Yamaha Clavinova CLP-920 Manual de usuario

IMPORTANT

Check your power supply

Make sure that your local AC

mains voltage matches the volt-

age specified on the name plate

on the bottom panel. In some ar-

eas a voltage selector may be

provided on the bottom panel of

the main keyboard unit near the

power cord. Make sure that the

voltage selector is set for the volt-

age in your area. The voltage se-

lector is set at 240V when the unit

is initially shipped. To change the

setting use a “minus” screwdriver

to rotate the selector dial so that

the correct voltage appears next

to the pointer on the panel.

WICHTIG

Überprüfung der Stromversorgung

Vergewissern Sie sich vor dem An-

schließen an das Stromnetz, daß die

örtliche Netzspannung den

Betriebsspannungswerten auf dem

Typenschild an der Unterseite des In-

struments entspricht. In bestimmten

Verkaufsgebieten ist das Instrument

mit einem Spannungswähler an der

Unterseite neben der Netzkabel-

durchführung ausgestattet. Falls vor-

handen, muß der Spannungswähler

auf die örtliche Netzspannung einge-

stellt werden. Der Spannungswähler

wurde werkseitig auf 240 V voreinge-

stellt. Zum Verstellen drehen Sie den

Spannungsregler mit einem Schlitz-

schraubendreher, bis der Zeiger auf

den korrekten Spannungswert weist.

IMPORTANT

Contrôler la source d’alimentation

Vérifiez que la tension spécifiée sur

le panneau arrière correspond à la

tension du secteur. Dans certaines

régions, l’instrument peut être

équipé d’un sélecteur de tension si-

tué sur le panneau inférieur du cla-

vier à proximité du cordon d’alimen-

tation. Vérifiez que ce sélecteur est

bien réglé en fonction de la tension

secteur de votre région. Le sélec-

teur de tension est réglé sur 240 V

au départ d’usine. Pour modifier ce

réglage, utilisez un tournevis à lame

plate pour tourner le sélecteur afin

de mettre l’indication correspondant

à la tension de votre région vis à vis

du repère triangulaire situé sur le

panneau.

IMPORTANTE

Verifique la alimentación de

corriente

Asegúrese de que tensión de ali-

mentación de CA de su área co-

rresponde con la tensión especifi-

cada en la placa de característi-

cas del panel inferior de la unidad

del teclado principal, cerca del

cable de alimentación. Asegúrese

de que el selector de tensión esté

ajustado a la tensión de su área.

El selector de tensión se ajusta a

240V cuando la unidad sale de

fábrica. Para cambiar el ajuste,

emplee un destornillador de cabe-

za “recta” para girar el selector de

modo que aparezca la tensión

correcta al lado del indicador del

panel.

ENGLISHDEUTSCHFRANÇAISESPAÑOL

92-469 1

ENVIRONMENTAL ISSUES: Yamaha strives to pro-

duce products that are both user safe and environmentally

friendly. We sincerely believe that our products and the

production methods used to produce them, meet these

goals. In keeping with both the letter and the spirit of the

law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small non-

rechargable battery which (if applicable) is soldered in

place. The average life span of this type of battery is ap-

proximately five years. When replacement becomes nec-

essary, contact a qualified service representative to per-

form the replacement.

Warning: Do not attempt to recharge, disassemble, or

incinerate this type of battery. Keep all batteries away

from children. Dispose of used batteries promptly and as

regulated by applicable laws. Note: In some areas, the

servicer is required by law to return the defective parts.

However, you do have the option of having the servicer

dispose of these parts for you.

Disposal Notice: Should this product become damaged

beyond repair, or for some reason its useful life is consid-

ered to be at an end, please observe all local, state, and

federal regulations that relate to the disposal of products

that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowl-

edge relating to how a function or effect works (when the

unit is operating as designed) are not covered by the

manufacturer’s warranty, and are therefore the owners

responsibility. Please study this manual carefully and con-

sult your dealer before requesting service.

NAME PLATE LOCATION: The graphic below indi-

cates the location of the name plate. The model number,

serial number, power requirements, etc., are located on

this plate. You should record the model number, serial

number, and the date of purchase in the spaces provided

below and retain this manual as a permanent record of

your purchase.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

PRODUCT SAFETY MARKINGS: Yamaha electronic

products may have either labels similar to the graphics

shown below or molded/stamped facsimiles of these

graphics on the enclosure. The explanation of these graph-

ics appears on this page. Please observe all cautions indi-

cated on this page and those indicated in the safety in-

struction section.

See bottom of Keyboard enclosure for graphic symbol markings

The exclamation point within the equi-

lateral triangle is intended to alert the

user to the presence of important oper-

ating and maintenance (servicing) in-

structions in the literature accompany-

ing the product.

The lightning flash with arrowhead

symbol, within the equilateral triangle,

is intended to alert the user to the pres-

ence of uninsulated “dangerous volt-

age” within the product’s enclosure that

may be of sufficient magnitude to con-

stitute a risk of electrical shock.

IMPORTANT NOTICE: All Yamaha electronic prod-

ucts are tested and approved by an independent safety

testing laboratory in order that you may be sure that when

it is properly installed and used in its normal and custom-

ary manner, all foreseeable risks have been eliminated.

DO NOT modify this unit or commission others to do so

unless specifically authorized by Yamaha. Product per-

formance and/or safety standards may be diminished.

Claims filed under the expressed warranty may be denied

if the unit is/has been modified. Implied warranties may

also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The

information contained in this manual is believed to be

correct at the time of printing. However, Yamaha reserves

the right to change or modify any of the specifications

without notice or obligation to update existing units.

SPECIAL MESSAGE SECTION

Model _____________________________________

Serial No. __________________________________

Purchase Date ______________________________

CLP-920

• Take care that the key cover does not pinch your fingers, and do not insert a

finger or hand in the key cover gap.

• Never insert or drop paper or metallic or other objects between the slits of

the key cover and the keyboard. If this happens, immediately turn off the

power and remove the electric plug from the outlet and have the instrument

inspected by qualified Yamaha service personnel.

• Do not place the instrument against a wall (allow at least 3 cm/one-inch

from the wall), since this can cause inadequate air circulation, and possibly

result in the instrument overheating.

• Read carefully the attached documentation explaining the assembly pro-

cess. Failure to assemble the instrument in the proper sequence might re-

sult in damage to the instrument or even injury.

• Do not operate the instrument for a long period of time at a high or uncom-

fortable volume level, since this can cause permanent hearing loss. If you

experience any hearing loss or ringing in the ears, consult a physician.

■USING THE BENCH (if included)

• Do not play carelessly with or stand on the bench. Using it as a tool or step-

ladder or for any other purpose might result in accident or injury.

• Only one person should sit on the bench at a time, in order to prevent the

possibility of accident or injury.

• If the bench screws become loose due to extensive long-term use, tighten

them periodically using the included tool.

Yamaha cannot be held responsible for damage caused by improper use or modi-

fications to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep these precautions in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock,

short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:

• Do not open the instrument or attempt to disassemble the internal parts or

modify them in any way. The instrument contains no user-serviceable parts.

If it should appear to be malfunctioning, discontinue use immediately and

have it inspected by qualified Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might spill

into any openings.

• If the power cord or plug becomes frayed or damaged, or if there is a sudden

loss of sound during use of the instrument, or if any unusual smells or

smoke should appear to be caused by it, immediately turn off the power

switch, disconnect the electric plug from the outlet, and have the instrument

inspected by qualified Yamaha service personnel.

• Only use the voltage specified as correct for the instrument. The required

voltage is printed on the name plate of the instrument.

• Before cleaning the instrument, always remove the electric plug from the

outlet. Never insert or remove an electric plug with wet hands.

• Check the electric plug periodically and remove any dirt or dust which may

have accumulated on it.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the

instrument or other property. These precautions include, but are not limited to, the following:

• Do not place the power cord near heat sources such as heaters or radiators,

and do not excessively bend or otherwise damage the cord, place heavy

objects on it, or place it in a position where anyone could walk on, trip over,

or roll anything over it.

• When removing the electric plug from the instrument or an outlet, always

hold the plug itself and not the cord. Pulling by the cord can damage it.

• Do not connect the instrument to an electrical outlet using a multiple-con-

nector. Doing so can result in lower sound quality, or possibly cause over-

heating in the outlet.

• Remove the electric plug from the outlet when the instrument is not to be

used for extended periods of time, or during electrical storms.

• Before connecting the instrument to other electronic components, turn off

the power for all components. Before turning the power on or off for all

components, set all volume levels to minimum. Also, be sure to set the

volumes of all components at their minimum levels and gradually raise the

volume controls while playing the instrument to set the desired listening

level.

• Do not expose the instrument to excessive dust or vibrations, or extreme

cold or heat (such as in direct sunlight, near a heater, or in a car during the

day) to prevent the possibility of panel disfiguration or damage to the inter-

nal components.

• Do not use the instrument near other electrical products such as televisions,

radios, or speakers, since this might cause interference which can affect

proper operation of the other products.

• Do not place the instrument in an unstable position where it might acciden-

tally fall over.

• Before moving the instrument, remove all connected cables.

• When cleaning the instrument, use a soft, dry or slightly damp cloth. Do not

use paint thinners, solvents, cleaning fluids, or chemical-impregnated wip-

ing cloths. Also, do not place vinyl, plastic or rubber objects on the instru-

ment, since this might discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and do

not use excessive force on the buttons, switches or connectors.

(1)B-6

CLP-920

Contents

The Control Panel......................................................... 5

Key Cover & Music Stand............................................ 6

●

Key Cover .............................................................. 6

●

Music Stand........................................................... 6

Connections .................................................................. 7

Selecting & Playing Voices .......................................... 8

Playing the Demonstration Tunes ............................... 9

The Dual Mode ............................................................. 9

Reverb ........................................................................ 10

The Pedals .................................................................. 10

●

Damper (Right) Pedal .......................................... 10

●

Soft (Left) Pedal................................................... 10

Transposition .............................................................. 11

Tuning.......................................................................... 12

●

Tuning Up ............................................................ 12

●

Tuning Down ........................................................ 12

●

To Restore Standard Pitch................................... 12

Introduction

Thank you for choosing a Yamaha CLP-920 Clavinova. Your Clavinova is a fine musical instrument that

employs advanced Yamaha music technology. With the proper care, your Clavinova will give you many

years of musical pleasure.

● The Clavinova CLP-920 digital piano offers unmatched

sonic realism and natural grand-piano type playability

with Yamaha’s original “AWM Stereo Sampling” tone

generation technology for rich, musical voices, and a

special “Graded Hammer” keyboard which provides

graded key weight and response throughout the key-

board range. The grand piano voice features totally new

samples painstakingly recorded from a full concert

grand piano.

● Dual mode allows 2 voices to be played simultaneously.

● The digital reverb effect adds extra depth and

expressiveness to the Clavinova’s sound.

● With MIDI compatibility and a range of MIDI

functions, the Clavinova can easily be incorpo-

rated into advanced MIDI systems.

● Built-in computer interface for direct connection to

personal computers running advanced music

software. The music stand can be removed to

allow placement of a laptop-type personal com-

puter or other equipment on top of the instrument.

In order to make the most of your Clavinova’s performance potential and features, we urge you to read

this Owner’s Manual thoroughly, and keep it in a safe place for later reference.

Included Accessories

● Owner’s Manual

● Bench

(included or optional depending on locale)

MIDI Functions ........................................................... 13

●

A Brief Introduction to MIDI ................................. 13

●

MIDI Transmit & Receive Channel Selection ....... 13

●

Local Control ON/OFF......................................... 14

Connecting to a Personal Computer.......................... 15

●

Connecting to an Apple Macintosh Series Computer..

●

Connecting to an IBM-PC/AT Series Computer .. 16

●

Using a USB Interface (such as the Yamaha UX256)

.. 17

Troubleshooting.......................................................... 18

Options & Expander Modules ................................... 18

MIDI Data Format....................................................... 19

MIDI Implementation Chart ...................................... 21

Keyboard Stand Assembly ....................................... 22

Voice Descriptions .................................................... 28

Demo Song List ......................................................... 28

Specifications ............................................................ 29

■ Trademarks

• Apple and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other countries.

• IBM-PC/AT is a trademark of International Business Machines Corporation.

• Windows is the registered trademark of Microsoft® Corporation.

All other trademarks are the property of their respective holders.

“The Clavinova-Computer Connection” is a supplementary guidebook that

describes, for beginners, what you can do with your Clavinova and a

personal computer and how to set up a Clavinova-Computer system (the

manual is not written for any specific models). The document is available as

a PDF file (in English) at the following Internet address:

Clavinova Home Page:

http://www.yamaha.co.jp/english/product/cl/

Yamaha Manual Library (Electronic Musical Instruments)

http://www2.yamaha.co.jp/manual/english/

CLP-920

The Control Panel

Soft pedal

1 [POWER] Switch

Press the [POWER] switch once to turn the power

ON, a second time to turn the power OFF. When the

power is turned ON, the POWER indicator (located to

the left of the keyboard) will light.

2 [MASTER VOLUME] Control

The [MASTER VOLUME] control adjusts the

volume (level) of sound produced by the Clavinova’s

internal stereo sound system. The [MASTER VOL-

UME] control also adjusts headphone volume when a

pair of headphones is plugged into the PHONES jack

(page 8).

3 [DEMO] Button

Activates the demo playback mode in which you

can select playback of different demonstration se-

quences for each of the Clavinova’s voices. See page

9 for details.

4 Voice Selectors

Simply press any of the voice selectors to select

the corresponding voice. The voice selector LED will

light to indicate which voice is currently selected.

There is also a dual mode in which two voices can

be played simultaneously across the full range of the

keyboard (see page 9 for details).

Damper pedal

PHONES jacks on bottom panel (see page 7)

5 [REVERB] Button

The [REVERB] effect switches the Clavinova’s

reverb effect on and off — see page 10 for details.

6 Pedals

The CLP-920’s soft (left) and damper (right)

pedals provide a range of expressive control capabili-

ties similar to the pedal functions on an acoustic

piano. See page 10 for details.

POWER

B0A0G0F0E0D0C0B-1A-1

C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6

D6 E6 F6 G6 A6 B6 C7

MIN

MAX

MASTER VOLUME DEMO

REVERB

VOICE

GRAND

PIANO

E. PIANO CHURCH

ORGAN

STRINGS

CLP-

920

MIN

MAX

MASTER VOLUME DEMO

REVERB

VOICE

GRAND

PIANO

E. PIANO CHURCH

ORGAN

STRINGS

3245

CLP-920

Key Cover & Music Stand

To open the key cover:

ZLift the cover slightly.

XSlide the cover open.

CAUTION

• Hold the cover with both hands when moving it, and do not release it until it is fully opened or closed. Be

careful to avoid catching fingers (yours or others) between the cover and main unit.

• Do not place objects on top of the key cover. Small objects placed on the key cover may fall inside the main

unit when the cover is opened and may not be able to be removed. This could cause electric shock, short

circuit, fire or other serious damage to the instrument.

To close the key cover:

ZSlide the cover toward you.

XGently lower the cover over the keys.

Be careful to avoid catching your

fingers when opening or closing

the cover.

The Clavinova is supplied with a music stand that can be attached to

the instrument by inserting it into the holes at the top of panel.

NOTE

• The music stand can be removed to allow placement of a laptop-type

personal computer or other equipment on top of the instrument.

Key Cover

Music Stand

CLP-920

TO HOST HOST SELECT

PC-1 PC-2

Mac

MIDI

PEDAL

AUX IN

L+R

AUX OUT

L+R

MIDI

INOUTTHRU

HOST SELECTTO HOST

MIDIMac

PC-2PC-1

Bottom Panel

Connections

1 AUX OUT L/L+R and R Jacks

The AUX OUT L/L+R and R jacks deliver the output of the Clavinova for connection

to an instrument amplifier, mixing console, PA system, or recording equipment. If you will

be connecting the Clavinova to a monaural sound system, use only the L/L+R jack. When

a plug is inserted into the L/L+R jack only, the left- and right-channel signals are com-

bined and delivered via the L/L+R jack so you don’t lose any of the Clavinova’s sound.

CAUTION

• When the Clavinova’s AUX OUT jacks are connected to an external sound system, first turn

the Clavinova power on, and then the power to the external amplifier/speaker system. Reverse

this order when turning the power off.

• The AUX OUT jack signal must never be returned to the AUX IN jacks, either directly or

through external equipment.

• The AUX OUT jack signal is not controlled by the Clavinova’s volume control. Use the

volume control on the external audio equipment to adjust the level.

2 AUX IN L/L+R and R Jacks

These jacks are intended for use with an external tone generator module such as the

Yamaha DOU-10 Disk Orchestra Unit. The stereo outputs from the external tone

generator module are connected to the AUX IN L/L+R and R jacks, allowing the sound

of the tone generator to be reproduced via the Clavinova’s internal sound system and

speakers. A line-level mono source can be connected to the L/L+R jack.

CAUTION

• When the Clavinova’s AUX IN jacks are connected to an external source, first turn the power

to the external device on, and then the power to the Clavinova. Reverse this order when

turning the power off.

• The input signal from the AUX IN jacks is controlled by the Clavinova’s volume control.

Reverb function will have no affect.

• The input signal from the AUX IN jacks is delivered to the AUX OUT jacks.

3 TO HOST Connector & HOST SELECT Switch

This jack and selector switch allow direct connection to a personal computer

for sequencing and other music applications — without the need for a separate

MIDI interface. See page 15 for details.

4 MIDI IN, THRU and OUT Connectors

The MIDI IN connector receives MIDI data from an external MIDI device

(such as the DOU-10 Disk Orchestra Unit) which can be used to control the

Clavinova. The MIDI THRU connector re-transmits any data received at the MIDI

IN connector, allowing “chaining” of several MIDI instruments or other devices.

The MIDI OUT connector transmits MIDI data generated by the Clavinova (e.g.

note and velocity data produced by playing the Clavinova keyboard).

More details on MIDI are given in “MIDI Functions” on page 13.

5 PEDAL Jack

This terminal is for connecting the pedal cord from the pedal box (refer to the

“Keyboard Stand Assembly” on pages 26-27).

● PHONES Jacks

(Bottom Panel)

Two sets of standard stereo headphones can be plugged in here for private

practice or late-night playing. The internal speaker system is automatically shut off

when a pair of headphones is plugged into either of the PHONES jacks.

Tone Generator

AUX OUT

L+R

MIDI

INOUTTHRU

DOU-10

Personal Computer

Stereo System

AUX IN

L+R

DOU-10

345

• Before connecting the Clavinova to other electronic components, turn off the power for all compo-

nents. Before turning the power on or off for all components, set all-volume levels to minimum.

CAUTION

CLP-920

Turn Power On...................................................................................................

After making sure that the Clavinova’s AC cord is properly plugged

into the Clavinova itself and plugged into a convenient AC wall outlet,

press the [POWER] switch located to the right of the keyboard to turn

the power ON. In some areas a plug adaptor may be provided to match

the pin configuration of the AC wall outlets in your area.

When the power is turned ON, the POWER indicator located to the

left of the keyboard will light.

Set the Volume ..................................................................................................

Initially set the [MASTER VOLUME] control about half way

between the “MIN” and “MAX” settings. Then, when you start playing,

re-adjust the [MASTER VOLUME] control for the most comfortable

listening level.

Select a Voice .....................................................................................................

Select the desired voice by pressing one of the voice selectors.

NOTE

• See “Voice Descriptions” on page 28.

POWER

Play................................................................................................................................

The Clavinova also offers keyboard touch response, so the volume

and timbre of notes played can be controlled according to how “hard”

you play the keys. The amount of variation available depends on the

selected voice.

NOTE

• The CHURCH ORGAN voice has no keyboard touch response.

Selecting & Playing Voices

MIN MAX

MASTER VOLUME

VOICE

GRAND

PIANO

E. PIANO CHURCH

ORGAN

STRINGS

CLP-920

The CLP-920 includes four demo tunes that demonstrate its sound capabili-

ties. Here is how you can select and play the demo tunes:

NOTE

• No MIDI reception occurs in the demo song mode.

• The demo song data is not transmitted via the MIDI connectors.

* See page 28 for a complete listing of the demo tunes.

Playing the Demonstration Tunes

Engage the Demo Mode .........................................................................

Play a Voice Demo.........................................................................................

Press one of the voice selectors to start playback of all songs starting

from the corresponding voice demo tune — featuring the voice nor-

mally selected by that voice selector button. The indicator of the se-

lected voice selector button will flash during playback. You can start

playback of any other voice demo tune during playback by simply

pressing the corresponding voice selector. You can stop playback at any

time by pressing the voice selector of the currently playing demo.

NOTE

• Use the [MASTER VOLUME] control to adjust the volume.

Press the [DEMO] button to engage the demo mode — the voice

selector indicators will flash in sequence.

Exit From the Demo Mode....................................................................

Press the [DEMO] button to exit from the demo mode and return to

the normal play mode.

The Dual Mode

The dual mode makes it possible to play two voices simultaneously across

the entire range of the keyboard.

To activate the dual mode simply press two voice selectors at the

same time (or press one voice selector while holding another). The

voice indicators of both selected voices will light when the dual mode is

active. To return to the normal single-voice play mode, press any single

voice selector.

NOTE

• The reverb effect (page 10) will be on for both voices if it has been

individually turned on for either voice.

DEMO

VOICE

GRAND

PIANO

E. PIANO CHURCH

ORGAN

STRINGS

DEMO

VOICE

GRAND

PIANO

E. PIANO CHURCH

ORGAN

STRINGS

CLP-920

The Pedals

Soft (Left) Pedal ...............................................................................................

The soft pedal reduces the volume and slightly changes the timbre of

notes played while the pedal is pressed. The soft pedal will not affect

notes which are already playing when it is pressed.

Damper (Right) Pedal ................................................................................

The damper pedal functions in the same way as a damper pedal on

an acoustic piano. When the damper pedal is pressed notes played have

a long sustain. Releasing the pedal immediately stops (damps) any

sustained notes.

NOTE

• If the damper pedal doesn’t work, or notes are sustained even when the

pedal is not pressed, make sure that the pedal cord is properly plugged

into the main unit (page 26).

The CLP-920 has two foot pedals that produce a range of expressive effects

similar to those produced by the pedals on an acoustic piano.

Soft pedal

Damper pedal

Reverb

Press the [REVERB] button to turn the reverb effect on (the indica-

tor will light). When the reverb effect is on, pressing the [REVERB]

button turns the reverb effect off (the indicator will go out).

NOTE

• The reverb on/off settings are individually memorized for each voice

(reverb is initially ON for all voices by default).

The reverb effect, turned on and off by the [REVERB] button, can be used to

add extra ambience and depth to the Clavinova sound.

REVERB

CLP-920

Transposition

ZSimultaneously press and hold the A-1 and C#0 keys.

XPress any key between F#2 and F#3 according to the desired

amount of transposition.*

CRelease the A-1 and C#0 keys.

The A-1 and C#0 keys plus keys F#2 through F#3 on the keyboard are used for transposition.

The Clavinova’s TRANSPOSE function makes it possible to shift the pitch of

the entire keyboard up or down in semitone intervals up to a maximum of six

semitones. “Transposing” the pitch of the Clavinova keyboard facilitates playing

in difficult key signatures, and you can easily match the pitch of the keyboard to

the range of a singer or other instrumentalist.

* Pressing the C3 key produces normal keyboard pitch. Pressing the

key to the left of C3 (=B2) transposes the pitch of the keyboard

down a semitone, the next key to the left (=Bb2) transposes down a

whole tone (two semitones), etc., down to the F#2 key which

transposes down 6 semitones. Upward transposition is accom-

plished in the same way using the keys to the right of C3, up to F#3

which transposes up 6 semitones.

NOTE

• Notes below and above the A-1 — C7 of the Clavinova sound one

octave higher and lower, respectively.

-1

Normal

pitch.

Transpose

down.

Transpose

up.

-5 -3 -1 0 +2 +4 +5

-6 -4 -2 +1

+3 +6

CLP-920

Tuning

Tuning makes it possible to adjust the pitch of the Clavinova over a 427.0 Hz

… 453.0 Hz (corresponding to the A3 note’s Hz) range in approximately 0.2

Hertz intervals. Pitch control is useful for tuning the Clavinova to match other

instruments or recorded music.

Tuning Up ...............................................................................................................

Z To tune up (raise pitch), hold the A-1 and B-1 keys simultaneously.

X Press any key between C3 and B3. Each time a key in this range is

pressed the pitch is increased by approximately 0.2 Hz.

C Release the A-1 and B-1 keys.

Tuning Down .......................................................................................................

Z To tune down (lower pitch), hold the A-1 and A#-1 keys simulta-

neously.

X Press any key between C3 and B3. Each time a key in this range is

pressed the pitch is decreased by approximately 0.2 Hz.

C Release the A-1 and A#-1 keys.

To Restore Standard Pitch*.................................................................

Z To restore standard pitch (A3 = 440 Hz), hold the A-1, A#-1 and

B-1 keys simultaneously.

X Press any key between C3 and B3.

(Pressing once will restore the keyboard to standard pitch, regard-

less of the amount of pitch adjustment.)

C Release the A-1, A#-1 and B-1 keys.

* Standard pitch (A3 = 440 Hz) is set when the [POWER] switch is

initially turned ON.

-1

CLP-920

MIDI Transmit & Receive Channel Selection ...................................................................................................

Tone Generator

MIDI IN

MIDI IN MIDI THRU

DOU-10

MIDI OUT

Clavinova

(Set to receive on MIDI

channel 2)

(Set to receive on MIDI channel 1)

MIDI Functions

● A Brief Introduction to MIDI

DOU-10

MIDI Cable

MIDI INMIDI OUT

Clavinova

DOU-10

Clavinova

Data Being Recorded

Playback Data

MIDI IN MIDI INMIDI OUTMIDI OUT

MIDI, the Musical Instrument Digital Interface, is a world-

standard communication interface that allows MIDI-compatible

musical instruments, computers, and other equipment to share

musical information and control one another. This makes it

possible to create “systems” of MIDI instruments, computers, and

other equipment that offer far greater versatility and control than is

available with isolated instruments. For example, most MIDI

keyboards (including the Clavinova, of course) transmit note and

velocity (touch response) information via the MIDI OUT connec-

tor whenever a note is played on the keyboard. If the MIDI OUT

connector is connected to the MIDI IN connector of a second

keyboard (synthesizer, etc.) or a tone generator (essentially a

synthesizer with no keyboard), the second keyboard or tone

generator will respond precisely to notes played on the original

transmitting keyboard. The result is that you can effectively play

two instruments at once, providing thick multi-instrument sounds.

This same type of musical information transfer is used for

MIDI sequence recording. A sequence recorder can be used to

“record” MIDI data received from a Clavinova, for example. When

the recorded data is played back, the Clavinova automatically

“plays” the recorded performance in precise detail.

The examples given above really only scratch the surface.

MIDI can do much, much more. The CLP-920 offers a number of

MIDI functions that allows it to be used in fairly sophisticated

MIDI systems.

The MIDI system allows transmission and reception of MIDI data

on 16 different channels. Multiple channels have been implemented to

allow selective control of certain instruments or devices connected in

series. For example, a single MIDI sequence recorder could be used to

“play” two different instruments or tone generators. One of the

instruments or tone generators could be set to receive only on channel

1, while the other is set to receive on channel 2. In this situation the

first instrument or tone generator will respond only to channel-1

information transmitted by the sequence recorder, while the second

instrument or tone generator will respond only to channel-2 informa-

tion. This allows the sequence recorder to “play” two completely

different parts on the receiving instruments or tone generators.

In any MIDI control setup, the MIDI channels of the transmitting

and receiving equipment must be matched for proper data transfer. A

“Multi-timbre” receive mode is also available, which allows simulta-

neous reception of different parts on all 16 MIDI channels, allowing

the Clavinova to play multi-channel song data received from a music

computer or sequencer. To select the multi-timbre receive mode, set the

receive channel to “ALL”.

NOTE

• The bottom-panel HOST SELECT switch must be set to “MIDI” in order to use the MIDI connectors. When

you use the TO HOST connector, set the HOST SELECT switch to the appropriate position for the type of

computer you are using (see page 15). In this situation, all MIDI settings described below will have affect on

the MIDI signal in and out of the TO HOST connector.

• Always use a high-quality MIDI cable to connect MIDI OUT to MIDI IN terminals. Never use MIDI cables

longer than about 15 meters, since cables longer than this can pick up noise which can cause data errors.

CLP-920

-1

1356810121315 1356810121315

2 4 7 9 11 14 16 2 4 7 9 11 14 16

● Setting the Clavinova MIDI Channels

For setting the transmit

channel. (C1 ~ D#2)

For setting the receive

channel. (C4 ~ D#5)

For ALL mode

ZSimultaneously press and hold the A-1 and C#0 keys.

XPress the key on the keyboard corresponding to the desired MIDI transmit or receive

channel.*

CRelease the A-1 and C#0 keys.

* Keys C1 through D#2 on the keyboard are used to set the MIDI transmit channel. The E2

key turns transmission “OFF” if you don’t want the Clavinova to transmit MIDI data. Keys

C4 through D#5 are used to set the MIDI receive channel as shown in the illustration

below. The E5 key sets the receive mode to “ALL”.

NOTE

• When the power is initially turned ON, MIDI receive is set to the ALL mode and

the transmit channel is set to 1.

• In the dual mode the left-button voice will be transmitted on the specified transmit

channel number while the right-button voice will be transmitted on the next

channel number (i.e. the specified transmit channel number + 1). Neither voice

will be transmitted when the transmit channel is set to “OFF.”

• Demo song data is not transmitted via MIDI.

• No MIDI reception occurs when the demo song mode is engaged.

• Program change and other like channel messages received will not affect the

Clavinova’s panel settings or what is being played on the keyboard.

MIDI Functions

Local Control ON/OFF .............................................................................................................................................................

“Local Control” refers to the fact that, normally, the Clavinova keyboard controls its

internal tone generator, allowing the internal voices to be played directly from the keyboard.

This situation is “Local Control ON” since the internal tone generator is controlled locally by

its own keyboard.

Local control can be turned OFF, however, so that the Clavinova keyboard does not play

the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT

connector when notes are played on the keyboard. At the same time, the internal tone generator

responds to MIDI information received via the MIDI IN connector.

When using the DOU-10 Disk Orchestra Unit with the Clavinova, for example, Local

Control should be turned OFF when recording using the DOU-10 voices only, and ON when

recording the Clavinova voices while listening to playback of the DOU-10 voices.

ZSimultaneously press and hold the A-1 and C#0 keys.

XPress the C6 key to switch the Local Control between OFF and ON.

CRelease the A-1 and C#0 keys.

NOTE

• When the power is initially turned ON, Local Control is set to “ON”.

OFF

-1

DOU-10

MIDI OUT

MIDI

Clavinova

CLP-920

Connecting to a Personal Computer

Although the Clavinova can be connected to a personal computer via the

MIDI IN/OUT connectors and a MIDI interface, the TO HOST connector and

HOST SELECT switch allow direct connection to Apple Macintosh or IBM-PC/AT

personal computers for sequencing and other music applications without the

need for a separate MIDI interface.

Connect the TO HOST connector of the Clavinova to the modem or

printer port on your Macintosh, depending on which port your MIDI

software is using for MIDI data communication, using a standard

Macintosh 8-pin system peripheral cable. Set the HOST SELECT

switch to the “Mac” position.

You may also have to make other MIDI interface settings on the

computer side, depending on the type of software you use (refer to your

software owner’s manual). In any case the clock speed should be set to

1 MHz.

Connecting to an Apple Macintosh Series

Computer

................................................................................................................

HOST SELECTTO HOST

MIDIMac

PC-2PC-1

Apple Macintosh

Series Computer

Set to the “Mac” position.

● “Mac” Cable Connections

2 (HSK i)1

1 (HSK 0)2

5 (RxD-)3

MINI DIN

8-PIN

4 GND4

3 (TxD-)5

8 (RxD+)6

7 (GP i)7

6 (TxD+)8

MINI DIN

8-PIN

• 8-pin system peripheral cable.

• Data transfer rate: 31,250 bps.

NOTE

• When connecting the Clavinova to a personal computer, first turn the power to both the Clavinova and the computer

OFF before connecting the cable and setting the HOST SELECT switch. After connecting the cable and making the

appropriate HOST SELECT switch setting, turn the power to the computer on first, then turn on the Clavinova.

• When not using the [TO HOST] terminal of the Clavinova, make sure the cable is disconnected from the [TO HOST]

terminal. If the cable is left connected, the Clavinova may not function properly.

• When the HOST SELECT switch is set to “Mac”, “PC-1”, or “PC-2, no data transfer occurs via the MIDI connectors.

To use the MIDI connectors for connection via a standard MIDI interface, set the HOST SELECT switch to “MIDI”.

“The Clavinova-Computer Connection” is a supplementary guidebook that describes, for

beginners, what you can do with your Clavinova and a personal computer and how to set up a

Clavinova-Computer system (the manual is not written for any specific models). The document

is available as a PDF file (in English) at the following Internet address:

Clavinova Home Page:

http://www.yamaha.co.jp/english/product/cl/

Yamaha Manual Library (Electronic Musical Instruments)

http://www2.yamaha.co.jp/manual/english/

CLP-920

Connecting to an IBM-PC/AT Series Computer ............

Connect the TO HOST connector of the Clavinova to the RS-232C port

on your IBM computer, using a standard 8-pin MINI DIN → 9-pin D-SUB

cross cable. Set the HOST SELECT switch to the “PC-2” position.

Refer to your software owner’s manual for information on any

settings you might have to make on the computer side.

Connecting to a Personal Computer

HOST SELECTTO HOST

MIDIMac

PC-2PC-1

IBM-PC/AT

Series Computer

Set to the “PC-2” position.

● “PC-2” Cable Connections

8 (CTS)1

7 (RST)2

2 (RxD)3

4 5 (GND)

3 (TxD) 5

MINI DIN

8-PIN

D-SUB

9-PIN

• 8-pin mini DIN

→

9-pin D-SUB cable.

• Data transfer rate: 38,400 bps.

● Connector Pin Numbers

678

MINI DIN 8-PIN

D-SUB 9-PIN

NOTE

• If your system doesn’t work properly with the connections and settings listed above, your software may require

different settings. Check your software operation manual and if it requires a 31,250 bps. data transfer rate, set the

HOST SELECT switch to “PC-1”.

• When using the TO HOST terminal to connect to a personal computer using Windows, a Yamaha MIDI driver must

be installed in the personal computer. The Yamaha MIDI driver can be obtained at Yamaha’s home page on the

World Wide Web, <http://www.yamaha.co.jp/english/xg/>.

CLP-920

Connecting to a Personal Computer

Using a USB Interface (such as the Yamaha UX256)

Connect the USB interface (Yamaha UX256 or equivalent) to your

computer using a USB cable. Install the driver software supplied with

the interface (or other appropriate driver software) on your computer

according to the supplied instructions. Connect your instrument to the

USB interface using either a standard Macintosh 8-pin system periph-

eral cable or MIDI cables. Refer to the manual supplied with your USB

interface for details.

Computer

USB cable

UX256 or equivalent

Clavinova

MIDI cables

MIDI

INOUT

HOST SELECT

MIDI

● Connecting the USB Interface and Instrument via a Serial Cable

● Connecting the USB Interface and Instrument via MIDI Cables

Computer

USB cable

UX256 or equivalent

Mini-DIN 8-pin

Clavinova

HOST SELECT

PC-1

HOST SELECT

Mac

Standard Macintosh 8-pin system peripheral cable

CLP-920

Troubleshooting

If you encounter what appears to be a malfunction, please check the follow-

ing points before assuming that your Clavinova is faulty.

1. No Sound When the Power is Turned ON

Is the AC plug properly connected to the Clavinova and an AC wall outlet? Check the AC connection

carefully. Is the MASTER VOLUME control turned up to a reasonable listening level?

Also make sure that a pair of headphones is not plugged into the PHONES jack, and the Local Control

(page 14) is ON.

2. The Damper Pedal Doesn’t Work

If the damper pedal doesn’t work, or notes are sustained even when the pedal is not pressed, make sure

that the pedal cord is properly plugged into the main unit (page 26).

3. The Clavinova Reproduces Radio or TV Sound

This can occur if there is a high-power transmitter in your vicinity. Contact your Yamaha dealer.

4. Intermittent Static Noise

This is usually due to turning ON or OFF a household appliance or other electronic equipment which is

fed by the same AC mains line as your Clavinova.

5. Interference Appears On Radio or TV Sets Located Near the Clavinova

The Clavinova contains digital circuitry which can generate radio-frequency noise. The solution is to

move the Clavinova further away from the affected equipment, or vice versa.

6. Noise is heard from the speakers or headphones.

The noise may be due to interference caused by the use of a mobile phone in close proximity to the

Clavinova.

Turn off the mobile phone, or use it further away from the Clavinova.

7. Distorted Sound When the Clavinova is Connected to An External Amplifier/Speaker System

If the Clavinova is connected to a stereo system or instrument amplifier and the sound is distorted,

reduce the volume of the external equipment to a level at which the distortion ceases.

Options & Expander Modules

● Options

BC-8 Bench

A comfortable bench styled to match your Yamaha Clavinova.

HPE-160 Stereo Headphones

High-performance lightweight dynamic headphones with extra-soft ear pads.

● Expander Modules

DOU-10 Disk Orchestra Unit

A range of MIDI recording and playback functions, plus Yamaha DOC software, Disklavier

PianoSoft™, and General MIDI/Standard MIDI File disk playback capability.

CLP-920

Damper Pedal 0 (off)

Sostenuto 0 (off)

Soft Pedal 0 (off)

(3) Local Control (reception only)

ccH Parameter Data Range (vvH)

7AH Local Control 00H (off), 7FH (on)

(4) All Notes Off

ccH Parameter Data Range (vvH)

7BH All Notes Off 00H

Switches OFF all the notes that are currently ON on the specified

channel. Any notes being held by the damper pedal will continue to

sound until the pedal is released.

(5) Omni Off (reception only)

ccH Parameter Data Range (vvH)

7CH Omni Off 00H

Same processing as for All Notes Off.

(6) Omni On (reception only)

ccH Parameter Data Range (vvH)

7DH Omni On 00H

Same processing as for All Notes Off.

(7) Mono (reception only)

ccH Parameter Data Range (vvH)

7EH Mono 00H

Same processing as for All Sound Off.

(8) Poly (reception only)

ccH Parameter Data Range (vvH)

7FH Poly 00H

Same processing as for All Sound Off.

• When a voice bank MSB/LSB is received, the number is stored in

the internal buffer regardless of the received order, then the stored

value is used to select the appropriate voice when a program

change message is received.

• The Multi-timbre and Poly modes are always active. No change

occurs when OMNI ON, OMNI OFF, MONO, or POLY mode mes-

sages are received.

4. PROGRAM CHANGE

Data format: [CnH] -> [ppH]

CnH = Program event (n = channel number)

ppH = Program change number

Program change number

Vioce Bank MSB Bank LSB

Program Change Number

GRAND PIANO 0 112 0

E.PIANO 0 112 5

CHURCH ORGAN 0 112 19

STRINGS 0 112 48

5. SYSTEM REALTIME MESSAGES

Active sensing

[FEH]

• Transmitted every 200 milliseconds.

• If a signal is not received via MIDI for more than 400 milliseconds,

the same processing will take place for All Sound Off, All Notes Off

and Reset All Controllers as when those signals are received.

• Caution: If an error occurs during MIDI reception, the Damper and Soft

effects for all channels are turned off and an All Note Off occurs.

6. SYSTEM EXCLUSIVE MESSAGES

(Universal System Exclusive)

(1) Universal Realtime Message

Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->

[ll H] -> [mmH] -> [F7H]

Si vous êtes très familier avec l’interface MIDI ou si vous

utilisez un ordinateur pour commander votre matériel de

musique au moyen de messages MIDI générés par

ordinateur, les données suivantes vous seront utiles et vous

aideront à commander le Clavinova.

SI usted está ya familiarizado con MIDI, o si emplea una

computadora para controlar sus aparatos musicales con

mensajes MIDI generados por computadora, los datos propor-

cionados en esta sección le ayudarán a controlar la Clavinova.

If you’re already very familiar with MIDI, or are using a

computer to control your music hardware with computer-

generated MIDI messages, the data provided in this section

can help you to control the Clavinova.

Falls Sie bereits mit MIDI vertraut sind oder einen Compu-

ter zur Erzeugung von MIDI-Steuermeldungen für die

Instrumente verwenden, können Sie sich zur Steuerung des

Clavinovas nach den im folgenden Abschnitt aufgeführten

Spezifikationen richten.

1. NOTE ON/OFF

Data format: [9nH] -> [kk] -> [vv]

9nH = Note ON/OFF event (n = channel number)

kk = Note number (Transmit: 0FH ~ 72H = Eb-1 ~ F#7 /

Receive: 00H ~ 7FH = C-2 ~ G8)*

vv = Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H)

Data format: [8nH] -> [kk] -> [vv] (reception only)

8nH = Note OFF event (n = channel number)

kk = Note number: 00H ~ 7FH = C-2 ~ G8

vv = Velocity

* If received value exceeds the supported range for the selected

voice, the note is adjusted by the necessary number of octaves.

2. CONTROL CHANGE

Data format: [BnH] -> [cc] -> [vv]

BnH = Control change (n = channel number)

cc = Control number

vv = Data Range

(1) Bank Select

ccH Parameter Data Range (vvH)

00H Bank Select MSB 00H:Normal

20H Bank Select LSB 00H...7FH

Bank selection processing does not occur until receipt of next Pro-

gram Change message.

(2) Main Volume (reception only)

ccH Parameter Data Range (vvH)

07H Volume MSB 00H...7FH

(3) Expression

ccH Parameter Data Range (vvH)

0BH Expression MSB 00H...7FH

(4) Damper

ccH Parameter Data Range (vvH)

40H Damper MSB 00H...7FH

(5) Sostenuto

ccH Parameter Data Range (vvH)

42H Sostenuto 00H-3FH:off, 40H-7FH:on

(6) Soft Pedal

ccH Parameter Data Range (vvH)

43H Soft Pedal 00H-3FH:off, 40H-7FH:on

(7) Reverb Depth

ccH Parameter Data Range (vvH)

5BH Reverb Depth 00H...7FH

Adjusts the reverb send level.

3 MODE MESSAGES

Data format: [BnH] -> [cc] -> [vv]

BnH = Control event (n = channel number)

cc = Control number

vv = Data Range

(1) All Sound Off

ccH Parameter Data Range (vvH)

78H All Sound Off 00H

Switches off all sound from the channel. Does not reset Note On and

Hold On conditions established by Channel Messages.

(2) Reset All Controllers

ccH Parameter Data Range (vvH)

79H

Reset All Controllers

00H

Resets controllers as follows.

Controller Value

Expression 127 (max)

MIDI Data Format/MIDI-Datenformat/

Format des données MIDI/Formato de datos MIDI

CLP-920

MIDI Data Format/MIDI-Datenformat/Format des données MIDI/Formato de datos MIDI

MIDI Master Volume

• Simultaneously changes the volume of all channels.

• When a MIDI master volume message is received, the volume

only has affect on the MIDI receive channel, not the panel master

volume.

F0H = Exclusive status

7FH = Universal Realtime

7FH = ID of target device

04H = Sub-ID #1=Device Control Message

01H = Sub-ID #2=Master Volume

ll H = Volume LSB

mmH = Volume MSB

F7H = End of Exclusive

F0H = Exclusive status

7FH = Universal Realtime

XnH = When received, n=0~F. X = don’t care

04H = Sub-ID #1=Device Control Message

01H = Sub-ID #2=Master Volume

ll H = Volume LSB

mmH = Volume MSB

F7H = End of Exclusive

(2) Universal Non-Realtime Message (GM 0n)

General MIDI Mode On

Data format:

[F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] -> [F7H]

F0H = Exclusive status

7EH = Universal Non-Realtime

7FH = ID of target device

09H = Sub-ID #1=General MIDI Message

01H = Sub-ID #2=General MIDI On

F7H = End of Exclusive

F0H = Exclusive status

7EH = Universal Non-Realtime

XnH = When received, n=0~F. X = don’t care

09H = Sub-ID #1=General MIDI Message

01H = Sub-ID #2=General MIDI On

F7H = End of Exclusive

When the General MIDI mode ON message is received, the MIDI

system will be reset to its default settings.

This message requires approximately 50ms to execute, so sufficient

time should be allowed before the next message is sent.

7. SYSTEM EXCLUSIVE MESSAGES (XG Standard)

(1) XG Native Parameter Change

Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] ->

[mmH] -> [ll H] -> [ddH] -> [F7H]

F0H = Exclusive status

43H = YAMAHA ID

1nH = When received, n=0~F. When transmitted, n=0.

4CH = Model ID of XG

hhH = Address High

mmH = Address Mid

ll H = Address Low

ddH = Data

F7H = End of Exclusive

Data size must match parameter size.

When the XG System On message is received, the MIDI system will

be reset to its default settings.

The message requires approximately 50ms to execute, so sufficient

time should be allowed before the next message is sent.

(2) XG Native Bulk Data (reception only)

Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] ->

[bbH] -> [hhH] -> [mmH] -> [llH] ->

[ddH] ->...-> [ccH] -> [F7H]

F0H Exclusive status

43H YAMAHA ID

0nH When received, n=0~F. When transmitted, n=0.

4CH Model ID of XG

aaH ByteCount

bbH ByteCount

hhH Address High

mmH Address Mid

ll H Address Low

ddH Data

| |

ccH Check sum

F7H End of Exclusive

• Receipt of the XG SYSTEM ON message causes reinitialization of

relevant parameters and Control Change values. Allow sufficient

time for processing to execute (about 50 msec) before sending the

Clavinova another message.

• XG Native Parameter Change message may contain two or four

bytes of parameter data (depending on the parameter size).

• For information about the Address and Byte Count values, refer to

Table 1 below. Note that the table’s Total Size value gives the size of

a bulk block. Only the top address of the block (00H, 00H, 00H) is

valid as a bulk data address.

8. SYSTEM EXCLUSIVE MESSAGES (Special Control)

Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [11H] ->

[0nH] -> [ccH] -> [vvH] -> [F7H]

F0H = Exclusive status

43H = Yamaha ID

73H = Clavinova ID

67H =

CLP-920 ID

11H = Clavinova special control

0nH = Control MIDI change (n=channel number)

cc = Control number

vv = Value

F7H = End of Exclusive

Control 0n ccH vvH

Voice Reserve ch: 00H-0FH 45H 00H : Reserve off

7FH : on*

* When Volume, Expression is received for Reserve On, they will be

effective from the next Key On. Reserve Off is normal.

9. SYSTEM EXCLUSIVE MESSAGES (Others)

Data format:

[F0H] -> [43H] -> [1nH] -> [27H] -> [30H] ->

[00H] -> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H]

Master Tuning (XG and last message priority) simultaneously

changes the pitch of all channels.

F0H = Exclusive Status

43H = Yamaha ID

1nH = Transmission from n=CLP is always 0. 0-F is received.

27H = Model ID of TG100

30H = Sub ID

00H =

mmH = Master Tune MSB

ll H = Master Tune LSB

ccH = don’t care (under 7FH)

F7H = End of Exclusive

MIDI Parameter Change table ( SYSTEM )

Address (H) Size (H) Data (H) Parameter Description Default value (H)

00 00 00 4

020C - 05F4(*1)

MASTER TUNE -50 - +50[cent] 00 04 00 00

01 1st bit 3 - 0 → bit 15 - 12 400

02 2nd bit 3 - 0 → bit 11 - 8

03 3rd bit 3 - 0 → bit 7 - 4

4th bit 3 - 0 → bit 3 - 0

04 1 00 - 7F MASTER VOLUME 0 - 127 7F

05 1 — —

06 1 34 - 4C(*2) TRANSPOSE -12 - +12[semitones] 40

7E 00 XG SYSTEM ON 00=XG sytem ON

7F 00 RESET ALL PARAMETERS 00=ON (receive only)

TOTAL SIZE 07

*1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.

*2: Values from 28H through 33H are interpreted as -12 through -1. Values from 4DH through 58H are interpreted as +1 through +12.

CLP-920

YAMAHA [Clavinova] Date: 1 March, 2000

Model: CLP-920 MIDI Implementation Chart Version: 1.0

Function Transmitted Recognized Remarks

Basic Default 1 1

Channel Changed 1~16 1~16

Default 3 1 *1 Poly Mode only

Mode Messages XX

Altered ***************** X

Note 15~114 0~127

Number : True voice ***************** 21~108

Velocity Note on O 9nH, v=1~127 O v=1~127

Note off X 9nH, v=0 X

After key’s XX

Touch Ch’s XX

Pitch Bender XX

Control Change

0, 32 OOBank Select

07 XOVolume

11 OOExpression

64 OODamper

66 XOSostenuto

67 OOSoft pedal

91 OOReverb Depth

94 XXEffect Depth

120 XOAll sounds off

121 XOReset All Controllers

Program OO

Change : True # *****************

System Exclusive OO

System : Song Position XX

: Song Select XX

Common : Tune XX

System : Clock OX

Real Time : Commands XX

Aux : Local ON/OFF XO

: All Notes Off XO (123~127)

Messages : Active Sense OO

: Reset XX

Notes : *1 = Recieve Mode is always multi timbre and Poly mode.

Mode 1: OMNI ON, POLY Mode 2: OMNI ON, MONO O: Yes

Mode 3: OMNI OFF, POLY Mode 4: OMNI OFF, MONO X: No

CLP-920

Assembly Parts / Bauteile / Éléments à assembler / Partes del conjunto

CAUTION

• Be careful not to confuse parts, and be sure to install all parts in the

correct direction. Please assemble in accordance with the sequence

given below.

• Assembly should be carried out by at least two persons.

• Be sure to use the correct screw size, as indicated above. Use of

incorrect screws can cause damage.

• Be sure to tighten up all screws upon completing assembly of each

unit.

• To disassemble, reverse the assembly sequence given below.

Have a Phillips-head (+) screwdriver ready.

The parts shown in the “Assembly Parts” illustration will

be used. Follow the assembly instructions and select the

parts as needed.

Attach the side panels (D) to the pedal box

(C).

Before installing the pedal box, untie and straighten out the

bundled cord attached to the bottom of the pedal box. Don’t dis-

card the vinyl tie, you’ll need it later in step V.

Align the holes on the side of the pedal box (C) with those on

the side panels (D), attach the pedal box to the side panels using

the four 6 x 25 millimeter round-head screws 1 — two screws

on each side. Make sure the pedals extend in the same direction

as the feet.

VORSICHT

• Achten Sie darauf, die Teile nicht zu verwechseln, und installieren Sie alle

Teile in der richtigen Ausrichtung. Gehen Sie beim Zusammenbau bitte in

der angegebenen Reihenfolge vor.

• Die Montage sollte von mindestens zwei Personen vorgenommen werden.

• Achten Sie darauf, die richtige Schraubengröße zu verwenden, wie es

oben gezeigt ist. Die Verwendung der falschen Schrauben kann zu Schä-

den führen.

• Achten Sie während der Montage darauf, bei jedem Arbeitsgang alle

Schrauben festzuziehen.

• Für die Demontage muß die angegebene Reihenfolge umgekehrt befolgt

werden.

Sie benötigen einen Kreuzschlitzschraubendreher (+).

Es werden die in der “Bauteile”-Zeichnung abgebildeten

Teile verwendet. Folgen Sie beim Zusammenbau den

Anweisungen, und wählen Sie die jeweils benötigten Teile.

Befestigen Sie die Seitenwände (D) am Pedal-

kasten (C).

Bevor Sie den Pedalkasten montieren, nehmen Sie zunächst das

gebündelte Kabel aus dem Pedalkasten, entfernen den Kabelbinder

und ziehen das Kabel dann gerade aus. Werfen Sie den Kabelbinder

nicht wg, er wird in Schritt V wieder gebraucht.

Bringen Sie die Schraubenbohrungen an der Seite des Pedalkastens

Sie den Pedalkasten mit den vier 6 x 25 mm Halbrundschrauben 1,

jeweils zwei Schrauben links und rechts, an den Seitenwänden fest.

Achten Sie dabei darauf, daß die Pedale in dieselbe Richtung weisen

wie die vorspringenden Teile der Füße.

Zusammenbau und AufstellungKeyboard Stand Assembly

6 x 25 mm round-head screws

6 x 25 mm Halbrundschrauben

Vis à tête ronde de 6 x 25 mm

Tornillos de cabeza redonda

de 6 x 25 mm

6 x 16 mm flat-head screws

6 x 16 mm Senkschrauben

Vis à tête plate de 6 x 16 mm

Tornillos de cabeza plana de

6 x 16 mm

Bundled pedal cord inside

Gebündeltes Pedalkabel

Cordon de pédalier enroulé à l’intérieur

Cable de pedales enrollado en el interior

x 4 1

x 8 2

● AC power cord

● Netzkabel

● Cordon d’alimentation

● Cable de alimentación de CA

● Cord holders x 2

● Kabelhalter x 2

● Serre-câble x 2

● Soportes de cable x 2

● The music stand is packaged in cardboard,

and included inside the box. Do not forget to

remove it from the box.

● Der Notenständer ist in einer separaten

Verpackung im Karton enthalten. Vergessen

Sie beim Auspacken nicht, auch den

Notenständer aus dem Karton zu nehmen.

● Le pupitre à partition est emballé dans du

carton et se trouve dans la boîte. Ne pas

oublier de le retirer la boîte.

● El atril está embalado con cartón y se

encuentra dentro de la caja. No se olvide de

sacarlo de la caja.

CLP-920

Assemblage du support de clavier

PRECAUTION

• Veiller à ne pas mélanger les pièces et à les installer dans le sens

correct. Veuillez assembler l’instrument dans l’ordre indiqué ci-

dessous.

• La présence de deux personnes minimum est nécessaire pour pro-

céder au montage.

• Toujours utiliser des vis aux dimensions correctes, comme indiqué

cidessus. I’utilisation de vis aux dimensions incorrectes pourrait en

effet endommager l’instrument.

• Resserrer convenablement toutes les vis après le montage de cha-

que élément.

• Pour démonter le Clavinova, inverser l’ordre des indications données

ci-dessous.

Munissez-vous d’un tournevis Phillips (cruciforme).

Les éléments qui sont représentés sur la figure intitulée

“Éléments à assembler” seront utilisés. Veuillez vous con-

former aux instructions d’assemblage et sélectionner les

éléments nécessaires.

Fixez les panneaux latéraux (D) au pédalier

(C)

Avant de poser le pédalier, détacher le cordon de la partie

inférieure du pédalier et le dérouler. Ne jetez pas l’attache en

vinyle, vous la réutiliserez ultérieurement à l’étape V.

Faites correspondre les trous visibles sur le flanc du pédalier

sur les panneaux latéraux à l’aide de quatre vis de fixation à tête

ronde de 6 x 25 millimètres 1 - soit deux vis de chaque côté.

Veillez à ce que les pédales soient dirigées dans le même sens

que les supports inférieurs.

Conjunto del soporte del teclado

CUIDADO

• Observe cuidado para no confundir las piezas, y asegúrese de

montar todas ellas en el sentido correcto. Proceda al montaje en el

orden indicado a continuación.

• El montaje deberá realizarse al menos por dos personas.

• Procure utilizar los tornillos del tamaño adecuado, según se indica

arriba. El empleo de tornillos inadecuados puede ocasionar daños

en el instrumento.

• Asegúrese de apretar bien todos los tornillos después de montar

cada unidad.

• Para desmontar las unidades, invierta la secuencia de montaje

facilitada a continuación.

Tenga preparado un destornillador de cabeza en cruz (+).

Se usarán las partes mostradas en la ilustración de

“Partes del conjunto”. Siga las instrucciones de montaje y

seleccione las partes a medida que se requieran.

Acople los paneles laterales (D) en la caja

de pedales (C).

Antes de instalar la caja de pedales, desate y enderezca el

cable plegado unido a la parte inferior de la caja de pedales. No

tire la abrazadera de vinilo, porque la necesitará en el paso V de

más adelante.

Alinee los orificios del lado de la caja de pedales (C) con los

de los paneles laterales (D), y acople la caja de pedales a los

paneles laterales empleando los cuatro tornillos de cabeza redon-

da de 6 x 25 milímetros 1 — dos tornillos en cada lado. Asegú-

rese de que el pedal se extiende en la misma dirección que la

pata.

6 x 25 mm round-head screws 1

6 x 25 mm Halbrundschrauben 1

Vis à tête ronde de 6 x 25 mm 1

Tornillos de cabeza redonda de 6 x 25 mm 1

CLP-920

Schrauben Sie die Rückwand (B) an die bei-

den Seitenwände (D).

Die Rückwand (B) wird mit den Winkelblechen an beiden

Enden nach hinten weisend an den Seitenwänden (D) befestigt.

Lassen Sie dabei die Führungsnasen an den Seitenwänden in die

Schlitzbohrungen in den beiden Winkelblechen greifen, und

drücken Sie die Rückwand dann nach unten. Sichern Sie die

Rückwand dann mit jeweils zwei kurzen schwarzen Schrauben

2 an den Seitenwänden.

Montieren Sie die Tastatureinheit (A).

Setzen Sie die Tastatureinheit (A) so auf den fertigen Ständer,

daß die beiden Schrauben an ihrer Unterseite hinter den Winkel-

blechen mit Führungsschlitz an der Hinterseite des Ständers zu

liegen kommen. Schieben Sie die Tastatureinheit dann bis zum

Anschlag in die Schlitze. KLEMMEN SIE IHRE FINGER

DABEI NICHT EIN!!

Richten Sie die Schraubenbohrungen an der Unterseite der

Tastatureinheit mit den Bohrungen der Winkelbleche aus

(achten

Sie auch darauf, daß sie mittig auf dem Ständer steht, wie in der

Abbildung gezeigt), um die Tastatureinheit dann mit den vier 6 x

16 mm Senkschrauben 2 festzuschrauben. Zwei Schrauben

werden von der Vorderseite her eingeführt, die beiden anderen

von der Rückseite her.

VORSICHT

• Halten Sie die Tastatureinheit nur wie in der obigen Abbildung!

• Achten Sie darauf, daß Sie Ihre Finger nicht zwischen Tastatur-

einheit und den Seitenwänden einklemmen — die Tastatureinheit

könnte dadurch zu Fall kommen!

Attach the rear panel (B) to the side panels

(D).

The rear panel (B) is installed between the side panels (D)

with the brackets on each end toward the rear of the stand assem-

bly. Place the square holes in the rear-panel brackets over the

lugs extending from the side panels, then slide down. Each side

of the rear panel is attached using two 6 x 16 flat-head screws 2.

Install the main unit (A).

Place the main unit (A) on the side panels (D) with the screws

on its bottom panel (toward the rear of the main unit) just behind

the grooves in the brackets located at the top of the side panels.

Then slide the main unit forward until it stops. WATCH YOUR

FINGERS WHEN DOING THIS!!

Align the holes on the bottom panel of the main unit with the

holes in the brackets on the side panels

(also center the main unit

to produce equal clearance on the left and right sides, as shown in

the illustration), then use the four 6 x 16 millimeter flat-head

screws 2 to attach the main unit. Two screws can be attached

from the front side and two screws from the rear.

CAUTION

• Do not hold the keyboard in any position other than the position

shown in the above illustration.

• Fingers can become pinched between the main unit and the side

panels, be extra careful so as not to drop the main unit.

6 x 16 mm flat-head screws 2

6 x 16 mm Senkschrauben 2

Vis à tête plate de 6 x 16 mm 2

Tornillos de cabeza plana de 6 x 16 mm 2

CLP-920

10 cm

Fixez le panneau arrière (B) aux panneaux

latéraux (D)

Le panneau arrière (B) doit être posé entre les panneaux laté-

raux (D) en prenant soin de diriger la ferrure située à chaque

extrémité vers l’arrière du support. Placez les orifices carrés des

ferrures du panneau arrière sur les languettes dépassant des pan-

neaux latéraux et faites glisser vers le bas. Chaque côté du pan-

neau arrière doit être fixé à l’aide de deux vis courtes noires 2.

Installez le clavier (A)

Placez le clavier sur les panneaux latéraux (D), avec les vis de

son panneau inférieur (situées vers l’arrière du clavier) placées

immédiatement derrière les rainures des ferrures situées à la

partie supérieure des panneaux latéraux (D), puis faites glisser le

clavier vers l’avant jusqu’à ce qu’il vienne en butée. FAITES

ATTENTION A VOS DOIGTS EN EXECUTANT CETTE

OPERATION!!

Alignez les trous du panneau inférieur du clavier sur les trous

des ferrures des panneaux latéraux

(centrez également le clavier

de manière à avoir un jeu identique de chaque côté) utilisez en-

suite quatre vis de fixation à tête plate de 6 x 16 millimètres 2

pour immobiliser le clavier. Deux des vis de fixation peuvent être

mises en place de l’avant et deux vis de fixation peuvent être

mises en place de l’arrière.

PRECAUTION

• Ne tenez pas le clavier d’une autre manière que celle indiquée sur

l’illustration ci-dessus.

• Attention car vous risquez de vous faire pincer les doigts entre le

clavier et les panneaux latéraux de sorte que vous devez veiller à ne

pas faire tomber le clavier.

Acople el panel posterior (B) en los paneles

laterales (D).

El panel posterior (B) se instala entre los paneles laterales (D)

con las ménsulas de cada extremo encaradas hacia la parte poste-

rior del conjunto del soporte. Coloque los orificios cuadrados de

las ménsulas del panel posterior por encima de las lengüetas que

se extienden desde los paneles laterales, después deslice hacia

abajo. Cada lado del panel posterior se acopla usando dos torni-

llos negros cortos 2.

Instale la unidad principal (A).

Coloque la unidad principal en los paneles laterales (D) con

los tornillos de su panel inferior (hacia la parte posterior de la

unidad principal) justo detrás de las ranuras de la ménsula ubica-

da en la parte superior de los paneles laterales (D), después desli-

ce el teclado hacia adelante hasta que se pare. ¡TENGA CUIDA-

DO CON SUS DEDOS MIENTRAS LO HACE!

Alinee los orificios del panel inferior de la unidad principal

con los orificios de las ménsulas de los paneles laterales

(también

centre la unidad principal para producir una holgura igual en los

lados derecho e izquierdo, como se muestra en la ilustración), y

emplee entonces los cuatro tornillos de cabeza plana de 6 x 16

milímetros 2 para montar la unidad principal. Dos tornillos

pueden colocarse desde el lado frontal y dos desde el lado poste-

rior.

CUIDADO

• No sostenga el teclado en ninguna posición que no sea la posición

mostrada en la ilustración de arriba.

• Podría pillarse los dedos ente la unidad principal y los paneles late-

rales, por lo que deberá tener mucho cuidado que no se caiga la

unidad principal.

● Be sure to place your hands at

least 10 centimeters from either

end of the main unit when posi-

tioning it.

● Mindestens 10 cm innen unter die

Tastatureinheit greifen.

● Placez bien vos mains à 10 cm au

moins des extrémités du clavier,

lors de sa mise en place.

● Asegúrese de colocar las manos

por lo menos a 10 centímetros

desde los extremos de la unidad

principal cuando la sitúe.

6 x 16 mm flat-head screws 2

6 x 16 mm Senkschrauben 2

Vis à tête plate de 6 x 16 mm 2

Tornillos de cabeza plana de 6 x 16 mm 2

CLP-920

4 5

Schließen Sie das Pedalkabel an.

Das vom Pedalkasten kommende Pedalkabel wird an die PEDAL-

Buchse hinten an der Unterseite der Tastatureinheit angeschlossen.

Bringen Sie nach dem Anschluß die Kabelhalter an der Seitenwand an,

um das Kabel dann in diese Halter zu klemmen.

Den Spannungswähler einstellen.

Bevor Sie nun das Netzkabel anschließen, müssen Sie den

Spannungswähler (falls vorhanden) auf die örtliche Netzspannung ein-

stellen. Zum Verstellen drehen Sie den Spannungswähler mit einem

Schlitzschraubendreher, bis der richtige Spannungswert (110, 127, 220

oder 240) an der Pfeilmarkierung steht. Bei der Auslieferung werden

alle Instrumente mit Spannungswähler auf “240” voreingestellt.

Nachdem Sie den Spannungswähler auf den richtigen Spannungswert

eingestellt haben, stecken Sie das Netzkabel in die AC INLET-Buchse

und schließen es an eine Steckdose an. In manchen Gebieten wird ein

Steckerdapter mitgeliefert, um den Anschluß an die evtl. unterschiedlich

geformte Steckdose zu ermöglichen.

VORSICHT

• Eine falsche Spannungseinstellung kann das Clavinova schwer beschädi-

gen und Funktionsstörungen zur Folge haben.

Justieren Sie schließlich noch den Höhenvers-

teller.

Zur Stabilisierung ist an der Unterseite des Pedalkastens (C) ein

Höhenversteller vorgesehen. Schrauben Sie den Höhenversteller heraus,

bis er fest auf dem Fußboden steht. Der Höhenversteller sorgt für stabile

Pedalbetätigung und ermöglicht eine präzise Regelung des Betätigungs-

hubs. Wenn er nicht fest auf dem Boden steht, können beim Treten der

Pedale Klangverzerrungen auftreten.

■ Wenn der Zusammenbau beendet ist, prüfen Sie

bitte folgende Dinge:

• Sind Teile übrig geblieben?

➔ Gehen Sie den Vorgang des Zusammenbaus noch einmal durch und

korrigieren Sie eventuelle Fehler.

• Befindet sich das Clavinova weit genug von Türen und anderen bewegli-

chen Vorrichtungen entfernt?

➔ Bewegen Sie das Clavinova an einen entsprechend sicheren Ort.

• Macht das Clavinova Klappergeräusche, wenn Sie es schütteln?

➔ Ziehen Sie alle Schrauben fest.

• Klappert der Pedalkasten oder gibt er nach, wenn Sie das Pedal treten?

➔ Drehen Sie den Höhenversteller, bis er fest auf dem Fußboden steht.

• Sind Pedal-und Netzkabel richtig an den Buchsen angeschlossen?

➔ Prüfen Sie die Verbindung.

• Wenn die Haupteinheit knarrt oder beim Spielen wackelt, betrachten Sie

die Abbildungen und ziehen Sie alle Schrauben noch einmal nach.

240

127

110

220

Cord holder

Kabelhalter

Serre-câble

Soporte del cable

● A voltage selector is provided in some areas.

● Spannungswähler

(nur in bestimmten Verkaufsgebieten)

● Un sélecteur de tension est prévu pour

certaines régions

● El selector de tensión está provisto para

ciertos destinos.

Connect the pedal cord.

The pedal cord from the pedal box must be plugged into the

PEDAL connector located at the rear of the main unit’s under-

side. Once connected, attach the cord holders to the side panel

as shown, then clip the cord into the holders.

Voltage Selector

Before connecting the AC power cord, check the setting of

the voltage selector which is provided in some areas. To set the

selector for 110V, 127V, 220V or 240V main voltages, use a

“minus” screwdriver to rotate the selector dial so that the cor-

rect voltage for your region appears next to the pointer on the

panel. The voltage selector is set at 240V when the unit is

initially shipped.

After the proper voltage has been selected, connect the AC

power cord to the AC INLET and an AC wall outlet. A plug

adaptor may be also provided in some areas to match the pin

configuration of the AC wall outlets in your area.

CAUTION

• An improper voltage setting can cause serious damage to the

Clavinova or result in improper operation.

Set the adjuster.

For stability, an adjuster is provided on the bottom of the

pedal box (C). Rotate the adjuster until it comes in firm contact

with the floor surface. The adjuster ensures stable pedal opera-

tion and facilitates pedal effect control. If the adjuster is not in

firm contact with the floor surface, distorted sound may result.

■ After completing the assembly, please

check the following.

• Are there any parts left over?

➔ Review the assembly procedure and correct any errors.

• Is the Clavinova clear of doors and other movable fixtures?

➔ Move the Clavinova to an appropriate location.

• Does the Clavinova make a rattling noise when you shake it?

➔ Tighten all screws.

• Does the pedal box rattle or give way when you step on the pedals?

➔ Turn the adjuster so that it is set firmly against the floor.

• Are the pedal and power cords inserted securely into the sockets?

➔ Check the connection.

• If the main unit creaks or is otherwise unsteady when you play on the

keyboard, refer to the assembly diagrams and retighten all screws.

● Use the vinyl tie that was removed from the bundled pedal cord in

step

to tie up any slack in the pedal cord.

● Nehmen Sie überlanges Kabel mit dem in Schritt

entfernten

Kabelbinder auf.

● Utilisez l’attache en vinyle qui a été enlevée du cordon de pédalier à

l’étape

pour attacher le fil excédentaire du cordon de pédalier.

● Emplee la abrazadera de vinilo que se sacó del cale plegado de los

pedales en el paso

para fijar el cable de pedales sobrante.

● After assembly is complete, it will be necessary to remove the key-

board string. This procedure is performed once only and the string will

never have to be reattached again. For instructions on its removal,

refer to the paper titled "REQUEST" that can be found on the keys

underneath the key cover (see page 6).

● Nach dem Zusammenbau müssen Sie den Tastatur-Sicherungsdraht

entfernen. Diese Arbeit wird nur einmal ausgeführt, und der Draht braucht

später nicht wieder angebracht zu werden. Anweisungen hierzu entnehmen

Sie bitte dem unter der Tastaturabdeckung auf den Tasten liegenden

Hinweisblatt (siehe Seite 6).

CLP-920

Raccordez le câble du pédalier

Le câble du pédalier qui sort du logement de pédalier doit être

raccordé au connecteur PEDAL implanté à l’arrière du panneau de

dessus de l’instrument. Une fois branché, fixez les attaches de câble

sur le panneau latéral en procédant de la façon représentée sur la

figure, puis emboîtez le câble dans les attaches.

Sélecteur de tension

Avant de connecter le cordon d’alimentation, vérifiez le réglage du

sélecteur de tension qui est prévu pour certaines régions. Pour régler

le sélecteur sur 110 V, 127 V, 220 V ou 240 V, utilisez un tournevis à

lame plate pour tourner le cadran du sélecteur afin de mettre l’indica-

tion correspondant à la tension de votre région vis à vis du repère

triangulaire situé sur le panneau. Le sélecteur de tension est réglé sur

240 V au départ d’usine.

Après avoir choisi la tension appropriée, branchez le cordon d’ali-

mentation secteur dans la prise AC INLET de l’instrument et une

prise de sortie secteur. Un adaptateur de prise peut également être

fourni dans certaines régions pour pouvoir brancher le cordon à la

prise secteur murale.

PRECAUTION

• Vous risquez de sérieusement endommager le Clavinova ou de provo-

quer un fonctionnement anormal de l’instrument en ne choisissant pas

correctement la tension d’alimentation.

N’oubliez pas de régler la hauteur du pédalier

Pour assurer la stabilité du pédalier (C), un dispositif de réglage a été

prévu à sa partie inférieure. Tournez ce dispositif jusqu’à ce qu’il soit en

contact ferme avec la surface du sol. Ce dispositif assure la stabilité du

pédalier lors de son utilisation et facilite la commande au pied des effets.

Si ce dispositif n’est pas en contact ferme avec le sol, il pourra se pro-

duire une distorsion du son.

■ Lorsque le montage est terminé, veuillez me-

ner à bien les vérifications suivantes.

• Reste-t-il des pièces non utilisées?

➔ Passer en revue la procédure de montage et corriger toute erreur éventuelle.

• Le Clavinova est-il placé à l’écart des portes et de toute autre structure mobile?

➔ Déplacer le Clavinova vers un emplacement approprié.

• Lorsque vous secouez quelque peu le Clavinova, entendez-vous un cliquetis?

➔ Serrer convenablement toutes les vis.

• Le pédalier fait-il du bruit ou s’écarte-t-il lorsque vous appuyez sur les pédales?

➔ Tourner le stabilisateur de sorte que le Clavinova repose fermement sur le sol.

• Les cordons des pédales et d’alimentation sont-ils bien enfoncés dans les prises?

➔ Vérifier toutes les connexions.

• Si la partie principale de l’appareil craque ou est instable lorsque vous jouez sur le

clavier, consulter les diagrammes de montage et resserrer toutes les vis.

Conecte el cable de los pedales.

El cable de los pedales procedente de la caja de pedales debe enchufarse

al conector PEDAL situado en la parte posterior del lado inferior de la uni-

dad principal. Una vez se ha conectado, coloque los soportes de cable del

panel lateral como se muestra, y sujete el cable en los soportes.

Selector de tensión

Antes de conectar el cable de alimentación de CA, compruebe el ajuste

del selector de tensión que se incorpora para ciertos destinos. Para ajustar

el selector a 110V, 127V, 220V ó 240V de la red de alimentación, emplee

un destornillador de cabeza recta “-” para girar el selector de modo que la

tensión correcta de su zona aparezca al lado del indicador del panel. El

selector de tensión se ajusta a 240V cuando la unidad sale de fábrica.

Después de haber seleccionado la tensión correcta, enchufe el cable de

alimentación de CA a la toma AC INLET y a una toma de corriente de la

pared. En algunas zonas puede suministrarse también un adaptador para

adaptar la configuración de las patillas de los tomacorrientes de CA de su

localidad.

CUIDADO

• Un ajuste incorrecto de la tensión puede causar daños serios a la

Clavinova o ser motivo de mal funcionamiento.

Asegúrese de ajustar el ajustador.

Para la estabilidad del aparato, se proporciona un ajustador en la

parte inferior de la caja de pedales (C). Gire el ajustador hasta que

contacte firmemente con el suelo. El ajustador asegura una operación

estable de los pedales y facilita el control del efecto de los pedales. Si el

ajustador no contacta firmemente con el suelo, puede resultar en sonido

distorsionado.

■ Cuando haya concluido el montaje, comprue-

be los siguientes puntos:

•¿Ha quedado alguna pieza sin instalar?

➔ Revise el procedimiento de montaje y corrija cualquier error que

se haya podido cometer.

•¿Está el Clavinova alejado del recorrido de puertas y muebles?

➔ Traslade el Clavinova a una posición adecuada.

•¿Suena algún ruido de holgura cuando se mueve el Clavinova?

➔ Apriete con firmeza todos los tornillos.

•¿Vibra o cede la caja de pedales cuando se pisan los pedales?

➔ Gire el estabilizador hasta que apoye firmemente sobre el suelo.

•¿Están perfectamente insertados los cables de pedal y alimentación

en los conectores?

➔ Revise las conexiones.

• Si la unidad principal cruje o presenta algún signo de inestabilidad

cuando se toca el teclado, consulte los esquemas de montajee y

vuelva a apretar todos los tornillos.

CAUTION

• When moving the instrument after assembly,

always hold the lower surface of the main

unit, NEVER the top portion or keyboard

cover. Improper handling can result in

damage to the instrument or personal injury.

VORSICHT

• Fassen Sie zum Umstellen des Instruments

nach dem Zusammenbau stets unter das

Gehäuse; heben Sie es NIEMALS am oberen

Teil des Gehäuses oder am Tastaturdeckel. Bei

Nichtbeachtung dieses Punkts kann das

Instrument beschädigt und im Extremfall eine

Verletzung hervorgerufen werden.

PRECAUTION

• Pour déplacer l’instrument après le mon-

tage, toujours tenir l’instrument par la

surface inférieure, JAMAIS par sa partie

supérieure ou par le protège-clavier. Une

mauvaise manipulation peut provoquer des

dommages ou des blessures.

CUIDADO

• Cuando mueva el instrumento después del

montaje, sostenga siempre la superficie

inferior de la unidad principal, y NUNCA la

parte superior de la cubierta del teclado.

La manipulación indebida puede causar

daños en el instrumento o personales.

● Dès que l’assemblage est complètement terminé, la corde de clavier doit être

retirée. Ceci n’est exécuté qu’une seule fois et il ne sera plus nécessaire de

fixer la corde à nouveau. En ce qui concerne les instructions pour retirer

cette corde, veuillez vous référer à la page intitulée “REQUEST” qui est

placée sur les touches du clavier sous le couvre-clavier (voir page 6).

● Después de haber terminado el montaje, será necesario extraer la

cuerda del teclado. Este procedimiento sólo se lleva a cabo una vez y

la cuerda no se tendrá que volver a atar nunca más. Para las instruc-

ciones sobre la extracción de la cuerda, consulte el documento titulado

“RUEGO” que encontrará sobre las teclas debajo de la cubierta del

teclado (vea la página 6).

CLP-920

Voice Name Title Composer

GRAND PIANO Étude op. 10-5 “Black Key” F.F.Chopin

E.PIANO Clair de lune C.A.Debussy

CHURCH ORGAN Organ Concerto op.4 No.2 G.F.Händel

STRINGS Brandenburgisches Konzert No.3 J.S.Bach

• Some of the demonstration pieces listed above are short rearranged excerpts from the original compositions.

• Bei manchen der oben aufgeführten Demo-Stücke handelt es sich um kurze, umgestaltete Auszüge aus den Originalkompositionen.

• Certains des morceaux de démonstration cités ci-dessus sont de courts extraits arrangés des compositions originales.

• Algunas de las piezas de demostración arriba mencionadas son pasajes cortos arreglados de las composiciones originales.

Demo Song List/Verzeichnis der Demo-Songs/

Liste des morceaux de démonstration/Lista de canciones de demostración

Voice

Stereo/ Touch

Voice Descriptions

Mono Response

Voice Descriptions/Beschreibung der Stimmen/

Description des voix/Descripciones de las voces

GRAND PIANO

Newly-recorded samples from a full concert grand piano. Perfect for classical compositions as

well as any other style that requires acoustic piano.

Neu aufgezeichnete Samples eines echten Konzertflügels. Perfekt für klassische Kompositionen

sowie viele andere Musikrichtungen, für die ein akustischer Klavierklang wichtig ist.

Nouveaux échantillons enregistrés d’un vrai piano de concert. Parfaits pour les compositions

classiques comme pour tout autre style nécessitant un piano acoustique.

Muestras nuevas grabadas en un piano de cola para conciertos. Son perfectas para

composiciones clásicas así como para otros estilos que requieren piano acústico.

An electronic piano sound created by FM synthesis. Extremely “musical” response with varying

timbre according to keyboard dynamics.

Ein elektronischer Pianosound, der durch FM-Synthese erzeugt wird. Äußerst “musikalische”

Ansprache mit anschlagstärkeabhängiger Klangfärbung.

Sonorité de piano électronique créée par synthèse FM. Réponse extrêmement “musicale” avec

un timbre variant en proportion de la dynamique du clavier.

Sonido de piano electrónico creado con síntesis de FM. Tiene una respuesta muy “musical” con

variación del timbre de acuerdo con la dinámica del teclado.

A soft pipe-organ type voice that is ideal for hymn accompaniment and other styles.

Ein sanfter pfeifenorgelähnlicher Klang, der sich ideal für Hymnenbegleitung und andere

Musikstile eignet.

Voix de type orgue à tuyaux et sonorité enveloppée convenant parfaitement pour

l’accompagnement d’un hymne ou d’autres styles.

Una voz del tipo de órgano de tubos que es ideal para acompañamientos de himnos y otros

estilos.

A large string ensemble. Try combining this voice with piano in the DUAL mode.

Ein großes Streicherensemble. Probieren Sie diese Stimme einmal kombiniert mit Piano im

Dualmodus aus.

Grand ensemble à cordes. Essayez d’associer cette voix avec le piano en mode DUAL.

Un conjunto de instrumentos de cuerdas grande. Pruebe combinando esta voz con la de piano

en el modo DUAL.

Stereo

E.PIANO

Stereo

CHURCH ORGAN

Stereo

STRINGS

Stereo

CLP-920

KEYBOARD

POLYPHONY

VOICES

REVERB CONTROL

PEDAL CONTROLS

OTHER CONTROL

JACKS/CONNECTORS

INPUT & OUTPUT

LEVEL/IMPEDANCE

MAIN AMPLIFIERS

SPEAKERS

DIMENTIONS

without music stand

(W x D x H)

with music stand

WEIGHT

CLP-920

88 KEYS (A-1 ~ C7)

32 NOTES MAX.

GRAND PIANO, E.PIANO, CHURCH ORGAN, STRINGS

ON/OFF

SOFT, DAMPER

MASTER VOLUME

PHONES x 2, AUX OUT R & L/L+R, AUX IN R & L/L+R, MIDI IN/OUT/THRU, HOST SELECT, TO HOST, PEDAL

AUX OUT: Output impedance 600 Ω

AUX IN: Input impedance 10 kΩ / Input sensitivity 0.26V

20W x 2

16 cm x 2

1370 x 501 x 843 mm (54" x 19-3/4" x 33-1/4")

1370 x 501 x 1030 mm (54" x 19-3/4" x 40-1/2")

49.0 kg (108 lbs.)

Specifications/Technische Daten/Caractéristiques techniques/Especificaciones

• Specifications and descriptions in this owner’s manual are for information purposes only.

Yamaha Corp. reserves the right to change or modify products or specifications at any time

without prior notice. Since specifications, equipment or options may not be the same in

every locale, please check with your Yamaha dealer.

• Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der

Information. Yamaha Corp. behält sich das Recht vor, Produkte oder deren technische

Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modifizieren. Da die

technischen Daten, das Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind,

setzen Sie sich im Zweifel bitte mit Ihrem Yamaha-Händler in Verbindung.

• Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que

pour information. Yamaha Corp. se réserve le droit de changer ou modifier les produits et

leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que les

caractéristiques techniques, les équipements et les options peuvent différer d’un pays à

l’autre, adressez-vous au distributeur Yamaha le plus proche.

• Las especificaciones y descripciones de este manual del propietario tienen sólo el propósito

de servir como información. Yamaha Corp. se reserva el derecho a efectuar cambios o

modificaciones en los productos o especificaciones en cualquier momento sin previo aviso.

Puesto que las especificaciones, equipos u opciones pueden no ser las mismas en todos

los mercados, solicite información a su distribuidor Yamaha.

WARNING- When using any electrical or electronic prod-

uct, basic precautions should always be followed. These pre-

cautions include, but are not limited to, the following:

1. Read all Safety Instructions, Installation Instructions,

Special Message Section items, and any Assembly Instructions

found in this manual BEFORE marking any connections, in-

cluding connection to the main supply.

2. Main Power Supply Verification: Yamaha products are

manufactured specifically for the supply voltage in the area

where they are to be sold. If you should move, or if any doubt

exists about the supply voltage in your area, please contact

your dealer for supply voltage verification and (if applicable)

instructions. The required supply voltage is printed on the

name plate. For name plate location, please refer to the graphic

found in the Special Message Section of this manual.

3. This product may be equipped with a polarized plug

(one blade wider than the other). If you are unable to insert the

plug into the outlet, turn the plug over and try again. If the

problem persists, contact an electrician to have the obsolete

outlet replaced. Do NOT defeat the safety purpose of the plug.

4. Some electronic products utilize external power sup-

plies or adapters. Do NOT connect this type of product to any

power supply or adapter other than one described in the owners

manual, on the name plate, or specifically recommended by

Yamaha.

5. WARNING: Do not place this product or any other

objects on the power cord or place it in a position where any-

one could walk on, trip over, or roll anything over power or

connecting cords of any kind. The use of an extension cord is

not recommended! If you must use an extension cord, the

minimum wire size for a 25' cord (or less) is 18 AWG. NOTE:

The smaller the AWG number, the larger the current handling

capacity. For longer extension cords, consult a local electri-

cian.

6. Ventilation: Electronic products, unless specifically

designed for enclosed installations, should be placed in loca-

tions that do not interfere with proper ventilation. If instruc-

tions for enclosed installations are not provided, it must be

assumed that unobstructed ventilation is required.

7. Temperature considerations: Electronic products

should be installed in locations that do not significantly con-

tribute to their operating temperature. Placement of this prod-

uct close to heat sources such as; radiators, heat registers and

other devices that produce heat should be avoided.

8. This product was NOT designed for use in wet/damp loca-

tions and should not be used near water or exposed to rain. Exam-

ples of wet/damp locations are; near a swimming pool, spa, tub,

sink, or wet basement.

9. This product should be used only with the components

supplied or; a cart, rack, or stand that is recommended by the

manufacturer. If a cart, rack, or stand is used, please observe all

safety markings and instructions that accompany the accessory

product.

10. The power supply cord (plug) should be disconnected from

the outlet when electronic products are to be left unused for ex-

tended periods of time. Cords should also be disconnected when

there is a high probability of lightning and/or electrical storm

activity.

11. Care should be taken that objects do not fall and liquids are

not spilled into the enclosure through any openings that may exist.

12. Electrical/electronic products should be serviced by a

qualified service person when:

a. The power supply cord has been damaged; or

b. Objects have fallen, been inserted, or liquids have been

spilled into the enclosure through openings; or

c. The product has been exposed to rain: or

d. The product dose not operate, exhibits a marked change

in performance; or

e. The product has been dropped, or the enclosure of the

product has been damaged.

13. Do not attempt to service this product beyond that de-

scribed in the user-maintenance instructions. All other servicing

should be referred to qualified service personnel.

14. This product, either alone or in combination with an ampli-

fier and headphones or speaker/s, may be capable of producing

sound levels that could cause permanent hearing loss. DO NOT

operate for a long period of time at a high volume level or at a

level that is uncomfortable. If you experience any hearing loss or

ringing in the ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period

before damage occurs.

15. Some Yamaha products may have benches and/or acces-

sory mounting fixtures that are either supplied as a part of the

product or as optional accessories. Some of these items are de-

signed to be dealer assembled or installed Please make sure that

benches are stable and any optional fixtures (where applicable) are

well secured BEFORE using. Benches supplied by Yamaha are

designed for seating only. No other uses are recommended.

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,

AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

IMPORTANT SAFETY INSTRUCTIONS

PLEASE KEEP THIS MANUAL

92-469-2

For details of products, please contact your nearest Yamaha or the

authorized distributor listed below.

Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou

au distributeur le plus proche de vous ﬁgurant dans la liste suivante.

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten

Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen

Bestimmungsländern erhältlich.

Para detalles sobre productos, contacte su tienda Yamaha más cercana

o el distribuidor autorizado que se lista debajo.

CANADA

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario,

M1S 3R1, Canada

Tel: 416-298-1311

U.S.A.

Yamaha Corporation of America,

Keyboard Division

6600 Orangethorpe Ave., Buena Park, Calif. 90620,

U.S.A.

Tel: 714-522-9011

MEXICO

Yamaha de Mexico S.A. De C.V.,

Departamento de ventas

Javier Rojo Gomez No.1149, Col. Gpe Del

Moral, Deleg. Iztapalapa, 09300 Mexico, D.F.

Tel: 686-00-33

BRAZIL

Yamaha Musical do Brasil LTDA.

Av. Rebouças 2636, São Paulo, Brasil

Tel: 011-853-1377

ARGENTINA

Yamaha Music Argentina S.A.

Viamonte 1145 Piso2-B 1053,

Buenos Aires, Argentina

Tel: 1-4371-7021

PANAMA AND OTHER LATIN

AMERICAN COUNTRIES/

CARIBBEAN COUNTRIES

Yamaha de Panama S.A.

Torre Banco General, Piso 7, Urbanización Marbella,

Calle 47 y Aquilino de la Guardia,

Ciudad de Panamá, Panamá

Tel: 507-269-5311

THE UNITED KINGDOM

Yamaha-Kemble Music (U.K.) Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes,

MK7 8BL, England

Tel: 01908-366700

IRELAND

Danfay Ltd.

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin

Tel: 01-2859177

GERMANY/SWITZERLAND

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen,

F.R. of Germany

Tel: 04101-3030

AUSTRIA

Yamaha Music Austria

Schleiergasse 20, A-1100 Wien Austria

Tel: 01-60203900

THE NETHERLANDS

Yamaha Music Nederland

Kanaalweg 18G, 3526KL, Utrecht, The Netherlands

Tel: 030-2828411

BELGIUM

Yamaha Music Belgium

Keiberg Imperiastraat 8, 1930 Zaventem, Belgium

Tel: 02-7258220

FRANCE

Yamaha Musique France,

Division Claviers

BP 70-77312 Marne-la-Vallée Cedex 2, France

Tel: 01-64-61-4000

ITALY

Yamaha Musica Italia S.P.A.,

Home Keyboard Division

Viale Italia 88, 20020 Lainate (Milano), Italy

Tel: 02-935-771

SPAIN/PORTUGAL

Yamaha-Hazen Electronica Musical, S.A.

Ctra. de la Coruna km. 17, 200, 28230

Las Rozas (Madrid) Spain

Tel: 91-201-0700

GREECE

Philippe Nakas S.A.

Navarinou Street 13, P.Code 10680, Athens, Greece

Tel: 01-364-7111

SWEDEN

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1

Box 30053

S-400 43 Göteborg, Sweden

Tel: 031 89 34 00

DENMARK

YS Copenhagen Liaison Ofﬁce

Generatorvej 8B

DK-2730 Herlev, Denmark

Tel: 44 92 49 00

FINLAND

F-Musiikki Oy

Kluuvikatu 6, P.O. Box 260,

SF-00101 Helsinki, Finland

Tel: 09 618511

NORWAY

Norsk ﬁlial av Yamaha Scandinavia AB

Grini Næringspark 1

N-1345 Østerås, Norway

Tel: 67 16 77 70

ICELAND

Skifan HF

Skeifan 17 P.O. Box 8120

IS-128 Reykjavik, Iceland

Tel: 525 5000

OTHER EUROPEAN COUNTRIES

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen,

F.R. of Germany

Tel: 04101-3030

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-2312

TURKEY/CYPRUS

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen,

F.R. of Germany

Tel: 04101-3030

OTHER COUNTRIES

Yamaha Music Gulf FZE

LB21-128 Jebel Ali Freezone

P.O.Box 17328, Dubai, U.A.E.

Tel: 971-4-881-5868

HONG KONG

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,

Tsimshatsui, Kowloon, Hong Kong

Tel: 2737-7688

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930, Indonesia

Tel: 21-520-2577

KOREA

Cosmos Corporation

1461-9, Seocho Dong, Seocho Gu, Seoul, Korea

Tel: 02-3486-0011

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

Petaling Jaya, Selangor, Malaysia

Tel: 3-703-0900

PHILIPPINES

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,

Makati, Metro Manila, Philippines

Tel: 819-7551

SINGAPORE

Yamaha Music Asia Pte., Ltd.

11 Ubi Road #06-00, Meiban Industrial Building,

Singapore

Tel: 65-747-4374

TAIWAN

Yamaha KHS Music Co., Ltd.

10F, 150, Tun-Hwa Northroad,

Taipei, Taiwan, R.O.C.

Tel: 02-2713-8999

THAILAND

Siam Music Yamaha Co., Ltd.

121/60-61 RS Tower 17th Floor,

Ratchadaphisek RD., Dindaeng,

Bangkok 10320, Thailand

Tel: 02-641-2951

THE PEOPLE’S REPUBLIC OF CHINA

AND OTHER ASIAN COUNTRIES

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-2317

AUSTRALIA

Yamaha Music Australia Pty. Ltd.

Level 1, 99 Queensbridge Street, Southbank, Victoria

3006, Australia

Tel: 3-9693-5111

NEW ZEALAND

Music Houses of N.Z. Ltd.

146/148 Captain Springs Road, Te Papapa,

Auckland, New Zealand

Tel: 9-634-0099

COUNTRIES AND TRUST

TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation,

Asia-Paciﬁc Music Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-2312

NORTH AMERICA

CENTRAL & SOUTH AMERICA

EUROPE

AFRICA

MIDDLE EAST

ASIA

OCEANIA

HEAD OFFICE

Yamaha Corporation, Pro Audio & Digital Musical Instrument Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-3273

[CL] 21

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions con-

tained in this manual, meets FCC requirements. Modifications not

expressly approved by Yamaha may void your authority, granted

by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/

or another product use only high quality shielded cables. Cable/s

supplied with this product MUST be used. Follow all installation

instructions. Failure to follow instructions could void your FCC

authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with

the requirements listed in FCC Regulations, Part 15 for Class “B”

digital devices. Compliance with these requirements provides a

reasonable level of assurance that your use of this product in a

residential environment will not result in harmful interference with

other electronic devices. This equipment generates/uses radio

frequencies and, if not installed and used according to the instruc-

tions found in the users manual, may cause interference harmful

to the operation of other electronic devices. Compliance with FCC

regulations does not guarantee that interference will not occur in

all installations. If this product is found to be the source of inter-

ference, which can be determined by turning the unit “OFF” and

“ON”, please try to eliminate the problem by using one of the

following measures:

Relocate either this product or the device that is being affected by

the interference.

Utilize power outlets that are on different branch (circuit breaker

or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the an-

tenna. If the antenna lead-in is 300 ohm ribbon lead, change the

lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results,

please contact the local retailer authorized to distribute this type

of product. If you can not locate the appropriate retailer, please

contact Yamaha Corporation of America, Electronic Service Divi-

sion, 6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed

by Yamaha Corporation of America or its subsidiaries.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

(class B)

• This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd.

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in accor-

dance with the following code:

BLUE : NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may

not correspond with the coloured makings identifying the terminals

in your plug proceed as follows:

The wire which is coloured BLUE must be connected to the termi-

nal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the

terminal which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal of

the three pin plug.

(2 wires)

CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE

BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES,

INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA

BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU

FOND.

• This applies only to products distributed by Yamaha Canada Music Ltd.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.

(polarity)

M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

V576720 0??POZC??.?-??B0 Printed in Indonesia

Clavinova Web site (English only)

http://www.yamaha.co.jp/english/product/cl/

Yamaha Manual Library (English versions only)

http://www2.yamaha.co.jp/manual/english/

Yamaha Clavinova CLP-920, CLP-920 Manual de usuario

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