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ZT44470 EN MIXING CONSOLE 3 4 5 Make sure that all switches on the unit are not engaged (pressed in). Turn all the level control knobs fully to the left (minimum). These include the [GAIN] knobs (white), [LEVEL] knobs (white), and [STEREO LEVEL] knob (red). Set the equalizer knobs (green) to the center “D” position. Applying Effects Troubleshooting The MG10XU features high-quality built-in signal processing effects that are in the same league as our famed SPX effect processor series. Applying effects (as described below) allows you to simulate the acoustics of different performance environments. 4 GAIN Owner’s Manual • AC power adapter • Precautions: Please read this thoroughly before using the product. Warranty information for Europe is also included in this leaflet. • Technical Specifications (English only): Includes block diagram, dimensions, general specifications, and input/output characteristics. • Cubase AI Download Information (MG10XU only): Contains the access code necessary for downloading the Steinberg DAW software “Cubase AI.” Visit the following Yamaha website for downloading and installing Cubase AI, and information on making necessary settings. http://www.yamahaproaudio.com/mg_xu/ • Owner’s manual (this leaflet) 4 LEVEL 4 STEREO LEVEL 6 If you connect a device with high output level, such as a CD player or an electric keyboard, to one of the channels 1 to 4, turn on (O) the [PAD] switch of the corresponding channel*. *Channel: Location or path where sound is input. Channel STEP 1 Connecting external devices, such as speakers, microphones and instruments Connection Example NOTE If you are using condenser microphones, turn on (O) the [PHANTOM +48V] switch. 7 8 Make sure that the volume of a powered speaker or amplifier is set to the minimum. Turn on the power to the connected devices in the following order: (microphone), Electric acoustic guitar Footswitch (Yamaha FC5; MG10XU only) [ Powered speaker L R L R R L L R L R (audio device) (speakers). turning the power off. 9 L /I] (this unit) (instrument), NOTICE Follow this order to prevent any loud, unexpected noise from the speakers. Reverse the order when Headphones R Turn the [PROGRAM] knob to select a desired effect program number from the effect program list. The currently selected effect program number flashes on the display. NOTE For details about the effect programs, refer to the “Effect Programs” list below. Set the [STEREO LEVEL] knob to the “L” position. 10 For channels to which a microphone is connected, set the [GAIN] knob to roughly the 12 o’clock position. 11 Set the [LEVEL] knob of each channel in use to the “L” position. Rear Panel Portable audio player L R 3 4 5 12 While playing your instrument or speaking into the microphone, raise the volume of the powered speaker or amplifier until the desired volume is reached. NOTE If the sound is not heard or the sound is distorted, follow the instructions in the boxed section below 13 Set the [LEVEL] knobs as necessary to adjust the volume balance between the STEP 2 Getting sound to the speakers 2 /I] switch at the rear panel is set to the [ ] position Connect the supplied AC power adaptor. 1Connect the power adaptor with the gap of the plug facing up, aligning it to the [AC ADAPTOR IN] connector. 2Turn the fastening ring clockwise to secure the connection. [AC ADAPTOR IN] jack 1 3Plug the power adaptor into a standard household power outlet. 1 2 FF Are the [PEAK] LEDs lit? Lower the [GAIN] knobs of all relevant channels, or turn on (O) the [PAD] switches. FF Are the “PEAK” (red) lamps of the level meter lit? Set the [LEVEL] knobs of all relevant channels and the [STEREO LEVEL] knob to appropriate levels. FF Is the volume from the connected device too loud? Lower the volume of the connected device. The sound of vocals and speech isn’t clear enough. Set the [FX RTN LEVEL] knob to the “L” position. FF Turn on (O) the [HPF] switches. The sound becomes clearer. Turn the [FX] knob of the channel to which you want to apply the effect to adjust the effect amount. FF Adjust the equalizer knobs (example: lower the [LOW] knobs, raise the [HIGH] knobs). No. FF Did you set the [FX RTN LEVEL] knob to an appropriate level? Program Parameter Description 1 REV HALL 1 Reverb Time 2 REV HALL 2 Reverb Time 3 REV ROOM 1 Reverb Time 4 REV ROOM 2 Reverb Time 5 REV STAGE 1 Reverb Time 6 REV STAGE 2 Reverb Time 7 REV PLATE Reverb Time Simulation of a metal-plate reverb unit, producing a more hard-edged reverberation. 8 DRUM AMB Reverb Time A short reverb that is ideal for use with a drum kit. Room Size An effect which isolates only the early reflection components from reverberation, creating a ‘flashier’ effect than conventional reverb. The unit can be mounted onto a microphone stand as illustrated at right, by using the optionally available Yamaha BMS-10A microphone stand adaptor. For instructions on mounting, refer to the BMS-10A Owner’s Manual. Reverb simulating a large stage. General Specifications 0 dBu = 0.775 Vrms Output impedance of signal generator (Rs) = 150 Ω All level knobs are nominal if not specified. Frequency Response Input to STEREO OUT +0.5 dB/-1.0 dB (20 Hz to 48 kHz), refer to the nominal output level @ 1 kHz, GAIN knob: Min Total Harmonic Distortion(THD+N) Input to STEREO OUT 0.02 % @ +14 dBu (20 Hz to 20 kHz), GAIN knob: Min 0.003 % @ +24 dBu (1 kHz), GAIN knob: Min Equivalent Input Noise -128 dBu (Mono Input Channel, Rs: 150 Ω, GAIN knob: Max) Residual Output Noise -102 dBu (STEREO OUT, STEREO LEVEL knob: Min) 10 GATE REV Room Size An effect which cuts halfway the tail-end of the reverberation, making a more powerful sound. 11 SINGLE DLY Delay Time An effect which repeats the same sound only once. Shortening the delay time produces a doubling effect. Hum & Noise *1 (20 Hz to 20 kHz) Crosstalk (1 kHz) *2 -83 dB Feedback delay adding multiple delayed signals. Input Channels 10 channels; Mono [MIC/LINE]: 4, Stereo [LINE]: 3 Output Channels STEREO OUT: 2, PHONES: 1, MONITOR OUT: 1, AUX (FX) SEND: 1 Delay Time 13 VOCAL ECHO Delay Time Echo designed for conventional vocals. 14 KARAOKE Delay Time Echo designed for karaoke (sing-along) applications. 15 PHASER LFO* Freq 16 FLANGER LFO* Freq Adds modulation to the sound, producing an effect similar to the rise and fall sound of a jet engine. 18 CHORUS 2 LFO* Freq NOTE The volume can be adjusted by using three functions; [PAD], [GAIN], and [LEVEL]. Once you set 19 SYMPHONIC LFO* Depth Multiplies the sound for thicker texture. 20 TREMOLO LFO* Freq An effect which cyclically modulates the volume. LFO* Freq A wah-wah effect with cyclical filter modulation. The [PARAMETER] knob adjusts the speed of the LFO* that modulates the “wah” filter. 21 AUTO WAH If there is no sound: 22 RADIO VOICE Cutoff Offset Recreates the lo-fi sound of an AM radio. The [PARAMETER] knob adjusts the frequency band to be emphasized. 23 DISTORTION Drive Adds a sharp-edged distortion to the sound. PITCH 24 CHANGE Pitch An effect which changes the pitch of the signal. *“LFO” stands for Low Frequency Oscillator. An LFO is normally used to periodically modulate another signal, using different waveform shapes and modulation speeds. Stereo: 1, AUX (FX): 1 Bus Cyclically changes the phase to add modulation to the sound. Creates a thicker ensemble-like sound by adding the multiple sounds with different delay times. • Are the [PAD] switches turned off (N)? Turn the switches on (O). • Are the [GAIN] knobs raised too high? Turn the knobs to the left to lower the volume. • Lower the volume of the connected instruments or audio devices. Mounting to a Microphone Stand Reverb simulating the acoustics of a small space (room). LFO* Freq If the sound is distorted: FF Are the [LEVEL] knobs and [FX] knobs of all relevant channels raised enough? Reverb simulating a large space such as a concert hall. 17 CHORUS 1 the [PAD] switch and the [GAIN] knob, avoid adjusting those controls as much as possible. Instead normally use the [LEVEL] knob to adjust the volume. For details about each function, see the “Controls and Functions” section. ) FF Did you turn on (O) the [FX ON] switch? Effect Programs corresponding channels. This completes the STEP 2 instructions. • Are the [PAD] switches turned on (O)? Turn the switches off (N). • Are the [GAIN] knobs raised enough? • Raise the volume of the connected instruments or audio devices. [ /I] switch Sound is faint, distorted, or noisy. Turn on (O) the [FX ON] switch. step 13. Make sure that the [ (power off). ) FF Is the [STEREO MUTE] switch turned on (O)? ( If the switch is turned on (O), the sound is not output from the [MONITOR OUT] jack/[PHONES] jack, since this mutes the sound of the stereo bus. Press the [PROGRAM] knob to actually select it. The desired effect program is selected. 12 DELAY 1 FF Are the [PAD] switches turned on (O)? Turn the switch off (N). If the volume of sound source is too soft, turning on the switch may result in no audible sound. ) FF Is the [TO MON N/TO STO] switch set to [TO STO]? ( If you set the switch to [TO STO] when you use the DAW software, a loop may be produced depending on the setting of DAW software, possibly resulting in feedback. When recording while listening to the sound via a computer, be sure to set the switch to [TO MON N]. 9 EARLY REF Computer FF Have the [GAIN] knobs and [LEVEL] knobs of all relevant channels as well as the [STEREO LEVEL] knob been set to appropriate levels? No effect is applied ( Connect speakers, microphones and instruments referring to the connection example below. Electric keyboard 1 2 Make sure that all devices to be connected to the unit are turned off. Microphones Microphones 4 FF Did you properly connect the microphones, external devices, and speakers? FF Are the [GAIN] knobs and [LEVEL] knobs of all relevant channels, and the [STEREO LEVEL] knob set too high? PAD Powered monitor speaker FF Are any connecting cables shorted or damaged? 3 Channel number Top Panel 1, 2 5 Quick Start Guide 1 2 FF Did you turn on the powered speaker or the power amp? Effect program list Included Accessories FF Did you firmly and securely connect the power plug? 1 5 Equalizer • In this manual, “ ” is used to indicate contents unique to the MG10XU and “ ” is used to indicate contents unique to the MG10. The contents are common if those logos are not indicated. • In this manual, all panel illustrations show the MG10XU panel, unless otherwise specified. • The illustrations as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your device. • Steinberg and Cubase are registered trademarks of Steinberg Media Technologies GmbH. • The company names and product names in this manual are the trademarks or registered trademarks of their respective companies. FF Did you properly plug the power adaptor into an appropriate AC outlet? No sound. Welcome Thank you for purchasing the Yamaha MG10XU/MG10 Mixing Console. Please read this manual thoroughly to get the most out of the product and ensure long-term, trouble-free use. After reading this manual, keep it readily available for future reference. Power does not come on. PAD CH 1 – CH 4 26 dB HPF CH 1 – CH 4 80 Hz, 12 dB/oct COMP CH 1 – CH 2 1-knob compressor Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB, Attack time: approx. 25 msec, Release time: approx. 300 msec CH 1 – CH 9/10 HIGH: Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving Input Channel Function CH 1 – CH 4 MID: Gain: +15 dB/-15 dB, Frequency: 2.5 kHz peaking CH 1 – CH 9/10 LOW: Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving PEAK LED CH 1 – CH 4 LED turns on when post EQ signal reaches 3 dB below clipping (+17 dBu) Level Meter Post STEREO LEVEL Knob 2x7 -segment LED meter [PEAK (+17), +10, +6, 0, -6, -10, -20 dB] Internal Digital Effects (MG10XU Only) SPX Algorithm 24 programs USB Audio (MG10XU Only) 2 IN / 2 OUT USB Audio Class 2.0 compliant Sampling Frequency: Max 192 kHz, Bit Depth: 24-bit EQ Phantom Power Voltage +48 V Power Supply Adaptor PA-10 ( AC 38 VCT, 0.62 A, Cable length = 3.6 m), or equivalent recommended by Yamaha Power Consumption 22.9 W Dimensions (W×H×D) 244 mm×71 mm×294 mm (9.6"x 2.8"x 11.6") Net Weight MG10XU: 2.1 kg (4.6 lbs.), MG10: 1.9 kg (4.1 lbs.) Optional Accessory Mic Stand Adaptor: BMS-10A Operating Temperature 0 to +40 °C *1 Noise is measured with A-weighting filter. *2 Crosstalk is measured with 1 kHz band pass filter. * The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha website then download the manual file. For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Controls and Functions Top panel Channel section (Input: 1 to $) 1 [MIC/LINE] mono input jacks (channels 1-4) Top panel For connecting a microphone, instrument, or audio device (CD player, etc.) to the unit. These jacks support both XLR and phone plugs. 7 # Top panel Master section (Input: % to D) $ 2 [PAD] switches % Turning the switch on (O) will attenuate the sound input to the unit. If you hear distortion or the [PEAK] LED ) lights, turn the switch on (O). NOTE Turn the [LEVEL] knob to "0" (minimum) before toggling the [PAD] switch on (O) and off (N). ^ 1 Otherwise, noise may be produced. 3 [HPF] (High-Pass Filter) switches Turning the switch on (O) will apply a high-pass filter that attenuates frequencies below 80 Hz. When speaking into the microphone, you may want to turn this switch on (O), in order to reduce unwanted vibration and wind sound received by the microphone. 4 [GAIN] knobs Adjusts the amount of compression applied to the channel. As the knob is turned to the right, the threshold, the ratio, and the output level are adjusted at the same time. Threshold: +22 dBu to -8 dBu; Ratio: 1:1 to 4:1; Output level: 0 dB to +7 dB; Attack time: approx. 25 msec; Release time: approx. 300 msec 2 & 3 * When this switch is on (O), the LED lights indicating that the unit supplies DC+48 V phantom power to the XLR plugs of the [MIC/LINE] mono input jacks 1. Turn this switch on when using a phantom-powered condenser microphone. NOTICE 4 1 5 ( 2 A 7 4 order to prevent noise and possible damage to external devices as well as the unit when you operate this switch. • Do not connect/disconnect a cable to/from channels 1 to 4 while this switch is on. B 8 • Turn the [LEVEL] knobs of channels 1 to 4 to the minimum before operating this switch. C 9 7 Equalizer (EQ) knobs Adjust the sound quality by using the [HIGH] (high frequency band), [MID] (middle frequency band), and [LOW] (low frequency band) knobs. If you do not need to adjust the sound quality, set the knob to the “D” (flat) position. 6 @ BAL LINE R Stereo bus R [PAN]: Adjusts the volume balance of each channel sent to the stereo bus, and determines the positioning of the sound image between left and right (stereo L/R). When the knob is located at the 12 o’clock position, the channel’s sound will be sent to the stereo bus channels (L and R) at the same volume. In this case, the sound image is positioned at the center. Rear panel A Level meter The L and R meters show the level (volume) of the signal output from the [STEREO OUT] jacks by seven steps; “PEAK” (+17), “+10”, “+6”, “0”, “-6”, “-10”, and “-20” dB. If the “PEAK” lamp continuously lights in red, turn the [STEREO LEVEL] knob to the left to lower the volume. Turning the switch on (O) will mute the sound of stereo bus from the output of [MONITOR OUT] jacks or [PHONES] jack. In this state, when setting the [TO MON N /TO STO] switch for channels 9/10 to [TO MON N], you can hear the sound only from channels 9/10. For details about the switch, see the “Rear panel USB section” below. C [MONITOR/PHONES] knob Adjusts the volume output to the [MONITOR OUT] jacks and the [PHONES] jack. D [STEREO LEVEL] knob Top panel Internal effect section (Output: 1 to 7) 2 [PROGRAM] knob Selects one of the 24 internal effects from 1-24. Turn the knob to select the desired effect program, and then press the knob to actually set it. For instructions on how to apply the effect, see the section “Applying effects” on the reverse side. NOTE Turning the knob while pressing it down also allows you to simultaneously select and set the effect program (without needing to press the knob finally to set it). 3 [PARAMETER] knob ) [PEAK]LED E Lights when the volume of input and/or post-equalizer sound is too high (when reaching 3 dB below clipping). If it is lit frequently, turn the [GAIN] knob 4 to the left to lower the volume. F Adjusts the parameter (depth, speed, etc.) for the selected effect. The last value used with each effect program is saved. For details about the parameter, see the “Effect programs” list on the reverse side. G NOTE When you change to a different effect program, the unit automatically restores the value that was previously used with that program (regardless of the current position of the [PARAMETER] knob). Once you turn the [PARAMETER] knob, the value of current knob position will become valid. ! [LEVEL] knobs 4 Effect program list For adjusting the volume balance among the channels. Generally, set this to the “L” position. @ [TO MON N /TO STO] switch Rear panel This is the list of the internal effect programs. For details about the programs, see the “Effect programs” list on the reverse side. Caution For selecting the output destination of the input sound to channels 9/10. Normally set this switch to [TO STO]. When you use the unit with a computer connected to the [USB 2.0] terminal, toggle this switch according to your specific application, referring to the chart in “Rear panel USB section.” # [LINE] stereo input jacks (channels 5/6 to 9/10) The unit may heat up by as much as 15 to 20°C while the power is on. This is normal. Please note that since the panel temperature may exceed 50°C in ambient temperatures higher than 30°C, you should exercise caution to prevent burns. NOTE Regarding input to channels 5/6 and 7/8, if both phone and RCA-pin jacks are used at the same time, the phone jack will take priority. 7 [FOOT SW] jack /I] switch For turning the power of the unit to standby ( ) and on (I). The [POWER] LED ( on the top panel lights when the switch is set to on (I). $ [LINE N /USB O] switch Toggles the sound source input to channels 9/10. When the switch is set to [LINEN], the source will be the [LINE] stereo input jack #, and when set to [USB O], the source will be the [USB 2.0] terminal G. When the switch is turned on (O), the switch lights indicating the internal effect is active. If you turn off the internal effect with the foot switch when the switch is on (O), the LED of the switch flashes. Adjusts the volume of the internal effect sound. For connecting the supplied AC power adaptor. F [ 5 [FX ON] switch 6 [FX RTN LEVEL] knob E [AC ADAPTOR IN] connector For connecting line-level devices such as an electric keyboard or an audio device. These jacks support phone plugs and RCA-pin plugs. For connecting to a computer via a commercially available USB 2.0 cable. (This product does not come with a cable.) The sound of the stereo bus is output to the computer. (The [STEREO LEVEL] knob D does not affect the sound.) For inputs and outputs to/from the computer, you may need a dedicated USB driver. Check and download the driver at the following Yamaha web site and install it to the computer before use. http://www.yamahaproaudio.com/mg_xu/ /I] switch on the rear panel is set to on (pressed to the [I] position). Indicates the effect program number selected with the [PROGRAM] knob 2. The number flashes during selection; however, if several seconds pass without a selection being made, the program returns to the last number selected. [PAN/BAL]: Provides both [PAN] and [BAL] functions. You can use this as a [PAN] control when sound is input to the [LINE] (L/MONO) jack, and as a [BAL] control when sound is input to both [LINE] (L) and [LINE] (R) jacks. G [USB 2.0] terminal Lights when the [ 1 Display [BAL]: Determines the volume balance of the stereo channels (5/6 to 9/10) (L/R) sent to the stereo bus. When the knob is located at the 12 o’clock position, the sound of the stereo channels will be sent to the stereo bus channels (L and R) at the same volume respectively. Rear panel USB section ( [POWER] LED D [AUX]: Adjusts the volume sent from each channel to the [AUX SEND] jack. Stereo bus L For connecting a monitor system for operators. These jacks support phone plugs. 5 ) ! [FX]: Adjusts the volume sent from each channel to the internal effect and the [FX SEND] jack. LINE L For connecting a set of headphones. This jack supports a stereo phone plug. Adjusts the overall volume output from the [STEREO OUT] jacks. 8 [FX] (effect) knobs [AUX] knobs 9 [PAN] knobs (channels 1 to 4) [BAL] knobs (channels 5/6 and 7/8) [PAN/BAL] knobs (channels 9/10) & [PHONES] output jack B [STEREO MUTE] switch 3 Be sure to leave this switch off (N) if you do not need phantom power. Follow the important precautions below, in • Be sure to leave this switch off when connecting a microphone or other device that does not require phantom power to channels 1 to 4. ^ [STEREO OUT] jacks * [MONITOR OUT] jacks 6 6 [PHANTOM +48V] switch/LED For connecting an external effects unit or a monitor system for players. This phone-plug jack outputs the sound adjusted with the [FX] knob or [AUX] knob respectively. For connecting a powered speaker or powered amp. These jacks support both XLR and phone plugs. Determines the basic volume for each of the channels 1 to 4. Adjust these so that the corresponding [PEAK] LEDs ) flash briefly when singing or playing the loudest. 5 [COMP] knobs % [FX SEND] jack : [AUX SEND] jack: NOTE • Rapidly switching the unit between on and standby in succession can cause it to malfunction. After For connecting an optionally available unlatched type footswitch, such as the Yamaha FC5. When the [FX ON] switch 5 is turned on (O), the internal effects can be toggled on/off with the footswitch as needed with your foot. This jack supports a phone plug. setting the unit to standby, wait for about six seconds before turning it on again. • Even when the switch is in the standby ( ) position, electricity is still flowing to the unit. If you do not plan to use the unit for a while, be sure to unplug the AC power adaptor from the outlet. n Using the unit connected to a computer Set the [LINEN /USB O] switch of channels 9/10 to [USB O]. Depending on your particular application, you can specify the output destination and monitoring sound by selecting the settings of the [TO MON N /TO ST O] switch @ for channels 9/10 and the [STEREO MUTE] switch B. For details, see the chart at right. n Adjusting the playback volume from a computer (Attenuator) 1. Press the [PROGRAM] knob five times consecutively to display the attenuation value (dB). 2. Turn the [PROGRAM] knob to set it between -24 dB to 0 dB (minus sign is not displayed). 3. Press the [PROGRAM] knob again to exit the setting. When the attenuator is enabled, the dot lights at the lower right of the display. Application Selection of the output destination sent from channels 9/10 [TO MON N/TO STO] switch When recording with DAW software while listening to the playback sound from a computer. [TO MON N]*1 When playing back sound from a computer. For example: BGM playback, Internet broadcasting [TO STO] Output destination Selection of the monitoring sound with the headphones/monitor speaker [STEREO MUTE] switch On (O) Off (N) You can hear the mixed sound of the direct instrument sound input to the MG10XU and the playback sound from the DAW. (Direct monitoring : On) Normally set to Off (N) You can hear the mixed sound of the instrument sound input to the MG10XU and the playback sound from a computer. [MONITOR OUT] jack*2 [PHONES] jack*2 Stereo bus è [STEREO OUT] jack Monitoring sound The direct sound (of the instrument) input to the MG10XU will be muted, allowing you to hear the playback sound only from the DAW. (Direct monitoring: Off ) *1 NOTICE If you set the switch to [TO STO] when you use the DAW software, a loop may be produced, possibly resulting in feedback. *2 The audio signal cannot be sent to the computer because it does not pass through the stereo bus. Yamaha Pro Audio global website http://www.yamahaproaudio.com/ Yamaha Downloads http://download.yamaha.com/ 2 Manual Development Department © 2013 Yamaha Corporation Published 03/2016 MWLE*.*- **C0 Printed in Malaysia