Yamaha RX-V890 Manual de usuario

Categoría
Reproductores de casete
Tipo
Manual de usuario
OWNER’S MANUAL
Contents
PROFILE OF THIS UNIT ............................ 6
SPEAKER SETUP FOR THIS UNIT........... 7
CONNECTIONS ......................................... 9
ADJUSTMENT BEFORE OPERATION.... 15
BASIC OPERATIONS .............................. 18
TUNING OPERATIONS ........................... 21
USING THE DIGITAL SOUND FIELD
PROCESSOR (DSP) ................................ 25
SETTING THE SLEEP TIMER ................. 30
REMOTE CONTROL TRANSMITTER ..... 31
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
Explanation of Graphical Symbols
The lightning flash with arrowhead
symbol, within an equilateral triangle,
is intended to alert you to the
presence of uninsulated “dangerous
voltage” within the product’s
enclosure that may be of sufficient
magnitude to constitute a risk of
electric shock to persons.
The exclamation point within an
equilateral triangle is intended to
alert you to the presence of
important operating and
maintenance (servicing) instructions
in the literature accompanying the
appliance.
IMPORTANT!
Please record the serial number of this
unit in the space below.
Model:
Serial No.:
The serial number is located on the rear
of the unit.
Retain this Owner’s Manual in a safe
place for future reference.
WARNING
TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK, DO NOT EXPOSE
THIS UNIT TO RAIN OR MOISTURE.
RX-V890
Natural Sound Stereo Receiver
SAFETY INSTRUCTIONS
1 Read Instructions — All the safety and operating
instructions should be read before the unit is operated.
2 Retain Instructions — The safety and operating
instructions should be retained for future reference.
3 Heed Warnings — All warnings on the unit and in the
operating instructions should be adhered to.
4 Follow Instructions — All operating and other
instructions should be followed.
5 Water and Moisture — The unit should not be used near
water – for example, near a bathtub, washbowl, kitchen sink,
laundry tub, in a wet basement, or near a swimming pool, etc.
6 Carts and Stands — The unit should be used only with
a cart or stand that is recommended by the
manufacturer.
6A An unit and cart combination should be
moved with care. Quick stops,
excessive force, and uneven surfaces
may cause the unit and cart
combination to overturn.
7 Wall or Ceiling Mounting — The unit should be mounted
to a wall or ceiling only as recommended by the
manufacturer.
8 Ventilation — The unit should be situated so that its
location or position does not interfere with its proper
ventilation. For example, the unit should not be situated
on a bed, sofa, rug, or similar surface, that may block
the ventilation openings; or placed in a built-in
installation, such as a bookcase or cabinet that may
impede the flow of air through the ventilation openings.
9 Heat — The unit should be situated away from heat
sources such as radiators, stoves, or other appliances
that produce heat.
10 Power Sources — The unit should be connected to a
power supply only of the type described in the operating
instructions or as marked on the unit.
11 Power-Cord Protection — Power-supply cords should
be routed so that they are not likely to be walked on or
pinched by items placed upon or against them, paying
particular attention to cords at plugs, convenience
receptacles, and the point where they exit from the unit.
12 Cleaning — The unit should be cleaned only as
recommended by the manufacturer.
13 Nonuse Periods — The power cord of the unit should be
unplugged from the outlet when left unused for a long
period of time.
14 Object and Liquid Entry — Care should be taken so that
objects do not fall into and liquids are not spilled into the
inside of unit.
15 Damage Requiring Service — The unit should be
serviced by qualified service personnel when:
A. The power-supply cord or the plug has been damaged;
or
B. Objects have fallen, or liquid has been spilled into the
unit; or
C. The unit has been exposed to rain; or
D. The unit does not appear to operate normally or exhibits
a marked change in performance; or
E. The unit has been dropped, or the enclosure damaged.
16 Servicing — The user should not attempt service the
unit beyond those means described in the operating
instructions. All other servicing should be referred to
qualified service personnel.
17 Power Lines — An outdoor antenna should be located
away from power lines.
18 Grounding or Polarization — Precautions should be taken
so that the grounding or polarization is not defeated.
19 Outdoor Antenna Grounding — If an outside antenna is
connected to this unit, be sure the antenna system is
grounded so as to provide some protection against voltage
surges and built-up static charges. Article 810 of the
National Electrical Code, ANSI/NFPA 70, provides
information with regard to proper grounding of the mast
and supporting structure, grounding of the lead-in wire to
an antenna discharge unit, size of grounding conductors,
location of antenna discharge unit, connection to grounding
electrodes, and requirements for the grounding electrode.
ANTENNA
DISCHARGE UNIT
(NEC SECTION 810-20)
GROUNDING CONDUCTORS
(NEC SECTION 810-21)
GROUND CLAMPS
POWER SERIVCE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250, PART H)
NEC – NATIONAL ELECTRICAL CODE
ELECTRIC
SERVICE
EQUIPMENT
GROUND
CLAMP
MAST
ANTENNA
LEAD IN
WIRE
EXAMPLE OF ANTENNA GROUNDING
Note to CATV system installer:
This reminder is provided to call the CATV system
installer’s attention to Article 820-40 of the NEC that
provides guidelines for proper grounding and, in
particular, specifies that the cable ground shall be
connected to the grounding system of the building, as
close to the point of cable entry as practical.
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT
1 To ensure the finest performance, please read this
manual carefully. Keep it in a safe place for future
reference.
2 Install your unit in a cool, dry, clean place – away from
windows, heat sources, and too much vibration, dust,
moisture or cold. Avoid sources of hum (transformers,
motors). To prevent fire or electrical shock, do not
expose to rain and water.
3 Do not operate the unit upside-down. It may overheat,
possibly causing damage.
4 Never open the cabinet. If a foreign object drops into
the set, contact your dealer.
5 Do not use force on switches, knobs or cords. When
moving the set, first turn the unit off. Then gently
disconnect the power plug and the cords connecting to
other equipment. Never pull the cord itself.
6 Do not attempt to clean the unit with chemical solvents;
this might damage the finish. Use a clean, dry cloth.
7 Always set the volume control to “– ” before starting
the audio source play: increase the volume gradually to
an appropriate level after the play is started.
8 To prevent lightning damage, pull out the power cord and
remove the antenna cable during an electrical storm.
9 Be sure to read the “Troubleshooting” section on common
operating errors before concluding that your unit is faulty.
10 Do not connect audio equipment to the AC outlets on
the rear panel if that equipment requires more power
than the outlets are rated to provide.
11 When not planning to use this unit for long periods of
time (ie., vacation, etc.), disconnect the AC power plug
from the wall outlet.
The apparatus is not disconnected from the AC power
source as long as it is connected to the wall outlet, even
if the apparatus itself is turned off.
FCC INFORMATION
1. IMPORTANT NOTICE: DO NOT MODIFY THIS
UNIT! This product, when installed as indicated in the
instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved
by Yamaha may void your authority, granted by the
FCC, to use the product.
2. IMPORTANT: When connecting this product to
accessories and/or another product use only high quality
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions.
Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE: This product has been tested and found to
comply with the requirements listed in FCC
Regulations, Part 15 for Class “B” digital devices.
Compliance with these requirements provides a
reasonable level of assurance that your use of this
product in a residential environment will not result in
harmful interference with other electronic devices.
This equipment generates/uses radio frequencies and, if
not installed and used according to the instructions
found in the users manual, may cause interference
harmful to the operation of other electronic devices.
Compliance with FCC regulations does not guarantee
that interference will not occur in all installations. If
this product is found to be the source of interference,
which can be determined by turning the unit “OFF”
and “ON”, please try to eliminate the problem by using
one of the following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker of fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient
the antenna. If the antenna lead-in is 300 ohm ribbon
lead, change the lead-in to coaxial type cable.
If these corrective measures do not produce
satisfactory results, please contact the local retailer
authorized to distribute this type of product. If you can
not locate the appropriate retailer, please contact
Yamaha Electronics Corp., U.S.A. 6600 Orangethorpe
Ave, Buena Park, CA 90620
The above statement apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
We Want You Listening For A Lifetime
YAMAHA and the Electronic Industries Association’s
Consumer Electronics Group want you to get the most out
of your equipment by playing it at a safe level. One that lets
the sound come through loud and clear without annoying
blaring or distortion – and, most importantly, without
affecting your sensitive hearing. Since hearing damage from
loud sounds is often undetectable until it is too
late, YAMAHA and the Electronic Industries
Association’s Consumer Electronics Group
recommend you to avoid prolonged exposure
from excessive volume levels.
4
SUPPLIED ACCESSORIES
After unpacking, check that the following parts are contained.
Remote Control Transmitter Indoor FM Antenna
Batteries (size AA, LR6, UM-3) User Program Sheets
AM Loop Antenna
Remote
+
POWER
PLAY
TAPE 1
DIR A DIR B
SKIP
PHONO
CD
TUNER
STOP
VCR 1
VCR 2
STOP PLAY
V–AUX
SLEEP TV VCR AUX
DISC
SKIP
SEARCH
SEARCH
SEARCH
PAUSE/STOP
PAUSE/STOP
DECK
A/B
PRESET
REC/PAUSEREC MUTE TAPE 2 MON
PLAY LD/TV
CHAPTER/CH
+
DISPLAY
MASTER
VOLUME
+
TEST
MUTING
+
+
+
TRANSMIT
/LEARN
DSP
HALL
EFFECT
CHURCH
CENTER LEVEL
REAR LEVEL
DELAY
TIME
MOVIE THEATER
JAZZ CLUB
STADIUM
PRO LOGIC
SURROUND
SPORTS
ENHANCED
ROCK
THEATER
70mm TV
YPC LEARN
USER
1234
5678
910
ON/OFF
RESET CLEAR
A B C D E
5
Features
Five Speaker Configuration
Front: 100 W + 100 W (8) RMS Output Power,
0.015% THD, 20-20,000 Hz
120 W + 120 W (6) RMS Output Power,
0.04% THD, 20-20,000 Hz (USA Model Only)
Center: 100 W (8) RMS Output Power,
0.015% THD, 1 kHz
Rear: 25 W + 25 W (8) RMS Output Power,
0.08% THD, 1 kHz
Digital Sound Field Processor
10 Programs including “Cinema DSP” 70mm Movie Theater
Automatic Input Balance Control for Dolby Surround
Test Tone Generator for Easier Speaker Output Balance Adjustment
3 Center Channel Modes (NORMAL/WIDE/PHANTOM)
40-Station Random Access Preset Tuning
Automatic Preset Tuning (FM only)
Preset Station Shifting Capability (Preset Editing)
IF Count Direct PLL Synthesizer Tuning System
Video Signal Input/Output Capability
SLEEP Timer
Remote Control Capability
Program and status messages superimposed on connected video monitor
6
PROFILE OF THIS UNIT
You are the proud owner of a Yamaha stereo receiver –an extremely sophisticated audio component. The Digital
Sound Field Processor (DSP) built into this unit takes full advantage of Yamaha’s undisputed leadership in the
field of digital audio processing to bring you a whole new world of listening experiences. Follow the instructions in
this manual carefully when setting up your system, and this unit will sonically transform your room into a totally
new listening environments –movie theater, concert hall, and so on. In addition, you get incredible realism from
Dolby-encoded video sources using the built-in Dolby Pro Logic Surround Decoder.
Please read this owner’s manual carefully and store it in a safe place for later reference.
this same sound in your own listening room, so you’ll
feel all the sound of a live concert.
Furthermore, our technicians, armed with sophisti-
cated measuring equipment, have even made it
possible to capture the acoustics of a variety of venues
such as an actual concert hall, theater, etc. to allow
you to accurately recreate one of several actual live
performance environments, all in your own home.
Digital Sound Field Processing
What is it that makes live music so good? Today’s
advanced sound reproduction technology lets you get
extremely close to the sound of a live performance,
but chances are you’ll still notice something missing:
the acoustic environment of the live concert hall.
Extensive research into the exact nature of the sonic
reflections that create the ambience of a large hall has
made it possible for Yamaha engineers to bring you
Dolby Pro Logic Surround
The Dolby Pro Logic Surround Decoder program lets
you experience the dramatic realism and impact of
Dolby Surround movie theater sound in your own
home. Dolby Pro Logic gets its name from its profes-
sional-grade steering logic circuitry, which provides
greater effective front and rear channel separation for
a much higher degree of realism than the “passive”
Dolby Surround circuits found in less sophisticated
home audio/video equipment. Dolby Pro Logic
Surround provides a true center channel, so that there
are four independent channels, unlike passive Dolby
Surround which has in effect only three channels: left,
right, and rear. This center channel allows listeners
seated in even less-than-ideal positions to hear the
dialog originating from action on the screen while
getting a stereo effect as well.
This Dolby Pro Logic Surround Decoder employs a
digital signal processing system. This system in-
creases sound stability at each channel and minimizes
crosstalk between channels compared to conventional
analog Dolby signal processing.
In addition, this unit features a built-in automatic
input balance control. This circuit always presents
you the best surround conditions without performing
manual adjustments.
Dolby Pro Logic Surround + DSP
You can also enjoy Dolby Pro Logic with two modes
of Digital Sound field processing. These combinations
expand the surround effect. One is the “EN-
HANCED” Dolby Pro Logic Surround which recre-
ates the surround effect of the 35 mm film movie
theater. The other is the sound field program ”70 mm
MOVIE THEATER”. Which recreates the listening
experience of a 70mm film theater.
Directional Enhancement Circuit + DSP
The newly featured directional enhancement circuit
expands and focuses the digital sound field by
emphasizing position of sound.
This effect puts you in the midst of the action, while
centering and focusing your attention to the screen.
This circuit is available on the sound field program
“TV THEATER” and “SPORTS”.
CINEMA DSP
The YAMAHA “CINEMA DSP” logo indicates
these programs are created by the combination of
Dolby Pro Logic and YAMAHA DSP technology.
7
SPEAKER SETUP FOR THIS UNIT
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a fivespeaker configuration. The speakers to be
used with this unit will be front speakers, rear speakers, and a center speaker.
The front speakers are used for the main source sound. These are usually a much larger, high-quality loudspeaker
than you will use for the surround sound effects. The center speaker is used for the center sound (dialog, etc.)
encoded with the Dolby Surround. And the rear speakers are used for special effects that enhance the surround
sound. The rear and center speakers do not need to be equal to the front speakers. However, all the speakers
should have high enough power handling to accept the maximum output of this unit.
SPEAKER CONFIGURATION
Five-Speaker Configuration
This configuration is the most effective and recom-
mended one. In this configuration, the center speaker
is used for dialog when you select the digital sound
field program DOLBY PRO LOGIC, DOLBY PRO
LOGIC ENHANCED, 70mm MOVIE THEATER, TV
THEATER, or SPORTS.
Set the center channel mode to the “NORMAL” or
“WIDE” position. (For details, refer to page 16.)
Front L Center Front R
Dialogue
Surround sound
Dialogue
Surround sound
Rear L
Rear R
Four-Speaker Configuration
The center speaker is not used in this configuration. If
the digital sound field program DOLBY PRO LOGIC,
DOLBY PRO LOGIC ENHANCED, 70mm MOVIE
THEATER, TV THEATER, or SPORTS is selected, the
center sound along with the front effects are output
from the left and the right front speakers. However,
the sound effect of other programs can be the same as
that of the other configurations.
Be sure to set the center channel mode to the
“PHANTOM” position. (For details, refer to page
16.)
Front L Front R
Dialogue
Surround sound
Dialogue
Surround sound
Rear L Rear R
8
SPEAKER PLACEMENT
The recommended speaker configuration, the five-speaker configuration, will require two speaker pairs: front
speakers and rear speakers, plus a center speaker. When you place these speakers, refer to the following:
Front: In normal position. (The position of a standard
stereo speaker setup)
Center: Precisely between the front speakers. (To avoid
interference with TV sets, use a magnetically
shielded speaker.) When two center speakers are
used, place these to the right and left of your TV
set or video monitor.
Rear: Behind your listening position, facing slightly
inward. Nearly six feet (approx. 1.8 m) up from the
floor.
Rear L
Front R
Front L
Rear R
Center
9
CONNECTIONS
CAUTION
Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this
unit and to any other components to which connections are being made.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly,
that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each
component to be connected to this unit.
10dB
0dB
-
PHONO
CD
TAPE 1
LD/TV
VCR 1
VCR 2
TAPE
PB
REC
OUT
IN
OUT
IN
OUT
VIDEO SIGNAL
AUDIO SIGNAL
MONITOR
OUT
S VIDEO
AUDIO SIGNAL
TAPE 2
TAPE
PB
REC
OUT
LD/TV
VCR 1
VCR 2
IN
OUT
IN
OUT
VIDEO
AM
ANT
GND
FM
ANT
GND
75
UNBAL.
MAIN
IN
FRONT
CH
FRONT
LEVEL
PRE
OUT
Monitor TV
Tape deck 1
Turntable
Video cassette recorder 1
Video cassette recorder 2
Compact disc player
GND
VIDEO IN
Tape deck 2
LaserDisc-Spieler
VIDEO IN
AUDIO IN
VIDEO OUT
AUDIO OUT
VIDEO OUT
AUDIO OUT
OUTPUT
AUDIO OUT
VIDEO OUT
VIDEO IN
AUDIO IN
LINE IN
LINE OUT
LINE IN
LINE OUT
10
CONNECTING SPEAKERS
Connect the respective speakers to this unit as shown below:
VIDEO SIGNAL
A
B
MONITOR
OUT
S VIDEO
LD/TV
VCR 1
VCR 2
IN
OUT
IN
OUT
A OR B: 5
MIN. /SPEAKER
A
+
B: l2
MIN. /SPEAKER
OUTPUT
REAR OUT
CENTER
OUT
LOW
PASS
fo:200Hz
8
MIN. /SPEAKER
SPEAKERS
REAR
FRONT
CC
CENTER
DD
C: 8
MIN. /SPEAKER
C
+
D: 4
MIN. /SPEAKER
C
+
D
C
Right Left
Front speakers A
Rear speakers
Right Left
Right Left
Front speakers B
Center speaker(s)
Note on front speaker connection:
One or two speaker systems can be connected to this
unit. If you connect only one speaker system, connect
it to either the SPEAKERS A or B terminals.
Note on center speaker connection:
One or two center speakers can be connected to this
unit. If you cannot place the center speaker on or
under the TV, it is recommended to use two center
speakers and place them on both sides of the TV to
orient the center sound at the center position.
When connecting two center speakers, be sure to
press the CENTER speaker switch into the “C+D
position( ). When you use a single center speaker,
set the switch to the “C” position ( ).
How to Connect:
Connect the SPEAKERS terminals to your speakers
with wire of the proper gauge, cut as short as pos-
sible. If the connections are faulty, no sound will be
heard from the speakers. Make sure that the polarity
of the speaker wires is correct, that is, + and – mark-
ings are observed. If these wires are reversed, the
sound will be unnatural and will lack bass.
CAUTION
Do not let the bare speaker wires touch each other and
do not let them touch the metal parts of this unit. This
could damage this unit and/or the speakers.
Note:
Use speakers with the specified impedance shown on
the rear of this unit.
For connecting to the SPEAKER terminals
Red: positive (+)
Black: negative (–)
1 Unscrew the knob.
2 Insert the bare wire.
[Remove approx. 5mm
(1/4”) insulation from
the speaker wires.]
3 Tighten the knob and
secure the wire.
Banana Plug connections are also possible. Simply insert
the Banana Plug connector into the corresponding termi-
nal. (Not available on Singapore model.)
Note:
Use only single type banana plug cable.
1
2
3
11
ABOUT THE ACCESSORY TERMINALS
3
2
OUTPUT
REAR OUT
CENTER
OUT
LOW
PASS
fo:200Hz
1
1 LOW PASS terminal
This terminal is for output to a monaural amplifier
driving a subwoofer. Frequencies above 200␣ Hz are
filtered out so that only the bass range remains.
The output signal is from the front and center
channels.
You may wish to add a subwoofer to reinforce the
bass frequencies.
Connect the LOW PASS terminal to the INPUT
terminal of the subwoofer amplifier, and connect
the speaker terminals of the subwoofer amplifier to
the subwoofer.
With some subwoofers, including the Yamaha
Active Servo Processing Subwoofer System, the
amplifier and subwoofer are in the same unit.
2 CENTER OUTPUT terminal
This terminal is for center channel line output.
There is no connection to this terminal when you
use the built-in amplifier.
However, if you drive a center speaker with an
external power amplifier, connect the input
terminal of the external amplifier to this terminal.
3 REAR OUTPUT terminals
These terminals are for rear channel line output.
There is no connection to these terminals when
you use the built-in amplifier.
However, if you drive rear speakers with an
external stereo power amplifier, connect the input
terminals of the external amplifier (MAIN IN or
AUX terminals of a power amplifier or an inte-
grated amplifier) to these terminals.
(USA model)
SWITCHED UNSWITCHED
120V 60Hz
120W MAX. TOTAL
120V 60Hz
200W MAX.
GND terminal (For turntable use)
Connecting the ground wire of the turn-
table to this terminal will normally
minimize hum. In some cases, better
results may be obtained with the ground
wire disconnected.
AC OUTLETS
2 SWITCHED OUTLETS and 1
UNSWITCHED OUTLET (USA,
Canada, and General models)
1 SWITCHED OUTLET
(Australa model)
2 SWITCHED OUTLETS
(Singapore model)
Use these to connect the power cords from your
components to this unit.
The power to the SWITCHED outlets is controlled by
this unit’s POWER switch or the provided remote
control transmitter’s POWER key. These outlets will
GND
supply power to any connected component whenever
this unit is turned on.
The maximum power (total power consumption of
components) that can be connected to the SWITCHED
AC OUTLET(S) is 120 watts.
The power to the UNSWITCHED outlets cannot be
controlled by this unit’s POWER switch or the
provided remote control transmitter’s POWER key.
(USA, Canada, and General models only).
The maximum power (power consumption of compo-
nent) that can be connected to the UNSWITCHED AC
OUTLET is 200 watts (USA model), 180 watts
(Canada model) and 200 watts (General model).
12
10dB
0dB
-
TAPE 2
REC
OUT
MAIN
IN
FRONT
CH
FRONT
LEVEL
PRE
OUT
5
4
6
6 FRONT LEVEL switch
Normally set to “0␣ dB”. If desired, you can de-
crease the output level at the FRONT SPEAKERS
terminals by 10␣ dB by setting this switch to
“–10␣ dB”.
4 FRONT CH — MAIN␣ IN terminals
These terminals are for line input to the built-in
front channel amplifier. Leave the jumper bars
connected to the PRE␣ OUT terminals when you use
the built-in amplifier.
However, if you drive front speakers with an
external stereo power amplifier, remove the
jumper bars.
5 FRONT␣ CH — PRE␣ OUT terminals
These terminals are for front main channel line
output. Leave the jumper bars connected to the
MAIN␣ IN terminals when you use the built-in
amplifier.
However, if you drive front speakers with an
external stereo power amplifier, remove the
jumper bars and connect the input terminals of the
external amplifier (MAIN IN or AUX terminals of
a power amplifier or an integrated amplifier) to
these terminals.
13
CONNECTING S␣ VIDEO TERMINALS
If your video cassette recorder, video disc player, monitor, etc., are equipped with “S” (high-resolution) video
terminals, connect them to this unit’s S␣ VIDEO terminals. Otherwise, use the composite video terminals of the unit.
Note:
If video signals are sent to both the S␣ VIDEO input and composite input terminals, the input signals will be sent to the
respective S␣ VIDEO output and composite output terminals independently.
VIDEO SIGNAL
MONITOR
OUT
S VIDEO
LD/TV
VCR 1
VCR 2
IN
OUT
IN
OUT
VIDEO
Video Cassette recorder 2
Video Cassette recorder 1
LD player
VIDEO
OUT
S VIDEO
OUT
Monitor TV
VIDEO
IN
S VIDEO
IN
S VIDEO OUT
VIDEO OUT
S VIDEO IN
VIDEO IN
S-VIDEO OUT
VIDEO OUT
S-VIDEO IN
VIDEO IN
ON SCREEN DISPLAY
If you connect a video cassette recorder, video disc player, monitor, etc., to this unit, you can display DSP
program names and information about the other settings and adjustments on the video monitor screen. This
information is superimposed over the video image.
If there is no program material on the monitor, the information will be displayed over a monochromatic back-
ground.
Notes:
If you use a video monitor that is connected to both the S␣ VIDEO and composite terminals, the screen display informa-
tion is only output from the S␣ VIDEO terminals.
When no video signal is input to any of the S␣ VIDEO or composite video input terminals, the screen display information
is output from the S␣ VIDEO and composite MONITOR OUT terminals with a monochromatic background.
CONNECTING TO VIDEO AUX TERMINALS (FRONT PANEL)
These terminals are used to connect any video input source such as a camcorder to this unit.
AUDIO OUT
AUDIO OUT
VIDEO OUT
L
R
VIDEO
Camcorder
S-VIDEO
S VIDEO OUT
8 VIDEO
VIDEO AUX
8 VIDEO VIDEO L AUDIO R
14
ANTENNA CONNECTIONS
Each antenna should be connected to the designated terminals correctly, referring to the following diagram.
Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide
sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an
indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement.
10dB
0dB
-
PHONO
CD
TAPE 1
TAPE
PB
REC
OUT
AUDIO SIGNAL AUDIO
TAPE 2
TAPE
PB
REC
OUT
AM
ANT
GND
FM
ANT
GND
75
UNBAL.
MAIN
IN
FRONT
CH
FRONT
LEVEL
PRE
OUT
AM loop
antenna
(included)
Indoor FM
antenna
(included)
Ground
Outdoor AM antenna
Outdoor FM antenna
75-ohm/300-ohm
antenna adapter
75-ohm
coaxial cable
300-ohm
feeder
Connecting the AM loop antenna
123
The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall.
The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.
GND terminal
For maximum safety and minimum interference,
connect the GND terminal to a good earth ground.
A good earth ground is a metal stake driven into
moist earth.
Notes:
When connecting the indoor FM
antenna, insert its connector into the
FM ANT terminal firmly.
If you need an outdoor FM antenna to
improve FM reception quality, either
300-ohm feeder or coaxial cable may be
used. In locations troubled by electrical
interference, coaxial cable is preferable.
Orient so that the best
reception is obtained.
15
ADJUSTMENT BEFORE OPERATION
SPEAKER BALANCE ADJUSTMENT
This procedure lets you adjust the sound output level balance between the front, center, and rear speakers using
the built-in test tone generator. With this adjustment, the sound output level heard at the listening position will be
the same from each speaker. This is important for the best performance of the digital sound field processor.
The adjustment of each speaker output level should be done at your listening position with the remote control
transmitter. Otherwise, the result may not be satisfactory.
1
234
POWER
PLAY
TAPE 1
DIR A DIR B
SKIP
PHONO
CD
TUNER
STOP PLAY
SLEEP TV VCR AUX
DISC
SKIP
SEARCH
SEARCH
SEARCH
PAUSE/STOP
PAUSE/STOP
DECK
A/B
PRESET
A B C D E
REC/PAUSEREC MUTE TAPE 2 MON
PLAY LD/TV
TRANSMIT
/LEARN
YPC LEARN
USER
+
6
5
* If you have a video monitor connected to this unit, you should use it to display the on screen information. The
easy-to-read information will help you to perform this adjustment.
Note:
Before adjustment, make sure that the mute circuit is not engaged. While mute is engaged, no sound will be heard and an
indicator on the master VOLUME control flashes. See page 20 for details.
1 Set to the “
” position.
Set the remote YPC-USER-LEARN switch to the “YPC”
position.
4
For detailed information about the remote control transmitter,
refer to “REMOTE CONTROL TRANSMITTER” on page 31.
2 Set to the “0” position.
BASS TREBLE
55
4
3
2
l
0
l
2
3
4
55
4
3
2
l
0
l
2
3
4
YPC LEARN
USER
VOLUME
l6
l8
20
24
28
34
40
50
60
70
l4
l2
l0
8
6
4
3
2
l
0
–dB
5
POWER
Press the POWER
switch to turn on the
power.
6 Select the main speakers to be used.
• If you use two main speaker systems, press both the A and
B switches.
SPEAKERS
AB
3
BALANCE
55
4
3
2
l
0
l
2
3
4
LR
Set to the “0” position.
16
7
STOP
VCR 1
VCR 2
V–AUX
CHAPTER/CH
+
DISPLAY
MASTER
VOLUME
+
TEST
MUTING
+
+
+
DSP
HALL
EFFECT
CHURCH
CENTER LEVEL
REAR LEVEL
DELAY
TIME
MOVIE THEATER
JAZZ CLUB
STADIUM
PRO LOGIC
SURROUND
SPORTS
ENHANCED
ROCK
THEATER
70mm TV
1234
5678
910
ON/OFF
RESET CLEAR
8
9
+
7
8
Select the center channel output mode according to your
speaker configuration.
(Refer to “SPEAKER CONFIGURATION” on page 7.)
CENTER
MODE
NORMAL
WIDE
PHANTOM
• If your video monitor is on, the state of the test tone output
is also shown by an image of an audio listening room on the
screen.
• The test tone from the left rear speaker and the right rear
speaker will be heard at the same time.
9
Turn up the volume using the remote
control transmitter.
You will hear a test tone (like pink
noise) from the left front speaker, then
the center speaker, then the right front
speaker, and then the rear speakers, for
about two seconds each. The display
changes as shown below.
TEST
MASTER
VOLUME
Press the TEST button to run the Dolby
test.
In step 7, when you select the center mode, note the
following.
Five speaker configuration
NORMAL: Select this mode when you use a
center speaker that is smaller than the
front main speakers. In this mode, the
bass tone will be output from the
front speakers.
WIDE: Select this mode when your center
speakers are approximately the same
size as the front speakers.
Four speaker configuration
PHANTOM: Select this mode when you do not
have a center speaker. The center
channel sound will be output from
the left and right font speakers.
17
Note:
If the center channel mode is in the “PHANTOM”
position, the sound output level of the center speaker
cannot be adjusted. This is because in this mode, the
center sound is automatically output from the left and
right front speakers.
If you press the LEVEL +/– switch without previously
pressing the CENTER, or REAR switch, the last
channel selected will be changed.
10
12
11
STOP
VCR 1
VCR 2
V–AUX
CHAPTER/CH
+
DISPLAY
MASTER
VOLUME
+
TEST
MUTING
+
+
+
DSP
HALL
EFFECT
CHURCH
CENTER LEVEL
REAR LEVEL
DELAY
TIME
MOVIE THEATER
JAZZ CLUB
STADIUM
PRO LOGIC
SURROUND
SPORTS
ENHANCED
ROCK
THEATER
70mm TV
1234
5678
910
ON/OFF
RESET CLEAR
13
12
11
Notes:
Once you have completed these adjustments, you can
adjust whole sound level on your audio system by using
the VOLUME control (or the MASTER VOLUME keys
on the remote control transmitter).
If you use external power amplifiers, their volume
controls may also need to be adjusted to achieve the
proper balance.
If there is insufficient sound output from the center
and rear speakers, you may decrease the front speaker
output level by setting the FRONT LEVEL switch on
the rear panel to “–10 dB”.
10
11
12
13
Adjust the BALANCE control so that the test tone sound
output level of the left front speaker and the right front
speaker are the same.
Adjust the sound output level of the rear speakers to be
at the same level as that of the front speakers with the
REAR LEVEL keys.
Adjust the test tone sound output level of the center
speaker to be at the same level as that of the front
speakers with the CENTER LEVEL keys.
Cancel the test tone.
BALANCE
55
4
3
2
l
0
l
2
3
4
LR
TEST
CENTER
LEVEL
REAR
LEVEL
PRO LOGIC
The previous mode is selected.
18
BASIC OPERATIONS
4
1,6
2 3
To play a source
1
Set to the “
” position.
2
Select the front speakers to be used.
• The name of the selected input source will appear on the
display.
3
5
Adjust to the desired output level.
6
VOLUME
l6
l8
20
24
28
34
40
50
60
70
l4
l2
l0
8
6
4
3
2
l
0
–dB
Select the desired input source by using the input selector
buttons. (For video sources, turn the video monitor ON.)
VIDEO AUX
VCR 2 VCR 1
LD/TV
TAPE 2
MONITOR
TUNER CD PHONO
TAPE 1
4
SPEAKERS
AB
• If you use two front speaker systems, press both the A and
B switches.
Play the source. (For detailed information on the tuning
operation, refer to page 21.)
VOLUME
l6
l8
20
24
28
34
40
50
60
70
l4
l2
l0
8
6
4
3
2
l
0
–dB
POWER
Press the POWER switch
to turn on the power.
If desired, adjust the BASS, TREBLE, BALANCE
controls, etc. (refer to page 20) and use the digital
sound field processor. (Refer to page 25.)
Notes on using the input selector buttons
Note that pressing on each input selector button selects
the source which is connected to the corresponding input
terminals on the rear panel.
To select the source connected to the VIDEO AUX
terminals on the front panel, press VIDEO AUX.
The selection of TAPE 2 MONITOR cannot be canceled
by pressing another input selector button. To cancel it,
press TAPE 2 MONITOR again.
When you select a button other than TAPE 2 MONI-
TOR, make sure that TAPE 2 MONITOR is not
accidently selected as well.
If you select the input selector button for a video source
without canceling the selection of TAPE 2 MONITOR,
the playback result will be the video image from the video
source and the sound from the audio tape.
Once you play a video source, its video image will not be
interrupted even if the input selector button for an audio
source is selected.
To turn off the power
Press the POWER switch again.
19
To record a source to tape (or dub from tape to tape)
Note:
When the REC OUT selector is set to “SOURCE”, the
source selected by the input selector buttons is output
through the TAPE 1-REC OUT, the TAPE 2-REC
OUT , the VCR 1-OUT, and the VCR 2-OUT
terminals.
When the REC OUT selector is set to something other
than “SOURCE” and you press an input selector
button other than the one you pressed in step 2, the
recording source will not be changed and you can enjoy
another source while recording.
To record from tape deck 2, set the REC OUT selector to
SOURCE, and press the TAPE 2/MONITOR input
selector.
If the tape deck connected to the TAPE 2 REC OUT
terminal has 3-head monitoring capability, you can
monitor the signal just recorded on the tape by pressing
the TAPE 2/MONITOR switch.
DSP, VOLUME, BASS, TREBLE and BALANCE
control settings have no effect on the material being
recorded.
2
1
1 Select the source to be recorded.
2
3
Play the source and press the corresponding input
selector, then turn the VOLUME control up to confirm
the input source. (For detailed information on the tuning
operations, refer to page 21.)
REC OUT
LD/TV
VCR 1
TAPE 1
TUNER
CD
PHONOVIDEO AUX
VCR 2
SOURCE
Set the tape deck or VCR to the recording mode.
4
To monitor a source selected by the REC OUT selector,
press the corresponding input selector button.
VOLUME
l6
l8
20
24
28
34
40
50
60
70
l4
l2
l0
8
6
4
3
2
l
0
–dB
VIDEO AUX
VCR 2 VCR 1
LD/TV
TAPE 2
MONITOR
TUNER CD PHONO
TAPE 1
20
Selecting the SPEAKERS system
Because one or two speaker systems (as front speak-
ers) can be connected to this unit, the SPEAKERS
switches allow you to select speaker system A or B, or
both at once.
SPEAKERS
AB
Adjusting the BALANCE control
Adjust the balance of the output volume to the left
and right speakers to compensate for sound imbal-
ance caused by speaker location or listening room
conditions.
BALANCE
55
4
3
2
l
0
l
2
3
4
LR
Note:
This control is effective only for the sound from the front
speakers.
Adjusting the BASS and TREBLE controls
BASS
Turn this clockwise to increase (or counter-clockwise
to decrease) the low frequency response.
TREBLE
Turn this clockwise to increase (or counter-clockwise
to decrease) the high frequency response.
BASS TREBLE
55
4
3
2
l
0
l
2
3
4
55
4
3
2
l
0
l
2
3
4
Note:
These controls are effective only for the sound from the
front speakers.
Using the TONE BYPASS switch
Press this switch to revert instantly to the flat states of
the BASS and TREBLE controls without changing the
setting of these controls.
ON
OFF
TONE
BYPASS
Using the BASS EXTENSION switch
You can boost bass frequency response by setting this
switch to the “ON” position. This switch is effective
only on the sound from the front speakers.
ON
OFF
BASS
EXTENSION
MUTING Key (Remote Transmitter)
Press this key to mute the master volume. While mute
is engaged, an indicator on the master VOLUME
control flashes. Press again to un-mute the master
volume.
MUTING
VOLUME
l6
l8
20
24
28
34
40
50
60
70
l4
l2
l0
8
6
4
3
2
l
0
–dB
ON/OFF
EFFECT
V–AUX
MASTER
VOLUME
+
TEST
+
+
+
DSP
HALLCHURCH
CENTER LEVEL
REAR LEVEL
DELAY
TIME
JAZZ CLUB
STADIUM
SPORTS
ROCK
5678
910
RESET CLEAR
Flash
MUTING
When you listen with headphones
Connect the headphones to the PHONES jack. You
can listen to the sound to be output from the front
speakers through headphones.
When listening with headphones privately, set both
the SPEAKERS A and B switches to the OFF position
and switch off the digital sound field processor (so
that no DSP program name is illuminated on the
display) by pressing the EFFECT switch.
PHONES
21
TUNING OPERATIONS
Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC
TUNING) is possible. However, if signals of the station you want to select are weak, you must tune to it manually
(MANUAL TUNING).
3,4,
2,
1,
AUTOMATIC TUNING MANUAL TUNING
TUNING
MODE
TUNING
MODE
2
• If the tuning search does not stop at the desired station
(because the signals of the station are weak), change to the
MANUAL TUNING method.
3
To tune to a higher frequency, press the right side once.
To tune to a lower frequency, press the left side once.
4
Select the reception band (FM or AM) while watching
the display.
FM/AM
1
DOWN
TUNING
UP
If the station where tuning search stops is not the desired
one, press again.
DOWN
TUNING
UP
AM
FM
or
• To continue tuning search, press and hold the button.
Select the reception band (FM or AM) while watching
the display.
FM/AM
DOWN
TUNING
UP
Tune to a desired station manually.
AM
FM
or
“AUTO TUNING” goes off.
AUTO
TUNING
Note:
If you tune to an FM station manually, it is received in
monaural mode automatically to increase the signal quality.
Display information 1Displays the band and frequency of the received
station.
2Lights up when an FM stereo broadcast is received
in stereo.
3Indicates the signal level of the received station.
kHz
MHz
AM
FM
STEREO
0
20
l00
40 60
1
2
3
22
PRESET TUNING
Manual Preset Tuning
This unit can store station frequencies (selected by tuning operation) by using the preset station buttons. With this
function, you can select any desired station by only pressing the corresponding preset station button. Up to 40
stations (8 stations x 5 pages) can be stored.
3
2, 4,
To program stations To recall a preset station
Notes:
A new setting can be programmed in place of the former
one.
For presets, the setting of the reception mode (stereo or
monaural) is stored along with the station frequency.
Memory back-up
The memory back-up circuit prevents the pro-
grammed data from being lost even if the POWER
switch is set off or the power plug is disconnected
from the AC outlet or the power is cut due to tempo-
rary power failure. If, however, the power is cut for
more than one week, the memory may be erased. If
so, it can be re-programmed by simply following the
PRESET TUNING steps.
MEMORY
2
• In the same way, program other stations to A2, A3, to A8.
3
Flashes for about 5 seconds.
4
Tune to a desired station.
(Refer to the previous page for tuning procedure.)
PRESET
MHz
FM
1
Select a desired page (A - E) of preset station buttons
while watching the display.
Press a preset station button before the “MEMORY”
prompt on the display switches off.
• You can program more stations to the preset station buttons
on other pages in the same way by selecting other pages in
step 2.
A/B/C/D/E
PRESET
MHz
MEMORY
FM
Shows the displayed station has been
programmed to A1.
I 2345678
PRESET STATIONS
FM
Select the page of preset station buttons.
I 2345678
PRESET STATIONS
Select the desired preset station button.
A/B/C/D/E
PRESET
PRESET
PRESET
FM
23
3
To tune to higher frequencies, press right side once.
To tune to lower frequencies, press left side once.
FM/AM
1
DOWN
TUNING
UP
FM
MEMORY
2
Press and hold for about 3 seconds.
Flashes
PRESET
MHz
MEMORY
FM
STEREO
0
20
l00
40 60
• If the TUNING button is not pressed, in a while the
automatic preset tuning begins automatically toward higher
frequencies.
The automatic preset tuning begins from the frequency
currently displayed. Received stations are programmed to
A1, A2, to A8 sequentially.
• If more than 8 stations are received, they are also
programmed to the preset station numbers on other pages
(B, C, D and E) in that order.
Automatic Preset Tuning
You can also make use of an automatic preset tuning function for FM stations only. By this function, this unit
performs automatic tuning and stores FM stations with strong signals sequentially. Up to 40 stations are stored
automatically in the same way as in the manual preset tuning method on page 22.
2
1
3
To program stations
If you want to store the first station received by the
automatic preset tuning to a desired preset station
number.
If, for example, you want to store the first received
station to C5, select “C5” by using the A/B/C/D/E
button and the preset station buttons after pressing
the MEMORY button in step 2. Then press the
TUNING button. The first received station is stored to
C5, and next stations to C6, C7, etc., sequentially.
If stations are stored up to E8, the automatic preset
tuning is finished automatically.
When the automatic preset tuning is finished
The display shows the frequency of the last preset
station.
Check the contents and the number of preset stations
by following the procedure of the section “To recall a
preset station” on page 22.
To recall a preset station
Simply follow the procedure of the section “To recall
a preset station” on page 22.
Notes
You can replace a preset station by another FM or AM
station manually by simply following the procedure of
the section “To program stations” on page 22.
If the number of received stations is not enough to be
stored up to E8, the search is finished automatically
when it reaches the highest frequency after searching
through all frequencies.
With this function, only FM stations with sufficient
signal strength are stored automatically. If the station
you want to program is weak in signal strength, tune to
it in monaural manually and program it by following the
procedure of the section “To program stations” on page
22.
24
Exchanging Preset Stations
You can exchange the places of two preset stations with each other as shown below.
2,4
(Example)
If you want to shift the preset station on E1 to A5, and
vice versa.
2
3
4
Recall the preset station on E1 (by following the method
of “To recall a preset station” on page 22).
1
Next, recall the preset station on A5 by following the
procedure in step 1.
Shows the exchange of stations is completed.
EDIT
MEMORY
MEMORY
MEMORY
EDIT
25
USING THE DIGITAL SOUND FIELD PROCESSOR (DSP)
This unit incorporates a sophisticated, multi-program digital sound field processor, which allows you to expand
and shape the audio sound field from both the audio and video sources, for a theater-like experience in the listen-
ing/viewing room.
This digital sound field processor has 10 programs; 8 programs for digital sound field processing and 2 programs
for the Dolby Pro Logic Surround sound system (DOLBY PRO LOGIC and DOLBY PRO LOGIC ENHANCED).
You can create an excellent audio sound field by selecting the suitable program and adding desired adjustments. In
addition, when the DOLBY PRO LOGIC, DOLBY PRO LOGIC ENHANCED, or 70␣ mm MOVIE THEATER pro-
gram is selected, the built-in automatic input balance control functions. This presents you the best surround
condition without manual adjustment.
DELAY TIME
CENTER REAR
CENTER
MODE
JAZZ CLUB
ROCK
CONCERT
CONCERT
HALL
PRO LOGIC
ENHANCED
TV
THEATER
SPORTS
STADIUM
DIGITAL SOUND FIELD PROCESSOR
VIDEO AUX
VCR 2 VCR 1
LD/TV
TAPE 2
MONITOR
TUNER CD PHONO
EFFECT
345 6 78
PRESET STATIONS
890
LEVEL
MOVIE THEATER
70mm
CHURCH
SLEEP
0
20
l00
40 60
G
TAPE 1
TREBLE BALANCE
VIDEO AUX
8 VIDEO VIDEO L AUDIO R
REC OUT
LD/TV
VCR 1
TAPE 1
TUNER
CD
PHONOVIDEO AUX
VCR 2
SOURCE
55
4
3
2
l
0
l
2
3
4
55
4
3
2
l
0
l
2
3
4
LR
CINEMA DSP
WIDE
PRO LOGIC
2
1
34 5 6
7
MASTER
VOLUME
+
TEST
MUTING
+
+
+
DSP
HALL
EFFECT
CHURCH
CENTER LEVEL
REAR LEVEL
DELAY
TIME
910
ON/OFF
RESET CLEAR
1CENTER MODE
Selects the center channel output mode. (For details, refer to page 16.)
2Displays your selection on the DSP or other informations.
3DELAY TIME –/+
Adjusts the delay time. (For details, refer to page 29.)
4CENTER and LEVEL –/+
REAR and LEVEL –/+
Adjusts sound output level at each speaker. (For details, refer to page 28.)
5Selects a digital sound field program.
6EFFECT
Switches on/off the digital sound field processor (DSP).
7TEST
Used for speaker balance adjustment. (For details, refer to page 16.)
26
Description of Each Sound Field Program
The following list gives brief descriptions of the sound fields produced by each of the DSP programs. Keep in mind
that most of these are precise digital recreations of actual acoustic environments. The data for them was recorded at
the locations described using sophisticated sound field measurement equipment.
Note:
The channel level balance between the left rear effect speaker and the right rear effect speaker may vary de-
pending on the sound field you are listening to. This is due to the fact that most of these sound field recreations
are actual acoustic environments.
PROGRAM FEATURE
PRO LOGIC This program is effective for playback of sources encoded with Dolby Surround. The employ-
ment of the digital signal processing system reduces crosstalk and transfers the sound
source more smoothly and precisely, compared to conventional types. A stable movie sound
field is recreated.
PRO LOGIC ENHANCED This program is effective for playback of sources encoded with Dolby Surround. Enhancing
the “Normal” Dolby Pro Logic, the DSP technology simulates the multi-surround speaker
systems of a 35 mm film theater, thus widening the surround-sound field with greater
presence.
70 mm MOVIE THEATER This program is effective for playback of sources encoded with Dolby Surround.
The Yamaha DSP technology is ideally combined with the Dolby Pro Logic to present you the
incredible listening experience of the 70 mm movie theater. This program is ideal for pre-
cisely reproducing the sound design of the newest movies. The sound field is made accord-
ing to the design of the latest movie theaters, so the reverberations of the sound field itself
are restrained as much as possible. The three-dimensional feeling of the sound field is
emphasized and dialog is precisely oriented on the screen. You can enjoy watching science-
fiction, action, and adventure movies with this program.
TV THEATER This program is suitable for dramas, variety or music programs, etc. Much surround effect
can be gained for stereo sources.
SPORTS This program is furnished with a tight sound field in which the sound will not spread exces-
sively on the front side, but the rear surround produces a dynamic sound expansion. This
program is most suitable for sports programs encoded with Dolby Surround
STADIUM This program gives you long delays between direct sounds and effect sounds, and the
extraordinarily spacious feel of a large stadium.
ROCK CONCERT This program is suitable for rock music. A big, powerful sound is reproduced lively and
dynamically.
JAZZ CLUB This is a small, cosy jazz club with a low ceiling. The sound is very close and intimate.
CHURCH This program recreates the acoustic environment of a modern church with a high pointed
dome and columns along the sides. This interior produces very few primary reflections.
CONCERT HALL In this program, the center seems deep behind the front speaker pair, creating an expansive,
large hall ambience.
Description of Dolby Pro Logic Surround
DOLBY PRO LOGIC SURROUND: This unit
employs the Dolby Pro Logic Surround system. This
system is similar to professional Dolby Stereo decod-
ers used in movie theaters.
By employing a four-channel system, the Dolby Pro
Logic Surround system divides the input signals into
four levels: the left and right main channels, the center
channel (to characterize dialog), and the rear sur-
round-sound channels (to characterize sound effects,
background noise and other ambient noise).
Dolby Surround is encoded on the sound track of
commercially available video cassettes and video
discs as well. When you play a source encoded with
Dolby Surround on your home video system, the
Dolby Pro Logic Surround system in this unit decodes
the signal and feeds the surround-sound effects.
The Dolby Pro Logic Surround mode may not be
always effective on video sources not encoded with
Dolby Surround.
Manufactured under license from Dolby Laboratories
Licensing Corporation. Additionally licensed under
Canadian patent number 1,037,877. “Dolby”, “Pro
Logic”, and the double-D symbol are trademarks of
Dolby Laboratories Licensing Corporation.
27
To play a source with the digital sound field processor
2
3
If desired, adjust the delay time and the output level of
each speaker. (For details, refer to the corresponding
descriptions on page 28, 29.)
1
2
Select the desired program that is suitable for the source.
3
JAZZ CLUB
ROCK
CONCERT
CONCERT
HALL
PRO LOGIC
ENHANCED
TV
THEATER
SPORTS
STADIUM
DIGITAL SOUND FIELD PROCESSOR
MOVIE THEATER
70mm
CHURCH
Follow steps 1 - 6 shown in “BASIC OPERATIONS”
on page 18.
The selected program name is shown on the display.
PRO LOGIC
Notes:
If you prefer to cancel the DSP, press the EFFECT
switch. The sound will be the normal 2-channel stereo
without surround sound effect.
When STADIUM, ROCK CONCERT, JAZZ CLUB,
CHURCH, or CONCERT HALL is selected, no sound is
heard from the center speaker.
When a monaural sound source is played with DOLBY
PRO LOGIC or DOLBY PRO LOGIC ENHANCED,
no sound is heard from the front speakers and the rear
speakers. Sound is heard only from the center speaker.
However, if the center channel mode is in PHANTOM,
the front speakers output the sound of the center chan-
nel.
When this unit’s Dolby Pro Logic Surround system is
used, if the main-source sound is considerably altered by
over adjustment of the BASS or TREBLE controls, the
relationship between the center and rear channels may
produce an unnatural effect.
28
The following adjustments can be done on the remote control transmitter as well as on the front panel.
Adjustment of the CENTER LEVEL
You can adjust the sound output level of the center
channel speaker even if the output level is already set
in “Speaker balance adjustment” on page 15.
CENTER
LEVEL
Press the “+” or “CENTER LEVEL key on the
remote control transmitter. As you change the volume
level, the front panel LCD will display the value. If
you press the “+” or “” key continuously, the level
will continuously change except for a momentary
pause at the preset point (80).
The center channel speaker is used only in DOLBY
PRO LOGIC, DOLBY PRO LOGIC ENHANCED,
70 mm MOVIE THEATER, TV THEATER and
SPORTS modes.
Once the output level is adjusted, the level value
will be the same in all the digital sound field
programs.
Note:
If the digital sound field program STADIUM, ROCK
CONCERT, JAZZ CLUB, CHURCH, or CONCERT
HALL is selected, the CENTER LEVEL control will not
function.
Adjustment of the REAR LEVEL
You can adjust the sound output level of the rear
speakers even if the output level is already set in
“Speaker balance adjustment” on page 15.
REAR
LEVEL
Press the “+” or “REAR LEVEL key on the remote
control transmitter, the level value changes continu-
ously. However, the value stops changing momen-
tarily at the preset point (80).
Once the output level is adjusted, the level value
will be the same in all the digital sound field
programs.
29
Adjustment of DELAY TIME
You can adjust the time difference between the beginning of the source sound and the beginning of the effect
sound with the DELAY TIME control.
The DELAY TIME control is effective with all programs.
By applying more or less delay, sound effects, background noise, and ambient noise coming at you from the rear
speakers can be enhanced or subdued for extra effect.
1. PRO LOGIC from 15 to 30 milliseconds (Preset value: 20 milliseconds)
2. PRO LOGIC ENHANCED from 15 to 30 milliseconds (Preset value: 20 milliseconds)
3. 70 mm MOVIE THEATER from 15 to 30 milliseconds (Preset value: 17 milliseconds)
4. TV THEATER from 1 to 50 milliseconds (Preset value: 28 milliseconds)
5. SPORTS from 1 to 50 milliseconds (Preset value: 20 milliseconds)
6. STADIUM from 1 to 50 milliseconds (Preset value: 45 milliseconds)
7. ROCK CONCERT from 1 to 50 milliseconds (Preset value: 22 milliseconds)
8. JAZZ CLUB from 1 to 50 milliseconds (Preset value: 26 milliseconds)
9. CHURCH from 1 to 50 milliseconds (Preset value: 40 milliseconds)
10. CONCERT HALL from 1 to 50 milliseconds (Preset value: 30 milliseconds)
By continuously pressing “+” or “” on the DELAY
TIME control, the value changes continuously.
However, the value stops changing momentarily at
the preset point.
DELAY TIME
Note:
Adding too much delay will cause an unnatural effect with
some sources. Experiment with the DELAY TIME control
to create the effect that you find most suitable.
Note:
The values of the DELAY TIME, CENTER LEVEL and
REAR LEVEL you set the last time will remain memorized
even when the power of this unit is off.
However, if the power cord is kept disconnected for more
than one week, these values will be automatically changed
back to the original factory settings.
30
SETTING THE SLEEP TIMER
If you use the SLEEP timer of this unit, you can make this unit turn off automatically. When you are going to sleep
while enjoying a broadcast or other desired input source, this timer function is helpful.
Notes:
The SLEEP timer can be controlled only with the remote control transmitter.
The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on
the rear panel of this unit.
To set the SLEEP time To cancel the selected SLEEP time
The unit will be turned off automatically at the selected
SLEEP time.
1
Whenever the SLEEP key is pressed, the SLEEP time
will change as follows:
After a while, the display returns to the indication before
the SLEEP timer is set, and the “SLEEP” indicator stops
flashing and lights up.
SLEEP
Flashes continuously.
(Minutes)
The SLEEPtimer is OFF.
(The indication before the
SLEEP key is pressed.)
2
1
Press once or more so that the display returns to the
indication before the SLEEP timer is set. (“SLEEP” will
go off from the display.)
SLEEP
Press the SLEEP key until
“SLEEP OFF” appears on
the display.
SLEEPSLEEP
SLEEP
Note:
The SLEEP timer setting can also be canceled by turning
off the power with the POWER switch or disconnecting the
power plug of this unit from the AC outlet.
31
REMOTE CONTROL TRANSMITTER
Battery installation
1
2
3
Battery replacement
If you find that the remote control transmitter must be
used closer to the main unit, the batteries are weak.
Replace both batteries with new ones.
Notes:
Use only AA, LR6, UM-3 batteries for replacement.
Be sure the polarities are correct. (See the illustration
inside the battery compartment.)
Remove the batteries if the remote control transmitter
will not be used for an extended period of time.
If batteries leak, dispose of them immediately. Avoid
touching the leaked material or letting it come in contact
with clothing, etc. Clean the battery compartment
thoroughly before installing new batteries.
Remote control transmitter operation range
Remoto control
sensor
30°
30°
Within approximately
7 m (23 feet)
Notes:
There should be no large obstacles between the remote
control transmitter and the main unit.
If the remote control sensor is directly illuminated by
strong lighting (especially an inverter type of fluorescent
lamp etc.), it might cause the remote control transmitter
not to work correctly. In this case, reposition the main
unit to avoid direct lighting.
STANDBY mode (Singapore model only)
While the power is on, pressing the POWER key on
the remote control transmiter switches the unit to the
STANDBY mode. (In this mode, the indicator is half
illuminated.)
POWER on mode STANDBY mode
32
The remote control transmitter provided with this unit is designed to control all the most commonly used functions
of the unit. If the CD player, tape deck, etc. connected to this unit are YAMAHA components designed for remote
control compatibilty, then this remote control transmitter will also control various functions of each component.
When you operate this unit and/or other YAMAHA components with this remote control transmitter, set the
YPC-USER-LEARN switch to the YPC (Yamaha Preset Code) position.
For Control of This Unit
Input selector keys
Selects input source.
(MASTER) VOLUME +/–
Turns the volume level
up/down.
+
+
PLAY
DIR A DIR B
SKIP
STOP
STOP PLAY
TV VCR AUX
DISC
SKIP
SEARCH
SEARCH
SEARCH
PAUSE/STOP
PAUSE/STOP
DECK
A/B
REC/PAUSEREC MUTE
PLAY
CHAPTER/CH
DISPLAY
TEST
+
+
TRANSMIT
/LEARN
CENTER LEVEL
REAR LEVEL
DELAY
TIME
YPC LEARN
USER
RESET CLEAR
MASTER
VOLUME
MUTING
+
+
POWER
TAPE 1
PHONO
CD
TUNER
VCR 1
VCR 2
V–AUX
SLEEP
PRESET
A B C D E
TAPE 2 MON
LD/TV
DSP
EFFECT
CHURCH
MOVIE THEATER
PRO LOGIC
ENHANCED
THEATER
70mm TV
1234
5678
910
ON/OFF
HALL
JAZZ CLUB
STADIUM
SURROUND
SPORTS
ROCK
POWER
Turns the power on/off.
SLEEP
Refer to “SETTING THE
SLEEP TIMER” on page
30.
Tuner keys
Controls tuner.
+: Selects higher preset
station number.
–: Selects lower preset
station number.
A/B/C/D/E
Selects the page (A - E)
of preset station buttons.
For the DSP control keys,
refer to the page 25.
Muting Key
Mutes the master volume.
While mute is engaged, an
indicator on the master
VOLUME control flashes.
Press again to un-mute the
master volume.
33
For Other Component Control
Identify the remote control transmitter keys with your component’s keys. If these keys are identical, their functions
will be the same. On each key function, refer to the corresponding instruction on your component’s manual.
PLAY
DIR A DIR B
SKIP
STOP
STOP PLAY
DISC
SKIP
SEARCH
SEARCH
SEARCH
PAUSE/STOP
PAUSE/STOP
DECK
A/B
REC/PAUSEREC MUTE
PLAY
CHAPTER/CH
+
DISPLAY
+
POWER
TAPE 1
PHONO
CD
TUNER
VCR 1
SLEEP TV VCR AUX
PRESET
A B C D E
TAPE 2 MON
LD/TV
TRANSMIT
/LEARN
YPC LEARN
USER
1
2
3
1 CD player keys
Controls compact disc player.
DISC SKIP is applicable only to compact disc changer.
2 Tape deck keys
Controls tape deck.
DIR A, B and DECK A/B are applicable only to double cassette tape deck.
For a single cassette deck with automatic reverse function, pressing DIR A will reverse the direction
of tape running.
3 LD player keys
Controls LD player.
34
REMOTE CONTROL “LEARNING” FUNCTION
All of the keys on this remote control transmitter can be programmed to “learn” key-functions from other remote
control transmitters without losing the preset key functions. By using this feature, this unit can then be used in
place of one or more other remote control transmitters, thus making operation of your various audio and video
components more convenient. Use the included user program sheets to indicate a new function learned for each
key.
Note:
There may occasionally be instances in which, due to the signal-coding and modulation employed by the other remote control
transmitter, this unit will not be able to “learn” its signals.
TRANSMIT/LEARN indicator
YPC-USER-LEARN switc
RESET button
Press this button to “reset” the
internal microcomputer which
controls remote control
operations. Microcomputer
“reset” is necessary when the
remote control freezes.
Blank keys
These keys have no preset
functions and are used only for
learning other remote control
transmitter’s functions.
CLEAR button
This button is used to clear one or
all learned key functions. (Refer
to page 36.)
Pressing the RESET button will
not erase learned functions.
“YPC” is the abbreviation of YAMAHA
Preset Code.
USER : Set to this position when using
“learned” key functions.
LEARN : Set to this position when learning
new key functions from other
remote control transmitters.
YPC : Set to this position when using preset
key functions (for controlling this unit
and/or YAMAHA components).
+
1234
5678
+
POWER
PLAY
TAPE 1
DIR A DIR B
SKIP
PHONO
CD
TUNER
STOP
VCR 1
VCR 2
STOP PLAY
V–AUX
SLEEP
DISC
SKIP
SEARCH
SEARCH
SEARCH
PAUSE/STOP
PAUSE/STOP
DECK
A/B
PRESET
A B C D E
REC/PAUSEREC MUTE TAPE 2 MON
PLAY LD/TV
CHAPTER/CH
DISPLAY
MASTER
V0LUME
+
TEST
MUTING
+
+
+
DSP
HALL
EFFECT
CHURCH
CENTER LEVEL
REAR LEVEL
DELAY
TIME
MOVIE THEATER
JAZZ CLUB
STADIUM
PRO LOGIC
SURROUND
SPORTS
ENHANCED
ROCK
THEATER
70mm TV
910
ON/OFF
TV VCR AUX
TRANSMIT
/LEARN
YPC LEARN
USER
RESET CLEAR
35
To learn a new function
1
2
3
YPC LEARN
USER
Set to the “LEARN” position.
Press a key on this unit where a new function will be
learned.
About 5–10 cm (2–4 in).
Press and hold the key (on the other remote control
transmitter) where the desired new function is.
Lights up
• When the TRANSMIT/LEARN indicator stops lighting, the
learning is finished.
4
Repeat step 2 and 3 until all desired functions are
successfully learned.
5
Set to the “USER” position.
Try operating your components.
YPC LEARN
USER
Notes:
When you operate the desired component with this
remote control transmitter, TRANSMIT/LEARN
indicator will flash steadily.
The originally preset function of a key is still available in
the USER position if a new function has not been
learned to the key.
Successful learning to a key results in the erasure of
previously learned functions and their replacement by
the newly learned ones.
If there is no more room in the memory area for a
function to be learned, the TRANSMIT/LEARN
indicator will flash on and off. In this case, even if some
keys are not occupied with functions from other remote
control transmitters, no further learning is possible.
Memory back-up
All of the learned functions will be retained while you
replace the batteries. However, if no batteries are
installed for a few hours, the learned functions will be
erased and will have to be learned again.
36
Troubleshooting guide
SYMPTOM CAUSE REMEDY
Replace the batteries with new ones and press the
RESET button on the remote control transmitter.
The internal microcomputer “freezes”. Replace the batteries (and press the RESET button
for this remote control transmitter).
Place the remote control transmitters with the
proper distance.
Learning is not possible.
Further learning is not possible without deleting
unnecessary commands.
Memory capacity is full. Press the RESET button on the remote control
transmitter.
The batteries of this remote control transmitter are
weak.
The batteries of this remote control transmitter
and/or the other remote control transmitter are
weak.
The distance between the two remote control
transmitters is too long or too short.
The signal coding or modulation of the other
remote control transmitter is not compatible with
this remote control transmitter.
To clear a learned function To clear all learned functions
The remote control transmitter does not work.
Learning cannot be made successfully. (The
TRANSMIT/LEARN indicator does not light up or
flash.)
2
• To clear two or more functions, repeat step 2 and 3.
3
1
Press and hold the CLEAR button using the point of a
mechanical pencil, etc.
Set to the “USER” position.
Press and hold the key where the learned function to be
deleted is until the indicator flashes 3 times.
CLEAR
TRANSMIT
/LEARN
2
3
1
Press and hold the CLEAR button using the point of a
mechanical pencil, etc.
Set to the “LEARN” position.
Press and hold any key until the indicator flashes 7 times
CLEAR
TRANSMIT
/LEARN
YPC LEARN
USER
YPC LEARN
USER
Note:
If a key is not pressed soon after the CLEAR button is
pressed, this unit will automatically return to the status
that was in effect before the CLEAR button was pressed.
37
The unit fails to turn on when the POWER
switch is pressed.
The volume level cannot be increased, or
sound is distorted.
There is distortion and clear reception cannot be
obtained even with a good FM antenna.
A desired station cannot be tuned in with
Auto tuning.
A desired station cannot be tuned in with
Auto tuning.
There are continuous crackling and hissing
noises.
There are buzzing and whining noises
(especially in the evening).
The sound is degraded when monitoring is
performed by using the headphones connected to
the compact disc player or cassette deck which
are connected with this unit.
TROUBLESHOOTING
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by
the simple measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column,
disconnect the power cord and contact your authorized YAMAHA dealer or service center for help.
SYMPTOM CAUSE REMEDY
FFirmly plug in the power cord.
No sound or no picture. Incorrect output cord connections. Connect the cords properly. If the problem persists,
the cords may be defective.
Appropriate input selector is not pressed. Press the appropriate input selector corresponding
to the input source.
The sound suddenly goes off. Turning the unit off and then on will reset the
protection circuit.
The SLEEP timer functioned. Do not make the SLEEP timer function.
Only one side speaker outputs the sound Incorrect setting of the BALANCE control. Adjust it to the appropriate position.
Incorrect cord connections. Connect the cords properly. If the problem persists,
the cords may be defective.
Sound “hums”. Incorrect cord connections. Firmly connect the audio plugs. If the problem
persists, the cords may be defective.
Make the GND connection between the turntable
and this unit.
The volume level is low while playing a record. The player should be connected to the unit through
the MC head amplifier.
Turn the power to the component on.
No sound from the rear speakers. Turn up the sound output level with the REAR
LEVEL control.
Select another program suitable for the monaural
sound source.
No sound from the center speaker. Turn up the sound output level with the CENTER
LEVEL control.
The center channel mode is in PHANTOM mode. Select NORMAL or WIDE.
Incorrect sound field program selection. Select the appropriate program.
No sound field program is selected.
FM stereo reception is noisy. Check the antenna connections. Try using a
multiple element FM antenna.
There is multipath interference. Adjust antenna placement to eliminate multipath
interference.
The station is too weak. Use Manual tuning mode. Use a high quality
directional FM antenna.
Weak signal or loose antenna connections. Tighten the AM loop antenna connections and
rotate it for best reception. Use Manual tuning
mode.
Use an outdoor antenna and a ground wire. This
will help somewhat but it is difficult to eliminate all
noise.
A television set is being used nearby. Relocate this unit away from the TV.
The remote control transmitter does not work. Change the position of the main unit.
Replace the batteries with new ones.
The power to this unit is off. Turn the power to this unit on.
Power cord is not plugged in or is not completely
inserted.
The protection circuit has been activated because
of short circuit etc.
No connection from the turntable to the GND
terminal.
The record is being played on a turntable with an
MC cartridge.
The power to the component connected to the
REC OUT terminals of this unit is off.
The sound output level to the rear speakers is set
to 0.
The monaural sound source is played in DOLBY
PRO LOGIC or DOLBY PRO LOGIC ENHANCED
mode.
The sound output level to the center speaker is set
to 0.
Because of the characteristics of FM stereo
broadcasts, this is limited to cases where the
transmitter is too far away or the antenna input is
poor.
Noises will result from lighting, fluorescent lamps,
motors, thermostats and other electrical
equipment.
Direct sunlight or lighting (of an inverter type of
fluorescent lamp etc.) is striking the remote control
sensor of the main unit.
The batteries of this remote control transmitter are
too weak.
others
Remote control transmitter
AM FM Amplifier
38
SPECIFICATIONS
AUDIO SECTION
Minimum RMS Output Power per Channel
Front L, R
8 ohms, 20 Hz to 20 kHz, 0.015% THD
............................................................. 100W+100W
6 ohms, 20 Hz to 20 kHz, 0.04% THD
[U.S.A. model only] .......................... 120W+120W
Center
8 ohms, 1 kHz, 0.015% THD ......................... 100W
Rear L, R
8 ohms, 1 kHz, 0.08% THD .................. 25W+25W
Maximum Output Power [General model only]
8 ohms, 1 kHz, 10% THD (FRONT L/R)
............................................................. 135W+135W
Dynamic Power per Channel
(by IHF Dynamic Headroom measuring method)
8/6/4/2 ohms ...................... 130/160/215/310W
Dynamic Headroom
[U.S.A. and Canadian models only]
8 ohms .......................................................... 1.14 dB
Power Band Width
8 ohms, 50W, 0.08% THD
....................................................... 10 Hz to 50 kHz
Damping Factor (SPEAKER·A)
8 ohms, 20 Hz to 20 kHz .................... 200 or more
Input Sensitivity/Impedance
PHONO MM ........................... 2.5 mV/47 k-ohms
CD/TAPE/LD·TV/VCR ...... 150 mV/47 k-ohms
MAIN IN ...................................... 1.0V/47 k-ohms
Maximum Input Signal
PHONO MM (1 kHz, 0.02% THD)
....................................................... 110 mV or more
CD/TAPE/LD·TV/VCR (EFFECT ON)
(1 kHz 0.5% THD) ............................................ 2.2V
Output Level/Impedance
REC OUT ............................... 150 mV/1.0 k-ohms
PRE OUT (FRONT) ................... 1.0V/1.5 k-ohms
LPF (EFFECT OFF) .................... 3.5V/2.7 k-ohms
Headphone Jack Rated Output/Impedance
(8 ohms, 1 kHz, 150 mV) ............0.55V/390 ohms
Frequency Response (20 Hz to 20 kHz)
MAIN IN .................................................... 0±0.2 dB
CD/TAPE/LD·TV/VCR (FRONT L/R)
..................................................................... 0±0.5 dB
RIAA Equalization Deviation
PHONO MM ............................................. 0±0.5 dB
Total Harmonic Distortion
PHONO MM to REC OUT
20 Hz to 20 kHz, 1V ..................... 0.01% or less
CD/TAPE/LD·TV/VCR (EFFECT OFF) to SP OUT
20 Hz to 20 kHz, 50W/8 ohms
...................................................... 0.015% or less
CD/TAPE/LD
·TV/VCR toSP OUT (REAR)
1 kHz 12.5W/8 ohms .................... 0.3% or less
Signal-to-Noise Ratio (IHF-A Network)
PHONO MM to REC OUT (5 mV Input Shorted)
........................................................... 86 dB or more
CD/TAPE/LD·TV/VCR to SP OUT
(Input Shorted, EFFECT OFF) ....... 98 dB or more
Residual Noise (IHF-A Network)
SP OUT (FRONT L/R) ................... 170 µV or less
Channel Separation
(Vol. –30 dB, EFFECT OFF)
PHONO MM (Input Shorted 1 kHz/10 kHz)
................................60 dB or more/55 dB or more
CD/TAPE/LD·TV/VCR
(Input 5.1 k-ohms Shorted 1 kHz/10 kHz)
................................60 dB or more/45 dB or more
Tone Control Characteristics
BASS: Boost/cut ............................. ±10 dB (50 Hz)
Turnover Frequency..................... (350 Hz)
TREBLE: Boost/cut .................... ±10 dB (20 kHz)
Turnover Frequency .............. (3.5 kHz)
Filter Characteristics
LPF (fc=200 Hz) ....................................... 6 dB/oct
Gain Tracking Error (0 to –70 dB)
................................................................3 dB or less
Tuner Output Level/Impedance (1 kHz)
FM 100% MOD ......................500 mV/2.2 k-ohms
AM 30% MOD ....................... 150 mV/2.2 k-ohms
BASS EXTENSION .......................... +6dB (50 Hz)
VIDEO SECTION
Video Signal Type
[U.S, Canadian and General models] ............. NTSC
[Australian, Singapore and General models] ... PAL
Video Signal Level .......................... 1 Vp-p/75 ohms
S-Video Signal Level
Y .................................................... 1 Vp.p/75 ohms
C ............................................. 0.286 Vp.p/75 ohms
Maximum Input Level ................... 1.5 Vp-p or more
Signal-to-Noise Ratio .......................... 50 dB or more
Monitor Out Frequency Response
............................................ 5 Hz to 10 MHz, –3 dB
FM TUNER SECTION
Tuning Range
[U.S.A. and Canadian models]
.................................................... 87.5 to 107.9 MHz
[Australian, Singapore and General models]
.................................................... 87.5 to 108.0 MHz
50 dB Quieting Sensitivity (IHF, 75 ohms)
Mono ........................................... 1.55 µV (15.1 dBf)
Stereo .............................................21 µV (37.7 dBf)
Usable Sensitivity (75 ohms)
(30 dB S/N Quieting, 1 kHz, 100% mod.)
......................................................... 0.8 µV (9.3 dBf)
Image Response Ratio ........................................ 45 dB
IF Response Ratio ............................................... 80 dB
Spurious Response Ratio ................................... 70 dB
AM Suppression Ratio ....................................... 55 dB
Capture Ratio ..................................................... 1.5 dB
Alternate Channel Selectivity ........................... 85 dB
Signal-to-Noise Ratio (IHF)
Mono/Stereo ..................................... 80 dB/75 dB
Harmonic Distortion (1 kHz)
Mono/Stereo ............................................ 0.1/0.2%
Stereo Separation (1 kHz) .................................. 50 dB
Frequency Response
20 Hz to 15 kHz ........................................0 ±1.5 dB
AM TUNER SECTION
Tuning Range
[U.S.A., Canadian and General models]
....................................................... 530 to 1,710 kHz
[Australian and Singapore models]
....................................................... 531 to 1,611 kHz
Usable Sensitivity .......................................100 µV/m
Selectivity ............................................................. 32 dB
Signal-to-Noise Ratio ......................................... 50 dB
Image Response Ratio ........................................ 40 dB
Spurious Response Ratio ................................... 50 dB
Harmonic Distortion (400 Hz) ........................... 0.3%
GENERAL
Power Supply
[U.S.A. and Canadian models]
....................................................... AC 120V, 60 Hz
[Australian model] ..................... AC 240V, 50 Hz
[Singapore model] ....................... AC 230V, 50Hz
[General model]
AC 110/120/220/240V, 50/60 Hz
Power Consumption
[U.S.A.] ............................................................ 340W
[Canadian models] ......................... 330W/440VA
[Australian , Singapore and General models]
.......................................................................... 340W
Maximum Power Consumption
[Gemeral model] ................................................. 700W
AC Outlets
[U.S.A model]
2 SWITCHED OUTLETS .......... 120W max. total
1 UNSWITCHED OUTLET ................ 200W max.
[Canadian model]
2 SWITCHED OUTLETS ........... 120W max. total
1 UNSWITCHED OUTLET ................ 180W max.
[General model]
2 SWITCHED OUTLETS ........... 120W max. total
1 UNSWITCHED OUTLET ................ 200W max.
[Australian model]
1 SWITCHED OUTLET ...................... 120W max.
[Singapore model]
2 SWITCHED OUTLETS ........... 120W max. total
Dimensions (W x H x D)
................................................. 435 x 171 x 470 mm
(17-1/8” x 5-3/4" x 15-3/16")
Weight ............................................................... 15.0 kg
Accessories ..................................... AM loop antenna
Indoor FM antenna
Remote control transmitter
Batteries
User Program Sheets
Specifications are subject to change without notice.
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77321 MARNE-LA VALLEE-CEDEX 2, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
VT26730-3 BWWb, V Printed in Japan

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RX-V890 Natural Sound Stereo Receiver CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN OWNER’S MANUAL CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. Contents PROFILE OF THIS UNIT ............................ 6 SPEAKER SETUP FOR THIS UNIT ........... 7 CONNECTIONS ......................................... 9 ADJUSTMENT BEFORE OPERATION .... 15 BASIC OPERATIONS .............................. 18 TUNING OPERATIONS ........................... 21 IMPORTANT! Please record the serial number of this unit in the space below. Model: Serial No.: The serial number is located on the rear of the unit. Retain this Owner’s Manual in a safe place for future reference. USING THE DIGITAL SOUND FIELD PROCESSOR (DSP) ................................ 25 SETTING THE SLEEP TIMER ................. 30 REMOTE CONTROL TRANSMITTER ..... 31 WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE. • Explanation of Graphical Symbols The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert you to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert you to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. SAFETY INSTRUCTIONS 1 Read Instructions — All the safety and operating instructions should be read before the unit is operated. 2 Retain Instructions — The safety and operating instructions should be retained for future reference. 3 Heed Warnings — All warnings on the unit and in the A. The power-supply cord or the plug has been damaged; or B. Objects have fallen, or liquid has been spilled into the unit; or C. The unit has been exposed to rain; or operating instructions should be adhered to. D. The unit does not appear to operate normally or exhibits 4 Follow Instructions — All operating and other a marked change in performance; or instructions should be followed. E. The unit has been dropped, or the enclosure damaged. 5 Water and Moisture — The unit should not be used near water – for example, near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc. 6 Carts and Stands — The unit should be used only with a cart or stand that is recommended by the manufacturer. 16 Servicing — The user should not attempt service the unit beyond those means described in the operating instructions. All other servicing should be referred to qualified service personnel. 17 Power Lines — An outdoor antenna should be located away from power lines. 6A An unit and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the unit and cart combination to overturn. 7 Wall or Ceiling Mounting — The unit should be mounted to a wall or ceiling only as recommended by the manufacturer. 8 Ventilation — The unit should be situated so that its location or position does not interfere with its proper ventilation. For example, the unit should not be situated on a bed, sofa, rug, or similar surface, that may block the ventilation openings; or placed in a built-in installation, such as a bookcase or cabinet that may impede the flow of air through the ventilation openings. 18 Grounding or Polarization — Precautions should be taken so that the grounding or polarization is not defeated. 19 Outdoor Antenna Grounding — If an outside antenna is connected to this unit, be sure the antenna system is grounded so as to provide some protection against voltage surges and built-up static charges. Article 810 of the National Electrical Code, ANSI/NFPA 70, provides information with regard to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna discharge unit, connection to grounding electrodes, and requirements for the grounding electrode. EXAMPLE OF ANTENNA GROUNDING 9 Heat — The unit should be situated away from heat sources such as radiators, stoves, or other appliances that produce heat. MAST GROUND CLAMP 10 Power Sources — The unit should be connected to a power supply only of the type described in the operating instructions or as marked on the unit. 11 Power-Cord Protection — Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the unit. 12 Cleaning — The unit should be cleaned only as ANTENNA LEAD IN WIRE ANTENNA DISCHARGE UNIT (NEC SECTION 810-20) ELECTRIC SERVICE EQUIPMENT GROUNDING CONDUCTORS (NEC SECTION 810-21) GROUND CLAMPS POWER SERIVCE GROUNDING ELECTRODE SYSTEM (NEC ART 250, PART H) NEC – NATIONAL ELECTRICAL CODE recommended by the manufacturer. 13 Nonuse Periods — The power cord of the unit should be unplugged from the outlet when left unused for a long period of time. 14 Object and Liquid Entry — Care should be taken so that objects do not fall into and liquids are not spilled into the inside of unit. 15 Damage Requiring Service — The unit should be serviced by qualified service personnel when: Note to CATV system installer: This reminder is provided to call the CATV system installer’s attention to Article 820-40 of the NEC that provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical. CAUTION: READ THIS BEFORE OPERATING YOUR UNIT 1 To ensure the finest performance, please read this 2 3 4 5 manual carefully. Keep it in a safe place for future reference. Install your unit in a cool, dry, clean place – away from windows, heat sources, and too much vibration, dust, moisture or cold. Avoid sources of hum (transformers, motors). To prevent fire or electrical shock, do not expose to rain and water. Do not operate the unit upside-down. It may overheat, possibly causing damage. Never open the cabinet. If a foreign object drops into the set, contact your dealer. Do not use force on switches, knobs or cords. When moving the set, first turn the unit off. Then gently disconnect the power plug and the cords connecting to other equipment. Never pull the cord itself. 6 Do not attempt to clean the unit with chemical solvents; this might damage the finish. Use a clean, dry cloth. 7 Always set the volume control to “– ∞” before starting 8 9 10 11 the audio source play: increase the volume gradually to an appropriate level after the play is started. To prevent lightning damage, pull out the power cord and remove the antenna cable during an electrical storm. Be sure to read the “Troubleshooting” section on common operating errors before concluding that your unit is faulty. Do not connect audio equipment to the AC outlets on the rear panel if that equipment requires more power than the outlets are rated to provide. When not planning to use this unit for long periods of time (ie., vacation, etc.), disconnect the AC power plug from the wall outlet. The apparatus is not disconnected from the AC power source as long as it is connected to the wall outlet, even if the apparatus itself is turned off. FCC INFORMATION 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. Relocate either this product or the device that is being affected by the interference. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Utilize power outlets that are on different branch (circuit breaker of fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Electronics Corp., U.S.A. 6600 Orangethorpe Ave, Buena Park, CA 90620 The above statement apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. We Want You Listening For A Lifetime YAMAHA and the Electronic Industries Association’s Consumer Electronics Group want you to get the most out of your equipment by playing it at a safe level. One that lets the sound come through loud and clear without annoying blaring or distortion – and, most importantly, without affecting your sensitive hearing. Since hearing damage from loud sounds is often undetectable until it is too late, YAMAHA and the Electronic Industries Association’s Consumer Electronics Group recommend you to avoid prolonged exposure from excessive volume levels. SUPPLIED ACCESSORIES After unpacking, check that the following parts are contained. • Remote Control Transmitter • Indoor FM Antenna Remote TRANSMIT USER LEARN /LEARN YPC POWER SLEEP TV VCR SKIP AUX PHONO DISC SKIP SEARCH PAUSE/STOP DECK A/B PRESET CD TUNER + STOP PLAY TAPE 1 REC/PAUSE DIR A DIR B TAPE 2 MON SEARCH REC MUTE PLAY A/B/C/D/E — SEARCH PAUSE/STOP PLAY LD/TV CHAPTER/CH DISPLAY STOP VCR 1 VCR 2 — + PRO LOGIC ENHANCED 70mm MOVIE THEATER TV THEATER 1 2 3 4 SPORTS JAZZ CLUB • AM Loop Antenna SURROUND STADIUM ROCK 5 6 7 CHURCH HALL 9 10 DSP ON/OFF + + + RESET CLEAR MUTING — • Batteries (size AA, LR6, UM-3) 4 + DELAY TIME REAR LEVEL — MASTER VOLUME TEST CENTER LEVEL — V–AUX 8 EFFECT — • User Program Sheets Features • Five Speaker Configuration Front: 100 W + 100 W (8Ω) RMS Output Power, 0.015% THD, 20-20,000 Hz 120 W + 120 W (6Ω) RMS Output Power, 0.04% THD, 20-20,000 Hz (USA Model Only) Center: 100 W (8Ω) RMS Output Power, 0.015% THD, 1 kHz Rear: 25 W + 25 W (8Ω) RMS Output Power, 0.08% THD, 1 kHz • Digital Sound Field Processor 10 Programs including “Cinema DSP” 70mm Movie Theater • Automatic Input Balance Control for Dolby Surround • Test Tone Generator for Easier Speaker Output Balance Adjustment • 3 Center Channel Modes (NORMAL/WIDE/PHANTOM) • 40-Station Random Access Preset Tuning • Automatic Preset Tuning (FM only) • Preset Station Shifting Capability (Preset Editing) • IF Count Direct PLL Synthesizer Tuning System • Video Signal Input/Output Capability • SLEEP Timer • Remote Control Capability • Program and status messages superimposed on connected video monitor 5 PROFILE OF THIS UNIT You are the proud owner of a Yamaha stereo receiver –an extremely sophisticated audio component. The Digital Sound Field Processor (DSP) built into this unit takes full advantage of Yamaha’s undisputed leadership in the field of digital audio processing to bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system, and this unit will sonically transform your room into a totally new listening environments –movie theater, concert hall, and so on. In addition, you get incredible realism from Dolby-encoded video sources using the built-in Dolby Pro Logic Surround Decoder. Please read this owner’s manual carefully and store it in a safe place for later reference. Digital Sound Field Processing What is it that makes live music so good? Today’s advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but chances are you’ll still notice something missing: the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for Yamaha engineers to bring you this same sound in your own listening room, so you’ll feel all the sound of a live concert. Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of venues such as an actual concert hall, theater, etc. to allow you to accurately recreate one of several actual live performance environments, all in your own home. Dolby Pro Logic Surround The Dolby Pro Logic Surround Decoder program lets you experience the dramatic realism and impact of Dolby Surround movie theater sound in your own home. Dolby Pro Logic gets its name from its professional-grade steering logic circuitry, which provides greater effective front and rear channel separation for a much higher degree of realism than the “passive” Dolby Surround circuits found in less sophisticated home audio/video equipment. Dolby Pro Logic Surround provides a true center channel, so that there are four independent channels, unlike passive Dolby Surround which has in effect only three channels: left, right, and rear. This center channel allows listeners seated in even less-than-ideal positions to hear the dialog originating from action on the screen while getting a stereo effect as well. This Dolby Pro Logic Surround Decoder employs a digital signal processing system. This system increases sound stability at each channel and minimizes crosstalk between channels compared to conventional analog Dolby signal processing. In addition, this unit features a built-in automatic input balance control. This circuit always presents you the best surround conditions without performing manual adjustments. Dolby Pro Logic Surround + DSP You can also enjoy Dolby Pro Logic with two modes of Digital Sound field processing. These combinations expand the surround effect. One is the “ENHANCED” Dolby Pro Logic Surround which recreates the surround effect of the 35 mm film movie theater. The other is the sound field program ”70 mm MOVIE THEATER”. Which recreates the listening experience of a 70mm film theater. Directional Enhancement Circuit + DSP The newly featured directional enhancement circuit expands and focuses the digital sound field by emphasizing position of sound. This effect puts you in the midst of the action, while centering and focusing your attention to the screen. This circuit is available on the sound field program “TV THEATER” and “SPORTS”. 6 CINEMA DSP The YAMAHA “CINEMA DSP” logo indicates these programs are created by the combination of Dolby Pro Logic and YAMAHA DSP technology. SPEAKER SETUP FOR THIS UNIT SPEAKERS TO BE USED This unit is designed to provide the best sound-field quality with a fivespeaker configuration. The speakers to be used with this unit will be front speakers, rear speakers, and a center speaker. The front speakers are used for the main source sound. These are usually a much larger, high-quality loudspeaker than you will use for the surround sound effects. The center speaker is used for the center sound (dialog, etc.) encoded with the Dolby Surround. And the rear speakers are used for special effects that enhance the surround sound. The rear and center speakers do not need to be equal to the front speakers. However, all the speakers should have high enough power handling to accept the maximum output of this unit. SPEAKER CONFIGURATION Five-Speaker Configuration Four-Speaker Configuration This configuration is the most effective and recommended one. In this configuration, the center speaker is used for dialog when you select the digital sound field program DOLBY PRO LOGIC, DOLBY PRO LOGIC ENHANCED, 70mm MOVIE THEATER, TV THEATER, or SPORTS. • Set the center channel mode to the “NORMAL” or “WIDE” position. (For details, refer to page 16.) The center speaker is not used in this configuration. If the digital sound field program DOLBY PRO LOGIC, DOLBY PRO LOGIC ENHANCED, 70mm MOVIE THEATER, TV THEATER, or SPORTS is selected, the center sound along with the front effects are output from the left and the right front speakers. However, the sound effect of other programs can be the same as that of the other configurations. • Be sure to set the center channel mode to the “PHANTOM” position. (For details, refer to page 16.) Front L Center Front R Dialogue Front L Front R Dialogue Surround sound Rear L Rear R Surround sound Rear L Rear R 7 SPEAKER PLACEMENT The recommended speaker configuration, the five-speaker configuration, will require two speaker pairs: front speakers and rear speakers, plus a center speaker. When you place these speakers, refer to the following: In normal position. (The position of a standard stereo speaker setup) Center: Precisely between the front speakers. (To avoid interference with TV sets, use a magnetically shielded speaker.) When two center speakers are used, place these to the right and left of your TV set or video monitor. Rear: Behind your listening position, facing slightly inward. Nearly six feet (approx. 1.8 m) up from the floor. Front: Center Front R Front L Rear R Rear L 8 CONNECTIONS CAUTION Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this unit and to any other components to which connections are being made. CONNECTIONS WITH OTHER COMPONENTS When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit. Turntable Video cassette recorder 1 GND AUDIO OUT AUDIO IN VIDEO OUT VIDEO IN OUTPUT Compact disc player Video cassette recorder 2 AUDIO SIGNAL VIDEO SIGNAL AUDIO SIGNAL S VIDEO VIDEO Tape deck 1 PHONO LINE OUT GND LINE OUT FM ANT 75Ω UNBAL. Tape deck 2 VCR 1 VCR 1 OUT OUT TAPE PB IN IN TAPE 1 VCR 2 VCR 2 REC OUT OUT OUT TAPE PB LD/TV LD/TV AUDIO OUT VIDEO OUT VIDEO IN AUDIO IN TAPE 2 REC OUT MONITOR OUT GND MAIN IN VIDEO IN FRONT CH PRE OUT FRONT LEVEL 0dB Monitor TV -10dB VIDEO OUT LINE IN IN CD AUDIO OUT LINE IN AM ANT IN LaserDisc-Spieler 9 CONNECTING SPEAKERS Connect the respective speakers to this unit as shown below: Front speakers A Right Rear speakers Left Right Left SPEAKERS VIDEO SIGNAL S VIDEO REAR IN VCR 1 OUTPUT OUT LOW PASS CENTER OUT REAR OUT IN VCR 2 OUT 8ΩMIN. /SPEAKER fo:200Hz FRONT LD/TV A CENTER C C D D MONITOR OUT B C C+D A OR B: 5ΩMIN. /SPEAKER A + B:l2ΩMIN. /SPEAKER Right C: 8ΩMIN. /SPEAKER C+ D: 4ΩMIN. /SPEAKER Left Center speaker(s) Front speakers B Note on front speaker connection: One or two speaker systems can be connected to this unit. If you connect only one speaker system, connect it to either the SPEAKERS A or B terminals. Note: Use speakers with the specified impedance shown on the rear of this unit. For connecting to the SPEAKER terminals Note on center speaker connection: One or two center speakers can be connected to this unit. If you cannot place the center speaker on or under the TV, it is recommended to use two center speakers and place them on both sides of the TV to orient the center sound at the center position. When connecting two center speakers, be sure to press the CENTER speaker switch into the “C+D” position( ). When you use a single center speaker, set the switch to the “C” position ( ). Red: positive (+) Black: negative (–) How to Connect: Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is, + and – markings are observed. If these wires are reversed, the sound will be unnatural and will lack bass. Banana Plug connections are also possible. Simply insert the Banana Plug connector into the corresponding terminal. (Not available on Singapore model.) CAUTION Do not let the bare speaker wires touch each other and do not let them touch the metal parts of this unit. This could damage this unit and/or the speakers. 10 2 1 3 1 Unscrew the knob. 2 Insert the bare wire. [Remove approx. 5mm (1/4”) insulation from the speaker wires.] 3 Tighten the knob and secure the wire. Note: Use only single type banana plug cable. ABOUT THE ACCESSORY TERMINALS OUTPUT LOW PASS CENTER OUT 1 REAR OUT 3 fo:200Hz 2 1 LOW PASS terminal 2 CENTER OUTPUT terminal This terminal is for output to a monaural amplifier driving a subwoofer. Frequencies above 200␣ Hz are filtered out so that only the bass range remains. The output signal is from the front and center channels. You may wish to add a subwoofer to reinforce the bass frequencies. Connect the LOW PASS terminal to the INPUT terminal of the subwoofer amplifier, and connect the speaker terminals of the subwoofer amplifier to the subwoofer. With some subwoofers, including the Yamaha Active Servo Processing Subwoofer System, the amplifier and subwoofer are in the same unit. GND terminal (For turntable use) This terminal is for center channel line output. There is no connection to this terminal when you use the built-in amplifier. However, if you drive a center speaker with an external power amplifier, connect the input terminal of the external amplifier to this terminal. 3 REAR OUTPUT terminals These terminals are for rear channel line output. There is no connection to these terminals when you use the built-in amplifier. However, if you drive rear speakers with an external stereo power amplifier, connect the input terminals of the external amplifier (MAIN IN or AUX terminals of a power amplifier or an integrated amplifier) to these terminals. GND Connecting the ground wire of the turntable to this terminal will normally minimize hum. In some cases, better results may be obtained with the ground wire disconnected. AC OUTLETS 2 SWITCHED OUTLETS and 1 UNSWITCHED OUTLET (USA, Canada, and General models) 1 SWITCHED OUTLET (Australa model) 2 SWITCHED OUTLETS (Singapore model) SWITCHED 120V 60Hz 120W MAX. TOTAL UNSWITCHED 120V 60Hz 200W MAX. (USA model) Use these to connect the power cords from your components to this unit. The power to the SWITCHED outlets is controlled by this unit’s POWER switch or the provided remote control transmitter’s POWER key. These outlets will supply power to any connected component whenever this unit is turned on. The maximum power (total power consumption of components) that can be connected to the SWITCHED AC OUTLET(S) is 120 watts. The power to the UNSWITCHED outlets cannot be controlled by this unit’s POWER switch or the provided remote control transmitter’s POWER key. (USA, Canada, and General models only). The maximum power (power consumption of component) that can be connected to the UNSWITCHED AC OUTLET is 200 watts (USA model), 180 watts (Canada model) and 200 watts (General model). 11 TAPE 2 REC OUT 4 MAIN IN FRONT CH 5 6 PRE OUT FRONT LEVEL 4 FRONT CH — MAIN␣ IN terminals These terminals are for line input to the built-in front channel amplifier. Leave the jumper bars connected to the PRE␣ OUT terminals when you use the built-in amplifier. However, if you drive front speakers with an external stereo power amplifier, remove the jumper bars. 5 FRONT␣ CH — PRE␣ OUT terminals These terminals are for front main channel line output. Leave the jumper bars connected to the MAIN␣ IN terminals when you use the built-in amplifier. However, if you drive front speakers with an external stereo power amplifier, remove the jumper bars and connect the input terminals of the external amplifier (MAIN IN or AUX terminals of a power amplifier or an integrated amplifier) to these terminals. 12 0dB -10dB 6 FRONT LEVEL switch Normally set to “0␣ dB”. If desired, you can decrease the output level at the FRONT SPEAKERS terminals by 10␣ dB by setting this switch to “–10␣ dB”. CONNECTING S␣ VIDEO TERMINALS If your video cassette recorder, video disc player, monitor, etc., are equipped with “S” (high-resolution) video terminals, connect them to this unit’s S␣ VIDEO terminals. Otherwise, use the composite video terminals of the unit. Note: • If video signals are sent to both the S␣ VIDEO input and composite input terminals, the input signals will be sent to the respective S␣ VIDEO output and composite output terminals independently. VIDEO SIGNAL VIDEO S VIDEO IN OUT VIDEO IN S VIDEO IN S VIDEO OUT VIDEO OUT IN VCR 2 VIDEO IN S-VIDEO IN OUT S-VIDEO OUT VIDEO OUT VCR 1 LD/TV Video Cassette recorder 1 MONITOR OUT Video Cassette recorder 2 VIDEO IN S VIDEO IN S VIDEO OUT VIDEO OUT LD player Monitor TV ON SCREEN DISPLAY If you connect a video cassette recorder, video disc player, monitor, etc., to this unit, you can display DSP program names and information about the other settings and adjustments on the video monitor screen. This information is superimposed over the video image. If there is no program material on the monitor, the information will be displayed over a monochromatic background. Notes: • If you use a video monitor that is connected to both the S␣ VIDEO and composite terminals, the screen display information is only output from the S␣ VIDEO terminals. • When no video signal is input to any of the S␣ VIDEO or composite video input terminals, the screen display information is output from the S␣ VIDEO and composite MONITOR OUT terminals with a monochromatic background. CONNECTING TO VIDEO AUX TERMINALS (FRONT PANEL) These terminals are used to connect any video input source such as a camcorder to this unit. VIDEO AUX 8 VIDEO VIDEO L AUDIO R AUDIO OUT AUDIO OUT VIDEO OUT R 8 VIDEO VIDEO S-VIDEO L Camcorder S VIDEO OUT 13 ANTENNA CONNECTIONS • Each antenna should be connected to the designated terminals correctly, referring to the following diagram. • Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement. Outdoor AM antenna Outdoor FM antenna AUDIO SIGNAL AM loop antenna (included) AUDIO PHONO CD TAPE PB AM ANT TAPE 1 300-ohm feeder GND REC OUT FM ANT TAPE PB 75Ω UNBAL. TAPE 2 REC OUT GND MAIN IN FRONT CH PRE OUT 75-ohm coaxial cable 75-ohm/300-ohm antenna adapter FRONT LEVEL 0dB -10dB Indoor FM antenna (included) Ground Connecting the AM loop antenna 1 2 ➀ ➂ 3 Orient so that the best reception is obtained. ➁ • The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall. • The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit. GND terminal For maximum safety and minimum interference, connect the GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth. 14 Notes: • When connecting the indoor FM antenna, insert its connector into the FM ANT terminal firmly. • If you need an outdoor FM antenna to improve FM reception quality, either 300-ohm feeder or coaxial cable may be used. In locations troubled by electrical interference, coaxial cable is preferable. ADJUSTMENT BEFORE OPERATION SPEAKER BALANCE ADJUSTMENT This procedure lets you adjust the sound output level balance between the front, center, and rear speakers using the built-in test tone generator. With this adjustment, the sound output level heard at the listening position will be the same from each speaker. This is important for the best performance of the digital sound field processor. The adjustment of each speaker output level should be done at your listening position with the remote control transmitter. Otherwise, the result may not be satisfactory. 1 TRANSMIT USER LEARN /LEARN YPC 6 POWER SLEEP AUX 5 DISC SKIP PAUSE/STOP DECK A/B PRESET — SEARCH REC MUTE 3 4 VCR PHONO SEARCH 2 TV SKIP REC/PAUSE SEARCH PLAY CD A/B/C/D/E TUNER + STOP PLAY TAPE 1 DIR A DIR B TAPE 2 MON PAUSE/STOP PLAY LD/TV * If you have a video monitor connected to this unit, you should use it to display the on screen information. The easy-to-read information will help you to perform this adjustment. Note: Before adjustment, make sure that the mute circuit is not engaged. While mute is engaged, no sound will be heard and an indicator on the master VOLUME control flashes. See page 20 for details. 1 4 Set to the “∞” position. VOLUME l8 l6 l4 20 l2 24 USER YPC LEARN l0 28 8 34 6 4 40 3 50 2 60 For detailed information about the remote control transmitter, refer to “REMOTE CONTROL TRANSMITTER” on page 31. l 70 0 –dB 2 BASS TREBLE 0 0 l 2 l 2 3 5 2 3 4 3 4 5 4 5 5 6 Set to the “0” position. BALANCE l 0 POWER Press the POWER switch to turn on the power. l 2 3 4 3 5 Set to the “0” position. l Set the remote YPC-USER-LEARN switch to the “YPC” position. Select the main speakers to be used. SPEAKERS A B l 2 2 3 3 4 4 L 5 5 R • If you use two main speaker systems, press both the A and B switches. 15 7 CHAPTER/CH — + PRO LOGIC ENHANCED DISPLAY STOP 70mm MOVIE THEATER TV THEATER 1 2 3 4 SPORTS STADIUM ROCK JAZZ CLUB 7 VCR 1 VCR 2 SURROUND 5 6 CHURCH HALL 9 10 8 EFFECT DSP ON/OFF + + + RESET CLEAR + 9 DELAY TIME REAR LEVEL — MASTER VOLUME TEST CENTER LEVEL — V–AUX MUTING — — 8 7 Select the center channel output mode according to your speaker configuration. (Refer to “SPEAKER CONFIGURATION” on page 7.) 9 MASTER VOLUME + CENTER MODE NORMAL WIDE PHANTOM 8 — TEST Press the TEST button to run the Dolby test. In step 7, when you select the center mode, note the following. Five speaker configuration NORMAL: WIDE: Select this mode when you use a center speaker that is smaller than the front main speakers. In this mode, the bass tone will be output from the front speakers. Select this mode when your center speakers are approximately the same size as the front speakers. Four speaker configuration PHANTOM: 16 Turn up the volume using the remote control transmitter. You will hear a test tone (like pink noise) from the left front speaker, then the center speaker, then the right front speaker, and then the rear speakers, for about two seconds each. The display changes as shown below. Select this mode when you do not have a center speaker. The center channel sound will be output from the left and right font speakers. • If your video monitor is on, the state of the test tone output is also shown by an image of an audio listening room on the screen. • The test tone from the left rear speaker and the right rear speaker will be heard at the same time. 12 CHAPTER/CH — + PRO LOGIC ENHANCED DISPLAY STOP 70mm MOVIE THEATER TV THEATER 1 2 3 4 SPORTS STADIUM ROCK JAZZ CLUB 7 VCR 1 VCR 2 SURROUND 11 12 5 6 CHURCH HALL 9 10 DSP ON/OFF + + + RESET CLEAR + TEST REAR LEVEL — MASTER VOLUME DELAY TIME MUTING — — 13 10 11 the BALANCE control so that the test tone sound 10 Adjust output level of the left front speaker and the right front 8 EFFECT CENTER LEVEL — V–AUX 13 Cancel the test tone. speaker are the same. BALANCE l 0 TEST l 2 2 3 3 4 PRO LOGIC 4 L 5 5 R The previous mode is selected. the test tone sound output level of the center 11 Adjust speaker to be at the same level as that of the front speakers with the CENTER LEVEL keys. LEVEL CENTER the sound output level of the rear speakers to be 12 Adjust at the same level as that of the front speakers with the REAR LEVEL keys. LEVEL REAR Notes: • Once you have completed these adjustments, you can adjust whole sound level on your audio system by using the VOLUME control (or the MASTER VOLUME keys on the remote control transmitter). • If you use external power amplifiers, their volume controls may also need to be adjusted to achieve the proper balance. If there is insufficient sound output from the center and rear speakers, you may decrease the front speaker output level by setting the FRONT LEVEL switch on the rear panel to “–10 dB”. Note: • If the center channel mode is in the “PHANTOM” position, the sound output level of the center speaker cannot be adjusted. This is because in this mode, the center sound is automatically output from the left and right front speakers. • If you press the LEVEL +/– switch without previously pressing the CENTER, or REAR switch, the last channel selected will be changed. 17 BASIC OPERATIONS 2 3 1,6 4 To play a source 1 5 Set to the “∞” position. VOLUME l8 l6 Play the source. (For detailed information on the tuning operation, refer to page 21.) l4 20 l2 24 l0 28 6 8 34 6 Adjust to the desired output level. 4 40 VOLUME 3 50 l8 l4 l2 24 l 70 l6 20 2 60 l0 28 0 –dB 8 34 6 4 40 2 3 50 POWER Press the POWER switch to turn on the power. 2 60 l 70 0 –dB 3 If desired, adjust the BASS, TREBLE, BALANCE controls, etc. (refer to page 20) and use the digital sound field processor. (Refer to page 25.) Select the desired input source by using the input selector buttons. (For video sources, turn the video monitor ON.) TAPE 2 MONITOR TAPE 1 VIDEO AUX TUNER VCR 2 CD VCR 1 PHONO LD/TV • The name of the selected input source will appear on the display. 4 Select the front speakers to be used. SPEAKERS A B • If you use two front speaker systems, press both the A and B switches. Notes on using the input selector buttons • Note that pressing on each input selector button selects the source which is connected to the corresponding input terminals on the rear panel. • To select the source connected to the VIDEO AUX terminals on the front panel, press VIDEO AUX. • The selection of TAPE 2 MONITOR cannot be canceled by pressing another input selector button. To cancel it, press TAPE 2 MONITOR again. When you select a button other than TAPE 2 MONITOR, make sure that TAPE 2 MONITOR is not accidently selected as well. • If you select the input selector button for a video source without canceling the selection of TAPE 2 MONITOR, the playback result will be the video image from the video source and the sound from the audio tape. • Once you play a video source, its video image will not be interrupted even if the input selector button for an audio source is selected. To turn off the power Press the POWER switch again. 18 2 1 To record a source to tape (or dub from tape to tape) 1 Select the source to be recorded. REC OUT SOURCE LD/TV TAPE 1 VCR 1 TUNER CD VCR 2 VIDEO AUX 2 PHONO Play the source and press the corresponding input selector, then turn the VOLUME control up to confirm the input source. (For detailed information on the tuning operations, refer to page 21.) VOLUME TAPE 2 MONITOR TAPE 1 l8 TUNER CD l6 20 PHONO l4 l2 24 l0 28 8 34 VIDEO AUX VCR 2 VCR 1 6 LD/TV 4 40 3 50 2 60 l 70 0 –dB 3 4 Set the tape deck or VCR to the recording mode. Note: • When the REC OUT selector is set to “SOURCE”, the source selected by the input selector buttons is output through the TAPE 1-REC OUT, the TAPE 2-REC OUT , the VCR 1-OUT, and the VCR 2-OUT terminals. • When the REC OUT selector is set to something other than “SOURCE” and you press an input selector button other than the one you pressed in step 2, the recording source will not be changed and you can enjoy another source while recording. • To record from tape deck 2, set the REC OUT selector to SOURCE, and press the TAPE 2/MONITOR input selector. • If the tape deck connected to the TAPE 2 REC OUT terminal has 3-head monitoring capability, you can monitor the signal just recorded on the tape by pressing the TAPE 2/MONITOR switch. • DSP, VOLUME, BASS, TREBLE and BALANCE control settings have no effect on the material being recorded. To monitor a source selected by the REC OUT selector, press the corresponding input selector button. 19 Selecting the SPEAKERS system Using the TONE BYPASS switch Because one or two speaker systems (as front speakers) can be connected to this unit, the SPEAKERS switches allow you to select speaker system A or B, or both at once. Press this switch to revert instantly to the flat states of the BASS and TREBLE controls without changing the setting of these controls. TONE BYPASS SPEAKERS A B ON OFF Using the BASS EXTENSION switch Adjusting the BALANCE control Adjust the balance of the output volume to the left and right speakers to compensate for sound imbalance caused by speaker location or listening room conditions. You can boost bass frequency response by setting this switch to the “ON” position. This switch is effective only on the sound from the front speakers. BASS EXTENSION BALANCE l 0 ON l 2 2 OFF 3 3 4 4 L 5 MUTING Key (Remote Transmitter) 5 R Note: This control is effective only for the sound from the front speakers. Adjusting the BASS and TREBLE controls Press this key to mute the master volume. While mute is engaged, an indicator on the master VOLUME control flashes. Press again to un-mute the master volume. MUTING BASS Turn this clockwise to increase (or counter-clockwise to decrease) the low frequency response. VOLUME SPORTS 5 STADIUM 6 ROCK 7 JAZZ CLUB V–AUX l8 l6 20 8 l4 l2 24 TREBLE Turn this clockwise to increase (or counter-clockwise to decrease) the high frequency response. CHURCH HALL 9 10 EFFECT DSP + — + l 0 TREBLE l 2 l 2 3 3 4 4 5 5 0 — + RESET CLEAR MASTER VOLUME Flash 2 0 –dB 3 5 Note: These controls are effective only for the sound from the front speakers. When you listen with headphones Connect the headphones to the PHONES jack. You can listen to the sound to be output from the front speakers through headphones. When listening with headphones privately, set both the SPEAKERS A and B switches to the OFF position and switch off the digital sound field processor (so that no DSP program name is illuminated on the display) by pressing the EFFECT switch. 20 2 l 70 4 5 4 3 — 2 4 6 60 MUTING l 3 8 34 50 DELAY TIME — l0 40 + TEST CENTER LEVEL REAR LEVEL BASS ON/OFF 28 PHONES TUNING OPERATIONS Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING). 1, 2, 3,4, AUTOMATIC TUNING 1 MANUAL TUNING Select the reception band (FM or AM) while watching the display. FM/AM FM/AM or AM 2 Select the reception band (FM or AM) while watching the display. FM TUNING MODE AM or FM TUNING MODE AUTO TUNING 3 DOWN TUNING “AUTO TUNING” goes off. UP Tune to a desired station manually. DOWN TUNING UP To tune to a higher frequency, press the right side once. To tune to a lower frequency, press the left side once. • To continue tuning search, press and hold the button. 4 If the station where tuning search stops is not the desired one, press again. DOWN TUNING UP Note: If you tune to an FM station manually, it is received in monaural mode automatically to increase the signal quality. • If the tuning search does not stop at the desired station (because the signals of the station are weak), change to the MANUAL TUNING method. Display information 1 AM FM 2 kHz MHz STEREO 0 20 40 60 3 1Displays the band and frequency of the received station. 2Lights up when an FM stereo broadcast is received in stereo. 3Indicates the signal level of the received station. l00 21 PRESET TUNING Manual Preset Tuning This unit can store station frequencies (selected by tuning operation) by using the preset station buttons. With this function, you can select any desired station by only pressing the corresponding preset station button. Up to 40 stations (8 stations x 5 pages) can be stored. 2, 4, 3 To program stations 1 2 To recall a preset station Tune to a desired station. (Refer to the previous page for tuning procedure.) Select the page of preset station buttons. A/B/C/D/E PRESET Select a desired page (A - E) of preset station buttons while watching the display. A/B/C/D/E PRESET FM Select the desired preset station button. MHz I 3 MEMORY 2 3 PRESET STATIONS 4 5 6 7 8 PRESET PRESET FM FM MHz MEMORY Flashes for about 5 seconds. 4 Press a preset station button before the “MEMORY” prompt on the display switches off. I 2 3 PRESET STATIONS 4 5 6 7 8 PRESET FM Shows the displayed station has been programmed to A1. • In the same way, program other stations to A2, A3, to A8. • You can program more stations to the preset station buttons on other pages in the same way by selecting other pages in step 2. 22 Notes: • A new setting can be programmed in place of the former one. • For presets, the setting of the reception mode (stereo or monaural) is stored along with the station frequency. Memory back-up The memory back-up circuit prevents the programmed data from being lost even if the POWER switch is set off or the power plug is disconnected from the AC outlet or the power is cut due to temporary power failure. If, however, the power is cut for more than one week, the memory may be erased. If so, it can be re-programmed by simply following the PRESET TUNING steps. Automatic Preset Tuning You can also make use of an automatic preset tuning function for FM stations only. By this function, this unit performs automatic tuning and stores FM stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the manual preset tuning method on page 22. 2 3 1 To program stations 1 If you want to store the first station received by the automatic preset tuning to a desired preset station number. If, for example, you want to store the first received station to C5, select “C5” by using the A/B/C/D/E button and the preset station buttons after pressing the MEMORY button in step 2. Then press the TUNING button. The first received station is stored to C5, and next stations to C6, C7, etc., sequentially. If stations are stored up to E8, the automatic preset tuning is finished automatically. FM/AM FM 2 MEMORY PRESET FM MHz STEREO MEMORY 0 20 40 60 l00 Press and hold for about 3 seconds. Flashes 3 DOWN TUNING UP To tune to higher frequencies, press right side once. To tune to lower frequencies, press left side once. • If the TUNING button is not pressed, in a while the automatic preset tuning begins automatically toward higher frequencies. The automatic preset tuning begins from the frequency currently displayed. Received stations are programmed to A1, A2, to A8 sequentially. • If more than 8 stations are received, they are also programmed to the preset station numbers on other pages (B, C, D and E) in that order. When the automatic preset tuning is finished The display shows the frequency of the last preset station. Check the contents and the number of preset stations by following the procedure of the section “To recall a preset station” on page 22. To recall a preset station Simply follow the procedure of the section “To recall a preset station” on page 22. Notes • You can replace a preset station by another FM or AM station manually by simply following the procedure of the section “To program stations” on page 22. • If the number of received stations is not enough to be stored up to E8, the search is finished automatically when it reaches the highest frequency after searching through all frequencies. • With this function, only FM stations with sufficient signal strength are stored automatically. If the station you want to program is weak in signal strength, tune to it in monaural manually and program it by following the procedure of the section “To program stations” on page 22. 23 Exchanging Preset Stations You can exchange the places of two preset stations with each other as shown below. 2,4 (Example) If you want to shift the preset station on E1 to A5, and vice versa. 1 2 Recall the preset station on E1 (by following the method of “To recall a preset station” on page 22). EDIT MEMORY 3 Next, recall the preset station on A5 by following the procedure in step 1. MEMORY 4 EDIT Shows the exchange of stations is completed. MEMORY 24 USING THE DIGITAL SOUND FIELD PROCESSOR (DSP) This unit incorporates a sophisticated, multi-program digital sound field processor, which allows you to expand and shape the audio sound field from both the audio and video sources, for a theater-like experience in the listening/viewing room. This digital sound field processor has 10 programs; 8 programs for digital sound field processing and 2 programs for the Dolby Pro Logic Surround sound system (DOLBY PRO LOGIC and DOLBY PRO LOGIC ENHANCED). You can create an excellent audio sound field by selecting the suitable program and adding desired adjustments. In addition, when the DOLBY PRO LOGIC, DOLBY PRO LOGIC ENHANCED, or 70␣ mm MOVIE THEATER program is selected, the built-in automatic input balance control functions. This presents you the best surround condition without manual adjustment. 2 1 CINEMA DSP 890 TAPE 2 MONITOR TAPE 1 VIDEO AUX 0 20 40 60 PHONO VCR 1 LD/TV SLEEP l00 CHURCH HALL 9 10 DIGITAL SOUND FIELD PROCESSOR PRESET STATIONS 4 5 3 VCR 2 CD PRO LOGIC WIDE G TUNER 6 7 70mm TV PRO LOGIC ENHANCED MOVIE THEATER THEATER 8 EFFECT DSP + — ROCK CONCERT JAZZ CLUB CHURCH LEVEL DELAY TIME CENTER REAR TREBLE 0 l 2 l 2 3 3 4 4 5 5 3 SOURCE l LD/TV 2 2 3 3 4 4 L 5 5 VCR 1 7 EFFECT + — + RESET CLEAR MUTING — — VIDEO AUX REC OUT BALANCE 0 l + TEST DELAY TIME REAR LEVEL CONCERT HALL MASTER VOLUME STADIUM SPORTS CENTER LEVEL CENTER MODE ON/OFF TAPE 1 8 VIDEO VIDEO L AUDIO R TUNER VCR 2 CD VIDEO AUX PHONO R 4 5 6 1CENTER MODE Selects the center channel output mode. (For details, refer to page 16.) 2Displays your selection on the DSP or other informations. 3DELAY TIME –/+ Adjusts the delay time. (For details, refer to page 29.) 4CENTER and LEVEL –/+ REAR and LEVEL –/+ Adjusts sound output level at each speaker. (For details, refer to page 28.) 5Selects a digital sound field program. 6EFFECT Switches on/off the digital sound field processor (DSP). 7TEST Used for speaker balance adjustment. (For details, refer to page 16.) 25 Description of Each Sound Field Program The following list gives brief descriptions of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments. The data for them was recorded at the locations described using sophisticated sound field measurement equipment. Note: The channel level balance between the left rear effect speaker and the right rear effect speaker may vary depending on the sound field you are listening to. This is due to the fact that most of these sound field recreations are actual acoustic environments. PROGRAM PRO LOGIC FEATURE This program is effective for playback of sources encoded with Dolby Surround. The employment of the digital signal processing system reduces crosstalk and transfers the sound source more smoothly and precisely, compared to conventional types. A stable movie sound field is recreated. PRO LOGIC ENHANCED This program is effective for playback of sources encoded with Dolby Surround. Enhancing the “Normal” Dolby Pro Logic, the DSP technology simulates the multi-surround speaker systems of a 35 mm film theater, thus widening the surround-sound field with greater presence. 70 mm MOVIE THEATER This program is effective for playback of sources encoded with Dolby Surround. The Yamaha DSP technology is ideally combined with the Dolby Pro Logic to present you the incredible listening experience of the 70 mm movie theater. This program is ideal for precisely reproducing the sound design of the newest movies. The sound field is made according to the design of the latest movie theaters, so the reverberations of the sound field itself are restrained as much as possible. The three-dimensional feeling of the sound field is emphasized and dialog is precisely oriented on the screen. You can enjoy watching sciencefiction, action, and adventure movies with this program. TV THEATER This program is suitable for dramas, variety or music programs, etc. Much surround effect can be gained for stereo sources. SPORTS This program is furnished with a tight sound field in which the sound will not spread excessively on the front side, but the rear surround produces a dynamic sound expansion. This program is most suitable for sports programs encoded with Dolby Surround STADIUM This program gives you long delays between direct sounds and effect sounds, and the extraordinarily spacious feel of a large stadium. ROCK CONCERT This program is suitable for rock music. A big, powerful sound is reproduced lively and dynamically. JAZZ CLUB This is a small, cosy jazz club with a low ceiling. The sound is very close and intimate. CHURCH This program recreates the acoustic environment of a modern church with a high pointed dome and columns along the sides. This interior produces very few primary reflections. CONCERT HALL In this program, the center seems deep behind the front speaker pair, creating an expansive, large hall ambience. Description of Dolby Pro Logic Surround DOLBY PRO LOGIC SURROUND: This unit employs the Dolby Pro Logic Surround system. This system is similar to professional Dolby Stereo decoders used in movie theaters. By employing a four-channel system, the Dolby Pro Logic Surround system divides the input signals into four levels: the left and right main channels, the center channel (to characterize dialog), and the rear surround-sound channels (to characterize sound effects, background noise and other ambient noise). Dolby Surround is encoded on the sound track of commercially available video cassettes and video discs as well. When you play a source encoded with 26 Dolby Surround on your home video system, the Dolby Pro Logic Surround system in this unit decodes the signal and feeds the surround-sound effects. The Dolby Pro Logic Surround mode may not be always effective on video sources not encoded with Dolby Surround. Manufactured under license from Dolby Laboratories Licensing Corporation. Additionally licensed under Canadian patent number 1,037,877. “Dolby”, “Pro Logic”, and the double-D symbol are trademarks of Dolby Laboratories Licensing Corporation. To play a source with the digital sound field processor 2 3 1 2 Follow steps 1 - 6 shown in “BASIC OPERATIONS” on page 18. Select the desired program that is suitable for the source. DIGITAL SOUND FIELD PROCESSOR 70mm TV PRO LOGIC ENHANCED MOVIE THEATER THEATER ROCK CONCERT JAZZ CLUB CHURCH SPORTS STADIUM CONCERT HALL PRO LOGIC The selected program name is shown on the display. 3 Notes: • If you prefer to cancel the DSP, press the EFFECT switch. The sound will be the normal 2-channel stereo without surround sound effect. • When STADIUM, ROCK CONCERT, JAZZ CLUB, CHURCH, or CONCERT HALL is selected, no sound is heard from the center speaker. • When a monaural sound source is played with DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED, no sound is heard from the front speakers and the rear speakers. Sound is heard only from the center speaker. However, if the center channel mode is in PHANTOM, the front speakers output the sound of the center channel. • When this unit’s Dolby Pro Logic Surround system is used, if the main-source sound is considerably altered by over adjustment of the BASS or TREBLE controls, the relationship between the center and rear channels may produce an unnatural effect. If desired, adjust the delay time and the output level of each speaker. (For details, refer to the corresponding descriptions on page 28, 29.) 27 The following adjustments can be done on the remote control transmitter as well as on the front panel. Adjustment of the CENTER LEVEL You can adjust the sound output level of the center channel speaker even if the output level is already set in “Speaker balance adjustment” on page 15. LEVEL CENTER Press the “+” or “–” CENTER LEVEL key on the remote control transmitter. As you change the volume level, the front panel LCD will display the value. If you press the “+” or “–” key continuously, the level will continuously change except for a momentary pause at the preset point (80). • The center channel speaker is used only in DOLBY PRO LOGIC, DOLBY PRO LOGIC ENHANCED, 70 mm MOVIE THEATER, TV THEATER and SPORTS modes. • Once the output level is adjusted, the level value will be the same in all the digital sound field programs. Note: If the digital sound field program STADIUM, ROCK CONCERT, JAZZ CLUB, CHURCH, or CONCERT HALL is selected, the CENTER LEVEL control will not function. Adjustment of the REAR LEVEL You can adjust the sound output level of the rear speakers even if the output level is already set in “Speaker balance adjustment” on page 15. LEVEL REAR Press the “+” or “–” REAR LEVEL key on the remote control transmitter, the level value changes continuously. However, the value stops changing momentarily at the preset point (80). 28 • Once the output level is adjusted, the level value will be the same in all the digital sound field programs. Adjustment of DELAY TIME You can adjust the time difference between the beginning of the source sound and the beginning of the effect sound with the DELAY TIME control. The DELAY TIME control is effective with all programs. By applying more or less delay, sound effects, background noise, and ambient noise coming at you from the rear speakers can be enhanced or subdued for extra effect. 1. PRO LOGIC from 15 to 30 milliseconds (Preset value: 20 milliseconds) 2. PRO LOGIC ENHANCED from 15 to 30 milliseconds (Preset value: 20 milliseconds) 3. 70 mm MOVIE THEATER from 15 to 30 milliseconds (Preset value: 17 milliseconds) 4. TV THEATER from 1 to 50 milliseconds (Preset value: 28 milliseconds) 5. SPORTS from 1 to 50 milliseconds (Preset value: 20 milliseconds) 6. STADIUM from 1 to 50 milliseconds (Preset value: 45 milliseconds) 7. ROCK CONCERT from 1 to 50 milliseconds (Preset value: 22 milliseconds) 8. JAZZ CLUB from 1 to 50 milliseconds (Preset value: 26 milliseconds) 9. CHURCH from 1 to 50 milliseconds (Preset value: 40 milliseconds) 10. CONCERT HALL from 1 to 50 milliseconds (Preset value: 30 milliseconds) By continuously pressing “+” or “–” on the DELAY TIME control, the value changes continuously. However, the value stops changing momentarily at the preset point. DELAY TIME Note: Adding too much delay will cause an unnatural effect with some sources. Experiment with the DELAY TIME control to create the effect that you find most suitable. Note: The values of the DELAY TIME, CENTER LEVEL and REAR LEVEL you set the last time will remain memorized even when the power of this unit is off. However, if the power cord is kept disconnected for more than one week, these values will be automatically changed back to the original factory settings. 29 SETTING THE SLEEP TIMER If you use the SLEEP timer of this unit, you can make this unit turn off automatically. When you are going to sleep while enjoying a broadcast or other desired input source, this timer function is helpful. Notes: • The SLEEP timer can be controlled only with the remote control transmitter. • The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear panel of this unit. To set the SLEEP time To cancel the selected SLEEP time 1 1 SLEEP SLEEP Press the SLEEP key until “SLEEP OFF” appears on the display. SLEEP SLEEP Flashes continuously. Whenever the SLEEP key is pressed, the SLEEP time will change as follows: (Minutes) SLEEP The SLEEPtimer is OFF. (The indication before the SLEEP key is pressed.) After a while, the display returns to the indication before the SLEEP timer is set, and the “SLEEP” indicator stops flashing and lights up. 2 The unit will be turned off automatically at the selected SLEEP time. Press once or more so that the display returns to the indication before the SLEEP timer is set. (“SLEEP” will go off from the display.) Note: The SLEEP timer setting can also be canceled by turning off the power with the POWER switch or disconnecting the power plug of this unit from the AC outlet. 30 REMOTE CONTROL TRANSMITTER Battery installation Remote control transmitter operation range Remoto control sensor 2 1 3 Within approximately 7 m (23 feet) 30° 30° Battery replacement If you find that the remote control transmitter must be used closer to the main unit, the batteries are weak. Replace both batteries with new ones. Notes: • Use only AA, LR6, UM-3 batteries for replacement. • Be sure the polarities are correct. (See the illustration inside the battery compartment.) • Remove the batteries if the remote control transmitter will not be used for an extended period of time. • If batteries leak, dispose of them immediately. Avoid touching the leaked material or letting it come in contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries. Notes: • There should be no large obstacles between the remote control transmitter and the main unit. • If the remote control sensor is directly illuminated by strong lighting (especially an inverter type of fluorescent lamp etc.), it might cause the remote control transmitter not to work correctly. In this case, reposition the main unit to avoid direct lighting. STANDBY mode (Singapore model only) While the power is on, pressing the POWER key on the remote control transmiter switches the unit to the STANDBY mode. (In this mode, the indicator is half illuminated.) POWER on mode STANDBY mode 31 The remote control transmitter provided with this unit is designed to control all the most commonly used functions of the unit. If the CD player, tape deck, etc. connected to this unit are YAMAHA components designed for remote control compatibilty, then this remote control transmitter will also control various functions of each component. • When you operate this unit and/or other YAMAHA components with this remote control transmitter, set the YPC-USER-LEARN switch to the YPC (Yamaha Preset Code) position. For Control of This Unit TRANSMIT USER LEARN /LEARN YPC POWER Turns the power on/off. SLEEP Refer to “SETTING THE SLEEP TIMER” on page 30. POWER SLEEP +: Selects higher preset station number. –: Selects lower preset station number. A/B/C/D/E Selects the page (A - E) of preset station buttons. VCR SKIP PHONO SEARCH PLAY CD A/B/C/D/E TUNER STOP PLAY TAPE 1 DIR A DIR B TAPE 2 MON SEARCH PAUSE/STOP PLAY LD/TV CHAPTER/CH DISPLAY STOP VCR 1 ENHANCED 70mm MOVIE THEATER TV THEATER VCR 2 2 3 4 PAUSE/STOP DECK A/B PRESET — REC MUTE REC/PAUSE + — PRO LOGIC 1 SURROUND SPORTS STADIUM ROCK JAZZ CLUB 5 6 7 8 CHURCH HALL 9 10 — + ON/OFF + RESET CLEAR MASTER VOLUME + TEST DELAY TIME REAR LEVEL — V–AUX EFFECT DSP + 32 Input selector keys Selects input source. + CENTER LEVEL For the DSP control keys, refer to the page 25. AUX DISC SKIP SEARCH Tuner keys Controls tuner. TV MUTING — — (MASTER) VOLUME +/– Turns the volume level up/down. Muting Key Mutes the master volume. While mute is engaged, an indicator on the master VOLUME control flashes. Press again to un-mute the master volume. For Other Component Control Identify the remote control transmitter keys with your component’s keys. If these keys are identical, their functions will be the same. On each key function, refer to the corresponding instruction on your component’s manual. TRANSMIT USER LEARN /LEARN YPC POWER SLEEP TV VCR SKIP PHONO DISC SKIP 1 SEARCH PLAY CD A/B/C/D/E TUNER STOP PLAY TAPE 1 DIR A DIR B TAPE 2 MON SEARCH PAUSE/STOP PLAY LD/TV CHAPTER/CH DISPLAY STOP VCR 1 PAUSE/STOP DECK A/B PRESET — 2 SEARCH REC MUTE 3 AUX — REC/PAUSE + + 1 CD player keys Controls compact disc player. DISC SKIP is applicable only to compact disc changer. 2 Tape deck keys Controls tape deck. DIR A, B and DECK A/B are applicable only to double cassette tape deck. For a single cassette deck with automatic reverse function, pressing DIR A will reverse the direction of tape running. 3 LD player keys Controls LD player. 33 REMOTE CONTROL “LEARNING” FUNCTION All of the keys on this remote control transmitter can be programmed to “learn” key-functions from other remote control transmitters without losing the preset key functions. By using this feature, this unit can then be used in place of one or more other remote control transmitters, thus making operation of your various audio and video components more convenient. Use the included user program sheets to indicate a new function learned for each key. Note: There may occasionally be instances in which, due to the signal-coding and modulation employed by the other remote control transmitter, this unit will not be able to “learn” its signals. TRANSMIT USER LEARN /LEARN YPC TRANSMIT/LEARN indicator POWER Blank keys These keys have no preset functions and are used only for learning other remote control transmitter’s functions. SLEEP TV VCR SKIP AUX PHONO DISC SKIP SEARCH PLAY CD A/B/C/D/E TUNER STOP PLAY TAPE 1 DIR A DIR B TAPE 2 MON SEARCH PAUSE/STOP PLAY LD/TV CHAPTER/CH DISPLAY STOP VCR 1 VCR 2 PAUSE/STOP DECK A/B PRESET — SEARCH REC MUTE REC/PAUSE + — + PRO LOGIC ENHANCED 70mm MOVIE THEATER TV THEATER 2 3 4 1 YPC-USER-LEARN switc YPC : Set to this position when using preset key functions (for controlling this unit and/or YAMAHA components). ・ “YPC” is the abbreviation of YAMAHA Preset Code. USER : Set to this position when using “learned” key functions. LEARN : Set to this position when learning new key functions from other remote control transmitters. SURROUND SPORTS STADIUM ROCK JAZZ CLUB 5 6 7 8 CHURCH HALL 9 10 EFFECT DSP ON/OFF + 34 — + + RESET CLEAR + DELAY TIME REAR LEVEL — MASTER V0LUME TEST CENTER LEVEL RESET button Press this button to “reset” the internal microcomputer which controls remote control operations. Microcomputer “reset” is necessary when the remote control freezes. ・ Pressing the RESET button will not erase learned functions. V–AUX MUTING — — CLEAR button This button is used to clear one or all learned key functions. (Refer to page 36.) To learn a new function 1 Set to the “LEARN” position. USER YPC LEARN 2 Press a key on this unit where a new function will be learned. About 5–10 cm (2–4 in). 3 Press and hold the key (on the other remote control transmitter) where the desired new function is. Lights up Notes: • When you operate the desired component with this remote control transmitter, TRANSMIT/LEARN indicator will flash steadily. • The originally preset function of a key is still available in the USER position if a new function has not been learned to the key. • Successful learning to a key results in the erasure of previously learned functions and their replacement by the newly learned ones. • If there is no more room in the memory area for a function to be learned, the TRANSMIT/LEARN indicator will flash on and off. In this case, even if some keys are not occupied with functions from other remote control transmitters, no further learning is possible. Memory back-up All of the learned functions will be retained while you replace the batteries. However, if no batteries are installed for a few hours, the learned functions will be erased and will have to be learned again. • When the TRANSMIT/LEARN indicator stops lighting, the learning is finished. 4 Repeat step 2 and 3 until all desired functions are successfully learned. 5 Set to the “USER” position. USER YPC LEARN Try operating your components. 35 To clear a learned function 1 To clear all learned functions 1 Set to the “USER” position. Set to the “LEARN” position. USER YPC LEARN USER YPC LEARN 2 2 Press and hold the CLEAR button using the point of a mechanical pencil, etc. Press and hold the CLEAR button using the point of a mechanical pencil, etc. CLEAR 3 CLEAR 3 Press and hold the key where the learned function to be deleted is until the indicator flashes 3 times. Press and hold any key until the indicator flashes 7 times TRANSMIT /LEARN TRANSMIT /LEARN • To clear two or more functions, repeat step 2 and 3. Note: If a key is not pressed soon after the CLEAR button is pressed, this unit will automatically return to the status that was in effect before the CLEAR button was pressed. Troubleshooting guide SYMPTOM 36 CAUSE REMEDY The remote control transmitter does not work. The batteries of this remote control transmitter are weak. Replace the batteries with new ones and press the RESET button on the remote control transmitter. Learning cannot be made successfully. (The TRANSMIT/LEARN indicator does not light up or flash.) The internal microcomputer “freezes”. Replace the batteries (and press the RESET button for this remote control transmitter). The batteries of this remote control transmitter and/or the other remote control transmitter are weak. Place the remote control transmitters with the proper distance. The distance between the two remote control transmitters is too long or too short. Learning is not possible. The signal coding or modulation of the other remote control transmitter is not compatible with this remote control transmitter. Further learning is not possible without deleting unnecessary commands. Memory capacity is full. Press the RESET button on the remote control transmitter. TROUBLESHOOTING If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and contact your authorized YAMAHA dealer or service center for help. SYMPTOM CAUSE REMEDY The unit fails to turn on when the POWER switch is pressed. Power cord is not plugged in or is not completely inserted. FFirmly plug in the power cord. No sound or no picture. Incorrect output cord connections. Connect the cords properly. If the problem persists, the cords may be defective. Appropriate input selector is not pressed. Press the appropriate input selector corresponding to the input source. The protection circuit has been activated because of short circuit etc. Turning the unit off and then on will reset the protection circuit. The SLEEP timer functioned. Do not make the SLEEP timer function. Incorrect setting of the BALANCE control. Adjust it to the appropriate position. Incorrect cord connections. Connect the cords properly. If the problem persists, the cords may be defective. Incorrect cord connections. Firmly connect the audio plugs. If the problem persists, the cords may be defective. No connection from the turntable to the GND terminal. Make the GND connection between the turntable and this unit. The sound suddenly goes off. Only one side speaker outputs the sound Amplifier Sound “hums”. The volume level is low while playing a record. The record is being played on a turntable with an MC cartridge. The player should be connected to the unit through the MC head amplifier. The volume level cannot be increased, or sound is distorted. The power to the component connected to the REC OUT terminals of this unit is off. Turn the power to the component on. No sound from the rear speakers. The sound output level to the rear speakers is set to 0. Turn up the sound output level with the REAR LEVEL control. The monaural sound source is played in DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED mode. Select another program suitable for the monaural sound source. The sound output level to the center speaker is set to 0. Turn up the sound output level with the CENTER LEVEL control. The center channel mode is in PHANTOM mode. Select NORMAL or WIDE. Incorrect sound field program selection. Select the appropriate program. No sound from the center speaker. others Remote control transmitter AM FM No sound field program is selected. FM stereo reception is noisy. Because of the characteristics of FM stereo broadcasts, this is limited to cases where the transmitter is too far away or the antenna input is poor. Check the antenna connections. Try using a multiple element FM antenna. There is distortion and clear reception cannot be obtained even with a good FM antenna. There is multipath interference. Adjust antenna placement to eliminate multipath interference. A desired station cannot be tuned in with Auto tuning. The station is too weak. Use Manual tuning mode. Use a high quality directional FM antenna. A desired station cannot be tuned in with Auto tuning. Weak signal or loose antenna connections. Tighten the AM loop antenna connections and rotate it for best reception. Use Manual tuning mode. There are continuous crackling and hissing noises. Noises will result from lighting, fluorescent lamps, motors, thermostats and other electrical equipment. Use an outdoor antenna and a ground wire. This will help somewhat but it is difficult to eliminate all noise. There are buzzing and whining noises (especially in the evening). A television set is being used nearby. Relocate this unit away from the TV. The remote control transmitter does not work. Direct sunlight or lighting (of an inverter type of fluorescent lamp etc.) is striking the remote control sensor of the main unit. Change the position of the main unit. The batteries of this remote control transmitter are too weak. Replace the batteries with new ones. The power to this unit is off. Turn the power to this unit on. The sound is degraded when monitoring is performed by using the headphones connected to the compact disc player or cassette deck which are connected with this unit. 37 SPECIFICATIONS AUDIO SECTION Minimum RMS Output Power per Channel Front L, R 8 ohms, 20 Hz to 20 kHz, 0.015% THD ............................................................. 100W+100W 6 ohms, 20 Hz to 20 kHz, 0.04% THD [U.S.A. model only] .......................... 120W+120W Center 8 ohms, 1 kHz, 0.015% THD ......................... 100W Rear L, R 8 ohms, 1 kHz, 0.08% THD .................. 25W+25W Maximum Output Power [General model only] 8 ohms, 1 kHz, 10% THD (FRONT L/R) ............................................................. 135W+135W Dynamic Power per Channel (by IHF Dynamic Headroom measuring method) 8/6/4/2 ohms ...................... 130/160/215/310W Dynamic Headroom [U.S.A. and Canadian models only] 8 ohms .......................................................... 1.14 dB Power Band Width 8 ohms, 50W, 0.08% THD ....................................................... 10 Hz to 50 kHz Damping Factor (SPEAKER·A) 8 ohms, 20 Hz to 20 kHz .................... 200 or more Input Sensitivity/Impedance PHONO MM ........................... 2.5 mV/47 k-ohms CD/TAPE/LD·TV/VCR ...... 150 mV/47 k-ohms MAIN IN ...................................... 1.0V/47 k-ohms Maximum Input Signal PHONO MM (1 kHz, 0.02% THD) ....................................................... 110 mV or more CD/TAPE/LD·TV/VCR (EFFECT ON) (1 kHz 0.5% THD) ............................................ 2.2V Output Level/Impedance REC OUT ............................... 150 mV/1.0 k-ohms PRE OUT (FRONT) ................... 1.0V/1.5 k-ohms LPF (EFFECT OFF) .................... 3.5V/2.7 k-ohms Headphone Jack Rated Output/Impedance (8 ohms, 1 kHz, 150 mV) ............ 0.55V/390 ohms Frequency Response (20 Hz to 20 kHz) MAIN IN .................................................... 0±0.2 dB CD/TAPE/LD·TV/VCR (FRONT L/R) ..................................................................... 0±0.5 dB RIAA Equalization Deviation PHONO MM ............................................. 0±0.5 dB Total Harmonic Distortion PHONO MM to REC OUT 20 Hz to 20 kHz, 1V ..................... 0.01% or less CD/TAPE/LD·TV/VCR (EFFECT OFF) to SP OUT 20 Hz to 20 kHz, 50W/8 ohms ...................................................... 0.015% or less CD/TAPE/LD·TV/VCR toSP OUT (REAR) 1 kHz 12.5W/8 ohms .................... 0.3% or less Signal-to-Noise Ratio (IHF-A Network) PHONO MM to REC OUT (5 mV Input Shorted) ........................................................... 86 dB or more CD/TAPE/LD·TV/VCR to SP OUT (Input Shorted, EFFECT OFF) ....... 98 dB or more Residual Noise (IHF-A Network) SP OUT (FRONT L/R) ................... 170 µV or less Channel Separation (Vol. –30 dB, EFFECT OFF) PHONO MM (Input Shorted 1 kHz/10 kHz) ................................ 60 dB or more/55 dB or more CD/TAPE/LD·TV/VCR (Input 5.1 k-ohms Shorted 1 kHz/10 kHz) ................................ 60 dB or more/45 dB or more Tone Control Characteristics BASS: Boost/cut ............................. ±10 dB (50 Hz) Turnover Frequency ..................... (350 Hz) TREBLE: Boost/cut .................... ±10 dB (20 kHz) Turnover Frequency .............. (3.5 kHz) 38 Filter Characteristics LPF (fc=200 Hz) ....................................... 6 dB/oct Gain Tracking Error (0 to –70 dB) ................................................................ 3 dB or less Tuner Output Level/Impedance (1 kHz) FM 100% MOD ...................... 500 mV/2.2 k-ohms AM 30% MOD ....................... 150 mV/2.2 k-ohms BASS EXTENSION .......................... +6dB (50 Hz) VIDEO SECTION Video Signal Type [U.S, Canadian and General models] ............. NTSC [Australian, Singapore and General models] ... PAL Video Signal Level .......................... 1 Vp-p/75 ohms S-Video Signal Level Y .................................................... 1 Vp.p/75 ohms C ............................................. 0.286 Vp.p/75 ohms Maximum Input Level ................... 1.5 Vp-p or more Signal-to-Noise Ratio .......................... 50 dB or more Monitor Out Frequency Response ............................................ 5 Hz to 10 MHz, –3 dB FM TUNER SECTION Tuning Range [U.S.A. and Canadian models] .................................................... 87.5 to 107.9 MHz [Australian, Singapore and General models] .................................................... 87.5 to 108.0 MHz 50 dB Quieting Sensitivity (IHF, 75 ohms) Mono ........................................... 1.55 µV (15.1 dBf) Stereo ............................................. 21 µV (37.7 dBf) Usable Sensitivity (75 ohms) (30 dB S/N Quieting, 1 kHz, 100% mod.) ......................................................... 0.8 µV (9.3 dBf) Image Response Ratio ........................................ 45 dB IF Response Ratio ............................................... 80 dB Spurious Response Ratio ................................... 70 dB AM Suppression Ratio ....................................... 55 dB Capture Ratio ..................................................... 1.5 dB Alternate Channel Selectivity ........................... 85 dB Signal-to-Noise Ratio (IHF) Mono/Stereo ..................................... 80 dB/75 dB Harmonic Distortion (1 kHz) Mono/Stereo ............................................ 0.1/0.2% Stereo Separation (1 kHz) .................................. 50 dB Frequency Response 20 Hz to 15 kHz ........................................ 0 ±1.5 dB AM TUNER SECTION Tuning Range [U.S.A., Canadian and General models] ....................................................... 530 to 1,710 kHz [Australian and Singapore models] ....................................................... 531 to 1,611 kHz Usable Sensitivity ....................................... 100 µV/m Selectivity ............................................................. 32 dB Signal-to-Noise Ratio ......................................... 50 dB Image Response Ratio ........................................ 40 dB Spurious Response Ratio ................................... 50 dB Harmonic Distortion (400 Hz) ........................... 0.3% GENERAL Power Supply [U.S.A. and Canadian models] ....................................................... AC 120V, 60 Hz [Australian model] ..................... AC 240V, 50 Hz [Singapore model] ....................... AC 230V, 50Hz [General model] AC 110/120/220/240V, 50/60 Hz Power Consumption [U.S.A.] ............................................................ 340W [Canadian models] ......................... 330W/440VA [Australian , Singapore and General models] .......................................................................... 340W Maximum Power Consumption [Gemeral model] ................................................. 700W AC Outlets [U.S.A model] 2 SWITCHED OUTLETS .......... 120W max. total 1 UNSWITCHED OUTLET ................ 200W max. [Canadian model] 2 SWITCHED OUTLETS ........... 120W max. total 1 UNSWITCHED OUTLET ................ 180W max. [General model] 2 SWITCHED OUTLETS ........... 120W max. total 1 UNSWITCHED OUTLET ................ 200W max. [Australian model] 1 SWITCHED OUTLET ...................... 120W max. [Singapore model] 2 SWITCHED OUTLETS ........... 120W max. total Dimensions (W x H x D) ................................................. 435 x 171 x 470 mm (17-1/8” x 5-3/4" x 15-3/16") Weight ............................................................... 15.0 kg Accessories ..................................... AM loop antenna Indoor FM antenna Remote control transmitter Batteries User Program Sheets Specifications are subject to change without notice. YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77321 MARNE-LA VALLEE-CEDEX 2, FRANCE ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND SCANDINAVIA A.B J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA VT26730-3 BWWb, V Printed in Japan
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Yamaha RX-V890 Manual de usuario

Categoría
Reproductores de casete
Tipo
Manual de usuario