Yamaha R-5 Manual de usuario

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Receptor
Tipo
Manual de usuario

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OWNER’S MANUAL
Natural Sound AV Receiver
R-V902
Thank you for selecting this YAMAHA AV receiver.
A
2
After unpacking, check that the following parts are included.
Supplied Accessories ......................................2
Features ..........................................................3
Caution ............................................................4
Profile of This Unit ...........................................5
Speaker Setup ................................................6
Connections ....................................................7
Controls and Their Functions ........................14
Speaker Balance Adjustment ........................17
Basic Operations ...........................................20
Tuning Operations .........................................23
Preset Tuning ................................................24
Using Digital Sound Field Processor (DSP)
......................................................................27
Setting the SLEEP Timer ..............................31
Remote Control Transmitter ..........................32
Notes about the Remote Control Transmitter
......................................................................42
Troubleshooting .............................................43
Specifications ................................................44
Indoor FM Antenna
AM Loop Antenna
Antenna adapter (U.S.A. and Canada models only)
Batteries (size AA, R6, UM-3)
Remote Control Transmitter
User function stickers
CONTENTS
SUPPLIED ACCESSORIES
3
5 Speaker Configuration
Main: 90W + 90W (8) RMS Output
Power, 0.07% THD, 1 kHz
Center: 90W (8) RMS Output
Power, 0.07% THD, 1 kHz
Rear: 35W + 35W (8) RMS Output
Power, 0.3% THD, 1 kHz
Digital Sound Field Processor
Dolby Pro Logic Surround Decoder
Theater-like Sound Experience by the
Combination of Dolby Pro Logic and
YAMAHA DSP Technology (CINEMA DSP)
Automatic Input Balance Control for
Dolby Pro Logic Surround
Test Tone Generator for Easier Speaker
Balance Adjustment
3 Center Channel Modes
(NORMAL/WIDE/PHANTOM)
BASS EXTENSION Switch for Reinforcing
Bass Response
40-Station Random Access Preset Tuning
Automatic Preset Tuning
Preset Station Shifting Capability (Preset
Editing)
IF Count Direct PLL Synthesizer Tuning
System
Video Signal Input/Output Capability
6-Channel Discrete Input Terminals for
Connecting with a Dolby Digital (AC-3)
Decoder
SLEEP Timer
“Learning” Remote Control Transmitter
FEATURES
4
1. To assure the finest performance, please read this manual
carefully. Keep it in a safe place for future reference.
2. Install this unit in a cool, dry, clean place – away from
windows, heat sources, sources of excessive vibration,
dust, moisture and cold. Avoid sources of humming
(transformers, motors). To prevent fire or electrical shock,
do not expose the unit to rain or water.
3. Never open the cabinet. If something drops into the set,
contact your dealer.
4. Do not use force on switches, controls or connection wires.
When moving the unit, first disconnect the power plug and
the wires connected to other equipment. Never pull the
wires themselves.
5. The openings on the cabinet assure proper ventilation of
the unit. If these openings are obstructed, the temperature
inside the cabinet will rise rapidly. Therefore, avoid placing
objects against these openings, and install the unit in well-
ventilated condition. Make sure to allow a space of at least
10 cm behind, 20 cm on the both sides and 30 cm above
the top panel of the unit. Otherwise it may not only damage
the unit, but also cause fire.
6. Always set the VOLUME control to “–
” before starting
the audio source play. Increase the volume gradually to an
appropriate level after playback has been started.
7. Do not attempt to clean the unit with chemical solvents;
this might damage the finish. Use a clean, dry cloth.
8. Be sure to read the “TROUBLESHOOTING” section
regarding common operating errors before concluding that
the unit is faulty.
9. When not planning to use this unit for long periods of time
(ie., vacation, etc.), disconnect the AC power plug from the
wall outlet.
10.To prevent lightning damage, disconnect the AC power
plug and disconnect the antenna cable when there is an
electrical storm.
11.Grounding or polarization – Precautions should be taken
so that the grounding or polarization of an appliance is not
defeated.
12.AC outlet
Do not connect audio equipment to the AC outlet on the
rear panel if that equipment requires more power than the
outlet is rated to provide.
13.Voltage Selector (General Model only)
The voltage selector on the rear panel of this unit must
be set for your local main voltage BEFORE plugging
into the AC main supply.
Voltages are 110/120/220/240 V AC, 50/60 Hz.
This unit is not disconnected from the AC power source as
long as it is connected to the wall outlet, even if this unit
itself is turned off.
In this state, this unit is designed to consume a very small
quantity of power.
IMPORTANT
Please record the serial number of this unit in the space
below.
Serial No.:
The serial number is located on the rear of the unit.
Retain this Owner’s Manual in a safe place for future
reference.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
FOR CANADIAN CUSTOMERS
TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE
OF PLUG TO WIDE SLOT AND FULLY INSERT.
THIS CLASS B DIGITAL APPARATUS MEETS ALL
REQUIREMENTS OF THE CANADIAN INTERFERENCE-
CAUSING EQUIPMENT REGULATIONS.
FREQUENCY STEP switch (General Model only)
Because the interstation frequency spacing differs in
different areas, set the FREQUENCY STEP switch (located
at the rear) according to the frequency spacing in your area.
Before setting this switch, disconnect the AC power plug of
this unit from the AC outlet.
WARNING
Do not change the IMPEDANCE SELECTOR switch
setting while the power to this unit is on, otherwise this
unit may be damaged.
IF THIS UNIT FAILS TO TURN ON WHEN THE POWER
SWITCH IS PRESSED
The IMPEDANCE SELECTOR switch may not be set to
either end closely. If so, set the switch to either end closely.
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
MAIN CENTER
MAINS
IMPEDANCE SELECTOR
SWITCHED
I20V 60Hz
I00W MAX. TOTAL
AC OUTLETS
SINGLE
:
6
MIN. /SPEAKER
DUAL
:3
MIN. /SPEAKER
CENTER
MAIN
REAR 6
MIN. /SPEAKER
A OR B
:4
MIN. /SPEAKER
A B
:8
MIN. /SPEAKER
SINGLE
:
8
MIN. /SPEAKER
DUAL
:4
MIN. /SPEAKER
CENTER
MAIN
REAR 8
MIN. /SPEAKER
A OR B
:8
MIN. /SPEAKER
A B
:I6
MIN. /SPEAKER
IMPEDANCE SELECTOR
(U.S.A. model)
5
PROFILE OF THIS UNIT
You are the proud owner of a Yamaha stereo receiver –an extremely sophisticated audio component. The Digital Sound Field
Processor (DSP) built into this unit takes advantage of Yamaha’s undisputed leadership in the field of digital audio processing to
bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system,
and this unit will sonically transform your room into a wide range of listening environments –movie theater, concert hall, and so on.
In addition, you get incredible realism from sources encoded with Dolby Surround using the built-in Dolby Pro Logic Surround
Decoder.
Please read this operation manual carefully and store it in a safe place for later reference.
Digital Sound Field Processing
What is it that makes live music so good? Today’s advanced
sound reproduction technology lets you get extremely close to
the sound of a live performance, but chances are you’ll still
notice something missing: the acoustic environment of the live
concert hall. Extensive research into the exact nature of the
sonic reflections that create the ambience of a large hall has
made it possible for Yamaha engineers to bring you this same
sound in your own listening room, so you’ll feel all the sound of
a live concert.
Furthermore, our technicians, armed with sophisticated
measuring equipment, have even made it possible to capture
the acoustics of a variety of venues such as an actual concert
hall, theater, etc. to allow you to accurately recreate one of
several actual live performance environments, all in your own
home.
Dolby Pro Logic Surround
This unit employs a Dolby Pro Logic Surround decoder similar
to professional Dolby Stereo decoders used in many movie
theaters. By using the Dolby Pro Logic Surround decoder, you
can experience the dramatic realism and impact of Dolby
Surround movie theater sound in your own home. Dolby Pro
Logic employs a four channel five speaker system. The Pro
Logic Surround system divides the input signal into four levels:
the left and right main channels, the center channel (used for
dialog), and the rear surround sound channels (used for sound
effects, background noise, and other ambient noises). The
center channel allows listeners seated in even less-than-ideal
positions to hear the dialog originating from the action on the
screen while experiencing good stereo imaging.
Dolby Surround is encoded on the sound track of pre-recorded
video tapes, laser discs, and some TV/cable broadcasts. When
you play a source encoded with Dolby Surround on this unit,
the Dolby Pro Logic Surround decoder decodes the signal and
distributes the surround-sound effects.
This Dolby Pro Logic Surround Decoder employs a digital
signal processing system. This system improves the stability of
sound at each channel and minimizes crosstalk between
channels, so that positioning of sounds around the room is
more accurate compared with conventional analog signal
processing systems.
In addition, this unit features a built-in automatic input balance
control. This always assures you the best performance without
manual adjustment.
Manufactured under license from Dolby Laboratories Licensing
Corporation. “Dolby”, “AC-3”, “Pro Logic”, and the double-D
symbol are trademarks of Dolby Laboratories Licensing
Corporation.
Dolby Pro Logic Surround + DSP
CINEMA DSP
Dolby Surround sound system shows its full ability in a large
movie theater, because movie sounds are originally designed
to be reproduced in a large movie theater using many
speakers. It is difficult to create a sound environment similar to
that of a movie theater in your listening room, because the
room size, materials of inside walls, the number of speakers,
etc. of your listening room is much different from those of a
movie theater.
Yamaha DSP technology made it possible to present you with
nearly the same sound experience as that of a large movie
theater in your listening room by compensating for lack of
presence and dynamics in your listening room with its original
digital sound fields combined with Dolby Surround sound field.
The combination of Dolby Pro Logic Surround and DSP is used
on the sound field program “ PRO LOGIC ENHANCED”.
The YAMAHA “CINEMA DSP” logo indicates these programs are
created by the combination of Dolby Pro Logic and YAMAHA
DSP technology.
6
SPEAKER SETUP
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The most effective speakers to use with
this unit are main speakers, rear speakers and a center speaker. You may omit the center speaker. (Refer to the “4-Speaker
Configuration” shown below.)
The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your
present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center
sounds (dialog etc.) within programs encoded with Dolby Surround. The center speaker needs to be equal in power to the main
speakers, although the rear speakers should not be equal. However, all the speakers should have high enough power handling to
accept the maximum output of this unit.
SPEAKER PLACEMENT
The recommended speaker configuration, the 5-speaker configuration, will require two speaker pairs: main speakers (your normal
stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following.
Main: In normal position. (The position of your present
stereo speaker system.)
Rear: Behind your listening position, facing slightly inward.
Nearly six feet (approx. 1.8 m) up from the floor.
Center: Precisely between the main speakers. (To avoid
interference with TV sets, use a magnetically shielded
speaker.)
Front L Center Front R
Dialogue
Surround sound
Dialogue
Surround sound
Rear L
Rear R
Front L Front R
Dialogue
Surround sound
Dialogue
Surround sound
Rear L Rear R
Front R
Center
Front L
TV set
Rear R
Rear L
Main L
Main R
Main L
Main R
Main L
Main R
SPEAKER CONFIGURATION
5-Speaker Configuration
This configuration is the most effective and recommended one.
In this configuration, the center speaker is necessary as well as
the rear speakers. If the program DOLBY PRO LOGIC or
DOLBY PRO LOGIC ENHANCED is selected, conversations
will be output from the center speaker and the ambience will be
excellent.
Set the center channel mode to the “NORMAL” or “WIDE
position. (For details, refer to page 18.)
4-Speaker Configuration
The center speaker is not used in this configuration. If the
program DOLBY PRO LOGIC or DOLBY PRO LOGIC
ENHANCED is selected, the center sound is output from the
left and the right main speakers. However, the sound effect of
other programs can be the same as that of the 5-speaker
configuration.
Be sure to set the center channel mode to the “PHANTOM
position. (For details, refer to page 18.)
7
CONNECTIONS
Never plug in this unit and other components until all connections are completed.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left)
to L, R (right) to R, “+” to “+” and “” to “”. Also, refer to the owner’s manual for each component to be connected to this unit.
* If you have YAMAHA components numbered as 1, 2, 3, etc. on the rear panel, connections can be made easily by making sure
to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.
*
1
,
*
2
: See the next page.
FM
ANT
AM
ANT
GND
75UNBAL.
GND
MONITOR
OUT
DVD/LD
TV/DBS
VIDEO
IN OUT
VCR
VIDEO SIGNAL
PHONO CD
TAPE ( MD ) DVD/LD
TV/DBS
VCR
TAPE
PB
REC
OUT
IN OUT
AUDIO SIGNAL
1 3 4
MAIN CENTER REAR
(SURROUND)
OUTPUT
SUB
WOOFER
6CH DISCRETE INPUT
DVD/LD TV/DBS
SURROUND
CENTERMAIN
REAR
(SURROUND)
CENTER
CD
DUAL
SINGLE
CAUTION
SEE INSTRUCTION MANUAL FOR CORRECT SETTING.
MAIN
SPEAKERS
A
B
A
B
SUB
WOOFER
MAINS
IMPEDANCE SELECTOR
SWITCHED
I20V 60Hz
I00W MAX. TOTAL
AC OUTLETS
SINGLE
:
6
MIN. /SPEAKER
DUAL
:3
MIN. /SPEAKER
CENTER
MAIN
REAR 6
MIN. /SPEAKER
A OR B
:4
MIN. /SPEAKER
A B
:8
MIN. /SPEAKER
SINGLE
:
8
MIN. /SPEAKER
DUAL
:4
MIN. /SPEAKER
CENTER
MAIN
REAR 8
MIN. /SPEAKER
A OR B
:8
MIN. /SPEAKER
A B
:I6
MIN. /SPEAKER
GND
OUTPUT
OUTPUT
LINE OUT
LINE IN
VIDEO OUT
AUDIO OUT
AUDIO OUT
AUDIO IN
VIDEO IN
VIDEO OUT
VIDEO IN
AUDIO OUT
VIDEO OUT
(U.S.A. model)
To AC outlet
Turntable LD player etc.
Video cassette recorder
TV/Satellite tuner
Tape deck,
MD recorder, etc.
CD player
Monitor TV
*
2
*
1
8
AC OUTLET(S) (SWITCHED)
[U.S.A., Canada and General models]
........................................................ 2 SWITCHED OUTLETS
[Australia model]................................ 1 SWITCHED OUTLET
Use these to connect the power cords from your components
to this unit.
The power to the SWITCHED outlets is controlled by this unit’s
POWER switch or the provided remote control transmitter’s
POWER key. These outlets will supply power to any
component whenever this unit is turned on.
The maximum power (total power consumption of components)
that can be connected to the SWITCHED AC OUTLET(S) is
100 watts.
GND terminal (For turntable use)
Connecting the ground wire of the turntable to the GND
terminal will normally minimize hum, but in some cases better
results may be obtained with the ground wire disconnected.
CONNECTING TO VIDEO AUX TERMINALS (ON THE FRONT PANEL)
These terminals are used to connect any video input source such as a camcorder to this unit.
Camcorder
L
R
VIDEO
VIDEO AUX
VIDEO L AUDIO R
VIDEO OUT
AUDIO OUT L
AUDIO OUT R
*
1
*
2
9
Connecting with a Dolby Digital (AC-3) Decoder
If you have a Dolby Digital (AC-3) Decoder unit or an LD player etc. which incorporates a Dolby Digital (AC-3) Decoder, its discrete
outputs can be connected to this unit.
Notes
The laserdisc player (or another unit) must be also
connected to the DVD/LD (or TV/DBS) AUDIO SIGNAL input
terminals of this unit for playing a source with the Dolby Pro
Logic Surround decoded or in normal stereo (or monaural).
The discrete signals input to this unit cannot be recorded by
a tape deck, MD recorder or VCR. To record a source played
on the laserdisc player (or another unit), it must be
connected to the DVD/LD (or TV/DBS) AUDIO/VIDEO
SIGNAL input terminals of this unit.
If you made no connection to the SUBWOOFER input
terminal of this unit or you will not use a subwoofer, you
should make a setting for distributing signals at the LFE
channel to the right and left MAIN output terminals on the
Dolby Digital (AC-3) Decoder unit.
For details, refer to the owner’s manual for the Dolby Digital
(AC-3) Decoder unit.
FM
ANT
AM
ANT
GND
75UNBAL.
GND
MONITOR
OUT
DVD/LD
TV/DBS
VIDEO
IN OUT
VCR
VIDEO SIGNAL
PHONO CD
TAPE ( MD ) DVD/LD
TV/DBS
VCR
TAPE
PB
REC
OUT
IN OUT
AUDIO SIGNAL
1 3 4
6CH DISCRETE INPUT
DVD/LD TV/DBS
SURROUND
CENTERMAIN
SUB
WOOFER
MONITOR
OUT
S VIDEO
IN OUT
VCR
AC-3 RF
OUT
AC-3 RF
IN
DIGITAL
IN
DIGITAL
OUT
VIDEO OUT
AUDIO OUT
6CH DISCRETE OUTPUT
CENTER SURROUNDMAIN
SUB
WOOFER
Dolby Digital (AC-3) Decoder unit
RF Demodulator
Laserdisc player with AC-3 RF output or
another unit with AC-3 RF output
(U.S.A. model)
10
CONNECTING SPEAKERS
MAIN CENTER REAR
(SURROUND)
OUTPUT
SUB
WOOFER
REAR
(SURROUND)
CENTER
CD
DUAL
SINGLE
CAUTION
SEE INSTRUCTION MANUAL FOR CORRECT SETTING.
MAIN
SPEAKERS
A
B
A
B
IMPEDANCE SELECTOR
SINGLE
:
6
MIN. /SPEAKER
DUAL
:3
MIN. /SPEAKER
CENTER
MAIN
REAR 6
MIN. /SPEAKER
A OR B
:4
MIN. /SPEAKER
A B
:8
MIN. /SPEAKER
SINGLE
:
8
MIN. /SPEAKER
DUAL
:4
MIN. /SPEAKER
CENTER
MAIN
REAR 8
MIN. /SPEAKER
A OR B
:8
MIN. /SPEAKER
A B
:I6
MIN. /SPEAKER
Rear speaker Rear speaker
Center speaker
Main speakers B
Left
Right
Left
Right
Main speakers A
Subwoofer system
Left
Right
Note
Use speakers with the specified impedance shown on the rear
of this unit.
Note on main speaker connections:
One or two speaker systems can be connected to this unit. If
you use only one speaker system, connect it to either the
SPEAKERS A or B terminals.
Note on a subwoofer connection:
You may wish to add a subwoofer to reinforce low frequencies
or to output low bass sound from the subwoofer channel when
reproducing discrete signals.
Connect the SUBWOOFER OUTPUT terminal of this unit to
the INPUT terminal of the subwoofer amplifier, and connect the
speaker terminals of the subwoofer amplifier to the subwoofer.
With some subwoofers, including the Yamaha Active Servo
Processing Subwoofer System, the amplifier and subwoofer
are in the same unit.
Note on center speaker connection:
One or two center speakers can be connected to this unit. If
you cannot place the center speaker on or under the TV, it is
recommended to use two center speakers and place them on
both sides of the TV to orient the center sound at the center
position. For connecting two center speakers, follow the
method shown below.
REAR
(SURROUND)
CENTER
CD
DUAL
SINGLE
Center speaker
Center speaker
(U.S.A. model)
11
For connecting to the MAIN SPEAKERS terminals
Red: positive (+)
Black: negative (–)
Unscrew the knob.
Insert the bare wire.
[Remove approx. 5mm
(1/4”) insulation from
the speaker wires.]
Tighten the knob and
secure the wire.
Banana Plug connections are also possible. Simply insert the
Banana Plug connector into the corresponding terminal.
For connecting to the REAR and CENTER SPEAKERS
terminals
Red: positive (+)
Black: negative (–)
Press the tab.
Insert the bare wire.
[Remove approx. 5mm
(1/4”) insulation from
the speaker wires.]
Release the tab and
secure the wire.
1
2
3
How to Connect:
Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are
faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –
markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.
Caution
Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damage
this unit and/or speakers.
12
MAIN OUTPUT terminals
These terminals are for main channel line output. There is no
connection to these terminals when you use the built-in
amplifier.
However, if you drive main speakers with an external stereo
power amplifier, connect the input terminals of the external
amplifier (MAIN IN or AUX terminals of a power amplifier or an
integrated amplifier) to these terminals.
* Output signals from the MAIN OUTPUT terminals only are
affected by the use of BASS, TREBLE, BALANCE controls
and BASS EXTENSION switch.
CENTER OUTPUT terminal
This terminal is for center channel line output. There is no
connection to this terminal when you use the built-in amplifier.
However, if you drive a center speaker with an external power
amplifier, connect the input terminal of the external amplifier to
this terminal.
REAR (SURROUND) OUTPUT terminals
These terminals are for rear channel line output. There is no
connection to these terminals when you use the built-in
amplifier.
However, if you drive rear speakers with an external stereo
power amplifier, connect the input terminals of the external
amplifier (MAIN IN or AUX terminals of a power amplifier or an
integrated amplifier) to these terminals.
SUBWOOFER OUTPUT terminal
This terminal is for connecting with the input terminal of an
amplifier for driving a subwoofer.
When the input signals to this unit are in normal 2-channel
stereo, this terminal outputs only frequencies below 200 Hz
from the main and center channels. When discrete signals are
input to this unit and are selected as the input source, this
terminal outputs signals from the subwoofer channel.
Note
Output level of signals from all of these terminals are
adjusted by the use of VOLUME control on the front panel
or MASTER VOLUME keys on the remote control
transmitter.
OUTPUT terminals (for driving speakers with external amplifiers)
Be sure to switch this only when the power of this unit is turned
off.
Select the position whose requirements your speaker system
meets.
WARNING
Do not change the IMPEDANCE SELECTOR switch
setting while the power to this unit is on, otherwise this
unit may be damaged.
IF THIS UNIT FAILS TO TURN ON WHEN THE POWER
SWITCH IS PRESSED
The IMPEDANCE SELECTOR switch may not be set to
either end closely. If so, set the switch to either end closely.
(Upper position)
Rear: The impedance of each speaker must be 6or
higher.
Center: If you use one center speaker, the impedance of the
speaker must be 6or higher.
If you use two center speakers, the impedance of
each speaker must be 3or higher.
Main: If you use one pair of main speakers, the impedance
of each speaker must be 4or higher.
If you use two pairs of main speakers, the impedance
of each speaker must be 8or higher.
(Lower position)
Rear: The impedance of each speaker must be 8or
higher.
Center: If you use one center speaker, the impedance of the
speaker must be 8or higher.
If you use two center speakers, the impedance of
each speaker must be 4or higher.
Main: If you use one pair of main speakers, the impedance
of each speaker must be 8or higher.
<Except Canada model>
If you use two pairs of main speakers, the impedance
of each speaker must be 16or higher.
IMPEDANCE SELECTOR switch
IMPEDANCE SELECTOR
SINGLE
:
6
MIN. /SPEAKER
DUAL
:3
MIN. /SPEAKER
CENTER
MAIN
REAR 6
MIN. /SPEAKER
A OR B
:4
MIN. /SPEAKER
A B
:8
MIN. /SPEAKER
SINGLE
:
8
MIN. /SPEAKER
DUAL
:4
MIN. /SPEAKER
CENTER
MAIN
REAR 8
MIN. /SPEAKER
A OR B
:8
MIN. /SPEAKER
A B
:I6
MIN. /SPEAKER
MAIN CENTER REAR
(SURROUND)
OUTPUT
SUB
WOOFER
(U.S.A. model)
13
ANTENNA CONNECTIONS
Each antenna should be connected to the designated terminals correctly, referring to the following diagram.
Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal
strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience
poor reception quality, an outdoor antenna may result in improvement.
Connecting the AM loop antenna
* The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall.
* The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.
GND terminal
For maximum safety and minimum interference, connect the
GND terminal to a good earth ground. A good earth ground is
a metal stake driven into moist earth.
Notes
When connecting the indoor
FM antenna, insert its
connector into the FM ANT
terminal firmly.
If you need an outdoor
FM antenna to improve
FM reception quality, either
300-ohm feeder or coaxial cable may be used. In locations
troubled by electrical interference, coaxial cable is
preferable.
FM
ANT
AM
ANT
GND
75UNBAL.
GND
PHONO
Orient so that the best
reception is obtained.
1 2 3
Outdoor FM antenna
Outdoor AM antenna
AM loop
antenna
(included)
Ground
75-ohm/300-ohm
antenna adapter
75-ohm/300-ohm
antenna adapter
75-ohm coaxial cable
300-ohm feeder
Indoor FM
antenna
(included)
1 POWER switch
Press this switch to switch the power on. Press it again to
switch the power off.
2 Standby mode indicator
(Except U.S.A. and Canada models)
While the power is on, pressing the SYSTEM POWER OFF
key on the remote control transmitter switches the unit to the
standby mode. In this mode, this indicator is illuminated.
3 Remote control sensor
Receives signals from the remote control transmitter.
4 Display panel
Shows various information. (Refer to page 16 for details.)
5 Input selector buttons
Select a program source to listen to or watch. When a button is
pressed, the name of selected source appears on the display.
6 DSP program selector buttons
Select a DSP program. When a button is pressed, the name of
selected program lights up on the display.
7 2CH/6CH selector button
When the TV/DBS or DVD/LD input source is selected,
pressing this button switches the input signals between 2
channel stereo signals and 6 channel discrete signals. When
switched to “6CH”, discrete signals from the unit connected to
the 6CH DISCRETE INPUT DVD/LD TV/DBS terminals of this
unit are selected as the input signals.
8 EFFECT button
Switches on/off the digital sound field processor (including the
Dolby Pro Logic Surround decoder).
9 VOLUME control
Used to raise or lower the volume level.
0 PHONES jack
When you listen with headphones, connect the headphones to
the PHONES jack. You can listen to the sound to be output
from the main speakers through headphones.
When listening with headphones privately, set both the
SPEAKERS A and B switches to the OFF position and switch
off the digital sound field processor (so that no DSP program
name is illuminated on the display) by pressing the EFFECT
button.
14
PHONES
CONTROLS AND THEIR FUNCTIONS
FRONT PANEL
NATURAL SOUND AV RECEIVER
R–V902
CINEMA DSP
A
ON
OFF
ON
OFF
B
PRO LOGIC
ENHANCED
CONCERT
VIDEO
MONO
MOVIE
STADIUM
POWER
SPEAKERSPHONES
BASS TREBLE BALANCE
VIDEO AUX
VIDEO L AUDIO R
VOLUME
55
4
3
2
l
0
l
2
3
4
55
4
3
2
l
0
l
2
3
4
LR
l6
20
28
40
60
l2
8
4
2
0
–dB
BASS
EXTENSION
55
4
3
2
l
0
l
2
3
4
DELAY/CENTER
/REAR/SWFR
FM
/
AM
MAN'L
/
AUTO FM
TUNING
MODE
AUTO
/
MAN'L MONO
CENTER
MODE
DISCO
CONCERT
HALL
ROCK
CONCERT
EFFECT
DOWN
TUNING
UP
MEMORY
EDIT
TIME
/
LEVEL
PRESET
kHz
MHz
MEMORY
AUTO PTY HOLD
SLEEP
TAPE MONITOR
STEREO
ms dB
PRO LOGIC
ENHANCED
CONCERT
VIDEO
MONO
MOVIE
STADIUM
DISCO
ROCK CONCERT
CONCERT HALL
A
/
B
/
C
/
D
/
E
1
2 3 4 5 6 7 8
VCR DVD
/
LDTV
/
DBS
VIDEO AUX
TUNER
CD
PHONO
NORMAL
WIDE
PHANTOM
EFFECT OFF
PS
EON
INFO AFFAIRS SPORT
NEWS
RT CTPTY
0
20
l00
40 60
1
0A BC D E F G HI
J
LMKN
23 4 5 6 789
TAPE (MD) MON 2CH/6CH
A SPEAKERS switches
Set the switch A or B (or both A and B) for the main speaker
system (connected to this unit) you will use to the ON position.
Set the switch for the main speaker system you will not use to
the OFF position.
B A/B/C/D/E button
Press this button to select a desired group (A–E) of preset
stations.
C BASS EXTENSION switch
When this switch is pressed inward (ON), boosts bass
frequency response at the main left and main right channels
while maintaining overall tonal balance. If you do not have a
subwoofer, the use of this switch will be effective to reinforce
the bass frequencies.
D Preset station number selector buttons
Select a preset station number (1 to 8).
E Tone controls
These controls are effective only for the sound from the main
speakers.
BASS
Used to increase or decrease the low frequency response.
The 0 position produces flat response.
TREBLE
Used to increase or decrease the high frequency response.
The 0 position produces flat response.
F BALANCE control
Adjusts the balance of the output volume to the left and right
speakers to compensate for sound imbalance caused by
speaker location or listening room conditions.
G FM/AM buttons
Press this button to switch the reception band to FM or AM.
H MEMORY (MAN’L/AUTO FM) button
When this button is pressed, the MEMORY indicator flashes for
about 5 seconds. During this period, select a desired preset
station number by pressing the corresponding preset station
number selector button to enter the displayed station into the
memory.
When this button is pressed and held for about 3 seconds, the
automatic preset tuning begins. (Refer to page 25 for details.)
I EDIT button
This button is used to exchange the places of two preset
stations with each other.
J TUNING DOWN/UP button
Used for tuning. Press the “UP” side to tune in to higher
frequencies, and press the “DOWN” side to tune in to lower
frequencies.
K TUNING MODE (AUTO/MAN’L MONO) button
Press this button to switch the tuning mode to automatic or
manual. To select the automatic tuning mode, press this button
so that “AUTO” lights up on the display. To select the manual
tuning mode, press this button so that “AUTO” goes off.
L DELAY/CENTER/REAR/SWFR and TIME/LEVEL +/–
buttons
Adjust the delay time (DELAY), the rear channel output level
(REAR), center channel output level (CENTER) and the output
level to the SUBWOOFER OUTPUT terminal (SWFR).
Select the item which you want to adjust by pressing the
DELAY/CENTER/REAR/SWFR button and adjust its time or
level by pressing the TIME/LEVEL +/– button.
M CENTER MODE button
Selects a center channel output mode (NORMAL, WIDE or
PHANTOM). (For details, refer to page 18.)
N VIDEO AUX terminals
Connect an auxiliary video or audio input source unit such as a
camcorder to these terminals. The source connected to these
terminals can be selected by the corresponding input selector
button.
15
1 Multi-information display
Displays various information, for example station frequency,
preset station number and name of selected input source.
2 STEREO indicator
Lights up when an FM stereo broadcast with sufficient signal
strength is received.
3 Signal-level meter
Indicates the signal level of the received station.
If multipath interference is detected, the indication decreases.
4 SLEEP indicator
Lights up while the built-in SLEEP timer is functioning.
5 Center channel mode indicators
The name of a selected center channel mode lights up only
when a program which uses the Dolby Pro Logic Surround
decoder is selected.
6 EFFECT OFF indicator
Lights up if neither the digital sound field processor nor the
Dolby Pro Logic Surround decoder is on. In this state, sound
output is 2-channel stereo.
7 MEMORY indicator
When the MEMORY button is pressed, this indicator flashes
for about 5 seconds. During this period, the displayed station
can be programmed to the memory by using the A/B/C/D/E
button and the preset station number selector buttons.
8 AUTO indicator
Lights up when this unit is in the automatic tuning mode.
9 TAPE MONITOR indicator
Lights up when the tape deck (or MD recorder etc.) is selected
as the input source by pressing the TAPE (MD) MON button.
0 DSP program indicators
The name of a selected DSP program lights up when the built-
in digital sound field processor and/or the Dolby Pro Logic
Surround decoder is on.
16
DISPLAY PANEL
PRESET
kHz
MHz
MEMORY
AUTO
SLEEP
TAPE MONITOR
STEREO
ms dB
PRO LOGIC
ENHANCED
CONCERT
VIDEO
MONO
MOVIE
STADIUM
DISCO
ROCK CONCERT
CONCERT HALL
NORMAL
WIDE
PHANTOM
EFFECT OFF
0
20
l00
40 60
123456
879 0
1
Set to the “
” position.
2 Turn the power on.
3 Select the main speakers to be used.
* If you use two main speaker systems, press both the A
and B switches.
4
Set to the “0” position.
5
Set to the “OFF ( )”.
6
17
SPEAKER BALANCE ADJUSTMENT
This procedure lets you adjust the sound output level balance between the main, center, and rear speakers using the built-in test
tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from
each speaker. This is important for the best performance of the digital sound field processor and the Dolby Pro Logic Surround
decoder.
The adjustment of each speaker output level should be done at your listening position with the remote control transmitter.
Otherwise, the result may not be satisfactory.
SPEAKERS
A
ON
OFF
B
BASS TREBLE
55
4
3
2
l
0
l
2
3
4
55
4
3
2
l
0
l
2
3
4
BALANCE
55
4
3
2
l
0
l
2
3
4
LR
l6
20
28
40
60
l2
8
4
2
0
–dB
VOLUME
POWER
BA
B
VCR
DVD/LD
V-AUX
PHONO
EFFECT
ON/OFF
TV/DBS
C
DIR
DISCSTOP
PRESET
A/B/C/D/E
PRO LOGIC ENHANCED
123
456
789
MOVIE
STADIUM
DISCO
MONO
VIDEO
CONCERT
ROCK HALL
TIME/LEVEL
DELAY
CENTER
REAR
SWFR
TEST
S EEP 2CH/6CH
0
+10
1
2
3
l6
20
28
40
60
l2
8
4
2
0
–dB
BASS
EXTENSION
ON
OFF
5 4
6
TEST
CONTINUED
18
l6
20
28
40
60
l2
8
4
2
0
–dB
7 Select the center channel output mode suitable for your
speaker configuration.
(Refer to “SPEAKER CONFIGURATION” on page 6.)
On the feature of each mode, refer to the “Note” shown
below.
Note
In step 7, when you select a center channel output mode, note
the following.
For 5 speaker configuration)
NORMAL: Select this mode when you use a center speaker
that is smaller than the main speakers. In this
mode, the bass tone will be output from the main
speakers.
WIDE: Select this mode when you use the center speaker
approximately same sized as the main speakers.
For 4 speaker configuration)
PHANTOM: Select this mode when you do not use the center
speaker. The center sound will be output from the
left and right main speakers.
8 Turn up the volume.
You will hear a test tone (like pink noise) from the left main
speaker, then the center speaker, then the right main
speaker, and then the rear speakers, for about two seconds
each. The display changes as shown below.
* The test tone from the left rear speaker and the right
rear speaker will be heard at the same time.
9 Adjust the BALANCE control so that the effect sound
output level of the left main speaker and the right main
speaker are the same.
CENTER
MODE
NORMAL
WIDE
PHANTOM
7
9
BALANCE
55
4
3
2
l
0
l
2
3
4
LR
TIME/LEVEL
DELAY
CENTER
REAR
SWFR
TEST
SLEEP 2CH/6CH
MASTER VOLUME
TV
VCR
OFF
SYSTEM
POWER
0
+10
REMOTE CONTROL
TRANSMITTER
8
Main (L)
Main (R)
Center
Rear (L and R)
19
10 Adjust the sound output levels of the center
speaker and the rear speakers so that they
become almost as same as that of the main
speakers.
a) Press once or more so that “CENTER” or “REAR”
appears on the display.
* Select “CENTER” to adjust the output level of the
center speaker, and select “REAR” to adjust the
output level of the rear speakers.
b) Adjust its level.
* Pressing the + side raises and the side lowers the
level.
11 Cancel the test tone.
Notes
Once you have completed these adjustments, you can
adjust whole sound level on your audio system by using
the VOLUME control (or the MASTER VOLUME keys on
the remote control transmitter) only.
If you use external power amplifiers, you may also use
their volume controls to achieve proper balance.
In step 10, if the center channel mode is in the
“PHANTOM” position, the sound output level of the center
speaker cannot be adjusted. This is because in this
mode, the center sound is automatically output from the
left and right main speakers.
V-AUX
PHONO
EFFECT
ON/OFF
PRO LOGIC ENHANCED
123
456
789
MOVIE
STADIUM
DISCO
MONO
VIDEO
CONCERT
ROCK HALL
TIME/LEVEL
DELAY
CENTER
REAR
SWFR
TEST
SLEEP 2CH/6CH
MASTER VOLUME
TV
VCR
OFF
SYSTEM
POWER
0
+10
Disappears.
TEST
11
10
1
Set to the “
” position.
2 Turn the power on.
3 Select the desired input source by using the input
selector buttons.
(For video sources, turn the TV/monitor ON.)
* The name of the selected input source will appear on
the display.
4 Select the main speakers to be used.
* If you use two main speaker systems, press both the A
and B switches.
5 Play the source. (For detailed information on the
tuning operation, refer to page 23.)
6
Adjust to the desired output level.
7 If desired, adjust the BASS, TREBLE, BALANCE
controls, etc. (refer to page 22.) and use the digital
sound field processor. (Refer to page 28.)
Notes on using the input selector buttons
Note that pressing on each input selector button selects
the source which is connected to the corresponding input
terminals on the rear panel.
* To select the source connected to the VIDEO AUX
terminals on the front panel, press VIDEO AUX.
The selection of TAPE (MD) MON cannot be canceled by
pressing another input selector button. To cancel it, press
TAPE (MD) MON again so that “TAPE MONITOR”
disappears from the display.
When you select a button other than TAPE (MD) MON,
make sure that “TAPE MONITOR” is not illuminated on the
display.
If you select the input selector button for a video source
without canceling the selection of TAPE (MD) MON, the
playback result will be the video image from the video
source and the sound from the audio tape (or MD etc.).
Once you play a video source, its video image will not be
interrupted even if the input selector button for an audio
source is selected.
To turn off the power
Press the POWER switch again.
20
BASIC OPERATIONS
TO PLAY A SOURCE
l6
20
28
40
60
l2
8
4
2
0
–dB
VOLUME
SPEAKERS
A
ON
OFF
B
l6
20
28
40
60
l2
8
4
2
0
–dB
VOLUME
VCR DVD
/
LDTV
/
DBS
VIDEO AUX
TAPE (MD) MON 2CH/6CH
POWER
1, 6
2
4
7
l6
20
28
40
60
l2
8
4
2
0
–dB
3
21
1 Select the source to be recorded.
2 Play the source and then turn the VOLUME control up
to confirm the input source. (For detailed information
on the tuning operations, refer to the page 23.)
3 Begin recording on the tape deck (or MD recorder etc.)
or VCR connected to this unit.
4 If the tape deck (or MD recorder etc.) is used for
recording, you can monitor the sounds being recorded
by pressing TAPE (MD) MON so that “TAPE
MONITOR” lights up on the display.
Notes
The settings of DSP and the VOLUME, BASS, TREBLE,
BALANCE controls and the BASS EXTENSION switch
have no effect on the material being recorded.
In step 1, do not make an input source selection so that
“6ch” appears on the display. Signals input to this unit’s
6CH DISCRETE INPUT DVD/LD TV/DBS terminals cannot
be recorded by a tape deck, MD recorder or VCR.
l6
20
28
40
60
l2
8
4
2
0
–dB
VOLUME
TO RECORD A SOURCE TO TAPE (OR MD)
2
l6
20
28
40
60
l2
8
4
2
0
–dB
1 4
VCR DVD
/
LDTV
/
DBS
VIDEO AUX
TAPE (MD) MON 2CH/6CH
TUNER
CD
PHONO
To listen to a decoded source using Dolby
Digital (AC-3) by reproducing the signals input
to the 6CH DISCRETE INPUT DVD/LD TV/DBS
terminals of this unit.
In step 3, select TV/DBS or DVD/LD, and then press the
2CH/6CH button so that “6ch” appears on the display.
Discrete signals from the unit connected to the 6CH
DISCRETE INPUT DVD/LD TV/DBS terminals of this unit are
selected as the input signals.
To cancel it, press the 2CH/6CH button again or select another
input source.
Note for reproducing discrete signals with Dolby Digital
(AC-3) decoded:
1.
Your speaker system must include a center speaker.
2.
Your speaker system must include a subwoofer.
* Connect a subwoofer which has a built-in amplifier to the
SUBWOOFER OUTPUT terminal of this unit.
* You can do without using a subwoofer. If you do so, you
should make a setting for distributing signals at the LFE
channel to the right and left MAIN output terminals on the
Dolby Digital (AC-3) Decoder unit.
For details, refer to the owner’s manual for the Dolby
Digital (AC-3) Decoder unit.
Notes
When you switch to the “6CH” mode, the built-in Digital
Sound Field processor will not work and adjustment of delay
time cannot be made.
Switching this unit to the “6CH” mode will input no signal to
this unit if there is no connection to the 6CH DISCRETE
INPUT DVD/LD TV/DBS terminals of this unit.
VIDEO AUX
TAPE (MD) MON 2CH/6CH
TUNER
CD
PHONO
2CH
/
6CH
Selecting the SPEAKER system
Because one or two speaker systems (as main speakers) can
be connected to this unit, the SPEAKERS switches allow you
to select speaker system A or B, or both at once.
Adjusting the BALANCE control
Adjust the balance of the output volume to the left and right
speakers to compensate for sound imbalance caused by
speaker location or listening room conditions.
Note
This control is effective only for the sound from the main
speakers.
Adjusting the BASS and TREBLE
controls
BASS : Turn this clockwise to increase (or counter-
clockwise to decrease) the low frequency
response.
TREBLE : Turn this clockwise to increase (or counter-
clockwise to decrease) the high frequency
response.
Note
These controls are effective only for the sound from the main
speakers.
Using the BASS EXTENSION switch
You can boost bass frequency response by setting this switch
to the “ON” position. This switch is effective only on the sound
from the main speakers.
22
SPEAKERS
A
ON
OFF
B
BALANCE
55
4
3
2
l
0
l
2
3
4
LR
BASS TREBLE
55
4
3
2
l
0
l
2
3
4
55
4
3
2
l
0
l
2
3
4
BASS
EXTENSION
ON
OFF
23
1 Select the reception band (FM or AM) confirming it on
the display.
2
3 Tune to a desired station manually.
* To continue tuning search, press and hold the button.
1 Select the reception band (FM or AM) confirming it on
the display.
2
3
To tune to a higher frequency, press the right side once.
To tune to a lower frequency, press the left side once.
* If the station where tuning search stops is not the desired
one, press again.
* If the tuning search does not stop at the desired station
(because the signals of the station are weak), change to
the MANUAL TUNING method.
TUNING OPERATIONS
Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is
possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING).
Note
If you tune to an FM station manually, it is received in monaural
mode automatically to increase the signal quality.
AUTOMATIC TUNING MANUAL TUNING
FM
/
AM
TUNING
MODE
AUTO
/
MAN’L MONO
TUNING
MODE
AUTO
/
MAN’L MONO
DOWN
TUNING
UP
DOWN
TUNING
UP
Turn “AUTO ” off.
1
l6
20
28
40
60
l2
8
4
2
0
–dB
23
or
FM
/
AM
or
AUTO
1 Tune to a desired station.
(Refer to the previous page for tuning procedure.)
2 Select a desired group (A – E) of preset stations
confirming it on the display.
3
4 Select a preset station number where you want to
program the station before “MEMORY” goes off from the
display.
* In the same way, program other stations to A2, A3 ... A8.
* You can program more stations to preset station numbers
on other groups in the same way by selecting other groups
in step 2.
11 Select the group of preset stations.
22 Select the preset station number.
Notes
A new setting can be programmed in place of the former
one.
For presets, the setting of the reception mode (stereo or
monaural) is stored along with the station frequency.
Memory back-up
The memory back-up circuit prevents the programmed data
from being lost even if the POWER switch is set off or the
power plug is disconnected from the AC outlet or the power is
cut due to temporary power failure. If, however, the power is
cut for more than one week, the memory may be erased. If
so, it can be re-programmed by simply following the PRESET
TUNING steps.
24
MANUAL PRESET TUNING
This unit can store station frequencies selected by tuning operation. With this function, you can recall any desired station by only
selecting the preset station number where it is stored. Up to 40 stations (8 stations x 5 groups) can be stored.
PRESET TUNING
To store stations
To recall a preset station
2, 11 34, 22
MAN’L
/
AUTO FM
MEMORY
MEMORY
A
/
B
/
C
/
D
/
E
PRESET
A
/
B
/
C
/
D
/
E
Flashes on and off
for about 5 seconds.
Shows the displayed station has been
programmed to A1.
l6
20
28
40
60
l2
8
4
2
0
–dB
1
2 3 4 5 6 7 8
1
2 3 4 5 6 7 8
PRESET
MHz
AUTO
STEREO
0
20
l00
40 60
25
1
2
3
To tune to higher frequencies, press right side once.
To tune to lower frequencies, press left side once.
* If the TUNING button is not pressed, in a while, the
automatic preset tuning begins automatically toward higher
frequencies.
The automatic preset tuning begins from the frequency
currently displayed. Received stations are programmed to
A1, A2 ... A8 sequentially.
* If more than 8 stations are received, they are also
programmed to the preset station numbers on other groups
(B, C, D and E) in that order.
If you want to store the first station received by the
automatic preset tuning to a desired preset station
number.
If, for example, you want to store the first received station to
C5, select “C5” by using the A/B/C/D/E button and the preset
station number selector buttons after pressing the MEMORY
button in step 2. Then press the TUNING button. The first
received station is stored to C5, and next stations to C6, C7 ...
sequentially.
If stations are stored up to E8, the automatic preset tuning is
finished automatically.
When the automatic preset tuning is finished
The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by
following the procedure of the section “To recall a preset
station” on page 24.
To recall a preset station
Simply follow the procedure of the section “To recall a preset
station” on page 24.
Notes
You can replace a preset station by another FM or AM
station manually by simply following the procedure of the
section “To store stations” on page 24.
If the number of received stations is not enough to be stored
up to E8, the search is finished automatically after searching
all frequencies.
With this function, only FM stations with sufficient signal
strength are stored automatically. If the station you want to
program is weak in signal strength, tune to it in monaural
manually and program it by following the procedure of the
section “To store stations” on page 24.
AUTOMATIC PRESET TUNING
You can also make use of an automatic preset tuning function for FM stations only. By this function, this unit performs automatic
tuning and stores FM stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the
manual preset tuning method on page 24.
To store stations
Press and hold for
about 3 seconds.
FM
/
AM
MAN’L
/
AUTO FM
MEMORY
l6
20
28
40
60
l2
8
4
2
0
–dB
132
Flashes.
DOWN
TUNING
UP
PRESET
MEMORY
AUTO
1 Recall the preset station on E1 (by following the method
of “To recall a preset station” on page 24).
2
3 Next, recall the preset station on A5 by following the
same method with step 1.
4
Shows the exchange of stations is completed.
26
EXCHANGING PRESET STATIONS
You can exchange the places of two preset stations with each other as shown below.
Example)
If you want to shift the preset station on E1 to A5, and vice
versa.
Flashes.
Flashes.
EDIT
EDIT
MEMORY
PRESET
MEMORY
PRESET
2, 4
l6
20
28
40
60
l2
8
4
2
0
–dB
27
Brief Overview of Digital Sound Field Programs
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of
these are precise digital recreations of actual acoustic environments. The data for these sound fields was recorded at actual
locations using sophisticated sound field measurement equipment.
Note
The channel level balance between the left and right rear effect speakers may vary depending on the sound field you are
listening to. This is due to the fact that most of these sound field recreations are actual acoustic environments.
PROGRAM FEATURE
This program is used for playback of sources encoded with Dolby Surround.
PRO LOGIC The application of a sophisticated digital signal processing system reduces crosstalk and directs or steers
the sound source more smoothly and precisely, as compared to conventional types.
This program is also used for playback of sources encoded with Dolby Surround.
PRO LOGIC
Enhancing the “Normal” Dolby Pro Logic, the DSP technology simulates the multi-surround speaker
ENHANCED
systems of a 35 mm movie theater. This effect creates a wide surround sound field, and expands the
sound stage with an improved presence image. This program is used for musical based movies, as well as
drama and comedy based movies.
CONCERT VIDEO
This program is effective for music videos and gives excellent depth and clarity for vocals. For opera, the
orchestra and stage are ideally recreated, letting you feel as if you were in an actual concert hall.
MONO MOVIE
This program is designed specifically to enhance mono source programs. Compared to a strictly mono
setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an
immediacy to the overall sound. It is particularly effective when used with old mono movies, news
broadcasts and dialog.
STADIUM
This program gives you long delays between direct sounds and effect sounds, and extraordinarily
spacious feel of a large stadium.
DISCO
This program recreates the acoustic environment of a lively disco in the heart of a very lively city. The
sound is dense and highly concentrated. It is also characterized by a high-energy, “immediate” sound.
ROCK CONCERT This program is ideally suited for rock music. You will experience a very dynamic or lively sound field.
CONCERT HALL
In this program, the center will appear to be deep behind the main speakers, creating an expansive large
hall ambience. Orchestra and opera music are suited for this sound field.
USING DIGITAL SOUND FIELD PROCESSOR (DSP)
This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand
and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your
listening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course, depend
on what you will be listening to), and adding desired adjustments.
In addition, this unit incorporates a Dolby Pro Logic Surround decoder for multi-channel sound reproduction of sources encoded with
Dolby Surround. The operation of the Dolby Pro Logic Surround decoder can be controlled by selecting a corresponding DSP
program including a combined operation of the Yamaha DSP and the Dolby Pro Logic Surround.
1 Follow steps 1 – 6 shown in “BASIC OPERATIONS” on
page 20.
2 Select the desired program that is suitable for the
source.
The selected program name is shown on the display.
3 If desired, adjust the delay time and the output level of
each speaker. (For details, refer to the corresponding
descriptions on page 29 and 30.)
Notes
Program selection can be made to individual input sources.
Once you select a program, it is linked with the input source
selected at that time. So, when you select the input source
next time, the same program is automatically called.
If you prefer to cancel the DSP, press the EFFECT button.
The sound will be the normal 2-channel stereo without
surround sound effect.
When CONCERT VIDEO, MONO MOVIE, DISCO,
STADIUM, ROCK CONCERT or CONCERT HALL is
selected, no sound is heard from the center speaker.
When a monaural sound source is played with DOLBY PRO
LOGIC or DOLBY PRO LOGIC ENHANCED, no sound is
heard from the main speakers and the rear speakers.
Sound is heard only from the center speaker. However, if
the center channel mode is in PHANTOM, the main
speakers output the sound of the center channel.
When this unit’s Dolby Pro Logic Surround decoder is used,
if the main-source sound is considerably altered by
overadjustment of the BASS or TREBLE control, the
relationship between the center and rear channels may
produce an unnatural effect.
28
To play a source with the digital sound field processor
PRO LOGIC
l6
20
28
40
60
l2
8
4
2
0
–dB
2
BA
B
VCR
DVD/LD
V-AUX
PHONO
EFFECT
ON/OFF
TV/DBS
C
DIR
DISCSTOP
PRESET
A/B/C/D/E
PRO LOGIC ENHANCED
123
456
789
MOVIE
STADIUM
DISCO
MONO
VIDEO
CONCERT
ROCK HALL
TIME/LEVEL
DELAY
CENTER
REAR
SWFR
TEST
0
+10
2
PRO LOGIC
ENHANCED
29
Adjustment of the CENTER LEVEL
TIME
/
LEVEL
DELAY/CENTER
/REAR/SWFR
Adjustable
Adjustment of the REAR LEVEL
If desired, you can adjust the sound output level of the rear
speakers even if the output level is already set in “SPEAKER
BALANCE ADJUSTMENT” on page 19.
1 Press once or more so that “REAR” appears on the display.
2 By continuously pressing the “+” or “–” side of the
TIME/LEVEL button, the level value changes continuously.
The value stops changing momentarily at the preset point
(0 dB).
Control range: MIN, –20 to +10 dB
Notes
This adjustment can be made only when the built-in digital
sound field processor is on, or the “6CH” input source mode
is selected.
Once the output level is adjusted, the level value will be the
same in all the digital sound field programs.
TIME
/
LEVEL
DELAY/CENTER
/REAR/SWFR
Adjustable
If desired, you can adjust the sound output level of the center
speaker even if the output level is already set in “SPEAKER
BALANCE ADJUSTMENT” on page 19.
1 Press once or more so that “CENTER” appears on the
display.
2 By continuously pressing the “+” or “–” side of the
TIME/LEVEL button, the level value changes continuously.
The value stops changing momentarily at the preset point
(0 dB).
Control range: MIN, –20 to +10 dB
Notes
This adjustment can be made only when the digital sound
field program DOLBY PRO LOGIC or DOLBY PRO LOGIC
ENHANCED is selected, or the “6CH” input source mode is
selected.
Once the output level is adjusted, the level value will be the
same in all the digital sound field programs mentioned
above.
30
Adjustment of DELAY TIME
You can adjust the time difference between the beginning of
the sound from the main speakers and the beginning of the
effect sound from the rear speakers.
The larger the value, the later the effect sound is generated.
This adjustment can be made to all programs individually.
PRO LOGIC : from 15 to 30 milliseconds
(Preset value: 20 milliseconds)
PRO LOGIC : from 15 to 30 milliseconds
ENHANCED (Preset value: 20 milliseconds)
CONCERT VIDEO : from 1 to 100 milliseconds
(Preset value: 28 milliseconds)
MONO MOVIE : from 1 to 100 milliseconds
(Preset value: 20 milliseconds)
STADIUM : from 1 to 50 milliseconds
(Preset value: 45 milliseconds)
DISCO : from 1 to 100 milliseconds
(Preset value: 14 milliseconds)
ROCK CONCERT : from 1 to 100 milliseconds
(Preset value: 17 milliseconds)
CONCERT HALL : from 1 to 100 milliseconds
(Preset value: 30 milliseconds)
1 Press once or more so that “DELAY” appears on the
display.
2 By continuously pressing the “+” or “–” side of the
TIME/LEVEL button, the value changes continuously.
The value stops changing momentarily at the preset point.
Notes
Adding too much delay will cause an unnatural effect with
some sources.
When the TIME/LEVEL button is pressed, sound is
momentarily interrupted.
Note
The values of the delay time, center level and rear level you set
the last time will remain memorized even when the power of
this unit is off.
However, if the power cord is kept disconnected for more than
one week, these values will be automatically changed back to
the original factory settings.
TIME
/
LEVEL
DELAY/CENTER
/REAR/SWFR
Adjustable
ms
ms
1
Whenever the SLEEP key is pressed, the SLEEP time will
change as follows.
After a while, the display returns to the indication before
the SLEEP timer is set.
2 The unit will be turned off automatically at the selected
SLEEP time.
31
SETTING THE SLEEP TIMER
If you use the SLEEP timer of this unit, you can make this unit turn off automatically. When you are going to sleep while enjoying a
broadcast or other desired input source, this timer function is helpful.
Notes
The SLEEP timer can be controlled only with the remote control transmitter.
The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear
panel of this unit.
To set the SLEEP time
Press once or more to select the desired
SLEEP time.
To cancel the selected SLEEP time
Press once or more so that “SLEEP OFF” appears on the
display. (It will soon disappear and the “SLEEP” indicator will
go off from the display.)
Note
The SLEEP timer setting can also be canceled by turning off
the power with the POWER switch or disconnecting the power
plug of this unit from the AC outlet.
SLEEP
Indicates the SLEEP time.
Lights up.
120 90 60 30
The SLEEP timer is off (OFF).
(The state before the SLEEP key
is pressed.)
(Minutes)
SLEEP
SLEEP
32
BASIC OPERATIONS (When the lid is open)
The remote control transmitter provided with this unit is designed to control all the most commonly used functions of this unit. If the
CD player, tape deck, LD player etc. connected to this unit are YAMAHA components designed for remote control compatibility, then
this remote control transmitter will also control various functions of each component.
* For basic operations, use the remote control transmitter with the lid open.
NAMES OF KEYS AND THEIR FUNCTIONS
TAPE
A/B
REC/PAUSE
BA
A
CD
TUNER
VCR
B
DVD/LD
V-AUX
PHONO
EFFECT
ON/OFF
TV/DBS
C
DIR
DISCSTOP
TRANSMIT
/LEARN
LEARNCLEAR MACRO
PRESET
A/B/C/D/E
PRO LOGIC ENHANCED
123
MOVIE
STADIUM
DISCO
MONO
VIDEO
CONCERT
456
ROCK HALL
789
TIME/LEVEL
DELAY
CENTER
REAR
SWFR
TEST
SLEEP 2CH/6CH
MASTER VOLUME
TV
VCR
OFF
SYSTEM
POWER
0
+10
REMOTE CONTROL
TRANSMITTER
MACROQUICK
OFFSLOW
1
3
2
4
6
9
A
E
C
C
B
0
7
5
8
F
D
REMOTE CONTROL TRANSMITTER
Lid is open. Side panel
33
RESET button
1 Tape deck keys
Controls tape deck.
(The A/B/C switch (
E) should be set to the “A” position.)
* DIR A, B and A/B are applicable only to double
cassette tape deck.
* For a single cassette deck with automatic reverse
function, pressing DIR A will reverse the direction of
tape running.
2 CD/LD player keys
Controls compact disc player or LD player.
(To control compact disc player, set the A/B/C switch (
E) to
the “A” position. To control LD player, set the A/B/C switch
(
E) to the “C” position.)
* DISC is applicable only to compact disc changer.
* STOP is applicable only to LD player.
3 Tuner keys
Controls tuner.
(The A/B/C switch (
E) should be set to the “A” position.)
+: Selects higher preset station number.
: Selects lower preset station number.
A/B/C/D/E: Selects the group (A – E) of preset station
numbers.
4 DSP program selector keys
Selects a DSP program when the built-in digital sound field
processor (including the Dolby Pro Logic Surround decoder) is
on.
5 TEST key
Used for speaker balance adjustment. (For details, refer to
page 17–19.)
6 SLEEP timer key
This key is used to turn the built-in SLEEP timer on and off,
and to set the SLEEP time. (See page 31 for details.)
7 2CH/6CH selector key
When the TV/DBS or DVD/LD input source is selected,
pressing this key switches the input signals between 2 channel
stereo signals and 6 channel discrete signals. When switched
to “6CH”, discrete signals from the unit connected to the 6CH
DISCRETE INPUT DVD/LD TV/DBS terminals of this unit are
selected as the input signals.
8 SYSTEM POWER and OFF keys
Pressing the SYSTEM POWER key turns the power of this unit
on and pressing the OFF key turns the power off.
* (Except U.S.A. and Canada models)
While the power is on, pressing these keys switches the unit
from the power-on mode to the standby mode, and vice
versa. (In the standby mode, the standby mode indicator on
the front panel is illuminated.)
9 RESET button
This button is inside the battery compartment.
Press this button to “reset” the internal microcomputer which
controls remote control operations. Microcomputer “reset” is
necessary when the remote control freezes.
* Pressing the RESET button will not erase learned
functions.
0 MASTER VOLUME (up) and (down) keys
Turns the volume level up and down.
A DELAY/CENTER/REAR/SWFR selector ( / ) and
TIME/LEVEL +/– keys
Adjust the delay time (DELAY), the rear channel output level
(REAR), center channel output level (CENTER) and the output
level to the SUBWOOFER OUTPUT terminal (SWFR).
Select the item which you want to adjust by pressing the or
key and adjust its time or level by pressing the + or key.
B EFFECT ON/OFF key
Switches on/off the digital sound field processor (including the
Dolby Pro Logic Surround decoder).
C Input selector keys
Selects input source.
D A/B/C indicators
The position (A, B or C) selected by the A/B/C switch is shown
in red.
E A/B/C switch
This switch must be used only when the lid of the remote
control transmitter is open. (This switch will not function when
the lid is closed.)
Normally, set this switch to the “A” position. When controlling a
Yamaha LD player by using the CD/LD player keys (
2), set
this switch to the “C” position.
F TRANSMIT/LEARN indicator
Lights up when the remote control transmitter is transmitting
infrared signals (when a command key is pressed).
Note
When using the keys to control Yamaha components,
identify them with your component’s keys. If these keys
are identical, their functions will be the same. For each key
function, refer to the corresponding instruction in your
component’s manual.
34
LEARNING NEW CONTROL FUNCTIONS (When the lid is open)
This is a learning remote control transmitter. The shaded keys in the illustration shown below can be programmed to “learn”
control functions from other remote control transmitters. By learning key-functions from other remote control transmitter, this unit can
then be used in place of one or more other remote control transmitters, thus making operation of your various audio and video
components more convenient.
Some of the “learning-capable” keys are originally empty and others have already been preset with functions to control this unit and
other Yamaha components. You can store new functions to them (in place of preset functions) as desired.
* See page 39 for the learning method.
* See page 41 for clearing a learned function (or all learned functions).
Note
If the memory capacity of the remote control transmitter becomes full, no further learning is possible even if some learning-capable
keys are not occupied with new functions. If, for example, you store Yamaha codes only into this remote control transmitter, up to
about 20 functions can be stored. Store new functions to the learnable-capable keys which are useful for you.
TAPE
A
CD
TUNER
VCR
B
DVD/LD
V-AUX
PHONO
EFFECT
ON/OFF
TV/DBS
C
TRANSMIT
/LEARN
LEARNCLEAR MACRO
TIME/LEVEL
DELAY
CENTER
REAR
SWFR
SLEEP 2CH/6CH
MASTER VOLUME
TV
VCR
OFF
SYSTEM
POWER
REMOTE CONTROL
TRANSMITTER
A/B
REC/PAUSE
BA
DIR
DISCSTOP
PRESET
A/B/C/D/E
PRO LOGIC ENHANCED
123
MOVIE
STADIUM
DISCO
MONO
VIDEO
CONCERT
456
ROCK
789
HALL
TEST
0
+10
1
1
2
3
4
2
A/B/C switch
Keys which can have three functions (1, 2, 3, 4)
In the “Learning-capable” keys, the keys numbered 14 in the
illustration at left can have three functions. This is because they
have three memory areas (A, B and C). (One function per area.)
You can store new functions into the area B and C, and use three
functions on a key by switching the memory areas with the A/B/C
switch. (Area A cannot learn a new function.)
To use these keys:
1. Before using a key, select the area A, B or C of the key on which
the function you want to use is stored by using the A/B/C switch.
2. Press the key.
The original factory settings of these keys are as follows.
A
Preset with
functions for
controlling a
Yamaha tape deck.
Preset with
functions for
controlling a
Yamaha CD player.
(STOP is empty.)
Preset with
functions for
controlling
the built-in tuner.
Preset as the DSP
program selector
keys and the TEST
key.
*
2
B
Empty
Empty
Empty
Preset as the DSP
program selector
keys and the TEST
key.
*
2
C
Empty
Preset with
functions for
controlling a
Yamaha LD player.
(DISC is empty.)
Empty
Preset as the DSP
program selector
keys and the TEST
key.
*
2
1
2
3
4
The position of A/B/C switch
*
2
: “+10” is empty.
The functions on “9” and “0” are useless.
Note
The area A of all keys cannot learn new functions. To store new
functions to these keys, store them onto the area B or C.
Empty keys (1, 2)
These are empty keys. Each key can learn a function from another
remote control transmitter.
For example, the TV key is useful for storing the function of your
TV’s power switch, and the VCR key can be used for your VCR’s
power switch.
Lid is open.
*
1
: These buttons are used for learning a new function
or clearing a learned function (or all learned
functions). See page 39–41 for details.
*
1
35
TAPE
A
CD
TUNER
VCR
B
DVD/LD
V-AUX
PHONO
EFFECT
ON/OFF
TV/DBS
C
DIR
TRANSMIT
/LEARN
LEARNCLEAR MACRO
PRESET
A/B/C/D/E
PRO LOGIC ENHANCED
123
MOVIE
STADIUM
DISCO
MONO
VIDEO
CONCERT
456
ROCK
789
HALL
TIME/LEVEL
DELAY
CENTER
REAR
SWFR
TEST
SLEEP 2CH/6CH
MASTER VOLUME
TV
VCR
OFF
SYSTEM
POWER
0
+10
REMOTE CONTROL
TRANSMITTER
REMOTE CONTROL
TRANSMITTER
TAPE
CD
TUNER
VCR
DVD/LD
V-AUX
PHONO
TV/DBS
TV
VCR
OFF
SYSTEM
POWER
MASTER
VOLUME
OPERATION
CONTROL
EFFECT
TRANSMIT
DISCSTOP
A/B
REC/PAUSE
BA
(+10)
1
2
3
Input selector keys
OPERATION CONTROL keys
Lid is closed.
Note
If a key which has a preset function learns a new function, the
preset function will not be deleted, but disabled. When the
learned function is cleared, the preset function is restored. (For
information on clearing a learned function, refer to page 41.)
About the marks shown on the remote control
transmitter
The marks on the remote control transmitter signify functions of
keys, input sources, etc.
Examples)
(tape): Shows tape deck, VCR, etc.
(disc): Shows CD player, LD player, etc.
(radio wave): Shows tuner, TV/BS tuner, etc.
These marks are helpful for storing new functions.
Examples)
The area B of keys 1 is suitable for storing functions to
control your VCR.
The area B of keys 3 is suitable for storing functions to
control your TV/BS tuner.
USING OPERATION CONTROL KEYS (When the lid is closed)
When the lid of the remote control transmitter is closed, you can easily operate Yamaha components including learned functions by
using the OPERATION CONTROL keys.
*
3
: These keys are originally empty. If these keys have learned functions, pressing them executes those learned functions.
*
3
36
When the lid is closed, the OPERATION CONTROL keys
substitute for the keys numbered
1, 2, 3 and the (+10)
key on the left illustration. To use these keys, you do not have
to switch the A/B/C switch. The functions which the
OPERATION CONTROL keys carry out are determined by
which input selector key was pressed before you used the
OPERATION CONTROL keys.
Note
When the lid is closed, the EFFECT, MASTER VOLUME, TV
and VCR keys will function in the same way as when the lid is
open.
* If the MACRO switch on the side of the remote control
transmitter is set to “OFF”, when the lid is closed, the
SYSTEM POWER and OFF keys also will function in the
same way as when the lid is open.
Examples of operations controlled by using the
OPERATION CONTROL keys
To operate a Yamaha CD player
1. Press the “CD” input selector key.
2. Use the OPERATION CONTROL keys. (They carry out the
functions in area A of keys
2.)
To operate your VCR
1. Press the “VCR” input selector key.
2. Use the OPERATION CONTROL keys. (They carry out the
functions in area B of keys
1. This area is originally preset
with no function. You must store the functions related to
controlling the VCR in area B of keys
1 beforehand.)
Selected input selector
Key functions which the OPERATION CONTROL keys carry out
Functions in area A of keys
1 (except REC/PAUSE, A/B, DIR A and B)
Functions in area A of keys
2 (except STOP, DISC, and )
Functions in area A of keys
3 and (+10)
Functions in area B of keys
1 (except REC/PAUSE, A/B, DIR A and B)
Functions in area B of keys
2 (except STOP, DISC, and )
Functions in area B of keys
3 and (+10)
Functions in area C of keys
1 (except REC/PAUSE, A/B, DIR A and B)
Functions in area C of keys
2 (except STOP, DISC, and )
Functions in area C of keys
3 and (+10)
Notes
If the OPERATION CONTROL keys substitute for keys
which has no function (empty), no command is carried out.
According to your plan, store functions from other remote
control transmitters into an empty area of those keys. (Refer
to page 39 for the learning method.)
While playing an audio/video unit, if you want to operate
another unit by using the remote control transmitter (for
example, if you want to rewind a tape on your VCR while
listening to a CD), you should open the lid of the remote
control transmitter and use the A/B/C switch and the
corresponding keys.
(If you press an input selector key with the lid closed to
change the functions of the OPERATION CONTROL keys to
the functions for controlling a VCR, the input of currently
playing CD source is canceled.)
See the table below for a combination of an input selector key and key functions which the OPERATION CONTROL keys carry out.
(Also, refer to the table on page 34.)
Pressing the “V-AUX” or “PHONO” input selector key has no effect on the OPERATION CONTROL keys.
TAPE
CD
TUNER
VCR
DVD/LD
TV/DBS
OPERATION
CONTROL
Play
Skip to
previous track
Skip to next
track
Pause or Stop
OPERATION
CONTROL
Play
Rewind Fast forward
Pause or Stop
37
REMOTE CONTROL
TRANSMITTER
TAPE
CD
TUNER
VCR
DVD/LD
V-AUX
PHONO
TV/DBS
TV
VCR
OFF
SYSTEM
POWER
MASTER
VOLUME
OPERATION
CONTROL
EFFECT
TRANSMIT
MACROQUICK
OFFSLOW
TAPE
A
CD
TUNER
VCR
B
DVD/LD
V-AUX
PHONO
EFFECT
ON/OFF
TV/DBS
C
DIR
TRANSMIT
/LEARN
LEARNCLEAR MACRO
PRESET
A/B/C/D/E
PRO LOGIC ENHANCED
123
MOVIE
STADIUM
DISCO
MONO
VIDEO
CONCERT
456
ROCK
789
HALL
TIME/LEVEL
DELAY
CENTER
REAR
SWFR
TEST
SLEEP 2CH/6CH
MASTER VOLUME
TV
VCR
OFF
SYSTEM
POWER
0
+10
REMOTE CONTROL
TRANSMITTER
DISCSTOP
A/B
REC/PAUSE
BA
1
2
Preset macro keys
MACRO OPERATIONS (When the lid is closed)
“Macro” is a command which defines a sequence of several
operations.
The keys shown in the illustrations below (as preset macro
keys) are also preset with macros, in addition to individual
functions.
Each macro key is preset so that simply pressing it alone will
carry out several functions of other keys on this remote control
transmitter sequentially. (To know what key functions are
sequentially carried out by pressing each preset macro key,
see the next page.)
Macros can be used only when the lid is closed and the
MACRO switch is set to “SLOW” or “QUICK”. (If “OFF” is
selected, no macro will function even if the lid is closed.)
Preset macro keys are originally preset with macros. If you
prefer, however, you can change the contents of a macro key
by storing a desired series of functions on it. You can store up
to seven functions onto a macro key. (See page 40 for the
learning method.)
Setting the MACRO switch
OFF: In this position, no macro will function even if the lid of
remote control transmitter is closed.
QUICK: In this position, when a macro key is pressed, each
command is transmitted at 0.5 second intervals.
SLOW: In this position, when a macro key is pressed, each
command is transmitted at 3 second intervals.
Lid is closed.
(Set the MACRO switch to
“QUICK” or “SLOW”.)
MACRO switch
38
Macro key
1st
(Turning the power of this unit on)
2nd
(Selecting an input source)
3rd
(Playing a source)
“”on area A of keys
1
“”on area A of keys 2
“”on area B of keys
1
“”on area B of keys 2
“”on area C of keys
1
“”on area C of keys 2
Function of the key (and area) which operates when a macro key is pressed
Macro key
1st 2nd
3rd
Function of the key which operates when a macro key is pressed
Preset macro keys and the key functions which they carry out sequentially are as follows. (Also, refer to the table on page 34.)
Notes
A key in which no function is stored will carry out no
command.
If it occurs that this unit will not receive the second command
because the internal operation of the first command takes a
long time, set the MACRO switch to the “SLOW” position, or
add no function or repeat the same command between the
first command and the next command.
If you will program the power on/off switching function of TV,
VCR, etc. as part of a macro sequence, note that it switches
the current mode to the other (“on” to “off”, or “off” to “on”).
For example, when you press the macro key, if the power of
TV, VCR, etc. is already on, the power will be turned off
even though you may not want it to do so.
Once you press a macro key, this unit will not receive the
command of another key (even if it is pressed) until this unit
finishes carrying out all commands of the macro key. Take
notice of this especially when the MACRO switch is in the
“SLOW” position.
Once you press a macro key, you must keep the remote
control transmitter directed at the main unit’s remote control
sensor until the remote control transmitter finishes
transmitting all command signals of the macro key.
You can use the OPERATION CONTROL keys also while
using the macro functions.
TAPE
CD
TUNER
VCR
DVD/LD
V-AUX
PHONO
TV/DBS
TAPE
CD
TUNER
VCR
DVD/LD
V-AUX
PHONO
TV/DBS
SYSTEM
POWER
SYSTEM
POWER
OFF
SYSTEM
POWER
OFF
TV
VCR
39
LEARNING A NEW FUNCTION
1 Place this remote control transmitter and the other
remote control transmitter so that they face each other.
2
* If there is no operation for about 30 seconds after the
LEARN button is pressed, the TRANSMIT/LEARN indicator
flashes rapidly and the current mode is canceled. If this
occurs, repeat this step.
3 If necessary, select the memory area by using the A/B/C
switch on the side panel of the remote control
transmitter.
4 Press the key on this remote control transmitter in which
you will store a new function.
* If a key which cannot learn another function is pressed, the
TRANSMIT/LEARN indicator flashes rapidly and the current
mode is canceled. If this occurs, repeat this step.
* If there is no operation for about 30 seconds after a key is
pressed, the TRANSMIT/LEARN indicator flashes rapidly
and the mode before you began learning operations is
restored. If this occurs, restart from step 2.
5 Press and hold the key (on the other remote control
transmitter) which has the function you want to store.
* When learning is finished, the TRANSMIT/LEARN indicator
stops lighting and then begins flashing slowly.
* If a signal is not successfully received, the
TRANSMIT/LEARN indicator flashes rapidly and the mode
prior to step 4 is restored. If this occurs, restart from step 4.
* If memory capacity is full, the TRANSMIT/LEARN indicator
flashes rapidly to show you that learning is impossible, and
then the mode before you began learning operations is
restored.
6 Repeat step 3–5 to store more functions.
7 When you finish the learning operation, press the
LEARN button.
Notes
Newly learned functions will replace previously learned
functions.
If there is no more room in the memory area for a function to
be learned, the TRANSMIT/LEARN indicator will flash
rapidly. In this case, even if some keys are not occupied
with functions from other remote control transmitters, no
further learning is possible.
If the lid is closed while learning and about 5 seconds pass,
the TRANSMIT/LEARN indicator flashes rapidly and the
mode before you began learning operations is restored. If
this occurs, restart from step 2. However, if the lid is opened
within 5 seconds, the mode before the lid was closed is
restored.
There may occasionally be instances in which, due to the
signal-coding and modulation employed by the other remote
control transmitter, this remote control transmitter will not be
able to “learn” its signals.
V-AUX
PHONO
EFFECT
ON/OFF
123
SPORTS
STADIUM
DISCO
TV
456
AZZ CLUB
CHURCH
9
TEST
V-AUX
PHONO
EFFECT
ON/OFF
123
SPORTS
STADIUM
DISCO
TV
456
ROCK
JAZZ CLUB
CHURCH
789
HALL
EVEL
TEST
UME
+10
Lights up.
V-AUX
PHONO
EFFECT
ON/OFF
123
SPORTS
STADIUM
DISCO
TV
456
JAZZ CLUB
CHURCH
89
TEST
This remote control
transmitter
Other remote
control transmitter
About 5–10 cm
(2–4 in.)
TRANSMIT
/LEARN
LEARNCLEAR MACRO
Flashes slowly.
(Press by using the point of
a mechanical pencil, etc.)
LEARNCLEAR MACRO
40
1
* If there is no operation for about 30 seconds after the
MACRO button is pressed, the TRANSMIT/LEARN
indicator flashes rapidly and the mode before you pressed
the MACRO button is restored. If this occurs, press the
MACRO button again.
2 Press a preset macro key on which you want to make a
new macro.
* If a key other than a preset macro key is pressed, the
TRANSMIT/LEARN indicator flashes rapidly and the current
mode is canceled. If this occurs, repeat this step.
3 Press a key whose function you want to store as the first
function of the new macro.
* If a key whose function cannot be stored as a command of
macro is pressed, the TRANSMIT/LEARN indicator flashes
rapidly and the current mode is canceled. If this occurs,
repeat this step.
* If about 30 seconds pass before a key is pressed, the
TRANSMIT/LEARN indicator flashes rapidly and the mode
before you began learning operations is restored. If this
occurs, restart from step 1.
4 Repeat step 3 to store the second, the third and more
functions. You can store up to seven key functions in
series as a macro.
* If the seventh key function has been learned, the
TRANSMIT/LEARN indicator flashes rapidly and the mode
before you began learning operations is restored. (This
shows that the key has completed learning a series of
functions as a macro.) If this occurs, you do no have to
follow the next step.
5 When you finish learning, press the MACRO button.
MAKING A NEW MACRO
A new macro can be programmed onto any preset macro key in place of preset functions. (See page 37 to know what keys are
preset macro keys.) You can make as many as 13 new macro keys. A macro key can learn as many as seven functions of other
keys.
Note
If you store a continuous command such as lowering of volume level, it will become a short command when it is carried out as a part
of macro.
LEARNCLEAR MACRO
It is recommended to write down new key functions you
stored on the provided user function stickers and paste
them on the reverse side of the remote control transmitter
or the reverse side of the remote control transmitter’s lid.
Memory back-up
All of the learned functions will be retained while you
replace the batteries. However, if no batteries are
installed for a few hours, the learned functions will be
erased and will have to be learned again.
Goes off.
(When learning is finished,
this indicator lights up again.)
TRANSMIT
/LEARN
LEARNCLEAR MACRO
Flashes slowly.
CD
TRANSMIT
/LEARN
Lights up.
SYSTEM
POWER
TRANSMIT
/LEARN
A
B
C
REMOTE CONTROL
TRANSMITTER
41
1 To clear a learned key function, press the LEARN button
using the point of a mechanical pencil, etc.
To clear a macro you made, press the MACRO button.
2 Press and hold the CLEAR button using the point of a
mechanical pencil, etc.
3 Holding the CLEAR button pressed, press and hold the
key whose function you want to clear until the indicator
flashes 3 times.
To clear two or more functions sequentially, do not
release the CLEAR button pressed, and repeat this step.
Note
If you clear a learned function of a key, the originally preset
function of the key is restored (except the keys which are
originally preset with no function.)
To Clear a Learned Function To Clear All Learned Functions
1 Select the kind of key functions all of which you want to
clear by using the MACRO switch on the side panel of
the remote control transmitter.
OFF: Select this position if you want to clear all of the
learned functions except macros.
QUICK: Select this position if you want to clear all of the
macros you made only.
SLOW: Select this position if you want to clear all of the
learned functions including macros.
2 Press the CLEAR button using the point of a
mechanical pencil, etc.
* If one of the following operation is made after you press
the CLEAR button, the TRANSMIT/LEARN indicator
flashes rapidly and the current mode is canceled. If this
occurs, press the CLEAR button again.
MACRO switch is switched to another position.
Another key is pressed.
There is no operation for about 30 seconds.
3 Press and hold the CLEAR button again. While holding
the CLEAR button pressed, press and hold the
MASTER VOLUME and keys simultaneously
until the indicator flashes 7 times.
SYMPTOM
The remote control transmitter does not
work.
Learning cannot be made successfully.
(The TRANSMIT/LEARN indicator does not
light up or flash.)
CAUSE
The batteries of this remote control
transmitter are weak.
The internal microcomputer “freezes”.
The batteries of this remote control
transmitter and/or the other remote control
transmitter are weak.
The distance between the two remote control
transmitters is too long or too short.
The signal coding or modulation of the other
remote control transmitter is not compatible
with this remote control transmitter.
Memory capacity is full.
The internal microcomputer “freezes”.
REMEDY
Replace the batteries with new ones and
press the RESET button on the remote
control transmitter.
Replace the batteries (and press the RESET
button for this remote control transmitter).
Place the remote control transmitters with the
proper distance.
Learning is not possible.
Further learning is not possible without
deleting unnecessary commands.
Press the RESET button on the remote
control transmitter.
Trouble shooting guide
MACROQUICK
OFFSLOW
CLEARING LEARNED FUNCTIONS
TRANSMIT
/LEARN
LEARNCLEAR MACRO
LEARNCLEAR MACRO
Flashes slowly.
or
CD
TRANSMIT
/LEARN
Flashes.
LEARNCLEAR MACRO
TRANSMIT
/LEARN
Flashes slowly.
TRANSMIT
/LEARN
Flashes.
42
Battery installation
Battery replacement
If you find that the remote control transmitter must be used
closer to the main unit, the batteries are weak. Replace both
batteries with new ones.
Notes
Use only AA, R6, UM-3 batteries for replacement.
Be sure the polarities are correct. (See the illustration inside
the battery compartment.)
Remove the batteries if the remote control transmitter will
not be used for an extended period of time.
If batteries leak, dispose of them immediately. Avoid
touching the leaked material or letting it come in contact with
clothing, etc. Clean the battery compartment thoroughly
before installing new batteries.
After you change batteries, make sure to press the RESET
button inside the battery compartment.
Remote control transmitter operation range
Notes
There should be no large obstacles between the remote
control transmitter and the main unit.
If the remote control sensor is directly illuminated by strong
lighting (especially an inverter type of fluorescent lamp etc.),
it might cause the remote control transmitter not to work
correctly. In this case, reposition the main unit to avoid
direct lighting.
1
3
2
l6
20
28
40
60
l2
8
4
2
0
–dB
30°
30°
Remote control
sensor
Within approximately
6 m (19.7 feet)
NOTES ABOUT THE REMOTE CONTROL TRANSMITTER
43
GeneralFMAM
Remote control
transmitter
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and
contact your authorized YAMAHA dealer or service center for help.
SYMPTOM
The unit fails to turn on when the POWER
switch is pressed, or turns off suddenly soon
after the power is turned on.
It happens that this unit does not work
normally.
No sound or no picture.
The sound suddenly goes off.
Only one side speaker outputs the sound.
Sound “hums”.
The volume level is low while playing a record.
The volume level cannot be increased, or
sound is distorted.
No sound from the rear speakers.
No sound from the center speaker.
The sound is degraded when listening with the
headphones connected to the compact disc
player or cassette deck that are connected with
this unit.
FM stereo reception is noisy.
There is distortion and clear reception cannot
be obtained even with a good FM antenna.
A desired station cannot be tuned in with the
automatic tuning method.
Previously preset stations can no longer be
tuned in.
A desired station cannot be tuned in with the
automatic tuning method.
There are continuous crackling and hissing
noises.
There are buzzing and whining noises
(especially in the evening).
The remote control transmitter does not work.
CAUSE
Power cord is not plugged in or is not completely
inserted.
The IMPEDANCE SELECTOR switch on the rear
panel is not set to the upper or the lower end
exactly.
There is an influence of strong external noise
(lightning, excessive static electricity, etc.) or a
misoperation on this unit while using this unit.
Incorrect output cord connections.
Appropriate input source is not selected.
The SPEAKERS switches are not set properly.
Speaker connections are not secure.
The protection circuit has been activated because
of short circuit etc.
The SLEEP timer has functioned.
Incorrect setting of the BALANCE control.
Incorrect cord connections.
Incorrect cord connections.
No connection from the turntable to the GND
terminal.
The record is being played on a turntable with an
MC cartridge.
The power to the component connected to the REC
OUT terminals of this unit is off.
The sound output level to the rear speakers is set
to minimum.
The monaural sound source is played in DOLBY
PRO LOGIC or DOLBY PRO LOGIC ENHANCED
mode.
The sound output level to the center speaker is set
to minimum.
The center channel mode is in PHANTOM mode.
Incorrect sound field program selection.
The power to this unit is off.
Because of the characteristics of FM stereo
broadcasts, this is limited to cases where the
transmitter is too far away or the antenna input is
poor.
There is multipath interference.
The station is too weak.
This unit has been unplugged for a long period.
Weak signal or loose antenna connections.
Noises will result from ligtning, fluorescent lamps,
motors, thermostats and other electrical equipment.
A television set is being used nearby.
Direct sunlight or lighting (of an inverter type of
flourescent lamp etc.) is striking the remote control
sensor of the main unit.
The batteries of this remote control transmitter are
too weak.
REMEDY
Firmly plug in the power cord.
Set the switch to the upper or the lower end exactly.
Turn off the power to this unit and disconnect the
AC power cord from the AC outlet. After about 30
seconds have passed, connect the power and
operate this unit again.
Connect the cords properly. If the problem persists,
the cords may be defective.
Select an appropriate input source with the input
selector buttons.
Set the SPEAKERS switch which corresponds to
the speakers to be used to the ON position.
Secure the connections.
Turning the unit off and then on will reset the
protection circuit.
Cancel the SLEEP timer function.
Adjust it to the appropriate position.
Connect the cords properly. If the problem persists,
the cords may be defective.
Firmly connect the audio plugs. If the problem
persists, the cords may be defective.
Make the GND connection between the turntable
and this unit.
The player should be connected to the unit through
the MC head amplifier.
Turn the power to the component on.
Raise the sound output level to the rear speakers.
Select another program suitable for the monaural
sound source.
Raise the sound output level to the center speaker.
Select NORMAL or WIDE.
Select the appropriate program.
Turn the power to this unit on.
Check the antenna connections.
Try using a high quality directional FM antenna.
Set the TUNING MODE button to the manual tuning
mode.
Adjust antenna placement to eliminate multipath
interference.
Use the manual tuning method.
Use a high quality directional FM antenna.
Repeat the presetting procedure.
Tighten the AM loop antenna connections and
rotate it for best reception.
Use the manual tuning method.
Use an outdoor antenna and a ground wire. This
will help somewhat but it is difficult to eliminate all
noise.
Relocate this unit away from the TV.
Change the position of the main unit.
Replace the batteries with new ones.
TROUBLESHOOTING
AUDIO SECTION
Minimum RMS Output Power per Channel
Main L, R
8 ohms, 1 kHz, 0.07% THD
.........90W + 90W
Center
8 ohms, 1 kHz, 0.07% THD ...................90W
Rear
8 ohms, 1 kHz, 0.3% THD..........35W + 35W
Maximum Power [General model only]
(8 ohms, 1 kHz, 10% THD)
Main L, R .............................110W + 110W
Center................................................110W
Rear.........................................50W + 50W
Dynamic Power per Channel
(by IHF Dynamic Headroom measuring
method)
[U.S.A. and Canada models]
8/6/4/2 ohms.................110/140/170/190W
[Australia and General models]
8/6/4/2 ohms...................95/120/150/170W
Dynamic Headroom (8 ohms)
[U.S.A. and Canada models only]
..........................................................1.66 dB
Power Band Width
8 ohms, 30W, 0.09% THD
.............................................10 Hz to 50 kHz
Damping Factor (SPEAKERS A)
8 ohms, 20 Hz to 20 kHz .............80 or more
Input Sensitivity/Impedance
PHONO MM.....................2.5 mV/47 k-ohms
CD/TAPE/DVD·LD/TV·DBS/VCR
........................................150 mV/47 k-ohms
6CH DISCRETE INPUT DVD/LD TV/DBS
........................................150 mV/50 k-ohms
Maximum Input Signal
PHONO MM
1 kHz, 0.04% THD..........................110 mV
CD/TAPE/DVD·LD/TV·DBS//VCR
(EFFECT ON)
1 kHz, 0.5% THD.................................2.2V
Output Level/Impedance
REC OUT.......................150 mV/2.5 k-ohms
PRE OUT (MAIN L/R).........2.2V/1.2 k-ohms
PRE OUT (REAR L/R)........1.6V/1.2 k-ohms
SUBWOOFER (EFFECT OFF)
............................................6.0V/1.5 k-ohms
Headphone Jack Rated Output/Impedance
Output Level (8 ohms, 0.04% THD).......0.5V
Impedance.....................................390 ohms
Frequency Response (20 Hz to 20 kHz)
CD/TAPE/DVD·LD/TV·DBS//VCR
........................................................0±0.5 dB
RIAA Equalization Deviation
PHONO MM....................................0±0.5 dB
Total Harmonic Distortion (20 Hz to 20 kHz)
PHONO MM to REC OUT
1V.....................................................0.02%
CD/TAPE/DVD·LD/TV·DBS/VCR
to SP OUT
30W/8 ohms ...................................0.025%
Signal-to-Noise Ratio (IHF-A Network)
PHONO MM to REC OUT
(5 mV Input Shorted)
[U.S.A., Canada and General models]
..........................................................85 dB
[Australia model]................................82 dB
CD/TAPE/DVD·LD/TV·DBS/VCR
to SP OUT
(Shorted)..............................................98 dB
Residual Noise (IHF-A Network)
MAIN L/R...........................................140 µV
Channel Separation
(Vol. –30 dB, EFFECT OFF)
PHONO MM (Input Shorted, 1 kHz/10 kHz)
..................................................60 dB/50 dB
CD/TAPE/DVD·LD/TV·DBS/VCR
(Input 5.1 k-ohms Terminated,
1 kHz/10 kHz) .........................60 dB/45 dB
Tone Control Characteristics
BASS: Boost/cut................±10 dB (50 Hz)
Turnover Frequency.........(350 Hz)
TREBLE: Boost/cut...........±10 dB (20 kHz)
Turnover Frequency.....(3.5 kHz)
Bass Extension..........................+6 dB (50 Hz)
Gain Tracking Error (0 to –60 dB)............3 dB
VIDEO SECTION
Video Signal Type
[U.S.A. and Canada models]...............NTSC
[Australia model].....................................PAL
[General model]...........................NTSC/PAL
Video Signal Level..................1 Vp-p/75 ohms
S-Video Signal Level
Y ..........................................1 Vp-p/75 ohms
C ...................................0.286 Vp-p/75 ohms
Maximum Input Level............1.5 Vp-p or more
Signal-to-Noise Ratio................50 dB or more
Monitor Out Frequency Response
..................................5 Hz to 10 MHz, –3 dB
FM SECTION
Tuning Range
[U.S.A. and Canada models]
..........................................87.5 to 107.9 MHz
[
Australia and General models
]
..........................................87.5 to 108.0 MHz
50 dB Quieting Sensitivity (IHF, 75 ohms)
Mono .................................1.55 µV (15.1 dBf)
Stereo...................................21 µV (37.7 dBf)
Image Response Ratio
[U.S.A., Canada and General models]
.............................................................45 dB
[Australia model]..................................80 dB
IF Response Ratio
[U.S.A., Canada and General models]
.............................................................70 dB
[Australia model]..................................80 dB
Spurious Response Ratio........................70 dB
AM Suppression Ratio.............................55 dB
Capture Ratio..........................................1.5 dB
Alternate Channel Selectivity
[U.S.A., Canada and General models]
..............................................................85 dB
Selectivity (two signals, 40 kHz Dev.,
±
300 kHz)
[Australia model]
...................................70 dB
Signal-to-Noise Ratio
(IHF) Mono/Stereo
[
U.S.A., Canada and General models
]
.................................................80 dB/75 dB
(DIN-Weighted, 40 kHz Dev.) Mono/Stereo
[
Australia model
]......................75 dB/70 dB
Harmonic Distortion
Mono/Stereo (1 kHz) ........................0.1/0.2%
Stereo Separation (1 kHz)......................50 dB
Frequency Response
20 Hz to 15 kHz.............................0 ±1.5 dB
AM SECTION
Tuning Range
[U.S.A., Canada and General models]
............................................
530 to 1,710 kHz
[Australia model].................
531 to 1,611 kHz
Usable Sensitivity.............................100 µV/m
Selectivity...............................................32 dB
Signal-to-Noise Ratio .............................50 dB
Image Response Ratio...........................40 dB
Spurious Response Ratio.......................50 dB
Harmonic Distortion (1 kHz) ....................0.3%
AUDIO SECTION
Output Level/Impedance
FM (100% mod., 1 kHz)
.........................................500 mV/2.2 k-ohms
AM (30% mod., 1 kHz)
.........................................150 mV/2.2 k-ohms
GENERAL
Power Supply
[U.S.A. and Canada models]
..............................................AC 120V, 60 Hz
[Australia model]...................AC 240V, 50 Hz
[General model]
....................AC 110/120/220/240V, 50/60 Hz
Power Consumption
[U.S.A. model]......................................230W
[Canada model] ...................................250W
[Australia and General models] ...........270W
Maximum Power Consumption
[General model only]
(8 ohms, 1 kHz, 10% THD, When
5 channels are driven:) .....................630W
AC Outlet(s)
2 SWITCHED OUTLETS
[U.S.A., Canada and General models]
...........................................
100W max. total
1 SWITCHED OUTLET
[Australia model]
.......................
100W max.
Dimensions (W x H x D)
.....................................435 x 151 x 379.5 mm
(17-1/8” x 5-15/16” x 14-15/16”)
Weight...........................11.0 kg (24 lbs. 3 oz.)
Accessories..........................AM loop antenna
Indoor FM antenna
Remote control transmitter
Batteries
User function stickers
Antenna adapter
(U.S.A. and Canada models only)
Specifications are subject to change without
notice.
SPECIFICATIONS
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
VZ35890 Printed in Malaysia

Transcripción de documentos

A R-V902 Natural Sound AV Receiver Thank you for selecting this YAMAHA AV receiver. OWNER’S MANUAL CONTENTS Supplied Accessories ......................................2 Preset Tuning ................................................24 Features ..........................................................3 Using Digital Sound Field Processor (DSP) Caution ............................................................4 ......................................................................27 Profile of This Unit ...........................................5 Setting the SLEEP Timer ..............................31 Speaker Setup ................................................6 Remote Control Transmitter ..........................32 Connections ....................................................7 Notes about the Remote Control Transmitter Controls and Their Functions ........................14 ......................................................................42 Speaker Balance Adjustment ........................17 Troubleshooting .............................................43 Basic Operations ...........................................20 Specifications ................................................44 Tuning Operations .........................................23 SUPPLIED ACCESSORIES After unpacking, check that the following parts are included. Indoor FM Antenna Remote Control Transmitter AM Loop Antenna Antenna adapter (U.S.A. and Canada models only) User function stickers Batteries (size AA, R6, UM-3) 2 FEATURES ● 5 Speaker Configuration Main: 90W + 90W (8Ω) RMS Output Power, 0.07% THD, 1 kHz Center: 90W (8Ω) RMS Output Power, 0.07% THD, 1 kHz Rear: 35W + 35W (8Ω) RMS Output Power, 0.3% THD, 1 kHz ● Digital Sound Field Processor ● BASS EXTENSION Switch for Reinforcing Bass Response ● 40-Station Random Access Preset Tuning ● Automatic Preset Tuning ● Preset Station Shifting Capability (Preset Editing) ● Dolby Pro Logic Surround Decoder ● IF Count Direct PLL Synthesizer Tuning System ● Theater-like Sound Experience by the Combination of Dolby Pro Logic and YAMAHA DSP Technology (CINEMA DSP) ● Video Signal Input/Output Capability ● Automatic Input Balance Control for Dolby Pro Logic Surround ● Test Tone Generator for Easier Speaker Balance Adjustment ● 6-Channel Discrete Input Terminals for Connecting with a Dolby Digital (AC-3) Decoder ● SLEEP Timer ● “Learning” Remote Control Transmitter ● 3 Center Channel Modes (NORMAL/WIDE/PHANTOM) 3 CAUTION: READ THIS BEFORE OPERATING YOUR UNIT. 1. To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference. 2. Install this unit in a cool, dry, clean place – away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming (transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water. 3. Never open the cabinet. If something drops into the set, contact your dealer. 4. Do not use force on switches, controls or connection wires. When moving the unit, first disconnect the power plug and the wires connected to other equipment. Never pull the wires themselves. 5. The openings on the cabinet assure proper ventilation of the unit. If these openings are obstructed, the temperature inside the cabinet will rise rapidly. Therefore, avoid placing objects against these openings, and install the unit in wellventilated condition. Make sure to allow a space of at least 10 cm behind, 20 cm on the both sides and 30 cm above the top panel of the unit. Otherwise it may not only damage the unit, but also cause fire. 6. Always set the VOLUME control to “– ∞” before starting the audio source play. Increase the volume gradually to an appropriate level after playback has been started. 7. Do not attempt to clean the unit with chemical solvents; this might damage the finish. Use a clean, dry cloth. IMPORTANT Please record the serial number of this unit in the space below. Serial No.: The serial number is located on the rear of the unit. Retain this Owner’s Manual in a safe place for future reference. WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE. FOR CANADIAN CUSTOMERS TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT AND FULLY INSERT. THIS CLASS B DIGITAL APPARATUS MEETS ALL REQUIREMENTS OF THE CANADIAN INTERFERENCECAUSING EQUIPMENT REGULATIONS. FREQUENCY STEP switch (General Model only) Because the interstation frequency spacing differs in different areas, set the FREQUENCY STEP switch (located at the rear) according to the frequency spacing in your area. Before setting this switch, disconnect the AC power plug of this unit from the AC outlet. 8. Be sure to read the “TROUBLESHOOTING” section regarding common operating errors before concluding that the unit is faulty. 9. When not planning to use this unit for long periods of time (ie., vacation, etc.), disconnect the AC power plug from the wall outlet. 10. To prevent lightning damage, disconnect the AC power plug and disconnect the antenna cable when there is an electrical storm. 11. Grounding or polarization – Precautions should be taken so that the grounding or polarization of an appliance is not defeated. WARNING Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise this unit may be damaged. IF THIS UNIT FAILS TO TURN ON WHEN THE POWER SWITCH IS PRESSED The IMPEDANCE SELECTOR switch may not be set to either end closely. If so, set the switch to either end closely. IMPEDANCE SELECTOR 12. AC outlet Do not connect audio equipment to the AC outlet on the rear panel if that equipment requires more power than the outlet is rated to provide. MAIN REAR 6ΩMIN. /SPEAKER CENTER SINGLE:6ΩMIN. /SPEAKER DUAL:3ΩMIN. /SPEAKER MAIN A OR B:4ΩMIN. /SPEAKER A B:8ΩMIN. /SPEAKER REAR 8ΩMIN. /SPEAKER CENTER SINGLE:8ΩMIN. /SPEAKER DUAL:4ΩMIN. /SPEAKER MAIN A OR B:8ΩMIN. /SPEAKER A B:I6ΩMIN. /SPEAKER 13. Voltage Selector (General Model only) The voltage selector on the rear panel of this unit must be set for your local main voltage BEFORE plugging into the AC main supply. Voltages are 110/120/220/240 V AC, 50/60 Hz. SWITCHED I20V 60Hz I00W MAX. TOTAL AC OUTLETS This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. In this state, this unit is designed to consume a very small quantity of power. 4 CENTER IMPEDANCE SELECTOR (U.S.A. model) MAINS PROFILE OF THIS UNIT You are the proud owner of a Yamaha stereo receiver –an extremely sophisticated audio component. The Digital Sound Field Processor (DSP) built into this unit takes advantage of Yamaha’s undisputed leadership in the field of digital audio processing to bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system, and this unit will sonically transform your room into a wide range of listening environments –movie theater, concert hall, and so on. In addition, you get incredible realism from sources encoded with Dolby Surround using the built-in Dolby Pro Logic Surround Decoder. Please read this operation manual carefully and store it in a safe place for later reference. Digital Sound Field Processing What is it that makes live music so good? Today’s advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but chances are you’ll still notice something missing: the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for Yamaha engineers to bring you this same sound in your own listening room, so you’ll feel all the sound of a live concert. Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of venues such as an actual concert hall, theater, etc. to allow you to accurately recreate one of several actual live performance environments, all in your own home. Dolby Pro Logic Surround This unit employs a Dolby Pro Logic Surround decoder similar to professional Dolby Stereo decoders used in many movie theaters. By using the Dolby Pro Logic Surround decoder, you can experience the dramatic realism and impact of Dolby Surround movie theater sound in your own home. Dolby Pro Logic employs a four channel five speaker system. The Pro Logic Surround system divides the input signal into four levels: the left and right main channels, the center channel (used for dialog), and the rear surround sound channels (used for sound effects, background noise, and other ambient noises). The center channel allows listeners seated in even less-than-ideal positions to hear the dialog originating from the action on the screen while experiencing good stereo imaging. Dolby Surround is encoded on the sound track of pre-recorded video tapes, laser discs, and some TV/cable broadcasts. When you play a source encoded with Dolby Surround on this unit, the Dolby Pro Logic Surround decoder decodes the signal and distributes the surround-sound effects. This Dolby Pro Logic Surround Decoder employs a digital signal processing system. This system improves the stability of sound at each channel and minimizes crosstalk between channels, so that positioning of sounds around the room is more accurate compared with conventional analog signal processing systems. In addition, this unit features a built-in automatic input balance control. This always assures you the best performance without manual adjustment. Manufactured under license from Dolby Laboratories Licensing Corporation. “Dolby”, “AC-3”, “Pro Logic”, and the double-D symbol are trademarks of Dolby Laboratories Licensing Corporation. Dolby Pro Logic Surround + DSP Dolby Surround sound system shows its full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater using many speakers. It is difficult to create a sound environment similar to that of a movie theater in your listening room, because the room size, materials of inside walls, the number of speakers, etc. of your listening room is much different from those of a movie theater. Yamaha DSP technology made it possible to present you with nearly the same sound experience as that of a large movie theater in your listening room by compensating for lack of presence and dynamics in your listening room with its original digital sound fields combined with Dolby Surround sound field. The combination of Dolby Pro Logic Surround and DSP is used on the sound field program “ PRO LOGIC ENHANCED”. CINEMA DSP The YAMAHA “CINEMA DSP” logo indicates these programs are created by the combination of Dolby Pro Logic and YAMAHA DSP technology. 5 SPEAKER SETUP SPEAKERS TO BE USED This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The most effective speakers to use with this unit are main speakers, rear speakers and a center speaker. You may omit the center speaker. (Refer to the “4-Speaker Configuration” shown below.) The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog etc.) within programs encoded with Dolby Surround. The center speaker needs to be equal in power to the main speakers, although the rear speakers should not be equal. However, all the speakers should have high enough power handling to accept the maximum output of this unit. SPEAKER CONFIGURATION 5-Speaker Configuration 4-Speaker Configuration This configuration is the most effective and recommended one. In this configuration, the center speaker is necessary as well as the rear speakers. If the program DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED is selected, conversations will be output from the center speaker and the ambience will be excellent. • Set the center channel mode to the “NORMAL” or “WIDE” position. (For details, refer to page 18.) The center speaker is not used in this configuration. If the program DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED is selected, the center sound is output from the left and the right main speakers. However, the sound effect of other programs can be the same as that of the 5-speaker configuration. • Be sure to set the center channel mode to the “PHANTOM” position. (For details, refer to page 18.) Front Main L Center FrontRR Main Front Main L Dialogue Dialogue Surround sound Surround sound Rear L Rear R Rear L FrontRR Main Rear R SPEAKER PLACEMENT The recommended speaker configuration, the 5-speaker configuration, will require two speaker pairs: main speakers (your normal stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following. Main: In normal position. (The position of your present stereo speaker system.) Rear: Behind your listening position, facing slightly inward. Nearly six feet (approx. 1.8 m) up from the floor. Center: Precisely between the main speakers. (To avoid interference with TV sets, use a magnetically shielded speaker.) FrontRR Main Center Main FrontLL TV set Rear R Rear L 6 CONNECTIONS Never plug in this unit and other components until all connections are completed. CONNECTIONS WITH OTHER COMPONENTS When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit. * If you have YAMAHA components numbered as 1, 2, 3, etc. on the rear panel, connections can be made easily by making sure to connect the output (or input) terminals of each component to the same-numbered terminals of this unit. Monitor TV VIDEO OUT AUDIO OUT LD player etc. VIDEO IN GND OUTPUT Turntable 2 * (U.S.A. model) MAIN 6CH DISCRETE INPUT DVD/LD TV/DBS GND MAIN CENTER IMPEDANCE SELECTOR REAR (SURROUND) CENTER SURROUND REAR (SURROUND) REAR 6ΩMIN. /SPEAKER CENTER SINGLE:6ΩMIN. /SPEAKER DUAL:3ΩMIN. /SPEAKER MAIN A OR B:4ΩMIN. /SPEAKER A B:8ΩMIN. /SPEAKER 75Ω UNBAL. CENTER FM ANT C SUB WOOFER D DUAL REAR 8ΩMIN. /SPEAKER CENTER SINGLE:8ΩMIN. /SPEAKER DUAL:4ΩMIN. /SPEAKER MAIN A OR B:8ΩMIN. /SPEAKER SUB A B:I6ΩMIN. /SPEAKER MAINS WOOFER SINGLE VIDEO SIGNAL OUTPUT CAUTION SEE INSTRUCTION MANUAL FOR CORRECT SETTING. GND AM ANT MONITOR DVD/LD TV/DBS OUT VIDEO IN VCR OUT A A B B AUDIO SIGNAL 1 PHONO 1 REC 3 TAPE PB 4 OUT CD TAPE ( MD ) IN DVD/LD TV/DBS OUT MAIN VCR * SWITCHED I20V 60Hz I00W MAX. TOTAL SPEAKERS AC OUTLETS CD player 1 Tape deck, MD recorder, etc. TV/Satellite tuner VIDEO OUT VIDEO IN AUDIO IN AUDIO OUT AUDIO OUT VIDEO OUT LINE IN LINE OUT OUTPUT To AC outlet Video cassette recorder 2 ** , : See the next page. 7 1 * * AC OUTLET(S) (SWITCHED) 2 GND terminal (For turntable use) [U.S.A., Canada and General models] ........................................................ 2 SWITCHED OUTLETS [Australia model]................................ 1 SWITCHED OUTLET Connecting the ground wire of the turntable to the GND terminal will normally minimize hum, but in some cases better results may be obtained with the ground wire disconnected. Use these to connect the power cords from your components to this unit. The power to the SWITCHED outlets is controlled by this unit’s POWER switch or the provided remote control transmitter’s POWER key. These outlets will supply power to any component whenever this unit is turned on. The maximum power (total power consumption of components) that can be connected to the SWITCHED AC OUTLET(S) is 100 watts. CONNECTING TO VIDEO AUX TERMINALS (ON THE FRONT PANEL) These terminals are used to connect any video input source such as a camcorder to this unit. VIDEO AUX VIDEO L AUDIO R AUDIO OUT R R AUDIO OUT L L VIDEO OUT VIDEO Camcorder 8 Connecting with a Dolby Digital (AC-3) Decoder If you have a Dolby Digital (AC-3) Decoder unit or an LD player etc. which incorporates a Dolby Digital (AC-3) Decoder, its discrete outputs can be connected to this unit. 6CH DISCRETE OUTPUT MAIN CENTER SURROUND Dolby Digital (AC-3) Decoder unit DIGITAL IN SUB WOOFER (U.S.A. model) 6CH DISCRETE INPUT DVD/LD TV/DBS GND MAIN CENTER SURROUND DIGITAL OUT 75Ω UNBAL. FM ANT SUB WOOFER RF Demodulator VIDEO SIGNAL GND AM ANT MONITOR IN OUT VCR OUT S VIDEO MONITOR DVD/LD TV/DBS OUT VIDEO IN VCR OUT AUDIO SIGNAL PHONO 1 REC 3 TAPE PB 4 OUT CD TAPE ( MD ) AC-3 RF IN IN DVD/LD TV/DBS OUT VCR AC-3 RF OUT VIDEO OUT AUDIO OUT Laserdisc player with AC-3 RF output or another unit with AC-3 RF output Notes The laserdisc player (or another unit) must be also connected to the DVD/LD (or TV/DBS) AUDIO SIGNAL input terminals of this unit for playing a source with the Dolby Pro Logic Surround decoded or in normal stereo (or monaural). • The discrete signals input to this unit cannot be recorded by a tape deck, MD recorder or VCR. To record a source played on the laserdisc player (or another unit), it must be connected to the DVD/LD (or TV/DBS) AUDIO/VIDEO SIGNAL input terminals of this unit. • • If you made no connection to the SUBWOOFER input terminal of this unit or you will not use a subwoofer, you should make a setting for distributing signals at the LFE channel to the right and left MAIN output terminals on the Dolby Digital (AC-3) Decoder unit. For details, refer to the owner’s manual for the Dolby Digital (AC-3) Decoder unit. 9 CONNECTING SPEAKERS Rear speaker Rear speaker Subwoofer system Left Right Center speaker (U.S.A. model) MAIN CENTER REAR (SURROUND) REAR (SURROUND) IMPEDANCE SELECTOR REAR 6ΩMIN. /SPEAKER CENTER SINGLE:6ΩMIN. /SPEAKER DUAL:3ΩMIN. /SPEAKER MAIN A OR B:4ΩMIN. /SPEAKER A B:8ΩMIN. /SPEAKER CENTER C REAR 8ΩMIN. /SPEAKER CENTER SINGLE:8ΩMIN. /SPEAKER DUAL:4ΩMIN. /SPEAKER MAIN A OR B:8ΩMIN. /SPEAKER A B:I6ΩMIN. /SPEAKER D DUAL SUB WOOFER SINGLE OUTPUT CAUTION SEE INSTRUCTION MANUAL FOR CORRECT SETTING. Main speakers B Right A A B B Right Left Left MAIN SPEAKERS Main speakers A Note Use speakers with the specified impedance shown on the rear of this unit. Note on main speaker connections: One or two speaker systems can be connected to this unit. If you use only one speaker system, connect it to either the SPEAKERS A or B terminals. Note on a subwoofer connection: You may wish to add a subwoofer to reinforce low frequencies or to output low bass sound from the subwoofer channel when reproducing discrete signals. Connect the SUBWOOFER OUTPUT terminal of this unit to the INPUT terminal of the subwoofer amplifier, and connect the speaker terminals of the subwoofer amplifier to the subwoofer. With some subwoofers, including the Yamaha Active Servo Processing Subwoofer System, the amplifier and subwoofer are in the same unit. Note on center speaker connection: One or two center speakers can be connected to this unit. If you cannot place the center speaker on or under the TV, it is recommended to use two center speakers and place them on both sides of the TV to orient the center sound at the center position. For connecting two center speakers, follow the method shown below. REAR (SURROUND) CENTER C D DUAL SINGLE Center speaker 10 Center speaker How to Connect: Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and – markings are observed. If these wires are reversed, the sound will be unnatural and lack bass. Caution Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damage this unit and/or speakers. For connecting to the MAIN SPEAKERS terminals Red: positive (+) Black: negative (–) 2 1 3 For connecting to the REAR and CENTER SPEAKERS terminals Red: positive (+) Black: negative (–) ➀ Unscrew the knob. ➁ Insert the bare wire. [Remove approx. 5mm (1/4”) insulation from the speaker wires.] ➂ Tighten the knob and secure the wire. ➀ Press the tab. ➁ Insert the bare wire. ➀ ➂ [Remove approx. 5mm (1/4”) insulation from the speaker wires.] ➂ Release the tab and secure the wire. ➁ Banana Plug connections are also possible. Simply insert the Banana Plug connector into the corresponding terminal. 11 OUTPUT terminals (for driving speakers with external amplifiers) MAIN CENTER REAR (SURROUND) SUB WOOFER REAR (SURROUND) OUTPUT terminals These terminals are for rear channel line output. There is no connection to these terminals when you use the built-in amplifier. However, if you drive rear speakers with an external stereo power amplifier, connect the input terminals of the external amplifier (MAIN IN or AUX terminals of a power amplifier or an integrated amplifier) to these terminals. OUTPUT MAIN OUTPUT terminals SUBWOOFER OUTPUT terminal These terminals are for main channel line output. There is no connection to these terminals when you use the built-in amplifier. However, if you drive main speakers with an external stereo power amplifier, connect the input terminals of the external amplifier (MAIN IN or AUX terminals of a power amplifier or an integrated amplifier) to these terminals. * Output signals from the MAIN OUTPUT terminals only are affected by the use of BASS, TREBLE, BALANCE controls and BASS EXTENSION switch. This terminal is for connecting with the input terminal of an amplifier for driving a subwoofer. When the input signals to this unit are in normal 2-channel stereo, this terminal outputs only frequencies below 200 Hz from the main and center channels. When discrete signals are input to this unit and are selected as the input source, this terminal outputs signals from the subwoofer channel. CENTER OUTPUT terminal This terminal is for center channel line output. There is no connection to this terminal when you use the built-in amplifier. However, if you drive a center speaker with an external power amplifier, connect the input terminal of the external amplifier to this terminal. Note Output level of signals from all of these terminals are adjusted by the use of VOLUME control on the front panel or MASTER VOLUME keys on the remote control transmitter. IMPEDANCE SELECTOR switch Be sure to switch this only when the power of this unit is turned off. Select the position whose requirements your speaker system meets. IMPEDANCE SELECTOR REAR 6ΩMIN. /SPEAKER CENTER SINGLE:6ΩMIN. /SPEAKER DUAL:3ΩMIN. /SPEAKER MAIN A OR B:4ΩMIN. /SPEAKER A B:8ΩMIN. /SPEAKER WARNING Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise this unit may be damaged. REAR 8ΩMIN. /SPEAKER CENTER SINGLE:8ΩMIN. /SPEAKER DUAL:4ΩMIN. /SPEAKER MAIN A OR B:8ΩMIN. /SPEAKER A B:I6ΩMIN. /SPEAKER IF THIS UNIT FAILS TO TURN ON WHEN THE POWER SWITCH IS PRESSED The IMPEDANCE SELECTOR switch may not be set to either end closely. If so, set the switch to either end closely. (Upper position) Rear: The impedance of each speaker must be 6Ω or higher. (U.S.A. model) (Lower position) Rear: The impedance of each speaker must be 8Ω or higher. Center: If you use one center speaker, the impedance of the speaker must be 6Ω or higher. If you use two center speakers, the impedance of each speaker must be 3Ω or higher. Center: If you use one center speaker, the impedance of the speaker must be 8Ω or higher. If you use two center speakers, the impedance of each speaker must be 4Ω or higher. Main: Main: 12 If you use one pair of main speakers, the impedance of each speaker must be 4Ω or higher. If you use two pairs of main speakers, the impedance of each speaker must be 8Ω or higher. If you use one pair of main speakers, the impedance of each speaker must be 8Ω or higher. <Except Canada model> If you use two pairs of main speakers, the impedance of each speaker must be 16Ω or higher. ANTENNA CONNECTIONS ● ● Each antenna should be connected to the designated terminals correctly, referring to the following diagram. Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement. Outdoor FM antenna Outdoor AM antenna Indoor FM antenna (included) AM loop antenna (included) GND 75-ohm/300-ohm antenna adapter 75Ω UNBAL. FM ANT 75-ohm coaxial cable GND AM ANT PHONO 75-ohm/300-ohm antenna adapter 300-ohm feeder Ground Connecting the AM loop antenna 1 2 ➀ ➂ ➁ 3 Orient so that the best reception is obtained. * The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall. * The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit. GND terminal For maximum safety and minimum interference, connect the GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth. Notes ● When connecting the indoor FM antenna, insert its connector into the FM ANT terminal firmly. ● If you need an outdoor FM antenna to improve FM reception quality, either 300-ohm feeder or coaxial cable may be used. In locations troubled by electrical interference, coaxial cable is preferable. 13 CONTROLS AND THEIR FUNCTIONS FRONT PANEL 1 2 3 NATURAL SOUND 4 CINEMA DSP R–V902 AV RECEIVER 5 6 PRO LOGIC ENHANCED CONCERT VIDEO DISCO ROCK CONCERT CONCERT HALL 7 8 9 MONO MOVIE STADIUM EFFECT VOLUME l6 VCR PRESET SLEEP ms dB STEREO POWER kHz MHz MEMORY AUTO PTY HOLD PS INFO AFFAIRS SPORT PTY RT CT EON NEWS 0 20 40 60 l00 TV/DBS 1 2 l2 28 8 60 2 NORMAL WIDE PHANTOM EFFECT OFF VIDEO AUX TAPE (MD) MON 2CH/6CH 4 40 TAPE MONITOR PRO LOGIC CONCERT MONO DISCO ROCK CONCERT VIDEO MOVIE STADIUM CONCERT HALL ENHANCED TUNER A/B/C/D/E 20 DVD/LD 3 4 5 6 7 PHONO CD 8 0 –dB PHONES SPEAKERS BASS EXTENSION BASS 0 l l B A 2 2 3 ON ON OFF OFF BC D 2 3 4 4 5 0 A TREBLE 0 l l 2 3 3 4 5 BALANCE 0 l l 2 5 E 1 POWER switch Press this switch to switch the power on. Press it again to switch the power off. 2 Standby mode indicator (Except U.S.A. and Canada models) While the power is on, pressing the SYSTEM POWER OFF key on the remote control transmitter switches the unit to the standby mode. In this mode, this indicator is illuminated. 3 Remote control sensor Receives signals from the remote control transmitter. 4 Display panel Shows various information. (Refer to page 16 for details.) 5 Input selector buttons Select a program source to listen to or watch. When a button is pressed, the name of selected source appears on the display. 6 DSP program selector buttons Select a DSP program. When a button is pressed, the name of selected program lights up on the display. 3 4 MEMORY EDIT TUNING MODE TIME/LEVEL 4 L5 5R F MAN'L/AUTO FM AUTO/MAN'L MONO VIDEO G HI K LM J L AUDIO R N 7 2CH/6CH selector button When the TV/DBS or DVD/LD input source is selected, pressing this button switches the input signals between 2 channel stereo signals and 6 channel discrete signals. When switched to “6CH”, discrete signals from the unit connected to the 6CH DISCRETE INPUT DVD/LD TV/DBS terminals of this unit are selected as the input signals. 8 EFFECT button Switches on/off the digital sound field processor (including the Dolby Pro Logic Surround decoder). 9 VOLUME control Used to raise or lower the volume level. 0 PHONES jack When you listen with headphones, connect the headphones to the PHONES jack. You can listen to the sound to be output from the main speakers through headphones. When listening with headphones privately, set both the SPEAKERS A and B switches to the OFF position and switch off the digital sound field processor (so that no DSP program name is illuminated on the display) by pressing the EFFECT button. PHONES 14 VIDEO AUX 2 3 4 5 FM/AM DELAY/CENTER CENTER MODE DOWN TUNING UP /REAR/SWFR A SPEAKERS switches Set the switch A or B (or both A and B) for the main speaker system (connected to this unit) you will use to the ON position. Set the switch for the main speaker system you will not use to the OFF position. B A/B/C/D/E button Press this button to select a desired group (A–E) of preset stations. C BASS EXTENSION switch When this switch is pressed inward (ON), boosts bass frequency response at the main left and main right channels while maintaining overall tonal balance. If you do not have a subwoofer, the use of this switch will be effective to reinforce the bass frequencies. D Preset station number selector buttons Select a preset station number (1 to 8). E Tone controls These controls are effective only for the sound from the main speakers. BASS Used to increase or decrease the low frequency response. The 0 position produces flat response. TREBLE Used to increase or decrease the high frequency response. The 0 position produces flat response. F BALANCE control Adjusts the balance of the output volume to the left and right speakers to compensate for sound imbalance caused by speaker location or listening room conditions. I EDIT button This button is used to exchange the places of two preset stations with each other. J TUNING DOWN/UP button Used for tuning. Press the “UP” side to tune in to higher frequencies, and press the “DOWN” side to tune in to lower frequencies. K TUNING MODE (AUTO/MAN’L MONO) button Press this button to switch the tuning mode to automatic or manual. To select the automatic tuning mode, press this button so that “AUTO” lights up on the display. To select the manual tuning mode, press this button so that “AUTO” goes off. L DELAY/CENTER/REAR/SWFR and TIME/LEVEL +/– buttons Adjust the delay time (DELAY), the rear channel output level (REAR), center channel output level (CENTER) and the output level to the SUBWOOFER OUTPUT terminal (SWFR). Select the item which you want to adjust by pressing the DELAY/CENTER/REAR/SWFR button and adjust its time or level by pressing the TIME/LEVEL +/– button. M CENTER MODE button Selects a center channel output mode (NORMAL, WIDE or PHANTOM). (For details, refer to page 18.) N VIDEO AUX terminals Connect an auxiliary video or audio input source unit such as a camcorder to these terminals. The source connected to these terminals can be selected by the corresponding input selector button. G FM/AM buttons Press this button to switch the reception band to FM or AM. H MEMORY (MAN’L/AUTO FM) button When this button is pressed, the MEMORY indicator flashes for about 5 seconds. During this period, select a desired preset station number by pressing the corresponding preset station number selector button to enter the displayed station into the memory. When this button is pressed and held for about 3 seconds, the automatic preset tuning begins. (Refer to page 25 for details.) 15 DISPLAY PANEL 1 2 PRESET 3 SLEEP ms dB STEREO kHz MHz MEMORY AUTO 8 20 40 60 l00 5 6 NORMAL WIDE PHANTOM EFFECT OFF TAPE MONITOR PRO LOGIC CONCERT MONO DISCO ENHANCED 7 0 4 9 1 Multi-information display Displays various information, for example station frequency, preset station number and name of selected input source. 2 STEREO indicator Lights up when an FM stereo broadcast with sufficient signal strength is received. 3 Signal-level meter Indicates the signal level of the received station. If multipath interference is detected, the indication decreases. 4 SLEEP indicator Lights up while the built-in SLEEP timer is functioning. 5 Center channel mode indicators The name of a selected center channel mode lights up only when a program which uses the Dolby Pro Logic Surround decoder is selected. ROCK CONCERT VIDEO MOVIE STADIUM CONCERT HALL 0 6 EFFECT OFF indicator Lights up if neither the digital sound field processor nor the Dolby Pro Logic Surround decoder is on. In this state, sound output is 2-channel stereo. 7 MEMORY indicator When the MEMORY button is pressed, this indicator flashes for about 5 seconds. During this period, the displayed station can be programmed to the memory by using the A/B/C/D/E button and the preset station number selector buttons. 8 AUTO indicator Lights up when this unit is in the automatic tuning mode. 9 TAPE MONITOR indicator Lights up when the tape deck (or MD recorder etc.) is selected as the input source by pressing the TAPE (MD) MON button. 0 DSP program indicators The name of a selected DSP program lights up when the builtin digital sound field processor and/or the Dolby Pro Logic Surround decoder is on. 16 SPEAKER BALANCE ADJUSTMENT This procedure lets you adjust the sound output level balance between the main, center, and rear speakers using the built-in test tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from each speaker. This is important for the best performance of the digital sound field processor and the Dolby Pro Logic Surround decoder. The adjustment of each speaker output level should be done at your listening position with the remote control transmitter. Otherwise, the result may not be satisfactory. 1 2 A DIR VCR B STOP B DISC DVD/LD TV/DBS l6 20 l2 28 8 60 2 C 4 40 PRESET A/B/C/D/E 0 –dB PRO LOGIC ENHANCED V-AUX 2 3 STADIUM DISCO 4 5 6 PHONO 9 EFFECT ROCK HALL 7 3 5 CONCERT VIDEO 1 MONO MOVIE 4 8 +10 ON/OFF TEST 0 TIME/LEVEL 6 DELAY CENTER REAR SWFR S EEP 2CH/6CH 1 4 VOLUME l6 20 l2 28 BASS 0 l 8 TREBLE 0 l l l 2 4 40 2 3 3 4 4 5 5 2 BALANCE 0 l l 2 3 3 4 4 5 5 2 2 3 3 4 4 L5 5R 2 60 0 –dB Set to the “0” position. Set to the “∞” position. 2 5 Turn the power on. BASS EXTENSION POWER ON OFF Set to the “OFF ( 3 )”. Select the main speakers to be used. SPEAKERS A 6 B TEST ON OFF * If you use two main speaker systems, press both the A and B switches. CONTINUED 17 +10 TEST 0 TIME/LEVEL DELAY CENTER REAR SWFR SLEEP 2CH/6CH MASTER VOLUME SYSTEM POWER TV l6 20 l2 28 8 4 40 2 60 0 –dB VCR OFF REMOTE CONTROL TRANSMITTER 9 7 7 Select the center channel output mode suitable for your speaker configuration. (Refer to “SPEAKER CONFIGURATION” on page 6.) CENTER MODE 8 8 Turn up the volume. NORMAL WIDE PHANTOM On the feature of each mode, refer to the “Note” shown below. You will hear a test tone (like pink noise) from the left main speaker, then the center speaker, then the right main speaker, and then the rear speakers, for about two seconds each. The display changes as shown below. Center Main (L) Note In step 7, when you select a center channel output mode, note the following. For 5 speaker configuration) NORMAL: Select this mode when you use a center speaker that is smaller than the main speakers. In this mode, the bass tone will be output from the main speakers. WIDE: Select this mode when you use the center speaker approximately same sized as the main speakers. For 4 speaker configuration) PHANTOM: Select this mode when you do not use the center speaker. The center sound will be output from the left and right main speakers. Rear (L and R) * 9 Main (R) The test tone from the left rear speaker and the right rear speaker will be heard at the same time. Adjust the BALANCE control so that the effect sound output level of the left main speaker and the right main speaker are the same. BALANCE 0 l l 2 2 3 3 4 4 L5 18 5R PRO LOGIC ENHANCED CONCERT VIDEO V-AUX 1 2 3 MONO MOVIE STADIUM DISCO 4 5 6 PHONO 9 EFFECT ROCK HALL 7 8 +10 TEST ON/OFF 0 11 10 TIME/LEVEL DELAY CENTER REAR SWFR SLEEP 2CH/6CH SYSTEM POWER MASTER VOLUME TV VCR OFF 10 a) Adjust the sound output levels of the center speaker and the rear speakers so that they become almost as same as that of the main speakers. 11 Cancel the test tone. TEST Press once or more so that “CENTER” or “REAR” appears on the display. * Select “CENTER” to adjust the output level of the center speaker, and select “REAR” to adjust the output level of the rear speakers. Disappears. Notes Once you have completed these adjustments, you can adjust whole sound level on your audio system by using the VOLUME control (or the MASTER VOLUME keys on the remote control transmitter) only. ● If you use external power amplifiers, you may also use their volume controls to achieve proper balance. ● In step 10, if the center channel mode is in the “PHANTOM” position, the sound output level of the center speaker cannot be adjusted. This is because in this mode, the center sound is automatically output from the left and right main speakers. ● b) Adjust its level. * Pressing the + side raises and the – side lowers the level. 19 BASIC OPERATIONS TO PLAY A SOURCE 3 2 1, 6 l6 20 l2 28 8 4 40 2 60 0 –dB 4 1 7 5 VOLUME l6 20 l2 28 8 6 4 40 Play the source. (For detailed information on the tuning operation, refer to page 23.) VOLUME l6 20 l2 28 2 60 8 0 4 40 –dB Set to the “∞” position. 2 60 0 –dB 2 Adjust to the desired output level. Turn the power on. POWER 7 3 Select the desired input source by using the input selector buttons. (For video sources, turn the TV/monitor ON.) VCR TV/DBS DVD/LD VIDEO AUX TAPE (MD) MON 2CH/6CH * The name of the selected input source will appear on the display. 4 Select the main speakers to be used. SPEAKERS A ON B OFF * If you use two main speaker systems, press both the A and B switches. 20 If desired, adjust the BASS, TREBLE, BALANCE controls, etc. (refer to page 22.) and use the digital sound field processor. (Refer to page 28.) Notes on using the input selector buttons Note that pressing on each input selector button selects the source which is connected to the corresponding input terminals on the rear panel. * To select the source connected to the VIDEO AUX terminals on the front panel, press VIDEO AUX. ● The selection of TAPE (MD) MON cannot be canceled by pressing another input selector button. To cancel it, press TAPE (MD) MON again so that “TAPE MONITOR” disappears from the display. When you select a button other than TAPE (MD) MON, make sure that “TAPE MONITOR” is not illuminated on the display. ● If you select the input selector button for a video source without canceling the selection of TAPE (MD) MON, the playback result will be the video image from the video source and the sound from the audio tape (or MD etc.). ● Once you play a video source, its video image will not be interrupted even if the input selector button for an audio source is selected. ● To turn off the power Press the POWER switch again. To listen to a decoded source using Dolby Digital (AC-3) by reproducing the signals input to the 6CH DISCRETE INPUT DVD/LD TV/DBS terminals of this unit. TO RECORD A SOURCE TO TAPE (OR MD) 1 4 In step 3, select TV/DBS or DVD/LD, and then press the 2CH/6CH button so that “6ch” appears on the display. Discrete signals from the unit connected to the 6CH DISCRETE INPUT DVD/LD TV/DBS terminals of this unit are selected as the input signals. 2 l6 20 l2 28 8 4 40 2 60 0 –dB 2CH/6CH 1 To cancel it, press the 2CH/6CH button again or select another input source. Note for reproducing discrete signals with Dolby Digital (AC-3) decoded: 1. Your speaker system must include a center speaker. 2. Your speaker system must include a subwoofer. * Connect a subwoofer which has a built-in amplifier to the SUBWOOFER OUTPUT terminal of this unit. * You can do without using a subwoofer. If you do so, you should make a setting for distributing signals at the LFE channel to the right and left MAIN output terminals on the Dolby Digital (AC-3) Decoder unit. For details, refer to the owner’s manual for the Dolby Digital (AC-3) Decoder unit. 2 Select the source to be recorded. VCR TV/DBS DVD/LD VIDEO AUX TAPE (MD) MON 2CH/6CH TUNER PHONO CD Play the source and then turn the VOLUME control up to confirm the input source. (For detailed information on the tuning operations, refer to the page 23.) VOLUME l6 20 l2 28 8 4 40 2 60 Notes ● When you switch to the “6CH” mode, the built-in Digital Sound Field processor will not work and adjustment of delay time cannot be made. ● 0 –dB 3 Switching this unit to the “6CH” mode will input no signal to this unit if there is no connection to the 6CH DISCRETE INPUT DVD/LD TV/DBS terminals of this unit. 4 Begin recording on the tape deck (or MD recorder etc.) or VCR connected to this unit. If the tape deck (or MD recorder etc.) is used for recording, you can monitor the sounds being recorded by pressing TAPE (MD) MON so that “TAPE MONITOR” lights up on the display. VIDEO AUX TAPE (MD) MON 2CH/6CH TUNER PHONO CD Notes The settings of DSP and the VOLUME, BASS, TREBLE, BALANCE controls and the BASS EXTENSION switch have no effect on the material being recorded. ● In step 1, do not make an input source selection so that “6ch” appears on the display. Signals input to this unit’s 6CH DISCRETE INPUT DVD/LD TV/DBS terminals cannot be recorded by a tape deck, MD recorder or VCR. ● 21 Selecting the SPEAKER system Because one or two speaker systems (as main speakers) can be connected to this unit, the SPEAKERS switches allow you to select speaker system A or B, or both at once. Adjusting the BASS and TREBLE controls BASS 0 l TREBLE 0 l l l 2 SPEAKERS A 2 3 3 4 B 4 5 ON 2 2 3 3 4 5 4 5 5 OFF BASS Adjusting the BALANCE control Adjust the balance of the output volume to the left and right speakers to compensate for sound imbalance caused by speaker location or listening room conditions. : Turn this clockwise to increase (or counterclockwise to decrease) the low frequency response. TREBLE : Turn this clockwise to increase (or counterclockwise to decrease) the high frequency response. Note These controls are effective only for the sound from the main speakers. BALANCE 0 l l 2 2 3 3 4 4 L5 5R Note This control is effective only for the sound from the main speakers. Using the BASS EXTENSION switch You can boost bass frequency response by setting this switch to the “ON” position. This switch is effective only on the sound from the main speakers. BASS EXTENSION ON 22 OFF TUNING OPERATIONS Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING). l6 20 l2 28 8 4 40 2 60 0 –dB 1 AUTOMATIC TUNING 1 3 2 MANUAL TUNING Select the reception band (FM or AM) confirming it on the display. 1 FM/AM Select the reception band (FM or AM) confirming it on the display. FM/AM or or 2 2 TUNING MODE TUNING MODE Turn “AUTO ” off. AUTO/MAN’L MONO AUTO/MAN’L MONO AUTO 3 DOWN TUNING UP 3 Tune to a desired station manually. DOWN TUNING UP To tune to a higher frequency, press the right side once. To tune to a lower frequency, press the left side once. * If the station where tuning search stops is not the desired one, press again. * If the tuning search does not stop at the desired station (because the signals of the station are weak), change to the MANUAL TUNING method. * To continue tuning search, press and hold the button. Note If you tune to an FM station manually, it is received in monaural mode automatically to increase the signal quality. 23 PRESET TUNING MANUAL PRESET TUNING This unit can store station frequencies selected by tuning operation. With this function, you can recall any desired station by only selecting the preset station number where it is stored. Up to 40 stations (8 stations x 5 groups) can be stored. l6 20 l2 28 8 4 40 2 60 0 –dB 2, 1 4, 2 To recall a preset station To store stations 1 2 3 1 Tune to a desired station. (Refer to the previous page for tuning procedure.) Select the group of preset stations. A/B/C/D/E Select a desired group (A – E) of preset stations confirming it on the display. A/B/C/D/E 2 PRESET Select the preset station number. 1 3 2 3 4 5 6 7 8 MEMORY MEMORY MAN’L/AUTO FM Flashes on and off for about 5 seconds. 4 Select a preset station number where you want to program the station before “MEMORY” goes off from the display. 1 2 3 4 5 6 7 8 Shows the displayed station has been programmed to A1. PRESET STEREO MHz 0 20 40 60 l00 AUTO * In the same way, program other stations to A2, A3 ... A8. * You can program more stations to preset station numbers on other groups in the same way by selecting other groups in step 2. 24 Notes A new setting can be programmed in place of the former one. • For presets, the setting of the reception mode (stereo or monaural) is stored along with the station frequency. • Memory back-up The memory back-up circuit prevents the programmed data from being lost even if the POWER switch is set off or the power plug is disconnected from the AC outlet or the power is cut due to temporary power failure. If, however, the power is cut for more than one week, the memory may be erased. If so, it can be re-programmed by simply following the PRESET TUNING steps. AUTOMATIC PRESET TUNING You can also make use of an automatic preset tuning function for FM stations only. By this function, this unit performs automatic tuning and stores FM stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the manual preset tuning method on page 24. l6 20 l2 28 8 4 40 2 60 0 –dB 1 23 To store stations 1 When the automatic preset tuning is finished The display shows the frequency of the last preset station. Check the contents and the number of preset stations by following the procedure of the section “To recall a preset station” on page 24. FM/AM To recall a preset station 2 Simply follow the procedure of the section “To recall a preset station” on page 24. MEMORY PRESET MAN’L/AUTO FM MEMORY AUTO Press and hold for about 3 seconds. 3 Flashes. DOWN TUNING UP Notes ● You can replace a preset station by another FM or AM station manually by simply following the procedure of the section “To store stations” on page 24. ● If the number of received stations is not enough to be stored up to E8, the search is finished automatically after searching all frequencies. ● With this function, only FM stations with sufficient signal strength are stored automatically. If the station you want to program is weak in signal strength, tune to it in monaural manually and program it by following the procedure of the section “To store stations” on page 24. To tune to higher frequencies, press right side once. To tune to lower frequencies, press left side once. * If the TUNING button is not pressed, in a while, the automatic preset tuning begins automatically toward higher frequencies. The automatic preset tuning begins from the frequency currently displayed. Received stations are programmed to A1, A2 ... A8 sequentially. * If more than 8 stations are received, they are also programmed to the preset station numbers on other groups (B, C, D and E) in that order. If you want to store the first station received by the automatic preset tuning to a desired preset station number. If, for example, you want to store the first received station to C5, select “C5” by using the A/B/C/D/E button and the preset station number selector buttons after pressing the MEMORY button in step 2. Then press the TUNING button. The first received station is stored to C5, and next stations to C6, C7 ... sequentially. If stations are stored up to E8, the automatic preset tuning is finished automatically. 25 EXCHANGING PRESET STATIONS You can exchange the places of two preset stations with each other as shown below. l6 20 l2 28 8 4 40 2 60 0 –dB 2, 4 Example) If you want to shift the preset station on E1 to A5, and vice versa. 1 Recall the preset station on E1 (by following the method of “To recall a preset station” on page 24). 4 EDIT 2 EDIT PRESET MEMORY Flashes. 3 Next, recall the preset station on A5 by following the same method with step 1. PRESET MEMORY Shows the exchange of stations is completed. Flashes. 26 USING DIGITAL SOUND FIELD PROCESSOR (DSP) This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your listening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course, depend on what you will be listening to), and adding desired adjustments. In addition, this unit incorporates a Dolby Pro Logic Surround decoder for multi-channel sound reproduction of sources encoded with Dolby Surround. The operation of the Dolby Pro Logic Surround decoder can be controlled by selecting a corresponding DSP program including a combined operation of the Yamaha DSP and the Dolby Pro Logic Surround. Brief Overview of Digital Sound Field Programs The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments. The data for these sound fields was recorded at actual locations using sophisticated sound field measurement equipment. Note The channel level balance between the left and right rear effect speakers may vary depending on the sound field you are listening to. This is due to the fact that most of these sound field recreations are actual acoustic environments. PROGRAM FEATURE PRO LOGIC This program is used for playback of sources encoded with Dolby Surround. The application of a sophisticated digital signal processing system reduces crosstalk and directs or steers the sound source more smoothly and precisely, as compared to conventional types. PRO LOGIC ENHANCED This program is also used for playback of sources encoded with Dolby Surround. Enhancing the “Normal” Dolby Pro Logic, the DSP technology simulates the multi-surround speaker systems of a 35 mm movie theater. This effect creates a wide surround sound field, and expands the sound stage with an improved presence image. This program is used for musical based movies, as well as drama and comedy based movies. CONCERT VIDEO This program is effective for music videos and gives excellent depth and clarity for vocals. For opera, the orchestra and stage are ideally recreated, letting you feel as if you were in an actual concert hall. MONO MOVIE This program is designed specifically to enhance mono source programs. Compared to a strictly mono setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an immediacy to the overall sound. It is particularly effective when used with old mono movies, news broadcasts and dialog. STADIUM This program gives you long delays between direct sounds and effect sounds, and extraordinarily spacious feel of a large stadium. DISCO This program recreates the acoustic environment of a lively disco in the heart of a very lively city. The sound is dense and highly concentrated. It is also characterized by a high-energy, “immediate” sound. ROCK CONCERT This program is ideally suited for rock music. You will experience a very dynamic or lively sound field. CONCERT HALL In this program, the center will appear to be deep behind the main speakers, creating an expansive large hall ambience. Orchestra and opera music are suited for this sound field. 27 To play a source with the digital sound field processor 2 A DIR VCR B STOP B DISC DVD/LD TV/DBS C l6 20 l2 28 8 PRESET 4 40 A/B/C/D/E 2 60 0 PRO LOGIC ENHANCED –dB 2 CONCERT VIDEO V-AUX 1 2 3 MONO MOVIE STADIUM DISCO 4 5 6 PHONO 9 EFFECT ROCK 7 HALL 8 +10 TEST ON/OFF 0 TIME/LEVEL DELAY CENTER REAR SWFR 1 2 Follow steps 1 – 6 shown in “BASIC OPERATIONS” on page 20. Select the desired program that is suitable for the source. PRO LOGIC Notes Program selection can be made to individual input sources. Once you select a program, it is linked with the input source selected at that time. So, when you select the input source next time, the same program is automatically called. ● ● If you prefer to cancel the DSP, press the EFFECT button. The sound will be the normal 2-channel stereo without surround sound effect. ● When CONCERT VIDEO, MONO MOVIE, DISCO, STADIUM, ROCK CONCERT or CONCERT HALL is selected, no sound is heard from the center speaker. ● When a monaural sound source is played with DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED, no sound is heard from the main speakers and the rear speakers. Sound is heard only from the center speaker. However, if the center channel mode is in PHANTOM, the main speakers output the sound of the center channel. ● When this unit’s Dolby Pro Logic Surround decoder is used, if the main-source sound is considerably altered by overadjustment of the BASS or TREBLE control, the relationship between the center and rear channels may produce an unnatural effect. ENHANCED PRO LOGIC The selected program name is shown on the display. 3 28 If desired, adjust the delay time and the output level of each speaker. (For details, refer to the corresponding descriptions on page 29 and 30.) Adjustment of the CENTER LEVEL If desired, you can adjust the sound output level of the center speaker even if the output level is already set in “SPEAKER BALANCE ADJUSTMENT” on page 19. 1 Press once or more so that “CENTER” appears on the display. Notes ● This adjustment can be made only when the digital sound field program DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED is selected, or the “6CH” input source mode is selected. ● DELAY/CENTER /REAR/SWFR 2 Once the output level is adjusted, the level value will be the same in all the digital sound field programs mentioned above. By continuously pressing the “+” or “–” side of the TIME/LEVEL button, the level value changes continuously. The value stops changing momentarily at the preset point (0 dB). TIME/LEVEL Adjustable Control range: MIN, –20 to +10 dB Adjustment of the REAR LEVEL If desired, you can adjust the sound output level of the rear speakers even if the output level is already set in “SPEAKER BALANCE ADJUSTMENT” on page 19. 1 Press once or more so that “REAR” appears on the display. Notes ● This adjustment can be made only when the built-in digital sound field processor is on, or the “6CH” input source mode is selected. ● Once the output level is adjusted, the level value will be the same in all the digital sound field programs. DELAY/CENTER /REAR/SWFR 2 By continuously pressing the “+” or “–” side of the TIME/LEVEL button, the level value changes continuously. The value stops changing momentarily at the preset point (0 dB). TIME/LEVEL Adjustable Control range: MIN, –20 to +10 dB 29 Adjustment of DELAY TIME You can adjust the time difference between the beginning of the sound from the main speakers and the beginning of the effect sound from the rear speakers. The larger the value, the later the effect sound is generated. This adjustment can be made to all programs individually. 1 Press once or more so that “DELAY” appears on the display. DELAY/CENTER /REAR/SWFR ms PRO LOGIC PRO LOGIC ENHANCED CONCERT VIDEO MONO MOVIE STADIUM DISCO ROCK CONCERT CONCERT HALL : from 15 to 30 milliseconds (Preset value: 20 milliseconds) : from 15 to 30 milliseconds (Preset value: 20 milliseconds) : from 1 to 100 milliseconds (Preset value: 28 milliseconds) : from 1 to 100 milliseconds (Preset value: 20 milliseconds) : from 1 to 50 milliseconds (Preset value: 45 milliseconds) : from 1 to 100 milliseconds (Preset value: 14 milliseconds) : from 1 to 100 milliseconds (Preset value: 17 milliseconds) : from 1 to 100 milliseconds (Preset value: 30 milliseconds) 2 By continuously pressing the “+” or “–” side of the TIME/LEVEL button, the value changes continuously. The value stops changing momentarily at the preset point. Adjustable TIME/LEVEL ms Notes ● Adding too much delay will cause an unnatural effect with some sources. ● Note The values of the delay time, center level and rear level you set the last time will remain memorized even when the power of this unit is off. However, if the power cord is kept disconnected for more than one week, these values will be automatically changed back to the original factory settings. 30 When the TIME/LEVEL button is pressed, sound is momentarily interrupted. SETTING THE SLEEP TIMER If you use the SLEEP timer of this unit, you can make this unit turn off automatically. When you are going to sleep while enjoying a broadcast or other desired input source, this timer function is helpful. Notes ● The SLEEP timer can be controlled only with the remote control transmitter. ● The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear panel of this unit. To set the SLEEP time To cancel the selected SLEEP time 1 SLEEP SLEEP Press once or more to select the desired SLEEP time. Indicates the SLEEP time. SLEEP Press once or more so that “SLEEP OFF” appears on the display. (It will soon disappear and the “SLEEP” indicator will go off from the display.) Note The SLEEP timer setting can also be canceled by turning off the power with the POWER switch or disconnecting the power plug of this unit from the AC outlet. Lights up. Whenever the SLEEP key is pressed, the SLEEP time will change as follows. (Minutes) 120 90 60 30 The SLEEP timer is off (OFF). (The state before the SLEEP key is pressed.) After a while, the display returns to the indication before the SLEEP timer is set. 2 The unit will be turned off automatically at the selected SLEEP time. 31 REMOTE CONTROL TRANSMITTER BASIC OPERATIONS (When the lid is open) The remote control transmitter provided with this unit is designed to control all the most commonly used functions of this unit. If the CD player, tape deck, LD player etc. connected to this unit are YAMAHA components designed for remote control compatibility, then this remote control transmitter will also control various functions of each component. * For basic operations, use the remote control transmitter with the lid open. NAMES OF KEYS AND THEIR FUNCTIONS F TRANSMIT /LEARN CLEAR LEARN MACRO REC/PAUSE C A/B TAPE A CD 1 TUNER A DIR VCR B STOP B DISC DVD/LD E TV/DBS 2 C 3 PRESET PRO LOGIC ENHANCED 4 D A/B/C/D/E CONCERT VIDEO V-AUX 1 2 3 MONO MOVIE STADIUM DISCO 4 5 6 PHONO ROCK HALL 9 EFFECT 7 8 +10 TEST ON/OFF C B 0 TIME/LEVEL A SYSTEM POWER OFF SLEEP 2CH/6CH MASTER VOLUME TV SLOW 6 7 MACRO DELAY CENTER REAR SWFR QUICK 5 VCR OFF 8 0 9 REMOTE CONTROL TRANSMITTER Lid is open. 32 Side panel 1 Tape deck keys Controls tape deck. (The A/B/C switch (E) should be set to the “A” position.) * DIR A, B and A/B are applicable only to double cassette tape deck. * For a single cassette deck with automatic reverse function, pressing DIR A will reverse the direction of tape running. 2 CD/LD player keys Controls compact disc player or LD player. (To control compact disc player, set the A/B/C switch (E) to the “A” position. To control LD player, set the A/B/C switch (E) to the “C” position.) * DISC is applicable only to compact disc changer. * STOP is applicable only to LD player. 3 Tuner keys Controls tuner. (The A/B/C switch (E) should be set to the “A” position.) +: Selects higher preset station number. –: Selects lower preset station number. A/B/C/D/E: Selects the group (A – E) of preset station numbers. 9 RESET button This button is inside the battery compartment. Press this button to “reset” the internal microcomputer which controls remote control operations. Microcomputer “reset” is necessary when the remote control freezes. * Pressing the RESET button will not erase learned functions. RESET button 0 MASTER VOLUME (up) and Turns the volume level up and down. (down) keys A DELAY/CENTER/REAR/SWFR selector ( / ) and TIME/LEVEL +/– keys Adjust the delay time (DELAY), the rear channel output level (REAR), center channel output level (CENTER) and the output level to the SUBWOOFER OUTPUT terminal (SWFR). Select the item which you want to adjust by pressing the or key and adjust its time or level by pressing the + or – key. 4 DSP program selector keys Selects a DSP program when the built-in digital sound field processor (including the Dolby Pro Logic Surround decoder) is on. B EFFECT ON/OFF key 5 TEST key Used for speaker balance adjustment. (For details, refer to page 17–19.) C Input selector keys 6 SLEEP timer key This key is used to turn the built-in SLEEP timer on and off, and to set the SLEEP time. (See page 31 for details.) D A/B/C indicators 7 2CH/6CH selector key When the TV/DBS or DVD/LD input source is selected, pressing this key switches the input signals between 2 channel stereo signals and 6 channel discrete signals. When switched to “6CH”, discrete signals from the unit connected to the 6CH DISCRETE INPUT DVD/LD TV/DBS terminals of this unit are selected as the input signals. E A/B/C switch 8 SYSTEM POWER and OFF keys Pressing the SYSTEM POWER key turns the power of this unit on and pressing the OFF key turns the power off. * (Except U.S.A. and Canada models) While the power is on, pressing these keys switches the unit from the power-on mode to the standby mode, and vice versa. (In the standby mode, the standby mode indicator on the front panel is illuminated.) F TRANSMIT/LEARN indicator Switches on/off the digital sound field processor (including the Dolby Pro Logic Surround decoder). Selects input source. The position (A, B or C) selected by the A/B/C switch is shown in red. This switch must be used only when the lid of the remote control transmitter is open. (This switch will not function when the lid is closed.) Normally, set this switch to the “A” position. When controlling a Yamaha LD player by using the CD/LD player keys (2), set this switch to the “C” position. Lights up when the remote control transmitter is transmitting infrared signals (when a command key is pressed). Note When using the keys to control Yamaha components, identify them with your component’s keys. If these keys are identical, their functions will be the same. For each key function, refer to the corresponding instruction in your component’s manual. 33 LEARNING NEW CONTROL FUNCTIONS (When the lid is open) This is a learning remote control transmitter. The shaded keys in the illustration shown below can be programmed to “learn” control functions from other remote control transmitters. By learning key-functions from other remote control transmitter, this unit can then be used in place of one or more other remote control transmitters, thus making operation of your various audio and video components more convenient. Some of the “learning-capable” keys are originally empty and others have already been preset with functions to control this unit and other Yamaha components. You can store new functions to them (in place of preset functions) as desired. * See page 39 for the learning method. * See page 41 for clearing a learned function (or all learned functions). Note If the memory capacity of the remote control transmitter becomes full, no further learning is possible even if some learning-capable keys are not occupied with new functions. If, for example, you store Yamaha codes only into this remote control transmitter, up to about 20 functions can be stored. Store new functions to the learnable-capable keys which are useful for you. Keys which can have three functions (1, 2, 3, 4) 1 In the “Learning-capable” keys, the keys numbered 1–4 in the illustration at left can have three functions. This is because they have three memory areas (A, B and C). (One function per area.) You can store new functions into the area B and C, and use three functions on a key by switching the memory areas with the A/B/C switch. (Area A cannot learn a new function.) * TRANSMIT /LEARN CLEAR LEARN MACRO REC/PAUSE A/B TAPE A CD 1 To use these keys: 1. Before using a key, select the area A, B or C of the key on which A DIR VCR B STOP B DISC DVD/LD TV/DBS 2 A/B/C switch TUNER the function you want to use is stored by using the A/B/C switch. 2. Press the key. The original factory settings of these keys are as follows. The position of A/B/C switch A B C Preset with Empty Empty functions for controlling a Yamaha tape deck. Preset with Empty Preset with functions for functions for controlling a controlling a Yamaha CD player. Yamaha LD player. (STOP is empty.) (DISC is empty.) Preset with Empty Empty functions for controlling the built-in tuner. Preset as the DSP Preset as the DSP Preset as the DSP program selector program selector program selector keys and the TEST keys and the TEST keys and the TEST key. 2 key. 2 key. 2 C 3 PRESET A/B/C/D/E 2 1 CONCERT PRO LOGIC ENHANCED VIDEO 4 V-AUX 1 2 3 MONO MOVIE STADIUM DISCO 4 5 6 PHONO ROCK HALL 9 EFFECT 7 8 +10 TEST 2 ON/OFF 0 TIME/LEVEL 3 DELAY CENTER REAR SWFR SLEEP 2CH/6CH SYSTEM POWER MASTER VOLUME TV 4 * 1 VCR OFF REMOTE CONTROL TRANSMITTER Lid is open. * 34 1 : These buttons are used for learning a new function or clearing a learned function (or all learned functions). See page 39–41 for details. * * * 2 : “+10” is empty. The functions on “9” and “0” are useless. Note The area A of all keys cannot learn new functions. To store new functions to these keys, store them onto the area B or C. Empty keys (1, 2) These are empty keys. Each key can learn a function from another remote control transmitter. For example, the TV key is useful for storing the function of your TV’s power switch, and the VCR key can be used for your VCR’s power switch. Note If a key which has a preset function learns a new function, the preset function will not be deleted, but disabled. When the learned function is cleared, the preset function is restored. (For information on clearing a learned function, refer to page 41.) About the marks shown on the remote control transmitter The marks on the remote control transmitter signify functions of keys, input sources, etc. Examples) (tape): (disc): (radio wave): Shows tape deck, VCR, etc. Shows CD player, LD player, etc. Shows tuner, TV/BS tuner, etc. These marks are helpful for storing new functions. Examples) • The area B of keys 1 is suitable for storing functions to control your VCR. • The area B of keys 3 is suitable for storing functions to control your TV/BS tuner. USING OPERATION CONTROL KEYS (When the lid is closed) When the lid of the remote control transmitter is closed, you can easily operate Yamaha components including learned functions by using the OPERATION CONTROL keys. TRANSMIT /LEARN TRANSMIT CLEAR REMOTE CONTROL TRANSMITTER LEARN MACRO REC/PAUSE A/B TAPE TAPE CD CD A VCR DVD/LD TV/DBS 3 1 Input selector keys TUNER * TUNER A DIR TV/DBS 2 C PRESET A/B/C/D/E PRO LOGIC ENHANCED EFFECT SYSTEM POWER MASTER VOLUME TV VCR OPERATION CONTROL keys V-AUX OPERATION CONTROL B DISC DVD/LD 3 PHONO VCR B STOP CONCERT VIDEO V-AUX 1 2 3 MONO MOVIE STADIUM DISCO 4 5 6 PHONO ROCK HALL 9 EFFECT 7 8 +10 TEST ON/OFF 0 TIME/LEVEL DELAY CENTER REAR SWFR (+10) SLEEP 2CH/6CH SYSTEM POWER MASTER VOLUME TV VCR OFF OFF REMOTE CONTROL TRANSMITTER Lid is closed. 3 * : These keys are originally empty. If these keys have learned functions, pressing them executes those learned functions. 35 When the lid is closed, the OPERATION CONTROL keys substitute for the keys numbered 1, 2, 3 and the (+10) key on the left illustration. To use these keys, you do not have to switch the A/B/C switch. The functions which the OPERATION CONTROL keys carry out are determined by which input selector key was pressed before you used the OPERATION CONTROL keys. Note When the lid is closed, the EFFECT, MASTER VOLUME, TV and VCR keys will function in the same way as when the lid is open. * If the MACRO switch on the side of the remote control transmitter is set to “OFF”, when the lid is closed, the SYSTEM POWER and OFF keys also will function in the same way as when the lid is open. Examples of operations controlled by using the OPERATION CONTROL keys To operate a Yamaha CD player 1. Press the “CD” input selector key. 2. Use the OPERATION CONTROL keys. (They carry out the functions in area A of keys 2.) OPERATION CONTROL Play Skip to previous track Skip to next track Pause or Stop To operate your VCR 1. Press the “VCR” input selector key. 2. Use the OPERATION CONTROL keys. (They carry out the functions in area B of keys 1. This area is originally preset with no function. You must store the functions related to controlling the VCR in area B of keys 1 beforehand.) OPERATION CONTROL Play Rewind Fast forward Pause or Stop See the table below for a combination of an input selector key and key functions which the OPERATION CONTROL keys carry out. (Also, refer to the table on page 34.) Selected input selector TAPE CD TUNER VCR Key functions which the OPERATION CONTROL keys carry out Functions in area A of keys 1 (except REC/PAUSE, A/B, DIR A and B) Functions in area A of keys 2 (except STOP, DISC, Functions in area A of keys 3 and and ) (+10) Functions in area B of keys 1 (except REC/PAUSE, A/B, DIR A and B) DVD/LD Functions in area B of keys 2 (except STOP, DISC, TV/DBS Functions in area B of keys 3 and and ) (+10) Functions in area C of keys 1 (except REC/PAUSE, A/B, DIR A and B) Functions in area C of keys 2 (except STOP, DISC, Functions in area C of keys 3 and and ) (+10) Pressing the “V-AUX” or “PHONO” input selector key has no effect on the OPERATION CONTROL keys. Notes • If the OPERATION CONTROL keys substitute for keys which has no function (empty), no command is carried out. According to your plan, store functions from other remote control transmitters into an empty area of those keys. (Refer to page 39 for the learning method.) 36 • While playing an audio/video unit, if you want to operate another unit by using the remote control transmitter (for example, if you want to rewind a tape on your VCR while listening to a CD), you should open the lid of the remote control transmitter and use the A/B/C switch and the corresponding keys. (If you press an input selector key with the lid closed to change the functions of the OPERATION CONTROL keys to the functions for controlling a VCR, the input of currently playing CD source is canceled.) MACRO OPERATIONS (When the lid is closed) Preset macro keys are originally preset with macros. If you prefer, however, you can change the contents of a macro key by storing a desired series of functions on it. You can store up to seven functions onto a macro key. (See page 40 for the learning method.) “Macro” is a command which defines a sequence of several operations. The keys shown in the illustrations below (as preset macro keys) are also preset with macros, in addition to individual functions. Each macro key is preset so that simply pressing it alone will carry out several functions of other keys on this remote control transmitter sequentially. (To know what key functions are sequentially carried out by pressing each preset macro key, see the next page.) Macros can be used only when the lid is closed and the MACRO switch is set to “SLOW” or “QUICK”. (If “OFF” is selected, no macro will function even if the lid is closed.) Setting the MACRO switch OFF: In this position, no macro will function even if the lid of remote control transmitter is closed. QUICK: In this position, when a macro key is pressed, each command is transmitted at 0.5 second intervals. SLOW: In this position, when a macro key is pressed, each command is transmitted at 3 second intervals. Preset macro keys TRANSMIT /LEARN CLEAR TRANSMIT LEARN MACRO REC/PAUSE REMOTE CONTROL TRANSMITTER A/B TAPE TAPE A CD 1 CD TUNER TUNER A VCR DIR VCR B STOP B DISC DVD/LD DVD/LD TV/DBS 2 TV/DBS C PRESET A/B/C/D/E PRO LOGIC ENHANCED V-AUX PHONO CONCERT VIDEO 2 3 MONO MOVIE STADIUM DISCO 4 5 6 PHONO ROCK HALL 9 EFFECT 7 8 EFFECT +10 OPERATION CONTROL V-AUX 1 TEST ON/OFF 0 TIME/LEVEL SLOW TV MACRO switch MASTER VOLUME QUICK SYSTEM POWER OFF MACRO DELAY CENTER REAR SWFR SLEEP 2CH/6CH SYSTEM POWER MASTER VOLUME TV VCR OFF VCR OFF REMOTE CONTROL TRANSMITTER Lid is closed. (Set the MACRO switch to “QUICK” or “SLOW”.) 37 Preset macro keys and the key functions which they carry out sequentially are as follows. (Also, refer to the table on page 34.) Function of the key (and area) which operates when a macro key is pressed Macro key 1st (Turning the power of this unit on) 2nd (Selecting an input source) 3rd (Playing a source) TAPE TAPE “ ” on area A of keys 1 CD CD “ ” on area A of keys 2 TUNER TUNER VCR VCR “ ” on area B of keys 1 DVD/LD “ ” on area B of keys 2 DVD/LD SYSTEM POWER – – TV/DBS TV/DBS “ ” on area C of keys 1 “ ” on area C of keys 2 – V-AUX V-AUX – PHONO PHONO – Function of the key which operates when a macro key is pressed Macro key SYSTEM POWER 1st 2nd SYSTEM POWER 3rd TV VCR – OFF Notes A key in which no function is stored will carry out no command. • If it occurs that this unit will not receive the second command because the internal operation of the first command takes a long time, set the MACRO switch to the “SLOW” position, or add no function or repeat the same command between the first command and the next command. • If you will program the power on/off switching function of TV, VCR, etc. as part of a macro sequence, note that it switches the current mode to the other (“on” to “off”, or “off” to “on”). For example, when you press the macro key, if the power of TV, VCR, etc. is already on, the power will be turned off even though you may not want it to do so. • 38 – OFF • • • Once you press a macro key, this unit will not receive the command of another key (even if it is pressed) until this unit finishes carrying out all commands of the macro key. Take notice of this especially when the MACRO switch is in the “SLOW” position. Once you press a macro key, you must keep the remote control transmitter directed at the main unit’s remote control sensor until the remote control transmitter finishes transmitting all command signals of the macro key. You can use the OPERATION CONTROL keys also while using the macro functions. LEARNING A NEW FUNCTION 1 Place this remote control transmitter and the other remote control transmitter so that they face each other. 5 Press and hold the key (on the other remote control transmitter) which has the function you want to store. This remote control transmitter TV RTS O 4 SP 1 ST 2 AD AZ ST 2 5 TV RTS O 4 SP P 3 CO IS D 6 H M RC U CH 9 5 UB ST CL TE ZZ JA 8 IU 1 Other remote control transmitter AD IU Z M V O V U -A O H X P ST TE H RC U CH 9 N CO IS 6 D UB O H X 3 CL U -A T C FE F EF / O F ON TRANSMIT /LEARN CLEAR LEARN MACRO (Press by using the point of a mechanical pencil, etc.) Flashes slowly. * If there is no operation for about 30 seconds after the LEARN button is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the current mode is canceled. If this occurs, repeat this step. 3 * When learning is finished, the TRANSMIT/LEARN indicator stops lighting and then begins flashing slowly. * If a signal is not successfully received, the TRANSMIT/LEARN indicator flashes rapidly and the mode prior to step 4 is restored. If this occurs, restart from step 4. * If memory capacity is full, the TRANSMIT/LEARN indicator flashes rapidly to show you that learning is impossible, and then the mode before you began learning operations is restored. 6 7 If necessary, select the memory area by using the A/B/C switch on the side panel of the remote control transmitter. O T C FE F EF / O F ON 2 N About 5–10 cm (2–4 in.) Repeat step 3–5 to store more functions. When you finish the learning operation, press the LEARN button. CLEAR 4 Press the key on this remote control transmitter in which you will store a new function. Lights up. O T C FE F EF /OF ON N O H X U -A V P 3 CO IS D 2 6 H M IU RC AD U ST CH 9 1 5 UB TV RTS ST CL O TE ZZ SP JA 8 4 0 CK RO +1 7 L EL AL H EV E M U * If a key which cannot learn another function is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the current mode is canceled. If this occurs, repeat this step. * If there is no operation for about 30 seconds after a key is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the mode before you began learning operations is restored. If this occurs, restart from step 2. LEARN MACRO Notes ● Newly learned functions will replace previously learned functions. ● If there is no more room in the memory area for a function to be learned, the TRANSMIT/LEARN indicator will flash rapidly. In this case, even if some keys are not occupied with functions from other remote control transmitters, no further learning is possible. ● If the lid is closed while learning and about 5 seconds pass, the TRANSMIT/LEARN indicator flashes rapidly and the mode before you began learning operations is restored. If this occurs, restart from step 2. However, if the lid is opened within 5 seconds, the mode before the lid was closed is restored. ● There may occasionally be instances in which, due to the signal-coding and modulation employed by the other remote control transmitter, this remote control transmitter will not be able to “learn” its signals. 39 MAKING A NEW MACRO A new macro can be programmed onto any preset macro key in place of preset functions. (See page 37 to know what keys are preset macro keys.) You can make as many as 13 new macro keys. A macro key can learn as many as seven functions of other keys. Note If you store a continuous command such as lowering of volume level, it will become a short command when it is carried out as a part of macro. 1 4 TRANSMIT /LEARN CLEAR LEARN MACRO Flashes slowly. * If there is no operation for about 30 seconds after the MACRO button is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the mode before you pressed the MACRO button is restored. If this occurs, press the MACRO button again. 2 * If the seventh key function has been learned, the TRANSMIT/LEARN indicator flashes rapidly and the mode before you began learning operations is restored. (This shows that the key has completed learning a series of functions as a macro.) If this occurs, you do no have to follow the next step. 5 When you finish learning, press the MACRO button. Press a preset macro key on which you want to make a new macro. CD CLEAR LEARN MACRO TRANSMIT /LEARN Lights up. * If a key other than a preset macro key is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the current mode is canceled. If this occurs, repeat this step. 3 Repeat step 3 to store the second, the third and more functions. You can store up to seven key functions in series as a macro. It is recommended to write down new key functions you stored on the provided user function stickers and paste them on the reverse side of the remote control transmitter or the reverse side of the remote control transmitter’s lid. Press a key whose function you want to store as the first function of the new macro. A SYSTEM POWER TRANSMIT /LEARN B C Goes off. (When learning is finished, this indicator lights up again.) * If a key whose function cannot be stored as a command of macro is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the current mode is canceled. If this occurs, repeat this step. * If about 30 seconds pass before a key is pressed, the TRANSMIT/LEARN indicator flashes rapidly and the mode before you began learning operations is restored. If this occurs, restart from step 1. 40 REMOTE CONTROL TRANSMITTER Memory back-up All of the learned functions will be retained while you replace the batteries. However, if no batteries are installed for a few hours, the learned functions will be erased and will have to be learned again. CLEARING LEARNED FUNCTIONS To Clear a Learned Function 1 To Clear All Learned Functions To clear a learned key function, press the LEARN button using the point of a mechanical pencil, etc. To clear a macro you made, press the MACRO button. 1 Select the kind of key functions all of which you want to clear by using the MACRO switch on the side panel of the remote control transmitter. or SLOW QUICK OFF MACRO TRANSMIT /LEARN CLEAR LEARN MACRO OFF: Flashes slowly. 2 Press and hold the CLEAR button using the point of a mechanical pencil, etc. Select this position if you want to clear all of the learned functions except macros. QUICK: Select this position if you want to clear all of the macros you made only. SLOW: Select this position if you want to clear all of the learned functions including macros. 2 CLEAR LEARN MACRO Press the CLEAR button using the point of a mechanical pencil, etc. TRANSMIT /LEARN 3 CLEAR Holding the CLEAR button pressed, press and hold the key whose function you want to clear until the indicator flashes 3 times. CD TRANSMIT /LEARN Flashes. To clear two or more functions sequentially, do not release the CLEAR button pressed, and repeat this step. Note If you clear a learned function of a key, the originally preset function of the key is restored (except the keys which are originally preset with no function.) LEARN MACRO Flashes slowly. * If one of the following operation is made after you press the CLEAR button, the TRANSMIT/LEARN indicator flashes rapidly and the current mode is canceled. If this occurs, press the CLEAR button again. • MACRO switch is switched to another position. • Another key is pressed. • There is no operation for about 30 seconds. 3 Press and hold the CLEAR button again. While holding the CLEAR button pressed, press and hold the MASTER VOLUME and keys simultaneously until the indicator flashes 7 times. TRANSMIT /LEARN Flashes. Trouble shooting guide SYMPTOM The remote control transmitter does not work. Learning cannot be made successfully. (The TRANSMIT/LEARN indicator does not light up or flash.) CAUSE The batteries of this remote control transmitter are weak. The internal microcomputer “freezes”. The batteries of this remote control transmitter and/or the other remote control transmitter are weak. The distance between the two remote control transmitters is too long or too short. The signal coding or modulation of the other remote control transmitter is not compatible with this remote control transmitter. Memory capacity is full. The internal microcomputer “freezes”. REMEDY Replace the batteries with new ones and press the RESET button on the remote control transmitter. Replace the batteries (and press the RESET button for this remote control transmitter). Place the remote control transmitters with the proper distance. Learning is not possible. Further learning is not possible without deleting unnecessary commands. Press the RESET button on the remote control transmitter. 41 NOTES ABOUT THE REMOTE CONTROL TRANSMITTER Battery installation Remote control transmitter operation range l6 20 l2 28 8 4 40 2 60 0 –dB 2 Remote control sensor 1 3 Within approximately 6 m (19.7 feet) 30° 30° Battery replacement If you find that the remote control transmitter must be used closer to the main unit, the batteries are weak. Replace both batteries with new ones. Notes ● Use only AA, R6, UM-3 batteries for replacement. ● Be sure the polarities are correct. (See the illustration inside the battery compartment.) ● Remove the batteries if the remote control transmitter will not be used for an extended period of time. ● If batteries leak, dispose of them immediately. Avoid touching the leaked material or letting it come in contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries. ● After you change batteries, make sure to press the RESET button inside the battery compartment. 42 Notes ● There should be no large obstacles between the remote control transmitter and the main unit. ● If the remote control sensor is directly illuminated by strong lighting (especially an inverter type of fluorescent lamp etc.), it might cause the remote control transmitter not to work correctly. In this case, reposition the main unit to avoid direct lighting. TROUBLESHOOTING If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and contact your authorized YAMAHA dealer or service center for help. SYMPTOM Firmly plug in the power cord. The IMPEDANCE SELECTOR switch on the rear panel is not set to the upper or the lower end exactly. Set the switch to the upper or the lower end exactly. It happens that this unit does not work normally. There is an influence of strong external noise (lightning, excessive static electricity, etc.) or a misoperation on this unit while using this unit. Turn off the power to this unit and disconnect the AC power cord from the AC outlet. After about 30 seconds have passed, connect the power and operate this unit again. No sound or no picture. Incorrect output cord connections. Connect the cords properly. If the problem persists, the cords may be defective. Appropriate input source is not selected. Select an appropriate input source with the input selector buttons. The SPEAKERS switches are not set properly. Set the SPEAKERS switch which corresponds to the speakers to be used to the ON position. Speaker connections are not secure. Secure the connections. The protection circuit has been activated because of short circuit etc. Turning the unit off and then on will reset the protection circuit. The SLEEP timer has functioned. Cancel the SLEEP timer function. Incorrect setting of the BALANCE control. Adjust it to the appropriate position. Incorrect cord connections. Connect the cords properly. If the problem persists, the cords may be defective. Incorrect cord connections. Firmly connect the audio plugs. If the problem persists, the cords may be defective. No connection from the turntable to the GND terminal. Make the GND connection between the turntable and this unit. The volume level is low while playing a record. The record is being played on a turntable with an MC cartridge. The player should be connected to the unit through the MC head amplifier. The volume level cannot be increased, or sound is distorted. The power to the component connected to the REC OUT terminals of this unit is off. Turn the power to the component on. No sound from the rear speakers. The sound output level to the rear speakers is set to minimum. Raise the sound output level to the rear speakers. The monaural sound source is played in DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED mode. Select another program suitable for the monaural sound source. The sound output level to the center speaker is set to minimum. Raise the sound output level to the center speaker. The center channel mode is in PHANTOM mode. Select NORMAL or WIDE. Incorrect sound field program selection. Select the appropriate program. The sound is degraded when listening with the headphones connected to the compact disc player or cassette deck that are connected with this unit. The power to this unit is off. Turn the power to this unit on. FM stereo reception is noisy. Because of the characteristics of FM stereo broadcasts, this is limited to cases where the transmitter is too far away or the antenna input is poor. Check the antenna connections. Try using a high quality directional FM antenna. Set the TUNING MODE button to the manual tuning mode. There is distortion and clear reception cannot be obtained even with a good FM antenna. There is multipath interference. Adjust antenna placement to eliminate multipath interference. A desired station cannot be tuned in with the automatic tuning method. The station is too weak. Use the manual tuning method. Use a high quality directional FM antenna. Previously preset stations can no longer be tuned in. This unit has been unplugged for a long period. Repeat the presetting procedure. A desired station cannot be tuned in with the automatic tuning method. Weak signal or loose antenna connections. Tighten the AM loop antenna connections and rotate it for best reception. There are continuous crackling and hissing noises. Noises will result from ligtning, fluorescent lamps, motors, thermostats and other electrical equipment. Use an outdoor antenna and a ground wire. This will help somewhat but it is difficult to eliminate all noise. There are buzzing and whining noises (especially in the evening). A television set is being used nearby. Relocate this unit away from the TV. The remote control transmitter does not work. Direct sunlight or lighting (of an inverter type of flourescent lamp etc.) is striking the remote control sensor of the main unit. Change the position of the main unit. The batteries of this remote control transmitter are too weak. Replace the batteries with new ones. Only one side speaker outputs the sound. General REMEDY Power cord is not plugged in or is not completely inserted. The sound suddenly goes off. Sound “hums”. No sound from the center speaker. FM CAUSE The unit fails to turn on when the POWER switch is pressed, or turns off suddenly soon after the power is turned on. Remote control transmitter AM Use the manual tuning method. 43 SPECIFICATIONS AUDIO SECTION Minimum RMS Output Power per Channel Main L, R 8 ohms, 1 kHz, 0.07% THD.........90W + 90W Center 8 ohms, 1 kHz, 0.07% THD ...................90W Rear 8 ohms, 1 kHz, 0.3% THD..........35W + 35W Maximum Power [General model only] (8 ohms, 1 kHz, 10% THD) Main L, R .............................110W + 110W Center................................................110W Rear .........................................50W + 50W Dynamic Power per Channel (by IHF Dynamic Headroom measuring method) [U.S.A. and Canada models] 8/6/4/2 ohms.................110/140/170/190W [Australia and General models] 8/6/4/2 ohms...................95/120/150/170W Dynamic Headroom (8 ohms) [U.S.A. and Canada models only] ..........................................................1.66 dB Power Band Width 8 ohms, 30W, 0.09% THD .............................................10 Hz to 50 kHz Damping Factor (SPEAKERS A) 8 ohms, 20 Hz to 20 kHz .............80 or more Input Sensitivity/Impedance PHONO MM .....................2.5 mV/47 k-ohms CD/TAPE/DVD·LD/TV·DBS/VCR ........................................150 mV/47 k-ohms 6CH DISCRETE INPUT DVD/LD TV/DBS ........................................150 mV/50 k-ohms Maximum Input Signal PHONO MM 1 kHz, 0.04% THD..........................110 mV CD/TAPE/DVD·LD/TV·DBS//VCR (EFFECT ON) 1 kHz, 0.5% THD.................................2.2V Output Level/Impedance REC OUT .......................150 mV/2.5 k-ohms PRE OUT (MAIN L/R) .........2.2V/1.2 k-ohms PRE OUT (REAR L/R) ........1.6V/1.2 k-ohms SUBWOOFER (EFFECT OFF) ............................................6.0V/1.5 k-ohms Headphone Jack Rated Output/Impedance Output Level (8 ohms, 0.04% THD).......0.5V Impedance.....................................390 ohms Frequency Response (20 Hz to 20 kHz) CD/TAPE/DVD·LD/TV·DBS//VCR ........................................................0±0.5 dB RIAA Equalization Deviation PHONO MM....................................0±0.5 dB Total Harmonic Distortion (20 Hz to 20 kHz) PHONO MM to REC OUT 1V .....................................................0.02% CD/TAPE/DVD·LD/TV·DBS/VCR to SP OUT 30W/8 ohms ...................................0.025% Signal-to-Noise Ratio (IHF-A Network) PHONO MM to REC OUT (5 mV Input Shorted) [U.S.A., Canada and General models] ..........................................................85 dB [Australia model]................................82 dB CD/TAPE/DVD·LD/TV·DBS/VCR to SP OUT (Shorted) ..............................................98 dB YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA Residual Noise (IHF-A Network) MAIN L/R ...........................................140 µV Channel Separation (Vol. –30 dB, EFFECT OFF) PHONO MM (Input Shorted, 1 kHz/10 kHz) ..................................................60 dB/50 dB CD/TAPE/DVD·LD/TV·DBS/VCR (Input 5.1 k-ohms Terminated, 1 kHz/10 kHz) .........................60 dB/45 dB Tone Control Characteristics BASS: Boost/cut ................±10 dB (50 Hz) Turnover Frequency .........(350 Hz) TREBLE: Boost/cut...........±10 dB (20 kHz) Turnover Frequency.....(3.5 kHz) Bass Extension..........................+6 dB (50 Hz) Gain Tracking Error (0 to –60 dB) ............3 dB Stereo Separation (1 kHz)......................50 dB Frequency Response 20 Hz to 15 kHz .............................0 ±1.5 dB VIDEO SECTION AUDIO SECTION Video Signal Type [U.S.A. and Canada models] ...............NTSC [Australia model].....................................PAL [General model] ...........................NTSC/PAL Video Signal Level..................1 Vp-p/75 ohms S-Video Signal Level Y ..........................................1 Vp-p/75 ohms C ...................................0.286 Vp-p/75 ohms Maximum Input Level............1.5 Vp-p or more Signal-to-Noise Ratio ................50 dB or more Monitor Out Frequency Response ..................................5 Hz to 10 MHz, –3 dB Output Level/Impedance FM (100% mod., 1 kHz) .........................................500 mV/2.2 k-ohms AM (30% mod., 1 kHz) .........................................150 mV/2.2 k-ohms FM SECTION Tuning Range [U.S.A. and Canada models] ..........................................87.5 to 107.9 MHz [Australia and General models] ..........................................87.5 to 108.0 MHz 50 dB Quieting Sensitivity (IHF, 75 ohms) Mono .................................1.55 µV (15.1 dBf) Stereo...................................21 µV (37.7 dBf) Image Response Ratio [U.S.A., Canada and General models] .............................................................45 dB [Australia model] ..................................80 dB IF Response Ratio [U.S.A., Canada and General models] .............................................................70 dB [Australia model] ..................................80 dB Spurious Response Ratio ........................70 dB AM Suppression Ratio .............................55 dB Capture Ratio..........................................1.5 dB Alternate Channel Selectivity [U.S.A., Canada and General models] ..............................................................85 dB Selectivity (two signals, 40 kHz Dev., ±300 kHz) [Australia model] ...................................70 dB Signal-to-Noise Ratio (IHF) Mono/Stereo [U.S.A., Canada and General models] .................................................80 dB/75 dB (DIN-Weighted, 40 kHz Dev.) Mono/Stereo [Australia model] ......................75 dB/70 dB Harmonic Distortion Mono/Stereo (1 kHz) ........................0.1/0.2% ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA AM SECTION Tuning Range [U.S.A., Canada and General models] ............................................530 to 1,710 kHz [Australia model].................531 to 1,611 kHz Usable Sensitivity .............................100 µV/m Selectivity ...............................................32 dB Signal-to-Noise Ratio .............................50 dB Image Response Ratio...........................40 dB Spurious Response Ratio.......................50 dB Harmonic Distortion (1 kHz) ....................0.3% GENERAL Power Supply [U.S.A. and Canada models] ..............................................AC 120V, 60 Hz [Australia model] ...................AC 240V, 50 Hz [General model] ....................AC 110/120/220/240V, 50/60 Hz Power Consumption [U.S.A. model]......................................230W [Canada model] ...................................250W [Australia and General models] ...........270W Maximum Power Consumption [General model only] (8 ohms, 1 kHz, 10% THD, When 5 channels are driven:) .....................630W AC Outlet(s) 2 SWITCHED OUTLETS [U.S.A., Canada and General models] ...........................................100W max. total 1 SWITCHED OUTLET [Australia model] .......................100W max. Dimensions (W x H x D) .....................................435 x 151 x 379.5 mm (17-1/8” x 5-15/16” x 14-15/16”) Weight ...........................11.0 kg (24 lbs. 3 oz.) Accessories ..........................AM loop antenna Indoor FM antenna Remote control transmitter Batteries User function stickers Antenna adapter (U.S.A. and Canada models only) Specifications are subject to change without notice. VZ35890 Printed in Malaysia
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Yamaha R-5 Manual de usuario

Categoría
Receptor
Tipo
Manual de usuario
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