Yamaha P-60 El manual del propietario

Marca: Yamaha

Modelo: P-60

Categoría: Instrumentos musicales

Tipo: El manual del propietario

M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

2002 Yamaha Corporation

WA11810 308APAP2.3-05D0 Printed in Japan

Before using the P-60, be sure to read “PRECAUTIONS„ on pages 6-7.

Achten Sie darauf, vor Einsatz des P-60 die “VORSICHTSMASSNAHMEN„

auf Seite 6-7 durchzulesen.

Avant d'utiliser le P-60, lire attentivement la section «PRECAUTIONS

D'USAGE» aux pages 6- 7.

Antes de utilizar el P-60, lea las

“PRECAUCIONES„ que debe tener en

cuenta en las páginas 6- 7.

This document is printed on recycled chlorine free (ECF) paper with soy ink.

Auf Recycling-Umweltpapier mit Sojatinte gedruckt.

Ce document a été imprimé sur du papier recyclé non blanchi au chlore avec de l'encre

d'huile de soja.

Este docmento se ha impreso reciclado en papel sin cloro alguno, con tinta de soja.

Owner's Manual

Bedienungsanleitung

Mode d'emploi

Manual de instrucciones

Yamaha Web Site (English only)

http://www.yamahasynth.com

Yamaha Manual Library

http://www2.yamaha.co.jp/manual/english/

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply

(adapter). DO NOT connect this product to any power supply or

adapter other than one described in the manual, on the name

plate, or speciﬁcally recommended by Yamaha.

WARNING:

Do not place this product in a position where anyone

could walk on, trip over ,or roll anything over power or connecting

cords of any kind. The use of an extension cord is not recom-

mended! IF you must use an extension cord, the minimum wire

size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the

AWG number ,the larger the current handling capacity. For longer

extension cords, consult a local electrician.

This product should be used only with the components supplied

or; a cart, rack, or stand that is recommended by Yamaha. If a cart,

etc., is used, please observe all safety markings and instructions

that accompany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct

at the time of printing. However, Yamaha reserves the right to

change or modify any of the speciﬁcations without notice or obliga-

tion to update existing units.

This product, either alone or in combination with an ampliﬁer and

headphones or speaker/s, may be capable of producing sound lev-

els that could cause permanent hearing loss. DO NOT operate for

long periods of time at a high volume level or at a level that is

uncomfortable. If you experience any hearing loss or ringing in the

ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period

before damage occurs.

Some Yamaha products may have benches and / or accessory

mounting ﬁxtures that are either supplied with the product or as

optional accessories. Some of these items are designed to be

dealer assembled or installed. Please make sure that benches are

stable and any optional ﬁxtures (where applicable) are well

secured BEFORE using.

Benches supplied by Yamaha are designed for seating only. No

other uses are recommended.

NOTICE:

Service charges incurred due to a lack of knowledge relating to

how a function or effect works (when the unit is operating as

designed) are not covered by the manufacturer’s warranty, and are

therefore the owners responsibility. Please study this manual care-

fully and consult your dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and

environmentally friendly. We sincerely believe that our products

and the production methods used to produce them, meet these

goals. In keeping with both the letter and the spirit of the law, we

want you to be aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which

(if applicable) is soldered in place. The average life span of this

type of battery is approximately ﬁve years. When replacement

becomes necessary, contact a qualiﬁed service representative to

perform the replacement.

This product may also use “household” type batteries. Some of

these may be rechargeable. Make sure that the battery being

charged is a rechargeable type and that the charger is intended for

the battery being charged.

When installing batteries, do not mix batteries with new, or with

batteries of a different type. Batteries MUST be installed correctly.

Mismatches or incorrect installation may result in overheating and

battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all

batteries away from children. Dispose of used batteries promptly

and as regulated by the laws in your area. Note: Check with any

retailer of household type batteries in your area for battery dis-

posal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some

reason its useful life is considered to be at an end, please observe

all local, state, and federal regulations that relate to the disposal of

products that contain lead, batteries, plastics, etc. If your dealer is

unable to assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model

number, serial number, power requirements, etc., are located on

this plate. You should record the model number, serial number,

and the date of purchase in the spaces provided below and retain

this manual as a permanent record of your purchase.

Model

Serial No.

Purchase Date

PLEASE KEEP THIS MANUAL

92-BP (bottom)

P-60

About this Owner’s Manual

ENGLISH

Thank you for purchasing the Yamaha P-60 Electronic Piano! We recommend that you read this manual carefully so that

you can fully take advantage of the advanced and convenient functions of the P-60.

We also recommend that you keep this manual in a safe and handy place for future reference.

About this Owner’s Manual

This manual consists of three main sections: “Introduction,” “Reference” and “Appendix.”

Introduction (page 2):

Please read this section ﬁrst.

Reference (page 13):

This section explains how to make detailed settings for the P-60’s various functions.

Appendix (page 29):

This section introduces reference material.

*The illustrations of the controls in this owner’s manual are for instructional purposes only and actual appearance of

the controls may be somewhat different on your instrument.

Trademarks:

•Apple and Macintosh are trademarks of Apple Computer, Inc.

•Windows is a registered trademark of Microsoft® Corporation.

•All other trademarks are the property of their respective holders.

This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with

respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all

computer software, MIDI ﬁles and WAVE data. Any unauthorized use of such programs and contents outside of per-

sonal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE,

DISTRIBUTE OR USE ILLEGAL COPIES.

P-60

Table of Contents

ENGLISH

Table of Contents

Introduction

SPECIAL MESSAGE SECTION ...................... 2

About this Owner’s Manual........................ 3

Application Index........................................ 5

PRECAUTIONS............................................. 6

Accessories .................................................. 8

Features....................................................... 9

Before Using the P-60............................... 10

Power supply connections.................................10

Turning the power on........................................10

Adjusting the volume.........................................10

Using the [PHONES/OUTPUT] jack ...............11

Using the [SUSTAIN PEDAL] jack...................11

Using the MIDI connectors...............................11

Music Rest ..........................................................12

Reference

Part Names................................................ 14

Listening to the Demo Songs ................... 15

Listening to 50 Piano Preset Songs .......... 16

Selecting & Playing Voices........................ 18

Selecting Voices..................................................18

Adding Variations to the Sound – Reverb........19

Combining Two Voices (Dual mode)...............20

Transposition .....................................................21

Fine-tuning the Pitch .........................................21

About MIDI ............................................... 22

Connecting a Personal Computer ............ 23

MIDI Functions.......................................... 24

MIDI Transmit/Receive Channel Selection......24

Local Control ON/OFF......................................24

Program Change ON/OFF.................................25

Control Change ON/OFF ..................................25

Troubleshooting ....................................... 26

Options...................................................... 26

Index ......................................................... 27

Appendix

Preset Song List / Liste der voreingestellten

Songs / Liste des morceaux prédéfinis /

Lista de canciones preseleccionadas ...... 30

MIDI Data Format / MIDI-Datenformat /

Format des données MIDI / Formato de

datos MIDI .............................................. 31

MIDI Implementation Chart ..................... 35

Specifications / Technische Daten /

Caractéristiques techniques /

Especificaciones ...................................... 36

P-60

Application Index

ENGLISH

Application Index

Use this index to ﬁnd reference pages that may be helpful for your particular application and situation.

Listening

Listening to demo songs with different voices...................................................... “Listening to the Demo Songs” on page 15

Listening to 50 Piano Preset Songs............................................................... “Listening to 50 Piano Preset Songs” on page 16

Playing

Using a supplied foot switch......................................................................... “Using the [SUSTAIN PEDAL] jack” on page 11

Playing an accompaniment that matches pitch............................................................................. “Transposition” on page 21

Fine-tuning the pitch of the entire instrument when you play the P-60

along with other instruments or CD music.......................................................................“Fine-tuning the Pitch” on page 21

Changing voices

Viewing the list of voices............................................................................................................. “Selecting Voices” on page 18

Simulating a concert hall ....................................................................“Adding Variations to the Sound – Reverb” on page 19

Combining two voices............................................................................... “Combining Two Voices (Dual mode)” on page 20

Connecting the P-60 to other devices

What is MIDI? ....................................................................................................................................“About MIDI” on page 22

Connecting the computer...............................................................................“Connecting a Personal Computer” on page 23

P-60

PRECAUTIONS

ENGLISH

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical

shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Only use the voltage speciﬁed as correct for the instrument. The required

voltage is printed on the name plate of the instrument.

• Use the speciﬁed adaptor (PA-5D or an equivalent recommended by Yamaha)

only. Using the wrong adaptor can result in damage to the instrument or

overheating.

• Check the electric plug periodically and remove any dirt or dust which may have

accumulated on it.

• Do not place the AC adaptor cord near heat sources such as heaters or radiators,

and do not excessively bend or otherwise damage the cord, place heavy objects

on it, or place it in a position where anyone could walk on, trip over, or roll

anything over it.

• Do not open the instrument or attempt to disassemble the internal parts or

modify them in any way. The instrument contains no user-serviceable parts. If it

should appear to be malfunctioning, discontinue use immediately and have it

inspected by qualiﬁed Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might spill into

any openings.

• Never insert or remove an electric plug with wet hands.

• Do not put burning items, such as candles, on the unit.

A burning item may fall over and cause a ﬁre.

• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a

sudden loss of sound during use of the instrument, or if any unusual smells or

smoke should appear to be caused by it, immediately turn off the power switch,

disconnect the adaptor plug from the outlet, and have the instrument inspected

by qualiﬁed Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage

to the instrument or other property. These precautions include, but are not limited to, the following:

• When removing the electric plug from the instrument or an outlet, always hold

the plug itself and not the cord.

• Unplug the AC power adaptor when not using the instrument, or during

electrical storms.

• Do not connect the instrument to an electrical outlet using a multiple-connector.

Doing so can result in lower sound quality, or possibly cause overheating in the

outlet.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold or

heat (such as in direct sunlight, near a heater, or in a car during the day) to

prevent the possibility of panel disﬁguration or damage to the internal

components.

• Do not use the instrument in the vicinity of a TV, radio, stereo equipment,

mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio

may generate noise.

• Do not place the instrument in an unstable position where it might accidentally

fall over.

• Before moving the instrument, remove all connected adaptor and other cables.

• Use only the stand speciﬁed for the instrument. When attaching the stand or

rack, use the provided screws only. Failure to do so could cause damage to the

internal components or result in the instrument falling over.

Power supply/AC power adaptor

Do not open

Water warning

Fire warning

If you notice any abnormality

Power supply/AC power adaptor

Location

(3)-7

1/2

P-60

PRECAUTIONS

ENGLISH

• Before connecting the instrument to other electronic components, turn off the

power for all components. Before turning the power on or off for all

components, set all volume levels to minimum. Also, be sure to set the volumes

of all components at their minimum levels and gradually raise the volume

controls while playing the instrument to set the desired listening level.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,

solvents, cleaning ﬂuids, or chemical-impregnated wiping cloths.

• Never insert or drop paper, metallic, or other objects into the gaps on the panel

or keyboard. If this happens, turn off the power immediately and unplug the

power cord from the AC outlet. Then have the instrument inspected by qualiﬁed

Yamaha service personnel.

• Do not place vinyl, plastic or rubber objects on the instrument, since this might

discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and do not

use excessive force on the buttons, switches or connectors.

• Do not operate the instrument for a long period of time at a high or

uncomfortable volume level, since this can cause permanent hearing loss. If you

experience any hearing loss or ringing in the ears, consult a physician.

Always turn the power off when the instrument is not in use.

Even when the power switch is in the “STANDBY” position, electricity is still ﬂowing to the instrument at the minimum level. When you are not using the instrument for a long

time, make sure you unplug the AC power adaptor from the wall AC outlet.

Connections

Maintenance

Handling caution

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the instrument, or data that is lost or destroyed.

(3)-7

2/2

P-60

Accessories

ENGLISH

Accessories

• Owner’s Manual

This manual contains complete instructions for operating your P-60.

• Quick Operation Guide

• Sustain Pedal

• Music Rest

•Yamaha PA-5D power adaptor

P-60

Features

ENGLISH

Features

The Yamaha P-60 electronic piano offers unmatched sonic realism and natural grand-piano type playability as well as

Yamaha’s original “

AWM Stereo Sampling

” tone-generation technology for rich, musical voices, and a special “

Graded

Hammer

” keyboard that provides graded key weight and response throughout the keyboard range.

The Grand Piano 1 and 2 voices feature totally new samples painstakingly recorded from a full concert grand piano. The

E. Piano 1 voice features a single velocity-switched sample and E. Piano 2 voice features two velocity-switched sample.

The P-60 sounds much closer to a true acoustic piano.

DC IN 12V

STANDBY / ON

PHONES/

OUTPUT

SUSTAIN PEDALIN MIDI OUT

POWER

MASTER VOLUME

DEMO VOICE

MIN MAX

ELECTRONIC PIANO P-60

POWER

MASTER VOLUME

DEMO VOICE

C. ORGAN 2VIBEEP 2PIANO 2

PIANO 1 EP 1 HARPSI 1 HARPSI 2 C. ORGAN 1 STRINGS

MIN MAX

PRESET SONG

[MASTER VOLUME]

Adjust the volume level using this control (page 10).

[DEMO]

Playback of a demo song and 50 preset songs is available (page 15).

[VOICE]

Select voices from 10 internal sounds, including Grand Piano 1 and 2 (page 18).

You can also combine two voices simultaneously (page 20), select various reverb

effects (page 19), etc.

[PHONES/OUTPUT]

A set of standard stereo

headphones can be plugged

in here for private

practice. You can also output

P-60 sound from an audio

system connected here.

(page 11).

MIDI [IN/OUT]

Connect a MIDI device to this

connector to use various MIDI

functions (page 23).

(About MIDI—page 22)

[SUSTAIN PEDAL]

Connect the supplied foot

switch here to switch sustain

effects on and off (page 11).

Connectors (rear panel)

P-60

Before Using the P-60

ENGLISH

Before Using the P-60

Power supply connections

Make sure that the

[STANDBY/ON]

switch of the P-60 is set to STANDBY.

Connect the AC adaptor’s DC cable to the

[DC IN 12V]

jack.

Plug the AC adaptor into an AC outlet.

After turning the power OFF, simply reverse the procedure to disconnect the

power.

WARNING

Use ONLY a Yamaha PA-5D AC Power Adaptor (or other adaptor speciﬁcally

recommended by Yamaha) to power your instrument from the AC mains. The

use of other adaptors may result in irreparable damage to both the adaptor

and the P-60.

WARNING

Unplug the AC Power Adaptor when not using the P-60, or during electrical storms.

Turning the power on

After making sure that the P-60’s AC power adaptor is properly plugged into the P-60 itself and plugged into a convenient

AC wall outlet, press the

[STANDBY/ON]

switch located on the rear panel of the P-60.

•The power indicator located on the left of the panel lights up.

When you’re ready to turn off the power, press the

[STANDBY/ON]

switch again.

•The power indicator turns off.

CAUTION

Even when the switch is in the “STANDBY” position, electricity is still ﬂowing to the instrument at the minimum level.

When you are not using the P-60 for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.

Adjusting the volume

To adjust the volume, use the

[MASTER VOLUME]

located at the top left of

the panel. Play the keyboard to actually produce sound while you adjust the

volume.

CAUTION

Do not use the P-60 at a high volume level for a long period of time, or your hearing may be damaged.

DC IN 12V

MASTER VOLUME

MIN MAX

The level increases.The level decreases.

TERMINOLOGY

MASTER VOLUME: The volume level of the entire keyboard sound

TIP

You can also adjust the [PHONES/OUTPUT] output level using the [MASTER VOLUME] control.

P-60

Before Using the P-60

ENGLISH

Using the [PHONES/OUTPUT] jack

Connect a pair of headphones here.

When a pair of headphones is connected to this jack, the P-60’s internal

speakers will turn off automatically. This is helpful for private practice or

late night playing.

Though the P-60 is equipped with a built-in speaker system, you can also

play it through an external ampliﬁer/speaker system. First, make sure the

P-60 and any external devices are turned off. Then, connect one end of a

stereo audio cable to the LINE IN or AUX IN jack(s) of the other device

and the other end to the rear panel

[PHONES/OUTPUT]

jack on the P-60.

CAUTION

Do not use the P-60 at a high volume level for a long period of time, or

your hearing may be damaged.

CAUTION

Connect the P-60 to external equipment only after turning off power for

all devices.

Failure to observe these cautions may result in electric shock or equipment damage.

To prevent damage to the speakers, set the volume of the external devices at the minimum setting before connecting

them.

Using the [SUSTAIN PEDAL] jack

This jack is for connecting a supplied foot switch or an optional

foot pedal to the P-60.

When you press the foot switch or the foot pedal, the notes you

play have a longer sustain.

The supplied foot switch is an on/off switch for sustain.

For the optional foot pedal FC3, the further down the pedal is

pressed, the longer the sound will be sustained (can be used like

a half pedal effect).

Using the MIDI connectors

The MIDI IN connector receives MIDI data from an external MIDI device (such as a

MIDI sequencer) which can be used to control the P-60. The MIDI OUT connector

transmits MIDI data generated by the P-60 (e.g. note and velocity data produced by

playing the P-60 keyboard).

More details on MIDI are given in “About MIDI” on page 22.

NOTE

Connect or disconnect the foot switch or the foot pedal

when the power is off.

NOTE

Do not turn on the power to the unit while pressing the

foot switch or foot pedal. Otherwise, the switch or

pedal polarity (on/off) will be reversed.

DC IN 12V

STANDBY / ON

PHONES/

OUTPUT

SUSTAIN PEDALIN MIDI OUT

Standard stereo

phone plug

DC IN 12V

STANDBY / ON

PHONES/

OUTPUT

SUSTAIN PEDALIN MIDI OUT

IN MIDI OUT

P-60

Before Using the P-60

ENGLISH

Music Rest

You can use the supplied music rest by inserting it in the slot on

the top panel of the P-60.

P-60

ENGLISH

Reference

Part Names................................................................ 14

Listening to the Demo Songs................................... 15

Listening to 50 Piano Preset Songs.......................... 16

Selecting & Playing Voices ....................................... 18

Selecting Voices ........................................................... 18

Adding Variations to the Sound – Reverb.................. 19

Combining Two Voices (Dual mode)......................... 20

Tr ansposition............................................................... 21

Fine-tuning the Pitch.................................................. 21

About MIDI.............................................................. 22

Connecting a Personal Computer ........................... 23

MIDI Functions........................................................ 24

MIDI Transmit/Receive Channel Selection ............... 24

Local Control ON/OFF............................................... 24

Program Change ON/OFF ......................................... 25

Control Change ON/OFF ........................................... 25

Troubleshooting ....................................................... 26

Options ..................................................................... 26

Index ......................................................................... 27

This section explains how to make detailed settings for the P-

60’s various functions.

P-60

Part Names

ENGLISH

Part Names

DC IN 12V

STANDBY / ON

PHONES/

OUTPUT

SUSTAIN PEDALIN MIDI OUT

ELECTRONIC PIANO P-60

POWER

MASTER VOLUME

DEMO VOICE

C. ORGAN 2VIBEEP 2PIANO 2

PIANO 1 EP 1 HARPSI 1 HARPSI 2 C. ORGAN 1 STRINGS

MIN MAX

PRESET SONG

5 7

POWER

MASTER VOLUME

DEMO VOICE

MIN MAX

1 2 3 4

1 [POWER] ....................................... P10

2 [MASTER VOLUME]....................... P11

3 [DEMO] ........................................ P15

4 [VOICE]....................................P18–20

5 [PHONES/OUTPUT] ...................... P11

6 [STANDBY/ON]............................. P10

7 [DC IN 12V].................................. P10

8 MIDI [IN] [OUT]............................ P22

9 [SUSTAIN PEDAL].......................... P11

P-60 Listening to the Demo Songs

ENGLISH

Listening to the Demo Songs

Demo songs are provided that effectively demonstrate each of the P-60’s voices.

1. Turn on the power.

(In case the power is not turned ON) Press the [STANDBY/ON] switch.

When you start playing, adjust the [MASTER VOLUME] control to the most

comfortable listening level.

2. Engage Demo mode.

Press the [DEMO] button to engage Demo mode. The [DEMO] button indicator

will light.

3. Play a Voice demo.

While holding down the [DEMO] button, press one of the C1–A1 keys to select

and start the corresponding demo song. Starting with the selected tune, the

demo songs will play in sequence until stopped.

Demo Song List

songs listed below.

Refer to the voice list on page 18 for voice key assignments.

The demo songs listed below are short re-arranged excerpts from the original

compositions.

Adjusting the Volume

Use the [MASTER VOLUME] control to adjust the volume.

4. Stop the Voice demo.

Press the [DEMO] button to stop playback.

Procedure

NOTE

Refer to the voice list on

page 18 for more information on

the characteristics of each pre-

set voice.

TERMINOLOGY

Mode:

A mode is a condition or status

under which you can execute a

certain function. In Demo mode,

you can play back demo songs.

NOTE

You cannot adjust the tempo of

demo songs.

KeyVoice Name Title Composer

C1 GrandPiano1 Consolation No.3 F. Liszt

E1 Harpsichord1 Gavotte J.S. Bach

F1 Harpsichord2 Invention No.1 J.S. Bach

The lowest key

DEMO

P-60 Listening to 50 Piano Preset Songs

ENGLISH

Listening to 50 Piano Preset Songs

The P-60 provides performance data for 50 piano songs. You can simply listen to these songs.

1. Engage Preset Song mode.

Press the [DEMO] button to engage Preset Song mode. The [DEMO] button

indicator will light.

2. Play a preset song.

While holding down the [DEMO] button, press one of the C2–C



6 keys to select

and start the corresponding tune. To play all preset songs in sequence, while

holding down the [DEMO] button, press the D6 key.

For a list of the preset songs, see page 30.

Adjusting the Volume

Use the [MASTER VOLUME] control to adjust the volume.

Adjusting the tempo

See page 17.

3. Stop playback.

Playback will stop automatically when the selected preset song has ﬁnished. To

stop the song during playback (or continuous playback), press the [DEMO] but-

ton.

•To continue playing other songs, see procedure 2 above.

Procedure

TERMINOLOGY

Song:

On the P-60, performance data

is called a “Song.” This includes

demo songs and piano preset

tunes.

TIP

You can play the keyboard

along with the preset song. You

can change the voice playing on

the keyboard.

TIP

You can adjust the Reverb type

(page 19) that is applied to the

voice you play on the keyboard

and to the preset song play-

back.

NOTE

When you select a different song

(or a different song is selected

during chained playback), an

appropriate reverb type will be

selected accordingly.

NOTE

MIDI reception is not possible in

Piano Song mode. Piano song

data is not transmitted via the

MIDI connectors.

The highest key

DEMO

C2 D6

C 6



P-60 Listening to 50 Piano Preset Songs

ENGLISH

Adjusting the tempo

The tempo of the preset song playback can be set from 32 to 280 beats per

minute.

While holding down the [DEMO] button, press a sequence of C0-A0 keys to

specify a three-digit number. Select a number starting from the left-most digit.

For example, to set the tempo “95,” press the C0 (0), A0 (9) and F0 (5) keys in

sequence.

To increase the tempo value in steps of one, while holding down the [DEMO]

button, press the B6 key. To decrease the tempo value in steps of one, while

holding down the [DEMO] button, press the A6 key.

To increase the tempo value in steps of ten, while holding down the [DEMO]

button, press the C7 key. To decrease the tempo value in steps of ten, while hold-

ing down the [DEMO] button, press the G



6 key.

To set the default tempo (the song’s original tempo), while holding down the

[DEMO] button, press the A



6 key.

NOTE

The default tempo is automati-

cally selected whenever a new

preset song is selected, and

when a new preset song begins

playback.

DEMO

13 68

975420

The lowest key

NOTE

During preset song playback,

you can set the tempo from 20

to 400 beats per minute,

depending on the song data.

DEMO



C7(The highest key)

P-60 Selecting & Playing Voices

ENGLISH

Selecting & Playing Voices

Selecting Voices

While holding down the [VOICE] button, press one of the C1–A1 keys to select and

start the corresponding voice.

Then, when you start playing, adjust the [MASTER VOLUME] control to the most com-

fortable listening level.

Procedure

TIP

To understand the characteris-

tics of various voices, listen to

demo songs for each voice

(page 15).

TERMINOLOGY

Voice:

On the P-60, a voice means a

“tone” or “tonal color.”

NOTE

Selecting a voice automatically

engages the best-suited reverb

type and depth (page 19) for

that particular voice.

Key

Voice Name

(Panel name)

Description

C1 Grand Piano 1

(PIANO1)

Recorded samples from a full concert grand piano. Perfect for classical

compositions as well as any other style that requires acoustic piano.



1Grand Piano 2

(PIANO2)

Spacious and clear piano with bright reverb. Good for popular music.

D1 E.Piano 1

(EP1)

An electronic piano sound created by FM synthesis. Good for popu-

lar music.



1 E.Piano 2

(EP2)

The sound of an electric piano using hammer-struck metallic “tines.” Soft

tone when played lightly, and an aggressive tone when played hard.

E1 Harpsichord 1

(HARPSI1)

The deﬁnitive instrument for baroque music. Since harpsichord uses

plucked strings, there is no touch response.

F1 Harpsichord 2

(HARPSI2)

Mixes the same voice an octave higher for a more brilliant tone.



1 Vibraphone

(VIBES)

Vibraphone played with relatively soft mallets. It has a tremolo effect

that is typical for vibraphone.

Church Organ 1

(C. ORGAN1)

This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for

sacred music from the Baroque period.



Church Organ 2

(C. ORGAN2)

This is the organ’s full coupler sound, often associated with Bach’s

“Toccata and Fugue”.

A1 Strings

(STRINGS)

Spacious and large-scale string ensemble. Try combining this voice

with piano in DUAL mode.

C1 D1 E1 F1 G1 A1

C 1



D 1



F 1



G 1



The lowest key

VOICE

P-60 Selecting & Playing Voices

ENGLISH

Adding Variations to the Sound – Reverb

This control enables you to select various digital reverb effects that add extra depth and expression

to the sound to create a realistic acoustic ambience.

When you select a reverb, the reverb is automatically turned on.

While holding down the [VOICE] button, press one of the C2–E2 keys to select a reverb

type.

Adjusting Reverb Depth

Adjust the reverb depth for the selected voice by pressing one of the C3–G



4 keys while

holding down the [VOICE] button. The depth range is from 0 through 20.

Procedure

KeyReverb Type Description

C2 Room This setting adds a continuous reverb effect to the sound, similar to

the acoustic reverberation you would hear in a room.



2 Hall1 For a “bigger” reverb sound, use the HALL 1 setting. This effect sim-

ulates the natural reverberation of a small-size concert hall.

D2 Hall2 For a truly spacious reverb sound, use the HALL 2 setting. This effect

simulates the natural reverberation of a large concert hall.



2 Stage Simulates the reverb of a stage environment.

E2 Off No effect is applied.

C2 D2 E2

C 2



D 2



The lowest key

VOICE

TIP

The default reverb type (includ-

ing OFF) and depth settings are

different for each voice.

TIP

depth 0: no effect

depth 20: maximum reverb

depth

C3: depth 0

G 4: depth 20



The lowest key

VOICE

The depth value increases as you press higher keys.

P-60 Selecting & Playing Voices

ENGLISH

Combining Two Voices (Dual mode)

You can play two voices simultaneously across the entire range of the keyboard. In this way, you

can simulate a melody duet or combine two similar voices to create a thicker sound.

1. Engage Dual mode.

While holding down the [VOICE] button, press two of the C1–A1 keys at simul-

taneously (or press one key while holding another).

Refer to the voice list on page 18 for available voices.

According to the voice priority shown in the voice list (page 18), the voice

assigned to the lower keyboard will be designated as Voice 1 (the other voice will

be designated as Voice 2).

You can make the following settings only in Dual mode:

Setting the Octave

You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 inde-

pendently. Depending on which voices you combine in Dual mode, the combi-

nation may sound better if one of the voices is shifted up or down an octave.

While holding down the [VOICE] button, press one of the C5–F5 keys.

Setting the Balance

You can set one voice as the main voice, and another voice as a softer, mixed voice.

While holding down the [VOICE] button, press one of the F



5–F



6 keys.

A setting of “0” produces an equal balance between the two Dual mode voices.

Settings below “0” increases the volume of Voice 2 in relation to Voice 1, and set-

tings above “0” increases the volume of Voice 1 in relation to Voice 2.

2. Exit Dual mode and return to normal play mode.

While holding down the [VOICE] button, press one of the C1–A1 keys.

Procedure

NOTE

You cannot assign the same

voice to Voice 1 and Voice 2

simultaneously in Dual mode.

TIP

Reverb in Dual Mode

The reverb type assigned to

Voice 1 will take priority over the

other. (If the reverb is set to

OFF, Voice 2 reverb type will be

in effect.) Reverb depth setting

(

page 19

) will be applied only to

Voice 1.

C1 A1

The lowest key

VOICE

C5 F5

The highest key

VOICE

For setting

the octave. (C5–F5)

C5 key: –1 (Voice 1), C



5 key: 0 (Voice 1), D5 key: +1(Voice 1),



5 key: –1 (Voice 2), E5 key: 0 (Voice 2), F5 key: +1(Voice 2)



F 6



-5

-6 -4 -2 +1 +3 +6

-3 -1 0 +2 +4 +5

The highest key

VOICE

For setting the balance. (F



5–F



P-60 Selecting & Playing Voices

ENGLISH

Transposition

The P-60’s Transpose function makes it possible to shift the pitch of the entire keyboard up or down

in semitone intervals up to a maximum of six semitones, and lets you easily match the pitch of the

keyboard to the range of a singer or other instruments.

For example, if you set the transposition amount to “5,” playing key C produces pitch F. In this way,

you can play a song as though it were in C major, and the P-60 will transpose it to the key of F.

While holding down the A-1 andC



0 keys, press one of the F



2–F



3 keys to set the

desired amount of transposition.

Pressing the C3 key produces normal keyboard pitch. Pressing the key to the left of C3

(=B2) transposes the pitch of the keyboard down a semitone, the next key to the left

(=B



2) transposes down a whole tone (two semitones), etc., down to the F



2 key, which

transposes down six semitones. Upward transposition is accomplished in the same way

using the keys to the right of C3, up to F



3, which transposes up six semitones.

Fine-tuning the Pitch

You can ﬁne-tune the pitch of the entire instrument. This function is useful when you play the P-60

along with other instruments or CD music.

To tune up (in about 0.2Hz steps):

Hold down the A-1 and

B-1

keys simultaneously and press any key between C3 and B3.

To tune down (in about 0.2Hz steps):

Hold down the A-1 and



-1

keys simultaneously and press any key between C3 and

B3.

To restore standard pitch:

Hold down the A-1, A



-1 and B-1 simultaneously and press any key between C3 and B3.

Setting range: 427.0-453.0 Hz

Standard pitch: 440.0 Hz

Procedure

TERMINOLOGY

Transpose:

Changing the key signature of a

song. On the P-60, transposing

shifts the pitch of the entire key-

board.

TIP

Notes below and above the A-1

.... C7 range of the P-60 sound

one octave higher and lower,

respectively.

-1

-5 -3 -1 0 +2 +4 +5

-6 -4 -2 +1 +3 +6



Normal

pitch.

Transpose

down.

Transpose

up.

TERMINOLOGY

Hz (Hertz):

This unit of measurement refers

to the frequency of a sound and

represents the number of times

a sound wave vibrates in a sec-

ond.

Procedure

C3 B3

A-1 B-1

A-1

-1



-1



A-1 B-1

To tune up To tune down To restore standard pitch

P-60 About MIDI

ENGLISH

About MIDI

MIDI (Musical Instrument Digital Interface) is a standard format for

data transmission and reception. It enables the transfer of performance

data and commands between MIDI devices and personal computers.

Using MIDI, you can control a connected MIDI device from the P-60, or

control the P-60 from a connected MIDI device or computer.

MIDI connectors

MIDI [IN]: Receives MIDI data.

MIDI [OUT]: Tr ansmits MIDI data.

MIDI cables

Prepare dedicated MIDI cables.

TIP

MIDI performance data and

commands are transferred in

the form of numeric values.

TIP

Since MIDI data that can be

transmitted or received varies

depending on the type of MIDI

device, check the “MIDI Imple-

mentation Chart” to ﬁnd out

what MIDI data and commands

your devices can transmit or

receive. The P-60’s MIDI Imple-

mentation Chart appears on

page 35.

IN MIDI OUT

TIP

You can also obtain detailed

information about MIDI from

various music books and other

publications.

P-60 Connecting a Personal Computer

ENGLISH

Connecting a Personal Computer

You can enjoy computer music data on the P-60 by connecting a computer to the MIDI connector.

There are two methods by which to connect the P-60 to a personal computer:

1. Use a MIDI interface and the P-60’s MIDI connectors.

2. Use the USB port on the computer and a USB interface (model UX16, UX96, or UX256).

1. Using a MIDI interface and the P-60’s MIDI connectors

Connection

Use a MIDI interface to connect a computer to the P-60 using special MIDI cables.

2. Connecting the computer’s USB port to the P-60 via a USB interface, such as the

UX16, UX96, or UX256

Connect the computer’s USB port to the USB interface (such as the UX16, UX96, or UX256) using a USB cable. Install

the driver (that came with the USB interface) on the computer, and connect the USB interface to the P-60 using a serial

cable or MIDI cables.

For more information, refer to the instruction manual for the USB interface.

An example of connecting the USB interface to the P-60 using MIDI cables

NOTE

When the P-60 is used as a tone module, performance data with voices that are not found on the P-60 will not be played

correctly.

NOTE

Before you connect the P-60 to a personal computer, ﬁrst turn off the power to both the P-60 and the computer. After

you make the connections, turn on the power to the computer ﬁrst, then turn on the power to the P-60.

IN MIDI OUT

P-60

Windows Macintosh

MIDI

interface

MIDI

interface

MIDI

OUT

MIDI

OUT

MIDI

OUT

MIDI

USB cable

MIDI cables

P-60

USB interface

computer

IN MIDI OUT

ELECTRONIC PIANO P-60

POWER

MASTER VOLUME

DEMO VOICE

C. ORGAN 2VIBEEP 2PIANO 2

PIANO 1 EP 1 HARPSI 1 HARPSI 2 C. ORGAN 1 STRINGS

MIN MAX

PRESET SONG

P-60 MIDI Functions

ENGLISH

MIDI Functions

You can make detailed adjustments to MIDI settings.

For more information about MIDI, see the “About MIDI” section (page 22).

MIDI Transmit/Receive Channel Selection

In any MIDI control setup, the MIDI channels of the transmitting and receiving equip-

ment must be matched for proper data transfer.

This parameter enables you to specify the channel on which the P-60 transmits or

receives MIDI data.

Setting the transmit channel

While holding down the A-1 and C



0 keys, press one of the C1–E2 keys.

Setting the receive channel

While holding down the A-1 and C



0 keys, press one of the C4–F5 keys.

Local Control ON/OFF

“Local Control” refers to the fact that, normally, the P-60 keyboard controls its internal

tone generator, allowing the internal voices to be played directly from the keyboard.

This situation is “Local Control On,” since the internal tone generator is controlled

locally by its own keyboard.

Local control can be turned OFF, however, so that the P-60 keyboard does not play the

internal voices, but the appropriate MIDI information is still transmitted via the MIDI

OUT connector when notes are played on the keyboard. At the same time, the internal

tone generator responds to MIDI information received via the MIDI IN connector.

While holding down the A-1 and C



0 keys, press the C6 key.

NOTE

Demo and preset song data are

not transmitted via MIDI.

NOTE

In Dual mode, Voice 1 data is

transmitted on its speciﬁed

channel and Voice 2 data is

transmitted on the next greater

channel number relative to the

speciﬁed channel. In this mode,

no data is transmitted if the

transmit channel is set to “OFF.”

TIP

ALL:

A “Multi-timbre” Receive mode

is available. It allows simulta-

neous reception of different

parts on all 16 MIDI channels,

enabling the P-60 to play multi-

channel song data received

from a music computer or

sequencer.

1+2:

A “1+2” Receive mode is avail-

able. It allows simultaneous

reception on channels 1 and 2

only, enabling the P-60 to play 1

and 2 channel song data

received from a music computer

or sequencer.

TIP

Program change and other like

channel messages received will

not affect the P-60’s panel set-

tings or the notes you play on

the keyboard.

NOTE

The P-60 does not receive MIDI

data when it is in Demo or Pre-

set Song mode.

Procedure

For setting the

transmit channels.

(C1–D

A-1 C1 C4 F5

OFF



13568

24 79

11 14 16

12 13 15

For ALL mode

13568

24 79

11 14 16

12 13 15

1+2

For setting the

receive channels.

(C4–F5)

A-1 C



The highest

key

P-60 MIDI Functions

ENGLISH

Program Change ON/OFF

Normally the P-60 will respond to MIDI program change numbers received from an

external keyboard or other MIDI device, causing the correspondingly-numbered voice

to be selected on the corresponding channel (the keyboard voice does not change). The

P-60 will normally also send a MIDI program change number whenever one of its

voices is selected, causing the correspondingly-numbered voice or program to be

selected on the external MIDI device if the device is set up to receive and respond to

MIDI program change numbers.

This function makes it possible to cancel program change number reception and trans-

mission so that voices can be selected on the P-60 without affecting the external MIDI

device.

While holding down the A-1 and C



0 keys, press the C



6 key.

Control Change ON/OFF

Normally the P-60 will respond to MIDI control change data received from an external

MIDI device or keyboard, causing the voice on the corresponding channel to be

affected by pedal and other “control” settings received from the controlling device (the

keyboard voice is not affected). The P-60 also transmits MIDI control change informa-

tion when the pedal or other appropriate controls are operated.

This function makes it possible to cancel control change data reception and transmis-

sion so that, for example, the P-60’s pedal and other controls can be operated without

affecting an external MIDI device.

While holding down the A-1 and C



0 keys, press the D6 key.

TIP

For information on program

change numbers for each of the

P-60’s voices, refer to page 34

in the MIDI Data Format sec-

tion.

Procedure

A-1 C



The highest

key



TIP

For information on control

changes that can be used with

the P-60, refer to the MIDI Data

Format on page 31.

Procedure

A-1 C



The highest

key

P-60 Troubleshooting

ENGLISH

Troubleshooting

Options

• Foot Pedal FC3

• Foot Switch FC4

• Keyboard Stand L-120 (for P-60; black and mahogany two-tone ﬁnish)

L-60W (for P-60S; silver and cherry two-tone ﬁnish)

Problem Possible Cause and Solution

The P-60 does not turn on. The P-60 has not been plugged in properly. Insert the adaptor plug into an AC outlet

and the adaptor socket into the unit securely. (page 10).

A click or pop is heard when the power is

turned on or off.

This is normal when electrical current is being applied to the instrument.

Noise from the speakers or headphones is

audible.

The noise may be due to interference caused by the use of a mobile phone in close

proximity to the P-60. Turn off the mobile phone, or move it further away from the P-60.

The overall volume is low, or no sound is

heard.

• The Master Volume is set too low. Set it to an appropriate level using the [MASTER

VOLUME] control.

• Make sure a pair of headphones is not connected to the headphones jack.

• Make sure that Local Control (page 24) is ON.

The foot switch has no effect, or the sound

continuously sustains even when the foot

switch is not pressed.

The pedal cord may not be properly connected. Make sure to securely insert the pedal

cord into the [SUSTAIN PEDAL] jack (page 11).

The foot switch seems to produce the oppo-

site effect. For example, pressing the foot

switch cuts off the sound and releasing it sus-

tains the sounds.

The polarity of the foot switch is reversed. Make sure that the foot switch plug is prop-

erly connected to the [SUSTAIN PEDAL] jack before turning on the power.

Do not press the pedal while turning the power on.

P-60 Troubleshooting/Options

P-60 Index

ENGLISH

Index

Numerics

50 Piano Preset Songs .....................................................16

Accessories.........................................................................8

Adjust

Reverb Depth.............................................................19

Tempo (50 Piano Preset Songs) ...............................16

Volume (50 Piano Preset Songs) ..............................16

Volume (Demo) ........................................................15

Combining Two Voices (Dual mode)............................20

Connecting a Personal Computer..................................23

DC IN 12V.................................................................10, 14

DEMO........................................................................14, 15

Dual mode .......................................................................20

Foot switch.......................................................................11

MASTER VOLUME..................................................10, 14

MIDI ................................................................................22

MIDI [IN] [OUT] ...........................................................14

MIDI cables ...............................................................22, 23

MIDI connectors.............................................................22

MIDI Data Format ..........................................................31

MIDI Implementation Chart..........................................35

Music Rest........................................................................12

PHONES/OUTPUT........................................................14

Precautions ....................................................................6–7

Preset songs ➝ 50 Piano Preset Songs ...........................16

Reverb ..............................................................................19

Song ................................................................................. 16

Specifications................................................................... 36

STANDBY/ON..........................................................10, 14

Start/Stop playback

50 Piano Preset Songs ...............................................16

Demo Songs...............................................................15

SUSTAIN PEDAL ..................................................... 11, 14

Transposition ..................................................................21

Troubleshooting.............................................................. 26

VOICE .................................................................14, 18–20

P-60

ENGLISH

MEMO

P-60

Appendix/Anhang/

Annexe/Apéndice

This section introduces reference material.

In diesem Abschnitt ﬁnden Sie Referenzmaterial.

Cette section présente le matériel de référence.

En esta sección se incluye material de referencia.

Preset Song List / Liste der voreingestellten Songs / Liste des morceaux prédéﬁnis / Lista de canciones

preseleccionadas.................................................................................................................................................. 30

MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI................... 31

MIDI Implementation Chart / MIDI Implementierung stabelle /

Feuille d’implantation MIDI / Gráﬁca de implementación MIDI ................................................................... 35

Speciﬁcations / Technische Daten / Caractéristiques techniques / Especiﬁcaciones .......................................... 36

P-60 Appendix/Anhang/Annexe/Apéndice

Preset Song List / Liste der voreingestellten Songs /

Liste des morceaux prédéﬁnis /

Lista de canciones preseleccionadas

No. Title Composer

1 Invention No. 1 J.S.Bach

2 Invention No. 8 J.S.Bach

3 Gavotte J.S.Bach

4 Prelude (Wohltemperierte Klavier I No.1) J.S.Bach

5 Menuett G dur BWV.Anh.114 J.S.Bach

6 Le Coucou L-C.Daquin

7 Piano Sonate No.15 K.545 1st mov W.A.Mozart

8Turkish March W.A.Mozart

9 Menuett G dur W.A.Mozart

10 Little Serenade J.Haydn

11 Perpetuum mobile C.M.v.Weber

12 Ecossaise L.v.Beethoven

13 Für Elise L.v.Beethoven

14 Marcia alla Turca L.v.Beethoven

15 Piano Sonate op.13 “Pathétique” 2nd mov. L.v.Beethoven

16 Piano Sonate op.27-2 “Mondschein” 1st mov. L.v.Beethoven

17 Piano Sonate op.49-2 1st mov. L.v.Beethoven

18 Impromptu op.90-2 F.P.Schubert

19 Moments Musicaux op.94-3 F.P.Schubert

20 Frühlingslied op.62-2 J.L.F.Mendelssohn

21 Jägerlied op.19b-3 J.L.F.Mendelssohn

22 Fantaisie-Impromptu F.F.Chopin

23 Prelude op.28-15 “Raindrop” F.F.Chopin

24 Etude op.10-5 “Black keys” F.F.Chopin

25 Etude op.10-3 “Chanson de l’adieu” F.F.Chopin

No. Title Composer

26 Etude op.10-12 “Revolutionary” F.F.Chopin

27 Valse op.64-1 “Petit chien” F.F.Chopin

28 Valse op.64-2 F.F.Chopin

29 Valse op.69-1 “L’adieu” F.F.Chopin

30 Nocturne op.9-2 F.F.Chopin

31 Träumerei R.Schumann

32 Fröhlicher Landmann R.Schumann

33 La prière d’une Vierge T.Badarzewska

34 Dolly’s Dreaming and Awakening T.Oesten

35 Arabesque J.F.Burgmüller

36 Pastorale J.F.Burgmüller

37 La chevaleresque J.F.Burgmüller

38 Liebesträume Nr.3 F.Liszt

39 Blumenlied G.Lange

40 Barcarolle P.I.Tchaikovsky

41 Melody in F A.Rubinstein

42 Humoresque A.Dvorák

43 Tango (España) I.Albéniz

44 The Entertainer S.Joplin

45 Maple Leaf Rag S.Joplin

46 La Fille aux Cheveux de Lin C.A.Debussy

47 Arabesque 1 C.A.Debussy

48 Clair de lune C.A.Debussy

49 Rêverie C.A.Debussy

50 Golliwog’s Cakewalk C.A.Debussy

P-60 Appendix/Anhang/Annexe/Apéndice

MIDI Data Format / MIDI-Datenformat /

Format des données MIDI / Formato de datos MIDI

If you’re already very familiar with MIDI, or are using a

computer to control your music hardware with computer-

gener-ated MIDI messages, the data provided in this section

can help you to control the P-60.

Falls Sie bereits mit MIDI vertraut sind oder einen

Computer zur Erzeugung von MIDI-Steuermeldungen für die

Instrumente verwenden, können Sie sich zur Steuerung des

P-60 nach den im folgenden Abschnitt aufgeführten

Speziﬁkationen richten.

Si vous êtes très familier avec l’interface MIDI ou si vous

utilisez un ordinateur pour commander votre matériel de

musique au moyen de messages MIDI générés par

ordinateur, les données suivantes vous seront utiles et vous

aideront à commander le P-60.

SI usted está ya familiarizado con MIDI, o si emplea una

computadora para controlar sus aparatos musicales con

mensajes MIDI generados por computadora, los datos

proporcionados en esta sección le ayudarán a controlar la

P-60.

1. NOTE ON/OFF

Data format: [9nH] -> [kk] -> [vv]

9nH = Note ON/OFF event (n = channel number)

kk = Note number (Transmit: 09H ~ 78H = A-2 ~ C8 /

Receive: 00H ~ 7FH = C-2 ~ G8)*

vv = Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H)

Data format: [8nH] -> [kk] -> [vv] (reception only)

8nH = Note OFF event (n = channel number)

kk = Note number: 00H ~ 7FH = C-2 ~ G8

vv = Velocity

* If received value exceeds the supported range for the

selected voice, the note is adjusted by the necessary num-

ber of octaves.

2. CONTROL CHANGE

Data format: [BnH] -> [cc] -> [vv]

BnH = Control change (n = channel number)

cc = Control number

vv = Data Range

(1) Bank Select

ccH Parameter Data Range (vvH)

00H Bank Select MSB 00H:Normal

20H Bank Select LSB 00H...7FH

Bank selection processing does not occur until receipt of

next Program Change message.

(2) Main Volume (reception only)

ccH Parameter Data Range (vvH)

07H Volume MSB 00H...7FH

(3) Expression (reception only)

ccH Parameter Data Range (vvH)

0BH Expression MSB 00H...7FH

(4) Damper

ccH Parameter Data Range (vvH)

40H Damper MSB 00H...7FH

(5) Sostenuto (reception only)

ccH Parameter Data Range (vvH)

42H Sostenuto 00H-3FH:off, 40H-7FH:on

(6) Soft Pedal (reception only)

ccH Parameter Data Range (vvH)

43H Soft Pedal 00H-3FH:off, 40H-7FH:on

(7) Effect1 Depth (Reverb Send Level)

ccH Parameter Data Range (vvH)

5BH Effect1 Depth 00H...7FH

Adjusts the reverb send level.

(8) Effect4 Depth (Variation Effect Send Level) (reception

only)

ccH Parameter Data Range (vvH)

5EH Effect4 Depth 00H...7FH

3. MODE MESSAGES

Data format: [BnH] -> [cc] -> [vv]

BnH = Control event (n = channel number)

cc = Control number

vv = Data Range

(1) All Sound Off

ccH Parameter Data Range (vvH)

78H All Sound Off 00H

Switches off all sound from the channel. Does not reset Note

On and Hold On conditions established by Channel Messages.

(2) Reset All Controllers

ccH Parameter Data Range (vvH)

79H Reset All Controllers 00H

Resets controllers as follows.

Controller Value

Expression 127 (max)

Damper Pedal 0 (off)

Sostenuto 0 (off)

Soft Pedal 0 (off)

(3) Local Control (reception only)

ccH Parameter Data Range (vvH)

7AH Local Control 00H (off), 7FH (on)

(4) All Notes Off

ccH Parameter Data Range (vvH)

7BH All Notes Off 00H

Switches OFF all the notes that are currently ON on the spec-

iﬁed channel. Any notes being held by the damper or soste-

nuto pedal will continue to sound until the pedal is released.

(5) Omni Off (reception only)

ccH Parameter Data Range (vvH)

7CH Omni Off 00H

Same processing as for All Notes Off.

(6) Omni On (reception only)

ccH Parameter Data Range (vvH)

7DH Omni On 00H

Same processing as for All Notes Off.

(7) Mono (reception only)

ccH Parameter Data Range (vvH)

7EH Mono 00H

Same processing as for All Sound Off.

(8) Poly (reception only)

ccH Parameter Data Range (vvH)

7FH Poly 00H

Same processing as for All Sound Off.

• When control change reception is turned OFF, control change

data will not be transmitted or received except for Bank Select

and Mode messages.

• Local on/off, OMNI on/off are not transmitted. (The appropriate

note off number is supplied with “All Note Off” transmission).

• When a voice bank MSB/LSB is received, the number is

stored in the internal buffer regardless of the received order,

then the stored value is used to select the appropriate voice

when a program change message is received.

• The Multi-timbre and Poly modes are always active. No

change occurs when OMNI ON, OMNI OFF, MONO, or POLY

mode messages are received.

P-60 Appendix/Anhang/Annexe/Apéndice

4. PROGRAM CHANGE

Data format: [CnH] -> [ppH]

CnH = Program event (n = channel number)

ppH = Program change number

P.C.#=Program Change number

• When program change reception is turned OFF, no program

change data is transmitted or received. Also, Bank MSB/LSB

is not transmitted or received.

5. SYSTEM REALTIME MESSAGES

[rrH]

FEH: Active sensing

• Caution: If an error occurs during MIDI reception, the Damper,

Sostenuto, and Soft effects for all channels are turned off and

an All Note Off occurs.

6. SYSTEM EXCLUSIVE MESSAGES

(Universal System Exclusive)

(1) Universal Realtime Message

Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->

[llH] -> [mmH] -> [F7H]

MIDI Master Volume

• Simultaneously changes the volume of all channels.

• When a MIDI master volume message is received, the volume

only has affect on the MIDI receive channel, not the panel

master volume.

F0H = Exclusive status

7FH = Universal Realtime

7FH = ID of target device

04H = Sub-ID #1=Device Control Message

01H = Sub-ID #2=Master Volume

llH = Volume LSB

mmH =

Volume MSB

F7H = End of Exclusive

F0H = Exclusive status

7FH = Universal Realtime

XnH = When n is received n=0~F, whichever is received.

X = don’t care

04H = Sub-ID #1=Device Control Message

01H = Sub-ID #2=Master Volume

llH = Volume LSB

mmH =

Volume MSB

F7H = End of Exclusive

(2) Universal Non-Realtime Message (GM On)

General MIDI Mode On

Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] ->

[F7H]

F0H = Exclusive status

7EH = Universal Non-Realtime

7FH = ID of target device

09H = Sub-ID #1=General MIDI Message

01H = Sub-ID #2=General MIDI On

F7H = End of Exclusive

F0H = Exclusive status

7EH = Universal Non-Realtime

XnH = When received, n=0~F.

X = don’t care

09H = Sub-ID #1=General MIDI Message

01H = Sub-ID #2=General MIDI On

F7H = End of Exclusive

When the General MIDI mode ON message is received, the

MIDI system will be reset to its default settings.

This message requires approximately 50ms to execute, so

sufﬁcient time should be allowed before the next message is

sent.

P-60 MSB LSB

P.C.#

Grand Piano 1 0 122 0

Grand Piano 2 0 112 0

E.Piano 1 0 122 5

E.Piano 2 0 122 4

Harpsichord 1 0 122 6

Harpsichord 2 0 123 6

Vibraphone 0 122 11

Church Organ 1 0 123 19

Church Organ 2 0 122 19

Strings 0 122 48

Data Transmission Reception

FEH

Transmitted every

200 milliseconds

If a signal is not received via MIDI for

more than 400 milliseconds, the

same processing will take place for

All Sound Off, All Notes Off and Reset

All Controllers as when those signals

are received.

P-60 Appendix/Anhang/Annexe/Apéndice

7. SYSTEM EXCLUSIVE MESSAGES (XG Standard)

(1) XG Native Parameter Change

Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] ->

[mmH] -> [llH] -> [ddH] -> [F7H]

F0H = Exclusive status

43H = YAMAHA ID

1nH = When received, n=0~F.

When transmitted, n=0.

4CH = Model ID of XG

hhH = Address High

mmH =

Address Mid

llH = Address Low

ddH = Data

F7H = End of Exclusive

Data size must match parameter size (2 or 4 bytes).

When the XG System On message is received, the MIDI sys-

tem will be reset to its default settings.

The message requires approximately 50ms to execute, so

sufﬁcient time should be allowed before the next message is

sent.

(2) XG Native Bulk Data (reception only)

Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] ->

[bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->...->

[ccH] -> [F7H]

F0H = Exclusive status

43H = YAMAHA ID

0nH = When received, n=0~F.

When transmitted, n=0.

4CH = Model ID of XG

aaH = ByteCount

bbH = ByteCount

hhH = Address High

mmH =

Address Mid

llH = Address Low

ddH = Data

| |

ccH = Check sum

F7H = End of Exclusive

• Receipt of the XG SYSTEM ON message causes reinitializa-

tion of relevant parameters and Control Change values. Allow

sufﬁcient time for processing to execute (about 50 msec)

before sending the P-60 another message.

• XG Native Parameter Change message may contain two or

four bytes of parameter data (depending on the parameter

size).

•For information about the Address and Byte Count values,

refer to Table 1 below. Note that the table’s Total Size value

gives the size of a bulk block. Only the top address of the

block (00H, 00H, 00H) is valid as a bulk data address.

8. SYSTEM EXCLUSIVE MESSAGES

(Electronic Piano MIDI Format)

Data format:

[F0H] -> [43H] -> [73H] -> [xxH] -> [nnH] -> [F7H]

F0H = Exclusive status

43H = Yamaha ID

73H = Electronic Piano ID

01H = Product ID (electronic piano common)

7F= Extended Product ID

2FH = Product ID

nnH = Substatus

nn Control

02H Internal MIDI clock

03H External MIDI clock

06H Bulk Data (the bulk data follows 06H)

F7H = End of Exclusive

* When nn=02H or 03H, Electronic common ID (01H) is

rec-ognized as well as 75H.

SYSTEM EXCLUSIVE MESSAGES (Special Control)

Data format: [F0H] -> [43H] -> [73H] -> [66H] -> [11H] ->

[0nH] -> [ccH] -> [vvH] -> [F7H]

F0H = Exclusive status

43H = Yamaha ID

73H = Electronic Piano ID

7FH = Extended Product ID

2FH = Product ID

11H = Special control

0nH = Control MIDI change (n=channel number)

cc = Control number

vv = Value

F7H = End of Exclusive

Control Channel ccH vvH

Channel Detune

ch: 00H-0FH 43H (Sets the Detune value

for each channel)

00H-7FH

Voice Reserve

ch: 00H-0FH 45H 00H : Reserve off

7FH : on*

When Volume, Expression is received for Reserve On, they

will be effective from the next Key On. Reserve Off is normal.

10.SYSTEM EXCLUSIVE MESSAGES (Others)

Data format:

[F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H]

-> [00H] -> [mmH] -> [

H] -> [ccH] -> [F7H]

Master Tuning (XG and last message priority) simultaneously

changes the pitch of all channels.

F0H = Exclusive Status

43H = Yamaha ID

1nH = When received, n=0~F.

When transmitted, n=0.

27H = Model ID of TG100

30H = Sub ID

00H =

mmH =Master Tune MSB

llH = Master Tune LSB

ccH = don’t care (under 7FH)

F7H = End of Exclusive

P-60 Appendix/Anhang/Annexe/Apéndice

MIDI Parameter Change table (SYSTEM)

Address (H) Size (H) Data (H) Parameter Description Default value (H)

00 00 00 4 020C - 05F4(*1) MASTER TUNE -50 - +50[cent] 00 04 00 00

01 1st bit 3 - 0 ➝ bit 15 - 12 400

02 2nd bit 3 - 0 ➝ bit 11 - 8

03 3rd bit 3 - 0 ➝ bit 7 - 4

4th bit 3 - 0 ➝ bit 3 - 0

04 1 00 - 7F MASTER VOLUME 0 - 127 7F

05 1 — —

06 1 34 - 4C(*2) TRANSPOSE -12 - +12[semitones] 40

7E 00 XG SYSTEM ON 00=XG sytem ON

7F 00 RESET ALL PARAMETERS 00=ON (receive only)

TOTAL SIZE 07

*1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.

*2: Values from 28H through 33H are interpreted as -12 through -1. Values from 4DH through 58H are interpreted as +1 through +12.

MIDI Parameter Change table (EFFECT 1)

Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers.

Address (H) Size (H) Data (H) Parameter Description Default value (H)

02 01 00 2 00-7F REVERB TYPE MSB Refer to Effect MIDI Map 01(=HALL1)

00-7F REVERB TYPE LSB 00 : basic type 00

02 01 40 2 00-7F VARIATION TYPE MSB Refer to Effect MIDI Map 00(=Effect off)

00-7F VARIATION TYPE LSB 00 : basic type 00

• “VARIATION” refers to the EFFECT on the panel.

MIDI Parameter Change table (MULTI PART)

Address (H) Size (H) Data (H) Parameter Description Default value (H)

08 nn 11 1 00 - 7F DRY LEVEL 0 - 127 7F

nn = Part Number

• Effect MIDI Map

REVERB

MSB LSB

ROOM 02H 10H

HALL 1 01H 10H

HALL 2 01H 11H

STAGE 03H 10H

EFFECT

MSB LSB

CHORUS 42H 10H

PHASER 48H 10H

TREMOLO 46H 10H

DELAY 05H 10H

P-60 Appendix/Anhang/Annexe/Apéndice

MIDI Implementation Chart

YAMAHA [Electronic Piano] Date: 8 August, 2002

Model: P-60 MIDI Implementation Chart Version: 1.0

Mode 1: OMNI ON, POLY Mode 2: OMNI ON, MONO O : Yes

Mode 3: OMNI OFF, POLY Mode 4: OMNI OFF, MONO X : No

Function Transmitted Recognized Remarks

Basic Default

Channel Changed

1 - 16

Default

Mode Messages

Altered

*****************

1 *1

Poly Mode only

Note

Number : True voice

9 - 120

*****************

0 - 127

Velocity Note ON

Note OFF

O 9nH, v=1 - 127

O 9nH, v=0

O 9nH, v=1 - 127

O 9nH, v=0 or 8nH

After Key’s

Touch Ch’s

Pitch Bender X X

Control Change 0, 32

Bank Select

Volume

Expression

Damper

Sostenuto

Soft pedal

Reverb Depth

Effect Depth

Program

Change : True #

*****************

System Exclusive O O

: Song Position

Common : Song Select

: Tune

System : Clock

Real Time : Commands

: All sounds off

Aux: Reset All Controllers

: Local ON/OFF

Messages : All Notes OFF

: Active Sense

: Reset

O (120, 126, 127)

O (121)

O (122)

O (123 - 125)

Notes : *1 = Recieve Mode is always multi timbre and Poly mode.

P-60

Appendix/Anhang/Annexe/Apéndice

Speciﬁcations / Technische Daten /

Caractéristiques techniques / Especiﬁcaciones

* Speciﬁcations and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change

or modify products or speciﬁcations at any time without prior notice. Since speciﬁcations, equipment or options may not be the

same in every locale, please check with your Yamaha dealer.

* Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. behält sich

das Recht vor, Produkte oder deren technische Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modiﬁzieren. Da

die technischen Daten, das Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte mit

Ihrem Yamaha-Händler in Verbindung.

* Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que pour information. Yamaha Corp. se

réserve le droit de changer ou modiﬁer les produits et leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que

les caractéristiques techniques, les équipements et les options peuvent différer d’un pays à l’autre, adressez-vous au distributeur

Yamaha le plus proche.

* Las especiﬁcaciones y descripciones de este manual del propietario tienen sólo el propósito de servir como información. Yamaha

Corp. se reserva el derecho a efectuar cambios o modiﬁcaciones en los productos o especiﬁcaciones en cualquier momento sin

previo aviso. Puesto que las especiﬁcaciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite

información a su distribuidor Yamaha.

Item

P-60

Keyboard 88 keys (A-1 - C7)

Sound Source AWM Stereo Sampling

Polyphony 32 Notes Max.

Voice Selection 10

Effect Reverb

Volume Master Volume

Controls Dual, Transpose

Pedal Sustain

Demo Songs 10 voice Demo Songs, 50 preset Songs

Jacks/Connectors PHONE/OUTPUT, DC IN 12V, MIDI (IN/OUT), SUSTAIN PEDAL

Main Ampliﬁers 8W

Speakers Oval (12cm

6cm)

Power Supply Yamaha PA-5D power adaptor (or an equivalent recommended by Yamaha)

Dimensions (W

(with music rest)

1342mm

354mm

138mm [52-13/16"

13-15/16"

5-7/16"]

(1342mm

354mm

329mm [52-13/16"

13-15/16"

12-15/16"])

Weight 16kg (36lbs., 4oz)

Accessories Owner’s Manual, Quick Operation Guide, Sustain Pedal, Music Rest, Yamaha PA-5D power

adaptor (included or optional depending on locale)

P-60 Appendix/Anhang/Annexe/Apéndice

MEMO

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

(standby)

FCC INFORMATION (U.S.A.)

IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instruc-

tions contained in this manual, meets FCC require-

ments. Modiﬁcations not expressly approved by

Yamaha may void your authority, granted by the FCC, to

use the product.

IMPORTANT:

When connecting this product to acces-

sories and/or another product use only high quality

shielded cables. Cable/s supplied with this product

MUST be used. Follow all installation instructions. Fail-

ure to follow instructions could void your FCC authoriza-

tion to use this product in the USA.

NOTE:

This product has been tested and found to com-

ply with the requirements listed in FCC Regulations,

Part 15 for Class “B” digital devices. Compliance with

these requirements provides a reasonable level of

assurance that your use of this product in a residential

environment will not result in harmful interference with

other electronic devices. This equipment generates/

uses radio frequencies and, if not installed and used

according to the instructions found in the users manual,

may cause interference harmful to the operation of

other electronic devices. Compliance with FCC regula-

tions does not guarantee that interference will not occur

in all installations. If this product is found to be the

source of interference, which can be determined by

turning the unit “OFF” and “ON”, please try to eliminate

the problem by using one of the following measures:

Relocate either this product or the device that is being

affected by the interference.

Utilize power outlets that are on different branch (circuit

breaker or fuse) circuits or install AC line ﬁlter/s.

In the case of radio or TV interference, relocate/reorient

the antenna. If the antenna lead-in is 300 ohm ribbon

lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfac-

tory results, please contact the local retailer authorized

to distribute this type of product. If you can not locate

the appropriate retailer, please contact Yamaha Corpo-

ration of America, Electronic Service Division, 6600

Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products

distributed by Yamaha Corporation of America or its

subsidiaries.

OBSERVERA!

Apparaten kopplas inte ur växelströmskällan (nätet) så länge

som den ar ansluten till vägguttaget, även om själva apparaten

har stängts av.

ADVARSEL:

Netspæendingen til dette apparat er IKKE

afbrudt, sålæenge netledningen siddr i en stikkontakt, som er t

endt — også selvom der or slukket på apparatets afbryder.

VAROITUS:

Laitteen toisiopiiriin kytketty käyttökytkin ei irroita

koko laitetta verkosta.

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply

(adapter). DO NOT connect this product to any power supply or

adapter other than one described in the manual, on the name

plate, or speciﬁcally recommended by Yamaha.

WARNING:

Do not place this product in a position where anyone

could walk on, trip over ,or roll anything over power or connecting

cords of any kind. The use of an extension cord is not recom-

mended! IF you must use an extension cord, the minimum wire

size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the

AWG number ,the larger the current handling capacity. For longer

extension cords, consult a local electrician.

This product should be used only with the components supplied

or; a cart, rack, or stand that is recommended by Yamaha. If a cart,

etc., is used, please observe all safety markings and instructions

that accompany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct

at the time of printing. However, Yamaha reserves the right to

change or modify any of the speciﬁcations without notice or obliga-

tion to update existing units.

This product, either alone or in combination with an ampliﬁer and

headphones or speaker/s, may be capable of producing sound lev-

els that could cause permanent hearing loss. DO NOT operate for

long periods of time at a high volume level or at a level that is

uncomfortable. If you experience any hearing loss or ringing in the

ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period

before damage occurs.

Some Yamaha products may have benches and / or accessory

mounting ﬁxtures that are either supplied with the product or as

optional accessories. Some of these items are designed to be

dealer assembled or installed. Please make sure that benches are

stable and any optional ﬁxtures (where applicable) are well

secured BEFORE using.

Benches supplied by Yamaha are designed for seating only. No

other uses are recommended.

NOTICE:

Service charges incurred due to a lack of knowledge relating to

how a function or effect works (when the unit is operating as

designed) are not covered by the manufacturer’s warranty, and are

therefore the owners responsibility. Please study this manual care-

fully and consult your dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and

environmentally friendly. We sincerely believe that our products

and the production methods used to produce them, meet these

goals. In keeping with both the letter and the spirit of the law, we

want you to be aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which

(if applicable) is soldered in place. The average life span of this

type of battery is approximately ﬁve years. When replacement

becomes necessary, contact a qualiﬁed service representative to

perform the replacement.

This product may also use “household” type batteries. Some of

these may be rechargeable. Make sure that the battery being

charged is a rechargeable type and that the charger is intended for

the battery being charged.

When installing batteries, do not mix batteries with new, or with

batteries of a different type. Batteries MUST be installed correctly.

Mismatches or incorrect installation may result in overheating and

battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all

batteries away from children. Dispose of used batteries promptly

and as regulated by the laws in your area. Note: Check with any

retailer of household type batteries in your area for battery dis-

posal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some

reason its useful life is considered to be at an end, please observe

all local, state, and federal regulations that relate to the disposal of

products that contain lead, batteries, plastics, etc. If your dealer is

unable to assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model

number, serial number, power requirements, etc., are located on

this plate. You should record the model number, serial number,

and the date of purchase in the spaces provided below and retain

this manual as a permanent record of your purchase.

Model

Serial No.

Purchase Date

PLEASE KEEP THIS MANUAL

92-BP (bottom)

For details of products, please contact your nearest Yamaha

representative or the authorized distributor listed below.

Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou

au distributeur le plus proche de vous ﬁgurant dans la liste suivante.

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten

Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen

Bestimmungsländern erhältlich.

Para detalles sobre productos, contacte su tienda Yamaha más cercana

o el distribuidor autorizado que se lista debajo.

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario,

M1S 3R1, Canada

Tel: 416-298-1311

U.S.A.

Yamaha Corporation of America

6600 Orangethorpe Ave., Buena Park, Calif. 90620,

U.S.A.

Tel: 714-522-9011

MEXICO

Yamaha de Mexico S.A. De C.V.,

Departamento de ventas

Javier Rojo Gomez No.1149, Col. Gpe Del

Moral, Deleg. Iztapalapa, 09300 Mexico, D.F.

Tel: 55-5804-0600

BRAZIL

Yamaha Musical do Brasil LTDA.

Av. Rebouças 2636, São Paulo, Brasil

Tel: 011-3085-1377

ARGENTINA

Yamaha Music Latin America, S.A.

Sucursal de Argentina

Viamonte 1145 Piso2-B 1053,

Buenos Aires, Argentina

Tel: 1-4371-7021

PANAMA AND OTHER LATIN

AMERICAN COUNTRIES/

CARIBBEAN COUNTRIES

Yamaha Music Latin America, S.A.

Torre Banco General, Piso 7, Urbanización Marbella,

Calle 47 y Aquilino de la Guardia,

Ciudad de Panamá, Panamá

Tel: +507-269-5311

THE UNITED KINGDOM

Yamaha-Kemble Music (U.K.) Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes,

MK7 8BL, England

Tel: 01908-366700

IRELAND

Danfay Ltd.

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin

Tel: 01-2859177

GERMANY

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

SWITZERLAND/LIECHTENSTEIN

Yamaha Music Central Europe GmbH,

Branch Switzerland

Seefeldstrasse 94, 8008 Zürich, Switzerland

Tel: 01-383 3990

AUSTRIA

Yamaha Music Central Europe GmbH,

Branch Austria

Schleiergasse 20, A-1100 Wien, Austria

Tel: 01-60203900

THE NETHERLANDS

Yamaha Music Central Europe,

Branch Nederland

Clarissenhof 5-b, 4133 AB Vianen, The Netherlands

Tel: 0347-358 040

BELGIUM/LUXEMBOURG

Yamaha Music Central Europe GmbH,

Branch Belgium

Rue de Geneve (Genevastraat) 10, 1140 - Brussels,

Belgium

Tel: 02-726 6032

FRANCE

Yamaha Musique France

BP 70-77312 Marne-la-Vallée Cedex 2, France

Tel: 01-64-61-4000

ITALY

Yamaha Musica Italia S.P.A.

Combo Division

Viale Italia 88, 20020 Lainate (Milano), Italy

Tel: 02-935-771

SPAIN/PORTUGAL

Yamaha-Hazen Música, S.A.

Ctra. de la Coruna km. 17, 200, 28230

Las Rozas (Madrid), Spain

Tel: 91-639-8888

GREECE

Philippos Nakas S.A. The Music House

147 Skiathou Street, 112-55 Athens, Greece

Tel: 01-228 2160

SWEDEN

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1

Box 30053

S-400 43 Göteborg, Sweden

Tel: 031 89 34 00

DENMARK

YS Copenhagen Liaison Ofﬁce

Generatorvej 8B

DK-2730 Herlev, Denmark

Tel: 44 92 49 00

FINLAND

F-Musiikki Oy

Kluuvikatu 6, P.O. Box 260,

SF-00101 Helsinki, Finland

Tel: 09 618511

NORWAY

Norsk ﬁlial av Yamaha Scandinavia AB

Grini Næringspark 1

N-1345 Østerås, Norway

Tel: 67 16 77 70

ICELAND

Skifan HF

Skeifan 17 P.O. Box 8120

IS-128 Reykjavik, Iceland

Tel: 525 5000

OTHER EUROPEAN COUNTRIES

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: +49-4101-3030

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2312

TURKEY/CYPRUS

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

OTHER COUNTRIES

Yamaha Music Gulf FZE

LB21-128 Jebel Ali Freezone

P.O.Box 17328, Dubai, U.A.E.

Tel: +971-4-881-5868

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,

Tsimshatsui, Kowloon, Hong Kong

Tel: 2737-7688

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930, Indonesia

Tel: 21-520-2577

KOREA

Yamaha Music Korea Ltd.

Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,

Youngdungpo-ku, Seoul, Korea

Tel: 02-3770-0660

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

Petaling Jaya, Selangor, Malaysia

Tel: 3-78030900

PHILIPPINES

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,

Makati, Metro Manila, Philippines

Tel: 819-7551

SINGAPORE

Yamaha Music Asia Pte., Ltd.

No.11 Ubi Road 1, No.06-02,

Meiban Industrial Building, Singapore

Tel: 747-4374

TAIWAN

Yamaha KHS Music Co., Ltd.

3F, #6, Sec.2, Nan Jing E. Rd. Taipei.

Taiwan 104, R.O.C.

Tel: 02-2511-8688

THAILAND

Siam Music Yamaha Co., Ltd.

121/60-61 RS Tower 17th Floor,

Ratchadaphisek RD., Dindaeng,

Bangkok 10320, Thailand

Tel: 02-641-2951

THE PEOPLE’S REPUBLIC OF CHINA

AND OTHER ASIAN COUNTRIES

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2317

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

Level 1, 99 Queensbridge Street, Southbank,

Victoria 3006, Australia

Tel: 3-9693-5111

NEW ZEALAND

Music Houses of N.Z. Ltd.

146/148 Captain Springs Road, Te Papapa,

Auckland, New Zealand

Tel: 9-634-0099

COUNTRIES AND TRUST

TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2312

NORTH AMERICA

CENTRAL & SOUTH AMERICA

EUROPE

AFRICA

MIDDLE EAST

ASIA

OCEANIA

HEAD OFFICE

Yamaha Corporation, Pro Audio & Digital Musical Instrument Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2445

SY31

M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

2002 Yamaha Corporation

WA11810 308APAP2.3-05D0 Printed in Japan

Before using the P-60, be sure to read “ PRECAUTIONS„ on pages 6 -7.

Achten Sie darauf, vor Einsatz des P-60 die “ VORSICHTSMASSNAHMEN„

auf Seite 6-7 durchzulesen.

Avant d'utiliser le P-60, lire attentivement la section « PRECAUTIONS

D'USAGE» aux pages 6- 7.

Antes de utilizar el P-60, lea las

“ PRECAUCIONES„ que debe tener en

cuenta en las páginas 6- 7.

This document is printed on recycled chlorine free (ECF) paper with soy ink.

Auf Recycling-Umweltpapier mit Sojatinte gedruckt.

Ce document a été imprimé sur du papier recyclé non blanchi au chlore avec de l'encre

d'huile de soja.

Este docmento se ha impreso reciclado en papel sin cloro alguno, con tinta de soja.

Owner's Manual

Bedienungsanleitung

Mode d'emploi

Manual de instrucciones

Yamaha Web Site (English only)

http://www.yamahasynth.com

Yamaha Manual Library

http://www2.yamaha.co.jp/manual/english/

Yamaha P-60 El manual del propietario

Marca: Yamaha

Modelo: P-60

Categoría: Instrumentos musicales

Tipo: El manual del propietario

Descargar PDF

informe

en otros idiomas

français: Yamaha P-60 Le manuel du propriétaire
italiano: Yamaha P-60 Manuale del proprietario
English: Yamaha P-60 Owner's manual
Deutsch: Yamaha P-60 Bedienungsanleitung
русский: Yamaha P-60 Инструкция по применению
Nederlands: Yamaha P-60 de handleiding
português: Yamaha P-60 Manual do proprietário
dansk: Yamaha P-60 Brugervejledning
polski: Yamaha P-60 Instrukcja obsługi
čeština: Yamaha P-60 Návod k obsluze
svenska: Yamaha P-60 Bruksanvisning
Türkçe: Yamaha P-60 El kitabı
suomi: Yamaha P-60 Omistajan opas
română: Yamaha P-60 Manualul proprietarului

Yamaha P-60 El manual del propietario

Yamaha P-60 El manual del propietario

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