40 of the NEC that provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical. EXAMPLE OF ANTENNA GROUNDING MAST ANTENNA LEAD IN WIRE GROUND CLAMP ANTENNA DISCHARGE UNIT (NEC SECTION 810–20) ELECTRIC SERVICE EQUIPMENT GROUNDING CONDUCTORS (NEC SECTION 810–21) GROUND CLAMPS POWER SERVICE GROUNDING ELECTRODE SYSTEM (NEC ART 250. PART H) NEC – NATIONAL ELECTRICAL CODE SPECIAL NOTES FOR FCC COMPOSITE DEVICE (for US customers only) This device is a composite system. The digital device component may not cause harmful interference. FCC INFORMATION (for US customers only) 1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT : When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE : This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Electronics Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA 90620. The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. We Want You Listening For A Lifetime (for US customers only) YAMAHA and the Electronic Industries Association’s Consumer Electronics Group want you to get the most out of your equipment by playing it at a safe level. One that lets the sound come through loud and clear without annoying blaring or distortion – and, most importantly, without affecting your sensitive hearing. Since hearing damage from loud sounds is often undetectable until it is too late, YAMAHA and the Electronic Industries Association’s Consumer Electronics Group recommend you to avoid prolonged exposure from excessive volume levels. 1 CONTENTS SAFETY INSTRUCTIONS ..........Inside the Front Cover SUPPLIED ACCESSORIES ..................................2 FEATURES ............................................................3 CAUTION ...............................................................4 NOTES ABOUT THE REMOTE CONTROL TRANSMITTER .....................................................5 PROFILE OF THIS UNIT .......................................6 SPEAKER SETUP .................................................8 CONNECTIONS ..................................................10 CONTROLS AND THEIR FUNCTIONS ...............19 ADJUSTMENTS BEFORE USING THIS UNIT ..............................................................................22 ADJUSTMENTS IN THE “SET MENU” MODE ..............................................................................26 BASIC OPERATIONS ..........................................28 TUNING OPERATIONS .......................................32 PRESET TUNING ................................................33 USING DIGITAL SOUND FIELD PROCESSOR (DSP) ...................................................................36 BRIEF OVERVIEW OF DIGITAL SOUND FIELD PROGRAMS ........................................................40 SETTING THE SLEEP TIMER ............................42 REMOTE CONTROL TRANSMITTER .................43 TROUBLESHOOTING .........................................53 SPECIFICATIONS ...............................................55 SUPPLIED ACCESSORIES After unpacking, check that the following parts are included. Indoor FM Antenna Remote Control Transmitter AM Loop Antenna Antenna adapter (U.S.A. and Canada models only) User function stickers Batteries (size AA, R6, UM-3) 2 ● 5 Speaker Configuration Main: 80W + 80W (8Ω) RMS Output Power, 0.04% THD, 20–20,000 Hz Center: 80W (8Ω) RMS Output Power, 0.07% THD, 20–20,000 Hz Rear: 80W + 80W (8Ω) RMS Output Power, 0.07% THD, 20–20,000 Hz ● 3 Center Channel Modes (NORMAL/WIDE/PHANTOM) ● Digital Sound Field Processor ● Preset Station Shifting Capability (Preset Editing) ● Dolby Digital (AC-3) Decoder ● BASS EXTENSION Switch for Reinforcing Bass Response ● 40-Station Random Access Preset Tuning ● Automatic Preset Tuning ● Dolby Pro Logic Surround Decoder ● IF Count Direct PLL Synthesizer Tuning System ● Theater-like Sound Experience by the Combination of Dolby Surround and YAMAHA DSP Technology (CINEMA DSP) ● Video Signal Input/Output Capability (Including S Video Connections) ● Automatic Input Balance Control for Dolby Pro Logic Surround ● Test Tone Generator for Easier Speaker Balance Adjustment English FEATURES ● SLEEP Timer ● On Screen Display Function Helpful in Controlling This Unit ● “Learning” Remote Control Transmitter 3 CAUTION : READ THIS BEFORE OPERATING YOUR UNIT. 1. To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference. 2. Install this unit in a cool, dry, clean place – away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming (transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water. 3. Never open the cabinet. If something drops into the set, contact your dealer. 4. Do not use force on switches, controls or connection wires. When moving the unit, first disconnect the power plug and the wires connected to other equipment. Never pull the wires themselves. 5. The openings on the cabinet assure proper ventilation of the unit. If these openings are obstructed, the temperature inside the cabinet will rise rapidly. Therefore, avoid placing objects against these openings, and install the unit in wellventilated condition. Make sure to allow a space of at least 20 cm behind, 20 cm on the both sides and 30 cm above the top panel of the unit. Otherwise it may not only damage the unit, but also cause fire. 6. Always set the VOLUME control to “– ∞” before starting the audio source play. Increase the volume gradually to an appropriate level after playback has been started. 7. Do not attempt to clean the unit with chemical solvents; this might damage the finish. Use a clean, dry cloth. 8. Be sure to read the “TROUBLESHOOTING” section IMPORTANT Please record the serial number of this unit in the space below. Serial No.: The serial number is located on the rear of the unit. Retain this Owner’s Manual in a safe place for future reference. WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE. FREQUENCY STEP switch (China and General Models only) Because the interstation frequency spacing differs in different areas, set the FREQUENCY STEP switch (located at the rear) according to the frequency spacing in your area. Before setting this switch, disconnect the AC power plug of this unit from the AC outlet. FOR CANADIAN CUSTOMERS TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT AND FULLY INSERT. THIS CLASS B DIGITAL APPARATUS MEETS ALL REQUIREMENTS OF THE CANADIAN INTERFERENCECAUSING EQUIPMENT REGULATIONS. regarding common operating errors before concluding that the unit is faulty. 9. When not planning to use this unit for long periods of time (ie., vacation, etc.), disconnect the AC power plug from the wall outlet. 10. To prevent lightning damage, disconnect the AC power plug and disconnect the antenna cable when there is an electrical storm. 11. Grounding or polarization – Precautions should be taken so that the grounding or polarization of an appliance is not defeated. WARNING Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise this unit may be damaged. IF THIS UNIT FAILS TO TURN ON WHEN THE STANDBY/ON SWITCH IS PRESSED The IMPEDANCE SELECTOR switch may not be set to either end closely. If so, set the switch to either end closely. IMPEDANCE SELECTOR 12. AC outlet Do not connect audio equipment to the AC outlet on the rear panel if that equipment requires more power than the outlet is rated to provide. 13. Voltage Selector (China and General Models only) The voltage selector on the rear panel of this unit must be set for your local main voltage BEFORE plugging into the AC main supply. Voltages are 110/120/220/240 V AC, 50/60 Hz. IMPEDANCE SELECTOR SET BEFORE POWER ON REAR : 6ΩMIN. /SPEAKER CENTER SINGLE: 6ΩMIN. /SPEAKER DUAL: 3ΩMIN. /SPEAKER MAIN A OR B: 4ΩMIN. /SPEAKER A B: 8ΩMIN. /SPEAKER REAR : 8ΩMIN. /SPEAKER CENTER SINGLE: 8ΩMIN. /SPEAKER DUAL: 4ΩMIN. /SPEAKER MAIN A OR B: 8ΩMIN. /SPEAKER A B:I6ΩMIN. /SPEAKER AC OUTLETS SWITCHED I20V 60Hz I00W MAX. TOTAL This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode. In this state, this unit is designed to consume a very small quantity of power. (U.S.A. model) 4 Battery installation Remote control transmitter operation range English NOTES ABOUT THE REMOTE CONTROL TRANSMITTER l6 20 l2 28 8 4 40 2 60 0 –dB 2 Remote control sensor 1 Within approximately 6 m (19.7 feet) 3 30° 30° Battery replacement If you find that the remote control transmitter must be used closer to the main unit, the batteries are weak. Replace both batteries with new ones. Notes ● Use only AA, R6, UM-3 batteries for replacement. ● Be sure the polarities are correct. (See the illustration inside the battery compartment.) ● Remove the batteries if the remote control transmitter will not be used for an extended period of time. ● If batteries leak, dispose of them immediately. Avoid touching the leaked material or letting it come in contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries. ● After you change batteries, make sure to press the RESET button inside the battery compartment. Notes ● There should be no large obstacles between the remote control transmitter and the main unit. ● If the remote control sensor is directly illuminated by strong lighting (especially an inverter type of fluorescent lamp etc.), it might cause the remote control transmitter not to work correctly. In this case, reposition the main unit to avoid direct lighting. 5 PROFILE OF THIS UNIT This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your listening room. This unit has a total of 10 digital sound field processor (DSP) modes. You can create an excellent audio sound field by selecting a suitable sound field (this will, of course, depend on what you will be listening to), and adding desired adjustments. In addition, this unit incorporates a Dolby Pro Logic Surround decoder and Dolby Digital (AC-3) decoder for multi-channel sound reproduction of Dolby Surround encoded video sources. The operation of the Dolby Pro Logic Surround or Dolby Digital (AC-3) decoder can be controlled by selecting a corresponding DSP program including combined operations of the Yamaha DSP and the Dolby Pro Logic Surround or Dolby Digital (AC-3) decoder. Digital Sound Field Processing What is it that makes live music so good? Today’s advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but chances are you’ll still notice something missing, the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for Yamaha engineers to bring you this same sound in your own listening room, so you’ll feel all the sound of a live concert. Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of actual concert halls, jazz clubs, theaters, etc. from around the world, to allow you to accurately recreate any one of these live performance environments, all in your own home. Dolby Pro Logic Surround This unit employs a Dolby Pro Logic Surround decoder similar to professional Dolby Stereo decoders used in many movie theaters. By using the Dolby Pro Logic Surround decoder, you can experience the dramatic realism and impact of Dolby Surround movie theater sound in your own home. Dolby Pro Logic employs a four channel five speaker system. The Pro Logic Surround system divides the input signal into four levels: the left and right main channels, the center channel (used for dialog), and the rear surround sound channels (used for sound effects, background noise, and other ambient noises). The center channel allows listeners seated in even less-than-ideal positions to hear the dialog originating from the action on the screen while experiencing good stereo imaging. Dolby Surround is encoded on the sound track of pre-recorded video tapes, laser discs, and some TV/cable broadcasts. When you play a source encoded with Dolby Surround on this unit, the Dolby Pro Logic Surround decoder decodes the signal and distributes the surround-sound effects. This Dolby Pro Logic Surround Decoder employs a digital signal processing system. This system improves the stability of sound at each channel and crosstalk between channels, so that positioning of sounds around the room is more accurate compared with conventional analog signal processing systems. In addition, this unit features a built-in automatic input balance control. This always assures you the best performance without manual adjustment. Dolby Digital (AC-3) The built-in Dolby Digital (AC-3) Decoder leads you into a totally new sound experiences. Dolby Digital (AC-3) is a new generation of multi-channel digital audio technology, or the newest spatial sound processing format developed for 35 mm film-movies by employing a new kind of low bit-rate audio coding. Dolby Digital (AC-3) is a digital surround sound system that provides completely independent multi-channel audio to consumers. In multi-channel form, Dolby Digital (AC-3) provides five full range channels in what is sometimes referred to as a “3/2” configuration: three front channels (left, center and right), plus two surround channels. A sixth bass-only effect channel is also provided for output of LFE (low frequency effect), or low bass effects that are independent of other channels. This channel is counted as 0.1, thus giving rise to the term 5.1 channels in total. 6 Compared to Dolby Pro Logic that is referred to a “3/1” system (left front, center, right front and just one surround channel), Dolby Digital (AC-3) features two surround channels, called stereo or split surrounds, each offering the same full range fidelity as the three front channels. Sound of wide dynamic range reproduced by the five full range channels presents listeners much excitement that has never been experienced before. Precise sound orientation by the discrete digital sound processing expands realism that the original movie possesses. Laser Disc and DVD are home audio formats that could benefit from Dolby Digital (AC-3). In the near future, Dolby Digital (AC3) will also be applied to DBS, CATV and HDTV. The ongoing release of Dolby Stereo Digital theatrical films now underway will provide an immediate source of Dolby Digital (AC-3) encoded video software. Manufactured under license from Dolby Laboratories Licensing Corporation. “Dolby”, “AC-3”, “Pro Logic”, and the double-D symbol are trademarks of Dolby Laboratories Licensing Corporation. Copyright 1992 Dolby Laboratories, Inc. All rights reserved. ● ● ● English The following original functions make the surround-sound effect of Dolby Digital (AC-3) become the most suitable for your audio system and the listening conditions. Dynamic range (sound scale) of source can be changed so that it will be suitable for the listening conditions. Output of low bass from any channel can be assigned to either the MAIN SPEAKERS terminals or SUBWOOFER terminal to maximize system performance. Output of LFE can be assigned to either the MAIN SPEAKERS terminals or SUBWOOFER terminal to maximize system performance. Dolby Surround + DSP (CINEMA DSP) Dolby Surround sound system shows its full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater using many speakers. It is difficult to create a sound environment similar to that of a movie theater in your listening room, because the room size, materials of inside walls, the number of speakers, etc. of your listening room is much different from those of a movie theater. Yamaha DSP technology made it possible to present you with nearly the same sound experience as that of a large movie theater in your listening room by compensating for lack of presence and dynamics in your listening room with its original digital sound fields combined with Dolby Surround sound field. CINEMA DSP The YAMAHA “CINEMA DSP” logo indicates those programs are created by the combination of Dolby Surround and YAMAHA DSP technology. Dolby Pro Logic + 2 Digital Sound Fields Dolby Digital (AC-3) + 3 Digital Sound Fields Digital sound fields are created on the presence side and the rear surround side of the Dolby Pro Logic Surrounddecoded sound field respectively. They create a wide acoustic environment and emphasize surround-effect in the room, letting you feel much presence as if you are watching a movie in a popular Dolby Stereo theater. Digital sound fields are created on the presence side and the independent left and right surround sides of the Dolby Digital (AC-3)-decoded sound field respectively. They create a wide acoustic environment and much surround effect in the room without losing high channel separation. With wide dynamic range of Dolby Digital (AC-3) sound, this sound field combination lets you feel as if you are watching a movie in the newest Dolby Stereo Digital theater. This will be the most ideal home theater sound at the present time. This combination is available when the sound field program No. 2, No. 3 or No. 4 is selected, and the input signal of source is analog, PCM audio or encoded with the Dolby Digital (AC-3) in 2-channels. This combination is available when the sound field program No. 2, No. 3 or No. 4 is selected, and the input signal of source is encoded with the Dolby Digital (AC-3) (except in 2-channels). 7 SPEAKER SETUP SPEAKERS TO BE USED This unit is designed to provide the best sound-field quality with a 5 speaker configuration, using main speakers, rear speakers and a center speaker. The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog, vocals, etc.). If for some reason it is not practical to use a center speaker, you can do without it. Best results, however, are obtained with the full system. Use of a subwoofer expands your sound field It is also possible to further expand your system with the addition of a subwoofer and amplifier. The use of a subwoofer is effective not only for reinforcing bass frequencies from any or all channels, but also for reproducing the LFE (low frequency effect) sound with high fidelity when playing back a source with the Dolby Digital (AC-3) decoded. You may wish to choose the convenience of a Yamaha Active Servo Processing Subwoofer System, which has its own built-in power amplifier. The main speakers should be high performance models and have enough power handling capacity to accept the maximum output of your audio system. Other speakers do not have to be equal to the main speakers. For precise sound localization, however, it is ideal to use high performance models that can reproduce sounds in full range for the center speaker and the rear speakers. SPEAKER CONFIGURATION 5-Speaker Configuration 4-Speaker Configuration This configuration is the most effective and recommended one. When playing back a source using the DSP program, DIGITAL (PRO LOGIC), DIGITAL (PRO LOGIC) ENHANCED, DIGITAL (70 mm) MOVIE THEATER or TV SPORTS, or when playing back a source which contains center-channel signals (dialog, vocals, etc.) using any DSP program with the Dolby Digital (AC-3) decoded, conversations will be output from the center speaker and the ambience will be excellent. Note: Set the CENTER SPEAKER mode to the “NORMAL” or “WIDE” position. (For details, refer to page 22.) The center speaker is not used in this configuration. When playing back a source using the DSP program, DIGITAL (PRO LOGIC), DIGITAL (PRO LOGIC) ENHANCED, DIGITAL (70 mm) MOVIE THEATER or TV SPORTS, or when playing back a source which contains center-channel signals (dialog, vocals, etc.) using any DSP program with the Dolby Digital (AC-3) decoded, the center sound is output from the left and the right main speakers. However, the sound effect of other programs can be the same as that of the 5-speaker configuration. Note: Be sure to set the CENTER SPEAKER mode to the “PHANTOM” position. (For details, refer to page 22.) Front Main L Center FrontRR Main Front Main L Dialogue Dialogue Surround sound Rear L 8 Main FrontRR Rear R Surround sound Rear L Rear R English SPEAKER PLACEMENT When you place speakers, refer to the following. Main: In normal position. (The position of your present stereo speaker system.) Rear: Behind your listening position, facing slightly inward. Nearly 1.8 m (approx. 6 feet) up from the floor. Center: Precisely between the main speakers. (To avoid interference with TV sets, use a magnetically shielded speaker.) Subwoofer: The position of the subwoofer is not so critical because low bass tones are not highly directional. Main speaker Center speaker Rear speaker Subwoofer 9 CONNECTIONS Never plug in this unit and other components until all connections are completed. CONNECTIONS WITH OTHER COMPONENTS When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit. * If you have YAMAHA components numbered as 1, 3, 4, etc. on the rear panel, connections can be made easily by making sure to connect the output (or input) terminals of each component to the same-numbered terminals of this unit. Monitor TV VIDEO IN VIDEO OUT AUDIO OUT LD player, DVD player, etc. GND OUTPUT Turntable 2 * (U.S.A. model) OUTPUT GND REMOTE CONTROL IN PCM/ DIGITAL IN MAIN (AC–3 DIGITAL IN) OUT OPTICAL DVD/LD CENTER REAR (SURROUND) COAXIAL DVD/LD ON SCREEN SELECTOR S VIDEO VIDEO FM ANT MONITOR OUT GND SUB WOOFER VIDEO SIGNAL VCR IN OUT MONITOR OUT DVD/LD SET BEFORE POWER ON REAR : 6ΩMIN. /SPEAKER CENTER SINGLE: 6ΩMIN. /SPEAKER DUAL: 3ΩMIN. /SPEAKER MAIN A OR B: 4ΩMIN. /SPEAKER A B: 8ΩMIN. /SPEAKER TV/DBS 75Ω UNBAL. S VIDEO SIGNAL IMPEDANCE SELECTOR TV/DBS VCR IN REAR : 8ΩMIN. /SPEAKER CENTER SINGLE: 8ΩMIN. /SPEAKER DUAL: 4ΩMIN. /SPEAKER MAIN A OR B: 8ΩMIN. /SPEAKER A B:I6ΩMIN. /SPEAKER OUT AC OUTLETS AM ANT SWITCHED I20V 60Hz I00W MAX. TOTAL AUDIO SIGNAL PHONO CD TAPE/MD DVD/LD TAPE PB REC OUT TV/DBS VCR IN OUT 1 * MAIN LEVEL —I0dB 0dB 1 3 4 CD player 1 2 ** , 10 : See the next page. Tape deck, MD recorder, etc. TV/Satellite tuner VIDEO OUT VIDEO IN AUDIO IN AUDIO OUT AUDIO OUT VIDEO OUT LINE IN LINE OUT OUTPUT To AC outlet Video cassette recorder English * 1 2 AC OUTLET(S) (SWITCHED) * (U.S.A., Canada, Singapore, China and General models) ......................................................... 2 SWITCHED OUTLETS (Australia model) ................................. 1 SWITCHED OUTLET Connecting the ground wire of the turntable to the GND terminal will normally minimize hum, but in some cases better results may be obtained with the ground wire disconnected. GND terminal (For turntable use) Use these to connect the power cords from your components to this unit. The power to the SWITCHED outlets is controlled by this unit’s STANDBY/ON switch or the provided remote control transmitter’s SYSTEM POWER ON and STANDBY keys. These outlets will supply power to any component whenever this unit is turned on. The maximum power (total power consumption of components) that can be connected to the SWITCHED AC OUTLET(S) is 100 watts. n CONNECTING TO VIDEO AUX TERMINALS (ON THE FRONT PANEL) These terminals are used to connect any video input source such as a camcorder to this unit. VIDEO AUX S VIDEO VIDEO L AUDIO R AUDIO OUT R R AUDIO OUT L L VIDEO OUT VIDEO Camcorder S VIDEO OUT S VIDEO For Custom Installer For U.S.A., Canada and Australia models only REMOTE CONTROL (IN, OUT) terminals These terminals are used for custom installation system. When this unit is connected to the components for custom installation system, you can operate this unit with the system remote control. Connect the REMOTE CONTROL IN terminal of this unit to the output terminal of the central controller for custom installation system. By connecting the REMOTE CONTROL OUT terminal of this unit to the REMOTE CONTROL IN terminal of the other component, you can also operate it with the system remote control. In this way, up to 6 components can be connected in series. GND REMOTE CONTROL IN OUT Ω UNBAL. PCM/ DIGITAL IN (AC-3 DIGITAL IN) OPTICAL COAXIAL DVD/LD DVD/LD MONITOR OUT DVD/LD ON SCREEN SELECTOR S VIDEO VIDEO S VIDEO SIGNAL MONITOR OUT VCR IN OUT VIDEO S 11 n CONNECTING TO DIGITAL (OPTICAL AND COAXIAL) TERMINALS Notes ● When connecting an audio/video unit to both of the digital and analog terminals of this unit, make sure to connect to both terminals of the same name. ● Be sure to attach the covers when the OPTICAL terminals are not being used, in order to protect the terminals from dust. ● All digital audio signal input terminals are applicable to the sampling frequency of 32 kHz, 44.1 kHz and 48 kHz. If your DVD (LD) player, TV/satellite tuner, etc. are equipped with coaxial or optical digital audio signal output terminals, they can be connected to this unit’s COAXIAL and/or OPTICAL digital signal input terminals. To make a connection between optical digital audio signal terminals, remove the cover from each terminal, and then connect them by using a commercially available optical fiber cable that conforms to EIAJ standards. Other cables might not function correctly. Even if you connect an audio/video unit to the OPTICAL (or COAXIAL) terminal of this unit, you must keep the unit connected with the same named analog audio signal terminals of this unit, because digital signal cannot be recorded by a tape deck or VCR connected to this unit. You can switch the selection of input signals between “digital” and “analog” easily. (See page 29 for details.) COAXIAL DIGITAL OUT DVD (LD) player ANALOG OUT TV/Satellite tuner OPTICAL DIGITAL OUT COAXIAL DIGITAL OUT GND REMOTE CONTROL IN PCM/ DIGITAL IN (AC–3 DIGITAL IN) OUT OPTICAL COAXIAL DVD/LD DVD/LD MONITOR OUT DVD/LD TV/DBS 75Ω UNBAL. ON SCREEN SELECTOR S VIDEO VIDEO FM ANT S VIDEO SIGNAL MONITOR OUT GND VIDEO SIGNAL VCR IN OUT TV/DBS VCR IN OUT AM ANT AUDIO SIGNAL PHONO CD 1 TAPE/MD DVD/LD TAPE PB REC OUT 3 TV/DBS VCR IN OUT 4 (U.S.A. model) 12 ANALOG OUT English Notes on connecting with an LD player equipped with an AC-3 RF output If desired, you can also connect the digital signal output terminal (for 2-channel audio signals) of the LD player to this unit. If you will do so, connect it to the COAXIAL digital signal input terminal of this unit, and connect the RF demodulator to the OPTICAL digital signal input terminal of this unit. By this connection, if the input mode of the DVD/LD source is in “AUTO”, you can enjoy listening to sounds with the Dolby Digital (AC-3) decoded when you play a disc encoded with the Dolby Digital (AC-3) though signals are input to both OPTICAL and COAXIAL digital signal input terminals of this unit simultaneously (because signals input to the OPTICAL terminal take priority of signals input to the COAXIAL terminal). See page 29 for details about switching the input mode. If your LD player has AC-3 RF signal output terminal and no digital signal output terminal for AC-3 discrete audio signals, connect the AC-3 RF signal output terminal to this unit’s OPTICAL (or COAXIAL) digital signal input terminal by using an RF demodulator (separate purchase). First, connect the AC-3 RF signal output terminal of the LD player to the AC-3 RF signal input terminal of the RF demodulator. Next, connect the optical (or coaxial) digital signal output terminal of the RF demodulator to the OPTICAL (or COAXIAL) digital signal input terminal of this unit. This connection is necessary for sending audio signals encoded with the Dolby Digital (AC-3) from the LD player to this unit. It is also necessary to connect the LD player to this unit’s analog audio signal input terminals regardless of the AC-3 RF signal connection, for playing back an LD source with the Dolby Pro Logic Surround decoded or in normal stereo (or monaural). COAXIAL DIGITAL OUT GND REMOTE CONTROL IN PCM/ LD player ANALOG OUT AC-3 RF OUT DIGITAL IN (AC–3 DIGITAL IN) OUT OPTICAL DVD/LD COAXIAL DVD/LD TV/DBS 75Ω UNBAL. ON SCREEN SELECTOR S VIDEO VIDEO FM ANT S VIDEO SIGNAL MONITOR OUT GND VCR IN COAXIAL DIGITAL OUT VIDEO SIGNAL OUT MONITOR OUT DVD/LD TV/DBS VCR IN OUT OPTICAL DIGITAL OUT AM ANT AC-3 RF IN AUDIO SIGNAL PHONO CD 1 TAPE/MD DVD/LD TAPE PB REC OUT 3 TV/DBS VCR IN RF demodulator (YAMAHA APD-1 etc.) OUT 4 (U.S.A. model) Notes ● If your LD player has an OPTICAL digital output terminal (for 2-channel audio signals), be sure not to connect it to this unit’s OPTICAL digital input terminal. If you do so, when you play a disc encoded with the Dolby Digital (AC-3), the Dolby Digital (AC-3) will not be decoded because the 2channel audio signals input to this unit’s OPTICAL digital input terminal are selected prior to the signals encoded with the Dolby Digital (AC-3) input to this unit’s COAXIAL digital input terminal by way of an RF demodulator. ● ● If, for example, you play a CD on the LD player (which can play a CD also), there is no input to the OPTICAL terminal, so the signals input to the COAXIAL terminal take priority. In this case, switch off the RF demodulator to listen to CD sound surely. However, if your RF demodulator is the Yamaha model APD-1, you do not have to switch it off. When you want to play a source encoded with the Dolby Digital (AC-3) without decoding the Dolby Digital (AC-3), you must switch off the power to the RF demodulator. 13 n CONNECTING TO S VIDEO SIGNAL TERMINALS VIDEO IN ON SCREEN SELECTOR 1 2 PAL NTSC S VIDEO VIDEO * VCR IN OUT MONITOR OUT S VIDEO IN MONITOR OUT (General model) VIDEO SIGNAL DVD/LD TV/DBS VCR IN OUT VIDEO IN S VIDEO SIGNAL VIDEO OUT * S VIDEO OUT Note If video signals are sent to both S VIDEO SIGNAL input and composite input terminals, the signals will be sent to their respective output terminals. Monitor TV S VIDEO IN If you have a video cassette recorder and a monitor equipped with “S” (high-resolution) video terminals, those terminals can be connected to this unit’s S VIDEO SIGNAL terminals. Connect the video cassette recorder’s “S” video input and output terminals to this unit’s S VIDEO SIGNAL VCR IN and OUT terminals respectively, and connect the monitor’s “S” video input terminal to this unit’s S VIDEO SIGNAL MONITOR OUT terminal. Otherwise, connect the video cassette recorder’s composite video terminals to this unit’s composite video terminals, and connect the monitor’s composite video input terminal to this unit’s composite MONITOR OUT terminal. Video cassette recorder ON SCREEN DISPLAY If you connect a video cassette recorder, LD player, video monitor, etc. to this unit, you can display DSP program names and information about other settings and adjustments on the video monitor screen which is connected to the composite VIDEO SIGNAL (or S VIDEO SIGNAL) MONITOR OUT terminal of this unit. Information is superimposed over the video image. If there is no program material on the monitor, the information will be displayed over a monochromatic background. By using the ON SCREEN SELECTOR S VIDEO/VIDEO switch, select the video monitor connected to the S VIDEO SIGNAL MONITOR OUT terminal or composite VIDEO SIGNAL MONITOR OUT terminal on which you want to display the screen display information. 1 * ON SCREEN SELECTOR S VIDEO/VIDEO switch S VIDEO: In this position, the screen display information is displayed on the video monitor connected to the S VIDEO SIGNAL MONITOR OUT terminal. VIDEO: 14 In this position, the screen display information is displayed on the video monitor connected to the composite VIDEO SIGNAL MONITOR OUT terminal. 2 * PAL/NTSC switch (China and General models only) This unit is designed for use with the NTSC and PAL television formats. Set this switch to the position for the format your monitor TV employs. PAL: Outputs signals in the PAL format no matter which format (PAL or NTSC) of video signal is sent from an external video unit to this unit. Set to this position if your monitor TV employs the PAL format. NTSC: Outputs signals in the NTSC format no matter which format (PAL or NTSC) of video signal is sent from an external video unit to this unit. Set to this position if your monitor TV employs the NTSC format. Note Make sure to input a video signal which employs the same format that your monitor TV employs, otherwise a picture will not be played back normally. English CONNECTING SPEAKERS Rear speaker Subwoofer system Rear speaker Left Right Center speaker (U.S.A. model) OUTPUT MAIN REAR CENTER IMPEDANCE SELECTOR REAR SET BEFORE POWER ON (SURROUND) (SURROUND) REAR : 6ΩMIN. /SPEAKER CENTER SINGLE: 6ΩMIN. /SPEAKER DUAL: 3ΩMIN. /SPEAKER MAIN A OR B: 4ΩMIN. /SPEAKER A B: 8ΩMIN. /SPEAKER CENTER C D REAR : 8ΩMIN. /SPEAKER CENTER SINGLE: 8ΩMIN. /SPEAKER DUAL: 4ΩMIN. /SPEAKER MAIN A OR B: 8ΩMIN. /SPEAKER A B:I6ΩMIN. /SPEAKER SUB WOOFER DUAL SINGLE CAUTION SEE INSTRUCTION MANUAL FOR CORRECT SETTING. MAIN A B B SPEAKERS Right Main speakers B A Right Left MAIN LEVEL —I0dB 0dB See the next page. Left Main speakers A Note on center speaker connection: Note Use speakers with the specified impedance shown on the rear of this unit. Note on main speaker connections: One or two speaker systems can be connected to this unit. If you use only one speaker system, connect it to either the SPEAKERS A or B terminals. One or two center speakers can be connected to this unit. If you cannot place the center speaker on or under the TV, it is recommended to use two center speakers and place them on both sides of the TV to orient the center sound at the center position. For connecting two center speakers, follow the method shown below. REAR (SURROUND) Note on a subwoofer connection: You may wish to add a subwoofer to reinforce low frequencies or to output low bass sound from the subwoofer channel when reproducing discrete signals. Connect the SUBWOOFER OUTPUT terminal of this unit to the INPUT terminal of the subwoofer amplifier, and connect the speaker terminals of the subwoofer amplifier to the subwoofer. With some subwoofers, including the Yamaha Active Servo Processing Subwoofer System, the amplifier and subwoofer are in the same unit. CENTER C D DUAL SINGLE Center speaker Center speaker 15 How to Connect: Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and – markings are observed. If these wires are reversed, the sound will be unnatural and lack bass. Caution Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damage this unit and/or speakers. For connecting to the MAIN SPEAKERS terminals Red: positive (+) Black: negative (–) 2 1 3 For connecting to the REAR and CENTER SPEAKERS terminals Red: positive (+) Black: negative (–) ➀ Unscrew the knob. ➁ Insert the bare wire. [Remove approx. 5mm (1/4”) insulation from the speaker wires.] ➂ Tighten the knob and secure the wire. <U.S.A., Canada, China and General models only> ➀ Press the tab. ➁ Insert the bare wire. ➀ [Remove approx. 5mm (1/4”) insulation from the speaker wires.] ➂ Release the tab and secure the wire. ➂ ➁ Banana Plug connections are also possible. Simply insert the Banana Plug connector into the corresponding terminal. MAIN LEVEL switch Normally set to “0 dB”. If desired, you can decrease the output level at the MAIN SPEAKERS terminals by 10 dB by setting this switch to “–10 dB”. MAIN LEVEL — I0 dB 0 dB 16 OUTPUT MAIN CENTER REAR (SURROUND) SUB WOOFER REAR (SURROUND) OUTPUT terminals English n OUTPUT terminals (for driving speakers with external amplifiers) These terminals are for rear channel line output. There is no connection to these terminals when you use the built-in amplifier. However, if you drive rear speakers with an external stereo power amplifier, connect the input terminals of the external amplifier (MAIN IN or AUX terminals of a power amplifier or an integrated amplifier) to these terminals. MAIN OUTPUT terminals These terminals are for main channel line output. There is no connection to these terminals when you use the built-in amplifier. However, if you drive main speakers with an external stereo power amplifier, connect the input terminals of the external amplifier (MAIN IN or AUX terminals of a power amplifier or an integrated amplifier) to these terminals. * Output signals from the MAIN OUTPUT terminals are affected by the use of BASS, TREBLE, BALANCE controls and BASS EXTENSION switch. CENTER OUTPUT terminal This terminal is for center channel line output. There is no connection to this terminal when you use the built-in amplifier. However, if you drive a center speaker with an external power amplifier, connect the input terminal of the external amplifier to this terminal. SUBWOOFER OUTPUT terminal This terminal is for connecting with the input terminal of an amplifier for driving a subwoofer. When the input signals to this unit are in normal 2-channel stereo, this terminal outputs only frequencies below 150 Hz (200 Hz for General model only) from the main and center channels. When discrete signals are input to this unit and are selected as the input source, this terminal outputs signals from the subwoofer channel. Note Output level of signals from all of these terminals are adjusted by the use of VOLUME control on the front panel or MASTER VOLUME keys on the remote control transmitter. n IMPEDANCE SELECTOR switch Be sure to switch this only when the power to this unit is not on. Select the position whose requirements your speaker system meets. (Upper position) Rear: The impedance of each speaker must be 6Ω or higher. WARNING Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise this unit may be damaged. Center: If you use one center speaker, the impedance of the speaker must be 6Ω or higher. If you use two center speakers, the impedance of each speaker must be 3Ω or higher. IF THIS UNIT FAILS TO TURN ON WHEN THE STANDBY/ON SWITCH IS PRESSED The IMPEDANCE SELECTOR switch may not be set to either end closely. If so, set the switch to either end closely. Main: IMPEDANCE SELECTOR (U.S.A. model) If you use one pair of main speakers, the impedance of each speaker must be 4Ω or higher. If you use two pairs of main speakers, the impedance of each speaker must be 8Ω or higher. (Lower position) Rear: The impedance of each speaker must be 8Ω or higher. IMPEDANCE SELECTOR SET BEFORE POWER ON REAR : 6ΩMIN. /SPEAKER CENTER SINGLE: 6ΩMIN. /SPEAKER DUAL: 3ΩMIN. /SPEAKER MAIN A OR B: 4ΩMIN. /SPEAKER A B: 8ΩMIN. /SPEAKER REAR : 8ΩMIN. /SPEAKER CENTER SINGLE: 8ΩMIN. /SPEAKER DUAL: 4ΩMIN. /SPEAKER MAIN A OR B: 8ΩMIN. /SPEAKER A B:I6ΩMIN. /SPEAKER AC OUTLETS SWITCHED I20V 60Hz I00W MAX. TOTAL Center: If you use one center speaker, the impedance of the speaker must be 8Ω or higher. If you use two center speakers, the impedance of each speaker must be 4Ω or higher. Main: <Except Canada model> If you use one pair of main speakers, the impedance of each speaker must be 8Ω or higher. If you use two pairs of main speakers, the impedance of each speaker must be 16Ω or higher. <For Canada model only> The impedance of each speaker must be 8Ω or higher. 17 ANTENNA CONNECTIONS ● ● Each antenna should be connected to the designated terminals correctly, referring to the following diagram. Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement. Outdoor FM antenna Outdoor AM antenna Indoor FM antenna (included) AM loop antenna (included) GND 75-ohm/300-ohm antenna adapter 75Ω UNBAL. FM ANT 75-ohm coaxial cable GND AM ANT PHONO 75-ohm/300-ohm antenna adapter 300-ohm feeder Ground Connecting the AM loop antenna 1 2 ➀ ➂ ➁ 3 Orient so that the best reception is obtained. * The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall. * The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit. GND terminal For maximum safety and minimum interference, connect the GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth. 18 Notes ● When connecting the indoor FM antenna, insert its connector into the FM ANT terminal firmly. ● If you need an outdoor FM antenna to improve FM reception quality, either 300-ohm feeder or coaxial cable may be used. In locations troubled by electrical interference, coaxial cable is preferable. English CONTROLS AND THEIR FUNCTIONS FRONT PANEL 1 2 NATURAL SOUND 3 AV RECEIVER 4 CINEMA DSP RX–V793 5 DIGITAL/ PRO LOGIC ENHANCED DISCO ROCK CONCERT MOVIE THEATER JAZZ CLUB 6 TV SPORTS STADIUM CHURCH CONCERT HALL 7 EFFECT VOLUME l6 VCR PRESET ROOM 2 AM FM STANDBY/ON DIGITAL ENHANCED 70 mm kHz MHz STEREO TAPE 2 MONITOR MEMORY AUTO TUNING SPEAKERS SPEAKERS B A ROOM 2 CONTROL 0 20 40 60 PS PTY RT DIGITAL DSP PRO LOGIC AUTO SLEEP PCM AC—3 PTY HOLD EON NEWS INFO AFFAIRS SPORT CT TAPE/MD MONITOR VIDEO AUX TUNER A/B/C/D/E 1 2 3 4 20 DVD/LD l2 28 8 60 2 dB ms NORMAL WIDEPHANTOM l00 TV/DBS 5 6 7 PHONO CD 4 40 8 0 –dB PHONES SPEAKERS BASS 0 l l BASS TONE EXTENSION BYPASS B A 2 2 3 ON OFF ON OFF 3 4 0AB C 2 3 4 5 BALANCE 0 l l 2 3 4 5 8 9 TREBLE 0 l l 4 5 5 2 FM/AM DELAY/CENTER DOWN TUNING UP /REAR/SWFR VIDEO AUX SET MENU 2 3 3 4 MEMORY EDIT TUNING MODE 4 L5 D 5R E 1 STANDBY/ON switch Press this switch to turn the power to this unit on. Press it again to turn this unit into the standby mode. * When you press this switch to turn the power on, you will hear a click and a sound of the built-in fan rotating for a moment. Standby mode In this state, this unit consumes a very small quantity of power to receive infrared-signals from the remote control transmitter. 2 Remote control sensor Receives signals from the remote control transmitter. MAN’L/AUTO FM AUTO/MAN’L MONO S VIDEO F GHJ L M IK VIDEO L AUDIO R N 7 VOLUME control Used to raise or lower the volume level. 8 PHONES jack When you listen with headphones, connect the headphones to the PHONES jack. You can listen to the sound to be output from the main speakers through headphones. When listening with headphones privately, set both the SPEAKERS A and B switches to the OFF position and switch off the digital sound field processor (so that no DSP program name is illuminated on the display) by pressing the EFFECT button. PHONES 3 Display panel Shows various information. (For details, refer to page 21.) 4 Input selector buttons Select a program source to listen to or watch. When a button is pressed, the name of selected source appears on the display. 5 DSP program selector buttons Select a DSP program. When a button is pressed, the name of selected program lights up on the display. 6 EFFECT button Switches on and off the output from the center and rear speakers so that the sound becomes normal 2-channels. * Even if the output from the center and rear speakers is off, when the Dolby Digital (AC-3) is decoded, signals at all channels are distributed to the main channels and output from the main speakers. 9 SPEAKERS switches Set the switch A or B (or both A and B) for the main speaker system (connected to this unit) you will use to the ON position. Set the switch for the main speaker system you will not use to the OFF position. 0 A/B/C/D/E button Press this button to select a desired group (A–E) of preset stations. 19 A BASS EXTENSION switch H EDIT button When this switch is pressed inward (ON), boosts bass frequency response at the main left and main right channels while maintaining overall tonal balance. If you do not have a subwoofer, the use of this switch will be effective to reinforce the bass frequencies. This button is used to exchange the places of two preset stations with each other. B TONE BYPASS switch When this switch is pressed inward (ON), the input signal does not pass through the tone (BASS and TREBLE) control circuitry so that it is unaffected by the tone control circuitry. Use this switch to obtain pure sound and to check the tone control setting. Press this switch to release it outward (OFF) to use the tone control circuitry. C Preset station number selector buttons Select a preset station number (1 to 8). D Tone controls These controls are effective only for the sound from the main speakers. BASS Used to increase or decrease the low frequency response. The 0 position produces flat response. TREBLE Used to increase or decrease the high frequency response. The 0 position produces flat response. E BALANCE control This control is effective only for the sound from the main speakers. Adjusts the balance of the output volume to the left and right speakers to compensate for sound imbalance caused by speaker location or listening room conditions. F FM/AM button Press this button to switch the reception band to FM or AM. G MEMORY (MAN’L/AUTO FM) button When this button is pressed, the “MEMORY” indicator flashes for about 5 seconds. During this period, select a desired preset station number by pressing the corresponding preset station number selector button to enter the displayed station into the memory. When this button is pressed and held for more than 3 seconds, the automatic preset tuning begins. (For details, refer to page 34.) 20 I TUNING DOWN/UP button Used for tuning. Press the “UP” side to tune in to higher frequencies, and press the “DOWN” side to tune in to lower frequencies. J TUNING MODE (AUTO/MAN’L MONO) button Press this button to switch the tuning mode to automatic or manual. To select the automatic tuning mode, press this button so that the “AUTO TUNING” indicator lights up on the display. To select the manual tuning mode, press this button so that the “AUTO TUNING” indicator goes off. K DELAY/CENTER/REAR/SWFR button Whenever pressed, selects the item of changing delay time (DELAY), center speaker output level (CENTER), rear speaker output level (REAR) and subwoofer output level (SWFR) in turn. * Depending on a mode of this unit, the number of selections differs. For example, when the built-in digital sound field processor (including the Dolby Pro Logic Decoder or the Dolby Digital (AC-3) Decoder) is off, only the item for changing subwoofer output level can be selected. L –/+ button Adjusts the level of item selected by pressing the DELAY/CENTER/REAR/SWFR button. Moreover, performs setting changes and adjustments for functions selected by pressing the SET MENU button. M SET MENU button Whenever pressed, selects functions in the SET MENU mode. N VIDEO AUX terminals Connect an auxiliary video or audio input source unit such as a camcorder to these terminals. If the connected video unit has a S video output terminal, connect it to the S VIDEO terminal to obtain a high resolution picture. The source connected to these terminals can be selected by the corresponding input selector button. English DISPLAY PANEL 1 PRESET ROOM 2 AM FM kHz MHz TAPE 2 MONITOR MEMORY AUTO TUNING SPEAKERS SPEAKERS B ROOM 2 CONTROL A 2 3 4 5 STEREO DIGITAL ENHANCED dB mS 70 mm AUTO DIGITAL NORMAL WIDE PHANTOM PCM 0 20 40 60 DSP DIGITAL PRO LOGIC SLEEP l00 6 7 1 Multi-information display Displays various information, for example station frequency, preset station number and name of selected input source. 6 Signal-level meter 2 MEMORY indicator When the MEMORY button is pressed, this indicator flashes for about 5 seconds. During this period, the displayed station can be programmed to the memory by using the A/B/C/D/E button and the preset station number selector buttons. 7 3 AUTO TUNING indicator Lights up when this unit is in the automatic tuning mode. 4 TAPE MONITOR indicator Lights up when the tape deck (or MD recorder etc.) is selected as the input source by pressing the TAPE/MD MONITOR button. 5 STEREO indicator Lights up when an FM stereo broadcast with sufficient signal strength is received. 8 9 Indicates the signal level of the received station. If multipath interference is detected, the indication decreases. DIGITAL, DSP and PRO LOGIC indicators “ DIGITAL” lights up when the built-in Dolby Digital (AC-3) Decoder is on and the signals of selected source encoded with the Dolby Digital (AC-3) is not in 2-channels. “DSP” lights up when the built-in digital sound field processor is on, and “ PRO LOGIC” lights up when the built-in Dolby Pro Logic Surround Decoder is on. Depending on the selected DSP program, both “ DIGITAL” and “DSP”, or both “DSP” and “ PRO LOGIC” will light up. 8 Digital audio input signal indicators When digital audio signals not encoded with the Dolby Digital (AC-3) are input to this unit, “PCM DIGITAL” lights up. When digital audio signals encoded with the Dolby Digital (AC-3) are input to this unit, “ DIGITAL” lights up. 9 SLEEP indicator Lights up while the built-in SLEEP timer is functioning. 21 ADJUSTMENTS BEFORE USING THIS UNIT SELECTING THE OUTPUT MODES SUITABLE FOR YOUR SPEAKER SYSTEM This unit provides you the following four functions to determine the method of distributing output signals to speakers suitable for your audio system. When speaker connections are all completed, select a proper position on each function to make the best use of your speaker system. 4. CENTER SPEAKER (CNTR) 5. REAR SPEAKER (REAR) 6. MAIN SPEAKER (MAIN) 7. LFE/BASS OUT (BASS) DESCRIPTION OF EACH FUNCTION 4. CENTER SPEAKER 6. MAIN SPEAKER Choices: NRML/WIDE/PHNTM Preset position: NRML Choices: SMALL/LARGE Preset position: LARGE NRML (Normal): Select this position when you use a center speaker that is smaller than the main speakers. In this position, low bass signals (below 90 Hz) at the center channel are output from the main speakers (or the SUBWOOFER OUTPUT terminal if the SMALL position is selected on “6. MAIN SPEAKER” and the SWFR position is selected on “7. LFE/BASS OUT”). WIDE: Select this position when your center speaker is approximately the same size as the main speakers. PHNTM (Phantom): Select this position when you do not have a center speaker. The center channel sound will be output from the left and right main speakers. SMALL: Select this position if your main speakers do not have a high ability for bass reproduction. However, if your system does not include a subwoofer, do not select this position. In this position, low bass signals (below 90 Hz) at the main channels are output from the SUBWOOFER OUTPUT terminal (if the SWFR or BOTH position is selected on “7. LFE/BASS OUT”). LARGE: Select this position if your main speakers have a high ability for bass reproduction. In this position, full range signals present at the main channels are output from the main speakers. 7. LFE/BASS OUT 5. REAR SPEAKER Choices: SMALL/LARGE Preset position: SMALL SMALL: Select this position if your rear speakers do not have a high ability for bass reproduction. In this position, low bass signals (below 90 Hz) at the rear channels are output from the SUBWOOFER OUTPUT terminal (or the main speakers if the MAIN position is selected on “7. LFE/BASS OUT”). LARGE: Select this position if your rear speakers have a high ability for bass reproduction, or a subwoofer is connected to the rear speaker in parallel. In this position, full range signals are output from the rear speakers. 22 Choices: MAIN/SWFR/BOTH Preset position: SWFR MAIN: Select this position if your system does not include a subwoofer. In this position, full range signals present at the main channels, signals from the LFE channel and other low bass signals that are selected on “4. CENTER SPEAKER” to “6. MAIN SPEAKER” to be distributed from other channels are output from the main speakers. SWFR/BOTH: Select either the SWFR or BOTH position if your system includes a subwoofer. In either position, signals at LFE channel and other low bass signals that are selected on “4. CENTER SPEAKER” to “6. MAIN SPEAKER” to be distributed from other channels are output from the SUBWOOFER OUTPUT terminal. When the LARGE position is selected on “6. MAIN SPEAKER”, in the SWFR position, no signal is distributed from the main channels to the SUBWOOFER OUTPUT terminal, however in the BOTH position, low bass signals from the main channels are output to both of the main speakers and the SUBWOOFER OUTPUT terminal. English METHOD OF CHANGING SELECTIONS Operations should be made watching information on this unit’s display panel or the monitor screen. 1 2 TIME/LEVEL·SET MENU ROCK NATURAL SOUND CINEMA DSP AV RECEIVER DIGITAL/ PRO LOGIC ENHANCED DISCO ROCK CONCERT MOVIE THEATER TV SPORTS STADIUM CHURCH CONCERT HALL JAZZ CLUB CHURCH 7 8 HALL +10 9 TEST EFFECT ON/OFF EFFECT 0 JAZZ CLUB TIME/LEVEL VOLUME TV/DBS 20 DVD/LD l2 28 8 TAPE/MD MONITOR VIDEO AUX TUNER A/B/C/D/E 1 2 3 4 5 6 7 PHONO CD 60 2 1 4 40 2, 3 DELAY CENTER REAR SWFR l6 VCR STANDBY/ON SET MENU SLEEP 8 0 –dB PHONES SPEAKERS A BASS 0 l BASS TONE EXTENSION BYPASS 2 2 3 ON ON OFF OFF TREBLE 0 l l l B 3 4 4 5 5 2 BALANCE 0 l l 2 3 2 3 4 4 5 3 3 4 5 FM/AM DOWN TUNING UP DELAY/CENTER /REAR/SWFR VIDEO AUX SET MENU SYSTEM POWER ON 2 MEMORY EDIT MASTER VOLUME TV TUNING MODE 4 L5 5R MAN’L/AUTO FM AUTO/MAN’L MONO S VIDEO VIDEO L AUDIO R MUTE VCR 3 If you will use the remote control transmitter, set the TIME/LEVEL·SET MENU switch to the SET MENU position on the remote control transmitter. Note: Be sure to use the remote control transmitter with the lid open. STANDBY 3 Press “+” or “–” once or more so that the arrow points the position you will select. Remote control Front panel TIME/LEVEL DELAY/CENTER /REAR/SWFR SET MENU or SET MENU 1 Turn the power to this unit on. (If you want to display information on the monitor, turn the power to the monitor on.) Remote control Front panel SYSTEM POWER ON STANDBY/ON or AUTO 2 Changes. Select the title “4. CENTER SPEAKER” by pressing once or more (so that “CNTR” appears on the display). Remote control Front panel DELAY/CENTER /REAR/SWFR NORMAL WIDE PHANTOM 4 Repeat step 2 and 3 to change selections on “5. REAR SPEAKER” (REAR), “6. MAIN SPEAKER” (MAIN) and/or “7. LFE/BASS OUT” (BASS) in the same way. SET MENU or AUTO NORMAL WIDE PHANTOM 23 SPEAKER BALANCE ADJUSTMENT This procedure lets you adjust the sound output level balance between the main, center, and rear speakers using the built-in test tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from each speaker. This is important for the best performance of the digital sound field processor, the Dolby Digital (AC-3) decoder and the Dolby Pro Logic Surround decoder. The adjustment of each speaker output level should be done at your listening position with the remote control transmitter. Otherwise, the result may not be satisfactory. Note: Be sure to use the remote control transmitter with the lid open. 1 2 NATURAL SOUND CINEMA DSP AV RECEIVER DIGITAL/ PRO LOGIC ENHANCED DISCO ROCK CONCERT MOVIE THEATER TV SPORTS JAZZ CLUB CHURCH PRESET 7, 11 EFFECT STADIUM A/B/C/D/E DIGITAL/ MOVIE PRO LOGIC ENHANCED THEATER CONCERT HALL 2 3 STADIUM DISCO 4 5 6 ROCK VOLUME V-AUX 1 TV SPORTS PHONO JAZZ CLUB CHURCH 7 8 HALL +10 EFFECT 9 ON/OFF l6 VCR TV/DBS 20 DVD/LD l2 28 8 TAPE/MD MONITOR VIDEO AUX TEST 0 STANDBY/ON 4 40 TIME/LEVEL TUNER A/B/C/D/E 1 2 3 4 5 6 7 PHONO 2 60 CD 0 SPEAKERS A BASS 0 l l BASS TONE EXTENSION BYPASS B 2 2 3 ON OFF ON OFF TREBLE 0 l l 2 3 4 2 3 4 5 BALANCE 0 l l 3 4 5 4 5 2 FM/AM VIDEO AUX SET MENU 2 3 3 4 5 DELAY/CENTER DOWN TUNING UP /REAR/SWFR MEMORY EDIT TUNING MODE 10 DELAY CENTER REAR SWFR 6 8 –dB PHONES SET MENU SLEEP 4 L5 5R MAN’L/AUTO FM AUTO/MAN’L MONO S VIDEO VIDEO L AUDIO R MASTER VOLUME SYSTEM POWER ON TV 3 5 4 4, 9 2 MUTE 8 VCR STANDBY Front panel 1 4 VOLUME Front panel BASS 0 l l6 20 TREBLE 0 l l l l2 2 28 8 2 3 3 4 4 40 0 –dB Set to the “∞” position. 2 5 BALANCE 0 l l 2 3 3 4 4 5 5 2 2 3 3 4 4 L5 5R Set to the “0” position. 2 60 4 5 2 Front panel 5 BASS TONE EXTENSION BYPASS Turn the power on. ON OFF Remote control Front panel SYSTEM POWER ON STANDBY/ON Set to the “OFF ( )”. or 6 3 Set the TIME/LEVEL·SET MENU switch on the remote control transmitter to the TIME/LEVEL position. Remote control Select the main speakers to be used. TIME/LEVEL Front panel SPEAKERS A ON SET MENU B OFF 7 Remote control TEST * If you use two main speaker systems, press both the A and B switches. 24 10 Turn up the volume. Remote control a) MUTE Adjust the sound output levels of the center speaker and the rear speakers so that they become almost as same as that of the main speakers. English 8 Press or once or more so that “CENTER”, “R SUR.” or “L SUR.” appears on the display. * Select “CENTER” to adjust the output level of the center speaker, select “R SUR.” to adjust the output level of the right rear speaker, and select “L SUR.” to adjust the output level of the left rear speaker. You will hear a test tone (like pink noise) from the left main speaker, then the center speaker, then the right main speaker, then the right rear speaker, and then the left rear speaker, for about two seconds each. The display changes as shown below. Remote control Main (L) Center b) Main (R) Adjust its level. * Pressing the + side raises and the – side lowers the level. * While adjusting, the test tone is fixed on the selected speaker. Remote control Rear (R) Rear (L) * * 9 The state of test-tone output is also shown on the monitor screen by an image of audio listening room. This is convenient for adjusting each speaker level. If the function “4. CENTER SPEAKER” in the SET MENU mode is set in the PHNTM (phantom) position, you will hear the center channel test tone from the left and right main speakers. 11 Cancel the test tone. Remote control TEST Disappears. Adjust the BALANCE control so that the effect sound output level of the left main speaker and the right main speaker are the same. Front panel BALANCE 0 l l 2 2 3 3 4 4 L5 5R Notes Once you have completed these adjustments, you can adjust whole sound level on your audio system by using the VOLUME control (or the MASTER VOLUME keys on the remote control transmitter) only. ● If you use external power amplifiers, you may also use their volume controls to achieve proper balance. ● If the function “4. CENTER SPEAKER” in the SET MENU mode is set in the “PHNTM (phantom)” position, in step 10, the sound output level of the center speaker cannot be adjusted. This is because in this mode, the center sound is automatically output from the left and right main speakers. ● If there is insufficient sound output from the center and rear speakers, you may decrease the main speaker output level by setting the MAIN LEVEL switch on the rear panel to “–10 dB”. ● 25 ADJUSTMENTS IN THE “SET MENU” MODE The following eight types of functions maximize the performance of your system and expand your enjoyment for audio listening and video watching. 1. CENTER DELAY (C. DELAY) 2. DYNAMIC RANGE (D. RNG) 3. LFE LEVEL (LFE) 4. CENTER SPEAKER (CNTR) 5. REAR SPEAKER (REAR) 6. MAIN SPEAKER (MAIN) 7. LFE/BASS OUT (BASS) 8. TV/DBS INPUT (INPUT) METHOD OF SETTING CHANGE AND ADJUSTMENT 1 TIME/LEVEL·SET MENU ROCK NATURAL SOUND DIGITAL/ PRO LOGIC CINEMA DSP AV RECEIVER ENHANCED MOVIE THEATER TV SPORTS JAZZ CLUB CHURCH 7 8 HALL +10 9 TEST EFFECT ON/OFF EFFECT STADIUM 0 ROCK CONCERT DISCO JAZZ CLUB CONCERT HALL CHURCH TIME/LEVEL VOLUME TV/DBS 20 DVD/LD l2 28 1, 2 DELAY CENTER REAR SWFR l6 VCR 8 STANDBY/ON TAPE/MD MONITOR TUNER A/B/C/D/E 1 2 3 4 5 6 7 VIDEO AUX PHONO SET MENU 4 40 SLEEP 2 60 CD 8 0 –dB PHONES SPEAKERS A BASS 0 l BASS TONE EXTENSION BYPASS 2 2 3 ON OFF ON OFF TREBLE 0 l l l B 3 4 4 5 2 3 4 5 BALANCE 0 l l 2 3 2 4 5 5 FM/AM DOWN TUNING UP DELAY/CENTER /REAR/SWFR VIDEO AUX SET MENU SYSTEM POWER ON 2 3 3 4 MEMORY EDIT MASTER VOLUME TV TUNING MODE 4 L5 5R MAN’L/AUTO FM AUTO/MAN’L MONO S VIDEO VIDEO L AUDIO R MUTE VCR 2 Operations should be made watching information on this unit’s display panel or the monitor screen. If you want to display information on the monitor, turn the power to the monitor on. STANDBY 2 If you will use the remote control transmitter, set the TIME/LEVEL·SET MENU switch to the SET MENU position on the remote control transmitter. Note: Be sure to use the remote control transmitter with the lid open. Select any desired position or edit parameters on the function. Remote control Front panel DELAY/CENTER /REAR/SWFR SET MENU or TIME/LEVEL SET MENU 1 3 Press once or more until the title of function on which you will make a change appears on the display. Remote control Front panel DELAY/CENTER /REAR/SWFR SET MENU or 26 Repeat step 1 and 2 to make a setting change or adjustment on any other function. English DESCRIPTIONS OF THE FUNCTIONS 1. CENTER DELAY (Adjusting the delay of center sounds (dialog etc.)) Dolby Digital (AC-3) technology also made it possible to reduce an original sound track’s dynamic range for a home audio format by “compressing” the data of sound. In this position, a source encoded with the Dolby Digital (AC-3) is reproduced in the “compressed” dynamic range of the source suitable for low level listening. In this position, dynamic range is more reduced than in the STD position. Selecting this position will be effective when you must listen to a source in extremely low level. Control range: 0 ms to 5 ms (in 1 ms step) Preset value: 0 ms * This adjustment is effective only when the Dolby Digital (AC-3) is decoded and the signals of selected source encoded with the Dolby Digital (AC-3) contain centerchannel signals. MIN: Adjusts the delay between the main sounds (at the main channels) and dialog etc. (at the center channel). The larger the value, the later the dialog etc. is generated. This is for making sounds from the left main, center and right main speakers reach your listening position at the same time by delaying the sound from the center speaker if the distance from the center speaker to your listening position is shorter than the distance from the left or right main speaker to your listening position. 2. DYNAMIC RANGE (Adjusting dynamic range) Choices: MAX/STD/MIN Preset position: MAX * 3. LFE LEVEL (Adjusting the output level at the LFE (low frequency effect) channel) Control range: –14 dB to 0 dB (in 2 dB step) Preset value: 0 dB * This adjustment is effective only when the Dolby Digital (AC3) is decoded and the signals of selected source encoded with the Dolby Digital (AC-3) contain LFE signals. Adjusts the output level at the LFE (low frequency effect) channel. If the LFE signals are mixed with signals at other channels to output them from the same speakers, the ratio of LFE signal level to the level of other signals are adjusted. (See page 6 for details about the LFE channel.) This adjustment is effective only when the Dolby Digital (AC-3) is decoded. “Dynamic range” is the difference between the maximum level and the minimum level of sounds. Sounds on a movie originally designed for movie theaters feature very wide dynamic range. Dolby Digital (AC-3) technology can bring the original sound track into a home audio format with this wide dynamic range unchanged. In this position, a source encoded with the Dolby Digital (AC-3) is reproduced in the original sound track’s wide dynamic range providing you with powerful sounds like a movie theater. Selecting this position will be more ideal if you can listen to a source in a high output level in a room specially soundproofed for audio/video enjoyment. STD (Standard): Powerful sounds of extremely wide dynamic range are not always suitable for home use. Depending upon the condition of your listening environment, it may not be possible to increase the sound output level as high as a movie theater. However, in a level suitable for listening to in your room, the low level parts of source sound cannot be heard well because they will be lost among noises in your environment. 4. 5. 6. 7. MAX: CENTER SPEAKER REAR SPEAKER MAIN SPEAKER LFE/BASS OUT See pages 22 to 23 for details. (Once you have selected proper modes, you do not have to make a setting change until any alteration is made in your speaker system.) 8. TV/DBS INPUT (Selecting the initial input mode of the sources connected to the TV/DBS input terminals) For the sources connected to the TV/DBS input terminals of this unit only, you can designate the input mode that is automatically selected when the power of this unit is switched on. AUTO: LAST: * In this position, the AUTO input mode is always selected when the power of this unit is switched on. In this position, the input mode you have selected last time is memorized and will not be changed even if the power of this unit is switched on. See page 29 for details about switching the input mode. 27 BASIC OPERATIONS TO PLAY A SOURCE REC/PAUSE A/B TAPE A CD TUNER 3, 4 1, 7 2 A DIR VCR B STOP B DISC DVD/LD 3, 4 TV/DBS NATURAL SOUND CINEMA DSP AV RECEIVER DIGITAL/ PRO LOGIC ENHANCED MOVIE THEATER TV SPORTS STADIUM DISCO ROCK CONCERT JAZZ CLUB CHURCH CONCERT HALL EFFECT C PRESET VOLUME A/B/C/D/E l6 VCR TV/DBS 20 DVD/LD l2 28 DIGITAL/ MOVIE PRO LOGIC ENHANCED THEATER 8 STANDBY/ON TAPE/MD MONITOR TUNER A/B/C/D/E 1 2 3 4 5 6 7 VIDEO AUX PHONO V-AUX 1 2 3 TV SPORTS STADIUM DISCO 4 5 6 4 40 2 60 CD 8 PHONO 0 –dB ROCK PHONES SPEAKERS A BASS 0 l BASS TONE EXTENSION BYPASS 2 ON OFF OFF TREBLE 0 l l l B 2 3 ON 3 4 4 5 2 BALANCE 0 l l 2 3 3 4 5 4 5 5 2 FM/AM DOWN TUNING UP DELAY/CENTER /REAR/SWFR VIDEO AUX SET MENU 2 3 3 4 MEMORY EDIT TUNING MODE L5 JAZZ CLUB CHURCH 7 8 HALL +10 EFFECT 9 ON/OFF TEST 0 4 5R MAN’L/AUTO FM AUTO/MAN’L MONO S VIDEO VIDEO L AUDIO R TIME/LEVEL 2 8 5 DELAY CENTER REAR SWFR SET MENU 7 SLEEP SYSTEM POWER ON MASTER VOLUME TV MUTE Note: If you will use the remote control transmitter, be sure to use it with the lid open. VCR STANDBY 1 4 Front panel VOLUME l6 20 l2 28 8 4 40 2 60 For the DVD/LD or TV/DBS source, its current input mode is also shown. * To change the input mode for the DVD/LD or TV/DBS source, press the input selector button for the currently selected source once or more until the desired input mode (AUTO or ANALOG) is shown on the display panel. (See page 29 for details on switching the input mode.) 0 –dB Front panel Set to the “∞” position. TV/DBS 2 Remote control DVD/LD DVD/LD Turn the power on. Front panel or Remote control VIDEO AUX SYSTEM POWER ON STANDBY/ON or 3 Select the desired input source by using the input selector buttons. (For video sources, turn the TV/monitor ON.) Front panel TV/DBS AUTO NORMAL WIDE PHANTOM A B Input mode Remote control DVD/LD DVD/LD or DSP SPEAKERS SPEAKERS ROOM 2 CONTROL 5 Select the main speakers to be used. Front panel VIDEO AUX SPEAKERS A ON AUTO NORMAL WIDE PHANTOM B OFF DSP SPEAKERS SPEAKERS ROOM 2 CONTROL A B * The name of the selected input source will appear on the display. 28 * If you use two main speaker systems, press both the A and B switches. Play the source. (For detailed information on the tuning operation, refer to page 32.) 7 Front panel Remote control Switching the input mode (for DVD/LD and TV/DBS) This unit allows you to switch the input mode only for sources connected to the DVD/LD and TV/DBS input terminals (on the rear of this unit) that input two or three types of signals to this unit. The following two input modes are provided. VOLUME MASTER VOLUME l6 20 English 6 AUTO: For the source connected to the DVD/LD input l2 28 8 or 4 40 MUTE 2 60 terminals: This mode is automatically selected when you turn on the power to this unit. In this mode, input signal is automatically selected by the following order of priority. 0 –dB Adjust to the desired output level. 8 If desired, adjust the BASS, TREBLE, BALANCE controls, etc. (refer to page 31) and use the digital sound field processor. (Refer to page 36.) When you finish using this unit Press the STANDBY/ON switch on the front panel again or the STANDBY key on the remote control transmitter to turn this unit into the standby mode. Notes on using the input selector buttons ● Note that pressing on each input selector button selects the source which is connected to the corresponding input terminals on the rear panel. * To select the source connected to the VIDEO AUX terminals on the front panel, press VIDEO AUX. ● The selection of TAPE/MD MONITOR cannot be canceled by pressing another input selector button. To cancel it, press TAPE/MD MONITOR again so that the “TAPE MONITOR” indicator disappears from the display. When you select a button other than TAPE/MD MONITOR, make sure that the “TAPE MONITOR” indicator is not illuminated on the display. ● If you select the input selector button for a video source without canceling the selection of TAPE/MD MONITOR, the playback result will be the video image from the video source and the sound from the audio tape (or MD etc.). ● Once you play a video source, its video image will not be interrupted even if the input selector button for an audio source is selected. ● When you select an input source by pressing the corresponding input selector button, the DSP program (or the state of no DSP program is used) which was used when the same input source was selected the last time will automatically recalled. 1. Digital input signal from the OPTICAL terminal 2. Digital input signal from the COAXIAL terminal 3. Analog input signal For the source connected to the TV/DBS input terminals: This mode is automatically selected when you turn on the power to this unit if the “AUTO” position is selected on “8. TV/DBS INPUT” in the SET MENU mode. (For details, refer to page 27.) In this mode, input signal is automatically selected by the following order of priority. 1. Digital input signal from the COAXIAL terminal 2. Analog input signal ANALOG: In this mode, only analog input signal is selected even though digital signal is input at the same time. Select this mode when you want to use the analog input signal instead of the digital input signal. Notes on input mode selection ● To play back a source with the Dolby Digital (AC-3) decoded, set the input mode to “AUTO”. ● For the TV/DBS source only, the input mode selected on the function “8. TV/DBS INPUT” in the SET MENU mode is selected when you turn on the power of this unit. ● When you want to enjoy a source which has normal 2channel signals with a Dolby Pro Logic Surround program, select the ANALOG mode. ● In the AUTO mode, there may be a case depending on some LD players or DVD players that when you make a search on a source encoded with the Dolby Digital (AC-3) during the play and then the play is restored, sound output is interrupted for a moment because the digital input signal is selected again. 29 TO RECORD A SOURCE TO TAPE (OR MD) REC/PAUSE A/B TAPE A 4 CD 4 TUNER 1 2 A DIR VCR B STOP B DISC DVD/LD 1 TV/DBS NATURAL SOUND CINEMA DSP AV RECEIVER DIGITAL/ PRO LOGIC ENHANCED MOVIE THEATER TV SPORTS STADIUM DISCO ROCK CONCERT JAZZ CLUB CHURCH CONCERT HALL EFFECT C VOLUME l6 VCR TV/DBS 20 DVD/LD l2 PRESET 28 8 60 2 A/B/C/D/E STANDBY/ON TAPE/MD MONITOR TUNER A/B/C/D/E 1 2 3 4 5 6 7 VIDEO AUX PHONO 4 40 CD DIGITAL/ MOVIE PRO LOGIC ENHANCED THEATER 8 0 –dB PHONES SPEAKERS A BASS 0 l l BASS TONE EXTENSION BYPASS B 2 2 3 ON ON OFF OFF TREBLE 0 l l 3 4 4 5 5 2 BALANCE 0 l l 2 3 3 4 4 5 5 2 FM/AM DELAY/CENTER DOWN TUNING UP /REAR/SWFR VIDEO AUX SET MENU 3 4 2 3 TV SPORTS STADIUM DISCO 4 5 6 ROCK 2 3 1 MEMORY EDIT TUNING MODE JAZZ CLUB CHURCH 7 8 HALL +10 9 4 L5 5R MAN’L/AUTO FM AUTO/MAN’L MONO S VIDEO VIDEO L AUDIO R V-AUX PHONO TEST EFFECT ON/OFF 0 TIME/LEVEL DELAY CENTER REAR SWFR SET MENU SLEEP SYSTEM POWER ON MASTER VOLUME TV Note: If you will use the remote control transmitter, be sure to use it with the lid open. 1 Select the source to be recorded. Front panel TV/DBS Remote control DVD/LD DVD/LD VIDEO AUX Play the source and then turn the VOLUME control up to confirm the input source. (For detailed information on the tuning operations, refer to the page 32.) Front panel Remote control VOLUME 8 or 4 40 MUTE 2 60 0 –dB 4 Begin recording on the tape deck (or MD recorder etc.) or VCR connected to this unit. If the tape deck (or MD recorder etc.) is used for recording, you can monitor the sounds being recorded by pressing TAPE/MD MONITOR so that the “TAPE MONITOR” indicator lights up on the display. Front panel Remote control TAPE/MD MONITOR TAPE TUNER 30 Notes The settings of DSP and the VOLUME, BASS, TREBLE, BALANCE controls and the BASS EXTENSION switch have no effect on the material being recorded. ● Composite video and S video signals pass independently through this unit’s video circuits. Therefore, when recording or dubbing video signals, if your video source unit is connected to provide only a S video (or only a composite video) signal, you can record only a S video (or only a composite video) signal on your VCR. ● A source that is connected to this unit between digital terminals only cannot be recorded by a tape deck or VCR connected to this unit. ● Please check the copyright laws in your country to record from records, compact discs, radio, etc. Recording of copyright material may infringe copyright laws. l2 28 3 STANDBY MASTER VOLUME l6 20 MUTE VCR ● or 2 2 PHONO or If you watch a video software that uses scramble or encoded signals to prevent it from being dubbed, there may be a case that display information superimposed on the picture and/or the picture itself is disturbed due to those signals. Because one or two speaker systems (as main speakers) can be connected to this unit, the SPEAKERS switches allow you to select speaker system A or B, or both at once. English Selecting the SPEAKER system Using the BASS EXTENSION switch You can boost bass frequency response by setting this switch to the “ON” position. This switch is effective only on the sound from the main speakers. SPEAKERS A ON BASS TONE EXTENSION BYPASS B OFF ON OFF Adjusting the BALANCE control Adjust the balance of the output volume to the left and right speakers to compensate for sound imbalance caused by speaker location or listening room conditions. Press this switch inward (ON) if you want to listen to pure source sound. The input signal does not pass through the tone (BASS and TREBLE) control circuitry so that it is unaffected by the tone control circuitry. Press this switch to release it outward (OFF) to use the tone control circuitry. BALANCE 0 l l 2 2 3 3 4 4 L5 Using the TONE BYPASS switch 5R Note This control is effective only for the sound from the main speakers. BASS TONE EXTENSION BYPASS ON OFF Adjusting the BASS and TREBLE controls BASS 0 l TREBLE 0 l l l 2 2 3 3 4 4 5 BASS 5 2 2 3 3 4 4 5 5 : Turn this clockwise to increase (or counterclockwise to decrease) the low frequency response. TREBLE : Turn this clockwise to increase (or counterclockwise to decrease) the high frequency response. Note These controls are effective only for the sound from the main speakers. 31 TUNING OPERATIONS Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING). NATURAL SOUND CINEMA DSP AV RECEIVER DIGITAL/ PRO LOGIC ENHANCED MOVIE THEATER TV SPORTS STADIUM DISCO ROCK CONCERT JAZZ CLUB CHURCH CONCERT HALL EFFECT VOLUME l6 VCR TV/DBS 20 DVD/LD l2 28 8 STANDBY/ON TAPE/MD MONITOR TUNER A/B/C/D/E 1 2 3 4 5 6 7 VIDEO AUX PHONO 4 40 2 60 CD 8 0 –dB PHONES SPEAKERS A BASS 0 l BASS TONE EXTENSION BYPASS 2 OFF ON OFF TREBLE 0 l l l B 2 3 ON 3 4 4 5 5 BALANCE 0 l l 2 2 3 3 4 4 5 5 2 FM/AM DOWN TUNING UP DELAY/CENTER /REAR/SWFR VIDEO AUX SET MENU 2 3 3 4 MEMORY EDIT TUNING MODE 4 L5 5R MAN’L/AUTO FM AUTO/MAN’L MONO S VIDEO VIDEO L AUDIO R 1 2 4 3 AUTOMATIC TUNING 1 1 Select “TUNER” as the input source. TUNER 2 MANUAL TUNING PHONO TUNER CD Select the reception band (FM or AM) confirming it on the display. 2 FM/AM PHONO or Select the reception band (FM or AM) confirming it on the display. AM FM 3 TUNING MODE 4 AM Turn the “AUTO TUNING” indicator off. AUTO TUNING To tune to a higher frequency, press the right side once. To tune to a lower frequency, press the left side once. or TUNING MODE AUTO/MAN’L MONO AUTO/MAN’L MONO 4 CD FM/AM FM 3 Select “TUNER” as the input source. Tune to a desired station manually. DOWN TUNING UP DOWN TUNING UP * If the station where tuning search stops is not the desired one, press again. * If the tuning search does not stop at the desired station (because the signals of the station are weak), change to the MANUAL TUNING method. 32 * To continue tuning search, press and hold the button. Note If you tune to an FM station manually, it is received in monaural mode automatically to increase the signal quality. English PRESET TUNING MANUAL PRESET TUNING This unit can store station frequencies selected by tuning operation. With this function, you can recall any desired station by only selecting the preset station number where it is stored. Up to 40 stations (8 stations x 5 groups) can be stored. NATURAL SOUND CINEMA DSP AV RECEIVER DIGITAL/ PRO LOGIC ENHANCED MOVIE THEATER TV SPORTS STADIUM DISCO ROCK CONCERT JAZZ CLUB CHURCH CONCERT HALL C EFFECT 4, 2 VOLUME l6 VCR TV/DBS 20 DVD/LD l2 28 8 STANDBY/ON TAPE/MD MONITOR TUNER A/B/C/D/E 1 2 3 4 5 6 7 VIDEO AUX PRESET DIGITAL/ MOVIE PRO LOGIC ENHANCED THEATER 4 40 1 PHONO 2 60 CD TV SPORTS 8 0 2 3 STADIUM DISCO 5 6 –dB 4 PHONES SPEAKERS A BASS 0 l BASS TONE EXTENSION BYPASS 2 2 3 ON ON OFF OFF TREBLE 0 l l l B 3 4 4 5 5 2 BALANCE 0 l l 2 3 3 4 4 5 5 2 FM/AM DOWN TUNING UP DELAY/CENTER /REAR/SWFR ROCK 3 4 MEMORY EDIT TUNING MODE 4 L5 5R MAN’L/AUTO FM AUTO/MAN’L MONO V-AUX PHONO VIDEO AUX SET MENU 2 3 2, 1 A/B/C/D/E S VIDEO VIDEO JAZZ CLUB CHURCH 7 8 HALL +10 9 L AUDIO R TEST EFFECT ON/OFF 0 TIME/LEVEL 2, 1 4, 2 DELAY CENTER REAR SWFR 3 SET MENU SLEEP To recall a preset station To store stations 1 1 Tune to a desired station. (Refer to the previous page for tuning procedure.) Select the group of preset stations. Remote control Front panel A/B/C/D/E A/B/C/D/E 2 or Select a desired group (A – E) of preset stations confirming it on the display. Remote control Front panel A/B/C/D/E A/B/C/D/E 2 PRESET Select the preset station number. or 1 3 Remote control Front panel 2 3 PRESET 4 or Front panel MEMORY MEMORY MAN’L/AUTO FM Flashes on and off for about 5 seconds. 4 Select a preset station number where you want to program the station before the “MEMORY” indicator goes off from the display. Remote control Front panel 1 2 3 PRESET 4 or PRESET Notes A new setting can be programmed in place of the former one. • For presets, the setting of the reception mode (stereo or monaural) is stored along with the station frequency. • Memory back-up The memory back-up circuit prevents the programmed data from being lost even if this unit is turned into the standby mode or the power plug is disconnected from the AC outlet or the power is cut due to temporary power failure. If, however, the power is cut for more than one week, the memory may be erased. If so, it can be re-programmed by simply following the PRESET TUNING steps. ROOM 2 FM MHz STEREO AUTO TUNING ROOM 2 CONTROL SPEAKERS SPEAKERS A B 0 20 40 60 l00 Shows the displayed station has been programmed to A1. * In the same way, program other stations to A2, A3 ... A8. * You can program more stations to preset station numbers on other groups in the same way by selecting other groups in step 2. 33 AUTOMATIC PRESET TUNING You can also make use of an automatic preset tuning function for FM stations only. By this function, this unit performs automatic tuning and stores FM stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the manual preset tuning method on page 33. NATURAL SOUND CINEMA DSP AV RECEIVER DIGITAL/ PRO LOGIC ENHANCED MOVIE THEATER TV SPORTS STADIUM DISCO ROCK CONCERT JAZZ CLUB CHURCH CONCERT HALL EFFECT VOLUME l6 VCR TV/DBS 20 DVD/LD l2 28 8 STANDBY/ON TAPE/MD MONITOR TUNER A/B/C/D/E 1 2 3 4 5 6 7 VIDEO AUX PHONO 4 40 2 60 CD 8 0 –dB PHONES SPEAKERS A BASS 0 l BASS TONE EXTENSION BYPASS 2 2 3 ON OFF OFF TREBLE 0 l l l B ON 3 4 4 5 5 2 BALANCE 0 l l 2 3 3 4 4 5 5 FM/AM DOWN TUNING UP DELAY/CENTER /REAR/SWFR VIDEO AUX SET MENU 2 3 4 MEMORY EDIT TUNING MODE 4 L5 5R MAN’L/AUTO FM AUTO/MAN’L MONO S VIDEO VIDEO L AUDIO R 1 23 To store stations 1 2 3 When the automatic preset tuning is finished FM/AM FM The display shows the frequency of the last preset station. Check the contents and the number of preset stations by following the procedure of the section “To recall a preset station” on page 33. To recall a preset station 2 Simply follow the procedure of the section “To recall a preset station” on page 33. MEMORY PRESET MAN’L/AUTO FM MEMORY AUTO TUNING Press and hold for more than 3 seconds. 3 Flashes. DOWN TUNING UP To tune to higher frequencies, press right side once. To tune to lower frequencies, press left side once. * If the TUNING button is not pressed, in a while, the automatic preset tuning begins automatically toward higher frequencies. The automatic preset tuning begins from the frequency currently displayed. Received stations are programmed to A1, A2 ... A8 sequentially. * If more than 8 stations are received, they are also programmed to the preset station numbers on other groups (B, C, D and E) in that order. If you want to store the first station received by the automatic preset tuning to a desired preset station number. If, for example, you want to store the first received station to C5, select “C5” by using the A/B/C/D/E button and the preset station number selector buttons after pressing the MEMORY button in step 2. Then press the TUNING button. The first received station is stored to C5, and next stations to C6, C7 ... sequentially. If stations are stored up to E8, the automatic preset tuning is finished automatically. 34 Notes ● You can replace a preset station by another FM or AM station manually by simply following the procedure of the section “To store stations” on page 33. ● If the number of received stations is not enough to be stored up to E8, the search is finished automatically after searching all frequencies. ● With this function, only FM stations with sufficient signal strength are stored automatically. If the station you want to program is weak in signal strength, tune to it in monaural manually and program it by following the procedure of the section “To store stations” on page 33. English EXCHANGING PRESET STATIONS You can exchange the places of two preset stations with each other as shown below. NATURAL SOUND CINEMA DSP AV RECEIVER DIGITAL/ PRO LOGIC ENHANCED MOVIE THEATER TV SPORTS STADIUM DISCO ROCK CONCERT JAZZ CLUB CHURCH CONCERT HALL EFFECT VOLUME l6 VCR TV/DBS 20 DVD/LD l2 28 8 STANDBY/ON TAPE/MD MONITOR VIDEO AUX TUNER A/B/C/D/E 1 2 3 4 5 6 7 PHONO 4 40 2 60 CD 8 0 –dB PHONES SPEAKERS A BASS 0 l BASS TONE EXTENSION BYPASS 2 OFF ON OFF TREBLE 0 l l l B 2 3 ON 3 4 4 5 5 2 BALANCE 0 l l 2 3 3 4 4 5 5 2 FM/AM DOWN TUNING UP DELAY/CENTER /REAR/SWFR VIDEO AUX SET MENU 2 3 3 4 MEMORY EDIT TUNING MODE 4 L5 5R MAN’L/AUTO FM AUTO/MAN’L MONO S VIDEO VIDEO L AUDIO R 2, 4 Example) If you want to shift the preset station on E1 to A5, and vice versa. 1 Recall the preset station on E1 (by following the method of “To recall a preset station” on page 33). 4 EDIT 2 EDIT PRESET MEMORY Flashes. 3 Next, recall the preset station on A5 by following the same method with step 1. PRESET MEMORY Shows the exchange of stations is completed. Flashes. 35 USING DIGITAL SOUND FIELD PROCESSOR (DSP) This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your listening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course, depend on what you will be listening to), and adding desired adjustments. In addition, this unit incorporates a Dolby Digital (AC-3) decoder and a Dolby Pro Logic Surround decoder for multi-channel sound reproduction of sources encoded with Dolby Surround. The operation of these decoders can be controlled by selecting a corresponding DSP program including a combined operation of the YAMAHA DSP and the Dolby Digital (AC-3) or the Dolby Pro Logic Surround. For details about digital sound field programs, see page 40 to 41. PLAYING A SOURCE WITH AN EFFECT OF THE DIGITAL SOUND FIELD PROCESSOR (DSP) 2 STOP B DISC DVD/LD TV/DBS NATURAL SOUND CINEMA DSP AV RECEIVER DIGITAL/ PRO LOGIC ENHANCED MOVIE THEATER TV SPORTS STADIUM DISCO ROCK CONCERT JAZZ CLUB CHURCH CONCERT HALL EFFECT C VOLUME PRESET l6 VCR TV/DBS 20 DVD/LD TAPE/MD MONITOR TUNER A/B/C/D/E 1 2 3 4 5 6 7 VIDEO AUX 8 PHONO 2 60 CD 2 8 0 SPEAKERS A BASS 0 l BASS TONE EXTENSION BYPASS 2 2 3 ON OFF ON OFF TREBLE 0 l l l B 3 4 4 5 5 2 BALANCE 0 l l 2 3 3 4 4 5 5 2 FM/AM DOWN TUNING UP DELAY/CENTER /REAR/SWFR VIDEO AUX SET MENU 2 3 3 4 MEMORY EDIT TUNING MODE 4 L5 5R MAN’L/AUTO FM AUTO/MAN’L MONO S VIDEO DIGITAL/ MOVIE PRO LOGIC ENHANCED THEATER 4 40 –dB PHONES A/B/C/D/E l2 28 STANDBY/ON VIDEO L AUDIO R 1 2 3 TV SPORTS STADIUM DISCO 4 5 6 ROCK V-AUX PHONO JAZZ CLUB CHURCH 7 8 HALL +10 9 TEST EFFECT ON/OFF 0 TIME/LEVEL DELAY CENTER REAR SWFR SET MENU SLEEP 1 2 Notes Program selection can be made to individual input sources. Once you select a program, it is linked with the input source selected at that time. So, when you select the input source next time, the same program is automatically called. Follow steps 1 – 7 shown in “BASIC OPERATIONS” on pages 28 to 29. ● Select the desired program that is suitable for the source. Front panel Remote control ● If you prefer to cancel the DSP, press the EFFECT button. The sound will be the normal 2-channel stereo without surround sound effect. ● When a monaural sound source is played with DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED, no sound is heard from the main speakers and the rear speakers. Sound is heard only from the center speaker. However, if the center channel mode is in PHANTOM, the main speakers output the sound of the center channel. ● When this unit’s Dolby Pro Logic Surround decoder or Dolby Digital decoder is used, if the main-source sound is considerably altered by overadjustment of the BASS or TREBLE control, the relationship between the center and rear channels may produce an unnatural effect. DIGITAL/ PRO LOGIC ENHANCED DISCO ROCK CONCERT DIGITAL/ MOVIE PRO LOGIC ENHANCED THEATER MOVIE THEATE JAZZ CLU or 1 2 3 TV SPORTS STADIUM DISCO 5 6 4 ROCK 7 JAZZ CLUB CHURCH 8 9 HALL 0 AUTO NORMAL WIDE PHANTOM PRO LOGIC SPEAKERS SPEAKERS ROOM 2 CONTROL A B * The name of selected program lights up on the display panel and the monitor screen. 3 36 If desired, adjust the delay time and the output level of each speaker. (For details, refer to the corresponding descriptions on page 38 and 39.) When you select the program No. 1, 2 or 3, and the input signal of the source is 2-channel stereo, Dolby Pro Logic Surround is decoded. When some program is selected and the input signal of the source is encoded with the Dolby Digital (AC3), Dolby Digital (AC-3) is automatically decoded. English To enjoy a video source with the Dolby Pro Logic Surround or Dolby Digital (AC-3) decoded To cancel the effect sound The EFFECT button on the front panel and the EFFECT ON/OFF key on the remote control transmitter make it simple to compare the normal stereo sound with the fully processed effect sound. To cancel the effect sound and monitor only the main sound, press the EFFECT ON/OFF key or the EFFECT button. Press the EFFECT ON/OFF key or the EFFECT button a second time to restore normal operation. * The following indicators on the display panel show you what sound processing is being made. Front panel Remote control EFFECT EFFECT or Lights up when the Dolby Digital (AC-3) is being decoded and the signals of selected source encoded with the Dolby Digital (AC-3) is not in 2-channels. Lights up when the Digital Sound Field Processor is turned on. Notes ● If the effect sound is canceled when signals encoded with the Dolby Digital (AC-3) are input to this unit, signals of all channels are mixed and are output from the main speakers. ● 3 DIGITAL DSP PRO LOGIC ON/OFF If the EFFECT button or the EFFECT ON/OFF key is pressed to turn effect sounds OFF when the Dolby Digital (AC-3) is decoded, it may happen that sound is output faintly or not output normally depending on a source. In that case, press the EFFECT button or the EFFECT ON/OFF key to turn effect sounds ON, or use input signals not encoded with the Dolby Digital (AC-3). Lights up when the Dolby Pro Logic Surround is being decoded * In addition, for the program No. 1, 2 and 3, the name of the program on the display panel or the monitor screen will change according to the type of decoding. (For details, refer to page 40.) Note If the input signals of source encoded with the Dolby Digital (AC3) are in 2-channels only, the sound processing for them is similar to that for analog or PCM audio signals. 37 ADJUSTING DELAY TIME AND EACH SPEAKER OUTPUT LEVEL In using the digital sound field processor including the Dolby Pro Logic Decoder or the Dolby Digital (AC-3) Decoder, you can adjust delay time between the main sound and effect sound, and each speaker output level as you prefer. DELAY CENTER Note: These adjustments can be made only when the effect DIGITAL and sound is on. If none of the indicators DSP , PRO LOGIC are not illuminated on the display panel, press the EFFECT switch on the front panel or the EFFECT ON/OFF key on the remote control transmitter so that at least one of those indicators lights up on the display panel. (Delay time) (Center speaker output level) R SUR. (Right rear speaker output level) L SUR. (Left rear speaker output level) SWFR (Subwoofer output level) Method of adjustment If you will use the remote control transmitter, set the TIME/LEVEL·SET MENU switch to the TIME/LEVEL position on the remote control transmitter. Note: Be sure to use the remote control transmitter with the lid open. TIME/LEVEL 2 Adjust the level on the selected item. Front panel DELAY/CENTER /REAR/SWFR Remote control SET MENU or SET MENU 1 Press once or more until the name of item on which you will make an adjustment appears on the display panel. Remote control Front panel DELAY/CENTER /REAR/SWFR SET MENU or Whenever pressed, the selection changes as the above chart shows. * Pressing the key on the remote control transmitter changes the selection in the reverse order. * Depending on a mode of this unit, you cannot select all items. 38 3 Repeat step 1 and 2 to make adjustments on other items. English Adjusting delay time You can adjust the time difference between the beginning of the sound from the main speakers and the beginning of the effect sound from the rear or front effect speakers. The larger the value, the later the effect sound is generated. This adjustment can be made to all programs individually. Notes ● Adding too much delay will cause an unnatural effect with some sources. ● When the –/+ button is pressed, sound is momentarily interrupted. Program Control range (ms) Preset value 1. DOLBY PRO LOGIC DOLBY DIGITAL 2. PRO LOGIC ENHANCED DOLBY DIGITAL ENHANCED 3. 70 mm MOVIE THEATER DIGITAL MOVIE THEATER 4. TV SPORTS 5. STADIUM 6. DISCO 7. ROCK CONCERT 8. JAZZ CLUB 9. CHURCH 10. CONCERT HALL 15 to 30 0 to 15 15 to 30 0 to 15 15 to 30 1 to 50 1 to 50 1 to 50 1 to 50 1 to 50 1 to 50 1 to 50 1 to 50 20 15 20 15 17 22 20 45 14 22 26 40 30 Adjusting output level of the center, right rear and left rear speakers, and subwoofer If desired, you can adjust the sound output level of the each speaker even if the output level is already set in “SPEAKER BALANCE ADJUSTMENT” on pages 24 to 25. Notes ● Output level of the center speaker cannot be adjusted when the program STADIUM, DISCO, ROCK CONCERT, JAZZ CLUB, CHURCH or CONCERT HALL is selected, and the input signal is analog, PCM audio or encoded with the Dolby Digital (AC-3) in 2-channels. ● If the function “4. CENTER SPEAKER” in the SET MENU mode is set in the “PHNTM (phantom)” position, the sound output level of the center speaker cannot be adjusted. This is because in this mode, the center sound is automatically output from the left and right main speakers. ● Once the output level is adjusted, the level value will be the same in all the digital sound field programs. Speakers Control range (dB) Preset value CENTER RIGHT SURROUND LEFT SURROUND SUBWOOFER MIN, –20 to +10 MIN, –20 to +10 MIN, –20 to +10 MIN, –20 to 0 0 0 0 0 Note The values of the delay time, center level, rear level and subwoofer output level you set the last time will remain memorized even when this unit is in the standby mode. However, if the power cord is kept disconnected for more than one week, these values will be automatically changed back to the original factory settings. 39 BRIEF OVERVIEW OF DIGITAL SOUND FIELD PROGRAMS The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments. The data for these sound fields was recorded at actual locations using sophisticated sound field measurement equipment. Note The channel level balance between the left and right rear effect speakers may vary depending on the sound field you are listening to. This is due to the fact that most of these sound field recreations are actual acoustic environments. No. 1 PROGRAM DOLBY PRO LOGIC ( FEATURE PRO LOGIC ) Functions when the input signal is analog or PCM audio. Speaker output: main, center, rear DOLBY DIGITAL ( DIGITAL ) Functions when the input signal is Dolby Digital. Speaker output: main, center, rear 2 DOLBY PRO LOGIC ENHANCED PRO LOGIC ) ( DSP Functions when the input signal is analog or PCM audio. Speaker output: main, center, rear DOLBY DIGITAL ENHANCED ( 3 DIGITAL DSP ) Functions when the input signal is Dolby Digital. Speaker output: main, center, rear 70 mm MOVIE THEATER PRO LOGIC ) ( DSP Functions when the input signal is analog or PCM audio. Speaker output: main, center, rear DIGITAL MOVIE THEATER ( 40 DIGITAL DSP ) Functions when the input signal is Dolby Digital. Speaker output: main, center, rear Reproduces video discs, video tapes and similar sources which are Dolby Surround encoded and bear the “DOLBY SURROUND” logo. The built-in Dolby Pro Logic Surround decoder or Dolby Digital (AC-3) decoder precisely reproduces sounds and sound effects of a source encoded with Dolby Surround. The realization of a highly efficient decoding process improves crosstalk and channel separation and makes sound positioning smoother and more precise. Reproduces video discs, video tapes and similar sources which are Dolby Surround encoded and bear the “DOLBY SURROUND” logo. This program ideally simulates the multi-surround speaker systems of the 35 mm film theater. The Dolby Surround decoding and the digital sound field processing is precisely performed without altering the originally designed sound orientation. The surround effects produced by this sound field folds the viewer naturally from the rear to the left and right and toward the screen. Note: If the main channel sound is considerably altered by overadjustment of the BASS or TREBLE controls, the relationship with the rear channels may produce an unnatural effect. Ideal for reproducing video discs, video tapes and similar sources which are Dolby Surround encoded and bear the “DOLBY SURROUND” logo. This program is ideal for precisely reproducing the sound design of the newest 70 mm/Dolby Digital multi-track films. The sound field is made to be similar to that of the newest movie theaters, so the reverberations of the sound field itself are restrained as much as possible. The three dimensional feeling of the sound field is emphasized, and dialog is precisely oriented on the screen. You can enjoy watching Sci-Fi, adventure movies, etc. with much presence. 4 PROGRAM FEATURE TV SPORTS When the input signal is analog or PCM audio: ( Speaker output: main, center, rear When the input signal is Dolby Digital: ( Speaker output: main, center, rear 5 DIGITAL When the input signal is Dolby Digital: ( Speaker output: main, center, rear DIGITAL When the input signal is Dolby Digital: ( Speaker output: main, center, rear DIGITAL When the input signal is Dolby Digital: ( Speaker output: main, center, rear DIGITAL When the input signal is Dolby Digital: ( Speaker output: main, center, rear DIGITAL ) DSP ) DSP This program recreates the acoustic environment of a lively disco in the heart of a very lively city. The sound is dense and highly concentrated. It is also characterized by a high-energy, “immediate” sound. ) DSP ) This program is ideally suited for rock music. You will experience a very dynamic or lively sound field. DSP ) DSP ) This is a small, cozy jazz club with a low ceiling. The sound is very close and intimate. DSP ) DSP ) This program recreates the acoustic environment of a big church with a high pointed dome and columns along the sides. This interior produces very long reverberations. CHURCH When the input signal is analog or PCM audio: ( Speaker output: main, rear When the input signal is Dolby Digital: ( Speaker output: main, center, rear 10 DSP This program gives you long delays between direct sounds and effect sounds, and extraordinarily spacious feel of a large stadium. JAZZ CLUB When the input signal is analog or PCM audio: ( Speaker output: main, rear 9 ) ROCK CONCERT When the input signal is analog or PCM audio: ( Speaker output: main, rear 8 DSP DISCO When the input signal is analog or PCM audio: ( Speaker output: main, rear 7 ) STADIUM When the input signal is analog or PCM audio: ( Speaker output: main, rear 6 DSP This program is furnished with a tight sound field in which the sound will not spread excessively on the front side, but the rear surround side produces a dynamic sound expansion. This program is the most suitable for sports programs. DIGITAL DSP ) DSP ) In this program, the center will appear to be deep behind the main speakers, creating an expansive large hall ambience. Orchestra and opera music are suited for this sound field. CONCERT HALL When the input signal is analog or PCM audio: ( Speaker output: main, rear When the input signal is Dolby Digital: ( Speaker output: main, center, rear DIGITAL DSP ) DSP English No. ) Note: The “PHNTM” position is selected on “4. CENTER SPEAKER” in the SET MENU mode, no sound is output from the center speaker(s). 41 SETTING THE SLEEP TIMER If you use the SLEEP timer of this unit, you can make this unit turn into the standby mode. When you are going to sleep while enjoying a broadcast or other desired input source, this timer function is helpful. Notes ● The SLEEP timer can be controlled only with the remote control transmitter. ● The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear panel of this unit. To set the SLEEP time To cancel the selected SLEEP time 1 A B A C B C SLEEP SLEEP REMOTE CONTROL TRANSMITTER REMOTE CONTROL TRANSMITTER Press once or more to select the desired SLEEP time. Indicates the SLEEP time. SLEEP Flashes. Whenever the SLEEP key is pressed, the SLEEP time will change as follows. (Minutes) 120 90 60 30 The SLEEP timer is off (OFF). (The state before the SLEEP key is pressed.) After a while, the display returns to the indication before the SLEEP timer is set. 2 42 The unit will be turned into the standby mode automatically at the selected SLEEP time. Press once or more so that “SLEEP OFF” appears on the display. (It will soon disappear and the “SLEEP” indicator will go off from the display.) Note The SLEEP timer setting can also be canceled by turning this unit into the standby mode with the STANDBY/ON switch on the front panel (or the STANDBY key on the remote control transmitter) or disconnecting the power plug of this unit from the AC outlet. BASIC OPERATIONS (When the lid is open) English REMOTE CONTROL TRANSMITTER The remote control transmitter provided with this unit is designed to control all the most commonly used functions of this unit. If the CD player, tape deck, LD player, DVD player, etc. connected to this unit are YAMAHA components designed for remote control compatibility, then this remote control transmitter will also control various functions of each component. * For basic operations, use the remote control transmitter with the lid open. NAMES OF KEYS AND THEIR FUNCTIONS G TRANSMIT /LEARN CLEAR LEARN MACRO REC/PAUSE D A/B TAPE A CD 1 TUNER A DIR VCR B STOP B DISC DVD/LD F TV/DBS 2 C PRESET DIGITAL/ MOVIE PRO LOGIC ENHANCED THEATER 2 3 STADIUM DISCO 4 5 6 ROCK V-AUX JAZZ CLUB CHURCH 7 8 HALL +10 9 TEST D PHONO EFFECT ON/OFF C 0 TIME/LEVEL DELAY CENTER REAR SWFR B MACRO SET MENU SLEEP SYSTEM POWER ON OFF 5 6 7 1 TV SPORTS MASTER VOLUME QUICK 4 E A/B/C/D/E TV MUTE VCR STANDBY 8 A SLOW 3 0 9 REMOTE CONTROL TRANSMITTER Lid is opened. Side panel 43 1 Tape deck keys Controls tape deck. (The A/B/C switch (F) should be set to the “A” position.) * DIR A, B and A/B are applicable only to double cassette tape deck. * For a single cassette deck with automatic reverse function, pressing DIR A will reverse the direction of tape running. When pressed, this key mutes the volume level. To resume the original volume level, press this key again. While muting, the indicator on the VOLUME control flashes continuously. 2 CD/LD/DVD player keys B Controls compact disc player, LD player or DVD player. (To control compact disc player, set the A/B/C switch (F) to the “A” position. To control LD player or DVD player, set the A/B/C switch (F) to the “C” position.) * DISC is applicable only to compact disc changer. * STOP is applicable only to LD player or DVD player. 3 Tuner keys Controls tuner. (The A/B/C switch (F) should be set to the “A” position.) +: Selects higher preset station number. –: Selects lower preset station number. A/B/C/D/E: Selects the group (A – E) of preset station numbers. 4 DSP program selector keys Selects a DSP program when the built-in digital sound field processor (including the Dolby Pro Logic Surround decoder and the Dolby Digital (AC-3) decoder) is on. 5 TEST key Used for speaker balance adjustment. (For details, refer to page 24–25.) 6 TIME/LEVEL·SET MENU switch Set to the TIME/LEVEL position when you will make an adjustment on delay time, center speaker output level, rear speaker output level or subwoofer level. Set to the SET MENU position when you will make an adjustment or setting change on a function in the SET MENU mode. 7 SLEEP timer key This key is used to turn the built-in SLEEP timer on and off, and to set the SLEEP time. (For details, refer to page 42.) 8 SYSTEM POWER ON and STANDBY keys Pressing the SYSTEM POWER ON key turns the power to this unit on and pressing the STANDBY key turns this unit into the standby mode. 9 RESET button This button is inside the battery compartment. Press this button to “reset” the internal microcomputer which controls remote control operations. Microcomputer “reset” is necessary when the remote control freezes. * Pressing the RESET button will not erase learned functions. RESET button 44 0 MASTER VOLUME (up) and Turns the volume level up and down. (down) keys A MUTE key / and –/+ keys (up) and (down) keys change items (or functions) in the mode selected by the TIME/LEVEL·SET MENU switch. – and + keys make an adjustment or setting change on the item (or function) selected by the or key. C EFFECT ON/OFF key Switches on/off the digital sound field processor (including the Dolby Pro Logic Surround decoder and the Dolby Digital (AC3) decoder). D Input selector keys Selects input source. E A/B/C indicators The position (A, B or C) selected by the A/B/C switch is shown in red. F A/B/C switch This switch must be used only when the lid of the remote control transmitter is open. (This switch will not function when the lid is closed.) Normally, set this switch to the “A” position. When controlling a Yamaha LD player or DVD player by using the CD/LD/DVD player keys (2), set this switch to the “C” position. G TRANSMIT/LEARN indicator Lights up when the remote control transmitter is transmitting infrared signals (when a command key is pressed). Note When using the keys to control Yamaha components, identify them with your component’s keys. If these keys are identical, their functions will be the same. For each key function, refer to the corresponding instruction in your component’s manual. English LEARNING NEW CONTROL FUNCTIONS (When the lid is open) This is a learning remote control transmitter. The shaded keys in the illustration shown below can be programmed to “learn” control functions from other remote control transmitters. By learning key-functions from other remote control transmitter, this unit can then be used in place of one or more other remote control transmitters, thus making operation of your various audio and video components more convenient. Some of the “learning-capable” keys are originally empty and others have already been preset with functions to control this unit and other Yamaha components. You can store new functions to them (in place of preset functions) as desired. * See page 50 for the learning method. * See page 52 for clearing a learned function (or all learned functions). Note If the memory capacity of the remote control transmitter becomes full, no further learning is possible even if some learning-capable keys are not occupied with new functions. If, for example, you store Yamaha codes only into this remote control transmitter, up to about 20 functions can be stored. Store new functions to the learnable-capable keys which are useful for you. Keys which can have three functions (1, 2, 3, 4) * In the “Learning-capable” keys, the keys numbered 1–4 in the illustration at left can have three functions. This is because they have three memory areas (A, B and C). (One function per area.) You can store new functions into the area B and C, and use three functions on a key by switching the memory areas with the A/B/C switch. (Area A cannot learn a new function.) 1 TRANSMIT /LEARN CLEAR LEARN MACRO REC/PAUSE A/B TAPE To use these keys: 1. Before using a key, select the area A, B or C of the key on which A CD 1 the function you want to use is stored by using the A/B/C switch. A DIR VCR B STOP B DISC DVD/LD TV/DBS 2 A/B/C switch TUNER 2. Press the key. The original factory settings of these keys are as follows. C 3 PRESET A/B/C/D/E 2 DIGITAL/ MOVIE PRO LOGIC ENHANCED THEATER 4 1 2 3 TV SPORTS STADIUM DISCO 5 6 4 ROCK V-AUX PHONO JAZZ CLUB CHURCH 7 8 HALL +10 9 TEST 1 EFFECT 2 ON/OFF 0 TIME/LEVEL DELAY CENTER REAR SWFR 3 SET MENU SLEEP SYSTEM POWER ON MASTER VOLUME 4 TV 1 MUTE VCR STANDBY The position of A/B/C switch B C A Empty Empty Preset with functions for controlling a Yamaha tape deck. Empty Preset with functions Preset with for controlling a functions for Yamaha LD player controlling a and DVD player. Yamaha CD player. (DISC is empty.) (STOP is empty.) Preset with Empty Empty functions for controlling the built-in tuner. Preset as the DSP Preset as the DSP Preset as the DSP program selector program selector program selector keys (1–9, 0) and keys (1–9, 0) and keys (1–9, 0) and the TEST key. the TEST key. the TEST key. (+10 is empty.) (+10 is empty.) (+10 is empty.) Note The area A of all keys cannot learn new functions. To store new functions to these keys, store them onto the area B or C. REMOTE CONTROL TRANSMITTER Empty keys (1, 2) Lid is open. 1 * : These buttons are used for learning a new function or clearing a learned function (or all learned functions). For details, refer to page 50 to 52 . These are empty keys. Each key can learn a function from another remote control transmitter. For example, the TV key is useful for storing the function of your TV’s power switch, and the VCR key can be used for your VCR’s power switch. 45 Note If a key which has a preset function learns a new function, the preset function will not be deleted, but disabled. When the learned function is cleared, the preset function is restored. (For information on clearing a learned function, refer to page 52.) About the marks shown on the remote control transmitter The marks on the remote control transmitter signify functions of keys, input sources, etc. Examples) (tape): (disc): (radio wave): Tape deck, VCR, etc. CD player, LD player, etc. Tuner, TV/BS tuner, etc. These marks are helpful for storing new functions. Examples) • The area B of keys 1 is suitable for storing functions to control your VCR. • The area B of keys 3 is suitable for storing functions to control your TV/BS tuner. USING OPERATION CONTROL KEYS (When the lid is closed) When the lid of the remote control transmitter is closed, you can easily operate Yamaha components including learned functions by using the OPERATION CONTROL keys. TRANSMIT /LEARN TRANSMIT CLEAR REMOTE CONTROL TRANSMITTER LEARN MACRO REC/PAUSE A/B CD TUNER VCR DVD/LD TV/DBS * TAPE Input selector keys TAPE A CD 1 TUNER A DIR VCR B STOP B DISC DVD/LD TV/DBS 2 C 2 3 PRESET A/B/C/D/E DIGITAL/ MOVIE PRO LOGIC ENHANCED THEATER PHONO EFFECT OPERATION CONTROL SYSTEM POWER ON MASTER VOLUME TV OPERATION CONTROL keys V-AUX 1 2 3 TV SPORTS STADIUM DISCO 5 6 4 ROCK PHONO JAZZ CLUB CHURCH 7 8 HALL +10 9 TEST EFFECT ON/OFF 0 TIME/LEVEL (+10) DELAY CENTER REAR SWFR SET MENU SLEEP SYSTEM POWER ON MASTER VOLUME TV MUTE VCR V-AUX MUTE VCR STANDBY STANDBY REMOTE CONTROL TRANSMITTER Lid is closed. 2 46 * : These keys are originally empty. If these keys have learned functions, pressing them executes those learned functions. Note When the lid is closed, the EFFECT, MASTER VOLUME, MUTE, TV and VCR keys will function in the same way as when the lid is open. * If the MACRO switch on the side of the remote control transmitter is set to “OFF”, when the lid is closed, the SYSTEM POWER ON and STANDBY keys also will function in the same way as when the lid is open. Examples of operations controlled by using the OPERATION CONTROL keys English When the lid is closed, the OPERATION CONTROL keys substitute for the keys numbered 1, 2, 3 and the (+10) key on the left illustration. To use these keys, you do not have to switch the A/B/C switch. The functions which the OPERATION CONTROL keys carry out are determined by which input selector key was pressed before using the OPERATION CONTROL keys. To operate a Yamaha CD player 1. Press the “CD” input selector key. 2. Use the OPERATION CONTROL keys. (They carry out the functions in area A of keys 2.) OPERATION CONTROL Play Skip to previous track Skip to next track Pause or Stop To operate your VCR 1. Press the “VCR” input selector key. 2. Use the OPERATION CONTROL keys. (They carry out the functions in area B of keys 1. This area is originally preset with no function. You must store the functions related to controlling the VCR in area B of keys 1 beforehand.) OPERATION CONTROL Play Rewind Fast forward Pause or Stop See the table below for a combination of an input selector key and key functions which the OPERATION CONTROL keys carry out. (Also, refer to the table on page 45.) Selected input selector TAPE CD TUNER VCR Key functions which the OPERATION CONTROL keys carry out Functions in area A of keys 1 (except REC/PAUSE, A/B, DIR A and B) Functions in area A of keys 2 (except STOP, DISC, Functions in area A of keys 3 and and ) (+10) Functions in area B of keys 1 (except REC/PAUSE, A/B, DIR A and B) DVD/LD Functions in area B of keys 2 (except STOP, DISC, TV/DBS Functions in area B of keys 3 and and ) (+10) Functions in area C of keys 1 (except REC/PAUSE, A/B, DIR A and B) Functions in area C of keys 2 (except STOP, DISC, Functions in area C of keys 3 and and ) (+10) Pressing the “V-AUX” or “PHONO” input selector key has no effect on the OPERATION CONTROL keys. Notes • If the OPERATION CONTROL keys substitute for keys which has no function (empty), no command is carried out. According to your plan, store functions from other remote control transmitters into an empty area of those keys. (Refer to page 50 for the learning method.) • While playing an audio/video unit, if you want to operate another unit by using the remote control transmitter (for example, if you want to rewind a tape on your VCR while listening to a CD), you should open the lid of the remote control transmitter and use the A/B/C switch and the corresponding keys. (If you press an input selector key with the lid closed to change the functions of the OPERATION CONTROL keys to the functions for controlling a VCR, the input of currently playing CD source is canceled.) 47 MACRO OPERATIONS (When the lid is closed) Preset macro keys are originally preset with macros. If you prefer, however, you can change the contents of a macro key by storing a desired series of functions on it. You can store up to seven functions onto a macro key. (Refer to page 51 for the learning method.) “Macro” is a command which defines a sequence of several operations. The keys shown in the illustrations below (as preset macro keys) are also preset with macros, in addition to individual functions. Each macro key is preset so that simply pressing it alone will carry out several functions of other keys on this remote control transmitter sequentially. (To know what key functions are sequentially carried out by pressing each preset macro key, see the next page.) Macros can be used only when the lid is closed and the MACRO switch is set to “SLOW” or “QUICK”. (If “OFF” is selected, no macro will function even if the lid is closed.) Setting the MACRO switch OFF: In this position, no macro will function even if the lid of remote control transmitter is closed. QUICK: In this position, when a macro key is pressed, each command is transmitted at 0.5 second intervals. SLOW: In this position, when a macro key is pressed, each command is transmitted at 3 second intervals. Preset macro keys TRANSMIT /LEARN CLEAR TRANSMIT LEARN MACRO REC/PAUSE REMOTE CONTROL TRANSMITTER A/B TAPE TAPE A CD 1 CD TUNER TUNER A VCR DIR VCR B STOP B DISC DVD/LD DVD/LD TV/DBS 2 TV/DBS C PRESET A/B/C/D/E DIGITAL/ MOVIE PRO LOGIC ENHANCED THEATER V-AUX 1 2 3 TV SPORTS STADIUM DISCO 5 6 4 V-AUX PHONO PHONO ROCK EFFECT OPERATION CONTROL JAZZ CLUB CHURCH 7 8 HALL +10 9 TEST EFFECT ON/OFF 0 TIME/LEVEL SLOW TV MUTE MACRO switch MASTER VOLUME QUICK SYSTEM POWER ON OFF MACRO DELAY CENTER REAR SWFR SET MENU SLEEP SYSTEM POWER ON MUTE VCR STANDBY VCR STANDBY REMOTE CONTROL TRANSMITTER Lid is closed. (Set the MACRO switch to “QUICK” or “SLOW”.) 48 MASTER VOLUME TV English Preset macro keys and the key functions which they carry out sequentially are as follows. (Also, refer to the table on page 45.) Function of the key (and area) which operates when a macro key is pressed Macro key 1st (Turning the power of this unit on) 2nd (Selecting an input source) 3rd (Playing a source) TAPE TAPE “ ” on area A of keys 1 CD CD “ ” on area A of keys 2 TUNER TUNER VCR VCR “ ” on area B of keys 1 DVD/LD “ ” on area B of keys 2 DVD/LD SYSTEM POWER ON – – TV/DBS TV/DBS “ ” on area C of keys 1 “ ” on area C of keys 2 – V-AUX V-AUX – PHONO PHONO – Function of the key which operates when a macro key is pressed Macro key SYSTEM POWER ON 1st 2nd SYSTEM POWER ON TV 3rd VCR – STANDBY Notes A key in which no function is stored will carry out no command. • If it occurs that this unit will not receive the second command because the internal operation of the first command takes a long time, set the MACRO switch to the “SLOW” position, or add no function or repeat the same command between the first command and the next command. • If you will program the power on/off switching function of TV, VCR, etc. as part of a macro sequence, note that it switches the current mode to the other (“on” to “off”, or “off” to “on”). For example, when you press the macro key, if the power of TV, VCR, etc. is already on, the power will be turned off even though you may not want it to do so. • – STANDBY • • • Once you press a macro key, this unit will not receive the command of another key (even if it is pressed) until this unit finishes carrying out all commands of the macro key. Take notice of this especially when the MACRO switch is in the “SLOW” position. Once you press a macro key, you must keep the remote control transmitter directed at the main unit’s remote control sensor until the remote control transmitter finishes transmitting all command signals of the macro key. You can use the OPERATION CONTROL keys also while using the macro functions. 49 LEARNING A NEW FUNCTION 1 Place this remote control transmitter and the other remote control transmitter so that they face each other. 5 Press and hold the key (on the other remote control transmitter) which has the function you want to store. This remote control transmitter TV RTS O 1 ST 2 AD 0 1 X O H N O V O H X U -A T C FE F EF / O F ON P 3 CO IS D 2 6 H M IU RC U CH 9 5 UB ST CL TE ZZ JA 8 ST K OC U -A P T ES V H RC U CH 9 CO IS 6 D UB 3 CL TV RTS O 4 M 5 IU SP AD 1 Other remote control transmitter LEARN MACRO (Press by using the point of a mechanical pencil, etc.) Flashes slowly. When learning is finished, the TRANSMIT/LEARN indicator stops lighting. You can release the key. Then the indicator begins flashing slowly. * If a signal is not successfully received, the TRANSMIT/LEARN indicator flashes rapidly and the mode prior to step 4 is restored. If this occurs, restart from step 4. * If memory capacity is full, the TRANSMIT/LEARN indicator flashes rapidly to show you that learning is impossible, and then the mode before you began learning operations is restored. * If there is no operation for about 30 seconds after the LEARN button is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the current mode is canceled. If this occurs, repeat this step. 6 3 7 If necessary, select the memory area by using the A/B/C switch on the side panel of the remote control transmitter. O TRANSMIT /LEARN CLEAR T C FE F EF / O F ON 2 N About 5–10 cm (2–4 in.) Repeat step 3–5 to store more functions. When you finish the learning operation, press the LEARN button. CLEAR 4 Press the key on this remote control transmitter in which you will store a new function. Lights up. X U -A V O N O H P 3 T C CO FE F IS D EF /OF 2 6 ON H M IU RC AD U ST CH 9 1 5 UB TV RTS ST CL O TE ZZ SP JA 8 4 0 CK RO +1 7 E * If a key which cannot learn another function is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the current mode is canceled. If this occurs, repeat this step. * If there is no operation for about 30 seconds after a key is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the mode before you began learning operations is restored. If this occurs, restart from step 2. 50 LEARN MACRO Notes ● Newly learned functions will replace previously learned functions. ● If there is no more room in the memory area for a function to be learned, the TRANSMIT/LEARN indicator will flash rapidly. In this case, even if some keys are not occupied with functions from other remote control transmitters, no further learning is possible. ● If the lid is closed while learning and about 5 seconds pass, the TRANSMIT/LEARN indicator flashes rapidly and the mode before you began learning operations is restored. If this occurs, restart from step 2. However, if the lid is opened within 5 seconds, the mode before the lid was closed is restored. ● There may occasionally be instances in which, due to the signal-coding and modulation employed by the other remote control transmitter, this remote control transmitter will not be able to “learn” its signals. English MAKING A NEW MACRO A new macro can be programmed onto any preset macro key in place of preset functions. (See page 48 to know what keys are preset macro keys.) You can make as many as 13 new macro keys. A macro key can learn as many as seven functions of other keys. Note If you store a continuous command such as lowering of volume level, it will become a short command when it is carried out as a part of macro. 1 4 TRANSMIT /LEARN CLEAR LEARN MACRO Flashes slowly. * If there is no operation for about 30 seconds after the MACRO button is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the mode before you pressed the MACRO button is restored. If this occurs, press the MACRO button again. 2 * If the seventh key function has been learned, the TRANSMIT/LEARN indicator flashes rapidly and the mode before you began learning operations is restored. (This shows that the key has completed learning a series of functions as a macro.) If this occurs, you do not have to follow the next step. 5 When you finish learning, press the MACRO button. Press a preset macro key on which you want to make a new macro. CD CLEAR LEARN MACRO TRANSMIT /LEARN Lights up. * If a key other than a preset macro key is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the current mode is canceled. If this occurs, repeat this step. 3 Repeat step 3 to store the second, the third and more functions. You can store up to seven key functions in series as a macro. It is recommended to write down new key functions you stored on the provided user function stickers and paste them on the reverse side of the remote control transmitter or the reverse side of the remote control transmitter’s lid. Press and hold a key whose function you want to store as the first function of the new macro. SYSTEM POWER ON A TRANSMIT /LEARN B C Goes off. When learning is finished, the TRANSMIT/LEARN indicator lights up again. You can release the key. * If a key whose function cannot be stored as a command of macro is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the current mode is canceled. If this occurs, repeat this step. * If about 30 seconds pass before a key is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the mode before you began learning operations is restored. If this occurs, restart from step 1. REMOTE CONTROL TRANSMITTER Memory back-up All of the learned functions will be retained while you replace the batteries. However, if no batteries are installed for a few hours, the learned functions will be erased and will have to be learned again. 51 CLEARING LEARNED FUNCTIONS To Clear a Learned Function 1 To Clear All Learned Functions To clear a learned key function, press the LEARN button using the point of a mechanical pencil, etc. To clear a macro you made, press the MACRO button. 1 Select the kind of key functions all of which you want to clear by using the MACRO switch on the side panel of the remote control transmitter. or SLOW QUICK OFF MACRO TRANSMIT /LEARN CLEAR LEARN MACRO OFF: Flashes slowly. 2 Press and hold the CLEAR button using the point of a mechanical pencil, etc. Select this position if you want to clear all of the learned functions except macros. QUICK: Select this position if you want to clear all of the macros you made only. SLOW: Select this position if you want to clear all of the learned functions including macros. 2 CLEAR LEARN MACRO Press the CLEAR button using the point of a mechanical pencil, etc. TRANSMIT /LEARN 3 CLEAR Holding the CLEAR button pressed, press and hold the key whose function you want to clear until the indicator flashes 3 times. CD TRANSMIT /LEARN Flashes. To clear two or more functions sequentially, do not release the CLEAR button pressed, and repeat this step. Note If you clear a learned function of a key, the originally preset function of the key is restored (except the keys which are originally preset with no function.) LEARN MACRO Flashes slowly. * If one of the following operation is made after you press the CLEAR button, the TRANSMIT/LEARN indicator flashes rapidly and the current mode is canceled. If this occurs, press the CLEAR button again. • MACRO switch is switched to another position. • Another key is pressed. • There is no operation for about 30 seconds. 3 Press and hold the CLEAR button again. While holding the CLEAR button pressed, press and hold the MASTER VOLUME and keys simultaneously until the indicator flashes 7 times. TRANSMIT /LEARN MUTE Flashes. Trouble shooting guide SYMPTOM The remote control transmitter does not work. Learning cannot be made successfully. (The TRANSMIT/LEARN indicator does not light up or flash.) CAUSE The batteries of this remote control transmitter are weak. The internal microcomputer “freezes”. The batteries of this remote control transmitter and/or the other remote control transmitter are weak. The distance between the two remote control transmitters is too long or too short. The signal coding or modulation of the other remote control transmitter is not compatible with this remote control transmitter. Memory capacity is full. The internal microcomputer “freezes”. 52 REMEDY Replace the batteries with new ones and press the RESET button on the remote control transmitter. Replace the batteries (and press the RESET button for this remote control transmitter). Place the remote control transmitters with the proper distance. Learning is not possible. Further learning is not possible without deleting unnecessary commands. Press the RESET button on the remote control transmitter. If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and contact your authorized YAMAHA dealer or service center for help. Amplifier SYMPTOM CAUSE REMEDY The unit fails to turn on when the STANDBY/ON switch is pressed, or turns into the standby mode suddenly soon after the power is turned on. Power cord is not plugged in or is not completely inserted. Firmly plug in the power cord. The IMPEDANCE SELECTOR switch on the rear panel is not set to the upper or the lower end closely. Set the switch to the upper or the lower end closely. It happens that this unit does not work normally. There is an influence of strong external noise (lightning, excessive static electricity, etc.) or a misoperation on this unit while using this unit. Turn this unit into the standby mode and disconnect the AC power cord from the AC outlet. After about 30 seconds have passed, connect the power and operate this unit again. No sound or no picture. Incorrect output cord connections. Connect the cords properly. If the problem persists, the cords may be defective. Appropriate input source is not selected. Select an appropriate input source with the input selector buttons. The SPEAKERS switches are not set properly. Set the SPEAKERS switch which corresponds to the speakers to be used to the ON position. Speaker connections are not secure. Secure the connections. No picture There is no S video terminal connection between this unit and the TV, though S video signals are input to this unit. Connect this unit’s S VIDEO MONITOR OUT terminal to the TV’s S video input terminal. The sound suddenly goes off. The protection circuit has been activated because of short circuit etc. Turning the unit into the standby mode and then on will reset the protection circuit. The SLEEP timer has functioned. Cancel the SLEEP timer function. Only one side speaker outputs the sound. Incorrect setting of the BALANCE control. Adjust it to the appropriate position. Incorrect cord connections. Connect the cords properly. If the problem persists, the cords may be defective. Sound “hums”. Incorrect cord connections. Firmly connect the audio plugs. If the problem persists, the cords may be defective. No connection from the turntable to the GND terminal. Make the GND connection between the turntable and this unit. The volume level is low while playing a record. The record is being played on a turntable with an MC cartridge. The player should be connected to the unit through the MC head amplifier. The volume level cannot be increased, or sound is distorted. The component connected to the REC OUT terminals of this unit is in the standby mode. Turn the power to the component on. No sound from the rear speakers. The sound output level to the rear speakers is set to minimum. Raise the sound output level to the rear speakers. The monaural sound source is played in DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED mode. Select another program suitable for the monaural sound source. The sound output level to the center speaker is set to minimum. Raise the sound output level to the center speaker. The center channel mode is in PHANTOM mode. Select NORMAL or WIDE. Incorrect sound field program selection. Select the appropriate program. No sound from the center speaker. English TROUBLESHOOTING 53 CAUSE REMEDY FM stereo reception is noisy. Because of the characteristics of FM stereo broadcasts, this is limited to cases where the transmitter is too far away or the antenna input is poor. Check the antenna connections. Try using a high quality directional FM antenna. Set the TUNING MODE button to the manual tuning mode. There is distortion and clear reception cannot be obtained even with a good FM antenna. There is multipath interference. Adjust antenna placement to eliminate multipath interference. A desired station cannot be tuned in with the automatic tuning method. The station is too weak. Use the manual tuning method. Use a high quality directional FM antenna. Previously preset stations can no longer be tuned in. This unit has been unplugged for a long period. Repeat the presetting procedure. A desired station cannot be tuned in with the automatic tuning method. Weak signal or loose antenna connections. Tighten the AM loop antenna connections and rotate it for best reception. There are continuous crackling and hissing noises. Noises will result from ligtning, fluorescent lamps, motors, thermostats and other electrical equipment. Use an outdoor antenna and a ground wire. This will help somewhat but it is difficult to eliminate all noise. There are buzzing and whining noises (especially in the evening). A television set is being used nearby. Relocate this unit away from the TV. The remote control transmitter does not work. Direct sunlight or lighting (of an inverter type of fluorescent lamp etc.) is striking the remote control sensor of the main unit. Change the position of the main unit. The batteries of this remote control transmitter are too weak. Replace the batteries with new ones. This unit is in the standby mode. Turn the power to this unit on. FM SYMPTOM Others Remote control transmitter AM Use the manual tuning method. 54 The sound is degraded when listening with the headphones connected to the compact disc player or cassette deck that are connected with this unit. English SPECIFICATIONS AUDIO SECTION Minimum RMS Output Power per Channel MAIN L/R 8 ohms, 20 Hz to 20 kHz, 0.04% THD ......................................................80W+80W CENTER 8 ohms, 20 Hz to 20 kHz, 0.07% THD ................................................................80W REAR L/R 8 ohms, 20 Hz to 20 kHz, 0.07% THD ......................................................80W+80W Maximum Power [China and General models only] 8 ohms, 1 kHz, 10% THD MAIN L/R ................................125W+125W Dynamic Power per Channel (by IHF Dynamic Headroom measuring method) MAIN L/R 8/6/4/2 ohms .................100/125/150/175W Dynamic Headroom (8 ohms) [U.S.A. and Canada models only] ...........................................................0.96 dB IEC Power [Singapore model only] 8 ohms, 1 kHz, 0.04% THD MAIN L/R .............................................95W Power Band Width MAIN L/R 8 ohms, 40W, 0.09% THD ...........................................10 Hz to 50 kHz Damping Factor (SPEAKERS A) MAIN L/R 8 ohms, 20 Hz to 20 kHz ............80 or more Input Sensitivity/Impedance PHONO MM......................2.5 mV/47 k-ohms CD/TAPE·MD/DVD·LD/TV·DBS/VCR /VIDEO AUX.....................150 mV/47 k-ohms Maximum Input Signal PHONO MM 1 kHz, 0.04% THD.............110 mV or more CD/TAPE·MD/DVD·LD/TV·DBS/VCR /VIDEO AUX (EFFECT ON) 1 kHz, 0.5% THD....................2.2V or more Frequency Response (20 Hz to 20 kHz) CD/TAPE·MD/DVD·LD/TV·DBS/VCR /VIDEO AUX to MAIN L/R SP OUT ........................................................0±0.5 dB S-Video Signal Level Y ...........................................1 Vp-p/75 ohms C ....................................0.286 Vp-p/75 ohms Maximum Input Level ............1.5 Vp-p or more RIAA Equalization Deviation PHONO MM ....................................0±0.5 dB Total Harmonic Distortion (20 Hz to 20 kHz) PHONO MM to REC OUT 1V ..........................................0.02% or less CD/TAPE·MD/DVD·LD/TV·DBS/VCR /VIDEO AUX to SP OUT (EFFECT OFF) 40W/8 ohms ........................0.025% or less Signal-to-Noise Ratio (IHF-A Network) PHONO MM to REC OUT (5 mV Input Shorted) ............86 dB or more CD/TAPE·MD/DVD·LD/TV·DBS/VCR /VIDEO AUX to SP OUT (EFFECT OFF) (150 mV Input Shorted) ........96 dB or more Residual Noise (IHF-A Network) MAIN L/R SP OUT..................170 µV or less Channel Separation (Vol. –30 dB, EFFECT OFF) PHONO MM (Input Shorted, 1 kHz/10 kHz) ......................60 dB or more/55 dB or more CD/TAPE·MD/DVD·LD/TV·DBS/VCR /VIDEO AUX (Input 5.1 k-ohms Shorted, 1 kHz/10 kHz) ......................60 dB or more/45 dB or more Tone Control Characteristics BASS: Boost/cut ...............±10 dB (50 Hz) Turnover Frequency...........350 Hz TREBLE: Boost/cut .............±10 dB (20 kHz) Turnover Frequency..........3.5 kHz Signal-to-Noise Ratio.................50 dB or more Monitor Output Frequency Response .....................................5 Hz to 10 MHz, –3 dB FM SECTION Tuning Range [U.S.A. and Canada models] ..........................................87.5 to 107.9 MHz [Australia, Singapore, China and General models]..............................87.5 to 108.0 MHz 50 dB Quieting Sensitivity (IHF) (100% mod., 1 kHz) Mono .................................1.55 µV (15.1 dBf) Stereo...................................21 µV (37.7 dBf) Image Response Ratio [U.S.A., Canada, China and General models] ..............................................................45 dB [Australia and Singapore models].........80 dB IF Response Ratio [U.S.A., Canada, China and General models] ..............................................................70 dB [Australia and Singapore models].........80 dB Spurious Response Ratio.........................70 dB AM Suppression Ratio..............................55 dB Capture Ratio ..........................................1.5 dB Filter Characteristics MAIN L/R, REAR L/R (MAIN SPEAKER: SMALL) (H.P.F.) .....................fc = 90 Hz, 12 dB/oct. SUBWOOFER (L.P.F.) ......................fc = 90 Hz, 18 dB/oct. Gain Tracking Error (0 to –60 dB) MAIN L/R ....................................3 dB or less Bass Extension ..........................+6 dB (50 Hz) Output Level/Impedance REC OUT........................150 mV/2.7 k-ohms PRE OUT.............................2.6V/1.1 k-ohms SUBWOOFER (MAIN SPEAKER: SMALL) ................................................4V/1.2 k-ohms VIDEO SECTION Headphones Jack Rated Output/Impedance Output Level (CD/TAPE·MD/DVD·LD/TV·DBS/VCR /VIDEO AUX Input, 150 mV, RL=8 ohms) .............................................................0.5V Impedance .....................................390 ohms Video Signal Level ..................1 Vp-p/75 ohms Video Signal Type [U.S.A. and Canada models]................NTSC [Australia and Singapore models] ...........PAL [China and General models].........NTSC/PAL Alternate Channel Selectivity (±400 kHz) [U.S.A., Canada, China and General models only] .......................................................85 dB Selectivity (two signals, 40 kHz Dev. ±300 kHz) [Australia and Singapore models only] ...............................................................70 dB Signal-to-Noise Ratio (IHF) Mono/Stereo [U.S.A., Canada, China and General models] .....................................80 dB/75 dB (DIN-Weighted, 40 kHz Dev.) Mono/Stereo [Australia and Singapore models] ..................................................75 dB/70 dB Harmonic Distortion (1 kHz) Mono/Stereo......................................0.1/0.2% Stereo Separation .................................50 dB Frequency Response 20 Hz to 15 kHz..............................0 ±1.5 dB 55 AM SECTION GENERAL Tuning Range [U.S.A., Canada, China and General models] .............................................530 to 1,710 kHz [Australia and Singapore models] .............................................531 to 1,611 kHz Power Supply [U.S.A. and Canada models] ..............................................AC 120V, 60 Hz [Australia model] ...................AC 240V, 50 Hz [Singapore model].................AC 230V, 50 Hz [China and General models] ....................AC 110/120/220/240V, 50/60 Hz Usable Sensitivity..............................100 µV/m Selectivity ................................................32 dB Signal-to-Noise Ratio ..............................50 dB Image Response Ratio ...........................40 dB Spurious Response Ratio .......................50 dB Power Consumption [U.S.A. model] ......................................300W [Canada model] .......................350W/420 VA [Australia, Singapore, China and General models] .................................................350W Weight [U.S.A. and Canada models] ....................................12.0 kg (26 lbs. 6 oz.) [Australia, Singapore, China and General models]......................13.0 kg (28 lbs. 10 oz.) Accessories ...........................AM loop antenna Indoor FM antenna Remote control transmitter Batteries User function stickers Antenna adapter (U.S.A. and Canada models only) Maximum Power Consumption [General model only] .......................................................690W Harmonic Distortion (1 kHz) .....................0.3% AUDIO SECTION Output Level/Impedance FM (100% mod., 1 kHz) [U.S.A. and Canada models] ......................................500 mV/2.2 k-ohms [Australia, Singapore, China and General models (40 kHz Dev.)] ......................................400 mV/2.2 k-ohms AM (30% mod., 1 kHz) .........................................150 mV/2.2 k-ohms 56 AC Outlets 2 SWITCHED OUTLETS [U.S.A., Canada, Singapore, China and General models] ................100W max. total 1 SWITCHED OUTLET [Australia model]................100W max. total Dimensions (W x H x D) .........................................435 x 151 x 391 mm (17-1/8” x 5-15/16” x 15-3/8”) Specifications are subject to change without notice. SECTION AM GENERALES Gamme de syntonisation [Modèles pour les Etats-Unis, le Canada, la Chine et général] .................530 à 1.710 kHz [Modèle pour l’Australie] ......531 à 1.611 kHz Alimentation [Modèles pour les Etats-Unis et le Canada] .............................................CA 120V, 60 Hz [Modèle pour l’Australie].......CA 240V, 50 Hz [Modèles pour la Chine et général] ...................CA 110/120/220/240V, 50/60 Hz Sensibilité utilisable...........................100 µV/m Poids [Modèles pour les Etats-Unis et le Canada] ...........................................................12,0 kg [Modèles pour l’Australie, la Chine et général] ..............................................13,0 kg Accessoires........................Cadre-antenne AM Antenne FM intérieure Sélectivité................................................32 dB Rapport signal/bruit .................................50 dB Rapport de réponse d’image...................40 dB Rapport de réponse de bruit ...................50 dB Consommation [Modèle pour les Etats-Unis] ................300W [Modèle pour le Canada] .........350W/420 VA [Modèles pour l’Australie, la Chine et général].................................................350W Consommation maximale [Modèle général seulement]..............................................690W Emetteur de télécommande Piles Etiquettes de fonctions d’utilisateur Adaptateur d’antenne (Modèles pour les Etats-Unis et le Canada seulement) Distorsion harmonique (1 kHz).................0,3% SECTION AUDIO Niveau de sortie/impédance FM (100% mod., 1 kHz) [Modèles pour les Etats-Unis et le Canada] .....................................500 mV/2,2 k-ohms [Modèles pour l’Australie, la Chine et général (40 kHz Dev.)] .....................................400 mV/2,2 k-ohms AM (30% mod., 1 kHz) ........................................150 mV/2,2 k-ohms YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA Prises CA 2 prises commutées [Modèles pour les Etats-Unis, le Canada, la Chine et général] .....................................100W max. au total 1 prise commutée [Modèle pour l’Australie] .....................................100W max. au total Caractéristiques techniques modifiables sans préavis. Dimensions (L x H x P) .........................................435 x 151 x 391 mm ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA VZ51130 Printed in Malaysia