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CLP-122S Owner’s Manual Page 2 — 19 English Bedienungsanleitung Seite 20 — 37 Deutsch Mode d’emploi Pages 38 — 55 Français Manual de instrucciones Páginas 56 — 73 Español 1  Introduction Thank you for choosing a Yamaha CLP-122S Clavinova. Your Clavinova is a fine musical instrument that employs advanced Yamaha music technology. With the proper care, your Clavinova will give you many years of musical pleasure. ● Yamaha’s AWM (Advanced Wave Memory) tone generator system offers rich, realistic voices. ● Piano-like touch response — adjustable in 3 stages — provides extensive expressive control and outstanding playability. ● Dual play mode allows 2 voices to be played simultaneously. ● Unique Clavinova Tone voice provides a fresh sound for new musical expression. ● Damper pedal includes natural resonance effect for the piano voices, simulating the string and soundboard resonance of acoustic pianos. ● MIDI compatibility and a range of MIDI functions make the Clavinova useful in a range of advanced MIDI music systems. In order to make the most of your Clavinova’s performance potential and features, we urge you to read this Owner’s Manual thoroughly, and keep it in a safe place for later reference. Taking Care Of Your Clavinova Your Clavinova is a fine musical instrument, and deserves the most careful treatment. Observe the following points and your Clavinova will sound and look great for many years. 1 Never open the case and touch or tamper with the internal circuitry. 5 Install your Clavinova in a place that is away from direct sunlight, excessive humidity or heat. 2 Always turn the POWER switch OFF after use, and 6 Never apply excessive force to the controls, connectors cover the keyboard with the key cover provided. or other parts of your Clavinova, and avoid scratching or bumping it with hard objects. 3 Clean the cabinet and keys of your Clavinova only with a clean, slightly damp cloth. A neutral cleanser may be used if desired. Never use abrasive cleansers, waxes, solvents or chemical dust cloths since these can dull or damage the finish. 7 Make sure that your local AC mains voltage matches the voltage specified on the name plate.* In some areas a voltage selector may be provided on the rear panel of the main unit. Make sure that the voltage selector is set for the voltage in your area. 4 Never place any vinyl products on your Clavinova. Contact with vinyl can cause irreversible damage to the finish. 2 * Name Plate Location The CLP-122S name plate is located on the bottom panel.  Contents The Control Panel ................................................................................ 4 Connections .......................................................................................... 6 Selecting & Playing Voices ............................................................... 7 ■ Playing the Demonstration Tunes ....................................................... 8 The Dual Mode ...................................................................................... 9 ● Adjusting the Balance Between the Dual-mode Voices .................. 9 ● Shifting a Dual-Mode Voice Up One Octave .................................. 9 Reverb ................................................................................................... 10 ● Adjusting Reverb Depth ................................................................ 10 The Pedals ........................................................................................... 11 ● Soft/Sostenuto (Left) Pedal ........................................................... 11 ● Damper (Right) Pedal ................................................................... 11 Touch Sensitivity ............................................................................... 12 Transposition ...................................................................................... 12 Pitch Control ....................................................................................... 13 ● Tuning Up ..................................................................................... 13 ● Tuning Down ................................................................................. 13 ● To Restore Standard Pitch ........................................................... 13 MIDI Functions ................................................................................... 14 ● A Brief Introduction to MIDI ........................................................... 14 ● MIDI “Messages” Transmitted & Received by the Clavinova ....... 14 ● MIDI Transmit & Receive Channel Selection ................................ 15 ● MIDI Transmit Transpose ............................................................. 15 ■ Other MIDI Functions ........................................................................ 16 ● Local Control ON/OFF .................................................................. 16 ● Program Change ON/OFF ............................................................ 16 ● Control Change ON/OFF .............................................................. 17 ● The Multi-Timbre Mode ................................................................. 17 ● The MIDI Split & Left Local OFF Mode ......................................... 18 ● The MIDI Split & Right Local Off Mode ......................................... 18 Troubleshooting ................................................................................. 19 Options & Expander Modules ........................................................ 19 Keyboard Stand Assembly ............................................................. 74 MIDI Data Format ............................................................................... 80 Specifications ..................................................................................... 81 MIDI Implementation Chart ............................................................. 82 3  The Control Panel MASTER VOLUME MIN 1 MAX 2 REVERB ROOM HALL 1 HALL 2 COSMIC 3 MIDI/ TRANSPOSE PIANO 1 4 PIANO 2 CLAVINOVA E. PIANO TONE HARPSICHORD ORGAN 5 Pitch control keys (See page 13) HEADPHONES Jacks (Bottom Panel) Left voice shift up key (See page 9) 1 [POWER] Switch Press the [POWER] switch once to turn the power ON, a second time to turn the power OFF. When the power is initially turned ON, the [PIANO 1] voice selector LED will light. 2 [MASTER VOLUME] Control The [MASTER VOLUME] control adjusts the volume (level) of sound produced by the Clavinova’s internal stereo sound system. The [MASTER VOLUME] control also adjusts headphone volume when a pair of headphones is plugged into the HEADPHONES jack (page 6). 3 [REVERB] Button The [REVERB] button selects a number of digital reverb effects that you can use for extra depth and expressive power. ➪ See page 10 for details. 4 Transpose keys (See page 12) Balance/Depth keys (See page 9, 10) 4 [MIDI/TRANSPOSE] Button The [MIDI/TRANSPOSE] button allows access to the Clavinova’s TRANSPOSE function (to shift the pitch of the entire keyboard up or down), keyboard touch sensitivity adjustment, and MIDI functions. For details refer to “TRANSPOSITION” on page 12, “TOUCH SENSITIVITY” on page 12, and “MIDI FUNCTIONS” on page 14. 5 Voice Selectors The CLP-122S has six voice selectors . Simply press any of the voice selectors to select the corresponding voice. The LED indicator above the voice selector will light to indicate which voice is currently selected. The CLP-122S also has a DUAL mode in which two voices can be played simultaneously across the full range of the keyboard — see page 9 for details. Note: The PIANO 1 voice is automatically selected whenever the [POWER] switch is initially turned ON.  6 Soft/Sostenuto pedal Damper pedal Right voice shift up key (See page 9) Demonstration key (See page 8) 6 Pedals The CLP-122S’s soft/sostenuto (left) and damper (right) pedals provide a range of expressive control capabilities similar to the pedal functions on an acoustic piano. ● The Music Stand ➪ See page 11 for details. If you will be using sheet music with your Clavinova, raise the music stand built into its top panel by lifting the rear edge of the music stand, then flip down the music stand braces and engage them with the corresponding recesses. The music stand can be lowered after slightly lifting it and folding the two brackets which support it against the back of the stand. 5  Connections 3 1 OPTIONAL IN L/R Jacks OPTIONAL IN R L 12 These jacks are intended for use with an external tone generator module such as the Yamaha DOM-30 Disk Orchestra Module. The stereo outputs from the external tone generator module are connected to the OPTIONAL IN L and R jacks, allowing the sound of the tone generator to be reproduced via the Clavinova’s internal sound system and speakers. DOM-30 2 AUX OUT R and L/L+R Jacks AUX. OUT R L/L+R Stereo System The AUX OUT R and L/L+R jacks deliver the output of the Clavinova for connection to an instrument amplifier, mixing console, PA system, or recording equipment. If you will be connecting the Clavinova to a monaural sound system, use only the L/L+R jack. When a plug is inserted into the L/L+R jack only, the leftand right-channel signals are combined and delivered via the L/L+R jack so you don’t lose any of the Clavinova’s sound. The Internal Amplifier & Speaker System The CLP-122S features a high-performance stereo amplifiers delivering 15 watts per channel to a pair of 16-cm speaker units. Note: The AUX OUT jack signal must never be returned to the OPTIONAL IN jacks, either directly or through external equipment. 3 MIDI IN, THRU and OUT Connectors IN MIDI OUT THRU The MIDI IN connector receives MIDI data from an external MIDI device (such as the DRC-20 Disk Recorder, or DOM-30 Disk Orchestra Module) which can be used to control the Clavinova. The MIDI THRU connector re-transmits any data received at the MIDI IN connector, allowing “chaining” of several MIDI instruments or other devices. The MIDI OUT connector transmits MIDI data generated by the Clavinova (e.g. note and velocity data produced by playing the Clavinova keyboard). More details on MIDI are given in “MIDI FUNCTIONS” on page 14. Tone Generator DRC-20 ● HEADPHONES Jacks (Bottom Panel) 6 Two pairs of standard pair of stereo headphones can be plugged in here for private practice or late-night playing. The internal speaker system is automatically shut off when a pair of headphones is plugged into either of the HEADPHONES jacks.  Selecting & Playing Voices ZTurn Power On After making sure that the Clavinova’s AC plug is properly inserted into a convenient AC wall outlet, press the [POWER] switch located to the left of the keyboard to turn the power ON. When the power is turned ON, the [PIANO 1] voice selector LED will light (the PIANO 1 voice is automatically selected whenever the power is turned ON). POWER XSet the Volume Initially set the [MASTER VOLUME] control about half way between the “MIN” and “MAX” settings. Then, when you start playing, re-adjust the [MASTER VOLUME] control for the most comfortable listening level. MASTER VOLUME MIN MAX CSelect a Voice PIANO 1 PIANO 2 CLAVINOVA E. PIANO TONE Select the desired voice by pressing one of the voice selectors. HARPSICHORD VPlay ORGAN The Clavinova offers keyboard touch response, so the volume and timbre of notes played can be controlled according to how “hard” you play the keys. The amount of variation available depends on the selected voice. BAdjust Tone & Add Effects As Required You can also add reverb effects as desired by using the [REVERB] button (see page 10). REVERB ROOM HALL 1 HALL 2 COSMIC 7  Selecting & Playing Voices Playing the Demonstration Tunes The CLP-122S features 6 demonstration tunes that effectively demonstrate their sound capabilities. Here’s how you can select and play the demo tunes. ZEngage the Demo Mode Press the C7 key while holding the [MIDI/TRANSPOSE] button. The voice selectors will begin flashing in sequence to indicate that the demo mode is engaged. C7 MIDI/ TRANSPOSE XSelect a Demo Tune PIANO 1 PIANO 2 CLAVINOVA E. PIANO TONE HARPSICHORD CSet the Volume Use the [MASTER VOLUME] control to adjust the volume, and play along on the keyboard if you like. MASTER VOLUME MIN VStop the Demo MIDI/ TRANSPOSE ORGAN The demo tunes are selected via the voice selectors. Press a selector to start playback of the corresponding tune, featuring the voice normally selected by that voice selector button. The demo tunes will play in sequence until stopped, starting with the selected tune. The voice selector indicator will flash during demo playback. MAX Press the [MIDI/TRANSPOSE] button when you want to stop demo playback and return to the normal play mode. The Demo Tunes [PIANO 1] .................. [PIANO 2] .................. [CLAVINOVA TONE] [HARPSICHORD] ..... [ORGAN] ................... “Grande valse brillante” by F. F. Chopin “Lake Louise” by Yuhki Kuramoto “Rêverie” by Debussy “Invention 3” by J. S. Bach “Symphonie pour orgue No.5” by Widor • The demonstration pieces listed above are short excerpts from the original compositions. The other demo song is original (© 1992 by YAMAHA CORPORATION). 8  The Dual Mode The DUAL mode makes it possible to play two voices simultaneously across the entire range of the keyboard. To activate the DUAL mode simply press two voice selectors at the same time (or press one voice selector while holding another). The voice indicators of both selected voices will light when the DUAL mode is active. To return to the normal single-voice play mode, press any single voice selector. ● Adjusting the Balance Between the Dual-mode Voices IANO 1 PIANO 2 C2 Left voice maximum. CLAVINOVA TONE C3 Equal balance. C4 Right voice maximum. The volume levels of the two voices combined in the DUAL mode are normally set automatically to produce a pleasing balance (see “Default Settings” below). The balance can be adjusted manually by using the C2 through C4 keys on the keyboard while pressing the two voice selectors corresponding to the voices to be combined in the DUAL mode. The C3 key produces equal (50:50) balance between the two voices, while keys to the left of C3 increase the volume of the left voice in relation to the right voice, and keys to the right of C3 increase the volume of the right voice in relation to the left voice. By “left” and “right” voice we refer to the relative positions of the voice selectors — i.e. in a PIANO 2/ CLAVINOVA TONE combination PIANO 2 is the left voice and CLAVINOVA TONE is the right voice. Default Settings Voice Combinations Balance keys PIANO 1/ORGAN .................... F2 PIANO 2/ORGAN .................... F2 CLAVINOVA TONE/ORGAN ... F2 E. PIANO/ORGAN ................... F2 HARPSICHORD/ORGAN ........ G2 * All other voice combinations are set to C3 (equal balance). ● Shifting a Dual-Mode Voice Up One Octave C1 IANO 1 PIANO 2 C5 CLAVINOVA TONE Left voice shift up. Depending on which voices you combine using the DUAL mode, the combination may sound better if one of the voices is shifted up an octave. To shift the right voice, press the C5 key while pressing the two voice selectors corresponding to the voices to be combined in the DUAL mode. Press C5 again to shift the voice back to its normal range. Use the C1 key in the same way to shift the left voice. All voice combinations are set to the same octave by default. Right voice shift up. 9  Reverb The [REVERB] button selects a number of digital reverb effects that you can use for extra depth and expressive power. To select a reverb type press the [REVERB] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time the [REVERB] button is pressed). No reverb is produced when all indicators are off. OFF ............ When no reverb effect is selected (no REVERB indicator is lit), a special natural damper effect is applied to the piano voices. This simulates the natural resonance of an acoustic piano’s strings and sound board when the damper pedal is pressed. ROOM ........ This setting add a continuous reverb effect to the sound that is similar to the type of acoustic reverberation you would hear in a medium-size room. HALL 1 ...... For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates the natural reverberation of a medium-size concert hall. HALL 2 ...... For a really spacious reverb sound, use the HALL 2 setting. This effect simulates the natural reverberation of a large concert hall. COSMIC .... The COSMIC reverb effect produces an echo-plus-reverb sound that can add life and animation to your music. ● Adjusting Reverb Depth C2 C3 C4 REVERB ROOM HALL 1 HALL 2 COSMIC Decrease depth. Normal depth. Increase depth. The depth of the selected reverb effect can be adjusted for the current voice by using the C2 through C4 keys on the keyboard while holding the [REVERB] button. The C3 key sets the “normal” depth for the selected effect. Keys to the left of C3 decrease the reverb depth, while keys to the right of the C3 key increase the reverb depth. Separate reverb settings can be made for each effect and voice, and these settings are retained in memory until the power is turned off. The depth of the natural damper effect is fixed. Default Settings ORGAN ROOM HALL 1 HALL 2 COSMIC C3 C3 F3 E3 * All effect types set to C3 for all other voices. * The default reverb type is OFF. 10  The Pedals The CLP-122S has two foot pedals that produce a range of expressive effects similar to those produced by the pedals on an acoustic piano. ● Soft/Sostenuto (Left) Pedal When the power is turned on the left pedal is set for soft pedal operation. Pressing the soft pedal reduces the volume and slightly changes the timbre of notes played. The left pedal can be switched to sostenuto operation by pressing the pedal while holding the [MIDI/TRANSPOSE] button. If you play a note or chord on the keyboard and press the sostenuto pedal while the note(s) are held, those notes will be sustained as long as the pedal is held (as if the damper pedal had been pressed) but all subsequently played notes will not be sustained. This makes it possible to sustain a chord, for example, while other notes are played “staccato.” You can switch back to soft pedal operation at any time simply by pressing the pedal while holding the [MIDI/TRANSPOSE] button again. ● Damper (Right) Pedal The damper pedal functions in the same way as a damper pedal on an acoustic piano. When the damper pedal is pressed notes played have a long sustain. When no REVERB effect is selected and a piano voice is selected, the damper pedal also produces a special “resonance” that simulates the ring of the strings and the sound board of an acoustic piano. Releasing the pedal immediately stops (damps) any sustained notes. 11  Touch Sensitivity Three different types of keyboard touch sensitivity — HARD, MEDIUM or SOFT — can be selected to match different playing styles and preferences. The different touch sensitivity settings are selected by using the [MIDI/TRANSPOSE] and [REVERB] buttons. HARD (ROOM indicator) ........... The HARD setting requires the keys to be played quite hard to produce maximum loudness. MEDIUM (HALL 1 indicator) ...... The MEDIUM setting produces a fairly “standard” keyboard response. This is the initial factory default setting. SOFT (HALL 2 indicator) ........... The SOFT setting allows maximum loudness to be produced with relatively light key pressure. REVERB ROOM HALL 1 HALL 2 COSMIC MIDI/ TRANSPOSE To select a touch sensitivity setting press the [REVERB] button a few times while holding the [MIDI/TRANSPOSE] button until the indicator corresponding to the desired setting lights. Transposition The Clavinova’s TRANSPOSE function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals up to a maximum of six semitones. “Transposing” the pitch of the Clavinova keyboard facilitates playing in difficult key signatures, and you can easily match the pitch of the keyboard to the range of a singer or other instrumentalist. The [MIDI/TRANSPOSE] button and keys F#2 through F#3 on the keyboard are used for transposition. F# 2 C3 F# 3 MIDI/ TRANSPOSE Z Press and hold the [MIDI/TRANSPOSE] button. X Press a key between F#2 and F#3 according to the desired amount of transposition.* Transpose Transpose down. up. Normal pitch. C Release the [MIDI/TRANSPOSE] button. * Pressing the C3 key produces normal keyboard pitch. Pressing the key to the left of C3 (B2) transposes the pitch of the keyboard down a semitone, the next key to the left (Bb2) transposes down a whole tone (two semitones), etc., down to the F#2 key which transposes down 6 semitones. Upward transposition is accomplished in the same way using the keys to the right of C3, up to F#3 which transposes up 6 semitones. 12  Pitch Control Pitch control makes it possible to tune the Clavinova over a ±50-cent range in approximately 1.2-cent intervals. A hundred “cents” equals one semitone, so the tuning range provided allows fine tuning of overall pitch over a range of approximately a semitone. Pitch control is useful for tuning the Clavinova to match other instruments or recorded music. ● Tuning Up A -1 B -1 C3 B3 Z To tune up (raise pitch), hold the A-1 and B-1 keys simultaneously. X Press any key between C3 and B3. Each time a key in this range is pressed the pitch is increased by approximately 1.2 cents, up to a maximum of 50 cents above standard pitch. C Release the A-1 and B-1 keys. Z To tune down (lower pitch), hold the A-1 and A#-1 keys simultane- ● Tuning Down A# -1 A -1 ously. C3 B3 X Press any key between C3 and B3. Each time a key in this range is pressed the pitch is decreased by approximately 1.2 cents, up to a maximum of 50 cents below standard pitch. C Release the A-1 and A#-1 keys. ● To Restore Standard Pitch* A# -1 A -1 B -1 Z To restore standard pitch (A3 = 440 Hz), hold the A-1, A#-1 and B-1 keys simultaneously. C3 B3 X Press any key between C3 and B3. C Release the A-1, A#-1 and B-1 keys. * Standard pitch (A3 = 440 Hz) is set when the [POWER] switch is initially turned ON. Note: The PITCH CONTROL function has no effect when LOCAL OFF is active (see “MIDI FUNCTIONS,” page 16). 13  MIDI Functions ● A Brief Introduction to MIDI MIDI Cable MIDI OUT MIDI IN DOM-30 Clavinova Data Being Recorded Playback Data MIDI OUT MIDI IN MIDI OUT MIDI IN DRC-20 MIDI, the Musical Instrument Digital Interface, is a world-standard communication interface that allows MIDI-compatible musical instruments and equipment to share musical information and control one another. This makes it possible to create “systems” of MIDI instruments and equipment that offer far greater versatility and control than is available with isolated instruments. For example, most MIDI keyboards (including the Clavinova, of course) transmit note and velocity (touch response) information via the MIDI OUT connector whenever a note is played on the keyboard. If the MIDI OUT connector is connected to the MIDI IN connector of a second keyboard (synthesizer, etc.) or a tone generator (essentially a synthesizer with no keyboard), the second keyboard or tone generator will respond precisely to notes played on the original transmitting keyboard. The result is that you can effectively play two instruments at once, providing thick multiinstrument sounds. This same type of musical information transfer is used for MIDI sequence recording. A sequence recorder such as the Yamaha DRC-20 Disk Recorder can be used to “record” MIDI data received from a Clavinova, for example. When the recorded data is played back, the Clavinova automatically “plays” the recorded performance in precise detail. The examples given above really only scratch the surface. MIDI can do much, much more. The CLP-122S offers a number of MIDI functions that allows it to be used in fairly sophisticated MIDI systems. Clavinova Note: Always use a high-quality MIDI cable to connect MIDI OUT to MIDI IN terminals. Never use MIDI cables longer than about 15 feet, since cables longer than this can pick up noise which can cause data errors. ● MIDI “Messages” Transmitted & Received by the Clavinova The MIDI information (messages) transmitted and received by the Clavinova are as follows: Note and Velocity Data This information tells the receiving keyboard or tone generator to play a certain note (specified by the MIDI note number) at a certain dynamic level (specified by the MIDI velocity value). Note and velocity data is transmitted by the Clavinova whenever a key is pressed, and the Clavinova’s internal AWM tone generator will “play” the corresponding note(s) whenever note and velocity data is received from an external MIDI device. Program Change Numbers The CLP-122S transmits a MIDI program change number between 0 and 5 when one of its voice selectors is pressed. This normally causes the correspondingly numbered voice to be selected on a receiving MIDI device. The Clavinova will respond in the same way, automatically selecting the appropriate voice when a MIDI program change number is received. See “Program Change ON/OFF” on page 16 for information on turning program change number reception and transmission ON or OFF. Control Change Numbers Control Change data representing Soft, Sostenuto and Damper pedal operations is transmitted by the Clavinova whenever one of these pedals is used. If the receiving device is a tone generator or another keyboard, it will respond in the same way as the Clavinova’s internal tone generator when one of the pedals is used. The Clavinova also receives and responds to the appropriate control change data. See “Control Change ON/OFF” on page 17 for information on turning control change number reception and transmission ON or OFF. 14  ● MIDI Transmit & Receive Channel Selection MIDI OUT MIDI IN Tone Generator DRC-20 (Set to receive on MIDI channel 2) MIDI IN MIDI THRU Clavinova (Set to receive on MIDI channel 1) The MIDI system allows transmission and reception of MIDI data on 16 different channels. Multiple channels have been implemented to allow selective control of certain instruments or devices connected in series. For example, a single MIDI sequence recorder could be used to “play” two different instruments or tone generators. One of the instruments or tone generators could be set to receive only on channel 1, while the other is set to receive on channel 2. In this situation the first instrument or tone generator will respond only to channel-1 information transmitted by the sequence recorder, while the second instrument or tone generator will respond only to channel-2 information. This allows the sequence recorder to “play” two completely different parts on the receiving instruments or tone generators. In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must be matched for proper data transfer. An “OMNI” receive mode is also available, which allows reception on all 16 MIDI channels. In the OMNI mode it is not necessary to match the receive channel of the receiving device to the transmit channel of the transmitting device (except when receiving mode messages). Setting the Clavinova MIDI Channels Z Press and hold the [MIDI/TRANSPOSE] button. X Press the key on the keyboard corresponding to the desired MIDI trans- MIDI/ TRANSPOSE mit or receive channel.* C1 E5 D# 5 D# 2 C 4 2 4 7 9 11 14 16 2 4 1 3 5 6 8 10 12 13 15 For setting the transmit channel. (C1 ~ D#2) 7 9 11 14 16 1 3 5 6 8 10 12 13 15 For setting the receive channel. (C4 ~ D#5) For OMNI mode ● MIDI Transmit Transpose C Release the [MIDI/TRANSPOSE] button. * Keys C1 through D#2 on the keyboard are used to set the MIDI transmit channel, and keys C4 through D#5 are used to turn the OMNI mode OFF and set the MIDI receive channel as shown in the illustration to the left. The E5 key sets the OMNI receive mode and basic receive channel 1. Note: When the power is initially turned ON, MIDI receive is set to the OMNI mode and the transmit channel is set to 1. This function allows the MIDI note data transmitted by the Clavinova to be transposed up or down in semitone increments by up to plus or minus 6 semitones. The pitch of the Clavinova itself is not affected. Setting the MIDI Transpose Function MIDI/ TRANSPOSE F# 5 C6 -6 -4 -2 -5 -3 -1 0 F# 6 1 3 2 4 6 5 Z Press and hold the [MIDI/TRANSPOSE] button. X Press the key on the keyboard corresponding to the desired amount of transposition.* C Release the [MIDI/TRANSPOSE] button. * Keys F#5 through F#6 on the keyboard are used to set the MIDI transmit transpose function as shown in the illustration to the left. Note: When the power is turned ON, MIDI transmit transpose is set to 0 (no transposition). 15  MIDI Functions Other MIDI Functions The MIDI functions listed to the right are engaged by holding down the [MIDI/TRANSPOSE] button and pressing the corresponding voice selector. Full details are given in the following pages. MIDI FUNCTION CHART Function Local Control ON/OFF CLP-122S Voice Selector [PIANO 1] Program Change ON/OFF [PIANO 2] Control Change ON/OFF [CLAVINOVA TONE] Multi-Timbre Mode [E. PIANO] MIDI Split & Left Local OFF [HARPSICHORD] MIDI Split & Right Local OFF [ORGAN] ● Local Control ON/OFF “Local Control” refers to the fact that, normally, the Clavinova keyboard controls its internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is “Local Control ON” since the internal tone generator is controlled locally by its own keyboard. Local control can be turned OFF, however, so that the Clavinova keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone generator responds to MIDI information received via the MIDI IN connector. When using the DOM-30 Disk Orchestra Module with the Clavinova, for example, Local Control should be turned OFF when recording using the DOM-30 voices only, and ON when recording the Clavinova voices while listening to playback of the DOM-30 voices. MIDI/ TRANSPOSE PIANO 1 PIANO 2 CLAVIN TON Z Hold down the [MIDI/TRANSPOSE] button. X Press the [PIANO 1] voice selector. If the PIANO 1 LED is lit when the [PIANO 1] voice selector is pressed, you have turned local control OFF. If the PIANO 1 LED is not lit when the [PIANO 1] voice selector is pressed, you have turned local control ON. PIANO 1 PIANO 1 = Local Control OFF C Release the [MIDI/TRANSPOSE] button. = Local Control ON ● Program Change ON/OFF Normally the Clavinova will respond to MIDI program change numbers received from an external keyboard or other MIDI device, causing the correspondingly numbered Clavinova voice to be selected. The Clavinova will normally also send a MIDI program change number whenever one of its voices is selected, causing the correspondingly numbered voice or program to be selected on the external MIDI device if the device is set up to receive and respond to MIDI program change numbers. This function makes it possible to cancel program change number reception and transmission so that voices can be selected on the Clavinova without affecting the external MIDI device, and vice versa. MIDI/ TRANSPOSE PIANO 2 PIANO 2 16 PIANO 1 PIANO 2 CLAVIN TON = Program Change OFF = Program Change ON Z Hold down the [MIDI/TRANSPOSE] button. X Press the [PIANO 2] voice selector. If the PIANO 2 LED is lit when the [PIANO 2] voice selector is pressed, you have turned program change reception/transmission OFF. If the PIANO 2 LED is not lit when the [PIANO 2] voice selector is pressed, you have turned program change reception/transmission ON. C Release the [MIDI/TRANSPOSE] button.  ● Control Change ON/OFF Normally the Clavinova will respond to MIDI control change data received from an external MIDI device or keyboard, causing the selected Clavinova voice to be affected by pedal and other “control” settings received from the controlling device. The Clavinova also transmits MIDI control change information when one of its pedals are operated. This function makes it possible to cancel control change data reception and transmission if you do not want the Clavinova voices to be affected by control change data received from an external device or vice versa. MIDI/ TRANSPOSE CLAVINOVA TONE CLAVINOVA TONE ANO 1 PIANO 2 CLAVINOVA E. PIA TONE TONE LED is lit when the [CLAVINOVA TONE] voice selector is pressed, you have turned control change reception/transmission OFF. If the CLAVINOVA TONE LED is not lit when the [CLAVINOVA TONE] voice selector is pressed, you have turned control change reception/transmission ON. = Control Change OFF = Control Change ON C Release the [MIDI/TRANSPOSE] button. ● The Multi-Timbre Mode MIDI/ TRANSPOSE ANO 2 CLAVINOVA E. PIANO TONE Z Hold down the [MIDI/TRANSPOSE] button. X Press the [CLAVINOVA TONE] voice selector. If the CLAVINOVA The Multi-Timbre mode is a special mode in which the Clavinova voices can be independently controlled on different MIDI channel numbers (1 through 10) by an external MIDI device such as the Yamaha DRC-20 Disk Recorder. The Multi-Timbre mode can be activated as follows: HARP CHOR E. PIANO = Multi-Timble Mode ON E. PIANO = Multi-Timble Mode OFF Z Hold down the [MIDI/TRANSPOSE] button. X Press the [E. PIANO] voice selector. If the E. PIANO LED is lit when the [E. PIANO] voice selector is pressed, you have turned the MultiTimbre mode ON. If the E. PIANO LED is not lit when the [E. PIANO] voice selector is pressed, you have turned the Multi-Timbre mode OFF. C Release the [MIDI/TRANSPOSE] button. A Multi-timbre Example MIDI OUT MIDI IN MIDI OUT MIDI IN DRC-20 Clavinova Here’s an example of how you could use the Multi-Timbre mode to record two different parts on the DRC-20 Disk Recorder that will play different voices on the Clavinova when played back. Z Connect the DRC-20 to the Clavinova as shown to the left. X Activate the Clavinova Multi-Timbre mode. C Set the DRC-20 track 1 to record. V Select a voice and record the first part on the DRC-20. B Set the DRC-20 track 2 to record. N Select a voice and record the second part on the DRC-20. M Still in the Multi-Timbre mode, play back the DRC-20. The recorded parts will be played back using the individual voices selected during recording, providing a full ensemble sound. 17  MIDI Functions ● The MIDI Split & Left Local OFF Mode In the MIDI split mode one section of the Clavinova keyboard is used to play a Clavinova voice in the normal way, while the remaining section is used to play a second MIDI keyboard or tone generator such as the Yamaha DOM-30 Disk Orchestra Module. In this mode the right-hand section of the keyboard is used to play an internal Clavinova voice, while the left-hand section of the keyboard plays the external keyboard or tone generator. Playing the left-hand section of the keyboard produces no sound from the Clavinova. The “split point,” or the key that divides the left- and right-hand sections of the keyboard can be set at any desired key. MIDI OUT OPTIONAL IN L R LINE OUT R L MIDI IN DOM-30 (Set to receive on MIDI channel 2) Clavinova VINOVA E. PIANO ONE HARPSICHORD The MIDI split mode is useful if, for example, you want to play a piano (Clavinova) voice with the right hand while playing a synthesizer bass line or string section with the left hand. When the MIDI split mode is activated, notes played on the left-hand section are transmitted via the Clavinova MIDI OUT connector on MIDI channel 2. Notes played on the right-hand section are transmitted on the “basic channel” (i.e. the channel set using the MIDI channel selection function described previously). Z Press the [HARPSICHORD] voice selector while holding down the [MIDI/TRANSPOSE] button. The HARPSICHORD LED will flash. MIDI/ TRANSPOSE X While still holding the [MIDI/TRANSPOSE] button, press the key on the keyboard at which you want to set the split point. The HARPSICHORD LED will light continuously. The split-point becomes the first key of the left-hand section. SPLIT POINT ▼ Left-hand section plays a DOM-30 bass voice. Right-hand section plays a Clavinova piano voice. C Release the [MIDI/TRANSPOSE] button. V To return to the normal full-keyboard mode, hold the [MIDI/TRANSPOSE] button and press the [HARPSICHORD] voice selector, then release both buttons. Note: When the power is turned ON the default split point key — F#2 — will be automatically selected. If a new split point is selected it remains active until the power is turned OFF or a different split point is selected. ● The MIDI Split & Right Local Off Mode In the CLP-122S either the right- or left-hand section of the keyboard can be assigned to control an external keyboard or tone generator. Assigning the left-hand section to external tone generator control was described in the previous section. To assign the right-hand section to external tone generator control while playing the Clavinova voices with the left hand, press the [ORGAN] voice selector instead of the [HARPSICHORD] voice selector when activating the Split mode (see the preceding section). All other operations are exactly the same as described in the previous section. 18  Troubleshooting If you encounter what appears to be a malfunction, please check the following points before assuming that your Clavinova is faulty. 1. No Sound When the Power is Turned ON Is the AC plug properly connected to an AC wall outlet? Check the AC connection carefully. Is the MASTER VOLUME control turned up to a reasonable listening level? 2. The Clavinova Reproduces Radio or TV Sound This can occur if there is a high-power transmitter in your vicinity. Contact your Yamaha dealer. 3. Intermittent Static Noise This is usually due to turning ON or OFF a household appliance or other electronic equipment which is fed by the same AC mains line as your Clavinova. 4. Interference Appears On Radio or TV Sets Located Near the Clavinova The Clavinova contains digital circuitry which can generate radio-frequency noise. The solution is to move the Clavinova further away from the affected equipment, or vice versa. 5. Distorted Sound When the Clavinova is Connected to An External Amplifier/Speaker System If the Clavinova is connected to a stereo system or instrument amplifier and the sound is distorted, reduce the setting of the Clavinova volume control to a level at which the distortion ceases. Options & Expander Modules ● Options BC-8 Bench A comfortable bench styled to match your Yamaha Clavinova. HPE-6 Stereo Headphones High-performance lightweight dynamic headphones with extra-soft ear pads. KC-883 Key Cover A convenient way to keep your keyboard clean and dust-free. ● Expander Modules DRC-20Disk Recorder DOM-30 Disk Orchestra Module These state-of-the-art Expander Modules can dramatically expand the musical scope of your Clavinova. 19  1 The illustrations here are not available. Keyboard Stand Assembly Note: We do not recommend attempting to assemble the Clavinova alone. The job can be easily accomplished, however, with only two people. Z Open the box and remove all the parts. On opening the box you should find the parts shown in the illustration above. Check to make sure that all the required parts are provided. Assemble the side panels (D) and feet X (E). Secure the feet (E) to the side panels (D) with the long gold-colored screws 1 (3 each), making sure that the cutouts on the feet face the bracket side of the side panels. Attach the center panel (B) to the side C panels (D). The center panel (B) is installed between the side panels (D) with the brackets on each end toward the rear of the stand assembly. Place the square holes in the center-panel brackets over the lugs extending from the side panels, then slide down. Each side of the center panel is attached using two short black screws 2. 74 Zusammenbau und Aufstellung Hinweis: Wir raten davon ab, das Clavinova alleine zusammenzubauen und aufzustellen. Zwei Personen können diese Arbeit jedoch problemlos ausführen. Öffnen Sie den Karton und nehmen Sie Z alle Teile heraus. Im Karton sollten die oben abgebildeten Teile enthalten sein. Prüfen Sie zunächst bitte, ob alle Teile vollständig vorhanden sind. Schrauben Sie die Seitenwände (D) und X die Füße (E) zusammen. Machen Sie die Füße (E) mit den langen goldenen Schrauben 1 (jeweils 3 Schrauben) so an den Seitenwänden fest, daß der Ausschnitt am jeweiligen Fuß unter dem Winkelblech an der Seitenwand zu liegen kommt. Schrauben Sie die Rückwand (B) an die C beiden Seitenwände (D). Die Rückwand (B) wird mit den Winkelblechen an beiden Enden nach hinten weisend an den Seitenwänden (D) befestigt. Lassen Sie dabei die Führungsnasen an den Seitenwänden in die Schlitzbohrungen in den beiden Winkelblechen greifen, und drücken Sie die Rückwand dann nach unten. Sichern Sie die Rückwand mit jeweils zwei kurzen schwarzen Schrauben 2 an den Seitenwänden.  2 3 The illustrations here are not available. Assemblage du support de clavier Conjunto del soporte del teclado Remarque: Nous ne vous conseillons pas d’essayer d’assembler le Clavinova seul. Toutefois, ce travail peut être facilement exécuté par deux personnes. Nota: No le recomendamos que intente montar la Clavinova usted solo. El trabajo puede ser realizado fácilmente entre dos personas. le carton et retirez toutes les Z Ouvrez pièces Z Abra la caja y extraiga todas las partes. Les pièces indiquées sur l’illustration devraient toutes se trouver dans le carton. Vérifiez qu’il n’en manque aucune. Al abrir la caja deberá encontrar todas las partes mostradas en la ilustración. Compruebe para asegurarse que se proporcionan todas las partes necesarias. les panneaux latéraux (D) sur X Montez les supports inférieurs (E) los paneles laterales (D) y las X Monte patas (E). Fixez les supports inférieurs (E) aux panneaux latéraux (D) à l’aide des vis longues dorées 1 (3 chacun) et veillez à ce que le bord découpé de chaque support soit dirigé vers le côté ferrure des panneaux latéraux. Asegure las patas (E) en los paneles laterales (D) con los tornillos dorados largo 1 (3 cada uno), asegurándose de que los cortes de las patas quedan encarados con el lado de la ménsula de los paneles laterales. le panneau central (B) aux C Fixez panneaux latéraux (D) el panel central (B) en los C Acople paneles laterales (D). Le panneau central (B) doit être posé entre les panneaux latéraux (D) en prenant soin de diriger la ferrure située à chaque extrémité vers l’arrière du support. Placez les orifices carrés des ferrures du panneau central sur les languettes dépassant des panneaux latéraux et faites glisser vers le bas. Chaque côté du panneau central doit être fixé à l’aide de deux vis courtes noires 2. El panel central (B) se instala entre los paneles laterales (D) con las ménsulas de cada extremo encaradas hacia la parte posterior del conjunto del soporte. Coloque los orificios cuadrados de las ménsulas del panel central por encima de las lengüetas que se extienden desde los paneles laterales, después deslice hacia abajo. Cada lado del panel central se acopla usando dos tornillos negros cortos 2. 75  4 The illustrations here are not available. Attach the side panels (D) to the pedal V box (C). Schrauben Sie den Pedalkasten (C) an V den Seitenwänden (D) fest. Before installing the pedal box: remove the bundled cord from the bottom of the pedal box, remove the plastic cover and cord binder, then straighten out the cord. Place the pedal box on top of the brackets attached to the side panels (D), and attach using the four long black screws 3 on each side. Make sure the pedals extend in the same direction as the feet. Vorbereitender Schritt: Zunächst nehmen Sie das im Pedalkasten gebündelte Kabel heraus, entfernen die Kunststoffabdeckung sowie den Kabelbinder und ziehen das Kabel dann gerade aus. Setzen Sie den Pedalkasten auf die Winkelbleche der beiden Seitenwände (D), und schrauben Sie ihn dann mit den vier langen schwarzen Schrauben 3 an beiden Seiten fest. Achten Sie dabei darauf, daß die Pedale in dieselbe Richtung weisen wie die vorspringenden Teile der Füße. B Install the main unit (A). Rest the rear edge of the main unit (A) on the front edges of the cutouts in the side panels (D), then slide the main unit backward firmly until it stops (so that there is no clearance between the main unit side panels and the stand, as shown in the illustration “a”). WATCH YOUR FINGERS WHEN DOING THIS!! There is slight horizontal play between the main unit and side panels, so center the main unit, as shown in the illustration “b”, then attach the main unit with 4 short black screws 2. 76 B Montieren Sie die Tastatureinheit (A). Setzen Sie die Hinterkante der Tastatureinheit (A) auf die ausgeschnittenen Ecken der beiden Seitenwände (D), und schieben Sie die Tastatureinheit dann bis zum Anschlag nach hinten (zwischen der Tastatureinheit und den Seitenwänden darf an dem in Abbildung “a” gezeigten Punkt kein Zwischenraum verbleiben). KLEMMEN SIE IHRE FINGER DABEI NICHT EIN!! Die Tastatureinheit hat zwischen den beiden Seitenwänden etwas Spiel. Richten Sie die Tastatureinheit gemäß Abbildung “b” mittig aus, und machen Sie sie dann mit vier kurzen schwarzen Schrauben 2 fest.  5 The illustrations here are not available. les panneaux latéraux (D) au V Fixez pédalier (C) los paneles laterales (D) en la V Acople caja de pedales (C). Avant de poser le pédalier, retirez le cordon de la partie inférieure du pédalier, retirez le cache en plastique et l’attache et déroulez ensuite le cordon. Placez le pédalier sur les ferrures fixées aux panneaux latéraux (D) et fixez de chaque côté à l’aide de quatre vis longues noires 3. Veillez à ce que les pédales et la partie qui dépasse des supports inférieurs soient dirigées dans le même sens. Antes de instalar la caja de pedales: extraiga los cables agrupados desde la parte inferior de la caja de pedales, extraiga la cubierta de plástico y el colocador del cable, después estire bien el cable. Coloque la caja de pedales en la parte superior de las ménsulas acopladas a los paneles laterales (D) y acople usando los cuatro tornillos negros largos 3 en cada lado. Asegúrese de que los pedales se extienden en la misma dirección que las patas. B Posez le clavier (A) Placez le bord arrière du clavier (A) sur le bord avant des découpes des panneaux latéraux (D), puis faites glisser le clavier vers l’arrière jusqu’à ce qu’il vienne en butée (de sorte qu’il n’y ait aucun jeu entre les panneaux latéraux du clavier et le support, comme montré sur l’illustration “a”). FAITES ATTENTION A VOS DOIGTS EN EXECUTANT CETTE OPERATION!! Du fait qu’il y a un jeu horizontal très léger entre le clavier et les panneaux latéraux, vous devez d’abord centrer le clavier comme montré sur l’illustration “b” et le fixer ensuite à l’aide de 4 vis courtes noires 2. B Instale la unidad principal (A). Apoye el reborde posterior de la unidad principal (A) en los rebordes frontales de los cortes de los paneles laterales (D), después deslice la unidad principal hacia atrás firmemente hasta que se pare (de forma que no haya holgura entre los paneles laterales de la unidad principal y el soporte, como se muestra en la ilustración “a”). ¡TENGA CUIDADO CON SUS DEDOS MIENTRAS LO HACE! Existe un poco de juego horizontal entre la unidad principal y los paneles laterales, por lo que deberá centrar la unidad principal, como se muestra en la ilustración “b”, y luego deberá unir la unidad principal con 4 tornillos negros cortos 2. 77  6 The illustrations here are not available. N Connect the pedal cord. N Schließen Sie das Pedalkabel an. Pass the pedal cord through the two cord holders on the side panel. The plug can be plugged into the corresponding connector on the bottom of the main unit (A). The plug only goes in one way (the lug on the connector should face the rear of the unit, as shown in the illustration), so don’t try to force it in the wrong way around. Sichern Sie das Pedalkabel in den beiden Kabelhaltern an den Seitenwänden. Der Stecker wird an die zugehörige Buchse an der Unterseite der Tastatureinheit (A) angeschlossen. Der Stecker paßt nur in einer Richtung in die Buchse (mit der Führungsnase zur Rückseite des Instruments weisend — siehe Abbildung). Versuchen Sie nicht, den Stecker falsch herum mit Gewalt in die Buchse zu drücken! MBe sure to set the adjuster. For stability, an adjuster is provided on the bottom of the pedal box (C). Rotate the adjuster until it comes in firm contact with the floor surface. The adjuster ensures stable pedal operation and facilitates pedal effect control. If the adjuster is not in firm contact with the floor surface, distorted sound may result. Important: Check once more to make sure that all screws have been securely tightened. MJustieren Sie schließlich noch den Höhenversteller. Zur Stabilisierung ist an der Unterseite des Pedalkastens (C) ein Höhenversteller vorgesehen. Schrauben Sie den Höhenversteller heraus, bis er fest auf dem Fußboden steht. Der Höhenversteller sorgt für stabile Pedalbetätigung und ermöglicht eine präzise Regelung des Betätigungshubs. Wenn er nicht fest auf dem Boden steht, können beim Treten der Pedale Klangverzerrungen auftreten. Wichtiger Hinweis: Vergewissern Sie sich abschließend noch einmal davon, daß alle Schrauben fest angezogen sind. 78  7 The illustrations here are not available. N Connectez le cordon du pédalier N Conecte el cable de los pedales. Faites passer le cordon du pédalier dans les deux supports de cordon situés sur le panneau latéral. La prise doit être branchée au connecteur correspondant situé à la partie inférieure du clavier (A) La prise ne peut être branchée que dans un seul sens (la languette de la prise doit être dirigée vers l’arrière du clavier, comme montré sur l’illustration) et n’essayez donc pas de la forcer pour la mettre en place du mauvais côté. Pase el cable de los pedales a través de los dos soportes de cable del panel lateral. La clavija puede enchufarse en el conector correspondiente de la parte inferior de la unidad principal (A). La clavija se enchufa sólo en una dirección (la lengüeta del conector debe estar encarada hacia la parte posterior de la unidad, como se muestra en la ilustración), por eso no la fuerce en la dirección errónea. MN’oubliez pas de régler la hauteur du pédalier Pour assurer la stabilité du pédalier (C), un dispositif de réglage a été prévu à sa partie inférieure. Tournez ce dispositif jusqu’à ce qu’il soit en contact ferme avec la surface du sol. Ce dispositif assure la stabilité du pédalier lors de son utilisation et facilite la commande au pied des effets. Si ce dispositif n’est pas en contact ferme avec le sol, il pourra se produire une distorsion du son. MAsegúrese de ajustar el ajustador. Para la estabilidad del aparato, se proporciona un ajustador en la parte inferior de la caja de pedales (C). Gire el ajustador hasta que contacte firmemente con el suelo. El ajustador asegura una operación estable de los pedales y facilita el control del efecto de los pedales. Si el ajustador no contacta firmemente con el suelo, puede resultar en sonido distorsionado. Importante: Compruebe una vez más para asegurarse de que todos los tornillos se han apretado bien. IMPORTANT: Vérifiez que toutes les vis sont bien serrées à fond. 79  MIDI Data Format/MIDI-Datenformat/Format des données MIDI/Formato de datos MID If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computer-generated MIDI messages, the data provided in this section can help you to control the Clavinova. Falls Sie bereits mit MIDI vertraut sind oder einen Computer zur Erzeugung von MIDI-Steuermeldungen für die Instrumente verwenden, können Sie sich zur Steuerung des Clavinovas nach den im folgenden Abschnitt aufgeführten Spezifikationen richten. Si vous êtes très familier avec l’interface MIDI ou si vous utilisez un ordinateur pour commander votre matériel de musique au moyen de messages MIDI générés par ordinateur, les données suivantes vous seront utiles et vous aideront à commander le Clavinova. SI usted está ya familiarizado con MIDI, o si emplea una computadora para controlar sus aparatos musicales con mensajes MIDI generados por computadora, los datos proporcionados en esta sección le ayudarán a controlar la Clavinova. 1. NOTE ON/OFF Data format: [9nH] -> [kk] -> [vv] 9nH = Note ON/OFF event (n = channel number) kk = Note number (Transmit: 15 ~ 114 = D#-1 ~ F#7 / Receive: 21 ~ 108 = A-1 ~ C7) vv = Velocity (Key ON = 1 ~ 127. Key OFF = 0) Data format: [8nH] -> [kk] -> [vv] 8nH = Note OFF event (n = channel number) kk = Note number (21 ~ 108 = A-1 ~ C7) vv = Velocity (Key OFF = 0 ~ 127) * Note OFF event format [8nH] -> [kk] also recognized (reception only). 2. CONTROL CHANGE & MODE MESSAGES Data format: [BnH] -> [cc] -> [vv] BnH = Control event (n = channel number) cc = Control number vv = Control value cc CONTROL 07H Volume (reception only) 0AH Pan Pot (reception only) 0BH Expression (reception only) 40H Damper Pedal 42H Sostenuto Pedal 43H Soft Pedal 5BH Reverb Depth 79H Reset AllController (reception only) 7AH Local Control ON/OFF (reception only) 7BH All Notes OFF (reception only) 7CH Omni OFF/All Notes OFF (reception only) 7DH Omni ON/All Notes OFF (reception only) 80 VALUE [vv] 00000000 : -∞ 01101111 : -3dB 01111111 : ±0dB 00H ~ 17H LEFT 6 18H ~ 1FH 5 20H ~ 27H 4 28H ~ 2FH 3 30H ~ 37H 2 38H ~ 3FH 1 40H ~ 47H CENTER 48H ~ 4FH SCALING PAN 50H ~ 57H RIGHT 1 58H ~ 5FH 2 60H ~ 67H 3 68H ~ 6FH 4 70H ~ 77H 5 78H ~ 7FH 6 00000000 : -∞ 01101111 : -3dB 01111111 : ±0dB 00H ~ 3FH : OFF 40H ~ 7FH : ON 00H ~ 3FH : OFF 40H ~ 7FH : ON 00H ~ 3FH : OFF 40H ~ 7FH: ON 00H ~ 7FH 00H 00H : OFF 7FH : ON 00H 00H 00H 3. PROGRAM CHANGE Data format: [CnH] -> [pp] CnH = program event (n = channel number) pp = Program number pp 00 01 02 03 04 05 VOICE NAME PIANO 1 PIANO 2 CLAVINOVA TONE E. PIANO HARPSICHORD ORGAN 4. SYSTEM REALTIME MESSAGES Active Sensing (FEH) Transmitted every 200 milliseconds. If not received for more than 400 milliseconds a NOTE OFF occurs. 5. SYSTEM EXCLUSIVE MESSAGES (1) YAMAHA MIDI Format Data format: [F0H] -> [43H] -> [xn] -> [ff] . . . [F7H] 43H : Yamaha xn : Substatus + channel number. ff : Format number. x ff Information 2 7CH Panel Data Send occurs when this data received. 2 7DH Name Data Send occurs when this data received. (2) Clavinova MIDI Format Data format: [F0H] -> [43H] -> [73H] -> [31H] -> [yy] -> [F7H] 43H : Yamaha ID 73H : Clavinova ID 31H : CLP-122S ID yy : Substatus yy 13H 15H 7cH Information Multi-timbre mode OFF. Multi-timbre mode ON. All notes OFF; receive channel = c+1; omni OFF. (3) Special Control Data format: [F0H] -> [43H] -> [73H] -> [31H] -> [11H] -> [0nH] -> [cc] -> [vv] -> [F7H] 43H : Yamaha ID 73H : Clavinova ID 31H : CLP-122S ID 11H : Clavinova special control 0nH : Control MIDI change + channel number cc : Control number vv : Value  I cc Control 08H Dual Balance 26H Touch Sensitivity 59H Reverb 5AH Dual Mode 5CH Dual Voice Value [vv] 00H : Left Voice Max. 7FH : Right Voice Max. 00H : Medium 01H : Soft 02H : Hard 00H : Off 01H : Room 02H : Hall-1 03H : Hall-2 04H : Cosmic 00H : Dual Off 01H : Dual On (Normal) 02H : Dual On (Left voice 1 octave up) 03H : Dual On (Right voice 1 octave up) [vv] : Dual Voice • Panel Data Contents (1) VOICE (2) DUAL VOICE (3) DUAL ON/OFF (4) DUAL BALANCE (5) 0 (6) 0 (7) 0 (8) REVERB NUMBER (9) REVERB DEPTH (10) TOUCH SENSITIVITY (11) LEFT PEDAL (SOFT or SOSTENUTO) (12) SPLIT POINT (13) 0 MODEL ID CODE SEND FORMAT PANEL DATA SEND FORMAT F0H, 43H, 0nH, 7CH, 00H, 19H (n: channel number) 53H, 4BH, 20H, 20H (SK) 43H, 4CH, 50H, 31H, 32H, 32H (CLP-122S) 3xH, 3yH (x, y: version number) [PANEL DATA] [CHECK SUM (1byte)] = 0-(53H+4BH+20H+......+Data end) F7H F0H, 43H, 0nH, 7DH, 00H, 10H (n: channel number) 53H, 4BH, 20H, 20H (SK) 43H, 4CH, 50H, 31H, 32H, 32H (CLP-122S) 3xH, 3yH, 20H, 20H, 20H, 20H (x, y: version number) [CHECK SUM (1byte)] = 0-(53H+4BH+20H+......+20H) F7H Specifications/Technische Daten/Caractéristiques techniques/Especificaciones CLP-122S KEYBOARD 88 KEYS (A-1 ~ C7) VOICE SELECTORS REVERB TOUCH SENSITIVITY PEDAL CONTROLS OTHER CONTROLS JACKS/CONNECTORS PIANO1, PIANO2, CLAVINOVA TONE, E. PIANO, HARPSICHORD, ORGAN ROOM, HALL 1, HALL 2, COSMIC HARD, MEDIUM, SOFT SOFT/SOSTENUTO, DAMPER MASTER VOLUME, MIDI/TRANSPOSE HEADPHONES x 2, AUX. OUT R & L/L+R, OPTIONAL IN R/L, MIDI IN/OUT/ THRU AUX. OUT: 600Ω OPTIONAL IN: 15kΩ/-10 dBm (for nominal output level) 15W x 2 16 cm x 2 1427.9 x 474 x 831.9 mm (56-1/4" x 18-5/8" x 32-3/4") 50.5 kg (111.3 lbs.) * Specifications subject to change without notice. INPUT & OUTPUT LEVEL/IMPEDANCE MAIN AMPLIFIERS SPEAKERS DIMENTIONS (W x D x H) WEIGHT * Änderungen ohne Vorankündigung vorbehalten. * Sous toute réserve de modification des caractéristiques sans préavis. * Especificaciones sujetas a cambios sin previo aviso. 81  SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. See bottom of Keyboard enclosure for graphic symbol markings The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. The lightning flash with arrowhead symbol, within the equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock. IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: Battery Notice: This product MAY contain a small nonrechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. Model _____________________________________ Serial No. __________________________________ Purchase Date ______________________________ 92-469 1 82  FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. Wichtiger Hinweis für die Benutzung in der Bundesrepublik Deutschland. Bescheinigung des Importeurs Hiermit wird bescheinigt, daß der/die/das Electronic Piano Typ: CLP-122S (Gerät, Typ, Bezeichnung) in Übereinstimmung mit den Bestimmungen der VERFÜGUNG 1046/84 (Amtsblattverfügung) funk-entstört ist. Der Deutschen Bundespost wurde das Inverkehrbringen dieses Gerätes angezeigt und die Berechtigung zur Überprüfung der Serie auf Einhaltung der Bestimmungen eingeräumt. Yamaha Europa GmbH Name des Importeurs • Dies bezicht sich nur auf die von der Yamaha Europa GmbH vertriebenen Produkte. CANADA THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS B” LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTERFERENCE REGULATION OF THE CANADIAN DEPARTMENT OF COMMUNICATIONS. LE PRESENT APPAREIL NUMERIQUE N’EMET PAS DE BRUITS RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES AUX APPAREILS NUMERIQUES DE LA “CLASSE B” PRESCRITES DANS LE REGLEMENT SUR LE BROUILLAGE RADIOELECTRIQUE EDICTE PAR LE MINISTERE DES COMMUNICATIONS DU CANADA. CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: BLUE BROWN : NEUTRAL : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug. • This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd. Dit produkt is gefabriceerd in overeenstemming met de radiostoringsvoorschriften van de Richtlijn van de Raad (82/499/ EEG). ΑΥΤΗ Η ΣΥΣΚΕΥΗ ΑΝΤΑΠΟΚΡΙΝΕΤΑΙ ΣΤΙΣ ΑΠΑΙΤΗΣΕΙΣ ΤΩΝ Ο∆ΗΓΙΩΝ ΤΗΣ ΕΥΡΩΠΑΙΚΗΣ ΟΙΚΟΝΟΜΙΚΗΣ ΚΟΙΝΟΤΗΤΑΣ 82/ 499/Ε.Ο.Κ.. Este produto está de acordo com o radio de interferencia frequente requiridos do Conselho Diretivo 82/499/EEC. Dette apparat overholder det gaeldende EF-direktiv vedrørende radiostøj. Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE. WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT. Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG und/oder 87/308/EWG. ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU FOND. This product complies with the radio frequency interference requirements of the Council Directive 82/499/EEC and/or 87/308/EEC. • This applies only to products distributed by Yamaha Canada Music Ltd. • Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée. Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva CEE/ 87/308) sulla soppressione dei radiodisturbi. Este producto está de acuerdo con los requisitos sobre interferencias de radio frequencia fijados por el Consejo Directivo 87/308/CEE. YAMAHA CORPORATION 83  IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following: 1. Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions found in this manual BEFORE marking any connections, including connection to the main supply. 2. Main Power Supply Verification: Yamaha products are manufactured specifically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual. 3. This product may be equipped with a polarized plug (one blade wider than the other). If you are unable to insert the plug into the outlet, turn the plug over and try again. If the problem persists, contact an electrician to have the obsolete outlet replaced. Do NOT defeat the safety purpose of the plug. 4. Some electronic products utilize external power supplies or adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specifically recommended by Yamaha. 5. WARNING: Do not place this product or any other objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25' cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician. 6. Ventilation: Electronic products, unless specifically designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required. 7. Temperature considerations: Electronic products should be installed in locations that do not significantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and other devices that produce heat should be avoided. 8. This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub, sink, or wet basement. 9. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by the manufacturer. If a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product. 10. The power supply cord (plug) should be disconnected from the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightening and/or electrical storm activity. 11. Care should be taken that objects do not fall and liquids are not spilled into the enclosure through any openings that may exist. 12. Electrical/electronic products should be serviced by a qualified service person when: a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been spilled into the enclosure through openings; or c. The product has been exposed to rain: or d. The product dose not operate, exhibits a marked change in performance; or e. The product has been dropped, or the enclosure of the product has been damaged. 13. Do not attempt to service this product beyond that described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel. 14. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. 15. Some Yamaha products may have benches and/or accessory mounting fixtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended. PLEASE KEEP THIS MANUAL 92-469-2 84  A Note to CLP-122 Owners The owner’s manual provided with the CLP-122 is the same as that provided with the CLP-122S. Both models are functionally identical except that the CLP-122 includes a built-in slide-out key cover (the CLP-122S requires a separate dust cover). Please slide out the key cover to protect the keyboard when the instrument is not in use. NOTES ● The dust cover mentioned in the “Taking Care Of Your Clavinova” section of the CLP-122S manual, page 2, is not provided with the CLP122. ● The KC-883 Key Cover listed in the Options section of the CLP-122S manual, page 19, cannot be used with the CLP-122. ● The weight of the CLP-122S listed in the “Specifications” section of the manual, page 81, is different from the actual weight of the CLP-122. The CLP-122 weighs approximately 52.5kg (115.7 lbs). VQ 78310 Printed in Japan