Yamaha QL5 El manual del propietario

Marca: Yamaha

Modelo: QL5

Categoría: Mezcladores de audio

Tipo: El manual del propietario

Este manual también es adecuado para

Owner’s Manual

Keep This Manual For Future Reference.

Owner’s Manual

Contents

PRECAUTIONS................................... 5

Introduction .................................... 8

Accessories.........................................................8

About utility software.........................................8

About firmware updates.....................................8

About the Owner’s Manual ................................8

Conventions in this manual................................8

An overview of the QL series ........... 9

Features .............................................................9

About the models ............................................10

Controls and functions .................. 11

Top panel ........................................................11

Front panel ......................................................15

Rear panel........................................................16

Touch screen.................................. 18

Basic touch screen operations ..........................18

On-screen user interface ..................................18

Viewing the touch screen.................................20

Using the tool buttons .....................................21

Basic operation of the QL series .... 22

Controlling selected channels

(Selected Channel section)........................22

Using the top panel (Channel Strip section) .....22

Assigning a name.............................................23

Using libraries ..................................................24

Initializing settings ...........................................28

Copying and pasting settings...........................28

Comparing two sets of settings........................29

Connection..................................... 30

About network connections .............................30

Connecting to I/O devices ...............................30

Audio input/output connections ......................32

Installing an optional card................................33

Quick Guide ................................... 34

Connecting the devices....................................34

Setting the input channels ...............................35

Sending an input channel signal to the

STEREO bus...............................................36

Applying EQ/dynamics.....................................36

Setting the output channels .............................37

Using GEQ .......................................................37

Using Automixer ..............................................38

Applying effects ...............................................38

Changing the patch settings ............................40

Grouping and linking.......................................41

Using talkback..................................................41

Routing the oscillator to an output

channel.....................................................42

Using scene memories .....................................42

Recording and playing audio using a USB

flash drive .................................................43

Saving and loading the unit settings ................44

Other functions ............................. 45

Adjusting the brightness of the touch

screen, lamps, and other indicators...........45

Setting the date and time of the internal

clock .........................................................45

Initializing the unit to factory default settings...46

Adjusting the faders

(Calibration function)................................46

Troubleshooting ............................ 48

Attaching the RK1 rackmount kit

(sold separately)............................ 50

General specifications ................... 51

Dimensional Diagrams................... 52

Index .............................................. 53

Block Diagram ............ End of Manual

Level Diagram............. End of Manual

Owner’s Manual

The above warning is located on the rear/side of the unit.

L’avertissement ci-dessus est situé sur le arrière/côté de l’appareil.

Explanation of Graphical Symbols

Explication des symboles

The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dan-

gerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

L’éclair avec une flèche à l’intérieur d’un triangle équilatéral est destiné à attirer l’attention de l’utilisateur sur la présence d’une « tension

dangereuse » non isolée à l’intérieur de l’appareil, pouvant être suffisamment élevée pour constituer un risque d’électrocution.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance

(servicing) instructions in the literature accompanying the product.

Le point d’exclamation à l’intérieur d’un triangle équilatéral est destiné à attirer l’attention de l’utilisateur sur la présence d’instructions

importantes sur l’emploi ou la maintenance (réparation) de l’appareil dans la documentation fournie.

IMPORTANT SAFETY

INSTRUCTIONS

1 Read these instructions.

2 Keep these instructions.

3 Heed all warnings.

4 Follow all instructions.

5 Do not use this apparatus near water.

6 Clean only with dry cloth.

7 Do not block any ventilation openings. Install in accordance with

the manufacturer’s instructions.

8 Do not install near any heat sources such as radiators, heat regis-

ters, stoves, or other apparatus (including amplifiers) that produce

heat.

9 Do not defeat the safety purpose of the polarized or grounding-type

plug. A polarized plug has two blades with one wider than the

other. A grounding type plug has two blades and a third grounding

prong. The wide blade or the third prong are provided for your

safety. If the provided plug does not fit into your outlet, consult an

electrician for replacement of the obsolete outlet.

10 Protect the power cord from being walked on or pinched particu-

larly at plugs, convenience receptacles, and the point where they

exit from the apparatus.

11 Only use attachments/accessories specified by the manufacturer.

12 Use only with the cart, stand, tripod, bracket,

or table specified by the manufacturer, or

sold with the apparatus. When a cart is used,

use caution when moving the cart/apparatus

combination to avoid injury from tip-over.

13 Unplug this apparatus during lightning

storms or when unused for long periods of

time.

14 Refer all servicing to qualified service per-

sonnel. Servicing is required when the apparatus has been dam-

aged in any way, such as power-supply cord or plug is damaged,

liquid has been spilled or objects have fallen into the apparatus,

the apparatus has been exposed to rain or moisture, does not oper-

ate normally, or has been dropped.

(UL60065_03)

PRÉCAUTIONS CONCER-

NANT LA SÉCURITÉ

1 Lire ces instructions.

2 Conserver ces instructions.

3 Tenir compte de tous les avertissements.

4 Suivre toutes les instructions.

5 Ne pas utiliser ce produit à proximité d’eau.

6 Nettoyer uniquement avec un chiffon propre et sec.

7 Ne pas bloquer les orifices de ventilation. Installer l’appareil con-

formément aux instructions du fabricant.

8 Ne pas installer l’appareil à proximité d’une source de chaleur

comme un radiateur, une bouche de chaleur, un poêle ou tout autre

appareil (y compris un amplificateur) produisant de la chaleur.

9 Ne pas modifier le système de sécurité de la fiche polarisée ou de

la fiche de terre. Une fiche polarisée dispose de deux broches dont

une est plus large que l’autre. Une fiche de terre dispose de deux

broches et d’une troisième pour le raccordement à la terre. Cette

broche plus large ou cette troisième broche est destinée à assurer

la sécurité de l’utilisateur. Si la fiche équipant l’appareil n’est pas

compatible avec les prises de courant disponibles, faire remplacer

les prises par un électricien.

10 Acheminer les cordons d’alimentation de sorte qu’ils ne soient pas

piétinés ni coincés, en faisant tout spécialement attention aux

fiches, prises de courant et au point de sortie de l’appareil.

11 Utiliser exclusivement les fixations et accessoires spécifiés par le

fabricant.

12 Utiliser exclusivement le chariot, le stand, le

trépied, le support ou la table recommandés

par le fabricant ou vendus avec cet appareil.

Si l’appareil est posé sur un chariot, déplac-

er le chariot avec précaution pour éviter tout

risque de chute et de blessure.

13 Débrancher l’appareil en cas d’orage ou lor-

squ’il doit rester hors service pendant une

période prolongée.

14 Confier toute réparation à un personnel qualifié. Faire réparer

l’appareil s’il a subi tout dommage, par exemple si la fiche ou le

cordon d’alimentation est endommagé, si du liquide a coulé ou des

objets sont tombés à l’intérieur de l’appareil, si l’appareil a été

exposé à la pluie ou à de l’humidité, si l’appareil ne fonctionne pas

normalement ou est tombé.

(UL60065_03)

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT

EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

AVERTISSEMENT

POUR RÉDUIRE LES RISQUES D’INCENDIE OU DE DÉCHARGE

ÉLECTRIQUE, N’EXPOSEZ PAS CET APPAREIL À LA PLUIE OU À

L’HUMIDITÉ.

Owner’s Manual

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions con-

tained in this manual, meets FCC requirements. Modifications not

expressly approved by Yamaha may void your authority, granted by

the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/

or another product use only high quality shielded cables. Cable/s

supplied with this product MUST be used. Follow all installation

instructions. Failure to follow instructions could void your FCC

authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the

requirements listed in FCC Regulations, Part 15 for Class “B” digital

devices. Compliance with these requirements provides a reason-

able level of assurance that your use of this product in a residential

environment will not result in harmful interference with other elec-

tronic devices. This equipment generates/uses radio frequencies

and, if not installed and used according to the instructions found in

the users manual, may cause interference harmful to the operation

of other electronic devices. Compliance with FCC regulations does

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

not guarantee that interference will not occur in all installations. If

this product is found to be the source of interference, which can be

determined by turning the unit “OFF” and “ON”, please try to elimi-

nate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by

the interference.

Utilize power outlets that are on different branch (circuit breaker or

fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the

antenna. If the antenna lead-in is 300 ohm ribbon lead, change the

lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results,

please contact the local retailer authorized to distribute this type of

product. If you can not locate the appropriate retailer, please contact

Yamaha Corporation of America, Electronic Service Division, 6600

Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by

Yamaha Corporation of America or its subsidiaries.

FCC INFORMATION (U.S.A.)

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT. The wires in this mains lead are coloured in accordance

with the following code:

As the colours of the wires in the mains lead of this apparatus may not

correspond with the coloured markings identifying the terminals in

your plug proceed as follows:

The wire which is coloured GREEN-and-YELLOW must be connected

to the terminal in the plug which is marked by the letter E or by the

safety earth symbol or colored GREEN or GREEN-and-YELLOW.

The wire which is coloured BLUE must be connected to the terminal

which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal

which is marked with the letter L or coloured RED.

GREEN-AND-YELLOW : EARTH

BLUE : NEUTRAL

BROWN : LIVE

(3 wires)

ADVARSEL!

Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. Udskiftning

må kun ske med batteri af samme fabrikat og type. Levér det brugte

batteri tilbage til leverandoren.

VARNING

Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller

en ekvivalent typ som rekommenderas av apparattillverkaren. Kassera

använt batteri enligt fabrikantens instruktion.

VAROITUS

Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo

ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävitä käytetty

paristo valmistajan ohjeiden mukaisesti.

(lithium caution)

NEDERLAND / THE NETHERLANDS

• Dit apparaat bevat een lithium batterij voor geheugen back-up.

• This apparatus contains a lithium battery for memory back-up.

• Raadpleeg uw leverancier over de verwijdering van de batterij op het

moment dat u het apparaat ann het einde van de levensduur of

gelieve dan contact op te nemen met de vertegenwoordiging van

Yamaha in uw land.

• For the removal of the battery at the moment of the disposal at the

end of life please consult your retailer or Yamaha representative

office in your country.

• Gooi de batterij niet weg, maar lever hem in als KCA.

• Do not throw away the battery. Instead, hand it in as small chemical

waste.

(lithium disposal)

This product contains a battery that contains perchlorate material.

Perchlorate Material—special handling may apply,

See www.dtsc.ca.gov/hazardouswaste/perchlorate.

* This applies only to products distributed by

YAMAHA CORPORATION OF AMERICA.

(Perchlorate)

* This applies only to products distributed by

YAMAHA CORPORATION OF AMERICA.

COMPLIANCE INFORMATION STATEMENT

(DECLARATION OF CONFORMITY PROCEDURE)

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following two conditions:

1) this device may not cause harmful interference, and

2) this device must accept any interference received including interfer-

ence that may cause undesired operation.

See user manual instructions if interference to radio reception is sus-

pected.

Responsible Party: Yamaha Corporation of America

Address: 6600 Orangethorpe Ave., Buena Park, Calif.

90620

Telephone: 714-522-9011

Type of Equipment: Digital Mixing Console

Model Name: QL5/QL1

(FCC DoC)

(class b korea)

Owner’s Manual

PRECAUTIONS

PLEASE READ CAREFULLY

BEFORE PROCEEDING

Please keep this manual in a safe place for

future reference.

WARNING

Always follow the basic precautions listed below to avoid

the possibility of serious injury or even death from

electrical shock, short-circuiting, damages, fire or other

hazards. These precautions include, but are not limited

to, the following:

Power supply/power cord

• Do not place the power cord near heat sources such as

heaters or radiators, and do not excessively bend or otherwise

damage the cord, place heavy objects on it, or place it in a

position where anyone could walk on, trip over, or roll anything

over it.

• Only use the voltage specified as correct for the device. The

required voltage is printed on the name plate of the device.

• Use only the supplied power cord/plug.

If you intend to use the device in an area other than in the one

you purchased, the included power cord may not be

compatible. Please check with your Yamaha dealer.

• Check the electric plug periodically and remove any dirt or dust

which may have accumulated on it.

• Be sure to connect to an appropriate outlet with a protective

grounding connection. Improper grounding can result in

electrical shock, damage to the device(s), or even fire.

Do not open

• This device contains no user-serviceable parts. Do not open

the device or attempt to disassemble the internal parts or

modify them in any way. If it should appear to be

malfunctioning, discontinue use immediately and have it

inspected by qualified Yamaha service personnel.

Water warning

• Do not expose the device to rain, use it near water or in damp

or wet conditions, or place on it any containers (such as vases,

bottles or glasses) containing liquids which might spill into any

openings. If any liquid such as water seeps into the device, turn

off the power immediately and unplug the power cord from the

AC outlet. Then have the device inspected by qualified Yamaha

service personnel.

• Never insert or remove an electric plug with wet hands.

Fire warning

• Do not put burning items, such as candles, on the unit.

A burning item may fall over and cause a fire.

If you notice any abnormality

• When one of the following problems occur, immediately turn off

the power switch and disconnect the electric plug from the

outlet. Then have the device inspected by Yamaha service

personnel.

- The power cord or plug becomes frayed or damaged.

- It emits unusual smells or smoke.

- Some object has been dropped into the device.

- There is a sudden loss of sound during use of the device.

• If this device should be dropped or damaged, immediately turn

off the power switch, disconnect the electric plug from the

outlet, and have the device inspected by qualified Yamaha

service personnel.

CAUTION

Always follow the basic precautions listed below to avoid

the possibility of physical injury to you or others, or

damage to the device or other property. These

precautions include, but are not limited to, the following:

Power supply/power cord

• When removing the electric plug from the device or an outlet,

always hold the plug itself and not the cord. Pulling by the cord

can damage it.

• Remove the electric plug from the outlet when the device is not

to be used for extended periods of time, or during electrical

storms.

Location

• Do not place the device in an unstable position where it might

accidentally fall over.

• Do not block the vents. This device has ventilation holes at the

rear/sides to prevent the internal temperature from becoming

too high. In particular, do not place the device on its side or

upside down. Inadequate ventilation can result in overheating,

possibly causing damage to the device(s), or even fire.

• Keep device away from the reach of children.

• Do not place the device in a location where it may come into

contact with corrosive gases or salt air. Doing so may result in

malfunction.

• Avoid being near the device during a disaster, such as an

earthquake. Since the device may turn over or fall and cause

injury, stay away from the device quickly and move to a safe

place.

• Before moving the device, remove all connected cables.

• When setting up the device, make sure that the AC outlet you

are using is easily accessible. If some trouble or malfunction

occurs, immediately turn off the power switch and disconnect

the plug from the outlet. Even when the power switch is turned

off, electricity is still flowing to the product at the minimum level.

When you are not using the product for a long time, make sure

to unplug the power cord from the wall AC outlet.

• When setting up the device, make sure that the power switch

can be easily turned ON/OFF. If some trouble or malfunction

occurs, immediately turn off the power switch and disconnect

the plug from the AC outlet.

• When transporting or moving the device, always use two or

more people. Attempting to lift the device by yourself may

damage your back, result in other injury, or cause damage to

the device itself.

PA_en_2 1/2

Owner’s Manual

Connections

• Before connecting the device to other devices, turn off the

power for all devices. Before turning the power on or off for all

devices, set all volume levels to minimum.

Maintenance

• Remove the power plug from the AC outlet when cleaning the

device.

Handling caution

• Do not insert your fingers or hands in any gaps or openings on

the device (vents).

• Avoid inserting or dropping foreign objects (paper, plastic,

metal, etc.) into any gaps or openings on the device (vents) If

this happens, turn off the power immediately and unplug the

power cord from the AC outlet. Then have the device inspected

by qualified Yamaha service personnel.

• Do not rest your weight on the device or place heavy objects

on it, and avoid use excessive force on the buttons, switches or

connectors.

• Do not use headphones for a long period of time at a high or

uncomfortable volume level, since this can cause permanent

hearing loss. If you experience any hearing loss or ringing in

the ears, consult a physician.

Backup battery

• Do not replace the backup battery by yourself. Doing so may

cause an explosion and/or damage to the device(s).

If the backup battery power is fully depleted, have qualified

Yamaha service personnel replace the battery.

Yamaha cannot be held responsible for damage caused by

improper use or modifications to the device, or data that is

lost or destroyed.

PA_en_2 2/2

Owner’s Manual

NOTICE

To avoid the possibility of malfunction/damage to the

product, damage to data, or damage to other property,

follow the notices below.

Handling and Maintenance

• Do not use the device in the vicinity of a TV, radio, stereo

equipment, mobile phone, or other electric devices. Otherwise,

the device, TV, or radio may generate noise.

• Do not expose the device to excessive dust or vibration, or

extreme cold or heat (such as in direct sunlight, near a heater,

or in a car during the day), in order to prevent the possibility of

panel disfiguration, unstable operation, or damage to the

internal components.

• Do not place vinyl, plastic or rubber objects on the device,

since this might discolor the panel.

• When cleaning the device, use a dry and soft cloth. Do not use

paint thinners, solvents, cleaning fluids, or chemical-

impregnated wiping cloths.

• Condensation can occur in the device due to rapid, drastic

changes in ambient temperature—when the device is moved

from one location to another, or air conditioning is turned on or

off, for example. Using the device while condensation is

present can cause damage. If there is reason to believe that

condensation might have occurred, leave the device for several

hours without turning on the power until the condensation has

completely dried out.

• Avoid setting all equalizer controls and faders to their

maximum. Depending on the condition of the connected

devices, doing so may cause feedback and may damage the

speakers.

• Do not apply oil, grease, or contact cleaner to the faders. Doing

so may cause problems with electrical contact or fader motion.

• When turning on the AC power in your audio system, always

turn on the power amplifier/the device LAST, to avoid speaker

damage. When turning the power off, the power amplifier/the

device should be turned off FIRST for the same reason.

• The rubber feet included in this package can be attached to the

speaker to prevent slippage when it is to be used on a slippery

surface.

• Always turn the power off when the device is not in use.

Saving data

• This device has a built-in backup battery that maintains internal

clock data even when the device’s power is switched off.

However, the backup battery will eventually become depleted,

and when that happens the internal clock data will be reset.

Replace the backup battery before it becomes fully depleted.

When the backup battery is running low, the LCD display

indicates “Low Battery” when you start up the system.

In this case, contact your Yamaha dealer and have qualified

Yamaha service personnel replace the backup battery.

The average life of the backup battery is approximately five

years, depending on operating conditions.

Connectors

• XLR-type connectors are wired as follows (IEC60268

standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (

–).

Information

About copyrights

• Copying of the commercially available musical data including

but not limited to MIDI data and/or audio data is strictly

prohibited except for your personal use.

About this manual

• The illustrations and LCD screens as shown in this manual are

for instructional purposes only, and may appear somewhat

different from those on your device.

• Windows is a registered trademark of Microsoft

Corporation in

the United States and other countries.

• Apple, Mac, Macintosh and iPad are trademarks of Apple Inc.,

registered in the U.S. and other countries.

• The bitmap fonts used in this instrument have been provided

by and are the property of Ricoh Co., Ltd.

• MPEG Layer-3 audio coding technology licensed from

Fraunhofer IIS and Thomson.

• The company names and product names in this manual are the

trademarks or registered trademarks of their respective

companies.

(weee_eu_en_01)

Information for Users on Collection and

Disposal of Old Equipment

This symbol on the products, packaging,

and/or accompanying documents means

that used electrical and electronic products

should not be mixed with general household

waste.

For proper treatment, recovery and

recycling of old products, please take them

to applicable collection points, in

accordance with your national legislation

and the Directives 2002/96/EC.

By disposing of these products correctly, you will help to save

valuable resources and prevent any potential negative effects

on human health and the environment which could otherwise

arise from inappropriate waste handling.

For more information about collection and recycling of old

products, please contact your local municipality, your waste

disposal service or the point of sale where you purchased the

items.

[For business users in the European Union]

If you wish to discard electrical and electronic equipment,

please contact your dealer or supplier for further information.

[Information on Disposal in other Countries outside the

European Union]

This symbol is only valid in the European Union. If you wish to

discard these items, please contact your local authorities or

dealer and ask for the correct method of disposal.

Introduction

Owner’s Manual

Introduction

Thank you for choosing a Yamaha QL series QL5/QL1

Digital Mixing Console. To take full advantage of the

superior features and performance offered by your QL

series console, and to enjoy years of trouble-free use,

please read this owner’s manual carefully before

operating your console. After you have read the manual,

keep it in a safe place.

Accessories

• AC power cord

• Owner’s Manual (this document)

• Dante Virtual Soundcard license code

• Dust cover (QL5 only)

About utility software

QL series products can be used with a variety of utility

software. Information about downloading, installing and

setting up the software applications is available on the

Yamaha Pro Audio website. In addition, refer to the

installation guide that comes with each downloaded

application.

http://www.yamahaproaudio.com/

•QL Editor

This software application enables you to set up and

operate the unit from a connected computer. You can

also use the application to back up console settings or

set console parameters without connecting the unit.

• Console File Converter

This software application enables you to convert

between Yamaha PM5D, M7CL, LS9, CL and QL series

setting files.

•QL StageMix

This software application enables you to control the unit

remotely from an iPad on a WiFi network.

NOTE

iOS applications may not be supported in your area.

Please check with your Yamaha dealer.

About firmware updates

This product enables you to update the unit firmware to

improve the operation, add functions, and correct

possible malfunctions. The following two types of

firmware are available for the unit.

• Console firmware

• Dante module firmware

You must update each type of firmware separately.

Details on updating the firmware are available on the

following website. For information about updating and

setting up the unit, please refer to the firmware update

guide available on the website.

http://www.yamahaproaudio.com/

About the Owner’s Manual

Owner’s Manual (this document)

This book primarily explains panel controls and

functions and basic operation of the QL series.

In this manual, most explanations refer to the QL5.

Reference Manual (PDF format;

downloadable from the website)

This book primarily explains details about functions,

effects parameters, and MIDI.

The Reference Manual is an electronic file in PDF

format. Use PDF viewing software such as Adobe

Reader

to read this manual. You can download the

latest Adobe Reader application from the website listed

below.

http://www.adobe.com/

Help file (XML file; downloadable

from the website)

You can read this Help file on the unit’s screen. Load the

file on the unit, then press the Help button on the display

to view related sections.

You can download the Reference Manual and Help file

from the following website.

http://www.yamahaproaudio.com/

Conventions in this manual

In this manual, switch-type controllers on the panel are

called

“keys.” Control knobs on the panel are called

“knobs.” Some knobs rotate from a minimum value to a

maximum value, while others rotate endlessly.

Virtual buttons displayed on the screen are called

“buttons,” and virtual knobs are called “knobs.”

Controls located on the panel are enclosed in square

brackets [ ] (e.g., [CUE] key) to distinguish them from

virtual buttons and knobs displayed on screen. For some

controls, the name of the section is given before the [ ]

(e.g., SCENE MEMORY [STORE] key).

An overview of the QL series

Owner’s Manual

An overview of the

QL series

Features

QL series digital mixing consoles create high-quality,

refined, live-sound environments. These consoles carry

forward the digital evolution of a broad array of advanced

concepts that helps to make the consoles easy and

intuitive to use. The built-in effect processor and an

optional I/O devices can accommodate the most

demanding situations at the highest level of quality, while

retaining the flexibility necessary to configure a system

that meets your needs.

User interface friendly to newcomers

but familiar to seasoned users

The Selected Channel section located to the right of the

display lets you use the knobs to control the main

parameters (gain, EQ, dynamics threshold, etc.) for a

particular channel. This section can be operated much

like a module in an analog mixer.

The display is a touch screen. You can turn functions on

or off or select items simply by touching buttons or knobs

on the screen. You can use the [TOUCH AND TURN]

knob to adjust the parameters of the selected knob.

Groups of channels routed to the top-panel faders can

be selected and switched easily in a

“Fader Bank”. The

Fader Bank holds input and output channel banks, as

well as custom fader banks. The custom fader banks

enable you to select various combinations of channels,

regardless of channel types. Each channel strip offers

easy visual identification. The channel name appears on

a display, and an indicator shows the channel color. You

can adjust the brightness of each indicator across a

broad range to accommodate dimly-lit environments.

Mix parameter settings, including gain and phantom

power for input channels, can be stored and recalled as

“scenes.” All faders on the panel are moving faders.

When you recall a scene, the recorded fader locations

will be reproduced immediately.

Flexible system configuration with

Dante

The Ethernet-compatible Dante audio network protocol

facilitates connecting QL series consoles to external

devices, such as the Rio3224-D I/O device. A connected

I/O device that has been assigned a unique unit ID will

automatically be recognized and will facilitate patching

functions.

Using an I/O rack, you can configure a redundant

network to defend against unforeseen difficulties that

can arise in large-scale Dante networks. If multiple QL

units share the same I/O device, the gain compensation

function will maintain network audio streams at a

constant level to help you enjoy the benefits of a

large-scale sound system.

The Dante Virtual Soundcard software enables you to

carry out multi-channel recording to DAW software

installed on a computer. Consequently, no other audio

interface is needed.

Integration of mixer and I/O device

with port-to-port functionality

Direct “port-to-port” patching functionality between input

ports and output ports allows direct routing of QL analog

inputs and outputs to/from external Dante devices

without passing through the mixing channels.

Further, you can remotely control the head amps from

other CL series and QL series consoles, allowing QL

series consoles to be used as remote I/O devices. You

can use recall safe in the port to port function to remove

a head amp from scene recall in QL series consoles so

that it is controlled only from another CL series or QL

series console.

Ultra-realistic digital reproduction of

analog sound by PREMIUM RACK

The QL series features PREMIUM RACK, which

employs VCM technology. This technology models

analog circuitry on a component level to faithfully

reproduce amazing analog sounds. PREMIUM RACK

creates authentic sounds by modeling and faithfully

capturing the sonic characteristics of analog circuitry

fine-tuned to be faithful to the original sound. The QL’s

PREMIUM RACK includes six models, including a

Portico 5033 EQ/Portico 5043 Compressor by Rupert

Neve Designs, a U76 Compressor, an Opt-2A Leveling

Amplifier, etc.

Sonic flexibility from versatile effects

and GEQ rack

Independent of the PREMIUM RACK, high-quality

multi-effect processors are built into your QL series

console, with up to eight available simultaneously.

Effects such as reverb, delay, multiband compression,

and various modulation effects can be routed via internal

buses or inserted into the desired channel.

In addition to the effects, the QL series features a GEQ

rack. This includes a 31-band graphic EQ, a Flex15GEQ,

and an Automixer function–each of which can be

inserted into any channel or bus. The Flex15GEQ allows

you to adjust the gain for any 15 of the 31 bands.

Automixer allows you to reduce noise and maintain

feedback margins, by automating the gain distribution for

multiple microphones, freeing the operator from making

constant fader adjustments. To use effects or the graphic

EQ, you mount them in virtual racks displayed on the

touch screen. The currently-mounted modules can be

seen at a glance, and you can switch modules and

change input/output patching in an intuitive manner.

An overview of the QL series

Owner’s Manual

I/O card and processing card

expansion

The rear panel provides two slots in which separately

sold mini-YGDAI cards can be installed. You can add

inputs and outputs by installing AD cards, DA cards, or

digital I/O cards in these slots. You can also expand

processing or effects by installing a DSP card.

Cascade connections in the digital

domain

You can cascade a second QL series unit or another

digital mixer, such as the Yamaha CL series, M7CL,

PM5D or LS9, connected via a digital I/O card installed

in a slot or a Dante connector. (Cascade connections via

a Dante connector are possible only between QL series

consoles.) You can cascade any of the MIX, MATRIX,

STEREO (L/R), MONO, and CUE (L/R) buses.

Recorder function useful for sound

checks and mix recording

The QL series features a USB memory recorder function

that enables you to record output from STEREO or MIX

buses onto a USB flash drive. It also enables you to play

audio files that reside on a USB flash drive by assigning

the files to input channels or monitor outputs. The MP3

format (MPEG-1 Audio Layer-3) is supported for

recording. For playback, MP3, WMA (Windows Media

Audio), and MPEG-4 AAC (Advanced Audio Coding)

formats are supported. This function can be useful if you

want to record certain bus mix outputs or play music for

a sound check through speakers.

Security functions at user or system

level

Functionality can be restricted for users other than the

administrator at three levels of security: administrator,

guest, and user. Passwords can be specified for the

administrator and for users to help prevent important

settings from being changed accidentally.

Information specific to each user (user level, system

settings, and user-defined key/knob settings) can be

stored on the unit or on a USB flash drive as a

“user

authentication key.

” By loading your own user

authentication key, you can instantly reconfigure the unit

for your own ideal operating environment.

Help file downloadable to the unit

You can download from the website a Help file that

explains the parameters and messages displayed on the

screen. Once you load the Help file, it will be stored

inside the unit so that you can use the Help function at

any time.

About the models

The QL series is available in two models: QL5 and QL1.

Model differences are shown in the table below.

Analog

inputs

Analog

outputs

Monaural

input

channels

Channel strips

QL5 32 16 64

Block A/B: 32

Master section: 2

QL1 16 8 32

Block A/B: 16

Master section: 2

Block A/B

Master section

•QL5

Block A/B

Master section

•QL1

Controls and functions

Owner’s Manual

Controls and functions

Top panel

The top panel of the QL series is divided into the following sections.

1 Channel Strip section  page 12

2 SENDS ON FADER section  page 12

3 Display section  page 13

4 Selected Channel section  page 13

5 USB connector  page 15

6 USER DEFINED KEYS section  page 14

7 FADER BANK section  page 14

8 Master section  page 14

NOTE

This illustration shows the top panel of the QL5.

(Block A/B)

Controls and functions

Owner’s Manual

Channel Strip section

1 [SEL] key

Selects the channel that will be controlled in the

Channel Strip section and on the touch screen.

When a channel is selected, the key LED will light.

If you control an ST IN channel in the Channel Strip

section, the L channel will be routed to an

odd-numbered channel, and the R channel will be

routed to the adjacent even-numbered channel.

If you control the custom fader bank, and if you

assign L/R channels, the selected object of control

will alternate between the L and R channels each

time you press the [SEL] key.

NOTE

If you assign either the L or R channel, this key will simply

select the channel.

2 [CUE] key

Selects the channel to be cue-monitored. If cue is

on, the LED will light.

3 Meter LEDs

Indicate the channel level.

4 [ON] key

Switches the channel on or off. If a channel is on,

the key LED will light. In SENDS ON FADER mode,

this is an on/off switch for signals sent from each

channel to the currently-selected MIX/MATRIX bus.

5 Channel name display

Indicates the channel name, fader value, etc. You

can set the display so that it will indicate only the

channel name. The information to be shown can be

specified in the USER SETUP screen PREFERENCE

tab.

6 Channel color indicator

Lights in the channel color specified on the

PATCH/NAME screen. You can select the channel

color from nine options, including OFF.

7 Fader

Adjusts the input/output level of the channel. In

SENDS ON FADER mode, this fader adjusts the

send level of the signal from each channel to the

currently-selected MIX/MATRIX bus.

SENDS ON FADER section

1 MIX/MATRIX buses [1]–[16]

For selecting the MIX/MATRIX buses whose send

levels will be adjusted in the Selected Channel

section. The LED of the key corresponding to the

currently selected bus will light (or flash, in the case

of a MATRIX bus).

In SENDS ON FADER mode, these keys select a

MIX/MATRIX bus as the send-destination. In this

case, the LED of the key corresponding to the

currently selected bus will flash, and the LED of keys

corresponding to selectable buses will light. For

MATRIX buses, the [9]–[16] keys will be dark and

cannot be selected.

Top panel

Owner’s Manual

Display section

This is a touch screen that you can operate by touching

the surface of the screen. You can touch your finger to

the screen to select menus or set parameters. Please

note that you cannot operate the unit by touching

multiple points simultaneously.

NOTICE

Never use a sharp or pointed object such as your fingernail

to operate the touch panel. Doing so may damage the

screen and render the touch functions inoperable.

NOTE

If the touch screen becomes dirty, wipe it with a soft dry

cloth.

Selected Channel section

This section enables you to set the mix parameters for

the currently-selected channel.

1 [GAIN] knob

Adjusts the head amp’s analog gain for an input

channel.

Alternately, it adjusts the digital gain if GAIN KNOB

FUNCTION is set to DIGITAL GAIN in the

PREFERENCE tab of the USER SETUP screen.

This knob has no effect for other types of channels.

NOTE

• The PAD will be switched on or off internally when the HA

analog gain is adjusted between +17dB and +18dB. Keep

in mind that noise may be generated when using phantom

power if there is a difference between the hot and cold

output impedance of an external device connected to the

INPUT connector.

2 [PAN] knob

When a monaural channel is selected, this knob

adjusts the panning of the signal sent to the

STEREO bus.

When a stereo channel is selected, this knob adjusts

the PAN or left/right balance, whichever is selected.

3 [DYNAMICS 1] knob

4 [DYNAMICS 2] knob

Adjust the THRESHOLD parameter of the gate,

compressor, etc.

The [DYNAMICS 2] knob has no effect if the MIX,

MATRIX, STEREO, or MONO channel is selected.

5 [HPF] knob

Adjusts the HPF cutoff frequency for an input

channel. It has no effect on other types of channels.

6 EQ [Q], EQ [FREQUENCY], EQ [GAIN] knobs

For each band of the four-band EQ, these knobs

adjust the Q, center frequency (cutoff frequency),

and gain.

Press the EQ [Q] and EQ [GAIN] knobs

simultaneously to reset the GAIN setting for each

band to the default value (0.0dB).

7 EQ [LOW] key/EQ [LOW–MID] key/EQ

[HIGH–MID] key/EQ [HIGH] key

These keys select an EQ band that is controlled by

the knobs located above the keys. Press and turn

the EQ [Q] knob to switch between SHELVING, HPF

(OUT only), and LPF.

8 [TOUCH AND TURN] knob

You can press a desired knob in the touch screen

and then use this knob to operate it. The LED below

this knob indicates the color of the knob selected

on the touch screen.

Controls and functions

Owner’s Manual

USER DEFINED KEYS section

USER DEFINED keys [1]–[12]

Execute functions as assigned by the

user (scene changes, switching the

talkback or internal oscillator on/off,

etc.). Make these assignments in the

USER SETUP screen.

FADER BANK section

1 Bank Select keys [1–32]/[33–64]/

[STIN/DCA]/[MIX/MATRIX]

These keys switch the channel faders controlled in

the Channel Strip section.

Press the [1–32] key and [MIX/MATRIX] key

simultaneously to switch between fader bank A and

custom fader bank B.

For details on the custom fader banks, refer to

page 22.

Master section

This section is similar to the Channel Strip section, and

enables you to control the principal parameters of the

assigned channels. When the unit is in the default state,

STEREO/MONO channels are assigned.

1 [SEL] key

Selects the channel you wish to control. Pressing

this key will cause the channel LED to light up, and

you will be able to control the channel in both the

Selected Channel section and on the touch screen.

If the STEREO bus has been assigned, the selected

object of control will alternate between the L and R

channels each time you press the [SEL] key.

2 [CUE] key

Selects the channel to be cue-monitored. If cue is

on, the LED will light.

3 [ON] key

Switches the channel on or off. If a channel is on,

the key LED will light.

If MONITOR has been assigned, this key switches

the monitor output on or off.

4 Channel name display

5 Channel color indicator

Same as that in the Channel Strip section.

Front panel

Owner’s Manual

6 Fader

Adjusts the output level of the channel.

If MONITOR has been assigned, this fader adjusts

the monitor output level.

USB connector

You can connect a USB

flash drive to the USB

connector to record or play

audio files, and to save or

load internal data.

The Help file displayed on the unit screen is also loaded

from a connected USB flash drive.

You can also save “User authentication key” data on a

USB flash drive. This determines the user level and

limits the functionality to which each user has access.

NOTE

Operation is guaranteed only for a connection with a USB

flash drive.

 USB flash drive capacities and formats

The operation of USB flash drives with capacities of up

to 32GB has been verified.

(However, this does not guarantee operation of all USB

flash drives.)

The FAT16 and FAT32 formats are supported.

 Prevention of accidental erasure

Some USB flash drives have a write-protect setting that

lets you prevent data from being erased accidentally. If

your flash drive contains important data, it is a good idea

to use the write-protect setting to prevent accidental

erasure.

On the other hand, you will need to make sure that your

USB flash drive’s write-protect setting is turned off before

you save data onto it.

NOTICE

An ACCESS indicator appears in the function access area

while data is being accessed (saved, loaded, or deleted).

Do not disconnect the USB flash drive or power-off the QL

unit while this indicator is shown. Doing so may damage

your flash drive, or may damage the data in the QL unit or

on your media device.

Front panel

1 PHONES LEVEL knob

Adjusts the level of the signal output from the

PHONES OUT jack.

2 PHONES Out (headphone output) jack

Lets you monitor the MONITOR OUT or CUE

signal.

Controls and functions

Owner’s Manual

Rear panel

1 LAMP connectors

Four-pin female XLR output jacks that supply

power to separately-sold gooseneck lamps (such as

the Yamaha LA1L). (The QL5 includes these

connectors at two locations. The QL1 includes

one.)

2 OMNI OUT jacks

XLR-3-32 male output jacks for outputting analog

audio signals. (The QL5 has 16 of these jacks. The

QL1 has 8.) These jacks are used mainly to output

the signals of MIX channels or MATRIX channels.

The nominal output level is +4dBu.

NOTE

• The nominal output level of the OMNI OUT jacks is +4dBu

(maximum level +24dBu), but if necessary, this can be

changed to –2dBu (maximum level +18dBu) by setting an

internal switch (a fee will be charged). For details, contact

a Yamaha service center listed at the end of the owner’s

manual.

3 INPUT jacks

Balanced XLR-3-31 female input jacks for inputting

analog audio signals from line level devices or

microphones. (The QL5 has 32 of these jacks, and

the QL1 has 16.) The input level range is from

–62dBu to +10dBu.

4 Exhaust port

The QL series consoles have cooling fans. Please be

sure that you do not block the air intakes or exhaust

vents.

5 | / (Power Switch)

This switch turns the power on/off (|/).

Caution

• Rapidly turning the unit on and off in succession can cause

it to malfunction. After turning the unit off, wait for at least 6

seconds before turning it on again.

• Even when the power switch is turned off, a small amount

of current is flowing through the unit. If you plan not to use

the unit for a long period of time, remove the power cable

from the AC outlet.

6 AC IN connector

Connect the supplied AC power cord here. First

connect the AC power cable to the QL unit, then

insert the power cable plug into an AC power

outlet.

Insert the cable plug all the way until it locks in

securely. The supplied AC power cable features a

V-lock mechanism via a latch, which prevents the

power cable from coming off accidentally.

Caution

Be sure to turn the power off before connecting or

disconnecting the power cable.

To disconnect the power

cable, remove it while

pressing the latch on the

plug.

7 Grounding screw

The supplied AC power cable is a 3-wire type.

Therefore, if the AC outlet used is properly

grounded, the QL will be grounded as well. Also,

grounding this screw may effectively eliminate

noise such as hum and interference.

984 76 0A5

321

BCDE F

Female XLR plug

1 (Ground)

3 (Cold)

2 (Hot)

Male XLR connector

1 (Ground)

3 (Cold)

2 (Hot)

Rear panel

Owner’s Manual

8 MIDI IN/OUT connectors

Used to transmit and receive MIDI messages to and

from external MIDI devices. The MIDI IN connector

receives messages from an external device, and the

MIDI OUT connector transmits messages from the

QL unit.

These are used mainly to record QL parameter

operations or scene/library selections on an

external device, or to control QL parameters from

an external device.

9 WORD CLOCK IN/OUT connectors

BNC connectors used to transmit and receive word

clock signals to and from an external device. The

WORD CLOCK IN connector features internal

75-ohm termination.

0 GPI connector

D-sub 15-pin female connector that allows

communication (5-in, 5-out) with a GPI-equipped

external device.

A DIGITAL OUT connector

An AES/EBU (XLR-3-32 male) jack that outputs the

digital audio signal of a desired channel in AES/EBU

format. This is used mainly to output the signal of

the STEREO/MONO channel.

B SLOT 1–2

Allow for the installation of separately-sold DSP

cards, or mini-YGDAI I/O cards to expand the

number of input/output ports.

C Dante PRIMARY/SECONDARY connectors

Used to connect to other Dante audio network

devices, such as an Rio3224-D I/O device.

Use standard Ethernet cables with Neutrik

etherCON CAT5e compatible RJ-45 plugs.

NOTE

Use STP (shielded twisted pair) cable to prevent

electromagnetic interference. Make sure that the metal

parts of the plugs are electrically connected to the STP

cable shield by conductive tape or comparable means.

D LINK/ACT indicators

These indicators show the communication status of

the PRIMARY and SECONDARY connectors.

They flash rapidly if the Ethernet cables are

connected properly.

E 1G Indicators

These indicators light when the Dante network is

functioning as Giga-bit Ethernet.

F NETWORK connector

This RJ-45 connector allows the QL unit to be

connected to a computer via an Ethernet cable

(CAT5e or higher recommended). This connector is

used mainly to control mix parameters or to edit

scene memories and libraries from the dedicated

“QL Editor” application program or the “QL

StageMix

” iPad application.

NOTE

Use STP (shielded twisted pair) cable to prevent

electromagnetic interference. Make sure that the metal

parts of the plugs are electrically connected to the STP

cable shield by conductive tape or comparable means.

Touch screen

Owner’s Manual

Touch screen

Basic touch screen

operations

This section explains the basic procedures you can

perform on the QL’s touch screen.

Pressing the touch screen

You will mainly use this operation to switch screens and

pages, to select parameters to be operated, and to turn

buttons on/off. Certain buttons let you specify a number

based on the area of the button itself that you touch.

NOTE

Typically, you will press a top panel key once, but in certain

cases you can access special functions by rapidly pressing

a key twice in succession.

Multiple selection (specifying a range)

While pressing your finger on the touch panel, move it in

the left or right direction to specify a range within a

character string. You will use this technique primarily

when assigning a name to a scene or library.

For the channel select buttons, you can select multiple

buttons by moving your finger across the touch screen

while continuing to press down.

NOTE

This makes it easy to select a range of buttons to be turned

on or off together.

Using the knobs on the top panel

The knobs on the top panel are rotated to change the

value of the corresponding parameter. Also, by pressing

a knob, you can recall a specific screen.

For certain parameters, you can adjust the value in finer

steps (greater detail) by simultaneously holding down

the knob and rotating it.

Using the [TOUCH AND TURN] knob

The [TOUCH AND TURN] knob is used to operate the

knobs selected for operation in the touch screen.

Press the touch screen to select the knob you want to

operate. When you press a knob, a highlight outline is

displayed around that knob. Turn the [TOUCH AND

TURN] knob to adjust the value for the corresponding

parameter.

NOTE

Pressing certain knobs a second time while the outline is

displayed will open a screen in which you can make

additional detailed settings.

On-screen user interface

The section below explains various user interface

components that appear in the touch screen, and how to

use them. Examples of screens appearing on the touch

screen are shown below.

USER DEFINED KEY SETUP window

Displayed when selecting items from a list, such as a list

of USER DEFINED keys.

The constantly highlighted item in the center is the

selected item. Press the / located below the list to

scroll the list upward or downward.

NOTE

• You can also scroll the list up or down by using the [TOUCH

AND TURN] knob.

• If there is more than one list in the screen, your operations

will apply to the list enclosed in a white frame.

On-screen user interface

Owner’s Manual

Keyboard window

Displayed when you need to assign a name or comment

to a scene or library, or when you need to assign a

channel name. Press characters in the window to enter

the desired characters.

HPF/EQ window

When you press a button or field for a specific parameter

in a screen, a window showing detailed parameters or

lists will appear.

If there are tabs in the window, you can press a tab to

switch pages.

Some windows show several buttons called

“tool

buttons

” at the top of the window. You can use these tool

buttons to recall or copy/paste library data.

Press the

“X” (close) button to close the window and

return to the previous screen.

Dialog boxes

Dialog boxes similar to the following enable you to

confirm operations you just performed. Press the OK

button to execute the operation. The operation will be

canceled if you press the CANCEL button.

Tabs

Tabs enable you to switch between multiple pages. Each

tab indicates its page name.

Buttons

Buttons are used to execute specific functions, to switch

parameters on or off, or to select one of multiple choices.

Buttons that perform on/off operations appear in solid

colors while they are turned on, and are dark (ghosted)

when turned off.

When you press a button that has the following symbol,

a separate window will open, allowing you to make

detailed settings.

Faders/Knobs

Faders and knobs on screen move in tandem when you

operate the top panel faders and knobs. The current

value appears immediately below the fader or knob.

For display knobs that can be operated by the panel

[TOUCH AND TURN] knob, pressing the display knob

just once causes a highlight outline to appear around the

knob. This frame indicates that the knob has been

selected for operation.

Buttons

Tabs

Touch screen

Owner’s Manual

Viewing the touch screen

The touch screen of the QL series is broadly divided into

two areas.

Function access area

1 Selected channel

This shows the number,

name, icon, and channel

color of the channel that is

currently selected for

operation. Pressing the

minus indication here will

switch to the preceding

channel, and pressing the

plus indication will switch

to the next channel.

2 Time

This shows the current

time.

3 Status Indicator

This shows the current

status. Normally it indicates

the name of the user who is

currently logged in (i.e., is

authenticated and able to

operate the system).

The following table shows

the displayed content and the corresponding

status.

* The type of signal being cue-monitored (IN/OUT/DCA/KEY

IN/EFFECT) is shown in the upper part of the cue meter.

NOTICE

An ACCESS indicator appears in the function access area

while data is being accessed (saved, loaded, or deleted).

Do not disconnect the USB flash drive or power-off the QL

unit while this indicator is shown. Doing so may damage

your flash drive, or may damage the data in the QL unit or

on your media device.

4 HELP

Pressing this button will show on-line help in the

main area. To view the on-line Help, first you must

load the Help file into the QL series console from a

USB flash drive.

5 SENDS ON FADER

Press this button to switch to SENDS ON FADER

mode, where you can use the faders of the top

panel to adjust the MIX/MATRIX send level. During

this time, the function access area will switch to a

screen that enables you to select the

send-destination MIX/MATRIX bus.

6 CH JOB (Channel Job)

Press this button to display the CH JOB menu,

which you can make settings for channel grouping

and linking, and then select the function to

operate.

7 I/O DEVICE

When you press this button, the I/O DEVICE screen

will appear in the main area, allowing you to make

I/O device settings and external head amp settings.

8 MONITOR

When you press this button, the MONITOR screen

will appear in the main area, allowing you to edit

the monitor or oscillator settings.

9 RACK

When you press this button, the VIRTUAL RACK

screen will appear in the main area, allowing you to

edit the GEQ or effect settings.

0 MONITOR LEVEL KNOB

This control adjusts the monitor level.

A METER

Displays the level of the STEREO bus (L/R), MONO

bus (M), and cue signal (CUE). When you press this

field, the METER screen will appear in the main area.

If you press the CUE meter area when the cue

monitor is on, the cue monitor will be canceled.

B SETUP

When you press this button, the SETUP screen will

appear in the main area, allowing you to make

basic system settings and user-specific settings.

C RECORDER

When you press this button, the recorder screen

will appear in the main area; here you can operate

and make settings for the recorder function

(USB/Nuendo Live) which allows you to record and

play back audio files.

D SCENE

This indicates the number and name of the scene

that was last stored or recalled. An

“R” symbol is

displayed for read-only scenes, and a lock icon is

displayed for write-protected scenes. If you edit the

parameters from their last stored or recalled state,

“E” symbol will appear in the lower right. When

you press this field, the SCENE LIST screen will

appear in the main area, allowing you to store or

recall scenes. In PREVIEW mode, this field is shown

in red.

Indication Status

OSC Oscillator enabled

TALKBACK Talkback enabled

CUE Cue monitor on*

ACCESS Accessing internal memory or USB memory

PATCHING Now performing Dante patching

ALT ALTERNATE mode enabled

PLAY Playing an audio file

REC Recording an audio file

Function access area

Main area

Using the tool buttons

Owner’s Manual

When you press a button (7–0, B–D) to access the

corresponding screen, the button will be highlighted. In

this state, pressing the button once again will return

either to the most recently recalled SELECTED

CHANNEL VIEW screen or the OVERVIEW screen.

Main area

The contents of the main area will depend on the

currently selected function. Mixing operations will

involve mainly the following two types of screens.

 SELECTED CHANNEL VIEW screen

This screen shows all mix parameters of the currently

selected channel. To access this screen, press one of

the knobs of the “Selected Channel section” (see

page 13).

 OVERVIEW screen

The main parameters for 8 channels are displayed. This

screen appears when you press a USER DEFINED key

to which OVERVIEW is assigned.

Using the tool buttons

The title bar at the top of some windows contains tool

buttons that provide additional functions. You can use these

buttons to recall related libraries, or to copy the parameters

of a channel to a different

channel.

1 LIBRARY button

This button opens the library associated with the

current window (EQ, dynamics, GEQ, effect, or

premium libraries).

2 DEFAULT button

This button restores the currently selected channel

(EQ/dynamics) or rack (effect/premium rack) to the

default state.

NOTE

The GEQ does not have this button; the FLAT button in the

GEQ EDIT window will return the parameters to the default

state.

3 COPY button

This button copies the settings of the currently

selected channel (EQ/dynamics) or rack

(GEQ/effect/premium rack). The copied settings

are copied to buffer memory (a memory area for

temporary storage).

4 PASTE bu tton

This button pastes the settings copied to buffer

memory into the currently selected channel

(EQ/dynamics) or rack (GEQ/effect/premium rack).

5 COMPARE button

This button exchanges the settings copied to buffer

memory with the settings of the currently selected

channel (EQ/dynamics) or rack

(GEQ/effect/premium rack).

For some windows, a variety of tool buttons also appear.

1 2 3 4 5

Basic operation of the QL series

Owner’s Manual

Basic operation of

the QL series

This section explains the basic operations of the QL

series.

QL series operations are divided into two main

categories. In general, you will operate the QL series for

mixing using a combination of these operations.

• Controlling selected channels

(Selected Channel section)

• Using the faders on the top panel

(Channel Strip section)

Controlling selected

channels (Selected Channel

section)

The Selected Channel section located at the right of the

display corresponds to a channel module of a

conventional analog mixer, and allows you to manually

adjust all the major parameters of the currently selected

channel. Operations in this section will affect the channel

that was most recently selected by its [SEL] key.

1. Press the appropriate Bank Select key (in the

FADER BANK section) of the bank containing

the channel that you want to control.

Select one of the preset or custom fader banks in

the Channel Strip section.

2. Press the [SEL] key to select the target channel.

3. Press one of the knobs in the Selected Channel

section.

The SELECTED CHANNEL VIEW screen for the

selected channel will appear. You can view the

actual setting values on screen.

4. Use the knobs of the Selected Channel section

and the buttons in the SELECTED CHANNEL

VIEW screen to edit the parameters of the

selected channel.

Even if a different screen is selected, the

currently-selected channel can be set using the

knobs of the Selected Channel section. In this case,

a mini window indicating the value of that

parameter will appear on screen when you operate

a knob.

Using the top panel

(Channel Strip section)

The Channel Strip section of the top panel enables you

to control the level, CUE, and other parameters for the

selected channels.

1. Use the Bank Select keys located in the Fader

Bank section to select the channels or DCA

groups that you want to control.

2. Use the controls of the Channel Strip section.

Each channel’s display indicates the currently

assigned channel information.

Custom fader bank settings

The B1, B2, B3, and B4 keys in the Fader Bank section

enable you to assign and recall a bank with your own

assortment of the channels or DCA groups. These

banks are called

“custom fader banks.” Since the custom

fader banks enable you to assign a combination of

different types of channels, you can control different

types of channels as a group.

1. In the function access area, press the SETUP

button.

2. Press the USER SETUP button in the upper left of

the SETUP screen.

3. Press the CUSTOM FADER tab near the bottom

of the USER SETUP screen.

The CUSTOM FADER BANK/MASTER FADER page

will appear.

4. Select the custom fader bank you want to set.

The channel strip is divided into 1

–16, 17–24 (QL5

only), and Master, from the left side of the console.

5. Press the Fader select button you want to set,

then press the [SEL] key for the channel that you

want to assign to that fader.

You can also select a channel in the display. Press

the button below the desired number to display the

CH SELECT screen. Use the list in the left column to

select the desired channel group, then use the

buttons in the right column to select channels.

Assigning a name

Owner’s Manual

6. To assign channels to other faders, repeat step

7. When you have finished, press the X symbol in

the upper right corner of the screen, and press

the SETUP button again to return to the SELECT

CHANNEL VIEW screen.

Adjusting the send level to a MIX bus

or MATRIX bus (SENDS ON FADER

mode)

Each fader on the top panel enables you to adjust the

level of the corresponding channel, as well as the send

level of the signal routed from each channel to the

specified MIX/MATRIX bus (SENDS ON FADER mode).

1. Press the key for the

MIX/MATRIX bus to be used

to adjust the SENDS ON

FADER section.

The LED of the selected key

LED will light.

2. Press the same key of the

SENDS ON FADER section

once again.

The QL will switch to SENDS ON FADER mode. The

key will change from lit to flashing, and the LEDs of

the other keys in the SENDS ON FADER section will

light. The faders in the Channel Strip section will

change to indicate the send level of the signals that

are routed from each channel to the currently

selected MIX/MATRIX bus.

NOTE

• If the function for switching between MIX 1–16 and

MATRIX 1–8 is assigned to a USER DEFINED key, you

can switch between the two areas.

• Alternatively, press a SEND LEVEL knob in the Selected

Channel section to display the SELECTED CHANNEL

VIEW window, from which you can select a MIX/MATRIX

bus.

• You can also select a MIX/MATRIX bus by using the Bank

Select key [MIX/MATRIX] in the Fader Bank section.

• If you press the currently selected MIX/MATRIX bus select

button again, cue monitoring will be turned on for the

related MIX/MATRIX channel. This method is convenient if

you want to monitor the signal that is being sent to the

selected MIX/MATRIX bus.

3. Press the Bank Select key in the Fader Bank

section, including the input channel being

operated, and use the fader to adjust the send

level to the selected MIX/MATRIX bus.

4. Repeat steps 1–3 to adjust the send level for

other MIX/MATRIX buses in the same way.

5. When you’ve finished setting the MIX/MATRIX

send levels, press the key that is flashing in the

SENDS ON FADER section.

The function access area display will return to its

prior state, and the unit will return to normal mode.

NOTE

You can also use the buttons in the function access area to

switch and select buses.

1 ON FADER switch button

Pressing this button repeatedly

will switch between MIX and

MATRIX.

2 MIX/MATRIX bus select buttons

These buttons enable you to

select the destination

MIX/MATRIX buses. Two buses

that are paired in stereo are

represented by one button.

Assigning a name

On the QL series, you can assign a name to each input

channel, output channel, DCA group, and MUTE group,

and assign a title to scene and library data when saving

it.

To assign a name, you will use the keyboard window that

is shown in the main area.

1. Call up the keyboard window (from a

naming-relevant operation).

Below is an example of how to assign a name to a

channel.

The box shows the characters you have entered

and a cursor that indicates the current position.

Basic operation of the QL series

Owner’s Manual

2. Press the keyboard window in the touch screen

to enter the desired characters.

While entering characters, you can use the

following buttons in the keyboard window.

•COPY button

Copies the string of characters that are selected

(highlighted) in the text box.

•CUT button

Deletes and copies the string of characters that are

selected (highlighted) in the text box.

• PASTE button

Inserts the string of characters copied by COPY or

CUT at the cursor location (or overwrites the

currently selected range of characters).

• CLEAR button

Erases all characters that were entered in the text

input box.

•INS button

Inserts a space (blank) at the cursor position.

•DEL button

Deletes the character at the right of the cursor (or

the string of characters selected in the text box).

•BS (Backspace) button

Deletes the character at the left of the cursor (or the

string of characters selected in the text box).

•TAB button

Switches to the next item that can be selected. For

example in the SCENE STORE window you can use

this button to switch between two text input

boxes, and in the PATCH/NAME window you can

use this to switch channels.

•SHIFT LOCK button

Switches between uppercase and lowercase

alphabetical characters. You can enter uppercase

characters and symbols while this button is on, and

lowercase characters and numerals while this

button is off.

•ENTER button

Finalizes the name you entered.

3. When you’ve entered the name, press the

STORE button or the ENTER button.

The name you entered will be applied.

NOTE

• The basic procedure is the same in the windows that let

you assign names to channels or other types of library

data. When you enter a name for a channel, your input will

be reflected immediately without pressing the ENTER

button.

• Press in the text entry box to move the input position. If you

select a region of characters you’ve entered in the box and

then enter a new character, the newly entered character

will overwrite the selected region.

Using libraries

You can use libraries to store (save) or recall (load) the

settings of the currently selected channel

(EQ/dynamics) or rack (GEQ/effect/premium rack).

The method of operation is essentially the same for each

library.

The following libraries are provided.

• Input channel library

• Output channel library

• Input EQ library

• Output EQ library

• Dynamics library

• GEQ library

• Effect library

• Dante input patch library

• Premium Rack library

NOTE

Premium Rack library features a library for each Premium

Rack type.

 Recalling settings from a library

1. Access a window that contains tool buttons.

To select a display page: For a channel library, first

display the SELECTED CHANNEL VIEW screen and

then proceed to Step 3.

[SELECTED CHANNEL VIEW screen]

Press a knob in the Selected Channel section.

Using libraries

Owner’s Manual

[HPF/EQ screen]/[DYNAMICS 1/2 screen]

In the SELECTED CHANNEL VIEW screen or the

OVERVIEW screen, press any knob in the

appropriate field for EQ or Dynamics 1/2. (In the

SELECTED CHANNEL VIEW screen, press any knob

twice; in the OVERVIEW screen, press the area

once.)

1 EQ field

2 Dynamics 1/2 field

[VIRTUAL RACK screen]

In the VIRTUAL RACK window that appears when

you press the RACK button in the function access

area, press a rack container in which a

GEQ/effect/Premium Rack is already mounted.

1 RACK button

2 RACK container

Select the channel (EQ/dynamics) or rack

(GEQ/effect/Premium Rack) for which you want

to recall settings.

The method of selecting a channel/rack will depend

on the type of window that is currently displayed.

[HPF/EQ window (1ch)]

[DYNAMICS 1/2 window (1ch)]

Use the panel [SEL] keys or the channel select

button in the function access area to select a

channel.

[HPF/EQ window (8ch)]

[DYNAMICS 1/2 window (8ch)]

In addition to using the panel [SEL] keys or the

channel select button in the function access area,

you can also select a channel by pressing the

channel number/channel name buttons in the

window.

If you use the channel number/channel name

buttons in the 8ch (8-channel) window, you can

select multiple channels by selecting a region. In

this case, the same library data will be recalled to all

of the selected channels.

Channel select button

Channel number / Channel name buttons

Basic operation of the QL series

Owner’s Manual

[VIRTUAL RACK screen]

Use the rack select tabs at the bottom of the

window to select a rack.

NOTE

You cannot select a rack select tab of a rack in which no

GEQ, effect, or Premium Rack is mounted.

3. Press the LIBRARY button.

The screen for the selected library appears.

1 CURRENT TYPE

(Only for output channel library)

This field displays the type of channel selected via

the [SEL] key.

2 List

This shows the settings that are saved in the library.

The highlighted line indicates the data that is

selected for operations. Read-only data is indicated

by an

“R” symbol.

NOTE

The right side of the list displays information regarding the

relevant setting data (such as the type of output channels,

dynamics type or effect type being used). The dynamics

library also displays symbols indicating whether the data

can be recalled into Dynamics 1 and/or Dynamics 2.

4. Rotate the [TOUCH AND TURN] knob to move

the highlight line up or down to select a library

item you want to recall.

In some cases, the data selected as the recall-source

cannot be recalled into the currently selected

channel/rack. Each library has the following

limitations.

• Channel library

If the type of channel selected via the [SEL] key is

different from the one selected in the list in the

output channel library,

“CONFLICT” appears to the

right of CURRENT TYPE. You can recall the data

even if

“CONFLICT” appears, although the data

would include different parameters. Parameters

that do not exist in the library will be set to the

default value.

• Dynamics library

The dynamics library contains three types of data:

Dynamics 1 and Dynamics 2 for input channels,

and Dynamics 1 for output channels. Recall is not

possible if you’ve selected a type that is not

supported by the corresponding dynamics

processor.

• GEQ library

The GEQ library holds two types of data:

31BandGEQ or Flex15GEQ. You cannot recall the

31BandGEQ library data into the Flex15GEQ library

if the data contains the gain settings for 16 or more

bands.

• Effect library

Effect library items that use effect types

“HQ.Pitch”

“Freeze” can be recalled only to effect racks 1, 3,

5 or 7. They cannot be recalled if any other rack is

selected.

5. Press the RECALL button.

The selected data will be loaded into the channel

(EQ/dynamics) or rack (GEQ/effect/Premium Rack)

you selected in step 2.

NOTE

• If you recall channel library data to a channel that is linked

to another channel, the link setting of the channel to which

data was recalled will be canceled.

• If you select a library number that cannot be recalled, it will

not be possible to press the RECALL button.

Using libraries

Owner’s Manual

 Storing settings in a library

1. Access a window that contains tool buttons.

2. Select the channel (EQ/dynamics) or rack

(GEQ/effect/Premium Rack) whose settings you

want to store.

NOTE

You can select only one channel or rack as the source for

storing. If multiple channels are selected in the dynamics

or EQ window, you will not be able to perform the Store

operation.

3. Press the LIBRARY button.

The screen for the selected library appears.

4. Turn the [TOUCH AND TURN] knob to select the

store-destination library number.

NOTE

You cannot store to a library number that contains

read-only data (indicated by an R symbol).

5. When you’ve selected the store-destination,

press the STORE button.

The LIBRARY STORE window will appear, allowing

you to assign a name to the data. For details on

entering text, refer to “Assigning a name” (see

page 23).

6. When you’ve assigned a title to the settings,

press the STORE button in the keyboard

window.

A dialog box will ask you to confirm the Store

operation.

7. Press the OK button to execute the Store

operation.

The current settings will be stored to the library

number you selected in step 4. If you decide to

cancel the Store operation, press the CANCEL

button instead of the OK button.

NOTE

• Even after you have stored the settings, you can edit the

title of the settings by pressing the data title in the list to

access the LIBRARY TITLE EDIT window. However, you

can’t edit the title of a read-only library item (indicated by

an R symbol).

• Be aware that if you store settings to a location that already

contains data, the existing data will be overwritten.

(Read-only data cannot be overwritten.)

 Erasing settings from a library

1. Access a window that contains tool buttons.

2. Press the LIBRARY button.

The screen for the selected library appears.

3. Turn the [TOUCH AND TURN] knob to select the

library number that you want to clear.

NOTE

You can’t clear read-only data (data indicated by an “R”

symbol).

4. Press the CLEAR button.

A dialog box will ask you to confirm the Clear

operation.

5. Press the OK button to execute the Clear

operation.

The data you selected in step 3 will be cleared. If

you decide to cancel the Clear operation, press the

CANCEL button instead of the OK button.

Basic operation of the QL series

Owner’s Manual

Initializing settings

Here’s how you can return the EQ/dynamics settings of

the currently selected channel or the effect settings of a

rack to their initial state. GEQ settings can be initialized

using the FLAT button in the screen.

1. Access a window that contains tool buttons.

2. Select the channel (EQ/dynamics) or rack

(effect/Premium Rack) whose settings you want

to initialize.

3. Press the DEFAULT button.

A dialog box will ask you to confirm the Initialize

operation.

4. Press the OK button to execute the Initialize

operation.

The EQ/dynamics settings of the channel you

selected in step 2 or the effect/processor settings of

the rack will be initialized. If you decide to cancel

the initialization, press the CANCEL button instead

of the OK button.

NOTE

In the case of EQ/dynamics, you can use the channel

number/channel name buttons in the 8ch/ALL window to

select a range of channels and initialize them

simultaneously.

Copying and pasting

settings

Here’s how you can copy the EQ/dynamics settings of

the currently selected channel or the

GEQ/effect/premium rack settings of the currently

selected rack to buffer memory, and then paste them to

a different channel or rack. Copy/paste is limited to the

following combinations.

• Between input channel EQ settings

• Between output channel EQ settings

• Between dynamics processors for which the

paste-destination has the same type (GATE,

DUCKING, COMPRESSOR, EXPANDER,

COMPANDER-H, COMPANDER-S, or DE-ESSER) as

the copy-source

• Between effects/GEQ mounted in a rack

• Between the same processors mounted in a premium

rack

NOTE

Only 31BandGEQ settings that use less than fifteen bands

can be copied to a Flex15GEQ.

1. Access a window that contains tool buttons.

2. Select the channel (EQ/dynamics) or rack

(GEQ/effect/premium rack) whose settings you

want to copy.

3. Press the COPY button.

The current settings will be copied to buffer

memory.

NOTE

• Be aware that if you copy other settings before you paste,

the buffer memory will be overwritten.

• You can select only one channel or rack as the

copy-source. If multiple channels are selected in the

8ch/ALL window, you won’t be able to press the COPY

button.

4. Select the paste-destination channel or rack.

NOTE

If you’re pasting EQ/dynamics settings, you can use the

8ch/ALL window to select multiple channels as the

paste-destination. In this case, the same content will be

pasted to all selected channels.

5. Press the PASTE button.

The settings of the channel (EQ/dynamics) or the

rack (GEQ/effect/premium rack) you selected in

step 2 will be pasted.

NOTE

• Be aware that when you paste, the settings will overwrite

the paste-destination.

• If nothing has been copied to the buffer memory, the

PASTE button cannot be used (is ghosted).

• Of the two types of GEQ, using the tool buttons in a rack

where a Flex15GEQ is selected will cause rack settings A

and B to be copied/pasted individually.

• You cannot paste effect settings that use effect types

“HQ.Pitch” or “Freeze” to racks 2, 4, 6 or 8.

Comparing two sets of settings

Owner’s Manual

Comparing two sets of

settings

You can use the COMPARE button to switch between

the settings copied to the buffer memory and the settings

of the currently selected channel (EQ/dynamics) or rack

(GEQ/effect/premium rack).

This is convenient when you want to copy an interim

result of your editing, and then compare it with

subsequent edits.

1. Access a window that contains tool buttons.

2. Select a channel (EQ/dynamics) or rack

(GEQ/effect/premium rack).

3. Press the COPY button to copy the current

settings to the buffer memory.

This will be the first version of your settings.

NOTE

Be aware that if you copy other settings before you

compare, the buffer memory will be overwritten.

4. Edit the settings of the currently selected

channel (EQ/dynamics) or rack

(GEQ/effect/premium rack).

This will be the second version of your settings.

NOTE

After you copy the first set of settings to the buffer memory,

you can initialize the channel or rack and edit the second

set of settings from an initialized (blank slate) state if

desired.

5. To compare the first set of settings with the

current settings (the second set), press the

COMPARE button.

You will return to the first version of your settings.

At this time, the second version of your settings will

be copied to buffer memory.

6. You can press the COMPARE button repeatedly

to compare the first and second sets of settings.

Each time you press the COMPARE button, the

current settings will be exchanged with the settings

copied to the buffer memory. Unlike the Paste

operation, this operation lets you return to the

previous settings at any time as long as the buffer

memory has not been overwritten.

NOTE

• The settings copied to buffer memory can also be used by

the Paste operation.

• If you operate the tool buttons for a rack in which

Flex15GEQ (of the two types of GEQ) is selected, the

rack’s A and B settings will be individually exchanged with

the buffer memory.

COPY

COMPARE

First set

Buffer memory

Edit the settings

(second set)

First set

Second set

Buffer memory

Connection

Owner’s Manual

Connection

About network connections

About Dante

This product features Dante technology as a protocol to

transmit audio signals. Dante is a network protocol

developed by Audinate. It is designed to deliver

multi-channel audio signals at various sampling and bit

rates, as well as device control signals over a Giga-bit

Ethernet (GbE) network. Dante also offers the following

benefits:

• It transmits up to 512 in/512 out, for a total 1024

channels (in theory) of audio over a GbE network.

(The QL series features QL5: 64 in/64 out, QL1: 32

in/32 out with a 24/32-bit resolution.)

• Dante-enabled devices will automatically configure

their network interfaces and find each other on the

network. You can label Dante devices and their audio

channels with descriptive names that make sense to

you.

•

Dante uses high accuracy network synchronization

standards to achieve sample-accurate playback with

extremely low latency and jitter. Five types of latency

are offered by the QL series: 0.25 msec, 0.5 msec, 1.0

msec, 2.0 msec, and 5.0 msec.

• A primary circuit and a secondary circuit provide

redundancy in the event of a problem.

• Connecting a Dante-enabled device to a computer

using an Ethernet connection enables you to directly

input or output audio signals without using any audio

interface devices.

• Audio can be transferred over distances up to 100

meters* between devices using CAT5e network

cables.

* Maximum practical distance may vary according to

the cable used.

Visit the Audinate website for more details on Dante.

http://www.audinate.com/

More information on Dante is also posted on the Yamaha

Pro Audio website:

http://www.yamahaproaudio.com/

NOTE

Please do not use the EEE function (*) of network switches

in a Dante network.

Although power management should be negotiated

automatically in switches that support EEE, some switches

do not perform the negotiation properly. This may cause

EEE to be enabled in Dante networks when it is not

appropriate, resulting in poor synchronization performance

and occasional dropouts.

Therefore we strongly recommend that:

• If you use managed switches, ensure that they allow

EEE to be disabled. Make sure that EEE is disabled on

all ports used for real-time Dante traffic.

• If you use unmanaged switches, make sure to not use

network switches that support the EEE function, since

EEE operation cannot be disabled in these switches.

* EEE (Energy Efficient Ethernet) is a technology that

reduces switch power consumption during periods of

low network traffic. It is also known as Green Ethernet

and IEEE802.3az.

About Dante Controller

Dante Controller is a software application that allows

configuration and audio routing of Dante networks. Use

this application if you wish to set up complicated signal

routings on a Dante network. More information is posted

on the following website.

http://www.yamahaproaudio.com/

Connecting to I/O devices

This section explains how to connect the QL series to I/O

devices (such as Rio3224-D) in a daisy chain network

and in a star network (redundant network). Before

connecting I/O devices, first perform “Setting up the

Dante network” (see page 34) and then turn off the

power to the QL series console.

Daisy chain network

A daisy chain is a wiring scheme in which multiple

devices are connected together in sequence. With this

method, networking is simple and requires no network

switches. This connection method is suitable for a

simple system with a small number of devices.

However, if a large number of devices are connected in

this way, the latency value must be increased. Also, if a

connection is broken in a daisy chain network, the signal

flow is interrupted at that point and no signal will be

transferred beyond that point.

Connecting to I/O devices

Owner’s Manual

 Connecting QL series consoles and I/O

devices

Use the Dante connectors on the QL series console and

I/O devices to connect them as follows.

 Setting rotary switches and DIP switches on

the I/O devices

Star network (redundant network)

In a star network, each device is connected to a central

switch. Using a GbE-compatible network switch enables

you to configure a wide-band, large-scale network. We

recommend a network switch that gives you the ability to

control and monitor the network (such as QoS, the

ability to assign priority to data flows - e.g., clock

synchronization or audio transmission on certain data

circuits).

With this topology, it is common to configure a redundant

network so that communication can continue without

affecting the audio even if an unexpected network

problem should occur.

About redundant networks

A redundant network consists of two circuits, a primary

circuit and a secondary circuit. Normally, the network

operates on the primary circuit. However, if the primary

connection is broken, the secondary circuit will

automatically take over communications. Therefore,

using a redundant network with a star topology is better

for increasing communication stability compared to a

daisy chain network.

 Connecting QL series consoles and I/O

devices

Use the Dante connectors on the QL series console and

I/O devices to connect them as follows.

 Setting rotary switches and DIP switches on

the I/O devices

QL5

Rio3224-D (ID#1)

Rio3224-D (ID#2)

SECONDARY

PRIMARY

(ID#1)

(ID#2)

1 2 3 4 5 6 7 8

SECONDARY

PRIMARY

Rio3224-D

(ID#1)

Rio3224-D

(ID#2)

QL5

Network Switch

(ID#1)

(ID#2)

1 2 3 4 5 6 7 8

Connection

Owner’s Manual

Audio input/output

connections

Analog input connections

INPUT jacks on the console and I/O devices are used

mainly to connect microphones or monaural line-level

devices.

Analog output connections

To the OMNI OUT jacks on the QL series and the

OUTPUT jacks on I/O devices, you can patch the output

signals from output channels [MIX, MATRIX, STEREO

(L/R), MONO (C)], monitor signals (MONITOR OUT

L/R/C channels), and the direct out signals of the input

channels. For information about patches, refer to

“Patching the mixer output to the I/O device” (see

page 35) in the Quick Guide section.

The console’s front panel has a PHONES OUT jack for

monitoring, and this jack always lets you monitor the

signal that is selected as the monitoring source. By

assigning the MONITOR OUT L/R/C channels to the

desired output jacks, you can also monitor the same

signal through external speakers.

Rio3224-D

QL series

Rio3224-D

Main speakers

Monitor speakers

QL series

Installing an optional card

Owner’s Manual

Port-to-port function

The port-to-port function enables direct patching

between input ports and output ports. With this function,

the QL analog inputs and outputs can be directly routed

to/from external Dante devices without passing through

the mixing channels. If both a monitor console and I/O

device are required on the side of a stage, a single QL

series console can achieve both functions, reducing the

necessary equipment. In addition, by setting the QL

series as a remote I/O device as well as a monitor

console, the FOH console can share and remotely

control the head amps.

Digital input/output connections

Use the DIGITAL OUT jack to send the QL’s internal

signals to an external digital audio device. When the QL

is in the default state, the output signal of the STEREO

channel is patched to the DIGITAL OUT jack, which

enables you to record the main mix onto a CD recorder

or other device.

You can connect this jack to the AES/EBU jack on an I/O

device, such as Rio3224-D. Also, by installing separately

sold mini-YGDAI I/O cards in slots 1–2, you can add

input/output jacks to the QL or connect speaker

processor units.

Installing an optional card

Before you install I/O cards in slots 1–2, you must check

the Yamaha website to determine whether the card is

compatible with the QL series, and to verify the total

number of Yamaha or third-party cards that can be

installed in combination with that card.

http://www.yamahaproaudio.com/

Follow the steps below to install an optional mini-YGDAI

card.

1. Make sure that the power is turned off.

Caution

Before connecting a separately sold mini-YGDAI I/O

card to the QL, make sure to turn off the power switch

of the console’s power supply. Otherwise,

malfunctions or electric shock may occur.

2. Loosen the screws that fasten the slot, and

remove the slot cover.

Keep the cover and fixing screws in a safe place for

future use.

3. Align both edges of the card with the guide rails

inside the slot, and insert the card into the slot.

Push the card all the way into the slot so that the

connector at the end of the card is correctly

inserted into the connector inside the slot.

NOTE

When installing a card, carefully align both edges of the

card with the guide rails in the slot of the device.

4. Fasten the card using the screws attached to the

card.

Be aware that damage or malfunctions may occur

if the card is not fastened.

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

17161514131211109876

54321

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

1716151413121187654321

2221201918

17161513121187654321

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

1716151413121110987654321

2221201918

17161514131211109876

54321

Rio3224-D Rio3224-DRio3224-D

Monitor

(CL)

Monitor

(QL)

FOH (QL)FOH (CL)

Slot cover

Card

Quick Guide

Owner’s Manual

Quick Guide

This section explains the general procedures in a mixing

work flow. The example below is based on a system in

which one QL5, one I/O device, an amplifier and

speakers are connected. If there are multiple methods to

achieve the same result, this section describes the

simplest method.

For details on the functions and their parameters, refer

to the Reference Manual.

Connecting the devices

Setting up the Dante network

1. Press the SETUP button in the touch screen.

2. Press the DANTE SETUP button in the SETUP

screen.

Press the SETUP tab in the lower part of the

DANTE SETUP screen.

4. Set CONSOLE ID to #1, and SECONDARY PORT

to DAISY CHAIN.

NOTE

Before changing the settings, first disconnect all

connections with I/O devices. Otherwise, communication

with I/O devices will not be performed correctly.

If changes have been made, press the APPLY

button. When a confirmation dialog appears, press

the OK button.

Wait approximately 30 seconds for the buttons that

have been changed to switch from red to white for

the settings to be applied.

5. Set BIT to 24, and LATENCY to 0.25.

Connecting an I/O device

1. Make sure that power to all devices to be

connected is turned off. Then, use an Ethernet

cable to connect the Dante PRIMARY connector

on the QL to the Dante PRIMARY connector on

the I/O device.

2. Set the ID of the I/O device.

NOTE

If there is one I/O device, set the I/O device’s ID to “1.”

If you plan to use multiple devices, you must assign a

unique ID number to each device.

3. Turn on the power in this order: 1) the I/O

device, 2) the QL series, and 3) the amplifier.

4. Press the SETUP button, DANTE SETUP button,

and DEVICE MOUNT tab in the touch screen.

5. Mount the I/O device.

NOTE

I/O devices other than the Rio3224-D must be mounted.

For more details, refer to the Reference Manual pdf

document.

6. Connect a mic or instrument to the I/O device.

Setting the word clock

Press the SETUP button and then WORD

CLOCK/SLOT button in the touch screen.

2. Select INT 48k or INT 44.1k.

3. Press the X symbol to close the screen.

➩

Setting the input channels

Owner’s Manual

Patching the input port

1. Press the I/O DEVICE button in the touch screen.

2. Press the DANTE PATCH tab in

the upper part of the I/O

DEVICE screen.

3. Press the DANTE INPUT PATCH

button in the I/O DEVICE

screen.

4. Press the AUTO SETUP button.

5. When a confirmation dialog appears, press the

OK button.

6. Press the X symbol to close the screen.

Patching the mixer output to the I/O

device

1. Press the I/O DEVICE button

and then the Rio tab in the

touch screen.

2. Press the OUTPUT display of the I/O device that

is the output destination.

3. Press the OUTPUT1 button in the

OUTPUT PATCH screen.

4. In PORT SELECT, select the output channels you

want to output to the rack.

5. Press the CLOSE button.

6. In the same way, set OUTPUT 2 and subsequent

outputs, if necessary.

Setting the input channels

Phantom power on/off

1. Press the [SEL] key for the channel that you want

to adjust in the Channel Strip section.

2. Press the GAIN knob in the SELECTED CHANNEL

VIEW screen.

3. For the microphone to be used, press the +48V

button in the GAIN/PATCH popup window, if

necessary.

NOTE

• The phantom power master switch on the I/O device must

be turned on first.

• Make sure that phantom power is turned OFF unless it is

needed.

• When turning phantom power ON, make sure that no

equipment other than phantom-powered devices such

condenser microphones are connected to the

corresponding INPUT connectors. Applying phantom

power to a device that does not require phantom power can

damage the connected device.

• Do not connect or disconnect a device to an INPUT while

phantom power is applied. Doing so can damage the

connected device and/or the unit itself.

• To prevent possible damage to speakers, make sure that

power amplifiers and/or powered speakers are turned OFF

when switching phantom power ON or OFF. We also

recommend setting all digital mixing console output

controls to minimum when turning phantom power ON or

OFF. Sudden high level peaks caused by the switching

operation can damage equipment as well as the hearing of

those present.

Adjusting the analog gain

Press the [SEL] key for the channel that you want

to adjust in the Channel Strip section.

2. Press the [CUE] key of the same channel.

3. While checking the sound level through the

headphones and meters, adjust the channel

[GAIN] knob of the Selected Channel section.

NOTE

Adjust the gain level as high as possible without allowing

the OVER segment of the channel strip level meter to light

at the highest input level.

GAIN knob

➩

Quick Guide

Owner’s Manual

4. Adjust the gain level for other channels in the

same way, by pressing their [SEL] and [CUE]

keys, and then rotating the [GAIN] knobs.

5. After adjustment is complete, switch the [CUE]

key off (the key LED turns off).

Sending an input channel

signal to the STEREO bus

1. Press the [SEL] key of the input channel you

want to control.

2. Press one of the knobs in the Selected Channel

section, to return to the SELECTED CHANNEL

VIEW screen.

3. In the TO ST PAN/BALANCE field, press the ST

button to turn it on (lights in pink).

4. In the top panel, press the [ON] key of the

corresponding input channel to turn it on.

5. In the Master section, turn on the [ON] key of

the STEREO channel, and raise the STEREO

channel fader to 0dB.

6. Raise the fader of the currently selected input

channel to an appropriate volume.

In this state, you should hear sound from the

speaker system patched to the STEREO channel.

If you don’t hear sound, check whether the L/R

meters are moving in the METER field of the

function access area.

If the L/R meters are moving:

It may be that the STEREO

channel is not correctly patched

to the output jacks that are

connected to your speaker

system. Check the output port

patching.

If the L/R meters are not

moving:

Make sure that signals are being

routed correctly to the patched

input channels.

7. To adjust the pan/balance of the signal sent

from the input channel to the STEREO bus,

rotate the [PAN] knob of the Selected Channel

section.

Applying EQ/dynamics

Applying EQ

1. Press the [SEL] key of the channel that you want

to control.

2. Press any one of the knobs in the Selected

Channel section, to return to the SELECTED

CHANNEL VIEW screen.

3. Adjust EQ of the EQ parameter field in the

Selected Channel section.

4. To make fine adjustments to EQ settings, press

the EQ parameter field in the touch screen.

5. Edit the EQ type and filter type in the HPF/EQ

window.

Setting the output channels

Owner’s Manual

Applying dynamics

1. Press the [SEL] key of the channel that you want

to control.

2. Press any one of the knobs in the Selected

Channel section, to return to the SELECTED

CHANNEL VIEW screen.

3. Press the ON button for DYNAMICS 1 in the

touch screen.

4. Press any one of the DYNAMICS 1 knobs twice.

5. Edit the dynamics type and parameters in the

DYNAMICS window.

Use the [TOUCH AND TURN] knob to operate the

parameters.

6. Edit the DYNAMICS 2 parameters in the same

way.

Setting the output channels

1. Use the Bank Select key of the Fader Bank

section to select the output channel bank.

2. Press the [SEL] key for the output channel that

you want to operate in the Channel Strip

section.

3. Press any one of the knobs in the Selected

Channel section.

4. Edit the EQ and dynamics parameters in the

same way as for the input channels.

Using GEQ

1. Press the RACK button in the touch screen.

2. Press the GEQ tab.

3. Press the INPUT PATCH button for GEQ1.

4. Select an input source in the left column of the

CH SELECT window, and then select a channel in

the right column.

5. Press the CLOSE button.

6. Press the corresponding GEQ rack container to

open the GEQ EDIT screen.

7. Press the FADER ASSIGN button.

8. Adjust using the faders.

(For QL1, press the FADER ASSIGN field to select

the region to operate.)

9. Perform the same operations for other GEQs as

desired.

NOTE

The graphic EQ of the GEQ rack is for output channels. To

use GEQ for input channels, mount a graphic EQ in the

EFFECT RACK.

Quick Guide

Owner’s Manual

Using Automixer

1. Press the RACK button in the touch screen.

2. Press the GEQ tab.

3. Press the rack mount button in the VIRTUAL

RACK screen.

4. Press the 8ch Automixer button in the RACK

MOUNTER screen.

5. Press the INPUT PATCH button for GEQ1.

6. Select an input source in the left column of the

CH SELECT window, and then select a channel in

the right column.

7. Press any one of the knobs in the Selected

Channel section, to return to the SELECTED

CHANNEL VIEW screen.

8. Press a [SEL] key on the top panel to select a

channel.

9. Press the popup button in the INSERT field in

the SELECTED CHANNEL VIEW screen.

10.Press the INSERT field farthest to the right for

the post fader in the INSERT/DIRECT OUT 1ch

screen.

11. Repeat steps 5 to 10 to set 8 channels.

12. Press the RACK button.

13. Press the rack container in which you mounted

Automixer.

14. Making sure no one is speaking into any

microphones, adjust the head amp gain (or

fader) until the level indicator remains green.

15. If necessary, operate the weight control to

adjust uniform sensitivity between input

channels.

Applying effects

Using EFFECT RACK with send/return

Press the RACK button in the touch screen.

2. Press the EFFECT tab.

3. Modify the INPUT CH/OUTPUT CH patch

settings, if necessary.

4. Press the center rack container to open the

EFFECT EDIT screen.

5. Press the effect type field.

Applying effects

Owner’s Manual

6. Select an effect you want to use from the EFFECT

TYPE window.

7. In the Fader Bank section, press the Bank Select

key for the Effect Send channel selected in step

8. Press the [SEL] key for the channel used for

Effect Send in the Channel Strip section.

9. Use the faders to control effect sends.

10. In the Fader Bank section, press the Bank Select

key for the Effect Return channel selected in

step 3

11. Press the [SEL] key for the channel used for

Effect Return in the Channel Strip section.

12. Adjust the effect return level using the fader.

13. If necessary, press the RACK button, then the

rack container in the EFFECT tab, and then set

the effect parameters as desired.

Inserting PREMIUM RACK processors

1. Press the RACK button in the touch screen.

2. Press the PREMIUM tab.

3. Press the rack icon in the middle to open the

PREMIUM RACK MOUNTER window.

4. Select a processor you want to use from the

MODULE SELECT area, then press the OK

button.

5. Press the INPUT PATCH button.

6. Select an input source in the left column of the

CH SELECT window, and then select a channel in

the right column.

7. Press the CLOSE button.

Quick Guide

Owner’s Manual

8. In the Channel Strip section, select the bank that

includes the channel for the premium rack you

want to use.

9. Press the [SEL] key of the channel for the

premium rack you want to use.

10. Press the RACK EDIT button in the INSERT field

in the SELECTED CHANNEL VIEW screen.

11. Adjust the parameters in the PREMIUM RACK

window.

Changing the patch settings

Setting up INSERT or DIRECT OUT

1. Select the bank that contains the channel for

which you want to set up INSERT or DIRECT OUT

in the Channel Strip section.

2. Press the [SEL] key of the channel for which you

want to change the patching.

3. Press the popup button in the DIRECT OUT field

in the SELECTED CHANNEL VIEW screen.

4. Assign OUT and IN for INSERT or DIRECT OUT.

5. Press the ON button to enable it.

6. Modify the INSERT or DIRECT OUT point by

pressing it, if necessary.

Changing the signal output to each

output port

1. Press the SETUP button in the touch screen.

2. Press the OUTPUT PORT button in SYSTEM

SETUP.

3. Select the OUTPUT PORT tab you want to

change.

Grouping and linking

Owner’s Manual

4. Press the output channel select button to select

the output channel for which you want to

change the port.

Grouping and linking

Creating a channel link

1. Press the CH JOB button

in the touch screen.

2. Press the CH LINK button.

3. Select the bank that contains

the channels you want to link in the Channel

Strip section.

4. While pressing and holding down the [SEL] key

of one channel, press the [SEL] key of the other

channel that you want to link.

5. To release the link, press and hold down the

[SEL] key for one of the linked channels, and

press the [SEL] key for the other channel.

NOTE

You can also set or release a channel link in the display.

Setting a DCA or MUTE group

Press the [SEL] key of the channel that you want

to control.

2. Press the DCA tab or

MUTE tab in the

SELECTED CHANNEL

VIEW screen.

3. Press a group number

button.

4. To assign other channels to a group, select the

channel, then press DCA or MUTE group

numbers in the same way.

Using talkback

1. Plug the microphone to use for talkback into the

INPUT jack on the rear panel.

2. Press the MONITOR button in the touch screen.

3. Press the TALKBACK ASSIGN field in the

TALKBACK area.

4. In the ASSIGN field in the TALKBACK screen,

select a bus to which you want to send the

talkback signal.

5. Press the TALKBACK ON button.

6. Press the INPUT TO TALKBACK button to select

an input. Press the A.GAIN knob to enable it,

then, while observing the meter, use the knob

to adjust the level.

Quick Guide

Owner’s Manual

Routing the oscillator to an

output channel

1. Press the MONITOR button in the touch screen.

2. Press the OSCILLATOR display button.

3. Set the MODE, LEVEL, and FREQ (frequency)

parameters in the OSCILLATOR screen.

4. Press the desired OUTPUT tab to select the

output destination.

5. Return to the previous screen, then press the

OUTPUT button in the OSCILLATOR field.

Using scene memories

Storing a scene

1. Press the SCENE field in the function access area.

2. Turn the [TOUCH AND TURN] knob to select the

store-destination scene number.

3. Press the STORE button in the SCENE LIST

screen.

4. Enter the scene name and comments in the

SCENE STORE screen.

5. Press the STORE button in the SCENE STORE

screen.

6. Press the OK button in the STORE

CONFIRMATION dialog box to execute the Store

operation.

Recalling a scene

1. Press the SCENE field in the function access area.

2. Turn the [TOUCH AND TURN] knob to select the

scene number to recall.

3. Press the RECALL button in the SCENE LIST

screen.

NOTE

Scene 000 is a read-only scene that restores the mix

parameters to their default state. Be aware that when

scene number 000 is recalled, the input patch, output

patch, internal effect, and HA (Head Amp) settings will also

return to their default state.

Recording and playing audio using a USB flash drive

Owner’s Manual

Recording and playing audio

using a USB flash drive

Recording to USB flash drive

1. Connect a USB flash drive to the USB connector

of the QL unit.

2. Press the RECORDER button in the touch screen.

3. Press the USB tab.

4. Press the REC RATE button to switch the

recording bit rate for an MP3 file.

5. In the RECORDER INPUT area, select a recording

source channel and set the recording level.

6. Press the REC button to arm recording.

7. Press the PLAY button to start recording.

8. When you have finished recording, press the

STOP button.

Playing audio files from a USB flash

drive

1. Connect a USB flash drive that contains audio

files to the QL unit.

2. Press the RECORDER button in the touch screen.

3. In the PLAYBACK OUT area, select a channel

from which you want to play audio files.

4. Select an audio file to play from the list.

5. Press the Play button.

6. Adjust the gain using the PLAYBACK OUT GAIN

knob, then in the Channel Strip section use the

faders for the channels selected in the

PLAYBACK OUT area to adjust the volume level.

Quick Guide

Owner’s Manual

Saving and loading the unit

settings

Saving the unit settings to a USB flash

drive

1. Connect a USB flash drive to the USB connector

of the QL unit.

2. Press the SETUP button in the touch screen.

3. Press the SAVE/LOAD button.

4. If necessary, press the directory icon and change

the directory.

To move to the next higher level, press the arrow

button in the PATH field.

5. Press the SAVE button.

6. In the SAVE SELECT screen, select the data to be

saved, the data type, and the save destination,

and then press the SAVE button.

7. Enter the data name and comments, then press

the SAVE button.

Loading the unit settings from a USB

flash drive

1. Press the SETUP button in the touch screen.

2. Press the SAVE/LOAD button.

3. To select the file that you want to load, press the

name of the desired file in the file list, or rotate

the [TOUCH AND TURN] knob.

4. Press the LOAD button.

5. In the LOAD SELECT screen, select the data to

load, the data type, and the load destination.

6. Press the LOAD button to load the selected file.

Formatting a USB flash drive on the QL

unit

1. Connect a USB flash drive (that you want to

format) to the QL unit.

2. In the SAVE/LOAD screen, press the FORMAT

button.

3. Enter a name in the VOLUME NAME field, and

then press the FORMAT button.

4. When a confirmation dialog appears, press the

OK button.

Other functions

Owner’s Manual

Other functions

Adjusting the brightness of

the touch screen, lamps, and

other indicators

This operation lets you adjust the brightness of the touch

screen, top panel LEDs, channel name displays, and

lamps connected to the rear panel LAMP connectors.

1. In the function access area, press the SETUP

button.

2. In the field located in the bottom row of the

SETUP screen, press the BANK A or BANK B

button.

You can save two different brightness settings in

bank A and B, and switch between them if desired.

3. Use the [TOUCH AND TURN] knob to set the

following parameters.

CONTRAST field

•NAME

This knob adjusts the contrast of the characters of

the channel name displays on the top panel.

BRIGHTNESS field

•NAME

This knob adjusts the brightness of the channel

name displays on the top panel.

•CH COLOR

This knob sets the brightness balance of the

channel color indicator and the channel name

display on the top panel.

•SCREEN

This knob adjusts the brightness of the touch

screen.

If you have set the brightness to lower than level 2,

the QL will start up next time with a brightness

setting of 2 so that you will be able to see the

screen.

•PANEL

This knob adjusts the brightness of the top panel

LEDs.

•LAMP

This knob adjusts the brightness of the lamps

connected to the rear panel LAMP jacks.

4. If desired, switch between banks A/B and make

settings for the other bank in the same way.

Now you can switch between the BANK A and

BANK B buttons to change the brightness of the

touch screen, LCD, channel name displays, and

lamps in a single operation. You can also assign this

parameter to a USER DEFINED key (see the

Reference Manual), and press that key to switch

between banks A and B.

Setting the date and time of

the internal clock

This section explains how to set the date and time of the

clock built into the QL unit, and how to select a date and

time display format. The date and time you specify here

are used for the time stamp used when saving a scene.

1. In the function access area, press the SETUP

button.

2. Press the DATE/TIME button at the lower part of

the SETUP screen.

The DATE/TIME display appears.

•DATE

This field specifies the date of the internal clock.

•TIME

This field specifies the time of the internal clock.

•DISPLAY FORMAT

This field specifies the format in which the date and

time of the internal clock are displayed.

Date

MM/DD/YYYY (Month/Day/Year)

DD/MM/YYYY (Day/Month/Year)

YYYY/MM/DD (Year/Month/Day)

Time

24Hours (hours shown in the range of 0–23)

12Hours (hours shown from 0am–11am, and

0pm–11pm)

3. In the FORMAT field, press the MODE buttons

several times to select the desired format for

date and time display.

4. Use the [TOUCH AND TURN] knob to set the

current date and time.

5. When you have finished making settings, press

the OK button.

The date, time, and display format you specified

will be finalized, and the window will close. If you

press the CANCEL button or the X symbol instead

of the OK button, your changes will be discarded

and the window will close.

Other functions

Owner’s Manual

Initializing the unit to

factory default settings

If an error occurs in the QL’s internal memory, or if you

forget the password and cannot operate the unit, you

can use the following procedure to initialize the internal

memory. Use caution when performing the following

steps.

NOTICE

When you initialize the internal memory, all content that

had been saved in memory will be lost.

1. Press and hold the [SEL] key for Fader B in the

Master section on the panel while turning the

power on.

After the opening screen, the startup menu screen

will appear.

2. On the startup menu screen, select the

initialization method.

• INITIALIZE ALL MEMORIES

The entire memory including scene memories and

libraries will be returned to their initial settings,

except DANTE SETUP.

• INITIALIZE CURRENT MEMORIES

The entire memory, excluding scene memories and

libraries, will be returned to its initial settings,

except DANTE SETUP.

3. Press the INITIALIZE button in the dialog box to

confirm initialization.

4. Press the OK button in the confirmation dialog

box.

The Initialization operation starts.

NOTE

Do not press any buttons until initialization is complete.

5. A message indicates that the initialization

process is complete. Press the EXIT button.

The console will start up in normal operating

mode.

NOTE

Alternatively, you can continue operation by selecting a

different menu instead of pressing the EXIT button.

Adjusting the faders

(Calibration function)

Depending on the environment in which you use the

console, discrepancies may occur in the motion of the

motor faders. You can use the Calibration function to

correct these discrepancies. With this operation, the

specified faders in the channel strip section and Master

section will be semi-automatically calibrated.

NOTE

For information about adjusting the input gain or the

detection point of the touch screen, refer to the Reference

Manual.

1. Press and hold the [SEL] key for Fader B in the

Master section on the panel while turning the

power on.

After the opening screen, the startup menu screen

will appear.

This window will also appear if a problem is

detected in the fader settings while the QL is

starting up.

2. Press the FADER CALIBRATION button.

The FADER CALIBRATION MODE screen will

appear, where you can adjust the faders.

3. Press a [SEL] key to specify the faders that you

want to calibrate.

Faders for which a problem was detected at

start-up will already be selected.

4. Press the START button.

5. Press the OK button in the dialog box.

The fader specified in step 3 moves to –∞ (all the

way down).

6. If the fader position is not correct, move it

manually to –∞ (all the way down).

7. After you adjust the fader position, press the

[NEXT] button.

The process will proceed to the next fader position.

Adjusting the faders (Calibration function)

Owner’s Manual

8. Repeat steps 6 to 7 to adjust the fader position

to 20dB, 0dB, and +10dB (all the way up), in

order.

When adjustment to the +10dB position is

complete, calibration starts.

9. When calibration has been completed, press the

APPLY button.

The calibration settings will be saved in internal

memory. If the RESTART button appears,

calibration has failed. Press the RESTART button to

execute calibration once again.

10. Press the EXIT button.

The console will start up in normal operating

mode.

NOTE

Alternatively, you can continue operation by selecting a

different menu instead of pressing the EXIT button.

Troubleshooting

Owner’s Manual

Troubleshooting

A FAQ section is available on the Yamaha Pro Audio site.

http://www.yamahaproaudio.com/

Power does not turn on; panel LEDs and the LCD

display do not light.

 Is the QL

’s power switch turned on?

 Is the power cable connected to a proper AC outlet?

 Is the power cable plug inserted all the way - has it

clicked and locked in securely?

 If the power still does not turn on, contact your Yamaha

dealer.

The unit is not receiving an input signal.

 Did you correctly set the UNIT ID and the DIP

switches on the I/O device connected to the QL

before turning on the power to the devices?

 Is the DANTE SETUP for the unit appropriate?

 Are the source devices delivering an appropriate sig-

nal?

 Is the SIG indicator on the I/O device lit?

 If a phantom-powered microphone is connected to

the QL unit, are the I/O device

’s +48V MASTER

switch, QL

’s +48V MASTER ON/OFF switch, and

+48V button of each channel set to on?

 Is the GAIN of the internal head amp, external head

amp, or I/O device set to an appropriate level?

 Is the input port patched to an input channel?

 Is the [ON] key indicator of the input channel lit?

 Is the fader of the input channel raised?

 Are EQ

’s attenuators raised?

 Could the insert be turned on even though it has not

been specified correctly?

 If you are using an optional I/O card, is it installed

correctly?

Sound is not output from headphones or the

MONITOR OUT jacks.

 Is the [PHONES] knob or monitor level set to an

appropriate volume?

 Is the monitor fader set to an appropriate level?

 Has the monitoring source been selected?

 Could the DIMMER be applied?

 Press the MONITOR button, then check the MONITOR

area on the display.

The sound level is too low.

 Is the GAIN or digital gain on the head amplifier,

external head amp device or I/O device set to an

appropriate level?

 Is the fader of the input channel raised?

 Could the EQ gain be turned down excessively?

 Are EQ

’s attenuators raised?

 Could the GATE/COMP threshold or ratio setting be

set to an extreme value?

 Is the fader of the output channel raised?

 Try using the various screens of the METER function

to check the levels.

 Is the DCA fader assigned to that channel raised?

 Could MUTE MASTER be turned on for the channel

assigned to a MUTE group?

Sound is distorted.

 Is the word clock set correctly?

 Is the GAIN of the internal head amp, external head

amp, or I/O device set to an appropriate level?

 Was Gain Compensation turned on when analog

gain is not appropriate? Or, was the analog gain

raised to an extreme while the Gain Compensation is

turned on?

 First turn the Gain Compensation function off, set the

analog gain to an appropriate level, and then turn Gain

Compensation back on.

 Could the digital gain be set to an extremely high set-

ting?

 Could the fader of the input channel be raised too

high?

 Could the STEREO channel fader be raised too

high?

 Could the EQ gain be set to an extremely high set-

ting?

 Is the latency set too low on the DANTE SETUP

screen?

Sound is output even though it is not patched to an

output channel.

 Could you have assigned an input channel to direct

out?

 Could you have assigned an output channel as the

insert out?

The volume of a specific channel rises and falls.

 Could DYNAMICS 1/2 be set to ducking or to an

extreme parameter value?

Operating a fader does not control the level as you

expect.

 Could the function access area indicate MIX/MTRX

ON FADER? And could SENDS ON FADER mode

be engaged?

Only the sound of a specific channel is heard from

the MONITOR OUT or PHONES jack.

 Could a [CUE] key be on?

Noise occurs from an externally connected recorder

or other device.

 Is the word clock set correctly?

 Could the input signal be unsynchronized?

 Could the oscillator or talkback be turned on?

High frequency range is attenuated.

 Could emphasis be applied? This problem will occur

if the input signal status does not match the empha-

sis data.

 Could EQ be applied?

Troubleshooting

Owner’s Manual

There is insufficient headroom, especially when EQ

boost is applied.

 Use the EQ attenuator function to lower the level.

An input signal is being input, but there is no

monitor output.

 Could the DIMMER be applied?

 Could the MONITOR CH be assigned even though

its output port has not been connected to an external

device?

Signal is delayed.

 Check whether the delay setting for each INPUT

channel and OUTPUT PORT is set correctly.

Rotating a MIX knob does not change the send level

to the MIX bus.

 Is the TO MIX SEND ON/OFF button turned on?

 Is the MIX [ON] key turned on?

 Is the MIX bus set to VARI type?

 If the send point is set to POST, could the fader have

been lowered?

Cannot save scene memory or various library data.

 Are you attempting to save the data to a read-only

scene/library or a protected scene?

 Could user level restrictions have been specified?

Cannot save to a USB flash drive.

 Could the USB flash drive be protected?

 Does the USB flash drive have enough free capacity

to save the data?



When formatting the USB flash drive, format it in

FAT32 or FAT16 format.

 Could the recorder be playing back?

Cannot transmit or receive MIDI data.

 Is the MIDI PORT selected correctly?

 Are the transmission and reception modes and chan-

nels selected correctly?

 Has an event corresponding to the particular Pro-

gram Change message been specified?

When you recall a scene, some channels/parameters

are not updated.

 Could that channel or parameter be set to Recall

Safe?

 Could FOCUS be set in such a way that the channels

or parameters will not be updated?

 Could user level restrictions have been specified?

You turn on a CUE button in the EFFECT EDIT screen,

but it is automatically defeated.

 This is defeated automatically when you switch

screens in the display.

When you recall a scene, it takes a certain amount of

time for the faders to stop.

 Could you have specified a fade time?

The panel LEDs or LCD display are too dark/too

bright.

 This can be adjusted in the SETUP screen.

Signal level of a specific frequency is low.

 Could the EQ gain be turned down excessively?

 Routing a signal through a GEQ or EFFECT will

delay it relative to other signals. If this signal is mixed

with another signal that is routed via a different signal

path, a comb filtering effect will cause the level of a

specific frequency to be decreased.

Cannot control an I/O device.

 Are the rotary switch and DIP switches on the I/O

devices set correctly?

 Does the channel being controlled match the chan-

nel on the I/O device?

Cannot control the QL unit from QL Editor.

 Is the computer connected to the unit’s Network jack

correctly?

 Is the network setting on the QL unit specified cor-

rectly?

 For details on settings, refer to the QL Editor installa-

tion guide posted on our website.

Cannot control the QL unit from StageMix.

 Is the WiFi setting in QL StageMix set correctly?

 Is the unit’s Network jack on the QL unit connected to

the WiFi access point correctly?

 Is the network setting on the QL unit specified cor-

rectly?

 Refer to the QL StageMix Owner’s Manual on our

website.

In the LCD display, there are some black points

(unlit) or white points (always lit).

 Unfortunately, this is a common characteristic of

TFT-LCDs. This is not a malfunction.

In the channel name display, because of the response

speed of the GR meter display on each channel’s

voice input and output, the indication may be weak

or different than expected.

 This is a common characteristic of LCDs and not a

malfunction. Depending on the input source, this

phenomenon may be more pronounced.

Attaching the RK1 rackmount kit (sold separately)

Owner’s Manual

Attaching the RK1 rackmount kit

(sold separately)

You can attach the optional RK-1 rackmount kit to the QL5 and QL1 and mount it in a rack or an installed system.

1. Make sure that the power is turned off.

2. Remove screws “A” and detach the side pads.

NOTE

Keep the side pad screws together with the pads you removed.

3. Use the screws included with RK1 to install the hardware.

Tighten the screws at the locations indicated by the arrows.

4. Attach the hardware to the other side in the same way.

NOTICE

When attaching the RK1 rackmount kit, you must turn off the power switch on the unit and use the screws that are included with the

RK1. Otherwise, malfunctions or electric shock may occur.

Side Pads

General specifications

Owner’s Manual

General specifications

*1. A 22kHz, 30dB/Oct filter is used to measure crosstalk.

*2. For more information about Mini-YGDAI card support, refer to the Yamaha pro audio website.

http://www.yamahaproaudio.com/

*3. An 80kHz, 18dB/Oct filter is used to measure total harmonic distortion.

*4. An A-Weight filter is used to measure hum & noise.

European Models

Inrush Current based on EN 55103-1:2009

5A (on initial switch-on)

3A (after a supply interruption of 5s)

Conforms to Environments: E1, E2, E3 and E4

Sampling Frequency

Internal Clock

44.1kHz

48kHz

External Clock

44.1kHz

+4.1667%, +0.1%, –0.1%, –4.0%

±200ppm

48kHz

+4.1667%, +0.1%, –0.1%, –4.0%

±200ppm

Signal Delays Less than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz

Fader 100mm motorized, Resolution=1024steps, +10dB to –138dB, –∞dB all faders

Frequency Response +0.5, –1.5dB 20Hz–20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT

Total Harmonic Distortion

Less than 0.05% 20Hz–20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min.

Hum & Noise

–128dBu typ., Equivalent Input Noise, Input Gain= Max.,

–88dBu, Residual output noise, ST master off

Dynamic Range

112dB typ., DA Converter,

108dB typ., INPUT to OMNI OUT, Input Gain= Min.

Crosstalk @ 1kHz

–100dB

, adjacent INPUT/OMNI OUT channels, Input Gain= Min.

Dimensions (W x H x D)

and Net Weight

QL5: 828.4mm x 272mm x 563mm, 21.8kg

QL1: 468mm x 272mm x 562mm, 14.7kg

Power Requirements (in watts) QL5: 200W, QL1: 135W

Power Requirements (in volts,

Hz)

100–240V 50/60Hz

Temperature Range

Operating temperature range: 0–40°C

Storage temperature range: –20–60°C

Included Accessories Owner’s Manual, dust cover (QL5 only), power cord

Optional Accessories

Rackmount kit RK1, Mini-YGDAI cards

, Gooseneck Lamp LA1L

Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves

the right to change or modify products or specifications at any time without prior notice. Since specifications,

equipment or options may not be the same in every locale, please check with your Yamaha dealer.

Dimensional Diagrams

Owner’s Manual

Dimensional Diagrams

828.4

272

563

QL5

468

272

562

QL1

Units: mm

Index

Owner’s Manual

Index

About Dante Controller . . . . . . . . . . . . . . . . . . . . . . . . . 30

Analog gain. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Automixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Calibrating the faders . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Channel link . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Copy/Paste (library) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Custom fader bank. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Dante . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9, 30, 34

INPUT PATCH. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

OUTPUT PATCH . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

DCA group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Dialog boxes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

DIRECT OUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Dynamics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

EFFECT RACK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Effect rack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Factory set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Faders/Knobs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Front panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Function access area . . . . . . . . . . . . . . . . . . . . . . . . . . 20

GEQ (Graphic EQ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

GEQ rack. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Grouping . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Help. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

I/O devices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Input port . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

INSERT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Keyboard window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Lamp. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Link . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Main area . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

MIX/MATRIX buses. . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

MUTE group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Optional I/O cards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Oscillator. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Patch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

PREMIUM RACK . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9, 39

Rear panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Recorder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Redundant network . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Scene memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Selected Channel section . . . . . . . . . . . . . . . . . . . . . . 13

SENDS ON FADER mode . . . . . . . . . . . . . . . . . . . . . 23

STEREO bus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Tabs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Talkback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Tool buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Top panel

Channel Strip section . . . . . . . . . . . . . . . . . . . . . . . 12

Display section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Master section. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Selected Channel section . . . . . . . . . . . . . . . . . . . 13

USB connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

USER DEFINED KEYS section . . . . . . . . . . . . . 14

TOUCH AND TURN knob . . . . . . . . . . . . . . . . . . . . . . 18

Touch screen. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

USB flash drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Load (unit settings) . . . . . . . . . . . . . . . . . . . . . . . . . 44

Save (unit settings) . . . . . . . . . . . . . . . . . . . . . . . . . 44

Word clock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Block Diagram

4321

POST ON

INSERT OUT

EFFECT

RACK IN

PATCH

64{32}

CASCADE

SELECT

SLOT1 1-16

SLOT2 1-16

ATT

Keyin

Self PRE EQ

Self POST EQ

MIX 13-16 O UT

CH[1-8,9-16,17-24,25-32,33-40,41-48, 49-56, 57-64,ST IN 1L-8R]POST E Q(QL5)

CH[1-8,9-16,17-24,25-32,ST IN 1L-8R]POST EQ(QL1)

4BAND

GATE

DUCK

EXPAND

COMP

GR METER

COMP

COMPAND

DE-ESSER

KEYIN CUE

HPF

PRE HPF

POST EQ

INSERT

ME TE R

LEVEL/

DCA1-16

PRE FADER

PRE FADER POST ON

PRE FADER

INSERT OUT

PRE EQ

INSERT OUT

To OUTPUT PATCH

PRE EQ

INSERT POINT

POST ON INSERT OUT

PRE FADER INSERT OUT

PRE EQ INSERT OUT

GR METER

ME TE R

POST ON

ME TE R

DYNA2OUT

ME TE R

DYNA1OUT

ME TE R

EQ OUT

ME TE R

PRE EQ

PRE HPF / PRE EQ / PRE FADER/POST ON

ON LEVEL

DIRECT OUT 1-64{32}

To OUTPUT PATCH

PAN LINK

MATR IX 1,3. ..7

MATR IX 2,4. ..8

CUE R

MIX1,3...15

MIX2,4...16

CUE L

Keyin Filter

CH INSERT IN

1-64{32}

To RACKIN PATCH

To OUTPUT PATCH

To RACKIN PATCH

(13-16)To KEYIN

To MONITOR SELECT

ATT

4BAND

COMP

COMPAND

EXPAND

INSERT

POST EQ

LEVEL

PRE EQ

INSERT OUT

PRE EQ

GR METER

ME TE R

DYNA OUT

ME TE R

EQ OUT

ME TE R

PRE EQ

Keyin

Self PRE EQ/Self POST EQ/MIX13-16 OUT/

MIX(1-8,9-16) POST EQ

PRE FADER

CUE ON

(PRE FADER)PFL / (POST ON)AFL

INSERT

MIX 1-16

CH 1-64{32},ST IN 1L-8R

{48}

MA TRIX 1-8

CASCADE OUT

CASCADE IN

TALKBACK

INPUT

SELECT

DANTE IN 1-64{32}

INPUT 1-32{16}

(PRE FADER)PFL / (POST ON)AFL / POST PAN L

ST L

MO NO (C )

ST R

MIX

12 1516

(C)

MATRIX

12 78

CUE

To OUTPUT PATCH

CUE CASCADE OUT LR

STEREO CASCADE OUT L,R,MONO(C)

MIX CASCADE OUT1-16

MATRIX CASCADE OUT1-8

To OUTPUT PATCH

ME TE R

PRE DG

[INPUT]

[1-32{16}]

ME TE R

CH INSERT OUT

1-64{32}

PRE EQ / PRE FADER / POST ON

LEVEL

PAN

PRE EQ / PRE FADER / POST ON

To MATRIX

VARI

To MATRIX

VARI

STEREO

PRE EQ / PRE FADER / POST ON

LEVEL

PAN

PRE EQ / PRE FADER / POST ON

To MIX

VARI

To MIX

VARI

STEREO

To MIX

FIXED

POST ON

To MIX

FIXED

STEREO

POST PAN L

POST PAN R

MIX INSE RT IN 1-16

STEREO INSERT IN L,R,MONO(C)

CH INSERT IN 1-64{32}

MATRIX INSERT IN 1-8

LEVE L

Pink Noise

Burst Noise

HPF LPF

ME TE R

OSC

OSCILLATOR

Sine Wave

INPUT

PATCH

DANTE IN

1-64{32}

INPUT

1-32{16}

SLOT2 1-16

SLOT1 1-16

INSERT OUT

[CH 1-64{32},

MIX 1-16,

STEREO

L,R,MONO(C),

MA T RIX 1-8]

GEQ

RACK IN

PATCH

GEQ1 IN

A/B

GEQ2-8 IN

A/B

FX1 IN

A(L)/B(R)

FX2-8 IN

A(L)/B(R)

INSERT IN

PATCH

FX1-8 OUT

A(L)/B(R)

GEQ RACK1(GEQ1)

Flex15GEQ

ME TE R

RACK IN A

ME TE R

RACK IN B

ME TE R

RACK OUT A

ME TE R

RACK OUT B

GEQ RACK2-8(GEQ2-8) (same as GEQ RACK1)

EFFECT RACK2-8(FX2-8) (same as EFFECT RACK1)

EFFECT RACK1(FX1)

EFFECT

ME TE R

RACK IN L

ME TE R

RACK IN R

ME TE R

RACK OUT L

ME TE R

RACK OUT R

Flex15GEQ

ME TE R

RACK IN A

ME TE R

RACK IN B

ME TE R

RACK OUT A

ME TE R

RACK OUT B

EFFECT CUE

PAN

TO ST

LR MONO

TO MONO

LCR

TO LCR

CSR

POST PAN L

POST PAN R

(PRE FADER)PFL / (POST ON)AFL / POST PAN R

EFFECT CUE

KEYIN CH1-64{32},ST IN 1L-8R

KEYIN CUE

SELECT

POST ON

ME TE R

POST ON

MIX O UT1-16

INSERT

ME TE R

PRE FADER

INSERT OUT

To OUTPUT PATCH

MIX

INSERT IN 1-16

To RACKIN PATCH

MIX

INSERT OUT 1-16

ST L

MO NO (C )

ST R

ONLEVEL

LEVEL

PAN/BAL

To MATRIX

VARI

To MATRIX

VARI

STEREO

MATRIX1,3...7

MATRIX2,4...8

CUE ON

(PRE FADER)PFL / (POST ON)AFL

To OUTPUT PATCH

To MONITOR SELECT

ATT

4BAND

COMP

COMPAND

EXPAND

INSERT

POST EQ

LEVEL

PRE EQ

INSERT OUT

PRE EQ

GR METER

ME TE R

DYNA OUT

ME TE R

EQ OUT

ME TE R

PRE EQ

Keyin

Self PRE E Q/Self POST EQ /MIX13-16 OUT/

ST(L,R,MONO(C)) POST EQ

PRE FADER

STEREO L,R,MONO(C)

POST ON

ME TE R

POST ON

STEREO OUT

L,R,MONO(C)

INSERT

ME TE R

PRE FADER

BAL

PRE FADER

INSERT OUT

To OUTPUT PATCH

STEREO

INSERT IN L,R,MONO(C)

To RACKIN PATCH

STEREO

INSERT OUT L,R,MONO(C )

To OUTPUT PATCH

To MONITOR SELEC T

ATT

4BAND

COMP

COMPAND

EXPAND

INSERT

POST EQ

LEVEL

PRE EQ

INSERT OUT

PRE EQ

GR METER

ME TE R

DYNA OUT

ME TE R

EQ OUT

ME TE R

PRE EQ

Keyin

Self PRE E Q/Self POST EQ /MIX13-16 OUT/

MATR IX1-8 P O ST EQ

PRE FADER

POST ON

ME TE R

POST ON

MA TRIX OUT 1-8

INSERT

ME TE R

PRE FADER

INSERT OUT

To OUTPUT PATCH

MA TRIX

INSERT IN 1-8

To RACKIN PATCH

MA TRIX

INSERT OUT 1-8

CUE ON

(PRE FADER)PFL / (POST ON)AFL

PAN MODE

PAN/BAL

TO ST

LR MONO

TO MONO

LCR

TO LCR

CSR

POST ON

PAN MODE

PRE FADER / POST ON

31BandGEQ

ME TE R

RACK IN

ME TE R

RACK OUT

31BandGEQ

ME TE R

RACK IN

ME TE R

RACK OUT

To MATRIX INSERT IN

To STEREO INSERT IN

To MIX INSERT IN

To CH INSERT IN

PRE FADER / POST ON

ONLEVEL

LEVEL

PAN/BAL

To MATRIX

VARI

To MATRIX

VARI

STEREO

MATRIX1,3...7

MATRIX2,4...8

FX1-8 OUT

A(L)/B(R)

To CASCADE IN

SELECT

[SLOT]

SLOT1

SLOT2

ME TE R

SLOTIN

ME TE R

SLOTIN

64{32}

[DANTE]

DANTE

INPUT

ME TE R

DANTE

DELAY

Ma x

1000ms

INSERT

POST ON

INSERT OUT

INSERT

INSERT PO INT

POST ON INSERT OUT

PRE FADER INSERT OUT

PRE EQ INSERT OUT

INSERT PO INT

POST ON INSERT OUT

PRE FADER INSERT OUT

PRE EQ INSERT OUT

POST ON

INSERT OUT

INSERT

POST ON

INSERT OUT

INSERT

INSERT PO INT

POST ON INSERT OUT

PRE FADER INSERT OUT

PRE EQ INSERT OUT

RECORDER CUE

SELECT

PLAYBACK OUT L/R

RECORDER CUE

RECORDER IN L/R

To MONITOR SELECT

ME TE R

PLAYBACK OUT

RECORDER CUE

USB

[PLAYBACK OUT]

GAIN

DECODER

GEQ1-8

OUT

A/B

32{16}

Digital

GAIN

INPUT

1-32{16}

OSCILLATOR

BAL

ME TE R

POST DG

SLOT1 1-16

SLOT2 1-16

MONIT O R L

MONITOR R

MONIT O R MO NO (C )

MONITOR OUT MO NO(C )

MO NITOR OUT R

MO NITOR OUT L

To OUTPUT PATCH

MO NO

TALKBACK ON

CUE TRIM

(INPUT/OUTPUT/DCA)

CUE L

CUE R

MO NO

MO NITOR

LEVEL

DIMMER

MONITOR DIMM ON

CUE LOGIC

+MONO(C)

MONITOR SE LEC T

MA T RIX O UT1-8

MIX O UT1-16

INPUT 25/26{9/10}

DEFINE

MIX

(MAX:8ch)

INPUT 27/28{11/12}

INPUT 29/30{13/14}

INPUT 31/32{15/16}

STEREO OUT L,R

STEREO OUT MONO(C)

STEREO OUT L,C,R

PHONES L

PHONES R

To PHONES OUT

DELAY

(MAX:1000ms)

DELAY

(MAX:1000ms)

PHONES

LEVEL LINK

An output port delay becomes invalid by

assigning a monitor out to the output port.

CUE OUT L

CUE OUT R

To OUTPUT PATCH

CUE OUT ON

PLAYBACK OUT

INPUT 25/26{9/10}

INPUT 27/28{11/12}

INPUT 29/30{13/14}

INPUT 31/32{15/16}

PLAYBACK OUT

STEREO OUT L,R

STEREO OUT MONO(C)

CUE / MONITOR

DELAY

(MAX:1000ms)

DELAY

(MAX:1000ms)

DELAY

(MAX:1000ms)

MO NITOR

FADER

CUE INTERRUPTION

CUE ON

DELAY

(MAX:1000ms)

DELAY

(MAX:1000ms)

MONITOR DELAY AUTO BYPASS

PLAYBACK

OUT L/R

DANTE IN 1-64{32}

CUE OUT

LEVEL

INPUT 1-32{16}

DANTE IN

1-64{32}

To OUTPUT PATCH

ME TE R

+48V

+48V MASTER

+48V

ADINPUT

GAIN/TRIM

ME TE R

PRE GC

Compensation

Gain

OUTPUTS

PHONES OUT LR

[PHONES]

PHONES LEVEL

Tip

Ring

Sleeve

OUTPUT

PATCH

OUTPUT

PATCH

STEREO OUT L

STEREO OUT MONO(C)

STEREO OUT R

STEREO L+C

STEREO R+C

OUTPUT

PATCH

SLOT1

SLOT2

[SLOT]

ME TE R

DELAY

(MAX:1000ms)

DELAY

(MAX:1000ms)

TRIMGAIN

16{8}

ME TE R

DELAY

(MAX:1000ms)

TRIM

GAIN

[OMNI OUT]

(1-16{8} )

[DANTE]

(1-64{32})

64{32}

ME TE R

DELAY

(MAX:1000ms)

GAIN

DANTE

OUTPUT

DIT

[DIGITAL OUT]

AES/EBU

DELAY

(MAX:1000ms)

ME TE R

TRIMGAIN

PR1-8 OUT L/R

FX1-8 OUT L/R

EFFECT CUE

SELECT

INPUT 1-32{16}

DANTE IN 1-64{32}

CASCADE OUT [MIX1-16, STEREO L,R,MONO(C) ,MATRIX 1-8, CUE L,R]

INSERT OUT [CH1-64{32}, MIX1-16, STEREO L,R,MONO(C) ,MATRIX 1-8]

OUT [DIRECT 1-64{32}, MIX1-16, STEREO L,R,MONO(C) ,MATRIX 1-8]

OUT [MONITOR L,R,MONO(C) ,CUE L,R]

SLOT IN 1-2, 1-16

RECORDER CUE

USB

GAIN

ME TE R

ENCODER

[2TR RECORDER]

OUTPUT

PATCH

OUTPUT

PATCH

PREMIUM

RACK IN

PATCH

PR1 IN

A(L)/B(R)

PR2-8 IN

A(L)/B(R)

PREMIUM RACK2-8 (same as PREMIUM RACK1)

PREMIUM RACK1(PR1)

PROCESSOR

ME TE R

RACK IN L

ME TE R

RACK IN R

ME TE R

RACK OUT L

ME TE R

RACK OUT R

EFFECT CUE

Automixer 8ch RACK1-4 (GEQ1-4)

Automixer8ch

ME TE R

8 8

Automixer 16ch RACK1-8 (GEQ1-8)

Automixer16ch

ME TE R

16 16

GEQ1-4 IN

A/B

GEQ1-8 IN

A/B

PR1-2 OUT

A(L)/B(R)

PR1-8 OUT

A(L)/B(R)

OUT

[MIX 1-16,

STEREO

L,R,MONO(C),

MA T RIX 1-8]

To MONITOR

SELECT

To C H 1-64{32},ST IN 1L-8R

POST ON

INSERT OUT

Level Diagram

Max. DSP Noise Floor

Max. Output

Digital

Bit

-10

-20

-30

-40

-50

-60

-70

-80

-90

-100

-110

-120

-130

-140

-150

-160

-170

-190

-200

-210

GAIN

dBu

Analog

dBFS

-180

[0dBu = 0.775Vrms]

[0dBFS = Full Scale]

+20

+10

-10

-20

-30

-40

-50

-60

-70

-80

-90

-100

-110

-120

-130

-140

-150

-160

+24

-170

-180

-190

DigitalAnalog

Digital Analog

dBu

Analog

+20

+10

-10

-20

-30

-40

-50

-60

-70

-80

-90

-100

-110

-120

-130

-140

-150

-160

+24

-170

-180

-190

Nominal Output

[+24dBu]

[+4dBu]

+30

OMNI OUT 1-16{8}

[Default setting]

Nominal Output

(75mW@8Ω )

(150mW@8Ω )

Max Output

PHONES

INPUT 1-32{16} (GAIN MIN.)

INPUT 1-32{16} (GAIN MAX.)

Nominal Input [-62dBu]

Max. Input [-42dBu]

Nominal Input [+10dBu]

Max. Input [+30dBu]

DELAY

OUTPUT

PATCH

ATT.

(x4) DYN

INSERT

MASTER

LEVEL

/BAL

MASTER

ATT.

LEVEL

/ON PAN

BUS

Adder

DELAY DCA

(x4)

DYN

INSERT

Digital Clipping Level

CASCADE OUT

CASCADE IN

For details of products, please contact your nearest Yamaha

representative or the authorized distributor listed below.

Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou

au distributeur le plus proche de vous figurant dans la liste suivante.

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten

Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen

Bestimmungsländern erhältlich.

Para detalles sobre productos, contacte su tienda Yamaha más

cercana o el distribuidor autorizado que se lista debajo.

HEAD OFFICE

Yamaha Corporation, Audio Products Sales and Marketing Division

Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Toronto, Ontario,

M1S 3R1, Canada

Tel: 416-298-1311

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Avenue, Buena Park, CA 90620,

U.S.A.

Tel: 714-522-9011

MEXICO

Yamaha de México, S.A. de C.V.

Av. Insurgentes Sur 1647 Piso 9, Col. San José

Insurgentes, Delegación Benito Juárez, México,

D.F., C.P. 03900

Tel: 55-5804-0600

BRAZIL

Yamaha Musical do Brasil Ltda.

Rua Joaquim Floriano, 913 - 4º andar, Itaim Bibi,

CEP 04534-013 São Paulo, SP. BRAZIL

Tel: 011-3704-1377

ARGENTINA

Yamaha Music Latin America, S.A.,

Sucursal Argentina

Olga Cossettini 1553, Piso 4 Norte,

Madero Este-C1107CEK

Buenos Aires, Argentina

Tel: 011-4119-7000

VENEZUELA

Yamaha Music Latin America, S.A.,

Sucursal Venezuela

C.C. Manzanares Plaza P4

Ofic. 0401- Manzanares-Baruta

Caracas Venezuela

Tel: 58-212-943-1877

PANAMA AND OTHER LATIN

AMERICAN COUNTRIES/

CARIBBEAN COUNTRIES

Yamaha Music Latin America, S.A.

Torre Banco General, Piso No.7, Marbella,

Calle 47 y Aquilino de la Guardia,

Ciudad de Panamá, República de Panamá

Tel: +507-269-5311

THE UNITED KINGDOM/IRELAND

Yamaha Music Europe GmbH (UK)

Sherbourne Drive, Tilbrook, Milton Keynes,

MK7 8BL, U.K.

Tel: 01908-366700

GERMANY

Yamaha Music Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

SWITZERLAND/LIECHTENSTEIN

Yamaha Music Europe GmbH

Branch Switzerland in Zürich

Seefeldstrasse 94, 8008 Zürich, Switzerland

Tel: 044-387-8080

AUSTRIA/BULGARIA

Yamaha Music Europe GmbH Branch Austria

Schleiergasse 20, A-1100 Wien, Austria

Tel: 01-60203900

CZECH REPUBLIC/HUNGARY/

ROMANIA/SLOVAKIA/SLOVENIA

Yamaha Music Europe GmbH

Branch Austria (Central Eastern Europe Office)

Schleiergasse 20, A-1100 Wien, Austria

Tel: 01-60203900

POLAND/LITHUANIA/LATVIA/ESTONIA

Yamaha Music Europe GmbH

Branch Poland Office

ul. Wrotkowa 14 02-553 Warsaw, Poland

Tel: 022-500-2925

MALTA

Olimpus Music Ltd.

The Emporium, Level 3, St. Louis Street Msida

MSD06

Tel: 02133-2144

NETHERLANDS/BELGIUM/

LUXEMBOURG

Yamaha Music Europe Branch Benelux

Clarissenhof 5-b, 4133 AB Vianen, Netherlands

Tel: 0347-358 040

FRANCE

Ya m a h a M u s i c E u ro p e

7 rue Ambroise Croizat, Zone d’activites Pariest,

77183 Croissy-Beaubourg, France

Tel: 01-64-61-4000

ITALY

Yamaha Music Europe GmbH, Branch Italy

Viale Italia 88, 20020 Lainate (Milano), Italy

Tel: 02-935-771

SPAIN/PORTUGAL

Yamaha Music Europe GmbH Ibérica, Sucursal

en España

Ctra. de la Coruna km. 17,200, 28231

Las Rozas (Madrid), Spain

Tel: +34-91-639-88-88

GREECE

Philippos Nakas S.A. The Music House

147 Skiathou Street, 112-55 Athens, Greece

Tel: 01-228 2160

SWEDEN/FINLAND/ICELAND

Yamaha Music Europe GmbH Germany filial

Scandinavia

J. A. Wettergrensgata 1, Box 30053

S-400 43 Göteborg, Sweden

Tel: +46 31 89 34 00

DENMARK

Yamaha Music Europe GmbH, Tyskland – filial

Denmark

Generatorvej 6A, DK-2730 Herlev, Denmark

Tel: 44 92 49 00

NORWAY

Yamaha Music Europe GmbH Germany -

Norwegian Branch

Grini Næringspark 1, N-1361 Østerås, Norway

Tel: 67 16 78 00

RUSSIA

Yamaha Music (Russia) LLC.

Room 37, bld. 7, Kievskaya street, Moscow,

121059, Russia

Tel: 495 626 5005

OTHER EUROPEAN COUNTRIES

Yamaha Music Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: +49-4101-3030

Ya m a h a M u s i c G u l f F Z E

Office JAFZA 16-512, P.O.Box 17328,

Jebel Ali - Dubai, UAE

Tel: +971-4-881-5868

TURKEY

Yamaha Music Europe GmbH

Merkezi Almanya Türkiye İstanbul Şubesi

Maslak Meydan Sokak No:5 Spring Giz Plaza

Bağımsız Böl. No:3, 34398 Şişli İstanbul

Tel: +90-212-999-8010

CYPRUS

Yamaha Music Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

OTHER COUNTRIES

Ya m a h a M u s i c G u l f F Z E

Office JAFZA 16-512, P.O.Box 17328,

Jebel Ali - Dubai, U.A.E

Tel: +971-4-881-5868

THE PEOPLE’S REPUBLIC OF CHINA

Yamaha Music & Electronics (China) Co.,Ltd.

2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu,

Shanghai, China

Tel: 021-6247-2211

INDIA

Yamaha Music India Pvt. Ltd.

Spazedge building, Ground Floor, Tower A, Sector

47, Gurgaon- Sohna Road, Gurgaon, Haryana, India

Tel: 0124-485-3300

INDONESIA

PT. Yamaha Musik Indonesia (Distributor)

Yamaha Music Center Bldg. Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930, Indonesia

Tel: 021-520-2577

KOREA

Yamaha Music Korea Ltd.

8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong,

Kangnam-Gu, Seoul, Korea

Tel: 02-3467-3300

MALAYSIA

Yamaha Music (Malaysia) Sdn., Bhd.

No.8, Jalan Perbandaran, Kelana Jaya, 47301

Petaling Jaya, Selangor, Malaysia

Tel: 03-78030900

SINGAPORE

Yamaha Music (Asia) Private Limited

Block 202 Hougang Street 21, #02-00,

Singapore 530202, Singapore

Tel: 65-6747-4374

TAIWAN

Yamaha Music & Electronics Taiwan Co.,Ltd.

3F, No.6, Section 2 Nan-Jing East Road, Taipei,

Taiwan R.O.C.

Tel: 02-2511-8688

THAILAND

Siam Music Yamaha Co., Ltd.

3, 4, 15 and 16th floor, Siam Motors Building,

891/1 Rama 1 Road, Wangmai,

Pathumwan, Bangkok 10330, Thailand

Tel: 02-215-2622

VIETNAM

Yamaha Music Vietnam Company Limited

15th Floor, Nam A Bank Tower, 201-203 Cach

Mang Thang Tam St., Ward 4, Dist.3,

Ho Chi Minh City, Vietnam

Tel: +84-8-3818-1122

OTHER ASIAN COUNTRIES

Yama h a C o r po r a ti o n

Sales & Marketing Division

Nakazawa-cho 10-1, Naka-ku, Hamamatsu,

Japan 430-8650

Tel: +81-53-460-2312

AUSTRALIA

Yama h a M u s ic A u st r a li a P t y. L t d .

Level 1, 99 Queensbridge Street, Southbank,

Victoria 3006, Australia

Tel: 3-9693-5111

COUNTRIES AND TRUST

TERRITORIES IN PACIFIC OCEAN

Yama h a C o r po r a ti o n

Sales & Marketing Division

Nakazawa-cho 10-1, Naka-ku, Hamamatsu,

Japan 430-8650

Tel: +81-53-460-2312

NORTH AMERICA

CENTRAL & SOUTH AMERICA

EUROPE

AFRICA

MIDDLE EAST

ASIA

OCEANIA

PA36

405MATO-B0

C.S.G., PA Development Division

Printed in Japan

ZH99130

Yamaha Manual Library

http://www.yamaha.co.jp/manual/

Yamaha Pro Audio Global Web Site

http://www.yamahaproaudio.com/

Transcripción de documentos

Owner’s Manual Keep This Manual For Future Reference. EN Contents PRECAUTIONS................................... 5 Introduction .................................... 8 Accessories.........................................................8 About utility software.........................................8 About firmware updates.....................................8 About the Owner’s Manual ................................8 Conventions in this manual................................8 An overview of the QL series ........... 9 Features .............................................................9 About the models ............................................10 Controls and functions .................. 11 Top panel ........................................................ 11 Front panel ......................................................15 Rear panel........................................................ 16 Touch screen .................................. 18 Basic touch screen operations .......................... 18 On-screen user interface ..................................18 Viewing the touch screen.................................20 Using the tool buttons ..................................... 21 Basic operation of the QL series .... 22 Controlling selected channels (Selected Channel section)........................ 22 Using the top panel (Channel Strip section) ..... 22 Assigning a name............................................. 23 Using libraries .................................................. 24 Initializing settings ...........................................28 Copying and pasting settings...........................28 Comparing two sets of settings........................ 29 Quick Guide ................................... 34 Connecting the devices....................................34 Setting the input channels ...............................35 Sending an input channel signal to the STEREO bus...............................................36 Applying EQ/dynamics.....................................36 Setting the output channels .............................37 Using GEQ .......................................................37 Using Automixer ..............................................38 Applying effects ...............................................38 Changing the patch settings ............................40 Grouping and linking .......................................41 Using talkback..................................................41 Routing the oscillator to an output channel.....................................................42 Using scene memories .....................................42 Recording and playing audio using a USB flash drive .................................................43 Saving and loading the unit settings ................44 Other functions ............................. 45 Adjusting the brightness of the touch screen, lamps, and other indicators ...........45 Setting the date and time of the internal clock .........................................................45 Initializing the unit to factory default settings...46 Adjusting the faders (Calibration function)................................46 Troubleshooting ............................ 48 Attaching the RK1 rackmount kit (sold separately) ............................ 50 General specifications ................... 51 Dimensional Diagrams................... 52 Index .............................................. 53 Block Diagram ............ End of Manual Level Diagram ............. End of Manual Connection..................................... 30 About network connections ............................. 30 Connecting to I/O devices ............................... 30 Audio input/output connections ......................32 Installing an optional card................................33 2 Owner’s Manual The above warning is located on the rear/side of the unit. L’avertissement ci-dessus est situé sur le arrière/côté de l’appareil. Explanation of Graphical Symbols Explication des symboles The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. L’éclair avec une flèche à l’intérieur d’un triangle équilatéral est destiné à attirer l’attention de l’utilisateur sur la présence d’une « tension dangereuse » non isolée à l’intérieur de l’appareil, pouvant être suffisamment élevée pour constituer un risque d’électrocution. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. Le point d’exclamation à l’intérieur d’un triangle équilatéral est destiné à attirer l’attention de l’utilisateur sur la présence d’instructions importantes sur l’emploi ou la maintenance (réparation) de l’appareil dans la documentation fournie. IMPORTANT SAFETY INSTRUCTIONS 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Read these instructions. Keep these instructions. Heed all warnings. Follow all instructions. Do not use this apparatus near water. Clean only with dry cloth. Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. Only use attachments/accessories specified by the manufacturer. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over. Unplug this apparatus during lightning storms or when unused for long periods of time. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE. (UL60065_03) PRÉCAUTIONS CONCERNANT LA SÉCURITÉ 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Lire ces instructions. Conserver ces instructions. Tenir compte de tous les avertissements. Suivre toutes les instructions. Ne pas utiliser ce produit à proximité d’eau. Nettoyer uniquement avec un chiffon propre et sec. Ne pas bloquer les orifices de ventilation. Installer l’appareil conformément aux instructions du fabricant. Ne pas installer l’appareil à proximité d’une source de chaleur comme un radiateur, une bouche de chaleur, un poêle ou tout autre appareil (y compris un amplificateur) produisant de la chaleur. Ne pas modifier le système de sécurité de la fiche polarisée ou de la fiche de terre. Une fiche polarisée dispose de deux broches dont une est plus large que l’autre. Une fiche de terre dispose de deux broches et d’une troisième pour le raccordement à la terre. Cette broche plus large ou cette troisième broche est destinée à assurer la sécurité de l’utilisateur. Si la fiche équipant l’appareil n’est pas compatible avec les prises de courant disponibles, faire remplacer les prises par un électricien. Acheminer les cordons d’alimentation de sorte qu’ils ne soient pas piétinés ni coincés, en faisant tout spécialement attention aux fiches, prises de courant et au point de sortie de l’appareil. Utiliser exclusivement les fixations et accessoires spécifiés par le fabricant. Utiliser exclusivement le chariot, le stand, le trépied, le support ou la table recommandés par le fabricant ou vendus avec cet appareil. Si l’appareil est posé sur un chariot, déplacer le chariot avec précaution pour éviter tout risque de chute et de blessure. Débrancher l’appareil en cas d’orage ou lorsqu’il doit rester hors service pendant une période prolongée. Confier toute réparation à un personnel qualifié. Faire réparer l’appareil s’il a subi tout dommage, par exemple si la fiche ou le cordon d’alimentation est endommagé, si du liquide a coulé ou des objets sont tombés à l’intérieur de l’appareil, si l’appareil a été exposé à la pluie ou à de l’humidité, si l’appareil ne fonctionne pas normalement ou est tombé. AVERTISSEMENT POUR RÉDUIRE LES RISQUES D’INCENDIE OU DE DÉCHARGE ÉLECTRIQUE, N’EXPOSEZ PAS CET APPAREIL À LA PLUIE OU À L’HUMIDITÉ. (UL60065_03) Owner’s Manual 3 FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. ADVARSEL! Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. Udskiftning må kun ske med batteri af samme fabrikat og type. Levér det brugte batteri tilbage til leverandoren. VARNING Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren. Kassera använt batteri enligt fabrikantens instruktion. VAROITUS Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävitä käytetty paristo valmistajan ohjeiden mukaisesti. (lithium caution) NEDERLAND / THE NETHERLANDS • Dit apparaat bevat een lithium batterij voor geheugen back-up. • This apparatus contains a lithium battery for memory back-up. • Raadpleeg uw leverancier over de verwijdering van de batterij op het moment dat u het apparaat ann het einde van de levensduur of gelieve dan contact op te nemen met de vertegenwoordiging van Yamaha in uw land. • For the removal of the battery at the moment of the disposal at the end of life please consult your retailer or Yamaha representative office in your country. • Gooi de batterij niet weg, maar lever hem in als KCA. • Do not throw away the battery. Instead, hand it in as small chemical waste. (lithium disposal) This product contains a battery that contains perchlorate material. Perchlorate Material—special handling may apply, See www.dtsc.ca.gov/hazardouswaste/perchlorate. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (Perchlorate) (class B) COMPLIANCE INFORMATION STATEMENT (DECLARATION OF CONFORMITY PROCEDURE) Responsible Party: Yamaha Corporation of America Address: 6600 Orangethorpe Ave., Buena Park, Calif. 90620 Telephone: 714-522-9011 Type of Equipment: Digital Mixing Console Model Name: QL5/QL1 This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: 1) this device may not cause harmful interference, and 2) this device must accept any interference received including interference that may cause undesired operation. See user manual instructions if interference to radio reception is suspected. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (FCC DoC) IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord WARNING: THIS APPARATUS MUST BE EARTHED IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: GREEN-AND-YELLOW : EARTH BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows: The wire which is coloured GREEN-and-YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or colored GREEN or GREEN-and-YELLOW. The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. (3 wires) (class b korea) 4 Owner’s Manual PA_en_2 1/2 PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: Power supply/power cord • Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it. • Only use the voltage specified as correct for the device. The required voltage is printed on the name plate of the device. • Use only the supplied power cord/plug. If you intend to use the device in an area other than in the one you purchased, the included power cord may not be compatible. Please check with your Yamaha dealer. If you notice any abnormality • When one of the following problems occur, immediately turn off the power switch and disconnect the electric plug from the outlet. Then have the device inspected by Yamaha service personnel. - The power cord or plug becomes frayed or damaged. - It emits unusual smells or smoke. - Some object has been dropped into the device. - There is a sudden loss of sound during use of the device. • If this device should be dropped or damaged, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the device inspected by qualified Yamaha service personnel. CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the device or other property. These precautions include, but are not limited to, the following: Power supply/power cord • When removing the electric plug from the device or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it. • Remove the electric plug from the outlet when the device is not to be used for extended periods of time, or during electrical storms. • Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. Location • Be sure to connect to an appropriate outlet with a protective grounding connection. Improper grounding can result in electrical shock, damage to the device(s), or even fire. • Do not place the device in an unstable position where it might accidentally fall over. Do not open • This device contains no user-serviceable parts. Do not open the device or attempt to disassemble the internal parts or modify them in any way. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. Water warning • Do not expose the device to rain, use it near water or in damp or wet conditions, or place on it any containers (such as vases, bottles or glasses) containing liquids which might spill into any openings. If any liquid such as water seeps into the device, turn off the power immediately and unplug the power cord from the AC outlet. Then have the device inspected by qualified Yamaha service personnel. • Never insert or remove an electric plug with wet hands. Fire warning • Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire. • Do not block the vents. This device has ventilation holes at the rear/sides to prevent the internal temperature from becoming too high. In particular, do not place the device on its side or upside down. Inadequate ventilation can result in overheating, possibly causing damage to the device(s), or even fire. • Keep device away from the reach of children. • Do not place the device in a location where it may come into contact with corrosive gases or salt air. Doing so may result in malfunction. • Avoid being near the device during a disaster, such as an earthquake. Since the device may turn over or fall and cause injury, stay away from the device quickly and move to a safe place. • Before moving the device, remove all connected cables. • When setting up the device, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet. • When setting up the device, make sure that the power switch can be easily turned ON/OFF. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the AC outlet. • When transporting or moving the device, always use two or more people. Attempting to lift the device by yourself may damage your back, result in other injury, or cause damage to the device itself. Owner’s Manual 5 PA_en_2 2/2 Connections • Before connecting the device to other devices, turn off the power for all devices. Before turning the power on or off for all devices, set all volume levels to minimum. Maintenance • Remove the power plug from the AC outlet when cleaning the device. Handling caution • Do not insert your fingers or hands in any gaps or openings on the device (vents). • Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any gaps or openings on the device (vents) If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the device inspected by qualified Yamaha service personnel. • Do not rest your weight on the device or place heavy objects on it, and avoid use excessive force on the buttons, switches or connectors. • Do not use headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician. Backup battery • Do not replace the backup battery by yourself. Doing so may cause an explosion and/or damage to the device(s). If the backup battery power is fully depleted, have qualified Yamaha service personnel replace the battery. Yamaha cannot be held responsible for damage caused by improper use or modifications to the device, or data that is lost or destroyed. 6 Owner’s Manual NOTICE Information To avoid the possibility of malfunction/damage to the product, damage to data, or damage to other property, follow the notices below. About copyrights Handling and Maintenance • Do not use the device in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the device, TV, or radio may generate noise. • Do not expose the device to excessive dust or vibration, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day), in order to prevent the possibility of panel disfiguration, unstable operation, or damage to the internal components. • Do not place vinyl, plastic or rubber objects on the device, since this might discolor the panel. • When cleaning the device, use a dry and soft cloth. Do not use paint thinners, solvents, cleaning fluids, or chemicalimpregnated wiping cloths. • Condensation can occur in the device due to rapid, drastic changes in ambient temperature—when the device is moved from one location to another, or air conditioning is turned on or off, for example. Using the device while condensation is present can cause damage. If there is reason to believe that condensation might have occurred, leave the device for several hours without turning on the power until the condensation has completely dried out. • Avoid setting all equalizer controls and faders to their maximum. Depending on the condition of the connected devices, doing so may cause feedback and may damage the speakers. • Do not apply oil, grease, or contact cleaner to the faders. Doing so may cause problems with electrical contact or fader motion. • When turning on the AC power in your audio system, always turn on the power amplifier/the device LAST, to avoid speaker damage. When turning the power off, the power amplifier/the device should be turned off FIRST for the same reason. • The rubber feet included in this package can be attached to the speaker to prevent slippage when it is to be used on a slippery surface. • Always turn the power off when the device is not in use. Saving data • This device has a built-in backup battery that maintains internal clock data even when the device’s power is switched off. However, the backup battery will eventually become depleted, and when that happens the internal clock data will be reset. Replace the backup battery before it becomes fully depleted. When the backup battery is running low, the LCD display indicates “Low Battery” when you start up the system. In this case, contact your Yamaha dealer and have qualified Yamaha service personnel replace the backup battery. The average life of the backup battery is approximately five years, depending on operating conditions. Connectors • Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use. About this manual • The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your device. • Windows is a registered trademark of Microsoft® Corporation in the United States and other countries. • Apple, Mac, Macintosh and iPad are trademarks of Apple Inc., registered in the U.S. and other countries. • The bitmap fonts used in this instrument have been provided by and are the property of Ricoh Co., Ltd. • MPEG Layer-3 audio coding technology licensed from Fraunhofer IIS and Thomson. • The company names and product names in this manual are the trademarks or registered trademarks of their respective companies. Information for Users on Collection and Disposal of Old Equipment This symbol on the products, packaging, and/or accompanying documents means that used electrical and electronic products should not be mixed with general household waste. For proper treatment, recovery and recycling of old products, please take them to applicable collection points, in accordance with your national legislation and the Directives 2002/96/EC. By disposing of these products correctly, you will help to save valuable resources and prevent any potential negative effects on human health and the environment which could otherwise arise from inappropriate waste handling. For more information about collection and recycling of old products, please contact your local municipality, your waste disposal service or the point of sale where you purchased the items. [For business users in the European Union] If you wish to discard electrical and electronic equipment, please contact your dealer or supplier for further information. [Information on Disposal in other Countries outside the European Union] This symbol is only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer and ask for the correct method of disposal. (weee_eu_en_01) • XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (–). Owner’s Manual 7 Introduction Introduction Thank you for choosing a Yamaha QL series QL5/QL1 Digital Mixing Console. To take full advantage of the superior features and performance offered by your QL series console, and to enjoy years of trouble-free use, please read this owner’s manual carefully before operating your console. After you have read the manual, keep it in a safe place. Accessories • • • • AC power cord Owner’s Manual (this document) Dante Virtual Soundcard license code Dust cover (QL5 only) About utility software QL series products can be used with a variety of utility software. Information about downloading, installing and setting up the software applications is available on the Yamaha Pro Audio website. In addition, refer to the installation guide that comes with each downloaded application. http://www.yamahaproaudio.com/ • QL Editor This software application enables you to set up and operate the unit from a connected computer. You can also use the application to back up console settings or set console parameters without connecting the unit. • Console File Converter This software application enables you to convert between Yamaha PM5D, M7CL, LS9, CL and QL series setting files. • QL StageMix This software application enables you to control the unit remotely from an iPad on a WiFi network. NOTE iOS applications may not be supported in your area. Please check with your Yamaha dealer. About firmware updates This product enables you to update the unit firmware to improve the operation, add functions, and correct possible malfunctions. The following two types of firmware are available for the unit. • Console firmware • Dante module firmware You must update each type of firmware separately. Details on updating the firmware are available on the following website. For information about updating and setting up the unit, please refer to the firmware update guide available on the website. http://www.yamahaproaudio.com/ 8 Owner’s Manual About the Owner’s Manual Owner’s Manual (this document) This book primarily explains panel controls and functions and basic operation of the QL series. In this manual, most explanations refer to the QL5. Reference Manual (PDF format; downloadable from the website) This book primarily explains details about functions, effects parameters, and MIDI. The Reference Manual is an electronic file in PDF format. Use PDF viewing software such as Adobe® Reader® to read this manual. You can download the latest Adobe Reader application from the website listed below. http://www.adobe.com/ Help file (XML file; downloadable from the website) You can read this Help file on the unit’s screen. Load the file on the unit, then press the Help button on the display to view related sections. You can download the Reference Manual and Help file from the following website. http://www.yamahaproaudio.com/ Conventions in this manual In this manual, switch-type controllers on the panel are called “keys.” Control knobs on the panel are called “knobs.” Some knobs rotate from a minimum value to a maximum value, while others rotate endlessly. Virtual buttons displayed on the screen are called “buttons,” and virtual knobs are called “knobs.” Controls located on the panel are enclosed in square brackets [ ] (e.g., [CUE] key) to distinguish them from virtual buttons and knobs displayed on screen. For some controls, the name of the section is given before the [ ] (e.g., SCENE MEMORY [STORE] key). An overview of the QL series An overview of the QL series The Dante Virtual Soundcard software enables you to carry out multi-channel recording to DAW software installed on a computer. Consequently, no other audio interface is needed. Integration of mixer and I/O device with port-to-port functionality Features QL series digital mixing consoles create high-quality, refined, live-sound environments. These consoles carry forward the digital evolution of a broad array of advanced concepts that helps to make the consoles easy and intuitive to use. The built-in effect processor and an optional I/O devices can accommodate the most demanding situations at the highest level of quality, while retaining the flexibility necessary to configure a system that meets your needs. Direct “port-to-port” patching functionality between input ports and output ports allows direct routing of QL analog inputs and outputs to/from external Dante devices without passing through the mixing channels. Further, you can remotely control the head amps from other CL series and QL series consoles, allowing QL series consoles to be used as remote I/O devices. You can use recall safe in the port to port function to remove a head amp from scene recall in QL series consoles so that it is controlled only from another CL series or QL series console. User interface friendly to newcomers but familiar to seasoned users Ultra-realistic digital reproduction of analog sound by PREMIUM RACK The Selected Channel section located to the right of the display lets you use the knobs to control the main parameters (gain, EQ, dynamics threshold, etc.) for a particular channel. This section can be operated much like a module in an analog mixer. The display is a touch screen. You can turn functions on or off or select items simply by touching buttons or knobs on the screen. You can use the [TOUCH AND TURN] knob to adjust the parameters of the selected knob. Groups of channels routed to the top-panel faders can be selected and switched easily in a “Fader Bank”. The Fader Bank holds input and output channel banks, as well as custom fader banks. The custom fader banks enable you to select various combinations of channels, regardless of channel types. Each channel strip offers easy visual identification. The channel name appears on a display, and an indicator shows the channel color. You can adjust the brightness of each indicator across a broad range to accommodate dimly-lit environments. Mix parameter settings, including gain and phantom power for input channels, can be stored and recalled as “scenes.” All faders on the panel are moving faders. When you recall a scene, the recorded fader locations will be reproduced immediately. The QL series features PREMIUM RACK, which employs VCM technology. This technology models analog circuitry on a component level to faithfully reproduce amazing analog sounds. PREMIUM RACK creates authentic sounds by modeling and faithfully capturing the sonic characteristics of analog circuitry fine-tuned to be faithful to the original sound. The QL’s PREMIUM RACK includes six models, including a Portico 5033 EQ/Portico 5043 Compressor by Rupert Neve Designs, a U76 Compressor, an Opt-2A Leveling Amplifier, etc. Flexible system configuration with Dante The Ethernet-compatible Dante audio network protocol facilitates connecting QL series consoles to external devices, such as the Rio3224-D I/O device. A connected I/O device that has been assigned a unique unit ID will automatically be recognized and will facilitate patching functions. Using an I/O rack, you can configure a redundant network to defend against unforeseen difficulties that can arise in large-scale Dante networks. If multiple QL units share the same I/O device, the gain compensation function will maintain network audio streams at a constant level to help you enjoy the benefits of a large-scale sound system. Sonic flexibility from versatile effects and GEQ rack Independent of the PREMIUM RACK, high-quality multi-effect processors are built into your QL series console, with up to eight available simultaneously. Effects such as reverb, delay, multiband compression, and various modulation effects can be routed via internal buses or inserted into the desired channel. In addition to the effects, the QL series features a GEQ rack. This includes a 31-band graphic EQ, a Flex15GEQ, and an Automixer function–each of which can be inserted into any channel or bus. The Flex15GEQ allows you to adjust the gain for any 15 of the 31 bands. Automixer allows you to reduce noise and maintain feedback margins, by automating the gain distribution for multiple microphones, freeing the operator from making constant fader adjustments. To use effects or the graphic EQ, you mount them in virtual racks displayed on the touch screen. The currently-mounted modules can be seen at a glance, and you can switch modules and change input/output patching in an intuitive manner. Owner’s Manual 9 An overview of the QL series I/O card and processing card expansion The rear panel provides two slots in which separately sold mini-YGDAI cards can be installed. You can add inputs and outputs by installing AD cards, DA cards, or digital I/O cards in these slots. You can also expand processing or effects by installing a DSP card. Cascade connections in the digital domain You can cascade a second QL series unit or another digital mixer, such as the Yamaha CL series, M7CL, PM5D or LS9, connected via a digital I/O card installed in a slot or a Dante connector. (Cascade connections via a Dante connector are possible only between QL series consoles.) You can cascade any of the MIX, MATRIX, STEREO (L/R), MONO, and CUE (L/R) buses. About the models The QL series is available in two models: QL5 and QL1. Model differences are shown in the table below. Analog inputs Analog outputs Monaural input channels QL5 32 16 64 Block A/B: 32 Master section: 2 QL1 16 8 32 Block A/B: 16 Master section: 2 Channel strips • QL5 Recorder function useful for sound checks and mix recording The QL series features a USB memory recorder function that enables you to record output from STEREO or MIX buses onto a USB flash drive. It also enables you to play audio files that reside on a USB flash drive by assigning the files to input channels or monitor outputs. The MP3 format (MPEG-1 Audio Layer-3) is supported for recording. For playback, MP3, WMA (Windows Media Audio), and MPEG-4 AAC (Advanced Audio Coding) formats are supported. This function can be useful if you want to record certain bus mix outputs or play music for a sound check through speakers. Block A/B Master section • QL1 Security functions at user or system level Functionality can be restricted for users other than the administrator at three levels of security: administrator, guest, and user. Passwords can be specified for the administrator and for users to help prevent important settings from being changed accidentally. Information specific to each user (user level, system settings, and user-defined key/knob settings) can be stored on the unit or on a USB flash drive as a “user authentication key.” By loading your own user authentication key, you can instantly reconfigure the unit for your own ideal operating environment. Help file downloadable to the unit You can download from the website a Help file that explains the parameters and messages displayed on the screen. Once you load the Help file, it will be stored inside the unit so that you can use the Help function at any time. 10 Owner’s Manual Block A/B Master section Controls and functions Controls and functions Top panel The top panel of the QL series is divided into the following sections. 2 3 4 5 6 7 1 (Block A/B) 8 1 Channel Strip section  page 12 2 SENDS ON FADER section  page 12 3 Display section  page 13 4 Selected Channel section  page 13 5 USB connector  page 15 6 USER DEFINED KEYS section  page 14 7 FADER BANK section  page 14 8 Master section  page 14 NOTE This illustration shows the top panel of the QL5. Owner’s Manual 11 Controls and functions Channel Strip section 1 2 5 Channel name display Indicates the channel name, fader value, etc. You can set the display so that it will indicate only the channel name. The information to be shown can be specified in the USER SETUP screen PREFERENCE tab. 3 4 5 6 6 Channel color indicator Lights in the channel color specified on the PATCH/NAME screen. You can select the channel color from nine options, including OFF. 7 Fader Adjusts the input/output level of the channel. In SENDS ON FADER mode, this fader adjusts the send level of the signal from each channel to the currently-selected MIX/MATRIX bus. SENDS ON FADER section 7 1 1 [SEL] key Selects the channel that will be controlled in the Channel Strip section and on the touch screen. When a channel is selected, the key LED will light. If you control an ST IN channel in the Channel Strip section, the L channel will be routed to an odd-numbered channel, and the R channel will be routed to the adjacent even-numbered channel. If you control the custom fader bank, and if you assign L/R channels, the selected object of control will alternate between the L and R channels each time you press the [SEL] key. NOTE If you assign either the L or R channel, this key will simply select the channel. 2 [CUE] key Selects the channel to be cue-monitored. If cue is on, the LED will light. 3 Meter LEDs Indicate the channel level. 4 [ON] key Switches the channel on or off. If a channel is on, the key LED will light. In SENDS ON FADER mode, this is an on/off switch for signals sent from each channel to the currently-selected MIX/MATRIX bus. 12 Owner’s Manual 1 MIX/MATRIX buses [1]–[16] For selecting the MIX/MATRIX buses whose send levels will be adjusted in the Selected Channel section. The LED of the key corresponding to the currently selected bus will light (or flash, in the case of a MATRIX bus). In SENDS ON FADER mode, these keys select a MIX/MATRIX bus as the send-destination. In this case, the LED of the key corresponding to the currently selected bus will flash, and the LED of keys corresponding to selectable buses will light. For MATRIX buses, the [9]–[16] keys will be dark and cannot be selected. Top panel Display section NOTE This is a touch screen that you can operate by touching the surface of the screen. You can touch your finger to the screen to select menus or set parameters. Please note that you cannot operate the unit by touching multiple points simultaneously. • The PAD will be switched on or off internally when the HA analog gain is adjusted between +17dB and +18dB. Keep in mind that noise may be generated when using phantom power if there is a difference between the hot and cold output impedance of an external device connected to the INPUT connector. 2 [PAN] knob When a monaural channel is selected, this knob adjusts the panning of the signal sent to the STEREO bus. When a stereo channel is selected, this knob adjusts the PAN or left/right balance, whichever is selected. 3 [DYNAMICS 1] knob 4 [DYNAMICS 2] knob Adjust the THRESHOLD parameter of the gate, compressor, etc. The [DYNAMICS 2] knob has no effect if the MIX, MATRIX, STEREO, or MONO channel is selected. 5 [HPF] knob Adjusts the HPF cutoff frequency for an input channel. It has no effect on other types of channels. 6 EQ [Q], EQ [FREQUENCY], EQ [GAIN] knobs NOTICE Never use a sharp or pointed object such as your fingernail to operate the touch panel. Doing so may damage the screen and render the touch functions inoperable. NOTE If the touch screen becomes dirty, wipe it with a soft dry cloth. For each band of the four-band EQ, these knobs adjust the Q, center frequency (cutoff frequency), and gain. Press the EQ [Q] and EQ [GAIN] knobs simultaneously to reset the GAIN setting for each band to the default value (0.0dB). 7 EQ [LOW] key/EQ [LOW–MID] key/EQ Selected Channel section This section enables you to set the mix parameters for the currently-selected channel. [HIGH–MID] key/EQ [HIGH] key These keys select an EQ band that is controlled by the knobs located above the keys. Press and turn the EQ [Q] knob to switch between SHELVING, HPF (OUT only), and LPF. 8 [TOUCH AND TURN] knob 1 3 2 4 You can press a desired knob in the touch screen and then use this knob to operate it. The LED below this knob indicates the color of the knob selected on the touch screen. 5 6 7 8 1 [GAIN] knob Adjusts the head amp’s analog gain for an input channel. Alternately, it adjusts the digital gain if GAIN KNOB FUNCTION is set to DIGITAL GAIN in the PREFERENCE tab of the USER SETUP screen. This knob has no effect for other types of channels. Owner’s Manual 13 Controls and functions USER DEFINED KEYS section Master section USER DEFINED keys [1]–[12] Execute functions as assigned by the user (scene changes, switching the talkback or internal oscillator on/off, etc.). Make these assignments in the USER SETUP screen. This section is similar to the Channel Strip section, and enables you to control the principal parameters of the assigned channels. When the unit is in the default state, STEREO/MONO channels are assigned. 1 2 3 FADER BANK section 4 5 1 1 Bank Select keys [1–32]/[33–64]/ [STIN/DCA]/[MIX/MATRIX] These keys switch the channel faders controlled in the Channel Strip section. Press the [1–32] key and [MIX/MATRIX] key simultaneously to switch between fader bank A and custom fader bank B. For details on the custom fader banks, refer to page 22. 6 1 [SEL] key Selects the channel you wish to control. Pressing this key will cause the channel LED to light up, and you will be able to control the channel in both the Selected Channel section and on the touch screen. If the STEREO bus has been assigned, the selected object of control will alternate between the L and R channels each time you press the [SEL] key. 2 [CUE] key Selects the channel to be cue-monitored. If cue is on, the LED will light. 3 [ON] key Switches the channel on or off. If a channel is on, the key LED will light. If MONITOR has been assigned, this key switches the monitor output on or off. 4 Channel name display 5 Channel color indicator Same as that in the Channel Strip section. 14 Owner’s Manual Front panel 6 Fader Adjusts the output level of the channel. If MONITOR has been assigned, this fader adjusts the monitor output level. Front panel USB connector You can connect a USB flash drive to the USB connector to record or play audio files, and to save or load internal data. The Help file displayed on the unit screen is also loaded from a connected USB flash drive. You can also save “User authentication key” data on a USB flash drive. This determines the user level and limits the functionality to which each user has access. 1 2 1 PHONES LEVEL knob Adjusts the level of the signal output from the PHONES OUT jack. 2 PHONES Out (headphone output) jack Lets you monitor the MONITOR OUT or CUE signal. NOTE Operation is guaranteed only for a connection with a USB flash drive.  USB flash drive capacities and formats The operation of USB flash drives with capacities of up to 32GB has been verified. (However, this does not guarantee operation of all USB flash drives.) The FAT16 and FAT32 formats are supported.  Prevention of accidental erasure Some USB flash drives have a write-protect setting that lets you prevent data from being erased accidentally. If your flash drive contains important data, it is a good idea to use the write-protect setting to prevent accidental erasure. On the other hand, you will need to make sure that your USB flash drive’s write-protect setting is turned off before you save data onto it. NOTICE An ACCESS indicator appears in the function access area while data is being accessed (saved, loaded, or deleted). Do not disconnect the USB flash drive or power-off the QL unit while this indicator is shown. Doing so may damage your flash drive, or may damage the data in the QL unit or on your media device. Owner’s Manual 15 Controls and functions Rear panel 2 4 1 5 6 7 8 3 9 0A 1 LAMP connectors 2 OMNI OUT jacks XLR-3-32 male output jacks for outputting analog audio signals. (The QL5 has 16 of these jacks. The QL1 has 8.) These jacks are used mainly to output the signals of MIX channels or MATRIX channels. The nominal output level is +4dBu. 2 (Hot) 3 (Cold) 1 (Ground) NOTE • The nominal output level of the OMNI OUT jacks is +4dBu (maximum level +24dBu), but if necessary, this can be changed to –2dBu (maximum level +18dBu) by setting an internal switch (a fee will be charged). For details, contact a Yamaha service center listed at the end of the owner’s manual. 3 INPUT jacks Balanced XLR-3-31 female input jacks for inputting analog audio signals from line level devices or microphones. (The QL5 has 32 of these jacks, and the QL1 has 16.) The input level range is from –62dBu to +10dBu. 1 (Ground) Male XLR connector 3 (Cold) 2 (Hot) 4 Exhaust port The QL series consoles have cooling fans. Please be sure that you do not block the air intakes or exhaust vents. 16 C D E F 5| / Four-pin female XLR output jacks that supply power to separately-sold gooseneck lamps (such as the Yamaha LA1L). (The QL5 includes these connectors at two locations. The QL1 includes one.) Female XLR plug B Owner’s Manual (Power Switch) This switch turns the power on/off (|/ ). Caution • Rapidly turning the unit on and off in succession can cause it to malfunction. After turning the unit off, wait for at least 6 seconds before turning it on again. • Even when the power switch is turned off, a small amount of current is flowing through the unit. If you plan not to use the unit for a long period of time, remove the power cable from the AC outlet. 6 AC IN connector Connect the supplied AC power cord here. First connect the AC power cable to the QL unit, then insert the power cable plug into an AC power outlet. Insert the cable plug all the way until it locks in securely. The supplied AC power cable features a V-lock mechanism via a latch, which prevents the power cable from coming off accidentally. Caution Be sure to turn the power off before connecting or disconnecting the power cable. To disconnect the power cable, remove it while pressing the latch on the plug. 7 Grounding screw The supplied AC power cable is a 3-wire type. Therefore, if the AC outlet used is properly grounded, the QL will be grounded as well. Also, grounding this screw may effectively eliminate noise such as hum and interference. Rear panel 8 MIDI IN/OUT connectors Used to transmit and receive MIDI messages to and from external MIDI devices. The MIDI IN connector receives messages from an external device, and the MIDI OUT connector transmits messages from the QL unit. These are used mainly to record QL parameter operations or scene/library selections on an external device, or to control QL parameters from an external device. 9 WORD CLOCK IN/OUT connectors BNC connectors used to transmit and receive word clock signals to and from an external device. The WORD CLOCK IN connector features internal 75-ohm termination. 0 GPI connector D-sub 15-pin female connector that allows communication (5-in, 5-out) with a GPI-equipped external device. A DIGITAL OUT connector An AES/EBU (XLR-3-32 male) jack that outputs the digital audio signal of a desired channel in AES/EBU format. This is used mainly to output the signal of the STEREO/MONO channel. B SLOT 1–2 Allow for the installation of separately-sold DSP cards, or mini-YGDAI I/O cards to expand the number of input/output ports. C Dante PRIMARY/SECONDARY connectors Used to connect to other Dante audio network devices, such as an Rio3224-D I/O device. Use standard Ethernet cables with Neutrik etherCON CAT5e compatible RJ-45 plugs. NOTE Use STP (shielded twisted pair) cable to prevent electromagnetic interference. Make sure that the metal parts of the plugs are electrically connected to the STP cable shield by conductive tape or comparable means. D LINK/ACT indicators These indicators show the communication status of the PRIMARY and SECONDARY connectors. They flash rapidly if the Ethernet cables are connected properly. E 1G Indicators These indicators light when the Dante network is functioning as Giga-bit Ethernet. F NETWORK connector This RJ-45 connector allows the QL unit to be connected to a computer via an Ethernet cable (CAT5e or higher recommended). This connector is used mainly to control mix parameters or to edit scene memories and libraries from the dedicated “QL Editor” application program or the “QL StageMix” iPad application. NOTE Use STP (shielded twisted pair) cable to prevent electromagnetic interference. Make sure that the metal parts of the plugs are electrically connected to the STP cable shield by conductive tape or comparable means. Owner’s Manual 17 Touch screen Touch screen Basic touch screen operations This section explains the basic procedures you can perform on the QL’s touch screen. Pressing the touch screen You will mainly use this operation to switch screens and pages, to select parameters to be operated, and to turn buttons on/off. Certain buttons let you specify a number based on the area of the button itself that you touch. NOTE Typically, you will press a top panel key once, but in certain cases you can access special functions by rapidly pressing a key twice in succession. Multiple selection (specifying a range) While pressing your finger on the touch panel, move it in the left or right direction to specify a range within a character string. You will use this technique primarily when assigning a name to a scene or library. Using the [TOUCH AND TURN] knob The [TOUCH AND TURN] knob is used to operate the knobs selected for operation in the touch screen. Press the touch screen to select the knob you want to operate. When you press a knob, a highlight outline is displayed around that knob. Turn the [TOUCH AND TURN] knob to adjust the value for the corresponding parameter. NOTE Pressing certain knobs a second time while the outline is displayed will open a screen in which you can make additional detailed settings. On-screen user interface The section below explains various user interface components that appear in the touch screen, and how to use them. Examples of screens appearing on the touch screen are shown below. USER DEFINED KEY SETUP window Displayed when selecting items from a list, such as a list of USER DEFINED keys. For the channel select buttons, you can select multiple buttons by moving your finger across the touch screen while continuing to press down. The constantly highlighted item in the center is the selected item. Press the / located below the list to scroll the list upward or downward. NOTE NOTE This makes it easy to select a range of buttons to be turned on or off together. Using the knobs on the top panel The knobs on the top panel are rotated to change the value of the corresponding parameter. Also, by pressing a knob, you can recall a specific screen. For certain parameters, you can adjust the value in finer steps (greater detail) by simultaneously holding down the knob and rotating it. 18 Owner’s Manual • You can also scroll the list up or down by using the [TOUCH AND TURN] knob. • If there is more than one list in the screen, your operations will apply to the list enclosed in a white frame. On-screen user interface Keyboard window Dialog boxes Displayed when you need to assign a name or comment to a scene or library, or when you need to assign a channel name. Press characters in the window to enter the desired characters. Dialog boxes similar to the following enable you to confirm operations you just performed. Press the OK button to execute the operation. The operation will be canceled if you press the CANCEL button. Tabs Tabs enable you to switch between multiple pages. Each tab indicates its page name. Buttons Buttons are used to execute specific functions, to switch parameters on or off, or to select one of multiple choices. Buttons that perform on/off operations appear in solid colors while they are turned on, and are dark (ghosted) when turned off. HPF/EQ window Buttons When you press a button or field for a specific parameter in a screen, a window showing detailed parameters or lists will appear. Tabs When you press a button that has the following symbol, a separate window will open, allowing you to make detailed settings. Faders/Knobs If there are tabs in the window, you can press a tab to switch pages. Some windows show several buttons called “tool buttons” at the top of the window. You can use these tool buttons to recall or copy/paste library data. Press the “X” (close) button to close the window and return to the previous screen. Faders and knobs on screen move in tandem when you operate the top panel faders and knobs. The current value appears immediately below the fader or knob. For display knobs that can be operated by the panel [TOUCH AND TURN] knob, pressing the display knob just once causes a highlight outline to appear around the knob. This frame indicates that the knob has been selected for operation. Owner’s Manual 19 Touch screen Viewing the touch screen The touch screen of the QL series is broadly divided into two areas. Main area Function access area unit while this indicator is shown. Doing so may damage your flash drive, or may damage the data in the QL unit or on your media device. 4 HELP Pressing this button will show on-line help in the main area. To view the on-line Help, first you must load the Help file into the QL series console from a USB flash drive. 5 SENDS ON FADER Press this button to switch to SENDS ON FADER mode, where you can use the faders of the top panel to adjust the MIX/MATRIX send level. During this time, the function access area will switch to a screen that enables you to select the send-destination MIX/MATRIX bus. 6 CH JOB (Channel Job) Press this button to display the CH JOB menu, which you can make settings for channel grouping and linking, and then select the function to operate. 7 I/O DEVICE When you press this button, the I/O DEVICE screen will appear in the main area, allowing you to make I/O device settings and external head amp settings. Function access area 1 Selected channel This shows the number, name, icon, and channel color of the channel that is currently selected for operation. Pressing the minus indication here will switch to the preceding channel, and pressing the plus indication will switch to the next channel. 1 2 3 4 5 6 7 8 9 j 8 MONITOR When you press this button, the VIRTUAL RACK screen will appear in the main area, allowing you to edit the GEQ or effect settings. 0 MONITOR LEVEL KNOB A METER This shows the current time. k 3 Status Indicator This shows the current status. Normally it indicates the name of the user who is currently logged in (i.e., is l authenticated and able to operate the system). The following table shows the displayed content and the corresponding status. m n Status OSC Oscillator enabled TALKBACK Talkback enabled CUE Cue monitor on* ACCESS Accessing internal memory or USB memory PATCHING Now performing Dante patching ALT ALTERNATE mode enabled PLAY Playing an audio file REC Recording an audio file * The type of signal being cue-monitored (IN/OUT/DCA/KEY IN/EFFECT) is shown in the upper part of the cue meter. NOTICE An ACCESS indicator appears in the function access area while data is being accessed (saved, loaded, or deleted). Do not disconnect the USB flash drive or power-off the QL 20 9 RACK This control adjusts the monitor level. 2 Time Indication When you press this button, the MONITOR screen will appear in the main area, allowing you to edit the monitor or oscillator settings. Owner’s Manual Displays the level of the STEREO bus (L/R), MONO bus (M), and cue signal (CUE). When you press this field, the METER screen will appear in the main area. If you press the CUE meter area when the cue monitor is on, the cue monitor will be canceled. B SETUP When you press this button, the SETUP screen will appear in the main area, allowing you to make basic system settings and user-specific settings. C RECORDER When you press this button, the recorder screen will appear in the main area; here you can operate and make settings for the recorder function (USB/Nuendo Live) which allows you to record and play back audio files. D SCENE This indicates the number and name of the scene that was last stored or recalled. An “R” symbol is displayed for read-only scenes, and a lock icon is displayed for write-protected scenes. If you edit the parameters from their last stored or recalled state, an “E” symbol will appear in the lower right. When you press this field, the SCENE LIST screen will appear in the main area, allowing you to store or recall scenes. In PREVIEW mode, this field is shown in red. Using the tool buttons When you press a button (7–0, B–D) to access the corresponding screen, the button will be highlighted. In this state, pressing the button once again will return either to the most recently recalled SELECTED CHANNEL VIEW screen or the OVERVIEW screen. Main area The contents of the main area will depend on the currently selected function. Mixing operations will involve mainly the following two types of screens.  SELECTED CHANNEL VIEW screen This screen shows all mix parameters of the currently selected channel. To access this screen, press one of the knobs of the “Selected Channel section” (see page 13). Using the tool buttons The title bar at the top of some windows contains tool buttons that provide additional functions. You can use these buttons to recall related libraries, or to copy the parameters of a channel to a different channel. 1 2 3 4 5 1 LIBRARY button This button opens the library associated with the current window (EQ, dynamics, GEQ, effect, or premium libraries). 2 DEFAULT button This button restores the currently selected channel (EQ/dynamics) or rack (effect/premium rack) to the default state. NOTE The GEQ does not have this button; the FLAT button in the GEQ EDIT window will return the parameters to the default state. 3 COPY button This button copies the settings of the currently selected channel (EQ/dynamics) or rack (GEQ/effect/premium rack). The copied settings are copied to buffer memory (a memory area for temporary storage). 4 PASTE button This button pastes the settings copied to buffer memory into the currently selected channel (EQ/dynamics) or rack (GEQ/effect/premium rack).  OVERVIEW screen The main parameters for 8 channels are displayed. This screen appears when you press a USER DEFINED key to which OVERVIEW is assigned. 5 COMPARE button This button exchanges the settings copied to buffer memory with the settings of the currently selected channel (EQ/dynamics) or rack (GEQ/effect/premium rack). For some windows, a variety of tool buttons also appear. Owner’s Manual 21 Basic operation of the QL series Basic operation of the QL series This section explains the basic operations of the QL series. QL series operations are divided into two main categories. In general, you will operate the QL series for mixing using a combination of these operations. • Controlling selected channels (Selected Channel section) • Using the faders on the top panel (Channel Strip section) Using the top panel (Channel Strip section) The Channel Strip section of the top panel enables you to control the level, CUE, and other parameters for the selected channels. 1. Use the Bank Select keys located in the Fader Bank section to select the channels or DCA groups that you want to control. 2. Use the controls of the Channel Strip section. Each channel’s display indicates the currently assigned channel information. Custom fader bank settings Controlling selected channels (Selected Channel section) The Selected Channel section located at the right of the display corresponds to a channel module of a conventional analog mixer, and allows you to manually adjust all the major parameters of the currently selected channel. Operations in this section will affect the channel that was most recently selected by its [SEL] key. 1. Press the appropriate Bank Select key (in the FADER BANK section) of the bank containing the channel that you want to control. Select one of the preset or custom fader banks in the Channel Strip section. 2. Press the [SEL] key to select the target channel. 3. Press one of the knobs in the Selected Channel section. The SELECTED CHANNEL VIEW screen for the selected channel will appear. You can view the actual setting values on screen. 4. Use the knobs of the Selected Channel section and the buttons in the SELECTED CHANNEL VIEW screen to edit the parameters of the selected channel. Even if a different screen is selected, the currently-selected channel can be set using the knobs of the Selected Channel section. In this case, a mini window indicating the value of that parameter will appear on screen when you operate a knob. The B1, B2, B3, and B4 keys in the Fader Bank section enable you to assign and recall a bank with your own assortment of the channels or DCA groups. These banks are called “custom fader banks.” Since the custom fader banks enable you to assign a combination of different types of channels, you can control different types of channels as a group. 1. In the function access area, press the SETUP button. 2. Press the USER SETUP button in the upper left of the SETUP screen. 3. Press the CUSTOM FADER tab near the bottom of the USER SETUP screen. The CUSTOM FADER BANK/MASTER FADER page will appear. 4. Select the custom fader bank you want to set. The channel strip is divided into 1–16, 17–24 (QL5 only), and Master, from the left side of the console. 5. Press the Fader select button you want to set, then press the [SEL] key for the channel that you want to assign to that fader. You can also select a channel in the display. Press the button below the desired number to display the CH SELECT screen. Use the list in the left column to select the desired channel group, then use the buttons in the right column to select channels. 22 Owner’s Manual Assigning a name 6. To assign channels to other faders, repeat step 5. 4. Repeat steps 1–3 to adjust the send level for other MIX/MATRIX buses in the same way. 7. When you have finished, press the X symbol in the upper right corner of the screen, and press the SETUP button again to return to the SELECT CHANNEL VIEW screen. 5. When you’ve finished setting the MIX/MATRIX send levels, press the key that is flashing in the SENDS ON FADER section. The function access area display will return to its prior state, and the unit will return to normal mode. Adjusting the send level to a MIX bus or MATRIX bus (SENDS ON FADER mode) NOTE You can also use the buttons in the function access area to switch and select buses. 1 ON FADER switch button Pressing this button repeatedly will switch between MIX and MATRIX. 2 MIX/MATRIX bus select buttons These buttons enable you to select the destination MIX/MATRIX buses. Two buses that are paired in stereo are represented by one button. Each fader on the top panel enables you to adjust the level of the corresponding channel, as well as the send level of the signal routed from each channel to the specified MIX/MATRIX bus (SENDS ON FADER mode). 1. Press the key for the MIX/MATRIX bus to be used to adjust the SENDS ON FADER section. The LED of the selected key LED will light. 1 2 Assigning a name 2. Press the same key of the SENDS ON FADER section once again. The QL will switch to SENDS ON FADER mode. The key will change from lit to flashing, and the LEDs of the other keys in the SENDS ON FADER section will light. The faders in the Channel Strip section will change to indicate the send level of the signals that are routed from each channel to the currently selected MIX/MATRIX bus. On the QL series, you can assign a name to each input channel, output channel, DCA group, and MUTE group, and assign a title to scene and library data when saving it. To assign a name, you will use the keyboard window that is shown in the main area. 1. Call up the keyboard window (from a naming-relevant operation). Below is an example of how to assign a name to a channel. The box shows the characters you have entered and a cursor that indicates the current position. NOTE • If the function for switching between MIX 1–16 and MATRIX 1–8 is assigned to a USER DEFINED key, you can switch between the two areas. • Alternatively, press a SEND LEVEL knob in the Selected Channel section to display the SELECTED CHANNEL VIEW window, from which you can select a MIX/MATRIX bus. • You can also select a MIX/MATRIX bus by using the Bank Select key [MIX/MATRIX] in the Fader Bank section. • If you press the currently selected MIX/MATRIX bus select button again, cue monitoring will be turned on for the related MIX/MATRIX channel. This method is convenient if you want to monitor the signal that is being sent to the selected MIX/MATRIX bus. 3. Press the Bank Select key in the Fader Bank section, including the input channel being operated, and use the fader to adjust the send level to the selected MIX/MATRIX bus. Owner’s Manual 23 Basic operation of the QL series 2. Press the keyboard window in the touch screen to enter the desired characters. While entering characters, you can use the following buttons in the keyboard window. • COPY button Copies the string of characters that are selected (highlighted) in the text box. • CUT button Deletes and copies the string of characters that are selected (highlighted) in the text box. • PASTE button Inserts the string of characters copied by COPY or CUT at the cursor location (or overwrites the currently selected range of characters). • CLEAR button Erases all characters that were entered in the text input box. Using libraries You can use libraries to store (save) or recall (load) the settings of the currently selected channel (EQ/dynamics) or rack (GEQ/effect/premium rack). The method of operation is essentially the same for each library. The following libraries are provided. • Input channel library • Output channel library • Input EQ library • Output EQ library • Dynamics library • GEQ library • Effect library • Dante input patch library • Premium Rack library NOTE • INS button Inserts a space (blank) at the cursor position. • DEL button Deletes the character at the right of the cursor (or the string of characters selected in the text box). • BS (Backspace) button Deletes the character at the left of the cursor (or the string of characters selected in the text box). • TAB button Switches to the next item that can be selected. For example in the SCENE STORE window you can use this button to switch between two text input boxes, and in the PATCH/NAME window you can use this to switch channels. • SHIFT LOCK button Switches between uppercase and lowercase alphabetical characters. You can enter uppercase characters and symbols while this button is on, and lowercase characters and numerals while this button is off. • ENTER button Finalizes the name you entered. 3. When you’ve entered the name, press the STORE button or the ENTER button. The name you entered will be applied. NOTE • The basic procedure is the same in the windows that let you assign names to channels or other types of library data. When you enter a name for a channel, your input will be reflected immediately without pressing the ENTER button. • Press in the text entry box to move the input position. If you select a region of characters you’ve entered in the box and then enter a new character, the newly entered character will overwrite the selected region. 24 Owner’s Manual Premium Rack library features a library for each Premium Rack type.  Recalling settings from a library 1. Access a window that contains tool buttons. To select a display page: For a channel library, first display the SELECTED CHANNEL VIEW screen and then proceed to Step 3. [SELECTED CHANNEL VIEW screen] Press a knob in the Selected Channel section. Using libraries [HPF/EQ screen]/[DYNAMICS 1/2 screen] In the SELECTED CHANNEL VIEW screen or the OVERVIEW screen, press any knob in the appropriate field for EQ or Dynamics 1/2. (In the SELECTED CHANNEL VIEW screen, press any knob twice; in the OVERVIEW screen, press the area once.) 2 1 2. Select the channel (EQ/dynamics) or rack (GEQ/effect/Premium Rack) for which you want to recall settings. The method of selecting a channel/rack will depend on the type of window that is currently displayed. [HPF/EQ window (1ch)] [DYNAMICS 1/2 window (1ch)] Use the panel [SEL] keys or the channel select button in the function access area to select a channel. Channel select button 1 2 [HPF/EQ window (8ch)] [DYNAMICS 1/2 window (8ch)] In addition to using the panel [SEL] keys or the channel select button in the function access area, you can also select a channel by pressing the channel number/channel name buttons in the window. Channel number / Channel name buttons 1 EQ field 2 Dynamics 1/2 field [VIRTUAL RACK screen] In the VIRTUAL RACK window that appears when you press the RACK button in the function access area, press a rack container in which a GEQ/effect/Premium Rack is already mounted. 1 If you use the channel number/channel name buttons in the 8ch (8-channel) window, you can select multiple channels by selecting a region. In this case, the same library data will be recalled to all of the selected channels. 2 1 RACK button 2 RACK container Owner’s Manual 25 Basic operation of the QL series [VIRTUAL RACK screen] Use the rack select tabs at the bottom of the window to select a rack. 4. Rotate the [TOUCH AND TURN] knob to move the highlight line up or down to select a library item you want to recall. In some cases, the data selected as the recall-source cannot be recalled into the currently selected channel/rack. Each library has the following limitations. • Channel library If the type of channel selected via the [SEL] key is different from the one selected in the list in the output channel library, “CONFLICT” appears to the right of CURRENT TYPE. You can recall the data even if “CONFLICT” appears, although the data would include different parameters. Parameters that do not exist in the library will be set to the default value. NOTE You cannot select a rack select tab of a rack in which no GEQ, effect, or Premium Rack is mounted. 3. Press the LIBRARY button. The screen for the selected library appears. 1 2 • Dynamics library The dynamics library contains three types of data: Dynamics 1 and Dynamics 2 for input channels, and Dynamics 1 for output channels. Recall is not possible if you’ve selected a type that is not supported by the corresponding dynamics processor. • GEQ library The GEQ library holds two types of data: 31BandGEQ or Flex15GEQ. You cannot recall the 31BandGEQ library data into the Flex15GEQ library if the data contains the gain settings for 16 or more bands. • Effect library Effect library items that use effect types “HQ.Pitch” or “Freeze” can be recalled only to effect racks 1, 3, 5 or 7. They cannot be recalled if any other rack is selected. 5. Press the RECALL button. The selected data will be loaded into the channel (EQ/dynamics) or rack (GEQ/effect/Premium Rack) you selected in step 2. NOTE 1 CURRENT TYPE (Only for output channel library) This field displays the type of channel selected via the [SEL] key. 2 List This shows the settings that are saved in the library. The highlighted line indicates the data that is selected for operations. Read-only data is indicated by an “R” symbol. NOTE The right side of the list displays information regarding the relevant setting data (such as the type of output channels, dynamics type or effect type being used). The dynamics library also displays symbols indicating whether the data can be recalled into Dynamics 1 and/or Dynamics 2. 26 Owner’s Manual • If you recall channel library data to a channel that is linked to another channel, the link setting of the channel to which data was recalled will be canceled. • If you select a library number that cannot be recalled, it will not be possible to press the RECALL button. Using libraries  Storing settings in a library • Be aware that if you store settings to a location that already contains data, the existing data will be overwritten. (Read-only data cannot be overwritten.) 1. Access a window that contains tool buttons. 2. Select the channel (EQ/dynamics) or rack (GEQ/effect/Premium Rack) whose settings you want to store.  Erasing settings from a library 1. Access a window that contains tool buttons. NOTE 2. Press the LIBRARY button. The screen for the selected library appears. 3. Turn the [TOUCH AND TURN] knob to select the library number that you want to clear. You can select only one channel or rack as the source for storing. If multiple channels are selected in the dynamics or EQ window, you will not be able to perform the Store operation. 3. Press the LIBRARY button. The screen for the selected library appears. NOTE 4. Turn the [TOUCH AND TURN] knob to select the store-destination library number. You can’t clear read-only data (data indicated by an “R” symbol). 4. Press the CLEAR button. A dialog box will ask you to confirm the Clear operation. 5. Press the OK button to execute the Clear operation. The data you selected in step 3 will be cleared. If you decide to cancel the Clear operation, press the CANCEL button instead of the OK button. NOTE You cannot store to a library number that contains read-only data (indicated by an R symbol). 5. When you’ve selected the store-destination, press the STORE button. The LIBRARY STORE window will appear, allowing you to assign a name to the data. For details on entering text, refer to “Assigning a name” (see page 23). 6. When you’ve assigned a title to the settings, press the STORE button in the keyboard window. A dialog box will ask you to confirm the Store operation. 7. Press the OK button to execute the Store operation. The current settings will be stored to the library number you selected in step 4. If you decide to cancel the Store operation, press the CANCEL button instead of the OK button. NOTE • Even after you have stored the settings, you can edit the title of the settings by pressing the data title in the list to access the LIBRARY TITLE EDIT window. However, you can’t edit the title of a read-only library item (indicated by an R symbol). Owner’s Manual 27 Basic operation of the QL series Initializing settings 3. Here’s how you can return the EQ/dynamics settings of the currently selected channel or the effect settings of a rack to their initial state. GEQ settings can be initialized using the FLAT button in the screen. 1. Access a window that contains tool buttons. 2. Select the channel (EQ/dynamics) or rack (effect/Premium Rack) whose settings you want to initialize. 3. Press the DEFAULT button. A dialog box will ask you to confirm the Initialize operation. 4. Press the OK button to execute the Initialize operation. The EQ/dynamics settings of the channel you selected in step 2 or the effect/processor settings of the rack will be initialized. If you decide to cancel the initialization, press the CANCEL button instead of the OK button. NOTE In the case of EQ/dynamics, you can use the channel number/channel name buttons in the 8ch/ALL window to select a range of channels and initialize them simultaneously. Copying and pasting settings Here’s how you can copy the EQ/dynamics settings of the currently selected channel or the GEQ/effect/premium rack settings of the currently selected rack to buffer memory, and then paste them to a different channel or rack. Copy/paste is limited to the following combinations. • Between input channel EQ settings • Between output channel EQ settings • Between dynamics processors for which the paste-destination has the same type (GATE, DUCKING, COMPRESSOR, EXPANDER, COMPANDER-H, COMPANDER-S, or DE-ESSER) as the copy-source • Between effects/GEQ mounted in a rack • Between the same processors mounted in a premium rack NOTE Only 31BandGEQ settings that use less than fifteen bands can be copied to a Flex15GEQ. 28 1. Access a window that contains tool buttons. 2. Select the channel (EQ/dynamics) or rack (GEQ/effect/premium rack) whose settings you want to copy. Owner’s Manual Press the COPY button. The current settings will be copied to buffer memory. NOTE • Be aware that if you copy other settings before you paste, the buffer memory will be overwritten. • You can select only one channel or rack as the copy-source. If multiple channels are selected in the 8ch/ALL window, you won’t be able to press the COPY button. 4. Select the paste-destination channel or rack. NOTE If you’re pasting EQ/dynamics settings, you can use the 8ch/ALL window to select multiple channels as the paste-destination. In this case, the same content will be pasted to all selected channels. 5. Press the PASTE button. The settings of the channel (EQ/dynamics) or the rack (GEQ/effect/premium rack) you selected in step 2 will be pasted. NOTE • Be aware that when you paste, the settings will overwrite the paste-destination. • If nothing has been copied to the buffer memory, the PASTE button cannot be used (is ghosted). • Of the two types of GEQ, using the tool buttons in a rack where a Flex15GEQ is selected will cause rack settings A and B to be copied/pasted individually. • You cannot paste effect settings that use effect types “HQ.Pitch” or “Freeze” to racks 2, 4, 6 or 8. Comparing two sets of settings Comparing two sets of settings 5. You can use the COMPARE button to switch between the settings copied to the buffer memory and the settings of the currently selected channel (EQ/dynamics) or rack (GEQ/effect/premium rack). This is convenient when you want to copy an interim result of your editing, and then compare it with subsequent edits. 1. Access a window that contains tool buttons. 2. Select a channel (EQ/dynamics) or rack (GEQ/effect/premium rack). 3. To compare the first set of settings with the current settings (the second set), press the COMPARE button. You will return to the first version of your settings. At this time, the second version of your settings will be copied to buffer memory. COPY First set First set Buffer memory Press the COPY button to copy the current settings to the buffer memory. This will be the first version of your settings. NOTE Be aware that if you copy other settings before you compare, the buffer memory will be overwritten. 4. Edit the settings (second set) Edit the settings of the currently selected channel (EQ/dynamics) or rack (GEQ/effect/premium rack). This will be the second version of your settings. First set Buffer memory COMPARE NOTE After you copy the first set of settings to the buffer memory, you can initialize the channel or rack and edit the second set of settings from an initialized (blank slate) state if desired. First set Second set Buffer memory 6. You can press the COMPARE button repeatedly to compare the first and second sets of settings. Each time you press the COMPARE button, the current settings will be exchanged with the settings copied to the buffer memory. Unlike the Paste operation, this operation lets you return to the previous settings at any time as long as the buffer memory has not been overwritten. NOTE • The settings copied to buffer memory can also be used by the Paste operation. • If you operate the tool buttons for a rack in which Flex15GEQ (of the two types of GEQ) is selected, the rack’s A and B settings will be individually exchanged with the buffer memory. Owner’s Manual 29 Connection Connection About network connections About Dante Controller Dante Controller is a software application that allows configuration and audio routing of Dante networks. Use this application if you wish to set up complicated signal routings on a Dante network. More information is posted on the following website. http://www.yamahaproaudio.com/ About Dante This product features Dante technology as a protocol to transmit audio signals. Dante is a network protocol developed by Audinate. It is designed to deliver multi-channel audio signals at various sampling and bit rates, as well as device control signals over a Giga-bit Ethernet (GbE) network. Dante also offers the following benefits: • It transmits up to 512 in/512 out, for a total 1024 channels (in theory) of audio over a GbE network. (The QL series features QL5: 64 in/64 out, QL1: 32 in/32 out with a 24/32-bit resolution.) • Dante-enabled devices will automatically configure their network interfaces and find each other on the network. You can label Dante devices and their audio channels with descriptive names that make sense to you. • Dante uses high accuracy network synchronization standards to achieve sample-accurate playback with extremely low latency and jitter. Five types of latency are offered by the QL series: 0.25 msec, 0.5 msec, 1.0 msec, 2.0 msec, and 5.0 msec. • A primary circuit and a secondary circuit provide redundancy in the event of a problem. • Connecting a Dante-enabled device to a computer using an Ethernet connection enables you to directly input or output audio signals without using any audio interface devices. • Audio can be transferred over distances up to 100 meters* between devices using CAT5e network cables. * Maximum practical distance may vary according to the cable used. Visit the Audinate website for more details on Dante. http://www.audinate.com/ More information on Dante is also posted on the Yamaha Pro Audio website: http://www.yamahaproaudio.com/ NOTE Please do not use the EEE function (*) of network switches in a Dante network. Although power management should be negotiated automatically in switches that support EEE, some switches do not perform the negotiation properly. This may cause EEE to be enabled in Dante networks when it is not appropriate, resulting in poor synchronization performance and occasional dropouts. Therefore we strongly recommend that: • If you use managed switches, ensure that they allow EEE to be disabled. Make sure that EEE is disabled on all ports used for real-time Dante traffic. • If you use unmanaged switches, make sure to not use network switches that support the EEE function, since EEE operation cannot be disabled in these switches. * EEE (Energy Efficient Ethernet) is a technology that reduces switch power consumption during periods of low network traffic. It is also known as Green Ethernet and IEEE802.3az. 30 Owner’s Manual Connecting to I/O devices This section explains how to connect the QL series to I/O devices (such as Rio3224-D) in a daisy chain network and in a star network (redundant network). Before connecting I/O devices, first perform “Setting up the Dante network” (see page 34) and then turn off the power to the QL series console. Daisy chain network A daisy chain is a wiring scheme in which multiple devices are connected together in sequence. With this method, networking is simple and requires no network switches. This connection method is suitable for a simple system with a small number of devices. However, if a large number of devices are connected in this way, the latency value must be increased. Also, if a connection is broken in a daisy chain network, the signal flow is interrupted at that point and no signal will be transferred beyond that point. Connecting to I/O devices  Connecting QL series consoles and I/O devices Use the Dante connectors on the QL series console and I/O devices to connect them as follows. using a redundant network with a star topology is better for increasing communication stability compared to a daisy chain network.  Connecting QL series consoles and I/O devices Use the Dante connectors on the QL series console and I/O devices to connect them as follows. Network Switch PRIMARY PRIMARY EF 23 789A BC D 45 6 QL5 01 QL5 SECONDARY SECONDARY PRIMARY 45 6 01 EF 01 PRIMARY SECONDARY PRIMARY 23 789A BC D 45 6 Rio3224-D (ID#1) E 23 789A BC D 45 6 BC D 23 789A EF Rio3224-D (ID#1) F01 Rio3224-D (ID#2)  Setting rotary switches and DIP switches on the I/O devices ON 789A 1 2 3 4 5 6 7 8 ON (ID#1) 3456 ON 1 2 3 4 5 6 7 8 BCD EF 3456 ON  Setting rotary switches and DIP switches on the I/O devices 012 789A BCD 3456 Network Switch 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 EF BCD (ID#2) SECONDARY 789A EF (ID#1) Rio3224-D (ID#2) 012 012 Star network (redundant network) 3456 789A EF (ID#2) BCD 012 In a star network, each device is connected to a central switch. Using a GbE-compatible network switch enables you to configure a wide-band, large-scale network. We recommend a network switch that gives you the ability to control and monitor the network (such as QoS, the ability to assign priority to data flows - e.g., clock synchronization or audio transmission on certain data circuits). With this topology, it is common to configure a redundant network so that communication can continue without affecting the audio even if an unexpected network problem should occur. About redundant networks A redundant network consists of two circuits, a primary circuit and a secondary circuit. Normally, the network operates on the primary circuit. However, if the primary connection is broken, the secondary circuit will automatically take over communications. Therefore, Owner’s Manual 31 Connection Audio input/output connections Analog input connections INPUT jacks on the console and I/O devices are used mainly to connect microphones or monaural line-level devices. QL series Analog output connections To the OMNI OUT jacks on the QL series and the OUTPUT jacks on I/O devices, you can patch the output signals from output channels [MIX, MATRIX, STEREO (L/R), MONO (C)], monitor signals (MONITOR OUT L/R/C channels), and the direct out signals of the input channels. For information about patches, refer to “Patching the mixer output to the I/O device” (see page 35) in the Quick Guide section. The console’s front panel has a PHONES OUT jack for monitoring, and this jack always lets you monitor the signal that is selected as the monitoring source. By assigning the MONITOR OUT L/R/C channels to the desired output jacks, you can also monitor the same signal through external speakers. QL series EF 23 BC D 45 6 01 789A 01 Rio3224-D Monitor speakers Main speakers 32 Owner’s Manual EF 23 789A BC D 45 6 Rio3224-D Installing an optional card 2. Port-to-port function The port-to-port function enables direct patching between input ports and output ports. With this function, the QL analog inputs and outputs can be directly routed to/from external Dante devices without passing through the mixing channels. If both a monitor console and I/O device are required on the side of a stage, a single QL series console can achieve both functions, reducing the necessary equipment. In addition, by setting the QL series as a remote I/O device as well as a monitor console, the FOH console can share and remotely control the head amps. Monitor Rio3224-D (CL) Rio3224-D 1 2 3 4 5 1 2 3 4 5 1 2 3 4 5 1 2 3 4 5 1 2 3 4 5 1 2 3 4 5 1 2 3 4 5 1 2 3 4 5 1 2 3 4 5 1 2 3 4 5 1 2 3 4 5 1 2 3 4 5 1 2 3 4 5 1 2 3 4 5 1 2 3 4 5 6 7 8 9 10 11 12 13 14 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 11 12 13 15 16 17 6 7 8 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 FOH (CL) 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Monitor (QL) Rio3224-D 18 19 20 21 22 1 2 3 4 5 18 19 20 21 22 1 2 3 4 5 18 19 20 21 22 1 2 3 4 5 18 19 20 21 22 1 2 3 4 5 18 19 20 21 22 1 2 3 4 5 18 19 20 21 22 1 2 3 4 5 18 19 20 21 22 1 2 3 4 5 18 19 20 21 22 1 2 3 4 5 18 19 20 21 22 1 2 3 4 5 18 19 20 21 22 1 2 3 4 5 18 19 20 21 22 1 2 3 4 5 18 19 20 21 22 1 2 3 4 5 18 19 20 21 22 1 2 3 4 5 18 19 20 21 22 1 2 3 4 5 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Loosen the screws that fasten the slot, and remove the slot cover. Keep the cover and fixing screws in a safe place for future use. Slot cover 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 18 19 20 21 22 18 19 20 21 22 18 19 20 21 22 18 19 20 21 22 18 19 20 21 22 18 19 20 21 22 3. 18 19 20 21 22 18 19 20 21 22 18 19 20 21 22 18 19 20 21 22 18 19 20 21 22 18 19 20 21 22 18 19 20 21 22 18 19 20 21 22 Align both edges of the card with the guide rails inside the slot, and insert the card into the slot. Push the card all the way into the slot so that the connector at the end of the card is correctly inserted into the connector inside the slot. FOH (QL) Digital input/output connections Use the DIGITAL OUT jack to send the QL’s internal signals to an external digital audio device. When the QL is in the default state, the output signal of the STEREO channel is patched to the DIGITAL OUT jack, which enables you to record the main mix onto a CD recorder or other device. You can connect this jack to the AES/EBU jack on an I/O device, such as Rio3224-D. Also, by installing separately sold mini-YGDAI I/O cards in slots 1–2, you can add input/output jacks to the QL or connect speaker processor units. Card Installing an optional card Before you install I/O cards in slots 1–2, you must check the Yamaha website to determine whether the card is compatible with the QL series, and to verify the total number of Yamaha or third-party cards that can be installed in combination with that card. http://www.yamahaproaudio.com/ Follow the steps below to install an optional mini-YGDAI card. 1. NOTE When installing a card, carefully align both edges of the card with the guide rails in the slot of the device. 4. Fasten the card using the screws attached to the card. Be aware that damage or malfunctions may occur if the card is not fastened. Make sure that the power is turned off. Caution Before connecting a separately sold mini-YGDAI I/O card to the QL, make sure to turn off the power switch of the console’s power supply. Otherwise, malfunctions or electric shock may occur. Owner’s Manual 33 Quick Guide Quick Guide This section explains the general procedures in a mixing work flow. The example below is based on a system in which one QL5, one I/O device, an amplifier and speakers are connected. If there are multiple methods to achieve the same result, this section describes the simplest method. For details on the functions and their parameters, refer to the Reference Manual. Connecting the devices 5. Connecting an I/O device 1. Make sure that power to all devices to be connected is turned off. Then, use an Ethernet cable to connect the Dante PRIMARY connector on the QL to the Dante PRIMARY connector on the I/O device. 2. Set the ID of the I/O device. NOTE Setting up the Dante network 1. 2. Set BIT to 24, and LATENCY to 0.25. If there is one I/O device, set the I/O device’s ID to “1.” If you plan to use multiple devices, you must assign a unique ID number to each device. Press the SETUP button in the touch screen. 3. Turn on the power in this order: 1) the I/O device, 2) the QL series, and 3) the amplifier. 4. Press the SETUP button, DANTE SETUP button, and DEVICE MOUNT tab in the touch screen. 5. Mount the I/O device. Press the DANTE SETUP button in the SETUP screen. 3. Press the SETUP tab in the lower part of the DANTE SETUP screen. 4. Set CONSOLE ID to #1, and SECONDARY PORT to DAISY CHAIN. NOTE I/O devices other than the Rio3224-D must be mounted. For more details, refer to the Reference Manual pdf document. 6. Connect a mic or instrument to the I/O device. Setting the word clock NOTE Before changing the settings, first disconnect all connections with I/O devices. Otherwise, communication with I/O devices will not be performed correctly. 1. Press the SETUP button and then WORD CLOCK/SLOT button in the touch screen. 2. Select INT 48k or INT 44.1k. 3. Press the X symbol to close the screen. If changes have been made, press the APPLY button. When a confirmation dialog appears, press the OK button. Wait approximately 30 seconds for the buttons that have been changed to switch from red to white for the settings to be applied. ➩ 34 Owner’s Manual Setting the input channels Patching the input port 1. Press the I/O DEVICE button in the touch screen. 2. Press the DANTE PATCH tab in the upper part of the I/O DEVICE screen. 3. Press the DANTE INPUT PATCH button in the I/O DEVICE screen. 4. Press the AUTO SETUP button. Setting the input channels Phantom power on/off 1. Press the [SEL] key for the channel that you want to adjust in the Channel Strip section. 2. Press the GAIN knob in the SELECTED CHANNEL VIEW screen. GAIN knob 5. When a confirmation dialog appears, press the OK button. 6. Press the X symbol to close the screen. 3. For the microphone to be used, press the +48V button in the GAIN/PATCH popup window, if necessary. ➩ Patching the mixer output to the I/O device 1. Press the I/O DEVICE button and then the Rio tab in the touch screen. 2. Press the OUTPUT display of the I/O device that is the output destination. 3. Press the OUTPUT1 button in the OUTPUT PATCH screen. 4. In PORT SELECT, select the output channels you want to output to the rack. NOTE • The phantom power master switch on the I/O device must be turned on first. • Make sure that phantom power is turned OFF unless it is needed. • When turning phantom power ON, make sure that no equipment other than phantom-powered devices such condenser microphones are connected to the corresponding INPUT connectors. Applying phantom power to a device that does not require phantom power can damage the connected device. • Do not connect or disconnect a device to an INPUT while phantom power is applied. Doing so can damage the connected device and/or the unit itself. • To prevent possible damage to speakers, make sure that power amplifiers and/or powered speakers are turned OFF when switching phantom power ON or OFF. We also recommend setting all digital mixing console output controls to minimum when turning phantom power ON or OFF. Sudden high level peaks caused by the switching operation can damage equipment as well as the hearing of those present. Adjusting the analog gain 1. Press the [SEL] key for the channel that you want to adjust in the Channel Strip section. 2. Press the [CUE] key of the same channel. 3. While checking the sound level through the headphones and meters, adjust the channel [GAIN] knob of the Selected Channel section. NOTE 5. Press the CLOSE button. 6. In the same way, set OUTPUT 2 and subsequent outputs, if necessary. Adjust the gain level as high as possible without allowing the OVER segment of the channel strip level meter to light at the highest input level. Owner’s Manual 35 Quick Guide 4. Adjust the gain level for other channels in the same way, by pressing their [SEL] and [CUE] keys, and then rotating the [GAIN] knobs. 5. After adjustment is complete, switch the [CUE] key off (the key LED turns off). Sending an input channel signal to the STEREO bus 1. Press the [SEL] key of the input channel you want to control. 2. Press one of the knobs in the Selected Channel section, to return to the SELECTED CHANNEL VIEW screen. 3. In the TO ST PAN/BALANCE field, press the ST button to turn it on (lights in pink). 4. In the top panel, press the [ON] key of the corresponding input channel to turn it on. 5. In the Master section, turn on the [ON] key of the STEREO channel, and raise the STEREO channel fader to 0dB. 6. Raise the fader of the currently selected input channel to an appropriate volume. In this state, you should hear sound from the speaker system patched to the STEREO channel. If you don’t hear sound, check whether the L/R meters are moving in the METER field of the function access area. If the L/R meters are moving: It may be that the STEREO channel is not correctly patched to the output jacks that are connected to your speaker system. Check the output port patching. If the L/R meters are not moving: Make sure that signals are being routed correctly to the patched input channels. 7. 36 To adjust the pan/balance of the signal sent from the input channel to the STEREO bus, rotate the [PAN] knob of the Selected Channel section. Owner’s Manual Applying EQ/dynamics Applying EQ 1. Press the [SEL] key of the channel that you want to control. 2. Press any one of the knobs in the Selected Channel section, to return to the SELECTED CHANNEL VIEW screen. 3. Adjust EQ of the EQ parameter field in the Selected Channel section. 4. To make fine adjustments to EQ settings, press the EQ parameter field in the touch screen. 5. Edit the EQ type and filter type in the HPF/EQ window. Setting the output channels Applying dynamics Using GEQ 1. Press the [SEL] key of the channel that you want to control. 1. Press the RACK button in the touch screen. 2. Press any one of the knobs in the Selected Channel section, to return to the SELECTED CHANNEL VIEW screen. 3. Press the ON button for DYNAMICS 1 in the touch screen. 2. Press the GEQ tab. 3. Press the INPUT PATCH button for GEQ1. 4. Select an input source in the left column of the CH SELECT window, and then select a channel in the right column. 5. Press the CLOSE button. 6. Press the corresponding GEQ rack container to open the GEQ EDIT screen. 7. Press the FADER ASSIGN button. 8. Adjust using the faders. (For QL1, press the FADER ASSIGN field to select the region to operate.) 9. Perform the same operations for other GEQs as desired. 4. Press any one of the DYNAMICS 1 knobs twice. 5. Edit the dynamics type and parameters in the DYNAMICS window. Use the [TOUCH AND TURN] knob to operate the parameters. 6. Edit the DYNAMICS 2 parameters in the same way. Setting the output channels 1. Use the Bank Select key of the Fader Bank section to select the output channel bank. 2. Press the [SEL] key for the output channel that you want to operate in the Channel Strip section. 3. Press any one of the knobs in the Selected Channel section. 4. Edit the EQ and dynamics parameters in the same way as for the input channels. NOTE The graphic EQ of the GEQ rack is for output channels. To use GEQ for input channels, mount a graphic EQ in the EFFECT RACK. Owner’s Manual 37 Quick Guide Using Automixer 13. Press the rack container in which you mounted Automixer. 1. Press the RACK button in the touch screen. 14. 2. Press the GEQ tab. Making sure no one is speaking into any microphones, adjust the head amp gain (or fader) until the level indicator remains green. 3. Press the rack mount button in the VIRTUAL RACK screen. 15. If necessary, operate the weight control to adjust uniform sensitivity between input channels. Applying effects 4. Press the 8ch Automixer button in the RACK MOUNTER screen. 5. Press the INPUT PATCH button for GEQ1. 6. Select an input source in the left column of the CH SELECT window, and then select a channel in the right column. 7. Press any one of the knobs in the Selected Channel section, to return to the SELECTED CHANNEL VIEW screen. 1. Press the RACK button in the touch screen. 2. Press the EFFECT tab. 3. Modify the INPUT CH/OUTPUT CH patch settings, if necessary. 8. Press a [SEL] key on the top panel to select a channel. 9. Press the popup button in the INSERT field in the SELECTED CHANNEL VIEW screen. 4. Press the center rack container to open the EFFECT EDIT screen. 10.Press the INSERT field farthest to the right for 5. Press the effect type field. the post fader in the INSERT/DIRECT OUT 1ch screen. 38 Using EFFECT RACK with send/return 11. Repeat steps 5 to 10 to set 8 channels. 12. Press the RACK button. Owner’s Manual Applying effects 6. 7. Select an effect you want to use from the EFFECT TYPE window. In the Fader Bank section, press the Bank Select key for the Effect Send channel selected in step 3. 8. Press the [SEL] key for the channel used for Effect Send in the Channel Strip section. 9. Use the faders to control effect sends. 10. In the Fader Bank section, press the Bank Select key for the Effect Return channel selected in step 3 11. Press the [SEL] key for the channel used for Effect Return in the Channel Strip section. 12. Adjust the effect return level using the fader. 13. If necessary, press the RACK button, then the rack container in the EFFECT tab, and then set the effect parameters as desired. Inserting PREMIUM RACK processors 1. Press the RACK button in the touch screen. 2. Press the PREMIUM tab. 3. Press the rack icon in the middle to open the PREMIUM RACK MOUNTER window. 4. Select a processor you want to use from the MODULE SELECT area, then press the OK button. 5. Press the INPUT PATCH button. 6. Select an input source in the left column of the CH SELECT window, and then select a channel in the right column. 7. Press the CLOSE button. Owner’s Manual 39 Quick Guide 8. In the Channel Strip section, select the bank that includes the channel for the premium rack you want to use. 9. Press the [SEL] key of the channel for the premium rack you want to use. 10. Press the RACK EDIT button in the INSERT field in the SELECTED CHANNEL VIEW screen. 11. Assign OUT and IN for INSERT or DIRECT OUT. 5. Press the ON button to enable it. 6. Modify the INSERT or DIRECT OUT point by pressing it, if necessary. Adjust the parameters in the PREMIUM RACK window. Changing the patch settings Setting up INSERT or DIRECT OUT 40 4. 1. Select the bank that contains the channel for which you want to set up INSERT or DIRECT OUT in the Channel Strip section. 2. Press the [SEL] key of the channel for which you want to change the patching. 3. Press the popup button in the DIRECT OUT field in the SELECTED CHANNEL VIEW screen. Owner’s Manual Changing the signal output to each output port 1. Press the SETUP button in the touch screen. 2. Press the OUTPUT PORT button in SYSTEM SETUP. 3. Select the OUTPUT PORT tab you want to change. Grouping and linking 4. Press the output channel select button to select the output channel for which you want to change the port. Grouping and linking Using talkback 1. Plug the microphone to use for talkback into the INPUT jack on the rear panel. 2. Press the MONITOR button in the touch screen. 3. Press the TALKBACK ASSIGN field in the TALKBACK area. 4. In the ASSIGN field in the TALKBACK screen, select a bus to which you want to send the talkback signal. 5. Press the TALKBACK ON button. 6. Press the INPUT TO TALKBACK button to select an input. Press the A.GAIN knob to enable it, then, while observing the meter, use the knob to adjust the level. Creating a channel link 1. Press the CH JOB button in the touch screen. 2. Press the CH LINK button. 3. Select the bank that contains the channels you want to link in the Channel Strip section. 4. While pressing and holding down the [SEL] key of one channel, press the [SEL] key of the other channel that you want to link. 5. To release the link, press and hold down the [SEL] key for one of the linked channels, and press the [SEL] key for the other channel. NOTE You can also set or release a channel link in the display. Setting a DCA or MUTE group 1. Press the [SEL] key of the channel that you want to control. 2. Press the DCA tab or MUTE tab in the SELECTED CHANNEL VIEW screen. 3. Press a group number button. 4. To assign other channels to a group, select the channel, then press DCA or MUTE group numbers in the same way. Owner’s Manual 41 Quick Guide Routing the oscillator to an output channel 1. 2. 3. Using scene memories Storing a scene Press the MONITOR button in the touch screen. Press the OSCILLATOR display button. Set the MODE, LEVEL, and FREQ (frequency) parameters in the OSCILLATOR screen. 1. Press the SCENE field in the function access area. 2. Turn the [TOUCH AND TURN] knob to select the store-destination scene number. 3. Press the STORE button in the SCENE LIST screen. 4. Enter the scene name and comments in the SCENE STORE screen. 5. Press the STORE button in the SCENE STORE screen. 6. Press the OK button in the STORE CONFIRMATION dialog box to execute the Store operation. Recalling a scene 4. 5. 42 Press the desired OUTPUT tab to select the output destination. Return to the previous screen, then press the OUTPUT button in the OSCILLATOR field. Owner’s Manual 1. Press the SCENE field in the function access area. 2. Turn the [TOUCH AND TURN] knob to select the scene number to recall. 3. Press the RECALL button in the SCENE LIST screen. NOTE Scene 000 is a read-only scene that restores the mix parameters to their default state. Be aware that when scene number 000 is recalled, the input patch, output patch, internal effect, and HA (Head Amp) settings will also return to their default state. Recording and playing audio using a USB flash drive Recording and playing audio using a USB flash drive Playing audio files from a USB flash drive 1. Connect a USB flash drive that contains audio files to the QL unit. 2. Press the RECORDER button in the touch screen. 3. In the PLAYBACK OUT area, select a channel from which you want to play audio files. 4. Select an audio file to play from the list. 5. Press the Play button. 6. Adjust the gain using the PLAYBACK OUT GAIN knob, then in the Channel Strip section use the faders for the channels selected in the PLAYBACK OUT area to adjust the volume level. Recording to USB flash drive 1. Connect a USB flash drive to the USB connector of the QL unit. 2. Press the RECORDER button in the touch screen. 3. Press the USB tab. 4. Press the REC RATE button to switch the recording bit rate for an MP3 file. 5. In the RECORDER INPUT area, select a recording source channel and set the recording level. 6. Press the REC button to arm recording. 7. Press the PLAY button to start recording. 8. When you have finished recording, press the STOP button. Owner’s Manual 43 Quick Guide Saving and loading the unit settings Saving the unit settings to a USB flash drive 7. Enter the data name and comments, then press the SAVE button. Loading the unit settings from a USB flash drive 1. Press the SETUP button in the touch screen. 1. Connect a USB flash drive to the USB connector of the QL unit. 2. Press the SAVE/LOAD button. 2. Press the SETUP button in the touch screen. 3. To select the file that you want to load, press the name of the desired file in the file list, or rotate the [TOUCH AND TURN] knob. 4. Press the LOAD button. 5. In the LOAD SELECT screen, select the data to load, the data type, and the load destination. 6. Press the LOAD button to load the selected file. 3. Press the SAVE/LOAD button. 4. If necessary, press the directory icon and change the directory. To move to the next higher level, press the arrow button in the PATH field. 5. Press the SAVE button. Formatting a USB flash drive on the QL unit 6. 44 In the SAVE SELECT screen, select the data to be saved, the data type, and the save destination, and then press the SAVE button. Owner’s Manual 1. Connect a USB flash drive (that you want to format) to the QL unit. 2. In the SAVE/LOAD screen, press the FORMAT button. 3. Enter a name in the VOLUME NAME field, and then press the FORMAT button. 4. When a confirmation dialog appears, press the OK button. Other functions Other functions 4. Adjusting the brightness of the touch screen, lamps, and other indicators This operation lets you adjust the brightness of the touch screen, top panel LEDs, channel name displays, and lamps connected to the rear panel LAMP connectors. 1. 2. 3. In the function access area, press the SETUP button. In the field located in the bottom row of the SETUP screen, press the BANK A or BANK B button. You can save two different brightness settings in bank A and B, and switch between them if desired. If desired, switch between banks A/B and make settings for the other bank in the same way. Now you can switch between the BANK A and BANK B buttons to change the brightness of the touch screen, LCD, channel name displays, and lamps in a single operation. You can also assign this parameter to a USER DEFINED key (see the Reference Manual), and press that key to switch between banks A and B. Setting the date and time of the internal clock This section explains how to set the date and time of the clock built into the QL unit, and how to select a date and time display format. The date and time you specify here are used for the time stamp used when saving a scene. 1. In the function access area, press the SETUP button. 2. Press the DATE/TIME button at the lower part of the SETUP screen. The DATE/TIME display appears. Use the [TOUCH AND TURN] knob to set the following parameters. CONTRAST field • NAME This knob adjusts the contrast of the characters of the channel name displays on the top panel. BRIGHTNESS field • NAME This knob adjusts the brightness of the channel name displays on the top panel. • CH COLOR This knob sets the brightness balance of the channel color indicator and the channel name display on the top panel. • SCREEN This knob adjusts the brightness of the touch screen. If you have set the brightness to lower than level 2, the QL will start up next time with a brightness setting of 2 so that you will be able to see the screen. • PANEL This knob adjusts the brightness of the top panel LEDs. • LAMP This knob adjusts the brightness of the lamps connected to the rear panel LAMP jacks. • DATE This field specifies the date of the internal clock. • TIME This field specifies the time of the internal clock. • DISPLAY FORMAT This field specifies the format in which the date and time of the internal clock are displayed. Date MM/DD/YYYY (Month/Day/Year) DD/MM/YYYY (Day/Month/Year) YYYY/MM/DD (Year/Month/Day) Time 24Hours (hours shown in the range of 0–23) 12Hours (hours shown from 0am–11am, and 0pm–11pm) 3. In the FORMAT field, press the MODE buttons several times to select the desired format for date and time display. 4. Use the [TOUCH AND TURN] knob to set the current date and time. 5. When you have finished making settings, press the OK button. The date, time, and display format you specified will be finalized, and the window will close. If you press the CANCEL button or the X symbol instead of the OK button, your changes will be discarded and the window will close. Owner’s Manual 45 Other functions Initializing the unit to factory default settings Adjusting the faders (Calibration function) If an error occurs in the QL’s internal memory, or if you forget the password and cannot operate the unit, you can use the following procedure to initialize the internal memory. Use caution when performing the following steps. Depending on the environment in which you use the console, discrepancies may occur in the motion of the motor faders. You can use the Calibration function to correct these discrepancies. With this operation, the specified faders in the channel strip section and Master section will be semi-automatically calibrated. NOTICE NOTE When you initialize the internal memory, all content that had been saved in memory will be lost. 1. 2. Press and hold the [SEL] key for Fader B in the Master section on the panel while turning the power on. After the opening screen, the startup menu screen will appear. For information about adjusting the input gain or the detection point of the touch screen, refer to the Reference Manual. 1. Press and hold the [SEL] key for Fader B in the Master section on the panel while turning the power on. After the opening screen, the startup menu screen will appear. This window will also appear if a problem is detected in the fader settings while the QL is starting up. 2. Press the FADER CALIBRATION button. The FADER CALIBRATION MODE screen will appear, where you can adjust the faders. 3. Press a [SEL] key to specify the faders that you want to calibrate. Faders for which a problem was detected at start-up will already be selected. 4. Press the START button. 5. Press the OK button in the dialog box. The fader specified in step 3 moves to –∞ (all the way down). 6. If the fader position is not correct, move it manually to –∞ (all the way down). 7. After you adjust the fader position, press the [NEXT] button. The process will proceed to the next fader position. On the startup menu screen, select the initialization method. • INITIALIZE ALL MEMORIES The entire memory including scene memories and libraries will be returned to their initial settings, except DANTE SETUP. • INITIALIZE CURRENT MEMORIES The entire memory, excluding scene memories and libraries, will be returned to its initial settings, except DANTE SETUP. 3. Press the INITIALIZE button in the dialog box to confirm initialization. 4. Press the OK button in the confirmation dialog box. The Initialization operation starts. NOTE Do not press any buttons until initialization is complete. 5. A message indicates that the initialization process is complete. Press the EXIT button. The console will start up in normal operating mode. NOTE Alternatively, you can continue operation by selecting a different menu instead of pressing the EXIT button. 46 Owner’s Manual Adjusting the faders (Calibration function) 8. Repeat steps 6 to 7 to adjust the fader position to 20dB, 0dB, and +10dB (all the way up), in order. When adjustment to the +10dB position is complete, calibration starts. 9. When calibration has been completed, press the APPLY button. The calibration settings will be saved in internal memory. If the RESTART button appears, calibration has failed. Press the RESTART button to execute calibration once again. 10. Press the EXIT button. The console will start up in normal operating mode. NOTE Alternatively, you can continue operation by selecting a different menu instead of pressing the EXIT button. Owner’s Manual 47 Troubleshooting Troubleshooting A FAQ section is available on the Yamaha Pro Audio site. http://www.yamahaproaudio.com/ Power does not turn on; panel LEDs and the LCD display do not light.  Is the QL’s power switch turned on?  Is the power cable connected to a proper AC outlet?  Is the power cable plug inserted all the way - has it clicked and locked in securely?  If the power still does not turn on, contact your Yamaha dealer. The unit is not receiving an input signal.  Did you correctly set the UNIT ID and the DIP switches on the I/O device connected to the QL before turning on the power to the devices?  Is the DANTE SETUP for the unit appropriate?  Are the source devices delivering an appropriate signal?  Is the SIG indicator on the I/O device lit?  If a phantom-powered microphone is connected to the QL unit, are the I/O device’s +48V MASTER switch, QL’s +48V MASTER ON/OFF switch, and +48V button of each channel set to on?  Is the GAIN of the internal head amp, external head amp, or I/O device set to an appropriate level?  Is the input port patched to an input channel?  Is the [ON] key indicator of the input channel lit?  Is the fader of the input channel raised?  Are EQ’s attenuators raised?  Could the insert be turned on even though it has not been specified correctly?  If you are using an optional I/O card, is it installed correctly? Sound is not output from headphones or the MONITOR OUT jacks.  Is the [PHONES] knob or monitor level set to an appropriate volume?  Is the monitor fader set to an appropriate level?  Has the monitoring source been selected?  Could the DIMMER be applied? Sound is distorted.  Is the word clock set correctly?  Is the GAIN of the internal head amp, external head amp, or I/O device set to an appropriate level?  Was Gain Compensation turned on when analog gain is not appropriate? Or, was the analog gain raised to an extreme while the Gain Compensation is turned on?  First turn the Gain Compensation function off, set the analog gain to an appropriate level, and then turn Gain Compensation back on.  Could the digital gain be set to an extremely high setting?  Could the fader of the input channel be raised too high?  Could the STEREO channel fader be raised too high?  Could the EQ gain be set to an extremely high setting?  Is the latency set too low on the DANTE SETUP screen? Sound is output even though it is not patched to an output channel.  Could you have assigned an input channel to direct out?  Could you have assigned an output channel as the insert out? The volume of a specific channel rises and falls.  Could DYNAMICS 1/2 be set to ducking or to an extreme parameter value? Operating a fader does not control the level as you expect.  Could the function access area indicate MIX/MTRX ON FADER? And could SENDS ON FADER mode be engaged? Only the sound of a specific channel is heard from the MONITOR OUT or PHONES jack.  Press the MONITOR button, then check the MONITOR area on the display.  Could a [CUE] key be on? The sound level is too low. Noise occurs from an externally connected recorder or other device.  Is the GAIN or digital gain on the head amplifier, external head amp device or I/O device set to an appropriate level?  Is the fader of the input channel raised?  Could the EQ gain be turned down excessively?  Are EQ’s attenuators raised?  Could the GATE/COMP threshold or ratio setting be set to an extreme value?  Is the fader of the output channel raised?  Try using the various screens of the METER function to check the levels. 48  Is the DCA fader assigned to that channel raised?  Could MUTE MASTER be turned on for the channel assigned to a MUTE group? Owner’s Manual  Is the word clock set correctly?  Could the input signal be unsynchronized?  Could the oscillator or talkback be turned on? High frequency range is attenuated.  Could emphasis be applied? This problem will occur if the input signal status does not match the emphasis data.  Could EQ be applied? Troubleshooting There is insufficient headroom, especially when EQ boost is applied. When you recall a scene, it takes a certain amount of time for the faders to stop.  Use the EQ attenuator function to lower the level.  Could you have specified a fade time? An input signal is being input, but there is no monitor output. The panel LEDs or LCD display are too dark/too bright.  Could the DIMMER be applied?  Could the MONITOR CH be assigned even though its output port has not been connected to an external device?  This can be adjusted in the SETUP screen. Signal is delayed.  Check whether the delay setting for each INPUT channel and OUTPUT PORT is set correctly. Rotating a MIX knob does not change the send level to the MIX bus.  Is the TO MIX SEND ON/OFF button turned on?  Is the MIX [ON] key turned on?  Is the MIX bus set to VARI type?  If the send point is set to POST, could the fader have been lowered? Signal level of a specific frequency is low.  Could the EQ gain be turned down excessively?  Routing a signal through a GEQ or EFFECT will delay it relative to other signals. If this signal is mixed with another signal that is routed via a different signal path, a comb filtering effect will cause the level of a specific frequency to be decreased. Cannot control an I/O device.  Are the rotary switch and DIP switches on the I/O devices set correctly?  Does the channel being controlled match the channel on the I/O device? Cannot control the QL unit from QL Editor. Cannot save scene memory or various library data.  Are you attempting to save the data to a read-only scene/library or a protected scene?  Could user level restrictions have been specified? Cannot save to a USB flash drive.  Could the USB flash drive be protected?  Does the USB flash drive have enough free capacity to save the data?  When formatting the USB flash drive, format it in FAT32 or FAT16 format.  Could the recorder be playing back? Cannot transmit or receive MIDI data.  Is the MIDI PORT selected correctly?  Are the transmission and reception modes and channels selected correctly?  Has an event corresponding to the particular Program Change message been specified? When you recall a scene, some channels/parameters are not updated.  Could that channel or parameter be set to Recall Safe?  Could FOCUS be set in such a way that the channels or parameters will not be updated?  Could user level restrictions have been specified?  Is the computer connected to the unit’s Network jack correctly?  Is the network setting on the QL unit specified correctly?  For details on settings, refer to the QL Editor installation guide posted on our website. Cannot control the QL unit from StageMix.  Is the WiFi setting in QL StageMix set correctly?  Is the unit’s Network jack on the QL unit connected to the WiFi access point correctly?  Is the network setting on the QL unit specified correctly?  Refer to the QL StageMix Owner’s Manual on our website. In the LCD display, there are some black points (unlit) or white points (always lit).  Unfortunately, this is a common characteristic of TFT-LCDs. This is not a malfunction. In the channel name display, because of the response speed of the GR meter display on each channel’s voice input and output, the indication may be weak or different than expected.  This is a common characteristic of LCDs and not a malfunction. Depending on the input source, this phenomenon may be more pronounced. You turn on a CUE button in the EFFECT EDIT screen, but it is automatically defeated.  This is defeated automatically when you switch screens in the display. Owner’s Manual 49 Attaching the RK1 rackmount kit (sold separately) Attaching the RK1 rackmount kit (sold separately) You can attach the optional RK-1 rackmount kit to the QL5 and QL1 and mount it in a rack or an installed system. 1. Make sure that the power is turned off. 2. Remove screws “A” and detach the side pads. NOTE Keep the side pad screws together with the pads you removed. A A A Side Pads 3. Use the screws included with RK1 to install the hardware. Tighten the screws at the locations indicated by the arrows. 4. Attach the hardware to the other side in the same way. NOTICE When attaching the RK1 rackmount kit, you must turn off the power switch on the unit and use the screws that are included with the RK1. Otherwise, malfunctions or electric shock may occur. 50 Owner’s Manual General specifications General specifications Internal Clock Sampling Frequency External Clock 44.1kHz 48kHz 44.1kHz +4.1667%, +0.1%, –0.1%, –4.0% 48kHz +4.1667%, +0.1%, –0.1%, –4.0% ±200ppm ±200ppm Signal Delays Less than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz Fader 100mm motorized, Resolution=1024steps, +10dB to –138dB, –∞dB all faders Frequency Response +0.5, –1.5dB 20Hz–20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT Total Harmonic Distortion*3 Less than 0.05% 20Hz–20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min. Hum & Noise*4 Dynamic Range –128dBu typ., Equivalent Input Noise, Input Gain= Max., –88dBu, Residual output noise, ST master off 112dB typ., DA Converter, 108dB typ., INPUT to OMNI OUT, Input Gain= Min. Crosstalk @ 1kHz –100dB*1, adjacent INPUT/OMNI OUT channels, Input Gain= Min. Dimensions (W x H x D) and Net Weight QL5: 828.4mm x 272mm x 563mm, 21.8kg QL1: 468mm x 272mm x 562mm, 14.7kg Power Requirements (in watts) QL5: 200W, QL1: 135W Power Requirements (in volts, Hz) 100–240V 50/60Hz Temperature Range Operating temperature range: 0–40°C Storage temperature range: –20–60°C Included Accessories Owner’s Manual, dust cover (QL5 only), power cord Optional Accessories Rackmount kit RK1, Mini-YGDAI cards*2, Gooseneck Lamp LA1L *1. A 22kHz, 30dB/Oct filter is used to measure crosstalk. *2. For more information about Mini-YGDAI card support, refer to the Yamaha pro audio website. http://www.yamahaproaudio.com/ *3. An 80kHz, 18dB/Oct filter is used to measure total harmonic distortion. *4. An A-Weight filter is used to measure hum & noise. European Models Inrush Current based on EN 55103-1:2009 5A (on initial switch-on) 3A (after a supply interruption of 5s) Conforms to Environments: E1, E2, E3 and E4 Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. Owner’s Manual 51 Dimensional Diagrams Dimensional Diagrams QL5 19 563 272 828.4 QL1 19 562 272 468 Units: mm 52 Owner’s Manual Index Index A M Main area . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 MIX/MATRIX buses. . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 MUTE group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 About Dante Controller . . . . . . . . . . . . . . . . . . . . . . . . . 30 Analog gain. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Automixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 O B P Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 C Optional I/O cards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Patch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 PREMIUM RACK . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9, 39 Calibrating the faders . . . . . . . . . . . . . . . . . . . . . . . . . . 46 Channel link . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Copy/Paste (library) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 Custom fader bank. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 R D S Dante . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9, 30, 34 INPUT PATCH. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 OUTPUT PATCH . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 DCA group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Dialog boxes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 DIRECT OUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Dynamics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Rear panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Recorder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Redundant network . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Scene memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Selected Channel section . . . . . . . . . . . . . . . . . . . . . . SENDS ON FADER mode . . . . . . . . . . . . . . . . . . . . . STEREO bus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . T Factory set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 Faders/Knobs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Front panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Function access area . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Tabs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Talkback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tool buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Top panel Channel Strip section . . . . . . . . . . . . . . . . . . . . . . . Display section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Master section. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Selected Channel section . . . . . . . . . . . . . . . . . . . USB connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . USER DEFINED KEYS section . . . . . . . . . . . . . TOUCH AND TURN knob . . . . . . . . . . . . . . . . . . . . . . Touch screen. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . G U E EFFECT RACK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Effect rack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 F GEQ (Graphic EQ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 GEQ rack. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Grouping . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 H Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 I USB flash drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Load (unit settings) . . . . . . . . . . . . . . . . . . . . . . . . . Save (unit settings) . . . . . . . . . . . . . . . . . . . . . . . . . 42 13 23 36 19 41 21 12 13 14 13 15 14 18 18 43 44 44 44 W Word clock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 I/O devices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Input port . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 INSERT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 K Keyboard window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 L Lamp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Link . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Owner’s Manual 53 Block Diagram MIX 1 2 1516 M O N O MATRIX L R (C) 1 2 7 8 ST CUE CASCADE OUT LR MIX CASCADE OUT1-16 To OUTPUT PATCH To OUTPUT PATCH CASCADE IN To OUTPUT PATCH To OUTPUT PATCH STEREO CASCADE OUT L,R,MONO(C) SLOT1 1-16 SLOT2 1-16 To OUTPUT PATCH CASCADE IN SELECT To CASCADE IN SELECT TALKBACK DANTE IN METER [DANTE] DANTE INPUT DANTE IN 1-64{32} To OUTPUT PATCH To OUTPUT PATCH To OUTPUT PATCH To OUTPUT PATCH To OUTPUT PATCH INPUT 1-32{16} DANTE IN 1-64{32} INPUT 1-32{16} INPUT PATCH MATRIX CASCADE OUT1-8 To OUTPUT PATCH To OUTPUT PATCH INPUT SELECT CUE CASCADE OUT LR To OUTPUT PATCH To OUTPUT PATCH DANTE IN 1-64{32} 64{32} ON OSCILLATOR +48V MASTER +48V [INPUT] [1-32{16}] ON +48V 2 INPUT + - 1 3 HA METER METER INPUT 1-32{16} AD 32{16} Compensation Gain GAIN/TRIM Sine Wave Pink Noise Burst Noise To RACKIN PATCH To OUTPUT PATCH METER METER SLOT1 SLOT1 1-16 2 HPF INSERT ATT 4BAND EQ PRE EQ POST EQ PRE EQ INSERT OUT OSCILLATOR GAIN Keyin Self PRE EQ Self POST EQ MIX13-16 OUT CH[1-8,9-16,17-24,25-32,33-40,41-48, 49-56, 57-64,ST IN 1L-8R]POST EQ(QL5) CH[1-8,9-16,17-24,25-32,ST IN 1L-8R]POST EQ(QL1) To MONITOR SELECT RECORDER CUE FX1-8 OUT A(L)/B(R) ON PRE HPF / PRE EQ / PRE FADER/POST ON DYNA1OUT EQ OUT DYNA2OUT METER METER METER GR METER GR METER PRE EQ METER PRE HPF PLAYBACK OUT L/R DECODER 4 Digital GAIN 80 {48} PLAYBACK OUT METER 2 3 GATE COMP DUCK COMPAND EXPAND DE-ESSER COMP KEYIN CUE Keyin Filter PRE FADER METER POST ON METER ON DELAY Max 1000ms METER RACK IN POST ON POST PAN L METER RACK OUT GEQ1 IN A/B GEQ2-8 IN A/B METER RACK OUT A METER RACK OUT B GEQ RACK2-8(GEQ2-8) (same as GEQ RACK1) PAN MODE POST PAN R PRE EQ / PRE FADER / POST ON PRE EQ / PRE FADER / POST ON LEVEL ON MATRIX2,4...8 LEVEL ON LEVEL ON ON MIX1,3...15 ON MIX2,4...16 ST R (13-16)To KEYIN To RACKIN PATCH To OUTPUT PATCH To MONITOR SELECT MIX OUT1-16 POST ON ON POST INSERT INSERT OUT OUT POST ON PRE FADER / POST ON To MATRIX VARI PRE FADER / POST ON To MATRIX VARI STEREO PAN/BAL LR MONO PAN MODE TO ST TO MONO TO LCR LCR POST ON CSR ON ON ON ON LEVEL ON ON LEVEL ON ON LEVEL PAN STEREO L,R,MONO(C) INSERT POINT To RACKIN PATCH To OUTPUT PATCH STEREO INSERT OUT L,R,MONO(C) STEREO INSERT IN L,R,MONO(C) LEVEL MATRIX1,3...7 ON LEVEL MATRIX2,4...8 To MATRIX ON ON LEVEL PAN ON INSERT PRE FADER PRE FADER INSERT OUT Keyin Self PRE EQ/Self POST EQ/MIX13-16 OUT/ MIX(1-8,9-16) POST EQ PAN/BAL ON (PRE FADER)PFL / (POST ON)AFL / POST PAN L ON INSERT ST L PAN LINK ON POST ON INSERT OUT PRE FADER INSERT OUT PRE EQ INSERT OUT PRE EQ METER INSERT PRE EQ / PRE FADER / POST ON BAL LEVEL ST R ON (PRE FADER)PFL / (POST ON)AFL / POST PAN R MATRIX1,3...7 ON ON POST ON METER PRE FADER METER (PRE FADER)PFL / (POST ON)AFL ST L MONO(C) To MATRIX PRE EQ / PRE FADER / POST ON VARI VARI STEREO ON CUE ON ON VARI STEREO Flex15GEQ PRE EQ POST EQ MONO(C) ON COMP COMPAND EXPAND 4BAND EQ PRE EQ INSERT OUT TO LCR LCR POST ON POST ON INSERT OUT FIXED To MIX To MIX 31BandGEQ METER RACK IN A METER RACK IN B EQ OUT DYNA OUT METER METER GR METER ATT To OUTPUT PATCH POST PAN L POST PAN R TO MONO TO ST LR MONO INSERT PRE FADER PRE FADER INSERT OUT To MIX To MIX GEQ RACK1(GEQ1) [CH 1-64{32}, MIX 1-16, STEREO L,R,MONO(C), MATRIX 1-8] PRE EQ METER CSR VARI INSERT OUT DIRECT OUT 1-64{32} LEVEL LEVEL/ DCA1-16 INSERT FIXED STEREO PR1-2 OUT A(L)/B(R) GEQ RACK IN PATCH To CH 1-64{32},ST IN 1L-8R PAN SLOT2 1-16 16 USB POST ON INSERT OUT PRE FADER INSERT OUT PRE EQ INSERT OUT MIX INSERT OUT 1-16 MIX INSERT IN 1-16 INSERT POST ON INSERT OUT PRE FADER INSERT OUT PRE EQ INSERT OUT POST DG METER PRE DG METER 16 SLOT2 1 HPF LPF INSERT POINT To RACKIN PATCH To OUTPUT PATCH INSERT POINT CH INSERT OUT 1-64{32} CH INSERT IN 1-64{32} SLOTIN SLOTIN [PLAYBACK OUT] ON CH 1-64{32},ST IN 1L-8R To MONITOR SELECT [SLOT] MIX 1-16 OSC METER LEVEL PRE GC EQ OUT DYNA OUT METER METER GR METER ATT COMP COMPAND EXPAND 4BAND EQ PRE EQ POST EQ PRE EQ INSERT OUT CUE L CUE R POST ON METER PRE FADER METER LEVEL BAL INSERT PRE FADER INSERT OUT STEREO OUT L,R,MONO(C) ON INSERT To OUTPUT PATCH To MONITOR SELECT POST ON PRE FADER Keyin Self PRE EQ/Self POST EQ/MIX13-16 OUT/ ST(L,R,MONO(C)) POST EQ POST ON INSERT OUT CUE ON (PRE FADER)PFL / (POST ON)AFL Automixer 8ch RACK1-4 (GEQ1-4) Automixer8ch 8 8 INPUT 1-32{16} Automixer 16ch RACK1-8 (GEQ1-8) METER METER GEQ1-8 IN A/B EFFECT RACK IN PATCH OUT Automixer16ch 16 DANTE IN 1-64{32} 16 EFFECT RACK1(FX1) METER RACK IN GEQ1-8 OUT A/B METER RACK OUT 31BandGEQ [MIX 1-16, STEREO L,R,MONO(C), MATRIX 1-8] METER RACK IN A METER RACK IN B FX1-8 OUT A(L)/B(R) METER RACK OUT A METER RACK OUT B CH INSERT IN 1-64{32} To CH INSERT IN KEYIN CUE SELECT KEYIN CH1-64{32},ST IN 1L-8R FX1-8 OUT L/R PR1-8 OUT L/R EFFECT CUE EFFECT CUE SELECT 16 STEREO INSERT IN L,R,MONO(C) 3 MATRIX INSERT IN 1-8 ON LEVEL ON LEVEL ON ON To STEREO INSERT IN RECORDER CUE RECORDER IN L/R PLAYBACK OUT L/R RECORDER CUE SELECT POST ON INSERT OUT PRE FADER INSERT OUT PRE EQ INSERT OUT PRE EQ METER To MATRIX INSERT IN INSERT PR1 IN A(L)/B(R) PR2-8 IN A(L)/B(R) EQ OUT DYNA OUT METER METER GR METER ATT PRE EQ INSERT OUT EFFECT CUE COMP COMPAND EXPAND 4BAND EQ PRE EQ POST EQ CUE ON POST ON METER PRE FADER METER LEVEL BAL MATRIX OUT 1-8 INSERT INSERT PRE FADER INSERT OUT ON PRE FADER Keyin Self PRE EQ/Self POST EQ/MIX13-16 OUT/ MATRIX1-8 POST EQ To OUTPUT PATCH To MONITOR SELECT POST ON INSERT OUT POST ON (PRE FADER)PFL / (POST ON)AFL EFFECT RACK2-8(FX2-8) (same as EFFECT RACK1) PREMIUM RACK1(PR1) METER RACK IN L METER RACK IN R METER RACK OUT L METER RACK OUT R PROCESSOR CUE TRIM (INPUT/OUTPUT/DCA) MONO CUE / MONITOR EFFECT CUE MONITOR DELAY AUTO BYPASS CUE ON CUE L METER CUE R METER CUE OUT ON OUTPUTS GAIN PHONES OUT LR 2 Tip Ring Sleeve DA [PHONES] OUTPUT PATCH DELAY (MAX:1000ms) [DANTE] (1-64{32}) DANTE OUTPUT METER 64{ 32} PHONES LEVEL GAIN TRIM OUTPUT PATCH DELAY (MAX:1000ms) METER 16{ 8} + - DA 2 1 3 DANTE IN 1-64{32} INPUT 1-32{16} [OMNI OUT] (1-16{8}) OUTPUT PATCH SLOT IN 1-2, 1-16 METER DELAY (MAX:1000ms) METER SLOT1 16 SLOT2 16 [SLOT] OUT [DIRECT 1-64{32}, MIX1-16, STEREO L,R,MONO(C) ,MATRIX 1-8] GAIN TRIM OUTPUT PATCH OUT [MONITOR L,R,MONO(C) ,CUE L,R] DELAY (MAX:1000ms) METER AES/EBU DIT [DIGITAL OUT] 2 INSERT OUT [CH1-64{32}, MIX1-16, STEREO L,R,MONO(C) ,MATRIX 1-8] METER CASCADE OUT [MIX1-16, STEREO L,R,MONO(C) ,MATRIX 1-8, CUE L,R] STEREO OUT L STEREO OUT MONO(C) STEREO OUT R STEREO L+C STEREO R+C OUTPUT PATCH RECORDER CUE ENCODER 2 GAIN 1 2 3 USB 4 [2TR RECORDER] CUE OUT L To OUTPUT PATCH CUE OUT R To OUTPUT PATCH CUE OUT LEVEL CUE LOGIC INPUT 25/26{9/10} INPUT 27/28{11/12} INPUT 29/30{13/14} INPUT 31/32{15/16} PLAYBACK OUT STEREO OUT L,R STEREO OUT MONO(C) STEREO OUT L,C,R INPUT 25/26{9/10} INPUT 27/28{11/12} INPUT 29/30{13/14} INPUT 31/32{15/16} PLAYBACK OUT GAIN TRIM DELAY (MAX:1000ms) DELAY (MAX:1000ms) DELAY (MAX:1000ms) PREMIUM RACK2-8 (same as PREMIUM RACK1) STEREO OUT L,R STEREO OUT MONO(C) MIX OUT1-16 MATRIX OUT1-8 DEFINE MIX (MAX:8ch) MO N IT O R S E LE C T PREMIUM RACK IN PATCH VARI STEREO INSERT POINT MATRIX INSERT OUT 1-8 MATRIX INSERT IN 1-8 ON EFFECT FX2-8 IN A(L)/B(R) To MATRIX MATRIX 1-8 PR1-8 OUT A(L)/B(R) METER RACK OUT L METER RACK OUT R FX1 IN A(L)/B(R) PRE FADER / POST ON ON To RACKIN PATCH To OUTPUT PATCH To MIX INSERT IN PRE FADER / POST ON To MATRIX VARI PAN/BAL 64{32} MIX INSERT IN 1-16 LEVEL MATRIX2,4...8 8 Flex15GEQ METER RACK IN L METER RACK IN R KEYIN CUE SLOT1 1-16 SLOT2 1-16 MATRIX1,3...7 PHONES LEVEL LINK DELAY (MAX:1000ms) DELAY (MAX:1000ms) MONO MONITOR L METER MONITOR R METER MONITOR MONO(C) METER DELAY (MAX:1000ms) D IMME R GEQ1-4 IN A/B INSERT IN PATCH METER METER DELAY (MAX:1000ms) ON ON CUE INTERRUPTION TALKBACK ON MONITOR MONITOR MONITOR DIMM ON LEVEL FADER DELAY (MAX:1000ms) +MONO(C) PHONES L To PHONES OUT PHONES R To PHONES OUT MONITOR OUT L MONITOR OUT R MONITOR OUT MONO(C) An output port delay becomes invalid by assigning a monitor out to the output port. To OUTPUT PATCH To OUTPUT PATCH To OUTPUT PATCH Level Diagram Analog Analog Φ Digital GAIN dBu +30 +24 +20 dBFS 0 -10 +10 +4 0 -20 -10 -40 -20 -50 -30 -60 -40 -70 -30 -50 -80 -60 -90 -70 -100 -80 -110 -90 -120 -100 -130 -110 -140 -120 -150 -130 -160 -140 -170 -150 -180 -160 -190 -170 -180 -190 -200 -210 Digital Digital AD INSERT ATT. EQ (x4) DYN 1 DYN 2 INSERT DELAY DCA LEVEL /ON PAN BUS Adder INSERT ATT. EQ (x4) DYN MASTER LEVEL / BAL MASTER ON OUTPUT PATCH φ DELAY Analog Analog DA Bit 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 dBu Digital Clipping Level Max. Input [+30dBu] [0dBu = 0.775Vrms] [0dBFS = Full Scale] +10 +4 0 PHONES Max Output (150mW@8Ω ) Nominal Output (75mW@8Ω ) -10 -20 -30 -40 Max. Input [-42dBu] OMNI OUT 1-16{8} [Default setting] -50 -60 Nominal Input [-62dBu] -70 -80 INPUT 1-32{16} (GAIN MIN.) INPUT 1-32{16} (GAIN MAX.) -90 -100 -110 -120 -130 -140 -150 30 31 36 Nominal Output [+4dBu] CASCADE OUT Nominal Input [+10dBu] 27 28 29 34 35 +30 +24 +20 CASCADE IN 24 25 26 32 33 Max. Output [+24dBu] -160 Max. DSP Noise Floor -170 -180 -190 For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Toronto, Ontario, M1S 3R1, Canada Tel: 416-298-1311 U.S.A. Yamaha Corporation of America 6600 Orangethorpe Avenue, Buena Park, CA 90620, U.S.A. Tel: 714-522-9011 CENTRAL & SOUTH AMERICA MEXICO Yamaha de México, S.A. de C.V. Av. Insurgentes Sur 1647 Piso 9, Col. San José Insurgentes, Delegación Benito Juárez, México, D.F., C.P. 03900 Tel: 55-5804-0600 BRAZIL Yamaha Musical do Brasil Ltda. Rua Joaquim Floriano, 913 - 4º andar, Itaim Bibi, CEP 04534-013 São Paulo, SP. BRAZIL Tel: 011-3704-1377 ARGENTINA Yamaha Music Latin America, S.A., Sucursal Argentina Olga Cossettini 1553, Piso 4 Norte, Madero Este-C1107CEK Buenos Aires, Argentina Tel: 011-4119-7000 VENEZUELA Yamaha Music Latin America, S.A., Sucursal Venezuela C.C. Manzanares Plaza P4 Ofic. 0401- Manzanares-Baruta Caracas Venezuela Tel: 58-212-943-1877 PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES Yamaha Music Latin America, S.A. Torre Banco General, Piso No.7, Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panamá, República de Panamá Tel: +507-269-5311 EUROPE THE UNITED KINGDOM/IRELAND Yamaha Music Europe GmbH (UK) Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, U.K. Tel: 01908-366700 GERMANY Yamaha Music Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 SWITZERLAND/LIECHTENSTEIN Yamaha Music Europe GmbH Branch Switzerland in Zürich Seefeldstrasse 94, 8008 Zürich, Switzerland Tel: 044-387-8080 AUSTRIA/BULGARIA Yamaha Music Europe GmbH Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900 CZECH REPUBLIC/HUNGARY/ ROMANIA/SLOVAKIA/SLOVENIA Yamaha Music Europe GmbH Branch Austria (Central Eastern Europe Office) Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900 POLAND/LITHUANIA/LATVIA/ESTONIA Yamaha Music Europe GmbH Branch Poland Office ul. Wrotkowa 14 02-553 Warsaw, Poland Tel: 022-500-2925 PA36 Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich. Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo. MALTA Olimpus Music Ltd. The Emporium, Level 3, St. Louis Street Msida MSD06 Tel: 02133-2144 NETHERLANDS/BELGIUM/ LUXEMBOURG Yamaha Music Europe Branch Benelux Clarissenhof 5-b, 4133 AB Vianen, Netherlands Tel: 0347-358 040 FRANCE Yamaha Music Europe 7 rue Ambroise Croizat, Zone d’activites Pariest, 77183 Croissy-Beaubourg, France Tel: 01-64-61-4000 ITALY Yamaha Music Europe GmbH, Branch Italy Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 SPAIN/PORTUGAL Yamaha Music Europe GmbH Ibérica, Sucursal en España Ctra. de la Coruna km. 17,200, 28231 Las Rozas (Madrid), Spain Tel: +34-91-639-88-88 GREECE Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160 SWEDEN/FINLAND/ICELAND Yamaha Music Europe GmbH Germany filial Scandinavia J. A. Wettergrensgata 1, Box 30053 S-400 43 Göteborg, Sweden Tel: +46 31 89 34 00 DENMARK Yamaha Music Europe GmbH, Tyskland – filial Denmark Generatorvej 6A, DK-2730 Herlev, Denmark Tel: 44 92 49 00 NORWAY Yamaha Music Europe GmbH Germany Norwegian Branch Grini Næringspark 1, N-1361 Østerås, Norway Tel: 67 16 78 00 RUSSIA Yamaha Music (Russia) LLC. Room 37, bld. 7, Kievskaya street, Moscow, 121059, Russia Tel: 495 626 5005 OTHER EUROPEAN COUNTRIES Yamaha Music Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030 ASIA THE PEOPLE’S REPUBLIC OF CHINA Yamaha Music & Electronics (China) Co.,Ltd. 2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu, Shanghai, China Tel: 021-6247-2211 INDIA Yamaha Music India Pvt. Ltd. Spazedge building, Ground Floor, Tower A, Sector 47, Gurgaon- Sohna Road, Gurgaon, Haryana, India Tel: 0124-485-3300 INDONESIA PT. Yamaha Musik Indonesia (Distributor) Yamaha Music Center Bldg. Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 021-520-2577 KOREA Yamaha Music Korea Ltd. 8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong, Kangnam-Gu, Seoul, Korea Tel: 02-3467-3300 MALAYSIA Yamaha Music (Malaysia) Sdn., Bhd. No.8, Jalan Perbandaran, Kelana Jaya, 47301 Petaling Jaya, Selangor, Malaysia Tel: 03-78030900 SINGAPORE Yamaha Music (Asia) Private Limited Block 202 Hougang Street 21, #02-00, Singapore 530202, Singapore Tel: 65-6747-4374 TAIWAN Yamaha Music & Electronics Taiwan Co.,Ltd. 3F, No.6, Section 2 Nan-Jing East Road, Taipei, Taiwan R.O.C. Tel: 02-2511-8688 THAILAND Siam Music Yamaha Co., Ltd. 3, 4, 15 and 16th floor, Siam Motors Building, 891/1 Rama 1 Road, Wangmai, Pathumwan, Bangkok 10330, Thailand Tel: 02-215-2622 VIETNAM Yamaha Music Vietnam Company Limited 15th Floor, Nam A Bank Tower, 201-203 Cach Mang Thang Tam St., Ward 4, Dist.3, Ho Chi Minh City, Vietnam Tel: +84-8-3818-1122 OTHER ASIAN COUNTRIES Yamaha Corporation Sales & Marketing Division Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 AFRICA Yamaha Music Gulf FZE Office JAFZA 16-512, P.O.Box 17328, Jebel Ali - Dubai, UAE Tel: +971-4-881-5868 MIDDLE EAST TURKEY Yamaha Music Europe GmbH Merkezi Almanya Türkiye İstanbul Şubesi Maslak Meydan Sokak No:5 Spring Giz Plaza Bağımsız Böl. No:3, 34398 Şişli İstanbul Tel: +90-212-999-8010 OCEANIA AUSTRALIA Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation Sales & Marketing Division Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 CYPRUS Yamaha Music Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 OTHER COUNTRIES Yamaha Music Gulf FZE Office JAFZA 16-512, P.O.Box 17328, Jebel Ali - Dubai, U.A.E Tel: +971-4-881-5868 HEAD OFFICE Yamaha Corporation, Audio Products Sales and Marketing Division Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Yamaha Pro Audio Global Web Site http://www.yamahaproaudio.com/ Yamaha Manual Library http://www.yamaha.co.jp/manual/ C.S.G., PA Development Division © 2014 Yamaha Corporation 405MATO-B0 Printed in Japan ZH99130