Yamaha Version2 El manual del propietario

Manua

Version 2

System Upgrade Information Guide

Information zur Systemerweiterung (Ver.2)

Information sur extension du système (Ver.2)

ENGLISH

WHAT’S NEW IN VERSION 2

Welcome to Version 2—a powerful system upgrade package for the Yamaha

W5/W7 Music Synthesizer that adds an exciting new dimension to one of the

most versatile all-in-one music production workstations ever made.

Version 2 provides additional Preset voice banks, more than a hundred great-

sounding new voices, a long list of unique performance, song play, recording and

remixing functions, plus many convenient shortcuts and other useful new

features which further streamline the W5/W7’s already simple operation.

New Features

• A total of three Preset voice banks, plus hot new techno, dance music and other voices which add unprecedented

sonic dimension and musical range to the W5/W7’s high quality digital sound. (For details, see page 8.)

• Cue Play, which lets you trigger-start a song or sequence phrase from a specified measure simply by pressing a Track

button. Lining up a different phrase for each of the 16 Track buttons lets you cue up the right groove or music “hit”

at the right time as the mood of the party dictates. (For details, see page 11.)

• Multitrack Loop Recording, which lets you jump from track to track and spot overdub new parts in a specified series

of measures to capture inspiration as it strikes. (For details, see page 13.)

• Song Remix, which lets you mix alternate versions of your tunes complete with automatic track solo, mute and other

commands which you can input in realtime. The result is greatly expanded on-board “automated mixdown” options.

(For details, see page 14.)

• Playback Effect, which lets you apply “groove templates” with pre-programmed quantizing and swing factors to the

playback of specified tracks without altering the original music data. The right Playback Effects can literally breathe

new life into your tracks. (For details, see page 15.)

• Quick Split/Layer, which lets you easily select two split voices, or add a second layered voice, on the fly as you play.

The new Dynamic Split feature lets you play two voices with a “floating split point” that’s determined by note

prioritization based on how you play the keyboard. (For details, see page 19.)

• Tempo Delay, which automatically calculates the delay time of System Effect 3 to the tempo of the song, which

eliminates unnatural sonic clashes in order to smooth out or tighten up your mix. (For details, see page 22.)

• Faster voice selection features, simplified voice element assign and other convenient voice editing features, expanded

voice and multi storage functions, additional song record and edit features, automatic song loading from disk, and

much more.

How to Use This Guide

• This W5/W7 Version 2 System Upgrade Information Guide is a supplement to the original W5/W7 Owner’s Manual

and W5/W7 Technical Information booklet.

• The “New Features Overview Chart” shows at a glance just what’s new and where it’s located in relation to the

existing features, and the “New Features in Version 2” section provides descriptions of each new feature and how to

access it.

ENGLISH

CONTENTS

New Features Overview........................................................................2

About the Accompanying Floppy Disks ................................................6

NEW FEATURES IN VERSION 2 .............................................8

PRESET VOICE BANKS ...................................................................8

❑ Voice Category Search..................................................................................9

❑ Voice Category Display in the Voice Directory................................................9

❑ Quick Voice Bank Select .............................................................................10

❑ Quick Program Change...............................................................................10

CUE PLAY .....................................................................................11

❑ Cue Play as Additional Measure Locate Points .............................................12

MULTITRACK LOOP RECORDING.................................................13

REMIX..........................................................................................14

❑ Solo Mode .................................................................................................14

❑ Track Mute................................................................................................15

PLAYBACK EFFECT.......................................................................15

❑ Playback Effect Template Type List .............................................................17

❑ Normalize Playback Effect (Song Job 1) ......................................................18

❑ Quantize Parameters (Type, Sens, Strength).................................................18

QUICK SPLIT/LAYER AND DYNAMIC SPLIT.................................19

❑ Quick Split/Layer.......................................................................................19

❑ Dynamic Split............................................................................................19

OTHER FEATURES IN VERSION 2 .................................................21

❑ Song Play Mode .........................................................................................21

❑ System Effect.............................................................................................22

❑ Song Setup Mode.......................................................................................22

❑ Song Record Mode .....................................................................................22

❑ Song Edit Mode .........................................................................................23

❑ Song Play/Voice Mode ...............................................................................23

❑ Voice Edit Mode.........................................................................................24

❑ Store Mode................................................................................................24

❑ Utility Mode ..............................................................................................25

❑ Disk Mode.................................................................................................26

CHANGES TO THE TECHNICAL INFORMATION BOOKLET .................27

ENGLISH

New Features Overview

SONG PLAY

STORE MULTI

SHIFT

SONG

STORE

RECORD

SHIFT

F1SHIFT

F2SHIFT

F1SHIFT

F2SHIFT

SONG

For song recording, editing & playback...........72

Access Voice Assign, Volume, Pan, Insertion Effect On/Off, System Effect 1~ 3 Send

level, Effect Type & Effect Parameter, Shift, Tune & Pitch Bend Range settings

Song Multi Play

(Mixer Screen)

(Inst Screen)

Category Search

Voice Directory

Sequencer Play

Song Name

Song Directory

Playback Effect

Cue Play

Song Setup

MIDI Filter

Track Transmit Channel

Keyboard Setup

Other Setup

Realtime Recording

Overdubbing

Replace

Punch-in

Step Recording

Transpose

For song playback & normal performance

Access Song Setup during song playback

Start song after reading data in previous measures(excluding note)

Access single track solo play

View measure number in Multi & Sequence Play screens

Display 16 channel mixer for setting multi parameters

Jump to designated mixer feature

Display list of Instrument parameter settings

Assign Tempo Delay

Access Voice Category Search

Toggle between Voice Category & Program Number

Access Sequence Play settings

Set Click Beat value by numeric (note) keypad

View External Sync tempo value

Name the song

Display list of songs

Apply groove templates to song playback without overwriting

Assign sequences to track buttons for trigger playback

MIDI, Keyboard & Other settings

Determine how W5/W7 responds to various MIDI data

Set MIDI transmit channel for each track

Keyboard Mode (Normal, Split, Layer, 4-zone) settings

Assign Dynamic Split (floating split point) settings

Access Quick Split/Layer

Transpose octave from Keyboard Normal Mode

Access Next Song, MIDI Control, Sync & Transpose functions

For storing multi settings into a song memory

Assign Multi Auto/Manual Store setting (Utility Mode)

For selecting a recording method & recording a song

Remix a song using solo, mute & other switch operations

Record actual note, controller & program data as you play

Select Count-in value before record start

Select Quantize, Click Beat value with numeric (note) keypad

Record new data on top of existing data in the track

Record new data in the track while erasing existing data

Replace record between a series of designated measures

Select track & overdub between a series of designated measures

(Multitrack Loop Recording)

Input note, controller, program & other data one-by-one

Select Click Beat value by numeric (note) keypad

Move cursor to next note event

Transpose input keyboard octave setting

: New features shaded in gray

Numbers below indicate Owner's Manual pages

( *: Version 2 System Upgrade Information)

*21

*14

*21

*22

*21

*15

*11

*19

*22

129

*25

*14

*22

*13

*22

*23

SONG RECORD

ENGLISH

SONG EDIT

EDIT

SONG JOB

JOB

F1SHIFT

F2SHIFT

F3SHIFT

F4SHIFT

F5SHIFT

F6SHIFT

F7SHIFT

F1SHIFT

F2SHIFT

F3SHIFT

F4SHIFT

F5SHIFT

F6SHIFT

F7SHIFT

F8SHIFT

F1SHIFT

F2SHIFT

F3SHIFT

F4SHIFT

F5SHIFT

F6SHIFT

F7SHIFT

Sequence Track

Insert

Change

Graphic

Tempo Track

Insert

Change

Job 1

Copy Song

Append Song

Clear Song

Copy Track

Clear Track

Mix Track

Normalize Playback Effect

Job 2

Copy Measure

Erase Measure

Create Measure

Delete Measure

Insert Measure

Thin Out

Extract

Chord Sort

Job 3

Quantize

Move Clock

Modify Gate Time

Modify Velocity

Transpose

Shift Note

Crescendo

SONG VOICE PLAY

Access voice select screen in Song Play Mode

For specific event editing of recorded song data

Edit the sequence track

Input parameter change data

Insert sequence track event data

Change sequence track event data

Display note event data graphically

Move cursor to next note event

Input measure number by numeric keypad

Edit the tempo track

Insert tempo change data in the middle of the song

Change tempo data value

For editing of song, track & measure data

Jobs for song & track editing

Copy a song from one song memory location to another

Append a song onto another song from a specified measure

Clear all multi & performance data of a specified song

Copy track data from one song into another song

Clear all performance data from a track

Combine data in one track with data in another track

Write the specified Playback Effect data into the song

Jobs for current song/track measure, note & other event editing

Copy specified measures to a specified location

Erase data in specified measures

Insert new empty measures into specified location in all tracks

Delete a specified range of measures from all tracks

Specify a range of measures & copy to specified location for all tracks

Delete unnecessary controller data from a track

Extract designated events from one track & place in another

Rearrange a cluster of notes in ascending/descending order

Jobs for current song event editing

Correct timing of performance data

Quantize Sensitivity & Strength parameters are added

Move data in specified measures by a specified clock value

Modify durations of notes in specified measures

Modify note-on velocity values in specified measures

Transpose notes in specified measures by a designated interval

Shift a note number to another number in specified measures

Add crescendo or diminuendo over specified range of measures

*23

*18

100

*18

101

102

103

*23

ENGLISH

VOICE

STORE VOICE

STORE

For selecting & playing voice.......................106

Transpose

Category Search

Voice Directory

Quick Voice Bank Select

VOICE

F8SHIFT

SHIFT SONG

NORMAL

VOICE EDIT

DISK

For saving & loading data to &

from a floppy disk.......................................132

VOICE EDIT MODE

Disk Status

Save To Disk

Load From Disk

Rename File

Delete File

Format Disk

Auto Load

Auto Play

View types of files on the inserted floppy disk

Save voice, song or other data to floppy disk

Load voice, song or other data from floppy disk

Rename a file on the inserted floppy disk

Delete a specified file from the inserted floppy disk

Format a disk for use with the W5/W7

Automatically load the designated file at power on

Automatically load & play the designated file at power on

130

*24

109

110

*24

110

112

*24

112

113

114

115

116

133

134

136

139

140

141

*26

Select voice by last-digit within a group of ten (Quick PC)

Transpose octave (in Keyboard Normal Mode)

Keyboard mode display (Quick Split/Layer, Dynamic Split)

Select the next voice program number in the same Voice Category

View list of voices. Press [F8] twice to see Voice Categories

Direct selection of any voice bank

Revert to multi settings when switching back to Song Mode

Store Voice

Voice Directory

Common Group

Category/Volume

Voice Name

Initialize Voice

Element Group

Element Assign

Pan

Velocity Limit

Note Limit

Amplitude Group

Level

Envelope

Filter Group

Tone

Envelope

Store edited voice into specified program number

Store voice into Internal (or Song) voice bank

View list of voices. Press [F8] twice to see Voice Categories

Edit Normal Voice

Parameters common to the entire voice

Assign Voice Category code and set voice Volume

Copy Effect & Control Group parameters to another voice

Name the voice

Initialize all voice data

Parameters related to the individual elements

Assign up to four elements to the voice

Element category search

Copy Element Group parameters to another voice

Position each element within the stereo field

Specify the Velocity Limit of each element

Specify the Note Limit of each element

Parameters related to volume characteristics of each element

Specify the volume Level of each element

Assign the amplitude Envelope characteristics of each element

Parameters related to tone quality of each element

Specify the type of filter and parameters of each element

Assign the filter Envelope characteristics of each element

*10

*22

*19

107

*10

*23

For editing specific voice parameter.....108

ENGLISH

DRUM

VOICE EDIT

For accessing & assigning settings

which affect the entire system................142

Memory

Initialize

Voice Bulk Dump

Synthesizer Setup

Controllers

MIDI Setup

Other Setup

Greeting Message

Copy a voice bank to RAM

Copy from Song voice bank to Internal voice bank

Initialize the Internal voice bank

Delete elements not in use (Free Element)

Perform bulk dump operation of Internal voices to external device

Assign Master Tune, Velocity Curve & Controller settings

Assign CS, Foot Volume & Foot Controller settings

Set Foot Controller Assign & CS data entry functions

Assign MIDI related settings

Set LCD Contrast & Edit Confirm status

Assign Multi Auto/Manual Store status

Personalize the start-up Greeting Message

VOICE BANK

GM Voice Bank

128 Normal Voices + 8 Drum Voices

Internal Voice Bank

128 Normal Voices + 2 Drum Voices

External Voice Bank

(Optional Expansion Wave/Voice Board)

Song Voice Bank

1set/song

Preset Voice Banks

P1 :

128 Normal Voices

P2 : 128 Normal Voices *8

P3 : 128 Normal Voices *8

PD: 4 Drum Voices

117

118

119

120

121

122

123

124

125

127

128

143

*25

144

*25

144

145

147

*25

148

149

*25

149

STORE

VOICE

Pitch Group

Scale

Tune

Note Shift

Sensitivity

Envelope

Effect Group

System Effect Send

Insertion Effect Type

Insertion Effect Parameter

Insertion Effect Control

LFO Group

LFO Parameter

LFO Modulation

Controller Group

Sustain/Exp. Low Limit

Pitch Bend

After Touch

Modulation Wheel

Foot Controller

MIDI Control 1

MIDI Control 2

Common Group

Key Group

Effect Group

Controller Group

Parameters related to pitch characteristics of each element

Specify the Scale parameters of each element

Specify the Tune parameters of each element

Specify the Note Shift parameters of each element

Specify the Sensitivity parameters of each element

Assign the pitch Envelope characteristics of each element

Parameters related to voice effects assignments

Specify the Send Level for each System Effect

Specify the Insertion Effect Type for the voice

Specify the Insertion Effect parameters

Specify the Insertion Effect Control parameters

Parameters related to Low Frequency Oscillator characteristics

Specify the LFO Parameter settings for each element

Specify the LFO Modulation parameters for each element

Parameters related to the various controllers

Specify the Sustain & Exp. Low Limit settings for each element

Specify the Pitch Bend settings for each element

Specify the After Touch settings for each element

Specify the Modulation Wheel settings for each element

Specify the Foot Controller settings for each element

Specify the MIDI Control 1 settings for each element

Specify the MIDI Control 2 settings for each element

Edit Drum Voice

Parameters common to the entire voice

Element assignments for each key

Parameters related to voice effects assignments

Parameters related to the various controllers

ENGLISH

W_DEMO.A1A file

Five songs are sequentially arranged in the file:

• SONG 01 : Isn’tItHip

• SONG 02 : Metal Bomb

• SONG 03 : Gavotte

• SONG 04 : Halftime

• SONG 05 : RAM-Jam

The various songs showcases how great the W5/W7 sounds across different genres of music. There’s more to

each demonstration song than just an impressive performance, however, since they are also great examples for

study of clever ways to allocate voices, optimize the various effect and other settings, and more. Note that there

are special Song voices used in Song 01 and Song 05 which are not included in the factory presets.

INTVOICE.A1V file

This file contains a safety backup of the factory-programmed bank of Internal voices.

About the Accompanying Floppy Disks

The demonstration floppy disk “W5/W7 FACTORY SET & DEMONSTRATION” comes bundled

with Version 1 and the “W5/W7 Version 2 DEMONSTRATION” disk is additionally bundled with

Version 2. Each disk contains factory-programmed song and other data which especially

highlight the exceptional capabilities of the W5/W7. (For information about loading files from a

disk, see the Owner’s Manual, pages 52 and 136.)

The contents of each demonstration disk are listed and described below.

W5/W7 FACTORY SET & DEMONSTRATION

There are two types of files on the disk, as follows:

W_DEMO.A1A

All Data type file

INTVOICE.A1V Voice type file

NOTE

When loading an All Data type file,

the settings in Utility mode will also

be replaced. Therefore, be sure to

save any important All Data type

settings to floppy disk before loading

an All Data type file.

ENGLISH

W5/W7 Version 2 DEMONSTRATION

There are three types of files on the disk, as follows:

W_DEMO2.A1A All Data type file

AUTOPLAY.A1S 1 Song+Voice type file

VOICE_EDIT.A1S 1 Song+Voice type file

NOTE

When loading an All Data type file,

the settings in Utility mode will also

be replaced. Therefore, be sure to

save any important All Data type

settings to floppy disk before loading

an All Data type file.

W_DEMO.A1A file

Three songs are sequentially arranged in the file:

• SONG 01 : Dancyndrom

• SONG 02 : Whale Song

• SONG 03 : Push Track

Version 2 features a Preset 3 voice bank which includes various voices perfect for techno and dance music.

Song 3 (“Push Track”) is a special demonstration song which lets you try out the new Cue Play function (see page

11). When you start the song from the top, the W5/W7 automatically enters Cue Play mode. In the screen you

will notice which measure has been assigned as the start point for each Track button. Press a Track button to start

the Cue Play from the designated measure.

AUTOPLAY.A1S file

This file contains the same song data as “SONG 01: Dancyndrom”. However, since this was saved as an Auto Play

file (see page 26), if you insert the disk while the power is off, then switch the power on, the file will

automatically be loaded in the first song memory and begin playing.

VCE_EDIT.A1S file

This file is a special demonstration for editing a voice. When you start the song from the top, the W5/W7 plays

the intro of the demo song “Isn’t It Hip” (same as in the “W5/W7 FACTORY SET & DEMONSTRATION” disk,

above), then stops, selects Track 7, then goes on to give a visual demonstration of how to edit the voice “Needle”.

A note in the screen will explain what’s happening. Watch the screen as the various parameters are selected,

including element assignment, template selection and parameter adjustments, Insertion Effect type selection and

parameter adjustments, and others—including System Effect adjustments to various tracks. The new Remix mute

and solo (see page 14) and Playback Effect features (page 15) are also introduced.

NOTE

Do not stop the playback in the

middle of the song when playing

VCE_EDIT.A1S, since stopping it may

cause data error.

ENGLISH

PRESET VOICE BANKS

Version 2 includes two additional Preset voice banks, making a total of three Preset voice banks,

or 384 Preset normal voices in ROM. Preset voice bank 2 contains the same voices as the

Internal voice bank (RAM). Preset voice bank 3 includes 128 new voices, including many

techno and dance music oriented voices, and several unique voices which can yield various

characteristics as you play, controlled by the modulation wheel.

Including the GM voice bank, Version 2 comes complete with a total of 512 normal voices and

12 drum voices in ROM (excluding those available in the External voice bank when an

Expansion Wave/Voice Board is installed), and 128 normal voices and 2 drum voices in RAM—

for a total of 640 normal voices and 14 drum voices. Additionally, there are 128 Song voice

memories and 2 Song drum voice memories which can be dedicated to up to 10 songs.

NEW FEATURES INVERSION 2

GM Standard General MIDI set 128 Normal Voices

(P1) Preset 1 Same as previous Preset bank 128 Normal Voices

(P2) Preset 2 Same as previous Internal bank 128 Normal Voices

(P3) Preset 3 New bank of voices 128 Normal Voices

Internal Same as previous Internal bank 128 Normal Voices

Song — 128 Normal Voices/Song

GM Drum Various GM drum kits 8 Drum Voices

Preset Drum Two new Preset drum kits 4 Drum Voices

Internal Drum Same as first two GM drum kits 2 Drum Voices

Song Drum — 2 Drum Voices/Song

For a list of the new normal voices in the Preset 3 voice bank and the two new drum voices in the Preset drum voice

bank, as well as the additional new elements available, see page 27.

The process of selecting voices and voice banks in Version 2 is the same as before, but there are several convenient

new options as well, including Voice Category Search, Quick Voice Bank Select and Quick Program Change.

Here’s a breakdown of what’s in each of the voice banks:

ENGLISH

P3-03:Blue Lead This is a classic high-resonance analog synth type lead voice. The filter cutoff is assigned to the CS, so you

can control the amount of resonance applied to the voice at any time by moving the CS as you play.

P3-10:N-Hall Airy, futuristic sound effect type voice. The filter cutoff is assigned to the CS, so you can greatly modify the

quality of the voice in realtime by moving the CS.

P3-13:HaHahaha A whimsical simulated laughter type voice. Control the speed of the laughing with key velocity, and the

quality of the sound with the CS and Modulation Wheel.

P3-17:MwScratch1 A highly useful voice which simulates the sound of record scratching commonly used in rap and other dance-

oriented music. Adjust the CS to control the characteristic of the sound, and simulate the DJ scratching with

the Modulation Wheel.

P3-32:Gang Soft but powerful, versatile resonant synth voice with rotary speaker Insertion Effect applied. Use the CS to

control the speed of the rotary speaker effect.

P3-53:Feed Pad Grungy but distinctively pleasant distortion pad voice. Control the amount of resonance with the CS.

P3-120:S.O.S. Cumulative chaos of a frantic S.O.S. signal from a submarine in distress. Use the CS to control the balance

between bell timbre and “muffled voices”.

❑Voice Category Search

Version 2’s Voice Category Search feature makes it

easier than ever to locate just the right voice when

you want it. This is critical considering the many

hundreds of voices that are now available at any

given time.

Voice Category Search lets you select the next voice

number with the same Voice Category code as the

current voice simply by pressing function key F5

(Ctg), in either Song Multi Play Mode or Voice

Mode—including when the Voice Directory is

displayed. This is really helpful when searching for

similar types of voices as the currently selected one—

such as piano type voices assigned with the “Pf”

Voice Category code, for example.

To select the next voice number with the same

Voice Category code as the current voice:

Press [F5].

Each time you press F5, the next voice with the

same Voice Category code will be selected within

the current voice bank, starting back at the lowest

numbered voice after the highest numbered voice

has been selected. You don’t need to press the Enter

key.

SONG MODE

VOICE MODE

❑Voice Category Display in

the Voice Directory

Version 2 not only lets you view the voice program

numbers in the Voice Directory, but also gives you

the option of viewing the two-letter Voice Category

codes assigned to each voice—in both Song Multi

Play Mode and Voice Mode.

To view the Voice Category codes in the Voice

Directory:

Press [F8] (Dir) twice.

When the Voice Directory is selected, pressing F8

will toggle back and forth between voice program

numbers display and Voice Category codes display

in the Voice Directory.

Version 2’s Preset 3 voice bank features an assortment of modern music sounds including techno, dance music and

other voices—which add a completely new dimension to the W5/W7’s sonic possibilities. Below are descriptions of a

few of the more intriguing voices which rely on the CS and Modulation Wheel to achieve maximum flexibility and

impact:

ENGLISH

❑Quick Voice Bank Select

Version 2 provides a convenient shortcut for selecting

voice banks within Voice Mode or from the Voice

Directory in Song Multi Play Mode.

Simply pressing the Shift button will display the first

letter of each voice bank (E*, I, S, G, P1, P2, P3)

above function keys F1*~F7—by which you can

jump directly to a desired voice bank.

To select a different voice bank:

Hold [SHIFT] and press a function key

[F1]~[F7] above the desired voice bank.

When you press a function key, the desired bank is

selected; the voice number is the same as for the

previously selected bank. It is not necessary to press

Enter as with the normal procedure for selecting

banks.

When you select one of the Preset voice banks, the

voice bank prefix which appears to the left of the

voice program number will be denoted with one,

two, or three dots, respectively, as follows:

• Preset 1

• Preset 2

• Preset 3

Note that pressing F8 (Drum) while holding the

Shift button lets you alternate between normal

(“Norm”) and drum voice banks.**

To select a drum voice bank:

1. Hold [SHIFT] and press [F8].

2. Press a function key [F2]~[F5] above the

desired drum voice bank.

* F1 can only be used for accessing the External voice bank when an

Expansion Wave/Voice Board is installed.

** When Track 10 is selected, you cannot access the normal voices,

since channel 10 is dedicated to the drum voices.

F1 F2 F3 F4 F5 F8

F1 F2 F3 F4 F5 F6 F7 F8

SHIFT

❑ Quick Program Change

Version 2 has a new Quick Program Change feature

in Voice Mode. When Quick Program Change is

activated, you can quickly select program numbers

within a group of ten with the same first digit using

buttons 0~9 on the numeric keypad—each of

which corresponds to the last digit of the program

number of each voice.

For example, say the currently selected voice

number is 35. With Quick Program Change, you can

jump directly to any voice between 30~39 simply

by pressing buttons 0~9 on the numeric keypad.

To activate Quick Program Change:

1. In Voice Mode, press the [VOICE] button.

2. Press a number [0]~[9] on the keypad

corresponding to the last digit of the

program number you want to select.

When in Voice Mode (see the Owner’s Manual,

page 106), pressing the Voice button will toggle

back and forth between Quick Program Change and

normal Voice Play Mode. The words “Quick PC”

will display in the upper area of the screen when

Quick Program Change is active.

When you press the desired number on the keypad,

the corresponding voice with the same last digit will

be selected instantly, and therefore you need not

press Enter to lock in the selection, as in the normal

voice selection procedure. You can also press F6

and F7 to select a different voice bank, and then

press a number on the keypad to select it—within

the group of ten also with the same first digit.

Quick Program Change also lets you select voices

outside the group of ten using the Jog dial and the

Inc/Dec buttons. Also note that when you press F8

to view the Voice Directory, Quick Program Change

will be bypassed, and you can select voices and

banks in the normal way. However, when you exit

the Voice Directory, Quick Program Change will be

reactivated.

CUE PLAY

Version 2 features Cue Play in Song Sequence Play Mode (see the Owner’s Manual, page 80),

which lets you compile a list of 16 songs or sequence phrases and trigger-start them from any

measure simply by pressing Track buttons. With Cue Play you can set fire to the dance floor by

triggering the right groove at just the right time—jumping from one to another in realtime as

the mood of the party dictates.

Cue Play works by assigning any of the 16 songs to any of the Track buttons, along with which

measure in the song to start from.

To enter Cue Play Mode:

1. In Song Mode, press [F2] (Seq) to enter

Song Sequence Play Mode.

2. Hold [SHIFT] and press [F2] (Cue) to

enter Cue Play Mode.

The Cue Play screen lists which songs are assigned

to each of the 16 Track buttons, and which

measures are designated as starting points for each

cue.

The number in brackets represents the Track

number. The number to the right of the Track

number represents the song number (1~16). The

number to the right of the song number represents

the starting measure number.

To assign song numbers and starting measures

to the Track buttons:

1. Position the cursor over the song number

of a desired Track button.

2. Specify a song number using [INC],

[DEC], [JOG] or [KEYPAD].

3. Position the cursor over the starting

measure number.

Starting measure number

Track button number

Song number

4. Specify a measure start point using [INC],

[DEC], [JOG] or [KEYPAD].

Note that you can assign the same song to more

than one Track button, designating a different

measure as the starting point for each. Thus, with

various sections of the song assigned to different

Track buttons, you can literally create a playback

arrangement on the fly, just by pressing the Track

buttons.

You can designate the Cue song to play from the

start measure and continue to the end of the song,

or to play only so long as you hold down the Track

button.

To have a Cue song continue playing from the

start measure to the end:

Press [F7] (Cnt) once or more so that

“Cnt” is highlighted in black.

When “Cnt” (Continue) is highlighted, pressing a

Track button will cause the song assigned to it to

play from the starting measure point till the end—

unless you press another Track button while the

current Cue song is playing. Pressing another Track

button will terminate the song in play and start the

next song. (This also lets you restart the same song

while it is playing by pressing its Track button

again.)

ENGLISH

To have a Cue song play only while you hold

down a Track button:

Press [F7] (Cnt) once or more so that

“Cnt” is not highlighted in black.

Pressing a Track button will start the Cue song from

the specified measure start point, but the song will

stop if you let go of the button. This allows you to

trigger orchestra hits and other key song phrases at

will.

A “Memorize” feature provides a convenient

shortcut for assigning a measure number to a Track

button while the song is playing back.

❑Cue Play as Additional

Measure Locate Points

In addition to the standard Cue Play features

described above, you can also use the assignments in

Cue Play as 16 additional measure locate points (see

the Owner’s Manual, page 81). Just assign the

various measure start points beforehand, then switch

to the Cue Play screen and press the relevant Track

button to start the song from that point. The song

will continue playing as you switch back to the mixer

screen by pressing the Song button.

Note that although you can stop a Cue song at any

time by pressing the Sequencer Stop button, the Run

button is unrelated to Cue Play. Pressing the Run

button in Cue Play will simply start the currently

selected song (as displayed at the top right of the

screen).

To save the Cue Play data to floppy disk, simply save

the current data in the W5/W7 as an “All Data” file.

(For details about saving and loading, see the

Owner’s Manual, page 131.)

NOTE

If you jump from one song to another, or to a fairly distant

measure, it may take a brief moment before the second song

starts playing.

To use the Memorize function:

1. Position the cursor over either the song

number or starting measure number of a

desired Track button.

2. As the song plays, simply press [F8]

(Mem.) when the song reaches the

measure that you want to assign.

The Memorize function can also be used when the

song is stopped.

NOTE

The demo song 03: Push Track (W_DEMO02.A1A) presents a

good example of the Cue Play function. (For more

information, see page 7)

MULTITRACK LOOP RECORDING

Version 2 features Multitrack Loop Recording, which provides more flexible song sequencing

options. The Multitrack Loop Recording feature lets you specify a series of measures which will

loop repeatedly as you overdub additional parts. You can jump from track to track to add new

parts without stopping the sequencer.

Multitrack Loop Recording is accessible from Punch-in Record Mode (see the Owner’s Manual,

page 88).

To use Multitrack Loop Recording:

1. Press [RECORD] to enter Song Record

Mode (standby).

2. Press [F8] (Pnch) to select Punch-in

Record.

3. Press [F4] (AllTr) to designate All Track

Record.

4. Position the cursor over the “From”

parameter field and enter the number of

the measure which you want to be the

first measure in the loop.

5. Position the cursor over the “To”

parameter field and enter the number of

the measure which you want to be the

last measure in the loop.

6. Position the cursor over the “Loop”

parameter field and use [INC], [DEC] or

[JOG] to turn the loop on.

7. Press [RUN] to start the recording loop.

You can delete a wrong note while the loop

recording is still active. To do so, simply hold the

Shift button and press the note again when it comes

back around. (Be aware of the limitation in number

of notes that can be recorded based on available

polyphony.)

Note that if All Track Record is not specified, you

can still start loop recording, but you can only

overdub on the currently selected track, and will not

be able to select other tracks without first stopping

the sequencer.

Also note that if you engage loop recording while

Quantize or Playback Effect is selected, these

parameter values will also be recorded in the

designated loop.

Be sure to keep in mind the maximum number of

notes which can be recorded (32 notes), since as

you keep overdubbing notes during loop recording,

you may inadvertently erase existing note data.

F4 F8

ENGLISH

REMIX

Version 2 includes a Remix feature which lets you create an alternate “dub” mix which includes

track solo, mute and other button on/off switchings as the song plays.

Every time you press the Song, Voice, Select, Solo or any of the 16 Track buttons, the W5/W7

generates a corresponding MIDI system exclusive parameter change (“Switch Remote”)

message.

Version 2 lets you record these Switch Remote messages in the sequencer in realtime (or Step

edit) in an empty track so that they will be recalled automatically during song playback. In this

way, you can program track solo, mute and other commands in a Remix version of your song to

achieve a multi-dimensional automated mixdown without changing any of the original note,

controller or other data in the song.

To create a Remix version of the currently

selected song:

1. Select an empty track in the currently

selected song.

2. Press [RECORD], then press [RUN] to

start the recording.

3. Press [SONG], [VOICE], [SELECT],

[SOLO], [TRACK 1~16] and perform any

desired parameter adjustments during

the recording.

Note that during recording any key you press on the

keyboard will also be recorded in the currently

selected track as note data. You will find it most

convenient to keep all Switch Remote messages

together in one track, apart from note and other

data, since it is easier to locate and edit Switch

Remote messages this way.

❑Solo Mode

Recall that when there is sequence data in the

currently selected song, the Track buttons of tracks

which contain data will be lit in green, and the

currently selected Track button will be lit in red. (The

Select button will be lit in green, thus indicating the

W5/W7 is in Track Select Mode; see the Owner’s

Manual, page 74.)

By entering Solo Mode (i.e., by pressing the Solo

button), you can “solo” one or more tracks to hear

them only, thus “muting” the rest. Pressing a Track

button will toggle back and forth between solo (red)

and mute (green) status. Multiple tracks can be

soloed at once.

You can exit Solo Mode and the W5/W7 will still

remember which tracks were soloed and muted the

next time you press the Solo button.

Version 2 also lets you solo, or isolate and play a

single track just by pressing the corresponding Track

button.

To solo, or isolate and play a single track:

Hold [SELECT] and press [SOLO].

In single-track Solo Mode, pressing a Track button

will turn that track on (red light), while turning all

others off (green lights). Thus, you can easily isolate

a single track that you want to examine during

mixdown, or to play by itself during a specific point

in the song when you’re recording a Remix.

Pressing Solo again will return you to the multiple-

track Solo Mode.

NOTE

When deleting switch remote on/off data from a track in Song

Edit Mode, be sure to delete both On and Off commands.

PLAYBACK EFFECT

Version 2 includes a Playback Effect Mode accessible from the Song Sequence Play screen (see

the Owner’s Manual, page 80) that lets you apply various playback-only effects—including

quantization, swing, clock shift, gate time and velocity—to your songs. The actual data in

memory does not change; the only thing modified is the way the data is played back.

The right Playback Effect type can literally breathe new life into your song. You can add a

Playback Effect type to individual tracks or to all tracks and adjust their default parameters at

will. (Note that if you choose another song the Playback Effect parameters will be initialized.

You can, however, apply Playback Effect settings permanently to a song by normalizing them in

Song Job 1 (see page 18).

❑Track Mute

As explained above, Solo Mode lets you toggle back

and forth between solo and mute status when you

press a Track button, and the W5/W7 will remember

the current solo/mute status when entering and

exiting Solo Mode.

Version 2 also lets you enter Solo Mode with all

tracks soloed (you can hear the complete mix, just as

in Track Select Mode), and therefore standing by

ready to be muted.

To enter Mute Mode:

Hold [SOLO] and press [SELECT].

The Track buttons of tracks which contain data will

be lit in red, which means they are all in solo status,

and therefore any Track button you press will mute

that track (indicated by a green light in the Track

button).

NOTE

The VCE_EDIT.A1S file introduces the Remix function. (For

more information, see page 7)

To enter Playback Effect Mode:

1. In Song Sequence Play Mode, hold

[SHIFT] and press [F1] (PEF).

2. Press [F7] (Tr) and a [TRACK] button to

designate a specific track, or press [F8]

(All) to designate all tracks.

3. Select a Playback Effect type with [INC],

[DEC], [JOG], or [KEYPAD].

F7 F8

SHIFT

4. Position the cursor over a parameter and

adjust it as desired.

When you enter Playback Effect Mode (shown as

“Play Effect” in the screen) the type and parameters

screen will be displayed. Moving the cursor to the

right will access the Playback Effect parameters

screen. Likewise, moving the cursor to the left when

the parameters screen is displayed will once again

access the Playback Effect type and depth screen.

ENGLISH

• Type 00~27, **

There are 27 different Playback Effect types. Playback Effect

types 01~27 are those programmed at the factory, whose

parameters you can still adjust at will. If you want to design

your own Playback Effect parameters from scratch, simply

select Playback Effect type “00” (no Playback Effect applied)

and begin adjusting parameters. Note that when you adjust

parameters in any Playback Effect type, these will be stored in

a Playback Effect user memory under the type heading “ ** ”.

• Depth 0~100%

The Playback Effect depth parameter will have a different

effect—such as quantize length, swing velocity, etc.—

depending on which Playback Effect (01~27) is selected.

(For a complete listing of the designated depth parameters for

each type, see the Playback Effect Template Type List on

page 17.)

• Quantize

The Quantize function aligns notes in the specified track to

the nearest beat as designated by the Quantize value and

strength parameters. This is helpful for tightening up sloppy

timing. Note that “perfect” quantization tends to result in an

unnatural, mechanical feel, which may or may not be a good

thing, depending on the type of feel you’re going for.

Val (Value)

“Val” determines to what beats the note data in the

corresponding track will be aligned. If you select “#16th-note#”,

for example, all notes in the track will be aligned to the nearest

16th-note beat, to a degree determined by the strength

parameter, below. You can select a quantize value by pressing

the key in the numeric keypad with the corresponding note value

printed above it. Pressing button 7 more than once toggles

between 8th-note-triplet and 8th-note + 8th-note-triplet, and

pressing button 8 more than once toggles between 16th-note-

triplet and 16th-note + 16th-note-triplet. (For a complete listing

of the quantize parameters for each type, see the Playback Effect

Template Type List on page 17.)

Str (Strength) 0~100%

“Str” determines how strongly the notes are attracted to the

specified quantize value. At a setting of 0%, no quantization will

occur, while a setting of 100% will cause all notes to be aligned

precisely to the nearest specified beat value.

,,,,,,, , ,

• Swing

The Swing effect—which can only be used when the

Quantize function is set to a value other than off—produces a

more natural “swing” feel by shifting the timing of the off-

beats, as specified by the Quantize setting. For example, if

the specified Quantize value is 8th-notes, then the Swing

effect will shift the 2nd, 4th, 6th, and 8th beats of each

measure forward to create the swing feel. If the Quantize

value is set to a triplet note length, the last note in each

triplet group will be shifted.

Rate 50~83%

“Rate” determines the strength of the swing feel, or how much

the timing of the affected notes will be shifted. Apply 50% (no

swing) to 75% (maximum swing) for even note lengths; apply

66% to 83% for triplet note lengths; apply 50% to 66% for even-

plus-triplet note lengths (e.g., 8th-note + 8th-note-triplet).

Vel (Velocity) 0~200%

“Vel” determines the relative increase or decrease of the off-beat

velocity value (as set by the Quantize value) in relation to the on-

beat. A setting of 100% will produce no effect, whereas settings

between 0~99% will produce a decrease in the off-beat velocity

value, and settings of 101~200% will produce an increase in off-

beat velocity value.

Gate (Gate Time) 0~200%

“Gate” determines the relative length of the off-beat note

duration (as set by the Quantize value) in relation to the on-beat.

A setting of 100% will produce no effect, whereas settings

between 0~99% will shorten the gate time of the off-beat, and

settings of 101~200% will lengthen the gate time of the off-beat.

• ClockSft (Clock Shift) –99~+99

“ClockSft” determines the amount by which all notes in a

track are shifted in time, forward or backward, by the

specified number of clocks (at 96 clocks per quarter-note).

Note that since the Clock Shift parameters shift the timing of

all notes and other events in the specified track forward or

backward, they can significantly alter the feel of the song.

You could move the notes forward (positive settings) to

create a more laid-back feel, or backward (negative settings)

to produce a more powerful, driving feel. Of course, Clock

Shift comes in extremely handy when you want to correct

timing that is consistently off in the first place.

• Vel.Ofst (Velocity Offset) –99~+99

“Vel.Ofst” determines the amount of velocity change for all

note data by the same relative amount. A setting of 00 will

cause no change, whereas negative values will decrease

velocity levels, and positive values will increase velocity

levels.

• Vel.Rate (Velocity Rate) 0~200%

“Vel.Rate” determines the ratio between the lower and higher

velocity values. A setting of 100% maintains the original

relationship between the notes, while lower values produce a

narrower dynamic range (minimum 1%), and higher values

produce a broader dynamic range (maximum 200%).

• GateRate (Gate Time Rate) 0~200%

“GateRate” determines the ratio between the shorter and

longer gate time values. A setting of 100% maintains the

original relationship between the notes, while lower values

produce a narrower gate time range (minimum 1%), and

higher values produce a broader gate time range (maximum

200%). You can use Gate Time to give the entire pattern a

more staccato or legato feel, as desired.

NOTE

The VCE_EDIT.A1S file introduces the Playback Effect function. (For

more information, see page 7)

TEMPLATE DESCRIPTION DEPTH PARAMETER

00 [ ] Off. No Playback Effect applied. —

01 [Just ] Aligns to the nearest 16th-note. Quantize Strength

02 [Just ] Aligns to the nearest 8th-note. Quantize Strength

03 [Just ] Aligns to the nearest quarter-note. Quantize Strength

04 [Just ] Aligns to the nearest 16th-note-triplet. Quantize Strength

05 [Just ] Aligns to the nearest 8th-note-triplet. Quantize Strength

06 [Just ] Aligns to the nearest 16th-note + 16th-note-triplet. Quantize Strength

07 [Just ] Aligns to the nearest 8th-note + 8th-note-triplet. Quantize Strength

08 [Shufle ] Quantize 16th-notes and delay off-beats. Quantize Strength and Swing Rate

09 [Shufle ] Quantize 8th-notes and delay off-beats. Quantize Strength and Swing Rate

10 [Shufle ] Quantize quarter-notes and delay off-beats. Quantize Strength and Swing Rate

11 [Shufle ] Quantize 8th-note-triplets and delay third off-beats. Quantize Strength and Swing Rate

12 [Loose ] Delay 16th-note off-beats and lengthen gate time. Swing Rate and Gate Time

13 [Loose ] Delay 8th-note off-beats and lengthen gate time. Swing Rate and Gate Time

14 [Loose ] Delay quarter-note off-beats and lengthen gate time. Swing Rate and Gate Time

15 [Loose ] Delay 8th-note-triplet off-beats and lengthen gate time. Swing Rate and Gate Time

16 [Off ] Emphasize velocity and gate time of off-beats. Swing Velocity and Gate Time

17 [Off ] Emphasize velocity and gate time of off-beats. Swing Velocity and Gate Time

18 [Off ] Emphasize velocity and gate time of off-beats. Swing Velocity and Gate Time

19 [Off ] Emphasize velocity and gate time of off-beats. Swing Velocity and Gate Time

20 [On ] Emphasize velocity and gate time of on-beats. Swing Velocity and Velocity Offset

21 [On ] Emphasize velocity and gate time of on-beats. Swing Velocity and Velocity Offset

22 [On ] Emphasize velocity and gate time of on-beats. Swing Velocity and Velocity Offset

23 [On ] Emphasize velocity and gate time of on-beats. Swing Velocity and Velocity Offset

24 [Heavy ] Delay quarter-note off-beats and emphasize them Swing Rate and Velocity

25 [Humanize ] Slightly quantize quarter-notes and randomize values. Quantize Strength

26 [Techno ] Quantize 16th-notes and set velocity flat. Velocity Offset and Velocity Rate

27 [Acid ] Quantize 16th-notes and delay off-beats. Swing Rate

** [ ] Original template (00) or modified templates (01~27). (Depends on selected template.)

❑Playback Effect Template Type List

ENGLISH

❑Normalize Playback Effect

(Song Job 1)

Although the Playback Effects apply to the song

playback only, and do not affect the original song

data, Version 2’s Normalize Playback Effect feature

lets you apply the designated Playback Effects

permanently to the current song. The Normalize

Playback Effect feature is located in Song Job 1 (see

the Owner’s Manual, page 95).

To use Normalize Playback Effect:

1. Press [JOB], then [F2] (Job1) to enter

Song Job 1 Mode.

2. Position the cursor over “Normalize

Effect” and press [ENTER].

3. Press the [TRACK] buttons for those

tracks which you want to apply the

Playback Effects to. (Selected Track

buttons will light in red.)

4. Press [ENTER] to activate Normalize

Playback Effect.

❑Quantize Parameters

(Type, Sens, Strength)

Version 2 includes additional Quantize parameters in

Song Job 3, including Type, Sensitivity, and Strength,

which greatly expand your ability to put just the right

feel into your music.

There are 19 Quantize types, with “00” representing

off, and 01~19 representing the same types as in

Playback Effect Mode (For descriptions of each, refer

to the Playback Effect Template Type List on page 17,

00~19).

The Sensitivity (“Sens”) parameter determines the

range over which notes will be quantized. This

parameter can be set from –100 through 0% (no

quantization) to +100. A setting of either –100% or

+100% will cause all notes to be quantized.

The Strength (“Strng”) parameter determines how

strongly the notes are attracted to the specified

quantize value. At a setting of 0% no quantization

will occur, while a setting of 100% will cause all

notes to be aligned precisely to the nearest specified

beat value.

Note that with Version 2 you can select a quantize

value (“Qunt”) by pressing the button in the numeric

keypad with the corresponding note value printed

above it. Pressing button 7 more than once toggles

between 8th-note-triplet and 8th-note + 8th-note-

triplet, and pressing button 8 more than once toggles

between 16th-note-triplet and 16th-note + 16th-note-

triplet.

❑QUICK SPLIT/LAYER

To activate Quick Split:

Hold a [TRACK] button and press another

[TRACK] button.

The first Track button you hold will become the

upper (right side) voice, and the second Track

button will become the lower (left side) voice, as

indicated in the screen.

Note that if Dynamic Split (see below) is designated

in Split Mode, accessing Quick Split will engage in

Dynamic Split status. Pressing a single Track button

will reinstate the Keyboard Normal Mode.

To activate Quick Layer:

1. First, in Keyboard Normal Mode, select a

[TRACK] button with one of the voices

you want to layer.

2. Hold [SHIFT] and press the [TRACK]

button for the second voice you want in

the layer.

The two layered Track numbers are indicated in the

screen. To change the layered (second) voice,

simply hold Shift and press another Track button.

Pressing a single Track button will reinstate the

Keyboard Normal Mode.

❑DYNAMIC SPLIT

Version 2’s Dynamic Split feature frees you from the

limitations of a fixed split point. When Dynamic Split

is active, the split point is determined by the first

note you play when no keys are being pressed.

Dynamic Split parameters are accessible in the Song

Play Mode Keyboard Setup screen (see the Owner’s

Manual, page 82).

To enter Dynamic Split Mode:

1. In Song Play Setup Mode, press [F7] to

display the Keyboard Setup screen.

2. Position the cursor over the Mode

parameter and set it to split status using

[INC], [DEC] or [JOG].

3. Position the cursor over the “Dynmc”

parameter and select one of the Dynamic

Split options.

Left

Right

Depending on which Dynamic Split option you

select, you can set either the upper or lower voice to

play first, as well as specify an interval zone on

each side of the split point to provide

unprecedented playing flexibility.

QUICK SPLIT/LAYER AND DYNAMIC SPLIT

Version 2 features Quick Split and Quick Layer functions which make it easy to split the

keyboard or layer two voices. When the W5/W7 is in Voice Mode or in Song Play Mode with

the Keyboard Setup screen visible (see the Owner’s Manual, page 83), you can easily activate

Quick Split or Quick Layer.

ENGLISH

• off

When set to “off”, the Dynamic Split is not active, and the

split point is fixed as determined by the Point setting.

• upr (Upper)

When set to “upr”, the first notes you play will be the upper

voice, and the highest note will designate the new split point

according to the specified Interval setting (see below).

• lwrL (Lower Low)

When set to “lwrL”, when the upper range of the keyboard is

played, the key below the specified interval from the highest

note played will become the split point (similar to “upr”);

when the lower range of the keyboard is played, the key

above the specified interval from the lowest note played will

become the split point.

• lwrH (Lower High)

When set to “lwrH”, when the upper range of the keyboard is

played, the key below the specified interval from the highest

note played will become the split point (similar to “upr”);

when the lower range of the keyboard is played, the key

above the specified interval from the highest note played will

become the split point.

Interval 7th

New split point setting

Keys played

Highest key played

Interval 7th

New split point settingLowest key played

Keys

played

Interval 7th

New split point setting Highest key played

Keys

Played

NOTE

When “lwrL” or “lwrH” is selected, if the split point as determined

by playing the lower range of the keyboard is lower than the

Keyboard Setup split point setting, the Keyboard Setup split point

setting will take precedence.

• 1stL (1st Lower)

When set to “1stL”, the key just above the first note played

will be the lower voice.

• 1stU (1st Upper)

When set to “1stU”, the key just below the first note played

will be the upper voice.

Intvl (Interval)

The “Intvl” setting determines the interval; you can select a 3rd,

5th, 7th or 9th interval setting.

Upper/Lower AT, PB, MW, Sus, FV, FC

Just as in 4-zone Mode (see the Owner’s Manual, page 83),

Dynamic Split lets you turn the controllers on and off for the

upper and lower voices. Controllers which you can turn on or off

include aftertouch, pitch bend, modulation wheel, sustain, foot

volume and foot controller.

New split point setting

Keys played

New split point settingKeys played

❑Song Play Mode

Measure Display

Version 2 always displays the current measure number of

the selected song at the top of the mixer screen, to the

left of the available memory gauge, in Song Play Mode

(excluding Song Setup). Thus, you can always see the

current measure location during mixdown, rather than

having to first display the Song Sequence Play screen.

Quick Song Select

Version 2 lets you select any of the 16 songs directly from

Song Multi Play Mode (mixer screen) or Song Sequence

Play Mode (see the Owner’s Manual, page 80), using the

16 Track buttons. In this case, the number of each Track

button corresponds with the song of the same number.

Just hold [SONG] and press the [TRACK] button with the

same number as the song you want to select.

Quick Measure Locate

Version 2 lets you jump to either of the two measure

locate points in a song directly from the Song Multi Play

Mode screen. When the mixer is displayed, simply hold

[SHIFT] and press [F5] (Location 1) or [F6] (Location 2).

(For details about how to assign the two measure locate

points, see the Owner’s Manual, page 81.)

Mixer Screen Jump

Version 2 provides easier navigation within the mixer

with the Mixer Screen Jump feature. This lets you, for

example, quickly jump back and forth between the Effect

Send 1 knob and the Volume fader for the selected track.

In Song Multi Play Mode, hold [SHIFT] and press [F2]. To

assign a different feature for each arrow, use the cursor-

up/down buttons.

External Sync Tempo Display

Version 2 displays the tempo value of a connected external

sequencer when the W5/W7 is set to MIDI (external) clock

status. The tempo value of the external sequencer’s clock

will appear in parentheses in the tempo field of Song

Sequence Play Mode. (For details about setting the clock

status, see the Owner’s Manual, page 84.)

Song Playback From Specified

Measure

Version 2 lets you start song playback from any measure

and still have the system exclusive, program change,

control change and other data applied. Holding [SHIFT]

and pressing [RUN] will cause the song to start from the

currently specified measure after reading the data in the

previous measures—so that the correct voices, etc., will

be applied to the playback.

Song Setup During Playback

Version 2 lets you select the Song Setup Keyboard and

Other (Next Song, Transpose) features during song

playback.

OTHER FEATURES IN Version 2

Version 2 incorporates a variety of other features which streamline the W5/W7’s operation as

well as greatly expand your playing options.

ENGLISH

❑System Effect

Tempo Delay

In Version 2 the tempo of the song can be used to

automatically determine the delay time in System Effect 3.

The Tempo Delay feature lets you quickly and easily

match the delay time in System Effect 3 to the tempo of

the song. The various note values are accessible from the

delay parameters below a value of 0.1ms by pressing

[DEC].

Note that a slower tempo which exceeds the delay range

will halve the actual delay time. Also note that using the

external clock or changing the tempo may produce noise.

❑Song Setup Mode

Transpose

Version 2 provides an octave Transpose feature in

Keyboard Normal Mode (Keyboard Setup screen; see the

Owner’s Manual, page 82) that lets you shift the octave

up or down between –3 and +3 octaves.

There is also a shortcut to accessing the octave Transpose

feature from Voice Mode, by pressing [F1] (octave down)

or [F2] (octave up).

F1 F2

❑Song Record Mode

Variable Count-in

Version 2 lets you determine the number of measures for

count-in before realtime (Overdub or Replace) recording

begins. (For details about Song Record Mode, see the

Owner’s Manual, page 86). There are four options, as

follows:

key

When “key” is selected, recording will begin as soon as you

press a key on the keyboard.

When “0” is selected, recording will begin as soon as you

press the Run button.

When “1” is selected, recording will begin after a one-

measure count-in after pressing the Run button.

When “2” is selected, recording will begin after a two-

measure count-in after pressing the Run button.

Click Beat and Quantize

Version 2 displays note values graphically to the right of

the Quantize and Click Beat parameters. Also, you can

select Quantize and Click Beat parameters via the

numeric keypad, in accordance with the note values as

printed above the various keypad buttons.

Jump To Next Note Event

In Step Record Mode (see the Owner’s Manual, page 89),

when the Data/Cursor button is set to “Cursor” (red

light), you can jump directly to each subsequent note

using the [JOG] dial or [CURSOR-LEFT/RIGHT] buttons,

rather than having to scroll through each segment of 12

clocks.

Transpose

Just as in Keyboard Normal Mode (Song Setup screen)

and Voice Mode, you can transpose the pitch between –3

and +3 octaves from within Step Record Mode (see the

Owner’s Manual, page 90)—by holding [SHIFT] and

pressing [F1] (octave down) or [F2] (octave up).

❑Song Edit Mode

System Exclusive Input

When you select a type other than “Excl”, such as VceC

(Voice Common), VceE (Voice Element), DrmC (Drum

Voice Common), Song, Mlt (Multi), Sys (System), and

SwR (Switch Remote), the various types of parameters

for the parameter changes can be edited.

Parameters

D (Device Number) input numerically

C (Inst Channel) input numerically

Param (Parameter Type) depends on the type selected

E (Element Number) input only when the type is “VceE”

Val (Value) input numerically

For more information about MIDI system exclusive data,

refer to “MIDI Data Format” in the separate W5/W7

Technical Information booklet.

Song Edit Graphic Measure Select

Now you can locate a specific measure in Song Edit

Sequence Track Graph Mode (see the Owner’s Manual,

page 91) using the numeric keypad. Also, when the

Data/Cursor button is set to “Cursor” (red light), you can

jump directly to each subsequent note using the [JOG]

dial or [CURSOR-LEFT/RIGHT] buttons, rather than

having to scroll through each segment of 12 clocks.

F1 F2

SHIFT

❑Song Play/Voice Mode

Version 2 provides several convenient new features in

Voice Mode (see the Owner’s Manual, page 106).

Recall that when you switch into Voice Mode, the

settings for the selected voice are reset to the factory

settings, and the designated Insertion Effect will also be

applied.

Version 2 also gives you the option of selecting voices

from the Voice Mode screen without the factory settings

being automatically applied—by holding [SONG] and

pressing [VOICE], or by holding [SHIFT] and pressing

[VOICE]. The red lamp above both the Song and Voice

buttons will light.

In this “Song Play/Voice Mode” the W5/W7 is still

technically in Song Play Mode, but you get the benefits of

Voice Mode features such as a visual display of which

Insertion Effect is specified for the selected voice, plus

new features like Quick Octave Shift and Quick Voice

Bank Select.

Note that when you switch to Voice Mode, if all three

Insertion Effects are in use by other channels, one will be

“stolen” and applied to the voice in the currently selected

channel. In Song Play/Voice Mode, an Insertion Effect

will not be automatically applied to the currently selected

channel.

When the W5/W7 is in Song Play/Voice Mode, to switch

back into Voice Mode, simply press [VOICE]. To switch

back into Song Multi Play Mode, simply press [SONG].

When you switch back to Song Play Mode, the settings

for the voice will not be changed.

Another new aspect of Version 2 is that when you switch

from Voice Mode to Song Play Mode, you can hold

[SHIFT] and press [SONG] and the multi settings will be

restored as they were before entering Voice Mode.

ENGLISH

❑Voice Edit Mode

Element Assign

Version 2 provides a shortcut for selecting voice elements

from the Voice Element Assign function (see the Owner’s

Manual, page 112). Now you can position the cursor

over the two-letter element category code (if P1 or P2 is

selected) and directly select a different element category.

As you do, the first element of each category will be

recalled.

Voice Common Copy

Version 2 features a convenient Voice Common Copy

function in Voice Edit Mode (see the Owner’s Manual,

page 110). Voice Common Copy lets you copy controller

parameters only, or effect parameters only, or both

controller and effect parameters from a designated voice

to the current voice.

To access Voice Common Copy, press [F1] (Com) to

select the Common parameters, followed by [F6] (Vol) to

select the Volume function. Then press [F2] (Copy).

Voice Element Copy

Version 2 features a convenient Voice Element Copy

function (see the Owner’s Manual, page 112) that lets

you copy element and pitch from a designated voice to a

specified element (1~4) of the current voice.

To access Voice Element Copy, press [F2] (Elem) to

select the Element parameters, followed by [F5] (Assign)

to select the Assign function. Then press [F2] (Copy).

The destination element (“To”) can also be selected by

pressing [TRACK 1~ 4].

F2 F5

F2 F6

❑Store Mode

Song/Internal Voice Bank Copy

Version 2 provides much greater flexibility for storing

and managing user voices. Specifically, you can now

transfer the contents of any Song voice bank into the

Internal voice bank as long as the Song voices don’t use

the Song Element.

This gives you the option of storing a set of Song voices

as a normal voice bank on floppy disk, rather than as

“Song + Voice” data only, which cannot be loaded into

the Internal voice bank.

The GM, Preset, or Internal voice bank can be stored to

the existing Song voice bank if the voices don’t use the

Internal Elements.

Voice banks can be exchanged by using the Memory

function of Utility Mode (see page 25).

Store Mode Voice Directory

When storing a multi or voice in Store Mode (see the

Owner’s Manual, page 129-130), you can now call up the

Song Directory or Voice Directory, respectively, by

pressing [F8] (Dir).

When storing a voice, note that the currently selected

track (channel number) will be indicated to the right of

the currently selected voice to be stored.

Version 2 lets you designate auto or manual multi store

in Utility Mode, Other Setup (see page 25).

❑Utility Mode

Memory Copy

The Memory function (see the Owner’s Manual, page

143) has been expanded to give you the option of

exchanging various voice banks. For example, in addition

to being able to copy the Internal, Preset (1, 2, 3), GM or

Song Voice (1~16) bank to the Internal or Song Voice

(1~16) banks, you can copy a song voice bank to the

Internal bank.

Depending on which voice bank you copy from, specific

drum voice banks will also be copied, as follows:

• GM GM1 (StdKit) and GM2 (RoomKit)

• Preset 1 Preset 1 (QY10 Kit) and Preset 2 (SY85 Kit)

• Preset 2 GM1 (StdKit) and GM2 (RoomKit)

• Preset 3 Preset 3 (HipHopKit) and Preset 4 (Lofi Kit)

CS Assign and FC Assign

There is a new aspect to the CS Assign function in the

Controller screen (see the Owner’s Manual, page 147), as

well as a new function, FC Assign.

• CS Assign

You can assign one of many functions to be controlled by the

continuous slider on the W5/W7’s panel. “000” becomes the

default setting which allows the CS to be used as a data entry

slider, and “032” turns the CS off.

• FC Assign

You can assign one of many functions to be controlled by a

connected foot controller. Selectable parameters include 000

(off), 001~031, 032 (off), and 033~119. When you want to

use the foot controller in its normal capacity, select parameter

“004: FootCtrl”.

Note that when loading an All Data type file which was saved

in Version 1, FC Assign will automatically default to “000:

off”.

Multi Store Auto/Manual

In Version 1, whenever you made changes to a multi

they were stored in the multi automatically. Version 2

features a Multi Store function accessible from the Other

Setup screen (see the Owner’s Manual, page 149) which

lets you choose whether or not you want the changes

you make in a multi to be stored automatically or

manually using Store Mode.

The “auto” setting is the default setting which means that

all changes you make in multi parameters will be stored

automatically, and will be retained even if you switch

from song to song.

The “manual” setting will keep the changes you make in

a memory buffer, and will be lost when you switch to

another song, unless you perform the Multi Store

function in Store Mode. Manual lets you make changes in

a multi without fear of losing the original settings in the

song.

Free Internal Element

Version 2’s Free Element Initialize function in the

Initialize screen (see the Owner’s Manual, page 144) lets

you initialize unused Internal elements which

unintentionally have been stored by using a

commercially available disk, to provide more memory

space for those voices you need.

To access Free Element Initialize, press [F2] (Init) and

select “Free Element” using [INC] or [JOG].

ENGLISH

❑Disk Mode

Auto Load and Auto Play

Version 2 features new Auto Load and Auto Play options

in Disk Mode (see the Owner’s Manual, page 131).

Auto Load lets you insert a floppy disk when the power

is off so that a file on the disk will load automatically into

songs when you turn the power on—so that the file is

ready to play. Auto Play lets you have the file load into

Song 01 and start playing automatically after the W5/W7

system starts up.

Auto Load works by saving a song file to floppy disk as a

“1 Song + Voice” (.A1S) type file using the name

AUTOLOAD. (“AUTOLOAD.A1S”)

Auto Play works by saving a song file to floppy disk as a

“1 Song + Voice” (.A1S) type file using the name

AUTOPLAY. (“AUTOPLAY.A1S”)

Note that you can only store one Auto Load or Auto Play

file on a single floppy disk. Also note that when you load

the .A1S type song file, its voice data will be loaded into

the Song voice bank, thus overwriting any existing Song

voices.

NOTE

The AUTOPLAY.A1S file is included in the accompanying floppy

disk. (For more information, see page 7)

CAUTION

Turning the power off or ejecting the floppy disk while loading may

cause irretrievable data loss or floppy disk drive malfunction.

● Element List

Eleven new preset elements (246 ~ 256) are added to

the P2 element bank, as listed on pages 19 ~ 24 of

the Technical Information booklet. Please add the

following to the list which ends on page 24:

Element Element

Bank Number

P2 246 Se VBInsect Vibraslap Insect

247 Sine 5th Sine 5th

248 Science Science

249 OffMumin Off Mumin

250 Ghost Ghost

251 TapeSpin Tape Spin

252 Bell Dly Bell Dly

253 Bird Bird

254 Reviw Reviw

255 PlsSiren Pulse Siren

256 GhostCH Ghost Choir

Category LCD Name

Changes to the Technical Information Booklet

Please use the new information below in conjunction with the W5/W7 Technical

Information booklet.

● Voice List

Two new Preset voice banks, P2 and P3, are included

in Version 2. Please note the following:

• The voices in Preset voice bank P1 are the same as

those in the “Preset Voice List” on pages 6 ~ 11 of

the Technical Information booklet.

• The voices in Preset voice bank P2 are the same as

those in the “Internal Voice List” on pages 12 ~ 17

of the Technical Information booklet.

• The voices in Preset voice bank P3 are listed under

“Preset Voice Bank 3” on pages 28 ~ 31, herein.

● Drum Voice Key Assignments

Two new Preset drum voices (PD03 and PD04) are

included in the Preset Drum voice bank, which

include some differences in key assignments. Please

note the following:

• A listing of the key assignments for PD03 and PD04

are provided in the “DRUM VOICE LIST” chart on

page 32, herein.

INSERTION EFFECT

VOICE

Device Parameter Enable*

MC 1

MIDI CONTROL

Device Parameter Enable*

MC 2

Voice

Number

Voice

Category

Voice Name

Effect

Mode

Effect Type

Normal-Voice-Liste

Liste des Sonorités Normales

INSERTION EFFECT

Device Parameter Enable*

MIDI CONTROL

Device Parameter Enable*

MC 2

Voice

Category

Voice Name

Effect

Mode

NORMAL VOICE LIST

Preset Voice Bank 3 (001~064)

Voice

Number

MC 1

VOICE

Effect Type

001 Ld Bass&Lead off 3 Band EQ

General1(CS)

flt cutof 123- ModWheel off ___-

002 Fat&fat on 3 Band EQ

General1(CS)

sys.ef 2 ___- ModWheel off ___-

003 Blue Lead on Dist+Comp

General1(CS)

flt cutof 12-- ModWheel off __--

004 YellowLead on Dist+Comp

General1(CS)

flt cutof 12-- ModWheel off __--

005 Pump 7sus4 on Flanger A

General1(CS)

flt cutof 123- ModWheel off ___-

006 Pump Tri 1 on Flanger A

General1(CS)

flt cutof 123- ModWheel off ___-

007 Pump Tri 2 on Flanger A

General1(CS)

sys.ef 3 1234 ModWheel off ____

008 Koff Lead off 3 Band EQ

General1(CS)

flt cutof 123- ModWheel off ___-

009 Digi Sync off 3 Band EQ

General1(CS)

flt cutof 123- ModWheel off ___-

010 Se N-Hall on Flanger B ModWheel ins.ef 12--

General1(CS)

flt cutof 12--

011 DOWN on Phaser

General1(CS)

ins.ef __-- ModWheel off __--

012 L.F.O. on Auto PAN

General1(CS)

lfo speed 12-- ModWheel off __--

013 HaHahaha on 3 Band EQ

General1(CS)

flt reso 12-- ModWheel off __--

014 Tek Boy on Dist+Comp

General1(CS)

lfo speed 1--- ModWheel off _---

015 Tek Loop on Phaser

General1(CS)

lfo speed 1--- ModWheel flt cutof 1---

016 Tek S&H on Flanger A

General1(CS)

lfo speed 1--- ModWheel flt cutof 1---

017 MWScratch1 on Dist+Wah ModWheel ins.ef 12--

General1(CS)

flt cutof 12--

018 MWScratch2 on Dist+Wah ModWheel ins.ef 12--

General1(CS)

flt cutof 12--

019 Tape Spin on Distortion ModWheel off __-- ModWheel off __--

020 Choral Hit on Cross Delay

General1(CS)

sys.ef 2 ____ ModWheel off ____

021 Dr 4spHipHop1 on Reverb Plate

General1(CS)

ins.ef 1234 ModWheel off ____

022 4spHipHop2 on Reverb Plate

General1(CS)

ins.ef 1234 ModWheel off ____

023 4spTekno 1 on Reverb Plate

General1(CS)

ins.ef 1234 ModWheel off ____

024 4spTekno 2 on Reverb Plate

General1(CS)

ins.ef 1234 ModWheel off ____

025 Ba Super Sub on 3 Band EQ

General1(CS)

ins.ef __-- ModWheel off __--

026 ElekiTight on 3 Band EQ

General1(CS)

sys.ef 2 123- ModWheel off ___-

027 Joy Bass on Flanger A

General1(CS)

flt cutof 123- ModWheel off ___-

028 Tek Line on Flanger B

General1(CS)

ins.ef 12-- ModWheel off __--

029 Tight Syn on 3 Band EQ

General1(CS)

flt cutof 12-- ModWheel off __--

030 LatelyBass on 3 Band EQ

General1(CS)

flt cutof 12-- ModWheel off __--

031 Star Dust on Phaser ModWheel off __--

General1(CS)

flt cutof _2--

032 Gang on Rotary Sp.

General1(CS)

ins.ef 1234 ModWheel off ____

033 VocoBass on Dist->Flange

General1(CS)

ins.ef 1234 ModWheel off 1234

034 P Funk on Dist+Wah

General1(CS)

ins.ef 12-- ModWheel off __--

035 Pick Comp on Dist+Comp

General1(CS)

flt cutof 12-- ModWheel off __--

036 LoFiAcBass on Early Ref.1

General1(CS)

ins.ef 1--- ModWheel off _---

037 Upright on Dist+Comp

General1(CS)

flt cutof 12-- ModWheel off __--

038 Fx Rave Hit 1 on Aural Exc

General1(CS)

flt band 12-- ModWheel off __--

039 Rave Hit 2 on Aural Exc

General1(CS)

ins.ef 1--- ModWheel off _---

040 Acid Hit1 on Early Ref.1

General1(CS)

ins.ef 1234 ModWheel off ____

041 Acid Hit2 on Early Ref.1

General1(CS)

ins.ef 1234 ModWheel off ____

042 Acid Hit3 on Reverb Room

General1(CS)

ins.ef 1234 ModWheel off ____

043 Saxes Hit on 3 Band EQ

General1(CS)

ins.ef 123- ModWheel off ___-

044 Brass Hit on 3 Band EQ

General1(CS)

ins.ef 123- ModWheel off ___-

045 Staring on Phaser

General1(CS)

ins.ef 12-- ModWheel off __--

046 End Time on Flanger B

General1(CS)

ins.ef 123- ModWheel off ___-

047 Tek Liner on Flanger A ModWheel lfo speed 1234

General1(CS)

ins.ef 1234

048 OverTheSky on Flanger B ModWheel ins.ef 123-

General1(CS)

lfo speed 123-

049 Pd Square St off 3 Band EQ

General1(CS)

flt cutof 12-- ModWheel off __--

050 Ambient St off Cross Delay

General1(CS)

flt cutof 123- ModWheel off ___-

051 BeautyPad on 3 Band EQ

General1(CS)

ins.ef 12-- ModWheel off __--

052 ReverseRR on Cross Delay

General1(CS)

flt reso 12-- ModWheel off __--

053 Feed Pad on Dist->Flange ModWheel ins.ef 123-

General1(CS)

flt reso 123-

054 AngelHair on Chorus B ModWheel ins.ef 1234

General1(CS)

flt cutof 1234

055 Ice Doll on Chorus A ModWheel ins.ef 1234

General1(CS)

flt cutof 1234

056 Flute Pad on Pitch Chng 2 ModWheel flt reso 123-

General1(CS)

ins.ef 123-

057 BuzzDrone on Flanger B ModWheel ins.ef 123-

General1(CS)

flt cutof 123-

058 Lily on "Delay L,C,R"

General1(CS)

ins.ef 123-

General1(CS)

sys.ef 2 123-

059 Pf Dance CP on Dist->Phaser

General1(CS)

flt cutof 1_-- ModWheel off __--

060 Ana EP off Pitch Chng 1

General1(CS)

feg decay 12-- ModWheel off __--

061 EP Phaser on Phaser

General1(CS)

ins.ef 12-- ModWheel off __--

062 ClaviPhase on Phaser

General1(CS)

ins.ef 1--- ModWheel off _---

063 60Vintage on Rotary Sp.

General1(CS)

ins.ef 12-- ModWheel off __--

064 AcP & EP off 3 Band EQ

General1(CS)

sys.ef 1 _23- ModWheel off ___-

*The "Enable" column indicates Element on/off and MIDI control status, where 1,2,3 and 4 represent Elements 1,2,3 and 4, respectively. A horizontal line at the baseline ("_") or a number indicates that

an element is turned on, with the number indicating that the element can be controlled by MIDI, and the horizontal line indicating that it cannot. A horizontal dash ("-") indicates that the element is turned

off. For example, an Enable situation coded with "12_-" indicates that Elements 1, 2 and 3 are turned on, with Elements 1 and 2 able to be controlled by MIDI. Element 4 is turned off.

ELEMENT

Element 1 Element 2 Element 3 Element 4

Element

Bank

Element

Number

Element

Category

Element

Name

Element

Bank

Element

Number

Element

Category

Element

Name

Element

Bank

Element

Number

Element

Category

Element

Name

Element

Bank

Element

Number

Element

Category

Element

Name

ELEMENT

Element 1 Element 2 Element 3 Element 4

Element

Bank

Element

Number

Element

Category

Element

Name

Element

Bank

Element

Number

Element

Category

Element

Name

Element

Bank

Element

Number

Element

Category

Element

Name

Element

Bank

Element

Number

Element

Category

Element

Name

P1 238 Br SynBrs10 P2 30 Ld BrsLd1 P1 166 Ba SynBs17 off -- --

P2 20 Ld Sweep P2 20 Ld Sweep P2 20 Ld Sweep off -- --

P1 152 Ba SynBs3 P1 152 Ba SynBs3 off -- -- off -- --

P1 157 Ba SynBs8 P1 157 Ba SynBs8 off -- -- off -- --

P1 234 Br SynBrs6 P1 234 Br SynBrs6 P1 234 Br SynBrs6 off -- --

P2 13 Ld Saw3 P2 13 Ld Saw3 P2 13 Ld Saw3 P2 13 Ld Saw3

P2 13 Ld Saw3 P2 13 Ld Saw3 P1 36 Pf Harpsi1 off -- --

P2 116 Pc DigiWobb P2 116 Pc DigiWobb P2 116 Pc DigiWobb off -- --

P2 33 Ld RezLd P2 159 Se Shilling off -- -- off -- --

P2 26 Ld Digi6 P2 25 Ld Digi5 off -- -- off -- --

P2 158 Se Seq2 P2 142 Se Insect off -- -- off -- --

P2 138 Se Guffaw1 P2 139 Se Guffaw2 off -- -- off -- --

P2 248 Se Science off -- -- -- off -- -- off -- --

P1 165 Ba SynBs16 off -- -- -- off -- -- off -- --

P2 24 Ld Digi4 off -- -- -- off -- -- off -- --

P2 234 Dr Scrach P2 92 Fx WindLoop off -- -- off -- --

P2 234 Dr Scrach P2 154 Se Burst off -- -- off -- --

P2 251 Se TapeSpin P2 251 Se TapeSpin off -- -- off -- --

P1 198 En Choir1 P1 198 En Choir1 P2 35 Pd Pad1 P1 61 Cp Hndbel1

P2 179 Dr BdStd P2 185 Dr SDRock P2 202 Dr HHClose P2 203 Dr HHAnOpn

P2 172 Dr BDStdH P2 184 Dr SDRmH2 P2 204 Dr HHAnCls P2 203 Dr HHAnOpn

P2 178 Dr BDAnalog P2 192 Dr SDAna9 P2 204 Dr HHAnCls P2 203 Dr HHAnOpn

P2 178 Dr BDAnalog P2 199 Dr TMEle P2 202 Dr HHClose P2 200 Dr HHOpen

P1 165 Ba SynBs16 P1 161 Ba SynBs12 off -- -- off -- --

P1 118 Gt Mute3 P1 139 Ba AlenBs4 P1 139 Ba AlenBs4 off -- --

P1 155 Ba SynBs6 P1 155 Ba SynBs6 P1 155 Ba SynBs6 off -- --

P2 17 Ld Squ P2 17 Ld Squ off -- -- off -- --

P1 156 Ba SynBs7 P1 153 Ba SynBs4 off -- -- off -- --

P1 153 Ba SynBs4 P1 155 Ba SynBs6 off -- -- off -- --

P1 45 Pf Stuff7 P1 155 Ba SynBs6 off -- -- off -- --

P2 11 Ld Saw1 P2 11 Ld Saw1 P2 11 Ld Saw1 P2 11 Ld Saw1

P1 215 En Vox6 P1 216 En Vox7 P1 0 Pi Whistle P2 161 Se SlapAtk

P1 140 Ba BeatleBs P1 149 Ba SlapBs2 off -- -- off -- --

P1 134 Ba PickBs1 P1 141 Ba Fretls1 off -- -- off -- --

P1 132 Ba A.Bass2 off -- -- -- off -- -- off -- --

P1 141 Ba Fretls1 P1 132 Ba A.Bass2 off -- -- off -- --

P1 218 En OrchHit P1 218 En OrchHit off -- -- off -- --

P1 218 En OrchHit off -- -- -- off -- -- off -- --

P2 207 Dr CyCrush P1 244 Rd TenorSx1 P1 222 Br MuteTp P1 132 Ba A.Bass2

P2 208 Dr CyChina P1 243 Rd AltGrwl P1 219 Br Trumpet P1 137 Ba AlenBs2

P2 208 Dr CyChina P1 243 Rd AltGrwl P1 219 Br Trumpet P1 159 Ba SynBs10

P1 242 Rd AltoSx P1 245 Rd TenorSx2 P1 246 Rd BariSx off -- --

P1 219 Br Trumpet P1 219 Br Trumpet P1 222 Br MuteTp off -- --

P1 238 Br SynBrs10 P2 164 Se TuneRes2 off -- -- off -- --

P1 180 St SynSt2 P1 180 St SynSt2 P2 54 Pd Pad20 off -- --

P2 78 Fx RevSyn P2 78 Fx RevSyn P2 78 Fx RevSyn P2 78 Fx RevSyn

P2 60 Pd Pad26 P2 57 Pd Pad23 P2 47 Pd Pad13 off -- --

P2 17 Ld Squ P2 17 Ld Squ off -- -- off -- --

P2 19 Ld SquSaw P2 18 Ld SawSqu P2 19 Ld SquSaw off -- --

P1 183 St SynSt5 P1 183 St SynSt5 off -- -- off -- --

P2 61 Pd Pad27 P2 61 Pd Pad27 off -- -- off -- --

P2 67 Pd Pad33 P2 63 Pd Pad29 P1 0 Pi Whistle off -- --

P2 53 Pd Pad19 P2 65 Pd Pad31 P2 83 Fx DigiEcho P1 211 En Vox2

P2 63 Pd Pad29 P2 123 Se Bush P2 87 Fx TimpMute P2 41 Pd Pad7

P2 39 Pd Pad5 P2 1 Pi Flute1 P2 1 Pi Flute1 off -- --

P2 65 Pd Pad31 P2 74 Pd Pad40 P2 65 Pd Pad31 off -- --

P1 44 Pf Stuff6 P2 5 Pi PanFlt1 P2 5 Pi PanFlt1 off -- --

P1 11 Pf E.Grand3 P1 36 Pf Harpsi1 off -- -- off -- --

P2 24 Ld Digi4 P2 24 Ld Digi4 off -- -- off -- --

P1 13 Pf EP2 P1 17 Pf EP6 off -- -- off -- --

P2 22 Ld Digi2 off -- -- -- off -- -- off -- --

P1 28 Pf EP17 P1 93 Or Stuff1 off -- -- off -- --

P1 1 Pf A.Piano1 P1 14 Pf EP3 P1 14 Pf EP3 off -- --

INSERTION EFFECT

VOICE

Device Parameter Enable*

MC 1

MIDI CONTROL

Device Parameter Enable*

MC 2

Voice

Number

Voice

Category

Voice Name

Effect

Mode

Effect Type

065 Pf TX816 EP on Symphonic

General1(CS)

ins.ef 123- ModWheel off ___-

066 Mod Roades on Flanger B ModWheel ins.ef 1---

General1(CS)

sys.ef 1 1---

067 Or House Orgn on Aural Exc ModWheel off 1---

General1(CS)

flt cutof 1---

068 The Cat on Rotary Sp. ModWheel ins.ef ____

General1(CS)

aeg decay ___4

069 Gt HeavyMetal on Dist->Delay

General1(CS)

sys.ef 3 12_-

General1(CS)

sys.ef 1 12_-

070 Prince on Distortion

General1(CS)

ins.ef 12-- ModWheel off __--

071 Stratus on Dist->PtChng

General1(CS)

ins.ef 12_- ModWheel off 12_-

072 Eleki Man on Reverb Plate

General1(CS)

ins.ef 1--- ModWheel off _---

073 St Progressiv on 3 Band EQ

General1(CS)

flt cutof 12-- ModWheel off __--

074 Br Elec Mute on Dist+Wah

General1(CS)

ins.ef _--- ModWheel off _---

075 Rd LoFi Sax off 3 Band EQ

General1(CS)

flt band 1--- ModWheel off _---

076 Pi Shaku8 on Early Ref.2

General1(CS)

flt cutof 1_3- ModWheel off ___-

077 Sc Ana Pluck off 3 Band EQ

General1(CS)

flt cutof 12-- ModWheel off __--

078 Acid Digi on 3 Band EQ

General1(CS)

flt cutof 12-- ModWheel off __--

079 SquareSeq off 3 Band EQ

General1(CS)

sys.ef 2 1--- ModWheel off _---

080 Pulse Seq off 3 Band EQ

General1(CS)

flt reso 12-- ModWheel off __--

081 Saw Stab off 3 Band EQ

General1(CS)

flt reso 1--- ModWheel off _---

082 Harpy off 3 Band EQ

General1(CS)

flt reso 123- ModWheel off ___-

083 Wire Comp on Phaser

General1(CS)

ins.ef 12-- ModWheel off __--

084 DeCaY off 3 Band EQ

General1(CS)

flt reso 12-- ModWheel off __--

085 Platinum on Dist->Delay ModWheel sys.ef 3 123-

General1(CS)

sys.ef 1 123-

086 Fx Polaris on 3 Band EQ ModWheel off 1234

General1(CS)

flt cutof 1234

087 Moon Base on "Delay L,C,R"

General1(CS)

flt cutof 12-- ModWheel off __--

088 WaterMalet on Symphonic ModWheel ins.ef 12--

General1(CS)

flt cutof 12--

089 Sun Set on 3 Band EQ ModWheel off 123-

General1(CS)

amp level _2_-

090 Fly Sine on Cross Delay

General1(CS)

amp level _2__

General1(CS)

amp level __3_

091 Space Dust on Stereo Echo

General1(CS)

flt reso _2__

General1(CS)

flt cutof ____

092 Galaxy on Cross Delay

General1(CS)

sys.ef 2 ____ ModWheel off ____

093 Ice Land on Stereo Echo ModWheel amp level ___4

General1(CS)

sys.ef 2 ____

094 Insectoid on Cross Delay

General1(CS)

sys.ef 2 ____

General1(CS)

amp level 12__

095 Ambi S&H on 3 Band EQ

General1(CS)

lfo speed 12-- ModWheel off __--

096 LisWat on Gate Reverb

General1(CS)

ins.ef 123- ModWheel off ___-

097 Deep Ambi1 on Auto PAN

General1(CS)

flt cutof 12-- ModWheel off __--

098 Deep Ambi2 on Phaser

General1(CS)

ins.ef 123- ModWheel off ___-

099 Psychic on 3 Band EQ ModWheel off 1234

General1(CS)

lfo speed 1234

100 Myth on Pitch Chng 1 ModWheel off 1234

General1(CS)

ins.ef 1234

101 Maria on "Delay L,R" ModWheel off 12--

General1(CS)

amp level 1_--

102 Puppet on Pitch Chng 1 ModWheel lfo speed 123-

General1(CS)

flt reso 123-

103 Stoma on Phaser

General1(CS)

flt reso 12-- ModWheel off 12--

104 SnowFlakes on Chorus A ModWheel ins.ef 123-

General1(CS)

lfo speed 123-

105 Shanbala on 3 Band EQ ModWheel flt cutof 12--

General1(CS)

amp level _2--

106 Spell on Phaser ModWheel ins.ef 12--

General1(CS)

flt cutof 12--

107 Et Beijing on Pitch Chng 2

General1(CS)

flt reso 12-- ModWheel off __--

108 Chiang Mai on Early Ref.2

General1(CS)

flt cutof 123- ModWheel off ___-

109 Pc Jungle Tom off Reverb Plate

General1(CS)

ins.ef 1--- ModWheel off _---

110 EthnicPerc on Reverb Room

General1(CS)

ins.ef 12-- ModWheel off __--

111 Se Meadow on Auto PAN

General1(CS)

ins.ef ____ ModWheel lfo speed _2__

112 GhostRiver on Cross Delay

General1(CS)

flt cutof 1___ ModWheel off ____

113 Feed on Dist->Delay ModWheel lfo pmd 12_-

General1(CS)

ins.ef 1__-

114 Bell Crash on "Delay L,R"

General1(CS)

sys.ef 3 ____

General1(CS)

sys.ef 2 ____

115 SpaceLab on Flanger A

General1(CS)

flt cutof 12-- ModWheel off __--

116 Feedle on Flanger A

General1(CS)

flt cutof 12-- ModWheel off __--

117 Mad Man on 3 Band EQ

General1(CS)

flt cutof 12-- ModWheel off 12--

118 Going Up on Cross Delay

General1(CS)

flt cutof 123- ModWheel off ___-

119 Apollo on Phaser

General1(CS)

ins.ef 123- ModWheel flt cutof 123-

120 S.O.S on Flanger A

General1(CS)

flt reso 123- ModWheel ins.ef __3-

121 Teleport on Pitch Chng 1

General1(CS)

lfo speed 1_-- ModWheel flt reso 12--

122 Torpedo on Phaser ModWheel ins.ef 12--

General1(CS)

flt reso 12--

123 Emergency on Dist->Phaser ModWheel ins.ef 12--

General1(CS)

lfo speed 12--

124 Planet X on Dist->Flange ModWheel ins.ef 12--

General1(CS)

flt cutof 12--

125 CuicaWomen on Early Ref.1

General1(CS)

flt cutof 12-- ModWheel off __--

126 Co Bahama on 3 Band EQ ModWheel sys.ef 2 ____

General1(CS)

sys.ef 3 ____

127 RckBandHit on Distortion

General1(CS)

aeg decay _23_ ModWheel off ____

128 MerryXmas on Early Ref.1

General1(CS)

flt band 1234 ModWheel off ____

Preset Voice Bank 3 (065~128)

ELEMENT

Element 1 Element 2 Element 3 Element 4

Element

Bank

Element

Number

Element

Category

Element

Name

Element

Bank

Element

Number

Element

Category

Element

Name

Element

Bank

Element

Number

Element

Category

Element

Name

Element

Bank

Element

Number

Element

Category

Element

Name

P1 16 Pf EP5 P1 17 Pf EP6 P1 47 Pf Stuff9 off -- --

P1 12 Pf EP1 off -- -- -- off -- -- off -- --

P1 76 Or Organ2 off -- -- -- off -- -- off -- --

P1 96 Or Stuff4 P1 96 Or Stuff4 P1 96 Or Stuff4 P1 96 Or Stuff4

P1 121 Gt Ovdrv1 P1 121 Gt Ovdrv1 P1 116 Gt Mute1 off -- --

P1 184 St Violin1 P1 184 St Violin1 off -- -- off -- --

P1 103 Gt Clean1 P1 116 Gt Mute1 P2 161 Se SlapAtk off -- --

P1 116 Gt Mute1 off -- -- -- off -- -- off -- --

P1 174 St Strings6 P1 174 St Strings6 off -- -- off -- --

P1 222 Br MuteTp off -- -- -- off -- -- off -- --

P1 244 Rd TenorSx1 off -- -- -- off -- -- off -- --

P2 10 Pi Noise P2 9 Pi Bottle P1 254 Pi Shaku8 off -- --

P1 152 Ba SynBs3 P1 152 Ba SynBs3 off -- -- off -- --

P2 27 Ld Digi7 P2 27 Ld Digi7 off -- -- off -- --

P2 17 Ld Squ off -- -- -- off -- -- off -- --

P2 18 Ld SawSqu P2 18 Ld SawSqu off -- -- off -- --

P2 11 Ld Saw1 off -- -- -- off -- -- off -- --

P1 97 Gt Nylon1 P1 97 Gt Nylon1 P1 190 St Harp off -- --

P1 49 Pf Stuff11 P1 129 Gt Stuff5 off -- -- off -- --

P1 43 Pf Stuff5 P2 35 Pd Pad1 off -- -- off -- --

P1 44 Pf Stuff6 P1 39 Pf Stuff1 P2 151 Se MtlBel1 off -- --

P2 32 Ld VoxLd P2 32 Ld VoxLd P2 80 Fx Dissolve P1 204 En Choir7

P1 217 En Vox8 P1 217 En Vox8 off -- -- off -- --

P2 76 Fx SlwSweep P2 72 Pd Pad38 off -- -- off -- --

P2 69 Pd Pad35 P1 46 Pf Stuff8 P1 0 Pi Whistle off -- --

P2 249 Se offMumin P1 254 Pi Shaku8 P1 206 En Choir9 P1 70 Cp Digi4

P2 248 Se Science P2 36 Pd Pad2 P2 248 Se Science P2 185 Dr SDRock

P2 17 Ld Squ P2 46 Pd Pad12 P2 46 Pd Pad12 P1 71 Cp Digi5

P2 247 Se Sine 5th P2 247 Se Sine 5th P2 35 Pd Pad1 P2 37 Pd Pad3

P2 35 Pd Pad1 P2 35 Pd Pad1 P2 246 Se VibraInc P2 246 Se VibraInc

P2 80 Fx Dissolve P2 80 Fx Dissolve off -- -- off -- --

P1 69 Cp Digi3 P1 69 Cp Digi3 P1 69 Cp Digi3 off -- --

P2 158 Se Seq2 P2 86 Fx AtkChr2 off -- -- off -- --

P2 24 Ld Digi4 P2 53 Pd Pad19 P2 157 Se Seashore off -- --

P2 44 Pd Pad10 P2 33 Ld RezLd P2 76 Fx SlwSweep P2 88 Fx Octivate

P1 123 Gt Harm1 P1 209 En Choir12 P2 94 Fx EP-S&H P2 87 Fx TimpMute

P2 149 Se Quasar P1 202 En Choir5 off -- -- off -- --

P1 51 Cp Clste1 P1 69 Cp Digi3 P2 73 Pd Pad39 off -- --

P2 129 Se Simmer P2 65 Pd Pad31 off -- -- off -- --

P2 63 Pd Pad29 P2 233 Dr SleiBell P2 83 Fx DigiEcho off -- --

P2 38 Pd Pad4 P2 87 Fx TimpMute off -- -- off -- --

P2 59 Pd Pad25 P2 160 Se Simpl'n' off -- -- off -- --

P2 100 Et Sitar P2 100 Et Sitar off -- -- off -- --

P2 115 Pc TnklBell P2 115 Pc TnklBell P2 115 Pc TnklBell off -- --

P2 197 Dr TMJazz off -- -- -- off -- -- off -- --

P2 241 Dr Tumba P2 241 Dr Tumba off -- -- off -- --

P2 0 Se GorstCH P2 255 Se PulsCire P2 254 Se Reviw P2 253 Se Bird

P1 198 En Choir1 P2 128 Se Stream P1 208 En Choir11 P2 250 Se Gorst

P2 22 Ld Digi2 P2 22 Ld Digi2 P2 140 Se Guffaw3 off -- --

P2 220 Dr BellTree P2 162 Se Telephon P2 162 Se Telephon P2 162 Se Telephon

P2 146 Se CymSir P2 160 Se Simpl'n' off -- -- off -- --

P2 144 Se LFO Xylo P2 144 Se LFO Xylo off -- -- off -- --

P2 242 Dr VbSlp P2 242 Dr VbSlp off -- -- off -- --

P2 87 Fx TimpMute P2 130 Se Seq1 P2 14 Ld Saw4 off -- --

P2 150 Se MadTinke P2 163 Se TuneRes1 P2 159 Se Shilling off -- --

P2 164 Se TuneRes2 P2 150 Se MadTinke P1 217 En Vox8 off -- --

P2 74 Pd Pad40 P2 80 Fx Dissolve off -- -- off -- --

P2 20 Ld Sweep P2 157 Se Seashore off -- -- off -- --

P2 33 Ld RezLd P2 166 Se Tweet 2 off -- -- off -- --

P2 94 Fx EP-S&H P2 128 Se Stream off -- -- off -- --

P2 227 Dr CuiKL P2 226 Dr CuiKH off -- -- off -- --

P2 252 Se Bell Dly P2 81 Fx LoopXylo P1 64 Cp StlDrum P2 223 Dr CongaOp

P1 137 Ba AlenBs2 P1 119 Gt Dist1 P1 119 Gt Dist1 P2 172 Dr BDStdH

P1 183 St SynSt5 P1 183 St SynSt5 P1 65 Cp Marimba P1 60 Cp Glock1

pgm#

Key Off

Alt. GM-1(GD01) GM-9(GD02) GM-17(GD03) GM-25(GD04) GM-26(GD05) GM-33(GD06) GM-41(GD07) GM-49(GD08) Pre-1(PD01) Pre-2(PD02) Pre-3(PD03) Pre-4(PD04)

Note# Note Standard Kit Room Kit Rock Kit Electro Kit Analog Kit Jazz Kit Brush Kit Classic Kit Preset1(QY10) Preset2(SY85) HipHop Kit Lofi Kit

24 C 0 Click H

25 CH 0 Brush Tap

26 D 0 O Brush Swirl L

27 DH 0 Brush Slap

28 E 0 O Brush Swirl H

Reverse Cymbal

Reverse Cymbal Crash Cymbal 1

29 F 0 O Snare Roll

30 FH 0 Castanet Hi Q Hi Q Hi Q

31 G 0 Snare L SD Power M Snare M SD Power H Brush Slap L Snare M

32 GH 0 Sticks

33 A 0 Bass Drum L Bass Drum M Bass Drum H Bass Drum M Bass Drum M Bass Drum H

34 AH 0 Open Rim Shot Open Rim Shot

35 B 0 Bass Drum M Bass Drum H BD Power BD Analog L BD RoomS Bass Drum L

36 C 1 Bass Drum H BD Power BD Gate BD Analog H Gran Cassa Bass Drum H BD Power Bass Drum L Bongo H

37 CH 1 Side Stick

Analog Side Stick

BD Gate BD RoomS Side Stick L Analog Side Stick

38 D 1 Snare M SD Rock SD Power L Analog Snare L Brush Slap SD Rock Bass Drum H Snare M HHAnOpn

39 DH 1 Hand Clap Snare M Bass Drum L Hand Clap

40 E 1 Snare H SD Power Rim SD Power H Analog Snare H Brush Tap Room Tom 1 Room Tom 1 SD Rim H Chinese Cymbal

41 F 1 Floor Tom L Room Tom 1 Power Tom 1 E Tom 1 Analog Tom 1 Jazz Tom 1 Brush Tom 1 Jazz Tom 1 Room Tom 2 Room Tom 2 Jazz Tom 1

Conga HH Closed 1

42 FH 1 1 Closed Hi Hat

Analog HH Closed 1

Room Tom 3 Room Tom 3

Analog HH Closed 1

43 G 1 Floor Tom H Room Tom 2 Power Tom 2 E Tom 2 Analog Tom 2 Jazz Tom 2 Brush Tom 2 Jazz Tom 2 Hand Clap Room Tom 4 Jazz Tom 2 Conga H Open

44 GH 1 Pedal Hi-Hat

Analog HH Closed 2

Crash Cymbal Bass Drum L

Analog HH Closed

45 A 1 Low Tom Room Tom 3 Power Tom 3 E Tom 3 Analog Tom 3 Jazz Tom 3 Brush Tom 3 Jazz Tom 3 Side Stick Bass Drum H Jazz Tom 3 Conga H Open

46 AH 1 1 Hi-Hat Open

Analog HH Open

Ride Cymbal Cup SD Power M HHAnOpn

47 B 1 Mid Tom L Room Tom 4 Power Tom 4 E Tom 4 Analog Tom 4 Jazz Tom 4 Brush Tom 4 Jazz Tom 4 Closed Hi Hat Tom 1 Jazz Tom 4 Conga H Open

48 C 2 Mid Tom H Room Tom 5 Power Tom 5 E Tom 5 Analog Tom 5 Jazz Tom 5 Brush Tom 5 Jazz Tom 5 Hi-Hat Open Tom 2 Jazz Tom 5 Conga H Open

49 CH 2

Crash Cymbal 1

Hand Cym.Open L

Snare 1 HHAnOpn

50 D 2 High Tom Room Tom 6 Power Tom 6 E Tom 6 Analog Tom 6 Jazz Tom 6 Brush Tom 6 Jazz Tom 6 Tom 3 Jazz Tom 6 Conga H Open

51 DH 2 Ride Cymbal 1

Hand Cym.Closed L

Side Stick

52 E 2

Chinese Cymbal

Snare 2

53 F 2

Ride Cymbal Cup

Tom 4

54 FH 2 Tambourine Hand Clap

55 G 2 Splash Cymbal Cowbell

56 GH 2 Cowbell Shaker

57 A 2

Crash Cymbal 2

Hand Cym.Open H

Closed Hi Hat

58 AH 2 Vibraslap Closed Hi Hat2

59 B 2 Ride Cymbal 2

Hand Cym.Closed H

Hi-Hat Open

60 C 3 Bongo H BDAnalog

Crash Cymbal 1

61 CH 3 Bongo L Cowbell

Crash Cymbal 2

62 D 3 Conga H Mute Analog Conga H SDPower Ride Cymbal

63 DH 3 Conga H Open Analog Conga M SDAna9

Ride Cymbal Cup

64 E 3 Conga L Analog Conga L CongaOpL Conga L Open

65 F 3 Timbale H CongaOpH Conga H Mute

66 FH 3 Timbale L CongaMt Conga H Open

67 G 3 High Agogo AgogoL Bongo L

68 GH 3 Low Agogo AgogoH Bongo H

69 A 3 Cabassa TimbleL Timble L

70 AH 3 Maracas TimbleH Timble H

71 B 3 O

Samba Whistle H

HHAnCls Tumbrn

72 C 4 O

Samba Whistle L

Shaker Clave

73 CH 4 Guiro Short Wood Block

74 D 4 O Guiro Long Agogo L

75 DH 4 Claves Agogo H

76 E 4 Wood Block H Samba Whistle

77 F 4 Wood Block L BDAnalog

78 FH 4 Cuica Mute Scratch Push Scratch Push Squ Scratch Push

79 G 4 Cuica Open Scratch Pull Scratch Pull BDGate Scratch Pull

80 GH 4 2 Triangle Mute HHAnCls

81 A 4 2 Triangle Open SDAna9

82 AH 4 Shaker HHAnOpn

83 B 4 Jingle Bell SDAna8

84 C 5 Bell Tree SynBsC

85 CH 5 Hi Q SynBsCH

86 D 5 SynBsD

87 DH 5 SynBsDH

88 E 5 SynBsE

89 F 5 SynBsF

90 FH 5 SynBsFH

91 G 5 SynBsG

92 GH 5 SynBsGH

93 A 5 SynBsA

94 AH 5 SynBsAH

95 B 5 SynBsB

96 C 6 SynBsC

GM Preset

: Same as Standard Kit

: No Sound

DRUM VOICE LIST

Dum-Voice-Liste

Liste des Sonorités Rythmiques

● MIDI DATA FORMAT

Please note that there are a few changes in the “MIDI

DATA FORMAT” specifications (see the W5/W7

Technical Information booklet, page 39). Items

shaded in gray, below, are the new additions to

Version 2.

Technical Information – page 39

1.2 Channel Message

1.2.1 Transmission

1.2.1.1 Note on/off

Transmission note range = C-2(0)...G8(127)

Velocity range = 1...127

1.2.1.2 Control change

Control change is output via MIDI when the following controllers are used.

ctrl#

1 119

parameter

Modulation Wheel

Foot Controller

Foot Volume

Expression

Sustain Switch

Continuous Slider

Foot Controller

data rng

0 127

Technical Information – page 40

1.2.1.3 Program change

When a voice is selected, the bank select and program change is

transmitted according to the following chart.

PRESET 1

INTERNAL

SONG

EXTERNAL

PRESET 2

PRESET 3

PRESET

INTERNAL

SONG

EXTERNAL

Normal Voice

Drum Voice

Bank No. MSB / LSB

0($00) / 0($00)

1($01) / 0($00)

2($02) / 0($00)

3($03) / 0($00)

4($04) / 0($00)

5($01) / 0($00)

6($01) / 0($00)

127($7F) / 0($00)

17($11) / 0($00)

18($12) / 0($00)

19($13) / 0($00)

20($14) / 0($00)

PGM CNG No.

1 128($00 $7F)

Technical Information – page 40

1.2.2.2 Control change

Parameters in the table below can be controlled by MIDI.

data rng

0 127

0 , 127

parameter

Bank Select MSB

Bank Select LSB

Modulation wheel

Foot control

Data Entry

Inst Volume

Pan

Expression

Harmonic Content

Release Time

Attack Time

Brightness

Portament Control

EF Send 1 (Reverb)

EF Send 2 (Chorus)

EF Send 3 (Delay/Rev)

MIDI Control 1

MIDI Control 2

Sustain Switch

cntrl#

1 119

*1: See Program Change 1.2.1.3

1.2.2.3 Program Change

When a program change message is received, the W5/W7 performs the

operations below. Three types of reception modes can be set with the System

Setup.

In Store Mode and Voice Edit Mode program changes will not be received.

1) Off: Program changes will not be received.

2) Ignore Bank Select: Individual program number (001 ~ 128) change messages

will be received but bank select messages will be ignored.

3) On: Bank select and program change messages will be received according to

the following chart.

PRESET 1

INTERNAL

SONG

EXTERNAL

PRESET 2

PRESET 3

PRESET

INTERNAL

SONG

EXTERNAL

Normal Voice

Drum Voice

Bank No. MSB / LSB

0($00) / 0($00)

1($01) / 0($00)

2($02) / 0($00)

3($03) / 0($00)

4($04) / 0($00)

5($01) / 0($00)

6($01) / 0($00)

127($7F) / 0($00)

17($11) / 0($00)

18($12) / 0($00)

19($13) / 0($00)

20($14) / 0($00)

PGM CNG No.

1 128($00 $7F)

Technical Information – page 41

2.2 Parameter Change

The W5/W7 will transmit and receive the eight types of parameter change messages

listed below. When recording is activated and “All Track” and “Punch-in” are not

designated, parameter change messages will be transmitted when the [SONG],

[VOICE], [SELECT], [SOLO] and [TRACK 1]~[TRACK 16] buttons are pressed.

However, 6) Switch Remote will only receive and it will act the same function as the

panel switches.

1). Song/Multi Data

2). Normal Voice Data

3). Drum Voice Data

4). Element Data

5). Setup Data

6). Switch Remote

7). Master Tuning

8). Universal System Exclusive Message

Except for Device Number off, the parameter change reception cannot be turned off

with each MIDI switch.

PARAMETER PARAMETER BULK DATA DISPLAY NOTES

NUMBER NUMBER RANGE

Greeting Message

SYS_GRTU00 0 0 32..127 ASCII upper 0

SYS_GRTU11 1 1 32..127 ASCII upper 1

SYS_LOCAL 44 44 0..1 off,on local switch

SYS_DEVNO 45 45 0..17 off,1..16,all device number

SYS_PROT 46 46

0..1

auto, manual multistore

SYS_PGMSW 47 47 0..2 off,ignore,on program change switch

reserved - 48 reserved

SYS_CTRL_RST 49 49 0..1 hold,reset controller hold

SYS_EDIT_CONF 50 50 0..1 off,on edit confirm

SYS_MVOL 51 51 0..127 0..127 master volume

reserved - 52..56 reserved

SYS_CS 57 57 0..119 off,1..119 cs assign

SYS_FC 58 58 0..119 off, 1..119 foot ctrl assign

SYS_FV 59 59 0..1 fc, exp foot vol assign

SYS_FCINIT 60 60 0..127 ??? foot ctrl init val.

SYS_FIX_VEL 61 61 0..127 off,1..127 play fix velocity

Technical Information – page 44

6. Appended Table

(1) MIDI Parameter Change table (Song / Multi)

$F0,$43,$1n,$33,$04,sub_group,p_msb,p_lsb,v_msb,v_lsb,$F7

NOTES: n: Device Number

s: parameter sub group number

000ccccc

c: 1..16; Inst Channel (1..16), 0: common data

p: parameter number

v: parameter value

[SONG_MULTI PARAMETERS]

1.COMMON c=0

Technical Information – page 52

(5) MIDI Parameter Change table (Setup)

$F0,$43,$1n,$33,$07,sub_group,p_msb,p_lsb,v_msb,v_lsb,$F7

NOTES: n: Device Number

s: parameter sub group number = 0

p: parameter number

v: parameter value

1. SYSTEM s=0

Technical Information – pages 56-57

The Implementation Chart on pages 35 ~ 36 now

replaces the chart on pages 56 ~ 57 of the Technical

Information booklet.

PARAMETER PARAMETER BULK DATA DISPLAY NOTES

NUMBER NUMBER RANGE

SNG_NAME0 0 0 32..127 ASCII song name top

SNG_NAME1 1 1 32..127 ASCII song name

SNG_LOC1 - 72,73 0..998 1..999 location point 1

SNG_LOC2 - 74,75 0..998 1..999 location point 2

SNG_KEY_MODE 76 76 b0..b1 norm, split, keyboard mode

layer, 4zone

b2..b4 off, 1st, upr, dynamic split mode

lwrL, lwrH

b5..b6 3rd, 5th, 7th dynamic split interval

9th

SNG_SPLIT 77 77 0..127 C-2..G8 split point

reserved - 78 reserved

YAMAHA [ Music Synthesizer---synthesizer part ] Date:17-OCT-1995

Model W5/W7 MIDI Implementation Chart Version : 2.0

+----------------------------------------------------------------------+

|-------------------+----------------+----------------+----------------|

|Basic Default | 1 - 16 | 1 - 16 | memorized |

|Channel Changed | 1 - 16 | 1 - 16 | |

|-------------------+----------------+----------------+----------------|

| Default | 3 | 3 | memorized |

|Mode Messages | x | x | |

| Altered | ************** | x | |

|-------------------+----------------+----------------+----------------|

|Note | 0 - 127 | 0 - 127 | |

|Number : True voice| ************** | 1 - 127 | |

|-------------------+----------------+----------------+----------------|

|-------------------+----------------+----------------+----------------|

|After Key's | x | x | |

|Touch Ch's | o | o | |

|-------------------+----------------+----------------+----------------|

|-------------------+----------------+----------------+----------------|

| 0,32 | o *2| o *2|Bank Select |

| 1 | o M.Wheel | o | |

| 6 | x | o | |

| 7 | o Foot volume | o |Volume |

| 10 | x | o |Pan |

| 64 | o Sustain sw. | o |Sustain |

| 71 | x | o |Harmonic Content|

| 72 | x | o |Release Time |

| 73 | x | o |Attack Time |

| 74 | x | o |Brightness |

| 84 | x | o |Porta Cont. |

| 91 | x | o |Effect Send1 |

| 93 | x | o |Effect Send2 |

| 94 | x | o |Effect Send3 |

| 1-31,33-119 | o CS,Foot Cont.| o |Assignable |

| 120 | x | o |All Sounds Off |

| 121 | x | o |Reset All Cont. |

|-------------------+----------------+----------------+----------------|

|Prog | o 0-127 *3 | o 0-127 *3 | |

|Change : True # | *********** | | |

|-------------------+----------------+----------------+----------------|

|System Exclusive | o *1 | o *1 |voice etc. |

|-------------------+----------------+----------------+----------------|

| : Song Pos | |

|Common : Song Sel | |

| : Tune | See the sequencer part. |

|-------------------+ |

|System :Clock | |

|Real Time :Commands| |

|-------------------+----------------+----------------+----------------|

|Aux :Local ON/OFF | x | x | |

| :All Notes OFF| x | o | |

|Mes- :Active Sense | o | o | |

|sages:Reset | x | x | |

|-------------------+----------------+----------------+----------------|

|Note *1 ; transmit/receive if device No is not off. |

| *2 ; transmit/receive if program sw is on. |

| *3 ; transmit/receive if program sw is not off. |

+----------------------------------------------------------------------+

Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No

YAMAHA [ Music synthesizer---sequencer part ] Date:17-OCT-1995

Model W5/W7 MIDI Implementation Chart Version : 2.0

+----------------------------------------------------------------------+

|-------------------+----------------+----------------+----------------|

|Basic Default | 1 - 16 | 1 - 16 | memorized |

|Channel Changed | 1 - 16 | 1 - 16 | |

|-------------------+----------------+----------------+----------------|

| Default | x | x | |

|Mode Messages | x | x | |

| Altered | ************** | x | |

|-------------------+----------------+----------------+----------------|

|Note | 0 - 127 | 0 - 127 | |

|Number : True voice| ************** | | |

|-------------------+----------------+----------------+----------------|

|-------------------+----------------+----------------+----------------|

|After Key's | o | o *6| |

|Touch Ch's | o | o *6| |

|-------------------+----------------+----------------+----------------|

|Pitch Bender | o | o | |

|-------------------+----------------+----------------+----------------|

| 0,32 | o *3| o *10|Bank Select |

| 1 - 31,33 - 121 | o | o | |

| | | | |

| Control | *5| *7| |

| | | | |

| | | | |

|-------------------+----------------+----------------+----------------|

|Prog | o 0 - 127 *4| o 0 - 127 *9| |

|Change : True # | ************** | | |

|-------------------+----------------+----------------+----------------|

|System Exclusive | o | o *8| Song data etc. |

|-------------------+----------------+----------------+----------------|

|System : Song Pos | o *2| o *2| except REC mode|

| : Song Sel | x | o *2| |

|Common : Tune | x | x | |

|-------------------+----------------+----------------+----------------|

|System :Clock | o *2| o *1| |

|Real Time :Commands| o *2| o *2| |

|-------------------+----------------+----------------+----------------|

|Aux :Local ON/OFF | o | o | |

| :All Notes OFF| x | x | |

|Mes- :Active Sense | o | x | |

|sages:Reset | x | x | |

|-------------------+----------------+----------------+----------------|

|Notes: *1 = receive in MIDI sync mode. |

| *2 = transmit/receive if MIDI control is not off. |

| *3 = transmit if playback filter bank select is not ignore. |

| *4 = transmit if playback filter program change is not ignore. |

| *5 = transmit if playback filter control change is not ignore. |

| *6 = receive if record filter after touch is not ignore. |

| *7 = receive if record filter control change is not ignore. |

| *8 = receive if record filter system exclusive is not ignore. |

| *9 = receive if program switch is not off. |

| *10 = receive if program switch is on. |

+----------------------------------------------------------------------+

Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No

Yamaha Version2, W5, W7 El manual del propietario

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